WEBVTT - Part One: Jimmy Saville: Britain's Unending Nightmare

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<v Speaker 1>All media.

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<v Speaker 2>Hey everybody, Robert here and the International Academy of Digital

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<v Speaker 2>Arts and Sciences have announced that three different Cool Zone

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<v Speaker 2>media shows have been nominated for awards at the thirtieth

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<v Speaker 2>annual Webby Awards. You can vote on these now if

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<v Speaker 2>you just google the name of the podcast and the category.

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<v Speaker 2>Behind the Bastards nominated in the Experimental and Innovation Podcasts category.

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<v Speaker 2>It Could Happen Here is in the News and Politics

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<v Speaker 2>Podcasts category, and James Stout's mini series Migrating to America

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<v Speaker 2>A Dream Worth Dying For has been nominated in the

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<v Speaker 2>Podcasts Documentary category. And you can find links to vote

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<v Speaker 2>for each of these podcasts in the episode description and

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<v Speaker 2>in the posts on social media for episodes that It

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<v Speaker 2>Could Happen Here and Behind the Bastards, Thank you. Welcome

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<v Speaker 2>back to Behind the Bastards, a podcast about the very

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<v Speaker 2>worst people in all of history. I'm Robert Evans.

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<v Speaker 3>What were you saying?

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<v Speaker 1>I couldn't hear you.

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<v Speaker 4>I was just so this book.

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<v Speaker 2>Oh is that a copy of Girl Gone Wild by

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<v Speaker 2>Courtney Cosak? Oh man, I'm excited to read that myself.

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<v Speaker 2>I wish we could get Courtney on the show.

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<v Speaker 4>I'm here I'm here.

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<v Speaker 2>Oh. I probably could have told that by looking at

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<v Speaker 2>my screen at any point in time, but I never do.

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<v Speaker 2>Welcome to the podcast, Courtney. How are you doing today?

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<v Speaker 4>I'm good. Thank you for having me excited to be back.

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<v Speaker 2>So your book is coming out.

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<v Speaker 4>That's exciting, it's exciting, it's nerve wracking. Yeah, it's all

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<v Speaker 4>the things. It's really great.

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<v Speaker 3>So I haven't finished it yet, but it's really good

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<v Speaker 3>so far.

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<v Speaker 2>You want to up top here plug what your book

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<v Speaker 2>is before we get into the subject of our episodes

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<v Speaker 2>for this in next week.

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<v Speaker 4>Yeah.

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<v Speaker 5>It is an unwitting feminist coming of age about trying

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<v Speaker 5>to make it in Hollywood.

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<v Speaker 4>It's called Girl Gone Wild.

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<v Speaker 5>It's about all the mistakes quote unquote I've made.

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<v Speaker 2>Yeah, well, and about like your time working for Girls

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<v Speaker 2>Gone Wild, which you've talked about on our show a

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<v Speaker 2>couple of times in the past, and unfortunately it's gonna

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<v Speaker 2>be kind of relevant to these episodes. Do you know

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<v Speaker 2>who we're doing this week?

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<v Speaker 4>Did Sophie inform you no.

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<v Speaker 2>No good good? What do you know about Jimmy Savill? Oh?

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<v Speaker 5>Okay, vaguely, I thought you were about to say Joe Francis.

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<v Speaker 2>No, no, no, no, no, no, I was not saying

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<v Speaker 2>anything about Joe Francis, but we're talking about Jimmy Saville,

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<v Speaker 2>who was a I mean he was everything in UK

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<v Speaker 2>pop culture for quite a while, right, Like he started

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<v Speaker 2>out as a DJ, he became like a television star

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<v Speaker 2>and he was ultimately just famous for being extremely famous

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<v Speaker 2>and being the guy who was like always on TV

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<v Speaker 2>if you grew up in the UK from like really

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<v Speaker 2>the mid seventies up through the late nineties, Like he

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<v Speaker 2>was the face of the BBC. Do you know anything

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<v Speaker 2>about this guy?

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<v Speaker 4>Is he raunch?

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<v Speaker 5>The first thing that came to mind was like the

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<v Speaker 5>stories about you know, Robert Plant Sticking or Jimmy Page.

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<v Speaker 4>But did he have any connection with those bands?

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<v Speaker 2>Yes, he was connected to every band that was big

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<v Speaker 2>in the sixties and seventies, pretty much like there are

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<v Speaker 2>very few major pop musicians from that, Like I think

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<v Speaker 2>people tend to call it like the golden era of

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<v Speaker 2>pop music, of rock and roll and whatnot. There's almost

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<v Speaker 2>no one that he wasn't connected to, from like Elvis

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<v Speaker 2>up through the Rolling Stones, the Beatles, Like he knew

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<v Speaker 2>all of those guys, and you know it didn't necessarily

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<v Speaker 2>wasn't necessarily in good with all of them, but because

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<v Speaker 2>of his position as like Britain's top DJ, like he

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<v Speaker 2>was connected to all those dudes. We're hearing some stories

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<v Speaker 2>about those people, but this guy, Jimmy Saville is probably

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<v Speaker 2>the number one request I get from British listeners is like,

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<v Speaker 2>you need to do Jimmy Savell. And I've noticed that

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<v Speaker 2>Americans tend to be either completely unaware of this guy

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<v Speaker 2>or they only kind of heard a couple of things,

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<v Speaker 2>and most of what they heard is that after he died,

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<v Speaker 2>it came out that he'd been a massive pedophile for years. Right,

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<v Speaker 2>this is a guy now committed sex crimes on like

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<v Speaker 2>an industrial scale. He's kind of in some ways, he's

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<v Speaker 2>kind of like the British Jeffrey Epstein, or at least

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<v Speaker 2>he's like one of the guys you could accuse of

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<v Speaker 2>being that. But this is you know, when I first,

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<v Speaker 2>because I didn't know much about Jimmy Saville, I think

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<v Speaker 2>I was kind of vaguely aware that he had existed,

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<v Speaker 2>and then you know, he dies in twenty twelve, it

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<v Speaker 2>comes out that all there are all these allegations of

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<v Speaker 2>horrible sex crimes he'd committed. And when I started reading it. Initially,

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<v Speaker 2>it was always framed as like and no one knew

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<v Speaker 2>he kept it a secret his whole life. It was this,

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<v Speaker 2>you know, there was no way anyone could have realized that,

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<v Speaker 2>like the whole time he was this famous powerbroker in

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<v Speaker 2>the music industry and and you know British television, he

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<v Speaker 2>was also abusing women and boys.

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<v Speaker 5>Uh.

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<v Speaker 2>And what's really interesting to me is that, like that's

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<v Speaker 2>all bullshit. It was entirely obvious the whole time, he

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<v Speaker 2>like bragged about it. There were numerous interviews where he

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<v Speaker 2>talked about at least aspects of his behavior, Like there

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<v Speaker 2>actually was never any excuse for people to be surprised

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<v Speaker 2>that Jimmy Saffle was a massive sex best. I mean,

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<v Speaker 2>we'll pull up some photos of him later, but I

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<v Speaker 2>hate to be like, oh, that guy looks like a pedophile,

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<v Speaker 2>but Jimmy Savile was the most that guy looks like

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<v Speaker 2>a pedophile pedophile in the history of fucking pedophiles.

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<v Speaker 4>Oh, I can't wait to see.

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<v Speaker 5>Yeah, I feel like, I mean, there was so much

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<v Speaker 5>of that in this era too, Like yep, in Woody

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<v Speaker 5>Allen films where he's like dating a seventeen year olds

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<v Speaker 5>or and that's like not even considered bad.

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<v Speaker 2>Well, no, and it's one of the things I will

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<v Speaker 2>I will be using both the terms like when we

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<v Speaker 2>talk about what he did, like had sex with, and

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<v Speaker 2>the terms molested or raped, because it's often unclear. The

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<v Speaker 2>age of consent in the UK is sixteen, so him

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<v Speaker 2>having sex with a sixteen year old is not inherently

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<v Speaker 2>legally rape in the society that he's doing it, right, Like,

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<v Speaker 2>we can have the opinion it's not that that we have,

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<v Speaker 2>but that's part of what camouflage is this and at

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<v Speaker 2>the start of the pop industry there's a lot of people,

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<v Speaker 2>including probably most of the musicians from this era whose

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<v Speaker 2>music you like, who had sex with teenage girls, sometimes

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<v Speaker 2>illegally because there were a lot of twelve thirteen, fourteen

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<v Speaker 2>year olds got in there, but often very legally because

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<v Speaker 2>again the age of consent was like sixteen, right, And

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<v Speaker 2>you know this is there is an element of at

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<v Speaker 2>the start of his crimes, this was a really different

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<v Speaker 2>time and the moral values around that were a lot different.

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<v Speaker 2>Were part of what happens with Jimmy is that the

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<v Speaker 2>period in which he gets famous and has starts getting

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<v Speaker 2>access to all these teenage girls is also the period

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<v Speaker 2>in which birth control becomes like, like particularly the pill

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<v Speaker 2>becomes normalized. Right. So there's just this explosion in people

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<v Speaker 2>fucking right that's based on Oh, suddenly, there's no consequences

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<v Speaker 2>to it. That doesn't really get like curtailed until the

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<v Speaker 2>AIDS crisis, right. And so part of what's interesting to

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<v Speaker 2>me is that this is not just a guy who

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<v Speaker 2>is this This is part of the story here, is

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<v Speaker 2>this is a guy who kind of comes of age

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<v Speaker 2>as a famous person during that era where it's really

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<v Speaker 2>easy for men at a certain level of fame to

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<v Speaker 2>have access to a lot of teenage girls and quote

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<v Speaker 2>unquote consequence free. It's not consequence free. There's a lot

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<v Speaker 2>of people that he harms permanently, but that's the way

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<v Speaker 2>it's seen widely. And then he has to figure out

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<v Speaker 2>a way once that era ends and wants his kind

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<v Speaker 2>of fame as dj in is to continue having access

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<v Speaker 2>to people of that age, and that's when that's when

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<v Speaker 2>he goes from a really gross guy in an industry

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<v Speaker 2>filled with gross guys who all did very similar gross

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<v Speaker 2>things to a unique kind of predator. Right. And that's

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<v Speaker 2>the story of Jimmy Sapple. Margaret Thatcher is also heavily involved.

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<v Speaker 5>Oh my god, how old is he in this b

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<v Speaker 5>side of the story when he gets really creepy, I

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<v Speaker 5>mean beyond.

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<v Speaker 2>He's pretty creepy the whole time, but like in his

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<v Speaker 2>it's like in his forties and on that like things

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<v Speaker 2>start to get really that he gets that he kind

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<v Speaker 2>of a balls in a unique way. Because a lot

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<v Speaker 2>of what's interesting to me about this case is that

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<v Speaker 2>Savile's not just abusive to individuals, and he is, but

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<v Speaker 2>he he's like he's grooming institutions in including the BBC

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<v Speaker 2>and most of the major hospitals in the United Kingdom,

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<v Speaker 2>in order to get access to victims after a certain point.

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<v Speaker 2>But I'm getting ahead of myself. Yeah, all right, yeah,

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<v Speaker 2>let's let's start the story. James Wilson Vincent Saville was

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<v Speaker 2>born on Halloween night, October thirty first and nineteen twenty six,

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<v Speaker 2>fucking Halloween, like just.

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<v Speaker 4>Perfect.

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<v Speaker 2>Yeah. His hometown was named consort Terrace, which Wikipedia informs

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<v Speaker 2>me is in the Burley area of Leeds in the

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<v Speaker 2>West Riding of Yorkshire. Because for whatever reason, people on

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<v Speaker 2>that island cannot give normal place names to places like

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<v Speaker 2>fucking hey, British people here's a town name for you, Pittsburgh,

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<v Speaker 2>Pennsylvania see williams Aras. That's how place name should sound.

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<v Speaker 2>I don't know what the fuck you guys have been

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<v Speaker 2>doing over there, but it's not just bitches. Yeah, oh no.

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<v Speaker 2>He's in the Burley area of Leeds in the West

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<v Speaker 2>Riding of Yorkshire. To fuck you guys, come on with

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<v Speaker 2>your JR token bullshit here, get out, give it a

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<v Speaker 2>normal name. I'm sorry British people, but also I'm not so.

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<v Speaker 2>In his own autobiography, which was published under both the

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<v Speaker 2>titles As It Happens and Love Is an Uphill Thing,

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<v Speaker 2>Jimmy writes, Yeah, Jimmy writes this of his own birth.

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<v Speaker 2>Some babies are born strong, some weak. Being the youngest

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<v Speaker 2>of seven, it would appear that my father's last effort

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<v Speaker 2>was lacking in the juices of strength. Eyewitnesses habit that

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<v Speaker 2>I was born sound asleep. He's a sickly kid, right,

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<v Speaker 2>and his family members, people who knew the family around

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<v Speaker 2>that time, confirmed that he was you know, ill as

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<v Speaker 2>a child and suffered from regular health problems. He exaggerates

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<v Speaker 2>these as part of his personal mythos and narrative. For

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<v Speaker 2>his part, Sapple claims that he nearly died when he

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<v Speaker 2>was two years old, and was so sick that a

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<v Speaker 2>priest was brought in to administer last rites while his

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<v Speaker 2>mother prayed feverishly to a then unconfirmed saint, Margaret Sinclair,

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<v Speaker 2>and like things were so bad, the doctor just like

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<v Speaker 2>leaves at one point and says, just tell me when

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<v Speaker 2>he dies, and I'll fill in the death certificate the

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<v Speaker 2>rest of the way. I don't want to keep coming

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<v Speaker 2>back here. At one point, his relatives think that he's

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<v Speaker 2>actually passed on, and his grandmother does like the old

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<v Speaker 2>timy thing where you hold a mirror up to his

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<v Speaker 2>tiny mouth to see if he's breathing. And in his

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<v Speaker 2>book and in numerous interviews over the years, Saville took

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<v Speaker 2>great pleasure in delivering the punchline to this joke, which

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<v Speaker 2>is that as she puts the mirror down, he pisses,

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<v Speaker 2>hitting his grandmother in the eye, and this story improving

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<v Speaker 2>He's alive right. This story is a foundational part of

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<v Speaker 2>the Savile myth, and in his own autobiography he follows

0:11:39.880 --> 0:11:43.920
<v Speaker 2>it with this very strange passage, hardened by my urinary

0:11:44.000 --> 0:11:47.040
<v Speaker 2>success of catching my grandmother fair and square, I continued

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<v Speaker 2>in my infancy to pee on anything or anyone who

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<v Speaker 2>unwarily came into range. And my first recorded applause were

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<v Speaker 2>for direct hits on guests, fires, tea tables, priests, and

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<v Speaker 2>other such targets. I wasn't very popular for a number

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<v Speaker 2>of years. That's weird. That's just an odd thing to say.

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<v Speaker 2>It is interesting how early, even in his autobiography when

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<v Speaker 2>he's you know, he's a children's entertainer and to a

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<v Speaker 2>major extent, right, but he's he's writing to such an

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<v Speaker 2>extent about like his penis.

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<v Speaker 5>You know.

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<v Speaker 2>Again, there's a lot of in these in his autobiographies,

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<v Speaker 2>and the things he'll say, he will tell like eighty

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<v Speaker 2>or ninety percent of the truth. He doesn't quite go

0:12:28.240 --> 0:12:31.120
<v Speaker 2>all the way, but you he focuses a lot on

0:12:31.200 --> 0:12:33.679
<v Speaker 2>stuff to where like people should have known this is

0:12:33.720 --> 0:12:35.960
<v Speaker 2>a guy with a weird fascination with his penis and

0:12:36.080 --> 0:12:38.480
<v Speaker 2>like what it's doing. And it'll get a lot more.

