WEBVTT - Episode 390 w/ DMC

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<v Speaker 1>He is drinks chants, motherfucking podcast makes He's a legendary

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<v Speaker 1>queens rapper.

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<v Speaker 2>He ain't s agreed as your boy in O r E.

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<v Speaker 1>He's a Miami hip hop mionneer up as d J

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<v Speaker 1>e f N. Together they drink it up with some.

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<v Speaker 3>Of the biggest players you know what I mean, and.

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<v Speaker 1>The most professional unprofessional podcast and your number one source

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<v Speaker 1>for drunk.

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<v Speaker 2>Drink chans post days New Year's Csten, It's time for

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<v Speaker 2>drink Champions.

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<v Speaker 3>Drink up, motherfuck.

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<v Speaker 2>Would a good be hoping this super This is your

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<v Speaker 2>boy in O R E.

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<v Speaker 3>What up his DJ e f N.

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<v Speaker 2>This is Midle Tapa, crazy wall Y Happy Hour, Drinks

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<v Speaker 2>Yeppy Hour, make some Nu. Now, when me and e

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<v Speaker 2>FN started this show, we said that we wanted to

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<v Speaker 2>highlight like icons, we wanted to highlight legends. We want

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<v Speaker 2>to highlight people who paved the way for us. Now,

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<v Speaker 2>when we talk about this brother that we were about

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<v Speaker 2>to introduce in a lot of ways, if it wasn't

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<v Speaker 2>for him, they might not be a drink champs because

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<v Speaker 2>of the DJ, you following the DJ, I following the MC,

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<v Speaker 2>and us you know, somewhat calling ourselves, you know, a

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<v Speaker 2>different version of them. These people have. They come from

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<v Speaker 2>my barrel, They come from my hood. One of my

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<v Speaker 2>first inspirations, I remember me buying a fake leather jacket.

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<v Speaker 2>It was pletho. I didn't know there was a such

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<v Speaker 2>thing at the time. I put it on and it

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<v Speaker 2>didn't feel right. I had to figure it. But I

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<v Speaker 2>was trying to imitate them. I went and got gazelles,

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<v Speaker 2>I went and did everything. I went and got the hats.

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<v Speaker 2>I wanted to be like them, and in a lot

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<v Speaker 2>of ways, if it wasn't for them, it wouldn't be me.

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<v Speaker 2>It wouldn't be this show. These guys are legends. They

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<v Speaker 2>are icons. They are tycoons. They are the definition of pop.

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<v Speaker 2>They are the definition of of of keeping it real.

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<v Speaker 2>They are the definition of legends. They are a definition

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<v Speaker 2>of icons. When I think of this, when I think

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<v Speaker 2>of these people, that's who I got. When my dictionary,

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<v Speaker 2>when I look up icon, that's who I see. In

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<v Speaker 2>case you don't know who the fuck were talking about,

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<v Speaker 2>We're talking about the one, the only, motherfucking d m

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<v Speaker 2>c yo. I got a lie, crazy, what what is this? Okay?

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<v Speaker 2>I want to start with this. This is a comic.

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<v Speaker 3>Holy comic book I made for a song that I

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<v Speaker 3>did with Chuck Dy, iced T and Jesse Jeff. He produced.

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<v Speaker 2>It was Freddy rap on this one. He did okay.

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<v Speaker 3>He was like, yo, I got icy Chuck Dy and

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<v Speaker 3>d J J Jeff and d m C in the room.

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<v Speaker 3>I don't need to be on it because he was

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<v Speaker 3>like a fan, like he couldn't believe the moment. Song

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<v Speaker 3>inspired the comic book. Yeah, the song is fun the

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<v Speaker 3>comic book. Yeah, because bum was like, you guys the

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<v Speaker 3>my superheroes.

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<v Speaker 2>Yeah, you guys are my superheroes. Let's face anoy for that,

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<v Speaker 2>spacenoy for that. So let's let's take it from the beginning, right.

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<v Speaker 2>We just had Leo Cohns on right, and Leo Leo

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<v Speaker 2>used to share rooms. He was yes, and he was

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<v Speaker 2>only seeing with me because that was in neat cleaning.

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<v Speaker 2>So we had him on and his claim to fame

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<v Speaker 2>or his first you know a thing in this music

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<v Speaker 2>business was he said role managing you guys. And then

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<v Speaker 2>I asked him, I said, how did you become road

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<v Speaker 2>manager for run DMC and he said simply because he

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<v Speaker 2>had a passport. Yeah, was that how it happened?

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<v Speaker 4>Well?

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<v Speaker 3>Yeah, because our first manager got fired. Oh wow, and

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<v Speaker 3>then we needed a road manager and Lee was like,

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<v Speaker 3>I'll do it correct and it was like, do you

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<v Speaker 3>have a passport? But what was he But prior to that, well,

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<v Speaker 3>Leo was in promoting hip hop parties. Really did have

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<v Speaker 3>long hair. I feel like he had a long.

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<v Speaker 2>You know, he didn't have hair.

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<v Speaker 3>No, he was just a younger version of rocket hair

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<v Speaker 3>with this guy and had this hip hop club in

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<v Speaker 3>l a Wow, and once a week he would throw

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<v Speaker 3>hip hop parties. So he booked run DMC. And when

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<v Speaker 3>he booked run DMC, we played the show. You know,

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<v Speaker 3>Damn Master Jay rest in peace. He was like, Yo,

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<v Speaker 3>come hang with us. So Leo just started hanging out

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<v Speaker 3>with us, and then I think he booked us again.

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<v Speaker 3>But his was crazy after he booked run DMC because

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<v Speaker 3>look now he got run DMC, right, you know what

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<v Speaker 3>I'm saying, and it starts calling everybody I see this

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<v Speaker 3>and that. But we were like to you know this,

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<v Speaker 3>we was We was the ones that had all the

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<v Speaker 3>hope to you know, part the red sea for hip hop.

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<v Speaker 3>So Lea was funny every day he would call deaf

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<v Speaker 3>jail after he booked Run DMC. Every go leo this,

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<v Speaker 3>and NBA people hang up on him.

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<v Speaker 2>He called back the mad Russell now Russell for assistance.

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<v Speaker 3>So what had happened was he just woke up one

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<v Speaker 3>day and just came to New York, showed up his

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<v Speaker 3>office and we would go to death Gym every day,

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<v Speaker 3>show up at the office. This and then Russell was funny.

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<v Speaker 3>Russell would just give him crazy ship to do and

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<v Speaker 3>he would make it happen right, right.

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<v Speaker 2>So we had this.

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<v Speaker 3>One of Jay's friends was in romanage, but he got

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<v Speaker 3>fired because he was smoking crack on the plane.

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<v Speaker 2>This is noise smoking crack on.

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<v Speaker 5>The plane crack, But this is like one crack want

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<v Speaker 5>I guess remember when crack first came up, he was

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<v Speaker 5>smoking woolies.

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<v Speaker 2>You know, a lot of.

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<v Speaker 3>A lot of normal people. But when it started turning

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<v Speaker 3>the crack they was able to stop from in the beginning.

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<v Speaker 2>But yeah, the Jay's friend road manager was a crack fiend.

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<v Speaker 3>The first day he spoke, he had to smoke it

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<v Speaker 3>on a plane.

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<v Speaker 2>So he got fired. But this was the time where

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<v Speaker 2>you were suppos cigarettes a plane. Yes, okay, yeah, I've

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<v Speaker 2>been traveling since there was and that shit made no

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<v Speaker 2>sense because everybody's right here. Remember remember the other line

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<v Speaker 2>USA Express Okay, okay, which directly the lad y'all remember

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<v Speaker 2>that you would just take all your ship and get

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<v Speaker 2>on a plane. So long story short, the manager got

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<v Speaker 2>fired and Leo was always around. Okay.

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<v Speaker 3>First he would call every day. Then he showed up

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<v Speaker 3>just hanging out the office. Now, for anybody listening, that's

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<v Speaker 3>very aggressive. Yeah, in that room all too right, you

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<v Speaker 3>know what I'm saying. Cousins, Look, yes, a man on

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<v Speaker 3>the mission. So we needed a road manager. I'll do

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<v Speaker 3>it all right. And the question was you had a passport?

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<v Speaker 3>And then ever since then, Wow, that's how it was,

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<v Speaker 3>you know what I'm saying.

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<v Speaker 2>For me, it was like a blip. It was like

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<v Speaker 2>Leo in New York was my role manage, shared movies

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<v Speaker 2>with me, and in the next day they called them an

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<v Speaker 2>executive Wow, which is a beautiful thing. Now, when I

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<v Speaker 2>signed a deaf jam, I remember me walking in the building. Remember,

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<v Speaker 2>I of God, He's telling me, he's like, you signed

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<v Speaker 2>the death jam. I said yeah. He said, well, don't

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<v Speaker 2>celebrate because you ain't win nothing. I was like, damn,

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<v Speaker 2>that was hard. And then I went to Leoll's office

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<v Speaker 2>and Leon had this picture in his office with a

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<v Speaker 2>bloody nose, and I said to Leon, did you have

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<v Speaker 2>a fight, And he goes, no, I did so much

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<v Speaker 2>blow that night.

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<v Speaker 3>He said, he's in the road a lot of lot

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<v Speaker 3>a lot of coke, like a whole lot of a

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<v Speaker 3>lot of a lot of and my man Combat Jack.

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<v Speaker 2>Recipes, Yes, great, so this and that.

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<v Speaker 3>Man Cow from Chicago, big radio journalistic personality. Me and

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<v Speaker 3>Combat and man Col we said, please, people, little kids,

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<v Speaker 3>boys and girls, don't take this wrong way. And he

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<v Speaker 3>said it though, Man Col said them and me and

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<v Speaker 3>Combat we verified this.

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<v Speaker 2>On his show. You know, the coke in the eighties

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<v Speaker 2>was real good. Did you say the coke in the eighties,

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<v Speaker 2>I'm keeping up right.

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<v Speaker 6>For people it was it was it was like they

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<v Speaker 6>cared about Did it influence the music? No, to coke

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<v Speaker 6>was everywhere. For Leo to say that, that ship was

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<v Speaker 6>every where.

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<v Speaker 3>We used to just go to radio stations to give

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<v Speaker 3>the program directors coke. I don't think it was even

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<v Speaker 3>illegal when it first came on the scenes.

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<v Speaker 2>What it was it was, it was it was an

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<v Speaker 2>upscale social it was it was champagne, right.

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<v Speaker 3>So I mean it's wrong for me to say that.

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<v Speaker 3>So it's like me saying, you know, the champagne back

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<v Speaker 3>then was very good. Right, that champagne has got has

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<v Speaker 3>gotten better, right, coke has gotten worse. But for Leo

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<v Speaker 3>to say that coke was every way like it was everywhere.

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<v Speaker 2>Man, it's oh man when we came here, when we

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<v Speaker 2>came here on the raising, hell too, we ain't see

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<v Speaker 2>for three days running.

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<v Speaker 3>You see hod L B C. But l didn't get high.

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<v Speaker 3>But yo, I was doing it. Yeah, L was in

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<v Speaker 3>the gym every morning. Lion said he had had it.

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<v Speaker 3>It was hereditary.

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<v Speaker 2>He said, I get all. He's there getting like that.

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<v Speaker 2>But you know, the coke was everywhere. Forhlil to say that,

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<v Speaker 2>I a lot of a whole lot of.

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<v Speaker 3>Like Dad, I keep it real too, okay where I'm at,

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<v Speaker 3>Like we had a high school. If you was able

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<v Speaker 3>to go back and talk to the young Daryl mcdanneus

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<v Speaker 3>when you first started the don't spend so much money

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<v Speaker 3>on drugs.

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<v Speaker 2>You know a lot of money, probably half a mill

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<v Speaker 2>and half him three hundred and seventy two thousand.

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<v Speaker 3>Me and sure was giving you for free.

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<v Speaker 2>Oh yeah, yeah, okay, cold ship just to know a

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<v Speaker 2>drug dealer. He looked at me like, I'm not sure,

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<v Speaker 2>and I feel like is gonna come out Leo for

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<v Speaker 2>Leo the City. He sniffed a whole lot of cook

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<v Speaker 2>One of the one of the things that's so mysterious

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<v Speaker 2>is I might have lost this argument. I never realized

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<v Speaker 2>that you guys wasn't on depth Jam. I always always,

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<v Speaker 2>I did everybody still we was on deaf Jam.

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<v Speaker 3>So we were deaf Jam water coats.

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<v Speaker 2>I'm from christ when that happened, What what what what happened?

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<v Speaker 3>I think doctor dre Our doctor was in the room

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<v Speaker 3>when Russell went to go start def Jam and it

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<v Speaker 3>was basically, okay, mister Simmons, you know you're Curtius managing,

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<v Speaker 3>and why should we give you a record deal? Well

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<v Speaker 3>they did was just show a picture of the three

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<v Speaker 3>baddest things in existence at the time we were. We

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<v Speaker 3>were never able to get on different team because world understand,

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<v Speaker 3>we were signed the Profile Record.

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<v Speaker 2>Before the album. This is Profile Records exactly.

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<v Speaker 3>So he was always on Profile Records and so so.

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<v Speaker 2>It was Rush Management, which officially became Rush Management became

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<v Speaker 2>Violator all years years okay, the little Violator became a

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<v Speaker 2>part of Rush manage to get that whole thing. Random

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<v Speaker 2>c was always on Profile records, came out on Profile

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<v Speaker 2>records with its light than circum Seeds put the record out.

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<v Speaker 2>It worked, sucam Seeds. Now a lot of people think

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<v Speaker 2>it was.

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<v Speaker 1>Well.

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<v Speaker 2>Rock Box was the first hip hop video on MTV TV. Yes,

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<v Speaker 2>and and it wasn't walked this way. It's a tongue twister,

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<v Speaker 2>walked this way. The first rock rap record isn't walked

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<v Speaker 2>this way. The first rock rap record is rock Box,

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<v Speaker 2>which is a thing to put hip hop on MTV.

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<v Speaker 2>But y'all record box, Yeah, okay, okay. What I'm trying

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<v Speaker 2>to say is our our our abilities started with Sucker

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<v Speaker 2>and ceased because if you remember hip hop, everything was

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<v Speaker 2>very musical in the beginning of everybody, which is sample

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<v Speaker 2>the hot record on the radio. Oh let's do heartbeat,

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<v Speaker 2>the R and B record, this and that. When when

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<v Speaker 2>they c came along, we didn't use good Times, we

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<v Speaker 2>didn't use ring my bell. We fucking came with boom

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<v Speaker 2>tet tette in just the beat. And I remember that

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<v Speaker 2>year the record dropped, hating my own record because everywhere

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<v Speaker 2>I went, which season challenge because what you was doing

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<v Speaker 2>is what I was.

0:13:06.280 --> 0:13:11.560
<v Speaker 3>Doing for The Treacherous Three. Those were the records that.

0:13:11.480 --> 0:13:12.040
<v Speaker 2>I want to hear.

0:13:12.040 --> 0:13:14.559
<v Speaker 3>I don't want to even watch it, you know what

0:13:14.559 --> 0:13:15.040
<v Speaker 3>I'm saying.

0:13:15.160 --> 0:13:19.200
<v Speaker 2>So when my record started playing more than bands and flashing,

0:13:19.320 --> 0:13:22.280
<v Speaker 2>it hurt. It bugged me up. Run knew what was

0:13:22.320 --> 0:13:24.120
<v Speaker 2>going on because what people don't know. Run was a

0:13:24.160 --> 0:13:28.480
<v Speaker 2>professional rapper at fifteen. He was the son of Curtis Blow.

0:13:29.160 --> 0:13:35.000
<v Speaker 3>Run saw the business that's now in his living room.

0:13:35.600 --> 0:13:38.360
<v Speaker 2>As a kid. He would come downstairs and curt As

0:13:38.360 --> 0:13:40.959
<v Speaker 2>sleep on the chair. Jimmy Spice is over the hood.

0:13:40.960 --> 0:13:45.160
<v Speaker 2>He needs over their Grandmaster Flash. Everybody's because Russ, who

0:13:45.320 --> 0:13:48.840
<v Speaker 2>was Rus Russ Rushed Productions was a party. He was

0:13:48.840 --> 0:13:51.320
<v Speaker 2>a party, put on it right, and he would hire

0:13:51.320 --> 0:13:55.080
<v Speaker 2>a flashing bad He was so Run saw hip hop

0:13:56.520 --> 0:13:57.960
<v Speaker 2>what the world is seeing now.

0:13:58.200 --> 0:14:02.840
<v Speaker 3>Run saw that in his living room for four rappers

0:14:02.840 --> 0:14:06.160
<v Speaker 3>to light drop Runners there. So Run new to business

0:14:06.240 --> 0:14:09.160
<v Speaker 3>and this and that and run new entertainment. Shoub said me,

0:14:09.400 --> 0:14:12.880
<v Speaker 3>I'm just a fucking kid hearing this hip hop. Shiit

0:14:13.559 --> 0:14:16.360
<v Speaker 3>me and Run Running. Me and Run didn't meet until

0:14:16.400 --> 0:14:19.600
<v Speaker 3>eighth grade. We didn't grow up together. Wow, my best

0:14:19.640 --> 0:14:22.800
<v Speaker 3>friend growing up with this guy named Douglas Hayes. That's

0:14:22.800 --> 0:14:25.160
<v Speaker 3>who I ran at and that's how I met Jane.

0:14:25.160 --> 0:14:27.800
<v Speaker 3>That's how I met Hurricane, jam Messa J. You met

0:14:27.880 --> 0:14:30.560
<v Speaker 3>jam Mester J before you met Run. Yes, Okay, continue.

0:14:30.600 --> 0:14:33.960
<v Speaker 3>I met the jam Mass J through DJ Hurricane, who

0:14:34.040 --> 0:14:37.240
<v Speaker 3>was EMC Hurricane down with Davy d and had a group.

0:14:37.080 --> 0:14:41.520
<v Speaker 2>Called Solo Sounds Wiley Queens. So but the thing growing

0:14:41.600 --> 0:14:47.360
<v Speaker 2>up the Run DMC is was how jam Master J.

0:14:48.040 --> 0:14:53.080
<v Speaker 3>Hurricane was dressing in high school. Caine and Jay was

0:14:53.080 --> 0:14:56.360
<v Speaker 3>going to school with the Godfather Heads and the matt

0:14:56.480 --> 0:15:00.320
<v Speaker 3>Necks and Nadidas and the leather black in high school. Right,

0:15:01.720 --> 0:15:03.320
<v Speaker 3>So that's why our style came.

0:15:03.360 --> 0:15:06.320
<v Speaker 2>But what I wanted to say about circumcis when Sucker

0:15:06.360 --> 0:15:09.600
<v Speaker 2>and Seas dropped, it was a game, and a lot

0:15:09.680 --> 0:15:11.680
<v Speaker 2>of people and hip hop say, yeah, that's true.

0:15:11.960 --> 0:15:13.920
<v Speaker 3>It was the game change because it was just the beat.

0:15:14.120 --> 0:15:18.560
<v Speaker 3>It was the tape. We didn't want to do records.

0:15:18.640 --> 0:15:20.640
<v Speaker 3>We wanted to me and Run had this team. We

0:15:20.680 --> 0:15:25.680
<v Speaker 3>make beat jams, we make what's on the Haarlem World tape,

0:15:26.160 --> 0:15:28.640
<v Speaker 3>we make what they doing in the te connection and

0:15:28.680 --> 0:15:30.840
<v Speaker 3>the you know I'm saying. So when succer Seas came,

0:15:30.880 --> 0:15:34.440
<v Speaker 3>it was the game changer and then everybody's oh, wow,

0:15:34.480 --> 0:15:35.920
<v Speaker 3>you can do because.

0:15:36.360 --> 0:15:41.040
<v Speaker 2>The greatest hip hop rappers in history. The greatest period

0:15:41.120 --> 0:15:44.320
<v Speaker 2>in hip hop is the history before recorded rap.

0:15:44.600 --> 0:15:48.240
<v Speaker 3>Now I can say that because I lived it. I

0:15:48.400 --> 0:15:53.320
<v Speaker 3>understand the gams, the park jams. Yeah, just before rappers

0:15:53.360 --> 0:15:57.080
<v Speaker 3>are like before we started making records. That was the

0:15:57.120 --> 0:16:00.280
<v Speaker 3>best period of hip hop, which nobody even cares about now.

0:16:00.280 --> 0:16:02.200
<v Speaker 3>I ain't even bring that ship up during the fiftieth

0:16:02.320 --> 0:16:05.600
<v Speaker 3>year celebration hip Hop. I was saying about the fiftieth celebration,

0:16:05.680 --> 0:16:07.760
<v Speaker 3>hipp only celebrated record making motherfuckers.

0:16:08.440 --> 0:16:12.960
<v Speaker 2>Yeah, they didn't. It wasn't. It wasn't the fiftieth It

0:16:13.040 --> 0:16:15.200
<v Speaker 2>wasn't they said it was.

0:16:15.720 --> 0:16:19.720
<v Speaker 3>It wasn't, And I can say this, It wasn't the

0:16:19.760 --> 0:16:23.320
<v Speaker 3>fiftieth anniversary of hip hop. It was the fifty anniversary

0:16:23.320 --> 0:16:24.680
<v Speaker 3>of recorded guarded records.

0:16:24.680 --> 0:16:26.680
<v Speaker 2>Go back and look at all the things and crazy.

0:16:27.440 --> 0:16:31.200
<v Speaker 3>It wasn't about DJ and MC and break dancing, graffiti

0:16:31.440 --> 0:16:33.240
<v Speaker 3>and the whole like the whole ship.

0:16:33.400 --> 0:16:35.400
<v Speaker 2>So this is what I'm talking about. Said it wasn't

0:16:35.480 --> 0:16:37.360
<v Speaker 2>or was it wasn't It was it was only a

0:16:37.360 --> 0:16:38.520
<v Speaker 2>boy motherfuckers that make records.

0:16:38.560 --> 0:16:41.280
<v Speaker 3>He said year, the celebration of it.

0:16:41.600 --> 0:16:43.880
<v Speaker 2>What happened in the Bronx. You know what I'm saying.

0:16:43.880 --> 0:16:46.840
<v Speaker 2>I want to see the fantastic fucking five we talked

0:16:46.840 --> 0:16:47.280
<v Speaker 2>about all.

0:16:49.160 --> 0:16:52.520
<v Speaker 3>I did shut it down. I didn't want to go

0:16:52.640 --> 0:16:53.400
<v Speaker 3>so happy.

0:16:54.840 --> 0:16:58.520
<v Speaker 2>Together. How long was that since y'all performed together? Since

0:16:58.960 --> 0:17:01.600
<v Speaker 2>no we was doing show Okay, I wasn't.

0:17:01.960 --> 0:17:06.160
<v Speaker 3>We was RENDMC was only doing festivals because I heard

0:17:06.600 --> 0:17:10.040
<v Speaker 3>you guys wouldn't perform together since jam Master Jay had passed.

0:17:10.520 --> 0:17:13.159
<v Speaker 3>We didn't want to, okay, but some of the checks

0:17:13.200 --> 0:17:15.359
<v Speaker 3>were very nice.

0:17:15.800 --> 0:17:18.080
<v Speaker 2>You know what I'm saying. Yeah, yeah, So that was it.

0:17:18.160 --> 0:17:19.840
<v Speaker 3>But what I wanted to say about sucking, see, it

0:17:19.840 --> 0:17:24.119
<v Speaker 3>was just about making be gems and we wanted to do.

0:17:24.400 --> 0:17:26.159
<v Speaker 3>When we came in hip hop, we knew we had

0:17:26.160 --> 0:17:31.200
<v Speaker 3>a responsibility for this. Anything that is wholly a sacred

0:17:31.760 --> 0:17:36.320
<v Speaker 3>to a nation or community or of people whould get diluted,

0:17:36.359 --> 0:17:40.159
<v Speaker 3>polluted and destroyed once it's commercialized. And a lot of

0:17:40.200 --> 0:17:42.120
<v Speaker 3>the commercialization of that is very.

0:17:42.080 --> 0:17:45.600
<v Speaker 2>Good, you know, financially in this and for the expansion

0:17:45.640 --> 0:17:50.000
<v Speaker 2>of it. MTV and US being on records aided in

0:17:50.119 --> 0:17:53.560
<v Speaker 2>the expansion of hip hop. But if there was no

0:17:53.760 --> 0:17:56.440
<v Speaker 2>music business. We still had hip hop. So when Ren

0:17:56.480 --> 0:17:59.600
<v Speaker 2>DMC and jmster J showed up, we wasn't thinking, you know,

0:17:59.680 --> 0:18:01.679
<v Speaker 2>let's have hit records again. Money and this snana that

0:18:01.760 --> 0:18:03.480
<v Speaker 2>run was doing it a little bit because you see

0:18:03.600 --> 0:18:06.040
<v Speaker 2>you've been like that. But our things was to be

0:18:06.119 --> 0:18:10.040
<v Speaker 2>the best DJs in MC's that people would ever see forever.

0:18:10.560 --> 0:18:14.960
<v Speaker 2>Right Why because the people before us that art form

0:18:15.240 --> 0:18:18.400
<v Speaker 2>the Melly Mels right to see. Everybody only knows Melly

0:18:18.400 --> 0:18:22.680
<v Speaker 2>Mel for the message, but I got tapes of Melly

0:18:22.760 --> 0:18:26.880
<v Speaker 2>Mel and Scorpio when he was mister ness.

0:18:26.880 --> 0:18:28.080
<v Speaker 3>Rhyman like me and running.

0:18:29.040 --> 0:18:32.040
<v Speaker 2>Nobody knows Melly Mel was Melly em Me, Ellie, em

0:18:32.040 --> 0:18:34.639
<v Speaker 2>Me l and Melly Mel. Y'all rock well with echo

0:18:34.760 --> 0:18:38.440
<v Speaker 2>chambers and flash drop and pieces of shiitn't nobody knows

0:18:38.480 --> 0:18:42.680
<v Speaker 2>that I know that this record making ship don't excite me.

0:18:42.760 --> 0:18:45.760
<v Speaker 2>So what you had to triple plattin that shit don't

0:18:45.760 --> 0:18:50.080
<v Speaker 2>mean nothing because you didn't play Harlem World, motherfucker. So

0:18:50.560 --> 0:18:52.520
<v Speaker 2>me and Ron came from that. We said we're gonna

0:18:52.520 --> 0:18:56.000
<v Speaker 2>do and that ate it in our success. Everything we did.

0:18:55.920 --> 0:18:57.440
<v Speaker 3>Was we were imagining.

0:18:57.600 --> 0:19:00.959
<v Speaker 2>It was a cassette recording of us live, so we

0:19:01.000 --> 0:19:03.440
<v Speaker 2>wanted to make rhyme routines. So when we did Suck

0:19:03.520 --> 0:19:08.040
<v Speaker 2>and Seas, it gave permission everybody. Oh shit, we.

0:19:08.000 --> 0:19:10.960
<v Speaker 3>Don't got the first rappers or the greatest rappers ever,

0:19:11.200 --> 0:19:13.159
<v Speaker 3>But what was that Floyd? They had no rappers to

0:19:13.200 --> 0:19:16.160
<v Speaker 3>look up to. So when the first rappers got into

0:19:16.200 --> 0:19:18.359
<v Speaker 3>the music, you gotta understand what happened to our culture.

0:19:18.760 --> 0:19:22.560
<v Speaker 2>We were a culture that is eternal, that never changes,

0:19:22.840 --> 0:19:26.919
<v Speaker 2>That innovation gets better and better as we grow. Not

0:19:27.040 --> 0:19:29.600
<v Speaker 2>that ship when you're thirty five and forty you can't rap.

0:19:29.680 --> 0:19:33.600
<v Speaker 2>No is anybody going to go to Stevie Wonder and say, Stevie,

0:19:34.000 --> 0:19:37.440
<v Speaker 2>you're fifty now you can't sit. Is anybody going to

0:19:37.520 --> 0:19:41.080
<v Speaker 2>go to Patty Labella said, excuse me, Patty, you're fifty,

0:19:41.119 --> 0:19:44.480
<v Speaker 2>you can't. Or Mick Jagger neither. The roman Stones won't

0:19:44.520 --> 0:19:50.920
<v Speaker 2>have a fucking tour when they died and going. So

0:19:51.000 --> 0:19:55.120
<v Speaker 2>we knew that before that, the ship that was going

0:19:55.160 --> 0:19:58.160
<v Speaker 2>on that we were doing before rappers, the Light, that's

0:19:58.240 --> 0:20:02.480
<v Speaker 2>the fucking its fucking turn. They could never take that

0:20:02.560 --> 0:20:05.080
<v Speaker 2>ship from us. So we said we're gonna do that

0:20:05.080 --> 0:20:07.520
<v Speaker 2>ship on records. And that's the thing that made the

0:20:08.080 --> 0:20:13.120
<v Speaker 2>Jay never used the dat machine. They never did. It

0:20:13.160 --> 0:20:16.119
<v Speaker 2>was when we played live Aid Motherfuckers that she was

0:20:16.280 --> 0:20:19.600
<v Speaker 2>vinyl on the turntables enough rhyming.

0:20:22.680 --> 0:20:28.280
<v Speaker 3>From sucking c to fucking jam ass to Jay.

0:20:28.359 --> 0:20:32.240
<v Speaker 2>When we did hard Times, it's like that was Russell

0:20:32.320 --> 0:20:32.800
<v Speaker 2>in the business.

0:20:32.800 --> 0:20:35.400
<v Speaker 3>You got to make a commercial record. It's like so

0:20:35.440 --> 0:20:38.080
<v Speaker 3>what we did was like that. We took because if

0:20:38.080 --> 0:20:40.520
<v Speaker 3>you remember, the message came out first. So the message

0:20:40.560 --> 0:20:43.320
<v Speaker 3>was the message. It's like a Jung Goose times broken

0:20:43.400 --> 0:20:44.160
<v Speaker 3>last everywhere.

0:20:44.400 --> 0:20:46.280
<v Speaker 2>But after that hip hop.

0:20:46.200 --> 0:20:49.439
<v Speaker 3>Was able to say we can take you all to

0:20:49.480 --> 0:20:51.880
<v Speaker 3>where you'll need to go. So bam and I'm so

0:20:51.880 --> 0:20:55.640
<v Speaker 3>sounid force and so sound for Africa band, butter so

0:20:55.640 --> 0:20:58.639
<v Speaker 3>solid force. They may't plant it rock. So when we

0:20:58.680 --> 0:21:00.960
<v Speaker 3>made it like that, we said, you know what, we're

0:21:00.960 --> 0:21:03.879
<v Speaker 3>tired of shit being separate. Let's put the message and

0:21:04.040 --> 0:21:06.320
<v Speaker 3>the vision of Planet Rock. We know a place where

0:21:06.320 --> 0:21:08.919
<v Speaker 3>everybody's eating and as safe. The students' like that. So

0:21:08.920 --> 0:21:10.280
<v Speaker 3>when we did that with it, say if you.

0:21:10.320 --> 0:21:13.000
<v Speaker 2>Listen to Planet Rock, if we were trying to make

0:21:13.480 --> 0:21:15.080
<v Speaker 2>I mean, if you listen, it's like that we're trying

0:21:15.080 --> 0:21:18.879
<v Speaker 2>to make Planet of Rocks and and but we wasn't

0:21:18.880 --> 0:21:23.560
<v Speaker 2>good at it.

0:21:23.880 --> 0:21:26.200
<v Speaker 3>We were just trying to make raw beats the way

0:21:26.240 --> 0:21:27.439
<v Speaker 3>it was done in the streets.

0:21:27.520 --> 0:21:29.040
<v Speaker 2>If you listen, you know it was the key to

0:21:29.080 --> 0:21:32.520
<v Speaker 2>run to see success. It was It's like comic book

0:21:32.560 --> 0:21:34.560
<v Speaker 2>Easter X. It was right up on your nose. When

0:21:34.600 --> 0:21:37.280
<v Speaker 2>we made Adidas, we took the beat from the street

0:21:37.320 --> 0:21:40.240
<v Speaker 2>and put it on TV as it is and it's

0:21:40.359 --> 0:21:41.320
<v Speaker 2>formed no.

0:21:41.400 --> 0:21:44.800
<v Speaker 3>Explanations to the ship. Take the beat like on DJ.

0:21:45.800 --> 0:21:49.040
<v Speaker 3>But by us doing that, what the fuck were you?

0:21:49.080 --> 0:21:52.000
<v Speaker 3>Nobody had never seen what we did in the hip

0:21:52.040 --> 0:21:55.200
<v Speaker 3>hop be The people before us that created it didn't

0:21:55.240 --> 0:21:55.600
<v Speaker 3>do it.

0:21:56.680 --> 0:21:58.760
<v Speaker 2>You know what I'm saying. Meland Kas and all of

0:21:58.800 --> 0:22:01.800
<v Speaker 2>them was mad at us when we first came out. Wait,

0:22:03.000 --> 0:22:05.280
<v Speaker 2>what do you mean? We were fucking who the fuck

0:22:05.400 --> 0:22:07.600
<v Speaker 2>is that they had on spikes? The fuck it was

0:22:07.680 --> 0:22:11.080
<v Speaker 2>these motherfuckers from Queens with this badass attitude and they

0:22:11.080 --> 0:22:13.000
<v Speaker 2>had on spikes. But you understand, that's what I wanted

0:22:13.040 --> 0:22:16.320
<v Speaker 2>to say to you, Nori. The first MC, the first

0:22:16.440 --> 0:22:18.280
<v Speaker 2>hip hoppers in the game, had no hip hoppers to

0:22:18.320 --> 0:22:21.119
<v Speaker 2>look up to. But who were their idols in show business?

0:22:22.000 --> 0:22:24.640
<v Speaker 2>Rolling Stones, Rick James and Bulman.

0:22:24.440 --> 0:22:28.920
<v Speaker 3>Phone conte so because they coming into the music business

0:22:29.520 --> 0:22:31.600
<v Speaker 3>and a lot of people do this in all forms

0:22:31.600 --> 0:22:34.359
<v Speaker 3>of art and all forms of creativity. Now I'm in

0:22:34.400 --> 0:22:38.480
<v Speaker 3>this Hollywood bullshit, so I got to change who I am.

0:22:38.520 --> 0:22:40.920
<v Speaker 3>But they rightfully so, because what did I say when

0:22:40.920 --> 0:22:42.919
<v Speaker 3>I first walked in there? This is like soul drainer,

0:22:44.000 --> 0:22:46.600
<v Speaker 3>because this is what you're y'all are my Mike Douglass show.

0:22:46.680 --> 0:22:53.240
<v Speaker 2>I don't think you're that young, So that's what you

0:22:53.280 --> 0:22:54.040
<v Speaker 2>know what I'm saying that.

0:22:54.119 --> 0:22:56.520
<v Speaker 3>So when the first hip hoppers got in a hip

0:22:56.560 --> 0:22:59.280
<v Speaker 3>hop there was no fucking cool motherfucker because they were

0:22:59.320 --> 0:23:01.800
<v Speaker 3>the cool motherfuck but because it was show business or

0:23:01.880 --> 0:23:03.239
<v Speaker 3>I need to dress like bamin them.

0:23:03.359 --> 0:23:04.400
<v Speaker 2>I mean, I need to dress like.

0:23:05.760 --> 0:23:10.000
<v Speaker 3>You came doing this ship that they created. Russell being

0:23:10.160 --> 0:23:13.760
<v Speaker 3>the show biz guy, entrepreneur, you know what I'm saying,

0:23:13.800 --> 0:23:17.320
<v Speaker 3>He's hitting me and run every minute. Y'all need stage clothes,

0:23:17.400 --> 0:23:20.080
<v Speaker 3>y'all needed to y'all need to get me and rama say, yeah,

0:23:20.119 --> 0:23:21.440
<v Speaker 3>we do, Russell, but we ain't war.

0:23:22.320 --> 0:23:24.120
<v Speaker 2>But is it true that he told y'all to dress

0:23:24.160 --> 0:23:27.280
<v Speaker 2>like the drug dealers from around the way. No, he didn't.

0:23:27.840 --> 0:23:31.200
<v Speaker 2>He wanted us to. He wanted us to. I will

0:23:31.240 --> 0:23:34.639
<v Speaker 2>look came from this. There's picture. There's a famous picture

0:23:34.680 --> 0:23:36.840
<v Speaker 2>of me and Runner to Fever with check and jackets

0:23:36.880 --> 0:23:39.359
<v Speaker 2>on no ants. Y'all might have seen his Me and

0:23:39.440 --> 0:23:53.320
<v Speaker 2>run no Jay running now Russell at the fucking Fever.

0:23:53.800 --> 0:23:55.280
<v Speaker 2>So what we I used to do? I used to

0:23:55.320 --> 0:23:58.200
<v Speaker 2>go on my farmer closet. Okay, take this suit jacket.

0:23:58.240 --> 0:24:00.399
<v Speaker 2>I had no fucking money and it so what ha

0:24:00.560 --> 0:24:02.840
<v Speaker 2>happened once when we put Ja down the the DJ

0:24:03.640 --> 0:24:05.760
<v Speaker 2>Jay's not in that picture because our first show at

0:24:05.760 --> 0:24:09.560
<v Speaker 2>the Fever, our first show at the Fever, Jim Message

0:24:09.600 --> 0:24:12.840
<v Speaker 2>Jay missed it because he went down to Jamaica Avenue

0:24:13.520 --> 0:24:17.800
<v Speaker 2>the shop for year Rebel Knock Central E.

0:24:18.000 --> 0:24:21.280
<v Speaker 3>I M so you know about this thing called sound check.

0:24:21.880 --> 0:24:24.280
<v Speaker 3>So we played a Fever damn A six thirty. We

0:24:24.320 --> 0:24:26.720
<v Speaker 3>had to leave Ja, so Jacob cried all ninety six.

0:24:27.200 --> 0:24:31.360
<v Speaker 3>So the second time we played the Fever, Jay wasn't

0:24:31.359 --> 0:24:32.960
<v Speaker 3>going to be late. But when we pull up to

0:24:33.000 --> 0:24:35.840
<v Speaker 3>pick up Jake, like in the beginning, I was wearing

0:24:35.880 --> 0:24:38.439
<v Speaker 3>Pullmans at show at in the beginning, blue poom with

0:24:38.480 --> 0:24:41.480
<v Speaker 3>blue sweave pool with the white striped black flat lazers,

0:24:41.480 --> 0:24:42.640
<v Speaker 3>a black yeah, flat.

0:24:42.520 --> 0:24:45.000
<v Speaker 2>Lazers, Okay, yeah, yeah, okay, okay.

0:24:46.840 --> 0:24:50.840
<v Speaker 3>Blue soup jacket and Kangles I was Kangle run was

0:24:50.960 --> 0:24:52.880
<v Speaker 3>just his curly hair, side burned fly.

0:24:53.840 --> 0:24:56.600
<v Speaker 2>You know what I'm saying. Sexy motherfucker. So this show,

0:24:56.600 --> 0:24:58.080
<v Speaker 2>we pull up to Jay's.

0:24:57.720 --> 0:25:01.119
<v Speaker 3>House on two thirty Hollards and Jay we beat him

0:25:01.160 --> 0:25:04.280
<v Speaker 3>Horn for J and Larry Smith, the greatest hip hop

0:25:04.320 --> 0:25:08.320
<v Speaker 3>producer ever that nobody knows about. Larry Smith, who held

0:25:08.320 --> 0:25:12.080
<v Speaker 3>down four decades, I mean four years of hip hop

0:25:12.080 --> 0:25:15.280
<v Speaker 3>by hisself. He produced the whole Rundium See album by herself,

0:25:15.520 --> 0:25:18.000
<v Speaker 3>He produced the King of Rock album by himself, and

0:25:18.040 --> 0:25:21.239
<v Speaker 3>he produced who Denie's groundbreaking the album French Freets Come

0:25:21.240 --> 0:25:24.240
<v Speaker 3>Out the Night five by himself. So Larry Smith needs

0:25:24.280 --> 0:25:28.480
<v Speaker 3>a movie, and he needs a documentary, and he fucking

0:25:28.520 --> 0:25:31.240
<v Speaker 3>needs a fucking Rock and Roll Hall of Fame Award.

0:25:32.560 --> 0:25:37.719
<v Speaker 2>Talk to d talk to Premier, talk to Doctor Dre,

0:25:37.960 --> 0:25:41.720
<v Speaker 2>talk to Pete Rock, Talk to these DJ's Larry Smith.

0:25:42.600 --> 0:25:45.760
<v Speaker 3>Our success was on Larry Smith. So lonso show, we

0:25:45.800 --> 0:25:48.639
<v Speaker 3>pull up to Jay's house. He comes out the front

0:25:48.680 --> 0:25:49.600
<v Speaker 3>door of his crib.

0:25:49.880 --> 0:25:52.760
<v Speaker 2>He got the Godfather had on right, He got the

0:25:52.920 --> 0:25:56.480
<v Speaker 2>black with the white stripe Adida jacking on.

0:25:56.800 --> 0:25:59.520
<v Speaker 3>He got the black Lee's on. He got the brand

0:25:59.640 --> 0:26:03.280
<v Speaker 3>new white Superstars with the black stripe on the side

0:26:03.560 --> 0:26:06.800
<v Speaker 3>and the tongues is sticking up like tombstone. And he

0:26:06.880 --> 0:26:11.159
<v Speaker 3>got the four speaker JVC box. As soon as he

0:26:11.240 --> 0:26:14.439
<v Speaker 3>stepped on his stoop before Russell said that issue, Me

0:26:14.480 --> 0:26:18.119
<v Speaker 3>and Room was like, that's our looks. So Jay was

0:26:18.160 --> 0:26:20.399
<v Speaker 3>not only the sound, it was the.

0:26:20.280 --> 0:26:24.880
<v Speaker 2>Fucking Me and Run was all over the place, Wow,

0:26:25.200 --> 0:26:27.480
<v Speaker 2>all over the place. And you said your first was

0:26:27.520 --> 0:26:31.200
<v Speaker 2>a seal sucker checker all tell all type of ship.

0:26:31.560 --> 0:26:33.920
<v Speaker 2>But I was a cool motherfucker though, because I knew

0:26:34.080 --> 0:26:40.320
<v Speaker 2>BVD nylons bb that motherfucker. I just a lot though

0:26:41.720 --> 0:26:44.320
<v Speaker 2>that day were the worst for that. BBD have my

0:26:44.440 --> 0:26:46.080
<v Speaker 2>red BBD all of that ship.

0:26:46.119 --> 0:26:48.000
<v Speaker 3>Boy, Me and Run was all over the place until

0:26:48.080 --> 0:26:50.359
<v Speaker 3>Jay came along and brought us together.

0:26:50.640 --> 0:26:53.360
<v Speaker 2>J brought it all together. Now was was the gazelles.

0:26:53.400 --> 0:26:56.719
<v Speaker 2>A part of that was this is funny.

0:26:56.920 --> 0:26:59.520
<v Speaker 3>I love this because you said you never knew he

0:26:59.600 --> 0:27:03.680
<v Speaker 3>wasn't on death Gennad something else I never wore as else.

0:27:05.720 --> 0:27:11.760
<v Speaker 3>The glasses I wore were alter goliaths. They had the

0:27:11.880 --> 0:27:14.120
<v Speaker 3>shape of the gazelles, but they never I never wore

0:27:14.160 --> 0:27:16.080
<v Speaker 3>as else. Go back and look at all my pictures

0:27:16.520 --> 0:27:19.119
<v Speaker 3>and before the offer and Leo had something to do

0:27:19.160 --> 0:27:22.200
<v Speaker 3>with the altar garlias, before the alter calias. They were

0:27:22.280 --> 0:27:25.520
<v Speaker 3>just my basic Cohen lenses that I was wearing the

0:27:25.560 --> 0:27:29.440
<v Speaker 3>school wall, and Run was actually the guy that told

0:27:29.440 --> 0:27:33.040
<v Speaker 3>me to wear the glasses because we went to I

0:27:33.080 --> 0:27:35.600
<v Speaker 3>went to Catholic school my whole life, so I'm funny.

0:27:35.640 --> 0:27:38.040
<v Speaker 3>I was always in the smart class. Rum was always

0:27:38.080 --> 0:27:39.639
<v Speaker 3>in the other class because there was it was like

0:27:39.720 --> 0:27:42.080
<v Speaker 3>one one one two two one two two. It's only

0:27:42.119 --> 0:27:44.920
<v Speaker 3>two class and two grades for these class so Rum

0:27:45.000 --> 0:27:46.040
<v Speaker 3>was always another class.

0:27:46.080 --> 0:27:46.840
<v Speaker 2>I didn't know Run.

0:27:47.440 --> 0:27:49.879
<v Speaker 3>The only reason Running I knew Running knew me is

0:27:49.920 --> 0:27:51.680
<v Speaker 3>that when they do the rogue call in the morning

0:27:51.720 --> 0:27:53.400
<v Speaker 3>and they founded the students things.

0:27:53.680 --> 0:27:55.520
<v Speaker 2>You know what I said, Deborah Hamilton, So the whole

0:27:55.520 --> 0:27:58.160
<v Speaker 2>school looks whole ship. That's never that's how you identify.

0:27:58.280 --> 0:28:01.320
<v Speaker 3>So I'm in one day Joseph Simon, everybody, Oh that

0:28:01.480 --> 0:28:05.840
<v Speaker 3>Joey the curly motherfucker, and then John mcdanels, Oh the

0:28:05.840 --> 0:28:08.919
<v Speaker 3>big head motherfucker. Classes that read comic books and know

0:28:08.960 --> 0:28:11.800
<v Speaker 3>how to jarge. So what had happened in eighth grade?

0:28:12.720 --> 0:28:14.639
<v Speaker 3>This is how I mean and run at in eighth

0:28:14.680 --> 0:28:17.879
<v Speaker 3>grade and we went to Saint Pascal Baylon Elementary School.

0:28:18.080 --> 0:28:20.879
<v Speaker 3>It was the last Catholic school in the hood of Hollis.

0:28:20.920 --> 0:28:23.760
<v Speaker 2>Wow. The nuns in the priests said, we can't give

0:28:23.880 --> 0:28:25.760
<v Speaker 2>up on the black kids. We're gonna stay here for him.

0:28:26.000 --> 0:28:28.840
<v Speaker 2>And they trooped that. We had a cool fucking basketball

0:28:28.840 --> 0:28:32.359
<v Speaker 2>coach named Father Rudlaw who fucking left the priesthood because

0:28:32.359 --> 0:28:34.000
<v Speaker 2>he found a black woman in the hood.

0:28:34.119 --> 0:28:35.520
<v Speaker 3>Okay, so shout out the father.

0:28:36.840 --> 0:28:39.400
<v Speaker 2>You know what I say. He was like, I ain't

0:28:39.440 --> 0:28:41.720
<v Speaker 2>trying none of this pope shit and stuff like that.

0:28:42.840 --> 0:28:44.280
<v Speaker 3>Comrades abusing the kids.

0:28:45.440 --> 0:28:49.360
<v Speaker 2>I'm gonna go out and give me some. So we

0:28:49.440 --> 0:28:51.440
<v Speaker 2>had one rim in the bat in the school yard.

0:28:51.680 --> 0:28:54.440
<v Speaker 3>And for the Catholic school kids, you couldn't go nowhere

0:28:54.560 --> 0:28:57.240
<v Speaker 3>unless you went home and put on your play Clothes's

0:28:57.280 --> 0:29:01.080
<v Speaker 3>in your uniform, yo, take your money, Smack you up

0:29:01.120 --> 0:29:01.800
<v Speaker 3>sides your head.

0:29:02.120 --> 0:29:05.080
<v Speaker 2>Take your kids. Are fucking mean. They would take other

0:29:05.200 --> 0:29:07.840
<v Speaker 2>kid's shoes just to fucking take them and all that.

0:29:08.360 --> 0:29:13.920
<v Speaker 3>So in eighth grade, David Mideachier, David mcgeecher comes to

0:29:13.960 --> 0:29:20.200
<v Speaker 3>Saint Pascos and he's like six three and he dunks.

0:29:19.840 --> 0:29:23.280
<v Speaker 2>On the rim and breaks it. So all the Catholic

0:29:23.320 --> 0:29:27.840
<v Speaker 2>school we cried, hold on.

0:29:27.880 --> 0:29:29.560
<v Speaker 3>You know, I got the best parents in the world,

0:29:29.680 --> 0:29:32.800
<v Speaker 3>son of byfriend, brother of al Banna's. My mother runs

0:29:32.800 --> 0:29:36.480
<v Speaker 3>my pal. It's McDaniel's, not McDonald's. These rhyms are darrels.

0:29:36.520 --> 0:29:39.400
<v Speaker 3>Those Burghers are Ronald's. I ran down my family tree,

0:29:39.520 --> 0:29:41.280
<v Speaker 3>my mother and father, my brother and me. I had

0:29:41.320 --> 0:29:43.480
<v Speaker 3>the best parents in the world. My father put a

0:29:43.560 --> 0:29:44.520
<v Speaker 3>rim in the backyard.

0:29:44.960 --> 0:29:48.880
<v Speaker 2>So now don't cry, kids, The McDaniel's family got your back.

0:29:48.960 --> 0:29:50.920
<v Speaker 2>Now all the kids after school could come to my house,

0:29:50.960 --> 0:29:53.160
<v Speaker 2>which is like a five minute walter from school. Wow.

0:29:53.200 --> 0:29:56.160
<v Speaker 3>So every every day after school it's about thirty kids

0:29:56.240 --> 0:29:59.400
<v Speaker 3>from school playing ball. One particular day is just Joseph

0:29:59.400 --> 0:30:03.120
<v Speaker 3>Simon home with his basketball. Comes over. I'm like, yo,

0:30:03.160 --> 0:30:05.920
<v Speaker 3>we're Doug with Craig. Tell God to go to the dinners.

0:30:06.360 --> 0:30:08.360
<v Speaker 3>Craig is on punishment. Okay, it's just me and you.

0:30:08.680 --> 0:30:11.560
<v Speaker 3>So we play ball, right, one played one on one.

0:30:11.600 --> 0:30:13.840
<v Speaker 3>I need to know who won this run? He was

0:30:14.040 --> 0:30:16.840
<v Speaker 3>he was running, was running table the balls. I wasn't glad.

0:30:16.840 --> 0:30:20.080
<v Speaker 3>I just played like you know, I just well, I'm

0:30:20.080 --> 0:30:20.840
<v Speaker 3>trying to be cool.

0:30:20.920 --> 0:30:22.400
<v Speaker 2>I'm a common real nerve.

0:30:22.480 --> 0:30:25.040
<v Speaker 3>I'm trying to you know what I'm saying.

0:30:26.000 --> 0:30:28.239
<v Speaker 2>I'm only playing ball for the same reason that I

0:30:28.280 --> 0:30:31.840
<v Speaker 2>started fucking smoking weed and became an alcoholic. Now I

0:30:31.840 --> 0:30:36.200
<v Speaker 2>didn't like I said no, So we played ball and

0:30:36.400 --> 0:30:39.160
<v Speaker 2>we would get out of school too. Ten.

0:30:41.640 --> 0:30:43.960
<v Speaker 3>My mother and father they get home from work at

0:30:44.040 --> 0:30:46.720
<v Speaker 3>four pm. So when you was little, what was the

0:30:46.800 --> 0:30:48.200
<v Speaker 3>rule when your parents wasn't home?

0:30:48.520 --> 0:30:50.960
<v Speaker 2>No company? Yeah, no company, that's right kind now company.

0:30:51.400 --> 0:30:55.440
<v Speaker 2>So what I usually do is when we finished playing ball,

0:30:55.560 --> 0:30:57.760
<v Speaker 2>I go and get the juggle water. And you remember, Dixie,

0:30:59.280 --> 0:31:01.000
<v Speaker 2>are they selling me cups?

0:31:01.240 --> 0:31:01.920
<v Speaker 3>Yeah?

0:31:02.080 --> 0:31:05.400
<v Speaker 2>You sure that not. I'm gonna be Daryl makes cups,

0:31:06.560 --> 0:31:09.720
<v Speaker 2>bring back fucking cups. Don't wear disposable cups. Why is

0:31:09.720 --> 0:31:12.880
<v Speaker 2>this Dixie stilling? Is this? It's how did the cookies

0:31:12.920 --> 0:31:15.240
<v Speaker 2>in comic books. I'm just say she MOTHERFUCKERSNA say do

0:31:15.280 --> 0:31:19.240
<v Speaker 2>that ship And I said, so run is the only

0:31:19.320 --> 0:31:19.640
<v Speaker 2>kid this.

0:31:19.760 --> 0:31:21.600
<v Speaker 3>So instead of bringing the water to him, I say,

0:31:21.640 --> 0:31:23.600
<v Speaker 3>come in the house. So he comes in the house.

0:31:23.640 --> 0:31:27.040
<v Speaker 3>He sees my brother's turntables and he goes, yo, do

0:31:27.120 --> 0:31:27.560
<v Speaker 3>you do that?

0:31:27.680 --> 0:31:30.640
<v Speaker 2>And I got to know because that was my hip

0:31:30.680 --> 0:31:32.800
<v Speaker 2>hop to me was my little secret thing. But then

0:31:32.840 --> 0:31:35.040
<v Speaker 2>he goes, yo, my brother is Russell Simmons this and

0:31:35.080 --> 0:31:37.240
<v Speaker 2>they starts laying out to four women. Russell Simmons was

0:31:37.280 --> 0:31:40.120
<v Speaker 2>known at this time huge. Okay, go ahead, continue, huge

0:31:40.280 --> 0:31:40.800
<v Speaker 2>rush party.

0:31:40.800 --> 0:31:42.680
<v Speaker 3>He was like, do you own the telephone poles? You

0:31:42.680 --> 0:31:45.000
<v Speaker 3>ever see the flyers and the posters of the Rush party?

0:31:45.280 --> 0:31:47.920
<v Speaker 3>So Russell was huge. Russell was known for arross was

0:31:47.960 --> 0:31:48.520
<v Speaker 3>getting money.

0:31:48.680 --> 0:31:50.400
<v Speaker 2>You know. Back then. He was like, I'm the son

0:31:50.440 --> 0:31:51.080
<v Speaker 2>of Curtis Blow.

0:31:51.360 --> 0:31:53.680
<v Speaker 3>So what we would do is before my mother and

0:31:53.720 --> 0:31:55.760
<v Speaker 3>father come up, we played one game of basketball and

0:31:55.840 --> 0:31:56.880
<v Speaker 3>going to basement and DJ.

0:31:57.240 --> 0:31:59.960
<v Speaker 2>So that's how he knew that I had skilled.

0:32:00.760 --> 0:32:03.200
<v Speaker 3>So when he was going to make a record as

0:32:03.200 --> 0:32:06.000
<v Speaker 3>a solo artist because he was the son of Curtis Blow,

0:32:06.280 --> 0:32:09.800
<v Speaker 3>Curtis Blower put out the Brakes, the first Christmas record

0:32:09.960 --> 0:32:12.320
<v Speaker 3>DoD y'all know before Christmas in Hollis.

0:32:12.320 --> 0:32:16.400
<v Speaker 2>It was a that was Curtis Christmas wrapping. Yeah yeah, yeah.

0:32:17.240 --> 0:32:19.640
<v Speaker 2>So run was always in Russel. Let me make a record,

0:32:19.680 --> 0:32:21.240
<v Speaker 2>Let me make a record, Let me make a record,

0:32:21.280 --> 0:32:24.560
<v Speaker 2>Let me make a record. Russell was like, no, no, no, no, no,

0:32:24.560 --> 0:32:26.960
<v Speaker 2>no no no, you're too young. You're too young, too young.

0:32:27.200 --> 0:32:31.000
<v Speaker 2>So Joe was persistent, and Russell says this to Joe. Okay, Joey,

0:32:31.600 --> 0:32:34.200
<v Speaker 2>that's what Russell want to get last. Okay, Joey, you

0:32:34.320 --> 0:32:37.280
<v Speaker 2>show me a high school diploma. I'll let you go

0:32:37.320 --> 0:32:39.200
<v Speaker 2>in the studio and make a record. So Run was like, okay,

0:32:39.200 --> 0:32:41.320
<v Speaker 2>I don't remember that. He was in what tenth grade,

0:32:41.320 --> 0:32:44.120
<v Speaker 2>tenth grade, eleventh grade, twelfth grade. Here you go, Russell.

0:32:44.400 --> 0:32:47.120
<v Speaker 2>So Run was going in the studio to make a record.

0:32:47.560 --> 0:32:51.040
<v Speaker 3>He remembered the kid with the big hair and the

0:32:51.080 --> 0:32:54.920
<v Speaker 3>glasses in the comic book dmc Darryl McDaniel's got some rhymes.

0:32:55.320 --> 0:32:57.600
<v Speaker 2>So he calls me up, Chris, me and a group.

0:32:58.320 --> 0:33:01.240
<v Speaker 2>That's what got me sitting here today. Well, like I

0:33:01.280 --> 0:33:03.840
<v Speaker 2>wanted to do none of the show. I wrote rhymes

0:33:03.840 --> 0:33:05.600
<v Speaker 2>for me, Nourie, not for you. They hate him.

0:33:05.600 --> 0:33:09.000
<v Speaker 3>Shit, that's crazy, and I didn't want nobody that shit

0:33:09.080 --> 0:33:09.840
<v Speaker 3>was like my diary.

0:33:10.040 --> 0:33:11.040
<v Speaker 2>So you're telling me.

0:33:12.520 --> 0:33:14.080
<v Speaker 3>This is damn near happened by accident.

0:33:14.440 --> 0:33:16.960
<v Speaker 2>Run had a chance to go solo. He had a

0:33:17.040 --> 0:33:20.720
<v Speaker 2>chance to do whatever he had a record court. He

0:33:20.840 --> 0:33:23.000
<v Speaker 2>came over my house. He would he would come to

0:33:23.040 --> 0:33:24.880
<v Speaker 2>my house and play me tape show last night. I

0:33:24.920 --> 0:33:27.040
<v Speaker 2>was with Juelo Nation last night, I was with the

0:33:27.080 --> 0:33:29.600
<v Speaker 2>Crash Crew. Shout out to the Crash Crew, one of

0:33:29.600 --> 0:33:32.320
<v Speaker 2>the greatest groups in hip hop that they always forget about.

0:33:32.600 --> 0:33:35.080
<v Speaker 2>He would show me these tapes of stuff. So he's

0:33:35.240 --> 0:33:39.480
<v Speaker 2>I'm a fan and he's doing it. So I'm looking

0:33:39.520 --> 0:33:42.240
<v Speaker 2>at him in awe and respect because he's doing He

0:33:42.360 --> 0:33:42.640
<v Speaker 2>was with.

0:33:42.720 --> 0:33:43.760
<v Speaker 3>Flash last night.

0:33:44.160 --> 0:33:44.880
<v Speaker 2>You know what I'm saying.

0:33:45.680 --> 0:33:47.640
<v Speaker 3>When he was going to make his record, he had

0:33:47.680 --> 0:33:51.760
<v Speaker 3>a record called street Kid, I'm Just a street Kid.

0:33:52.520 --> 0:33:55.360
<v Speaker 2>Street Kid, I'm just the street.

0:33:55.120 --> 0:33:59.120
<v Speaker 3>Member rap used to be trying to make it and

0:33:59.200 --> 0:34:00.720
<v Speaker 3>the music would play and sit like that, and he

0:34:00.760 --> 0:34:02.440
<v Speaker 3>had his old record run out of his old raps,

0:34:02.440 --> 0:34:04.840
<v Speaker 3>and I was like, O Joe and whatever whatever.

0:34:05.200 --> 0:34:09.360
<v Speaker 2>But then he said, nah, fuck that DMC. I was

0:34:09.360 --> 0:34:12.040
<v Speaker 2>int DMC. I was easy, D easy easy.

0:34:12.360 --> 0:34:15.239
<v Speaker 3>They used to call me EASD because a rapt on

0:34:15.280 --> 0:34:18.319
<v Speaker 3>a mic, so easily now they called me. I didn't

0:34:18.360 --> 0:34:20.799
<v Speaker 3>become DMC. Tell Room put me in the group because

0:34:20.800 --> 0:34:22.799
<v Speaker 3>then I had to go up another level. But that's

0:34:22.800 --> 0:34:24.680
<v Speaker 3>a whole on story. So Run was going to be

0:34:24.719 --> 0:34:27.440
<v Speaker 3>a solo artist, had a recon and everything was his

0:34:27.520 --> 0:34:30.400
<v Speaker 3>name Run. Yeah, it was DJ Run, DJ DJ Run.

0:34:30.680 --> 0:34:33.400
<v Speaker 3>But then when he was about to go in to

0:34:34.120 --> 0:34:38.080
<v Speaker 3>get the deal, he said, nah, putting my man now.

0:34:38.480 --> 0:34:40.080
<v Speaker 3>And he called me up and he was like you

0:34:40.480 --> 0:34:43.560
<v Speaker 3>and he told me this in eighth grade, d whenever

0:34:43.640 --> 0:34:45.920
<v Speaker 3>Russell lets me make a record, I'm putting you in

0:34:45.960 --> 0:34:48.759
<v Speaker 3>my group now. I remember that when he said that

0:34:48.800 --> 0:34:51.200
<v Speaker 3>shit to me, it was like a foreign language. The

0:34:51.239 --> 0:34:55.759
<v Speaker 3>fuck you. I don't do this, you mold y'all motherfuckers

0:34:55.840 --> 0:34:56.920
<v Speaker 3>do this. And he said watch.

0:34:57.320 --> 0:34:59.680
<v Speaker 2>So this was eighth grade, ninth grade, tenth grade, eleventh grade,

0:34:59.680 --> 0:35:03.120
<v Speaker 2>twelve grade. We went to totally different schools. Run and

0:35:03.280 --> 0:35:08.279
<v Speaker 2>Jay went to Andrew Jackson including Aja Ball and like that.

0:35:08.320 --> 0:35:10.600
<v Speaker 2>I went to a school called Right High.

0:35:10.440 --> 0:35:13.120
<v Speaker 3>School, call what Rice High School one hundred and twenty

0:35:13.160 --> 0:35:17.440
<v Speaker 3>fourth Street and Lenox Avenue was boys Athletic School, Parl

0:35:17.440 --> 0:35:22.759
<v Speaker 3>Memorial Rice High School. So during that time Joe is

0:35:24.640 --> 0:35:30.040
<v Speaker 3>getting his deal together, I'm just in Rice High School.

0:35:30.040 --> 0:35:32.319
<v Speaker 3>But the beautiful thing for me, what happened to me

0:35:32.440 --> 0:35:35.839
<v Speaker 3>is the reason why I'm so passionate about hip hop.

0:35:36.880 --> 0:35:40.759
<v Speaker 2>I understand this. There's a dichotomy with our culture. Now

0:35:41.400 --> 0:35:45.839
<v Speaker 2>there's the music business and then there's the culture. Right,

0:35:46.480 --> 0:35:49.520
<v Speaker 2>I'm one hundred and fifty thousand percent culture that just

0:35:49.560 --> 0:35:51.640
<v Speaker 2>happens to be in the music business. So that's why

0:35:51.640 --> 0:35:53.080
<v Speaker 2>I didn't talk that much in the beginning.

0:35:53.160 --> 0:35:54.919
<v Speaker 3>Let run all the talk. I'm just going to say

0:35:54.920 --> 0:35:56.000
<v Speaker 3>my rom and go to fuck home.

0:35:56.560 --> 0:36:00.200
<v Speaker 2>So what happened to me was this, So Nouri and

0:36:00.280 --> 0:36:03.040
<v Speaker 2>e I get to Rice High School. It's one hundred

0:36:03.040 --> 0:36:06.200
<v Speaker 2>and twenty fourth Street in Harlem, all boys, Catholic high school,

0:36:06.239 --> 0:36:08.320
<v Speaker 2>congregation of Irish Christian brothers.

0:36:08.480 --> 0:36:11.279
<v Speaker 3>But what is so unique about this? Now, I don't

0:36:11.440 --> 0:36:14.160
<v Speaker 3>know what's about to happen to me. This is purpose

0:36:14.200 --> 0:36:16.919
<v Speaker 3>and destiny. I just go to Rice because my best

0:36:16.960 --> 0:36:19.240
<v Speaker 3>friend Doug told me, We're going to Rice. Motherfucker.

0:36:19.239 --> 0:36:21.799
<v Speaker 2>Okay, So I get to Rice. But I get to

0:36:21.920 --> 0:36:24.279
<v Speaker 2>Rice the boys and girls. The boys because of the

0:36:24.280 --> 0:36:26.399
<v Speaker 2>old boys school, they would go to Rice. They from

0:36:26.440 --> 0:36:29.040
<v Speaker 2>the Bronx, They from Harlem, from Manhattan. So when I

0:36:29.080 --> 0:36:31.640
<v Speaker 2>get to Rice in ninth grade, they got all of

0:36:31.680 --> 0:36:39.000
<v Speaker 2>the performances of hip hop before rappers Delight. So Terrorce

0:36:39.280 --> 0:36:42.360
<v Speaker 2>Washington would come at the end of every school week

0:36:42.719 --> 0:36:46.920
<v Speaker 2>with a cassette tape holder, open it up and he

0:36:46.920 --> 0:36:49.239
<v Speaker 2>would sell the tapes like it was drugs, and it

0:36:49.280 --> 0:36:52.000
<v Speaker 2>would be in the school, in the school, in the school.

0:36:52.080 --> 0:36:55.840
<v Speaker 2>And what was beautiful about the congregation of Irish Christian

0:36:55.840 --> 0:36:58.360
<v Speaker 2>Brothers to connect with the black kids. This is a

0:36:58.440 --> 0:37:01.880
<v Speaker 2>lesson for the educational something about they let us do

0:37:02.000 --> 0:37:04.759
<v Speaker 2>our hip hop, They let us do our graffiti, They

0:37:04.880 --> 0:37:08.960
<v Speaker 2>let they they wanted our right on them do all

0:37:09.000 --> 0:37:11.400
<v Speaker 2>that shit. And by letting us doing that, we had

0:37:11.880 --> 0:37:15.400
<v Speaker 2>great students, no trouble or did trouble. Sent kid was

0:37:15.400 --> 0:37:17.640
<v Speaker 2>a straight a student because he got to rhyme and

0:37:17.640 --> 0:37:19.799
<v Speaker 2>beat on the table, he got to do his art.

