WEBVTT - The Cabinet

0:00:00.160 --> 0:00:05.359
<v Speaker 1>The Seventh Daughter contains scenes of realistic violence and graphic sexuality.

0:00:05.880 --> 0:00:15.560
<v Speaker 1>It is intended for mature listeners. Have you come seeking knowledge?

0:00:16.760 --> 0:00:20.319
<v Speaker 1>Do you wish to know the truth? Allow me to

0:00:20.360 --> 0:00:25.599
<v Speaker 1>show you. Close your eyes and follow the sound of

0:00:25.640 --> 0:00:32.040
<v Speaker 1>my voice. Allow it to lead you further into the past.

0:00:34.200 --> 0:00:38.040
<v Speaker 1>When I remove my blindfold, you may look into my eyes.

0:00:39.440 --> 0:00:44.120
<v Speaker 1>Don't just look at them, look through them, and you

0:00:44.159 --> 0:00:49.840
<v Speaker 1>will see what they have seen, and all my secrets

0:00:51.479 --> 0:01:05.720
<v Speaker 1>will be revealed. The Seventh Daughter M M, this place

0:01:05.840 --> 0:01:10.440
<v Speaker 1>is huge. Yes, well, don't be intimidated. The more dollars

0:01:10.440 --> 0:01:13.440
<v Speaker 1>a person has, the less sense. Well, so your mother

0:01:13.560 --> 0:01:17.839
<v Speaker 1>used to say. My mother, she carried a healthy resentment

0:01:17.880 --> 0:01:20.880
<v Speaker 1>for the ruling class. I wish she could see you

0:01:21.040 --> 0:01:24.199
<v Speaker 1>right now, knowing what you're about to do. She would

0:01:24.240 --> 0:01:28.640
<v Speaker 1>be so proud. Do you think so? I know? So

0:01:29.800 --> 0:01:32.600
<v Speaker 1>before we ring the bell, doone, I just want to

0:01:32.600 --> 0:01:36.160
<v Speaker 1>tell you that that I am proud of you too.

0:01:37.280 --> 0:01:39.560
<v Speaker 1>I know it hasn't been easy for you, but you've

0:01:39.560 --> 0:01:44.119
<v Speaker 1>accomplished more than I ever hoped or expected. Thank you.

0:01:45.480 --> 0:01:48.440
<v Speaker 1>Once we ring that bell, there is no turning back.

0:01:49.320 --> 0:01:52.880
<v Speaker 1>If we fail, they will destroy us. There will be

0:01:52.960 --> 0:01:57.240
<v Speaker 1>no second chances. But if we succeed, it will bring

0:01:57.320 --> 0:02:01.560
<v Speaker 1>us one step closer to Cobo. Yes, ring the bell.

0:02:02.200 --> 0:02:05.440
<v Speaker 1>I have no fear. Then, if you'll allow me a

0:02:05.520 --> 0:02:08.840
<v Speaker 1>small indulgence, I want to deliver a message to the

0:02:08.919 --> 0:02:14.360
<v Speaker 1>good doctor. Open your mouth. Swallow this is it just

0:02:14.520 --> 0:02:17.959
<v Speaker 1>a piece of parchment, nothing more. Swallow it without chewing.

0:02:21.480 --> 0:02:26.440
<v Speaker 1>Go down, all right, Yes, I have the capsule. I'll

0:02:26.440 --> 0:02:41.480
<v Speaker 1>be ready. Good, So let's go to work. Hello, my name,

0:02:42.840 --> 0:02:47.480
<v Speaker 1>what are you doing here? Call me Rose. I've come

0:02:47.520 --> 0:02:50.480
<v Speaker 1>for an appointment with the mistress of the house. These

0:02:51.320 --> 0:02:54.560
<v Speaker 1>If it's money you want, I don't want nothing from you, olive,

0:02:55.320 --> 0:02:59.960
<v Speaker 1>except silence. In exchange for your silence, I shall give

0:03:00.080 --> 0:03:12.760
<v Speaker 1>you mine, agreed, I promise. Ah here, come inside. Please

0:03:12.840 --> 0:03:15.360
<v Speaker 1>give your coats to the girl of whatever you fish

0:03:15.440 --> 0:03:18.880
<v Speaker 1>to leave with her. I trust you found your favor

0:03:18.919 --> 0:03:23.320
<v Speaker 1>with no problems. No problems. Good if you just step

0:03:23.360 --> 0:03:29.760
<v Speaker 1>into the parlor here this is your home. No, this

0:03:30.040 --> 0:03:33.640
<v Speaker 1>is the home of the person who has graciously consented

0:03:33.680 --> 0:03:38.000
<v Speaker 1>to host the demonstration as a test of Pandora's vision.

