WEBVTT - Etch A Sketch!

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<v Speaker 1>Welcome to Stuff you Should Know from how Stuff Works

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<v Speaker 1>dot com. Hey, and welcome to the podcast. I'm Josh Clark.

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<v Speaker 1>There's Charles w. Chucky Bryant, and there's Jerry uh the

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<v Speaker 1>Delicious dish rolland and this is Stuff you should Know,

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<v Speaker 1>the vintage nostalgia addition that went off to China and

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<v Speaker 1>then got sold to a different company edition. So do

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<v Speaker 1>you want to have a rough list of classic toys

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<v Speaker 1>we've covered? You wanna hear it? Oh? Lay it on me.

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<v Speaker 1>I'm sure I've missed something, but it did help me

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<v Speaker 1>think of some more that we should do. It. Slinky,

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<v Speaker 1>we did slinky. Oh yeah, we did slink. Okay, yeah,

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<v Speaker 1>Lego Oh yeah, of course. Barbie sure, her boyfriend g

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<v Speaker 1>I Joe. Yeah, that was a good one. Sorry, wait

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<v Speaker 1>a minute, Wait a minute, I'm sorry. Did we just

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<v Speaker 1>specifically do a G I Joe winner in Action figures one?

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<v Speaker 1>I think both. We definitely did action figures, although probably not. Okay,

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<v Speaker 1>go ahead, I'll cross check that. Hot wheels, So so

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<v Speaker 1>this is a made up list, is what you're saying.

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<v Speaker 1>Hot wheels? Ye, I'm glad you didn't. You didn't call

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<v Speaker 1>it hot wheels. Easy bake oven m play dough, silly putty.

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<v Speaker 1>All right, do you count boomerangs? Yes, sure, do you

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<v Speaker 1>count Monopoly? Yeah, Yo yos. Of course, Hula Hoops. I

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<v Speaker 1>knew Hula Hoops was after Yo Yos. I just knew it.

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<v Speaker 1>Teddy Ruxpan, we we covered him in our Christmas show

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<v Speaker 1>this year. Oh yeah, that's a deep cut right there.

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<v Speaker 1>And then that's all I have. But um, I could

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<v Speaker 1>have sworn we did it on Frisbees, but I cannot

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<v Speaker 1>find it. Yeah. I feel like we did Frisbees too,

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<v Speaker 1>because I think we talked about like frall for something

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<v Speaker 1>at some point. Yeah, I don't know. Maybe it's out

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<v Speaker 1>there and I just didn't or maybe it's under a

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<v Speaker 1>flying disc or something. Oh that's possible. Yeah, we made

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<v Speaker 1>that joke about calling it a novelty flying disc because Frisbee,

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<v Speaker 1>like used to see everybody who called anything else to Frisbee.

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<v Speaker 1>Maybe I'll have to look, but that there's probably more

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<v Speaker 1>out there. But that's a solid you know, twelve or thirteen.

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<v Speaker 1>That's pretty good, which leads us to edge sketch. Yes,

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<v Speaker 1>one of the hundred top hundred toys of the century,

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<v Speaker 1>according to UM, I want to say not the toy

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<v Speaker 1>Hall of Fame. It's just in the Toy Hall of Fame.

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<v Speaker 1>Kid who makes lists online? All right, Uh, this is

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<v Speaker 1>the hundred best toys of the century. This is the

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<v Speaker 1>hundred best guitar solos of the seventies. Oh man, I'd

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<v Speaker 1>love to do a show on that. That would be

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<v Speaker 1>pretty cool. I can't remember who named that that who

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<v Speaker 1>made that list, but it's a high honor. It's a

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<v Speaker 1>high accolade, even if we can't remember who came up

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<v Speaker 1>with it. Like, it just catches the ubiquitous toy. Everybody

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<v Speaker 1>knows what an that just sketches unless you go to

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<v Speaker 1>France and then they'll say, oh, you mean like cro

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<v Speaker 1>magic and you you might say, like, well, why would

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<v Speaker 1>they have anything to say about the extra sketch in France?

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<v Speaker 1>Turns out, buddy, the a just sketch is actually French

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<v Speaker 1>in origin. Did you know that before this? I did not.

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<v Speaker 1>I didn't either, because it seems like super American, you know,

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<v Speaker 1>it looks like a TV and just feels like pure Americana.

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<v Speaker 1>So when I realized I had some French stank on it, uh,

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<v Speaker 1>my dreams were dashed. You like, it smells like champagne

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<v Speaker 1>and cheese. Which is kind of pleasant. No, I didn't

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<v Speaker 1>really care. I thought it was I thought it was great. Sketch,

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<v Speaker 1>erase and sketch again. The logline that will forever be

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<v Speaker 1>tied to this really interesting little toy. And um, I

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<v Speaker 1>can't remember who it is in this article, but they

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<v Speaker 1>were interviewing different folks. I think it was someone from

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<v Speaker 1>the company commented, and I totally agree that, like, it's

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<v Speaker 1>amazing that today, in in the digital world and Bluetooth

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<v Speaker 1>and WiFi and video gaming as it is, that this

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<v Speaker 1>little um low fi toy that doesn't even have batteries

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<v Speaker 1>in it, much less hook up to the internet is

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<v Speaker 1>still like super popular and still has a little bit

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<v Speaker 1>of mystique. And I agree with them, And I think

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<v Speaker 1>the reason why one of them is like you look

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<v Speaker 1>at it and you're still kind of like, how does

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<v Speaker 1>this thing work? Right, Well, we're going to ruin that

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<v Speaker 1>mystique for everybody because we're gonna explain how it works

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<v Speaker 1>actually in this episode. But hopefully it won't affect that

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<v Speaker 1>just sketch sales, because we love I just catch you know,

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<v Speaker 1>all right, should we go to France? We will go

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<v Speaker 1>to France sometime. It's apparently not clear whether it was

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<v Speaker 1>nineteen fifty five or nineteen fifty six, But in a

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<v Speaker 1>little town called Vitry Sir Sin, which means Victory on

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<v Speaker 1>the Sin River, there was a company called what was

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<v Speaker 1>the name of the company, chuck uh lynn crusta company name.

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<v Speaker 1>It is a terrible name. But the reason they called

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<v Speaker 1>themselves that is because Lynn Crusta is a type of

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<v Speaker 1>wall covering that was really popular in the nineteenth or

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<v Speaker 1>early twenty centuries. You know, like, have you ever been

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<v Speaker 1>into an old, creepy, abandoned house and like the walls

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<v Speaker 1>are covered in what looks like dimpled tin with like

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<v Speaker 1>some weird patterns to it or whatever. M m no,

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<v Speaker 1>but keep going, Okay, So where if you you could

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<v Speaker 1>rub your hand over it's very much it's like heavily embossed.

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<v Speaker 1>Sometimes it's painted and it's just imagined. That is like

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<v Speaker 1>Wayne scouting in the house. That is Lynn Crusta. And

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<v Speaker 1>so that is one of the two things that this

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<v Speaker 1>company made in the fifties, Lynn crusta wall coverings and

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<v Speaker 1>artificial leather that is really neither here nor there, but

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<v Speaker 1>I could I was with you. I was like, what

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<v Speaker 1>kind of a name is that for a company. I

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<v Speaker 1>looked it up. They just basically be like if you

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<v Speaker 1>and I called our podcast podcast, because that's what we did,

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<v Speaker 1>was make podcasts, crust pod Crusta, just the name crust Anyway.

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<v Speaker 1>I think I know what you're talking about because I have,

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<v Speaker 1>uh we have a pie safe that has that metal

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<v Speaker 1>tin stuff. But it's I've never seen it on a wall,

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<v Speaker 1>but I bet it's about the same thing, virtually the

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<v Speaker 1>same thing. Yeah, okay, so that's link Crusta and that's

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<v Speaker 1>where this guy worked. His name was Andre Cassagnas. Well,

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<v Speaker 1>if it's French, wouldn't it be uh Caissan is that pronounced? Yeah,

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<v Speaker 1>I think you just nailed it. Actually, Andre Cassong. Well

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<v Speaker 1>that's what we're gonna call him. And we have gone

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<v Speaker 1>back in time. You didn't know fifty five or fifty six,

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<v Speaker 1>I say we go to fifty four. Just play it safe,

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<v Speaker 1>setup shop in France and maybe get some emails done.

