1 00:00:01,240 --> 00:00:04,920 Speaker 1: Let's play a game with Elvis Duran in the Morning show. 2 00:00:06,040 --> 00:00:08,200 Speaker 2: So why are we testing someone else if Danielle is 3 00:00:08,240 --> 00:00:10,680 Speaker 2: the in house I know all the Broadway lyrics, person, 4 00:00:11,920 --> 00:00:12,960 Speaker 2: please yes. 5 00:00:12,840 --> 00:00:13,160 Speaker 3: Go ahead. 6 00:00:13,200 --> 00:00:15,680 Speaker 1: And Nate said that if the person doesn't get it, 7 00:00:15,840 --> 00:00:16,760 Speaker 1: maybe I can help them. 8 00:00:16,760 --> 00:00:20,400 Speaker 2: Sargonda, Okay, thank you, yeah, okay, all right. Well, so 9 00:00:20,520 --> 00:00:23,360 Speaker 2: Madison claims to know a lot of the lyrics from 10 00:00:23,360 --> 00:00:27,880 Speaker 2: Broadway shows. Hi, Madison, Hello, welcome to the show, you 11 00:00:27,960 --> 00:00:31,800 Speaker 2: Broadway lover. Here's the thing, I'm like terrified, Well you 12 00:00:31,800 --> 00:00:34,080 Speaker 2: should be. This is just because you know a lot 13 00:00:34,080 --> 00:00:36,240 Speaker 2: of lyrics doesn't mean you know all the ris lyrics 14 00:00:36,240 --> 00:00:38,440 Speaker 2: from all the Broadway shows. So it's a tricky thing. 15 00:00:38,880 --> 00:00:42,840 Speaker 2: So this contest originally was prepared for our friend Billy Porter, 16 00:00:43,200 --> 00:00:46,160 Speaker 2: who was in yesterday Big Broadway Guy, or two days ago, 17 00:00:46,200 --> 00:00:49,040 Speaker 2: whatever the thing is. Because of the strike going on, 18 00:00:49,200 --> 00:00:51,280 Speaker 2: he didn't want to talk about anything to do with 19 00:00:51,320 --> 00:00:52,720 Speaker 2: Broadway or anything to do with anything. 20 00:00:52,800 --> 00:00:55,160 Speaker 1: If we had just waited one more day exactly. 21 00:00:55,880 --> 00:00:59,160 Speaker 2: So now the strike is subsiding, but he's not here, 22 00:00:59,200 --> 00:01:01,640 Speaker 2: but you are. You have been saying, Madison, I know 23 00:01:01,800 --> 00:01:06,319 Speaker 2: lyrics to Broadway shows, And all right, you want to 24 00:01:06,319 --> 00:01:06,680 Speaker 2: try it. 25 00:01:07,640 --> 00:01:08,360 Speaker 3: All right, I'm down. 26 00:01:08,440 --> 00:01:12,000 Speaker 2: Here we go, welcome to finish the Broadway lyrics. Now, 27 00:01:12,120 --> 00:01:16,160 Speaker 2: if you don't get it wrong, right, Danielle is going 28 00:01:16,200 --> 00:01:17,320 Speaker 2: to try to back you up. 29 00:01:17,959 --> 00:01:19,759 Speaker 1: Oh my gosh, thank you so much. 30 00:01:19,800 --> 00:01:22,440 Speaker 2: All right, but even Danielle maybe stumped. Yeah, I mean, 31 00:01:24,160 --> 00:01:26,480 Speaker 2: all right, here we go. I'm gonna start it out easy. 32 00:01:26,600 --> 00:01:39,040 Speaker 2: You have to finish the lyrics. Here we go, all easy, go. 33 00:01:40,480 --> 00:01:45,240 Speaker 3: That's your bottom dollar that tomorrow will be God. 34 00:01:46,440 --> 00:01:51,440 Speaker 2: Yeah, that just sounds good to you. Do Are you 35 