0:03:38.240 --> 0:03:42.800
<v Speaker 1>The owner shall remain nameless. Is that why you've covered

0:03:42.840 --> 0:03:49.120
<v Speaker 1>all the pictures on the walls. Yes, good evening, Pandora,

0:03:49.240 --> 0:03:54.160
<v Speaker 1>how are you feeling? She is feeling well well, Ross,

0:03:54.800 --> 0:03:57.680
<v Speaker 1>If you care to wait here, I'll take the girl

0:03:57.760 --> 0:04:02.000
<v Speaker 1>into the study. I look chairman her and sow her

0:04:02.040 --> 0:04:05.440
<v Speaker 1>into her gown. There's no need for an examination, and

0:04:05.480 --> 0:04:09.119
<v Speaker 1>the gown she's wearing should be quite sufficient. I'm afraid

0:04:09.320 --> 0:04:15.280
<v Speaker 1>I must insisbsolutely not. She's a child, ms Ross. This

0:04:15.480 --> 0:04:18.839
<v Speaker 1>is not a performance. I am not here for my

0:04:18.920 --> 0:04:24.560
<v Speaker 1>own amusement. I am conducting a scientific examination, A thorough

0:04:25.080 --> 0:04:31.840
<v Speaker 1>scientific examination. Pandora. Perhaps you can help her understand? Oh,

0:04:31.880 --> 0:04:36.240
<v Speaker 1>I understand. You may have the medical degrees, but I

0:04:36.279 --> 0:04:40.280
<v Speaker 1>know exactly what your motives are. Please don't cause a scene. Ah,

0:04:41.279 --> 0:04:46.520
<v Speaker 1>don't you dare open your mouth to me, you ungrateful rat. Sorry,

0:04:46.560 --> 0:04:49.919
<v Speaker 1>that's enough. I won't have the child spoken to in

0:04:50.000 --> 0:04:53.279
<v Speaker 1>this venge, and I won't have the child stripped, naked

0:04:53.320 --> 0:04:58.120
<v Speaker 1>and prodded by the likes of you, your bloody assurances.

0:04:59.120 --> 0:05:02.599
<v Speaker 1>Do you wish to see the girl perform miracles? She

0:05:02.720 --> 0:05:07.760
<v Speaker 1>will perform miracles? Is that not enough? Must you violate

0:05:07.800 --> 0:05:11.919
<v Speaker 1>her as well? Not? It seem that Madame has something

0:05:11.960 --> 0:05:15.599
<v Speaker 1>to hide. I'm hiding nothing. I should have known better

0:05:15.680 --> 0:05:20.320
<v Speaker 1>than to having I'm protecting the girl. You are going

0:05:20.400 --> 0:05:24.640
<v Speaker 1>to lecture me on the exploration of this orphan. She

0:05:24.920 --> 0:05:30.080
<v Speaker 1>is not an orphan. Her father is so recoil on

0:05:30.200 --> 0:05:34.560
<v Speaker 1>a street corner. Yes, with her clothes on, reading minds

0:05:34.600 --> 0:05:37.919
<v Speaker 1>in a music have her treated as a common whore.

0:05:38.360 --> 0:05:47.040
<v Speaker 1>She is a virgin after all. Well, so you say

0:05:47.600 --> 0:05:50.720
<v Speaker 1>you've never been slapped by a black woman before her

0:05:50.800 --> 0:05:54.839
<v Speaker 1>Von Shrink. I can see by your expression that you haven't,

0:05:55.640 --> 0:05:59.960
<v Speaker 1>and you don't quite know how to react. I apologize

0:06:00.040 --> 0:06:03.200
<v Speaker 1>if I have confused you, but you really left me

0:06:03.279 --> 0:06:07.960
<v Speaker 1>no choice. I will permit no one to mark Pandora

0:06:08.600 --> 0:06:14.200
<v Speaker 1>or question her purity. That was my left hand. Make

0:06:14.240 --> 0:06:18.960
<v Speaker 1>another vulgar insinuation and you'll feel the sting of the

0:06:19.120 --> 0:06:22.880
<v Speaker 1>right as well. I'm afraid I have no choice. But

0:06:23.000 --> 0:06:27.479
<v Speaker 1>she is the seventh daughter. The other six all died

0:06:27.640 --> 0:06:32.719
<v Speaker 1>in childbirth or shortly thereafter, and each took a devastating

0:06:32.800 --> 0:06:36.360
<v Speaker 1>toll on her mother's health. It was foolish for her

0:06:36.400 --> 0:06:39.479
<v Speaker 1>to try and have another child, but she was determined

0:06:39.520 --> 0:06:43.440
<v Speaker 1>to fulfill the legacy she'd inherited from her mother and

0:06:43.560 --> 0:06:48.320
<v Speaker 1>her mother before her. But she dutifully persisted. By the

0:06:48.400 --> 0:06:51.720
<v Speaker 1>time she had Pandora, she was little more than a wraith.

