1 00:00:00,720 --> 00:00:17,520 Speaker 1: I am all in. Oh just you, I am all 2 00:00:17,600 --> 00:00:21,160 Speaker 1: in with Scott Patterson and I Heart Radio podcast. Hey, 3 00:00:21,160 --> 00:00:24,000 Speaker 1: everybody's Scott Patterson. I Am all in Podcast. One on 4 00:00:24,000 --> 00:00:28,400 Speaker 1: one interview with Adam Shapiro. Adam is an actor and 5 00:00:28,480 --> 00:00:31,600 Speaker 1: he appeared on one episode of Gilmore Girls as Sugarman, 6 00:00:31,720 --> 00:00:35,680 Speaker 1: Season four, episode five, The Fundamental Things Apply. Uh. He's 7 00:00:35,720 --> 00:00:40,040 Speaker 1: an actor and director from Philadelphia, my hometown, known for 8 00:00:40,080 --> 00:00:44,000 Speaker 1: the film Steve Jobs, TV shows Never Have I Ever 9 00:00:44,280 --> 00:00:46,800 Speaker 1: on Netflix and The Affair. He's been married to Katie 10 00:00:46,840 --> 00:00:48,839 Speaker 1: Lows since two thousand and twelve. They have two children, 11 00:00:49,159 --> 00:00:51,600 Speaker 1: and recently, during the pandemic, Adam and his wife started 12 00:00:51,600 --> 00:00:54,920 Speaker 1: a pretzel company. When Katie was co hosting Live with 13 00:00:55,000 --> 00:00:58,640 Speaker 1: Kelly and Ryan, she mentioned her husband's prenzel obsession to 14 00:00:58,720 --> 00:01:01,560 Speaker 1: host Ryan Seacrest. Next day, the first of many citywide 15 00:01:01,600 --> 00:01:05,040 Speaker 1: deliveries came to see christ door. After just one bite, 16 00:01:05,280 --> 00:01:09,200 Speaker 1: the man was hooked and the on air Rave reviews 17 00:01:09,400 --> 00:01:13,560 Speaker 1: ensued with that shappy Pretzel company was off to the 18 00:01:13,680 --> 00:01:17,080 Speaker 1: races and I bring Let's bring him in. Now let's 19 00:01:17,120 --> 00:01:20,080 Speaker 1: talk to Adam Shapiro. Adam, Hello, welcome to the show. 20 00:01:20,360 --> 00:01:26,160 Speaker 1: How are you, Yeah, baby, I'm good. So first and foremost, 21 00:01:26,160 --> 00:01:28,119 Speaker 1: tell us how you got the job. First of all, 22 00:01:28,200 --> 00:01:30,720 Speaker 1: was the audition process, Like, for you, how did I 23 00:01:30,800 --> 00:01:33,760 Speaker 1: get the job on Gilma? All right? So one of 24 00:01:33,760 --> 00:01:37,840 Speaker 1: the things about Gilma, it was my first audition I 25 00:01:37,959 --> 00:01:41,880 Speaker 1: ever booked. I had a line on one television show 26 00:01:41,880 --> 00:01:43,600 Speaker 1: when I was a p A on The Andy Dick 27 00:01:43,640 --> 00:01:49,320 Speaker 1: Show while I was in college, and and that was 28 00:01:50,400 --> 00:01:52,200 Speaker 1: that wasn't you know. I didn't audition for that of 29 00:01:52,240 --> 00:01:55,480 Speaker 1: It's just like who you put your walkie talking down 30 00:01:55,480 --> 00:01:58,760 Speaker 1: and go say this line on the show. Yes, I'm 31 00:01:58,760 --> 00:02:03,120 Speaker 1: gonna get my SAG card, you know. Gilmore Girls, I 32 00:02:03,160 --> 00:02:08,680 Speaker 1: think was my first audition that I booked, um and um. 33 00:02:09,560 --> 00:02:12,200 Speaker 1: I just it was just just straight go to the 34 00:02:12,240 --> 00:02:16,840 Speaker 1: audition with a bunch of dudes show up. So it 35 00:02:17,120 --> 00:02:20,000 Speaker 1: was it was like my first time really on a set, 36 00:02:20,520 --> 00:02:24,640 Speaker 1: um and first time really doing the whole thing, you know. 37 00:02:24,680 --> 00:02:27,200 Speaker 1: Like I remember I showed up to the to the 38 00:02:27,320 --> 00:02:32,519 Speaker 1: wardrobe fitting and I was wearing a Temple Basketball T 39 00:02:32,639 --> 00:02:37,639 Speaker 1: shirt that's like my favorite team guy and it said 40 00:02:37,639 --> 00:02:41,600 Speaker 1: winning as an Attitude coach John Cheney Temple Basketball or whatever, 41 00:02:42,320 --> 00:02:46,399 Speaker 1: and the I forget if it was the costume designer 42 00:02:46,639 --> 00:02:49,760 Speaker 1: or maybe an assistance. She was like, I went to Temple. 43 00:02:51,520 --> 00:02:53,560 Speaker 1: That's so crazy that you're wearing that shirt. You should 44 00:02:53,600 --> 00:02:56,160 Speaker 1: wear it on the show. On the show, I am 45 00:02:56,200 --> 00:02:59,520 Speaker 1: wearing a Temple basketball shirt that says winning as an 46 00:02:59,520 --> 00:03:03,519 Speaker 1: attitude and they just sort of pinned my overshirt over 47 00:03:03,560 --> 00:03:08,840 Speaker 1: the logo and I have that a picture screen grab 48 00:03:08,919 --> 00:03:12,680 Speaker 1: of me wearing that shirt, signed by Temple basketball coach 49 00:03:12,760 --> 00:03:16,880 Speaker 1: John Cheney. Wow. So that was a big you know, 50 00:03:16,960 --> 00:03:19,000 Speaker 1: for my first time really on TV, to be able 51 00:03:19,040 --> 00:03:22,480 Speaker 1: to represent my favorite team like that. So you were 52 00:03:22,600 --> 00:03:26,480 Speaker 1: part yeah, the Temple Owls, the legend of the Temple Owls. 53 00:03:26,520 --> 00:03:28,760 Speaker 1: You were. So you were part of the breakfast crew 54 00:03:29,639 --> 00:03:33,560 Speaker 1: at Yale when Rory uh went in there in her 55 00:03:33,600 --> 00:03:37,440 Speaker 1: pajamas and her slippers. Do you what do you remember 56 00:03:37,440 --> 00:03:40,240 Speaker 1: about that day? Filming? That day? All right? Funny? Well 57 00:03:40,440 --> 00:03:44,440 Speaker 1: so uh. The actor sitting next to me is Ethan Cone, 58 