0:37:20.080 --> 0:37:23.960
<v Speaker 2>But Terrence Washington would have you know Funky four plus

0:37:24.000 --> 0:37:30.880
<v Speaker 2>one nineteen seventy nine, Wow, Curtis Blow nineteen seventy seven,

0:37:31.360 --> 0:37:36.200
<v Speaker 2>when Curtis Blow was Flash MC Grandmaster Flash in the

0:37:36.320 --> 0:37:40.440
<v Speaker 2>Furious Four because Raheem wasn't in the group yet, because

0:37:40.560 --> 0:37:44.640
<v Speaker 2>Raheem was a member of the Funky Four. So I'm

0:37:44.880 --> 0:37:47.440
<v Speaker 2>saving my allowance because i didn't have a job, and

0:37:47.480 --> 0:37:50.359
<v Speaker 2>I'm buying all of these tapes. So from ninth grade

0:37:50.400 --> 0:37:54.600
<v Speaker 2>to twelfth grade, I'm getting the first and course on

0:37:55.400 --> 0:37:59.440
<v Speaker 2>how to be this hip hop shit, not how to

0:37:59.480 --> 0:38:02.480
<v Speaker 2>do it how to beat the ship. So long story

0:38:02.480 --> 0:38:09.800
<v Speaker 2>show again. Twelfth grade. I'm graduating, set out my resume

0:38:10.280 --> 0:38:15.080
<v Speaker 2>to all the schools I get home from to college school. Yeah,

0:38:15.160 --> 0:38:17.439
<v Speaker 2>there's no emails back then. You know what I'm saying.

0:38:17.520 --> 0:38:20.440
<v Speaker 2>It's still using payphones all that shit. There's a letter

0:38:20.960 --> 0:38:24.399
<v Speaker 2>says Saint John's University on it. I opened up the letter.

0:38:24.440 --> 0:38:27.360
<v Speaker 3>We're probably to inform you, mister McDaniels, and I felt

0:38:27.400 --> 0:38:29.000
<v Speaker 3>good that they called me mister.

0:38:30.239 --> 0:38:32.359
<v Speaker 2>Oh just you know what I'm saying, like, oh shit,

0:38:32.360 --> 0:38:34.279
<v Speaker 2>isn't it? But I was also scared because that means

0:38:34.280 --> 0:38:35.839
<v Speaker 2>I gotta grow up right.

0:38:37.000 --> 0:38:38.400
<v Speaker 3>Saint John's is still on Queen's Correct.

0:38:38.520 --> 0:38:43.200
<v Speaker 2>Yeah, still there, Stell there, fucking Lucronoseca and fucking Walter Burry.

0:38:44.600 --> 0:38:47.839
<v Speaker 2>I said, oh shit, I got accepted to Saint John's University.

0:38:48.440 --> 0:38:51.200
<v Speaker 2>I run past my mother and father with the letter

0:38:52.120 --> 0:38:56.200
<v Speaker 2>down into the basement to my turntables, put on Apache,

0:38:56.560 --> 0:38:59.840
<v Speaker 2>and I write my rhyme, I'm dmc not go because

0:38:59.840 --> 0:39:02.960
<v Speaker 2>I wasn't in it. I'm going to Saint John's University

0:39:03.400 --> 0:39:07.080
<v Speaker 2>since kindergarten our quiet and knowledge, and that was just

0:39:09.520 --> 0:39:17.440
<v Speaker 2>then we just so you got the college letter and

0:39:17.480 --> 0:39:22.960
<v Speaker 2>you go downstairs and you premeditate, right Ryn ship get

0:39:24.000 --> 0:39:28.600
<v Speaker 2>that's that's iconic. B get you.

0:39:29.160 --> 0:39:31.760
<v Speaker 3>I go back uptairs. Mom, I got accepted Saint John's University.

0:39:31.760 --> 0:39:34.399
<v Speaker 3>But again in Saint John's University and stuff like that.

0:39:35.000 --> 0:39:39.279
<v Speaker 3>The phone rings, it's Joe run the same day. It's

0:39:39.280 --> 0:39:41.440
<v Speaker 3>not the same day I get in. This is probably

0:39:41.520 --> 0:39:46.080
<v Speaker 3>like the like the first week, because I'm an orient

0:39:46.239 --> 0:39:50.959
<v Speaker 3>orientation college. It's Joe, yo, what's up? Deep? Remember four

0:39:51.080 --> 0:39:54.040
<v Speaker 3>years ago when I said, if Russell lets me make

0:39:54.120 --> 0:39:57.400
<v Speaker 3>correct it, Yeah, grab your ron book, We're going to

0:39:57.440 --> 0:40:00.000
<v Speaker 3>make correct it. We go to Green Street Recording Student.

0:40:00.840 --> 0:40:05.240
<v Speaker 3>It's like that and Suckerham seas Russell goals around the labels.

0:40:05.239 --> 0:40:09.360
<v Speaker 3>Every label tells them, noahccept this one independent called Profile Records.

0:40:09.719 --> 0:40:18.200
<v Speaker 2>Profile Records takes a chance with us. Here I am today.

0:40:18.600 --> 0:40:21.080
<v Speaker 2>And then we made singles. Remember hip hop was your singles.

0:40:21.680 --> 0:40:24.400
<v Speaker 2>So then we made another single called hard Times Jam Message.

0:40:24.560 --> 0:40:26.560
<v Speaker 2>And that's why I brung rustling with the commercial things

0:40:27.719 --> 0:40:31.680
<v Speaker 2>like that. Everybody say I did it.

0:40:31.920 --> 0:40:35.439
<v Speaker 3>Everybody say that. So we made hard Times. Check this out.

0:40:35.480 --> 0:40:36.640
<v Speaker 3>This is how deep this sh it is.

0:40:36.920 --> 0:40:40.040
<v Speaker 2>We made hard Times, which is a Curtis Blow song.

0:40:40.840 --> 0:40:43.600
<v Speaker 2>It's one of the first hip hop remakes. We heard it.

0:40:44.440 --> 0:40:46.799
<v Speaker 2>What was Yeah, it was a cover song. Curtis Ball

0:40:46.840 --> 0:40:49.200
<v Speaker 2>had a song called hard Times on his album where

0:40:49.200 --> 0:40:49.839
<v Speaker 2>he wrapped it.

0:40:50.360 --> 0:40:51.520
<v Speaker 3>We took it and did it.

0:40:51.520 --> 0:40:52.000
<v Speaker 2>It's like this.

0:40:52.160 --> 0:40:54.640
<v Speaker 3>So but at that time when we made us like

0:40:54.680 --> 0:40:57.080
<v Speaker 3>that seas, we didn't have j yet. That's why the

0:40:57.080 --> 0:41:00.200
<v Speaker 3>group's just run DMC. So after we put it the

0:41:00.360 --> 0:41:03.640
<v Speaker 3>circum seas out. The record is getting hot, it's blowing

0:41:03.719 --> 0:41:06.440
<v Speaker 3>up on the radio. Circum Season is killing the street,

0:41:06.520 --> 0:41:08.879
<v Speaker 3>and it's like that. It's becoming a head across the nation.

0:41:09.440 --> 0:41:11.120
<v Speaker 3>But people thought he was an R and B group.

0:41:11.400 --> 0:41:13.160
<v Speaker 3>Oh shit, know what they thought?

0:41:13.200 --> 0:41:16.640
<v Speaker 2>We was kind of like the TIMEX social club type group.

0:41:17.800 --> 0:41:20.840
<v Speaker 2>We go on the shows. We're opening for Marvin Gaye,

0:41:21.160 --> 0:41:24.120
<v Speaker 2>God damn it. We opening for Parliament Funk of delic

0:41:24.880 --> 0:41:27.040
<v Speaker 2>We open him for the ZZ Top. How was the

0:41:27.080 --> 0:41:28.200
<v Speaker 2>reception in the audience?

0:41:28.239 --> 0:41:31.040
<v Speaker 3>How were they? I tell you we had twenty minutes.

0:41:31.800 --> 0:41:34.400
<v Speaker 3>He was opening for the Barcades and Confunction and the

0:41:34.480 --> 0:41:36.520
<v Speaker 3>Gap Band and all that shit. So we had twenty

0:41:36.520 --> 0:41:41.600
<v Speaker 3>minutes on these only and that is because it's like that.

0:41:41.719 --> 0:41:43.879
<v Speaker 3>It's on the radio and it's like that. So they

0:41:43.880 --> 0:41:46.080
<v Speaker 3>thought we was a band. Russell was getting this cause

0:41:46.120 --> 0:41:48.040
<v Speaker 3>and then we sent us we'd show up at sound

0:41:48.160 --> 0:41:50.840
<v Speaker 3>check me Larry Smith running Jay with.

0:41:50.920 --> 0:41:53.960
<v Speaker 2>Two turntables and a record bag. They wouldn't let us

0:41:53.960 --> 0:41:58.600
<v Speaker 2>in BECAUSEFC you know you ain't.

0:41:58.760 --> 0:42:01.399
<v Speaker 3>I mean we're talking yo word knocking three and four

0:42:01.440 --> 0:42:03.960
<v Speaker 3>times where the bouncers go, motherfuckers, if you knock on

0:42:03.960 --> 0:42:08.239
<v Speaker 3>this fucking door again, but we'll run DMC. Don't get

0:42:08.239 --> 0:42:10.560
<v Speaker 3>the fucking promoter this and the promoter came to the door.

0:42:11.360 --> 0:42:13.400
<v Speaker 2>This is him. But the promoters we was getting like

0:42:13.400 --> 0:42:18.920
<v Speaker 2>because they didn't know how y'all look it was a promoter. Yes,

0:42:19.080 --> 0:42:21.880
<v Speaker 2>so you understand what time this was. This is crazy.

0:42:21.960 --> 0:42:23.879
<v Speaker 3>And the promoters would always go, you mean to pay

0:42:24.000 --> 0:42:26.080
<v Speaker 3>I'm paying you twenty five hundred dollars was a lot

0:42:26.120 --> 0:42:28.040
<v Speaker 3>of and that's a lot of money.

0:42:28.600 --> 0:42:31.760
<v Speaker 2>Yeah, The pomos like, we're paying your twenty five hundred

0:42:31.760 --> 0:42:33.480
<v Speaker 2>fucking dollars just to play records.

0:42:33.480 --> 0:42:35.400
<v Speaker 3>We say, yep, So you want to know what the

0:42:35.480 --> 0:42:38.520
<v Speaker 3>reception is. We got twenty minutes. All right, Jay, go

0:42:38.640 --> 0:42:42.080
<v Speaker 3>out to ladies and gentlemen, run DMC. Crowdler's like, okay,

0:42:42.120 --> 0:42:44.080
<v Speaker 3>we're a fucking bad y'all wants up.

0:42:43.960 --> 0:42:46.000
<v Speaker 2>Your My name is Shane Massa jay boom, boom, boom,

0:42:46.040 --> 0:42:48.200
<v Speaker 2>put your hands in the air, boom. Somebody say run

0:42:48.280 --> 0:42:51.880
<v Speaker 2>call me called DMC. I call run out, yo, killing them,

0:42:52.600 --> 0:42:55.840
<v Speaker 2>killing them to the point where sometimes the whole audience

0:42:55.880 --> 0:42:59.480
<v Speaker 2>we have twenty minutes during the Marvin Gaye show, no, no,

0:42:59.600 --> 0:43:03.880
<v Speaker 2>bring them back on the brow?

0:43:04.400 --> 0:43:05.239
<v Speaker 7>Is that hell?

0:43:05.360 --> 0:43:11.560
<v Speaker 2>Yeah? Hol It felt fucking crazy, amazing, and we was

0:43:11.600 --> 0:43:17.240
<v Speaker 2>opening up for fucking Marvin. It's crazy. So that's also

0:43:17.320 --> 0:43:21.600
<v Speaker 2>where our great showmanship came. And we was like, Yo,

0:43:21.680 --> 0:43:24.239
<v Speaker 2>this audience is like loving this ship that we do.

0:43:24.520 --> 0:43:27.320
<v Speaker 2>So we we're not trying to be the best entertainers.

0:43:27.320 --> 0:43:29.160
<v Speaker 2>We're trying to be the best DJs in them sees

0:43:29.200 --> 0:43:30.719
<v Speaker 2>motherfuckers we've ever seen.

0:43:31.360 --> 0:43:38.239
<v Speaker 3>Which set up all of that exhilaration and influence for

0:43:38.320 --> 0:43:41.359
<v Speaker 3>everybody following us. You know what I'm saying, because now

0:43:41.640 --> 0:43:44.320
<v Speaker 3>we are. But when we was doing that, we knew

0:43:44.520 --> 0:43:48.120
<v Speaker 3>damn we representing the fucking culture right, And Jave was like,

0:43:48.200 --> 0:43:50.319
<v Speaker 3>we always got to watch what we say and we

0:43:50.360 --> 0:43:54.440
<v Speaker 3>would never go for any fake shit, no fucking sarand rapping,

0:43:54.800 --> 0:43:58.279
<v Speaker 3>no parody ship. We always got to be live, like

0:43:58.560 --> 0:44:01.839
<v Speaker 3>it was a huge responsibility, Like it was so dope.

0:44:01.880 --> 0:44:04.200
<v Speaker 2>I'm sorry to bounce around. It was so dope to

0:44:04.239 --> 0:44:06.920
<v Speaker 2>see you and Run on stage. And then it was

0:44:06.960 --> 0:44:10.840
<v Speaker 2>even it was even more passionate. It almost made me

0:44:10.880 --> 0:44:14.040
<v Speaker 2>feel like my childhood because he distinguished that this is

0:44:14.080 --> 0:44:18.360
<v Speaker 2>not Reverend Run on stage right he started cursing. I

0:44:18.400 --> 0:44:23.160
<v Speaker 2>was like, oh, you know what I'm saying, Like to

0:44:23.280 --> 0:44:26.600
<v Speaker 2>see that, and it was like my childhood, you know

0:44:26.640 --> 0:44:29.920
<v Speaker 2>what I mean, Like I can understand that, Like I

0:44:30.000 --> 0:44:32.440
<v Speaker 2>just I just was like it felt so right, like

0:44:32.480 --> 0:44:34.239
<v Speaker 2>to see y'all together, you know what I mean, and

0:44:34.360 --> 0:44:38.000
<v Speaker 2>the way you want to see us exactly and headlining

0:44:38.200 --> 0:44:40.640
<v Speaker 2>goddamn Yankee Stadium before.

0:44:40.320 --> 0:44:43.319
<v Speaker 3>We went on Run. It's like, yo, d I guess

0:44:43.320 --> 0:44:46.200
<v Speaker 3>we did something that all these mother focus want us

0:44:46.239 --> 0:44:49.480
<v Speaker 3>to go on. Yes, that's what I think, you know,

0:44:51.640 --> 0:44:54.839
<v Speaker 3>and you know, and it's just the thing that we

0:44:55.000 --> 0:44:59.319
<v Speaker 3>feel that that thing that makes snoop, that thing that

0:44:59.400 --> 0:45:03.279
<v Speaker 3>makes on face is the thing that might not have

0:45:03.360 --> 0:45:05.560
<v Speaker 3>been there if it wasn't for RENDYMC.

0:45:05.920 --> 0:45:07.440
<v Speaker 2>Yeah, that's a fact. They could have.

0:45:07.400 --> 0:45:11.120
<v Speaker 3>Would have died with flashing them, even to the point where,

0:45:11.239 --> 0:45:13.279
<v Speaker 3>like I said, Flash and Melon, all of them was

0:45:13.320 --> 0:45:15.640
<v Speaker 3>mad at us ntil he started seeing our interviews.

0:45:16.360 --> 0:45:18.440
<v Speaker 2>We would talk about them. And when you say that

0:45:18.480 --> 0:45:20.440
<v Speaker 2>it was a mattitude, you say because of the commercial

0:45:20.560 --> 0:45:22.080
<v Speaker 2>appealed that you guys was because.

0:45:21.840 --> 0:45:24.560
<v Speaker 3>It changed the shift that they created. Yeah, we telled

0:45:24.600 --> 0:45:24.919
<v Speaker 3>the ship.

0:45:24.960 --> 0:45:28.520
<v Speaker 2>We came with fucking Adidas angles and gold and you

0:45:28.560 --> 0:45:31.000
<v Speaker 2>could go find there's pictures of meiling them with sheep

0:45:31.040 --> 0:45:34.799
<v Speaker 2>sins and shit. Like even Calz always says, damn man,

0:45:34.840 --> 0:45:38.840
<v Speaker 2>if we had put those routines on records right nineteen

0:45:38.960 --> 0:45:42.680
<v Speaker 2>eighty one and before this year is done, then motherfuckers

0:45:42.680 --> 0:45:50.759
<v Speaker 2>said that's crazy. Catz said, and this is good for

0:45:50.800 --> 0:45:55.600
<v Speaker 2>this time. What he said, anyone can ride around, he said,

0:45:55.640 --> 0:45:57.920
<v Speaker 2>any this is what the rappers should be saying now.

0:45:58.120 --> 0:45:58.479
<v Speaker 2>He said.

0:45:58.480 --> 0:46:01.000
<v Speaker 3>Anyone could write a rap and say yes, sure, but

0:46:01.120 --> 0:46:04.240
<v Speaker 3>a real MC you do not call because you can't

0:46:04.320 --> 0:46:06.400
<v Speaker 3>ride a rhyme at a quarter to two to be

0:46:06.480 --> 0:46:09.440
<v Speaker 3>a real MC before the jam is true. For all

0:46:09.480 --> 0:46:12.239
<v Speaker 3>you MC's that are like that, you gotta take a

0:46:12.320 --> 0:46:14.480
<v Speaker 3>lesson from the good old Cap. You need a voice

0:46:14.520 --> 0:46:17.680
<v Speaker 3>that is clear, a DJ like Chase, a good imagination

0:46:17.800 --> 0:46:20.560
<v Speaker 3>and a strong, steady pace. You gotta have both feet

0:46:20.680 --> 0:46:23.160
<v Speaker 3>on the ground and you can't be a duck. You

0:46:23.239 --> 0:46:27.280
<v Speaker 3>gotta be down. You gotta represent the hood at all times. Plush,

0:46:27.320 --> 0:46:29.520
<v Speaker 3>you gotta have tough and original rocks.

0:46:29.680 --> 0:46:32.000
<v Speaker 2>Put all that together and you know what it brings

0:46:32.040 --> 0:46:34.359
<v Speaker 2>The grand Master and I'm a running thing.

0:46:34.480 --> 0:46:36.799
<v Speaker 3>So JD l hat over Big Beat.

0:46:37.160 --> 0:46:39.880
<v Speaker 2>So we was like, we're gonna do this ship. You

0:46:40.040 --> 0:46:41.040
<v Speaker 2>not fucking doing them.

0:46:42.760 --> 0:46:45.880
<v Speaker 4>You're really influenced by them, that's the thing. But it

0:46:45.920 --> 0:46:46.879
<v Speaker 4>was influenced by them.

0:46:47.000 --> 0:46:49.760
<v Speaker 2>Yes, we Peter Piper, Pick Peppers.

0:46:50.520 --> 0:46:55.680
<v Speaker 3>It was a party nine. Everybody was come on. Imagine

0:46:55.719 --> 0:46:59.440
<v Speaker 3>if that was meiling a national record before the message,

0:46:59.480 --> 0:47:01.360
<v Speaker 3>then it would be able to be doing that record

0:47:01.360 --> 0:47:04.480
<v Speaker 3>and then the message. So that's why when we came along,

0:47:04.560 --> 0:47:07.920
<v Speaker 3>we didn't want to separate what hip hop is.

0:47:08.480 --> 0:47:09.000
<v Speaker 2>You know what I'm saying.

0:47:09.040 --> 0:47:11.800
<v Speaker 3>Even Mo D before he battled out, most people know

0:47:11.880 --> 0:47:14.360
<v Speaker 3>Mod from when he was a regarding artist, you know

0:47:14.400 --> 0:47:17.200
<v Speaker 3>what I'm saying. But before that, Mod and the motherfuckers

0:47:17.320 --> 0:47:21.000
<v Speaker 3>was Beace. You know what I'm saying. It's like the

0:47:21.120 --> 0:47:25.040
<v Speaker 3>old school isn't a time period. The old school is

0:47:25.080 --> 0:47:28.719
<v Speaker 3>a consciousness of how you present yourself, and that could

0:47:28.800 --> 0:47:31.759
<v Speaker 3>be as a DJ could be, as an MC could be,

0:47:31.800 --> 0:47:33.920
<v Speaker 3>as a graffiti artists could be as a break dancer.

0:47:34.120 --> 0:47:36.520
<v Speaker 3>But if you break it down, could be as the music,

0:47:36.800 --> 0:47:39.640
<v Speaker 3>could be, as the language, could be as the art,

0:47:39.920 --> 0:47:41.840
<v Speaker 3>or could be as the fashion of it.

0:47:42.160 --> 0:47:44.360
<v Speaker 2>So we knew we always got to be those elements.

0:47:45.200 --> 0:47:48.279
<v Speaker 2>Let me ask you something because at one point, like

0:47:48.320 --> 0:47:50.040
<v Speaker 2>when you hear like Eric being rock Kim, like the

0:47:50.120 --> 0:47:52.920
<v Speaker 2>DJ came like before the act and the DJ was

0:47:52.960 --> 0:47:56.200
<v Speaker 2>so much important, and then at some point it almost

0:47:56.200 --> 0:47:59.160
<v Speaker 2>seemed like the DJ was obsolete. It seemed like nobody

0:47:59.239 --> 0:48:01.759
<v Speaker 2>kids about the DJ more as opposed to your era,

0:48:01.880 --> 0:48:04.440
<v Speaker 2>where the djk every minute. I was gonna say, we

0:48:04.520 --> 0:48:07.360
<v Speaker 2>made hard times, right, So now we're doing all of

0:48:07.400 --> 0:48:10.680
<v Speaker 2>these shows, barkads, Barkad's.

0:48:10.280 --> 0:48:13.760
<v Speaker 3>Confunction and this and that. So the question is, Okay,

0:48:14.120 --> 0:48:17.960
<v Speaker 3>I know that's Run and that's d MC, or okay,

0:48:18.160 --> 0:48:21.640
<v Speaker 3>that's Run, that's d Where's and where's C? Where's the band?

0:48:22.239 --> 0:48:25.200
<v Speaker 3>So there was confusion. They were C Run, DMC and

0:48:25.239 --> 0:48:26.680
<v Speaker 3>the street people on stage.

0:48:28.320 --> 0:48:30.920
<v Speaker 2>Who's that back there? Why is it? Why is that

0:48:30.960 --> 0:48:31.600
<v Speaker 2>guy back there?

0:48:31.640 --> 0:48:33.640
<v Speaker 3>Oh, y'all need and y'all need to know what this

0:48:33.680 --> 0:48:34.400
<v Speaker 3>ship is doing.

0:48:34.600 --> 0:48:36.040
<v Speaker 2>So I'm the run.

0:48:36.160 --> 0:48:38.880
<v Speaker 3>Put me in the group because all I did was

0:48:38.920 --> 0:48:40.839
<v Speaker 3>eat sleep hip hop.

0:48:41.640 --> 0:48:44.239
<v Speaker 2>All I did eat sleep hip hop tapes. Who's the

0:48:44.239 --> 0:48:46.879
<v Speaker 2>new tape? Who's a new song? He hated me because

0:48:46.880 --> 0:48:49.520
<v Speaker 2>I would listen to the corny shit. But I wasn't

0:48:49.560 --> 0:48:53.319
<v Speaker 2>trying to let anything get right exactly. I was like,

0:48:53.480 --> 0:48:55.279
<v Speaker 2>this ship is on the record, It's gotta be some

0:48:55.480 --> 0:48:57.359
<v Speaker 2>reason why this should be on earth. It might not

0:48:57.400 --> 0:48:59.959
<v Speaker 2>even been the rabbit, might have just been the beat sound.

0:49:00.120 --> 0:49:03.360
<v Speaker 2>So I was like the scientist of the group. So

0:49:03.400 --> 0:49:05.520
<v Speaker 2>everybody was asking me, why is it three people? Don't

0:49:05.520 --> 0:49:08.160
<v Speaker 2>worry j I got you. When we put j first down,

0:49:08.600 --> 0:49:11.279
<v Speaker 2>he was jazzy J. Jazzy J.

0:49:11.520 --> 0:49:13.920
<v Speaker 3>He can't be jazzy j J. I'm I'm I go

0:49:14.040 --> 0:49:16.720
<v Speaker 3>to write song. Jay, you can't be Jazzy J. That's biting,

0:49:18.120 --> 0:49:20.000
<v Speaker 3>you know. And Jay's so you know, Jaseke's looking at me.

0:49:20.080 --> 0:49:24.319
<v Speaker 3>It's weird, motherfucker just biting you. You can't do that.

0:49:25.040 --> 0:49:27.080
<v Speaker 2>Don't worry. J I got you. So I went home

0:49:27.560 --> 0:49:31.440
<v Speaker 2>and I was like, Okay, what we're gonna call it? Jason.

0:49:31.440 --> 0:49:36.640
<v Speaker 2>I was like, okay, if you remember, the jam had

0:49:36.680 --> 0:49:40.719
<v Speaker 2>two meetings back then, So DJ play my favorite jam.

0:49:40.680 --> 0:49:44.480
<v Speaker 3>This right is the record and jar last night. Yes,

0:49:44.640 --> 0:49:45.399
<v Speaker 3>I'm sitting there.

0:49:45.560 --> 0:49:49.279
<v Speaker 2>Oh my god. Jay's the master of it all, and

0:49:49.280 --> 0:49:51.680
<v Speaker 2>it just so happened his name was JA. So when

0:49:51.719 --> 0:49:52.239
<v Speaker 2>I said he's.

0:49:52.120 --> 0:49:54.319
<v Speaker 3>Gonna be he can't be the grand Master. We got

0:49:54.320 --> 0:49:58.319
<v Speaker 3>a bunch of those motherfuckers. Definitely can't be grand with it,

0:49:58.440 --> 0:50:01.239
<v Speaker 3>Like you can fuck with grand Mess, but you've got

0:50:01.320 --> 0:50:04.719
<v Speaker 3>grahams it and you've got grand Mixer. I'm like, I'm

0:50:04.719 --> 0:50:07.000
<v Speaker 3>my whole thing is I gotta even now at fifty

0:50:07.120 --> 0:50:09.479
<v Speaker 3>nine years old, we gotta take caip up one more

0:50:09.600 --> 0:50:11.640
<v Speaker 3>step than nobody hasn't done. So I was like, we're

0:50:11.640 --> 0:50:13.520
<v Speaker 3>gonna name him the jam Master. So I go back

0:50:13.520 --> 0:50:14.240
<v Speaker 3>to Janie College.

0:50:14.280 --> 0:50:14.920
<v Speaker 2>Oh, Jay, I got it.

0:50:15.000 --> 0:50:18.239
<v Speaker 3>Drum roll, your name is gonna be the jam master J.

0:50:18.400 --> 0:50:20.600
<v Speaker 3>You see the way that hit jam master J.

0:50:20.920 --> 0:50:22.920
<v Speaker 2>And then Jay's funny, he said, he says it to

0:50:22.960 --> 0:50:24.840
<v Speaker 2>herself like this is gonna be in a movie, the

0:50:24.920 --> 0:50:30.600
<v Speaker 2>active playing J gotta go master, and should motherfucker went out.

0:50:30.600 --> 0:50:36.680
<v Speaker 2>I got a JMJ JJJ. You know what I'm saying,

0:50:37.520 --> 0:50:39.400
<v Speaker 2>so all of the it's like you said, all of

0:50:39.400 --> 0:50:42.759
<v Speaker 2>the pieces were just falling in place, all right, And

0:50:42.800 --> 0:50:47.040
<v Speaker 2>you and you used to DJ as well. Before run

0:50:47.719 --> 0:50:52.359
<v Speaker 2>came in my basement, I had every Marvel comic book

0:50:52.400 --> 0:50:53.120
<v Speaker 2>in existence.

0:50:54.560 --> 0:50:57.640
<v Speaker 3>Stan Lee shut out to stan Lee. Now I'm gonna

0:50:57.640 --> 0:51:01.000
<v Speaker 3>tell you what. My brother still got his. Stan Lee

0:51:02.200 --> 0:51:06.000
<v Speaker 3>created d m C. Stan Here's crazy. Stanley in the

0:51:06.080 --> 0:51:08.560
<v Speaker 3>cold Crush created m C. But I had a huge

0:51:08.880 --> 0:51:11.959
<v Speaker 3>All I used to do was read collect drawer, read

0:51:12.080 --> 0:51:17.200
<v Speaker 3>collect draw Batman, Flash Green Lantern were all cool.

0:51:17.840 --> 0:51:20.520
<v Speaker 2>But what was bad about d C was like, I

0:51:20.520 --> 0:51:25.160
<v Speaker 2>don't like fake ship. I hate fake ship. So d

0:51:25.320 --> 0:51:27.600
<v Speaker 2>C was cool to superhero but d C had a

0:51:27.640 --> 0:51:30.640
<v Speaker 2>fake Metropolis and a fake god my mother trying to

0:51:30.640 --> 0:51:33.680
<v Speaker 2>be New York. Stan Lee blew my fucking mind. He

0:51:33.719 --> 0:51:37.000
<v Speaker 2>put to superheroes really right, So that ship is real

0:51:37.040 --> 0:51:41.160
<v Speaker 2>to me. Spider Man from Wiside Queen, Yeah, sorry, I

0:51:41.239 --> 0:51:44.800
<v Speaker 2>wasn't shouting out Queen's my whole record creator rep the

0:51:44.920 --> 0:51:48.000
<v Speaker 2>fucking hood. I was shouting at because spider Man comes

0:51:48.000 --> 0:51:51.880
<v Speaker 2>from where I come from. When I found I was,

0:51:52.000 --> 0:51:58.520
<v Speaker 2>oh ship, you know what I'm saying. The other dude,

0:51:59.040 --> 0:52:01.239
<v Speaker 2>he shouting grew. I don't know that shit. I can't

0:52:01.320 --> 0:52:01.799
<v Speaker 2>leave the block.

0:52:02.600 --> 0:52:05.840
<v Speaker 3>But I'm all I did was recollect and your comic books.

0:52:06.200 --> 0:52:08.920
<v Speaker 3>So when hip hop came over the bridge from the Bronx.

0:52:09.480 --> 0:52:13.160
<v Speaker 3>My brother's older than me, fifteen, the kids fifteen, eighteen

0:52:13.200 --> 0:52:15.640
<v Speaker 3>years old, all of a sudden, everybody's getting turntables and

0:52:15.680 --> 0:52:19.000
<v Speaker 3>queens in my neighborhood. And I remember Anthony Wallace was

0:52:19.040 --> 0:52:21.640
<v Speaker 3>the first of my brother's friends to get turntable, but

0:52:21.719 --> 0:52:24.400
<v Speaker 3>he had to make ship set. He had the BSR turntable,

0:52:24.760 --> 0:52:28.280
<v Speaker 3>but the other mitchmatch one from your mother's high five stereo.

0:52:28.320 --> 0:52:28.520
<v Speaker 2>Shit.

0:52:29.000 --> 0:52:29.759
<v Speaker 3>Anthley was dope.

0:52:29.800 --> 0:52:31.960
<v Speaker 2>He would take all the speakers and make his own

0:52:32.000 --> 0:52:34.359
<v Speaker 2>sound system, so he had the creative records. He had

0:52:34.400 --> 0:52:35.960
<v Speaker 2>all that bam shit. You know what I'm saying. I

0:52:36.080 --> 0:52:38.480
<v Speaker 2>was full of bam shit. I ain't know what it was.

0:52:38.719 --> 0:52:43.759
<v Speaker 3>And yet and then Booby Long, my brother's other friend. See,

0:52:43.800 --> 0:52:46.440
<v Speaker 3>Booby had it better than me and my brother because

0:52:46.640 --> 0:52:48.680
<v Speaker 3>you couldn't get no turntables back in the days.

0:52:48.719 --> 0:52:54.279
<v Speaker 2>If you didn't sell reefer, right, guys, all right, cool,

0:52:55.560 --> 0:52:58.920
<v Speaker 2>I'm trying to put people there. You don't sell reefer,

0:53:00.239 --> 0:53:04.200
<v Speaker 2>You're not a stick up kid. You don't rob houses

0:53:04.920 --> 0:53:07.399
<v Speaker 2>and you don't steal cars. So me and my brother

0:53:07.440 --> 0:53:08.440
<v Speaker 2>we Catholic.

0:53:08.080 --> 0:53:12.000
<v Speaker 3>School, you know, suburban queens. Motherfuckers. We ain't got no money.

0:53:13.200 --> 0:53:16.359
<v Speaker 3>But then my brother goes yo, and it was for him.

0:53:16.400 --> 0:53:20.080
<v Speaker 3>He comes to me one day, Yo, Daryl, man, he's weed,

0:53:20.120 --> 0:53:23.279
<v Speaker 3>but it's really him. We gotta get turned right, and

0:53:23.320 --> 0:53:25.880
<v Speaker 3>he's like looking around the fucking attic at my shit,

0:53:26.560 --> 0:53:30.239
<v Speaker 3>and I'm like, oh no, we need oh mother. He's like, Yo,

0:53:30.400 --> 0:53:33.239
<v Speaker 3>come on, man, we gotta get turntables. This hip hop shit.

0:53:33.280 --> 0:53:35.080
<v Speaker 3>You know, everybody's doing whatever whatever.

0:53:35.480 --> 0:53:36.080
<v Speaker 2>So I give in.

0:53:36.200 --> 0:53:39.279
<v Speaker 3>So we do a comic book sale, right, and I

0:53:39.320 --> 0:53:41.960
<v Speaker 3>checked this out. This is seventh grade, before run even

0:53:42.000 --> 0:53:46.080
<v Speaker 3>came playball. We do a comic book sale. The McDaniels

0:53:46.120 --> 0:53:47.959
<v Speaker 3>brothers is doing a comic book sales.

0:53:48.040 --> 0:53:49.759
<v Speaker 2>So the doorbell was ringing all day.

0:53:51.239 --> 0:53:54.399
<v Speaker 3>All we need to do is get one turntable because

0:53:54.400 --> 0:53:56.920
<v Speaker 3>we had a high five system and a forty dollars

0:53:57.360 --> 0:54:00.759
<v Speaker 3>Gemini mix up and down one the lowest one and

0:54:00.840 --> 0:54:03.760
<v Speaker 3>then cross me. So we gotta get that. The doorbells

0:54:03.840 --> 0:54:06.200
<v Speaker 3>ringing all days. Kiss from my neighborhood. Kiss from a

0:54:06.239 --> 0:54:09.200
<v Speaker 3>school doorbell rings. It's Joseph Simmons. The other kid from

0:54:09.200 --> 0:54:11.600
<v Speaker 3>the other class comes in with his friend Harold. He

0:54:11.680 --> 0:54:14.759
<v Speaker 3>buys comic books and he goes home eight I mean

0:54:14.800 --> 0:54:15.960
<v Speaker 3>a year later that happens.

0:54:16.200 --> 0:54:19.400
<v Speaker 2>So we by the turntables. We get to turntables in

0:54:19.440 --> 0:54:23.759
<v Speaker 2>the basement. Everybody's djaming, right, So I hear a Grand

0:54:23.840 --> 0:54:28.960
<v Speaker 2>Master Flash tape of him spinning good times. You know

0:54:29.000 --> 0:54:29.439
<v Speaker 2>what I'm saying.

0:54:29.480 --> 0:54:33.040
<v Speaker 3>When I'm fourteen years old, So I hear this Grandmaster

0:54:33.160 --> 0:54:37.160
<v Speaker 3>flash tape. The thing that caught my eye was Flash and.

0:54:37.239 --> 0:54:41.719
<v Speaker 2>The comic book that's my fucking name is itself flash Tention.

0:54:41.920 --> 0:54:44.320
<v Speaker 2>Now you know what I'm saying. It probably was always

0:54:44.520 --> 0:54:48.400
<v Speaker 2>there because it was blocklast Gordon at right, Flash not Flash.

0:54:49.080 --> 0:54:52.239
<v Speaker 2>Flash and a comic Bookarabos was my connection with that.

0:54:52.840 --> 0:54:55.560
<v Speaker 2>So I hear Grandmaster flashap and he's spending good times,

0:54:55.680 --> 0:54:59.680
<v Speaker 2>good times. Boom boom, but no boom boom boom, boom bron.

0:54:59.719 --> 0:55:03.120
<v Speaker 3>Now you usually prior to the hip hop the DJ's

0:55:03.160 --> 0:55:05.680
<v Speaker 3>is the block parties were the older DJs who would

0:55:06.000 --> 0:55:08.960
<v Speaker 3>just play the records all the way through, play the

0:55:09.000 --> 0:55:10.680
<v Speaker 3>record or the trou So I'm here in this flash

0:55:10.719 --> 0:55:14.040
<v Speaker 3>tape this good Time's break comes, then it comes again.

0:55:15.320 --> 0:55:17.400
<v Speaker 3>Now there's no video of this ship and it's just

0:55:17.520 --> 0:55:20.439
<v Speaker 3>on the box playing and it does it again, good time,

0:55:20.520 --> 0:55:21.560
<v Speaker 3>good time, and he makes it go.

0:55:21.600 --> 0:55:22.399
<v Speaker 2>Good good, good good.

0:55:22.920 --> 0:55:24.799
<v Speaker 3>I'm like, I gotta learn how to do that ship.

0:55:25.239 --> 0:55:27.760
<v Speaker 3>So my brother when we brought the turntables, he scratch

0:55:28.239 --> 0:55:31.200
<v Speaker 3>with my no that came. No, he's being brother who

0:55:31.320 --> 0:55:36.480
<v Speaker 3>used my comic books to get this turntable, tells me

0:55:36.600 --> 0:55:37.680
<v Speaker 3>this is big brother shit.

0:55:38.080 --> 0:55:43.080
<v Speaker 2>Yo, when I'm not home, don't touch my turn what.

0:55:44.120 --> 0:55:46.920
<v Speaker 2>I'm looking at that empty attic and I'm like, what

0:55:47.080 --> 0:55:48.960
<v Speaker 2>the fuck you mean my turn to? I don't say this.

0:55:49.080 --> 0:55:50.960
<v Speaker 2>I'm just thinking this ship. But did I he sold

0:55:51.000 --> 0:55:53.040
<v Speaker 2>your comic books to get Every time he would.

0:55:52.920 --> 0:55:54.960
<v Speaker 3>Leave, I would go on the basement and I'm trying

0:55:54.960 --> 0:55:56.080
<v Speaker 3>to figure out how flat.

0:55:56.000 --> 0:55:58.239
<v Speaker 2>Like Step Brothers. You see the movie Step Brothers. Yeah,

0:55:58.360 --> 0:55:58.759
<v Speaker 2>I would go.

0:55:58.840 --> 0:56:01.000
<v Speaker 3>Down in the basement to a touch of ship. So

0:56:01.080 --> 0:56:03.279
<v Speaker 3>I learned to DJ Good Times. I learned the DJ

0:56:03.560 --> 0:56:07.400
<v Speaker 3>super sperm soup soups. I learned the DJ Paradise.

0:56:07.520 --> 0:56:14.320
<v Speaker 2>It's very nice, paraded, Yeah, I got nice.

0:56:14.840 --> 0:56:17.560
<v Speaker 3>So in my basement, norry. Before I was M. C.

0:56:17.760 --> 0:56:20.799
<v Speaker 3>Eazy D like the m cum ship didn't come yet.

0:56:20.880 --> 0:56:23.840
<v Speaker 3>I didn't hear that ship yet. I was grand Master

0:56:23.840 --> 0:56:27.120
<v Speaker 3>to get high in my basement. Grandmaster, Yeah, because you

0:56:27.160 --> 0:56:33.160
<v Speaker 3>didn't right now, you didn't need to read for alcohol

0:56:33.320 --> 0:56:35.239
<v Speaker 3>to get intoxicated because my music was in.

0:56:37.000 --> 0:56:37.919
<v Speaker 2>You know, so ding.

0:56:38.000 --> 0:56:40.560
<v Speaker 3>When Joe came in my basement, I showed him with Grandmaster,

0:56:40.760 --> 0:56:45.440
<v Speaker 3>Grandmaster get high. I could do me writing rhymes to

0:56:45.520 --> 0:56:49.120
<v Speaker 3>where Joe discovered it when he saw after hanging with

0:56:49.239 --> 0:56:50.440
<v Speaker 3>me came about because of this.

0:56:51.440 --> 0:56:58.640
<v Speaker 2>I had heard spoony g the spoony gs. Okay, spoony

0:56:58.680 --> 0:57:02.040
<v Speaker 2>gm boom boom, you say one for the oh yes, yeah,

0:57:02.160 --> 0:57:04.560
<v Speaker 2>y'are a freak freak y'all. And I was driving down

0:57:04.600 --> 0:57:06.640
<v Speaker 2>the street on the storm at night and then up

0:57:06.840 --> 0:57:08.719
<v Speaker 2>the head. It was a terrible fight. It was a

0:57:08.760 --> 0:57:12.360
<v Speaker 2>big Finally, so I heard spoony Gee's first one with

0:57:12.480 --> 0:57:15.240
<v Speaker 2>the whistle work in the base of woom boom boom.

0:57:15.560 --> 0:57:18.240
<v Speaker 3>So I had heard that, still didn't care about it yet.

0:57:19.080 --> 0:57:22.080
<v Speaker 3>Then right after I heard that, I heard Rappers of Light.

0:57:23.200 --> 0:57:26.479
<v Speaker 3>So everybody is getting turntables and all of a sudden,

0:57:26.560 --> 0:57:30.200
<v Speaker 3>this record rappers. The light is everywhere, But I still

0:57:30.240 --> 0:57:36.400
<v Speaker 3>didn't care until I had Big Bang Hanks rhyme about Superman.

0:57:37.280 --> 0:57:39.560
<v Speaker 3>Oh shit, like, I don't care about hip hop to

0:57:39.640 --> 0:57:43.400
<v Speaker 3>him because people that mod talks about this too. At

0:57:43.480 --> 0:57:45.640
<v Speaker 3>that time, I didn't notice there was an older hip

0:57:45.680 --> 0:57:48.160
<v Speaker 3>hop and the younger hip hop. There was the DJ

0:57:48.360 --> 0:57:51.920
<v Speaker 3>Hollywoods and the Eddie Cheebers and the Pete DJ Jones

0:57:52.000 --> 0:57:56.520
<v Speaker 3>and those. There was the disco DJ rapping man, clap

0:57:56.640 --> 0:57:57.400
<v Speaker 3>your hands.

0:57:57.160 --> 0:58:00.680
<v Speaker 2>I'm in the disco. It was all disco, just sto

0:58:00.880 --> 0:58:03.200
<v Speaker 2>he I'm a rapping man and on my hands. So

0:58:03.640 --> 0:58:05.440
<v Speaker 2>it was those dudes, you know what I'm saying, The

0:58:05.560 --> 0:58:06.200
<v Speaker 2>rappers the Light.

0:58:06.320 --> 0:58:08.880
<v Speaker 3>That first rhyme was that to me, But then I

0:58:09.040 --> 0:58:12.720
<v Speaker 3>heard Banks rhyme, not knowing that I would discover later

0:58:12.800 --> 0:58:15.680
<v Speaker 3>on when the Cold Crush tapes came out dude that

0:58:15.800 --> 0:58:17.560
<v Speaker 3>wrote that, but his was different.

0:58:17.640 --> 0:58:20.400
<v Speaker 2>Emp to them. The ladies pimp the women, fight for

0:58:20.560 --> 0:58:22.840
<v Speaker 2>my delight because I'm the grand master with the three

0:58:22.880 --> 0:58:24.720
<v Speaker 2>because he was grand Master Kaz and he had he

0:58:24.840 --> 0:58:26.880
<v Speaker 2>was a DJ and stuff that so long, Sir short,

0:58:26.960 --> 0:58:30.720
<v Speaker 2>I hear Rappers the Light and the only reason I

0:58:31.080 --> 0:58:32.200
<v Speaker 2>listen to Rappers of Light.

0:58:32.200 --> 0:58:33.840
<v Speaker 3>Put it on the record and listen to it three

0:58:33.880 --> 0:58:35.240
<v Speaker 3>times from start to finish.

0:58:35.560 --> 0:58:35.760
<v Speaker 2>Wow.

0:58:35.960 --> 0:58:38.000
<v Speaker 3>But that got me in trouble because now all the

0:58:38.080 --> 0:58:42.000
<v Speaker 3>bullies and the hard rocks, you know, thugs, they were

0:58:42.000 --> 0:58:42.800
<v Speaker 3>put hard rocks back.

0:58:44.040 --> 0:58:46.920
<v Speaker 2>He got a fresh nigg and he walk hard. You

0:58:47.000 --> 0:58:49.400
<v Speaker 2>gonna watch out put all rocks, you know, say go

0:58:49.440 --> 0:58:50.640
<v Speaker 2>down the block. That's me.

0:58:50.920 --> 0:58:55.160
<v Speaker 3>But now by me knowing Rappers of Light from start

0:58:55.200 --> 0:58:57.320
<v Speaker 3>to finish, your motherfucker come over here.

0:58:57.960 --> 0:58:58.640
<v Speaker 2>Sing Rappers.

0:59:00.120 --> 0:59:02.680
<v Speaker 3>Wasn't a box around and how was that dude? So

0:59:02.880 --> 0:59:06.919
<v Speaker 3>this happened on My brother brought Rappers the Light home,

0:59:07.240 --> 0:59:08.840
<v Speaker 3>and I tell the story of the time. It was

0:59:09.000 --> 0:59:11.880
<v Speaker 3>very attractive, light blue label with the rainbow, so it

0:59:11.960 --> 0:59:14.280
<v Speaker 3>stood out. A couple of weeks later, he brings home

0:59:14.400 --> 0:59:18.560
<v Speaker 3>this land. It was a white cutcase. In the red label.

0:59:18.680 --> 0:59:20.800
<v Speaker 3>It just said in joy right.

0:59:21.240 --> 0:59:21.479
<v Speaker 2>Wow.

0:59:21.680 --> 0:59:24.720
<v Speaker 3>So I'm busy doing the grand Master Flash it I

0:59:24.800 --> 0:59:28.800
<v Speaker 3>read the label. It says grand Master Flash and the

0:59:28.920 --> 0:59:29.680
<v Speaker 3>Furies Fire.

0:59:30.600 --> 0:59:33.840
<v Speaker 2>I'm like, oh ship, what the fuck like I'm trying

0:59:33.880 --> 0:59:34.760
<v Speaker 2>to do that? Now?

0:59:34.800 --> 0:59:40.040
<v Speaker 3>He got other motherfucker. But I didn't know what was

0:59:40.120 --> 0:59:43.320
<v Speaker 3>about to happen to me. There was Grandmaster flashing Furries five,

0:59:43.360 --> 0:59:45.160
<v Speaker 3>and I was like Okay, my brother put that ship

0:59:45.240 --> 0:59:46.080
<v Speaker 3>on the turntable.

0:59:50.720 --> 0:59:51.480
<v Speaker 2>Now if you put.

0:59:51.400 --> 0:59:55.919
<v Speaker 3>Rappers of Light on Bloom Gloom. But it was dope

0:59:55.920 --> 0:59:58.640
<v Speaker 3>because nobody was hearing it when you first heard that ship.

0:59:59.120 --> 1:00:01.840
<v Speaker 2>But it ain't this ship. My father put that shit on.

1:00:01.960 --> 1:00:04.720
<v Speaker 2>This ship said it was a party night. Everybody was

1:00:04.800 --> 1:00:07.040
<v Speaker 2>breaking in the highs. What's screaming in the base, what's

1:00:07.080 --> 1:00:09.800
<v Speaker 2>shaking in It won't be long till everybody knowing that

1:00:10.000 --> 1:00:16.040
<v Speaker 2>flashes on the be box going and and then it

1:00:16.160 --> 1:00:19.160
<v Speaker 2>goes shinin down. Now, if you listen to Rappers the Light,

1:00:20.320 --> 1:00:23.200
<v Speaker 2>this ship is a long ash record eight minutes right

1:00:23.320 --> 1:00:27.760
<v Speaker 2>with three motherfuckers rhyming individually, very long rhymes.

1:00:28.240 --> 1:00:31.920
<v Speaker 3>My motherfucker go third month, second, third, break and do.

1:00:32.000 --> 1:00:35.520
<v Speaker 2>It all again. This shit says shot out now and

1:00:35.600 --> 1:00:38.720
<v Speaker 2>then the voice says this this blue my mom. I

1:00:38.800 --> 1:00:41.760
<v Speaker 2>had heard Eddie Cheeba shout out to him one of

1:00:41.840 --> 1:00:44.440
<v Speaker 2>the first radio hip hop radio shows. He was on

1:00:44.680 --> 1:00:45.400
<v Speaker 2>w f u V.

1:00:46.000 --> 1:00:48.080
<v Speaker 3>I couldn't get it in Queens unless I turned the

1:00:48.160 --> 1:00:51.160
<v Speaker 3>antenna a certain way, but it was still statically. So

1:00:51.240 --> 1:00:54.680
<v Speaker 3>I had first heard, excuse me, I had first heard

1:00:55.080 --> 1:00:58.320
<v Speaker 3>Eddie Cheevers saying rhyme. He said, when you mess around

1:00:58.520 --> 1:01:00.960
<v Speaker 3>in New York Town, you go down with the disco

1:01:01.200 --> 1:01:01.920
<v Speaker 3>Chieber clown.

1:01:02.000 --> 1:01:04.760
<v Speaker 2>You go down, go down, go down. You just keep

1:01:04.840 --> 1:01:09.120
<v Speaker 2>the pep. It was very inspirational too. Keep the pep

1:01:09.400 --> 1:01:11.440
<v Speaker 2>in your step. You don't stop till you get on

1:01:11.600 --> 1:01:13.760
<v Speaker 2>the mountain top. And when you reach the top, you

1:01:13.880 --> 1:01:15.920
<v Speaker 2>reach the peak. And then he says, that's when you

1:01:16.080 --> 1:01:18.320
<v Speaker 2>hear Eddie Cheeber speak. And I'm like this motherfucker on

1:01:18.360 --> 1:01:22.440
<v Speaker 2>top of mountains. You know, I'm a kid. I don't know.

1:01:22.560 --> 1:01:25.200
<v Speaker 3>I'm it's going at the box. But this shit said,

1:01:25.320 --> 1:01:32.040
<v Speaker 3>shot on now. And then the voice goes Italian, Caucasian, Japanese, Spanish, Indian,

1:01:32.120 --> 1:01:36.360
<v Speaker 3>knee grow v at the knees, M see this jockeys,

1:01:36.440 --> 1:01:38.720
<v Speaker 3>y'all fly kids for the young ladies.

1:01:38.760 --> 1:01:41.280
<v Speaker 2>And then the beat drop, and this motherfucker said, introducing

1:01:41.320 --> 1:01:43.880
<v Speaker 2>the crew, you got to see the belief. Five different

1:01:43.960 --> 1:01:46.760
<v Speaker 2>voices were one, two, three, four, five, and sees. The

1:01:46.800 --> 1:01:49.720
<v Speaker 2>first motherfucker said, I'm Melly Mail and a rocket so well.

1:01:50.040 --> 1:01:52.560
<v Speaker 2>The second motherfucker said, and I'm missing this because I

1:01:52.680 --> 1:01:55.720
<v Speaker 2>rocked the best. Third dude said rahem and all the

1:01:55.840 --> 1:01:58.240
<v Speaker 2>ladies dreaming and the fourth dude said cow boy, and

1:01:58.320 --> 1:02:00.840
<v Speaker 2>I make it jump for joy in the fifth dude

1:02:00.960 --> 1:02:04.520
<v Speaker 2>just yells creole. The other forur motherfucker's gonna solid gold

1:02:04.840 --> 1:02:07.240
<v Speaker 2>kid creole. They're going playing a role. And then Mel says,

1:02:07.440 --> 1:02:10.360
<v Speaker 2>dig this where the furrious five plus grand Master flash

1:02:10.640 --> 1:02:12.920
<v Speaker 2>giving you a blast to show enough class. So to

1:02:13.040 --> 1:02:15.760
<v Speaker 2>prove to you all that was second enough, We're gonna

1:02:15.800 --> 1:02:18.840
<v Speaker 2>make five MC sound like one. I went running, get

1:02:19.040 --> 1:02:19.320
<v Speaker 2>me up.

1:02:21.840 --> 1:02:23.920
<v Speaker 3>I'm running in the house getting me up.

1:02:24.560 --> 1:02:26.720
<v Speaker 2>So that day this is how it became easy D

1:02:27.200 --> 1:02:31.000
<v Speaker 2>in my basement. In my basement, I'm grand Master get high.

1:02:31.360 --> 1:02:34.120
<v Speaker 2>But that just taught me the DJ. The grand Master

1:02:34.240 --> 1:02:37.600
<v Speaker 2>has these rappers, so I also became MC easy D.

1:02:38.000 --> 1:02:40.400
<v Speaker 2>I was my own MC in my basement. Oh shit.

1:02:41.560 --> 1:02:44.160
<v Speaker 2>So by the time Run call, all of that shit

1:02:44.280 --> 1:02:44.880
<v Speaker 2>was piled up.

1:02:44.920 --> 1:02:46.680
<v Speaker 3>That's why I run said grab you around book when

1:02:46.720 --> 1:02:48.680
<v Speaker 3>going to the studio, So all I had to do

1:02:48.760 --> 1:02:51.200
<v Speaker 3>when it was time to make records, Run had the

1:02:51.280 --> 1:02:53.760
<v Speaker 3>idea for us like that, Yo, we're gonna make he

1:02:53.880 --> 1:02:55.680
<v Speaker 3>called me up. Yo, We're gonna write a record about

1:02:55.680 --> 1:02:57.520
<v Speaker 3>how the world is. Because I was a straight a student,

1:02:57.600 --> 1:02:59.200
<v Speaker 3>just write a bunch of rounds about how the world

1:02:59.320 --> 1:02:59.640
<v Speaker 3>is cool.

1:03:00.520 --> 1:03:01.640
<v Speaker 2>So we go in the studio.

1:03:01.720 --> 1:03:04.760
<v Speaker 3>We make it like that, unemployed switching off stuff like that.

1:03:05.240 --> 1:03:09.920
<v Speaker 3>Russell's still not impressed with me. People don't notice. Originally

1:03:10.160 --> 1:03:15.000
<v Speaker 3>I think, I think search talk to you about this.

1:03:16.360 --> 1:03:18.680
<v Speaker 3>Originally he's there, I saw that episode.

1:03:18.760 --> 1:03:21.280
<v Speaker 2>Huh, he said. Run was originally a solo group.

1:03:21.600 --> 1:03:24.320
<v Speaker 3>What Russell was gonna do is remember the early disco

1:03:24.480 --> 1:03:27.000
<v Speaker 3>records where the fat black lady would sing, but the

1:03:27.120 --> 1:03:31.880
<v Speaker 3>pretty model girls would go in to wash. So Russell

1:03:32.040 --> 1:03:35.360
<v Speaker 3>let me make and perform in the studio. It's like

1:03:35.480 --> 1:03:38.919
<v Speaker 3>that with Joe, but he was going to tour by hisself.

1:03:41.200 --> 1:03:45.200
<v Speaker 3>And it was lucky I was Run DMC because if

1:03:45.240 --> 1:03:47.200
<v Speaker 3>I didn't work out, it would have been Run the MC.

1:03:50.400 --> 1:03:51.960
<v Speaker 3>So but this is what happened.

1:03:52.760 --> 1:03:54.840
<v Speaker 2>We do it like that cool, and Russell was like,

1:03:54.880 --> 1:03:56.640
<v Speaker 2>yode ghost to fuck down, get out the way.

1:03:56.640 --> 1:03:58.240
<v Speaker 4>He's about to be the first ghost writer, not the first,

1:03:58.280 --> 1:03:59.440
<v Speaker 4>but a ghost writer basically.

1:04:00.880 --> 1:04:03.600
<v Speaker 3>So Run goes in there. He got sucking seeds already written.

1:04:04.000 --> 1:04:05.640
<v Speaker 3>Why do you think he rhyme three times on a

1:04:05.720 --> 1:04:09.200
<v Speaker 3>record that was one of his solo records for his career.

1:04:09.560 --> 1:04:11.560
<v Speaker 3>So he go and drop the rhymes and then he

1:04:11.680 --> 1:04:13.760
<v Speaker 3>comes out to booth and he says, d going in

1:04:13.920 --> 1:04:16.320
<v Speaker 3>saying rhyme, and I go, nah man, trying to get

1:04:16.360 --> 1:04:18.720
<v Speaker 3>me in trouble with this because Russell would come and

1:04:18.880 --> 1:04:20.840
<v Speaker 3>after I made this, like russellould be on some ship

1:04:20.920 --> 1:04:21.040
<v Speaker 3>like that.

1:04:21.120 --> 1:04:26.680
<v Speaker 2>You know you're still here. It's like his whole ship

1:04:26.800 --> 1:04:27.400
<v Speaker 2>was for his brother.

1:04:27.560 --> 1:04:30.240
<v Speaker 3>He had, oh ship, Curtis Blow, You're gonna go to

1:04:30.280 --> 1:04:32.520
<v Speaker 3>Europe just and that. Matter of fact, here's what's crazy

1:04:33.080 --> 1:04:35.840
<v Speaker 3>runs D and and one of the reasons Runs wanted

1:04:35.880 --> 1:04:36.439
<v Speaker 3>me in the group.

1:04:36.480 --> 1:04:37.480
<v Speaker 2>And he was crying to me.

1:04:38.200 --> 1:04:42.480
<v Speaker 3>Russell was going to have and she's documented in in London,

1:04:42.520 --> 1:04:45.840
<v Speaker 3>there was a DJ named DJ Lady Blue and she

1:04:46.000 --> 1:04:47.480
<v Speaker 3>was She was one of the first people to play

1:04:47.520 --> 1:04:50.360
<v Speaker 3>hip hop. Russell was gonna make Lady Blue Runs DJ.

1:04:51.160 --> 1:04:57.600
<v Speaker 3>But Lady Blue had a pantomime pop dancer, Crazy Ship,

1:04:58.080 --> 1:05:01.240
<v Speaker 3>a pantomime locker dancer, and.

1:05:01.320 --> 1:05:04.160
<v Speaker 2>Run with good. You gotta be in the group. He

1:05:04.240 --> 1:05:06.240
<v Speaker 2>says to go, I want to be from the Pandemon

1:05:07.400 --> 1:05:08.680
<v Speaker 2>saying back then it was like.

1:05:09.360 --> 1:05:13.480
<v Speaker 3>So Brun says, motherfucker, just go in the booth and

1:05:13.600 --> 1:05:14.600
<v Speaker 3>say your new rhyme.

1:05:15.160 --> 1:05:16.080
<v Speaker 2>So I go in the room.

1:05:16.280 --> 1:05:18.560
<v Speaker 3>I'm gonna pass the mic with you, DMC. And if

1:05:18.600 --> 1:05:21.200
<v Speaker 3>you're ready to people rock and steady. You're driving big cars.

1:05:21.240 --> 1:05:24.080
<v Speaker 3>Get your gash from Getty, say something, motherfucker. So I'm

1:05:24.120 --> 1:05:24.480
<v Speaker 3>in the boob.

1:05:24.560 --> 1:05:26.960
<v Speaker 2>Okay, he going there, he lays it. I go in

1:05:27.040 --> 1:05:27.440
<v Speaker 2>the booth.

1:05:28.040 --> 1:05:31.000
<v Speaker 3>And then what did I do When I got my

1:05:31.080 --> 1:05:35.160
<v Speaker 3>acceptance letter? He said, say your newest rhyme. I'm DMC

1:05:35.640 --> 1:05:38.720
<v Speaker 3>and the place to be ill go to Saint John's University.

1:05:39.160 --> 1:05:42.640
<v Speaker 3>And since kennygarn And out cried the knowledge and I'm

1:05:42.640 --> 1:05:46.080
<v Speaker 3>gonna Shay Collins, I'm lights. That was really funny. People

1:05:46.120 --> 1:05:48.720
<v Speaker 3>say you ain't light back then, I was like lighter.

1:05:48.800 --> 1:05:49.400
<v Speaker 2>I'll show you.

1:05:51.320 --> 1:05:52.520
<v Speaker 3>Be cause you ain't light skinned.

1:05:52.560 --> 1:05:56.240
<v Speaker 2>No, back then I was really nice. No, I was red,

1:05:56.360 --> 1:05:58.040
<v Speaker 2>like you could touch my skin. And on the turn

1:05:58.120 --> 1:05:58.680
<v Speaker 2>I was light.

1:06:00.880 --> 1:06:05.320
<v Speaker 3>So I kicked the rhyme of Larry Smith Roddy Hew

1:06:05.560 --> 1:06:06.640
<v Speaker 3>engineer at Green Street.

1:06:07.040 --> 1:06:09.520
<v Speaker 2>They're fucking losing it. But hold on, let me stop

1:06:09.560 --> 1:06:11.440
<v Speaker 2>you for a second. Do you know how legendary that

1:06:11.560 --> 1:06:14.040
<v Speaker 2>rhyme is? So you're telling me that's your first rhyme

1:06:14.240 --> 1:06:18.600
<v Speaker 2>on record, can we say that over the town? The

1:06:18.680 --> 1:06:22.120
<v Speaker 2>whole one I'm DMC in the place to be. I'll

1:06:22.160 --> 1:06:26.160
<v Speaker 2>go to Saint Johne University. And since Kindergartland, I quiet

1:06:26.200 --> 1:06:28.960
<v Speaker 2>and knowledge that the twelfth grade I went straight to college.

1:06:29.000 --> 1:06:31.720
<v Speaker 2>I'm light skin. I love in Queens. I love it

1:06:32.480 --> 1:06:38.560
<v Speaker 2>live in Queens. I love each chicken and college. Hold on, yeah,

1:06:38.640 --> 1:06:40.040
<v Speaker 2>nobody was doing that ship right.

1:06:41.440 --> 1:06:42.720
<v Speaker 3>That was like I thought I owned.

1:06:42.840 --> 1:06:44.720
<v Speaker 2>I was only a nigga eat chicken colle Queens at

1:06:44.720 --> 1:06:50.520
<v Speaker 2>that time. And I said, wait a minute, Yeah, that's

1:06:50.560 --> 1:06:55.840
<v Speaker 2>the beauty on my round. I dressed to kill. I

1:06:55.960 --> 1:06:59.120
<v Speaker 2>love this stuff imming them. You know who's versatile, said,

1:06:59.200 --> 1:07:01.680
<v Speaker 2>got good credit in your regards. I got my name,

1:07:01.800 --> 1:07:04.920
<v Speaker 2>not numbers on my credit cards. Go uptown a come

1:07:05.000 --> 1:07:07.720
<v Speaker 2>back home with foo, me and myself and my microphone.

1:07:08.000 --> 1:07:10.880
<v Speaker 3>All my rhyms a sweet delight. So here's another one

1:07:11.000 --> 1:07:13.880
<v Speaker 3>for y'all to bite. When a rhyme, I never quit

1:07:13.960 --> 1:07:15.080
<v Speaker 3>and then forgot a new rhyme.

1:07:15.160 --> 1:07:18.320
<v Speaker 2>I'll just say it because it takes a lot to entertain,

1:07:18.560 --> 1:07:20.520
<v Speaker 2>and sucking cease can be a pain.

1:07:20.840 --> 1:07:22.760
<v Speaker 3>You can't rock a party with a hip in hop.

1:07:23.040 --> 1:07:25.560
<v Speaker 3>You gotta let him know you'll never stop. Your rhym's

1:07:25.600 --> 1:07:27.800
<v Speaker 3>gotta make a lot of sense. You gotta know when

1:07:27.880 --> 1:07:29.400
<v Speaker 3>to start one the beast coming.

1:07:31.360 --> 1:07:32.160
<v Speaker 2>That one verse.

1:07:32.400 --> 1:07:36.240
<v Speaker 3>It's like my introduction and my solidification.

1:07:36.400 --> 1:07:38.680
<v Speaker 2>But here's a man dollar question. Yep, did you have

1:07:38.800 --> 1:07:39.680
<v Speaker 2>good credit back then?

1:07:40.200 --> 1:07:40.240
<v Speaker 7>No?

1:07:40.360 --> 1:07:44.560
<v Speaker 2>I have no credit. I ain't no credit. Sorry.

1:07:44.680 --> 1:07:48.440
<v Speaker 3>What the beauty about hip hoty? You don't realize how

1:07:48.520 --> 1:07:53.080
<v Speaker 3>prophetic it is? All of before recorded wrap? What didn't meld?

1:07:53.360 --> 1:07:58.000
<v Speaker 3>What did the first five four, Cold Course, Fantastic five,

1:07:58.120 --> 1:08:03.520
<v Speaker 3>Crash Crew, Treacherous, three, Busy Beat, Starsky Love Books, Starsky.

1:08:03.480 --> 1:08:06.520
<v Speaker 2>Uh spoony g? What did they all prophesy?

1:08:07.400 --> 1:08:10.400
<v Speaker 3>Rock, shocking, amazing and make you feel shame one day?

1:08:10.440 --> 1:08:14.280
<v Speaker 2>Our names that we found in the Hall of Fame, Yeah,

1:08:14.320 --> 1:08:18.320
<v Speaker 2>they predicted it. Yeah. Man. So speaking on prediction, ship,

1:08:19.000 --> 1:08:22.760
<v Speaker 2>my whole ship came from stan Lee because if you

1:08:23.000 --> 1:08:25.080
<v Speaker 2>if you look at Wu Tang with the alter egos

1:08:25.400 --> 1:08:28.439
<v Speaker 2>on the stocks that ship. Yeah, so we are all

1:08:28.760 --> 1:08:30.080
<v Speaker 2>products of pop culture.

1:08:30.960 --> 1:08:34.240
<v Speaker 3>All as I said before you, Yes, I'm cold crushed, Yes,

1:08:35.320 --> 1:08:37.040
<v Speaker 3>all the metal songs that are there, but I'm also

1:08:37.120 --> 1:08:41.120
<v Speaker 3>the Brady Bunch and Adams Fan and the Flintstones. All

1:08:41.200 --> 1:08:43.320
<v Speaker 3>of that ship is like a part of me and

1:08:43.520 --> 1:08:46.440
<v Speaker 3>Jeffersons and the Jeffersons and Archie Bunker.

