1 00:00:00,120 --> 00:00:17,640 Speaker 1: M m m h. Story Time with Legendary Jerry. 2 00:00:17,640 --> 00:00:18,640 Speaker 2: I'm I'm gonna. 3 00:00:18,400 --> 00:00:22,959 Speaker 1: Start legendary Jerry. Yeah, I'm gonna start off. I'm gonna 4 00:00:23,000 --> 00:00:24,520 Speaker 1: start off real, real. 5 00:00:24,360 --> 00:00:28,200 Speaker 3: Calm, because I know when I guess this week that 6 00:00:28,320 --> 00:00:31,400 Speaker 3: it's gonna Her energy has always been incredible, and I 7 00:00:31,440 --> 00:00:33,120 Speaker 3: know when she on this show is gonna be incredible. 8 00:00:33,120 --> 00:00:35,639 Speaker 3: So I'm gonna start off real low key. Now, I'm 9 00:00:35,680 --> 00:00:38,479 Speaker 3: big Jerry Clark a k Ley dry Jerry. This is 10 00:00:38,520 --> 00:00:42,559 Speaker 3: my co host, Jamie Page, and our guess tonight is. 11 00:00:42,520 --> 00:00:48,519 Speaker 1: Miss Hollywood, the legendary Gangstabo. Damn. I'm gonna and my 12 00:00:49,200 --> 00:00:53,360 Speaker 1: Jeffrey Star Cosmetics mirror making sure like my black lipstick 13 00:00:53,640 --> 00:00:55,560 Speaker 1: the white. You see the pick of the inside, It's 14 00:00:55,600 --> 00:00:56,360 Speaker 1: like I hate it. 15 00:00:57,240 --> 00:01:00,720 Speaker 3: See that's the introduction. She I was gonna give it 16 00:01:00,800 --> 00:01:05,720 Speaker 3: this whole long, the first lady you could go back. Yeah, lady, 17 00:01:07,120 --> 00:01:12,119 Speaker 3: she wanted the ill as dope as MCS lyrically, I 18 00:01:12,160 --> 00:01:14,039 Speaker 3: was about to go, but ship she didn't cut me off. Now, 19 00:01:14,120 --> 00:01:17,840 Speaker 3: So no, no, no, no, I don't know any ladies 20 00:01:17,840 --> 00:01:20,959 Speaker 3: and gentlemen. This week's story Time with Let's Dary Jared. 21 00:01:21,360 --> 00:01:25,760 Speaker 1: We have the incredible gainst the boot. I'm so glad 22 00:01:25,800 --> 00:01:29,840 Speaker 1: i'm here. You have you're here as well? Can I say? Yeah? 23 00:01:29,880 --> 00:01:32,000 Speaker 1: You can say whatever you I'm so glad to cutting 24 00:01:32,200 --> 00:01:36,240 Speaker 1: Like dude, I'm surprised. Yeah, I was in that like you. 25 00:01:36,560 --> 00:01:38,560 Speaker 1: You knew I've been in a Ladda right back then. 26 00:01:38,800 --> 00:01:40,119 Speaker 1: He thought I just was out here. 27 00:01:40,440 --> 00:01:43,600 Speaker 3: No, no, no, no, I knew you were here back 28 00:01:43,600 --> 00:01:44,039 Speaker 3: in the day. 29 00:01:44,120 --> 00:01:45,759 Speaker 2: But I knew you had went to l A four 30 00:01:45,840 --> 00:01:46,320 Speaker 2: years only. 31 00:01:46,680 --> 00:01:49,280 Speaker 1: Yeah, I'm only in l A for four years. Only 32 00:01:49,280 --> 00:01:51,720 Speaker 1: been out there four years. Okay, why'd you come back? 33 00:01:52,120 --> 00:01:53,640 Speaker 1: I ain't back. I just did a show last night. 34 00:01:53,840 --> 00:01:54,840 Speaker 2: Oh so you're not back here? 35 00:01:54,880 --> 00:01:57,920 Speaker 1: In line, I just picked up some money. Ain't no 36 00:01:58,000 --> 00:02:01,240 Speaker 1: wrong with that? Is you said it? 37 00:02:01,360 --> 00:02:03,919 Speaker 2: So you're still based down on the West Coast. 38 00:02:04,640 --> 00:02:08,000 Speaker 1: Yeah, but I'm I hate the base. That's a good word. 39 00:02:08,040 --> 00:02:10,400 Speaker 1: But I'm so comforts in southern so I wanted to 40 00:02:10,440 --> 00:02:12,600 Speaker 1: side up there. I'm not based really out of nowhere. 41 00:02:13,720 --> 00:02:15,280 Speaker 2: I was gonna say, mephis. 42 00:02:15,160 --> 00:02:18,720 Speaker 1: Based out of my mama house, right, yes. 43 00:02:19,720 --> 00:02:23,399 Speaker 3: So look, look, I you know, I it's so many 44 00:02:23,480 --> 00:02:26,680 Speaker 3: questions that's been going through my head because I hadn't 45 00:02:27,080 --> 00:02:28,720 Speaker 3: I hadn't sat down or seen you. 46 00:02:29,000 --> 00:02:30,639 Speaker 2: I mean, I've seen you, but I hadn't sat down 47 00:02:30,680 --> 00:02:31,880 Speaker 2: with you. And when I. 48 00:02:31,880 --> 00:02:38,440 Speaker 3: Say years, yeah, years, what is going on you solo wise? 49 00:02:39,120 --> 00:02:42,560 Speaker 3: And is it gonna be a three six my field? 50 00:02:42,600 --> 00:02:44,840 Speaker 3: I'm telling what everybody I ain't talking about it. You know, 51 00:02:45,000 --> 00:02:47,720 Speaker 3: I guess I should say two members are there, right, 52 00:02:47,760 --> 00:02:50,120 Speaker 3: two members are dead? But with the original members? That 53 00:02:52,200 --> 00:02:54,240 Speaker 3: what's I mean? Because I hear it and I'm gonna 54 00:02:54,240 --> 00:02:55,800 Speaker 3: get I'm gonna tell you what I hear and you 55 00:02:55,919 --> 00:02:58,480 Speaker 3: tell me was But what solo wise? 56 00:02:58,560 --> 00:02:59,520 Speaker 2: Tell me what you got going? 57 00:02:59,600 --> 00:03:01,040 Speaker 1: Tell me what you here first, so I can just 58 00:03:01,120 --> 00:03:03,720 Speaker 1: ride into the whole thing. That there's some issues with 59 00:03:03,800 --> 00:03:05,120 Speaker 1: DJ Paul and Juicy. 60 00:03:05,280 --> 00:03:08,520 Speaker 3: Oh okay, well yeah, so is that what's keeping the 61 00:03:08,560 --> 00:03:09,359 Speaker 3: three single my fit? 62 00:03:09,480 --> 00:03:11,680 Speaker 2: Because at one point y'all was every everywhere. 63 00:03:11,680 --> 00:03:15,799 Speaker 3: It was like we're about to reunion now, but then 64 00:03:16,080 --> 00:03:17,400 Speaker 3: it's never come to fruition like. 65 00:03:20,040 --> 00:03:20,079 Speaker 4: That. 66 00:03:20,240 --> 00:03:23,840 Speaker 1: Okay, Well, now, what we did on Mafia sixth project, 67 00:03:24,000 --> 00:03:27,600 Speaker 1: that was all of us minus Lord infamous recipes. Lord 68 00:03:27,639 --> 00:03:29,440 Speaker 1: he had just died too, and we got back together 69 00:03:30,440 --> 00:03:32,520 Speaker 1: and we still had cool people still around. But Juicy 70 00:03:32,680 --> 00:03:34,200 Speaker 1: wasn't a part of the project because he was working 71 00:03:34,240 --> 00:03:36,440 Speaker 1: on his own stuff. Well, him and Power got going on. 72 00:03:36,640 --> 00:03:39,360 Speaker 1: I don't really know that state business, but I know 73 00:03:39,400 --> 00:03:41,680 Speaker 1: they're still in business together. So they get so much 74 00:03:41,760 --> 00:03:44,720 Speaker 1: money together. Man, it's like niggas ain't got a you know, 75 00:03:44,880 --> 00:03:47,560 Speaker 1: babysit each other every day, but thinks all love like 76 00:03:47,600 --> 00:03:52,240 Speaker 1: we all mafia, and you know, like it's such a current. 77 00:03:54,120 --> 00:03:56,360 Speaker 1: I mean, it's like we just got birst again. Like 78 00:03:56,400 --> 00:03:59,960 Speaker 1: with all this, who run it challenging, just like everyone said, 79 00:04:00,080 --> 00:04:03,000 Speaker 1: screened a lot of stuff, and you know, in my 80 00:04:03,080 --> 00:04:05,480 Speaker 1: solo career, I feel like I've been doing great as 81 00:04:05,560 --> 00:04:08,000 Speaker 1: Gangstable because of the three sis Mapia platform. I ain't 82 00:04:08,000 --> 00:04:10,240 Speaker 1: gonna lie like I'm Gagstable for three sis Maia. You 83 00:04:10,240 --> 00:04:11,800 Speaker 1: know what I'm saying. I was the only female rapper 84 00:04:11,800 --> 00:04:14,160 Speaker 1: in the group, so that has gave me a lot 85 00:04:14,160 --> 00:04:16,839 Speaker 1: of platforms to work with so many people like the Outcast, 86 00:04:16,880 --> 00:04:20,960 Speaker 1: that's the Luod John stuff, fucking you know, Mike and yeah, Ell, 87 00:04:21,760 --> 00:04:24,679 Speaker 1: I just did a record with this girl named Jungle Pussy. 88 00:04:24,720 --> 00:04:26,360 Speaker 1: I don't know if you heard of her. She's super dope. 89 00:04:26,640 --> 00:04:28,120 Speaker 1: I'm just doing so much cool shot. I worked with 90 00:04:28,160 --> 00:04:30,719 Speaker 1: Eminem Yellow Wolf, and all this is because I'm a 91 00:04:30,720 --> 00:04:32,560 Speaker 1: dope artist. But of course I got to do the 92 00:04:32,600 --> 00:04:34,039 Speaker 1: three SIMOPR brands at the end of and that. I 93 00:04:34,040 --> 00:04:36,040 Speaker 1: think it's just Mafia for life, you know what I'm saying. 94 00:04:36,680 --> 00:04:39,279 Speaker 1: And if it's time, I don't want to stay reunion. 95 00:04:39,440 --> 00:04:42,120 Speaker 1: I hate that because it's like two members are dead, 96 00:04:42,440 --> 00:04:44,560 Speaker 1: so it would never be. Yeah, it's just like us 97 00:04:44,600 --> 00:04:47,760 Speaker 1: touring together, having fun and we are about to do 98 00:04:47,800 --> 00:04:49,200 Speaker 1: certain things like that. I'm about to get on the 99 00:04:49,240 --> 00:04:52,320 Speaker 1: road project pet you know what I'm saying me, Pat 100 00:04:52,880 --> 00:04:57,400 Speaker 1: chat By. Yeah, We're about to get on tour called 101 00:04:57,480 --> 00:05:01,320 Speaker 1: Hymnotized Campositor, some dope ship. How does it make? So 102 00:05:02,040 --> 00:05:03,840 Speaker 1: I was gonna say, so what does that like though, 103 00:05:03,920 --> 00:05:06,640 Speaker 1: still being on the road and touring after all these years, 104 00:05:06,640 --> 00:05:08,400 Speaker 1: you know, just still being relevant. I mean, I know 105 00:05:08,480 --> 00:05:10,200 Speaker 1: it has to feel good, especially like as a woman 106 00:05:10,200 --> 00:05:12,760 Speaker 1: in the game. Definitely as a woman that game first, 107 00:05:13,040 --> 00:05:16,120 Speaker 1: you know, just to still be able to maneuver how 108 00:05:16,160 --> 00:05:18,600 Speaker 1: you maneuver without selling your soul and doing a lot 109 00:05:18,600 --> 00:05:20,960 Speaker 1: of freaking as that you can't look in the mirror 110 00:05:21,440 --> 00:05:23,679 Speaker 1: or you know it yourself and be proud of yourself. 111 00:05:23,920 --> 00:05:26,039 Speaker 1: So yeah, having not to go through none of that 112 00:05:26,080 --> 00:05:29,719 Speaker 1: type of stuff. It feels amazing, and I consider myself 113 00:05:29,760 --> 00:05:31,440 Speaker 1: like a rock star. I hope I'll be torn just 114 00:05:31,440 --> 00:05:36,359 Speaker 1: as long as fucking Mick Jagger and I want to 115 00:05:36,360 --> 00:05:37,320 Speaker 1: tour like the wrestlers. 