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Speaker 1: Donald. They are making a Lando series for Disney Plus,

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Speaker 1: and uh, Donald, Lover's coming back and I just don't

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Speaker 1: see how anyone could avoid you being on this show.

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Speaker 1: Wait Donald's when did How did I miss this this morning?

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Speaker 1: Oh see, Joel, I had it right. Yeah, this is

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Speaker 1: brand new news. Uh. They think they just dropped a trailer.

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Speaker 1: I haven't watched the trailer trailer. Yeah, I think yeah,

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Speaker 1: somebody was saying that there's some images on Disney Plus,

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Speaker 1: so I'm not sure if they cut a trailer from me. Listen. Wait, Joel,

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Speaker 1: it's already been filmed. No, it hasn't been filmed. No, no, no,

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Speaker 1: I think it's footage from Solo that's been caught up

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Speaker 1: like that, like, yeah, he's in there doing his Lando

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Speaker 1: thing and they're like coming soon and Lando Calrizzi. Listen.

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Speaker 1: I was gonna say, Solo is a good movie. Y'all

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Speaker 1: can hate if you want to and act like so

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Speaker 1: I didn't make it through. Let me just listen. Let

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Speaker 1: me just tell you something right now. It was nothing

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Speaker 1: wrong with Solo. It was a fun Star Wars movie.

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Speaker 1: If it had come out before the Last Jedi, when

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Speaker 1: everybody was kind of over Star Wars for that little

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Speaker 1: bit of time. I promise you it would have been

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Speaker 1: well received. The problem was it was Rogue One, the

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Speaker 1: Last Jedi, and then Solo, all within a year and

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Speaker 1: a half, and Nat freaking made it so everyone was like,

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Speaker 1: I'm not up there. It's too much Star Wars for me.

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Speaker 1: It's too much Star Wars. But listen, listen. If that

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Speaker 1: would have if that were the Force Awakens, Let's say,

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Speaker 1: how about this, now, I'm not gonna go down to wormhole.

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Speaker 1: What if that was one of the if that was

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Speaker 1: one of the first television shows. Let's say that was

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Speaker 1: what The Mandalorian was. If Solo was what the Mandalorian was.

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Speaker 1: When it came on, everybody and it and and and

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Speaker 1: they were like, look, we're not gonna make it a movie.

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Speaker 1: We're just gonna make it a television show. We're gonna

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Speaker 1: do nine episodes of Solo. And the first episode was

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Speaker 1: the movie that we saw. Everybody would be losing them

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Speaker 1: mind on how great Solo was. So don't get me

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Speaker 1: the bullshit. It was just too much Star Wars. Okay

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Speaker 1: for our own podcast, Yeah, exactly. And I also think

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Speaker 1: anytime a directors are replaced with a new director, and

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Speaker 1: that director comes in and has to sort of start

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Speaker 1: from whatever point he's starting. I mean, it's kind of

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Speaker 1: a recipe for a disaster. It's two different movies. There's

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Speaker 1: the there's the Christ and Film movie, and then there's

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Speaker 1: the Ron Horward movie. I would have really liked have

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Speaker 1: seen the Christ And Film movie because they're they're funny dudes.

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Speaker 1: But but but I guess my my assumption was always that

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Speaker 1: they must have gone off too far in there in

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Speaker 1: their own direction. And Kathleen Kennedy, the woman who you

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Speaker 1: can't recognize from her identical twin, probably thought like, Hey,

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Speaker 1: that's not the tone of this. What are you guys doing.

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Speaker 1: I don't know, I don't know what I made that up.

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Speaker 1: I made that up in my head, Joel. But it

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Speaker 1: doesn't that sound like it's realistic. I'm very curious to

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Speaker 1: know the real story of what all went down. I've

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Speaker 1: heard a lot, a lot of rumors, but there's there's

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Speaker 1: nothing convaried. Everyone's being very tight lipped as of now.

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Speaker 1: I think it's a story will hear more about in

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Speaker 1: five or ten years? Well, I think yeah, one day. Yes.

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Speaker 1: Everybody's so excited for the Snyder DC cut and everything

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Speaker 1: like that, is it really going to be better than

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Speaker 1: the Justice League movie? Though? I don't know, but all

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Speaker 1: I can tell you is this, I'm just asking out there.

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Speaker 1: Joel nodded her head like I don't know. Dan nodded

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Speaker 1: his head like I don't know. But everybody bought whatever

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Speaker 1: the HBO Max. Is that what it is? Yeah? Yeah,

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Speaker 1: you have to buy HBO Max? Or is it? If

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Speaker 1: you have you have Hbo? Do you just get HBO Max?

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Speaker 1: You can actually answer this question. If you have a subscription,

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Speaker 1: you do not need to buy it. You can use

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Speaker 1: your can log in like your you're yeah, like if

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Speaker 1: I have it through if I have it through my

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Speaker 1: cable or whatever, I have it, Okay. But if you

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Speaker 1: don't have it and you're like, I'd rather just pay

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Speaker 1: like ten dollars and have the HBO streaming experience, you

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Speaker 1: can do that as well, and it's totally worth it.

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Speaker 1: There's so much content. And when does the Snyder cut drop?

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Speaker 1: That is a Google question. Let me find out, ding

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Speaker 1: And how are you a day? How are you? Well?

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Speaker 1: I'm you know, doing it the best I can. California

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Speaker 1: just reached reached number one in the US with Yeah,

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Speaker 1: congrats everybody, congrats we did. We did a thunderous applause, Dan, No,

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Speaker 1: how about instead of thunderou applause, Dan, you just do

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Speaker 1: thunderous booing. Yeah, jeers, Dan, jeers. We did work, good work,

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Speaker 1: did it? Good work, La, good work, California. We are

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Speaker 1: the worst, dude. We're gonna be making movies and Stad

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Speaker 1: nobody's gonna make anything here. Well, you know it's okay, though,

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Speaker 1: it's okay. We had it coming. We were so freaking

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Speaker 1: and this is Canada's chance, you know, how like if

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Speaker 1: we're in pole position for production and Canada's like, oh shit,

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Speaker 1: and now you can hold in the cars they take

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Speaker 1: it on the turn and then they make a move

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Speaker 1: on turns. Yeah, this is Canada's chance to come in.

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Speaker 1: Just steal all the US production. Good luck. They can

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Speaker 1: do it right now. You can do it right now,

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Speaker 1: right now, Canada. You need to make the incentives even

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Speaker 1: bigger and bam, it's over. Just don't tax us, just

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Speaker 1: don't tax us. Everyone will come. Do you know that

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Speaker 1: the film industry started in my in my hometown, well,

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Speaker 1: my home neighborhood of well Edison's Black Mariah, where he

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Speaker 1: was making the very first films was in West Orange,

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Speaker 1: New Jersey. That's where his laboratory and where he did

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Speaker 1: all his work was. You can actually go there. It's

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Speaker 1: a museum. And the Black Mariah was his first sound stage.

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Speaker 1: I don't know if you guys know this trivia and

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Speaker 1: the Black Mariah was a rectangle or square that sat

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Speaker 1: on a giant circular track and so it could spin.

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Speaker 1: It had a sunroof and it would spin to find

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Speaker 1: the light because Edison needed so much light to make

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Speaker 1: these films that the roof would open and the whole

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Speaker 1: thing would rotate three hundred and sixty degrees to find

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Speaker 1: the sun. And so the movie industry begins and it's like,

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Speaker 1: holy shit, this is a thing. And then someone goes,

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Speaker 1: why are we doing this in New Jersey? Why don't

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Speaker 1: we do this where the sun is always out and

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Speaker 1: it's always seventy five degrees and it's always sunny, and

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Speaker 1: we don't have to We can do whatever the how

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Speaker 1: we want. And that's how this song all the leaders,

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Speaker 1: all the leaves are brown, and the sky is great,

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Speaker 1: and this guy's great California Canyfunia tree on a way Tuesday.

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Speaker 1: Well that was that was a beautiful condition that was

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Speaker 1: written a few years later in the sixties. Okay, but

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Speaker 1: that's about living in Laurel Canyon, and I think right

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Speaker 1: being there's a great documentary on the Laurel Canyon music scene.

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Speaker 1: I highly It's called Laurel Canyon, I believe, and it's

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Speaker 1: on epics UM and there's a two parter and it's

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Speaker 1: about the music scene in the sixties and the seventies

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Speaker 1: and Laurel Canyon, and it's just fucking great if you

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Speaker 1: love music and music documentaries. I do love music and

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Speaker 1: I do. How are you, man? It's I'm good. Heather

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Speaker 1: Locklear's here today. That's a thing that's amazing. First, is

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Speaker 1: she here, Dan, Joel? Is she in the waiting room?

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Speaker 1: Probably we should probably get into this shathering. Nobody leaves

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Speaker 1: Heather in the corner. Only Heather in the corner. I'm nervous.

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Speaker 1: Can I be honest with you that I'm I'm nervous too.

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Speaker 1: I'm gonna be honest with you. Yes, I knew that

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Speaker 1: we had a guest, and I knew that it was

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Speaker 1: someone of importance. Yes I did not. I'm afraid I

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Speaker 1: did not know the magnitude of the guests this week.

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Speaker 1: I did you not know that it was Heather Locklear.

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Speaker 1: She's the only star in the episode that would that

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Speaker 1: we would ask. I mean, who did you think it

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Speaker 1: might be besides Heather Locklear? I thought it was Shay

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Speaker 1: because this is such an important episode. Also, no Shay

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Speaker 1: or specifically requested his story, which I believe is the

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Speaker 1: episode Johnny C voiceovers, Okay, so I think that's one

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Speaker 1: of Shay's favorites. So he said, Shay, you pick because

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Speaker 1: this is such an important story in the whole you know,

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Speaker 1: Scrubs thing. This episode is so important. I never imagine

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Speaker 1: in my whole life that I would ever be in

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Speaker 1: a position to keep Heather lockle You're winning. Let's not

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Speaker 1: doing it before, let's end stop it six seven eight

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Speaker 1: stories about show we made about a bunch of docs

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Speaker 1: and nurses, and Can said, he's the stories. So gather

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Speaker 1: around you. Here are yeado around you? Here? Heather? Can

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Speaker 1: you here? We go? I got so excited. My dogs

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Speaker 1: are all barking. Now, hey, shut up, I'm talking to

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Speaker 1: Heather Locklear. How are you guys? Hi, Heather, we are

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Speaker 1: so excited you're doing this. We're very deep, saying Donald,

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Speaker 1: you look like you're in a closet with clothes. What's

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Speaker 1: going on? Where are he is in a closet with

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Speaker 1: clothes that you nailed it? This is my closet. I

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Speaker 1: share it with my wife. I was hoping because there's

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Speaker 1: some nice thing. Yeah, put something up, something else up,

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Speaker 1: because it was just my golf shirts and stuff. She

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Speaker 1: would like, that's ugly to look at. Let me put

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Speaker 1: Let me put Oh you didn't tell me that those

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Speaker 1: dresses were up as background designed by Casey. I thought

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Speaker 1: that they were outfit she might be wearing soon. Now

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Speaker 1: you're telling me that Donald might be or Donald might

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Speaker 1: be wearing. But you're now you're saying that Casey didn't

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Speaker 1: like the look of the closet on the and decorated

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Speaker 1: a little bit. Yeah, she put up. She put up

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Speaker 1: something so that the backdrop was a little different. Move

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Speaker 1: the camera a little bit. Is so, Zach, you're all

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Speaker 1: happening there? That? Yes, Heather, I I, well, Donald has

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Speaker 1: Donald has two young children, and so he kind of

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Speaker 1: has to hide out in his walking closet to do

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Speaker 1: this here. I put my dog out with my boyfriend

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Speaker 1: because he would ark and be all over and and

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Speaker 1: my daughter just left Donald. I have to say, she

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Speaker 1: just wanted to say that she has a crush on you.

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Speaker 1: I don't think she. Yeah, I don't think she ever

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Speaker 1: saw it Scrubs but she I don't think she was alive.

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Speaker 1: But I think she saw Uptown Girls together. Right, we were.

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Speaker 1: We've been talking about this now, we have so much

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Speaker 1: to ask you. But wait, since you brought it up,

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Speaker 1: let's start with Uptown Girls. Donald's told us a lot

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Speaker 1: of fun memories of making that movie. Howther did you

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Speaker 1: have a good time making that movie? No, he had

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Speaker 1: good friends with the co stars. He really didn't talk

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Speaker 1: to me. I think we had one night out. Yeah.

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Speaker 1: He was really sweet, but he had He was very

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Speaker 1: much in a group, and I was the old lady

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Speaker 1: of everything. So I was like, Okay, that's not it

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Speaker 1: at all. Donald, Were you too cool for school? Sovous?

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Speaker 1: I was so unrvous? Yes I was, he was? He was?

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Speaker 1: He was, trust me. I was. That's so sweet. We

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Speaker 1: had we I think we had one, yeah, just one

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Speaker 1: night out, right, that was it. It was one long night,

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Speaker 1: long night in a line or something. Yeah, yeah, but

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Speaker 1: if yeah, that was it. Fun time. I enjoyed making

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Speaker 1: that movie. I enjoyed being in that city in the summertime.

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Speaker 1: That was so cool. I know. I was like, I'll

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Speaker 1: all go to New York. That's great. It's so rare

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Speaker 1: when someone actually lets you shoot in Manhattan these days

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Speaker 1: or even those days. So when someone's like it's a

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Speaker 1: movie and you're like, okay, I like the script, they're like,

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Speaker 1: and it's shooting in Vancouver. Yeah, exactly, exactly right, that's

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Speaker 1: how it always. We were just saying that how Vancouver

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Speaker 1: has an opportunity right now, right this mo yeah us right,

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Speaker 1: but they could snatch up all the work. I know.

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Speaker 1: We just said that before you, before you came on,

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Speaker 1: and Heather, we were saying that Canada is in a

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Speaker 1: position since the since COVID is just devouring Los Angeles

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Speaker 1: to steal production once and for all. Oh for sure, yeah,

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Speaker 1: just not with us. Yeah we're not allowed in, but

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Speaker 1: maybe one day to let us in. Maybe one day

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Speaker 1: to let us in. We never really wanted to go

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Speaker 1: to Canada so much, I know, and now and now

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Speaker 1: it's exact. It's exactly like like life when someone's like,

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Speaker 1: now we don't now you know. Now we're all like,

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Speaker 1: please let us in, please let be let us be

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Speaker 1: in a relationship with you, right exactly, Heather, I was

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Speaker 1: just looking at your IMDb, and an actor could only

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Speaker 1: dream to have had the length of a career you've had.

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Speaker 1: I mean you have. I can't. I I donald and

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Speaker 1: I can only hope that that we have a fraction

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Speaker 1: of the success you've had over your life. Oh you

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Speaker 1: already do No, No, no, you're started. No, you started right.

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Speaker 1: I'm older than you. Well, I'm older than you. Have

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Speaker 1: time to catch up. You have a smigels. But but

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Speaker 1: you started very young. And now is it true that

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Speaker 1: I was just looking? What was the was chips? Your

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Speaker 1: very first job, That's what I says. It was my

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Speaker 1: first job. My first line, make them stop, please make

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Speaker 1: them stop? Wow. I remember that was good. I would

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Speaker 1: It was actually a group of motorcycle riders throwing a

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Speaker 1: girl up in a blanket. I don't know if it

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Speaker 1: was me or someone else, but I remember for the audition,

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Speaker 1: I was always nervous and um for the audition. I

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Speaker 1: heard the girl before me say make them so please

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Speaker 1: make them stuck, and I'm like, oh, that's the way

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Speaker 1: I'm supposed to do it. So I copied her. You

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Speaker 1: stole her line reading I'm gonna try that. I did.

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Speaker 1: I was Yeah, it was very good. So wait, why

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Speaker 1: so these motorcycle man, I just want to catch the scene.

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Speaker 1: They have a teenage girl in a blanket and they're

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Speaker 1: throwing I think there's two of us and um and

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Speaker 1: I think, yeah, they might be throwing the other girl

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Speaker 1: up in a blanket and there she's so terrified of

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Speaker 1: these guys and I'm screaming, make them stop. I don't

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Speaker 1: know who I'm screaming to. Probably probably to punch, Yeah,

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Speaker 1: probably to punch your job. I hope it was John

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Speaker 1: and Punch that came to your rescue. Yeah, it's like

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Speaker 1: if you're on if you're on Chips and like your

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Speaker 1: storyline didn't involve Punch or John point ye. I wonder

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Speaker 1: if that happen with us, like people like you know, Heather,

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Speaker 1: you got to do two episodes and you got to

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Speaker 1: interact with almost everyone. Yeah, I'd be funny if you

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Speaker 1: came to do a show that was popular and like,

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Speaker 1: you know, your storyline didn't include any of the lead

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Speaker 1: carrect can you imagine You're like, oh, it's that's well. Oh,

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Speaker 1: actually there was something I did. I did the First

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Speaker 1: Wives Club, and um, there was a couple of scenes

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Speaker 1: and there was there was a couple of scenes that

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Speaker 1: they cut out of me, and then the only scene

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Speaker 1: that I had at no lines, and one of the

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Speaker 1: actors were at a funeral and he's supposed to take

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Speaker 1: his hand and touch my breast and they show that

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Speaker 1: and he actually touched more than It was kind of

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Speaker 1: a gross and so I said, can you just take

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Speaker 1: my name off the credit since now I don't have

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Speaker 1: any lines or and you know, I saw everyone from Afar,

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Speaker 1: so it was credit less. So wait, you're in the

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Speaker 1: First Wives Club and the only thing that happens is

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Speaker 1: a man grabs your breasts. He doesn't grab it, he

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Speaker 1: actually outlines my areo low with his finger. I didn't

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Speaker 1: didn't say that in the script. I was like, I'm

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Speaker 1: so glad they're following his hand down because my face,

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Speaker 1: my mouth is fallen open and I can't believe it.

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Speaker 1: And don't do it again. Just one take and let's go.

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Speaker 1: Oh my god. Yeah, you know, I you know, I've

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Speaker 1: never asked someone this, but it's just it must be.

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Speaker 1: It's a it's a blessing because you're such a stunning

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Speaker 1: woman and always have been a sex I think it's

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Speaker 1: safe to say you were a sex symbol because you

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Speaker 1: are you are and were okay, no, you were in

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Speaker 1: art and uh, is it ever? Because Donald and I

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Speaker 1: never faced this problem and we're not sex symbols, But

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Speaker 1: I mean, did you ever feel like did you feel

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Speaker 1: like did you did you sometimes feel like guys like

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Speaker 1: I don't I want to do the part, but I

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Speaker 1: don't want to do that that random sex scene with

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Speaker 1: that guy, Like does that have to be in there?

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Speaker 1: Does that come up? Well, it wasn't really. We were

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Speaker 1: at we were in a funeral. We were on the

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Speaker 1: benches at the church. Yeah, so it was and so

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Speaker 1: there was more to the part. And I had feeling

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Speaker 1: the bigger, bigger scenes, and that's they just thought they

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Speaker 1: I don't know, maybe I was bad in it, and

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Speaker 1: they went, let's just put that. I doubt it. You're

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Speaker 1: one of the viewer. You're one of the very few people.

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Speaker 1: You're one of the very people that we were talking

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Speaker 1: about you because you're one of the very few people

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Speaker 1: that was on two it hit shows at the same time,

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Speaker 1: right right, that was very cool. I tell us about

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Speaker 1: that you were doing you were doing Dynasty, Dynasty and

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Speaker 1: and t J Hooker. First, I could how opposite can

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Speaker 1: you be? Um? And Dynasty. I think they let me

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Speaker 1: go because they were letting someone else go and I'm like, okay,

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Speaker 1: So then I got this other job, t J. Hooker,

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Speaker 1: and then they brought me back. So um, you know

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Speaker 1: I would we work week here in a couple days

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Speaker 1: on Dynasty and it was no big deal. I wasn't

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Speaker 1: the main purse character, so it's only out a few

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Speaker 1: lines in each thing. It wasn't tough at all. It

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Speaker 1: was a big deal because that doesn't ever happen to anybody. Yeah,

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Speaker 1: with two different networks, with a two different networks. Now

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Speaker 1: it was ABC and it was they were both spelling

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Speaker 1: o that. Yeah. Sure did love Heather Locklear. He sure did.