00:03:44,560 --> 00:03:49,040 Speaker 1: who I'm still good friends with. Love that man, Um, 59 00:03:49,120 --> 00:03:52,320 Speaker 1: I remember, you know, it's so funny now, I mean 60 00:03:52,600 --> 00:03:55,000 Speaker 1: it's its twenty years, Like, how long is it go? 61 00:03:55,160 --> 00:03:57,640 Speaker 1: When did we shoot this? This is two thousands, so 62 00:03:57,720 --> 00:04:01,400 Speaker 1: eighteen nineteen years ago? Thanks years ago? So I you know, 63 00:04:02,080 --> 00:04:04,240 Speaker 1: it is so much harder to be in a scene 64 00:04:04,280 --> 00:04:06,360 Speaker 1: with one line than it is to be in a 65 00:04:06,400 --> 00:04:09,840 Speaker 1: scene with like fifty lines, you know, and you know 66 00:04:10,000 --> 00:04:13,000 Speaker 1: my line and in that in that episode is nice 67 00:04:13,120 --> 00:04:16,719 Speaker 1: bunny shoes. That is That's it. I just say nice 68 00:04:16,720 --> 00:04:25,520 Speaker 1: bunny shoes. And all I remember was trying two um 69 00:04:25,560 --> 00:04:28,080 Speaker 1: not just not mess up the whole scene with my 70 00:04:28,160 --> 00:04:31,440 Speaker 1: one line. And the hard part about the one line 71 00:04:31,440 --> 00:04:33,880 Speaker 1: thing is you have to like act like you're not 72 00:04:33,920 --> 00:04:35,920 Speaker 1: just sitting there waiting for your line when that is 73 00:04:36,160 --> 00:04:42,960 Speaker 1: all you are doing. All you are doing that you 74 00:04:43,080 --> 00:04:46,120 Speaker 1: have to live. You have to live that reality every 75 00:04:46,200 --> 00:04:49,159 Speaker 1: moment of that scene in order to for people to 76 00:04:49,279 --> 00:04:51,920 Speaker 1: believe your one line get all the way to get 77 00:04:51,960 --> 00:04:55,480 Speaker 1: all And you know, the other thing was is I 78 00:04:55,880 --> 00:04:58,000 Speaker 1: you know, I come from theater. I had never done 79 00:04:58,000 --> 00:05:02,320 Speaker 1: a TV show, so I was completely unaware of like 80 00:05:02,400 --> 00:05:06,520 Speaker 1: where the cameras were, what that what my eye line was, 81 00:05:06,600 --> 00:05:10,359 Speaker 1: so I couldn't. I remember not being able to see 82 00:05:10,400 --> 00:05:14,760 Speaker 1: her money shoes, but having to say nice bunny shoes, 83 00:05:15,880 --> 00:05:18,240 Speaker 1: and I kept standing up so that I could see 84 00:05:18,240 --> 00:05:22,479 Speaker 1: her money shoes with my and I remember the director 85 00:05:22,560 --> 00:05:25,960 Speaker 1: being like, just you're you're you're stepping out of frame. 86 00:05:26,040 --> 00:05:30,000 Speaker 1: You're down, and stay nice monny shoes and move on. 87 00:05:30,160 --> 00:05:31,839 Speaker 1: And you know, I was trying to make up total 88 00:05:31,880 --> 00:05:36,560 Speaker 1: meal out of it, and so I remember that really well. 89 00:05:36,640 --> 00:05:41,760 Speaker 1: I remember Alexis being really wonderful, and I remember her 90 00:05:41,760 --> 00:05:47,719 Speaker 1: saying she was like right here, she covered my face 91 00:05:47,800 --> 00:05:51,040 Speaker 1: and she was like, you look exactly like my low 92 00:05:52,080 --> 00:05:54,960 Speaker 1: in your like eyes. Oh my gosh, let me say, 93 00:05:55,040 --> 00:05:57,000 Speaker 1: let me say, let me say that. I don't, I don't, 94 00:05:57,680 --> 00:05:59,800 Speaker 1: I don't see it. Hang no, no, do it? Do it? 95 00:05:59,839 --> 00:06:05,960 Speaker 1: Do it? Do open your eyes. You're squinting kind of 96 00:06:06,640 --> 00:06:08,240 Speaker 1: I'm a squinter. I don't know what. She was like, 97 00:06:08,560 --> 00:06:10,920 Speaker 1: you look you got And then he came on set 98 00:06:11,000 --> 00:06:14,160 Speaker 1: to visit. I don't know, maybe they were dating or 99 00:06:14,200 --> 00:06:15,680 Speaker 1: something at the time. I don't know, but but it 100 00:06:15,800 --> 00:06:20,760 Speaker 1: was like, um, and then I met him, and then 101 00:06:20,800 --> 00:06:25,200 Speaker 1: I remember it was also like around I forget exactly 102 00:06:25,240 --> 00:06:28,680 Speaker 1: when we were shooting the episode, but um, I had 103 00:06:28,720 --> 00:06:32,400 Speaker 1: gone to a passover sader. It was my first passover 104 00:06:32,440 --> 00:06:36,599 Speaker 1: statter in Los Angeles, and it was at Marta Kaufman's house, 105 00:06:38,160 --> 00:06:41,520 Speaker 1: who we all know is the producer of Friends, creator 106 00:06:41,600 --> 00:06:45,320 Speaker 1: and producer of Friends and I went with some family 107 00:06:45,360 --> 00:06:47,160 Speaker 1: friends of mine who were like, oh, you should come 108 00:06:47,200 --> 00:06:48,880 Speaker 1: to our satire and it just happened to be at 109 00:06:48,920 --> 00:06:50,400 Speaker 1: MARTA's house and it happened to be one of the 110 00:06:50,440 --> 00:06:52,599 Speaker 1: coolest things, like to to date that I've been to 111 00:06:52,680 --> 00:06:55,080 Speaker 1: because it was just such an amazing group of people. 