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Speaker 1: I am all in. Oh, let's just you. I am

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Speaker 1: all in? What Scott Patterson and I Heart Radio podcast?

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Speaker 1: All right, hey, everybody, Scott Patterson here and this is

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Speaker 1: the I Am All In Podcast. I Heart Radio one

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Speaker 1: eleven Productions. We've got two really special guests coming on

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Speaker 1: at the same time. My old buddy James Pettitt from

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Speaker 1: Warner Brothers. He's ahead of marketing and also he's bringing

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Speaker 1: with him um a wonderful actor named Carl Wright who

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Speaker 1: played the Harvard professor in this episode, and I think

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Speaker 1: in one other episode. And uh so, guys, let's let's

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Speaker 1: get into this episode a little bit. What do you think?

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Speaker 1: H Yes, I love this episode. Did you already recap

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Speaker 1: it at the beginning? Did I miss anything? No? No,

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Speaker 1: you're your first up, buddy, You're you guys are first up.

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Speaker 1: So I think I actually wrote this brief synopsis back

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Speaker 1: when I was at the w B network, so I

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Speaker 1: will read it quickly. With the wedding canceled, Laura Lai

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Speaker 1: is eager to escape the sympathies of everyone in Stars Hollow,

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Speaker 1: so she and Rory take off on a road trip

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Speaker 1: that ultimately leads to Harvard University. While Rory confronts her

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Speaker 1: dreams of college life. Laura Lia ponders what might have been.

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Speaker 1: But there's more. There's this whole thing where she hasn't

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Speaker 1: told you Luke about not getting married. Right. You know,

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Speaker 1: I thought the episode started. I thought the episode started off. Okay,

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Speaker 1: I did uh bristle a bit on the lauralized criticisms

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Speaker 1: of country music, and you know, I didn't. And I

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Speaker 1: was like, oh, I know. But it's like, as a

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Speaker 1: you know, the producer in me, I was saying, why

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Speaker 1: are you alienating the most uh popular form of music

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Speaker 1: in the world right now or or or you know,

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Speaker 1: I didn't get that, and I think that's the iconoclastic

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Speaker 1: nature of the creator. Um. But it's like as a producer,

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Speaker 1: and I think this is where the studio may have

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Speaker 1: pushed back on her and said, listen, why are we

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Speaker 1: alienating half the world here? We want people to watch

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Speaker 1: the show. We don't want to lead character to trash

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Speaker 1: country music because I mean there's a lot of great

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Speaker 1: country music. I mean, there's a lot of great rock music.

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Speaker 1: There's a lot of right in every genre. There's like,

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Speaker 1: you know, the bad part of it, there's a good

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Speaker 1: part of it. But Um, I had no idea that

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Speaker 1: Jodie and the Blowfish with country music because that's what

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Speaker 1: they know. It wasn't what didn't start out that way.

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Speaker 1: It had maybe a flavor because I think he's from there,

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Speaker 1: from North Carolina or something. But it was more it

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Speaker 1: was more kind of rock, kind of country is rock

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Speaker 1: sort of a little bit um but like Dave Matthews

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Speaker 1: kind of stuff. But but he became a country star.

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Speaker 1: Darius Rucker became a country star, you know the last

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Speaker 1: yeah yeah, um, but anyway, and he's great as they

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Speaker 1: also they also said a C. D C. Highway to

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Speaker 1: Hell was their song, and I was like, yes, I

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Speaker 1: get that question. For a road trip, that is a

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Speaker 1: good song. But don't you think that that's you know,

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Speaker 1: just the characters. I mean, they wouldn't like where they were,

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Speaker 1: they would they wouldn't like, you know, country music. I

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Speaker 1: think it reveals a Northeastern elitism, snobbishness that is a

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Speaker 1: turn off to a lot of people, which can masquerade

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Speaker 1: as somehow appealing. It's like appealing in some way. Oh yeah,

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Speaker 1: they're like snooty Northeasterners who hate country music. Well you know,

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Speaker 1: well that's so appealing some yeah, and some form. That's

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Speaker 1: funny because okay, watch Gilba Girls on Wednesday nights on

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Speaker 1: the w B and then watch Reba on Thursday. So

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Speaker 1: I think, you know, probably Lou and Bob remember, remember

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Speaker 1: they probably had something. They probably had something to say

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Speaker 1: about it. But it's like, you know, try to get

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Speaker 1: Amy to change dialogue. It's like, guys, you know, do

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Speaker 1: we want to cut out half the country here? It's

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Speaker 1: like click, Well, but the engagement was off. Now that's

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Speaker 1: the point of the whole episode, that engagement. Max. Are

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Speaker 1: you trying to get me off the subject? Chamee I am.

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Speaker 1: I'm like, you're done with country? There he goes. James

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Speaker 1: is directing them. That's what he does so well, I

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Speaker 1: want to get to your super pivotal scene. It's like

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Speaker 1: almost a character change for you. Like I was like,

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Speaker 1: who is this nice person? But we'll get to that.

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Speaker 1: I'll get there. But anyway, So so the thing that

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Speaker 1: that really stuck out to me other than why are

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Speaker 1: you trashing country music because I'm a fan of country music?

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Speaker 1: Um is it was hard. I think they won. They won,

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Speaker 1: They won the war with just the two of them together.

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Speaker 1: It's like I kept thinking, are they going to be

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Speaker 1: able to carry the episode because nobody else is in

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Speaker 1: the episode. We're not in stars Hollow, this is unfamiliar territory.

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Speaker 1: So how how is this going to be rectified? I mean,

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Speaker 1: this better be some pretty great stuff if we're just

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Speaker 1: going to be spending time with those two. And another

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Speaker 1: thing that I felt, um and and they did at

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Speaker 1: in places and I was pretty satisfied most of the way.

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Speaker 1: But another thing that I felt, I thought that fight

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Speaker 1: in the in the bed and breakfast between mother and

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Speaker 1: daughter was a little forced. I mean, it just can't

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Speaker 1: kind of came out of nowhere, you know. So for me,

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Speaker 1: it felt like it was like, oh, we need them

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Speaker 1: to have some conflict here, and they just kind of

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Speaker 1: forced it on us because it just happened so fast.

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Speaker 1: I mean, Laurel, I went from being and I get it.

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Speaker 1: You know, they're hungry, they haven't eaten, They're gonna be snappy.

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Speaker 1: But I mean that was that was a that was

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Speaker 1: a brutal fight. What did you think? Did you? Did

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Speaker 1: you have any kind of opinion on that? No? I

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Speaker 1: was actually intrigued by their relationship in it. I'm like

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Speaker 1: the SERTs were a nice throwback for me. That she

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Speaker 1: hadn't her purse, that she was gonna feed Rory, and

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Speaker 1: that they had like hair or something fuzzy on them. Um.

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Speaker 1: And so the whole like wacky Ben and Breakfast person

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Speaker 1: that had that cheshire cat was the name of the place,

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Speaker 1: and um, the Annabelle dolls in the background, you know,

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Speaker 1: those spooky dolls. I just felt like that wacky character

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Speaker 1: could have been out of Stars Hollow and it fits so.

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Speaker 1: And we had never met that person before. Her name

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Speaker 1: was like La Dawn or something like that. And I

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Speaker 1: felt like, you know, the relationship was snarky, as it

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Speaker 1: usually is, because you know, they got into the Bed

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Speaker 1: and Breakfast, they checked in to their room and it

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Speaker 1: was like all these flowers like Laura Ashley threw up everywhere,

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Speaker 1: and they made fun of it, and I get it,

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Speaker 1: and I wouldn't make fun of it too, but they,

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Speaker 1: you know, they didn't want to sleep there first, and

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Speaker 1: so the fight was like, I didn't seem that forced.

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Speaker 1: It just seemed like to me, it was it was good,

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Speaker 1: it was fine. I know you thought it was felt.

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Speaker 1: I felt it was a little forced. Yeah, it was

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Speaker 1: like and Rory had a good point. I mean, it's

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Speaker 1: like you're my best friend and we can talk about anything,

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Speaker 1: and all of a sudden, I want to talk about something,

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Speaker 1: you snap out on me and you know, just turn

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Speaker 1: your back on me and go to bed and scream

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Speaker 1: at me. And it's like Jesus, that's like, well, that

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Speaker 1: happens sometimes in relationships. Yeah. I think you find out

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Speaker 1: a lot about people and they act a little bit

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Speaker 1: different when you travel with people. I mean sometimes you

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Speaker 1: can go places and not you know, you're friends with

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Speaker 1: somebody all the time, but then when you're with them

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Speaker 1: all day, all night, and you realize, oh, I don't

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Speaker 1: I don't. I don't want to go see everything every

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Speaker 1: every few minutes. I want to do something a little

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Speaker 1: bit differently. It kind of brings out different aspects of

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Speaker 1: your relationship that you examine differently, you know. Yeah, all right, Scott,

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Speaker 1: that's how I That's how I felt about you when

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Speaker 1: I traveled with you. But and then I was like,

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Speaker 1: I want to do this again. I want to do

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Speaker 1: this again. Let's go, let's go Atlanta, let's go through.

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Speaker 1: Let's go meet your old coach at Atlanta. Yeah. Yeah,

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Speaker 1: by the way, yeah, they won the World Series, James

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Speaker 1: is like what they want what the World series ended.

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Speaker 1: Since they haven't had a World series, right, why didn't

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Speaker 1: we go to that? We should have went to that game.

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Speaker 1: Like I take you to the games that are not important.

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Speaker 1: I guess I don't think you can get a ticket

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Speaker 1: to the good games. They're all good games down there.

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Speaker 1: We had a great time down there. Anyway, Congrats to

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Speaker 1: Brian Snitker, the Atlanta Braves, the entire organization, Rest in peace.

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Speaker 1: Hank Karon Um, Yeah, you know, these were these were

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Speaker 1: people that I signed with originally, uh in and back.

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Speaker 1: I came up through their system before they traded me.

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Speaker 1: Oh my god, I will never get rid of I

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Speaker 1: will never get rid of your baseball card. It's the

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Speaker 1: cutest thing ever. Okay, but anyway, back to the episode.

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Speaker 1: Uh you also try to find Scott's baseball card. It's amazing.

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Speaker 1: What's it worth right now? Do you know, Scotty? Okay,

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Speaker 1: back to the episode. So Melissa McCarthy I love is

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Speaker 1: in this episode two because there's a pivotal moment about her.

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Speaker 1: Now she's making this this wedding cake that moral I says, oh,

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Speaker 1: don't worry about the cake, and she's like okay, and

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Speaker 1: she's actually making it and it's like four tiers high

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Speaker 1: and she names it Clyde and then she's like, you

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Speaker 1: need to tell um, you need to tell Luke for me.

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Speaker 1: So she goes to the cafe. Suki goes to the

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Speaker 1: cafe and she has to tell you the news. Now

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Speaker 1: you remember what the news was. It was Max and

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Speaker 1: the weddings off. But what did you do? You remember

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Speaker 1: that scene in the in the cafe at all? I don't.

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Speaker 1: I don't remember it. But um, I was relieved to

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Speaker 1: be back and Stars Hollow as a fan of the show.

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Speaker 1: Now that I'm seeing, okay, get me back to Stars Hollow,

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Speaker 1: I like being I like being with these two. Um.

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Speaker 1: You know, they don't want to mix with the bed

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Speaker 1: and breakfast crowd ha ha. But they were perfectly nice people,

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Speaker 1: and Rory was trapped by the young and the young

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Speaker 1: the older couple sitting down grilling her about her boyfriend

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Speaker 1: and what she's where She's going to call the whole thing.

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Speaker 1: And they were wonderful actors. They were hysterically funny. Um.

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Speaker 1: But again, this kind of elitism was is washing over

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Speaker 1: them where they're I don't know, they're too good to

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Speaker 1: talk to normal people. And it's like, how is that appealing?

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Speaker 1: And that's kind of through the lens. I was looking

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Speaker 1: at a throw and I know they wanted to get

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Speaker 1: out and they wanted to you know, they didn't want

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Speaker 1: to get trapped by a group of people. Would be

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Speaker 1: but it wasn't that big of a deal. You just,

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Speaker 1: you know, just be nice to people. I guess I'm

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Speaker 1: getting preachy. I totally get it. But so anyway, so

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Speaker 1: they so, so let's go, We're back and starts hollow.

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Speaker 1: But I like but I like the road trip part

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Speaker 1: of it. It got better for me the closer they

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Speaker 1: get to Harvard. When they finally get to Harvard, that's

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Speaker 1: when the episode started kicking in for me, because now

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Speaker 1: we're seeing all the dreams and the aspirations and all that.

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Speaker 1: So what I'm doing is the set up to all

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Speaker 1: that for me was problematic, and I would have had

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Speaker 1: I been a studio executive or I had been an editor,

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Speaker 1: I would have maybe said, look, can we dial back

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Speaker 1: on this, or can we edit this out or something,

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Speaker 1: because it's to protect the characters anyway, that's not my job.

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Speaker 1: But now I can voice my opinion. I am. I'm

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Speaker 1: gonna get a lot of emails about this. They're not

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Speaker 1: going to be terribly friendly, but that's just how I

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Speaker 1: feel about it. But I really thought that the setup

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Speaker 1: was a little bit clumsy, entertaining and funny. Sure, beautifully acted. Yeah,

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Speaker 1: but now we get to Harvard finally, right, and it's like,

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Speaker 1: now it kicks in. All the dreams and aspirations of

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Speaker 1: Rory's future are being breathed with all this fraction, with

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Speaker 1: all this fresh Harvard oxygen, and then all of of

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Speaker 1: lauralized potential from the past has dried up and it's

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Speaker 1: presented to her in those photos of Valde, the Valdive, Valive,

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Speaker 1: valid Valdive, Victorian ey for me to say, and those

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Speaker 1: moments she has looking off like what could have been?

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Speaker 1: And I'm smart, and I'm you know, I'm very bright,

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Speaker 1: and I could have done this, but now I want

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Speaker 1: this for my daughter. So those those were very compelling

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Speaker 1: moments and a lot of a lot of great moments

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Speaker 1: with you know, the moment when Rory went into the

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Speaker 1: class and started discussing stoicism with Carl What was that like?

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Speaker 1: Tell us about that, Carl Um, Well, what I will

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Speaker 1: tell you is that I think I was shooting this

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Speaker 1: on my birthday um, so that was kind of cool. Um.

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Speaker 1: But I do remember I was up there doing that

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Speaker 1: speech all day, like for every single take, every single shot.

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Speaker 1: They needed me to give that speech over and over

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Speaker 1: and over again. At least a hundred times I did

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Speaker 1: that speech. UM, so I knew it by heart. And

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Speaker 1: there was a really nice lady who was a makeup woman.

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Speaker 1: I don't remember what her name was. She had like

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Speaker 1: brown hair, she's kind of tall. She came up and

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Speaker 1: she said, you're so good, you should have your own show.

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Speaker 1: When I said thanks, but they never got my my

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Speaker 1: close up. I'm like waiting, I'm like giving up this.

