WEBVTT - Tweets and Emails Pt. 2

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<v Speaker 1>This is me, Craig Ferguson. I'm inviting you to come

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<v Speaker 1>and see my brand new comedy hour. Well it's actually

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<v Speaker 1>it's about an hour and a half and I don't

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<v Speaker 1>have an opener because these guys cost money. But what

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<v Speaker 1>I'm saying is I'll be on stage for a while. Anyway,

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<v Speaker 1>come and see me live on the Pants on Fire

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<v Speaker 1>Tour in your region. Tickets are on sale now, and

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<v Speaker 1>we'll be adding more as the tour continues throughout twenty

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<v Speaker 1>twenty five and beyond. For a full list of dates,

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<v Speaker 1>go to the Craig Ferguson show dot com. See you

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<v Speaker 1>on the road, my DearS. My name is Craig Ferguson.

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<v Speaker 1>The name of this podcast is joy. I talk to

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<v Speaker 1>interesting people about what brings them happiness. Now, I know

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<v Speaker 1>what you're thinking. You're looking behind me here. You're thinking, Craig,

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<v Speaker 1>are you in an enchanted magical for is that in

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<v Speaker 1>the wintertime? Are you doing a show from Narnia? Are

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<v Speaker 1>you going to be talking to mister Tumnus, the man

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<v Speaker 1>that has horse legs for trousers or something. No, I'm

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<v Speaker 1>not actually in Narnia, but very close to Narnia. I'm

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<v Speaker 1>in a place called New Jersey. And in New Jersey,

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<v Speaker 1>I know if you can hear in the background, you

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<v Speaker 1>might be able to hear in the background and buy

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<v Speaker 1>something called a freeway. In New Jersey. They have a

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<v Speaker 1>couple of freeways in New Jersey. And the reason why

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<v Speaker 1>I'm talking to you from there today is this last

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<v Speaker 1>week on the Joy podcast, we did an episode of

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<v Speaker 1>Tweets and Emails where I answered tweets and emails, and

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<v Speaker 1>like I used to do in the old late night show.

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<v Speaker 1>You know, you guys send in some tweets and emails

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<v Speaker 1>and I answer them and rab it on and bleather

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<v Speaker 1>about whatever nonsense comes into my head, as you know,

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<v Speaker 1>stimulated from the conversation or from the email, not really

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<v Speaker 1>a conversation because it's just me talking. But what I'm

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<v Speaker 1>saying is this. It was an overwhelmingly positive response, apparently

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<v Speaker 1>everybody was very happy about it, and I thought, well,

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<v Speaker 1>you know, it's quite hard to put together a podcast

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<v Speaker 1>from the road, and I'm on the road doing some

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<v Speaker 1>shows right now. Hence I'm in New Jersey, which is

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<v Speaker 1>a much maligned state. By the way, it's actually very nice,

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<v Speaker 1>much nicer than you we think. In fact, I think

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<v Speaker 1>that should really be what the state model should be.

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<v Speaker 1>New Jersey. It's much nicer than you would think. I

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<v Speaker 1>think that would be a more accurate description of the

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<v Speaker 1>of the area, because you think it's going to be

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<v Speaker 1>just all the freeway and newdi bars and car dealerships,

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<v Speaker 1>and it certainly has that. But doesn't every state doesn't

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<v Speaker 1>every state of that, well, some some states have that.

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<v Speaker 1>New Jersey has that. Anyway, Look what I'm saying is

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<v Speaker 1>it's much nicer than you we'd think New Jersey. It's

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<v Speaker 1>much nicer than you would think. So I'm in a

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<v Speaker 1>hotel in New Jersey, and I'm traveling from one show

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<v Speaker 1>at the show last night, and I'm going to do

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<v Speaker 1>another show tonight in Pennsylvania, so I stopped at this hotel.

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<v Speaker 1>The bottom line is we're going to do a second

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<v Speaker 1>episode of Tweets and Emails on the Joy podcast, where

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<v Speaker 1>we have received further tweets and emails and questions from everybody,

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<v Speaker 1>and what we're going to do is answer those as

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<v Speaker 1>accurately or as irresponsibly as possible, and then we will

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<v Speaker 1>resume normal Joy podcasting next week, when I'll be talking

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<v Speaker 1>to someone about something as opposed to me talking to

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<v Speaker 1>you about your thing. But I have the tweets and emails,

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<v Speaker 1>and I will begin. This is an email from Pana Slaughter.