0:06:52.760 --> 0:06:55.760
<v Speaker 1>The moment they severed her cord, she just let out

0:06:55.800 --> 0:07:02.320
<v Speaker 1>her breath and was gone. Pandora herself is quite frail,

0:07:03.240 --> 0:07:06.000
<v Speaker 1>and I doubt she will have the strength to bear

0:07:06.040 --> 0:07:10.120
<v Speaker 1>so many children, which means she is not only the

0:07:10.200 --> 0:07:15.280
<v Speaker 1>seventh daughter, but she is quite possibly the last of

0:07:15.320 --> 0:07:21.440
<v Speaker 1>her bloodline. I must protect her and her gift with

0:07:21.520 --> 0:07:30.360
<v Speaker 1>my life. Miss Pandora, I wish to offer you my

0:07:30.760 --> 0:07:35.880
<v Speaker 1>apologies for the thoughtless remark I just made. I do

0:07:36.000 --> 0:07:41.720
<v Speaker 1>hope you can forgive me by all means. Let's speak

0:07:41.760 --> 0:07:45.640
<v Speaker 1>no more of it. Step into the study. I'll bring

0:07:45.720 --> 0:07:50.040
<v Speaker 1>the girl as you wish, very well. I'll speak to

0:07:50.080 --> 0:07:55.520
<v Speaker 1>you both in a moment. Why did you do that?

0:07:56.040 --> 0:08:01.720
<v Speaker 1>Slap him? Yes, punctuation. Help me on to stand. Talk

0:08:01.800 --> 0:08:33.000
<v Speaker 1>to me as if I were an enemy's Mrs Davenport.

0:08:33.640 --> 0:08:41.199
<v Speaker 1>May I introduce Pandora, the seventh Daughter. I've heard wonderful things, Pandora.

0:08:41.720 --> 0:08:44.360
<v Speaker 1>Thank you for sharing your time with us. I'm honored

0:08:44.400 --> 0:08:52.520
<v Speaker 1>to be here. And this is China Ross, the girl's caretaker.

0:08:54.679 --> 0:08:59.360
<v Speaker 1>Good evening. I hope we will not disappoint you. Madam.

0:08:59.360 --> 0:09:03.280
<v Speaker 1>Pandora is the seventh daughter of a seventh daughter, and

0:09:03.480 --> 0:09:08.800
<v Speaker 1>is just beginning to realize her spiritual potential. I look

0:09:08.920 --> 0:09:14.880
<v Speaker 1>forward to demonstration, Albert. Yes, madam, you've examined the girl

0:09:15.280 --> 0:09:20.640
<v Speaker 1>and you're satisfied as to her integrity thus far, Madame,

0:09:21.000 --> 0:09:25.400
<v Speaker 1>very much so. Will the girl remain clothed? Due to

0:09:25.520 --> 0:09:28.880
<v Speaker 1>her age and the fact that it is our first

0:09:28.880 --> 0:09:31.960
<v Speaker 1>sitting with her. I decided to allow the girl to

0:09:32.040 --> 0:09:36.120
<v Speaker 1>retain her modesty. If you think it wise, I won't object.

0:09:37.160 --> 0:09:40.719
<v Speaker 1>Would you show them the cabinet please? Of course? Right

0:09:40.800 --> 0:09:44.920
<v Speaker 1>this way. As you can see, the cabinet is surrounded

0:09:44.960 --> 0:09:49.360
<v Speaker 1>with black curtains on all four sides. The panels are

0:09:49.360 --> 0:09:52.600
<v Speaker 1>sewn together so that there are no gaps in the corners.

0:09:53.400 --> 0:09:58.359
<v Speaker 1>The only opening is here on the front side. Pandora

0:09:58.480 --> 0:10:02.720
<v Speaker 1>may open and close the curtains in front so that

0:10:02.800 --> 0:10:06.800
<v Speaker 1>we may see her. We do require that her hands

0:10:06.880 --> 0:10:09.880
<v Speaker 1>gripped the edges of the fabric here in the front

0:10:10.280 --> 0:10:15.160
<v Speaker 1>at all times. She may open and close these cottons

0:10:15.800 --> 0:10:22.080
<v Speaker 1>like soul, but her hands must remain visible throughout. Is

0:10:22.160 --> 0:10:30.959
<v Speaker 1>that understood, understood, Pandora? She understands We've placed a chair

0:10:31.000 --> 0:10:35.120
<v Speaker 1>in the cabinet for her. The observers will sit around

0:10:35.160 --> 0:10:41.120
<v Speaker 1>this table facing the cabinet. Very good music, Yes, a

0:10:41.360 --> 0:10:46.480
<v Speaker 1>music box? Is that acceptable? That will be fine. The

0:10:46.600 --> 0:10:49.720
<v Speaker 1>lights are too bright. If we can extinguish most of

0:10:49.760 --> 0:10:52.720
<v Speaker 1>the lights. There is a lamp in the far corner,

0:10:52.920 --> 0:10:56.280
<v Speaker 1>if we can see if there was enough candles on

0:10:56.360 --> 0:11:00.720
<v Speaker 1>the table here, three or four tapers, and we will

0:11:00.760 --> 0:11:03.520
<v Speaker 1>allow you to control the light by the number of

0:11:03.640 --> 0:11:07.360
<v Speaker 1>candles that are lit. I'm sure we can arrange that.