112 00:06:55,680 --> 00:06:59,440 Speaker 1: And um. She said to me, Hey, if you're ever 113 00:06:59,560 --> 00:07:04,119 Speaker 1: on the Warner Brothers lot, come come over to Friends 114 00:07:04,160 --> 00:07:08,560 Speaker 1: and say hi. Now, like twenty years later, I now 115 00:07:08,640 --> 00:07:12,160 Speaker 1: know that means like you're you know what I mean? Like, 116 00:07:12,720 --> 00:07:14,560 Speaker 1: I don't know if she meant to knock on the 117 00:07:14,600 --> 00:07:17,880 Speaker 1: door friends the moment I was on the Warner Brothers 118 00:07:18,000 --> 00:07:20,360 Speaker 1: law and asked for her, but that's what I did. 119 00:07:20,440 --> 00:07:24,320 Speaker 1: So we broke for lunch at Gilmore Girls and I 120 00:07:24,400 --> 00:07:28,120 Speaker 1: walked to the Friends stage and I knocked on the 121 00:07:28,160 --> 00:07:32,720 Speaker 1: door and this was like the peak of friends um 122 00:07:33,480 --> 00:07:38,200 Speaker 1: insanity and I UM and a big security guard came 123 00:07:38,200 --> 00:07:39,920 Speaker 1: out and was like, who are you And I was like, Hey, 124 00:07:39,960 --> 00:07:44,080 Speaker 1: I'm Adam Shapiro. Marta invited me to just come by 125 00:07:44,120 --> 00:07:47,520 Speaker 1: anytime I was on the Warner Brothers lot, and uh, 126 00:07:47,640 --> 00:07:50,320 Speaker 1: you know he he like whired. He got all the 127 00:07:50,320 --> 00:07:52,120 Speaker 1: way to Marta whatever and they were like, yep, come 128 00:07:52,160 --> 00:07:54,480 Speaker 1: on in. And I walked in, and I walked through 129 00:07:54,640 --> 00:07:57,480 Speaker 1: the sort of backstage area and I go through a 130 00:07:57,480 --> 00:07:59,480 Speaker 1: door and I'm sitting in the central perk on a 131 00:07:59,600 --> 00:08:05,360 Speaker 1: couch with entire cast in rehearsals. And Martha comes out 132 00:08:05,400 --> 00:08:07,480 Speaker 1: and says hi and introducing me the whole cast, and 133 00:08:07,520 --> 00:08:12,160 Speaker 1: I was just like, you know, this is my first 134 00:08:12,280 --> 00:08:14,360 Speaker 1: day on a TV show and now I'm on another 135 00:08:14,680 --> 00:08:17,640 Speaker 1: set and it's friends and I'm in the middle of 136 00:08:17,680 --> 00:08:20,600 Speaker 1: the cast on stage. I mean, it was just such 137 00:08:21,200 --> 00:08:25,160 Speaker 1: a ridiculously impactful, epic day for me. You were two 138 00:08:25,160 --> 00:08:28,160 Speaker 1: time in this man. I was completely too you were 139 00:08:28,200 --> 00:08:31,880 Speaker 1: too time. I couldn't believe it. I couldn't believe my luck. 140 00:08:32,400 --> 00:08:34,280 Speaker 1: I had a line on a TV show and I 141 00:08:34,360 --> 00:08:36,920 Speaker 1: was on stage and they they came. They came to 142 00:08:36,960 --> 00:08:39,960 Speaker 1: find you during lunch to offer you more so, just 143 00:08:40,000 --> 00:08:42,120 Speaker 1: where is his overt? Friends? And you almost screw that. 144 00:08:42,320 --> 00:08:45,880 Speaker 1: I also learned that they're important lesson that actors need 145 00:08:45,920 --> 00:08:48,679 Speaker 1: to eat first and eat quickly so that they can 146 00:08:49,440 --> 00:08:51,360 Speaker 1: get back into hair and makeup and be ready once 147 00:08:51,400 --> 00:08:53,440 Speaker 1: the cruise done their lunches, and I kind of all 148 00:08:53,559 --> 00:08:57,000 Speaker 1: that up. Oh how it just took too long because 149 00:08:57,040 --> 00:08:59,520 Speaker 1: I wasn't friends the whole lunch and I came back like, oh, 150 00:08:59,679 --> 00:09:03,040 Speaker 1: now I can get lunch, and they were like, that's 151 00:09:03,040 --> 00:09:06,240 Speaker 1: not how lunch works. Man. You gotta when it's lunchtime, 152 00:09:06,280 --> 00:09:08,679 Speaker 1: you get out of whatever you're gonna stay in, and 153 00:09:08,840 --> 00:09:10,480 Speaker 1: you move on and you get in lunch. And if 154 00:09:10,480 --> 00:09:13,120 Speaker 1: there's a huge line of crew guys, they put you 155 00:09:13,160 --> 00:09:15,160 Speaker 1: in the front. And I'm always like, no, don't put 156 00:09:15,200 --> 00:09:16,679 Speaker 1: me in the front. They're like, we're not putting you 157 00:09:16,760 --> 00:09:20,440 Speaker 1: in the front because we think you're so spec you're 158 00:09:20,440 --> 00:09:23,440 Speaker 1: gonna get it, because because we're really special and we 159 00:09:23,520 --> 00:09:25,880 Speaker 1: control everything, and we we don't want to pay extra 160 00:09:25,920 --> 00:09:27,920 Speaker 1: because it took you too long to this is what 161 00:09:27,960 --> 00:09:30,320 Speaker 1: I'm talking about. It's the same with the chair. You know, 162 00:09:30,360 --> 00:09:32,280 Speaker 1: you're like, oh, I'm an actor. I get the chair 163 00:09:32,360 --> 00:09:33,920 Speaker 1: and it says Adams appear on the back of the 164 00:09:34,000 --> 00:09:38,320 Speaker 1: chair that chairs a crib. It's a crib for the baby, 165 00:09:39,360 --> 00:09:42,200 Speaker 1: and so they know where the baby is and when 166 00:09:42,200 --> 00:09:44,040 Speaker 1: the bonus time for the baby to get up, they 167 00:09:44,040 --> 00:09:45,480 Speaker 1: can go over to the crib and then be like, 168 00:09:45,520 --> 00:09:48,520 Speaker 1: all right, Adam, are ready for you. It's not because 169 00:09:48,840 --> 00:09:52,520 Speaker 1: they want you to be comfortable, you know. Um, that's 170 00:09:52,520 --> 00:09:54,160 Speaker 1: what I remember from the day. It was a pretty 171 00:09:54,200 --> 00:09:59,560 Speaker 1: epic day. So how long before Gilmore? Uh, had you 172 00:09:59,600 --> 00:10:04,120 Speaker 1: move from Philadelphia to l A? About a year? A 173 00:10:04,200 --> 00:10:07,439 Speaker 1: year or so I moved, um to l A. I 174 00:10:07,480 --> 00:10:08,959 Speaker 1: didn't know if I want to be an actor, just 175 00:10:08,960 --> 00:10:13,760 Speaker 1: work in Hollywood. I've met with a really great talent 176 00:10:13,800 --> 00:10:19,120 Speaker 1: manager named Connie Tavill And Um, she was from Philly 177 00:10:19,440 --> 00:10:22,920 Speaker 1: and she we had some Philly connections, and she was 178 00:10:23,040 --> 00:10:25,120 Speaker 1: the first person I met when I moved to Hollywood. 