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Speaker 1: I want to thank everyone who emailed us to let

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Speaker 1: us know about some alleged boy meets world of plagiarism

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Speaker 1: on a little show. Yeah, so, do either of you

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Speaker 1: watch Love is Blind?

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Speaker 2: Oh my god, India has become obsessed with Love is Blind,

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Speaker 2: which is the yes. It was one of those things

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Speaker 2: like yes, we somehow turned on the TV and it

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Speaker 2: was like an option. He's like, what's that and we

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Speaker 2: were like, oh, it's this crazy show to and he's like,

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Speaker 2: load's watch it. He has now devoured a whole season. Well,

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Speaker 2: and you know what's so interesting about is that he's

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Speaker 2: still like, doesn't he's not one of those kids who

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Speaker 2: ever cares about romance like people kissing a movie. And

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Speaker 2: he's like, but for whatever reason, Love is Blind is

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Speaker 2: like his jam and he just he thinks he's fascinated.

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Speaker 2: And it's kind of like, Okay, we sit and talk

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Speaker 2: about like why these people like each other and what

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Speaker 2: kind of risk they're taking, and and it's really I'm like, Okay,

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Speaker 2: if this is how we're going to talk about romance

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Speaker 2: and like talk through stuff, why not I guess sure? Yeah,

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Speaker 2: it's interesting.

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Speaker 3: Now Love is Blind? Is that the n one?

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Speaker 1: Yes? I think Nick, because there's married at first sight, right, Yeah,

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Speaker 1: this is Love is Blind, Nick, And.

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Speaker 3: I've seen most of the seasons.

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Speaker 2: Okay, okay, it's it's mostly people just sitting in rooms

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Speaker 2: talking and they can't see each other, can't see each other.

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Speaker 2: They spend like a month or whatever getting to know

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Speaker 2: and then they just like get down on the knee

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Speaker 2: and and get engaged. And it's well awkward moments.

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Speaker 1: But many a core Penga fans ears perked up this

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Speaker 1: season when a contestant, Dave, professed his love to a

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Speaker 1: woman he has never seen before. And somehow that's not

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Speaker 1: the craziest part of the episode. So the craziest part

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Speaker 1: is the connection to our show. So let's play a

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Speaker 1: TikTok from user lou Berger Music, who points out the issue.

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Speaker 4: I'm sitting here watching Love is Blind and this moron,

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Speaker 4: Dave just stole a line from Boy Meets World.

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Speaker 3: Listen, man, if I.

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Speaker 2: Could dream of the perfect woman, oh, she wouldn't even

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Speaker 2: come close to you. That is from Boy Meets World.

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Speaker 4: When asks to Panga to be I think that's what

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Speaker 4: he proposes to her. It's either a proposal or when

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Speaker 4: he asked to be his girlfriend.

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Speaker 2: That is from Boy Meets World. You did.

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Speaker 3: Wow?

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Speaker 2: We actually haven't. We haven't seen that line yet on

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Speaker 2: the show. Have we haven't said.

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Speaker 3: No, not yet I think, But oh god, that's great. Yeah.

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Speaker 3: If he just ended with with and I Love you

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Speaker 3: and then a Foenie call, uh, that would have been

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Speaker 3: the great proposal. Oh my god.

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Speaker 1: So apparently he was not happy with the amount of

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Speaker 1: attention that he got from his first TikTok. He didn't

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Speaker 1: think people were taking this seriously enough, so he created

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Speaker 1: a song and I'd like to play it for you.

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Speaker 1: Have you heard about Dave on?

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Speaker 2: Love Is Behind.

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Speaker 4: The Mother's Blinding is a reality show for people like

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Speaker 4: me who love to make themselves sad twenty to thirty

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Speaker 4: something singles blind day and get engaged and act like

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Speaker 4: they're the most important thing. And they all get really drunk,

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Speaker 4: get experience unique love and say a bunch of natsense. Well,

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Speaker 4: this season, with the Magic but Child's Wish, they brought

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Speaker 4: a potato to life named Dave and his portance. Lauren

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Speaker 4: had to endure his insecurities about his sister an annoying friends,

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Speaker 4: and suddenly, without warning, I'm pissed because he stole a

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Speaker 4: quote from boy meets world of proposed to her and

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Speaker 4: nobody is mad enough about it for my liking.

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Speaker 2: Yeah, we've all seen her dream of the perfect woman.

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Speaker 2: You can't get away with this. You can't get away

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Speaker 2: with this, Dave.

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Speaker 4: You can't steal a line by means potato, he.

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Speaker 2: Said, that's no, no, he did.

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Speaker 3: But if when he meets her, he says.

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Speaker 1: Dave, you're a potato. So anyway, I just I wanted

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Speaker 1: you guys to know about that the update. Thank you

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Speaker 1: so much to everybody who sent that into us. Uh

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Speaker 1: and yeah, there there, there we are on love is Blind?

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Speaker 2: All right, what do you guys think? Do you think

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Speaker 2: that that's conscious plagiarism or do you think he had

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Speaker 2: just absorbed that line and actually has no idea where

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Speaker 2: it came from in his life and he just.

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Speaker 1: Thought it was to say, I think he knows. I

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Speaker 1: think if you if you absorb a full quote like that,

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Speaker 1: because like if the idea of like you're the most

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Speaker 1: perfect woman, you're you're more perfect than and then my imagination,

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Speaker 1: could you know, like you would reword it if it

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Speaker 1: were just the idea you absorbed, it wouldn't be.

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Speaker 3: For word, Dave.

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Speaker 1: It's also weird because later he said you had me

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Speaker 1: at Hello, and so I know that guy.

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Speaker 3: This guy's just ripping off off.

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Speaker 1: Left and right. Welcome to Pod Meets World.

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Speaker 3: I'm Danielle Fischel, I'm right or Strong, and I'm Wilfordill.

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Speaker 1: We're back on the road. The kids still want to

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Speaker 1: jump to Her is coming to all new cities and

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Speaker 1: we want to see you. Starting in June, will be

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Speaker 1: in Denver, Phoenix, and Austin, Texas. Then we'll be in Columbus, Ohio,

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Speaker 1: Las Vegas, that's my city, Baby Portandregon, Seattle, San Francisco,

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Speaker 1: and Supplementy comedian.

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Speaker 2: Wants to play.

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Speaker 1: You can learn all the dates and get tickets, which

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Speaker 1: could include a meet and greet package to hang with

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Speaker 1: us in real life. If you go to Pod Meets

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Speaker 1: World show dot com right now, we would love to

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Speaker 1: see you at Pod meets World Live. Come hang out.

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Speaker 1: Get your tickets at Podmeets World Show dot com. So

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Speaker 1: today we are here to recap season six, episode seven,

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Speaker 1: Everybody Loves Stewart. It originally aired November sixth, nineteen ninety eight.

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Speaker 1: The synopsis Corey faces possible expulsion from college when a

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Speaker 1: creepy teacher pushes the boundaries with Chipanga. It was directed

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Speaker 1: by our very own William Rusty Russ Rusty. It was

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Speaker 1: written by Matthew Nelson. And before I jump into our

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Speaker 1: guest stars, what did you guys think of this episode?

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Speaker 1: What did you did you remember all the details of

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Speaker 1: the episode. What did you think?

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Speaker 2: What a ROMP just a just a fun let's just

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Speaker 2: have some fun, just.

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Speaker 1: Like giggle fast mm hmmm.

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Speaker 2: Yeah, I mean no, it's just the exact opposite of

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Speaker 2: a ROMP.

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Speaker 3: Yeah, very rump.

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Speaker 2: I'm trying to pronounce romp backwards more. Yeah, it's just yeah,

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Speaker 2: I don't know, it's it's really uh heavy handed didac Yeah,

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Speaker 2: and kind of painful to watch. So I don't know.

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Speaker 1: Yeah, it's not a fan, not a fan. Okay, Well

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Speaker 1: what did you think?

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Speaker 3: Yeah? I didn't like. I know it was how to

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Speaker 3: Panga just sits there quiet through the whole freaking thing, like,

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Speaker 3: never speaks. It's not about her at all, even though

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Speaker 3: it's happened to her. I did. Sean is a completely

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Speaker 3: different human being. Uh, Sean has changed more than Eric

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Speaker 3: has changed in my opinion by this episode. I did

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Speaker 3: not get it. I don't know what's happening. I I

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Speaker 3: just I didn't get it. I didn't get it.

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Speaker 1: I definitely liked it more than either one of you did,

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Speaker 1: that's for sure. I did not appreciate how much of

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Speaker 1: it felt like it after school special. It definitely was

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Speaker 1: like real, you know, those be good though, sure, I

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Speaker 1: and I also exactly will you took the words out

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Speaker 1: of my mouth? I felt like this thing that happened

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Speaker 1: to Tapanga became about how is the man in her

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Speaker 1: life going to feel about it? And what's he going

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Speaker 1: to do about it? Like Tapega's agency was completely just

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Speaker 1: taken away. It was I did not appreciate that at all.

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Speaker 1: With that said, the idea that our show is a

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Speaker 1: show where you have followed us from the time we

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Speaker 1: were little kids until the time we are now in college,

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Speaker 1: and the importance of doing an episode about what happens

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Speaker 1: when all of a sudden, people in positions of power

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Speaker 1: take advantage of your trust. I think the the what

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Speaker 1: this what the goal of this episode was somewhere is

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Speaker 1: so important.

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Speaker 2: And kind of ahead of its time in the nuance

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Speaker 2: of it, you know what I mean? In the in

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Speaker 2: the idea that like it's not completely clear.

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Speaker 1: Correct, you know, it's just the bad guy's not going

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Speaker 1: to be in a trench coat with a hood but

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Speaker 1: stalking you. He's gonna present himself as a friend, and

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Speaker 1: you may think he's really cool, And even if you

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Speaker 1: think he's really cool, that doesn't mean he's actually a

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Speaker 1: good guy. And even if you have a good experience

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Speaker 1: with him, it doesn't mean he's he's a good guy

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Speaker 1: to everyone. Like those things are so important.

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Speaker 3: That's something our show often did well because the the

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Speaker 3: episode with Arianna Richards where she was getting abused by

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Speaker 3: her dad. Her dad was a banker, her dad was

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Speaker 3: an upstanding and somebody that everybody likes. So our show

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Speaker 3: often did things like this well, Yes, and.

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Speaker 1: We personally have experience with it.

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Speaker 3: It's so we do.

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Speaker 1: It's such a personal it's so it's so important. So

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Speaker 1: for me, what I walked away from the episode with

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Speaker 1: was like I empathized with the writers who have a

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Speaker 1: very good idea to tell a very important message and

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Speaker 1: great ambition, Yes, a great ambition, and then you do

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Speaker 1: have to find how do we thread this needle? How

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Speaker 1: do we get across how important this is without being

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Speaker 1: too heavy handed and without trying to seem like we're

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Speaker 1: making light of it. They I don't think that goal

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Speaker 1: was achieved. I do think they just decided let's lean

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Speaker 1: into the melodrama of it. But anyway, I did at

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Speaker 1: least walk away from it going just on what we've

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Speaker 1: seen so far in the college level of anything really important,

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Speaker 1: going on real lesson happening, nothing, nothing's happened. So I

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Speaker 1: walked away from the episode going I at least appreciate that.

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Speaker 1: I see, let's share an ambitious, good message, even if

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Speaker 1: it wasn't handled the best.

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Speaker 3: That's what I would say. That's literally what I said.

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Speaker 3: I watched it twice and I said that to Sue.

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Speaker 3: I said, an important message, not great execution, which is

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Speaker 3: which is what I came away. There's a lot, I mean.

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Speaker 3: The one time Tapanga opens her mouth, she's told to

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Speaker 3: be quiet by the Dean.

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Speaker 1: Wait what exactly?

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Speaker 3: She never tells her story to anybody that can help,

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Speaker 3: literally never once. Corey doesn't even tell his story. It's

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Speaker 3: Feeni who takes charge, who wasn't there. The parents are

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Speaker 3: that Sean is not on Corey's side. It was strange

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Speaker 3: character moment after strange character moment in a very important message.

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Speaker 3: The one thing I did love which I think this

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Speaker 3: is the start of we're going to see more of

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Speaker 3: which I enjoyed just because I remember shooting them was

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Speaker 3: all of us together on the couch like we were

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Speaker 3: in friends, which I remember having a lot of fun

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Speaker 3: doing that and enjoying that dynamic of us just sitting

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Speaker 3: there in the student union having some dialogue, sipping on coffee,

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Speaker 3: like we felt like adults. So that I liked that

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Speaker 3: aspect of it, but a lot of it I was

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Speaker 3: just like, what the wait, what the hell is going on?

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Speaker 2: Yeah, Sean's completely different. To that point, Trina gets the

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Speaker 2: best laugh of the episode the way she says it

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Speaker 2: with like such honesty.

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Speaker 5: And she's truly laughing. She's like it, Yes, it's so

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Speaker 5: well delivered. It's like, oh yeah, I love That's a genius.

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Speaker 1: It's my favorite moment for her for sure. I also

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Speaker 1: did love that even like that it is at the

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Speaker 1: end when it's all of us kind of standing around,

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Speaker 1: it does even though Sean and Angela are broken up,

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Speaker 1: there is still that for some of us as friends,

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Speaker 1: like that still that is really nice. Well, to your point,

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Speaker 1: all of us being together is really nice, I will say, like,

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Speaker 1: and I don't necessarily when you think back to that time,

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Speaker 1: the nineties, I don't know that women felt as comfortable

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Speaker 1: speaking up. I will not agree with you more. No,

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Speaker 1: like if you look at the Monica.

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Speaker 3: Lewinsky, Oh yeah, no, I'm sure they didn't, and they

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Speaker 3: were lambastad when they did a lot of time. It

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Speaker 3: is so awful. But I mean, and we'll get into it,

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Speaker 3: but I mean she doesn't tell anybody in power to

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Speaker 3: the point where when it's already sitting the fan, she

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Speaker 3: goes to to Stuart and it's essentially says, unless you

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Speaker 3: stop this right now, I'm going to go tell somebody

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Speaker 3: like you haven't already said something. And I know it

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Speaker 3: was in a safe space at the time, but I

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Speaker 3: thought that was an odd way to put it. And

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Speaker 3: I know she's like almost like blackmailing him with something else.

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Speaker 1: It's so confused why he like, I loved another thing

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Speaker 1: I loved. I loved that the paper they're discussing is

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Speaker 1: about gray area and about well, when when is it

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Speaker 1: crossing the line? When is it not? And so I

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Speaker 1: was confused why he then turned it around and was like,

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Speaker 1: well you came on to me as opposed to just

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Speaker 1: gaslightinger and going I didn't do anything.

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Speaker 2: Yeah, we were talking about talking about you while you

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Speaker 2: were described that he's actually kind of the anti Feenie

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Speaker 2: and that he's like teaching you a life lesson through experience.

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Speaker 1: So he's like, watch me come on to you exactly.

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Speaker 2: And at the end of the episode, he could be like,

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Speaker 2: and now you've learned your lesson, right, class dismissed, and

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Speaker 2: it would have been like, oh the dark Phoenie. Yeah,

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Speaker 2: he's kind of I had the same thought. I was like,

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Speaker 2: is and and it's and that scene is interesting in

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Speaker 2: the way that he's playing with like could he be teaching,

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Speaker 2: could be just doing you know?

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Speaker 3: Yeah, and Fred plays a great I mean he plays

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Speaker 3: a great I mean it's so it's so creepy this guy.

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Speaker 1: But then later in the student union he's like, you

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Speaker 1: came on to me, and I'm like, wait, wait a minute,

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Speaker 1: there's a there's a better there's a better argument for this,

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Speaker 1: which is I have no idea what you're talking about.

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Speaker 2: If we're discussing your paper.

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Speaker 3: The door was open. I asked your roommate to stay, Like,

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Speaker 3: what's what's the problem of anything?

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Speaker 1: You wanted me to come there? You told me were

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Speaker 1: you know, it was just it was a little weird anyway.

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Speaker 3: Yeah.

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Speaker 2: Well, and I want to say one of the things,

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Speaker 2: like this weird feeling that I had, like taking this

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Speaker 2: episode and thinking about the last episode, which is when

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Speaker 2: Topanga and Sean kiss and Corey freaks out right, I

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Speaker 2: was like, what is going on here?

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Speaker 1: There?

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Speaker 2: There? There's actually a theme building here. And they're very

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Speaker 2: different episodes. Obviously, one has played for comedy and one

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Speaker 2: has played for this drama, but they're both about Corey's

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Speaker 2: anxiety around regulating to pangas sexuality, like regulating her this

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Speaker 2: is And it's like they're it's played for comedy in

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Speaker 2: one case and played for like an important life lesson

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Speaker 2: the other. But in both cases the focus is on

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Speaker 2: his sort of trying to get like what right does

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Speaker 2: he have to own to pang another singing?

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Speaker 1: What are her thoughts? What is it is it that

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Speaker 1: you like this guy that I'm going to forge? Yeah,

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Speaker 1: it's just.

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Speaker 2: How is he going to manage that she might want

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Speaker 2: somebody else? And then how is he going to manage

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Speaker 2: that somebody else might want her like? And those are

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Speaker 2: sort of both questions about like now that we're engaged,

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Speaker 2: now that I own her or have her like how

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Speaker 2: do I regulate or manage this relationship personally with this?

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Speaker 2: And it's like it was right up against this, like

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Speaker 2: this notion of female sexuality where it's like the property

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Speaker 2: of the man that she's with, like which is like

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Speaker 2: you know, legally coverture or like female chattel like this,

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Speaker 2: and it's like right up against it where I'm just like,

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Speaker 2: what are we saying, Like why is a Corey's responsibility

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Speaker 2: to stand up for her? Why is it Corey's responsibility

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Speaker 2: to take the fall when he does stand up for her?

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Speaker 2: And it was like, clearly, like that's the concern. The

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Speaker 2: concern is not how Tapanga feels. It's about how to

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Speaker 2: the violation of Tapanga is reflected through current violates Corey's

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Speaker 2: rights and Corey's rights to her sexuality or to be

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Speaker 2: involved or deciding or I don't know. And it just

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Speaker 2: made me so uncomfortable. I was like this, you know,

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Speaker 2: like what to the point that you guys are making

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Speaker 2: like why isn't she speaking up?

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Speaker 4: Why?

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Speaker 2: And it's like right, and I get that, like in

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Speaker 2: the time that might not have been possible or understandable,

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Speaker 2: but taken with last week's episode, it is like there's

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Speaker 2: something going on here where it's like that, it's it's

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Speaker 2: all about Corey's Yeah.

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Speaker 1: Now, granted it is Boy meets World, so it's gonna

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Speaker 1: be through Boy the Boy's POV. But I think had

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Speaker 1: there been even a little bit longer of the scene

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Speaker 1: between Corey and to Panga, where we at least hear

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Speaker 1: Corey say, what do you want to do about this?

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Speaker 1: This happened to you? What do you What do you want?

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Speaker 1: How can I best support you?

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Speaker 2: You can be an advocate for you?

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Speaker 1: How can I how can I help you? And by

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Speaker 1: the way, this is up to you if you don't

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Speaker 1: want to say anything, which he can say I don't

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Speaker 1: agree with or whatever, but like, let me support you

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Speaker 1: there if you do, how can I be there to

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Speaker 1: support you? Whatever this is about you? What do you want?

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Speaker 1: Because I thought of that when then and the in

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Speaker 1: the scene where he pushes Stuart, I thought, did Tapanga

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Speaker 1: say I want you to confront him? Yes, go talk

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Speaker 1: to him? I want yes, please do that for me.

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Speaker 1: We don't know. We don't even know whether or not

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Speaker 1: to Panga wants this to happen or is expecting him

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Speaker 1: to say something like it. Topanga becomes unimportant.

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Speaker 3: That's what. Even when the parents come in, they go, oh,

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Speaker 3: my god, Corey, do you hit it? Are you okay? Like,

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Speaker 3: what tell us what happened to Panga? My god is nothing.