0:11:07.920 --> 0:11:11.600
<v Speaker 1>I will stand and walk about the room to help

0:11:11.800 --> 0:11:16.079
<v Speaker 1>summon the site. You must not approach the cabinet once

0:11:16.160 --> 0:11:20.160
<v Speaker 1>the sitting has begun. There must be no physical contact

0:11:20.200 --> 0:11:27.319
<v Speaker 1>between you and Pandora. Of course, Pandora, would you, Pandora,

0:11:28.520 --> 0:11:33.320
<v Speaker 1>she's here, Rose just admiring my tree. Do you have

0:11:33.400 --> 0:11:38.800
<v Speaker 1>a Christmas tree? Pandora, No man. One of my favorite

0:11:38.840 --> 0:11:41.680
<v Speaker 1>times of year is come now, Pandora, We have no

0:11:41.800 --> 0:11:44.800
<v Speaker 1>time for that. If we're to be home by midnight,

0:11:44.920 --> 0:11:49.960
<v Speaker 1>we need afraid. I must insist. I tend to forget

0:11:50.000 --> 0:11:53.800
<v Speaker 1>that she is, after all, but a child. Have you

0:11:53.880 --> 0:11:59.400
<v Speaker 1>never had a Christmas tree? Pandora, No man. If there

0:11:59.480 --> 0:12:04.400
<v Speaker 1>is an event or some decoration that you fancy, perhaps

0:12:04.400 --> 0:12:11.360
<v Speaker 1>you would accept it as a gift. Yes, ma'am Mrs Davenport, Yes,

0:12:11.440 --> 0:12:14.040
<v Speaker 1>my dear, Why are there no presents under the tree?

0:12:16.600 --> 0:12:27.240
<v Speaker 1>It's okay, I understand you do. Oh, yes, So if

0:12:27.280 --> 0:12:31.520
<v Speaker 1>there are no further questions, I will light the candles

0:12:31.720 --> 0:12:36.439
<v Speaker 1>while Pandora takes her seat. Shall I address you Rose

0:12:36.640 --> 0:12:40.440
<v Speaker 1>or should I speak directly to Pandora. She may not

0:12:40.720 --> 0:12:43.960
<v Speaker 1>be able to hear you once she is in a trance,

0:12:44.520 --> 0:12:47.240
<v Speaker 1>but she is attuned to my voice. So you should

0:12:47.280 --> 0:12:51.400
<v Speaker 1>speak to her through me and the spirit will respond

0:12:51.800 --> 0:13:00.880
<v Speaker 1>through her. Are you comfortable, Pandora? And will hold ron

0:13:01.040 --> 0:13:07.120
<v Speaker 1>curtain in each hand just like this, you see, yes,

0:13:07.760 --> 0:13:13.000
<v Speaker 1>thank you. So, if there are no further questions, if

0:13:13.080 --> 0:13:16.520
<v Speaker 1>I may be permitted to kiss the girl before we begin?

0:13:17.320 --> 0:13:28.000
<v Speaker 1>It is our tradition of course, Mrs Straton Albert. In

0:13:28.120 --> 0:13:33.640
<v Speaker 1>this light, in that gown and veil, you look exactly

0:13:33.720 --> 0:13:44.199
<v Speaker 1>like your mother. I do, yes, good luck? You may

0:13:44.240 --> 0:13:52.120
<v Speaker 1>begin the music just a moment. Open your mouth, I

0:13:52.240 --> 0:13:59.520
<v Speaker 1>beg your pardon. Open your mouth, no, lift your tongue,

0:14:01.320 --> 0:14:07.120
<v Speaker 1>tuft your head back. Did I do something wrong? Don't

0:14:07.200 --> 0:14:11.000
<v Speaker 1>let his suspicions be a distraction, Pandora. An hour from

0:14:11.080 --> 0:14:15.720
<v Speaker 1>now he will be a true believer. Mrs Davenport, would

0:14:15.760 --> 0:14:17.840
<v Speaker 1>you care to tell us the name of a person

0:14:17.880 --> 0:14:24.080
<v Speaker 1>to whom you wish to speak? I would rather not. Then,

0:14:24.200 --> 0:14:30.840
<v Speaker 1>let us begin Pandora. Close the curtains, and the next

0:14:30.960 --> 0:14:34.280
<v Speaker 1>time we see your face, may it be radiant with

0:14:34.400 --> 0:14:56.840
<v Speaker 1>the light of another dimension. Let it be so, if

0:14:56.960 --> 0:15:01.000
<v Speaker 1>it be the will of the Lord and the congregation

0:15:01.080 --> 0:15:05.680
<v Speaker 1>of spirits, allow a wandering soul to find? Are you

0:15:05.720 --> 0:15:12.440
<v Speaker 1>able to open? Yes? Lord, for only through a woman

0:15:12.560 --> 0:15:15.200
<v Speaker 1>without sin, can the spirits of the tell me when

0:15:15.200 --> 0:15:19.000
<v Speaker 1>you're ready to the realm of the living? I hear