179 00:10:25,960 --> 00:10:28,480 Speaker 1: And she was like, listen, I think you've got the 180 00:10:28,520 --> 00:10:31,800 Speaker 1: personality to be an actor. I think you you you 181 00:10:32,080 --> 00:10:35,480 Speaker 1: seem to be. You know that you want this, and 182 00:10:35,480 --> 00:10:38,240 Speaker 1: and you come from a good family and he seems 183 00:10:38,240 --> 00:10:41,600 Speaker 1: like they're supporting you with this. And UM, what I 184 00:10:41,640 --> 00:10:44,199 Speaker 1: would suggest for you, my piece of advice for you 185 00:10:44,240 --> 00:10:48,200 Speaker 1: would be forget about acting for one year. Take one 186 00:10:48,280 --> 00:10:50,480 Speaker 1: year in l A and be an assistant to like 187 00:10:50,520 --> 00:10:56,040 Speaker 1: an agent or a manager, and learn the business of acting. 188 00:10:56,400 --> 00:10:59,320 Speaker 1: Understand why people get cast, why they don't get cast, 189 00:11:00,600 --> 00:11:03,800 Speaker 1: How actors who are self destructive kind of ruin their 190 00:11:03,800 --> 00:11:07,679 Speaker 1: own careers, How actors that are really self starters can 191 00:11:07,800 --> 00:11:11,120 Speaker 1: like give themselves a really big boost, like find out 192 00:11:11,160 --> 00:11:14,320 Speaker 1: what it takes so that when you do become an actor, 193 00:11:14,679 --> 00:11:18,000 Speaker 1: you've got a foundation of like how this business actually works. 194 00:11:19,240 --> 00:11:24,120 Speaker 1: And because it's a marathon, it's not a sprint. And 195 00:11:24,200 --> 00:11:26,920 Speaker 1: she's like, I think if you just jump into trying 196 00:11:26,920 --> 00:11:29,320 Speaker 1: to get an audition right now, hey, you're not going 197 00:11:29,360 --> 00:11:31,040 Speaker 1: to get one. You don't have a resume, you don't 198 00:11:31,080 --> 00:11:35,640 Speaker 1: have a real you don't have any experience or an agent. Uh, 199 00:11:35,720 --> 00:11:39,040 Speaker 1: you're gonna have a really rough first year and you're 200 00:11:39,080 --> 00:11:41,400 Speaker 1: finally going to squeak into a couple auditions at some point, 201 00:11:41,400 --> 00:11:42,839 Speaker 1: and you're not gonna get it, and you're gonna take 202 00:11:42,840 --> 00:11:45,600 Speaker 1: it really personally and you're not gonna understand how this 203 00:11:45,679 --> 00:11:47,600 Speaker 1: all works. So I did that, and I was an 204 00:11:47,600 --> 00:11:51,240 Speaker 1: assistant to a manager for a year. Which manager can 205 00:11:51,280 --> 00:11:55,920 Speaker 1: you say? Yeah, his name was Ted Shackter. He's still 206 00:11:55,920 --> 00:11:57,840 Speaker 1: a big old manager with a bunch of clients. I 207 00:11:57,880 --> 00:12:02,400 Speaker 1: see him all the time. Wonderful guy. It and uh, 208 00:12:02,679 --> 00:12:06,360 Speaker 1: he had a partner um that I was kind of 209 00:12:06,400 --> 00:12:09,560 Speaker 1: like his partner's assistant, But the partner was like a 210 00:12:09,600 --> 00:12:13,520 Speaker 1: total dead dead beat, Like you gotta run out of 211 00:12:13,559 --> 00:12:19,319 Speaker 1: Town long Ago, Um, for probably seven thousand different reasons. Um. 212 00:12:20,679 --> 00:12:23,959 Speaker 1: But the good part about that guy really never showing 213 00:12:24,040 --> 00:12:25,600 Speaker 1: up to work and not doing his job is I 214 00:12:25,640 --> 00:12:27,920 Speaker 1: got to do his job a lot. You know. It's 215 00:12:27,920 --> 00:12:29,600 Speaker 1: a very low paid intern, but I got to do 216 00:12:29,640 --> 00:12:32,120 Speaker 1: the job of a manager. And I got really close 217 00:12:32,200 --> 00:12:34,960 Speaker 1: with a bunch of actors who I'm still really good 218 00:12:34,960 --> 00:12:37,400 Speaker 1: friends with them, like Ken Marino I ran into the 219 00:12:37,440 --> 00:12:41,640 Speaker 1: other day, and Ken Mitchell and Lawrence Dimile and Joe Latrulio, 220 00:12:41,880 --> 00:12:45,160 Speaker 1: and like I can like list off my clients from 221 00:12:45,200 --> 00:12:50,400 Speaker 1: that year, and uh Eddie Jamison and Frank John Hughes, 222 00:12:50,559 --> 00:12:53,360 Speaker 1: and I remember going through all the trials and tribulations 223 00:12:53,400 --> 00:12:58,160 Speaker 1: of their own sort of casting and and auditions and 224 00:12:58,160 --> 00:13:00,400 Speaker 1: and getting to watch how they all did it. Like, 225 00:13:01,760 --> 00:13:06,360 Speaker 1: you know, uh, David Hornsby just one of the executive 226 00:13:06,360 --> 00:13:08,880 Speaker 1: brisions of Always Studding in Philadelphia and one of the 227 00:13:08,880 --> 00:13:12,680 Speaker 1: actors on Mythic Quest. He's incredible, And I got to 228 00:13:12,720 --> 00:13:16,680 Speaker 1: like watch that kid go from college to like killing it, 229 00:13:17,400 --> 00:13:19,679 Speaker 1: and he was a huge inspiration for me. Anyway, at 230 00:13:19,679 --> 00:13:22,640 Speaker 1: the end of that whole year, I quit that job 231 00:13:23,559 --> 00:13:26,440 Speaker 1: and I got a commercial agent, and I immediately booked 232 00:13:26,440 --> 00:13:29,800 Speaker 1: like a T Mobile campaign where I it was all 233 00:13:29,880 --> 00:13:32,120 Speaker 1: improv and I was like, yo, it's Adam Shapiro. I 234 00:13:32,200 --> 00:13:34,480 Speaker 1: want a road trip. And I went on this like 235 00:13:34,559 --> 00:13:37,240 Speaker 1: road trip around the country with my like T mobile 236 00:13:38,120 --> 00:13:42,280 Speaker 1: cell service. That was great anywhere you are in the country. 