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Speaker 1: So I'm at the video store. Because I'm back and forth.

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Speaker 1: I'm saying that, how would I want, That's not what

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Speaker 1: I want, That's not what I want, And I just

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Speaker 1: don't understand what's going on. And then I finally say, oh,

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Speaker 1: I'm looking for looking for comedy in the Muslim world,

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Speaker 1: I'm not looking for a comedy.

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Speaker 2: Yeah Muslim right, R Have you had that? No, I've

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Speaker 2: had that exact same experience at the same video store,

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Speaker 2: I believe, so they should have been prepared.

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Speaker 1: And I you know, I was in it. I was

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Speaker 1: parked in the middle of the street. I was trying

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Speaker 1: to get out of there. But uh, that's why there.

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Speaker 2: Well, there's no parking run there. You have to leave

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Speaker 2: your car, right and like I try to get the

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Speaker 2: one set of tires on each of the yellow lines.

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Speaker 1: Yes, you think, like I'll just run in, get my

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Speaker 1: movie and run out. And you would think whichever one

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Speaker 1: of us this happened to first, they would have.

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Speaker 2: Well, and it's gonna have happened to a lot of

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Speaker 2: people because that's a very popular rent.

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Speaker 1: Mm hmm. Sure people certainly know what we're talking about

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Speaker 1: right now.

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Speaker 2: Yeah, there's not a single listener who's not where of

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Speaker 2: the very popular video rental looking for comedy in the

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Speaker 2: Muslim world.

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Speaker 1: Hey, welcome to Hollywood. Hand looking inside his guy to

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Speaker 1: kicking button dropping names of the red carpet line back

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Speaker 1: hallways of this industry. We call show.

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Speaker 2: Man up water code man? Can we get a water

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Speaker 2: bottle in here? I notice when Sam's engineer, there's like

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Speaker 2: a bottle of water in here.

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Speaker 1: And he's refilling it. He's constantly real.

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Speaker 2: He's leaning over filling the glass.

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Speaker 1: Yes, but I noticed that there is a water bottle

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Speaker 1: in here? But where is it? Cody?

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Speaker 2: He just gets confused.

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Speaker 1: Cody, where is the one water bottle that's in here?

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Speaker 1: Answer the question? Also a bartender, Cody on the side,

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Speaker 1: don't answer the old question. There's jobs.

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Speaker 2: There's one Cody should worry about Cody and not necessarily

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Speaker 2: worry about Sam.

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Speaker 1: There's one water bottle in this room, and where is it?

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Speaker 3: I'm drinking it?

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Speaker 2: Actually, that's right, it's in Cody's drinking straight out of

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Speaker 2: the bottle. Yes, so it's impossible to share.

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Speaker 1: It's in Cody's hand, isn't it.

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Speaker 2: Mm hmmm.

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Speaker 1: Yeah. So you like the water, well, most people would

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Speaker 1: like the water that's in Cody's hand.

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Speaker 2: Cody doesn't have to talk and strain his voice and

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Speaker 2: dry out his throat during the podcast. In fact, he

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Speaker 2: should never be talking when he's in this room, so

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Speaker 2: he shouldn't really.

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Speaker 4: Need the water.

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Speaker 2: I'll tell you what I usually don't. So you guys

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Speaker 2: come around and I have to because we always make

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Speaker 2: you talk. You always make me talk.

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Speaker 1: But why do we do that? Because we're supposed to

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Speaker 1: have water.

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Speaker 2: Because we are supposed to have water, Do you want

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Speaker 2: some of mone?

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Speaker 1: No? No, because I've seen there's a little thing going

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Speaker 1: around right now. I don't know if you've heard of it.

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Speaker 1: But don't share glasses. That's all I have to say.

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Speaker 2: And for people who can't see. Also, Cody's got a

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Speaker 2: big fat dip in and every time he takes a

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Speaker 2: sip of water, hequashes of the tobacco spit and then

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Speaker 2: he SIPs out of that again. And so what he

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Speaker 2: just is it just a glass of tar essentially, And

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Speaker 2: so no, we wouldn't like some of your water, but

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Speaker 2: we would like some water in a clean bottle. In

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Speaker 2: a clean bottle. We have something we want to talk

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Speaker 2: about this week, Mike Off. It's a new thing. This

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Speaker 2: is sort of something we've been listening to. We try

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Speaker 2: and stay up on stuff, and well, uh, being at

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Speaker 2: the forefront of entertainment means not limiting yourself to what

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Speaker 2: you're already comfortable with.

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Speaker 1: That's yes. To that end, we like to sort of

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Speaker 1: test our boundaries.

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Speaker 2: We take in all.

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Speaker 1: Kinds of new content and and and try to anticipate

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Speaker 1: what the next thing is.

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Speaker 2: A year ago we watched some skateboarding videos and if

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Speaker 2: you'll notice, now people are doing that stuff.

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Speaker 1: And this week we listened to something that we actually

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Speaker 1: thought was very interesting and we sort of wanted to

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Speaker 1: talk about that and explore that on the And.

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Speaker 2: I hesitate to describe it as music because I don't

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Speaker 2: think the verdict is in yet. But it's something like music,

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Speaker 2: and I think it's not a fat I think it's

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Speaker 2: here to stay because of how powerful what we listened

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Speaker 2: to is. Now it's something called hip hop or rap.

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Speaker 2: This hip hop music.

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Speaker 1: It has a beat. It does have a beat to it,

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Speaker 1: and it does make you tap your foot a little bit.

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Speaker 1: People say it's got no instruments. A drum is an

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Speaker 1: instrument and there is a drum style beat behind it,

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Speaker 1: and it's almost like you're using your voice as an instrument,

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Speaker 1: not like a like a.

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Speaker 2: Well you can do that. You can do that. And

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Speaker 2: it's also not necessarily singing, yeah, which is an instrument

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Speaker 2: of voice, but it is using your voice almost like

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Speaker 2: a rhythm.

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Speaker 1: Like a drum.

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Speaker 2: Your voice is like a drum and not making drum sounds,

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Speaker 2: but making words.

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Speaker 1: You know. What it reminds me of is the Blues,

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Speaker 1: and not necessarily in terms of the music itself, but

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Speaker 1: in terms of the attitude and like some of the

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Speaker 1: stuff it sounds like they're trying to get across. It

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Speaker 1: sounds like some of them do sort of have the blues,

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Speaker 1: but it's like an angry like with an angrier.

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Speaker 2: It does feel like some of what the Blues was,

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Speaker 2: and also some of the old old, the older spiritual. Yes,

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Speaker 2: that's right, similar, yes, And I don't know what it

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Speaker 2: is spreading through.

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Speaker 1: Except for the attitude to it. Vocally, they're trying to

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Speaker 1: tell us something. They're all trying to tell us the

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Speaker 1: same thing, and they have some kind of messages. I'm

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Speaker 1: not even sure they know what it.

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Speaker 2: Is, no, but I in fact would guarantee that they don't.

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Speaker 1: But they're trying to get something across to us. And

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Speaker 1: watching them try is so compelling to me. Uh and

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Speaker 1: I keep listening, I keep listening. I don't even know

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Speaker 1: if I like it.

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Speaker 2: And for people who haven't heard it, look it up.

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Speaker 2: It's almost a street poetry.

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Speaker 1: Yes, it is a lack of a better poetry, somebody

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Speaker 1: who's trying to write poetry, but they don't necessarily have

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Speaker 1: the vocabulary, the formal training, and so they'll use all kinds.

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Speaker 1: You know, some of the word choice is not ideal,

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Speaker 1: but yes, it's Sometimes it sounds like this is all

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Speaker 1: I this is all I know, and I'm trying to

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Speaker 1: say this, but the words just aren't coming out right.

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Speaker 2: But I'm so angry, yes, angry or proud and both

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Speaker 2: those things. So I mean this segment obviously is called

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Speaker 2: uh rip dip Tip of the Week, and it's inspired

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Speaker 2: The title is inspired by some of the music that

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Speaker 2: we are talking about where they do sort of rhyme

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Speaker 2: and use these crazy languages. So rip dip Tip of

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Speaker 2: the Week and that tip is go check out hip

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Speaker 2: hop or rap music and it's on computers, and it's

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Speaker 2: in the TV, and it's and it's around and well,

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Speaker 2: we'd love to have a conversation about it.

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Speaker 1: On the forums actually.

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Speaker 2: And if anybody has yes, if anybody has any information

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Speaker 2: as to what's going on with it or how it's

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Speaker 2: you know, doing.

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Speaker 1: We're gonna get to our guests in just one second.

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Speaker 1: But before we do that, we want to announce a

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Speaker 1: little change to the program going forward.

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Speaker 2: Yes, and that changes.

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Speaker 1: We would like to ask you guys to help us

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Speaker 1: with a little project we're doing now.

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Speaker 2: We've never asked you for anything, and that's intentional.

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Speaker 1: We don't want anything from you. We don't want.

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Speaker 2: Anything, and we kind of like to pretend that you

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Speaker 2: guys aren't even out there. This is just me talking

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Speaker 2: to Hayes and some of our friends normally because that's

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Speaker 2: what's fun for us. But it became less about fun

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Speaker 2: when we for the first time made an enemy.

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Speaker 1: We're part of this Earwolf podcast network.

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Speaker 2: It's a whole group of podcasts.

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Speaker 1: And there's another podcast on the network called The Wolf Den, and.

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Speaker 2: We got into a sort of headbutting match over studio

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Speaker 2: scheduling and engineers and they actually stole engineer Brett during

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Speaker 2: this recording session, so we do have to work with Cody.

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Speaker 1: And they were sort of bragging and boasting to us

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Speaker 1: about being the second least popular podcast on the Earwolf network,

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Speaker 1: one spot ahead of the two of us.

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Speaker 2: Yes, the least popular podcast. I guess numbers wise, probably

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Speaker 2: because we don't care.

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Speaker 1: Yeah, and that doesn't even count some of the internet,

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Speaker 1: and it like the numbers are actually kind of weird

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Speaker 1: because like maybe for ear Wolf podcasts, but that doesn't

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Speaker 1: actually count some of the other ways like phones.

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Speaker 2: Yes, and they can't have any way to track that

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Speaker 2: yet because the satellites aren't fully trackable. So even though

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Speaker 2: we know we are not actually the least popular show

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Speaker 2: in all of the Earwolf family, the numbers aren't bearing

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Speaker 2: that out. So what we would like to ask is,

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Speaker 2: let's get wolf Den. We're coming for you, wolf Den.

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Speaker 2: We're gonna become the second least but we're gunning for

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Speaker 2: that number. I guess twelve spot right above thirteen, because

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Speaker 2: if there's thirteen total, we're gunning for that one. And

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Speaker 2: what we would ask is that you listen more and harder.

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Speaker 2: Tell your friends, tell your friends they don't have to

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Speaker 2: please don't tell them about wolf Den. Don't tell them

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Speaker 2: about this challenge, because that might make them listen to

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Speaker 2: wolf Don at the same time. And listen wolf Don

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Speaker 2: is a show about the business of podcasting. This is

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Speaker 2: not going to be easy. So nobody knows more about

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Speaker 2: the business of podcasting than this show, and so we

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Speaker 2: really are kind of out of our element. What we

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Speaker 2: know about is movies and TV and people.

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Speaker 1: Yes, we can make a popular movie or TV and

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Speaker 1: we can even make popular people.

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Speaker 2: Yes. And to that last point, since you are people,

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Speaker 2: listen up, listen up, listen up to the show.

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Speaker 1: I'm sorry.

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Speaker 2: I'm just like, there's a coffee cup on the table

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Speaker 2: and it has headphones.

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Speaker 1: Don't touch it. Don't touch it. Don't touch it. Don't

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Speaker 1: touch it because it has headphones areout it. Yes, it

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Speaker 1: has headphodes. They're at it, and it looks like the

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Speaker 1: coffee is listening to headphones and Lody, please take a

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Speaker 1: picture of that.

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Speaker 2: And the coffee sort of has a wide open mouth

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Speaker 2: like this laughing.

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Speaker 1: Did you get that, Cody, You you did get it.

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Speaker 1: You got the photos, you got the headphones and the

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Speaker 1: coffee cup. Okay, are you gonna will you put it up?

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Speaker 2: Yeah?

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Speaker 1: Okay, because I wish like and that's just for to

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Speaker 1: see it. Yes, but it's just lucky because I just

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Speaker 1: like you want to share it. Talking about you have

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Speaker 1: to see it and just like be talking about it.

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Speaker 1: It really does look like it's listing to the headphones.

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Speaker 2: Uh but anyway, anyway, coffee listening to headphones. Aside, we

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Speaker 2: know that some other shows in the past have said

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Speaker 2: take your friend's phones, subscribe to the podcast on their phone,

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Speaker 2: or if anyone leaves their computer open, go in their

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Speaker 2: iTunes and subscribe to the podcast for them until they

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Speaker 2: sniff it out and get rid of it.

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Speaker 1: Buy a bunch of computers and subscribe on all those.

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Speaker 2: Uh yes, go into everybody's If you go to Hollywood

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Speaker 2: Handbooks SoundCloud and just click on every episode, just you

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Speaker 2: don't have to listen to the whole thing, it'll count

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Speaker 2: it even if you just click at once. That's a

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Speaker 2: trick that you can do. Subscribe and then just do

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Speaker 2: a bunch of more reviews, maybe make multiple accounts.

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Speaker 1: But now here come our guests, because today our guests

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Speaker 1: are Dave Ferguson and Mike Hanford, two of the Birthday Boys.

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Speaker 1: Their new show is coming out October seventeenth, so and

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Speaker 1: they're coming on our show right now on Hollywood Handbook.

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Speaker 2: So I'm there with Finch, Yes, Finch Itcher, and you

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Speaker 2: know how finch is right. He's a little bit of

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Speaker 2: a hound dog. Yeah, And we're watching her ride the

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Speaker 2: mechanical bull and he goes it kind of look like

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Speaker 2: she's having sex.

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Speaker 1: Finch finch or Fiched Fictioner, Fixener Fictioner or Fincher, Finch, Finchner, Finchner, Finchner.

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Speaker 1: What's his first name?

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Speaker 2: I say, it's David Finchtner.

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Speaker 1: Hey, welcome to Hollywood Handbook, an insider's guy to kicking

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Speaker 1: button dropping names in the red carpet lineback hallways of

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Speaker 1: this industry we call showbiz. We have two very exciting

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Speaker 1: guests today. Sometimes we have guests on the show who

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Speaker 1: have a TV show of their own. And this is

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Speaker 1: a two guys who are on a TV show and

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Speaker 1: they're part of a group called the Birthday Boys, and

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Speaker 1: that's the name of the show as well. And it's

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Speaker 1: a Mike Hanford and Dave Ferguson are here today. Hey, guys,

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Speaker 1: thank you guys so much for coming on the show.