116 00:05:37,400 --> 00:05:43,640 Speaker 5: Do you bring up you bring up doing nasty ship 117 00:05:43,680 --> 00:05:46,520 Speaker 5: and you know, I mean as women in the industry, 118 00:05:46,560 --> 00:05:49,040 Speaker 5: I know it probably comes up a lot. 119 00:05:49,360 --> 00:05:52,000 Speaker 1: Have you been approached on like some inappropriate Oh? I 120 00:05:52,000 --> 00:05:54,000 Speaker 1: could tell that a part of the me too movement 121 00:05:54,920 --> 00:05:56,640 Speaker 1: if it came down to it. And I'm writing a book, 122 00:05:56,680 --> 00:05:59,160 Speaker 1: so I'm going to discuss certain talk about certain things 123 00:05:59,160 --> 00:06:03,039 Speaker 1: in the book even tried they I mean, and you know, 124 00:06:03,200 --> 00:06:06,880 Speaker 1: things have happened. You know, I'm a nice looking female 125 00:06:07,080 --> 00:06:09,599 Speaker 1: around dud. I mean, I be lining up, I said, 126 00:06:09,839 --> 00:06:12,680 Speaker 1: nobody have you know, went a little extra with the 127 00:06:12,680 --> 00:06:17,520 Speaker 1: sexual harassment, right right? But that comes natural, Well it don't. 128 00:06:17,720 --> 00:06:19,160 Speaker 1: It comes natural, but that I don't mean it's right, 129 00:06:19,400 --> 00:06:21,479 Speaker 1: but it's just something that happens. It's just something that happens. Yeah, 130 00:06:21,480 --> 00:06:26,400 Speaker 1: But nowadays niggas approaching niggas too, you know niggas, that's 131 00:06:26,440 --> 00:06:27,200 Speaker 1: a whole difference. 132 00:06:27,800 --> 00:06:29,920 Speaker 2: You've seen. 133 00:06:30,480 --> 00:06:32,080 Speaker 1: You have to think their industry kind of weird and 134 00:06:32,120 --> 00:06:34,599 Speaker 1: wicked and it's like it's a secret society and a 135 00:06:34,640 --> 00:06:36,880 Speaker 1: sense when niggas got a bunch of secrets and ship 136 00:06:36,920 --> 00:06:38,360 Speaker 1: and don't really talk about it, but. 137 00:06:38,360 --> 00:06:42,160 Speaker 3: Yeah, how does it make you feel to see the 138 00:06:42,200 --> 00:06:45,960 Speaker 3: movement that you all started with everybody now sampling. You 139 00:06:46,040 --> 00:06:49,159 Speaker 3: got Cardi B doing uh, you know doing the song 140 00:06:49,279 --> 00:06:52,479 Speaker 3: you got U we took a sample from Uh. 141 00:06:52,520 --> 00:06:53,440 Speaker 2: You got all these. 142 00:06:53,320 --> 00:06:55,480 Speaker 3: Artists that somebody from the A Stap Crew, all these 143 00:06:55,560 --> 00:06:59,000 Speaker 3: artists that's taking stuff from what you all done, from 144 00:06:59,040 --> 00:07:01,920 Speaker 3: the whole Hypnotized crew and the whole that whole Memphis movie. 145 00:07:01,920 --> 00:07:04,479 Speaker 3: How does that make you feel to see artists coming back? 146 00:07:04,760 --> 00:07:06,840 Speaker 3: And I don't want to use the word recycle, that's 147 00:07:06,880 --> 00:07:09,560 Speaker 3: not but you know, continue to keep y'all legacy going. 148 00:07:10,920 --> 00:07:13,200 Speaker 1: It's sometimes I don't like it, sometimes I do. It 149 00:07:13,240 --> 00:07:14,880 Speaker 1: just depends, you know what I'm saying. I guess like 150 00:07:15,000 --> 00:07:18,520 Speaker 1: because it's a thin line between stealing somebody's ship and 151 00:07:18,520 --> 00:07:20,480 Speaker 1: paying homage, you know what I'm saying, or sampling like 152 00:07:20,480 --> 00:07:22,880 Speaker 1: it's just a thin line between that ship. Like when 153 00:07:22,920 --> 00:07:25,240 Speaker 1: Kanye West sampled through the Wire, you could tell it 154 00:07:25,280 --> 00:07:27,760 Speaker 1: was Shaka cars like, oh okay. But nowadays niggas is 155 00:07:27,760 --> 00:07:30,720 Speaker 1: still enough niggas bars and you know what I'm saying 156 00:07:30,800 --> 00:07:33,040 Speaker 1: these like you know what I'm saying. So it just 157 00:07:33,120 --> 00:07:35,680 Speaker 1: it depends. But I think the who run it challenge 158 00:07:35,720 --> 00:07:39,000 Speaker 1: per For example, that was a beat so it wasn't 159 00:07:39,000 --> 00:07:41,480 Speaker 1: like motherfuckers is on there wrapping like against the board 160 00:07:41,560 --> 00:07:44,080 Speaker 1: like saying, you know, eat a bitch ass or something 161 00:07:44,120 --> 00:07:47,080 Speaker 1: or whatever, when my ship was you know, I'm saying yeah, 162 00:07:47,120 --> 00:07:49,640 Speaker 1: So it's like it's a it's a very thin line 163 00:07:50,280 --> 00:07:58,080 Speaker 1: between being flattered by someone heard. I'm not gonna get 164 00:07:58,120 --> 00:08:00,440 Speaker 1: into that because I like, you know, it's It's not 165 00:08:00,600 --> 00:08:03,000 Speaker 1: that I don't dig it and think it's cool, but 166 00:08:03,080 --> 00:08:04,680 Speaker 1: I just think it's a day in line. But I'm 167 00:08:04,720 --> 00:08:06,680 Speaker 1: not like trying to diss nobody about it. It's just 168 00:08:06,680 --> 00:08:10,280 Speaker 1: one of those situations where it's a difference between stampling 169 00:08:10,320 --> 00:08:13,840 Speaker 1: somebody's ship and using that. Yeah, it's stelling that ship 170 00:08:14,080 --> 00:08:16,080 Speaker 1: because you know, motherfucker might not know who they are 171 00:08:16,080 --> 00:08:18,480 Speaker 1: no more or whatever. I haven't done the proper research 172 00:08:18,480 --> 00:08:19,760 Speaker 1: to see where you got your ship from, you know 173 00:08:19,800 --> 00:08:20,120 Speaker 1: what I mean. 174 00:08:20,240 --> 00:08:23,600 Speaker 2: Yeah, Now little John is my nigga. I love Little John, 175 00:08:24,320 --> 00:08:27,760 Speaker 2: but for him to get that name the King of Krunk. 176 00:08:29,640 --> 00:08:30,040 Speaker 1: Does that? 177 00:08:30,120 --> 00:08:32,840 Speaker 3: Do you all a whole dissert because a lot of 178 00:08:32,840 --> 00:08:36,600 Speaker 3: people do the whole what because a lot of people, 179 00:08:37,080 --> 00:08:38,319 Speaker 3: but a lot of people. 180 00:08:38,480 --> 00:08:42,480 Speaker 2: Feel like y'all were the kings of Krunk. You gotta 181 00:08:42,559 --> 00:08:44,959 Speaker 2: let the people speak, which how you feel about that? 182 00:08:47,240 --> 00:08:47,480 Speaker 4: John? 183 00:08:47,559 --> 00:08:50,480 Speaker 1: My own boy? Yeah, mine too, So I don't even 184 00:08:50,520 --> 00:08:52,480 Speaker 1: like think about it like that no more in a 185 00:08:52,559 --> 00:08:54,920 Speaker 1: sense where when John was Collinsered the king of Kruk 186 00:08:54,960 --> 00:08:56,400 Speaker 1: at the time, he was the king of Krunk. 187 00:08:56,400 --> 00:08:58,840 Speaker 2: You know what I'm saying, But y'all started this ship. 188 00:08:58,920 --> 00:09:00,200 Speaker 2: Those whether a lot of people. 189 00:09:00,280 --> 00:09:03,080 Speaker 1: And wa started gangster ship. You know what I'm saying, gangster. 190 00:09:04,640 --> 00:09:06,240 Speaker 2: That's when I'm saying, y'all started that corn. 191 00:09:06,400 --> 00:09:07,960 Speaker 1: There you go. You ask me how I feel about it? 192 00:09:08,000 --> 00:09:10,360 Speaker 1: When I say, you gotta let the people speak, So 193 00:09:10,800 --> 00:09:13,480 Speaker 1: how you feel I don't. I feel like when John 194 00:09:13,559 --> 00:09:15,000 Speaker 1: was the King of Crunk, he was the king Crunk. 195 00:09:15,040 --> 00:09:17,960 Speaker 1: That's what I feel. I feel like Memphis always been Buck, 196 00:09:18,080 --> 00:09:21,360 Speaker 1: Memphis has always been Crump. But like you know who 197 00:09:21,400 --> 00:09:23,400 Speaker 1: started this? Who started that? Who started that? I felt 198 00:09:23,440 --> 00:09:25,280 Speaker 1: like at that time when John was calling except the 199 00:09:25,320 --> 00:09:27,400 Speaker 1: king of Krunk, then that's what he was doing. He 200 00:09:27,480 --> 00:09:28,920 Speaker 1: was the king of krunk. You know what I'm saying. 201 00:09:29,240 --> 00:09:32,520 Speaker 1: I don't, you know, but if the people say that, 202 00:09:32,520 --> 00:09:35,280 Speaker 1: that's what I say. The people kind of you know, 203 00:09:36,280 --> 00:09:41,319 Speaker 1: the people always yeah, kind of, you know. I don't 204 00:09:41,360 --> 00:09:42,839 Speaker 1: think Jones like I'm the king and crunk because I 205 00:09:42,920 --> 00:09:47,679 Speaker 1: created frumk. But Atlanta in Atlanta's defense me personally, I 206 00:09:47,720 --> 00:09:49,960 Speaker 1: know that Memphis we were buck wild and mashpitting and 207 00:09:50,000 --> 00:09:51,640 Speaker 1: doing a lot of crazy shit like that. But at 208 00:09:51,640 --> 00:09:54,360 Speaker 1: the same but as far as music wise, Atlanta was 209 00:09:54,360 --> 00:09:57,679 Speaker 1: more hyper. It was more at libs and you know 210 00:09:57,720 --> 00:09:59,360 Speaker 1: Littlejohn the East Sid boys, like it sounds like a 211 00:09:59,400 --> 00:10:01,000 Speaker 1: crowd type, you know what I'm saying. I shit was 212 00:10:01,040 --> 00:10:02,960 Speaker 1: kind of like mellow. It was lit, but it was 213 00:10:03,000 --> 00:10:04,079 Speaker 1: it's a difference, you know what I mean. 214 00:10:04,280 --> 00:10:07,720 Speaker 3: At the beginning when in the whole three STIs mind 215 00:10:07,760 --> 00:10:09,559 Speaker 3: because it's been a bunch of members. 216 00:10:09,559 --> 00:10:12,360 Speaker 2: But correct me from his only been two female members. 217 00:10:12,160 --> 00:10:14,760 Speaker 1: Your chat, No, I was only one member and that's 218 00:10:14,800 --> 00:10:18,680 Speaker 1: me Gangsta Booth. The chair was an affiliate of the label. Okay, yeah, 219 00:10:18,760 --> 00:10:20,760 Speaker 1: she was a part of the collective. And how did 220 00:10:20,800 --> 00:10:22,920 Speaker 1: that happen? Like, like, let's go all the way back, 221 00:10:23,000 --> 00:10:29,440 Speaker 1: how did that can come about what female now rapping 222 00:10:29,520 --> 00:10:33,920 Speaker 1: and like how involved with with with my field, you know, like, yeah, 223 00:10:34,200 --> 00:10:36,400 Speaker 1: well I went to school. Well I was just like 224 00:10:36,720 --> 00:10:39,640 Speaker 1: a young female, like thirteen fourteen years old, just kind 225 00:10:39,640 --> 00:10:42,720 Speaker 1: of rapping, and I was like we all kind of 226 00:10:42,720 --> 00:10:44,520 Speaker 1: like lived around each other, went to the same school 227 00:10:44,600 --> 00:10:48,000 Speaker 1: North Memphis. I was in North Memphis in the seventh 228 00:10:48,040 --> 00:10:50,480 Speaker 1: grade and Juicy used to DJ at our stock Cop 229 00:10:50,760 --> 00:10:57,600 Speaker 1: but I didn't know the sock cop. Well there's a 230 00:10:57,600 --> 00:11:04,320 Speaker 1: feeling shoet f you got away, That's what it is. 231 00:11:04,640 --> 00:11:09,120 Speaker 1: That's what it was. But I became like who I 232 00:11:09,280 --> 00:11:11,080 Speaker 1: was when I moved to White Haven, which is what 233 00:11:11,160 --> 00:11:13,439 Speaker 1: we call black Hair, and that's why I met pol 234 00:11:14,240 --> 00:11:16,360 Speaker 1: In Coopster and Lord Defamous, you know what I'm saying. 235 00:11:16,400 --> 00:11:18,560 Speaker 1: They were on that side North Memphis side was Skinny Pimp, 236 00:11:19,000 --> 00:11:24,760 Speaker 1: Juicy squeaking from the Mountain. Okay, yeah, that's kind of 237 00:11:24,800 --> 00:11:29,320 Speaker 1: like more Black Haven, White you know, SOUTHMP side. So 238 00:11:29,520 --> 00:11:31,240 Speaker 1: I kind of, you know, started like that. I was 239 00:11:31,280 --> 00:11:33,199 Speaker 1: just rapping and talent shows and ship like that, and 240 00:11:33,200 --> 00:11:35,240 Speaker 1: everybody was like, yo, it's a d J. They go 241 00:11:35,360 --> 00:11:38,319 Speaker 1: to our school and you know, and he asked me 242 00:11:38,360 --> 00:11:40,160 Speaker 1: to go and this mix tape, and it was pretty 243 00:11:40,240 --> 00:11:46,400 Speaker 1: much it the real mix tape the originals when you 244 00:11:46,480 --> 00:11:48,839 Speaker 1: used to put the little paper, the little tissue with 245 00:11:48,920 --> 00:12:00,400 Speaker 1: the little hole that day already. 