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Speaker 1: And then he passed away. And then I'm like, jobless,

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Speaker 1: don't say that. Don't say you listen to Bill Bill

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Speaker 1: Lawrence Lear Well, I did Spin City and I'm not

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Speaker 1: sure if he was writing on it then or not.

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Speaker 1: I'm not sure what the thing was. Maybe he left,

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Speaker 1: but I think he might have created it. Is that

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Speaker 1: true or not? Yes, he created the show, and I'm

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Speaker 1: sure if he wasn't writing that, he obviously thought you

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Speaker 1: were very funny something. Yeah, but he also you know,

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Speaker 1: Bill is a very one thing about our friends. He's

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Speaker 1: very loyal and when he likes people, he likes to

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Speaker 1: work with them over and over again. So even if

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Speaker 1: he wasn't writing the show at the time, the fact

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Speaker 1: that you were on the show means he was like, oh,

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Speaker 1: you know, he's obviously seen your work and thought, oh,

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Speaker 1: she's so funny, she's so beautiful. And well I befriended

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Speaker 1: his wife, and so now I get Christmas cards. Oh

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Speaker 1: that's the way in. That's the way that is. It's

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Speaker 1: always the wife. Chris. What was t J. Hooker like,

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Speaker 1: because we always hear all these Shatner stories, mostly from

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Speaker 1: Star Trek, but but you knew like Shatner, I mean,

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Speaker 1: this is a long time ago. Well, he was very

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Speaker 1: intimidating to me, and he's like, when you stop speaking, saying,

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Speaker 1: you know, like you can't think for any lines, kind

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Speaker 1: of like on your Sean scrubs, you can't think, you

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Speaker 1: can't go hum, I mean you do, you guys do?

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Speaker 1: Then you have that bubble where you're doing something else.

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Speaker 1: But he would say, if you stop speaking and take

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Speaker 1: I'm gonna start, I'm gonna jump in. So I'm like baa.

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Speaker 1: And it was always like license plate numbers. I'd have

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Speaker 1: to remember, oh, license plate blah blah blah, blah blah,

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Speaker 1: and this and blah blah. And they'd have different fifty

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Speaker 1: different characters in one show, and so I was just

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Speaker 1: delivering them boring information and it made me so nervous.

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Speaker 1: So and he'd look at me and stare and wait,

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Speaker 1: and I'd go and he jumped in and that was

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Speaker 1: about it. He is very intimate. He's Captain Kirk. I

359
00:18:30,960 --> 00:18:34,640
Speaker 1: can understand why he's well, I didn't ever see those shows.

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Speaker 1: So he was the William shat even at the last

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Speaker 1: even at the time, Heather, were you curious to not

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Speaker 1: to go back and see, like, oh, let me see

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Speaker 1: what this was? This guy's the lure of Shatner. Yes,

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Speaker 1: I did. I could see the allure. He's very charming. Um.

365
00:18:48,880 --> 00:18:52,280
Speaker 1: But he's very and he's very funny and very dry. UM.

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Speaker 1: I ended up doing a Boston Legal with him and

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Speaker 1: that was fun. And I was a little older more

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Speaker 1: it seemed closer to his age than I was eighteen

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Speaker 1: um and brand new. Um. But he and then I

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Speaker 1: remember going I think I don't maybe it was Nobu

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Speaker 1: and um I it was he and his wife and

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Speaker 1: we went to some place where you throw the braws

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Speaker 1: off and you put him on the ceiling something like

374
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Speaker 1: something similar, something similar. I don't think it was that,

375
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Speaker 1: but it was another place and I was on the

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Speaker 1: bar and I go, should I take it off? And

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00:19:27,080 --> 00:19:29,159
Speaker 1: I'm thinking he's probably going, why are you asking me?

378
00:19:29,720 --> 00:19:31,399
Speaker 1: And he said sure, and I took it off and

379
00:19:31,440 --> 00:19:42,239
Speaker 1: it's left there somewhere. Um, he's like, why why asking me? Right? Um? Uh?

380
00:19:42,440 --> 00:19:48,200
Speaker 1: What's his name? On a Seinfeld? The little guy who Yes,

381
00:19:48,640 --> 00:19:51,439
Speaker 1: So he is a huge fan of William Shatters And

382
00:19:51,440 --> 00:19:53,840
Speaker 1: if you watch, he goes, tell me what schatters like,

383
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Speaker 1: tell me what he's like. And I'm like, well, sometimes

384
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Speaker 1: he's an asshole, and um, sometimes he's not. But I'm

385
00:20:00,040 --> 00:20:01,399
Speaker 1: He's like, oh I got and I didn't want to,

386
00:20:01,480 --> 00:20:03,720
Speaker 1: you know, say anything there. I mean, there's nothing wrong

387
00:20:03,720 --> 00:20:07,000
Speaker 1: with William Bill but um, so you if you go

388
00:20:07,080 --> 00:20:09,959
Speaker 1: back and watch, you'll see his cadence is similar to

389
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Speaker 1: William Shatner's. Really he was Jerry, Now you have to

390
00:20:14,960 --> 00:20:20,560
Speaker 1: look at it differently. Yeah, coming over, Yeah, coming over, Jerry, exactly,

391
00:20:22,040 --> 00:20:25,720
Speaker 1: point the phasers at the Wow. This is gonna blow

392
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Speaker 1: people's minds. So Jason Alexander was such a big fan

393
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Speaker 1: of William Shatner that if you listen to his cadence,

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Speaker 1: some of it is in the spirit of that unique

395
00:20:33,680 --> 00:20:39,119
Speaker 1: Shatner cadence. Exactly. I want to meet the person. I

396
00:20:39,200 --> 00:20:41,480
Speaker 1: want to meet the person who's a fan like like

397
00:20:41,680 --> 00:20:43,880
Speaker 1: it's such a fan of like Christopher Walking and tries

398
00:20:43,920 --> 00:20:46,520
Speaker 1: to steal his cadence. That's the hardest cadence I've ever

399
00:20:46,560 --> 00:20:48,880
Speaker 1: heard in my life. That is the toughest. I feel

400
00:20:48,920 --> 00:20:54,880
Speaker 1: at home speaking right seeing of wait, by the way,

401
00:20:55,040 --> 00:20:58,200
Speaker 1: you do a great um Jimmy crack corn of Neil

402
00:20:58,280 --> 00:21:03,920
Speaker 1: dim I had. It's stuck in my head. I don't care.

403
00:21:04,960 --> 00:21:07,600
Speaker 1: Only that is the only impersonation that I can do

404
00:21:07,680 --> 00:21:12,240
Speaker 1: that's actually close to it. It's it's it's it's only

405
00:21:12,280 --> 00:21:14,480
Speaker 1: because when I was a kid, I used to watch

406
00:21:14,520 --> 00:21:19,440
Speaker 1: you know, Transformers and and g I Joe after school

407
00:21:20,000 --> 00:21:23,239
Speaker 1: on you know WPI X, and they would always in

408
00:21:23,320 --> 00:21:25,840
Speaker 1: between the shows that they would play a commercial for

409
00:21:26,000 --> 00:21:30,440
Speaker 1: Neil Diamond's greatest hits, Oh my gosh, and I could

410
00:21:30,440 --> 00:21:33,360
Speaker 1: only get the first few lines. I don't I've never

411
00:21:33,400 --> 00:21:36,520
Speaker 1: owned a Neil Diamond record. I've never been to a

412
00:21:36,600 --> 00:21:40,320
Speaker 1: Neil Diamond concert. I've never seen a Neil Diamond movie.

413
00:21:40,720 --> 00:21:43,159
Speaker 1: All I know is that he sang a bunch of

414
00:21:43,200 --> 00:21:45,800
Speaker 1: songs and they went like turn on your hard light,

415
00:21:46,680 --> 00:21:53,360
Speaker 1: a very good let it shine wherever you go around

416
00:21:53,440 --> 00:22:03,360
Speaker 1: the world rocks. Oh my surprise. Now it's the only

417
00:22:04,280 --> 00:22:06,440
Speaker 1: all the years I've known him, Heather, it's the only

418
00:22:06,480 --> 00:22:09,640
Speaker 1: impression he does. Well. Yeah, like they tried to get

419
00:22:09,640 --> 00:22:25,560
Speaker 1: me to do Aaron Nebble, I can't. That's great, that's

420
00:22:25,560 --> 00:22:28,080
Speaker 1: all we got. Now. I'm guessing Jimmy krack Corn is

421
00:22:28,080 --> 00:22:31,679
Speaker 1: probably a public domain song. I'm guessing because they didn't.

422
00:22:32,080 --> 00:22:35,240
Speaker 1: Maybe that's why we chose it because we didn't have

423
00:22:35,240 --> 00:22:39,720
Speaker 1: to pay for it. But all the songs in this episode, Heather, sometimes,

424
00:22:40,080 --> 00:22:42,439
Speaker 1: now that these shows are all streaming, some of the

425
00:22:42,480 --> 00:22:45,760
Speaker 1: songs had to be replaced because the contracts they signed

426
00:22:45,760 --> 00:22:49,479
Speaker 1: for the original show didn't extend to streaming. So, uh,

427
00:22:49,680 --> 00:22:52,000
Speaker 1: this episode I thought really suffered because there was some

428
00:22:52,040 --> 00:22:54,600
Speaker 1: good music in this episode that is all gone. I

429
00:22:54,600 --> 00:22:57,680
Speaker 1: don't know if you guys live. Yeah, I did watch,

430
00:22:58,240 --> 00:23:01,240
Speaker 1: but I didn't well the end to Nellie song right,

431
00:23:01,320 --> 00:23:03,399
Speaker 1: and that was not the song. If you want to

432
00:23:03,440 --> 00:23:13,479
Speaker 1: go and take a rap with me might yeah, and

433
00:23:13,480 --> 00:23:15,960
Speaker 1: then wow, but I just wanted to say that the

434
00:23:16,000 --> 00:23:18,639
Speaker 1: show ends and it's supposed to be like we're on

435
00:23:18,680 --> 00:23:21,680
Speaker 1: a rooftop and in downtown LA, and it's it's like

436
00:23:21,800 --> 00:23:24,560
Speaker 1: and then I was really I was really noticing that

437
00:23:24,560 --> 00:23:28,400
Speaker 1: that song whatever they replace the song, well, was someone

438
00:23:28,440 --> 00:23:36,240
Speaker 1: that went in. I think it was Randall did Spin City. Yeah,

439
00:23:36,280 --> 00:23:38,240
Speaker 1: well he he told Donald and I that he was

440
00:23:38,280 --> 00:23:41,560
Speaker 1: the one who had to oversee someone going, hey, we

441
00:23:41,640 --> 00:23:43,800
Speaker 1: got to f fill in these slots, and so I

442
00:23:43,800 --> 00:23:45,679
Speaker 1: don't know, they're not nearly as good, but I guess

443
00:23:45,880 --> 00:23:48,080
Speaker 1: if you have the DVDs, you're the only person with

444
00:23:48,160 --> 00:23:50,560
Speaker 1: the real all the real original music. But we we

445
00:23:50,640 --> 00:23:53,159
Speaker 1: usually I think I do. Should we get into the recap?

446
00:23:53,480 --> 00:23:55,639
Speaker 1: Let's get into the recap because we've got the how

447
00:23:55,640 --> 00:23:59,840
Speaker 1: they're Lockley, you're here? Um, JANEA. Bachin wrote this episode.

448
00:24:00,320 --> 00:24:01,440
Speaker 1: I mean, do you want me to do that thirty

449
00:24:01,480 --> 00:24:08,359
Speaker 1: minute recap? Oh? Sorry, thirty minutes? Sorry, I forgot Heather. Um,

450
00:24:08,480 --> 00:24:11,679
Speaker 1: we have a new thing there, Donald, it's not new anymore,

451
00:24:11,680 --> 00:24:14,000
Speaker 1: but we keep forgetting it. But Zach keeps forgetting about it.

452
00:24:14,280 --> 00:24:16,080
Speaker 1: I love it. I know why I forget about it.

453
00:24:16,080 --> 00:24:18,320
Speaker 1: I love it. I don't know either. Listen, it's anxiety

454
00:24:18,400 --> 00:24:21,600
Speaker 1: for me. I freaking sit down and I really think

455
00:24:21,600 --> 00:24:24,840
Speaker 1: about it, and sometimes it's good, sometimes it's not. That's

456
00:24:24,840 --> 00:24:27,160
Speaker 1: how it goes anyway, Heather, he is going to sum

457
00:24:27,280 --> 00:24:30,160
Speaker 1: up the whole episode in thirty seconds, and then together

458
00:24:30,240 --> 00:24:32,600
Speaker 1: we'll go through and really parse it all out. But

459
00:24:32,720 --> 00:24:35,480
Speaker 1: now I can stop, watch out, hold on Donald. Okay, listen,

460
00:24:35,480 --> 00:24:37,200
Speaker 1: this might be a little bit longer than thirty seconds,

461
00:24:37,200 --> 00:24:39,520
Speaker 1: but I really like it when you at least try

462
00:24:39,640 --> 00:24:41,560
Speaker 1: to get thirty sets. But then I might miss out

463
00:24:41,560 --> 00:24:44,359
Speaker 1: on things and stutter over my words because I'm so nervous.

464
00:24:44,359 --> 00:24:47,920
Speaker 1: This is this is very nervouacking. But here we go, Marks,

465
00:24:48,000 --> 00:24:51,080
Speaker 1: get set go. This episode's about a bunch of things,

466
00:24:51,119 --> 00:24:54,120
Speaker 1: but mostly it's about double standards. Turke and jd are

467
00:24:54,119 --> 00:24:56,680
Speaker 1: fine if they robbed the hospital, but not each other.

468
00:24:56,960 --> 00:25:00,640
Speaker 1: Con hates his hates the fact that his girlfriend had baggage,

469
00:25:00,680 --> 00:25:03,680
Speaker 1: but winds up having his own. Elliott loves the perks

470
00:25:03,680 --> 00:25:06,240
Speaker 1: of having Daddy take care of everything, but longs to

471
00:25:06,280 --> 00:25:09,640
Speaker 1: make her own career decisions. This is an important episode

472
00:25:09,760 --> 00:25:12,399
Speaker 1: because at the end, all of them are moving forward

473
00:25:12,440 --> 00:25:15,680
Speaker 1: in their personal lives Turken Caller. At the next level

474
00:25:15,880 --> 00:25:18,920
Speaker 1: of their relationship, Jordan and Cox are going to start

475
00:25:18,920 --> 00:25:21,920
Speaker 1: a family, Elliott is stepping away from her comfort zone,

476
00:25:22,000 --> 00:25:24,760
Speaker 1: and the hospital is becoming more of a backdrop, meaning

477
00:25:25,040 --> 00:25:28,080
Speaker 1: this is a sneak peak of what's to come. Oh shit,

478
00:25:28,160 --> 00:25:30,600
Speaker 1: all right, that was amazing. It was amazing. It was

479
00:25:30,640 --> 00:25:33,119
Speaker 1: thirty nine seconds. So in some ways you failed. But

480
00:25:33,200 --> 00:25:35,200
Speaker 1: let me tell you how. You listen, let me tell

481
00:25:35,240 --> 00:25:37,200
Speaker 1: you how didn't give a I don't care. I don't

482
00:25:37,240 --> 00:25:40,479
Speaker 1: care if I feel it anymore. I don't care because

483
00:25:40,560 --> 00:25:42,960
Speaker 1: it could be I'll do a minute one next time.

484
00:25:43,040 --> 00:25:45,000
Speaker 1: I want to give you a genuine compliment. Do a

485
00:25:45,119 --> 00:25:48,240
Speaker 1: minute one next time. I want to give you a

486
00:25:48,280 --> 00:25:51,879
Speaker 1: genuine compliment. Donald, that was real, not no bullshit. That

487
00:25:52,000 --> 00:25:55,800
Speaker 1: was a very good summary, and you actually highlighted things

488
00:25:55,800 --> 00:25:58,320
Speaker 1: that I didn't even see. I saw what you're saying

489
00:25:58,320 --> 00:26:02,800
Speaker 1: in terms of the episode being um being about new

490
00:26:02,880 --> 00:26:04,399
Speaker 1: chapters in a sense, but I didn't think of it

491
00:26:04,440 --> 00:26:07,439
Speaker 1: in the macro like, oh, this is a shift in

492
00:26:07,440 --> 00:26:11,200
Speaker 1: in in the show in that we tease the marriage,

493
00:26:11,240 --> 00:26:15,320
Speaker 1: We tease Johnny C and Christa getting back together. Um,

494
00:26:16,080 --> 00:26:19,000
Speaker 1: we tease Elliott going off on her own. Right, Elliott

495
00:26:19,119 --> 00:26:21,520
Speaker 1: is separating from her parents, and and and and being

496
00:26:21,560 --> 00:26:24,800
Speaker 1: financially independent, and JD realizing he's about to be in

497
00:26:24,880 --> 00:26:27,520
Speaker 1: limbo at the end of the episode, right j JD

498
00:26:27,680 --> 00:26:30,520
Speaker 1: nervous about losing his best friend because Carlos says the

499
00:26:30,560 --> 00:26:34,439
Speaker 1: word we about Turk and her and and he's like, whoa, whoa, whoa, whoa,

500
00:26:34,520 --> 00:26:36,359
Speaker 1: what's happening here? Am I gonna lose my best friend?

501
00:26:36,800 --> 00:26:40,200
Speaker 1: So my point is that was very good because your

502
00:26:40,359 --> 00:26:43,360
Speaker 1: your summary was not just hey, here are the facts.

503
00:26:43,640 --> 00:26:46,800
Speaker 1: It had some insight into it. I will gladly give

504
00:26:46,880 --> 00:26:49,840
Speaker 1: up those nine seconds of failure appreciate the insight. So

505
00:26:49,880 --> 00:26:53,040
Speaker 1: that thunders applause Dan, thunders applause Dan, Dan, I'm going

506
00:26:53,080 --> 00:26:57,080
Speaker 1: to approve that thunderous applause. Second, I wonder if we

507
00:26:57,080 --> 00:27:00,440
Speaker 1: should make it so when we add these thunder supplause

508
00:27:00,440 --> 00:27:02,440
Speaker 1: sound of x if if we both need to improve

509
00:27:03,000 --> 00:27:05,280
Speaker 1: it's like it's like, you know, in the Nuclear Code

510
00:27:05,280 --> 00:27:07,720
Speaker 1: where they both have to turn their key. Oh yeah, yeah.

511
00:27:08,920 --> 00:27:12,359
Speaker 1: That's my favorite part of Superman of three with Richard

512
00:27:12,359 --> 00:27:15,399
Speaker 1: Pryor in it, where he's pretending he's drunk and he

513
00:27:15,440 --> 00:27:17,480
Speaker 1: has to put the keys in at the same time,

514
00:27:17,680 --> 00:27:20,920
Speaker 1: and he makes he makes a little uh, not a concoction,

515
00:27:20,960 --> 00:27:24,120
Speaker 1: but like a little uh levy using another person. If

516
00:27:24,119 --> 00:27:26,040
Speaker 1: you ever go to the opportunity, what about the beginning

517
00:27:26,040 --> 00:27:27,720
Speaker 1: of war games? What about the beginning of war games

518
00:27:27,720 --> 00:27:30,000
Speaker 1: when they go turn your key, sir put the turn

519
00:27:30,080 --> 00:27:32,760
Speaker 1: your key and he puts his gun. Yeah, oh that

520
00:27:32,840 --> 00:27:36,280
Speaker 1: was a great scene. Love it. Sorry, Heather, we sometimes

521
00:27:36,280 --> 00:27:41,040
Speaker 1: have trouble staying on to love me. Thanks to look

522
00:27:41,080 --> 00:27:46,720
Speaker 1: for this podcast should be called a digression. That's okay.