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<v Speaker 1>Alright for a couple of years. Why not we could

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<v Speaker 1>use a break um because you know, podcaster burnouts a

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<v Speaker 1>real thing. Really, we're dropping, We're dropping like flies, all right.

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<v Speaker 1>So he's working in this factory. It's north of Paris,

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<v Speaker 1>and they are making these uh wall coverings like you're

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<v Speaker 1>talking about. And he this is a little confusing how

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<v Speaker 1>this actually happens if you ask me, or at least

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<v Speaker 1>the way that the first article put it, it's confusing.

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<v Speaker 1>Oh you're leaving it to me. I noticed by your

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<v Speaker 1>by your pass after that, well, I mean no, let's

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<v Speaker 1>let's I'll start it. But I just still don't quite

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<v Speaker 1>get it. He marked up with pencil on a see

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<v Speaker 1>through decal, so like he was putting on an electrical plate,

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<v Speaker 1>um like a light switch. And on that plate, like

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<v Speaker 1>many things, has like a little see through plastic that

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<v Speaker 1>you peel off. Um, so he was writing on that

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<v Speaker 1>he peeled it off. But then that's where it loses me.

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<v Speaker 1>It's to exactly what took place. So okay, remember this

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<v Speaker 1>is link Crusta and they make metal wall coverings, which

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<v Speaker 1>means there's metal dust in the air, metal shavings everywhere, right,

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<v Speaker 1>all of them are. Um that's what's crazy. This guy

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<v Speaker 1>made it to that ripole age of eighty six after

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<v Speaker 1>breathing that for years. But um, so there's there's metal

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<v Speaker 1>dust everywhere, including on this electrical switch plate that he's installing.

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<v Speaker 1>And I guess the decal against the plate. And I

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<v Speaker 1>think what happened was when he marked on the decal

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<v Speaker 1>and pulled the decale off, he'd seen that he had

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<v Speaker 1>disturbed the metal shavings that were stuck to the underside

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<v Speaker 1>of the decal. Do you see what I mean? Like

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<v Speaker 1>he he had disturbed the shape, so so there was

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<v Speaker 1>like the whole decal is coated in a metal dust.

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<v Speaker 1>He marks on it with a pencil and the impression

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<v Speaker 1>that he makes like gouges out lines on the backside

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<v Speaker 1>the decal. But I know it's really tough. It was magic. Basically,

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<v Speaker 1>this man witnessed a feat of magic that still cannot

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<v Speaker 1>be explained to this day. And that's where he got

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<v Speaker 1>his idea for the etch just sketch amazing. So a big,

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<v Speaker 1>big moment he has that that literal lightbulb that goes

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<v Speaker 1>off of his or I'm not literal of course, light

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<v Speaker 1>bulb above his head, although you never know, there may

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<v Speaker 1>have been a light bulb in that factory right above

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<v Speaker 1>his head. Why not? Uh? And he said, all right,

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<v Speaker 1>this is uh, this, this can be something. He however,

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<v Speaker 1>did not have a lot of money to sink into

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<v Speaker 1>this weird idea, and so he had to partner with

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<v Speaker 1>somebody with money, man named Paul uh Chase c j

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<v Speaker 1>z E or maybe Shaw's if he's French. And this

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<v Speaker 1>guy had some dough because he owned a plastic injection

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<v Speaker 1>molding company. This is like early on, I wonder if

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<v Speaker 1>we could count. That's a toy, the the little plastic

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<v Speaker 1>machines that spent out little plastic guitars in Chicago and

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<v Speaker 1>it zoos. Yes, Rama, that would definitely count. Yeah, that

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<v Speaker 1>goes on the list. Yeah, so he didn't. It wasn't

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<v Speaker 1>mold rama, but it was plastic injection molding that this

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<v Speaker 1>guy made his money from. Uh. And this where things

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<v Speaker 1>get a little confusing historically because, uh, the man who

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<v Speaker 1>his accountant, his name was Arthur Grangenny. You are nailing

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<v Speaker 1>the French today. Try to run French people, You can't.

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<v Speaker 1>Chuck is pronouncing your words just beautifully. So his accountant

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<v Speaker 1>is actually given credit a lot of times because he

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<v Speaker 1>filed the patent under his name, which I'm curious about

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<v Speaker 1>how that works legally. Uh. He so he was do

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<v Speaker 1>you remember the first time we did south By Southwest

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<v Speaker 1>and on the sign it had like somebody I can't

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<v Speaker 1>remember whose name it was, but whoever had like filed

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<v Speaker 1>the application to get us into south By Southwest. It

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<v Speaker 1>said that like, that's who was performing in the room

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<v Speaker 1>that day. I think this is the same, basically the

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<v Speaker 1>same thing. Where as like the US government bureaucracy, the

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<v Speaker 1>Patent and UM Trademark office basically said, whoever his name

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<v Speaker 1>is on there, that is, who is the patent holder.

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<v Speaker 1>And since um Grand Gene, who was the accountant of Chaise,

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<v Speaker 1>who was the partner of qusayan Um, since he was

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<v Speaker 1>the one who actually filled out the application and paid

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<v Speaker 1>for the application for the patent, as far as the

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<v Speaker 1>government was concerned, he was the person who patented the

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<v Speaker 1>just catch in the United States, even though grand made

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<v Speaker 1>no claim on it whatsoever, immediately transferred the title over

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<v Speaker 1>to Shase. He's for for decades, everybody thought Arthur grand

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<v Speaker 1>Jean was the guy who invented the A sketch. Interesting, alright,

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<v Speaker 1>so that was July nine fifty nine was when this

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<v Speaker 1>patent was granted. And um, I guess we should just

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<v Speaker 1>look at the little guy itself, the little TV, looking

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<v Speaker 1>that iconic red frame with the two dials which it

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<v Speaker 1>didn't have initially. Well we'll get to that. But um,

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<v Speaker 1>the underside of the screen here has what's known in

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<v Speaker 1>the patent as a pull virulent material such as aluminum powder.

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<v Speaker 1>Is that French as well? I don't know, uh? And

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<v Speaker 1>then to keep that from clumping up there a little

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<v Speaker 1>tiny plastic beads and then the two knobs control um

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<v Speaker 1>again from the patent, a movable tracing stylus, although initially

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<v Speaker 1>it was a joystick, isn't that right? Yeah, yeah, basically

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<v Speaker 1>like an atari um, but it served the same purpose

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<v Speaker 1>and it was it was um held together the same

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<v Speaker 1>way through an intricate system of pulleys and gears that

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<v Speaker 1>that moved the stylus either upward or downward. And then

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<v Speaker 1>if you combine the upward and downward together you could

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<v Speaker 1>make the diagonals and circles and stuff like that. But

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<v Speaker 1>it's if you it's really tough to describe what's going

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<v Speaker 1>on and and and that's just sketch. But there's an

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<v Speaker 1>House Stuff Works article from years back called Inside and

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<v Speaker 1>that just sketch where the people the House of Verse

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<v Speaker 1>like took one apart and photographed it and explained it

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<v Speaker 1>step by step, and it really becomes much simpler and

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<v Speaker 1>ruins any bit of magic. There is to it when

0:13:22.040 --> 0:13:24.319
<v Speaker 1>you see inside ants just sketch, but it's still kind

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<v Speaker 1>of wondrous, you know, like the engineer and you was like, wow,

0:13:27.080 --> 0:13:29.920
<v Speaker 1>that's pretty cool. Yeah, it's sort of like, Um, I mean,

0:13:29.960 --> 0:13:32.520
<v Speaker 1>it's not a negative image, I don't think. But what's

0:13:32.520 --> 0:13:36.080
<v Speaker 1>going on when you're moving those knobs, Uh, there's a

0:13:36.120 --> 0:13:40.000
<v Speaker 1>stylist that's actually removing like the screen is coated with

0:13:40.000 --> 0:13:43.960
<v Speaker 1>this powder. So it's actually removing powder, not adding something

0:13:44.000 --> 0:13:47.680
<v Speaker 1>to the screen. Yes, exactly. And of course if you

0:13:47.720 --> 0:13:51.720
<v Speaker 1>want to get that away and start a new picture,

0:13:52.040 --> 0:13:54.760
<v Speaker 1>you just shake that thing up and that recoads the