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Speaker 3: And there was that one little moment at the end

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Speaker 3: where Betsy comes in and puts her shoulder on She's like, hey,

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Speaker 3: I'm glad you're It's something like that. And I'll bet you,

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Speaker 3: Betsy that in that conversation where she said I want

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Speaker 3: to say something to Tapanga, I will guarantee you that

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Speaker 3: was not in the original script.

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Speaker 1: Yeah. Yeah, well, it's definitely an interesting episode, all right.

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Speaker 1: Guest starring Fred Savage as Stuart, the brother of our

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Speaker 1: star Ben Savage. Fred was one of the decades's most

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Speaker 1: recognizable young actors of the decade from the hit TV

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Speaker 1: show The Wonder Years, where he played Kevin Arnold. He

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Speaker 1: also starred in movies like The Princess Bride, Little Monsters,

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Speaker 1: and The Wizard. He would later turn his focus to

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Speaker 1: directing TV on dozens of sitcoms, including Boy Meets World,

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Speaker 1: with two episodes in season seven kicking off his career

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Speaker 1: behind the camera, and then Bonnie Bartlett returns as Dean

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Speaker 1: Lila Bolander bye.

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Speaker 2: She is really really great, great chance in this episode.

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Speaker 1: See, she's awesome, really wonderful, even though I can't believe

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Speaker 1: she told Tapanga to like shut up.

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Speaker 3: Well, so you were about to tell what happened?

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Speaker 1: I mean, yeah, I was already to open my mouth.

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Speaker 1: You know this is not right? All right? So we

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Speaker 1: start in the Penbrooke classroom, standing in the back of

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Speaker 1: the class to Panga confidently expresses her views and that's

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Speaker 1: why I believe a person is responsible for her own

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Speaker 1: destiny and can be anything she wants. Once her speech

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Speaker 1: is concluded, her teacher, Stuart proudly responds, ladies and gentlemen,

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Speaker 1: let's hear it for Tepanga. Lawrence, the next president of

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Speaker 1: the United States. Corey speaks up above everyone's applause. That

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Speaker 1: makes me the first lady. You see how secure I

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Speaker 1: am in my sexuality. He turns to the boy sitting

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Speaker 1: next to him and gives him a small wave.

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Speaker 3: Oh whoa oho, such a Michael read.

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Speaker 2: And then he kind of gives him a look like

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Speaker 2: he's flirting or something, and I'm like.

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Speaker 3: Yeah, it was a strange. It was a strange.

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Speaker 2: Well, it was kind of a callback to last week's

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Speaker 2: because doesn't he say hello when the guy walks in.

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Speaker 1: Yes, he does, but I don't like.

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Speaker 2: I confront him and yeah, so I think they just

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Speaker 2: liked the way he said it. Let's put it in

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Speaker 2: here now and then exactly.

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Speaker 3: What it was. I'll guarantee you it got a huge laugh.

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Speaker 3: They loved it. And so with the I'm this boy,

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Speaker 3: I'm that boy, you know, they would we would hit

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Speaker 3: a joke one week and then they try to do

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Speaker 3: it in another episode, and that's exactly what this was.

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Speaker 1: Yeah, but I okay, it's like it came off of

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Speaker 1: the sexuality joke. And then I was confused if that

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Speaker 1: if it's somehow connected to that or I don't I

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Speaker 1: don't really understand. The professor asks Stapega if she really

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Speaker 1: believes in all that little merry sunshine stuff, and she

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Speaker 1: doesn't hesitate. Yeah I do, he smiles back, So do I,

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Speaker 1: and then he adds to a point. He quickly swivels

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Speaker 1: to the other side of the class. Sean. Sean shouts

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Speaker 1: back Stuart. The professor points out nice haircut, and then

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00:20:48,440 --> 00:20:51,919
Speaker 1: the hair, the hair joke, the hair comments and jokes

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Speaker 1: for the next several lines, just they keep a coming.

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Speaker 1: Sean thanks him.

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Speaker 3: Yeah, he was, we've had some hair hair hair change,

400
00:21:01,000 --> 00:21:03,880
Speaker 3: but also some hair changes. Yeah, big on boy meets world.

401
00:21:03,920 --> 00:21:06,359
Speaker 1: Yeah, and then Stuart fires back, it looks like an

402
00:21:06,400 --> 00:21:08,480
Speaker 1: eight dollar haircut, So I guess he didn't really like

403
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Speaker 1: your haircut.

404
00:21:09,960 --> 00:21:13,119
Speaker 3: Okay, he's just showing that he's just ribbing.

405
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Speaker 1: Because he is one of the guys.

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Speaker 3: One of the guys. Yeah.

407
00:21:17,640 --> 00:21:20,399
Speaker 1: He asks Sean, what philosophical belief to panga just spouted,

408
00:21:20,440 --> 00:21:23,760
Speaker 1: and Sewn responds free will. Stuart's impressed, calling him a

409
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Speaker 1: big deal with the new hair. Sewan adds she's in

410
00:21:27,119 --> 00:21:29,720
Speaker 1: charge of her own actions, therefore creates her own destiny.

411
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Speaker 1: Stuart wonders if Seawan agrees with her belief, and Shawn admits,

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Speaker 1: in my experience, you don't bet against a panga or

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Speaker 1: you'll get your butt kicked.

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Speaker 6: Now, a studious intellectual, well, just we cannot be surprised

415
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Speaker 6: because when Sean went to college when he was still

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Speaker 6: in high school, he learned about free.

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Speaker 1: Will, and.

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Speaker 2: What if I had brought up like, you know.

419
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Speaker 3: It's just but Seawan is difft this season. He's just

420
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Speaker 3: I think was.

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Speaker 2: Yeah, like I'm just I'm sort of non existent as

422
00:22:05,400 --> 00:22:08,200
Speaker 2: a character. You know, like there's no like no recognition

423
00:22:08,240 --> 00:22:11,880
Speaker 2: of the Angela situation or like what I'm doing outside

424
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Speaker 2: of that situation. Yeah, I'm kind of just a sounding

425
00:22:14,680 --> 00:22:19,040
Speaker 2: board in this episode. Yeah yeah, yeah. It's low energy,

426
00:22:19,119 --> 00:22:21,040
Speaker 2: sort of like what is it's anything.

427
00:22:21,400 --> 00:22:27,399
Speaker 1: This season has actually supported the hypothesis that Feene and

428
00:22:27,640 --> 00:22:31,520
Speaker 1: high school was stopping Sean from living his best life,

429
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Speaker 1: because the implication so far seems to be that Sean

430
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Speaker 1: got to college, lived, lived lives with his best friend,

431
00:22:39,800 --> 00:22:43,359
Speaker 1: is thriving in classes, is thriving socially, broke up with Angela.

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Speaker 1: It hasn't even mentioned it.

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Speaker 2: Just Sean is doing really well off camera. He's stuck

434
00:22:50,640 --> 00:22:52,679
Speaker 2: with this friend group is like to his detriment, and.

435
00:22:53,240 --> 00:22:55,320
Speaker 1: Sean needed off of Boy Meets World.

436
00:22:56,880 --> 00:23:02,240
Speaker 2: If you were the right god, Like this is just

437
00:23:02,320 --> 00:23:05,240
Speaker 2: my body, My soul is way on the other side

438
00:23:05,280 --> 00:23:06,080
Speaker 2: of the town of Ocal.

439
00:23:06,560 --> 00:23:09,400
Speaker 3: You can see it because I know you. You can

440
00:23:09,600 --> 00:23:13,439
Speaker 3: see that you are dead, dead inside it.

441
00:23:14,800 --> 00:23:17,919
Speaker 2: There's no I can tell that I'm not and I

442
00:23:17,960 --> 00:23:21,360
Speaker 2: feel it watching it. I'm sitting there. I remember this

443
00:23:21,440 --> 00:23:24,320
Speaker 2: feeling of like gotta say the thing, gotta get that

444
00:23:24,359 --> 00:23:28,400
Speaker 2: fake energy going through the motions, and you're going it's Yeah,

445
00:23:28,400 --> 00:23:31,760
Speaker 2: it's too bad that there's not you know. Yeah, when

446
00:23:31,800 --> 00:23:35,159
Speaker 2: I think about like when we started this rewatch and

447
00:23:35,240 --> 00:23:39,680
Speaker 2: we hit like goofy, confident, funny Sean in like second season,

448
00:23:39,920 --> 00:23:42,080
Speaker 2: and I was like, oh, whoa, I forgot that this

449
00:23:42,160 --> 00:23:44,480
Speaker 2: Seawn existed. Now I just want it back so bad,

450
00:23:45,560 --> 00:23:47,199
Speaker 2: and I like, wouldn't it be great if like, and

451
00:23:47,240 --> 00:23:49,159
Speaker 2: I hope this comes because I don't remember, but I

452
00:23:49,200 --> 00:23:51,480
Speaker 2: hope that like Corey and Sean get into some kind of.

453
00:23:51,480 --> 00:23:55,600
Speaker 3: Something to be like, oh, Sean's caring about his friend

454
00:23:55,640 --> 00:23:57,960
Speaker 3: again and actually involved in the storyline, like in a

455
00:23:58,040 --> 00:23:59,760
Speaker 3: real yeah I missed that.

456
00:24:00,359 --> 00:24:02,720
Speaker 1: Yeah to Panga nods and approval at what Sean said.

457
00:24:02,760 --> 00:24:05,600
Speaker 1: The professor turns to Corey. Now, how about it, Romeo,

458
00:24:05,800 --> 00:24:08,480
Speaker 1: you buy what Juliet is saying. Corey nods. I think

459
00:24:08,520 --> 00:24:10,199
Speaker 1: you have to have some control over the things that

460
00:24:10,240 --> 00:24:10,720
Speaker 1: happened to you.

461
00:24:10,920 --> 00:24:15,639
Speaker 2: Stuart surprised Juliet, and Juliet was in the pilot. Man,

462
00:24:15,680 --> 00:24:17,320
Speaker 2: It's like, I know, but it's like, my.

463
00:24:17,320 --> 00:24:20,680
Speaker 3: God, to Panga, Romeo and Julia, it doesn't end.

464
00:24:20,880 --> 00:24:26,480
Speaker 7: It doesn't, Juliet, I know, but there's so much, like

465
00:24:26,560 --> 00:24:28,960
Speaker 7: you know, this is just to establish you know that

466
00:24:29,000 --> 00:24:33,280
Speaker 7: they're married, that they're that everybody knows exactly so committed

467
00:24:33,320 --> 00:24:35,000
Speaker 7: they are, like the real love thing.

468
00:24:35,520 --> 00:24:37,720
Speaker 3: And I think that's what they're doing. They went out

469
00:24:37,840 --> 00:24:41,560
Speaker 3: of their way to show that. You know, Stuart knew

470
00:24:41,720 --> 00:24:44,440
Speaker 3: that Corey and to Pango worked together. Right. That's that's

471
00:24:44,440 --> 00:24:46,600
Speaker 3: what all this is about, is you've got to just

472
00:24:47,000 --> 00:24:48,640
Speaker 3: rapped us up, the scumbag.

473
00:24:48,240 --> 00:24:50,440
Speaker 2: One someone else's woman.

474
00:24:50,680 --> 00:24:53,080
Speaker 3: Yeah, I mean that's yeah.

475
00:24:53,240 --> 00:24:56,360
Speaker 1: Stuart surprised, and he gives Corey a hypothetical. Corey Matthews

476
00:24:56,400 --> 00:24:58,560
Speaker 1: wakes up one morning, he kisses his lovely wife, he

477
00:24:58,640 --> 00:25:00,640
Speaker 1: leaves his nice suburban home, and and then he gets

478
00:25:00,720 --> 00:25:03,720
Speaker 1: hit by a bus. Sean blurts out, I'll miss you, buddy.

479
00:25:04,440 --> 00:25:06,440
Speaker 1: Corey isn't phazed. I don't get hit by a bus

480
00:25:06,440 --> 00:25:09,040
Speaker 1: because I used crosswalks. I memorize the bus schedules, and

481
00:25:09,119 --> 00:25:11,080
Speaker 1: if I got a wife like Tapanga, I ain't leaving

482
00:25:11,119 --> 00:25:14,560
Speaker 1: the house. Stuart isn't backing down. Bus hits you anyway.

483
00:25:14,760 --> 00:25:18,720
Speaker 1: He asks the class, what's that called, and Angela answers, fate.

484
00:25:19,160 --> 00:25:21,800
Speaker 1: Your life is predestined and there's nothing you can do

485
00:25:21,840 --> 00:25:24,639
Speaker 1: about it. Corey's worried that bus is going to drive

486
00:25:24,720 --> 00:25:26,800
Speaker 1: right through my house to get to me. Sean shouts

487
00:25:26,800 --> 00:25:29,680
Speaker 1: out again, I'll miss you, buddy. Stuart reveals that most

488
00:25:29,680 --> 00:25:32,320
Speaker 1: of the class's recent papers were pretty bad. He reminds

489
00:25:32,359 --> 00:25:34,680
Speaker 1: them this is in high school anymore, and he encourages

490
00:25:34,720 --> 00:25:37,280
Speaker 1: them to free up their minds. With that, the students

491
00:25:37,280 --> 00:25:40,119
Speaker 1: start to file out. Corey b lines to Sean, this

492
00:25:40,200 --> 00:25:42,720
Speaker 1: guy is awesome. I've been waiting a thousand years for

493
00:25:42,760 --> 00:25:45,200
Speaker 1: a teacher like this. Sean agrees. He's not like Feenie

494
00:25:45,240 --> 00:25:47,920
Speaker 1: at all. He treats us like equals. Feeni was like

495
00:25:47,960 --> 00:25:50,359
Speaker 1: a parent. This guy's like a friend.

496
00:25:50,760 --> 00:25:55,359
Speaker 3: Also, did it bump either of you that there's eight

497
00:25:55,680 --> 00:25:59,080
Speaker 3: bajillion names to pick from? But they took Stuart, as

498
00:25:59,080 --> 00:26:00,480
Speaker 3: in Stuart mankis. I know?

499
00:26:01,160 --> 00:26:02,360
Speaker 1: Why would they do Stuart?

500
00:26:02,480 --> 00:26:05,720
Speaker 3: Why double up on this? And but this is also

501
00:26:05,840 --> 00:26:09,200
Speaker 3: a TV trope. Everybody on Mash is married to someone

502
00:26:09,280 --> 00:26:13,119
Speaker 3: named Louise so or Mildred. There's only two names of

503
00:26:13,160 --> 00:26:16,000
Speaker 3: any women on the entire show, so it's like you

504
00:26:16,000 --> 00:26:19,480
Speaker 3: could have picked anything. Why go Stuart again, I'm just curres.

505
00:26:19,800 --> 00:26:21,320
Speaker 3: I like to know why that is.

506
00:26:22,960 --> 00:26:24,680
Speaker 1: I did not think of it, And it's a very

507
00:26:24,760 --> 00:26:25,439
Speaker 1: valid question.

508
00:26:25,600 --> 00:26:27,919
Speaker 3: I do not know. Yeah, that's what I was thinking of,

509
00:26:28,000 --> 00:26:29,560
Speaker 3: was like why why Stuart?

510
00:26:31,240 --> 00:26:33,720
Speaker 1: Well, then we're in the student union. Stuart is playing

511
00:26:33,800 --> 00:26:36,040
Speaker 1: pool with the gang and Angela makes a shot. She

512
00:26:36,119 --> 00:26:38,920
Speaker 1: tells her professor. He owes her a coffee. Stuart knows

513
00:26:38,960 --> 00:26:40,840
Speaker 1: the drill and asks if anyone else would like one,

514
00:26:40,920 --> 00:26:42,959
Speaker 1: and response Corey to Panga and Sean, I'll take him

515
00:26:43,000 --> 00:26:45,240
Speaker 1: up on his offer. The professor jokes that he only

516
00:26:45,280 --> 00:26:47,640
Speaker 1: has two hands, so he asks Topanga for a little help,

517
00:26:47,680 --> 00:26:48,680
Speaker 1: and she happily agrees.

518
00:26:48,920 --> 00:26:55,400
Speaker 2: The persons city you asked the people around you, Hey,

519
00:26:55,440 --> 00:26:58,480
Speaker 2: you over there, get up and come with me. That's

520
00:26:58,520 --> 00:26:59,280
Speaker 2: all part of the plan.

521
00:27:01,680 --> 00:27:03,520
Speaker 1: And if they could have gotten away with it, this

522
00:27:03,600 --> 00:27:04,160
Speaker 1: would have been.

523
00:27:04,080 --> 00:27:06,600
Speaker 3: Beers of court. Yeah, that's what it's supposed to be.

524
00:27:07,080 --> 00:27:10,480
Speaker 3: Did either of you have a teacher like this, either

525
00:27:10,520 --> 00:27:12,359
Speaker 3: in high school or college the teacher were Now that

526
00:27:12,400 --> 00:27:14,800
Speaker 3: you look back at, you're like, wow, that was actually

527
00:27:14,840 --> 00:27:17,040
Speaker 3: super creepy that this guy or girl was showing up

528
00:27:17,040 --> 00:27:20,840
Speaker 3: at parties or hanging out with friends or any like like,

529
00:27:20,880 --> 00:27:21,679
Speaker 3: did you have any of that?

530
00:27:22,160 --> 00:27:24,360
Speaker 1: I did not have any teachers showing up at parties

531
00:27:24,480 --> 00:27:26,880
Speaker 1: or pretending to be our friends. But that doesn't mean

532
00:27:26,880 --> 00:27:29,440
Speaker 1: I didn't have any creepy teachers. I very much had

533
00:27:29,480 --> 00:27:35,040
Speaker 1: a creepy, creepy history teacher who had a reputation for

534
00:27:35,119 --> 00:27:39,320
Speaker 1: putting all of the young girls in the front couple

535
00:27:39,320 --> 00:27:42,320
Speaker 1: of rows and all of the other kids in the

536
00:27:42,359 --> 00:27:46,440
Speaker 1: back rows. And he regularly wore pretty fitted short shorts

537
00:27:46,520 --> 00:27:49,400
Speaker 1: and then would sit on the desks of the girls

538
00:27:50,080 --> 00:27:53,239
Speaker 1: in his class, and it was it was like a

539
00:27:53,440 --> 00:27:55,880
Speaker 1: well known thing that everyone's like, oh, you got that guy. Yeah,

540
00:27:55,880 --> 00:28:00,199
Speaker 1: I'm sorry, and it was just like uncomfortable for everyone involved, Like, man,

541
00:28:00,359 --> 00:28:02,959
Speaker 1: I'm stuck with this guy. So yes, those teachers, that

542
00:28:03,040 --> 00:28:04,080
Speaker 1: kind of teacher existed for.

543
00:28:04,119 --> 00:28:13,000
Speaker 2: Me, those bows, that's awful. I a teacher who you know,

544
00:28:13,400 --> 00:28:16,480
Speaker 2: was very seemed very young and cool to all of us,

545
00:28:17,000 --> 00:28:20,840
Speaker 2: but always maintained a level of like authority and was

546
00:28:20,840 --> 00:28:25,560
Speaker 2: a great teacher in the classroom. But he was only

547
00:28:25,600 --> 00:28:28,080
Speaker 2: twenty three, you know, in retrospect, so I think a

548
00:28:28,119 --> 00:28:30,399
Speaker 2: lot of that vibe was actually just a function of

549
00:28:30,480 --> 00:28:34,320
Speaker 2: his age age. But then I found out he ended

550
00:28:34,400 --> 00:28:38,280
Speaker 2: up dating somebody from my grade after she graduated, and

551
00:28:38,280 --> 00:28:39,720
Speaker 2: I don't know anything about it because, like you know,

552
00:28:39,800 --> 00:28:42,200
Speaker 2: I wasn't around like for that. But that's when I

553
00:28:42,240 --> 00:28:44,920
Speaker 2: was like, oh, maybe maybe he was crossing the lines

554
00:28:44,960 --> 00:28:47,680
Speaker 2: in ways that I just had no idea. Wow, But

555
00:28:47,720 --> 00:28:49,840
Speaker 2: that was only retroactively, Like at the time, he was

556
00:28:49,880 --> 00:28:52,160
Speaker 2: always still very much an adult, do you know, like

557
00:28:52,520 --> 00:28:54,400
Speaker 2: he's different than the other adults, like, but he was

558
00:28:54,400 --> 00:28:56,200
Speaker 2: still very much a good teacher and an adult in

559
00:28:56,200 --> 00:28:58,480
Speaker 2: my life. But yeah, he was like twenty three, twenty four,

560
00:28:58,560 --> 00:29:00,640
Speaker 2: so there was a sense of like, oh, kind he's

561
00:29:00,720 --> 00:29:02,440
Speaker 2: kind of cooler in one of us and talk to

562
00:29:02,520 --> 00:29:04,800
Speaker 2: him about like right, I don't know, so there wasn't

563
00:29:04,840 --> 00:29:05,360
Speaker 2: that vibe.

