1 00:00:00,160 --> 00:00:03,480 Speaker 1: Still living in manually taking notes. There is a better 2 00:00:03,480 --> 00:00:05,560 Speaker 1: way to start the new year with auto dot ai 3 00:00:05,720 --> 00:00:09,040 Speaker 1: automatically get meeting notes. Auto dot ai works for virtual 4 00:00:09,039 --> 00:00:11,719 Speaker 1: meetings like Zoom, Microsoft Teams, and Google Meet. Sign up 5 00:00:11,720 --> 00:00:13,360 Speaker 1: on the web for free or download in the app 6 00:00:13,360 --> 00:00:15,960 Speaker 1: stores auto dot ai. That's O T T e r 7 00:00:16,120 --> 00:00:20,680 Speaker 1: dot Ai. This podcast is sponsored by Better Help Online Therapy. 8 00:00:20,800 --> 00:00:24,680 Speaker 1: I'm Michlene Maloof and I'm Nadiadesi, licensed therapists and hosts 9 00:00:24,680 --> 00:00:27,200 Speaker 1: of Getting Better Stories of Mental Health. Join us for 10 00:00:27,200 --> 00:00:30,560 Speaker 1: discussions with Megan Trainer, Chris Bosh, Rebel Wilson, and more, 11 00:00:30,680 --> 00:00:34,360 Speaker 1: from discussing motherhood to immigrating to general mental health. Our 12 00:00:34,440 --> 00:00:37,680 Speaker 1: guests are awe inspiring. We all struggle with the same things, 13 00:00:37,840 --> 00:00:40,600 Speaker 1: so let's talk about it and de stigmatize them. Find 14 00:00:40,640 --> 00:00:43,839 Speaker 1: our new podcast, Getting Better Stories of Mental Health on 15 00:00:43,880 --> 00:00:49,960 Speaker 1: iHeart Apple Podcasts and Spotify. Sticky notes, email alerts a 16 00:00:50,120 --> 00:00:53,640 Speaker 1: string around your finger. They're just not big enough. So 17 00:00:53,720 --> 00:00:56,280 Speaker 1: here's a big reminder from the California Lottery. Tomorrow's Mega 18 00:00:56,280 --> 00:01:00,120 Speaker 1: Millions jack potties over three million play now. Please players, 19 00:01:00,000 --> 00:01:02,080 Speaker 1: it must be eighteen years older to purchase player fund. 20 00:01:02,760 --> 00:01:05,880 Speaker 1: Welcome to Money Making Conversation. Each money Making Conversation talk 21 00:01:05,920 --> 00:01:09,600 Speaker 1: shows about entrepreneurship and entertainment. I provide the consumer and 22 00:01:09,640 --> 00:01:14,640 Speaker 1: business owner access to celebrities, CEOs, entrepreneurs, and industry decision makers. 23 00:01:14,959 --> 00:01:17,600 Speaker 1: It is important to understand that everybody travels a different 24 00:01:17,640 --> 00:01:21,399 Speaker 1: path to success. That's because your brand is different. The 25 00:01:21,520 --> 00:01:24,959 Speaker 1: challenges you face in your life are different. Please stop 26 00:01:24,959 --> 00:01:27,880 Speaker 1: reading other people's success stores and start writing your own now. 27 00:01:27,920 --> 00:01:30,240 Speaker 1: You can be motivated by that success because their stories 28 00:01:30,280 --> 00:01:32,320 Speaker 1: can offer you direction and help you reach your goal 29 00:01:32,400 --> 00:01:35,520 Speaker 1: through your planning and committed effort. My guests on money 30 00:01:35,560 --> 00:01:38,800 Speaker 1: Making Conversations have that same passion, passion that you know. 31 00:01:39,480 --> 00:01:43,680 Speaker 1: Sometimes you know the people say your gifts are tied 32 00:01:43,720 --> 00:01:47,280 Speaker 1: to faith, but there's something inside you just tells you, 33 00:01:47,440 --> 00:01:49,200 Speaker 1: I don't want to do that? Can I do this? 34 00:01:49,360 --> 00:01:51,280 Speaker 1: And sometimes you talk to the wrong people There just 35 00:01:51,360 --> 00:01:53,480 Speaker 1: for you not to follow your gifts, not to follow 36 00:01:53,520 --> 00:01:56,200 Speaker 1: your dream, not to follow your aspirations, until you have 37 00:01:56,240 --> 00:01:58,880 Speaker 1: to surround yourself with mentors who believe that you can 38 00:01:58,880 --> 00:02:01,080 Speaker 1: do that, who supports you. Because you're gonna have some 39 00:02:01,200 --> 00:02:03,600 Speaker 1: down moments there that you need to turn. Somebody said, 40 00:02:03,760 --> 00:02:05,360 Speaker 1: it's all right, you can get past that. You can 41 00:02:05,360 --> 00:02:08,320 Speaker 1: get past that because they will share that information. And 42 00:02:08,320 --> 00:02:10,840 Speaker 1: when I get the people on my show, they share 43 00:02:10,880 --> 00:02:14,560 Speaker 1: all that what motivates them, what they're promoting, how they 44 00:02:14,600 --> 00:02:17,160 Speaker 1: live a balance life, and more importantly, they share their 45 00:02:17,200 --> 00:02:20,320 Speaker 1: secrets to success. My next guest is on the Phone. 46 00:02:21,400 --> 00:02:24,840 Speaker 1: It's about music, y'all. He's reaching fans across R and B, 47 00:02:25,360 --> 00:02:30,600 Speaker 1: hip hop, gospel, urban contemporary platforms. He's garner recognition from 48 00:02:30,600 --> 00:02:35,160 Speaker 1: the Grammys with nominations, delivered powerful performances on numerous stages 49 00:02:35,200 --> 00:02:38,359 Speaker 1: from the BT Awards to American Island. He's on the 50 00:02:38,400 --> 00:02:41,120 Speaker 1: show to day to talk about many of his ventures, 51 00:02:41,160 --> 00:02:44,040 Speaker 1: including the release of his new single let Go Please 52 00:02:44,040 --> 00:02:46,600 Speaker 1: Welcome the money making Conversations for the very first time, 53 00:02:46,840 --> 00:02:50,799 Speaker 1: three times Grammy nominated artists songwriter and musician Molly Music, 54 00:02:55,200 --> 00:02:57,400 Speaker 1: Hey mother, they got I have to set you up. Man. 55 00:02:57,440 --> 00:02:59,280 Speaker 1: You know when when you're on my show for the 56 00:02:59,280 --> 00:03:00,720 Speaker 1: first time, I let you know I got love, I 57 00:03:00,800 --> 00:03:03,840 Speaker 1: got respect for you, and I'm about to catch the 58 00:03:03,960 --> 00:03:08,520 Speaker 1: love from the free pro line like, hey man, how 59 00:03:08,560 --> 00:03:10,680 Speaker 1: you doing that? I've done really good? Right now where 60 00:03:10,720 --> 00:03:12,360 Speaker 1: you where you're sitting there talking to me, talking to 61 00:03:12,360 --> 00:03:15,799 Speaker 1: me at I'm in Los Angeles right now, cooling off 62 00:03:15,840 --> 00:03:19,240 Speaker 1: and getting my bones rested back up from shooting a 63 00:03:19,400 --> 00:03:23,639 Speaker 1: video yesterday in Nashville with Jonathan McReynolds. Awesome, awesome. Yeah, 64 00:03:23,639 --> 00:03:25,320 Speaker 1: I was in l A. In fact, I was in 65 00:03:25,400 --> 00:03:28,040 Speaker 1: like Friday. You know that a city was still morning 66 00:03:28,080 --> 00:03:31,800 Speaker 1: the passing of Kobe. You know that man, it was crazy. 