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Speaker 1: The Nicky Glazer podcast. Here's Nikki. Hello, welcome to the show.

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Speaker 1: Here I am. It's Nicky Glazer. It's Nicki Glazer podcast.

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Speaker 1: Thank you all for being so patient over these last

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Speaker 1: couple of weeks when I have been recovering from vocal

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Speaker 1: chord surgery, which I just learned was spelled C O

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Speaker 1: R D and not c h o r D. I

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Speaker 1: was thinking it was all musical. I've been embarrassed in

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Speaker 1: many text messages thus far. Um, yeah, you just think

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Speaker 1: vocal cord, you see H and it's not gonna auto

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Speaker 1: correct you. So I've been looking like a real dumb

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Speaker 1: dumb Um, but so I am Um. This is maybe

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Speaker 1: the third week, or second or third week that I've

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Speaker 1: been Um, not doing the daily podcast. So I appreciate

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Speaker 1: all y'all, all y'all's patients, in not having a daily podcast.

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Speaker 1: You know I miss it so much. You know that.

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Speaker 1: You know this is before this is pre op, as

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Speaker 1: we've covered last week. Um, so I don't know what

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Speaker 1: my mental state is going to be as I talk

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Speaker 1: right now, but I'm guessing that I've already started finding

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Speaker 1: some way to communicate and put out content on my

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Speaker 1: instagram or on our Social Uh to get, you know,

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Speaker 1: because I'm probably going crazy in my own head, or

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Speaker 1: I've probably completely jeopardized the healing process and started doing

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Speaker 1: daily podcast. That my money is on. You'll be talking

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Speaker 1: by Friday. Andrew Colin is in St Louis. I'm in

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Speaker 1: Boston awaiting surgery. That will be happening tomorrow. Um, Noah

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Speaker 1: is in New York still, and we have any who

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Speaker 1: is on your marina, who did our theme song and

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Speaker 1: you've heard on the show many times before. My best friend, Singer,

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Speaker 1: songwriter on your marina is visiting us from New York.

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Speaker 1: How is it going? Everyone so good. I can't believe

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Speaker 1: it's the last time we're gonna hear that sweet, sweet

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Speaker 1: voice for a while. This a little correctly crumble voice. Um, yeah,

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Speaker 1: I don't know what I want to do today with it.

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Speaker 1: I can see why you spell chords with an H,

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Speaker 1: because it it looks and feels like a little raspy,

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Speaker 1: like the age is like card. Yeah, my chords are

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Speaker 1: going to not have an age afterwards. Yeah, I wonder

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Speaker 1: if it will sound like the like. Even no one

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Speaker 1: noticed that in my earlier stand up. My voice does

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Speaker 1: sound a lot different. I will say that there was

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Speaker 1: a there's a lot of clips that are being posted

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Speaker 1: from different like meme accounts and stand up clip accounts

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Speaker 1: of my past stand up. Thank you for putting those

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Speaker 1: out there. All those people that are doing that without

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Speaker 1: my permission, please keep doing it, because I don't do it. Um,

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Speaker 1: and I really sound like this, like it'll sound like this,

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Speaker 1: but it's also because it's going very fast and they

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Speaker 1: change the frequency of it and they speed it up

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Speaker 1: so that they don't get corporate copyrighted because Um, so

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Speaker 1: that's what's happening there. So that's why I said, like

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Speaker 1: Monica on season five of friends, where she talked like

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Speaker 1: this and she was always just like Chandler, come on,

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Speaker 1: we need to go here. Like all of a sudden,

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Speaker 1: season five of friends, Chandler's would change and Monica's changed

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Speaker 1: and is really anning. And if you listen back on

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Speaker 1: repeat episodes, you will find that on TBS TV land,

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Speaker 1: I don't even think that's a network anymore. They really

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Speaker 1: speed it up so that they can fit in one

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Speaker 1: more commercial. So they speed it up slightly and that's

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Speaker 1: why everyone talks a little bit faster. When you hear

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Speaker 1: all of the different reruns of these shows because they

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Speaker 1: speed it up a fraction and in that time they

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Speaker 1: save thirty seconds and they make, you know, half a

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Speaker 1: million dollars or whatever the hell it is in AD sales.

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Speaker 1: So if you're wondering why shows like Big Bang theory

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Speaker 1: or two and a half men sound really fast, they're

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Speaker 1: fitting in more ads and every like comment is like,

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Speaker 1: you know, I love the material with this bitch's voice

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Speaker 1: sounds like a rat dying, like yeah, it sounds like this.

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Speaker 1: It sounds like I'm waking from crystal season of the Bachelor,

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Speaker 1: which is one of the best impressions I could ever do.

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Speaker 1: But it didn't really work out because I wouldn't be

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Speaker 1: a mom and like n't bad. Jokes aren't bad. Yeah,

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Speaker 1: they're not. Yeah, it's just like, Um, you know, my

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Speaker 1: mom's alcoholic. I don't like to say she's alcoholic, but

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Speaker 1: it was like she's just a shop about, like sick

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Speaker 1: to buying alcohol. Next joke. Good writing. That's good writing. Um, honestly, yeah, Um,

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Speaker 1: but I was listening to your bit. I was listening

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Speaker 1: to a show from I think eighteen, and I was

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Speaker 1: struck by how different you sound even then. It was

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Speaker 1: the Luigi joke about Luigi going down on you and

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Speaker 1: you being like he wants it, come on, it's told

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Speaker 1: that joke. So my voice changes when I get turned

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Speaker 1: on and I'm talking about jokes. Say That, Um, yeah,

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Speaker 1: there's a dog, but down on me. That joke was

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Speaker 1: even I go back and go what's going on there?

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Speaker 1: That solid minutes to Matt was dying. He's like this

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Speaker 1: isn't people just can't believe I started banging my special

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Speaker 1: with twenty minutes of a blowjob joke and then I

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Speaker 1: started this last special with, Um, me going down on

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Speaker 1: my parents. Like it's really weird that my favorite things

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Speaker 1: to talk about are things that I truly have never

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Speaker 1: like you would suspe back to that. I would be

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Speaker 1: someone that was like it was there all along. She

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Speaker 1: was telling us the whole time, kind of thing. Yeah, like,

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Speaker 1: if you look, we were. Chris and I were just

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Speaker 1: talking about someone who, if you go through their history

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Speaker 1: of Army Hammer. Have you guys seen the new Um

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Speaker 1: House of Hammer Document? Yes, I want so, in the

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Speaker 1: first episode. It's really good. It's really Oh God, listen,

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Speaker 1: that is not no, you didn't watch it yet. On you,

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Speaker 1: you were the one texting me about it. I just

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Speaker 1: saw the trailer I sent you. Oh this is ridiculous.

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Speaker 1: I'm having Julie taken out tomorrow. God damnit. Watched that

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Speaker 1: freaking documentary because I thought you'd seen it. You're texting me.

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Speaker 1: Go on, listen, I saw that because on your text

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Speaker 1: me and she goes, I guess you said I'm watching

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Speaker 1: the trailer. I've missed that part, but she says I'm

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Speaker 1: watching the House of Hammer thing and these text messages

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Speaker 1: that he sends these girls. I'm thinking Nikki would be

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Speaker 1: so turned on by them because, honestly, you guys, I

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Speaker 1: put on the documentary and I was I had to

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Speaker 1: put down crash bag to sit on because the cat

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Speaker 1: was going to get ruined. I was like, I want

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Speaker 1: you to be holes, I just want you to tie

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Speaker 1: you up, sit there. I'm just going to be tied

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Speaker 1: up in public and have everyone use you and you

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Speaker 1: have no say in it. Like it was about like

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Speaker 1: just like having our love language. I'm not joking you.

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Speaker 1: I was so turned on. And then it gets to

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Speaker 1: be like I'm Cannibal, I want to cook you, I

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Speaker 1: want to rape you, like it gets progressive very quickly,

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Speaker 1: very um inappropriate, and I mean this guy is an

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Speaker 1: alleged rapist. I mean you the way he you learned

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Speaker 1: about love bombing, you learn about just lying the way he's.

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Speaker 1: It's fascinating because I think it just gives girls and

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Speaker 1: guys a good perspective on how this happens. How girls

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Speaker 1: kind of see a guy that hits on them in

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Speaker 1: their D M S. he's a family man. He they

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Speaker 1: google him. He has a family and kids. And then

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Speaker 1: how they go kind of like no, well, this, this

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Speaker 1: is weird. He's kind of like hitting on me, but

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Speaker 1: it's not that clear. And then how he then lies

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Speaker 1: and says we've been separated. You know, like how the

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Speaker 1: whole thing works, because I think a lot of times guys,

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Speaker 1: I've heard, and girls who cannot relate to falling for

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Speaker 1: a man who is married. Who Falling for a man

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Speaker 1: who says I want to bite, I want to bite you,

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Speaker 1: I want to uh. He left some girl a note

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Speaker 1: that she was already in love with him. They had

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Speaker 1: spent hours on the phone together and he leaves. He

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Speaker 1: goes to her apartment creepily when she's not in town

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Speaker 1: and leaves her note that says I'm going to something

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Speaker 1: with I want to bite you in half. Or something

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Speaker 1: like that, and when, in the context of all of this,

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Speaker 1: this is the first time he's shown that kind of side,

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Speaker 1: she's just like, oh, he wants to devour me, he

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Speaker 1: wants you know, US watching are like, what the funk?

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Speaker 1: These girls are so fucked up. Please, when you watch this,

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Speaker 1: be with an open mind of like you don't know

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Speaker 1: what it's like, you don't know these girls experience coming

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Speaker 1: into these relationships. This like kind of judgment I think

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Speaker 1: that they get from a going for a guy who

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Speaker 1: clearly is married and might be lying about that, but

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Speaker 1: even so they like leave your judgment at home and really, Um,

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Speaker 1: I was Um. I got a d m once from

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Speaker 1: from someone who, uh, mentioned rope bondage and who was

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Speaker 1: a famous person that I was like, Oh my God,

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Speaker 1: is this person? Like I saw a blue check mark.

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Speaker 1: I'm like, is this one of those fake blue check

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Speaker 1: marks where they like do an Emoji in their name,

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Speaker 1: you know, like there's that Emoji that looks blue and

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Speaker 1: can kind of trick yes, yes, you were using it

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Speaker 1: for years and so you gotta. BRENNA is blind. Just

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Speaker 1: turned up phone in, but I remember getting a d

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Speaker 1: m from someone very famous and going, Oh my God, like,

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Speaker 1: I know who this is. This can't be the real person.

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Speaker 1: It is probably just the fake name and a fake emoji.

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Speaker 1: And then I looked into it has millions of followers

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Speaker 1: and then I was like, Oh my God, this is

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Speaker 1: the person. And they were talking suggestively about, Um, sexual stuff,

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Speaker 1: but not not saying they want to do anything with me, Um,

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Speaker 1: but just putting it out there. And I knew that

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Speaker 1: I could pick up that rope and have them tie

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Speaker 1: me up with it if I wanted to. But, Um,

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Speaker 1: I did it because a little bit older and knew

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Speaker 1: that I don't want to get involved with a person

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Speaker 1: with but you hate home depot. Well, he brings these

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Speaker 1: girls to hardware stores. Yes, it's so. He was talking

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Speaker 1: to this one girl for a while and she is,

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Speaker 1: you know, he just met her at a bar in Dallas,

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Speaker 1: I think he was visiting, and she's just a business

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Speaker 1: owner in Dallas, sweet girl, and she meets some of

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Speaker 1: this bar they hit it off. They start talking on

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Speaker 1: the phone for hours and hours. Finally, you know, he

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Speaker 1: separated from his wife. It's like announced in the papers

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Speaker 1: and everything, and then she goes to l a to

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Speaker 1: visit and he convinced. It convinces her to go to

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Speaker 1: palm springs with him and they go up there and

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Speaker 1: they go, you know, after a couple of nights it's

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Speaker 1: just it's heaven. She's like he's all over me, he's

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Speaker 1: so attentive, he's so loving, he's so like Lovey Dovey,

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Speaker 1: like hand on my lap, like leg constantly, like holding

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Speaker 1: my hand, like all these things. When you're a woman

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Speaker 1: watching this, going like yeah, I would be I would

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Speaker 1: do anything. This famous hot guy is showing me all

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Speaker 1: this attention. I'm just a business owner from Dallas. I'm like,

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Speaker 1: how is this celebrity scooping me up out of nowhere,

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Speaker 1: this guy that has Oscar buzz from call me by

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Speaker 1: your name, like he's successful, he's handsome, he's rich, he's

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Speaker 1: all these things. He's a good father, seemingly Um. And

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Speaker 1: then they go to the hardware store and like the

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Speaker 1: third day and she's like he's talked about rope bondage

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Speaker 1: and she's just like not into it, but he she

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Speaker 1: knows it's like something key's really into. And you know,

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Speaker 1: we all kind of make you know, uh, what's Open

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Speaker 1: minded and game? Yeah, Gi uh, what is it? U Game? Uh. Yeah,

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Speaker 1: what's his name? Dan? Savage. Dan Savage coined it. It's

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Speaker 1: G G G U giving. I forget it. You know. Well,

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Speaker 1: you do Google Gigi against Dan savage, because it is

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Speaker 1: a good little acronym that Anya and I are both

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Speaker 1: really strange. Giving game and it's probably gastro intestinal are

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Speaker 1: not working that day when I come. It's good giving. Wait,

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Speaker 1: what is it? Good giving and game, good giving and game. Yeah,

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Speaker 1: like they you just want to be Gig and so

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Speaker 1: or Gidd you would. It looks like her, because she

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Speaker 1: just looks like she's good giving and game and Um

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Speaker 1: and having g forces applied to her face in the

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Speaker 1: opposite direction. So they go to the hardware store and

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Speaker 1: she's kind of just like God, I don't want to

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Speaker 1: do this, but I'll do it, you know, and they're

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Speaker 1: out of rope and she's like yeah, like she's slad.

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Speaker 1: So he's been there before. Again, army, but like you

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Speaker 1: only have so much rope, like a spring. What are

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Speaker 1: you making out? Oh my God, put in the deck.

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Speaker 1: You know, the deck is almost ready. Yeah, they're like

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Speaker 1: rope for the deck. Really do you? He's like, Oh,

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Speaker 1: just the pulleys and the levers. You know, there's lots

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Speaker 1: of that I'm doing an ancient style, a lot of

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Speaker 1: pulleys and Um, do you know how that? You know

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Speaker 1: that the Egyptians to the Pyramids and they're like no,

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Speaker 1: we don't. That's still a mystery. He's like, well, we're

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Speaker 1: doing well. So is this? Ninety women and then you

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Speaker 1: and use them as weight to pull up a rock

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Speaker 1: to make my new house. I am not wanting to

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Speaker 1: make jokes about the documentary because it is grizzly. And

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Speaker 1: then the second episode gets into it's episodic yeah, three,

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Speaker 1: I believe, and Jen, my assistant, has watched, Um, the

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Speaker 1: last two. I watched one and two, Um, and it

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Speaker 1: just gets into his family and how this kind of

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Speaker 1: you know, abuse of women and uh, like it's it's

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Speaker 1: generational and it's passed down and it's like they kind

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Speaker 1: of showed how to treat women and Um. But he

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Speaker 1: is a monster and I just want everyone listening. If

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Speaker 1: you aren't gonna Watch the documentary, please do not partake

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Speaker 1: in army hammer jokes about him being a cannibal and how,

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Speaker 1: ha ha, he's gonna eat you. This is so far

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Speaker 1: beyond that and people need to know that this man

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Speaker 1: allegedly raped his ex girlfriend Um tied her up. Uh,

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Speaker 1: this woman he was seeing for a while tied her

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Speaker 1: up one night. She didn't want to do it, but

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Speaker 1: she was kind of like, okay, he pretty much what

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Speaker 1: they discover is that he, he, uh, dates these women

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Speaker 1: who don't really understand B D S M culture, and

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Speaker 1: neither does he, because he uses B D s m

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Speaker 1: as an excuse to get away with really abusing these

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Speaker 1: women and having it be like well, that's what it is.

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Speaker 1: Is Like I get off on you crying and telling

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Speaker 1: me to stop, and then I essentially keep going, and

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Speaker 1: that's that's my kink, that's my thing and that's B

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Speaker 1: D s m. Last night was so amazing and she

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Speaker 1: goes it wasn't. I was crying and I did not

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Speaker 1: like a nyames like you crawling away from me, crying

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Speaker 1: on the ground made me feel so powerful. You saying no,

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Speaker 1: I want to like and so so about rape. It's

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Speaker 1: not about cannibalism. That is just that is so what

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Speaker 1: he would want this narrative to beasts because he has

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Speaker 1: an excuse of like I was just saying fantasy things,

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Speaker 1: as we're just text. This is about rape and if

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Speaker 1: you look into it, it is. Don't just please don't,

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Speaker 1: if people are making Army Hammer Cannibal jokes, ruin the

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Speaker 1: mood of the dinner that you're at by saying, do

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Speaker 1: you know he actually raped his girlfriends? And because that's

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Speaker 1: what I've been doing for years now, Um, because it's

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Speaker 1: just such a joke, I think that sometimes these things

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Speaker 1: can turn into joke. It doesn't hit people. Yea, even

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Speaker 1: though he admitted to cutting a deer's heart out and

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Speaker 1: eating it's Um heart. It's beating heart, like warm from

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Speaker 1: its body and that's how much he loves flesh and

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Speaker 1: he is of Cannibal's. He says he's never admitted to anyone.

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Speaker 1: Let me just say you can say all these things

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Speaker 1: in a text. You can lie, you can say that

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Speaker 1: maybe is a fantasy of yours. If you do it,

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Speaker 1: it's a different thing, um. And I don't see any

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Speaker 1: difference between cutting a deer's heart out and eating it

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Speaker 1: and eating animals. So that, to me, doesn't really bother me.