0:12:38.640 --> 0:12:41.280
<v Speaker 2>He'll talk a lot more, obviously about actual at least

0:12:41.280 --> 0:12:44.160
<v Speaker 2>obviously he's not talking about sex crimes here. But it

0:12:44.200 --> 0:12:47.040
<v Speaker 2>is weird the degree to which he focuses on this

0:12:47.320 --> 0:12:50.320
<v Speaker 2>in as he's talking about himself as a two year

0:12:50.400 --> 0:12:55.600
<v Speaker 2>old now his mother. Jimmy's mother, Agnes, gives a very

0:12:55.600 --> 0:12:58.480
<v Speaker 2>different account of his infant illness. When she was interviewed

0:12:58.480 --> 0:13:02.320
<v Speaker 2>in nineteen seventy in Plane Sight by Dan Davies. She

0:13:02.440 --> 0:13:05.120
<v Speaker 2>recalled the illness struck when Jimmy was two and a half.

0:13:05.320 --> 0:13:07.280
<v Speaker 2>My oldest daughter had him out in the pram and

0:13:07.320 --> 0:13:10.120
<v Speaker 2>stopped at a shop, leaving Jimmy outside. He was strapped

0:13:10.120 --> 0:13:12.319
<v Speaker 2>in but jumped about so much that the pram overturned

0:13:12.320 --> 0:13:14.320
<v Speaker 2>and the hood caught the back of his neck and

0:13:14.400 --> 0:13:17.720
<v Speaker 2>severed one of the muscles. And that's a completely different story.

0:13:17.760 --> 0:13:20.680
<v Speaker 2>He's not like a sick kid who's dying and you

0:13:21.559 --> 0:13:23.439
<v Speaker 2>in bed or whatever. He's like a kid who has

0:13:23.480 --> 0:13:26.360
<v Speaker 2>an injury, a pretty normal kind of injury. Pram falls

0:13:26.400 --> 0:13:28.720
<v Speaker 2>over and he gets a muscle that's severed, and the

0:13:28.760 --> 0:13:32.559
<v Speaker 2>injury heals badly. Jimmy can't sit up or properly shut

0:13:32.559 --> 0:13:35.280
<v Speaker 2>his eyes for six months, even while sleeping. He was

0:13:35.320 --> 0:13:38.520
<v Speaker 2>admitted to the hospital. Yeah, it's really a scary thing

0:13:38.600 --> 0:13:41.840
<v Speaker 2>if you're the parents he's admitted to the hospital, who

0:13:41.840 --> 0:13:43.839
<v Speaker 2>are like, we don't really know what to do. You know,

0:13:43.920 --> 0:13:46.160
<v Speaker 2>there might be we could try surgery, but we don't

0:13:46.200 --> 0:13:48.720
<v Speaker 2>know if that'll actually work, and his family says, no,

0:13:48.920 --> 0:13:51.280
<v Speaker 2>we don't want to like risk that. On the way

0:13:51.280 --> 0:13:54.160
<v Speaker 2>back from the hospital, Agnes stops briefly to pray at

0:13:54.200 --> 0:13:57.280
<v Speaker 2>a cathedral, and then later that day, Jimmy goes to

0:13:57.320 --> 0:14:00.600
<v Speaker 2>sleep and closes his eyes, which initially I verifies the

0:14:00.600 --> 0:14:03.199
<v Speaker 2>family because they think he's died because he hadn't been

0:14:03.200 --> 0:14:05.840
<v Speaker 2>closing his eyes. But he was actually fine. The injury

0:14:05.880 --> 0:14:09.520
<v Speaker 2>had just finally healed. Right. That's a much less dramatic story,

0:14:09.720 --> 0:14:11.920
<v Speaker 2>where like in we all we were clustered around. Then

0:14:11.960 --> 0:14:14.280
<v Speaker 2>they put the mirror up to see if he was

0:14:14.320 --> 0:14:16.719
<v Speaker 2>still breathing. No, he had a weird injury and they

0:14:16.720 --> 0:14:18.880
<v Speaker 2>were scared because when he closed his eyes they thought

0:14:18.920 --> 0:14:19.720
<v Speaker 2>he was dead, but he was.

0:14:19.880 --> 0:14:23.680
<v Speaker 4>So it's not both. It's one was a lie and the.

0:14:23.680 --> 0:14:24.520
<v Speaker 2>One is a lie.

0:14:24.680 --> 0:14:25.040
<v Speaker 4>Okay.

0:14:25.520 --> 0:14:28.000
<v Speaker 2>I can't think of why Agnes would have lied about this.

0:14:28.120 --> 0:14:31.880
<v Speaker 2>I can think of a lot of reasons why Jimmy would. Now.

0:14:31.920 --> 0:14:35.160
<v Speaker 2>Agnes did later write to the Catholic Church urging for

0:14:35.200 --> 0:14:38.520
<v Speaker 2>the beatification of Margaret Sinclair. But again, this is just

0:14:38.560 --> 0:14:42.560
<v Speaker 2>a very different story. His family was very poor growing up,

0:14:43.000 --> 0:14:46.280
<v Speaker 2>although not unusually, they were like the normal level of

0:14:46.320 --> 0:14:48.360
<v Speaker 2>poor for the town that they lived in. So it's

0:14:48.400 --> 0:14:51.400
<v Speaker 2>not like he was the poor kid in town and

0:14:51.480 --> 0:14:53.680
<v Speaker 2>had to watch all of these other kids who had more.

0:14:53.960 --> 0:14:57.200
<v Speaker 2>It was this is England in like the twenties and thirties,

0:14:57.240 --> 0:14:59.800
<v Speaker 2>and he lives in like the north, in a mining town.

0:15:00.200 --> 0:15:05.000
<v Speaker 2>Everybody's broke, nobody has money. Then yeah, now again, he

0:15:05.120 --> 0:15:07.640
<v Speaker 2>was the youngest of seven and he was an accident.

0:15:07.680 --> 0:15:10.400
<v Speaker 2>His mom's like forty when she has him, which is

0:15:10.920 --> 0:15:15.320
<v Speaker 2>I mean, that's an old pregnancy today, especially in like

0:15:15.360 --> 0:15:19.960
<v Speaker 2>the twenties, that's fairly uncommon. And he was dubbed. He

0:15:20.040 --> 0:15:23.320
<v Speaker 2>claims the family's not again child. That's the term he

0:15:23.400 --> 0:15:25.440
<v Speaker 2>uses of like they were like, ah, this was we

0:15:25.480 --> 0:15:29.000
<v Speaker 2>really can't ever let this happen again. And he's going

0:15:29.080 --> 0:15:31.360
<v Speaker 2>to grow up with a chip on his shoulder about this.

0:15:31.480 --> 0:15:34.880
<v Speaker 2>He was never very close to most of his older siblings,

0:15:35.200 --> 0:15:37.560
<v Speaker 2>and he will later become a mama's boy in a

0:15:37.680 --> 0:15:40.160
<v Speaker 2>deeply weird way. We're not really going to talk about

0:15:40.200 --> 0:15:43.760
<v Speaker 2>it enough in these episodes, but he's like veering towards

0:15:43.800 --> 0:15:49.000
<v Speaker 2>Patrick Bates levels of like very strange mom issues. But

0:15:49.040 --> 0:15:51.520
<v Speaker 2>initially he feels like he's ignored, like he doesn't get

0:15:51.640 --> 0:15:55.480
<v Speaker 2>a lot of attention, And he'll write about this both

0:15:55.560 --> 0:15:58.440
<v Speaker 2>as if it frustrated him, and also he'll talk about like,

0:15:58.520 --> 0:16:00.560
<v Speaker 2>and I really like that because I'm a loner and

0:16:00.600 --> 0:16:02.800
<v Speaker 2>this really worked out for me. I like not getting

0:16:02.840 --> 0:16:06.120
<v Speaker 2>a lot of attention. I can't tell which is coping

0:16:06.360 --> 0:16:09.680
<v Speaker 2>and which is the truth. That said, his other family

0:16:09.680 --> 0:16:13.000
<v Speaker 2>members don't seem to agree that he was ignored and

0:16:13.080 --> 0:16:16.720
<v Speaker 2>not given a lot of attention. His sister Joan actually

0:16:16.720 --> 0:16:18.760
<v Speaker 2>says that she and the rest of the family consider

0:16:18.840 --> 0:16:21.400
<v Speaker 2>Jimmy their miracle baby, and that he was kind of

0:16:21.480 --> 0:16:24.000
<v Speaker 2>fond over by all of his older siblings and everyone

0:16:24.040 --> 0:16:26.280
<v Speaker 2>else in the family because he'd had health issues as

0:16:26.320 --> 0:16:30.320
<v Speaker 2>a kid. Right, And Davies points out in his book

0:16:30.440 --> 0:16:34.080
<v Speaker 2>about Savel that while Saville preferred to portray himself as

0:16:34.080 --> 0:16:36.840
<v Speaker 2>the not again baby, as this kid that wasn't wanted

0:16:36.880 --> 0:16:39.760
<v Speaker 2>and was kind of ignored, his family insists that he

0:16:39.800 --> 0:16:43.560
<v Speaker 2>was treated as the miracle child, the chosen one, right,

0:16:44.280 --> 0:16:47.960
<v Speaker 2>which makes a lot more sense based on his subsequent behavior.

0:16:48.640 --> 0:16:52.320
<v Speaker 5>Yeah, some people cannot get enough attention, Like there's no

0:16:52.560 --> 0:16:53.400
<v Speaker 5>an endless hole.

0:16:54.600 --> 0:16:56.360
<v Speaker 2>And it's interesting to me that he feels a need

0:16:56.400 --> 0:16:59.240
<v Speaker 2>to like lie about this, to complain, to be like, oh,

0:16:59.280 --> 0:17:00.840
<v Speaker 2>and they didn't even really they want me. You know,

0:17:01.120 --> 0:17:02.960
<v Speaker 2>I had to deal with the fact that I didn't

0:17:03.000 --> 0:17:05.720
<v Speaker 2>really belong, whereas his family's like, no, we were obsessed

0:17:05.720 --> 0:17:10.720
<v Speaker 2>with him because he nearly died. Now. Jimmy's father, Vince,

0:17:10.880 --> 0:17:13.280
<v Speaker 2>was a tall and gangly man who never made a

0:17:13.280 --> 0:17:16.560
<v Speaker 2>lot of money, but was employed consistently and seems to

0:17:16.560 --> 0:17:20.680
<v Speaker 2>have been like a pretty responsible parent, although not necessarily

0:17:20.680 --> 0:17:24.000
<v Speaker 2>in a what you'd call the reputable industry. His boss

0:17:24.160 --> 0:17:27.360
<v Speaker 2>was the town bookie, a guy named jim Windsor, who

0:17:27.400 --> 0:17:30.560
<v Speaker 2>young Jimmy seems to have grown up admiring Windsor wants

0:17:30.640 --> 0:17:32.919
<v Speaker 2>bragged to a newspaper that he'd been arrested once a

0:17:33.000 --> 0:17:37.280
<v Speaker 2>year for twenty years. So his dad's he's Jimmy grows

0:17:37.359 --> 0:17:41.240
<v Speaker 2>up connected to at least a low level organized crime.

0:17:41.320 --> 0:17:43.880
<v Speaker 2>You know. This guy is running like numbers, rackets and stuff,

0:17:44.119 --> 0:17:46.159
<v Speaker 2>and his dad is kind of his gopher. But his

0:17:46.240 --> 0:17:50.200
<v Speaker 2>dad's also not a big wig. His dad is handling

0:17:50.280 --> 0:17:54.159
<v Speaker 2>like very basic jobs for this guy, like he's so

0:17:54.280 --> 0:17:57.399
<v Speaker 2>Jimmy sees this dude who is like kind of the

0:17:58.040 --> 0:18:00.960
<v Speaker 2>patron of the family who is a criminal and who's

0:18:01.000 --> 0:18:05.240
<v Speaker 2>doing really really well. But his dad's never doing really well.

0:18:05.240 --> 0:18:06.040
<v Speaker 2>His dad's just.

0:18:05.960 --> 0:18:09.720
<v Speaker 4>Kind of windsor like house of like royalty.

0:18:09.840 --> 0:18:11.879
<v Speaker 2>Yeah, but no, he's not royal. It's just also a

0:18:12.000 --> 0:18:13.880
<v Speaker 2>name Windsor I.

0:18:13.880 --> 0:18:18.240
<v Speaker 3>Was like, I was like British windsor the Queen's Corgies.

0:18:18.400 --> 0:18:19.240
<v Speaker 3>What's happening.

0:18:19.800 --> 0:18:22.880
<v Speaker 2>No, he's not. There will be royal family connections later,

0:18:22.960 --> 0:18:25.359
<v Speaker 2>but not at this stage. This is just a guy

0:18:25.440 --> 0:18:26.440
<v Speaker 2>with that last name.

0:18:26.520 --> 0:18:27.760
<v Speaker 3>Got it, got it, got it my bad.

0:18:28.760 --> 0:18:31.639
<v Speaker 2>So from the jump, Jimmy grows up close to and

0:18:31.720 --> 0:18:34.720
<v Speaker 2>comfortable with some of the more mainstream elements of organized

0:18:34.760 --> 0:18:38.359
<v Speaker 2>crime in his society, and he probably grows up aware that, like,

0:18:39.040 --> 0:18:41.359
<v Speaker 2>the people who do best are the people who are

0:18:41.400 --> 0:18:43.800
<v Speaker 2>willing to break the rules. And because my dad is

0:18:43.880 --> 0:18:46.280
<v Speaker 2>kind of scared of going too far, we never had

0:18:46.320 --> 0:18:48.800
<v Speaker 2>a lots as opposed to his boss. Right, it was

0:18:48.840 --> 0:18:52.400
<v Speaker 2>a bolder man was willing to commit crimes and get arrested.

0:18:54.000 --> 0:18:57.080
<v Speaker 2>So the family is like working, lower middle class, but

0:18:57.119 --> 0:18:59.040
<v Speaker 2>he does get to see how the big shots do,

0:18:59.119 --> 0:19:02.439
<v Speaker 2>and he kind of comes to want that for himself. Now,

0:19:04.520 --> 0:19:07.680
<v Speaker 2>despite the fact that Jimmy often portrays his family as

0:19:07.680 --> 0:19:12.240
<v Speaker 2>being quite poor and like unusually poor. It's noted by

0:19:12.520 --> 0:19:15.000
<v Speaker 2>people who knew them that Agnes actually like the family

0:19:15.080 --> 0:19:18.480
<v Speaker 2>owns an unusually large home. His mom makes them buy

0:19:18.640 --> 0:19:21.359
<v Speaker 2>a larger home than they can really afford, so like

0:19:21.400 --> 0:19:23.560
<v Speaker 2>a lot of the rooms are kind of empty. I

0:19:23.600 --> 0:19:26.480
<v Speaker 2>think because she wants a big nice house is like

0:19:26.520 --> 0:19:30.160
<v Speaker 2>a status symbol, right, so she has to budget really carefully.

0:19:30.440 --> 0:19:32.840
<v Speaker 2>But they're able to afford the house, so they're doing okay.

0:19:33.680 --> 0:19:34.680
<v Speaker 2>He goes to school.

0:19:34.880 --> 0:19:36.399
<v Speaker 5>I was gonna ask you if they lived in one

0:19:36.440 --> 0:19:38.280
<v Speaker 5>of those council estates.