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Speaker 1: By the way, Carl, you know I agree with her. Yes,

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Speaker 1: But they used to tell that to everybody, so they

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Speaker 1: wouldn't call that exactly if we had a director that

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Speaker 1: wouldn't stop doing takes, you know, they'd see if start

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Speaker 1: fading and they come up and say, you know what,

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Speaker 1: you're so good you should have your own show. You'd

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Speaker 1: perk up a little like, isn't she great? I'm kidding

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Speaker 1: you should? You should know. It worked. It worked, though,

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Speaker 1: Keep me going, keep me going. So um. But there's

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Speaker 1: an interesting thing in this this episode that I remember

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Speaker 1: that the other student that she's talking to the Asian

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Speaker 1: MASSI okas like it's Massy Coca from Heroes, right, So

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Speaker 1: like we had kind of be into each other because

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Speaker 1: you know, when your guest cast, the guest cast hangs out,

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Speaker 1: the main cast hangs out. So we talked and we'd

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Speaker 1: hang out. And then fast forward three four years. He

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Speaker 1: does Heroes and I do Heroes, and I'm like, wow,

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Speaker 1: he went from being like the last person on the

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Speaker 1: call list to like the biggest part of the whole show.

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Speaker 1: And um, but he was such a really nice guy

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Speaker 1: and really funny and um. You know that that scene

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Speaker 1: was really interesting to watch Alexis do because it was

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Speaker 1: really all her, you know, And I remember that day

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Speaker 1: like people were kind of like giving her space. They

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Speaker 1: were like, don't don't bother her because she kind of

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Speaker 1: had to do a lot. And um, but she was

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Speaker 1: really really nice. It wasn't that big of a scene.

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Speaker 1: She had a couple of lines of dialogue. It wasn't

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Speaker 1: that big of a but he did a lot of

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Speaker 1: stuff other than that within the campus because we were

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Speaker 1: at U c. L A. You know, that's where that was.

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Speaker 1: Obviously it wasn't Harvard. It was too sunny, yeah exactly,

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Speaker 1: and they didn't have the old you know, gothic uh

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Speaker 1: buildings around Yeah. Yeah, but but yeah, they shot a

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Speaker 1: lot of stuff that day. So because we're moving around

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Speaker 1: and I'm sure you had this all the time, you

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Speaker 1: gotta shoot it right, get it right. And I do

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Speaker 1: remember when I auditioned for this, Um, Jamie Rodowski, who

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Speaker 1: I'm actually taking classes with, she told me to said hello,

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Speaker 1: he said, h yeah, I definitely will. I remember when

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Speaker 1: I went in. Just before I went in, she stopped me.

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Speaker 1: She said, just talk as fast as you can. Say

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Speaker 1: as fast as you can said okay, exactly, the perfect note,

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Speaker 1: and like, great, you got it. Yeah, that's what they do. Yeah,

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Speaker 1: because it's that's different than any other show. You don't

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Speaker 1: they don't want you to say it as fast as

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Speaker 1: you can. So um, and that's part of the humor

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Speaker 1: of the show that just works. It's it's so cool. Well,

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Speaker 1: they've got eighty pages of black ink, which is all

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Speaker 1: dialogue to fit into what forty minutes, James, you're doing

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Speaker 1: twenty minutes of commercials right, Oh yes, yeah, so that's

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Speaker 1: forty minutes. You gotta get any pages? Yeah, yeah, so

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Speaker 1: you gotta talk twice as fast as anybody else on

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Speaker 1: any other show. And hey, James, has it changed in syndication.

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Speaker 1: They still have the same amount of time, same amount. Yeah,

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Speaker 1: it's not longer or shorter. Same Yes, And it's on

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Speaker 1: up TV, America's cable network. So anyway, so they so

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Speaker 1: they go to Harvard. They have all those great moments, right,

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Speaker 1: and we now see that Rory is capable of handling

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Speaker 1: IVY League um uh an IVY league education. She's what

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Speaker 1: she's junior now at this point, she's a soft more jr.

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Speaker 1: She's a junior? Is she a junior? We're gonna get

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Speaker 1: fact checked on this, Like, I'm pretty sure because that

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Speaker 1: one lane set off sent off to Korea and she

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Speaker 1: comes back in this episode. Yes, so is that? Is

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Speaker 1: she a sophomore? I think it was really early. I

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Speaker 1: think she was. I think she had two more years.

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Speaker 1: I think she's a sophomore. She's got two more year.

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Speaker 1: So there she is, as a sophomore at a in

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Speaker 1: a Harvard class, you know, discussing It was a philosophy

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Speaker 1: class discussing stoicism, Yeah, which I had never heard of before,

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Speaker 1: and being corrected by you, you corrected her, I did,

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Speaker 1: and and I had to, I will just say this

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Speaker 1: real quickly. I looked, I did. I researched that that

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Speaker 1: what that is. I wrote out the script so I

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Speaker 1: knew it back and forth. I knew who this character was,

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Speaker 1: this this man I can't even think of his name

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Speaker 1: right now, um, but back then I knew it backwards

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Speaker 1: and words. And I could have said even more if

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Speaker 1: I had to, just in case, because this was like

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Speaker 1: big deals, right, just in case you had to improv,

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Speaker 1: which was never gonna happen on that show, right exactly,

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Speaker 1: but it has happened on others. We were we had

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Speaker 1: a kid. We had a kid come in the diner

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Speaker 1: at one line, just some young kid. He's energetic, nice kid,

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Speaker 1: good actor, came in and he started doing a whole monologue.

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Speaker 1: He thought it was this big chance, and he did

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Speaker 1: this in rehearsal, and I tried to warn him. I said, listen,

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Speaker 1: you're you're a nice kid and everything, but don't do that, okay,

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Speaker 1: because they're just gonna cut it and then they're gonna

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Speaker 1: not hire you again. And it's like, don't just come

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Speaker 1: say the line, do that, And then the first take came,

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Speaker 1: he did his whole monologue again he really just you know,

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Speaker 1: he was so busting out with energy and I just said, guy,

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Speaker 1: he can't do. That's wasting time, which wastes money on set,

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Speaker 1: which we didn't have. We didn't have huge amounts of

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Speaker 1: money and we didn't have huge amounts of time. We

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Speaker 1: had time, but you know, the time was expensive, you know,

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Speaker 1: I mean that was when it was still filmed. Yeah, right,

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Speaker 1: working on the lot point, working on the Warner Brothers lot.

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Speaker 1: Gilmore Girls was the very last show, always to wrap

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Speaker 1: every night, like we would be doing Friends episodes that

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Speaker 1: sometimes went to like ten eleven PM and then drive

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Speaker 1: out like leave and you all still had camera setup

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Speaker 1: still going. Every night. Every Batman would leave, you know,

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Speaker 1: the films with the Oceans eleven would leave, we would

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Speaker 1: still be there. It's like we'd wave good bye to

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Speaker 1: Brad pet bye. We're gonna be here for another couple

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Speaker 1: of hours. Scott. Can I ask you, like what it

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Speaker 1: was like to have all that copy? I mean you

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Speaker 1: didn't start did you start off as an actor? What

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Speaker 1: do you mean? Did I start off? When when you

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Speaker 1: came from baseball? Did you did you always like I

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Speaker 1: want to be an actor? Oh? No, no, for me,

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Speaker 1: it was always writing. And then after baseball, I got

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Speaker 1: I got into I Want. I moved to New York

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Speaker 1: and studied, studies, studied and at a theater company and

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Speaker 1: the whole thing. So I was prepared, you know, I

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Speaker 1: knew how, I knew what I was doing. I was

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Speaker 1: trained and uh, somewhat professional, i'd like to say, But

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Speaker 1: the but the die, you know, the dialogue wasn't daunting

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Speaker 1: to me because I've been doing Shakespeare for several years,

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Speaker 1: and you know, if you can tackle that, you can

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Speaker 1: pretty much do anything. And that's what I always recommend

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Speaker 1: young actress to do, and actresses is getting naily Shakespeare

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Speaker 1: because if if you can do that, there's nothing more challenging.

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Speaker 1: Actually it's it's not even terribly challenging once you understand

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Speaker 1: the story, because there's such an emotional logic to the

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Speaker 1: dialogue Shakespeare's dialogue that it's easy to remember. It sticks

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Speaker 1: with you. Um, of course you have to do it

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Speaker 1: over and over and over again. But I mean, once

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Speaker 1: you've got it, you've got it. I mean, you know,

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Speaker 1: I can still recite some of those long speeches from Hamlet. Um,

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Speaker 1: it's been twenty years since I even thought about it.

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Speaker 1: So um, yeah, so yeah, that that wasn't the problem.

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Speaker 1: I think that's probably how I got the job. Yeah,

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Speaker 1: it is a facility with the dialogue. Because I went

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Speaker 1: in there and just sort of nailed nailed, nailed, nailed.

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Speaker 1: It was not a big deal. I think other actors

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Speaker 1: went in and they maybe struggled a little bit with

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Speaker 1: the pace and the whole thing. So for me, it

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Speaker 1: was just it wasn't that hard, you know. Anyway. Um, anyway,

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Speaker 1: so so we're back. So where are we in the episode? Now? Okay,

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Speaker 1: so we're we're at campus. Laura Lae is like living

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Speaker 1: her what could have been moment and she gets hit

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Speaker 1: on by like a college Oh that was hysterical. Did

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Speaker 1: you not love that? God? I thought that that was

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Speaker 1: so pithy. See that's that's Lauren Graham at her best.

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Speaker 1: You know, it's like she did that happened for her.

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Speaker 1: A couple of those scenes happened, like with the girls

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Speaker 1: in the hallway, you know, she did that stick, which

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Speaker 1: she was like, and then that's Laura at her best.

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Speaker 1: Rory says, mom, your your college gab comes from happy

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Speaker 1: days and Valley girls so funny, and those girls could

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Speaker 1: not like leave her fast. Enough. They were like, you're

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Speaker 1: just a weirdo. And then and then they go in

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Speaker 1: invade the girls empty room and say, not going there

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Speaker 1: to I want to take a picture. You're like studying

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Speaker 1: at Harvard. And she's like, she's like a robot that

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Speaker 1: won't stop. And it's just hysterical. And and and then

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Speaker 1: Rory puts her pencil up for the pictures. She goes,

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Speaker 1: what you're writing on air? You do you do in

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Speaker 1: the air? Oh, my gosh, I loved it. It was great. Okay,

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Speaker 1: so but meanwhile, back at Stars Hollow, Scott is serving coffee, uh,

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Speaker 1: Lucas serving coffee to our our little Sean Gunn. And

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Speaker 1: he is, uh having eight refills. I think it was

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Speaker 1: eight refills. And you were very upset about this. You know,

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Speaker 1: I'm in a bad mood, right, I lost my woman.

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Speaker 1: You're taking it out on poor Shawn Gunn, who's actually

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Speaker 1: giving me a lot of business. But wait a minute,

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Speaker 1: these are free refills, right. I don't think he's paying

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Speaker 1: for him. No, he's not. And news has not got

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Speaker 1: to you yet. The weddings off. The whole town knows,

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Speaker 1: but you don't know. I do not know. Yeah, they

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Speaker 1: rolled back in and you know, people were sort of

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Speaker 1: waving their hankies at him, and Sean says, do you

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Speaker 1: need to hug the whole deal? And then you had

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Speaker 1: your pivotal moment at least in my mind, where we

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Speaker 1: got to see a different side of you, and you

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Speaker 1: sparked up and you were like Swede and not grumpy

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Speaker 1: and just really happy his hat. Yeah, like oh my gosh,

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Speaker 1: and you gave him as many three cups of coffee

421
00:24:52,440 --> 00:24:57,479
Speaker 1: as he wanted. It was really nice scene. You just

422
00:24:57,600 --> 00:25:02,600
Speaker 1: like totally changed. I loved it. Like then I wanted

423
00:25:02,600 --> 00:25:04,879
Speaker 1: you with her, Like I was like, I'm all in

424
00:25:05,080 --> 00:25:10,000
Speaker 1: for her, and that's what I'm all about because I was.

425
00:25:10,200 --> 00:25:12,639
Speaker 1: I was a Max fan, you know, I was. You know,

426
00:25:13,240 --> 00:25:15,600
Speaker 1: I wanted her to have love. We all want we

427
00:25:15,640 --> 00:25:17,520
Speaker 1: all want love, and I wanted her to have it.

428
00:25:17,640 --> 00:25:20,119
Speaker 1: Had I known that at the time, James, when we

429
00:25:20,119 --> 00:25:23,800
Speaker 1: were traveling together, I think we would have had a problem.

430
00:25:23,840 --> 00:25:27,480
Speaker 1: Oh well, I bet we'll have a little problem after this,

431
00:25:27,560 --> 00:25:37,400
Speaker 1: but that's it's okay. Come on, you gotta love love.

432
00:25:37,640 --> 00:25:43,119
Speaker 1: Come on, Scottie boyd. Yeah, I do. I do. Scott

433
00:25:43,200 --> 00:25:45,280
Speaker 1: You seem like when he's giving you these compliments, you

434
00:25:45,359 --> 00:25:48,040
Speaker 1: seem just the slightest bit uncomfortable. How did you feel

435
00:25:48,080 --> 00:25:52,399
Speaker 1: about that scene? Well, there's another scene. There's another scene

436
00:25:52,400 --> 00:25:55,399
Speaker 1: that he's very important, and it's the hoopa on the

437
00:25:55,480 --> 00:25:59,760
Speaker 1: lawn that you build for them. And it's a beautiful wood.

438
00:26:00,000 --> 00:26:12,280
Speaker 1: Are I say it? You said hoopa? Oh again? Thank you,

439
00:26:12,600 --> 00:26:17,359
Speaker 1: thank you, Carl, professor um. Yes, So you build this

440
00:26:17,440 --> 00:26:19,760
Speaker 1: and you carve it and there's like goats on it

441
00:26:19,840 --> 00:26:23,439
Speaker 1: and like weird little ribbons that you carved into the

442
00:26:23,480 --> 00:26:26,800
Speaker 1: wood and it's beautiful. Well you didn't really do it,

443
00:26:26,880 --> 00:26:30,840
Speaker 1: but here's the thing. It's a beautiful, beautiful gesture. And

444
00:26:31,000 --> 00:26:35,119
Speaker 1: she comes back to tell you what. Remember, she's not

445
00:26:35,200 --> 00:26:38,240
Speaker 1: gonna like get rid of it. She's gonna keep it, right,

446
00:26:38,320 --> 00:26:40,920
Speaker 1: she'll because I said, all come in the morning and

447
00:26:40,960 --> 00:26:42,480
Speaker 1: move it, or I'll move it now, I'll get it

448
00:26:42,480 --> 00:26:44,439
Speaker 1: out of the yard. And yeah, I didn't move it,

449
00:26:44,480 --> 00:26:46,640
Speaker 1: and I hit myself in the head, like, oh, I'm

450
00:26:46,640 --> 00:26:48,760
Speaker 1: sorry you had to come back and see that, and

451
00:26:48,359 --> 00:26:51,320
Speaker 1: the reminder of what could have been with Max and

452
00:26:51,320 --> 00:26:55,040
Speaker 1: the whole thing. So he's being very self deprecating, I

453
00:26:55,040 --> 00:26:59,120
Speaker 1: guess at that point. So sweet, good job. Yeah, yeah,

454
00:26:59,160 --> 00:27:01,800
Speaker 1: it was you know, it's good writing. What can you say?

455
00:27:02,480 --> 00:27:04,840
Speaker 1: I don't know. So we just were just trying not

456
00:27:04,880 --> 00:27:07,000
Speaker 1: to screw up the lines and and not run into

457
00:27:07,000 --> 00:27:09,919
Speaker 1: the furniture, right, that's her job. Now, do you remember?

