WEBVTT - The Hi-C Interview

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<v Speaker 1>We like to welcome everyone to another episode of the

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<v Speaker 1>Gangster Chronicles podcasts, and this one is special. Right here,

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<v Speaker 1>one of my good friends from the city of Compton, California,

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<v Speaker 1>a lot of pivotal hits under his belt, considered the lection.

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<v Speaker 1>You know what I'm saying. It made a lot of records. Man.

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<v Speaker 1>He runs with a producer by the name of DJ

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<v Speaker 1>Quick that's a pretty decent producer and it's a home

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<v Speaker 1>right now. He's a fucking genius. Um, we got my

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<v Speaker 1>good friend high seat in the house. Cross. What's up? Man?

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<v Speaker 1>What's up still? Man? Just killing man. I've been waiting

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<v Speaker 1>to get you in here forever. Man. Man, this feels

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<v Speaker 1>crazy because you're my bro. We talked like every day,

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<v Speaker 1>like you know, yeah for sure. And that's why sometimes

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<v Speaker 1>we're doing these interviews, man, with people that you're real

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<v Speaker 1>cool with because all you're doing is having a conversation

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<v Speaker 1>and you know everything about that person. But you asked

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<v Speaker 1>him about stuff you already knew. So, Man, this is

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<v Speaker 1>special because you don't give a lot of interviews. I

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<v Speaker 1>think I've only seen like a couple of interviews on

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<v Speaker 1>your online There was people like I saw you did

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<v Speaker 1>one with Tony a yeah, and I think you're doing

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<v Speaker 1>with some baker. Yeah, that's the only that's that's it.

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<v Speaker 1>That's it. No social media at all. So when I

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<v Speaker 1>told the people and um, I did a post and said, hey,

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<v Speaker 1>I'm about to get high to see in the studio,

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<v Speaker 1>I had like, man, maybe liked people in the thread, man,

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<v Speaker 1>which is a lot. So you're real popular out there. Man,

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<v Speaker 1>I'm gonna have to do one of my like like

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<v Speaker 1>Kevin Durant is something. Give me one of them ghosts

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<v Speaker 1>and burners accounts and ship. You have to rocking and

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<v Speaker 1>rocking like that. You have too, dog, because people love

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<v Speaker 1>you out there and they want to hear from you. Man.

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<v Speaker 1>I love him back for show. So we could go

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<v Speaker 1>way back to the beginning. Since you don't do a

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<v Speaker 1>lot of interviews, how when you when you first start rapping, Man,

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<v Speaker 1>I had to be I don't want to say probably

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<v Speaker 1>if I had to take a guess, and it's not accurate,

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<v Speaker 1>but I want to say probably about thirteen fourteen years old,

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<v Speaker 1>somewhere around there, because a lot of people don't know.

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<v Speaker 1>You don't write your reps down on paper. Everything you

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<v Speaker 1>do is kind of like a freestyle. Yeah. Yeah, Like

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<v Speaker 1>I said, I sit there and think about it and

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<v Speaker 1>think about it, and it's almost like I treated like

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<v Speaker 1>a rehearsal, you know, like if you're going to school

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<v Speaker 1>or something you had to play that you wanted to recite.

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<v Speaker 1>And you know one of the Martin Luther King plays

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<v Speaker 1>that she was a part of when you was holding

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<v Speaker 1>the M and the M is for you know. So

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<v Speaker 1>I just felt like I wanted to have my hands free.

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<v Speaker 1>I wanted to be able to express myself using my hands.

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<v Speaker 1>A lot of us do. So I was like, man,

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<v Speaker 1>let me just start kind of like remembering, like, you know,

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<v Speaker 1>by the time we all in the studio, because we

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<v Speaker 1>all be you know, it'd be groups of us in

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<v Speaker 1>the studio, and by the time dudes finished, right and

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<v Speaker 1>their ship, I'm sitting there thinking about, Okay, I wanted

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<v Speaker 1>in there like this and I want to end it

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<v Speaker 1>like this. And you know, don't get me wrong. When

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<v Speaker 1>I first started, I had like no books and ship

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<v Speaker 1>that I used to write down. And I remember in

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<v Speaker 1>high school I had this like fold or a couple

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<v Speaker 1>of folders, man, and I don't know where the hell

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<v Speaker 1>they went. I think somebody got me or I probably

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<v Speaker 1>to misplace them. Ships or whatever, but nor I might

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<v Speaker 1>have some fire in there, like and you know, when

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<v Speaker 1>you got that ship, you can't get it back because

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<v Speaker 1>you wrote it down to a certain rain and you

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<v Speaker 1>can't remember exactly what it is. So I was like, damn,

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<v Speaker 1>I don't want to lose some more notebooks, you know,

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<v Speaker 1>So you just start keeping everything up beside the brain,

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<v Speaker 1>you know. Um, so you mentioned that you've got rapping,

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<v Speaker 1>start rapping real early's Quick producing there. Yeah, Quick was

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<v Speaker 1>doing most of the like Quick was more of a

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<v Speaker 1>producer than he was a rapper man. People don't really

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<v Speaker 1>know that. Like he was really uh DJ quick mix,

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<v Speaker 1>So he was doing all the beats for you early on. Um,

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<v Speaker 1>he was like I was messing around with stuff, you know,

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<v Speaker 1>on my own or whatever, you know, how to get

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<v Speaker 1>down or whatever. So but he was like he had

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<v Speaker 1>that ship downpat Like he would take the cheapest piece

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<v Speaker 1>of equipment or the like lower level piece of equipment

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<v Speaker 1>and just make wonders out of that ship. Like he

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<v Speaker 1>got every he squeezed every juice out of that limit

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<v Speaker 1>like he can't, you know, Like he just knew how

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<v Speaker 1>to take something and just make that ship just sound

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<v Speaker 1>real real good man. Yeah, because a lot of the

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<v Speaker 1>early recordings, you guys doing the mix tapes and stuff

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<v Speaker 1>on those Roodium Squat Meat mixed tapes. Yeah, they were

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<v Speaker 1>doing on four tracks, right, that was done on the

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<v Speaker 1>four track. That was Steve you the Rest in Peace

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<v Speaker 1>and Tony. Yeah. Yeah, those them ships took a long

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<v Speaker 1>time to do. That's how I ended up meeting like

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<v Speaker 1>Easy and Dr Dre you know, from from doing the

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<v Speaker 1>Roodium stuff too. Yeah, because you go back a long

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<v Speaker 1>way and you still look young as hell. Oh man,

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<v Speaker 1>think you know, always look like a kid. Every time

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<v Speaker 1>I see you. I got I gotta kick up, man,

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<v Speaker 1>I gotta kick the gym. Man, come on, man, you

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<v Speaker 1>know I'm you know, that's where i'd be at, and

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<v Speaker 1>that's what I want to go into. Man, when did

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<v Speaker 1>you When did the crew get together? Like when did

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<v Speaker 1>you start hooking up with Quick Second and nothing? All

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<v Speaker 1>those guys, well ship, most of us went to school together.

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<v Speaker 1>Quick stayed around the corn We from the same neighborhood

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<v Speaker 1>or whatever. So man, you already know so we you know,

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<v Speaker 1>Quick stayed around the corner and we was like real

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<v Speaker 1>tightest friends and just used to ride dirt bikes. Man,

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<v Speaker 1>like the stuff you see now when the dudes on

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<v Speaker 1>the dirt bikes. We was riding dirt bikes man, a

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<v Speaker 1>long time ago, like just in the streets and doing

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<v Speaker 1>our ship dirt by ride and just doing what you know,

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<v Speaker 1>the normal badass little kids was doing. And Quick was

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<v Speaker 1>over there doing this thing. I had another dude that

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<v Speaker 1>I used to work with, not work with, but just

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<v Speaker 1>make music, like just sunking around with with the turntables.

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<v Speaker 1>His name was Sean Whitehurst, so white Hurst mixed Master

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<v Speaker 1>white we used to call them. Used to blend all

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<v Speaker 1>the ship, and we had the reverbs and we didn't

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<v Speaker 1>really have drum machines back there, so we would just

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<v Speaker 1>get down off the instrumentals and then we started like

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<v Speaker 1>you know, everybody was doing their little ship. Back then

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<v Speaker 1>it was like ballers and they was making money and

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<v Speaker 1>they'll give us, giving like a hundred dollars just to

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<v Speaker 1>make a tape for him and say their name and

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<v Speaker 1>the tape because they wanted to impress the girls and ship.

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<v Speaker 1>So they'd be like, man, I'll be like, hell yeah,

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<v Speaker 1>I'll take this hunted. Like to me, it was like god,

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<v Speaker 1>damn young, you know, looking at the Hunter, it was

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<v Speaker 1>like back then, it was like God damn. That was

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<v Speaker 1>a lot. So take the hunters say their name in

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<v Speaker 1>there and you know, ship like that, and they wanted

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<v Speaker 1>their own little That's when the sound systems in the

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<v Speaker 1>car was real big, like need to shake your house

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<v Speaker 1>like two fifteens and ship off beating down the blocks.

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<v Speaker 1>They had their name in the tape, and then we

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<v Speaker 1>just kind of started like that and were with this

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<v Speaker 1>talk about eighty something. That's one of the sound systems.

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<v Speaker 1>That's my first Kelly. People have like five thousand watching

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<v Speaker 1>their trunk and you just like gorillas trying to get

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<v Speaker 1>over the Yeah, man, they ship in the cars. Man,

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<v Speaker 1>sometimes did it take your breath like you're feeling the

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<v Speaker 1>base in your chest and your eye lashes wiggling this ship.

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<v Speaker 1>You'd be like, god damn, but niggas is really into

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<v Speaker 1>that sound ship and putting you know, doing personalized tapes

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<v Speaker 1>and ship. You know, it was it was like the

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<v Speaker 1>thing you know so quick was always nice then, well

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<v Speaker 1>yeah I always had it's always had a talent and

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<v Speaker 1>just a gift for that ship. Yeah, so y'all get together,

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<v Speaker 1>y'all doing the mixed tapes and everything like that, and

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<v Speaker 1>y'all got the whole cruise. I notice y'all appeared on

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<v Speaker 1>each each other's joints, like, y'all will hear you on

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<v Speaker 1>second to none stuff out here? Second to none on

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<v Speaker 1>your stuff out here? Quick on your stuff, and vice versa.

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<v Speaker 1>So around what time did you get your first because

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<v Speaker 1>you was working with Steve, you don't rest in peace? Yeah,

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<v Speaker 1>I went to the Aldier man my boy, my, my

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<v Speaker 1>my dog man. He just recently passed away man the

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<v Speaker 1>uh my boy baby and b b me and bb um.

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<v Speaker 1>He was like craft man, come up to the road

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<v Speaker 1>and swap swap me with me. And I was like,

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<v Speaker 1>what's up there? He was like, man, I'm looking for jobs,

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<v Speaker 1>like we can get some money up there. And I

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<v Speaker 1>was like, no, ship. He was like yeah, So I said, man,

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<v Speaker 1>you sure. We caught the bus up there and put

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<v Speaker 1>up at the roodeum and he went. I think he

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<v Speaker 1>was working with some dude that did that, sold weights

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<v Speaker 1>and the weightlifting equipment and ship like that. So I

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<v Speaker 1>ran into this dude that sold pants like his name,

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<v Speaker 1>you know, named George, a little short French guy, and

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<v Speaker 1>Ship took like smooth with the ladies. He sold women clothing.

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<v Speaker 1>So I was like, all right, I'm gonna get a

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<v Speaker 1>job with him, helping him, you know, sell clothes or whatever.

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<v Speaker 1>And so I used to always hear this music coming

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<v Speaker 1>from this this stand, you know. She we was just

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<v Speaker 1>attracted to music or whatever. I used to hear this

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<v Speaker 1>music and I'm like, man, they're playing some ship over there.

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<v Speaker 1>I gotta go see what's going on, you know. So

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<v Speaker 1>I went over there and I saw Steve Yano, and

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<v Speaker 1>then I end up probably meeting Tony a like a

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<v Speaker 1>little bit later on. But I'm looking at still. I'm thinking,

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<v Speaker 1>you know, when I pull up over there, it's gonna

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<v Speaker 1>be some black dude or whatever. I look at Steve.

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<v Speaker 1>Steve Yano is Asian dude, long hair and ship like this.

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<v Speaker 1>His wife, you know, Asian shout out the suit. She

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<v Speaker 1>that's that's still a homie, man. So I'm looking at

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<v Speaker 1>him like man. But one thing about Steve norm you

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<v Speaker 1>can't judge a book by its cover, because this dude

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<v Speaker 1>knew every fucking record, every name of a record, who

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<v Speaker 1>made the record. Kind of like quick dude, Like we

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<v Speaker 1>would be riding and quickly do the same thing, like,

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<v Speaker 1>oh that's such and such you made this, and that's

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<v Speaker 1>the keyboard player from Janna where the Bernie, Well, he

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<v Speaker 1>just know all the ship. You know. Steve Yano was

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<v Speaker 1>the same way, Hey, you need to use this break

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<v Speaker 1>and do this and this and that. He was just

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<v Speaker 1>the king of the Vinyl So a lot of people

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<v Speaker 1>used to gravitate towards him to get their records. And

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<v Speaker 1>back then, you know, we just to sample a lot

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<v Speaker 1>of ship off a break beats and we'll go through

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<v Speaker 1>all kinds of cratesive records just to find that little

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<v Speaker 1>break so we can sample that ship to wrap too.

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<v Speaker 1>So Steve had all these old school records, and the

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<v Speaker 1>long story short, I just started telling him like, look, man,

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<v Speaker 1>I get down. I wrapped, you know, and I've saved

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<v Speaker 1>of some money to take my uh take my little

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<v Speaker 1>project to the black Hole studios. Back in the day,

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<v Speaker 1>that was a little black hole. So I found out.

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<v Speaker 1>I went in there and made me some little ship.

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<v Speaker 1>It was some little cool ship or whatever. It wasn't

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<v Speaker 1>really then I let him motherfucker here today. But it

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<v Speaker 1>was like some little ship, you know, Like I went

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<v Speaker 1>in there and stretched out and then he heard some

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<v Speaker 1>of my ship and he was like, okay, you're serious.

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<v Speaker 1>But I'm like yeah, I'm like this is my ship,

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<v Speaker 1>you know, And then I only that, Like I played

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<v Speaker 1>Alto saxon junior high then I played a little bit

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<v Speaker 1>of high school. So I was always into music, man,

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<v Speaker 1>just always into it. A lot of people don't know

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<v Speaker 1>because you produce yourself too. Yeah, you're you're a producer,

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<v Speaker 1>very good producer. Did you ever um at some point

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<v Speaker 1>what made you decide I'm gonna focus more on my

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<v Speaker 1>rapping than making the beat because you was doing both

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<v Speaker 1>for a while, right, Yeah, But it was primarily because

0:09:57.520 --> 0:09:59.520
<v Speaker 1>you never really put yourself out there as a producer.

0:09:59.559 --> 0:10:01.560
<v Speaker 1>No ever did, man, Because I feel like when I

0:10:01.640 --> 0:10:04.960
<v Speaker 1>do something like when I'm producing, I feel like it'll

0:10:05.040 --> 0:10:07.240
<v Speaker 1>be like if I'm working with you to be telling

0:10:07.280 --> 0:10:08.960
<v Speaker 1>made for me and you to get down on, or

0:10:08.960 --> 0:10:11.640
<v Speaker 1>if it's something for me like you know, like I

0:10:11.640 --> 0:10:15.240
<v Speaker 1>would out with my producing stuff, I feel like it's

0:10:15.280 --> 0:10:18.640
<v Speaker 1>more of a vogue, like a frequency, like a lower

0:10:18.760 --> 0:10:21.920
<v Speaker 1>level higher level vibe or whatever we into or whatever

0:10:21.920 --> 0:10:24.720
<v Speaker 1>we're shooting for at the moment. So I felt like

0:10:24.840 --> 0:10:27.200
<v Speaker 1>I wouldn't want to go and just do a whole

0:10:27.240 --> 0:10:30.959
<v Speaker 1>bunch of beats and ship for somebody else that probably

0:10:30.960 --> 0:10:33.440
<v Speaker 1>wouldn't understand where I'm coming from, you know, if that

0:10:33.520 --> 0:10:35.839
<v Speaker 1>makes sense, like this is what I'm feeling on this

0:10:35.920 --> 0:10:38.000
<v Speaker 1>or this is what I'm feeling on that. So I

0:10:38.120 --> 0:10:41.440
<v Speaker 1>just kind of like let like quick and then don't

0:10:41.440 --> 0:10:43.760
<v Speaker 1>get me wrong, quick is like to master at that ship.

0:10:43.880 --> 0:10:45.920
<v Speaker 1>So when he do the ship on the SP two,

0:10:46.000 --> 0:10:47.440
<v Speaker 1>if he can do that ship so quick and he

0:10:47.520 --> 0:10:50.640
<v Speaker 1>made it effortless, and it was like ship, that's you.

0:10:50.760 --> 0:10:53.400
<v Speaker 1>That's what you do. Like if we're playing baseball, you

0:10:53.520 --> 0:10:55.600
<v Speaker 1>the picture. I'm the catcher of the second baseman. We

0:10:55.600 --> 0:10:57.240
<v Speaker 1>got a short stop. I don't need to be doing

0:10:57.280 --> 0:10:59.640
<v Speaker 1>everything I can. Let him get down, you get what

0:10:59.679 --> 0:11:02.920
<v Speaker 1>I'm saying, Just stretch out on what I can do.

0:11:03.360 --> 0:11:05.280
<v Speaker 1>Not now who was officially in the crew, I'm gonna

0:11:05.280 --> 0:11:07.640
<v Speaker 1>try to name him off to him if I missed anybody, Yeah,

0:11:07.760 --> 0:11:11.200
<v Speaker 1>you got a second and then you got quick yep,

0:11:12.480 --> 0:11:15.800
<v Speaker 1>of course I see you. Then we had Homie mars

0:11:15.800 --> 0:11:21.560
<v Speaker 1>Burg well before magg was the only one that wasn't

0:11:21.559 --> 0:11:24.160
<v Speaker 1>from the city. But we put him on real early

0:11:24.160 --> 0:11:27.079
<v Speaker 1>in the game, like A and G. Just always been

0:11:27.160 --> 0:11:29.760
<v Speaker 1>good with the with another dude that produced to like

0:11:29.840 --> 0:11:32.560
<v Speaker 1>produced his ass off, write his own wraps. But he

0:11:32.600 --> 0:11:35.720
<v Speaker 1>was just like more like a real like rapper, rapper.

0:11:35.760 --> 0:11:37.400
<v Speaker 1>You know what I'm saying. That nigga can spit. He

0:11:37.480 --> 0:11:41.839
<v Speaker 1>got bars, you know, so shut off to MG. That's

0:11:41.840 --> 0:11:43.760
<v Speaker 1>my partner. I had to get him in there because

0:11:43.760 --> 0:11:45.960
<v Speaker 1>he's another dude to stay off the spot. Like hell yeah,

0:11:47.480 --> 0:11:52.079
<v Speaker 1>social media just around yep. Yeah. So we met G

0:11:52.320 --> 0:11:57.760
<v Speaker 1>later on and then um after G Sugar sugar Free

0:11:57.840 --> 0:12:01.559
<v Speaker 1>was sugar free, you know, like you know, that's that's

0:12:01.559 --> 0:12:03.400
<v Speaker 1>the whole We can get into that though, but we

0:12:03.440 --> 0:12:05.880
<v Speaker 1>go go through the whole thing. YEA Free came in

0:12:05.960 --> 0:12:08.839
<v Speaker 1>and then Massy was rested. Peace. That's my little nigger man.

0:12:08.880 --> 0:12:12.080
<v Speaker 1>Marsburger was like when our dudes that was upcoming like

0:12:12.200 --> 0:12:15.320
<v Speaker 1>but fast though, like he was, you know, doing this

0:12:15.360 --> 0:12:18.200
<v Speaker 1>ship he was. He was pushing a line heavy line on. Yeah,

0:12:18.200 --> 0:12:20.880
<v Speaker 1>he was hungry. Yeah, he was coming up fast. Mars

0:12:20.920 --> 0:12:24.000
<v Speaker 1>Burger and I gotta mention my homeboy me and then

0:12:24.000 --> 0:12:26.079
<v Speaker 1>gave me my first check, one of the guys gave

0:12:26.160 --> 0:12:28.000
<v Speaker 1>my first check because I got my first piece of

0:12:28.000 --> 0:12:31.720
<v Speaker 1>money through you. And then Black Tone got me my

0:12:31.800 --> 0:12:34.880
<v Speaker 1>first placement as a producer. Shout out black Yeah, shout

0:12:34.880 --> 0:12:37.440
<v Speaker 1>off Black Tone, and Black Tone is doing well now

0:12:37.480 --> 0:12:40.800
<v Speaker 1>he had a stroke. Yeah, yeah, he's recovering doing you know,

0:12:40.960 --> 0:12:43.720
<v Speaker 1>doing pretty good. We talked on occasion and ship so

0:12:44.520 --> 0:12:49.600
<v Speaker 1>man speedy recovery to black and Man for show. Okay,

0:12:49.640 --> 0:12:52.840
<v Speaker 1>so we go going to the phase man to where

0:12:52.840 --> 0:12:54.800
<v Speaker 1>you up at the Roodeum, And I don't think a

0:12:54.800 --> 0:12:57.400
<v Speaker 1>lot of people, especially the young people, they recognized the

0:12:57.440 --> 0:13:01.200
<v Speaker 1>significance of the Roodeum to West Coast hip. I would

0:13:01.240 --> 0:13:03.559
<v Speaker 1>say the rohodium and the compatence whapped meat are the

0:13:03.679 --> 0:13:08.160
<v Speaker 1>two hubs for Southern California hip hop, especially back in

0:13:08.200 --> 0:13:10.080
<v Speaker 1>the eighties. A lot of people got they start out

0:13:10.080 --> 0:13:12.920
<v Speaker 1>those two, you know, comptence whapped meat, not the rodium.

0:13:12.920 --> 0:13:14.599
<v Speaker 1>I would say, even more so the rodium because the

0:13:14.640 --> 0:13:17.839
<v Speaker 1>rodium was before the comptence wapped me. Yeah, no, you're right,

0:13:19.520 --> 0:13:23.400
<v Speaker 1>especially if if it wasn't before, but the music was before. Definitely, Yeah,

0:13:23.440 --> 0:13:26.559
<v Speaker 1>for sure. Because you mentioned seeing Dr Dre up there, Yeah,

0:13:26.640 --> 0:13:28.360
<v Speaker 1>for sure. Dr Dre would be up there hust on

0:13:28.400 --> 0:13:31.720
<v Speaker 1>his stuff, the world class wrecking crew at the time,

0:13:32.679 --> 0:13:34.920
<v Speaker 1>and the easy up there. That's how many an easy Matt,

0:13:35.880 --> 0:13:39.360
<v Speaker 1>You're easy, That's what I was going to. How did

0:13:39.400 --> 0:13:42.960
<v Speaker 1>you guys not wind up on Ruthless Records. That's that's

0:13:43.000 --> 0:13:45.280
<v Speaker 1>that's a big question. That's a good question though, because

0:13:46.200 --> 0:13:50.240
<v Speaker 1>I honestly thought, like back in the day, like when

0:13:50.280 --> 0:13:51.959
<v Speaker 1>we was getting down me and Quick and all, it

0:13:52.080 --> 0:13:54.520
<v Speaker 1>was like we really thought that was like because you know,

0:13:54.640 --> 0:13:57.520
<v Speaker 1>like just imagine kids from the city that didn't know

0:13:57.880 --> 0:14:00.120
<v Speaker 1>the industry at all too much. But we just know

0:14:00.160 --> 0:14:02.440
<v Speaker 1>what we see in front of us, which is, you know,

0:14:02.559 --> 0:14:04.720
<v Speaker 1>Ruthless Records that we see on the label. We don't

0:14:04.720 --> 0:14:06.600
<v Speaker 1>know how big it is or who owned it, or

0:14:06.600 --> 0:14:10.120
<v Speaker 1>this and this and that, and it was like Death Jam,

0:14:10.120 --> 0:14:14.560
<v Speaker 1>of course, it was just all of the what was

0:14:14.559 --> 0:14:17.840
<v Speaker 1>the other label? I think it was like a sleeping

0:14:17.920 --> 0:14:20.080
<v Speaker 1>bag and fourth and Broad this ship that we didn't

0:14:20.080 --> 0:14:22.040
<v Speaker 1>really know if we didn't know who was what or whatever.