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Speaker 1: Thank you, it's our pleasure. I remember when you guys

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Speaker 1: first sort of showed up in town. We were hearing

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Speaker 1: about these kids and they came and they wanted to

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Speaker 1: do sketch comedy. Do you remember that?

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Speaker 2: I yes, he's asking me. Yes, I remember when that happened,

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Speaker 2: and I remember being pretty pissed off, and I said,

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Speaker 2: if you recall this, I said, well they better be

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Speaker 2: getting some big laughs.

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Speaker 1: Yes, And I remember hearing that you guys had gotten

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Speaker 1: together with Bob Odin Kirk and U and that he

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Speaker 1: was He promised you that he was in charge of

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Speaker 1: Mad TV and that he was putting you on Mad

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Speaker 1: TV and he was tricking you into thinking that you

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Speaker 1: were on Are you that show?

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Speaker 5: Alfred Newman? Ive had no affiliation with Mad TV. The

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Speaker 5: only person I can think of that did at that

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Speaker 5: time would have been ALFREDY Newman.

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Speaker 2: Were you working with Alfred at all?

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Speaker 5: No, we we had no interation. That's why I'm trying

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Speaker 5: to clear up. Did you think Bob Odenkirk was alfredy Newman?

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Speaker 1: Well, he has that funny smile.

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Speaker 3: To clear up. We love all of ALFREDY Newman's books.

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Speaker 3: It was you know a little magazine magazines, right, Uh,

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Speaker 3: we love We have subscriptions. We flip pages and laugh throughout.

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Speaker 1: Of course, we just haven't had the pleasure.

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Speaker 2: What's some of the biggest laughs you've gotten out of

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Speaker 2: Alfredy Newman book.

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Speaker 3: Well, I'm a spy by a spy by spy.

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Speaker 1: Yes, I'm sorry, by what would that be? Imagine what

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Speaker 1: that would be?

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Speaker 2: Like?

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Speaker 3: I love the spy by spices.

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Speaker 2: Yeah, they're just working together.

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Speaker 3: And I really like when the gray spy comes in

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Speaker 3: because you know, here's an X factor.

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Speaker 5: Well, it introduces a thing. It's like, it's it's a

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Speaker 5: metaphor for the world. Not everything is black and white,

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Speaker 5: or black or white, as Michael Jackson would say, sometimes.

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Speaker 3: Black and white and gray in these particular spy by

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Speaker 3: spies right.

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Speaker 5: Well, for me, I I don't know that I've ever

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Speaker 5: topped my laugh factor beyond the front cover. When you

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Speaker 5: see that that split tooth there.

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Speaker 1: It's right, and how you can fold him in and

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Speaker 1: connect them so it makes like a.

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Speaker 2: Regular front come out you cover up that.

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Speaker 1: That's that's you don't want to see all this together? Yeah,

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Speaker 1: a lot of people.

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Speaker 2: That's that instead of mad it says m D yeah,

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Speaker 2: and it's sort of like is this a yes? Is

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Speaker 2: this a medical journal?

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Speaker 1: That was the That was how they came up with

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Speaker 1: doogie howser.

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Speaker 5: I don't know if you knew that that was It

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Speaker 5: was just an idea that was born because a lot

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Speaker 5: of people don't realize you can fold any page of

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Speaker 5: a Mad magazine publication, you can fold.

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Speaker 3: A page book. A lot of people don't realize that either.

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Speaker 5: Right, Mike has copies stacked under his bed that just

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Speaker 5: looked like origami, you know, because.

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Speaker 1: They do even just in the middle. You fold him

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Speaker 1: in any direction and it'll make something, make a make up, yeah, absolutely, m.

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Speaker 3: Make a goose mm hm.

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Speaker 1: And so in those early days with Bob, I know

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Speaker 1: that you guys were doing sketch comedy with him, and

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Speaker 1: he was also having you pick pockets sometimes. Yeah, this

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Speaker 1: was pre breaking bad.

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Speaker 5: So this was you know, before the influx of cash,

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Speaker 5: hole of green, before he went baffo.

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Speaker 1: Yes, because you know now he's Boffo at the bo.

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Speaker 5: You know extremely at the time, you know, he was caulty,

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Speaker 5: he was indy, he was hot, he was something, he

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Speaker 5: was something for tomorrow.

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Speaker 3: You know what's nice about Bob is his initials are

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Speaker 3: boh so baffo bo baffo at the bo is, I think.

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Speaker 5: And that's one of those perfect examples of a thing

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Speaker 5: that when you're little is a nightmare. Bo body odor immediately, yes,

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Speaker 5: but you grow up, you go through puberty. You can

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Speaker 5: use that pain, right, and then it becomes something different

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Speaker 5: and all of a sudden, your quirks, your your eccentricities,

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Speaker 5: they pop on the screen and Bengo.

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Speaker 2: I know that Hayes got some teasing in the locker

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Speaker 2: room as a young man, and I think it made

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Speaker 2: him funnier. Hayes like purple Hayes, Well, like a foggy

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Speaker 2: yeah day and.

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Speaker 3: Well that's the worst. I can't do anything worse to

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Speaker 3: be compared to the people say, are you okay Man?

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Speaker 1: No, yeah, well I'm fine now, sure, I'm fine now,

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00:18:06,520 --> 00:18:10,640
Speaker 1: but there's no time. Yeah yeah.

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Speaker 5: Well you two together even probably got the old Will

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Speaker 5: and Grace treatment. I don't know if you knew each other.

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Speaker 3: Hey, that's right Hayes Shawnman No or Sean Hayes was

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Speaker 3: I don't know she You know his pilot Seasons is

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Speaker 3: not go well last.

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Speaker 1: Well that was a big part of the pitch for

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Speaker 1: this show.

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Speaker 3: They thought they were maybe getting someone else.

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Speaker 1: Well, it's it is. We never Sean Hayes.

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Speaker 2: We never lie, and that's important to remember. But maybe

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Speaker 2: some of the stuff we wrote could be interpreted more

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Speaker 2: than one way.

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Speaker 1: Hey, we just talked about gray areas.

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Speaker 2: I think, yes, we are the grace.

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Speaker 1: Yes.

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Speaker 2: Did you guys get made.

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Speaker 6: Fun of for stuff?

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00:18:56,560 --> 00:18:58,040
Speaker 5: I don't know that I didn't.

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Speaker 3: I was on a hockey team where the older an

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Speaker 3: older player an older I was gonna say an older gentleman,

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Speaker 3: but what he did was not gentlemanly.

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Speaker 1: Uh.

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Speaker 3: He took me aside. One one day we were at

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Speaker 3: a mall. We're at a tournament and between games we

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Speaker 3: went to a mall to eat, and the parents were

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Speaker 3: eating the boys went off into the mall. I was

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Speaker 3: pulled aside by this fellow taller than me and said,

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Speaker 3: you know you're a shithead right well, and I am Jack.

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Speaker 3: What did I do other than not.

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Speaker 1: Well, you showed him, I guess no.

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Speaker 3: I showed myself that if someone's taller than the door,

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Speaker 3: I'm gonna let them walk on me.

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Speaker 1: At Least at least.

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Speaker 5: You were able to have your shame in the privacy

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Speaker 5: of an exchange with one another person. Imagine my horror.

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Speaker 5: I want to take you back to the nineties.

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Speaker 3: Okay, okay, okay, I'm.

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Speaker 2: Bright Colors.

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Speaker 5: We're listening to the voice of the one and only

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Speaker 5: Don Pardo.

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Speaker 1: God rest his soul.

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Speaker 5: Okay, all right, we know what night it is, don't we?

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Speaker 5: Everyone say Saturday?

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Speaker 1: Saturday nights.

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Speaker 2: I'm watching sometimes they show that show.

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00:20:15,960 --> 00:20:16,359
Speaker 3: That's true.

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00:20:16,520 --> 00:20:17,200
Speaker 1: That's a good point.

390
00:20:17,240 --> 00:20:19,720
Speaker 3: This was not a retching.

391
00:20:20,160 --> 00:20:21,959
Speaker 5: He was very around, but they were doing like the

392
00:20:22,000 --> 00:20:24,760
Speaker 5: hot Bodies of the Beach kind of stuff and then

393
00:20:24,920 --> 00:20:29,760
Speaker 5: got even into the true Hollywood story yet. Anyway, I'm

394
00:20:29,760 --> 00:20:33,840
Speaker 5: watching NBC, don okay, and we're painting that yes the bird,

395
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Speaker 5: and I'm live from New York. It's Saturday night, right,

396
00:20:40,720 --> 00:20:44,720
Speaker 5: Don Pardo, Don Pardo, he shook it? Thank you impression.

397
00:20:44,800 --> 00:20:50,360
Speaker 5: Sometimes my favorite spoof comes on m Jippity.

398
00:20:51,800 --> 00:20:57,320
Speaker 7: Okay, okay for people at home, this is based on

399
00:20:57,359 --> 00:21:01,040
Speaker 7: an actual game show that you can and watch, right,

400
00:21:01,440 --> 00:21:04,840
Speaker 7: and the game show does have celebrities, so they really

401
00:21:04,880 --> 00:21:05,400
Speaker 7: opened the.

402
00:21:05,400 --> 00:21:07,560
Speaker 5: Door, right because you might have a real one mixed in.

403
00:21:07,960 --> 00:21:12,160
Speaker 3: Yes, yes, I never put that together. Yeah, it's based

404
00:21:12,200 --> 00:21:13,199
Speaker 3: off of the real Jeopardy.

405
00:21:13,720 --> 00:21:15,680
Speaker 1: They do. They do both have questions.

406
00:21:15,960 --> 00:21:17,359
Speaker 2: They both have they both have questions.

407
00:21:17,440 --> 00:21:18,000
Speaker 1: Both have a question.

408
00:21:18,040 --> 00:21:20,840
Speaker 5: And Michae'll go one step further. You probably know Trey Beck.

409
00:21:21,320 --> 00:21:25,840
Speaker 5: Yeah right, right, Well, instead of instead of having Alex Trabegan,

410
00:21:25,880 --> 00:21:27,399
Speaker 5: which they could do they are starting live.

411
00:21:27,480 --> 00:21:29,560
Speaker 2: They of course they could get a guy.

412
00:21:29,760 --> 00:21:33,320
Speaker 1: One phone call, they get Anger Man himself. Yeah, okay,

413
00:21:33,359 --> 00:21:35,240
Speaker 1: Scott Anchorman, No, I'm sorry.

414
00:21:35,320 --> 00:21:39,520
Speaker 5: Yeah, William Farrell, Yes, very funny guy coming up at

415
00:21:39,600 --> 00:21:43,240
Speaker 5: in pro Olympic guy. Oh yeah, that's great to be

416
00:21:43,400 --> 00:21:48,000
Speaker 5: Alex Tree back anyway, I'm I'm loving it. I am

417
00:21:48,040 --> 00:21:50,800
Speaker 5: just eating up. I'm laughing my my little head off.

418
00:21:50,880 --> 00:21:51,040
Speaker 8: Yeah.

419
00:21:51,040 --> 00:21:52,560
Speaker 3: I don't see how this is going to get you.

420
00:21:53,640 --> 00:21:54,120
Speaker 3: This is good.

421
00:21:54,200 --> 00:21:57,240
Speaker 1: This is a good two words. Turd Ferguson.

422
00:21:57,840 --> 00:21:58,359
Speaker 3: Uh huh.

423
00:22:00,080 --> 00:22:04,080
Speaker 5: The shot heard round the Ferguson household. My dad's crying,

424
00:22:04,160 --> 00:22:06,480
Speaker 5: my mom's crying, my brothers are crying.

425
00:22:08,480 --> 00:22:10,879
Speaker 1: No, I was devastating. I knew that.

426
00:22:10,920 --> 00:22:13,320
Speaker 5: When I showed up to school the next day, missus

427
00:22:13,320 --> 00:22:18,240
Speaker 5: Bergman's class, everybody from the biggest we eve in the

428
00:22:18,280 --> 00:22:23,080
Speaker 5: class to the coolest jocko would be calling me turd Ferguson.

429
00:22:23,160 --> 00:22:27,280
Speaker 5: And you know what, one guy did, just one, just

430
00:22:27,320 --> 00:22:28,879
Speaker 5: the one, just the one. And the next day I

431
00:22:28,880 --> 00:22:30,440
Speaker 5: don't remember ever hearing the name again.

432
00:22:31,520 --> 00:22:34,040
Speaker 1: But to take something like that that you loved then

433
00:22:34,200 --> 00:22:37,240
Speaker 1: it was giving you so much joy, and to turn

434
00:22:37,280 --> 00:22:39,920
Speaker 1: it into something pain and did it make you funny, Dave.

435
00:22:40,000 --> 00:22:41,439
Speaker 1: Is that why you're so funny today? You know?

436
00:22:41,520 --> 00:22:45,600
Speaker 5: Iron Thank you? That's first of all, that's very flattering, ironically. Yes,

437
00:22:45,640 --> 00:22:49,160
Speaker 5: it motivated me to enter a career in sketch comedies

438
00:22:49,240 --> 00:22:52,280
Speaker 5: so that one day I could be on that very

439
00:22:52,320 --> 00:22:54,640
Speaker 5: program and make my own turd ferguson.

440
00:22:54,560 --> 00:22:57,160
Speaker 2: And sort of weaponize your pain and try to make

441
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Speaker 2: other people get other fun of.

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00:22:58,880 --> 00:23:02,240
Speaker 5: Yeah, because that that is the type of soul healing,

443
00:23:03,000 --> 00:23:06,560
Speaker 5: you know, reciprocation that we all seek and revenge. I'm

444
00:23:06,760 --> 00:23:11,240
Speaker 5: excited to announce that starting next season, I will still

445
00:23:11,240 --> 00:23:12,240
Speaker 5: not be on Certing Life.

446
00:23:12,840 --> 00:23:16,080
Speaker 2: Wow, but is this just as good pretty much? Oh?

447
00:23:16,680 --> 00:23:18,439
Speaker 1: You mean being on this podcast? Yeah?

448
00:23:18,600 --> 00:23:20,320
Speaker 5: Yeah, I'd say this is as good as being on

449
00:23:20,320 --> 00:23:23,120
Speaker 5: one of the most important comedy shows of our time.

450
00:23:23,320 --> 00:23:26,200
Speaker 2: And is there a last name maybe that you want

451
00:23:26,200 --> 00:23:28,840
Speaker 2: to add a swear word in front of so that

452
00:23:29,160 --> 00:23:31,720
Speaker 2: anybody with that last name is going to have to

453
00:23:31,760 --> 00:23:34,920
Speaker 2: really take a real beating at school?