523
00:27:46,720 --> 00:27:48,760
Speaker 1: It's some people. I see some people on the web.

524
00:27:48,880 --> 00:27:50,880
Speaker 1: We're commenting like, I really enjoy it, but they don't

525
00:27:50,880 --> 00:27:53,000
Speaker 1: always talk about the episode. I'm like, well, guys, that's

526
00:27:53,040 --> 00:27:55,399
Speaker 1: the show. This is the show. That the show, the

527
00:27:55,400 --> 00:27:59,600
Speaker 1: show is there, right, the show is this right? We

528
00:27:59,640 --> 00:28:03,280
Speaker 1: also have okay, so they all they talk about things

529
00:28:03,280 --> 00:28:05,639
Speaker 1: I don't know where Yeah, all right, so um. The

530
00:28:05,680 --> 00:28:08,520
Speaker 1: first thing I laughed at out loud was when I

531
00:28:08,640 --> 00:28:11,960
Speaker 1: walk in Carla is in the apartment and I pick

532
00:28:12,040 --> 00:28:15,720
Speaker 1: up our taxidermy dog to hide my my tidy whities,

533
00:28:16,359 --> 00:28:18,720
Speaker 1: and Donald walks and he goes, don't use rowdy to

534
00:28:18,760 --> 00:28:27,440
Speaker 1: cover up your giblets. The dialogue is excellent. Weird word

535
00:28:27,520 --> 00:28:30,680
Speaker 1: for what A weird word for what? A great word

536
00:28:30,880 --> 00:28:35,000
Speaker 1: for grin giblets. I like it giblets. It it sounds

537
00:28:35,000 --> 00:28:38,480
Speaker 1: like what what is it? Gizzards? To me? Like, what

538
00:28:38,560 --> 00:28:41,360
Speaker 1: are giblets? What are giblets? It's the extra it's the

539
00:28:41,400 --> 00:28:45,840
Speaker 1: extra stuff my biscuits. A burning giblets are the stuff

540
00:28:45,840 --> 00:28:48,560
Speaker 1: you don't use when you cook a turkey, right, chicken

541
00:28:49,000 --> 00:28:51,800
Speaker 1: or chi whatever? I don't know. I thought take it

542
00:28:51,800 --> 00:28:56,800
Speaker 1: out that I don't know. That culinary term for edible

543
00:28:56,880 --> 00:29:00,600
Speaker 1: awful of a foul a, typically includes the heart, the

544
00:29:00,760 --> 00:29:04,200
Speaker 1: actual gizzards, liver, and other organs. There you go, I

545
00:29:04,240 --> 00:29:08,040
Speaker 1: know what those other ones are. Yeah, yeah, No one

546
00:29:09,200 --> 00:29:15,520
Speaker 1: cooks chicken penis. It might be a delicacy somewhere about

547
00:29:15,520 --> 00:29:19,400
Speaker 1: to say, you never know. You never know either do

548
00:29:19,440 --> 00:29:22,960
Speaker 1: you like eating weird stuff or or are you conservatively

549
00:29:23,160 --> 00:29:26,960
Speaker 1: you're you know, no, I eat like what's weird giblets?

550
00:29:27,160 --> 00:29:29,200
Speaker 1: I don't. I'm not saying eat giblets, but like to

551
00:29:29,320 --> 00:29:32,400
Speaker 1: eat like, you know, when you're out and about and

552
00:29:32,440 --> 00:29:34,680
Speaker 1: someone says, oh, tried this weird food. Do you do

553
00:29:34,720 --> 00:29:36,200
Speaker 1: you do that? Because I normally don't, I'm like, no,

554
00:29:36,240 --> 00:29:38,720
Speaker 1: I'm gonna have you ever had have you ever had snails? No,

555
00:29:38,760 --> 00:29:42,080
Speaker 1: I've never had a cargo I have. That's good, but no,

556
00:29:42,160 --> 00:29:44,960
Speaker 1: I usually ask for someone else to taste it first

557
00:29:45,160 --> 00:29:50,520
Speaker 1: and look at their face. Donald, Donald, are you an

558
00:29:50,520 --> 00:29:54,640
Speaker 1: adventurous I don't think you don't you like what you like.

559
00:29:55,200 --> 00:29:57,560
Speaker 1: I don't around with food, man, but you like sushi.

560
00:29:57,960 --> 00:30:00,560
Speaker 1: I do like sushi, and I like Let's And texture

561
00:30:00,640 --> 00:30:02,520
Speaker 1: is a big deal for me. And if I know

562
00:30:02,560 --> 00:30:06,040
Speaker 1: what it is and then the texture is what I

563
00:30:06,040 --> 00:30:08,760
Speaker 1: imagine it would be like, then I have a problem

564
00:30:08,760 --> 00:30:11,040
Speaker 1: with it. Like somebody was like, do you like beef tongue?

565
00:30:11,480 --> 00:30:14,640
Speaker 1: And I was like, absolutely not. No. And it's all

566
00:30:14,680 --> 00:30:17,160
Speaker 1: because when I was younger, I tried it and my

567
00:30:17,480 --> 00:30:20,560
Speaker 1: grandmother made it and I tried it and it tasted

568
00:30:20,760 --> 00:30:23,560
Speaker 1: exactly well, it didn't taste like but it felt in

569
00:30:23,560 --> 00:30:26,320
Speaker 1: my mouth exactly what I thought a tongue would feel like.

570
00:30:26,720 --> 00:30:30,160
Speaker 1: If you can always like, just check your own tongue

571
00:30:30,200 --> 00:30:32,680
Speaker 1: and it's probably like that, yeah, exactly what it was

572
00:30:32,920 --> 00:30:34,440
Speaker 1: like chewing on my own tongue. And I was like,

573
00:30:34,480 --> 00:30:36,720
Speaker 1: I'll never ever ever see it in there, and like

574
00:30:36,760 --> 00:30:39,480
Speaker 1: the deli counter, they'll be just like a giant beef tongue.

575
00:30:39,480 --> 00:30:44,480
Speaker 1: It's I don't like that. Those those people eat brains too,

576
00:30:44,520 --> 00:30:47,120
Speaker 1: they eat cal brains, right, Yeah, no, I you know,

577
00:30:47,160 --> 00:30:49,280
Speaker 1: it's a delicacy in some places. It's like it's like

578
00:30:49,280 --> 00:30:53,720
Speaker 1: watching Indiana Jones and the Temple of Doom Chilled monkey Brain. Yeah,

579
00:30:53,840 --> 00:30:57,000
Speaker 1: as we talked about that movie gave me nightmares. Yeah. Um,

580
00:30:57,400 --> 00:31:01,480
Speaker 1: this was a big episode, yeah, from me in particular.

581
00:31:01,520 --> 00:31:03,680
Speaker 1: When I look back at it now, it's even bigger.

582
00:31:04,000 --> 00:31:08,840
Speaker 1: Ken Winningham, the first black director Scrubs has ever had, yes,

583
00:31:09,680 --> 00:31:12,600
Speaker 1: directed this episode. Yeah, I think this is its first

584
00:31:12,600 --> 00:31:16,200
Speaker 1: time directing it too. And Ken's a very good director,

585
00:31:16,320 --> 00:31:18,760
Speaker 1: and he became one of our regulars because we love

586
00:31:18,840 --> 00:31:22,240
Speaker 1: Ken Winningham. He's gone on to direct so many shows.

587
00:31:21,720 --> 00:31:25,320
Speaker 1: He's directs pretty much everything. He's directed pretty much everything.

588
00:31:25,760 --> 00:31:28,880
Speaker 1: But I remember thinking, I remember thinking about it, Oh

589
00:31:28,960 --> 00:31:33,000
Speaker 1: they hired a brother. Okay, Um, so that that was good?

590
00:31:33,000 --> 00:31:36,000
Speaker 1: I mean that was that made you feel? Um like

591
00:31:36,040 --> 00:31:38,720
Speaker 1: okay about obviously about time, guys, it's like middle of

592
00:31:38,800 --> 00:31:42,680
Speaker 1: season two. How about some people of different minorities that

593
00:31:42,720 --> 00:31:45,040
Speaker 1: are directing the show? Right? We did, we had had

594
00:31:45,040 --> 00:31:47,240
Speaker 1: a had we had a woman, we'd had a couple

595
00:31:47,240 --> 00:31:50,440
Speaker 1: of women director already at this point, maybe Gail Mancuso.

596
00:31:50,520 --> 00:31:54,640
Speaker 1: I think, yeah, but I mean now and now this

597
00:31:54,680 --> 00:31:58,480
Speaker 1: is twenty years later, this is still a big conversation. Yeah,

598
00:31:58,480 --> 00:32:00,920
Speaker 1: it's what it is, right and you know, you know,

599
00:32:00,960 --> 00:32:03,680
Speaker 1: we've still got to make these moves. But it's it's

600
00:32:03,680 --> 00:32:05,720
Speaker 1: it's what it is, and it's time for it's time

601
00:32:05,760 --> 00:32:08,920
Speaker 1: to change that. We got to restart coming up soon.

602
00:32:09,040 --> 00:32:14,400
Speaker 1: So that's that's uh now now in again, I think

603
00:32:14,440 --> 00:32:17,040
Speaker 1: in a in a good way, there's a mandate making

604
00:32:17,080 --> 00:32:19,480
Speaker 1: sure people do it's you know, the networks in the studios.

605
00:32:19,640 --> 00:32:22,160
Speaker 1: I've really said when when we meet our show alex Sync,

606
00:32:22,200 --> 00:32:24,479
Speaker 1: they said, no, we want you know, it isn't It

607
00:32:24,520 --> 00:32:27,000
Speaker 1: isn't like oh, you guys can do whatever you want.

608
00:32:27,000 --> 00:32:28,840
Speaker 1: It's like, no, we would like a certain amount of

609
00:32:29,400 --> 00:32:31,600
Speaker 1: minorities to be represented, we'd like a certain amount of

610
00:32:31,640 --> 00:32:33,720
Speaker 1: women to be represented. And I think that that's really

611
00:32:33,720 --> 00:32:37,520
Speaker 1: great and only getting better. I agree with you. Let's

612
00:32:37,520 --> 00:32:40,080
Speaker 1: go to break, guys, We're gonna go to break and

613
00:32:40,240 --> 00:32:52,400
Speaker 1: be right back with Heather Lock. Were anybody um I'm

614
00:32:52,440 --> 00:32:55,600
Speaker 1: weeping at two fifty four because doctor Cox I think

615
00:32:56,080 --> 00:32:58,440
Speaker 1: winked at me, and that's how happy I am. That

616
00:32:58,560 --> 00:33:05,320
Speaker 1: is approve. Were those real tears or did somebody? No? No,

617
00:33:05,400 --> 00:33:07,920
Speaker 1: I mean when I'm doing a dramatic thing, I can

618
00:33:08,040 --> 00:33:10,760
Speaker 1: get myself there. But in a comedic cart in no way,

619
00:33:10,760 --> 00:33:12,880
Speaker 1: am I just gonna start bawling? All right? I want

620
00:33:12,880 --> 00:33:14,200
Speaker 1: to ask you, I want to ask you to do it.

621
00:33:14,480 --> 00:33:17,680
Speaker 1: Can you do that? Can you cry on cue? No? Right,

622
00:33:17,960 --> 00:33:20,960
Speaker 1: it's very hard. I mean I want you to tell

623
00:33:20,960 --> 00:33:23,640
Speaker 1: the Garden State story, dude, tell the story of Natalie

624
00:33:23,640 --> 00:33:25,720
Speaker 1: Portman and tell the story of you. The two different

625
00:33:25,800 --> 00:33:29,320
Speaker 1: versions of crying in that movie. Well, Natalie is very

626
00:33:29,360 --> 00:33:32,200
Speaker 1: good at that. Natalie Um like some actresses I know.

627
00:33:32,600 --> 00:33:35,240
Speaker 1: Can Sarah Chawk's another person I know who can do this,

628
00:33:35,320 --> 00:33:36,720
Speaker 1: can kind of go off in the corner for a

629
00:33:36,720 --> 00:33:39,840
Speaker 1: minute and get herself into a head place. Yeah, and

630
00:33:39,880 --> 00:33:42,480
Speaker 1: then and then do it and cry for me. And

631
00:33:42,520 --> 00:33:43,960
Speaker 1: then Garden State she had to do that a lot

632
00:33:44,000 --> 00:33:48,960
Speaker 1: because she had some some crying moments for me. I

633
00:33:49,240 --> 00:33:52,440
Speaker 1: actually was a blessing in disguise because when there was

634
00:33:52,480 --> 00:33:55,640
Speaker 1: a scene in in the in a bathtub, empty bathtub

635
00:33:55,640 --> 00:33:58,160
Speaker 1: where we're sitting and I was meant to cry and

636
00:33:58,320 --> 00:34:01,240
Speaker 1: I there was a we shot the i'd master shot first,

637
00:34:01,280 --> 00:34:03,800
Speaker 1: and and and like I said, just being in that

638
00:34:03,880 --> 00:34:05,760
Speaker 1: moment and with such a good actress, and it was

639
00:34:05,800 --> 00:34:09,879
Speaker 1: so real. It genuinely happened, and I cried and it

640
00:34:09,960 --> 00:34:14,439
Speaker 1: was a powerful moment, except that it was the big

641
00:34:14,480 --> 00:34:17,640
Speaker 1: wide master right and um, and the camera wasn't going

642
00:34:17,719 --> 00:34:18,920
Speaker 1: to see most of that. It was just sort of

643
00:34:19,000 --> 00:34:21,560
Speaker 1: establishing the room. The trick for those of you who

644
00:34:21,600 --> 00:34:23,640
Speaker 1: aren't in the entertainment sustry and doing what we do

645
00:34:23,719 --> 00:34:25,520
Speaker 1: is now you're gonna to do that over and over

646
00:34:25,600 --> 00:34:27,319
Speaker 1: and over again. You're gonna have to do it when

647
00:34:27,320 --> 00:34:28,920
Speaker 1: the when the medium shot, you have to do it,

648
00:34:28,920 --> 00:34:30,080
Speaker 1: when it's a close up. You're gonna have to do

649
00:34:30,080 --> 00:34:33,239
Speaker 1: it when it's over Natalie's shoulder. And for me, that

650
00:34:33,320 --> 00:34:36,120
Speaker 1: was close to impossible to just keep being able to

651
00:34:36,160 --> 00:34:39,719
Speaker 1: emulate what had happened naturally in the wide shot. But

652
00:34:39,760 --> 00:34:42,320
Speaker 1: that's the that's the task of a of an actor,

653
00:34:42,360 --> 00:34:45,200
Speaker 1: but for me it was But but I was also directing,

654
00:34:45,239 --> 00:34:47,760
Speaker 1: so then I had to go, Okay, this isn't gonna match,

655
00:34:47,920 --> 00:34:51,120
Speaker 1: and you know what, maybe it's too much. So I

656
00:34:51,160 --> 00:34:54,040
Speaker 1: decided just to just on on the spot, go if

657
00:34:54,040 --> 00:34:57,200
Speaker 1: it's not happening naturally. I don't want it to be

658
00:34:57,320 --> 00:35:00,600
Speaker 1: this false. So then it became I only shed one

659
00:35:00,640 --> 00:35:03,279
Speaker 1: single tear, and then we had a joke about her

660
00:35:03,320 --> 00:35:07,200
Speaker 1: collecting it in a little plastic cup. But but so

661
00:35:07,239 --> 00:35:08,960
Speaker 1: that that was kind of how I help, because when

662
00:35:08,960 --> 00:35:10,319
Speaker 1: I was directing, I felt like, you know, if it's

663
00:35:10,360 --> 00:35:12,440
Speaker 1: forced and it's false, and it's weird that I'd rather

664
00:35:12,480 --> 00:35:14,879
Speaker 1: not have it even be in the in the show,

665
00:35:15,000 --> 00:35:17,240
Speaker 1: is that what you meant to supermedi itself? The exact

666
00:35:17,280 --> 00:35:19,200
Speaker 1: story I was talking about. I found that such. I

667
00:35:19,320 --> 00:35:22,360
Speaker 1: found that so fascinating. It was like the scene was

668
00:35:22,400 --> 00:35:26,759
Speaker 1: supposed to be something else, and you you know, you

669
00:35:26,840 --> 00:35:33,160
Speaker 1: blew your wad in the first your first in the yeah,

670
00:35:33,200 --> 00:35:35,200
Speaker 1: and now it's and now it's time to do it again,

671
00:35:35,239 --> 00:35:37,600
Speaker 1: and it's like, all right, well we're not gonna get that.

672
00:35:38,560 --> 00:35:41,120
Speaker 1: And you turned it. You turned the negative into a positive.

673
00:35:41,160 --> 00:35:43,920
Speaker 1: And it's actually one of the more powerful scenes in

674
00:35:44,000 --> 00:35:46,759
Speaker 1: the movie. Yeah, thank you, thank you, it's pretty great.

675
00:35:47,040 --> 00:35:50,719
Speaker 1: Thank you, no, no go you guys. I was going

676
00:35:50,800 --> 00:35:53,120
Speaker 1: to say that it's a it's a good lesson for

677
00:35:53,480 --> 00:35:57,480
Speaker 1: filmmakers out there. Um, it doesn't have to be related

678
00:35:57,480 --> 00:36:00,719
Speaker 1: to tears, but about about adapting. So something happens and

679
00:36:00,800 --> 00:36:02,279
Speaker 1: you go and I've had this happen. You know, when

680
00:36:02,320 --> 00:36:04,360
Speaker 1: you're directing something, whether it's a music video or a

681
00:36:04,360 --> 00:36:07,439
Speaker 1: giant feature film, every day something is going to happen

682
00:36:07,440 --> 00:36:09,319
Speaker 1: where you're gonna go, Okay, that's not according to plan.

683
00:36:10,320 --> 00:36:12,560
Speaker 1: Is this a blessing in disguise? So for me in

684
00:36:12,600 --> 00:36:15,759
Speaker 1: this example Donald's talking about, it was like being able

685
00:36:15,800 --> 00:36:18,840
Speaker 1: to cry NonStop for for hours was just not going

686
00:36:18,920 --> 00:36:21,000
Speaker 1: to happen. It just wasn't what my head wasn't in

687
00:36:21,000 --> 00:36:22,960
Speaker 1: that space. I was also directing the movie and had

688
00:36:23,000 --> 00:36:25,560
Speaker 1: so much anxiety going on. So then it was like shifting, Well,

689
00:36:25,600 --> 00:36:27,719
Speaker 1: what if it's not that. Maybe maybe bawling like that

690
00:36:27,840 --> 00:36:30,200
Speaker 1: is way too much for this character. What if it's if?

691
00:36:30,280 --> 00:36:32,000
Speaker 1: What if it's actually a joke that all I can

692
00:36:32,040 --> 00:36:35,319
Speaker 1: produce is one tier and we laugh about it. So

693
00:36:35,360 --> 00:36:38,279
Speaker 1: sometimes just going with it and coming up with a

694
00:36:38,360 --> 00:36:40,640
Speaker 1: new plan on the spot is one of the most

695
00:36:40,719 --> 00:36:45,440
Speaker 1: crucial things of being a filmmaker, but also a lot

696
00:36:45,480 --> 00:36:48,080
Speaker 1: of blessings in disguise can come out of it. Usually

697
00:36:48,080 --> 00:36:50,880
Speaker 1: when I'm in that place, the director says, don't blow

698
00:36:50,880 --> 00:36:53,239
Speaker 1: it on this master, we're gonna it's going to be

699
00:36:53,280 --> 00:36:55,120
Speaker 1: for a second and then we'll come in and do that.