0:14:22.360 --> 0:14:24.680
<v Speaker 1>But we also knew the bigger labels, you know, but

0:14:25.040 --> 0:14:27.680
<v Speaker 1>back then, the bigger labels catered to stuff like, you know,

0:14:27.720 --> 0:14:30.040
<v Speaker 1>the stuff that our parents are listened to, like Al

0:14:30.160 --> 0:14:33.040
<v Speaker 1>Green and Teddy Pendergrass and you know, Michael Jackson all

0:14:33.040 --> 0:14:35.600
<v Speaker 1>the ship that you know that people listened to. So

0:14:35.640 --> 0:14:37.680
<v Speaker 1>we didn't really know like the hip hop ship like

0:14:38.040 --> 0:14:41.280
<v Speaker 1>until Death Jam, you know, certain months came out, so

0:14:41.440 --> 0:14:43.320
<v Speaker 1>We was figuring, like, you know, damn, we want to

0:14:43.360 --> 0:14:46.360
<v Speaker 1>be down with Ruthless, but Ruthless was doing their own thing,

0:14:46.440 --> 0:14:49.520
<v Speaker 1>going through their own distribution channels. So we ended up

0:14:50.360 --> 0:14:52.640
<v Speaker 1>landing where we landed. Thank god, it was cool. You know,

0:14:54.240 --> 0:14:56.680
<v Speaker 1>you haven't been a lot of recording sessions and everything. Man,

0:14:56.680 --> 0:14:58.920
<v Speaker 1>what's the craziest thing you don't ever seen? The apping? Man?

0:14:59.320 --> 0:15:04.040
<v Speaker 1>Oh man, you mean like some turn up ship turning

0:15:04.120 --> 0:15:08.040
<v Speaker 1>up anything like that, especially you know y'alls some of

0:15:08.080 --> 0:15:12.360
<v Speaker 1>them death throw recording sessions. You heard about him And

0:15:12.560 --> 0:15:14.000
<v Speaker 1>I don't even know if it was at the studio,

0:15:14.080 --> 0:15:17.080
<v Speaker 1>but just for instance, you know your boy good niggas.

0:15:17.080 --> 0:15:18.960
<v Speaker 1>So I ain't gonna say no names or whatever, but

0:15:20.120 --> 0:15:25.680
<v Speaker 1>I heard. I heard it was the instance where Motherfucker's

0:15:25.720 --> 0:15:27.640
<v Speaker 1>is getting ready to make a move or whatever. And

0:15:27.640 --> 0:15:31.720
<v Speaker 1>they was in the hotel, right, so you know the hotels,

0:15:31.800 --> 0:15:37.000
<v Speaker 1>you know they have plush safe in the hotel, and uh,

0:15:37.400 --> 0:15:43.760
<v Speaker 1>you know, they was in the hotel and uh should

0:15:43.840 --> 0:15:46.280
<v Speaker 1>supposedly have put his ship in the in the um

0:15:46.320 --> 0:15:50.120
<v Speaker 1>safe in this big room. And some of the homies

0:15:50.160 --> 0:15:51.640
<v Speaker 1>went up there to go have a meeting with him.

0:15:51.680 --> 0:15:53.080
<v Speaker 1>So I ain't gonna say they name, you know, because

0:15:53.160 --> 0:15:54.440
<v Speaker 1>you know what I'm saying, I love at homies. I

0:15:54.480 --> 0:15:55.960
<v Speaker 1>don't want to make it look like we're making fun

0:15:55.960 --> 0:15:58.600
<v Speaker 1>of motherfucker's. But they went up there to have a

0:15:58.600 --> 0:16:01.560
<v Speaker 1>meeting with him, and she was up there, a couple

0:16:01.600 --> 0:16:05.480
<v Speaker 1>of the homies or whatever, and the safe was open

0:16:05.720 --> 0:16:08.040
<v Speaker 1>and it's those those safe you know that in the room,

0:16:08.080 --> 0:16:12.840
<v Speaker 1>the big black safe, and so the uh and this

0:16:12.920 --> 0:16:14.920
<v Speaker 1>is all what I heard. I'm telling the story because

0:16:14.960 --> 0:16:17.920
<v Speaker 1>of off of what I heard. So niggas know what

0:16:17.960 --> 0:16:20.880
<v Speaker 1>they did. Whatever. So it was jury and the safe.

0:16:21.720 --> 0:16:23.320
<v Speaker 1>You know, he'll take his jury off through it in

0:16:23.320 --> 0:16:26.840
<v Speaker 1>the safe or whatever. So after the meeting, they had

0:16:26.880 --> 0:16:28.600
<v Speaker 1>a meeting blah blah blah, this and this and that.

0:16:28.840 --> 0:16:31.880
<v Speaker 1>So a couple of the homies was about to leave

0:16:33.120 --> 0:16:36.400
<v Speaker 1>and a phone ring and his fat boy he said,

0:16:36.880 --> 0:16:40.120
<v Speaker 1>you know, she said, hey, come back, would be a

0:16:40.160 --> 0:16:43.400
<v Speaker 1>real quick and they could tell the way he said it,

0:16:43.400 --> 0:16:45.440
<v Speaker 1>it sounds like some bushit. It was like oh, Ship

0:16:46.200 --> 0:16:47.880
<v Speaker 1>and the homies was with him, and Ship was like,

0:16:47.880 --> 0:16:49.760
<v Speaker 1>what's going on? What? What? What? And he was like,

0:16:49.800 --> 0:16:51.600
<v Speaker 1>oh man, they want us to come back. And the

0:16:51.640 --> 0:16:53.800
<v Speaker 1>home was like, man, why what's going on? What's happening.

0:16:54.600 --> 0:17:00.640
<v Speaker 1>So the niggas double back and coming to the hotel room.

0:17:00.840 --> 0:17:02.920
<v Speaker 1>Motherfucker just got on their head and was like, man,

0:17:02.960 --> 0:17:05.600
<v Speaker 1>where my ship at. I was like, what ship? Man?

0:17:05.640 --> 0:17:09.280
<v Speaker 1>My jury missing? And he was like just grabbing motherfucking

0:17:09.359 --> 0:17:12.080
<v Speaker 1>And from what I hear them, they picked him up

0:17:12.119 --> 0:17:14.320
<v Speaker 1>off the ground. Darth Vader and the boy I'm talking

0:17:14.320 --> 0:17:17.040
<v Speaker 1>about it ain't no little nigga neither, but like ready

0:17:17.080 --> 0:17:19.200
<v Speaker 1>to tear here I'm talking about, was on his head.

0:17:19.400 --> 0:17:23.560
<v Speaker 1>You hear me still there? Yeah, then I you know,

0:17:23.720 --> 0:17:27.160
<v Speaker 1>calling him up and ship like some real ship, like, man,

0:17:27.200 --> 0:17:29.240
<v Speaker 1>where my ship at? Because back then, you know, like

0:17:29.680 --> 0:17:32.520
<v Speaker 1>some of that ship is like easily like five hundred

0:17:32.520 --> 0:17:34.680
<v Speaker 1>thousand dollars worth the fucking jury, you know what I'm saying,

0:17:34.720 --> 0:17:39.639
<v Speaker 1>rollies and ship plushed out or whatever the stuff. No, not, no,

0:17:39.880 --> 0:17:42.600
<v Speaker 1>let me finish the story. This is what's crazy. So

0:17:42.640 --> 0:17:44.640
<v Speaker 1>they got on the nigger man and I'm talking about

0:17:44.640 --> 0:17:47.200
<v Speaker 1>pressing nigga and about the I don't know if they

0:17:47.320 --> 0:17:49.800
<v Speaker 1>took off on him, but he was he was sucked up,

0:17:49.840 --> 0:17:52.399
<v Speaker 1>like you know, pressing real hard. And my nigga the

0:17:52.440 --> 0:17:54.520
<v Speaker 1>type of nigga that ain't gonna do no ship like that.

0:17:55.200 --> 0:17:57.639
<v Speaker 1>So you know, the other homie was like, man, hold on,

0:17:57.720 --> 0:18:00.320
<v Speaker 1>hold on, man, the homie don't do no ship like that, right,

0:18:00.800 --> 0:18:02.840
<v Speaker 1>And they didn't grab the nigga up. And I heard

0:18:02.880 --> 0:18:05.000
<v Speaker 1>they probably like slap him up a couple of times

0:18:05.080 --> 0:18:07.600
<v Speaker 1>or whatever. I'm just telling the story how I heard it.

0:18:08.600 --> 0:18:11.240
<v Speaker 1>But the nigg got, you know, he got, he got

0:18:11.440 --> 0:18:13.520
<v Speaker 1>some ship. That's when death Row was at his at

0:18:13.520 --> 0:18:16.640
<v Speaker 1>his finest, you know what I mean, the safe home.

0:18:16.680 --> 0:18:20.080
<v Speaker 1>He was like, man, hold on, hold on all this

0:18:20.200 --> 0:18:23.160
<v Speaker 1>motherfucking jewelry. They still you want to hear the funny ship,

0:18:24.160 --> 0:18:28.679
<v Speaker 1>the slid off of the velvet pillow behind the pillow

0:18:28.760 --> 0:18:32.600
<v Speaker 1>and the black safe, and the ship was always in

0:18:32.640 --> 0:18:34.840
<v Speaker 1>the safe the whole time when they moved the pillow

0:18:35.280 --> 0:18:40.760
<v Speaker 1>like man, it's right thereze and the HOPI just he

0:18:40.880 --> 0:18:44.160
<v Speaker 1>was just like all right, damn it. Didn't even apologize.

0:18:44.200 --> 0:18:46.440
<v Speaker 1>It was like all right for sure and just let

0:18:46.440 --> 0:18:49.240
<v Speaker 1>the niggas go on. So it was definitely some ship

0:18:49.760 --> 0:18:54.600
<v Speaker 1>going on back in the studios back in the day. Dude,

0:18:54.600 --> 0:18:58.040
<v Speaker 1>try to fight back anything. Hell no, you can't fight

0:18:58.119 --> 0:19:00.680
<v Speaker 1>back big still, I'm telling you're what I'm saying on me.

0:19:01.160 --> 0:19:04.159
<v Speaker 1>Death Row at his prime, full strength. It's better to

0:19:04.200 --> 0:19:07.080
<v Speaker 1>take that little swallow your pride. You walk out a

0:19:07.119 --> 0:19:11.400
<v Speaker 1>love full stress, shooting a few dollars for the inconvenience.

0:19:12.119 --> 0:19:14.320
<v Speaker 1>The inconvenience is nigger. You made it up out of here.

0:19:14.320 --> 0:19:17.840
<v Speaker 1>And when I thought, you stole my ship, what I'm saying,

0:19:17.960 --> 0:19:21.080
<v Speaker 1>And then it was another answers where the home? You

0:19:21.119 --> 0:19:22.720
<v Speaker 1>know what I'm talking about? But I can. I ain't

0:19:22.760 --> 0:19:26.080
<v Speaker 1>gonna say no names or whatever. But somebody had Bootleg

0:19:26.160 --> 0:19:29.040
<v Speaker 1>to take and it was a real big artist coming

0:19:29.119 --> 0:19:32.199
<v Speaker 1>up by the death Road that got the tape. I

0:19:32.240 --> 0:19:34.320
<v Speaker 1>don't know. See if I say too much, they're gon

0:19:34.320 --> 0:19:37.720
<v Speaker 1>connect the dots. But it was a real big artists,

0:19:40.760 --> 0:19:42.840
<v Speaker 1>a real big artist coming up by the death row.

0:19:42.880 --> 0:19:45.600
<v Speaker 1>He said, many fingers I put up, okay, okay, okay,

0:19:45.640 --> 0:19:48.119
<v Speaker 1>I got you, and the audience can see that. Yeah.

0:19:48.200 --> 0:19:52.200
<v Speaker 1>So it was a real big artist. And somehow one

0:19:52.240 --> 0:19:54.600
<v Speaker 1>of the dudes, one of the homies, end up getting

0:19:54.600 --> 0:19:56.520
<v Speaker 1>the tape. And I heard was Bootleg and the ship

0:19:57.400 --> 0:19:59.280
<v Speaker 1>or did some ship that they weren't supposed to do.

0:20:00.000 --> 0:20:01.520
<v Speaker 1>And Quick might have spoke on this, and one of

0:20:01.520 --> 0:20:05.920
<v Speaker 1>the records Bootleg the all lines on me, y'all gonna

0:20:05.920 --> 0:20:09.080
<v Speaker 1>listen to that right there. But yeah, but that was

0:20:09.119 --> 0:20:12.119
<v Speaker 1>one of them come on to you know, come up

0:20:12.119 --> 0:20:14.639
<v Speaker 1>here the Red Room. They call it the Red Room meetings.

0:20:15.680 --> 0:20:18.679
<v Speaker 1>And then you got his ass told the pieces. And

0:20:18.680 --> 0:20:23.359
<v Speaker 1>this is another big nigger, another big nigger. Yeah, I

0:20:23.400 --> 0:20:25.679
<v Speaker 1>think I knew the initials to this name. Should I

0:20:25.680 --> 0:20:28.800
<v Speaker 1>say the initials? Yeah? I won't say this will be yall, y'all,

0:20:28.800 --> 0:20:31.000
<v Speaker 1>we had to do your homework on this one right here. Now,

0:20:31.080 --> 0:20:32.439
<v Speaker 1>I got so much ship, you got to bring me

0:20:32.440 --> 0:20:35.200
<v Speaker 1>back on. I got so much ship, crazy man, y'all,

0:20:35.280 --> 0:20:36.959
<v Speaker 1>you want to look out for part two right here,

0:20:36.960 --> 0:20:38.919
<v Speaker 1>because we've got some ship going on. We got some

0:20:38.960 --> 0:20:40.879
<v Speaker 1>other ship we gotta talk to you all about. You know,

0:20:41.160 --> 0:20:44.040
<v Speaker 1>this real ship though. You know this ship ain't homey

0:20:44.080 --> 0:20:46.359
<v Speaker 1>got you know, but I mean by right like you

0:20:46.400 --> 0:20:48.359
<v Speaker 1>Bootleg and nigga ship, you taking money out of it,

0:20:48.640 --> 0:20:52.080
<v Speaker 1>you know, ta the nigga his pockets out of kids, myles?

0:20:52.160 --> 0:20:54.919
<v Speaker 1>Why am I like Nigga going the studio, blood sweating

0:20:54.960 --> 0:20:57.119
<v Speaker 1>tears doing this ship for motherfucker just to take it

0:20:57.119 --> 0:20:59.679
<v Speaker 1>and bootlegged and give it to a motherfucker so you

0:20:59.720 --> 0:21:01.640
<v Speaker 1>could d you had nothing to do with this ship

0:21:02.320 --> 0:21:04.560
<v Speaker 1>like I understand why dude was man like that. So

0:21:05.000 --> 0:21:11.199
<v Speaker 1>then you got in that red room and boy, I

0:21:11.240 --> 0:21:13.199
<v Speaker 1>want to ask you about another whooping. If she was

0:21:13.240 --> 0:21:15.280
<v Speaker 1>around for this whooping? Um, and this this got to

0:21:15.280 --> 0:21:18.040
<v Speaker 1>do with her own, boy bet, because you know Sama,

0:21:18.080 --> 0:21:21.040
<v Speaker 1>I just called Mosama, Osaman them on what the few

0:21:21.080 --> 0:21:24.720
<v Speaker 1>people's ask open the thing and we could talk about this. Um,

0:21:24.840 --> 0:21:27.480
<v Speaker 1>what was the name of that label? Man? That that

0:21:27.480 --> 0:21:31.919
<v Speaker 1>that Osama And then was messing with Oh the you're

0:21:31.960 --> 0:21:37.640
<v Speaker 1>talking about the Shepherd Lane, No, not shepperd Lane, this bungalow. Yeah,

0:21:37.640 --> 0:21:40.040
<v Speaker 1>what was my man's name up there? Oh? Yeah, you

0:21:40.080 --> 0:21:45.879
<v Speaker 1>know his name? But a little executive I saw the

0:21:45.920 --> 0:21:49.679
<v Speaker 1>homeboy Sama was in the meeting. He was talking about

0:21:50.359 --> 0:21:52.360
<v Speaker 1>let's get some stuff off the table, and dude kind

0:21:52.359 --> 0:21:54.080
<v Speaker 1>of got smart and got the taste slapt out of

0:21:54.119 --> 0:21:56.919
<v Speaker 1>his mouth back. And that's how I used to go

0:21:57.000 --> 0:21:58.440
<v Speaker 1>back in the day. Let's go back to day you

0:21:58.480 --> 0:22:00.960
<v Speaker 1>talked back. He was getting slapped a rounds toe up.

0:22:01.280 --> 0:22:03.240
<v Speaker 1>And that's kind of the reason why, Like they always

0:22:03.280 --> 0:22:06.000
<v Speaker 1>asked me, why I don't get into like putting out

0:22:06.000 --> 0:22:08.600
<v Speaker 1>a lot of dudes or you know, producing other artists

0:22:08.640 --> 0:22:11.040
<v Speaker 1>and ship like that, and It's kind of rare that

0:22:11.160 --> 0:22:14.080
<v Speaker 1>you see a dude that's really about this ship, that

0:22:14.320 --> 0:22:17.199
<v Speaker 1>really have that drive and really want to stay in

0:22:17.200 --> 0:22:19.840
<v Speaker 1>the studio. I really want to sleep in the stayn

0:22:19.960 --> 0:22:22.480
<v Speaker 1>care if they shave or take a bath. Them the

0:22:22.560 --> 0:22:24.280
<v Speaker 1>kind of niggas I wanted. I didn't want to Nigga

0:22:24.320 --> 0:22:26.280
<v Speaker 1>win like we did. We slept on the studio floor.

0:22:26.920 --> 0:22:29.120
<v Speaker 1>Niggas that that won't take a bath for three days.

0:22:29.160 --> 0:22:31.560
<v Speaker 1>But I'm gonna write this song. I'm gonna finish this song.

0:22:31.600 --> 0:22:35.600
<v Speaker 1>And these days, man to me, excuse me, but it's

0:22:35.680 --> 0:22:38.120
<v Speaker 1>it's just hard to find that drive. And dudes these

0:22:38.160 --> 0:22:40.760
<v Speaker 1>days they want that ship overnight. They want to be like,

0:22:40.760 --> 0:22:42.560
<v Speaker 1>oh I just got a record deal and they're gonna

0:22:42.560 --> 0:22:45.959
<v Speaker 1>go buy Jerry on the second day, Like Nigga, We

0:22:45.960 --> 0:22:50.080
<v Speaker 1>was in that motherfucker Jerry curl, dried out, breath stinking,

0:22:50.160 --> 0:22:53.119
<v Speaker 1>and they smell like whatever the funk. We smell like

0:22:53.320 --> 0:22:57.280
<v Speaker 1>two day old, what the fuck? But we're trying to

0:22:57.280 --> 0:23:01.199
<v Speaker 1>get this this that word roll. Like Tupac come in

0:23:01.200 --> 0:23:03.280
<v Speaker 1>there at my fucking manuty and quick and told me

0:23:03.320 --> 0:23:05.840
<v Speaker 1>stories about like Tupac running both of the studios and

0:23:05.880 --> 0:23:08.400
<v Speaker 1>ship like he'd coming there and funk with this beat

0:23:08.480 --> 0:23:12.840
<v Speaker 1>Quick was doing, and then funk with the other producer. Man.

0:23:12.880 --> 0:23:15.040
<v Speaker 1>I think it was Johnny one of them or dre

0:23:15.200 --> 0:23:18.000
<v Speaker 1>track or whatever. He was going back and forth, and

0:23:18.560 --> 0:23:21.119
<v Speaker 1>Quick said he had hit his cigarette and ship and smoked.

0:23:21.359 --> 0:23:23.240
<v Speaker 1>Go take a break, but he will not leave that

0:23:23.320 --> 0:23:27.000
<v Speaker 1>motherfucker because his work ethic was just something crazy, bro.

0:23:27.520 --> 0:23:30.080
<v Speaker 1>And I just feel like, yeah, I feel like, if

0:23:30.119 --> 0:23:32.240
<v Speaker 1>if dudes ain't giving me that energy, bro, I ain't

0:23:32.240 --> 0:23:35.480
<v Speaker 1>gonna waste my money or my time to be trying

0:23:35.520 --> 0:23:37.720
<v Speaker 1>to produce one of fucker's ain't hold people's hand. That's

0:23:37.720 --> 0:23:41.000
<v Speaker 1>why I'm not really into like doing that whole thing, man.

0:23:41.040 --> 0:23:42.760
<v Speaker 1>And I know it's some dope talent out there, but

0:23:42.800 --> 0:23:46.119
<v Speaker 1>it's just that's just not my I'm gonna tell you

0:23:46.160 --> 0:23:51.080
<v Speaker 1>for real, man. Digital Soapbox has a record label. Yeah, yeah,

0:23:51.080 --> 0:23:53.160
<v Speaker 1>we got a record label. The actually got some little

0:23:53.160 --> 0:23:55.439
<v Speaker 1>funding to a dog. And I would just rather go

0:23:55.480 --> 0:23:57.359
<v Speaker 1>back and miss with the O G S like you

0:23:57.920 --> 0:24:00.119
<v Speaker 1>missed with past like eight, because y'all gonna do what

0:24:00.200 --> 0:24:03.760
<v Speaker 1>it takes, man, yea take we go going there. It's like,

0:24:03.760 --> 0:24:05.480
<v Speaker 1>I'm gonna tell you, ain't nothing worse. I had an

0:24:05.560 --> 0:24:08.639
<v Speaker 1>artist before man, and I'm not with the babysitting stuff.

0:24:08.680 --> 0:24:11.159
<v Speaker 1>So I booke time. I booked time, and I go

0:24:11.280 --> 0:24:13.119
<v Speaker 1>up there about like the time it's time. It is

0:24:13.160 --> 0:24:14.959
<v Speaker 1>like from four to nine. I got a book from

0:24:14.960 --> 0:24:17.480
<v Speaker 1>four to nine, so I let artists do their thing.

0:24:18.040 --> 0:24:20.359
<v Speaker 1>I don't police nobody because obviously I signed you. I

0:24:20.359 --> 0:24:22.959
<v Speaker 1>think you're doping up the handle business. I go up

0:24:22.960 --> 0:24:25.560
<v Speaker 1>to the studio, man at six o'clock. Mine, you've been

0:24:25.640 --> 0:24:30.119
<v Speaker 1>up there since four. I go up there. Studio reeks

0:24:30.119 --> 0:24:34.040
<v Speaker 1>of marijuana bottles everywhere, and I'm like, okay, let me

0:24:34.080 --> 0:24:36.240
<v Speaker 1>hear the music. I'm expecting my Beagle Press playing and

0:24:36.240 --> 0:24:39.280
<v Speaker 1>I'm hear some incredible stuff. Oh, we ain't got started yet.

0:24:39.320 --> 0:24:41.560
<v Speaker 1>We're getting the vibe. I said, what that vibe cut off?

0:24:41.560 --> 0:24:43.640
<v Speaker 1>I said, man, you know what shut this ship down? Man?

0:24:43.840 --> 0:24:45.960
<v Speaker 1>Never will do it again, man, because you know what

0:24:46.280 --> 0:24:49.719
<v Speaker 1>you up here playing? Yeah. Man, See that's the one

0:24:49.760 --> 0:24:51.959
<v Speaker 1>thing I miss about ship. Like to get you in

0:24:52.000 --> 0:24:56.000
<v Speaker 1>there when the doors open. If it's game on and

0:24:56.040 --> 0:24:57.960
<v Speaker 1>you wanted the players think you better be playing, You

0:24:58.040 --> 0:25:00.159
<v Speaker 1>better be hooping, you better be rocking, you better be

0:25:00.200 --> 0:25:02.960
<v Speaker 1>doing something, because we ain't wasting no bread there's too

0:25:02.960 --> 0:25:06.679
<v Speaker 1>many other motherfucker's that's in the line that's trying to

0:25:06.720 --> 0:25:09.639
<v Speaker 1>eat too. If you're not gonna eat while you with

0:25:09.760 --> 0:25:13.040
<v Speaker 1>your turn, they can move out the way. And that's

0:25:13.040 --> 0:25:15.520
<v Speaker 1>just that's just how I go. Man. Yeah, man, you know,

0:25:15.640 --> 0:25:17.720
<v Speaker 1>so we can take a break real quick and we

0:25:17.760 --> 0:25:20.200
<v Speaker 1>can come right back. Y'all go ahead and check out

0:25:20.200 --> 0:25:23.400
<v Speaker 1>our sponsors and make sure y'all support Yeah for sure.