0:19:38.320 --> 0:19:40.080
<v Speaker 4>But no, not, no, they're not that poor.

0:19:40.600 --> 0:19:43.080
<v Speaker 2>No, they're not that poor. They're certainly not the bottom

0:19:43.160 --> 0:19:46.520
<v Speaker 2>rung in terms of like poverty. They're not like comfortable,

0:19:46.640 --> 0:19:50.000
<v Speaker 2>I wouldn't say, but they're getting by. And even though

0:19:50.000 --> 0:19:52.360
<v Speaker 2>this house is kind of bigger than they could afford,

0:19:52.760 --> 0:19:55.679
<v Speaker 2>his mom is really good with stretching their money and

0:19:55.720 --> 0:19:58.320
<v Speaker 2>he's able to like, they're able to afford it. And

0:19:58.359 --> 0:19:59.720
<v Speaker 2>this is kind of he becomes like a hand me

0:19:59.800 --> 0:20:01.960
<v Speaker 2>down kid. He's known in town. Is like he does

0:20:02.000 --> 0:20:04.040
<v Speaker 2>he never no one ever buys clothes for Jimmy. He

0:20:04.080 --> 0:20:07.040
<v Speaker 2>wears all of his older siblings clothes, which a lot

0:20:07.080 --> 0:20:11.320
<v Speaker 2>of people you know, grew up with that experience. Yeah.

0:20:10.840 --> 0:20:10.959
<v Speaker 5>Uh.

0:20:11.359 --> 0:20:13.720
<v Speaker 2>He goes to school in town, and the main method

0:20:13.720 --> 0:20:16.320
<v Speaker 2>of discipline in Jimmy's era and the place where he's

0:20:16.359 --> 0:20:18.760
<v Speaker 2>going to school, is that the headmaster will beat you

0:20:18.800 --> 0:20:22.320
<v Speaker 2>with a bamboo cane if you're bad. This is not

0:20:22.400 --> 0:20:27.360
<v Speaker 2>again weird for the time, but ow but ow. Because

0:20:27.440 --> 0:20:30.639
<v Speaker 2>Jimmy is so sickly, he qualifies for free milk and

0:20:30.680 --> 0:20:34.360
<v Speaker 2>a free spoonful of malt at school each day, which

0:20:34.440 --> 0:20:36.920
<v Speaker 2>I think I think they're trying to help him avoid

0:20:37.080 --> 0:20:39.040
<v Speaker 2>getting rickets. I think that's why they get him a

0:20:39.080 --> 0:20:44.119
<v Speaker 2>spoonful of malt. I forget exactly why got in town.

0:20:44.520 --> 0:20:46.440
<v Speaker 5>Yeah. Yeah, that's a very.

0:20:46.440 --> 0:20:51.400
<v Speaker 2>Like twenties thirties thing, right, the sick kids get free

0:20:51.400 --> 0:20:55.840
<v Speaker 2>milk and malt. This is also something he writes and

0:20:55.880 --> 0:21:00.480
<v Speaker 2>talks about constantly because it reinforces his underdog narrative. Agnes

0:21:00.560 --> 0:21:03.919
<v Speaker 2>drove the family and they were with Agnes is like

0:21:03.960 --> 0:21:06.720
<v Speaker 2>the wearing the pants in the household. Right. His dad

0:21:06.840 --> 0:21:09.960
<v Speaker 2>is a very retiring and kind of shy figure. He's

0:21:09.960 --> 0:21:13.560
<v Speaker 2>gonna die much earlier than Agnes, and she is She's

0:21:13.640 --> 0:21:17.600
<v Speaker 2>the force to be reckoned with. They are extremely Catholic.

0:21:17.800 --> 0:21:22.000
<v Speaker 2>Jimmy Saville is raised Catholic and is a hardcore Catholic

0:21:22.040 --> 0:21:26.040
<v Speaker 2>his entire life. They almost never miss Mass, and she

0:21:26.160 --> 0:21:28.200
<v Speaker 2>makes sure that even with the family budget as tight

0:21:28.240 --> 0:21:29.960
<v Speaker 2>as it was, they always have money to put in

0:21:30.000 --> 0:21:33.480
<v Speaker 2>the collection plate for arguably the wealthiest institution in human

0:21:33.520 --> 0:21:37.119
<v Speaker 2>history at the time. Yeah, yeah, yeah, the Catholic Church

0:21:37.200 --> 0:21:39.760
<v Speaker 2>couldn't have gone by without that tuppence that you dust

0:21:39.880 --> 0:21:42.480
<v Speaker 2>in there. They wouldn't have been able to afford to

0:21:42.520 --> 0:21:44.680
<v Speaker 2>move all those priests to our molesting kids to different

0:21:44.720 --> 0:21:49.639
<v Speaker 2>places so they can molest more kids. Of his mom's faith,

0:21:49.720 --> 0:21:53.440
<v Speaker 2>Saville said she was an old fashioned religioso. She went

0:21:53.520 --> 0:21:56.800
<v Speaker 2>to Mass because she had a guilty conscience. Now that's

0:21:56.840 --> 0:22:00.520
<v Speaker 2>interesting to me because he'll emphasize this a lot, guilty

0:22:00.560 --> 0:22:04.199
<v Speaker 2>over what. Now we don't know. He never says. This

0:22:04.280 --> 0:22:07.040
<v Speaker 2>is one of a number of very vague, never directly

0:22:07.160 --> 0:22:10.600
<v Speaker 2>stated bits of Jimmy lore that could be seen as

0:22:10.600 --> 0:22:14.040
<v Speaker 2>supporting the idea. Some people have suggested that he was

0:22:14.119 --> 0:22:17.520
<v Speaker 2>probably molested as a child. There's not evidence of this.

0:22:17.800 --> 0:22:21.040
<v Speaker 2>He never talked about it. I've never heard anyone come

0:22:21.119 --> 0:22:25.200
<v Speaker 2>up with any like clear factual allegations based on a

0:22:25.240 --> 0:22:29.679
<v Speaker 2>firsthand narrative that he was molested. However, he has a

0:22:29.800 --> 0:22:32.800
<v Speaker 2>deeply weird relationship with his mom, and he goes on

0:22:32.840 --> 0:22:35.760
<v Speaker 2>to molest hundreds and hundreds and hundreds, potentially thousands of kids.

0:22:35.800 --> 0:22:41.480
<v Speaker 2>So people naturally wonder, was Jimmy a victim has himself? Now,

0:22:42.080 --> 0:22:44.520
<v Speaker 2>I don't have a satisfying answer on this. This is

0:22:44.520 --> 0:22:45.639
<v Speaker 2>going to be one of those things where I just

0:22:45.680 --> 0:22:48.199
<v Speaker 2>have to shrug and say, like, I don't know. But

0:22:48.480 --> 0:22:53.560
<v Speaker 2>he is like he never has a long term relationship

0:22:53.640 --> 0:22:56.280
<v Speaker 2>with an adult woman in his entire life. He never

0:22:56.359 --> 0:22:59.840
<v Speaker 2>has a real girlfriend, he never gets married. I don't

0:22:59.840 --> 0:23:02.760
<v Speaker 2>think think he's ever close to having a long term

0:23:02.800 --> 0:23:06.920
<v Speaker 2>relationship with a woman other than his mom, who he

0:23:06.960 --> 0:23:09.159
<v Speaker 2>will like go on dates with and hang out with

0:23:09.240 --> 0:23:11.639
<v Speaker 2>as a young man, like he she is like he's

0:23:12.000 --> 0:23:14.639
<v Speaker 2>a major part of his social life while he is

0:23:14.680 --> 0:23:17.479
<v Speaker 2>like famous in the early years of fame to an

0:23:17.480 --> 0:23:19.040
<v Speaker 2>extent that a lot of people have wondered, was it

0:23:19.080 --> 0:23:21.800
<v Speaker 2>did something go on there? And I could I will

0:23:21.800 --> 0:23:24.400
<v Speaker 2>tell you people wonder that I don't have any evidence.

0:23:24.560 --> 0:23:26.840
<v Speaker 2>I'm not aware of any evidence. It's just kind of

0:23:26.880 --> 0:23:29.920
<v Speaker 2>a thing people wonder because his relationship with his mom.

0:23:30.040 --> 0:23:33.960
<v Speaker 5>He romanticized him in some way, like that's kind of

0:23:34.040 --> 0:23:34.920
<v Speaker 5>damaging enough.

0:23:35.000 --> 0:23:37.640
<v Speaker 2>But yeah, it may not have involved actual molestation. Sorry

0:23:37.640 --> 0:23:43.800
<v Speaker 2>I cut you off. Yeah, no, there's no priest, not

0:23:43.880 --> 0:23:47.439
<v Speaker 2>that we know of. Like, obviously there are priests who

0:23:47.520 --> 0:23:51.439
<v Speaker 2>were around the area he grew up in who molested kids,

0:23:51.960 --> 0:23:56.920
<v Speaker 2>because that's true everywhere there were Catholic churches, but I

0:23:57.200 --> 0:23:59.560
<v Speaker 2>haven't there's he never alleges that, and I don't have

0:23:59.600 --> 0:24:03.320
<v Speaker 2>any and of it, right, so we can ponder this.

0:24:03.440 --> 0:24:07.480
<v Speaker 2>And obviously it is not uncommon for people who wind

0:24:07.560 --> 0:24:10.520
<v Speaker 2>up being child molesters who have been molested or to

0:24:10.600 --> 0:24:13.800
<v Speaker 2>have had like very early traumatic sexual experiences. But that

0:24:13.840 --> 0:24:16.320
<v Speaker 2>doesn't have to happen for someone to be a child molester.

0:24:16.560 --> 0:24:22.520
<v Speaker 2>Sometimes people are just child molesters because they suck, right Anyway.

0:24:22.840 --> 0:24:26.160
<v Speaker 2>His childhood is interrupted by World War II, the Big

0:24:26.240 --> 0:24:29.040
<v Speaker 2>Dub Dub dose, although not in a way that was

0:24:29.080 --> 0:24:31.960
<v Speaker 2>particularly traumatizing to him. A lot of British kids in

0:24:32.000 --> 0:24:34.720
<v Speaker 2>this era have really trauma because they're bombed to rite,

0:24:34.840 --> 0:24:38.159
<v Speaker 2>kids in London and stuff are getting bombed and hiding

0:24:38.200 --> 0:24:41.000
<v Speaker 2>in shelters, and he gets a bit of that, but

0:24:41.240 --> 0:24:44.000
<v Speaker 2>he's in a really good area to avoid. Like the

0:24:44.080 --> 0:24:47.920
<v Speaker 2>worst of that. He recalls when he was eleven or

0:24:48.000 --> 0:24:49.760
<v Speaker 2>so and the war started, that he and a bunch

0:24:49.800 --> 0:24:52.000
<v Speaker 2>of local kids were taken out of the city to

0:24:52.080 --> 0:24:55.399
<v Speaker 2>this rural camp where they did minor manual labor in

0:24:55.520 --> 0:24:57.520
<v Speaker 2>order to keep them away from bombs. Basically, it's a

0:24:57.560 --> 0:25:00.439
<v Speaker 2>long term summer camp where you know, you're working on

0:25:00.520 --> 0:25:03.119
<v Speaker 2>projects and stuff, you're helping to build things out in

0:25:03.160 --> 0:25:05.359
<v Speaker 2>the woods, and they're just trying to keep you away

0:25:05.400 --> 0:25:09.280
<v Speaker 2>from where the Germans are targeting. Now, just based on

0:25:09.520 --> 0:25:13.359
<v Speaker 2>when things happened, we know Jimmy was thirteen and nineteen

0:25:13.440 --> 0:25:15.560
<v Speaker 2>thirty nine, so he can't have been eleven when the

0:25:15.600 --> 0:25:19.359
<v Speaker 2>war started, because that just is doesn't work. One of

0:25:19.400 --> 0:25:23.880
<v Speaker 2>the difficulties here is Jimmy gives ages for where how

0:25:23.920 --> 0:25:25.760
<v Speaker 2>old he is when a bunch of different stuff happens.

0:25:25.800 --> 0:25:28.600
<v Speaker 2>That absolutely cannot be true. And I don't know why

0:25:28.640 --> 0:25:31.120
<v Speaker 2>he'd lie about it. This may have just been honestly

0:25:31.240 --> 0:25:34.119
<v Speaker 2>him forgetting, because once you get to a certain age,

0:25:34.240 --> 0:25:36.199
<v Speaker 2>it's hard to be like, was I ten when that happened?

0:25:36.280 --> 0:25:38.840
<v Speaker 2>Was I twelve? Like I can't tell for myself on

0:25:38.920 --> 0:25:40.040
<v Speaker 2>some things that happened to me.

0:25:41.040 --> 0:25:42.600
<v Speaker 4>Check your damn memoir though.

0:25:42.480 --> 0:25:44.720
<v Speaker 2>Come yeah, yeah, yeah, but it is a little you

0:25:44.760 --> 0:25:46.199
<v Speaker 2>do have to like kind of go back and be like, no,

0:25:46.240 --> 0:25:48.040
<v Speaker 2>he couldn't have been eleven. He was thirteen. We know

0:25:48.080 --> 0:25:51.800
<v Speaker 2>when he was fucking born, right, he wouldn't have been

0:25:51.800 --> 0:25:55.080
<v Speaker 2>worried about getting bombed by the Germans in nineteen thirty seven.

0:25:55.200 --> 0:25:58.200
<v Speaker 2>That would have been crazy, and they had started bombing

0:25:58.440 --> 0:26:01.520
<v Speaker 2>the UK in nineteen thirty nine. But I can believe that,

0:26:01.960 --> 0:26:06.040
<v Speaker 2>you know, maybe that like that era, they were getting

0:26:06.040 --> 0:26:09.280
<v Speaker 2>worried about it and stuff. So anyway, whatever, how, whatever

0:26:09.320 --> 0:26:11.720
<v Speaker 2>age he is when he gets to this fucking summer camp,

0:26:11.760 --> 0:26:14.159
<v Speaker 2>he's only there for a few months before his parents

0:26:14.160 --> 0:26:16.120
<v Speaker 2>borrow a car to visit him. I think he's there

0:26:16.119 --> 0:26:18.360
<v Speaker 2>for like six months, and then they come to visit him,

0:26:18.560 --> 0:26:21.320
<v Speaker 2>and his mom sees that his camp where he's camping

0:26:21.520 --> 0:26:26.000
<v Speaker 2>is directly underneath like a massive gasoline tank, and she's like, well, fuck,

0:26:26.000 --> 0:26:28.400
<v Speaker 2>he could get blown up here. I'm not gonna let him.

0:26:28.440 --> 0:26:31.359
<v Speaker 2>Just all take him home, right. I feel like the

0:26:31.359 --> 0:26:33.600
<v Speaker 2>odds aren't any worse that he gets blown up in

0:26:33.680 --> 0:26:37.840
<v Speaker 2>leads than sitting underneath his gas tank. So his mom

0:26:37.920 --> 0:26:41.520
<v Speaker 2>takes him back home, and this is the moment that Jimmy,

0:26:41.840 --> 0:26:44.080
<v Speaker 2>you can tell Jimmy says, this thinks this is the

0:26:44.119 --> 0:26:47.080
<v Speaker 2>moment that his life really begins, because once he gets

0:26:47.119 --> 0:26:49.840
<v Speaker 2>back home, all the men are away at war. At

0:26:49.840 --> 0:26:52.480
<v Speaker 2>this point, this probably would have been like forty forty one, right,

0:26:52.920 --> 0:26:54.720
<v Speaker 2>all of the men are away at war, and a

0:26:54.760 --> 0:26:57.920
<v Speaker 2>bunch of the older teenage boys who aren't old enough

0:26:57.920 --> 0:27:00.960
<v Speaker 2>to have been like drafted yet are working. Right. They're

0:27:01.000 --> 0:27:04.560
<v Speaker 2>taking over jobs that the grown men have are no

0:27:04.600 --> 0:27:07.200
<v Speaker 2>longer able to do, as are a lot of the women.