0:13:54.760 --> 0:13:58.280
<v Speaker 1>screen once again with that powder. Yeah. So like you

0:13:58.320 --> 0:14:01.000
<v Speaker 1>know how your TV screen always has tons of dust

0:14:01.080 --> 0:14:03.560
<v Speaker 1>on it, no matter how often you dust it. Sure,

0:14:04.480 --> 0:14:08.480
<v Speaker 1>So that's because like that dust is attracted electrostatically through

0:14:08.480 --> 0:14:12.560
<v Speaker 1>an electrical charge to the glass. That's they take advantage

0:14:12.559 --> 0:14:15.840
<v Speaker 1>of that same thing with the underside of the um

0:14:16.000 --> 0:14:19.040
<v Speaker 1>etch a sketch and that aluminum dust which sticks to everything,

0:14:19.080 --> 0:14:21.000
<v Speaker 1>like it wants to stick to the glass because I

0:14:21.000 --> 0:14:23.600
<v Speaker 1>think it's missing some electrons or something. And then when

0:14:23.640 --> 0:14:26.440
<v Speaker 1>you move the stylus through it, you're just removing that

0:14:26.440 --> 0:14:28.920
<v Speaker 1>that dust. Like you said, it's not a negative. It's

0:14:28.960 --> 0:14:31.760
<v Speaker 1>the removal of dust. And that's the next that just

0:14:31.800 --> 0:14:34.760
<v Speaker 1>sketch like at its at its core. And what's interesting,

0:14:34.840 --> 0:14:37.520
<v Speaker 1>Chuck is like, that is how a nuts just sketch

0:14:37.600 --> 0:14:40.760
<v Speaker 1>today works. That's how ants just sketch worked in nineteen

0:14:40.880 --> 0:14:45.200
<v Speaker 1>sixty two, like the two meaning like also but that

0:14:45.200 --> 0:14:49.600
<v Speaker 1>that that dude, Andre Cassaigne said, this is how this

0:14:49.680 --> 0:14:52.280
<v Speaker 1>is gonna work. And it's it's basically the same thing.

0:14:52.600 --> 0:14:55.240
<v Speaker 1>That's pretty awesome. Uh, let's take a break. Yes, we're

0:14:55.240 --> 0:15:18.480
<v Speaker 1>gonna come back and talk about coming stateside right after this. Alright, So, Chuck,

0:15:18.600 --> 0:15:20.960
<v Speaker 1>so how did we agree on his last name? I

0:15:21.000 --> 0:15:24.000
<v Speaker 1>think I'm butchering it still. And I even took years

0:15:24.000 --> 0:15:26.640
<v Speaker 1>of French in high school. I think he said casserole.

0:15:28.200 --> 0:15:33.720
<v Speaker 1>All right, Andre Casserole. That seems it seems wrong. Yeah,

0:15:33.800 --> 0:15:38.640
<v Speaker 1>I'm I'm still gonna go with Cassan. Okay, there you go.

0:15:39.120 --> 0:15:43.320
<v Speaker 1>Andre Cassan. Um, he knew he was onto something like

0:15:43.360 --> 0:15:45.760
<v Speaker 1>this guy was an electrician. He was like, this is

0:15:45.920 --> 0:15:48.840
<v Speaker 1>a great idea, this is a prototype I made, This

0:15:48.920 --> 0:15:52.400
<v Speaker 1>is this is worth something? So he um and Cruise,

0:15:52.480 --> 0:15:56.400
<v Speaker 1>I guess funded a trip to the Nuremberg Toy Fair

0:15:57.160 --> 0:16:02.080
<v Speaker 1>UM in ninety nine. And uh, it was there that

0:16:02.400 --> 0:16:06.200
<v Speaker 1>Cassan was walking around saying, check this thing out. It

0:16:06.360 --> 0:16:10.360
<v Speaker 1>is yours for a mere hundred thousand dollars, which at

0:16:10.400 --> 0:16:13.920
<v Speaker 1>the time was a lot of money. I think it

0:16:14.000 --> 0:16:17.480
<v Speaker 1>was eight hundred and seventy thou dollars today. And that's

0:16:17.480 --> 0:16:19.720
<v Speaker 1>what this guy wanted for the for the right to

0:16:19.800 --> 0:16:23.960
<v Speaker 1>produce this um. And every toymaker at the place said no,

0:16:24.480 --> 0:16:29.000
<v Speaker 1>including a little toymaker called ohio Art Um. Everybody turned

0:16:29.040 --> 0:16:31.600
<v Speaker 1>it down, and Cassan went home from the toy fair

0:16:31.640 --> 0:16:35.520
<v Speaker 1>empty handed. But he he didn't give up. He still persisted.

0:16:35.800 --> 0:16:38.320
<v Speaker 1>But that was a big strikeout for him right out

0:16:38.320 --> 0:16:42.400
<v Speaker 1>of the gate. Yes, so Ohio Art eventually settles on

0:16:42.480 --> 0:16:45.560
<v Speaker 1>a number of grand for the rights to make this

0:16:45.640 --> 0:16:49.280
<v Speaker 1>thing in the United States. Uh. It is still called

0:16:49.920 --> 0:16:54.000
<v Speaker 1>La Chrome Magique in France because they had a different

0:16:54.040 --> 0:16:56.120
<v Speaker 1>licensing deal over there. From the from the get go

0:16:57.080 --> 0:16:59.920
<v Speaker 1>Um and Ohio Art company is pretty interesting. It started,

0:17:00.040 --> 0:17:04.040
<v Speaker 1>did you see that thing? Should? Yeah? They started out

0:17:04.080 --> 0:17:07.159
<v Speaker 1>in nineteen o eight, founded by a man named a

0:17:07.280 --> 0:17:12.480
<v Speaker 1>dentist named Dr Henry S. WinCE Winsler in Archibald Ohio.

0:17:13.119 --> 0:17:17.760
<v Speaker 1>He gets out of dentistry because he's like, hey, man,

0:17:17.840 --> 0:17:22.720
<v Speaker 1>toys is the future. Toys is There's no future in teeth.

0:17:23.000 --> 0:17:25.639
<v Speaker 1>In a decade, no one in America is gonna have teeth.

0:17:25.720 --> 0:17:29.880
<v Speaker 1>It's just a losing trade to be in his dentistry. Yeah,

0:17:29.960 --> 0:17:32.760
<v Speaker 1>so he uh all the way forward. He rented a

0:17:33.119 --> 0:17:38.600
<v Speaker 1>UM musical, hired fifteen women and they were making metal

0:17:38.680 --> 0:17:43.560
<v Speaker 1>picture frames at first, to great great success. M hmm yeah. Um.

0:17:44.040 --> 0:17:48.040
<v Speaker 1>So they they use something called the metal lithography, which

0:17:48.080 --> 0:17:52.000
<v Speaker 1>is a type of printing, and I think the metal

0:17:52.119 --> 0:17:55.840
<v Speaker 1>refers to like the medium that you're using to print with,

0:17:56.359 --> 0:17:59.080
<v Speaker 1>like the like you carve a picture out of metal

0:17:59.119 --> 0:18:01.040
<v Speaker 1>and you put inc it and then you print on

0:18:01.080 --> 0:18:04.119
<v Speaker 1>whatever you want. But they were printing on to metal.

0:18:04.440 --> 0:18:07.720
<v Speaker 1>Like they had like these UM picture frames and pictures

0:18:07.720 --> 0:18:10.760
<v Speaker 1>that were like a huge seller of a Cupid. It

0:18:10.880 --> 0:18:13.560
<v Speaker 1>was a pair of like oval plates basically, but they

0:18:13.560 --> 0:18:16.520
<v Speaker 1>were metal printed printed pictures on them, like a Cupid

0:18:16.560 --> 0:18:20.440
<v Speaker 1>hanging out and then the same Cupid sleeping, and it's

0:18:20.520 --> 0:18:23.000
<v Speaker 1>just kind of like whatever, Like these days, it seems

0:18:23.040 --> 0:18:25.800
<v Speaker 1>kind of it's got a tinge of old timey creepiness.