0:25:23.440 --> 0:25:26.640
<v Speaker 1>So your first record deal was actually on Disney. Yeah,

0:25:26.800 --> 0:25:28.920
<v Speaker 1>that ship was on Disney bro And that's what we

0:25:29.000 --> 0:25:34.560
<v Speaker 1>gotta make a whole movie documentary on the first rapper

0:25:35.359 --> 0:25:38.159
<v Speaker 1>on Disney and after me, they changed that ship to

0:25:38.200 --> 0:25:41.160
<v Speaker 1>Hollywood Records, like they wanted to be in the rap game,

0:25:41.200 --> 0:25:45.280
<v Speaker 1>but they didn't really want to, like the association, because like,

0:25:45.520 --> 0:25:47.560
<v Speaker 1>why did y'all sign me and give me all this money?

0:25:47.600 --> 0:25:50.120
<v Speaker 1>One thing they did they failed me. They laced me up,

0:25:50.200 --> 0:25:53.480
<v Speaker 1>they kept my pockets right, they giving it a check

0:25:53.520 --> 0:25:55.280
<v Speaker 1>just to shut me up sometimes because I'd be in

0:25:55.280 --> 0:25:58.800
<v Speaker 1>there complained and this ship, it's like and Peter Returnal

0:25:58.960 --> 0:26:01.280
<v Speaker 1>was the president at the time time. He's the lawyer

0:26:01.320 --> 0:26:03.560
<v Speaker 1>on Dr Dre ship right now. You know Dr Dre

0:26:03.640 --> 0:26:05.000
<v Speaker 1>and M and them. I think he had something to

0:26:05.000 --> 0:26:07.400
<v Speaker 1>do with the dre Beast deal. You know, Peter turn

0:26:07.800 --> 0:26:11.240
<v Speaker 1>of course. Yeah, so heavyweight. Hell yeah, Michael Eisner at

0:26:11.240 --> 0:26:15.480
<v Speaker 1>the time was over everything. So I'm like, they signed,

0:26:15.560 --> 0:26:18.879
<v Speaker 1>you know, they know where we come from. Quick was

0:26:18.920 --> 0:26:22.960
<v Speaker 1>doing his deal that Profile second, and I was doing Profile.

0:26:23.040 --> 0:26:25.240
<v Speaker 1>I think AMG was doing Select. I think it was

0:26:25.280 --> 0:26:28.000
<v Speaker 1>Select Records or whatever. It's the beauty of it. We

0:26:28.119 --> 0:26:31.760
<v Speaker 1>all had our own individual deals, but we was already

0:26:31.760 --> 0:26:34.320
<v Speaker 1>like Votron, we was already clicked up. But everybody to

0:26:34.600 --> 0:26:37.920
<v Speaker 1>get their individual back and none of them pockets was

0:26:38.000 --> 0:26:42.000
<v Speaker 1>deeper than that Disney ship. You know what I'm saying.

0:26:42.040 --> 0:26:44.240
<v Speaker 1>Hell yeah, no, I mean, boy, the fucked up some

0:26:44.560 --> 0:26:48.880
<v Speaker 1>good money. Just you talk about Disney Man. So at

0:26:48.920 --> 0:26:52.119
<v Speaker 1>that time, I'm pretty sure they wanted to kind of

0:26:52.200 --> 0:26:55.159
<v Speaker 1>censor a lot of your material. Yeah, they wanted everything

0:26:55.200 --> 0:26:58.120
<v Speaker 1>to be kind of clean. Yeah, that's exactly what they wanted.

0:26:58.160 --> 0:26:59.280
<v Speaker 1>You know what I'm saying, Because you didn't hear a

0:26:59.320 --> 0:27:01.840
<v Speaker 1>whole bunch of Kurt your earlier records. I mean, it

0:27:02.280 --> 0:27:04.320
<v Speaker 1>was a bunch of cursing on my records. That's kind

0:27:04.320 --> 0:27:06.880
<v Speaker 1>of what we like. We'll make jokes sometimes now, like

0:27:07.000 --> 0:27:10.560
<v Speaker 1>well compared to today, in comparison to what they doing

0:27:10.560 --> 0:27:13.399
<v Speaker 1>to day, it was kind of lightweight back then. I

0:27:13.440 --> 0:27:17.120
<v Speaker 1>won't say. I won't say it was lightweight, but I'll

0:27:17.160 --> 0:27:19.760
<v Speaker 1>say if it was different, but that it was different.

0:27:19.800 --> 0:27:23.080
<v Speaker 1>It was different, It was different stuff. Yeah, we was

0:27:23.480 --> 0:27:27.320
<v Speaker 1>more like street party, let's have some fun, let's hit

0:27:27.359 --> 0:27:30.240
<v Speaker 1>the street, let's you know, party turn up or whatever.

0:27:30.720 --> 0:27:32.680
<v Speaker 1>And they still do the same ship today, but it's

0:27:32.720 --> 0:27:35.120
<v Speaker 1>just in a different way, you know. Yeah, you sold

0:27:35.119 --> 0:27:38.600
<v Speaker 1>a lot of records with this hell. Yeah, and that's

0:27:38.640 --> 0:27:41.120
<v Speaker 1>when they wasn't really tracking ship, you know, like sound

0:27:41.160 --> 0:27:43.880
<v Speaker 1>scan wasn't really That's when they was the bootleg ship

0:27:43.920 --> 0:27:45.720
<v Speaker 1>was heavy. So a lot of this ship was bootleg.

0:27:45.840 --> 0:27:48.199
<v Speaker 1>But yeah, we did good with him. Yeah, because I

0:27:48.240 --> 0:27:52.520
<v Speaker 1>think you would sound scanning something like three hundred thousand copies, Yeah,

0:27:52.840 --> 0:27:55.720
<v Speaker 1>probably more so you figured efficiently. Now, Yeah, if you

0:27:55.800 --> 0:27:58.600
<v Speaker 1>signed scanning three hundred something body across, you probably sold

0:27:58.600 --> 0:28:00.520
<v Speaker 1>back in that time people on this and how big

0:28:00.520 --> 0:28:02.960
<v Speaker 1>the bootleg and stuff with you might have sold six

0:28:02.960 --> 0:28:06.080
<v Speaker 1>seven thousand, Oh yeah, for sure. Definitely. That's to me,

0:28:06.160 --> 0:28:09.800
<v Speaker 1>that was easy. And I love the fact that Disney

0:28:09.800 --> 0:28:13.280
<v Speaker 1>put me in like like the soundtracks of and seeing

0:28:13.280 --> 0:28:15.520
<v Speaker 1>a man. Certain movies that I was working with, like

0:28:15.840 --> 0:28:18.360
<v Speaker 1>South Center, like certain movies I had action to, like

0:28:18.760 --> 0:28:21.240
<v Speaker 1>getting in and putting my music in these these movies

0:28:21.280 --> 0:28:24.040
<v Speaker 1>and soundtracks and stuff like that, because of course it

0:28:24.119 --> 0:28:26.199
<v Speaker 1>was Disney, but they'll link me up a certain stuff.

0:28:26.720 --> 0:28:28.840
<v Speaker 1>And then you know, I was getting breaks like like

0:28:28.920 --> 0:28:33.800
<v Speaker 1>the Chris Rock ship, the cbfour movie. Yea doing a rapping,

0:28:34.680 --> 0:28:36.760
<v Speaker 1>me doing a rapping, and Daddy, I was doing a

0:28:36.840 --> 0:28:39.760
<v Speaker 1>rapping from step to sonic from doing the other part

0:28:39.760 --> 0:28:43.320
<v Speaker 1>of this ship. Yeah, straight out of low Cash and

0:28:43.360 --> 0:28:45.880
<v Speaker 1>all that swept for my balls and shout out to

0:28:45.920 --> 0:28:48.400
<v Speaker 1>Chris Rock right now. You know he hot right now

0:28:48.960 --> 0:28:52.080
<v Speaker 1>because all that controversial ship. But um, and then I

0:28:52.080 --> 0:28:55.000
<v Speaker 1>did another soundtrack for Chris Rock on that head of State.

0:28:55.080 --> 0:28:56.640
<v Speaker 1>I think it was called some movie or something. I

0:28:56.680 --> 0:28:59.240
<v Speaker 1>put one of my ships in there. So when I

0:28:59.280 --> 0:29:01.920
<v Speaker 1>catch up with Chris Man, we got a holler. Bro. Yeah,

0:29:01.960 --> 0:29:04.680
<v Speaker 1>for sure, you did a lot of pivotal stuff. Let

0:29:04.680 --> 0:29:06.880
<v Speaker 1>me ask you this man, this during the time. Man,

0:29:06.880 --> 0:29:09.480
<v Speaker 1>we're talking about the eighties right now, and in the

0:29:09.480 --> 0:29:12.000
<v Speaker 1>eighties it was just a whole another level as far

0:29:12.040 --> 0:29:16.120
<v Speaker 1>as gangsterism and the streets people was really gang banging,

0:29:16.280 --> 0:29:19.440
<v Speaker 1>and Quick was one of the first correct me if

0:29:19.440 --> 0:29:22.320
<v Speaker 1>I'm wrong. Quick was one of the first people to

0:29:22.440 --> 0:29:24.840
<v Speaker 1>really start kind of like banging the wax a little

0:29:24.880 --> 0:29:27.240
<v Speaker 1>bit because he would throw a little stuff in there. Yeah,

0:29:27.440 --> 0:29:29.760
<v Speaker 1>he would throw a little subliminal stuff in the records

0:29:30.080 --> 0:29:31.520
<v Speaker 1>and kind of let you know what it is. You

0:29:31.560 --> 0:29:34.360
<v Speaker 1>know on the mixtapes, you know, Ship the tape, you know,

0:29:34.400 --> 0:29:37.040
<v Speaker 1>the hood tape. So he just you know, we just

0:29:38.000 --> 0:29:39.880
<v Speaker 1>let it be known. And then after that it was

0:29:39.960 --> 0:29:42.080
<v Speaker 1>becoming kind of like, you know, the dudes that was

0:29:42.200 --> 0:29:44.840
<v Speaker 1>kind of stepping up because back then it ain't gonna

0:29:44.840 --> 0:29:46.560
<v Speaker 1>lie bro. It was just kind of hard to just

0:29:46.680 --> 0:29:49.720
<v Speaker 1>really get out there and just kind of put yourself

0:29:49.760 --> 0:29:52.719
<v Speaker 1>on the front line like that because it was really

0:29:54.080 --> 0:29:57.200
<v Speaker 1>like motherfucker's that will come and test your ship, you

0:29:57.200 --> 0:30:00.640
<v Speaker 1>know what I'm saying. So you do ship nowadays, and

0:30:00.680 --> 0:30:04.080
<v Speaker 1>it's still bad, don't get me wrong, but it's not

0:30:04.200 --> 0:30:07.880
<v Speaker 1>cameras everywhere back then like it is today. You can't

0:30:07.920 --> 0:30:11.120
<v Speaker 1>sucking sneeze or take a leak on the side of

0:30:11.120 --> 0:30:13.360
<v Speaker 1>a building without the motherfucker filming you now. But back

0:30:13.400 --> 0:30:16.560
<v Speaker 1>then and then it comes slide on you and do whatever,

0:30:16.600 --> 0:30:18.240
<v Speaker 1>and they don't know who did it until you know

0:30:18.280 --> 0:30:21.440
<v Speaker 1>what I'm saying, Like some of the greatest rappers alive,

0:30:21.520 --> 0:30:23.680
<v Speaker 1>they still don't. You know, it's unsolved. But right now,

0:30:24.200 --> 0:30:27.480
<v Speaker 1>dudes got cameras everywhere, they're actually doing ship on camera.

0:30:27.520 --> 0:30:29.240
<v Speaker 1>That's why I don't really rock with the social media

0:30:29.280 --> 0:30:32.800
<v Speaker 1>shipped too much, like taunting motherfucker's on cameras and motherfucker's

0:30:32.880 --> 0:30:35.560
<v Speaker 1>running up on people trying to get points and cloud

0:30:35.560 --> 0:30:38.320
<v Speaker 1>are doing the get shipped to people on camera. That's

0:30:38.400 --> 0:30:40.440
<v Speaker 1>just not my lane. I don't feel it. But if

0:30:40.480 --> 0:30:43.720
<v Speaker 1>that's what niggas do, I respect that. But it was

0:30:43.800 --> 0:30:46.400
<v Speaker 1>just different back then, bro. So when you said some ship,

0:30:46.480 --> 0:30:49.920
<v Speaker 1>you had to really stand on some ship. It wouldn't

0:30:49.960 --> 0:30:52.080
<v Speaker 1>like now because, um I see a lot of people

0:30:52.080 --> 0:30:54.520
<v Speaker 1>that claim they pie rouse their bloods and this and

0:30:54.600 --> 0:30:57.920
<v Speaker 1>crips and they're not necessarily really like that and they

0:30:57.960 --> 0:30:59.880
<v Speaker 1>can kind of get away with it. But back then,

0:31:00.040 --> 0:31:01.680
<v Speaker 1>you really had to stand on. You had to be

0:31:01.720 --> 0:31:04.080
<v Speaker 1>a man and where the read yeah, hell yeah, you

0:31:04.120 --> 0:31:06.760
<v Speaker 1>have to especially being a blood Hell yeah, you already

0:31:06.800 --> 0:31:09.920
<v Speaker 1>know back then because y'all plush, y'all king in the

0:31:09.960 --> 0:31:12.280
<v Speaker 1>time that where everybody has seemed like was crips at

0:31:12.280 --> 0:31:14.760
<v Speaker 1>the time. That's hey, the family back back and you

0:31:14.800 --> 0:31:17.040
<v Speaker 1>know I had family. I got family out of town

0:31:17.080 --> 0:31:19.040
<v Speaker 1>from the South and ship and they used to be

0:31:19.080 --> 0:31:20.960
<v Speaker 1>concerned about me and ship because they heard I was

0:31:21.040 --> 0:31:23.360
<v Speaker 1>running in the streets and they was like, you're not

0:31:23.440 --> 0:31:25.880
<v Speaker 1>You're not running, You're not. Uh. They all they thought

0:31:25.880 --> 0:31:28.320
<v Speaker 1>it was crip. Mean, they thought krip mean everything. You

0:31:28.360 --> 0:31:31.240
<v Speaker 1>know what I'm saying, crip was the Mexican Games. Crip

0:31:31.320 --> 0:31:33.160
<v Speaker 1>was that they didn't know, you know, you're not you're

0:31:33.200 --> 0:31:37.280
<v Speaker 1>not what you're not doing the crypt now like now

0:31:37.320 --> 0:31:40.240
<v Speaker 1>the what were doing. But they didn't understand it. This ship,

0:31:40.280 --> 0:31:43.120
<v Speaker 1>but it was it was it was hard back then

0:31:43.160 --> 0:31:45.360
<v Speaker 1>to be you know. Now, did y'all ever have any

0:31:45.400 --> 0:31:49.200
<v Speaker 1>conflict with that, like because people know him, y'all it

0:31:49.240 --> 0:31:53.560
<v Speaker 1>was part rouge time. Yeah, you best God there right,

0:31:53.800 --> 0:31:55.680
<v Speaker 1>let's talk about it. Man. We was the only one.

0:31:55.760 --> 0:31:58.360
<v Speaker 1>We was like the first ones to come out and

0:31:58.520 --> 0:32:00.840
<v Speaker 1>just they knew we wasn't you know, like they heard

0:32:00.840 --> 0:32:02.440
<v Speaker 1>a lot of the ship and what we was dressed

0:32:02.480 --> 0:32:04.600
<v Speaker 1>like and what we was wearing. They know we wasn't

0:32:04.640 --> 0:32:08.000
<v Speaker 1>you know, we wasn't no crips. They know exactly what

0:32:08.080 --> 0:32:10.480
<v Speaker 1>was going on. And it was like dudes that that,

0:32:10.600 --> 0:32:12.480
<v Speaker 1>like you said, the dudes from out of town that

0:32:12.600 --> 0:32:15.000
<v Speaker 1>probably heard somebody to say something. And then you have

0:32:15.120 --> 0:32:17.480
<v Speaker 1>some real niggas, Like I mean, it was one of

0:32:17.480 --> 0:32:20.840
<v Speaker 1>those things I think, if I'm not mistaken, we was

0:32:20.920 --> 0:32:24.760
<v Speaker 1>kind of like the first ones from from that side

0:32:24.800 --> 0:32:29.160
<v Speaker 1>to really go out and tour and people be known like, okay,

0:32:29.200 --> 0:32:31.680
<v Speaker 1>them niggas is dogs and you know the other niggas.

0:32:31.720 --> 0:32:34.920
<v Speaker 1>Looks like we were just torn, toring torn and everywhere

0:32:34.960 --> 0:32:38.040
<v Speaker 1>we go where some other. Back then before all the ship,

0:32:38.760 --> 0:32:41.680
<v Speaker 1>all the ship got twisted up. Norm all the bloods

0:32:41.720 --> 0:32:44.440
<v Speaker 1>have respect for each other, loved each other. It used

0:32:44.480 --> 0:32:46.360
<v Speaker 1>to be a thing where dudes and say blood love

0:32:46.600 --> 0:32:48.640
<v Speaker 1>you know what I'm saying. And it was like I

0:32:48.640 --> 0:32:50.800
<v Speaker 1>can go to San Diego, pull up on the dog

0:32:50.880 --> 0:32:54.400
<v Speaker 1>and just share break bread or whatever. I can go

0:32:54.520 --> 0:32:57.120
<v Speaker 1>from anywhere and it was like, come on, blood, let's

0:32:57.200 --> 0:32:59.840
<v Speaker 1>you know who. It was cool, like, man, the nigga

0:33:00.040 --> 0:33:02.480
<v Speaker 1>gout for you. But now they beet with each other

0:33:02.560 --> 0:33:05.040
<v Speaker 1>something terrible. I remember at that time, man, I remember

0:33:05.080 --> 0:33:07.560
<v Speaker 1>at that time that bloods would look out for bloods

0:33:07.560 --> 0:33:10.400
<v Speaker 1>and crips would look out for crips, and now it's

0:33:10.400 --> 0:33:12.920
<v Speaker 1>the thing man that wears more bloods killing bloods now,

0:33:13.000 --> 0:33:17.200
<v Speaker 1>and there's more crips killing crips. What do you think man?

0:33:17.280 --> 0:33:19.680
<v Speaker 1>Being one of them dudes that was that's really a

0:33:19.760 --> 0:33:21.760
<v Speaker 1>veteran of the streets. A lot of people don't never

0:33:21.800 --> 0:33:23.920
<v Speaker 1>bring your name up. But she was a real gangster.

0:33:24.600 --> 0:33:26.440
<v Speaker 1>You know what I'm saying. You're a real gangster, you

0:33:26.480 --> 0:33:28.480
<v Speaker 1>know what I mean. It was a real gangster. Of course,

0:33:28.520 --> 0:33:31.960
<v Speaker 1>we've grown men now, got children and you know, responsibilities

0:33:31.960 --> 0:33:34.200
<v Speaker 1>and stuff. So ain't nobody running the streets like they was.

0:33:34.360 --> 0:33:39.800
<v Speaker 1>But during that time, have you ever had an incident

0:33:39.840 --> 0:33:41.720
<v Speaker 1>on the road where you really thought it was gonna

0:33:41.720 --> 0:33:44.760
<v Speaker 1>go down? Man, we had a whole bunch of fucking

0:33:44.800 --> 0:33:47.160
<v Speaker 1>incidents like that ship quick talking about in the record,

0:33:47.240 --> 0:33:50.080
<v Speaker 1>just Liketen like being shot at this ship coming out

0:33:50.120 --> 0:33:53.280
<v Speaker 1>the back of the show, and the dude like, just

0:33:53.560 --> 0:33:55.680
<v Speaker 1>for instance, one night we're doing the show and I've

0:33:55.680 --> 0:33:57.800
<v Speaker 1>seen the dude had on this green never forgive a

0:33:57.880 --> 0:34:00.360
<v Speaker 1>color you had on green? With his change this ship

0:34:00.440 --> 0:34:03.640
<v Speaker 1>he was doing this thing or whatever. Then he was

0:34:03.920 --> 0:34:05.920
<v Speaker 1>in the show and joined the show singing our ship

0:34:07.240 --> 0:34:11.839
<v Speaker 1>and I think that was San Antonio. I'm not if

0:34:11.840 --> 0:34:14.960
<v Speaker 1>I'm not mistaken. Dude party and they had a couple

0:34:15.000 --> 0:34:17.040
<v Speaker 1>of his homies with him. I don't remember who exactly

0:34:17.120 --> 0:34:19.960
<v Speaker 1>was with him, but long story short, bro, we came

0:34:20.000 --> 0:34:23.080
<v Speaker 1>out and dude was laid out man shotting the dome

0:34:23.200 --> 0:34:26.120
<v Speaker 1>like somebody got him and domed him out there, and

0:34:26.160 --> 0:34:27.719
<v Speaker 1>he was like damn. And then we was trying to

0:34:27.719 --> 0:34:30.440
<v Speaker 1>get out the building. Some motherfuckers started shooting at us.

0:34:30.440 --> 0:34:32.719
<v Speaker 1>We had to throw the vest on quick and some

0:34:32.800 --> 0:34:35.719
<v Speaker 1>of our our team was with us security and ship

0:34:35.840 --> 0:34:38.960
<v Speaker 1>and homies and start shooting back at them. And we

0:34:39.000 --> 0:34:41.200
<v Speaker 1>got in the van. We had EMC Breed with his

0:34:41.239 --> 0:34:44.080
<v Speaker 1>man and EMC Breed manager was like, what the funk

0:34:44.160 --> 0:34:46.960
<v Speaker 1>going on? Y'all? This ship is real. This dude jumped here.

0:34:47.000 --> 0:34:49.400
<v Speaker 1>I think he had on a white suit. He jumped

0:34:49.440 --> 0:34:51.359
<v Speaker 1>on the ground and was laying under a van and

0:34:51.400 --> 0:34:54.400
<v Speaker 1>got up. I was like, man, y'all, motherfucker's crazy this

0:34:54.440 --> 0:34:56.799
<v Speaker 1>And then we was like, man, this this kind of high.

0:34:56.880 --> 0:34:58.759
<v Speaker 1>Go homie, when you're pushing this line, you know what

0:34:58.760 --> 0:35:00.200
<v Speaker 1>I'm saying, And not that we was pushing in the

0:35:00.239 --> 0:35:02.480
<v Speaker 1>line like that of banging on niggas, but they just

0:35:02.560 --> 0:35:04.279
<v Speaker 1>knew where we was from, you know what I'm saying,

0:35:04.320 --> 0:35:07.239
<v Speaker 1>So it was just made it a little bit harder. Yeah,

0:35:07.360 --> 0:35:10.680
<v Speaker 1>let's talk about this. And ironically, I wish I had

0:35:10.719 --> 0:35:16.600
<v Speaker 1>the homie up here today. You know, eight was from Tragnew.

0:35:18.040 --> 0:35:21.840
<v Speaker 1>Eight was from Tragnew. Y'all from Tree Top, y'all local

0:35:21.880 --> 0:35:24.799
<v Speaker 1>to each other. You're both from Compton. When the beef

0:35:24.880 --> 0:35:27.799
<v Speaker 1>started with him and quick, how intense did that get

0:35:27.800 --> 0:35:31.520
<v Speaker 1>for the whole camp? Man? To be honest, it was

0:35:31.560 --> 0:35:33.840
<v Speaker 1>one of those things to where, man, I don't even

0:35:33.840 --> 0:35:36.839
<v Speaker 1>know like how the ship kind of really got kicked off,

0:35:37.760 --> 0:35:39.360
<v Speaker 1>But it was one of those things to where it

0:35:39.400 --> 0:35:43.000
<v Speaker 1>didn't really it wasn't no different from the regular day

0:35:43.000 --> 0:35:44.479
<v Speaker 1>to day ship with us, you know what I'm saying,

0:35:44.480 --> 0:35:47.359
<v Speaker 1>because that's what we used to think about Compton, man,

0:35:47.480 --> 0:35:49.000
<v Speaker 1>And you know, Norman, because you haven't been out there

0:35:49.040 --> 0:35:53.200
<v Speaker 1>with us a million times. And ship Compton got so

0:35:53.239 --> 0:35:57.080
<v Speaker 1>many goddamned hoods. It's not that big, and it's it's

0:35:58.800 --> 0:36:02.759
<v Speaker 1>overflowed with hoods and congested with different hoods. If you

0:36:02.880 --> 0:36:05.000
<v Speaker 1>go on this side of the street, you in this hood.