458
00:27:09,920 --> 00:27:12,960
Speaker 1: The other pivotal moment in this episode is where Lorelei

459
00:27:13,600 --> 00:27:16,800
Speaker 1: calls Suki after she makes that giant cake she names

460
00:27:16,880 --> 00:27:20,280
Speaker 1: Clyde and she and she I think she asked you, like,

461
00:27:20,400 --> 00:27:24,160
Speaker 1: how do you get a business loan? Right? She comes in. Yeah,

462
00:27:24,160 --> 00:27:26,400
Speaker 1: she finally comes in and there's that scene. Yeah, it's

463
00:27:26,480 --> 00:27:31,359
Speaker 1: very nice. Uh, yeah, it was. It was a nice Uh,

464
00:27:31,600 --> 00:27:34,720
Speaker 1: it was a nice tender scene between those two where

465
00:27:34,760 --> 00:27:38,000
Speaker 1: you know, the feelings are very raw and he's very

466
00:27:38,080 --> 00:27:43,919
Speaker 1: relieved and he's feeling like he's feeling lucky. You know,

467
00:27:44,200 --> 00:27:47,000
Speaker 1: I don't think he feels lucky a lot like he dodged.

468
00:27:49,080 --> 00:27:52,080
Speaker 1: I think it's one of those moments where he, you know,

469
00:27:52,200 --> 00:27:55,640
Speaker 1: he was he he didn't want to admit to himself

470
00:27:55,680 --> 00:27:59,639
Speaker 1: how devastated he was. But once she's back on the

471
00:27:59,680 --> 00:28:03,400
Speaker 1: mark it he's like so happy, so relieved because he's

472
00:28:03,440 --> 00:28:07,080
Speaker 1: got maybe another shot. Well, yeah, and now can you

473
00:28:07,119 --> 00:28:13,600
Speaker 1: please make a move? Thank you? I know it's in

474
00:28:13,640 --> 00:28:17,400
Speaker 1: the writing it's supposed to go for episodes and episodes. Well,

475
00:28:17,440 --> 00:28:19,720
Speaker 1: now that you put it that way, I think I will.

476
00:28:19,840 --> 00:28:23,240
Speaker 1: I think I will. For you, I go back and

477
00:28:23,280 --> 00:28:26,760
Speaker 1: then you get to watch them all differently. Now we'll

478
00:28:26,760 --> 00:28:34,840
Speaker 1: go back and then it'll have changed. I don't even

479
00:28:34,840 --> 00:28:38,720
Speaker 1: remember filming these saints. I do not remember filming this stuff.

480
00:28:38,880 --> 00:28:42,920
Speaker 1: It's like you work, you know, you work so often,

481
00:28:43,760 --> 00:28:47,560
Speaker 1: and you're working your short term memory, right, and because

482
00:28:47,600 --> 00:28:49,400
Speaker 1: you have to write, you got to clear out the

483
00:28:49,480 --> 00:28:51,840
Speaker 1: junk to be able to retain the new stuff the

484
00:28:51,880 --> 00:28:55,320
Speaker 1: next day that you don't I don't remember any of

485
00:28:55,360 --> 00:28:57,560
Speaker 1: this shooting, any of this stuff, and I'm watching it like,

486
00:28:57,760 --> 00:29:03,360
Speaker 1: is that really me? I? So it's it's an odd experience.

487
00:29:03,440 --> 00:29:06,000
Speaker 1: I mean it's it's kind of kind of great because

488
00:29:06,040 --> 00:29:08,400
Speaker 1: it's so far removed from what it happened that I'm

489
00:29:08,440 --> 00:29:11,320
Speaker 1: not sort of you know, I'm not so hyper critical

490
00:29:11,360 --> 00:29:14,760
Speaker 1: of it as I normally would be, but but thank

491
00:29:14,760 --> 00:29:18,200
Speaker 1: you for your kind words. It's uh, they were, you know,

492
00:29:18,240 --> 00:29:20,640
Speaker 1: there were all nice scenes to shoot with Lauren. They

493
00:29:20,680 --> 00:29:23,520
Speaker 1: were all tender and nice and you know, fraught with

494
00:29:23,640 --> 00:29:28,600
Speaker 1: tension and fraught with love, and it's very nice, very nice, experience. Yeah, um,

495
00:29:29,800 --> 00:29:34,360
Speaker 1: and then we how do we wrap up the episode here? Well,

496
00:29:34,560 --> 00:29:38,640
Speaker 1: she goes home and Mom is like, oh, oh god,

497
00:29:38,680 --> 00:29:40,920
Speaker 1: what do you have to tell me? You're showing me

498
00:29:41,120 --> 00:29:45,520
Speaker 1: all these photos on a projector I hate projector I'd

499
00:29:45,600 --> 00:29:47,760
Speaker 1: rather have him in a pile of photos or whatever

500
00:29:47,840 --> 00:29:50,560
Speaker 1: Mom was saying. And then she has to tell her

501
00:29:50,560 --> 00:29:53,840
Speaker 1: mom that the wedding's off finally too, and Mom gets

502
00:29:53,920 --> 00:29:57,680
Speaker 1: upset and Morla I only wants to know what the

503
00:29:57,720 --> 00:30:00,600
Speaker 1: gift is that Mom got her, So she's like, what

504
00:30:00,680 --> 00:30:02,600
Speaker 1: did you get me? Did you get me iced teaspoons?

505
00:30:02,600 --> 00:30:07,640
Speaker 1: Because teaspoons and nice teaspoons like that that fun dialogue

506
00:30:07,680 --> 00:30:10,440
Speaker 1: that always happens on the show. And I don't think

507
00:30:10,480 --> 00:30:13,040
Speaker 1: we find out what that gift is. We do not,

508
00:30:14,200 --> 00:30:16,360
Speaker 1: and I don't think we will. Well maybe we will,

509
00:30:16,520 --> 00:30:19,640
Speaker 1: but very funny scene between those two. It kept going

510
00:30:20,000 --> 00:30:24,000
Speaker 1: off camera too. It was supposed to be over and

511
00:30:24,000 --> 00:30:31,240
Speaker 1: then they kept going. It was great. Yeah, So Carl,

512
00:30:31,360 --> 00:30:36,840
Speaker 1: tell us about your experience, um, working on the show

513
00:30:37,480 --> 00:30:41,000
Speaker 1: and compared to other shows that you did. Tell Well,

514
00:30:41,120 --> 00:30:43,400
Speaker 1: I mean, I know you've you you've you've touched on

515
00:30:43,440 --> 00:30:45,280
Speaker 1: it lightly, but go go into it a little more

516
00:30:45,320 --> 00:30:49,680
Speaker 1: about the guilt being gilmour ized. Well, I will say

517
00:30:49,720 --> 00:30:54,480
Speaker 1: that this was probably my first big role, um being

518
00:30:54,480 --> 00:30:57,320
Speaker 1: on Gilmore Girls. And it was also the first time

519
00:30:57,320 --> 00:30:59,960
Speaker 1: I got to play a teacher. Yeah, because I came

520
00:31:00,040 --> 00:31:02,560
Speaker 1: from a family teacher, so it's like a big deal

521
00:31:03,120 --> 00:31:06,800
Speaker 1: that I got to actually play a teacher finally. Um.

522
00:31:06,880 --> 00:31:11,800
Speaker 1: But it was definitely one of those jobs where I

523
00:31:11,880 --> 00:31:15,480
Speaker 1: felt like, this is a step up because there is

524
00:31:16,120 --> 00:31:18,239
Speaker 1: a rhythm to this show. You've got to match what

525
00:31:18,280 --> 00:31:19,920
Speaker 1: they do. It's not just you come in and you

526
00:31:20,000 --> 00:31:24,400
Speaker 1: say you're your plot points. But this was actually a

527
00:31:24,520 --> 00:31:28,760
Speaker 1: dynamic working with other people and I was leaving the scene.

528
00:31:28,800 --> 00:31:32,160
Speaker 1: I got to leave the scene, and that was it

529
00:31:32,240 --> 00:31:36,200
Speaker 1: was really exciting for me. Um to get to do that.

530
00:31:37,520 --> 00:31:40,080
Speaker 1: And they said one I left, well, you know, she's

531
00:31:40,080 --> 00:31:41,560
Speaker 1: got to go to college, and maybe you'll get to

532
00:31:41,560 --> 00:31:44,840
Speaker 1: come back. Maybe you get to come back and lo

533
00:31:45,040 --> 00:31:49,360
Speaker 1: and behold. Two years later they did call me, so, Um,

534
00:31:49,400 --> 00:31:51,960
Speaker 1: I did get to go back. But that's another show

535
00:31:52,840 --> 00:31:57,760
Speaker 1: because they they said I ended up working for a

536
00:31:57,800 --> 00:32:02,800
Speaker 1: different college. Um. I was her professor and at Yale

537
00:32:02,920 --> 00:32:07,120
Speaker 1: as well. And itsbelievable you could have you know, maybe

538
00:32:07,160 --> 00:32:10,720
Speaker 1: they didn't tenure you at Harvard. Yeah, differybody said that

539
00:32:10,720 --> 00:32:12,760
Speaker 1: I really wouldn't happen. You wouldn't go from Harvard to Yale.

540
00:32:12,920 --> 00:32:18,040
Speaker 1: It wouldn't happen. That's what people told me. Really wouldn't happen.

541
00:32:20,640 --> 00:32:23,080
Speaker 1: But I was I was just glad that they even

542
00:32:23,360 --> 00:32:26,400
Speaker 1: thought to bring me back and do it. And um,

543
00:32:27,480 --> 00:32:30,680
Speaker 1: you know, it was It definitely felt like kind of

544
00:32:30,680 --> 00:32:35,280
Speaker 1: a family thing to be in that community of the

545
00:32:35,320 --> 00:32:39,160
Speaker 1: show because you guys are just working so tightly together

546
00:32:39,200 --> 00:32:42,280
Speaker 1: and it's got to work so fast. Um. It was

547
00:32:42,360 --> 00:32:46,400
Speaker 1: very cool. It was. It was really cool. Alright, alright, guys,

548
00:32:46,400 --> 00:32:50,080
Speaker 1: you're ready to play? Uh rapid Fire? Oh my god,

549
00:32:50,120 --> 00:32:53,240
Speaker 1: it's the game. I love games. Do you want to

550
00:32:53,240 --> 00:32:59,960
Speaker 1: sing a country? So? First? I love my My wedding

551
00:33:00,120 --> 00:33:04,440
Speaker 1: was a game show? Showed up in boots. I actually

552
00:33:04,520 --> 00:33:07,360
Speaker 1: did I've written a country song? I did. I did

553
00:33:07,360 --> 00:33:10,160
Speaker 1: write a country song. Thank you. That's what I want

554
00:33:10,200 --> 00:33:47,600
Speaker 1: to hear thinking to men. I know. Sorry, anyway, Rob

555
00:33:48,320 --> 00:33:51,280
Speaker 1: forgot the word. It's a new one. Maybe we should

556
00:33:51,280 --> 00:33:53,360
Speaker 1: put that song at the top of the show. No,

557
00:33:53,520 --> 00:33:56,280
Speaker 1: never mind, already have I already have a song that

558
00:33:56,360 --> 00:33:58,200
Speaker 1: I wrote and recorded as a theme song to the

559
00:33:58,360 --> 00:34:01,760
Speaker 1: podcast always producing. Oh I love that pop that that

560
00:34:01,880 --> 00:34:05,880
Speaker 1: theme song on this show, on my show, Yeah, on

561
00:34:06,000 --> 00:34:09,479
Speaker 1: this on this podcast. I love it. Yeah, that's my song.

562
00:34:10,640 --> 00:34:15,040
Speaker 1: Oh is that you singing? Yes, I didn't know you've

563
00:34:15,120 --> 00:34:31,840
Speaker 1: had like a tenor voice. That's I didn't wow out, Louise. Okay,

564
00:34:31,920 --> 00:34:35,399
Speaker 1: give me some rapid fire. What's the rapid fire? Yeah?

565
00:34:35,480 --> 00:34:37,800
Speaker 1: Give me something? Are you ready? All right? You guys,

566
00:34:38,040 --> 00:34:39,680
Speaker 1: you guys. We're gonna have to do this together with

567
00:34:39,760 --> 00:34:43,080
Speaker 1: both of you, right, so you both have answer at

568
00:34:43,080 --> 00:34:45,560
Speaker 1: the same time. Is it about this episode or just

569
00:34:45,640 --> 00:34:51,640
Speaker 1: in general? I'm not telling you anything cooking about baseball? No, no, no,

570
00:34:51,880 --> 00:34:55,279
Speaker 1: it's not about baseball. Are you ready a rabid fire?

571
00:34:55,320 --> 00:34:57,160
Speaker 1: You have to answer these questions as fast as you

572
00:34:57,160 --> 00:34:59,200
Speaker 1: possibly can. Ready, here we go. How do you take

573
00:34:59,239 --> 00:35:03,920
Speaker 1: your coffee? Oh green? Can you smell snow? I say no,

574
00:35:06,239 --> 00:35:20,520
Speaker 1: I can smell, not spellin. I can't hear smell snow snow?

575
00:35:22,200 --> 00:35:28,839
Speaker 1: Are you team Logan? Jesser Deane quickly? Quickly, Jess, Jess, Jess,

576
00:35:29,080 --> 00:35:41,480
Speaker 1: Jess Kevin best, who's the daddy you are? Best memory

577
00:35:41,480 --> 00:35:44,400
Speaker 1: of Gilmore girls. I'll go with that question. I'll go

578
00:35:44,400 --> 00:35:46,680
Speaker 1: with that answer too, you have an adorable son and

579
00:35:46,719 --> 00:35:52,880
Speaker 1: he liked the Olivia the Pig? Am I wrong? The

580
00:35:53,000 --> 00:35:57,000
Speaker 1: best memory of Gilmore Girls? Best memory of Gilmore Girls?

581
00:35:57,080 --> 00:36:01,960
Speaker 1: I do have an adorable son who's who like and

582
00:36:02,040 --> 00:36:06,759
Speaker 1: he likes Olivia the Pig. Who's Olivia of the Pig? Oh,

583
00:36:06,840 --> 00:36:09,319
Speaker 1: that's a. It's a. It's a. It's a book with

584
00:36:09,320 --> 00:36:11,360
Speaker 1: the little girl who is the little girl pig? And

585
00:36:11,400 --> 00:36:16,200
Speaker 1: she likes to sing. He reads like three books a day. Now.

586
00:36:15,760 --> 00:36:20,040
Speaker 1: Well he's just like, it's like, what's yeah, he's yeah,

587
00:36:20,160 --> 00:36:23,960
Speaker 1: he's got that in his collection. He does. I told

588
00:36:24,040 --> 00:36:26,080
Speaker 1: him he wants to go to m I T So.

589
00:36:26,120 --> 00:36:30,000
Speaker 1: I said, he's seven. You can't go to m I

590
00:36:30,040 --> 00:36:35,120
Speaker 1: T at seven? Is a young Sheldon or something? Another

591
00:36:35,280 --> 00:36:40,600
Speaker 1: WB plug There, ladies, what's your best memory? If gil

592
00:36:40,640 --> 00:36:46,560
Speaker 1: More Girls A time traveling with you? Mine mine too?