1:08:47.760 --> 1:08:48.120
<v Speaker 2>Queens.

1:08:48.439 --> 1:08:52.760
<v Speaker 3>Fucking yes, the Honeymooners.

1:08:54.560 --> 1:08:55.519
<v Speaker 2>On Sunday and.

1:08:55.560 --> 1:08:56.360
<v Speaker 3>What's what's my girl?

1:08:56.360 --> 1:08:59.960
<v Speaker 2>What's my girl? Lucy? All right, that's the first Cuban

1:09:01.680 --> 1:09:10.320
<v Speaker 2>exactly when you be a Dominican too, you're talking about

1:09:13.280 --> 1:09:15.920
<v Speaker 2>Chester you and me? Was wrong? No, it was he

1:09:16.000 --> 1:09:16.680
<v Speaker 2>was about to say that.

1:09:18.840 --> 1:09:24.240
<v Speaker 4>Day. He was like, we went before we get into

1:09:24.280 --> 1:09:26.760
<v Speaker 4>that point, before we leave the Stanley's. Did did you

1:09:26.800 --> 1:09:29.240
<v Speaker 4>get to meet Stanley? When I met him two times?

1:09:29.320 --> 1:09:32.479
<v Speaker 4>We became homeboys. And it's crazy that because obviously this

1:09:32.640 --> 1:09:35.000
<v Speaker 4>is you know, comic books were a passion that you

1:09:35.200 --> 1:09:39.200
<v Speaker 4>sold stuff that was your passion for another passion and

1:09:39.280 --> 1:09:41.600
<v Speaker 4>the full circle. Now come back and be able to

1:09:41.680 --> 1:09:44.600
<v Speaker 4>do something that you were about and not planning on

1:09:44.760 --> 1:09:45.920
<v Speaker 4>that crazy, that's Miles.

1:09:46.200 --> 1:09:49.320
<v Speaker 2>But stan Lee came out and he talked, I go

1:09:49.400 --> 1:09:51.160
<v Speaker 2>to schools and I talk about this ship. How did

1:09:51.200 --> 1:09:54.280
<v Speaker 2>you meet him at Comic Connor said, I gotta go, mister,

1:09:57.439 --> 1:10:04.639
<v Speaker 2>you're like some nurse. Listen, if you go over comic books,

1:10:04.720 --> 1:10:07.000
<v Speaker 2>that's the really you gotta know about that weekend. You

1:10:07.560 --> 1:10:11.680
<v Speaker 2>gotta you gotta be in tune to know about you

1:10:11.800 --> 1:10:19.040
<v Speaker 2>know what I'm gonna be honest. I watched uh arentearage

1:10:19.080 --> 1:10:22.720
<v Speaker 2>where they where they went to comic com everybody is

1:10:22.840 --> 1:10:24.320
<v Speaker 2>dressed like the superheroes that they like.

1:10:25.080 --> 1:10:28.479
<v Speaker 3>Yeah, superheroes is comic books, as TV shows, the Star Wars,

1:10:28.600 --> 1:10:32.320
<v Speaker 3>it's all of that ship. But stan Lee taught me

1:10:32.439 --> 1:10:37.599
<v Speaker 3>something that set me up greatly to to fucking prosper

1:10:37.680 --> 1:10:39.760
<v Speaker 3>in this ship. And I tell cares about this.

1:10:39.960 --> 1:10:43.760
<v Speaker 2>Stan Lee taught me like when when when when I

1:10:43.920 --> 1:10:47.320
<v Speaker 2>was reading the comic books, and I'm a school kid,

1:10:47.400 --> 1:10:48.479
<v Speaker 2>so I was like, you know what the funk? I

1:10:48.520 --> 1:10:51.320
<v Speaker 2>gotta know what the adjective is for. But the fact

1:10:51.360 --> 1:10:53.320
<v Speaker 2>that I got taught with the adjective for, I noticed,

1:10:53.320 --> 1:10:55.360
<v Speaker 2>if you notice what all the superheroes they ain't just

1:10:55.520 --> 1:10:58.880
<v Speaker 2>who they are. If I say the amazing, you'll say

1:11:00.640 --> 1:11:02.320
<v Speaker 2>if I say the amazing, you'll say.

1:11:03.680 --> 1:11:08.160
<v Speaker 4>If I say the invincible, you'll say incredible, Hulk incredible.

1:11:08.200 --> 1:11:10.599
<v Speaker 2>If I say incredible, you'll say the guy to him,

1:11:10.640 --> 1:11:16.599
<v Speaker 2>or if I say mighty. So Stanley, tell who you are.

1:11:17.640 --> 1:11:21.439
<v Speaker 3>Find an adjective this powerful, productive and positive, and put

1:11:21.479 --> 1:11:24.519
<v Speaker 3>it before it so I get to rise high school.

1:11:24.600 --> 1:11:30.000
<v Speaker 3>Spider Man's amazing, Iron Man's invincible Hulk is incredible, Thora

1:11:30.040 --> 1:11:31.599
<v Speaker 3>is mighty. So I get to Rice High School now

1:11:31.920 --> 1:11:34.439
<v Speaker 3>and I'm realizing, oh, this shit ain't just about making records.

1:11:34.479 --> 1:11:37.679
<v Speaker 3>It's just like some real cultural way of life shit.

1:11:38.720 --> 1:11:43.240
<v Speaker 3>So I'm buying all the tapes from Terrence Washington and

1:11:43.360 --> 1:11:45.840
<v Speaker 3>this is twelfth grade now, so nine, ten, eleven, twelve,

1:11:45.840 --> 1:11:48.920
<v Speaker 3>because I'm spending all my money on these tapes hearing

1:11:49.000 --> 1:11:51.200
<v Speaker 3>the beats. When I was a kid, I grew up

1:11:51.240 --> 1:11:55.240
<v Speaker 3>loving seventies rock radio. I'm here in Theodore and Bam

1:11:55.400 --> 1:11:58.240
<v Speaker 3>and all of them used to break rock records to

1:11:58.280 --> 1:12:02.519
<v Speaker 3>wrap over run MC didn't great rock wrap dated. We

1:12:02.680 --> 1:12:04.240
<v Speaker 3>just did in the record and got all the money.

1:12:04.280 --> 1:12:07.920
<v Speaker 2>Well, you popularized it, right. So I get the twelfth

1:12:07.960 --> 1:12:11.439
<v Speaker 2>grade and there's one tape in the middle of the

1:12:11.520 --> 1:12:15.720
<v Speaker 2>cassette thing. It says twelve dollars. I'm like, damn, I

1:12:15.760 --> 1:12:19.040
<v Speaker 2>ain't got twelve dollars. Was that expecific back then? Yeah? Okay,

1:12:19.560 --> 1:12:22.760
<v Speaker 2>what was the tape? Five dollars? Yeah, the typical tapes

1:12:22.880 --> 1:12:25.880
<v Speaker 2>was three to seven. Oh okay, oh wow, And that's good.

1:12:25.960 --> 1:12:26.720
<v Speaker 2>Just you get caught, but.

1:12:26.720 --> 1:12:29.800
<v Speaker 3>You're getting You're not a kid fight dolls in that era. Yeah,

1:12:29.960 --> 1:12:32.320
<v Speaker 3>is there no fucking money and you broke it. Shit,

1:12:33.120 --> 1:12:36.160
<v Speaker 3>I'm lying every day. My father was like starting to

1:12:36.200 --> 1:12:38.040
<v Speaker 3>bug out on me. It was like, how come every

1:12:38.080 --> 1:12:39.240
<v Speaker 3>day you fucking need a book?

1:12:39.680 --> 1:12:43.719
<v Speaker 2>Dad? I need so you buy it. Tape somebody takes.

1:12:43.720 --> 1:12:45.160
<v Speaker 3>But there was the one tape in the middle and

1:12:45.240 --> 1:12:48.800
<v Speaker 3>that just said twelve dollars and it says c C

1:12:49.120 --> 1:12:53.160
<v Speaker 3>four versus the Fantastic five. At harlemor So, I asked

1:12:53.200 --> 1:12:54.240
<v Speaker 3>Tim and show what's that one?

1:12:54.280 --> 1:12:57.439
<v Speaker 2>You can't have that one? No time with it. They

1:12:57.479 --> 1:12:59.840
<v Speaker 2>don't even pay attention to that one. Wow.

1:13:00.400 --> 1:13:03.160
<v Speaker 3>And then he hits me with this CEC is Cold Crush. Okay,

1:13:03.200 --> 1:13:05.000
<v Speaker 3>I don't know that yet, Like, what's the CC four

1:13:05.040 --> 1:13:08.439
<v Speaker 3>because I'm used to Treacher Street right, Funky four plus one,

1:13:09.080 --> 1:13:13.240
<v Speaker 3>Fantastic five, first five, double trouble. He goes, that's the

1:13:13.400 --> 1:13:17.320
<v Speaker 3>Cold Crush four. Now I had never heard. Fuck, it's

1:13:17.360 --> 1:13:20.640
<v Speaker 3>the Now why can't it be the Fantastic for it?

1:13:21.560 --> 1:13:23.280
<v Speaker 3>He says, you can't have that one?

1:13:23.479 --> 1:13:24.240
<v Speaker 2>Now you know I want it.

1:13:25.520 --> 1:13:28.040
<v Speaker 3>That was it's like telling us, now, what are you

1:13:28.080 --> 1:13:28.559
<v Speaker 3>gonna do one?

1:13:28.600 --> 1:13:32.280
<v Speaker 2>That's what you want? Cold Crush four vers The Fantastic five,

1:13:32.360 --> 1:13:36.320
<v Speaker 2>And had the world you can't have that one yo.

1:13:36.479 --> 1:13:38.519
<v Speaker 2>I gotta have that one man. Yo, I got eight

1:13:38.640 --> 1:13:44.040
<v Speaker 2>dollars like he was, okay, here take this ship.

1:13:44.080 --> 1:13:45.880
<v Speaker 3>You owe me four dollars, Get the fuck away from

1:13:45.920 --> 1:13:51.759
<v Speaker 3>me like type like I took that ship home. Note

1:13:51.840 --> 1:13:53.639
<v Speaker 3>heard yes, yes, y'are to the beach.

1:13:53.720 --> 1:13:58.559
<v Speaker 2>Y'all Apache, super Sperm, Coumo d with the super Duper Party,

1:13:58.600 --> 1:14:00.760
<v Speaker 2>Pooper Man with full of super due for disco band

1:14:00.960 --> 1:14:02.519
<v Speaker 2>fast Fire and all of that ship.

1:14:02.880 --> 1:14:05.920
<v Speaker 3>I hurd melly mal. I heard Shah Rock who inspired me?

1:14:08.920 --> 1:14:12.080
<v Speaker 2>Yeah, yeah, yeah, I got my style. Using an echo

1:14:12.160 --> 1:14:14.920
<v Speaker 2>from Shah Rock. A girl female, you say, I heard

1:14:14.920 --> 1:14:16.719
<v Speaker 2>her go to all of you. My name is shah

1:14:17.360 --> 1:14:19.960
<v Speaker 2>not a millionaire. I want to do that jay so Ja,

1:14:21.800 --> 1:14:24.000
<v Speaker 2>my name is dm C see all time great great,

1:14:24.160 --> 1:14:28.599
<v Speaker 2>but the most round rounds New York State, producing yap

1:14:28.640 --> 1:14:32.000
<v Speaker 2>from Sharrock. I have Wow Rock you never smoked weed?

1:14:32.040 --> 1:14:34.920
<v Speaker 2>You wo remember everything? No, it is smoked weed and

1:14:35.040 --> 1:14:36.759
<v Speaker 2>he didn't some cocaine.

1:14:37.280 --> 1:14:38.559
<v Speaker 3>Yes, that's the picture.

1:14:40.960 --> 1:14:48.479
<v Speaker 2>He was a rock. I said, you know, we didn't

1:14:48.520 --> 1:14:54.000
<v Speaker 2>know get down like twenty second Street. You know what

1:14:54.040 --> 1:14:55.639
<v Speaker 2>I'm saying. Forget, I'm sorry.

1:14:55.920 --> 1:15:01.519
<v Speaker 3>So I take this tape home and and and I

1:15:01.680 --> 1:15:03.439
<v Speaker 3>remember when I played it for Joe too, it had

1:15:03.479 --> 1:15:06.800
<v Speaker 3>the same effect. I put the tape on and my

1:15:06.920 --> 1:15:12.200
<v Speaker 3>brother Samuel Box not too speaking. This single one for boomboxes.

1:15:12.560 --> 1:15:15.360
<v Speaker 3>You know hip hop's crazy ear ring jukie ear rings.

1:15:17.040 --> 1:15:20.360
<v Speaker 3>So this is before the Boom Boom box, okay everywhere.

1:15:22.479 --> 1:15:24.639
<v Speaker 3>My brother didn't have enough money to look at Boom yet. Okay,

1:15:24.960 --> 1:15:27.439
<v Speaker 3>So I put the ship on. This ship goes what's up?

1:15:27.560 --> 1:15:31.280
<v Speaker 2>Fly Girls? No, what's up fly guy? Her little fly girls.

1:15:31.479 --> 1:15:34.759
<v Speaker 3>It's the big throw down at Harlem World called Crush

1:15:34.840 --> 1:15:38.320
<v Speaker 3>four versus Fantastic five. They ain't no cop.

1:15:38.439 --> 1:15:41.240
<v Speaker 2>We'll eat them alive because we're the best when it

1:15:41.360 --> 1:15:43.720
<v Speaker 2>comes to wrapping. And like the fly I said, it

1:15:43.840 --> 1:15:46.080
<v Speaker 2>is bound to happen. So the bat time is now.

1:15:46.400 --> 1:15:48.880
<v Speaker 3>Let the battle begin and let the crowd be the

1:15:49.040 --> 1:15:53.200
<v Speaker 3>judge off who win, because we don't need tuxedos, because

1:15:53.320 --> 1:15:56.559
<v Speaker 3>all we want to do is Dog Kevin Dot Master,

1:15:56.760 --> 1:15:59.720
<v Speaker 3>Robin Whip and Ruby D like we always do, say

1:15:59.840 --> 1:16:04.000
<v Speaker 3>what we bad Old Fantastic and here's a little gift

1:16:04.360 --> 1:16:06.559
<v Speaker 3>so before they go, they all can know.

1:16:07.000 --> 1:16:15.280
<v Speaker 2>Just who they're fucking that ship, like whoa what this is?

1:16:15.520 --> 1:16:19.560
<v Speaker 2>And then it was where Charlie chased Tony Tone and

1:16:20.120 --> 1:16:24.639
<v Speaker 2>I never heard this, the cold crushing, mother fucking tough

1:16:24.720 --> 1:16:28.120
<v Speaker 2>ast for MC. Charlie chases to the Puerto Rican. Yeah,

1:16:28.360 --> 1:16:32.200
<v Speaker 2>Puerto Rican DJ named John once again North, give me

1:16:32.280 --> 1:16:36.600
<v Speaker 2>a pen, right, give me a pain, changing all of

1:16:36.720 --> 1:16:39.280
<v Speaker 2>that living queens, and I'm just and that shit. I'm

1:16:39.280 --> 1:16:42.920
<v Speaker 2>getting ready to fucking destroy motherfuckers.

1:16:42.840 --> 1:16:46.560
<v Speaker 3>Devastating by control of DMC and carectation. But here's what

1:16:46.880 --> 1:16:50.960
<v Speaker 3>the reason why I made the comic book Amazing, Spider Man, Incredible,

1:16:51.000 --> 1:16:51.679
<v Speaker 3>Hulk Invincible.

1:16:51.720 --> 1:16:52.040
<v Speaker 2>I am inn.

1:16:52.640 --> 1:16:56.680
<v Speaker 3>On that tape, they had names the Hutton Maker, J

1:16:56.800 --> 1:17:00.360
<v Speaker 3>D L, The Almighty KD, the Girl Take It Easy

1:17:00.439 --> 1:17:00.720
<v Speaker 3>a D.

1:17:01.320 --> 1:17:04.719
<v Speaker 2>So I'm in Rice High School. I'm listening to this tape.

1:17:04.920 --> 1:17:07.160
<v Speaker 2>I'm taking typing and that's the end of a letter.

1:17:07.200 --> 1:17:10.320
<v Speaker 2>You're supposed to type your initials, right, So I'm still

1:17:10.360 --> 1:17:14.160
<v Speaker 2>easy D. They drop rocking in the pocket Joom koom

1:17:14.200 --> 1:17:17.519
<v Speaker 2>joom jen joom doom joom jun j joom dune joom

1:17:17.600 --> 1:17:21.240
<v Speaker 2>jin juomo joo jump. Then they go, we're not talking

1:17:21.520 --> 1:17:25.240
<v Speaker 2>about your mother, your mother, not talking about your uncle,

1:17:25.400 --> 1:17:28.560
<v Speaker 2>your uncle, not talking about your father, your father, not

1:17:28.640 --> 1:17:31.320
<v Speaker 2>your mother, no other, no other other other, and then

1:17:31.400 --> 1:17:34.840
<v Speaker 2>over rocking in the pocket they start doing Yeah, all

1:17:34.880 --> 1:17:38.160
<v Speaker 2>the other MC's can't deal with us because we are

1:17:38.280 --> 1:17:40.839
<v Speaker 2>the four and on as the cold crush, putting fellas

1:17:40.880 --> 1:17:43.400
<v Speaker 2>on the jock making fly girls rock. You know, we

1:17:43.560 --> 1:17:46.320
<v Speaker 2>got a funky song and you can come and sing

1:17:46.439 --> 1:17:48.679
<v Speaker 2>and dance up. Guse you g We got the two

1:17:48.920 --> 1:17:52.679
<v Speaker 2>ms two DJs on the wheels are steal Charlie chasing

1:17:52.760 --> 1:17:55.200
<v Speaker 2>tony tone at the top of the field telling all

1:17:55.240 --> 1:17:57.560
<v Speaker 2>the competition got the b for real. We rock a

1:17:57.640 --> 1:18:00.439
<v Speaker 2>party to the break of day, and this since our

1:18:00.560 --> 1:18:03.680
<v Speaker 2>sound one we play. We are the four mcs with

1:18:03.840 --> 1:18:06.160
<v Speaker 2>the most respect and if you want to throw joints,

1:18:06.160 --> 1:18:08.400
<v Speaker 2>you gotta come correct. We might have to take you

1:18:08.479 --> 1:18:10.599
<v Speaker 2>out and keep your crew in check because the CC

1:18:10.760 --> 1:18:14.360
<v Speaker 2>four is number one. They got the walk before you won.

1:18:14.560 --> 1:18:15.040
<v Speaker 2>What hell?

1:18:15.200 --> 1:18:18.120
<v Speaker 3>The initials of my name g MC and it's gonna

1:18:20.080 --> 1:18:24.280
<v Speaker 3>get the higher power body rocket in the galaxy. Oh

1:18:24.400 --> 1:18:24.800
<v Speaker 3>my god.

1:18:24.960 --> 1:18:28.280
<v Speaker 2>Then the L comes on the initials of my name

1:18:28.600 --> 1:18:31.320
<v Speaker 2>jd L. I wanna go to heaven for I go

1:18:31.600 --> 1:18:34.280
<v Speaker 2>to hell because I'm pushing more power than a door,

1:18:34.600 --> 1:18:36.880
<v Speaker 2>self better than the oldest and the newest.

1:18:36.920 --> 1:18:39.920
<v Speaker 3>What's your name? My name is Sherry d Lewis. Tenn

1:18:39.960 --> 1:18:43.360
<v Speaker 3>has killed me. The initials of my name E A D.

1:18:43.840 --> 1:18:46.519
<v Speaker 3>The baddest thing to hit New York since O E

1:18:47.120 --> 1:18:51.480
<v Speaker 3>lost it. So I said, Darryl McDaniels is the initials

1:18:51.520 --> 1:18:52.320
<v Speaker 3>of my name.

1:18:52.240 --> 1:18:56.519
<v Speaker 2>D from Daryl. I'm becoming d m C because of GMC,

1:18:57.479 --> 1:19:00.120
<v Speaker 2>and flat and Cast hated me. But then when I

1:19:00.200 --> 1:19:03.880
<v Speaker 2>met him and told him that, he almost cried Grandma's cast. Yeah,

1:19:04.240 --> 1:19:06.559
<v Speaker 2>he hated you came d m C because of GMC,

1:19:06.760 --> 1:19:16.519
<v Speaker 2>but he hated Holy Ship, hated us because they were like,

1:19:16.680 --> 1:19:22.559
<v Speaker 2>who the fuck? Because we now, no, no, we had

1:19:22.640 --> 1:19:28.120
<v Speaker 2>areas in Queens that f Hollis. No way, I didn't

1:19:28.120 --> 1:19:32.000
<v Speaker 2>know that. No, No, that frack was known. Hollis got known.

1:19:33.040 --> 1:19:36.080
<v Speaker 2>Hollis started to get known around when everybody was saying

1:19:38.120 --> 1:19:40.759
<v Speaker 2>do a diabet side, okay, But we was this little

1:19:40.840 --> 1:19:42.680
<v Speaker 2>click we was. We was a little and we was

1:19:42.760 --> 1:19:44.960
<v Speaker 2>only like ten blocks and stuff. But we started getting

1:19:45.000 --> 1:19:48.599
<v Speaker 2>known because we was fighting every We was fighting all

1:19:48.680 --> 1:19:51.240
<v Speaker 2>the south side, the south side. This is Hollie, right,

1:19:52.000 --> 1:19:54.479
<v Speaker 2>that little jigger night you said. But what I'm trying

1:19:54.520 --> 1:19:57.160
<v Speaker 2>to say is they were like who are they now?

1:19:57.920 --> 1:20:04.040
<v Speaker 2>If you listen to step off my grandmaster flashing the

1:20:04.080 --> 1:20:13.280
<v Speaker 2>first fire, they were talking about us, saying all yourself here,

1:20:13.320 --> 1:20:15.760
<v Speaker 2>and she's a perpetrating the fraud. Well, what did Mel say?

1:20:16.439 --> 1:20:18.559
<v Speaker 2>What did Mel say? On the step step step step?

1:20:18.640 --> 1:20:21.040
<v Speaker 2>I was sitting on the corner just to waste my time.

1:20:21.160 --> 1:20:23.280
<v Speaker 3>When I realized it was the King of the rhyme,

1:20:23.360 --> 1:20:25.559
<v Speaker 3>I got on the microphone and what do you see?

1:20:25.800 --> 1:20:28.040
<v Speaker 2>The rest was my legacy. I was born to be

1:20:28.120 --> 1:20:30.000
<v Speaker 2>the king of this bi boy thing, to have stallions

1:20:30.040 --> 1:20:32.680
<v Speaker 2>and my downs, big diamond rings, hold a mansion in

1:20:32.720 --> 1:20:34.720
<v Speaker 2>the rock, food men in the go because rap is

1:20:34.760 --> 1:20:37.040
<v Speaker 2>the game. Because I like Shakespeare, I'm a pion. Then

1:20:37.080 --> 1:20:39.719
<v Speaker 2>because there may wrap something people wanted there because before.

1:20:39.600 --> 1:20:42.160
<v Speaker 3>My right now, he said, little pieces of a dream

1:20:42.360 --> 1:20:43.200
<v Speaker 3>is all you mean?

1:20:43.640 --> 1:20:47.400
<v Speaker 2>Ever since you stepped on the ncccene, biting your moves,

1:20:47.560 --> 1:20:51.280
<v Speaker 2>taking fake awards, seeing everyone else was perpetrating the fraud,

1:20:51.439 --> 1:20:54.360
<v Speaker 2>but you nothing, Mel says that on it, Mel thought

1:20:55.000 --> 1:21:00.240
<v Speaker 2>he told you that we were getting on there at

1:21:00.280 --> 1:21:02.280
<v Speaker 2>the New York Music he was getting.

1:21:03.240 --> 1:21:05.800
<v Speaker 3>Yeah, you guys were the eighty five getting.

1:21:05.560 --> 1:21:10.200
<v Speaker 2>All those Never seemed happy. No, he's not but that's Mel.

1:21:11.520 --> 1:21:14.519
<v Speaker 2>But Mel said he thought Run was talking about him

1:21:14.520 --> 1:21:15.559
<v Speaker 2>on Stucker and seas you.

1:21:15.560 --> 1:21:17.760
<v Speaker 4>Didn't feel brittle that they were coming at you. I

1:21:17.880 --> 1:21:20.479
<v Speaker 4>would have thought them coming at Yeah, I don't know.

1:21:20.600 --> 1:21:21.479
<v Speaker 2>I was scared that.

1:21:22.960 --> 1:21:25.200
<v Speaker 3>This is new to me, this is the hold, this

1:21:25.400 --> 1:21:28.840
<v Speaker 3>is that like, and they was just I didn't know

1:21:29.120 --> 1:21:33.920
<v Speaker 3>it was that level of competitive. Yes, and it was

1:21:33.960 --> 1:21:36.560
<v Speaker 3>almost like I was Run got real mad at me.

1:21:36.600 --> 1:21:38.800
<v Speaker 2>I was like, I gotta stop rapping, oh ship, And

1:21:38.840 --> 1:21:41.760
<v Speaker 2>he was like wow, because Mel, but come on, man,

1:21:42.680 --> 1:21:43.800
<v Speaker 2>but you got it. I don't know.

1:21:45.320 --> 1:21:48.680
<v Speaker 3>I'm a bedroom rapper, so this is Mel and more

1:21:48.720 --> 1:21:51.680
<v Speaker 3>they mad at me. You know, you're like, the real

1:21:51.800 --> 1:21:52.800
<v Speaker 3>dudes is mad right now.

1:21:53.000 --> 1:21:54.400
<v Speaker 4>Yeah, It's like it's like.

1:21:54.439 --> 1:21:57.040
<v Speaker 3>The ship where you're growing up in the hood and

1:21:57.160 --> 1:21:59.040
<v Speaker 3>the dude say don't do that, and you don't do

1:21:59.160 --> 1:22:00.519
<v Speaker 3>it like this fucking ship.

1:22:01.439 --> 1:22:03.240
<v Speaker 2>So it's like, I can't do it no more because

1:22:03.280 --> 1:22:06.320
<v Speaker 2>they don't want me to. Ron was like my Run

1:22:06.479 --> 1:22:07.720
<v Speaker 2>rapp motherfucker.

1:22:07.920 --> 1:22:09.679
<v Speaker 3>There was a time we was at the New York

1:22:09.800 --> 1:22:13.520
<v Speaker 3>Music Awards and it was Run to him see Houdini,

1:22:13.680 --> 1:22:18.120
<v Speaker 3>Curtis blow, Jimmy Spicer. So we was all together and

1:22:19.560 --> 1:22:22.680
<v Speaker 3>Run was the son of Curtis Blow. So this day

1:22:22.920 --> 1:22:26.679
<v Speaker 3>they the son grew up and cursed the father. We're

1:22:26.720 --> 1:22:29.760
<v Speaker 3>sitting in the dressing room, so we had king I'm

1:22:29.800 --> 1:22:31.920
<v Speaker 3>the King of rob. I'm saying this eighty five.

1:22:31.960 --> 1:22:32.320
<v Speaker 2>I'm the king.

1:22:32.360 --> 1:22:34.240
<v Speaker 3>I'm the King, I'm the King. Kurt was known as

1:22:34.240 --> 1:22:35.560
<v Speaker 3>the King of Rap at the time. If you go

1:22:35.720 --> 1:22:38.879
<v Speaker 3>look at Flyers and he was king of self imposed

1:22:38.960 --> 1:22:40.680
<v Speaker 3>king of Rap was a King of Rap too.

1:22:41.320 --> 1:22:45.360
<v Speaker 2>But run leaves the dressing room and I'm sitting in

1:22:45.360 --> 1:22:48.200
<v Speaker 2>there with Kurk. Curtis Blow comes over to me and

1:22:48.320 --> 1:22:52.000
<v Speaker 2>he says, now, you gotta understand, this is Curtis Blow

1:22:52.120 --> 1:22:53.640
<v Speaker 2>to me. I don't know.

1:22:53.720 --> 1:22:56.200
<v Speaker 3>I'm like Joe, I don't know Harlem, like I've never

1:22:56.280 --> 1:22:57.599
<v Speaker 3>been to one hundred and twenty fifth Street.

1:22:57.600 --> 1:23:00.640
<v Speaker 2>Tell him in the rice, right. So Curtis comes over

1:23:00.720 --> 1:23:04.240
<v Speaker 2>to me and says, it's Curtis Ball, Yo, d you

1:23:04.320 --> 1:23:07.400
<v Speaker 2>gotta stop saying king, You're the king. Now I would

1:23:07.400 --> 1:23:10.280
<v Speaker 2>say I'm the King of Rock, but my king of Rock,

1:23:10.520 --> 1:23:12.760
<v Speaker 2>they started calling me the king. Right.

1:23:13.000 --> 1:23:15.120
<v Speaker 3>So he comes it is Curtis Flow, Yo, you gotta

1:23:15.200 --> 1:23:17.880
<v Speaker 3>stop saying your king. So I don't know, no better

1:23:18.000 --> 1:23:22.600
<v Speaker 3>know it okay because I'm taking like, did you Curtis blow.

1:23:23.880 --> 1:23:26.880
<v Speaker 2>Way? So Ron comes back in and he's noticed my

1:23:27.000 --> 1:23:30.120
<v Speaker 2>mood changed, right, so y yod, what's the matter And

1:23:30.240 --> 1:23:33.240
<v Speaker 2>I innoctantly go, yeah, I'm trying to figure out who

1:23:33.280 --> 1:23:36.240
<v Speaker 2>I'm gonna be. Now say why because Kurt told me

1:23:36.439 --> 1:23:40.880
<v Speaker 2>I can't say king what in front of everyone?

1:23:41.040 --> 1:23:45.919
<v Speaker 3>Mother fucker, you can't real Run went and on Kurt like, don't.

1:23:45.720 --> 1:23:49.600
<v Speaker 2>You ever say that to my man? The character he

1:23:49.680 --> 1:23:52.519
<v Speaker 2>wasn't Crush grovem right, right, Yo, he did that ship

1:23:52.560 --> 1:23:55.240
<v Speaker 2>in real life. You gonna say that? And then Brenda's

1:23:55.240 --> 1:23:58.240
<v Speaker 2>funny said, stream that shit hard and louder now, But

1:23:58.880 --> 1:24:02.840
<v Speaker 2>that was the whole for me, that was the whole.

1:24:03.240 --> 1:24:05.599
<v Speaker 4>That was the changing of the guards of anything, right,

1:24:06.120 --> 1:24:08.599
<v Speaker 4>That's what was happening. It was right, but he wasn't

1:24:08.640 --> 1:24:09.680
<v Speaker 4>ready to pass the tour.

1:24:10.160 --> 1:24:13.000
<v Speaker 2>You know what I'm saying. But what I'm saying is

1:24:13.200 --> 1:24:20.639
<v Speaker 2>my attitude. Everybody, my attitude, our attitude collective. Especially after

1:24:20.680 --> 1:24:22.920
<v Speaker 2>I played the Coal Crush tape.

1:24:22.680 --> 1:24:24.880
<v Speaker 3>For Run and Ron was funny when he heard the

1:24:25.240 --> 1:24:28.400
<v Speaker 3>ram he run goals. I don't like Jerry d Lewis

1:24:28.400 --> 1:24:31.040
<v Speaker 3>I like JD l not known it's the same person,

1:24:31.520 --> 1:24:36.120
<v Speaker 3>but we just saw they was their rymen and chases

1:24:36.240 --> 1:24:38.880
<v Speaker 3>cutting while they rhymen. So we said, that's what we're

1:24:38.920 --> 1:24:39.320
<v Speaker 3>going to do.

1:24:39.560 --> 1:24:44.200
<v Speaker 2>So those moments where the game changes of run DMC's presence,

1:24:45.040 --> 1:24:45.599
<v Speaker 2>you know what I'm saying.

1:24:45.640 --> 1:24:47.040
<v Speaker 3>It wasn't about making them happen.

1:24:47.200 --> 1:24:51.080
<v Speaker 2>We got crazy major major hit records because we were

1:24:51.200 --> 1:24:52.040
<v Speaker 2>just doing routines.

1:24:52.160 --> 1:24:55.040
<v Speaker 3>It was rap routines. The Funky Four, I mean the.

1:24:56.000 --> 1:24:59.760
<v Speaker 2>Force mcs but to force some seas before they were

1:24:59.800 --> 1:25:03.479
<v Speaker 2>to or some ds STEVD and there Yo, they had

1:25:03.640 --> 1:25:07.280
<v Speaker 2>bars stevd and they had bars. So if you look,

1:25:07.479 --> 1:25:11.280
<v Speaker 2>if you take Tricky, for example, which is a universal

1:25:14.880 --> 1:25:17.360
<v Speaker 2>that was that was a big good that was supposed

1:25:17.360 --> 1:25:24.280
<v Speaker 2>to be done over numbers Boom boom jack. It's tricky

1:25:24.320 --> 1:25:27.799
<v Speaker 2>to rocker rock. Tricky is just hey, Mickey, oh, Mickey,

1:25:27.920 --> 1:25:34.280
<v Speaker 2>you're so fine, so fine, you boma what the man?

1:25:35.880 --> 1:25:38.120
<v Speaker 2>You take the melody of the hot song, and then

1:25:38.160 --> 1:25:39.040
<v Speaker 2>you talk about.

1:25:38.920 --> 1:25:40.120
<v Speaker 3>Which is a form of sampling.

1:25:40.760 --> 1:25:43.200
<v Speaker 2>Yeah, yeah, what do they call it when they redo

1:25:43.280 --> 1:25:44.360
<v Speaker 2>the record? No, no cover.

1:25:44.479 --> 1:25:47.640
<v Speaker 3>But this is in a sense, it's an interpret We.

1:25:49.400 --> 1:25:57.160
<v Speaker 2>Called the Force and C fifty J doctor Rock he

1:25:57.640 --> 1:25:59.720
<v Speaker 2>d Jays.

1:25:59.479 --> 1:26:02.280
<v Speaker 3>And when and you drop ladies and gentlemen, you drop

1:26:03.400 --> 1:26:04.720
<v Speaker 3>in piece of President.

1:26:04.800 --> 1:26:10.920
<v Speaker 2>B D Jays and we MC here We're gone. It

1:26:11.040 --> 1:26:14.880
<v Speaker 2>was all rhymes, routines. I got the Cold Crush, it's

1:26:15.040 --> 1:26:20.519
<v Speaker 2>gi gantar Ji Gan the Giganto Robot cards. So we

1:26:20.760 --> 1:26:23.000
<v Speaker 2>was like, we're gonna do rhyms and routine. Here we go.

1:26:23.280 --> 1:26:25.160
<v Speaker 3>It's just here we go.

1:26:25.320 --> 1:26:28.000
<v Speaker 2>It's just we put the tape on and you hear

1:26:28.160 --> 1:26:31.120
<v Speaker 2>mode s start the show, Ladies and gentlemen, cool mode

1:26:31.280 --> 1:26:33.240
<v Speaker 2>to the highest screen, the place to be on the wheel,

1:26:33.320 --> 1:26:35.920
<v Speaker 2>steals DJ Easy Lebel and you go into the song.

1:26:36.360 --> 1:26:38.840
<v Speaker 2>So here we go came about because now we're playing

1:26:38.880 --> 1:26:44.559
<v Speaker 2>the Roxy La no New York. Okay, we're playing Roxy.

1:26:44.760 --> 1:26:49.880
<v Speaker 3>Were playing fucking the Fever, were playing Dance Materia, but

1:26:49.960 --> 1:26:52.960
<v Speaker 3>we're playing Roxy. And what's special about the Roxy is

1:26:53.360 --> 1:26:56.519
<v Speaker 3>the Jo Nation had had locked down every Thursday night.

1:26:56.560 --> 1:26:59.160
<v Speaker 3>I think it was a Friday night. So here's run

1:26:59.280 --> 1:27:02.320
<v Speaker 3>DMC and Jay had a broken leg too. She had

1:27:02.360 --> 1:27:05.360
<v Speaker 3>a broken leg. So we playing the Roxy and run.

1:27:06.439 --> 1:27:10.720
<v Speaker 3>He's like, yodd, you go start the show, motherfucker you

1:27:12.439 --> 1:27:16.679
<v Speaker 3>you've been doing fifty put my out there. I'm gonna

1:27:16.720 --> 1:27:19.080
<v Speaker 3>come out, you start sucking seas. I'm gonna come out

1:27:19.120 --> 1:27:20.280
<v Speaker 3>for my part and I'm going back.

1:27:20.160 --> 1:27:22.280
<v Speaker 2>To the stage. But he's like, nah, dude, you gotta

1:27:22.360 --> 1:27:24.400
<v Speaker 2>do you know, you gotta do it. So we arguing

1:27:24.520 --> 1:27:27.200
<v Speaker 2>on the side of the stage and I'm not knowing,

1:27:27.280 --> 1:27:29.840
<v Speaker 2>like the stage is right there, so you go, you

1:27:30.000 --> 1:27:32.040
<v Speaker 2>do it, you do it. As as he's coming at me,

1:27:32.120 --> 1:27:35.080
<v Speaker 2>I'm walking backwards, so like this is you go down

1:27:35.200 --> 1:27:35.679
<v Speaker 2>the stage.

1:27:35.960 --> 1:27:36.559
<v Speaker 3>I walk up.

1:27:36.880 --> 1:27:42.200
<v Speaker 2>When the people see me, I'm like, oh shit, what

1:27:42.439 --> 1:27:46.000
<v Speaker 2>the fuck? So it kicked in to me.

1:27:46.400 --> 1:27:48.200
<v Speaker 3>It was like, yo, just tell them who you are,

1:27:48.640 --> 1:27:51.120
<v Speaker 3>like they do on the tapes. So I just turned

1:27:51.160 --> 1:27:54.960
<v Speaker 3>to the crowd and I remember certain introductions.

1:27:55.000 --> 1:27:57.800
<v Speaker 2>There was an introduction of this crew called the sure

1:27:57.920 --> 1:28:00.479
<v Speaker 2>Shot Crew, but they used to do it with He

1:28:00.600 --> 1:28:03.559
<v Speaker 2>used to go the sure Shot Crew crew crew starring

1:28:03.720 --> 1:28:08.240
<v Speaker 2>DJ Cool, Cuts, Cuts Cool, c C, Sugar Bear Bear

1:28:08.479 --> 1:28:11.280
<v Speaker 2>and the Three m Seeds That'll rock you on down

1:28:11.439 --> 1:28:14.599
<v Speaker 2>down down to your knees. And they took a patche

1:28:14.680 --> 1:28:18.439
<v Speaker 2>my Man Bill Blast Boom back, Sean c Voom back

1:28:18.880 --> 1:28:23.679
<v Speaker 2>Raheem Voo back New York voom ah voom you vom

1:28:24.000 --> 1:28:26.080
<v Speaker 2>Ready for voog vogal vocal vote look and then theyre

1:28:26.080 --> 1:28:26.799
<v Speaker 2>going to the routine.

1:28:27.120 --> 1:28:29.880
<v Speaker 3>So I was like that shit D one two three

1:28:30.840 --> 1:28:34.000
<v Speaker 3>in the place to be as it is playing the Sea,

1:28:34.640 --> 1:28:38.240
<v Speaker 3>and I pointed backstage he is DJ running and I

1:28:38.400 --> 1:28:41.400
<v Speaker 3>am DMC and then oh shit, and then J I

1:28:41.479 --> 1:28:42.719
<v Speaker 3>love J and provision.

1:28:42.840 --> 1:28:45.439
<v Speaker 2>He just he's oh, I got it. He takes big

1:28:45.520 --> 1:28:48.519
<v Speaker 2>B and sou's going voom fat boom boom boom fah.

1:28:48.800 --> 1:28:52.439
<v Speaker 2>So he is DJ Running. I am DMC boom for

1:28:53.040 --> 1:28:56.519
<v Speaker 2>Funky Fresh for nineteen eighty three. I'm suiting now DJ

1:28:57.040 --> 1:28:59.920
<v Speaker 2>jam Master Jay inside the place with all of base

1:29:00.080 --> 1:29:02.760
<v Speaker 2>see Lee's without a trade, and I'm telling the whole

1:29:02.840 --> 1:29:04.599
<v Speaker 2>rocks he does. And we came here tonight to get

1:29:04.680 --> 1:29:05.360
<v Speaker 2>on your case.

1:29:05.400 --> 1:29:08.360
<v Speaker 3>And we the motherfucker from Queens, a whole nuther level

1:29:08.400 --> 1:29:12.400
<v Speaker 3>ship and we are and I remembered Cold crushing, mother

1:29:12.680 --> 1:29:16.200
<v Speaker 3>fucking tough ast far and we are. We had sucking

1:29:16.320 --> 1:29:20.439
<v Speaker 3>seas was Crush Groove one, and then we did a

1:29:20.520 --> 1:29:23.840
<v Speaker 3>song on the second album, Crushgroof two, and then we

1:29:23.880 --> 1:29:26.360
<v Speaker 3>did the Tim Crush Group. But I remembered Cold Crash

1:29:26.520 --> 1:29:28.920
<v Speaker 3>and we are the crush grooving.

1:29:29.120 --> 1:29:33.760
<v Speaker 2>Body moving record making and record breaking and it goes

1:29:33.800 --> 1:29:36.000
<v Speaker 2>a little something like this run came out. It goes

1:29:36.080 --> 1:29:37.160
<v Speaker 2>to one, two.

1:29:37.600 --> 1:29:43.040
<v Speaker 3>Three and here we boom, here we go. Biggie probably

1:29:43.160 --> 1:29:44.720
<v Speaker 3>was there at night because he got a rhyme with

1:29:45.120 --> 1:29:47.920
<v Speaker 3>I was snatching change, I was rubbing, I was.

1:29:49.600 --> 1:29:50.200
<v Speaker 2>You go yeah.

1:29:51.000 --> 1:29:53.360
<v Speaker 3>So all of that ship was connected, but it was

1:29:53.600 --> 1:29:57.840
<v Speaker 3>just me being prophetic and not knowing it.

1:29:57.920 --> 1:30:00.200
<v Speaker 2>If you listen to the jam Master J record, after

1:30:00.240 --> 1:30:03.839
<v Speaker 2>I said Jay, your name's your message J, and I'm I'm, I'm.

1:30:03.720 --> 1:30:05.400
<v Speaker 3>I guess I was like the cast of the group.

1:30:05.720 --> 1:30:07.760
<v Speaker 3>I'm gonna write a whole song about Jay to let

1:30:07.840 --> 1:30:09.880
<v Speaker 3>people know who he is. So we did kick off

1:30:09.960 --> 1:30:12.200
<v Speaker 3>your Shoes, Jump on the job. Listen to the jam

1:30:12.320 --> 1:30:15.040
<v Speaker 3>Mess that's the rocky rock. His name is Jay and

1:30:15.160 --> 1:30:17.200
<v Speaker 3>he's on his way to be the best DJ J

1:30:17.439 --> 1:30:20.599
<v Speaker 3>a wild. So we made that record so that while

1:30:20.640 --> 1:30:24.639
<v Speaker 3>we're opening for Parliament Funkadelic, we could tell the audience

1:30:24.840 --> 1:30:26.040
<v Speaker 3>who the DJ guy is.

1:30:26.479 --> 1:30:30.559
<v Speaker 2>But there's a rhyme in there. And my therapist told

1:30:30.600 --> 1:30:33.639
<v Speaker 2>me about this too, Mom, there's a rhyme in there.

1:30:34.160 --> 1:30:37.240
<v Speaker 3>Because even around that time the whole Curtis Blow, when

1:30:37.280 --> 1:30:39.560
<v Speaker 3>we was coming up, we was getting so much success

1:30:40.160 --> 1:30:43.160
<v Speaker 3>that number one, motherfuckers thought we were selling out.

1:30:44.040 --> 1:30:46.000
<v Speaker 2>And number two if it thought you were selling out,

1:30:46.120 --> 1:30:47.880
<v Speaker 2>they thought we were selling out because we you know,

1:30:48.000 --> 1:30:48.599
<v Speaker 2>it's MTV.

1:30:49.720 --> 1:30:52.800
<v Speaker 4>Whenever you reach a certain amount of success, everybody hating

1:30:52.840 --> 1:30:54.080
<v Speaker 4>no hammer Hamma.

1:30:53.800 --> 1:30:57.680
<v Speaker 2>Should fucking get should have got celebrated during the He

1:30:57.840 --> 1:31:00.360
<v Speaker 2>was the big dolls. He had the endorsements before all

1:31:00.520 --> 1:31:05.240
<v Speaker 2>and motherfucker's good deals and they don't even care. Motherfuckers

1:31:05.280 --> 1:31:06.800
<v Speaker 2>don't care about the culture, but they their deals.

1:31:07.200 --> 1:31:09.519
<v Speaker 3>But there's a rhyme I say, where lives can be

1:31:09.760 --> 1:31:12.240
<v Speaker 3>never singing the Blues. We got to tell y'all all

1:31:12.640 --> 1:31:14.680
<v Speaker 3>the good news. The good news is that.

1:31:14.760 --> 1:31:17.719
<v Speaker 2>There is a crew. And I had wrote that rhyme

1:31:18.280 --> 1:31:19.800
<v Speaker 2>when Joe put me in the group, but it was

1:31:19.880 --> 1:31:22.560
<v Speaker 2>just pretend to make believe because I was sending in

1:31:22.600 --> 1:31:25.880
<v Speaker 2>my basement one day and I said, what would I

1:31:25.960 --> 1:31:28.559
<v Speaker 2>do if I had to battle by myself the Furies

1:31:28.720 --> 1:31:30.960
<v Speaker 2>five Cluhit or in Treacherous three.

1:31:31.479 --> 1:31:33.840
<v Speaker 3>So I wanted to be prepared where lives can be

1:31:34.000 --> 1:31:36.600
<v Speaker 3>never singing the Blues got to tell y'all all the

1:31:36.800 --> 1:31:40.200
<v Speaker 3>world all your fucking credits and say the good news,

1:31:40.320 --> 1:31:43.040
<v Speaker 3>The good news is that there is a crew not five,

1:31:43.240 --> 1:31:46.360
<v Speaker 3>not four, not three, just two two MC's who are

1:31:46.479 --> 1:31:49.840
<v Speaker 3>claiming of fame and all other things won't be the

1:31:50.040 --> 1:31:52.880
<v Speaker 3>same because it's about time for a brand new group

1:31:53.200 --> 1:31:54.920
<v Speaker 3>run DMC to put you up on the.

1:31:54.920 --> 1:31:58.879
<v Speaker 2>School you went out, I said, the battle rock. Goddamn.

1:31:58.960 --> 1:32:03.400
<v Speaker 3>It's when I said that the industry started changing. It

1:32:03.560 --> 1:32:06.160
<v Speaker 3>opened the door for l It opened the door for pe,

1:32:06.320 --> 1:32:08.200
<v Speaker 3>It opened the door for all of us.

1:32:08.600 --> 1:32:10.920
<v Speaker 2>When we got inducted into the Rock and Roll Hall

1:32:10.960 --> 1:32:15.040
<v Speaker 2>of Fame in nine, they called me over DMC, I

1:32:15.120 --> 1:32:17.200
<v Speaker 2>gotta tell you something, you guys was prophetic. What do

1:32:17.280 --> 1:32:17.559
<v Speaker 2>you mean?

1:32:18.280 --> 1:32:20.800
<v Speaker 3>In nineteen eighty five they told me, y'all made a

1:32:20.880 --> 1:32:23.920
<v Speaker 3>record called the King of Rock. We had the balls

1:32:24.000 --> 1:32:26.160
<v Speaker 3>and gus the screen that we were the King of Rock.

1:32:27.560 --> 1:32:30.519
<v Speaker 3>A video with Larry Budd Melman from the David Letterman

1:32:30.600 --> 1:32:33.920
<v Speaker 3>Show denying us entry into the Rock and Roll Hall

1:32:33.920 --> 1:32:36.240
<v Speaker 3>of Fame. You guys can't come in here. This is

1:32:36.280 --> 1:32:38.400
<v Speaker 3>a rock and roll museum. And then we screened we

1:32:38.520 --> 1:32:41.599
<v Speaker 3>go in Trassey Museum. They hit me with this, don't

1:32:41.640 --> 1:32:43.960
<v Speaker 3>you know that the Rock and Roll Hall of Fame

1:32:44.000 --> 1:32:48.360
<v Speaker 3>didn't exist in eighty five? It didn't start till eighty six.

1:32:49.080 --> 1:32:55.280
<v Speaker 2>Shit, y'all made that in eighty five. Holy shit, no instance,

1:32:55.360 --> 1:32:56.680
<v Speaker 2>at least the fifties.

1:32:56.760 --> 1:32:57.439
<v Speaker 3>There's a rocker.

1:32:57.840 --> 1:33:04.639
<v Speaker 2>It didn't start tell eighty six. How could the whole

1:33:04.840 --> 1:33:11.120
<v Speaker 2>video it didn't start till eighty six. Lookrect the profits

1:33:11.520 --> 1:33:17.439
<v Speaker 2>the fucking exactly, it's crazy so all in all, but

1:33:17.800 --> 1:33:21.200
<v Speaker 2>I say all this because is even when hip hop

1:33:21.439 --> 1:33:26.160
<v Speaker 2>changed and became the music industry and said, the thing

1:33:26.240 --> 1:33:29.400
<v Speaker 2>that kept running Me running Jay did was nobody could

1:33:29.439 --> 1:33:31.200
<v Speaker 2>outdo us on the show. Right.

1:33:32.200 --> 1:33:34.479
<v Speaker 3>We opened for Big, we opened for Park, We opened

1:33:34.520 --> 1:33:37.040
<v Speaker 3>for parking Big, and it was crazy about them. They

1:33:37.120 --> 1:33:40.559
<v Speaker 3>didn't know no better pop. There's no way I'm going

1:33:40.680 --> 1:33:44.400
<v Speaker 3>on after run DMC. And this was POC and is

1:33:44.560 --> 1:33:45.280
<v Speaker 3>fucking prime.

1:33:48.080 --> 1:33:50.759
<v Speaker 2>Here's the beautiful thing about it. The promoter is losing

1:33:50.840 --> 1:33:53.960
<v Speaker 2>it because if we go, if POC goes on before us,

1:33:54.080 --> 1:33:57.559
<v Speaker 2>paks not knowing, half the crowd gonna leave because all

1:33:57.640 --> 1:34:00.840
<v Speaker 2>the half that crowds did because of him know my music.

1:34:01.040 --> 1:34:03.080
<v Speaker 3>I heard of us, so me running. They have to

1:34:03.080 --> 1:34:03.640
<v Speaker 3>go in the room and.

1:34:03.680 --> 1:34:06.200
<v Speaker 2>Said Poc, we're very flat at and stuff like that,

1:34:06.640 --> 1:34:08.679
<v Speaker 2>but we have to tell Park, this is your audience

1:34:09.520 --> 1:34:11.200
<v Speaker 2>see those people. We have to tell Park no, we

1:34:11.520 --> 1:34:14.360
<v Speaker 2>we're happy, POC. You know we have an arsenal, but

1:34:14.560 --> 1:34:18.240
<v Speaker 2>those people are here for you, and he tells the promoter.

1:34:18.120 --> 1:34:20.519
<v Speaker 3>All right, fuck that ship. The only reason I'm going

1:34:20.600 --> 1:34:22.840
<v Speaker 3>on is after run DMC is because they told me

1:34:22.920 --> 1:34:24.760
<v Speaker 3>to and he went out there and been popped. We

1:34:24.840 --> 1:34:29.040
<v Speaker 3>open for Big a couple of so Daddy would call us, Biggie.

1:34:29.200 --> 1:34:31.639
<v Speaker 3>We want Joe to open for the bad Boy Reunion.

1:34:31.720 --> 1:34:34.479
<v Speaker 3>This is when all the motherfuckers was together, Biggie sitting there.

1:34:34.920 --> 1:34:39.080
<v Speaker 3>Ain't no way I'm going on after running MC. You

1:34:39.240 --> 1:34:41.760
<v Speaker 3>get my ass kicked, y'all. Mothers got Peter Piper and

1:34:41.840 --> 1:34:44.840
<v Speaker 3>beat the big big yes, oh big, yes you know that.

1:34:45.439 --> 1:34:46.840
<v Speaker 3>But these people are hit you.

1:34:47.600 --> 1:34:49.760
<v Speaker 2>So the reason why I say that it's not about us,

1:34:49.840 --> 1:34:53.680
<v Speaker 2>It's about that thing that they know is untouchable. Like

1:34:54.000 --> 1:34:56.920
<v Speaker 2>this hip hop shit is at old school. Isn't old

1:34:57.040 --> 1:35:00.120
<v Speaker 2>or used to be. It's eternal. Right. Every time we

1:35:00.160 --> 1:35:03.639
<v Speaker 2>would show up, even in the new era, motherfuckers would

1:35:03.640 --> 1:35:07.080
<v Speaker 2>be like, oh shit, Pete Rock saved us. What's crazy

1:35:07.080 --> 1:35:09.080
<v Speaker 2>about life? Is this The very things that you do

1:35:09.439 --> 1:35:13.320
<v Speaker 2>down with people, The very things that you do for

1:35:13.640 --> 1:35:18.720
<v Speaker 2>people with people, whether good or bad, will happen to you.

1:35:19.280 --> 1:35:22.400
<v Speaker 2>So what did people say, run DMC did with Aerosmith,

1:35:22.560 --> 1:35:25.599
<v Speaker 2>We brought him back. We did walked his way over

1:35:25.640 --> 1:35:27.240
<v Speaker 2>with Aerosmith, brought him back.

1:35:28.240 --> 1:35:31.559
<v Speaker 3>Going into the nineties, everybody that had said Park Big,

1:35:31.960 --> 1:35:33.960
<v Speaker 3>Naughty by Nature list and that we opened the door,

1:35:34.200 --> 1:35:36.920
<v Speaker 3>it was their show. But everywhere we went they were

1:35:36.960 --> 1:35:40.639
<v Speaker 3>still worshiping us. And it's because you allen. We wasn't

1:35:40.720 --> 1:35:43.160
<v Speaker 3>participating as much. We wasn't on the radio, wasn't on

1:35:43.240 --> 1:35:45.840
<v Speaker 3>a charte and have a video. Pete rock comes along

1:35:45.920 --> 1:35:48.320
<v Speaker 3>for the down with the King Red record, I Got

1:35:48.400 --> 1:35:50.920
<v Speaker 3>your home, Come over my house. We go out to

1:35:51.080 --> 1:35:54.080
<v Speaker 3>Mount Vernon to Pete Rock's house. We go down in

1:35:54.160 --> 1:35:56.280
<v Speaker 3>the basement and this is Pete Rocky goes over to

1:35:56.400 --> 1:36:00.200
<v Speaker 3>the NPC. It's the button that music comes on. It's

1:36:00.240 --> 1:36:04.600
<v Speaker 3>the nineties now got all of the Coogi rap. Motherfucker's

1:36:04.680 --> 1:36:08.320
<v Speaker 3>killed y'all. Motherfucker like the dope shit going on. But

1:36:08.400 --> 1:36:10.640
<v Speaker 3>we still run the MC. But we're still eighties and

1:36:11.000 --> 1:36:14.240
<v Speaker 3>find it. We're still working too, because we're doing a

1:36:14.280 --> 1:36:16.600
<v Speaker 3>lot of the white rock shows. We ain't doing the

1:36:16.720 --> 1:36:19.760
<v Speaker 3>New Ship. We're doing Jay's there hanging, but we don't

1:36:19.760 --> 1:36:21.920
<v Speaker 3>have a song for that, so we go on the basement.

1:36:21.960 --> 1:36:24.559
<v Speaker 3>He hit Pete Rock hit in PC and he hates

1:36:24.560 --> 1:36:27.120
<v Speaker 3>to want to say that, well, running him. We see

1:36:27.160 --> 1:36:29.760
<v Speaker 3>that for Aerosmith. Pete Rock did for us. He brought

1:36:29.840 --> 1:36:31.479
<v Speaker 3>us back. Wow, he's running.

1:36:31.600 --> 1:36:35.720
<v Speaker 2>Pete Rock saved our careers. Heat Rock.

1:36:36.640 --> 1:36:38.760
<v Speaker 3>He hit the button that music came on. He goes

1:36:38.800 --> 1:36:42.240
<v Speaker 3>over to the turntables, says he's a DJ. He takes

1:36:42.320 --> 1:36:47.479
<v Speaker 3>runs house. The part of my verse will go. Name

1:36:47.600 --> 1:36:50.519
<v Speaker 3>is mc all, Tom Gray Bust the most rhymes, Robers

1:36:50.560 --> 1:36:53.120
<v Speaker 3>New York State Reporters, Clark produces y'all.

1:36:53.320 --> 1:36:55.439
<v Speaker 2>They want to be done with the King and want

1:36:55.520 --> 1:36:57.720
<v Speaker 2>that man for the he stays safe. Sat down with

1:36:57.880 --> 1:36:59.960
<v Speaker 2>the King over that me. I posted that this morning

1:37:00.040 --> 1:37:04.519
<v Speaker 2>and Sony Music made me take it down? Was the

1:37:04.600 --> 1:37:09.000
<v Speaker 2>verse that just house? First they made you take it down?

1:37:09.160 --> 1:37:14.639
<v Speaker 2>Yeah yeah, yeah yeah. I was heated. They so go ahead, bad,

1:37:15.040 --> 1:37:18.000
<v Speaker 2>We make down with the King, great record man. Then

1:37:18.040 --> 1:37:22.360
<v Speaker 2>we make the video. Go look at the video. Right.

1:37:23.800 --> 1:37:24.800
<v Speaker 2>We didn't invite his ass.

1:37:26.439 --> 1:37:29.840
<v Speaker 4>He heard everybody wanted to be a part of it

1:37:31.320 --> 1:37:33.280
<v Speaker 4>because let me, you did you doubt that that was

1:37:33.320 --> 1:37:35.160
<v Speaker 4>something like that would happen where everybody wants to me.

1:37:35.640 --> 1:37:37.040
<v Speaker 3>Were you guys not of us in the thought?

1:37:37.120 --> 1:37:41.759
<v Speaker 2>But when it came, it's so humbling, right un whoever

1:37:41.920 --> 1:37:45.400
<v Speaker 2>was in town came show love. But I'm gonna let

1:37:45.439 --> 1:37:47.559
<v Speaker 2>you finish. But let me just stop me for one second,

1:37:47.600 --> 1:37:50.559
<v Speaker 2>because you know all day you've been you've been saying

1:37:50.600 --> 1:37:52.960
<v Speaker 2>how much stan Lee means to you and how much

1:37:53.080 --> 1:37:56.160
<v Speaker 2>his superhero. Well, our show is about giving people they flowers,

1:37:56.320 --> 1:37:58.240
<v Speaker 2>and I wanted to give you your flowers face to face,

1:37:58.360 --> 1:38:01.240
<v Speaker 2>man man and tell you you you you you my hero.

1:38:01.600 --> 1:38:03.240
<v Speaker 2>You know what I'm saying. You are heroes. You know

1:38:03.240 --> 1:38:05.000
<v Speaker 2>what I'm saying. We wanted to give you your flowers

1:38:05.200 --> 1:38:12.760
<v Speaker 2>like man, like you know we've been doing this. We've

1:38:12.760 --> 1:38:14.320
<v Speaker 2>been doing this for for seven years.

1:38:14.400 --> 1:38:15.360
<v Speaker 3>I mean, he's day one.

1:38:15.520 --> 1:38:18.680
<v Speaker 2>Yeah, let me just tell you something. Let me just

1:38:18.720 --> 1:38:20.719
<v Speaker 2>say something. When I knew I had you booked yesterday,

1:38:20.760 --> 1:38:23.000
<v Speaker 2>I couldn't even sleep, like it was I felt like

1:38:23.080 --> 1:38:25.200
<v Speaker 2>it was Christmas. Like I felt like today was Christmas.

1:38:25.240 --> 1:38:27.680
<v Speaker 2>Like I couldn't sleep. I woke up. I wanted to

1:38:27.760 --> 1:38:30.360
<v Speaker 2>make sure I did everything. I worked out, I made

1:38:30.400 --> 1:38:32.240
<v Speaker 2>sure I didn't drink, I made sure, Like I just

1:38:32.320 --> 1:38:36.000
<v Speaker 2>wanted to be everything, because that's what like I said

1:38:36.040 --> 1:38:37.920
<v Speaker 2>it in the intro and I said, if it wasn't

1:38:37.960 --> 1:38:40.799
<v Speaker 2>for a run DMC, they probably wouldn't be a Compona noriegga,

1:38:40.840 --> 1:38:42.479
<v Speaker 2>which means it wouldn't be a nory, which means it

1:38:42.760 --> 1:38:44.800
<v Speaker 2>might not be a drink champion, and so on and

1:38:44.880 --> 1:38:47.320
<v Speaker 2>so forth with. You know the legacy that you guys

1:38:47.479 --> 1:38:49.320
<v Speaker 2>laid down, and I want you to know face to

1:38:49.400 --> 1:38:51.760
<v Speaker 2>face man, the man is that it takes nothing away

1:38:51.800 --> 1:38:53.240
<v Speaker 2>from me to tell you how great you are. You

1:38:53.360 --> 1:38:57.080
<v Speaker 2>guys are great. You guys are guys, are legends, you

1:38:57.120 --> 1:38:59.880
<v Speaker 2>guys are icons, And I just want to continue to

1:39:00.000 --> 1:39:01.760
<v Speaker 2>supported this is what this show is about. You know,

1:39:02.080 --> 1:39:04.320
<v Speaker 2>so many people, so many people like they get ten

1:39:04.400 --> 1:39:06.640
<v Speaker 2>years in this game, or they get twelve years or

1:39:06.640 --> 1:39:08.680
<v Speaker 2>twenty years in this game, and they say that they

1:39:09.160 --> 1:39:10.880
<v Speaker 2>washed up. You know that's not that doesn't this is

1:39:10.960 --> 1:39:13.519
<v Speaker 2>no other genre of music, knowing the genre of music

1:39:13.600 --> 1:39:16.160
<v Speaker 2>they says that. And you know, to celebrate Hip Hop

1:39:16.200 --> 1:39:18.080
<v Speaker 2>fifty and the know that you guys got damned there

1:39:18.200 --> 1:39:19.519
<v Speaker 2>forty of the.

1:39:19.560 --> 1:39:23.360
<v Speaker 7>Fifty years of the goddamn fifty crazy goddamn Let's make

1:39:23.439 --> 1:39:30.080
<v Speaker 7>some goddamn I mean yeah, I mean the same way y'all.

1:39:30.120 --> 1:39:32.320
<v Speaker 7>For everybody said that, yo, you would. That's how it

1:39:32.400 --> 1:39:33.439
<v Speaker 7>started comic books.

1:39:33.439 --> 1:39:36.160
<v Speaker 2>I don't know if you're no Riggs Morales of course,

1:39:37.360 --> 1:39:42.320
<v Speaker 2>Dominicant partner part of this. Yeah, Riggs is my partner's amazing,

1:39:42.360 --> 1:39:45.360
<v Speaker 2>So you're Dominicant. I just.

1:39:47.479 --> 1:39:50.120
<v Speaker 3>Came about. I went to Riggs for some music stuff

1:39:50.160 --> 1:39:51.559
<v Speaker 3>and when I sat down with Riggs, he was.

1:39:51.600 --> 1:39:54.680
<v Speaker 2>Like this, and I was like, hey, Rix, he was

1:39:55.760 --> 1:39:58.720
<v Speaker 2>and he used these words. He said, you DMC, you

1:39:58.840 --> 1:40:01.120
<v Speaker 2>are my superhero. And he asked me what was it

1:40:01.240 --> 1:40:02.760
<v Speaker 2>like when he was a kid, and I was like, well,

1:40:02.800 --> 1:40:05.920
<v Speaker 2>I used to just reclare, recollect into a comic book.

1:40:06.000 --> 1:40:08.639
<v Speaker 2>So we sat there. We didn't talk about hip hop

1:40:08.720 --> 1:40:10.479
<v Speaker 2>or music. He said it for three hours and talked

1:40:10.479 --> 1:40:13.080
<v Speaker 2>about comic book. After he heard me say all this

1:40:13.160 --> 1:40:14.800
<v Speaker 2>stuff that I was doing, he said, d you should

1:40:14.880 --> 1:40:17.840
<v Speaker 2>do a comic book. And I said, nope, don't get no,

1:40:18.160 --> 1:40:20.560
<v Speaker 2>don't put me in that hell no, I know what

1:40:20.600 --> 1:40:22.439
<v Speaker 2>you're trying to do. And he was like what, I

1:40:22.520 --> 1:40:25.360
<v Speaker 2>didn't want to do a comic book and make the

1:40:25.439 --> 1:40:28.680
<v Speaker 2>comic book culture thing. Oh, just because this motherfucker had

1:40:28.720 --> 1:40:31.280
<v Speaker 2>a couple of hit records. Do anything because there's a

1:40:31.520 --> 1:40:33.280
<v Speaker 2>that's how much you cared about it, right, But then

1:40:33.400 --> 1:40:36.120
<v Speaker 2>Rick said, no, d us comic books for for hip

1:40:36.160 --> 1:40:38.559
<v Speaker 2>hop and by you being hip hop, this will work.

1:40:38.680 --> 1:40:41.519
<v Speaker 2>So Rigg is the guy that made the Darryl Man.

1:40:41.600 --> 1:40:44.639
<v Speaker 2>He said, you can't use Marvel. I was pissed off.

1:40:46.000 --> 1:40:47.519
<v Speaker 2>I want to use it. I've got to be Marble.

1:40:48.040 --> 1:40:50.800
<v Speaker 3>Can't use DC, can't use Image, can't use value, and

1:40:50.920 --> 1:40:53.519
<v Speaker 3>can't use milestone. What are you gonna call your comic

1:40:53.600 --> 1:40:54.200
<v Speaker 3>book company?