0:36:05.040 --> 0:36:06.799
<v Speaker 1>If you go down this way, you and this head.

0:36:06.840 --> 0:36:09.640
<v Speaker 1>So we kind of just kept it pushing. It was

0:36:09.680 --> 0:36:12.560
<v Speaker 1>just everyday protocol for us. You know what I'm saying,

0:36:12.640 --> 0:36:14.839
<v Speaker 1>until we run into somebody. You know what I'm saying,

0:36:14.840 --> 0:36:17.200
<v Speaker 1>You know that ship though we ain't really we ain't

0:36:17.239 --> 0:36:19.359
<v Speaker 1>losing no sleep. I'm sure they ain't losing no sleep.

0:36:19.360 --> 0:36:22.440
<v Speaker 1>But if you run into him, we're gonna address the situation,

0:36:22.480 --> 0:36:23.960
<v Speaker 1>you know what I'm saying, Like, Hey, what's happening. And

0:36:24.000 --> 0:36:26.359
<v Speaker 1>then when we saw him in the airport and ship,

0:36:26.400 --> 0:36:28.520
<v Speaker 1>I thought it was cool, Like Quick said, you know

0:36:28.520 --> 0:36:30.640
<v Speaker 1>what I'm saying, we've seen him and the nigga was

0:36:30.680 --> 0:36:32.640
<v Speaker 1>on some big boy ship and I wasn't even gonna

0:36:32.680 --> 0:36:34.360
<v Speaker 1>let it go down like that. We was. It was

0:36:34.800 --> 0:36:36.239
<v Speaker 1>a few of us, and I think he was by

0:36:36.239 --> 0:36:39.200
<v Speaker 1>itself for somebody with one person. And then he didn't

0:36:39.360 --> 0:36:41.040
<v Speaker 1>rush him or nothing like that, because we don't do

0:36:41.080 --> 0:36:42.759
<v Speaker 1>that ship. You know what I'm saying. It's like, if

0:36:42.760 --> 0:36:44.160
<v Speaker 1>you want to take the faith, and then can take

0:36:44.200 --> 0:36:46.440
<v Speaker 1>the faith if that's what you want to do right now.

0:36:46.560 --> 0:36:49.759
<v Speaker 1>But they talked or whatever, exchange numbers and I think

0:36:49.760 --> 0:36:51.440
<v Speaker 1>he changed his number and that's what kind of made

0:36:51.480 --> 0:36:53.920
<v Speaker 1>Quick even matter, Like you know, what I'm saying, like

0:36:54.200 --> 0:36:55.839
<v Speaker 1>we're supposed to be like when he said, you change

0:36:55.840 --> 0:36:58.880
<v Speaker 1>a little deeper number. Back then niggas had pages, so

0:36:58.920 --> 0:37:00.959
<v Speaker 1>he kind of changed his number. I think that's what happened.

0:37:01.000 --> 0:37:03.759
<v Speaker 1>I'm not sure though. And the thing is, man, those

0:37:03.840 --> 0:37:07.920
<v Speaker 1>sixty ways since usually be so tuchi that he might

0:37:07.960 --> 0:37:10.400
<v Speaker 1>not have changed his number being on some stuff. It

0:37:10.560 --> 0:37:12.919
<v Speaker 1>might not have had number because I changed my number

0:37:12.960 --> 0:37:14.560
<v Speaker 1>all the time, That's what I'm saying. So you never

0:37:14.640 --> 0:37:16.840
<v Speaker 1>knew what the fun. You know, we don't know what

0:37:16.880 --> 0:37:19.439
<v Speaker 1>the fun is going on. But at that time, it's

0:37:19.480 --> 0:37:23.719
<v Speaker 1>like motherfucker's young, full of testosterone. You know, we want

0:37:23.760 --> 0:37:25.399
<v Speaker 1>to be the king of the hill, just like they

0:37:25.440 --> 0:37:27.160
<v Speaker 1>want to be the king of the hill. Niggas know

0:37:27.320 --> 0:37:29.759
<v Speaker 1>he had crept, they know we from where we're from

0:37:29.880 --> 0:37:34.000
<v Speaker 1>or whatever. So it's it's like that tension. Everybody already

0:37:34.000 --> 0:37:36.200
<v Speaker 1>looking at it like, Okay, you know, I'm motherfucker at

0:37:36.440 --> 0:37:38.279
<v Speaker 1>at school. When you see a motherucker about the fight,

0:37:38.320 --> 0:37:41.479
<v Speaker 1>you're like, oh, motherfucker's like they're doing all this ship,

0:37:41.480 --> 0:37:43.279
<v Speaker 1>like let's see what the like. Motherfucker's just wanted to

0:37:43.280 --> 0:37:45.640
<v Speaker 1>see what was gonna happen to me? And it was

0:37:45.680 --> 0:37:48.680
<v Speaker 1>like no difference from like every dayhood ship. You know,

0:37:49.160 --> 0:37:51.000
<v Speaker 1>yeah for sure, and that's what goes on. The one

0:37:51.040 --> 0:37:53.359
<v Speaker 1>thing I do want to say, Eight has always let

0:37:53.360 --> 0:37:57.319
<v Speaker 1>it be known I see my nigga, you know, chill

0:37:57.400 --> 0:38:00.200
<v Speaker 1>to shout out chill. Yeah, you know, there's some good cats, man.

0:38:00.239 --> 0:38:02.960
<v Speaker 1>And that one thing I do think is cool is

0:38:03.000 --> 0:38:05.719
<v Speaker 1>that that stuff did get resolved. And I'm still waiting

0:38:05.719 --> 0:38:08.600
<v Speaker 1>to hear that eight and DJ Quick album. Man, that

0:38:08.600 --> 0:38:10.360
<v Speaker 1>that collaboration, you know what I mean. I think it

0:38:10.360 --> 0:38:12.480
<v Speaker 1>would be dope. I think would be dope, and I

0:38:12.520 --> 0:38:15.680
<v Speaker 1>think right about now it's something that we definitely could

0:38:16.560 --> 0:38:18.879
<v Speaker 1>make happen. I think the world is still ready for that.

0:38:19.120 --> 0:38:21.279
<v Speaker 1>Hell yeah, you know, I think the world is still

0:38:21.320 --> 0:38:23.719
<v Speaker 1>ready for that. And they also also here they also

0:38:23.840 --> 0:38:26.279
<v Speaker 1>ready to hear some new music from High See. Why

0:38:26.280 --> 0:38:28.520
<v Speaker 1>do you wait so long in between songs man to

0:38:28.560 --> 0:38:31.000
<v Speaker 1>put our projects? Man? You know what, like we do

0:38:31.120 --> 0:38:33.680
<v Speaker 1>songs man, and at the time of the ship, just

0:38:33.760 --> 0:38:36.320
<v Speaker 1>be right, I could play some ship right now. We

0:38:36.440 --> 0:38:39.200
<v Speaker 1>got that. Ain't nobody heard a few things that ain't

0:38:39.200 --> 0:38:41.520
<v Speaker 1>nobody heard that. People will be like, man, what the

0:38:41.560 --> 0:38:43.520
<v Speaker 1>funk you doing? It's dope, ist fucking this and this

0:38:43.600 --> 0:38:46.080
<v Speaker 1>and that, and sometimes we just work on ship and

0:38:46.160 --> 0:38:48.520
<v Speaker 1>just put it to the side or never come out

0:38:48.560 --> 0:38:51.120
<v Speaker 1>and start working on some new ship. Like you know,

0:38:51.880 --> 0:38:54.200
<v Speaker 1>you know how the good ship you've been in the studio. Yeah, well,

0:38:54.239 --> 0:38:57.520
<v Speaker 1>you know what what's funny man about that is like

0:38:57.560 --> 0:39:00.080
<v Speaker 1>when we put let Me Know out that really it

0:39:00.160 --> 0:39:03.479
<v Speaker 1>was four years old already, and the music is so good.

0:39:03.520 --> 0:39:07.000
<v Speaker 1>It's timeless. It doesn't have no time stamps on or

0:39:07.040 --> 0:39:08.480
<v Speaker 1>nothing like that, to where you can hear one of

0:39:08.480 --> 0:39:11.240
<v Speaker 1>your records four years from now and it still sounds

0:39:11.239 --> 0:39:13.640
<v Speaker 1>current and not believe that's because you guys are such

0:39:13.719 --> 0:39:17.800
<v Speaker 1>great musicians. It's music and it's not tied into no trendy.

0:39:17.840 --> 0:39:21.000
<v Speaker 1>Ship is not tied into no stuff that's going on.

0:39:21.160 --> 0:39:25.239
<v Speaker 1>It's like you guys always recreating your own thing. That's man,

0:39:25.320 --> 0:39:27.959
<v Speaker 1>we do, man, And that that record, that particular record

0:39:28.040 --> 0:39:29.719
<v Speaker 1>you're talking about. Man, we were sitting in a quick

0:39:29.800 --> 0:39:32.960
<v Speaker 1>living room and just sucking around. This Nick in his

0:39:33.120 --> 0:39:37.760
<v Speaker 1>boxers and we're over there just fucking around with some ship.

0:39:38.120 --> 0:39:41.480
<v Speaker 1>He's comfortable, we at the house chilling, and we just

0:39:41.520 --> 0:39:45.399
<v Speaker 1>started sucking around. And everybody hear that song and be like, man,

0:39:45.520 --> 0:39:48.080
<v Speaker 1>is that a sample offer, you know, is it Rogers

0:39:48.080 --> 0:39:50.320
<v Speaker 1>that you know they think is a Zapp or somebody

0:39:50.440 --> 0:39:52.879
<v Speaker 1>or you know, Roger Troutman or whatever the funk they

0:39:52.880 --> 0:39:55.120
<v Speaker 1>think it is. But no, this is some ship that

0:39:56.040 --> 0:39:59.600
<v Speaker 1>I think it did like straight, you know, just genius

0:39:59.640 --> 0:40:02.400
<v Speaker 1>thinking and this me coming up with the hooks or

0:40:02.440 --> 0:40:06.640
<v Speaker 1>whatever and ideas. That's one thing I love about the Click.

0:40:06.719 --> 0:40:12.440
<v Speaker 1>We always threw ship at each other lines, hooks, choruses,

0:40:12.480 --> 0:40:14.279
<v Speaker 1>you know, like when you're a groupy like man, I

0:40:14.280 --> 0:40:16.080
<v Speaker 1>don't know, try to say this or do this or

0:40:16.360 --> 0:40:18.279
<v Speaker 1>what you think about that? Like, no, we ain't doing

0:40:18.280 --> 0:40:19.600
<v Speaker 1>that like that, you know what I'm saying that It

0:40:19.680 --> 0:40:23.920
<v Speaker 1>was just always that good like camaraderie, you know what

0:40:23.920 --> 0:40:26.839
<v Speaker 1>I mean, Like just team effort of putting out some

0:40:26.880 --> 0:40:31.160
<v Speaker 1>good ship. Yeah, for sure. And I don't think when

0:40:31.160 --> 0:40:34.480
<v Speaker 1>people mention top producers. A lot of people on the

0:40:34.520 --> 0:40:37.000
<v Speaker 1>West always mention Quick's name and they top five. But

0:40:37.040 --> 0:40:40.200
<v Speaker 1>a lot of people outside the West they always named

0:40:40.280 --> 0:40:42.680
<v Speaker 1>Dr Dre and you know a few other people. But

0:40:42.800 --> 0:40:46.360
<v Speaker 1>Quick as as Quick is not just a great producer,

0:40:46.800 --> 0:40:50.120
<v Speaker 1>he's also a great engineer, also a great song writer.

0:40:50.400 --> 0:40:54.319
<v Speaker 1>He does everything well. Everything He does everything well because

0:40:54.320 --> 0:40:56.120
<v Speaker 1>a lot of hooks, y'all having on records to beat

0:40:56.160 --> 0:40:57.719
<v Speaker 1>him singing. A lot of people don't know. They don't

0:40:57.719 --> 0:41:01.480
<v Speaker 1>know NIGGI gets saying like the old Rigard prior said,

0:41:01.480 --> 0:41:05.239
<v Speaker 1>and they have to saying to get some puzzy. So

0:41:05.239 --> 0:41:06.759
<v Speaker 1>I want to ask you about a few people in

0:41:06.760 --> 0:41:10.439
<v Speaker 1>the crew. Man, Um, how did Masburg rest in peace?

0:41:10.480 --> 0:41:13.399
<v Speaker 1>Coming to the Fold? I want to hear the whole story. Man,

0:41:13.480 --> 0:41:16.879
<v Speaker 1>Moss bird Man, Baby bird Man. That's that's man, that's

0:41:16.960 --> 0:41:20.080
<v Speaker 1>my dude. I missed Masburg. Massburg came into the fold.

0:41:20.560 --> 0:41:23.799
<v Speaker 1>Black Tone had the shop, the baseball car store. You

0:41:23.800 --> 0:41:26.080
<v Speaker 1>know Black always keep a couple of businesses here. He

0:41:26.120 --> 0:41:29.120
<v Speaker 1>had the beauty salon this story. You know, Black always

0:41:29.280 --> 0:41:34.839
<v Speaker 1>getting that check. So um, he came up there and

0:41:35.480 --> 0:41:38.000
<v Speaker 1>I don't know if it was one of the homies

0:41:38.120 --> 0:41:41.120
<v Speaker 1>from Campanello, somebody brought him up there or whatever. And

0:41:41.160 --> 0:41:43.440
<v Speaker 1>he had a little demo, man, and I never forget

0:41:44.200 --> 0:41:47.600
<v Speaker 1>it was off of Michael Jackson. The doe dude did

0:41:47.640 --> 0:41:52.440
<v Speaker 1>the doe dude? Dude? What is that with? Uh? Smooth criminal?

0:41:52.600 --> 0:41:55.319
<v Speaker 1>You yep, smooth criminal. And he did a song off

0:41:55.360 --> 0:41:58.960
<v Speaker 1>of that, and you you gotta know Mossberg is like

0:41:59.040 --> 0:42:01.520
<v Speaker 1>six five normal, what was the six four and six

0:42:01.600 --> 0:42:07.160
<v Speaker 1>five ship to ninety but almost then the three and

0:42:07.280 --> 0:42:10.400
<v Speaker 1>big boy, you know what I'm saying, Like big intimidating,

0:42:10.640 --> 0:42:13.600
<v Speaker 1>like but young though, and he was like and serious

0:42:13.640 --> 0:42:15.640
<v Speaker 1>as fun, and I just like how he was serious.

0:42:15.640 --> 0:42:19.000
<v Speaker 1>And he went by Johnny Burnt, like Johnny Burns and

0:42:19.040 --> 0:42:21.520
<v Speaker 1>he had this song some something, Mr Johnny Burns is

0:42:21.560 --> 0:42:25.000
<v Speaker 1>the real list this then the like he just changed

0:42:25.040 --> 0:42:27.239
<v Speaker 1>it all up, and I was kind of like, man,

0:42:27.239 --> 0:42:30.680
<v Speaker 1>this niked man. He I funk with him because out

0:42:30.680 --> 0:42:33.080
<v Speaker 1>of all the ship you could have sampled what you did.

0:42:33.520 --> 0:42:36.960
<v Speaker 1>He took Michael Jackson and did the ship off of

0:42:37.040 --> 0:42:40.600
<v Speaker 1>Michael Jackson, but looking like serious, like yeah I did

0:42:40.600 --> 0:42:43.200
<v Speaker 1>Michael Jackson. I saw Mallsburg was like, yeah I did

0:42:43.200 --> 0:42:45.839
<v Speaker 1>Michael Jackson. What's up? And the nick ain't gonna say

0:42:45.840 --> 0:42:47.719
<v Speaker 1>that to him ship? Like you know what I'm saying,

0:42:47.760 --> 0:42:50.000
<v Speaker 1>Like because that nigga is bought his ship, you know

0:42:50.040 --> 0:42:52.200
<v Speaker 1>what I'm saying. And I kind of used to smirking

0:42:52.320 --> 0:42:55.960
<v Speaker 1>like did Michael Jackson. But Mallsburg was hard as fun,

0:42:56.080 --> 0:42:57.919
<v Speaker 1>so we kind of I just I took a liking

0:42:57.960 --> 0:43:00.120
<v Speaker 1>to him. Since then I love him, like man, he

0:43:00.239 --> 0:43:02.600
<v Speaker 1>was like down to like say, you know, because I'm

0:43:02.640 --> 0:43:05.880
<v Speaker 1>the type of nigguy. I like Michael Jackson too, Like, uh,

0:43:06.040 --> 0:43:08.600
<v Speaker 1>my cousin and his girlfriend got in my car, one

0:43:08.640 --> 0:43:09.960
<v Speaker 1>of my cars and ship. You know, I do the

0:43:09.960 --> 0:43:12.480
<v Speaker 1>car shipped too, So I got a car business or whatever.

0:43:12.520 --> 0:43:15.719
<v Speaker 1>I got my own dealership like ship, so I keep car.

0:43:15.760 --> 0:43:18.120
<v Speaker 1>I'll be in all kinds of ships. So they got

0:43:18.120 --> 0:43:20.480
<v Speaker 1>in one of my cars and I had a Michael

0:43:20.560 --> 0:43:23.120
<v Speaker 1>Jackson CD in there, and they fell out laughing because

0:43:23.120 --> 0:43:26.200
<v Speaker 1>they thinking like, oh, like crows ain't never listened to

0:43:26.280 --> 0:43:28.600
<v Speaker 1>Michael Jackson. He's supposed to listen to. This was years ago,

0:43:28.680 --> 0:43:31.160
<v Speaker 1>Like oh all you know hard Ship. I'm like, they

0:43:31.280 --> 0:43:33.960
<v Speaker 1>go like, that's one of the best sounding albums, one

0:43:33.960 --> 0:43:38.080
<v Speaker 1>of the best ever. Yeah, hell yeah. So I'm like

0:43:38.400 --> 0:43:40.480
<v Speaker 1>the funk when I listening to Michael Jackson. So by

0:43:40.520 --> 0:43:43.080
<v Speaker 1>Massy doing that, I was like, they could go head,

0:43:43.160 --> 0:43:44.919
<v Speaker 1>let's see what you got. And then we just took

0:43:45.000 --> 0:43:47.479
<v Speaker 1>him in and just grew a liking to him. Yeah

0:43:47.520 --> 0:43:49.480
<v Speaker 1>for sure, And he got behind them quick beats in

0:43:49.520 --> 0:43:52.120
<v Speaker 1>the rest man. That's yeah, that'ship history after that. But

0:43:52.200 --> 0:43:55.399
<v Speaker 1>actually y'all did more songs together than anybody else, right, Yeah,

0:43:55.480 --> 0:43:57.759
<v Speaker 1>me and Massy did we We didn't do We didn't

0:43:57.760 --> 0:43:59.319
<v Speaker 1>get a chance to do all of the song. Like

0:43:59.440 --> 0:44:01.680
<v Speaker 1>I said, we got Ship that ain't even came out

0:44:01.760 --> 0:44:04.480
<v Speaker 1>or whatever, and Ship, but we do so much Ship

0:44:04.520 --> 0:44:06.200
<v Speaker 1>norm You're like, we get in there and just get

0:44:06.200 --> 0:44:09.000
<v Speaker 1>the working bro, and then when Ship get divvied up,

0:44:09.080 --> 0:44:10.680
<v Speaker 1>or we want to put this on this album, do

0:44:10.800 --> 0:44:15.400
<v Speaker 1>this on that album? Like, um, Ship, that's how I go.

0:44:15.680 --> 0:44:19.160
<v Speaker 1>Because he was on his way man, and then um,

0:44:19.280 --> 0:44:21.880
<v Speaker 1>he was murdered on the fourth of July weekend? Correct

0:44:22.520 --> 0:44:25.520
<v Speaker 1>ye and michaelrect How how did that impact the whole camp?

0:44:26.040 --> 0:44:30.239
<v Speaker 1>If fucked everybody up? Bro? Until this day, until this day,

0:44:30.360 --> 0:44:33.280
<v Speaker 1>I really don't go nowhere on the fourth of July.

0:44:33.360 --> 0:44:34.880
<v Speaker 1>I can't get the ship out of my head. Like

0:44:34.960 --> 0:44:36.799
<v Speaker 1>it's I don't even like to go nowhere on the

0:44:36.800 --> 0:44:39.799
<v Speaker 1>fourth Bro, y'all Remember when it was fourth of July

0:44:39.880 --> 0:44:42.120
<v Speaker 1>and I started running with y'all? Remember Black Tone and

0:44:42.239 --> 0:44:44.439
<v Speaker 1>called me and said, hey, where are you at. You said,

0:44:44.440 --> 0:44:46.120
<v Speaker 1>I'm at the crib. He said you should probably stay there,

0:44:46.120 --> 0:44:47.640
<v Speaker 1>and he said, don't go nowhere on the fourth. To

0:44:47.719 --> 0:44:49.520
<v Speaker 1>this day, I don't think none of y'all going nowhere

0:44:49.560 --> 0:44:52.239
<v Speaker 1>on the fourth of July. Yeah, but I just don't

0:44:52.239 --> 0:44:54.359
<v Speaker 1>my my spirit be down. I don't know, it's just

0:44:55.080 --> 0:44:57.080
<v Speaker 1>don't get me wrong. I like the Independence Day and

0:44:57.280 --> 0:44:59.000
<v Speaker 1>like the kids and ships. Some of them don't even

0:44:59.040 --> 0:45:01.040
<v Speaker 1>know the back story, they too young or whatever, but

0:45:02.280 --> 0:45:04.680
<v Speaker 1>it's still bothered me to this day. Man. And if

0:45:04.680 --> 0:45:07.200
<v Speaker 1>I come out on the fourth, it's a rare occasion

0:45:07.239 --> 0:45:08.640
<v Speaker 1>that I come out on the four. I just like

0:45:08.719 --> 0:45:11.319
<v Speaker 1>the chill, you know, because you a l A and

0:45:11.320 --> 0:45:14.840
<v Speaker 1>ship and this with us. It could be fireworks and

0:45:14.840 --> 0:45:18.239
<v Speaker 1>then it could be it could be a blammber. It

0:45:18.239 --> 0:45:19.920
<v Speaker 1>could be anything. You know what I'm saying. It could

0:45:19.920 --> 0:45:23.040
<v Speaker 1>be a grenade. Niggas out here be OsO bullshit, So

0:45:23.120 --> 0:45:24.879
<v Speaker 1>it could be. You don't know what the funk going

0:45:24.920 --> 0:45:27.640
<v Speaker 1>on now? Who came in? Sugar Free came in before

0:45:27.680 --> 0:45:30.960
<v Speaker 1>Masbro right, Yeah, Free came in before Mosburg. That's the

0:45:31.000 --> 0:45:34.520
<v Speaker 1>one I want to know. How did y'all discovered sugar free?

0:45:34.560 --> 0:45:37.000
<v Speaker 1>Who discovered sugar free? Man? I'm gonna tell you, Like this,

0:45:37.120 --> 0:45:42.560
<v Speaker 1>Black Tone has sugar free and sugar Free had a

0:45:42.560 --> 0:45:46.080
<v Speaker 1>sugar Free? Was Royal Rock or the Pure Pimp and

0:45:46.120 --> 0:45:50.200
<v Speaker 1>he had, uh man, I can't think of my boy

0:45:50.200 --> 0:45:52.920
<v Speaker 1>that was producing, but it was Tones, uh Tone people

0:45:53.040 --> 0:45:56.719
<v Speaker 1>was producing. He had a different producer and just to

0:45:56.760 --> 0:45:59.880
<v Speaker 1>be real, like Black and Quick wasn't really speaking at

0:45:59.880 --> 0:46:03.520
<v Speaker 1>the time, wasn't seeing eye the eye or whatever. And

0:46:03.560 --> 0:46:05.480
<v Speaker 1>I got that Black. I'm like, man, I like sugar

0:46:05.520 --> 0:46:07.400
<v Speaker 1>Free and he was like yeah, this and this and that.

0:46:07.560 --> 0:46:09.759
<v Speaker 1>So Tone did a couple of songs. Don't even he

0:46:09.880 --> 0:46:13.040
<v Speaker 1>was working on ship and um, you know, like Tone,

0:46:13.080 --> 0:46:15.600
<v Speaker 1>we all from the same neighborhood or whatever. So I

0:46:15.680 --> 0:46:17.680
<v Speaker 1>was going back too quick and I was like, man, Quick,

0:46:17.719 --> 0:46:20.200
<v Speaker 1>you need to hear this ship, this sugar Free ship,

0:46:20.239 --> 0:46:23.120
<v Speaker 1>and I don't. He heard it and he was like, oh, yeah,

0:46:23.120 --> 0:46:24.839
<v Speaker 1>that sound kind of cool. It reminds me of like

0:46:25.160 --> 0:46:27.120
<v Speaker 1>like the Homie, you know, like Earl Ship like forty

0:46:27.960 --> 0:46:29.400
<v Speaker 1>and he was like, yeah, I got that vibe. He

0:46:29.440 --> 0:46:31.520
<v Speaker 1>was like. I was like yeah, it's like, no, you

0:46:31.600 --> 0:46:33.479
<v Speaker 1>really need to hear this naked get down and seen.