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Speaker 1: But what I'm saying is that he really does have

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Speaker 1: these tendencies, I believe, to eat people and want to

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Speaker 1: like and he he used to bite these girls. There's

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Speaker 1: bite marks everywhere. He thought it was like a sign

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Speaker 1: of like, I love you so much and you're wearing

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Speaker 1: and these girls even convince themselves like he wants to

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Speaker 1: mark me because I'm his. But then you know this

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Speaker 1: one girl he's dating, all of a sudden she sees

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Speaker 1: in the tabloids that he's on a date with rumor Willis,

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Speaker 1: and he's got his arm around her in a way

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Speaker 1: and she goes. I zoomed in on his hand on her,

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Speaker 1: like you know, hip, and it was just the way

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Speaker 1: he touches me and it was just, I mean that

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Speaker 1: to me was just so devastating too, to see on

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Speaker 1: like Perez Hilton, the guy that you're in love with,

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Speaker 1: like doing the same things with someone else. It must

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Speaker 1: be devastating. Anyway. Do you recommend this documentary? Yes, I do.

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Speaker 1: I do because I want people to. I will say

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Speaker 1: that there's one victim, effie, who was the original one

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Speaker 1: that that started putting out Um screenshots of their D

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Speaker 1: M s. This is the one that Um later hired

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Speaker 1: Gloria all read and accused him of rape and Um

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Speaker 1: all these things, and she later showed her face. At

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Speaker 1: first she was all anonymous. Through Gloria alread, she was

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Speaker 1: Jane Doe and then she came out as herself and

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Speaker 1: was on tape and it's very brave and Um. She

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Speaker 1: has said, though, that the documentary Um seems to be,

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Speaker 1: I don't know, these are her words, glamorizing what happened,

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Speaker 1: making it, sensationalizing it, and she's saying that the producers

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Speaker 1: of the documentary essentially are doing the same thing that

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Speaker 1: army did to her. Of like when she says no,

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Speaker 1: they kept going. So I will say maybe look into

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Speaker 1: that before you watch it, but just do a little

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Speaker 1: bit more digging on this guy than he come out

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Speaker 1: and apologize. It's like a full on a you know what, Andrew,

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Speaker 1: do you remember that whole story about him working as

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Speaker 1: a a time share manager down there? No, not when

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Speaker 1: we were down there. So we were in the Cayman

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Speaker 1: Islands and Army Hammer was there, and this was before.

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Speaker 1: He's from there or his family moved there because they're

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Speaker 1: super rich and that's where you go when you want

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Speaker 1: to hide money. Um. So he grew up there a lot.

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Speaker 1: He was, I think, born in L A, but Um,

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Speaker 1: he so. I think like probably four months ago or

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Speaker 1: less than that, it came out that he was selling

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Speaker 1: time share, time shares and it's true. He really was.

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Speaker 1: At first it came out it was a fake store.

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Speaker 1: It came out everyone was like he's selling timeshare, that's

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Speaker 1: so weird, and then it was like that's a fake story,

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Speaker 1: and then someone was like no, it's it's actually real.

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Speaker 1: He was selling time shares. He's been cut out of

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Speaker 1: the family fortune. He can't get acting jobs anymore and

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Speaker 1: he he was selling time shares and he was selling

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Speaker 1: time shares at the resort that we stayed at, the Morit's.

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Speaker 1: It came in, which is if you've been there, it

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Speaker 1: is not a luxury place. It's really kind of the

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Speaker 1: there was that in my ad that's how shitty it was. Um.

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Speaker 1: But anyway, don't go parasailing with him the rope. Actually,

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Speaker 1: you can trust him. He knows how to work a rope. Um. Anyway,

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Speaker 1: I wanted to say before we go to break that

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Speaker 1: I really would love everyone to check out a song

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Speaker 1: that I've talked about on the podcast before by the

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Speaker 1: natural lines, which is on his boyfriend, Matt Um Pond.

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Speaker 1: He is my tour manager and he is on his fiance, sorry,

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Speaker 1: not boyfriend, fiance, and he has a new song out

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Speaker 1: and I really respect Matt for doing what he did,

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Speaker 1: which is he went from being Matt Pond P A,

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Speaker 1: which was his band name or his like name, his

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Speaker 1: band name, and he went from that to the natural lines.

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Speaker 1: And what was this decision to shift into a completely

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Speaker 1: different Um? Like it reminds me of what I'm trying

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Speaker 1: in terms of like completely rebranding. I think he had

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Speaker 1: been toying with the idea and then he got signed

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Speaker 1: by his dream record label. Simon Raymond from the Cocteau

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Speaker 1: twins has a label and he has like our father,

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Speaker 1: John Misty and beach house and all these amazing bands

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Speaker 1: and they're based in the UK and he floated the

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Speaker 1: idea to Matt about changing the name and Matt was like,

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Speaker 1: I've kind of always toyed with it, but really, do

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Speaker 1: you think? And so the label was fully on board.

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Speaker 1: So then they went with it. But it is so

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Speaker 1: scary to completely change. Scary. He's already like I've lost followers.

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Speaker 1: I don't think people know that, like I changed my

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Speaker 1: and they're like who is this guy? All this it

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Speaker 1: is such a risk. It's like, can you imagine just

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Speaker 1: starting over? What would your name? But that's just why

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Speaker 1: I went over that's like they go from a band

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Speaker 1: name to them their own name. It's not usually the

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Speaker 1: other way around. I remember Dave Matthews saying he regretted

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Speaker 1: making that decision as a young man to go with

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Speaker 1: D also matt was like, I don't not just about me,

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Speaker 1: it's like all these other people I collaborate with. So

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Speaker 1: it feels correct to make it a brand. Well, the

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Speaker 1: natural lines is a new band. Please over compensate for

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Speaker 1: the lack of the followers he has now, because people

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Speaker 1: just thought all of a sudden they got a new

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Speaker 1: you know, soon as you just start following someone, you're like,

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Speaker 1: how did this happen? Like you to record? Get on

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Speaker 1: my phone. Yes, so, Um, yes, exactly. So follow the

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Speaker 1: natural lines. The new song, the problem is me is

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Speaker 1: so freaking good. I cannot stop singing it. I sing

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Speaker 1: it all the time. I'm obsessed with it. I love

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Speaker 1: it so much. I hope everyone listens to it. If

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Speaker 1: it might not be for you, but at least give

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Speaker 1: it a listen and I bet it will be called

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Speaker 1: the problem is me by the natural lines. I would

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Speaker 1: really love you to support him. He is just such

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Speaker 1: a good musician and has helped me a lot Um

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Speaker 1: musically along with Anya, but like it is, we'll go

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Speaker 1: to break now. But I do want to talk about

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Speaker 1: Um with Anya a little bit, about what it's like

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Speaker 1: to like figure out when you're an artist. Even Andrew too,

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00:20:58,720 --> 00:21:01,080
Speaker 1: like you, struggled also it with your identity as an

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Speaker 1: artist when you started out, and we'll talk a little

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Speaker 1: bit about that when we get back with on your

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Speaker 1: marina P A. we're back. It is our weekly episode

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Speaker 1: while I'm recovering from vocal chord surgery. Um, we talked

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Speaker 1: about on his boyfriend rebranding, like twenty years into his

406
00:21:20,440 --> 00:21:23,760
Speaker 1: career maybe more right. I mean, this is a huge deal.

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Speaker 1: This isn't just like a person and he's take he's

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Speaker 1: doing a band on the side, like Ziggy. Start us,

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Speaker 1: like I'm just gonna this is a dramatic shift. Matt

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Speaker 1: Pon Pier is no longer. He is now the natural lines.

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Speaker 1: When you were coming up on one of my favorite

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Speaker 1: stories about you finding your voice because you were in

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Speaker 1: your car trying to figure out, like what do I

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Speaker 1: sound like? Remember that? Yeah, I was listening to Liz

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Speaker 1: Fair's record exile and Guy Ville and I had a

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Speaker 1: little tape recorder, like those little handheld things and I

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Speaker 1: was just like, I want to be a singer. I

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Speaker 1: had just seen Liz fair perform live with jewel opening

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Speaker 1: the show. Jewel was an unknown and jewel was so

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Speaker 1: funny and telling all these stories and playing songs all

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Speaker 1: alone on stage, captivating a sold out crowd in San

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Speaker 1: Francisco at the Warfield, and I was like I want

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Speaker 1: to do that, like this is what I want to do,

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Speaker 1: but I don't have a voice like Juel who was

425
00:22:11,880 --> 00:22:14,600
Speaker 1: like the Adele of the time. And you written a

426
00:22:14,640 --> 00:22:16,439
Speaker 1: song before? Did you play guitar? At this point I

427
00:22:16,440 --> 00:22:19,360
Speaker 1: had written like little song sketches, kind of like little

428
00:22:19,640 --> 00:22:21,639
Speaker 1: you know, like one minute long things, or like a

429
00:22:21,680 --> 00:22:23,960
Speaker 1: little but not really. I was just in my car

430
00:22:24,040 --> 00:22:27,040
Speaker 1: singing into this recorder because Liz phair had a very

431
00:22:27,040 --> 00:22:29,480
Speaker 1: imperfect voice at the time and I was like that's

432
00:22:29,520 --> 00:22:31,520
Speaker 1: probably what I want to sound like more. It's kind

433
00:22:31,520 --> 00:22:37,520
Speaker 1: of like a Nana da Dunna, like it's kind of

434
00:22:37,560 --> 00:22:41,880
Speaker 1: like she kind of sounds like she's got in attitude

435
00:22:42,000 --> 00:22:45,399
Speaker 1: all the time. I thought it, but I wanted like

436
00:22:45,480 --> 00:22:48,919
Speaker 1: someone talking like if I'm talking like this and then

437
00:22:48,960 --> 00:22:50,880
Speaker 1: I want to break into a song, I don't want

438
00:22:50,880 --> 00:22:53,600
Speaker 1: to sound completely different, you know, like I want to

439
00:22:53,640 --> 00:23:00,960
Speaker 1: sound like I have heard all over the that's how

440
00:23:01,000 --> 00:23:04,000
Speaker 1: she sounds. It's like, yes, not too far from talking voice.

441
00:23:04,040 --> 00:23:05,600
Speaker 1: So I was like, I want to be that, I

442
00:23:05,600 --> 00:23:09,040
Speaker 1: don't want to yeah. So then I was just playing

443
00:23:09,080 --> 00:23:12,560
Speaker 1: around and man, that tape is probably filled with so

444
00:23:12,640 --> 00:23:17,879
Speaker 1: much embarrassing stuff. I just was like doing a head voice,

445
00:23:17,880 --> 00:23:20,439
Speaker 1: and then I chast voice and then finally I hit something.

446
00:23:20,440 --> 00:23:22,840
Speaker 1: I'm like that, that that, that's it, like somewhere and

447
00:23:23,280 --> 00:23:25,600
Speaker 1: keep honing that. And I don't know what it was,

448
00:23:25,680 --> 00:23:27,919
Speaker 1: but it's probably similar to what I am my singing voices.

449
00:23:28,040 --> 00:23:31,879
Speaker 1: All I talk about with my vocal coaches, like what,

450
00:23:32,160 --> 00:23:34,680
Speaker 1: she's going to really help me? The one that discovered

451
00:23:34,720 --> 00:23:36,960
Speaker 1: the notes on my throat and had this whole thing.

452
00:23:37,640 --> 00:23:42,400
Speaker 1: This all happened my friend Amy. She Um, she's gonna

453
00:23:42,400 --> 00:23:45,040
Speaker 1: help me find that voice, because it is. I've been

454
00:23:45,040 --> 00:23:46,879
Speaker 1: doing a new bid on stage and I kind of

455
00:23:46,920 --> 00:23:50,040
Speaker 1: want help with it. But it's about how I don't

456
00:23:50,040 --> 00:23:52,800
Speaker 1: think people realize, Um, if they're not singers or not

457
00:23:52,840 --> 00:23:55,840
Speaker 1: attempting to be, like you don't just it's rare that

458
00:23:55,880 --> 00:23:57,800
Speaker 1: you just start singing and that like that's the way

459
00:23:57,800 --> 00:23:59,680
Speaker 1: your voice sounds, and that's the way it's, I mean

460
00:24:00,000 --> 00:24:03,320
Speaker 1: odd way, has a certain like if you're singing like this,

461
00:24:03,640 --> 00:24:08,119
Speaker 1: like very articulate and everything's like this, and then there's

462
00:24:08,160 --> 00:24:13,280
Speaker 1: like I got up in the morning and like yeah,

463
00:24:14,480 --> 00:24:17,399
Speaker 1: you can get and I put on my Ping Wig

464
00:24:17,840 --> 00:24:20,360
Speaker 1: and I said hello to the birds outside and then

465
00:24:20,400 --> 00:24:24,880
Speaker 1: I started to sing, like so there's sad and then,

466
00:24:24,880 --> 00:24:27,359
Speaker 1: like you're saying, there's like the head voice of like

467
00:24:28,040 --> 00:24:30,919
Speaker 1: if I'm singing up like singing up here is like

468
00:24:31,000 --> 00:24:33,880
Speaker 1: a like a falsetto, like in your nose, and then

469
00:24:33,880 --> 00:24:36,680
Speaker 1: there's like down here. I mean when you choose your voice,

470
00:24:36,720 --> 00:24:38,520
Speaker 1: it doesn't just come out of your head. Sometimes it does.

471
00:24:38,880 --> 00:24:40,720
Speaker 1: So I was trying to think of a bit about

472
00:24:41,400 --> 00:24:44,040
Speaker 1: Um and I did it. I think I tried it.

473
00:24:44,080 --> 00:24:47,400
Speaker 1: Maybe I didn't try it in Vegas, but about Um

474
00:24:47,600 --> 00:24:50,399
Speaker 1: Neil Young, I'm like I want us all to like

475
00:24:50,680 --> 00:24:52,159
Speaker 1: I just want to bring up Neil young and be like,

476
00:24:52,240 --> 00:24:55,000
Speaker 1: you know, for instance, Neil Young, like I don't think

477
00:24:55,000 --> 00:24:56,760
Speaker 1: you always give a lot of thought to like how

478
00:24:56,840 --> 00:24:59,280
Speaker 1: much goes into a singing voice and how weird singing

479
00:24:59,320 --> 00:25:01,639
Speaker 1: can be. Cause Neil Young is like he was just

480
00:25:01,680 --> 00:25:03,640
Speaker 1: like a rock or and he talks like this man.

481
00:25:03,720 --> 00:25:05,840
Speaker 1: I mean, if you've ever heard Neil Young, he's kind

482
00:25:05,840 --> 00:25:08,159
Speaker 1: of like has a ponytail, is just like a dude.

483
00:25:08,760 --> 00:25:11,280
Speaker 1: And the first time Neil young sat his friends down

484
00:25:11,320 --> 00:25:13,800
Speaker 1: and was like, guys, I have like a song. Do

485
00:25:13,840 --> 00:25:16,160
Speaker 1: you guys want to hear? And they're like, Neil, fucking yes,

486
00:25:16,200 --> 00:25:18,320
Speaker 1: you've been playing guitar, you rock out, you have so

487
00:25:18,440 --> 00:25:21,640
Speaker 1: much passion about like the Vietnam War. Let's hear it, Dude,

488
00:25:21,720 --> 00:25:25,199
Speaker 1: let's fucking rock, and he's like here it goes. Well,

489
00:25:25,240 --> 00:25:30,920
Speaker 1: I went into a metal crying and I thought about

490
00:25:31,000 --> 00:25:34,320
Speaker 1: the bees and they were like is that's the old

491
00:25:34,320 --> 00:25:36,639
Speaker 1: woman in the shoe? Why do you sound like what

492
00:25:36,920 --> 00:25:40,960
Speaker 1: Susan Boyle sounds like. What's going Neil Young? That voice.

493
00:25:41,000 --> 00:25:43,359
Speaker 1: I remember the first time I heard Neil Young's voice.

494
00:25:43,440 --> 00:25:45,600
Speaker 1: It was just in my parents car. I did not

495
00:25:45,760 --> 00:25:48,639
Speaker 1: know it was a man. And then when I matching it,

496
00:25:48,720 --> 00:25:51,840
Speaker 1: you go it's but you don't question it because you

497
00:25:51,880 --> 00:25:54,040
Speaker 1: grow up with Neil Young, you don't question that. That

498
00:25:54,480 --> 00:25:59,640
Speaker 1: had to have been jarring to sing like this and wine,

499
00:26:00,520 --> 00:26:04,199
Speaker 1: cause I'm dreaming up like that's not a marketing the

500
00:26:04,200 --> 00:26:07,119
Speaker 1: free world. He doesn't do some rock voice, doesn't he?