0:27:07.520 --> 0:27:11.080
<v Speaker 2>And there's shortages of everything. So first off, he is

0:27:11.240 --> 0:27:14.280
<v Speaker 2>kind of one of the only quote unquote men because

0:27:14.280 --> 0:27:19.320
<v Speaker 2>he's thirteen or fourteen. Now, that's in this era a

0:27:19.480 --> 0:27:22.800
<v Speaker 2>child starting to become recognized as a child. But if

0:27:22.800 --> 0:27:24.480
<v Speaker 2>you think back to it, if you go back a

0:27:24.520 --> 0:27:27.919
<v Speaker 2>generation or two, a fourteen year old is basically a

0:27:27.960 --> 0:27:31.800
<v Speaker 2>man in Western society. That's when you start working full time.

0:27:31.880 --> 0:27:34.480
<v Speaker 2>That's when people you are old enough to like run

0:27:34.520 --> 0:27:38.520
<v Speaker 2>a job and be living your life, and the concept

0:27:38.520 --> 0:27:42.639
<v Speaker 2>of a childhood doesn't sort of descend evenly upon society.

0:27:42.680 --> 0:27:45.280
<v Speaker 2>It is starting to at this period of time, but

0:27:45.359 --> 0:27:48.840
<v Speaker 2>it's also not very it's not weird that he's going

0:27:48.880 --> 0:27:51.119
<v Speaker 2>to be treated by a lot of adults as a

0:27:51.160 --> 0:27:53.840
<v Speaker 2>grown man, as a fourteen year old or as close

0:27:53.920 --> 0:27:57.760
<v Speaker 2>to a grown man, because all of the bigger grown

0:27:57.800 --> 0:27:59.400
<v Speaker 2>men are gone, right.

0:28:00.200 --> 0:28:02.680
<v Speaker 4>Including his dad or is his dad still around?

0:28:02.760 --> 0:28:05.280
<v Speaker 2>No, his dad is still around. His father's like old

0:28:05.400 --> 0:28:07.600
<v Speaker 2>enough that he's not going to get drafted. But he's

0:28:07.640 --> 0:28:11.280
<v Speaker 2>like working all the time and shit. Right, So because

0:28:11.280 --> 0:28:14.639
<v Speaker 2>the shortages of everything, a vibrant black market opens up

0:28:14.760 --> 0:28:17.679
<v Speaker 2>and Jimmy rushes straight to the middle of it. You know,

0:28:17.720 --> 0:28:20.840
<v Speaker 2>he was because of sort of his upbringing. I think

0:28:20.880 --> 0:28:23.879
<v Speaker 2>he was primed to be willing to get into a

0:28:23.920 --> 0:28:26.920
<v Speaker 2>business like that, and because everyone else is kind of gone,

0:28:27.320 --> 0:28:30.480
<v Speaker 2>he's able to start making money by, as he puts it,

0:28:30.560 --> 0:28:33.199
<v Speaker 2>we were all in the racket business then, which is

0:28:33.280 --> 0:28:36.000
<v Speaker 2>likely true. So he's he's hustling one way or the other.

0:28:36.080 --> 0:28:38.720
<v Speaker 2>He's finding things that people need, he's selling them for

0:28:38.840 --> 0:28:43.120
<v Speaker 2>high prices. He's like probably nicking stuff to resell. You know,

0:28:43.160 --> 0:28:46.840
<v Speaker 2>this is kind of the birth of him like starting

0:28:46.880 --> 0:28:49.640
<v Speaker 2>to become and live as an independent person. And he

0:28:50.000 --> 0:28:52.800
<v Speaker 2>gets into it basically as a war profiteer. You know,

0:28:52.840 --> 0:28:55.880
<v Speaker 2>as a fourteen year old war profiteer, which is interesting.

0:28:56.880 --> 0:29:01.400
<v Speaker 2>You know who else is a war profiteers and services?

0:29:02.160 --> 0:29:05.160
<v Speaker 2>Very possibly, we have no way of knowing. I would

0:29:05.200 --> 0:29:07.960
<v Speaker 2>say there's like a solid forty percent chance that whoever

0:29:08.480 --> 0:29:11.560
<v Speaker 2>is advertising this podcast right now is a war profit here.

0:29:11.880 --> 0:29:14.479
<v Speaker 2>And hey, somebody's got to make money off of wars.

0:29:15.240 --> 0:29:23.000
<v Speaker 1>Okay, we're back.

0:29:23.640 --> 0:29:28.840
<v Speaker 2>So Jimmy is making spare money hustling until one day

0:29:29.160 --> 0:29:31.880
<v Speaker 2>he decides to go buy the one of the big

0:29:31.920 --> 0:29:35.040
<v Speaker 2>local ballrooms, the Mecca Locrno Ballroom, which is like a

0:29:35.120 --> 0:29:37.680
<v Speaker 2>dance hall, right, and he sees that they need work

0:29:37.720 --> 0:29:40.520
<v Speaker 2>because again all the men are gone. He turns himself

0:29:40.520 --> 0:29:44.480
<v Speaker 2>into a gopher for the adults in leeds vibrant entertainment industry.

0:29:44.840 --> 0:29:47.720
<v Speaker 2>The city had recently been nicknamed Britain's City of Sin

0:29:47.960 --> 0:29:50.880
<v Speaker 2>by one Sunday paper, and working at the Mecca is

0:29:50.920 --> 0:29:54.240
<v Speaker 2>what gave Jimmy his real education. One that quote, and

0:29:54.280 --> 0:29:57.280
<v Speaker 2>this is from his autobiography, qualified me for every a

0:29:57.440 --> 0:30:01.360
<v Speaker 2>level that ever existed in hell. He is not really

0:30:01.440 --> 0:30:07.600
<v Speaker 2>hiding the fact that he's a scumback. Jimmy continues, not

0:30:07.720 --> 0:30:09.880
<v Speaker 2>yet five feet in height, as thin as a drumstick

0:30:09.920 --> 0:30:12.600
<v Speaker 2>with big eyes, ears and nose. I was everyone's mascot,

0:30:12.680 --> 0:30:16.440
<v Speaker 2>pet runner, holder of mysterious parcels and secrets because I

0:30:16.440 --> 0:30:18.640
<v Speaker 2>didn't understand the first thing about anything. I was the

0:30:18.680 --> 0:30:22.320
<v Speaker 2>confidante of murderers, whores, black marketeers, crooks of every trade,

0:30:22.400 --> 0:30:24.880
<v Speaker 2>and often of the innocent victims they preyed on. I

0:30:24.920 --> 0:30:30.200
<v Speaker 2>also played the drums. And he's you know, dressing that

0:30:30.320 --> 0:30:32.480
<v Speaker 2>up to make a better story, But this is probably

0:30:32.520 --> 0:30:36.040
<v Speaker 2>pretty accurate as to like what he's doing is he

0:30:36.120 --> 0:30:38.960
<v Speaker 2>is hanging out with a very bad crowd who are

0:30:39.000 --> 0:30:42.480
<v Speaker 2>making their living. Like there's a lot of prostitution that

0:30:42.560 --> 0:30:44.760
<v Speaker 2>gets run through this ballroom. There's a lot of like

0:30:44.880 --> 0:30:49.720
<v Speaker 2>sketchy stuff happening here. And because he's this kid, everyone's

0:30:49.800 --> 0:30:53.600
<v Speaker 2>kind of fine with him being in the room. Now.

0:30:53.640 --> 0:30:56.480
<v Speaker 2>He is also doing like a formal job there. The

0:30:56.520 --> 0:30:59.200
<v Speaker 2>Mecca was short on members for the bands because of

0:30:59.240 --> 0:31:02.040
<v Speaker 2>the war, so as Jimmy tells it, he became the

0:31:02.120 --> 0:31:05.560
<v Speaker 2>relief band for the whole establishment, getting paid ten shillings

0:31:05.560 --> 0:31:08.280
<v Speaker 2>a week to fulfill a fifty pounds a week job

0:31:08.520 --> 0:31:11.760
<v Speaker 2>and scrounging for cigarettes under the seats to make extra coin.

0:31:12.080 --> 0:31:14.160
<v Speaker 2>This was a very different time. That's like a good

0:31:14.160 --> 0:31:15.920
<v Speaker 2>way to make an extra money is let's find some

0:31:16.120 --> 0:31:19.959
<v Speaker 2>half smoked SIGs to sell to people. That tells you

0:31:20.000 --> 0:31:22.680
<v Speaker 2>how bad the Warriors were. That there's a good there's

0:31:22.680 --> 0:31:26.440
<v Speaker 2>a vibrant industry and cigarettes. People didn't finish, not.

0:31:26.400 --> 0:31:28.200
<v Speaker 4>Even just for him yet to sell.

0:31:28.280 --> 0:31:32.520
<v Speaker 2>Yeah, oh my god, yeah, to sell. He would finish

0:31:32.520 --> 0:31:34.640
<v Speaker 2>school at four and then rush to the Mecca to

0:31:34.680 --> 0:31:37.640
<v Speaker 2>perform for their afternoon shows. Then he'd have a couple

0:31:37.680 --> 0:31:39.840
<v Speaker 2>hours break, and then he'd do a second half hour

0:31:39.920 --> 0:31:42.960
<v Speaker 2>spot in the evenings. The relief band was just him

0:31:43.040 --> 0:31:45.440
<v Speaker 2>and a girl who played piano, and even in the

0:31:45.440 --> 0:31:49.640
<v Speaker 2>thirties and forties, this was not a legal arrangement. Quote

0:31:50.040 --> 0:31:53.240
<v Speaker 2>being hopelessly underage and therefore highly illegal. There were times

0:31:53.280 --> 0:31:56.040
<v Speaker 2>when I was persona non grata on stage. Don't come

0:31:56.080 --> 0:31:58.640
<v Speaker 2>in tomorrow, the manager would hiss, the directors are coming.

0:31:58.920 --> 0:32:01.720
<v Speaker 2>When the visiting boss asked where's the second band, the

0:32:01.720 --> 0:32:04.320
<v Speaker 2>suave reply never failed. There's a big air raid going

0:32:04.360 --> 0:32:06.960
<v Speaker 2>on in Hole or Doncaster or Halifax, and the relief

0:32:07.000 --> 0:32:09.280
<v Speaker 2>band is made up of fireman There were always lots

0:32:09.320 --> 0:32:09.840
<v Speaker 2>of fires.

0:32:10.520 --> 0:32:11.080
<v Speaker 5>So he is.

0:32:11.040 --> 0:32:15.120
<v Speaker 2>Illegally doing this and it's being justified as like, oh no,

0:32:15.240 --> 0:32:17.520
<v Speaker 2>the band's not here right now because they're putting out

0:32:17.560 --> 0:32:21.760
<v Speaker 2>fire from the bombs. Don't notice that it's like a

0:32:21.800 --> 0:32:22.719
<v Speaker 2>fourteen year old day.

0:32:22.720 --> 0:32:23.920
<v Speaker 4>They're totally adults.

0:32:24.640 --> 0:32:28.480
<v Speaker 2>They're totally adults, and it's a whole band. Now. That

0:32:28.640 --> 0:32:31.120
<v Speaker 2>is a fun, old timey tale of child labor, and

0:32:31.160 --> 0:32:33.640
<v Speaker 2>we love a good It is, honestly, as child labor

0:32:33.720 --> 0:32:35.680
<v Speaker 2>stories go. I don't know they have an issue with that.

0:32:35.760 --> 0:32:37.880
<v Speaker 2>I don't think it hurts a fourteen year old kid

0:32:38.080 --> 0:32:40.000
<v Speaker 2>for them to play the drums for an hour or

0:32:40.040 --> 0:32:42.520
<v Speaker 2>two and night. Right, that's not really that bad as

0:32:42.560 --> 0:32:45.760
<v Speaker 2>things go. But you can see what's happening here.

0:32:45.880 --> 0:32:46.040
<v Speaker 5>Right.

0:32:46.080 --> 0:32:48.800
<v Speaker 2>From almost the beginning of his life, Jim is drawn

0:32:49.040 --> 0:32:52.920
<v Speaker 2>towards entertainment, and from his first gig, he gets used

0:32:52.960 --> 0:32:56.160
<v Speaker 2>to the idea that your age doesn't matter, even if

0:32:56.200 --> 0:32:59.360
<v Speaker 2>there were laws against it, and that he's kind of special.

0:32:59.600 --> 0:33:03.240
<v Speaker 2>He's not subject to the rules, and that's bad for

0:33:03.320 --> 0:33:06.800
<v Speaker 2>a kid to learn. Right, that's going to have consequences.

0:33:07.160 --> 0:33:11.280
<v Speaker 2>Right now, Again, the adults around him don't find this

0:33:11.320 --> 0:33:14.160
<v Speaker 2>too strange because of the time that this is happening

0:33:14.200 --> 0:33:18.000
<v Speaker 2>in right, and Sapville also credits the way he's treated

0:33:18.120 --> 0:33:21.000
<v Speaker 2>the fact that he remained small and sickly. I was

0:33:21.040 --> 0:33:23.320
<v Speaker 2>like a chair or a table. People used to talk

0:33:23.360 --> 0:33:25.680
<v Speaker 2>in front of me because I didn't exist anybody who

0:33:25.720 --> 0:33:27.760
<v Speaker 2>had done anything wrong. I knew who had done it,

0:33:27.800 --> 0:33:30.800
<v Speaker 2>but nobody ever asked me. And one of Jimmy's great

0:33:30.840 --> 0:33:33.240
<v Speaker 2>strengths here is knowing when to keep his mouth shut

0:33:33.280 --> 0:33:36.400
<v Speaker 2>around crimes, a skill he would only master further as

0:33:36.440 --> 0:33:39.480
<v Speaker 2>an adult. Right knowing how to cover up when he's

0:33:39.520 --> 0:33:42.360
<v Speaker 2>aware that something illegal is going on. This is again,

0:33:42.720 --> 0:33:46.160
<v Speaker 2>a very very early thing that he learns how to

0:33:46.200 --> 0:33:50.000
<v Speaker 2>do now. He claims that his first date is at

0:33:50.040 --> 0:33:53.400
<v Speaker 2>age twelve, based again because he's also saying that this

0:33:53.440 --> 0:33:55.680
<v Speaker 2>is happening while he's working at the dance hall. That

0:33:55.760 --> 0:33:58.160
<v Speaker 2>can't be accurate based on when he was born and

0:33:58.200 --> 0:34:01.120
<v Speaker 2>when all of this happened, right, But he claims that

0:34:01.200 --> 0:34:03.160
<v Speaker 2>he goes on his first date when he's twelve with

0:34:03.200 --> 0:34:05.160
<v Speaker 2>a twenty year old and even if he's fourteen, a

0:34:05.200 --> 0:34:07.280
<v Speaker 2>fourteen year old and the twenty year old's pretty messed up,

0:34:07.360 --> 0:34:10.120
<v Speaker 2>Right with a twenty year old who worked at the

0:34:10.160 --> 0:34:12.680
<v Speaker 2>box office, He takes her out to a movie and

0:34:12.719 --> 0:34:16.799
<v Speaker 2>the two made out to some extent afterwards. If this

0:34:16.920 --> 0:34:19.560
<v Speaker 2>story is true, and again he's the only source on this,

0:34:19.920 --> 0:34:21.640
<v Speaker 2>and he's telling the story because he thinks it makes

0:34:21.680 --> 0:34:24.600
<v Speaker 2>him look cool, then Jimmy was molested as a child. Right.

