1 00:00:04,920 --> 00:00:08,560 Speaker 1: Previously on the Princess of South Beach, we got the 2 00:00:08,560 --> 00:00:12,800 Speaker 1: full story on Australia t LDR. She's gay, Gabby is 3 00:00:12,800 --> 00:00:17,520 Speaker 1: her girlfriend and Stevan definitely knows what happened to her. Meanwhile, 4 00:00:17,960 --> 00:00:21,079 Speaker 1: Nacho was already in debt with some very angry mobsters 5 00:00:21,120 --> 00:00:23,840 Speaker 1: and has now lost even more money on a terrible 6 00:00:23,880 --> 00:00:26,599 Speaker 1: bet at the horse racing track. His only hope of 7 00:00:26,640 --> 00:00:29,480 Speaker 1: getting out of this alive is making char Raoul marries 8 00:00:29,520 --> 00:00:32,360 Speaker 1: the fake Gloria Maria Le's garment and that he keeps 9 00:00:32,360 --> 00:00:35,360 Speaker 1: a Steve unhappy that I mentioned they were having a 10 00:00:35,400 --> 00:00:39,960 Speaker 1: secret affair. Yeah, that's happening, which is obviously not great 11 00:00:39,960 --> 00:00:43,839 Speaker 1: for his marriage with Luisa. Speaking of, let's check in 12 00:00:43,920 --> 00:00:49,919 Speaker 1: on the unhappy couple. I'm already late. Let ris good. 13 00:00:50,960 --> 00:00:53,600 Speaker 1: But you said we're going to have breakfast together today. 14 00:00:53,880 --> 00:00:56,840 Speaker 1: I know, I know Louisa louisabout plans change. I wouldn't 15 00:00:56,840 --> 00:00:58,560 Speaker 1: be doing this if it wasn't important. But Nacho say 16 00:00:59,680 --> 00:01:04,160 Speaker 1: notaw says If Natua says it, then of course you 17 00:01:04,280 --> 00:01:06,480 Speaker 1: have to run along. No, Luisa, can we not with 18 00:01:06,520 --> 00:01:09,040 Speaker 1: the drama this morning? I haven't even had my coffee. 19 00:01:09,440 --> 00:01:11,280 Speaker 1: Why don't you go I don't know to day land 20 00:01:11,360 --> 00:01:13,080 Speaker 1: buy a dress. I don't know what you do with 21 00:01:13,080 --> 00:01:15,679 Speaker 1: your free time? What for? You don't even notice when 22 00:01:15,680 --> 00:01:19,280 Speaker 1: I dress up? Yes, the man, we have to talk 23 00:01:19,319 --> 00:01:22,319 Speaker 1: about our marriage. I don't have time for this. See 24 00:01:22,360 --> 00:01:30,520 Speaker 1: you later, Avios, Nacho. I'm on my way. Whatever this 25 00:01:30,640 --> 00:01:32,480 Speaker 1: important news is, it better be worth it. Luisa is 26 00:01:32,520 --> 00:01:41,080 Speaker 1: furious because I canceled our breakfast date. Trouble in Paradise again, shucker, 27 00:01:41,680 --> 00:01:44,320 Speaker 1: But love on the rocks means good things from Maria 28 00:01:44,400 --> 00:01:51,400 Speaker 1: del Carminestreya's spying. He's leaving now. I wish I could 29 00:01:51,440 --> 00:01:54,760 Speaker 1: follow him, but after almost getting fired, I know Louisa 30 00:01:54,880 --> 00:01:57,120 Speaker 1: is going to be on my ass, and not in 31 00:01:57,160 --> 00:02:00,320 Speaker 1: the fun way. Don't worry. I'll cover for you. I'll 32 00:02:00,360 --> 00:02:03,840 Speaker 1: tell her I needed some luxury tampons. I don't know 33 00:02:03,960 --> 00:02:06,280 Speaker 1: something rich people need. Go see what he's up to. 34 00:02:06,720 --> 00:02:10,280 Speaker 1: Something fishy going on? Now, This is what I'm talking about. 35 00:02:10,680 --> 00:02:13,560 Speaker 1: This is real spy shit. You know what. I doubted 36 00:02:13,600 --> 00:02:16,079 Speaker 1: you at first, but I knew you'd be a great partner. 