67 00:03:31,880 --> 00:03:36,000 Speaker 1: You know, just hasn't left and left, you know, it 68 00:03:36,160 --> 00:03:39,200 Speaker 1: just stays. It's crazy. It's really crazy because you know, 69 00:03:39,240 --> 00:03:41,640 Speaker 1: the busses in front of them say rest in peace, Kobe, 70 00:03:41,680 --> 00:03:46,120 Speaker 1: when you're dry by every every every billboard is available 71 00:03:46,160 --> 00:03:48,600 Speaker 1: that hasn't been bought. It's been flipped out to some 72 00:03:48,720 --> 00:03:52,320 Speaker 1: type of commentary about what this young man did. And 73 00:03:52,320 --> 00:03:54,400 Speaker 1: then when I you know, I only only bring that 74 00:03:54,480 --> 00:03:57,360 Speaker 1: up because you move your music, and because I listened 75 00:03:57,360 --> 00:03:59,800 Speaker 1: to your new cut let go and then and then 76 00:03:59,800 --> 00:04:01,920 Speaker 1: I went back, and I stepped back and listened to 77 00:04:02,000 --> 00:04:06,600 Speaker 1: some of your earlier cuts. And you you're a storyteller, 78 00:04:07,280 --> 00:04:12,280 Speaker 1: but your stories also tap into emotions that anything is possible, 79 00:04:12,440 --> 00:04:15,000 Speaker 1: you know, And where did that come from? Because I 80 00:04:15,040 --> 00:04:17,600 Speaker 1: looked at your background, your your Phoenix boy, You're born 81 00:04:17,600 --> 00:04:20,520 Speaker 1: in Phoenix. Okay, that's that's hot, hot desert over there. 82 00:04:20,800 --> 00:04:23,240 Speaker 1: And then you grew up in the in the southern South. 83 00:04:23,560 --> 00:04:28,640 Speaker 1: Good food Savannah, Georgia. Talk to me about that. Well, yeah, 84 00:04:29,040 --> 00:04:32,320 Speaker 1: my mom being in the military and uh before it's 85 00:04:32,320 --> 00:04:34,039 Speaker 1: just a pleasure to be on the show. Thank you 86 00:04:34,080 --> 00:04:37,760 Speaker 1: so much. I'm already such a fan. And the cultivation 87 00:04:37,839 --> 00:04:39,720 Speaker 1: and the fertile lives and that you bring into the 88 00:04:39,800 --> 00:04:43,360 Speaker 1: young and old minds. I really appreciate it. I'm glad 89 00:04:43,400 --> 00:04:47,480 Speaker 1: to be a part of this. Thank you. Um. But yeah, Phoenix, Arizona, 90 00:04:47,720 --> 00:04:52,280 Speaker 1: and you know that on a flight straightway to my grandmother, 91 00:04:53,920 --> 00:04:56,840 Speaker 1: great grandmother Rose Lax, and she had a church name 92 00:04:56,920 --> 00:05:01,000 Speaker 1: Loving Faith. She operated under the for stalk, which I 93 00:05:01,000 --> 00:05:04,400 Speaker 1: didn't really understand the depth of until really later. You know, 94 00:05:04,440 --> 00:05:09,000 Speaker 1: because you have preachers, pastors, teachers, healers, you have many 95 00:05:09,040 --> 00:05:12,320 Speaker 1: different sections inside of it. But it's a gift and 96 00:05:12,360 --> 00:05:16,640 Speaker 1: a rare thing when somebody embodies many of them with humility. 97 00:05:17,040 --> 00:05:18,760 Speaker 1: That was a lady who kind of raised me and 98 00:05:18,800 --> 00:05:21,159 Speaker 1: also who kind of broke me in, so she saw 99 00:05:21,240 --> 00:05:23,720 Speaker 1: the gift to me early. I'm I tell the story 100 00:05:23,720 --> 00:05:26,039 Speaker 1: to my family all the time. I'm six or seven 101 00:05:26,120 --> 00:05:29,360 Speaker 1: years old, shaking in front of her congregation by her 102 00:05:29,400 --> 00:05:32,039 Speaker 1: commanded me to come up there, and I'm crying and 103 00:05:32,080 --> 00:05:34,159 Speaker 1: my sisters and cousins getting tired of like boy, just 104 00:05:34,279 --> 00:05:36,640 Speaker 1: come on, and I'll cry and I'm looking at her 105 00:05:36,680 --> 00:05:38,920 Speaker 1: like can I get down, and she'll say no, just 106 00:05:38,920 --> 00:05:40,600 Speaker 1: say no, and then she'll give me the mi like 107 00:05:40,680 --> 00:05:43,400 Speaker 1: you ready, and I'll go into this song and I'll 108 00:05:43,440 --> 00:05:47,640 Speaker 1: sing I still have joy, Still have joy to all 109 00:05:47,680 --> 00:05:52,120 Speaker 1: the things I've been too, still have joy and you know, 110 00:05:52,240 --> 00:05:54,200 Speaker 1: and then I'll get finished, thinking that she'll be proud 111 00:05:54,200 --> 00:05:57,039 Speaker 1: and it's just say sing it one more time with feeling. 112 00:05:58,279 --> 00:06:00,720 Speaker 1: And I think that that's kind of what change, because 113 00:06:00,760 --> 00:06:03,359 Speaker 1: by the time I would finish singing it again, I 114 00:06:03,360 --> 00:06:05,400 Speaker 1: would open up my eyes and it wouldn't be a 115 00:06:05,560 --> 00:06:09,280 Speaker 1: dry in the room. Mom would be crying. Mom, my 116 00:06:09,320 --> 00:06:12,440 Speaker 1: sisters and my cousins would be paying attention and proud 117 00:06:12,480 --> 00:06:14,479 Speaker 1: of me, and that was something that would come out. 118 00:06:14,520 --> 00:06:16,400 Speaker 1: So she just always taught me to get over that 119 00:06:16,440 --> 00:06:18,159 Speaker 1: fear and let me know that it wasn't real. It 120 00:06:18,200 --> 00:06:21,200 Speaker 1: wasn't gonna do nothing but stopped me and uh and 121 00:06:21,200 --> 00:06:23,599 Speaker 1: and me breaking through that and sing it was really good. 122 00:06:23,760 --> 00:06:26,919 Speaker 1: My mom identified that gift early, and they cultivated it 123 00:06:26,960 --> 00:06:29,240 Speaker 1: and caught it, caught it quick, and I was able 124 00:06:29,279 --> 00:06:31,400 Speaker 1: to get busy early. Man. Well, you know, it's really 125 00:06:31,440 --> 00:06:34,320 Speaker 1: interesting because I had a very early church experience. I 126 00:06:34,360 --> 00:06:36,560 Speaker 1: was seven years old, and you know, they called me 127 00:06:36,600 --> 00:06:38,280 Speaker 1: to the front of the church. You know, I remember 128 00:06:38,320 --> 00:06:40,680 Speaker 1: the church, Sunlight Baptist Church. That's the church right at 129 00:06:40,720 --> 00:06:43,560 Speaker 1: the corner, you know it, because it's like trauma. They 130 00:06:43,600 --> 00:06:45,880 Speaker 1: called me up there and and I couldn't sing, so 131 00:06:45,920 --> 00:06:48,440 Speaker 1: I