593
00:36:46,640 --> 00:36:52,400
Speaker 1: With you with you? Go ahead? Uh? My best memory

594
00:36:52,560 --> 00:36:56,800
Speaker 1: is watching those two work together. Watch Jing Alexis and

595
00:36:56,880 --> 00:37:01,919
Speaker 1: Laura went together. It really felt like my daughter. It's

596
00:37:02,080 --> 00:37:06,120
Speaker 1: it's impressive. Yeah. Yeah. In fact, that's that's when I

597
00:37:06,120 --> 00:37:08,520
Speaker 1: first got to Toronto to film my stuff for the pilot.

598
00:37:09,080 --> 00:37:11,799
Speaker 1: Um I got. I got to the set a little

599
00:37:11,800 --> 00:37:13,400
Speaker 1: early and I've said this before, but I'll say it

600
00:37:13,400 --> 00:37:17,319
Speaker 1: to you. I saw those two rehearsing a scene in

601
00:37:17,400 --> 00:37:19,759
Speaker 1: the diner before I went into hair and makeup, and

602
00:37:19,800 --> 00:37:22,520
Speaker 1: I thought, boy, this is gonna work. This is where

603
00:37:22,560 --> 00:37:25,000
Speaker 1: this show is really gonna work. If these if these

604
00:37:25,040 --> 00:37:28,399
Speaker 1: two were carrying it, Yes, this is gonna work. Um,

605
00:37:28,600 --> 00:37:30,719
Speaker 1: and Alexis was so young at the time, right, she

606
00:37:30,800 --> 00:37:36,360
Speaker 1: was just like, yeah she was. She was a freshman

607
00:37:36,400 --> 00:37:39,160
Speaker 1: at n y U. I'm sorry, yeah she was. She

608
00:37:39,280 --> 00:37:42,600
Speaker 1: a freshman at Tish School. I think she was in

609
00:37:42,680 --> 00:37:46,640
Speaker 1: film school or something. I don't know. Um, show you're

610
00:37:46,680 --> 00:37:50,600
Speaker 1: binge watching right now, murders and the murders in the

611
00:37:50,880 --> 00:37:57,640
Speaker 1: how murders in the building. Okay, I'm succession. Oh Brian Cox, Yeah, yeah,

612
00:37:57,640 --> 00:38:00,760
Speaker 1: I'm enjoying the banter between the family. An old friend,

613
00:38:01,200 --> 00:38:04,600
Speaker 1: Brian brilliant actor. He was. There's a film he did

614
00:38:04,600 --> 00:38:07,360
Speaker 1: a long time ago, Scottish film called hid an Agenda

615
00:38:07,400 --> 00:38:12,240
Speaker 1: where he was just marvelous. Um, he's good and everything. Uh.

616
00:38:12,600 --> 00:38:18,280
Speaker 1: Cast member you texted most recently from Gilmore Girls cast

617
00:38:18,360 --> 00:38:24,279
Speaker 1: member Yes, kick again. Yeah. I had to text her

618
00:38:24,360 --> 00:38:31,360
Speaker 1: because she's hosting with Um Todd r The up TV

619
00:38:31,560 --> 00:38:35,200
Speaker 1: Gilmore than Mary or Binja thon again, I'm out of

620
00:38:35,200 --> 00:38:39,360
Speaker 1: a job. No, you did it for three years and

621
00:38:39,440 --> 00:38:46,480
Speaker 1: you'll be back again, you know. Bill. Bill just texted

622
00:38:46,520 --> 00:38:52,719
Speaker 1: me up TV. Yeah, but he's not there anymore. Yeah.

623
00:38:52,760 --> 00:38:54,960
Speaker 1: I worked with a new crew, but I enjoyed them

624
00:38:55,080 --> 00:38:59,239
Speaker 1: very much. Yeah, there's great people there anyway. Um, they

625
00:38:59,280 --> 00:39:03,080
Speaker 1: love your show. By the way, they are Gilmore Girls

626
00:39:03,160 --> 00:39:05,680
Speaker 1: all the way. You know. They air four episode tonight.

627
00:39:06,239 --> 00:39:09,839
Speaker 1: Is that all just four? Four? That's back to back,

628
00:39:09,960 --> 00:39:16,040
Speaker 1: right four. Well, maybe we'll maybe we'll do a podcast

629
00:39:16,080 --> 00:39:17,840
Speaker 1: with him, you know, maybe we should do a podcast.

630
00:39:18,160 --> 00:39:21,040
Speaker 1: You might do a whole thing, all right. Um, I

631
00:39:21,120 --> 00:39:23,840
Speaker 1: was gonna say my text. I texted Jamie. She's a

632
00:39:24,800 --> 00:39:30,560
Speaker 1: casting Jami Rodowski. Yeah, yeah, okay, Jamie. Jamie came on

633
00:39:30,640 --> 00:39:35,200
Speaker 1: with Mara to cast the show two on. Yeah. One

634
00:39:35,239 --> 00:39:41,719
Speaker 1: word to describe Gilmore Girls uplifting, clever, clever and uplifting.

635
00:39:41,719 --> 00:39:44,360
Speaker 1: There you go. Are you familiar with the creepy clown pillow?

636
00:39:44,840 --> 00:39:48,319
Speaker 1: Am I familiar with a creepy clown? Obviously neither of you,

637
00:39:48,400 --> 00:39:51,880
Speaker 1: two gentlemen, you too fine gentlemen, or not familiar with

638
00:39:51,880 --> 00:39:55,959
Speaker 1: the creepy clown pillow? Nor was I and I don't

639
00:39:55,960 --> 00:39:57,919
Speaker 1: know if I want to be familiar with it. It's

640
00:39:58,000 --> 00:40:02,280
Speaker 1: just a thing. And what is lauryalized house? In the couch,

641
00:40:02,360 --> 00:40:05,160
Speaker 1: there's a clown pillow that they keep moving around and

642
00:40:05,200 --> 00:40:07,440
Speaker 1: it's you know, the fans get a kick out of

643
00:40:07,520 --> 00:40:09,560
Speaker 1: spotting it. And now we're kind of finding it in

644
00:40:09,600 --> 00:40:11,759
Speaker 1: a lot of episodes and it's in different positions and

645
00:40:11,760 --> 00:40:14,120
Speaker 1: it's kind of a fun. Yeah, I was, I was

646
00:40:14,160 --> 00:40:16,919
Speaker 1: at Harvard. I don't know. I don't know of such

647
00:40:17,440 --> 00:40:23,040
Speaker 1: silly pillow games. I don't remember the like you individuals.

648
00:40:25,480 --> 00:40:28,200
Speaker 1: I did go with Penny Wise for Halloween. Oh did

649
00:40:28,200 --> 00:40:31,200
Speaker 1: you Yeah, they hit clown? Where did you go? Did

650
00:40:31,239 --> 00:40:33,799
Speaker 1: you go to a Warner Brothers party? No? No, no,

651
00:40:33,880 --> 00:40:36,000
Speaker 1: the children come to the house and you scared them.

652
00:40:36,160 --> 00:40:39,239
Speaker 1: Oh you were doing that whole bit. Yeah, they want

653
00:40:39,280 --> 00:40:41,759
Speaker 1: the candy. They come, they come to the porch, and

654
00:40:41,800 --> 00:40:44,600
Speaker 1: you give them the candy as right. I understand the ritual.

655
00:40:44,640 --> 00:40:51,759
Speaker 1: I did it too. Halloween. Oh it's the Halloween Halloween

656
00:40:52,520 --> 00:40:55,440
Speaker 1: die hand out turkey legs. On Thanksgiving, I'm sitting there

657
00:40:55,480 --> 00:41:00,400
Speaker 1: waiting like an idiot. Um nobody comes. No, Like I was,

658
00:41:00,800 --> 00:41:05,400
Speaker 1: I was Morpheus from h and I had a white

659
00:41:05,440 --> 00:41:07,960
Speaker 1: bag that had a blue pillow on the front or

660
00:41:08,000 --> 00:41:10,279
Speaker 1: a red pill They had to pick which bag they

661
00:41:10,280 --> 00:41:16,239
Speaker 1: wanted to candy from. Oh my gosh for the movie Yeah, um,

662
00:41:16,280 --> 00:41:19,640
Speaker 1: what did your son come at scott for Halloween? Uh? Nick?

663
00:41:19,920 --> 00:41:23,880
Speaker 1: When as the ghost from Scream, he had a regular

664
00:41:24,239 --> 00:41:27,720
Speaker 1: ghost mask and he had a mask, the same ghost

665
00:41:27,719 --> 00:41:32,920
Speaker 1: mask that you could make bleed oh in the face,

666
00:41:33,200 --> 00:41:35,840
Speaker 1: like in the face. It had a tube and a

667
00:41:36,320 --> 00:41:40,120
Speaker 1: bladder for fake blood, and he squeezed it. And so

668
00:41:41,120 --> 00:41:45,640
Speaker 1: you know, I was Johnny food poisoning at that point.

669
00:41:46,160 --> 00:41:49,440
Speaker 1: And and what happened here on the screen there's the

670
00:41:49,480 --> 00:41:56,080
Speaker 1: clown pillow. That's the clown East that is creepy. That

671
00:41:56,200 --> 00:42:02,239
Speaker 1: Penny okay, you're Amy Sugarman is showing picture with a

672
00:42:02,360 --> 00:42:06,640
Speaker 1: clown pillow in the background, and it looks like Pennywise, Yes,

673
00:42:07,480 --> 00:42:13,120
Speaker 1: like Pennywise being cute, not Runnywise being core. But anyway,

674
00:42:13,280 --> 00:42:15,600
Speaker 1: so I was I was left home alone with my

675
00:42:15,760 --> 00:42:18,400
Speaker 1: recovering from from my food poisoning and answering the door

676
00:42:18,440 --> 00:42:21,320
Speaker 1: and giving people candy, Like how did you get food

677
00:42:21,320 --> 00:42:23,040
Speaker 1: poisoning or did you already talk about that on a

678
00:42:23,080 --> 00:42:28,360
Speaker 1: different episode? Bad? I had a bad head inexpired turkey slice.

679
00:42:29,560 --> 00:42:33,840
Speaker 1: Oh long, it's not good. Yeah, it wasn't good. Uh.

680
00:42:33,920 --> 00:42:38,360
Speaker 1: And then and so Nick one, uh, who got scariest

681
00:42:38,400 --> 00:42:43,440
Speaker 1: costume at the you know, they went and trick or treated,

682
00:42:43,440 --> 00:42:45,359
Speaker 1: and that they had had this big stage set up

683
00:42:45,400 --> 00:42:48,120
Speaker 1: and an auditorium and they had contests and the whole

684
00:42:48,160 --> 00:42:50,080
Speaker 1: thing after the trick or treat is a big event.

685
00:42:51,000 --> 00:42:53,239
Speaker 1: And so my wife's sending me this video of Nick

686
00:42:53,280 --> 00:42:56,200
Speaker 1: going up on stage and talking and being scary and

687
00:42:56,239 --> 00:42:58,480
Speaker 1: his costume and other kids going up doing stuff and saying,

688
00:42:58,480 --> 00:43:01,319
Speaker 1: what's going on with us? Anyone trick or treating? And uh?

689
00:43:02,080 --> 00:43:04,680
Speaker 1: And then she sent another video where he's like receiving

690
00:43:04,719 --> 00:43:07,320
Speaker 1: a golden statue. He's like, they've got this huge trophy

691
00:43:07,360 --> 00:43:10,359
Speaker 1: for scariest costume and everybody applauding him. He came out,

692
00:43:11,040 --> 00:43:12,759
Speaker 1: he wouldn't let go of it, and he went to

693
00:43:12,760 --> 00:43:15,880
Speaker 1: sleep with it. So, yeah, the scream costume with blood

694
00:43:15,960 --> 00:43:19,160
Speaker 1: dripping on a seven year old is pretty dark scared exactly.

695
00:43:19,239 --> 00:43:20,840
Speaker 1: So I was gonna say, seven years old and you

696
00:43:20,880 --> 00:43:25,160
Speaker 1: got you got the animatronics or you got moving things.

697
00:43:25,280 --> 00:43:26,680
Speaker 1: But he really owned it. He like, he went up

698
00:43:26,680 --> 00:43:28,680
Speaker 1: on stage during the competition and he was like he

699
00:43:28,760 --> 00:43:32,319
Speaker 1: got into a scary position. He it's like like a

700
00:43:32,320 --> 00:43:37,320
Speaker 1: ghost with scream right, all right, so he won. Uh

701
00:43:37,680 --> 00:43:41,400
Speaker 1: but he hasn't seen it, right, he's never seen No, no, no, no,

702
00:43:42,080 --> 00:43:44,800
Speaker 1: not yet. I mean it is coming out in theaters

703
00:43:45,200 --> 00:43:49,719
Speaker 1: another version to do what they're gonna do a reboot. Yeah, yeah, God,

704
00:43:49,760 --> 00:43:52,919
Speaker 1: nobody's doing that. It's amazing. They they're the first ones.

705
00:43:53,560 --> 00:43:57,200
Speaker 1: I forgot to mention. My penny Wise was a Pennywise

706
00:43:57,200 --> 00:44:02,520
Speaker 1: and drag, so she had long her six inch heels.

707
00:44:02,840 --> 00:44:07,600
Speaker 1: He was crazy, so the children were a little confused.

708
00:44:12,480 --> 00:44:17,160
Speaker 1: You you've won your share of Halloween costumes in the

709
00:44:17,160 --> 00:44:20,560
Speaker 1: past at Warner Brothers. Yes, there's a Halloween party and

710
00:44:20,560 --> 00:44:23,680
Speaker 1: I like to participate. So I like to dress up

711
00:44:23,680 --> 00:44:26,840
Speaker 1: different every year, and it's usually a Warner Brothers character

712
00:44:27,000 --> 00:44:29,200
Speaker 1: that you go as. Oh, I should have win as Luke.

713
00:44:29,320 --> 00:44:32,200
Speaker 1: One year. I saw a lot of people on your Instagram,

714
00:44:32,920 --> 00:44:35,600
Speaker 1: h Scott like went as you and that was awesome.

715
00:44:35,719 --> 00:44:39,400
Speaker 1: We have a contest every year, so it's they're dressing

716
00:44:39,480 --> 00:44:42,560
Speaker 1: up their dogs, their little kids. It's very cute and

717
00:44:42,719 --> 00:44:45,200
Speaker 1: a lot of people participate. We give them free coffee.

718
00:44:45,360 --> 00:44:48,319
Speaker 1: But you know, we picked ten winners and send him

719
00:44:48,320 --> 00:44:51,640
Speaker 1: some free coffee. It's it's really scotty, some Scotty peas,

720
00:44:51,640 --> 00:44:55,080
Speaker 1: big mon Scott, big coffee buddy, Yes, which I get

721
00:44:55,120 --> 00:44:57,160
Speaker 1: from my daughter, but you got her fifteen and she's

722
00:44:57,160 --> 00:44:59,480
Speaker 1: all into coffee. Right now, I think we'll go. We're

723
00:44:59,480 --> 00:45:03,319
Speaker 1: gonna probably send you a bag because you're you're on

724
00:45:03,320 --> 00:45:06,120
Speaker 1: the show of that. James, how many bags I sent

725
00:45:06,160 --> 00:45:09,279
Speaker 1: you with the whole lineup, didn't I yeah, we didn't.