501
00:26:07,440 --> 00:26:09,000
Speaker 1: I don't know, I don't know him well enough, but

502
00:26:09,119 --> 00:26:13,000
Speaker 1: think about I'm singing as singers that just had to

503
00:26:13,040 --> 00:26:15,080
Speaker 1: come out. I mean, I've talked about Bob Dylan before,

504
00:26:15,119 --> 00:26:17,439
Speaker 1: like singing like this, and I mean he kind of

505
00:26:17,480 --> 00:26:20,119
Speaker 1: talks like that. To Eddie vetter does like talk like this,

506
00:26:20,560 --> 00:26:23,200
Speaker 1: and Dave Matthew sounds like he sings. But a lot

507
00:26:23,200 --> 00:26:27,120
Speaker 1: of people you gotta like make uh like even then

508
00:26:27,119 --> 00:26:29,000
Speaker 1: when halls these things like this, and she's a little

509
00:26:29,040 --> 00:26:31,840
Speaker 1: baby and she's looking like this, like she had to

510
00:26:31,880 --> 00:26:34,560
Speaker 1: decide to sing like a little bit of like a

511
00:26:34,560 --> 00:26:38,439
Speaker 1: little bitby with big old lips in the beginning. Everyone,

512
00:26:38,480 --> 00:26:41,719
Speaker 1: at some point. We can talk about Selena Gramez on,

513
00:26:41,920 --> 00:26:44,800
Speaker 1: only murders in the building because she passed. Talk like

514
00:26:44,880 --> 00:26:47,919
Speaker 1: this and this is her speaking verse. But you're like

515
00:26:47,960 --> 00:26:52,160
Speaker 1: a little bit more like like, like yours is almost

516
00:26:52,160 --> 00:26:56,639
Speaker 1: like too high, because that's almost like that kind of

517
00:26:56,640 --> 00:27:02,199
Speaker 1: that's the same. Andrew, to lose you to love me,

518
00:27:02,800 --> 00:27:08,560
Speaker 1: but it doesn't matter how good it is. Like there's

519
00:27:08,600 --> 00:27:11,760
Speaker 1: millions of singers that just sound it's perfect and no

520
00:27:11,800 --> 00:27:14,600
Speaker 1: one gives a fuck. Well, it's not about like everyone

521
00:27:14,640 --> 00:27:18,280
Speaker 1: pretty much sounds pitch perfect. I'm saying, like they're singers

522
00:27:18,320 --> 00:27:21,719
Speaker 1: that sound like no matter what you sing like, you

523
00:27:21,800 --> 00:27:24,040
Speaker 1: have to make a choice, whether the choice is not

524
00:27:24,119 --> 00:27:26,000
Speaker 1: to make a choice, you know, like if I'm just

525
00:27:26,080 --> 00:27:27,840
Speaker 1: singing like the way I talked, like sometimes when I

526
00:27:27,840 --> 00:27:29,880
Speaker 1: would be in my voice lesson and an yea, I'm

527
00:27:29,880 --> 00:27:33,080
Speaker 1: sure I'm just like repeating things. You should be talking

528
00:27:33,080 --> 00:27:35,200
Speaker 1: about this more than me, but because I'm getting into

529
00:27:35,240 --> 00:27:37,439
Speaker 1: the logistics of it, sometimes I would be singing a

530
00:27:37,480 --> 00:27:41,399
Speaker 1: line like Um um, I'm trying to think, oh, like

531
00:27:42,000 --> 00:27:45,400
Speaker 1: she's so lucky, she's a star, but she cries and

532
00:27:45,440 --> 00:27:48,439
Speaker 1: cries in her lonely heart, thinking and I would be

533
00:27:48,480 --> 00:27:51,919
Speaker 1: like okay. Well, my voice teacher would go, hold on,

534
00:27:52,280 --> 00:27:54,480
Speaker 1: we're just getting away from it now, because you're just

535
00:27:54,480 --> 00:27:56,360
Speaker 1: singing it and you're just repeating the way you've heard

536
00:27:56,359 --> 00:27:58,440
Speaker 1: it your whole life. Britney spear singing it. She was

537
00:27:58,480 --> 00:28:00,760
Speaker 1: like what if you just say that those words and

538
00:28:00,760 --> 00:28:03,479
Speaker 1: I'm like she's so lucky, she's a star, but she

539
00:28:03,560 --> 00:28:05,760
Speaker 1: cries and cries in her lonely heart, and she goes okay,

540
00:28:05,760 --> 00:28:07,600
Speaker 1: now sing it like that like that is a good

541
00:28:07,600 --> 00:28:10,639
Speaker 1: practice of like and then you go she's so lucky,

542
00:28:11,240 --> 00:28:13,879
Speaker 1: she is a star, but she cries and cries and

543
00:28:14,359 --> 00:28:16,680
Speaker 1: like and then it brings out this emotion. Sometimes you

544
00:28:16,760 --> 00:28:19,120
Speaker 1: gotta take the lyrics because the lyrics get separated from

545
00:28:19,160 --> 00:28:20,879
Speaker 1: what you're really trying to say, especially if it's a

546
00:28:20,880 --> 00:28:24,440
Speaker 1: song that you've only heard sung. Um. I found that

547
00:28:24,440 --> 00:28:27,280
Speaker 1: that was an interesting technique, but I'm really excited to

548
00:28:27,480 --> 00:28:31,760
Speaker 1: figure out because my voice can and so can yours.

549
00:28:31,760 --> 00:28:35,120
Speaker 1: On you, I mean your impressions are uncanny. I feel

550
00:28:35,160 --> 00:28:38,000
Speaker 1: like you can do so many different you could have

551
00:28:38,080 --> 00:28:42,200
Speaker 1: chosen so many different singing styles in terms of how

552
00:28:42,240 --> 00:28:45,479
Speaker 1: your voices I wish I could. I wish I had

553
00:28:45,600 --> 00:28:49,960
Speaker 1: more constructions. Cannot belt stuff out like Nikki can imitate

554
00:28:50,040 --> 00:28:54,200
Speaker 1: anybody singing. Wise, I cannot. My My my dentist once

555
00:28:54,240 --> 00:28:56,040
Speaker 1: told me I have the larynx of an eight year

556
00:28:56,040 --> 00:28:59,840
Speaker 1: old boy, and he knew that because this circumference of

557
00:28:59,840 --> 00:29:06,560
Speaker 1: his tick. It's like, what do you mean? It's very specific,

558
00:29:06,840 --> 00:29:10,280
Speaker 1: you know odd. But he said my larynx is particularly small,

559
00:29:10,600 --> 00:29:12,840
Speaker 1: which kind of made me feel better, because I've struggled

560
00:29:12,880 --> 00:29:15,840
Speaker 1: with like I cannot belt out a song. I don't

561
00:29:15,840 --> 00:29:18,440
Speaker 1: have a lot of control, which is why voice lessons

562
00:29:18,440 --> 00:29:21,880
Speaker 1: helped me and I learned how. I learned a trick

563
00:29:22,080 --> 00:29:24,520
Speaker 1: for belting that I'd never heard from all my voice

564
00:29:24,560 --> 00:29:27,000
Speaker 1: teachers before, and I've been to four prior to this

565
00:29:27,040 --> 00:29:29,840
Speaker 1: amy girl, who has changed my life, and she said

566
00:29:30,720 --> 00:29:34,680
Speaker 1: when you belt, instead of trying to put all the

567
00:29:34,720 --> 00:29:37,160
Speaker 1: air behind it and push it out with air, hold

568
00:29:37,240 --> 00:29:40,720
Speaker 1: your breath as you're belting, which sounds crazy, but it

569
00:29:40,760 --> 00:29:43,600
Speaker 1: actually worked, because I was working on this one. You

570
00:29:43,640 --> 00:29:45,920
Speaker 1: know the Song August that we always play, that's like

571
00:29:46,960 --> 00:29:49,480
Speaker 1: the bridge. Is like back when we were changing for

572
00:29:49,480 --> 00:29:52,280
Speaker 1: the better, wanting was enough and to live for the

573
00:29:52,320 --> 00:29:54,520
Speaker 1: hope of it all. Cancel plans, just in case you called,

574
00:29:54,600 --> 00:29:56,760
Speaker 1: just meet me behind them all. So much for some

575
00:29:56,920 --> 00:30:00,400
Speaker 1: of love saying us, because you weren't that mind to lose.

576
00:30:00,880 --> 00:30:03,920
Speaker 1: I always struggled with the mine to loose because I

577
00:30:03,960 --> 00:30:05,840
Speaker 1: was trying to put the breath behind it. But then

578
00:30:05,840 --> 00:30:08,000
Speaker 1: she goes, just notice, hold your breath and still say it,

579
00:30:08,200 --> 00:30:10,640
Speaker 1: and it worked. So I want to try that out,

580
00:30:10,640 --> 00:30:13,360
Speaker 1: but I it blew my mind because my past voice teacher,

581
00:30:13,400 --> 00:30:18,560
Speaker 1: who was an operatic voice coach, who was so experienced,

582
00:30:18,680 --> 00:30:23,000
Speaker 1: so Um, you know, recommended. She was like you always

583
00:30:23,040 --> 00:30:25,840
Speaker 1: Breath Dump Nicky, which is like, before I would say

584
00:30:25,880 --> 00:30:29,320
Speaker 1: a line, I would just go like I would like

585
00:30:29,920 --> 00:30:32,480
Speaker 1: Um so much for say in love and say and

586
00:30:32,520 --> 00:30:34,640
Speaker 1: then I would I would breathe it out before I

587
00:30:34,680 --> 00:30:36,880
Speaker 1: would start saying the word. And she was like no,

588
00:30:36,920 --> 00:30:39,520
Speaker 1: you need to breath the breath, to push it with

589
00:30:39,560 --> 00:30:42,400
Speaker 1: your breath, and then this other coach. I go wait,

590
00:30:42,400 --> 00:30:45,080
Speaker 1: I'm supposed to hold my breath. So it just helped.

591
00:30:45,120 --> 00:30:46,600
Speaker 1: I don't know if any people out there, if you

592
00:30:46,600 --> 00:30:48,160
Speaker 1: want to try to hit notes in your car, just

593
00:30:48,200 --> 00:30:50,280
Speaker 1: try to hold your breath and sing it and not

594
00:30:50,360 --> 00:30:53,720
Speaker 1: let the air out, but I am just like even

595
00:30:54,120 --> 00:30:57,840
Speaker 1: we're talking about this last week with Andrew about Um

596
00:30:57,960 --> 00:31:01,040
Speaker 1: when he first started, when you're a comedian, finding your

597
00:31:01,120 --> 00:31:04,960
Speaker 1: voice and like how you feel ridiculous because you don't

598
00:31:05,000 --> 00:31:08,440
Speaker 1: have jokes yet. Really you don't know what you're doing.

599
00:31:08,480 --> 00:31:10,160
Speaker 1: You're kind of throwing things out there. You have to

600
00:31:10,240 --> 00:31:13,080
Speaker 1: like put out so much bad stuff to find the good.

601
00:31:13,120 --> 00:31:16,400
Speaker 1: You gotta sound bad first to find the good and

602
00:31:16,400 --> 00:31:19,040
Speaker 1: to find what works. You gotta like to find what works.

603
00:31:19,080 --> 00:31:21,360
Speaker 1: It's so rare that someone just gets it the first time.

604
00:31:21,440 --> 00:31:24,040
Speaker 1: Like you're gonna have to sound kind of ridiculous. Andrews

605
00:31:24,040 --> 00:31:26,280
Speaker 1: started out with a character, Andy shallows, that would just

606
00:31:26,320 --> 00:31:29,760
Speaker 1: do one liners and he had a wookie playing slide

607
00:31:29,760 --> 00:31:33,560
Speaker 1: guitar and behind him to just like and what a

608
00:31:33,760 --> 00:31:37,600
Speaker 1: what a leap that was to start that way before

609
00:31:37,640 --> 00:31:42,040
Speaker 1: anything else. Yeah, I started that it. I don't know.

610
00:31:42,120 --> 00:31:44,200
Speaker 1: I think I was so scared to just be myself

611
00:31:44,320 --> 00:31:46,960
Speaker 1: up there that it gave me it was a security

612
00:31:46,960 --> 00:31:53,160
Speaker 1: blanket and I also had all these like one liners written.

613
00:31:53,320 --> 00:31:54,960
Speaker 1: So it was like I didn't want to just I

614
00:31:54,960 --> 00:31:58,400
Speaker 1: don't know. And I saw Zach Galvinakis purple on you

615
00:31:59,240 --> 00:32:01,640
Speaker 1: and he did to the piano and I couldn't play piano,

616
00:32:01,640 --> 00:32:03,960
Speaker 1: I couldn't play guitar. But my friend addressed like a

617
00:32:03,960 --> 00:32:08,560
Speaker 1: wookie normally. Uh, not even as a joke. He would

618
00:32:08,600 --> 00:32:11,560
Speaker 1: just well guests for no one else. He would wear

619
00:32:11,640 --> 00:32:15,160
Speaker 1: it around town. So I was like maybe he'd want

620
00:32:15,160 --> 00:32:18,360
Speaker 1: to do it for a reason. It's so smart, and

621
00:32:18,400 --> 00:32:21,320
Speaker 1: so I was because it's yeah, it was unbelievable, like

622
00:32:21,400 --> 00:32:23,880
Speaker 1: it really was a spectacle to watch and people lost

623
00:32:23,920 --> 00:32:27,400
Speaker 1: their minds seeing this wookie and he was like seven feet.

624
00:32:27,760 --> 00:32:29,560
Speaker 1: I put big shoes on him. He was in leader

625
00:32:29,600 --> 00:32:31,960
Speaker 1: Hosen and I didn't make a joke about it. I

626
00:32:31,960 --> 00:32:34,160
Speaker 1: didn't make a joke about it. was there part of it?

627
00:32:34,280 --> 00:32:36,200
Speaker 1: Because for me, I feel like I would do that,

628
00:32:36,360 --> 00:32:38,480
Speaker 1: because if someone didn't like it, I'd go they didn't

629
00:32:38,520 --> 00:32:41,000
Speaker 1: like the wookie. It wasn't me. was there part of it?

630
00:32:41,040 --> 00:32:42,719
Speaker 1: was that a part of it for you? Were you

631
00:32:42,800 --> 00:32:46,120
Speaker 1: just trying to do something that was like so funny

632
00:32:46,120 --> 00:32:47,920
Speaker 1: in multiple ways that there was no way to fail?

633
00:32:48,240 --> 00:32:49,720
Speaker 1: I guess it was a little bit of both. There

634
00:32:49,760 --> 00:32:53,120
Speaker 1: was something pretty punk rock about doing something so different.

635
00:32:53,160 --> 00:32:55,400
Speaker 1: Like I was on the lineup and it would be

636
00:32:55,440 --> 00:32:58,240
Speaker 1: like like a bringer, yeah, and everyone's like yeah, what

637
00:32:58,480 --> 00:33:00,959
Speaker 1: what do you do there? Like A he's getting dressed

638
00:33:00,960 --> 00:33:02,960
Speaker 1: and I'm like yeah, that's my wookie. They're like wait,

639
00:33:03,000 --> 00:33:06,440
Speaker 1: what's happening? And then every everyone lost it. Like people

640
00:33:06,560 --> 00:33:09,040
Speaker 1: loved it, like the owner the Improv loved it, and

641
00:33:09,640 --> 00:33:13,440
Speaker 1: if I was if there was a moment though, well,

642
00:33:13,440 --> 00:33:16,080
Speaker 1: the wookie got a girlfriend and it broke the band

643
00:33:16,200 --> 00:33:20,120
Speaker 1: up because he chose her over me. We were doing uh,

644
00:33:20,280 --> 00:33:25,400
Speaker 1: open open mics in Florida for like three people in

645
00:33:25,440 --> 00:33:28,920
Speaker 1: front of a fish tank and he's dressed. He's sweating

646
00:33:28,960 --> 00:33:32,200
Speaker 1: like crazy in the wookie cost for four people like

647
00:33:32,400 --> 00:33:34,840
Speaker 1: a lot to going too for a little open mic,

648
00:33:34,880 --> 00:33:36,720
Speaker 1: and especially when you're starting out in Florida, all the

649
00:33:36,760 --> 00:33:39,360
Speaker 1: shows you the wookie costume and I pay him with

650
00:33:39,400 --> 00:33:41,720
Speaker 1: compliments that he couldn't hear because of a mask. Of

651
00:33:41,760 --> 00:33:44,360
Speaker 1: course he didn't, but because Andrew wasn't gtting paid, I

652
00:33:44,400 --> 00:33:46,240
Speaker 1: don't think. But so it was. He was in it

653
00:33:46,280 --> 00:33:47,880
Speaker 1: for the love and that's why he got out of it.

654
00:33:48,000 --> 00:33:52,400
Speaker 1: But it's interesting because you did listen, like going into it. Anya,

655
00:33:52,600 --> 00:33:54,600
Speaker 1: you were inspired by Liz Fair. That's what got you

656
00:33:54,600 --> 00:33:57,400
Speaker 1: going like okay, I like that way what she's doing. Andrew,

657
00:33:57,440 --> 00:34:01,280
Speaker 1: you watch purple onion UHACK, because and you're like, okay,

658
00:34:01,280 --> 00:34:04,200
Speaker 1: one liners. That's it, the music thing. That's it. Also,

659
00:34:04,600 --> 00:34:08,400
Speaker 1: you picked Um, you know, Jack Handy, deep thoughts, and

660
00:34:08,400 --> 00:34:10,560
Speaker 1: that's what led you to like, Oh, these aren't deep thoughts,

661
00:34:10,600 --> 00:34:13,960
Speaker 1: these are shallow thoughts, andy, shallow like we're all inspired

662
00:34:14,080 --> 00:34:18,160
Speaker 1: by other artists, like I always say. You know, I

663
00:34:18,160 --> 00:34:20,320
Speaker 1: am talking right now with my hands like this, because

664
00:34:20,360 --> 00:34:24,000
Speaker 1: I imitated Sarah Silverman early on, like I do Jennif

665
00:34:24,040 --> 00:34:26,880
Speaker 1: Ranis and things of like. Oh, no, like because I

666
00:34:27,480 --> 00:34:29,319
Speaker 1: but that's just become who I am because it's what

667
00:34:29,400 --> 00:34:33,840
Speaker 1: you pick up. My voice is Husky because my mom.