1:40:54.360 --> 1:40:56.519
<v Speaker 2>Now? This is a beauty of hip hop shit. I

1:40:56.560 --> 1:41:00.320
<v Speaker 2>don't know DMN C d's for doing it all of

1:41:00.400 --> 1:41:02.960
<v Speaker 2>the time. MS for the ROMs that all minds cease

1:41:03.000 --> 1:41:04.800
<v Speaker 2>for cool cool ass can be run used to say,

1:41:04.800 --> 1:41:07.280
<v Speaker 2>while you're wear those glasses, oh I can see what

1:41:07.400 --> 1:41:09.519
<v Speaker 2>goodness day? Please for doing it all of the time.

1:41:09.720 --> 1:41:11.800
<v Speaker 3>MS for the ROMs that on minds cease for cool

1:41:11.840 --> 1:41:13.960
<v Speaker 3>cool ass can be why do I wear contacts?

1:41:14.760 --> 1:41:17.720
<v Speaker 2>So you can see what do they start with? So

1:41:18.439 --> 1:41:20.639
<v Speaker 2>it's it's relevant. But then I'll go, you know what, Riggs,

1:41:20.920 --> 1:41:22.640
<v Speaker 2>I'm gonna just be making comic books. And you know

1:41:22.960 --> 1:41:25.719
<v Speaker 2>how Riggs is I'm gonna just call them my company.

1:41:26.080 --> 1:41:32.960
<v Speaker 2>Daryl Makes Comics show. We're gonna do a gitar because

1:41:33.040 --> 1:41:40.560
<v Speaker 2>thank you Riggs legend. It's part of shady Wreckage Sorcerers.

1:41:40.960 --> 1:41:41.240
<v Speaker 2>It was.

1:41:43.080 --> 1:41:46.600
<v Speaker 3>That you understand inspirations are two way street. Why are

1:41:46.640 --> 1:41:50.639
<v Speaker 3>you telling me that inspires me to still keep going?

1:41:51.080 --> 1:41:52.960
<v Speaker 2>Let me tell you how much of a legend you

1:41:53.080 --> 1:41:58.679
<v Speaker 2>guys are. Halloween had just passed, right, and then my wife,

1:41:58.960 --> 1:42:02.880
<v Speaker 2>my wife comes in the house and she buys my

1:42:03.000 --> 1:42:06.439
<v Speaker 2>son a fake run DMC outfit, and I was like,

1:42:06.479 --> 1:42:09.200
<v Speaker 2>you gotta get that out of my house. I had

1:42:09.280 --> 1:42:11.840
<v Speaker 2>two stripes. I was like, you cannot do that to

1:42:12.000 --> 1:42:14.920
<v Speaker 2>my son. But my wife, not knowing, she's just thinking

1:42:15.040 --> 1:42:18.040
<v Speaker 2>like she's thinking like they're paying homage, but I'm saying

1:42:18.320 --> 1:42:21.000
<v Speaker 2>they're paying the wrong homage. Like if you're gonna do,

1:42:21.800 --> 1:42:25.040
<v Speaker 2>you gotta go get this, Yes, yeah, I can't let

1:42:25.520 --> 1:42:27.439
<v Speaker 2>go out like that. I was just like, yo, But

1:42:27.560 --> 1:42:30.599
<v Speaker 2>that's how rariconic it is. People dress up like yeah

1:42:30.640 --> 1:42:34.720
<v Speaker 2>off for a Halloween. That's crazy crazy. Did you ever

1:42:34.760 --> 1:42:38.880
<v Speaker 2>see the fake one DMC constant? Yes, yeah, you gotta

1:42:38.920 --> 1:42:39.760
<v Speaker 2>se what we do.

1:42:40.880 --> 1:42:44.639
<v Speaker 3>Just so we went and went to court and all

1:42:45.520 --> 1:42:47.040
<v Speaker 3>they can sell it because all I gotta do is

1:42:47.160 --> 1:42:53.560
<v Speaker 3>change one little thing. Wow bullshit, you know, and the

1:42:53.640 --> 1:42:56.720
<v Speaker 3>world knows where it's coming from, right, like to check

1:42:56.880 --> 1:42:59.000
<v Speaker 3>just the one little thing, right, Why do you think

1:42:59.080 --> 1:43:00.880
<v Speaker 3>some of these cars look like the Benzes and the

1:43:00.920 --> 1:43:06.160
<v Speaker 3>Meschas thing we tried to see. You're crazy, it's great,

1:43:06.200 --> 1:43:09.280
<v Speaker 3>But what we should do is put an official run DMC.

1:43:09.880 --> 1:43:15.480
<v Speaker 2>Yeah. Yeah, that's that's the key. That's because everybody will

1:43:15.520 --> 1:43:16.439
<v Speaker 2>go by that anyway.

1:43:16.479 --> 1:43:18.600
<v Speaker 3>I mean all I get, I get two things in

1:43:18.640 --> 1:43:22.679
<v Speaker 3>the holiday season Christmas. I can't go to them all

1:43:23.040 --> 1:43:26.760
<v Speaker 3>because Muslims, Jewish people, Chinese people, they screaming the rhyme

1:43:26.920 --> 1:43:33.320
<v Speaker 3>Christmas E, Christmas, Halloween, Justice Halloween. My text message, my

1:43:33.560 --> 1:43:37.040
<v Speaker 3>emails and everybody that sees me gets this.

1:43:37.280 --> 1:43:39.679
<v Speaker 2>I'm in seven to eleven, I'm in the super Guests.

1:43:39.680 --> 1:43:46.000
<v Speaker 3>All be tonight, you know, and then my text. But

1:43:46.120 --> 1:43:47.120
<v Speaker 3>here's a beautiful thing.

1:43:47.800 --> 1:43:51.439
<v Speaker 2>The kids going to school, right, the parents dressed them

1:43:51.520 --> 1:43:54.559
<v Speaker 2>up over the last thirty six years since that record.

1:43:54.800 --> 1:43:58.000
<v Speaker 2>But now kids that like it's tricky.

1:43:57.680 --> 1:44:01.439
<v Speaker 3>Because it's hot on TikTok, go to discover and see

1:44:01.520 --> 1:44:03.920
<v Speaker 3>who are the guys behind this record that they don't

1:44:04.280 --> 1:44:05.840
<v Speaker 3>they don't know me like you let us know the

1:44:05.920 --> 1:44:08.400
<v Speaker 3>song they kids in now saying mom, may I want

1:44:08.400 --> 1:44:09.479
<v Speaker 3>to dress up like run DMC.

1:44:10.479 --> 1:44:13.599
<v Speaker 2>That's the beautiful thing connecting with that next g right,

1:44:13.720 --> 1:44:15.720
<v Speaker 2>you know what's even more beautiful is that you guys

1:44:15.760 --> 1:44:20.080
<v Speaker 2>are timeless like that. That that's what's even more beautiful.

1:44:20.120 --> 1:44:23.519
<v Speaker 2>It's just your timeless. Like I was speaking speaking the

1:44:25.000 --> 1:44:27.400
<v Speaker 2>trust from Naughty by Nature and I was telling him,

1:44:27.439 --> 1:44:30.400
<v Speaker 2>I was like, yo, like, most of the time, if

1:44:30.439 --> 1:44:32.240
<v Speaker 2>I'm in the party and they're not playing at least

1:44:32.280 --> 1:44:34.560
<v Speaker 2>one or two or three Norty by Nature part of

1:44:34.600 --> 1:44:36.439
<v Speaker 2>the party, I don't want to be And if they

1:44:36.439 --> 1:44:39.719
<v Speaker 2>were not playing Bets and they're not playing Run DMC

1:44:39.800 --> 1:44:42.640
<v Speaker 2>at a party, I pretty much probably start don't like

1:44:42.680 --> 1:44:48.759
<v Speaker 2>the DJ. We at that fucking fucking Rolling Stone level.

1:44:49.520 --> 1:44:51.960
<v Speaker 2>So let me ask you, Right, I did an interview

1:44:52.040 --> 1:44:55.920
<v Speaker 2>with my friend Brian earlier and he had asked me

1:44:56.000 --> 1:44:57.679
<v Speaker 2>this question. So I want to ask you this question.

1:44:58.000 --> 1:45:04.040
<v Speaker 2>What was the moment when you felt like you made it? Oh,

1:45:04.160 --> 1:45:06.560
<v Speaker 2>the moment that I felt like I made it was

1:45:09.320 --> 1:45:10.479
<v Speaker 2>it was eighty six.

1:45:11.800 --> 1:45:16.960
<v Speaker 3>Because of walk this way now to us to a

1:45:17.040 --> 1:45:20.960
<v Speaker 3>whole other level. And this is a crazy moment. I'm

1:45:21.000 --> 1:45:28.280
<v Speaker 3>on the Grand Central Parkway traffic. We're no no open road. Okay, Uh,

1:45:28.520 --> 1:45:32.080
<v Speaker 3>the actually were Parsons Boulevard at something. I'm triving right there,

1:45:33.360 --> 1:45:39.320
<v Speaker 3>and I'm driving and not knowing because because we used

1:45:39.360 --> 1:45:42.599
<v Speaker 3>to I used to walk around as DMC because that's

1:45:42.640 --> 1:45:43.759
<v Speaker 3>how everybody else was dressing.

1:45:43.840 --> 1:45:45.960
<v Speaker 2>So I fit in and unless you knew it was

1:45:46.040 --> 1:45:46.559
<v Speaker 2>run DMC.

1:45:47.240 --> 1:45:48.880
<v Speaker 3>My man, Bud buddy, we used to stand in the

1:45:48.960 --> 1:45:52.719
<v Speaker 3>corner hollis and but my boy would hit me CD.

1:45:53.240 --> 1:45:55.960
<v Speaker 3>That's the hundredth time that car came around the block.

1:45:56.439 --> 1:45:58.759
<v Speaker 3>And all the doing is looking and can't believe running

1:45:58.840 --> 1:46:02.120
<v Speaker 3>J and Jay because run with the family man and

1:46:02.240 --> 1:46:04.439
<v Speaker 3>Jay was still in the street on the corner.

1:46:04.600 --> 1:46:05.439
<v Speaker 2>So here's the time.

1:46:05.520 --> 1:46:09.960
<v Speaker 3>I'm driving on the Grand Central Parkway in my nineteen

1:46:09.960 --> 1:46:11.880
<v Speaker 3>eighty six Fleetwood Caddy.

1:46:12.200 --> 1:46:17.760
<v Speaker 2>Okay, it was a SOB Tobies in my back black

1:46:17.800 --> 1:46:20.320
<v Speaker 2>Fleetwood with the wolf is in the behind the sea

1:46:20.360 --> 1:46:23.680
<v Speaker 2>hall and I'm driving and I just look over at

1:46:23.720 --> 1:46:28.280
<v Speaker 2>the car next to me and they crash. Oh shit,

1:46:29.400 --> 1:46:30.320
<v Speaker 2>because they're staring at you.

1:46:30.680 --> 1:46:30.880
<v Speaker 4>Yeah.

1:46:31.000 --> 1:46:33.120
<v Speaker 2>I pulled off the holl and said, oh shit, I

1:46:33.200 --> 1:46:39.080
<v Speaker 2>can't walk around like this. They saw de glasses had

1:46:39.200 --> 1:46:42.080
<v Speaker 2>Adida stripes. They didn't see the forty I was holding,

1:46:42.520 --> 1:46:45.720
<v Speaker 2>but I look over and they crashed right, So.

1:46:45.840 --> 1:46:49.720
<v Speaker 3>Then I knew that's the day. I said, Oh, now

1:46:49.840 --> 1:46:52.080
<v Speaker 3>I know what Mick Jacker and Michael Jackson feel like.

1:46:52.640 --> 1:46:53.760
<v Speaker 3>It was nineteen eighty six.

1:46:53.920 --> 1:46:58.280
<v Speaker 2>The game my Adida's first non athletic entity to receive

1:46:58.360 --> 1:47:03.160
<v Speaker 2>a major sport like because I want to, I'm gonna

1:47:03.160 --> 1:47:06.200
<v Speaker 2>cover walk this Way real quick, right, Okay, So the

1:47:06.360 --> 1:47:11.240
<v Speaker 2>rumor has it is Rick. This is Rick Rubin's idea. No,

1:47:11.920 --> 1:47:15.360
<v Speaker 2>oh wow. Now Rick is one of the greatest producer,

1:47:15.520 --> 1:47:16.679
<v Speaker 2>but everybody will tell.

1:47:16.520 --> 1:47:19.640
<v Speaker 3>You he don't create anything. Okay, he comes in and

1:47:19.760 --> 1:47:22.120
<v Speaker 3>brings the best out of you. But you got let

1:47:22.160 --> 1:47:24.800
<v Speaker 3>me see, he ain't coming. He's not like writing and

1:47:24.920 --> 1:47:27.200
<v Speaker 3>this and that, and I got a song idea. The

1:47:27.320 --> 1:47:30.560
<v Speaker 3>original idea came about like this. We was finishing and

1:47:30.640 --> 1:47:34.559
<v Speaker 3>raising hell album. So Jay goes, Yo, we gotta make

1:47:34.600 --> 1:47:38.759
<v Speaker 3>a beat jam. So we was just gonna sample toys

1:47:38.840 --> 1:47:42.760
<v Speaker 3>an attic YO sample. We didn't know it was walked

1:47:42.800 --> 1:47:45.679
<v Speaker 3>this Way. Me and Rovers said, Yo, get the album

1:47:45.760 --> 1:47:49.479
<v Speaker 3>with the toys on the cover and loop number four

1:47:50.200 --> 1:47:51.639
<v Speaker 3>because the DJs.

1:47:51.680 --> 1:47:53.560
<v Speaker 2>We was scratched the title of the records house, so

1:47:53.640 --> 1:47:55.799
<v Speaker 2>the rival DJs, we just knew we want.

1:47:55.640 --> 1:48:02.320
<v Speaker 3>To step debt Step debt, and I remember that shit

1:48:02.400 --> 1:48:06.080
<v Speaker 3>down there, bet. So it's gonna be three minutes and

1:48:06.160 --> 1:48:09.519
<v Speaker 3>thirty seconds of a loop of that, because if y'all understand,

1:48:09.600 --> 1:48:11.200
<v Speaker 3>Walk this Way, like I said, it was in the

1:48:11.200 --> 1:48:13.960
<v Speaker 3>first rock record we had, Rock Box. It wasn't the

1:48:14.000 --> 1:48:16.280
<v Speaker 3>first rock rapper record at King of Rock, people not

1:48:16.479 --> 1:48:18.680
<v Speaker 3>Raising Hell. We had a song called Raising Hell and

1:48:19.320 --> 1:48:22.160
<v Speaker 3>that was us making in us rhyming. So we was

1:48:22.240 --> 1:48:25.800
<v Speaker 3>gonna loop walk this Way, and we was gonna rhyme

1:48:25.800 --> 1:48:28.000
<v Speaker 3>about how good we were. And I still remember my

1:48:28.160 --> 1:48:30.400
<v Speaker 3>rounds to this day. We had the whole rhyme thing done.

1:48:31.000 --> 1:48:33.519
<v Speaker 3>It was gonna come on then, and I was supposed

1:48:33.520 --> 1:48:35.320
<v Speaker 3>to go because we came out in eighty three.

1:48:35.360 --> 1:48:37.680
<v Speaker 2>It's eighty six. Now I'll go, I'm DMC in the

1:48:37.760 --> 1:48:40.200
<v Speaker 2>place to be, been wrapping on a mic since eighty three.

1:48:40.320 --> 1:48:42.880
<v Speaker 3>I'm the greatest MC in history. They will never be

1:48:42.960 --> 1:48:45.000
<v Speaker 3>an MC better than me. And it run was supposed

1:48:45.000 --> 1:48:47.120
<v Speaker 3>to go. I'm DJ Run and I'm the more typical

1:48:47.200 --> 1:48:49.400
<v Speaker 3>run the MC shit. So we had that going on.

1:48:49.600 --> 1:48:51.680
<v Speaker 2>Rick Rubin, who was our producer Jomp, comes in.

1:48:51.720 --> 1:48:56.400
<v Speaker 3>The studio and he says these words, Yo, y'all should

1:48:56.400 --> 1:48:59.120
<v Speaker 3>do walk this way over. So we think it from

1:48:59.160 --> 1:49:02.400
<v Speaker 3>a limited hip perspective. Motherfucker, what you think we're gonna do.

1:49:02.400 --> 1:49:05.160
<v Speaker 3>We're gonna sample this ship. We're gonna rhyme over. He says, no,

1:49:05.760 --> 1:49:08.800
<v Speaker 3>do the record over the way the band originally did it.

1:49:09.920 --> 1:49:13.519
<v Speaker 3>So that was Rick Ruben's beautiful idea. And me and

1:49:13.600 --> 1:49:15.840
<v Speaker 3>Run said no, hell no.

1:49:16.120 --> 1:49:18.960
<v Speaker 2>Book running was funny because he used to always hold

1:49:19.000 --> 1:49:23.560
<v Speaker 2>my books up and go got rhymes, rhymes? Why the

1:49:23.600 --> 1:49:24.920
<v Speaker 2>fuck you want us to sing this?

1:49:25.120 --> 1:49:28.520
<v Speaker 3>And we had never heard the lyrics because the DJ's

1:49:28.600 --> 1:49:31.040
<v Speaker 3>never let it play that far. So Rick tapes the

1:49:31.160 --> 1:49:34.880
<v Speaker 3>vinyl off the record, go in these basement, put the

1:49:34.960 --> 1:49:38.360
<v Speaker 3>record on, take a pen and paper, let the record play,

1:49:38.760 --> 1:49:40.840
<v Speaker 3>and write down the lyrics so y'all can learn them.

1:49:41.760 --> 1:49:44.840
<v Speaker 3>So we drive, We leave grom chun King House of Metal.

1:49:45.080 --> 1:49:47.800
<v Speaker 3>We drive from junk King back to my basement. We

1:49:47.880 --> 1:49:56.640
<v Speaker 3>put the record on ben and they gotta understand anticipation.

1:49:56.840 --> 1:49:59.800
<v Speaker 3>We never heard what was gonna happen then that she said,

1:50:01.680 --> 1:50:05.439
<v Speaker 3>backshop lover, how you know there for Oh hell no, helly,

1:50:05.680 --> 1:50:08.280
<v Speaker 3>we going no fuck that ship. No, we ain't doing

1:50:08.360 --> 1:50:11.240
<v Speaker 3>this this hill billy gibberous this and Russell screaming that

1:50:11.320 --> 1:50:14.600
<v Speaker 3>Joey motherfucking this and that run arguing with this, hell no,

1:50:14.720 --> 1:50:16.719
<v Speaker 3>hell no, we ain't a fucking phone up.

1:50:16.600 --> 1:50:18.760
<v Speaker 2>And I hated to do record at first. Oh my god,

1:50:18.840 --> 1:50:20.479
<v Speaker 2>well what it was. We didn't want to do that.

1:50:20.800 --> 1:50:24.920
<v Speaker 2>We don't do that that shop. But you understand it's

1:50:24.920 --> 1:50:27.240
<v Speaker 2>our first time hearing it. It didn't digest. It was

1:50:27.360 --> 1:50:28.280
<v Speaker 2>just that ship.

1:50:28.360 --> 1:50:33.840
<v Speaker 3>Ain't fucking um um. People seem to think that. The

1:50:34.360 --> 1:50:36.519
<v Speaker 3>people seem to think that the being them ce you

1:50:36.640 --> 1:50:39.200
<v Speaker 3>need a closet full of clothes and ice up jewelry,

1:50:39.600 --> 1:50:43.000
<v Speaker 3>pocket full of dollars, walkers every flavor, stuck up attitude

1:50:43.000 --> 1:50:45.599
<v Speaker 3>and another kind of behavior. I'm sorry to say that's

1:50:45.640 --> 1:50:48.160
<v Speaker 3>how it was before. But people ain't going for that

1:50:48.400 --> 1:50:48.760
<v Speaker 3>no more.

1:50:48.840 --> 1:50:51.080
<v Speaker 2>You gotta give a performance, because by now you should

1:50:51.120 --> 1:50:53.320
<v Speaker 2>know that you're giving a party out a flash and

1:50:53.400 --> 1:50:55.080
<v Speaker 2>show another grand mastercaso.

1:50:55.160 --> 1:51:00.400
<v Speaker 3>That wasn't my I just those industry movers go up

1:51:00.439 --> 1:51:05.280
<v Speaker 3>to Cassie, you know much, so we go, No, we hadn't.

1:51:05.320 --> 1:51:08.200
<v Speaker 3>We didn't let it digest back showed love. However, he

1:51:08.360 --> 1:51:10.920
<v Speaker 3>was doing it. No, no, no, no, no, hell no,

1:51:11.120 --> 1:51:11.439
<v Speaker 3>hell no.

1:51:11.800 --> 1:51:15.240
<v Speaker 2>Joey Smith was rhyming on on that. Let me show

1:51:15.240 --> 1:51:17.759
<v Speaker 2>you what happened. We ain't doing that ship. That's corny.

1:51:17.800 --> 1:51:18.920
<v Speaker 3>We want to fucking rhyme.

1:51:19.040 --> 1:51:22.400
<v Speaker 2>Man. Run was like Jay, motherfucker, you are a king

1:51:22.479 --> 1:51:25.080
<v Speaker 2>of rock, You're a rock box. This is what we do.

1:51:25.640 --> 1:51:27.920
<v Speaker 3>So Jay's trying to convince us and we arguing on

1:51:28.080 --> 1:51:31.320
<v Speaker 3>that message. Yeah, so then Jay goes slow the fuck down.

1:51:32.240 --> 1:51:34.720
<v Speaker 3>Listen he uses these words and this was the game

1:51:34.800 --> 1:51:40.160
<v Speaker 3>to listen to Steven's flow, Baci love, I need to come.

1:51:41.320 --> 1:51:44.439
<v Speaker 3>Now we're hearing it. We wasn't before. Remember it was gibberish,

1:51:45.000 --> 1:51:47.920
<v Speaker 3>but Ja listened to his flow. I understand that language.

1:51:48.479 --> 1:51:51.519
<v Speaker 3>Vaccine lover. Oh shit, we can do this ship. So

1:51:51.680 --> 1:51:54.160
<v Speaker 3>we learn the records. Now this is funny. Y'all can

1:51:54.240 --> 1:51:58.760
<v Speaker 3>go to YouTube and hear this version. We still didn't

1:51:58.760 --> 1:52:01.519
<v Speaker 3>want to do it. So the original demo of Walk

1:52:01.600 --> 1:52:03.000
<v Speaker 3>This Way Run Winning.

1:52:02.760 --> 1:52:06.439
<v Speaker 2>It took the whole first verse back seat love behind

1:52:06.520 --> 1:52:08.679
<v Speaker 2>if to cover, talk to my daddy, say, I ain't

1:52:08.680 --> 1:52:10.439
<v Speaker 2>seen nothing. Did it go you go? Dean? We went

1:52:10.520 --> 1:52:13.240
<v Speaker 2>and just did them lamess version of that shit at all.

1:52:13.600 --> 1:52:16.000
<v Speaker 2>When we tried to leave the studio, Jay was fucking

1:52:16.120 --> 1:52:18.840
<v Speaker 2>standing at the fucking door with his hand like, if

1:52:18.880 --> 1:52:20.640
<v Speaker 2>you don't go back in there and do this run

1:52:20.720 --> 1:52:22.000
<v Speaker 2>demn shit, I'm shoot jumping.

1:52:29.160 --> 1:52:31.720
<v Speaker 3>So we go in there and Jay said, let's flow it.

1:52:31.880 --> 1:52:34.200
<v Speaker 3>He said, don't do it like Steven did it. Do

1:52:34.280 --> 1:52:37.280
<v Speaker 3>it like run DMC would do it. That's another game too.

1:52:38.040 --> 1:52:41.000
<v Speaker 3>Oh we can switch off like we didn't know. So

1:52:41.200 --> 1:52:43.240
<v Speaker 3>that that's the version that's you her. So it was

1:52:43.400 --> 1:52:46.960
<v Speaker 3>Rick Ruben's crown breaking, universal, brilliant idea.

1:52:47.040 --> 1:52:48.040
<v Speaker 2>To do it with.

1:52:48.760 --> 1:52:52.400
<v Speaker 3>To do it over now, his was crazy. It didn't

1:52:52.479 --> 1:52:55.200
<v Speaker 3>in there with Rick. While we were doing that. Rick's

1:52:55.240 --> 1:53:00.760
<v Speaker 3>on the phone calling Boston. My name is Rick. I

1:53:00.920 --> 1:53:03.120
<v Speaker 3>know you know who run demn C is. We want

1:53:03.160 --> 1:53:04.280
<v Speaker 3>to do your record over that?

1:53:04.400 --> 1:53:06.960
<v Speaker 2>Don't want to do it? Hold on?

1:53:07.560 --> 1:53:09.920
<v Speaker 3>This is an arrowsman, just to see the people. Okay,

1:53:09.960 --> 1:53:10.479
<v Speaker 3>who is this?

1:53:10.800 --> 1:53:13.960
<v Speaker 2>Imagine that? Then? This is Rick. My name is Rick Rubin.

1:53:14.040 --> 1:53:15.960
<v Speaker 2>I know you know who run DMC is. Do you

1:53:16.040 --> 1:53:18.880
<v Speaker 2>want to do the record over? Hold on? Some guy

1:53:19.000 --> 1:53:21.640
<v Speaker 2>named Rick Ruben on the phone and they want to

1:53:21.680 --> 1:53:23.640
<v Speaker 2>do it. Yeah, and Steven say, yeah, we know what's run.

1:53:23.760 --> 1:53:25.479
<v Speaker 3>DMC do what records you do? We want to do

1:53:25.560 --> 1:53:29.960
<v Speaker 3>walk this way over. So Rick got them to say, yeah,

1:53:30.000 --> 1:53:32.840
<v Speaker 3>we'll do it with you. He got them to come

1:53:33.280 --> 1:53:35.519
<v Speaker 3>to New York to do the record with us. So

1:53:35.640 --> 1:53:38.040
<v Speaker 3>we walk in the studio one day and they in

1:53:38.200 --> 1:53:41.040
<v Speaker 3>there in the first I'm more of the rock guy,

1:53:41.840 --> 1:53:43.759
<v Speaker 3>you know what I'm saying, But I'm not sure because

1:53:43.760 --> 1:53:44.639
<v Speaker 3>I don't even.

1:53:44.560 --> 1:53:46.160
<v Speaker 2>Know rocks from the radio. I didn't have the hour.

1:53:46.560 --> 1:53:49.640
<v Speaker 2>So when I walk in the studio this day, I

1:53:49.800 --> 1:53:52.559
<v Speaker 2>see Stephen and Joe Perry and the first thing out

1:53:52.600 --> 1:53:55.920
<v Speaker 2>me and Run's mother is oh shit, it's the Rolling Stone.

1:53:59.200 --> 1:53:59.800
<v Speaker 2>So you know that.

1:54:00.040 --> 1:54:02.360
<v Speaker 3>People was like, you know what I'm saying. But that

1:54:02.560 --> 1:54:05.680
<v Speaker 3>was like an icebreaker. Stephen Taller said, no, when out

1:54:05.680 --> 1:54:08.439
<v Speaker 3>there rolling Stones? Where else Swift? Those are the other guys,

1:54:08.479 --> 1:54:10.280
<v Speaker 3>And then we laughed it off. But let me tell

1:54:10.280 --> 1:54:13.760
<v Speaker 3>you so much crazy about Rick's decision. If we would

1:54:13.800 --> 1:54:16.960
<v Speaker 3>have did it over our way, just rhyming over it,

1:54:17.280 --> 1:54:19.400
<v Speaker 3>or he's just been another DMC rock song, would have

1:54:19.439 --> 1:54:21.680
<v Speaker 3>been cool. You probably listened to it on the way

1:54:21.760 --> 1:54:24.120
<v Speaker 3>to work or something. Remember that came out. If we

1:54:24.120 --> 1:54:26.400
<v Speaker 3>would have did it over the way they did it.

1:54:26.800 --> 1:54:30.240
<v Speaker 3>Without them, it would have been oh okay, cool. But

1:54:30.360 --> 1:54:34.680
<v Speaker 3>the only reason it was groundbreaking is because Rick made

1:54:34.720 --> 1:54:39.800
<v Speaker 3>them do it with us on MTV. So now their

1:54:39.920 --> 1:54:43.120
<v Speaker 3>fans is going, what the hell is Aero Smith doing

1:54:43.200 --> 1:54:46.160
<v Speaker 3>with the rap dudes? And our fans is going, what

1:54:46.360 --> 1:54:47.920
<v Speaker 3>the hell is run DMC doing.

1:54:47.840 --> 1:54:49.800
<v Speaker 2>With the rock show? But if you look at that video,

1:54:49.880 --> 1:54:54.280
<v Speaker 2>I've been to South Sudan, wow, to perform the War

1:54:54.400 --> 1:54:58.440
<v Speaker 2>Zone of South Sudan, So Africa, where they had war

1:54:58.720 --> 1:54:59.640
<v Speaker 2>chopping hands.

1:55:00.560 --> 1:55:03.280
<v Speaker 3>The one week I go there, they ain't fighting. Why

1:55:03.760 --> 1:55:06.320
<v Speaker 3>they love Run DMC. They love Naughty by Nature, they

1:55:06.360 --> 1:55:09.040
<v Speaker 3>love pop, they love big. When I left him went

1:55:09.080 --> 1:55:10.200
<v Speaker 3>back to fucking Jesus.

1:55:10.400 --> 1:55:12.120
<v Speaker 2>But I bring that up.

1:55:12.160 --> 1:55:14.560
<v Speaker 3>I've been in South student, I've been a Russian.

1:55:14.320 --> 1:55:16.560
<v Speaker 2>About the publishing. Did you guys get publishing on the

1:55:16.600 --> 1:55:17.920
<v Speaker 2>walk this way? No, it's all.

1:55:17.960 --> 1:55:21.360
<v Speaker 3>That's great question, because great President, it's all. I only

1:55:21.400 --> 1:55:23.400
<v Speaker 3>get money when I show up and performance. All they

1:55:23.480 --> 1:55:24.440
<v Speaker 3>get all that right now?

1:55:25.160 --> 1:55:28.520
<v Speaker 2>The original yes and that, so they was doing that

1:55:28.600 --> 1:55:30.760
<v Speaker 2>back then. All they was a new version that they

1:55:30.840 --> 1:55:31.120
<v Speaker 2>was doing.

1:55:33.480 --> 1:55:35.720
<v Speaker 3>The only thing that's not live on that record is

1:55:35.720 --> 1:55:37.040
<v Speaker 3>the drums he was the drummer ship.

1:55:37.080 --> 1:55:38.880
<v Speaker 2>But they didn't write the Liric. They just read this

1:55:39.000 --> 1:55:43.120
<v Speaker 2>ad in everything. They recreated everything. But people tell me

1:55:43.360 --> 1:55:46.640
<v Speaker 2>from Ukraine, I've been to Ukraine to perform. I've been

1:55:46.680 --> 1:55:49.560
<v Speaker 2>a Russia to perform. Shout out to Ukraine, Russia. Beautiful

1:55:49.600 --> 1:55:51.120
<v Speaker 2>people in all those countries.

1:55:51.120 --> 1:55:54.040
<v Speaker 3>That are walking around wearing Naughty by Nature, public Enemy Church,

1:55:54.120 --> 1:55:56.480
<v Speaker 3>crazy shit. But everywhere I go they say DMC.

1:55:58.040 --> 1:56:00.640
<v Speaker 2>Don't you know when Steven Tyler took that Mike's standing

1:56:00.640 --> 1:56:02.760
<v Speaker 2>in that video and knock down the water which separating

1:56:02.760 --> 1:56:05.400
<v Speaker 2>you on It didn't just happened in the video, happened

1:56:05.440 --> 1:56:07.040
<v Speaker 2>in the world. It did. So that's the power of

1:56:07.120 --> 1:56:09.480
<v Speaker 2>hip hop, that's power of music. It really has an

1:56:09.520 --> 1:56:11.520
<v Speaker 2>effect on that. But it was Rix Brend.

1:56:11.600 --> 1:56:14.400
<v Speaker 3>Now the reason why I say that, if Rick Pitton

1:56:14.720 --> 1:56:17.720
<v Speaker 3>suggested to do that, it wouldn't have been what it is.

1:56:18.120 --> 1:56:20.160
<v Speaker 2>What year did that record come out? Hast eighty six,

1:56:20.360 --> 1:56:23.200
<v Speaker 2>eighty six, nineteen eighty and it gave birth to olymp

1:56:23.240 --> 1:56:28.160
<v Speaker 2>Biscuit Okay, yeah, changed to razel conc. It was the

1:56:28.200 --> 1:56:30.120
<v Speaker 2>first time I remember being in New York City and

1:56:30.160 --> 1:56:33.839
<v Speaker 2>I remember a record, hearing a rap record playing on KTU,

1:56:34.000 --> 1:56:36.600
<v Speaker 2>playing on the pop stations, playing on you know what

1:56:36.640 --> 1:56:39.920
<v Speaker 2>I mean, not just about I crossed over that I

1:56:40.000 --> 1:56:41.880
<v Speaker 2>believe at that time we only had w b LS.

1:56:42.120 --> 1:56:45.520
<v Speaker 2>I don't ninety seven power that was the record that

1:56:46.320 --> 1:56:48.440
<v Speaker 2>not and not that record was so dope that it

1:56:48.560 --> 1:56:52.200
<v Speaker 2>was rod but it allowed all music to cross over.

1:56:52.360 --> 1:56:54.080
<v Speaker 2>That's it wasn't happening until.

1:56:54.200 --> 1:56:57.680
<v Speaker 4>And and did Aerosmith? Did they know and appreciate what

1:56:57.800 --> 1:57:00.760
<v Speaker 4>you what you guys? Actually, yeah, it's funny footage of this.

1:57:00.920 --> 1:57:01.640
<v Speaker 4>You could look it up.

1:57:01.880 --> 1:57:05.080
<v Speaker 2>During the session, Jay shows them what he used to

1:57:05.160 --> 1:57:08.360
<v Speaker 2>do as a DJ. He's cutting up, fucking walked this way,

1:57:08.400 --> 1:57:11.000
<v Speaker 2>and Stephen Tyler on camera goes, when are you gonna

1:57:11.080 --> 1:57:13.360
<v Speaker 2>hear me? And Jay Sop said, oh, that's it, Seve,

1:57:13.560 --> 1:57:16.760
<v Speaker 2>we don't and everybody just claim and then Steve was like, yo,

1:57:16.880 --> 1:57:19.720
<v Speaker 2>teach me the dj. Jay actually taught Steven Tyler the

1:57:19.800 --> 1:57:23.320
<v Speaker 2>DJ ain't with his own record. Yeah, because then you know,

1:57:23.400 --> 1:57:25.080
<v Speaker 2>they knew, they knew, they knew about hip hop, they

1:57:25.160 --> 1:57:27.600
<v Speaker 2>knew about running m C and they were it was

1:57:27.680 --> 1:57:29.960
<v Speaker 2>cool for them because you know, they say, we brought

1:57:30.000 --> 1:57:33.000
<v Speaker 2>them back, But what we did was this was happening

1:57:33.080 --> 1:57:36.120
<v Speaker 2>for them, and my joke is they could have made

1:57:36.160 --> 1:57:38.960
<v Speaker 2>a record with God, Jesus and Moses for real and

1:57:39.040 --> 1:57:39.880
<v Speaker 2>nobody would have cared.

1:57:40.440 --> 1:57:42.360
<v Speaker 3>But they took a chance. You know what, we got

1:57:42.440 --> 1:57:44.360
<v Speaker 3>to lose to do this for Brundy m C didn't

1:57:44.520 --> 1:57:46.040
<v Speaker 3>just it changed the world.

1:57:46.240 --> 1:57:49.760
<v Speaker 2>That's always so kids, man, always be open to try

1:57:50.000 --> 1:57:53.080
<v Speaker 2>something new because it might not just change your life,

1:57:53.120 --> 1:57:55.240
<v Speaker 2>will have changed the world. But that's to walk this

1:57:55.320 --> 1:57:55.800
<v Speaker 2>way story.

1:57:55.800 --> 1:57:58.920
<v Speaker 3>Because of Rick Ruper and when Rick was working with us,

1:57:59.000 --> 1:58:01.480
<v Speaker 3>we had all the records I'm Racing Hell done. I'm

1:58:01.480 --> 1:58:04.080
<v Speaker 3>gonna tell you the coolert story about Rick. When he

1:58:04.200 --> 1:58:07.280
<v Speaker 3>was doing Peter Piper. I didn't like my part when

1:58:07.320 --> 1:58:09.160
<v Speaker 3>I come on and get the Piper Brighte repers right,

1:58:10.800 --> 1:58:13.160
<v Speaker 3>but just the part where I break off and I go.

1:58:13.360 --> 1:58:16.000
<v Speaker 3>Jay's like King Mida, since I was told everything that

1:58:16.080 --> 1:58:17.200
<v Speaker 3>he touched turned to go.

1:58:17.480 --> 1:58:19.400
<v Speaker 2>He's the greatest of the great. Get us traight, He's great.

1:58:19.640 --> 1:58:20.880
<v Speaker 2>So I didn't like that.

1:58:21.520 --> 1:58:23.480
<v Speaker 3>After we sat back and listened to you know, we

1:58:23.520 --> 1:58:26.080
<v Speaker 3>had hit It run, I didn't like the way that

1:58:26.360 --> 1:58:29.040
<v Speaker 3>sounded on a Racing Hell album. I was like, Rick,

1:58:29.080 --> 1:58:30.480
<v Speaker 3>I gotta do it over this and over and he's

1:58:30.520 --> 1:58:32.600
<v Speaker 3>telling me as a producer, no, leave it, leave it,

1:58:32.680 --> 1:58:35.760
<v Speaker 3>And I couldn't see what he was was.

1:58:35.840 --> 1:58:37.600
<v Speaker 2>I couldn't see or hear what he was saying. So

1:58:37.680 --> 1:58:39.240
<v Speaker 2>I'm like, Rick, I got to do this over. So

1:58:39.440 --> 1:58:44.160
<v Speaker 2>speaking of cocaine, cod tonguing house, some metal, it's like

1:58:44.320 --> 1:58:46.400
<v Speaker 2>break thirty in the morning, turn House Metals. That's the

1:58:46.400 --> 1:58:47.440
<v Speaker 2>one who was just in China.

1:58:47.200 --> 1:58:53.120
<v Speaker 3>Town, right, yeah, on Center Street. So Rick goes, Rick, God,

1:58:53.160 --> 1:58:58.400
<v Speaker 3>it's three thirty in the morning. Forties coke gosh, hell,

1:58:58.480 --> 1:59:03.720
<v Speaker 3>that was the first Red Bull had. Yeah, wake up

1:59:03.760 --> 1:59:05.600
<v Speaker 3>in the money then do it? Give me a forty?

1:59:07.520 --> 1:59:09.880
<v Speaker 2>So Rick goes, all right, do you want to change it?

1:59:10.040 --> 1:59:13.360
<v Speaker 2>Show up at eleven o'clock tomorrow morning? All right.

1:59:14.800 --> 1:59:16.320
<v Speaker 3>So I probably didn't go to sleep. I think I

1:59:16.520 --> 1:59:18.840
<v Speaker 3>went to the World or some shit like that, to

1:59:18.960 --> 1:59:20.520
<v Speaker 3>the club where you come out in this morning.

1:59:20.600 --> 1:59:21.040
<v Speaker 2>It's right.

1:59:21.360 --> 1:59:24.520
<v Speaker 3>So I come back space all right, and I'm telling Rick, I.

1:59:24.600 --> 1:59:27.360
<v Speaker 2>Gotta be right. We're running. Say it's got to be right.

1:59:27.480 --> 1:59:29.360
<v Speaker 2>So the piper pepper, I don't like to wear a

1:59:29.480 --> 1:59:31.600
<v Speaker 2>sound like this, So he says, okay, motherfucker going there

1:59:31.720 --> 1:59:33.760
<v Speaker 2>and later verse So I go in there.

1:59:33.840 --> 1:59:38.040
<v Speaker 3>Jays like King miny since I was told like yeah, like,

1:59:39.480 --> 1:59:41.560
<v Speaker 3>so I come again and this is Rick's the coolest

1:59:41.600 --> 1:59:43.640
<v Speaker 3>for this episode was back here. He says, I'm gonna

1:59:43.720 --> 1:59:46.720
<v Speaker 3>play what you did just now. He plays it.

1:59:47.320 --> 1:59:50.040
<v Speaker 2>Now, I'm gonna play what you did last night and

1:59:50.160 --> 1:59:52.360
<v Speaker 2>he plays at Jay's night, King Minus is ours. So

1:59:53.280 --> 1:59:55.440
<v Speaker 2>he says, which one is better? And I go, oh,

1:59:55.720 --> 1:59:58.040
<v Speaker 2>the one I did last night, And he says this.

1:59:58.720 --> 2:00:00.200
<v Speaker 2>You don't have to work hard to be you, and

2:00:00.240 --> 2:00:02.720
<v Speaker 2>you don't have to impress to be anybody. He said,

2:00:02.800 --> 2:00:04.920
<v Speaker 2>you're so dope on the mic and a suit now

2:00:05.200 --> 2:00:05.920
<v Speaker 2>that you are.

2:00:05.880 --> 2:00:08.760
<v Speaker 3>Showing no effort and you better than half the motherfuckus

2:00:08.840 --> 2:00:12.640
<v Speaker 3>on the microud we get the fuck out in. So

2:00:12.880 --> 2:00:14.520
<v Speaker 3>he was, you know what I'm saying, But what he

2:00:14.680 --> 2:00:17.800
<v Speaker 3>was saying was you didn't need to old Piper Peppers over,

2:00:17.920 --> 2:00:20.000
<v Speaker 3>you know, little bo pee call losses shit.

2:00:20.040 --> 2:00:22.120
<v Speaker 2>He said, nah, you're taking them somewhere else.

2:00:22.440 --> 2:00:25.040
<v Speaker 3>And that's a producer you tell you know how guitar

2:00:25.160 --> 2:00:28.000
<v Speaker 3>players or singers you gotta go side. I'm just a rapper.

2:00:28.040 --> 2:00:30.040
<v Speaker 3>I'm not Freddie Mercury, I'm not a mager. But he

2:00:30.200 --> 2:00:32.200
<v Speaker 3>was like, you take Jay's like King Midas as I

2:00:32.440 --> 2:00:34.400
<v Speaker 3>was told everything that he told, and he said the

2:00:34.520 --> 2:00:35.640
<v Speaker 3>music is open right now.

2:00:35.840 --> 2:00:38.160
<v Speaker 2>He said, watch how hard that should be. So I'm

2:00:38.200 --> 2:00:40.760
<v Speaker 2>thinking you gotta be a lesson for young people. I'm

2:00:40.760 --> 2:00:45.040
<v Speaker 2>thinking you gotta be violent to be hard aggressing, you

2:00:45.080 --> 2:00:47.680
<v Speaker 2>can lay back and be stronger than everyone else.

2:00:48.000 --> 2:00:50.440
<v Speaker 3>So Rick, there was a rick walked this way in

2:00:50.520 --> 2:00:52.280
<v Speaker 3>my Peter Piper rhyme. Thank you, Rick.

2:00:53.160 --> 2:00:54.800
<v Speaker 2>So let me ask you. I always be wanting to

2:00:54.840 --> 2:00:58.040
<v Speaker 2>ask you. Who is Mary Marian? Why she was bugging?

2:01:00.360 --> 2:01:06.280
<v Speaker 2>That's another Rick? Really? Yeah, Rn was taking Mary Mary

2:01:06.440 --> 2:01:10.240
<v Speaker 2>off of Super Disco Breaks. It's a monkey record. It's

2:01:10.320 --> 2:01:15.760
<v Speaker 2>the monkeys Marry Mary? Where are you going to marry?

2:01:20.560 --> 2:01:23.960
<v Speaker 2>And we come some monkeys on? Which was on Super

2:01:24.040 --> 2:01:28.880
<v Speaker 2>Disco Break Volume three. It's on the break peece a wow.

2:01:29.120 --> 2:01:31.480
<v Speaker 2>So Run was taking that and I can't stop. We

2:01:31.560 --> 2:01:34.080
<v Speaker 2>were trying to think of a routine to make, so

2:01:34.440 --> 2:01:37.760
<v Speaker 2>we sampled it. Rick comes in the studio and he says,

2:01:37.960 --> 2:01:39.680
<v Speaker 2>you know, to the boof, you know you push the button,

2:01:40.240 --> 2:01:43.640
<v Speaker 2>don't say Mary Mary? Where you going to say? Marry Mary?

2:01:43.680 --> 2:01:50.720
<v Speaker 2>Why are you bugging? Okay, Boof, go very very why

2:01:51.960 --> 2:01:56.840
<v Speaker 2>I can't stop? So marry not a real person. No,

2:02:03.480 --> 2:02:04.680
<v Speaker 2>I wait for you to come back for a great

2:02:04.760 --> 2:02:10.080
<v Speaker 2>time of slunt. Oh hold on cool? All right, you

2:02:10.280 --> 2:02:14.600
<v Speaker 2>you talked too much? Is that ever? Shut up? Is

2:02:14.680 --> 2:02:18.000
<v Speaker 2>that about a snitch? No, it's nothing, it's not about

2:02:18.000 --> 2:02:18.600
<v Speaker 2>a snitchka.

2:02:18.880 --> 2:02:24.440
<v Speaker 3>No, it's just it's just it's more of rundium cs, hilariomedy,

2:02:24.560 --> 2:02:25.760
<v Speaker 3>comedic side right.

2:02:25.960 --> 2:02:27.480
<v Speaker 2>It was just a record that we told. We got

2:02:27.560 --> 2:02:30.240
<v Speaker 2>sued for that too and had to pay because we

2:02:30.440 --> 2:02:33.960
<v Speaker 2>never heard the record. That's why these lawsuits are gonna

2:02:33.960 --> 2:02:36.120
<v Speaker 2>be get getting crazy. We never heard the record.

2:02:36.360 --> 2:02:38.960
<v Speaker 3>We didn't know there's a record from the fifties that goes,

2:02:39.000 --> 2:02:41.880
<v Speaker 3>you talk too much and you never shut up.

2:02:42.120 --> 2:02:42.960
<v Speaker 2>I said you talk.

2:02:43.040 --> 2:02:45.880
<v Speaker 3>We didn't know that, get them. So yeah, we were

2:02:45.960 --> 2:02:47.080
<v Speaker 3>just trying to be funny.

2:02:47.640 --> 2:02:51.080
<v Speaker 2>Hey, you over there know about your can You're like

2:02:51.200 --> 2:02:54.880
<v Speaker 2>the independent network news on channel. So it was just

2:02:55.160 --> 2:02:58.120
<v Speaker 2>us trying to be funny. So there was nobody out

2:02:58.200 --> 2:03:00.360
<v Speaker 2>your crew that talked too much. Run he ran his

2:03:00.480 --> 2:03:04.920
<v Speaker 2>mouth once we made the record that was Run's record.

2:03:05.520 --> 2:03:08.800
<v Speaker 2>Running would never shut up. Eric B prophesized, when one

2:03:08.880 --> 2:03:10.920
<v Speaker 2>day you're going to be a reverend, I love what

2:03:11.040 --> 2:03:14.120
<v Speaker 2>have Yeah, Run, I'll tell you that story. Eric b

2:03:14.360 --> 2:03:16.680
<v Speaker 2>was like, what day you want to be here? Because

2:03:17.640 --> 2:03:19.360
<v Speaker 2>that's why we call him run because he ran his mouth.

2:03:19.400 --> 2:03:20.400
<v Speaker 2>I was a quiet run.

2:03:22.160 --> 2:03:25.160
<v Speaker 3>Yeah, and he became running because of Rush, because Rush

2:03:25.600 --> 2:03:28.400
<v Speaker 3>rus it was movement. But me, if you listen to

2:03:28.520 --> 2:03:32.440
<v Speaker 3>my rhymes when I perform, many heart hearts are warm.

2:03:32.840 --> 2:03:35.920
<v Speaker 3>I'm better known as the Quiet Storm. I don't talk

2:03:36.000 --> 2:03:38.640
<v Speaker 3>too much, but I got beef. When I kill MC's,

2:03:38.640 --> 2:03:40.839
<v Speaker 3>I caused grief devastate in my control.

2:03:41.240 --> 2:03:43.600
<v Speaker 2>It's my main goal. My name is Daryl, his name is.

2:03:43.640 --> 2:03:46.360
<v Speaker 3>Joe, So if you notice, and all through until the

2:03:46.440 --> 2:03:49.040
<v Speaker 3>group broke up, people never heard me from me unless

2:03:49.040 --> 2:03:52.760
<v Speaker 3>I spoke on the microphone. Run was always the voice

2:03:52.760 --> 2:03:56.560
<v Speaker 3>in the lead. So he ran, and I was the

2:03:56.680 --> 2:04:02.520
<v Speaker 3>quiet storm like so many East Sais was always there.

2:04:03.000 --> 2:04:05.200
<v Speaker 3>You know what I'm saying, right, But Run ran. He

2:04:05.360 --> 2:04:06.200
<v Speaker 3>was the talk of the one.

2:04:06.920 --> 2:04:12.960
<v Speaker 2>Holy Moly, grock Moly. The record Jam message. You spoke

2:04:13.000 --> 2:04:17.240
<v Speaker 2>about it earlier. You said that it was made to

2:04:17.680 --> 2:04:22.920
<v Speaker 2>because usually people make records like that where someone passed away.

2:04:22.960 --> 2:04:24.680
<v Speaker 2>But it was like he was making this record about

2:04:24.760 --> 2:04:27.400
<v Speaker 2>him as he was alive. He was actually giving him

2:04:27.440 --> 2:04:30.840
<v Speaker 2>his flowers right then. And there was that something you

2:04:30.960 --> 2:04:33.520
<v Speaker 2>plan was that because like how we spoke earlier, because

2:04:33.560 --> 2:04:37.880
<v Speaker 2>the DJ was kind of like, well, right, that comes

2:04:37.960 --> 2:04:43.360
<v Speaker 2>from this the show business, entertainment, music business, motherfuckers that

2:04:43.840 --> 2:04:49.000
<v Speaker 2>rap right, right, which comes from a cultural hip hop right.

2:04:49.840 --> 2:04:52.480
<v Speaker 2>And I can say this because people say, we know

2:04:52.600 --> 2:04:54.840
<v Speaker 2>you're ain't creative, but run DMC created hip ups. So

2:04:54.960 --> 2:04:57.280
<v Speaker 2>I guess I have the right to say this. I've

2:04:57.320 --> 2:04:59.200
<v Speaker 2>been saying it. I'm not just saying it now because

2:04:59.240 --> 2:05:00.560
<v Speaker 2>of conditions. What's going on.

2:05:00.760 --> 2:05:05.280
<v Speaker 3>I've been saying it's since eighty three. There's it's not

2:05:05.840 --> 2:05:10.280
<v Speaker 3>hip hop. If there's no DJ there, Wow, it's not

2:05:10.400 --> 2:05:10.760
<v Speaker 3>hip hop.

2:05:11.320 --> 2:05:17.200
<v Speaker 2>It's somebody wrapping over something recorded in the studio for

2:05:17.520 --> 2:05:21.600
<v Speaker 2>record making purposes. Now you can tell you but it's

2:05:21.640 --> 2:05:24.520
<v Speaker 2>hip hop, yes, but I'm telling you it's not. But

2:05:24.880 --> 2:05:25.480
<v Speaker 2>it can be.

2:05:25.920 --> 2:05:28.840
<v Speaker 3>It's just like I never thought hip hop would reach

2:05:28.920 --> 2:05:32.240
<v Speaker 3>the point where it would be and this is nothing

2:05:32.320 --> 2:05:37.200
<v Speaker 3>against it. You have Britney Spears and you have Sheryl Crow.

2:05:38.120 --> 2:05:41.440
<v Speaker 3>So Britney needs choreography, she needs a writer, she needs.

2:05:41.720 --> 2:05:43.640
<v Speaker 2>She needs therapy too. Yeah, she need all that.

2:05:44.200 --> 2:05:50.960
<v Speaker 3>Yeah, just needs the guitar and a microphone. So I'm

2:05:51.040 --> 2:05:54.160
<v Speaker 3>talking from an elemental standpoint. You know what I'm saying,

2:05:55.840 --> 2:05:59.320
<v Speaker 3>You can't say it's you can't say you're a painter

2:06:02.240 --> 2:06:04.800
<v Speaker 3>and you're not using a paint BRUSHKA Like.

2:06:04.840 --> 2:06:06.840
<v Speaker 2>My friend's Sonny, he thinks he's a step forward. He

2:06:06.880 --> 2:06:13.160
<v Speaker 2>thinks he's a do artworks, and do artwork. So you

2:06:13.200 --> 2:06:19.960
<v Speaker 2>can be an artist and rap and do a imitation

2:06:20.160 --> 2:06:23.200
<v Speaker 2>of the hip hop culture. But the reason why we

2:06:23.320 --> 2:06:29.640
<v Speaker 2>made records about DJ is the entertainment business is not

2:06:30.000 --> 2:06:35.240
<v Speaker 2>in the business to keep anything holy and sacred. It's

2:06:35.240 --> 2:06:39.200
<v Speaker 2>just got to move the records. So we wait as

2:06:39.240 --> 2:06:42.560
<v Speaker 2>soon as they said something about who's that, we was

2:06:42.680 --> 2:06:45.160
<v Speaker 2>letting people know hip hop.

2:06:45.120 --> 2:06:49.680
<v Speaker 3>Right, it starts with the DJ. Starts with the DJ,

2:06:50.320 --> 2:06:52.840
<v Speaker 3>then the MC's coming, or it starts with the music first.

2:06:53.680 --> 2:06:55.880
<v Speaker 3>So the guy rapping his hip hop music, he's doing

2:06:55.960 --> 2:06:58.320
<v Speaker 3>hip hop. But I'm talking about any hip hop with

2:06:58.480 --> 2:07:01.880
<v Speaker 3>a DJ really doing it. So we made the jam

2:07:01.960 --> 2:07:04.520
<v Speaker 3>Master the J record to let the people know it's

2:07:04.640 --> 2:07:08.240
<v Speaker 3>DJ's and MC's coming up next to one and only

2:07:08.640 --> 2:07:11.560
<v Speaker 3>jam Master back up from the rope punks. So that

2:07:11.800 --> 2:07:14.200
<v Speaker 3>is so that the front of hip hop has done

2:07:14.280 --> 2:07:17.560
<v Speaker 3>push the groups out the picture, and they don't push

2:07:17.680 --> 2:07:21.360
<v Speaker 3>the DJs to the back. But the DJs is the

2:07:21.480 --> 2:07:25.800
<v Speaker 3>foundation of the culture that when I show up, you

2:07:25.920 --> 2:07:27.000
<v Speaker 3>always gonna see one.

2:07:28.120 --> 2:07:30.160
<v Speaker 2>You ain't gonna jay never push one. Like I said,

2:07:30.320 --> 2:07:33.640
<v Speaker 2>technology is an assistant to make it easy. But now

2:07:33.760 --> 2:07:36.800
<v Speaker 2>I don't have to carry a thousand records in the crate.

2:07:36.880 --> 2:07:38.280
<v Speaker 2>I just have it on a hard drive.

2:07:38.920 --> 2:07:41.040
<v Speaker 3>Last night I was in u DJ.

2:07:41.000 --> 2:07:44.760
<v Speaker 2>Atlanta No not no more, Okay, no more. I write

2:07:44.800 --> 2:07:46.000
<v Speaker 2>rhymes and using Atlanta.

2:07:46.440 --> 2:07:48.120
<v Speaker 3>But the last night I was in Atlanta at this

2:07:48.200 --> 2:07:51.720
<v Speaker 3>event is education conference because of my book Darryl's Dream,

2:07:51.800 --> 2:07:53.600
<v Speaker 3>Everybody Go Get One. It is a story about me

2:07:53.680 --> 2:07:56.360
<v Speaker 3>in the third grade that really happened. I do a

2:07:56.400 --> 2:07:57.320
<v Speaker 3>lot of education.

2:07:57.720 --> 2:07:59.720
<v Speaker 2>Your moves you was doing in the third grade. Yeah,

2:07:59.840 --> 2:08:02.920
<v Speaker 2>I had miss Banks. He's left, he left me back,

2:08:02.960 --> 2:08:05.400
<v Speaker 2>that's all I remember. Yeah, yeah, yeah.

2:08:06.800 --> 2:08:08.320
<v Speaker 3>And I was talking out to this a bit and

2:08:09.200 --> 2:08:12.840
<v Speaker 3>there was a DJ there with his the CD deck thing, right,

2:08:12.880 --> 2:08:15.760
<v Speaker 3>And this is funny. You could ask my son before

2:08:15.760 --> 2:08:17.760
<v Speaker 3>I was he knew I was leaving him. Go get

2:08:17.800 --> 2:08:19.800
<v Speaker 3>your father, and he just had to tell me. And

2:08:19.880 --> 2:08:22.280
<v Speaker 3>this is what I love about hip hop, Like it's

2:08:22.320 --> 2:08:25.240
<v Speaker 3>all hip hop. But when we say real hip hop

2:08:25.320 --> 2:08:28.680
<v Speaker 3>we just mean hip hop, that this music business is

2:08:28.840 --> 2:08:29.680
<v Speaker 3>not the essence.

2:08:30.920 --> 2:08:35.280
<v Speaker 2>They're not. You can't you can't comment on it matter.

2:08:35.320 --> 2:08:38.000
<v Speaker 2>Fake can't even come to the party. But this DJ

2:08:38.200 --> 2:08:40.640
<v Speaker 2>just had to show me coming to DMC and he

2:08:40.800 --> 2:08:44.600
<v Speaker 2>just showed me a picture with him at two Techniques because.

2:08:44.360 --> 2:08:52.160
<v Speaker 3>He didn't want to be considered not right, original or authentic.

2:08:52.760 --> 2:08:56.280
<v Speaker 3>So for us, it was important that the group is

2:08:56.440 --> 2:08:59.680
<v Speaker 3>run DMC and and people have a habit of and

2:08:59.760 --> 2:09:02.360
<v Speaker 3>we have run d m C. These two people, somebody

2:09:02.400 --> 2:09:05.080
<v Speaker 3>in the audience will interrupted or I will interrupt.

2:09:05.400 --> 2:09:08.360
<v Speaker 2>It was three people. Oh yeah, that's right. You know

2:09:08.400 --> 2:09:12.760
<v Speaker 2>what I'm saying. You're not gonna get But me, he

2:09:12.840 --> 2:09:16.120
<v Speaker 2>as a fan, when I hear one DMC, I think right,

2:09:16.200 --> 2:09:20.840
<v Speaker 2>but because you whip us. But overall, here's the question

2:09:20.880 --> 2:09:25.520
<v Speaker 2>his wife, I'm so passionate. If you look at all

2:09:25.600 --> 2:09:29.840
<v Speaker 2>the Run DMC covers except for Tougher than Leather, that's the.

2:09:29.960 --> 2:09:33.360
<v Speaker 3>Only one that Jay was on the cover on the

2:09:33.960 --> 2:09:36.160
<v Speaker 3>On the Run DMC album. He's on the back with

2:09:36.320 --> 2:09:39.280
<v Speaker 3>us on the King of Rock album. This is crazy

2:09:39.280 --> 2:09:40.000
<v Speaker 3>about the industry.

2:09:40.000 --> 2:09:42.000
<v Speaker 2>He's on the back with his head down because he

2:09:42.160 --> 2:09:45.560
<v Speaker 2>wasn't signed to Profile records, so they could.

2:09:45.480 --> 2:09:47.520
<v Speaker 3>Not put him on there. All right, you're not going

2:09:47.600 --> 2:09:48.600
<v Speaker 3>to show our DJ, so.

2:09:48.640 --> 2:09:50.720
<v Speaker 2>We're gonna talk about them on every record. Go back

2:09:50.760 --> 2:09:51.560
<v Speaker 2>and look at the albums.

2:09:51.600 --> 2:09:57.240
<v Speaker 3>Oh what's crazy is on the on the Run? Actually

2:09:57.560 --> 2:10:03.480
<v Speaker 3>Run was only signed to the to the Girl and

2:10:03.640 --> 2:10:06.200
<v Speaker 3>we wasn't signing Profile. We signed to Rustle Russell was

2:10:06.280 --> 2:10:08.600
<v Speaker 3>signing the Profiles. Run DMC did the deliver the Running

2:10:08.640 --> 2:10:11.920
<v Speaker 3>see record. We will signed signing Rush Productions. But if

2:10:11.960 --> 2:10:14.800
<v Speaker 3>you look at the album, I'm doing this.

2:10:15.000 --> 2:10:20.760
<v Speaker 2>Because Fantastic Far's incredible in theaters, on the scene with

2:10:20.880 --> 2:10:22.960
<v Speaker 2>the golden voice, through all the People's choice and we

2:10:23.200 --> 2:10:25.760
<v Speaker 2>rock with the Kangs, still lean. We proved to the

2:10:26.560 --> 2:10:30.280
<v Speaker 2>MC's that Fantastics number one and when we step on you,

2:10:30.760 --> 2:10:31.400
<v Speaker 2>you're just like.

2:10:31.480 --> 2:10:34.800
<v Speaker 3>A roach output it weighs a ton. He's the adoring,

2:10:35.080 --> 2:10:39.000
<v Speaker 3>he's the ladies man. So can't you understand that I'm done?

2:10:39.200 --> 2:10:44.600
<v Speaker 3>So it's always the DJ. We call him Flash Crab Master,

2:10:44.760 --> 2:10:48.600
<v Speaker 3>Flash Disco, Be Easy Mic and I'm the MC. You

2:10:48.720 --> 2:10:50.720
<v Speaker 3>walk in the place, you listen to the base, you

2:10:50.840 --> 2:10:53.360
<v Speaker 3>see Melie mel with a smile on his face, King

2:10:53.480 --> 2:10:56.000
<v Speaker 3>of the thrown of the microphone. You should nobody now

2:10:56.080 --> 2:10:59.080
<v Speaker 3>should be left alone, Like when Mel came out with

2:10:59.200 --> 2:11:02.840
<v Speaker 3>the disc to Eminem, he should have just went to

2:11:03.080 --> 2:11:07.040
<v Speaker 3>fucking rappers might be willing, but they ain't able because

2:11:07.080 --> 2:11:09.800
<v Speaker 3>I was there, king straight from my cradle, screamed in

2:11:09.880 --> 2:11:12.720
<v Speaker 3>hollowd shook my rattle, drimed that defeat of them all

2:11:12.840 --> 2:11:15.440
<v Speaker 3>in battle. There was no food in my silver spoon.

2:11:15.520 --> 2:11:17.280
<v Speaker 2>But I grew up hard, and I grew up soon.

2:11:17.360 --> 2:11:19.680
<v Speaker 2>I'm a righteous king and I'm hungry too, and I

2:11:19.800 --> 2:11:21.320
<v Speaker 2>eat a punks that rap like you.

2:11:21.840 --> 2:11:23.560
<v Speaker 3>And he should have told he should have did that

2:11:23.680 --> 2:11:26.040
<v Speaker 3>to Eminem and just called it a rap to you. Mel,

2:11:26.360 --> 2:11:29.160
<v Speaker 3>don't try to get noon new standard to know. Nobody

2:11:29.280 --> 2:11:31.000
<v Speaker 3>never know. These motherfuckers don't know.

2:11:31.080 --> 2:11:31.880
<v Speaker 2>You do that, I do.

2:11:32.520 --> 2:11:34.840
<v Speaker 3>Focos don't know that melt rhyme like me and running

2:11:34.920 --> 2:11:35.320
<v Speaker 3>rock him.

2:11:36.640 --> 2:11:39.880
<v Speaker 2>This is shocking. This shit should go viral. Y'all don't

2:11:39.920 --> 2:11:44.000
<v Speaker 2>know Mel Scorpio raheem rhyme like fucking Big Daddy Kane.

2:11:44.360 --> 2:11:46.960
<v Speaker 2>You just never heard it because they were making records.

2:11:47.000 --> 2:11:50.600
<v Speaker 2>They wasn't fucking put They got bars that will out

2:11:50.680 --> 2:11:52.400
<v Speaker 2>bar all these guys. You see you look what the

2:11:52.480 --> 2:11:55.200
<v Speaker 2>fuck he said, rappers might be willing, but they ain't

2:11:55.320 --> 2:11:58.839
<v Speaker 2>able because I was the king straight from my cradle,

2:11:59.000 --> 2:12:02.120
<v Speaker 2>screamed in hollowd shook my rattle. I dreamt out the

2:12:02.160 --> 2:12:04.600
<v Speaker 2>feet of them all in battle. There was no food

2:12:04.680 --> 2:12:07.240
<v Speaker 2>in my silver'spooon. But I grew up hard, and I

2:12:07.280 --> 2:12:09.320
<v Speaker 2>grew up soon. And then mol said, I'm a righteous

2:12:09.400 --> 2:12:11.240
<v Speaker 2>king and I'm hungry too. We should have told him,

2:12:11.640 --> 2:12:13.440
<v Speaker 2>and I eat up chumpster wrap like you.

2:12:13.760 --> 2:12:15.879
<v Speaker 3>I met this shark his name was George.

2:12:15.920 --> 2:12:18.520
<v Speaker 2>Started writing the rhymes like y'all right yo no, started

2:12:18.560 --> 2:12:21.879
<v Speaker 2>biting mormes, like y'all bite yaws. I started writing morons,

2:12:21.960 --> 2:12:24.360
<v Speaker 2>shark crew and crew, but I was writing more rhymes

2:12:24.400 --> 2:12:26.600
<v Speaker 2>than the shark at chew. Then the shark got sick,

2:12:26.720 --> 2:12:29.280
<v Speaker 2>and then he exploded because he didn't realize that Marobs

2:12:29.440 --> 2:12:29.880
<v Speaker 2>was loaded.

2:12:30.080 --> 2:12:32.080
<v Speaker 3>Flew in the air and into the sea, and the

2:12:32.160 --> 2:12:33.160
<v Speaker 3>whole universe knew.

