WEBVTT - There's a Halloween Event on the Horizon

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<v Speaker 1>Get in touch with technology with tech Stuff from stuff

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<v Speaker 1>dot Com. Hey there, and welcome to tech Stuff. I'm

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<v Speaker 1>Jonathan Spooky Strickland and I'm Lauren I didn't prepare a

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<v Speaker 1>pun voc obamb Yeah, and we're gonna have our special

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<v Speaker 1>Halloween episode, Spooky Halloween episode. Yeah. We we started talking

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<v Speaker 1>about what we could possibly cover for Halloween, and it

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<v Speaker 1>turns out that, you know, tech Stuffs covered a lot

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<v Speaker 1>of things in the more than five episodes that we

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<v Speaker 1>have in our in our back catalog. Crazy thing that

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<v Speaker 1>I read, I recommended, like, oh we could do Airman's

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<v Speaker 1>and Jonathan's like covered it. It's like ghost tours covered it,

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<v Speaker 1>like ghost hunting technology and like, Yeah, that was a

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<v Speaker 1>that was a particularly um energetic discussion. Chris was trying

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<v Speaker 1>to keep me from exploding the entire time. So we

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<v Speaker 1>thought we'd take a horror movie and look at the

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<v Speaker 1>science and technology in that horror movie as well, just

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<v Speaker 1>kind of discussed what that horror movie is all about,

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<v Speaker 1>sort of the same way we did in Dependence Day

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<v Speaker 1>back for the Fourth of July. Now, there aren't that

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<v Speaker 1>many horror movies that we could think of that have

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<v Speaker 1>a heavy tech angle. There are some and there are plenty.

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<v Speaker 1>And we also, I mean, you know, we we wanted

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<v Speaker 1>to do something that isn't um as completely offensive as

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<v Speaker 1>as it could be. I mean, you know, it's the

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<v Speaker 1>movie that we chose is rated are and um, I

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<v Speaker 1>think both of us enjoy it, uh for yeah, from

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<v Speaker 1>a kind of tongue in cheek way. Sometimes I I

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<v Speaker 1>genuinely enjoy this film, but it is not what I

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<v Speaker 1>would call a good movie. It is Event Horizon. Yes,

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<v Speaker 1>it is a space movie. It's a movie set in space.

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<v Speaker 1>It's all about space. Let's go ahead and give you

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<v Speaker 1>an overview of what the basic plot is in case

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<v Speaker 1>you haven't seen it. Right, Although I will say that

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<v Speaker 1>that this this discussion is going to involve lots of spoilers,

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<v Speaker 1>and and like I said, we do enjoy this movie.

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<v Speaker 1>I want you to see it and to not be

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<v Speaker 1>spoiled when you go into it. So if you have

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<v Speaker 1>not ever seen the film, and you are of an

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<v Speaker 1>appropriate agent constitution to watch a thing with with kind

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<v Speaker 1>of gory va island and uh mild nudity occasional cursing,

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<v Speaker 1>then maybe maybe just turn this podcast off and wait

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<v Speaker 1>until you can watch the movie. Right now, I will

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<v Speaker 1>say since the film came out, all bets are off.

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<v Speaker 1>So here we go. Basic plot, All right, You've got

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<v Speaker 1>a ship, it's called the Event Horizon, and it's supposedly

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<v Speaker 1>a research ship that's meant to explore the further reaches

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<v Speaker 1>of our solar system. And on its maiden voyage it

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<v Speaker 1>disappeared somewhere just beyond Neptune. Now that happens in the

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<v Speaker 1>year seven years later. A research alright, rescue ship rather,

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<v Speaker 1>it sent out, sent out with a particular engineer, a

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<v Speaker 1>scientist who had worked on the Event Horizons propulsion system

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<v Speaker 1>actually designed the entire ship. Yeah, so he's he's going

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<v Speaker 1>along with them. They don't know what their mission is

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<v Speaker 1>when they first leave, but they are to go out

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<v Speaker 1>to Neptune and try and find the origin of a

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<v Speaker 1>mysterious transmission that apparently came from it's coming in Avtterrize

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<v Speaker 1>and and and rescue the ship of the crew if

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<v Speaker 1>it all possible. Right, So they go out there, and

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<v Speaker 1>bad stuff happens, y'all. First of all, it turns out

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<v Speaker 1>that the event Horizons secret propulsion system is something that

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<v Speaker 1>is called a gravity drive in the movie, and the

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<v Speaker 1>ideas that it kind of in messes with space. Right,

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<v Speaker 1>it creates a black hole essentially, and we'll get into

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<v Speaker 1>that a little bit more later on. That's yeah, Well,

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<v Speaker 1>we'll discuss the entire black hole thing at length because

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<v Speaker 1>it's interesting. It's what's really interesting is how much of

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<v Speaker 1>the science the movie at least attempted to get right. Yeah. Yeah,

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<v Speaker 1>I want to give it a lot of kudos. I do.

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<v Speaker 1>I do think that it really tried, Like gold Star,

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<v Speaker 1>you tried. It didn't just use black hole as some

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<v Speaker 1>sort of magic, magic placeholder, right. They tried to find

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<v Speaker 1>a way of explaining this, and there there is some

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<v Speaker 1>scientific basis for some other stuff they talk about anyway.

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<v Speaker 1>But because it's a horror movie, um, when it tried

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<v Speaker 1>to create this hole in spacetime to travel through, instead,

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<v Speaker 1>it accidentally ended up in a hell dimension. Yeah, the

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<v Speaker 1>idea brought a bunch of Hell back with it and

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<v Speaker 1>is haunted. The ship is haunted by Hell and or

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<v Speaker 1>is Hell itself. Yeah, it could actually be possessed. It's

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<v Speaker 1>a little weird. Yeah. So the idea of being that

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<v Speaker 1>that when the gravity drive is is activated, the ship

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<v Speaker 1>travels through a dimension, in this case a hellish dimension

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<v Speaker 1>of pure chaos and evil as what character says, and uh,

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<v Speaker 1>and that yeah, it brings something back. And the crew

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<v Speaker 1>is deader than dead, super dead. Yeah, they are so dead.

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<v Speaker 1>You see lots of really really dead people and uh.

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<v Speaker 1>And then the rescue mission comes aboard and tries to

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<v Speaker 1>do what they're supposed to do, and then hilarity ensues.

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<v Speaker 1>We won't spoil everything, but essentially, obviously you have to

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<v Speaker 1>dismantle the rescue ship or else they could just leave,

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<v Speaker 1>so that gets taken care of. Uh. Then you have

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<v Speaker 1>to separate out the crew members for various reasons and

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<v Speaker 1>then have terrible things happened to them. And all this

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<v Speaker 1>happens at great gore and detail, and it's entertaining. It's

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<v Speaker 1>not at all. It's not Shakespeare, but it's fun. I

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<v Speaker 1>really appreciate that the film and this was this was

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<v Speaker 1>directed by Paul Anderson. A Paul Anderson. He has some

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<v Speaker 1>initials in there somewhere that I'm completely missing and I

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<v Speaker 1>did not write them down. But he's the same guy

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<v Speaker 1>who directed the Mortal Kombat movie. Yes, he said that

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<v Speaker 1>he wanted to have a turn at directing something a

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<v Speaker 1>little more eyebrow. No, he was talking about gory. He

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<v Speaker 1>wanted to make he wanted a chance to make an

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<v Speaker 1>R rated picture after That's right, because Mortal Kombat was

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<v Speaker 1>PG thirteen, um And and I and I do, like

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<v Speaker 1>I said, I want to give the film a lot

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<v Speaker 1>of kudos, you know. Okay, So it starts out with

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<v Speaker 1>this brief timeline, and I'd say that it was a

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<v Speaker 1>hopeful but not completely ridiculous timeline. They were saying that

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<v Speaker 1>the first permanent moon colony in this in this science

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<v Speaker 1>fiction setting was in uh and that commercial mining on

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<v Speaker 1>Mars began in two considering that, you know, we've got

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<v Speaker 1>some some outfits here on Earth that are trying to

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<v Speaker 1>get to Mars around that same time period. All right, Yeah,

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<v Speaker 1>and the lunar colony in is way too ambitious, but well,

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<v Speaker 1>but back there was no way of knowing that the

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<v Speaker 1>space program was going to going to have so many

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<v Speaker 1>financial hits. Um So, yeah, getting into it. One thing

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<v Speaker 1>that confused me was the idea of even having a ship.

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<v Speaker 1>Now the cover the event Horizons Outer Solar System Exploration,

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<v Speaker 1>which the cover story, yeah it was just say code

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<v Speaker 1>black the real reason. That's the actual thing that they

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<v Speaker 1>said in the film, And I'm still not sure what

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<v Speaker 1>that means. It sounds really nifty, right. I guess it

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<v Speaker 1>just means super duper secret, y'all. You have to know

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<v Speaker 1>the secret handshake in order to get access to it.

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<v Speaker 1>But the thing that made me confused was just the

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<v Speaker 1>idea of even building a ship for that sort of thing.

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<v Speaker 1>We've built that people can get out onto the surface

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<v Speaker 1>if Neptune and walk around and on gas giants. Yeah,

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<v Speaker 1>that sounds like a great idea. Um, you know, really

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<v Speaker 1>hot gas giants where the winds are two point one

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<v Speaker 1>thousand kilometers perout right, that's exactly that and has the

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<v Speaker 1>most high force winds in the entire Solar System. Not

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<v Speaker 1>a not a very nice place to go visit. Yeah,

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<v Speaker 1>so it's and lots of methane in the atmosphere too,

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<v Speaker 1>not great hydrogen and helium also in the atmosphere. It's

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<v Speaker 1>not a very great planet to to go visit if

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<v Speaker 1>you don't have some massive protection around you. It just

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<v Speaker 1>seems weird because we could do robotic probes that kind

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<v Speaker 1>of stuff for that sort of thing. But whatever, so uh,

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<v Speaker 1>they'll also just get it all the way. This is

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<v Speaker 1>one of those space movies where we do hear sounds

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<v Speaker 1>in space and the initial sequence turns out to be

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<v Speaker 1>a dream sequence. So you can't entirely blame the fact

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<v Speaker 1>that you're hearing a thunderstorm on Neptune from space on

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<v Speaker 1>on the fact that it's Yeah, it's some sort of hallucination,

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<v Speaker 1>hallucination or dream or something. But assuming the rest of

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<v Speaker 1>the movie is not a hallucination or dream, which as

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<v Speaker 1>far as I can tell, that's not the intention. Point.

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<v Speaker 1>There's plenty of examples of hearing sound in space, absolutely

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<v Speaker 1>not necessarily that the characters hear it, but the audience

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<v Speaker 1>hears it. Also a good point from from this general

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<v Speaker 1>area of the film, they're um, they're showing spaceships as

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<v Speaker 1>being three dimensional and spaces being three dimensional and things

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<v Speaker 1>coming at each other from different angles, which I absolutely

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<v Speaker 1>approve it right, it's not all in the same plane

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<v Speaker 1>like it would be in most Star Trek. Not all

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<v Speaker 1>Star Trek the most control certain points are Trek really

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<v Speaker 1>only discovered that space is multidimensional, I think, and pay

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<v Speaker 1>in the game. Yeah. So there's also some other interesting

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<v Speaker 1>things that they do have artificial gravity in this in

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<v Speaker 1>this universe, we don't know how they generated, although they

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<v Speaker 1>appear to have some other means of controlling gravity. With

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<v Speaker 1>the gravity drive. They talk about using electro magnets to

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<v Speaker 1>control the flow of gravitons. Uh, gravitons right now are

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<v Speaker 1>a hypothetical particle. We think they exist based upon the math,

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<v Speaker 1>but we have not identified or observed gravitons. But but

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<v Speaker 1>I'm cool with this science fiction film positing that we're

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<v Speaker 1>going to discover the graviton particle within the next forty years. Okay,

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<v Speaker 1>thirty years. Yeah, right, that's right. Sorry, I'm old. That's cool.

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<v Speaker 1>So so it's it's yeah, it's it's one of those

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<v Speaker 1>things where maybe if they discovered gravitons, they also figured

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<v Speaker 1>out how to create artificial gravity, because what they are

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<v Speaker 1>not doing is creating it through rotating a spaceship or

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<v Speaker 1>space station in order to use the centripetal force to

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<v Speaker 1>kind of fake gravity. Right, So you know, we're well,

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<v Speaker 1>we'll give him that too. I won't. I don't understand ever,

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<v Speaker 1>shaving with a straight razor. I don't have to shave

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<v Speaker 1>my face, so I just don't think that's a wise

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<v Speaker 1>idea to do in space. But then, I mean, if

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<v Speaker 1>you've got artificial gravity, you're pretty This is this is

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<v Speaker 1>Sam Neil's character. Sam Neil playing the the physicist who,

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<v Speaker 1>as it turns out, designed this event horizonship and um

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<v Speaker 1>and he's got some problems that the film goes into

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<v Speaker 1>pretty extensively, and so the straight razor, as it turns out,

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<v Speaker 1>is symbolic. You find out that his wife committed suicide

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<v Speaker 1>with a straight which makes me even more concerned for

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<v Speaker 1>him that he's using that to shave with. Y'all, this

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<v Speaker 1>is a bad This is going bad places. A psychologist

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<v Speaker 1>would probably have a few things to say about it. Uh.

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<v Speaker 1>I thought that the space station that Samuel's character is

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<v Speaker 1>on at the beginning of the film was a little

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<v Speaker 1>odd in that it's think of a massive grid made

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<v Speaker 1>out of like scaffolding, or if you've ever worked on

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<v Speaker 1>a theater set where you've got the grid that you

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<v Speaker 1>hang the lights off of that looks like the skeleton

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<v Speaker 1>of this space station and just looks like a massive

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<v Speaker 1>grid of this stuff, like the set to Stomp or something. Yeah,

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<v Speaker 1>And occasionally you have these habitats that are you know,

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<v Speaker 1>you could tell that they're these these things that are

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<v Speaker 1>connected to the gritting grid structure that are where everyone lives,

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<v Speaker 1>but they don't seem to be connected to each other

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<v Speaker 1>like they're on different parts of the grid, and this

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<v Speaker 1>thing isn't to be connected. Yeah, you wouldn't really want

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<v Speaker 1>to spacewalk in between them. The spacewalking is pretty dangerous.

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<v Speaker 1>And lower orbit, which exact a little title comes up

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<v Speaker 1>that says lower I didn't pay attention to that point,

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<v Speaker 1>and I took notes, and I could not remember if

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<v Speaker 1>the space station was an orbit around Earth or Mars,

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<v Speaker 1>because there were comments that made me think, well, maybe

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<v Speaker 1>they were in orbit of Mars. So that makes some

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<v Speaker 1>of the rest of this discussion much easier for me.

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<v Speaker 1>But I did think it was neat that it looked modular,

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<v Speaker 1>which meant, you know, that makes sense. You would want

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<v Speaker 1>to be able to build onto any sort of permanent

0:11:21.080 --> 0:11:24.200
<v Speaker 1>space station UH in a way that would allow you

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<v Speaker 1>to not have to reinvent the wheel every time. So

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<v Speaker 1>if it's modular, you just add a new module on.

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<v Speaker 1>That makes sense, So all right, I'm giving it that too.