246 00:12:01,000 --> 00:12:03,480 Speaker 3: So when you're coming out of Memphis, coming out the 247 00:12:03,520 --> 00:12:07,120 Speaker 3: South at that time, it was only you know, between 248 00:12:07,240 --> 00:12:12,640 Speaker 3: yourself mia X and you know who. And maybe I'm 249 00:12:12,679 --> 00:12:17,520 Speaker 3: not remembering, but was there any kind of sisterly sisterhood 250 00:12:17,559 --> 00:12:19,760 Speaker 3: with y'all, like we gotta we gotta really represent the 251 00:12:19,800 --> 00:12:22,200 Speaker 3: South like New York and the East Coast had, you know, 252 00:12:22,280 --> 00:12:24,720 Speaker 3: they had their female rappers, but with y'all and then 253 00:12:24,800 --> 00:12:28,960 Speaker 3: y'all came out so fucking hard and yeah. 254 00:12:28,000 --> 00:12:29,920 Speaker 1: Well, to be honest, we didn't like know each other 255 00:12:30,480 --> 00:12:32,920 Speaker 1: back then when no womit was popping and then when 256 00:12:32,920 --> 00:12:36,640 Speaker 1: I was doing my thing with three six and my 257 00:12:36,840 --> 00:12:40,760 Speaker 1: honestly that mea X. Definitely she's my mentor to this day, 258 00:12:40,800 --> 00:12:42,880 Speaker 1: like that's my girl, Like we're like literally like this. 259 00:12:42,960 --> 00:12:45,040 Speaker 1: I look up to her with the much highest respect 260 00:12:45,080 --> 00:12:46,599 Speaker 1: I could look up to someone as far as in 261 00:12:47,120 --> 00:12:52,120 Speaker 1: female entertainer industry. Just she's just so like chill and 262 00:12:52,360 --> 00:12:55,760 Speaker 1: New Orleans man something about the New Orleans women. But 263 00:12:56,440 --> 00:12:59,600 Speaker 1: it was like I was kind of more. I was 264 00:12:59,679 --> 00:13:02,160 Speaker 1: more on the East Coast like I was, you know, 265 00:13:02,240 --> 00:13:04,480 Speaker 1: I was. It was I didn't have a sisterhood with nobody. 266 00:13:04,800 --> 00:13:07,600 Speaker 1: I had a brother. I was the sister of Pile Juicy, 267 00:13:07,679 --> 00:13:10,000 Speaker 1: you know what I'm saying. So that's who that was. 268 00:13:10,040 --> 00:13:12,760 Speaker 1: And they kind of kept us tight in a circle 269 00:13:12,800 --> 00:13:16,440 Speaker 1: where they brainwashed us just enough to have us hypnotized 270 00:13:16,520 --> 00:13:20,560 Speaker 1: minds the fut. Yeah, and we didn't give a fuck 271 00:13:20,559 --> 00:13:22,600 Speaker 1: about what nobody else was doing. So it wasn't no 272 00:13:22,760 --> 00:13:25,720 Speaker 1: brotherhood in the sisterhood with no one else sid Yeah, 273 00:13:25,760 --> 00:13:27,920 Speaker 1: but my inspirations was like the me and Exes and 274 00:13:28,320 --> 00:13:30,080 Speaker 1: the Kims, the Fox I used to listen a lot 275 00:13:30,080 --> 00:13:33,040 Speaker 1: of East Coast fees at that time. Oh yeah, so 276 00:13:33,080 --> 00:13:34,800 Speaker 1: that's I mean, that's pretty That's kind of what held 277 00:13:34,840 --> 00:13:35,520 Speaker 1: me lyrically too. 278 00:13:35,600 --> 00:13:37,640 Speaker 6: Yeah, that's pretty dope though, Like you know, you're like, 279 00:13:37,720 --> 00:13:40,080 Speaker 6: it's me x is my inspiration, and I think a 280 00:13:40,120 --> 00:13:43,200 Speaker 6: lot of female artists have lost that today, especially with 281 00:13:43,240 --> 00:13:45,679 Speaker 6: what's going on with like Cardi and Nikki, you know, 282 00:13:45,800 --> 00:13:49,679 Speaker 6: so let's watch your take on that, like, especially as female, 283 00:13:49,679 --> 00:13:52,360 Speaker 6: Like there's very few and in between, so it's kind 284 00:13:52,360 --> 00:13:54,400 Speaker 6: of media just like I don't know. 285 00:13:54,400 --> 00:13:56,520 Speaker 1: I think it's like just a natural thing. For first 286 00:13:56,559 --> 00:13:58,800 Speaker 1: of all, it sucks because like when dudes go at 287 00:13:58,800 --> 00:14:00,680 Speaker 1: each other, it's a it's a thing, looks like a 288 00:14:00,720 --> 00:14:04,120 Speaker 1: cool moment for hip hop. But when females do it, 289 00:14:04,120 --> 00:14:06,520 Speaker 1: it's extra caddy and it's petty because it's like it 290 00:14:06,559 --> 00:14:09,400 Speaker 1: can supposedly only be one and I think it's pretty corny. 291 00:14:09,600 --> 00:14:11,800 Speaker 1: But at the same time, like, I'm just glad I'm 292 00:14:11,840 --> 00:14:13,920 Speaker 1: in my own lane. I got my legendary status, so 293 00:14:13,920 --> 00:14:15,840 Speaker 1: I'm up there with the rock stands and the yo 294 00:14:15,880 --> 00:14:18,400 Speaker 1: yo's and the mc lights and the me xs and 295 00:14:18,440 --> 00:14:20,240 Speaker 1: the brads and you know what I'm saying, and the 296 00:14:20,240 --> 00:14:23,120 Speaker 1: salt and peppers and the queen like tifas. And because 297 00:14:23,160 --> 00:14:25,720 Speaker 1: I don't even entertain it, well yeah, because I look back, 298 00:14:25,800 --> 00:14:28,280 Speaker 1: you know, in that era, and there might have been 299 00:14:28,280 --> 00:14:35,960 Speaker 1: a little beef here and there, but it's not like. 300 00:14:34,920 --> 00:14:38,760 Speaker 2: With social media. Everything is with that, it's. 301 00:14:38,600 --> 00:14:41,400 Speaker 1: Always gonna have an extra extra, you know. But I 302 00:14:41,480 --> 00:14:45,480 Speaker 1: like both of them females. I think, well, Nikki hard Man, 303 00:14:45,520 --> 00:14:46,760 Speaker 1: I like her music, you know what I'm saying. As 304 00:14:46,800 --> 00:14:49,000 Speaker 1: far as the lyricis, Cardi got her moments too, and 305 00:14:49,040 --> 00:14:50,600 Speaker 1: I think both of them. Some pretty women ain't doing 306 00:14:50,600 --> 00:14:50,960 Speaker 1: any thing. 307 00:14:51,040 --> 00:14:54,640 Speaker 3: So that's and you just said a minute ago, hide 308 00:14:55,240 --> 00:14:58,120 Speaker 3: like the mind's being himlotized with y'all just fucking with 309 00:14:58,200 --> 00:15:01,320 Speaker 3: yourself that cause I know for a fact from me 310 00:15:01,400 --> 00:15:03,640 Speaker 3: working at the label that had you all on the label. 311 00:15:03,640 --> 00:15:06,280 Speaker 3: When I worked for Relativity and had Ball and G 312 00:15:06,800 --> 00:15:08,320 Speaker 3: on the label that it was, I was. 313 00:15:08,240 --> 00:15:12,040 Speaker 1: Like, I want the relative. Yeah, suave House was through relative. 314 00:15:12,280 --> 00:15:16,720 Speaker 1: Sure I forgot that's how that's how y'all at. I 315 00:15:16,760 --> 00:15:18,320 Speaker 1: was like, I was about eighteen. 316 00:15:18,360 --> 00:15:20,160 Speaker 2: Yeah she lived, so let me jump off. 317 00:15:22,200 --> 00:15:23,560 Speaker 3: Well, of course I was working, but I was on 318 00:15:23,600 --> 00:15:26,240 Speaker 3: the road with them and I saw some When I 319 00:15:26,280 --> 00:15:28,680 Speaker 3: tell you, I don't know how calm she is now, 320 00:15:28,720 --> 00:15:29,680 Speaker 3: but back in the day, I was in. 321 00:15:29,680 --> 00:15:33,160 Speaker 1: The ex Actually, I have my how long we're gonna 322 00:15:33,160 --> 00:15:33,440 Speaker 1: be doing. 323 00:15:38,200 --> 00:15:39,920 Speaker 2: To stop it? 324 00:15:40,000 --> 00:15:40,200 Speaker 1: Yeah? 325 00:15:40,560 --> 00:15:42,480 Speaker 3: Get it? So let me let me let me tell 326 00:15:42,480 --> 00:15:46,080 Speaker 3: you this nigga was so wild. I'm gonna give you 327 00:15:46,080 --> 00:15:46,440 Speaker 3: to this. 328 00:15:48,080 --> 00:15:52,160 Speaker 1: Yeah, Like, first of all, say Lola was so wild, 329 00:15:52,240 --> 00:15:53,760 Speaker 1: because when you say this nigga, I think you talk 330 00:15:53,800 --> 00:15:54,440 Speaker 1: about and juice. 331 00:15:54,480 --> 00:15:56,640 Speaker 2: Because this niggas was a wild one. You was wild, 332 00:15:56,720 --> 00:15:57,360 Speaker 2: They were wild. 333 00:15:57,440 --> 00:15:59,240 Speaker 1: I was a little girl at that time. I was 334 00:15:59,280 --> 00:16:01,000 Speaker 1: a little fucking let me tell you, and I was 335 00:16:01,040 --> 00:16:04,280 Speaker 1: just trying to come up with my homeboys. They was 336 00:16:04,400 --> 00:16:07,240 Speaker 1: pulling a lot of strings and had said no when 337 00:16:07,240 --> 00:16:11,480 Speaker 1: I said, I didn't know, So I last you want 338 00:16:11,520 --> 00:16:13,040 Speaker 1: that's your story. 339 00:16:14,880 --> 00:16:17,560 Speaker 2: I see I seen that instead of this, I seen 340 00:16:17,640 --> 00:16:19,760 Speaker 2: Lola sweeping nigga bump. 341 00:16:19,960 --> 00:16:21,640 Speaker 1: I mean you put hands on niggas. 342 00:16:22,240 --> 00:16:25,040 Speaker 2: Said yeah, look you we're. 343 00:16:24,920 --> 00:16:27,640 Speaker 1: Therapy now, and I'm trying to put that in the past. 344 00:16:27,760 --> 00:16:29,840 Speaker 3: Tell you something I saw you on Paul Boy on 345 00:16:29,840 --> 00:16:32,320 Speaker 3: the road. Who y'all, it had to be some romantic 346 00:16:32,320 --> 00:16:36,720 Speaker 3: ship booth. It had to be, because y'all, let me 347 00:16:36,720 --> 00:16:41,880 Speaker 3: tell you something. Just regular band based, don't fight like that. 348 00:16:42,160 --> 00:16:43,880 Speaker 3: I was like, ship okay, but. 349 00:16:43,800 --> 00:16:45,480 Speaker 2: Look, let me let me get off that story. Let 350 00:16:45,480 --> 00:16:47,080 Speaker 2: me go to another story. So I did her. 351 00:16:47,280 --> 00:16:49,680 Speaker 3: I'm released party at the Gentlemen's Club and the club 352 00:16:49,720 --> 00:16:53,760 Speaker 3: here gen Oh my god, so I had. I had 353 00:16:53,840 --> 00:16:56,840 Speaker 3: German's Club. It was like against the boo motherfucking takeoff. 354 00:16:57,280 --> 00:17:00,320 Speaker 3: So we're coming there, boom, coming there. When I tell you. 355 00:17:01,880 --> 00:17:05,600 Speaker 2: She shut the place down, that was like. 356 00:17:05,560 --> 00:17:10,560 Speaker 1: My stupid shut the place down, Like everybody, no, no, no, no, Yeah, 357 00:17:10,600 --> 00:17:14,159 Speaker 1: Well I ain't like women back then. Probably let me 358 00:17:14,160 --> 00:17:14,560 Speaker 1: tell you something. 359 00:17:14,600 --> 00:17:23,280 Speaker 4: You turned me out in the middle, yeah, Turtle, in 360 00:17:23,359 --> 00:17:24,800 Speaker 4: the middle of her party. 361 00:17:24,880 --> 00:17:27,040 Speaker 3: The d we killing were playing Web of Dollars and 362 00:17:27,119 --> 00:17:31,399 Speaker 3: everything in the middle of the party, Like, yo, I 363 00:17:31,440 --> 00:17:32,320 Speaker 3: see her leaving. 