2:12:33.200 --> 2:12:37.000
<v Speaker 2>The king was me. You don't wonder battle. You know

2:12:37.040 --> 2:12:40.080
<v Speaker 2>what I'm saying and what what I'm sweating now, em

2:12:41.080 --> 2:12:42.640
<v Speaker 2>you didn't go back at him, No, you have to.

2:12:42.760 --> 2:12:45.920
<v Speaker 2>He killed him, and I'm saying, but everybody happened, didn't

2:12:45.920 --> 2:12:46.400
<v Speaker 2>they even.

2:12:47.080 --> 2:12:50.840
<v Speaker 3>Even he got a out of heat for that, But

2:12:50.880 --> 2:12:52.880
<v Speaker 3>I thought it was hip hop what he did.

2:12:52.960 --> 2:12:54.160
<v Speaker 2>It was who he came back.

2:12:54.200 --> 2:12:56.400
<v Speaker 3>But I'm saying me a cast that he should have

2:12:56.480 --> 2:12:59.360
<v Speaker 3>went Like I was sitting on a corner just to

2:12:59.400 --> 2:13:02.080
<v Speaker 3>waste so much time. When I realized I was king

2:13:02.160 --> 2:13:04.640
<v Speaker 3>of the rhyme, I got on the microphone and what

2:13:04.760 --> 2:13:07.280
<v Speaker 3>do you see? The rest was my legacy.

2:13:07.440 --> 2:13:09.360
<v Speaker 2>I was born to be the king of the hip

2:13:09.480 --> 2:13:11.120
<v Speaker 2>hop thing like that.

2:13:11.560 --> 2:13:12.200
<v Speaker 3>They had this.

2:13:12.320 --> 2:13:15.280
<v Speaker 2>When I came along. Like what was good about Pete

2:13:15.360 --> 2:13:17.840
<v Speaker 2>Rocker is when we came back with Down with the King,

2:13:18.160 --> 2:13:21.040
<v Speaker 2>Down with the King. After did that, it was like, Yo,

2:13:21.160 --> 2:13:23.160
<v Speaker 2>we're making that ship. And it's funny. When Jay heard

2:13:23.240 --> 2:13:26.680
<v Speaker 2>that ship, Jay says this, that's the name of the

2:13:26.800 --> 2:13:30.200
<v Speaker 2>album and that's the single, right, And that was that

2:13:30.960 --> 2:13:33.240
<v Speaker 2>was one little thing, you know.

2:13:33.360 --> 2:13:35.840
<v Speaker 3>Bruce Lee says, I'm not afraid of.

2:13:35.880 --> 2:13:41.160
<v Speaker 2>The man who fucking practices a thousand techniques. I'm afraid

2:13:41.200 --> 2:13:45.040
<v Speaker 2>of the man that practices one. I'm living with that

2:13:45.160 --> 2:13:48.280
<v Speaker 2>that work because when we went to the studio, YO,

2:13:48.400 --> 2:13:50.960
<v Speaker 2>were making that ship, this and that. So Pete comes

2:13:51.040 --> 2:13:54.000
<v Speaker 2>to me and he's like, Yo, you ain't gotta be king.

2:13:54.600 --> 2:13:57.000
<v Speaker 2>You ain't gotta be Rock him, you ain't gotta be

2:13:57.160 --> 2:13:59.920
<v Speaker 2>jay Z, you ain't gotta I want that DMC ship.

2:14:00.680 --> 2:14:01.320
<v Speaker 2>I'm confused.

2:14:01.360 --> 2:14:03.400
<v Speaker 3>I'm like, because I'm thinking that I got to write

2:14:03.480 --> 2:14:07.840
<v Speaker 3>differently now shit, And do you know, motherfucker is the

2:14:08.040 --> 2:14:11.800
<v Speaker 3>name the shit that we do? Ad libs and fucking

2:14:12.840 --> 2:14:15.040
<v Speaker 3>metaphors and shit, I don't I just think of my

2:14:15.080 --> 2:14:16.120
<v Speaker 3>round and say it over to beat.

2:14:16.440 --> 2:14:18.920
<v Speaker 2>Give me that DMC shit. And I didn't know what

2:14:19.040 --> 2:14:22.440
<v Speaker 2>to do in the nineties. I'm fucking thirty five years

2:14:22.480 --> 2:14:26.120
<v Speaker 2>old and hip hosterilia change and shit like that. No,

2:14:26.240 --> 2:14:30.680
<v Speaker 2>but what I'm just saying, I'm at another water. So

2:14:31.520 --> 2:14:34.240
<v Speaker 2>Pete Rock says, he just asked me, what the fuck

2:14:34.280 --> 2:14:35.560
<v Speaker 2>are you doing right now? DMC.

2:14:35.800 --> 2:14:39.240
<v Speaker 3>But you're like, because remember I wrote I'm DMC in

2:14:39.280 --> 2:14:41.200
<v Speaker 3>a place to be a true thing about me, son

2:14:41.240 --> 2:14:43.320
<v Speaker 3>of Byford Brooke DMC for Hollins Queens, I.

2:14:43.400 --> 2:14:45.680
<v Speaker 2>Was like, well, I'm on tour ill right about that shit.

2:14:46.320 --> 2:14:48.840
<v Speaker 2>So I was like, okay, I'm taking the tours. I'm

2:14:48.880 --> 2:14:49.720
<v Speaker 2>wrecking the land.

2:14:50.960 --> 2:14:53.080
<v Speaker 3>Hip hop could change and they could have all the

2:14:53.200 --> 2:14:56.440
<v Speaker 3>metaphors and shit, but I keep it hardcore because it's dope, man.

2:14:56.520 --> 2:14:58.520
<v Speaker 3>That's just the raw old shit that I was doing

2:14:58.560 --> 2:15:00.880
<v Speaker 3>in seventy six, and it's my turn to get on

2:15:00.920 --> 2:15:02.880
<v Speaker 3>the mic. I'm gonna do that shit now because this

2:15:03.000 --> 2:15:05.400
<v Speaker 3>audience never seen it, so I'm stand out.

2:15:06.520 --> 2:15:08.920
<v Speaker 2>I learned that. So I'm taking the toys, wrecking the

2:15:09.000 --> 2:15:11.160
<v Speaker 2>land and keeping hardcore because it's dope. Man.

2:15:11.560 --> 2:15:14.120
<v Speaker 3>These are the roughest, toughest word you ever wrote.

2:15:14.240 --> 2:15:17.640
<v Speaker 2>And it's not meant for and I don't usually used profanity,

2:15:17.760 --> 2:15:20.280
<v Speaker 2>but it's not meant for a hole like a slow

2:15:20.440 --> 2:15:21.560
<v Speaker 2>jam sucker.

2:15:21.720 --> 2:15:24.440
<v Speaker 3>MCS could never swing with me because of all the

2:15:24.560 --> 2:15:27.880
<v Speaker 3>things that I bring with me. Only God could be

2:15:28.000 --> 2:15:29.880
<v Speaker 3>a king to me. And if the go od b

2:15:30.000 --> 2:15:33.880
<v Speaker 3>and me ken king of p rockets like rhyme other

2:15:33.960 --> 2:15:35.800
<v Speaker 3>fucking year, and.

2:15:35.840 --> 2:15:37.600
<v Speaker 2>Then I did. I just went me in DMC and

2:15:37.640 --> 2:15:40.400
<v Speaker 2>everywhere I go, cool g rolled up on me, can ship,

2:15:40.520 --> 2:15:42.480
<v Speaker 2>rolled up on me, bumping knuckles, rolled up on me.

2:15:42.600 --> 2:15:45.360
<v Speaker 2>What you said, if the G O D E BM me,

2:15:45.440 --> 2:15:46.120
<v Speaker 2>then the key of.

2:15:46.240 --> 2:15:50.840
<v Speaker 3>The microphone is branded when it's handed to me, or

2:15:50.880 --> 2:15:53.320
<v Speaker 3>what I say, racophone is branded when it's handed to me.

2:15:53.680 --> 2:15:55.960
<v Speaker 3>I'm just standing on this planet and I plant m C.

2:15:56.440 --> 2:15:59.840
<v Speaker 3>The MC fiends always seem to agree that because rocking

2:16:00.120 --> 2:16:04.160
<v Speaker 3>told me the microphone fiend said, nahed your shit rock

2:16:04.280 --> 2:16:09.600
<v Speaker 3>him Coogie Rap and Bumpy imagine them three telling you

2:16:09.760 --> 2:16:13.400
<v Speaker 3>you the dope its motherfucker ever. I was so fucking

2:16:13.600 --> 2:16:16.360
<v Speaker 3>me about But down with the King, Like I said,

2:16:16.400 --> 2:16:17.760
<v Speaker 3>down with the King brought us back.

2:16:17.840 --> 2:16:20.320
<v Speaker 2>And because of Down with the King, we was able

2:16:20.400 --> 2:16:23.040
<v Speaker 2>to go tour. We was back on MTV with the video,

2:16:23.360 --> 2:16:27.440
<v Speaker 2>We was back on the radio. That's what hip hop.

2:16:28.000 --> 2:16:30.080
<v Speaker 2>That's why I say hip hop is it's not old school.

2:16:30.200 --> 2:16:32.840
<v Speaker 2>Isn't old right? You know what I'm saying. You might

2:16:33.040 --> 2:16:35.920
<v Speaker 2>know what I did in eighty six, but the twelve

2:16:36.000 --> 2:16:36.440
<v Speaker 2>year old.

2:16:36.320 --> 2:16:38.879
<v Speaker 3>Kid, now don't. So when he see that shit, he's new.

2:16:39.760 --> 2:16:43.800
<v Speaker 3>Kids always had to ask me, now, shit, yo og,

2:16:45.600 --> 2:16:47.800
<v Speaker 3>you put it down harder than I'm youngins. But I'm

2:16:47.879 --> 2:16:49.879
<v Speaker 3>putting it down at fifty nine like I did when

2:16:49.920 --> 2:16:52.200
<v Speaker 3>I was twelve years old. I'm not thinking I'm going

2:16:52.280 --> 2:16:55.000
<v Speaker 3>into the studio to sell records. I ain't thinking about

2:16:55.080 --> 2:16:58.199
<v Speaker 3>chart position. I'm thinking, how can I make this fucking dope?

2:16:58.200 --> 2:16:59.600
<v Speaker 3>What did you do when you was in your room

2:16:59.600 --> 2:17:03.480
<v Speaker 3>in fifteen? So that's how I approached this craft of minds.

2:17:05.480 --> 2:17:06.039
<v Speaker 2>God damn.

2:17:09.800 --> 2:17:13.560
<v Speaker 3>And it's fucking fun. But it's fucking fun.

2:17:13.720 --> 2:17:15.680
<v Speaker 2>Man. What's one of the places that you've been through,

2:17:15.959 --> 2:17:18.000
<v Speaker 2>been through the tour in the world that she was like,

2:17:18.040 --> 2:17:22.400
<v Speaker 2>what the fuck am I doing here? Look, you said

2:17:22.400 --> 2:17:23.920
<v Speaker 2>Sudan earlier, But.

2:17:25.480 --> 2:17:26.320
<v Speaker 4>Yeah, so it was.

2:17:26.480 --> 2:17:29.959
<v Speaker 2>It was definitely South Sudan because everybody was walking around

2:17:30.000 --> 2:17:31.000
<v Speaker 2>with machine guns.

2:17:31.840 --> 2:17:36.600
<v Speaker 3>And then the student, well the person that brought me

2:17:36.680 --> 2:17:40.960
<v Speaker 3>out there. The police and the National Guard are the

2:17:41.120 --> 2:17:47.600
<v Speaker 3>two warring factions, so at any time, all you got

2:17:47.720 --> 2:17:49.880
<v Speaker 3>to do is just say one little wrong thing about

2:17:49.879 --> 2:17:54.480
<v Speaker 3>the tribe or some shit about the king. Because South

2:17:54.600 --> 2:17:58.720
<v Speaker 3>Sudan has all the oil. North Sudan has all the reserves,

2:17:58.840 --> 2:18:01.320
<v Speaker 3>so they constant fight over money and shit like that.

2:18:01.600 --> 2:18:05.120
<v Speaker 3>But it definitely was South student because this is scary,

2:18:05.360 --> 2:18:07.720
<v Speaker 3>so we get in town for the sad. Oh, let

2:18:07.760 --> 2:18:09.520
<v Speaker 3>me shout out to God that brought me. This guy

2:18:09.600 --> 2:18:14.039
<v Speaker 3>named Emmanuel Jaw he was a boys child soldier.

2:18:15.440 --> 2:18:15.880
<v Speaker 2>At nine.

2:18:15.920 --> 2:18:18.720
<v Speaker 3>When he was nine years old, the rebel army came

2:18:18.800 --> 2:18:22.440
<v Speaker 3>into his village and killed all the adults and took

2:18:22.640 --> 2:18:25.240
<v Speaker 3>all the hills and gave them guns to fight against

2:18:25.320 --> 2:18:28.040
<v Speaker 3>the government, said nine years old him and is forty

2:18:28.400 --> 2:18:32.760
<v Speaker 3>Hold up? They come into your village and kill all

2:18:32.840 --> 2:18:38.840
<v Speaker 3>the parents guts And he's the most well smoking, well

2:18:38.959 --> 2:18:40.640
<v Speaker 3>spoken person you had ever seen.

2:18:40.920 --> 2:18:44.200
<v Speaker 2>Was a child killer who was killed at nine years

2:18:44.200 --> 2:18:48.400
<v Speaker 2>old to arm to cut all that shit. So when

2:18:48.440 --> 2:18:51.760
<v Speaker 2>he was nine years old, he was fighting, him and

2:18:51.840 --> 2:18:55.480
<v Speaker 2>his forty friends and he was out in the wilderness fighting.

2:18:55.600 --> 2:18:58.000
<v Speaker 2>So they got tired of killing their own people, so

2:18:58.160 --> 2:19:00.320
<v Speaker 2>they said, we're gonna go a one and escape. Now

2:19:00.360 --> 2:19:04.360
<v Speaker 2>the problem is when you escape, the soldiers you're running

2:19:04.360 --> 2:19:06.480
<v Speaker 2>from are gonna kill you first on a site, and

2:19:06.600 --> 2:19:09.400
<v Speaker 2>then the other soldiers from the government are gonna shoot

2:19:09.400 --> 2:19:11.280
<v Speaker 2>you because even if you say I'm coming there, they

2:19:11.320 --> 2:19:13.600
<v Speaker 2>think you got bombs or whatever, so they ain't trusting you.

2:19:13.920 --> 2:19:16.680
<v Speaker 2>So what they would do was what they would do

2:19:17.000 --> 2:19:20.320
<v Speaker 2>was when the people that they ate were from would

2:19:20.320 --> 2:19:22.600
<v Speaker 2>go raid a village, the kids would go in there

2:19:22.600 --> 2:19:24.360
<v Speaker 2>and eat the scraps. But it got to the point

2:19:24.360 --> 2:19:28.480
<v Speaker 2>where the other soldiers wasn't leaving us. So lonstory short,

2:19:28.800 --> 2:19:32.000
<v Speaker 2>his friends were dying a starvation. So it's just him

2:19:32.040 --> 2:19:35.720
<v Speaker 2>and his boy, right, And imagine me and you and Norri.

2:19:35.959 --> 2:19:38.040
<v Speaker 2>All our boys are dead, It's just me and you.

2:19:38.200 --> 2:19:41.720
<v Speaker 3>Thirty eight or died at starvation, and I turned to

2:19:41.800 --> 2:19:44.240
<v Speaker 3>you because I'm dying and I look at you and

2:19:44.320 --> 2:19:48.680
<v Speaker 3>I'm your boy, and I say, Nori, if I die tonight,

2:19:48.760 --> 2:19:53.280
<v Speaker 3>it's okay if you eat me. Imagine that. So Joll

2:19:53.400 --> 2:19:59.040
<v Speaker 3>said his prayer to God wasn't delivering me this and that?

2:19:59.240 --> 2:20:02.520
<v Speaker 3>This serious pread? God, God, what's the pros and cons

2:20:02.560 --> 2:20:05.000
<v Speaker 3>of if I eat my friend? And what's the pros

2:20:05.000 --> 2:20:07.080
<v Speaker 3>and cons if I don't eat my friend? So that's

2:20:07.120 --> 2:20:08.480
<v Speaker 3>where he was at right then and there he can

2:20:08.560 --> 2:20:13.879
<v Speaker 3>saved by the un They take him from. Didn't have to, Okay, alright, cool,

2:20:14.400 --> 2:20:18.000
<v Speaker 3>heake him to not roby to the rehabilitation center. He's

2:20:18.040 --> 2:20:22.040
<v Speaker 3>a wild kid that was illing, so they trying to

2:20:22.240 --> 2:20:24.680
<v Speaker 3>educate him. He's a fucking beast. He said he was

2:20:24.720 --> 2:20:27.000
<v Speaker 3>getting the beef for of his students. You ever see

2:20:27.040 --> 2:20:30.440
<v Speaker 3>the horror movie Shits and said the students say something

2:20:30.440 --> 2:20:33.040
<v Speaker 3>to him. He taking a pen and pointing it and

2:20:33.200 --> 2:20:36.240
<v Speaker 3>I'm like, he's that kid, He's he's wild.

2:20:36.720 --> 2:20:39.720
<v Speaker 2>So one of the counselors and it's the promoter that

2:20:39.800 --> 2:20:40.440
<v Speaker 2>brought you od there.

2:20:41.200 --> 2:20:44.680
<v Speaker 3>Yeah I did him, but he said, I'm gonna tell you, Yeah,

2:20:44.680 --> 2:20:47.720
<v Speaker 3>he's been a big white track this out. One of

2:20:47.800 --> 2:20:54.440
<v Speaker 3>the counselors is playing run dmc ughdy by Nature Public Enemy.

2:20:55.160 --> 2:21:00.560
<v Speaker 2>So he hears it, what's the what's that? The counselor

2:21:00.640 --> 2:21:04.080
<v Speaker 2>is like, oh, so you like this? What's that? What's that?

2:21:04.160 --> 2:21:07.160
<v Speaker 3>He said that was the only time he felt something

2:21:07.240 --> 2:21:08.039
<v Speaker 3>that was good to him.

2:21:08.560 --> 2:21:09.280
<v Speaker 2>Oh you want to hit it?

2:21:09.360 --> 2:21:13.800
<v Speaker 3>Yeah, yeah, you know imagine crazy, crazy African killer machine.

2:21:14.280 --> 2:21:17.960
<v Speaker 2>Here's naughty native stuff. The councilors play, Okay, here's the deal,

2:21:18.560 --> 2:21:21.400
<v Speaker 2>stick gild Man. You start going to school, this and

2:21:21.480 --> 2:21:23.520
<v Speaker 2>that just to hit the tape.

2:21:23.520 --> 2:21:25.760
<v Speaker 3>Okay, So he hit the tape, goes to school, show

2:21:25.840 --> 2:21:28.960
<v Speaker 3>me something, becomes a straight at student, makes it to

2:21:29.040 --> 2:21:33.280
<v Speaker 3>the university, goes into the university majors in communications and music,

2:21:33.560 --> 2:21:37.959
<v Speaker 3>starts to becoming a MC for his from Sudan, who

2:21:38.040 --> 2:21:41.320
<v Speaker 3>gets to open for Nelson Mandela, this and that, whatever,

2:21:41.480 --> 2:21:42.080
<v Speaker 3>whatever whatever.

2:21:42.720 --> 2:21:45.800
<v Speaker 2>So he does because of hip hop. He said it

2:21:45.879 --> 2:21:46.080
<v Speaker 2>was the.

2:21:46.240 --> 2:21:49.640
<v Speaker 3>Only thing that made him feel like he was working.

2:21:49.720 --> 2:21:53.080
<v Speaker 3>He correlates. So then he does all of that. He

2:21:53.160 --> 2:21:55.760
<v Speaker 3>does all of this great stuff for his country. They

2:21:55.879 --> 2:21:57.920
<v Speaker 3>bring him to New York City to get honored by

2:21:58.000 --> 2:22:02.720
<v Speaker 3>the hard Rock This is before hard Rock Ain's ownership

2:22:02.879 --> 2:22:04.879
<v Speaker 3>because the hard rockers and the big.

2:22:06.600 --> 2:22:09.280
<v Speaker 2>Philanthropy stuff like that. So they bring them in and

2:22:09.360 --> 2:22:11.360
<v Speaker 2>one of the ladies from the Harrrock movie there was like, DMC,

2:22:11.680 --> 2:22:13.160
<v Speaker 2>we have this kid, tells me a story.

2:22:13.520 --> 2:22:15.640
<v Speaker 3>Come tomorrow. We want to surprise him with you cool.

2:22:15.760 --> 2:22:18.480
<v Speaker 2>So I come to the luncheon and it's a bunch

2:22:18.560 --> 2:22:21.280
<v Speaker 2>of people in there, like he does some incredible ship.

2:22:21.400 --> 2:22:23.160
<v Speaker 2>So they said just go sit at the end of

2:22:23.200 --> 2:22:25.240
<v Speaker 2>the table. Sitting at the end of the table and

2:22:25.320 --> 2:22:27.520
<v Speaker 2>he's speaking. He's meeting all these people and sending nobody

2:22:27.560 --> 2:22:30.240
<v Speaker 2>announces me, and then he looks and he sees me

2:22:31.240 --> 2:22:34.440
<v Speaker 2>just so and he comes over to me and he

2:22:34.640 --> 2:22:37.680
<v Speaker 2>just cries on me and he's like, yo, run DMC

2:22:38.040 --> 2:22:40.960
<v Speaker 2>know that my nature hip hop saying man, he just

2:22:41.040 --> 2:22:43.320
<v Speaker 2>tells me the story, and I'm like, I'm like blowing away.

2:22:43.720 --> 2:22:46.840
<v Speaker 2>So then he goes, will you come to my country?

2:22:48.160 --> 2:22:50.360
<v Speaker 2>And this is what I'm answering your question now, So

2:22:50.480 --> 2:22:55.880
<v Speaker 2>I'm thinking yeah. I answered yeah immediately, but I'm thinking,

2:22:56.120 --> 2:23:01.120
<v Speaker 2>j you know what I'm saying. So we fly out

2:23:01.200 --> 2:23:04.720
<v Speaker 2>to South student we say we run engine no, no, no,

2:23:05.040 --> 2:23:09.640
<v Speaker 2>just me, my DJ Eric and my security and well

2:23:09.680 --> 2:23:13.600
<v Speaker 2>it's funny this is not. When they showed me the

2:23:13.680 --> 2:23:17.480
<v Speaker 2>brochure of where we're staying at, it's like, oh, ship,

2:23:17.560 --> 2:23:22.160
<v Speaker 2>a pool, air conditioning building. But we get there, it's

2:23:22.280 --> 2:23:27.920
<v Speaker 2>just huts. No toilet ball, no toilet ball, no toilet

2:23:29.600 --> 2:23:30.000
<v Speaker 2>Hold up.

2:23:31.040 --> 2:23:34.360
<v Speaker 3>The cut us is fucking bugs.

2:23:35.520 --> 2:23:39.760
<v Speaker 2>Everywhere, to the point where it's so many bugs and

2:23:39.800 --> 2:23:42.400
<v Speaker 2>they so big, you just get it's a waste of

2:23:42.520 --> 2:23:42.840
<v Speaker 2>time and.

2:23:44.320 --> 2:23:50.920
<v Speaker 3>Fu show time like to that point. So that was

2:23:51.000 --> 2:23:53.800
<v Speaker 3>my wildest place off Cudent. But the beauty of it

2:23:54.120 --> 2:23:56.640
<v Speaker 3>is that they know our hip hop right and they

2:23:56.760 --> 2:23:59.840
<v Speaker 3>value it. So we go to sound check and if

2:23:59.879 --> 2:24:02.480
<v Speaker 3>you look him up right now, he's the vice president

2:24:03.280 --> 2:24:04.199
<v Speaker 3>of Sudan.

2:24:05.840 --> 2:24:10.360
<v Speaker 2>Yeah he wears cowboy hat and cowboy boots. So we

2:24:10.560 --> 2:24:12.240
<v Speaker 2>see we ain't we ain't seen none of this the

2:24:12.280 --> 2:24:14.520
<v Speaker 2>whole time. All of a sudden, we look up. We

2:24:14.720 --> 2:24:19.720
<v Speaker 2>see range rovers, we see escalades, we see Mercedes Bens

2:24:19.760 --> 2:24:23.000
<v Speaker 2>and we see BMW And it looked like something out

2:24:23.040 --> 2:24:26.400
<v Speaker 2>of a Tom Cruise Mission Impossible movie. They moving like that.

2:24:27.320 --> 2:24:29.680
<v Speaker 2>We just see this ent roge of cars coming up

2:24:29.720 --> 2:24:32.320
<v Speaker 2>to the place of the ship right pulls up to

2:24:32.520 --> 2:24:34.279
<v Speaker 2>like the ship in the movies.

2:24:34.400 --> 2:24:38.760
<v Speaker 3>Those stunt drivers, the motherfuckers exist, they pull up, security

2:24:38.800 --> 2:24:40.960
<v Speaker 3>gets out right, so the Vice President of South Sudan

2:24:41.080 --> 2:24:43.600
<v Speaker 3>gets out and we in the sound check and the

2:24:43.760 --> 2:24:46.959
<v Speaker 3>vice president walks in there and this shit is scary man,

2:24:47.080 --> 2:24:49.840
<v Speaker 3>motherfuckers with machine huns this and there, and you know,

2:24:49.959 --> 2:24:51.279
<v Speaker 3>the vice president, he's different.

2:24:51.840 --> 2:24:55.720
<v Speaker 2>Where's the rapper? Where's I'm come to see the like

2:24:55.840 --> 2:25:01.600
<v Speaker 2>with that idiot, I mean ship? Where's the high My

2:25:01.840 --> 2:25:05.039
<v Speaker 2>DJ his ful like, he's right here. So I come.

2:25:05.720 --> 2:25:08.880
<v Speaker 2>The guy comes to me and he's literally taking me

2:25:09.000 --> 2:25:11.440
<v Speaker 2>like this. He comes, I want to see the all

2:25:11.840 --> 2:25:24.040
<v Speaker 2>this the wrapper rapp and he's fuck yo, He's like,

2:25:24.320 --> 2:25:27.080
<v Speaker 2>start right, He's shaking me the wrappers and like that.

2:25:27.760 --> 2:25:29.720
<v Speaker 2>So then you I want to see your show. And

2:25:29.800 --> 2:25:33.280
<v Speaker 2>then he sits down in the showtime and he's sitting there.

2:25:33.680 --> 2:25:36.800
<v Speaker 2>The thing what's funny about this story is that he's

2:25:37.320 --> 2:25:41.440
<v Speaker 2>fucking the you know, the one like the mean ship

2:25:41.640 --> 2:25:44.080
<v Speaker 2>like war lord. I want to see your show and

2:25:44.200 --> 2:25:48.200
<v Speaker 2>he said, and he's sitting there. So I'm thinking, yo,

2:25:48.240 --> 2:25:53.800
<v Speaker 2>if I ain't dope, it's my right, you know. But

2:25:53.959 --> 2:25:54.640
<v Speaker 2>he's sitting there.

2:25:54.720 --> 2:25:58.640
<v Speaker 3>Everybody's around him and all the people it's about or

2:25:58.760 --> 2:26:00.400
<v Speaker 3>what do you say about two andre and fift people.

2:26:01.000 --> 2:26:05.199
<v Speaker 2>They all in the back like his soldiers. The regular okay,

2:26:05.240 --> 2:26:07.640
<v Speaker 2>the regular people, okay, crowd. You know, first one I

2:26:07.760 --> 2:26:09.640
<v Speaker 2>was in like this, they like, oh, it's damnsey. But

2:26:09.720 --> 2:26:13.200
<v Speaker 2>when he came, oh oh, when he came, okay, it's

2:26:13.400 --> 2:26:16.480
<v Speaker 2>kind of like some scary dictator shape, like I'm thank

2:26:16.520 --> 2:26:18.800
<v Speaker 2>you damn. If I ain't dope, this is gonna be crazy.

2:26:19.400 --> 2:26:22.600
<v Speaker 2>So then my DJ Charlie Chan, he just go, yo,

2:26:22.680 --> 2:26:24.920
<v Speaker 2>d just do what the fuck you do? So I said,

2:26:25.040 --> 2:26:32.240
<v Speaker 2>all right, you know he's thinking, you know, fift week,

2:26:32.560 --> 2:26:35.039
<v Speaker 2>So yo, y'all come up to the front. We pull

2:26:35.120 --> 2:26:38.640
<v Speaker 2>the people up the front. We performed like forty five minutes.

2:26:39.000 --> 2:26:43.560
<v Speaker 2>We had those aft your hands and the records Breakdow

2:26:43.680 --> 2:26:47.600
<v Speaker 2>knew the recket so but that was my craziest experience ever.

2:26:48.080 --> 2:26:51.240
<v Speaker 3>But you know, Russia's cool. We went into Moscow. They know,

2:26:52.040 --> 2:26:54.840
<v Speaker 3>they fucking know mob deep there, you know what I'm saying.

2:26:54.879 --> 2:26:57.840
<v Speaker 3>They know they know underground and ship like that. But

2:26:58.080 --> 2:27:01.080
<v Speaker 3>South Sudan, what was beautiful is they knew Park, they

2:27:01.160 --> 2:27:02.279
<v Speaker 3>knew Big, they knew.

2:27:02.080 --> 2:27:05.040
<v Speaker 2>Our hip hop. But it was the scariest trip of

2:27:05.080 --> 2:27:07.320
<v Speaker 2>my life. Let me ask you, because You mentioned Poking

2:27:07.400 --> 2:27:10.320
<v Speaker 2>Big a couple of times, right, and you said that

2:27:10.400 --> 2:27:13.320
<v Speaker 2>you was on tour with Parc and Big together. No not,

2:27:14.840 --> 2:27:18.000
<v Speaker 2>you opened up separate, separate, right, We opened up for them.

2:27:18.040 --> 2:27:21.760
<v Speaker 2>So two pac question, you saw the relationship that they

2:27:21.800 --> 2:27:25.519
<v Speaker 2>were cool? No? No, I never seen them together. They

2:27:25.600 --> 2:27:28.280
<v Speaker 2>opened up for pucking Big at two times. This was

2:27:28.640 --> 2:27:29.400
<v Speaker 2>after they split.

2:27:29.760 --> 2:27:31.760
<v Speaker 3>When I first met Park. What was crazy about?

2:27:31.840 --> 2:27:32.920
<v Speaker 2>What park? We played?

2:27:34.560 --> 2:27:36.480
<v Speaker 3>What's the biggest mall in the world, I think was

2:27:36.520 --> 2:27:41.040
<v Speaker 3>Minnesota or something like that, all of America. Yeah, yeah,

2:27:41.080 --> 2:27:43.080
<v Speaker 3>so we was we was, we was doing the show.

2:27:43.160 --> 2:27:45.280
<v Speaker 3>They was open for Park and Yo, let's go to

2:27:45.360 --> 2:27:46.800
<v Speaker 3>the mall. You know, that's what you do when you

2:27:46.840 --> 2:27:48.880
<v Speaker 3>go to So we go to the mall and it

2:27:49.040 --> 2:27:51.760
<v Speaker 3>was just crazy about I saw this happened when we

2:27:51.920 --> 2:27:54.920
<v Speaker 3>walked in the mall. I don't know if they got

2:27:54.920 --> 2:27:58.920
<v Speaker 3>a single Park out, but the security, the police officer

2:27:59.400 --> 2:28:02.440
<v Speaker 3>just walked over there and said, you take your hat

2:28:02.520 --> 2:28:05.360
<v Speaker 3>off like were walking in the mall.

2:28:05.879 --> 2:28:07.680
<v Speaker 2>You know what I'm saying. Jay got his hand, but

2:28:07.800 --> 2:28:11.320
<v Speaker 2>the police off and then poked you like what the fuck? Seman?

2:28:11.440 --> 2:28:13.720
<v Speaker 2>This is what I'm talking yo, Pop calm now, and

2:28:13.800 --> 2:28:15.840
<v Speaker 2>this is that boom boom boom boom boom, whatever what

2:28:15.920 --> 2:28:17.800
<v Speaker 2>I mean. Jay's like, yo, man, how you gonna tell

2:28:17.840 --> 2:28:19.959
<v Speaker 2>Park to You ain't tell me to take my minds off.

2:28:20.360 --> 2:28:24.720
<v Speaker 2>I don't know if it was a pop thing police No,

2:28:25.320 --> 2:28:29.800
<v Speaker 2>probably yeah, yeah, yeah that's probably why. Yeah, that's probably why.

2:28:29.840 --> 2:28:32.080
<v Speaker 2>But I saw that. But overall, Park was brilliant.

2:28:32.120 --> 2:28:34.320
<v Speaker 3>He was cool, he was funny, and all he could

2:28:34.400 --> 2:28:36.480
<v Speaker 3>fucking talk about was the fuck he I think he

2:28:36.560 --> 2:28:38.920
<v Speaker 3>even made a whole record about it. His whole ship

2:28:39.040 --> 2:28:41.520
<v Speaker 3>was trying to convince me that I'm legit, Like if

2:28:41.600 --> 2:28:43.680
<v Speaker 3>you like you know what I'm saying, which is beautiful,

2:28:43.760 --> 2:28:45.920
<v Speaker 3>Which is beautiful. But yeah, we hung went Park, We

2:28:46.000 --> 2:28:49.120
<v Speaker 3>hung went Big. Big was just like Big was like

2:28:49.200 --> 2:28:50.560
<v Speaker 3>who could I describe Big? Right?

2:28:51.120 --> 2:28:53.960
<v Speaker 2>Big was just like fucking he was just lovable, right,

2:28:54.560 --> 2:28:55.360
<v Speaker 2>and I'm saying he was.

2:28:55.520 --> 2:28:58.520
<v Speaker 3>He was just a funny, lovable like him and Jay

2:28:58.600 --> 2:29:01.840
<v Speaker 3>really got along because you know, Jay flying Jason moved

2:29:01.840 --> 2:29:03.640
<v Speaker 3>a lot of weed too, and sh yeah exactly.

2:29:04.320 --> 2:29:06.920
<v Speaker 2>Yeah they have blunts. Yeah you know, so where was

2:29:06.959 --> 2:29:08.960
<v Speaker 2>you at when you kind of like see you know,

2:29:09.120 --> 2:29:11.600
<v Speaker 2>they're they're they're like this, this is like this is

2:29:11.680 --> 2:29:13.760
<v Speaker 2>like I want to say, there's always been beef and

2:29:13.840 --> 2:29:16.360
<v Speaker 2>hip hop because like there's always been like the battles

2:29:16.400 --> 2:29:18.720
<v Speaker 2>and stuff like that, and these battles kind of like

2:29:18.840 --> 2:29:24.760
<v Speaker 2>sometimes it into something. Of course, this was the first,

2:29:24.879 --> 2:29:28.040
<v Speaker 2>like this was the first difference was like, how did

2:29:28.080 --> 2:29:29.440
<v Speaker 2>you feel like, you know what I mean, you being

2:29:29.480 --> 2:29:31.400
<v Speaker 2>one of the architects of hip hop and these people

2:29:31.560 --> 2:29:35.400
<v Speaker 2>taking it this far? And well, I kind of understood it,

2:29:35.440 --> 2:29:38.840
<v Speaker 2>but I don't think people, I don't think the media,

2:29:39.120 --> 2:29:41.720
<v Speaker 2>and I don't think people like us. We didn't get

2:29:41.800 --> 2:29:44.960
<v Speaker 2>vocal enough because what was happening in the beginning of it,

2:29:45.160 --> 2:29:49.520
<v Speaker 2>it was almost like the two rival the two rival

2:29:49.920 --> 2:29:53.640
<v Speaker 2>high school teams. The players settled a beef on the field.

2:29:54.520 --> 2:29:56.320
<v Speaker 2>But if I see you fuck you, this and that,

2:29:56.480 --> 2:29:59.720
<v Speaker 2>this and that. So there was no there was no

2:30:00.600 --> 2:30:05.000
<v Speaker 2>this did not this, There was no determined there was

2:30:05.080 --> 2:30:10.160
<v Speaker 2>no describing that this should just stay on record. But

2:30:10.280 --> 2:30:13.080
<v Speaker 2>then it was it was different. It was more deeper

2:30:13.240 --> 2:30:18.280
<v Speaker 2>because Pop felt something personally was done to him. But

2:30:18.600 --> 2:30:23.200
<v Speaker 2>but the East coast, West coast ward, we never seen it. Right,

2:30:23.320 --> 2:30:25.640
<v Speaker 2>we was going over there, but see it's a little

2:30:25.720 --> 2:30:28.360
<v Speaker 2>different LUs the same thing. We just interviewed him and

2:30:28.440 --> 2:30:30.480
<v Speaker 2>he said he was never affected by the East Coast West.

2:30:31.879 --> 2:30:36.840
<v Speaker 3>He was another col sug Knight was gonna buy us.

2:30:42.320 --> 2:30:45.320
<v Speaker 3>Sug Knight was gonna put run DMC on death row

2:30:45.440 --> 2:30:49.080
<v Speaker 3>records proper they were starting.

2:30:49.840 --> 2:30:52.879
<v Speaker 2>He was going not definitely, No, he's gonna put us

2:30:52.920 --> 2:30:55.760
<v Speaker 2>on death row. We had a meeting with him at

2:30:56.200 --> 2:31:03.200
<v Speaker 2>and Beverly Hill. We had a big the Beverly Hill. James. No,

2:31:05.920 --> 2:31:06.480
<v Speaker 2>I don't think we.

2:31:06.480 --> 2:31:07.480
<v Speaker 3>Would have had to neither.

2:31:07.959 --> 2:31:10.240
<v Speaker 2>We had meeting with Sure. This was like when death

2:31:10.280 --> 2:31:12.320
<v Speaker 2>Row was right at their height.

2:31:12.360 --> 2:31:14.600
<v Speaker 3>Before, right before U the downfall of it. I do

2:31:14.720 --> 2:31:16.880
<v Speaker 3>remember these rooms, you know, I'm saying. We sat there

2:31:16.920 --> 2:31:20.160
<v Speaker 3>with him and he said, buy you off that you're

2:31:20.280 --> 2:31:22.279
<v Speaker 3>running them. See, I mean a lot to this culture.

2:31:22.320 --> 2:31:23.959
<v Speaker 3>And they said, you know you got to say something

2:31:23.959 --> 2:31:24.440
<v Speaker 3>about sugar.

2:31:24.640 --> 2:31:25.119
<v Speaker 2>Sugar aright.

2:31:25.600 --> 2:31:29.480
<v Speaker 3>He had right intention because every time I see him,

2:31:29.680 --> 2:31:31.560
<v Speaker 3>me ma Orka, he used to just show up and

2:31:31.680 --> 2:31:36.320
<v Speaker 3>come and sit down and say, man, you know it

2:31:36.400 --> 2:31:37.119
<v Speaker 3>used to come here.

2:31:37.320 --> 2:31:38.440
<v Speaker 2>Huh No.

2:31:38.560 --> 2:31:40.880
<v Speaker 3>No, this was in a sushi restaurant, or it was

2:31:40.959 --> 2:31:43.640
<v Speaker 3>at the Mandrion Club or whatever. And he said, you know,

2:31:43.760 --> 2:31:45.880
<v Speaker 3>we was just amazed and he said, Shug said this.

2:31:46.240 --> 2:31:48.520
<v Speaker 3>We were just so amazed that when your cast came

2:31:48.640 --> 2:31:50.720
<v Speaker 3>here from New York and he said this, we were

2:31:50.840 --> 2:31:54.240
<v Speaker 3>just so amazed to see how you're stuck together because

2:31:54.240 --> 2:31:56.920
<v Speaker 3>remember running m CLL this and we moved together.

2:31:57.120 --> 2:32:00.840
<v Speaker 2>It was just something about I don't know boy, yeah,

2:32:01.440 --> 2:32:03.360
<v Speaker 2>but you know, and he talked about that. But he

2:32:03.400 --> 2:32:07.119
<v Speaker 2>said he was gonna buyas bring us on to death

2:32:07.280 --> 2:32:09.760
<v Speaker 2>Row because he says, death Row we at the top

2:32:09.879 --> 2:32:12.039
<v Speaker 2>right now, and you should be with the top row,

2:32:12.160 --> 2:32:15.039
<v Speaker 2>you know, that whole ship. And then somebody else had

2:32:15.120 --> 2:32:18.440
<v Speaker 2>told me now that motherfucker was doing that ship so

2:32:18.640 --> 2:32:21.640
<v Speaker 2>he can fucking take the kings from the East and

2:32:21.840 --> 2:32:23.760
<v Speaker 2>throw it in their face. Yeah, I don't even got

2:32:23.800 --> 2:32:26.000
<v Speaker 2>your run DMCs. Now, I didn't think about it like that.

2:32:26.280 --> 2:32:28.920
<v Speaker 4>I don't you know what I'm saying, because he did

2:32:28.959 --> 2:32:30.959
<v Speaker 4>that with with Hammer too, where he brought Hammer.

2:32:31.000 --> 2:32:33.360
<v Speaker 3>I mean, yeah, Hammer's on the West. But I think

2:32:33.400 --> 2:32:34.960
<v Speaker 3>he genuinely appreciated it.

2:32:35.080 --> 2:32:38.920
<v Speaker 2>No, he did. The two three times that I sat

2:32:39.000 --> 2:32:42.040
<v Speaker 2>with Shook personally with no rud Ro, I didn't see

2:32:42.080 --> 2:32:42.360
<v Speaker 2>all of that.

2:32:43.240 --> 2:32:48.960
<v Speaker 3>He generally like, was they they they wanted to have

2:32:49.240 --> 2:32:51.680
<v Speaker 3>the thing I talked about that we were doing with

2:32:51.800 --> 2:32:54.840
<v Speaker 3>hip hop outside of the business. So I think Shug

2:32:54.959 --> 2:32:59.279
<v Speaker 3>wanted to have run DMC as the the holy grail.

2:33:00.040 --> 2:33:02.640
<v Speaker 4>It's like the ultimate trophy, right if you're a hip

2:33:02.680 --> 2:33:05.240
<v Speaker 4>hop head and you have power money, what's.

2:33:05.120 --> 2:33:08.920
<v Speaker 2>The un see? And I gave a lot of money.

2:33:09.120 --> 2:33:11.800
<v Speaker 2>And I remember the night Pop died, we was the

2:33:12.240 --> 2:33:16.440
<v Speaker 2>what was the club that they had in Vegas? Vegas?

2:33:17.440 --> 2:33:23.040
<v Speaker 2>Seven Biggies six Yeah, yeah, yeah like that.

2:33:23.480 --> 2:33:27.240
<v Speaker 3>So we was hired by them to perform at the

2:33:27.360 --> 2:33:29.840
<v Speaker 3>after party m for the Tyson Fight.

2:33:30.000 --> 2:33:30.680
<v Speaker 2>For the Tyson Fight.

2:33:30.760 --> 2:33:33.959
<v Speaker 3>Wow, bro, this is this is one. This is when

2:33:34.040 --> 2:33:37.039
<v Speaker 3>the Luxe was. I got married with the Luxey. Yeah,

2:33:37.080 --> 2:33:39.920
<v Speaker 3>this one was new like it was flash it so

2:33:40.000 --> 2:33:43.080
<v Speaker 3>I'll never forget. Brought us there, paid for everything we

2:33:43.200 --> 2:33:44.400
<v Speaker 3>used to hire in entertainment.

2:33:44.520 --> 2:33:46.520
<v Speaker 2>So y'all was there that night in Vegas. Let me

2:33:46.600 --> 2:33:50.200
<v Speaker 2>tell you what holy ship. So we get a call

2:33:50.600 --> 2:33:55.760
<v Speaker 2>against the call. It shook, Yo. This is a funny jay. Sorry, Yo,

2:33:55.840 --> 2:33:57.920
<v Speaker 2>I'm coming to me and Pop coming and get y'all

2:33:59.000 --> 2:34:02.240
<v Speaker 2>you're gonna ride to the fight with us, because remember

2:34:02.280 --> 2:34:03.840
<v Speaker 2>who was in the in the in the in the

2:34:04.120 --> 2:34:06.960
<v Speaker 2>the seven fifteen with them. Nobody was in the back seat.

2:34:07.680 --> 2:34:09.480
<v Speaker 2>Me running Ja was supposed to be in that back seat.

2:34:09.600 --> 2:34:13.680
<v Speaker 3>Whoa, he calls, calls a look, say yo, I'm coming

2:34:13.800 --> 2:34:16.720
<v Speaker 3>to get y'all park. We want you to ride to

2:34:16.840 --> 2:34:21.360
<v Speaker 3>the fight with us. Y'all going ahead without us? Why,

2:34:21.480 --> 2:34:27.199
<v Speaker 3>what's the problem Jay's getting dressed? What are you talking about?

2:34:28.040 --> 2:34:31.680
<v Speaker 3>Just show Dn standing there. When Jay would get dressed,

2:34:32.040 --> 2:34:36.280
<v Speaker 3>Jay would have all his clothes out there. It's worse

2:34:36.360 --> 2:34:39.360
<v Speaker 3>than your wife or girl. Again, how does this look?

2:34:39.440 --> 2:34:40.800
<v Speaker 3>Just in that for like three hours.

2:34:41.840 --> 2:34:44.560
<v Speaker 2>The reason why we didn't ride to the fight with

2:34:44.720 --> 2:34:46.520
<v Speaker 2>Pocket because Jay was getting dressed.

2:34:46.760 --> 2:34:54.560
<v Speaker 8>Jay would spend hours. He's seriously, you'll be telling us

2:34:54.760 --> 2:34:56.800
<v Speaker 8>that's coolk hold and you would like it would be

2:34:56.840 --> 2:34:58.080
<v Speaker 8>a fashion show.

2:34:59.040 --> 2:35:03.920
<v Speaker 2>That reget my lion. Day's getting dressed. This case is

2:35:03.959 --> 2:35:08.480
<v Speaker 2>a blessing, right, so huge blessing. So we say we

2:35:08.640 --> 2:35:10.680
<v Speaker 2>meet at the after part. We get to the after party.

2:35:11.360 --> 2:35:16.119
<v Speaker 2>Hammer's there, the whole crew, everybody's there, melm and everybody's there,

2:35:16.160 --> 2:35:18.640
<v Speaker 2>this and that. So yeah, yeah, did he have one

2:35:18.680 --> 2:35:20.320
<v Speaker 2>little pants? No, he didn't have a pan.

2:35:22.080 --> 2:35:27.400
<v Speaker 3>This was the suit rich tuxedo, joins Hammer. So we

2:35:27.560 --> 2:35:30.080
<v Speaker 3>in the club waiting for the fight to end. All

2:35:30.120 --> 2:35:32.520
<v Speaker 3>of a sudden, one dude comes in. It's about maybe

2:35:32.560 --> 2:35:36.160
<v Speaker 3>one hundred people in there. They all leave, empty cup

2:35:36.280 --> 2:35:38.920
<v Speaker 3>music all. A guy comes in with a briefcase.

2:35:39.160 --> 2:35:42.320
<v Speaker 2>To me running Jay. Everybody leaves. God comes with the briefcase.

2:35:42.760 --> 2:35:46.520
<v Speaker 2>Put the briefcase, opens it up. It's all casts two

2:35:46.800 --> 2:35:49.760
<v Speaker 2>grand cash. Yeah, y'all getting paid to nine No show,

2:35:49.840 --> 2:35:54.119
<v Speaker 2>go home. Wow, we got to pay like we didn't

2:35:54.120 --> 2:35:56.240
<v Speaker 2>know what's going on. So next morning I had an

2:35:56.240 --> 2:35:59.560
<v Speaker 2>afternoon flight. I'm in the gym on a on a treadmill.

2:36:00.080 --> 2:36:04.920
<v Speaker 2>And then CNN last night in Vegas, Tupacus show. Oh Ship,

2:36:05.040 --> 2:36:06.400
<v Speaker 2>that's why it happened.

2:36:06.840 --> 2:36:08.760
<v Speaker 3>So I didn't find out Pa got shot till the

2:36:08.840 --> 2:36:11.200
<v Speaker 3>next morning, and I find out that's why, y'all.

2:36:11.280 --> 2:36:13.080
<v Speaker 2>I'm talking about we in the club like this, honey,

2:36:13.120 --> 2:36:15.560
<v Speaker 2>my phone. One dude comes in, the whole.

2:36:17.400 --> 2:36:19.960
<v Speaker 3>Guy comes in like Ship out of the movies. Briefcake

2:36:20.080 --> 2:36:22.720
<v Speaker 3>paid us in cash, y'all go home, no show tonight.

2:36:22.959 --> 2:36:26.440
<v Speaker 3>I didn't find out till the next morning night Paca show.

2:36:27.160 --> 2:36:30.320
<v Speaker 3>But the reason why you could ask Eric, we coming

2:36:30.360 --> 2:36:32.080
<v Speaker 3>to get y'all and.

2:36:32.160 --> 2:36:34.520
<v Speaker 2>We I'm like, oh shit, I'm begging with pocket Shug.

2:36:34.640 --> 2:36:39.040
<v Speaker 2>No you're not why Eric, Because he's getting dressed and

2:36:39.160 --> 2:36:41.920
<v Speaker 2>he was at the Luxe. Aw as well, because that

2:36:42.080 --> 2:36:44.640
<v Speaker 2>picture with Pocket and Shug is in front of the Luxe.

2:36:44.720 --> 2:36:46.080
<v Speaker 3>I said, one in the car.

2:36:46.440 --> 2:36:48.120
<v Speaker 2>Yeah, that's in front of the luxew That's what I

2:36:48.160 --> 2:36:50.840
<v Speaker 2>said tonight. Yeah, they left and we had to wait

2:36:50.920 --> 2:36:54.040
<v Speaker 2>for Jay to get dressed. Yeah, that's my favorite hotel. Yeah,

2:36:54.080 --> 2:36:57.480
<v Speaker 2>hell yeah, I love Yeah, came out there exactly we did.

2:37:00.280 --> 2:37:00.920
<v Speaker 2>That's crazy.

2:37:01.520 --> 2:37:03.440
<v Speaker 3>I would have I would have never put you guys

2:37:03.560 --> 2:37:05.000
<v Speaker 3>in that scenario.

2:37:05.480 --> 2:37:08.119
<v Speaker 2>I wouldn't have never said that. I would have never.

2:37:08.720 --> 2:37:10.200
<v Speaker 2>But you know it's like, yo, who were going to

2:37:10.280 --> 2:37:14.360
<v Speaker 2>get to put run DMC alright, It's like, oh ship right,

2:37:15.360 --> 2:37:19.440
<v Speaker 2>so that's honorable. It's like but you know, I say,

2:37:19.480 --> 2:37:21.760
<v Speaker 2>they could have win, got pop, could have did the afterpart.

2:37:22.280 --> 2:37:27.080
<v Speaker 2>They wanted to death Row wanted us to so they

2:37:27.240 --> 2:37:32.840
<v Speaker 2>can sit there as the audience. That's flysh what man wild?

2:37:34.000 --> 2:37:35.720
<v Speaker 3>Do you want to go back to the Dominican thing?

2:37:36.040 --> 2:37:40.080
<v Speaker 2>Oh? All right? So what did I hear that you

2:37:40.240 --> 2:37:44.440
<v Speaker 2>was Dominican? Where's this our MTV or something? Yeah?

2:37:44.480 --> 2:37:47.600
<v Speaker 3>Yeah, because I did a special my adoption journey. Okay,

2:37:48.040 --> 2:37:50.879
<v Speaker 3>when Down with the King came out right, Uh, put

2:37:50.959 --> 2:37:53.480
<v Speaker 3>us back on the road, back on the charge video

2:37:53.560 --> 2:37:55.280
<v Speaker 3>on it. The very next day after the video, I

2:37:55.360 --> 2:37:57.520
<v Speaker 3>woke up and I wanted to kill myself.

2:37:57.879 --> 2:38:01.120
<v Speaker 2>I don't know why. I don't know. I just woke up.

2:38:01.640 --> 2:38:03.480
<v Speaker 3>I said, I don't want to live no more. Wow,

2:38:03.920 --> 2:38:06.360
<v Speaker 3>God bless, And it was just void in me and

2:38:06.440 --> 2:38:08.120
<v Speaker 3>I ain't know what it was. And I said to

2:38:08.200 --> 2:38:10.160
<v Speaker 3>why am I for the fuck? And I sat and

2:38:10.240 --> 2:38:12.480
<v Speaker 3>I was like, yo, you back at where you was

2:38:12.959 --> 2:38:16.760
<v Speaker 3>this and that that's not enough. Something's missing. It was

2:38:16.840 --> 2:38:19.200
<v Speaker 3>just something missing, and I was like, okay, let me

2:38:19.280 --> 2:38:22.120
<v Speaker 3>look at my life. John McDaniels for Hollis Queens, New

2:38:22.200 --> 2:38:26.560
<v Speaker 3>York Banners, my mother Bifer's, my father office, my brother runs,

2:38:26.640 --> 2:38:28.240
<v Speaker 3>my pal, Jay's, my DJ.

2:38:28.720 --> 2:38:29.520
<v Speaker 2>This hip hop thing.

2:38:29.600 --> 2:38:31.560
<v Speaker 3>I went first to go go first of all, platic first,

2:38:31.560 --> 2:38:33.520
<v Speaker 3>and the covered room stone first, went to sneaker deals

2:38:33.560 --> 2:38:35.280
<v Speaker 3>this and now I'm back with you, said why am

2:38:35.320 --> 2:38:37.280
<v Speaker 3>I fucking feeling like this? And I didn't know what

2:38:37.520 --> 2:38:40.640
<v Speaker 3>the fuck that shit was and feeling just stuck with me,

2:38:40.840 --> 2:38:42.520
<v Speaker 3>just stuck with me, stuck with me, suck with me,

2:38:42.520 --> 2:38:46.760
<v Speaker 3>and I'm living with it, functioning. And what was crazy

2:38:46.879 --> 2:38:49.760
<v Speaker 3>at this time was in nineteen ninety.

2:38:50.320 --> 2:38:54.120
<v Speaker 2>I got diagnosed with a cute pancreatitis because I was

2:38:54.240 --> 2:38:57.320
<v Speaker 2>drinking a case of forties a day, and I want

2:38:57.360 --> 2:39:01.480
<v Speaker 2>to tease a case, a case six or twelve forty.

2:39:02.280 --> 2:39:04.760
<v Speaker 3>I put refrigerator in the back of my truck so

2:39:04.800 --> 2:39:06.680
<v Speaker 3>I didn't have to stop at the grocery sevice.

2:39:07.879 --> 2:39:12.200
<v Speaker 2>And this is OEO say not fake all right? Cool?

2:39:12.520 --> 2:39:15.520
<v Speaker 3>I told you earlier I hate fake shit. That's when

2:39:15.560 --> 2:39:16.520
<v Speaker 3>I shot so human.

2:39:16.680 --> 2:39:21.000
<v Speaker 2>That's fake shit. You don't even you don't even take

2:39:21.080 --> 2:39:24.320
<v Speaker 2>that conversation about more liquor. But it's gotta be old

2:39:25.080 --> 2:39:28.360
<v Speaker 2>old gold more liquor too, or yes, old English eight hundred.

2:39:28.600 --> 2:39:33.039
<v Speaker 2>The VC boys brass Monkey is because we wrote slow

2:39:33.120 --> 2:39:35.520
<v Speaker 2>and low with them, poor Revere slow.

2:39:35.560 --> 2:39:37.760
<v Speaker 3>We wrote slow and load for them. We wrote poor

2:39:37.840 --> 2:39:41.480
<v Speaker 3>Revere for them and their brass monkey. Opening rhyme is

2:39:41.640 --> 2:39:44.600
<v Speaker 3>from my old English rhyme. I had a rhyme that

2:39:44.760 --> 2:39:46.959
<v Speaker 3>was about old English. I got this rhyme that's more

2:39:47.040 --> 2:39:49.320
<v Speaker 3>than real. When you drink all English, it's how you

2:39:49.480 --> 2:39:52.600
<v Speaker 3>feel you're reaching the freezer for forty ounce or thirty

2:39:52.640 --> 2:39:55.440
<v Speaker 3>two ounce, whichever counts, you feel each bottle for the

2:39:55.520 --> 2:39:57.440
<v Speaker 3>one that's cold. It's got to be cold when you're

2:39:57.480 --> 2:39:59.600
<v Speaker 3>drinking no gold, but you might get the one that

2:40:00.280 --> 2:40:02.120
<v Speaker 3>you gotta get it hot. That's all they've got a

2:40:02.240 --> 2:40:05.080
<v Speaker 3>dollar thirty five. That is the price. That's not too much.

2:40:05.360 --> 2:40:07.240
<v Speaker 3>If you want to get nice, you pay your money.

2:40:07.360 --> 2:40:09.720
<v Speaker 3>Walk out the door. You say to yourself, I remember

2:40:09.800 --> 2:40:12.240
<v Speaker 3>that store. You're looking around for a place to stem,

2:40:12.400 --> 2:40:14.960
<v Speaker 3>and with a quarter old English inside your hand, you

2:40:15.080 --> 2:40:17.680
<v Speaker 3>crack the cort. You put it to your lip, you

2:40:17.840 --> 2:40:20.080
<v Speaker 3>tilt it slightly, and you take a ship now. And

2:40:20.200 --> 2:40:22.520
<v Speaker 3>by now you should know the deal, because that one

2:40:22.720 --> 2:40:25.200
<v Speaker 3>ship you already feel. You feel in bold. So you

2:40:25.320 --> 2:40:27.400
<v Speaker 3>try to guzzle, and you do it again, because it

2:40:27.480 --> 2:40:31.280
<v Speaker 3>ain't no puzzle. Sat this own English ride that they

2:40:31.400 --> 2:40:33.320
<v Speaker 3>just said, we got this ride, and that's on than meal.

2:40:33.360 --> 2:40:35.520
<v Speaker 3>When you drink braskemall get is how you feel. So

2:40:36.480 --> 2:40:38.160
<v Speaker 3>I was drinking a case of forty is a day

2:40:38.200 --> 2:40:40.440
<v Speaker 3>and I got a q pancreatitis I.

2:40:40.520 --> 2:40:41.039
<v Speaker 2>Was going through.

2:40:41.640 --> 2:40:44.800
<v Speaker 3>I didn't have no well. I guess this is a

2:40:44.840 --> 2:40:48.680
<v Speaker 3>symptom of depression. I can't drink no more but then

2:40:48.760 --> 2:40:52.480
<v Speaker 3>down when the king comes out. So when that elevation came,

2:40:52.560 --> 2:40:55.440
<v Speaker 3>it pushed me further down. So I got to the

2:40:55.480 --> 2:40:58.080
<v Speaker 3>point where I didn't want to live with this feeling

2:40:58.200 --> 2:41:00.760
<v Speaker 3>in me right, so I said him, I kill myself.

2:41:00.879 --> 2:41:04.240
<v Speaker 3>But before I go, I got records, I got videos.

2:41:04.320 --> 2:41:06.320
<v Speaker 3>I think there's two books on us. I want to

2:41:06.600 --> 2:41:09.080
<v Speaker 3>leave a book because I want people to know Daryl,

2:41:09.800 --> 2:41:12.080
<v Speaker 3>the guy behind it, King of Rock. So I came

2:41:12.160 --> 2:41:14.520
<v Speaker 3>up with the idea, just in case I kill myself tomorrow,

2:41:14.680 --> 2:41:16.080
<v Speaker 3>I want to write a book and I'm gona go, Yo,

2:41:16.120 --> 2:41:19.240
<v Speaker 3>what's up, world, I'm Darald McDaniels. You know me DMC

2:41:19.400 --> 2:41:21.760
<v Speaker 3>from the groundbreaking rap group Run DMC first to Go

2:41:21.879 --> 2:41:23.560
<v Speaker 3>Go First, to Go Platinum first, and a cover of

2:41:23.600 --> 2:41:24.440
<v Speaker 3>Rolling Stone First.

2:41:24.320 --> 2:41:26.640
<v Speaker 2>With the secret deals. Everything that hip hop is doing.

2:41:26.720 --> 2:41:28.959
<v Speaker 3>They say it's because of me Running Jay, but I'm

2:41:29.000 --> 2:41:32.080
<v Speaker 3>really just Daryl McDaniels, no different from any boiled girl

2:41:32.120 --> 2:41:33.680
<v Speaker 3>on the face of the earth. I was born May

2:41:33.760 --> 2:41:37.560
<v Speaker 3>thirty first, nineteen sixty four, and and I was like

2:41:38.120 --> 2:41:38.880
<v Speaker 3>I was going to make that.

2:41:39.520 --> 2:41:41.600
<v Speaker 2>I realized I didn't know no details about the day

2:41:41.720 --> 2:41:43.400
<v Speaker 2>was going, so I called my mom's up.

2:41:43.640 --> 2:41:47.039
<v Speaker 3>Now at this time, for anybody listening, I should have said, Mom,

2:41:47.280 --> 2:41:49.720
<v Speaker 3>I want to kill like I should have let it out,

2:41:49.760 --> 2:41:52.600
<v Speaker 3>but guilt, shame, not wanting to be vulnerable. Plus I'm

2:41:52.600 --> 2:41:54.200
<v Speaker 3>a rap I gotta be cool, and I'm a black

2:41:54.240 --> 2:41:56.000
<v Speaker 3>man and all that shit. And I don't want to

2:41:56.040 --> 2:41:58.640
<v Speaker 3>bother on my mother with this stuff that I'll do

2:41:58.840 --> 2:42:01.120
<v Speaker 3>it by myself. That's just the wrong thing to do.

2:42:01.720 --> 2:42:05.360
<v Speaker 3>But I said, Mom, I'm writing this book, and just

2:42:05.440 --> 2:42:07.320
<v Speaker 3>to make it more interesting for the reader, I want

2:42:07.360 --> 2:42:08.960
<v Speaker 3>to know three things about the day was born.

2:42:09.240 --> 2:42:11.359
<v Speaker 2>How much should I wait? What time? What hospital?

2:42:11.440 --> 2:42:13.240
<v Speaker 3>So she tells me, I love you, I love you,

2:42:13.360 --> 2:42:15.520
<v Speaker 3>so I love you to my hump. The phone, ourl

2:42:15.560 --> 2:42:17.240
<v Speaker 3>goes by. She calls back with my father.

2:42:17.800 --> 2:42:20.400
<v Speaker 2>At this point in my life, I'm an alcoholic suicide

2:42:20.440 --> 2:42:25.160
<v Speaker 2>of metaphysical spiritual record's thinking of killing himself. Who can't

2:42:25.240 --> 2:42:27.080
<v Speaker 2>drink no more? Because I wanted to drink to help

2:42:27.120 --> 2:42:29.320
<v Speaker 2>me deal with emotions and stuff that I was feeling,

2:42:29.600 --> 2:42:31.280
<v Speaker 2>so I could suppress those emotions.

2:42:31.760 --> 2:42:34.680
<v Speaker 3>And the phone rings and my mother says, it's my

2:42:34.800 --> 2:42:37.520
<v Speaker 3>mother and father. So I'm thirty five years old. Now

2:42:37.520 --> 2:42:40.000
<v Speaker 3>I went the king is killing and I'm suicidal. We

2:42:40.200 --> 2:42:41.720
<v Speaker 3>have something else to tell.

2:42:41.560 --> 2:42:43.800
<v Speaker 2>You, So I'm thinking she's gonna go, Well, when you

2:42:43.920 --> 2:42:45.840
<v Speaker 2>was born, there was a power outist in the hospital

2:42:45.879 --> 2:42:47.920
<v Speaker 2>who gave birth to you by canadlelight. No, she hit

2:42:47.959 --> 2:42:49.880
<v Speaker 2>me with this. We have something else to tell you.

2:42:49.959 --> 2:42:50.320
<v Speaker 2>What is it?

2:42:50.879 --> 2:42:52.879
<v Speaker 3>You was a month old when we brought you home,

2:42:52.920 --> 2:42:54.160
<v Speaker 3>and you're adopted and we love.

2:42:54.080 --> 2:43:00.879
<v Speaker 2>You by click that They didn't when she hung up

2:43:00.879 --> 2:43:02.000
<v Speaker 2>the phone. Know my mother and father.

2:43:02.440 --> 2:43:04.880
<v Speaker 3>Honey, honey, he's asking it is We gotta tell him

2:43:04.920 --> 2:43:06.160
<v Speaker 3>right now, so they rushed the phone.

2:43:06.160 --> 2:43:07.520
<v Speaker 2>You tell him, No, you tell I can see my

2:43:07.560 --> 2:43:09.720
<v Speaker 2>mother yet you It was my fucker. When you take

2:43:09.760 --> 2:43:13.800
<v Speaker 2>people by thirty five years old and you at a

2:43:13.920 --> 2:43:16.480
<v Speaker 2>month old. I found out I was adopted at thirty five.

2:43:16.560 --> 2:43:18.080
<v Speaker 2>Then I found out that I was a foster kid.

2:43:18.400 --> 2:43:20.440
<v Speaker 2>So long story short, that made me really want to

2:43:20.520 --> 2:43:23.879
<v Speaker 2>kill myself. Because of that revelation, I started drinking again.

2:43:24.640 --> 2:43:26.600
<v Speaker 2>Now I'm not supposed to be drinking, and my wife

2:43:26.959 --> 2:43:30.000
<v Speaker 2>love my wife, Surrey. She keeps it well. I say

2:43:30.360 --> 2:43:35.400
<v Speaker 2>I'm drinking because making excuses. I'm drinking because I'm celebrating

2:43:35.600 --> 2:43:39.240
<v Speaker 2>newfound part of my identity that I didn't know about.

2:43:39.400 --> 2:43:41.480
<v Speaker 2>She looked me in my eye. I love women.

2:43:42.240 --> 2:43:43.119
<v Speaker 3>Motherfucker.

2:43:43.480 --> 2:43:46.240
<v Speaker 2>You fucking drinking because you can't handle the fact that

2:43:46.360 --> 2:43:49.360
<v Speaker 2>you just found out that you was adopted, because think

2:43:49.400 --> 2:43:55.760
<v Speaker 2>about my whole career. Christmas timing, don't stop doing my show.

2:43:57.320 --> 2:43:57.920
<v Speaker 2>I was thirty.