726
00:45:09,280 --> 00:45:12,040
Speaker 1: You get a whole boatload. You got a whole boatload. Yes.

727
00:45:12,120 --> 00:45:14,920
Speaker 1: And then remember, like after the first year, we changed

728
00:45:14,960 --> 00:45:17,680
Speaker 1: it and added that that ingredient that helps you go

729
00:45:17,960 --> 00:45:22,520
Speaker 1: potty better what you told me that we were at

730
00:45:24,600 --> 00:45:31,520
Speaker 1: the secret that was a secret. You're saying, what are

731
00:45:31,600 --> 00:45:36,880
Speaker 1: you talking about? No, it doesn't help you go potty better.

732
00:45:37,680 --> 00:45:45,080
Speaker 1: The cascara, Yeah, that's it. Yes, I'm telling you it

733
00:45:45,200 --> 00:45:49,480
Speaker 1: helps you. Got it does? Yes? Well, I mean it's

734
00:45:49,600 --> 00:45:53,200
Speaker 1: it's fiber. Yeah, I mean, it's like it's nutrients and fiber.

735
00:45:53,640 --> 00:45:57,920
Speaker 1: It's it's it's the it's the the fruit that grows

736
00:45:57,960 --> 00:46:00,239
Speaker 1: around the coffee bean on the tree that you really

737
00:46:00,320 --> 00:46:03,960
Speaker 1: discarded and we grind it up and added to breakfast

738
00:46:04,000 --> 00:46:06,680
Speaker 1: plen and house plot and it's full of nutrients and

739
00:46:06,760 --> 00:46:17,880
Speaker 1: iron and great stuff fiber. The phrasing was, it was funny.

740
00:46:19,040 --> 00:46:21,360
Speaker 1: Didn't you add that stuff to it that makes you

741
00:46:21,440 --> 00:46:30,360
Speaker 1: go potty? The name of it. I knew I was

742
00:46:30,400 --> 00:46:34,000
Speaker 1: going to have fun today. Oh good, we had a

743
00:46:34,000 --> 00:46:36,319
Speaker 1: lot of fun too. Thank you for inviting us. That

744
00:46:36,440 --> 00:46:40,239
Speaker 1: was so nice of you. And Amy Sugarman. Huh don't

745
00:46:40,280 --> 00:46:44,160
Speaker 1: you love her? God? What a ball club? Yeah, she

746
00:46:44,360 --> 00:46:46,359
Speaker 1: lit up. She lit up like a Christmas tree when

747
00:46:46,400 --> 00:46:51,520
Speaker 1: I when I mentioned your name, by the way she did. Yeah. Well,

748
00:46:51,560 --> 00:46:54,680
Speaker 1: Amy Sugarman and I go back to our Gilmore days

749
00:46:54,840 --> 00:46:59,560
Speaker 1: because she was around um working on radio, and I

750
00:46:59,560 --> 00:47:02,919
Speaker 1: would have to call her to get you booked on

751
00:47:03,600 --> 00:47:10,719
Speaker 1: Ryan Secrest show. So that's how the marketing all works.

752
00:47:11,000 --> 00:47:15,360
Speaker 1: We're still good friends and and anything that she wants

753
00:47:15,440 --> 00:47:20,120
Speaker 1: we will will always do for you. You're the best, buddy,

754
00:47:20,440 --> 00:47:24,840
Speaker 1: You're absolutely the best. Um. Anyway, guys, thank you so much.

755
00:47:25,120 --> 00:47:28,640
Speaker 1: Pleasure meeting you. Carl, Thank you, see you guys, see

756
00:47:28,680 --> 00:47:37,279
Speaker 1: you by bye, Carl, Bye James. Yeah, okay, everybody, we're back.

757
00:47:37,480 --> 00:47:42,919
Speaker 1: Wasn't that fun? James and Carl fantastic conversation with those

758
00:47:42,920 --> 00:47:45,560
Speaker 1: two gentlemen. Uh, and we're gonna we're gonna chop it

759
00:47:45,640 --> 00:47:48,800
Speaker 1: up a little more with the ladies here, Daniel Romo,

760
00:47:49,400 --> 00:47:56,120
Speaker 1: Riley Pelucis, Amy Sugarman, who I believe a little bit up.

761
00:47:56,400 --> 00:47:58,960
Speaker 1: She's very fired up. I think she's got some hair

762
00:47:59,040 --> 00:48:02,600
Speaker 1: treatment going on or something. My camera. I don't know

763
00:48:02,640 --> 00:48:04,359
Speaker 1: my camera on because I have hair color in hair,

764
00:48:04,440 --> 00:48:08,320
Speaker 1: but there's hair color. I love James. I love James Pettitt.

765
00:48:08,360 --> 00:48:11,600
Speaker 1: I've known him as long as you have, like over

766
00:48:11,680 --> 00:48:16,680
Speaker 1: twenty years. But I disagree, Scott. I agree with you

767
00:48:17,560 --> 00:48:22,000
Speaker 1: that I thought the Rory lor Life fight in the

768
00:48:22,040 --> 00:48:29,760
Speaker 1: Flowery bed and Breakfast bedroom was random. It was so aggressive,

769
00:48:29,960 --> 00:48:32,560
Speaker 1: and I get it because loora Lie is upset and

770
00:48:32,560 --> 00:48:34,560
Speaker 1: doesn't want to talk about it, but it was almost

771
00:48:34,560 --> 00:48:38,000
Speaker 1: like she was mad at Rory. It was like, so

772
00:48:38,280 --> 00:48:40,080
Speaker 1: I wanted to have a little bit of a conversation.

773
00:48:40,120 --> 00:48:45,160
Speaker 1: I understand why James liked it because it was a

774
00:48:45,239 --> 00:48:50,239
Speaker 1: fun sort of scene to watch, but it was really aggressive,

775
00:48:50,320 --> 00:48:52,840
Speaker 1: like Lorlie was so mad at Rory, and when she

776
00:48:52,880 --> 00:48:55,439
Speaker 1: could have just said I'm still having such a hard

777
00:48:55,480 --> 00:48:57,239
Speaker 1: time with this, I don't want to talk about it,

778
00:48:57,280 --> 00:49:01,960
Speaker 1: but she was so angry. I think you make a

779
00:49:02,080 --> 00:49:05,360
Speaker 1: choice as an actor, right you. You you live the

780
00:49:05,440 --> 00:49:08,800
Speaker 1: given circumstances of the piece of the material that's handed

781
00:49:08,840 --> 00:49:12,719
Speaker 1: to you, and you analyze it and you make your

782
00:49:12,800 --> 00:49:15,399
Speaker 1: choices based on that. And I think I think that's

783
00:49:15,400 --> 00:49:20,080
Speaker 1: a situation where maybe Laurence said if she wasn't given

784
00:49:20,080 --> 00:49:22,719
Speaker 1: the direction to do that, And I think I think

785
00:49:22,760 --> 00:49:25,680
Speaker 1: there's also another reason. Okay, there's a couple of reasons.

786
00:49:25,719 --> 00:49:29,719
Speaker 1: Maybe Laurence said, Okay, we haven't eaten. Uh. That can

787
00:49:29,760 --> 00:49:34,000
Speaker 1: have adverse effects on personality and temper that kind of thing.

788
00:49:34,719 --> 00:49:39,160
Speaker 1: So yeah, I'm going to justify the snap. Okay. So okay,

789
00:49:39,160 --> 00:49:44,000
Speaker 1: so that's one category. Okay, that can happen, and it's

790
00:49:44,000 --> 00:49:46,839
Speaker 1: happened to me when I'm starving, man, And you know,

791
00:49:46,920 --> 00:49:49,280
Speaker 1: when you when you get angry, that might be angry

792
00:49:49,400 --> 00:49:55,080
Speaker 1: right there. Okay, that might be a clearly beautifully portrayed

793
00:49:55,960 --> 00:50:02,400
Speaker 1: uh angry alone. It just flips on you in an instant.

794
00:50:02,480 --> 00:50:03,839
Speaker 1: You don't want to talk about it and turn out

795
00:50:03,920 --> 00:50:06,720
Speaker 1: damn light. I'm going to bed by um. It also

796
00:50:06,800 --> 00:50:12,040
Speaker 1: could be a hangry thing, an a tired thing for

797
00:50:12,120 --> 00:50:15,480
Speaker 1: Lauren in the moment when there's too many takes being

798
00:50:15,719 --> 00:50:18,799
Speaker 1: asked to do. It's repeat, repeat, repeat, repeat, repeat, and

799
00:50:18,800 --> 00:50:22,000
Speaker 1: then you can get frustrated. And I've been there too,

800
00:50:22,680 --> 00:50:25,600
Speaker 1: um and I think I've made some choices based on that,

801
00:50:25,640 --> 00:50:27,480
Speaker 1: and it's sort of you try not to let it

802
00:50:27,520 --> 00:50:30,440
Speaker 1: influence you, but you you know, if you start feeling

803
00:50:30,480 --> 00:50:32,880
Speaker 1: manipulated by the director and it's like too many takes

804
00:50:32,880 --> 00:50:34,920
Speaker 1: and it's like, yes, okay, what do you need, and

805
00:50:34,920 --> 00:50:36,600
Speaker 1: it's like I've kind of given you everything I have.

806
00:50:36,719 --> 00:50:39,759
Speaker 1: And maybe she was in a situation where she the

807
00:50:39,800 --> 00:50:41,920
Speaker 1: director was asking too much of her, asking her to

808
00:50:41,920 --> 00:50:44,200
Speaker 1: repeat herself too many times, and she just got pissed.

809
00:50:45,280 --> 00:50:49,759
Speaker 1: It's possible. I don't know. I don't know. Writing was aggressive,

810
00:50:49,840 --> 00:50:51,680
Speaker 1: so it was like it was meant for her to

811
00:50:51,760 --> 00:50:58,320
Speaker 1: be kind of mad. You can interpret that's interesting. You

812
00:50:58,400 --> 00:51:01,480
Speaker 1: can interpret that any way you want. You could interpret

813
00:51:01,520 --> 00:51:05,360
Speaker 1: it with with loving, gentle care, quiet, you can pop

814
00:51:05,440 --> 00:51:08,200
Speaker 1: at it, you can go you know wild, there's million

815
00:51:08,239 --> 00:51:10,080
Speaker 1: different directions you can go with it. If if the

816
00:51:10,120 --> 00:51:12,000
Speaker 1: director wants a fight, they're going to have to give

817
00:51:12,040 --> 00:51:13,560
Speaker 1: him a fight, you know what I mean. If if

818
00:51:13,600 --> 00:51:16,400
Speaker 1: that's the direction, So I don't know, you know, it's

819
00:51:16,440 --> 00:51:22,359
Speaker 1: it's like Yeah, Rory stayed calm. She was much relaxed

820
00:51:22,520 --> 00:51:25,720
Speaker 1: or loving or calm about it, and really was seemed

821
00:51:25,719 --> 00:51:28,080
Speaker 1: to be coming from a place of like, this is

822
00:51:28,120 --> 00:51:32,520
Speaker 1: a huge thing, and I think we should talk about it,

823
00:51:32,600 --> 00:51:36,160
Speaker 1: like you're just ignoring it or pretending it didn't happen,

824
00:51:36,640 --> 00:51:43,279
Speaker 1: or like, I agree that the scene was important, but

825
00:51:43,360 --> 00:51:48,320
Speaker 1: it was weird, like it was like but I remember

826
00:51:48,400 --> 00:51:51,480
Speaker 1: just watching it and writing down WHOA that was like

827
00:51:51,560 --> 00:51:55,200
Speaker 1: their biggest fight ever and Rory didn't even do anything.

828
00:51:55,239 --> 00:51:59,000
Speaker 1: I don't think it needed the anger. Yeah, I agree

829
00:51:59,120 --> 00:52:01,959
Speaker 1: to get the point of the seeing You get she's devastated.

830
00:52:02,000 --> 00:52:05,280
Speaker 1: You get that she's in a in a confused place.

831
00:52:05,320 --> 00:52:09,840
Speaker 1: She that she's conflicted about walking away from Max and

832
00:52:09,840 --> 00:52:11,799
Speaker 1: all that more life's going to go and that kind

833
00:52:11,800 --> 00:52:14,000
Speaker 1: of a thing. But I know, loreal Ize seemed less

834
00:52:14,040 --> 00:52:17,160
Speaker 1: angry at r Rory when she fell asleep at Miss

835
00:52:17,200 --> 00:52:20,640
Speaker 1: Patty's with Dean and didn't come home. She was so

836
00:52:20,680 --> 00:52:22,719
Speaker 1: mad at her when it was like all she's trying

837
00:52:22,719 --> 00:52:24,160
Speaker 1: to do is sort of talk to you. And then

838
00:52:25,000 --> 00:52:27,759
Speaker 1: the next morning, I think Rory says something like hey

839
00:52:27,840 --> 00:52:31,239
Speaker 1: about last night, and loyal lies like we're good, and

840
00:52:31,320 --> 00:52:38,359
Speaker 1: I remember going we're not good. Yeah, why it's like,

841
00:52:38,520 --> 00:52:41,439
Speaker 1: you know, there needs to be an apology there. Yes,

842
00:52:41,600 --> 00:52:44,759
Speaker 1: I thought so too. I was like, whoa. So I

843
00:52:44,840 --> 00:52:47,800
Speaker 1: just thought that was interesting, not that I didn't like it,

844
00:52:48,120 --> 00:52:51,080
Speaker 1: but I agreed with you, like, it's interesting to see

845
00:52:51,080 --> 00:52:53,600
Speaker 1: how James was watching it and it didn't he just

846
00:52:53,680 --> 00:52:56,839
Speaker 1: kind of enjoy that as a part of it. Well,

847
00:52:57,000 --> 00:52:59,319
Speaker 1: he does work at Warner Brothers. He's a tough dude.

848
00:53:00,000 --> 00:53:02,680
Speaker 1: He's got a thicker skin than we do. Maybe we're

849
00:53:02,680 --> 00:53:04,759
Speaker 1: just too sensitive for this type of work. Who knows.

850
00:53:06,400 --> 00:53:09,120
Speaker 1: I have been accused of that before. I liked the

851
00:53:09,120 --> 00:53:12,000
Speaker 1: antics of the Bed and Breakfast and how weird it was,

852
00:53:12,120 --> 00:53:17,600
Speaker 1: and that was the amazing Susan Ruttan playing the older

853
00:53:18,080 --> 00:53:21,080
Speaker 1: lady talking to Rory, who I love from l A Law.

854
00:53:21,239 --> 00:53:24,600
Speaker 1: So I liked all that and you know, just the

855
00:53:24,640 --> 00:53:27,520
Speaker 1: weird like bed and Breakfast lady. But I agree that

856
00:53:27,640 --> 00:53:33,440
Speaker 1: scene in the bedroom was oddly crazy. I thought you

857
00:53:33,520 --> 00:53:40,120
Speaker 1: got it right. Yeah, if it wasn't this, I mean,

858
00:53:40,160 --> 00:53:42,319
Speaker 1: if I'm directing that episode, I'm taking that scene in

859
00:53:42,320 --> 00:53:46,279
Speaker 1: a different direction. I agree. I was like, whoa. Now

860
00:53:46,320 --> 00:53:49,000
Speaker 1: I wasn't as bothered by I love country music I

861
00:53:49,040 --> 00:53:52,360
Speaker 1: wasn't as bothered by them kind of mocking country music.