564
00:29:05,400 --> 00:29:09,400
Speaker 3: And yeah, well there was a guy in our high

565
00:29:09,400 --> 00:29:13,040
Speaker 3: school that we always thought he'd always, like every year

566
00:29:13,200 --> 00:29:15,720
Speaker 3: be very close with one or two of the younger girls.

567
00:29:15,720 --> 00:29:18,240
Speaker 3: So there was always rumors that it's like that, is

568
00:29:18,280 --> 00:29:19,000
Speaker 3: that inappropriate?

569
00:29:19,000 --> 00:29:19,560
Speaker 2: Is that weird?

570
00:29:19,960 --> 00:29:22,040
Speaker 3: And then like ten or fifteen years later, he was

571
00:29:22,080 --> 00:29:25,040
Speaker 3: fired for that exact thing where wow, they proved that

572
00:29:25,080 --> 00:29:27,719
Speaker 3: something had happened and he was out made the papers

573
00:29:27,760 --> 00:29:30,240
Speaker 3: and all that kind of stuff. Yeah, yeah, creepy.

574
00:29:30,720 --> 00:29:33,040
Speaker 1: Once out of earshot, he thinks Toapega for taking his

575
00:29:33,040 --> 00:29:36,080
Speaker 1: class and challenging things. He admits a teacher likes a

576
00:29:36,120 --> 00:29:39,200
Speaker 1: student who participates and shakes things up. It makes class

577
00:29:39,240 --> 00:29:42,560
Speaker 1: more exciting. Topeka, surprised and earnestly thanks him for the compliment.

578
00:29:42,800 --> 00:29:45,480
Speaker 1: Stuart orders the five coffees and then says to Tapanga,

579
00:29:45,560 --> 00:29:47,760
Speaker 1: if we don't challenge our leaders, we have no right

580
00:29:47,800 --> 00:29:50,800
Speaker 1: to complain over how they lead. Topega recognizes that that

581
00:29:50,920 --> 00:29:52,920
Speaker 1: is a quote from her paper. He tells her it

582
00:29:52,960 --> 00:29:54,760
Speaker 1: was a good paper besides the area where she got

583
00:29:54,760 --> 00:29:57,040
Speaker 1: a little lazy with the summary. But they'll go over it.

584
00:29:57,440 --> 00:29:59,240
Speaker 1: He asked, well, can's the paper about?

585
00:29:59,320 --> 00:30:03,120
Speaker 2: Why is it about out discussing late? Right?

586
00:30:03,160 --> 00:30:05,080
Speaker 3: But is it about free will? Or then what does

587
00:30:05,080 --> 00:30:07,360
Speaker 3: that have to do with leaders? Is that so it's

588
00:30:07,360 --> 00:30:09,440
Speaker 3: about ethics? Is what the papers supposed to be about.

589
00:30:09,480 --> 00:30:10,760
Speaker 2: Yes, I'm assuming.

590
00:30:12,480 --> 00:30:15,400
Speaker 1: Yeah it's ethics with people who are in positions of power.

591
00:30:16,800 --> 00:30:19,560
Speaker 3: Yeah, okay, Because I was like, wait, is it about

592
00:30:19,760 --> 00:30:22,840
Speaker 3: free will or is it about being It's like and

593
00:30:22,880 --> 00:30:24,560
Speaker 3: that's why it made no sense when he brought the

594
00:30:24,560 --> 00:30:27,280
Speaker 3: cat at the end, like, wait, what is this paper about.

595
00:30:29,200 --> 00:30:31,920
Speaker 2: Whatever it needs to be about for the lines, I'm

596
00:30:31,920 --> 00:30:32,440
Speaker 2: just curious.

597
00:30:32,520 --> 00:30:35,000
Speaker 1: Yeah, he asks how campus life is going into Penga

598
00:30:35,040 --> 00:30:38,000
Speaker 1: shrugs Angela and I are in Mackay so small rooms,

599
00:30:38,000 --> 00:30:41,480
Speaker 1: lousy food. He sarcastically responds, welcome to college. As they

600
00:30:41,560 --> 00:30:44,160
Speaker 1: leave with the coffees, Dean Bolander and mister Feenie walk

601
00:30:44,200 --> 00:30:46,520
Speaker 1: by and say hello. Now at the counter, the Dean

602
00:30:46,640 --> 00:30:49,880
Speaker 1: asks George what he'd like, but Feenie insists it's on him.

603
00:30:50,200 --> 00:30:52,440
Speaker 1: He reminds her he's the new teacher on campus. It

604
00:30:52,480 --> 00:30:55,000
Speaker 1: wouldn't be professional to accept a drink from his boss.

605
00:30:55,280 --> 00:30:57,560
Speaker 3: And you see Matt in the background. Matt is just sitting.

606
00:30:57,760 --> 00:31:00,120
Speaker 3: Matt's on the couch in the background, waiting for the

607
00:31:00,160 --> 00:31:02,400
Speaker 3: next scene to start, and at times he's just watching

608
00:31:02,440 --> 00:31:04,880
Speaker 3: the scene. You just watch.

609
00:31:05,080 --> 00:31:08,320
Speaker 2: He's watching the show. He's just watching the show take place.

610
00:31:10,040 --> 00:31:11,400
Speaker 3: He's like watching for a little while, and then he

611
00:31:11,440 --> 00:31:13,040
Speaker 3: turns and then he's like kind of watching a little thing,

612
00:31:13,000 --> 00:31:14,440
Speaker 3: like all right, yeah, MAT's just watching the show like

613
00:31:14,480 --> 00:31:15,040
Speaker 3: everybody else.

614
00:31:18,240 --> 00:31:20,600
Speaker 1: The Dan asks again what he would like to drink,

615
00:31:20,600 --> 00:31:24,960
Speaker 1: and Phoene swiftly answers double blended, non fat, no whip frappuccino.

616
00:31:25,760 --> 00:31:28,920
Speaker 1: Phoenie shrugs, I usually take care of myself. She encourages

617
00:31:29,000 --> 00:31:31,160
Speaker 1: him to relax, and he takes a deep breath in response.

618
00:31:31,600 --> 00:31:34,400
Speaker 1: Now more relaxed, Phoene speaks up, Do you think I

619
00:31:34,400 --> 00:31:37,280
Speaker 1: could have a biscatti too? She shoots him a look,

620
00:31:37,640 --> 00:31:40,400
Speaker 1: I'm not rich, Phoene other So.

621
00:31:40,440 --> 00:31:41,600
Speaker 3: I want to watch this show.

622
00:31:41,920 --> 00:31:42,240
Speaker 2: I know.

623
00:31:42,520 --> 00:31:45,640
Speaker 3: I want to watch Phoenie and Bolander have a show

624
00:31:45,880 --> 00:31:49,000
Speaker 3: that their age group. You you focus it towards like

625
00:31:49,040 --> 00:31:51,400
Speaker 3: the same kind of Golden Girls era kind of people.

626
00:31:51,520 --> 00:31:53,880
Speaker 3: And that's a television show. I would watch.

627
00:31:53,840 --> 00:31:56,600
Speaker 2: Everytally watching them try and figure out youth culture and

628
00:31:56,680 --> 00:32:00,200
Speaker 2: like them, but like not understand them. That's a great ideas,

629
00:32:00,280 --> 00:32:01,040
Speaker 2: been so great.

630
00:32:01,040 --> 00:32:03,200
Speaker 3: And then dating and what's dating that age like? And

631
00:32:03,240 --> 00:32:04,920
Speaker 3: what is that a tale? And the first time they

632
00:32:04,960 --> 00:32:06,960
Speaker 3: have to hook up, Oh my god, there's so much

633
00:32:06,960 --> 00:32:09,480
Speaker 3: to mind there. That would have just been incredible. Yeah.

634
00:32:09,640 --> 00:32:11,960
Speaker 1: Meanwhile, Eric is sitting with Corey and his friends looking

635
00:32:11,960 --> 00:32:16,640
Speaker 1: in Stuart's direction. I don't like him. Corey says he

636
00:32:16,640 --> 00:32:19,640
Speaker 1: doesn't even know him, but Eric argues, I'm telling you something.

637
00:32:19,720 --> 00:32:22,720
Speaker 1: I have a gift. I know people. Then he notices

638
00:32:22,720 --> 00:32:25,680
Speaker 1: a girl in the distance from behind and shouts, hello, Wow,

639
00:32:26,000 --> 00:32:28,280
Speaker 1: how would you like to come home to that every day?

640
00:32:29,400 --> 00:32:33,240
Speaker 3: It's such a weird joke to forget the even just

641
00:32:33,280 --> 00:32:36,200
Speaker 3: the creepy part. It's just a weird joke that it's

642
00:32:36,720 --> 00:32:39,240
Speaker 3: clearly her. She's five feet away.

643
00:32:39,960 --> 00:32:41,800
Speaker 1: She's also seven feet tall.

644
00:32:41,880 --> 00:32:41,960
Speaker 6: And.

645
00:32:44,160 --> 00:32:46,760
Speaker 3: Yeah, yeah, I get what they're going with, but it's

646
00:32:46,960 --> 00:32:49,560
Speaker 3: just a weird joke that was kind of like, why

647
00:32:49,600 --> 00:32:50,200
Speaker 3: that joke?

648
00:32:50,600 --> 00:32:51,200
Speaker 2: I don't know.

649
00:32:51,480 --> 00:32:51,800
Speaker 3: I don't know.

650
00:32:51,960 --> 00:32:55,400
Speaker 1: I also am I get that they I'm a little

651
00:32:55,720 --> 00:32:59,600
Speaker 1: confused about. I love that Eric has this perception and

652
00:32:59,640 --> 00:33:02,600
Speaker 1: that he picks up on it, but how does it

653
00:33:02,680 --> 00:33:08,080
Speaker 1: what's the benefit of it in the storyline that Eric

654
00:33:08,400 --> 00:33:11,840
Speaker 1: also didn't like him or have a good feeling about him.

655
00:33:11,840 --> 00:33:15,600
Speaker 1: That to Pega's not making it up. I don't know

656
00:33:15,760 --> 00:33:16,320
Speaker 1: what is.

657
00:33:16,640 --> 00:33:18,520
Speaker 2: Yeah, I think it's I think it's a plant the

658
00:33:18,560 --> 00:33:22,280
Speaker 2: seed because so much of this episode is about arriving

659
00:33:22,320 --> 00:33:26,040
Speaker 2: at a moral conclusion like right, and and an order

660
00:33:26,200 --> 00:33:29,640
Speaker 2: like in order to make that conclusion like correct. So

661
00:33:29,840 --> 00:33:31,600
Speaker 2: there's no doubt at the end that Stewart is an

662
00:33:31,600 --> 00:33:33,480
Speaker 2: awful person who has done a bad thing.

663
00:33:33,760 --> 00:33:34,440
Speaker 3: Yeah, but.

664
00:33:36,040 --> 00:33:41,440
Speaker 2: It's like they wanted to also represent the possibility of ambiguity, right.

665
00:33:41,480 --> 00:33:44,360
Speaker 2: They wanted it to be like people that take advantage

666
00:33:44,400 --> 00:33:47,520
Speaker 2: of situations like this are often the friendly one, you know,

667
00:33:47,720 --> 00:33:50,360
Speaker 2: and so you kind of can't have it both ways,

668
00:33:50,560 --> 00:33:52,120
Speaker 2: especially on a kid's show. It's like you can't have

669
00:33:52,160 --> 00:33:55,800
Speaker 2: it be crystal clear that this person's bad and also

670
00:33:56,240 --> 00:33:58,240
Speaker 2: so you so if you you know, if you notice,

671
00:33:58,240 --> 00:34:00,479
Speaker 2: by the end of the episode, everybody's like literally on

672
00:34:00,480 --> 00:34:03,040
Speaker 2: one side of the room against Stuart. It's like everyone

673
00:34:03,080 --> 00:34:06,440
Speaker 2: that we know, our family, like our who we identify with,

674
00:34:06,640 --> 00:34:08,960
Speaker 2: has is able to see this guy for what he is,

675
00:34:09,000 --> 00:34:11,440
Speaker 2: but the rest of the world might not. And it's

676
00:34:11,480 --> 00:34:13,960
Speaker 2: like the whole episode is about everybody coming to that

677
00:34:13,960 --> 00:34:17,200
Speaker 2: conclusion and reaching it with absolute certainty and inviting the

678
00:34:17,280 --> 00:34:21,200
Speaker 2: reader or the watcher into that certainty, but then leaving

679
00:34:21,239 --> 00:34:23,400
Speaker 2: the window open that like, and we have to be

680
00:34:23,520 --> 00:34:27,160
Speaker 2: careful because arriving at this certainty could be difficult sometimes,

681
00:34:27,400 --> 00:34:29,120
Speaker 2: and so like you have to plant that seed with

682
00:34:29,160 --> 00:34:31,919
Speaker 2: somebody like Eric, who even though he's the dumb one

683
00:34:32,040 --> 00:34:35,280
Speaker 2: or he never can see things, he kind of instinctually knows.

684
00:34:35,360 --> 00:34:38,439
Speaker 2: And it's it's like an interesting you know, it's.

685
00:34:38,360 --> 00:34:42,759
Speaker 3: I had a weird realization during this episode. Eric is

686
00:34:42,800 --> 00:34:48,200
Speaker 3: a dog, meaning he's got a great heart.

687
00:34:47,000 --> 00:34:50,560
Speaker 1: He's a golden retriever.

688
00:34:50,800 --> 00:34:53,120
Speaker 3: They always say like if you have a dog, if

689
00:34:53,160 --> 00:34:56,520
Speaker 3: a dog doesn't like somebody, you trust that and I

690
00:34:56,560 --> 00:34:58,520
Speaker 3: swear to god. Eric is like he's got the long

691
00:34:58,600 --> 00:35:00,680
Speaker 3: shaggy hair, and.

692
00:35:00,440 --> 00:35:01,840
Speaker 2: You are a golden retriever.

693
00:35:02,719 --> 00:35:07,200
Speaker 1: Retriever. You're smart, you're superfl You're loyal as hell, good.

694
00:35:07,000 --> 00:35:10,239
Speaker 3: Heart, really loyal intuition.

695
00:35:10,560 --> 00:35:14,280
Speaker 1: Swim yes, shut on the grass.

696
00:35:12,760 --> 00:35:15,359
Speaker 2: It might hump your leg.

697
00:35:15,520 --> 00:35:18,799
Speaker 8: I might have, you know, but well intentioned.

698
00:35:18,840 --> 00:35:20,440
Speaker 1: But you have to tell him that it's not the

699
00:35:20,480 --> 00:35:20,960
Speaker 1: right place.

700
00:35:21,719 --> 00:35:26,720
Speaker 2: I'm telling you, Eric, is it really is that? I wonder, like, yeah,

701
00:35:26,920 --> 00:35:30,680
Speaker 2: that's so cool. I I am this weird. I'm having

702
00:35:30,719 --> 00:35:34,200
Speaker 2: this really hard time with Like the way that Eric's

703
00:35:34,239 --> 00:35:37,320
Speaker 2: comedy is responded to by the other characters is getting

704
00:35:37,320 --> 00:35:40,000
Speaker 2: really boring to me. In this episode, it's twice that

705
00:35:40,080 --> 00:35:45,200
Speaker 2: people go unbelievable, You're just, You're just and it's like

706
00:35:45,520 --> 00:35:49,560
Speaker 2: that beat that sort of is I don't know, it's

707
00:35:49,680 --> 00:35:50,440
Speaker 2: it's like it's.

708
00:35:50,320 --> 00:35:53,759
Speaker 1: The opposite of yes and shut up.

709
00:35:54,160 --> 00:35:59,400
Speaker 8: But I was thinking about a relationship to like cringe

710
00:35:59,440 --> 00:36:02,160
Speaker 8: comedy or like because I think, like what now, what

711
00:36:02,760 --> 00:36:05,479
Speaker 8: an Eric type character would be, you know in later

712
00:36:05,560 --> 00:36:08,279
Speaker 8: comedies is like zach alifan Akis in.

713
00:36:08,200 --> 00:36:10,880
Speaker 2: The hangover or somebody who like says the like crazy

714
00:36:10,880 --> 00:36:13,719
Speaker 2: inappropriate thing that you're just like, what what? And in

715
00:36:13,800 --> 00:36:16,640
Speaker 2: cringe comedy that's played for like discomfort and like everybody

716
00:36:16,640 --> 00:36:17,960
Speaker 2: being like we don't know what to do with this

717
00:36:18,120 --> 00:36:20,759
Speaker 2: like awkward energy or whatever. And in our show it's

718
00:36:20,800 --> 00:36:23,920
Speaker 2: like this explosive awkwardness and out of touch and then

719
00:36:23,920 --> 00:36:26,200
Speaker 2: we have to like cap it down and like immediately

720
00:36:26,239 --> 00:36:29,120
Speaker 2: be like that's not right and shame it. And I'm like,

721
00:36:29,200 --> 00:36:31,680
Speaker 2: stop shaming it, Like I don't care. We don't need

722
00:36:31,680 --> 00:36:34,120
Speaker 2: to contextualize it. Let's just let him be crazy. And

723
00:36:34,160 --> 00:36:36,680
Speaker 2: I'm hoping that we.

724
00:36:36,440 --> 00:36:40,399
Speaker 3: Lose that as at least because when the dog gets

725
00:36:40,440 --> 00:36:42,239
Speaker 3: too yuppy, you've got to sit there and tell.

726
00:36:42,200 --> 00:36:43,680
Speaker 1: Me its crazy place.

727
00:36:43,800 --> 00:36:44,520
Speaker 3: Yeah exactly.

728
00:36:44,719 --> 00:36:48,080
Speaker 1: Yeah, well Jack cringes, we do come home to that.

729
00:36:48,239 --> 00:36:52,840
Speaker 1: It's Rachel, you unbelievable, incredible buffoon. Eric goes back to

730
00:36:52,880 --> 00:36:55,280
Speaker 1: his original point. He has a feel for these things,

731
00:36:55,280 --> 00:36:58,719
Speaker 1: and Stewart is no feene. He couldn't even clap Peoenie's erasers.

732
00:36:59,200 --> 00:37:02,520
Speaker 1: Then Eric ye over with the Phoene call fne Yo

733
00:37:02,840 --> 00:37:06,719
Speaker 1: having coffee with the Dean whoa fanny. He shrivels in

734
00:37:06,760 --> 00:37:09,760
Speaker 1: his chair and Dean Bolander gives a little wave. Sean

735
00:37:09,800 --> 00:37:12,160
Speaker 1: tells Eric, sooner or later, you're gonna have to cut

736
00:37:12,200 --> 00:37:14,399
Speaker 1: this chord from Phoenie and see what else is out there.