can only talk. And I remember I told him that, 132 00:06:48,520 --> 00:06:50,359 Speaker 1: I just said, I want to be a place where 133 00:06:50,600 --> 00:06:53,240 Speaker 1: you can change my life, because if you change my life, 134 00:06:53,240 --> 00:06:56,000 Speaker 1: I can make somebody else life better. And then they went, 135 00:06:56,120 --> 00:06:58,200 Speaker 1: did this come from a seven year old boy? All? 136 00:06:58,240 --> 00:07:00,080 Speaker 1: I'm just speaking? I was just speaking. I would just 137 00:07:00,160 --> 00:07:03,800 Speaker 1: speaking and um. But but nlike you, I didn't have 138 00:07:03,920 --> 00:07:06,800 Speaker 1: mentors that kept me straight. You know. I just went 139 00:07:06,839 --> 00:07:08,960 Speaker 1: out into the world just learning on the fly. And 140 00:07:09,000 --> 00:07:11,960 Speaker 1: I learned on the fly and and and nothing wrong 141 00:07:12,000 --> 00:07:14,160 Speaker 1: with the path that I've taken, because I've done nothing wrong. 142 00:07:14,560 --> 00:07:18,840 Speaker 1: But but what I hear is your storytelling is these mentors, 143 00:07:18,880 --> 00:07:23,040 Speaker 1: these these people who these important values that females put 144 00:07:23,080 --> 00:07:25,480 Speaker 1: into your life. That gave you a soul or suftness 145 00:07:25,520 --> 00:07:28,440 Speaker 1: to be able to share with us do music. Absolutely, 146 00:07:28,640 --> 00:07:30,960 Speaker 1: and it was also a lesson inside of it too. 147 00:07:31,920 --> 00:07:36,400 Speaker 1: You say mentors, I say like gatekeepers, and these are 148 00:07:36,440 --> 00:07:40,240 Speaker 1: people who kind of helped me through, like um, get 149 00:07:40,280 --> 00:07:44,880 Speaker 1: through certain access points. You know, I'm on top of it. 150 00:07:44,960 --> 00:07:48,040 Speaker 1: There was was a vicarious blessing inside of me that 151 00:07:48,120 --> 00:07:52,680 Speaker 1: they didn't want to see tainted, thwart it, exploited are 152 00:07:52,680 --> 00:07:56,240 Speaker 1: are used negatively, So there was kind of responsibility on 153 00:07:56,400 --> 00:07:59,400 Speaker 1: people around me to protect me. Um. I guess in 154 00:07:59,480 --> 00:08:01,560 Speaker 1: them too actually with me doing it young, so they 155 00:08:01,600 --> 00:08:04,800 Speaker 1: kind of took it upon themselves. The hard part was 156 00:08:04,920 --> 00:08:08,440 Speaker 1: getting over and passed when that's when that security and 157 00:08:08,480 --> 00:08:12,360 Speaker 1: counsel and mentor ship was done. When I was actually 158 00:08:12,400 --> 00:08:14,760 Speaker 1: at the at the end of that, and that the 159 00:08:14,840 --> 00:08:17,320 Speaker 1: cusps and the precipice of what was actually supposed to 160 00:08:17,360 --> 00:08:20,680 Speaker 1: happen with me. It's kind of like everybody, if they're blessed, 161 00:08:20,760 --> 00:08:23,640 Speaker 1: you get reared from like you know, going into school 162 00:08:24,160 --> 00:08:26,800 Speaker 1: and when you graduate to twelfth grade, but then when 163 00:08:26,840 --> 00:08:29,520 Speaker 1: you go on your own, that's actually the beginning of 164 00:08:29,560 --> 00:08:33,920 Speaker 1: your responsive life. You get what I'm saying, So all 165 00:08:33,960 --> 00:08:35,760 Speaker 1: the all the things that you were saying were really good, 166 00:08:35,760 --> 00:08:38,199 Speaker 1: but I never got nothing done and I never actually 167 00:08:38,280 --> 00:08:41,200 Speaker 1: made no real money because those were the people who 168 00:08:41,280 --> 00:08:43,720 Speaker 1: were actually the minds over it. So they were kind 169 00:08:43,720 --> 00:08:46,319 Speaker 1: of caught the fish right before it fell into my mouth, 170 00:08:46,960 --> 00:08:48,400 Speaker 1: you get what I mean. And the only thing that 171 00:08:48,440 --> 00:08:50,560 Speaker 1: I was getting at that time is what was dispensed 172 00:08:50,679 --> 00:08:53,720 Speaker 1: to me. That right there made me very eager to 173 00:08:53,800 --> 00:08:55,520 Speaker 1: get out there and learn the things that I needed 174 00:08:55,559 --> 00:08:58,960 Speaker 1: to myself. That taught me the contractual information that I 175 00:08:59,000 --> 00:09:01,240 Speaker 1: needed to know to find why they were so driven 176 00:09:01,320 --> 00:09:03,560 Speaker 1: to do what they were doing and to make more 177 00:09:03,679 --> 00:09:06,079 Speaker 1: we couldn't operate and fear. We know, it's really interesting 178 00:09:06,200 --> 00:09:09,280 Speaker 1: just hearing your voice and hearing that tone, and you know, 179 00:09:09,360 --> 00:09:12,920 Speaker 1: because um, I like the listen to music, especially artists 180 00:09:12,920 --> 00:09:15,920 Speaker 1: I've never heard before in the dark, because I always 181 00:09:16,040 --> 00:09:17,760 Speaker 1: like to just be in a dark space, because I 182 00:09:17,760 --> 00:09:21,360 Speaker 1: don't want visuals to interfere with the with the lyrics. 183 00:09:21,559 --> 00:09:24,840 Speaker 1: Because it really people do that. They realized that, you know, 184 00:09:24,960 --> 00:09:28,040 Speaker 1: music is really powerful, you know, you know, and and 185 00:09:28,080 --> 00:09:30,520 Speaker 1: it moves me to tears, you know, it can move 186 00:09:30,600 --> 00:09:33,400 Speaker 1: me to laughter, it can move me to understand and 187 00:09:33,400 --> 00:09:35,040 Speaker 1: and then I then I then I start going to 188 00:09:35,120 --> 00:09:39,040 Speaker 1: do your bio and I'm going your influences sam cooking, 189 00:09:39,559 --> 00:09:43,200 Speaker 1: your influences old and oldest reading. I'm going like what 190 00:09:43,320 --> 00:09:45,720 Speaker 1: this young board, nobody? This is what this young board? 