0:18:25.840 --> 0:18:29.000
<v Speaker 1>But in the first half of the twentieth century, there

0:18:29.000 --> 0:18:32.800
<v Speaker 1>were fifty million sets of those things sold in the

0:18:32.880 --> 0:18:36.440
<v Speaker 1>United States, which is an astounding amount. It's basically every

0:18:36.480 --> 0:18:38.879
<v Speaker 1>house in America had a pair of this, and that

0:18:38.960 --> 0:18:42.680
<v Speaker 1>really kind of made Ohio art like a very viable business.

0:18:43.160 --> 0:18:46.520
<v Speaker 1>But they eventually got into things like sand pails and

0:18:46.560 --> 0:18:49.000
<v Speaker 1>little trucks and that kind of thing. Anything that was

0:18:49.040 --> 0:18:51.879
<v Speaker 1>printed with metal before the time that plastic toys came along,

0:18:52.080 --> 0:18:54.480
<v Speaker 1>they were into so it wasn't a huge leap into

0:18:54.520 --> 0:18:56.560
<v Speaker 1>the edge just sketch, but the edge sketch was definitely

0:18:56.600 --> 0:18:59.679
<v Speaker 1>different than anything that they'd ever kind of messed around

0:18:59.680 --> 0:19:06.240
<v Speaker 1>with for Did you know I've done metal lithography? No? Yeah,

0:19:06.240 --> 0:19:09.320
<v Speaker 1>it was one of our in industrial arts. It was,

0:19:09.680 --> 0:19:11.600
<v Speaker 1>you know, and at least at my school, each quarter

0:19:11.640 --> 0:19:16.280
<v Speaker 1>you did a different medium or whatever, and uh, lithography

0:19:16.520 --> 0:19:19.280
<v Speaker 1>was something we did one quarter. Do you remember what

0:19:19.359 --> 0:19:24.800
<v Speaker 1>you printed? I'm trying to remember what I printed. It's

0:19:24.840 --> 0:19:26.639
<v Speaker 1>funny I can remember that because we also at one

0:19:26.720 --> 0:19:30.280
<v Speaker 1>quarter was screen printing. Remember the T shirts? I did

0:19:30.320 --> 0:19:34.280
<v Speaker 1>monkeys T shirts like this, see no evil here, No

0:19:34.400 --> 0:19:38.840
<v Speaker 1>evil monkeys. No, the Band of Monkeys. They're there their

0:19:39.200 --> 0:19:43.639
<v Speaker 1>logo with the guitar spelled out as monkeys, Like, wow,

0:19:43.720 --> 0:19:46.760
<v Speaker 1>did you draw it yourself? No? No, no, of course

0:19:46.800 --> 0:19:50.800
<v Speaker 1>not um, but we did metal sheet lithography. I don't

0:19:50.840 --> 0:19:54.720
<v Speaker 1>remember all of the process, but what I do remember

0:19:54.960 --> 0:20:01.160
<v Speaker 1>was essentially was like burning chemically burning images onto metal

0:20:01.200 --> 0:20:06.360
<v Speaker 1>plates and then that metal plate was used to print. Okay,

0:20:07.280 --> 0:20:11.680
<v Speaker 1>So so the metal and metal lithography does it talks

0:20:11.720 --> 0:20:14.520
<v Speaker 1>about the metal press that you're using to print with

0:20:15.320 --> 0:20:18.080
<v Speaker 1>like at the end of There may be different processes,

0:20:18.200 --> 0:20:21.680
<v Speaker 1>but in my class, we would um do this thing

0:20:21.720 --> 0:20:25.280
<v Speaker 1>and apply this like uh image with like this gel

0:20:25.600 --> 0:20:28.920
<v Speaker 1>onto a metal sheet and use this combination of chemicals

0:20:28.920 --> 0:20:31.000
<v Speaker 1>that would burn that into like make it part of

0:20:31.000 --> 0:20:33.080
<v Speaker 1>the metal. And then all of a sudden you would

0:20:33.119 --> 0:20:35.520
<v Speaker 1>have a metal sheet within thing on it like a

0:20:35.560 --> 0:20:38.480
<v Speaker 1>negative image, and then you would use that in the

0:20:38.480 --> 0:20:42.040
<v Speaker 1>printing process to print a positive image, right, and you

0:20:42.040 --> 0:20:45.720
<v Speaker 1>could print use that to print onto anything including other metal. Right.

0:20:46.440 --> 0:20:48.719
<v Speaker 1>Well hey man, that's where my knowledge and again this

0:20:48.800 --> 0:20:50.880
<v Speaker 1>was ninth grade me, so I've I've forgotten a lot

0:20:50.880 --> 0:20:54.520
<v Speaker 1>of things over that time period, right, And I'm sure

0:20:54.520 --> 0:20:57.000
<v Speaker 1>I just butchered that. But that's my one little dance

0:20:57.000 --> 0:20:59.679
<v Speaker 1>with metal lithography. Well, I'll tell you who would be

0:20:59.680 --> 0:21:02.240
<v Speaker 1>able to tell us exactly how you could, um, how

0:21:02.400 --> 0:21:05.240
<v Speaker 1>metal lithography works. It's anybody who works at Ohio Art,

0:21:05.280 --> 0:21:08.160
<v Speaker 1>because not only was that their bread and butter before

0:21:08.160 --> 0:21:12.919
<v Speaker 1>the atch just catch it still is today. Actually so

0:21:12.920 --> 0:21:15.440
<v Speaker 1>so Ohio Art, like I guess, gets in touch with

0:21:15.960 --> 0:21:19.880
<v Speaker 1>um Andre Cassan and and either he got in touch

0:21:19.880 --> 0:21:21.400
<v Speaker 1>with them again or they got in touch with him.

0:21:21.440 --> 0:21:24.280
<v Speaker 1>I think it was the ladder of the two and said, hey,

0:21:24.400 --> 0:21:26.320
<v Speaker 1>we heard you're selling this for a hundred grand. It's

0:21:26.400 --> 0:21:29.400
<v Speaker 1>way too rich for our blood. How about either fifteen

0:21:29.400 --> 0:21:32.600
<v Speaker 1>thousand or twenty five thousand, depending on who you ask

0:21:32.640 --> 0:21:34.879
<v Speaker 1>in the future. And Cassan is like, what are you

0:21:34.920 --> 0:21:37.320
<v Speaker 1>talking about there, Like, just take the money. And so

0:21:37.600 --> 0:21:40.280
<v Speaker 1>they either got it for fifteen thousand or twenty five thousand,

0:21:40.320 --> 0:21:42.840
<v Speaker 1>which is still substantial. I mean it was like around

0:21:42.840 --> 0:21:46.880
<v Speaker 1>a hundred k or um two k something like that,

0:21:46.920 --> 0:21:50.040
<v Speaker 1>depending on which one it was, and Cassan was quite

0:21:50.040 --> 0:21:53.280
<v Speaker 1>a happy man. There was a story where Um, the

0:21:53.320 --> 0:21:55.520
<v Speaker 1>guy who was running the show at Ohio Art and

0:21:55.600 --> 0:21:58.720
<v Speaker 1>his wife went over to meet Andre Cassan and just

0:21:58.800 --> 0:22:00.720
<v Speaker 1>kind of have like an initial eating and like shake

0:22:00.800 --> 0:22:04.040
<v Speaker 1>his hand and all that and buy the license from him,

0:22:04.080 --> 0:22:06.720
<v Speaker 1>and Cassan was like welcome and had like this huge

0:22:06.720 --> 0:22:09.560
<v Speaker 1>spread of baguettes and champagne and everything at his house,

0:22:09.600 --> 0:22:11.560
<v Speaker 1>which is pretty cute because there was just like this

0:22:11.640 --> 0:22:14.439
<v Speaker 1>humble guy who came up with a really great idea

0:22:14.480 --> 0:22:17.520
<v Speaker 1>for a toy and was finally like selling it for

0:22:17.600 --> 0:22:25.000
<v Speaker 1>a lot of cash. Interesting, what the baggetts in champagne? Yeah,

0:22:25.040 --> 0:22:27.240
<v Speaker 1>but you know what are you gonna do? Well? Went

0:22:27.280 --> 0:22:31.119
<v Speaker 1>in France, right, so he is. Once he's on board

0:22:31.119 --> 0:22:35.240
<v Speaker 1>with Ohio Art, he gets together with their chief engineer,

0:22:35.320 --> 0:22:39.920
<v Speaker 1>Jerry Burger and says, and Burger's like, listen here, frenchie,

0:22:40.440 --> 0:22:43.000
<v Speaker 1>you need to drop the joystick. It's all knobs these days.