454
00:23:35,280 --> 00:23:35,680
Speaker 3: Okay?

455
00:23:36,119 --> 00:23:36,680
Speaker 1: How about this?

456
00:23:37,320 --> 00:23:37,760
Speaker 3: How about this?

457
00:23:37,880 --> 00:23:39,879
Speaker 5: I hope you don't mind that this isn't direct at you,

458
00:23:39,960 --> 00:23:41,320
Speaker 5: This is directed at your nephew.

459
00:23:42,160 --> 00:23:43,400
Speaker 1: Okay, how old is your nephew?

460
00:23:43,440 --> 00:23:46,800
Speaker 3: He's now, he's five. How he's doing great, he's a swimmer.

461
00:23:46,840 --> 00:23:48,639
Speaker 5: Hey, kids, just try out this character around.

462
00:23:49,119 --> 00:23:54,000
Speaker 2: But Hanford, okay, now you just made another funny guy.

463
00:23:54,119 --> 00:23:57,080
Speaker 2: If he's only five, then you know, twenty something years

464
00:23:57,080 --> 00:23:59,800
Speaker 2: from now, you're welcome that guy's going to be being funny.

465
00:24:00,880 --> 00:24:05,560
Speaker 3: You mentioned swearing just moments ago. Are we swearing on

466
00:24:05,600 --> 00:24:05,920
Speaker 3: this show?

467
00:24:05,960 --> 00:24:06,360
Speaker 4: Can we?

468
00:24:06,680 --> 00:24:10,280
Speaker 3: If it comes up? Do we avoid swearing?

469
00:24:10,440 --> 00:24:13,080
Speaker 1: It's a last resort if you if there's really no

470
00:24:13,200 --> 00:24:18,200
Speaker 1: other way to say something, sure, or if you're it's

471
00:24:18,240 --> 00:24:22,280
Speaker 1: going to a specific important quote or something like that,

472
00:24:22,359 --> 00:24:23,159
Speaker 1: then you can use it.

473
00:24:23,359 --> 00:24:26,439
Speaker 5: Yeah, guys, you guys treat swearing the way mcguiver or

474
00:24:26,560 --> 00:24:30,400
Speaker 5: mcgruber would use a piece of floss. It's just if

475
00:24:30,440 --> 00:24:33,760
Speaker 5: you have to, right, and we.

476
00:24:33,720 --> 00:24:35,680
Speaker 2: Know what it is and we know how it works.

477
00:24:35,800 --> 00:24:41,800
Speaker 2: But for us, we try not to talk about going

478
00:24:41,840 --> 00:24:49,040
Speaker 2: to the bathroom, all right, or you know doing with yes,

479
00:24:49,200 --> 00:24:54,880
Speaker 2: well yes, no, that is actually a very nice way

480
00:24:54,920 --> 00:24:58,560
Speaker 2: to say a very ugly act.

481
00:24:59,560 --> 00:24:59,919
Speaker 1: Hideous.

482
00:25:02,080 --> 00:25:06,359
Speaker 2: You know, there's a lot of politics in Hollywood, isn't there.

483
00:25:06,720 --> 00:25:09,000
Speaker 3: It's right. Obama was in town just the other day.

484
00:25:09,119 --> 00:25:12,480
Speaker 3: I you know, backed up, traffic's backed up a mile

485
00:25:12,800 --> 00:25:15,760
Speaker 3: mile and a half two, three, four, five miles and

486
00:25:15,840 --> 00:25:20,159
Speaker 3: I'm leaning out my window of my car screaming. I

487
00:25:20,160 --> 00:25:21,280
Speaker 3: find out it's Barack Obama.

488
00:25:21,359 --> 00:25:21,560
Speaker 9: Yeah.

489
00:25:21,640 --> 00:25:24,920
Speaker 3: Politics in Hollywood can be a bit not fun.

490
00:25:25,480 --> 00:25:29,920
Speaker 2: Yeah, and the traffic is really crazy when the politics

491
00:25:29,960 --> 00:25:30,680
Speaker 2: are in Hollywood.

492
00:25:30,720 --> 00:25:32,680
Speaker 5: That's how that's how I got its rep.

493
00:25:32,600 --> 00:25:38,280
Speaker 2: Yep, And I guess something that I want to talk

494
00:25:38,320 --> 00:25:40,240
Speaker 2: about it. And I don't know how comfortable you guys

495
00:25:40,280 --> 00:25:44,719
Speaker 2: are with this. Let's being part of the Independent Film Channel.

496
00:25:46,480 --> 00:25:48,960
Speaker 2: You did have to become registered independence and a lot

497
00:25:49,000 --> 00:25:52,320
Speaker 2: of you guys were only some of you. You lost

498
00:25:52,320 --> 00:25:55,679
Speaker 2: some members, right, because you did have some people who

499
00:25:55,760 --> 00:25:56,679
Speaker 2: weren't willing to do that.

500
00:25:56,800 --> 00:25:59,680
Speaker 3: Maybe, yes, split the group in half. Who were fourteen deep.

501
00:25:59,760 --> 00:26:03,200
Speaker 2: Yeah, which is an appropriate size for a sketch comedy.

502
00:26:02,920 --> 00:26:06,040
Speaker 3: Group, a little bit on the small side.

503
00:26:05,800 --> 00:26:08,040
Speaker 2: Yes, yes, yes, in terms of yes, being able to

504
00:26:08,080 --> 00:26:09,680
Speaker 2: do what you want to do. It was it was

505
00:26:09,720 --> 00:26:11,520
Speaker 2: originally fourteen white guys.

506
00:26:11,480 --> 00:26:15,480
Speaker 5: And it was fourteen guys, white guys and Conde Lieza

507
00:26:15,520 --> 00:26:18,440
Speaker 5: Rice And you know she's a staunch conservative.

508
00:26:18,960 --> 00:26:21,120
Speaker 1: Yeah, sure, so we lost her.

509
00:26:21,520 --> 00:26:23,880
Speaker 5: You know, she was kind of our Maya Rudolph Jack

510
00:26:23,920 --> 00:26:26,000
Speaker 5: of all trades can sing.

511
00:26:25,920 --> 00:26:27,359
Speaker 1: Just in the sense that she was a jack of

512
00:26:27,359 --> 00:26:32,720
Speaker 1: all trades. Yes, okay, in no other way. Okay, but god,

513
00:26:32,800 --> 00:26:33,440
Speaker 1: yeah that hurt.

514
00:26:33,800 --> 00:26:36,159
Speaker 2: Yeah, because I wasn't seeing the comparison between her and

515
00:26:36,200 --> 00:26:38,600
Speaker 2: my Rudolph because I couldn't really but now thing in common.

516
00:26:38,640 --> 00:26:40,480
Speaker 1: But now that you say that, yes they are sort

517
00:26:40,480 --> 00:26:42,080
Speaker 1: of both Jacksonville to jacks.

518
00:26:41,920 --> 00:26:45,200
Speaker 2: Of all trades. Yeah, that's one thing in common.

519
00:26:45,440 --> 00:26:49,960
Speaker 5: Conda Liza recently, I know, and I miss her love.

520
00:26:50,000 --> 00:26:51,960
Speaker 5: She was a dear friend and I hate Like I said,

521
00:26:52,000 --> 00:26:53,360
Speaker 5: it was one of the hardest days of our lives

522
00:26:53,359 --> 00:26:57,760
Speaker 5: when we said get out of here, Jack. But she

523
00:26:57,840 --> 00:26:59,359
Speaker 5: does something with a sports thing.

524
00:26:59,440 --> 00:27:01,000
Speaker 1: Now, I don't know she.

525
00:27:01,080 --> 00:27:03,000
Speaker 2: Does something with sports.

526
00:27:02,600 --> 00:27:04,919
Speaker 5: Is that she's going to be.

527
00:27:08,320 --> 00:27:10,520
Speaker 1: She's doing what she's doing in the sports.

528
00:27:12,359 --> 00:27:15,200
Speaker 5: But yeah, you know, so we we declared our independence

529
00:27:15,200 --> 00:27:19,160
Speaker 5: in a way and it's been fine. We can't it's

530
00:27:19,160 --> 00:27:21,200
Speaker 5: hard to vote because you.

531
00:27:21,160 --> 00:27:23,760
Speaker 3: Know, I well, I've never been much of a voter.

532
00:27:24,000 --> 00:27:28,960
Speaker 3: I YEA terrified of going in the little room with

533
00:27:28,960 --> 00:27:29,479
Speaker 3: the curtain.

534
00:27:30,119 --> 00:27:31,520
Speaker 1: Yeah, what if it doesn't.

535
00:27:32,720 --> 00:27:35,000
Speaker 3: Open up, or what if the lever snaps and you

536
00:27:35,000 --> 00:27:37,720
Speaker 3: get a piece of skin in your hand caught I'm

537
00:27:37,760 --> 00:27:40,960
Speaker 3: not you know, Yeah, this is one of those shivers.

538
00:27:41,119 --> 00:27:43,200
Speaker 5: You know, Mike, I used to have that same concern.

539
00:27:43,760 --> 00:27:46,480
Speaker 5: And you know how sometimes people will picture an audience

540
00:27:46,600 --> 00:27:48,720
Speaker 5: in their in their underwear to like relax.

541
00:27:48,760 --> 00:27:52,280
Speaker 1: Then I haven't heard that one. Okay, Well there's the

542
00:27:52,320 --> 00:27:53,800
Speaker 1: thing you can do.

543
00:27:53,520 --> 00:27:56,560
Speaker 5: You imagine like an easier scenario. I'm glad, I'm glad

544
00:27:56,560 --> 00:27:59,119
Speaker 5: it came to mind. Anyway. What I like to do

545
00:27:59,240 --> 00:28:02,959
Speaker 5: is and indition into picturing the lever snapping off and

546
00:28:03,080 --> 00:28:06,520
Speaker 5: you know, hurting me. I also picture the lever pulling

547
00:28:06,960 --> 00:28:10,199
Speaker 5: like a jackpot on a you know, on a casino pole, right,

548
00:28:10,760 --> 00:28:14,680
Speaker 5: and I think fifty to fifty chants could die, could.

549
00:28:14,440 --> 00:28:15,800
Speaker 1: Get a get a big jackpot.

550
00:28:15,960 --> 00:28:19,640
Speaker 5: Yeah, and then you end up somewhere in between.

551
00:28:20,800 --> 00:28:23,760
Speaker 2: Now do you guys mess around with casino polls? I

552
00:28:23,840 --> 00:28:27,920
Speaker 2: know that it can be pretty dangerous addictive behavior.

553
00:28:29,320 --> 00:28:33,960
Speaker 1: One arm sometimes oh god, and right on that a

554
00:28:33,960 --> 00:28:34,360
Speaker 1: little bit.

555
00:28:34,840 --> 00:28:37,120
Speaker 5: Yeah, well, no, it's relevant to the Hollywood. I mean,

556
00:28:37,119 --> 00:28:39,560
Speaker 5: how many how many friends, dear friends have.

557
00:28:39,560 --> 00:28:41,600
Speaker 1: We lost just this year?

558
00:28:41,920 --> 00:28:43,080
Speaker 2: Just a casino.

559
00:28:42,880 --> 00:28:44,080
Speaker 1: Casino poll addictions?

560
00:28:45,400 --> 00:28:47,880
Speaker 5: I mean, you could fill you could fill an Emmy

561
00:28:47,960 --> 00:28:50,760
Speaker 5: tribute video with just that.

562
00:28:51,040 --> 00:28:53,920
Speaker 1: You know, and just one more poll. They say right,

563
00:28:54,200 --> 00:28:57,320
Speaker 1: just one more and then it's another one and another one.

564
00:28:57,680 --> 00:28:59,920
Speaker 3: Yeah, but jokes on you if you want to, you know,

565
00:29:00,160 --> 00:29:02,400
Speaker 3: say to these people, you can't fall in that behavior

566
00:29:02,400 --> 00:29:04,400
Speaker 3: because they pull one hit the jackpot. You look like

567
00:29:04,440 --> 00:29:04,880
Speaker 3: an hidiot.

568
00:29:04,920 --> 00:29:06,240
Speaker 1: Yeah, yeah, you look like that.

569
00:29:06,320 --> 00:29:08,960
Speaker 2: Okay, Yes, and that is the rare instance. It let's

570
00:29:09,040 --> 00:29:10,840
Speaker 2: keep some of them going. And some of our biggest,

571
00:29:10,880 --> 00:29:14,280
Speaker 2: brightest stars are made entirely just by one casino poll.

572
00:29:14,400 --> 00:29:17,680
Speaker 5: The DP for all in the family passed that way.

573
00:29:18,480 --> 00:29:21,200
Speaker 2: Yes, he died that way. And the sad thing is,

574
00:29:21,240 --> 00:29:22,960
Speaker 2: and I don't want to take it to a dark

575
00:29:23,000 --> 00:29:26,280
Speaker 2: area or a filthy area, but when they do run

576
00:29:26,320 --> 00:29:28,440
Speaker 2: out of money to do the polls on the pole,

577
00:29:28,560 --> 00:29:30,400
Speaker 2: but they won't let go, and they do start having

578
00:29:30,440 --> 00:29:32,000
Speaker 2: sex with themselves with the pole.

579
00:29:31,960 --> 00:29:34,360
Speaker 3: Right, Yeah, that can get ugly, especially.

580
00:29:34,200 --> 00:29:35,640
Speaker 2: And I know we said we didn't want to talk

581
00:29:35,640 --> 00:29:37,560
Speaker 2: about that kind of behavior, but.

582
00:29:37,600 --> 00:29:39,600
Speaker 1: When it's something, when it's an important thing that someone

583
00:29:39,640 --> 00:29:42,480
Speaker 1: could maybe learn from, then I think it is okay.

584
00:29:42,720 --> 00:29:44,640
Speaker 5: It's okay if you're bringing it up in the most

585
00:29:44,680 --> 00:29:45,840
Speaker 5: disparaging way.

586
00:29:46,360 --> 00:29:50,440
Speaker 2: Yes, to say that that is an ugly act, right,

587
00:29:50,600 --> 00:29:52,600
Speaker 2: and to be doing it with a casino poll in

588
00:29:52,640 --> 00:29:54,760
Speaker 2: front of people and using it to have sex.