737
00:37:14,760 --> 00:37:16,759
Speaker 1: Eric isn't hearing it. If there's one thing I know,

738
00:37:16,960 --> 00:37:20,760
Speaker 1: it's people I've lived among them. It's my fifth sense.

739
00:37:21,600 --> 00:37:25,320
Speaker 1: Jack corrects him, you mean your sixth sense. Eric responds, no,

740
00:37:25,560 --> 00:37:27,719
Speaker 1: that's smell. You gotta be real lucky to get that,

741
00:37:27,880 --> 00:37:28,359
Speaker 1: which is.

742
00:37:28,440 --> 00:37:32,520
Speaker 3: So cute, strange, And you notice you're trying not to

743
00:37:32,640 --> 00:37:34,520
Speaker 3: laugh as you and I are speaking. This is right now,

744
00:37:34,600 --> 00:37:37,960
Speaker 3: writer peak us can't be in the same scene.

745
00:37:38,120 --> 00:37:40,880
Speaker 1: You guys cannot. I thought of it when it was happening.

746
00:37:40,960 --> 00:37:43,160
Speaker 1: I was like this, There are reasons why you guys

747
00:37:43,200 --> 00:37:46,000
Speaker 1: thought we can't work together, and this is one of them.

748
00:37:46,040 --> 00:37:46,800
Speaker 3: And it seems like this.

749
00:37:47,040 --> 00:37:47,239
Speaker 5: Yep.

750
00:37:47,680 --> 00:37:52,800
Speaker 1: Eric reiterates this. Stanley guy Jack correcshim Stuart. Eric adjusts Stuart,

751
00:37:53,040 --> 00:37:56,279
Speaker 1: he's bad news. You trust me. We see Tapega now

752
00:37:56,280 --> 00:37:59,520
Speaker 1: playing pool alongside Stuart, and everything seems fine from here.

753
00:38:00,680 --> 00:38:01,600
Speaker 3: Little camera move there.

754
00:38:01,719 --> 00:38:03,920
Speaker 2: Notice that we all, we all become the camera.

755
00:38:04,000 --> 00:38:09,560
Speaker 3: We turned towards the back and the camera follow clever, rusty, clever.

756
00:38:11,200 --> 00:38:12,400
Speaker 1: Will's picking up on it.

757
00:38:12,480 --> 00:38:14,200
Speaker 3: Now, I get it.

758
00:38:14,560 --> 00:38:16,880
Speaker 1: Then we're into Panga and Angela's dorm. The girls are

759
00:38:16,920 --> 00:38:18,680
Speaker 1: hanging out and there's a knock at the door. Okay,

760
00:38:18,880 --> 00:38:21,080
Speaker 1: you want to know something that's stupid. That really bothered me.

761
00:38:22,080 --> 00:38:24,480
Speaker 1: Angela is sitting on the bed and she is painting

762
00:38:24,480 --> 00:38:27,720
Speaker 1: her nails, and she has her purse on her shoulder,

763
00:38:28,360 --> 00:38:32,520
Speaker 1: just ready to just ready to go. Just why why

764
00:38:32,600 --> 00:38:36,080
Speaker 1: she's she's painting her nails? She is not I know that.

765
00:38:36,200 --> 00:38:38,279
Speaker 1: Later to Penga says, we were getting ready to go

766
00:38:38,800 --> 00:38:40,799
Speaker 1: to the dorm, and I guess the argument could be,

767
00:38:41,040 --> 00:38:42,640
Speaker 1: once your nails are wet, you don't want to have

768
00:38:42,680 --> 00:38:45,320
Speaker 1: to put your arm through the sleeve. But the minute

769
00:38:45,520 --> 00:38:47,399
Speaker 1: the shot was on her, I was like, why, where,

770
00:38:47,400 --> 00:38:50,280
Speaker 1: where's where's she going? Why is her purse on her shoulder?

771
00:38:50,440 --> 00:38:53,400
Speaker 1: Why she's sitting on the bed painting her nails? Drove

772
00:38:53,680 --> 00:38:54,759
Speaker 1: me nuts?

773
00:38:55,760 --> 00:38:56,680
Speaker 3: Got a wax.

774
00:38:56,880 --> 00:39:03,840
Speaker 2: I know it's a TV show, it's a rough everything.

775
00:39:06,960 --> 00:39:09,480
Speaker 1: You're right, I did take it too far with that one.

776
00:39:10,120 --> 00:39:12,120
Speaker 1: There's a knock at the door. It's Stuart. They are

777
00:39:12,160 --> 00:39:14,400
Speaker 1: surprised to see him. He notices one of his students

778
00:39:14,400 --> 00:39:16,840
Speaker 1: in the hallway, Hansen, you owe me a paper. I

779
00:39:16,880 --> 00:39:19,560
Speaker 1: don't believe in grades, but i'll flunk your butt to

780
00:39:19,640 --> 00:39:22,319
Speaker 1: paying an. Angela laugh as Stuart enters to Panga. I

781
00:39:22,320 --> 00:39:24,000
Speaker 1: was in the neighborhood and we talked about going over

782
00:39:24,040 --> 00:39:24,520
Speaker 1: your paper.

783
00:39:24,640 --> 00:39:31,680
Speaker 3: So okay, I'm in the neighbor this guy's shady.

784
00:39:32,239 --> 00:39:34,600
Speaker 1: Stuart tells Angela, I don't have your paper, but we

785
00:39:34,640 --> 00:39:37,480
Speaker 1: can discuss what I remember. Tapanga explains they were actually

786
00:39:37,480 --> 00:39:39,440
Speaker 1: about to head to the student union. She tells Angela

787
00:39:39,480 --> 00:39:41,160
Speaker 1: to go ahead without her and she'll meet her there.

788
00:39:41,400 --> 00:39:44,160
Speaker 1: On her way out, Angela jokingly comments, you two leave

789
00:39:44,200 --> 00:39:47,160
Speaker 1: the door open. Both of them laugh it off, which

790
00:39:47,200 --> 00:39:49,920
Speaker 1: is weird. I don't know why this joke was made.

791
00:39:51,080 --> 00:39:52,480
Speaker 2: I think to make it clear that the door is

792
00:39:52,520 --> 00:39:59,200
Speaker 2: left open. But yes, that was never Yeah, but it's

793
00:39:59,280 --> 00:40:01,399
Speaker 2: it is like we're that Angela would even make the joke,

794
00:40:01,480 --> 00:40:02,040
Speaker 2: Is it right?

795
00:40:02,120 --> 00:40:04,120
Speaker 1: Because then it implies that, like, you guys want to

796
00:40:04,120 --> 00:40:04,800
Speaker 1: put potential.

797
00:40:05,160 --> 00:40:05,560
Speaker 3: Yeah right.

798
00:40:05,640 --> 00:40:07,360
Speaker 1: It's just kind of weird.

799
00:40:08,120 --> 00:40:10,920
Speaker 3: So, I mean, is this okay? Are teachers actually allowed

800
00:40:10,960 --> 00:40:13,080
Speaker 3: to date their students in college?

801
00:40:13,800 --> 00:40:16,240
Speaker 2: Well, it's actually I mean, I think it varies somewhat

802
00:40:16,239 --> 00:40:18,040
Speaker 2: from school to school, but like I know that, Like

803
00:40:18,320 --> 00:40:21,400
Speaker 2: in my faculty handbook it's you you cannot have a

804
00:40:21,440 --> 00:40:24,560
Speaker 2: relationship with a student that you are teaching or that

805
00:40:24,600 --> 00:40:27,719
Speaker 2: you're in a supervisory role of any sort, And then

806
00:40:27,920 --> 00:40:31,000
Speaker 2: relationships with students in general are just kind of discouraged,

807
00:40:31,080 --> 00:40:34,640
Speaker 2: like because there's the potential. It's like it's spelled out, like,

808
00:40:34,880 --> 00:40:38,359
Speaker 2: but the only real prohibition, like that's an actual rule

809
00:40:38,440 --> 00:40:40,960
Speaker 2: is like if you're in a supervisory role or you're

810
00:40:41,000 --> 00:40:43,560
Speaker 2: in there or you're teaching their class, them in class,

811
00:40:43,600 --> 00:40:44,680
Speaker 2: there can be no relationship.

812
00:40:44,840 --> 00:40:46,880
Speaker 1: What about if you what about if they have an

813
00:40:46,960 --> 00:40:48,880
Speaker 1: end up in the future in your class?

814
00:40:49,160 --> 00:40:49,480
Speaker 5: That is it.

815
00:40:49,560 --> 00:40:51,480
Speaker 1: Then if you're in a relationship with somebody, then you

816
00:40:51,480 --> 00:40:54,400
Speaker 1: shouldn't be that person's teacher and you shouldn't try to

817
00:40:54,400 --> 00:40:58,560
Speaker 1: take that person's class. That part I actually don't know, Yeah,

818
00:40:58,560 --> 00:41:01,160
Speaker 1: because that's what's interesting is like sure, this semester, he's

819
00:41:01,200 --> 00:41:03,279
Speaker 1: not my teacher, but next year he could be.

820
00:41:03,560 --> 00:41:06,399
Speaker 2: Well, I think that's why there's the overall like discouraged,

821
00:41:06,480 --> 00:41:09,879
Speaker 2: Like we can't prevents from doing it, but you need

822
00:41:09,920 --> 00:41:12,000
Speaker 2: to you have the responsibility as a teacher. You have

823
00:41:12,040 --> 00:41:14,279
Speaker 2: to know that we discouraged this. This is not what

824
00:41:14,320 --> 00:41:15,839
Speaker 2: we you know, So I think if there was ever

825
00:41:15,880 --> 00:41:18,680
Speaker 2: a complaint, it's being on the faculty, and that is

826
00:41:18,920 --> 00:41:21,880
Speaker 2: to be like, okay, you know, we we cross the

827
00:41:21,880 --> 00:41:25,280
Speaker 2: line here, but definitely you cross the line if if somebody,

828
00:41:25,600 --> 00:41:27,560
Speaker 2: if you're in a class together, there's any sort of

829
00:41:27,600 --> 00:41:30,600
Speaker 2: actual power over one another, but there is a general

830
00:41:30,640 --> 00:41:34,600
Speaker 2: power dynamic that is like, just avoid this at all costs. Basical.

831
00:41:34,640 --> 00:41:36,799
Speaker 1: Okay, Well, good to know. It's nice to have a

832
00:41:36,840 --> 00:41:40,840
Speaker 1: professor on the pod. Thak you for our questions. Thank you,

833
00:41:40,880 --> 00:41:44,840
Speaker 1: professor writer. Well now alone. Stuart points to a picture

834
00:41:44,880 --> 00:41:47,279
Speaker 1: on Tapanga's desk and asks if it's her mom. She

835
00:41:47,320 --> 00:41:49,720
Speaker 1: says it is. The photo was taken at Martha's vineyard.

836
00:41:49,880 --> 00:41:55,200
Speaker 3: He admits, no, no, sorry to Panga and Jedediah and

837
00:41:55,320 --> 00:41:58,160
Speaker 3: Chloe are not going and hanging out in Martha's vineyard.

838
00:41:58,520 --> 00:42:01,319
Speaker 1: This is another one where the family will. I don't

839
00:42:01,320 --> 00:42:03,759
Speaker 1: know if you've noticed, but Tapanga is no longer the

840
00:42:03,800 --> 00:42:04,760
Speaker 1: Topanga of nineteen.

841
00:42:05,120 --> 00:42:09,480
Speaker 3: What I'm saying, Topanga's different, Sean's different, Eric's different. Corey

842
00:42:09,520 --> 00:42:11,520
Speaker 3: is the only one that's basically kind of the same

843
00:42:11,640 --> 00:42:13,960
Speaker 3: character now than he used to be I mean, entirely

844
00:42:14,000 --> 00:42:16,960
Speaker 3: different than Chloe and Jedediah and Topanga are hanging out

845
00:42:16,960 --> 00:42:21,000
Speaker 3: in Martha's Vineyard. No way making Woodstock, New York exactly

846
00:42:21,760 --> 00:42:26,120
Speaker 3: same thing. Make it Wouldstock, Prescott, Arizona, make it anywhere

847
00:42:26,400 --> 00:42:30,480
Speaker 3: slightly hippyish, but they make it the most highbrow like

848
00:42:30,640 --> 00:42:34,400
Speaker 3: Martha's Vineyard. Really, I was amazed. I was amazed by that.

849
00:42:34,440 --> 00:42:36,800
Speaker 2: Here we are in the Hamptons, right right.

850
00:42:36,800 --> 00:42:38,720
Speaker 1: It's like our annual summer trip to the Hampton.

851
00:42:38,840 --> 00:42:41,680
Speaker 3: Seriously, your dad was one of the monkeys, and then

852
00:42:41,840 --> 00:42:44,040
Speaker 3: was his final tap and then was the other guy,

853
00:42:44,160 --> 00:42:46,399
Speaker 3: and it's like, come on.

854
00:42:48,680 --> 00:42:51,960
Speaker 1: He admits she's real pretty. Topanga thanks him. Then Stuart

855
00:42:51,960 --> 00:42:55,240
Speaker 1: tells Tapanga to sit down. Topega gets comfy on Angela's

856
00:42:55,280 --> 00:42:57,799
Speaker 1: bed and Stuart explains this paper was too good to

857
00:42:57,840 --> 00:42:59,920
Speaker 1: fizzle out on the conclusion you're too smart for that.

858
00:43:00,480 --> 00:43:03,560
Speaker 1: He begins to read a section aloud. It's possible to

859
00:43:03,640 --> 00:43:06,440
Speaker 1: cross the line morally and yet not cross the line.

860
00:43:06,480 --> 00:43:09,520
Speaker 1: Actually it's too vague. He doesn't know what she's talking about.

861
00:43:09,680 --> 00:43:12,800
Speaker 1: T Pega explains, well, the paper was on morality and ethics,

862
00:43:12,880 --> 00:43:15,200
Speaker 1: and I was just saying there are definite gray areas.

863
00:43:15,600 --> 00:43:18,240
Speaker 1: Stuart jokes, I know what the paper was about because

864
00:43:18,400 --> 00:43:20,600
Speaker 1: I assigned it. He sits next to her on the

865
00:43:20,600 --> 00:43:23,279
Speaker 1: bed and encourages her to be more specific, because the

866
00:43:23,320 --> 00:43:27,080
Speaker 1: devil's in the details. He asks, I'm sitting here with you, right,

867
00:43:27,440 --> 00:43:30,879
Speaker 1: I'm your teacher and I find you attractive. But we're

868
00:43:31,000 --> 00:43:34,560
Speaker 1: talking about the assignment. Now, have we crossed the line?

869
00:43:35,520 --> 00:43:40,120
Speaker 1: To Penga stays calm, considering his newest statement, Yeah, and

870
00:43:40,200 --> 00:43:43,880
Speaker 1: she shakes her head. I don't think so. No, So

871
00:43:44,520 --> 00:43:47,799
Speaker 1: Stuart takes it a step further. I'm your teacher and

872
00:43:47,840 --> 00:43:51,080
Speaker 1: I find you attractive, and now we're not talking about

873
00:43:51,120 --> 00:43:55,280
Speaker 1: the paper. Have we crossed the line? To peg is confused?

874
00:43:55,960 --> 00:43:56,040
Speaker 5: What?

875
00:43:56,960 --> 00:43:59,520
Speaker 1: Stuart scoots closer to her and grabs her hand, which

876
00:43:59,520 --> 00:44:02,120
Speaker 1: is resting in her lap. What if I said to

877
00:44:02,160 --> 00:44:04,600
Speaker 1: you that I think about you and I'd like to

878
00:44:04,600 --> 00:44:08,400
Speaker 1: see you more than just on Tuesdays and Thursdays. To

879
00:44:08,480 --> 00:44:11,959
Speaker 1: Pega's in shock, Stewart asks, see where it gets gray?

880
00:44:12,719 --> 00:44:15,400
Speaker 1: He gets quiet. He quickly stands up and directs his

881
00:44:15,440 --> 00:44:17,839
Speaker 1: attention back to the picture on her desk. When did

882
00:44:17,840 --> 00:44:21,040
Speaker 1: you go to the vineyard, she nervously says, two summers ago,

883
00:44:21,120 --> 00:44:24,640
Speaker 1: and he asks beautiful, isn't it. He gives to Panga

884
00:44:24,680 --> 00:44:28,480
Speaker 1: one more example. We're adults, and I'm telling you that

885
00:44:28,560 --> 00:44:30,719
Speaker 1: i'd like to get to know you better. He sits

886
00:44:30,760 --> 00:44:32,319
Speaker 1: back down on the bed and moves a piece of

887
00:44:32,360 --> 00:44:35,359
Speaker 1: her hair behind her ear. And that's what I'm going

888
00:44:35,400 --> 00:44:35,680
Speaker 1: to do.

889
00:44:36,080 --> 00:44:38,840
Speaker 3: Weird, cree creepy.

890
00:44:39,600 --> 00:44:43,560
Speaker 1: Tapanga admits, you're making me uncomfortable. I want you to leave.

891
00:44:44,200 --> 00:44:48,719
Speaker 1: He shakes his head. That's not what you want. Oh,

892
00:44:49,080 --> 00:44:53,480
Speaker 1: She's flabberg asked. What just then Corey knocks on the

893
00:44:53,480 --> 00:44:56,640
Speaker 1: door and enters. He jokingly admits if I wasn't such

894
00:44:56,680 --> 00:45:00,759
Speaker 1: a trusting boyfriend, this would look bad. Panga looks very

895
00:45:00,800 --> 00:45:03,200
Speaker 1: worried as Corey asks, how come you don't make house

896
00:45:03,239 --> 00:45:06,440
Speaker 1: calls on me? Stuart. He stands up and playfully ruffles

897
00:45:06,440 --> 00:45:08,759
Speaker 1: Topanga's hair. Be cuz I'm talking to the brains of

898
00:45:08,760 --> 00:45:11,560
Speaker 1: the family, He declares, I'm going to leave you two alone,

899
00:45:11,680 --> 00:45:14,760
Speaker 1: and he assures Topanga they'll finish this later. Corey watches

900
00:45:14,840 --> 00:45:17,239
Speaker 1: him leave with admiration. Oh hey, you gotta love that.

901
00:45:17,719 --> 00:45:20,160
Speaker 1: I mean, Feeni wouldn't be caught dead in a dorm room.

902
00:45:20,280 --> 00:45:22,680
Speaker 1: Sean's right about this. Guy. He's in a whole other league.

903
00:45:23,200 --> 00:45:25,360
Speaker 1: Tepeg is still in shock. She tells Corey that she

904
00:45:25,360 --> 00:45:27,600
Speaker 1: didn't like him being there. She didn't like it at all.

905
00:45:28,000 --> 00:45:30,799
Speaker 1: Corey notices her demeanor and asks if she's okay.

906
00:45:30,960 --> 00:45:34,880
Speaker 3: And from this moment on, it's no longer about Tapanga.

907
00:45:35,040 --> 00:45:35,680
Speaker 1: Nope, that's it.

908
00:45:36,080 --> 00:45:38,360
Speaker 3: That's why I think I was so thrown by this episode,

909
00:45:38,400 --> 00:45:40,640
Speaker 3: because they've completely set it up. This is going to

910
00:45:40,640 --> 00:45:43,440
Speaker 3: be a Tapanga storyline. Tapanga's going to deal with this,

911
00:45:43,480 --> 00:45:45,040
Speaker 3: She's going to deal with it to help her friends.

912
00:45:45,160 --> 00:45:47,239
Speaker 3: She's going to find the strength she's gonna but and

913
00:45:47,280 --> 00:45:48,720
Speaker 3: then it's no longer about to Pega.

914
00:45:48,800 --> 00:45:50,160
Speaker 2: From this second Corey walks in.

915
00:45:50,239 --> 00:45:52,719
Speaker 3: It is now Corey's taken over the story, and it's

916
00:45:52,719 --> 00:45:56,400
Speaker 3: about how he's gonna deal with what happened to Tapanga.