364 00:17:33,119 --> 00:17:37,879 Speaker 2: You had yeah, you had two of the finest brides 365 00:17:38,040 --> 00:17:39,879 Speaker 2: in there. But you know what, how you want. 366 00:17:39,720 --> 00:17:42,399 Speaker 3: To disrespect you came back because I had all the 367 00:17:42,480 --> 00:17:44,360 Speaker 3: dj say something to me. 368 00:17:44,320 --> 00:17:46,000 Speaker 1: In the car, and then I came back in time. 369 00:17:46,520 --> 00:17:52,400 Speaker 1: Oh I'm trying to remember for someone on this, I'm 370 00:17:52,480 --> 00:17:53,040 Speaker 1: kind of like that. 371 00:17:53,240 --> 00:17:57,480 Speaker 3: But I mean when I tell you left with and 372 00:17:57,760 --> 00:18:00,600 Speaker 3: I was like, damn, but you came back because the 373 00:18:00,680 --> 00:18:01,679 Speaker 3: DJs they was getting it. 374 00:18:01,720 --> 00:18:03,400 Speaker 1: Was like, yo, what's she gold? Like what the fuck? 375 00:18:04,000 --> 00:18:06,280 Speaker 1: I was like what I wanted to say something like 376 00:18:06,680 --> 00:18:09,880 Speaker 1: you know seriously that this is no, because the thing 377 00:18:10,000 --> 00:18:12,720 Speaker 1: is I was young, right, No, it's still That's what 378 00:18:12,800 --> 00:18:15,760 Speaker 1: I'm saying. As a female. I wasn't like I didn't 379 00:18:15,760 --> 00:18:18,240 Speaker 1: have no, it wasn't really media training. I had media 380 00:18:18,280 --> 00:18:20,359 Speaker 1: training before, but that was like doing interviews, right I 381 00:18:20,400 --> 00:18:23,000 Speaker 1: really I'm from Memphis, but I was just out here 382 00:18:23,040 --> 00:18:24,679 Speaker 1: like it wasn't no. I'm trying to be a rapper 383 00:18:24,720 --> 00:18:26,919 Speaker 1: and I just fucking wrote a song and it kind 384 00:18:26,920 --> 00:18:28,840 Speaker 1: of blew up and they hear, come these label guys, 385 00:18:29,200 --> 00:18:31,080 Speaker 1: and I had to be off professional, but I didn't 386 00:18:31,119 --> 00:18:33,040 Speaker 1: know how to be professional, and I was probably an 387 00:18:33,240 --> 00:18:36,159 Speaker 1: ex like I was so wild, and I think, you know, 388 00:18:36,200 --> 00:18:38,080 Speaker 1: but in a good way, because I survived wild. 389 00:18:38,400 --> 00:18:41,760 Speaker 2: Yeah, yeah, and yeah. 390 00:18:41,560 --> 00:18:44,280 Speaker 1: Because I yeah exactly and I wasn't like brutally wild. 391 00:18:44,480 --> 00:18:47,119 Speaker 1: But the thing is I was a rookie. I was 392 00:18:47,400 --> 00:18:52,560 Speaker 1: like literally sixteen, seventeen, eighteen years old, rooky the fuck out. 393 00:18:52,760 --> 00:18:55,760 Speaker 1: And I looked back and it was some amazing fucking 394 00:18:55,800 --> 00:18:58,000 Speaker 1: moments because I think around that time I had land 395 00:18:58,080 --> 00:19:01,520 Speaker 1: Rover and everything at eighteen years old party in Atlanta 396 00:19:01,640 --> 00:19:04,159 Speaker 1: from Memphis. I remember just coming to the gates and 397 00:19:04,200 --> 00:19:09,520 Speaker 1: all that. So but yeah, the thing is with men 398 00:19:09,560 --> 00:19:11,960 Speaker 1: in the industry, like when you around a group of 399 00:19:12,000 --> 00:19:14,359 Speaker 1: guys all the time, and they didn't know what the 400 00:19:14,359 --> 00:19:15,800 Speaker 1: hell they were doing at the time either, because you know, 401 00:19:15,800 --> 00:19:17,600 Speaker 1: and they defend they were young, so it's just like, 402 00:19:17,680 --> 00:19:18,280 Speaker 1: of course. 403 00:19:18,040 --> 00:19:20,200 Speaker 2: It was just in Memphis pretty much in that area. 404 00:19:20,240 --> 00:19:21,679 Speaker 1: So when they I was the first one out the 405 00:19:21,680 --> 00:19:23,960 Speaker 1: group to even move out of Memphis. Paul and Juice 406 00:19:24,080 --> 00:19:25,960 Speaker 1: was straight Memphis dudes, like you know what I mean? 407 00:19:26,480 --> 00:19:28,879 Speaker 1: And I joked with them, you were just learning and 408 00:19:29,560 --> 00:19:33,480 Speaker 1: as fighting because you know what I'm saying, you know, 409 00:19:33,640 --> 00:19:36,000 Speaker 1: things happening, you know. Oh so yeah, we get a 410 00:19:36,040 --> 00:19:36,520 Speaker 1: week week. 411 00:19:36,960 --> 00:19:39,560 Speaker 3: She had to get up her liquid contact to go 412 00:19:39,600 --> 00:19:40,800 Speaker 3: outside and grab some of that. 413 00:19:41,359 --> 00:19:44,600 Speaker 1: She ain't the liquor contents partner business. 414 00:19:46,280 --> 00:19:48,119 Speaker 2: Now I kind of know that. 415 00:19:48,240 --> 00:19:51,680 Speaker 1: I like the name though she could What is it? 416 00:19:52,440 --> 00:20:00,680 Speaker 1: I forget? This? Is it just more well? 417 00:20:01,040 --> 00:20:03,919 Speaker 2: Cannot this story? 418 00:20:03,720 --> 00:20:05,920 Speaker 1: This is like cool? Right? Is this like something wrong? 419 00:20:07,359 --> 00:20:11,080 Speaker 1: Consorship Tito's Red Boy. Come on, man, I'm trying. We 420 00:20:11,119 --> 00:20:12,119 Speaker 1: ain't doing this. 421 00:20:12,119 --> 00:20:13,919 Speaker 2: This is our storytelling legendre Jered go. 422 00:20:17,000 --> 00:20:30,000 Speaker 1: H let me tell you. 423 00:20:30,040 --> 00:20:31,399 Speaker 2: And I'm not just gonna say this because you're here. 424 00:20:31,880 --> 00:20:34,200 Speaker 3: But I heard from the label that you was hard 425 00:20:34,280 --> 00:20:37,000 Speaker 3: to deal with, like she's gonna be she gonna be 426 00:20:37,040 --> 00:20:37,720 Speaker 3: an extra. 427 00:20:37,520 --> 00:20:38,439 Speaker 1: Devis all that. 428 00:20:38,760 --> 00:20:40,919 Speaker 3: But when I did fucking around and sit down with 429 00:20:40,960 --> 00:20:44,280 Speaker 3: you and back then Atlanta's Radio, you know, we did, 430 00:20:44,400 --> 00:20:46,640 Speaker 3: you know, for the young folks is watching. We had 431 00:20:46,640 --> 00:20:50,520 Speaker 3: to do retail run and all that and and but 432 00:20:50,560 --> 00:20:52,480 Speaker 3: the thing is just like you are now, you was 433 00:20:52,560 --> 00:20:55,159 Speaker 3: cool as it was. So it kind of threw me 434 00:20:55,200 --> 00:20:57,280 Speaker 3: off because the labels like yo, she hard to deal 435 00:20:57,359 --> 00:21:00,159 Speaker 3: with because I had already knew Juice and Paul and 436 00:21:00,240 --> 00:21:02,000 Speaker 3: you know they was hostel. 437 00:21:02,240 --> 00:21:03,800 Speaker 2: But I'm not saying what. 438 00:21:03,840 --> 00:21:05,919 Speaker 1: Can I say? I have to say something because like 439 00:21:06,080 --> 00:21:08,840 Speaker 1: we you know, I want to send messages in this 440 00:21:09,119 --> 00:21:12,479 Speaker 1: interview as well. Men paint women out to be bitches 441 00:21:12,480 --> 00:21:15,520 Speaker 1: and deepers all the time. Men can throw hissy pits 442 00:21:15,880 --> 00:21:17,760 Speaker 1: and do all kind exactly and do all kind of 443 00:21:17,800 --> 00:21:19,399 Speaker 1: thing and they don't be paying out to be nothing. 444 00:21:19,440 --> 00:21:23,040 Speaker 1: But he's just gone through something I was hating. And 445 00:21:23,080 --> 00:21:25,520 Speaker 1: I still confuse people to this day, like you just said, 446 00:21:25,600 --> 00:21:28,960 Speaker 1: like yo, like it's been painted. So many pictures have 447 00:21:29,040 --> 00:21:31,640 Speaker 1: been painted of me in a weird way because someone 448 00:21:32,000 --> 00:21:35,120 Speaker 1: else was too insecure to deal with me, or too 449 00:21:35,200 --> 00:21:37,160 Speaker 1: sensitive to deal with me, or whatever the case may be, 450 00:21:37,240 --> 00:21:40,200 Speaker 1: like buddhis bud at. But every time people come around 451 00:21:40,240 --> 00:21:42,560 Speaker 1: it and they're like Dawn, she was seem coolest, you 452 00:21:42,600 --> 00:21:44,320 Speaker 1: know what I'm saying. And that's why to this day, 453 00:21:44,359 --> 00:21:47,480 Speaker 1: I don't judge people of what somebody say unless I 454 00:21:47,560 --> 00:21:50,560 Speaker 1: really really trust that person that's telling me, like stare 455 00:21:50,560 --> 00:21:52,320 Speaker 1: with you, you know what I'm saying, but it's like, Yo, 456 00:21:52,440 --> 00:21:54,119 Speaker 1: whatever y'all had going on, and there ain't got none 457 00:21:54,160 --> 00:21:55,640 Speaker 1: doing me shouted cool as a month, But you know' 458 00:21:56,160 --> 00:21:58,359 Speaker 1: that's how I rute. And I do feel like women 459 00:21:58,440 --> 00:22:01,880 Speaker 1: in general, especially her ladies in the industry, do kind 460 00:22:01,880 --> 00:22:04,280 Speaker 1: of get played by dudes. I mean, look with Nikki 461 00:22:04,400 --> 00:22:06,959 Speaker 1: on words. This was her words, and she said Pevo 462 00:22:07,040 --> 00:22:08,240 Speaker 1: did to you know what I'm saying. I don't know 463 00:22:08,240 --> 00:22:11,399 Speaker 1: what the fuck happened during Motorsport, but she felt played 464 00:22:11,400 --> 00:22:13,760 Speaker 1: and she kind of felt that Puevo didn't get on 465 00:22:13,800 --> 00:22:16,680 Speaker 1: Twitter to say whatever in her defense when people were 466 00:22:16,680 --> 00:22:18,560 Speaker 1: coming down on her. I feel like that's a normal 467 00:22:19,080 --> 00:22:21,920 Speaker 1: thing that me and do. Men always paying women against 468 00:22:21,920 --> 00:22:25,800 Speaker 1: each other, Yeah, they always do. They used to paying 469 00:22:25,880 --> 00:22:27,440 Speaker 1: me and chat against each other. So you feel like 470 00:22:27,480 --> 00:22:29,520 Speaker 1: it's hard to be yourself in the industry as a woman. 471 00:22:31,320 --> 00:22:34,000 Speaker 1: I'm man, I don't think I really never had that 472 00:22:34,119 --> 00:22:36,840 Speaker 1: problem because I was definitely always myself. I think people 473 00:22:36,920 --> 00:22:39,480 Speaker 1: just kind of caught up to me being myself, like okay, 474 00:22:39,520 --> 00:22:41,320 Speaker 1: because they met so many other more people like me. 475 00:22:41,359 --> 00:22:43,760 Speaker 1: I think I was a rare fucking you know what 476 00:22:43,760 --> 00:22:46,760 Speaker 1: I'm saying moment for people. But I don't think that 477 00:22:47,040 --> 00:22:49,240 Speaker 1: women well for me, I can't speak. I think that 478 00:22:49,280 --> 00:22:51,919 Speaker 1: women should be them themselves and like not dumb their 479 00:22:51,960 --> 00:22:55,159 Speaker 1: stuffs down for men in this industry. You know what 480 00:22:55,160 --> 00:22:55,560 Speaker 1: I'm saying. 481 00:22:56,680 --> 00:22:58,720 Speaker 3: That Paul and Juice trying to put you on the 482 00:22:58,800 --> 00:23:01,280 Speaker 3: chat to get and one thing that I like is 483 00:23:02,280 --> 00:23:04,480 Speaker 3: and I see on social media you or her to 484 00:23:04,480 --> 00:23:06,480 Speaker 3: this day, y'all, y'all still rock with each other. 