589
00:29:54,880 --> 00:29:57,520
Speaker 5: That's at and the viewer, the listener at home, can't

590
00:29:57,560 --> 00:30:01,200
Speaker 5: see this. But Sean is furrowing as with every word,

591
00:30:01,280 --> 00:30:04,800
Speaker 5: which I think puts the right attitude. And what he's

592
00:30:04,840 --> 00:30:07,120
Speaker 5: talking about, like if you were smiling your way through it,

593
00:30:07,880 --> 00:30:09,160
Speaker 5: getting all excited.

594
00:30:09,400 --> 00:30:10,320
Speaker 1: It's disgusting.

595
00:30:10,840 --> 00:30:14,600
Speaker 2: Oh gosh, just you describing me doing that is making

596
00:30:14,600 --> 00:30:15,520
Speaker 2: me feel ashamed.

597
00:30:16,440 --> 00:30:18,160
Speaker 1: And isn't that a good tip that every time you

598
00:30:18,200 --> 00:30:21,280
Speaker 1: get an urge to do a casino pole, you go

599
00:30:21,440 --> 00:30:24,040
Speaker 1: just go vote And it's sort of and it's the

600
00:30:24,080 --> 00:30:25,400
Speaker 1: same feeling, and you can trick.

601
00:30:25,240 --> 00:30:29,480
Speaker 3: Yourself four hours a day around a year round, stack

602
00:30:29,560 --> 00:30:30,320
Speaker 3: up your vote.

603
00:30:30,120 --> 00:30:33,040
Speaker 5: Vote for something. It's the same high. It really is

604
00:30:33,040 --> 00:30:34,360
Speaker 5: a very similar experience.

605
00:30:34,600 --> 00:30:38,720
Speaker 3: Is there an eminem vote coming up? New colors are

606
00:30:38,760 --> 00:30:39,560
Speaker 3: they settling on?

607
00:30:39,960 --> 00:30:43,800
Speaker 2: I know some of the chip flavors are getting voted on. Yes,

608
00:30:43,960 --> 00:30:47,160
Speaker 2: And let me tell you something about those cappuccino flavored

609
00:30:47,240 --> 00:30:48,360
Speaker 2: potato chips.

610
00:30:48,400 --> 00:30:49,480
Speaker 1: Okay, here we go.

611
00:30:50,520 --> 00:30:56,040
Speaker 6: I don't think so, No, sir, you better not come

612
00:30:56,080 --> 00:31:01,200
Speaker 6: with that weak, weird stuff not to my door. Oh boy,

613
00:31:01,240 --> 00:31:05,040
Speaker 6: whoever came up with that American who wanted to participate

614
00:31:05,080 --> 00:31:07,680
Speaker 6: in a contest. If I ever find you on a

615
00:31:07,720 --> 00:31:10,200
Speaker 6: street BOYO, you better run the other way.

616
00:31:11,160 --> 00:31:11,320
Speaker 4: Uh.

617
00:31:11,680 --> 00:31:13,800
Speaker 1: Just I want to add one thing about the Siracta chip.

618
00:31:15,120 --> 00:31:18,280
Speaker 1: You know about the new sirector chip. Okay, yeah, that's

619
00:31:18,480 --> 00:31:19,320
Speaker 1: not real surratcha.

620
00:31:20,040 --> 00:31:20,280
Speaker 3: Hey.

621
00:31:20,480 --> 00:31:23,400
Speaker 1: Hey, hey, if you've ever had real serracha and you

622
00:31:23,520 --> 00:31:26,320
Speaker 1: try that chip, then you know that that's not the

623
00:31:26,360 --> 00:31:27,160
Speaker 1: real Serratcha.

624
00:31:27,800 --> 00:31:30,440
Speaker 2: And I just know the little twerp that came up

625
00:31:30,480 --> 00:31:34,240
Speaker 2: with the cappuccino chip is out there so smoked. Let

626
00:31:34,240 --> 00:31:38,560
Speaker 2: me sip my potato chip. I don't think so, you

627
00:31:38,720 --> 00:31:39,640
Speaker 2: little brat.

628
00:31:39,920 --> 00:31:41,360
Speaker 5: First of all, I just want to say thanks for

629
00:31:41,400 --> 00:31:43,960
Speaker 5: doing the line when Mike. When Mike and I got

630
00:31:44,000 --> 00:31:45,760
Speaker 5: booked on this show, what was the first thing that

631
00:31:45,920 --> 00:31:48,800
Speaker 5: we hope he does the line? I don't think so.

632
00:31:49,160 --> 00:31:50,080
Speaker 1: I don't know if you think.

633
00:31:50,240 --> 00:31:52,040
Speaker 3: I don't know if your audience can see. But I'm

634
00:31:52,080 --> 00:31:54,000
Speaker 3: wearing my I don't think so T shirt. I made it.

635
00:31:54,320 --> 00:31:57,400
Speaker 1: What camera, what camera hold on?

636
00:31:58,160 --> 00:32:01,400
Speaker 3: It's fun? I made it myself with a with a

637
00:32:01,400 --> 00:32:03,840
Speaker 3: white just a white shirt and a black marker right well,

638
00:32:03,880 --> 00:32:06,520
Speaker 3: and which was it's it's a fun shirt. But it

639
00:32:06,560 --> 00:32:08,360
Speaker 3: was tough to get done. I couldn't find it. Well.

640
00:32:08,360 --> 00:32:10,400
Speaker 1: The hard part was you were wearing the shirt as

641
00:32:10,400 --> 00:32:11,200
Speaker 1: you did the free right.

642
00:32:11,280 --> 00:32:12,000
Speaker 3: It's upside down.

643
00:32:12,120 --> 00:32:12,800
Speaker 1: It's pretty hard.

644
00:32:13,160 --> 00:32:14,360
Speaker 5: If you had taken it off, I think it had

645
00:32:14,400 --> 00:32:19,120
Speaker 5: been a pretty accurate tracing of my tattoo. That would

646
00:32:19,120 --> 00:32:20,280
Speaker 5: have been the easiest way to do it.

647
00:32:20,320 --> 00:32:22,120
Speaker 2: I should have put or if you had just put

648
00:32:22,280 --> 00:32:24,680
Speaker 2: down the ginger ale that was in your hand.

649
00:32:24,520 --> 00:32:29,160
Speaker 3: As well, the option not an option for me. I

650
00:32:29,280 --> 00:32:30,640
Speaker 3: love this stuff, I'm addicted to it.

651
00:32:30,920 --> 00:32:32,880
Speaker 2: That's fine, but I feel like you kept sort of

652
00:32:32,960 --> 00:32:34,800
Speaker 2: it was washing off some of the marker because you

653
00:32:34,800 --> 00:32:36,680
Speaker 2: would spill it because you were writing in the same

654
00:32:36,720 --> 00:32:39,080
Speaker 2: hand that you were And now you like it spicy?

655
00:32:39,120 --> 00:32:41,240
Speaker 2: Do you not my ginger ale?

656
00:32:41,360 --> 00:32:41,560
Speaker 4: Yeah?

657
00:32:41,600 --> 00:32:45,000
Speaker 3: Yeah, Well I haven't had siracha. That sounds fun. But

658
00:32:45,080 --> 00:32:50,960
Speaker 3: I put a uh tabasco tabasco sauce like Mike.

659
00:32:52,040 --> 00:32:55,840
Speaker 1: Try you take one taste of soacha and you will

660
00:32:55,880 --> 00:32:56,800
Speaker 1: never go back. I promise you.

661
00:32:56,800 --> 00:32:58,880
Speaker 5: I put it on everything. Really, Can I share a

662
00:32:58,920 --> 00:33:01,560
Speaker 5: story from set? I promised I wouldn't do this.

663
00:33:01,680 --> 00:33:07,440
Speaker 1: That's who set set working on set?

664
00:33:07,480 --> 00:33:15,520
Speaker 2: Who oh god?

665
00:33:15,680 --> 00:33:17,280
Speaker 1: What was I saying? Oh my set store?

666
00:33:17,440 --> 00:33:21,760
Speaker 5: Yes, yes, this feels like the only place where I

667
00:33:21,760 --> 00:33:23,720
Speaker 5: can let loose with a set story or two.

668
00:33:24,560 --> 00:33:27,240
Speaker 3: Can I tell him? You know what I'm I don't think.

669
00:33:27,840 --> 00:33:30,440
Speaker 5: This guy give you a He mentioned the genderrell.

670
00:33:32,600 --> 00:33:35,000
Speaker 1: He shows up. This was we had probably, you know.

671
00:33:35,120 --> 00:33:39,120
Speaker 3: Like a show up. I remember this story and this

672
00:33:39,160 --> 00:33:39,960
Speaker 3: eight M call.

673
00:33:40,240 --> 00:33:44,000
Speaker 5: This guy rolls out of bed, somehow finds his way

674
00:33:44,080 --> 00:33:46,400
Speaker 5: to set. You know, he probably gets an uber.

675
00:33:47,880 --> 00:33:50,000
Speaker 3: He's not ri one of these. Don't talk to me

676
00:33:50,120 --> 00:33:51,320
Speaker 3: till I've had my job.

677
00:33:51,440 --> 00:33:52,640
Speaker 1: That's the line.

678
00:33:54,640 --> 00:33:55,080
Speaker 2: He gets.

679
00:33:55,360 --> 00:33:58,120
Speaker 1: He gets them make up chair, he said, oh god.

680
00:33:58,360 --> 00:33:59,120
Speaker 1: He sits down.

681
00:33:59,240 --> 00:34:02,560
Speaker 5: She says, can I apply to your concealer? And he says,

682
00:34:02,760 --> 00:34:05,680
Speaker 5: I say not till I get my ginger ale toots.

683
00:34:10,160 --> 00:34:11,360
Speaker 1: You know.

684
00:34:12,239 --> 00:34:14,359
Speaker 5: And I'm ribbing her and I'm riving her, and.

685
00:34:14,280 --> 00:34:17,520
Speaker 1: I'm sorry because she's a sweet girl, Kate. She's the sweetest.

686
00:34:18,080 --> 00:34:20,800
Speaker 5: But until he had had that ginger ale in Tabasco,

687
00:34:21,440 --> 00:34:22,239
Speaker 5: I mean, it was.

688
00:34:22,280 --> 00:34:24,879
Speaker 3: Hell on out of my way and it's fun. David

689
00:34:24,840 --> 00:34:26,879
Speaker 3: and I were laughing it up, and I remember Kate,

690
00:34:27,000 --> 00:34:31,640
Speaker 3: the makeup artist was saying to me and Dave, you

691
00:34:31,800 --> 00:34:34,799
Speaker 3: stop laughing like that. I have work to do. I

692
00:34:34,840 --> 00:34:35,879
Speaker 3: need you guys to leave.

693
00:34:38,160 --> 00:34:40,080
Speaker 5: I hope she's not listening. Kate, if you're listening, we

694
00:34:40,200 --> 00:34:42,400
Speaker 5: love you, We're sorry about everything. We hope you'll come

695
00:34:42,400 --> 00:34:45,000
Speaker 5: back next season. We know we really undersold you on

696
00:34:45,040 --> 00:34:47,800
Speaker 5: the union thing and you deserve every penny, and we

697
00:34:48,280 --> 00:34:51,040
Speaker 5: feel terrible and we know you're living in a halfway

698
00:34:51,120 --> 00:34:54,640
Speaker 5: house and that you had fell in some hard times

699
00:34:54,680 --> 00:34:58,560
Speaker 5: with your husband, and gosh, darn it if we don't

700
00:34:58,600 --> 00:35:02,280
Speaker 5: feel bad about all that stemming from just a little

701
00:35:02,360 --> 00:35:05,560
Speaker 5: joke on set that now here, I am telling it

702
00:35:05,600 --> 00:35:08,040
Speaker 5: like it's just a fun little set story, and gosh,

703
00:35:08,560 --> 00:35:11,080
Speaker 5: I just hope it all works out and you turn

704
00:35:11,160 --> 00:35:14,360
Speaker 5: things back around. You're back on our show, and you

705
00:35:14,760 --> 00:35:17,640
Speaker 5: know we love to have you. So that's star here.

706
00:35:18,040 --> 00:35:18,960
Speaker 3: The ginger ale is on me.

707
00:35:21,200 --> 00:35:25,359
Speaker 2: That's a nice way to end that, because it is,

708
00:35:25,480 --> 00:35:28,240
Speaker 2: because it is. You know, it is upsetting when somebody

709
00:35:28,280 --> 00:35:31,760
Speaker 2: and these crews are part of your family, almost them

710
00:35:31,840 --> 00:35:34,040
Speaker 2: on the union, when you understand them on the union stuff,

711
00:35:34,040 --> 00:35:35,960
Speaker 2: and when they do wind up, you know, in a

712
00:35:35,960 --> 00:35:39,560
Speaker 2: halfway house, which I'm always halfway to what right? Halfway

713
00:35:39,560 --> 00:35:42,640
Speaker 2: to not a house? Right is what it really seems.

714
00:35:42,680 --> 00:35:45,400
Speaker 5: Next thing, you know, you got a jackpot addiction, you know,

715
00:35:45,880 --> 00:35:48,000
Speaker 5: pull pull pull pull bars.

716
00:35:47,800 --> 00:35:50,840
Speaker 3: And the next that it's paying off and you're living

717
00:35:51,120 --> 00:35:53,280
Speaker 3: not in a halfway house, you're living in a full house.

718
00:35:54,000 --> 00:35:57,359
Speaker 2: Yes, and that's a good promotion. Yes, And that is

719
00:35:57,400 --> 00:36:01,440
Speaker 2: the yes, that is the positive side casino pulse. Now

720
00:36:01,520 --> 00:36:02,359
Speaker 2: you could get a house.

721
00:36:02,400 --> 00:36:06,680
Speaker 1: Now, what are you guys do sketches about it?

722
00:36:07,160 --> 00:36:11,279
Speaker 5: Let's get the ten pound Ryan oceris out of the room.

723
00:36:11,520 --> 00:36:15,439
Speaker 3: What do we do sketches about funny people who are

724
00:36:15,440 --> 00:36:16,280
Speaker 3: having fun?

725
00:36:16,800 --> 00:36:21,279
Speaker 5: Yeah, and good times that are feeling great and that

726
00:36:21,320 --> 00:36:24,000
Speaker 5: are already funny. We'll take a thing that's already funny.

727
00:36:24,440 --> 00:36:27,640
Speaker 2: I can back up a second, just for the audience.

728
00:36:29,040 --> 00:36:30,560
Speaker 1: So we like to.

729
00:36:30,520 --> 00:36:35,799
Speaker 2: Say TV is like small movies. Yeah, And sketches can

730
00:36:35,880 --> 00:36:38,680
Speaker 2: kind of feel like a little small movie too.