0:15:19.080 --> 0:15:23.280
<v Speaker 1>and I obey. Oh Lord, do you sense the presence

0:15:23.320 --> 0:15:29.400
<v Speaker 1>of spirit? Yes, many voices from another time, friends and lovers,

0:15:29.560 --> 0:15:34.400
<v Speaker 1>all but forgotten, except for one, A friend and lover

0:15:35.160 --> 0:15:40.000
<v Speaker 1>that has not been forgotten, A friend and lover that

0:15:40.040 --> 0:15:43.680
<v Speaker 1>has been kept alive in the breast of this strong,

0:15:44.240 --> 0:15:50.840
<v Speaker 1>caring woman. He invite this particular spirit to come forth

0:15:51.520 --> 0:16:00.280
<v Speaker 1>and be introduced to us. I'm trying, but he is

0:16:00.320 --> 0:16:04.040
<v Speaker 1>wary of approaching. He has been warned to stay away.

0:16:04.480 --> 0:16:08.200
<v Speaker 1>A promise has been made, and he refuses to violate

0:16:08.240 --> 0:16:13.120
<v Speaker 1>his word. Someone wishes to come to us, but has

0:16:13.160 --> 0:16:17.440
<v Speaker 1>promised to stay away. Does this sound familiar to you,

0:16:17.680 --> 0:16:24.240
<v Speaker 1>Mrs Davenport. Mrs Davenport, no, I don't know what she needs.

0:16:26.160 --> 0:16:30.200
<v Speaker 1>Mrs Davenport is warding off the spirit. She is wearing

0:16:30.280 --> 0:16:35.720
<v Speaker 1>ah some sort of amulet to keep the spirit away.

0:16:36.720 --> 0:16:40.400
<v Speaker 1>As long as she wears the charm, he will not come.

0:16:41.080 --> 0:16:45.960
<v Speaker 1>Mrs Davenport. No, I'm sorry, but I'm wearing no charm.

0:16:46.120 --> 0:16:50.720
<v Speaker 1>I have no idea to what she may be referring, Andora.

0:16:51.040 --> 0:16:55.320
<v Speaker 1>Someone has placed a shackle upon Mrs Davenport's hand. If

0:16:55.360 --> 0:16:59.120
<v Speaker 1>she wishes to receive the uninvited guest, she must make

0:16:59.120 --> 0:17:02.600
<v Speaker 1>a sacrifice of gold and lay it upon the table,

0:17:03.280 --> 0:17:07.480
<v Speaker 1>gold already asking for money. She's just like the rest

0:17:07.520 --> 0:17:11.479
<v Speaker 1>of them. If she would to excuse me, I believe

0:17:11.600 --> 0:17:18.399
<v Speaker 1>madam misunderstands. Permit me to clarify. Pandora, what is the

0:17:18.480 --> 0:17:23.160
<v Speaker 1>meaning of the gold you require? To some, it means eternity,

0:17:23.800 --> 0:17:27.560
<v Speaker 1>To some it means an unbreakable bond, and as some

0:17:28.400 --> 0:17:34.119
<v Speaker 1>it means slavery ownership? Who placed the shackle upon her?

0:17:34.800 --> 0:17:41.399
<v Speaker 1>Someone benevolent, but who nevertheless stands in the way. I'm sorry,

0:17:41.480 --> 0:17:49.719
<v Speaker 1>she's speaking in riddles, and I honestly don't understand. Will Wilfred,

0:17:51.480 --> 0:17:57.600
<v Speaker 1>my husband, your tha. I beg your pardon. Pandora, must

0:17:57.640 --> 0:18:02.360
<v Speaker 1>be referring to your wedding band. Uh. The wedding ring

0:18:02.480 --> 0:18:05.600
<v Speaker 1>is warding off the spirit that wishes to speak to us.

0:18:05.840 --> 0:18:09.920
<v Speaker 1>Mrs Davenport, you may decide whether to remove the ring

0:18:10.240 --> 0:18:13.640
<v Speaker 1>and allow this spirit to gain entry to our little gathering.

0:18:14.800 --> 0:18:17.560
<v Speaker 1>I'm sorry, it's out of the question. I have not

0:18:17.680 --> 0:18:20.320
<v Speaker 1>removed this ring since my late husband placed it on

0:18:20.359 --> 0:18:29.480
<v Speaker 1>my finger thirty six years ago. Pandora. The curtains, Oh,

0:18:29.720 --> 0:18:32.040
<v Speaker 1>they appeared to be moving, as if the cabinet itself.

0:18:32.520 --> 0:18:44.679
<v Speaker 1>We're breathing, Pandora. Pandora, can you hear me? One of

0:18:44.680 --> 0:18:53.560
<v Speaker 1>the candles just rend out? Oh my god? Don't touch her.

0:18:53.680 --> 0:18:56.560
<v Speaker 1>What's happened to her? What is that coming out of

0:18:56.560 --> 0:18:59.320
<v Speaker 1>her mouth? Don't touch her. It's still the plash um

0:19:00.080 --> 0:19:10.840
<v Speaker 1>your spirit, subspecill just be still? How can she breathe?