485 00:23:06,600 --> 00:23:08,760 Speaker 1: Yeah, you know, we've because we've had a lot of 486 00:23:08,800 --> 00:23:11,959 Speaker 1: fucked up not to not brutally, because we never crossed 487 00:23:12,000 --> 00:23:14,680 Speaker 1: the line, you know what I'm saying, But we had 488 00:23:14,680 --> 00:23:16,880 Speaker 1: moments where we weren't speaking at all, like for years 489 00:23:16,880 --> 00:23:18,560 Speaker 1: type shit, you know what I'm saying. But at the 490 00:23:18,560 --> 00:23:21,600 Speaker 1: same time, we know so much of each other's personal business. 491 00:23:21,640 --> 00:23:24,639 Speaker 1: We grew up. We have so many of the same 492 00:23:25,040 --> 00:23:29,720 Speaker 1: exact now the same exact fucked up experiences in life, 493 00:23:29,960 --> 00:23:32,680 Speaker 1: being an underdog or just in the industry whatever, whatever 494 00:23:32,720 --> 00:23:35,639 Speaker 1: it's like, Yo, we really come from the same clock, so. 495 00:23:35,840 --> 00:23:39,520 Speaker 2: We're sposed to chat. Was that all the time? 496 00:23:40,240 --> 00:23:43,320 Speaker 1: I wouldn't say I was supposed to be, but it 497 00:23:43,440 --> 00:23:49,080 Speaker 1: was a time where Paul didn't like me for whatever reason. 498 00:23:51,080 --> 00:23:52,280 Speaker 2: With Chicken Hair Project. 499 00:23:52,320 --> 00:23:54,760 Speaker 1: Pat. No, I'm not saying it was supposed to be me. 500 00:23:54,880 --> 00:23:58,080 Speaker 2: Yeah, No, I'm saying, but some of the some of 501 00:23:58,080 --> 00:23:59,320 Speaker 2: the verses that La Chat had. 502 00:23:59,760 --> 00:24:03,280 Speaker 3: Yeah, if if it was still cool with the three 503 00:24:03,359 --> 00:24:05,520 Speaker 3: six family, that would have been you. 504 00:24:05,640 --> 00:24:08,680 Speaker 1: Yeah, I got I got booted off a lot of 505 00:24:08,720 --> 00:24:13,399 Speaker 1: tracks because of personal ship on Paul, with just the 506 00:24:13,440 --> 00:24:16,480 Speaker 1: group in general. You know what I'm saying, what's up 507 00:24:16,520 --> 00:24:18,560 Speaker 1: with me and Paul? Why is you like you are? 508 00:24:18,640 --> 00:24:22,119 Speaker 1: I'm gonna dig up some dirt on you and I'm 509 00:24:22,160 --> 00:24:25,879 Speaker 1: gonna get I'm gonna get on my Instagram story live 510 00:24:30,320 --> 00:24:30,959 Speaker 1: and I'm gonna go. 511 00:24:32,160 --> 00:24:35,080 Speaker 3: But the good thing is that you on the chat 512 00:24:35,240 --> 00:24:37,719 Speaker 3: even through all of that, y'all are two you know, 513 00:24:38,800 --> 00:24:39,840 Speaker 3: fly as lyricists. 514 00:24:39,880 --> 00:24:42,479 Speaker 1: Yeah. Man, that's my girl. Man. But you know what, 515 00:24:42,520 --> 00:24:45,240 Speaker 1: But at the same time, Paul, my boy. I say this. 516 00:24:45,320 --> 00:24:46,680 Speaker 1: I just put it on Twitter. I said, Paul, it 517 00:24:46,720 --> 00:24:48,280 Speaker 1: is like I don't have kids. Yeah, I feel like 518 00:24:48,280 --> 00:24:51,080 Speaker 1: he's like my baby daddy. It's like, because our kid 519 00:24:51,160 --> 00:24:53,200 Speaker 1: is three six Mafia, you know you have a baby daddy. 520 00:24:53,200 --> 00:24:54,399 Speaker 1: That that's why he's the baby there here and the 521 00:24:54,480 --> 00:24:57,320 Speaker 1: husband's like, god, damn kid with your. 522 00:24:57,440 --> 00:24:58,520 Speaker 2: So y'all still cool to this day. 523 00:24:58,520 --> 00:25:00,359 Speaker 1: You're on Paul. Yeah, we email it a lot of 524 00:25:00,359 --> 00:25:01,800 Speaker 1: time because I mean, I have to get you know, 525 00:25:02,200 --> 00:25:04,520 Speaker 1: we still kind of tied in business. Yeah, And I 526 00:25:04,520 --> 00:25:06,960 Speaker 1: mean at the end of the day, the brand threes 527 00:25:07,040 --> 00:25:09,640 Speaker 1: his month is she put me in three sis month. 528 00:25:09,640 --> 00:25:12,040 Speaker 1: You know what I'm saying. That's that's DJ Paul. So 529 00:25:12,040 --> 00:25:14,239 Speaker 1: it's gonna always be a level of some sort of 530 00:25:14,560 --> 00:25:16,480 Speaker 1: That's what I say. It's like a baby dad. It's like, man, 531 00:25:16,920 --> 00:25:19,280 Speaker 1: so what do I gotta deal with this? Sod? Like, 532 00:25:19,520 --> 00:25:21,400 Speaker 1: but you know that you're baby and your baby dad. 533 00:25:21,400 --> 00:25:28,679 Speaker 1: So what was that like? Not my baby, honey, I 534 00:25:28,720 --> 00:25:30,600 Speaker 1: got it, I got it. But what was that like 535 00:25:30,600 --> 00:25:33,159 Speaker 1: like breaking off solo? Like what were those feelings? Like? 536 00:25:33,640 --> 00:25:34,680 Speaker 1: Were you scared of ship? 537 00:25:34,760 --> 00:25:37,160 Speaker 6: Like you were in this group and then now you're 538 00:25:37,200 --> 00:25:38,919 Speaker 6: about to branch off and. 539 00:25:38,800 --> 00:25:41,960 Speaker 1: Be this this individual artist. Well, you know what, I 540 00:25:42,040 --> 00:25:44,480 Speaker 1: was in the group, but I had two solo albums, 541 00:25:44,520 --> 00:25:46,320 Speaker 1: so I was already kind of like in the group 542 00:25:46,320 --> 00:25:48,560 Speaker 1: of solo anyway, you know what I'm saying. But like 543 00:25:48,600 --> 00:25:51,240 Speaker 1: when I left the group, it was a spiritual well 544 00:25:51,240 --> 00:25:53,199 Speaker 1: it was religious at the time. I'm spiritual now, but 545 00:25:53,240 --> 00:25:55,480 Speaker 1: it was more of a be trying to find myself 546 00:25:55,520 --> 00:25:58,879 Speaker 1: when I like left the group in early two thousands. 547 00:25:59,320 --> 00:26:04,040 Speaker 1: So yeah, it was just more like I wasn't scared 548 00:26:04,080 --> 00:26:06,760 Speaker 1: being solo because I didn't know what it felt like 549 00:26:07,040 --> 00:26:08,840 Speaker 1: to be without them, and I got without them, so 550 00:26:08,880 --> 00:26:10,800 Speaker 1: I didn't go in it like fuck, I'm scared. I 551 00:26:10,840 --> 00:26:12,399 Speaker 1: don't know what I'm gonna do. Until I got in 552 00:26:12,480 --> 00:26:14,199 Speaker 1: there fucking water in the middle of the ocean. It 553 00:26:14,240 --> 00:26:18,760 Speaker 1: was like swinging myself like I have nobody and I'm like, 554 00:26:18,800 --> 00:26:21,400 Speaker 1: it'll be love. I'm like saying, it sucks. It suck 555 00:26:21,440 --> 00:26:23,520 Speaker 1: real bad for a bunch of fucking years. But hey, 556 00:26:23,880 --> 00:26:29,879 Speaker 1: I'm fucking resilient man, I'm a leader, I'm strong. Juice 557 00:26:29,880 --> 00:26:32,119 Speaker 1: the cool I fuck with him. I liked his who 558 00:26:32,240 --> 00:26:34,440 Speaker 1: run a challenge. I mean, like I said, I'm always 559 00:26:34,480 --> 00:26:36,080 Speaker 1: have respect for them. Them niggas put me in a 560 00:26:36,080 --> 00:26:38,360 Speaker 1: position to be who I am, but I also put 561 00:26:38,359 --> 00:26:40,439 Speaker 1: them in a position as well. So just as a 562 00:26:40,560 --> 00:26:43,120 Speaker 1: in general respect, it has to be that other three 563 00:26:43,200 --> 00:26:45,520 Speaker 1: six month for your brand alone, you know what I'm saying. 564 00:26:45,520 --> 00:26:47,000 Speaker 1: The Juicy got a show in LA and I'm at 565 00:26:47,040 --> 00:26:47,360 Speaker 1: the drill. 566 00:26:47,800 --> 00:26:49,120 Speaker 2: General respect, I love that. 567 00:26:49,600 --> 00:26:51,480 Speaker 1: I mean, if I'm in LA he got a show, 568 00:26:51,480 --> 00:26:53,800 Speaker 1: I'm gonna hear his ass up like the I'm on 569 00:26:54,280 --> 00:26:55,560 Speaker 1: I'm going on the road with his brother, you know 570 00:26:55,560 --> 00:26:58,080 Speaker 1: what I'm saying. So we're gonna always and I can't 571 00:26:58,119 --> 00:27:01,000 Speaker 1: do nothing but pay my respect, not pay my respect 572 00:27:01,040 --> 00:27:03,359 Speaker 1: like and every day, all day type shit. But if 573 00:27:03,359 --> 00:27:05,040 Speaker 1: I don't have nothing bad to say about them, it's 574 00:27:05,040 --> 00:27:07,680 Speaker 1: only got truths. Yeah yeah, And if the truths come 575 00:27:07,680 --> 00:27:10,320 Speaker 1: out bad, and that's that's my truth. You know what 576 00:27:10,359 --> 00:27:10,840 Speaker 1: I'm saying. 577 00:27:10,960 --> 00:27:13,840 Speaker 3: I was I've been in the studio with a couple 578 00:27:13,800 --> 00:27:15,920 Speaker 3: of artists that I had signed to me with Juice 579 00:27:15,960 --> 00:27:21,600 Speaker 3: and Paul, and their work ethic is fucking incredible? 580 00:27:22,000 --> 00:27:23,680 Speaker 1: Has it always been like that? 581 00:27:23,720 --> 00:27:25,720 Speaker 2: Like from the beginning of three six market days? 582 00:27:25,800 --> 00:27:26,560 Speaker 1: Is that way? 583 00:27:26,840 --> 00:27:28,520 Speaker 3: A lot of I know, your work ethic came from 584 00:27:28,520 --> 00:27:31,600 Speaker 3: your your background and how you but when you got 585 00:27:31,600 --> 00:27:33,200 Speaker 3: in the group with them, because let me tell you something, 586 00:27:33,200 --> 00:27:35,600 Speaker 3: when them dudess in the studio, Juicy j and Paul, 587 00:27:35,680 --> 00:27:37,720 Speaker 3: they don't play as far as getting records done and 588 00:27:37,760 --> 00:27:39,720 Speaker 3: all that was that something that was. 589 00:27:39,640 --> 00:27:41,120 Speaker 1: Embedded in everybody in the group. 590 00:27:41,160 --> 00:27:41,560 Speaker 2: Early on. 591 00:27:41,800 --> 00:27:43,600 Speaker 3: We got to churn this shit out because them dudes, 592 00:27:43,680 --> 00:27:45,960 Speaker 3: they no joke with that they work ethic is incredible. 593 00:27:46,359 --> 00:27:50,879 Speaker 1: Well that's a super, super super good question because I 594 00:27:51,040 --> 00:27:53,840 Speaker 1: learned so much from them, especially like the production shit, 595 00:27:54,280 --> 00:27:56,439 Speaker 1: how to samples it and how to like make the 596 00:27:56,480 --> 00:28:00,439 Speaker 1: beat sound like a movie. And I'll say that to 597 00:28:00,520 --> 00:28:02,080 Speaker 1: the end of time. And that's why I been telling 598 00:28:02,080 --> 00:28:04,320 Speaker 1: Paul when we do have our moments, I'm like, bro, 599 00:28:04,640 --> 00:28:07,240 Speaker 1: you just hate it because I'm just like, like, dude, 600 00:28:07,280 --> 00:28:13,119 Speaker 1: I learned so much from you. So yeah, like yeah, yes, yes, absolutely, yeah, absolutely, 601 00:28:13,880 --> 00:28:17,159 Speaker 1: But you know my work ethic aspians like in this, 602 00:28:17,480 --> 00:28:19,520 Speaker 1: I'm not a studio rad bro, Like, I'm not gonna 603 00:28:19,520 --> 00:28:21,919 Speaker 1: fucking because that shit gotta be like really making me 604 00:28:21,960 --> 00:28:24,479 Speaker 1: some instant money. Like them niggas getting paid off them samples. 605 00:28:24,480 --> 00:28:27,199 Speaker 1: I ain't getting paid off that ship. So yeah, they 606 00:28:27,240 --> 00:28:28,640 Speaker 1: better be working because you know what I mean. 607 00:28:28,760 --> 00:28:32,240 Speaker 3: But just did you did you sit back and them 608 00:28:32,320 --> 00:28:35,399 Speaker 3: niggas warn I guess you was after they want a 609 00:28:35,480 --> 00:28:36,040 Speaker 3: damn oscar? 