00:01:51,520 --> 00:01:56,280 Speaker 2: like little orphan any with no eyeballs? Well you got 36 00:01:56,320 --> 00:01:58,720 Speaker 2: the balls, not the retinas or whatever. All right, here 37 00:01:58,760 --> 00:02:01,480 Speaker 2: we go. Let's keep going. Let's make it a little 38 00:02:01,520 --> 00:02:05,840 Speaker 2: more challenging, like. 39 00:02:06,000 --> 00:02:10,160 Speaker 3: Show business that smiles when they are blue. 40 00:02:15,480 --> 00:02:19,679 Speaker 2: Well, you've got some of it. Yeah, I give it 41 00:02:19,720 --> 00:02:21,959 Speaker 2: to him. I didn't know the game was called guess 42 00:02:22,000 --> 00:02:22,639 Speaker 2: some of the lyrics. 43 00:02:24,720 --> 00:02:25,120 Speaker 1: No idea. 44 00:02:26,360 --> 00:02:27,280 Speaker 2: That's not an easy one. 45 00:02:27,320 --> 00:02:28,280 Speaker 1: That's kind of a hard one. 46 00:02:28,800 --> 00:02:32,440 Speaker 2: It is he comes, he comes, crabby, gandhi. 47 00:02:33,960 --> 00:02:35,440 Speaker 3: Yeah, I will put the effort in. 48 00:02:35,680 --> 00:02:38,000 Speaker 2: Okay, put the effort in. If you just stopped it 49 00:02:38,080 --> 00:02:40,799 Speaker 2: that first couple of words, you would have been safe. Okay, 50 00:02:41,680 --> 00:02:43,239 Speaker 2: let me try another one. Let me try another, and 51 00:02:43,480 --> 00:02:45,160 Speaker 2: I could actually help you with this, but Daniel's here, 52 00:02:45,200 --> 00:02:53,120 Speaker 2: here we go. Don't cry for me. Gent The truth 53 00:02:53,360 --> 00:02:56,280 Speaker 2: is I know left you very good. 54 00:02:58,440 --> 00:02:58,840 Speaker 1: I know. 55 00:03:00,400 --> 00:03:02,280 Speaker 2: You all right, very good. All right, so you have 56 00:03:02,480 --> 00:03:04,840 Speaker 2: two out of three. We're not giving you that second 57 00:03:04,880 --> 00:03:08,720 Speaker 2: one because Gandhi will all right, all right, okay, I 58 00:03:08,880 --> 00:03:10,960 Speaker 2: respect a Gandhi will bust a gut. 59 00:03:12,280 --> 00:03:12,639 Speaker 3: Hear go. 60 00:03:13,160 --> 00:03:15,360 Speaker 2: Look at this another easy one, Danielle. You may need 61 00:03:15,400 --> 00:03:21,040 Speaker 2: to back her up. The listening one more time. Cale, 62 00:03:22,680 --> 00:03:31,359 Speaker 2: Oh you did it? Wraggle line, razzle, dazzle from very good? 63 00:03:33,520 --> 00:03:37,920 Speaker 2: I can lit all right, here we go. Oh my god, 64 00:03:38,400 --> 00:03:43,160 Speaker 2: what a great musical? Here, let me play it again? 65 00:03:46,120 --> 00:03:46,920 Speaker 2: Not a lot of music? 66 00:03:47,400 --> 00:03:52,320 Speaker 3: Oh yeah? Is that? 67 00:03:53,640 --> 00:03:55,880 Speaker 2: I don't I think I might know the musical, but 68 00:03:57,280 --> 00:03:58,400 Speaker 2: what what musical is it? 69 00:03:59,480 --> 00:04:01,760 Speaker 3: Is it Joseph in the Amazing Technicolor? 70 00:04:02,120 --> 00:04:05,200 Speaker 2: Wow? Yes? And I think our clues kind of crack. 