917
00:45:56,760 --> 00:45:59,200
Speaker 3: And I thought that they should have stayed with the

918
00:45:59,239 --> 00:46:01,560
Speaker 3: Tapanga storyline, which to me is much more interesting.

919
00:46:02,000 --> 00:46:17,000
Speaker 1: Totally. Then we are back in the student union. Rachel's laughing.

920
00:46:17,440 --> 00:46:19,160
Speaker 1: You take your middle name and you put it with

921
00:46:19,200 --> 00:46:21,680
Speaker 1: the street that you live on. Jack asks, and that's

922
00:46:21,719 --> 00:46:26,200
Speaker 1: your I thought we were going somewhere else.

923
00:46:26,520 --> 00:46:29,000
Speaker 2: The soap opera name is your middle name and the

924
00:46:29,000 --> 00:46:30,239
Speaker 2: street you grew up on, which is I think what

925
00:46:30,280 --> 00:46:31,839
Speaker 2: we do in this, right, that's that's what we say.

926
00:46:31,920 --> 00:46:34,520
Speaker 3: Actually, it's kind of great because then it's such a

927
00:46:34,560 --> 00:46:41,760
Speaker 3: soap opera name. Mine would be Alan Redrock King Barnett, Marstine.

928
00:46:41,400 --> 00:46:57,319
Speaker 1: Via del Taklot. Yes, it does work. My gosh, that's

929
00:46:57,440 --> 00:46:58,200
Speaker 1: so funny.

930
00:46:58,400 --> 00:47:04,120
Speaker 3: That's great, okay, And this is where we get another

931
00:47:04,760 --> 00:47:09,359
Speaker 3: middle name for Eric, Yes, Randall, because we have we

932
00:47:09,400 --> 00:47:13,000
Speaker 3: said Neil before. But then she's like, that's not your

933
00:47:13,040 --> 00:47:13,600
Speaker 3: middle name.

934
00:47:14,920 --> 00:47:15,360
Speaker 2: I don't know.

935
00:47:15,520 --> 00:47:17,480
Speaker 3: I don't know either, Yeah, they can't. This is I

936
00:47:17,560 --> 00:47:19,120
Speaker 3: think that this is the second or third time we've

937
00:47:19,160 --> 00:47:21,120
Speaker 3: heard a middle name of Eric. Now, so I thought

938
00:47:21,120 --> 00:47:22,640
Speaker 3: it was Eric. I say at one point, my name

939
00:47:22,680 --> 00:47:26,000
Speaker 3: is Eric Neil Matthews. And then yeah, Betsy says, that's

940
00:47:26,080 --> 00:47:28,480
Speaker 3: your your middle name. But then maybe we don't ever

941
00:47:28,520 --> 00:47:28,759
Speaker 3: say that.

942
00:47:28,800 --> 00:47:31,200
Speaker 1: Right, Maybe maybe she was thinking it was Randall.

943
00:47:31,120 --> 00:47:33,040
Speaker 3: Randall, Eric, Randall Matthews.

944
00:47:33,160 --> 00:47:36,239
Speaker 1: She nods, mine's Kimberly Beaumont. Eric chimes in with a

945
00:47:36,280 --> 00:47:40,759
Speaker 1: smolder Jonathan Cumberland jack Burst's bubble. Eric, your middle name

946
00:47:40,840 --> 00:47:44,040
Speaker 1: is Randal, he tries again, Tony Randall. The odd couple

947
00:47:44,560 --> 00:47:46,640
Speaker 1: Jack asks if he ever listens to the rules, so

948
00:47:46,880 --> 00:47:51,200
Speaker 1: Eric corrects himself, who is Tony Randall? Jack sarcastically answers, right,

949
00:47:51,520 --> 00:47:54,680
Speaker 1: you win. Eric giggles always win.

950
00:47:55,480 --> 00:47:56,680
Speaker 3: Huh, I always win.

951
00:47:57,520 --> 00:47:59,759
Speaker 1: Then Corey spots Stuart over by the pool tables and

952
00:47:59,840 --> 00:48:02,760
Speaker 1: right up to him. The professor greets him with a smile. Hey, Romeo.

953
00:48:03,120 --> 00:48:05,080
Speaker 1: Corey wonders if they can talk on the patio for

954
00:48:05,120 --> 00:48:08,279
Speaker 1: a second. As Corey leads him outside, Stuart comments, your

955
00:48:08,280 --> 00:48:11,000
Speaker 1: paper was pedestrian. This isn't high school anymore. You gotta

956
00:48:11,040 --> 00:48:13,919
Speaker 1: take chances. Corey cuts him off, We're not talking about

957
00:48:13,960 --> 00:48:18,080
Speaker 1: the paper. Stuart's surprised, so Corey flatly tells him Tapank

958
00:48:18,200 --> 00:48:21,160
Speaker 1: is real uncomfortable about your dorm visit. Stuart wonders why,

959
00:48:21,160 --> 00:48:23,680
Speaker 1: and Corey scoffs she thought you were hitting on her,

960
00:48:24,480 --> 00:48:27,160
Speaker 1: So Stuart lets out a little laugh and asks, what

961
00:48:27,239 --> 00:48:30,640
Speaker 1: if I was. Corey can't believe what he just heard.

962
00:48:30,800 --> 00:48:32,440
Speaker 3: Do you hear the audience, by the way, throughout this

963
00:48:32,600 --> 00:48:36,279
Speaker 3: entire episode, Yes, the second he puts his hand near

964
00:48:36,360 --> 00:48:38,680
Speaker 3: you on the bed or anything stuff, the audience is

965
00:48:38,719 --> 00:48:42,840
Speaker 3: going or oh, I'm ne'er there. The entire time for

966
00:48:42,880 --> 00:48:43,480
Speaker 3: this yeah.

967
00:48:43,320 --> 00:48:46,719
Speaker 1: Oh yeah, So Corey repeats it back in shock what

968
00:48:46,800 --> 00:48:50,000
Speaker 1: if I was? And then from inside the student union,

969
00:48:50,000 --> 00:48:53,640
Speaker 1: Sean tells everyone his soap opera name Patrick Trailer Park,

970
00:48:55,880 --> 00:48:59,319
Speaker 1: which gets a rowdy laugh. Angela offers hers se Nae

971
00:48:59,400 --> 00:49:02,440
Speaker 1: Martin Luther King Boulevard. No one laughs at that one,

972
00:49:02,480 --> 00:49:05,200
Speaker 1: so Angela laughs to herself, gosh, I gotta get some

973
00:49:05,280 --> 00:49:10,040
Speaker 1: black friends. The best joke of the whole show, and

974
00:49:10,120 --> 00:49:12,880
Speaker 1: maybe the last laugh of this direct correct, actually no

975
00:49:12,920 --> 00:49:14,000
Speaker 1: will coming into the court room.

976
00:49:14,120 --> 00:49:15,080
Speaker 3: Oh yeah, that's good.

977
00:49:16,160 --> 00:49:18,200
Speaker 2: So do I mean, do you guys remember this week

978
00:49:18,320 --> 00:49:19,800
Speaker 2: like the whole sure.

979
00:49:20,160 --> 00:49:24,480
Speaker 1: Yes, I remember. I remember the discussion being very detailed

980
00:49:24,560 --> 00:49:31,040
Speaker 1: in the original script. Corey dex in the face right in.

981
00:49:30,920 --> 00:49:32,319
Speaker 3: The student union, right like.

982
00:49:33,840 --> 00:49:34,960
Speaker 1: I think it was always outside.

983
00:49:35,040 --> 00:49:37,359
Speaker 3: It was always I thought, Okay, I didn't know if

984
00:49:37,360 --> 00:49:40,080
Speaker 3: it was off camera or we actually saw Corey like

985
00:49:40,120 --> 00:49:42,280
Speaker 3: in the background punch the teacher in the face.

986
00:49:42,600 --> 00:49:48,200
Speaker 1: Yeah, and so they Ben felt very strongly as an

987
00:49:48,239 --> 00:49:53,640
Speaker 1: actor that Corey would never punch anyone, and he felt

988
00:49:53,640 --> 00:49:58,560
Speaker 1: comfortable enough good for him to say something and he Yeah.

989
00:49:58,960 --> 00:50:00,520
Speaker 2: The reason it kind of became a big deal is

990
00:50:00,520 --> 00:50:02,960
Speaker 2: that surprisingly TV Guide was there that week.

991
00:50:03,280 --> 00:50:08,160
Speaker 3: Ben, we're working together, and so TV Guide was there.

992
00:50:08,160 --> 00:50:10,120
Speaker 3: This is the first time TV Guide had ever been

993
00:50:10,160 --> 00:50:14,840
Speaker 3: on our set and the whole week.

994
00:50:15,440 --> 00:50:17,000
Speaker 1: Were they there one day?

995
00:50:17,360 --> 00:50:19,279
Speaker 2: I don't remember, probably more than one day, because I

996
00:50:19,320 --> 00:50:23,920
Speaker 2: remember the the resulting article had interviews with people, you know,

997
00:50:24,400 --> 00:50:26,680
Speaker 2: outside of having been there that one day. I think so,

998
00:50:27,040 --> 00:50:28,759
Speaker 2: or maybe they just did follow calls. I don't know,

999
00:50:28,960 --> 00:50:32,200
Speaker 2: but it was a really interesting because I remember thinking

1000
00:50:32,239 --> 00:50:34,880
Speaker 2: it was very unfair the way that TV Guide portrayed Ben,

1001
00:50:35,360 --> 00:50:38,440
Speaker 2: because the point of the article was kind of can

1002
00:50:38,480 --> 00:50:42,120
Speaker 2: you believe that a child actor, which is ridiculous considering

1003
00:50:42,160 --> 00:50:46,600
Speaker 2: he's eighteen I think at this point is pushing back

1004
00:50:46,640 --> 00:50:50,080
Speaker 2: against his writing staff or you know what. And and

1005
00:50:50,920 --> 00:50:53,480
Speaker 2: what was great about the article to me was that

1006
00:50:53,520 --> 00:50:56,799
Speaker 2: they interviewed Michael and Michael was like, Ben has every

1007
00:50:56,880 --> 00:50:59,600
Speaker 2: right to do this, like this is our process and

1008
00:50:59,680 --> 00:51:02,200
Speaker 2: like he Michael was like, no, it's okay, you know,

1009
00:51:02,239 --> 00:51:05,040
Speaker 2: we disagree, and we because they did. They disagreed, and

1010
00:51:05,080 --> 00:51:08,080
Speaker 2: that was the thing. We all a note session had

1011
00:51:08,080 --> 00:51:11,200
Speaker 2: this out like for I remember, like an hour of discussion. Yeah,

1012
00:51:11,200 --> 00:51:12,719
Speaker 2: and it was like who's going to give and like,

1013
00:51:12,719 --> 00:51:17,239
Speaker 2: because Michael was insistent that Corey would be upset enough

1014
00:51:17,239 --> 00:51:20,560
Speaker 2: to punch this teacher, and and and Ben was like,

1015
00:51:20,760 --> 00:51:23,560
Speaker 2: I know Corey, and I feel like I have a

1016
00:51:23,640 --> 00:51:26,359
Speaker 2: right to speak for this character. And Corey would never

1017
00:51:26,440 --> 00:51:29,840
Speaker 2: hit somebody, you know, in this context. And that was

1018
00:51:29,920 --> 00:51:31,960
Speaker 2: you know, it's a debate, and it was kind of like,

1019
00:51:32,000 --> 00:51:35,040
Speaker 2: how does the storyline exist without that right? Which is tricky,

1020
00:51:35,239 --> 00:51:37,200
Speaker 2: and so this the compromise that we ended up with

1021
00:51:37,320 --> 00:51:39,560
Speaker 2: is this push and then they still refer to it

1022
00:51:39,600 --> 00:51:42,520
Speaker 2: as a hit, correct, but it's never a punch.

1023
00:51:42,920 --> 00:51:45,640
Speaker 1: It's never a punch, which is to me, does make

1024
00:51:45,680 --> 00:51:49,000
Speaker 1: it very weird later when it's you hit a teacher

1025
00:51:49,120 --> 00:51:51,640
Speaker 1: and I hit a teacher and the bylaws are about

1026
00:51:51,719 --> 00:51:54,560
Speaker 1: hitting a teacher, and it's like, but that not much happened.

1027
00:51:55,080 --> 00:51:57,400
Speaker 1: And then also, I mean I haven't gotten to it

1028
00:51:57,480 --> 00:51:59,600
Speaker 1: yet in the recap, we're about ready to get there.

1029
00:52:00,120 --> 00:52:05,959
Speaker 1: But the way that Stuart leans into Cory right before too,

1030
00:52:06,800 --> 00:52:10,400
Speaker 1: he touches Corey, and whether Jensen and I talked about it,

1031
00:52:10,440 --> 00:52:14,920
Speaker 1: and Jensen is convinced he's touching him like like Corey,

1032
00:52:15,480 --> 00:52:17,760
Speaker 1: don't worry, like in some sort of in a calm

1033
00:52:17,840 --> 00:52:21,840
Speaker 1: down or like play cating sense from what I felt

1034
00:52:21,920 --> 00:52:25,120
Speaker 1: like it looked to me like he pushed Corey, and

1035
00:52:25,160 --> 00:52:27,839
Speaker 1: the fact that the last thing we see Stuart say

1036
00:52:28,160 --> 00:52:31,560
Speaker 1: is what if I was? And then Corey says back,

1037
00:52:31,920 --> 00:52:34,960
Speaker 1: what if I was? To me, that's on a tense note,

1038
00:52:35,560 --> 00:52:39,719
Speaker 1: the idea that it's anything other than Stuart escalating it

1039
00:52:39,760 --> 00:52:41,920
Speaker 1: by like hey, man, get away from me or something.

1040
00:52:42,080 --> 00:52:45,680
Speaker 1: I don't know. It just it felt it felt like

1041
00:52:45,719 --> 00:52:49,320
Speaker 1: an odd choice for there to be any contact between

1042
00:52:49,360 --> 00:52:52,120
Speaker 1: the two of them before it's Corey just shoving him.

1043
00:52:52,239 --> 00:52:52,600
Speaker 3: Yeah.

1044
00:52:52,760 --> 00:52:55,200
Speaker 2: Well, the big cheat is that we don't see the

1045
00:52:55,200 --> 00:52:58,480
Speaker 2: scene right right, We don't hear it, know what was

1046
00:52:58,520 --> 00:53:00,680
Speaker 2: actually said, we don't know why. And I was thinking

1047
00:53:00,680 --> 00:53:05,000
Speaker 2: about this relationship to the use of violence against mister

1048
00:53:05,120 --> 00:53:10,640
Speaker 2: mac where Alan pushes him, and it was clearly written

1049
00:53:10,719 --> 00:53:15,480
Speaker 2: to justify Alan. It was clearly written to say we're

1050
00:53:15,520 --> 00:53:17,799
Speaker 2: on his side, it's okay that he did this. And

1051
00:53:17,840 --> 00:53:20,960
Speaker 2: the choice here to not see the specific dialogue, to

1052
00:53:20,960 --> 00:53:24,120
Speaker 2: not see the ramp up to it, is really interesting

1053
00:53:24,440 --> 00:53:27,480
Speaker 2: because it implies I guess, on one hand, it was

1054
00:53:27,520 --> 00:53:30,640
Speaker 2: a choice to leave it somewhat ambiguous, so you weren't

1055
00:53:30,680 --> 00:53:32,719
Speaker 2: just immediately on corey side, because otherwise, why we have

1056
00:53:32,800 --> 00:53:34,879
Speaker 2: to watch the rest of the episode to learn. But also,

1057
00:53:35,400 --> 00:53:38,320
Speaker 2: I don't feel like anybody is ever not on Corey's

1058
00:53:38,400 --> 00:53:40,319
Speaker 2: side for the rest of the episode because we are

1059
00:53:40,360 --> 00:53:43,400
Speaker 2: all sort of like he had the right. He did

1060
00:53:43,560 --> 00:53:48,040
Speaker 2: violate the policy, but he was in the right to

1061
00:53:48,160 --> 00:53:50,520
Speaker 2: have right this guy Like that's sort of the double

1062
00:53:50,560 --> 00:53:53,800
Speaker 2: standard ish like weird sandwich that our show is doing,

1063
00:53:54,280 --> 00:53:58,120
Speaker 2: and by not showing the scene, the audience is sort

1064
00:53:58,120 --> 00:54:00,200
Speaker 2: of left to assume that the.

1065
00:54:00,239 --> 00:54:01,040
Speaker 1: Great justify it.

1066
00:54:01,080 --> 00:54:03,600
Speaker 3: That's the gray area that the paper was about, was

1067
00:54:03,600 --> 00:54:06,759
Speaker 3: that that the ethical gray area. Is it okay to

1068
00:54:07,080 --> 00:54:09,960
Speaker 3: you know? Is violence ever okay? In The answer to that,

1069
00:54:10,040 --> 00:54:12,680
Speaker 3: of course is sometimes yes, sometimes it's necessary.

1070
00:54:13,080 --> 00:54:15,040
Speaker 1: But we didn't I think writer would disagree with you.

1071
00:54:15,160 --> 00:54:17,920
Speaker 2: Yeah, you would. You don't think you don't think violence is.

1072
00:54:17,920 --> 00:54:19,480
Speaker 1: Every I was gonna say, I think this is really

1073
00:54:19,480 --> 00:54:22,160
Speaker 1: interesting because I do think Will is like, if somebody

1074
00:54:22,160 --> 00:54:24,200
Speaker 1: were to do something to Sue, we'll be like, sorry,

1075
00:54:24,360 --> 00:54:26,000
Speaker 1: the only one to kill you. I'm going to kill you.

1076
00:54:26,400 --> 00:54:29,480
Speaker 3: Yeah, and justified to do it right.

1077
00:54:29,520 --> 00:54:31,880
Speaker 2: And I think that when you're creating fictional universes, right,

1078
00:54:31,920 --> 00:54:35,600
Speaker 2: in a fictional situation, it's beholden on you to represent

1079
00:54:35,640 --> 00:54:39,239
Speaker 2: that situation, and then you know you're creating everything, right,

1080
00:54:39,239 --> 00:54:41,600
Speaker 2: You're creating the whole situation, You're putting these people in position.

1081
00:54:41,640 --> 00:54:44,319
Speaker 2: And that's like, was my problem with the Alan mister

1082
00:54:44,440 --> 00:54:47,040
Speaker 2: Mac thing, is like you could easily create a situation

1083
00:54:47,080 --> 00:54:50,920
Speaker 2: where mister Mac pushes him and you know, and justify it.

1084
00:54:51,000 --> 00:54:53,560
Speaker 2: And and so I just sort of roll my eyes

1085
00:54:53,600 --> 00:54:57,000
Speaker 2: at situations where violence is, you know, fictionally created in

1086
00:54:57,120 --> 00:55:00,359
Speaker 2: order to showcase somebody's heroism in the willing to go

1087
00:55:00,400 --> 00:55:03,640
Speaker 2: to violence, and I just find that to be easy

1088
00:55:03,680 --> 00:55:06,120
Speaker 2: to manipulate. And so in this case, it's really interesting

1089
00:55:06,120 --> 00:55:09,840
Speaker 2: that we don't see what actually triggers Corey to do

1090
00:55:09,960 --> 00:55:12,719
Speaker 2: the thing. And I don't know, like I don't I'm

1091
00:55:12,760 --> 00:55:14,880
Speaker 2: not sure if it was a good choice or bad choice,

1092
00:55:14,880 --> 00:55:17,120
Speaker 2: but it's clearly a choice, right, as opposed to the

1093
00:55:17,160 --> 00:55:21,000
Speaker 2: mister Max situation where you see Alan inspired to violence

1094
00:55:21,000 --> 00:55:23,799
Speaker 2: and we are supposed to be like, yeah, do it, man,

1095
00:55:23,920 --> 00:55:25,799
Speaker 2: that's a bad person and you are a good guy.