610 00:28:36,080 --> 00:28:40,480 Speaker 1: Would you like this about a motherfucker? I ain't? Can 611 00:28:40,480 --> 00:28:44,400 Speaker 1: I take Can I tell you exact moment? Well, okay, 612 00:28:44,840 --> 00:28:47,360 Speaker 1: I was ending up the hotel room with a scrub 613 00:28:48,880 --> 00:28:50,880 Speaker 1: watching these niggas. 614 00:28:50,600 --> 00:28:58,000 Speaker 3: Wing scrub norb just a scrub laying as a dude. 615 00:28:57,720 --> 00:29:00,719 Speaker 1: That I'm thinking back, like wow, like what the hell 616 00:29:00,800 --> 00:29:07,640 Speaker 1: was I doing the time? He would have ship back then. No, 617 00:29:07,880 --> 00:29:11,360 Speaker 1: it ain't no name, this team no name. 618 00:29:12,960 --> 00:29:15,440 Speaker 2: But was in a hotel room with nice so it 619 00:29:15,440 --> 00:29:15,760 Speaker 2: was nice. 620 00:29:15,800 --> 00:29:17,600 Speaker 1: It was a nice room. And I so, I, you know, 621 00:29:17,720 --> 00:29:21,920 Speaker 1: let me hyphen the you know, let me. But yeah, 622 00:29:22,080 --> 00:29:27,040 Speaker 1: now it was it was. It wasn't a bad It 623 00:29:27,120 --> 00:29:28,840 Speaker 1: was just like wow because at the end of the day, 624 00:29:28,920 --> 00:29:31,800 Speaker 1: three sins my is a brand, and you know, me 625 00:29:32,120 --> 00:29:33,760 Speaker 1: wishing that I was a part of that moment in 626 00:29:33,800 --> 00:29:37,600 Speaker 1: the history. Of course, who would not, especially if you 627 00:29:38,400 --> 00:29:42,200 Speaker 1: came up with some motherfuckers as a kid, you know. 628 00:29:42,440 --> 00:29:43,960 Speaker 1: And I was a young adult at the time, and 629 00:29:43,960 --> 00:29:45,680 Speaker 1: I could see a young adul because I was like 630 00:29:46,280 --> 00:29:49,800 Speaker 1: when they did that, I was like, yeah, I forget, 631 00:29:49,880 --> 00:29:52,000 Speaker 1: like I'm thirty eight now, you know. So did you 632 00:29:52,040 --> 00:29:54,040 Speaker 1: call them and congratulate them? I don't eve think I 633 00:29:54,080 --> 00:29:56,200 Speaker 1: had the numbers because once we cut it off, yeah, 634 00:29:56,200 --> 00:29:57,440 Speaker 1: it was all the way. 635 00:29:56,760 --> 00:29:59,160 Speaker 2: Yeah, So it really. 636 00:29:58,960 --> 00:30:02,080 Speaker 3: Wasn't one point, you know, for a span of years, 637 00:30:02,440 --> 00:30:05,920 Speaker 3: it wasn't speaking the juicy j Paul No. 638 00:30:06,240 --> 00:30:07,640 Speaker 1: I hated them for a long time. They hated me 639 00:30:07,680 --> 00:30:09,080 Speaker 1: as well. So it's no, it's like none of that 640 00:30:09,760 --> 00:30:12,080 Speaker 1: Memphis folks, we don't funk. You will fuck with you period. 641 00:30:12,160 --> 00:30:14,320 Speaker 2: Did you say did you stay cool with like the. 642 00:30:15,480 --> 00:30:19,920 Speaker 1: Well Pat wasn't juicy? Yeah, exactly, the have nots. I 643 00:30:19,960 --> 00:30:23,400 Speaker 1: was cool with the have nots. Yeah, you know I was. 644 00:30:23,360 --> 00:30:25,160 Speaker 3: Cool with the have not little white phrase? Is that 645 00:30:25,200 --> 00:30:26,880 Speaker 3: who you when you said have not a little white phrase? 646 00:30:26,960 --> 00:30:29,720 Speaker 1: Boy? I thought you talking about the group that was 647 00:30:29,840 --> 00:30:34,880 Speaker 1: the Yeah, the have nots, the motherfuckers that wasn't getting rich. 648 00:30:36,960 --> 00:30:40,200 Speaker 3: So before Lord, before Lauren Infantus. Now, what was your 649 00:30:40,200 --> 00:30:42,760 Speaker 3: relationship where y'all able to Oh? 650 00:30:42,840 --> 00:30:44,640 Speaker 1: No, we was on the road, that's what's no, that's 651 00:30:44,640 --> 00:30:47,080 Speaker 1: what Yeah, I had that y'all was on the road. 652 00:30:47,120 --> 00:30:48,800 Speaker 1: We was. We had just got back together as the 653 00:30:48,800 --> 00:30:51,840 Speaker 1: Mafia six Paul did. Yeah, we did a dope ass 654 00:30:51,840 --> 00:30:54,720 Speaker 1: project and we went on tour. I was on the 655 00:30:54,760 --> 00:30:57,960 Speaker 1: road with them for like about thirty days. And when 656 00:30:58,000 --> 00:30:59,360 Speaker 1: this tour there was, it was four years ago. And 657 00:30:59,360 --> 00:31:01,479 Speaker 1: it's crazy because it seem like it was yesterday. They 658 00:31:01,560 --> 00:31:03,680 Speaker 1: got a project. Was sick of some motherfucking man, Paul, 659 00:31:03,920 --> 00:31:05,720 Speaker 1: he put his work in and he spent money and 660 00:31:06,160 --> 00:31:08,479 Speaker 1: he didn't even make the money back. So yeah, like 661 00:31:08,640 --> 00:31:11,720 Speaker 1: we had a place where we was not speaking for 662 00:31:11,960 --> 00:31:14,040 Speaker 1: me and him as first for years, but he also 663 00:31:14,080 --> 00:31:16,560 Speaker 1: went speaking to Coop and him. A Lord had issues. 664 00:31:16,600 --> 00:31:18,600 Speaker 1: That's why I said the have nots like no shade 665 00:31:18,600 --> 00:31:21,440 Speaker 1: to them, but we were the have nots, Paul and Juice, 666 00:31:21,480 --> 00:31:23,440 Speaker 1: and they were on some other shit getting rich and 667 00:31:23,640 --> 00:31:26,320 Speaker 1: doing their own thing, and we were in Memphis and 668 00:31:26,360 --> 00:31:28,600 Speaker 1: wherever else doing our own thing, you know what I'm saying. 669 00:31:29,000 --> 00:31:32,000 Speaker 1: So but yeah, we had do We was about to 670 00:31:32,000 --> 00:31:34,000 Speaker 1: get on the road. That was Lord Infamous. That's what 671 00:31:34,080 --> 00:31:36,320 Speaker 1: he wanted to do. You know, that's Paul's nephew. 672 00:31:37,000 --> 00:31:39,360 Speaker 2: Ok you probably love brothers. 673 00:31:40,040 --> 00:31:42,040 Speaker 1: Well, yeah, because it's a different in the age. Lord 674 00:31:42,120 --> 00:31:51,840 Speaker 1: Mom is Paul's sister. Okay, so Lord is older than Paul. No, yeah, yeah, 675 00:31:51,880 --> 00:31:55,120 Speaker 1: So anyway, yeah, you know, we got back together. We 676 00:31:55,160 --> 00:31:57,120 Speaker 1: went on the road, but Lord died before we had 677 00:31:57,160 --> 00:31:59,240 Speaker 1: an opportunity to. He didn't go on the road. So 678 00:31:59,280 --> 00:32:02,240 Speaker 1: we took a casket on tour with us, and we 679 00:32:02,320 --> 00:32:05,400 Speaker 1: had somebody to come out of the casket after the 680 00:32:05,760 --> 00:32:10,440 Speaker 1: like each show with a Lord Infamous mask. So it 681 00:32:10,480 --> 00:32:12,920 Speaker 1: was it was interesting, Yeah, and it was. It was 682 00:32:13,200 --> 00:32:17,120 Speaker 1: well the tour. I honestly feel like, if I can 683 00:32:17,160 --> 00:32:19,600 Speaker 1: do it again, I would because it's like you have 684 00:32:19,640 --> 00:32:23,040 Speaker 1: not been talking to someone that you feel like did 685 00:32:23,120 --> 00:32:25,280 Speaker 1: you wrong or whatever whatever, and then y'all kind of 686 00:32:25,280 --> 00:32:30,200 Speaker 1: get back together randomly. Well I'm speaking of like if 687 00:32:30,240 --> 00:32:31,960 Speaker 1: I could do it over again. But no, if I 688 00:32:31,960 --> 00:32:35,560 Speaker 1: could do with the tour over again with Paul Well 689 00:32:35,600 --> 00:32:38,000 Speaker 1: the moth is six type ship, I probably wouldn't have 690 00:32:38,040 --> 00:32:39,640 Speaker 1: done it so fast. I was like, no, we need 691 00:32:39,680 --> 00:32:42,880 Speaker 1: to like talk about some old issues. It was like 692 00:32:42,960 --> 00:32:45,760 Speaker 1: kind of like you get back with an old boyfriend, 693 00:32:45,880 --> 00:32:47,840 Speaker 1: like you broke up with him ten years ago, and 694 00:32:47,880 --> 00:32:49,760 Speaker 1: you get back with them and don't talk about why 695 00:32:49,840 --> 00:32:51,440 Speaker 1: y'all really broke up to I don't say y'all don't 696 00:32:51,440 --> 00:32:56,200 Speaker 1: even like talk about like why y'all know Lord r 697 00:32:56,600 --> 00:33:00,600 Speaker 1: meshed back together? Yeah, yeah, I kind of and then 698 00:33:00,760 --> 00:33:02,640 Speaker 1: here we are. Then we kind of did this, you know, 699 00:33:02,680 --> 00:33:05,040 Speaker 1: because I left the tour early. They was on the 700 00:33:05,080 --> 00:33:06,480 Speaker 1: road for like with three months or something. It was 701 00:33:06,520 --> 00:33:07,920 Speaker 1: on a long time. I left early, you know what 702 00:33:07,920 --> 00:33:11,560 Speaker 1: I'm saying. It was just it was very just different 703 00:33:11,640 --> 00:33:13,440 Speaker 1: it was, like I said, we just should have talked. 704 00:33:13,480 --> 00:33:15,280 Speaker 1: I say that it was it was fun seeing the 705 00:33:15,280 --> 00:33:17,920 Speaker 1: old fans, I mean seeing the fans come out because 706 00:33:17,960 --> 00:33:20,720 Speaker 1: we have a cult fucking following, you know what I'm saying. 707 00:33:20,800 --> 00:33:24,280 Speaker 1: So that was fun. But you know, it was just 708 00:33:24,320 --> 00:33:27,120 Speaker 1: like I was some hood assiggas. You know what I'm saying, 709 00:33:27,480 --> 00:33:31,200 Speaker 1: street as niggas. You know what I'm saying. 710 00:33:32,600 --> 00:33:35,800 Speaker 2: Why I didn't sing you some hotel fights. 711 00:33:36,320 --> 00:33:37,880 Speaker 1: It was a lot of drinking, and I mean, you know, 712 00:33:37,880 --> 00:33:40,120 Speaker 1: it's just a lot of stuff going on. But I 713 00:33:40,240 --> 00:33:42,760 Speaker 1: would not trade the position I'm in for the like, 714 00:33:42,960 --> 00:33:45,960 Speaker 1: I don't know if we ain't got to do nothing 715 00:33:45,960 --> 00:33:48,320 Speaker 1: else together ever, ever, ever, I can die saying that 716 00:33:48,520 --> 00:33:51,400 Speaker 1: I was a part of three six mother. I got 717 00:33:51,440 --> 00:33:53,840 Speaker 1: pleued for that ship, one of them, and to chase 718 00:33:53,840 --> 00:33:56,280 Speaker 1: the subject in a sense one of my other favorite plecks. 719 00:33:56,320 --> 00:33:58,120 Speaker 1: I got this from working with Outcasts, being on Stack. 720 00:33:59,080 --> 00:34:00,680 Speaker 1: I just beel like, that's you know what I'm saying. 721 00:34:00,680 --> 00:34:02,400 Speaker 1: It's kind of like that's my grammy. Of course I 722 00:34:02,440 --> 00:34:06,760 Speaker 1: won't hire accolades, but that's still an amazing I'm on 723 00:34:06,920 --> 00:34:11,000 Speaker 1: a fucking outcast album. Okay, I'm fucking in three six 724 00:34:11,120 --> 00:34:12,440 Speaker 1: Mafia and. 725 00:34:12,400 --> 00:34:13,400 Speaker 2: That's going down in history. 726 00:34:13,400 --> 00:34:17,120 Speaker 1: That's your proud of that ship. Hell yeah, And that's 727 00:34:17,120 --> 00:34:17,960 Speaker 1: what I'm saying. 728 00:34:18,360 --> 00:34:21,640 Speaker 3: Yes exactly about this Memphis movie because at one time, y'all, 729 00:34:21,840 --> 00:34:23,480 Speaker 3: Memphis was just so hot. 730 00:34:23,280 --> 00:34:26,839 Speaker 2: Between like I mentioned with you all, the whole hypnotized. 