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<v Speaker 1>Pana Slaughter. Now, it's a lovely name, panaslatter. It sounds

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<v Speaker 1>a little bit like panacotta, which is a delicious thing

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<v Speaker 1>to eat, panacotta. I think it's clearly Italian. I wonder

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<v Speaker 1>if Panaslota is Italian or maybe more kind of around

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<v Speaker 1>that area, maybe eastern east of Italy, in the Adriatic somewhere,

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<v Speaker 1>I don't know. I don't know, but Panislota, who is

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<v Speaker 1>not panacotta? And asks who would you never invite on

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<v Speaker 1>the show. Well, you know, I don't really have rules

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<v Speaker 1>about that. I'll kind of talk to anybody as long

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<v Speaker 1>as they'll talk to me. I'm kind of interested. The

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<v Speaker 1>only people I do avoid and I avoided when I

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<v Speaker 1>was doing the late night show, there was a bunch

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<v Speaker 1>of people I avoided, and New Jersey springs to mind, actually,

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<v Speaker 1>because I would never I loved the TV show The Sopranos,

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<v Speaker 1>and when I was doing Late Night, the Sopranos was

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<v Speaker 1>on TV, and I would never invite any of the

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<v Speaker 1>cast members from The Sopranos. I don't know if they

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<v Speaker 1>would agree to come on anyway, I didn't invite them,

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<v Speaker 1>but I would never invite them on because I was

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<v Speaker 1>what the show, and I loved the show, and I

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<v Speaker 1>didn't want to meet the actors and have the actors

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<v Speaker 1>be the actor and kind of destroy the fourth wall

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<v Speaker 1>thing that I enjoy in TV. Which is an interesting

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<v Speaker 1>thing then because actually a few years ago I was

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<v Speaker 1>having a conversation with Kevin Bacon, now Kevin Bacon, as

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<v Speaker 1>you know, it's very interested man, very very busy actor,

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<v Speaker 1>and he was telling me that he had done a

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<v Speaker 1>he had done a TV show. I wouldn't say which

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<v Speaker 1>one because because he's done so many, but he was

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<v Speaker 1>doing a TV show and the production company had asked

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<v Speaker 1>him to tweet as the show was going out about

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<v Speaker 1>his experience that as doing the show, like you know, oh,

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<v Speaker 1>you know, this day was raining and I farted or something,

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<v Speaker 1>and he said, I really he really didn't want to

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<v Speaker 1>do it for the same reason as I wouldn't invite

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<v Speaker 1>the sopranos on the show, because his job, as Kevin

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<v Speaker 1>Bacon is to convince you he's not Kevin Bacon's that's

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<v Speaker 1>kind of the job. That's what he was saying. Is like,

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<v Speaker 1>I have to do all this work to convince you

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<v Speaker 1>I'm not Kevin Bacon. I'm actually somebody else. I'm you know,

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<v Speaker 1>Joe the astronaut or Bob the guy who works in

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<v Speaker 1>Starbucks or something, and and he's you know, and it's

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<v Speaker 1>clearly it's Kevin Bacon, because you can see it's Kevin Bacon.

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<v Speaker 1>But the art and cleverness of what he does is

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<v Speaker 1>convince you he's not Kevin Bacon. And if he's tweeting

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<v Speaker 1>out on his account, you know that he is Kevin Bacon,

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<v Speaker 1>and he was Kevin Bacon when he was doing it.

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<v Speaker 1>It's kind of working against himself and I see that anyway.

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<v Speaker 1>That's why I wouldn't invite anyone from the sopranos on

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<v Speaker 1>the show. And the other people I wouldn't invite on

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<v Speaker 1>the show. There's only one other person. And I've talked

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<v Speaker 1>about this at the time, that I would never invite

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<v Speaker 1>David Boie on the show. No, I'm not saying that

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<v Speaker 1>he would ever agreed to have been on the show,

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<v Speaker 1>but I would never have invited him on the show

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<v Speaker 1>because I was concerned because of the never meet your

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<v Speaker 1>heroes thing. I always liked the the mystique and the

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<v Speaker 1>kind of the kind of slightly from another planet version

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<v Speaker 1>of David Billy. He sort of was from somewhere else

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<v Speaker 1>with designs a different color, and I thought, I, if

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<v Speaker 1>he becomes normal to me, I'll lose something, because people

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<v Speaker 1>do become normal sort of when you meet them. Like

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<v Speaker 1>over the years I was doing Late Night and doing

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<v Speaker 1>this show and doing other shows, you meet people who

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<v Speaker 1>are very famous or very accomplished in what they do,

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<v Speaker 1>and of course they're human beings, and when they become

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<v Speaker 1>human beings, they cease to be demigods to you. And

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<v Speaker 1>whilst I'm fine with that most of the time, boy

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<v Speaker 1>was a demigod that I kind of didn't want to

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<v Speaker 1>give up. Is that weird? I don't know. I mean,

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<v Speaker 1>I guess I'm just a fanboy. And it's funny because

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<v Speaker 1>some people who came on the show, you know, we're

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<v Speaker 1>only I was only kind of a little bit aware of.