0:34:24.920 --> 0:34:27.839
<v Speaker 2>But also he clearly if this happened at all, he

0:34:27.880 --> 0:34:31.160
<v Speaker 2>clearly didn't view it that way, and wrote proudly in

0:34:31.160 --> 0:34:35.240
<v Speaker 2>his autobiography that he learned based on this fooling around

0:34:35.239 --> 0:34:38.160
<v Speaker 2>in the dark. Quote, the ninety percent you can't see

0:34:38.239 --> 0:34:40.520
<v Speaker 2>is just as important as the ten percent you can.

0:34:40.960 --> 0:34:43.400
<v Speaker 2>These days, the percentage is reversed, but the principle is

0:34:43.440 --> 0:34:47.360
<v Speaker 2>the same. Right, this is his first lesson about girls.

0:34:47.719 --> 0:34:50.400
<v Speaker 4>Oh my god, you can totally see how it started.

0:34:50.440 --> 0:34:51.280
<v Speaker 4>This is crazy.

0:34:51.920 --> 0:34:56.040
<v Speaker 2>Yeah, it's crazy how much how open he is about this, right, totally.

0:34:56.360 --> 0:35:00.359
<v Speaker 2>So young, jim finds himself drawn to entertaining people, right,

0:35:00.400 --> 0:35:04.120
<v Speaker 2>particularly to performing on stage and to women, basically from

0:35:04.160 --> 0:35:06.359
<v Speaker 2>the time that he's a preteen up to the time

0:35:06.400 --> 0:35:09.239
<v Speaker 2>that he's like in his early adolescence. The other thing

0:35:09.280 --> 0:35:14.160
<v Speaker 2>he develops early on is a fascination with death, specifically corpses.

0:35:14.680 --> 0:35:18.880
<v Speaker 2>In his autobiography, immediately after describing his first date, he

0:35:18.960 --> 0:35:22.560
<v Speaker 2>discusses a time of great excitement for me when one

0:35:22.560 --> 0:35:26.040
<v Speaker 2>of the Mecca's lady patrons was discovered in several carrier

0:35:26.080 --> 0:35:28.600
<v Speaker 2>bags in a ditch. This woman had been chopped to

0:35:28.640 --> 0:35:31.480
<v Speaker 2>pieces and had murdered and chopped to pieces. Right, oh

0:35:31.520 --> 0:35:34.880
<v Speaker 2>my god. He talks about this grisly murder in a

0:35:34.920 --> 0:35:37.040
<v Speaker 2>way I've never heard anyone write about a murder. He

0:35:37.280 --> 0:35:40.040
<v Speaker 2>writes that quote. This was a whole new scene for me.

0:35:40.400 --> 0:35:42.600
<v Speaker 2>I could never work out why it was necessary to

0:35:42.640 --> 0:35:45.680
<v Speaker 2>cut her into bits. All right, well, that's an unhinged

0:35:45.760 --> 0:35:49.520
<v Speaker 2>way to describe. That's fucking wild.

0:35:49.600 --> 0:35:50.920
<v Speaker 4>That's one of the most.

0:35:50.560 --> 0:35:52.319
<v Speaker 3>Fucked up things I've ever heard.

0:35:52.480 --> 0:35:54.799
<v Speaker 2>What you mean, what do you mean? It's way worse.

0:35:55.800 --> 0:35:58.840
<v Speaker 2>Jimmy Savile's relationship to dead bodies does not get healthier

0:35:58.880 --> 0:35:59.720
<v Speaker 2>after this point.

0:36:00.160 --> 0:36:03.280
<v Speaker 3>What jesus, he's what like twelve thirteen?

0:36:03.320 --> 0:36:06.920
<v Speaker 2>You said he's made. He's like fourteen, probably maybe something

0:36:07.000 --> 0:36:11.680
<v Speaker 2>like that. It's a little hard to tell. Again, yeah, young, Yeah,

0:36:11.719 --> 0:36:12.480
<v Speaker 2>it's fucking.

0:36:12.600 --> 0:36:14.640
<v Speaker 3>Some fucking sick o. Shit.

0:36:15.200 --> 0:36:18.400
<v Speaker 2>What's even weirder is this next bit Again, he's talking

0:36:18.440 --> 0:36:21.600
<v Speaker 2>about a woman being cut up after getting murdered. It

0:36:21.719 --> 0:36:23.719
<v Speaker 2>was all part of a strange adult world that I

0:36:23.800 --> 0:36:25.960
<v Speaker 2>never tried to understand, and even though I had a

0:36:26.000 --> 0:36:29.120
<v Speaker 2>good idea who'd done it, no one ever asked me. Besides,

0:36:29.239 --> 0:36:31.839
<v Speaker 2>I was far too excited about leaving school the following month.

0:36:34.000 --> 0:36:36.160
<v Speaker 4>He didn't see this body cut out? Did it?

0:36:36.280 --> 0:36:39.120
<v Speaker 2>He did? He's yeah, he did, and he's fascinated by it.

0:36:39.440 --> 0:36:43.560
<v Speaker 2>He really likes he witnessed them finding the corpse.

0:36:43.680 --> 0:36:46.080
<v Speaker 4>Yes, yeah, okay, yeah, God, or at.

0:36:46.080 --> 0:36:48.239
<v Speaker 2>Least that's what he how he describes it. It's a

0:36:48.239 --> 0:36:50.520
<v Speaker 2>little unclear, but I think so. And this must have

0:36:50.560 --> 0:36:52.520
<v Speaker 2>happened when he was fourteen, because he says he left

0:36:52.560 --> 0:36:55.560
<v Speaker 2>school the following month and that fourteen is when he graduated.

0:36:55.640 --> 0:36:59.719
<v Speaker 2>Right Again, you are kind of in some ways childhood

0:36:59.719 --> 0:37:02.600
<v Speaker 2>is start to be more kind of formalized understood. But

0:37:02.640 --> 0:37:04.360
<v Speaker 2>there are ways in which you're kind of an adult

0:37:04.360 --> 0:37:06.600
<v Speaker 2>at fourteen in this era, right, and he's going to

0:37:06.640 --> 0:37:11.480
<v Speaker 2>be treated like one in some ways. So after the

0:37:11.560 --> 0:37:14.600
<v Speaker 2>Dunkirk evacuations, everyone in his town had to put up

0:37:14.640 --> 0:37:17.040
<v Speaker 2>soldiers for a few days because there was no quartering

0:37:17.080 --> 0:37:21.000
<v Speaker 2>Act in the UK, right, which Savill describes as totally bizarre.

0:37:21.320 --> 0:37:24.640
<v Speaker 2>And both of his parents become like major activists in

0:37:24.800 --> 0:37:27.400
<v Speaker 2>terms of like supporting the war effort. His mom and

0:37:27.480 --> 0:37:32.000
<v Speaker 2>dad help organize this big fundraiser in Leeds where they

0:37:32.080 --> 0:37:34.600
<v Speaker 2>like gather a bunch of money from the local community

0:37:34.680 --> 0:37:38.680
<v Speaker 2>to help pay for the military to build bombers. And

0:37:39.280 --> 0:37:42.040
<v Speaker 2>there's a you know, they eventually they raise enough to

0:37:42.080 --> 0:37:44.600
<v Speaker 2>build two hundred and fifty bombers. And this is like

0:37:44.640 --> 0:37:47.600
<v Speaker 2>a huge story in the local papers. His parents are

0:37:47.640 --> 0:37:51.680
<v Speaker 2>in the newspaper and being praised for raising money for

0:37:51.719 --> 0:37:55.480
<v Speaker 2>this charitable cause. And that's going to stick with him too, right,

0:37:55.560 --> 0:37:58.720
<v Speaker 2>this is a big deal to Jimmy. His two older

0:37:58.760 --> 0:38:01.400
<v Speaker 2>brothers were both overseas serving by this point, and one

0:38:01.440 --> 0:38:03.760
<v Speaker 2>of them actually got trapped during the Siege of Malta.

0:38:04.120 --> 0:38:07.319
<v Speaker 2>Families all over town were receiving telegrams notifying them of

0:38:07.320 --> 0:38:10.760
<v Speaker 2>their dead sons and husbands with some regularity. Jimmy watched

0:38:10.760 --> 0:38:13.160
<v Speaker 2>all of this happen, but wrote later that quote, I

0:38:13.239 --> 0:38:16.000
<v Speaker 2>wondered why people wept during the war when their relatives

0:38:16.040 --> 0:38:18.560
<v Speaker 2>had been killed. I didn't even know what killed was.

0:38:18.840 --> 0:38:21.920
<v Speaker 2>I was much more inquiring than I was affected. And

0:38:21.960 --> 0:38:25.480
<v Speaker 2>that can't be true, right, because, like, you're not a

0:38:25.560 --> 0:38:28.000
<v Speaker 2>tiny kid at this point, bro. You were born in

0:38:28.080 --> 0:38:31.719
<v Speaker 2>nineteen twenty six, you're like fourteen or fifteen when this

0:38:31.880 --> 0:38:33.920
<v Speaker 2>is going on. You know what death is.

0:38:34.320 --> 0:38:37.080
<v Speaker 4>Also, you just saw that lady chopped up, like you

0:38:37.120 --> 0:38:37.759
<v Speaker 4>totally know.

0:38:38.800 --> 0:38:40.440
<v Speaker 2>It's greird to be like, I didn't understand why they

0:38:40.480 --> 0:38:42.640
<v Speaker 2>were sad that their son was killed. You know what

0:38:42.800 --> 0:38:46.200
<v Speaker 2>death is. You're fourteen, you're not like a four year old,

0:38:46.640 --> 0:38:48.319
<v Speaker 2>and he was writing about like being a six year

0:38:48.320 --> 0:38:51.280
<v Speaker 2>old and I didn't understand why. Well, yeah, that's not weird,

0:38:51.360 --> 0:38:54.279
<v Speaker 2>but this is weird. That's a weird thing for you

0:38:54.400 --> 0:38:58.360
<v Speaker 2>to say. And he does this a lot. He writes

0:38:58.440 --> 0:39:01.400
<v Speaker 2>and talks about the war years often and about his

0:39:01.520 --> 0:39:04.640
<v Speaker 2>cognition of what's happening as if he was a small

0:39:04.680 --> 0:39:08.399
<v Speaker 2>boy then, and he's not. He's a lateeen like young

0:39:08.440 --> 0:39:11.440
<v Speaker 2>adult while the war is going on. So that part's

0:39:11.440 --> 0:39:13.080
<v Speaker 2>really weird to me. I don't know what to say

0:39:13.080 --> 0:39:15.120
<v Speaker 2>about it other than he does that, and it's kind

0:39:15.160 --> 0:39:19.640
<v Speaker 2>of strange that he does that to me. In March

0:39:19.680 --> 0:39:21.759
<v Speaker 2>of nineteen forty one, he and his mom have to

0:39:21.800 --> 0:39:24.560
<v Speaker 2>run for cover during an air raid. A cop near

0:39:24.600 --> 0:39:27.080
<v Speaker 2>them was killed by the bomb, and after the raid,

0:39:27.200 --> 0:39:29.360
<v Speaker 2>Jimmy claims that he picked up a black glove with

0:39:29.440 --> 0:39:34.560
<v Speaker 2>a hand still inside it. In Davy's book In Plain Sight,

0:39:34.680 --> 0:39:37.319
<v Speaker 2>he writes, it is a morbid detail and one that's

0:39:37.320 --> 0:39:40.520
<v Speaker 2>savile savored. He's going to tell this story a lot

0:39:40.560 --> 0:39:43.759
<v Speaker 2>with a degree of relish, Like he's excited by this,

0:39:43.840 --> 0:39:46.720
<v Speaker 2>and you get the feeling that he's excited at the time. Again,

0:39:46.960 --> 0:39:51.040
<v Speaker 2>this is all going to be important much later on. Yeah,

0:39:51.440 --> 0:39:57.160
<v Speaker 2>he's not well, that's not a healthy reaction. From age

0:39:57.320 --> 0:39:59.960
<v Speaker 2>fifteen to sixteen, he just keeps working at the mech

0:40:00.239 --> 0:40:03.359
<v Speaker 2>and taking on odd jobs, mainly to provide his mom

0:40:03.400 --> 0:40:05.800
<v Speaker 2>with money for food, both of which earn him praise.

0:40:05.920 --> 0:40:08.000
<v Speaker 2>Right the fact that he's making money and the fact

0:40:08.000 --> 0:40:10.840
<v Speaker 2>that he's like an entertainer. He gets a lot of

0:40:10.880 --> 0:40:14.160
<v Speaker 2>praise early on from this. He also starts training with

0:40:14.200 --> 0:40:16.719
<v Speaker 2>the Army Air Corps because he's expecting he's got to

0:40:16.760 --> 0:40:19.279
<v Speaker 2>be like eighteen when the war ends. He's expecting to

0:40:19.320 --> 0:40:22.040
<v Speaker 2>be called up to the RAF in another year or

0:40:22.080 --> 0:40:25.399
<v Speaker 2>two when he's like sixteen or seventeen. Like, his expectation

0:40:25.600 --> 0:40:28.600
<v Speaker 2>is that he's going to serve. And many people would have,

0:40:28.640 --> 0:40:30.560
<v Speaker 2>no doubt been better off if he'd gotten sent to

0:40:30.640 --> 0:40:33.680
<v Speaker 2>the front and died some measureshment, but Jimmy had the

0:40:33.800 --> 0:40:38.680
<v Speaker 2>dubious luck instead to become a Bevin boy. So in

0:40:38.760 --> 0:40:41.640
<v Speaker 2>the early years of the war, British Minister of Labor

0:40:41.760 --> 0:40:44.520
<v Speaker 2>Ernst Bevin decreed that one in ten men between the

0:40:44.520 --> 0:40:47.120
<v Speaker 2>ages of eighteen and twenty five would be conscripted to

0:40:47.200 --> 0:40:49.719
<v Speaker 2>work in the coal mines rather than to fight at

0:40:49.719 --> 0:40:52.880
<v Speaker 2>the front. And it says eighteen to twenty five younger

0:40:52.920 --> 0:40:56.080
<v Speaker 2>boys got conscripted all the time, as happened in the military,

0:40:56.239 --> 0:40:58.399
<v Speaker 2>or not, or got got one way or the other

0:40:58.480 --> 0:41:01.879
<v Speaker 2>got in. And Jimmy not eighteen. I don't think when

0:41:01.920 --> 0:41:03.920
<v Speaker 2>he gets called in to be a bev And boy.

0:41:03.920 --> 0:41:06.040
<v Speaker 2>Although it's a little hard for me to say what

0:41:06.239 --> 0:41:09.520
<v Speaker 2>age he is, but he does this. This happens to him,

0:41:09.560 --> 0:41:12.840
<v Speaker 2>and this is a foundational part of the Jimmy Savill saga.