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<v Speaker 1>The rescue ship is called the Lewis and Clark UH,

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<v Speaker 1>named after the explorers who quote unquote discovered lots of

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<v Speaker 1>stuff in America. If you can consider people who had

0:11:44.280 --> 0:11:47.000
<v Speaker 1>been living there for hundreds and hundreds of years to

0:11:47.080 --> 0:11:53.199
<v Speaker 1>be not important enough to say they discovered it, but hey, um,

0:11:53.240 --> 0:11:55.040
<v Speaker 1>I thought the design of this was a little weird,

0:11:55.080 --> 0:11:58.680
<v Speaker 1>particularly the bridge. I wrote down that they're seating structure

0:11:59.480 --> 0:12:02.120
<v Speaker 1>that main happens. Chair drives me crazy. So so this

0:12:02.200 --> 0:12:05.000
<v Speaker 1>is a bridge in which all of the you know,

0:12:05.200 --> 0:12:08.960
<v Speaker 1>crew member chairs are normal kind of chairs. They can

0:12:09.040 --> 0:12:11.000
<v Speaker 1>roll around a little bit, but they basically a fixed

0:12:11.040 --> 0:12:14.720
<v Speaker 1>so the ground kind of like office chairs chairs. Ish um,

0:12:14.840 --> 0:12:18.320
<v Speaker 1>And this captain's chair is suspended from this kind of

0:12:18.400 --> 0:12:21.800
<v Speaker 1>track in the ceiling, like a like a roller coaster seat.

0:12:22.240 --> 0:12:27.040
<v Speaker 1>And it looks really goofy And I'm not sharing what

0:12:27.080 --> 0:12:30.040
<v Speaker 1>they were going. Lawrence Fishburn, who plays the Captain, sits

0:12:30.040 --> 0:12:31.800
<v Speaker 1>in this chair. It means that his feet are actually

0:12:31.880 --> 0:12:34.520
<v Speaker 1>dangling off the ground. He's not, he doesn't have contact

0:12:34.520 --> 0:12:37.080
<v Speaker 1>with the ground. It allows him to turn si degrees

0:12:37.120 --> 0:12:39.680
<v Speaker 1>and move along this track, But so would a chair

0:12:39.760 --> 0:12:42.880
<v Speaker 1>with wheels on it and or standing up. Yeah, so

0:12:43.080 --> 0:12:45.000
<v Speaker 1>I don't understand this because if you were to argue,

0:12:45.000 --> 0:12:47.640
<v Speaker 1>well this way, if there were some sort of problem,

0:12:48.280 --> 0:12:50.720
<v Speaker 1>his chair wouldn't go sliding all over the room. But

0:12:50.760 --> 0:12:53.800
<v Speaker 1>then everyone else's chairs seemed to have that ability. There's

0:12:53.840 --> 0:12:56.280
<v Speaker 1>one guy who pushes back from his workstation and rolls

0:12:56.280 --> 0:12:58.959
<v Speaker 1>halfway across the bridge. So if you're not going to

0:12:59.040 --> 0:13:01.120
<v Speaker 1>do it for everybody, don't do it for anyone. That's

0:13:01.120 --> 0:13:04.679
<v Speaker 1>what I say. Let's make this fair. Gosh darn't it um.

0:13:04.720 --> 0:13:06.920
<v Speaker 1>But yeah, I just thought that was a weird thing. Yeah, No,

0:13:07.120 --> 0:13:08.440
<v Speaker 1>I I did want to say that. I that I

0:13:08.480 --> 0:13:10.880
<v Speaker 1>do actually like the design aesthetic of the Lewis and

0:13:10.920 --> 0:13:13.760
<v Speaker 1>Clark because it's more functional than pretty most of the time,

0:13:14.120 --> 0:13:16.040
<v Speaker 1>and I feel like it's very much based in the

0:13:16.320 --> 0:13:20.840
<v Speaker 1>general aesthetic of today's NASA ships. Right, it looks, it

0:13:20.880 --> 0:13:23.480
<v Speaker 1>looks like it's functional. It doesn't look like it's made

0:13:23.559 --> 0:13:25.800
<v Speaker 1>out of you know, it's not. It's not some sort

0:13:25.800 --> 0:13:28.199
<v Speaker 1>of Star Wars type thing where everything is pristine and

0:13:28.200 --> 0:13:31.440
<v Speaker 1>beautiful as long as you're working for the Empire. It's

0:13:31.440 --> 0:13:35.160
<v Speaker 1>it's definitely it's more on the Firefly range where this

0:13:35.160 --> 0:13:37.120
<v Speaker 1>this looks like this is something that does work. It

0:13:37.160 --> 0:13:40.640
<v Speaker 1>doesn't look like it's a set necessarily, you know, it's

0:13:40.640 --> 0:13:42.920
<v Speaker 1>a little bit roomier than perhaps a real spaceship would

0:13:42.960 --> 0:13:47.160
<v Speaker 1>be in order to have those those good But but

0:13:47.200 --> 0:13:48.719
<v Speaker 1>other than that, I'm willing to give them that it

0:13:48.760 --> 0:13:51.920
<v Speaker 1>reminded me a little bit of like an expanded submarine,

0:13:52.000 --> 0:13:54.720
<v Speaker 1>which is kind of what you would expect down for. Uh.

0:13:54.800 --> 0:13:57.199
<v Speaker 1>The propulsion system I thought was really interesting. They talked

0:13:57.240 --> 0:13:59.880
<v Speaker 1>this is kind of just mentioned offhand and dialogue. That's

0:14:00.000 --> 0:14:03.400
<v Speaker 1>an ion drive, which those really existing. Yeah. Yeah, So

0:14:03.520 --> 0:14:06.920
<v Speaker 1>an ion drive uses thrusters and ionized particles. Those are

0:14:07.000 --> 0:14:10.520
<v Speaker 1>charged particles in order to accelerate. And they can generate

0:14:10.559 --> 0:14:14.000
<v Speaker 1>these charged particles and excite them in two major ways

0:14:14.320 --> 0:14:17.800
<v Speaker 1>right now. We have the electro static force, which involves

0:14:18.080 --> 0:14:21.160
<v Speaker 1>usually bombarding particles with electron beams so that you build

0:14:21.200 --> 0:14:23.800
<v Speaker 1>up a negative charge. Uh. And there's also the electro

0:14:23.880 --> 0:14:27.160
<v Speaker 1>magnetic approach, where you use electromagnets to excite these ions

0:14:27.320 --> 0:14:29.800
<v Speaker 1>at any rate. Either way you're using this, you can

0:14:29.800 --> 0:14:33.320
<v Speaker 1>output these ions and create thrust. But the thing about

0:14:33.360 --> 0:14:36.760
<v Speaker 1>this is that it builds acceleration and the accelerating force

0:14:36.840 --> 0:14:41.040
<v Speaker 1>is very low, so it reaches very fast acceleration at

0:14:41.040 --> 0:14:43.680
<v Speaker 1>the end of this process. But but it takes a

0:14:43.680 --> 0:14:46.040
<v Speaker 1>minute together. It takes a long time. Yeah, you're talking

0:14:46.080 --> 0:14:50.080
<v Speaker 1>about like it's it's continuously accelerating, so it's not like

0:14:50.560 --> 0:14:53.400
<v Speaker 1>it accelerates and then just stops. But the rate of

0:14:53.440 --> 0:14:58.360
<v Speaker 1>acceleration is very low, so uh, I'm a little concerned

0:14:59.320 --> 0:15:02.000
<v Speaker 1>that they wouldn't be able to get from Earth to

0:15:02.200 --> 0:15:06.520
<v Speaker 1>Neptune in any reasonable amount of time using an ion drive.

0:15:06.600 --> 0:15:09.000
<v Speaker 1>I mean, I guess you could do it, but I

0:15:09.040 --> 0:15:11.240
<v Speaker 1>think it would take longer than fifty six days, which

0:15:11.240 --> 0:15:13.440
<v Speaker 1>is how long it takes within the film. Actually did

0:15:13.480 --> 0:15:16.200
<v Speaker 1>do the math, and the current ion fusters that we've

0:15:16.240 --> 0:15:19.880
<v Speaker 1>got can reach speeds of some nine kilometers per second,

0:15:19.920 --> 0:15:22.840
<v Speaker 1>which is over two hundred thousand miles per hour in space,

0:15:22.920 --> 0:15:25.680
<v Speaker 1>which is pretty screaming compared with like the Space Shuttle,

0:15:25.720 --> 0:15:29.280
<v Speaker 1>which is about eighteen thousand kilometers per second UM. But

0:15:29.840 --> 0:15:32.120
<v Speaker 1>even if the vehicle could go at that speed, the

0:15:32.240 --> 0:15:34.320
<v Speaker 1>entire distance from Earth to Neptune, which it could not

0:15:34.400 --> 0:15:36.360
<v Speaker 1>see above ree it takes a long time to warm

0:15:36.440 --> 0:15:39.400
<v Speaker 1>up UM, it would still take five d and fifty

0:15:39.400 --> 0:15:41.560
<v Speaker 1>three days unless I did the math wrong, which I don't.

0:15:41.560 --> 0:15:43.680
<v Speaker 1>I don't think it sounds about right because the distance

0:15:43.720 --> 0:15:47.240
<v Speaker 1>between Earth and Neptune is about four point four billion kilometers,

0:15:47.720 --> 0:15:50.000
<v Speaker 1>and granted, we're talking about forty years in the future,

0:15:50.120 --> 0:15:52.400
<v Speaker 1>and forty years can bring a lot of technological changes.

0:15:53.000 --> 0:15:55.360
<v Speaker 1>I think it's a possibility, but it's a stretch, yeah,

0:15:55.440 --> 0:15:57.080
<v Speaker 1>cutting it down. I mean, you're just talking about such

0:15:57.200 --> 0:15:59.360
<v Speaker 1>huge distances. And keep in mind four point four billion

0:15:59.440 --> 0:16:04.480
<v Speaker 1>kilometers that the average distance between Neptune and Earth, right yeah,

0:16:04.600 --> 0:16:07.520
<v Speaker 1>I calculated that um from the closest point at which

0:16:07.520 --> 0:16:10.360
<v Speaker 1>it's about four point three billion miles right. Yeah. And

0:16:10.360 --> 0:16:12.600
<v Speaker 1>and even then you have to plan it, like just

0:16:12.640 --> 0:16:15.680
<v Speaker 1>as we had to plan the Curiosity Rover to land

0:16:15.720 --> 0:16:19.080
<v Speaker 1>on Mars months in advance, because you know, the orbits

0:16:19.160 --> 0:16:21.680
<v Speaker 1>as the their you know, the plants continue to move

0:16:21.720 --> 0:16:24.640
<v Speaker 1>across their orbital past even after you launch the ship,

0:16:24.680 --> 0:16:27.640
<v Speaker 1>because they do not just hold in place. Yeah, so

0:16:27.680 --> 0:16:30.400
<v Speaker 1>you can't. You can't just launch when they're closest, because

0:16:30.560 --> 0:16:33.000
<v Speaker 1>they'll be moving apart from each other from that moment

0:16:33.440 --> 0:16:37.040
<v Speaker 1>moving on. So it's complicated. Um, But at any rate,

0:16:37.080 --> 0:16:40.320
<v Speaker 1>in order to not be bored for some fifty days

0:16:40.360 --> 0:16:43.040
<v Speaker 1>on this ship, that or die I guess the crew

0:16:43.040 --> 0:16:45.600
<v Speaker 1>goes into stasis. Right. They do give the excuse of

0:16:45.600 --> 0:16:48.160
<v Speaker 1>of of at the speeds that we're going, your skull

0:16:48.160 --> 0:16:51.480
<v Speaker 1>would liquefy, which is not true. That is super inaccurate. Okay, yeah,

0:16:51.480 --> 0:16:55.560
<v Speaker 1>they're talking about they would endure forces of excess of

0:16:55.560 --> 0:16:57.880
<v Speaker 1>thirty g s or around thirty g s. That's thirty

0:16:57.880 --> 0:17:02.200
<v Speaker 1>times the gravitational force you will here on Earth. All right,

0:17:02.280 --> 0:17:04.320
<v Speaker 1>here's some other issues. First of all, going into stasis.

0:17:04.320 --> 0:17:07.000
<v Speaker 1>That's always a problem, right as far as we understand

0:17:07.000 --> 0:17:10.120
<v Speaker 1>it today, because anything that is going to slow down

0:17:10.160 --> 0:17:12.400
<v Speaker 1>your bodily functions is not really that good for you.

0:17:12.520 --> 0:17:15.880
<v Speaker 1>And most of the time movies portray it as freezing

0:17:16.000 --> 0:17:19.920
<v Speaker 1>or in this case, it's being in this giant. Yeah,

0:17:19.960 --> 0:17:21.960
<v Speaker 1>it's it's more liquid than goo. I would say it

0:17:21.960 --> 0:17:24.520
<v Speaker 1>comes out like water, but it's um. That's just not

0:17:24.560 --> 0:17:28.600
<v Speaker 1>good for your body. No, No, your skin will absorb liquid,

0:17:28.760 --> 0:17:31.080
<v Speaker 1>especially once the oils begin to wash off. That's why

0:17:31.080 --> 0:17:33.119
<v Speaker 1>if you spend too long in the bath or the pool,

0:17:33.240 --> 0:17:36.280
<v Speaker 1>your fingers start to prune up. The your epidermis is

0:17:36.440 --> 0:17:40.240
<v Speaker 1>absorbing water. And wherever the epidermis and dermis meat it's anchored,

0:17:40.520 --> 0:17:43.480
<v Speaker 1>that's where you have those those valley parts, the crevices

0:17:43.600 --> 0:17:46.960
<v Speaker 1>that are in the pruney skin, and then the bulgy

0:17:47.000 --> 0:17:49.960
<v Speaker 1>bits that's where all the liquid has been absorbed. So

0:17:50.280 --> 0:17:53.800
<v Speaker 1>imagine that all over your body. It's not great, gives

0:17:53.920 --> 0:17:57.520
<v Speaker 1>rise to potential for bacterial infections. It's bad stuff. Also,

0:17:57.600 --> 0:18:00.159
<v Speaker 1>your muscles would atrophy after you had been spinning that

0:18:00.240 --> 0:18:03.160
<v Speaker 1>much time. We're talking about, you know, two months in

0:18:03.160 --> 0:18:07.240
<v Speaker 1>in non you know, motionless, you would be in bad

0:18:07.280 --> 0:18:09.280
<v Speaker 1>shape by the end of that. They don't appear to

0:18:09.320 --> 0:18:11.960
<v Speaker 1>be at all affected in that way. They cough a bit,

0:18:12.000 --> 0:18:14.800
<v Speaker 1>and that's it. Yeah, Sam Neil's character, who is not

0:18:14.880 --> 0:18:16.720
<v Speaker 1>used to it, kind of stumbles a little bit and

0:18:16.760 --> 0:18:20.280
<v Speaker 1>like isn't sure if he wants coffee, And that's that's about.

0:18:20.280 --> 0:18:22.720
<v Speaker 1>That's the worst problem he has. But the other side

0:18:22.760 --> 0:18:25.640
<v Speaker 1>of it, the whole thirty G issue. So, first of all,

0:18:25.760 --> 0:18:32.280
<v Speaker 1>the the record for enduring gravitational forces goes to UH

0:18:32.320 --> 0:18:36.240
<v Speaker 1>to John Stapp who for a very very short moment

0:18:36.760 --> 0:18:40.280
<v Speaker 1>experienced a force of forty six point two gs. He

0:18:40.359 --> 0:18:44.760
<v Speaker 1>was doing UH acceleration tests. You know, this was part

0:18:44.800 --> 0:18:47.000
<v Speaker 1>of the whole like, how much can a person endure

0:18:47.640 --> 0:18:51.880
<v Speaker 1>um turns out, you know, anything above say twenty geez

0:18:51.960 --> 0:18:56.119
<v Speaker 1>or so you're talking eyeballs out gravitational forces. That's what

0:18:56.160 --> 0:18:58.159
<v Speaker 1>they refer to it as. By the way, guys, so

0:18:58.200 --> 0:19:00.399
<v Speaker 1>at four the six point two his eyeball stayed in

0:19:00.400 --> 0:19:04.240
<v Speaker 1>his head. They didn't pop out, but he did suffer

0:19:04.440 --> 0:19:08.040
<v Speaker 1>permanent eye damage. He had vision problems for the rest

0:19:08.040 --> 0:19:10.200
<v Speaker 1>of his life. He did live a good long while

0:19:10.320 --> 0:19:12.920
<v Speaker 1>after that. It wasn't like he you know, suffered serious

0:19:12.920 --> 0:19:15.400
<v Speaker 1>health issues that led to his death. But he did

0:19:15.440 --> 0:19:18.679
<v Speaker 1>have serious health issues. They just were chronic and lasted,

0:19:18.800 --> 0:19:21.840
<v Speaker 1>you know, for the rest of his life. So uh,

0:19:21.880 --> 0:19:23.680
<v Speaker 1>but at for the six point two g's even at

0:19:23.680 --> 0:19:27.000
<v Speaker 1>that incredible amount of force supply to you, your skull

0:19:27.040 --> 0:19:30.800
<v Speaker 1>will not liquefy. Your brains and eyeballs might if if

0:19:30.840 --> 0:19:33.520
<v Speaker 1>you're exposed to it for long enough period of time,

0:19:33.640 --> 0:19:36.040
<v Speaker 1>you know, so at certain fifty two days, like a

0:19:36.040 --> 0:19:39.680
<v Speaker 1>couple of months, yeah, you might have some issues, uh

0:19:39.840 --> 0:19:42.240
<v Speaker 1>at that point. So yes, it would be deadly. However,

0:19:42.400 --> 0:19:45.560
<v Speaker 1>I'm pretty sure that submerging someone in liquid would not

0:19:45.840 --> 0:19:48.160
<v Speaker 1>mean that you had to get out of jail free

0:19:48.200 --> 0:19:51.639
<v Speaker 1>card for enduring that amount of force, especially not water.