2:43:57.959 --> 2:43:59.880
<v Speaker 3>I found out that I was adopted when I was

2:44:00.040 --> 2:44:04.280
<v Speaker 3>thirty five years old. Okay, and then the Dominican thing came.

2:44:04.680 --> 2:44:09.560
<v Speaker 3>They called back, They called back Rain and this is fun.

2:44:10.080 --> 2:44:10.760
<v Speaker 2>Are you okay?

2:44:11.160 --> 2:44:14.160
<v Speaker 3>You know what I'm saying, because he just released and

2:44:14.560 --> 2:44:18.360
<v Speaker 3>then they goes, well, all we know is your mother

2:44:18.640 --> 2:44:22.959
<v Speaker 3>was in Hamilton Heights right up to above Washington Heights.

2:44:23.120 --> 2:44:27.800
<v Speaker 3>Where who's in Washington Heights? And we think you're Dominicans.

2:44:29.000 --> 2:44:31.200
<v Speaker 3>So this is my mother and father. I'm dealing with

2:44:31.360 --> 2:44:34.320
<v Speaker 3>all this ancients in motion. They tell her I'm Dominican.

2:44:34.800 --> 2:44:37.440
<v Speaker 3>So from that day for five years, I'm running around

2:44:37.480 --> 2:44:39.720
<v Speaker 3>the world telling everybody I just found out that I'm

2:44:39.720 --> 2:44:42.480
<v Speaker 3>adopted Dominican and the Dominicans. I love my wife for

2:44:42.959 --> 2:44:43.920
<v Speaker 3>my wife's.

2:44:46.520 --> 2:44:46.560
<v Speaker 2>Know.

2:44:46.879 --> 2:44:47.520
<v Speaker 3>You want to know.

2:44:48.440 --> 2:44:49.000
<v Speaker 2>I went out.

2:44:49.040 --> 2:44:53.920
<v Speaker 3>There's a Dominican rapper, anybody knows name Alpha. It's a fake.

2:44:54.040 --> 2:45:02.959
<v Speaker 2>No, no, he said, oh Meg, somebody tiego from Budemco's

2:45:03.000 --> 2:45:05.520
<v Speaker 2>a Dominican rapper who's face.

2:45:05.640 --> 2:45:07.760
<v Speaker 3>So I go out and buy all this Dominican rapmer.

2:45:08.920 --> 2:45:11.280
<v Speaker 3>I'm going buy Dominican cook books.

2:45:12.240 --> 2:45:20.520
<v Speaker 2>Yeah, yeah, Daddy, Yankee tells me, and I believe in her, say,

2:45:20.560 --> 2:45:20.960
<v Speaker 2>I'll do it.

2:45:21.040 --> 2:45:24.720
<v Speaker 3>You should be the grand Marshrew of the Dominican Parade.

2:45:25.480 --> 2:45:32.000
<v Speaker 3>I'm going fall I'm telling Bill Adler, I'm telling Bill

2:45:32.280 --> 2:45:35.000
<v Speaker 3>asked Bill, I'm calling him, telling him give me everything

2:45:35.080 --> 2:45:36.240
<v Speaker 3>on Dominican art.

2:45:36.560 --> 2:45:38.480
<v Speaker 2>That's Bill Ella and all of this. Suffen.

2:45:38.600 --> 2:45:41.560
<v Speaker 3>I love my wife, my wife, Sorry, she the whole time, Darryl.

2:45:41.680 --> 2:45:43.680
<v Speaker 3>Don't you think you should find out?

2:45:44.160 --> 2:45:44.200
<v Speaker 2>No?

2:45:44.480 --> 2:45:46.760
<v Speaker 3>No, my mother and fall Byford in bed they know what.

2:45:47.640 --> 2:45:49.600
<v Speaker 3>So going on going on, going on on, So long

2:45:49.640 --> 2:45:52.000
<v Speaker 3>story short, I do it, search and I find my

2:45:52.120 --> 2:45:55.760
<v Speaker 3>birth mother. I grew up in Queens. She was in

2:45:55.840 --> 2:45:58.960
<v Speaker 3>Stanton Island all the time. Wow, Just which is Craig

2:45:59.000 --> 2:46:00.640
<v Speaker 3>Burrow kind of like right over?

2:46:00.720 --> 2:46:04.040
<v Speaker 2>And the reason why she was in Hamilton Heights she

2:46:04.240 --> 2:46:06.240
<v Speaker 2>was living in Hamilton Heights at the time she was

2:46:06.320 --> 2:46:08.960
<v Speaker 2>pregnant with me. No, she was living in Hamilton Heights

2:46:09.040 --> 2:46:11.600
<v Speaker 2>before she got pregnant with me. Her father moved the

2:46:11.680 --> 2:46:14.440
<v Speaker 2>family to Stanton Island, but her boyfriend was there, so

2:46:14.600 --> 2:46:15.520
<v Speaker 2>she would always leave.

2:46:15.440 --> 2:46:19.039
<v Speaker 3>Stanton Island go back to Hamilton Heights to see her boyfriend.

2:46:19.280 --> 2:46:21.640
<v Speaker 3>And the thing was, she was like eighteen years old.

2:46:21.720 --> 2:46:23.680
<v Speaker 3>She was like, yo, don't fuck around and get pregnant.

2:46:24.240 --> 2:46:26.119
<v Speaker 3>So she went around and got pregnant.

2:46:25.959 --> 2:46:28.840
<v Speaker 2>With my first brother and in Normatti yet and they

2:46:28.840 --> 2:46:30.600
<v Speaker 2>were say, yo, don't do the city. She got pregnant

2:46:30.640 --> 2:46:31.960
<v Speaker 2>with me. When she came over with me, there was

2:46:32.040 --> 2:46:34.440
<v Speaker 2>no way they could keep me, so they gave me up.

2:46:34.520 --> 2:46:37.280
<v Speaker 2>So to answer you a question, so I figure, I

2:46:37.360 --> 2:46:39.680
<v Speaker 2>see my birth bumping. I yeah, this is that boombering.

2:46:39.720 --> 2:46:42.880
<v Speaker 2>It's good to meet you. And she I go, who's

2:46:42.920 --> 2:46:48.520
<v Speaker 2>Dominican then? And I said, I'm Dominican, right. She says, no,

2:46:48.760 --> 2:46:55.640
<v Speaker 2>who told you that Dominican? And I'm like, oh, because

2:46:56.360 --> 2:46:59.879
<v Speaker 2>that the month before me My wife.

2:46:59.800 --> 2:47:03.040
<v Speaker 3>Is a Dominican publication that I just ran into this

2:47:03.200 --> 2:47:06.879
<v Speaker 3>guy walking down on Broadway by asked the place.

2:47:07.040 --> 2:47:10.000
<v Speaker 2>And he was like, yo, DMC, you what we wanted

2:47:10.000 --> 2:47:11.800
<v Speaker 2>a venue for hip hop? And I'm like yeah, yeah,

2:47:11.879 --> 2:47:16.120
<v Speaker 2>and I'm Dominican too. I did a whole interview about

2:47:16.120 --> 2:47:19.480
<v Speaker 2>being a Dominican, so my mama to be I had

2:47:19.520 --> 2:47:21.400
<v Speaker 2>to call it the guy up. Yoh, yo.

2:47:21.520 --> 2:47:23.160
<v Speaker 3>We got a problem. We got a big problem. We

2:47:23.240 --> 2:47:25.880
<v Speaker 3>got a big problem was that I just found my birth.

2:47:25.959 --> 2:47:27.920
<v Speaker 3>When I found out that I ain't Dominican, should have

2:47:28.000 --> 2:47:31.680
<v Speaker 3>hurt his for Oh that's not good, bro y'all like

2:47:32.200 --> 2:47:34.360
<v Speaker 3>that whole thing. But then we squared it up.

2:47:34.400 --> 2:47:37.039
<v Speaker 2>But the cool thing about it was he got back

2:47:37.080 --> 2:47:39.279
<v Speaker 2>on the phone and said, I told my whole audience

2:47:39.360 --> 2:47:41.280
<v Speaker 2>and stuff like that video. But he said, no, you're

2:47:41.360 --> 2:47:43.520
<v Speaker 2>down with us anyway, because you're DMC. You know what

2:47:43.520 --> 2:47:47.080
<v Speaker 2>I'm saying. But I thought I was Dominican, nor because

2:47:47.160 --> 2:47:49.040
<v Speaker 2>I found out at age thirty five that I was

2:47:49.120 --> 2:47:50.480
<v Speaker 2>adopted and blew.

2:47:51.879 --> 2:47:55.519
<v Speaker 3>And after me and my mother had those two conversations,

2:47:56.040 --> 2:47:58.880
<v Speaker 3>the next thing that happened was this. The phone rang

2:47:59.040 --> 2:48:03.000
<v Speaker 3>for a week because there's all my cousins that I

2:48:03.160 --> 2:48:06.879
<v Speaker 3>grew up with who are now thirty five forty fish.

2:48:08.080 --> 2:48:10.800
<v Speaker 2>No right, they're not my blood cousins. OK.

2:48:10.959 --> 2:48:14.280
<v Speaker 3>These are family. I'm thanking and I'm one of them.

2:48:14.680 --> 2:48:17.440
<v Speaker 3>They call and go, oh, dar, we're so glad your

2:48:17.480 --> 2:48:28.920
<v Speaker 3>mother we helped that in for thirty five, Oh, Derek, Samantha, Eve, Craig, Sharon, Sonya,

2:48:29.480 --> 2:48:32.880
<v Speaker 3>all of them when they Christmas in Hollish right in

2:48:33.000 --> 2:48:38.280
<v Speaker 3>my in my house in Hollie Queen's. If it was Christmas, Thanksgiving, graduation, wedding,

2:48:38.440 --> 2:48:41.400
<v Speaker 3>it was always at the McDaniel's family house. Everything my

2:48:41.480 --> 2:48:44.560
<v Speaker 3>mount's putting on you. So my cousins reveal this to me,

2:48:45.680 --> 2:48:48.480
<v Speaker 3>and I'm talking about since they were little, every time.

2:48:48.560 --> 2:48:50.960
<v Speaker 3>We're going over to McDaniels for Thanksgiving, we're going over

2:48:51.000 --> 2:48:53.720
<v Speaker 3>to McDaniels for Christmas, We're going over to McDaniels for

2:48:53.840 --> 2:48:56.200
<v Speaker 3>the birthday. We're going on over McDaniels because such and

2:48:56.240 --> 2:49:00.760
<v Speaker 3>such graduating kids, kids come to the room. Sit down,

2:49:00.920 --> 2:49:05.320
<v Speaker 3>these kids for thirty five years. What's the rule when

2:49:05.360 --> 2:49:08.720
<v Speaker 3>we go over to mister and mister McDaniels house. Nobody

2:49:08.800 --> 2:49:14.200
<v Speaker 3>let Darryl know he's adopted. Oh my god, Oh my god, so,

2:49:14.480 --> 2:49:15.160
<v Speaker 3>oh my yeah.

2:49:15.360 --> 2:49:17.960
<v Speaker 2>Here, I'm getting ready to do a movie about not

2:49:18.080 --> 2:49:21.879
<v Speaker 2>a biopic, you're ready to do a movie about that situation.

2:49:22.080 --> 2:49:24.600
<v Speaker 2>And no, that's and to think the thing about it was,

2:49:24.680 --> 2:49:26.480
<v Speaker 2>it's it's just just two things. When I met other

2:49:26.560 --> 2:49:27.280
<v Speaker 2>adopted people.

2:49:29.120 --> 2:49:31.720
<v Speaker 3>I love my parents for not telling me because they

2:49:31.760 --> 2:49:35.000
<v Speaker 3>were afraid that it might do something. Because my brother

2:49:35.480 --> 2:49:39.120
<v Speaker 3>who's there, biological Alfred, he says, what happened was my

2:49:39.200 --> 2:49:42.359
<v Speaker 3>mother had other Forster kids that went back to the families,

2:49:42.360 --> 2:49:44.360
<v Speaker 3>because I remember cousins that I had that I didn't

2:49:44.360 --> 2:49:46.720
<v Speaker 3>see nowise we were growing up. Those were kids that

2:49:46.800 --> 2:49:50.440
<v Speaker 3>went back, and my parents officially adopted me when I

2:49:50.600 --> 2:49:53.960
<v Speaker 3>was five years old. But my brother Alfred said, we

2:49:54.080 --> 2:49:56.640
<v Speaker 3>had this other kid, what was the same name as Oscar.

2:49:56.959 --> 2:49:58.959
<v Speaker 3>I remember the day he left, and I just remember

2:49:59.040 --> 2:50:01.520
<v Speaker 3>my brother's three. I think my brother was six, and

2:50:01.560 --> 2:50:04.039
<v Speaker 3>I just remember my brother telling me because mother's here

2:50:04.080 --> 2:50:06.120
<v Speaker 3>to get him, and I'm like, okay, my aunt's here

2:50:06.160 --> 2:50:07.640
<v Speaker 3>to get Oscar. I'm gona see him next week. Never

2:50:07.680 --> 2:50:09.800
<v Speaker 3>saw him again. Then there was other little girls and

2:50:09.840 --> 2:50:11.720
<v Speaker 3>stuff like that. But my brother said this would happen

2:50:12.200 --> 2:50:14.600
<v Speaker 3>and this is what's crazy about all the comic books

2:50:14.640 --> 2:50:16.080
<v Speaker 3>and all the shit, and this has to do with

2:50:16.280 --> 2:50:20.760
<v Speaker 3>rigs too. So every kid went back. And I'm in

2:50:20.840 --> 2:50:23.080
<v Speaker 3>there playing with my toys in the porch and anest

2:50:23.160 --> 2:50:27.840
<v Speaker 3>queens and my my mother. But dounthin Mather looks over

2:50:27.879 --> 2:50:31.240
<v Speaker 3>at my father and this is funny. What are we

2:50:31.320 --> 2:50:33.280
<v Speaker 3>gonna do with this one? It's like a you know,

2:50:33.520 --> 2:50:35.760
<v Speaker 3>a pet. Take him back to the shelf. My father

2:50:35.879 --> 2:50:38.840
<v Speaker 3>says this. My brother says, Oh, you know what, I

2:50:39.040 --> 2:50:42.360
<v Speaker 3>think we all adopt this one because you never know

2:50:42.520 --> 2:50:44.720
<v Speaker 3>he might grow up and do something that will change

2:50:44.760 --> 2:50:45.160
<v Speaker 3>the world.

2:50:46.840 --> 2:50:48.720
<v Speaker 2>So it's in front of you, you, in front of

2:50:48.760 --> 2:50:51.440
<v Speaker 2>my brother. Oh okay, okay. Even though I'm little, he

2:50:51.640 --> 2:50:54.400
<v Speaker 2>heard them say that, and then you know, he even

2:50:54.440 --> 2:50:56.800
<v Speaker 2>called Daryn, I'm so glad Mama tell you that, because

2:50:57.000 --> 2:50:59.160
<v Speaker 2>I didn't want you to find out on their deathbed,

2:50:59.240 --> 2:51:01.520
<v Speaker 2>because a lot of time docs that don't get told.

2:51:01.560 --> 2:51:03.680
<v Speaker 2>We cleaning out the house and I'm going, what's these papers?

2:51:04.080 --> 2:51:06.040
<v Speaker 2>That would have been really crazy, So at least they

2:51:06.120 --> 2:51:08.680
<v Speaker 2>got to get it out before they passed away.

2:51:09.080 --> 2:51:12.760
<v Speaker 3>So my brother, what I was gonna say was his

2:51:13.040 --> 2:51:15.200
<v Speaker 3>was crazy about all the superheroes. When I was growing up.

2:51:15.280 --> 2:51:17.600
<v Speaker 3>The only people that I felt I could connect to

2:51:17.720 --> 2:51:20.760
<v Speaker 3>what the superheroes and the comic books. And if you

2:51:20.840 --> 2:51:24.160
<v Speaker 3>think about it, most superheroes are nerdy, geeky, awkward people

2:51:24.360 --> 2:51:27.680
<v Speaker 3>struggling in their regular lives. But then rig Sent meet

2:51:27.800 --> 2:51:31.480
<v Speaker 3>but they turned into these people when I met is

2:51:31.600 --> 2:51:35.039
<v Speaker 3>spider Man often. I was just gonna say that, talk

2:51:35.080 --> 2:51:38.240
<v Speaker 3>about Rix. So Riggs, we have this comic book meeting

2:51:38.280 --> 2:51:40.720
<v Speaker 3>and we're doing that and boom ban Man. About two

2:51:40.840 --> 2:51:43.840
<v Speaker 3>or three weeks later, Riggs discovers my adoption story theself.

2:51:43.920 --> 2:51:45.360
<v Speaker 3>So I come back in the office and he's doing

2:51:45.440 --> 2:51:51.160
<v Speaker 3>this and I'm like, hi, Rick, same way when they

2:51:51.240 --> 2:51:53.360
<v Speaker 3>meant and he goes like this, Jo D, this is

2:51:53.480 --> 2:51:56.360
<v Speaker 3>fucking crazy. And Rix says, Yo, D, you are really

2:51:56.480 --> 2:51:58.960
<v Speaker 3>on some superhero shit. I was like, what are you

2:51:59.040 --> 2:51:59.600
<v Speaker 3>talking about?

2:52:00.040 --> 2:52:00.360
<v Speaker 2>Says Yo.

2:52:00.440 --> 2:52:03.400
<v Speaker 3>Most superheroes are adopted or have a family issue, or

2:52:03.800 --> 2:52:06.880
<v Speaker 3>Superman came from someone that. That's what my mother and

2:52:06.959 --> 2:52:09.720
<v Speaker 3>father did. Clark, there's something we need to tell You're

2:52:09.760 --> 2:52:12.080
<v Speaker 3>not really from We love you, but you're not what

2:52:12.360 --> 2:52:16.280
<v Speaker 3>you have this thing, that's what that Spider Man from Queens.

2:52:16.320 --> 2:52:19.120
<v Speaker 3>It had to be raised my aunt May Batman what

2:52:19.240 --> 2:52:22.720
<v Speaker 3>happened seeing his parents get killed in front. So everybody

2:52:22.760 --> 2:52:26.360
<v Speaker 3>has those issues. But all of that led to me

2:52:26.600 --> 2:52:28.840
<v Speaker 3>when when I first met Rix, he goes, do you

2:52:28.920 --> 2:52:32.200
<v Speaker 3>look my superhero? But going back to that, when I

2:52:32.320 --> 2:52:38.400
<v Speaker 3>found my birth mother, she goes, I know you're dying

2:52:38.840 --> 2:52:40.120
<v Speaker 3>to know why I gave you up.

2:52:40.200 --> 2:52:41.879
<v Speaker 2>My birth mom is his name is bern Senia.

2:52:43.000 --> 2:52:47.440
<v Speaker 3>My adopted parents thought I was actually Dominican because of

2:52:47.600 --> 2:52:50.440
<v Speaker 3>the whole Washington House Hamilton Heights. But when they was

2:52:50.520 --> 2:52:55.520
<v Speaker 3>doing the adoption transaction, they just remember they thought my

2:52:55.640 --> 2:53:00.840
<v Speaker 3>mother's name was Bernarda, so Bernarda and Dominic in the area.

2:53:01.840 --> 2:53:04.199
<v Speaker 3>That's what they thought about. My mother's name is Brincinia.

2:53:04.240 --> 2:53:06.879
<v Speaker 3>But she says, I know you're dying to know why

2:53:06.879 --> 2:53:09.160
<v Speaker 3>I gave you up. And I was like shit, Lady

2:53:09.200 --> 2:53:11.480
<v Speaker 3>that said, I understand, and she hit me with this,

2:53:11.720 --> 2:53:14.760
<v Speaker 3>I gave you up to give you a chance. So

2:53:15.000 --> 2:53:17.680
<v Speaker 3>then all of this and went back to the void.

2:53:17.800 --> 2:53:21.039
<v Speaker 3>When down went the King went back up. When down

2:53:21.080 --> 2:53:23.400
<v Speaker 3>with the King went up, and I went into the depression,

2:53:24.320 --> 2:53:27.440
<v Speaker 3>that was you know, it's like one of the gods

2:53:27.480 --> 2:53:30.760
<v Speaker 3>just says, Mercury, fly down and revealed to him.

2:53:30.680 --> 2:53:31.520
<v Speaker 2>Who he really is.

2:53:32.000 --> 2:53:35.160
<v Speaker 3>When I went into the depression. It's same when I

2:53:35.360 --> 2:53:38.200
<v Speaker 3>met my birthfather. She said, you was going through a

2:53:38.200 --> 2:53:41.400
<v Speaker 3>depression right that time. Nineteen ninety three, Down went the King,

2:53:41.720 --> 2:53:44.560
<v Speaker 3>she said, in nineteen ninety three, her secret that she

2:53:44.680 --> 2:53:47.720
<v Speaker 3>knew she had given me up. Her best friend turns

2:53:47.840 --> 2:53:50.760
<v Speaker 3>to her, No, her daughter turns to.

2:53:52.240 --> 2:53:57.000
<v Speaker 2>My sister. Jeeta turns they're watching an adoption thing on TV.

2:53:57.480 --> 2:54:00.080
<v Speaker 2>And my sister turns to my mother joking you, I

2:54:00.160 --> 2:54:02.640
<v Speaker 2>have no secrets out there. My mother says, yes, I do.

2:54:03.600 --> 2:54:05.400
<v Speaker 2>Geter goes what we gave this kissing so they never

2:54:05.480 --> 2:54:07.280
<v Speaker 2>knew it was me. My brother I found out had

2:54:07.440 --> 2:54:09.960
<v Speaker 2>a sister and two brothers. I didn't know about my

2:54:10.080 --> 2:54:12.320
<v Speaker 2>older brother. Mark to this day.

2:54:12.560 --> 2:54:16.400
<v Speaker 3>Looks like the eighty six DMC glasses goatey and this

2:54:16.520 --> 2:54:20.199
<v Speaker 3>is gonna blow your mind, he draws. So his whole

2:54:20.320 --> 2:54:25.800
<v Speaker 3>life from rock box to downwent the king, his whole life.

2:54:25.840 --> 2:54:29.160
<v Speaker 3>He got this, Mark, Mark, come here that god DMC

2:54:29.280 --> 2:54:32.400
<v Speaker 3>could be your brother. Eighty six Mark markham by eighty eight,

2:54:32.480 --> 2:54:34.440
<v Speaker 3>I know, motherfucking DMC could be my brother.

2:54:34.760 --> 2:54:39.480
<v Speaker 2>Come to find out DMC. How crazy is that? So?

2:54:39.800 --> 2:54:41.959
<v Speaker 3>Yeah, I found out that I was adopted. I thought

2:54:42.000 --> 2:54:44.760
<v Speaker 3>I was diminishing because I was trying to grasp on

2:54:45.160 --> 2:54:48.480
<v Speaker 3>any identifying and understandable to.

2:54:48.520 --> 2:54:50.760
<v Speaker 4>Fill the boys and all of this is how you

2:54:51.240 --> 2:54:54.520
<v Speaker 4>segued into advocating for mental health.

2:54:54.760 --> 2:54:56.039
<v Speaker 2>Yes, exactly.

2:54:56.320 --> 2:54:58.440
<v Speaker 3>And can you talk about some of the stuff you're

2:54:58.440 --> 2:54:58.760
<v Speaker 3>doing in that?

2:54:58.879 --> 2:54:59.039
<v Speaker 8>Yeah?

2:54:59.120 --> 2:55:02.520
<v Speaker 2>Yeah, So out of that that whole brought up this

2:55:02.720 --> 2:55:03.240
<v Speaker 2>is just crazy.

2:55:03.320 --> 2:55:07.160
<v Speaker 3>It didn't end it though, Alcoholic suicide and metaphysical wreck

2:55:07.480 --> 2:55:09.320
<v Speaker 3>who just found out that he was adopted and was

2:55:09.400 --> 2:55:12.720
<v Speaker 3>a forster kid. Jim I said, Jay, get shine help

2:55:15.840 --> 2:55:18.520
<v Speaker 3>and then and then and there yet I remember my

2:55:18.640 --> 2:55:21.080
<v Speaker 3>mother father. Three months later, my father died. I remember

2:55:21.160 --> 2:55:23.640
<v Speaker 3>the night Jay died. My father goes, why would anybody

2:55:23.760 --> 2:55:26.199
<v Speaker 3>want to kill Jay? This is such a then my father,

2:55:26.520 --> 2:55:29.320
<v Speaker 3>so imagine what I was dealing with. But then I

2:55:29.400 --> 2:55:33.560
<v Speaker 3>met another adopted person who said thee there's something that

2:55:33.800 --> 2:55:34.600
<v Speaker 3>you need to do.

2:55:35.600 --> 2:55:37.880
<v Speaker 2>I was like, what's that? And when I found out

2:55:37.920 --> 2:55:39.199
<v Speaker 2>I was adopted, Remember.

2:55:38.920 --> 2:55:42.840
<v Speaker 3>I had pancreatitis, I started drinking again and so I'm

2:55:42.920 --> 2:55:43.680
<v Speaker 3>drinking and someff.

2:55:43.840 --> 2:55:46.480
<v Speaker 2>But then somebody said, deep, you need to go to therapy.

2:55:47.480 --> 2:55:49.640
<v Speaker 3>At first, I ain't going to no fucking therapy that

2:55:50.600 --> 2:55:52.840
<v Speaker 3>and then I said, okay, fuck it with Tony Stark,

2:55:52.879 --> 2:55:54.199
<v Speaker 3>so Peter Parker go to therapy.

2:55:54.879 --> 2:55:57.240
<v Speaker 2>I had to depend on my coun So I went

2:55:57.280 --> 2:56:00.200
<v Speaker 2>to therapy and I found out therapy it's really ooh.

2:56:01.320 --> 2:56:04.080
<v Speaker 2>And I wasn't ashamed to talk about it because hip

2:56:04.120 --> 2:56:06.640
<v Speaker 2>hop has taught me or keep it real. So how

2:56:06.879 --> 2:56:10.400
<v Speaker 2>the work started was I go to therapy and in therapy,

2:56:10.800 --> 2:56:15.120
<v Speaker 2>the therapist doesn't help you. Therapy helps you. The therapist

2:56:15.200 --> 2:56:17.119
<v Speaker 2>doesn't help you. So a lot of people don't want

2:56:17.280 --> 2:56:19.560
<v Speaker 2>to do. No, you gotta go because the therapist is

2:56:19.680 --> 2:56:22.520
<v Speaker 2>just a decoy to do two things for you, because

2:56:22.560 --> 2:56:25.280
<v Speaker 2>you haven't done it with yourself. Two things happen.

2:56:25.920 --> 2:56:30.360
<v Speaker 3>You say stuff to yourself that you said before but

2:56:30.480 --> 2:56:36.080
<v Speaker 3>you didn't listen to. Or you say stuff that you

2:56:36.360 --> 2:56:39.600
<v Speaker 3>need to hear. You say to yourself but you don't

2:56:39.600 --> 2:56:41.200
<v Speaker 3>want to say it to you in the mirror. That's

2:56:41.320 --> 2:56:44.240
<v Speaker 3>hard facing yourself, so you face So I went to therapy.

2:56:44.280 --> 2:56:45.920
<v Speaker 3>It's cool, I got clean and sob.

2:56:45.800 --> 2:56:46.520
<v Speaker 2>And whatever whatever.

2:56:47.120 --> 2:56:49.920
<v Speaker 3>So when I get out of therapy. The reason why

2:56:50.000 --> 2:56:54.800
<v Speaker 3>this book happened and the reason why home I do

2:56:54.959 --> 2:56:58.040
<v Speaker 3>what I do is for a very funny reason. My

2:56:58.200 --> 2:57:05.280
<v Speaker 3>partner Run during that time had Runs House, very successful show.

2:57:05.480 --> 2:57:08.960
<v Speaker 3>Ten seasons of it was in the bathtob of the BlackBerry.

2:57:09.280 --> 2:57:09.680
<v Speaker 2>Remember that.

2:57:10.120 --> 2:57:13.560
<v Speaker 3>So the first season people would watch it and they know,

2:57:14.080 --> 2:57:16.879
<v Speaker 3>I know at the inn finale, DMC is gonna show up.

2:57:17.800 --> 2:57:20.440
<v Speaker 2>I didn't show up season one. I know this shit.

2:57:20.760 --> 2:57:23.280
<v Speaker 2>I didn't show up the three. So after I get

2:57:23.320 --> 2:57:26.720
<v Speaker 2>our therapy and rehab, I get this question, Norri, everywhere

2:57:26.720 --> 2:57:29.760
<v Speaker 2>I go, why you ain't on Runs House?

2:57:29.879 --> 2:57:32.480
<v Speaker 3>What's the beef the whole social media shit, and that's

2:57:32.480 --> 2:57:35.240
<v Speaker 3>in that they GMC's pouring and cared Russell and run

2:57:35.320 --> 2:57:36.400
<v Speaker 3>got Bentley's and this and that.

2:57:37.320 --> 2:57:39.199
<v Speaker 2>No, no, no, the reason why I run.

2:57:39.160 --> 2:57:42.320
<v Speaker 3>DMC ain't together is because Jay's dead out about that.

2:57:43.720 --> 2:57:47.320
<v Speaker 3>We can't replace our fucking drama. Oh I forgot about that?

2:57:47.520 --> 2:57:50.160
<v Speaker 3>So where you been DMC and me? Keeping it real?

2:57:51.480 --> 2:57:53.720
<v Speaker 3>I go, well, I was gonna kill my I tell

2:57:53.959 --> 2:57:56.800
<v Speaker 3>people this, but I just told you so. These people

2:57:56.840 --> 2:58:00.480
<v Speaker 3>are coming at me on the celebrity DMC shit. They

2:58:00.560 --> 2:58:02.920
<v Speaker 3>see the mighty king of rock who walked his way

2:58:02.959 --> 2:58:05.680
<v Speaker 3>in as Adidas while telling the world how tricky life

2:58:05.720 --> 2:58:06.000
<v Speaker 3>could be.

2:58:06.760 --> 2:58:09.880
<v Speaker 2>But now I'm saying, you know, I was gonna kill myself.

2:58:09.920 --> 2:58:12.640
<v Speaker 2>I was alcoholic and everybody was going twelve I want

2:58:12.680 --> 2:58:15.320
<v Speaker 2>to say the forty, twelve forty, and then two things,

2:58:15.600 --> 2:58:18.400
<v Speaker 2>twelve fucking forties. Yet over the phone, yere this and that.

2:58:18.760 --> 2:58:21.520
<v Speaker 2>But every time I would do that E I would

2:58:21.560 --> 2:58:25.920
<v Speaker 2>get this reaction. These people would stop, look around like

2:58:26.040 --> 2:58:28.039
<v Speaker 2>the CIA was around, and.

2:58:28.080 --> 2:58:31.520
<v Speaker 3>They would whisper to me, I've never told anybody this,

2:58:31.760 --> 2:58:36.640
<v Speaker 3>d me to wow. Now they're telling they didn't tell that.

2:58:36.800 --> 2:58:40.840
<v Speaker 3>Workers family, They struggling like ours. But because I'm damn

2:58:41.000 --> 2:58:45.000
<v Speaker 3>c adda my ada, and I just revealed at them.

2:58:45.320 --> 2:58:45.880
<v Speaker 2>Now they're safe.

2:58:45.920 --> 2:58:47.560
<v Speaker 3>They would tell me, but this isn't when that hurt me,

2:58:47.680 --> 2:58:50.520
<v Speaker 3>This is what got me working. If it wasn't them,

2:58:50.600 --> 2:58:53.960
<v Speaker 3>they would look around, and this is what stigma exists.

2:58:54.640 --> 2:58:57.120
<v Speaker 3>People are guilty and shame and afraid. But this is

2:58:57.160 --> 2:58:59.320
<v Speaker 3>the one that I hate the most. They were looking

2:58:59.320 --> 2:58:59.760
<v Speaker 3>around and.

2:58:59.800 --> 2:59:02.320
<v Speaker 2>If they didn't say me too, they would go I've

2:59:02.440 --> 2:59:06.800
<v Speaker 2>never told anybody this, but my mother, my daughter, my father.

2:59:07.000 --> 2:59:09.240
<v Speaker 2>So that hit me up. You mean, for the last

2:59:09.360 --> 2:59:13.960
<v Speaker 2>eight ish your daughter's home smoking meth and struggling, and

2:59:14.120 --> 2:59:16.760
<v Speaker 2>you're worried about how people going to think about you

2:59:17.040 --> 2:59:19.600
<v Speaker 2>for having that daughter. So I said, let me get

2:59:19.640 --> 2:59:23.480
<v Speaker 2>more vocal about So I just started going to wherever

2:59:23.560 --> 2:59:25.640
<v Speaker 2>I was invited. Once people on my story, I was sharp,

2:59:25.680 --> 2:59:28.240
<v Speaker 2>and I'd tell my story. I would go to high schools,

2:59:28.240 --> 2:59:29.600
<v Speaker 2>I would go to middle schools. I would go to

2:59:29.640 --> 2:59:31.600
<v Speaker 2>group homes. I would go to Forster Care Agency. I

2:59:31.640 --> 2:59:34.680
<v Speaker 2>would go to hospitals. I would go to fire departments.

2:59:35.400 --> 2:59:37.440
<v Speaker 2>I would go to police since because a lot of

2:59:37.520 --> 2:59:41.440
<v Speaker 2>police are having mental issues across the board. Every time

2:59:41.600 --> 2:59:46.560
<v Speaker 2>I talked, I realized what this world has been preparing

2:59:46.680 --> 2:59:49.480
<v Speaker 2>me for through the hip hop the King of Rock.

2:59:49.560 --> 2:59:51.200
<v Speaker 2>Shit was just to set up for what I was

2:59:51.320 --> 2:59:52.240
<v Speaker 2>really put here to do.

2:59:52.879 --> 2:59:56.080
<v Speaker 3>I found out that I'm a billion times more powerful

2:59:56.600 --> 2:59:59.560
<v Speaker 3>telling people when shit isn't going good for me. My

2:59:59.640 --> 3:00:02.280
<v Speaker 3>whole care read was Christmas Tim Hollis Queen's I'm the

3:00:02.320 --> 3:00:05.320
<v Speaker 3>Devastating This and I always reported to y'all my goodness,

3:00:05.360 --> 3:00:08.400
<v Speaker 3>and it was very inspiring. It's even more inspiring when

3:00:08.400 --> 3:00:11.720
<v Speaker 3>I met that a vulnerable, scared, afraid, weak and confused,

3:00:11.879 --> 3:00:15.400
<v Speaker 3>because then those people go, you know what, I'm gonna

3:00:15.440 --> 3:00:18.200
<v Speaker 3>go get help to you. So that that's why I

3:00:18.320 --> 3:00:21.720
<v Speaker 3>do it. Because of my joke is because of Pete

3:00:21.800 --> 3:00:24.640
<v Speaker 3>rocking Down went the King. I talk about mental health

3:00:24.640 --> 3:00:25.760
<v Speaker 3>because that was a catalyst.

3:00:26.800 --> 3:00:27.400
<v Speaker 2>You know what I'm saying.

3:00:28.080 --> 3:00:31.120
<v Speaker 3>Because in eighty eight, if y'all remember and from No.

3:00:31.320 --> 3:00:35.720
<v Speaker 3>Eighty nine we put out a flop album. We put

3:00:35.760 --> 3:00:38.640
<v Speaker 3>out a flop album called Back from Hell. Y'all don't

3:00:38.680 --> 3:00:40.920
<v Speaker 3>remember it. I don't remember that. You remember the ad?

3:00:42.879 --> 3:00:46.160
<v Speaker 2>No? Do you remember pause when he's doing nw Jack swinging?

3:00:49.840 --> 3:00:52.720
<v Speaker 2>That was part of my depression. I talk about his book.

3:00:53.760 --> 3:00:56.040
<v Speaker 3>Jay was flying, he was doing that. So Jay had

3:00:56.160 --> 3:00:58.480
<v Speaker 3>us doing these new jack swing records and then pause

3:00:58.560 --> 3:01:00.240
<v Speaker 3>was good. People say, oh, that was good and this

3:01:00.320 --> 3:01:02.600
<v Speaker 3>and that. I didn't want to do it, but I

3:01:02.680 --> 3:01:06.600
<v Speaker 3>did it to please then, and it made me drink

3:01:07.120 --> 3:01:09.680
<v Speaker 3>because when Jay said let's do now, there's nothing wrong

3:01:09.720 --> 3:01:13.000
<v Speaker 3>with nu jack swing and all of that shit, I

3:01:13.160 --> 3:01:15.680
<v Speaker 3>just don't like it. Right, This wasn't I don't want

3:01:15.680 --> 3:01:18.320
<v Speaker 3>to rap over that shit. But when I was in therapy,

3:01:18.600 --> 3:01:22.960
<v Speaker 3>my therapist said, motherfucker you. I was diagnosed with suppressed emotions.

3:01:23.440 --> 3:01:25.680
<v Speaker 3>All the drinking I was doing is was because I

3:01:25.760 --> 3:01:27.920
<v Speaker 3>didn't want to tell people the truth.

3:01:27.760 --> 3:01:29.920
<v Speaker 2>About I don't want to do that record. I don't

3:01:29.959 --> 3:01:31.600
<v Speaker 2>want to go to there. I did so much people

3:01:31.680 --> 3:01:34.720
<v Speaker 2>pleasing that I was suppressing with the alcohol.

3:01:34.959 --> 3:01:39.120
<v Speaker 3>So when I got out of rehab, my when I

3:01:39.200 --> 3:01:41.040
<v Speaker 3>got into rehab just happened to me.

3:01:41.320 --> 3:01:45.040
<v Speaker 2>My therapist was I was, what thirty six, so my

3:01:45.200 --> 3:01:48.400
<v Speaker 2>therapist probably was like forty six, forty eight white guy.

3:01:49.080 --> 3:01:51.800
<v Speaker 2>It's a white doctor thing and a clipboard. So he

3:01:51.920 --> 3:01:55.520
<v Speaker 2>comes in for my first therapy session in rehabit and

3:01:55.600 --> 3:01:58.280
<v Speaker 2>he sits down and he says, Darryl during your career.

3:01:58.360 --> 3:02:02.119
<v Speaker 2>Referend DMC that runs Russell or anybody at the record

3:02:02.160 --> 3:02:06.000
<v Speaker 2>company do anything to get you upset. And I'm said,

3:02:06.520 --> 3:02:10.160
<v Speaker 2>and I lie no, And you know, he's said he's

3:02:10.160 --> 3:02:11.920
<v Speaker 2>the doctor, and he got his glasses and I go no.

3:02:12.040 --> 3:02:14.400
<v Speaker 2>He looks up at me and glasses and he does this,

3:02:17.840 --> 3:02:21.320
<v Speaker 2>alasses all start some button in the white cloak. So

3:02:21.360 --> 3:02:24.360
<v Speaker 2>I'm sitting there with just my fucker gonna hear some shit.

3:02:24.480 --> 3:02:27.040
<v Speaker 3>And he sits down and it's crazy. He had I

3:02:27.080 --> 3:02:28.440
<v Speaker 3>weigh him all the time. He had on an AC

3:02:28.560 --> 3:02:30.920
<v Speaker 3>DC shirt. I guess he did that to break the ice.

3:02:31.000 --> 3:02:32.320
<v Speaker 2>He sat there and he looked at me and E

3:02:32.680 --> 3:02:37.480
<v Speaker 2>and he sent you a goddamn mother fucking liar. And

3:02:37.600 --> 3:02:40.120
<v Speaker 2>when he said that to me, yeah, man in nineteen

3:02:40.160 --> 3:02:43.880
<v Speaker 2>eighty three, must nineteen eighty So I started the man

3:02:44.240 --> 3:02:46.840
<v Speaker 2>Russell did this. I started remember everything profile of you.

3:02:47.000 --> 3:02:47.840
<v Speaker 2>It all poured out of me.

3:02:47.920 --> 3:02:50.360
<v Speaker 3>So when I got out of rehab, this is funny,

3:02:50.959 --> 3:02:51.600
<v Speaker 3>he says to me.

3:02:51.720 --> 3:02:56.080
<v Speaker 2>From now on, D be hip hop, keep it real,

3:02:56.680 --> 3:02:58.680
<v Speaker 2>always tell the truth. And he said it might have

3:02:59.480 --> 3:03:02.040
<v Speaker 2>it might have set some people. They might not like

3:03:02.120 --> 3:03:04.280
<v Speaker 2>you for that moment, but they'll fucking get over it.

3:03:04.440 --> 3:03:06.480
<v Speaker 2>But I also got to be ready to receive it

3:03:06.800 --> 3:03:08.720
<v Speaker 2>to when they do it. But then he says this,

3:03:08.840 --> 3:03:14.640
<v Speaker 2>He says, from now on, speak your truth, Tell the truth,

3:03:15.200 --> 3:03:20.560
<v Speaker 2>no matter what right, and I go. Even if my

3:03:20.760 --> 3:03:25.959
<v Speaker 2>wife asked me if she's sat in this true story.

3:03:26.000 --> 3:03:29.760
<v Speaker 3>Not that one, she all this says out there, this

3:03:29.879 --> 3:03:35.520
<v Speaker 3>is life for not that one. But now you ask

3:03:35.600 --> 3:03:40.480
<v Speaker 3>me my opinion, I give it true truth. I don't

3:03:40.520 --> 3:03:42.680
<v Speaker 3>even want to say truth. Such a free he just said,

3:03:42.760 --> 3:03:46.840
<v Speaker 3>from now on. My manager Eric hates me. Sometimes they're

3:03:46.840 --> 3:03:49.000
<v Speaker 3>going to give you five hundred thousand dollars.

3:03:49.360 --> 3:03:51.000
<v Speaker 2>Who is it? What is it doing with it?

3:03:51.120 --> 3:03:51.160
<v Speaker 6>For?

3:03:51.320 --> 3:03:53.720
<v Speaker 2>I don't like it? Nope, he think I'm crazy. But

3:03:53.879 --> 3:03:56.920
<v Speaker 2>I'd rather make a hundred thousand dollars five times and

3:03:57.040 --> 3:04:01.080
<v Speaker 2>take to five hundred thousand dollars. I'd rather one hundred

3:04:01.120 --> 3:04:04.360
<v Speaker 2>and fifty dollars do the math to get to I'd

3:04:04.440 --> 3:04:09.680
<v Speaker 2>rather make a hundred dollars a thousand, ten thousand times

3:04:09.720 --> 3:04:12.320
<v Speaker 2>to get the million than taking the million foot And

3:04:12.440 --> 3:04:14.400
<v Speaker 2>that's what I was doing my whole career and the

3:04:14.480 --> 3:04:16.320
<v Speaker 2>reason why I bring up the Back from Hell album.

3:04:16.320 --> 3:04:17.400
<v Speaker 2>If you listen to Back from.

3:04:17.280 --> 3:04:20.160
<v Speaker 3>Hell album, The only guy that knew something was going

3:04:20.240 --> 3:04:23.760
<v Speaker 3>wrong artistically run with front of C was Dante Ross.

3:04:24.800 --> 3:04:28.480
<v Speaker 3>But you know what, when we put back from Hell

3:04:28.520 --> 3:04:31.720
<v Speaker 3>Out and Paus out, he was that motherfucker must have

3:04:31.760 --> 3:04:32.360
<v Speaker 3>been in therapy.

3:04:32.440 --> 3:04:37.040
<v Speaker 2>That motherfucker. What the fuck is running deep see doing

3:04:37.160 --> 3:04:41.520
<v Speaker 2>new jack Fish's bullshit like he went him? No, he

3:04:41.640 --> 3:04:42.680
<v Speaker 2>Kevin real, Kevin real.

3:04:42.959 --> 3:04:46.000
<v Speaker 3>But that's what I should have did, and it could

3:04:46.040 --> 3:04:49.240
<v Speaker 3>have went like this, Yo, Then y'all do the records, y'all.

3:04:49.480 --> 3:04:51.640
<v Speaker 3>Ud you know, I have no problem, only want to

3:04:51.680 --> 3:04:53.080
<v Speaker 3>be on the record in the first place I was

3:04:53.080 --> 3:04:55.680
<v Speaker 3>gonna be, so I'm already there. But then the whole

3:04:55.800 --> 3:04:59.520
<v Speaker 3>thing was I mean, when I lost my voice. Russell

3:04:59.560 --> 3:05:01.680
<v Speaker 3>even told one day and day, but you gotta show up.

3:05:01.720 --> 3:05:05.080
<v Speaker 3>The motherfuckers ain't buying Run. They buying Run DMC. So

3:05:05.200 --> 3:05:07.920
<v Speaker 3>you're standing there, shut up. I did millions of show

3:05:07.920 --> 3:05:12.360
<v Speaker 3>when I couldn't rhyme. Imagine that, and you was lip syncing, well,

3:05:12.800 --> 3:05:15.440
<v Speaker 3>Jay was playing the vocals and rhyming over with me.

3:05:16.040 --> 3:05:18.600
<v Speaker 3>So in course of the moment, people don't know, but

3:05:19.320 --> 3:05:22.640
<v Speaker 3>that went on for probably like maybe two and a

3:05:22.720 --> 3:05:26.039
<v Speaker 3>half years maybe, so imagine how I felt. And then

3:05:26.080 --> 3:05:28.640
<v Speaker 3>I even realized those are part of the suicidal thoughts.

3:05:28.840 --> 3:05:30.880
<v Speaker 3>I talk about it in the book I can't. I'm

3:05:31.000 --> 3:05:32.920
<v Speaker 3>thinking I was only put here to rhyme.

3:05:33.440 --> 3:05:38.000
<v Speaker 2>So if you keep superpower, the superhero lose the superpower.

3:05:38.120 --> 3:05:42.080
<v Speaker 3>What happens, But then you realize who you really are.

3:05:42.720 --> 3:05:45.280
<v Speaker 3>I didn't have to go get to operation for my voice.

3:05:46.080 --> 3:05:47.920
<v Speaker 2>It just came back. I was hanging with Chuck d

3:05:48.040 --> 3:05:53.520
<v Speaker 2>one day and it's like that superhero. I started glowing

3:05:53.600 --> 3:05:58.600
<v Speaker 2>and ship like it was. You didn't get an operation nothing,

3:05:58.720 --> 3:06:01.119
<v Speaker 2>So you're just sitting there with Chuck. But well, well

3:06:01.200 --> 3:06:05.039
<v Speaker 2>too to the mental health thing is it's all very mental.

3:06:05.320 --> 3:06:10.000
<v Speaker 2>When I was in therapy, my therapist said, don't let

3:06:10.200 --> 3:06:14.600
<v Speaker 2>nothing define you or your situations or your operations. And

3:06:14.640 --> 3:06:15.800
<v Speaker 2>I was like, what do you mean, how do you

3:06:15.879 --> 3:06:16.080
<v Speaker 2>do that?

3:06:16.480 --> 3:06:18.960
<v Speaker 3>She said, you've been doing it your whole life, and

3:06:19.080 --> 3:06:21.160
<v Speaker 3>I never knew this. She said, she brought up to

3:06:21.520 --> 3:06:23.800
<v Speaker 3>where lives can be never singing. The good news is

3:06:23.840 --> 3:06:25.560
<v Speaker 3>that there is a crew. It's about time for a

3:06:25.640 --> 3:06:28.440
<v Speaker 3>brand new group. All other things won't be the same.

3:06:28.680 --> 3:06:31.720
<v Speaker 3>But then she said, don't you know all of your

3:06:31.760 --> 3:06:35.000
<v Speaker 3>most powerful lyrics, like the one that you got just

3:06:35.160 --> 3:06:37.959
<v Speaker 3>ended with you start with this is crazy. And now

3:06:38.040 --> 3:06:40.360
<v Speaker 3>I'm not religious. I think religious to bide. I think

3:06:40.440 --> 3:06:42.920
<v Speaker 3>politics the bid. The arts is the only thing that

3:06:43.040 --> 3:06:45.480
<v Speaker 3>succeeds where politics and religion fails.

3:06:46.000 --> 3:06:51.000
<v Speaker 2>Politics and religion fails us. I agree, I'm saying it, yeah, Religi, yes,

3:06:51.240 --> 3:06:55.760
<v Speaker 2>you holy motherfuckers. That shit fails us. But the arts

3:06:56.280 --> 3:06:59.320
<v Speaker 2>succeeds where politics and religion fail. But she said to

3:06:59.400 --> 3:07:01.320
<v Speaker 2>me this, She said, don't you know most of your

3:07:01.400 --> 3:07:06.640
<v Speaker 2>powerful rhymes start with the two words I am. I'm DMC,

3:07:07.160 --> 3:07:09.800
<v Speaker 2>I'm the son of byfriend, I'm the king of rock,

3:07:09.879 --> 3:07:13.080
<v Speaker 2>I'm the devastating my control of d MC. All my

3:07:13.280 --> 3:07:16.720
<v Speaker 2>i ams manifested into them. I was imperfect. I didn't

3:07:16.800 --> 3:07:17.880
<v Speaker 2>need nothing else.

3:07:18.200 --> 3:07:21.560
<v Speaker 3>But when I forgot about that and I went I

3:07:21.640 --> 3:07:25.400
<v Speaker 3>went to a bunch of voice doctors. One doctor told me,

3:07:25.879 --> 3:07:28.800
<v Speaker 3>and this is before I knew it was mental, there's

3:07:28.959 --> 3:07:30.680
<v Speaker 3>nothing physically wrong with you.

3:07:30.680 --> 3:07:32.920
<v Speaker 2>Your voice is a little red, your throat is a

3:07:32.959 --> 3:07:36.000
<v Speaker 2>little red. Because you're out there every night pushing it.

3:07:36.200 --> 3:07:38.040
<v Speaker 2>Nothing's coming out. You know.

3:07:38.480 --> 3:07:42.760
<v Speaker 3>Obama had wrote a book, and in the book he said,

3:07:43.400 --> 3:07:47.680
<v Speaker 3>your voice isn't how you sound, your voice is who

3:07:47.760 --> 3:07:51.640
<v Speaker 3>you are. So when I found when I'm adopted, Oh

3:07:51.720 --> 3:07:57.840
<v Speaker 3>there's my birth mother screwing the missing pop pop.

3:07:58.040 --> 3:08:01.280
<v Speaker 2>It was all mental was full to Vni Sigul because

3:08:01.280 --> 3:08:04.680
<v Speaker 2>he lost his voice. I haven't spoken to I knew

3:08:05.360 --> 3:08:08.160
<v Speaker 2>what's his name, the DC. He was in a car,

3:08:09.000 --> 3:08:09.400
<v Speaker 2>but I was.

3:08:09.680 --> 3:08:13.960
<v Speaker 3>I was diagnosed with the thing called spasmodic dysphonia, which

3:08:14.040 --> 3:08:18.280
<v Speaker 3>is involuntary spasms of your vocal cord. But my crazy

3:08:18.400 --> 3:08:20.959
<v Speaker 3>diagnosis was you even have one or the other.

3:08:21.120 --> 3:08:25.800
<v Speaker 2>It's abductor or ad doctor like in the gym, they

3:08:25.840 --> 3:08:28.760
<v Speaker 2>have an abductor machine for your length and added the

3:08:29.320 --> 3:08:34.240
<v Speaker 2>doctor diagnosed me with both of them, and then I

3:08:34.240 --> 3:08:37.040
<v Speaker 2>would They gave me the botox shot with the needle.

3:08:37.320 --> 3:08:38.720
<v Speaker 2>The needles about this long.

3:08:39.640 --> 3:08:42.280
<v Speaker 3>I went to Mount Sign and they put both tooks

3:08:42.360 --> 3:08:46.880
<v Speaker 3>in your vocal cords to stop the electric impulses from

3:08:46.920 --> 3:08:49.120
<v Speaker 3>your brain getting there. So they did it to me

3:08:49.200 --> 3:08:51.840
<v Speaker 3>and I passed out and it was like here for

3:08:51.920 --> 3:08:54.200
<v Speaker 3>the number of days that the voice number came back

3:08:54.320 --> 3:08:58.160
<v Speaker 3>until I found my birth It's crazy. So now I

3:08:58.240 --> 3:09:03.760
<v Speaker 3>think what's healing me is therapy is addressing your issues

3:09:04.480 --> 3:09:05.240
<v Speaker 3>because when I.

3:09:05.320 --> 3:09:08.000
<v Speaker 2>Speak, wonders like DMC, I ain't got no money. Like you,

3:09:08.120 --> 3:09:09.440
<v Speaker 2>I can't afford a therapist.

3:09:09.920 --> 3:09:12.560
<v Speaker 3>So what do you tell somebody struggling with an emotion

3:09:13.200 --> 3:09:18.879
<v Speaker 3>or condition, suicidal whatever whatever? I say, Sometimes you don't

3:09:18.920 --> 3:09:22.000
<v Speaker 3>need money for therapy. I say, in your darkest hour,

3:09:22.640 --> 3:09:25.800
<v Speaker 3>when even if you can't smile, there's somebody that you

3:09:25.959 --> 3:09:30.560
<v Speaker 3>think about that brings a smile to your spirit. That's

3:09:30.640 --> 3:09:32.560
<v Speaker 3>the person you go to and do what people was

3:09:32.600 --> 3:09:34.039
<v Speaker 3>doing to me. But I had to get it out

3:09:34.080 --> 3:09:35.880
<v Speaker 3>of you go to I said, it might be you

3:09:35.959 --> 3:09:37.480
<v Speaker 3>know how you grew up in the neighborhood, and you

3:09:37.600 --> 3:09:41.640
<v Speaker 3>love mister Hooper who runs the store, and I've known

3:09:41.720 --> 3:09:43.680
<v Speaker 3>you sent you or the barber that cut your hand.

3:09:44.120 --> 3:09:45.760
<v Speaker 3>Those are the people you go up to here and say, yo,

3:09:45.840 --> 3:09:48.000
<v Speaker 3>I've never told anybody you got to integrat storing like

3:09:48.040 --> 3:09:50.160
<v Speaker 3>this so they understand when it's coming.

3:09:50.440 --> 3:09:53.840
<v Speaker 2>I've never told anybody this. But I want to kill myself.

3:09:54.600 --> 3:09:55.640
<v Speaker 2>There's nothing wrong.

3:09:55.720 --> 3:09:58.960
<v Speaker 3>And when I speak, there's nothing wrong with a person

3:09:59.200 --> 3:10:03.360
<v Speaker 3>saying they feel like killing themselves. And what you mean

3:10:03.400 --> 3:10:04.760
<v Speaker 3>it's a no, no, no, it's not a good thing,

3:10:05.080 --> 3:10:08.640
<v Speaker 3>but it's nothing wrong with it. For instance, if it's

3:10:08.760 --> 3:10:11.600
<v Speaker 3>hot in here, could I tell you not to feel

3:10:11.680 --> 3:10:14.400
<v Speaker 3>hot if it's a hundred degrees in there?

3:10:14.440 --> 3:10:17.440
<v Speaker 2>Can I tell you not if it's cold outside, Can

3:10:17.520 --> 3:10:19.400
<v Speaker 2>I tell you go out there nor it's Timblau and

3:10:19.520 --> 3:10:21.880
<v Speaker 2>not feel cold? No? Can I tell you not to

3:10:21.959 --> 3:10:26.080
<v Speaker 2>feel hungry? So I'm realizing it's a feeling that they

3:10:26.160 --> 3:10:28.120
<v Speaker 2>have what you have to do when your approach with

3:10:28.200 --> 3:10:31.920
<v Speaker 2>that sit down with the person. And even if it's chemical,

3:10:32.440 --> 3:10:35.760
<v Speaker 2>there's a catalyst, a who, what, when, where and why

3:10:36.280 --> 3:10:37.720
<v Speaker 2>that causes that feeling.

3:10:38.400 --> 3:10:40.720
<v Speaker 3>Find out who, what, when or why it's doing it.

3:10:41.120 --> 3:10:44.600
<v Speaker 3>And here remove my strength of not drinking again. And

3:10:44.680 --> 3:10:47.000
<v Speaker 3>I went to rehab. And when I was in rehab,

3:10:47.040 --> 3:10:49.720
<v Speaker 3>I was in there for thirty days. Oh, I was

3:10:49.800 --> 3:10:52.200
<v Speaker 3>going to do this at Leo's thing, But I get that.

3:10:52.360 --> 3:10:54.480
<v Speaker 2>Don't need you to speak. Just come on stage with me.

3:10:56.480 --> 3:10:59.640
<v Speaker 3>For the fuck out of kot prepare. The whole fuck

3:10:59.720 --> 3:11:01.800
<v Speaker 3>is about your ass.

3:11:01.959 --> 3:11:05.240
<v Speaker 2>I ain't got nothing to do with this fucking music. Pullshit,

3:11:06.040 --> 3:11:08.680
<v Speaker 2>I got you. You can't get it. You know, think

3:11:08.720 --> 3:11:11.520
<v Speaker 2>you forgot because he's telling he's calling Eric and wanted

3:11:11.560 --> 3:11:11.920
<v Speaker 2>me to come.

3:11:11.959 --> 3:11:13.320
<v Speaker 3>And I'm getting back. I gotta speak.

3:11:13.320 --> 3:11:15.960
<v Speaker 2>I speak about him and Kathy, and you'll be in

3:11:16.040 --> 3:11:17.480
<v Speaker 2>my role I get that. I don't need you to

3:11:17.560 --> 3:11:18.520
<v Speaker 2>speak this coming. See.

3:11:20.400 --> 3:11:22.320
<v Speaker 3>I went hit in the back, you know, because I

3:11:22.360 --> 3:11:25.160
<v Speaker 3>don't like to be here. But I gotta come in

3:11:25.320 --> 3:11:28.840
<v Speaker 3>Leon because Leo is part of the people that saved

3:11:28.879 --> 3:11:32.160
<v Speaker 3>my life. Because when I was going through this, Leo

3:11:32.320 --> 3:11:35.240
<v Speaker 3>actually paid for my rehab for me to go to.

3:11:35.280 --> 3:11:37.279
<v Speaker 2>The Rihow darylstricky.

3:11:37.320 --> 3:11:38.280
<v Speaker 3>He can't fucking die.

3:11:38.360 --> 3:11:41.920
<v Speaker 2>We can't have Daryl died. And it was Kathy. I

3:11:42.000 --> 3:11:47.480
<v Speaker 2>love Kathy sime oneas I was disappointed she wasn't in

3:11:47.760 --> 3:11:52.480
<v Speaker 2>l a leor fuck is up with that? Well, okay,

3:11:53.080 --> 3:11:53.640
<v Speaker 2>it was blood.

3:11:54.280 --> 3:11:57.000
<v Speaker 3>So Kathy went to Leo and Leo was I paid

3:11:57.040 --> 3:12:01.120
<v Speaker 3>for Daryl go to fucking meet. I went to fucking

3:12:02.000 --> 3:12:03.880
<v Speaker 3>so I gotta come in and I tell Leo it

3:12:04.000 --> 3:12:06.840
<v Speaker 3>wasn't because of this music shit. I was gonna need you.

3:12:06.959 --> 3:12:09.240
<v Speaker 2>At a die. The reason why we met was much

3:12:09.440 --> 3:12:11.960
<v Speaker 2>deeper in this music shit. But it's cut that to

3:12:12.040 --> 3:12:14.080
<v Speaker 2>hip hop brought us together. So I got out of

3:12:14.160 --> 3:12:15.240
<v Speaker 2>rehabit now I go.

3:12:15.440 --> 3:12:17.720
<v Speaker 3>I did a book called Darryl's Dream, which is a

3:12:17.800 --> 3:12:20.520
<v Speaker 3>story about me in third grade getting teased, bullied, and

3:12:20.560 --> 3:12:23.640
<v Speaker 3>picked on because I want to save my poem and

3:12:23.800 --> 3:12:25.720
<v Speaker 3>other kids don't think it's cool. But then I save

3:12:25.800 --> 3:12:27.800
<v Speaker 3>my poem, I get a standing ovation. Now all the

3:12:27.840 --> 3:12:30.440
<v Speaker 3>motherfucking kids want me to teach them how to say bowdream.

3:12:30.640 --> 3:12:32.960
<v Speaker 3>All of a sudden, my cool, just like Nori. All

3:12:33.000 --> 3:12:35.080
<v Speaker 3>the motherfucks that was coming in, motherfucker run. All the

3:12:35.160 --> 3:12:38.200
<v Speaker 3>bullies in the hard rocks, Oh, now you want to

3:12:38.240 --> 3:12:39.000
<v Speaker 3>be my friend?

3:12:39.160 --> 3:12:42.680
<v Speaker 2>Mother. They ain't even waving at me. Now you know

3:12:42.720 --> 3:12:44.800
<v Speaker 2>what I'm saying. You know, motherfucker that took my sneakers

3:12:44.879 --> 3:12:47.960
<v Speaker 2>over there, and the motherfuckers snapped here. You made me Rhyn.

3:12:48.080 --> 3:12:50.000
<v Speaker 3>Now all the hard rocks want to be but it's

3:12:50.080 --> 3:12:51.160
<v Speaker 3>the same stories.

3:12:51.440 --> 3:12:56.720
<v Speaker 2>Okay, So now you know, every year since my childhood,

3:12:57.040 --> 3:13:00.440
<v Speaker 2>it doesn't feel like this holiday unless I hear this record, right,

3:13:00.920 --> 3:13:04.760
<v Speaker 2>and I will also give it to Mariah Carry as well.

3:13:05.280 --> 3:13:07.480
<v Speaker 2>Every year. So let me ask you, every year at

3:13:07.520 --> 3:13:10.039
<v Speaker 2>Christmas time, we're cooler because it's hip hop. Yeah yeah,

3:13:10.320 --> 3:13:15.240
<v Speaker 2>yeah platinum every year Christmas time. No, because all the

3:13:15.360 --> 3:13:20.760
<v Speaker 2>money goes to the special Olympics, Pubblish shit, hel all

3:13:20.840 --> 3:13:23.080
<v Speaker 2>the money was trying to be good niggas back then. No,

3:13:23.360 --> 3:13:26.000
<v Speaker 2>we didn't want to do that shit either. No, No,

3:13:26.320 --> 3:13:28.800
<v Speaker 2>let me tell you another.

3:13:29.360 --> 3:13:31.520
<v Speaker 3>We didn't want to do that ship when they approached us.

3:13:31.680 --> 3:13:34.879
<v Speaker 3>When they want you to know, that's corny fake. There

3:13:34.879 --> 3:13:38.240
<v Speaker 3>ain't gonna be no Christmas wrapping elves like we thought

3:13:38.240 --> 3:13:41.039
<v Speaker 3>it was gonna be corny shit. No, we didn't want

3:13:41.080 --> 3:13:43.320
<v Speaker 3>to do it. It's for the special Olympics. Let them

3:13:43.360 --> 3:13:47.840
<v Speaker 3>find somebody else. Bill Adler shout out to Bill Adler.

3:13:48.920 --> 3:13:51.200
<v Speaker 2>He comes to it. Y'all could do what y'all want

3:13:51.240 --> 3:13:51.400
<v Speaker 2>to do.

3:13:52.080 --> 3:13:58.280
<v Speaker 3>He Bill comes and plays us the music, the back

3:13:58.360 --> 3:13:59.440
<v Speaker 3>Door Santa sample.

3:13:59.680 --> 3:14:01.880
<v Speaker 2>Because at first meet Me and Run wasn't gonna do it.

3:14:01.959 --> 3:14:03.439
<v Speaker 2>But when we heard don't.

3:14:06.280 --> 3:14:08.280
<v Speaker 3>We could do that shit give me a pinion. So

3:14:08.440 --> 3:14:10.120
<v Speaker 3>Me and Run we went and wrote our rhymes. But

3:14:10.680 --> 3:14:13.040
<v Speaker 3>every year we don't see no money from that.

3:14:13.160 --> 3:14:17.320
<v Speaker 2>That's all wow. Start to end. Well, let me just

3:14:17.440 --> 3:14:20.160
<v Speaker 2>tell you do this. If I don't hear that record,

3:14:20.480 --> 3:14:23.440
<v Speaker 2>it's not no. Here's where we are with that. And

3:14:23.560 --> 3:14:26.160
<v Speaker 2>this is so cool about hip hop. This was about

3:14:26.480 --> 3:14:27.240
<v Speaker 2>four years ago.

3:14:29.000 --> 3:14:30.720
<v Speaker 3>I don't know if it was a journalist or is

3:14:30.760 --> 3:14:32.920
<v Speaker 3>doing an interview or whatever they said.

3:14:33.480 --> 3:14:34.760
<v Speaker 2>Who would have thought.

3:14:36.160 --> 3:14:41.640
<v Speaker 3>In the existence of this universe that hip hop would

3:14:41.840 --> 3:14:46.959
<v Speaker 3>do something, would continue to do something phenomenal. After all

3:14:46.959 --> 3:14:49.840
<v Speaker 3>the phenomenal stuff that is done. That's why I believe

3:14:49.879 --> 3:14:52.760
<v Speaker 3>this fifty years of hip hop, yall, we just getting started.

3:14:53.440 --> 3:14:56.560
<v Speaker 3>Still got more to do, innovation, creativity. We got Hollywood

3:14:56.600 --> 3:14:59.000
<v Speaker 3>to take over now and conquer different stories.

3:14:59.080 --> 3:14:59.560
<v Speaker 2>So much to do.

3:15:00.040 --> 3:15:03.880
<v Speaker 3>They said, Christmas used to be Justice Laurie, the black

3:15:03.959 --> 3:15:08.560
<v Speaker 3>guy Nat King Cole singing just not roasting on an

3:15:08.600 --> 3:15:11.879
<v Speaker 3>opening fire right all. The white guy Ben Crosby actually

3:15:11.959 --> 3:15:19.000
<v Speaker 3>singing I'm dreamy. Remember that's Christmas who in a million

3:15:19.160 --> 3:15:22.119
<v Speaker 3>years said that's just going to change. Now they say,

3:15:22.640 --> 3:15:25.360
<v Speaker 3>for the rest of the existence of this universe, it's

3:15:26.080 --> 3:15:30.480
<v Speaker 3>Nat King Cole, Ben Crosby and run MCS Christmas in Hollis.