731
00:36:39,200 --> 00:36:42,759
Speaker 1: Yes. And you could also say it's small TV, but

732
00:36:42,920 --> 00:36:44,160
Speaker 1: it's not the same as commercial.

733
00:36:44,680 --> 00:36:49,080
Speaker 2: No, but you can do a sketch that is a commercial.

734
00:36:49,920 --> 00:36:50,200
Speaker 1: Yeah.

735
00:36:50,200 --> 00:36:53,680
Speaker 2: So to describe what the show is to people who

736
00:36:53,680 --> 00:36:59,520
Speaker 2: maybe don't know what they're gonna check out, it's like

737
00:37:00,960 --> 00:37:05,919
Speaker 2: little tiny TV inside small movies, right, with sometimes real

738
00:37:05,920 --> 00:37:07,440
Speaker 2: commercials and sometimes commercials.

739
00:37:07,480 --> 00:37:09,560
Speaker 1: That is yes, and there's and that's a good clue

740
00:37:09,600 --> 00:37:13,000
Speaker 1: because when you're watching the sketch. It's small TV. And

741
00:37:13,040 --> 00:37:16,839
Speaker 1: then sometimes they'll show a picture of you guys, and

742
00:37:16,880 --> 00:37:21,879
Speaker 1: that's the clue and it says, now it's commercial. We

743
00:37:21,920 --> 00:37:26,400
Speaker 1: call those clue images. Yes, we'll use We'll.

744
00:37:26,360 --> 00:37:29,239
Speaker 5: Use maybe seven of those in episode. Just like just

745
00:37:29,280 --> 00:37:32,399
Speaker 5: as you said, remind people that there's a clue here

746
00:37:32,440 --> 00:37:35,319
Speaker 5: of what you're watching. That's that's pretty much and I

747
00:37:35,320 --> 00:37:37,160
Speaker 5: mean the rest pretty much explains itself.

748
00:37:37,360 --> 00:37:41,880
Speaker 2: And yes, and you mentioned something stuff being funny.

749
00:37:42,200 --> 00:37:45,120
Speaker 3: Oh well, I was just gonna give a little trade

750
00:37:45,160 --> 00:37:48,680
Speaker 3: secret out. You know, if you want to do sketch comedy.

751
00:37:49,160 --> 00:37:52,240
Speaker 1: Dude in but Hanford.

752
00:37:53,000 --> 00:37:55,399
Speaker 3: I'm gonna let that go.

753
00:37:56,400 --> 00:37:59,319
Speaker 1: You're gonna need this this knowledge when you get big.

754
00:38:00,560 --> 00:38:02,520
Speaker 3: You don't have to be funny if you're doing sketches.

755
00:38:02,600 --> 00:38:06,759
Speaker 3: If you do sketches about funny people, there you go.

756
00:38:06,880 --> 00:38:07,400
Speaker 3: You're gonna have.

757
00:38:08,000 --> 00:38:11,080
Speaker 5: Our biggest hit of season one was our well you

758
00:38:11,120 --> 00:38:14,480
Speaker 5: remember it was our Johnny Carson sketch yea. And what

759
00:38:14,560 --> 00:38:17,640
Speaker 5: we did was we we that stuff's all in the

760
00:38:17,640 --> 00:38:21,440
Speaker 5: public domain. All the Johnny Carson shows, they're all in

761
00:38:21,440 --> 00:38:25,840
Speaker 5: the public domain and stuff too. Those one year old

762
00:38:26,120 --> 00:38:28,520
Speaker 5: I don't know if people I should back up. Just

763
00:38:28,520 --> 00:38:31,840
Speaker 5: like a lot of people don't realize this, but public

764
00:38:31,840 --> 00:38:35,040
Speaker 5: domain means that it's free. Anybody can use it. You

765
00:38:35,080 --> 00:38:38,479
Speaker 5: can do whatever you want with it. You can paint

766
00:38:38,520 --> 00:38:43,400
Speaker 5: a move picture of it, whatever. But basically things go

767
00:38:43,400 --> 00:38:47,080
Speaker 5: into public domain after a certain time and and right

768
00:38:47,120 --> 00:38:49,359
Speaker 5: now in the United States of America, after one year

769
00:38:50,160 --> 00:38:53,239
Speaker 5: from its first inception, now its first airing, from the

770
00:38:53,280 --> 00:38:57,120
Speaker 5: moment that the writer or director came up with the idea.

771
00:38:57,200 --> 00:38:59,840
Speaker 5: One year from that, anybody can steal that idea, steal

772
00:38:59,840 --> 00:39:00,760
Speaker 5: the exact images.

773
00:39:00,800 --> 00:39:02,880
Speaker 3: So we we make money off of it.

774
00:39:03,080 --> 00:39:06,280
Speaker 5: You make profit, yes, except for school schools and education

775
00:39:06,480 --> 00:39:08,400
Speaker 5: out that's no deal.

776
00:39:08,520 --> 00:39:09,200
Speaker 1: You cannot touch it.

777
00:39:09,200 --> 00:39:11,759
Speaker 5: So anyway, we took all the Johnny Carson footage, all

778
00:39:11,800 --> 00:39:14,960
Speaker 5: his highlights from you know, forty odd.

779
00:39:14,840 --> 00:39:15,840
Speaker 3: Years and low lights.

780
00:39:16,040 --> 00:39:19,240
Speaker 5: Yeah, we compressed them down into a twenty five minute

781
00:39:19,360 --> 00:39:22,960
Speaker 5: highlight clip reel and we broadcast that on IFC in

782
00:39:23,040 --> 00:39:26,120
Speaker 5: our slot and Baffo ratings.

783
00:39:26,239 --> 00:39:28,560
Speaker 2: Thank you for bringing up the low lights, because a

784
00:39:28,560 --> 00:39:31,279
Speaker 2: lot of stuff that Johnny Carson did's not funny at all,

785
00:39:32,080 --> 00:39:34,200
Speaker 2: and I feel like people don't talk about that enough,

786
00:39:34,640 --> 00:39:35,719
Speaker 2: Like a lot of it's just.

787
00:39:36,600 --> 00:39:38,120
Speaker 1: I mean, things he did on the air or not

788
00:39:38,400 --> 00:39:38,719
Speaker 1: on it.

789
00:39:38,840 --> 00:39:42,000
Speaker 2: Uh, I don't even care which one, because a lot

790
00:39:42,000 --> 00:39:42,400
Speaker 2: of time.

791
00:39:42,280 --> 00:39:44,680
Speaker 1: It's sometimes hard. It's honestly hard to tell. Yes.

792
00:39:45,680 --> 00:39:48,239
Speaker 2: And thank you also for explaining what public domain is,

793
00:39:48,239 --> 00:39:50,319
Speaker 2: because one of my favorite sketches you guys do is

794
00:39:50,360 --> 00:39:52,840
Speaker 2: the public low main sketch where you all can share.

795
00:39:53,120 --> 00:39:55,719
Speaker 2: You can share the lowmine, everyone's allowed to eat it.

796
00:39:55,960 --> 00:39:59,480
Speaker 3: We got that idea at a restaurant. We were eating at.

797
00:40:00,960 --> 00:40:02,280
Speaker 1: Italian restaurant.

798
00:40:02,320 --> 00:40:04,399
Speaker 3: Yeah, and I said, hey, these is noodle. These are

799
00:40:04,440 --> 00:40:09,160
Speaker 3: spaghetti noodles. Remind me of low made bing bing dinging,

800
00:40:09,680 --> 00:40:12,400
Speaker 3: and then I then then we lost track of the idea.

801
00:40:13,200 --> 00:40:15,560
Speaker 1: Oh, Sean asked your question, how.

802
00:40:15,920 --> 00:40:17,200
Speaker 3: Shape color consistency?

803
00:40:17,320 --> 00:40:19,719
Speaker 5: Oh, he's saying, Hi, sorry, you're Oh that's a native

804
00:40:19,760 --> 00:40:23,319
Speaker 5: America's continue with the story, Mike.

805
00:40:23,920 --> 00:40:26,640
Speaker 2: I just realized I never formally greeted you. But how

806
00:40:26,760 --> 00:40:27,280
Speaker 2: to you?

807
00:40:27,400 --> 00:40:27,600
Speaker 1: Mike?

808
00:40:28,400 --> 00:40:34,080
Speaker 3: How yes? And to you and yours. The rest of

809
00:40:34,080 --> 00:40:38,399
Speaker 3: that story is a long one. It is a boring one.

810
00:40:38,920 --> 00:40:42,160
Speaker 3: It's tedious. Uh. Oh, here we go.

811
00:40:44,360 --> 00:40:48,520
Speaker 1: Now you have to you have to, dude.

812
00:40:48,920 --> 00:40:51,080
Speaker 3: We went back to the office after this Italian meal,

813
00:40:51,239 --> 00:40:54,080
Speaker 3: large Italian meal, and we all got a little sleepy.

814
00:40:54,480 --> 00:40:55,759
Speaker 3: All a cart, right, you pick it?

815
00:40:56,120 --> 00:40:58,600
Speaker 1: They, I said, Olive Carden. But it was a car

816
00:40:58,719 --> 00:41:01,640
Speaker 1: as well, you know what I mean.

817
00:41:02,800 --> 00:41:05,000
Speaker 3: And you're here yet, Well you're not leaving hungry.

818
00:41:05,840 --> 00:41:10,960
Speaker 5: While you're here, you're hungry when you leave your phone.

819
00:41:11,160 --> 00:41:13,680
Speaker 3: I don't have my headphones on and I'm not looking

820
00:41:13,719 --> 00:41:15,800
Speaker 3: at anyone in this room, so I'm not reading my lips.

821
00:41:16,920 --> 00:41:17,600
Speaker 3: That's why I.

822
00:41:17,560 --> 00:41:20,920
Speaker 1: Can't here anyway. Your story the story.

823
00:41:20,920 --> 00:41:23,480
Speaker 3: But yeah, so as it's as it goes. Get back

824
00:41:23,520 --> 00:41:26,000
Speaker 3: to the office. I sit down after a nap to

825
00:41:26,320 --> 00:41:30,000
Speaker 3: write up this lo main idea. I can't find my computer.

826
00:41:31,280 --> 00:41:33,480
Speaker 3: Then I do find it and I open it up.

827
00:41:34,440 --> 00:41:41,560
Speaker 3: Then final drafting. You are not working. I have to

828
00:41:41,920 --> 00:41:43,919
Speaker 3: go to Dave. I can't find Dave. He has left

829
00:41:43,960 --> 00:41:49,799
Speaker 3: for the day. I call Dave forty minutes later, after

830
00:41:49,840 --> 00:41:52,719
Speaker 3: a conversation about baseball. I get to the point of

831
00:41:52,760 --> 00:41:56,000
Speaker 3: my phone call, which is my typing device. My computer

832
00:41:56,160 --> 00:41:58,799
Speaker 3: is not working right, So we go to the Max

833
00:41:58,880 --> 00:42:01,960
Speaker 3: Store together. God, so yeah, we go them.

834
00:42:02,440 --> 00:42:03,480
Speaker 1: Was it your car? In my car?

835
00:42:03,600 --> 00:42:09,160
Speaker 5: It was mine, That's that's the funniest detail. Yet we

836
00:42:09,239 --> 00:42:10,720
Speaker 5: get into your car, We go to the max Store,

837
00:42:11,160 --> 00:42:13,080
Speaker 5: We go to the genius bar They said, this isn't

838
00:42:13,080 --> 00:42:14,800
Speaker 5: a Mac mac machine.

839
00:42:14,440 --> 00:42:18,359
Speaker 3: Right, And they say, first the appointment, and I say

840
00:42:18,840 --> 00:42:20,440
Speaker 3: more that I'm not making an appointment.

841
00:42:21,120 --> 00:42:23,080
Speaker 1: So we did have man. So we explained to him

842
00:42:23,080 --> 00:42:25,000
Speaker 1: the low main idea. You had a little chuckle.

843
00:42:25,080 --> 00:42:28,080
Speaker 3: Yeah, he did not like it. Believe the details I

844
00:42:28,080 --> 00:42:28,880
Speaker 3: think was the problem.

845
00:42:28,880 --> 00:42:29,799
Speaker 1: Maybe that's what it was.

846
00:42:30,960 --> 00:42:32,880
Speaker 5: So we leaither we go to the Dell store, and

847
00:42:32,920 --> 00:42:36,080
Speaker 5: at the Dell store that guy loves the row main idea.

848
00:42:36,080 --> 00:42:37,480
Speaker 3: But he says he can't help me with your computer.

849
00:42:37,560 --> 00:42:40,239
Speaker 3: He sends us over the geek squad. Right, you know

850
00:42:40,320 --> 00:42:42,879
Speaker 3: this is where's the geek squad? That's the best buy

851
00:42:43,080 --> 00:42:46,759
Speaker 3: two miles down the road. Who's in town? Yeah, this

852
00:42:46,800 --> 00:42:49,360
Speaker 3: is the Barack Obama day. I was telling you. No

853
00:42:49,600 --> 00:42:52,520
Speaker 3: traffic backed up getting there for a while.

854
00:42:52,480 --> 00:42:56,560
Speaker 5: Right, And that's pretty much the story. But Mike, thanks

855
00:42:56,600 --> 00:42:59,200
Speaker 5: for not withholding that one that you know you're working.

856
00:42:59,640 --> 00:43:02,120
Speaker 2: I think the problem with the story that you told

857
00:43:02,440 --> 00:43:04,719
Speaker 2: is that you include a lot of details that you

858
00:43:04,800 --> 00:43:07,000
Speaker 2: don't need, and then you'd leave out some of the

859
00:43:07,000 --> 00:43:09,239
Speaker 2: funny stuff, like the fact that you took Mike's car

860
00:43:09,400 --> 00:43:11,600
Speaker 2: is so funny because his car is so.

861
00:43:11,800 --> 00:43:13,000
Speaker 3: Funny right right?

862
00:43:13,400 --> 00:43:17,160
Speaker 2: And it does it looks like a big shoe that

863
00:43:17,200 --> 00:43:21,120
Speaker 2: you're driving, yes, and so, and it's very hard to

864
00:43:21,160 --> 00:43:24,799
Speaker 2: see out of, you know. And meanwhile, Dave has a

865
00:43:24,880 --> 00:43:26,960
Speaker 2: very nice car that you could have taken.

866
00:43:27,160 --> 00:43:29,000
Speaker 3: Sure it looks like which would be safe.