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<v Speaker 1>But as they came on the show, I became much

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<v Speaker 1>more of a fan of them. So I guess it,

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<v Speaker 1>and some people are disappointed. I think it would be

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<v Speaker 1>kind of mean to say that, you know, so I

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<v Speaker 1>won't say that, But who would never invite on the

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<v Speaker 1>show is the cast of the Sopranos, which is not

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<v Speaker 1>TV anymore, or David Boy who is not available anymore

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<v Speaker 1>to do talk shows anyway, So pretty much everybody else

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<v Speaker 1>is good, all right. I hope that helped missus or

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<v Speaker 1>MS or Sir Pana Slaughter. I don't know the correct

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<v Speaker 1>pronoun for that name, actually Pana. I don't know if Pana,

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<v Speaker 1>I don't know what is connected. I don't even want

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<v Speaker 1>to talk about this, all right. So this next one

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<v Speaker 1>is from Eliza Beson Eliza Vison or Vison or Eliza Veson,

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<v Speaker 1>I don't know. But Eliza said, what made you want

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<v Speaker 1>to become a comedian? Well, I don't know that I

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<v Speaker 1>ever did want to become a comedian. I think I

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<v Speaker 1>don't even know if it's entirely an accurate I mean,

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<v Speaker 1>I do it. I do stand up comedy, and I

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<v Speaker 1>enjoyed doing it, and it is it is a very

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<v Speaker 1>big part of my life, and I love it. I

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<v Speaker 1>love doing it. It seems to go okay more. And

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<v Speaker 1>it went well in Jersey last night, and the night

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<v Speaker 1>before in Boston it went well. And you know, I'm

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<v Speaker 1>kind of blowing over Trump to hear a bit and

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<v Speaker 1>that's going a humble brag. But what I'm saying is

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<v Speaker 1>I do it, but I don't define myself by it,

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<v Speaker 1>if that makes any sense. It was kind of the

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<v Speaker 1>same as being a late night host. I mean, for

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<v Speaker 1>me late night. There are people, young people I'm aware

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<v Speaker 1>of now, you see, who like they look for a

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<v Speaker 1>career in comedy or they would like to be a

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<v Speaker 1>late night host. And whilst I understand it, I mean

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<v Speaker 1>it's been very good to me and it's it's a

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<v Speaker 1>lovely job. I never really say how to do that.

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<v Speaker 1>I wanted to be what everyone else wanted to be

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<v Speaker 1>when I was a kid, which was there was really

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<v Speaker 1>three three things I wanted to be when I was

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<v Speaker 1>a kid. I either wanted to be an astronaut, which

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<v Speaker 1>in Scottland was limited. There wasn't a huge space program

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<v Speaker 1>in Scotland in the nineteen sixties when I was born,

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<v Speaker 1>or indeed now I don't even think they have a

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<v Speaker 1>particularly big space program. I'm sure there must be a

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<v Speaker 1>Scottish asterer not somewhere, but anyway, I wasn't cut out

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<v Speaker 1>for astro noting. And I either wanted to be a

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<v Speaker 1>sports star. You'll be really good at sports, particularly football,

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<v Speaker 1>or as we call it in America, soccer, but football

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<v Speaker 1>in Scotland. I wanted to be a star football player,

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<v Speaker 1>but I wasn't any good at football, so that gets

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<v Speaker 1>in the way. It's I mean, you really can't hide

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<v Speaker 1>in sport. It's one of those things like like in

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<v Speaker 1>show business, you can be shit and it doesn't matter,

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<v Speaker 1>you know, if you get a good agent and you're

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<v Speaker 1>in a good thing and people like you the right

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<v Speaker 1>way and stuff, you can and even in a band

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<v Speaker 1>you can kind of hide as long as somebody else

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<v Speaker 1>kind of covers for you. But in sports it's on you.

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<v Speaker 1>You better be good or you fuck. But anyway, I

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<v Speaker 1>wasn't good. I wasn't good enough. I wasn't remotely good.

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<v Speaker 1>Wasn't I wasn't good enough to be even sort of

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<v Speaker 1>considered as a someone who could hang around. And the

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<v Speaker 1>other thing I wanted to be, of course, was a musician.