71 00:04:06,320 --> 00:04:13,160 Speaker 2: Here's the end of it. You needed more. 72 00:04:13,280 --> 00:04:14,880 Speaker 1: The only reason I know that is because that was 73 00:04:14,920 --> 00:04:18,080 Speaker 1: the first show my sister did in high school that 74 00:04:18,200 --> 00:04:21,560 Speaker 1: my husband came to see. And for some reason, Joseph 75 00:04:21,600 --> 00:04:22,360 Speaker 1: sticks in my head. 76 00:04:22,600 --> 00:04:24,800 Speaker 2: I don't know why, which doesn't finish the lyric. No, 77 00:04:24,920 --> 00:04:27,160 Speaker 2: it doesn't. All right, we're all kind of stumped on 78 00:04:27,200 --> 00:04:29,960 Speaker 2: that way. But this one I don't know. Get rid of? 79 00:04:33,160 --> 00:04:40,680 Speaker 3: Oh oh, straight, one more time, get rid of come on, 80 00:04:40,760 --> 00:04:47,360 Speaker 3: you got it? You got it? Getting because I'm a 81 00:04:47,480 --> 00:04:49,520 Speaker 3: coming come. 82 00:04:52,000 --> 00:04:55,279 Speaker 2: She's a drummer, she says, she's a comer's I thought 83 00:04:55,279 --> 00:04:55,560 Speaker 2: I heard? 84 00:05:01,120 --> 00:05:01,680 Speaker 1: What's it from? 85 00:05:01,720 --> 00:05:02,479 Speaker 2: Do you know where it's from? 86 00:05:02,640 --> 00:05:06,840 Speaker 3: Of course, don't rain on my parade? 87 00:05:07,200 --> 00:05:11,240 Speaker 2: That's from there too, okay. And funny girl is correct, 88 00:05:11,320 --> 00:05:12,600 Speaker 2: funny girl and here we go. 89 00:05:16,000 --> 00:05:19,440 Speaker 3: That's a hard okay, yeah, play that one more time. 90 00:05:22,080 --> 00:05:22,800 Speaker 2: Great musical. 91 00:05:24,160 --> 00:05:25,719 Speaker 3: Can I phone a friend? 92 00:05:26,640 --> 00:05:27,440 Speaker 2: Daniel's your friend? 93 00:05:28,320 --> 00:05:33,120 Speaker 1: Yes, till it's Austin tageous. 94 00:05:35,880 --> 00:05:36,440 Speaker 3: Oh my god. 95 00:05:39,120 --> 00:05:41,919 Speaker 2: That is kinky boots. She got it and she's backing 96 00:05:41,960 --> 00:05:42,240 Speaker 2: her up. 97 00:05:42,760 --> 00:05:43,880 Speaker 3: So can be mad? 98 00:05:45,279 --> 00:05:48,760 Speaker 2: Gandy wants to be mad as she can't be. Here's 99 00:05:48,760 --> 00:05:49,480 Speaker 2: here's another one. 100 00:05:58,400 --> 00:06:03,040 Speaker 3: The Impossible Dream Impossible. 101 00:06:08,279 --> 00:06:11,359 Speaker 2: Very nice. That is Man of La Mancha. Scary Jones 102 00:06:12,200 --> 00:06:15,440 Speaker 2: looked older than but he was in the Man of 103 00:06:15,560 --> 00:06:17,920 Speaker 2: Lamancha back in high school. You know, yes, I was. 104 00:06:18,000 --> 00:06:23,520 Speaker 2: I played the Man of Lamancha. Donkey Hoote with unbearable sorrow. 105 00:06:24,279 --> 00:06:26,920 Speaker 2: Thank you and here you go. I there's a video 106 00:06:26,960 --> 00:06:28,560 Speaker 2: of that somewhere. Okay, let's give you a little king 107 00:06:28,600 --> 00:06:30,120 Speaker 2: and I let's see if you get this lyric? 