731 00:34:26,280 --> 00:34:30,239 Speaker 3: Mine crew, you had a ball and JG. Tommy right, 732 00:34:30,280 --> 00:34:32,240 Speaker 3: the third DJ Squeaky. 733 00:34:32,719 --> 00:34:46,920 Speaker 1: It was just history. But what happened, what happened with 734 00:34:47,040 --> 00:34:49,680 Speaker 1: that whole Memphis? What do you think do you think 735 00:34:49,680 --> 00:34:49,920 Speaker 1: it was? 736 00:34:49,960 --> 00:34:50,400 Speaker 2: Because? 737 00:34:51,200 --> 00:34:51,480 Speaker 1: Uh? 738 00:34:52,000 --> 00:34:54,960 Speaker 3: I mean because from a production standpoint, Juicy J and 739 00:34:55,040 --> 00:34:57,880 Speaker 3: Paul was churning. I know they want doing records for 740 00:34:59,080 --> 00:35:01,400 Speaker 3: you know, balling you and all. It was not that 741 00:35:01,520 --> 00:35:05,120 Speaker 3: they weren't, But that's like what happened with that whole Memphis? 742 00:35:05,200 --> 00:35:07,640 Speaker 3: I mean, because you don't think many just. 743 00:35:07,560 --> 00:35:11,080 Speaker 1: Say, you'll think Dolphin gott it and a Yo, yeah 744 00:35:11,200 --> 00:35:14,960 Speaker 1: I like them. I know, no you see, but yeah, 745 00:35:14,960 --> 00:35:17,560 Speaker 1: I just sing you wanted me to like show. 746 00:35:17,840 --> 00:35:29,160 Speaker 2: You know that. But that was a there was a 747 00:35:29,280 --> 00:35:30,359 Speaker 2: there was a there was a. 748 00:35:30,400 --> 00:35:39,279 Speaker 1: Time that was I like that. Look, I forgot that. 749 00:35:39,280 --> 00:35:40,680 Speaker 2: That's what I wanted some woman. 750 00:35:43,760 --> 00:35:44,680 Speaker 1: About the Memphis movie. 751 00:35:44,800 --> 00:35:47,279 Speaker 3: Yeah, yeah, that that movement was crazy at that time, 752 00:35:47,320 --> 00:35:50,200 Speaker 3: and that's what really set the foundation for for all 753 00:35:50,560 --> 00:35:53,320 Speaker 3: you know, for like you said, God and Dolphin all that. 754 00:35:53,800 --> 00:35:56,520 Speaker 3: But do you think what a lot of your room 755 00:35:56,600 --> 00:35:58,680 Speaker 3: leaving Memphis is that that? Of course that had an 756 00:35:58,680 --> 00:36:01,759 Speaker 3: effect on it, because use everybody bounced up out of there. 757 00:36:01,920 --> 00:36:04,279 Speaker 3: I mean they still have their roofs there. But like 758 00:36:04,360 --> 00:36:06,799 Speaker 3: you say, Paul and Juice left, you left on ball 759 00:36:06,880 --> 00:36:13,239 Speaker 3: and g everybody start coming. Wh Yeah, Well, so do 760 00:36:13,320 --> 00:36:16,600 Speaker 3: you think now with the with with the movement with 761 00:36:16,680 --> 00:36:18,520 Speaker 3: God in them, do you do you see what you 762 00:36:18,640 --> 00:36:21,640 Speaker 3: going back and still having family their friends there. You 763 00:36:21,640 --> 00:36:23,960 Speaker 3: think Memphis will get back to, you know, having that 764 00:36:23,960 --> 00:36:26,200 Speaker 3: that movement like it was in the nineties early two thousand. 765 00:36:26,560 --> 00:36:29,040 Speaker 1: You know what, I don't think nothing can go back 766 00:36:29,120 --> 00:36:32,200 Speaker 1: that old school unless it's like it'll be absolutely where. 767 00:36:32,239 --> 00:36:34,719 Speaker 1: It's kind of like fold Atlanta. If Atlanta went back 768 00:36:34,719 --> 00:36:37,480 Speaker 1: to like freak meeks and like as far as like no, no, no, 769 00:36:37,480 --> 00:36:41,120 Speaker 1: no you okay, okay, thank you. 770 00:36:41,160 --> 00:36:47,680 Speaker 3: Thank you, she said, go ahead, we conversate. 771 00:36:48,800 --> 00:36:52,960 Speaker 1: But you got real that that's right, But I like 772 00:36:53,040 --> 00:36:56,440 Speaker 1: then I forget now, dude. It's just like, man, I 773 00:36:56,480 --> 00:36:59,600 Speaker 1: don't think that Memphis Memphis is a small city. For one. 774 00:36:59,800 --> 00:37:03,240 Speaker 1: We what we ain't in Atlanta, We're not in Houston, 775 00:37:03,440 --> 00:37:06,560 Speaker 1: We're not in LA But we're creatives. And everybody came 776 00:37:06,640 --> 00:37:09,839 Speaker 1: down there and peeped out our ship and went back 777 00:37:09,840 --> 00:37:12,319 Speaker 1: to their home. You know what I'm saying, Somphis will 778 00:37:12,360 --> 00:37:15,040 Speaker 1: always be popping. We will follow We I got ideas, 779 00:37:15,040 --> 00:37:17,840 Speaker 1: Sun Studios, you got Elvis, you got al Green, you 780 00:37:17,880 --> 00:37:22,360 Speaker 1: got you know what I'm saying. You know the Clark 781 00:37:22,360 --> 00:37:25,759 Speaker 1: found My daddy went to Meilrod that's Orange Mountain. See, 782 00:37:25,760 --> 00:37:27,960 Speaker 1: that's what's my recipece of my dad. My dad went 783 00:37:28,000 --> 00:37:30,759 Speaker 1: to Mail Rods. Yeah, my family and peace my dad 784 00:37:30,800 --> 00:37:31,200 Speaker 1: too with it. 785 00:37:31,320 --> 00:37:33,239 Speaker 3: My family, the Clark family, they're from members I know 786 00:37:33,280 --> 00:37:34,320 Speaker 3: all about Shelby County. 787 00:37:35,040 --> 00:37:37,120 Speaker 1: So that's what I'm saying. So it's just kind of 788 00:37:37,160 --> 00:37:40,440 Speaker 1: like I feel like, in a sense, we will always 789 00:37:40,520 --> 00:37:44,640 Speaker 1: be popping creativity, low key ideas. I just feel like 790 00:37:44,680 --> 00:37:49,200 Speaker 1: Memphis people in power or I'm just trying to get 791 00:37:49,200 --> 00:37:52,239 Speaker 1: a royal stage just in general, because it is a 792 00:37:52,239 --> 00:37:54,160 Speaker 1: lot of poverty and Memphis as far as in the blacks. 793 00:37:54,200 --> 00:37:56,720 Speaker 1: For sure, the white people got the most money in town. 794 00:37:56,840 --> 00:37:59,600 Speaker 1: And when you the people that do get the money. 795 00:37:59,760 --> 00:38:02,600 Speaker 1: Of course we leave you better you get murdered that ball. 796 00:38:02,640 --> 00:38:04,360 Speaker 1: But you know what I'm saying, or you're gonna have 797 00:38:04,400 --> 00:38:06,719 Speaker 1: to move to Carville or just you know, it's just 798 00:38:08,440 --> 00:38:12,280 Speaker 1: but the bigger cities have the advantage, which is cool. 799 00:38:12,520 --> 00:38:15,839 Speaker 1: Like and so a lot of times it was cool 800 00:38:15,880 --> 00:38:18,919 Speaker 1: for us to move out to the as right around 801 00:38:18,920 --> 00:38:20,359 Speaker 1: the corner we come to the a m you back 802 00:38:20,400 --> 00:38:22,279 Speaker 1: to the you know what I'm saying. So it's kind 803 00:38:22,320 --> 00:38:24,280 Speaker 1: of like I feel like we always have a movement 804 00:38:24,800 --> 00:38:28,960 Speaker 1: because we originators of a lot of things. We have 805 00:38:29,040 --> 00:38:32,160 Speaker 1: a lot of ideas and uh, you know, it's the culture, 806 00:38:32,239 --> 00:38:33,839 Speaker 1: the roots, you know what I'm saying. 807 00:38:34,000 --> 00:38:36,080 Speaker 3: What was your experience like working with a drum boy 808 00:38:36,160 --> 00:38:37,520 Speaker 3: rest in peace in Saint Wayne. 809 00:38:39,040 --> 00:38:40,600 Speaker 2: But with drummer boy because he. 810 00:38:41,400 --> 00:38:45,280 Speaker 1: So exactly and his parents and you know his daddy. 811 00:38:44,960 --> 00:38:51,200 Speaker 2: Was orchestra, Yeah exactly, drummer boy hit good dude. 812 00:38:51,360 --> 00:38:53,600 Speaker 1: Actually I'm going to see him when I leave here. 813 00:38:56,360 --> 00:38:59,920 Speaker 3: So how does that experience because he drum Are you 814 00:39:00,120 --> 00:39:02,840 Speaker 3: with something that that's a perfect segue until you talking 815 00:39:02,840 --> 00:39:05,239 Speaker 3: about somebody new ship? 816 00:39:05,360 --> 00:39:05,600 Speaker 1: Is this? 817 00:39:06,040 --> 00:39:11,200 Speaker 3: We got gangstable music coming up? Drama boy, Well, I'm 818 00:39:11,200 --> 00:39:13,560 Speaker 3: sure not just because I was coming up. 819 00:39:15,560 --> 00:39:17,560 Speaker 1: I've been working with Druma for so long, like for 820 00:39:17,640 --> 00:39:19,320 Speaker 1: so many years. It's kind of like, you know what 821 00:39:19,320 --> 00:39:22,319 Speaker 1: I'm saying. We it's like we in our we're in 822 00:39:22,360 --> 00:39:26,480 Speaker 1: our friends spot right now. We're not in a producer artists. Yeah, 823 00:39:26,600 --> 00:39:29,279 Speaker 1: we we start we started out as friends obviously, then 824 00:39:29,280 --> 00:39:32,080 Speaker 1: we got onto you know, artists producer type ship, and 825 00:39:32,120 --> 00:39:34,160 Speaker 1: now we're just back friends and I miss my friend 826 00:39:34,200 --> 00:39:36,400 Speaker 1: and you know what I'm saying. So I'm comfortable in 827 00:39:36,440 --> 00:39:40,440 Speaker 1: that spot because with drum he loves to do multiple things. 828 00:39:40,760 --> 00:39:45,560 Speaker 1: He's the king of being overwhelmed. He is the most overworking, 829 00:39:45,880 --> 00:39:51,279 Speaker 1: hard worker, fucking strong, little motherfucker that I know. You 830 00:39:51,320 --> 00:39:53,799 Speaker 1: know what I'm saying. So, but but that ain't what 831 00:39:53,880 --> 00:39:56,120 Speaker 1: I need is production like I want to I would 832 00:39:56,160 --> 00:39:58,399 Speaker 1: like I want to be produced, so like I need 833 00:39:58,480 --> 00:40:00,839 Speaker 1: that time and right now, like which is you know 834 00:40:01,200 --> 00:40:03,880 Speaker 1: you need to be coddled and really now on this 835 00:40:04,040 --> 00:40:07,160 Speaker 1: because but what the thing is, dude, I shared you know, 836 00:40:07,239 --> 00:40:08,759 Speaker 1: I don't know it all. You know what I'm saying, 837 00:40:08,800 --> 00:40:11,920 Speaker 1: I'm smart fuck not, No, well, I do know a 838 00:40:11,960 --> 00:40:14,960 Speaker 1: lot and I can't fucking teach game to the lane. 839 00:40:15,080 --> 00:40:18,759 Speaker 1: So some prods that I love to be coached as well, 840 00:40:18,800 --> 00:40:22,680 Speaker 1: you know what I'm saying. And you know, we got 841 00:40:22,680 --> 00:40:25,879 Speaker 1: a project coming out. It's our underground cassette tape Music 842 00:40:25,920 --> 00:40:28,839 Speaker 1: and it's part two. We dropped part one a couple 843 00:40:28,880 --> 00:40:32,080 Speaker 1: of years ago. Yeah, and we didn't have a publicist 844 00:40:32,160 --> 00:40:33,719 Speaker 1: or nothing. We just did it. We didn't even know 845 00:40:33,760 --> 00:40:36,880 Speaker 1: each other. We met online, we didn't even meet. We 846 00:40:36,880 --> 00:40:39,080 Speaker 1: were just sitting the songs back and forth. That motherfuckers 847 00:40:39,120 --> 00:40:41,879 Speaker 1: is a rolling Stone. I'm talking about every block people 848 00:40:41,920 --> 00:40:43,920 Speaker 1: pay to be in. With the publicist, we were in 849 00:40:44,000 --> 00:40:47,640 Speaker 1: that bitch from Rolling Stone to the MTV, so every 850 00:40:47,760 --> 00:40:50,560 Speaker 1: you know, just all the top notch blocks, and they 851 00:40:50,560 --> 00:40:53,080 Speaker 1: were calling it an album and it was it was 852 00:40:53,160 --> 00:40:56,560 Speaker 1: like unbelievable. So we got back he from Texas by 853 00:40:56,560 --> 00:40:59,239 Speaker 1: the way, he had dope ast producer Houston, and so 854 00:40:59,280 --> 00:41:00,800 Speaker 1: we got back together and we're working on the project 855 00:41:00,920 --> 00:41:03,680 Speaker 1: on the Grand Take Music Part two. So I like 856 00:41:03,760 --> 00:41:08,200 Speaker 1: working with him really, girls like nobody would just whoever. 