0:19:11.000 --> 0:19:19.160
<v Speaker 1>We've got to help her. She it's only visible, right, Pandora.

0:19:20.160 --> 0:19:29.879
<v Speaker 1>Can you hear us? Yes, child, something is what is it? Pandora?

0:19:31.600 --> 0:19:37.840
<v Speaker 1>Something is trying to get out from inside me. It's okay, Pandora,

0:19:38.640 --> 0:19:44.879
<v Speaker 1>can you show us. I'm scared. Don't be frightened. We're here.

0:19:45.400 --> 0:19:52.280
<v Speaker 1>Just open the curtains. Rose. Rose is on the chair

0:19:52.680 --> 0:20:06.200
<v Speaker 1>whichwe Openora, No oh, don't touch her, don't get near her.

0:20:06.560 --> 0:20:11.879
<v Speaker 1>If you want to help the girl, pray who art

0:20:11.920 --> 0:20:17.400
<v Speaker 1>in heaven, hallow Kingdom? I will be done on earth

0:20:17.520 --> 0:20:20.840
<v Speaker 1>as it is, and have gives us to say and

0:20:20.960 --> 0:20:27.119
<v Speaker 1>forgive us our trespasses, and as we've transtas against us,

0:20:27.160 --> 0:20:32.560
<v Speaker 1>and you should can you hear me? He is the king.

0:20:34.440 --> 0:20:37.440
<v Speaker 1>That's it. I'm stopping this. I won't allow the child

0:20:37.480 --> 0:20:42.040
<v Speaker 1>to be harmed because you are unwilling to cooperate me. Yes,

0:20:42.200 --> 0:20:45.639
<v Speaker 1>you what have I done? You know what? You know

0:20:46.040 --> 0:20:49.360
<v Speaker 1>what I'll do? And he's ripping the girl to pieces

0:20:49.640 --> 0:20:53.119
<v Speaker 1>because of your foolish pride. You don't understand. I can't

0:20:54.160 --> 0:20:57.199
<v Speaker 1>you can if you want to see him, it's the

0:20:57.280 --> 0:21:01.200
<v Speaker 1>price you must pay. Allow him to come in. Don't

0:21:01.240 --> 0:21:07.919
<v Speaker 1>be frightened. Allow him to enter. That's it. That's it

0:21:09.200 --> 0:21:18.160
<v Speaker 1>now lay it on the table. That's it, a Pandora,

0:21:18.520 --> 0:21:23.080
<v Speaker 1>Do you feel it? Some seekers here with us? And door?

0:21:23.440 --> 0:21:31.560
<v Speaker 1>Can you speak to us? Yes, I'm better now? Who

0:21:31.600 --> 0:21:35.359
<v Speaker 1>was that? Pandora? Can you tell us anything about the

0:21:35.480 --> 0:21:41.360
<v Speaker 1>identity of the spirit at one time he was a man,

0:21:43.080 --> 0:21:51.080
<v Speaker 1>a man of great sensitivity, an artist, the gentleman, but

0:21:51.200 --> 0:21:56.480
<v Speaker 1>no gentleman, a man who once held the heart of

0:21:56.520 --> 0:22:00.920
<v Speaker 1>miss Brewster in the palm of his hand. But he

0:22:01.000 --> 0:22:05.879
<v Speaker 1>was forbidden to do so. He was sent away. He

0:22:06.080 --> 0:22:10.960
<v Speaker 1>was asked to disappear. He chose to leave her a

0:22:11.040 --> 0:22:19.080
<v Speaker 1>world to cross into the spirit room. He is greatly

0:22:19.119 --> 0:22:26.359
<v Speaker 1>disturbed in the beyond. He cannot find peace because he

0:22:26.520 --> 0:22:33.920
<v Speaker 1>discovered a secret, her secret. Oh, he found another spirit,

0:22:34.320 --> 0:22:39.600
<v Speaker 1>ah that Missus Davenport had sent away. Please no more.

0:22:40.800 --> 0:22:46.280
<v Speaker 1>He was quite surprised to discover this other being, But

0:22:46.680 --> 0:22:50.120
<v Speaker 1>he isn't angry. That's what he has come to tell you.

0:22:51.200 --> 0:22:54.399
<v Speaker 1>This is the reason you have been troubled, Miss Davenport.

0:22:55.560 --> 0:22:58.040
<v Speaker 1>There is something that he has been trying to tell you,

0:22:59.200 --> 0:23:02.160
<v Speaker 1>but has had no way of crossing over from the beyond.

0:23:03.920 --> 0:23:10.240
<v Speaker 1>He wants to tell you he has encountered this other spirit,

0:23:11.640 --> 0:23:16.440
<v Speaker 1>the secret you kept from him, the secret you kept

0:23:16.520 --> 0:23:21.600
<v Speaker 1>from everyone. He is with that spirit. Now. It is

0:23:21.640 --> 0:23:27.320
<v Speaker 1>not even a complete entity. It is not fully realized.