700
00:36:55,480 --> 00:36:57,600
Speaker 1: But I do find what you said. I mean, I

701
00:36:58,880 --> 00:37:02,560
Speaker 1: I don't think tears unless it's like for whatever reason

702
00:37:03,120 --> 00:37:05,680
Speaker 1: is called for. I think the real moment is when

703
00:37:05,680 --> 00:37:07,600
Speaker 1: you're in the moment, and if it comes, it comes,

704
00:37:07,600 --> 00:37:09,720
Speaker 1: But usually your face and your heart starts to happen,

705
00:37:09,760 --> 00:37:12,200
Speaker 1: and all kinds of stuff happen. It becomes more real.

706
00:37:12,560 --> 00:37:15,520
Speaker 1: Rather than showing something and trying to get to show something,

707
00:37:16,120 --> 00:37:18,640
Speaker 1: it's whatever else has I agree, it never feels as

708
00:37:18,640 --> 00:37:20,439
Speaker 1: good as a pet peeve of mine when you watch

709
00:37:20,600 --> 00:37:23,720
Speaker 1: so many movies and TV shows where someone is crying

710
00:37:23,960 --> 00:37:27,560
Speaker 1: but there aren't tears coming down their face. Yeah, next

711
00:37:27,560 --> 00:37:29,680
Speaker 1: time you watch it a crying scene, notice if the

712
00:37:29,719 --> 00:37:33,400
Speaker 1: persons has actual tears in their eyes, because a lot

713
00:37:33,440 --> 00:37:36,000
Speaker 1: of times they're scrunging up their face and making the noises,

714
00:37:36,440 --> 00:37:38,680
Speaker 1: which is just a huge pet peeve of mine. I

715
00:37:38,880 --> 00:37:41,600
Speaker 1: would if the moment, if it's a necessity and the

716
00:37:41,600 --> 00:37:45,439
Speaker 1: project needs it, there are there's mental blow in their eyes.

717
00:37:45,480 --> 00:37:47,799
Speaker 1: There's all sorts of tricks like if it's mandatory, go

718
00:37:47,960 --> 00:37:50,600
Speaker 1: do it, go fake it, but don't don't do the

719
00:37:50,600 --> 00:37:53,719
Speaker 1: there's no water in your eyes, crunch up face thing.

720
00:37:53,760 --> 00:37:57,000
Speaker 1: I hate that. I feel like Jane Fonda did that

721
00:37:57,080 --> 00:37:59,440
Speaker 1: on a Golden Pond or something. She talked about that

722
00:37:59,480 --> 00:38:01,840
Speaker 1: she had no tears left or something. I don't remember

723
00:38:01,880 --> 00:38:05,279
Speaker 1: something like that, but yeah, I think whatever the real

724
00:38:05,280 --> 00:38:08,000
Speaker 1: moment is is, if there's not a tear, yeah, just

725
00:38:08,080 --> 00:38:11,440
Speaker 1: don't fake it. Just go Yeah. People have reactions about

726
00:38:11,440 --> 00:38:14,040
Speaker 1: stuff and it's no tears come out, of course. And

727
00:38:14,080 --> 00:38:16,840
Speaker 1: also sometimes even as a writer, I find myself writing

728
00:38:16,840 --> 00:38:20,879
Speaker 1: something where I'll go, you know, in the script, I'll write,

729
00:38:20,960 --> 00:38:23,480
Speaker 1: she hears the news and instantly breaks down crying, and

730
00:38:24,080 --> 00:38:26,439
Speaker 1: and then you think, in reality, a lot of times

731
00:38:26,440 --> 00:38:28,520
Speaker 1: people that doesn't happen at all. You might cry later,

732
00:38:29,000 --> 00:38:32,080
Speaker 1: but in the moment of hearing it, you're just fucking dumbfounded.

733
00:38:32,120 --> 00:38:34,279
Speaker 1: You're sitting there life like, you know what I mean.

734
00:38:35,200 --> 00:38:37,000
Speaker 1: And I have to catch yourself as I have to

735
00:38:37,040 --> 00:38:40,360
Speaker 1: catch myself as a writer going be very sparing with

736
00:38:40,360 --> 00:38:44,160
Speaker 1: with with with tears direction and yeah, of course, because

737
00:38:44,680 --> 00:38:47,960
Speaker 1: that might happen naturally, but also it can get especially

738
00:38:47,960 --> 00:38:49,759
Speaker 1: it's tricky when you're writing. I'm one of the things

739
00:38:49,800 --> 00:38:52,080
Speaker 1: I'm working on now is this is this drama and

740
00:38:52,120 --> 00:38:53,800
Speaker 1: I have to find you have to find those moments

741
00:38:53,840 --> 00:38:55,719
Speaker 1: so it doesn't feel like, oh my god, there's all

742
00:38:55,760 --> 00:38:58,919
Speaker 1: these these tears and how do you do that when

743
00:38:59,080 --> 00:39:01,719
Speaker 1: the stuff you're talking it is very heavy? Well, what

744
00:39:01,840 --> 00:39:04,799
Speaker 1: happens in real life? You know? We donald, I just

745
00:39:04,800 --> 00:39:06,759
Speaker 1: had a friend die. Of course I cried, but I

746
00:39:06,880 --> 00:39:10,080
Speaker 1: got sorry, thank you. But nine times out of ten,

747
00:39:10,120 --> 00:39:12,400
Speaker 1: I was more sitting there like this, dumbfounded with my

748
00:39:12,719 --> 00:39:14,880
Speaker 1: with my head in my hands and my jaw dropped.

749
00:39:15,239 --> 00:39:17,080
Speaker 1: You know, So you gotta you gotta remind yourselves about

750
00:39:17,120 --> 00:39:19,840
Speaker 1: what's what's real, what's what's really, what's what's strong, what

751
00:39:19,920 --> 00:39:22,600
Speaker 1: really happens. I remember doing a scene for Dynasty. I

752
00:39:22,640 --> 00:39:24,759
Speaker 1: don't think I've ever been angry in my life, you know,

753
00:39:24,800 --> 00:39:28,920
Speaker 1: in that up to that time, and um, I was angry,

754
00:39:28,920 --> 00:39:32,680
Speaker 1: but I'm so angry. I started crying, and uh, I

755
00:39:32,680 --> 00:39:35,359
Speaker 1: think they were like, what the festally doing? But that

756
00:39:35,480 --> 00:39:37,560
Speaker 1: was a real emotion for where probably just for me,

757
00:39:38,000 --> 00:39:40,399
Speaker 1: you know, because being angry and that brought it about.

758
00:39:40,480 --> 00:39:43,200
Speaker 1: But they ended up did they use it? Oh good? Yeah?

759
00:39:43,560 --> 00:39:46,560
Speaker 1: I love that stuff. I love happy accidents, you know,

760
00:39:47,000 --> 00:39:49,440
Speaker 1: you know. Yeah, in the in the comedy world, we

761
00:39:49,520 --> 00:39:51,640
Speaker 1: are always you know, it goes without saying you're trying

762
00:39:51,640 --> 00:39:53,440
Speaker 1: to keep those moments in. You know, we riffed something,

763
00:39:53,480 --> 00:39:56,160
Speaker 1: we think it's funny, but in the drama space too,

764
00:39:56,239 --> 00:39:58,879
Speaker 1: you want to be like, oh my god, Heather got

765
00:39:58,960 --> 00:40:03,640
Speaker 1: so fucking she started crying. Eureka, that was natural, that

766
00:40:03,760 --> 00:40:06,120
Speaker 1: was real, Like keep it like, that's the stuff, that's

767
00:40:06,120 --> 00:40:09,799
Speaker 1: the that's the precious things we all stumble into, you know, Yes, yeah,

768
00:40:09,840 --> 00:40:13,359
Speaker 1: it's amazing what we started someone was comedically. I can

769
00:40:13,440 --> 00:40:17,360
Speaker 1: never do it comedically, so right that Meg Ryan scene

770
00:40:17,560 --> 00:40:21,279
Speaker 1: in Freaking when Harry met Sally when he comes over

771
00:40:21,480 --> 00:40:26,479
Speaker 1: and she's crying because uh, she's gonna be thirty soon

772
00:40:26,600 --> 00:40:30,040
Speaker 1: and he's like when she's like some day and she's crying,

773
00:40:32,480 --> 00:40:36,279
Speaker 1: but it's there. That's one of the best scenes ever

774
00:40:36,440 --> 00:40:39,600
Speaker 1: in the history of that That that's scene right there.

775
00:40:39,840 --> 00:40:43,839
Speaker 1: That was your favorite comedic that's your favorite comedic crying moment? Yeah,

776
00:40:44,320 --> 00:40:48,160
Speaker 1: easily one of That is my favorite comedic crying. Sarah

777
00:40:48,239 --> 00:40:50,799
Speaker 1: Chuk was good at doing it for real on this

778
00:40:50,840 --> 00:40:53,399
Speaker 1: show because she had times, I think even we've talked

779
00:40:53,400 --> 00:40:56,680
Speaker 1: about it where she had to be like, you know,

780
00:40:57,040 --> 00:40:59,320
Speaker 1: crying pretty much on cute, not even from a dramatic

781
00:40:59,320 --> 00:41:06,120
Speaker 1: moment from like from like, yeah, it's pretty hard, I think, Yeah, analgesic. Now,

782
00:41:06,160 --> 00:41:11,359
Speaker 1: I didn't know what what an analgesic was. It's aspirin um. Yeah,

783
00:41:11,360 --> 00:41:14,040
Speaker 1: but we've always laughed at this joke because your patient

784
00:41:14,160 --> 00:41:17,239
Speaker 1: thinks it's anal jesic and puts the pills in his butt.

785
00:41:20,760 --> 00:41:24,360
Speaker 1: That's so good. That's a great joke. Yeah, it's great.

786
00:41:24,640 --> 00:41:27,719
Speaker 1: It's pronounced analgesic. The pills go in your mouth, sir, Yeah,

787
00:41:27,920 --> 00:41:30,520
Speaker 1: no I didn't. I didn't know what that was, did

788
00:41:30,520 --> 00:41:32,480
Speaker 1: you don Donald, you didn't know either, right, I don't

789
00:41:32,520 --> 00:41:35,200
Speaker 1: know how many people got that joke at the time. Well, no,

790
00:41:35,360 --> 00:41:38,520
Speaker 1: the joke isn't that. The joke is actually when you

791
00:41:38,560 --> 00:41:42,200
Speaker 1: tell him that it's not your yeah, right, right, Yeah,

792
00:41:42,200 --> 00:41:45,880
Speaker 1: who gives a ship? Right exactly? Okay, you're right, you're right,

793
00:41:45,920 --> 00:41:48,000
Speaker 1: you're right. Who cares? What it really is? The joke is,

794
00:41:48,040 --> 00:41:50,560
Speaker 1: old man, don't put these pills in your as right, exactly?

795
00:41:53,600 --> 00:41:55,759
Speaker 1: That guy, I think Donald, if I'm not mistaken, he

796
00:41:55,840 --> 00:41:59,839
Speaker 1: was like a regular go to old man we often use.

797
00:42:00,000 --> 00:42:02,600
Speaker 1: I've seen all was he in a bunch of episodes.

798
00:42:02,840 --> 00:42:05,480
Speaker 1: I've seen him a few times be like the go

799
00:42:05,680 --> 00:42:09,840
Speaker 1: to ancient old man. Do you want to ask Wicki?

800
00:42:10,239 --> 00:42:12,960
Speaker 1: Or is this something that Wicki's not gonna know that?

801
00:42:13,000 --> 00:42:14,840
Speaker 1: And we haven't given him his his funkle pops. Dan,

802
00:42:14,880 --> 00:42:18,080
Speaker 1: and those his funk pops behind you there. I didn't

803
00:42:18,120 --> 00:42:21,799
Speaker 1: know Dan has his funcle pops right behind him. Dan,

804
00:42:21,840 --> 00:42:23,920
Speaker 1: I didn't know if you purchased those for yourself or

805
00:42:23,960 --> 00:42:26,839
Speaker 1: if they were for Scrubs wicky guy. I acquired them

806
00:42:26,840 --> 00:42:30,239
Speaker 1: so that we could get weight fined as fast as possible. Okay, Heather,

807
00:42:30,360 --> 00:42:32,160
Speaker 1: you might want some of these. They're there. You have

808
00:42:32,239 --> 00:42:36,680
Speaker 1: a scrub pops. We have a Scrubs Wikipedia type page

809
00:42:36,760 --> 00:42:42,080
Speaker 1: where you uh can look up facts on the show.

810
00:42:42,200 --> 00:42:45,080
Speaker 1: And so we got the guy who helped curate this

811
00:42:45,080 --> 00:42:48,040
Speaker 1: whole thing with a bunch of other people, and he

812
00:42:48,080 --> 00:42:50,160
Speaker 1: comes on the show every now and then the answers

813
00:42:50,239 --> 00:42:53,480
Speaker 1: questions for us. But he's he's not really into it,

814
00:42:53,520 --> 00:42:55,239
Speaker 1: Like he's kind of into it, but he's not really

815
00:42:55,239 --> 00:42:57,680
Speaker 1: into it. So we're bribing him. So we're like a

816
00:42:57,760 --> 00:43:02,400
Speaker 1: technical advisor kind of guy. What of Yes, that's a

817
00:43:02,520 --> 00:43:03,960
Speaker 1: that's a great way to put it. Yeah, that's a

818
00:43:03,960 --> 00:43:07,440
Speaker 1: good way of saying it. He's technically advising. He's like

819
00:43:07,760 --> 00:43:11,680
Speaker 1: the keeper of the Scrubs Bible. Right, Well, yeah, I

820
00:43:11,680 --> 00:43:14,799
Speaker 1: guess so and so, but we got to bribe him

821
00:43:14,840 --> 00:43:17,279
Speaker 1: with Funco pops otherwise he doesn't do his job. Well,

822
00:43:17,320 --> 00:43:21,359
Speaker 1: that's what oh Heather, Um, they're they kind of look

823
00:43:21,400 --> 00:43:24,480
Speaker 1: like bobbleheads. They're they're a very popular thing. Grown up

824
00:43:24,520 --> 00:43:27,279
Speaker 1: action figures is what they are. They're action figures from

825
00:43:27,320 --> 00:43:30,160
Speaker 1: grown ups. It's kind of like it's kind of like

826
00:43:30,239 --> 00:43:32,920
Speaker 1: a bobblehead, but they don't bother. These ones don't babble.

827
00:43:32,960 --> 00:43:35,399
Speaker 1: I don't think, right, Dan, these aren't bobble ones. Right,

828
00:43:37,000 --> 00:43:41,040
Speaker 1: there are Funco pops that that that bobble We didn't

829
00:43:41,080 --> 00:43:44,160
Speaker 1: get those. Okay, that's very cool. So if your daughter

830
00:43:44,239 --> 00:43:48,160
Speaker 1: is truly a fan of Donald Baison, um, I know

831
00:43:48,160 --> 00:43:50,120
Speaker 1: it's from Uptown Girls, but you could get her a

832
00:43:50,239 --> 00:43:54,320
Speaker 1: Donald Vaison Funco pump. You know, her boyfriend would be destroyed,

833
00:43:54,680 --> 00:44:02,040
Speaker 1: okay for him, come up, break up, right up. That

834
00:44:02,080 --> 00:44:04,399
Speaker 1: would be the coolest thing ever. I could walk around

835
00:44:04,440 --> 00:44:08,160
Speaker 1: and say that I broke them up. The craziest thing

836
00:44:08,239 --> 00:44:10,959
Speaker 1: is if my daughter wore that dress behind you, Oh

837
00:44:11,000 --> 00:44:14,120
Speaker 1: my God, she might like it. Well, my wife would

838
00:44:14,160 --> 00:44:20,279
Speaker 1: probably break up with me right now. I like that.

839
00:44:20,680 --> 00:44:25,160
Speaker 1: So there's this pressure, as we understand it, for women,

840
00:44:25,360 --> 00:44:29,239
Speaker 1: young doctors to go into become ob gyms because they

841
00:44:29,280 --> 00:44:31,920
Speaker 1: make a lot of money, I guess. So we have

842
00:44:32,000 --> 00:44:35,600
Speaker 1: this thing where the guino girls are are coming after.

843
00:44:35,880 --> 00:44:39,239
Speaker 1: That was funny, and then Jad goes into fantasy and

844
00:44:39,280 --> 00:44:41,640
Speaker 1: they're having a pillow fight and they start making out

845
00:44:42,000 --> 00:44:43,920
Speaker 1: and then he gets interrupted, so he never gets to

846
00:44:43,960 --> 00:44:47,520
Speaker 1: see any of the fun sex. And then he tries

847
00:44:47,560 --> 00:44:50,680
Speaker 1: to go back into the fantasy and she says, I'm

848
00:44:50,800 --> 00:44:53,080
Speaker 1: very glad that we experimented with each other, but I'll

849
00:44:53,120 --> 00:44:55,799
Speaker 1: never do it again. That will never happen again. Yeah,

850
00:44:56,520 --> 00:44:59,759
Speaker 1: he's missed the whole dreamy fantasy. Yeah. I love the

851
00:45:00,040 --> 00:45:05,640
Speaker 1: at that uh that when uh Heather and Cox are

852
00:45:05,680 --> 00:45:08,080
Speaker 1: walking through the hallway and she's saying hi to all

853
00:45:08,080 --> 00:45:10,680
Speaker 1: the other doctors and everything like that. Yeah, he thinks

854
00:45:10,680 --> 00:45:13,440
Speaker 1: she's just flirting and she's like, no, no, no, I

855
00:45:13,560 --> 00:45:20,520
Speaker 1: slept with them and right Tyther unabashedly the characters like

856
00:45:21,400 --> 00:45:23,120
Speaker 1: he was like thinks, oh, you're bribing them because you're

857
00:45:23,120 --> 00:45:25,640
Speaker 1: selling pharmaceuticals. She's like no, no, I just slept with

858
00:45:25,680 --> 00:45:28,440
Speaker 1: them exactly like that about her though, she was like, no,

859
00:45:28,520 --> 00:45:31,080
Speaker 1: you get to fuck around, like yeah, I bug around. Yeah,

860
00:45:31,080 --> 00:45:34,439
Speaker 1: I mean, and that's my motto too. I think that's

861
00:45:34,480 --> 00:45:36,799
Speaker 1: I think that's everybody. I think we're starting to gear

862
00:45:36,840 --> 00:45:39,680
Speaker 1: into that being everybody's motto now, like that shouldn't be

863
00:45:39,719 --> 00:45:41,600
Speaker 1: any stead Like that's what I was saying. This show

864
00:45:41,640 --> 00:45:44,280
Speaker 1: is such about it's this episode in particular is about

865
00:45:44,320 --> 00:45:46,640
Speaker 1: double standards. You know what I mean, and how to

866
00:45:47,120 --> 00:45:49,640
Speaker 1: and how we and how we tackled double standards. This

867
00:45:49,719 --> 00:45:53,520
Speaker 1: dude's so bent out of shape, uh that you slept

868
00:45:53,600 --> 00:45:56,120
Speaker 1: with guys at the hospital, but he's got a pregnant

869
00:45:56,200 --> 00:45:59,920
Speaker 1: lady yea in his back pocket and what I mean.

870
00:46:00,040 --> 00:46:02,600
Speaker 1: And it's like, yep, come on now, you can't, you can't.

871
00:46:02,800 --> 00:46:07,640
Speaker 1: What's good for these exactly right, exactly, Heather, Did you

872
00:46:07,680 --> 00:46:10,160
Speaker 1: have fun working with our with our pal, the legendary

873
00:46:10,239 --> 00:46:12,080
Speaker 1: Johnny c McGinley, Because it looks like you guys, you

874
00:46:12,120 --> 00:46:15,640
Speaker 1: guys had great chemistry. He was so much fun and

875
00:46:15,880 --> 00:46:18,000
Speaker 1: everybody talks so fast on that show. I was like,

876
00:46:18,000 --> 00:46:20,399
Speaker 1: oh my god, here I am. Well I'm shotting her again.