0:46:34.320 --> 0:46:37.719
<v Speaker 1>So not trying to take the credit to my own horn,

0:46:37.760 --> 0:46:40.160
<v Speaker 1>but I got the niggas kind of like squash. The

0:46:40.239 --> 0:46:43.200
<v Speaker 1>differences of a settled without Quick end up coming to

0:46:43.239 --> 0:46:47.560
<v Speaker 1>the Black Tone Mom's house, in Compton and start working

0:46:47.560 --> 0:46:49.600
<v Speaker 1>on free Ship. Right there. The niggas got a vibe

0:46:49.600 --> 0:46:51.399
<v Speaker 1>and it just kind of took off ever since. Then

0:46:51.840 --> 0:46:54.840
<v Speaker 1>changed his name to Sugar Free. And I told the

0:46:54.840 --> 0:46:57.520
<v Speaker 1>story before though about to get your money while you bush.

0:46:57.600 --> 0:46:59.560
<v Speaker 1>And I was done in my studio in North Hollywood

0:46:59.560 --> 0:47:03.719
<v Speaker 1>and ship Quick was in my shower. He said, he

0:47:03.760 --> 0:47:05.719
<v Speaker 1>was in my shower and he heard my pipes. You know,

0:47:05.840 --> 0:47:08.240
<v Speaker 1>the pipes when you're trying to off, they go cuck cuckoo.

0:47:08.880 --> 0:47:11.319
<v Speaker 1>And he said, the pipes was going clo clo, cuck

0:47:11.320 --> 0:47:15.880
<v Speaker 1>clu cuck cuck cuck clu cu cu cu cucko. The

0:47:16.000 --> 0:47:17.560
<v Speaker 1>nikka hopped out of my shower. And you know, I

0:47:18.239 --> 0:47:20.680
<v Speaker 1>got showers and a couple of showers in the spot

0:47:20.719 --> 0:47:22.960
<v Speaker 1>or whatever. Sw I'm in my ship just doing me

0:47:23.040 --> 0:47:25.279
<v Speaker 1>or whatever, and I got equipment everywhere so we can

0:47:25.320 --> 0:47:27.680
<v Speaker 1>just get up and rock. Because I kept the North

0:47:27.719 --> 0:47:30.239
<v Speaker 1>Hollywood studio spot some otherfucker's I'll contact where I lay

0:47:30.320 --> 0:47:32.040
<v Speaker 1>my head at with my family and how you know,

0:47:32.440 --> 0:47:34.640
<v Speaker 1>you know that ship, I won't know everybody you know

0:47:35.200 --> 0:47:37.000
<v Speaker 1>and there, so I kept that ship up there like that,

0:47:37.719 --> 0:47:42.200
<v Speaker 1>Quick jump out the shower, bloom boo bloom bloom bloom

0:47:42.360 --> 0:47:46.759
<v Speaker 1>boom bloom bloom bloom bloom bloom bloom boom bloom boom boom.

0:47:47.600 --> 0:47:49.960
<v Speaker 1>And when he started working with that ship, bro I said,

0:47:50.120 --> 0:47:52.480
<v Speaker 1>God damn almost funked up now because I told quick.

0:47:52.520 --> 0:47:55.040
<v Speaker 1>I was like, nigga, don't get that ship to nobody.

0:47:55.200 --> 0:47:57.120
<v Speaker 1>That's your new ship. You're back. You know, this is

0:47:57.120 --> 0:48:00.760
<v Speaker 1>the new you're back on. And he was just rocking

0:48:00.760 --> 0:48:02.480
<v Speaker 1>with you know, quicker, go for a beat. You here

0:48:02.520 --> 0:48:05.759
<v Speaker 1>that my fucking rocket for forty eight dollars straight like,

0:48:05.840 --> 0:48:08.080
<v Speaker 1>and then again I'm just bobbing my head to it

0:48:08.200 --> 0:48:12.319
<v Speaker 1>like this ship. It's hard like this the ship. So

0:48:12.440 --> 0:48:16.640
<v Speaker 1>the nigger free came over and he said, some ship

0:48:16.800 --> 0:48:19.799
<v Speaker 1>a couple of lines, take times out of pimp you

0:48:19.800 --> 0:48:23.360
<v Speaker 1>a house and you still won't know you want overuse.

0:48:23.480 --> 0:48:26.560
<v Speaker 1>But man, this nigga starts saying this ship me and

0:48:26.640 --> 0:48:29.480
<v Speaker 1>quickly like that at each other, like hell no, this

0:48:29.600 --> 0:48:33.759
<v Speaker 1>this niked beat like to this day, right off the

0:48:33.880 --> 0:48:37.360
<v Speaker 1>record in the club today it's still goes off like

0:48:37.480 --> 0:48:42.800
<v Speaker 1>it's like it's back in the nineties. Yep, it still

0:48:42.880 --> 0:48:46.239
<v Speaker 1>goes off. So y'all got all this stuff going on, man,

0:48:46.400 --> 0:48:48.319
<v Speaker 1>And and that that, and I think that's a big

0:48:48.360 --> 0:48:52.440
<v Speaker 1>thing A lot of fans want to know. And I say,

0:48:52.520 --> 0:48:54.520
<v Speaker 1>week as I was around doing them times, we could

0:48:54.520 --> 0:48:56.640
<v Speaker 1>have had one of the most powerful cruise of all

0:48:56.680 --> 0:48:59.320
<v Speaker 1>the time was everybody was on dog. Hell yeah, we

0:48:59.400 --> 0:49:01.200
<v Speaker 1>still can. And all ninas had to do is put

0:49:01.239 --> 0:49:04.200
<v Speaker 1>their differences to the side and just power up and

0:49:04.239 --> 0:49:06.320
<v Speaker 1>just do the ship like it's easy to do ship

0:49:06.360 --> 0:49:08.319
<v Speaker 1>when you're doing it with a crew and you ain't

0:49:08.360 --> 0:49:10.400
<v Speaker 1>got a late three verses on your song, you know

0:49:10.440 --> 0:49:11.960
<v Speaker 1>what I'm saying, you recording on him? You know this

0:49:12.000 --> 0:49:14.680
<v Speaker 1>ship Still if I got to do three verses, I

0:49:14.719 --> 0:49:16.640
<v Speaker 1>got to sit there and write three verses to a song.

0:49:17.040 --> 0:49:18.560
<v Speaker 1>But if I'm doing a song like I put you

0:49:18.600 --> 0:49:21.279
<v Speaker 1>on my album, I'm gonna do the first verse, Big

0:49:21.320 --> 0:49:23.799
<v Speaker 1>still gonna do the second one, and Free or Quick

0:49:23.880 --> 0:49:25.319
<v Speaker 1>might do to you know what I'm saying, the second

0:49:25.320 --> 0:49:27.600
<v Speaker 1>to none and AMG might come and do this and

0:49:27.600 --> 0:49:29.600
<v Speaker 1>it makes the ship easier. And then like I said,

0:49:29.640 --> 0:49:32.480
<v Speaker 1>we get the exchange ideas and bounce it off of

0:49:32.640 --> 0:49:35.680
<v Speaker 1>each other and ship like we always do. Because at

0:49:35.680 --> 0:49:38.560
<v Speaker 1>one time, I know, at one time Quick was doing

0:49:38.560 --> 0:49:40.920
<v Speaker 1>some stuff with death Row because he had this situation

0:49:40.960 --> 0:49:44.719
<v Speaker 1>with Priority Records. Profile. Yeah, it was a profile. Yeah,

0:49:44.719 --> 0:49:46.399
<v Speaker 1>he was a profile, and I think he was making

0:49:46.400 --> 0:49:49.640
<v Speaker 1>a transition from profile to airs to something like that,

0:49:50.320 --> 0:49:53.080
<v Speaker 1>and they weren't letting him release no music. Yeah, it

0:49:53.160 --> 0:49:54.840
<v Speaker 1>was something going on. I ain't gonna sit in here

0:49:54.880 --> 0:49:56.480
<v Speaker 1>in a line about it. I don't remember exactly what

0:49:56.520 --> 0:49:58.880
<v Speaker 1>was going on, but it was a transition between profile

0:49:58.920 --> 0:50:01.120
<v Speaker 1>and then ARISTI with Claude Davis. He was, you know,

0:50:01.719 --> 0:50:03.520
<v Speaker 1>because I know what I was gonna ask about this.

0:50:03.600 --> 0:50:05.040
<v Speaker 1>He was doing a lot of stuff with death Row

0:50:05.080 --> 0:50:07.440
<v Speaker 1>at that time. For sure, he was doing some stuff

0:50:07.440 --> 0:50:11.359
<v Speaker 1>with death Row. And I know we speak on it,

0:50:11.560 --> 0:50:13.560
<v Speaker 1>or we cannot speak on it, but you know, this

0:50:13.880 --> 0:50:15.719
<v Speaker 1>was the Gangster Chronicles. We got to ask about it

0:50:16.680 --> 0:50:18.560
<v Speaker 1>at one time. And I ain't gonna say what it

0:50:18.600 --> 0:50:21.880
<v Speaker 1>was behind everything, but one time y'all wound up outside

0:50:21.920 --> 0:50:25.040
<v Speaker 1>the gates of death Row Records, and it was because

0:50:25.040 --> 0:50:28.000
<v Speaker 1>of you that didn't go down. You saw somebody knew

0:50:28.040 --> 0:50:30.919
<v Speaker 1>you and they was like craw with the hill going on,

0:50:31.880 --> 0:50:34.160
<v Speaker 1>and y'all was cool. But she was the reason why

0:50:34.200 --> 0:50:36.960
<v Speaker 1>it didn't really go as bad as it could have.

0:50:37.719 --> 0:50:39.840
<v Speaker 1>I'm gonna say part of the reason why But you know,

0:50:39.920 --> 0:50:41.719
<v Speaker 1>when we went up there, man, it was just a

0:50:41.760 --> 0:50:45.520
<v Speaker 1>lot of a lot of fucking like tempers was flaring

0:50:46.560 --> 0:50:48.880
<v Speaker 1>and and honestly, man, we went up there and it

0:50:49.040 --> 0:50:52.279
<v Speaker 1>was like it was one of those things to where

0:50:52.520 --> 0:50:55.040
<v Speaker 1>like if it if it would have been like a

0:50:55.080 --> 0:50:57.960
<v Speaker 1>car backfiring or anything like a nigga would have shot

0:50:57.960 --> 0:51:01.240
<v Speaker 1>of firework off the ship that went real left Norman.

0:51:01.360 --> 0:51:03.480
<v Speaker 1>She could have went bad home because Niggas was up

0:51:03.520 --> 0:51:06.520
<v Speaker 1>there strapped up. Niggas is up there. And then we

0:51:06.560 --> 0:51:08.399
<v Speaker 1>found out later though I heard I don't know if

0:51:08.400 --> 0:51:11.239
<v Speaker 1>that's true, but some niggas is on the roof, you

0:51:11.280 --> 0:51:13.960
<v Speaker 1>know what I'm saying. Else So we was on the

0:51:13.960 --> 0:51:17.760
<v Speaker 1>outside of the gate, you know, black Tone for sure.

0:51:18.200 --> 0:51:19.920
<v Speaker 1>A couple of the homies. I don't even want to

0:51:19.920 --> 0:51:23.040
<v Speaker 1>get on, you know if they But we was out

0:51:23.080 --> 0:51:25.719
<v Speaker 1>there with the with the hoovers with the groove. The

0:51:25.760 --> 0:51:28.160
<v Speaker 1>groove was with us on our side, and then we

0:51:28.160 --> 0:51:32.839
<v Speaker 1>was looking on the other side of the gate and

0:51:32.880 --> 0:51:34.759
<v Speaker 1>it was some of the homies too. So when the

0:51:34.800 --> 0:51:37.399
<v Speaker 1>homies see me, he was like, man, what's up? Man?

0:51:37.440 --> 0:51:39.279
<v Speaker 1>He said, Man, I'm up here and I don't even

0:51:39.320 --> 0:51:41.279
<v Speaker 1>know what the fun going on. They just called me

0:51:41.680 --> 0:51:43.799
<v Speaker 1>and I said, yeah, Ship, we just got the call

0:51:43.920 --> 0:51:45.279
<v Speaker 1>to like, you know what I'm saying. You know, wh

0:51:45.320 --> 0:51:47.920
<v Speaker 1>niggas get that call. So we're like we're there and

0:51:47.960 --> 0:51:52.120
<v Speaker 1>ship and um man, dude, Like I don't know. It

0:51:52.200 --> 0:51:54.600
<v Speaker 1>was just one of the things to like, like, bro,

0:51:54.719 --> 0:51:57.920
<v Speaker 1>we we're the same type of niggas, you know what

0:51:57.920 --> 0:52:01.600
<v Speaker 1>I'm saying, So we're not gonna be pressed. We're not

0:52:01.600 --> 0:52:03.960
<v Speaker 1>trying to press, but we're the same type of motherfucker.

0:52:04.080 --> 0:52:06.840
<v Speaker 1>So we wanted to see what's happening, Like what's good

0:52:07.680 --> 0:52:10.560
<v Speaker 1>is the niggas Do we have to squabble up? Because

0:52:10.560 --> 0:52:12.239
<v Speaker 1>I'm looking for the nigg of my size, you know,

0:52:12.320 --> 0:52:14.280
<v Speaker 1>I'm I'm there. I'm probably like one of the shortest

0:52:14.320 --> 0:52:17.319
<v Speaker 1>niggas there. I'm like, okay, I'm gonna get down with him.

0:52:17.440 --> 0:52:21.120
<v Speaker 1>I remember one of the homies from the Groove, uh,

0:52:21.160 --> 0:52:22.920
<v Speaker 1>I think his name was Boom. He wanted to get

0:52:22.960 --> 0:52:26.160
<v Speaker 1>down with Bounchy because then nigga about the same size.

0:52:26.160 --> 0:52:27.839
<v Speaker 1>And I just like how the ship was going far

0:52:27.880 --> 0:52:30.160
<v Speaker 1>as that aspect of it, Like it wasn't know, like, oh,

0:52:30.200 --> 0:52:33.400
<v Speaker 1>I'm looking for the weakest link or I'm trying to

0:52:33.440 --> 0:52:36.080
<v Speaker 1>pick on the little with nigger type of ship and

0:52:36.200 --> 0:52:39.360
<v Speaker 1>and uh niggas had you know, strapped up ship and

0:52:39.400 --> 0:52:41.480
<v Speaker 1>they and they waste bands and they. I mean, it

0:52:42.000 --> 0:52:44.759
<v Speaker 1>could have got crazy, norm But Nigga is just really

0:52:44.800 --> 0:52:48.239
<v Speaker 1>kind of knew, like, Okay, you you're working with some

0:52:48.239 --> 0:52:50.600
<v Speaker 1>real niggas. They know we're some real niggas, and we're

0:52:50.600 --> 0:52:52.279
<v Speaker 1>gonna let this ship. We're gonna figure this ship out

0:52:52.320 --> 0:52:57.120
<v Speaker 1>and straightening out. And we end up getting that shipped straight, bro.

0:52:57.239 --> 0:52:59.640
<v Speaker 1>But it could have went left it. That was. That

0:52:59.680 --> 0:53:02.400
<v Speaker 1>was a real story. Like people talking about the ship online,

0:53:02.440 --> 0:53:04.120
<v Speaker 1>but it was a real story. Like it was a

0:53:04.120 --> 0:53:06.040
<v Speaker 1>real story. And you know, we ain't gotta mention the

0:53:06.120 --> 0:53:08.719
<v Speaker 1>whole bunch of people's names and stuff like that, but

0:53:08.920 --> 0:53:10.839
<v Speaker 1>I knew it could have went down. That was. That

0:53:10.920 --> 0:53:13.960
<v Speaker 1>was a scary time. Oh yeah, for sure. And I'm

0:53:13.960 --> 0:53:16.360
<v Speaker 1>talking about broad daylight man. And they were saying that

0:53:16.440 --> 0:53:19.920
<v Speaker 1>the police was driving by and then motherfucker' wouldn't even stopped.

0:53:19.920 --> 0:53:21.719
<v Speaker 1>They were scared, like they looked at the ship. It

0:53:21.800 --> 0:53:24.400
<v Speaker 1>was like so it was just a big It was

0:53:24.440 --> 0:53:25.839
<v Speaker 1>all out in the middle of the street like that.

0:53:25.920 --> 0:53:28.200
<v Speaker 1>It was by the gates, you know, Wilshire it was

0:53:28.239 --> 0:53:30.279
<v Speaker 1>by the gate. You know what the old death Row

0:53:30.320 --> 0:53:32.440
<v Speaker 1>ship used to be. Yeah, because we used to go

0:53:32.520 --> 0:53:34.799
<v Speaker 1>to death Row. Like Nigga's talk all the death Row ship.

0:53:34.840 --> 0:53:36.839
<v Speaker 1>But if he wasn't going to the to the death

0:53:36.920 --> 0:53:39.080
<v Speaker 1>Row that was on the train tracks that I think

0:53:39.080 --> 0:53:41.920
<v Speaker 1>that was a Canamn or whatever studio. That was the

0:53:41.960 --> 0:53:44.320
<v Speaker 1>Red Road. We haven't been all up through the motherfucker,

0:53:44.320 --> 0:53:46.480
<v Speaker 1>you know what I'm saying. So and Nigga's weren't doing

0:53:46.480 --> 0:53:49.279
<v Speaker 1>that back then. They wasn't really doing the death Row ship. Yeah,

0:53:49.360 --> 0:53:53.319
<v Speaker 1>not know for the record, Tony should did it make peace?

0:53:53.360 --> 0:53:56.239
<v Speaker 1>Eventually it was all good. Oh yeah, for sure, it

0:53:56.280 --> 0:53:57.840
<v Speaker 1>was all good. And I'm gonna say this bro, And

0:53:57.920 --> 0:54:00.680
<v Speaker 1>I never really said this ship on camera, But sug

0:54:00.840 --> 0:54:03.120
<v Speaker 1>Is is a cool nigga bro. Like he one thing

0:54:03.200 --> 0:54:06.359
<v Speaker 1>about ship. He will go straight in your situation out.

0:54:06.520 --> 0:54:08.880
<v Speaker 1>He will go figure out what's going on. A good nigga.

0:54:09.600 --> 0:54:12.279
<v Speaker 1>And like always, niggas used to be like hey man

0:54:12.320 --> 0:54:14.160
<v Speaker 1>called fat Boy fat Boy, that's what you know, the

0:54:14.160 --> 0:54:16.480
<v Speaker 1>little nickname, or niggas before they called him Simon or

0:54:16.520 --> 0:54:19.080
<v Speaker 1>whatever because Simon said to do something that niggas to

0:54:19.120 --> 0:54:21.719
<v Speaker 1>do it or whatever. But shug was always a cool

0:54:21.760 --> 0:54:24.400
<v Speaker 1>like me and Shugar always had the best relationship because

0:54:24.440 --> 0:54:26.680
<v Speaker 1>he big old nigg and he always said, what's up, littlenigga,

0:54:26.760 --> 0:54:28.359
<v Speaker 1>Like like we was at the gate when the ship

0:54:28.400 --> 0:54:29.799
<v Speaker 1>was about to go down. The nigga came out the

0:54:29.800 --> 0:54:32.000
<v Speaker 1>gate that came to me and you know, tap me

0:54:32.000 --> 0:54:33.640
<v Speaker 1>on the starting like I guess he was checking to

0:54:33.680 --> 0:54:36.080
<v Speaker 1>see what kind of strapping or whatever. But what's up,

0:54:36.120 --> 0:54:38.359
<v Speaker 1>little nigga? I was like, what, man, what's the going on?

0:54:38.360 --> 0:54:40.120
<v Speaker 1>If you wis got all this ship going on from

0:54:40.160 --> 0:54:43.359
<v Speaker 1>the same you know niggas homies and ship you know so,

0:54:43.800 --> 0:54:46.000
<v Speaker 1>but he always been a good nigga. Now the thing

0:54:46.239 --> 0:54:49.440
<v Speaker 1>is to me, just my this is just my opinion. Normal.

0:54:50.280 --> 0:54:53.600
<v Speaker 1>If you borrow something from shig if you asking Ship

0:54:53.719 --> 0:54:55.720
<v Speaker 1>for money, are you trying to come up on Shigar

0:54:55.760 --> 0:54:57.759
<v Speaker 1>Are you trying to get it to me? If you

0:54:58.160 --> 0:55:01.000
<v Speaker 1>asking for something, that that's when the ship get a

0:55:01.040 --> 0:55:03.640
<v Speaker 1>little bit tricky, because Sugar is the type of saying, Hey,

0:55:03.680 --> 0:55:05.480
<v Speaker 1>I'm gonna get you, I'm gonna put you in the studio,

0:55:06.120 --> 0:55:07.680
<v Speaker 1>or I'm gonna give you. You know, you need to

0:55:08.000 --> 0:55:10.600
<v Speaker 1>you know, Ship, you need to go do this and

0:55:10.640 --> 0:55:13.400
<v Speaker 1>this and that that might slide it to you. But

0:55:13.440 --> 0:55:16.600
<v Speaker 1>the first he wanted his bread back, and the first

0:55:16.600 --> 0:55:19.399
<v Speaker 1>time he called you and he said, hey, we're doing

0:55:19.400 --> 0:55:23.080
<v Speaker 1>this uh Oprah Winfrey show and you need to come perform.

0:55:23.120 --> 0:55:25.959
<v Speaker 1>Oh man, I'm I'm down in Uh my car ain't

0:55:26.000 --> 0:55:28.280
<v Speaker 1>working and this and that all right? All right, blood,

0:55:31.400 --> 0:55:33.080
<v Speaker 1>when you get up there again, you might get the

0:55:33.120 --> 0:55:37.080
<v Speaker 1>ship slapped out of you might. Yeah, but I'm just saying,

0:55:37.120 --> 0:55:38.880
<v Speaker 1>you're making the deal with the think of that. Ain't

0:55:39.040 --> 0:55:41.200
<v Speaker 1>fucking around of playing those games, you know what I'm saying,

0:55:41.239 --> 0:55:43.000
<v Speaker 1>So you gotta definitely know what the deal is you're

0:55:43.000 --> 0:55:48.759
<v Speaker 1>dealing with. Yeah, And that's just and I ain't necessarily

0:55:48.760 --> 0:55:50.640
<v Speaker 1>saying borrow money, but I'm just saying, if you ask

0:55:50.760 --> 0:55:54.040
<v Speaker 1>him for something and you yeah, he's gonna deliver, so

0:55:54.080 --> 0:55:56.160
<v Speaker 1>he expects the same in return. Bro. And that's the

0:55:56.160 --> 0:55:59.000
<v Speaker 1>only thing I've seen with that's just once again my

0:55:59.080 --> 0:56:01.239
<v Speaker 1>assessment of it and ship. You know, I think that's

0:56:01.280 --> 0:56:03.800
<v Speaker 1>most people's assessment from what I hear, because I'm hearing

0:56:03.800 --> 0:56:06.160
<v Speaker 1>that anybody that did have a problem with Sugar, when

0:56:06.160 --> 0:56:08.719
<v Speaker 1>you check the back story, they don't got money from him,

0:56:08.760 --> 0:56:11.080
<v Speaker 1>they don't try to take advantage of them somehow, and

0:56:11.080 --> 0:56:13.200
<v Speaker 1>he just wasn't going for oh not at all. And

0:56:13.200 --> 0:56:14.799
<v Speaker 1>to be honest with you, the way the music in

0:56:14.880 --> 0:56:16.960
<v Speaker 1>the three is designed, you need a sugar night and

0:56:17.080 --> 0:56:19.319
<v Speaker 1>you need a Tony laying around. Yeah, And I want

0:56:19.320 --> 0:56:21.480
<v Speaker 1>to touch on Black Tone a little bit because Tone

0:56:21.480 --> 0:56:23.839
<v Speaker 1>don't never really get the credit he deserved as far

0:56:23.880 --> 0:56:26.640
<v Speaker 1>as being an executive because at one time he had

0:56:26.719 --> 0:56:29.360
<v Speaker 1>had his label on the streets. Hell yeah, and no

0:56:29.520 --> 0:56:31.799
<v Speaker 1>I ain't. Once again, I'm doing the interview, but bro,

0:56:31.880 --> 0:56:34.920
<v Speaker 1>I'm not too my own horn. But Tone was like

0:56:35.040 --> 0:56:37.000
<v Speaker 1>more of a dude that was getting He had his

0:56:37.040 --> 0:56:40.040
<v Speaker 1>own businesses in the eighties, Bro, like the car shops

0:56:40.040 --> 0:56:42.640
<v Speaker 1>and all this ship. Tone do business like. He was

0:56:42.680 --> 0:56:46.400
<v Speaker 1>a businessman in the beginning. But the Nigga street you know,

0:56:46.560 --> 0:56:49.000
<v Speaker 1>Tone was like you know ship like they called him

0:56:49.000 --> 0:56:54.480
<v Speaker 1>Osama being lad. That's that's black black hat businesses. He

0:56:54.560 --> 0:56:56.839
<v Speaker 1>wasn't even thinking about the record ship. And I used

0:56:56.840 --> 0:56:58.959
<v Speaker 1>to always tell him he was like raw man, funk

0:56:59.040 --> 0:57:01.120
<v Speaker 1>this music. Man, I don't want to be dealing with

0:57:01.160 --> 0:57:03.400
<v Speaker 1>all these weird you know, don't say everybody he's a

0:57:03.560 --> 0:57:05.480
<v Speaker 1>buster as then you know that man ain't dealing with

0:57:05.520 --> 0:57:07.520
<v Speaker 1>all these buster as, weird niggas and ship like the

0:57:07.640 --> 0:57:10.200
<v Speaker 1>Man the niggas, and I'm like, Black, you got too

0:57:10.320 --> 0:57:12.920
<v Speaker 1>much influence out here on these streets, Homey, you gotta

0:57:13.360 --> 0:57:15.759
<v Speaker 1>do something. And He's like, man Crawf, I don't feel

0:57:15.760 --> 0:57:17.680
<v Speaker 1>like dealing. I'm end up slapping the shoot out. You know.