237 00:13:42,320 --> 00:13:46,560 Speaker 1: This was like two thousand three or whatever. And and 238 00:13:46,600 --> 00:13:50,560 Speaker 1: then that commercial sort of like quickly sort of put 239 00:13:50,600 --> 00:13:53,520 Speaker 1: me on the mat. It just gave me something to show. 240 00:13:54,640 --> 00:13:57,559 Speaker 1: And that manager, Connie who gave me that advice, was like, hey, 241 00:13:57,600 --> 00:13:59,680 Speaker 1: with this commercial, I can start, I can get you 242 00:13:59,720 --> 00:14:02,360 Speaker 1: some up. And so she started representing me and she 243 00:14:02,440 --> 00:14:07,439 Speaker 1: sent me out for Gilmore Girls. Fantastic. Yeah, I mean 244 00:14:07,480 --> 00:14:09,440 Speaker 1: that's kind of you know, it sounds like a very 245 00:14:09,440 --> 00:14:13,320 Speaker 1: traditional path. You know. You come out here, you get 246 00:14:13,320 --> 00:14:15,920 Speaker 1: a manager, you get involved, you get a commercial, you 247 00:14:16,000 --> 00:14:20,680 Speaker 1: start building. Yeah, just start building, like yeah, yeah, you don't. 248 00:14:21,600 --> 00:14:23,760 Speaker 1: You know it's people just don't come into town and 249 00:14:23,800 --> 00:14:25,360 Speaker 1: all of a sudden, bab boom they're in a big 250 00:14:25,440 --> 00:14:28,160 Speaker 1: feature film. I mean that happens, that happens once every 251 00:14:28,200 --> 00:14:30,640 Speaker 1: ten years, seeing it happen to people. But yeah, that 252 00:14:30,760 --> 00:14:38,360 Speaker 1: is the rarest. It's very it's very very rare. I 253 00:14:38,400 --> 00:14:45,040 Speaker 1: also remember Wayne who plays I guess he was the guy. 254 00:14:45,120 --> 00:14:48,160 Speaker 1: He's the guy who brings. He's like in our Breakfast Club. 255 00:14:49,440 --> 00:14:52,120 Speaker 1: He was on the episode. I think he was like 256 00:14:52,200 --> 00:14:55,680 Speaker 1: running naked in the episode or the episode beforehand, like 257 00:14:55,920 --> 00:15:01,520 Speaker 1: streaking through Yale. He was. I I remember seeing him 258 00:15:01,560 --> 00:15:04,680 Speaker 1: in the Rent movie and just being like, oh, so 259 00:15:04,800 --> 00:15:10,920 Speaker 1: jealous he got that role. I had auditioned for that role, right, right, So, 260 00:15:12,280 --> 00:15:16,080 Speaker 1: of course you've had many roles since then. We can 261 00:15:16,120 --> 00:15:18,600 Speaker 1: talk about some of them. But but your wife, Kate 262 00:15:18,760 --> 00:15:25,400 Speaker 1: Katie Lows, is an actress, and how did you too meet? Yeah? So, um, 263 00:15:25,440 --> 00:15:30,040 Speaker 1: there's an actress name named Lindsay Kraft who's on Grayson 264 00:15:30,080 --> 00:15:32,800 Speaker 1: Frankie as well as a million other things. And um, 265 00:15:32,840 --> 00:15:36,520 Speaker 1: we went to University of Maryland together. She when we graduated, 266 00:15:36,560 --> 00:15:38,240 Speaker 1: she went to New York to become an actor in 267 00:15:38,280 --> 00:15:41,400 Speaker 1: New York. And I moved to l A. And about 268 00:15:41,400 --> 00:15:46,320 Speaker 1: a year or so, um, and or maybe two or 269 00:15:46,480 --> 00:15:49,640 Speaker 1: two or three years actually after I moved to l A. 270 00:15:50,080 --> 00:15:52,320 Speaker 1: She called me and said, hey, I auditioned against this 271 00:15:52,400 --> 00:15:54,560 Speaker 1: girl in New York and Katie Lows, and and you're 272 00:15:54,560 --> 00:15:56,600 Speaker 1: gonna You're gonna marry her. She's gonna move to l 273 00:15:56,640 --> 00:15:59,840 Speaker 1: A and you're gonna marry her? Like just wow, okay. 274 00:16:00,600 --> 00:16:04,880 Speaker 1: And this was like pre social media too, so I 275 00:16:04,960 --> 00:16:07,040 Speaker 1: was just like, okay, I don't know who she is 276 00:16:07,120 --> 00:16:08,960 Speaker 1: or what she looks like. You can't stalk her, you 277 00:16:09,000 --> 00:16:11,960 Speaker 1: can't go on Instagram. Um. And then she ended up 278 00:16:11,960 --> 00:16:15,080 Speaker 1: moving to Los Angeles and we met at Lindsay's birthday 279 00:16:16,000 --> 00:16:20,400 Speaker 1: her at the time, her her boyfriend's birthday party, and 280 00:16:20,400 --> 00:16:22,720 Speaker 1: and then it was it was a weird courtship, but 281 00:16:22,840 --> 00:16:25,800 Speaker 1: it happened. And then and then we got married ten 282 00:16:25,880 --> 00:16:30,480 Speaker 1: years ago. Fantastic congratulation for like seventeen years or something 283 00:16:30,520 --> 00:16:33,800 Speaker 1: like that. Unbelievable. So and so she was co hosting 284 00:16:34,520 --> 00:16:38,920 Speaker 1: with Ryan Seacrest and she mentioned your pretzel business. Oh yeah, 285 00:16:38,960 --> 00:16:42,120 Speaker 1: that's all started. Tell us about shappy pretzels. Tells us 286 00:16:42,280 --> 00:16:45,080 Speaker 1: so this is the best. This is the best. So, 287 00:16:45,680 --> 00:16:48,120 Speaker 1: you know, she was doing Inventing Anna, which was a 288 00:16:48,160 --> 00:16:51,480 Speaker 1: Netflix series that was on last last season or I 289 00:16:51,480 --> 00:16:53,600 Speaker 1: don't know if you can even call things seasons anymore. 