0:19:51.840 --> 0:19:54.399
<v Speaker 1>I don't think that's how it works. No, if you

0:19:54.920 --> 0:19:58.199
<v Speaker 1>if you were suddenly put under the ocean at a

0:19:58.280 --> 0:20:01.280
<v Speaker 1>depth where the sure would be enough to crush you,

0:20:01.280 --> 0:20:04.320
<v Speaker 1>you still get crushed, even if you know the whole

0:20:04.320 --> 0:20:06.199
<v Speaker 1>thing in the abyss where they have to breathe in

0:20:06.240 --> 0:20:09.800
<v Speaker 1>the liquid oxygen is meant to say that if you

0:20:09.840 --> 0:20:13.320
<v Speaker 1>have yeah, if you have air inside your lungs, and

0:20:13.440 --> 0:20:16.040
<v Speaker 1>that's going to pop your lungs. But by putting liquid

0:20:16.200 --> 0:20:19.040
<v Speaker 1>you can endure more pressure. You still are not able

0:20:19.080 --> 0:20:21.960
<v Speaker 1>to endure endless amounts of pressure. So I'm not sure

0:20:22.000 --> 0:20:25.040
<v Speaker 1>that that would necessarily help. But then that brings us

0:20:25.080 --> 0:20:29.520
<v Speaker 1>to the kind of computer devices they use, which are tablets. Yeah,

0:20:29.560 --> 0:20:33.040
<v Speaker 1>and I think that for seven, it's a pretty Again,

0:20:33.080 --> 0:20:36.200
<v Speaker 1>it's a pretty good estimation of what they were going

0:20:36.240 --> 0:20:39.720
<v Speaker 1>to have. You know, no one working on this movie

0:20:39.720 --> 0:20:42.760
<v Speaker 1>clearly had talked to Steve Jobs and knew that the

0:20:42.800 --> 0:20:45.159
<v Speaker 1>iPad is going to come out. Yeah. Nice seven. That

0:20:45.240 --> 0:20:48.200
<v Speaker 1>might have been a little premature. Yeah, yeah, I mean

0:20:48.200 --> 0:20:51.200
<v Speaker 1>it's they use tablet computers. I think by twenty four

0:20:51.280 --> 0:20:54.600
<v Speaker 1>you will probably have moved beyond your basic tablet. But again,

0:20:54.680 --> 0:20:58.520
<v Speaker 1>you're extrapolating from now as opposed to from That's another

0:20:58.520 --> 0:21:00.119
<v Speaker 1>thing that I'm willing to give them a pass on

0:21:00.240 --> 0:21:01.879
<v Speaker 1>due to the fact that all of the tech on

0:21:01.920 --> 0:21:05.200
<v Speaker 1>their ship, which I think is purposefully clunky, and I

0:21:05.240 --> 0:21:08.159
<v Speaker 1>think it's for purely aesthetic reasons. But um, but I

0:21:08.200 --> 0:21:09.800
<v Speaker 1>can excuse it by the fact that all of the

0:21:09.840 --> 0:21:12.200
<v Speaker 1>tech on their ship needs to withstand the same forces,

0:21:12.640 --> 0:21:17.320
<v Speaker 1>these incredible skull liquefying forces, um, and so that therefore,

0:21:17.400 --> 0:21:19.600
<v Speaker 1>if it's a little bit clunky, maybe that's why. Yeah,

0:21:19.760 --> 0:21:22.640
<v Speaker 1>now we've got a lot more to say about this, uh,

0:21:22.720 --> 0:21:25.560
<v Speaker 1>this movie, and especially when we get into the gravity drive.

0:21:25.600 --> 0:21:27.399
<v Speaker 1>That's what we're going to cover next. But before we

0:21:27.480 --> 0:21:30.800
<v Speaker 1>do that, let's take a quick break to thank our sponsor.

0:21:31.200 --> 0:21:33.320
<v Speaker 1>Now let's get back to event horizon and let's finally

0:21:33.320 --> 0:21:36.800
<v Speaker 1>talk about this gravity drive thing. Yes, it's it's bizarre.

0:21:37.560 --> 0:21:40.840
<v Speaker 1>Well okay, so so we hear the scientific explanation of

0:21:40.880 --> 0:21:43.240
<v Speaker 1>it before we ever see the thing, Yes we do.

0:21:43.560 --> 0:21:47.040
<v Speaker 1>He says that the gravity drive will create an infinite

0:21:47.080 --> 0:21:52.240
<v Speaker 1>curvature of space, resulting in a singularity. And uh, here's

0:21:52.280 --> 0:21:55.000
<v Speaker 1>the thing, guys, that's a real thing. Singularity infinite, well

0:21:55.400 --> 0:21:57.639
<v Speaker 1>real in the sense of this is how we understand

0:21:57.640 --> 0:22:02.360
<v Speaker 1>black holes right now, according to general relativity, right, Yeah,

0:22:02.440 --> 0:22:07.000
<v Speaker 1>that this is absolutely a concept that is based in reality. Now,

0:22:07.119 --> 0:22:09.639
<v Speaker 1>super proud of the way that they described it. The

0:22:10.080 --> 0:22:12.960
<v Speaker 1>scientist character goes into this kind of long speel and

0:22:12.960 --> 0:22:17.240
<v Speaker 1>and all of the other guys like like in English please. Yeah,

0:22:17.280 --> 0:22:18.679
<v Speaker 1>And I kind of wish that they had let him

0:22:18.720 --> 0:22:20.520
<v Speaker 1>go for another half hour because I could have listened

0:22:20.520 --> 0:22:23.240
<v Speaker 1>to Its hilarious because first he says, well in layman's terms,

0:22:23.320 --> 0:22:25.800
<v Speaker 1>and it's really pretty simple. I mean, it's the simplest

0:22:25.840 --> 0:22:28.200
<v Speaker 1>description of a black hole you can get to without

0:22:28.440 --> 0:22:32.240
<v Speaker 1>super dumbing it down, which he ultimately does do. Um.

0:22:32.320 --> 0:22:35.960
<v Speaker 1>But but it's he's He describes a retaining magnetic field

0:22:35.960 --> 0:22:39.960
<v Speaker 1>focusing a narrow beam of gravitans to fold space time. Yeah,

0:22:40.200 --> 0:22:43.480
<v Speaker 1>and then this creates a wormhole through which a ship

0:22:43.520 --> 0:22:46.200
<v Speaker 1>can travel. And the idea being that you can fold

0:22:46.280 --> 0:22:48.960
<v Speaker 1>space time so that the two points that you are

0:22:49.000 --> 0:22:52.800
<v Speaker 1>interested in, your beginning and your destination, are adjacent to

0:22:52.840 --> 0:22:55.200
<v Speaker 1>one another, even if in reality they are across the

0:22:55.280 --> 0:22:58.560
<v Speaker 1>universe from each other. So let's use an example. Let's

0:22:58.600 --> 0:23:01.280
<v Speaker 1>say that you get an old aisle roadmap. I'm talking

0:23:01.280 --> 0:23:05.120
<v Speaker 1>about a paper roadmap. Okay, You've got a paper roadmap,

0:23:05.160 --> 0:23:07.640
<v Speaker 1>and you are you want to travel between New York

0:23:07.680 --> 0:23:11.560
<v Speaker 1>City and Los Angeles, California. And normally you would have

0:23:11.560 --> 0:23:14.560
<v Speaker 1>to trace a pathway that would go along highways and

0:23:14.600 --> 0:23:17.520
<v Speaker 1>you would travel thousands of miles. But what if you

0:23:17.560 --> 0:23:20.200
<v Speaker 1>could just fold the roadmap so that New York City

0:23:20.200 --> 0:23:23.560
<v Speaker 1>and Los Angeles were touching one another on the two sides,

0:23:23.960 --> 0:23:26.560
<v Speaker 1>and then you were able to magically jump between New

0:23:26.640 --> 0:23:29.760
<v Speaker 1>York City and Los Angeles. Then unfold the map so

0:23:29.800 --> 0:23:32.199
<v Speaker 1>it's back to its regular space. Suddenly it looks like

0:23:32.200 --> 0:23:35.240
<v Speaker 1>you've traveled faster than light. You have crossed thousands of

0:23:35.280 --> 0:23:40.160
<v Speaker 1>miles in an instant, apparently violating Einstein's theory of relativity,

0:23:40.160 --> 0:23:43.119
<v Speaker 1>except for the part where Einstein and Rosen and the

0:23:43.359 --> 0:23:45.800
<v Speaker 1>nineteen thirties I believe came up with a concept of

0:23:45.800 --> 0:23:48.560
<v Speaker 1>warmholes that allows for this, which says that if you

0:23:48.640 --> 0:23:52.000
<v Speaker 1>have um a mass on that little New York blip

0:23:52.040 --> 0:23:55.000
<v Speaker 1>and a mass on the l A blip, that are

0:23:55.480 --> 0:24:00.119
<v Speaker 1>that are both massive enough to push spacetime towards itself

0:24:00.240 --> 0:24:03.879
<v Speaker 1>in in the way that spacetime is hypothetically a folded

0:24:04.160 --> 0:24:08.920
<v Speaker 1>moving of spacetime, because matter curves spacetime, and spacetime determines

0:24:08.960 --> 0:24:11.360
<v Speaker 1>how matter moves, then then eventually you're going to get

0:24:11.359 --> 0:24:14.200
<v Speaker 1>these two points touching. And then if they were touching

0:24:14.320 --> 0:24:16.480
<v Speaker 1>enough that they could break through, Essentially you're talking of

0:24:16.560 --> 0:24:20.240
<v Speaker 1>that matter you're removing. You're removing distance. Right, You're you're

0:24:20.240 --> 0:24:22.800
<v Speaker 1>no longer traveling because you're not traveling faster than light

0:24:22.880 --> 0:24:26.000
<v Speaker 1>at that moment. At that moment, those two distances are touching.

0:24:26.480 --> 0:24:28.840
<v Speaker 1>So are those two points are touching, So there isn't

0:24:28.840 --> 0:24:31.719
<v Speaker 1>a distance between them. If there were a distance between them,

0:24:31.720 --> 0:24:34.159
<v Speaker 1>and you move faster than light, that's when Einstein says, hey,

0:24:34.359 --> 0:24:39.080
<v Speaker 1>stop breaking the law. Alright, So let's talk about how

0:24:39.160 --> 0:24:45.160
<v Speaker 1>is this related to actual real world physics. So from

0:24:45.200 --> 0:24:48.760
<v Speaker 1>what we understand, what black holes, here's the deal. You

0:24:48.840 --> 0:24:51.679
<v Speaker 1>gotta You got a star that's at least eight solar

0:24:51.720 --> 0:24:55.760
<v Speaker 1>masses are larger, and as that star dies, it loses energy.

0:24:55.840 --> 0:24:58.560
<v Speaker 1>The it begins to collapse in on itself, and so

0:24:58.640 --> 0:25:02.080
<v Speaker 1>it starts to collapse in gravitational forces get stronger. You

0:25:02.119 --> 0:25:07.000
<v Speaker 1>get this tiny point that gathers all the mass. We

0:25:07.119 --> 0:25:10.560
<v Speaker 1>usually refer to it in math as being a point

0:25:10.600 --> 0:25:14.280
<v Speaker 1>that has zero volume, but because there is mass within

0:25:14.359 --> 0:25:17.480
<v Speaker 1>that zero volume and as infinite density. So you've got

0:25:17.520 --> 0:25:22.360
<v Speaker 1>this point of infinite density that's creating this incredible gravitational

0:25:22.440 --> 0:25:27.080
<v Speaker 1>poll in a large region around it. Now, we define

0:25:27.119 --> 0:25:30.040
<v Speaker 1>the region around it where let's say there's a let's

0:25:30.040 --> 0:25:33.159
<v Speaker 1>say there's an imaginary boundary that you can see around

0:25:33.160 --> 0:25:35.680
<v Speaker 1>a black hole, which you which they would not be. Yeah,

0:25:35.760 --> 0:25:38.520
<v Speaker 1>but let's let's imagine that you can see this boundary,

0:25:38.640 --> 0:25:42.760
<v Speaker 1>and you know that boundary represents the the section of

0:25:42.800 --> 0:25:45.720
<v Speaker 1>space where if you were to pass beyond that boundary,

0:25:45.920 --> 0:25:48.280
<v Speaker 1>you would no longer be able to escape the gravitational

0:25:48.359 --> 0:25:50.520
<v Speaker 1>pull of that black hole. This is the point of

0:25:50.520 --> 0:25:52.800
<v Speaker 1>no return. Yeah, this is this is the point where

0:25:52.840 --> 0:25:56.879
<v Speaker 1>even light itself cannot escape the black hole. It just

0:25:56.960 --> 0:26:00.879
<v Speaker 1>will go right towards the singularity. Depending upon what the singularity,

0:26:01.000 --> 0:26:02.720
<v Speaker 1>how the singularity is formed, will get into that in

0:26:02.760 --> 0:26:06.040
<v Speaker 1>a second. Yeah. Um, so that point that that that area,

0:26:06.119 --> 0:26:09.000
<v Speaker 1>that region is called the event horizon. And I would

0:26:09.000 --> 0:26:11.320
<v Speaker 1>like to stay for the record right now. The terrible

0:26:11.440 --> 0:26:14.000
<v Speaker 1>idea it is to name your ship after the point

0:26:14.040 --> 0:26:16.560
<v Speaker 1>of no return. Yeah, it's like it's like calling calling

0:26:16.600 --> 0:26:20.159
<v Speaker 1>your your boat the uh, the Iceberg magnet. You know,

0:26:20.240 --> 0:26:22.240
<v Speaker 1>you don't want to call your boat Iceberg magnets, or

0:26:22.240 --> 0:26:25.560
<v Speaker 1>perhaps akin to naming your undersea paradise after something out

0:26:25.600 --> 0:26:28.040
<v Speaker 1>of the Book of Revelation. It's just a terrible or

0:26:28.080 --> 0:26:31.120
<v Speaker 1>even Atlantis. Yeah, you don't, you know, you don't want

0:26:31.119 --> 0:26:33.880
<v Speaker 1>to necessarily go with that connotation if you think about

0:26:33.920 --> 0:26:35.920
<v Speaker 1>it for too long. But yes, so the event horizon

0:26:36.000 --> 0:26:38.359
<v Speaker 1>is named after this region of space where if you

0:26:38.440 --> 0:26:41.520
<v Speaker 1>pass through it, you are pretty much guaranteed to go

0:26:41.600 --> 0:26:43.760
<v Speaker 1>into the singularity. You want to say pretty much guaranteed.