857 00:41:08,280 --> 00:41:10,399 Speaker 1: You know what I'm saying, I don't bring the heat, 858 00:41:10,440 --> 00:41:12,120 Speaker 1: you know what I'm saying. Nobody that's like in particular, 859 00:41:12,200 --> 00:41:18,440 Speaker 1: like I gotta work with them. Okay, Now, I'm now 860 00:41:18,480 --> 00:41:20,760 Speaker 1: that I gotta. I would love to work with Timbaland. 861 00:41:20,800 --> 00:41:26,279 Speaker 1: I would love to work with motherfucking you know, Mike 862 00:41:26,520 --> 00:41:28,880 Speaker 1: Shanoda from Lincoln Park. I would love to work with 863 00:41:28,920 --> 00:41:32,320 Speaker 1: for real. I would love to work with Kanye. I 864 00:41:32,360 --> 00:41:34,279 Speaker 1: would love to work with Jay Z And I would 865 00:41:34,320 --> 00:41:36,839 Speaker 1: love to you know what I'm saying. But do I 866 00:41:36,920 --> 00:41:39,320 Speaker 1: got to now because it's like a lot of Joe blows. 867 00:41:39,400 --> 00:41:44,320 Speaker 1: CEOs are here bumping like a motherfucker. Joe blows the CEOs. 868 00:41:45,560 --> 00:41:47,120 Speaker 1: But no, I kind of like that one Joe blows 869 00:41:47,120 --> 00:41:49,319 Speaker 1: and CEOs exactly. It's a lot of Joe blows. Yeah, 870 00:41:49,680 --> 00:41:51,399 Speaker 1: it's a lot of Joe blows and CEOs. It's hard 871 00:41:51,440 --> 00:41:55,000 Speaker 1: to so it's just whoever bring the heat? But would 872 00:41:57,239 --> 00:42:02,960 Speaker 1: what what? What the artist wise? Music wise? Whatever? What 873 00:42:03,000 --> 00:42:04,640 Speaker 1: are you fucking with hard right now? 874 00:42:04,719 --> 00:42:13,040 Speaker 4: When rip skeptic? 875 00:42:13,719 --> 00:42:21,440 Speaker 1: Yes, yes, skeptic? Yes, baby James, I'm not Jamie Baby? 876 00:42:21,719 --> 00:42:27,880 Speaker 1: Are you married? Boyfriend? Baby? This motherfucker honey, I'm just 877 00:42:28,600 --> 00:42:33,239 Speaker 1: check it out because I gotta yes. But yeah, he's 878 00:42:33,280 --> 00:42:34,960 Speaker 1: where he from, He's not He's from. 879 00:42:35,239 --> 00:42:38,880 Speaker 3: Boring to Nigeria, but raised unless k e p t 880 00:42:39,000 --> 00:42:42,759 Speaker 3: a hardest for y'all here, I gotta go, and. 881 00:42:44,640 --> 00:42:47,480 Speaker 1: It's it's refreshing because he don't sound like he's not 882 00:42:47,600 --> 00:42:49,439 Speaker 1: using autot too. He don't sound like Future, he don't 883 00:42:49,480 --> 00:42:51,680 Speaker 1: sound like Drake, he don't sound like Migos. You know 884 00:42:51,680 --> 00:42:54,520 Speaker 1: what I'm saying. He sounded like a Nigerian London motherfucker. 885 00:42:55,080 --> 00:42:56,319 Speaker 1: You know what I'm saying. It's kind of like a 886 00:42:56,400 --> 00:43:00,000 Speaker 1: Kanye West mixed with a Tupac mixed with a skeptic 887 00:43:00,320 --> 00:43:04,480 Speaker 1: mixed with the South, mixed with like this, he's so 888 00:43:04,640 --> 00:43:08,080 Speaker 1: hard hard like that, yes, because it's it's it's refreshing. 889 00:43:08,080 --> 00:43:11,759 Speaker 1: And he actually been Lon didn't got a scene called 890 00:43:11,760 --> 00:43:14,680 Speaker 1: grime scene and that he's a part of that. He's 891 00:43:14,920 --> 00:43:16,960 Speaker 1: he got like one point two men and follows on Instagram. 892 00:43:17,000 --> 00:43:18,919 Speaker 1: You know what I'm saying. He like a fashion guy, 893 00:43:18,960 --> 00:43:21,120 Speaker 1: but at the same time not on the He is 894 00:43:21,280 --> 00:43:23,759 Speaker 1: very nigga. I'm at the fast show, but nigga, I'm 895 00:43:23,760 --> 00:43:28,480 Speaker 1: also on the train and the hood nigga, Like, yeah, 896 00:43:29,120 --> 00:43:34,399 Speaker 1: what's your legacy is hard? You want your legacy just respectful? 897 00:43:34,600 --> 00:43:36,719 Speaker 1: Like like I said, I want people to know that 898 00:43:37,040 --> 00:43:38,960 Speaker 1: I'm just like everyone else. Man, I'm just trying to 899 00:43:39,000 --> 00:43:41,240 Speaker 1: be better. I'm a work in progress, trust in the process. 900 00:43:41,960 --> 00:43:44,960 Speaker 1: Music legacy, which that's my leg you said my legacy. Period. 901 00:43:46,560 --> 00:43:48,319 Speaker 1: There we go. Well, let me go back to what 902 00:43:48,400 --> 00:43:54,399 Speaker 1: I want. I want my legacy, Lola Mitchell, because that's 903 00:43:54,400 --> 00:43:56,680 Speaker 1: where I am first and foremost. I want my legacy 904 00:43:56,719 --> 00:43:59,000 Speaker 1: to be just a month forget that came in the game. 905 00:43:59,520 --> 00:44:02,439 Speaker 1: Did I'm a the fucking thing is stated the name 906 00:44:02,960 --> 00:44:05,600 Speaker 1: and tried to change the game. I'm from Memphis. Let 907 00:44:05,600 --> 00:44:09,120 Speaker 1: me speak my pimp ship. But as far as baby, yeah, 908 00:44:09,200 --> 00:44:11,480 Speaker 1: but as far as my music, man, I just want 909 00:44:11,520 --> 00:44:14,400 Speaker 1: to I am. That's it going down as a legend. 910 00:44:15,000 --> 00:44:17,160 Speaker 1: Well you're here. Let me tell you something I knew 911 00:44:17,200 --> 00:44:18,400 Speaker 1: this interview is gonna be like this. 912 00:44:19,320 --> 00:44:21,839 Speaker 3: Like I said during the interview, when I first, when 913 00:44:21,840 --> 00:44:26,080 Speaker 3: I first, when I first met her back in the day, 914 00:44:26,560 --> 00:44:29,120 Speaker 3: she was She's a little bit more commonized, but not 915 00:44:29,160 --> 00:44:29,680 Speaker 3: too much. 916 00:44:29,800 --> 00:44:32,800 Speaker 1: But I love her energy of spirits. Yeah, I appreciate 917 00:44:32,840 --> 00:44:34,560 Speaker 1: that so much. But the thing is, I do want 918 00:44:34,600 --> 00:44:36,240 Speaker 1: to say this is because you do have people that's 919 00:44:36,320 --> 00:44:39,440 Speaker 1: gonna see and listen. It's about growth and development, you 920 00:44:39,440 --> 00:44:41,080 Speaker 1: know what I'm saying. Like Sad, I'm a work in progress, 921 00:44:41,200 --> 00:44:43,200 Speaker 1: trusting the process and you just said it to me. 922 00:44:43,239 --> 00:44:45,360 Speaker 1: It was like, she's the same, but she's calmer. I 923 00:44:45,400 --> 00:44:47,040 Speaker 1: had to learn that. I don't want to be a 924 00:44:47,080 --> 00:44:50,040 Speaker 1: ticking time bomb. That's what said. Immaturity and stuff like that, 925 00:44:50,280 --> 00:44:52,640 Speaker 1: and it's lashing out or whatever. And I'm just blessed 926 00:44:52,640 --> 00:44:55,200 Speaker 1: to not have crossed the line to trick myself off 927 00:44:55,200 --> 00:44:56,960 Speaker 1: the streets. You know what I'm saying. I think we 928 00:44:57,040 --> 00:44:59,200 Speaker 1: all kind of go through that, you know, learning and yes, 929 00:45:00,120 --> 00:45:09,160 Speaker 1: here calm and yeah, and it's just about being who 930 00:45:09,200 --> 00:45:16,080 Speaker 1: you are, being true to yourself. And that's really we 931 00:45:16,239 --> 00:45:19,560 Speaker 1: didn't hold that's how So before we get out of 932 00:45:19,560 --> 00:45:22,000 Speaker 1: here and tell everybody, you know, your social media handles 933 00:45:22,000 --> 00:45:24,279 Speaker 1: where they can find your tour dates anything like that, 934 00:45:24,520 --> 00:45:28,919 Speaker 1: gangstable dot com. Excuse me, Oh it wasn't, but yeah, 935 00:45:28,960 --> 00:45:32,640 Speaker 1: thank you gangstable dot com. And that's pretty much everything. 936 00:45:32,719 --> 00:45:36,279 Speaker 1: It's like your handle to Instagram, gangster dot com. I 937 00:45:36,280 --> 00:45:41,200 Speaker 1: got merged and you know, well what I'm saying is 938 00:45:41,239 --> 00:45:46,440 Speaker 1: the gangstable dot com. Yeah, like as soon as you 939 00:45:46,440 --> 00:45:48,880 Speaker 1: go to gangstable dot com, you instantly it's like my 940 00:45:49,200 --> 00:45:52,319 Speaker 1: it's my Instagram feet okay, and see, you know some 941 00:45:52,360 --> 00:45:56,719 Speaker 1: people don't have like I wasn't like, like, is that 942 00:45:56,800 --> 00:45:59,960 Speaker 1: my Twitter different from my Instagram? My Instagram different from 943 00:46:00,520 --> 00:46:02,680 Speaker 1: I wish everything was gagsable so I can just make 944 00:46:02,719 --> 00:46:04,840 Speaker 1: it simple. So that's why I made gastable dot com. 945 00:46:07,320 --> 00:46:11,880 Speaker 1: Like my Instagram is miss Yeah, my Twitter, Miss Ye, 946 00:46:12,320 --> 00:46:17,600 Speaker 1: Miss yeah yeah, Miss Yeah, and my s s y 947 00:46:17,680 --> 00:46:21,560 Speaker 1: E A h O E Jamie Page Miss Jamie Page 948 00:46:21,600 --> 00:46:23,240 Speaker 1: on Instagram, and I'm. 949 00:46:23,080 --> 00:46:28,359 Speaker 2: Big Jerry Clark. Please whatever you do, uh. 950 00:46:28,200 --> 00:46:31,560 Speaker 3: Go subscribe on YouTube, Legendary Jerry Podcast and our social 951 00:46:31,640 --> 00:46:36,120 Speaker 3: media handles the same legend j Podcast Twitter all that. 952 00:46:36,400 --> 00:46:41,759 Speaker 3: So before we sign off, Miss Jamie Page, Miss Gangstable, 953 00:46:42,280 --> 00:46:44,480 Speaker 3: I am Jerry Clark, and I of course I dedicate 954 00:46:44,520 --> 00:46:46,759 Speaker 3: the show to two people, my brother and my friend 955 00:46:46,880 --> 00:46:50,319 Speaker 3: mister Shaki Stewart, and of course, of course rest the 956 00:46:50,320 --> 00:46:52,160 Speaker 3: piece of my father, mister Thomas Clark. 957 00:46:52,280 --> 00:46:54,359 Speaker 2: I love you, play boy, and we're out. 958 00:46:55,080 --> 00:46:55,560 Speaker 1: God bless. 959 00:47:01,560 --> 00:47:04,040 Speaker 2: Storytime with the Legendary Jerry's hosted by me. 960 00:47:04,760 --> 00:47:09,680 Speaker 3: The one and only Jerry Clark. Music has been provided 961 00:47:09,719 --> 00:47:15,240 Speaker 3: by July the Producer. If you haven't already, please please 962 00:47:15,320 --> 00:47:18,480 Speaker 3: make sure you subscribe to Storytime with the Legendary Jerry 963 00:47:18,800 --> 00:47:22,399 Speaker 3: on YouTube and wherever you listen to podcasts and make 964 00:47:22,440 --> 00:47:26,160 Speaker 3: sure you follow us on all social media platforms at 965 00:47:26,280 --> 00:47:30,000 Speaker 3: the Legendary Jerry podcast. For more podcasts from my Heart Media, 966 00:47:30,080 --> 00:47:32,919 Speaker 3: visit the iHeartRadio app, Apple Podcasts, or wherever you listen 967 00:47:32,960 --> 00:47:34,160 Speaker 3: to your favorite shows.