1096
00:55:26,040 --> 00:55:29,680
Speaker 2: And in this case we have the space this absence

1097
00:55:29,680 --> 00:55:32,000
Speaker 2: of what explanation, and then we spend the rest of

1098
00:55:32,000 --> 00:55:34,719
Speaker 2: the episode saying, well, Corey has to have been in

1099
00:55:34,760 --> 00:55:38,160
Speaker 2: the right because it's Corey, but we don't need to

1100
00:55:38,160 --> 00:55:40,880
Speaker 2: see the actual justification. It's I don't know, I'm not

1101
00:55:40,960 --> 00:55:44,080
Speaker 2: quite like like, I don't have all like my opinions

1102
00:55:44,120 --> 00:55:46,319
Speaker 2: about it. I just found it fascinating. And then there's

1103
00:55:46,320 --> 00:55:50,360
Speaker 2: another absence later, which is when Stewart talks to Maitland.

1104
00:55:50,480 --> 00:55:54,120
Speaker 2: We don't hear what he says that, Yes, these two

1105
00:55:54,280 --> 00:55:58,160
Speaker 2: absences that like actually trigger like the next beats or

1106
00:55:58,200 --> 00:56:00,759
Speaker 2: the way the characters are interact, and it's like, by

1107
00:56:00,800 --> 00:56:04,240
Speaker 2: not seeing them, I'm just it was clearly a choice,

1108
00:56:04,280 --> 00:56:06,200
Speaker 2: and I'm not sure what exactly that choice was, or

1109
00:56:06,239 --> 00:56:08,279
Speaker 2: why if it had to be that way or what,

1110
00:56:08,360 --> 00:56:12,040
Speaker 2: but it's it's something I'm thinking about. I'm really interesting,

1111
00:56:12,160 --> 00:56:13,680
Speaker 2: and this one seems like a big one.

1112
00:56:14,719 --> 00:56:16,560
Speaker 3: He does say it, well, he well, he does say

1113
00:56:16,640 --> 00:56:18,800
Speaker 3: during the thing what he says to him, But what

1114
00:56:18,800 --> 00:56:21,319
Speaker 3: what that that triggered him to put I mean, maybe

1115
00:56:21,360 --> 00:56:24,719
Speaker 3: not the exact trigger, Corey, Corey, he says to him.

1116
00:56:24,760 --> 00:56:26,719
Speaker 3: He says, not only does he say to me that yes,

1117
00:56:26,760 --> 00:56:28,040
Speaker 3: he was hitting on her, but he said he was

1118
00:56:28,120 --> 00:56:31,799
Speaker 3: never going to stop, and so he Corey actually says it.

1119
00:56:31,840 --> 00:56:33,640
Speaker 2: So so Stuart apparently said.

1120
00:56:33,480 --> 00:56:35,040
Speaker 3: To him, yeah, I was hitting on her, and I'm

1121
00:56:35,040 --> 00:56:37,759
Speaker 3: gonna keep on hitting on her every day until she

1122
00:56:37,920 --> 00:56:39,799
Speaker 3: ends up in my bed and blah blah blah. And

1123
00:56:39,840 --> 00:56:42,880
Speaker 3: so that's that was the at least they alluded to.

1124
00:56:42,920 --> 00:56:46,000
Speaker 3: That says, yeah, he told me he was never going

1125
00:56:46,040 --> 00:56:48,440
Speaker 3: to stop, and it's like, yeah, then he shoved them

1126
00:56:48,440 --> 00:56:49,560
Speaker 3: through a glass window.

1127
00:56:49,640 --> 00:56:50,480
Speaker 2: Right well.

1128
00:56:50,560 --> 00:56:52,960
Speaker 1: Rachel asks Tapanga what her middle name is, but Tapega

1129
00:56:53,000 --> 00:56:55,200
Speaker 1: says she doesn't want to play. She's fixated on Corey

1130
00:56:55,200 --> 00:56:58,319
Speaker 1: and Stewart getting animated outside. Jack wonders why she doesn't

1131
00:56:58,320 --> 00:57:00,400
Speaker 1: want to play, and to Panga makes an excuse, I

1132
00:57:00,440 --> 00:57:03,080
Speaker 1: have a weird middle name. Jack isn't buying it. Your

1133
00:57:03,080 --> 00:57:08,400
Speaker 1: first name's to Panga, could what could your middle name be?

1134
00:57:09,440 --> 00:57:10,360
Speaker 2: Jackson wanted to say it.

1135
00:57:11,440 --> 00:57:16,400
Speaker 3: I don't know. Oh, and Maitland has apparently now met everybody.

1136
00:57:16,480 --> 00:57:19,200
Speaker 3: Rachel knows everybody because you never met anybody before, and

1137
00:57:19,200 --> 00:57:20,560
Speaker 3: now she's now she's in one.

1138
00:57:20,480 --> 00:57:22,960
Speaker 1: Of the this is the first time, you're right.

1139
00:57:23,000 --> 00:57:25,360
Speaker 3: Well, she met everybody when we shot opening title sequences

1140
00:57:25,440 --> 00:57:27,040
Speaker 3: exactly and now here yea.

1141
00:57:27,600 --> 00:57:29,960
Speaker 1: In the background, we see Stuart reach for Corey and

1142
00:57:30,040 --> 00:57:33,439
Speaker 1: Corey aggressively shoves him, sending Stuart right through the door

1143
00:57:33,480 --> 00:57:34,520
Speaker 1: and straight to the ground.

1144
00:57:34,680 --> 00:57:37,080
Speaker 3: Good by the way, I know, I mean that was

1145
00:57:37,400 --> 00:57:41,520
Speaker 3: that was a violent shove. The camera angle. You really

1146
00:57:41,520 --> 00:57:43,320
Speaker 3: see him fly, you see him land. I mean that was.

1147
00:57:43,440 --> 00:57:44,600
Speaker 3: That was a good stunt.

1148
00:57:44,880 --> 00:57:47,680
Speaker 1: Everyone jumps up from the crash, shocked to see what's happened.

1149
00:57:47,880 --> 00:57:51,520
Speaker 1: Stuart brushes himself off and says, congratulations, you just got

1150
00:57:51,520 --> 00:57:54,200
Speaker 1: yourself kicked out of college. No one knows what to do.

1151
00:57:54,840 --> 00:57:56,160
Speaker 2: What would you do?

1152
00:57:56,640 --> 00:57:58,760
Speaker 3: It? Different? Shop different.

1153
00:58:04,680 --> 00:58:07,000
Speaker 1: We're in Corey and Shawn's dorm to Panga, Sean and

1154
00:58:07,040 --> 00:58:10,320
Speaker 1: Angela watch a worried Corey pace. Sean asks, how could

1155
00:58:10,360 --> 00:58:11,800
Speaker 1: you do this to Stuart?

1156
00:58:12,520 --> 00:58:16,600
Speaker 3: I was like, wait, Sean, is is not on Corey's side?

1157
00:58:16,720 --> 00:58:19,920
Speaker 3: Just blindly and automatically, of course he would be that Sean.

1158
00:58:20,600 --> 00:58:23,320
Speaker 3: It's like it's it wouldn't matter what he did. It's like, hey,

1159
00:58:23,320 --> 00:58:25,000
Speaker 3: I shot the teacher, Like yeah, he had every right to.

1160
00:58:25,120 --> 00:58:26,560
Speaker 3: What do you do? I don't know, but Corey did

1161
00:58:26,560 --> 00:58:28,360
Speaker 3: it so, I mean the same way. He's like, I

1162
00:58:28,360 --> 00:58:31,160
Speaker 3: would never root against a panga. He's how could you

1163
00:58:31,240 --> 00:58:32,400
Speaker 3: do that to Stuart?

1164
00:58:32,920 --> 00:58:34,760
Speaker 1: Sean says, this it's so weird.

1165
00:58:34,920 --> 00:58:37,880
Speaker 2: Well, I do think now that now that you're saying this,

1166
00:58:38,800 --> 00:58:42,560
Speaker 2: the story Shawn's storyline. Shawn's arc in this episode is

1167
00:58:42,600 --> 00:58:45,560
Speaker 2: that he is like just all about Stuart, like he

1168
00:58:45,640 --> 00:58:46,720
Speaker 2: is completely I mean.

1169
00:58:46,640 --> 00:58:48,680
Speaker 1: Stuart might as well be mister Mack's.

1170
00:58:49,480 --> 00:58:52,160
Speaker 2: Yeah. Yeah, And I guess actually, I don't know how

1171
00:58:52,240 --> 00:58:55,080
Speaker 2: much of that is is maybe in my performance, but

1172
00:58:55,200 --> 00:58:56,760
Speaker 2: or maybe it could have been written to a little

1173
00:58:56,800 --> 00:59:00,360
Speaker 2: bit more to imply that, like from the beginning, like

1174
00:59:00,360 --> 00:59:02,439
Speaker 2: like when when Stuart leaves the class, you just see

1175
00:59:02,440 --> 00:59:04,920
Speaker 2: Sean like following him out and Corey being like Sewn Sean,

1176
00:59:05,040 --> 00:59:07,080
Speaker 2: Oh okay, you know, like then it would have been

1177
00:59:07,080 --> 00:59:10,240
Speaker 2: like Shawn has gone astray. Yes, but yeah, I would

1178
00:59:10,240 --> 00:59:11,840
Speaker 2: have maybe it could have been a little bit stronger

1179
00:59:11,880 --> 00:59:14,800
Speaker 2: because now I'm realizing because then he the point of

1180
00:59:14,800 --> 00:59:18,400
Speaker 2: the courtroom scene is that Sean finds himself having to

1181
00:59:18,560 --> 00:59:22,880
Speaker 2: betray Jeanie and choose and feels bad about it, and

1182
00:59:23,080 --> 00:59:25,200
Speaker 2: he goes, oh my god, that is like so yeah,

1183
00:59:25,200 --> 00:59:28,400
Speaker 2: I could have been Maybe that's just on me performance wise.

1184
00:59:28,400 --> 00:59:30,880
Speaker 2: I should have been more like Stuart's my best pal

1185
00:59:30,960 --> 00:59:33,080
Speaker 2: and this is so fun and Corey you're being it.

1186
00:59:33,200 --> 00:59:36,280
Speaker 3: Yeah, I don't know. I found that weird. Yeah, it

1187
00:59:36,320 --> 00:59:38,360
Speaker 3: is weird, by the way, I would love if they

1188
00:59:38,360 --> 00:59:40,320
Speaker 3: if somebody would do this for me is the second.

1189
00:59:40,880 --> 00:59:41,320
Speaker 1: Uh.

1190
00:59:41,360 --> 00:59:43,480
Speaker 3: Stuart comes flying through the door and lands on the

1191
00:59:43,480 --> 00:59:46,120
Speaker 3: ground in the student union. It just freezes on him,

1192
00:59:46,160 --> 00:59:48,680
Speaker 3: and then Daniel Daniel Stearns's voice comes in. It's just

1193
00:59:48,720 --> 00:59:50,800
Speaker 3: like I couldn't believe that Corey shoved me to the ground.

1194
00:59:51,040 --> 00:59:54,160
Speaker 3: That would have been so awesome just to see that.

1195
00:59:54,240 --> 00:59:59,760
Speaker 3: For two seconds, Cory gets defensive. I don't know, I've

1196
00:59:59,760 --> 01:00:02,640
Speaker 3: never hit anybody before. Sean says that his out of

1197
01:00:02,680 --> 01:00:05,080
Speaker 3: control moments are usually funny, but this was too far.

1198
01:00:05,240 --> 01:00:07,960
Speaker 3: He could get in trouble. Then Amy and Allan burst

1199
01:00:07,960 --> 01:00:10,800
Speaker 3: into the room. Alan is flustered, Hey, no matter what happens,

1200
01:00:10,800 --> 01:00:14,000
Speaker 3: we're behind you, no matter what. Corey summarizes the first

1201
01:00:14,000 --> 01:00:16,120
Speaker 3: time in my life, I hit somebody and it's a teacher.

1202
01:00:16,480 --> 01:00:19,320
Speaker 3: Alan siys, you w idiot, I thought you hit a student.

1203
01:00:19,720 --> 01:00:21,840
Speaker 3: Amy wonders what could have possessed him to do such

1204
01:00:21,880 --> 01:00:24,560
Speaker 3: a thing. Corey defends his actions. He made a move

1205
01:00:24,560 --> 01:00:28,520
Speaker 3: on Topanga. Alan asks in class, and Corey corrects him.

1206
01:00:28,640 --> 01:00:31,560
Speaker 3: No in her dorm room, and she doesn't speak up.

1207
01:00:31,640 --> 01:00:32,520
Speaker 2: She doesn't say anything.

1208
01:00:32,680 --> 01:00:35,520
Speaker 3: No Panga's just sitting there. It's like, how does Amy

1209
01:00:35,560 --> 01:00:36,920
Speaker 3: not go to her? How? You know, how do we

1210
01:00:36,960 --> 01:00:37,680
Speaker 3: not see part of that.

1211
01:00:37,640 --> 01:00:41,520
Speaker 1: Sound that a phone call was had to let Amy

1212
01:00:41,520 --> 01:00:43,560
Speaker 1: and Allen know they needed to get here. And none

1213
01:00:43,600 --> 01:00:45,640
Speaker 1: of what happened to Tabanka was involved in that phone call.

1214
01:00:45,720 --> 01:00:49,320
Speaker 1: It was just hey, and you need to get here

1215
01:00:49,560 --> 01:00:52,240
Speaker 1: because and no, like listen, nothing just.

1216
01:00:52,280 --> 01:00:55,520
Speaker 3: It's no longer to Panga is an accessory to her

1217
01:00:55,560 --> 01:00:58,040
Speaker 3: own story all of a sudden, which I found really

1218
01:00:58,160 --> 01:01:02,080
Speaker 3: really off putting. I know, you're strange. I don't. And again,

1219
01:01:02,120 --> 01:01:07,200
Speaker 3: they clearly changed the punch to a shove for the

1220
01:01:07,640 --> 01:01:10,400
Speaker 3: stunt and for what Corey does, but didn't any of

1221
01:01:10,480 --> 01:01:12,960
Speaker 3: that dialogue At the end, it was still hit hit.

1222
01:01:24,840 --> 01:01:27,160
Speaker 1: Amy and Allen look at each other, be fuddled. Then

1223
01:01:27,440 --> 01:01:29,720
Speaker 1: Eric runs into the room breathless. Okay, I saw the

1224
01:01:29,760 --> 01:01:32,360
Speaker 1: whole thing. I can testify in court that teacher hit

1225
01:01:32,600 --> 01:01:36,560
Speaker 1: I repeat, hit young Corey Matthews. Corey can't lie, no,

1226
01:01:36,880 --> 01:01:39,800
Speaker 1: I hit him. Eric proudly grins, Yeah, I know, dude,

1227
01:01:39,800 --> 01:01:42,480
Speaker 1: I saw the whole thing. That dude sailed. He forces

1228
01:01:42,480 --> 01:01:44,640
Speaker 1: a five on Corey, then turns to his parents. You

1229
01:01:44,640 --> 01:01:47,880
Speaker 1: guys know about my fifth sense. Right, Amy is unamused.

1230
01:01:48,120 --> 01:01:51,160
Speaker 1: You've told us about it, yes, Eric reveals, well, it's

1231
01:01:51,160 --> 01:01:53,600
Speaker 1: working overtime right now. I can feel it in my veins.

1232
01:01:53,720 --> 01:01:57,520
Speaker 1: This guy's bad. Then Phoene storms into the room, complaining,

1233
01:01:57,600 --> 01:01:59,520
Speaker 1: you can't talk to that woman. She's the dean of

1234
01:01:59,520 --> 01:02:02,280
Speaker 1: the universe. You can't reason with her. He mimxed her.

1235
01:02:02,360 --> 01:02:05,600
Speaker 1: This is a university. The university has rules. He shouts

1236
01:02:05,640 --> 01:02:09,040
Speaker 1: down the hall. Well, I have rules too, Missy.

1237
01:02:10,640 --> 01:02:12,840
Speaker 2: Angry Feenie, I know, I don't like it.

1238
01:02:12,880 --> 01:02:13,600
Speaker 1: I don't like it.

1239
01:02:13,760 --> 01:02:18,000
Speaker 2: I don't like Anny intervening naturally, because Corey is his guy,

1240
01:02:18,400 --> 01:02:21,360
Speaker 2: and like Feenie would be very much about university of

1241
01:02:21,480 --> 01:02:25,439
Speaker 2: rules and protocol and boundaries, and like, I just feel

1242
01:02:25,480 --> 01:02:28,720
Speaker 2: like the Feenie response would be much more where it

1243
01:02:28,760 --> 01:02:31,640
Speaker 2: sort of ends up, which is, like Corey, you violated,

1244
01:02:32,520 --> 01:02:35,640
Speaker 2: you know, a university policy and you shouldn't have, and

1245
01:02:35,680 --> 01:02:38,200
Speaker 2: you will take the consequences for that. But I'm on

1246
01:02:38,240 --> 01:02:40,960
Speaker 2: your side for x y Z and you know whatever.

1247
01:02:41,160 --> 01:02:43,440
Speaker 1: Like Feenie would have been the first person to bring

1248
01:02:43,480 --> 01:02:45,880
Speaker 1: it back to Topanga, of course, he would have been

1249
01:02:45,920 --> 01:02:49,880
Speaker 1: like Corey, we will deal with your behavior later. The

1250
01:02:50,000 --> 01:02:53,520
Speaker 1: problem here is what happened to Tapega, and that's what

1251
01:02:53,680 --> 01:02:57,040
Speaker 1: needs Stewart because then that is his entire focus in

1252
01:02:57,080 --> 01:02:59,240
Speaker 1: the courtroom. Why are you alone with her? Why are

1253
01:02:59,240 --> 01:03:02,200
Speaker 1: you doing this? He wouldn't be coming in going I

1254
01:03:02,280 --> 01:03:05,040
Speaker 1: have to defend Corey. He'd be saying what you did

1255
01:03:05,480 --> 01:03:07,560
Speaker 1: was out of line, and we'll get to that. But

1256
01:03:07,760 --> 01:03:11,280
Speaker 1: you off to the side to Pangas this is about you.

1257
01:03:11,800 --> 01:03:16,400
Speaker 1: I also do not like I want to say it.

1258
01:03:16,400 --> 01:03:19,240
Speaker 1: It's a thing we write. It's in Boy Meets World

1259
01:03:19,280 --> 01:03:21,000
Speaker 1: a few times, and I know it comes back around

1260
01:03:21,000 --> 01:03:22,080
Speaker 1: in Girl Meets World as well.

1261
01:03:22,800 --> 01:03:23,000
Speaker 3: Well.

1262
01:03:23,080 --> 01:03:31,840
Speaker 1: I have rules to Missy. Calling a woman missy, it

1263
01:03:31,960 --> 01:03:36,720
Speaker 1: feels like you are calling her ail, like you're making

1264
01:03:36,800 --> 01:03:40,680
Speaker 1: her a child Phoene. In my opinion, it is a

1265
01:03:40,720 --> 01:03:44,960
Speaker 1: belittling way to address somebody, unless it's like I don't know,

1266
01:03:45,080 --> 01:03:47,120
Speaker 1: I just didn't like it. I really did not like

1267
01:03:47,160 --> 01:03:50,480
Speaker 1: it with Feoene to the dean, it just feels snaky.

1268
01:03:50,600 --> 01:03:55,360
Speaker 2: Chicks can be sensitive, So yeah, listen here, Missy. Well,

1269
01:03:55,360 --> 01:03:56,440
Speaker 2: that's the other thing you'd understand.

1270
01:03:56,480 --> 01:03:58,480
Speaker 3: He was actually talking about the dean of admissions, which

1271
01:03:58,520 --> 01:04:05,400
Speaker 3: is different whose name is Missy sma Right, He's literally, Okay,

1272
01:04:06,800 --> 01:04:09,200
Speaker 3: that's Missy.