862
00:53:52,800 --> 00:53:54,880
Speaker 1: But James made a great point that they're supposed to

863
00:53:54,920 --> 00:53:57,319
Speaker 1: be listening to this radio station only as country music

864
00:53:57,360 --> 00:53:59,080
Speaker 1: and then they're playing Hoodie in the Blowfish Like that

865
00:53:59,160 --> 00:54:03,359
Speaker 1: was always a little like random, But I agree. I

866
00:54:03,400 --> 00:54:05,000
Speaker 1: totally got what you were saying. It's like, why did

867
00:54:05,000 --> 00:54:08,280
Speaker 1: they just rip on country music? Yeah, I don't understand.

868
00:54:09,400 --> 00:54:10,800
Speaker 1: I mean it was like, I think you kind of

869
00:54:10,880 --> 00:54:14,200
Speaker 1: nailed it, like they're from this East Coast town. But

870
00:54:14,280 --> 00:54:17,400
Speaker 1: that's that's the mentality, you know, that's people rip on

871
00:54:17,440 --> 00:54:21,800
Speaker 1: country music in the Northeast. Now not so much because

872
00:54:21,840 --> 00:54:26,719
Speaker 1: it's you know, it's it's really it's really become you know,

873
00:54:26,760 --> 00:54:30,319
Speaker 1: it's changed. Three. I didn't know if we were looking

874
00:54:30,360 --> 00:54:32,319
Speaker 1: at it through the lens of today, whereas opposed to

875
00:54:32,320 --> 00:54:35,439
Speaker 1: twenty years ago, people would more make fun of country music.

876
00:54:35,480 --> 00:54:37,879
Speaker 1: I mean more like thirty years ago, I would say

877
00:54:37,960 --> 00:54:39,840
Speaker 1: four years ago, where it was like I lost my

878
00:54:39,880 --> 00:54:42,360
Speaker 1: girlfriend and my dog, ate my whatever, you know what

879
00:54:42,440 --> 00:54:45,680
Speaker 1: I mean. But it's not like that everybody you know,

880
00:54:45,960 --> 00:54:48,680
Speaker 1: living in the big cities making fun of country folks,

881
00:54:48,680 --> 00:54:50,879
Speaker 1: and now everybody in the big cities are pouring into

882
00:54:50,920 --> 00:54:53,520
Speaker 1: the country desperate to get out of the big cities.

883
00:54:54,360 --> 00:54:59,480
Speaker 1: I guess they're not making fun of them anymore. Yeah,

884
00:54:59,480 --> 00:55:01,680
Speaker 1: and I do think, you know, I know, we have

885
00:55:01,760 --> 00:55:03,719
Speaker 1: to we've got to get to pop culture. But I

886
00:55:03,800 --> 00:55:08,600
Speaker 1: do think that scene between you and Lauren was so

887
00:55:09,120 --> 00:55:12,720
Speaker 1: I loved it, Like you, you were amazing. They really

888
00:55:12,760 --> 00:55:16,759
Speaker 1: are bonding, and it was the first time maybe not

889
00:55:16,800 --> 00:55:19,520
Speaker 1: the first time, but one of the times where Luke

890
00:55:19,800 --> 00:55:23,719
Speaker 1: really is the boyfriend. You go to the boyfriend to

891
00:55:23,760 --> 00:55:27,200
Speaker 1: ask about his advice about opening your own business and

892
00:55:27,239 --> 00:55:29,880
Speaker 1: wanting his support, and you were really there to help her,

893
00:55:29,880 --> 00:55:31,640
Speaker 1: and you're like, hey, let's find some time and we'll

894
00:55:31,640 --> 00:55:34,279
Speaker 1: really talk about this. And it was like such the

895
00:55:34,360 --> 00:55:39,399
Speaker 1: conversation that a married couple would happen, and you were

896
00:55:39,480 --> 00:55:41,640
Speaker 1: like wow. And again, I guess the best way to

897
00:55:41,680 --> 00:55:43,920
Speaker 1: say it is like Luke is always taking care of her.

898
00:55:44,000 --> 00:55:48,600
Speaker 1: He's always there for her, and she allows it, unlike Max,

899
00:55:49,320 --> 00:55:51,840
Speaker 1: who she was like you have no role here, Like

900
00:55:52,760 --> 00:55:56,800
Speaker 1: Luke has a role. Yeah. I'm now beginning to see

901
00:55:57,360 --> 00:56:00,920
Speaker 1: the scope of this relationship in the and the and

902
00:56:00,960 --> 00:56:04,160
Speaker 1: the and the importance it has in the show. Even

903
00:56:04,200 --> 00:56:08,240
Speaker 1: though you don't see me a lot. Um, it's it's

904
00:56:09,120 --> 00:56:14,520
Speaker 1: it's one of the pillars. I would say, um um,

905
00:56:14,560 --> 00:56:19,080
Speaker 1: I'm I don't know. I just I just feel really

906
00:56:19,160 --> 00:56:21,480
Speaker 1: lucky to have gotten that role. And the more the

907
00:56:21,520 --> 00:56:23,399
Speaker 1: more episodes I watched on the point, did I get

908
00:56:23,440 --> 00:56:29,480
Speaker 1: lucky this role? You know? I know I fell in,

909
00:56:29,600 --> 00:56:39,840
Speaker 1: I really fell into something. Yeah, Okay, everybody, it's Scott Patter.

910
00:56:40,600 --> 00:56:41,960
Speaker 1: They know who I am at this point, so I

911
00:56:41,960 --> 00:56:43,879
Speaker 1: don't have to keep saying that throughout the whole thing.

912
00:56:44,480 --> 00:56:47,359
Speaker 1: We did. We did get the memo from the fans like,

913
00:56:47,600 --> 00:56:52,040
Speaker 1: shut up, I'm not gonna say it every like I

914
00:56:52,120 --> 00:56:57,600
Speaker 1: say like eight times that Scott please stop doing that editing.

915
00:56:58,040 --> 00:57:04,799
Speaker 1: We're not editing. M so good. They know what they're doing.

916
00:57:05,160 --> 00:57:07,400
Speaker 1: The fans know. We try to get the fans what

917
00:57:07,440 --> 00:57:10,480
Speaker 1: they want. I was about to launch into that. I

918
00:57:10,520 --> 00:57:13,680
Speaker 1: just need to do it once, that's what. No, just

919
00:57:13,719 --> 00:57:15,360
Speaker 1: at the top of the show and the show. I

920
00:57:15,360 --> 00:57:16,960
Speaker 1: don't need to do it eight times in between. We

921
00:57:17,040 --> 00:57:19,760
Speaker 1: got the memo thank you fans, we love you. You

922
00:57:19,880 --> 00:57:23,160
Speaker 1: barely need to do it once because they clicked on

923
00:57:23,240 --> 00:57:26,840
Speaker 1: the podcast so they know. But but but but it's

924
00:57:26,880 --> 00:57:31,520
Speaker 1: I like doing it. It's fine. It's just like it's

925
00:57:31,600 --> 00:57:34,880
Speaker 1: fun to do it. You can remind people. I feel

926
00:57:34,880 --> 00:57:37,240
Speaker 1: like Ed McMahon and Johnny carsonal rolled into the one

927
00:57:37,400 --> 00:57:40,160
Speaker 1: and here's Johnny. You know this kind of thing. I

928
00:57:40,200 --> 00:57:43,600
Speaker 1: don't know. It's fine, do it again, right now, do it.

929
00:57:43,680 --> 00:57:47,600
Speaker 1: I'm not gonna do it. I'm not gonna do it.

930
00:57:49,520 --> 00:57:52,360
Speaker 1: I'm not doing it. Are you going to introduce Ley

931
00:57:52,920 --> 00:57:57,680
Speaker 1: Scott Patterson? This is the Aisland. I can't even say

932
00:57:57,720 --> 00:58:05,680
Speaker 1: it anyway. You know who I'm channeling for that Seacrest

933
00:58:07,400 --> 00:58:14,720
Speaker 1: channeling Seacrest with his American idol trumpeting, and this is

934
00:58:14,800 --> 00:58:18,680
Speaker 1: your American idol, this kind of thing. He always is

935
00:58:18,720 --> 00:58:20,680
Speaker 1: so good. He always made it very exciting to watch,

936
00:58:20,800 --> 00:58:23,040
Speaker 1: even more exciting to watch the show. Anyway. This is

937
00:58:23,040 --> 00:58:25,720
Speaker 1: so off the point, very smooth, very smooth, very smooth.

938
00:58:25,720 --> 00:58:28,720
Speaker 1: Cat Alright, So, Riley, you're gonna bring us into pop culture.

939
00:58:29,960 --> 00:58:36,160
Speaker 1: I am, and I Riley has. She's becoming so big now.

940
00:58:36,360 --> 00:58:41,600
Speaker 1: She's like really blowing up and achieving the superstar status

941
00:58:41,640 --> 00:58:44,800
Speaker 1: that we have nurtured her for. And let me tell

942
00:58:44,840 --> 00:58:48,880
Speaker 1: you something. We we scouted her years ago, we brought

943
00:58:48,880 --> 00:58:53,200
Speaker 1: her up through our farm system, and she's really performing

944
00:58:53,240 --> 00:58:56,800
Speaker 1: at the big league level. She's just dropping knowledge, dropping knowledge.

945
00:58:56,880 --> 00:59:01,360
Speaker 1: It's amazing. That's who was watching me. Oh yeah, that's

946
00:59:01,400 --> 00:59:05,360
Speaker 1: what's watching the whole what No, all all the physicians

947
00:59:05,400 --> 00:59:12,360
Speaker 1: were wrong. You're alright, good people, Let's do it. The

948
00:59:12,360 --> 00:59:14,880
Speaker 1: people are waiting, you know, no, they're waiting. We're going

949
00:59:14,920 --> 00:59:17,960
Speaker 1: to do it. Riley, you're on Hello, I'm going off

950
00:59:17,960 --> 00:59:20,760
Speaker 1: with Scott's Q. I'm Riley, and this is your pop

951
00:59:20,840 --> 00:59:25,560
Speaker 1: culture First. We have Laura, Lee and Rory are driving

952
00:59:25,560 --> 00:59:28,400
Speaker 1: and Lorea Lie needs her tunes. Lor Lie says, never

953
00:59:28,440 --> 00:59:30,840
Speaker 1: been in this car for any extended period of time

954
00:59:30,840 --> 00:59:33,000
Speaker 1: without playing A C d C. I need my Highway

955
00:59:33,040 --> 00:59:36,000
Speaker 1: to Hell Radio says, coming up a three way song

956
00:59:36,120 --> 00:59:39,600
Speaker 1: super set from Hoodie and the Blowfish. A C d

957
00:59:39,640 --> 00:59:43,560
Speaker 1: C is an Australian rock band formed in Sydney by

958
00:59:43,680 --> 00:59:47,400
Speaker 1: Scottish born brothers Malcolm and Angus Young. In November two

959
00:59:47,400 --> 00:59:49,440
Speaker 1: thousand nine, A c d C were announced as the

960
00:59:49,480 --> 00:59:53,440
Speaker 1: Business Review weekly top Australian earner and entertainment. They ranked

961
00:59:53,600 --> 00:59:56,400
Speaker 1: raked in a Sweet a hundred and five million for

962
00:59:56,440 --> 00:59:59,560
Speaker 1: the financial year and knocked The Wiggles from their number

963
00:59:59,560 --> 01:00:03,360
Speaker 1: one spot. You imagine get your voice that high that no,

964
01:00:03,480 --> 01:00:05,360
Speaker 1: but are you more of a highway to Hell or

965
01:00:05,400 --> 01:00:09,720
Speaker 1: a back in black? All of it? All of it?

966
01:00:09,800 --> 01:00:11,920
Speaker 1: I mean, see, just like you can't get enough of it?

967
01:00:11,960 --> 01:00:19,720
Speaker 1: But then I'm not gonna what body in the Blowfish?

968
01:00:19,800 --> 01:00:22,560
Speaker 1: I'm more Hooty and the Blowfish, not gonna lie. Okay,

969
01:00:22,560 --> 01:00:25,160
Speaker 1: go ahead, Riley, go ahead. Hooty and the Blowfish and

970
01:00:25,240 --> 01:00:27,920
Speaker 1: his American rock band that was formed in Columbia, South Carolina.

971
01:00:28,640 --> 01:00:31,160
Speaker 1: Six The band went on hiatus in two thousand until

972
01:00:31,160 --> 01:00:33,480
Speaker 1: the announced plans for a full reunion tour in two

973
01:00:33,480 --> 01:00:37,160
Speaker 1: thousand nineteen. Lead singer Darius Rucker. I love Darius Rucker

974
01:00:37,440 --> 01:00:39,920
Speaker 1: is a very successful solo country artist with hits like

975
01:00:40,000 --> 01:00:45,280
Speaker 1: wagon Wheel and Alright. Very successful, very successful country artist.

976
01:00:45,920 --> 01:00:51,560
Speaker 1: Country music rules. It is the biggest. It's the biggest category,

977
01:00:51,720 --> 01:00:56,080
Speaker 1: has the biggest listener base of all categories in music. Huge.

978
01:00:56,960 --> 01:01:02,560
Speaker 1: You guys, remember in Jerry McGuire when Cuba getting Junior

979
01:01:02,720 --> 01:01:05,360
Speaker 1: is walking through the airport and the kid says, are

980
01:01:05,440 --> 01:01:15,880
Speaker 1: you Hooty? You're too young for Jerry McGuire, Do you

981
01:01:15,880 --> 01:01:22,640
Speaker 1: guys not know Jerry McGuire pounds? Wait, yes, you guys, dude,

982
01:01:22,840 --> 01:01:27,280
Speaker 1: go watch Jerry McGuire, Are you hooty? Is Jerry mcguiree

983
01:01:27,320 --> 01:01:31,400
Speaker 1: where you had me at Yes? You had me at Hello?

984
01:01:31,560 --> 01:01:34,000
Speaker 1: Is that the one? And then show me the money?

985
01:01:34,440 --> 01:01:36,640
Speaker 1: Show me the money? And you had me at Hello? Yeah?

986
01:01:36,680 --> 01:01:39,600
Speaker 1: I saw that you had me at Hello? Is really

987
01:01:39,720 --> 01:01:45,160
Speaker 1: the I am all in of Jerry McGuire? Do you

988
01:01:45,200 --> 01:01:47,120
Speaker 1: see do you feel me? There? On the on the

989
01:01:47,320 --> 01:01:49,840
Speaker 1: on the romantic side, see it had it had a

990
01:01:49,880 --> 01:01:51,760
Speaker 1: line for the men, and had a line for the women.

991
01:01:51,800 --> 01:01:53,840
Speaker 1: Show me the money is for the guys. You had

992
01:01:53,880 --> 01:01:59,240
Speaker 1: me at was for the women. Show me do you

993
01:01:59,360 --> 01:02:02,520
Speaker 1: do it? Girl? You man? You did that? Sorry? Sorry,

994
01:02:02,680 --> 01:02:05,000
Speaker 1: so sorry. I wake up and say the same thing

995
01:02:05,040 --> 01:02:07,560
Speaker 1: every morning. So it's fine. You had me at Hello?