0:41:13.400 --> 0:41:16.120
<v Speaker 2>Although I can't actually tell you that this one hundred

0:41:16.120 --> 0:41:19.480
<v Speaker 2>percent happened, but we'll get to that. Here's a representative

0:41:19.480 --> 0:41:22.319
<v Speaker 2>sample of how this is usually described from a see

0:41:22.320 --> 0:41:24.920
<v Speaker 2>in an article. He was one of the surviving Bevin

0:41:24.960 --> 0:41:27.279
<v Speaker 2>Boys who received an award from the then British Prime

0:41:27.280 --> 0:41:29.440
<v Speaker 2>Minister Gordon Brown in two thousand and eight for helping

0:41:29.480 --> 0:41:32.720
<v Speaker 2>to keep the mines operational during the conflict, Saville suffered

0:41:32.760 --> 0:41:36.440
<v Speaker 2>serious spinal injuries in a mine explosion and left the colliery. Right.

0:41:36.800 --> 0:41:39.360
<v Speaker 2>And so that's the standard version of the story that

0:41:39.440 --> 0:41:41.800
<v Speaker 2>he does his duty to his country as a mining

0:41:41.840 --> 0:41:44.440
<v Speaker 2>boy when he's a teenager, and he eventually after a

0:41:44.440 --> 0:41:47.200
<v Speaker 2>couple of years gets horribly injured and you know, has

0:41:47.239 --> 0:41:49.320
<v Speaker 2>to leave. And this is a big part because he

0:41:49.320 --> 0:41:52.560
<v Speaker 2>he can honestly say when he's like a big entertainer,

0:41:52.800 --> 0:41:55.360
<v Speaker 2>I was a coal miner, right, Because a lot of Jimmy's,

0:41:55.600 --> 0:41:58.279
<v Speaker 2>a lot of Jimmy's appeal as an entertainer later will

0:41:58.320 --> 0:42:01.040
<v Speaker 2>be that he's a he's an authentic voice from the north.

0:42:01.280 --> 0:42:04.040
<v Speaker 2>He's a real man of the people, a common man.

0:42:04.120 --> 0:42:08.160
<v Speaker 2>He worked as a coal miner as a boy. Right now.

0:42:08.600 --> 0:42:11.680
<v Speaker 2>For his part, Jimmy simultaneously claimed to have enjoyed the

0:42:11.680 --> 0:42:14.279
<v Speaker 2>work in the minds and to have been haunted by it.

0:42:14.600 --> 0:42:17.440
<v Speaker 2>Quote the noise, the dark and dust, and the torn

0:42:17.480 --> 0:42:20.080
<v Speaker 2>fingers created an impression of hell that I will carry

0:42:20.120 --> 0:42:23.040
<v Speaker 2>to the grave. But he also writes that this is

0:42:23.080 --> 0:42:24.960
<v Speaker 2>the period of time in his life where he learns

0:42:25.040 --> 0:42:29.240
<v Speaker 2>quote the power of sheer oddness, because he's the weird kid,

0:42:29.680 --> 0:42:33.319
<v Speaker 2>and he's notably weird, like other people are kind of

0:42:33.360 --> 0:42:36.200
<v Speaker 2>weirded out by young Jimmy. And so he gets a

0:42:36.360 --> 0:42:38.640
<v Speaker 2>job most of the time that he's a Bevin boy.

0:42:38.960 --> 0:42:42.200
<v Speaker 2>He gets a job where he's basically alone in an

0:42:42.239 --> 0:42:46.000
<v Speaker 2>isolated chunk of the mine that periodically coal trucks will

0:42:46.000 --> 0:42:48.200
<v Speaker 2>come through and sometimes they get derailed, and so he

0:42:48.239 --> 0:42:51.120
<v Speaker 2>has to put them back on the tracks if they

0:42:51.120 --> 0:42:54.040
<v Speaker 2>get derailed. And so every day he just goes there

0:42:54.040 --> 0:42:56.480
<v Speaker 2>and he's sitting alone for like twelve hours or whatever

0:42:56.520 --> 0:42:59.400
<v Speaker 2>in a coal mine, like that's his job. And this

0:42:59.440 --> 0:43:01.759
<v Speaker 2>gives him a lot of time to read. This is

0:43:01.840 --> 0:43:04.480
<v Speaker 2>kind of when he claims he got his education basically,

0:43:04.480 --> 0:43:06.360
<v Speaker 2>because every day he'll come down and he'll turn on

0:43:06.400 --> 0:43:08.239
<v Speaker 2>his light and he'll read books all the time while

0:43:08.239 --> 0:43:11.279
<v Speaker 2>he's sitting alone in the coal mine. He spends he

0:43:11.360 --> 0:43:13.960
<v Speaker 2>claims three and a half years doing pretty much this.

0:43:14.520 --> 0:43:17.680
<v Speaker 2>He rarely socialized with his coworkers, and they seem to

0:43:17.680 --> 0:43:20.759
<v Speaker 2>have been repelled by him. In fact, Jimmy recalled one

0:43:20.760 --> 0:43:25.120
<v Speaker 2>specific moment where this became clear to him quote instinctively

0:43:25.160 --> 0:43:27.560
<v Speaker 2>regarded as strange by my mates. There came a day

0:43:27.600 --> 0:43:29.560
<v Speaker 2>when they drew apart from me, and I started to

0:43:29.640 --> 0:43:32.480
<v Speaker 2>draw apart from the normal world. It all started as

0:43:32.480 --> 0:43:35.560
<v Speaker 2>a joke on my part. And this is interesting. The

0:43:35.560 --> 0:43:37.400
<v Speaker 2>way he describes that is like, this is when I

0:43:37.440 --> 0:43:41.160
<v Speaker 2>drew apart from the normal world. Is really compelling to me.

0:43:41.560 --> 0:43:43.920
<v Speaker 2>So let's talk about this joke that he plays that

0:43:44.000 --> 0:43:47.759
<v Speaker 2>he thinks severs him from normal society. So one day

0:43:47.800 --> 0:43:50.200
<v Speaker 2>he shows up late for work, still dressed in his

0:43:50.280 --> 0:43:52.480
<v Speaker 2>best suit that he'd been wearing the night before. I

0:43:52.480 --> 0:43:54.520
<v Speaker 2>think he'd been out at the club or something like that,

0:43:54.719 --> 0:43:56.880
<v Speaker 2>and he had no time to change. So he goes

0:43:57.040 --> 0:44:01.320
<v Speaker 2>down wearing a suit, which perplexes his peers, right, because

0:44:01.600 --> 0:44:04.040
<v Speaker 2>you're going to ruin whatever you're wearing if you take

0:44:04.080 --> 0:44:06.640
<v Speaker 2>it into the coal mine. Now, because he doesn't want

0:44:06.680 --> 0:44:08.680
<v Speaker 2>to destroy his best suit once he gets into his

0:44:08.760 --> 0:44:11.480
<v Speaker 2>position down there, because he's spending the whole day alone,

0:44:11.560 --> 0:44:13.960
<v Speaker 2>he just strips naked and he wraps the suit in

0:44:14.040 --> 0:44:17.080
<v Speaker 2>newspaper and he works in the nude all day. Then

0:44:17.120 --> 0:44:19.160
<v Speaker 2>at the end of his shift, he like cleans his

0:44:19.280 --> 0:44:22.200
<v Speaker 2>face and his hands off and he puts the suit

0:44:22.280 --> 0:44:25.160
<v Speaker 2>back on, and so it appears as he walks out

0:44:25.160 --> 0:44:28.680
<v Speaker 2>that he's leaving the mine wearing a clean suit, looking

0:44:28.760 --> 0:44:31.080
<v Speaker 2>like he had when he'd gone down the start of

0:44:31.120 --> 0:44:34.080
<v Speaker 2>the day. Quote in the history of coal mining, no

0:44:34.120 --> 0:44:37.080
<v Speaker 2>one had spent eight hours underground and emerged clean, not

0:44:37.160 --> 0:44:39.680
<v Speaker 2>a smudge on the collar or cuffs. Witchcraft it may

0:44:39.719 --> 0:44:42.040
<v Speaker 2>not be, but unnatural it certainly was. And I was

0:44:42.120 --> 0:44:46.920
<v Speaker 2>branded from that moment, right, So, what's so weird, dude,

0:44:47.520 --> 0:44:52.920
<v Speaker 2>that's really odd? Jimmy madd shit. So Dan Davies, the

0:44:52.960 --> 0:44:56.640
<v Speaker 2>author of Endplane Sight Inner, asked him about this decades,

0:44:56.719 --> 0:44:59.320
<v Speaker 2>like sixty something years later, and when he asks Jimmy

0:44:59.320 --> 0:45:03.400
<v Speaker 2>about this moment and like why he did this, Saville responded,

0:45:03.880 --> 0:45:06.440
<v Speaker 2>I wasn't sure what it did, but it did develop

0:45:06.480 --> 0:45:08.680
<v Speaker 2>my out of the box thinking. I didn't do it

0:45:08.719 --> 0:45:11.479
<v Speaker 2>for any reason. I just realized that going back clean

0:45:11.520 --> 0:45:14.799
<v Speaker 2>would freak people out, and it did. I realized that

0:45:14.880 --> 0:45:17.200
<v Speaker 2>being a bit odd meant there could be a payday

0:45:18.040 --> 0:45:20.200
<v Speaker 2>that's going to be super important.

0:45:20.560 --> 0:45:23.040
<v Speaker 4>That's so strange. I thought he was just trying to

0:45:23.080 --> 0:45:24.000
<v Speaker 4>save his suit.

0:45:24.120 --> 0:45:27.879
<v Speaker 5>It's also weird that like he wants the body is

0:45:27.960 --> 0:45:31.720
<v Speaker 5>described in but then hell is coal mining.

0:45:31.760 --> 0:45:35.800
<v Speaker 4>When he's reading a book, it's like, yeah.

0:45:34.719 --> 0:45:36.400
<v Speaker 2>Well, some of that I think is just because he

0:45:36.440 --> 0:45:38.600
<v Speaker 2>wants to really judge up how difficult and even though

0:45:38.640 --> 0:45:40.400
<v Speaker 2>he seems to have had basically the best job you

0:45:40.400 --> 0:45:44.200
<v Speaker 2>could have now there, he really wants to like play

0:45:44.320 --> 0:45:47.840
<v Speaker 2>up because it's good for his later reputation. But I

0:45:47.880 --> 0:45:50.480
<v Speaker 2>don't think he's playing this bit up where he's talking

0:45:50.480 --> 0:45:53.320
<v Speaker 2>about this why he did this, that he just feels

0:45:53.320 --> 0:45:56.280
<v Speaker 2>a compulsion to freak people out and get a reaction.

0:45:57.040 --> 0:46:00.520
<v Speaker 2>You look as an entertainer, I get that that kind

0:46:00.560 --> 0:46:03.240
<v Speaker 2>of kid in some ways, right, Sometimes you did things

0:46:03.320 --> 0:46:05.440
<v Speaker 2>just to see how people react or just because you

0:46:05.480 --> 0:46:06.480
<v Speaker 2>wanted to get everyone.

0:46:06.320 --> 0:46:09.120
<v Speaker 1>Laughing, right yeah, I mean jad Gas made a career

0:46:09.200 --> 0:46:11.120
<v Speaker 1>of it, right Yeah.

0:46:11.160 --> 0:46:14.080
<v Speaker 2>And it's interesting that he's his goal is not to

0:46:14.080 --> 0:46:16.239
<v Speaker 2>make everyone laugh. He wanted to freak people out, Like

0:46:16.280 --> 0:46:18.600
<v Speaker 2>you could see how a different person could have made

0:46:18.600 --> 0:46:21.880
<v Speaker 2>this a funny bit and like brought everyone in and

0:46:21.920 --> 0:46:23.800
<v Speaker 2>like this is something that could make your pals laugh

0:46:24.200 --> 0:46:26.880
<v Speaker 2>and could like have an impact on them. He wants

0:46:26.920 --> 0:46:29.399
<v Speaker 2>to scare them kind of. He wants to make them

0:46:29.440 --> 0:46:31.840
<v Speaker 2>to be upset with him and to feel like because

0:46:31.840 --> 0:46:34.080
<v Speaker 2>then they won't pay attention to him if they think

0:46:34.120 --> 0:46:36.840
<v Speaker 2>he's really weird. They'll give him a wide berth and

0:46:36.880 --> 0:46:39.759
<v Speaker 2>he'll get to continue doing his own thing alone. That's

0:46:39.760 --> 0:46:42.520
<v Speaker 2>something Jimmy is going to take from this experience, and

0:46:42.560 --> 0:46:45.200
<v Speaker 2>it's going to be with him his whole life. So

0:46:45.280 --> 0:46:47.680
<v Speaker 2>the war ended and the Bevin boys started deserting the

0:46:47.719 --> 0:46:50.360
<v Speaker 2>Minds because they didn't want to work in a mine anymore.

0:46:50.400 --> 0:46:54.480
<v Speaker 2>It sucks Davy's. His biographer, suspects that Savill was a

0:46:54.560 --> 0:46:58.200
<v Speaker 2>repeat work skipper even before the war ended, and basically

0:46:58.239 --> 0:47:00.960
<v Speaker 2>that he was never working as much as he should have.

0:47:01.120 --> 0:47:03.200
<v Speaker 2>He was kind of skipping out a lot of the time,

0:47:03.320 --> 0:47:08.600
<v Speaker 2>even from the jump. Now this is important because every

0:47:08.719 --> 0:47:11.320
<v Speaker 2>version of the Jimmy Savile story includes him being horribly

0:47:11.360 --> 0:47:13.680
<v Speaker 2>maimed in a mining accident, which is why he stops

0:47:13.760 --> 0:47:17.360
<v Speaker 2>doing the work. You know, However, I can't say that

0:47:17.440 --> 0:47:20.200
<v Speaker 2>this really happened or when it would have happened. He

0:47:20.239 --> 0:47:23.880
<v Speaker 2>gives different dates for when this mining accident happened every

0:47:23.920 --> 0:47:25.960
<v Speaker 2>time he talks about it. He claims to be a

0:47:25.960 --> 0:47:29.279
<v Speaker 2>different age when this happens every time he talks about it,

0:47:29.520 --> 0:47:32.440
<v Speaker 2>and he gives kind of differing accounts about how it happened.

0:47:32.960 --> 0:47:35.880
<v Speaker 2>His initial claims about how bad this injury was and

0:47:35.920 --> 0:47:39.000
<v Speaker 2>when it happened simply can't have been true because the

0:47:39.040 --> 0:47:41.040
<v Speaker 2>age he claims to have been when he was and

0:47:41.080 --> 0:47:44.240
<v Speaker 2>he says this is serious enough that he's basically unable

0:47:44.280 --> 0:47:47.760
<v Speaker 2>to move right for months, this can't have happened because

0:47:47.760 --> 0:47:49.600
<v Speaker 2>the age that he does that, we know that he

0:47:49.680 --> 0:47:53.080
<v Speaker 2>was participating in like a bike race through France, like

0:47:53.239 --> 0:47:56.560
<v Speaker 2>there was a postwar like a big bike marathon basically,

0:47:56.880 --> 0:47:59.240
<v Speaker 2>and we know he's in it, so it can't have happened.

0:47:59.280 --> 0:48:03.359
<v Speaker 2>Then it's really it's unclear to me what actually went

0:48:03.440 --> 0:48:05.680
<v Speaker 2>down here. I found a c in an article that

0:48:05.680 --> 0:48:08.880
<v Speaker 2>describes him as having suffered a serious spinal injury. And

0:48:08.960 --> 0:48:12.000
<v Speaker 2>Jimmy did keep a surgical support jacket that he said

0:48:12.000 --> 0:48:14.399
<v Speaker 2>he was made to wear as he was recuperating from

0:48:14.440 --> 0:48:18.160
<v Speaker 2>the injury, so he probably got hurt to some extent.