668
00:34:33,880 --> 00:34:35,960
Speaker 1: It isn't because of the shape of my chords, it's

669
00:34:35,960 --> 00:34:39,359
Speaker 1: not because of the damage, it's because it's almost like

670
00:34:39,440 --> 00:34:42,279
Speaker 1: an accent that you have. I grew up with a

671
00:34:42,360 --> 00:34:45,279
Speaker 1: mom who I admired, who had a gravelly voice, and

672
00:34:45,320 --> 00:34:47,839
Speaker 1: so I mimicked it. So you pick up on the

673
00:34:47,880 --> 00:34:51,520
Speaker 1: things you love and then you can't help but as

674
00:34:51,560 --> 00:34:54,720
Speaker 1: you grow become yourself and find out what works. And then,

675
00:34:55,200 --> 00:34:57,279
Speaker 1: but in comedy, and I know you've heard this a

676
00:34:57,280 --> 00:34:59,560
Speaker 1: million times, it takes, what would they always say, ten

677
00:34:59,640 --> 00:35:02,120
Speaker 1: years to find your voice. You heard that right, Andrew. Yeah,

678
00:35:02,160 --> 00:35:05,560
Speaker 1: and I remember Tom Sigura, who is whatever, a friend

679
00:35:05,560 --> 00:35:07,879
Speaker 1: of mine, who I asked before I really started doing

680
00:35:07,880 --> 00:35:09,799
Speaker 1: he goes, it's gonna take you ten years to just

681
00:35:09,840 --> 00:35:12,680
Speaker 1: be yourself on stage and I was like what, Dude,

682
00:35:13,120 --> 00:35:15,600
Speaker 1: and like I was. And now it's like never more

683
00:35:15,640 --> 00:35:17,920
Speaker 1: than ever, like I am about eleven or twelve years in.

684
00:35:18,480 --> 00:35:22,080
Speaker 1: The problem I have now is not doing jokes or

685
00:35:22,120 --> 00:35:26,640
Speaker 1: like telling a story and not like like doing but

686
00:35:26,719 --> 00:35:28,840
Speaker 1: that's you, dude, but that's what I'm saying. Like you

687
00:35:28,960 --> 00:35:32,640
Speaker 1: found it, like you tell stories, I love that you're

688
00:35:32,719 --> 00:35:36,080
Speaker 1: leaning into longer form storytelling, not just joke, joke, joke,

689
00:35:36,160 --> 00:35:38,919
Speaker 1: because you're capable of it. You've proven that. It did

690
00:35:39,280 --> 00:35:42,640
Speaker 1: ten years of doing that and now you're always been

691
00:35:42,640 --> 00:35:45,440
Speaker 1: a story guy. That's always been what you've gravitated towards.

692
00:35:45,520 --> 00:35:50,040
Speaker 1: You collect stories. Your life is just a story magnet.

693
00:35:49,880 --> 00:35:51,920
Speaker 1: The amount of stories you have is insane. That's why

694
00:35:51,920 --> 00:35:55,839
Speaker 1: I have a segment called Andrew's short story circle segment. Um.

695
00:35:55,880 --> 00:35:59,400
Speaker 1: So I like that you. I want like not that

696
00:35:59,440 --> 00:36:02,359
Speaker 1: this is the vice, that uh, this is a top

697
00:36:02,480 --> 00:36:04,960
Speaker 1: we can talk about this off camera or you know,

698
00:36:05,000 --> 00:36:08,080
Speaker 1: but like I feel like this is who you are.

699
00:36:08,200 --> 00:36:10,879
Speaker 1: Like you, someone will look at you someday and be like, Oh,

700
00:36:10,920 --> 00:36:13,000
Speaker 1: I want to tell stories that have such great jokes

701
00:36:13,000 --> 00:36:15,799
Speaker 1: within that. So like and your stories are already all

702
00:36:15,800 --> 00:36:19,439
Speaker 1: worked out, like and they're interesting enough that they don't

703
00:36:19,480 --> 00:36:23,520
Speaker 1: need to have joke. You know, like kind of laugh

704
00:36:23,640 --> 00:36:26,680
Speaker 1: you get. So it's it's a little tough with the

705
00:36:26,800 --> 00:36:29,960
Speaker 1: last because they still hit. But you know when you

706
00:36:30,120 --> 00:36:33,520
Speaker 1: do a joke that it's rolling. You feel like you

707
00:36:33,600 --> 00:36:36,279
Speaker 1: catch a wave. Yeah, and yeah, it's a different kind

708
00:36:36,280 --> 00:36:39,719
Speaker 1: of wave. And my only thing is, like sometimes you

709
00:36:39,760 --> 00:36:41,759
Speaker 1: get lazy within the story, because you've told the same

710
00:36:41,800 --> 00:36:44,520
Speaker 1: story millions of times, so you already know how this

711
00:36:44,600 --> 00:36:47,280
Speaker 1: story plays in your head. So to add a tag

712
00:36:47,600 --> 00:36:49,640
Speaker 1: or to add a left turn or whatever to a

713
00:36:49,719 --> 00:36:52,120
Speaker 1: story you've already told is a little difficult. So you

714
00:36:52,160 --> 00:36:55,200
Speaker 1: have to kind of almost step away. No, you, you're

715
00:36:55,200 --> 00:36:57,200
Speaker 1: gonna be great at that, because you're gonna get bored

716
00:36:57,239 --> 00:36:59,480
Speaker 1: with these stories and it's gonna Happen Naturally. Like I

717
00:36:59,520 --> 00:37:01,760
Speaker 1: feel like you don't even have to try to remember

718
00:37:01,760 --> 00:37:04,440
Speaker 1: a tag you wrote, just like Oh, yeah, no, I agree.

719
00:37:04,480 --> 00:37:06,680
Speaker 1: I agree with that. I agree with that. I'm excited

720
00:37:06,719 --> 00:37:12,520
Speaker 1: to see this one, just like I've never understood it

721
00:37:12,600 --> 00:37:15,920
Speaker 1: until I did it. And Yeah, you just one, you

722
00:37:15,960 --> 00:37:18,440
Speaker 1: have to fill the time and two, you just have

723
00:37:18,520 --> 00:37:22,480
Speaker 1: to be comfortable in like whatever, not have crushing the

724
00:37:22,520 --> 00:37:25,960
Speaker 1: whole time and I don't know, and just having enough space.

725
00:37:26,000 --> 00:37:28,440
Speaker 1: Like when I would open for you, it would be

726
00:37:28,480 --> 00:37:30,960
Speaker 1: like if I do a seven minute story of a

727
00:37:30,960 --> 00:37:33,719
Speaker 1: ten minute said that, and I would play so much

728
00:37:33,800 --> 00:37:38,279
Speaker 1: fucking fear in that, I mean, because if you go

729
00:37:38,360 --> 00:37:40,200
Speaker 1: into it, you cannot bail. And then you were in

730
00:37:40,239 --> 00:37:45,120
Speaker 1: a seven minutes and then, which I did with you

731
00:37:45,400 --> 00:37:49,279
Speaker 1: still and it's like your crowds are incredible and it

732
00:37:49,360 --> 00:37:54,080
Speaker 1: definitely helped a millionfold. But UH yeah, well, they are were.

733
00:37:54,360 --> 00:37:56,560
Speaker 1: I mean you're funny and so it just and you

734
00:37:56,600 --> 00:37:58,880
Speaker 1: can tell whatever story and they have and they're so

735
00:37:59,000 --> 00:38:01,840
Speaker 1: interesting and weird like your stories are. Just I'm almost

736
00:38:01,920 --> 00:38:05,120
Speaker 1: jealous of how much you attract like the most amazing stories,

737
00:38:05,120 --> 00:38:07,200
Speaker 1: but it's not even about you. It's not like, Oh

738
00:38:07,200 --> 00:38:09,280
Speaker 1: my God, stories just happened to Andrew. He's so lucky.

739
00:38:09,280 --> 00:38:11,560
Speaker 1: It's like you worked for that. I was saying to

740
00:38:11,680 --> 00:38:15,200
Speaker 1: someone recently, Oh my God, this was a funny moment.

741
00:38:15,520 --> 00:38:19,840
Speaker 1: I was backstage with a comedian and, Um, I was

742
00:38:19,920 --> 00:38:24,319
Speaker 1: telling them. I was telling him how, you know, we

743
00:38:24,320 --> 00:38:26,400
Speaker 1: were talking about our relationship in the past and I

744
00:38:26,440 --> 00:38:28,600
Speaker 1: was like, you know, we weren't that close because I

745
00:38:28,600 --> 00:38:30,800
Speaker 1: was jealous of you, and that's what people are jealous

746
00:38:30,800 --> 00:38:32,399
Speaker 1: of you. He was talking about someone that was kind

747
00:38:32,400 --> 00:38:33,759
Speaker 1: of weird to him and didn't used to be a

748
00:38:33,760 --> 00:38:36,480
Speaker 1: go because they're jealous. You got famous, you got successful

749
00:38:36,480 --> 00:38:38,319
Speaker 1: and they're fucking jealous. And I used to be that way.

750
00:38:38,360 --> 00:38:41,080
Speaker 1: I used to feel that way. And he goes jealous

751
00:38:41,120 --> 00:38:43,480
Speaker 1: of me and he starts listening off all these things,

752
00:38:43,520 --> 00:38:46,120
Speaker 1: like you were jealous of me. Well, let me just

753
00:38:46,120 --> 00:38:47,759
Speaker 1: tell you what's going on with me. He starts saying

754
00:38:47,760 --> 00:38:49,600
Speaker 1: all these things about his life currently and I wanted

755
00:38:49,640 --> 00:38:52,279
Speaker 1: to go, well, not, not like now. I'm not like

756
00:38:52,320 --> 00:38:54,200
Speaker 1: the way you are now. No, I don't want to

757
00:38:54,239 --> 00:38:57,520
Speaker 1: be that. Before I knew you, I wanted to be you.

758
00:38:58,040 --> 00:39:02,200
Speaker 1: But the funny part was I said, you know, what

759
00:39:02,239 --> 00:39:07,480
Speaker 1: I realized was like, I'm not, and they go, well, you're,

760
00:39:07,520 --> 00:39:09,319
Speaker 1: you're just as talented, and I go, Oh, I know.

761
00:39:09,800 --> 00:39:11,840
Speaker 1: I go, I'm jealous of your work ethic, to be

762
00:39:11,880 --> 00:39:14,760
Speaker 1: honest with you, like I'm jealous of the way you work,

763
00:39:14,800 --> 00:39:17,719
Speaker 1: and I know that I work very hard, but I

764
00:39:17,800 --> 00:39:20,640
Speaker 1: work hard in a way that is really easy for

765
00:39:20,680 --> 00:39:23,200
Speaker 1: me to work really hard. I show up, I do sets,

766
00:39:23,480 --> 00:39:26,000
Speaker 1: I do a lot of podcasts, but the way, and

767
00:39:26,320 --> 00:39:28,040
Speaker 1: I have talked about this a million times before, sorry

768
00:39:28,080 --> 00:39:29,680
Speaker 1: to repeat it, but the way in which I feel

769
00:39:29,719 --> 00:39:31,920
Speaker 1: like is actual work for me that I don't want

770
00:39:31,920 --> 00:39:34,319
Speaker 1: to do. To me, work is suff you don't want

771
00:39:34,320 --> 00:39:36,320
Speaker 1: to do and that's hard for you. That's what feels

772
00:39:36,320 --> 00:39:39,400
Speaker 1: like work to me. It's writing jokes, it's going over them,

773
00:39:39,400 --> 00:39:41,560
Speaker 1: it's listening to my sets, all of these things, because

774
00:39:41,600 --> 00:39:43,440
Speaker 1: I was being followed around by this reporter for the

775
00:39:43,560 --> 00:39:45,400
Speaker 1: esquire and he was, and I think I said this

776
00:39:45,440 --> 00:39:48,760
Speaker 1: already before on the podcast too, but he's like talking

777
00:39:48,800 --> 00:39:54,200
Speaker 1: to us, me, Kurt Metzker and Um Jessel Nick, maybe backstage,

778
00:39:54,200 --> 00:39:56,759
Speaker 1: and he was talking about do you guys you know

779
00:39:57,000 --> 00:39:58,640
Speaker 1: you listen to your set afterwards? and Kurt's like it

780
00:39:58,800 --> 00:40:00,560
Speaker 1: changed my life listening to my sat could you listen

781
00:40:00,600 --> 00:40:02,319
Speaker 1: to your set? And I go, I record them all,

782
00:40:02,320 --> 00:40:05,000
Speaker 1: but no, I've never I don't do that. It's excruciating

783
00:40:05,280 --> 00:40:06,400
Speaker 1: and he's like you got it, and I go, of

784
00:40:06,400 --> 00:40:09,280
Speaker 1: course I know that. I go and John the McDermott,

785
00:40:09,280 --> 00:40:11,319
Speaker 1: who's interviewing me, he's like why don't you? And I

786
00:40:11,360 --> 00:40:14,640
Speaker 1: go because I don't. It's hard and I don't like

787
00:40:14,680 --> 00:40:16,600
Speaker 1: listening to myself. And I go, I know I would

788
00:40:16,600 --> 00:40:18,480
Speaker 1: be such a better comic if I did it, and

789
00:40:18,480 --> 00:40:20,279
Speaker 1: he goes, but what? So you're leaving them on and

790
00:40:20,280 --> 00:40:22,680
Speaker 1: I'm like, I'm successful enough. I know it could be more,

791
00:40:23,040 --> 00:40:25,319
Speaker 1: but this is fine. At some point you go it's

792
00:40:25,320 --> 00:40:28,359
Speaker 1: too uncomfortable and I'm happy with not doing that in

793
00:40:28,480 --> 00:40:31,440
Speaker 1: order to just, you know, not do that. But what

794
00:40:31,480 --> 00:40:33,839
Speaker 1: I said to this person was, and I think it's

795
00:40:33,840 --> 00:40:36,799
Speaker 1: the first time I've ever told someone who is extremely

796
00:40:36,800 --> 00:40:41,480
Speaker 1: successful that I said, I we are, we are just

797
00:40:41,520 --> 00:40:45,759
Speaker 1: as talented. You just work harder, like your talent is.

798
00:40:46,280 --> 00:40:49,040
Speaker 1: There's nothing different about you and I, which is true

799
00:40:49,080 --> 00:40:51,840
Speaker 1: for everyone. The thing about that the difference between you

800
00:40:51,920 --> 00:40:54,760
Speaker 1: and Beyonce, and I'm talking to you, listener, and beyonce

801
00:40:54,920 --> 00:40:56,920
Speaker 1: or you at anyone that you go wow, they are

802
00:40:56,960 --> 00:40:59,560
Speaker 1: just there are certain people that, yes, Jamie Fox, I

803
00:40:59,560 --> 00:41:01,640
Speaker 1: think on say there are people that are born with

804
00:41:01,680 --> 00:41:05,440
Speaker 1: like just talent in their bones, but it is hours

805
00:41:05,560 --> 00:41:08,880
Speaker 1: of work. The Jackson five did not have a childhood.

806
00:41:08,920 --> 00:41:11,600
Speaker 1: All they did was singing, dance and practice. Our more

807
00:41:11,640 --> 00:41:14,359
Speaker 1: hours a day than your dad worked in the whole

808
00:41:14,400 --> 00:41:17,520
Speaker 1: mind like they they never they didn't have a life.

809
00:41:18,080 --> 00:41:21,400
Speaker 1: So the difference between you and the most talented person

810
00:41:21,640 --> 00:41:26,080
Speaker 1: is always, the time, going to be that they worked harder.

811
00:41:26,320 --> 00:41:28,279
Speaker 1: So when I told this person, I go, Oh, I'm

812
00:41:28,320 --> 00:41:30,919
Speaker 1: not jealous of like, I know we have the same brain,

813
00:41:31,040 --> 00:41:33,480
Speaker 1: capable of the same things. I'm I'm a genius, just

814
00:41:33,560 --> 00:41:37,080
Speaker 1: like you are. comedically, you just work in a you're

815
00:41:37,120 --> 00:41:39,800
Speaker 1: just a harder worker and they seem to be offended,

816
00:41:39,840 --> 00:41:43,520
Speaker 1: which I understand, because everyone wants to think that talent

817
00:41:43,640 --> 00:41:47,680
Speaker 1: is like them, I'm special. And the truth is, even

818
00:41:47,680 --> 00:41:50,880
Speaker 1: if it was special, you didn't choose your brain. You didn't.

819
00:41:51,320 --> 00:41:53,800
Speaker 1: You just got lucky that you got it. But people

820
00:41:53,840 --> 00:41:57,879
Speaker 1: want to feel like, no, I'm smarter, I'm different, and yes,

821
00:41:57,920 --> 00:42:00,960
Speaker 1: of course there's different styles, but really it was just

822
00:42:01,040 --> 00:42:03,440
Speaker 1: interesting to see this person's face fall kind of when

823
00:42:03,440 --> 00:42:05,440
Speaker 1: I go oh, no, no, no, I'm not jealous of

824
00:42:05,480 --> 00:42:07,680
Speaker 1: like your talent, like we're just equally. Our brains are

825
00:42:07,680 --> 00:42:11,400
Speaker 1: equally capable of the same comedic genius, for sure, and

826
00:42:11,440 --> 00:42:13,160
Speaker 1: I was even giving them a compliment, because I think

827
00:42:13,160 --> 00:42:15,680
Speaker 1: I'm pretty good at comedy. I was saying, Oh, we're equal,

828
00:42:16,160 --> 00:42:18,799
Speaker 1: you just work, you work harder than me, and so

829
00:42:18,840 --> 00:42:20,719
Speaker 1: you're going to be more successful and you're going to

830
00:42:20,800 --> 00:42:23,000
Speaker 1: be better and I could just see them being a

831
00:42:23,040 --> 00:42:25,279
Speaker 1: little bit insulted because, and I realized at the time

832
00:42:25,440 --> 00:42:28,840
Speaker 1: I would be too, for the truth is it's the truth.