191 00:09:45,760 --> 00:09:50,559 Speaker 1: Nobody that Molly music? What you know about old this 192 00:09:50,760 --> 00:09:54,680 Speaker 1: come on now saying well, I always loved music, and 193 00:09:54,679 --> 00:09:56,600 Speaker 1: and I was blessed to come up in like a 194 00:09:56,679 --> 00:10:01,120 Speaker 1: hip hop era and um and also I was like 195 00:10:01,200 --> 00:10:06,520 Speaker 1: classically influence on piano. So there was a version of 196 00:10:06,559 --> 00:10:09,559 Speaker 1: my piano playing when my soul was just happy, when 197 00:10:09,559 --> 00:10:12,199 Speaker 1: I'm out there slapping doing what I moaned. And then 198 00:10:12,200 --> 00:10:14,200 Speaker 1: that was a version that came when I would be 199 00:10:14,240 --> 00:10:18,240 Speaker 1: able to implement and showpin and different things that would 200 00:10:18,240 --> 00:10:21,400 Speaker 1: give me techniques that would bring class and flare. Then 201 00:10:21,760 --> 00:10:24,000 Speaker 1: church runs will start to turning, the jazz runs, and 202 00:10:24,000 --> 00:10:25,960 Speaker 1: then art tatum would start to come out of it, 203 00:10:26,040 --> 00:10:28,400 Speaker 1: and then there will be these different tones. Like so 204 00:10:28,480 --> 00:10:30,360 Speaker 1: if I would do things on the piano, the people 205 00:10:30,600 --> 00:10:33,040 Speaker 1: that would hear it mentors before me, say boy, you 206 00:10:33,040 --> 00:10:34,920 Speaker 1: need to listen to this, And that's how I got 207 00:10:35,000 --> 00:10:37,760 Speaker 1: turned onto it. But one of the biggest things was, 208 00:10:37,880 --> 00:10:39,640 Speaker 1: like I said, coming up in the hip hop Era, 209 00:10:39,800 --> 00:10:43,960 Speaker 1: all of these samples. Everything was sample crazy like, and 210 00:10:44,000 --> 00:10:45,600 Speaker 1: I would be the one that will look and want 211 00:10:45,640 --> 00:10:48,160 Speaker 1: to hear the original song, so I would. So there 212 00:10:48,160 --> 00:10:51,000 Speaker 1: would these type of artists that would get sample consistently, 213 00:10:51,440 --> 00:10:53,160 Speaker 1: and those would be the ones that went. That's how 214 00:10:53,200 --> 00:10:55,640 Speaker 1: I got really big on James Brown, really big on 215 00:10:55,840 --> 00:11:00,080 Speaker 1: Ray Charles, really big on Arista My Hellia, you know, 216 00:11:00,160 --> 00:11:02,319 Speaker 1: and just started going back and then as I was 217 00:11:02,400 --> 00:11:05,000 Speaker 1: looking compare, there will be no black singers that would 218 00:11:05,000 --> 00:11:08,560 Speaker 1: have that type of electrifying sect for people now, and 219 00:11:08,559 --> 00:11:10,840 Speaker 1: I wanted to replicate that. And what I did, well, 220 00:11:10,840 --> 00:11:13,400 Speaker 1: you know the thing I love about, you know, not 221 00:11:13,440 --> 00:11:16,439 Speaker 1: only the music, but the business side of these individuals. 222 00:11:16,520 --> 00:11:20,960 Speaker 1: Rach Hall, you know right right, Sam Cook was incredible 223 00:11:20,960 --> 00:11:23,839 Speaker 1: when you read this story and how that's why they 224 00:11:23,840 --> 00:11:25,400 Speaker 1: had to take him out. You get what I mean. 225 00:11:25,400 --> 00:11:27,920 Speaker 1: He was right at the beginning of what I'm trying 226 00:11:27,960 --> 00:11:31,079 Speaker 1: to push forward. You get what I'm saying. I understand 227 00:11:31,120 --> 00:11:33,040 Speaker 1: what was going on, but you know, man, because you know, 228 00:11:33,559 --> 00:11:37,199 Speaker 1: they were dealing with racism, strong open racism, and the 229 00:11:37,360 --> 00:11:40,760 Speaker 1: year these brothers going in there saying I gotta have this, 230 00:11:41,200 --> 00:11:43,440 Speaker 1: I want my rights, I want my I want all 231 00:11:43,640 --> 00:11:46,600 Speaker 1: back to me, or that percentage isn't enough because they 232 00:11:46,679 --> 00:11:49,040 Speaker 1: know they could just stop playing your music right there. 233 00:11:49,400 --> 00:11:52,080 Speaker 1: You know, that's when Paola was blatant back then and 234 00:11:52,080 --> 00:11:53,959 Speaker 1: then and then and to hear you, I just got 235 00:11:54,240 --> 00:11:56,120 Speaker 1: and and what it excites me? You said, I know 236 00:11:56,160 --> 00:11:59,160 Speaker 1: about that, it's music, but I also know the business 237 00:11:59,200 --> 00:12:01,520 Speaker 1: side of what you bout talk about that that part 238 00:12:01,520 --> 00:12:05,480 Speaker 1: of me. Our relationship just started Mr Music, Mr Music, 239 00:12:05,520 --> 00:12:10,480 Speaker 1: eminem music started, brother because because you know, because your culture. 240 00:12:10,520 --> 00:12:12,960 Speaker 1: You know the thing about my show, money making conversation. 241 00:12:13,360 --> 00:12:15,800 Speaker 1: I gotta talk to you. I gotta talk to you 242 00:12:16,040 --> 00:12:19,000 Speaker 1: because of the fact that I got forty five and 243 00:12:19,080 --> 00:12:21,760 Speaker 1: up on Lockdown, Lockdown. You know what I'm saying. But 244 00:12:21,800 --> 00:12:24,200 Speaker 1: you're my future. You're next twenty years. You're gonna change 245 00:12:24,600 --> 00:12:26,839 Speaker 1: the face of music. The way we walk and where 246 00:12:26,880 --> 00:12:30,240 Speaker 1: we talk, clothing styles, all those things are being accepted. 247 00:12:30,280 --> 00:12:32,480 Speaker 1: Now they're crossing over. You're growing up in the era 248 00:12:32,559 --> 00:12:35,320 Speaker 1: where you look on TV you see yourself. When I 249 00:12:35,360 --> 00:12:38,160 Speaker 1: grew up, I had to see I didn't see myself. 250 00:12:38,240 --> 00:12:40,080 Speaker 1: You know, you see yourself, and now you see yourself 251 00:12:40,320 --> 00:12:43,880 Speaker 1: with with with with with cross racial relationships in commercials 252 00:12:43,920 --> 00:12:46,839 Speaker 1: and and Nick couples and commercials and all that stuff. 253 00:12:46,880 --> 00:12:49,520 Speaker 1: So there's a journey you're gonna take with your music 254 00:12:49,760 --> 00:12:52,280 Speaker 1: that's incredible. On the phone, I'm talking to a man 255 00:12:52,320 --> 00:12:55,199 Speaker 1: who's reaching across all platforms R and B, hip hop, 256 00:12:55,280 --> 00:12:58,360 Speaker 1: gospel and urban contemporary. We'll be back to talking about 257 00:12:58,360 --> 00:13:01,320 Speaker 1: this new single. Let go my man, don't you go nowhere, 258 00:13:01,679 --> 00:13:03,760 Speaker 1: and y'all don't go into where my main conversations. Be 259 00:13:03,840 --> 00:13:08,760 Speaker 1: right back with my man Molly Music. We'll be right 260 00:13:08,760 --> 00:13:12,000 Speaker 1: back with more from Mars McDonald and money making conversations. 261 00:13:12,120 --> 00:13:16,040 Speaker 1: Don't touch that doubt. 