0:26:43.760 --> 0:26:46.119
<v Speaker 1>There are some caveats, all right. So, because there are

0:26:46.119 --> 0:26:49.520
<v Speaker 1>different types of black holes, we quantify and we classify

0:26:49.600 --> 0:26:52.520
<v Speaker 1>black holes based on three basic features. These are pretty

0:26:52.600 --> 0:26:55.600
<v Speaker 1>much the only features black holes have according to our

0:26:55.680 --> 0:27:00.560
<v Speaker 1>theory of relativity, because they're weird things. They of mass,

0:27:01.200 --> 0:27:03.320
<v Speaker 1>they may or may not have spin, and they may

0:27:03.400 --> 0:27:07.399
<v Speaker 1>or may not have a charge. So the basic black

0:27:07.440 --> 0:27:10.919
<v Speaker 1>hole that is probably the simplest version, although not the

0:27:10.960 --> 0:27:14.439
<v Speaker 1>most commonly found in the universe, is the swords Child

0:27:14.600 --> 0:27:17.480
<v Speaker 1>black hole, which has no spin. It does have an

0:27:17.480 --> 0:27:20.680
<v Speaker 1>event horizon, and essentially this this black hole, you can

0:27:20.720 --> 0:27:23.480
<v Speaker 1>just think of it as a single point in space

0:27:24.000 --> 0:27:26.639
<v Speaker 1>of that infinite density that is pulling you toward it.

0:27:26.680 --> 0:27:29.959
<v Speaker 1>If you get beyond that event horizon, so it's just

0:27:30.240 --> 0:27:32.960
<v Speaker 1>everything goes towards the center of that point. You don't

0:27:33.000 --> 0:27:35.600
<v Speaker 1>have any rotation there. You know, you can try to

0:27:36.400 --> 0:27:40.320
<v Speaker 1>use thrust to keep you from accelerating into the point.

0:27:40.400 --> 0:27:42.960
<v Speaker 1>But it's just after a point, it's there's no point

0:27:43.080 --> 0:27:47.080
<v Speaker 1>in doing that anymore either. Um, you're done. Speghantification is

0:27:47.160 --> 0:27:50.679
<v Speaker 1>on the way, which is where that's the the idea

0:27:50.720 --> 0:27:53.440
<v Speaker 1>that as you get closer to the black holes gravity

0:27:54.160 --> 0:27:58.639
<v Speaker 1>things elongate and become noodle like, Thus the speghtification. It

0:27:58.800 --> 0:28:02.440
<v Speaker 1>is uh, probably not terribly pleasant, although I'm guessing you

0:28:02.440 --> 0:28:04.560
<v Speaker 1>would not be alive at that point anything. I'm thinking

0:28:04.640 --> 0:28:09.560
<v Speaker 1>not um, but I think more frequently theoretical physicists say

0:28:09.600 --> 0:28:12.160
<v Speaker 1>that this probably happens more frequently, and also certainly more

0:28:12.160 --> 0:28:16.560
<v Speaker 1>frequently in films. Is predicted the the care black hole. Yes,

0:28:16.680 --> 0:28:20.280
<v Speaker 1>the Care k r r H. So the Care black

0:28:20.280 --> 0:28:25.120
<v Speaker 1>hole is formed from solar masses. Uh. And because stars

0:28:25.480 --> 0:28:28.560
<v Speaker 1>usually are rotating, there's a rotational force that has to

0:28:28.600 --> 0:28:31.760
<v Speaker 1>conserve the angular momentum. This is this is another law

0:28:31.840 --> 0:28:33.720
<v Speaker 1>that you have to follow. It has to conserve the

0:28:33.760 --> 0:28:36.800
<v Speaker 1>angular momentum. So the black hole itself is spinning, right,

0:28:36.800 --> 0:28:39.200
<v Speaker 1>which is where you get those pretty graphics with with

0:28:39.280 --> 0:28:42.240
<v Speaker 1>that kind of rotational cloud of stuff falling into a

0:28:42.240 --> 0:28:44.440
<v Speaker 1>blacks The black hole at the center of the Milky

0:28:44.480 --> 0:28:48.840
<v Speaker 1>Way is rotating. Therefore it's dragging space as it rotates,

0:28:48.920 --> 0:28:52.080
<v Speaker 1>which causes this rotational force that ends up affecting the

0:28:52.240 --> 0:28:57.080
<v Speaker 1>entire galaxy. It's pretty remarkable stuff, right. Well. The other

0:28:57.240 --> 0:29:00.240
<v Speaker 1>interesting thing about this is that that spinning me means

0:29:00.280 --> 0:29:03.040
<v Speaker 1>the singularity at the center of a care hole is

0:29:03.080 --> 0:29:08.400
<v Speaker 1>not a single point like it is in schwartz Child. Instead,

0:29:08.440 --> 0:29:13.000
<v Speaker 1>it's an infinitely thin ring that is also spinning. And

0:29:13.320 --> 0:29:15.680
<v Speaker 1>they are a little more complicated. They don't have just

0:29:15.840 --> 0:29:18.680
<v Speaker 1>the event horizon. They also have something called the ergosphere.

0:29:18.760 --> 0:29:22.080
<v Speaker 1>This is the region of space that is distorted because

0:29:22.560 --> 0:29:26.280
<v Speaker 1>of the rotational force of this black hole. So this

0:29:26.440 --> 0:29:29.080
<v Speaker 1>is an overly simple model that I'm going to give you.

0:29:29.200 --> 0:29:32.880
<v Speaker 1>It does not directly relate to how we see this

0:29:32.960 --> 0:29:36.640
<v Speaker 1>happening in in the universe. But imagine putting your hand

0:29:37.160 --> 0:29:40.320
<v Speaker 1>in a container of tranquil water and then moving your

0:29:40.320 --> 0:29:43.600
<v Speaker 1>hand around and seeing how it disturbs the water. The

0:29:43.800 --> 0:29:46.640
<v Speaker 1>ergosphere is kind of like that. It's this region where

0:29:46.640 --> 0:29:50.719
<v Speaker 1>that rotational force is dragging the spacetime and distorting it

0:29:50.800 --> 0:29:54.120
<v Speaker 1>as a result, which is kind of funky. Um. There's

0:29:54.160 --> 0:29:58.600
<v Speaker 1>also another little region that's the static limit, that's the

0:29:58.640 --> 0:30:01.479
<v Speaker 1>boundary between the ergosphere a normal space time that is

0:30:01.520 --> 0:30:05.640
<v Speaker 1>not being directly dragged and distorted by this black hole. Well,

0:30:05.640 --> 0:30:09.800
<v Speaker 1>the interesting thing about this theory is that, well, one

0:30:09.880 --> 0:30:12.560
<v Speaker 1>interesting thing is that some people have proposed the hypothesis

0:30:12.600 --> 0:30:15.080
<v Speaker 1>that if you were to encounter one of these black

0:30:15.080 --> 0:30:19.080
<v Speaker 1>holes and you were able to enter the event horizon

0:30:19.120 --> 0:30:22.440
<v Speaker 1>in a particular way where you could sling shot around

0:30:22.440 --> 0:30:26.719
<v Speaker 1>that thin rotating singularity, you might not fall into the singularity.

0:30:26.760 --> 0:30:28.680
<v Speaker 1>You might get shot out again, but you get shot

0:30:28.680 --> 0:30:31.520
<v Speaker 1>out at a different point in space time. Thus you

0:30:31.560 --> 0:30:34.320
<v Speaker 1>would have this wormhole theory. I don't know that you

0:30:34.320 --> 0:30:37.560
<v Speaker 1>can necessarily control exactly where you would end up or

0:30:37.640 --> 0:30:39.960
<v Speaker 1>when you would end up, because spacetime. And there's also

0:30:40.000 --> 0:30:43.280
<v Speaker 1>the possibility this could allow for time travel, so that

0:30:43.720 --> 0:30:46.520
<v Speaker 1>increases the Grandfather paradox, and there's other issues that we'd

0:30:46.520 --> 0:30:48.680
<v Speaker 1>have to get into. That's an entirely different podcast. I

0:30:48.920 --> 0:30:52.320
<v Speaker 1>don't recommend trying that without about time. I tried doing it,

0:30:52.440 --> 0:30:54.680
<v Speaker 1>but then I went back in time and stopped myself,

0:30:54.720 --> 0:30:57.440
<v Speaker 1>So I'm like, I just can't guys, I mean, I'll

0:30:57.480 --> 0:30:59.840
<v Speaker 1>just do it again, and and the way Back machine

0:31:00.040 --> 0:31:02.280
<v Speaker 1>still in Mongolia, so we're kind of stuck. But so

0:31:02.360 --> 0:31:05.800
<v Speaker 1>this is a hypothetical possibility. I mean, and and all

0:31:05.840 --> 0:31:09.000
<v Speaker 1>of this, we should say, is based upon theoretical astrophysics,

0:31:09.000 --> 0:31:11.480
<v Speaker 1>which if you couldn't tell from the name um, I mean,

0:31:11.560 --> 0:31:13.680
<v Speaker 1>we've never gone out in a ship and checked out

0:31:13.680 --> 0:31:15.440
<v Speaker 1>a black hole and been like, that's how it works.

0:31:15.800 --> 0:31:17.960
<v Speaker 1>It's you know, this is all based on the way

0:31:18.000 --> 0:31:22.480
<v Speaker 1>that we observe electromagnetic radiation behaving in spaces around what

0:31:22.520 --> 0:31:25.400
<v Speaker 1>we have called black holes. Yeah, and and it's also

0:31:25.440 --> 0:31:28.400
<v Speaker 1>based on a lot of math that we've tried to

0:31:28.480 --> 0:31:31.720
<v Speaker 1>make work out. But things like infinite density and zero

0:31:31.840 --> 0:31:35.480
<v Speaker 1>volume it's really hard to deal with. It's it's impossible

0:31:35.520 --> 0:31:37.680
<v Speaker 1>for us to truly conceive of it. It's beyond our

0:31:37.680 --> 0:31:41.200
<v Speaker 1>our ability to do so. And in fact, some people

0:31:41.200 --> 0:31:43.440
<v Speaker 1>have gone so far, and I don't think it's that

0:31:43.640 --> 0:31:46.080
<v Speaker 1>far really, but to say that singularity is really more

0:31:46.080 --> 0:31:49.400
<v Speaker 1>of a placeholder, Like the terms we're using our placeholders

0:31:49.760 --> 0:31:54.200
<v Speaker 1>that are good enough for now, but we need better clarification,

0:31:54.400 --> 0:31:58.320
<v Speaker 1>and some integration of the quantum model of physics might

0:31:58.440 --> 0:32:01.920
<v Speaker 1>end up clarifying these terms so that we we don't

0:32:01.960 --> 0:32:05.040
<v Speaker 1>just have these vague placeholders. Right there is speaking of

0:32:05.240 --> 0:32:09.960
<v Speaker 1>quantum stuff. Um there scientists start theorizing that this is

0:32:10.000 --> 0:32:11.920
<v Speaker 1>happening at the quantum level, like a like at the

0:32:11.920 --> 0:32:15.720
<v Speaker 1>plunk kind of level of particles, wormholes are being created.

0:32:16.280 --> 0:32:19.160
<v Speaker 1>Uh a lot. Yeah, well that was one of the

0:32:19.160 --> 0:32:21.640
<v Speaker 1>things that they talked about with the large hadron colliders,

0:32:21.720 --> 0:32:25.120
<v Speaker 1>that these collisions could result in tiny little black holes

0:32:25.160 --> 0:32:28.480
<v Speaker 1>that are on the you know, atomic or smaller scale

0:32:28.920 --> 0:32:31.440
<v Speaker 1>and last less than a you know, like a like

0:32:31.480 --> 0:32:34.120
<v Speaker 1>a nanosecond long, that's how long they last. But of

0:32:34.120 --> 0:32:35.840
<v Speaker 1>course that knowing that they were going to make some

0:32:35.880 --> 0:32:40.160
<v Speaker 1>black holes, that made some media outlets go, oh, we're

0:32:40.200 --> 0:32:42.320
<v Speaker 1>all gonna get sucked into a black hole and die.

0:32:43.080 --> 0:32:45.200
<v Speaker 1>And thus we had things like, you know, has the

0:32:45.240 --> 0:32:47.600
<v Speaker 1>world been destroyed by the large Hadron collider and you

0:32:47.640 --> 0:32:51.080
<v Speaker 1>go to the u r L and it would say no. Um.

0:32:51.120 --> 0:32:53.920
<v Speaker 1>But one interesting thing, there's a paper published in the

0:32:53.960 --> 0:32:58.280
<v Speaker 1>Physical Review Letters recently by Rodolfo Gambini and Jorge Pullin,

0:32:58.880 --> 0:33:02.480
<v Speaker 1>and it was about a quantum black hole model in

0:33:02.480 --> 0:33:04.840
<v Speaker 1>which the black hole doesn't have a singularity but rather

0:33:05.120 --> 0:33:08.400
<v Speaker 1>is a gateway. So this gateway would put you into

0:33:08.720 --> 0:33:13.520
<v Speaker 1>possibly another universe, not necessarily another dimension, but another universe. Uh.

0:33:14.680 --> 0:33:17.760
<v Speaker 1>There's some issues with this that we'd have to explore.

0:33:17.800 --> 0:33:19.440
<v Speaker 1>It may very well be true, and it may be

0:33:19.640 --> 0:33:23.080
<v Speaker 1>that this is the beginning of replacing those placeholders like

0:33:23.120 --> 0:33:27.080
<v Speaker 1>singularity with more specific terms. But some of the problems

0:33:27.080 --> 0:33:30.720
<v Speaker 1>involved things like, well, you probably still wouldn't survive any

0:33:30.800 --> 0:33:33.719
<v Speaker 1>kind of trip through a black hole the title forces

0:33:33.720 --> 0:33:36.280
<v Speaker 1>you would undergo as you would go through this intense

0:33:36.320 --> 0:33:39.320
<v Speaker 1>gravity would still squish you and kill you if you

0:33:39.360 --> 0:33:42.160
<v Speaker 1>did somehow find a way to survive. There's no guarantee

0:33:42.200 --> 0:33:44.880
<v Speaker 1>that what universe you would uh end up in would

0:33:44.920 --> 0:33:47.080
<v Speaker 1>have the same laws of physics that our universe has,

0:33:47.160 --> 0:33:50.000
<v Speaker 1>and thus you end up dying anyway because physics don't

0:33:50.040 --> 0:33:53.640
<v Speaker 1>work um. And then there's the problem of, well, if

0:33:53.640 --> 0:33:56.160
<v Speaker 1>there are black holes in various universes, they are connecting

0:33:56.160 --> 0:33:58.760
<v Speaker 1>each other together, where are the outputs, Because we don't

0:33:58.800 --> 0:34:01.320
<v Speaker 1>see any in our universe. Where are the white holes

0:34:01.360 --> 0:34:04.240
<v Speaker 1>these these holes where matter from the black hole on

0:34:04.280 --> 0:34:07.160
<v Speaker 1>the other end is being spewed out into the universe.

0:34:07.200 --> 0:34:09.719
<v Speaker 1>Because if the black hole end is pulling everything in,

0:34:10.040 --> 0:34:12.439
<v Speaker 1>the white hole end must be pushing everything back out.

0:34:12.560 --> 0:34:14.480
<v Speaker 1>And if we don't see evidence of that in our

0:34:14.600 --> 0:34:18.720
<v Speaker 1>universe either, that means that we only have exits, no entrances,

0:34:18.840 --> 0:34:22.400
<v Speaker 1>or there's some other problems with this uh this uh theory,

0:34:22.520 --> 0:34:24.600
<v Speaker 1>or it may just be that we haven't found a

0:34:24.640 --> 0:34:27.120
<v Speaker 1>way to observe it yet. I don't know. Maybe it

0:34:27.160 --> 0:34:30.440
<v Speaker 1>turns out that white holes are the source of all

0:34:30.520 --> 0:34:35.000
<v Speaker 1>dark dark matter, which represents more mass than anything else

0:34:35.040 --> 0:34:37.120
<v Speaker 1>we can observe. We don't know what dark matter is.