0:22:43.880 --> 0:22:47.520
<v Speaker 1>And he said, what does that knob? And he was like, well,

0:22:47.600 --> 0:22:50.879
<v Speaker 1>let me show you, and he he introduced the idea

0:22:51.040 --> 0:22:53.600
<v Speaker 1>of UM, the same system like you were talking about,

0:22:53.600 --> 0:22:57.200
<v Speaker 1>but knobs instead of a joystick to move that little

0:22:57.200 --> 0:23:01.119
<v Speaker 1>line horizontal or vertical, or as you pointed out, if

0:23:01.119 --> 0:23:03.760
<v Speaker 1>you're really talented and you can master both at once,

0:23:04.160 --> 0:23:07.280
<v Speaker 1>you can actually do UM rooted. Well, if you're really good,

0:23:07.320 --> 0:23:11.919
<v Speaker 1>you can do very nice current lines. But beyond rudimentary.

0:23:12.359 --> 0:23:15.280
<v Speaker 1>No neither am I I can make a line go

0:23:15.440 --> 0:23:17.920
<v Speaker 1>up and a line go to the left or right. Yeah,

0:23:17.960 --> 0:23:19.800
<v Speaker 1>well we'll get you can't even make it go down.

0:23:20.480 --> 0:23:23.520
<v Speaker 1>We'll get to the art of it. Um maybe at

0:23:23.560 --> 0:23:26.200
<v Speaker 1>the end. But because there are some serious artists out

0:23:26.200 --> 0:23:29.439
<v Speaker 1>there doing some cool stuff, but at any rate, at

0:23:29.560 --> 0:23:32.000
<v Speaker 1>just sketch. It was rebranded as etch a sketch in

0:23:32.040 --> 0:23:35.919
<v Speaker 1>the United States, Ohio Arts producing them for the nineteen

0:23:36.000 --> 0:23:40.520
<v Speaker 1>six holiday season and they sold about six hundred thousand

0:23:40.560 --> 0:23:45.960
<v Speaker 1>of these um that year, which is a it's a lot, yeah,

0:23:46.000 --> 0:23:47.640
<v Speaker 1>and they sold it for a lot of money too.

0:23:47.720 --> 0:23:50.760
<v Speaker 1>They they went for sale at two dollars and nine

0:23:51.240 --> 0:23:56.760
<v Speaker 1>cents apiece, which is sixty four in today's money. Um.

0:23:57.320 --> 0:23:58.760
<v Speaker 1>But I mean if you go by and it's just

0:23:58.760 --> 0:24:01.240
<v Speaker 1>sketched today, it's between and in fifteen bucks. So that

0:24:01.320 --> 0:24:03.480
<v Speaker 1>was a lot of money, especially to sell six hundred

0:24:03.520 --> 0:24:06.439
<v Speaker 1>thousand of these things, especially if you were selling like

0:24:06.560 --> 0:24:11.399
<v Speaker 1>creepy you know, metal waste baskets with an unsettling clown

0:24:11.480 --> 0:24:14.639
<v Speaker 1>painted on it are printed on it like right before this.

0:24:14.640 --> 0:24:16.800
<v Speaker 1>This is a huge it was. It was a good

0:24:16.800 --> 0:24:19.040
<v Speaker 1>move by the people at Ohio Art to buy the

0:24:19.119 --> 0:24:21.440
<v Speaker 1>license of this thing, in other words, and they say,

0:24:21.560 --> 0:24:26.920
<v Speaker 1>chook that it coincided really perfectly with television, so much

0:24:26.960 --> 0:24:28.800
<v Speaker 1>so that that they believe like that is one of

0:24:28.840 --> 0:24:31.040
<v Speaker 1>the reasons why Jerry Burger was like, you need knobs,

0:24:31.280 --> 0:24:33.359
<v Speaker 1>this thing needs to look like a TV set, because

0:24:33.640 --> 0:24:36.720
<v Speaker 1>that's what's all the rage with the kids right now. Yeah,

0:24:36.720 --> 0:24:39.880
<v Speaker 1>and he um. It was one of the first toys

0:24:40.280 --> 0:24:43.840
<v Speaker 1>to actually do a TV commercial. And so if it's

0:24:43.960 --> 0:24:48.760
<v Speaker 1>NIX and you're a child watching, first of all, your

0:24:48.800 --> 0:24:51.200
<v Speaker 1>mind is blown because you're watching in television to begin with.

0:24:52.080 --> 0:24:54.400
<v Speaker 1>It's just like you, I can't believe this. I can't

0:24:54.400 --> 0:24:57.280
<v Speaker 1>believe what's going on right now. Then a TV commercial

0:24:57.320 --> 0:25:01.200
<v Speaker 1>comes on for a toy uh uh, and this toy

0:25:01.280 --> 0:25:03.959
<v Speaker 1>has animation in it to where like they would at

0:25:04.080 --> 0:25:06.040
<v Speaker 1>just sketch a little rocket ship and then that rocket

0:25:06.080 --> 0:25:09.320
<v Speaker 1>ship that rocket ship would animate and take off. And

0:25:09.560 --> 0:25:12.040
<v Speaker 1>this was like these kids might have I mean, keep

0:25:12.080 --> 0:25:15.159
<v Speaker 1>in mind, kids in nineteen sixty were idiots, but they

0:25:15.280 --> 0:25:18.760
<v Speaker 1>might as well have been dosed with lsd mm hmm.

0:25:18.880 --> 0:25:22.000
<v Speaker 1>You know, they just kept fainting over and over again

0:25:22.000 --> 0:25:24.439
<v Speaker 1>throughout the commercial because they could not believe what they

0:25:24.440 --> 0:25:27.879
<v Speaker 1>were seeing. And it's just it's just an etch, just sketch,

0:25:27.920 --> 0:25:34.439
<v Speaker 1>you know. Yeah, but it's genius. I love it. It is,

0:25:34.520 --> 0:25:37.639
<v Speaker 1>but it really I think the point was though that

0:25:38.160 --> 0:25:43.320
<v Speaker 1>like taking advantage of the novelty of TV and also

0:25:43.680 --> 0:25:46.280
<v Speaker 1>now having away like if you we just tried to

0:25:46.320 --> 0:25:49.840
<v Speaker 1>explain and that just sketch over a podcast prior to TV,

0:25:50.040 --> 0:25:51.919
<v Speaker 1>if that just sketch you come out during like the

0:25:51.960 --> 0:25:55.000
<v Speaker 1>Little Orphan, any radio era, they would have had to

0:25:55.040 --> 0:25:57.280
<v Speaker 1>have done the same thing. It wouldn't have landed quite

0:25:57.280 --> 0:25:59.800
<v Speaker 1>as well. The fact that a kid could see this

0:26:00.040 --> 0:26:03.000
<v Speaker 1>happening on their TV screen, it was pretty awesome. And

0:26:03.000 --> 0:26:05.119
<v Speaker 1>then also to say and then you just shake it,

0:26:05.119 --> 0:26:07.320
<v Speaker 1>turn it upside down and shake it and code the

0:26:08.200 --> 0:26:12.080
<v Speaker 1>glass screen again and you're you're drawing is gone forever.

0:26:12.680 --> 0:26:15.560
<v Speaker 1>Like to be able to see that TV made the

0:26:15.640 --> 0:26:18.080
<v Speaker 1>it just gets what it was like. For sure. It

0:26:18.119 --> 0:26:22.479
<v Speaker 1>definitely ushered into a position where it could become like

0:26:22.560 --> 0:26:27.280
<v Speaker 1>a cultural icon of a nostalgia. Yeah, I mean, you know,

0:26:27.320 --> 0:26:29.439
<v Speaker 1>they perfected it by the time they started rolling off

0:26:29.480 --> 0:26:32.800
<v Speaker 1>in nineteen sixty. Prior to that, like any product like this,

0:26:32.920 --> 0:26:34.840
<v Speaker 1>there was a lot of R and d um. One

0:26:34.840 --> 0:26:36.840
<v Speaker 1>of the people who worked there, talked about the mountain

0:26:36.880 --> 0:26:39.440
<v Speaker 1>of red frames behind the factory while they were trying

0:26:39.480 --> 0:26:41.879
<v Speaker 1>to get it right. Um, and it was such a

0:26:41.960 --> 0:26:44.480
<v Speaker 1>huge smash it out of the gate that uh As

0:26:44.560 --> 0:26:48.480
<v Speaker 1>legend has it they were manufacturing up until noon on

0:26:48.600 --> 0:26:51.439
<v Speaker 1>Christmas Eve just to get them to the West Coast

0:26:51.440 --> 0:26:55.639
<v Speaker 1>in time for Christmas morning. Yeah, that's pretty that's pretty cool.