3:15:32.280 --> 3:15:36.720
<v Speaker 3>That's guy that me my mom. I was like, whoa

3:15:37.680 --> 3:15:40.760
<v Speaker 3>you mean? I'm like Curry Cuomo now. But it's but

3:15:41.480 --> 3:15:42.480
<v Speaker 3>it's a hip hop shit.

3:15:42.520 --> 3:15:43.000
<v Speaker 2>We don't.

3:15:44.520 --> 3:15:46.840
<v Speaker 3>Like you know what I'm saying. That's a huge achievement,

3:15:47.000 --> 3:15:49.560
<v Speaker 3>even the Rockawall Hall of Fame. I want people to

3:15:49.640 --> 3:15:52.879
<v Speaker 3>understand something. People always go, d you don't know who

3:15:52.920 --> 3:15:55.640
<v Speaker 3>you are. I do know I am, But that's why

3:15:55.720 --> 3:15:57.080
<v Speaker 3>I have to wring that out of it. You know,

3:15:57.560 --> 3:16:00.520
<v Speaker 3>I don't want free shit, this and that, but I

3:16:00.560 --> 3:16:02.400
<v Speaker 3>don't want appreciate this this in that point the Rock

3:16:02.400 --> 3:16:04.840
<v Speaker 3>and Roll Hall of Fame. Y'all got to understand something.

3:16:05.200 --> 3:16:10.440
<v Speaker 3>We did the video about us being denied entry into

3:16:10.520 --> 3:16:13.320
<v Speaker 3>the place that don't exist. Now when we're allowed to

3:16:13.360 --> 3:16:17.120
<v Speaker 3>get any motherfucker's man. Jeane Simmons, all these mother fucus

3:16:17.240 --> 3:16:22.959
<v Speaker 3>is mad. Jane yeah from kids, Yeah, he was mad.

3:16:23.200 --> 3:16:24.959
<v Speaker 3>He respects us now.

3:16:25.920 --> 3:16:26.000
<v Speaker 7>But.

3:16:27.920 --> 3:16:30.400
<v Speaker 2>Well he was making it hating the point that we

3:16:30.520 --> 3:16:34.240
<v Speaker 2>don't play instruments, so is denied entry into the rock

3:16:34.320 --> 3:16:35.680
<v Speaker 2>roll of Fame. My thing is this.

3:16:35.800 --> 3:16:41.400
<v Speaker 3>You gotta understand. I think this is my most valuable award,

3:16:41.520 --> 3:16:47.160
<v Speaker 3>and let me tell you why, because it's from people.

3:16:47.640 --> 3:16:50.360
<v Speaker 3>Yeah right that my genre and my culture this and that.

3:16:50.640 --> 3:16:53.920
<v Speaker 3>But the Rock Roll of Fame is cool, but me

3:16:54.160 --> 3:16:56.160
<v Speaker 3>having the trophy is not great as this.

3:16:56.879 --> 3:17:00.720
<v Speaker 2>I don't want people to understand this my victory, our victory,

3:17:01.360 --> 3:17:05.280
<v Speaker 2>anybody's victory, but more importantly hip hop's victory. Let them

3:17:05.320 --> 3:17:07.800
<v Speaker 2>all bicker and beef and have the criticism that they

3:17:07.879 --> 3:17:11.720
<v Speaker 2>say that first of all, the blues is the roots, motherfucker.

3:17:12.000 --> 3:17:13.360
<v Speaker 3>Everything else is the fruits.

3:17:13.480 --> 3:17:13.920
<v Speaker 2>Number one.

3:17:14.080 --> 3:17:16.520
<v Speaker 3>They got it from all the black blues, all this music,

3:17:17.320 --> 3:17:21.040
<v Speaker 3>alternative hip hop, the black blues artists. And if you

3:17:21.160 --> 3:17:25.840
<v Speaker 3>sit down with Keith Richard's, sit down with Vick Jaggers,

3:17:25.879 --> 3:17:28.080
<v Speaker 3>sit down with Steven Tyler Aerosmith, you sit down with

3:17:28.280 --> 3:17:29.879
<v Speaker 3>Eric Clapton, you got white people.

3:17:29.920 --> 3:17:32.360
<v Speaker 2>And when you talk about rock music, they mentioned the

3:17:32.440 --> 3:17:35.800
<v Speaker 2>blues artists, which is why all of these artists and

3:17:35.920 --> 3:17:38.240
<v Speaker 2>hip hop should know who the fuck supoon these is

3:17:39.120 --> 3:17:41.640
<v Speaker 2>a jazz motherfucker knows who's Miles Davison culture.

3:17:42.160 --> 3:17:47.120
<v Speaker 3>But our victory is this Nori and E. The trophy's cool,

3:17:47.560 --> 3:17:50.640
<v Speaker 3>but I already won when I was just considered. Worry

3:17:50.840 --> 3:17:54.800
<v Speaker 3>enough for the nomination because that tells you your work

3:17:54.920 --> 3:17:57.760
<v Speaker 3>is done. So we're looking for it just to be considered.

3:17:57.800 --> 3:17:59.240
<v Speaker 3>Where don't you got to take her home? But you

3:18:00.360 --> 3:18:04.080
<v Speaker 3>that's your victory. So they can say it's not a genre,

3:18:04.280 --> 3:18:07.119
<v Speaker 3>this and that. When we had walked to Sway in Adidas,

3:18:07.560 --> 3:18:11.040
<v Speaker 3>we do press conferences. Excuse me, run DNJ, Where do

3:18:11.120 --> 3:18:12.960
<v Speaker 3>you think you'll be in three years? They thought we

3:18:13.120 --> 3:18:14.840
<v Speaker 3>was a fat, they thought we was old. You know

3:18:14.879 --> 3:18:17.560
<v Speaker 3>what I'm saying, So it ain't about what other people think,

3:18:17.640 --> 3:18:18.600
<v Speaker 3>It's about what you know.

3:18:19.560 --> 3:18:23.520
<v Speaker 2>You know, a great philosopher once said, I don't fuck

3:18:23.560 --> 3:18:28.480
<v Speaker 2>with people that's talking say I believe, I believe. I believe,

3:18:28.520 --> 3:18:31.879
<v Speaker 2>you don't hear. And that's what's really crazy about religion.

3:18:32.920 --> 3:18:34.960
<v Speaker 2>You believe that shit. You could believe. What the fuck

3:18:35.040 --> 3:18:38.160
<v Speaker 2>you want? One person, I believe it, this is it.

3:18:38.240 --> 3:18:41.040
<v Speaker 2>I believed it. No, no, no, do you know when

3:18:41.080 --> 3:18:43.680
<v Speaker 2>I speak, I see, I know that I know this.

3:18:44.240 --> 3:18:46.160
<v Speaker 2>I know I know. How do you know?

3:18:46.360 --> 3:18:50.280
<v Speaker 3>Because I experience it? And y'all calling me legendary. I

3:18:50.320 --> 3:18:52.520
<v Speaker 3>got hit with this about a couple of months ago.

3:18:53.240 --> 3:18:55.720
<v Speaker 3>I forgot what I was watching and they saying, you know,

3:18:55.920 --> 3:19:01.280
<v Speaker 3>one person isn't legendary. The people calling legendary don't mean

3:19:01.640 --> 3:19:05.440
<v Speaker 3>don't know that. They're part of the legend because they

3:19:05.480 --> 3:19:08.840
<v Speaker 3>were there. It's not about who, it's about who experienced

3:19:08.879 --> 3:19:09.160
<v Speaker 3>it all.

3:19:09.760 --> 3:19:12.440
<v Speaker 2>The person that's calling me a lego, gmory, you a

3:19:12.560 --> 3:19:18.000
<v Speaker 2>fucking legend, they're talking to themselves. The guy said, a

3:19:18.200 --> 3:19:22.600
<v Speaker 2>legend means the people who were there to experience the

3:19:22.800 --> 3:19:28.720
<v Speaker 2>legend of Billy the Kid. It only exists because the saloon.

3:19:28.440 --> 3:19:31.480
<v Speaker 3>Guy saw it and passed it.

3:19:31.879 --> 3:19:34.400
<v Speaker 4>The original term of that word is passing on that

3:19:34.520 --> 3:19:35.800
<v Speaker 4>story from someone who saw it.

3:19:38.000 --> 3:19:42.560
<v Speaker 2>So I always say we are reluctant.

3:19:43.840 --> 3:19:47.520
<v Speaker 3>And since it's the fiftieth year of hip hop, it

3:19:47.600 --> 3:19:52.360
<v Speaker 3>should be demanded that we talk about the pioneers before

3:19:52.800 --> 3:19:53.960
<v Speaker 3>recorded rap.

3:19:54.720 --> 3:19:58.720
<v Speaker 2>And he mentioned the need to be talked about Hollywood.

3:19:59.040 --> 3:20:03.400
<v Speaker 2>You're coming out of there, Reich, DJ Hollywood, all of them. Okay,

3:20:03.720 --> 3:20:06.760
<v Speaker 2>DJ Hollywood, are you so Hollywood? Yeah, we're out of

3:20:06.840 --> 3:20:10.640
<v Speaker 2>Hollywood when we come. We don't need no more. I

3:20:10.840 --> 3:20:12.960
<v Speaker 2>was a drug dealer, now I'm a rapper. Story. I

3:20:13.040 --> 3:20:14.560
<v Speaker 2>was a gangbinger and a rapper.

3:20:15.000 --> 3:20:21.200
<v Speaker 3>Think about this story from seventy four to seventy I

3:20:21.320 --> 3:20:26.960
<v Speaker 3>mean from seventy one to seventy four. There are so

3:20:27.120 --> 3:20:31.879
<v Speaker 3>many stories of our people. And okay, they were DJing

3:20:31.959 --> 3:20:36.160
<v Speaker 3>and breakdancing and doing graffiti. What was happening economically? What

3:20:36.400 --> 3:20:37.560
<v Speaker 3>was happening politically?

3:20:37.680 --> 3:20:38.280
<v Speaker 2>What was happening?

3:20:38.400 --> 3:20:41.080
<v Speaker 3>We gotta go into Hollywood now and tell all of

3:20:41.160 --> 3:20:42.840
<v Speaker 3>the stories. You know what I'm saying.

3:20:43.200 --> 3:20:46.800
<v Speaker 2>And hip hop is fifty years old now we're just

3:20:46.920 --> 3:20:50.560
<v Speaker 2>getting started. We gotta dominate the airways, we gotta dominate

3:20:50.640 --> 3:20:54.400
<v Speaker 2>the screen, we gotta dominate literature. Now we can start

3:20:54.560 --> 3:20:57.640
<v Speaker 2>telling all the other stories that need to be heard.

3:20:57.920 --> 3:21:00.480
<v Speaker 2>Or else they're going to get lost. Let me ask you,

3:21:00.560 --> 3:21:03.080
<v Speaker 2>because you was saying this earlier. One of the first

3:21:03.120 --> 3:21:05.680
<v Speaker 2>people to have a sneaker endorsement, You guys have a

3:21:05.720 --> 3:21:09.840
<v Speaker 2>stock in Adidas. I think Eric said he's working on

3:21:09.920 --> 3:21:10.760
<v Speaker 2>that for us right now.

3:21:11.040 --> 3:21:11.720
<v Speaker 3>That needs.

3:21:13.360 --> 3:21:16.600
<v Speaker 2>Adidas need to you know, I mean because like you

3:21:16.720 --> 3:21:19.280
<v Speaker 2>were saying it earlier. You know, curls, no braids, pis

3:21:19.320 --> 3:21:21.560
<v Speaker 2>he heads still get paid. I'm one of the good

3:21:21.640 --> 3:21:25.320
<v Speaker 2>reasons why yezies can get made. I'm about to ask

3:21:25.360 --> 3:21:32.320
<v Speaker 2>you to get he really just does not need to

3:21:32.400 --> 3:21:35.600
<v Speaker 2>write to check. He gave him promotion in market and

3:21:35.680 --> 3:21:43.119
<v Speaker 2>we solidified them. See, we took them to lifestyle in fashion.

3:21:43.200 --> 3:21:46.360
<v Speaker 2>They were just forcing them for what made job? What

3:21:46.440 --> 3:21:48.320
<v Speaker 2>made job? Because, like you were saying earlier, you was

3:21:48.400 --> 3:21:50.160
<v Speaker 2>like everyone was wearing Pulmas at the time.

3:21:50.440 --> 3:21:53.840
<v Speaker 3>What major was an economic decision to select Adidas?

3:21:53.959 --> 3:21:54.880
<v Speaker 2>What do you mean economic?

3:21:54.959 --> 3:22:00.520
<v Speaker 3>You mean like right now, no Pumas was dope and

3:22:00.640 --> 3:22:02.760
<v Speaker 3>that Pumas and Adidas is connected. Do you know the

3:22:02.840 --> 3:22:06.000
<v Speaker 3>story two brothers of the Dalcin then had an argument,

3:22:06.120 --> 3:22:07.879
<v Speaker 3>Fuck you, I'm gonna go start my own company, went

3:22:07.879 --> 3:22:10.960
<v Speaker 3>and started Pumas. He left the fist up. So Pumas

3:22:11.000 --> 3:22:14.040
<v Speaker 3>Adidas were simultaneously come up in New York City. But

3:22:14.160 --> 3:22:19.600
<v Speaker 3>here's the problem. Persuade Pumas. Somebody step on and you fucked,

3:22:20.800 --> 3:22:21.760
<v Speaker 3>uterrain fucked.

3:22:22.120 --> 3:22:25.680
<v Speaker 2>The leather ones were cool, lasted a little longer than

3:22:25.720 --> 3:22:28.160
<v Speaker 2>the suede ones, but they would bend and they would

3:22:28.160 --> 3:22:28.880
<v Speaker 2>start to crack.

3:22:29.840 --> 3:22:32.280
<v Speaker 3>This is an economic decision. Do I spend my thirty

3:22:32.320 --> 3:22:35.720
<v Speaker 3>five dollars on the pumas somebody step on in the ring,

3:22:36.040 --> 3:22:37.760
<v Speaker 3>or do I get to shelter that all I need

3:22:37.840 --> 3:22:39.840
<v Speaker 3>to do? Why do you think I carry rags at

3:22:39.840 --> 3:22:40.880
<v Speaker 3>the end of the night when I get back to

3:22:40.959 --> 3:22:42.880
<v Speaker 3>my room, I just went it and wipe it off.

3:22:42.959 --> 3:22:45.240
<v Speaker 3>His look brand new. It was the economic descent. They're

3:22:45.280 --> 3:22:47.520
<v Speaker 3>more durable. I didn't know I was going to get

3:22:47.520 --> 3:22:50.240
<v Speaker 3>a sneaker deal. So my first pair of Adidas. I

3:22:50.320 --> 3:22:53.640
<v Speaker 3>don't play ball, so Mosco last three years. So it

3:22:53.720 --> 3:22:55.320
<v Speaker 3>was an economic decision that we did.

3:22:55.360 --> 3:22:58.200
<v Speaker 2>In Betas. The shoelaces thing came out because of this

3:22:58.879 --> 3:23:00.680
<v Speaker 2>hold on. I figure the shoel thing. Let me ask

3:23:00.720 --> 3:23:03.959
<v Speaker 2>you this one thing. Have you ever owned a pair

3:23:04.000 --> 3:23:10.920
<v Speaker 2>of Nikes? Yeah? Recently two thousand.

3:23:14.879 --> 3:23:16.279
<v Speaker 3>And Nelly and put out.

3:23:18.320 --> 3:23:22.240
<v Speaker 2>Air Force You mean to tell me that you Yeah,

3:23:22.320 --> 3:23:24.640
<v Speaker 2>what year was that? Well, it's Nelly and jay Z

3:23:24.840 --> 3:23:25.480
<v Speaker 2>because jay Z.

3:23:25.680 --> 3:23:30.360
<v Speaker 3>Was infamous for rocking the the for swimming, right, what

3:23:30.520 --> 3:23:33.920
<v Speaker 3>year was that? So here's the story. I'm in New

3:23:34.040 --> 3:23:38.439
<v Speaker 3>York City, the foot locker on Broadway by the McDonald

3:23:40.280 --> 3:23:44.920
<v Speaker 3>ash to place McDonald's Broadway before Houston.

3:23:45.680 --> 3:23:48.600
<v Speaker 2>There's a foot locker right.

3:23:48.520 --> 3:23:52.000
<v Speaker 3>By McDonald's were profile records used to. So I forgot

3:23:52.080 --> 3:23:55.560
<v Speaker 3>I was going to an interview. This was like two thousand.

3:23:58.640 --> 3:24:01.920
<v Speaker 3>It was when Nelly and when air Force ones was popping.

3:24:02.320 --> 3:24:03.520
<v Speaker 3>So I go in the foot locker.

3:24:03.640 --> 3:24:06.480
<v Speaker 2>I got on a blue T shirt, I got on

3:24:06.640 --> 3:24:09.880
<v Speaker 2>blue Levis, and I got on white on white Adidas.

3:24:10.440 --> 3:24:13.200
<v Speaker 2>So in my crazy mind, I need Adidas with the

3:24:13.240 --> 3:24:16.240
<v Speaker 2>blue stripe. I ain't right. And I had a new

3:24:16.720 --> 3:24:20.440
<v Speaker 2>white on white white superst with the white side. But

3:24:20.840 --> 3:24:24.600
<v Speaker 2>I'm very old CD. It was hurting me. So I

3:24:24.720 --> 3:24:27.480
<v Speaker 2>go in the foot locker on Broadway and I go

3:24:27.640 --> 3:24:32.519
<v Speaker 2>in there. Yeo, I looked everywhere. I need the white Superstars.

3:24:32.760 --> 3:24:35.880
<v Speaker 2>I thirteen with the blue stripe, go on the back.

3:24:37.240 --> 3:24:39.840
<v Speaker 2>We don't got them? Did you do twelve? No? Twelve

3:24:39.959 --> 3:24:43.400
<v Speaker 2>hurt my feet. So over there on the podium, I

3:24:43.520 --> 3:24:46.000
<v Speaker 2>told this story. I had Adidas basically do. Over there

3:24:46.040 --> 3:24:50.560
<v Speaker 2>on the podium is an air Force one spinning with

3:24:50.720 --> 3:24:53.800
<v Speaker 2>a blue stripe and it got lights around it. It's

3:24:53.959 --> 3:25:02.600
<v Speaker 2>a true story. So I look give me those hmm stopping.

3:25:02.680 --> 3:25:05.760
<v Speaker 3>Everyone's like, no, no, because you know why because the

3:25:05.879 --> 3:25:06.720
<v Speaker 3>workers were young.

3:25:06.959 --> 3:25:09.320
<v Speaker 2>Okay, so they didn't get it. Okay, who the fuck

3:25:09.400 --> 3:25:13.160
<v Speaker 2>I am? You know what I'm saying. Manager was young too.

3:25:14.080 --> 3:25:15.119
<v Speaker 2>You know, I walk in foot.

3:25:15.200 --> 3:25:17.280
<v Speaker 3>I could think everybody gonna know, but like a lot

3:25:17.320 --> 3:25:18.520
<v Speaker 3>of times, if they're young.

3:25:18.400 --> 3:25:20.040
<v Speaker 2>They don't know. So I put them on.

3:25:20.280 --> 3:25:22.480
<v Speaker 3>I walk out the door and I'm walking down. I said,

3:25:22.480 --> 3:25:28.320
<v Speaker 3>I'm walking a garbage truck. True story. What's up with

3:25:28.400 --> 3:25:34.760
<v Speaker 3>the fuck? And that's what the driver says. I keep

3:25:34.840 --> 3:25:38.400
<v Speaker 3>walking right. I get to the corner Broadway and Fourth

3:25:38.440 --> 3:25:40.160
<v Speaker 3>Street where Tower Records used to be.

3:25:42.040 --> 3:25:45.960
<v Speaker 2>The bus driver boo d man, Come on, man, that's wrong.

3:25:46.040 --> 3:25:50.600
<v Speaker 3>Whatever you doing. I get to the corner of Broadway

3:25:50.760 --> 3:25:56.920
<v Speaker 3>house police officers standing there. I come over and one

3:25:57.879 --> 3:25:59.400
<v Speaker 3>guess he probably was Puerto Rican.

3:25:59.480 --> 3:26:01.520
<v Speaker 2>Dude. You I'm saying, you know, they standing there, and

3:26:01.680 --> 3:26:06.000
<v Speaker 2>be it comes up to It'll be able again. He didn't.

3:26:06.240 --> 3:26:08.960
<v Speaker 2>He was like, yo, man, what are you doing? Why

3:26:09.040 --> 3:26:14.440
<v Speaker 2>you got a niks around? I walked back.

3:26:14.520 --> 3:26:15.240
<v Speaker 3>I want to tell you this.

3:26:16.400 --> 3:26:20.440
<v Speaker 2>I walked back to the foot lock because you gotta

3:26:20.480 --> 3:26:22.760
<v Speaker 2>understand I left the white on white send there, okay,

3:26:22.920 --> 3:26:26.360
<v Speaker 2>ain't one on one, yo, take these sneakers. Give me

3:26:26.440 --> 3:26:28.120
<v Speaker 2>my white on once. Do you want your money? Know

3:26:28.400 --> 3:26:31.400
<v Speaker 2>you can give them this summery never will attempt to

3:26:31.480 --> 3:26:34.760
<v Speaker 2>put on anything else because the people won't let me do.

3:26:34.920 --> 3:26:38.080
<v Speaker 2>That is such a dope story. That is like in

3:26:38.160 --> 3:26:42.160
<v Speaker 2>the b Boy, bush Driver, garbage man and police go

3:26:42.320 --> 3:26:47.160
<v Speaker 2>on for that. I can't win else. I'm married to

3:26:47.280 --> 3:26:51.360
<v Speaker 2>the motherfuckers for life. So they really got and and

3:26:51.480 --> 3:26:54.160
<v Speaker 2>you don't pay for Adidas at this When was the

3:26:54.240 --> 3:26:56.520
<v Speaker 2>last time you paid for a pair of Didas about

3:26:56.560 --> 3:27:01.400
<v Speaker 2>a week ago? Because you just rush yeah, yeah, called

3:27:01.640 --> 3:27:03.680
<v Speaker 2>up no, I don't want to go FLA and they

3:27:03.760 --> 3:27:05.440
<v Speaker 2>tell me no, don't do it. But you know I

3:27:06.600 --> 3:27:08.880
<v Speaker 2>get them because I want them. So if you had

3:27:08.920 --> 3:27:15.600
<v Speaker 2>to pick Adidas right now, Parrals or all Easy Superstars,

3:27:17.720 --> 3:27:18.879
<v Speaker 2>well you ain't with either one of the.

3:27:22.320 --> 3:27:25.480
<v Speaker 3>I'm not ins like people say running your ce created

3:27:25.560 --> 3:27:28.240
<v Speaker 3>the sneaker. It was a culture that already exists, but

3:27:28.400 --> 3:27:32.680
<v Speaker 3>Adidas created it. Everybody told the convention writes about it.

3:27:33.040 --> 3:27:36.800
<v Speaker 3>It started then, it was there, but we identified it.

3:27:37.200 --> 3:27:41.760
<v Speaker 2>Okay, So if I'm dressing one run dmc attire and

3:27:42.360 --> 3:27:46.200
<v Speaker 2>I have on the Swist suit. But I go to

3:27:46.280 --> 3:27:53.080
<v Speaker 2>the store and it's only Stan Smith's there. Does that

3:27:53.160 --> 3:27:59.400
<v Speaker 2>complete my mom? No, you gotta you gotta go find

3:27:59.400 --> 3:28:03.440
<v Speaker 2>a super star if you got to swis Okay. We

3:28:03.640 --> 3:28:05.279
<v Speaker 2>was in the Stan Smith documentary.

3:28:05.280 --> 3:28:07.520
<v Speaker 3>I hang with Stan Smith all the time, and even

3:28:07.600 --> 3:28:09.840
<v Speaker 3>Stan Smith said, run you have seen he's a lifetime

3:28:09.920 --> 3:28:10.840
<v Speaker 3>deal if he got one.

3:28:10.920 --> 3:28:12.080
<v Speaker 2>He said that Wow.

3:28:12.400 --> 3:28:15.119
<v Speaker 3>But the Stan Smith's you gotta go watch the Stan

3:28:15.240 --> 3:28:16.279
<v Speaker 3>Smith document.

3:28:15.959 --> 3:28:18.119
<v Speaker 2>How definitely I'm I'm watching it. I get his credit.

3:28:18.360 --> 3:28:21.160
<v Speaker 2>He had to interview us and it Stan Smith is

3:28:21.360 --> 3:28:27.560
<v Speaker 2>more of the the casual. It doesn't represent what the

3:28:28.000 --> 3:28:33.760
<v Speaker 2>superstar represents with the sweatshirt tennis player. Correct, yes, exactly. No,

3:28:33.840 --> 3:28:37.080
<v Speaker 2>he can't put the stand smiff. That's that's like wearing

3:28:37.200 --> 3:28:42.560
<v Speaker 2>slippers the grocery store. Yes, it's wrong. He said. It's

3:28:42.560 --> 3:28:47.560
<v Speaker 2>Miami people. They slip the grocery store. Notice. Everybody was like,

3:28:47.560 --> 3:28:56.040
<v Speaker 2>wait a minute, the motherfucker isn't wearing cracks now, No,

3:28:56.240 --> 3:28:58.879
<v Speaker 2>but to stand Smith, it doesn't complete. It doesn't mean

3:28:59.200 --> 3:29:01.240
<v Speaker 2>you could do it. You can put your idea with

3:29:01.360 --> 3:29:05.039
<v Speaker 2>Sain Smith, but it's not that thing. Okay, So you've

3:29:05.120 --> 3:29:09.240
<v Speaker 2>never wore any other athletic uh again Arl? Yeah, I

3:29:09.360 --> 3:29:12.720
<v Speaker 2>mean I could tell you. I think the year Jay died.

3:29:14.320 --> 3:29:17.720
<v Speaker 2>What's Awful Awfl's last name, Eric Awful who used to

3:29:17.840 --> 3:29:19.560
<v Speaker 2>work for yeah, Orval Hall.

3:29:19.480 --> 3:29:21.840
<v Speaker 3>Used to work for Adidas. When he left Adidas. He

3:29:22.040 --> 3:29:25.240
<v Speaker 3>was member of the Cocksport Teeth. Yeah yeah, they still popping.

3:29:25.760 --> 3:29:29.439
<v Speaker 3>Oh really, I got the pictures of me doing the alligator,

3:29:29.720 --> 3:29:32.480
<v Speaker 3>but the peacock okay, yeah, yeah, yeah I did. I

3:29:32.600 --> 3:29:36.320
<v Speaker 3>did with the roost. That's across the allegation the rooster.

3:29:37.000 --> 3:29:41.600
<v Speaker 2>I was repping the cox sportise for like three months when.

3:29:41.480 --> 3:29:48.120
<v Speaker 3>You playing it, when he was right after that, right

3:29:48.200 --> 3:29:49.920
<v Speaker 3>after that. But I did it for my friend and

3:29:50.000 --> 3:29:52.280
<v Speaker 3>stuff like that. But then it didn't feel right. It's

3:29:52.280 --> 3:29:54.920
<v Speaker 3>in awable, I can't you know. I did it for

3:29:55.120 --> 3:29:57.080
<v Speaker 3>him so he could get to check and ship like that, but.

3:29:58.560 --> 3:30:00.400
<v Speaker 2>This didn't feel It's just what me with and on

3:30:00.480 --> 3:30:01.640
<v Speaker 2>and so.

3:30:01.800 --> 3:30:04.000
<v Speaker 3>I didn't like he I did the Cocksports team. Oh

3:30:05.000 --> 3:30:11.240
<v Speaker 3>oh shoot, yeah, damn Back from Hell. We was wearing ewings.

3:30:11.800 --> 3:30:13.360
<v Speaker 2>I'm about to ask you about it. On the car.

3:30:13.800 --> 3:30:17.160
<v Speaker 2>We wore ewings for like a whole fucking year. That's

3:30:17.200 --> 3:30:20.880
<v Speaker 2>when we wore ewings when Ewan was sweating at the bowline. Yeah,

3:30:21.160 --> 3:30:24.080
<v Speaker 2>we wore ewings when the Ewins first came out, And yeah,

3:30:24.200 --> 3:30:28.240
<v Speaker 2>we want they on cover. That's crazy. I'm I'm so happy.

3:30:28.280 --> 3:30:31.360
<v Speaker 2>You know, people don't know anything. Y'all know your assual

3:30:31.400 --> 3:30:33.280
<v Speaker 2>y'all know about Back from Hell and your abb No, no,

3:30:33.920 --> 3:30:36.080
<v Speaker 2>let's just keep it. Yes on that album. We got

3:30:36.160 --> 3:30:40.760
<v Speaker 2>on fucking we got on the fucking Ewings three on

3:30:40.800 --> 3:30:43.280
<v Speaker 2>the back. Yeah, we was walking draft first game. But

3:30:43.480 --> 3:30:46.039
<v Speaker 2>see that kind of gets to pass because that's when

3:30:46.080 --> 3:30:49.080
<v Speaker 2>you and left Adidas started his own sneaker, so it's

3:30:49.160 --> 3:30:51.360
<v Speaker 2>kind of still in the same family. So it was

3:30:51.440 --> 3:30:53.440
<v Speaker 2>more of a New York thing. But that was wrong too.

3:30:54.440 --> 3:30:57.280
<v Speaker 2>My wife always told me she hated them seekers, and

3:30:58.879 --> 3:31:01.080
<v Speaker 2>my wife was funny, she I'm gonna be Tenue, but

3:31:01.160 --> 3:31:04.440
<v Speaker 2>the fucking Adida's hard. I'm like, no, I'm doing this

3:31:04.560 --> 3:31:08.280
<v Speaker 2>for Jay and Patrick Ewing. That's funny. Me wearing Humans

3:31:08.400 --> 3:31:11.360
<v Speaker 2>was part of my depression. I know, I didn't want to.

3:31:11.320 --> 3:31:12.880
<v Speaker 3>Wear them, but Jay was like, Yo, we're gonna be

3:31:12.959 --> 3:31:15.400
<v Speaker 3>a flying and we was.

3:31:15.440 --> 3:31:21.120
<v Speaker 2>Wearing April wears. Again, we were wearing a Jay wearing

3:31:21.160 --> 3:31:23.560
<v Speaker 2>April Walker apparel and ship like that. Like, but I

3:31:23.600 --> 3:31:26.119
<v Speaker 2>should have said that ship is cool for me walk.

3:31:26.000 --> 3:31:28.560
<v Speaker 3>Away like you know everybody was, man, I didn't want

3:31:28.600 --> 3:31:31.000
<v Speaker 3>to wear that shit, wear my fucking souper. That was

3:31:31.040 --> 3:31:34.480
<v Speaker 3>during Down with the King era, I remember, right, yeah exactly.

3:31:34.640 --> 3:31:37.680
<v Speaker 2>But like, I know, there's a Biggie Smallest line where

3:31:37.720 --> 3:31:39.160
<v Speaker 2>it says, you know you have to think that hip

3:31:39.160 --> 3:31:41.120
<v Speaker 2>hop and make it this far, like did you ever

3:31:41.200 --> 3:31:45.080
<v Speaker 2>think like? Because honestly, like, I'm born in seventy seven.

3:31:45.400 --> 3:31:49.200
<v Speaker 2>I can't remember where Adidas is not related to you guys.

3:31:49.520 --> 3:31:52.720
<v Speaker 2>I like, I I'm born in seventy seven, forty six

3:31:52.800 --> 3:31:54.520
<v Speaker 2>years old. Some people call me an old man, right,

3:31:54.920 --> 3:31:57.039
<v Speaker 2>But what I'm trying to tell you is I can't

3:31:57.080 --> 3:32:01.480
<v Speaker 2>remember a time where Adidas wasn't attached to run DMC,

3:32:01.920 --> 3:32:04.880
<v Speaker 2>you know, at all. So to me, it's like anonymous

3:32:05.120 --> 3:32:08.400
<v Speaker 2>yeah yeah to me. To me, whenever I see somebody

3:32:08.480 --> 3:32:14.080
<v Speaker 2>where the suit run, like, I'm not thinking Adidas no,

3:32:14.560 --> 3:32:17.680
<v Speaker 2>like I think, Yeah, you know what I'm saying, Pip

3:32:17.720 --> 3:32:21.240
<v Speaker 2>hop for sure, exactly for sure. Yeah you know what

3:32:21.280 --> 3:32:23.840
<v Speaker 2>I'm saying. I think that's what I've made to my

3:32:24.080 --> 3:32:28.360
<v Speaker 2>Adidas told my your are our Idias. All the mother

3:32:28.440 --> 3:32:29.960
<v Speaker 2>shis is yours. These are my that.

3:32:30.160 --> 3:32:33.520
<v Speaker 3>Oh look at all and every fashion design and every Harlem,

3:32:33.640 --> 3:32:36.720
<v Speaker 3>I mean every fashion week. All you have to do

3:32:36.840 --> 3:32:40.840
<v Speaker 3>is put on the run DM track suit with the

3:32:40.840 --> 3:32:42.600
<v Speaker 3>Adidas and walk down and run ring.

3:32:43.120 --> 3:32:45.240
<v Speaker 2>It never gets all. You put on a leather blazer

3:32:45.280 --> 3:32:47.520
<v Speaker 2>with the leather pants like golf and walk down and

3:32:47.600 --> 3:32:51.720
<v Speaker 2>right right. It's not true? Is it true that that

3:32:52.000 --> 3:32:53.920
<v Speaker 2>you guys were trying to do a deal with Adidas.

3:32:54.120 --> 3:32:57.320
<v Speaker 2>But then you guys had a show of Madison Square

3:32:57.360 --> 3:33:00.400
<v Speaker 2>Garden and I believe you are run and told me

3:33:00.480 --> 3:33:02.039
<v Speaker 2>take it off, and they held it, take it off

3:33:02.040 --> 3:33:04.600
<v Speaker 2>and held it up. What had happened was they didn't

3:33:04.680 --> 3:33:09.320
<v Speaker 2>understand wild. Yeah, they didn't understand. They're checking the weekly

3:33:09.600 --> 3:33:14.280
<v Speaker 2>sales of product and the shelter was in the closet,

3:33:14.720 --> 3:33:18.000
<v Speaker 2>in the back of the closet, but they couldn't understand

3:33:18.200 --> 3:33:19.960
<v Speaker 2>why was out selling everything?

3:33:20.680 --> 3:33:22.960
<v Speaker 3>And you know how they do the grass, They didn't

3:33:23.000 --> 3:33:25.680
<v Speaker 3>have enough room on the wall do the progression of

3:33:25.760 --> 3:33:28.560
<v Speaker 3>the girl for the sailing and sneaker. So word has

3:33:28.640 --> 3:33:30.480
<v Speaker 3>it that there was an intern there.

3:33:31.959 --> 3:33:32.720
<v Speaker 2>Dudes, you don't know.

3:33:33.000 --> 3:33:35.879
<v Speaker 3>Run DMC made a hip hop song about.

3:33:35.640 --> 3:33:38.440
<v Speaker 2>Your sneakers, So didas is the holdor helo? Look? Come?

3:33:39.160 --> 3:33:41.480
<v Speaker 2>What the hell is a run DMC? And what the

3:33:41.560 --> 3:33:43.800
<v Speaker 2>hell is hip hop? So the dude was like, oh,

3:33:43.879 --> 3:33:46.320
<v Speaker 2>this code it is the shoot. Now you know how

3:33:46.840 --> 3:33:48.240
<v Speaker 2>exactly it's this true? JB.

3:33:48.440 --> 3:33:50.480
<v Speaker 3>This this must be true. So they sent the spy.

3:33:52.120 --> 3:33:55.760
<v Speaker 3>His name was Angelo Anastasio. It was the head guy

3:33:56.000 --> 3:33:58.520
<v Speaker 3>of Adidas America. Like they have a head dude over

3:33:58.879 --> 3:34:02.880
<v Speaker 3>out in La So he calls the office Snooper and

3:34:02.920 --> 3:34:04.560
<v Speaker 3>you know, I want to come to the Rundem Sea show.

3:34:04.640 --> 3:34:07.000
<v Speaker 3>Can I get some tickets? Come the show? So he

3:34:07.120 --> 3:34:10.279
<v Speaker 3>comes to the show. It's the Raising Hell and Madison

3:34:10.320 --> 3:34:13.879
<v Speaker 3>Square Garden. We seven records and runs. Run says, take

3:34:13.959 --> 3:34:16.880
<v Speaker 3>it off, mee, I take it off, hold it up,

3:34:16.959 --> 3:34:19.720
<v Speaker 3>I hold it up twenty nine thousand. I think, what's

3:34:19.720 --> 3:34:23.640
<v Speaker 3>the capacity to guard twenty nine thousand people who hold up.

3:34:23.600 --> 3:34:27.320
<v Speaker 2>The brand new Adidas? And you know, looks goes running.

3:34:27.480 --> 3:34:32.200
<v Speaker 3>It's you no Instagram, no twists, yep and no said yeah,

3:34:32.400 --> 3:34:33.720
<v Speaker 3>they give us a million dollar deal.

3:34:33.800 --> 3:34:40.000
<v Speaker 2>We got that. Yeah. That we put out the Cadillacs,

3:34:40.040 --> 3:34:42.960
<v Speaker 2>El Dorado and the fleet was it was the first time,

3:34:43.080 --> 3:34:45.240
<v Speaker 2>in addition to the run DM Sea Show Toe, it

3:34:45.400 --> 3:34:47.400
<v Speaker 2>was the first time in the history of the company

3:34:47.680 --> 3:34:51.000
<v Speaker 2>that they changed the color of the box because.

3:34:50.720 --> 3:34:52.600
<v Speaker 3>The box was always like blue. When we put out

3:34:52.640 --> 3:34:57.680
<v Speaker 3>the Eldorado, Fleetwood and the the Felder Lot of Fleetwood

3:34:57.959 --> 3:35:02.240
<v Speaker 3>in the Sedannahville, they made the black box all black

3:35:02.280 --> 3:35:02.640
<v Speaker 3>box with.

3:35:02.680 --> 3:35:05.120
<v Speaker 2>The rendym C logo. Was the first time in the

3:35:05.200 --> 3:35:11.160
<v Speaker 2>history of the country company. So game changing. We changed fashion,

3:35:11.360 --> 3:35:17.720
<v Speaker 2>we change marketing, we change advertising, we change music. Like

3:35:17.840 --> 3:35:21.200
<v Speaker 2>they changed the culture completely. What's left for you to do?

3:35:23.080 --> 3:35:24.959
<v Speaker 3>Change Hollywood? That's my next mission.

3:35:25.000 --> 3:35:27.560
<v Speaker 2>I don't want to everybody. I get calls all the

3:35:27.760 --> 3:35:30.959
<v Speaker 2>fucking time about p I don't want to be an actor,

3:35:31.560 --> 3:35:32.680
<v Speaker 2>you know what I'm saying. I don't want to. I

3:35:32.760 --> 3:35:33.960
<v Speaker 2>want to get behind the camera.

3:35:34.360 --> 3:35:36.640
<v Speaker 3>I want to sign. I want to sign.

3:35:36.720 --> 3:35:38.960
<v Speaker 2>I want to. I want us to stop telling the

3:35:39.080 --> 3:35:41.680
<v Speaker 2>same stories. Hip hop has a habit that's telling the

3:35:41.720 --> 3:35:45.119
<v Speaker 2>same stories, but Hollywood does too. They just tell Cinderella

3:35:45.160 --> 3:35:47.680
<v Speaker 2>over and over and over and over. There's news, there's

3:35:47.760 --> 3:35:52.480
<v Speaker 2>this new princesses and kings and adventures and entrepreneurs and.

3:35:53.280 --> 3:35:58.920
<v Speaker 3>School lasst education, educational situations to tell. So what I

3:35:59.080 --> 3:36:01.039
<v Speaker 3>want to do in my pos this and especially since

3:36:01.080 --> 3:36:05.160
<v Speaker 3>I'm here, I could have condmmenced suicide. I'm not shot

3:36:05.280 --> 3:36:08.440
<v Speaker 3>in OD. I didn't kill myself. I ain't get shot.

3:36:08.680 --> 3:36:11.080
<v Speaker 3>So I feel that I have a responsibility. So what's

3:36:11.160 --> 3:36:14.040
<v Speaker 3>left for me to do is take this and make

3:36:14.160 --> 3:36:18.840
<v Speaker 3>this cartoons in live action films, just like my idol

3:36:18.920 --> 3:36:21.320
<v Speaker 3>Spider Man and the Hawk and stuff like that. So

3:36:21.400 --> 3:36:23.400
<v Speaker 3>it's fifty years of hip hop, were just getting started.

3:36:23.440 --> 3:36:26.519
<v Speaker 3>We have a lot of we have a lot of creativity.

3:36:26.840 --> 3:36:28.680
<v Speaker 3>So I want to be part just like I was

3:36:28.800 --> 3:36:31.360
<v Speaker 3>here to do the records, do the sneaker deals, this

3:36:31.440 --> 3:36:32.840
<v Speaker 3>and that. I said, I'm like, man, if I could

3:36:32.879 --> 3:36:34.920
<v Speaker 3>do that, I could do the same thing in Hollywood.

3:36:35.360 --> 3:36:37.160
<v Speaker 3>And the good thing about me is I can call

3:36:37.240 --> 3:36:38.240
<v Speaker 3>and get those meetings.

3:36:38.879 --> 3:36:40.320
<v Speaker 2>But I don't want to go into meetings and have

3:36:40.440 --> 3:36:42.480
<v Speaker 2>Hollywood sain't No, it'd be better if you do.

3:36:42.600 --> 3:36:44.600
<v Speaker 3>To know, we don't have to be negroes and they

3:36:44.800 --> 3:36:46.840
<v Speaker 3>have to be Gangbang. There could be so much other

3:36:47.000 --> 3:36:52.000
<v Speaker 3>stories to tell, like who would have thought this Catholic

3:36:52.240 --> 3:36:58.360
<v Speaker 3>school comic, reading classic classes, wearing nerd, We'll grow up

3:36:58.520 --> 3:37:00.880
<v Speaker 3>not to be just a part of hip hop, but

3:37:01.080 --> 3:37:04.320
<v Speaker 3>one of the kings of hip hop, pillas who was

3:37:04.600 --> 3:37:14.000
<v Speaker 3>able to change every associated genre or entity that we

3:37:14.240 --> 3:37:18.080
<v Speaker 3>came in to connect with. Who whatever thought about that?

3:37:18.320 --> 3:37:19.440
<v Speaker 3>So those are the stories that.

3:37:19.879 --> 3:37:24.480
<v Speaker 2>Which changed the world exactly. I mean, Bust has said it. Man,

3:37:24.560 --> 3:37:27.840
<v Speaker 2>these motherfuckers didn't just change music. They changed you know,

3:37:28.000 --> 3:37:28.320
<v Speaker 2>buss it.

3:37:28.600 --> 3:37:31.039
<v Speaker 3>They changed everything absolutely, you know.

3:37:31.040 --> 3:37:31.440
<v Speaker 2>What I'm saying.

3:37:31.480 --> 3:37:34.160
<v Speaker 3>And the beautiful thing Kaz always says that hip hop

3:37:34.280 --> 3:37:39.560
<v Speaker 3>didn't really create anything, wereated everything. So it's that we're

3:37:39.600 --> 3:37:42.760
<v Speaker 3>not what I don't want us to get and especially

3:37:42.800 --> 3:37:46.040
<v Speaker 3>don't want this generation that's looking at the celebration. Don't

3:37:46.120 --> 3:37:51.879
<v Speaker 3>get caught up in the fiftieth celebration being over, because

3:37:52.160 --> 3:37:56.600
<v Speaker 3>if we change music and we changed fashion, that means

3:37:56.680 --> 3:38:00.240
<v Speaker 3>we can change. When we say jam message, everything that

3:38:00.320 --> 3:38:03.320
<v Speaker 3>he touched turns the goal, Everything that we touch turns

3:38:03.360 --> 3:38:03.680
<v Speaker 3>the goal.

3:38:04.480 --> 3:38:06.360
<v Speaker 2>So like when you said I really meant that, I

3:38:06.480 --> 3:38:08.560
<v Speaker 2>was like, Yo, this is like me coming on soul train.

3:38:09.520 --> 3:38:11.320
<v Speaker 2>You know, I went on soul train, of course.

3:38:11.440 --> 3:38:14.360
<v Speaker 3>But for me coming here, this is me being here

3:38:15.080 --> 3:38:18.879
<v Speaker 3>with you know, you guys are my fucking Mike Douglass,

3:38:19.040 --> 3:38:20.119
<v Speaker 3>is Merv Griffins.

3:38:20.840 --> 3:38:26.240
<v Speaker 2>You'all guys are min Johnny Cars got so the kids,

3:38:26.360 --> 3:38:28.480
<v Speaker 2>the kids need to see that. Let me ask you

3:38:28.560 --> 3:38:31.200
<v Speaker 2>something because you said it earlier. I think you said

3:38:31.200 --> 3:38:35.880
<v Speaker 2>your father said it. You said, why would anybody hurt Jay?

3:38:36.080 --> 3:38:39.120
<v Speaker 2>Right me, you know, as a younger, and you know,

3:38:40.440 --> 3:38:43.160
<v Speaker 2>I didn't understand that at all, Like like I couldn't

3:38:44.080 --> 3:38:46.760
<v Speaker 2>comprehend it. I couldn't comprehend it. I couldn't understand. I

3:38:46.800 --> 3:38:50.520
<v Speaker 2>couldn't identify because every time I seen Jay, it was

3:38:50.600 --> 3:38:54.879
<v Speaker 2>just always love. It's like, especially in Queens. Happened in Queens,

3:38:55.320 --> 3:38:57.720
<v Speaker 2>it was like very shocking to me, and especially in

3:38:57.840 --> 3:39:00.720
<v Speaker 2>his studio, you know, I mean, and the jam Master

3:39:00.840 --> 3:39:05.080
<v Speaker 2>J documentary Who Killed jam Master J? On Netflix? And

3:39:05.160 --> 3:39:07.119
<v Speaker 2>I'm still kind of confused, you know what I'm saying.

3:39:07.240 --> 3:39:09.360
<v Speaker 2>So I just want to ask your perspective for that,

3:39:09.520 --> 3:39:11.360
<v Speaker 2>you know what I mean? Or that night when you

3:39:11.440 --> 3:39:13.640
<v Speaker 2>got the phone call, right when.

3:39:13.120 --> 3:39:17.600
<v Speaker 3>It first happened. First thing that happened was ten o'clock

3:39:17.680 --> 3:39:23.160
<v Speaker 3>news Channel nine, Channel five and eleven not channel CBS,

3:39:23.280 --> 3:39:27.480
<v Speaker 3>ABC and eleven ten o'clock news Channel five, Channel nine,

3:39:28.040 --> 3:39:33.600
<v Speaker 3>Channel eleven breaking news ham Master j Shine. The study consumed.

3:39:33.640 --> 3:39:37.080
<v Speaker 2>Now when I'm hearing this, I'm going, okay, somebody did

3:39:37.160 --> 3:39:41.560
<v Speaker 2>get shot, right, but it's not j So Hour goes

3:39:41.640 --> 3:39:44.480
<v Speaker 2>by and his what's crazy. The next day we were

3:39:44.560 --> 3:39:47.160
<v Speaker 2>supposed to go play beaver and and j was supposed

3:39:47.200 --> 3:39:52.640
<v Speaker 2>to go perform at the Washington Wizards halftime basketball some

3:39:52.920 --> 3:39:57.240
<v Speaker 2>package when Jordan was on. I don't know if no, no,

3:39:57.480 --> 3:39:59.920
<v Speaker 2>this was after Jordan. Okay, cool, we're supposed to play halftime,

3:40:00.080 --> 3:40:04.640
<v Speaker 2>remember it, so eleven o'clock news Channel two, Channel four,

3:40:04.800 --> 3:40:05.400
<v Speaker 2>Channel seven.

3:40:05.480 --> 3:40:08.000
<v Speaker 3>So now by this time, I'm seeing the pictures of

3:40:08.080 --> 3:40:12.680
<v Speaker 3>the body bag being and then again all right, somebody

3:40:12.760 --> 3:40:16.840
<v Speaker 3>ours Hollie, fuck, somebody dig get shot, but it's not Jay.

3:40:18.280 --> 3:40:24.480
<v Speaker 2>Eric's daughter Erica calls me crying, Hey, coot, j whatever woe.

3:40:24.600 --> 3:40:25.640
<v Speaker 2>This might be serious.

3:40:26.200 --> 3:40:28.920
<v Speaker 3>I tell my wife. My wife goes sixth door. We

3:40:29.080 --> 3:40:31.040
<v Speaker 3>give my son, who said with us he was a

3:40:31.080 --> 3:40:33.720
<v Speaker 3>little baby, to the babysitter. So we jump in the

3:40:33.800 --> 3:40:38.440
<v Speaker 3>car and we jet to Queen's. We're living in Jersey

3:40:38.520 --> 3:40:39.920
<v Speaker 3>right now. Jet to Queens.

3:40:40.800 --> 3:40:43.960
<v Speaker 2>I pull up to the studio, which was about a

3:40:43.959 --> 3:40:47.600
<v Speaker 2>one hundred and sixteen ninth Street bus terminal by the

3:40:48.680 --> 3:40:51.080
<v Speaker 2>New York Public Library on the other side and the

3:40:51.120 --> 3:40:53.480
<v Speaker 2>bus seven er. So I pull up. This is when

3:40:53.480 --> 3:40:55.200
<v Speaker 2>I know it was reality. I get out the car.

3:40:55.959 --> 3:41:00.680
<v Speaker 2>I see Chuck Deer public enemy in Ed Lover cry

3:41:01.920 --> 3:41:04.720
<v Speaker 2>and I know it was for real. So that's it.

3:41:04.840 --> 3:41:07.480
<v Speaker 3>I get out the car, see Ed Luck crying like this,

3:41:08.120 --> 3:41:11.760
<v Speaker 3>Chuck d crying. All happened so fast, So police come

3:41:11.879 --> 3:41:14.120
<v Speaker 3>grab me. The priestcint is right across the street.

3:41:14.600 --> 3:41:16.040
<v Speaker 2>Take me to the priests and sit me down and

3:41:16.320 --> 3:41:18.360
<v Speaker 2>asked me all of these questions this, and then boom

3:41:18.560 --> 3:41:20.720
<v Speaker 2>if you was there? Boom boom asked if it's there,

3:41:20.800 --> 3:41:23.440
<v Speaker 2>and also did you see this? What was they like

3:41:23.560 --> 3:41:25.320
<v Speaker 2>this in boombe I don't know. We toured this and

3:41:25.360 --> 3:41:28.280
<v Speaker 2>the boom just a whar wind. So that that's that's

3:41:28.360 --> 3:41:30.720
<v Speaker 2>how I found out. And then as time went on,

3:41:32.240 --> 3:41:37.080
<v Speaker 2>I remember might have been on my Space or something,

3:41:37.440 --> 3:41:39.600
<v Speaker 2>but somewhere you know, it was coming up.

3:41:39.680 --> 3:41:43.440
<v Speaker 3>Everybody was disappointed, whatever, and then I just nonchalantly and

3:41:43.560 --> 3:41:48.240
<v Speaker 3>innestly innocently posted I'm not mad at the guy that

3:41:48.280 --> 3:41:51.000
<v Speaker 3>shot Jay should have never did that.

3:41:52.440 --> 3:41:56.080
<v Speaker 2>Man, the whole world cursed me like like crazy. So

3:41:56.160 --> 3:41:58.960
<v Speaker 2>I said, okay, let me, let let me elaborate on

3:41:59.080 --> 3:42:01.760
<v Speaker 2>what I just said. I'm not mad at the guy

3:42:01.840 --> 3:42:06.040
<v Speaker 2>that shot Jay. The guy that shot J personally is

3:42:06.160 --> 3:42:09.000
<v Speaker 2>it my problem and that's not my fight. My struggle

3:42:09.320 --> 3:42:13.640
<v Speaker 2>and people understood this. My struggle is the mindset that

3:42:13.720 --> 3:42:17.760
<v Speaker 2>would cause an individual to do those things. And not

3:42:17.920 --> 3:42:22.199
<v Speaker 2>only for jam Master J, but for Park, for Big

3:42:22.680 --> 3:42:26.680
<v Speaker 2>Scotland Rock, for Freaky Tie, but not only for them.

3:42:26.959 --> 3:42:28.920
<v Speaker 2>What about the jam Master J, Parks and bigs that

3:42:28.920 --> 3:42:32.360
<v Speaker 2>are getting shot in our communities all day. So we

3:42:32.520 --> 3:42:36.200
<v Speaker 2>as hip hop we got an assignment and then people, okay,

3:42:36.240 --> 3:42:38.520
<v Speaker 2>we underste what you said. I know I feel about that,

3:42:38.680 --> 3:42:40.760
<v Speaker 2>about the god and stuff like that, but that's not

3:42:40.920 --> 3:42:43.400
<v Speaker 2>my fight. It's not the individual, because we have the

3:42:43.640 --> 3:42:46.400
<v Speaker 2>ability to change those persectives.

3:42:46.600 --> 3:42:48.480
<v Speaker 3>But speaking on that, it is what it is. The

3:42:48.600 --> 3:42:51.680
<v Speaker 3>dudes they did or whatever they did, they did what

3:42:51.800 --> 3:42:57.320
<v Speaker 3>he did. But what hurts me is this Jay could

3:42:57.360 --> 3:43:01.000
<v Speaker 3>have had his studio in Manhattan and around the corner

3:43:01.080 --> 3:43:03.840
<v Speaker 3>from Diddy's. He can had a studio in La He

3:43:03.959 --> 3:43:07.680
<v Speaker 3>chose to put his studio, five minutes from where he

3:43:07.959 --> 3:43:08.480
<v Speaker 3>came from.

3:43:08.959 --> 3:43:12.480
<v Speaker 2>He opened a door to let everybody else in and

3:43:12.560 --> 3:43:13.400
<v Speaker 2>you could talk to people.

3:43:13.480 --> 3:43:16.760
<v Speaker 3>Jay was like if you can't replicand the secretary, he

3:43:16.959 --> 3:43:20.120
<v Speaker 3>was a mass of creating opportunities, you know. And then

3:43:20.160 --> 3:43:24.160
<v Speaker 3>the whole thing was, Look, all my friends are even

3:43:24.240 --> 3:43:27.560
<v Speaker 3>dead in jail or they stick up kids. And then

3:43:27.640 --> 3:43:31.880
<v Speaker 3>drug dealers. So I'm connected to drug dealers and I

3:43:31.959 --> 3:43:34.240
<v Speaker 3>know a lot of it. Am I doing dally Joe?

3:43:34.400 --> 3:43:35.080
<v Speaker 3>Am I around it?

3:43:35.160 --> 3:43:37.160
<v Speaker 2>Am I involved through those transactions? No?

3:43:37.640 --> 3:43:40.400
<v Speaker 3>But all my friends are drug deals. But Jay was

3:43:40.640 --> 3:43:44.640
<v Speaker 3>five minutes from where he came from. He opened that

3:43:44.720 --> 3:43:47.000
<v Speaker 3>door for the soul. It's a shame that the very

3:43:47.120 --> 3:43:51.040
<v Speaker 3>thing Jay escaped from is the very thing that killed

3:43:51.080 --> 3:43:54.480
<v Speaker 3>him because he was trying to deliver other people's from.

3:43:55.320 --> 3:43:57.520
<v Speaker 3>So I'm still it's still confused to me. I only

3:43:57.560 --> 3:43:59.640
<v Speaker 3>get reminded about it when people bring it up.

3:44:00.080 --> 3:44:01.840
<v Speaker 2>You know what I'm saying. I'm like, damn, that shit

3:44:01.959 --> 3:44:05.120
<v Speaker 2>is crazy. But even the ogs, like everybody crossed the

3:44:05.160 --> 3:44:07.000
<v Speaker 2>board was like, we don't care what that shit was.

3:44:07.040 --> 3:44:09.879
<v Speaker 2>You don't shoot j That's true, you know what I'm saying.

3:44:09.920 --> 3:44:12.840
<v Speaker 2>And I was like, Wow, that's like that, you know, so,

3:44:13.280 --> 3:44:15.400
<v Speaker 2>and then and and and for years it was like

3:44:15.480 --> 3:44:18.640
<v Speaker 2>we didn't see Run DMC together, right, was that like

3:44:18.720 --> 3:44:22.000
<v Speaker 2>the major reason? Yes, all, I said, we can't be

3:44:22.200 --> 3:44:25.080
<v Speaker 2>the only reason, and I said that run DMC, we

3:44:25.240 --> 3:44:28.480
<v Speaker 2>can't replace our dramma. But then Tom went on, and

3:44:28.560 --> 3:44:33.040
<v Speaker 2>then we started getting requests to do festivals, so we

3:44:33.240 --> 3:44:37.160
<v Speaker 2>was like, okay, but even now, I mean, you was

3:44:37.320 --> 3:44:40.720
<v Speaker 2>fortunate and everybody was fortunate to see the show at

3:44:40.920 --> 3:44:46.040
<v Speaker 2>Yankee Statement because we looked great, sounded great, and it

3:44:46.240 --> 3:44:49.400
<v Speaker 2>was flawless, you know what I'm saying. But probably leading

3:44:49.480 --> 3:44:50.959
<v Speaker 2>up to that stay even at.

3:44:50.920 --> 3:44:55.039
<v Speaker 3>That show, you're not seeing Run DMC as Run DMC

3:44:55.200 --> 3:44:58.360
<v Speaker 3>j message. It's seeing the two members formally of that

3:44:58.560 --> 3:45:01.160
<v Speaker 3>great band. It's like, what I'm trying to say is

3:45:01.400 --> 3:45:04.600
<v Speaker 3>it's still in me phenomenal. It's like seeing Paul McCartney

3:45:04.680 --> 3:45:07.680
<v Speaker 3>and Ringo. It's just not the same, right, It's not

3:45:08.080 --> 3:45:11.080
<v Speaker 3>run It's running d m C, but it's not Run DMC.

3:45:11.320 --> 3:45:13.040
<v Speaker 2>And then who was the DJ for y'all that night?

3:45:13.600 --> 3:45:16.360
<v Speaker 2>We had two DJs, DJ Kellie Champ which is Mine DJ,

3:45:16.760 --> 3:45:19.320
<v Speaker 2>and DJ Ruckets which is Runs DJ. Because when we

3:45:19.400 --> 3:45:22.720
<v Speaker 2>came back together. We had to compromise. Yeah, you ain't usual.

3:45:22.840 --> 3:45:24.080
<v Speaker 2>I'm not just using your DJ.

3:45:24.600 --> 3:45:28.640
<v Speaker 3>You a little kids shit you us, so we both

3:45:28.720 --> 3:45:31.680
<v Speaker 3>use our DC so everybody could shine, but y'all on

3:45:31.760 --> 3:45:34.880
<v Speaker 3>the same records. So don't get that part because and

3:45:35.040 --> 3:45:35.360
<v Speaker 3>when it.

3:45:35.440 --> 3:45:37.640
<v Speaker 2>Goes to your part, your DJ goes on your party,

3:45:38.760 --> 3:45:42.880
<v Speaker 2>they alternate. That'd be crazy.

3:45:44.000 --> 3:45:51.000
<v Speaker 3>It's crazy, that's really Yeah, that's Fay taking it.

3:45:51.480 --> 3:45:52.840
<v Speaker 2>But it's like.

3:45:54.840 --> 3:45:58.960
<v Speaker 3>Now, if Run DMC was to record again, if we

3:45:59.200 --> 3:46:02.720
<v Speaker 3>was to record again, we couldn't record as run DMC.

3:46:04.920 --> 3:46:08.039
<v Speaker 3>Why because when in the overall picture of of.

3:46:10.160 --> 3:46:15.520
<v Speaker 2>Music, musical ship, musicianship, in the overall picture of musicianship,

3:46:15.879 --> 3:46:18.680
<v Speaker 2>what we would do is we form a new band.

3:46:19.400 --> 3:46:21.800
<v Speaker 2>When you look at I said, when you look at

3:46:21.840 --> 3:46:26.120
<v Speaker 2>Audio Slave, they they was audio Slave, and then there

3:46:26.320 --> 3:46:27.840
<v Speaker 2>was what's the other band? They became.

3:46:28.120 --> 3:46:33.960
<v Speaker 3>Oh you look at perfect example David Grold and you

3:46:34.000 --> 3:46:35.879
<v Speaker 3>know what I'm saying. So you have bands who changed

3:46:35.920 --> 3:46:38.360
<v Speaker 3>the name with some of the original members. You know

3:46:38.360 --> 3:46:39.760
<v Speaker 3>what I'm saying. So me and Ron would have to

3:46:39.840 --> 3:46:44.120
<v Speaker 3>figure out what we're gonna call this recording entity because

3:46:44.160 --> 3:46:45.400
<v Speaker 3>we can't come as you Run DMC.

3:46:46.040 --> 3:46:50.640
<v Speaker 2>It'll be running DMC and the champs with feature. You

3:46:50.680 --> 3:46:52.280
<v Speaker 2>know what I'm saying, we would have to give you

3:46:52.400 --> 3:46:55.560
<v Speaker 2>another when you see us now that's run in DMC

3:46:55.840 --> 3:47:00.680
<v Speaker 2>doing run DMC. But for us to record, no, because

3:47:00.720 --> 3:47:04.520
<v Speaker 2>that it wouldn't tarnish that ship because we dope anyway.

3:47:04.879 --> 3:47:09.760
<v Speaker 3>But it's more respect right to form a new band,

3:47:09.920 --> 3:47:13.120
<v Speaker 3>which is really kind of cool to sound Garden. It

3:47:13.240 --> 3:47:16.720
<v Speaker 3>was Soundgarden and Audio'll say you morph into if me

3:47:16.840 --> 3:47:19.440
<v Speaker 3>and Run say we're going to record now. We said

3:47:19.480 --> 3:47:23.200
<v Speaker 3>it was the last show at at Yankee Stadium. It's

3:47:23.240 --> 3:47:26.080
<v Speaker 3>the last show. Everybody ever said you got the last

3:47:26.120 --> 3:47:29.600
<v Speaker 3>show in New York and Yankee Stadium. We can do, Oh,

3:47:29.760 --> 3:47:32.840
<v Speaker 3>run DMC's last show in l A right, we can

3:47:32.920 --> 3:47:36.640
<v Speaker 3>do run DMC's last show. Ran into it if if

3:47:36.720 --> 3:47:40.680
<v Speaker 3>that comes up, but forced to record, and for me,

3:47:40.959 --> 3:47:44.080
<v Speaker 3>for my adventurous creative spirit, I would want to do

3:47:44.160 --> 3:47:46.280
<v Speaker 3>it under a new name. You know what I'm saying.

3:47:46.480 --> 3:47:47.960
<v Speaker 3>Your room we're gonna be angel Dust.

3:47:51.000 --> 3:47:53.560
<v Speaker 4>But the last room, the last tour of doing all

3:47:53.600 --> 3:47:56.120
<v Speaker 4>the last shows would be kind of ill everybody.

3:47:56.560 --> 3:48:00.120
<v Speaker 2>How about a versus huh? How about a versus with

3:48:00.360 --> 3:48:04.000
<v Speaker 2>who would bring DMC verse against the verse. Yeah, the verses, oh,

3:48:04.080 --> 3:48:11.959
<v Speaker 2>I don't know, I don't know public enemy to.

3:48:12.000 --> 3:48:13.760
<v Speaker 3>BCS, don't want to do definitely don't want to do

3:48:13.840 --> 3:48:16.280
<v Speaker 3>something because they can't do it without m C. A See,

3:48:16.320 --> 3:48:17.560
<v Speaker 3>I was a little that me and Ron could do

3:48:17.600 --> 3:48:20.800
<v Speaker 3>it because Jay wasn't a MC, right, you know what

3:48:20.840 --> 3:48:24.440
<v Speaker 3>I'm saying, Like they like soul Oh, shout out to

3:48:24.520 --> 3:48:27.920
<v Speaker 3>true By. I got a record on Spotify and you

3:48:28.120 --> 3:48:31.240
<v Speaker 3>two called Kingdom come where. I pay my respects to

3:48:31.360 --> 3:48:34.160
<v Speaker 3>true By because every time I was around true By,

3:48:34.200 --> 3:48:36.119
<v Speaker 3>he just looked at me like I was the greatest

3:48:36.160 --> 3:48:38.720
<v Speaker 3>thing in the world. And he was like, I mean,

3:48:38.920 --> 3:48:40.600
<v Speaker 3>like really and he would tell me, oh no that

3:48:40.760 --> 3:48:43.600
<v Speaker 3>you don't know the like you don't know like I

3:48:43.879 --> 3:48:48.039
<v Speaker 3>loved him like I love true like recip.

3:48:49.520 --> 3:48:58.160
<v Speaker 2>So. But in a versus d P M, d M, yeah,

3:48:58.320 --> 3:49:01.320
<v Speaker 2>they but yeah, a little too hard. We would have

3:49:01.400 --> 3:49:03.680
<v Speaker 2>to run DMC. We would have to go up against

3:49:03.800 --> 3:49:09.680
<v Speaker 2>like Taylor Swift for someone. You know, I'm just saying

3:49:09.680 --> 3:49:12.360
<v Speaker 2>that we would run the MC who would run DMC

3:49:12.480 --> 3:49:17.160
<v Speaker 2>in a versus Because you gotta understand it, Doug running

3:49:17.240 --> 3:49:21.040
<v Speaker 2>m C is just a little unique because a lot

3:49:21.200 --> 3:49:24.240
<v Speaker 2>nique you know, you know, if yeah, a lot unique

3:49:24.280 --> 3:49:27.520
<v Speaker 2>because one of the things that we always did, Pete

3:49:27.640 --> 3:49:30.680
<v Speaker 2>Rock did it in a way that it's fucking you know,

3:49:30.920 --> 3:49:33.040
<v Speaker 2>they said we were the Kings, but Pete Rock made

3:49:33.080 --> 3:49:35.560
<v Speaker 2>the world bout. But one of the things that would

3:49:35.640 --> 3:49:37.880
<v Speaker 2>always pushed me and run off now and I get

3:49:37.960 --> 3:49:41.960
<v Speaker 2>upseted about now is we would always get those instances

3:49:42.120 --> 3:49:44.720
<v Speaker 2>where people is like running, Sea's already falling off.