877
00:46:21,200 --> 00:46:24,040
Speaker 1: But no, I had a great time with him, and yeah,

878
00:46:24,040 --> 00:46:26,360
Speaker 1: he was very, very fun. I really adored him. You

879
00:46:26,400 --> 00:46:30,040
Speaker 1: guys had such good chemistry together, did so, thanks Yanks?

880
00:46:30,280 --> 00:46:32,160
Speaker 1: You did. You had a good You had a good Bansward.

881
00:46:32,200 --> 00:46:34,480
Speaker 1: I'm sure Johnny C was excited when Bill was like, oh,

882
00:46:34,520 --> 00:46:37,080
Speaker 1: in your love interest for the week is Heather Lucklear.

883
00:46:39,440 --> 00:46:44,520
Speaker 1: I don't think so. It was really fun. John C

884
00:46:44,640 --> 00:46:46,520
Speaker 1: McGinley was single at this moment too. He was like,

885
00:46:49,680 --> 00:46:54,399
Speaker 1: yeah he did. To Ralph. Heather we were talking about.

886
00:46:54,440 --> 00:46:56,520
Speaker 1: And then the episode before this one, because you're in

887
00:46:56,600 --> 00:46:59,960
Speaker 1: that one too, about these pharmaceutical reps who were all

888
00:47:00,000 --> 00:47:02,879
Speaker 1: often attractive women, and they flirt with the doctors. Did

889
00:47:02,880 --> 00:47:06,200
Speaker 1: you know about this lunch? Yeah? Did you know? I

890
00:47:06,239 --> 00:47:08,960
Speaker 1: did know about it. I um. They were like, oh yeah,

891
00:47:09,040 --> 00:47:11,600
Speaker 1: they take all the doctors to lunch and they flirt

892
00:47:11,680 --> 00:47:13,440
Speaker 1: with them and give them all them you know, And

893
00:47:13,560 --> 00:47:16,080
Speaker 1: yeah I did. I was very well aware. But my

894
00:47:16,239 --> 00:47:18,960
Speaker 1: favorite line was anal leakage and the thing I got

895
00:47:18,960 --> 00:47:23,279
Speaker 1: to say. I loved saying anal I think I might

896
00:47:23,320 --> 00:47:27,520
Speaker 1: be that could be a good ringtone. Guy. Another one,

897
00:47:27,840 --> 00:47:32,640
Speaker 1: another one one. Heather Lockley's saying anal leakage could be

898
00:47:32,680 --> 00:47:40,839
Speaker 1: your notification lovely. Um. But yeah, so that but I did.

899
00:47:40,880 --> 00:47:43,200
Speaker 1: I was aware of that. Yeah, because we were talking

900
00:47:43,200 --> 00:47:44,919
Speaker 1: about in the last episode, how was such a thing

901
00:47:45,000 --> 00:47:48,600
Speaker 1: where they they they hired, they recruit these beautiful women

902
00:47:48,640 --> 00:47:50,759
Speaker 1: who who doctors are going to flirt with and go

903
00:47:50,800 --> 00:47:53,279
Speaker 1: to dinner and drinks with and uh and and we

904
00:47:53,440 --> 00:47:55,560
Speaker 1: kept this going, you know, you bring all this swag

905
00:47:55,640 --> 00:47:57,680
Speaker 1: to the hospital and the mug. Actually, if you see

906
00:47:57,719 --> 00:48:00,279
Speaker 1: there's an earlier scene in this where I'm holding imaking

907
00:48:00,280 --> 00:48:03,839
Speaker 1: coffee out of a Plumox mug. That's the that'sh And

908
00:48:03,840 --> 00:48:05,640
Speaker 1: then I think Donald didn't we keep it going for

909
00:48:05,680 --> 00:48:10,000
Speaker 1: like any shows up in the hospital, there was always

910
00:48:10,000 --> 00:48:14,000
Speaker 1: Plumox stuff all around because all your all the swag

911
00:48:14,080 --> 00:48:17,799
Speaker 1: you left stayed around for years. Now here's something I wonder. Um,

912
00:48:18,040 --> 00:48:20,279
Speaker 1: you know they're always say beautiful women doing that, But

913
00:48:20,400 --> 00:48:23,400
Speaker 1: are there beautiful men doing it? Because there's female doctors.

914
00:48:23,520 --> 00:48:25,360
Speaker 1: That's a very good question. I think there are. I

915
00:48:25,440 --> 00:48:28,600
Speaker 1: think I'm sure I had a handsome friend. I had

916
00:48:28,600 --> 00:48:31,799
Speaker 1: a handsome friend from high school who became one of

917
00:48:31,840 --> 00:48:35,279
Speaker 1: those guys. I definitely think they're they'd lean to being

918
00:48:35,360 --> 00:48:38,480
Speaker 1: good looking people because yeah, I don't know I think,

919
00:48:38,640 --> 00:48:42,760
Speaker 1: I think again. I just remember knowing about this twenty

920
00:48:42,880 --> 00:48:46,080
Speaker 1: over twenty years ago because I knew girls who did

921
00:48:46,120 --> 00:48:47,560
Speaker 1: it and they were all very pretty and they and

922
00:48:47,560 --> 00:48:49,040
Speaker 1: they would tell me. They were like, you won't believe

923
00:48:49,040 --> 00:48:50,960
Speaker 1: how fucked up this is. Like people don't know, people

924
00:48:51,000 --> 00:48:53,080
Speaker 1: don't remember a girl from my from my high school

925
00:48:53,120 --> 00:48:56,440
Speaker 1: telling me you don't. You can't believe the data we

926
00:48:56,520 --> 00:48:59,040
Speaker 1: have on these doctors, like the shit we know, we know,

927
00:48:59,360 --> 00:49:01,680
Speaker 1: we know when they're prescribing it, what else they're prescribing

928
00:49:01,719 --> 00:49:04,560
Speaker 1: If they're not prescribing that, how many How it's compared

929
00:49:04,600 --> 00:49:07,319
Speaker 1: to last month, Um, when we gave them a big

930
00:49:07,320 --> 00:49:10,200
Speaker 1: incentive that trip, Look how much the graph showed how

931
00:49:10,280 --> 00:49:13,040
Speaker 1: much they prescribed it more. And I just remember I

932
00:49:13,080 --> 00:49:15,560
Speaker 1: remember being like, this is so fucked up. And then

933
00:49:15,600 --> 00:49:17,239
Speaker 1: I thought I'd be like I thought it'd be like

934
00:49:17,239 --> 00:49:19,399
Speaker 1: discovered and over it's like payola back in the day

935
00:49:19,400 --> 00:49:22,759
Speaker 1: of the radio station days. And no it's still going on. Um,

936
00:49:23,080 --> 00:49:25,760
Speaker 1: that's still going on today, Like aren't the doctors aware

937
00:49:25,840 --> 00:49:30,920
Speaker 1: that this is happening there? Yeah, Trip and the pretty

938
00:49:30,880 --> 00:49:33,040
Speaker 1: yah woman, I'm sure. Yeah. I would love to go

939
00:49:33,120 --> 00:49:36,040
Speaker 1: play golf with a pharmaceutical rep get me out of

940
00:49:36,040 --> 00:49:40,560
Speaker 1: the hospital for four hours. Perfect. Yeah, and sometimes it's

941
00:49:40,600 --> 00:49:42,120
Speaker 1: like a golf retreat. All you have to do is

942
00:49:42,160 --> 00:49:45,160
Speaker 1: go like watch the plomox video and then you're like

943
00:49:45,200 --> 00:49:49,680
Speaker 1: on a golf retreat. Right, yeah, SIPs cool? Yeah, um, Donald,

944
00:49:49,680 --> 00:49:51,600
Speaker 1: we have to let Heather Lockleier go because we only

945
00:49:51,640 --> 00:49:56,040
Speaker 1: asked her. Yes, listen, we only really only recruited a

946
00:49:56,200 --> 00:49:58,640
Speaker 1: legend for an hour, and we can't. We can't keep her.

947
00:49:59,120 --> 00:50:00,880
Speaker 1: You're funny, you guys, or funny, but how do we

948
00:50:00,880 --> 00:50:05,839
Speaker 1: really want to you guys? You we really We were

949
00:50:05,840 --> 00:50:08,440
Speaker 1: both genuinely nervous, so I'm sorry if we spoke fast

950
00:50:08,480 --> 00:50:12,319
Speaker 1: and nervously. No, no, me too, So I'm right with you.

951
00:50:12,719 --> 00:50:15,080
Speaker 1: It was it was here was a pleasure, but it

952
00:50:15,120 --> 00:50:16,960
Speaker 1: was such a big deal to have you on the show.

953
00:50:17,040 --> 00:50:20,200
Speaker 1: When when uh when this I remember when it happened

954
00:50:20,280 --> 00:50:22,080
Speaker 1: and they were like we got Heather Lockleer and me

955
00:50:22,280 --> 00:50:24,480
Speaker 1: being like, holy shit, how do we get out of

956
00:50:24,480 --> 00:50:28,000
Speaker 1: lock Leer because he had a good show. Yeah, well,

957
00:50:28,040 --> 00:50:30,239
Speaker 1: thank you very much. But it was such a it

958
00:50:30,280 --> 00:50:33,960
Speaker 1: was it was such an amazing moment, amazing moment to

959
00:50:34,080 --> 00:50:35,919
Speaker 1: have you on the show and then still having an

960
00:50:36,000 --> 00:50:38,879
Speaker 1: end also because we had spent the summer together doing

961
00:50:38,960 --> 00:50:41,680
Speaker 1: Uptown Girl. Yeah right, that was crazy. It was really nice,

962
00:50:41,680 --> 00:50:43,520
Speaker 1: and you know what, it was such a joy for

963
00:50:43,600 --> 00:50:45,839
Speaker 1: me to do because it was so different from what

964
00:50:45,880 --> 00:50:48,799
Speaker 1: I was doing. And the writing is excellent, the show

965
00:50:48,880 --> 00:50:51,080
Speaker 1: is great, and you guys are great and et cetera,

966
00:50:51,160 --> 00:50:53,960
Speaker 1: et cetera. Well, thank you. How we really appreciate and

967
00:50:54,480 --> 00:50:56,560
Speaker 1: it's good to see you. Good to see you. Ike

968
00:50:56,600 --> 00:51:01,839
Speaker 1: care do we have a call? We do? We do

969
00:51:01,920 --> 00:51:05,759
Speaker 1: have a caller? Um, um, we're gonna take them right away.

970
00:51:05,760 --> 00:51:06,960
Speaker 1: Do we have to go to break? What do we do?

971
00:51:07,040 --> 00:51:08,719
Speaker 1: Think I think we should go to break. Let's just

972
00:51:08,760 --> 00:51:10,719
Speaker 1: talk for one second about Heather of Lockdoo. I have

973
00:51:10,760 --> 00:51:13,560
Speaker 1: to admin. I was very nervous. I spoke fast. I

974
00:51:13,560 --> 00:51:17,040
Speaker 1: apologize to the audience. You have to understand I had

975
00:51:17,080 --> 00:51:19,720
Speaker 1: such a crush on her as as a young person,

976
00:51:19,920 --> 00:51:23,799
Speaker 1: and U I was tongue tied. Donald, I was tongue tied.

977
00:51:24,160 --> 00:51:26,360
Speaker 1: You did great. You know what I knew. I sensed

978
00:51:26,360 --> 00:51:28,279
Speaker 1: that you were a little nervous. I was making like

979
00:51:29,800 --> 00:51:32,040
Speaker 1: I was talking like that, but I sensed it, and

980
00:51:32,200 --> 00:51:34,600
Speaker 1: so I tried to throw you into a comfort zone

981
00:51:34,800 --> 00:51:37,919
Speaker 1: and just have you talk about you know, uh, garden State.

982
00:51:38,040 --> 00:51:40,399
Speaker 1: Oh yeah that was good. Good Ally you Yeah, yeah,

983
00:51:40,400 --> 00:51:42,279
Speaker 1: you got me. Yeah, I see what you did. You're

984
00:51:42,320 --> 00:51:46,759
Speaker 1: a good co host, you said. Zach's rambling nonsense. Why

985
00:51:46,800 --> 00:51:49,040
Speaker 1: don't I steer him to a some subject he likes

986
00:51:49,080 --> 00:51:53,439
Speaker 1: to discuss directing films? Right exactly? I see, God, you're good.

987
00:51:53,640 --> 00:51:55,839
Speaker 1: It's just because I love you, fucking hell, I love you.

988
00:51:55,880 --> 00:51:59,200
Speaker 1: I want to do and on that note, we'll be

989
00:51:59,280 --> 00:52:09,120
Speaker 1: right back. How about Sarah calling a vagina a bijinga?

990
00:52:09,200 --> 00:52:11,960
Speaker 1: I had? Is this something that it goes on forever

991
00:52:12,120 --> 00:52:14,640
Speaker 1: it goes? No? But I am saying, like, did they

992
00:52:14,680 --> 00:52:16,640
Speaker 1: make this up the scrubs writers? Because what that? I

993
00:52:16,760 --> 00:52:19,239
Speaker 1: never heard of vagina called a bajinga before. I've heard

994
00:52:19,239 --> 00:52:22,240
Speaker 1: it called so many things that it has. Somebody somewhere

995
00:52:22,320 --> 00:52:25,480
Speaker 1: has to call it a bigenga, like I've heard Nanni

996
00:52:26,280 --> 00:52:30,080
Speaker 1: my key key vertical smile, my right, my my my

997
00:52:30,239 --> 00:52:37,400
Speaker 1: new new my she she yea, my bigengau, my vagina,

998
00:52:37,680 --> 00:52:52,800
Speaker 1: my birdginer, my birdginer mgina. Yeah, vagina, my gin Joel

999
00:52:53,000 --> 00:52:56,080
Speaker 1: right Joel or any Jabel or any of those nicknames

1000
00:52:56,080 --> 00:52:57,880
Speaker 1: from vagina. I don't know. We'll have to google it.

1001
00:53:00,040 --> 00:53:07,400
Speaker 1: I've never heard, I've never heard before. It was crazy

1002
00:53:07,480 --> 00:53:09,560
Speaker 1: that you gotta kind of put it like a different like.

1003
00:53:09,600 --> 00:53:11,319
Speaker 1: I don't know where this accent would come from, but

1004
00:53:11,320 --> 00:53:16,200
Speaker 1: it's sort of like a grown gan too much vagin

1005
00:53:16,320 --> 00:53:27,279
Speaker 1: yang too much, too much? Another another one, another one. Oh,

1006
00:53:28,480 --> 00:53:31,200
Speaker 1: that's a fun game to play make up nonsense terms

1007
00:53:31,200 --> 00:53:34,960
Speaker 1: for vagina. I'm glad we played. Well, you know we

1008
00:53:35,000 --> 00:53:38,640
Speaker 1: are well listen, butjingo is bajingo. That's that becomes Sarah's

1009
00:53:38,760 --> 00:53:41,520
Speaker 1: term for vagina. It's her go to. It's her go to.

1010
00:53:42,200 --> 00:53:44,680
Speaker 1: Let's bring it our guest, Okay, but don't mention any

1011
00:53:44,680 --> 00:53:47,200
Speaker 1: of the vagina terms around the gap. Dude, I'm done.

1012
00:53:47,360 --> 00:53:53,320
Speaker 1: I'm done with it. Want to be appropriate? Hey, Hilly

1013
00:53:54,680 --> 00:54:00,840
Speaker 1: and shyy who Shelley? Shelley is my mom. So the

1014
00:54:00,920 --> 00:54:04,920
Speaker 1: last time I used this, we um we were playing

1015
00:54:05,080 --> 00:54:08,640
Speaker 1: categories with my boyfriend who's in England. But the day

1016
00:54:08,680 --> 00:54:14,359
Speaker 1: to you, oh you, she took audience members. She took

1017
00:54:14,360 --> 00:54:17,480
Speaker 1: a sip of a of what looks like an apple tineapple.

1018
00:54:17,920 --> 00:54:19,680
Speaker 1: It looks like an appletinea. I don't think it's just

1019
00:54:19,800 --> 00:54:24,160
Speaker 1: wearing water. She's wearing a Han solo tank top Donald. Yeah,

1020
00:54:24,200 --> 00:54:26,319
Speaker 1: she knows the way to my heart. Yeah she does.

1021
00:54:27,480 --> 00:54:29,839
Speaker 1: I'm gonna say something. I'm gonna say something real quick.

1022
00:54:30,000 --> 00:54:32,200
Speaker 1: Yeah ahead, Haley, you might just be the best guest

1023
00:54:32,239 --> 00:54:35,080
Speaker 1: we've ever had ever. She's wearing that shirt. Can you

1024
00:54:35,120 --> 00:54:37,960
Speaker 1: tell Donald where to get that shirt? Haley? Please? For

1025
00:54:38,280 --> 00:54:43,080
Speaker 1: twenty one? That's not gonna be Donald. You shopping Forever

1026
00:54:43,160 --> 00:54:46,560
Speaker 1: twenty one, Donald's Forever six. You know, I thought Forever

1027
00:54:46,600 --> 00:54:48,200
Speaker 1: twenty one was the store that you went to when

1028
00:54:48,200 --> 00:54:52,000
Speaker 1: you were twenty one. I thought that too, but I

1029
00:54:52,080 --> 00:54:54,040
Speaker 1: was not twenty one when I bought it, So I

1030
00:54:54,120 --> 00:54:56,640
Speaker 1: thought Forever twenty one meant that you wanted to look

1031
00:54:56,719 --> 00:54:58,680
Speaker 1: like a twenty one year old. That's not It means

1032
00:54:58,800 --> 00:55:01,799
Speaker 1: that everything under, everything is twenty one dollars an under

1033
00:55:01,880 --> 00:55:06,040
Speaker 1: or something. Really, Yeah, Joel, is that true? I think

1034
00:55:06,080 --> 00:55:08,400
Speaker 1: there's things for over It's listen, I will think it.

1035
00:55:08,560 --> 00:55:11,719
Speaker 1: You can have three dollars and bigger items were more expensive.

1036
00:55:11,840 --> 00:55:16,600
Speaker 1: But yeah, but you can divide it and at the

1037
00:55:16,760 --> 00:55:20,160
Speaker 1: end you get twenty one, right, something like that. This

1038
00:55:20,239 --> 00:55:22,920
Speaker 1: is oh my god, this is a mind blowing moment

1039
00:55:22,960 --> 00:55:25,200
Speaker 1: for me because I, up to this moment, thought the

1040
00:55:25,200 --> 00:55:27,800
Speaker 1: whole concept was let's say you're a little bit older

1041
00:55:27,840 --> 00:55:30,719
Speaker 1: but you miss feeling like a little hip. You can

1042
00:55:30,760 --> 00:55:32,800
Speaker 1: go to Forever twenty one and you're gonna look Forever

1043
00:55:33,000 --> 00:55:36,359
Speaker 1: twenty one. No, no, no no, no, no, it's it's it's

1044
00:55:36,520 --> 00:55:38,239
Speaker 1: you got a couple of You got a couple of

1045
00:55:38,280 --> 00:55:45,080
Speaker 1: twenty ones in your pocket and five dollars in your pocket.

1046
00:55:45,920 --> 00:55:49,440
Speaker 1: You can get five outfits from Forever twenty one. Okay,

1047
00:55:49,480 --> 00:55:52,200
Speaker 1: I did that math quick. That's quick, that's relatively good.

1048
00:55:52,960 --> 00:55:57,439
Speaker 1: Where are you calling from, Haley. I'm in Sola, Dad, California,

1049
00:55:57,640 --> 00:56:00,839
Speaker 1: at my mom's right now. So this is where I've

1050
00:56:00,840 --> 00:56:03,239
Speaker 1: been all lockdown. Yeah, there is Sola, Dad. Where is

1051
00:56:03,280 --> 00:56:05,719
Speaker 1: Solo Dad? I don't know where that is. Um, so

1052
00:56:05,760 --> 00:56:07,759
Speaker 1: it's near. It's about half an hour south on the

1053
00:56:07,800 --> 00:56:12,640
Speaker 1: one on one of Monterey. Okay, okay, so it's there's

1054
00:56:12,719 --> 00:56:17,359
Speaker 1: nothing here, it's nothing. You do? You do? You do?