867
00:43:29,960 --> 00:43:33,160
Speaker 2: Yeah, but instead you drove the shoe, and I feel

868
00:43:33,160 --> 00:43:38,240
Speaker 2: like that part would be good. Well also, Hamford, I disagree,

869
00:43:38,280 --> 00:43:42,439
Speaker 2: but you have a famous riff about the genius bar,

870
00:43:43,040 --> 00:43:48,080
Speaker 2: right well, and it is like and to mention the

871
00:43:48,080 --> 00:43:50,879
Speaker 2: genius bar for you dimension the genius and not go

872
00:43:51,000 --> 00:43:55,279
Speaker 2: into you know, is this the most pretentious name for

873
00:43:55,440 --> 00:43:56,000
Speaker 2: a bar?

874
00:43:56,719 --> 00:43:59,839
Speaker 3: I disagree personally, And I'm not leaving a tip. I know, Yeah,

875
00:43:59,880 --> 00:44:04,160
Speaker 3: that's that is a yeah, I know. I do retire

876
00:44:05,120 --> 00:44:06,960
Speaker 3: stand up. That's a stand up joke of mine. I

877
00:44:06,960 --> 00:44:09,279
Speaker 3: do retire them that when they go in the public domain. Right,

878
00:44:09,320 --> 00:44:11,920
Speaker 3: once I put them in the public domain, they're not mine.

879
00:44:12,080 --> 00:44:12,920
Speaker 3: You guys can have them.

880
00:44:13,160 --> 00:44:15,279
Speaker 6: And I don't know, I don't I don't know if

881
00:44:15,320 --> 00:44:20,160
Speaker 6: we needed necessarily to know.

882
00:44:21,880 --> 00:44:24,239
Speaker 2: The stuff about like I was looking for Dave and

883
00:44:24,320 --> 00:44:25,680
Speaker 2: Dave wasn't there.

884
00:44:27,080 --> 00:44:31,160
Speaker 3: Or set up? I yes, okay, I think you know

885
00:44:31,239 --> 00:44:33,279
Speaker 3: when you watch the Stump. You don't just see him

886
00:44:33,320 --> 00:44:36,600
Speaker 3: running across the nation, back and forth to yes, I

887
00:44:36,680 --> 00:44:39,960
Speaker 3: do you you do you get there? But you did?

888
00:44:40,480 --> 00:44:43,719
Speaker 1: Wait he does. Do you see that? You don't see

889
00:44:43,719 --> 00:44:48,200
Speaker 1: it immediately? No, but he does do it about for

890
00:44:48,480 --> 00:44:53,799
Speaker 1: Stump too. He doesn't retire his box of chocolate stuff. No,

891
00:44:53,920 --> 00:44:56,560
Speaker 1: that's the that's that's I guess that's true. Yes, he

892
00:44:56,640 --> 00:44:58,520
Speaker 1: does the box of chocolates in the movie.

893
00:44:58,560 --> 00:45:00,719
Speaker 5: In the movie, even when you're watching, are you saying

894
00:45:00,719 --> 00:45:04,799
Speaker 5: that all this stuff in Vietnam is nothing but set

895
00:45:04,880 --> 00:45:09,960
Speaker 5: up for the shot where he's running across the country.

896
00:45:10,080 --> 00:45:13,440
Speaker 3: Forrest Gump, to me has always been a story at

897
00:45:13,480 --> 00:45:15,839
Speaker 3: sometimes complicated, but a story about a man who wanted

898
00:45:15,840 --> 00:45:18,239
Speaker 3: to run across the nation two or three times. And

899
00:45:18,360 --> 00:45:21,400
Speaker 3: that is That's what the trailer should have been. That

900
00:45:21,560 --> 00:45:23,719
Speaker 3: is what the posters ought to have been. Him and

901
00:45:23,760 --> 00:45:26,240
Speaker 3: his shoes, running shoes. I don't know why they wasted

902
00:45:26,280 --> 00:45:28,760
Speaker 3: so much time with him growing money and money.

903
00:45:29,040 --> 00:45:32,160
Speaker 2: Oh, welcome to Hollywood, These yeah movies called hurry Up

904
00:45:32,200 --> 00:45:32,520
Speaker 2: and Wait.

905
00:45:32,960 --> 00:45:37,040
Speaker 5: Yeah, Yes, thank you Sean for putting the perfect point

906
00:45:37,680 --> 00:45:41,719
Speaker 5: sharp point on that whole run Hurry up and wait

907
00:45:41,840 --> 00:45:42,560
Speaker 5: that something all.

908
00:45:43,480 --> 00:45:47,000
Speaker 1: Oh my god, it's a it's a popcorn gallery song.

909
00:45:48,160 --> 00:45:51,719
Speaker 1: And well, I'll tell you what the song means. It's

910
00:45:51,760 --> 00:45:54,719
Speaker 1: time for a segment where Sewn and Hayes are. We're

911
00:45:54,760 --> 00:45:59,160
Speaker 1: going to ask our guests, the birthday boys, the questions

912
00:45:59,200 --> 00:46:04,160
Speaker 1: about moving and uh, well this has movies, but it

913
00:46:04,200 --> 00:46:07,920
Speaker 1: actually is TV, and so I'll turn that off. Its

914
00:46:07,880 --> 00:46:11,120
Speaker 1: supposed to be TV. Should have been TV for this one.

915
00:46:11,360 --> 00:46:15,560
Speaker 1: Let's reason it probably shouldn't have been popcorn. No, you

916
00:46:15,600 --> 00:46:20,520
Speaker 1: don't really do popcorn during TV TV dinner, TV dinner. No,

917
00:46:20,640 --> 00:46:22,000
Speaker 1: just TV. Yeah, just TV dinner.

918
00:46:22,080 --> 00:46:27,040
Speaker 2: Yeah. Well, I sometimes eat chips. Okay, but I'll tell

919
00:46:27,080 --> 00:46:32,000
Speaker 2: you what I don't eat. I don't eat those cappuccino

920
00:46:32,239 --> 00:46:36,759
Speaker 2: flavored potato chips because I'm not some hoity toity beatnick o.

921
00:46:37,080 --> 00:46:42,040
Speaker 8: The line and if you think I'm gonna be pouring

922
00:46:42,120 --> 00:46:45,759
Speaker 8: those in a bowl and having them with some piscutti

923
00:46:45,920 --> 00:46:48,719
Speaker 8: on the side, I've got something to tell you.

924
00:46:49,560 --> 00:46:58,719
Speaker 2: I seriously doubt it. Yeah, that was a different line.

925
00:46:58,600 --> 00:47:00,360
Speaker 1: People don't care, they don't know difference.

926
00:47:00,600 --> 00:47:02,920
Speaker 3: All they want is for people to talk.

927
00:47:04,480 --> 00:47:09,000
Speaker 1: That's why we tune in. Let's reach into the chip bag. Yes,

928
00:47:09,320 --> 00:47:11,960
Speaker 1: I'm gonna pull out a question for Mike.

929
00:47:11,800 --> 00:47:18,840
Speaker 2: And Dave, Grundy, Fripp, Lottymuca.

930
00:47:19,160 --> 00:47:24,040
Speaker 1: Just give me a cup of coffee. This question is

931
00:47:24,080 --> 00:47:31,480
Speaker 1: from MWN and the question is Birthday boys. Is Wesley

932
00:47:31,560 --> 00:47:36,799
Speaker 1: Snipes underrated? And that question that is not a name

933
00:47:36,840 --> 00:47:41,399
Speaker 1: I'm familiar with, And I wonder if you means Snidely Whiplash?

934
00:47:41,880 --> 00:47:48,120
Speaker 5: Mmmmmm god, you would think so you're referring to to

935
00:47:48,280 --> 00:47:53,600
Speaker 5: the second ad? Was it second ad on the Was

936
00:47:53,600 --> 00:47:54,680
Speaker 5: it the American Dad?

937
00:47:55,000 --> 00:47:55,239
Speaker 3: Yes?

938
00:47:57,280 --> 00:47:59,319
Speaker 5: Oh well it could be which I mean, I guess

939
00:47:59,320 --> 00:48:01,080
Speaker 5: it's your game? Would which when would you like us

940
00:48:01,120 --> 00:48:03,760
Speaker 5: to reply? Are we assuming it's Wesley Snipes or Snipley?

941
00:48:03,920 --> 00:48:06,440
Speaker 2: Do you know what Wesley Snipes is? Do I know what?

942
00:48:06,520 --> 00:48:06,799
Speaker 1: He is?

943
00:48:07,280 --> 00:48:09,839
Speaker 3: Human? That's I assume he's human.

944
00:48:09,880 --> 00:48:11,960
Speaker 1: We could spin. Is that something you guys do? Is

945
00:48:11,960 --> 00:48:14,080
Speaker 1: that a character? If you is he referencing something from

946
00:48:14,120 --> 00:48:15,359
Speaker 1: your show? From your shell?

947
00:48:15,440 --> 00:48:17,439
Speaker 2: We have been meaning to check it out and we've

948
00:48:17,480 --> 00:48:18,560
Speaker 2: heard really good things.

949
00:48:18,760 --> 00:48:20,880
Speaker 3: Well, he did. He was in an early draft of

950
00:48:20,920 --> 00:48:22,040
Speaker 3: that low Main piece Wed.

951
00:48:22,120 --> 00:48:22,520
Speaker 1: That's true.

952
00:48:22,880 --> 00:48:26,040
Speaker 5: He played a sniper. It was a sniper character. He

953
00:48:26,160 --> 00:48:28,600
Speaker 5: does Wesley Snipes, you know, but that's something a lot

954
00:48:28,600 --> 00:48:32,040
Speaker 5: of times if we're naming a character because the beauty

955
00:48:32,080 --> 00:48:35,040
Speaker 5: of comedies you get to create these character names. Sure,

956
00:48:35,960 --> 00:48:39,760
Speaker 5: Wally peanuts. You know a guy who likes peanuts?

957
00:48:40,480 --> 00:48:42,400
Speaker 2: What might he sound like me?

958
00:48:42,600 --> 00:48:43,760
Speaker 5: Wally peanuts?

959
00:48:46,520 --> 00:48:46,880
Speaker 1: Nuts?

960
00:48:46,920 --> 00:48:48,280
Speaker 3: God, I see shells everywhere?

961
00:48:48,719 --> 00:48:51,480
Speaker 1: Well right here, right here in my back pocket.

962
00:48:51,880 --> 00:48:55,920
Speaker 2: Well, certainly won't do. I was hoping Oliver questioning Ton

963
00:48:56,000 --> 00:48:56,640
Speaker 2: would show up.

964
00:48:57,080 --> 00:48:59,520
Speaker 3: Yes, never ever far.

965
00:49:00,160 --> 00:49:04,759
Speaker 5: You know, it's funny you create these characters, excuse me,

966
00:49:06,000 --> 00:49:09,600
Speaker 5: and you never think you never think they're going to

967
00:49:09,680 --> 00:49:13,120
Speaker 5: seep into the ear of a listener or the eye

968
00:49:13,200 --> 00:49:16,239
Speaker 5: of a viewer, the way that they've seeped into your

969
00:49:16,360 --> 00:49:20,319
Speaker 5: soul at the moment that they were birthed within you,

970
00:49:20,440 --> 00:49:22,960
Speaker 5: from your from your loins. And then you come on

971
00:49:23,000 --> 00:49:26,560
Speaker 5: a podcast like this and sean for you to recognize

972
00:49:26,600 --> 00:49:32,160
Speaker 5: something from season one, episode two minute, twenty second, thirty

973
00:49:32,200 --> 00:49:40,040
Speaker 5: five frame fifteen. Uh is just god god awful because

974
00:49:40,280 --> 00:49:40,960
Speaker 5: it makes me sick.

975
00:49:41,080 --> 00:49:43,880
Speaker 3: You know, you know there's no reverence when you're talking.

976
00:49:44,200 --> 00:49:44,799
Speaker 1: I thought it was.

977
00:49:46,520 --> 00:49:48,959
Speaker 2: I thought it was a puzz experience from the whole

978
00:49:48,960 --> 00:49:51,359
Speaker 2: way that you just like I thought it.

979
00:49:51,320 --> 00:49:52,360
Speaker 3: Was going to be positive.

980
00:49:52,800 --> 00:49:54,680
Speaker 5: How does that feel if I just I don't think so?

981
00:49:55,239 --> 00:49:57,600
Speaker 2: Well? If you, I mean, you're talking about me. You're

982
00:49:57,640 --> 00:49:59,160
Speaker 2: not talking about those chips, right.

983
00:49:59,440 --> 00:50:00,399
Speaker 1: Yeah, I'm talking.

984
00:50:00,480 --> 00:50:03,000
Speaker 2: Oh well then I don't like it.

985
00:50:03,800 --> 00:50:05,040
Speaker 1: That's reach into the chip bag.

986
00:50:05,239 --> 00:50:05,680
Speaker 3: Okay.

987
00:50:06,080 --> 00:50:07,399
Speaker 1: I think we baoughly answered that.

988
00:50:16,520 --> 00:50:20,680
Speaker 2: Good morning, I'm fancy or something. I mean, seriously with

989
00:50:20,800 --> 00:50:27,719
Speaker 2: these chips and Mark is I think, yeah, some of

990
00:50:27,760 --> 00:50:29,920
Speaker 2: my friend Mark from high school records these sound drops

991
00:50:30,000 --> 00:50:33,480
Speaker 2: for us. I think he's upset about the chips. And

992
00:50:33,520 --> 00:50:37,600
Speaker 2: I think everyone should be pretty pod when they see

993
00:50:38,200 --> 00:50:41,319
Speaker 2: that somebody entered in this contest with the flavor of

994
00:50:41,360 --> 00:50:44,160
Speaker 2: potato chips that me and Mark don't think.

995
00:50:44,080 --> 00:50:45,520
Speaker 1: Is Have you talked to him about it?

996
00:50:46,960 --> 00:50:50,440
Speaker 2: I haven't spoken to him directly, but he sent me

997
00:50:50,640 --> 00:50:55,480
Speaker 2: a couple of very long uh.

998
00:50:55,239 --> 00:50:56,120
Speaker 1: How are you talking?

999
00:50:57,080 --> 00:51:00,279
Speaker 2: Uh? Well, emails don't really give you a page out.

1000
00:51:00,320 --> 00:51:04,720
Speaker 2: But I'll say this. My hand cramped up from scrolling down. WHOA,

1001
00:51:07,040 --> 00:51:10,960
Speaker 2: here's a question, and I've got strong hands. From Valerie Bryant,

1002
00:51:11,480 --> 00:51:14,560
Speaker 2: Dear Birthday Boys. In Rolling Stone magazine, you reveal that

1003
00:51:14,600 --> 00:51:16,960
Speaker 2: you view comedy as a side project and your real

1004
00:51:17,000 --> 00:51:18,600
Speaker 2: passion is your babysitters Club.