833
00:42:29,640 --> 00:42:33,280
Speaker 1: Any thoughts on that? Well, I was thinking about like, granted,

834
00:42:33,320 --> 00:42:36,960
Speaker 1: I'm literally one headlining set into headlining, so it's like

835
00:42:37,000 --> 00:42:39,400
Speaker 1: so ridiculous to even talk about, but it doesn't make

836
00:42:39,560 --> 00:42:43,160
Speaker 1: as a headliner, are you? But as a headliner, as

837
00:42:43,239 --> 00:42:46,600
Speaker 1: being a headliner, uh, when you would do five in

838
00:42:46,640 --> 00:42:51,320
Speaker 1: a weekend, talking about doing the work and and doing

839
00:42:51,360 --> 00:42:55,600
Speaker 1: the time, like there is no way to other than

840
00:42:55,640 --> 00:42:58,240
Speaker 1: if you fold in every fucking show, then to get better.

841
00:42:58,680 --> 00:43:01,480
Speaker 1: So you were doing like when you were tired on Sunday.

842
00:43:01,480 --> 00:43:03,800
Speaker 1: I kind of understood it, but didn't really like I

843
00:43:04,120 --> 00:43:07,200
Speaker 1: did and I and then I was like, Oh my God,

844
00:43:07,320 --> 00:43:10,120
Speaker 1: this is the most draining thing on earth and it

845
00:43:10,200 --> 00:43:12,239
Speaker 1: is doing the work and just doing like, well, I

846
00:43:12,239 --> 00:43:15,040
Speaker 1: don't record myself, I don't listen to all that whatever

847
00:43:15,760 --> 00:43:18,920
Speaker 1: for show work. So I don't know. So, like I

848
00:43:19,000 --> 00:43:21,719
Speaker 1: learned a lot that work. Huh, you do get paid

849
00:43:21,760 --> 00:43:23,400
Speaker 1: and you get paid for even the sets I do

850
00:43:23,400 --> 00:43:25,520
Speaker 1: that I don't get paid for. That's worked too. But

851
00:43:25,719 --> 00:43:27,719
Speaker 1: for me showing up and doing a set is not

852
00:43:27,840 --> 00:43:29,840
Speaker 1: as much work as me sitting at a computer and

853
00:43:29,880 --> 00:43:31,480
Speaker 1: writing out a joke. So that's what I mean. But

854
00:43:31,520 --> 00:43:34,320
Speaker 1: I agree. But I'm just saying like that five hours,

855
00:43:34,360 --> 00:43:37,680
Speaker 1: like that's a lot and and no, but I was

856
00:43:37,680 --> 00:43:40,719
Speaker 1: getting to the point of, like you know, when you're like, Oh,

857
00:43:40,800 --> 00:43:43,040
Speaker 1: you know, stand up, like you know, I get off

858
00:43:43,040 --> 00:43:47,759
Speaker 1: stage time, they were laughing so hard. I did one

859
00:43:47,840 --> 00:43:51,000
Speaker 1: hour one time and I was like all right, I'm

860
00:43:51,160 --> 00:43:53,799
Speaker 1: I'm good for a while, like I don't need this draw.

861
00:43:54,600 --> 00:43:57,840
Speaker 1: And then you did it for sixteen years, five shows

862
00:43:57,880 --> 00:44:00,840
Speaker 1: a weekend. Granted, it's going to get you sharp, but

863
00:44:00,880 --> 00:44:03,440
Speaker 1: you're also going to have a loathing for it in

864
00:44:03,480 --> 00:44:08,520
Speaker 1: a way, like it's over like that. Let's the show's over,

865
00:44:08,600 --> 00:44:10,920
Speaker 1: let's go home. I don't need to like, like we

866
00:44:10,960 --> 00:44:13,239
Speaker 1: don't need to go celebrate this set and keep the

867
00:44:13,239 --> 00:44:18,200
Speaker 1: party going. It's a little like is that all there is? Yeah,

868
00:44:18,120 --> 00:44:21,800
Speaker 1: we're just like, you know, I'm done with my shift.

869
00:44:21,880 --> 00:44:24,040
Speaker 1: It's not like the first day on the job kind

870
00:44:24,080 --> 00:44:25,680
Speaker 1: of thing, where it's like sometimes you work at a

871
00:44:25,719 --> 00:44:27,800
Speaker 1: job and you're like, Oh my God, this is awesome,

872
00:44:27,800 --> 00:44:29,359
Speaker 1: it's new, I'm having fun of meeting all these New

873
00:44:29,360 --> 00:44:32,360
Speaker 1: People and you have that energy. But, Um, I just

874
00:44:32,400 --> 00:44:35,480
Speaker 1: think it's important for myself, I think, more than anything,

875
00:44:35,520 --> 00:44:38,439
Speaker 1: to realize that, and I talked about this a million times,

876
00:44:38,440 --> 00:44:40,960
Speaker 1: if you're feeling bad about yourself, comparing yourself to someone,

877
00:44:41,440 --> 00:44:43,880
Speaker 1: the difference between you looking a certain way that you

878
00:44:43,920 --> 00:44:47,439
Speaker 1: want to look, between you being successful in your career

879
00:44:47,480 --> 00:44:49,600
Speaker 1: in a certain way. A lot of times it is.

880
00:44:49,800 --> 00:44:52,279
Speaker 1: It's just luck, as it as it always really is

881
00:44:52,360 --> 00:44:54,720
Speaker 1: when it comes down to it. But it's not because

882
00:44:54,760 --> 00:44:59,440
Speaker 1: you're like stupider or less talented. It's just the way

883
00:44:59,480 --> 00:45:02,759
Speaker 1: in which work and your stamina and you might you

884
00:45:02,840 --> 00:45:05,040
Speaker 1: do have the talent in you, you just might not

885
00:45:05,080 --> 00:45:07,360
Speaker 1: have the stamina, and that's a little bit easier of

886
00:45:07,400 --> 00:45:10,360
Speaker 1: a pill to swallow for me on any of this

887
00:45:10,480 --> 00:45:14,680
Speaker 1: personating with you in terms of it makes me think

888
00:45:14,680 --> 00:45:18,160
Speaker 1: about I took this acting program once and Richard Dreyfus

889
00:45:18,160 --> 00:45:21,000
Speaker 1: was one of the teachers and he said success is

890
00:45:21,320 --> 00:45:24,680
Speaker 1: talent plus ambition, and some people have a lot of

891
00:45:24,719 --> 00:45:26,680
Speaker 1: talent and not a lot of ambition and they won't

892
00:45:26,719 --> 00:45:29,080
Speaker 1: be as successful. Some people have a ship ton of

893
00:45:29,120 --> 00:45:33,640
Speaker 1: ambition not that much talent they'll be successful. But you know,

894
00:45:34,200 --> 00:45:38,640
Speaker 1: all of us know someone mediocre WHO's incredibly famous. They

895
00:45:38,719 --> 00:45:40,480
Speaker 1: don't have a lot of talent but they have a

896
00:45:40,520 --> 00:45:43,120
Speaker 1: ton of drive, you know, for someone who is so

897
00:45:43,239 --> 00:45:45,879
Speaker 1: talented and you go how are they not the most

898
00:45:45,960 --> 00:45:50,839
Speaker 1: famous person alive writing the most incredible songs, but they

899
00:45:50,880 --> 00:45:53,000
Speaker 1: don't want to get a manager or an agent or

900
00:45:53,360 --> 00:45:55,320
Speaker 1: you know, they don't want to like be on Tiktok

901
00:45:55,400 --> 00:45:57,560
Speaker 1: all day. I get it, like the music business has

902
00:45:57,640 --> 00:46:01,040
Speaker 1: changed so much you can't stand being online and doing

903
00:46:01,080 --> 00:46:04,839
Speaker 1: the thing like this is part of being famous now,

904
00:46:04,880 --> 00:46:07,600
Speaker 1: like people don't really listen to full songs. That often

905
00:46:07,640 --> 00:46:11,200
Speaker 1: our full albums, like they wanted to video. It's like,

906
00:46:11,360 --> 00:46:14,080
Speaker 1: do I want to do that? I don't know. Well, Anya,

907
00:46:14,120 --> 00:46:17,040
Speaker 1: I was thinking like I've been. It's been so nice

908
00:46:17,080 --> 00:46:19,320
Speaker 1: because on our girls chat on you has been sharing

909
00:46:19,560 --> 00:46:21,799
Speaker 1: she joined a songwriting group, which I know you were

910
00:46:21,840 --> 00:46:24,239
Speaker 1: like a little even reluctant to do, which would be

911
00:46:24,239 --> 00:46:26,520
Speaker 1: such an interesting thing to do. A joke writing group

912
00:46:26,520 --> 00:46:29,399
Speaker 1: where like you get a subject, so tell us about

913
00:46:29,400 --> 00:46:31,879
Speaker 1: this joke riding Song loves to join a joke riding

914
00:46:31,920 --> 00:46:35,240
Speaker 1: group too. Um, just as like not do it. Honestly,

915
00:46:35,400 --> 00:46:37,359
Speaker 1: that would be so fun. I should get a group

916
00:46:37,360 --> 00:46:39,759
Speaker 1: together people, because we would all have to write a

917
00:46:39,840 --> 00:46:42,000
Speaker 1: joke about one subject. So tell us how it works.

918
00:46:42,000 --> 00:46:44,959
Speaker 1: And I've been and there's amazing people in this group. Yeah,

919
00:46:45,000 --> 00:46:48,400
Speaker 1: Bob Schneider out of Austin, Texas is an incredible singer Songwriter.

920
00:46:48,480 --> 00:46:52,719
Speaker 1: Started decades ago. I first joined like twenty years ago,

921
00:46:52,920 --> 00:46:55,680
Speaker 1: and I've written like half of my records are because

922
00:46:55,719 --> 00:46:58,560
Speaker 1: of that group. So every day, every Friday, you get

923
00:46:58,600 --> 00:47:01,960
Speaker 1: an assignment and the raises, let's say, like, you know,

924
00:47:02,560 --> 00:47:06,400
Speaker 1: calendar boy. I just invented that. So you have to

925
00:47:06,400 --> 00:47:09,400
Speaker 1: put calendar boy in a song and it's due Tuesday.

926
00:47:09,520 --> 00:47:11,799
Speaker 1: So you have like four or five days, whatever, four

927
00:47:11,880 --> 00:47:14,799
Speaker 1: days to write calendar boy, you know. And so we

928
00:47:14,880 --> 00:47:19,160
Speaker 1: had one last week. The assignment was DIS irregardlessly, which

929
00:47:19,200 --> 00:47:25,279
Speaker 1: is obviously not a word this. This is it was

930
00:47:26,040 --> 00:47:28,000
Speaker 1: and that's the song I wrote. It was an ear.

931
00:47:28,360 --> 00:47:34,080
Speaker 1: You wrote a song called rape. And so she's been

932
00:47:34,160 --> 00:47:36,920
Speaker 1: sharing these songs before she joined this group. Again, she

933
00:47:37,040 --> 00:47:39,040
Speaker 1: was like, I kind of don't want to because, like,

934
00:47:39,160 --> 00:47:42,440
Speaker 1: I feel like it's gonna be bad and I'm not

935
00:47:42,440 --> 00:47:44,200
Speaker 1: going to have it in on time, and there's other

936
00:47:44,239 --> 00:47:46,160
Speaker 1: people in this group and like everyone hears it and

937
00:47:46,320 --> 00:47:49,040
Speaker 1: I haven't written in years. I'm like, you lost it,

938
00:47:49,200 --> 00:47:55,600
Speaker 1: maybe I lost it song. Yeah, it is so nobody

939
00:47:55,920 --> 00:47:58,520
Speaker 1: there's no feedback. Oh my God, it's so we are saying.

940
00:47:58,560 --> 00:48:01,799
Speaker 1: There's no feedback, though, like no one will. People can

941
00:48:02,280 --> 00:48:05,480
Speaker 1: say a great job, but it's sort of almost encouraged.

942
00:48:06,680 --> 00:48:09,040
Speaker 1: There's never been any rules, but no one will write

943
00:48:09,040 --> 00:48:11,279
Speaker 1: back usually and be like that's amazing. It's just like

944
00:48:11,360 --> 00:48:14,000
Speaker 1: you just turn it in, and Bob's whole philosophy is

945
00:48:14,440 --> 00:48:16,920
Speaker 1: just do the song. WHO gives a ship if it's

946
00:48:16,920 --> 00:48:19,319
Speaker 1: a Shitty Song? Just get it done. That's and you

947
00:48:19,360 --> 00:48:21,319
Speaker 1: get kicked out of the group if you don't turn

948
00:48:21,360 --> 00:48:24,759
Speaker 1: a song in. The rule is don't be afraid to

949
00:48:24,800 --> 00:48:27,680
Speaker 1: sound bad. Just get it done, because something bad is

950
00:48:27,719 --> 00:48:29,600
Speaker 1: going to teach you something that's going to lead to

951
00:48:29,640 --> 00:48:31,960
Speaker 1: something good, rather than doing nothing because you're scared of

952
00:48:32,000 --> 00:48:34,080
Speaker 1: being bad. We gotta go to break. I wish we

953
00:48:34,120 --> 00:48:35,759
Speaker 1: could hear the rabbi song because it has been in

954
00:48:35,760 --> 00:48:39,040
Speaker 1: my head, but it's so good and it feels like

955
00:48:39,080 --> 00:48:43,919
Speaker 1: you did get your Mojo back. It's embarrassing. Maybe we'll

956
00:48:43,960 --> 00:48:45,759
Speaker 1: listen to it as we go to break. Right now.

957
00:48:45,920 --> 00:48:47,840
Speaker 1: This is a rap, a a little bit of a

958
00:48:48,000 --> 00:49:01,880
Speaker 1: rap from on your Marina say Oh, then you open

959
00:49:02,120 --> 00:49:08,480
Speaker 1: up your mouth. The rabbi, Rabbi Erape, Brabby, Rabbi Rabbi

960
00:49:10,320 --> 00:49:23,120
Speaker 1: Ere Ray. Can't on hear these here rapes. No killor

961
00:49:25,360 --> 00:49:35,520
Speaker 1: COF or billy kill left it hereiccorlessly. I can't stand

962
00:49:35,560 --> 00:49:40,000
Speaker 1: somewhere to all. I can stand them big and small,

963
00:49:41,280 --> 00:49:47,640
Speaker 1: phone themselves along the way. Sometimes I was yesterday the

964
00:49:47,880 --> 00:49:57,560
Speaker 1: Rabbi Rabbi Ere, Rabbi Rabbi e Rabby yere rape. Count

965
00:49:57,640 --> 00:50:39,800
Speaker 1: on me hear these right. Okay, good, good, alright, we're back.

966
00:50:40,040 --> 00:50:42,000
Speaker 1: Let's get to it. We've got a lot to get

967
00:50:42,080 --> 00:50:43,879
Speaker 1: through and we not have a lot of time because

968
00:50:43,880 --> 00:50:53,879
Speaker 1: I talked too much. Let's get to fan tracks. It's

969
00:50:53,920 --> 00:50:56,760
Speaker 1: time for fan tracks. These are your voicemails from our fans.

970
00:50:56,840 --> 00:50:59,319
Speaker 1: We love to hear it. Let's get to it, all right.

971
00:50:59,440 --> 00:51:05,120
Speaker 1: Let's start off with a voicemail from Benji. Hey, Nicki

972
00:51:05,160 --> 00:51:08,600
Speaker 1: Andrew Noah, love the pod. Bestie here from New York.

973
00:51:09,600 --> 00:51:11,879
Speaker 1: I just feel like Nikki would love this story. But

974
00:51:12,280 --> 00:51:14,000
Speaker 1: me and a friend went out last night to go

975
00:51:14,120 --> 00:51:17,879
Speaker 1: to this random bar and when we got there, they

976
00:51:17,880 --> 00:51:20,640
Speaker 1: were like, are you two here for the Taylor Swift

977
00:51:20,640 --> 00:51:23,759
Speaker 1: party that's happening downstairs, and we were like, Um, we

978
00:51:23,800 --> 00:51:26,399
Speaker 1: had absolutely no idea that that was a thing, but yes,

979
00:51:26,480 --> 00:51:29,680
Speaker 1: we are a hundred percent here, um, and we just

980
00:51:29,760 --> 00:51:33,040
Speaker 1: danced for three hours in a room full of swift

981
00:51:33,040 --> 00:51:36,319
Speaker 1: ease to all of her best songs. I mean all

982
00:51:36,320 --> 00:51:38,600
Speaker 1: of her songs are her best songs, but it was

983
00:51:38,960 --> 00:51:41,520
Speaker 1: maybe the best end of my life. Um, and I

984
00:51:41,560 --> 00:51:43,640
Speaker 1: felt like Nikki would totally love the idea of just

985
00:51:43,719 --> 00:51:47,120
Speaker 1: dancing with a room Phill of swifties. Um, I've but

986
00:51:47,160 --> 00:51:49,040
Speaker 1: apparently they do it like every two to New York.

987
00:51:49,120 --> 00:51:51,120
Speaker 1: So if you're ever around it, you should totally go

988
00:51:51,239 --> 00:51:55,239
Speaker 1: check it out. It is totally a vibe. Benji, thank

989
00:51:55,280 --> 00:51:57,320
Speaker 1: you so much. Um, I have been to one of

990
00:51:57,360 --> 00:52:02,600
Speaker 1: these and they happened everywhere. Yeah, which one in Philadelphia? Um,

991
00:52:02,640 --> 00:52:04,279
Speaker 1: there's one coming up in St Louis. I'm going to

992
00:52:04,360 --> 00:52:06,560
Speaker 1: go to the last one to turn into a super

993
00:52:06,600 --> 00:52:10,120
Speaker 1: spreader event, but this one. Um. But they happen everywhere

994
00:52:10,160 --> 00:52:12,279
Speaker 1: if you're swifty, and they actually are happening with all

995
00:52:12,320 --> 00:52:13,960
Speaker 1: types of music. So if you're a fan of a

996
00:52:14,000 --> 00:52:16,719
Speaker 1: certain band that has a big following, chances are there

997
00:52:16,719 --> 00:52:18,600
Speaker 1: will be like a sing along thing to go to.