37 00:02:16,440 --> 00:02:20,880 Speaker 1: We're like, you know, Batman and Robin Fallman, Louise, Biggie 38 00:02:20,919 --> 00:02:24,520 Speaker 1: and Tupa. Okay, no, they died. Okay, I take that. Okay, okay, 39 00:02:24,560 --> 00:02:27,600 Speaker 1: Well he's pulling away from the driveway, so oh shoot, okay, 40 00:02:27,680 --> 00:02:35,040 Speaker 1: I'm on it. See you later. Partner who so sneaky ladies, 41 00:02:35,600 --> 00:02:39,160 Speaker 1: Nancy Drew has got nothing on YouTube. Now let's see 42 00:02:39,160 --> 00:02:44,320 Speaker 1: what Nacho needed a stave on so urgently for? Oh Nacho, 43 00:02:44,560 --> 00:02:48,040 Speaker 1: what was so urgent that couldn't wait until tomorrow? Step on? 44 00:02:48,520 --> 00:02:51,400 Speaker 1: Well did you do your eyebrows? Look? Come? Sit? Sit down? 45 00:02:51,639 --> 00:02:54,240 Speaker 1: Sit down? Do you want me to order some cocktails? 46 00:02:54,440 --> 00:02:56,240 Speaker 1: Or you're on drugs? This isn't a social call. Do 47 00:02:56,280 --> 00:02:58,360 Speaker 1: you have any idea how annoying Luisa is when she 48 00:02:58,480 --> 00:03:01,079 Speaker 1: is passed? I left a very angry wife at home, 49 00:03:01,120 --> 00:03:06,160 Speaker 1: so please tell me you have something good. Oh, someone's grunty. 50 00:03:06,240 --> 00:03:09,520 Speaker 1: There's morning. I think you're going to change your tune 51 00:03:09,520 --> 00:03:12,280 Speaker 1: when you hear what I've got for you. Do you 52 00:03:12,320 --> 00:03:16,480 Speaker 1: remember that nosy reporter who was asking about those conversion camps? Yes, 53 00:03:17,080 --> 00:03:21,320 Speaker 1: I do. I was there. I specifically asked you to 54 00:03:21,360 --> 00:03:25,960 Speaker 1: look into it. Well, it looks like Alicia Mendez was 55 00:03:26,000 --> 00:03:28,880 Speaker 1: the one He sent them over to the press conference. 56 00:03:29,000 --> 00:03:35,920 Speaker 1: Alicia mainly a meal? You mean that awful woman that's 57 00:03:35,960 --> 00:03:40,160 Speaker 1: that's running on that ultra liberal ticket. Yes, I can't 58 00:03:40,160 --> 00:03:44,160 Speaker 1: stand her. So she is the one behind all of 59 00:03:44,160 --> 00:03:48,720 Speaker 1: these Yes, and it looks like miss morality is playing dirty. 60 00:03:48,840 --> 00:03:53,680 Speaker 1: You don't say I don't say so those questions were planted. Yes, Look, 61 00:03:53,680 --> 00:03:56,400 Speaker 1: they're trying to shake the confidence of your base and 62 00:03:56,440 --> 00:03:59,640 Speaker 1: they have nothing. And honestly, after the allegations came out 63 00:03:59,640 --> 00:04:03,280 Speaker 1: of you funding those religious camps, your poll numbers went up. 64 00:04:05,000 --> 00:04:12,200 Speaker 1: What about the other sinuation that I went to those camps. 65 00:04:12,200 --> 00:04:14,360 Speaker 1: Oh no, no, no, no, no no, it's not They have 66 00:04:14,480 --> 00:04:17,599 Speaker 1: no proof. If she's the one behind this, it'll just 67 00:04:17,640 --> 00:04:20,720 Speaker 1: look like dirty politics. Everyone will think she made it 68 00:04:20,839 --> 00:04:23,960 Speaker 1: up just to make you look bad. She's just afraid 69 00:04:24,000 --> 00:04:27,880 Speaker 1: of you. She sees you as a threat. Good good, 70 00:04:28,240 --> 00:04:31,760 Speaker 1: my first press conference and somebody is already trying to 71 00:04:31,760 --> 00:04:35,080 Speaker 1: sell Adshmi. They really think I could win. Huh Oh, 72 00:04:36,560 --> 00:04:41,719 Speaker 1: you're going to win. This is your moment. You are 73 00:04:41,760 --> 00:04:45,200 Speaker 1: the man. This is the moment you've been waiting for. 74 00:04:45,640 --> 00:04:50,479 Speaker 1: You've been building, you've been working towards. Everything is going great. Yes, 75 00:04:51,000 --> 00:04:55,960 Speaker 1: just trust me and I will get you the mayor's mansion. 