0:57:17.720 --> 0:57:19.760
<v Speaker 1>I'm blo. I'm gonna slap the shoot out of one

0:57:19.800 --> 0:57:23.040
<v Speaker 1>of you. Keep up playing with me, I said, tone, No, bro,

0:57:23.160 --> 0:57:24.960
<v Speaker 1>And I was the one that norm that I kept.

0:57:24.960 --> 0:57:27.000
<v Speaker 1>I kept. I was in the nigga ear in the

0:57:27.040 --> 0:57:29.000
<v Speaker 1>nigga ear. Well, that's why I'm asking you about the

0:57:29.040 --> 0:57:32.000
<v Speaker 1>crow because for y'all to don't know out there, Craft

0:57:32.080 --> 0:57:34.960
<v Speaker 1>should have been named the Fixer. A lot of situations

0:57:35.000 --> 0:57:38.000
<v Speaker 1>that got resolved, a lot of situations that got fixed

0:57:38.360 --> 0:57:41.360
<v Speaker 1>was him behind the scenes, really convincing somebody not to

0:57:41.400 --> 0:57:43.520
<v Speaker 1>make that next move or to make that next move

0:57:43.800 --> 0:57:45.520
<v Speaker 1>for show Man. And that's just how I am in

0:57:45.640 --> 0:57:48.200
<v Speaker 1>my harbor. I'm I feel like, you know, piece the

0:57:48.240 --> 0:57:50.280
<v Speaker 1>nigga by the ship. But if I can bring peace

0:57:50.400 --> 0:57:53.520
<v Speaker 1>or squat some ship or just some stupid ship, did

0:57:53.560 --> 0:57:55.280
<v Speaker 1>this nigga say something about your mama? No, didn't He

0:57:55.280 --> 0:57:57.280
<v Speaker 1>can say nothing about your mama, knowing that the nigga did.

0:57:57.440 --> 0:57:59.520
<v Speaker 1>I'm just that type of nigga that try to dare

0:57:59.600 --> 0:58:02.800
<v Speaker 1>the ship for it escalate. But I was pushing the line, Black,

0:58:02.840 --> 0:58:04.520
<v Speaker 1>you need to do this, do this. So he ended

0:58:04.600 --> 0:58:07.480
<v Speaker 1>up just getting into the ship. That's how the Sugar

0:58:07.480 --> 0:58:11.200
<v Speaker 1>Free you know, Wallsburg was it there for a time? Man?

0:58:11.360 --> 0:58:16.640
<v Speaker 1>That um Lane Way and death Rog almost got linked

0:58:16.680 --> 0:58:18.760
<v Speaker 1>up in any kind of way. Was there some talks

0:58:18.760 --> 0:58:24.080
<v Speaker 1>to that um man? You know what, I like, like, uh,

0:58:24.360 --> 0:58:26.360
<v Speaker 1>Black and Sugar you should talk, you know what is

0:58:26.400 --> 0:58:29.760
<v Speaker 1>cool whatever? Black and Sugar used to talk. And I

0:58:30.440 --> 0:58:32.640
<v Speaker 1>don't even know if I was I think Black told me.

0:58:32.680 --> 0:58:35.000
<v Speaker 1>I don't even know if I remember the whole story,

0:58:35.040 --> 0:58:36.920
<v Speaker 1>but Black told me I was kind of like one

0:58:36.920 --> 0:58:38.520
<v Speaker 1>of the first ones to kind of get them to

0:58:39.120 --> 0:58:42.760
<v Speaker 1>talk because we heard something. I forgot what should had

0:58:42.800 --> 0:58:44.480
<v Speaker 1>of something? Black and I'm like, man, this should and

0:58:44.480 --> 0:58:45.880
<v Speaker 1>he was like man who and this and this and

0:58:45.920 --> 0:58:48.720
<v Speaker 1>that and knowing that his people stayed on the east

0:58:48.720 --> 0:58:51.120
<v Speaker 1>side or whatever, and the twins and all that. I

0:58:51.160 --> 0:58:53.040
<v Speaker 1>don't know how the ship win, but we always was

0:58:53.040 --> 0:58:54.920
<v Speaker 1>in the mix with each other, and I think they

0:58:55.000 --> 0:58:57.800
<v Speaker 1>used to talk about trying to do something together and

0:58:57.800 --> 0:59:00.040
<v Speaker 1>and you know, like when you deal with two of

0:59:00.120 --> 0:59:03.919
<v Speaker 1>the funders, that's just the juggernauts of the era. They're

0:59:03.920 --> 0:59:07.480
<v Speaker 1>gonna respect each other like gentlemen. You know, real niggas

0:59:07.480 --> 0:59:09.400
<v Speaker 1>moved like gentlemen, and ship don't be don't know all that,

0:59:10.280 --> 0:59:12.200
<v Speaker 1>but I think they always had to think of like

0:59:12.240 --> 0:59:14.480
<v Speaker 1>I'm gonna do my ship over here, this is my empire,

0:59:15.080 --> 0:59:18.000
<v Speaker 1>and should had this empire already, And that's kind of

0:59:18.040 --> 0:59:20.080
<v Speaker 1>how it always been. But I knew it was kind

0:59:20.080 --> 0:59:22.840
<v Speaker 1>of probably some talks are like like should always be

0:59:22.920 --> 0:59:25.640
<v Speaker 1>like man, bt you know, bet blood come over with me,

0:59:25.800 --> 0:59:28.960
<v Speaker 1>understand ship and like, I don't know, but I know

0:59:29.000 --> 0:59:30.640
<v Speaker 1>it was some talks, But I don't know if how

0:59:30.720 --> 0:59:33.200
<v Speaker 1>far that ship was sometimes to the realist king sit

0:59:33.240 --> 0:59:36.360
<v Speaker 1>in the same room, you know, some some sometimes it

0:59:36.480 --> 0:59:38.800
<v Speaker 1>just don't happen like that, man, And I know it

0:59:38.880 --> 0:59:42.280
<v Speaker 1>was a lot of success throughout the years. Man, what's

0:59:42.320 --> 0:59:45.520
<v Speaker 1>the most what's the biggest moment that you remember? Man?

0:59:45.640 --> 0:59:50.520
<v Speaker 1>Just music wise, from the whole crew, what's the biggest moment? Uh? Man,

0:59:50.720 --> 0:59:53.080
<v Speaker 1>one of the biggest moments I could say that was

0:59:53.160 --> 0:59:57.880
<v Speaker 1>like just to me, that was dope. Like it was

0:59:57.920 --> 1:00:00.479
<v Speaker 1>just a moment, man, it was like, God damn this ship.

1:00:00.520 --> 1:00:04.160
<v Speaker 1>It's like live when we did the Summer Jam or

1:00:04.160 --> 1:00:07.040
<v Speaker 1>one of them, I think it was Summer Jam and

1:00:07.080 --> 1:00:09.960
<v Speaker 1>the LDD bars came out. You've seen that footage, the

1:00:09.960 --> 1:00:12.400
<v Speaker 1>old footage over and we was all out and that

1:00:12.600 --> 1:00:15.560
<v Speaker 1>it was just like you looked to the back of

1:00:15.600 --> 1:00:17.960
<v Speaker 1>the crow. You couldn't stop seeing motherfucker's. That's how many

1:00:17.960 --> 1:00:20.560
<v Speaker 1>people was there where it was just waves and waves

1:00:20.600 --> 1:00:24.640
<v Speaker 1>and waves of people. It was just waves and motherfucker's

1:00:24.680 --> 1:00:27.000
<v Speaker 1>And it was like when they came out, they knew

1:00:27.040 --> 1:00:28.840
<v Speaker 1>all of the high Sea Ship, they knew all of

1:00:28.840 --> 1:00:30.520
<v Speaker 1>the Second and None ship, they knew all of the

1:00:30.520 --> 1:00:33.000
<v Speaker 1>a MG ship. Of course, they knew all the quick ship.

1:00:33.440 --> 1:00:36.439
<v Speaker 1>And then they didn't even think that the Nigga would

1:00:36.440 --> 1:00:38.440
<v Speaker 1>bring out eld bars. And when the eld D bars

1:00:38.560 --> 1:00:41.040
<v Speaker 1>came out, it was like, I swear I saw girls

1:00:41.040 --> 1:00:42.880
<v Speaker 1>in the crowd naked. That's what I thought I saw.

1:00:42.880 --> 1:00:47.280
<v Speaker 1>I ain't gonna lie, was throwing their paintings on. Like

1:00:47.320 --> 1:00:48.800
<v Speaker 1>this ship was crazy and it was like one of

1:00:48.840 --> 1:00:51.960
<v Speaker 1>those moments to where and normally you know how I move, man,

1:00:52.000 --> 1:00:53.920
<v Speaker 1>I'd be most of the time I'd be by myself

1:00:54.000 --> 1:00:57.720
<v Speaker 1>or whatever. But I'm always humble and and I really

1:00:57.720 --> 1:01:00.080
<v Speaker 1>feel like it's a blessing and then continue blessed and

1:01:00.200 --> 1:01:02.000
<v Speaker 1>to be in the game like that, you know, to

1:01:02.720 --> 1:01:04.480
<v Speaker 1>make it. I feel like I tell people sometimes it's

1:01:04.480 --> 1:01:07.160
<v Speaker 1>like hitting the lotto, if you hit the lot of

1:01:07.240 --> 1:01:10.040
<v Speaker 1>you and this ship. A lot of motherfucker's dope motherfucker's

1:01:10.080 --> 1:01:12.480
<v Speaker 1>never made it for sure, never made it, Just like

1:01:12.520 --> 1:01:14.840
<v Speaker 1>playing ball. The badest motherfucker's don't make it because the

1:01:14.920 --> 1:01:16.840
<v Speaker 1>niggers probably can't read or they got to get a

1:01:17.240 --> 1:01:18.920
<v Speaker 1>you know, some system that they made those and they've

1:01:18.960 --> 1:01:21.680
<v Speaker 1>gotta have an A plus to be average or whatever,

1:01:22.600 --> 1:01:25.120
<v Speaker 1>which to me don't want. Some people just don't want

1:01:25.120 --> 1:01:27.480
<v Speaker 1>to buy by the bullshit, because whenever you're in music,

1:01:27.480 --> 1:01:30.960
<v Speaker 1>sports there's a lot of bullshit. It is bro and

1:01:31.000 --> 1:01:33.240
<v Speaker 1>to me sometimes I think it's the way to level

1:01:33.280 --> 1:01:34.760
<v Speaker 1>the play and feel like why I got to be

1:01:34.800 --> 1:01:36.480
<v Speaker 1>a scholar. If I know how to shoot this ball

1:01:36.560 --> 1:01:38.880
<v Speaker 1>or I know how to you know, do Hooper write

1:01:38.880 --> 1:01:40.480
<v Speaker 1>this song? I don't need to be getting no straight

1:01:40.520 --> 1:01:42.200
<v Speaker 1>they I don't need to know rocket science to do

1:01:42.280 --> 1:01:43.880
<v Speaker 1>this ship. You know what I mean, I do what

1:01:43.960 --> 1:01:45.920
<v Speaker 1>I do good, and I don't be no fucking dummy

1:01:46.160 --> 1:01:48.080
<v Speaker 1>and let people rip you off and take your money.

1:01:48.080 --> 1:01:50.280
<v Speaker 1>But to me, it was like, okay, I'm not gonna

1:01:50.320 --> 1:01:52.520
<v Speaker 1>let him get this scholarship because he didn't carry this

1:01:52.960 --> 1:01:56.160
<v Speaker 1>particular grade average, you get what I'm saying. But he

1:01:56.280 --> 1:01:58.680
<v Speaker 1>dope as fucked. So now he comes to motherfucker with

1:01:58.760 --> 1:02:02.320
<v Speaker 1>less talent might your white boy, It's like, okay, you

1:02:02.360 --> 1:02:06.000
<v Speaker 1>can get this, you know, because you're you're a scholar

1:02:06.120 --> 1:02:08.760
<v Speaker 1>or a student, but you can't boop like him. But hey,

1:02:09.200 --> 1:02:11.960
<v Speaker 1>it's a spot for you, m So you know I

1:02:11.960 --> 1:02:14.600
<v Speaker 1>should go. Man, Yeah for sure. You know. One of

1:02:14.600 --> 1:02:17.280
<v Speaker 1>the things that we will say about black tone, you know,

1:02:17.520 --> 1:02:20.040
<v Speaker 1>we gotta have the black people always talking about the

1:02:20.080 --> 1:02:23.640
<v Speaker 1>negative that somebody do right, but black tone man, like

1:02:23.680 --> 1:02:26.320
<v Speaker 1>I said, he got me my first check as far

1:02:26.360 --> 1:02:28.240
<v Speaker 1>as my first place. Man, you got me my first

1:02:28.240 --> 1:02:30.160
<v Speaker 1>piece of money, you know, like you know, coming to

1:02:30.280 --> 1:02:32.440
<v Speaker 1>business and everything and taking me on the road and everything.

1:02:32.480 --> 1:02:34.880
<v Speaker 1>And you know what they asked me about Noir, the

1:02:34.920 --> 1:02:37.120
<v Speaker 1>Malibu is most wonted? Is that big steal in there

1:02:37.200 --> 1:02:38.760
<v Speaker 1>when you was on the on the movie. Yeah you

1:02:38.800 --> 1:02:43.160
<v Speaker 1>got me, Yeah, I went up there and Um, I

1:02:43.240 --> 1:02:45.080
<v Speaker 1>never will forget that day. I went up there with

1:02:45.160 --> 1:02:47.959
<v Speaker 1>you on some hanging out stuff. You was like norm

1:02:48.320 --> 1:02:51.200
<v Speaker 1>with audition, and that's when they had to let's go

1:02:51.240 --> 1:02:54.000
<v Speaker 1>in the room kind of battling each other. Yeah, we

1:02:54.080 --> 1:02:55.439
<v Speaker 1>got to go in there, and I wanted to wash

1:02:55.560 --> 1:02:58.080
<v Speaker 1>Chenie's ass, you know, because Chene was in there. He

1:02:58.120 --> 1:03:00.880
<v Speaker 1>was talking about some being and I don't even remember

1:03:01.000 --> 1:03:05.360
<v Speaker 1>Cheney being there shout out, that's my boy. Many was

1:03:05.440 --> 1:03:08.040
<v Speaker 1>up there, man, you know, you know, thank god I

1:03:08.040 --> 1:03:09.800
<v Speaker 1>wound up getting that feature. You know what I mean,

1:03:10.480 --> 1:03:12.040
<v Speaker 1>you're in that moment. That was a nice look check

1:03:12.040 --> 1:03:14.240
<v Speaker 1>at text that we're still getting to this day. Yeah,

1:03:14.280 --> 1:03:17.800
<v Speaker 1>we still get that check, you know, we still get them. Yeah,

1:03:17.960 --> 1:03:19.840
<v Speaker 1>to this day, man, we get them checks. Man. It

1:03:19.920 --> 1:03:21.880
<v Speaker 1>was a bunch of cats up there that day. That's

1:03:21.880 --> 1:03:24.120
<v Speaker 1>how I am. Man. I if I can make some bread,

1:03:24.160 --> 1:03:26.160
<v Speaker 1>I'm a break bread with tommies. That's how I'd be, like,

1:03:27.320 --> 1:03:30.960
<v Speaker 1>you know, yeah, for sure, man, And I want to

1:03:30.960 --> 1:03:34.720
<v Speaker 1>go back because I think we got to talk about this. Man.

1:03:35.680 --> 1:03:37.720
<v Speaker 1>Y'all linked up at the Rodium. That's for your first

1:03:37.720 --> 1:03:41.120
<v Speaker 1>man's Yeah, when did y'all decide? When did y'all start

1:03:41.200 --> 1:03:43.959
<v Speaker 1>making records together. Man, I'm gonna be honest. When I've

1:03:43.960 --> 1:03:47.760
<v Speaker 1>seen Tony like start scratching and mixing, and he knew

1:03:47.760 --> 1:03:49.600
<v Speaker 1>a ship because when you look at tone, it's like

1:03:49.640 --> 1:03:52.480
<v Speaker 1>back especially back then, I'm like, I don't know if

1:03:52.480 --> 1:03:55.960
<v Speaker 1>this motherfucking no, you know, like, do he really like

1:03:56.040 --> 1:03:57.800
<v Speaker 1>you know how like we was young, you know, you're

1:03:57.840 --> 1:04:00.400
<v Speaker 1>sizing my fuck up, just like this ship with the

1:04:00.400 --> 1:04:02.480
<v Speaker 1>street ship, like you you can see how the nigga

1:04:02.520 --> 1:04:05.080
<v Speaker 1>walk or how you move or how you how you act,

1:04:05.160 --> 1:04:07.560
<v Speaker 1>Like Okay, this is this is real one rka cool.

1:04:07.640 --> 1:04:10.320
<v Speaker 1>This ain't even affiliate like kind of like that. So

1:04:10.360 --> 1:04:12.520
<v Speaker 1>I kind of just looked at him and I was like,

1:04:12.720 --> 1:04:15.120
<v Speaker 1>I don't know if if I don't know if he

1:04:15.200 --> 1:04:17.720
<v Speaker 1>really you know, got it, you know what I'm saying.

1:04:17.760 --> 1:04:20.600
<v Speaker 1>So the motherfucker start mixing and doing this little shit.

1:04:20.680 --> 1:04:22.480
<v Speaker 1>I'm like, God damn, this is motherfucking though. And he

1:04:22.520 --> 1:04:24.920
<v Speaker 1>knew how to blend records and he was scratching and

1:04:24.960 --> 1:04:27.080
<v Speaker 1>ship and I'm like, oh, hell yeah, I'm gonna funk

1:04:27.080 --> 1:04:29.400
<v Speaker 1>with him. And we just started recording. Man, and I

1:04:29.480 --> 1:04:33.240
<v Speaker 1>went to Womanton went to his house, and it just

1:04:33.280 --> 1:04:35.160
<v Speaker 1>took it from there. Man, we just kind of build

1:04:35.160 --> 1:04:38.640
<v Speaker 1>a relationship. Yeah, So he was from a real because

1:04:38.680 --> 1:04:41.560
<v Speaker 1>at that time Womanton was women want to be played with,

1:04:42.600 --> 1:04:47.880
<v Speaker 1>you know women. So for Shure, like we was out

1:04:47.920 --> 1:04:51.280
<v Speaker 1>there doing ship and we just took it from there. Bro.

1:04:51.320 --> 1:04:54.800
<v Speaker 1>It was like he impressed me, bro, like with some

1:04:54.880 --> 1:04:56.919
<v Speaker 1>of his mixing skills and like the ship he could

1:04:56.960 --> 1:04:59.680
<v Speaker 1>do with scratching this and that, and then his producing

1:04:59.720 --> 1:05:02.120
<v Speaker 1>and he just had a knowledge of ready to get

1:05:02.160 --> 1:05:05.760
<v Speaker 1>all of like the like the oldie type of hits

1:05:05.760 --> 1:05:07.360
<v Speaker 1>and ship. And I was kind of like the first

1:05:07.400 --> 1:05:09.320
<v Speaker 1>one that because my thing is like I like to

1:05:09.360 --> 1:05:11.640
<v Speaker 1>paint pictures and tell stories and ship like that. So

1:05:12.160 --> 1:05:14.640
<v Speaker 1>he was the type that will find this like Okay,

1:05:14.720 --> 1:05:16.480
<v Speaker 1>let's just do this or this and this will go

1:05:16.480 --> 1:05:19.240
<v Speaker 1>good with that and just putting ship together on the

1:05:19.280 --> 1:05:21.440
<v Speaker 1>mix tapes. And also like when that motherfucker was doing

1:05:21.440 --> 1:05:24.959
<v Speaker 1>the mix tapes, that's when you know he got ice cube.

1:05:25.000 --> 1:05:29.240
<v Speaker 1>I think to get down on one um dre easy,

1:05:29.760 --> 1:05:33.280
<v Speaker 1>the one we do easy e uh. Like man, everybody

1:05:33.320 --> 1:05:35.120
<v Speaker 1>like you said that was coming here looking for vinyl

1:05:35.160 --> 1:05:41.600
<v Speaker 1>and ship like that. You know what crazy thing about

1:05:41.640 --> 1:05:44.760
<v Speaker 1>that Crows is you always had a really really huge

1:05:45.160 --> 1:05:48.080
<v Speaker 1>Mexican audience. Yeah, you know, like Parks said, it wouldn't

1:05:48.080 --> 1:05:50.000
<v Speaker 1>be La without the Mexican So shut out to all

1:05:50.000 --> 1:05:53.360
<v Speaker 1>the Mexican armies. This out there doing a thing, and

1:05:53.400 --> 1:05:55.600
<v Speaker 1>I think something that was real genes that you did.

1:05:55.680 --> 1:05:58.840
<v Speaker 1>You know Mexicans love the oldies. Yeah, they loved most

1:05:59.280 --> 1:06:03.440
<v Speaker 1>cats loved. Yeah, what made you all decide the sample?

1:06:03.480 --> 1:06:07.080
<v Speaker 1>I'm not your puppet man? Who who was that man?

1:06:07.160 --> 1:06:09.240
<v Speaker 1>I think we started off doing that ship on the

1:06:09.280 --> 1:06:12.400
<v Speaker 1>mix tape, and the reaction of the response that we

1:06:12.440 --> 1:06:15.560
<v Speaker 1>got from that ship, from the mixtape version of it,

1:06:15.560 --> 1:06:17.480
<v Speaker 1>it was like it was automatic. It was like we

1:06:17.600 --> 1:06:19.600
<v Speaker 1>got to do this on the recording and go in

1:06:19.640 --> 1:06:22.280
<v Speaker 1>the studio and do it professionally. And we did it

1:06:22.360 --> 1:06:28.040
<v Speaker 1>at uh uh Audio Achievements. I think it was Donovan's student.

1:06:29.320 --> 1:06:33.040
<v Speaker 1>We did n w A was doing and they had

1:06:33.080 --> 1:06:35.160
<v Speaker 1>the top notchi equipment and I got to look at

1:06:35.200 --> 1:06:38.400
<v Speaker 1>some of Dr Dre ship and seeing that Dre, I've

1:06:38.400 --> 1:06:41.080
<v Speaker 1>seen what you was doing, Dre years ago. This nigger

1:06:41.160 --> 1:06:43.680
<v Speaker 1>had and I could tell it now because I know

1:06:43.800 --> 1:06:46.720
<v Speaker 1>drein even tripping away. He had an eight oh eight

1:06:46.920 --> 1:06:49.480
<v Speaker 1>that was meetied up and if people don't understand, you

1:06:49.480 --> 1:06:51.480
<v Speaker 1>don't understand, don't even think about it. But the mid

1:06:51.600 --> 1:06:54.640
<v Speaker 1>cable to a fucking eight oh eight, and I'm like, this,

1:06:54.720 --> 1:06:56.880
<v Speaker 1>dude is not playing like every time that eight oh

1:06:56.920 --> 1:06:59.720
<v Speaker 1>eight hit, it's coming right out the machine. It was fresh.