108 00:06:31,800 --> 00:06:44,920 Speaker 3: Hey young, wait more time? Yeah, hey young, Yeah, I 109 00:06:45,000 --> 00:06:45,400 Speaker 3: might have to. 110 00:06:47,720 --> 00:06:49,679 Speaker 1: Young lovers right well. 111 00:06:52,080 --> 00:06:59,320 Speaker 2: Your true voice they have. Yes, it's like a little 112 00:06:59,360 --> 00:07:04,320 Speaker 2: walking bird. I'll give you one more. I'm gonna give 113 00:07:04,320 --> 00:07:06,240 Speaker 2: you more. And so far you're doing pretty well, Madison, 114 00:07:06,240 --> 00:07:11,360 Speaker 2: and you sound awesome. One more. It's time for a holiday. 115 00:07:12,360 --> 00:07:12,920 Speaker 2: Where do we go? 116 00:07:14,000 --> 00:07:16,040 Speaker 1: Oh my, there's the cab. 117 00:07:17,520 --> 00:07:20,120 Speaker 3: Sho, I'm to the cab. 118 00:07:26,720 --> 00:07:33,680 Speaker 2: I'm to the cab. You did really well. What do 119 00:07:33,760 --> 00:07:36,440 Speaker 2: we have for our friend, Madison? Thanks to Kindred Joy, 120 00:07:36,520 --> 00:07:42,720 Speaker 2: We've got five, Thank you, thank you. 121 00:07:42,840 --> 00:07:45,360 Speaker 1: I want Sally Bowls at Saint John's University in the 122 00:07:45,440 --> 00:07:46,880 Speaker 1: little theater in the chapel. 123 00:07:48,400 --> 00:07:51,480 Speaker 2: Yeah, in college, Danielle is Sally Bowls. I was smoking bowls. 124 00:07:54,640 --> 00:07:56,800 Speaker 2: Good going. Thank you to kinder Joy. Five hundred dollars 125 00:07:56,840 --> 00:07:58,600 Speaker 2: on the way, Madison. Thank you so much for listening. 126 00:07:58,680 --> 00:08:01,800 Speaker 2: Have a great weekend, and don't forget on your on 127 00:08:01,880 --> 00:08:04,400 Speaker 2: your totally free iHeartRadio app. The Broadway channel is always 128 00:08:04,440 --> 00:08:06,960 Speaker 2: spewing out. These Broadway hits have a great one. Talk 129 00:08:07,000 --> 00:08:08,040 Speaker 2: about Kinderjoy go. 130 00:08:08,760 --> 00:08:10,960 Speaker 1: So, first of all, they're giving you a chance to 131 00:08:11,080 --> 00:08:13,720 Speaker 1: get a four pack of passes in the grand stands 132 00:08:13,720 --> 00:08:15,680 Speaker 1: at the Macy's Thanksgiving Day Pride. I am telling you, 133 00:08:16,040 --> 00:08:18,880 Speaker 1: if you've never done it, it is the most unbelievable experience. 134 00:08:19,080 --> 00:08:21,360 Speaker 1: And you know we love our kinder Joy Well, I 135 00:08:21,480 --> 00:08:23,040 Speaker 1: was eating one yesterday and I got it all over 136 00:08:23,160 --> 00:08:25,760 Speaker 1: my husband's papers because you know, you open it up, 137 00:08:26,080 --> 00:08:28,960 Speaker 1: it's creamy, it is a little spoon and it's delicious. 138 00:08:29,040 --> 00:08:30,520 Speaker 1: So Elvis Duran dot com. 139 00:08:30,440 --> 00:08:32,400 Speaker 2: For details exactly we'll fly you to New York, put 140 00:08:32,400 --> 00:08:33,800 Speaker 2: you in the grandstand, and put you in a hotel 141 00:08:33,800 --> 00:08:35,960 Speaker 2: five hundred dollars spending cash. All the rules and more 142 00:08:36,000 --> 00:08:37,440 Speaker 2: ways to win at Elvis durand dot comm