3:49:45.160 --> 3:49:48.360
<v Speaker 3>So the first time that they started thinking that we did,

3:49:48.480 --> 3:49:51.520
<v Speaker 3>here we go to let motherfuckers know it ain't about

3:49:51.800 --> 3:49:54.600
<v Speaker 3>these fucking wrecords in the studio, Dre drop Big B.

3:49:55.200 --> 3:49:57.120
<v Speaker 3>You know, I'm saying I'm from Hollis Queen's in the

3:49:57.200 --> 3:49:59.760
<v Speaker 3>games we play, see here we go. Listen, Here we

3:49:59.800 --> 3:50:02.160
<v Speaker 3>go right now from start and it's the one of

3:50:02.240 --> 3:50:07.680
<v Speaker 3>the most perfected performances of hip hop.

3:50:08.240 --> 3:50:12.560
<v Speaker 2>DJ ain't in bars. Turn your fucking record off, motherfucking

3:50:12.640 --> 3:50:14.400
<v Speaker 2>Let's go down to the park and see you can

3:50:14.480 --> 3:50:16.560
<v Speaker 2>perform for a hour. A lot of motherfuckers can't do that,

3:50:16.920 --> 3:50:20.080
<v Speaker 2>So here we go. Then, if you remember y'all forgot.

3:50:21.360 --> 3:50:25.520
<v Speaker 3>Red Men and Dayla Sol shout out to them when

3:50:25.560 --> 3:50:29.040
<v Speaker 3>they did party people Loom killing your dreams. Have me

3:50:29.120 --> 3:50:31.960
<v Speaker 3>and run made that ship because motherfuckers was popping ship

3:50:32.080 --> 3:50:36.520
<v Speaker 3>thinking that we ain't dope. Motherfucker dope. I'm dope eternally.

3:50:36.800 --> 3:50:40.200
<v Speaker 3>So we did party. People, your dreams have now been fulfilled.

3:50:40.520 --> 3:50:44.080
<v Speaker 3>Get out your seat and let's get ill. That's right, y'all.

3:50:44.320 --> 3:50:46.880
<v Speaker 3>We're not just rough. We're more than tough. And when

3:50:46.920 --> 3:50:51.640
<v Speaker 3>it comes to run, but then we got enough. We're

3:50:51.680 --> 3:50:53.960
<v Speaker 3>ill with chill with scar so dope.

3:50:54.080 --> 3:50:56.440
<v Speaker 2>That just suit me up too. Y'all know I did

3:50:56.520 --> 3:51:00.920
<v Speaker 2>a song with Biggie right, don't don't get twisted my

3:51:01.120 --> 3:51:02.320
<v Speaker 2>downfall that.

3:51:03.840 --> 3:51:05.120
<v Speaker 3>I'm at home just being DMC.

3:51:05.200 --> 3:51:06.960
<v Speaker 2>I get a call, yo, BI want to make your

3:51:07.080 --> 3:51:09.400
<v Speaker 2>verse to chorus and ship he could relate to that ship.

3:51:10.000 --> 3:51:13.240
<v Speaker 2>That's not all MC's have the gall to pray and

3:51:13.440 --> 3:51:15.040
<v Speaker 2>plan for my downfall.

3:51:15.440 --> 3:51:18.760
<v Speaker 3>But my rhyme was, I'm not running. I'm just stunning smart,

3:51:18.920 --> 3:51:22.440
<v Speaker 3>not stupid, because I'm so cunning and she's regretting. I'm

3:51:22.600 --> 3:51:25.240
<v Speaker 3>upsetting my recitals take titles in dollars.

3:51:25.320 --> 3:51:25.800
<v Speaker 2>I'm betting.

3:51:26.640 --> 3:51:29.240
<v Speaker 3>But we made together forever, we say, yo. Just put

3:51:29.280 --> 3:51:31.800
<v Speaker 3>the eight o eight on because think about a New

3:51:31.880 --> 3:51:33.680
<v Speaker 3>York City was doing that eight o eight before the

3:51:33.760 --> 3:51:37.720
<v Speaker 3>South the South got it from us dumb dumb, dumb, dumb,

3:51:37.920 --> 3:51:41.200
<v Speaker 3>dump dumb girl as Jamaine dupri We was fucking eight

3:51:41.240 --> 3:51:43.720
<v Speaker 3>o eight and now asses off. But we put out

3:51:43.760 --> 3:51:46.040
<v Speaker 3>party people. We had to shut you all up in

3:51:46.080 --> 3:51:50.120
<v Speaker 3>the Then when we was doing Raising Hell, Run came along.

3:51:50.720 --> 3:51:53.920
<v Speaker 3>Run came with UV Yelling, which was just all have.

3:51:57.520 --> 3:52:02.080
<v Speaker 2>Calling, but he wrote he came when You'll be Yelling,

3:52:02.360 --> 3:52:06.200
<v Speaker 2>which was his version of a print song. He was

3:52:06.280 --> 3:52:10.040
<v Speaker 2>inspired by Dove's cry I can see you See that

3:52:10.200 --> 3:52:10.480
<v Speaker 2>was one.

3:52:10.600 --> 3:52:12.840
<v Speaker 3>So he comes in to the studio and raising Hell.

3:52:13.080 --> 3:52:14.960
<v Speaker 3>I got this idea, So him and Jay lay it

3:52:15.040 --> 3:52:17.480
<v Speaker 3>down and then me and Ray did the ad libs.

3:52:17.600 --> 3:52:20.400
<v Speaker 3>So Run leaves because Run always had kids. He was like,

3:52:20.520 --> 3:52:22.720
<v Speaker 3>I think he was three kids deep by this time.

3:52:22.760 --> 3:52:26.360
<v Speaker 3>First in a hand, Yeah, married, yep, exactly. Didn't make

3:52:26.400 --> 3:52:29.360
<v Speaker 3>those numbers, but you know he was good running. So

3:52:29.640 --> 3:52:31.920
<v Speaker 3>when he left, Jay, this is why I love Jay.

3:52:31.920 --> 3:52:34.440
<v Speaker 3>I'm just sitting there now. That would have could have

3:52:34.480 --> 3:52:38.360
<v Speaker 3>been just record. Jay turns to me and he says, Deed,

3:52:38.480 --> 3:52:39.600
<v Speaker 3>so what are you gonna do now?

3:52:39.600 --> 3:52:41.480
<v Speaker 2>And I'm like, what do you mean? Jay? This is

3:52:41.520 --> 3:52:44.880
<v Speaker 2>why you gotta love Jay. Run got his record? Where's

3:52:44.920 --> 3:52:48.480
<v Speaker 2>your record, and I was like, thanks for asking Jay,

3:52:48.840 --> 3:52:52.360
<v Speaker 2>because I was always writing to be writing anyway.

3:52:52.400 --> 3:52:54.480
<v Speaker 3>I never wrote for records. I was just always writing,

3:52:55.160 --> 3:52:57.160
<v Speaker 3>put the beat on, let me figure it out. So

3:52:57.320 --> 3:53:01.960
<v Speaker 3>I say, Jay, motherfucker, it's trying to say that we

3:53:02.120 --> 3:53:10.040
<v Speaker 3>ain't on that King rock him terrorist one level. I

3:53:10.200 --> 3:53:12.520
<v Speaker 3>beg to differ. So he said, what do you want

3:53:12.600 --> 3:53:14.800
<v Speaker 3>to do? I said, I got these rhymes. Now I

3:53:14.840 --> 3:53:16.800
<v Speaker 3>didn't know what the song was going to be. I said,

3:53:16.800 --> 3:53:18.440
<v Speaker 3>I got these rhyms, and you said, let me hit

3:53:18.440 --> 3:53:21.480
<v Speaker 3>a rhyme. I'm the devastating my control the DMC, and

3:53:21.680 --> 3:53:24.760
<v Speaker 3>can't nobody mess around with me. I'm the king of rock,

3:53:24.960 --> 3:53:27.160
<v Speaker 3>rap and of rhymes. So I could just end the

3:53:27.240 --> 3:53:29.560
<v Speaker 3>conversation right there. I'm not only king of rock, I'm

3:53:29.560 --> 3:53:32.040
<v Speaker 3>the rapping and you want to run whatever they or

3:53:32.240 --> 3:53:34.280
<v Speaker 3>king of rock, rap and of rhyme. I deal what

3:53:34.400 --> 3:53:36.960
<v Speaker 3>I feel and it feels fine. If it's okay to Jay,

3:53:37.040 --> 3:53:39.320
<v Speaker 3>then I will play around a sound with put down

3:53:39.400 --> 3:53:40.000
<v Speaker 3>for the rhymes.

3:53:40.040 --> 3:53:41.840
<v Speaker 2>I say. Then I went into.

3:53:43.160 --> 3:53:46.200
<v Speaker 3>You jock watching clock while I rocked the spot better

3:53:46.320 --> 3:53:48.080
<v Speaker 3>known to the world as the King of Rock.

3:53:48.160 --> 3:53:50.520
<v Speaker 2>I like to speak my piece when I'm on the mic.

3:53:50.760 --> 3:53:52.840
<v Speaker 2>I'm the best, or at least I'm the one you like.

3:53:53.440 --> 3:53:55.360
<v Speaker 3>So I had these rhymes and the day was like, oh,

3:53:55.400 --> 3:53:59.200
<v Speaker 3>here's what we're gonna do in eighty five. And when

3:53:59.240 --> 3:54:02.240
<v Speaker 3>we was touring with the Fat Boys, watching them ted

3:54:02.320 --> 3:54:05.440
<v Speaker 3>down coliseums, Run used to do this thing where he

3:54:05.480 --> 3:54:10.920
<v Speaker 3>would imitate Buffy. I would holler, hit it run. If

3:54:10.960 --> 3:54:13.560
<v Speaker 3>you listen to hit It run, that's Run imitating Buffy,

3:54:13.760 --> 3:54:16.000
<v Speaker 3>which was a joke that Run always did on his tour.

3:54:16.360 --> 3:54:17.760
<v Speaker 3>So Jay goes yo.

3:54:17.960 --> 3:54:21.720
<v Speaker 2>That thing Run used to do on the Freshfest, which

3:54:21.800 --> 3:54:25.920
<v Speaker 2>is hip hop's first tour before Raising Hell Freshfest one,

3:54:26.040 --> 3:54:29.160
<v Speaker 2>Fresh Fest two Run dmc Curtis Blow Houdini.

3:54:29.880 --> 3:54:34.320
<v Speaker 3>Jermaine dupri was a dancer with Houdini. So Jay says,

3:54:34.360 --> 3:54:36.360
<v Speaker 3>we're gonna make hit It Run. So I said, Jay,

3:54:36.520 --> 3:54:40.880
<v Speaker 3>just give me a beat that is fucking fucking pulsating.

3:54:41.440 --> 3:54:43.680
<v Speaker 3>So we went and we made hit It Run. I

3:54:43.800 --> 3:54:45.720
<v Speaker 3>had to right hit it run. So I don't want

3:54:45.920 --> 3:54:48.880
<v Speaker 3>motherfucker's thinking that we just fucking it's tricky.

3:54:48.960 --> 3:54:53.720
<v Speaker 2>It's like that, motherfuckers. So at every cusps, at every

3:54:53.800 --> 3:54:58.440
<v Speaker 2>transformation on hip hop, we were we were in a

3:54:58.560 --> 3:55:01.440
<v Speaker 2>position to do all of it that stuff, but we

3:55:01.520 --> 3:55:03.960
<v Speaker 2>didn't have to because, like you said, we found a

3:55:04.080 --> 3:55:07.680
<v Speaker 2>niche with making records like Tricky, but we also had

3:55:07.800 --> 3:55:10.840
<v Speaker 2>Sucking Seas right. We had Down Went the King, but

3:55:10.960 --> 3:55:12.800
<v Speaker 2>we also had Mary Mary.

3:55:12.840 --> 3:55:17.560
<v Speaker 3>So our presentation and presence in hip hop was very versatile.

3:55:18.200 --> 3:55:19.800
<v Speaker 3>That's why chuck y y'all kind of would like the

3:55:19.880 --> 3:55:21.680
<v Speaker 3>Beatles because when you think a round to see, you

3:55:21.760 --> 3:55:24.520
<v Speaker 3>think of all the songs. But most of those songs

3:55:24.560 --> 3:55:26.640
<v Speaker 3>that y'all don't know were just rap routines that kind

3:55:26.680 --> 3:55:30.400
<v Speaker 3>of went on cassette tapes in seventy nine. So is

3:55:30.480 --> 3:55:33.440
<v Speaker 3>it seventy nine or is it two thousand and four?

3:55:34.040 --> 3:55:38.200
<v Speaker 3>I got a song out right now produced by Bombinuck

3:55:38.200 --> 3:55:40.480
<v Speaker 3>Who's That's Me Iced Tea Chuck and and shit is

3:55:40.560 --> 3:55:44.040
<v Speaker 3>killing you know? And I love Rick Rubin saying your

3:55:44.120 --> 3:55:46.240
<v Speaker 3>old stuff ain't better than your new stuff, and your

3:55:46.280 --> 3:55:48.360
<v Speaker 3>new stuff ain't better than your It's just it is it.

3:55:48.520 --> 3:55:52.360
<v Speaker 2>Is, you know what I'm saying. So let's talk about

3:55:52.440 --> 3:55:55.920
<v Speaker 2>this one record, Beats to the Robs. I forgot about

3:55:55.960 --> 3:56:00.720
<v Speaker 2>that one that was before It's time. It's been a

3:56:00.760 --> 3:56:05.240
<v Speaker 2>sample a lot, yep, yep. That record was like.

3:56:07.320 --> 3:56:12.480
<v Speaker 3>The current hip hop people didn't understand it, but every producer,

3:56:13.040 --> 3:56:14.760
<v Speaker 3>every MC, every.

3:56:15.080 --> 3:56:17.640
<v Speaker 2>You said you been carrying at that time, that's yeah,

3:56:17.680 --> 3:56:21.280
<v Speaker 2>because it was like beat but everybody was like that.

3:56:21.400 --> 3:56:24.000
<v Speaker 3>When Beast of Rhyme came out, everybody in the industry

3:56:24.200 --> 3:56:26.000
<v Speaker 3>was kind of like when we walked through the door,

3:56:26.040 --> 3:56:30.320
<v Speaker 3>they move out their way, like oh, like beacing around

3:56:30.400 --> 3:56:32.600
<v Speaker 3>with just that ship beats to the ram and rama

3:56:32.760 --> 3:56:39.920
<v Speaker 3>is part of you, Like it's that ship a man,

3:56:40.080 --> 3:56:42.640
<v Speaker 3>it is around. It's that like, go listen to pieces

3:56:42.640 --> 3:56:46.960
<v Speaker 3>of rhyme. Everybody shut the fuck out before you got

3:56:47.080 --> 3:56:52.040
<v Speaker 3>that ship is crazy. What I say, hard core rhyms

3:56:52.120 --> 3:56:55.480
<v Speaker 3>go on. Like I said before my beasts.

3:56:55.200 --> 3:56:57.680
<v Speaker 2>Were played in may RUMs laid j d J and

3:56:57.800 --> 3:56:59.880
<v Speaker 2>I got paid me something and of nothing yo, d

3:57:00.080 --> 3:57:02.320
<v Speaker 2>that you Yes, my brother, I'm gonna do it for you,

3:57:02.840 --> 3:57:05.480
<v Speaker 2>roaming the zone of the microphone and I'll hold the throne.

3:57:05.600 --> 3:57:08.280
<v Speaker 2>But I'm not alone. Got bone of stealing, not a stone.

3:57:08.320 --> 3:57:09.240
<v Speaker 2>I'm going to be prone to.

3:57:09.240 --> 3:57:10.680
<v Speaker 3>Make your mama moone.

3:57:12.000 --> 3:57:14.440
<v Speaker 2>Time for the rhyme and let the shart seine came

3:57:14.520 --> 3:57:17.560
<v Speaker 2>with the game and the name company run having fun.

3:57:17.680 --> 3:57:20.680
<v Speaker 3>Let me give your ring Joe gotta go now. Word

3:57:20.760 --> 3:57:23.160
<v Speaker 3>from the like, yeah beaston rhyme is that ship?

3:57:23.720 --> 3:57:26.960
<v Speaker 2>Yeah, let me just say something in dmc man so.

3:57:27.200 --> 3:57:28.320
<v Speaker 3>And I like I like being.

3:57:29.000 --> 3:57:31.600
<v Speaker 2>I like being not being in your top five?

3:57:32.240 --> 3:57:35.560
<v Speaker 3>Who you know when top five? Yeah, I like to

3:57:36.400 --> 3:57:37.800
<v Speaker 3>because I'm in a class by myself.

3:57:37.880 --> 3:57:39.200
<v Speaker 2>Absolutely can't put me in it.

3:57:40.000 --> 3:57:41.720
<v Speaker 3>So I'm better than the top five. That's why I

3:57:41.760 --> 3:57:43.400
<v Speaker 3>don't come up. You can't put me in that ship.

3:57:43.800 --> 3:57:46.120
<v Speaker 3>That's limitating in my presence and my abilities.

3:57:48.440 --> 3:57:51.200
<v Speaker 2>So I know. I actually this a little earlier, but

3:57:52.240 --> 3:57:55.400
<v Speaker 2>we got we got the single, we got the use,

3:57:55.400 --> 3:57:56.760
<v Speaker 2>this is, this is, this is this is, this is

3:57:56.760 --> 3:57:59.360
<v Speaker 2>a this is a cartoon as well. Yeah, I mean

3:58:00.320 --> 3:58:02.520
<v Speaker 2>and off.

3:58:02.720 --> 3:58:05.679
<v Speaker 3>Collaboration is the key to transformation.

3:58:06.000 --> 3:58:08.120
<v Speaker 2>And then the kids book and then another kinds of book,

3:58:08.320 --> 3:58:11.800
<v Speaker 2>the kids book I did with collaboration with Nickelodeon. It's

3:58:11.840 --> 3:58:14.560
<v Speaker 2>the first book in a series of books I'm gonna

3:58:14.560 --> 3:58:16.840
<v Speaker 2>do like ten books. The first one is Daryl's Dream,

3:58:17.200 --> 3:58:20.120
<v Speaker 2>next want to be Daryl's Decision, next one to It's

3:58:20.160 --> 3:58:21.200
<v Speaker 2>all gonna be dilemmas.

3:58:21.280 --> 3:58:21.840
<v Speaker 3>That's the children.

3:58:22.080 --> 3:58:24.480
<v Speaker 2>Is this going to turn into like series like Chris

3:58:24.600 --> 3:58:28.040
<v Speaker 2>Rock Everybody hates Krits It could be live action. I

3:58:28.120 --> 3:58:33.520
<v Speaker 2>gave you, I gave you, yeah, sitcom. So as I

3:58:33.600 --> 3:58:35.520
<v Speaker 2>look at it, I feel like everybody's, well, it's.

3:58:35.400 --> 3:58:40.160
<v Speaker 9>Definitely gonna be a cartoon. Yeah, it's needed, But I

3:58:40.200 --> 3:58:44.080
<v Speaker 9>didn't think of that. Yeah, hell yeah, I think that.

3:58:45.400 --> 3:58:47.680
<v Speaker 9>I think the hip hop we should get everything from

3:58:47.760 --> 3:58:49.800
<v Speaker 9>hip hop. Like, if you're gonna watch cartoons, you're gonna

3:58:49.960 --> 3:58:54.200
<v Speaker 9>do that's what. Yeah, you're gonna you're gonna order a

3:58:54.280 --> 3:58:57.920
<v Speaker 9>mil prep. I think it should what it is if

3:58:57.920 --> 3:58:58.840
<v Speaker 9>you're gonna hire a train.

3:59:00.080 --> 3:59:03.120
<v Speaker 2>No, we at that point that it's so hip hop

3:59:03.200 --> 3:59:05.600
<v Speaker 2>that you don't even realize that exactly. It's it's like,

3:59:06.040 --> 3:59:08.040
<v Speaker 2>you know, it's like when our parents was able to

3:59:08.080 --> 3:59:09.920
<v Speaker 2>go see Temptations and four times.

3:59:10.280 --> 3:59:13.560
<v Speaker 3>It's like look the Stones Kiss.

3:59:13.760 --> 3:59:15.360
<v Speaker 2>We at that point with us right now.

3:59:15.720 --> 3:59:19.240
<v Speaker 3>And it's good because the older, the o gs and

3:59:19.280 --> 3:59:21.720
<v Speaker 3>the eldest can now get work without even trying for it,

3:59:22.040 --> 3:59:25.160
<v Speaker 3>because it's just the thing where now I've read an article.

3:59:25.480 --> 3:59:28.440
<v Speaker 2>Now we are starting to sell tickets again. Oh yeah,

3:59:28.480 --> 3:59:33.520
<v Speaker 2>oh yeah, yeah, we at that point right now. Yeah,

3:59:33.960 --> 3:59:37.080
<v Speaker 2>I'm saying it's dope. That's the good thing. I am now.

3:59:37.240 --> 3:59:41.760
<v Speaker 2>What I saw on American Band standing and soul train.

3:59:42.360 --> 3:59:47.840
<v Speaker 2>We are now that crazy right? Crazy right. It's a

3:59:47.880 --> 3:59:50.600
<v Speaker 2>cliche question, and I'm not sure if I answered it.

3:59:50.680 --> 3:59:52.480
<v Speaker 2>I asked you this earlier, but did you ever think

3:59:52.520 --> 3:59:54.520
<v Speaker 2>that hip hop would make it this far? Nobody didn't?

3:59:54.680 --> 3:59:54.960
<v Speaker 2>You did?

3:59:55.120 --> 3:59:57.120
<v Speaker 3>I didn't answer, you know, I didn't Jay did. Jay

3:59:57.200 --> 4:00:00.440
<v Speaker 3>would answer that and say, yes, I knew it would

4:00:00.520 --> 4:00:02.480
<v Speaker 3>because it was so big when I first heard it,

4:00:03.080 --> 4:00:05.880
<v Speaker 3>and then I read well, like all the shit that

4:00:06.600 --> 4:00:09.520
<v Speaker 3>I do when I run the cold, crush it and

4:00:09.680 --> 4:00:12.120
<v Speaker 3>mod shit, that should have been a signal to me.

4:00:12.200 --> 4:00:12.880
<v Speaker 2>But I didn't think that.

4:00:13.320 --> 4:00:15.360
<v Speaker 3>I thought it was just gonna stay in our region.

4:00:15.720 --> 4:00:17.440
<v Speaker 2>I thought what I thought it was going to do

4:00:17.600 --> 4:00:18.520
<v Speaker 2>was I tell her was going to.

4:00:18.560 --> 4:00:20.600
<v Speaker 3>Stay in our rear. I thought he's gonna have great records,

4:00:21.040 --> 4:00:23.640
<v Speaker 3>do some chart shit, grammy shit. But I thought it

4:00:23.680 --> 4:00:28.560
<v Speaker 3>would eventually become you know, last night in Atlanta, I

4:00:28.600 --> 4:00:30.800
<v Speaker 3>spoke with somebody in DC about that where Go Go

4:00:31.040 --> 4:00:33.360
<v Speaker 3>is the one thing I can respect about Go Go.

4:00:33.480 --> 4:00:36.280
<v Speaker 3>They didn't let the industry determine the life or death

4:00:36.400 --> 4:00:39.560
<v Speaker 3>of their job. Yeah thing, even at the height of

4:00:39.600 --> 4:00:39.800
<v Speaker 3>Go Go.

4:00:39.920 --> 4:00:41.600
<v Speaker 2>Well, I speaking to the guy last night eighty six

4:00:41.680 --> 4:00:44.880
<v Speaker 2>to eighty eight, we's coming through the met to run DMC,

4:00:45.040 --> 4:00:46.680
<v Speaker 2>Dougie Fresh, I'm talking about all of us.

4:00:47.000 --> 4:00:49.240
<v Speaker 3>But at the end of the night, after the Rags

4:00:49.280 --> 4:00:51.200
<v Speaker 3>in Hell tour, after all ll.

4:00:51.280 --> 4:00:55.000
<v Speaker 2>Did it, after we did buy all go back fucking home,

4:00:55.120 --> 4:00:59.720
<v Speaker 2>their go go and exactly yeah, and they know me that.

4:01:00.480 --> 4:01:02.520
<v Speaker 2>I was like, I've never seen fish so cool. And

4:01:02.600 --> 4:01:04.280
<v Speaker 2>then they combined it with the hip hop. You know

4:01:04.280 --> 4:01:07.120
<v Speaker 2>what I'm saying. But for me, I thought hip hop

4:01:07.160 --> 4:01:08.760
<v Speaker 2>would be just go go, it would just be our

4:01:09.240 --> 4:01:12.840
<v Speaker 2>cultural thing, like you know how different cities have New

4:01:12.960 --> 4:01:15.360
<v Speaker 2>Orleans have their things and that I didn't think it

4:01:15.440 --> 4:01:17.680
<v Speaker 2>was going to do this type of shit. But Jay

4:01:17.800 --> 4:01:20.440
<v Speaker 2>always said this. I knew it were because it was

4:01:20.520 --> 4:01:22.920
<v Speaker 2>so big when I first heard it. So imagine what

4:01:23.120 --> 4:01:25.480
<v Speaker 2>Jay is saying is that's what the kids in Germany heard,

4:01:26.640 --> 4:01:28.880
<v Speaker 2>That's what the kids in Africa felt, That's what the

4:01:28.960 --> 4:01:31.000
<v Speaker 2>kids in When we first went over to Japan in

4:01:31.080 --> 4:01:34.600
<v Speaker 2>eighty six, we get off the plane, I would say

4:01:34.640 --> 4:01:39.600
<v Speaker 2>about sixty percent understand English, forty percent then for me

4:01:39.720 --> 4:01:43.440
<v Speaker 2>were talking about the flyg in the communication. Communication is

4:01:43.480 --> 4:01:45.280
<v Speaker 2>a cool thing and sometimes you didn't even got to

4:01:45.280 --> 4:01:48.320
<v Speaker 2>say it work. The kids the audience over there would

4:01:48.320 --> 4:01:51.240
<v Speaker 2>go win WMC, you know in the Japanese dialect, and

4:01:51.280 --> 4:01:55.120
<v Speaker 2>they went saying work. They would just do this with

4:01:55.280 --> 4:01:57.600
<v Speaker 2>the suit and we would go. That was the language.

4:01:57.680 --> 4:02:01.240
<v Speaker 2>That was it. It was communicating. So when Jay I

4:02:01.280 --> 4:02:05.200
<v Speaker 2>didn't think like Biggy said, did you, some people might say, yeah,

4:02:05.800 --> 4:02:08.480
<v Speaker 2>I don't know. If kaz in them. Every kaz answer

4:02:08.560 --> 4:02:09.640
<v Speaker 2>that question. He said no.

4:02:10.040 --> 4:02:11.640
<v Speaker 3>He said he said if he would, if he would

4:02:11.680 --> 4:02:12.320
<v Speaker 3>have would.

4:02:16.680 --> 4:02:19.840
<v Speaker 2>But I didn't take that. Me and Run always said this,

4:02:20.000 --> 4:02:23.520
<v Speaker 2>me running, Jay always said this. If it didn't have

4:02:26.000 --> 4:02:30.440
<v Speaker 2>industrial successes and commercial successes, we would be the guys,

4:02:30.640 --> 4:02:35.480
<v Speaker 2>you know, forty fifty years old, the post office dude,

4:02:36.600 --> 4:02:40.080
<v Speaker 2>just self employed businessman making the teacher no no, no,

4:02:40.760 --> 4:02:44.760
<v Speaker 2>coming to the cookouts and the parties, putting the turntables

4:02:44.840 --> 4:02:48.040
<v Speaker 2>up and rapid right in front of all the little

4:02:48.320 --> 4:02:51.240
<v Speaker 2>It's now looking like, yeah, exactly. But let's talk about

4:02:51.280 --> 4:02:53.240
<v Speaker 2>these cookies before we get up out of here. Daryl

4:02:53.320 --> 4:02:57.440
<v Speaker 2>makes cookies, Okay, I like doing stuff to make people happy.

4:02:57.480 --> 4:03:00.640
<v Speaker 3>Are you making these yourself? I have a baker who's

4:03:00.800 --> 4:03:04.600
<v Speaker 3>doing my recipe. Okay, So just tell about comics.

4:03:04.640 --> 4:03:07.280
<v Speaker 2>I'm like stan Lee. Think of the ideas take up

4:03:07.320 --> 4:03:07.920
<v Speaker 2>to heroes.

4:03:07.960 --> 4:03:11.720
<v Speaker 3>But then I go get artists, anchors, pencillers, colorists and

4:03:11.840 --> 4:03:15.080
<v Speaker 3>writers to write it for me. So I'm my company

4:03:15.480 --> 4:03:18.520
<v Speaker 3>is I'm Daryl's Mint producing the cookies. Is the greater

4:03:18.720 --> 4:03:19.680
<v Speaker 3>director of everything.

4:03:19.680 --> 4:03:23.040
<v Speaker 2>They look good. I'm taking no no, you got So

4:03:23.160 --> 4:03:30.000
<v Speaker 2>that came about. That came about from I said, Well,

4:03:30.200 --> 4:03:32.760
<v Speaker 2>from day one, I'm always on a movie set. It's

4:03:32.760 --> 4:03:33.920
<v Speaker 2>always a craft table.

4:03:34.600 --> 4:03:37.200
<v Speaker 3>I'm always at an event, show, whatever, and it's always

4:03:37.280 --> 4:03:38.280
<v Speaker 3>like munchy stuff there.

4:03:38.560 --> 4:03:40.800
<v Speaker 2>So about seven years ago, I was at.

4:03:40.760 --> 4:03:44.320
<v Speaker 3>An event in the city where a lady from Harlem

4:03:44.440 --> 4:03:48.040
<v Speaker 3>was debuting her big goods, and I'm one of my favorite.

4:03:48.040 --> 4:03:50.680
<v Speaker 2>I eat a lot of sweets. People ask me, what's

4:03:50.760 --> 4:03:55.360
<v Speaker 2>the suc secret to my weight maintenance. I eat a

4:03:55.640 --> 4:03:58.600
<v Speaker 2>lot of sweets. Sometimes I eat sweets and don't eat

4:03:58.600 --> 4:04:01.760
<v Speaker 2>regular food. But organic said, I want to do no

4:04:02.320 --> 4:04:07.240
<v Speaker 2>chips the Hoy type ship chips o oy. I hate yeah,

4:04:09.960 --> 4:04:16.360
<v Speaker 2>damn chips a hoy, red velvet cake, apple pie hoy. No,

4:04:16.720 --> 4:04:19.120
<v Speaker 2>I'm red velvet chips a Hoy. I ain't gonna I'll

4:04:19.120 --> 4:04:21.240
<v Speaker 2>be I'll be I'll be destroying it and I'll be

4:04:21.320 --> 4:04:24.000
<v Speaker 2>at like, where's the cookies. APT like, I don't know,

4:04:26.240 --> 4:04:28.160
<v Speaker 2>why are you asking? I'll be speaking. I'm like, why

4:04:28.160 --> 4:04:30.280
<v Speaker 2>are you looking at me? I was like knowing my

4:04:30.400 --> 4:04:32.640
<v Speaker 2>my back of my teeth is mad red velvet cake.

4:04:32.680 --> 4:04:35.440
<v Speaker 2>Back then, I eat a lot of sweets. But makes

4:04:35.520 --> 4:04:38.600
<v Speaker 2>me go to the gym. M. That's a balance. I

4:04:38.760 --> 4:04:41.200
<v Speaker 2>want to eat them. I gotta do the work. So

4:04:41.320 --> 4:04:42.440
<v Speaker 2>the cookies came about.

4:04:42.640 --> 4:04:46.040
<v Speaker 3>It was this lady for Harlem showcasing her cookies and

4:04:46.080 --> 4:04:48.880
<v Speaker 3>her cakes and the cupcakes and all that ship. And

4:04:49.960 --> 4:04:52.920
<v Speaker 3>I'm always around kids and family, so I just particted sandwich. Oh,

4:04:52.960 --> 4:04:56.440
<v Speaker 3>these cookies are good. And then I said, I'm gonna

4:04:56.440 --> 4:04:59.920
<v Speaker 3>make cookies. I'm calling my cookie company. Jarrold makes cookies.

4:05:00.000 --> 4:05:01.960
<v Speaker 3>And I just said that, and everybody in the room

4:05:02.000 --> 4:05:03.120
<v Speaker 3>stop and said we'll buy him.

4:05:04.040 --> 4:05:09.560
<v Speaker 2>So LUNs. Moving ahead, fast forward ahead. I said, you

4:05:09.640 --> 4:05:11.880
<v Speaker 2>know what I'm doing good with this comic books. I

4:05:11.920 --> 4:05:14.920
<v Speaker 2>can do. Darln makes cookies, I can do Daryl makes chocolate,

4:05:15.360 --> 4:05:17.320
<v Speaker 2>I could do, Dohl Mikes candy.

4:05:18.120 --> 4:05:21.120
<v Speaker 3>A lot of cool stuff that I like. I can't drink,

4:05:21.760 --> 4:05:25.000
<v Speaker 3>so I can't make my own liquor. I don't think

4:05:25.840 --> 4:05:29.840
<v Speaker 3>Adidas is my company, so I don't need to make

4:05:29.880 --> 4:05:31.120
<v Speaker 3>a DFC homeanalize.

4:05:31.240 --> 4:05:34.160
<v Speaker 2>So I decided to do the cookies because.

4:05:33.840 --> 4:05:36.280
<v Speaker 3>I'm always around kids, families, and I go to schools

4:05:36.320 --> 4:05:38.480
<v Speaker 3>all the time. So I want to have a product

4:05:38.560 --> 4:05:42.000
<v Speaker 3>that's affiliated with something that I'm really part of. And

4:05:42.880 --> 4:05:45.520
<v Speaker 3>Riggs told me this, He said, Deep, you can do

4:05:45.640 --> 4:05:47.840
<v Speaker 3>with this book what you've been doing with your music

4:05:47.880 --> 4:05:51.600
<v Speaker 3>all the time. What do you mean inspire, motivate, educate

4:05:51.720 --> 4:05:54.760
<v Speaker 3>while you entertain or smiles on people's faces.

4:05:55.200 --> 4:05:57.320
<v Speaker 2>So I'm just trying to come up with products that

4:05:59.240 --> 4:06:03.680
<v Speaker 2>could really make me iconic in lifestyle other than what

4:06:03.840 --> 4:06:07.600
<v Speaker 2>everybody's already doing. So comics is a you know what

4:06:07.640 --> 4:06:09.840
<v Speaker 2>I'm saying, I don't know about yourself. Yeah, I don't

4:06:09.920 --> 4:06:14.120
<v Speaker 2>have to be in the competition. My competition is but

4:06:14.440 --> 4:06:18.080
<v Speaker 2>you know, coming in cookies, Okay, nobody really has cookies.

4:06:18.160 --> 4:06:23.440
<v Speaker 2>So now I can move only marijuana cookies. Well there's

4:06:23.480 --> 4:06:25.880
<v Speaker 2>what I can do. I can put Daryl makes cookies,

4:06:25.920 --> 4:06:30.800
<v Speaker 2>marijuana cookies inside the dispensery. I'll be I'd be an endorser. Okay,

4:06:30.920 --> 4:06:36.040
<v Speaker 2>that's because I'm speaking of that. But everything's good. See

4:06:36.240 --> 4:06:38.880
<v Speaker 2>I didn't just come to do your show. See whatever

4:06:38.960 --> 4:06:40.760
<v Speaker 2>you want, we're gonna really do it and you're gonna

4:06:40.960 --> 4:06:44.600
<v Speaker 2>end it. No, I can really do it, Dad, I

4:06:44.720 --> 4:06:48.560
<v Speaker 2>lost my treads on Daryl makes cookies. You're endorse it.

4:06:48.720 --> 4:06:51.720
<v Speaker 2>I want to do stuff that's that I'm able to

4:06:51.800 --> 4:06:55.440
<v Speaker 2>do that is not what everybody else is doing. So

4:06:55.920 --> 4:06:59.760
<v Speaker 2>I can't do jam Assa Jay's kids speaking of none,

4:06:59.760 --> 4:07:02.080
<v Speaker 2>they got t shirts for you that I got. Jam

4:07:02.160 --> 4:07:04.880
<v Speaker 2>Master Jay's kids do the pre road joints called Jamj's

4:07:04.880 --> 4:07:09.000
<v Speaker 2>like coming a cassette thing. Oh jamjs Oh was that right? Exactly?

4:07:09.160 --> 4:07:12.040
<v Speaker 2>That's why. But yeah, the cookies is just another thing

4:07:12.120 --> 4:07:14.480
<v Speaker 2>that I want to do that makes people happy. And

4:07:14.840 --> 4:07:17.280
<v Speaker 2>oh here's my train of thought. When I did the

4:07:17.400 --> 4:07:20.360
<v Speaker 2>cookie things, everybody at my gym is like, yo, what's

4:07:20.360 --> 4:07:23.240
<v Speaker 2>so with the protein cookies? So I'm doing these cookies.

4:07:23.280 --> 4:07:25.960
<v Speaker 2>The next cookie is the protein cookies. But it's not

4:07:26.080 --> 4:07:28.480
<v Speaker 2>a healthy cookie. Don't even remember, right, it's a cookie

4:07:28.560 --> 4:07:35.560
<v Speaker 2>with protein in it that for your protein. I thinks, no, no, no, never,

4:07:35.680 --> 4:07:39.240
<v Speaker 2>that never did. I'm gonna make them vegan, not caring,

4:07:39.400 --> 4:07:41.720
<v Speaker 2>no koe. Yeah, I had kel chips and ship brew

4:07:41.800 --> 4:07:44.000
<v Speaker 2>in my life. But it's like, so.

4:07:45.640 --> 4:07:49.320
<v Speaker 3>I'm trying to I'm trying to put that and it's common.

4:07:49.400 --> 4:07:51.600
<v Speaker 3>My whole thing is this, and when me and Rick

4:07:51.680 --> 4:07:54.040
<v Speaker 3>started to Comic book Company, this ain't just the thing

4:07:54.080 --> 4:07:56.560
<v Speaker 3>where I don't want five years and ten years or

4:07:56.600 --> 4:07:59.360
<v Speaker 3>even twenty years and people go, remember that common book

4:07:59.440 --> 4:08:02.880
<v Speaker 3>DMC had one hundred years from now, two hundred years

4:08:02.880 --> 4:08:08.760
<v Speaker 3>from now, when they people talk about Fred Flintstone, spider Man, Superman, and.

4:08:08.800 --> 4:08:11.000
<v Speaker 2>I don't even you don't even gotta like my hero.

4:08:11.800 --> 4:08:14.360
<v Speaker 2>You ain't even gonna like my character. I want you

4:08:14.480 --> 4:08:17.280
<v Speaker 2>to connect with the character that you feel closer to you.

4:08:17.680 --> 4:08:19.960
<v Speaker 2>So just like my cookies, I want my cookies to

4:08:20.080 --> 4:08:24.040
<v Speaker 2>be writer. Oh you got Nobisco, you got Keebler, you

4:08:24.160 --> 4:08:30.000
<v Speaker 2>got Tats, you got Petrits for him, and kids fifty

4:08:30.080 --> 4:08:33.000
<v Speaker 2>years ago will be able to their parents and their

4:08:33.040 --> 4:08:35.280
<v Speaker 2>grandparent will say, Yo, this is this hip hop god.

4:08:35.360 --> 4:08:38.840
<v Speaker 2>This is good for our culture and our cultural existence.

4:08:39.040 --> 4:08:40.640
<v Speaker 2>Like he was saying, I'm gonna tell you something. What

4:08:40.760 --> 4:08:45.320
<v Speaker 2>I want DMC the comic book to be. I want

4:08:45.400 --> 4:08:49.840
<v Speaker 2>you to get with Snoop and have Snoop's own version

4:08:50.080 --> 4:08:52.680
<v Speaker 2>of that, right, so it'd be a crossover, like you

4:08:52.720 --> 4:08:54.200
<v Speaker 2>know what I mean. And then you get with like,

4:08:54.440 --> 4:08:57.000
<v Speaker 2>for instance, a minute, I thought of that. I thought

4:08:57.040 --> 4:08:59.480
<v Speaker 2>of Kodak Black, Right, Kodak Black is this new guy

4:08:59.520 --> 4:09:03.280
<v Speaker 2>from this new generator. But he's a superhero too, you

4:09:03.320 --> 4:09:05.800
<v Speaker 2>know what I mean. His superhero strengths might be different

4:09:06.080 --> 4:09:10.520
<v Speaker 2>from a na superhero strength. Oh no, what I'm saying

4:09:10.640 --> 4:09:13.440
<v Speaker 2>is I think you should go to give each individual,

4:09:13.680 --> 4:09:17.600
<v Speaker 2>like to me generation, every artist has a version of

4:09:17.640 --> 4:09:20.800
<v Speaker 2>a superhero, like how he said, So why not why

4:09:20.880 --> 4:09:27.400
<v Speaker 2>not come on off top like and it's crazy. I

4:09:27.440 --> 4:09:30.640
<v Speaker 2>would think of you God, like that character of you hard, like,

4:09:30.880 --> 4:09:33.240
<v Speaker 2>like you know you God, and like you know, make

4:09:33.280 --> 4:09:34.040
<v Speaker 2>a whole little.

4:09:34.560 --> 4:09:35.520
<v Speaker 3>A cartoon out of that.

4:09:35.800 --> 4:09:37.880
<v Speaker 2>That's something that I'm just being honest with you because

4:09:38.040 --> 4:09:40.880
<v Speaker 2>that's something that we when I get my network on

4:09:40.960 --> 4:09:43.680
<v Speaker 2>Cartoon Network. Okay, that's what I'm going ship. Damn.

4:09:44.280 --> 4:09:46.640
<v Speaker 3>See that's what I'm thinking. I even want to do

4:09:47.760 --> 4:09:50.320
<v Speaker 3>d m C TV. You know what my tagline is,

4:09:50.520 --> 4:09:52.960
<v Speaker 3>and everybody loves to do that. Ship d d m

4:09:53.080 --> 4:09:57.200
<v Speaker 3>C TV what MTV used to be and show videos

4:09:57.240 --> 4:09:59.680
<v Speaker 3>and no reality and show bands and new ship young

4:09:59.720 --> 4:10:01.560
<v Speaker 3>and all talent. I said that the other day, and

4:10:01.600 --> 4:10:03.640
<v Speaker 3>I'm like, WHOA, I'm gonna have to go sit down

4:10:03.760 --> 4:10:05.280
<v Speaker 3>with like an investment company saying.

4:10:05.160 --> 4:10:08.440
<v Speaker 2>Let's do this ship and advertisers killed to be on

4:10:08.560 --> 4:10:13.400
<v Speaker 2>DMC TV. Absolutely before you know the diversity of our

4:10:13.440 --> 4:10:18.400
<v Speaker 2>culture musically sing us new bands, all that shit, Like,

4:10:18.480 --> 4:10:22.880
<v Speaker 2>there's so many day lost souls and slick ricks of

4:10:23.000 --> 4:10:26.400
<v Speaker 2>this yearneration. They're just not getting their opportunity, you know

4:10:26.400 --> 4:10:31.680
<v Speaker 2>what I'm saying. So us as people who who walk

4:10:31.800 --> 4:10:33.760
<v Speaker 2>the walk and talk to talk, we walk.

4:10:33.680 --> 4:10:36.360
<v Speaker 3>This way moving, Yeah, all of us who walk this

4:10:36.560 --> 4:10:41.920
<v Speaker 3>way in this very tricky business, no unentertendent. Now I'm

4:10:41.960 --> 4:10:43.360
<v Speaker 3>trying to encourage around.

4:10:43.520 --> 4:10:47.680
<v Speaker 2>Yes it is. It's trickery, very trickery around and we

4:10:47.840 --> 4:10:52.680
<v Speaker 2>made it, you know what I'm saying.

4:10:52.720 --> 4:10:55.560
<v Speaker 3>But now hip hop is fifty years old, we just

4:10:55.640 --> 4:10:58.240
<v Speaker 3>get started. Not only do do we need more artists

4:10:58.280 --> 4:11:01.840
<v Speaker 3>and talent ownership is stuff like that, we need more

4:11:02.080 --> 4:11:07.360
<v Speaker 3>suits behind the desk in the corporations. So if we

4:11:07.520 --> 4:11:11.400
<v Speaker 3>include everything that hip hop is capable of, we can.

4:11:11.360 --> 4:11:14.160
<v Speaker 2>Accomplish those things to the point where we can be

4:11:14.320 --> 4:11:20.080
<v Speaker 2>so potent that damn nobody's buying Louis anymore. The all

4:11:20.120 --> 4:11:23.280
<v Speaker 2>the Louis people. When I'm talking about generationally, the old

4:11:23.360 --> 4:11:26.360
<v Speaker 2>eighty six year old lady walking in stores that we

4:11:26.600 --> 4:11:30.360
<v Speaker 2>created with our designers and buying those pieces for those

4:11:30.440 --> 4:11:33.840
<v Speaker 2>same price points. We can do that, and all we

4:11:33.920 --> 4:11:35.920
<v Speaker 2>got to do is turn that focus of their.

4:11:35.920 --> 4:11:40.880
<v Speaker 3>Energy, give the appreciation and intention of why you buying

4:11:40.960 --> 4:11:44.000
<v Speaker 3>it for in the first place to the people that's

4:11:44.040 --> 4:11:46.600
<v Speaker 3>right here in our communities, so that we can become

4:11:46.680 --> 4:11:49.400
<v Speaker 3>the next Horrist docles like I don't need to start

4:11:49.400 --> 4:11:51.920
<v Speaker 3>another sneaker company. I need to be a partner and

4:11:52.160 --> 4:11:55.880
<v Speaker 3>owner in Adidas moving forward. So we are all of

4:11:55.960 --> 4:11:59.640
<v Speaker 3>those things. And I think this is just the sort.

4:11:59.680 --> 4:12:03.240
<v Speaker 3>But me Race only did this to here. If you're

4:12:03.360 --> 4:12:07.520
<v Speaker 3>if you're a comic book artist and now you know

4:12:07.600 --> 4:12:08.120
<v Speaker 3>you gotta go.

4:12:08.200 --> 4:12:10.560
<v Speaker 2>Through the you gotta sign me to super Dog. Got

4:12:10.640 --> 4:12:13.200
<v Speaker 2>y'all sorry about you got it? Super Dog? Yeah, gotcha

4:12:14.240 --> 4:12:16.240
<v Speaker 2>is done, is done. I don't worry about it. That

4:12:16.280 --> 4:12:20.720
<v Speaker 2>would definitely with dogs does Answerer Hero. Here's how deep

4:12:20.840 --> 4:12:23.360
<v Speaker 2>hip hop we are when we do we have artists

4:12:23.440 --> 4:12:26.600
<v Speaker 2>do the work. Yeah, you know, I was fire because

4:12:26.800 --> 4:12:30.080
<v Speaker 2>after we finished the whole book, we invite a Griffiti

4:12:30.200 --> 4:12:33.560
<v Speaker 2>artist to come tag the universe. So you know, a

4:12:33.640 --> 4:12:35.720
<v Speaker 2>lot of times the artists will do the graffiti. No,

4:12:36.240 --> 4:12:37.360
<v Speaker 2>you did the artwork.

4:12:38.080 --> 4:12:41.080
<v Speaker 3>Now I get the book in the art to graffiti

4:12:41.200 --> 4:12:44.080
<v Speaker 3>artists and they go into my universe and really tag it.

4:12:44.560 --> 4:12:47.360
<v Speaker 3>So that's how delicate and fun tune we gotta get

4:12:47.360 --> 4:12:49.320
<v Speaker 3>with this hip hop ship. You know what I'm saying,

4:12:49.520 --> 4:12:52.920
<v Speaker 3>and that I believe that's what we're edited. No, I

4:12:52.960 --> 4:12:56.640
<v Speaker 3>don't like believing. I know that's because if I believe it,

4:12:56.640 --> 4:12:59.880
<v Speaker 3>it might not happen for everybody else. But if I know,

4:13:00.520 --> 4:13:02.000
<v Speaker 3>that's what can't happen for you.

4:13:02.640 --> 4:13:04.520
<v Speaker 2>Yo, Man, I'm just being honest with you. This is

4:13:04.600 --> 4:13:07.440
<v Speaker 2>such a pleasure, This is such an honor, This was

4:13:07.560 --> 4:13:11.040
<v Speaker 2>such a a fulfiller for me. Man, you know what

4:13:11.080 --> 4:13:14.560
<v Speaker 2>I mean, Like, you truly are a hero. You truly

4:13:14.640 --> 4:13:16.480
<v Speaker 2>are a legend. You truly are I car and you

4:13:16.520 --> 4:13:20.840
<v Speaker 2>truly are tight and you truly are you know everything

4:13:21.080 --> 4:13:22.960
<v Speaker 2>that you deserve. So we wanted to really give you

4:13:23.000 --> 4:13:25.040
<v Speaker 2>your flowers, man, because I got them. You know what

4:13:25.040 --> 4:13:26.200
<v Speaker 2>I mean, you wanted to.

4:13:26.560 --> 4:13:28.680
<v Speaker 10>I mean, you know that's physically but even you know

4:13:28.680 --> 4:13:34.280
<v Speaker 10>what I mean, because mant.

4:13:34.080 --> 4:13:38.400
<v Speaker 2>Misday No, No, but that's the purpose of this exactly.

4:13:38.800 --> 4:13:40.880
<v Speaker 2>But you know you are.

4:13:42.320 --> 4:13:44.840
<v Speaker 10>You are the definition of longevity. You know what I'm saying,

4:13:45.120 --> 4:13:49.280
<v Speaker 10>Like so many people. You know, I don't want to

4:13:49.280 --> 4:13:51.280
<v Speaker 10>say I laugh at people sometimes, but sometimes I see

4:13:51.280 --> 4:13:54.120
<v Speaker 10>people coming in this game. They got a hot one year.

4:13:55.080 --> 4:13:58.160
<v Speaker 2>And boy ask these people in the world to order

4:13:58.280 --> 4:14:00.840
<v Speaker 2>the people that came before them. And then then that

4:14:01.160 --> 4:14:03.400
<v Speaker 2>next year you see them go away. You know what

4:14:03.440 --> 4:14:05.320
<v Speaker 2>I mean. So in order to be here for this

4:14:05.800 --> 4:14:08.160
<v Speaker 2>this year is you had to see if I see it,

4:14:08.600 --> 4:14:10.440
<v Speaker 2>I know how many people you saw come and go.

4:14:11.400 --> 4:14:14.040
<v Speaker 2>I don't see how many people. So what we wanted

4:14:14.080 --> 4:14:17.440
<v Speaker 2>to do is praise our legends man, and you are

4:14:17.520 --> 4:14:19.520
<v Speaker 2>one of them. You are definitely well. You know what

4:14:19.720 --> 4:14:22.600
<v Speaker 2>you You did something that needed to be done because

4:14:23.200 --> 4:14:26.520
<v Speaker 2>when I was thinking about all like hip hop, you're

4:14:26.640 --> 4:14:29.560
<v Speaker 2>doing what needs to be done while setting an example.

4:14:29.880 --> 4:14:32.480
<v Speaker 2>Because the beautiful thing what I noticed when you speak

4:14:32.560 --> 4:14:37.160
<v Speaker 2>to Mick and Keith or Joe and see from Ryl

4:14:37.200 --> 4:14:39.880
<v Speaker 2>Smith it's an interview about them, but they go into

4:14:39.920 --> 4:14:44.920
<v Speaker 2>the black blues artists. Ye as big, as as huge

4:14:44.960 --> 4:14:48.040
<v Speaker 2>as the Stones is, as rich as the Stones is.

4:14:48.560 --> 4:14:51.400
<v Speaker 2>So y'all doing something that Bump talks about a lot.

4:14:51.880 --> 4:14:54.640
<v Speaker 2>I hear Harris want talk about it that in ll

4:14:55.040 --> 4:14:59.040
<v Speaker 2>just he's doing wonders with rock bells. He came. He

4:14:59.320 --> 4:15:01.640
<v Speaker 2>was like, off man, when you see Miles Davis, you

4:15:01.680 --> 4:15:04.560
<v Speaker 2>ain't thinking about his make account, right, Yeah, I heard

4:15:04.640 --> 4:15:07.760
<v Speaker 2>him say that because the richest number one selling artists

4:15:07.840 --> 4:15:10.600
<v Speaker 2>that add their little one hit wonder that it's a

4:15:10.800 --> 4:15:12.320
<v Speaker 2>celebrity and really famous.

4:15:13.080 --> 4:15:17.280
<v Speaker 3>Still they'll get on Entertainment tonight before them. But Ella saying,

4:15:17.360 --> 4:15:19.960
<v Speaker 3>now this ship right here that we have, it's beautiful

4:15:20.040 --> 4:15:25.040
<v Speaker 3>that y'all taking upon yourselves to acknowledge that, but not

4:15:25.200 --> 4:15:28.360
<v Speaker 3>only talk about your showcasing. It's one thing. You know,

4:15:28.440 --> 4:15:30.440
<v Speaker 3>you could just have your podcast and at the end

4:15:30.440 --> 4:15:33.760
<v Speaker 3>of every record shout out to the legs y'all bringing them.

4:15:33.720 --> 4:15:38.640
<v Speaker 2>On because you know what it is. You know, that's

4:15:38.680 --> 4:15:42.080
<v Speaker 2>one of the beautiful, beauty, beautifulest parts of this show

4:15:42.760 --> 4:15:46.360
<v Speaker 2>is you know, sometimes we will interview an artist and

4:15:46.400 --> 4:15:47.760
<v Speaker 2>then all of a sudden, I just look at their

4:15:47.800 --> 4:15:50.360
<v Speaker 2>Instagram and they out every weekend after that, and you

4:15:50.440 --> 4:15:52.640
<v Speaker 2>know what I mean, Like, it's just like and that's

4:15:52.680 --> 4:15:55.560
<v Speaker 2>the best point because because what it is is sometimes

4:15:56.040 --> 4:15:58.280
<v Speaker 2>it's just an unforgetting herod. You know what I'm saying, Like,

4:15:58.440 --> 4:16:00.880
<v Speaker 2>like a lot of us and then, yeah, you don't

4:16:00.880 --> 4:16:03.760
<v Speaker 2>want us to be like the veterans, like these wars

4:16:03.840 --> 4:16:06.440
<v Speaker 2>for right exactly. So I want to keep us alive,

4:16:06.520 --> 4:16:07.720
<v Speaker 2>you know what I mean. I want to keep us.

4:16:08.160 --> 4:16:11.400
<v Speaker 3>This is a reminders of the audience. They know about

4:16:11.480 --> 4:16:13.800
<v Speaker 3>me now while I'm living and not finding out about

4:16:13.880 --> 4:16:14.800
<v Speaker 3>you talking about me.

4:16:15.280 --> 4:16:17.840
<v Speaker 2>What about legends? DMC? I know what he did? He does? Oh,

4:16:18.880 --> 4:16:20.840
<v Speaker 2>so I want you to This is your house. Anytime

4:16:20.880 --> 4:16:22.480
<v Speaker 2>you want to promote. I don't even even care if

4:16:22.520 --> 4:16:24.880
<v Speaker 2>you want to promote eyebrows. It's okay. You can come

4:16:24.920 --> 4:16:27.600
<v Speaker 2>over here and come over here anytime you want your

4:16:27.640 --> 4:16:32.640
<v Speaker 2>new news. But your little toe now, no matter what

4:16:32.760 --> 4:16:34.400
<v Speaker 2>you want to out here. You know what I mean,

4:16:34.480 --> 4:16:36.400
<v Speaker 2>we we here. This is your house. You know what

4:16:36.440 --> 4:16:43.320
<v Speaker 2>I mean. This is run dmc house, you know. So

4:16:43.680 --> 4:16:45.080
<v Speaker 2>I want you to know that, man, I want you

4:16:45.120 --> 4:16:47.000
<v Speaker 2>to know how important you are. You're like that big

4:16:47.080 --> 4:16:49.800
<v Speaker 2>Daddy Cane and Bismarck to me because they were my

4:16:49.960 --> 4:16:55.040
<v Speaker 2>drunk run, my forty drinking run. I would always go

4:16:55.120 --> 4:16:57.720
<v Speaker 2>to Cane Hut. I'm surprised y'all didn't ask him. There

4:16:57.760 --> 4:17:00.720
<v Speaker 2>was crazy Kane only drink red wine now, well, but

4:17:00.880 --> 4:17:03.160
<v Speaker 2>back then he wasn't drinking the forties. He would invite

4:17:03.200 --> 4:17:05.000
<v Speaker 2>me over his house. I would go over his house

4:17:05.120 --> 4:17:08.760
<v Speaker 2>and empty out his fidget sh and fill it up

4:17:08.800 --> 4:17:12.280
<v Speaker 2>with forties. And he called his mother, Mom, you would

4:17:12.320 --> 4:17:14.680
<v Speaker 2>have no idea what's going on? That's how all that

4:17:14.720 --> 4:17:18.680
<v Speaker 2>I was DMC. Yes, Mom, that DMC just came in

4:17:18.760 --> 4:17:21.680
<v Speaker 2>and took all my food and shit and filled the

4:17:22.400 --> 4:17:26.320
<v Speaker 2>refrigerator with forties. Rest in peace of biz Mark, Rest

4:17:26.360 --> 4:17:26.640
<v Speaker 2>in peace.

4:17:28.400 --> 4:17:31.720
<v Speaker 3>Right before he passed, his wife was calling people for

4:17:31.880 --> 4:17:33.040
<v Speaker 3>words of encouragement.

4:17:33.160 --> 4:17:34.520
<v Speaker 2>Okay, I heard.

4:17:34.440 --> 4:17:38.080
<v Speaker 3>About Yes, called me and said, I need you. You

4:17:38.160 --> 4:17:39.880
<v Speaker 3>know he can hear us this and that boom. He

4:17:39.960 --> 4:17:42.400
<v Speaker 3>can't respond, but we know he can hear us. I

4:17:42.560 --> 4:17:47.000
<v Speaker 3>need something for you to tell Bismark And she said, wow,

4:17:47.440 --> 4:17:48.680
<v Speaker 3>this is that's that's.

4:17:49.040 --> 4:17:52.680
<v Speaker 2>Like I feel like crying. I said, tell Biz and

4:17:52.800 --> 4:17:56.080
<v Speaker 2>he's going to know what I'm talking about. Just whispering

4:17:56.160 --> 4:18:01.120
<v Speaker 2>is the DMC says thanks for letting me in. I

4:18:01.200 --> 4:18:06.880
<v Speaker 2>would be in a drunk stupor three two in the morning, No,

4:18:07.040 --> 4:18:08.720
<v Speaker 2>Matt and I would go to Bi's house and.

4:18:10.960 --> 4:18:14.800
<v Speaker 3>And if it wasn't his family, Steve c at the

4:18:14.920 --> 4:18:18.000
<v Speaker 3>don't let him in. This would always let me in

4:18:18.120 --> 4:18:20.720
<v Speaker 3>long Holes. No in Long nine, Long Island when he

4:18:20.760 --> 4:18:22.560
<v Speaker 3>lived in Jersey. I think it was any of my

4:18:22.640 --> 4:18:23.520
<v Speaker 3>house in Jersey.

4:18:25.200 --> 4:18:28.320
<v Speaker 2>Three, you know, one in four and to the point

4:18:28.360 --> 4:18:33.320
<v Speaker 2>where he would be on the road, it's hold on

4:18:34.440 --> 4:18:36.440
<v Speaker 2>and if people would let me in his house. And

4:18:36.560 --> 4:18:38.320
<v Speaker 2>I looked back and I said, I look back and

4:18:38.920 --> 4:18:42.520
<v Speaker 2>what I was doing now? But biz Marky will always

4:18:42.600 --> 4:18:45.760
<v Speaker 2>let me in, and Kane would always let me. I

4:18:45.920 --> 4:18:48.520
<v Speaker 2>love King God, Damn, I spake some noise for that moment.

4:18:52.520 --> 4:18:55.840
<v Speaker 3>Thank you for having me. Let me just reveal one

4:18:56.000 --> 4:18:58.360
<v Speaker 3>thing I never thought I would be on the show Man.

4:18:58.360 --> 4:19:01.720
<v Speaker 3>We've been trying though. No, was not drinking when when

4:19:02.720 --> 4:19:06.840
<v Speaker 3>my managers, Bro Little little Eric Blam was saying this

4:19:07.000 --> 4:19:10.480
<v Speaker 3>and that they really they want me, Like.

4:19:10.600 --> 4:19:15.320
<v Speaker 2>Just for some reason, I didn't think I was cool enough. Really,

4:19:16.160 --> 4:19:18.880
<v Speaker 2>you're cool enough for you to be here. Yes, I

4:19:18.960 --> 4:19:23.120
<v Speaker 2>think you. Thank you. That's a compliment to yo, the compliment.

4:19:24.440 --> 4:19:26.840
<v Speaker 2>I'm honored and humble to sat that that was on

4:19:26.920 --> 4:19:28.680
<v Speaker 2>your mind. I'm gonna be honest with you. Like I

4:19:28.760 --> 4:19:31.360
<v Speaker 2>said earlier, I wasn't saying this because it sounds good

4:19:31.880 --> 4:19:34.320
<v Speaker 2>like in a lot of ways. You was the first

4:19:35.160 --> 4:19:38.040
<v Speaker 2>commercial successful coming out of our burrow like you was.

4:19:38.560 --> 4:19:40.200
<v Speaker 2>I want to say national, but I want to say

4:19:40.240 --> 4:19:41.960
<v Speaker 2>world wide. You know what I mean? Like you know

4:19:42.000 --> 4:19:44.440
<v Speaker 2>what I mean. Like before that we had records in

4:19:44.800 --> 4:19:47.520
<v Speaker 2>Queens and things like that. But like the first time

4:19:47.560 --> 4:19:49.960
<v Speaker 2>I seen Walk this Way, that was on MTV, this

4:19:50.280 --> 4:19:54.360
<v Speaker 2>SUPERSTI you guys, was in between like five different like

4:19:54.480 --> 4:19:57.480
<v Speaker 2>you know, white category videos and this remember right over that.

4:19:57.640 --> 4:20:00.280
<v Speaker 2>I can see that level that's crazy to me. And

4:20:00.440 --> 4:20:02.800
<v Speaker 2>like and then then it's from Queens. You know what

4:20:02.800 --> 4:20:05.080
<v Speaker 2>I'm saying. I know him being a DJ, you know

4:20:05.120 --> 4:20:08.360
<v Speaker 2>with Jam Message J. I know this guy, where's Adidas

4:20:08.400 --> 4:20:08.880
<v Speaker 2>to this day?

4:20:09.240 --> 4:20:10.000
<v Speaker 3>Cose of you guys?

4:20:10.120 --> 4:20:10.640
<v Speaker 2>You know what I mean?

4:20:12.200 --> 4:20:13.560
<v Speaker 3>So this means the world to us.

4:20:13.680 --> 4:20:16.120
<v Speaker 2>You know what I'm saying. Big up. First off, I

4:20:16.200 --> 4:20:17.960
<v Speaker 2>want to say rest in pieces of Jam Massa J,

4:20:18.120 --> 4:20:22.320
<v Speaker 2>his family, my condolass and also you know know, big

4:20:22.440 --> 4:20:24.880
<v Speaker 2>up to I'm gonna call him DJ Ryn, you know

4:20:24.880 --> 4:20:27.440
<v Speaker 2>what I mean, And big up to the whole run

4:20:27.520 --> 4:20:30.560
<v Speaker 2>DMC family. Because in all honesty, like I said, if

4:20:30.600 --> 4:20:32.360
<v Speaker 2>it wasn't for y'all, I don't think this show would

4:20:32.360 --> 4:20:34.720
<v Speaker 2>even exist. I don't think I would exist as the

4:20:34.800 --> 4:20:37.040
<v Speaker 2>artists don't think he would. This is a DJ and

4:20:37.160 --> 4:20:41.160
<v Speaker 2>that's that's that's no exaggeration, real talk. We love you, man,

4:20:41.400 --> 4:20:44.520
<v Speaker 2>Thank you so much for stopping by said we love you.

4:20:45.120 --> 4:20:45.880
<v Speaker 3>This is your show.

4:20:45.960 --> 4:20:47.720
<v Speaker 2>Anytime you want to come through here, it doesn't matter

4:20:47.800 --> 4:20:49.280
<v Speaker 2>what you want to promote my brother.

4:20:55.080 --> 4:20:58.160
<v Speaker 11>Drink Champs is a Drink Champs ll C production in

4:20:58.280 --> 4:21:03.120
<v Speaker 11>association with Interval Presents. Yes hosts and executive producers n

4:21:03.120 --> 4:21:07.120
<v Speaker 11>O r E and dj e FN from Interval Presents

4:21:07.360 --> 4:21:10.560
<v Speaker 11>executive producers Alan Coy and Jake Kleinberg.

4:21:11.200 --> 4:21:12.320
<v Speaker 3>Listen to Drink Champs on.

4:21:12.360 --> 4:21:17.320
<v Speaker 4>Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

4:21:18.400 --> 4:21:20.800
<v Speaker 11>Thanks for joining us for another episode of Drink Champs,

4:21:20.880 --> 4:21:23.560
<v Speaker 11>hosted by Yours Truly, dj e FN and n O

4:21:23.720 --> 4:21:23.880
<v Speaker 11>r E.

4:21:24.360 --> 4:21:26.440
<v Speaker 4>Please make sure to follow us on all our socials

4:21:26.680 --> 4:21:29.440
<v Speaker 4>That's at drink Champs across all platforms, at

4:21:29.520 --> 4:21:33.560
<v Speaker 11>The Real Noriagon ig at Noriega on Twitter, Mine is

4:21:33.640 --> 4:21:37.000
<v Speaker 11>at Who's Crazy on ig at dj e f N

4:21:37.080 --> 4:21:39.480
<v Speaker 11>on Twitter, and most importantly, stay up to date with

4:21:39.520 --> 4:21:42.920
<v Speaker 11>the latest releases, news and merch by going to drink

4:21:43.000 --> 4:21:44.040
<v Speaker 11>Champs dot com.