1055
00:56:16,920 --> 00:56:21,680
Speaker 1: You do? What do you do? Dad? Haley? Um? Right now,

1056
00:56:21,920 --> 00:56:25,040
Speaker 1: I bide my time until I get to go back

1057
00:56:25,080 --> 00:56:29,000
Speaker 1: to the UK. So that's where your boyfriend is. And

1058
00:56:29,040 --> 00:56:31,320
Speaker 1: that's where your boyfriend is, So you want to you

1059
00:56:31,360 --> 00:56:34,760
Speaker 1: want to get back to him? I do, yes, Haley,

1060
00:56:34,800 --> 00:56:36,879
Speaker 1: you can go. You can go to the UK, Haley,

1061
00:56:36,920 --> 00:56:41,240
Speaker 1: you just have to quarantine for two weeks on your own. Yeah. Yeah. Um,

1062
00:56:41,440 --> 00:56:44,400
Speaker 1: well we're doing a visa right now, so we're working

1063
00:56:44,440 --> 00:56:47,319
Speaker 1: on that. Oh I see, and um and are you

1064
00:56:47,360 --> 00:56:50,319
Speaker 1: are you content to to be a transplant and live

1065
00:56:50,360 --> 00:56:53,760
Speaker 1: there full time with your with your boyfriend? Yeah, I'd

1066
00:56:53,800 --> 00:56:56,839
Speaker 1: love to be transplanted into that country, so stick me there.

1067
00:56:57,640 --> 00:57:01,040
Speaker 1: I do love the UK of it. We love it too.

1068
00:57:01,120 --> 00:57:03,920
Speaker 1: I'm gonna be uh yeah, I'm gonna be transplanting there myself.

1069
00:57:05,000 --> 00:57:09,239
Speaker 1: Wait what Yeah, you're gonna love them the UK. Well,

1070
00:57:09,360 --> 00:57:12,640
Speaker 1: for part I'm I'm I'm dating a British woman and

1071
00:57:12,960 --> 00:57:15,239
Speaker 1: part time I will be I'm spending I'm sure a

1072
00:57:15,280 --> 00:57:19,160
Speaker 1: percentage of my life there. Don't get upset. I'm not

1073
00:57:19,240 --> 00:57:21,640
Speaker 1: moving there, Donald, I'm just saying that if if, if

1074
00:57:21,680 --> 00:57:24,560
Speaker 1: I'm if one Haley can attest if one is in

1075
00:57:24,600 --> 00:57:27,560
Speaker 1: a relationship with an English person, you have to You

1076
00:57:27,560 --> 00:57:29,720
Speaker 1: have to go there sometimes, and it's a delightful place

1077
00:57:29,720 --> 00:57:32,040
Speaker 1: to go. Hey, listen, they could be from a country

1078
00:57:32,040 --> 00:57:35,240
Speaker 1: you don't want to visit. Haley and I are lucky

1079
00:57:35,280 --> 00:57:38,040
Speaker 1: that it's a country we both love and the food's

1080
00:57:38,080 --> 00:57:39,880
Speaker 1: not as bad as everyone says it is. Oh, the

1081
00:57:39,880 --> 00:57:42,640
Speaker 1: food's wonderful. Can give me You can give me mushy

1082
00:57:42,680 --> 00:57:44,920
Speaker 1: peas any day of the week. Oh my god, Do

1083
00:57:45,040 --> 00:57:47,040
Speaker 1: I love the bangers in Mash? You like the bangers

1084
00:57:47,040 --> 00:57:49,360
Speaker 1: in Mash? I don't really. I don't really eat pork,

1085
00:57:49,680 --> 00:57:52,600
Speaker 1: so I eat the mash but not the bangers. I

1086
00:57:52,600 --> 00:57:54,640
Speaker 1: don't understand why we don't have mushy peas in this

1087
00:57:54,680 --> 00:57:59,880
Speaker 1: country because it's not as good. You can you can

1088
00:58:00,080 --> 00:58:04,200
Speaker 1: use my pool when I'm gone. Okay, cool, Haley. I'm

1089
00:58:04,200 --> 00:58:06,320
Speaker 1: gonna miss you. Haley doesn't have to hear about this.

1090
00:58:06,360 --> 00:58:09,400
Speaker 1: We can negotiate that off all right. Oh it's fine.

1091
00:58:09,520 --> 00:58:16,200
Speaker 1: Just make sure all my rafts stay inflated, right anyway, Haley, Haley,

1092
00:58:16,440 --> 00:58:18,880
Speaker 1: do you have a question for us? Please? Please? I do.

1093
00:58:18,920 --> 00:58:20,280
Speaker 1: I had it on a piece of paper and I

1094
00:58:20,360 --> 00:58:25,080
Speaker 1: left it in the other room, but don't get it. Okay. Um,

1095
00:58:25,120 --> 00:58:28,360
Speaker 1: So this is my Fruit Cups. Yeah, yeah, yeah, which

1096
00:58:28,440 --> 00:58:32,000
Speaker 1: is probably my favorite episode and I don't really know why.

1097
00:58:32,120 --> 00:58:35,160
Speaker 1: It's just my favorite episode. It's the one I probably

1098
00:58:35,200 --> 00:58:38,120
Speaker 1: quote the most, you know, like the Daily Users who

1099
00:58:38,200 --> 00:58:41,880
Speaker 1: walks away? Right? Um? And I love the music the

1100
00:58:41,920 --> 00:58:44,960
Speaker 1: first scene whenever I used to where I worked. I

1101
00:58:44,960 --> 00:58:47,640
Speaker 1: wouldn't occasionally had to take you know, a toilet paper

1102
00:58:47,760 --> 00:58:50,360
Speaker 1: roll or two from work, and I'd occasionally be like,

1103
00:58:50,480 --> 00:58:53,440
Speaker 1: or you steal stuff and take it back to work

1104
00:58:53,640 --> 00:58:56,600
Speaker 1: or take it back home. Um, But I feel like

1105
00:58:56,640 --> 00:59:00,760
Speaker 1: it's a pivotal point for all the characters, like doctor

1106
00:59:00,760 --> 00:59:04,000
Speaker 1: Cox gets back together with Jordan j D and Turk

1107
00:59:04,120 --> 00:59:07,120
Speaker 1: kind of both realized that, you know, Turk's relationship with

1108
00:59:07,200 --> 00:59:10,000
Speaker 1: Carla is really solidifying in this and Elliott stands up

1109
00:59:10,040 --> 00:59:12,600
Speaker 1: to her dad. So I was kind of wondering, at

1110
00:59:12,640 --> 00:59:15,080
Speaker 1: what point in the series did you think that your

1111
00:59:15,160 --> 00:59:18,360
Speaker 1: characters matured the most, or whether it was how you

1112
00:59:18,360 --> 00:59:20,960
Speaker 1: played them or how it was written. All right, Hailey,

1113
00:59:21,040 --> 00:59:23,920
Speaker 1: look at Donald's smug face. Does he said he say

1114
00:59:23,960 --> 00:59:27,000
Speaker 1: the same thing? Yes, he No, he totally agrees with you.

1115
00:59:27,080 --> 00:59:30,080
Speaker 1: He gave his thirty second summary and touched on everything

1116
00:59:30,080 --> 00:59:32,840
Speaker 1: that you just said. And that's why he's got that

1117
00:59:32,840 --> 00:59:37,120
Speaker 1: shit eating grin on his face. Why did they call

1118
00:59:37,160 --> 00:59:39,880
Speaker 1: it a shit ing grin? You wouldn't be gritty and

1119
00:59:40,000 --> 00:59:42,160
Speaker 1: you were eating shit, would you. No, I would not

1120
00:59:42,200 --> 00:59:44,880
Speaker 1: be smiling. If I had to stick dood in my mouth.

1121
00:59:45,120 --> 00:59:47,880
Speaker 1: That would be like it would be like it would

1122
00:59:47,920 --> 00:59:50,040
Speaker 1: be I get it. So it's not really a shit

1123
00:59:50,120 --> 00:59:52,200
Speaker 1: eating grin. It's the face you make but you're like,

1124
00:59:52,280 --> 00:59:56,040
Speaker 1: oh god, growth and it looks like a smile, but

1125
00:59:56,160 --> 00:59:59,439
Speaker 1: really what it is, Joe, Joel, are you looking around

1126
00:59:59,480 --> 01:00:01,200
Speaker 1: up for us? You need to know the origin of

1127
01:00:01,200 --> 01:00:05,760
Speaker 1: shit eating grin? What though? Anyway? Anyway? Um so Donald,

1128
01:00:05,800 --> 01:00:08,440
Speaker 1: your best to answer that because you you you've already

1129
01:00:08,440 --> 01:00:10,880
Speaker 1: spoken about this price. I think this is the episode

1130
01:00:10,920 --> 01:00:13,400
Speaker 1: where now when we were filming it, No, I did

1131
01:00:13,440 --> 01:00:15,120
Speaker 1: not realize this because none of us knew where the

1132
01:00:15,120 --> 01:00:18,960
Speaker 1: show was going to go at this point. But you're

1133
01:00:19,000 --> 01:00:22,439
Speaker 1: absolutely right. Every story that's told in this in this

1134
01:00:22,480 --> 01:00:27,240
Speaker 1: episode goes to the end. Yeah, each and every one

1135
01:00:27,240 --> 01:00:32,200
Speaker 1: of these stories. Elliot standing up to her dad, this

1136
01:00:32,320 --> 01:00:35,440
Speaker 1: becomes her on her own and having to make decisions

1137
01:00:35,480 --> 01:00:39,040
Speaker 1: on her own, and we see how crazy life is

1138
01:00:39,120 --> 01:00:41,560
Speaker 1: for her when she has to do that, right, She's

1139
01:00:41,560 --> 01:00:46,440
Speaker 1: a hectic person. Jude, Carla, and Turk go on to

1140
01:00:46,440 --> 01:00:50,080
Speaker 1: get married and have kids. Cox and Jordan gone to

1141
01:00:50,160 --> 01:00:53,360
Speaker 1: have more children every one of these and Jad's in

1142
01:00:53,400 --> 01:00:55,800
Speaker 1: limbo for the rest of the season up until the

1143
01:00:55,880 --> 01:00:58,400
Speaker 1: last Forever in Limbo that could be the name of

1144
01:00:58,440 --> 01:01:01,640
Speaker 1: the show. Forever in Limbo j season up until season eight,

1145
01:01:01,720 --> 01:01:05,680
Speaker 1: you are forever in Limbo. You are the dude who

1146
01:01:05,720 --> 01:01:08,280
Speaker 1: has no idea. We don't know where you're gonna go.

1147
01:01:08,440 --> 01:01:11,640
Speaker 1: But at this point, if you were to look back

1148
01:01:12,360 --> 01:01:15,080
Speaker 1: after doing the whole show, this would be the episode

1149
01:01:15,160 --> 01:01:18,440
Speaker 1: My Fruit Cups where you're like, this is where they

1150
01:01:18,480 --> 01:01:21,480
Speaker 1: gave us a taste of what was to come. Yeah. Yeah,

1151
01:01:21,600 --> 01:01:23,960
Speaker 1: I didn't see that, to be honest, I was just

1152
01:01:24,040 --> 01:01:27,240
Speaker 1: kind of in more of a micro viewing of it,

1153
01:01:27,320 --> 01:01:29,080
Speaker 1: laughing at the jokes. There was some. There's some one

1154
01:01:29,200 --> 01:01:31,200
Speaker 1: like you keep saying the bidet bidet to you, sir,

1155
01:01:31,600 --> 01:01:34,680
Speaker 1: the mention of bidjingo. There's some. There's a few classic

1156
01:01:34,760 --> 01:01:38,160
Speaker 1: sort of moments in here. Um Laverne in the beginning

1157
01:01:38,200 --> 01:01:43,320
Speaker 1: when she's like, you look pretty right, jes the pills

1158
01:01:45,360 --> 01:01:52,760
Speaker 1: and right. It's the first appearance of the Volvo. I

1159
01:01:52,760 --> 01:01:55,080
Speaker 1: believe Donald, do you know that? Don't don't ruin it, Hailey,

1160
01:01:55,120 --> 01:01:57,000
Speaker 1: because you probably know Donald. Do you know the name

1161
01:01:57,080 --> 01:02:05,680
Speaker 1: of the brown Volvo? No Malik. We named the Vobo

1162
01:02:05,760 --> 01:02:09,520
Speaker 1: malik ya. I named my Vobo Malik. Yeah wow, And

1163
01:02:09,560 --> 01:02:14,240
Speaker 1: then you named it might be my Vovo. I don't

1164
01:02:14,280 --> 01:02:16,800
Speaker 1: know why did you name your brown Bobo Malik, though

1165
01:02:16,920 --> 01:02:20,600
Speaker 1: I have a feeling. I have a feeling. Yeah, I

1166
01:02:20,600 --> 01:02:23,800
Speaker 1: think Turt named the car because I definitely, I definitely

1167
01:02:23,880 --> 01:02:27,520
Speaker 1: named my scooter Sasha. Yeah. Sure, sure you know, remember

1168
01:02:27,560 --> 01:02:29,760
Speaker 1: I U I post a picture of me on on

1169
01:02:29,800 --> 01:02:32,640
Speaker 1: anything two wheels, people were like, is that new Sasha?

1170
01:02:34,880 --> 01:02:37,120
Speaker 1: I like, post a picture of my motorcycle, and I'm like, oh,

1171
01:02:37,120 --> 01:02:43,200
Speaker 1: Sasha got an upgrade. There was that time that you

1172
01:02:43,280 --> 01:02:45,600
Speaker 1: brought me that scooter and it was gray. He didn't

1173
01:02:45,600 --> 01:02:47,720
Speaker 1: even wear it, didn't even drive it once. I did

1174
01:02:47,840 --> 01:02:53,440
Speaker 1: drive it around you Nay, what are you talking about? Oh?

1175
01:02:53,520 --> 01:02:59,240
Speaker 1: You named it Sasha Gray. Yeah. Well, let's tell the

1176
01:02:59,280 --> 01:03:01,400
Speaker 1: audience the true story of this, because it really it

1177
01:03:01,480 --> 01:03:05,080
Speaker 1: was hurtful to me. No, I had to here's the thing,

1178
01:03:05,480 --> 01:03:08,600
Speaker 1: don't do. I'm gonna be one hundred percent on it.

1179
01:03:08,680 --> 01:03:10,960
Speaker 1: So for my birthday, Zach buys me a scooter, a

1180
01:03:11,000 --> 01:03:21,240
Speaker 1: great scooter named I named her Sasha Gray. Sure, sure, sure,

1181
01:03:21,760 --> 01:03:27,200
Speaker 1: let's keep Let's keep a Haley innocent of any absolute knowledge, right.

1182
01:03:28,040 --> 01:03:30,840
Speaker 1: And the problem with it was, though, is that you

1183
01:03:30,880 --> 01:03:33,040
Speaker 1: had to have a motorcycle license to drive it. It

1184
01:03:33,080 --> 01:03:35,040
Speaker 1: wasn't one of those things where you could just it

1185
01:03:35,160 --> 01:03:39,600
Speaker 1: wasn't a scooter that was uh slow enough that you

1186
01:03:39,600 --> 01:03:41,800
Speaker 1: could ride around on it and not have to have

1187
01:03:41,840 --> 01:03:43,600
Speaker 1: a license. So if I would have got pulled over,

1188
01:03:43,880 --> 01:03:46,000
Speaker 1: they automatically would have been like, let me see your license.

1189
01:03:46,160 --> 01:03:47,880
Speaker 1: I'd be like, I don't have a license, and then

1190
01:03:47,920 --> 01:03:50,280
Speaker 1: they confiscate Sasha Gray and then I'd never see her again.

1191
01:03:50,480 --> 01:03:52,960
Speaker 1: All right now, from my point of view, Haley, imagine

1192
01:03:53,000 --> 01:03:56,040
Speaker 1: you're my really good friend and it's a big birthday.

1193
01:03:56,080 --> 01:03:59,240
Speaker 1: I think it was a meaningful, important birthday, and I

1194
01:03:59,280 --> 01:04:00,800
Speaker 1: was like, I want to do something than like baller

1195
01:04:00,880 --> 01:04:03,240
Speaker 1: for you. I'm gonna, like, I know what I'm gonna do.

1196
01:04:03,280 --> 01:04:05,800
Speaker 1: I'm gonna ring your doorbell, Haley, and when you come outside,

1197
01:04:05,800 --> 01:04:09,960
Speaker 1: there's gonna be a brand new, beautiful, expensive, shiny scooter

1198
01:04:10,080 --> 01:04:11,760
Speaker 1: there for you. Yeah. It was one of the best

1199
01:04:11,760 --> 01:04:14,280
Speaker 1: birthday presents ever. And then and then and then for

1200
01:04:14,440 --> 01:04:17,040
Speaker 1: years and years and years, I'd be like, do you

1201
01:04:17,080 --> 01:04:22,240
Speaker 1: ever use the good And he'd be like, oh, my

1202
01:04:22,360 --> 01:04:24,439
Speaker 1: motorcycle license, my motor and I'd be like, oh, okay,

1203
01:04:24,480 --> 01:04:25,760
Speaker 1: well you're gonna get that, right, you can get that.

1204
01:04:25,840 --> 01:04:28,040
Speaker 1: Just go go take the test real quick, you and

1205
01:04:28,080 --> 01:04:31,760
Speaker 1: he'd be like, oh, yeah, yeah, the Batteri's dead now,

1206
01:04:31,800 --> 01:04:34,480
Speaker 1: I know. Yeah, there was always a reason. There was

1207
01:04:34,480 --> 01:04:38,200
Speaker 1: always a real scooter around my neighborhood quite a few times. Bullshit, Haley,

1208
01:04:38,200 --> 01:04:39,960
Speaker 1: you know what? I finally did you want gonna go

1209
01:04:39,960 --> 01:04:42,200
Speaker 1: get Casey? I reclaimed that shit, Haley. I was like,

1210
01:04:42,520 --> 01:04:45,760
Speaker 1: taking that ship was straight up out of a Jay

1211
01:04:45,840 --> 01:04:48,080
Speaker 1: Z song. Yeah. I rolled up, I rolled up and

1212
01:04:48,080 --> 01:04:52,200
Speaker 1: took it back. At a protest, they repolled a vehicle.

1213
01:04:53,040 --> 01:04:56,520
Speaker 1: Everything was all good just a week ago. That's what

1214
01:04:56,600 --> 01:04:59,600
Speaker 1: you did, you the vehicle. I took Sasha Gray away

1215
01:04:59,600 --> 01:05:03,120
Speaker 1: from you. You did, and it hurt my feelings. Yeah,

1216
01:05:03,120 --> 01:05:06,640
Speaker 1: I understand. Um. Anyway, Sorry we had to air that

1217
01:05:06,680 --> 01:05:08,720
Speaker 1: in front of you, Hailey. Do you have another question

1218
01:05:08,800 --> 01:05:13,680
Speaker 1: for Donald Phazon or I guess um, I have a

1219
01:05:13,720 --> 01:05:16,080
Speaker 1: funny story that relates to Zach what you were talking

1220
01:05:16,080 --> 01:05:19,720
Speaker 1: about a few episodes ago with the Temple of Doom. Yeah,

1221
01:05:19,760 --> 01:05:22,160
Speaker 1: I have a funny I can ask my question or

1222
01:05:22,200 --> 01:05:27,360
Speaker 1: I can relate another silly story story story and if

1223
01:05:27,360 --> 01:05:29,040
Speaker 1: it's and if it's not funny, we'll let you. You

1224
01:05:29,040 --> 01:05:33,320
Speaker 1: can edit it out. We edited out everything no one. Um. So,

1225
01:05:33,360 --> 01:05:36,880
Speaker 1: when I was maybe about eight nine ten m I

1226
01:05:37,000 --> 01:05:40,360
Speaker 1: noticed that were you eight nine or ten in between there?