1273
01:04:09,240 --> 01:04:10,920
Speaker 2: Does anybody is Missy anymore?

1274
01:04:11,240 --> 01:04:13,880
Speaker 1: No, it's a very old school thing, and it's very

1275
01:04:13,920 --> 01:04:17,200
Speaker 1: talking down to It's very listen here, Missy. It's like

1276
01:04:17,560 --> 01:04:20,920
Speaker 1: for Feenie to do that to the dean just feels gross.

1277
01:04:21,640 --> 01:04:23,840
Speaker 1: Corey speaks up, you know what, this guy knows what

1278
01:04:23,880 --> 01:04:25,360
Speaker 1: he did and he deserves what he got.

1279
01:04:25,680 --> 01:04:28,080
Speaker 2: Little miss Sunshiny in the beginning.

1280
01:04:27,720 --> 01:04:31,200
Speaker 1: Little do you really believe all that, little miss miss Sunshine?

1281
01:04:31,320 --> 01:04:36,400
Speaker 2: Miss Yeah, yeah, it's that he like feminizes ethical values

1282
01:04:36,440 --> 01:04:39,520
Speaker 2: in the beginning and like whatever, So that's so weird.

1283
01:04:39,920 --> 01:04:45,880
Speaker 1: Yeah, it's odd, Little Mary Sunshine, Little little Mary Sunshine. Yeah, okay,

1284
01:04:46,440 --> 01:04:48,480
Speaker 1: Corey speaks up. You know what, this guy knows what

1285
01:04:48,520 --> 01:04:50,520
Speaker 1: he did and he deserves what he got. This is

1286
01:04:50,560 --> 01:04:52,920
Speaker 1: all going to go away. Phoene has bad news. The

1287
01:04:52,960 --> 01:04:55,400
Speaker 1: Dean is scheduled a hearing. There's a possibility that Corey

1288
01:04:55,400 --> 01:04:58,880
Speaker 1: could get kicked out of school. Corey and Topanga look petrified.

1289
01:05:00,360 --> 01:05:02,720
Speaker 1: We're in the student union, Eric, Jack, and Rachel enter

1290
01:05:02,760 --> 01:05:05,800
Speaker 1: and Eric immediately spots Stewart doing some paperwork at a table.

1291
01:05:06,080 --> 01:05:08,520
Speaker 1: Eric tries to turn around to leave, but Jack stops him.

1292
01:05:09,040 --> 01:05:11,760
Speaker 1: Eric tries to act inconspicuous, but demands his roommates come

1293
01:05:11,800 --> 01:05:14,840
Speaker 1: with him. Jack groans, why why are you my friend?

1294
01:05:14,880 --> 01:05:18,200
Speaker 1: Why can't I have better friends? Rachel asks Eric what

1295
01:05:18,240 --> 01:05:20,880
Speaker 1: he's doing. Eric points to Stuart, that's the guy that

1296
01:05:20,960 --> 01:05:23,600
Speaker 1: hit young Corey Matthews. So he's come up with a plan,

1297
01:05:23,840 --> 01:05:27,080
Speaker 1: an extremely complicated plan. He tells Jack to go over

1298
01:05:27,160 --> 01:05:30,800
Speaker 1: and flaunt himself. Jack says no, so Eric asks Rachel

1299
01:05:30,840 --> 01:05:33,600
Speaker 1: to do it instead. She's taken aback, so Eric encourages

1300
01:05:33,640 --> 01:05:39,320
Speaker 1: her tease him, trap him, do what women do. It's ingrained.

1301
01:05:40,120 --> 01:05:42,880
Speaker 2: This whole scene is just like why.

1302
01:05:42,760 --> 01:05:45,680
Speaker 3: It gets to completely and totally unnecessary. Take this out

1303
01:05:46,000 --> 01:05:48,040
Speaker 3: and give us more of Tapanga trying to figure out

1304
01:05:48,080 --> 01:05:51,000
Speaker 3: what the hell's going on? Longer scenes everywhere.

1305
01:05:50,640 --> 01:05:54,840
Speaker 2: Or just have a connected like if Eric is preparing

1306
01:05:54,920 --> 01:05:57,640
Speaker 2: his defense of Corey, yeah, and Jack and Rachel are

1307
01:05:57,640 --> 01:06:00,240
Speaker 2: helping him do that, it would have been You can

1308
01:06:00,280 --> 01:06:02,160
Speaker 2: come up with a million other things. Is this scene

1309
01:06:02,200 --> 01:06:03,880
Speaker 2: has nothing to do with the plot other than giving

1310
01:06:04,040 --> 01:06:07,040
Speaker 2: the three of you something to do and hopefully inserting

1311
01:06:07,120 --> 01:06:10,080
Speaker 2: laughs Like that's what which is fine? Like I get

1312
01:06:10,120 --> 01:06:12,360
Speaker 2: the balance, like the need for balance, but I just

1313
01:06:12,400 --> 01:06:14,800
Speaker 2: don't like this scene. This scene is nice.

1314
01:06:14,880 --> 01:06:16,760
Speaker 1: I do think that's what the idea was. That he's

1315
01:06:16,760 --> 01:06:18,840
Speaker 1: building his defense, which is if you go over there

1316
01:06:18,840 --> 01:06:20,440
Speaker 1: and throw yourself at him, he'll come on to you.

1317
01:06:21,480 --> 01:06:24,400
Speaker 1: That's yeah, that's okay. So that is what the point is.

1318
01:06:24,520 --> 01:06:26,680
Speaker 3: It's just it wasn't executed very well well.

1319
01:06:27,320 --> 01:06:31,040
Speaker 1: It also could be done without the insults to just

1320
01:06:31,120 --> 01:06:34,160
Speaker 1: two women, like here, I have a great idea. He

1321
01:06:34,240 --> 01:06:37,200
Speaker 1: obviously likes attractive women. Go over there, see if you

1322
01:06:37,200 --> 01:06:39,080
Speaker 1: can get him to come on to you instead. You're like,

1323
01:06:39,160 --> 01:06:42,160
Speaker 1: do what, trap him? Do the thing that you women do.

1324
01:06:42,280 --> 01:06:44,360
Speaker 1: It's ingrained in you. And then Eric imitates a girl

1325
01:06:44,400 --> 01:06:46,280
Speaker 1: giggling and rests his hand on her face. I'm a

1326
01:06:46,320 --> 01:06:49,320
Speaker 1: pretty good but Rachel is not interested in this plan.

1327
01:06:49,600 --> 01:06:52,680
Speaker 3: Give it to give give the joke to Rachel. So

1328
01:06:52,800 --> 01:06:54,920
Speaker 3: what you do is Eric, Eric goes, I'm going to

1329
01:06:55,000 --> 01:06:56,400
Speaker 3: trap him. I'm gonna go over there. I'm going to

1330
01:06:56,520 --> 01:06:58,440
Speaker 3: hit on him. He's gonna and and Rachel he goes, hey,

1331
01:06:58,480 --> 01:07:00,000
Speaker 3: why why don't you leave this one?

1332
01:07:00,160 --> 01:07:00,360
Speaker 5: Yeah?

1333
01:07:00,440 --> 01:07:01,800
Speaker 1: I think I think I could do this.

1334
01:07:02,120 --> 01:07:04,520
Speaker 3: Yeah that you know, if you give her the power

1335
01:07:04,560 --> 01:07:06,320
Speaker 3: in the scene, you can get the same thing, but

1336
01:07:06,880 --> 01:07:07,480
Speaker 3: the one.

1337
01:07:07,360 --> 01:07:10,720
Speaker 1: Instead of for some reason, Eric being kind of insulting

1338
01:07:10,840 --> 01:07:14,360
Speaker 1: and gross. Let her be like, Okay, I see what

1339
01:07:14,400 --> 01:07:14,760
Speaker 1: you're doing.

1340
01:07:15,240 --> 01:07:18,560
Speaker 2: Good idea, Hey, let me interesting where she gets rejected

1341
01:07:18,560 --> 01:07:20,520
Speaker 2: and is upset about it would be much funny because

1342
01:07:20,520 --> 01:07:23,000
Speaker 2: she's so confident. She's like, I can always.

1343
01:07:22,640 --> 01:07:25,080
Speaker 1: Go there's one thing I know. It's how to get

1344
01:07:25,120 --> 01:07:26,040
Speaker 1: a guy, you know.

1345
01:07:26,480 --> 01:07:28,600
Speaker 2: Right, And then backfires and she's flustered.

1346
01:07:28,600 --> 01:07:30,240
Speaker 1: That would have been Yes, that would have been much

1347
01:07:30,400 --> 01:07:33,400
Speaker 1: much funnier. So she is not going to go over

1348
01:07:33,400 --> 01:07:35,280
Speaker 1: there and flaunt herself. That's the other thing is that

1349
01:07:35,320 --> 01:07:37,800
Speaker 1: her not wanting to help makes it extra gross, but

1350
01:07:37,840 --> 01:07:40,520
Speaker 1: he's forcing her to do it. Let her be like, ooh,

1351
01:07:40,600 --> 01:07:41,920
Speaker 1: I see what you're doing here.

1352
01:07:42,520 --> 01:07:44,400
Speaker 2: I could need my new friends.

1353
01:07:44,440 --> 01:07:45,720
Speaker 3: Let me show you what I can do for you.

1354
01:07:45,800 --> 01:07:47,320
Speaker 3: And it's like that you don't want it? What? And

1355
01:07:47,360 --> 01:07:49,760
Speaker 3: then she's got a big yeah, change, Yeah, it's great.

1356
01:07:50,120 --> 01:07:52,960
Speaker 1: Eric demands you will flaunt if there was ever a

1357
01:07:52,960 --> 01:07:54,960
Speaker 1: problem in your family. There's nothing I would not do

1358
01:07:55,040 --> 01:07:56,880
Speaker 1: to help them. I would go to prison for your

1359
01:07:56,920 --> 01:07:59,600
Speaker 1: family because we live together, and I feel like I

1360
01:07:59,600 --> 01:08:01,959
Speaker 1: am a part of your family. Except when I dream

1361
01:08:02,000 --> 01:08:03,880
Speaker 1: about you and you're in that little pink robe and

1362
01:08:03,920 --> 01:08:06,200
Speaker 1: you start doing that thing. Rachel cuts him off and

1363
01:08:06,280 --> 01:08:09,520
Speaker 1: reluctantly agrees. Eric wants her to practice on Jack, but

1364
01:08:09,600 --> 01:08:13,200
Speaker 1: they're not enthused. Rachel kicks it off. Hi, Stuart, how

1365
01:08:13,200 --> 01:08:15,320
Speaker 1: are you doing? I hear you're a really good teacher.

1366
01:08:15,640 --> 01:08:19,120
Speaker 1: Eric laughs, I'm more woman than that. Rachel tells him

1367
01:08:19,160 --> 01:08:21,679
Speaker 1: to shut up and walks toward the professor. She sits

1368
01:08:21,680 --> 01:08:24,479
Speaker 1: at his table and starts off quite awkwardly, shuffling papers,

1369
01:08:24,479 --> 01:08:27,280
Speaker 1: adjusting herself, but lands at a smile. We see Eric

1370
01:08:27,320 --> 01:08:30,080
Speaker 1: and Jack watch closely. The next thing you know, Stuart

1371
01:08:30,120 --> 01:08:33,000
Speaker 1: is whispering something in Rachel's ear as she giggles. But

1372
01:08:33,160 --> 01:08:36,000
Speaker 1: Rachel turns on a dime and angrily stands up. What

1373
01:08:36,080 --> 01:08:38,640
Speaker 1: did you say? Am I too tall for you? Is

1374
01:08:38,680 --> 01:08:41,080
Speaker 1: it the fiery, wet red hair is the little boy

1375
01:08:41,120 --> 01:08:43,479
Speaker 1: afraid of commitment? Well, you know what, I will not

1376
01:08:43,560 --> 01:08:47,280
Speaker 1: allow you to reject me. I'm gonna reject you. You

1377
01:08:47,360 --> 01:08:49,759
Speaker 1: will not hurt me. She walks out of the student

1378
01:08:49,840 --> 01:08:52,240
Speaker 1: union with her head held high. Eric starts to give

1379
01:08:52,320 --> 01:08:54,639
Speaker 1: Jack the same spiel about helping anyone in his family,

1380
01:08:54,680 --> 01:08:57,559
Speaker 1: but Jack quickly stops him. I'm not flirting with a guy, okay,

1381
01:08:57,760 --> 01:08:59,479
Speaker 1: I don't care if they give your brother the chair.

1382
01:09:00,479 --> 01:09:03,120
Speaker 1: Right Then to Panga cautiously makes her way up to Stuart.

1383
01:09:03,439 --> 01:09:06,360
Speaker 1: He notices her, and she says, you did cross the line.

1384
01:09:06,640 --> 01:09:09,800
Speaker 1: You used a position of power unethically, and Corey protected

1385
01:09:09,840 --> 01:09:12,479
Speaker 1: me the only way he knew how, and now it's

1386
01:09:12,520 --> 01:09:15,200
Speaker 1: my turn to do the same for him. She demands

1387
01:09:15,240 --> 01:09:17,320
Speaker 1: that he leave Corey alone and make this go away,

1388
01:09:17,880 --> 01:09:21,360
Speaker 1: or she'll tell the dean that he came on to her.

1389
01:09:22,240 --> 01:09:24,240
Speaker 1: Stuart thinks it over and respond if.

1390
01:09:24,120 --> 01:09:29,320
Speaker 2: That's an option, becau, isn't that I mean? I Corey

1391
01:09:29,760 --> 01:09:34,559
Speaker 2: confronts him. He says, what if I was hitting on her? Well,

1392
01:09:34,560 --> 01:09:38,760
Speaker 2: then you're violating your your the school policy and let

1393
01:09:38,760 --> 01:09:40,760
Speaker 2: me go. Let's go talk to the school policy like

1394
01:09:40,800 --> 01:09:45,040
Speaker 2: we'll get you fired. Like confrontation over right, and so

1395
01:09:45,400 --> 01:09:47,760
Speaker 2: like the second that this, uh, like why does the

1396
01:09:47,800 --> 01:09:49,439
Speaker 2: Pangan need to go talk to Stuart about this now?

1397
01:09:49,479 --> 01:09:54,000
Speaker 2: Like she should just go to the dean. You have

1398
01:09:54,240 --> 01:09:56,800
Speaker 2: plenty of witnesses or you know, like hopefully you have

1399
01:09:56,840 --> 01:09:59,360
Speaker 2: a good enough case. I don't know, Yeah, I.

1400
01:09:59,360 --> 01:10:02,240
Speaker 1: Know, it's like like she wants him to keep his job.

1401
01:10:02,640 --> 01:10:04,960
Speaker 1: I'll let you keep your job here. If you just

1402
01:10:05,040 --> 01:10:09,040
Speaker 1: make sure Correy doesn't get in trouble for it, then

1403
01:10:09,080 --> 01:10:11,280
Speaker 1: you can just go about your way.

1404
01:10:11,320 --> 01:10:13,000
Speaker 3: Is exactly what you were talking about where, you know,

1405
01:10:13,120 --> 01:10:16,320
Speaker 3: especially back in the early nineties, a young girl might

1406
01:10:16,360 --> 01:10:19,080
Speaker 3: not just didn't have the support system or the idea

1407
01:10:19,120 --> 01:10:23,120
Speaker 3: that going and reporting somebody maybe was not done as much.

1408
01:10:23,120 --> 01:10:23,960
Speaker 3: I mean, I just don't know.

1409
01:10:24,200 --> 01:10:26,719
Speaker 1: I mean when she tries to tell the Dean something,

1410
01:10:26,800 --> 01:10:30,040
Speaker 1: the Dean shuts her up, so I guess.

1411
01:10:29,680 --> 01:10:32,519
Speaker 3: Yeah, she literally never tells her story to anybody but Corey,

1412
01:10:32,560 --> 01:10:33,320
Speaker 3: and we don't even see that.

1413
01:10:33,439 --> 01:10:36,040
Speaker 1: We don't see it. Yeah. Stuart thinks it over and responds,

1414
01:10:36,560 --> 01:10:39,800
Speaker 1: you came on to me. To Penga's blown away hear

1415
01:10:39,840 --> 01:10:43,800
Speaker 1: the audience, they're like a Stuart shows no empathy as

1416
01:10:43,800 --> 01:10:45,960
Speaker 1: he gets up and leaves. See you at the hearing.

1417
01:10:46,880 --> 01:10:49,679
Speaker 1: And then we're at the hearing. Dean Bolander is surrounded

1418
01:10:49,680 --> 01:10:51,240
Speaker 1: by people as she takes a seat for the hearing.

1419
01:10:51,280 --> 01:10:53,400
Speaker 1: She reminds everyone that this is not a trial, so

1420
01:10:53,400 --> 01:10:55,680
Speaker 1: they should not make a courtroom drama out of this,

1421
01:10:56,280 --> 01:10:58,960
Speaker 1: and then right on cue the theme from People's court

1422
01:10:59,040 --> 01:11:01,519
Speaker 1: plays is the doors wing open to reveal Eric in

1423
01:11:01,560 --> 01:11:04,439
Speaker 1: a suit carrying a briefcase. He opens it to reveal

1424
01:11:04,479 --> 01:11:08,320
Speaker 1: a tape player. He presses stop, and the music abruptly ends,

1425
01:11:09,080 --> 01:11:11,960
Speaker 1: with everyone staring at Eric, including Feenie and Corey sitting together,

1426
01:11:12,280 --> 01:11:17,360
Speaker 1: Jonathan Cumberland for the Defense, and nearby Jack Comedy simply

1427
01:11:17,439 --> 01:11:22,839
Speaker 1: utters unbelievable before distancing himself from his roommate. Foene demands

1428
01:11:22,960 --> 01:11:25,799
Speaker 1: Eric to leave, but Eric insists to their partners Feenie

1429
01:11:25,840 --> 01:11:28,759
Speaker 1: and Cumberland, Cumberland and Feenie, Feenie and Feenie and Feenie

1430
01:11:28,840 --> 01:11:32,840
Speaker 1: and Eric, but mostly Phoene, because I love my brother

1431
01:11:32,880 --> 01:11:36,320
Speaker 1: and I want to help Corey earnestly. Thanks Eric. Eric

1432
01:11:36,360 --> 01:11:38,559
Speaker 1: tells his new partner Foenie, I know you've got a

1433
01:11:38,560 --> 01:11:40,160
Speaker 1: thing going with the Dean, so if it looks like

1434
01:11:40,200 --> 01:11:42,320
Speaker 1: we're going to lose, just play the love card, okay.

1435
01:11:42,880 --> 01:11:46,440
Speaker 1: Phoene tells him to shut up in the Dean's size, unbelievable.

1436
01:11:46,600 --> 01:11:49,240
Speaker 3: Now they clearly cut something here, because you see me,

1437
01:11:49,800 --> 01:11:51,679
Speaker 3: I take a breath and I'm right about to say

1438
01:11:51,680 --> 01:11:54,360
Speaker 3: something and they cut away to her saying unbelievable. Oh wow,

1439
01:11:54,400 --> 01:11:56,920
Speaker 3: I don't know that was a Disney thing that maybe

1440
01:11:57,040 --> 01:12:00,160
Speaker 3: maybe there was something inappropriate that I said, but that

1441
01:12:00,920 --> 01:12:02,920
Speaker 3: Eric says, but clearly there was a line there that

1442
01:12:02,960 --> 01:12:03,439
Speaker 3: they took out.

1443
01:12:03,840 --> 01:12:07,080
Speaker 1: That's so funny. Well, the Dean begins the hearing. First,

1444
01:12:07,160 --> 01:12:11,840
Speaker 1: she asks Stuart what happened? Why would they not ask

1445
01:12:11,920 --> 01:12:12,800
Speaker 1: Topenga what happened?

1446
01:12:13,080 --> 01:12:15,240
Speaker 3: Ever, by the way, in the entire.