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With auto dot ai, you can search the 289 00:14:49,080 --> 00:14:52,120 Speaker 1: meeting notes, insert images, play back the audio, and share 290 00:14:52,120 --> 00:14:55,120 Speaker 1: them with your friends or coworkers. You can capture action items, 291 00:14:55,160 --> 00:14:58,920 Speaker 1: remember meeting details, and keep everyone informed. Auto dot ai 292 00:14:59,000 --> 00:15:02,440 Speaker 1: works for in person or virtual meetings like Zoom, Microsoft Teams, 293 00:15:02,440 --> 00:15:04,960 Speaker 1: and Google Meet. Sign up for free at auto dit 294 00:15:04,960 --> 00:15:07,760 Speaker 1: ai or download the app for free auto dot ai. 295 00:15:07,960 --> 00:15:15,200 Speaker 1: That's O T T E R dot ai. Well, you 296 00:15:15,240 --> 00:15:17,400 Speaker 1: know this is a money making conversation. I'm your host 297 00:15:17,480 --> 00:15:20,200 Speaker 1: with Sean McDonald. It's really great to get up an 298 00:15:20,320 --> 00:15:23,280 Speaker 1: artist on you know, he was birthed in uh, the 299 00:15:23,360 --> 00:15:26,600 Speaker 1: hot deserts like a phoenix. He rolls up and he 300 00:15:26,720 --> 00:15:29,120 Speaker 1: took him on over to get that little like like 301 00:15:29,160 --> 00:15:31,720 Speaker 1: a good gumbo. Took him to Savannah to know, put 302 00:15:31,760 --> 00:15:33,920 Speaker 1: some shrimp in there with him, put some ochre in 303 00:15:33,960 --> 00:15:36,640 Speaker 1: there with us, some corn and and and put some 304 00:15:36,640 --> 00:15:39,960 Speaker 1: some some shrimping that some people chicken in there, pump 305 00:15:40,000 --> 00:15:42,920 Speaker 1: people crab legs in there. And they shaped the young 306 00:15:43,000 --> 00:15:45,560 Speaker 1: man who came out of here with this storytelling the 307 00:15:45,560 --> 00:15:48,080 Speaker 1: ability put him in front of the church when he's younger, 308 00:15:48,240 --> 00:15:50,320 Speaker 1: and they said, hey, that's not come on, don't worry 309 00:15:50,320 --> 00:15:53,280 Speaker 1: about those people. Give us what God can can deliver 310 00:15:53,360 --> 00:15:56,400 Speaker 1: out of you right there, and it's set stage for 311 00:15:56,440 --> 00:15:58,520 Speaker 1: you who you are today. And I have them on 312 00:15:58,560 --> 00:16:01,320 Speaker 1: my show telling that his side of the store because 313 00:16:01,640 --> 00:16:04,280 Speaker 1: I can only describe. You know, I'm a I'm a 314 00:16:04,400 --> 00:16:07,800 Speaker 1: visual communicator, but you have the emotional you have the journey. 315 00:16:08,360 --> 00:16:11,240 Speaker 1: Mr Music talked to us about why did you do 316 00:16:11,360 --> 00:16:16,040 Speaker 1: the song this song let Go? Right, Well, I'm really 317 00:16:16,080 --> 00:16:19,240 Speaker 1: excited about the song let Go. I feel like it 318 00:16:19,400 --> 00:16:23,800 Speaker 1: is a necessary part um. My last album, The Transition 319 00:16:23,840 --> 00:16:29,960 Speaker 1: of Molley Music I was released the end of two thousands, 320 00:16:31,680 --> 00:16:34,720 Speaker 1: and um I was really I was wanting to release 321 00:16:34,760 --> 00:16:38,560 Speaker 1: another album once. I didn't want to in the circumstances 322 00:16:38,560 --> 00:16:40,280 Speaker 1: I was in at the time. I was with Sony 323 00:16:41,040 --> 00:16:45,160 Speaker 1: the Way of by Storm, with Mark Pitts and m 324 00:16:46,240 --> 00:16:48,440 Speaker 1: those guys over there whoever to help me with the 325 00:16:48,480 --> 00:16:53,520 Speaker 1: initial album Molly is um. But there was some understanding issues, 326 00:16:53,600 --> 00:16:56,760 Speaker 1: or some release issues, or just some conflictual things that 327 00:16:56,840 --> 00:17:00,000 Speaker 1: was going on that I didn't want to destroy my career, 328 00:17:00,160 --> 00:17:02,920 Speaker 1: on my future, on my opportunity. There was some love 329 00:17:02,960 --> 00:17:05,480 Speaker 1: and some understanding there too, so we had to do 330 00:17:05,560 --> 00:17:09,120 Speaker 1: some things I had to let go there. That turned 331 00:17:09,119 --> 00:17:11,280 Speaker 1: into a lot of business and you know, legal stuff 332 00:17:11,320 --> 00:17:14,159 Speaker 1: that was going on. And as I was coming out, UM, 333 00:17:14,480 --> 00:17:17,000 Speaker 1: I recognized in order to get back into the groove. 334 00:17:17,040 --> 00:17:20,320 Speaker 1: I needed to heal first. I needed to extract all 335 00:17:20,400 --> 00:17:24,040 Speaker 1: the things that I had um brought in to get 336 00:17:24,040 --> 00:17:27,200 Speaker 1: where I was. For example, we may see a movie 337 00:17:27,280 --> 00:17:30,919 Speaker 1: where there's a person who goes to war and and 338 00:17:31,119 --> 00:17:35,679 Speaker 1: there's a mindset or a level of uh, just a 339 00:17:35,800 --> 00:17:39,040 Speaker 1: heightened attention stand that they need for their own lives 340 00:17:39,080 --> 00:17:41,119 Speaker 1: to keeping their head on the swivel in a sense. 341 00:17:41,200 --> 00:17:43,280 Speaker 1: But once you come back to a place of peace, 342 00:17:43,359 --> 00:17:47,720 Speaker 1: you have to relearn and readapt peace techniques and and 343 00:17:47,800 --> 00:17:50,600 Speaker 1: you know, not not fixing your gun, not sharpening your sword, 344 00:17:50,680 --> 00:17:54,000 Speaker 1: not looking over your shoulder recognizing that it's there. So 345 00:17:54,359 --> 00:17:58,760 Speaker 1: the let go represents that Um, the fact that you know, Molly, 346 00:17:59,200 --> 00:18:01,920 Speaker 1: you're out, know you've made it. God has given you success. 347 00:18:02,040 --> 00:18:04,760 Speaker 1: Don't be Um. You don't be a prisoner in your mind, 348 00:18:04,840 --> 00:18:07,199 Speaker 1: even though you were cast it into prison. You know, 349 00:18:07,320 --> 00:18:11,480 Speaker 1: don't be um murderer in your mind, even though God 350 00:18:11,520 --> 00:18:13,879 Speaker 1: gave you, you know, the head of your enemies, you know, 351 00:18:13,960 --> 00:18:15,679 Speaker 1: for you to get to where you are. You know, 352 00:18:15,840 --> 00:18:19,560 Speaker 1: don't be Um. Anything negative inside of your mind got 353 00:18:19,600 --> 00:18:22,080 Speaker 1: equipped you to get where you are now. It's something 354 00:18:22,119 --> 00:18:24,680 Speaker 1: for you to shake those things off and stand as 355 00:18:24,680 --> 00:18:27,120 Speaker 1: a king and champion and the representation that God will 356 00:18:27,200 --> 00:18:30,000 Speaker 1: have me to be. In order to do that, I 357 00:18:30,000 --> 00:18:31,560 Speaker 1: had to be honest about the things that I had 358 00:18:31,600 --> 00:18:34,399 Speaker 1: accumulated going up. And it was just very candid and cool. 359 00:18:34,560 --> 00:18:36,600 Speaker 1: Like in the verse, I say, it's just the force 360 00:18:36,640 --> 00:18:38,800 Speaker 1: of the habit. It's right in my way, so I 361 00:18:38,880 --> 00:18:41,119 Speaker 1: grab it. It's right in my way, so I passed. 