1227
01:05:40,400 --> 01:05:44,480
Speaker 1: I don't really remember you were. I was an adolescent, right,

1228
01:05:45,680 --> 01:05:47,840
Speaker 1: but I had noticed that there was something kind of

1229
01:05:47,960 --> 01:05:50,520
Speaker 1: growing on my throat area, and I went up to

1230
01:05:50,560 --> 01:05:53,280
Speaker 1: my dad, who's a doctor, and I was like, Dad, look,

1231
01:05:53,320 --> 01:05:55,280
Speaker 1: I have an Adam's apple. Because I was a child,

1232
01:05:55,360 --> 01:05:59,640
Speaker 1: I didn't know that was not a girl thing to have, right, Well,

1233
01:05:59,640 --> 01:06:01,640
Speaker 1: that's not normal. So we went to go get it

1234
01:06:01,720 --> 01:06:03,280
Speaker 1: checked out and I had to get something removed that

1235
01:06:03,360 --> 01:06:06,080
Speaker 1: was growing on my vocal cords and it was as

1236
01:06:06,120 --> 01:06:10,200
Speaker 1: a child, surgery is kind of scary. So after we

1237
01:06:10,280 --> 01:06:12,600
Speaker 1: had done the surgery and I was staying overnight, UM,

1238
01:06:13,640 --> 01:06:15,200
Speaker 1: my dad was like, oh, we have some movies that

1239
01:06:15,200 --> 01:06:17,400
Speaker 1: are at the hospital. Here, we'll watch this one. And

1240
01:06:17,400 --> 01:06:20,520
Speaker 1: it was Indiana Jones Temple of Do And right when

1241
01:06:20,560 --> 01:06:22,320
Speaker 1: it gets to the part, you know, and he's ripping

1242
01:06:22,320 --> 01:06:28,160
Speaker 1: out the heart, I just immediately started bawling. Yea and

1243
01:06:28,320 --> 01:06:31,920
Speaker 1: at d Yeah, that's why exactly. My mom came the

1244
01:06:31,920 --> 01:06:33,640
Speaker 1: next day. He's like, yeah, she had this really bad

1245
01:06:33,680 --> 01:06:36,000
Speaker 1: reaction to the movie. And she's like, well, of course,

1246
01:06:36,040 --> 01:06:39,360
Speaker 1: she did. They were picking out somebody's heart. Yeah, and

1247
01:06:39,440 --> 01:06:41,760
Speaker 1: I don't think. I watched it for at least another

1248
01:06:41,840 --> 01:06:43,760
Speaker 1: ten years, and then I watched it again and I

1249
01:06:43,800 --> 01:06:49,000
Speaker 1: was like, this isn't that bad. But Haley, but Haley,

1250
01:06:49,440 --> 01:06:52,120
Speaker 1: Haley and I were scarred by this film. Our our

1251
01:06:52,160 --> 01:06:55,880
Speaker 1: parents made bad choices. How can you be upset at

1252
01:06:55,960 --> 01:07:00,800
Speaker 1: that movie? I had a whole birthday alved around Indiana

1253
01:07:00,880 --> 01:07:03,800
Speaker 1: Jones later, not Temple of Doom, the first one. Mainly

1254
01:07:05,120 --> 01:07:07,000
Speaker 1: Raid is in a low stark is just as scary

1255
01:07:07,040 --> 01:07:08,880
Speaker 1: when they opened the Ark of the Covenant and it

1256
01:07:08,920 --> 01:07:11,400
Speaker 1: makes the dude's face mount. No, I had no problem

1257
01:07:11,440 --> 01:07:14,360
Speaker 1: with that. There was something about there was something about

1258
01:07:14,440 --> 01:07:17,280
Speaker 1: there was a man that screams like a black curdling scream.

1259
01:07:17,320 --> 01:07:22,920
Speaker 1: He's like, screams like that. I backed up from the mic.

1260
01:07:22,960 --> 01:07:31,640
Speaker 1: You're welcome, You're welcome. You're welcome America, America, UK, Germany, Italy, Australia.

1261
01:07:31,680 --> 01:07:36,360
Speaker 1: But you listen, Australia, You're welcome. Another one, another one, listen.

1262
01:07:36,480 --> 01:07:37,920
Speaker 1: A lot of people are asking. I don't mean to

1263
01:07:37,960 --> 01:07:39,600
Speaker 1: cut you up, but a lot of people are asking me,

1264
01:07:39,800 --> 01:07:42,320
Speaker 1: and this is I feel we need to explain this.

1265
01:07:43,160 --> 01:07:46,280
Speaker 1: We didn't make up another one. Oh yeah, I didn't.

1266
01:07:46,040 --> 01:07:48,520
Speaker 1: I just thought everyone would know the pop culture thing

1267
01:07:48,520 --> 01:07:55,120
Speaker 1: of it. No, DJ college, Yes, DJ Khalid college. College

1268
01:07:56,480 --> 01:07:59,560
Speaker 1: isn't it college? Depending? You know, some people say college,

1269
01:07:59,640 --> 01:08:02,920
Speaker 1: some people say Dan, you're a DJ. What is it? Well,

1270
01:08:02,960 --> 01:08:05,720
Speaker 1: there's there's Khalid, the artist who made talk Um, and

1271
01:08:05,800 --> 01:08:07,880
Speaker 1: then I thought it was DJ Khaled with it more

1272
01:08:07,920 --> 01:08:12,760
Speaker 1: like yeah, yeah, okay, Kal DJ Khaled when he drops

1273
01:08:13,240 --> 01:08:16,280
Speaker 1: his latest tracks, he will in the spirit of Puffy

1274
01:08:16,360 --> 01:08:21,760
Speaker 1: back in the day, going ahead or can't stop, won't stop? Yeah,

1275
01:08:22,160 --> 01:08:26,479
Speaker 1: his his thing is another one, like here's another hit

1276
01:08:26,560 --> 01:08:29,439
Speaker 1: song for you guys. He has another one. There's that,

1277
01:08:29,520 --> 01:08:33,400
Speaker 1: and then there's major key, and then there's We're the best.

1278
01:08:34,400 --> 01:08:37,479
Speaker 1: Major key means what if the song isn't a major key.

1279
01:08:37,800 --> 01:08:39,800
Speaker 1: I don't know what major key is. That's a question

1280
01:08:39,880 --> 01:08:42,600
Speaker 1: to ask scrubs Wicky. Now we're gonna go to no.

1281
01:08:42,920 --> 01:08:45,600
Speaker 1: Now we're gonna go to no. Imagine yet imagine we

1282
01:08:45,680 --> 01:08:48,280
Speaker 1: have we have, we have asked DJ Khalid, and now

1283
01:08:48,320 --> 01:08:52,559
Speaker 1: we're gonna gonna ask DJ Khaled. Um by major key?

1284
01:08:53,040 --> 01:08:56,360
Speaker 1: Another one, Um, Joel, did you ever find out what

1285
01:08:56,400 --> 01:09:00,000
Speaker 1: shitting Grin was about? Yeah? There's a couple of stories

1286
01:09:00,680 --> 01:09:03,880
Speaker 1: you want to hear. Yeah, please, sure, Okay. Um So,

1287
01:09:04,400 --> 01:09:07,960
Speaker 1: my favorite one comes from RB Smith. He's from the

1288
01:09:08,080 --> 01:09:10,960
Speaker 1: UCSD Astrophysics program, and this is off with the San

1289
01:09:11,000 --> 01:09:14,840
Speaker 1: Diego reader dot com. He says the original form of

1290
01:09:14,880 --> 01:09:17,720
Speaker 1: this phrase was grinning like a possum eating shit, which

1291
01:09:17,840 --> 01:09:21,320
Speaker 1: was occasionally euphemized to grinning like a possum eating pumpkin seeds.

1292
01:09:21,800 --> 01:09:23,920
Speaker 1: To those are that's fortunate enough to have observed this

1293
01:09:24,080 --> 01:09:26,400
Speaker 1: teeth together, lips apart, smile on the face of the

1294
01:09:26,479 --> 01:09:31,679
Speaker 1: aforementioned marsupial munching on the aforementioned sectological delicacy, he's smart.

1295
01:09:31,960 --> 01:09:34,680
Speaker 1: The expression counters up a very explicit and not infrequently

1296
01:09:34,840 --> 01:09:37,920
Speaker 1: very apropro image, So that's part of it. Did he

1297
01:09:38,000 --> 01:09:42,840
Speaker 1: say scatological delicacy? Yes, those are not two words I've

1298
01:09:42,880 --> 01:09:45,640
Speaker 1: ever heard together. It was not fun to say that

1299
01:09:45,760 --> 01:09:50,560
Speaker 1: sitting on my van. I. Um so, so it's a

1300
01:09:50,600 --> 01:09:52,760
Speaker 1: referring to an animal who's eating shit and has a

1301
01:09:52,800 --> 01:09:54,920
Speaker 1: big smile on his face because the animal likes eating shit.

1302
01:09:55,000 --> 01:09:58,240
Speaker 1: But it's not really shit, it's actually pumpkin. No, no, no, no,

1303
01:09:58,560 --> 01:10:01,120
Speaker 1: that's like a clean version. Yeah, when if you're saying

1304
01:10:01,160 --> 01:10:02,599
Speaker 1: it in front of a kid, You're like, Oh, he's

1305
01:10:02,600 --> 01:10:06,920
Speaker 1: like he's eating pumpkin. Look at that pumpkin seed eating

1306
01:10:06,960 --> 01:10:09,759
Speaker 1: grin on his face. Yeah, I'm gonna start saying pumpkin

1307
01:10:09,840 --> 01:10:13,960
Speaker 1: seeding grin instead of shit eating grin. Um, Haley, UM,

1308
01:10:14,360 --> 01:10:16,120
Speaker 1: we like you so much. We're gonna end with one

1309
01:10:16,160 --> 01:10:20,000
Speaker 1: more question from you. All right? Um? If so, I

1310
01:10:20,040 --> 01:10:21,479
Speaker 1: don't know if you guys remember, because I know you

1311
01:10:21,600 --> 01:10:24,439
Speaker 1: guys have been saying that you don't remember um some

1312
01:10:24,600 --> 01:10:27,000
Speaker 1: of the episodes. But if there was one line that

1313
01:10:27,080 --> 01:10:29,639
Speaker 1: another character had that you wish you could have had

1314
01:10:30,120 --> 01:10:33,000
Speaker 1: to say, what do you remember? Which one? It was?

1315
01:10:33,400 --> 01:10:42,200
Speaker 1: Good question? M m hm m m m m m no.

1316
01:10:44,080 --> 01:10:47,320
Speaker 1: I like in your endough, that's I say that a

1317
01:10:47,400 --> 01:10:49,280
Speaker 1: lot as well. I say that a lot. I think

1318
01:10:49,320 --> 01:10:51,880
Speaker 1: i'd take um. Sometimes when I'm banging this mattress, I

1319
01:10:52,080 --> 01:10:58,559
Speaker 1: I pretend I'm banging that one. You're something, Todd said.

1320
01:10:58,600 --> 01:11:02,800
Speaker 1: The Todd says, um. I also like Niel's line, My

1321
01:11:03,200 --> 01:11:08,479
Speaker 1: the good Lord didn't bless my wife with another pointer

1322
01:11:09,400 --> 01:11:15,840
Speaker 1: pointer in thumb pinky French nine French is very popular. Yeah,

1323
01:11:17,080 --> 01:11:21,880
Speaker 1: you know, for you know, uh, I want to be

1324
01:11:21,960 --> 01:11:23,800
Speaker 1: the one inside of you. I thought that was very

1325
01:11:23,880 --> 01:11:26,280
Speaker 1: funny too, but I said that you said that, so

1326
01:11:26,600 --> 01:11:29,200
Speaker 1: you didn't really answer. You're the only man who's ever

1327
01:11:29,320 --> 01:11:33,600
Speaker 1: been inside of me. Whoa, I just took out his appendix.

1328
01:11:33,760 --> 01:11:40,400
Speaker 1: There's no mean to clarify. Oh no, okay, s M. Hayley.

1329
01:11:40,479 --> 01:11:42,920
Speaker 1: Thank you so much for coming on. Good luck getting

1330
01:11:42,960 --> 01:11:44,760
Speaker 1: to be with your your fella in the in the

1331
01:11:44,880 --> 01:11:48,880
Speaker 1: United Kingdom. Perhaps perhaps I'll see you over there after

1332
01:11:49,000 --> 01:11:54,479
Speaker 1: we've both the quarantined, and more likely you won't. This

1333
01:11:54,600 --> 01:11:57,640
Speaker 1: is called pleasantries. Donald. I will wave to you. I

1334
01:11:57,680 --> 01:12:02,120
Speaker 1: will keep the train. It's not a train, it's called

1335
01:12:02,160 --> 01:12:05,960
Speaker 1: the tube. There are trains. The Tube is only in London. Yeah, Donald,

1336
01:12:06,000 --> 01:12:10,920
Speaker 1: don't listen, don't. I'm in Newcastle, so I'm in like

1337
01:12:11,000 --> 01:12:16,400
Speaker 1: the north North of London. Oh it's wee ritzy. No,

1338
01:12:16,520 --> 01:12:22,280
Speaker 1: it's not ritzy. London is London is the hood if

1339
01:12:22,320 --> 01:12:25,920
Speaker 1: you ask me, Yo, tonight on Donald talks about different

1340
01:12:25,960 --> 01:12:29,000
Speaker 1: neighborhoods of London. All right, bye, Hailey, thank you so much,

1341
01:12:29,080 --> 01:12:35,639
Speaker 1: thank you so much, Thank you guys. I saw Lisa

1342
01:12:35,720 --> 01:12:39,400
Speaker 1: Marie Pressley in London really yeah, like at a show.

1343
01:12:39,479 --> 01:12:43,040
Speaker 1: She did a show. It was like my Buddy was like, Lisa,

1344
01:12:43,120 --> 01:12:47,720
Speaker 1: Marie Pressley is performing, you don't. First of one, I'm

1345
01:12:47,720 --> 01:12:49,880
Speaker 1: glad we're all finally alone now because I feel like

1346
01:12:49,920 --> 01:12:52,120
Speaker 1: we had to be great for Heather, and then we

1347
01:12:52,240 --> 01:12:56,000
Speaker 1: had to host Hayley, who was delightful. But sometimes you

1348
01:12:56,080 --> 01:12:58,120
Speaker 1: just want to just curl up on the couch with

1349
01:12:58,240 --> 01:13:01,360
Speaker 1: your friends and and just shoot shit. You know, no,

1350
01:13:01,520 --> 01:13:05,120
Speaker 1: I totally agree. Yeah, so let's just let's relax. I'm

1351
01:13:05,120 --> 01:13:09,840
Speaker 1: gonna top up my pants and just I'm gonna kick

1352
01:13:09,920 --> 01:13:13,000
Speaker 1: my shoes off. Let's pack a bowl and let's just

1353
01:13:13,120 --> 01:13:18,920
Speaker 1: fucking relax now. No more house guests, no more visitors. Okay,

1354
01:13:19,280 --> 01:13:21,200
Speaker 1: just us get let's get feedle on the couch and

1355
01:13:21,280 --> 01:13:27,920
Speaker 1: watch alone. Um now, Donald Show, ladies and gentle. No, no, no, no,

1356
01:13:28,000 --> 01:13:30,559
Speaker 1: it's not We got more to do, don't. So Krystal

1357
01:13:30,680 --> 01:13:34,360
Speaker 1: wants back on the Christa Miller's back looking gorgeous and

1358
01:13:34,560 --> 01:13:37,400
Speaker 1: pregnant and pregnant. Is that William in her belly? That

1359
01:13:37,520 --> 01:13:41,560
Speaker 1: must be will in her belly? Yes, that's amazing what

1360
01:13:41,720 --> 01:13:45,560
Speaker 1: I told Casey that she was like, holy cow, it

1361
01:13:45,720 --> 01:13:48,840
Speaker 1: was this was that long ago? Because William is a

1362
01:13:49,360 --> 01:13:51,760
Speaker 1: what is he a senior in high school. Now, yes

1363
01:13:51,920 --> 01:13:54,400
Speaker 1: he must and he dunked. He can dunk, and he

1364
01:13:54,479 --> 01:13:57,479
Speaker 1: plays basketball and he got the game. Yeah, you guys

1365
01:13:57,520 --> 01:14:00,599
Speaker 1: are seeing him in this episode in utero and now

1366
01:14:00,760 --> 01:14:04,240
Speaker 1: he dunks. If you want to see him do it,

1367
01:14:04,360 --> 01:14:06,920
Speaker 1: you can go to Bill Lawrence's Yeah, Bill Lawrence on him.

1368
01:14:06,960 --> 01:14:10,720
Speaker 1: On Bill Lawrence's Vduzer Vduzer's Instagram, you can see his

1369
01:14:11,080 --> 01:14:14,240
Speaker 1: his son dunk. How about a ten thirteen when I

1370
01:14:14,280 --> 01:14:18,040
Speaker 1: go I told you you smoked the angel, Yeah, that

1371
01:14:18,200 --> 01:14:21,240
Speaker 1: was improved. That wasn't something really that was improved. I

1372
01:14:21,320 --> 01:14:25,439
Speaker 1: remember it was something else originally, and uh, that was funny. Yeah.

1373
01:14:25,439 --> 01:14:27,559
Speaker 1: I remember laughing so hard when you said that too,

1374
01:14:27,760 --> 01:14:29,920
Speaker 1: And I remember thinking that'll never make this epis that'll

1375
01:14:29,960 --> 01:14:31,639
Speaker 1: never make the ship because we weren't allowed to talk

1376
01:14:31,680 --> 01:14:34,160
Speaker 1: about weed back then. It was so scandalous. Now, I

1377
01:14:34,200 --> 01:14:36,160
Speaker 1: want to know something you're your I read on Scrubs

1378
01:14:36,200 --> 01:14:40,680
Speaker 1: Wiki that your Brady Bunch trivia here is wrong. Um,

1379
01:14:41,120 --> 01:14:43,599
Speaker 1: I don't know not about Listen. I don't know nothing

1380
01:14:43,640 --> 01:14:46,800
Speaker 1: about the Brady Bunch in the first place, so I don't. Okay, Well,

1381
01:14:46,920 --> 01:14:50,040
Speaker 1: Turk Turk is quite wrong here, and I'll tell you why.

1382
01:14:50,360 --> 01:14:51,960
Speaker 1: I can't back it up though, because I don't know

1383
01:14:52,000 --> 01:14:54,000
Speaker 1: shit about the Brady Bunch. I'm just telling you so

1384
01:14:54,120 --> 01:14:55,880
Speaker 1: you know, if it ever comes up again in your life.

1385
01:14:56,400 --> 01:14:58,920
Speaker 1: When Turk tries to prove his knowledge of the Brady

1386
01:14:58,960 --> 01:15:02,640
Speaker 1: Bunch by describing a exactly which episode JD is referring to,

1387
01:15:02,840 --> 01:15:06,919
Speaker 1: he's incorrect. He claims the episode quote Marcia gets creamed,

1388
01:15:07,120 --> 01:15:09,439
Speaker 1: and quote was in By the way, you could never

1389
01:15:09,680 --> 01:15:14,400
Speaker 1: name a show that today was in seasons was in

1390
01:15:14,640 --> 01:15:18,639
Speaker 1: season five, episode three, while it was actually episode seven

1391
01:15:18,960 --> 01:15:22,080
Speaker 1: that season. So somebody fucked up. We can blame who

1392
01:15:23,360 --> 01:15:27,760
Speaker 1: wrote this. Janee, you fucked up, okay, and you're Northwestern grad.