0:48:18.239 --> 0:48:21.279
<v Speaker 2>But again, the timelines he give us just doesn't work

0:48:21.320 --> 0:48:23.480
<v Speaker 2>with the things that we know that he was doing,

0:48:23.520 --> 0:48:26.040
<v Speaker 2>like participating in the first Tour of Britain cycle race

0:48:26.040 --> 0:48:29.200
<v Speaker 2>in nineteen fifty one. If he's injured when he claims

0:48:29.200 --> 0:48:30.880
<v Speaker 2>he was, and it was as bad as he claims

0:48:30.880 --> 0:48:33.919
<v Speaker 2>he was, it can't have happened. The way he said

0:48:33.920 --> 0:48:35.600
<v Speaker 2>it did because of the other things we know that

0:48:35.640 --> 0:48:38.600
<v Speaker 2>he was doing. So I don't know was he actually

0:48:38.760 --> 0:48:40.640
<v Speaker 2>hurt in a mining accident, did it was it a

0:48:40.640 --> 0:48:44.200
<v Speaker 2>minor injury or did he just stop going to work

0:48:44.239 --> 0:48:47.720
<v Speaker 2>one day and later lied about having been badly injured

0:48:47.880 --> 0:48:50.680
<v Speaker 2>in order to like, because that's a better story than

0:48:50.680 --> 0:48:54.919
<v Speaker 2>I just kind of abandoned mining. He said in two

0:48:54.920 --> 0:48:56.799
<v Speaker 2>thousand and eight that he'd been hurt after working for

0:48:56.840 --> 0:49:00.200
<v Speaker 2>seven years as a Bevin boy. And that's impossible. You know,

0:49:00.200 --> 0:49:03.200
<v Speaker 2>that's impossible because in nineteen forty eight he was in

0:49:03.239 --> 0:49:06.000
<v Speaker 2>a movie. He's like an extra in a film, and

0:49:06.040 --> 0:49:08.879
<v Speaker 2>that movie still exists, so you can see that he's

0:49:08.880 --> 0:49:12.560
<v Speaker 2>physically healthy. He's visibly very fit in the movie, Like

0:49:12.600 --> 0:49:16.239
<v Speaker 2>we know he wasn't in like traction from a spinal injury. Then,

0:49:17.000 --> 0:49:19.239
<v Speaker 2>during an interview in the nineteen eighties, Jimmy gave yet

0:49:19.239 --> 0:49:21.640
<v Speaker 2>another different story and claim that a chest cold got

0:49:21.719 --> 0:49:23.680
<v Speaker 2>him out of the pits in nineteen forty eight. I

0:49:23.719 --> 0:49:26.759
<v Speaker 2>think that's a lot likelier, right, just that like, oh,

0:49:26.960 --> 0:49:29.000
<v Speaker 2>I just kind of had the flu and stopped coming

0:49:29.040 --> 0:49:32.200
<v Speaker 2>into work and started doing other shit. That's a lot

0:49:32.239 --> 0:49:35.800
<v Speaker 2>more believable to me, there are some people who suspect

0:49:35.880 --> 0:49:39.279
<v Speaker 2>Jimmy Light entirely about being a Bevin boy. I think

0:49:39.280 --> 0:49:42.080
<v Speaker 2>that's unlikely, but he definitely didn't do the job as

0:49:42.120 --> 0:49:44.800
<v Speaker 2>long as he claimed. We know this because by the

0:49:44.880 --> 0:49:48.360
<v Speaker 2>late forties, after the war is over, he becomes an athlete.

0:49:48.400 --> 0:49:52.320
<v Speaker 2>He gets into really good shape. He's cycling all the time,

0:49:53.560 --> 0:49:56.279
<v Speaker 2>and he's eventually going to be like a professional athlete.

0:49:56.520 --> 0:49:59.440
<v Speaker 2>He's also on the side selling scrap with somebody. He's

0:49:59.480 --> 0:50:01.920
<v Speaker 2>got like a scra business. He's probably working with his

0:50:02.000 --> 0:50:05.839
<v Speaker 2>dad right before his dad passes on, and he does

0:50:05.880 --> 0:50:08.640
<v Speaker 2>some odd bits of agricultural labor. There's this like post

0:50:08.640 --> 0:50:11.399
<v Speaker 2>war government scheme where they're paying kids to like work

0:50:11.480 --> 0:50:13.800
<v Speaker 2>on farms to help get the country back up and

0:50:13.880 --> 0:50:17.480
<v Speaker 2>running after the war. Per Davy's book in Plain Sight quote,

0:50:17.600 --> 0:50:19.799
<v Speaker 2>it was on one such camp that he discovered his

0:50:19.920 --> 0:50:23.680
<v Speaker 2>talent for hypnotism, surprising him in those watching by persuading

0:50:23.719 --> 0:50:27.160
<v Speaker 2>an unsuspecting female victim out of her clothes. A sign

0:50:27.200 --> 0:50:29.360
<v Speaker 2>of the unpermissive times was that the room emptied. In

0:50:29.400 --> 0:50:34.240
<v Speaker 2>a second, he wrote, that's kind of the first story

0:50:34.360 --> 0:50:38.359
<v Speaker 2>Jimmy gives us of him doing something really sexually questionable

0:50:38.760 --> 0:50:42.400
<v Speaker 2>that like both he's studying hypnotism to get ladies to

0:50:42.440 --> 0:50:44.840
<v Speaker 2>take their clothes off, and that everyone else in the

0:50:44.880 --> 0:50:47.799
<v Speaker 2>room is really uncomfortable with what he's doing, right, and

0:50:47.840 --> 0:50:49.480
<v Speaker 2>he's like, ah, it's a sign of the times. We

0:50:49.520 --> 0:50:52.200
<v Speaker 2>were more repressed back then. No, Jimmy, that's just weird,

0:50:52.960 --> 0:50:55.480
<v Speaker 2>just like really uncomfortable, fucking weird dude.

0:50:55.840 --> 0:50:56.239
<v Speaker 5>Mm hmm.

0:50:56.840 --> 0:50:58.520
<v Speaker 2>You know what else makes people uncomfortable?

0:50:59.480 --> 0:51:01.000
<v Speaker 4>Products of services?

0:51:01.600 --> 0:51:12.080
<v Speaker 2>Sometimes sometimes so. By the late nineteen forties, Jimmy's dad

0:51:12.160 --> 0:51:15.040
<v Speaker 2>is ill and dying, and that makes Jimmy increasingly the

0:51:15.120 --> 0:51:19.000
<v Speaker 2>breadwinner and emotional support for his mother, and he begins

0:51:19.040 --> 0:51:21.560
<v Speaker 2>to slip noticeably into the role of caring for her

0:51:21.880 --> 0:51:24.720
<v Speaker 2>beyond all of her other children. It was his mom

0:51:24.760 --> 0:51:26.759
<v Speaker 2>that tipped him off about one of the most significant

0:51:26.800 --> 0:51:29.759
<v Speaker 2>moments in his life. Some neighborhood kid had wired a

0:51:29.800 --> 0:51:33.680
<v Speaker 2>gramophone up to a radio, allowing you to basically get

0:51:33.760 --> 0:51:36.799
<v Speaker 2>kind of a proto DJ set going. This is like

0:51:36.920 --> 0:51:40.680
<v Speaker 2>the birth the early birth of like the turntable systems

0:51:40.680 --> 0:51:43.640
<v Speaker 2>that like DJs use now. Is like a gramophone we

0:51:43.760 --> 0:51:46.680
<v Speaker 2>hooked up to a radio to make it louder. So

0:51:46.840 --> 0:51:49.520
<v Speaker 2>Jimmy falls in love with this. He buys this thing

0:51:49.640 --> 0:51:52.400
<v Speaker 2>and he starts. He holds an event and sells tickets

0:51:52.440 --> 0:51:54.840
<v Speaker 2>to it. He has his mom make refreshments. He like

0:51:55.080 --> 0:51:57.279
<v Speaker 2>rents out a room at a social club owned by

0:51:57.280 --> 0:52:00.160
<v Speaker 2>the Catholic Church, and he's like doing what one of

0:52:00.239 --> 0:52:03.239
<v Speaker 2>the first DJ sets anyone would have ever done, right

0:52:03.239 --> 0:52:05.920
<v Speaker 2>where he's like putting on records and like picking what

0:52:06.000 --> 0:52:08.080
<v Speaker 2>songs are gonna come on at what time. This is

0:52:08.160 --> 0:52:14.800
<v Speaker 2>like very prehistory of DJing. DJing. Only about twelve people

0:52:14.840 --> 0:52:18.200
<v Speaker 2>show up, but Jim was electrified to see people dancing

0:52:18.239 --> 0:52:21.600
<v Speaker 2>to music that he picked for them. Quote. I felt

0:52:21.640 --> 0:52:24.960
<v Speaker 2>this amazing. Power is the wrong word. Control is the

0:52:24.960 --> 0:52:28.120
<v Speaker 2>wrong word. Effect could be nearer. What I was doing

0:52:28.200 --> 0:52:31.319
<v Speaker 2>was causing twelve people to do something. I thought, I

0:52:31.320 --> 0:52:34.040
<v Speaker 2>can make them dance quick, I can make them dance slow,

0:52:34.440 --> 0:52:37.279
<v Speaker 2>or I can make them stop. That one person, me

0:52:37.719 --> 0:52:40.640
<v Speaker 2>was doing something to all these people. And that's really

0:52:40.680 --> 0:52:42.719
<v Speaker 2>the thing that triggered me off and sustained me for

0:52:42.760 --> 0:52:46.160
<v Speaker 2>the rest of my days. That's really important.

0:52:46.960 --> 0:52:51.000
<v Speaker 5>His ego is entirely too inflated for being a DJ.

0:52:51.239 --> 0:52:54.600
<v Speaker 2>Are you kidding me? But it's interesting you talked to

0:52:54.640 --> 0:52:56.640
<v Speaker 2>I've had a lot of friends who were DJs. You

0:52:56.760 --> 0:53:00.239
<v Speaker 2>talked to most people who are into this, and they

0:53:00.280 --> 0:53:02.200
<v Speaker 2>he asked, what appeals to you, It's like the music.

0:53:02.320 --> 0:53:04.919
<v Speaker 2>They love music, they like dance, like there's something about

0:53:04.960 --> 0:53:08.080
<v Speaker 2>the art. Jimmy is always very clear he doesn't care

0:53:08.160 --> 0:53:10.680
<v Speaker 2>about the art. He is not at all interested. And

0:53:10.719 --> 0:53:13.719
<v Speaker 2>this is a creative endeavor. He likes being a DJ

0:53:14.040 --> 0:53:17.200
<v Speaker 2>because you get to make people do stuff. You are

0:53:17.239 --> 0:53:20.319
<v Speaker 2>controlling the emotions and mood and to an extent, the

0:53:20.440 --> 0:53:23.560
<v Speaker 2>movements of a group of people. The control is what

0:53:23.640 --> 0:53:26.920
<v Speaker 2>appeals to him about being a DJ. That's very upsetting.

0:53:27.400 --> 0:53:31.000
<v Speaker 4>That's so strange. Yeah, take a hypnotist kind of continue.

0:53:31.040 --> 0:53:35.480
<v Speaker 2>Yeah, yeah, yeah, exactly exactly as Davis notes, and I

0:53:35.480 --> 0:53:38.319
<v Speaker 2>think is as obvious from that quote. Jimmy like the

0:53:38.480 --> 0:53:41.040
<v Speaker 2>art of what he's doing is kind of lost on him.

0:53:41.120 --> 0:53:44.640
<v Speaker 2>He's purely in this for power and control. So he

0:53:44.719 --> 0:53:48.040
<v Speaker 2>starts hosting more of these record dances, renting whatever venues

0:53:48.080 --> 0:53:50.520
<v Speaker 2>he could find, and occasionally running out halfway through a

0:53:50.560 --> 0:53:53.360
<v Speaker 2>set when his equipment broke. Because this isn't None of

0:53:53.400 --> 0:53:56.319
<v Speaker 2>this stuff works very well at the time. Now, this

0:53:56.440 --> 0:53:58.439
<v Speaker 2>is also the first time when he starts to write

0:53:58.440 --> 0:54:01.640
<v Speaker 2>about taking birds home from shows with him. He almost

0:54:01.680 --> 0:54:05.480
<v Speaker 2>exclusively in his autobiography and in his personal writings refers

0:54:05.480 --> 0:54:09.080
<v Speaker 2>to girls and women as birds. Right, that's the term

0:54:09.120 --> 0:54:11.080
<v Speaker 2>he uses, and he uses it constantly.

0:54:11.600 --> 0:54:14.040
<v Speaker 4>Well, it is common at the time.

0:54:14.040 --> 0:54:17.200
<v Speaker 2>Very common at the time, very common. He keeps doing

0:54:17.239 --> 0:54:20.040
<v Speaker 2>it through the seventies and eighties, nineties, which is weird,

0:54:20.120 --> 0:54:22.800
<v Speaker 2>but at the time. Again, that's part of the story

0:54:22.880 --> 0:54:25.640
<v Speaker 2>is when this starts, it's not so weird. He's a

0:54:25.680 --> 0:54:28.200
<v Speaker 2>teen young adult at the time, when he's seventeen eighteen.

0:54:28.480 --> 0:54:31.799
<v Speaker 2>The fact that he's taking sixteen, seventeen, sometimes fifteen year

0:54:31.800 --> 0:54:34.439
<v Speaker 2>old girls like home from the club at night isn't

0:54:34.480 --> 0:54:37.279
<v Speaker 2>the weirdest thing in the world, right, Like it, it's

0:54:37.320 --> 0:54:39.799
<v Speaker 2>not considered too strange by any of the people because

0:54:39.800 --> 0:54:42.520
<v Speaker 2>he's right in that age bracket more or less, right,

0:54:42.719 --> 0:54:45.279
<v Speaker 2>he is a teenager too at the start of this,

0:54:45.880 --> 0:54:48.879
<v Speaker 2>and so it's not seen as super odd. And part

0:54:48.920 --> 0:54:50.799
<v Speaker 2>of what's interesting to me is that Jimmy never kind

0:54:50.840 --> 0:54:54.319
<v Speaker 2>of gets out of that mind state, right of like

0:54:55.000 --> 0:54:56.840
<v Speaker 2>the one that he has when he's like an eighteen

0:54:56.880 --> 0:54:58.320
<v Speaker 2>year old, right, And it's a poortant you know that

0:54:58.360 --> 0:55:01.439
<v Speaker 2>he goes down this road very early. Now, we don't

0:55:01.440 --> 0:55:04.280
<v Speaker 2>actually know when this starts to happen, when he starts

0:55:04.360 --> 0:55:08.560
<v Speaker 2>DJing and you know, fucking taking girls home from these

0:55:08.600 --> 0:55:12.000
<v Speaker 2>shows that he's doing, because by realistic calculation, it should

0:55:12.040 --> 0:55:14.280
<v Speaker 2>have been around nineteen forty eight, forty nine or fifty

0:55:14.320 --> 0:55:17.160
<v Speaker 2>maybe even fifty one, but Jimmy would sometimes say these

0:55:17.160 --> 0:55:19.840
<v Speaker 2>shows took place in forty three or forty four, So

0:55:19.880 --> 0:55:22.320
<v Speaker 2>I can't take any of the dates here too, Seriously,

0:55:22.360 --> 0:55:25.520
<v Speaker 2>it's just impossible for me to know. But by his

0:55:25.640 --> 0:55:29.279
<v Speaker 2>late teens to early twenties, Jimmy is playing shows as

0:55:29.320 --> 0:55:31.480
<v Speaker 2>a DJ. He's not making a lot of money at

0:55:31.520 --> 0:55:34.319
<v Speaker 2>this though, but like he gets obviously he's interested in

0:55:34.360 --> 0:55:38.120
<v Speaker 2>it because of the benefits that it brings him. That said,

0:55:38.160 --> 0:55:40.440
<v Speaker 2>because it's not making money for him, he decides to

0:55:40.480 --> 0:55:43.120
<v Speaker 2>try his hand at being a pro cyclist. He'd always

0:55:43.280 --> 0:55:46.200
<v Speaker 2>liked cycling, he'd been into it as a kid, and

0:55:46.600 --> 0:55:48.680
<v Speaker 2>this is when cycling started to take off as a

0:55:48.680 --> 0:55:51.000
<v Speaker 2>competitive sport in the post war period, and he gets

0:55:51.080 --> 0:55:54.200
<v Speaker 2>really into that, and he was actually pretty good at

0:55:54.239 --> 0:55:57.919
<v Speaker 2>cycling for a while. He competed reasonably well. He never

0:55:58.040 --> 0:56:00.920
<v Speaker 2>wins any major races, but he fit second in a

0:56:00.920 --> 0:56:02.280
<v Speaker 2>big one in nineteen fifty.