1:06:59.760 --> 1:07:02.040
<v Speaker 1>I'm that's how they should be sounded so cracking. But

1:07:02.520 --> 1:07:05.600
<v Speaker 1>we went in there to record I'm Not Your Puppet

1:07:05.640 --> 1:07:07.760
<v Speaker 1>and came out with that sound. That's why I sound

1:07:07.800 --> 1:07:10.240
<v Speaker 1>like sonically clear and ship like that. It was like

1:07:11.000 --> 1:07:13.120
<v Speaker 1>one of those records that that everybody was like, man,

1:07:13.120 --> 1:07:14.760
<v Speaker 1>when it's coming out. We had to do it, so

1:07:16.240 --> 1:07:20.880
<v Speaker 1>shot the video at the Rhodium. It was just automatic

1:07:21.680 --> 1:07:23.960
<v Speaker 1>as dope. Dog. Do you think that's your biggest record

1:07:24.280 --> 1:07:27.080
<v Speaker 1>to date? I think it is, bro, I really think

1:07:27.120 --> 1:07:29.720
<v Speaker 1>it is. I really think that's, like, you know, one

1:07:29.760 --> 1:07:32.880
<v Speaker 1>of the biggest records today that that I did. And

1:07:32.920 --> 1:07:34.640
<v Speaker 1>just you know, all the features that we did on

1:07:34.680 --> 1:07:38.000
<v Speaker 1>each other ship, Like on quick album we got Medley

1:07:38.040 --> 1:07:40.040
<v Speaker 1>for a v like Snoop Me and Snoop was on

1:07:40.120 --> 1:07:42.400
<v Speaker 1>the air and g like all of us the older

1:07:42.440 --> 1:07:44.760
<v Speaker 1>bars like them records like people don't hardly know about.

1:07:44.840 --> 1:07:47.480
<v Speaker 1>But I was just thinking about that the other day,

1:07:47.520 --> 1:07:50.280
<v Speaker 1>like all the features that we did with different motherfucker's. Man,

1:07:50.320 --> 1:07:52.680
<v Speaker 1>it's like we got so much ship. Bro, Yeah, we

1:07:52.760 --> 1:07:55.680
<v Speaker 1>we definitely. Man, Well, I'm gonna do everybody. I'm gonna

1:07:55.720 --> 1:07:58.680
<v Speaker 1>go outside. I'm gonna go over Cross House one day

1:07:58.680 --> 1:08:00.480
<v Speaker 1>and I'm gonna go in to vote y'all and I'm

1:08:00.520 --> 1:08:02.360
<v Speaker 1>gonna steal all them songs he got that he don't

1:08:02.400 --> 1:08:04.240
<v Speaker 1>want nobody to hear, because I'm gonna tell y'all he

1:08:04.320 --> 1:08:07.680
<v Speaker 1>got some heaters in there. Man, for sure, Are we

1:08:07.760 --> 1:08:11.000
<v Speaker 1>ever go get any more high seat music? Man? You

1:08:11.040 --> 1:08:13.640
<v Speaker 1>know what I really be feeling like? You know when

1:08:13.640 --> 1:08:15.240
<v Speaker 1>I get that inch norm you know how we are

1:08:15.240 --> 1:08:18.799
<v Speaker 1>we gyminizing ship, get that itch man and that ship

1:08:18.840 --> 1:08:22.479
<v Speaker 1>turned on and you get that creative juice, you just might. Man,

1:08:23.040 --> 1:08:25.439
<v Speaker 1>that's one thing about You're not gonna put a record

1:08:25.439 --> 1:08:27.120
<v Speaker 1>out before his time. And you just don't go on

1:08:27.160 --> 1:08:28.880
<v Speaker 1>the studio for the sake of going to the studio.

1:08:28.920 --> 1:08:31.280
<v Speaker 1>Hell no, because I ain't pressed like that. Like to me,

1:08:31.280 --> 1:08:33.240
<v Speaker 1>when you're pressing and you're trying to do this, and

1:08:33.320 --> 1:08:36.200
<v Speaker 1>you gimmicky and you want to do I gotta do this,

1:08:36.280 --> 1:08:39.040
<v Speaker 1>or I gotta do that or or motherfucker's that try

1:08:39.120 --> 1:08:42.360
<v Speaker 1>to bait motherfucker's into a battle and ship. I've never

1:08:42.400 --> 1:08:44.679
<v Speaker 1>been that type of motherfucking Oh did he say something

1:08:44.680 --> 1:08:46.680
<v Speaker 1>about me? Or did he? Was he dissing me? I

1:08:46.720 --> 1:08:49.599
<v Speaker 1>gotta diss him, like all that old bullshit to me.

1:08:50.240 --> 1:08:51.880
<v Speaker 1>And if that's how you live, don't get me wrong,

1:08:51.960 --> 1:08:55.080
<v Speaker 1>that's more power to you. But I don't look around

1:08:55.080 --> 1:08:56.880
<v Speaker 1>like that. I do it when that ship feel good

1:08:56.880 --> 1:08:59.400
<v Speaker 1>and it feels natural, like let me get in here

1:08:59.400 --> 1:09:02.760
<v Speaker 1>and this is it I feel like doing at the time. Yeah,

1:09:02.840 --> 1:09:05.479
<v Speaker 1>for real, man, And you've always been consistent with that too,

1:09:06.040 --> 1:09:08.080
<v Speaker 1>always been consistent with that. I remember when I came

1:09:08.120 --> 1:09:11.000
<v Speaker 1>with my first album and I like you. He was like, Norman,

1:09:11.040 --> 1:09:13.240
<v Speaker 1>you've got one got one time to put your first record.

1:09:13.360 --> 1:09:14.720
<v Speaker 1>You need to do this and that over again. I

1:09:14.760 --> 1:09:17.120
<v Speaker 1>was mad, but I went back and you did, man,

1:09:17.160 --> 1:09:19.960
<v Speaker 1>and I appreciate you for that. And I remember that

1:09:19.960 --> 1:09:22.559
<v Speaker 1>ship like yesterday you called me, was like, I got

1:09:22.560 --> 1:09:25.599
<v Speaker 1>ten songs, I'm ready. I'm like, norm, hold on, you're

1:09:25.600 --> 1:09:29.160
<v Speaker 1>gonna do ten songs three times before you're gonna do

1:09:29.200 --> 1:09:31.439
<v Speaker 1>ten songs five times. You're gonna have fifty of the

1:09:31.560 --> 1:09:33.840
<v Speaker 1>motherfucker's before and then you called me back. Remember what

1:09:33.880 --> 1:09:35.560
<v Speaker 1>you said? He was like, yeah, crawf right, because I

1:09:35.560 --> 1:09:37.640
<v Speaker 1>don't even like that other ship. I did something. I'm like,

1:09:37.760 --> 1:09:39.559
<v Speaker 1>you should hear this new ship, and I'm like, damn,

1:09:39.560 --> 1:09:42.320
<v Speaker 1>nor got some ship. Yeah I did, man. You know what,

1:09:42.479 --> 1:09:45.599
<v Speaker 1>that's one of my biggest regrets. Dogs. I think when

1:09:45.600 --> 1:09:49.639
<v Speaker 1>you're younger, you're getting the race for time, especially when

1:09:49.640 --> 1:09:52.160
<v Speaker 1>you start hitting that twenty nine thirty year old mark.

1:09:53.280 --> 1:09:54.760
<v Speaker 1>You get this kind of like thinking that I need

1:09:54.800 --> 1:09:56.439
<v Speaker 1>to put this out before I get you old, because

1:09:56.479 --> 1:09:59.120
<v Speaker 1>you know hip hop, man, it's a young man's game.

1:09:59.680 --> 1:10:01.920
<v Speaker 1>It is. But now you've got brothers like Hole he

1:10:02.040 --> 1:10:05.240
<v Speaker 1>fifty something, he's still out there tearing down microphone. You

1:10:05.360 --> 1:10:07.920
<v Speaker 1>got the Whoop Tang class. They're still putting up music

1:10:08.240 --> 1:10:09.920
<v Speaker 1>and you know some of them acting. I think it

1:10:10.200 --> 1:10:12.800
<v Speaker 1>comes to a thing. Man, when you get older, you

1:10:12.840 --> 1:10:16.400
<v Speaker 1>start expressing your creativity in different ways that because you

1:10:16.600 --> 1:10:19.360
<v Speaker 1>the growth. Yeah, it's growth. It's like it's like I

1:10:19.400 --> 1:10:21.559
<v Speaker 1>don't have no desire now to put out no records

1:10:21.680 --> 1:10:23.600
<v Speaker 1>or nothing like that. Dude, I think this is my

1:10:23.720 --> 1:10:26.719
<v Speaker 1>thing right now, like creating content. No, that's and you

1:10:26.720 --> 1:10:29.040
<v Speaker 1>you're smashing this ship. No, I'm like, I tell everybody,

1:10:29.040 --> 1:10:31.439
<v Speaker 1>man still got this ship cracking. But to me, no,

1:10:31.680 --> 1:10:33.120
<v Speaker 1>let me let me just say this, or I ask

1:10:33.160 --> 1:10:38.519
<v Speaker 1>you a question, like I understand why people retire in sports.

1:10:38.520 --> 1:10:40.880
<v Speaker 1>So they want them to retire because your reflex is

1:10:41.400 --> 1:10:45.599
<v Speaker 1>your quick twitch muscles and ship like that. You can lose,

1:10:45.960 --> 1:10:48.640
<v Speaker 1>you know, you lose mobility, you get injured. You can

1:10:48.680 --> 1:10:53.360
<v Speaker 1>fund yourself up in the in the music game, or

1:10:53.200 --> 1:10:57.040
<v Speaker 1>or or the hip hop game, or any genre of music. Like,

1:10:57.160 --> 1:11:00.880
<v Speaker 1>why do we have to retire because season now I'm

1:11:00.880 --> 1:11:04.000
<v Speaker 1>gonna even say, oh that we veterans. My throat didn't

1:11:04.040 --> 1:11:07.200
<v Speaker 1>get like, I still I speak well. I feel like

1:11:07.280 --> 1:11:11.080
<v Speaker 1>I'm intell intelligent enough to make songs. I can do this.

1:11:11.240 --> 1:11:13.840
<v Speaker 1>I can still create. So I ain't gotta go out

1:11:13.880 --> 1:11:16.760
<v Speaker 1>here and jump or slam dunk or run no motherfucking

1:11:17.240 --> 1:11:20.360
<v Speaker 1>uh for two in the forty or do whatever the

1:11:20.400 --> 1:11:22.200
<v Speaker 1>fuck you know what I'm saying. So why do they

1:11:22.200 --> 1:11:24.400
<v Speaker 1>put this label on us? It's hip hop? Like we

1:11:24.520 --> 1:11:26.519
<v Speaker 1>got to do that. I know the attention span and

1:11:26.560 --> 1:11:29.000
<v Speaker 1>the lifespan of some of the hip hop ship is short,

1:11:29.439 --> 1:11:33.559
<v Speaker 1>but you look at that bands like the Stones or

1:11:33.680 --> 1:11:39.960
<v Speaker 1>Chicago and motherfucker's love them. Bro, even answer it for

1:11:40.040 --> 1:11:42.599
<v Speaker 1>you Cross right now. You know what I believe it is, Bro.

1:11:42.760 --> 1:11:45.519
<v Speaker 1>I think it's something that within our people, our culture, right,

1:11:46.720 --> 1:11:50.439
<v Speaker 1>Black people don't respect um. I'm trying to find the

1:11:50.560 --> 1:11:53.680
<v Speaker 1>right word. They don't respect maturity almost because if you

1:11:53.720 --> 1:11:56.640
<v Speaker 1>look at the average brother today that's online. You know,

1:11:56.720 --> 1:12:01.120
<v Speaker 1>some of these guys online, these dudes anywhere from forty

1:12:01.160 --> 1:12:04.320
<v Speaker 1>five years old acting like little kids. They acting like

1:12:04.439 --> 1:12:09.160
<v Speaker 1>the nineteen eighteen year olds, um and and I almost

1:12:09.200 --> 1:12:12.320
<v Speaker 1>think that's an insult to the younger generation because some

1:12:12.439 --> 1:12:15.280
<v Speaker 1>of these people is more immature than my five year

1:12:15.280 --> 1:12:17.400
<v Speaker 1>old niece. You know what I'm saying. They have like

1:12:17.560 --> 1:12:19.720
<v Speaker 1>they act like on the level they almost like borderline.

1:12:19.720 --> 1:12:21.040
<v Speaker 1>If you looked at him, you would say, Man, are

1:12:21.080 --> 1:12:24.120
<v Speaker 1>these people retarded? Because that's just what they do. You've

1:12:24.160 --> 1:12:25.680
<v Speaker 1>got a lot of people and I think us as

1:12:25.720 --> 1:12:27.840
<v Speaker 1>Black people, man had always come back to the Willie

1:12:27.840 --> 1:12:31.439
<v Speaker 1>Link stuff. We hate to see We hate to see

1:12:31.479 --> 1:12:34.400
<v Speaker 1>the next man shine rather than applaud, you know, rather

1:12:34.439 --> 1:12:39.200
<v Speaker 1>than applaud because theoretically, I think the older people get,

1:12:39.600 --> 1:12:42.360
<v Speaker 1>the better they bars get. They've seen more, they've been

1:12:42.400 --> 1:12:45.760
<v Speaker 1>around the world, you know, they've got more experience. So

1:12:45.840 --> 1:12:48.000
<v Speaker 1>I think that's why. Now you can probably hear some

1:12:48.080 --> 1:12:51.080
<v Speaker 1>of jay Z's best music. You hear some of what's

1:12:51.160 --> 1:12:54.080
<v Speaker 1>that kid's name? Being the kid? But he older dude, Man,

1:12:54.120 --> 1:12:56.400
<v Speaker 1>I think he was signed to brock Nation. Man, that

1:12:56.520 --> 1:12:58.559
<v Speaker 1>dude is a beast. Though I can't think of his name.

1:12:58.560 --> 1:13:02.000
<v Speaker 1>He only put out one album. But that dude is

1:13:02.040 --> 1:13:06.320
<v Speaker 1>in his fifties. Man, he row looking sugar free, sugar

1:13:06.360 --> 1:13:10.280
<v Speaker 1>free Damn Nick sugar Freed almost got a resurgence going

1:13:10.320 --> 1:13:13.920
<v Speaker 1>now and sugar free in his fifties and he's nasty. Man.

1:13:13.960 --> 1:13:16.800
<v Speaker 1>To me, it should always be about your music, man,

1:13:18.000 --> 1:13:23.040
<v Speaker 1>you know, change change as that. If he ain't in

1:13:23.040 --> 1:13:25.479
<v Speaker 1>his fifties, he's up there, And I think, man, what

1:13:25.640 --> 1:13:27.439
<v Speaker 1>it is is that you just got to create a

1:13:27.520 --> 1:13:30.360
<v Speaker 1>character like Snoop Dogg is probably the biggest rapper of

1:13:30.360 --> 1:13:34.759
<v Speaker 1>all time brand wise. You know everybody knows Snoopy Snoop

1:13:34.800 --> 1:13:37.720
<v Speaker 1>ain't no Spring Chicken. But he's going forever being able

1:13:37.720 --> 1:13:39.880
<v Speaker 1>to go on stage and make music. I think because

1:13:39.880 --> 1:13:42.479
<v Speaker 1>he's always stayed in character. I think that's all you

1:13:42.520 --> 1:13:44.559
<v Speaker 1>gotta do is just stay in your character. Too short.

1:13:44.920 --> 1:13:46.719
<v Speaker 1>I was listening to too short when I was sixteen

1:13:46.760 --> 1:13:49.040
<v Speaker 1>and seventeen years old, too short still making the same

1:13:49.120 --> 1:13:51.640
<v Speaker 1>music and might wrong to have a hit record on

1:13:51.680 --> 1:13:54.519
<v Speaker 1>yours and short dog is dope, man, it's forty is

1:13:54.560 --> 1:13:57.200
<v Speaker 1>the same way we was on the road with him

1:13:57.200 --> 1:14:00.519
<v Speaker 1>when he was going out man and watching uh forty

1:14:00.680 --> 1:14:03.639
<v Speaker 1>and short man like sing their songs and the whole

1:14:03.760 --> 1:14:07.120
<v Speaker 1>crowd responding no word for word. And then I'm sitting

1:14:07.200 --> 1:14:09.599
<v Speaker 1>up here looking at the forty his features and ship

1:14:09.720 --> 1:14:11.559
<v Speaker 1>like he got all this ship at the time, and

1:14:11.600 --> 1:14:13.720
<v Speaker 1>ship and all that. But then he jumped on the

1:14:13.720 --> 1:14:16.000
<v Speaker 1>ship with I don't funk with you, like all this

1:14:16.120 --> 1:14:20.200
<v Speaker 1>new ship, and it's like he touching both both worlds.

1:14:20.240 --> 1:14:21.719
<v Speaker 1>You know what I'm saying. The same thing was Short

1:14:21.960 --> 1:14:23.400
<v Speaker 1>when he was doing the ship, but you know what

1:14:23.479 --> 1:14:26.479
<v Speaker 1>he was doing, the collaborations and the features and ship

1:14:26.560 --> 1:14:29.960
<v Speaker 1>like people funk with him like just off the rip, bro,

1:14:30.080 --> 1:14:34.040
<v Speaker 1>Like it's crazy how they gravitate towards them dudes. Man, Well,

1:14:34.080 --> 1:14:36.320
<v Speaker 1>I think what's happening now man, that you're getting the

1:14:36.360 --> 1:14:39.400
<v Speaker 1>resurgence because you've got a lot of younger kids, the

1:14:39.520 --> 1:14:44.280
<v Speaker 1>casts in their twenties, five years old, twenty six, They

1:14:44.320 --> 1:14:46.760
<v Speaker 1>grew up listening to that that they grew up. So

1:14:46.760 --> 1:14:48.920
<v Speaker 1>now they've got an opportunity to collab with one of

1:14:48.960 --> 1:14:51.320
<v Speaker 1>their favorite artists. And I think that's how I was going.

1:14:51.439 --> 1:14:54.080
<v Speaker 1>Because Forty Steele got barrows. You can't tell me he

1:14:54.240 --> 1:14:57.320
<v Speaker 1>forty can't wrap no more because he years old or

1:14:57.320 --> 1:15:02.360
<v Speaker 1>whatever's the time. I don't at that ship bro and

1:15:02.360 --> 1:15:06.320
<v Speaker 1>a voice ain't slow down. My throat still good, And

1:15:06.360 --> 1:15:08.920
<v Speaker 1>I think it should be a personal choice, man, because

1:15:09.960 --> 1:15:12.120
<v Speaker 1>I still right wraps for a lot of people. I don't.

1:15:12.200 --> 1:15:14.040
<v Speaker 1>You know. Of course, I can't just put it out

1:15:14.040 --> 1:15:16.200
<v Speaker 1>there and say what else necessarily because you gotta keep

1:15:16.240 --> 1:15:19.080
<v Speaker 1>stuff on the low. But I write a lot of stuff,

1:15:19.080 --> 1:15:23.080
<v Speaker 1>and I'll actually write my dopest stuff. It's like because

1:15:23.120 --> 1:15:26.320
<v Speaker 1>I've been more places of sound, experience more things, and

1:15:26.360 --> 1:15:28.360
<v Speaker 1>I'm talking from a place of what I know versus

1:15:28.439 --> 1:15:30.320
<v Speaker 1>when I was you know, when I was broke, I

1:15:30.360 --> 1:15:33.320
<v Speaker 1>was talking about having money I've never seen. And now

1:15:33.680 --> 1:15:35.479
<v Speaker 1>get a little bit me. You didn't went to Japan

1:15:35.560 --> 1:15:37.360
<v Speaker 1>and ship together. You haven't been on the other side

1:15:37.360 --> 1:15:40.280
<v Speaker 1>of the motherfucking O. For sure, have experienced some things

1:15:40.320 --> 1:15:43.240
<v Speaker 1>that's gonna stay over thein't Japan? You know what I'm saying,

1:15:43.600 --> 1:15:46.760
<v Speaker 1>don't talk about this ship. Nor we don't need to

1:15:46.760 --> 1:15:49.240
<v Speaker 1>talk about dog. Some stuff we don't need to talk about.

1:15:49.240 --> 1:15:52.479
<v Speaker 1>But I know Japan. The thing about Japan, man, is

1:15:52.520 --> 1:15:55.320
<v Speaker 1>they treat you like you a guy over there. We

1:15:55.400 --> 1:15:57.960
<v Speaker 1>went over there, man, they was treating Crawford like Crawford

1:15:58.080 --> 1:16:00.680
<v Speaker 1>was getting treated like a king over there. Crazy and

1:16:00.680 --> 1:16:04.200
<v Speaker 1>they like the second album I did. It was like

1:16:04.280 --> 1:16:06.280
<v Speaker 1>really like one of the big albums over there that

1:16:06.360 --> 1:16:08.960
<v Speaker 1>they funk with, and I appreciate it. I'm ready to

1:16:09.000 --> 1:16:11.680
<v Speaker 1>go back now when you're already bro in China. You

1:16:11.680 --> 1:16:13.760
<v Speaker 1>know China as well. China got some ship too, o

1:16:13.840 --> 1:16:16.320
<v Speaker 1>for sure. But one of the things I'm gonna start doing, Bro,

1:16:16.400 --> 1:16:20.240
<v Speaker 1>we gonna start doing over here digital Soapbox is we

1:16:20.320 --> 1:16:23.120
<v Speaker 1>gotta streaming network coming to twenty four hour music channel

1:16:23.200 --> 1:16:25.879
<v Speaker 1>that's coming out like um, I think we launched in September,

1:16:25.920 --> 1:16:29.000
<v Speaker 1>late September, early October. One of the things we're doing,

1:16:29.040 --> 1:16:31.320
<v Speaker 1>it's gonna be kind of like MTV was, but it's

1:16:31.320 --> 1:16:33.439
<v Speaker 1>gonna be all hip hop, all hip hop and rap.

1:16:34.000 --> 1:16:35.760
<v Speaker 1>You know, we gonna be showing our podcasts on that.

1:16:35.880 --> 1:16:38.320
<v Speaker 1>We got original series we're doing. But one of the

1:16:38.360 --> 1:16:40.519
<v Speaker 1>things that I am bringing back, man, is we gonna

1:16:40.520 --> 1:16:44.479
<v Speaker 1>start shooting music videos to classic classic songs. We actually

1:16:44.479 --> 1:16:46.720
<v Speaker 1>go go get artists, and we got a couple of

1:16:46.760 --> 1:16:50.760
<v Speaker 1>people that's re recording classic albums like, um, we got

1:16:50.800 --> 1:16:54.640
<v Speaker 1>eight He's gonna re record straight Up Menace, you know

1:16:54.720 --> 1:16:57.599
<v Speaker 1>the album. He's gonna record the album. And Uh. One

1:16:57.600 --> 1:17:00.559
<v Speaker 1>of the things we talked about doing was like taking

1:17:00.560 --> 1:17:02.200
<v Speaker 1>a song like growing Up in the Hood that's a

1:17:02.240 --> 1:17:05.920
<v Speaker 1>classic and putting scarface on there and shooting a whole

1:17:05.920 --> 1:17:07.600
<v Speaker 1>new video for it and just bringing it to this

1:17:07.720 --> 1:17:10.479
<v Speaker 1>whole new generation because a classic is gonna always be

1:17:10.520 --> 1:17:12.840
<v Speaker 1>a classic. You don't matter time with this, bro, It's

1:17:12.840 --> 1:17:14.280
<v Speaker 1>gonna always be climates. And one of the things I

1:17:14.320 --> 1:17:16.880
<v Speaker 1>always gonna holid at you about is doing redoing one

1:17:16.880 --> 1:17:20.000
<v Speaker 1>of your classic albums. That's easy, the same music, doing

1:17:20.000 --> 1:17:23.160
<v Speaker 1>a thing, but just getting different features on their different look.

1:17:23.200 --> 1:17:25.320
<v Speaker 1>You know what I'm saying. I think that would be dope. Man.