998
00:52:19,400 --> 00:52:22,520
Speaker 1: It is so it's like it's the closest you can

999
00:52:22,520 --> 00:52:25,000
Speaker 1: get to going to a concert because, first of all,

1000
00:52:25,040 --> 00:52:28,080
Speaker 1: concerts everyone sings along anyway, so you don't even here

1001
00:52:28,320 --> 00:52:31,640
Speaker 1: the artist. It is so fun and it reminded me

1002
00:52:31,680 --> 00:52:33,919
Speaker 1: of like maybe that's something I can go to during

1003
00:52:33,920 --> 00:52:36,520
Speaker 1: my vocal rest, as long as I do not sing

1004
00:52:37,280 --> 00:52:39,200
Speaker 1: or because sometimes when I think I'm not singing and

1005
00:52:39,200 --> 00:52:43,640
Speaker 1: I'm just like like mouthing, it does come out, but

1006
00:52:43,800 --> 00:52:47,720
Speaker 1: man it is I love a stumble on something great.

1007
00:52:48,040 --> 00:52:50,640
Speaker 1: You know. Has that happens in New York more than anywhere?

1008
00:52:50,680 --> 00:52:53,239
Speaker 1: You just stumble and you're like, oh, I remember I

1009
00:52:53,239 --> 00:52:55,880
Speaker 1: stumbled and Blues Traveler was playing the guy from blues

1010
00:52:55,920 --> 00:52:59,280
Speaker 1: traveler with the bases from fish in like a little

1011
00:52:59,320 --> 00:53:02,520
Speaker 1: bar and I was like, Oh, look at this Tuesday night.

1012
00:53:02,600 --> 00:53:07,800
Speaker 1: What's that guy's name again? Yeah, Harmonica Vest Yeah, yeah,

1013
00:53:08,200 --> 00:53:11,600
Speaker 1: I don't know, but like that. You know, have you

1014
00:53:11,600 --> 00:53:17,719
Speaker 1: ever stumbled and stumbled into something so awesome? Um, comedian's

1015
00:53:17,760 --> 00:53:25,080
Speaker 1: birthday parties, Gonahea, was that the same party? It's a

1016
00:53:25,080 --> 00:53:31,600
Speaker 1: comedian named Gonaia Gat. Yeah, Um, no, I'm sure I've stumbled.

1017
00:53:31,760 --> 00:53:34,959
Speaker 1: I mean literally, I've stumbled a lot, but nothing, never,

1018
00:53:35,600 --> 00:53:38,200
Speaker 1: nothing ever comes to nothing comes to mind. Now. I'm

1019
00:53:38,200 --> 00:53:39,880
Speaker 1: sure there's one that I'm just going to think of

1020
00:53:40,480 --> 00:53:41,960
Speaker 1: in one hour and be like Oh, that was the

1021
00:53:41,960 --> 00:53:44,279
Speaker 1: best stumble. Um. But this is a stumble in and

1022
00:53:44,320 --> 00:53:46,400
Speaker 1: of itself. Let's get to the next fan T rex. Okay,

1023
00:53:46,560 --> 00:53:53,759
Speaker 1: here's a mispronunciation from Mary II, Nikki, Andrew. Noah, this

1024
00:53:53,960 --> 00:53:57,319
Speaker 1: is Mary from Kansas City and I am calling in

1025
00:53:57,360 --> 00:54:03,480
Speaker 1: with a mispronunciation and it's actually from Wednesday's episode, and

1026
00:54:03,520 --> 00:54:06,720
Speaker 1: I hope I don't sound like a Brat for pointing

1027
00:54:06,760 --> 00:54:10,439
Speaker 1: this out. Then be the first, but I laughed out

1028
00:54:10,520 --> 00:54:14,800
Speaker 1: loud every single time I heard Andrews say ocular implant

1029
00:54:15,280 --> 00:54:19,080
Speaker 1: and he was so consistent and there was no question

1030
00:54:19,160 --> 00:54:23,600
Speaker 1: in his voice and I just kept picturing people having

1031
00:54:24,800 --> 00:54:31,880
Speaker 1: eyeballs implanted or transplanted Um instead of probably what he

1032
00:54:31,920 --> 00:54:39,640
Speaker 1: meant was cochlear implant clear. Anyway, thank you for the laugh.

1033
00:54:40,040 --> 00:54:45,160
Speaker 1: You always provide the laughs, even if it's unintentional. U Nikki,

1034
00:54:45,239 --> 00:54:48,200
Speaker 1: hope all goes well with your surgery and you have

1035
00:54:48,360 --> 00:54:51,840
Speaker 1: a great day. Thanky, what's her name again? She's a Mary,

1036
00:54:52,120 --> 00:54:55,560
Speaker 1: Mary and kids city. Um, I'm almost more embarrassed I

1037
00:54:55,600 --> 00:54:58,120
Speaker 1: didn't catch it than Andrew should be that he said

1038
00:54:58,160 --> 00:55:02,600
Speaker 1: it was a lot. I know. I think it's a

1039
00:55:02,600 --> 00:55:07,160
Speaker 1: CO clear. I've always heard it pronounced not cocular but nuclear,

1040
00:55:07,640 --> 00:55:12,480
Speaker 1: a nuclear in song. Yeah, Nuke. Yeah, it's in your robe,

1041
00:55:13,000 --> 00:55:15,120
Speaker 1: my favorite thing. I don't remember when we were talking

1042
00:55:15,120 --> 00:55:20,799
Speaker 1: about co clear inlants it is so fun. ocular implant. Apparently,

1043
00:55:21,239 --> 00:55:26,080
Speaker 1: Oh my God, no, when Um, my favorite thing is

1044
00:55:26,080 --> 00:55:28,719
Speaker 1: when babies get them and they here for the first

1045
00:55:28,719 --> 00:55:31,480
Speaker 1: time their mom's voice and then they start off. But

1046
00:55:31,560 --> 00:55:37,319
Speaker 1: this is my favorite. This is my impression. I'm good

1047
00:55:37,360 --> 00:55:39,600
Speaker 1: for another. You have to see the Youtube of me

1048
00:55:39,680 --> 00:55:42,280
Speaker 1: doing the impression of a baby with a Cochler and Brent. Okay,

1049
00:55:42,280 --> 00:55:47,719
Speaker 1: so I'm just a baby being like he, baby, he, no, O,

1050
00:55:47,760 --> 00:55:51,919
Speaker 1: we're here, baby, it's mommy, Mommy's here. They just think

1051
00:55:52,000 --> 00:55:54,200
Speaker 1: they tooltera in such a way and then just stare

1052
00:55:54,239 --> 00:55:57,520
Speaker 1: like but I love the initial turns on. They're like,

1053
00:55:59,360 --> 00:56:02,520
Speaker 1: but Joel, so sweet. Have you ever seen youtubes of

1054
00:56:03,040 --> 00:56:07,279
Speaker 1: Color Blind children? It's one of the biggest things I

1055
00:56:07,320 --> 00:56:09,560
Speaker 1: ever cry. I want my boyfriend to be color blind

1056
00:56:09,680 --> 00:56:11,279
Speaker 1: so bad. So on our wedding day I can get

1057
00:56:11,320 --> 00:56:16,799
Speaker 1: him at it. He can cry at why? Because they

1058
00:56:16,840 --> 00:56:20,160
Speaker 1: see color for the first time. How beautiful the world is.

1059
00:56:20,400 --> 00:56:23,640
Speaker 1: I get that. But these parents, what are you saving? Like,

1060
00:56:23,680 --> 00:56:27,680
Speaker 1: how much are these glasses? They could have got them. Yeah,

1061
00:56:27,760 --> 00:56:31,200
Speaker 1: I don't know. I feel like people cannot afford that. Andrew, no, no,

1062
00:56:31,320 --> 00:56:34,120
Speaker 1: I know that, or they might not have existed then.

1063
00:56:35,160 --> 00:56:37,760
Speaker 1: How long have they existed for? I'm just saying like exist.

1064
00:56:38,480 --> 00:56:42,239
Speaker 1: But I do think, though, that they are so expensive

1065
00:56:42,239 --> 00:56:47,200
Speaker 1: and like are they how much? Probably I'm guessing around

1066
00:56:47,239 --> 00:56:49,719
Speaker 1: six under bucks, but that's probably close enough. But that

1067
00:56:49,840 --> 00:56:51,680
Speaker 1: is a lot of money for some people. And I

1068
00:56:51,719 --> 00:56:56,640
Speaker 1: want to just say on Reddit there was this there's

1069
00:56:56,640 --> 00:57:00,600
Speaker 1: a subreddit called thrift store fines and and there's a

1070
00:57:00,640 --> 00:57:03,080
Speaker 1: thing called if someone finds something and they just don't

1071
00:57:03,080 --> 00:57:04,880
Speaker 1: buy it, they say catch and release and they just

1072
00:57:04,920 --> 00:57:07,040
Speaker 1: like show a picture of it and go like it's awesome,

1073
00:57:07,040 --> 00:57:08,760
Speaker 1: but I couldn't buy it. And it was a picture

1074
00:57:08,760 --> 00:57:12,160
Speaker 1: of Bob Saggett. That says you're cool, you're too cool.

1075
00:57:12,400 --> 00:57:14,799
Speaker 1: Love Bob Saggett, not to not to anyone. A great

1076
00:57:14,840 --> 00:57:16,880
Speaker 1: little frame picture of Bob. Second and it said catch

1077
00:57:16,880 --> 00:57:19,480
Speaker 1: and release and everyone and the thing is like he's dead,

1078
00:57:19,840 --> 00:57:22,240
Speaker 1: get it, this is so cool, like he died, like

1079
00:57:22,360 --> 00:57:25,800
Speaker 1: that's a that's probably not worth something or just, you know,

1080
00:57:26,440 --> 00:57:28,320
Speaker 1: worth something for the fact that it's him. And the

1081
00:57:28,320 --> 00:57:30,760
Speaker 1: guy goes it was five dollars. I don't have the

1082
00:57:30,760 --> 00:57:33,400
Speaker 1: money for that, and it really put things in perspective

1083
00:57:33,440 --> 00:57:37,200
Speaker 1: of like some people don't and everyone just goes it

1084
00:57:37,280 --> 00:57:39,920
Speaker 1: was five dollars. That is worth skipping a meal, whatever

1085
00:57:39,960 --> 00:57:42,200
Speaker 1: it's like. And the person was like, I'm here to

1086
00:57:42,280 --> 00:57:44,560
Speaker 1: like buy clothing for my children, I'm not buying a

1087
00:57:44,600 --> 00:57:47,560
Speaker 1: framed picture of Bob Saggett on the off chance that

1088
00:57:47,960 --> 00:57:50,200
Speaker 1: the person didn't even know he was dead. and Um,

1089
00:57:50,680 --> 00:57:53,880
Speaker 1: but it was it put in perspective of like you

1090
00:57:53,920 --> 00:57:57,160
Speaker 1: don't get to just you know. I don't know. I

1091
00:57:57,200 --> 00:58:01,600
Speaker 1: was like yesterday going from London to Boston. We were,

1092
00:58:01,640 --> 00:58:04,680
Speaker 1: you know, the the drive to the airport was supposed

1093
00:58:04,680 --> 00:58:06,080
Speaker 1: to be a half hour and it turned into it

1094
00:58:06,120 --> 00:58:08,840
Speaker 1: was a two hour. Two hours to get in traffic

1095
00:58:09,560 --> 00:58:11,640
Speaker 1: to the airport. I don't understand how you made your flights,

1096
00:58:12,920 --> 00:58:14,840
Speaker 1: because we left it enough time, like we got there

1097
00:58:14,840 --> 00:58:17,080
Speaker 1: an hour before our flight took off and we're able

1098
00:58:17,120 --> 00:58:19,800
Speaker 1: to check bags up to an hour before. I thank God.

1099
00:58:19,960 --> 00:58:22,200
Speaker 1: And it was dead. He throw was dead. But I

1100
00:58:22,240 --> 00:58:24,520
Speaker 1: was thinking, I said to Chris, it's fine because there

1101
00:58:24,560 --> 00:58:26,640
Speaker 1: are flights tomorrow out. I was looking, I could buy

1102
00:58:26,680 --> 00:58:30,760
Speaker 1: them and I go because I have money. But what

1103
00:58:30,800 --> 00:58:36,920
Speaker 1: the fuck? Your life is so there's no well, well,

1104
00:58:36,920 --> 00:58:39,080
Speaker 1: what if you save up for London and something happens

1105
00:58:39,080 --> 00:58:41,720
Speaker 1: where like you know there was an accident or the

1106
00:58:41,760 --> 00:58:45,919
Speaker 1: weather or something. It's like everyone's just and I used

1107
00:58:45,920 --> 00:58:47,720
Speaker 1: to feel this way too. Of like I remember I

1108
00:58:47,800 --> 00:58:49,479
Speaker 1: used to have a joke about looking at a box

1109
00:58:49,480 --> 00:58:52,880
Speaker 1: of Tampax pearls and being like, someday, when my ticket

1110
00:58:52,920 --> 00:58:55,800
Speaker 1: comes in, I can have pearls and really feeling that

1111
00:58:55,840 --> 00:58:58,440
Speaker 1: way and I think I can lose perspective sometimes, but

1112
00:58:59,840 --> 00:59:01,760
Speaker 1: I used to think the same thing about those glasses.

1113
00:59:01,760 --> 00:59:03,600
Speaker 1: So I'm not making you feel like a jerk about it,

1114
00:59:03,600 --> 00:59:05,600
Speaker 1: being like why doesn't everyone get them to see color?

1115
00:59:05,840 --> 00:59:11,160
Speaker 1: But six hundred dollars is a your kids. Now I

1116
00:59:11,160 --> 00:59:15,240
Speaker 1: feel better about myself. Okay, not the good ones. Color

1117
00:59:15,600 --> 00:59:20,280
Speaker 1: it pocular. You Gott you gotta Pay Next Hunder Bucks

1118
00:59:20,280 --> 00:59:23,440
Speaker 1: for Easelor you want to see at the rainbow, you

1119
00:59:26,720 --> 00:59:29,400
Speaker 1: can see gray. What color, if you could eliminate from

1120
00:59:29,480 --> 00:59:32,560
Speaker 1: your life, would you eliminate? If you had one color

1121
00:59:32,640 --> 00:59:34,600
Speaker 1: and like every kind of shade of that color, you

1122
00:59:34,640 --> 00:59:39,680
Speaker 1: have to get rid of. Right, Yellow, oh forsake you

1123
00:59:39,920 --> 00:59:41,720
Speaker 1: on you my special. How are I going to enjoy

1124
00:59:41,800 --> 00:59:44,600
Speaker 1: my er? Jimmy Kimmel, I'm just kidding. I liked it

1125
00:59:44,640 --> 00:59:46,560
Speaker 1: on your special. I don't know why I love. Just

1126
00:59:46,880 --> 00:59:50,680
Speaker 1: why didn't I say purple? No, no, no, I um purple.

1127
00:59:50,840 --> 00:59:53,080
Speaker 1: I think it's two pinkish and I love the color pink.

1128
00:59:53,120 --> 00:59:55,919
Speaker 1: I would get rid of blue. I think I would

1129
00:59:55,920 --> 01:00:00,480
Speaker 1: get rid of blue, even though the Sky Fuck Blues freewhere.

1130
01:00:01,560 --> 01:00:03,080
Speaker 1: You can't get rid of black and you can't get

1131
01:00:03,160 --> 01:00:05,320
Speaker 1: rid of grey. You can't get rid of Brown. You

1132
01:00:05,400 --> 01:00:12,040
Speaker 1: gotta get rid of like one of the orange. Orange,

1133
01:00:13,440 --> 01:00:17,439
Speaker 1: the sun sunsets. Okay, well, it's okay, we already decide

1134
01:00:17,440 --> 01:00:21,200
Speaker 1: we're getting rid of orange. All right. Next one is

1135
01:00:21,240 --> 01:00:26,000
Speaker 1: from Emma. Hi, pesties, it's Emma O, G fan here.

1136
01:00:26,600 --> 01:00:30,160
Speaker 1: Got To see you, Nikki and Andrew live in San

1137
01:00:30,200 --> 01:00:33,600
Speaker 1: Francisco this year and meet you guys, so that was

1138
01:00:33,640 --> 01:00:36,160
Speaker 1: really awesome. It was Aeso my birthday, so that was

1139
01:00:36,200 --> 01:00:39,160
Speaker 1: like the best birthday ever, and I corralled my friends

1140
01:00:39,200 --> 01:00:41,360
Speaker 1: to come with me, even how they had never listened,

1141
01:00:41,840 --> 01:00:44,000
Speaker 1: but they all loved it and had a great time.

1142
01:00:44,160 --> 01:00:47,400
Speaker 1: So that was really fun for me. When Nikky started

1143
01:00:47,440 --> 01:00:51,920
Speaker 1: read it jump last year she said forced Orgasms, but

1144
01:00:52,120 --> 01:00:57,000
Speaker 1: I heard it as forest orgasms, and so me, being intrigued,

1145
01:00:57,120 --> 01:01:01,760
Speaker 1: was like he's having orgasms and forest. That's interesting. So

1146
01:01:01,880 --> 01:01:04,919
Speaker 1: I download reddit and I'm scouring Reddit for this. Come

1147
01:01:04,960 --> 01:01:09,880
Speaker 1: to find out she said forced orgasms. So funny, misunderstanding,

1148
01:01:09,920 --> 01:01:15,320
Speaker 1: mispronunciation story. I love you guys. Jack, Black Jack, black,

1149
01:01:16,040 --> 01:01:18,480
Speaker 1: but that's so funny because for a while they took

1150
01:01:18,560 --> 01:01:21,440
Speaker 1: down forced orgasms on Reddit and that is my porn

1151
01:01:21,640 --> 01:01:23,880
Speaker 1: go to. If you want to see what I'm into,

1152
01:01:23,960 --> 01:01:30,280
Speaker 1: that's it and it's probably telling you too much. Not

1153
01:01:30,360 --> 01:01:32,600
Speaker 1: Kidding you. If you go to force orgasms right now,

1154
01:01:32,600 --> 01:01:35,360
Speaker 1: and this is this was recorded probably two weeks ago,

1155
01:01:35,880 --> 01:01:39,080
Speaker 1: if you scroll deep enough, you will see up on

1156
01:01:39,320 --> 01:01:41,440
Speaker 1: I just went there the other night. There is a

1157
01:01:41,480 --> 01:01:44,320
Speaker 1: woman tied to a tree in a forest and she

1158
01:01:44,440 --> 01:01:46,240
Speaker 1: made like a fantasy. She's like I was walking in

1159
01:01:46,280 --> 01:01:47,920
Speaker 1: a hike and this man tied me up and it

1160
01:01:48,000 --> 01:01:50,160
Speaker 1: was just, you know, she's doing a character. But there

1161
01:01:50,200 --> 01:01:54,800
Speaker 1: was a force orgasm, enforced orgasm Um, and it was weird.