0:23:28.400 --> 0:23:33.159
<v Speaker 1>It has no name, not in their world, not in ours.

0:23:34.440 --> 0:23:39.560
<v Speaker 1>It is, but it fled along spirit, floating lust and alone.

0:23:41.200 --> 0:23:45.639
<v Speaker 1>The spirit of a child. Who a child? Mrs Davenport,

0:23:46.760 --> 0:23:58.000
<v Speaker 1>his child? How could it be? What is it? Pandora?

0:23:58.720 --> 0:24:05.440
<v Speaker 1>She's he's brought her here, brought home little spirit. The

0:24:05.560 --> 0:24:12.920
<v Speaker 1>baby's bright, she's she's an absolute angel. She tiniest little fingers,

0:24:12.920 --> 0:24:21.159
<v Speaker 1>eyes like glow, hair of gold, so fragile, she is

0:24:21.280 --> 0:24:30.960
<v Speaker 1>too beautiful V see her. Her light is very dim.

0:24:31.000 --> 0:24:36.600
<v Speaker 1>You will not be able to see her. Oh, I understand. Well,

0:24:37.560 --> 0:24:41.479
<v Speaker 1>Perhaps if you dust the candles, make the rim absolutely dark,

0:24:42.080 --> 0:24:46.760
<v Speaker 1>it may be possible. Yes, yes, I seek the shall

0:24:49.720 --> 0:24:57.800
<v Speaker 1>say it is completely dark. But is it there's something

0:24:58.359 --> 0:25:05.280
<v Speaker 1>something touching my face? Light? Oh no, no, don't be frightened.

0:25:06.119 --> 0:25:08.360
<v Speaker 1>Don't say away, a little one. I don't let her go.

0:25:08.520 --> 0:25:17.359
<v Speaker 1>Put out the light. There there is she still here.

0:25:19.000 --> 0:25:23.560
<v Speaker 1>Come back, a little one. Don't be shy. The nice

0:25:23.640 --> 0:25:27.560
<v Speaker 1>lady only way to see you. You needn't be afraid.

0:25:28.640 --> 0:25:32.840
<v Speaker 1>I'm sure the nice lady. Given the opportunity, I would

0:25:32.880 --> 0:25:38.840
<v Speaker 1>love you and protect you. Oh that's it. I'm opening

0:25:38.880 --> 0:25:47.439
<v Speaker 1>the curtains. Now. Can you see her? I can't see anything. No,

0:25:48.600 --> 0:25:56.800
<v Speaker 1>it's impossible, Rose, Yes, child, take Mrs Davenport by the hand,

0:25:57.600 --> 0:26:00.439
<v Speaker 1>lead her to the cabinet. Place her hands on the

0:26:00.440 --> 0:26:05.600
<v Speaker 1>curtains and step back and allow her to open the

0:26:05.600 --> 0:26:10.399
<v Speaker 1>curtains to part the veil and look upon the face

0:26:11.440 --> 0:26:19.880
<v Speaker 1>of her child. I'll lead you up very slowly. Oh, watch,

0:26:20.119 --> 0:26:27.119
<v Speaker 1>step there, hold one curtain in this hand and the other.

0:26:29.600 --> 0:26:34.000
<v Speaker 1>She's here, Pandora, it's the spirit. Oh no, no, I

0:26:34.040 --> 0:26:39.640
<v Speaker 1>don't think I can. Yes, slowly open the curtains and

0:26:39.720 --> 0:26:52.080
<v Speaker 1>look at her. Oh, oh, my baby, my baby. I'm

0:26:52.080 --> 0:27:05.080
<v Speaker 1>not frightened. I'm happy, happy to see my baby. I

0:27:05.240 --> 0:27:17.160
<v Speaker 1>must she for myself. M h oh feet crost. Watch

0:27:17.240 --> 0:27:20.840
<v Speaker 1>the way she dances in the air. See how she glows.

0:27:21.680 --> 0:27:29.080
<v Speaker 1>Can you feel her her warmth? I feel her. I

0:27:29.119 --> 0:27:35.560
<v Speaker 1>can barely see her. Now she's fading. Oh, I need

0:27:35.600 --> 0:27:42.800
<v Speaker 1>to close the curtain now, No, I can't. She's growing tired.

0:27:43.600 --> 0:27:46.720
<v Speaker 1>Her little spark is starting to fade. We mustn't let

0:27:46.760 --> 0:27:51.000
<v Speaker 1>it go out. You must close the curtain very well.

0:27:54.640 --> 0:27:58.560
<v Speaker 1>She has very little strength. You want to go back

0:27:58.560 --> 0:28:03.640
<v Speaker 1>inside me. It's fine. I'll keep you warm and take

0:28:03.680 --> 0:28:11.680
<v Speaker 1>you back to your father before she goes. Yes, tell

0:28:11.760 --> 0:28:19.760
<v Speaker 1>her I'm sorry for everything that I love her. She knows,

0:28:19.880 --> 0:28:30.199
<v Speaker 1>Mrs Davenport. Now she understands you may light the candles.