1447
01:12:15,040 --> 01:12:19,559
Speaker 1: Thing, the professor explains he was at the student union

1448
01:12:19,600 --> 01:12:21,960
Speaker 1: when Corey asked him to step outside. He thought it

1449
01:12:22,000 --> 01:12:23,360
Speaker 1: was to talk about a grade, but it was to

1450
01:12:23,400 --> 01:12:25,360
Speaker 1: accuse him of making a move on to Penga, and

1451
01:12:25,400 --> 01:12:28,040
Speaker 1: then he hit him. Phoene jumps in with a question,

1452
01:12:28,160 --> 01:12:30,920
Speaker 1: what were you doing into Benga Lawrence's room. Stuart explains

1453
01:12:30,960 --> 01:12:33,080
Speaker 1: he was going over her paper, and Phoene's quick to

1454
01:12:33,120 --> 01:12:35,360
Speaker 1: follow up in her room that sounds odd to me.

1455
01:12:35,880 --> 01:12:38,760
Speaker 1: Stuart defends his teaching style. He has a relationship with

1456
01:12:38,800 --> 01:12:41,040
Speaker 1: his students outside of the classroom, which allows them to

1457
01:12:41,040 --> 01:12:44,400
Speaker 1: connect better inside the classroom. He encourages Phoene to ask

1458
01:12:44,439 --> 01:12:46,760
Speaker 1: any of them. Stuart looks around the room and points

1459
01:12:46,800 --> 01:12:49,439
Speaker 1: out Sean does he have any problem with his teaching method?

1460
01:12:49,760 --> 01:12:52,920
Speaker 1: Sewan answers no. In fact, Stuart remembers Sean saying he's

1461
01:12:52,920 --> 01:12:56,639
Speaker 1: the best teacher he's ever had. Sean admits he did

1462
01:12:56,720 --> 01:12:59,360
Speaker 1: say that, but he doesn't really think his opinion matters.

1463
01:13:00,040 --> 01:13:03,080
Speaker 1: Dean Bolander is interested in Sean's perspective and asks him

1464
01:13:03,120 --> 01:13:06,720
Speaker 1: to continue. Sean nervously clears his throat. You treat us

1465
01:13:06,720 --> 01:13:09,519
Speaker 1: like equals, like adults, when a lot of teachers treat

1466
01:13:09,560 --> 01:13:12,639
Speaker 1: us like kids. Stuart calls out mister Feenie for example.

1467
01:13:12,920 --> 01:13:16,080
Speaker 1: Sean push pushes back, mister Feenie's a really good teacher.

1468
01:13:16,479 --> 01:13:19,519
Speaker 1: The professor smirks, Yeah, but he treats you like a kid.

1469
01:13:20,120 --> 01:13:22,880
Speaker 1: Sean tells Stuart he made his point. He explains that

1470
01:13:22,880 --> 01:13:25,559
Speaker 1: Phoene's been their teacher in grade school then in high school,

1471
01:13:25,600 --> 01:13:27,880
Speaker 1: so he may feel like he needs to protect them.

1472
01:13:28,240 --> 01:13:30,920
Speaker 1: He turns to Feenie and apologizes, but Phoene tells him

1473
01:13:30,920 --> 01:13:34,000
Speaker 1: not to worry about it. Phoeney questions Stuart again.

1474
01:13:33,840 --> 01:13:34,960
Speaker 2: Why is this about Sean?

1475
01:13:35,280 --> 01:13:39,440
Speaker 1: I know, I don't know. Everybody talks about Dean Bolander

1476
01:13:39,520 --> 01:13:41,760
Speaker 1: is like, Sean, I need to hear more from you, please?

1477
01:13:41,840 --> 01:13:44,120
Speaker 1: Can you tell me more about your opinion of Stuart?

1478
01:13:44,439 --> 01:13:46,760
Speaker 2: Yeah? And what does that have anything to do with

1479
01:13:46,840 --> 01:13:50,640
Speaker 2: any guy whose friends correaks this teacher. I don't know

1480
01:13:50,680 --> 01:13:52,200
Speaker 2: how that's a defense or an.

1481
01:13:52,200 --> 01:13:57,120
Speaker 1: Complete who cares his opinion means nothing. Phoeney questions Stuart again,

1482
01:13:57,200 --> 01:13:59,639
Speaker 1: how did you know what dormitory Topanga is in? Stuart

1483
01:13:59,640 --> 01:14:02,200
Speaker 1: insists that she told him she lived in the Mackay dorms.

1484
01:14:02,360 --> 01:14:06,599
Speaker 1: Completely unprompted, he asks Topanga, isn't that right? Tapega begins

1485
01:14:06,640 --> 01:14:10,200
Speaker 1: to explain, yes, that's true, but Stuart cuts her off.

1486
01:14:10,560 --> 01:14:13,720
Speaker 1: Thank you. Phoene asks Stuart if he truly thought it

1487
01:14:13,760 --> 01:14:15,839
Speaker 1: was proper to be in a young female student's bedroom.

1488
01:14:16,080 --> 01:14:19,479
Speaker 1: Stuart corrects him a dorm room also serves as a

1489
01:14:19,479 --> 01:14:21,439
Speaker 1: living room, a TV room, or a study. It was

1490
01:14:21,479 --> 01:14:23,800
Speaker 1: not a bedroom when I was in there. Phoene raises

1491
01:14:23,800 --> 01:14:27,160
Speaker 1: his voice, Stuart, do you believe, as a college professor

1492
01:14:27,160 --> 01:14:29,400
Speaker 1: that it is okay to be alone in a dorm

1493
01:14:29,479 --> 01:14:32,920
Speaker 1: room with a young female student. Stuart shrugs. The door

1494
01:14:33,000 --> 01:14:35,759
Speaker 1: was open. I even asked her roommate to stay. In fact,

1495
01:14:35,800 --> 01:14:38,519
Speaker 1: it was Topanga who showed Angelo away. Isn't that right?

1496
01:14:38,560 --> 01:14:41,600
Speaker 1: To Panga? Topanga responds, she was on her way to

1497
01:14:41,640 --> 01:14:43,960
Speaker 1: the student union. I didn't feel if He cuts her

1498
01:14:44,000 --> 01:14:47,559
Speaker 1: off again, thank you, Stuart asks Pheoenie if he has

1499
01:14:47,560 --> 01:14:50,439
Speaker 1: any more questions than Phoenie answers just one. Is it

1500
01:14:50,479 --> 01:14:52,120
Speaker 1: okay if I rip your head off and roll it

1501
01:14:52,160 --> 01:14:55,160
Speaker 1: down the hallway? The inmates in the audience laugh, breaking

1502
01:14:55,160 --> 01:14:58,920
Speaker 1: the tension. Stuart tries to reason with him, George, you

1503
01:14:59,000 --> 01:15:01,040
Speaker 1: and I both know that it teacher is only as

1504
01:15:01,080 --> 01:15:04,040
Speaker 1: effective as the respect he is given, and Corey's show

1505
01:15:04,040 --> 01:15:08,479
Speaker 1: of disrespect undermines me and this university to Penga shouts back,

1506
01:15:08,680 --> 01:15:13,559
Speaker 1: and your show of disrespect undermines me. The Dean raises

1507
01:15:13,600 --> 01:15:18,639
Speaker 1: her voice, Miss Lawrence, but Topanga keeps her eyes on Stuart.

1508
01:15:19,280 --> 01:15:22,719
Speaker 1: You know what you did? Stuart insists he didn't do anything.

1509
01:15:23,040 --> 01:15:25,519
Speaker 1: Corey jumps in, he made a move on to Panga

1510
01:15:25,600 --> 01:15:28,120
Speaker 1: on my fiance. Dean Bolander doesn't tell him to shut up.

1511
01:15:28,160 --> 01:15:29,639
Speaker 3: Now, I was gonna say, the only person she tells

1512
01:15:29,680 --> 01:15:30,559
Speaker 3: to shut up is to Panga.

1513
01:15:30,560 --> 01:15:33,400
Speaker 1: The entire time he uses his power and authority to

1514
01:15:33,439 --> 01:15:35,240
Speaker 1: take advantage of her. And he told me there was

1515
01:15:35,280 --> 01:15:37,679
Speaker 1: nothing I could do and that he was never going

1516
01:15:37,720 --> 01:15:40,880
Speaker 1: to stop. So I did something. I realized that this

1517
01:15:40,960 --> 01:15:42,600
Speaker 1: wasn't the smartest thing in the world to do, but

1518
01:15:42,640 --> 01:15:44,400
Speaker 1: it was all I could come up with at the time.

1519
01:15:44,800 --> 01:15:48,760
Speaker 1: The Dean states, striking a member of this faculty is inexcusable,

1520
01:15:49,040 --> 01:15:52,960
Speaker 1: no matter what the provocation. Sean asks the Dean if

1521
01:15:53,000 --> 01:15:57,599
Speaker 1: he can say something, and she allows it. Sean takes

1522
01:15:57,760 --> 01:16:02,880
Speaker 1: a jacket. Because you're not tapanga, I'm gonna let you speak.

1523
01:16:04,360 --> 01:16:06,760
Speaker 1: Sean tells his best friend, it's okay with me that

1524
01:16:06,840 --> 01:16:09,439
Speaker 1: you hit him. Corey thanks him and turns to the Dean.

1525
01:16:10,040 --> 01:16:12,920
Speaker 1: It's okay with Sean, the Dean explains, but it's not

1526
01:16:13,000 --> 01:16:16,080
Speaker 1: okay with me. According to the by laws of this university,

1527
01:16:16,120 --> 01:16:18,880
Speaker 1: I am bound to expel or suspend any student for

1528
01:16:18,960 --> 01:16:22,439
Speaker 1: striking an educator for any reason whatsoever. Phoene begs her

1529
01:16:22,439 --> 01:16:25,120
Speaker 1: to reconsider, but she shoots him down. You can't protect

1530
01:16:25,160 --> 01:16:27,840
Speaker 1: them anymore. Phoene takes a seat without saying another word.

1531
01:16:28,320 --> 01:16:31,280
Speaker 1: Dean Bolander continues, Corey matthews, I hereby suspend you from

1532
01:16:31,280 --> 01:16:35,880
Speaker 1: this university for a period of one day. Stuart looks

1533
01:16:35,880 --> 01:16:39,759
Speaker 1: at her in shock. One day. The Dean adds, you are, however,

1534
01:16:39,880 --> 01:16:42,200
Speaker 1: under probation for the remainder of this term, and I

1535
01:16:42,240 --> 01:16:45,400
Speaker 1: will not take kindly to your solving any other problems

1536
01:16:45,400 --> 01:16:48,400
Speaker 1: with anything but words. Corey assures her she won't need

1537
01:16:48,439 --> 01:16:51,759
Speaker 1: to worry about that. Stuart argues, Dean, he hit a teacher.

1538
01:16:52,200 --> 01:16:54,920
Speaker 1: Dean Bolander raises her voice back at him. A teacher

1539
01:16:55,000 --> 01:16:57,519
Speaker 1: must be someone a student can trust. The second the

1540
01:16:57,520 --> 01:17:00,400
Speaker 1: teacher uses pressure on a student for any reason, what'soever

1541
01:17:00,520 --> 01:17:04,120
Speaker 1: other than academic, that trust is destroyed. Stuart thinks that

1542
01:17:04,120 --> 01:17:06,679
Speaker 1: there must be some sort of misunderstanding, but Dean Bolander

1543
01:17:06,680 --> 01:17:09,720
Speaker 1: cuts him off. She points at mister Feeney, this is

1544
01:17:09,760 --> 01:17:12,200
Speaker 1: a teacher. I'm not sure what you are, but you

1545
01:17:12,200 --> 01:17:15,360
Speaker 1: can be certain I'm going to find out. So it's

1546
01:17:15,400 --> 01:17:16,160
Speaker 1: clear she believes.

1547
01:17:16,160 --> 01:17:20,760
Speaker 3: To Panga, having heard her side at all, she just

1548
01:17:21,200 --> 01:17:23,439
Speaker 3: she just needed to hear de men.

1549
01:17:23,400 --> 01:17:27,200
Speaker 2: Talking right, So right, But I guess all she is

1550
01:17:27,240 --> 01:17:31,320
Speaker 2: supposed to be addressing right now is the physic whether

1551
01:17:31,400 --> 01:17:35,559
Speaker 2: she yeah, well correct, yeah, the charge that Stuart brought forward.

1552
01:17:35,960 --> 01:17:39,120
Speaker 2: But couldn't she then after this meeting go to Panga

1553
01:17:39,120 --> 01:17:41,280
Speaker 2: and say, if you would like to file charges against.

1554
01:17:41,000 --> 01:17:42,400
Speaker 1: Stewart, Yes, we can open that.

1555
01:17:42,520 --> 01:17:46,360
Speaker 2: Yes because obviously there seems to be enough evidence and

1556
01:17:46,360 --> 01:17:48,680
Speaker 2: I need to do and I believe you because she

1557
01:17:48,760 --> 01:17:50,680
Speaker 2: seems like she does. So if she believes her.

1558
01:17:50,760 --> 01:17:52,720
Speaker 1: That would be the by the way, you could do

1559
01:17:52,800 --> 01:17:56,240
Speaker 1: that in one line. In one line, she could say,

1560
01:17:56,360 --> 01:17:58,519
Speaker 1: but you can be sure, I'm going to find out

1561
01:17:58,800 --> 01:18:01,120
Speaker 1: to Penga, I would love to talk with you.

1562
01:18:01,280 --> 01:18:04,400
Speaker 2: Yeah, right, if you will like to file a report,

1563
01:18:05,200 --> 01:18:06,960
Speaker 2: come to meet me up, let's go. Let's go do

1564
01:18:07,000 --> 01:18:08,720
Speaker 2: that right now. I am correct glad to do that,

1565
01:18:08,800 --> 01:18:10,080
Speaker 2: and we will have a whole other tune.

1566
01:18:10,280 --> 01:18:13,880
Speaker 1: Then we believe that Topanga gets a whole thing for herself.

1567
01:18:13,920 --> 01:18:15,360
Speaker 1: That there gets to be a side of this. It's

1568
01:18:15,360 --> 01:18:17,720
Speaker 1: about that's about Topanga. But first, apparently they had to

1569
01:18:17,720 --> 01:18:21,719
Speaker 1: get through this. You know, this shoving hitting a teacher situation.

1570
01:18:22,280 --> 01:18:26,160
Speaker 1: It would have for me made all of this, yeah

1571
01:18:26,200 --> 01:18:27,080
Speaker 1: feel better.

1572
01:18:27,040 --> 01:18:30,760
Speaker 3: Again with just one Corey walks into that dorm room.

1573
01:18:31,560 --> 01:18:33,920
Speaker 3: The entire show shifts. It's no longer about to Panga,

1574
01:18:34,000 --> 01:18:35,920
Speaker 3: is now about Corey. Yeah, which I found out.

1575
01:18:36,520 --> 01:18:38,960
Speaker 1: Stuart stares back at the Dean as she adjourns the hearing,

1576
01:18:39,000 --> 01:18:41,759
Speaker 1: telling everyone to go home. Everyone breathes a sigh of relief,

1577
01:18:41,800 --> 01:18:44,080
Speaker 1: and Amy makes her way up to Tapanga. I'm so

1578
01:18:44,120 --> 01:18:46,519
Speaker 1: sorry you had to go through all this, Alan, thanks

1579
01:18:46,560 --> 01:18:49,240
Speaker 1: Feenie for sticking by them. He asks his son how

1580
01:18:49,280 --> 01:18:51,760
Speaker 1: he's doing, and Corey says he's okay. Alan and Amy

1581
01:18:51,840 --> 01:18:54,559
Speaker 1: leave just as Sean and Angela approach. Sean tells Feeney,

1582
01:18:55,080 --> 01:18:56,720
Speaker 1: I don't know how I could have compared him to you.

1583
01:18:57,040 --> 01:18:59,920
Speaker 1: Phoene is unaffected and pats him on the back. Corey exclaims,

1584
01:19:00,240 --> 01:19:02,360
Speaker 1: I guess college is a lot different than high school. Huh.

1585
01:19:02,439 --> 01:19:05,479
Speaker 1: Phenie nods, I'm afraid so. And I'm also afraid that

1586
01:19:05,479 --> 01:19:07,439
Speaker 1: the dean is right. I've tried to protect you for

1587
01:19:07,439 --> 01:19:09,479
Speaker 1: too long in the shelters of high school. This is

1588
01:19:09,479 --> 01:19:12,400
Speaker 1: a major university, this is life, and these things happen,

1589
01:19:12,840 --> 01:19:17,679
Speaker 1: and you're not children anymore. Melancholic music plays as Corey, Sean, Tapanga,

1590
01:19:17,680 --> 01:19:20,280
Speaker 1: and Angela all stand together and let his words sink in.

1591
01:19:20,840 --> 01:19:25,160
Speaker 1: Corey repeats, We're not children anymore. Topanga wonders when did

1592
01:19:25,200 --> 01:19:28,679
Speaker 1: that happen? Angela explains, I don't know today. I think

1593
01:19:29,320 --> 01:19:31,800
Speaker 1: Sean thinks for a moment and says, guys want to

1594
01:19:31,840 --> 01:19:34,759
Speaker 1: go get ice cream or something. They smile and nod,

1595
01:19:35,200 --> 01:19:38,320
Speaker 1: and then they leave the room together and that's the

1596
01:19:38,400 --> 01:19:39,000
Speaker 1: end of our show.

1597
01:19:39,040 --> 01:19:41,720
Speaker 3: There's no tag, no, It's like the special episodes in

1598
01:19:41,760 --> 01:19:43,840
Speaker 3: mash that just ended with no music, just yeah the

1599
01:19:43,880 --> 01:19:47,320
Speaker 3: credits This is Cris Yeah Yeah.

1600
01:19:47,360 --> 01:19:50,080
Speaker 1: Well. Thank you all for joining us for this episode

1601
01:19:50,080 --> 01:19:52,479
Speaker 1: of Podmeets World. Our next episode recap will be season

1602
01:19:52,560 --> 01:19:57,760
Speaker 1: six episode eight called You're Married, You're Dead, which originally

1603
01:19:57,840 --> 01:20:02,519
Speaker 1: aired November thirteenthte Thank you all for listening to this

1604
01:20:02,560 --> 01:20:04,400
Speaker 1: episode of Pod Meets World. As always, you can follow

1605
01:20:04,479 --> 01:20:06,800
Speaker 1: us on Instagram podmeets World Show. You can send us

1606
01:20:06,840 --> 01:20:10,639
Speaker 1: your emails podmeets Worldshow at gmail dot com, and we've

1607
01:20:10,680 --> 01:20:11,280
Speaker 1: got merch.

1608
01:20:12,160 --> 01:20:13,160
Speaker 3: Buy some merch.

1609
01:20:13,360 --> 01:20:19,840
Speaker 1: Missy Podmeets Worldshow dot com writer send us out.

1610
01:20:20,200 --> 01:20:25,000
Speaker 2: We love you all, pod dismissed. Podmeets World is an

1611
01:20:25,000 --> 01:20:28,559
Speaker 2: iHeart podcast producer hosted by Danielle Fischel, Wilfridell and Ryder

1612
01:20:28,600 --> 01:20:32,280
Speaker 2: Strong Executive producers Jensen Karp and Amy Sugarman, Executive in

1613
01:20:32,360 --> 01:20:36,439
Speaker 2: charge of production, Danielle Romo, producer and editor, Tarasubasch producer,

1614
01:20:36,479 --> 01:20:39,599
Speaker 2: Maddie Moore engineer and boy meets World Superman Easton All.

1615
01:20:39,840 --> 01:20:43,000
Speaker 2: Our theme song is by Kyle Morton of Typhoon. Follow

1616
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Speaker 2: us on Instagram at podmets World Show or email us

1617
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Speaker 2: at Podmeets World Show at gmail dot com