1162
01:01:54,840 --> 01:01:58,000
Speaker 1: They forced orgasms disappeared from Reddit for a while. I

1163
01:01:58,040 --> 01:02:00,280
Speaker 1: don't know why. I think the word forced some times

1164
01:02:00,320 --> 01:02:03,240
Speaker 1: in Um Pornhob I don't think they allowed the word

1165
01:02:03,280 --> 01:02:06,080
Speaker 1: forced x videos. I don't think they allowed it. Hamster

1166
01:02:06,720 --> 01:02:09,000
Speaker 1: x hamster or whatever like. There's different porn sites that

1167
01:02:09,040 --> 01:02:13,280
Speaker 1: will allow the word force Um. So I think they

1168
01:02:13,280 --> 01:02:15,120
Speaker 1: took it down for a while and I was really sad,

1169
01:02:15,200 --> 01:02:18,240
Speaker 1: but now it's back up and it's all consentually forced.

1170
01:02:18,240 --> 01:02:21,960
Speaker 1: So it's cf Um, but it's it is forced orgasms.

1171
01:02:22,040 --> 01:02:23,720
Speaker 1: Is the name of the subreddit that I love very

1172
01:02:23,800 --> 01:02:25,480
Speaker 1: much and that girls are having a lot of time,

1173
01:02:25,640 --> 01:02:27,480
Speaker 1: good times and they're having a lot of force orgasms.

1174
01:02:27,480 --> 01:02:32,800
Speaker 1: That are the woods. Have you ever had tent sex

1175
01:02:34,040 --> 01:02:39,560
Speaker 1: wearing Abercrombie woods? It was on a hill, yes, all right, yeah,

1176
01:02:39,600 --> 01:02:47,280
Speaker 1: in in Memorial Park. Yeah, totally underwhelming. It's like the

1177
01:02:47,320 --> 01:02:53,800
Speaker 1: equivalent of beach sex or a hot tubs eleven forty,

1178
01:02:53,920 --> 01:02:57,520
Speaker 1: seven PM, but it was late at night. You were

1179
01:02:57,520 --> 01:03:01,440
Speaker 1: in a park. Scary to me. Yeah, it just felt stupid.

1180
01:03:02,920 --> 01:03:09,920
Speaker 1: I'm not what do you do? Gave I gave filatio

1181
01:03:10,040 --> 01:03:14,680
Speaker 1: in a park and like Um, in a city park. US.

1182
01:03:15,600 --> 01:03:18,680
Speaker 1: It was in Los Angeles and like Beverly Hills, I think.

1183
01:03:18,960 --> 01:03:22,760
Speaker 1: It was just like and we were talking and it

1184
01:03:22,880 --> 01:03:25,760
Speaker 1: was kind of like a fight, you know, Um, and

1185
01:03:25,800 --> 01:03:28,280
Speaker 1: then we made up and then it just started happening

1186
01:03:28,280 --> 01:03:30,800
Speaker 1: and I was like no, we can't, and he was

1187
01:03:30,840 --> 01:03:32,360
Speaker 1: just like, I think you're going to and I was

1188
01:03:32,400 --> 01:03:35,720
Speaker 1: like no, I can't, and and then it was just

1189
01:03:35,760 --> 01:03:38,240
Speaker 1: happening and it was just like it's, it's, it's it's

1190
01:03:38,240 --> 01:03:41,880
Speaker 1: thrilling because you can get arrested very easily and then charged.

1191
01:03:41,960 --> 01:03:44,720
Speaker 1: If it's near a school, you can like be a

1192
01:03:44,800 --> 01:03:46,680
Speaker 1: labeled a pedophile the rest of your life. Like that's

1193
01:03:46,760 --> 01:03:49,360
Speaker 1: The Times of things that you risk when you do that.

1194
01:03:49,400 --> 01:03:51,640
Speaker 1: So don't do that out there. Um, did you ever

1195
01:03:51,680 --> 01:03:58,440
Speaker 1: have four sex? Not with anyone self in a tree.

1196
01:03:59,440 --> 01:04:02,640
Speaker 1: I was curled up in the by himself and the

1197
01:04:02,680 --> 01:04:09,600
Speaker 1: tree falls. Ever happened? I don't know. I hope you

1198
01:04:09,720 --> 01:04:12,200
Speaker 1: in bigfoot. That's how you met that that that's how

1199
01:04:12,280 --> 01:04:17,200
Speaker 1: you met that fucking guy. That open for you, big foot.

1200
01:04:17,480 --> 01:04:20,000
Speaker 1: Do you know there there are people that believe bigfoot

1201
01:04:20,080 --> 01:04:22,040
Speaker 1: is reel? I was going to write a joke about

1202
01:04:22,040 --> 01:04:24,120
Speaker 1: it that I this guy was so hot one time

1203
01:04:24,600 --> 01:04:27,880
Speaker 1: and I liked him so much that I truly heard

1204
01:04:28,000 --> 01:04:31,120
Speaker 1: him out about bigfoot being real and started almost believing

1205
01:04:31,120 --> 01:04:35,520
Speaker 1: that's how this guy was. Yeah, I'm not kidding you.

1206
01:04:35,800 --> 01:04:37,880
Speaker 1: I was. When I found out me believed in Bigfoot,

1207
01:04:37,920 --> 01:04:40,600
Speaker 1: I was like, God damn it, why does this guy

1208
01:04:40,680 --> 01:04:43,000
Speaker 1: have to believe in bigfoot like this ruins everything, like

1209
01:04:43,040 --> 01:04:46,480
Speaker 1: I can't marry someone like my fantasy for our life.

1210
01:04:46,800 --> 01:04:49,120
Speaker 1: And then I got on board with big foot. I

1211
01:04:49,200 --> 01:04:53,360
Speaker 1: was like that's question about any about yeah, I learned

1212
01:04:53,360 --> 01:04:55,760
Speaker 1: a little bit about it. So how old is bigfoot?

1213
01:04:55,800 --> 01:04:58,080
Speaker 1: Has He had kids? Because at this point bigfoot is

1214
01:04:58,120 --> 01:04:59,760
Speaker 1: not just one big foot, I mean is a spe

1215
01:05:00,040 --> 01:05:02,920
Speaker 1: cheese that is on the human chain, like it's on

1216
01:05:02,960 --> 01:05:06,560
Speaker 1: the chimpanzee monkey chain of like humans that somewhere along

1217
01:05:06,600 --> 01:05:08,320
Speaker 1: the line it's stopped in the it's up in the

1218
01:05:08,640 --> 01:05:13,520
Speaker 1: Pacific northwest, among other places, and they've never been caught because, um,

1219
01:05:13,560 --> 01:05:17,640
Speaker 1: I don't know, Um, it just doesn't fit with thee.

1220
01:05:17,680 --> 01:05:21,320
Speaker 1: I think they were in the audience. They're the biggest

1221
01:05:21,360 --> 01:05:25,480
Speaker 1: motherfucker's I've ever I really remember getting on board with it.

1222
01:05:25,520 --> 01:05:27,520
Speaker 1: This guy was very convincing and hot and it was

1223
01:05:27,560 --> 01:05:30,520
Speaker 1: just like such an example of how much a hot

1224
01:05:30,560 --> 01:05:33,240
Speaker 1: guy can make you just go yeah, I don't like

1225
01:05:33,320 --> 01:05:36,000
Speaker 1: my sister either and I don't think I want to

1226
01:05:36,000 --> 01:05:39,640
Speaker 1: talk to it, like just like completely abandon who you are. Um, alright,

1227
01:05:40,800 --> 01:05:42,320
Speaker 1: I think make you put a wig on and go

1228
01:05:43,720 --> 01:05:52,840
Speaker 1: do something. Do it anytime. Final, Sool okay, Um, let's

1229
01:05:53,080 --> 01:05:55,120
Speaker 1: let's do two more because I really want to share

1230
01:05:55,160 --> 01:06:02,360
Speaker 1: this when it's a very vulnerable story from Sophie. Vulnerable. Hello, friends,

1231
01:06:02,880 --> 01:06:07,360
Speaker 1: this is sophie from Sweden with a story about Orgasms,

1232
01:06:07,360 --> 01:06:12,400
Speaker 1: before knowing about orgasm. When listening to Nikki talk about

1233
01:06:12,480 --> 01:06:16,400
Speaker 1: not having orgasms before toys, I got thinking about my

1234
01:06:16,520 --> 01:06:20,280
Speaker 1: first story Yasm. I wasn't like nine or ten. It

1235
01:06:20,440 --> 01:06:23,520
Speaker 1: was somewhere at some kind of daycare type of place,

1236
01:06:24,120 --> 01:06:28,280
Speaker 1: the playground that this place had ropes hanging next to

1237
01:06:28,280 --> 01:06:32,880
Speaker 1: the swings men for climbing, like with knots on them.

1238
01:06:32,920 --> 01:06:36,080
Speaker 1: I was just hanging on this rope with my legs

1239
01:06:36,200 --> 01:06:39,600
Speaker 1: crossed when I started to feel good, and eventually it

1240
01:06:39,760 --> 01:06:44,280
Speaker 1: happened and I got terrified, though I remember running to

1241
01:06:44,440 --> 01:06:48,200
Speaker 1: the bathroom to check my underwear because it almost felt

1242
01:06:48,240 --> 01:06:52,680
Speaker 1: as if I had pissed my pants, and this eventually

1243
01:06:52,760 --> 01:06:57,480
Speaker 1: led to me using blankets for masturbating. I twirled them

1244
01:06:57,560 --> 01:07:04,440
Speaker 1: up like ropes, and I remember sometimes we had competitions

1245
01:07:04,560 --> 01:07:07,960
Speaker 1: to see who could hang on to a rope the longest,

1246
01:07:08,560 --> 01:07:12,760
Speaker 1: and there I was hanging on a rope having quiet

1247
01:07:13,040 --> 01:07:18,160
Speaker 1: orgasms in front of everyone. I've been my third dies

1248
01:07:18,240 --> 01:07:20,400
Speaker 1: and this is the first time I talk about this.

1249
01:07:21,280 --> 01:07:24,080
Speaker 1: Thank you for giving me a place to share. I

1250
01:07:24,160 --> 01:07:31,400
Speaker 1: love you all. I love you to ejaculate. I meant.

1251
01:07:32,120 --> 01:07:35,440
Speaker 1: I can not believe how sexy her voice was. I

1252
01:07:35,480 --> 01:07:37,680
Speaker 1: had chilled like my I have still have goose bumps

1253
01:07:37,760 --> 01:07:40,040
Speaker 1: from listening to how a SMR that was. That was

1254
01:07:40,240 --> 01:07:43,400
Speaker 1: a smr, but also sexy. I for I tried to

1255
01:07:43,440 --> 01:07:45,920
Speaker 1: black out how young you were during that story so

1256
01:07:45,960 --> 01:07:49,360
Speaker 1: I could enjoy it in a sexual way. Um, that

1257
01:07:49,600 --> 01:07:51,320
Speaker 1: was thank you so much for sharing that. I think

1258
01:07:51,360 --> 01:07:56,280
Speaker 1: so many people relate to humping blankets, humping ropes, humping Um,

1259
01:07:56,520 --> 01:08:01,640
Speaker 1: parallel bars, Um, and also not really under understanding each one.

1260
01:08:01,720 --> 01:08:04,160
Speaker 1: Give them equal opportunity. Don't leave one out. What about

1261
01:08:04,160 --> 01:08:07,520
Speaker 1: the uneven bars? Don't forget about you know, they come

1262
01:08:07,560 --> 01:08:10,280
Speaker 1: from a wrong side of town. Um, and a lot

1263
01:08:10,360 --> 01:08:14,240
Speaker 1: of people orgasm when they're hanging, like in grade school,

1264
01:08:14,280 --> 01:08:16,479
Speaker 1: and my best friend in grade school used to hang

1265
01:08:16,720 --> 01:08:21,760
Speaker 1: the closet with their belt around their neck. Wait, wait, yeah,

1266
01:08:21,760 --> 01:08:23,200
Speaker 1: you know, she was saying she was hanging from a

1267
01:08:23,280 --> 01:08:26,320
Speaker 1: rope and she started. Yeah, like my best friend used

1268
01:08:26,360 --> 01:08:29,720
Speaker 1: to hang on a desk like suspend herself, you know,

1269
01:08:29,880 --> 01:08:34,160
Speaker 1: like like this. You can't understand what I'm saying. What

1270
01:08:34,160 --> 01:08:37,120
Speaker 1: I'm saying. No, like hang yourself from a desk, like

1271
01:08:37,200 --> 01:08:40,000
Speaker 1: what is keeping? Imagine your elbows are on the desk

1272
01:08:40,040 --> 01:08:42,160
Speaker 1: and you lean all your body weight forward and your

1273
01:08:42,200 --> 01:08:49,320
Speaker 1: legs the nothing. It's just the pressure and it builds up. Yes, well,

1274
01:08:49,400 --> 01:08:52,400
Speaker 1: I actually heard a technique, maybe on Reddit or somewhere,

1275
01:08:52,400 --> 01:08:56,200
Speaker 1: where leaning on things and hanging on them like you're saying,

1276
01:08:56,240 --> 01:08:58,920
Speaker 1: like leaning on a table, like putting all your weight

1277
01:08:59,080 --> 01:09:02,800
Speaker 1: forward and, Um, probably crossing your legs in a really

1278
01:09:02,840 --> 01:09:06,960
Speaker 1: intense way. is also would send you to that kind

1279
01:09:06,960 --> 01:09:11,120
Speaker 1: of place, but with ropes. Felt Great. I would climb

1280
01:09:11,120 --> 01:09:14,519
Speaker 1: a lot of ropes. Yeah, if it was, I would

1281
01:09:14,520 --> 01:09:18,800
Speaker 1: be up there a while. It's so fascinating. I mean, yeah,

1282
01:09:18,840 --> 01:09:21,240
Speaker 1: it was fantastic. I'll never forget, I mean I've said

1283
01:09:21,240 --> 01:09:25,599
Speaker 1: it before. I'll never forget Kirsten's front porch, waiting for

1284
01:09:25,640 --> 01:09:28,120
Speaker 1: my parents to come get me and we're just hanging out,

1285
01:09:28,160 --> 01:09:30,799
Speaker 1: like you know, hanging on the bars, like the railing,

1286
01:09:30,880 --> 01:09:33,559
Speaker 1: and there was a little like they're shaped like butt plugs,

1287
01:09:33,600 --> 01:09:38,040
Speaker 1: like the little markers at each end of it, and

1288
01:09:38,080 --> 01:09:39,680
Speaker 1: there was this one and I just like sat on

1289
01:09:39,760 --> 01:09:42,240
Speaker 1: top of it and it kind of hit my asshole

1290
01:09:42,680 --> 01:09:46,160
Speaker 1: a little bit and I remember just being like that

1291
01:09:46,280 --> 01:09:49,960
Speaker 1: feels so good, that there's something wrong with me, like

1292
01:09:50,040 --> 01:09:52,679
Speaker 1: I can't ever do that again. God is I don't

1293
01:09:52,680 --> 01:09:55,960
Speaker 1: even believe in God, but it felt too good and

1294
01:09:56,000 --> 01:10:00,000
Speaker 1: it's still I'm not kidding you, like I hope this doesn't.

1295
01:10:00,000 --> 01:10:02,080
Speaker 1: It could come back to on me. I'll stand by it.