76 00:04:56,440 --> 00:04:59,280 Speaker 1: I already have a mansion. And now you'll have two 77 00:05:00,040 --> 00:05:03,719 Speaker 1: m M. I could kiss you right now. I thought 78 00:05:03,760 --> 00:05:06,839 Speaker 1: you might say that there's a room on the first 79 00:05:06,839 --> 00:05:10,800 Speaker 1: floor just for us. I booked it under a pseudonym, 80 00:05:10,880 --> 00:05:21,960 Speaker 1: Alicia Mendes. What are we waiting for? I am hungry 81 00:05:21,960 --> 00:05:27,560 Speaker 1: for some crunchy nachos. I'm sorry. That was awesome. That 82 00:05:27,680 --> 00:05:34,760 Speaker 1: was very bad. Let's get upstairs. Well, looks like not 83 00:05:34,880 --> 00:05:37,240 Speaker 1: join a stay of honor going to need some privacy. 84 00:05:38,520 --> 00:05:41,640 Speaker 1: But I know someone who will be very interested in 85 00:05:41,720 --> 00:05:58,479 Speaker 1: what's going on in that room. Haiti, lovers, it's me Tatianna. 86 00:05:59,200 --> 00:06:05,880 Speaker 1: Obviously did you catch Tea with Tatiana this week? No? Well, 87 00:06:06,400 --> 00:06:14,680 Speaker 1: you miss some juicy updates on our favorite family, the Calderons. Well, 88 00:06:14,680 --> 00:06:20,160 Speaker 1: we had an epic guest the other night, race jockey Mundragng. 89 00:06:21,400 --> 00:06:24,960 Speaker 1: The man is now a proud father of a moderately 90 00:06:25,080 --> 00:06:30,040 Speaker 1: successful podcast, and that's all thanks to his Lincoln aviator GT. 91 00:06:30,960 --> 00:06:35,280 Speaker 1: They say that he realized his true passion while moving 92 00:06:35,320 --> 00:06:39,760 Speaker 1: from point A to point B in his beautiful suv. 93 00:06:41,480 --> 00:06:46,240 Speaker 1: Magical stuff. All Right, that's it for now, but be 94 00:06:46,400 --> 00:06:49,680 Speaker 1: sure to tune in next time for more scandalous rumors 95 00:06:49,720 --> 00:07:08,840 Speaker 1: about the Calderones. On the next tea with Tatiana. Well, 96 00:07:09,240 --> 00:07:12,320 Speaker 1: looks like Nachoin a Stevan are going to need some privacy. 97 00:07:13,560 --> 00:07:16,720 Speaker 1: But I know someone who will be very interested in 98 00:07:16,760 --> 00:07:24,680 Speaker 1: what's going on in that room. Might yet that garnment. Yes, 99 00:07:25,200 --> 00:07:26,960 Speaker 1: I'm at a hotel and as Stevan just went up 100 00:07:26,960 --> 00:07:29,960 Speaker 1: to a private suite with Nacho, I don't know. Maybe 101 00:07:29,960 --> 00:07:32,800 Speaker 1: they're meeting with someone in there, maybe getting a bribe 102 00:07:32,880 --> 00:07:37,480 Speaker 1: or something. How do you launder money? Maybe it's that. Okay, 103 00:07:37,480 --> 00:07:40,200 Speaker 1: I'm gonna go see if I can get into the room. Yes, 104 00:07:40,320 --> 00:07:48,800 Speaker 1: I will bring you back some riplets buy Okay, how 105 00:07:48,840 --> 00:07:52,040 Speaker 1: do they do this in the movie? You just jam 106 00:07:52,120 --> 00:07:58,640 Speaker 1: a credit card into the ground and oh, oh okay, 107 00:07:58,600 --> 00:08:11,239 Speaker 1: yes that I am Then that actually work? Very well done? 108 00:08:11,360 --> 00:08:14,240 Speaker 1: Is today? Yuh? This isn't the smoking gun you were 109 00:08:14,280 --> 00:08:17,040 Speaker 1: looking for, but I'm sure you can find some use 110 00:08:17,120 --> 00:08:24,080 Speaker 1: for it. Oh wow. They went on like that for 111 00:08:24,120 --> 00:08:28,440 