1005
00:51:18,840 --> 00:51:21,840
Speaker 1: Talk about this. M Hey, VALI, thanks for the question.

1006
00:51:22,520 --> 00:51:25,440
Speaker 3: Yeah, I'm hung up on something? Is Valerie a Can

1007
00:51:25,480 --> 00:51:26,680
Speaker 3: it only be a girl's name?

1008
00:51:28,200 --> 00:51:30,560
Speaker 1: See that's interesting because I've sort of been wondering the

1009
00:51:30,560 --> 00:51:33,080
Speaker 1: same thing, and I wonder if you and I have

1010
00:51:33,200 --> 00:51:34,520
Speaker 1: had the same experience.

1011
00:51:34,800 --> 00:51:35,520
Speaker 3: I have assumed we have.

1012
00:51:35,840 --> 00:51:36,680
Speaker 1: What happened to you?

1013
00:51:37,000 --> 00:51:40,080
Speaker 3: I think I've heard that name is a male's name.

1014
00:51:40,160 --> 00:51:42,319
Speaker 1: One sure, Yeah, I think we must have just met

1015
00:51:42,360 --> 00:51:46,200
Speaker 1: the same guy. That's a very specific shared experience.

1016
00:51:45,760 --> 00:51:48,279
Speaker 3: Right when you think you may have heard that name

1017
00:51:48,400 --> 00:51:49,239
Speaker 3: is a male's name.

1018
00:51:49,360 --> 00:51:51,239
Speaker 1: Yeah, you may have heard something, you.

1019
00:51:51,280 --> 00:51:52,120
Speaker 3: Think, both of you.

1020
00:51:52,360 --> 00:51:54,759
Speaker 5: How crazy is it that there is a chance that

1021
00:51:54,840 --> 00:51:57,960
Speaker 5: in this room we have one, two, three, four, five

1022
00:51:57,960 --> 00:51:59,880
Speaker 5: people in this room, that two people.

1023
00:52:00,360 --> 00:52:03,279
Speaker 1: Well, Sean hasn't actually weighed in on this, that's true.

1024
00:52:03,320 --> 00:52:06,319
Speaker 1: Have you do you think you may have heard that? Oh?

1025
00:52:06,360 --> 00:52:10,440
Speaker 2: I know that I haven't. He knows I know that

1026
00:52:10,520 --> 00:52:15,279
Speaker 2: I certainly haven't. Have you No, No, I'm positive one so.

1027
00:52:15,840 --> 00:52:17,080
Speaker 3: Two confident answers.

1028
00:52:17,440 --> 00:52:22,040
Speaker 2: So yes, No, I would remember something like that, as

1029
00:52:22,080 --> 00:52:27,120
Speaker 2: it would shake me to my bones. Well, I mean

1030
00:52:27,200 --> 00:52:28,920
Speaker 2: there's I would be questioning everything.

1031
00:52:28,960 --> 00:52:31,440
Speaker 5: I don't know if everybody out there listening. When we

1032
00:52:31,480 --> 00:52:35,719
Speaker 5: walked in the song that beloved Johnny Cash song A

1033
00:52:35,719 --> 00:52:36,759
Speaker 5: boy named Suit came on.

1034
00:52:37,840 --> 00:52:42,960
Speaker 2: You vomited, Yes, I did have, and that was partially

1035
00:52:43,000 --> 00:52:50,120
Speaker 2: the song, and that was also partially I am.

1036
00:52:50,320 --> 00:52:50,600
Speaker 9: I am.

1037
00:52:50,600 --> 00:52:54,759
Speaker 2: I believe it, and I don't like to talk about it,

1038
00:52:54,800 --> 00:52:56,600
Speaker 2: but I do definitely.

1039
00:52:57,560 --> 00:52:58,239
Speaker 3: But you will.

1040
00:52:59,040 --> 00:53:01,399
Speaker 1: You'll try and cover it sometimes where you will throw

1041
00:53:01,440 --> 00:53:03,279
Speaker 1: up because you're a bollimic. But then you'll say like

1042
00:53:03,600 --> 00:53:07,000
Speaker 1: ew gross, like as if you saw something.

1043
00:53:07,040 --> 00:53:09,240
Speaker 2: Yes, I'll make it. I'll put it on the other

1044
00:53:09,280 --> 00:53:12,279
Speaker 2: person that they said something that I go, oh, this

1045
00:53:12,400 --> 00:53:14,279
Speaker 2: is so distasteful to me that I have to.

1046
00:53:14,480 --> 00:53:17,520
Speaker 5: They were talking about intercourse or yeah, oh my god.

1047
00:53:18,360 --> 00:53:21,160
Speaker 1: The question with this girl, I think it is it

1048
00:53:21,640 --> 00:53:27,000
Speaker 1: Valerie or Bryant, because that would change that would change everything,

1049
00:53:27,440 --> 00:53:28,480
Speaker 1: That would change everything.

1050
00:53:28,880 --> 00:53:31,640
Speaker 5: Do you guys are you guys able to email correspond

1051
00:53:31,760 --> 00:53:34,000
Speaker 5: with the questions? Is this kind of one of those

1052
00:53:34,120 --> 00:53:35,360
Speaker 5: like snapchat where they.

1053
00:53:35,239 --> 00:53:37,440
Speaker 1: Just well, and then there's the issue of them having

1054
00:53:37,480 --> 00:53:41,360
Speaker 1: our email address because you can't just do it once.

1055
00:53:41,880 --> 00:53:43,759
Speaker 1: That's the thing. Once you do it, they have your

1056
00:53:43,800 --> 00:53:46,799
Speaker 1: email address forever, right, that's right, and then they can

1057
00:53:46,840 --> 00:53:48,520
Speaker 1: sign you up for all kinds of things.

1058
00:53:48,600 --> 00:53:52,560
Speaker 2: I'm not believing that was a bit. No, it wasn't

1059
00:53:52,560 --> 00:53:54,480
Speaker 2: a bit. I just wanted some attention.

1060
00:53:54,920 --> 00:53:58,360
Speaker 3: Well you got it, you got it and spades, my friend.

1061
00:53:59,160 --> 00:54:01,040
Speaker 2: And the truth to I was throwing up is because

1062
00:54:01,080 --> 00:54:01,800
Speaker 2: I have a bowler.

1063
00:54:03,239 --> 00:54:06,840
Speaker 3: Oh god, if I could just lighten the mood a

1064
00:54:06,880 --> 00:54:12,200
Speaker 3: bowl of what? Uh? But no, that's terrible. Thanks for lightning.

1065
00:54:12,360 --> 00:54:13,680
Speaker 2: Yeah that is better.

1066
00:54:13,760 --> 00:54:13,960
Speaker 3: Yeah.

1067
00:54:14,080 --> 00:54:16,200
Speaker 1: I was scared for a second that I had a

1068
00:54:16,239 --> 00:54:16,600
Speaker 1: bowl of.

1069
00:54:16,680 --> 00:54:18,759
Speaker 2: And I haven't been able to laugh about it. But

1070
00:54:18,920 --> 00:54:21,240
Speaker 2: now I'm thinking, like of a bowl of something.

1071
00:54:21,400 --> 00:54:22,920
Speaker 1: Right, how long have you had it?

1072
00:54:26,680 --> 00:54:30,480
Speaker 2: Uh? Six and a half years now or something? Okay,

1073
00:54:30,960 --> 00:54:33,840
Speaker 2: baracka Bola.

1074
00:54:34,000 --> 00:54:36,640
Speaker 1: Thanks for adding that small joke at the end of No,

1075
00:54:36,760 --> 00:54:40,560
Speaker 1: I think it's I think he's saying that he has

1076
00:54:40,600 --> 00:54:43,560
Speaker 1: been afflicted with Six and a half years is how

1077
00:54:43,600 --> 00:54:48,720
Speaker 1: long Obama's been in office. So you're saying, you're saying

1078
00:54:48,960 --> 00:54:53,359
Speaker 1: that it's a political snod comment. You're noting.

1079
00:54:55,239 --> 00:54:58,919
Speaker 5: You know it's not coming through like sure that that's

1080
00:54:58,960 --> 00:55:02,320
Speaker 5: awful because now you can never be in our program

1081
00:55:02,360 --> 00:55:05,680
Speaker 5: now that I know your political beliefs. Unless that's not

1082
00:55:05,760 --> 00:55:08,840
Speaker 5: as load as it sounds. It sounds like you're maybe

1083
00:55:09,520 --> 00:55:11,000
Speaker 5: tea party. Am I going too far?

1084
00:55:11,480 --> 00:55:13,359
Speaker 9: I want to be in the program, but I don't

1085
00:55:13,400 --> 00:55:15,280
Speaker 9: want to back off my political beliefs.

1086
00:55:15,320 --> 00:55:19,319
Speaker 5: See it's okay, it's not too late. If you right

1087
00:55:19,360 --> 00:55:23,480
Speaker 5: now profess your staunch political independence, you could be in

1088
00:55:23,520 --> 00:55:24,920
Speaker 5: the program.

1089
00:55:25,239 --> 00:55:27,400
Speaker 9: Just let him think first, I'm a Green Party and

1090
00:55:27,480 --> 00:55:30,960
Speaker 9: I want to be m I'm trying to vote for that,

1091
00:55:31,040 --> 00:55:34,400
Speaker 9: Mary Carey.

1092
00:55:35,880 --> 00:55:38,359
Speaker 1: Let me think, yeah, you to vote for.

1093
00:55:40,800 --> 00:55:45,040
Speaker 9: See these guys there he goes up to the table.

1094
00:55:45,280 --> 00:55:47,120
Speaker 2: Okay, they can't see me down here, so I can

1095
00:55:47,200 --> 00:55:52,720
Speaker 2: really figure this thing out. No comment.

1096
00:55:53,600 --> 00:55:56,120
Speaker 1: Mmmmm, let's reach into the chip.

1097
00:55:58,600 --> 00:55:59,759
Speaker 3: I hope that answers your question.

1098
00:56:00,000 --> 00:56:01,000
Speaker 1: Well, yeah, thanks for the question.

1099
00:56:01,080 --> 00:56:04,279
Speaker 2: Now, I guess I'll eat these were a soda? Wait,

1100
00:56:04,360 --> 00:56:06,359
Speaker 2: I can It makes no sense because it already tastes

1101
00:56:06,400 --> 00:56:07,759
Speaker 2: like a drink with caffeine.

1102
00:56:09,080 --> 00:56:12,440
Speaker 1: Here's a question from Andrew, Dear Birthday.

1103
00:56:12,040 --> 00:56:15,960
Speaker 3: Boys, Same, I do recognize the sex of Andrew.

1104
00:56:16,080 --> 00:56:16,480
Speaker 1: My man?

1105
00:56:17,280 --> 00:56:17,799
Speaker 3: Here we go.

1106
00:56:18,520 --> 00:56:24,440
Speaker 1: That's right, brother, Andrew says, Dear Birthday Boys, who contributes

1107
00:56:24,480 --> 00:56:25,720
Speaker 1: the least to the group?

1108
00:56:26,160 --> 00:56:28,959
Speaker 3: Oo would be me, sir?

1109
00:56:29,760 --> 00:56:35,320
Speaker 5: Oh, here comes the character, sorry, our favorite character, Gregory

1110
00:56:35,680 --> 00:56:36,520
Speaker 5: least contributor.

1111
00:56:36,719 --> 00:56:41,759
Speaker 3: Yeah, I don't exactly know where that script went. I

1112
00:56:41,880 --> 00:56:43,280
Speaker 3: had it here a minute ago.

1113
00:56:43,520 --> 00:56:47,520
Speaker 2: Oh, greg you just left it on the boat.

1114
00:56:47,800 --> 00:56:49,720
Speaker 1: Oh Gregory, not the boat again.

1115
00:56:50,040 --> 00:56:53,880
Speaker 5: Yeah, well, Gregory, just go back to your boat, find

1116
00:56:53,920 --> 00:56:56,200
Speaker 5: the script, and come back and we'll make the sketch

1117
00:56:56,239 --> 00:56:57,240
Speaker 5: for these nice people.

1118
00:56:57,320 --> 00:56:59,719
Speaker 3: The thing about the boat is I sort of put

1119
00:56:59,760 --> 00:57:00,759
Speaker 3: a in it.

1120
00:57:00,920 --> 00:57:04,319
Speaker 5: Oh jeez, Gregory, how the heck did you put a

1121
00:57:04,360 --> 00:57:05,320
Speaker 5: hole in the boat.

1122
00:57:05,440 --> 00:57:09,319
Speaker 3: So that's just a taste of this Gregory character, but

1123
00:57:09,400 --> 00:57:10,880
Speaker 3: it's based off of me. I do no work in

1124
00:57:10,920 --> 00:57:11,320
Speaker 3: the group.

1125
00:57:12,239 --> 00:57:14,640
Speaker 1: I come in late truth in comedy.

1126
00:57:14,920 --> 00:57:18,800
Speaker 3: You mean that low main sketch? Was that took a

1127
00:57:18,800 --> 00:57:20,600
Speaker 3: long time and that's the only thing I contributed.

1128
00:57:20,720 --> 00:57:23,400
Speaker 5: Yeah, you started that. I think you had that idea

1129
00:57:23,440 --> 00:57:27,600
Speaker 5: in high school. We we scripted it.

1130
00:57:28,400 --> 00:57:28,880
Speaker 1: This year.

1131
00:57:28,920 --> 00:57:31,760
Speaker 5: We wrote it you, you dictated, and we jotted it

1132
00:57:31,760 --> 00:57:33,360
Speaker 5: down on a legal pad and then handed it off

1133
00:57:33,360 --> 00:57:35,400
Speaker 5: to our eight year old assistant Rose and she typed it.

1134
00:57:35,480 --> 00:57:37,720
Speaker 3: Yeah, and then I got nasty with it. Remember that,

1135
00:57:38,320 --> 00:57:40,960
Speaker 3: I said, this is my life, this is my idea,

1136
00:57:41,000 --> 00:57:41,680
Speaker 3: this is my property.

1137
00:57:41,840 --> 00:57:43,040
Speaker 1: Do you think this is your life?

1138
00:57:43,080 --> 00:57:44,800
Speaker 2: I don't think so, gonna.

1139
00:57:44,480 --> 00:57:47,280
Speaker 3: Screw everything up. This is my ticket, man, this will

1140
00:57:47,400 --> 00:57:48,760
Speaker 3: main sketches my ticket.

1141
00:57:50,200 --> 00:57:52,160
Speaker 5: She was right, Yep, I'm gonna catch you now.