996
01:02:08,640 --> 01:02:12,840
Speaker 1: No showing me? Who says it's the Beaches delivery guy.

997
01:02:12,920 --> 01:02:17,480
Speaker 1: You had me at Hello? Laura Lie and Rory stopped

998
01:02:17,520 --> 01:02:19,240
Speaker 1: to get food while on the road. Laura I says

999
01:02:19,240 --> 01:02:22,280
Speaker 1: she would make her imaginary tour bus at Hayden stop

1000
01:02:22,280 --> 01:02:25,040
Speaker 1: at Hayden's nuthouse every time. Rory says, wow, you're behind

1001
01:02:25,040 --> 01:02:27,600
Speaker 1: the music is going to be really wild. Behind the

1002
01:02:27,680 --> 01:02:31,040
Speaker 1: Music is a documentary television series on v h one.

1003
01:02:31,120 --> 01:02:34,680
Speaker 1: Each episode profiles and interviews of popular music group and

1004
01:02:34,840 --> 01:02:38,880
Speaker 1: on the series, mc hammer famously detailed how he squandered

1005
01:02:38,920 --> 01:02:42,600
Speaker 1: his fortune on bad investments and overspending, leaving the rapper

1006
01:02:42,760 --> 01:02:46,000
Speaker 1: bankrupt and abandoned by his so called friends. Too many

1007
01:02:46,080 --> 01:02:50,520
Speaker 1: houses and too many, too much of an entourage. Oh god,

1008
01:02:51,840 --> 01:02:56,440
Speaker 1: what are they actually They actually pay those people, They

1009
01:02:56,480 --> 01:02:59,280
Speaker 1: put them all on the payroll. You start putting your

1010
01:02:59,280 --> 01:03:02,479
Speaker 1: friends like you'll be my security, you will be my driver,

1011
01:03:02,680 --> 01:03:04,160
Speaker 1: you'll be my list. And then all of a sudden

1012
01:03:04,320 --> 01:03:07,640
Speaker 1: you're broke because they, because they count, say you got

1013
01:03:07,640 --> 01:03:10,120
Speaker 1: to create deduction, So bring your friends on. Pay them.

1014
01:03:10,160 --> 01:03:12,760
Speaker 1: We can deduct everything. But then it becomes like too much.

1015
01:03:12,840 --> 01:03:14,920
Speaker 1: Then you try to fire people counting or much as

1016
01:03:15,000 --> 01:03:19,680
Speaker 1: the friends saying like hey to legit, to quit, give me,

1017
01:03:20,000 --> 01:03:23,640
Speaker 1: give me a job. And they're doing such a good

1018
01:03:23,720 --> 01:03:26,840
Speaker 1: job because he's you know, want to help your friends.

1019
01:03:26,840 --> 01:03:30,240
Speaker 1: You want to help your friends, then you can get

1020
01:03:30,640 --> 01:03:32,280
Speaker 1: you know, how you help your friends, You teach them

1021
01:03:32,280 --> 01:03:33,960
Speaker 1: how to help themselves. You teach them how to fish.

1022
01:03:33,960 --> 01:03:35,480
Speaker 1: You don't give them a fish, you know what I mean?

1023
01:03:38,760 --> 01:03:41,080
Speaker 1: Flora I says she knows someone that owns up being

1024
01:03:41,160 --> 01:03:43,880
Speaker 1: being portsmouth. Rory says a cool B and B Loora.

1025
01:03:43,920 --> 01:03:46,960
Speaker 1: I says yes. Rory says, that's like saying an understated

1026
01:03:47,320 --> 01:03:51,160
Speaker 1: Nicholas Cage movie. Nicolas Cage an American actor and filmmaker.

1027
01:03:51,280 --> 01:03:54,160
Speaker 1: Nicholas has been in movies from Fast Times, Original High,

1028
01:03:54,200 --> 01:03:56,960
Speaker 1: Gone in Sixty Seconds, Match, Thick Men, and National Treasure

1029
01:03:57,160 --> 01:04:01,320
Speaker 1: and all are over the top, Riley, Riley, I'm sorry

1030
01:04:01,360 --> 01:04:04,800
Speaker 1: to interrupt, but you've missed the best Nicholas Cage movies.

1031
01:04:05,120 --> 01:04:09,400
Speaker 1: The Rock Han Air, like I don't even the Rock.

1032
01:04:09,560 --> 01:04:13,600
Speaker 1: He was hysterical and that was it was hysterical he was.

1033
01:04:14,440 --> 01:04:19,120
Speaker 1: And Honeymoon in Vegas. Did you mention honeymoon in Vegas? Huh? Hello?

1034
01:04:19,480 --> 01:04:24,640
Speaker 1: Can we get Riley? Come on, I just focus on

1035
01:04:24,720 --> 01:04:28,920
Speaker 1: National Trader in Vegas? Is not his oscar? He got No,

1036
01:04:29,080 --> 01:04:32,760
Speaker 1: he got it for leaving Las Vegas. No, is that

1037
01:04:32,920 --> 01:04:38,040
Speaker 1: I was called is an alcoholic? Yeah, Elizabeth Shoe right,

1038
01:04:38,400 --> 01:04:41,880
Speaker 1: so much Vegas. He didn't that he didn't have to act.

1039
01:04:42,640 --> 01:04:46,800
Speaker 1: It's like I'll be here on a lounger by the pool, hungover,

1040
01:04:46,920 --> 01:04:51,280
Speaker 1: just filmed me. Cage shared with the reporters that he

1041
01:04:51,360 --> 01:04:53,800
Speaker 1: once was victimized by someone who had broken into his

1042
01:04:53,840 --> 01:04:57,360
Speaker 1: Orange County home. He says, I opened my eyes and

1043
01:04:57,400 --> 01:05:00,200
Speaker 1: there was a naked man wearing my leather jacket eating

1044
01:05:00,200 --> 01:05:05,320
Speaker 1: a flegetacle at the front of my bed. Very well,

1045
01:05:05,720 --> 01:05:09,080
Speaker 1: you know, I have an alibi for that night. You

1046
01:05:09,120 --> 01:05:10,840
Speaker 1: know a lot of people say I look like him,

1047
01:05:10,920 --> 01:05:14,520
Speaker 1: like thirty years ago. Thirty years ago, people flowed I

1048
01:05:14,600 --> 01:05:18,720
Speaker 1: was him all the time. Yeah, yeah, it was either

1049
01:05:19,200 --> 01:05:21,440
Speaker 1: it was NICKI I got Nick Cage all the time,

1050
01:05:21,880 --> 01:05:26,640
Speaker 1: all the time. Not while we maybe we were kind

1051
01:05:26,640 --> 01:05:30,360
Speaker 1: of the same profile Rock. I can't do with Sean Connery.

1052
01:05:30,360 --> 01:05:33,680
Speaker 1: Can you do with Sean Connery? Riley, Welcome to Sean Connery,

1053
01:05:34,600 --> 01:05:40,040
Speaker 1: Welcome to the Rock. The Laurea Lion Rary and the

1054
01:05:40,040 --> 01:05:42,960
Speaker 1: flower filled room at the BnB and Laurel I says, okay,

1055
01:05:43,080 --> 01:05:44,640
Speaker 1: I think we just found the first room in the

1056
01:05:44,680 --> 01:05:46,760
Speaker 1: history of the world that would have made Liberati say,

1057
01:05:46,760 --> 01:05:51,560
Speaker 1: whoa step back? No, one's that game. Well, the flowers

1058
01:05:51,560 --> 01:05:55,240
Speaker 1: were moving with the tinfoil. Liberaci was an American pianist, singer,

1059
01:05:55,280 --> 01:05:58,360
Speaker 1: and actor. Liberaci's house had a music theme, musical notes

1060
01:05:58,400 --> 01:06:00,840
Speaker 1: on the iron fence, musical staff above the front door,

1061
01:06:01,000 --> 01:06:04,560
Speaker 1: and his famed piano shape swimming pool. During a Pittsburgh

1062
01:06:04,560 --> 01:06:08,080
Speaker 1: show in the late nineteen sixty three, Liberacci was rushed

1063
01:06:08,120 --> 01:06:11,680
Speaker 1: the emergency room from after collapsing his costume, which he

1064
01:06:11,720 --> 01:06:15,280
Speaker 1: had cleaned himself with carbon tetra chloride prior to the show,

1065
01:06:15,400 --> 01:06:20,120
Speaker 1: leached the chemicals into his skins. I know and Michael

1066
01:06:20,160 --> 01:06:23,720
Speaker 1: Douglas portrayed Liberacci at Night and in two thousand thirteen

1067
01:06:23,720 --> 01:06:28,880
Speaker 1: Behind the Candelabra, also starring Matt Damon and I missed

1068
01:06:28,960 --> 01:06:34,400
Speaker 1: that one didn't is excellent, It's really good. Laura Line

1069
01:06:34,440 --> 01:06:37,200
Speaker 1: Rory are fighting about the engagement, and Laura Lie says, Rory,

1070
01:06:37,240 --> 01:06:39,000
Speaker 1: stop it. We're not going to have this fight in

1071
01:06:39,000 --> 01:06:42,000
Speaker 1: a flowery bedroom with denticy Gypsy's, tramps and thieves in

1072
01:06:42,000 --> 01:06:45,640
Speaker 1: the background. It's to David Lynch. David Keith Lynch is

1073
01:06:45,640 --> 01:06:49,560
Speaker 1: an American filmmaker, painter, visual artist, musician and writer. He

1074
01:06:49,680 --> 01:06:52,280
Speaker 1: always buttons the top button of shirt because he feels

1075
01:06:52,320 --> 01:06:55,080
Speaker 1: too vulnerable with the top button open. He had lunch

1076
01:06:55,160 --> 01:06:57,720
Speaker 1: every day at Bob's Big Boy in Los Angeles for

1077
01:06:57,840 --> 01:07:00,880
Speaker 1: seven years, ordering a chocolate milkshake and up to seven

1078
01:07:00,920 --> 01:07:04,320
Speaker 1: cups of coffee with sugar. Wasn't there a Bob's Big Boy, right?

1079
01:07:04,400 --> 01:07:09,520
Speaker 1: Near where you shot Gilmore Girls. Yes, Danielle, isn't that

1080
01:07:09,520 --> 01:07:15,680
Speaker 1: a Bob's big Yeah? Yeah, with a sweet drive through.

1081
01:07:15,840 --> 01:07:18,640
Speaker 1: It's sort of like a drive up. It's pretty rad.

1082
01:07:20,160 --> 01:07:22,400
Speaker 1: Lorela has just gone on and on pretending to be

1083
01:07:22,440 --> 01:07:25,560
Speaker 1: a fellow student in the campus hallways of Harvard. Rory says,

1084
01:07:25,640 --> 01:07:27,840
Speaker 1: you do realize that all of your college kids. Jargon

1085
01:07:27,920 --> 01:07:31,200
Speaker 1: comes from Happy Days. Happy Days in American sitcom television

1086
01:07:31,280 --> 01:07:34,560
Speaker 1: series that aired on the ABC Network spanning eleven seasons.

1087
01:07:35,040 --> 01:07:38,240
Speaker 1: We had the iconic Marion Ross on this podcast. Marian

1088
01:07:38,360 --> 01:07:41,640
Speaker 1: played Marion Cunningham on Happy Days and tricks on Gilmore Girls,

1089
01:07:42,080 --> 01:07:46,000
Speaker 1: and currently Henry Winkler's auctioning off his iconic Fawn's charity

1090
01:07:46,360 --> 01:07:51,760
Speaker 1: jacket for charity. Not easy for me to say, apparently

1091
01:07:52,120 --> 01:08:01,880
Speaker 1: an impression of the fawns A nice. That's good because

1092
01:08:01,960 --> 01:08:03,240
Speaker 1: I didn't know. I didn't know how to do it.

1093
01:08:03,280 --> 01:08:08,320
Speaker 1: That was good. Hey, you gotta pump it up a

1094
01:08:08,360 --> 01:08:17,680
Speaker 1: little bit. That's why I didn't get the job. Hey,

1095
01:08:18,360 --> 01:08:20,519
Speaker 1: it's not an old guy in Coney Island. What's wrong

1096
01:08:20,560 --> 01:08:26,439
Speaker 1: with you? That's not Riley. Don't forget Johnny loves Joni

1097
01:08:26,560 --> 01:08:34,400
Speaker 1: loves Chogy Laurel I is reading the famous people who

1098
01:08:34,439 --> 01:08:37,160
Speaker 1: have attended Harvard, and Laurel I says, oh cool. Fred

1099
01:08:37,160 --> 01:08:41,200
Speaker 1: Gwynn Roy says, who Laura says Herman Munster. Now I'm impressed.

1100
01:08:41,880 --> 01:08:44,559
Speaker 1: Fred was American actor, artist, and author. He was best

1101
01:08:44,600 --> 01:08:47,480
Speaker 1: known for his roles in the nineteen sixties television sitcom

1102
01:08:47,520 --> 01:08:50,559
Speaker 1: Car fifty four, Where Are You as Francis Muldoon and

1103
01:08:50,640 --> 01:08:53,920
Speaker 1: as Herman Munster and the Munsters. The Munsters first air

1104
01:08:54,080 --> 01:08:56,560
Speaker 1: nineteen sixty four. It was produced by the creators of

1105
01:08:56,720 --> 01:08:59,200
Speaker 1: Leave It to Beaver. The series was a satire of

1106
01:08:59,240 --> 01:09:03,160
Speaker 1: American slipper been life, and Fred's Herman Munster costume was

1107
01:09:03,200 --> 01:09:06,160
Speaker 1: brutally hot. It was essential to keep him cool, not

1108
01:09:06,200 --> 01:09:08,040
Speaker 1: only for his health, but to keep his makeup from

1109
01:09:08,080 --> 01:09:12,679
Speaker 1: melting town meetings. Huh So he had a town meeting

1110
01:09:12,680 --> 01:09:17,120
Speaker 1: every day at work? That guy inside his costume. Wait

1111
01:09:17,120 --> 01:09:20,360
Speaker 1: a minute, that could be misconstrued. I didn't you know anyway. No,

1112
01:09:20,479 --> 01:09:22,720
Speaker 1: I'm just saying he must have been really hot. Yes,

1113
01:09:22,760 --> 01:09:27,920
Speaker 1: thank you, Lane explains she was in the Lane explained

1114
01:09:27,960 --> 01:09:30,240
Speaker 1: she was in bootleg, Heaven and Korea. Lane says, well,

1115
01:09:30,280 --> 01:09:33,200
Speaker 1: I strapped into my body like in midnight Express. Midnight

1116
01:09:33,240 --> 01:09:36,120
Speaker 1: Express is a ninety eight prison drama film directed by

1117
01:09:36,120 --> 01:09:40,160
Speaker 1: Alan Parker. The cast includes stars John Hurt and Randy Quaid.