290 00:16:53,600 --> 00:16:56,600 Speaker 1: It was just on recently on Netflix. UM, and I 291 00:16:56,640 --> 00:16:59,880 Speaker 1: was doing Never Have I Ever also for Netflix, and 292 00:17:00,560 --> 00:17:04,200 Speaker 1: the pandemic started and we had to just all sort 293 00:17:04,240 --> 00:17:06,320 Speaker 1: of come back together and move back into our house 294 00:17:06,320 --> 00:17:09,480 Speaker 1: in l A for a quarantine. We found out very 295 00:17:09,600 --> 00:17:12,720 Speaker 1: quickly after the lockdown started in March that she was 296 00:17:12,800 --> 00:17:17,399 Speaker 1: pregnant with our now two year old daughter, Vera and 297 00:17:17,920 --> 00:17:21,080 Speaker 1: uh and and are now five year old. Was was 298 00:17:21,080 --> 00:17:24,639 Speaker 1: was a two year old living in this quarantine with 299 00:17:24,840 --> 00:17:29,200 Speaker 1: his parents in l A. And Katie's pregnant and really quarantined, 300 00:17:29,200 --> 00:17:30,920 Speaker 1: and she's like in the bedroom, She's like, I'll see 301 00:17:30,960 --> 00:17:32,639 Speaker 1: you in nine months. I don't know what this is 302 00:17:32,640 --> 00:17:35,000 Speaker 1: going to be like. And so I just started cooking 303 00:17:35,000 --> 00:17:38,000 Speaker 1: with my son and making him dishes from like places 304 00:17:38,040 --> 00:17:41,159 Speaker 1: that you know, his mom and I traveled before he 305 00:17:41,200 --> 00:17:43,840 Speaker 1: was born. And we were just googling dishes and Amazon 306 00:17:43,880 --> 00:17:47,520 Speaker 1: and ingredients and stuff to the house. And um, one 307 00:17:47,600 --> 00:17:49,080 Speaker 1: day I was like, what am I doing? I should 308 00:17:49,080 --> 00:17:52,280 Speaker 1: be making a Philly pretzel for him. It's like, he's 309 00:17:52,320 --> 00:17:55,040 Speaker 1: too he needs to have his first Philadelphia pretzel. This 310 00:17:55,080 --> 00:17:58,840 Speaker 1: is like what I grew up on. And um, and 311 00:17:58,880 --> 00:18:03,359 Speaker 1: then I very quickly realized that like, there's not there's 312 00:18:03,400 --> 00:18:06,879 Speaker 1: no recipes for Philly pretzels online. It's not like a 313 00:18:07,040 --> 00:18:11,600 Speaker 1: thing that people make at home. And it's actually not 314 00:18:11,680 --> 00:18:15,160 Speaker 1: a thing people even eat outside of Philadelphia or like 315 00:18:15,280 --> 00:18:18,960 Speaker 1: New Jersey, parts of Delaware, maybe parts of New York. 316 00:18:19,240 --> 00:18:23,760 Speaker 1: It's a really regional cuisine and I am and so 317 00:18:23,840 --> 00:18:27,280 Speaker 1: I just started finding recipes for other soft pretzels and 318 00:18:27,320 --> 00:18:30,679 Speaker 1: then trying to make my own recipe for a Philly 319 00:18:30,680 --> 00:18:33,160 Speaker 1: soft pretzel. And it was a few months of of 320 00:18:33,240 --> 00:18:36,040 Speaker 1: really really shitty soft pretzels that I was making, and 321 00:18:36,080 --> 00:18:38,399 Speaker 1: then one day I brought a batch out of the 322 00:18:38,440 --> 00:18:40,679 Speaker 1: oven and I bring in Katie to taste test, and 323 00:18:40,720 --> 00:18:43,439 Speaker 1: she's like, this is a Philip pretzel. This is a 324 00:18:43,480 --> 00:18:46,000 Speaker 1: great soft pretzel. And I'm like, right, this is like 325 00:18:46,480 --> 00:18:51,560 Speaker 1: this is insane. Really, no one makes them. They're too prevalent. 326 00:18:52,520 --> 00:18:54,919 Speaker 1: It'd be like making a doughnut in Los Angeles. You 327 00:18:54,920 --> 00:18:57,000 Speaker 1: could just go right down the street and there's seven 328 00:18:57,040 --> 00:19:00,479 Speaker 1: thousand donut shops in l A. Like, never waste your 329 00:19:00,520 --> 00:19:02,960 Speaker 1: time making a donut. And that's how it is in Philly, 330 00:19:03,000 --> 00:19:04,879 Speaker 1: Like no one makes these. You just go down the street. 331 00:19:04,880 --> 00:19:06,840 Speaker 1: You got your guy who sells pretzels on top of 332 00:19:07,119 --> 00:19:10,080 Speaker 1: a shopping car. You pick up a couple of pretzels, 333 00:19:10,080 --> 00:19:13,160 Speaker 1: you know, maybe like ten, bring him to wherever you're going. 334 00:19:14,160 --> 00:19:17,320 Speaker 1: So I, Um, I start making him and I start 335 00:19:17,440 --> 00:19:20,399 Speaker 1: dropping them off to like Philly ex pats that live 336 00:19:20,440 --> 00:19:23,120 Speaker 1: in l a that are stuck in their houses. And 337 00:19:23,160 --> 00:19:26,560 Speaker 1: then one day, uh, you know, Katie's had this job 338 00:19:26,600 --> 00:19:31,159 Speaker 1: ever since. Um we did Waitress together on Broadway, uh 339 00:19:31,359 --> 00:19:36,080 Speaker 1: like four years ago, and and we had done Live 340 00:19:36,119 --> 00:19:38,359 Speaker 1: with Kelly and Ryan to promote the fact that we 341 00:19:38,359 --> 00:19:40,760 Speaker 1: were doing Waitress, and they were like, Katie, could you 342 00:19:40,840 --> 00:19:44,680 Speaker 1: come back tomorrow and and co host with Ryan Kelly's out. 343 00:19:45,280 --> 00:19:47,560 Speaker 1: Katie was just like, I've never done anything like that life. 344 00:19:48,560 --> 