362 00:18:41,680 --> 00:18:44,000 Speaker 1: It's right at the boss saw a blasted. It's a 363 00:18:44,040 --> 00:18:46,600 Speaker 1: classic attack, like an addict all of the time, gotta 364 00:18:46,640 --> 00:18:48,600 Speaker 1: have it. It's right in my way as I passed, 365 00:18:48,960 --> 00:18:50,920 Speaker 1: you know, and I'm talking about all of the temptations 366 00:18:50,920 --> 00:18:52,879 Speaker 1: and all of the reasons why I wouldn't want to 367 00:18:52,880 --> 00:18:55,639 Speaker 1: go forward. But it luckily and beautifully lands in the 368 00:18:55,680 --> 00:18:58,159 Speaker 1: phrase right to the altar to cast it on the 369 00:18:58,160 --> 00:19:00,919 Speaker 1: shoulders of my Lord and all things. That's where I 370 00:19:00,920 --> 00:19:03,560 Speaker 1: find deliverance, and I believe that all people can get 371 00:19:03,560 --> 00:19:05,760 Speaker 1: a chance to be set free, because you can't make 372 00:19:05,800 --> 00:19:09,280 Speaker 1: any money making decisions with bad things on your mind, 373 00:19:09,400 --> 00:19:13,879 Speaker 1: especially like guilt, anxiety, haste, fear. Got to be clear headed. 374 00:19:14,800 --> 00:19:17,280 Speaker 1: You know. It's really a great here in your the 375 00:19:17,359 --> 00:19:21,760 Speaker 1: honesty and uh of your tone. You know, I I'm 376 00:19:21,800 --> 00:19:24,400 Speaker 1: you know, Steve Harry and I started on a radio 377 00:19:24,480 --> 00:19:27,480 Speaker 1: hip hop and RB in Houston, Houston, Los Angeles and 378 00:19:27,520 --> 00:19:31,320 Speaker 1: two thousands, and uh we've met many artists over the years. 379 00:19:31,359 --> 00:19:34,080 Speaker 1: And and so one of the key artists that we 380 00:19:34,160 --> 00:19:38,000 Speaker 1: met early on was Anthony Hamilton. Another story, tell another story. 381 00:19:38,320 --> 00:19:41,840 Speaker 1: Charlene is one of my all time great songs, one 382 00:19:41,840 --> 00:19:44,560 Speaker 1: of my favorites too. Absolutely, and then move forward and 383 00:19:44,640 --> 00:19:48,360 Speaker 1: my money making conversation platform. I've come to be introduced 384 00:19:48,359 --> 00:19:53,000 Speaker 1: to my man, Travis Green, and then my boy looked crazy, 385 00:19:53,200 --> 00:19:56,280 Speaker 1: you know, so to see see see, that's that's you, 386 00:19:56,440 --> 00:19:59,399 Speaker 1: my man, in the sense that y'all coming forward music 387 00:19:59,480 --> 00:20:02,679 Speaker 1: that's taking the older generation and bringing us down, you know, 388 00:20:02,720 --> 00:20:06,080 Speaker 1: bringing us down, you know, because what happens is we 389 00:20:06,240 --> 00:20:08,480 Speaker 1: got to accept the fact we can't keep listening to 390 00:20:08,520 --> 00:20:10,760 Speaker 1: old music. We can't listen to keep listening to old jays. 391 00:20:10,880 --> 00:20:14,560 Speaker 1: And it's hard not to keep listening to No. No. 392 00:20:14,760 --> 00:20:17,080 Speaker 1: This is what I'm saying, is that because they won't 393 00:20:17,080 --> 00:20:20,080 Speaker 1: allow them make any new music. You know what I'm saying. Uh, 394 00:20:20,160 --> 00:20:22,240 Speaker 1: you know, they won't, they won't, they won't. The industry 395 00:20:22,240 --> 00:20:24,399 Speaker 1: plays it like that, you know, they go, hey, you 396 00:20:24,440 --> 00:20:26,200 Speaker 1: can't make no more music. Nobody want They'll tell you 397 00:20:26,240 --> 00:20:28,240 Speaker 1: don't nobody want to listen to your music. We will 398 00:20:28,320 --> 00:20:31,280 Speaker 1: keep playing your old music, and so so when we 399 00:20:31,359 --> 00:20:36,120 Speaker 1: have tality individuals like yourself, and I mentioned some earlier, 400 00:20:36,160 --> 00:20:38,760 Speaker 1: but this interview is about you know that your journey 401 00:20:38,880 --> 00:20:42,320 Speaker 1: is important because it provides a support system for somebody 402 00:20:42,400 --> 00:20:45,639 Speaker 1: like me to continue to enjoy new music, continue to 403 00:20:45,640 --> 00:20:48,600 Speaker 1: be emotionally attached to something that can motivate me and 404 00:20:48,680 --> 00:20:51,800 Speaker 1: get me out of my bed. M I think about 405 00:20:52,280 --> 00:20:56,040 Speaker 1: um to communicate to that as well. If there's somebody 406 00:20:56,080 --> 00:20:57,600 Speaker 1: that's left out, then I don't know if you did 407 00:20:57,600 --> 00:21:00,280 Speaker 1: it did enough job in the music. So a song 408 00:21:00,320 --> 00:21:03,400 Speaker 1: on my album called Molly. On the album Molly is 409 00:21:03,440 --> 00:21:06,880 Speaker 1: called heavy Love that really I feel resonates with all 410 00:21:06,920 --> 00:21:10,040 Speaker 1: the generations just from the first note, the first flap 411 00:21:10,119 --> 00:21:12,639 Speaker 1: to the end, I feel, you know, from Age to 412 00:21:12,680 --> 00:21:14,960 Speaker 1: Age of Gold is another song and the name beautiful, 413 00:21:15,040 --> 00:21:17,400 Speaker 1: and I feel that's the same thing. And I looked 414 00:21:17,400 --> 00:21:19,080 Speaker 1: to do a lot of those, um you know, tell 415 00:21:19,160 --> 00:21:21,880 Speaker 1: those stories. It's a song on the transition of Molly name. 416 00:21:21,920 --> 00:21:24,360 Speaker 1: You should sit down for this, which is what came 417 00:21:24,400 --> 00:21:26,159 Speaker 1: out of me in the studio in London when I 418 00:21:26,160 --> 00:21:28,600 Speaker 1: got the phone call that I lost my father from 419 00:21:28,640 --> 00:21:32,199 Speaker 1: the doctor and it was a really cool moment and 420 00:21:32,240 --> 00:21:35,840 Speaker 1: I was just linking with Anthony Hamilton's on Grammy Weeks. 