1:17:25.560 --> 1:17:27.479
<v Speaker 1>That's easy to do because I got my own masses,

1:17:27.520 --> 1:17:29.760
<v Speaker 1>you know, on the ship, So you know that's what

1:17:29.800 --> 1:17:31.160
<v Speaker 1>I want to do. When you do that, I want

1:17:31.200 --> 1:17:33.000
<v Speaker 1>to be the anchor on the on the video ship,

1:17:33.360 --> 1:17:35.439
<v Speaker 1>you know. MTV used to have I forgot my man name.

1:17:35.520 --> 1:17:36.760
<v Speaker 1>Used to be the anchor. He used to be on

1:17:36.840 --> 1:17:39.320
<v Speaker 1>everything and be like this is the videos and tune in.

1:17:42.200 --> 1:17:43.920
<v Speaker 1>Sure I got you his anchor on there. I've been

1:17:43.920 --> 1:17:47.160
<v Speaker 1>telling you everything I'll do. You included in on bro man,

1:17:47.240 --> 1:17:50.320
<v Speaker 1>let's rock. You know what I'm saying. And I appreciate

1:17:50.400 --> 1:17:52.360
<v Speaker 1>you coming down and sit down will be the day dog.

1:17:52.600 --> 1:17:54.599
<v Speaker 1>Y'all don't know this interview don't been a long time

1:17:54.640 --> 1:17:58.679
<v Speaker 1>in the making. But Crawford really was a big busy guy.

1:17:59.360 --> 1:18:01.200
<v Speaker 1>He's a busy got got a lot of business is

1:18:01.240 --> 1:18:04.120
<v Speaker 1>going on. We got a car dealership, different stuff like that. Man,

1:18:04.600 --> 1:18:07.000
<v Speaker 1>a lot of stuff going on. So y'all be on

1:18:07.000 --> 1:18:08.760
<v Speaker 1>the lookout, man, because I'm gonna you know, he like

1:18:08.840 --> 1:18:11.120
<v Speaker 1>to lock nest monster. He only come out of the

1:18:11.120 --> 1:18:13.040
<v Speaker 1>water every few years. But I'm just trying to pull

1:18:13.080 --> 1:18:14.559
<v Speaker 1>them out a little bit more. Yeah, I'm gonna come

1:18:14.560 --> 1:18:16.720
<v Speaker 1>out a little bit more. And I'm working with me,

1:18:16.840 --> 1:18:19.040
<v Speaker 1>no family, my loved ones. I can come out and

1:18:19.080 --> 1:18:21.160
<v Speaker 1>be safe, you know, man, Yeah, for sure, And um,

1:18:21.200 --> 1:18:23.160
<v Speaker 1>I know you don't got no social media channel, so

1:18:23.160 --> 1:18:25.080
<v Speaker 1>I guess when people see you, they gets running to you.

1:18:26.080 --> 1:18:28.240
<v Speaker 1>For sure. I haven't got no social media to give

1:18:28.280 --> 1:18:31.080
<v Speaker 1>you off of my guy, y'all. Just so I don't know,

1:18:31.720 --> 1:18:33.160
<v Speaker 1>y'all get out of my guests on the gangs of

1:18:33.240 --> 1:18:37.960
<v Speaker 1>chronicles page or whatever. Relate the message, just good messages,

1:18:38.160 --> 1:18:40.960
<v Speaker 1>and I relate the message. Man. So is it anything

1:18:40.960 --> 1:18:42.400
<v Speaker 1>out there that, man, that you want to lead to

1:18:42.400 --> 1:18:46.599
<v Speaker 1>the people? Man before we jump up off of here, man, Man, honestly, bro,

1:18:46.920 --> 1:18:50.320
<v Speaker 1>I just I like to hear new ship. I like

1:18:50.439 --> 1:18:54.360
<v Speaker 1>to hear a new vision, a new direction of ship.

1:18:54.439 --> 1:18:57.640
<v Speaker 1>So what I want to say to just just this

1:18:58.960 --> 1:19:02.120
<v Speaker 1>ship right here, man. Far as like the music in

1:19:02.160 --> 1:19:04.400
<v Speaker 1>the streets, and I'm starting to notice that the streets

1:19:04.400 --> 1:19:09.559
<v Speaker 1>and more tied into the music now, and it's more like,

1:19:09.840 --> 1:19:12.559
<v Speaker 1>you know, like I hear the term that they're using.

1:19:12.600 --> 1:19:14.920
<v Speaker 1>It's not our term, but the gang gang. You've heard

1:19:15.000 --> 1:19:18.400
<v Speaker 1>them say that ship, you gang gang, Like we don't

1:19:18.439 --> 1:19:20.479
<v Speaker 1>say that ship out here, and it's not not no

1:19:20.640 --> 1:19:23.360
<v Speaker 1>knock on it or whatever. But we used to hit

1:19:23.439 --> 1:19:26.000
<v Speaker 1>niggas up like, hey, where you froming? You bang? You

1:19:26.000 --> 1:19:28.960
<v Speaker 1>you bang? Are you gang? That same ship? Whatever? But

1:19:29.360 --> 1:19:31.120
<v Speaker 1>I'm starting to see a lot of that ship is

1:19:31.360 --> 1:19:34.160
<v Speaker 1>entwined into the culture. Man, And It's just one of

1:19:34.160 --> 1:19:37.760
<v Speaker 1>those things to where you gotta really, to me, be

1:19:37.880 --> 1:19:40.160
<v Speaker 1>about that ship and know what you're doing before you

1:19:40.200 --> 1:19:42.160
<v Speaker 1>start doing all this ship bro. And if you're not

1:19:42.200 --> 1:19:45.360
<v Speaker 1>really about that, like, you don't need the funk with

1:19:45.400 --> 1:19:49.120
<v Speaker 1>that to be up. You got dudes like um like

1:19:49.479 --> 1:19:54.240
<v Speaker 1>uhn J Cole. That's to me like a cool niggas

1:19:54.240 --> 1:19:58.479
<v Speaker 1>that wrap their ass off. That's doing very well without saying, Hey,

1:19:58.520 --> 1:20:02.040
<v Speaker 1>I'm from blank blank blank A care I'm affiliated with this.

1:20:03.120 --> 1:20:06.400
<v Speaker 1>You got dudes that's that's in the ship, like the

1:20:06.439 --> 1:20:08.759
<v Speaker 1>homie from from the neighborhood, but here about that ship,

1:20:09.320 --> 1:20:11.920
<v Speaker 1>y g that's that's the homie, say from the same

1:20:11.960 --> 1:20:14.640
<v Speaker 1>neighborhood or whatever, but he about that ship. Those are

1:20:14.680 --> 1:20:18.720
<v Speaker 1>two different artists on two different paths. But you could

1:20:18.720 --> 1:20:20.920
<v Speaker 1>tell that this dude is about the ship because that's

1:20:20.920 --> 1:20:23.519
<v Speaker 1>what he talked about. J. Cole is about that ship

1:20:23.560 --> 1:20:26.320
<v Speaker 1>and that's what we talked about. So to me, I

1:20:26.360 --> 1:20:28.720
<v Speaker 1>want dudes to find a lane. I wish they would

1:20:28.720 --> 1:20:31.760
<v Speaker 1>find a lane. Don't just talk about the same ship.

1:20:31.880 --> 1:20:33.680
<v Speaker 1>How many times we're gonna be in the street, how

1:20:33.680 --> 1:20:35.920
<v Speaker 1>many times we're gonna do this, how many times I

1:20:35.960 --> 1:20:38.400
<v Speaker 1>want to hear some new ship. I want to hear

1:20:38.439 --> 1:20:41.080
<v Speaker 1>some ship like when Wu Tang came out and it

1:20:41.200 --> 1:20:43.400
<v Speaker 1>was just like a crewe motherfucker's doing something different. They

1:20:43.439 --> 1:20:46.759
<v Speaker 1>took the karate ship and made a whole motherfucking career

1:20:46.800 --> 1:20:49.040
<v Speaker 1>out exactly. That's what I'm looking for. What I'm saying.

1:20:49.040 --> 1:20:50.680
<v Speaker 1>You know what's funny about you saying that I was

1:20:50.760 --> 1:20:53.800
<v Speaker 1>telling somebody. The other thing is when do we go

1:20:53.880 --> 1:20:59.559
<v Speaker 1>get another bone thug, you know, just somebody to come

1:20:59.600 --> 1:21:03.280
<v Speaker 1>out with something that's so different. I'm waiting on that

1:21:03.320 --> 1:21:06.000
<v Speaker 1>ship now, That's what I'm like. So that's like I'm

1:21:06.040 --> 1:21:09.599
<v Speaker 1>gonna close with kind of with that ship. And I'm

1:21:09.680 --> 1:21:14.880
<v Speaker 1>really surprised at how And it's no not because a

1:21:14.960 --> 1:21:17.040
<v Speaker 1>nigga from where he fund we did the whole street

1:21:17.040 --> 1:21:18.960
<v Speaker 1>ship or whatever, like you said, we don't grow man

1:21:19.000 --> 1:21:24.160
<v Speaker 1>and business ship now, but I'm surprised at how like

1:21:24.240 --> 1:21:28.720
<v Speaker 1>they're making this this street ship so like acceptable and

1:21:28.760 --> 1:21:31.040
<v Speaker 1>it's cool and this and that, and it's just so

1:21:32.120 --> 1:21:35.880
<v Speaker 1>like to me, it's kind of like water down or sugarcoated,

1:21:36.000 --> 1:21:39.559
<v Speaker 1>like just like the gang ship like that's and then

1:21:39.720 --> 1:21:42.559
<v Speaker 1>it reaches out of out of California like I don't.

1:21:42.960 --> 1:21:45.240
<v Speaker 1>I don't want that ship to be out in the South.

1:21:45.360 --> 1:21:47.280
<v Speaker 1>I don't want that ship to be on the East Coast,

1:21:47.280 --> 1:21:51.800
<v Speaker 1>and I don't want that shipped to be you get

1:21:51.800 --> 1:21:54.400
<v Speaker 1>what I'm saying. No, don't get me wrong, because it's

1:21:54.439 --> 1:21:57.440
<v Speaker 1>my fucker's that then put it on the line. It's reputable,

1:21:57.560 --> 1:22:01.840
<v Speaker 1>reputable motherfucker's in every city restate. But it's just a

1:22:01.880 --> 1:22:05.320
<v Speaker 1>certain way that you carry let their own way. Like

1:22:05.360 --> 1:22:07.080
<v Speaker 1>when I go down to New Orleans, I don't want

1:22:07.080 --> 1:22:09.320
<v Speaker 1>to see no crips and bloods down. I want them

1:22:09.360 --> 1:22:12.200
<v Speaker 1>doing their stuff and calling us whoa and doing their thing.

1:22:12.880 --> 1:22:14.800
<v Speaker 1>What I'm saying, because that's the coach or let me

1:22:14.800 --> 1:22:16.760
<v Speaker 1>get some of that culture. Let me get some of that.

1:22:17.200 --> 1:22:18.960
<v Speaker 1>The East Coast, let me get some of that, you

1:22:18.960 --> 1:22:21.400
<v Speaker 1>know what I'm saying. That the the up North ship,

1:22:21.479 --> 1:22:23.360
<v Speaker 1>let me get some of that that Chicago, let me

1:22:23.360 --> 1:22:25.240
<v Speaker 1>get you know what I'm saying. It's like, but we

1:22:25.280 --> 1:22:28.640
<v Speaker 1>can do that ship without being you know, funked up

1:22:28.680 --> 1:22:31.120
<v Speaker 1>towards each other, turning up on each other or whatever,

1:22:31.520 --> 1:22:34.479
<v Speaker 1>because the Nigga is still then touched all these different cities.

1:22:35.040 --> 1:22:37.280
<v Speaker 1>And like I said before, but like we talked about

1:22:37.320 --> 1:22:39.320
<v Speaker 1>at the death Row Ship. The real nigga recognized. The

1:22:39.360 --> 1:22:41.960
<v Speaker 1>real nigga we pull up in any hood. We ain't

1:22:42.080 --> 1:22:44.719
<v Speaker 1>coming to disrespect, and we ain't coming to say all

1:22:44.720 --> 1:22:46.320
<v Speaker 1>we in your hood, this and this and that. We

1:22:46.400 --> 1:22:49.000
<v Speaker 1>come with respect. So when you come out here, you're

1:22:49.000 --> 1:22:50.800
<v Speaker 1>gonna get the same respect from us. You get what

1:22:50.840 --> 1:22:53.320
<v Speaker 1>I'm saying. But we want to go to Chicago and

1:22:53.320 --> 1:22:57.200
<v Speaker 1>get the Herald's chicken. We want to go to uh

1:22:57.320 --> 1:22:59.960
<v Speaker 1>to uh St. Louis and ship and go into into

1:23:00.080 --> 1:23:02.080
<v Speaker 1>the Pink Slip. The pink slip, I heard clothes down.

1:23:02.360 --> 1:23:04.360
<v Speaker 1>That's a stress. I don't the real nigga know what

1:23:04.360 --> 1:23:06.080
<v Speaker 1>I'm talking about. But you know what I'm saying. You

1:23:06.120 --> 1:23:08.400
<v Speaker 1>want to go over there and get your your experiences.

1:23:08.439 --> 1:23:10.080
<v Speaker 1>Like you said, you want to go to the quarters

1:23:10.080 --> 1:23:12.439
<v Speaker 1>and get you some Benyat's. And you know what I'm saying.

1:23:12.439 --> 1:23:15.519
<v Speaker 1>You want to keep you want to keep the coachure authentic.

1:23:15.840 --> 1:23:18.200
<v Speaker 1>It's like, you know, the crypton blood and stuff is

1:23:18.240 --> 1:23:20.080
<v Speaker 1>a West Coast thing. And not to say that the

1:23:20.120 --> 1:23:22.360
<v Speaker 1>brothers in Kansas City, because they're doing it. They've been

1:23:22.360 --> 1:23:24.160
<v Speaker 1>doing it since the eighties. Now at this point, you know,

1:23:25.000 --> 1:23:27.000
<v Speaker 1>you know they've been banging out there for thirty or

1:23:27.040 --> 1:23:31.000
<v Speaker 1>forty years now, and I think what happened was the

1:23:31.040 --> 1:23:33.519
<v Speaker 1>old dope routes. They kind of went out there and

1:23:33.520 --> 1:23:35.600
<v Speaker 1>they brought their coature out there, the different people and

1:23:35.600 --> 1:23:37.240
<v Speaker 1>that kind of just still the test of time and

1:23:37.320 --> 1:23:40.560
<v Speaker 1>stayed out there. But I hope people stay authentic to

1:23:40.640 --> 1:23:42.880
<v Speaker 1>what their culture real. And I think that's what you're saying.

1:23:43.439 --> 1:23:47.519
<v Speaker 1>That's exactly what I'm saying, bro, because I'm honestly norm

1:23:47.560 --> 1:23:51.120
<v Speaker 1>I'm the nigger that was in content. But I listened

1:23:51.160 --> 1:23:55.240
<v Speaker 1>to a lot of hip hop from from fucking um

1:23:55.479 --> 1:24:01.800
<v Speaker 1>KRS one two UM, I mean everybody, bro, like uh

1:24:02.320 --> 1:24:05.280
<v Speaker 1>j Ice, I mean dudes that's back in the day

1:24:05.640 --> 1:24:07.760
<v Speaker 1>g rap I listened to all that ship. Bro. I

1:24:07.800 --> 1:24:10.599
<v Speaker 1>was one of them to Slick Rick all the ship

1:24:10.720 --> 1:24:13.599
<v Speaker 1>that was kind of like the master aththing. I mean

1:24:13.640 --> 1:24:15.880
<v Speaker 1>a lot of New York. I was influenced by a

1:24:15.880 --> 1:24:18.160
<v Speaker 1>lot of the East Coast ship honestly, Bro. And it

1:24:18.280 --> 1:24:20.720
<v Speaker 1>was like to meet them dudes was just dope and

1:24:20.800 --> 1:24:25.200
<v Speaker 1>how they create ship. My nigga j Ruda Dammager and

1:24:25.240 --> 1:24:27.920
<v Speaker 1>that was one of your biggest New York was one

1:24:27.920 --> 1:24:31.439
<v Speaker 1>of your biggest York for sure, man, they funked with me. Man.

1:24:31.439 --> 1:24:33.679
<v Speaker 1>And it's it's funny like when I see a couple

1:24:33.720 --> 1:24:36.000
<v Speaker 1>of dudes, Like sometimes I run into method Man and

1:24:36.040 --> 1:24:38.240
<v Speaker 1>he would be like high seat, you know, Like we'll

1:24:38.280 --> 1:24:40.000
<v Speaker 1>be like yeah and he's like oh yeah, like he

1:24:40.320 --> 1:24:42.800
<v Speaker 1>give me that, Like uh, like I heard you, you know,

1:24:42.880 --> 1:24:45.439
<v Speaker 1>like the nod and ship. So I'm like, you know,

1:24:45.520 --> 1:24:48.800
<v Speaker 1>we was listening to their ship. We was influenced by it.

1:24:48.880 --> 1:24:50.920
<v Speaker 1>Now it seem like it's just the l A ship

1:24:51.080 --> 1:24:53.960
<v Speaker 1>is like touching everybody for us? Is you know the

1:24:54.240 --> 1:24:57.559
<v Speaker 1>street culture ship man? And I just I'm just looking

1:24:57.600 --> 1:25:00.200
<v Speaker 1>at it, like, bro, if that's not really you lead

1:25:00.200 --> 1:25:03.120
<v Speaker 1>that ship along, Let the real nicks do that. There's

1:25:03.120 --> 1:25:05.479
<v Speaker 1>other ways to get your bread. You know what, Before

1:25:05.520 --> 1:25:07.200
<v Speaker 1>you go, I'm gonna ask you this question, Bro. You

1:25:07.200 --> 1:25:09.519
<v Speaker 1>can answer it whether you want to or not. What

1:25:09.560 --> 1:25:12.160
<v Speaker 1>do you think about the whole thing where cats, certain

1:25:12.200 --> 1:25:15.000
<v Speaker 1>cats is going online trying to expose cats for snitching

1:25:15.080 --> 1:25:19.320
<v Speaker 1>and all that type of stuff. Man, you think that's dangerous? Man,

1:25:19.920 --> 1:25:22.599
<v Speaker 1>then who ship we gotta hold? Look, it's a whole

1:25:22.600 --> 1:25:26.240
<v Speaker 1>another motherfucking five guy. But it's like to me, I'm

1:25:26.240 --> 1:25:27.920
<v Speaker 1>gonna say it like this like the old people used

1:25:27.960 --> 1:25:31.320
<v Speaker 1>to tell us, if you can't do the time, don't

1:25:31.320 --> 1:25:34.280
<v Speaker 1>do the crime. So if you're getting out here fucking

1:25:34.320 --> 1:25:36.760
<v Speaker 1>around and you know some ship, don't look at what

1:25:36.800 --> 1:25:39.439
<v Speaker 1>you're gonna gain or what you're about to win. Look

1:25:39.439 --> 1:25:41.280
<v Speaker 1>at what you jeopardize. And then you're about to leave

1:25:41.320 --> 1:25:43.599
<v Speaker 1>your kids behind? Are you about to leave somebody behind

1:25:43.720 --> 1:25:47.200
<v Speaker 1>or your son behind or whoever the fuck because you

1:25:47.320 --> 1:25:49.280
<v Speaker 1>got in this moment, or you got in your feelings

1:25:49.360 --> 1:25:51.120
<v Speaker 1>or you wanted to try some dumb ship or some

1:25:51.200 --> 1:25:55.800
<v Speaker 1>stupid ship, think about what you're gonna lose before you

1:25:55.880 --> 1:25:57.719
<v Speaker 1>think about what you're gonna gain or what you're about

1:25:57.720 --> 1:25:59.680
<v Speaker 1>to do, and turn up. And I'm saying that to

1:25:59.680 --> 1:26:02.639
<v Speaker 1>say it won't put you in a position to where

1:26:02.720 --> 1:26:05.479
<v Speaker 1>you have to get down on somebody or you have

1:26:05.600 --> 1:26:08.160
<v Speaker 1>to snitch on somebody, because you know how to go.

1:26:08.240 --> 1:26:11.400
<v Speaker 1>When they started saying, oh, well, hey you're looking at

1:26:12.439 --> 1:26:16.439
<v Speaker 1>are you looking at thirty? And most mothercker's like thirty?

1:26:16.560 --> 1:26:20.040
<v Speaker 1>I can't do thirty? So such as such, did Black

1:26:20.080 --> 1:26:22.080
<v Speaker 1>Black Blake x y Z. You know what I'm saying.

1:26:22.400 --> 1:26:24.559
<v Speaker 1>When they started hitting them with the big jersey numbers,

1:26:24.600 --> 1:26:27.360
<v Speaker 1>this ship, the oh you got you looking at fifteen,

1:26:28.880 --> 1:26:32.280
<v Speaker 1>but the real motherfucker's nor Hey you're looking at twenty.

1:26:32.280 --> 1:26:35.880
<v Speaker 1>Come on with it, Come on, that's that's the way

1:26:35.920 --> 1:26:38.120
<v Speaker 1>to be. But but what do you think as far

1:26:38.160 --> 1:26:44.920
<v Speaker 1>as cats going online and actually pointing people out. Man,

1:26:45.920 --> 1:26:48.840
<v Speaker 1>it's a tricky situation because you pointed. But look at

1:26:48.880 --> 1:26:51.400
<v Speaker 1>what you just said, right, you point the nick out

1:26:51.439 --> 1:26:54.200
<v Speaker 1>for snitching. But what you're doing when you're pointing the

1:26:54.240 --> 1:26:58.040
<v Speaker 1>figure you snitched on the snitch. Because what I was

1:26:58.080 --> 1:27:01.320
<v Speaker 1>always told bro, you know uncles man, they stayed in

1:27:01.320 --> 1:27:05.280
<v Speaker 1>the penitential and they told me this exactly. They said, Man,

1:27:05.360 --> 1:27:08.680
<v Speaker 1>if you go expose somebody, you gotta be willing either

1:27:08.800 --> 1:27:11.960
<v Speaker 1>handle your business or don't say nothing at all. It

1:27:12.040 --> 1:27:13.760
<v Speaker 1>was one of them things like handle your business that

1:27:13.800 --> 1:27:17.240
<v Speaker 1>don't say about So I feel I agree he right

1:27:17.280 --> 1:27:20.320
<v Speaker 1>about that, because if I'm saying this nigga snitching, I'm

1:27:20.320 --> 1:27:23.920
<v Speaker 1>snitching that he's snitching. Yeah for real. And if I

1:27:24.000 --> 1:27:26.000
<v Speaker 1>know he funked up, you know what, the best bet,

1:27:26.200 --> 1:27:28.880
<v Speaker 1>the best thing to do is my best bet, stay though,

1:27:29.040 --> 1:27:32.200
<v Speaker 1>fuck away from this knee Like I don't funk with

1:27:32.240 --> 1:27:35.720
<v Speaker 1>you affiliated like you can't call me as I'm just

1:27:36.680 --> 1:27:38.760
<v Speaker 1>yeah for real and there it is. And y'all be

1:27:38.800 --> 1:27:40.840
<v Speaker 1>on the lookout man, because Crowt don't say it to me.

1:27:40.880 --> 1:27:42.840
<v Speaker 1>You can't want to show. I got witnesses. We gotta.

1:27:43.040 --> 1:27:44.639
<v Speaker 1>We got a lot of people to listen to this man.

1:27:44.680 --> 1:27:46.840
<v Speaker 1>So y'all, I got witnesses. Now crossing when I hit

1:27:46.920 --> 1:27:49.160
<v Speaker 1>you up and say, hey, man, I got the shooting

1:27:49.160 --> 1:27:51.320
<v Speaker 1>schedule ready, we're about to do this thing. I want

1:27:51.320 --> 1:27:53.439
<v Speaker 1>to do something on the roadeum for sure. Man, Let's

1:27:53.479 --> 1:27:54.840
<v Speaker 1>do it big. Still. You know I love you, man.

1:27:54.840 --> 1:27:56.280
<v Speaker 1>You the only nigger that could put me out the

1:27:56.280 --> 1:27:58.719
<v Speaker 1>cut man and just make me come out. Man, whenever

1:27:58.760 --> 1:28:00.400
<v Speaker 1>you call them coming, you do. You put up the

1:28:00.400 --> 1:28:04.000
<v Speaker 1>best thing on me for shore. So y'all heard him,

1:28:04.080 --> 1:28:05.960
<v Speaker 1>and we out of here. Hell yeah,