Speaker 1: a solid twenty minute strike. No breaks, no bathroom wax, 112 00:08:28,520 --> 00:08:32,760 Speaker 1: no water breaks, nothing. Not only like that, they also 113 00:08:32,880 --> 00:08:39,520 Speaker 1: did this. Okay, okay, that that's enough. That video is 114 00:08:40,240 --> 00:08:43,160 Speaker 1: very graphic. But I don't see how this helps us. 115 00:08:43,520 --> 00:08:45,920 Speaker 1: It doesn't help us find Gabby or prove that they 116 00:08:46,000 --> 00:08:49,120 Speaker 1: murdered my biological mother. I know you think I'm excited 117 00:08:49,120 --> 00:08:51,319 Speaker 1: to find out the guy that's funding all the conversion 118 00:08:51,400 --> 00:08:53,959 Speaker 1: camps is gay out in him. Is not the revenge 119 00:08:53,960 --> 00:08:56,200 Speaker 1: I was looking for. Okay, So then what do we 120 00:08:56,240 --> 00:08:58,079 Speaker 1: do with this? I'm obviously not going to send it 121 00:08:58,120 --> 00:09:00,720 Speaker 1: to the press, but I can hand use it to 122 00:09:00,840 --> 00:09:02,560 Speaker 1: make him think that I'm going to send it to 123 00:09:02,559 --> 00:09:06,320 Speaker 1: the press. You lost me blackmail? Do you know what 124 00:09:06,400 --> 00:09:10,640 Speaker 1: blackmail is? No, Well, we can use this piece of 125 00:09:10,679 --> 00:09:14,400 Speaker 1: blackmail I either video to get him to handover information 126 00:09:14,440 --> 00:09:18,440 Speaker 1: about Gabby and hopefully your mom get it. The threat 127 00:09:18,480 --> 00:09:20,640 Speaker 1: of this going public will make him more open and 128 00:09:20,760 --> 00:09:24,000 Speaker 1: giving us information. Now say yesterday. Yeah, this this feels 129 00:09:24,160 --> 00:09:27,120 Speaker 1: like a step too far. Come on, Maria, you said 130 00:09:27,120 --> 00:09:29,640 Speaker 1: you were gonna help me. You promise, I know, but 131 00:09:29,760 --> 00:09:32,160 Speaker 1: there has to be another way. I've been looking for 132 00:09:32,240 --> 00:09:35,360 Speaker 1: Gabby for years. This might be a game to you, 133 00:09:35,640 --> 00:09:38,360 Speaker 1: but not to me. I'm going to do whatever I 134 00:09:38,400 --> 00:09:40,920 Speaker 1: need to do to find her. And believe me, you're 135 00:09:40,920 --> 00:09:44,200 Speaker 1: either with me or against me. And remember, you're not 136 00:09:44,280 --> 00:09:48,400 Speaker 1: exactly innocent in all of this theme. Take a chill pill. 137 00:09:48,800 --> 00:09:51,960 Speaker 1: I'm on your side. Just promise me you won't tell 138 00:09:53,120 --> 00:09:55,840 Speaker 1: I don't even like him. I'm trying to poison him twice. 139 00:09:55,840 --> 00:09:59,400 Speaker 1: He's stilln't die. I don't know. I've I've just been thinking, 140 00:09:59,679 --> 00:10:01,680 Speaker 1: and I realized that I have to break things off 141 00:10:01,679 --> 00:10:04,360 Speaker 1: with him. I've been playing pretend with Gloria's life, and 142 00:10:04,559 --> 00:10:06,440 Speaker 1: it's not fair that he's caught in the middle of 143 00:10:06,480 --> 00:10:09,040 Speaker 1: all of it. I don't intend on marrying the guy, 144 00:10:09,080 --> 00:10:12,600 Speaker 1: and now that I've kissed Andres, I feel bad. Wait, wait, 145 00:10:13,280 --> 00:10:15,560 Speaker 1: you're gonna call off what people are calling the wedding 146 00:10:15,679 --> 00:10:19,400 Speaker 1: of the decade. Beyonce and Blue Ivy're coming. I saw 147 00:10:19,440 --> 00:10:22,080 Speaker 1: there always be paid. You keep making these references. I 148 00:10:22,120 --> 00:10:24,480 Speaker 1: have no idea who