0:56:02.520 --> 0:56:05.560
<v Speaker 3>I just like, I'm sorry, I have to say it.

0:56:05.560 --> 0:56:08.600
<v Speaker 3>It's like, Okay, I was like seventeen, I worked as

0:56:08.880 --> 0:56:09.799
<v Speaker 3>at a restaurant.

0:56:10.160 --> 0:56:12.800
<v Speaker 4>I carried theod to the tables, but like that's.

0:56:12.680 --> 0:56:15.200
<v Speaker 3>Not what I was into. And so I it's like

0:56:15.320 --> 0:56:18.239
<v Speaker 3>it's like if I was just like and I became

0:56:18.280 --> 0:56:22.600
<v Speaker 3>a professional basketball player, Like what, yeah, Like what I.

0:56:22.520 --> 0:56:25.000
<v Speaker 2>Mean, it's it's not it's a It's a part of

0:56:25.040 --> 0:56:27.320
<v Speaker 2>what he's doing here is in this post war period,

0:56:27.719 --> 0:56:32.319
<v Speaker 2>there's a bunch of open places, right. Cycling has just

0:56:32.400 --> 0:56:35.400
<v Speaker 2>started becoming a competitive sport. So it's just some dude

0:56:35.440 --> 0:56:37.160
<v Speaker 2>you can kind of slide in and if you're okay

0:56:37.239 --> 0:56:39.399
<v Speaker 2>at cycling, maybe make a life of it. And it's

0:56:39.400 --> 0:56:41.080
<v Speaker 2>going to be the same in the music industry, the

0:56:41.080 --> 0:56:44.640
<v Speaker 2>same as a DJ. Like he is looking for places.

0:56:44.680 --> 0:56:47.960
<v Speaker 2>He's looking for things that where there might be money

0:56:48.400 --> 0:56:51.359
<v Speaker 2>and where it's not. It's a new thing, so like

0:56:52.080 --> 0:56:55.920
<v Speaker 2>it's not really been ironed out how this business is

0:56:55.960 --> 0:56:59.640
<v Speaker 2>supposed to work. It hasn't ossified yet, so it's easy

0:56:59.680 --> 0:57:01.640
<v Speaker 2>for him to get in, and it's easy for him.

0:57:04.080 --> 0:57:08.200
<v Speaker 2>Was like, yeah, I'm a professional cyclist and then I.

0:57:08.200 --> 0:57:10.839
<v Speaker 3>Walked into a room and I got my first job.

0:57:10.920 --> 0:57:12.120
<v Speaker 4>I had experience.

0:57:12.200 --> 0:57:18.000
<v Speaker 3>That's the and now I'm a pajillionaires of the post.

0:57:17.720 --> 0:57:22.400
<v Speaker 2>War experience for a lot of assholes in a nutshell. Now,

0:57:22.480 --> 0:57:26.520
<v Speaker 2>Jimmy's never super committed to the competitive side of racing.

0:57:26.560 --> 0:57:28.840
<v Speaker 2>I think he likes it because there's a lot of girls,

0:57:29.120 --> 0:57:32.000
<v Speaker 2>right uh. In fact, he loses one race because he

0:57:32.080 --> 0:57:35.240
<v Speaker 2>and his buddy, as they're cycling passed, see some girls

0:57:35.280 --> 0:57:37.920
<v Speaker 2>having lunch by, like you know, in a park or something,

0:57:38.240 --> 0:57:40.160
<v Speaker 2>and they decide to stop and flirt with them, and

0:57:40.200 --> 0:57:44.120
<v Speaker 2>so everyone else passes them. He regularly flexs the power

0:57:44.160 --> 0:57:46.800
<v Speaker 2>of his oddness here too. He starts doing that. In

0:57:46.840 --> 0:57:49.040
<v Speaker 2>his cycling days, he would do shit like he would

0:57:49.080 --> 0:57:52.520
<v Speaker 2>show up for races wearing a full tuxedo and he

0:57:52.520 --> 0:57:54.920
<v Speaker 2>would hire someone to like run up for everyone else's

0:57:55.680 --> 0:57:58.640
<v Speaker 2>pre race. He's got his tucks on, and he hires

0:57:58.640 --> 0:58:00.400
<v Speaker 2>someone to run up with like a tray in a mirror,

0:58:00.440 --> 0:58:02.280
<v Speaker 2>so he can like freshen up and get like make

0:58:02.360 --> 0:58:05.760
<v Speaker 2>himself look nice while everyone is like prepping for the race.

0:58:06.240 --> 0:58:08.760
<v Speaker 2>He's doing this as a bit, and he's doing this

0:58:08.760 --> 0:58:12.440
<v Speaker 2>because it makes him stand out. One of his buddies

0:58:12.520 --> 0:58:15.040
<v Speaker 2>later said of him, he was a good writer, but

0:58:15.080 --> 0:58:17.920
<v Speaker 2>he was never a great writer. He was a real character. However,

0:58:18.040 --> 0:58:20.000
<v Speaker 2>some of the other writers thought he was a bloody fool,

0:58:20.120 --> 0:58:22.840
<v Speaker 2>and he was a buffoon at times. In fact, his

0:58:22.920 --> 0:58:26.160
<v Speaker 2>buffoonery is gonna be what takes him further than the cycling,

0:58:26.240 --> 0:58:29.360
<v Speaker 2>because he's never good enough to really make a living

0:58:29.520 --> 0:58:35.200
<v Speaker 2>as a professional cyclist. But he does. He does become famous,

0:58:35.360 --> 0:58:37.720
<v Speaker 2>even though he's never one of like the guy's winning races.

0:58:37.720 --> 0:58:39.840
<v Speaker 2>He's one of the most famous cyclists of his day

0:58:40.200 --> 0:58:43.760
<v Speaker 2>because of his bizarre behavior. He gets his first nickname,

0:58:43.880 --> 0:58:48.800
<v Speaker 2>Oscar the Duke Seville. He registers as Oscar Seville for reasons,

0:58:48.920 --> 0:58:53.160
<v Speaker 2>or Oscar Savill for reasons that I don't know. But

0:58:53.200 --> 0:58:55.320
<v Speaker 2>he gets his nickname the Duke because he finishes the

0:58:55.400 --> 0:58:59.479
<v Speaker 2>race while smoking a cigar, imitating Winston Churchill. As Jimmy

0:58:59.560 --> 0:59:02.400
<v Speaker 2>later said, I was forever with the gimmicks before gimmicks

0:59:02.400 --> 0:59:04.840
<v Speaker 2>had ever been invented, and someby's gonna show you a

0:59:04.960 --> 0:59:07.680
<v Speaker 2>shirt from not too much later in this period of time,

0:59:07.680 --> 0:59:10.880
<v Speaker 2>there's Jimmy with a cigar. He's always got his hair

0:59:11.040 --> 0:59:15.400
<v Speaker 2>like that. It's he's this is a young British man

0:59:15.440 --> 0:59:17.680
<v Speaker 2>with a cigar in his mouth and like long shock

0:59:17.760 --> 0:59:23.200
<v Speaker 2>white straight hair, like clearly like bleached white hair. It's

0:59:23.280 --> 0:59:27.200
<v Speaker 2>really strange. No one else looked like Jimmy Saville, like

0:59:27.320 --> 0:59:30.840
<v Speaker 2>at any real point in his life. And he dies

0:59:30.920 --> 0:59:33.520
<v Speaker 2>like again, I hate doing the Wow, that guy looks

0:59:33.560 --> 0:59:36.240
<v Speaker 2>like a pedophile thing. But that guy looks You wouldn't

0:59:36.240 --> 0:59:41.439
<v Speaker 2>trust that guy with you kids, right, that's again there's

0:59:41.480 --> 0:59:42.800
<v Speaker 2>something dangerous about that.

0:59:43.280 --> 0:59:46.320
<v Speaker 3>It's a very off putting looking person. One thing's for

0:59:46.400 --> 0:59:51.120
<v Speaker 3>sure is our colleagues, James Stout, former cyclist, also British.

0:59:51.200 --> 0:59:55.959
<v Speaker 3>This is like opposite day. James Stout is evil James, Yes,

0:59:56.240 --> 0:59:59.520
<v Speaker 3>evil James and like and one thing I know about

0:59:59.600 --> 1:00:01.919
<v Speaker 3>James is James fucking hates this guy.

1:00:02.120 --> 1:00:05.840
<v Speaker 2>We've never spoken about it. I mean you really hate

1:00:05.840 --> 1:00:09.480
<v Speaker 2>this guy. Oh yeah, got started with the evil. He

1:00:09.480 --> 1:00:11.320
<v Speaker 2>hasn't even done anything all that evil yet. He's just

1:00:11.360 --> 1:00:15.680
<v Speaker 2>done some really weird and upsetting things photo deeply bad.

1:00:16.000 --> 1:00:18.640
<v Speaker 2>Sorry yeah, like fucked up bangs. I don't know how

1:00:18.640 --> 1:00:20.480
<v Speaker 2>to describe it to you other than fucked up.

1:00:21.600 --> 1:00:21.760
<v Speaker 4>Man.

1:00:21.920 --> 1:00:25.720
<v Speaker 2>So Jimmy's proud appeal vastly exceeds his actual skill on

1:00:25.760 --> 1:00:28.880
<v Speaker 2>a bike, and race promoters noticed this, and after a

1:00:29.000 --> 1:00:31.920
<v Speaker 2>match in which he showed up hungover and collapsed mid race,

1:00:32.240 --> 1:00:35.480
<v Speaker 2>he's offered a job. They're like, look, Jimmy, clearly cycling

1:00:35.560 --> 1:00:38.480
<v Speaker 2>isn't going to work out for you, but everyone loves you.

1:00:38.480 --> 1:00:40.880
<v Speaker 2>You're like one of the maybe the most popular cyclist

1:00:40.960 --> 1:00:43.160
<v Speaker 2>we have. How about trying your hand at being a

1:00:43.240 --> 1:00:46.360
<v Speaker 2>race commentator? Do you want to be the guy who like,

1:00:46.360 --> 1:00:50.720
<v Speaker 2>like talks about what's happening basically right? And as Jimmy said,

1:00:50.800 --> 1:00:53.560
<v Speaker 2>it turned out I was a natural ad lib broadcaster

1:00:53.760 --> 1:00:57.160
<v Speaker 2>and this is going to be his the big break

1:00:57.200 --> 1:00:59.480
<v Speaker 2>that leads to everything else that we're going to talk

1:00:59.480 --> 1:01:01.840
<v Speaker 2>about in these episodes. But that is the end of

1:01:01.840 --> 1:01:03.760
<v Speaker 2>part one. Courtney Kosak, how are you feeling?

1:01:04.760 --> 1:01:08.960
<v Speaker 4>Who? What an exciting episode?

1:01:09.240 --> 1:01:11.760
<v Speaker 2>Yeah, we've just kind of got the Jaws music going.

1:01:11.800 --> 1:01:13.800
<v Speaker 2>You know something? Really, you know this is going to

1:01:13.840 --> 1:01:14.760
<v Speaker 2>a terrible place.

1:01:15.680 --> 1:01:19.160
<v Speaker 5>I do recognize him based on that photo that you showed.

1:01:19.680 --> 1:01:22.120
<v Speaker 2>He is a very and if you did, you see

1:01:22.120 --> 1:01:25.400
<v Speaker 2>the sequel to twenty eight years later, The Bone Temple. No,

1:01:26.320 --> 1:01:29.240
<v Speaker 2>oh man, there's a reason so all of the bad

1:01:29.280 --> 1:01:34.240
<v Speaker 2>guys in that movie are dressed like and aping Jimmy's savile.

1:01:34.400 --> 1:01:38.320
<v Speaker 2>And there's a reason for it because that movie. You

1:01:38.320 --> 1:01:40.840
<v Speaker 2>haven't seen it. I love it. The whole film is

1:01:40.880 --> 1:01:43.880
<v Speaker 2>an extended critique of Thatcherism, and there's a very good

1:01:43.960 --> 1:01:47.560
<v Speaker 2>reason why the psychotic like murderous villains are dressed like

1:01:47.640 --> 1:01:51.640
<v Speaker 2>Jimmy Savill. But we'll talk about all that later. Courtney,

1:01:51.640 --> 1:01:53.439
<v Speaker 2>you want to plug anything before we roll out here?

1:01:53.680 --> 1:01:57.760
<v Speaker 5>Well, I want to plug Sophie's facial expressions during this episode.

1:01:58.400 --> 1:02:00.640
<v Speaker 2>Excellent, they were.

1:02:00.600 --> 1:02:04.360
<v Speaker 4>So good, such a good compliment to yours. And also, guys,

1:02:04.440 --> 1:02:05.400
<v Speaker 4>by my fucking book.

1:02:05.440 --> 1:02:06.000
<v Speaker 2>You'll like it.

1:02:06.000 --> 1:02:07.320
<v Speaker 4>It's called Girl Gone Wild?

1:02:07.840 --> 1:02:10.840
<v Speaker 2>Yeah, yeah, yeah? What else are you doing nothing? Buy

1:02:10.880 --> 1:02:14.320
<v Speaker 2>your book? Wow? Mm hmm.

1:02:15.000 --> 1:02:19.480
<v Speaker 3>I don't know should we should we continue, should we

1:02:19.520 --> 1:02:21.320
<v Speaker 3>record part two? Or should we just take a break

1:02:21.360 --> 1:02:23.560
<v Speaker 3>and just like I'll read Girl Gone Wild?

1:02:23.680 --> 1:02:25.880
<v Speaker 2>I don't know, I'm going to take a break. I'll

1:02:25.920 --> 1:02:28.040
<v Speaker 2>read the entirety of Courtney's book and then we'll come

1:02:28.080 --> 1:02:30.920
<v Speaker 2>back in like four minutes. How's that sound perfect?

1:02:31.480 --> 1:02:31.800
<v Speaker 3>Great?

1:02:32.000 --> 1:02:35.800
<v Speaker 2>Great? Great? All right, everybody, We'll be back Thursday with

1:02:35.880 --> 1:02:37.680
<v Speaker 2>some stuff that's really going to upset you.

1:02:38.160 --> 1:02:44.040
<v Speaker 1>Good night, Behind the Bastards is a production of cool

1:02:44.120 --> 1:02:46.760
<v Speaker 1>Zone Media. For more from cool Zone Media, visit our

1:02:46.800 --> 1:02:49.680
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1:02:49.720 --> 1:02:53.480
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