1296
01:10:02,560 --> 01:10:06,760
Speaker 1: I enjoy that more than the other place, honestly, like

1297
01:10:06,800 --> 01:10:10,000
Speaker 1: it's a different feeling to me, but I am grateful

1298
01:10:10,040 --> 01:10:11,439
Speaker 1: that I have it because I do know what it

1299
01:10:11,439 --> 01:10:13,200
Speaker 1: feels like to have things in your vagina. It feels

1300
01:10:13,240 --> 01:10:18,920
Speaker 1: amazing and I can definitely, but it was like I

1301
01:10:19,000 --> 01:10:22,840
Speaker 1: knew at a young age where something there was something

1302
01:10:22,880 --> 01:10:25,400
Speaker 1: special about that other place that I was like, oh no,

1303
01:10:25,680 --> 01:10:28,280
Speaker 1: and I don't think at that age, I mean definitely

1304
01:10:28,320 --> 01:10:31,320
Speaker 1: at that age did not think anything would ever happen

1305
01:10:31,400 --> 01:10:34,120
Speaker 1: back there. That could, but I just knew, don't ever

1306
01:10:34,160 --> 01:10:37,559
Speaker 1: do that again. Nikki is wrong. It feels too good

1307
01:10:37,880 --> 01:10:41,160
Speaker 1: and I still feel that way about things that are

1308
01:10:41,160 --> 01:10:46,400
Speaker 1: a woman now, so it actually turns people on. I was, um,

1309
01:10:46,920 --> 01:10:50,439
Speaker 1: it's very young. I was sitting for my mom to

1310
01:10:50,520 --> 01:10:53,640
Speaker 1: come pick me up at my friend, Christens, and I

1311
01:10:53,880 --> 01:10:58,800
Speaker 1: was up age. So you can enjoy the start, but

1312
01:10:59,160 --> 01:11:03,679
Speaker 1: it's what you wanted to but if you're jerking off

1313
01:11:03,680 --> 01:11:07,479
Speaker 1: to this, it is fun and everything is legal. And

1314
01:11:07,560 --> 01:11:13,559
Speaker 1: so I climbed upon the banister and it increased my

1315
01:11:13,640 --> 01:11:18,920
Speaker 1: vessel and I just say, I was feeling things. It

1316
01:11:18,960 --> 01:11:20,680
Speaker 1: sounds like I'm making fun of her, but honestly I'm

1317
01:11:20,680 --> 01:11:24,920
Speaker 1: just trying to recreate I guaranteed she's laughing. They okay, yeah,

1318
01:11:25,000 --> 01:11:27,639
Speaker 1: I hope she's not hurt, but it was. I would

1319
01:11:27,800 --> 01:11:30,920
Speaker 1: really hire her to make a SMR things. And if

1320
01:11:30,960 --> 01:11:33,479
Speaker 1: you're not doing that already, it was. I mean, I'm

1321
01:11:33,600 --> 01:11:36,320
Speaker 1: literally feeling like I just wet my pants because of

1322
01:11:36,320 --> 01:11:38,320
Speaker 1: that story from her. I'm not getting you. It really

1323
01:11:38,320 --> 01:11:40,000
Speaker 1: turned me on in some weird way, but it also

1324
01:11:40,080 --> 01:11:42,400
Speaker 1: made me feel safe. I'm confused. Okay, let's get to

1325
01:11:42,439 --> 01:11:45,679
Speaker 1: the last. Okay, last Pan Trax is from Tom, who's

1326
01:11:45,680 --> 01:11:51,960
Speaker 1: in the UK and he needs some advice. Okay, Tom, hello, Nikki,

1327
01:11:52,040 --> 01:11:56,120
Speaker 1: Andrew and nineteen. I'm from the UK. Can I just

1328
01:11:56,160 --> 01:11:59,800
Speaker 1: say I've been a fan of yours, Nikki, since like

1329
01:12:00,520 --> 01:12:03,840
Speaker 1: I was fifteen, sixteen, which is probably way too young

1330
01:12:03,920 --> 01:12:05,880
Speaker 1: to be listening to what you were saying that I

1331
01:12:05,920 --> 01:12:09,080
Speaker 1: feel like it's helped me a lot. I've literally probably

1332
01:12:09,080 --> 01:12:12,160
Speaker 1: listened to every single podcast you've ever made. But Anyway,

1333
01:12:12,240 --> 01:12:16,839
Speaker 1: I'm in a bit of a dating predicament. So I'm nineteen,

1334
01:12:16,960 --> 01:12:21,679
Speaker 1: I'm gay. Never really been able to date before because

1335
01:12:21,760 --> 01:12:24,559
Speaker 1: I live in the middle of bumfuck nowhere, but recently,

1336
01:12:24,560 --> 01:12:27,839
Speaker 1: because I've gone to university in a city, I've actually

1337
01:12:27,840 --> 01:12:31,519
Speaker 1: started dating guys, which is nice. I've found this worn

1338
01:12:31,520 --> 01:12:34,400
Speaker 1: guy with like a month in and I fully feel

1339
01:12:34,400 --> 01:12:37,800
Speaker 1: like I love him and it's just going great. I

1340
01:12:37,840 --> 01:12:41,280
Speaker 1: can see a serious relationship happening here. But there's a

1341
01:12:41,320 --> 01:12:47,599
Speaker 1: big but he's by and only ever had relationships with

1342
01:12:47,720 --> 01:12:50,720
Speaker 1: girls before and his last one lasted years and it

1343
01:12:50,760 --> 01:12:54,600
Speaker 1: was really serious and I just don't know what to

1344
01:12:54,600 --> 01:12:56,120
Speaker 1: think about it. All my friends are telling me to

1345
01:12:56,120 --> 01:13:00,120
Speaker 1: be cautious and be careful because he does say a

1346
01:13:00,160 --> 01:13:02,479
Speaker 1: bit flip floppy and I don't know really what to do.

1347
01:13:03,200 --> 01:13:09,599
Speaker 1: Guys take on it anyway. Thank you. UH, Tom, I'm

1348
01:13:09,600 --> 01:13:12,120
Speaker 1: guessing just because he's British sales like, he spells his

1349
01:13:12,200 --> 01:13:15,120
Speaker 1: name t h o m so tom Um. First of all,

1350
01:13:15,120 --> 01:13:18,120
Speaker 1: thank you for listening to everything. Of Don makes me

1351
01:13:18,160 --> 01:13:21,240
Speaker 1: feel so good and, Um, you just seem so sweet

1352
01:13:21,280 --> 01:13:23,600
Speaker 1: and I'm so excited that you're in your first relationship.

1353
01:13:24,439 --> 01:13:27,439
Speaker 1: I would say to people who think that bisexual people

1354
01:13:27,479 --> 01:13:30,439
Speaker 1: are more of a threat to your relationship or like

1355
01:13:30,560 --> 01:13:34,439
Speaker 1: becoming monogamous with them than maybe if they were fully gay,

1356
01:13:34,520 --> 01:13:39,040
Speaker 1: fully straight, is that people are like, well, you can't

1357
01:13:39,040 --> 01:13:41,479
Speaker 1: be a woman for him, so he's gonna need women. Well,

1358
01:13:41,880 --> 01:13:44,200
Speaker 1: you can't be every man for him either, so would

1359
01:13:44,200 --> 01:13:46,760
Speaker 1: he need every other man? So this whole argument that

1360
01:13:46,760 --> 01:13:49,960
Speaker 1: bisexual people are just like cannot be reined in, not

1361
01:13:50,040 --> 01:13:54,120
Speaker 1: one person will ever please them, is completely false and

1362
01:13:54,200 --> 01:13:56,320
Speaker 1: it is something that people project on you because of

1363
01:13:56,360 --> 01:13:59,599
Speaker 1: their own fears. Um. That being said, you are nineteen,

1364
01:13:59,640 --> 01:14:03,120
Speaker 1: it's your first love. Chances are this ain't it? I

1365
01:14:03,160 --> 01:14:04,960
Speaker 1: hate to say that to you because that is not

1366
01:14:05,000 --> 01:14:07,680
Speaker 1: what anyone wants to hear in their first love, but

1367
01:14:08,800 --> 01:14:11,240
Speaker 1: fucking treat it like it's it. Who Cares? Like? I

1368
01:14:11,280 --> 01:14:16,080
Speaker 1: think take this guy for what he's telling you, like

1369
01:14:16,880 --> 01:14:20,880
Speaker 1: if he's being squirrely, if you're feeling like confused, you

1370
01:14:20,920 --> 01:14:23,280
Speaker 1: know that's the classic thing. If you're confused, he's not

1371
01:14:23,360 --> 01:14:26,160
Speaker 1: that into you. If you're not confused, he is into you.

1372
01:14:26,280 --> 01:14:30,360
Speaker 1: So if you're feeling that. But, Um, I think voicing

1373
01:14:30,400 --> 01:14:33,880
Speaker 1: these kind of concerns to him would be good. I'm

1374
01:14:33,920 --> 01:14:36,680
Speaker 1: not sure if you're concerned is that he's bisexual or

1375
01:14:36,680 --> 01:14:40,320
Speaker 1: that he's just kind of a little bit squirrely anyway, Um,

1376
01:14:40,360 --> 01:14:42,479
Speaker 1: and I wonder if he's out to everyone in his

1377
01:14:42,560 --> 01:14:45,280
Speaker 1: life as a bisexual or if he's a man who's

1378
01:14:45,320 --> 01:14:49,160
Speaker 1: experimenting with his bisexuality and you're maybe the first, which

1379
01:14:49,160 --> 01:14:53,240
Speaker 1: could be tricky. But I'm so excited for you. Um,

1380
01:14:53,280 --> 01:14:55,599
Speaker 1: this is just the beginning of a lifetime of falling

1381
01:14:55,600 --> 01:14:58,000
Speaker 1: in love, maybe with this guy over and over, maybe with,

1382
01:14:58,160 --> 01:15:01,080
Speaker 1: you know, other people. But Um, I don't think you

1383
01:15:01,080 --> 01:15:03,759
Speaker 1: should shy away from dating by sexual men. I don't

1384
01:15:03,760 --> 01:15:06,519
Speaker 1: think it is a red flag on any thoughts. No,

1385
01:15:06,760 --> 01:15:09,720
Speaker 1: I think that's great advice. The only thing is, you know,

1386
01:15:10,200 --> 01:15:13,240
Speaker 1: when my friends are all telling me to be careful,

1387
01:15:13,800 --> 01:15:16,599
Speaker 1: I want to listen to that because I'm when I'm

1388
01:15:16,640 --> 01:15:20,200
Speaker 1: in love I tend to you know, it's destabilizing, it's exciting,

1389
01:15:20,200 --> 01:15:23,080
Speaker 1: but I'm trying to listen to my friends more and more.

1390
01:15:23,400 --> 01:15:26,240
Speaker 1: So that might be something to look out for. But

1391
01:15:26,320 --> 01:15:30,840
Speaker 1: all everything that he said is right on. Go for it, Andrew. No, uh,

1392
01:15:31,200 --> 01:15:35,840
Speaker 1: I think you should dump them move on with your life.

1393
01:15:35,960 --> 01:15:37,800
Speaker 1: You're in a city now, you don't have to be

1394
01:15:37,800 --> 01:15:41,080
Speaker 1: a farmer boy anymore. No, I think people find out bisexual,

1395
01:15:41,200 --> 01:15:44,920
Speaker 1: they're like, oh, he's gonna, he's gonna need that other

1396
01:15:45,000 --> 01:15:47,479
Speaker 1: thing that you can't give them, and it's just not true.

1397
01:15:47,560 --> 01:15:51,200
Speaker 1: I love the I love the the point out of like, yeah,

1398
01:15:51,280 --> 01:15:54,000
Speaker 1: there's also a million other guys that he could have

1399
01:15:54,240 --> 01:15:57,599
Speaker 1: but he chose to you, like it makes perfect sense.

1400
01:15:57,800 --> 01:16:02,160
Speaker 1: And Yeah, he sounds like an amazing human being who's

1401
01:16:02,240 --> 01:16:04,920
Speaker 1: like just like figuring out the city and he like

1402
01:16:05,000 --> 01:16:08,000
Speaker 1: grew up, like, you know, in the middle of nowhere,

1403
01:16:08,280 --> 01:16:11,320
Speaker 1: and so so you put so much pressure on it too.

1404
01:16:11,880 --> 01:16:14,240
Speaker 1: So don't put too much pressure on it. You could

1405
01:16:14,240 --> 01:16:16,960
Speaker 1: love them all you want, but just don't. Don't be

1406
01:16:17,000 --> 01:16:21,160
Speaker 1: easy on your on yourself in the relationship, like it's hard. Yeah,

1407
01:16:21,400 --> 01:16:23,280
Speaker 1: and it's hard, though, like I never want to tell

1408
01:16:23,320 --> 01:16:26,840
Speaker 1: people in their twenties or teens like this isn't gonna

1409
01:16:26,880 --> 01:16:31,360
Speaker 1: list forever, like, because it probably isn't, like statistically, it

1410
01:16:31,479 --> 01:16:33,439
Speaker 1: just doesn't usually work that way, and you don't want

1411
01:16:33,439 --> 01:16:35,120
Speaker 1: to hear that. I don't want to hear that. Even

1412
01:16:35,160 --> 01:16:37,200
Speaker 1: when I was thirty five with guys that I knew

1413
01:16:37,240 --> 01:16:39,320
Speaker 1: would not be and my friends would be like this

1414
01:16:39,400 --> 01:16:41,400
Speaker 1: is fun for now, and I'd be like, how dare you,

1415
01:16:42,000 --> 01:16:45,639
Speaker 1: but just just be in the moment, because who knows,

1416
01:16:45,680 --> 01:16:47,360
Speaker 1: the world could end tomorrow and this would be your

1417
01:16:47,400 --> 01:16:53,040
Speaker 1: only guy, so just have fun. But Um, I think honesty,

1418
01:16:54,280 --> 01:16:57,880
Speaker 1: Ni I love it. Like, Nikki, you're dating guy, but

1419
01:16:57,920 --> 01:17:02,920
Speaker 1: he also loves himself too much. It's not like other ways.

1420
01:17:03,000 --> 01:17:07,559
Speaker 1: He also loves women too. It's like, no, he's he's what. What?

1421
01:17:07,600 --> 01:17:10,920
Speaker 1: I don't understand what you're saying. Like the idea of like, Oh,

1422
01:17:11,000 --> 01:17:12,960
Speaker 1: the guy, that's the guys that I've dated. I would

1423
01:17:13,000 --> 01:17:19,040
Speaker 1: prefer them to be bisexuals, a polly relationship with them

1424
01:17:19,040 --> 01:17:24,760
Speaker 1: and themselves. That does seem like if you want to

1425
01:17:24,760 --> 01:17:25,920
Speaker 1: be with me, you have to put up with the

1426
01:17:25,960 --> 01:17:27,960
Speaker 1: back that I'm always going to love myself more than

1427
01:17:28,000 --> 01:17:30,559
Speaker 1: you and when we faced off, I'll be looking at

1428
01:17:30,560 --> 01:17:33,000
Speaker 1: my own self and not see you even for a second,

1429
01:17:33,120 --> 01:17:34,880
Speaker 1: even though you are dyeing your eyebrows and they look

1430
01:17:34,920 --> 01:17:36,559
Speaker 1: like Gratcho marks and I didn't even notice the whole

1431
01:17:36,560 --> 01:17:37,720
Speaker 1: time we were on the phone. That really happened to

1432
01:17:37,720 --> 01:17:39,680
Speaker 1: me one time when I was talking about a long time.

1433
01:17:39,680 --> 01:17:42,639
Speaker 1: He didn't notice that my eyebrows were completely black groucho

1434
01:17:42,760 --> 01:17:46,040
Speaker 1: marks the entire time. I answered the phone going like hello,

1435
01:17:46,520 --> 01:17:48,880
Speaker 1: and he had an outer long conversation before he even

1436
01:17:48,960 --> 01:17:51,360
Speaker 1: looked at me because he was such a narcissist, which

1437
01:17:51,439 --> 01:17:55,080
Speaker 1: are don't we all stare at yourselves on this Um,

1438
01:17:55,280 --> 01:17:59,200
Speaker 1: that's a good question. Did he have his crouchows on?

1439
01:18:01,120 --> 01:18:04,519
Speaker 1: Thank you so much to everyone who wrote in, Uh

1440
01:18:05,960 --> 01:18:09,559
Speaker 1: and and talked. Yeah, it could have been. That's true too, Um.

1441
01:18:09,600 --> 01:18:11,800
Speaker 1: Thank you so much. We will be back with more

1442
01:18:11,840 --> 01:18:15,360
Speaker 1: shows shortly, very shortly. I'm still recovering from surgery, but

1443
01:18:15,439 --> 01:18:17,280
Speaker 1: we'll figure it all out. I will have a different

1444
01:18:17,320 --> 01:18:19,160
Speaker 1: voice the next time you hear me, but not too different,

1445
01:18:19,600 --> 01:18:26,760
Speaker 1: and be back with the new today. Louis, October, October six,

1446
01:18:26,840 --> 01:18:30,200
Speaker 1: St Louis, Helio, come on out and come on. If

1447
01:18:30,240 --> 01:18:32,120
Speaker 1: you want to plan a trip to St Louis, come

1448
01:18:32,120 --> 01:18:36,400
Speaker 1: on down. Um, that'll be so fun. And I'll be

1449
01:18:36,439 --> 01:18:41,639
Speaker 1: on tour with Eric Hutchinson September. One longer sets. BOSTON,

1450
01:18:41,800 --> 01:18:45,080
Speaker 1: D C, Philly and New York City. Oh Fuck yes,

1451
01:18:45,200 --> 01:18:47,760
Speaker 1: Eric Hutchinson is amazing too. That's if you've never heard

1452
01:18:47,760 --> 01:18:50,240
Speaker 1: of him. Like, first of all, just go to see

1453
01:18:50,240 --> 01:18:52,200
Speaker 1: any and then you can leave, it doesn't matter. But like,

1454
01:18:52,720 --> 01:18:55,800
Speaker 1: definitely go support those shows. Um, a fun night out

1455
01:18:55,960 --> 01:18:58,240
Speaker 1: and Um, and I will be back on tour in October.

1456
01:18:58,560 --> 01:19:01,519
Speaker 1: Iowa is my first day. Get tickets now and then

1457
01:19:01,600 --> 01:19:05,240
Speaker 1: we are back on the road consistently. and Um, new

1458
01:19:05,320 --> 01:19:08,920
Speaker 1: tour dates coming out soon. Um, and, as always, will

1459
01:19:08,920 --> 01:19:11,120
Speaker 1: be here on the PODCAST, so check this out as well.

1460
01:19:11,240 --> 01:19:13,439
Speaker 1: I love you guys so much. Thank you for listening.

1461
01:19:13,520 --> 01:19:15,679
Speaker 1: Thank you for waiting for me to get healed again

1462
01:19:15,800 --> 01:19:18,479
Speaker 1: and being patient with one podcast a week. I love

1463
01:19:18,520 --> 01:19:20,439
Speaker 1: you so much. Thank you for the Fan Tex uh,

1464
01:19:20,479 --> 01:19:30,240
Speaker 1: don't be and Jack Jack, Jack, Jack, Jack, Jack Jack, Yea,