you're talking about. What did they 149 00:10:24,520 --> 00:10:27,240 Speaker 1: do in that convent? Wasn't it like Sister Ed? Was 150 00:10:27,280 --> 00:10:29,800 Speaker 1: it WHOOPI Goldber wasn't there? I don't know who that is? 151 00:10:29,960 --> 00:10:34,600 Speaker 1: Oh my god, Jesus, please tell me right now? Do 152 00:10:34,679 --> 00:10:38,520 Speaker 1: you know who? See? I mean? We used to play 153 00:10:38,559 --> 00:10:41,920 Speaker 1: her songs at Mass all the time? Okay? Who? I 154 00:10:41,960 --> 00:10:46,160 Speaker 1: was gonna have to stay with you, girl, and all 155 00:10:46,160 --> 00:10:50,840 Speaker 1: of this because of Andres, a guy you barely even now. 156 00:10:51,040 --> 00:10:53,839 Speaker 1: I don't even know who I'm not Gloria I can't 157 00:10:53,920 --> 00:10:57,240 Speaker 1: marry him just because Gloria was about to. If I'm 158 00:10:57,240 --> 00:10:59,480 Speaker 1: going to continue being Gloria, I need to start acting 159 00:10:59,480 --> 00:11:02,200 Speaker 1: like it's my own life, not hers. What do you 160 00:11:02,320 --> 00:11:05,520 Speaker 1: mean your life? What happened with all that crap about 161 00:11:05,559 --> 00:11:08,520 Speaker 1: being honest? Are you telling me you're never going to 162 00:11:08,600 --> 00:11:11,559 Speaker 1: tell them the truth? Either you're gonna live like this forever. 163 00:11:11,840 --> 00:11:15,280 Speaker 1: I am going to tell the truth, just not right now, 164 00:11:15,800 --> 00:11:22,959 Speaker 1: at least not until we finish what we started. So 165 00:11:23,040 --> 00:11:26,319 Speaker 1: it seems Maria del Garman is getting comfortable in my shoes. 166 00:11:27,000 --> 00:11:30,679 Speaker 1: But be careful at Manita, because sometimes when you wear 167 00:11:30,720 --> 00:11:34,079 Speaker 1: a mask for too long, you forget who's really underneath. 168 00:11:38,800 --> 00:11:42,120 Speaker 1: If you're enjoying Princess of South Beach, please subscribe, rate, 169 00:11:42,200 --> 00:11:45,560 Speaker 1: and review our show wherever you're listening. The Princess of 170 00:11:45,600 --> 00:11:47,960 Speaker 1: South Beach is a production If I Hearts, Michael Tura 171 00:11:48,080 --> 00:11:52,000 Speaker 1: Podcast Network and Sonoro, Created and directed by Jasmine Romero. 172 00:11:52,360 --> 00:11:55,400 Speaker 1: Written by Jasmine Romero and Joanna Houseman, with help from 173 00:11:55,480 --> 00:12:01,080 Speaker 1: Daniels Arkis, Monisa Hendris, and Christian. Produced by Louisa Casillo. 174 00:12:01,360 --> 00:12:04,800 Speaker 1: Executive produced by Conal Byrne and Gazelle Bances for iHeart 175 00:12:04,840 --> 00:12:08,439 Speaker 1: by Joanna Housman and by Jasmine Romero and Joshua Weinstein. 176 00:12:08,600 --> 00:12:13,559 Speaker 1: For Sonoro performances in this episode by Rachel Zegler, Gina Torres, 177 00:12:14,040 --> 00:12:18,959 Speaker 1: Raulas Barza, Danny Pino, and x Mayo. Our production manager 178 00:12:19,080 --> 00:12:23,199 Speaker 1: is Querensa Chitis. Recording and engineering by Emiliano Quintanari, with 179 00:12:23,280 --> 00:12:28,360 Speaker 1: sound designed by Edwin Irigoyen, Cassandra Tinajo, Andres Bayena, Diego 180 00:12:28,400 --> 00:12:32,360 Speaker 1: Medina and Andres Coronaldo. Assistant sound designed by Eric Sintheno. 181 00:12:32,760 --> 00:12:37,320 Speaker 1: Casting in coordination by Andres Chaitis folly by Samantha Gonzalez Fong, 182 00:12:37,640 --> 00:12:40,920 Speaker 1: our theme song and original music by Rodrigo Garcia Roles 183 00:12:41,040 --> 00:12:42,160 Speaker 1: and Charlie Hernandez