1118
01:09:40,680 --> 01:09:43,680
Speaker 1: This is This was Sir John Hurt's only movie that

1119
01:09:43,720 --> 01:09:46,840
Speaker 1: he did without first reading the script, and Randy Quaid

1120
01:09:46,920 --> 01:09:49,360
Speaker 1: went a little astray and was charged in two thousand

1121
01:09:49,479 --> 01:09:53,160
Speaker 1: nine for allegedly defrauding and keeper in Santa Barbara. Oh Random,

1122
01:09:53,200 --> 01:09:58,240
Speaker 1: I didn't know Randy Quade was in Midnight Express. I

1123
01:09:58,280 --> 01:10:04,040
Speaker 1: love him an Independence Day but and Laura Li said

1124
01:10:04,120 --> 01:10:07,280
Speaker 1: she's going out. While Rory sits in Normald Blexture at Harvard,

1125
01:10:07,560 --> 01:10:09,559
Speaker 1: Laura Li says, Hey, I'm gonna go find the ladies room,

1126
01:10:09,600 --> 01:10:11,640
Speaker 1: you know, sneak of smoke, see if anybody slipped in

1127
01:10:11,640 --> 01:10:15,120
Speaker 1: aspirin and my coke. Rory says, Okay, Rizzo, I'd like

1128
01:10:15,160 --> 01:10:18,920
Speaker 1: to stay here and listen a little bit more. This

1129
01:10:19,040 --> 01:10:21,960
Speaker 1: is referring to Rizzo from Greece. Grease nineteen seventy American

1130
01:10:22,040 --> 01:10:25,280
Speaker 1: musical romantic comy film based in nineteen seventy one musical.

1131
01:10:25,560 --> 01:10:27,760
Speaker 1: The title Grease was away for the creators to pay

1132
01:10:27,760 --> 01:10:30,800
Speaker 1: homage to the nineteen fifties and the air greasy hair,

1133
01:10:30,880 --> 01:10:34,280
Speaker 1: Greasy Engines and greasy food. The character Rizzo is played

1134
01:10:34,280 --> 01:10:37,880
Speaker 1: by Stockard Channing, and instead of using makeup, Jeff Conaway

1135
01:10:37,960 --> 01:10:42,240
Speaker 1: Knicky insisted on giving Stalkard Channing Rizzo real hickies. And

1136
01:10:42,439 --> 01:10:45,400
Speaker 1: he did remember a hickey from KNICKI is like a

1137
01:10:45,439 --> 01:10:50,880
Speaker 1: Hallmark card. Will Smith just professed his love for Stalkard.

1138
01:10:50,880 --> 01:10:53,280
Speaker 1: He fell in love with her on the set of

1139
01:10:53,360 --> 01:10:56,800
Speaker 1: Six Degrees of Separation. Yes, and I was gonna say,

1140
01:10:56,840 --> 01:11:00,639
Speaker 1: can you name Stockard Channing's iconic character on The West Wing?

1141
01:11:01,560 --> 01:11:05,519
Speaker 1: We name the character name? I mean, or just who

1142
01:11:05,560 --> 01:11:10,280
Speaker 1: she played? The first Lady. She was the first lady.

1143
01:11:10,360 --> 01:11:14,680
Speaker 1: She was so amazing, first lady doing what married to

1144
01:11:14,760 --> 01:11:18,960
Speaker 1: Martin Sheen's President party. You've never seen The West Wing.

1145
01:11:20,439 --> 01:11:23,240
Speaker 1: I'm not a big consumer of television. You would love

1146
01:11:23,280 --> 01:11:26,439
Speaker 1: The West Wing. I don't like a watch. Watch give

1147
01:11:26,479 --> 01:11:28,599
Speaker 1: The West Wing a try because it's like a movie

1148
01:11:28,600 --> 01:11:31,840
Speaker 1: a week. It's so good. You would love it. I'm

1149
01:11:31,840 --> 01:11:33,800
Speaker 1: gonna check it out for you. I'm gonna check it out,

1150
01:11:34,400 --> 01:11:37,880
Speaker 1: watch the pilot and get back to me because it's

1151
01:11:37,960 --> 01:11:40,920
Speaker 1: like probably the best television show in the history of

1152
01:11:41,000 --> 01:11:48,479
Speaker 1: its time, really top ten for sure, better than Billions. Yep.

1153
01:11:50,640 --> 01:11:54,559
Speaker 1: It is. I can't say that it's better than Gilmore Girls,

1154
01:11:54,680 --> 01:12:00,479
Speaker 1: but it is top ten, can't be it is watching Wow.

1155
01:12:00,840 --> 01:12:02,360
Speaker 1: Where can I get it? Where? Where can I get it?

1156
01:12:02,360 --> 01:12:07,440
Speaker 1: To my local grocery store? Yeah, or anywhere you stream television.

1157
01:12:07,520 --> 01:12:13,280
Speaker 1: I think it's Netflix. It's on Netflix. Rummage around some

1158
01:12:13,800 --> 01:12:16,040
Speaker 1: discount bins, see if I can pick up a couple

1159
01:12:16,120 --> 01:12:18,800
Speaker 1: of episodes. I think it's also a Warner Brother's show,

1160
01:12:18,960 --> 01:12:20,720
Speaker 1: just like you More Girls. They must have being it

1161
01:12:20,840 --> 01:12:25,840
Speaker 1: right near you. Maybe your local blockbuster. Yeah, go to blockbust,

1162
01:12:25,840 --> 01:12:32,080
Speaker 1: Go to Blockbuster, you get something. Dan, you're very silent today.

1163
01:12:32,720 --> 01:12:39,360
Speaker 1: What's up? You're just you're over there because like Riley's reading,

1164
01:12:39,400 --> 01:12:41,840
Speaker 1: you're playing guitar, and I'm just here, are you losing

1165
01:12:41,840 --> 01:12:45,439
Speaker 1: your mind? You're losing your mind? It's so it's so good,

1166
01:12:45,640 --> 01:12:47,880
Speaker 1: but I can't. I feel like I'm like I don't

1167
01:12:47,880 --> 01:12:50,840
Speaker 1: even know where I entered. It's like a okay, so

1168
01:12:50,920 --> 01:12:53,720
Speaker 1: like it's like a band freestyle and it's like some

1169
01:12:54,120 --> 01:12:57,320
Speaker 1: Riley's Miles Davis and we're like, you know, I'm a

1170
01:12:57,360 --> 01:13:00,880
Speaker 1: trumpet player, name he's a bassoon and or on whatever.

1171
01:13:01,320 --> 01:13:03,800
Speaker 1: I'm not sure it's as good as that Scott, but

1172
01:13:08,280 --> 01:13:13,599
Speaker 1: I don't know ya. Come on, they play the spoone

1173
01:13:13,720 --> 01:13:18,400
Speaker 1: or something. You can play the spone speaking French, speaking

1174
01:13:18,400 --> 01:13:24,080
Speaker 1: of French accent in place the spoone ahead, Riley, could

1175
01:13:24,080 --> 01:13:27,840
Speaker 1: you give us a John Trable to impression? I think

1176
01:13:27,880 --> 01:13:40,040
Speaker 1: I can, Sandy Sun nice. You're nail and stuff, just

1177
01:13:40,200 --> 01:13:47,439
Speaker 1: nail and stuff. You know, some people are given talents, yes,

1178
01:13:47,760 --> 01:13:51,799
Speaker 1: some people are. Some people aren't. Some people are robbed

1179
01:13:51,800 --> 01:13:55,120
Speaker 1: of their talents and they're given to other people like Riley,

1180
01:13:56,479 --> 01:13:59,240
Speaker 1: and some people robbed of their voice on certain days,

1181
01:13:59,280 --> 01:14:02,759
Speaker 1: like Danielle, what's going on? Danielle? Say something? Say something?

1182
01:14:03,400 --> 01:14:09,920
Speaker 1: Interject Danielle, do you have a Grease impression? You could do?

1183
01:14:10,000 --> 01:14:17,519
Speaker 1: Come on something screeching car, tire something you give a

1184
01:14:17,520 --> 01:14:21,600
Speaker 1: falzy impression? Something dead? Air is not good? All right,

1185
01:14:21,640 --> 01:14:24,760
Speaker 1: we'll come back to you. You do talk about it

1186
01:14:24,840 --> 01:14:27,760
Speaker 1: stead is that that's the nice? Tell me about it,

1187
01:14:27,840 --> 01:14:30,720
Speaker 1: tell me about yeah, but can you do it for real?

1188
01:14:31,280 --> 01:14:37,599
Speaker 1: Tell me about it's dead? Oh? I got the thumbs

1189
01:14:37,680 --> 01:14:41,320
Speaker 1: up from Riley. I didn't think up. Go watch Grease.

1190
01:14:41,439 --> 01:14:43,799
Speaker 1: Try it again. You have to like, slow it down,

1191
01:14:44,640 --> 01:14:50,080
Speaker 1: tell me about it, stud tell me about it. Stuff.

1192
01:14:51,200 --> 01:15:03,840
Speaker 1: There's no, tell me abo, tell me about it. That's

1193
01:15:03,880 --> 01:15:11,240
Speaker 1: it for pop culture. Yeah. So my favorite line was

1194
01:15:11,280 --> 01:15:14,200
Speaker 1: from Ladawn, the Cookie bed and breakfast owner, and she

1195
01:15:14,240 --> 01:15:16,400
Speaker 1: says the whole thing with the bell just cracked me up.

1196
01:15:16,800 --> 01:15:19,200
Speaker 1: I'm not usually sitting here when guests arrived, so people

1197
01:15:19,280 --> 01:15:20,840
Speaker 1: ring the bell, and they loved to ring the bell.

1198
01:15:20,920 --> 01:15:25,320
Speaker 1: And you didn't get to ring the bell. I like,

1199
01:15:25,720 --> 01:15:28,439
Speaker 1: I am a grown woman. This was actually during the fight,

1200
01:15:28,640 --> 01:15:37,240
Speaker 1: says the woman with a Hello kitty waffle iron Um.

1201
01:15:37,280 --> 01:15:40,000
Speaker 1: I guess there's a lot of them, but it was

1202
01:15:40,120 --> 01:15:42,479
Speaker 1: for me. It was just one word that Laurel I

1203
01:15:42,600 --> 01:15:45,040
Speaker 1: said to the college student that was hitting on her.

1204
01:15:45,600 --> 01:15:48,080
Speaker 1: The very last thing she said to him was getchi

1205
01:15:48,280 --> 01:15:51,400
Speaker 1: or gichi and that is a term what is that

1206
01:15:51,439 --> 01:15:53,680
Speaker 1: a term from the fifties or something like. That's a

1207
01:15:53,800 --> 01:15:58,040
Speaker 1: term from happy days And it was so out of

1208
01:15:58,760 --> 01:16:03,920
Speaker 1: whack with to the back then even uh with two thousand,

1209
01:16:03,920 --> 01:16:06,479
Speaker 1: two thousand one. It was just I got a good

1210
01:16:06,520 --> 01:16:09,320
Speaker 1: chuckolate that one. Okay. And my favorite line is from

1211
01:16:09,320 --> 01:16:12,880
Speaker 1: Suki yet again, and it was when she said you

1212
01:16:12,880 --> 01:16:15,240
Speaker 1: were a good cake, Clyde. I never should have named

1213
01:16:15,280 --> 01:16:21,080
Speaker 1: you the poor cake was so beautiful. Cake she just

1214
01:16:21,120 --> 01:16:23,439
Speaker 1: gave the piece away. It was so sad. She started

1215
01:16:23,479 --> 01:16:26,040
Speaker 1: chopping from the bottom, and I was worried it was

1216
01:16:26,080 --> 01:16:28,200
Speaker 1: the whole thing was going to topple over. I there

1217
01:16:28,240 --> 01:16:32,280
Speaker 1: was anxiety created there because I thought, just cut from

1218
01:16:32,320 --> 01:16:35,479
Speaker 1: the top, take a slice from well, what do I know.

1219
01:16:35,800 --> 01:16:39,240
Speaker 1: I don't know anything about building wedding cakes. It's dressed

1220
01:16:39,240 --> 01:16:41,120
Speaker 1: me out too. But then I was like, the probably

1221
01:16:41,200 --> 01:16:43,960
Speaker 1: every other layer's fake. So she had to cut the bottom.

1222
01:16:44,080 --> 01:16:46,800
Speaker 1: Oh that is an excellent point. Is that what they

1223
01:16:46,840 --> 01:16:49,639
Speaker 1: do well on wedding cakes? The ones that are really

1224
01:16:49,680 --> 01:16:53,400
Speaker 1: tall sometimes, like the very top ones are just like styrofoam. Yeah.

1225
01:16:53,760 --> 01:16:56,080
Speaker 1: Can you imagine paying a thousand bucks for a cake

1226
01:16:56,160 --> 01:17:03,519
Speaker 1: and you bite into star in controversy. No Michelle in

1227
01:17:03,520 --> 01:17:06,840
Speaker 1: this episode, right, Oh yeah, that's so weird. It was

1228
01:17:06,960 --> 01:17:12,080
Speaker 1: missing a Michelle. It was miss missing Michelle comedy. Great

1229
01:17:12,120 --> 01:17:16,040
Speaker 1: episode though, great episode, I mean it had it. It

1230
01:17:16,160 --> 01:17:19,599
Speaker 1: had its moments for me where I wasn't so thrilled.

1231
01:17:19,640 --> 01:17:22,599
Speaker 1: But I kept saying to myself in the beginning, Man,

1232
01:17:22,640 --> 01:17:24,920
Speaker 1: you cannot take this show out of stars hollow. This

1233
01:17:25,000 --> 01:17:28,400
Speaker 1: is gonna be a tough sledding here. If it's just

1234
01:17:28,439 --> 01:17:30,840
Speaker 1: going to be these two carrying this. But that did

1235
01:17:30,840 --> 01:17:34,960
Speaker 1: not bother me as bothered you. But no in the beginning.

1236
01:17:35,000 --> 01:17:36,760
Speaker 1: But I thought they did very well. They brought it

1237
01:17:36,800 --> 01:17:40,400
Speaker 1: around and it turned out to be great. You know, Yeah,

1238
01:17:40,600 --> 01:17:43,679
Speaker 1: you didn't mind Harvard. No. I loved all the Harvard stuff,

1239
01:17:43,800 --> 01:17:47,080
Speaker 1: loved it all, loved it all. I loved it all.

1240
01:17:47,160 --> 01:17:50,559
Speaker 1: Other than I will I'm very curious what everyone listening

1241
01:17:50,600 --> 01:17:55,080
Speaker 1: thinks if we got it right about that argument, or

1242
01:17:55,120 --> 01:17:58,160
Speaker 1: if James got it right. So that's really interesting. They're gonna,

1243
01:17:58,160 --> 01:18:01,200
Speaker 1: they're gonna, they're just gonna pilary us. They're gonna gonna,

1244
01:18:01,439 --> 01:18:04,320
Speaker 1: We're gonna get We're gonna get lamb based in for this.

1245
01:18:06,479 --> 01:18:09,799
Speaker 1: We're gonna all get on our sleds and sled away here. Uh.

1246
01:18:10,560 --> 01:18:12,640
Speaker 1: Thanks everybody for download and you're the best fans of

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Speaker 1: the world. We love you, we need you, we need

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Speaker 1: your comments. I am Scott Patterson and this is the

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Speaker 1: I Am All In Podcast. I Heart Radio want of

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Speaker 1: them production. Stay safe everyone, hey everybody, and don't forget

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Speaker 1: Follow us on Instagram at I Am all In Podcast

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Speaker 1: and email us at Gilmore at I heart radio dot com. Oh,

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