0:34:37.520 --> 0:34:40.279
<v Speaker 1>Maybe that's it. If it turns out to be that,

0:34:40.440 --> 0:34:44.200
<v Speaker 1>you can mail my Nobel Prize our addresses on the website.

0:34:44.719 --> 0:34:47.799
<v Speaker 1>So at any rate, we're going to assume that in

0:34:47.840 --> 0:34:50.480
<v Speaker 1>the movie they want to open up a care black

0:34:50.480 --> 0:34:53.040
<v Speaker 1>hole k E er R not c A r E,

0:34:53.840 --> 0:34:56.400
<v Speaker 1>and they're going to use that to zip over to

0:34:56.480 --> 0:34:59.880
<v Speaker 1>some other part of the universe, and that things went wrong.

0:35:00.440 --> 0:35:02.640
<v Speaker 1>So I think you think it's safe to say that

0:35:02.640 --> 0:35:04.680
<v Speaker 1>that's more or less what they meant based upon what's

0:35:04.680 --> 0:35:07.880
<v Speaker 1>said in the film. I feel like that's extrapolating, but

0:35:08.040 --> 0:35:10.000
<v Speaker 1>a fair extrapolation. I mean, you know, I think that

0:35:10.000 --> 0:35:12.720
<v Speaker 1>he was talking about a pretty straight wormhole kind of situation.

0:35:13.040 --> 0:35:16.120
<v Speaker 1>But I'm just trying to justify it anyway. Again, I mean,

0:35:16.200 --> 0:35:19.520
<v Speaker 1>it could be that that the science and event horizon

0:35:19.760 --> 0:35:22.160
<v Speaker 1>back in was ahead of its time, and that the

0:35:22.239 --> 0:35:25.839
<v Speaker 1>quantum research that we're talking about right now ends up

0:35:25.840 --> 0:35:28.160
<v Speaker 1>being exactly what or more or less what they were

0:35:28.200 --> 0:35:30.040
<v Speaker 1>saying in that movie, which would be kind of cool

0:35:30.080 --> 0:35:31.680
<v Speaker 1>because then you're like, well, the science was wrong, but

0:35:31.719 --> 0:35:35.000
<v Speaker 1>then it was right again based upon our understanding. Well,

0:35:35.040 --> 0:35:37.000
<v Speaker 1>we've got a lot more to say now that we've

0:35:37.040 --> 0:35:38.799
<v Speaker 1>got the black hole stuff out of the way, But

0:35:38.880 --> 0:35:40.839
<v Speaker 1>before we do, let's take another quick break to thank

0:35:40.840 --> 0:35:44.239
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0:36:37.840 --> 0:36:39.760
<v Speaker 1>you know, one of the things I love about Hulu

0:36:39.800 --> 0:36:43.439
<v Speaker 1>Plus is getting access to old shows that I didn't

0:36:43.440 --> 0:36:45.839
<v Speaker 1>you know, I I remember loving when they were on,

0:36:46.000 --> 0:36:49.080
<v Speaker 1>but hadn't really revisited in a long time. One of those,

0:36:49.080 --> 0:36:52.880
<v Speaker 1>of course, is Buffy the Vampire Slayer. Uh. Josh Sweden

0:36:52.960 --> 0:36:56.080
<v Speaker 1>really made his name with this series, and it was

0:36:56.760 --> 0:37:01.840
<v Speaker 1>really changed television. There's so many shows now that obviously

0:37:01.920 --> 0:37:04.640
<v Speaker 1>follow in that same kind of model. So if you

0:37:04.719 --> 0:37:07.880
<v Speaker 1>never actually seen that series, I highly recommend it go

0:37:07.960 --> 0:37:10.160
<v Speaker 1>check that out. All right, so let's get back to

0:37:10.200 --> 0:37:13.440
<v Speaker 1>the movie. Now. We've talked about the gravity drive, we

0:37:13.480 --> 0:37:15.840
<v Speaker 1>talked about the iron propulsion, we talked about whether or

0:37:15.840 --> 0:37:19.600
<v Speaker 1>not your skull would liquefy. Surely we've gotten through all

0:37:19.640 --> 0:37:22.959
<v Speaker 1>the problems. Right, Oh, we were actually still pretty early

0:37:23.000 --> 0:37:25.040
<v Speaker 1>in the movie. This only takes us up through before

0:37:25.040 --> 0:37:28.200
<v Speaker 1>they're even on the titular event horizons. We've got a

0:37:28.239 --> 0:37:31.800
<v Speaker 1>lot of ground, We've got a lot of space to cover. Yeah, okay, alright,

0:37:31.840 --> 0:37:34.360
<v Speaker 1>so the alright there, there's a good side and a

0:37:34.360 --> 0:37:37.600
<v Speaker 1>bad side to this, Lauren. The good side is that

0:37:37.960 --> 0:37:40.879
<v Speaker 1>pretty soon we're gonna be talking about supernatural stuff which

0:37:40.880 --> 0:37:43.120
<v Speaker 1>has nothing to do with technology, and then we're okay,

0:37:43.560 --> 0:37:45.800
<v Speaker 1>right right, because when you start talking about hell dimensions

0:37:45.840 --> 0:37:48.719
<v Speaker 1>invading I'm like, well, I'll give that a pass because

0:37:48.719 --> 0:37:51.719
<v Speaker 1>I don't know. I don't have any data how that

0:37:51.719 --> 0:37:54.319
<v Speaker 1>would work. It doesn't involve technology or any science that

0:37:54.360 --> 0:37:56.920
<v Speaker 1>we understand at this moment, so therefore we cannot comment

0:37:56.960 --> 0:37:59.520
<v Speaker 1>on it. However, there are some science stuff we can

0:37:59.520 --> 0:38:02.160
<v Speaker 1>talk about. Yeah, okay. So, so when our search and

0:38:02.200 --> 0:38:05.120
<v Speaker 1>rescue crew of the Lewis and Clark arrived at the

0:38:05.120 --> 0:38:08.560
<v Speaker 1>event horizon, it is I guess it's supposed to be

0:38:08.560 --> 0:38:11.239
<v Speaker 1>an orbit of Neptune. That's that was what I felt

0:38:11.239 --> 0:38:14.400
<v Speaker 1>it was supposed to be. It's in the orbit around Neptune,

0:38:14.400 --> 0:38:17.799
<v Speaker 1>but it's it's kind of within Neptune's atmosphere because there

0:38:17.800 --> 0:38:20.160
<v Speaker 1>are all of these big storms going on, and it

0:38:20.280 --> 0:38:23.319
<v Speaker 1>is accurate that there would be big storms on Neptune.

0:38:23.480 --> 0:38:25.839
<v Speaker 1>Um it is much much like Jupiter. It has these

0:38:25.960 --> 0:38:30.760
<v Speaker 1>very giant, very violent, um slightly quicker storms. The storms

0:38:30.760 --> 0:38:34.520
<v Speaker 1>and Jupiter are much longer lasting. Right. But here's the

0:38:34.520 --> 0:38:36.839
<v Speaker 1>problem is that if that ship were in fact in

0:38:37.040 --> 0:38:40.640
<v Speaker 1>within the atmosphere, that atmosphere would slow the ship's pathway

0:38:40.640 --> 0:38:42.640
<v Speaker 1>down so much that would have just the orbit would

0:38:42.640 --> 0:38:44.640
<v Speaker 1>have decayed much more rapidly. The ship would be crashing

0:38:44.640 --> 0:38:49.600
<v Speaker 1>into Neptune. So the clouds there are a problem because

0:38:49.640 --> 0:38:52.759
<v Speaker 1>it would suggest that it's too late the If it's

0:38:52.760 --> 0:38:55.719
<v Speaker 1>truly an orbit, it would be above the atmosphere. But

0:38:55.840 --> 0:38:58.400
<v Speaker 1>since it's in the atmosphere, I think that we have

0:38:58.520 --> 0:39:01.080
<v Speaker 1>to say this is for the spooky effect, because how

0:39:01.080 --> 0:39:03.880
<v Speaker 1>can you have a haunted house movie in space without

0:39:03.920 --> 0:39:08.320
<v Speaker 1>a thunderstorm going on outside? Right, I'd say pretty easily. Um,

0:39:08.360 --> 0:39:10.359
<v Speaker 1>you can totally. I mean I've seen Alien and that

0:39:10.560 --> 0:39:14.240
<v Speaker 1>basically work, which isn't a haunted House situation, but still close.

0:39:14.360 --> 0:39:16.799
<v Speaker 1>It's close. I mean, you know, you fall, we're playing

0:39:16.880 --> 0:39:20.720
<v Speaker 1>upon the same primal fears obviously. Um, I'm just amazed

0:39:20.719 --> 0:39:24.480
<v Speaker 1>there weren't space wolves howling outside the windows of the ship.

0:39:24.719 --> 0:39:28.480
<v Speaker 1>But actually there were enough characters having hallucinations that I

0:39:28.520 --> 0:39:31.080
<v Speaker 1>am I am, I am actually shocked that they did

0:39:31.120 --> 0:39:33.880
<v Speaker 1>not have space wolves. Yeah. Well, maybe we missed it

0:39:33.920 --> 0:39:37.080
<v Speaker 1>because some of those were like montages of really fast

0:39:37.120 --> 0:39:40.040
<v Speaker 1>clips of you know, this just looks like a Clive

0:39:40.120 --> 0:39:44.240
<v Speaker 1>Barker nightmare scenario smashed into half a second. So maybe

0:39:44.280 --> 0:39:46.200
<v Speaker 1>there were some space wolves in there. We don't know,

0:39:46.280 --> 0:39:49.000
<v Speaker 1>but there definitely was a stormy Um. If anyone, by

0:39:49.000 --> 0:39:51.280
<v Speaker 1>the way, he wants to photoshops and space wolves into

0:39:51.360 --> 0:39:54.360
<v Speaker 1>some footage from from the Horizon, I would look in

0:39:54.400 --> 0:39:57.839
<v Speaker 1>at you, Aaron Cooper, and I'm absolutely willing to read

0:39:57.920 --> 0:40:01.640
<v Speaker 1>your name on air. Yea. So um, all right, what

0:40:01.680 --> 0:40:04.880
<v Speaker 1>about the way that they before they get on the

0:40:04.920 --> 0:40:07.319
<v Speaker 1>event horizon, they decide to take a look and see

0:40:07.320 --> 0:40:09.560
<v Speaker 1>if there's anything alive on it. They do a life scan.

0:40:09.760 --> 0:40:12.560
<v Speaker 1>All right, Well, there's a bunch of life scanning related

0:40:12.600 --> 0:40:15.400
<v Speaker 1>technology that happens in this middle portion of the film.

0:40:15.480 --> 0:40:17.880
<v Speaker 1>And uh and yes one is from the Lewis and Clark.

0:40:18.320 --> 0:40:20.480
<v Speaker 1>And then once they get onto the ship, they've got

0:40:20.520 --> 0:40:25.040
<v Speaker 1>these little shiny laser related hand devices mostly looks like

0:40:25.080 --> 0:40:27.400
<v Speaker 1>a laser that's put through a splitter of some sort,

0:40:28.000 --> 0:40:33.600
<v Speaker 1>and I'm not sure how that would work. Maybe it's uh,

0:40:33.640 --> 0:40:36.400
<v Speaker 1>I'm thinking thermal, that's the closest it was. Something that

0:40:36.480 --> 0:40:39.760
<v Speaker 1>is warmer than the than the surrounding environment would suggest

0:40:39.800 --> 0:40:43.880
<v Speaker 1>a life form, or if you've got extremely sensitive audio technology,

0:40:43.880 --> 0:40:46.800
<v Speaker 1>I suppose that you could scan for heartbeats or something

0:40:46.840 --> 0:40:48.799
<v Speaker 1>like that, right, you know, now we know that in

0:40:49.080 --> 0:40:53.160
<v Speaker 1>other science fiction shows and movies, things like Star Trek,

0:40:53.480 --> 0:40:56.520
<v Speaker 1>they have life form scanning technology that can even identify

0:40:56.560 --> 0:40:59.879
<v Speaker 1>things like, uh, creatures, blood type, if they have far

0:41:00.040 --> 0:41:02.840
<v Speaker 1>it or a brain wave or something like Yeah, but

0:41:02.920 --> 0:41:06.200
<v Speaker 1>there's no explanation here, not not that we necessarily expect it.

0:41:06.280 --> 0:41:08.919
<v Speaker 1>I mean, clearly, if this movie were to explain every

0:41:08.960 --> 0:41:11.560
<v Speaker 1>single piece of science and something really long, and I

0:41:11.600 --> 0:41:14.480
<v Speaker 1>would watch it forever, actually, that would be I would

0:41:14.520 --> 0:41:16.720
<v Speaker 1>love that movie. It would be called Arthur C. Clark's

0:41:16.719 --> 0:41:18.719
<v Speaker 1>Toothings than One is what it would be called. And

0:41:18.760 --> 0:41:22.759
<v Speaker 1>there'll probably be fewer, fewer hell demons, but maybe more

0:41:22.800 --> 0:41:27.280
<v Speaker 1>space wolves. I'm honestly more confused about that. That visual

0:41:27.680 --> 0:41:30.520
<v Speaker 1>of the of the split laser thing on board, because

0:41:30.520 --> 0:41:33.399
<v Speaker 1>if you're using I mean, if if it's just a

0:41:33.440 --> 0:41:37.479
<v Speaker 1>method to let the operator know where he's pointing the beam,

0:41:37.560 --> 0:41:39.960
<v Speaker 1>where she is pointing the beam, then then I guess

0:41:40.040 --> 0:41:42.840
<v Speaker 1>that counts. But otherwise, if it's if it's a visual

0:41:43.480 --> 0:41:48.120
<v Speaker 1>light spectrum analysis, it's not going to penetrate anything, and

0:41:48.160 --> 0:41:51.000
<v Speaker 1>they're clearly trying to sweep rooms with it would make

0:41:51.000 --> 0:41:52.760
<v Speaker 1>it pretty easy, which means that you could do something

0:41:52.760 --> 0:41:55.719
<v Speaker 1>else like use your eyes, you know those things that

0:41:56.040 --> 0:41:59.440
<v Speaker 1>each of the characters had no well for a while anyway,

0:41:59.800 --> 0:42:02.680
<v Speaker 1>So of the characters don't end up with eyes because

0:42:03.120 --> 0:42:06.560
<v Speaker 1>spoiler alert, spoiler alert, where we're going, we don't need

0:42:07.880 --> 0:42:11.640
<v Speaker 1>that's that's exactly what he says. Uh, So I have

0:42:11.800 --> 0:42:13.600
<v Speaker 1>here in my notes. This is a says, not so

0:42:13.680 --> 0:42:16.319
<v Speaker 1>much a note as an observation. This is just one

0:42:16.360 --> 0:42:17.800
<v Speaker 1>of those things I picked up on while I was

0:42:17.840 --> 0:42:21.239
<v Speaker 1>watching the movie. The docking bay, that the event horizon,

0:42:21.520 --> 0:42:24.160
<v Speaker 1>well that the Lewis and Clark uses to access the

0:42:24.200 --> 0:42:28.200
<v Speaker 1>event horizon is for reasons that are never explained, docking

0:42:28.280 --> 0:42:32.480
<v Speaker 1>bay thirteen. It's x I I I in Roman numerals,

0:42:32.520 --> 0:42:36.320
<v Speaker 1>so it's thirteen. Uh. The doctor Weir, Sam Neil's character.