0:26:56.400 --> 0:26:58.360
<v Speaker 1>I mean, they really wanted those kids to have those

0:26:58.359 --> 0:27:02.119
<v Speaker 1>Thats Just catches. They really wanted that money. Should we

0:27:02.160 --> 0:27:05.360
<v Speaker 1>take another break, Yeah, all right, we'll talk about some

0:27:05.359 --> 0:27:08.040
<v Speaker 1>some ways at Just Sketches ebbed and flowed and popularity

0:27:08.080 --> 0:27:29.600
<v Speaker 1>in pop culture over the years. Right for this, Chuck,

0:27:29.640 --> 0:27:31.159
<v Speaker 1>I don't know if we said it or not, but

0:27:31.680 --> 0:27:34.760
<v Speaker 1>from what I've seen, more than a hundred and seventy

0:27:34.880 --> 0:27:40.560
<v Speaker 1>five million ET Just sketches have been sold since nineteen six.

0:27:41.080 --> 0:27:42.800
<v Speaker 1>And we should point out we're not just like ticking

0:27:42.840 --> 0:27:45.640
<v Speaker 1>off a list of pop culture references. Like every time

0:27:45.640 --> 0:27:50.200
<v Speaker 1>this happened, uh ET Just Sketch sales would go up. Yeah,

0:27:50.280 --> 0:27:54.439
<v Speaker 1>like the Romney one increased sales like thirty percent. I

0:27:54.480 --> 0:27:56.760
<v Speaker 1>guess everybody was like, Oh, I just guess I forgot

0:27:56.800 --> 0:27:59.560
<v Speaker 1>about that. I think I'll go buy one right now. Well,

0:27:59.560 --> 0:28:04.119
<v Speaker 1>they actually branded after that, UM, Republican and Democrat sketches,

0:28:04.119 --> 0:28:06.240
<v Speaker 1>that didn't they Yeah, so you could buy a red

0:28:06.280 --> 0:28:08.040
<v Speaker 1>one or a blue one, but both of them came

0:28:08.040 --> 0:28:11.040
<v Speaker 1>with a sticker which I'm I'm assuming that they printed

0:28:11.040 --> 0:28:15.280
<v Speaker 1>on their metal lithography presses of a donkey and an elephant,

0:28:15.320 --> 0:28:17.120
<v Speaker 1>like playing Tugo war on the front of the White

0:28:17.119 --> 0:28:20.440
<v Speaker 1>House lawn. Yeah, that's just crazy, it is, but it's

0:28:20.480 --> 0:28:23.080
<v Speaker 1>also that's smart. You know, that's how you that's how

0:28:23.119 --> 0:28:27.000
<v Speaker 1>you make the money. UM. And then of course in

0:28:27.040 --> 0:28:30.760
<v Speaker 1>the movie Toy Story from Pixar, uh, that was UM

0:28:30.800 --> 0:28:33.720
<v Speaker 1>Like one of the character's name was and had the

0:28:33.760 --> 0:28:37.040
<v Speaker 1>fastest knobs in the West, and that was that was

0:28:37.080 --> 0:28:39.800
<v Speaker 1>always a very fun uh character. I think to see

0:28:39.840 --> 0:28:42.440
<v Speaker 1>them drawing things out really fast to communicate. Yeah, and

0:28:42.480 --> 0:28:44.600
<v Speaker 1>you know, you said something earlier, you were you were

0:28:44.600 --> 0:28:47.160
<v Speaker 1>talking about how like despite the fact that it doesn't

0:28:47.160 --> 0:28:51.440
<v Speaker 1>even have batteries, it's had the staying power for you know,

0:28:51.560 --> 0:28:55.960
<v Speaker 1>fifty something years, almost sixty years it's been around, UM

0:28:56.040 --> 0:28:58.720
<v Speaker 1>and it's a really simple thing that that the design

0:28:58.760 --> 0:29:01.800
<v Speaker 1>hasn't changed. And I think even more of a testimony

0:29:01.880 --> 0:29:05.320
<v Speaker 1>to you know, the the staying power of the etch

0:29:05.360 --> 0:29:07.880
<v Speaker 1>A Sketch is the fact that they have tried stuff

0:29:07.880 --> 0:29:11.200
<v Speaker 1>with batteries and like like things that connect to your

0:29:11.240 --> 0:29:14.760
<v Speaker 1>computer over the years, and nothing has managed to improve

0:29:14.840 --> 0:29:18.120
<v Speaker 1>on the original etch A sketch. Like there was do

0:29:18.120 --> 0:29:22.440
<v Speaker 1>you remember that at Just Sketch Animator? So I I

0:29:23.120 --> 0:29:25.120
<v Speaker 1>couldn't quite place it either, but I went and watched

0:29:25.120 --> 0:29:27.400
<v Speaker 1>an old ad. It was big in the eighties and

0:29:27.480 --> 0:29:30.560
<v Speaker 1>it was basically like an et just sketch, but there

0:29:30.640 --> 0:29:34.080
<v Speaker 1>was nothing mechanical about it. It was digital. You're creating

0:29:34.120 --> 0:29:38.600
<v Speaker 1>like a bit map digital picture and um. Then you'd

0:29:38.640 --> 0:29:40.640
<v Speaker 1>press like I guess play or something like that, and

0:29:40.680 --> 0:29:43.400
<v Speaker 1>it would just kind of run it um like a

0:29:43.440 --> 0:29:46.280
<v Speaker 1>flipbook over and over again. So your it just skets

0:29:46.360 --> 0:29:49.320
<v Speaker 1>drawing like came to life. But kids were like, no,

0:29:49.520 --> 0:29:52.280
<v Speaker 1>I'd rather have the original ETU sketch because that Sketch

0:29:52.320 --> 0:29:57.040
<v Speaker 1>Animator went away and the I just sketches still available today. Yeah,

0:29:57.080 --> 0:29:59.880
<v Speaker 1>I mean there have been um other variations. They had

0:29:59.880 --> 0:30:05.080
<v Speaker 1>the doodle sketch, Um, the plug in play, which this

0:30:05.120 --> 0:30:07.240
<v Speaker 1>sounds like a bad IDEA plug in play allows you

0:30:07.280 --> 0:30:10.080
<v Speaker 1>to draw on the TV screen. That's just asking for

0:30:10.160 --> 0:30:15.280
<v Speaker 1>trouble as a parent. UM and then the mobile app,

0:30:15.320 --> 0:30:18.520
<v Speaker 1>which I've been playing with today. Oh, how's it going? Well?

0:30:18.560 --> 0:30:20.600
<v Speaker 1>I mean, what do you think of this picture? Oh?

0:30:20.640 --> 0:30:23.560
<v Speaker 1>That's it's not bad. It looks kind of edges sketchy,

0:30:23.640 --> 0:30:25.720
<v Speaker 1>you know. Yeah, So what you can do is it's

0:30:25.760 --> 0:30:28.160
<v Speaker 1>kind of fun. UM. You can you can upload or

0:30:28.400 --> 0:30:31.840
<v Speaker 1>take a photo UM on your smartphone, plug it into

0:30:31.880 --> 0:30:35.520
<v Speaker 1>the app, and then it will instantly etchify it. And

0:30:35.760 --> 0:30:39.200
<v Speaker 1>what I've learned is that it's UM the more basic,

0:30:39.360 --> 0:30:42.520
<v Speaker 1>like a picture of your face, works much better than

0:30:42.560 --> 0:30:45.720
<v Speaker 1>something with a lot of stuff in the background. But

0:30:45.840 --> 0:30:48.640
<v Speaker 1>it's fun, right, yeah, you know, yeah, I like it.