00:19:51,080 Speaker 1: She does it, and now like four years later, she's 345 00:19:51,200 --> 00:19:56,920 Speaker 1: Kelly's like substitute. Really whatever. Whenever Kelly out, Katie jumps 346 00:19:56,960 --> 00:19:58,760 Speaker 1: on a plane ghost in New York and and and 347 00:19:58,840 --> 00:20:04,280 Speaker 1: does a few episodes Seacrest during the pandemic. Though when 348 00:20:04,359 --> 00:20:06,880 Speaker 1: she would fill in for for Kelly, it was a 349 00:20:06,960 --> 00:20:12,120 Speaker 1: live national broadcast live from our dining room via zoom, 350 00:20:12,160 --> 00:20:15,480 Speaker 1: just like you and I are doing right now. And um, 351 00:20:15,520 --> 00:20:18,520 Speaker 1: there was a day where Seacrests just randomly mentions to Katie, 352 00:20:19,359 --> 00:20:23,199 Speaker 1: what have you guys been snacking on during your your quarantine? 353 00:20:23,680 --> 00:20:25,639 Speaker 1: And She's like, Oh, my husband's obsessed with trying to 354 00:20:25,640 --> 00:20:27,679 Speaker 1: make a Philly Pretzel. There was no company. There was 355 00:20:27,720 --> 00:20:30,359 Speaker 1: nothing at this point. I just jumped on TV and 356 00:20:30,400 --> 00:20:32,560 Speaker 1: I was like, Yo, Ryan, I'm bringing you pretzels tomorrow. 357 00:20:33,080 --> 00:20:34,679 Speaker 1: So I wake up at four in the morning, I 358 00:20:34,760 --> 00:20:36,680 Speaker 1: make a batch. I bring it over to Seacrest House 359 00:20:36,720 --> 00:20:39,480 Speaker 1: in Santa Monica. He eats them on air the next 360 00:20:39,520 --> 00:20:41,440 Speaker 1: episode and he's like, these are the best pretzels ever. 361 00:20:41,440 --> 00:20:45,440 Speaker 1: Everybody needs to buy Shappy's Pretzels. And I'm like, Shappy's Pretzels, 362 00:20:45,680 --> 00:20:48,040 Speaker 1: it's just me and my two year old making them 363 00:20:48,040 --> 00:20:50,879 Speaker 1: in my kitchen. Well, one thing led to another. I 364 00:20:50,920 --> 00:20:53,520 Speaker 1: get the I get a website Shappy Petzel dot com 365 00:20:53,600 --> 00:20:55,840 Speaker 1: just in case, and it just says, yo, your Mal's 366 00:20:55,840 --> 00:21:01,520 Speaker 1: pretzel can go itself Shappy Pretzel and uh. It linked 367 00:21:01,520 --> 00:21:03,560 Speaker 1: to an Instagram that said, hey, we're not an actual 368 00:21:03,600 --> 00:21:05,520 Speaker 1: pretzel company, but if we ever become one, we'll let 369 00:21:05,560 --> 00:21:08,560 Speaker 1: you know. And then all of a sudden, I started 370 00:21:08,560 --> 00:21:10,760 Speaker 1: like selling them like I was had a lemonade stand 371 00:21:10,760 --> 00:21:14,400 Speaker 1: at the bottom of my driveway. And then like the 372 00:21:14,440 --> 00:21:18,159 Speaker 1: news came, and then like the Hollywood Reporter and all 373 00:21:18,200 --> 00:21:21,240 Speaker 1: these people started doing articles about it. And now two 374 00:21:21,240 --> 00:21:24,160 Speaker 1: and a half years later, it's like a legit pretzel 375 00:21:24,240 --> 00:21:27,680 Speaker 1: biz with a baker that we do tons of catering 376 00:21:27,720 --> 00:21:31,560 Speaker 1: for film sets and weddings and pop ups. It's awesome, fantastic, 377 00:21:31,640 --> 00:21:33,919 Speaker 1: But for you, it's honestly like, I think, my my 378 00:21:34,000 --> 00:21:37,080 Speaker 1: favorite thing that's ever happened to me is this pretzel company. 379 00:21:37,119 --> 00:21:42,719 Speaker 1: It's really fun um So has auditioning or making pretzels 380 00:21:42,720 --> 00:21:45,080 Speaker 1: taken up most of your time, so you're focusing on 381 00:21:45,119 --> 00:21:47,679 Speaker 1: the pretzel company. Well, the funny thing is, so I 382 00:21:47,760 --> 00:21:50,440 Speaker 1: just got during the pandemic, all I could do is 383 00:21:50,480 --> 00:21:52,800 Speaker 1: the Pretzel company. It was awesome. It was the first 384 00:21:52,840 --> 00:21:55,240 Speaker 1: time in my adult life that I didn't wake up 385 00:21:55,520 --> 00:21:57,960 Speaker 1: with that sort of feeling that you as an actor, 386 00:21:57,960 --> 00:22:00,199 Speaker 1: you're like, I gotta get a job today. You like 387 00:22:00,240 --> 00:22:03,840 Speaker 1: that that constant, and I had gotten so used to 388 00:22:03,880 --> 00:22:07,520 Speaker 1: that feeling. It wasn't until the Lockdown, and I've talked 389 00:22:07,560 --> 00:22:09,359 Speaker 1: to a lot of actors about this, that it was 390 00:22:09,440 --> 00:22:13,359 Speaker 1: like this sort of like weight off my shoulders, this 391 00:22:13,520 --> 00:22:20,040 Speaker 1: like unbelievable relief. I hadn't even realized how much sort 392 00:22:20,040 --> 00:22:25,320 Speaker 1: of daily pressure there is as as an actor, as 393 00:22:25,320 --> 00:22:31,000 Speaker 1: like an independent contractor actor, to just constantly hustle for 394 00:22:31,080 --> 00:22:35,520 Speaker 1: that next role until I was told there's no auditions 395 00:22:35,520 --> 00:22:39,399 Speaker 1: and nothing shoot it and nothing's on stage, and I 396 00:22:39,480 --> 00:22:42,560 Speaker 1: was like, holy, it was like it opened up a 397 00:22:42,680 --> 00:22:46,240 Speaker 1: huge space in my brain, you know, And within two 398 00:22:46,240 --> 00:22:48,399 Speaker 1: months I had like a Pretzel company, you know what 399 00:22:48,480 --> 00:22:52,719 Speaker 1: I mean. It was like unbelievable how much sort of 400 00:22:52,760 --> 00:22:56,520 Speaker 1: creative space opened up because of the pandemic for me, 401 00:22:56,720 --> 00:22:58,520 Speaker 1: which is a weird thing to say that that was 402 00:22:58,920 --> 00:23:01,280 Speaker 1: that had this sort of positive impact on me. One 403 00:23:01,280 --> 00:23:06,600 Speaker 1: it was such a horrible thing, um, but yeah. So 404 00:23:06,600 --> 00:23:09,040 Speaker 1: so for that first year, all I did was the Pretzels. 