1393
01:15:27,960 --> 01:15:30,720
Speaker 1: I expected more from you. I really got a hand

1394
01:15:30,760 --> 01:15:33,439
Speaker 1: it to Christopher in this episode, you know, making fun

1395
01:15:33,479 --> 01:15:37,040
Speaker 1: of herself and you know, making fun of the fact

1396
01:15:37,120 --> 01:15:39,880
Speaker 1: that she's pregnant and being so vulnerable. She did such

1397
01:15:39,920 --> 01:15:41,800
Speaker 1: a great job, and the scene in the bathroom where

1398
01:15:41,840 --> 01:15:46,200
Speaker 1: she's crying, you know, and I felt very raw and real.

1399
01:15:46,760 --> 01:15:51,280
Speaker 1: Yeah it did, you know. And I remember when my

1400
01:15:51,360 --> 01:15:53,240
Speaker 1: wife was pregnant and there were days where she didn't

1401
01:15:53,240 --> 01:15:58,080
Speaker 1: necessarily feel like, you know, she was the sexiest person

1402
01:15:58,160 --> 01:16:00,479
Speaker 1: on the planet, and I remember just thinking, Wow, she's

1403
01:16:00,520 --> 01:16:04,160
Speaker 1: so beautiful. She's so beautiful, and I feel like that's

1404
01:16:04,200 --> 01:16:06,760
Speaker 1: what Cox was going through in this episode, you know,

1405
01:16:08,040 --> 01:16:13,080
Speaker 1: regardless of him dating how the Lockeleyest character and everything

1406
01:16:13,160 --> 01:16:17,320
Speaker 1: like that. There's something special about when you see somebody

1407
01:16:17,360 --> 01:16:21,280
Speaker 1: who you love and they're carrying your baby inside of them,

1408
01:16:21,760 --> 01:16:24,760
Speaker 1: that you just think that the most beautiful human on

1409
01:16:24,880 --> 01:16:28,640
Speaker 1: the planet. Like I just I just remember looking at

1410
01:16:28,680 --> 01:16:31,160
Speaker 1: Casey and being like, holy shit, she's so beautiful. And

1411
01:16:31,200 --> 01:16:33,360
Speaker 1: she and she'd be like, I got three chins, and

1412
01:16:33,360 --> 01:16:34,880
Speaker 1: I'd be like, I don't give a shit, you could

1413
01:16:34,920 --> 01:16:37,040
Speaker 1: have twenty chin. You looked so beautiful. I love all

1414
01:16:37,120 --> 01:16:39,360
Speaker 1: three of them, right, you know what I mean? Well,

1415
01:16:39,400 --> 01:16:42,320
Speaker 1: I bet you know christ is a really good actress.

1416
01:16:42,360 --> 01:16:45,799
Speaker 1: But I also bet that you know she was legit pregnant,

1417
01:16:45,880 --> 01:16:48,519
Speaker 1: and I'm sure that she could call upon those feelings

1418
01:16:48,800 --> 01:16:51,200
Speaker 1: when she's sitting on the bathroom floor feeling, you know,

1419
01:16:52,400 --> 01:16:54,920
Speaker 1: undesired by by doctor Cox. I thought that was a

1420
01:16:54,960 --> 01:16:57,120
Speaker 1: really nice scene between the two of them. Yeah, and

1421
01:16:57,280 --> 01:17:00,320
Speaker 1: it was a good fake out too. Yeah, that was

1422
01:17:00,400 --> 01:17:02,200
Speaker 1: clever how they had to do that. So Johnny c

1423
01:17:02,360 --> 01:17:05,280
Speaker 1: grabs two things whiskey. Heather's on the couch by the

1424
01:17:05,360 --> 01:17:07,519
Speaker 1: time he comes around, it's been changed to Krista and

1425
01:17:07,600 --> 01:17:09,479
Speaker 1: she's like, you know, I can't drink that, right. He's like, yeah,

1426
01:17:09,479 --> 01:17:13,760
Speaker 1: they're both for me. Yeah, I love that. Yeah. Now,

1427
01:17:13,880 --> 01:17:15,519
Speaker 1: this we've we've said it a couple of times, but

1428
01:17:15,600 --> 01:17:17,400
Speaker 1: this is one of the greatest lines in Scrub's history.

1429
01:17:17,640 --> 01:17:20,320
Speaker 1: In this episode thirteen o nine, I have one of

1430
01:17:20,360 --> 01:17:23,280
Speaker 1: those French things that shoots water up my butt. But

1431
01:17:23,479 --> 01:17:30,560
Speaker 1: day the day to use her whoever? I said, but

1432
01:17:30,760 --> 01:17:35,360
Speaker 1: Day that was very clever. Heather has a line that's

1433
01:17:35,360 --> 01:17:39,559
Speaker 1: funny when she disses Kristen. She says, anywhere anybody looks,

1434
01:17:39,600 --> 01:17:44,760
Speaker 1: they'll see you. That was fucked up. And how about

1435
01:17:44,800 --> 01:17:46,960
Speaker 1: when I scare you in the ambulance and you scream?

1436
01:17:47,040 --> 01:17:50,760
Speaker 1: That was funny. Yeah, and yeah, I was gonna say, dude,

1437
01:17:50,840 --> 01:17:53,599
Speaker 1: such a good scene. Man. That's one of those moments.

1438
01:17:54,280 --> 01:17:56,639
Speaker 1: You know, you we've worked together for a really long time,

1439
01:17:56,680 --> 01:18:00,240
Speaker 1: and you have and and I've seen I feel I've

1440
01:18:00,240 --> 01:18:03,360
Speaker 1: seen most of your tricks. You've developed some new tricks

1441
01:18:03,400 --> 01:18:05,880
Speaker 1: that I haven't seen in the last ten years because

1442
01:18:05,960 --> 01:18:08,000
Speaker 1: you've gone on to work on other things and everything

1443
01:18:08,080 --> 01:18:10,840
Speaker 1: like that. But this is one of those. But this

1444
01:18:10,960 --> 01:18:13,000
Speaker 1: is one of the first times where we had done

1445
01:18:13,120 --> 01:18:18,559
Speaker 1: a season of of Scrubs together already, and I hadn't

1446
01:18:18,640 --> 01:18:24,560
Speaker 1: seen you play this this this side before where it

1447
01:18:24,720 --> 01:18:28,160
Speaker 1: was like you were you were thinking, you you're really

1448
01:18:28,280 --> 01:18:32,760
Speaker 1: thinking about it in the scene and it disturbs you,

1449
01:18:32,800 --> 01:18:34,559
Speaker 1: but it doesn't disturb you to where you're like kind

1450
01:18:34,600 --> 01:18:36,639
Speaker 1: of fucked up about it. But it's just like, holy shit,

1451
01:18:36,760 --> 01:18:38,960
Speaker 1: life's changing for us. And I had never seen you

1452
01:18:39,080 --> 01:18:41,560
Speaker 1: played that before. And I remember watching this because I

1453
01:18:41,640 --> 01:18:47,680
Speaker 1: watched it like two two hours ago and thinking, if

1454
01:18:47,760 --> 01:18:50,920
Speaker 1: I remember correctly, I remember Zach not knowing how he

1455
01:18:51,000 --> 01:18:53,000
Speaker 1: wanted to play this scene, and we worked on this

1456
01:18:53,800 --> 01:18:57,120
Speaker 1: side on his side for a bit, and this is

1457
01:18:57,200 --> 01:19:00,320
Speaker 1: what he came up with, and it works so well, dude,

1458
01:19:00,360 --> 01:19:03,000
Speaker 1: it works. It's like it's it's one of those moments

1459
01:19:03,040 --> 01:19:06,559
Speaker 1: where you know you're in awe of the moment as

1460
01:19:06,920 --> 01:19:10,240
Speaker 1: an actor, but you're also you want to keep it grounded,

1461
01:19:10,320 --> 01:19:14,400
Speaker 1: like so she said, she said, you said we no,

1462
01:19:14,600 --> 01:19:18,560
Speaker 1: she said we you know what I mean. And that

1463
01:19:18,640 --> 01:19:20,760
Speaker 1: could have been played so many other ways, it could

1464
01:19:20,760 --> 01:19:23,560
Speaker 1: have been underplayed, but you played it very thoughtfully, and

1465
01:19:23,600 --> 01:19:25,600
Speaker 1: I thought that was so amazing. Thank you. Thank you

1466
01:19:25,680 --> 01:19:27,599
Speaker 1: for saying that. I you know, it's on this show,

1467
01:19:27,680 --> 01:19:30,720
Speaker 1: it was always you and I so easily went into

1468
01:19:30,760 --> 01:19:33,800
Speaker 1: the silly stuff, right um, because that that's just that's

1469
01:19:33,840 --> 01:19:35,519
Speaker 1: who we are and that came naturally to us. But

1470
01:19:35,680 --> 01:19:37,760
Speaker 1: then there's always these great moments in the scene is

1471
01:19:37,800 --> 01:19:39,080
Speaker 1: one of them where we have the sort of heart

1472
01:19:39,120 --> 01:19:42,360
Speaker 1: to heart where we would have to shift our brains

1473
01:19:42,400 --> 01:19:45,120
Speaker 1: a bit and be like no, no, no, uh, go

1474
01:19:45,280 --> 01:19:47,880
Speaker 1: out of broad silliness and like drop in and be

1475
01:19:48,000 --> 01:19:49,960
Speaker 1: just totally real and straight with one another. And I

1476
01:19:50,080 --> 01:19:52,040
Speaker 1: think that's one of the things that made this show

1477
01:19:52,200 --> 01:19:55,479
Speaker 1: special to a lot of people because because it had

1478
01:19:55,760 --> 01:19:57,519
Speaker 1: it had the ability to do that, it had the

1479
01:19:57,560 --> 01:20:01,120
Speaker 1: ability to drop in and be real. Yeah, you know,

1480
01:20:01,280 --> 01:20:06,080
Speaker 1: and and and and that's I mean, yeah, obviously that's

1481
01:20:06,120 --> 01:20:08,200
Speaker 1: the reason why we ran for so long. But that's

1482
01:20:08,200 --> 01:20:11,320
Speaker 1: such a special thing man to to for me now,

1483
01:20:11,400 --> 01:20:13,360
Speaker 1: to go back and look at the things that we

1484
01:20:13,520 --> 01:20:15,640
Speaker 1: did in our past and the things that you know,

1485
01:20:15,760 --> 01:20:18,040
Speaker 1: it's a lot like what this episode is about, you know,

1486
01:20:20,040 --> 01:20:23,280
Speaker 1: just to look at, you know, moments that we had

1487
01:20:23,880 --> 01:20:27,600
Speaker 1: back in the day and really appreciating them. You know,

1488
01:20:29,000 --> 01:20:31,599
Speaker 1: I miss the camaraderie that we had. I don't think

1489
01:20:31,640 --> 01:20:36,640
Speaker 1: i'll ever in my life experience what we experienced when

1490
01:20:36,720 --> 01:20:39,240
Speaker 1: we were making this show again. And you know, you

1491
01:20:39,360 --> 01:20:42,400
Speaker 1: search for it and you try to create it with

1492
01:20:42,560 --> 01:20:46,360
Speaker 1: other people, and sometimes you even fake it. But you know,

1493
01:20:46,880 --> 01:20:49,080
Speaker 1: we were also young, but we were also young. And

1494
01:20:49,840 --> 01:20:52,439
Speaker 1: I mean, first of all, yeah, of course nine year

1495
01:20:52,520 --> 01:20:54,880
Speaker 1: runs on a show with great people, It's not something

1496
01:20:54,920 --> 01:20:57,200
Speaker 1: that happens multiple times in a lifetime necessarily, But also

1497
01:20:57,280 --> 01:21:02,080
Speaker 1: we were young and so wide eyed and um excited

1498
01:21:02,800 --> 01:21:07,200
Speaker 1: and really savoring it. I think. And now you know,

1499
01:21:07,320 --> 01:21:10,120
Speaker 1: you have a family, you know, we all have grown up,

1500
01:21:10,120 --> 01:21:11,800
Speaker 1: We've got other things going on. I didn't even know

1501
01:21:11,960 --> 01:21:14,400
Speaker 1: that we would. I don't even know if it's recreatable

1502
01:21:14,479 --> 01:21:16,800
Speaker 1: in a in a new environment, you know what I mean? Yeah,

1503
01:21:16,880 --> 01:21:21,120
Speaker 1: I I I can't imagine myself like I can't imagine

1504
01:21:21,160 --> 01:21:23,719
Speaker 1: myself spending the amount of time that we've spent together

1505
01:21:23,840 --> 01:21:26,679
Speaker 1: with someone else now, you know, other than my wife.

1506
01:21:26,920 --> 01:21:29,200
Speaker 1: And the hours too, man, I also don't want to

1507
01:21:29,240 --> 01:21:32,559
Speaker 1: work that hard. I don't mind working those hours when

1508
01:21:32,600 --> 01:21:34,840
Speaker 1: I when I love I love working. I love working.

1509
01:21:34,880 --> 01:21:36,280
Speaker 1: But when I look at this show and how much

1510
01:21:36,439 --> 01:21:39,240
Speaker 1: how we were, we were just non existent well, you

1511
01:21:39,360 --> 01:21:41,240
Speaker 1: worked a lot about there were times where you just

1512
01:21:41,360 --> 01:21:44,160
Speaker 1: didn't do but I just didn't leave there. There were

1513
01:21:44,160 --> 01:21:47,200
Speaker 1: times where I thought about sleeping in that fucking hospital. Yeah, no,

1514
01:21:47,400 --> 01:21:52,680
Speaker 1: not me, but I never did. Um Listen. The rooftop

1515
01:21:53,320 --> 01:21:57,080
Speaker 1: that ends this show, wasn't it Downtown La? I don't know.

1516
01:21:57,600 --> 01:21:59,439
Speaker 1: I would like to believe that it was. It could

1517
01:21:59,479 --> 01:22:02,080
Speaker 1: have been Joe, No, it wasn't it was. It could

1518
01:22:02,120 --> 01:22:04,200
Speaker 1: have fancy rooftop, and I believe it. We went down

1519
01:22:04,400 --> 01:22:06,680
Speaker 1: Town LA for it and then but scrubs Wiki is

1520
01:22:06,720 --> 01:22:09,200
Speaker 1: saying that it was at UCLA, and I think it

1521
01:22:09,320 --> 01:22:12,439
Speaker 1: might be wrong, and they're saying it's the roof of

1522
01:22:13,200 --> 01:22:14,600
Speaker 1: kind of give this and we kinda give this to

1523
01:22:14,760 --> 01:22:17,920
Speaker 1: freaking funcos Man. No, listen, he deserves funcos for the

1524
01:22:18,000 --> 01:22:22,240
Speaker 1: services he's already performed. They've given us false. False. It's false, though, man,

1525
01:22:23,120 --> 01:22:26,599
Speaker 1: that definitely where at UCLA? Was that? He says? Well,

1526
01:22:26,640 --> 01:22:29,000
Speaker 1: Wiki or it's not just him, him and his thousand

1527
01:22:29,040 --> 01:22:32,960
Speaker 1: minions say couple commons, but that would be Westwood and

1528
01:22:33,080 --> 01:22:35,640
Speaker 1: that's not Westwood. In the end of the show, right, Dan,

1529
01:22:35,680 --> 01:22:38,120
Speaker 1: you want to ask Bill do you think Bill would

1530
01:22:38,160 --> 01:22:45,599
Speaker 1: remember remember? Let's ask djal dj Khaled at the end

1531
01:22:45,640 --> 01:22:49,680
Speaker 1: of this episode, Um, what what building are we on?

1532
01:22:50,080 --> 01:22:52,720
Speaker 1: I believe it was Downtown. Some are saying it's a

1533
01:22:53,120 --> 01:22:56,840
Speaker 1: UCLA property, which is Westwood. What are your thoughts on this,

1534
01:22:57,800 --> 01:23:04,080
Speaker 1: Zach May your key? I got nothing. I don't. I really,

1535
01:23:04,120 --> 01:23:07,880
Speaker 1: honestly don't even have a DJ Khalid impersonation in my repertoire.

1536
01:23:08,280 --> 01:23:10,679
Speaker 1: If you watch Scrubs on Hulu, they play a DJ

1537
01:23:10,920 --> 01:23:15,479
Speaker 1: Khaled commercial about him brush somebody brushing their teeth, and

1538
01:23:15,560 --> 01:23:21,599
Speaker 1: DJ Khaled's like circular motions. Do another one? What if

1539
01:23:21,680 --> 01:23:25,000
Speaker 1: I another one? What if I do DJ Khaled? But

1540
01:23:25,160 --> 01:23:28,360
Speaker 1: as a as a as an impersonation that I'm good at.

1541
01:23:28,520 --> 01:23:30,519
Speaker 1: So you just have to use the audience. We'll just

1542
01:23:30,600 --> 01:23:35,200
Speaker 1: have to pretend this is how he talks ahead, he

1543
01:23:35,360 --> 01:23:42,760
Speaker 1: talks like Aaron Neville. Another I don't remember where you

1544
01:23:43,000 --> 01:23:45,840
Speaker 1: got shot that scene, but I don't think it was

1545
01:23:46,000 --> 01:23:53,720
Speaker 1: You'll see. I'm it was Downtown LLA. That's how DJ

1546
01:23:53,880 --> 01:24:03,599
Speaker 1: Kaled talks in my mind. Oh right now, did Aaron

1547
01:24:03,640 --> 01:24:05,960
Speaker 1: Neville die? I don't know, but he's rolling over it

1548
01:24:06,080 --> 01:24:09,160
Speaker 1: right right? Why is he rolling over his grave? He's alive? Well,

1549
01:24:09,200 --> 01:24:13,760
Speaker 1: that's something. Charles Barkley says, oh um dj kal it

1550
01:24:13,920 --> 01:24:17,040
Speaker 1: is Aaron Neville dead. No, he's very much a laugh.

1551
01:24:23,760 --> 01:24:29,760
Speaker 1: We should show great show listeners. We love you. Why

1552
01:24:29,840 --> 01:24:33,120
Speaker 1: is the janitor stealing a computer? He goes the whole

1553
01:24:33,200 --> 01:24:35,599
Speaker 1: the whole episode. He's trying to figure out who's stealing

1554
01:24:35,640 --> 01:24:38,240
Speaker 1: all of these think I think the reveal is that

1555
01:24:38,320 --> 01:24:40,680
Speaker 1: he's the one stealing everything out of the hospital. Right. Well, no,

1556
01:24:40,880 --> 01:24:42,760
Speaker 1: he didn't steal the drugs and he definitely didn't steal

1557
01:24:42,800 --> 01:24:44,600
Speaker 1: the pudding pops because we did the pudding because we

1558
01:24:44,680 --> 01:24:48,000
Speaker 1: did right. Hey, guys, we had a great time with

1559
01:24:48,120 --> 01:24:51,680
Speaker 1: you today. Yes, sorry um um for anything that went.

1560
01:24:52,360 --> 01:24:54,439
Speaker 1: We want to thank Heather Locklear for being on the show.

1561
01:24:54,479 --> 01:24:57,920
Speaker 1: I want to thank Joel and Daniel Danel. You guys

1562
01:24:57,960 --> 01:25:01,640
Speaker 1: are amazing. Thank you listeners all around the world for uh,

1563
01:25:01,920 --> 01:25:04,479
Speaker 1: for for tuning in and for having a giggle with

1564
01:25:04,640 --> 01:25:07,600
Speaker 1: us and uh and we hope that this this, this

1565
01:25:07,840 --> 01:25:12,000
Speaker 1: this audio file finds you smiling. But day the day

1566
01:25:12,040 --> 01:25:16,759
Speaker 1: to you love bib six seven day stories about Shore

1567
01:25:17,040 --> 01:25:21,479
Speaker 1: we made about a bunch of doctor nurses and a

1568
01:25:21,720 --> 01:25:24,720
Speaker 1: Jannita who loved me. Here I said, here's the stories.

1569
01:25:25,520 --> 01:25:30,120
Speaker 1: Never you all should know. So gata around you. Here

1570
01:25:30,240 --> 01:25:34,560
Speaker 1: are gato around you, Here are set for you shows.

1571
01:25:37,120 --> 01:25:37,679
Speaker 1: M hmm.