421 00:21:36,320 --> 00:21:39,120 Speaker 1: I went up to the c a a party has 422 00:21:39,119 --> 00:21:41,040 Speaker 1: a difficulty at the door, and he the one that 423 00:21:41,119 --> 00:21:43,480 Speaker 1: got me in. So you know, it's really cool that 424 00:21:43,520 --> 00:21:45,520 Speaker 1: you would say that, and to speak to the honesty 425 00:21:46,600 --> 00:21:51,000 Speaker 1: coming from coming from the church and coming from the 426 00:21:51,080 --> 00:21:55,840 Speaker 1: heart of love. I always looked forward to meeting a 427 00:21:55,880 --> 00:22:00,320 Speaker 1: person that probably would come at living forgot like I'm 428 00:22:00,359 --> 00:22:02,520 Speaker 1: doing now. I guess I always look to do it, 429 00:22:02,520 --> 00:22:04,880 Speaker 1: but I never saw it. I always would see people 430 00:22:04,920 --> 00:22:08,720 Speaker 1: take the responsibility to dress God up. They would take 431 00:22:08,800 --> 00:22:11,199 Speaker 1: they would think that He would be not good, so 432 00:22:11,240 --> 00:22:13,600 Speaker 1: they would put a tie on it or or put 433 00:22:13,640 --> 00:22:15,680 Speaker 1: a wash rag on the things that I would want 434 00:22:15,680 --> 00:22:18,600 Speaker 1: to see on them to be able to identify with them, 435 00:22:18,800 --> 00:22:22,160 Speaker 1: which would give God more glory. So instead of going 436 00:22:22,200 --> 00:22:25,800 Speaker 1: forward and living a double life, they categorize me as 437 00:22:25,800 --> 00:22:27,359 Speaker 1: an R and B or a hip hop or a 438 00:22:27,400 --> 00:22:31,639 Speaker 1: slash neo gospel somebody, not just gospel. Just because I 439 00:22:31,680 --> 00:22:34,960 Speaker 1: will not succumb to leading mebons of people to believe 440 00:22:35,040 --> 00:22:38,439 Speaker 1: that I live a life that I do not, or 441 00:22:38,520 --> 00:22:41,040 Speaker 1: or that I'm interested in things that I am not, 442 00:22:41,280 --> 00:22:43,720 Speaker 1: or are not interested in things. So it's not about that. 443 00:22:44,000 --> 00:22:46,080 Speaker 1: To God be the glory. And I trust that God 444 00:22:46,160 --> 00:22:48,399 Speaker 1: is big enough to get the glory, and he doesn't 445 00:22:48,440 --> 00:22:53,880 Speaker 1: need me lying to get bolt. So his goodness, if 446 00:22:53,920 --> 00:22:56,040 Speaker 1: it works on me, then it can work on other people. 447 00:22:56,119 --> 00:22:59,240 Speaker 1: And his goodness, it's gonna work on my bad He's 448 00:22:59,240 --> 00:23:02,280 Speaker 1: gonna fix my my, my hurt. He's gonna he's gonna 449 00:23:02,280 --> 00:23:05,920 Speaker 1: bring um, he's gonna heal my my pains, He's gonna 450 00:23:05,920 --> 00:23:08,000 Speaker 1: heal my mind. In order for him to be the 451 00:23:08,080 --> 00:23:10,720 Speaker 1: same instrumental guard that he is in everyone else's life, 452 00:23:10,760 --> 00:23:13,479 Speaker 1: I need to have my own version of anxiety, my 453 00:23:13,520 --> 00:23:17,360 Speaker 1: own versions of fears, my own versions of hesitations. And 454 00:23:17,440 --> 00:23:19,159 Speaker 1: once I bring them to him, and he can not 455 00:23:19,240 --> 00:23:21,280 Speaker 1: only be a good guy in my mouth, but a 456 00:23:21,280 --> 00:23:23,920 Speaker 1: good guy in my life. I can have receipts from 457 00:23:23,960 --> 00:23:26,879 Speaker 1: the time for me yielding to him recently, like I 458 00:23:27,040 --> 00:23:30,199 Speaker 1: just got off my knees about this and he answered it. 459 00:23:30,320 --> 00:23:36,159 Speaker 1: That couple with wealth and success is unstoppable. Love it, 460 00:23:36,640 --> 00:23:39,000 Speaker 1: Love it. Now you are I'm on the phone with 461 00:23:39,000 --> 00:23:41,720 Speaker 1: a man. He's influenced by Sam Cook and Oders Reading. 462 00:23:42,440 --> 00:23:46,439 Speaker 1: He's three time Grammy nominated artists, songwriting musician. And now 463 00:23:46,520 --> 00:23:48,480 Speaker 1: let's talk about the because we kind of dipped it in 464 00:23:48,440 --> 00:23:49,840 Speaker 1: in a little bit. We was talking about what Dame 465 00:23:49,960 --> 00:23:52,280 Speaker 1: James Brown was doing, and Sam Cook was down and 466 00:23:52,440 --> 00:23:55,760 Speaker 1: Rachel and many other artists use the CEO of your 467 00:23:55,800 --> 00:23:59,600 Speaker 1: own business or cares enterprises. Tell me why you started that, 468 00:24:00,040 --> 00:24:03,240 Speaker 1: what is the focus of your business. Well, I'm really 469 00:24:03,280 --> 00:24:06,480 Speaker 1: excited about Gave Food because it's a dream come true 470 00:24:06,520 --> 00:24:09,240 Speaker 1: for me. I was the young boy getting in trouble 471 00:24:09,280 --> 00:24:13,200 Speaker 1: in school for doodling with my production company symbol when 472 00:24:13,160 --> 00:24:16,520 Speaker 1: I'm supposed to be taking spelling class notes or something. 473 00:24:17,359 --> 00:24:20,280 Speaker 1: So I always was anticipating being a house that could 474 00:24:20,320 --> 00:24:25,080 Speaker 1: deliver a specific type of content to the world. As 475 00:24:25,160 --> 00:24:28,399 Speaker 1: I was coming up, I had to recognize that I 476 00:24:28,520 --> 00:24:32,040 Speaker 1: was willing to partner and move and negotiate things, and 477 00:24:32,080 --> 00:24:35,520 Speaker 1: you know where, I would be lending portions of percentages 478 00:24:35,560 --> 00:24:38,800 Speaker 1: of myself two partners and companies in order to get 479 00:24:38,800 --> 00:24:42,959 Speaker 1: an opportunity to advance. But if you offer a good portion, 480 00:24:43,040 --> 00:24:45,200 Speaker 1: it could be very difficult to get off of that 481 00:24:45,880 --> 00:24:49,919 Speaker 1: so um. I never intended on being an artist, but 482 00:24:51,080 --> 00:24:53,240 Speaker 1: I was glad to open up my mouth to be 483 00:24:53,320 --> 00:24:56,359 Speaker 1: able to show my colleagues and other artists who were 484 00:24:56,400 --> 00:24:59,200 Speaker 1: scared that it could actually happen. So I just kind 485 00:24:59,200 --> 00:25:02,280 Speaker 1: of was the brave one when the more talented people 486 00:25:02,280 --> 00:25:04,720 Speaker 1: were just more afraid. So I'm like, man, if you 487 00:25:04,840 --> 00:25:07,119 Speaker 1: just do this, and I would do it and it'll happen. 488 00:25:07,960 --> 00:25:11,879 Speaker 1: So that so bravery and or just confidence you know 489 00:25:12,000 --> 00:25:14,040 Speaker 1: that what you have as good as a is a 490 00:25:14,080 --> 00:25:18,760 Speaker 1: big deal as well. But artists like my sister and 491 00:25:18,840 --> 00:25:22,680 Speaker 1: KP and people who are come in contact with Kristen Mason, 492 00:25:23,600 --> 00:25:28,879 Speaker 1: Angelina Shari, Artists like Travis Green who who would be 493 00:25:28,920 --> 00:25:31,119 Speaker 1: coming up under the tutelage of mentoring of what we 494 00:25:31,160 --> 00:25:33,960 Speaker 1: would be doing in Savannah, Georgia, as well, John Den 495 00:25:34,040 --> 00:25:36,960 Speaker 1: mc reynolds as we would be touring in Chicago, Tasha 496 00:25:37,040 --> 00:25:39,160 Speaker 1: Cobbs who would be connected with us in the certain 497 00:25:39,240 --> 00:25:42,199 Speaker 1: of what we were doing. Dion Kipping, who would be 498 00:25:42,200 --> 00:25:44,080 Speaker 1: connected inside of the surge of for what we're doing. 