0:42:36.400 --> 0:42:38.920
<v Speaker 1>We didn't name him earlier in the podcast, but Lauren

0:42:38.960 --> 0:42:41.160
<v Speaker 1>reminded me that the character does infact have a name,

0:42:41.280 --> 0:42:45.520
<v Speaker 1>is not just SAMs character. Um Dr Weir says that

0:42:45.600 --> 0:42:48.000
<v Speaker 1>it's the main docking bay. So I don't know why

0:42:48.040 --> 0:42:50.319
<v Speaker 1>your main docking bay would be thirteen. I guess this

0:42:50.400 --> 0:42:52.920
<v Speaker 1>is just one of those little you know, winks to

0:42:52.960 --> 0:42:56.720
<v Speaker 1>the audience, or you could explain it as being, um

0:42:56.760 --> 0:43:02.200
<v Speaker 1>a representation of a how much doctor we are need

0:43:02.280 --> 0:43:05.120
<v Speaker 1>psychiatric help. Yeah, that will get a lot more indication

0:43:05.160 --> 0:43:07.200
<v Speaker 1>of that in a very short while. When they get

0:43:07.239 --> 0:43:10.960
<v Speaker 1>aboard the event Horizon. So they do the scan. It

0:43:11.040 --> 0:43:15.000
<v Speaker 1>does not come back with any anything that would suggest

0:43:15.200 --> 0:43:17.239
<v Speaker 1>a life form. But then they say, well, we're gonna

0:43:17.239 --> 0:43:19.960
<v Speaker 1>have to do this the old fashioned way, room by room. Well,

0:43:19.960 --> 0:43:23.360
<v Speaker 1>they say that there's these weird like kind of amorphous

0:43:23.400 --> 0:43:26.840
<v Speaker 1>sort of sort of blobs of life forms kind of everywhere,

0:43:27.040 --> 0:43:29.759
<v Speaker 1>and that they're not seeing any individual human people, which

0:43:29.840 --> 0:43:31.640
<v Speaker 1>is what they're looking for. So they decided to go

0:43:31.640 --> 0:43:33.920
<v Speaker 1>onto the ship exactly. So a couple of the guys

0:43:34.320 --> 0:43:37.920
<v Speaker 1>they create an umbilicus, a pathway that will connect the

0:43:37.960 --> 0:43:40.560
<v Speaker 1>two ships. This is something else. That confused me. All right,

0:43:40.640 --> 0:43:43.879
<v Speaker 1>So the Lewis and Clark has artificial gravity. The event

0:43:43.920 --> 0:43:46.759
<v Speaker 1>horizon normally would have artificial gravity, but that system is

0:43:46.800 --> 0:43:50.680
<v Speaker 1>down exactly. They connect an umbilicus between the Lewis and

0:43:50.719 --> 0:43:55.200
<v Speaker 1>Clark and the event horizon. As soon as the characters

0:43:55.200 --> 0:43:58.160
<v Speaker 1>getting into the umbilicus, they're in a zero G environment.

0:43:58.200 --> 0:44:00.880
<v Speaker 1>Back aboard the Lewis and Clark, you still have artificial gravity.

0:44:01.040 --> 0:44:03.520
<v Speaker 1>I'm wondering where you cut that off, Like, how does

0:44:03.560 --> 0:44:09.240
<v Speaker 1>the artificial gravity. No, clearly the artificial gravity the gravitons

0:44:09.400 --> 0:44:12.520
<v Speaker 1>get into your air supply, and so if you're not

0:44:12.600 --> 0:44:16.359
<v Speaker 1>sharing air supplies, then you're not sharing. Almost certain air

0:44:16.400 --> 0:44:19.000
<v Speaker 1>supply did not supply any of the music in this movie.

0:44:19.719 --> 0:44:21.239
<v Speaker 1>I'd have to go back and watch it again to

0:44:21.239 --> 0:44:23.080
<v Speaker 1>see if air supply is in this film, but I

0:44:23.120 --> 0:44:25.640
<v Speaker 1>don't think it is. All right, So anyway, that was

0:44:25.640 --> 0:44:29.440
<v Speaker 1>another little goofy bit. So they do a quick tour

0:44:29.480 --> 0:44:31.600
<v Speaker 1>of the ship. You have some characters going towards the

0:44:31.640 --> 0:44:33.239
<v Speaker 1>front of the ship, which is where the bridge is,

0:44:33.280 --> 0:44:35.680
<v Speaker 1>in the living quarters, the medical center, all of that

0:44:35.800 --> 0:44:37.719
<v Speaker 1>is on the front end. And this is before they

0:44:37.800 --> 0:44:40.279
<v Speaker 1>get all of these systems back up. So everyone is

0:44:40.320 --> 0:44:45.359
<v Speaker 1>in uh you know, low gravity um, and and it's

0:44:45.480 --> 0:44:47.440
<v Speaker 1>and it's very everything is still extremely cold. They don't

0:44:47.440 --> 0:44:51.200
<v Speaker 1>have temperature online. They have magnetic boots which allow them

0:44:51.200 --> 0:44:54.279
<v Speaker 1>to stick to the floor. I appreciated that they at

0:44:54.320 --> 0:44:56.680
<v Speaker 1>least said like, hey, we've got magnetic boots. And they

0:44:56.680 --> 0:44:59.239
<v Speaker 1>even showed a little like this is an engaging kind

0:44:59.280 --> 0:45:00.680
<v Speaker 1>of kind of sequen. I forgot thought that was a

0:45:00.719 --> 0:45:04.920
<v Speaker 1>nice nod too. Maybe this could be like reality science ish.

0:45:05.160 --> 0:45:07.120
<v Speaker 1>I did have a problem in that they talk about

0:45:07.120 --> 0:45:10.040
<v Speaker 1>how the temperature is below freezing and you see frozen

0:45:10.080 --> 0:45:14.319
<v Speaker 1>droplets of water floating through the event horizon. But there's

0:45:14.360 --> 0:45:17.600
<v Speaker 1>also this water bottle. I assume it's a water bottle,

0:45:17.600 --> 0:45:19.560
<v Speaker 1>looks very much like a water bottle, and it is

0:45:19.719 --> 0:45:25.080
<v Speaker 1>clearly full of liquid and liquid form noises. So how

0:45:25.080 --> 0:45:27.760
<v Speaker 1>did that not freeze? Unless, of course, it's not water

0:45:27.840 --> 0:45:29.920
<v Speaker 1>in that water bottle. It could be another liquid that

0:45:29.920 --> 0:45:32.760
<v Speaker 1>has a lower freezing point. Um. I can only assume

0:45:32.840 --> 0:45:34.880
<v Speaker 1>that it is the viscera of hell. Yeah, I was

0:45:34.880 --> 0:45:39.560
<v Speaker 1>sinking vodka. But anyway, alright, so, uh, you know, honestly,

0:45:39.600 --> 0:45:43.480
<v Speaker 1>I'm pretty sure that vodka is the visca. It's probably

0:45:43.480 --> 0:45:46.640
<v Speaker 1>fairly active, both of our Okay, yeah, we're we're both right.

0:45:46.719 --> 0:45:49.600
<v Speaker 1>That's I'm cool with that. So some of the people

0:45:49.640 --> 0:45:52.960
<v Speaker 1>go towards the forward part of the ship, where by

0:45:53.000 --> 0:45:54.879
<v Speaker 1>the way that the forward part of the ship where

0:45:54.880 --> 0:45:56.719
<v Speaker 1>the bridge and living cores and everything, all of that

0:45:56.760 --> 0:46:00.879
<v Speaker 1>is separated by an incredibly long hallway from gravity drive

0:46:01.440 --> 0:46:06.480
<v Speaker 1>engineering section sectually, specifically, the gravity drives really the only

0:46:06.480 --> 0:46:08.840
<v Speaker 1>thing we ever see on that other side of the ship, right,

0:46:08.880 --> 0:46:11.319
<v Speaker 1>even though it's the largest part of the ship, we

0:46:11.360 --> 0:46:13.720
<v Speaker 1>really just see the gravity drive and in the the

0:46:13.719 --> 0:46:17.920
<v Speaker 1>the labyrinthian hallways that surround the gravity drive for no

0:46:18.000 --> 0:46:22.879
<v Speaker 1>apparent reason. Because weird needs help. Yeah, um, this long

0:46:22.920 --> 0:46:26.520
<v Speaker 1>neck I thought was pretty odd when I first saw

0:46:26.560 --> 0:46:28.160
<v Speaker 1>the design of the ship. I was like, why would

0:46:28.160 --> 0:46:30.560
<v Speaker 1>you want a neck that long? And the only thing

0:46:30.560 --> 0:46:32.640
<v Speaker 1>that I could come up with is if then the

0:46:32.680 --> 0:46:36.080
<v Speaker 1>world they talk about, you know, the gravity fluctuations, maybe

0:46:36.080 --> 0:46:39.840
<v Speaker 1>those fluctuations could adversely affect the crew, and by creating

0:46:39.880 --> 0:46:43.399
<v Speaker 1>this distance, by creating this long neck like corridor, you

0:46:43.680 --> 0:46:47.000
<v Speaker 1>minimize that. Maybe that's the reason, so I can justify

0:46:47.080 --> 0:46:49.759
<v Speaker 1>I'm willing to give them that so, but otherwise you're

0:46:49.760 --> 0:46:51.680
<v Speaker 1>just thinking like, why is the ship It's basically a

0:46:51.719 --> 0:46:54.480
<v Speaker 1>plot device. It looks cool and it looks cool, and

0:46:54.719 --> 0:46:56.719
<v Speaker 1>you get that good dramatic tension of needing to have

0:46:56.760 --> 0:46:58.960
<v Speaker 1>people run up and down it and during important or

0:46:59.000 --> 0:47:00.640
<v Speaker 1>fly up and down it when the gravity is not

0:47:00.960 --> 0:47:02.759
<v Speaker 1>you know, but or float I guess would be the

0:47:02.800 --> 0:47:05.600
<v Speaker 1>more accurate, right, speaking of so they do, they do

0:47:05.680 --> 0:47:08.920
<v Speaker 1>turn on the ship's interior gravity, so no one has

0:47:08.960 --> 0:47:11.839
<v Speaker 1>to have expensive effects anymore for for a while, for

0:47:11.880 --> 0:47:13.440
<v Speaker 1>a while, not until we get to the end. And

0:47:13.480 --> 0:47:15.920
<v Speaker 1>so we see lots of water splashing down onto the

0:47:15.920 --> 0:47:19.640
<v Speaker 1>floor and things like that. It was neat, neat little effect. Um,

0:47:19.800 --> 0:47:22.759
<v Speaker 1>did you notice the ship's log that it's on. It's

0:47:22.800 --> 0:47:25.600
<v Speaker 1>on an optical disc like a DVD or a CD. Yeah,

0:47:25.640 --> 0:47:28.080
<v Speaker 1>so this was made so we have to give it

0:47:28.320 --> 0:47:30.719
<v Speaker 1>that allowance. But it was so funny to me that

0:47:30.840 --> 0:47:34.959
<v Speaker 1>there's a disc and it's caught inside the computer system. Right. Yeah.

0:47:35.239 --> 0:47:39.000
<v Speaker 1>My specific note I think was like, oh, yes, optical disc, yes, right,

0:47:39.120 --> 0:47:41.160
<v Speaker 1>you know, why go back? Yeah, I'm we're just lucky

0:47:41.200 --> 0:47:44.920
<v Speaker 1>it's on eight track. Uh yeah, So the ship's log

0:47:44.960 --> 0:47:46.880
<v Speaker 1>is stored on an optical disc, which we thought was

0:47:46.920 --> 0:47:50.920
<v Speaker 1>adorable and this is about when the crew discovers this

0:47:50.960 --> 0:47:53.759
<v Speaker 1>gravity drive the Doctor Weir has created um and it

0:47:53.840 --> 0:47:57.040
<v Speaker 1>looks like something out of Hell. Raser. Yeah, I said,

0:47:57.040 --> 0:48:00.719
<v Speaker 1>it looks like the same designer who made the limit configuration,

0:48:00.800 --> 0:48:03.799
<v Speaker 1>which is the puzzle box in Hell Razer would in

0:48:03.840 --> 0:48:06.240
<v Speaker 1>this case, it's Dr Weir must have seen that, because

0:48:06.239 --> 0:48:08.960
<v Speaker 1>that's what the interior of his gravity drive room looks like.

0:48:09.080 --> 0:48:12.480
<v Speaker 1>I am so I am so worried for him. I honestly,

0:48:12.600 --> 0:48:14.640
<v Speaker 1>I don't think that he was doing well when he

0:48:14.719 --> 0:48:18.600
<v Speaker 1>was creating this. The entire esthetic design of this ship

0:48:18.719 --> 0:48:20.800
<v Speaker 1>is very much in contrast to the design of the

0:48:20.880 --> 0:48:23.280
<v Speaker 1>Lewis and Clark, which is kind of rough and tumble

0:48:23.480 --> 0:48:27.400
<v Speaker 1>and and has been little ben utilitarian, And the interior

0:48:27.520 --> 0:48:30.120
<v Speaker 1>of this ship reminds me of nothing more than like

0:48:30.360 --> 0:48:34.160
<v Speaker 1>a nineteenth century insane asylum. You've got this this very

0:48:34.200 --> 0:48:37.640
<v Speaker 1>these very brick like metal panels in various places, and

0:48:37.719 --> 0:48:41.560
<v Speaker 1>we've got all of this weird Victorian style detailing and

0:48:41.800 --> 0:48:44.799
<v Speaker 1>razy machinery. So it's kind of a combination with of

0:48:44.840 --> 0:48:48.399
<v Speaker 1>that asylum. And like, imagine that you've been shrunk down

0:48:48.440 --> 0:48:51.320
<v Speaker 1>and then thrown into the home Depot power tools section.

0:48:51.960 --> 0:48:54.120
<v Speaker 1>So You've got these enormous like drill like things that

0:48:54.160 --> 0:48:58.320
<v Speaker 1>are turning around you for no apparent reason. Um. I

0:48:58.640 --> 0:49:00.480
<v Speaker 1>and there's there's a corridor and the end of the

0:49:00.520 --> 0:49:03.239
<v Speaker 1>film that has shaped like a coffin, and I'm just like,

0:49:03.480 --> 0:49:06.799
<v Speaker 1>you guys, seriously, you guys, this is amazing. No One

0:49:06.960 --> 0:49:09.239
<v Speaker 1>no one said like, hey, Dr Weir, do you want

0:49:09.239 --> 0:49:11.960
<v Speaker 1>to take a vacation and go to Disney World. I

0:49:11.960 --> 0:49:15.040
<v Speaker 1>will also say this is going back to the the

0:49:15.080 --> 0:49:18.600
<v Speaker 1>inspiration for the film I have read. I assume this

0:49:18.640 --> 0:49:21.239
<v Speaker 1>is true. It seems like it's true that the idea was,

0:49:21.480 --> 0:49:24.080
<v Speaker 1>what if we had the Shining but said it in space,

0:49:24.600 --> 0:49:26.279
<v Speaker 1>in which case, if you're talking about the film version

0:49:26.320 --> 0:49:29.800
<v Speaker 1>of The Shining, you know Jack Nicholson, Jack Nicholson's characters

0:49:29.880 --> 0:49:33.360
<v Speaker 1>already pretty freaking crazy before he shows up at the

0:49:33.400 --> 0:49:37.720
<v Speaker 1>Overlook Hotel totally and Dr Weir kind of falls that model. Yeah, yeah,

0:49:37.800 --> 0:49:39.359
<v Speaker 1>And I did want to say that it's actually clever

0:49:39.520 --> 0:49:43.520
<v Speaker 1>that the that drive itself is built like a giant gyroscope,

0:49:43.560 --> 0:49:48.200
<v Speaker 1>like a giant hellish gyroscope, because, um, because real spaceships do,

0:49:48.239 --> 0:49:51.600
<v Speaker 1>in fact, you use gyroscopes in their inertial navigation. Systems,

0:49:51.640 --> 0:49:55.839
<v Speaker 1>albeit not giant puzzle box looking ones, right, Yeah, the

0:49:56.040 --> 0:49:59.040
<v Speaker 1>one that you're talking about in the movie. It's imagine

0:49:59.040 --> 0:50:02.000
<v Speaker 1>a globe that's side of a ring, that's inside of

0:50:02.080 --> 0:50:05.239
<v Speaker 1>another ring, and all of these can can rotate independently

0:50:05.280 --> 0:50:07.960
<v Speaker 1>of each other, and when it lines up, it flashes

0:50:08.040 --> 0:50:11.520
<v Speaker 1>light at you and bad things happen. Um dr. We're

0:50:11.560 --> 0:50:14.080
<v Speaker 1>assures the crew that the gravity drive is not on,

0:50:15.880 --> 0:50:20.759
<v Speaker 1>totally on, and it's totally not safe. Yeah, but that's

0:50:20.760 --> 0:50:23.759
<v Speaker 1>because the ship, as it turns out, is alive. Uh

0:50:24.320 --> 0:50:27.000
<v Speaker 1>I said that. Another thing that was kind of interesting.