1142
00:57:52,400 --> 00:57:54,240
Speaker 2: This all could have been part of the first story

1143
00:57:54,240 --> 00:57:56,600
Speaker 2: you told, which was so long and seemed to be

1144
00:57:56,640 --> 00:57:58,880
Speaker 2: about the inception of this drama.

1145
00:57:59,360 --> 00:58:00,800
Speaker 1: In this story, yes.

1146
00:58:00,760 --> 00:58:01,640
Speaker 2: This seems more.

1147
00:58:02,120 --> 00:58:03,960
Speaker 3: It's in a way like a story.

1148
00:58:04,320 --> 00:58:07,040
Speaker 5: I think we're I think we if I had to

1149
00:58:07,040 --> 00:58:09,680
Speaker 5: think about it, if I had really, if you got cornered,

1150
00:58:10,120 --> 00:58:14,040
Speaker 5: I think we're at our funniest when the cameras are off,

1151
00:58:15,040 --> 00:58:20,120
Speaker 5: you know, when we're just a couple gals chatting, and

1152
00:58:20,200 --> 00:58:21,680
Speaker 5: I think maybe you just got a little taste in.

1153
00:58:21,680 --> 00:58:23,520
Speaker 3: That couple of gals named val.

1154
00:58:25,000 --> 00:58:29,000
Speaker 1: Could I noticed you were resting your your cheek on

1155
00:58:29,080 --> 00:58:31,720
Speaker 1: your hand while you were supposed to be recording the show.

1156
00:58:31,760 --> 00:58:33,520
Speaker 1: If you could just sit.

1157
00:58:33,480 --> 00:58:37,440
Speaker 5: Up and it's over now, should we repeat everything we

1158
00:58:37,520 --> 00:58:39,600
Speaker 5: said for the last No, I know the show, the

1159
00:58:39,640 --> 00:58:40,480
Speaker 5: show's over.

1160
00:58:42,800 --> 00:58:43,000
Speaker 3: Over.

1161
00:58:43,880 --> 00:58:48,800
Speaker 1: It gives the impression that you're not having a good time. Okay, just.

1162
00:58:51,040 --> 00:58:53,920
Speaker 2: From one I saw you skateboarding.

1163
00:58:54,320 --> 00:58:57,040
Speaker 1: I saw you skateboarding. I saw you skateboarding. You don't

1164
00:58:57,040 --> 00:58:58,920
Speaker 1: have back pain. We all know that.

1165
00:58:58,920 --> 00:59:00,960
Speaker 5: That's like skateboarders don't n back.

1166
00:59:01,240 --> 00:59:04,840
Speaker 1: But that helps my back. It's the exercise, Cody. The

1167
00:59:04,880 --> 00:59:09,960
Speaker 1: idea that skateboarding helps you brackt is absurd. Just sitting

1168
00:59:10,080 --> 00:59:16,120
Speaker 1: up and being engaged, Okay, participating in the acting, acting

1169
00:59:16,160 --> 00:59:19,040
Speaker 1: like you're listening and you're having a good time, answering questions,

1170
00:59:19,960 --> 00:59:24,840
Speaker 1: speaking up involuntarily, that's all good. Participating in the show. Yes,

1171
00:59:25,840 --> 00:59:28,000
Speaker 1: just sitting there bump on a log style.

1172
00:59:28,120 --> 00:59:31,000
Speaker 2: There's a real thing with Cody that he thinks lying

1173
00:59:31,160 --> 00:59:34,200
Speaker 2: is funny, and I think he's making a joke when

1174
00:59:34,200 --> 00:59:35,320
Speaker 2: he does these lies.

1175
00:59:36,000 --> 00:59:40,240
Speaker 6: Skateboarding helps my back. You're lying to me. You honestly

1176
00:59:40,320 --> 00:59:45,520
Speaker 6: could get arrested for that. Citizens arrest right now and carry.

1177
00:59:45,280 --> 00:59:46,800
Speaker 3: Your back or you're under arrest.

1178
00:59:48,240 --> 00:59:52,440
Speaker 2: Yeah, because it's going to become a burden on the public,

1179
00:59:52,760 --> 00:59:55,720
Speaker 2: you know, health people if you actually do have a

1180
00:59:55,760 --> 00:59:58,320
Speaker 2: hurt back in your skateboarding. But I don't think you do.

1181
01:00:00,160 --> 01:00:03,920
Speaker 5: Yeah, I'm gonna end up in the ultimate lie zone.

1182
01:00:04,240 --> 01:00:08,280
Speaker 2: Jail, Yeah, and there you really have to lie.

1183
01:00:08,480 --> 01:00:09,280
Speaker 1: Sounds like fun?

1184
01:00:10,000 --> 01:00:12,840
Speaker 3: You know, it doesn't like that, Cody.

1185
01:00:12,840 --> 01:00:14,640
Speaker 1: You don't think that jail sounds like fun.

1186
01:00:14,640 --> 01:00:20,280
Speaker 2: It's punishment, Cody, No, it doesn't sound like fun.

1187
01:00:20,480 --> 01:00:24,320
Speaker 5: Sean, don't don't drop him. Don't drop him off that cliff.

1188
01:00:24,640 --> 01:00:25,600
Speaker 5: If you drop him off.

1189
01:00:25,520 --> 01:00:27,680
Speaker 2: That leg, you take back what you said.

1190
01:00:27,680 --> 01:00:29,080
Speaker 1: You cannotdo this, Sean.

1191
01:00:30,080 --> 01:00:32,160
Speaker 2: You want to be you want to be spaghetti on

1192
01:00:32,200 --> 01:00:35,360
Speaker 2: the pavement. You want to be public job.

1193
01:00:36,880 --> 01:00:38,840
Speaker 3: He's taking the shots at our help me.

1194
01:00:39,360 --> 01:00:41,440
Speaker 1: Okay, all right, all right, Tody, you did you were

1195
01:00:41,480 --> 01:00:42,520
Speaker 1: being very disengaged.

1196
01:00:43,200 --> 01:00:43,520
Speaker 3: Hayes.

1197
01:00:43,640 --> 01:00:44,920
Speaker 1: You you're implicit in this.

1198
01:00:45,440 --> 01:00:47,720
Speaker 5: If you, guys both take a hold of his collar

1199
01:00:47,840 --> 01:00:48,720
Speaker 5: like that and you let.

1200
01:00:48,720 --> 01:00:51,160
Speaker 2: Go, and Hayes maybe has the power to call me off,

1201
01:00:51,200 --> 01:00:56,640
Speaker 2: but no one else does my hand. I have hand pain, guys, guys, Okay, Cody,

1202
01:00:56,680 --> 01:00:58,560
Speaker 2: that's a taste of your medicine. He's saying he can't

1203
01:00:58,600 --> 01:01:02,640
Speaker 2: do it because he has a physical ailm. That's not real, Sewan.

1204
01:01:02,720 --> 01:01:05,120
Speaker 3: This is a bad idea. Man, Oh my god, drop him.

1205
01:01:05,280 --> 01:01:06,080
Speaker 2: I'm slipping.

1206
01:01:06,600 --> 01:01:07,400
Speaker 1: I'm slipping.

1207
01:01:07,520 --> 01:01:09,720
Speaker 2: I don't know if I can hold him anymore.

1208
01:01:09,840 --> 01:01:13,440
Speaker 3: John, I just watched Batman Returns last night where masks

1209
01:01:13,640 --> 01:01:16,280
Speaker 3: Shrek drops Michelle Fifer's character out the window. This is

1210
01:01:16,320 --> 01:01:17,720
Speaker 3: not gonna end well, wait.

1211
01:01:17,640 --> 01:01:21,400
Speaker 5: Man, Hanford, Hanford, why are you holding me over this balcony.

1212
01:01:21,040 --> 01:01:24,840
Speaker 6: Hand because you let me stop copying me hand for Hamford.

1213
01:01:25,160 --> 01:01:28,160
Speaker 2: Look, if you let me go, Hanford, this is.

1214
01:01:28,120 --> 01:01:29,840
Speaker 1: Playing for more Wally Peanuts.

1215
01:01:29,840 --> 01:01:33,160
Speaker 3: Man, what do you think I've been gunning for this

1216
01:01:33,240 --> 01:01:33,760
Speaker 3: old time?

1217
01:01:33,960 --> 01:01:36,760
Speaker 5: I knew you wanted that character for me. I got

1218
01:01:36,800 --> 01:01:39,760
Speaker 5: news for you, buddy. I came up with Gregory. He

1219
01:01:39,960 --> 01:01:40,800
Speaker 5: was my idea.

1220
01:01:41,400 --> 01:01:43,360
Speaker 3: I deserve him, Jesus.

1221
01:01:43,400 --> 01:01:45,520
Speaker 2: Okay, I'm gonna put Cody down while you guys deal

1222
01:01:45,560 --> 01:01:46,800
Speaker 2: with this Cody.

1223
01:01:46,840 --> 01:01:48,520
Speaker 1: You guys seem more long standing.

1224
01:01:48,560 --> 01:01:50,720
Speaker 2: This Cody thing was this sort of flash in the pan.

1225
01:01:50,880 --> 01:01:54,480
Speaker 5: Oh Haze has gotten Oh my god, look hey, I'm

1226
01:01:54,920 --> 01:01:56,200
Speaker 5: both guys listen to me, Hayes.

1227
01:01:56,240 --> 01:01:58,840
Speaker 2: If you drop Hanford, I go with him. Man. Okay,

1228
01:01:58,920 --> 01:02:01,240
Speaker 2: I'm gonna hold myself out the window because I'm feeling

1229
01:02:01,280 --> 01:02:02,240
Speaker 2: kind of left out.

1230
01:02:02,560 --> 01:02:05,960
Speaker 1: Sean, Sean, I'm just kind of hanging here. Just take

1231
01:02:06,000 --> 01:02:08,240
Speaker 1: my hand, Sean. I'll hold you. I'll hold you up

1232
01:02:08,280 --> 01:02:10,120
Speaker 1: in as ars. Haz doesn't let go a hamper, and

1233
01:02:10,160 --> 01:02:10,480
Speaker 1: I don't.

1234
01:02:10,680 --> 01:02:11,440
Speaker 3: I don't let go you.

1235
01:02:11,520 --> 01:02:12,919
Speaker 1: We all we all stay up here.

1236
01:02:13,240 --> 01:02:18,760
Speaker 3: Okay, wait, guys, it's it's Cody. He's lifting us all up.

1237
01:02:19,080 --> 01:02:21,440
Speaker 3: He's not even touching us, hugging us.

1238
01:02:22,120 --> 01:02:25,280
Speaker 2: Oh some back pain, Cody, You lift us.

1239
01:02:29,200 --> 01:02:31,840
Speaker 1: Really really don't?

1240
01:02:31,960 --> 01:02:32,200
Speaker 2: Guy?

1241
01:02:32,720 --> 01:02:34,400
Speaker 3: And I can't think of another word right now, so

1242
01:02:34,600 --> 01:02:35,720
Speaker 3: fuck you, Cody.

1243
01:02:36,360 --> 01:02:39,520
Speaker 2: I used the power of Christ. Oh my god, that

1244
01:02:39,640 --> 01:02:41,600
Speaker 2: fuck you was the good button for it because we

1245
01:02:41,640 --> 01:02:45,560
Speaker 2: talked about swearing. Oh one more thing, Yeah, Cody is

1246
01:02:45,560 --> 01:02:49,520
Speaker 2: gonna put the button on it the power of Christ. God,

1247
01:02:49,640 --> 01:02:50,600
Speaker 2: damn it, Cody.

1248
01:02:51,600 --> 01:02:52,880
Speaker 1: Thanks for coming in, guys.

1249
01:02:53,240 --> 01:02:57,640
Speaker 2: Thanks, I'm sorry man, and a really great button on

1250
01:02:57,680 --> 01:02:58,959
Speaker 2: the show right out.

1251
01:02:59,000 --> 01:02:59,800
Speaker 3: Sorry Cody.

1252
01:03:00,120 --> 01:03:02,080
Speaker 1: Yes, I use the power of Christ.

1253
01:03:02,120 --> 01:03:07,760
Speaker 2: Oh God, what a wame thing, fucking loser.

1254
01:03:07,880 --> 01:03:10,400
Speaker 1: Rate us on iTunes, Give us a fucking one.

1255
01:03:11,080 --> 01:03:14,240
Speaker 2: Yeah, that's what we deserve as long as Cody's still involved.

1256
01:03:14,240 --> 01:03:19,360
Speaker 2: Give us ones on iTunes, unlike us on Facebook. Go

1257
01:03:19,440 --> 01:03:22,160
Speaker 2: to the friggin forums and just tell us a piece

1258
01:03:22,200 --> 01:03:29,120
Speaker 2: of shock. Yeah, flush us down the toilet and nobody listen, Nobody.

1259
01:03:28,800 --> 01:03:32,320
Speaker 1: Subscribe, And but please do buy the proversion of our podcast.

1260
01:03:32,400 --> 01:03:34,240
Speaker 2: Oh yes, that goes right in our pocket.

1261
01:03:34,280 --> 01:03:37,200
Speaker 1: There's a lot of great stuff on offer this week,

1262
01:03:37,600 --> 01:03:41,000
Speaker 1: a lot of little signed objects from the studio. I

1263
01:03:41,000 --> 01:03:44,000
Speaker 1: don't want to give anything away, but some some fun

1264
01:03:44,040 --> 01:03:48,920
Speaker 1: stuff this week. UH and Dancing for Powerful Men about

1265
01:03:49,000 --> 01:03:50,040
Speaker 1: the proverb, but the.

1266
01:03:50,000 --> 01:03:54,000
Speaker 2: Pro version this week and UH And as a prize,

1267
01:03:54,280 --> 01:03:57,920
Speaker 2: UH is going to get a character created by the

1268
01:03:57,960 --> 01:04:03,480
Speaker 2: Birthday Boys pro Uh Jim pro Version Purchaseer is the

1269
01:04:03,560 --> 01:04:06,960
Speaker 2: new character brought to you by the brand. Yes that

1270
01:04:07,120 --> 01:04:10,680
Speaker 2: sounds Yes, that's Jim, So you're welcome. Dancing for Powerful

1271
01:04:10,720 --> 01:04:19,680
Speaker 2: men by This has been an Earwolf Media production Executive

1272
01:04:19,680 --> 01:04:22,600
Speaker 2: producers Jeff Ulrick and Scott Ackerman. For more information, visit

1273
01:04:22,640 --> 01:04:23,240
Speaker 2: earwolf dot.

1274
01:04:23,200 --> 01:04:37,840
Speaker 4: Com, ear Wolf Radio, Boom dot com.

1275
01:04:37,880 --> 01:04:38,760
Speaker 2: The Worf Dead