0:28:33.040 --> 0:28:37.240
<v Speaker 1>Mrs Davenport, you may return the ring to your finger

0:28:37.880 --> 0:28:50.200
<v Speaker 1>if you wish, Yes, of course. Pandora, Pandora, she fainted,

0:28:51.520 --> 0:28:54.480
<v Speaker 1>can you hear me? She must slide down, and Mrs

0:28:54.680 --> 0:29:00.200
<v Speaker 1>Davenport bring her to the guest. I'll carry her. I've

0:29:00.240 --> 0:29:03.960
<v Speaker 1>got her. Show me the room, right through that door.

0:29:04.560 --> 0:29:14.600
<v Speaker 1>I'll be right there. Oh, blessed Jesus, protect the heart

0:29:14.640 --> 0:29:16.960
<v Speaker 1>and soul of this precious child you have sent to me.

0:29:17.880 --> 0:29:21.320
<v Speaker 1>I thank you for your tender mercies and allowing her

0:29:21.360 --> 0:29:25.680
<v Speaker 1>to heal the wound scart my heart, and I asked

0:29:25.720 --> 0:29:29.160
<v Speaker 1>that someday I may repay her for the gift she

0:29:29.240 --> 0:29:35.360
<v Speaker 1>has bestowed upon me. My true bibical has occurred tonight,

0:29:36.440 --> 0:29:40.880
<v Speaker 1>and for that I will be eternally grateful. This I

0:29:40.960 --> 0:30:06.360
<v Speaker 1>pray at Christ and Pandora's holy name. M Colther say

0:30:07.800 --> 0:30:26.920
<v Speaker 1>it is atherhipful. Good for having faith. Oh do that's

0:30:27.080 --> 0:30:31.400
<v Speaker 1>very pretty pearl. Thank you, Sister Teres. Is there some

0:30:31.480 --> 0:30:35.160
<v Speaker 1>reason you're not playing with the other girls, Yes, Sister Teres.

0:30:36.600 --> 0:30:40.480
<v Speaker 1>Why is that because I am not like them and

0:30:40.560 --> 0:30:45.320
<v Speaker 1>it is better for them, But there's distance between us.

0:30:46.320 --> 0:30:49.640
<v Speaker 1>Perhaps it is for the best, because you will be

0:30:49.720 --> 0:30:53.760
<v Speaker 1>leaving us today, Pearl, your mother has come for you.

0:30:54.520 --> 0:31:00.920
<v Speaker 1>She has, Yes, isn't it wonderful? Come take my hand.

0:31:01.360 --> 0:31:08.080
<v Speaker 1>I can't wait for you to meet her. Smile girl.

0:31:09.000 --> 0:31:15.360
<v Speaker 1>Happiest girls are the prettiest girls. How's this there? That's better?

0:31:25.560 --> 0:31:36.280
<v Speaker 1>I would like you to meet your mother mother. No,

0:31:37.520 --> 0:31:43.680
<v Speaker 1>I can't, no dying please. That was a most convincing performance.

0:31:44.480 --> 0:31:48.360
<v Speaker 1>I meant no disrespect. It was only ducker and walls,

0:31:49.400 --> 0:31:56.680
<v Speaker 1>little mischief and nothing. Every how much longer? Will squan

0:31:56.880 --> 0:32:02.120
<v Speaker 1>do your give ger? And it's all I know true.

0:32:03.000 --> 0:32:07.400
<v Speaker 1>Just don't confuse what you're doing now with what is

0:32:07.440 --> 0:32:14.200
<v Speaker 1>to come sooner or later. All this child's play must end,

0:32:15.080 --> 0:32:19.320
<v Speaker 1>and a woman's work must be in I don't know

0:32:20.480 --> 0:32:25.720
<v Speaker 1>if I can. You can? May I pour my spirits

0:32:25.840 --> 0:32:33.320
<v Speaker 1>into it? Yes? Will you allow me to guide your hand? Yes?

0:32:34.640 --> 0:33:05.480
<v Speaker 1>Then you can't and you can't. I must now replace

0:33:05.720 --> 0:33:11.320
<v Speaker 1>my blindfold. As my vision begins to fade, your own

0:33:11.320 --> 0:33:17.560
<v Speaker 1>senses will gradually return, Return to the warmth and the

0:33:17.720 --> 0:33:26.040
<v Speaker 1>light of your own reality. The Seventh Daughter is a

0:33:26.120 --> 0:33:30.640
<v Speaker 1>production of I Heart Radio, written and directed by Brett Wood,

0:33:31.640 --> 0:33:36.320
<v Speaker 1>recorded and mixed by Rob Gal, featuring Minca Wilkes. As

0:33:36.440 --> 0:33:45.760
<v Speaker 1>Rose and Elizabeth Hunter as Pearl. There you may now

0:33:47.040 --> 0:33:48.280
<v Speaker 1>open your eyes