499 00:25:44,119 --> 00:25:47,520 Speaker 1: He was the first person that traveled me from Savannah, 500 00:25:47,520 --> 00:25:50,359 Speaker 1: Georgia and my full band up to his surprise birthday 501 00:25:50,359 --> 00:25:54,159 Speaker 1: party in Connecticut, where I met youthful praise and and 502 00:25:54,280 --> 00:25:56,200 Speaker 1: those guys, and I just started to trickle up to 503 00:25:56,280 --> 00:26:00,720 Speaker 1: Hezekaya Walker, Donna Lawrence. My life just completely changed, you know, 504 00:26:00,920 --> 00:26:04,480 Speaker 1: just from this honesty and this walk. So I'm excited 505 00:26:04,520 --> 00:26:06,520 Speaker 1: about all of it and just really want to encourage 506 00:26:06,600 --> 00:26:09,399 Speaker 1: everybody to get to that point of openness and forwardness 507 00:26:10,000 --> 00:26:12,159 Speaker 1: inside of what they're doing. But there was only so 508 00:26:12,240 --> 00:26:14,320 Speaker 1: much that I could do because I did not earn 509 00:26:14,560 --> 00:26:17,919 Speaker 1: enough to be able to impact my own life to 510 00:26:18,040 --> 00:26:21,119 Speaker 1: be able to help anyone else. So I had to 511 00:26:21,160 --> 00:26:24,080 Speaker 1: find out where the money was going, Why was I 512 00:26:24,240 --> 00:26:28,760 Speaker 1: valuable to companies, How did I accumulate wealth? And could 513 00:26:28,800 --> 00:26:32,200 Speaker 1: I apply that to my own self. Once I recognized 514 00:26:32,280 --> 00:26:35,560 Speaker 1: that I could, I needed to attain ownership a game 515 00:26:35,960 --> 00:26:37,720 Speaker 1: of what it was that was achieving. Lending was for 516 00:26:37,840 --> 00:26:40,879 Speaker 1: me clear the name, you know. Now, I put it 517 00:26:40,880 --> 00:26:44,280 Speaker 1: inside of a house that houses k approved. I will 518 00:26:44,359 --> 00:26:47,200 Speaker 1: be flagshipping as money music. But it's not about me. 519 00:26:47,640 --> 00:26:49,720 Speaker 1: It's proof that we can do it. And there's a 520 00:26:49,800 --> 00:26:53,240 Speaker 1: way that my colleagues and partners and artists and creators 521 00:26:53,320 --> 00:26:56,480 Speaker 1: can come that we can kind of shortcut a lot 522 00:26:56,520 --> 00:26:59,240 Speaker 1: of the roundabout ways of searching for the right place. 523 00:26:59,400 --> 00:27:05,800 Speaker 1: If it's have been beautiful, inspired by God, spirit breathed, 524 00:27:06,480 --> 00:27:09,679 Speaker 1: and you have a plan, we can do something with it. 525 00:27:09,720 --> 00:27:12,000 Speaker 1: And that's why I built k Approved to be able 526 00:27:12,080 --> 00:27:16,840 Speaker 1: to to create another developmental area where people could be 527 00:27:17,800 --> 00:27:24,080 Speaker 1: UH recorded, put out, have an opportunity to make mistakes 528 00:27:24,080 --> 00:27:27,160 Speaker 1: in the community of people of love that loved them, 529 00:27:27,200 --> 00:27:31,080 Speaker 1: and we can create successful UH artists that do different 530 00:27:31,080 --> 00:27:35,960 Speaker 1: types of music, creators that do different types of visuals, 531 00:27:36,000 --> 00:27:39,439 Speaker 1: and photographers who shoot different types of pictures. I can't 532 00:27:40,119 --> 00:27:42,320 Speaker 1: change the culture if I can't influence it, and I 533 00:27:42,359 --> 00:27:46,400 Speaker 1: needed to influence it from my house that I owned. Awesome. 534 00:27:46,640 --> 00:27:50,119 Speaker 1: All I know is this my friend. You're special. I 535 00:27:50,440 --> 00:27:52,560 Speaker 1: like you, said ra Sean got I gotta do my homework. 536 00:27:52,600 --> 00:27:55,280 Speaker 1: I gotta go back to Molly Is. I gotta listen 537 00:27:55,320 --> 00:27:57,919 Speaker 1: to Beautiful, Gotta listen to Heavy Love, Gotta listen to 538 00:27:57,920 --> 00:28:01,800 Speaker 1: Walking Shoes, gotta listen to A Gotta listened to Johnny 539 00:28:01,840 --> 00:28:04,800 Speaker 1: and Donna. I gotta listen to I Believe because what 540 00:28:04,840 --> 00:28:07,800 Speaker 1: you will not do to me? Molly, Mr Molly Music, 541 00:28:08,240 --> 00:28:11,359 Speaker 1: It's come on my show next time, and I can't 542 00:28:11,359 --> 00:28:13,600 Speaker 1: break down some lyrics to you during the end, if 543 00:28:13,600 --> 00:28:17,000 Speaker 1: you let you know I believe in you, and I 544 00:28:17,160 --> 00:28:19,080 Speaker 1: let you know how much I believe in you. I 545 00:28:19,160 --> 00:28:21,280 Speaker 1: said some names to you by artists that you just 546 00:28:21,320 --> 00:28:23,600 Speaker 1: threw back at me. So I know that's how I 547 00:28:23,720 --> 00:28:25,440 Speaker 1: know that it was right there in the same flow. 548 00:28:27,480 --> 00:28:31,160 Speaker 1: Let go is out all the digital streams, Molly music, 549 00:28:31,240 --> 00:28:34,120 Speaker 1: my man, Uh call you my nephew, young and nephew. 550 00:28:34,200 --> 00:28:37,800 Speaker 1: Whenever you need man, you come on my show because 551 00:28:37,840 --> 00:28:39,680 Speaker 1: it's for real. It's for real about you. And don't 552 00:28:39,680 --> 00:28:43,120 Speaker 1: you change, don't your Molly is? I got downloaded, so 553 00:28:43,160 --> 00:28:48,480 Speaker 1: it canna be on my phone. In this season of giving, 554 00:28:48,640 --> 00:28:51,440 Speaker 1: Cools has gifts for all your loved ones. For those 555 00:28:51,480 --> 00:28:54,920 Speaker 1: who like to keep it cozy, find fleeces, sweaters, loungewere, 556 00:28:55,000 --> 00:28:58,800 Speaker 1: blankets and throws. Or support minority owned or founded brands 557 00:28:58,880 --> 00:29:02,360 Speaker 1: by giving gifts from Human Nation and Shame Moisture And 558 00:29:02,600 --> 00:29:05,760 Speaker 1: in the spirit of giving, Coals Cares is donating eight 559 00:29:05,880 --> 00:29:09,880 Speaker 1: million dollars to local nonprofits nationwide. 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