0:30:48.800 --> 0:30:51.320
<v Speaker 1>I was reading reviews of the app. I didn't try

0:30:51.320 --> 0:30:55.000
<v Speaker 1>it myself like you, but it's uh it did say

0:30:55.040 --> 0:30:57.120
<v Speaker 1>like if it's a basic picture, you'll look way more

0:30:57.120 --> 0:31:00.880
<v Speaker 1>etch just sketchy. Yeah. So my official review is not bad.

0:31:00.960 --> 0:31:03.960
<v Speaker 1>So three stars out of six. Sure. I mean for

0:31:04.080 --> 0:31:07.120
<v Speaker 1>something that downloaded in thirty seconds and was free, I'm

0:31:07.120 --> 0:31:09.840
<v Speaker 1>gonna give it a half of them up, you know.

0:31:10.840 --> 0:31:14.520
<v Speaker 1>So UM one of the things that that has kind

0:31:14.560 --> 0:31:18.200
<v Speaker 1>of kept at just sketch alive for like the younger kids.

0:31:18.480 --> 0:31:21.480
<v Speaker 1>If I read this article about UM that's just sketch,

0:31:22.120 --> 0:31:24.719
<v Speaker 1>and it was right before they sold, so a lot

0:31:24.760 --> 0:31:26.760
<v Speaker 1>of people don't know ohio Art doesn't make that just

0:31:26.800 --> 0:31:29.600
<v Speaker 1>sketch anymore. They sold it to a brand called spin Master,

0:31:30.320 --> 0:31:32.400
<v Speaker 1>and I didn't I didn't see that. Yeah it's not

0:31:32.520 --> 0:31:34.840
<v Speaker 1>it's not ohio Art. Ohio Are it said we're going

0:31:34.880 --> 0:31:36.960
<v Speaker 1>back to metal lithography, and that's what they did. So

0:31:37.000 --> 0:31:40.320
<v Speaker 1>they sold that just sketch off to spin Master. Spin

0:31:40.360 --> 0:31:42.760
<v Speaker 1>Masters like, that's fine with us, baby, thanks for all

0:31:42.800 --> 0:31:46.520
<v Speaker 1>these licenses. Um, I mean I just sketch a frozen

0:31:46.560 --> 0:31:49.280
<v Speaker 1>branded that just sketches it. You might as well just

0:31:49.320 --> 0:31:52.680
<v Speaker 1>be like a printing press for money, right, So it

0:31:52.720 --> 0:31:55.160
<v Speaker 1>was probably a pretty goodbye for spin Master in Ohio Ar.

0:31:55.160 --> 0:31:57.440
<v Speaker 1>It was like this thing is it was great. It

0:31:57.520 --> 0:31:59.920
<v Speaker 1>was a good run while it lasted, but they all

0:32:00.000 --> 0:32:01.880
<v Speaker 1>so I had to oversee it through some really dark

0:32:02.080 --> 0:32:07.880
<v Speaker 1>times because, um, well, for one thing, like I just sketched,

0:32:08.600 --> 0:32:11.720
<v Speaker 1>is it landing with the millennials? I get the impression

0:32:11.800 --> 0:32:15.240
<v Speaker 1>like it used to um with the baby boomers. That

0:32:15.360 --> 0:32:18.680
<v Speaker 1>was one thing. Um. And Ohio Art also almost went

0:32:18.720 --> 0:32:21.280
<v Speaker 1>bankrupt because of it back in like two thousand one.

0:32:21.320 --> 0:32:23.360
<v Speaker 1>They managed to get some more money back into the

0:32:23.400 --> 0:32:26.320
<v Speaker 1>business and and stay afloat. But part of that also

0:32:26.520 --> 0:32:29.680
<v Speaker 1>was they had to send the manufacturing of that just

0:32:29.720 --> 0:32:32.640
<v Speaker 1>sketched off to China, which they were really unhappy about

0:32:32.640 --> 0:32:36.040
<v Speaker 1>because they lost like thirty five jobs in tiny little Brian, Ohio.

0:32:36.440 --> 0:32:39.080
<v Speaker 1>But eventually, like fifteen years later, they said, you know

0:32:39.160 --> 0:32:41.560
<v Speaker 1>what we're getting out that that's just sketch business and

0:32:41.560 --> 0:32:45.680
<v Speaker 1>sold it off to spin Master, which is a weird name.

0:32:45.840 --> 0:32:47.600
<v Speaker 1>But the but then one of the things, it's a

0:32:47.600 --> 0:32:50.160
<v Speaker 1>little weird, Ohio art's a little weird too. You don't

0:32:50.200 --> 0:32:55.440
<v Speaker 1>associate Ohio with art, you know, you just don't. I'll

0:32:55.480 --> 0:32:59.560
<v Speaker 1>say it again to Chrissy Hind. Chrissy Hind gets what

0:32:59.600 --> 0:33:03.200
<v Speaker 1>I'm saying for sure. Um So the thing that one

0:33:03.240 --> 0:33:05.520
<v Speaker 1>of the things that that is keeping it just sketch relevant.

0:33:05.520 --> 0:33:07.640
<v Speaker 1>The reason why, like if you walk up to like

0:33:07.680 --> 0:33:09.880
<v Speaker 1>a seventeen year old and say what do you think

0:33:09.920 --> 0:33:11.760
<v Speaker 1>about that? Just catch you say, oh, yeah, I've heard

0:33:11.800 --> 0:33:14.120
<v Speaker 1>of that. Because every once in a while you'll see

0:33:14.320 --> 0:33:19.720
<v Speaker 1>on the internets a photo or two of somebody who

0:33:19.800 --> 0:33:22.160
<v Speaker 1>is really really good at that just sketch and it

0:33:22.240 --> 0:33:25.280
<v Speaker 1>just kind of makes the rounds on social media. Yeah,

0:33:25.360 --> 0:33:28.120
<v Speaker 1>I mean everything from like the Mona Lisa to just

0:33:28.160 --> 0:33:32.040
<v Speaker 1>like portraits of people to landscapes. Uh. What's really fun

0:33:32.080 --> 0:33:33.640
<v Speaker 1>is you can go on YouTube and look at time

0:33:33.680 --> 0:33:37.920
<v Speaker 1>laps um renderings at just sketch renderings, which when you're

0:33:37.960 --> 0:33:41.720
<v Speaker 1>seeing it done super fast like that, you kind of

0:33:41.720 --> 0:33:44.600
<v Speaker 1>think like, I feel like I could do that, But

0:33:44.680 --> 0:33:47.840
<v Speaker 1>you really have to be a a master with those knobs.

0:33:47.880 --> 0:33:50.520
<v Speaker 1>Like UM, what I found is the thing you really

0:33:50.560 --> 0:33:53.640
<v Speaker 1>need to master to do everything um that you want

0:33:53.640 --> 0:33:57.800
<v Speaker 1>to do is being able to retrace well because as

0:33:57.800 --> 0:34:00.520
<v Speaker 1>everyone knows, it's not like a pencil can't pick it

0:34:00.600 --> 0:34:03.520
<v Speaker 1>up off the paper and start somewhere else. You have

0:34:03.640 --> 0:34:05.480
<v Speaker 1>to if you want to go somewhere else, you have

0:34:05.600 --> 0:34:08.799
<v Speaker 1>to retrace as closely to that original line as you can,

0:34:08.880 --> 0:34:10.520
<v Speaker 1>all the way back to that point that you want

0:34:10.560 --> 0:34:12.680
<v Speaker 1>to be at, or else it's just gonna look like

0:34:12.880 --> 0:34:16.440
<v Speaker 1>something you're that I did, which looks like something at

0:34:16.440 --> 0:34:18.399
<v Speaker 1>Toddler did. Yeah, And I mean like that's a it's

0:34:18.400 --> 0:34:20.239
<v Speaker 1>a really good point. When you're making a good at

0:34:20.280 --> 0:34:23.839
<v Speaker 1>just sketch drawing, it is all one single line, so

0:34:24.040 --> 0:34:27.040
<v Speaker 1>frequently double back over and that's just sketch. Artists will

0:34:27.160 --> 0:34:30.240
<v Speaker 1>use like that frame. They'll create a line frame around

0:34:30.239 --> 0:34:32.440
<v Speaker 1>the edges that they can travel back out to and

0:34:32.480 --> 0:34:35.839
<v Speaker 1>move around the picture like that. Pretty brilliant. Yeah, there's

0:34:35.840 --> 0:34:39.640
<v Speaker 1>a guy named m. George Vlosits the third who's known

0:34:39.640 --> 0:34:43.800
<v Speaker 1>for some pretty amazing portraits of Muhammad Ali, Barack Obama,

0:34:43.880 --> 0:34:47.520
<v Speaker 1>Lebron James. There's a an artist named Jane lab A

0:34:47.560 --> 0:34:51.920
<v Speaker 1>Witch or Labovich maybe she calls herself Princess at just sketch,

0:34:52.480 --> 0:34:56.040
<v Speaker 1>sent some amazing like architectural detail with it. And then

0:34:56.040 --> 0:34:59.680
<v Speaker 1>there's a guy named Ryan Burton who does erotic Simpsons art.