0:50:27.040 --> 0:50:29.440
<v Speaker 1>I thought it was a little weird. The characters are

0:50:29.520 --> 0:50:33.720
<v Speaker 1>forced aboard the Event Horizon because the Lewis and Clark

0:50:33.920 --> 0:50:36.960
<v Speaker 1>is compromised. All right, there's a whole breach and their

0:50:37.000 --> 0:50:41.120
<v Speaker 1>air supply. UM starts going, I'm not gonna make another joke. Yeah,

0:50:41.160 --> 0:50:44.919
<v Speaker 1>So that everyone, everyone aside from a repair crew, goes

0:50:44.960 --> 0:50:47.279
<v Speaker 1>aboard the Event Horizon. The repair crew tries to repair

0:50:47.320 --> 0:50:50.800
<v Speaker 1>the damage to the Lewis and Clark. So they discovered

0:50:50.920 --> 0:50:54.560
<v Speaker 1>that the oxygen, to be more specific, the carbon dioxide

0:50:54.640 --> 0:50:57.080
<v Speaker 1>levels are rising and are going to hit because the

0:50:57.600 --> 0:51:00.480
<v Speaker 1>scrubbers are something something I don't know that the CEO

0:51:00.520 --> 0:51:03.239
<v Speaker 1>two scrubbers are not not functioning properly, and even if

0:51:03.239 --> 0:51:05.200
<v Speaker 1>they brought the ones a board from the Lewis and Clark,

0:51:05.440 --> 0:51:07.279
<v Speaker 1>it would only give them a little extra time. They

0:51:07.280 --> 0:51:09.920
<v Speaker 1>only have twenty hours of breathable air on the event Horizon,

0:51:09.960 --> 0:51:12.400
<v Speaker 1>which is enormous. Is a huge ship. It's very large.

0:51:12.400 --> 0:51:15.160
<v Speaker 1>I cannot believe that they only had twenty hours of

0:51:15.280 --> 0:51:19.160
<v Speaker 1>breathable air. That's maybe maybe the gravity drive eats oxygen.

0:51:19.400 --> 0:51:22.120
<v Speaker 1>Maybe maybe the hell demons that are in that are

0:51:22.200 --> 0:51:26.120
<v Speaker 1>living in heavy breathers. That could be. I mean, I mean, statistically,

0:51:26.120 --> 0:51:29.120
<v Speaker 1>I think most hell demons are and they've been on

0:51:29.160 --> 0:51:33.839
<v Speaker 1>that ship for seven years, so it's possible. Um. I

0:51:33.960 --> 0:51:37.120
<v Speaker 1>also say that the another fun little fact. This is

0:51:37.120 --> 0:51:39.520
<v Speaker 1>another not so technical thing, but just one of those

0:51:39.520 --> 0:51:42.319
<v Speaker 1>things that if you've watched a lot of movies you appreciate.

0:51:42.840 --> 0:51:46.600
<v Speaker 1>So they have the Sick Sick Bay, a medical center

0:51:47.000 --> 0:51:50.360
<v Speaker 1>which supposedly has never been used. Well on a counter.

0:51:50.520 --> 0:51:53.600
<v Speaker 1>In this medical bay, they have an array of medical tools,

0:51:53.680 --> 0:51:56.160
<v Speaker 1>most of which are most are made just for films.

0:51:56.160 --> 0:52:00.480
<v Speaker 1>They're not actual analogs to real medical tools, although I mean,

0:52:00.880 --> 0:52:03.120
<v Speaker 1>and a lot of them are our corners tools more

0:52:03.120 --> 0:52:05.040
<v Speaker 1>than medical tools. Really, it's the kind of thing that

0:52:05.080 --> 0:52:09.120
<v Speaker 1>you're not going to see in actual medical practice outside

0:52:09.239 --> 0:52:12.600
<v Speaker 1>of the Victorian era. So but if you had ever

0:52:12.680 --> 0:52:16.400
<v Speaker 1>watched a movie like the Tim Burton's Batman or Little

0:52:16.400 --> 0:52:18.760
<v Speaker 1>Shop of Horrors, you will recognize some of these. They're

0:52:18.800 --> 0:52:21.360
<v Speaker 1>the same medical devices that have shown up in movie

0:52:21.360 --> 0:52:24.680
<v Speaker 1>after movie whenever there's some form of medical horror element

0:52:24.760 --> 0:52:28.080
<v Speaker 1>to the film. So I thought I appreciated that. I'm like, oh,

0:52:28.200 --> 0:52:31.600
<v Speaker 1>especially amongst all of these, incredibly are not incredibly high

0:52:31.640 --> 0:52:36.000
<v Speaker 1>tech looking, but but more fancy, shiny, inexplicable bits of

0:52:36.120 --> 0:52:39.720
<v Speaker 1>medical tech that they've got floating around. Right. Well, moving forward,

0:52:39.760 --> 0:52:44.480
<v Speaker 1>you know, things go wrong, Demons are unleashed, people are hallucinating,

0:52:44.840 --> 0:52:47.520
<v Speaker 1>and then that's when we start to see characters try

0:52:47.560 --> 0:52:50.840
<v Speaker 1>and take action. Dr Were wants to go and activate

0:52:50.880 --> 0:52:54.359
<v Speaker 1>the fail safe circuit to turn off the gravity draft. Right.

0:52:54.960 --> 0:52:59.120
<v Speaker 1>What's weird is how inconveniently placed the failsafe circuit is.

0:52:59.640 --> 0:53:02.239
<v Speaker 1>Further More, and it's in this tunnel that, as far

0:53:02.239 --> 0:53:04.439
<v Speaker 1>as I can tell, is composed of circuit board, which

0:53:04.680 --> 0:53:08.280
<v Speaker 1>I think is probably a categorically bad idea for I mean, first,

0:53:08.280 --> 0:53:10.360
<v Speaker 1>it's sharp, like it's delicate, you don't really want to

0:53:10.360 --> 0:53:13.239
<v Speaker 1>be crawling around on top of it. It reminded me

0:53:13.440 --> 0:53:15.880
<v Speaker 1>of those scenes in Star Trek the Next Generation whenever

0:53:15.880 --> 0:53:21.320
<v Speaker 1>anything was seriously wrong with the away, like maybe we

0:53:21.360 --> 0:53:24.800
<v Speaker 1>should start putting that stuff closer to where we work, guys. Furthermore,

0:53:24.840 --> 0:53:27.200
<v Speaker 1>it's a it's an entire tunnel made of circuit board,

0:53:27.239 --> 0:53:29.400
<v Speaker 1>and he has to go to this one very specific panel,

0:53:29.400 --> 0:53:31.680
<v Speaker 1>as far as I can tell, the only panel within

0:53:31.760 --> 0:53:34.120
<v Speaker 1>this tunnel of circuit board, and pull out another piece

0:53:34.120 --> 0:53:36.799
<v Speaker 1>of circuit board and do something too. Yeah. Yeah, the

0:53:36.880 --> 0:53:40.400
<v Speaker 1>expansion slot for the event Horizon is in an inconvenient location.

0:53:40.880 --> 0:53:43.920
<v Speaker 1>Go buy a different ship, guys. Uh So. Also, I

0:53:43.920 --> 0:53:46.400
<v Speaker 1>have a little plot note here. The commanding officer of

0:53:46.400 --> 0:53:50.520
<v Speaker 1>the Lewis and Clark comes to a conclusion, right right

0:53:50.680 --> 0:53:53.160
<v Speaker 1>she She says to the captain that she thinks, based

0:53:53.239 --> 0:53:58.399
<v Speaker 1>upon zero evidence whatsoever, that the ship is alive. Now,

0:53:58.840 --> 0:54:01.480
<v Speaker 1>first of all, she's right, but this turns out to

0:54:01.520 --> 0:54:04.920
<v Speaker 1>be the fantastical element of the film. Yes, but how

0:54:05.000 --> 0:54:06.560
<v Speaker 1>she I made the same note. I was just like,

0:54:06.600 --> 0:54:08.719
<v Speaker 1>I'm not sure where she got that, And it was

0:54:08.840 --> 0:54:11.480
<v Speaker 1>very convenient, Like the audience is picking up on it,

0:54:11.560 --> 0:54:15.040
<v Speaker 1>but the characters shouldn't necessarily I did. I did read that, um,

0:54:15.160 --> 0:54:17.360
<v Speaker 1>nearly half an hour of footage was taken out of

0:54:17.360 --> 0:54:21.279
<v Speaker 1>the film before it went to theaters, and and that

0:54:21.360 --> 0:54:24.279
<v Speaker 1>a lot of that was was more along the gore end.

0:54:24.360 --> 0:54:27.439
<v Speaker 1>And I think that the film benefited from not having

0:54:27.440 --> 0:54:29.240
<v Speaker 1>that in there, because I thought that the subtle flashes

0:54:29.280 --> 0:54:32.080
<v Speaker 1>of gore were very effective here. But but maybe that

0:54:32.120 --> 0:54:34.399
<v Speaker 1>was part of maybe that, maybe that gave her some

0:54:34.480 --> 0:54:37.400
<v Speaker 1>of the feelings she had. Maybe not, maybe not, We

0:54:37.440 --> 0:54:40.440
<v Speaker 1>don't know. The Captain describes what fire and zero G

0:54:40.640 --> 0:54:43.000
<v Speaker 1>is like and gets it almost exactly wrong. Wrong. He

0:54:43.320 --> 0:54:48.200
<v Speaker 1>says that it's like liquid, which Laurence fishburn. So he's

0:54:48.320 --> 0:54:50.799
<v Speaker 1>very dramatic about it. Yeah, not like me. I can't

0:54:50.840 --> 0:54:53.880
<v Speaker 1>I can't manage drama. Well, I can't age drama, but

0:54:53.920 --> 0:54:57.480
<v Speaker 1>I'm not dramatic. Uh. Yeah, he says it's like liquid.

0:54:57.600 --> 0:54:59.840
<v Speaker 1>I I interpreted that to mean that he thought it

0:54:59.880 --> 0:55:03.279
<v Speaker 1>was like liquid on a surface that has gravity, Like

0:55:03.320 --> 0:55:07.400
<v Speaker 1>it behaves like liquid wood on earth. Um. Even if

0:55:07.400 --> 0:55:09.880
<v Speaker 1>you meant liquid and zero G, it's not exactly true.

0:55:10.239 --> 0:55:12.840
<v Speaker 1>If you were to say, light a match in a

0:55:12.960 --> 0:55:16.160
<v Speaker 1>zero G environment or a micro gravity environment, it would

0:55:16.560 --> 0:55:20.120
<v Speaker 1>the flame would form a little globe around the match head,

0:55:20.239 --> 0:55:24.080
<v Speaker 1>and it would probably burn in a very very uh faint,

0:55:24.239 --> 0:55:27.880
<v Speaker 1>but very hot flame like you would usually get a

0:55:27.920 --> 0:55:30.799
<v Speaker 1>little blue flame around the head of the match stick,

0:55:32.680 --> 0:55:36.680
<v Speaker 1>the blue red yellow exactly. So fire does behave in

0:55:36.719 --> 0:55:38.880
<v Speaker 1>an interesting way in zero G, but not really like

0:55:38.920 --> 0:55:42.480
<v Speaker 1>a liquid um. I have a little bit about Cooper.

0:55:43.080 --> 0:55:45.640
<v Speaker 1>We gotta talk about Cooper. Yeah, yeah, so so this

0:55:45.680 --> 0:55:49.040
<v Speaker 1>is moving. As the plot moves forward, like we said,

0:55:49.160 --> 0:55:51.279
<v Speaker 1>it becomes a little bit more fantastical, and therefore we

0:55:51.320 --> 0:55:54.480
<v Speaker 1>don't have quite as many things to complain about. Are

0:55:54.520 --> 0:55:57.640
<v Speaker 1>lovingly complain about. But yes, so so during one of

0:55:57.680 --> 0:56:00.840
<v Speaker 1>these spacewalks wherein one of the crew members, Cooper is

0:56:00.880 --> 0:56:07.160
<v Speaker 1>trying to repairs and Clark, uh, there's an explosion, massive

0:56:07.200 --> 0:56:10.799
<v Speaker 1>catastrophic explosion that destroys the Lewis and Clark and and

0:56:11.280 --> 0:56:14.600
<v Speaker 1>shuttles this little bit of ship that he was standing on,

0:56:15.080 --> 0:56:18.799
<v Speaker 1>spinning wildly off into space. Right, so Cooper is on

0:56:19.200 --> 0:56:22.319
<v Speaker 1>He's tethered to this piece of the ship and the

0:56:22.320 --> 0:56:25.839
<v Speaker 1>ship is hurtling off into space with Cooper on it.

0:56:25.880 --> 0:56:28.840
<v Speaker 1>Cooper has no real means of he has no means

0:56:28.880 --> 0:56:31.120
<v Speaker 1>of getting He doesn't have like a jet pack wearing

0:56:31.120 --> 0:56:33.720
<v Speaker 1>a jet pack, which is terrible because I mean NASA

0:56:34.000 --> 0:56:37.160
<v Speaker 1>and has jet packs and Standard and every space suit

0:56:37.239 --> 0:56:44.080
<v Speaker 1>and I guess standards just slipped anyway, standards. First thing

0:56:44.120 --> 0:56:49.080
<v Speaker 1>he does is he detaches himself from the rotating uh stuff,

0:56:49.080 --> 0:56:52.440
<v Speaker 1>which is problematic too. And that if you were on

0:56:53.200 --> 0:56:56.920
<v Speaker 1>a rotating piece of equipment and then you let go somehow,

0:56:57.200 --> 0:56:59.759
<v Speaker 1>and considering that you weigh less than the rotating piece

0:56:59.760 --> 0:57:01.719
<v Speaker 1>of a pit, meant you're going to start moving at

0:57:01.719 --> 0:57:04.160
<v Speaker 1>a slightly different rate of speed, and your your mass

0:57:04.200 --> 0:57:08.080
<v Speaker 1>is different. You're still conserving the angular momentum, so but

0:57:08.120 --> 0:57:09.960
<v Speaker 1>your mass is different, so you're gonna speak, You're gonna

0:57:10.000 --> 0:57:12.879
<v Speaker 1>turn faster. So we can see this on Earth if

0:57:12.920 --> 0:57:15.840
<v Speaker 1>you are on say ice skates, and you start spinning

0:57:15.880 --> 0:57:17.760
<v Speaker 1>and then you pull your arms in, or you can

0:57:17.800 --> 0:57:19.960
<v Speaker 1>try this in your office if you like, sit on

0:57:20.000 --> 0:57:22.040
<v Speaker 1>a chair that can spin around and around, have someone

0:57:22.080 --> 0:57:24.680
<v Speaker 1>start spinning. You have your arms out, and then start

0:57:24.720 --> 0:57:26.520
<v Speaker 1>pulling your arms in. You will start to spin faster

0:57:26.680 --> 0:57:28.280
<v Speaker 1>if you're do If you're listening to this in an

0:57:28.280 --> 0:57:30.800
<v Speaker 1>office right now, I recommend doing this and just seeing

0:57:30.920 --> 0:57:33.560
<v Speaker 1>just to see what reaction your cod and tell everybody

0:57:33.600 --> 0:57:35.640
<v Speaker 1>when they ask you why you're doing that, that Josh

0:57:35.640 --> 0:57:38.160
<v Speaker 1>and Chuck told you to because we don't want to

0:57:38.200 --> 0:57:42.040
<v Speaker 1>heat anyway. So if you were to actually detach yourself,

0:57:42.040 --> 0:57:44.200
<v Speaker 1>you would start spinning even faster. This is also a

0:57:44.200 --> 0:57:47.320
<v Speaker 1>problem I have with the film, uh Gravity, which I

0:57:47.320 --> 0:57:50.160
<v Speaker 1>don't think it's a spoiler because it happens within the trailer.