405 00:23:09,119 --> 00:23:11,480 Speaker 1: And then I was like, all right, well eventually work's 406 00:23:11,480 --> 00:23:12,960 Speaker 1: gonna come back and I'm gonna have to go back 407 00:23:13,000 --> 00:23:15,639 Speaker 1: to shooting. And so I hired a bunch of my 408 00:23:15,800 --> 00:23:18,760 Speaker 1: theater friends to help me at the at the Pretzel company, 409 00:23:19,240 --> 00:23:22,720 Speaker 1: you know, specifically the stage managers, because as a theater person, 410 00:23:22,760 --> 00:23:25,440 Speaker 1: the smartest people I know where stage managers. They could 411 00:23:25,600 --> 00:23:28,720 Speaker 1: have won Nobel Prizes, but they just like love theater, 412 00:23:29,040 --> 00:23:31,360 Speaker 1: you know what I mean. So I'm like, you guys 413 00:23:31,400 --> 00:23:35,200 Speaker 1: are all off work, come come work at Shappy Pretzel. 414 00:23:35,720 --> 00:23:37,600 Speaker 1: And so they're all still with me. I have like 415 00:23:37,640 --> 00:23:40,000 Speaker 1: a team of a bunch of theater people that work 416 00:23:40,080 --> 00:23:42,640 Speaker 1: with me at Shappy Pretzel. And then I just went 417 00:23:42,680 --> 00:23:45,720 Speaker 1: to Budapest for the past like seven months to film 418 00:23:45,800 --> 00:23:51,480 Speaker 1: a series called The Continental, and um, I was thinking, 419 00:23:51,520 --> 00:23:53,840 Speaker 1: you know, maybe that might be it for the Pretzel company. 420 00:23:54,000 --> 00:23:56,840 Speaker 1: That's a long time to be away, and it just 421 00:23:56,920 --> 00:24:06,119 Speaker 1: kept going, you know. So let's get into um a 422 00:24:06,160 --> 00:24:09,080 Speaker 1: section we call rapid fire. I'm just gonna fire questions 423 00:24:09,119 --> 00:24:10,800 Speaker 1: at you and you give me the answers as fast 424 00:24:10,800 --> 00:24:13,760 Speaker 1: as you can't. Okay, you ready? How many coups of 425 00:24:13,760 --> 00:24:16,040 Speaker 1: caf do you have in a day? Zero? Are you 426 00:24:16,080 --> 00:24:19,240 Speaker 1: Team Logan, Team jeff Er, Team Dean, Team Jaz? Who's 427 00:24:19,240 --> 00:24:25,800 Speaker 1: your favorite Gilmore Girls character? You are? What would you 428 00:24:25,920 --> 00:24:33,399 Speaker 1: order it Luke's Diner? What I order Luke's Diner? Um? Uh, 429 00:24:33,600 --> 00:24:36,560 Speaker 1: milk like a like a chocolate and vanil and milk chake. 430 00:24:36,680 --> 00:24:38,159 Speaker 1: What would you rather go on a road trip with 431 00:24:38,240 --> 00:24:47,159 Speaker 1: Taylor or Michelle? Michelle? Why? I have no idea? All right, 432 00:24:47,200 --> 00:24:50,640 Speaker 1: finish the lyric and where you lead, I will follow 433 00:24:50,840 --> 00:24:55,760 Speaker 1: dot dot dot I'm I'm finishing after the dot dot 434 00:24:55,840 --> 00:25:01,280 Speaker 1: dot yes, and where you lead, I will follow dot 435 00:25:01,280 --> 00:25:08,199 Speaker 1: dot dot uh forever and ever close anywhere that you 436 00:25:08,280 --> 00:25:11,520 Speaker 1: tell me to. Okay, yeah, that's that's close. That's pretty close. 437 00:25:12,680 --> 00:25:16,560 Speaker 1: I had the sentiment Jackson's Vegetables or Suki's Baked Goods, 438 00:25:17,640 --> 00:25:20,360 Speaker 1: always baked goods. Would you rather listen to Drella's Harp 439 00:25:20,400 --> 00:25:25,320 Speaker 1: or The Trouperdoors cover songs, cover songs, Children, Prepper Stars, 440 00:25:25,359 --> 00:25:33,440 Speaker 1: Hollow High School? Yeah? All right, well that's uh, that's 441 00:25:33,440 --> 00:25:35,760 Speaker 1: gonna bring us to the end of our little segment. Looks, 442 00:25:36,119 --> 00:25:39,160 Speaker 1: thanks for chatting with us. This was so much fun, 443 00:25:39,320 --> 00:25:41,200 Speaker 1: I know, and I want everybody to go to to 444 00:25:41,400 --> 00:25:45,920 Speaker 1: Shappy s h A P p Y Pretzel dot com. 445 00:25:45,960 --> 00:25:50,600 Speaker 1: That's Shappy Pretzel dot com to check out Adams Pretzel business. 446 00:25:51,200 --> 00:25:55,760 Speaker 1: And then ever, yes, that's my Netflix show about high 447 00:25:55,760 --> 00:25:58,440 Speaker 1: school kids and I'm their teacher. Mr Shapiro. Well there 448 00:25:58,480 --> 00:26:00,919 Speaker 1: you go, all right, buddy, heay care all right, lad, 449 00:26:08,440 --> 00:26:32,879 Speaker 1: honestly getting hey everybody, and don't forget follow us on 450 00:26:33,000 --> 00:26:37,320 Speaker 1: Instagram at I Am All In podcast and email us 451 00:26:37,480 --> 00:26:41,600 Speaker 1: at Gilmore at I Heart radio dot com. Oh you 452 00:26:41,760 --> 00:26:43,520 Speaker 1: Gilmore fans. If you're looking for the best cup of 453 00:26:43,600 --> 00:26:46,800 Speaker 1: coffee in the world, go to my website for my company, 454 00:26:47,160 --> 00:26:49,680 Speaker 1: Scott ep dot com. S CEO T. T y p 455 00:26:49,920 --> 00:26:54,119 Speaker 1: dot com, scotty p dot com Grade one Specialty Coffee 456 00:27:00,080 --> 00:27:00,199 Speaker 1: wh