0:35:00.239 --> 0:35:02.600
<v Speaker 1>There you go with the etch just sketching. All three

0:35:02.640 --> 0:35:07.040
<v Speaker 1>of them are like really good at the drawings. Yeah,

0:35:07.080 --> 0:35:11.719
<v Speaker 1>the fan fick of just sketch our artists. And then

0:35:11.719 --> 0:35:14.640
<v Speaker 1>apparently if you when you're very satisfied with your et

0:35:14.760 --> 0:35:16.880
<v Speaker 1>just sketch and you don't want anything to happen to it,

0:35:17.120 --> 0:35:18.880
<v Speaker 1>you drill a hole in the back and get the

0:35:18.920 --> 0:35:22.799
<v Speaker 1>aluminum powder out, and then you lock the knobs to

0:35:22.880 --> 0:35:25.359
<v Speaker 1>keep them from being turned in. You have a net

0:35:25.440 --> 0:35:28.200
<v Speaker 1>just sketch masterpiece that you can hang in a museum.

0:35:28.280 --> 0:35:31.200
<v Speaker 1>Oh so that makes it permanent. So when the little

0:35:31.360 --> 0:35:33.080
<v Speaker 1>uh so, when a kid comes in the museum and

0:35:33.160 --> 0:35:36.239
<v Speaker 1>rips it off the wall and shakes that nothing happens. No, no,

0:35:36.440 --> 0:35:38.319
<v Speaker 1>And I think by law you're allowed to pick up

0:35:38.360 --> 0:35:41.400
<v Speaker 1>that kid and shake it. Yes, so as long as

0:35:41.440 --> 0:35:44.080
<v Speaker 1>it's not a baby, you never shake a baby. Come on,

0:35:45.160 --> 0:35:47.640
<v Speaker 1>I would never advocate shaking a baby. Everybody just want

0:35:47.640 --> 0:35:50.799
<v Speaker 1>to go on record to say that there was you know,

0:35:50.840 --> 0:35:54.200
<v Speaker 1>the comedian Nate Bargatzi. He has a he's great. He's

0:35:54.200 --> 0:35:57.799
<v Speaker 1>got a very funny bit about shaking babies. Believe it

0:35:57.880 --> 0:35:59.960
<v Speaker 1>or not, it takes a lot to turn that into

0:36:00.040 --> 0:36:02.759
<v Speaker 1>something funny. Yeah, he did it. Man, good for him.

0:36:03.360 --> 0:36:06.399
<v Speaker 1>Nate BURGOTSI huh Nate Burgotti, dude, you would love him.

0:36:06.400 --> 0:36:08.960
<v Speaker 1>He's great. So Nate Burgotti just became a cultural icon

0:36:09.080 --> 0:36:11.920
<v Speaker 1>because we did not see him coming up in this episode.

0:36:12.239 --> 0:36:14.560
<v Speaker 1>That's right. Uh, well, if you want to know more

0:36:14.560 --> 0:36:16.640
<v Speaker 1>about Nate Burgotti, you should go check him out on

0:36:16.640 --> 0:36:19.920
<v Speaker 1>the internet like I'm going to. And uh, since I

0:36:19.920 --> 0:36:25.040
<v Speaker 1>said na Purgatzi, it's time for listener mayo. Man, if

0:36:25.040 --> 0:36:30.000
<v Speaker 1>someone tells Nate, we're plugging him, plugging away, plugging Nate.

0:36:30.640 --> 0:36:33.240
<v Speaker 1>All right here, I'm gonna mention this is about Jerry

0:36:33.280 --> 0:36:36.000
<v Speaker 1>and her eating and this is from Kim Cooper. Did

0:36:36.040 --> 0:36:38.759
<v Speaker 1>you see this Jerry? She says, no, Hey, guys, I

0:36:38.800 --> 0:36:40.680
<v Speaker 1>notice that you often mentioned what Jerry is eating a

0:36:40.719 --> 0:36:44.000
<v Speaker 1>lot during the podcast. I don't know how close to

0:36:44.040 --> 0:36:47.600
<v Speaker 1>you she how close she is to your microphones. I'll

0:36:47.600 --> 0:36:49.640
<v Speaker 1>go ahead and say that from your side over there,

0:36:49.760 --> 0:36:52.560
<v Speaker 1>she's about five ft Like. All I have to do

0:36:52.600 --> 0:36:54.080
<v Speaker 1>is lean in my seat a little bit and I

0:36:54.120 --> 0:36:57.600
<v Speaker 1>can touch Jerry's miso soup. That's right. You could dip

0:36:57.640 --> 0:37:01.799
<v Speaker 1>your bumb in her soup sometimes, I threatened, I don't

0:37:01.800 --> 0:37:03.319
<v Speaker 1>know how she close she is to your microphones, but

0:37:03.360 --> 0:37:06.359
<v Speaker 1>I never hear her eating, which is good for your

0:37:06.400 --> 0:37:10.120
<v Speaker 1>fans with Misa Ponia. But I'm curious why she chooses

0:37:11.080 --> 0:37:14.560
<v Speaker 1>this time to eat. Do you guys spend all day

0:37:14.560 --> 0:37:16.560
<v Speaker 1>podcasting and that's the only time she can fit it in?

0:37:16.719 --> 0:37:20.200
<v Speaker 1>No silly question that popped into my head listening to

0:37:20.239 --> 0:37:23.760
<v Speaker 1>This Week this week after Josh said, and there's Jerry eating.

0:37:23.760 --> 0:37:28.680
<v Speaker 1>God knows what um Anyway, Guys, she's got me interested

0:37:28.719 --> 0:37:30.840
<v Speaker 1>in trying me. So I tell her she's doing a

0:37:30.880 --> 0:37:33.600
<v Speaker 1>great job because I don't know, because I know she

0:37:33.640 --> 0:37:36.560
<v Speaker 1>doesn't get too many shout outs and Josh and Chuck,

0:37:36.600 --> 0:37:39.160
<v Speaker 1>you guys are pretty great too. That is from Kim Cooper.

0:37:39.280 --> 0:37:41.879
<v Speaker 1>Thanks Kim, that's funny. She went all the way around.

0:37:42.000 --> 0:37:43.640
<v Speaker 1>Is it basically say? I guess what I'm trying to

0:37:43.680 --> 0:37:46.239
<v Speaker 1>say is I've always wanted to try me so yeah,

0:37:46.239 --> 0:37:48.200
<v Speaker 1>pretty much, we'll go try to me, so, Kim. I mean,

0:37:48.239 --> 0:37:51.120
<v Speaker 1>you can buy it at like any grocery store. Just

0:37:51.160 --> 0:37:53.359
<v Speaker 1>go get a tub of it, get a big old

0:37:53.400 --> 0:37:56.319
<v Speaker 1>spoon try your first spoonful. You can go from there.

0:37:57.600 --> 0:38:01.600
<v Speaker 1>I do you ever eat just miso paste? It's good

0:38:01.719 --> 0:38:05.200
<v Speaker 1>if you're craving something salty and savory and new. Mommy,

0:38:05.360 --> 0:38:08.480
<v Speaker 1>let's just say, um, it's good, but you can't. You

0:38:08.480 --> 0:38:10.440
<v Speaker 1>can't eat very much. But I'm just teasing him, like

0:38:11.080 --> 0:38:14.240
<v Speaker 1>a spoonful is a lot of me so paste, Okay,

0:38:14.280 --> 0:38:17.160
<v Speaker 1>what do you just add that to? Is it an ingredient? Yeah,

0:38:17.200 --> 0:38:20.120
<v Speaker 1>for like soup stuff like that. Yeah, but you can't

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