0:57:50.320 --> 0:57:54.360
<v Speaker 1>So anyway, Um. He then ends up designed to use

0:57:54.480 --> 0:57:57.840
<v Speaker 1>his oxygen supply as a means of propelling himself back

0:57:57.880 --> 0:58:02.000
<v Speaker 1>to the event horizon, and he vents his oxygen and

0:58:02.160 --> 0:58:05.440
<v Speaker 1>rockets back to the ship. I have a couple of

0:58:05.480 --> 0:58:08.560
<v Speaker 1>problems with the way this was depicted. Yeah, and just

0:58:08.640 --> 0:58:11.000
<v Speaker 1>the fact that it would be physically impossible, the fact

0:58:11.000 --> 0:58:12.720
<v Speaker 1>that he would Yeah, he would have no way of

0:58:12.760 --> 0:58:16.600
<v Speaker 1>really directing your flight in a meaningful way, and nor

0:58:16.640 --> 0:58:20.360
<v Speaker 1>would you necessarily be flying without going into an even

0:58:20.440 --> 0:58:25.080
<v Speaker 1>crazier tailspin. Yeah, it's kind of It's problematic, but you know, dramatic,

0:58:25.120 --> 0:58:29.520
<v Speaker 1>it's fun Cooper. So Cooper becomes a superspaceman and flies

0:58:29.600 --> 0:58:34.440
<v Speaker 1>back to the event horizon. Um, and then I've got uh.

0:58:34.480 --> 0:58:37.000
<v Speaker 1>I only have one other real note and I'll and Lauren,

0:58:37.120 --> 0:58:39.240
<v Speaker 1>I'll ask you what else you have to say about this.

0:58:39.320 --> 0:58:42.840
<v Speaker 1>But the last bit is the event Horizon has a

0:58:42.840 --> 0:58:45.960
<v Speaker 1>whole breach in the bridge area, and at this point

0:58:46.000 --> 0:58:51.440
<v Speaker 1>the possessed doctor Weir spoiler alert is is attacking Laurence

0:58:51.480 --> 0:58:55.320
<v Speaker 1>Fishburne not the not the character. It's Lawrence fish They've

0:58:55.360 --> 0:58:58.919
<v Speaker 1>got they've gone so meta. No, it's Laurence Fishburn's captain character.

0:58:59.040 --> 0:59:02.640
<v Speaker 1>So dr you're possessed is attacking the captain and the

0:59:02.760 --> 0:59:05.880
<v Speaker 1>breach the hall has breached dr where gets flung out

0:59:05.880 --> 0:59:09.680
<v Speaker 1>into space technically blown out into space, not sucked out

0:59:09.760 --> 0:59:13.920
<v Speaker 1>because the air pressure. So the captain ends up trying

0:59:13.960 --> 0:59:20.000
<v Speaker 1>to crawl up or crawled past where the the hallway

0:59:20.280 --> 0:59:22.200
<v Speaker 1>ends at the bridge, so they can seal it off

0:59:22.640 --> 0:59:25.800
<v Speaker 1>and thus repressurize part of the event Horizon did not

0:59:25.880 --> 0:59:28.880
<v Speaker 1>get blown out into space. I'm not sure that you'd

0:59:28.920 --> 0:59:32.040
<v Speaker 1>be able to do that, Like, I don't considering how

0:59:32.120 --> 0:59:34.680
<v Speaker 1>much was flying past him, I don't know that you

0:59:34.720 --> 0:59:37.520
<v Speaker 1>would have the strength to hold on, but or that

0:59:37.800 --> 0:59:40.800
<v Speaker 1>the materials they was holding onto its just right. Yeah,

0:59:40.840 --> 0:59:42.600
<v Speaker 1>that's I felt very much the same way. I think

0:59:42.600 --> 0:59:45.240
<v Speaker 1>that if um, I think that would be hard enough

0:59:45.320 --> 0:59:47.680
<v Speaker 1>in the kind of pressure differentiation that you've got in

0:59:47.720 --> 0:59:51.480
<v Speaker 1>an airplane, let alone in in the vacuum of space. Right.

0:59:51.600 --> 0:59:55.040
<v Speaker 1>So so it's he has herculean strength, and he manages

0:59:55.080 --> 0:59:57.680
<v Speaker 1>to make it Laurence Fishburn, he manages to make it

0:59:57.720 --> 0:59:59.040
<v Speaker 1>into the hallway. Not only does he make it into

0:59:59.040 --> 1:00:01.360
<v Speaker 1>the hallway, he's also able to rescue a fellow crew

1:00:01.360 --> 1:00:04.240
<v Speaker 1>member and pull her to safety before closing the doors

1:00:04.320 --> 1:00:07.000
<v Speaker 1>and sealing it off. UM. I also thought that this

1:00:07.040 --> 1:00:10.760
<v Speaker 1>would probably make their problem of very little breathable air

1:00:10.920 --> 1:00:14.360
<v Speaker 1>somewhat exacerbated, right. And also also I was confused that

1:00:14.360 --> 1:00:16.760
<v Speaker 1>within this very same movie, a little bit earlier on

1:00:16.760 --> 1:00:20.760
<v Speaker 1>one of the other crew members, um head Head, in

1:00:20.880 --> 1:00:25.480
<v Speaker 1>a hallucination driven fit, locked himself an air lock and

1:00:25.560 --> 1:00:27.560
<v Speaker 1>was going to blow himself out into space. And as

1:00:27.600 --> 1:00:30.360
<v Speaker 1>that cabin depressurized, UM, it gave you a lot of

1:00:30.400 --> 1:00:33.400
<v Speaker 1>really great practical gore effects of of his of his

1:00:33.520 --> 1:00:37.120
<v Speaker 1>veins starting to pop, and his eyes bleeding, and all

1:00:37.120 --> 1:00:40.880
<v Speaker 1>of these, all of these terrible, terrific horror elements. Um

1:00:40.960 --> 1:00:43.920
<v Speaker 1>And and none of that happens to these main characters.

1:00:45.680 --> 1:00:48.960
<v Speaker 1>He's build higher with higher billing, you don't. You don't

1:00:48.960 --> 1:00:52.000
<v Speaker 1>get those easily palpable eyeballs. Oh I see, I see.

1:00:52.040 --> 1:00:55.400
<v Speaker 1>That's that's cool benefit when you raise a rank, you

1:00:55.480 --> 1:00:59.800
<v Speaker 1>just get better eyeball. Uh. At any rate, that is

1:00:59.840 --> 1:01:01.480
<v Speaker 1>the is kind of silly. Do you have any other

1:01:01.880 --> 1:01:04.000
<v Speaker 1>notes that you would like to share? Um? I guess. Also,

1:01:04.040 --> 1:01:06.880
<v Speaker 1>speaking of that airlock situation, it's one of my favorite

1:01:07.000 --> 1:01:11.280
<v Speaker 1>goofy movie tropes, wearing UM, something terrible is about to

1:01:11.280 --> 1:01:13.440
<v Speaker 1>happen in an airlock and you have to hack the door.

1:01:13.520 --> 1:01:16.000
<v Speaker 1>You always have to hack the door, and the hacking

1:01:16.040 --> 1:01:19.840
<v Speaker 1>of the airlock door is always accompanied by UM pulling

1:01:19.880 --> 1:01:22.760
<v Speaker 1>the panel out and mussing about with wires, and it

1:01:22.760 --> 1:01:26.320
<v Speaker 1>always takes approximately four seconds longer to do than you

1:01:26.360 --> 1:01:29.400
<v Speaker 1>actually have. I just I just love that that one

1:01:29.440 --> 1:01:33.760
<v Speaker 1>little silly Well, it's also fun that he curls up

1:01:33.760 --> 1:01:36.360
<v Speaker 1>into a ball, flies out of the airlock, is caught

1:01:36.480 --> 1:01:39.240
<v Speaker 1>by the captain who's in a spacewalk, who jumps back

1:01:39.240 --> 1:01:41.720
<v Speaker 1>into the airlock and manages to get him back into

1:01:41.720 --> 1:01:45.720
<v Speaker 1>the ship. That's pretty amazing. Yeah, it's a Superman rescue.

1:01:45.960 --> 1:01:47.960
<v Speaker 1>It is a Superman rescue. That that is. I think

1:01:48.120 --> 1:01:50.640
<v Speaker 1>later on there's a certain point at which people out

1:01:50.760 --> 1:01:54.560
<v Speaker 1>run some space flames. Yeah, there's some space flame out

1:01:54.600 --> 1:01:58.040
<v Speaker 1>running there's an explosion, right, Yeah, there's also you know,

1:01:58.680 --> 1:02:01.440
<v Speaker 1>we didn't really mention it. The pathway to get to

1:02:01.880 --> 1:02:05.920
<v Speaker 1>the gravity drive. The hallway that goes through to the

1:02:05.960 --> 1:02:10.280
<v Speaker 1>gravity drive itself is lined with explosives just in case. Yeah,

1:02:10.320 --> 1:02:13.080
<v Speaker 1>there's there's explosives to separate the bridge from the gravity

1:02:13.120 --> 1:02:15.600
<v Speaker 1>driving case of cases failure. Everyone who has watched Star

1:02:15.640 --> 1:02:18.400
<v Speaker 1>Trek nows sometimes it's really important to separate the dish

1:02:18.400 --> 1:02:20.160
<v Speaker 1>from it. Here exactly, you can use it as a

1:02:20.160 --> 1:02:22.400
<v Speaker 1>life I don't think you would necessarily need a neck

1:02:22.520 --> 1:02:24.880
<v Speaker 1>that long to be able to do this, But that's okay. Now,

1:02:24.880 --> 1:02:26.320
<v Speaker 1>the thing I was going to talk about is that

1:02:26.400 --> 1:02:28.960
<v Speaker 1>really short hallway where you've got the spinning saw blades

1:02:29.000 --> 1:02:33.800
<v Speaker 1>of death all around you. What was that for effect? Yeah?

1:02:34.120 --> 1:02:37.040
<v Speaker 1>It was creepy. I know that doctor Weir said something

1:02:37.080 --> 1:02:39.320
<v Speaker 1>in passing as they were walking down the hallway, but

1:02:39.360 --> 1:02:41.920
<v Speaker 1>it literally made no sense to me. Yeah, me, me neither.

1:02:41.960 --> 1:02:44.000
<v Speaker 1>I didn't I didn't catch what he said. I I

1:02:44.080 --> 1:02:45.880
<v Speaker 1>kind of like I was sort of watching it, going

1:02:45.920 --> 1:02:47.920
<v Speaker 1>like I'm not going to rewind for that one because

1:02:48.160 --> 1:02:51.720
<v Speaker 1>I'm not going to explain in any satisfying way what

1:02:51.800 --> 1:02:54.920
<v Speaker 1>this this hallway of soft teeth is doing here. It

1:02:55.000 --> 1:02:56.760
<v Speaker 1>kind of makes me think of all the parodies of

1:02:56.800 --> 1:02:59.360
<v Speaker 1>Star Wars and other movies where the characters are standing

1:02:59.440 --> 1:03:02.320
<v Speaker 1>right at the edge of a really sharp drop in

1:03:02.360 --> 1:03:03.840
<v Speaker 1>the middle of like the Death Star, and like, why

1:03:03.880 --> 1:03:06.400
<v Speaker 1>don't we put up a railing? You know, it's kind

1:03:06.400 --> 1:03:08.040
<v Speaker 1>of that same sort of why did we put all

1:03:08.040 --> 1:03:12.640
<v Speaker 1>these jagged saw blades around this corridor? For? My favorite

1:03:12.640 --> 1:03:15.560
<v Speaker 1>part about that corridor though, is the dramatic tension involved

1:03:15.600 --> 1:03:18.000
<v Speaker 1>in it, because it is one of the few places

1:03:18.000 --> 1:03:21.000
<v Speaker 1>on the ship that something bodily horrible does not happen

1:03:21.080 --> 1:03:24.120
<v Speaker 1>to anybody, and it so sharp. It looks like a

1:03:24.200 --> 1:03:27.360
<v Speaker 1>tumbler specifically for killing people. It looks it looks like

1:03:27.640 --> 1:03:30.280
<v Speaker 1>welcome to the abattoir corridor. This is where we will

1:03:30.320 --> 1:03:32.520
<v Speaker 1>grind you into teeny tiny bits, but it never happens.

1:03:33.040 --> 1:03:35.600
<v Speaker 1>It is pretty interesting. Um but but you know, I

1:03:35.840 --> 1:03:41.000
<v Speaker 1>so so overall, I'm going to give this film a

1:03:39.360 --> 1:03:43.680
<v Speaker 1>um a gold star for trying. I enjoyed it for

1:03:43.720 --> 1:03:46.360
<v Speaker 1>what it was. It's a fun, schlocky kind of horror movie.

1:03:46.720 --> 1:03:52.000
<v Speaker 1>There's some great bad acting in it. I think that

1:03:52.040 --> 1:03:54.920
<v Speaker 1>I think that Sam Neil did uh did a good

1:03:55.000 --> 1:04:01.600
<v Speaker 1>job as a really overblown dramatic and yeah, it's fun,

1:04:01.680 --> 1:04:05.120
<v Speaker 1>so certainly something that if you are of the appropriate

1:04:05.160 --> 1:04:07.640
<v Speaker 1>age and you like horror movies, you should check it out.

1:04:07.760 --> 1:04:11.560
<v Speaker 1>I enjoyed it so uh. Yeah. This wraps up our discussion.

1:04:12.000 --> 1:04:16.600
<v Speaker 1>Happy Halloween everybody, and remember, if you have any suggestions

1:04:16.600 --> 1:04:19.760
<v Speaker 1>for future episodes of tech Stuff, whether it's another movie

1:04:19.840 --> 1:04:23.040
<v Speaker 1>we should deconstruct, or if it's a technology you've always

1:04:23.040 --> 1:04:24.840
<v Speaker 1>went to hear about, maybe it's a company or a

1:04:24.880 --> 1:04:27.360
<v Speaker 1>person that you want to learn more about who's really

1:04:27.360 --> 1:04:30.040
<v Speaker 1>been instrumental with technology, write us let us know what

1:04:30.160 --> 1:04:33.720
<v Speaker 1>you want to hear. Our address is text stuff at

1:04:33.920 --> 1:04:36.680
<v Speaker 1>Discovery dot com. And remember you can also contact us

1:04:36.720 --> 1:04:40.560
<v Speaker 1>on social media including Facebook, Twitter, and Tumbler. You can

1:04:40.600 --> 1:04:43.440
<v Speaker 1>find us there with the handle text stuff, hs W

1:04:43.720 --> 1:04:45.479
<v Speaker 1>and Lauren and I will talk to you again really

1:04:45.560 --> 1:04:51.680
<v Speaker 1>soon for more on this and thousands of other topics.

1:04:51.800 --> 1:04:58.680
<v Speaker 1>Does it has to Works dot Com