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<v Speaker 1>And I think in a very strange way, that's kind

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<v Speaker 1>of what I am. I mean, I still play I

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<v Speaker 1>you know, I play the drums and I play the guitar,

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<v Speaker 1>and I don't play them publicly because that, I think

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<v Speaker 1>would be a way to to look foolish in a way,

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<v Speaker 1>which probably I'm not quite ready for. And then the

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<v Speaker 1>I've sung in my life, I've you know, I've done

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<v Speaker 1>shows where I've sung songs, and I'm not a great singer,

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<v Speaker 1>but you know, you kind of don't really have to

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<v Speaker 1>be a great singer to sing. I mean there's a

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<v Speaker 1>lot of particularly now with autotune. Good Lord, I mean,

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<v Speaker 1>he just kind of little. And then they put it

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<v Speaker 1>through a program and you sound like, you know, Maria

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<v Speaker 1>Kaos or something. I don't know who's a really good

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<v Speaker 1>singer anyway. I don't know enough about opera or even

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<v Speaker 1>when she did, I don't know. I think so, I

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<v Speaker 1>think I've wandered off track here. What I'm saying is

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<v Speaker 1>I don't consider myself really a comedian as such. I

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<v Speaker 1>think of myself more as a kind of I mean, look,

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<v Speaker 1>I'm right, that's what I do. I express myself right now.

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<v Speaker 1>I express myself orally in a kind of socratic sense,

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<v Speaker 1>I suppose in doing stand up comedy. But I don't

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<v Speaker 1>really tell jokes in that same way. I mean, it's

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<v Speaker 1>not and I'm not even I don't think so. I

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<v Speaker 1>don't think I'm one of those kind of Hey, have

0:12:40.760 --> 0:12:43.199
<v Speaker 1>you ever noticed how some things are like other things

0:12:43.280 --> 0:12:46.360
<v Speaker 1>or what's the deal with those things? I'm not really

0:12:46.440 --> 0:12:49.319
<v Speaker 1>like that. My stand up tends to be more anecdotal.

0:12:49.400 --> 0:12:52.439
<v Speaker 1>I mean, look, it's a lot of it, Let's be honest.

0:12:52.480 --> 0:12:59.200
<v Speaker 1>It's lies in fabrication of or artistic license. Certainly the

0:12:59.240 --> 0:13:02.199
<v Speaker 1>current tour is called pants on Fire, just that flat

0:13:02.200 --> 0:13:04.839
<v Speaker 1>out admitting that a lot of this is made up,

0:13:04.840 --> 0:13:07.719
<v Speaker 1>but it's based on truth. I always think that when

0:13:07.960 --> 0:13:09.600
<v Speaker 1>you see when you see a movie and it starts

0:13:09.600 --> 0:13:11.920
<v Speaker 1>with this is based on a true story, and you go, well,

0:13:12.120 --> 0:13:15.760
<v Speaker 1>isn't everything based on a true story? The fuck you kidding?

0:13:15.880 --> 0:13:18.880
<v Speaker 1>Based on a true story? Sure, and it's based on

0:13:18.920 --> 0:13:21.800
<v Speaker 1>a true story, but then you add you know, aliens

0:13:21.840 --> 0:13:24.880
<v Speaker 1>and stuff, and you know, or wherever you're at anyway,

0:13:25.040 --> 0:13:27.120
<v Speaker 1>the up show is. I don't think I did want

0:13:27.120 --> 0:13:31.400
<v Speaker 1>to be a comedian. I it wasn't something I aspired to.

0:13:31.520 --> 0:13:36.040
<v Speaker 1>Some people are do and I admire it. I guess

0:13:36.200 --> 0:13:38.599
<v Speaker 1>it's a skill set which there are some great, but

0:13:38.800 --> 0:13:43.120
<v Speaker 1>like Billy Connolly, I think who the great Scottish comedian

0:13:44.800 --> 0:13:48.760
<v Speaker 1>who was? Billy's about twenty years older on me. So

0:13:49.880 --> 0:13:54.680
<v Speaker 1>when Billy was just coming through and breaking through, he

0:13:54.720 --> 0:13:57.600
<v Speaker 1>was in his early thirties and I was in my

0:13:57.760 --> 0:14:02.480
<v Speaker 1>early teens, and he was very profane and comedy. Was

0:14:02.520 --> 0:14:04.760
<v Speaker 1>done an album with Vinyl albums back then, and we

0:14:04.800 --> 0:14:07.880
<v Speaker 1>would get his Nyl album and our parents would not

0:14:07.920 --> 0:14:09.920
<v Speaker 1>allow us to listen to it because he sent swear

0:14:09.960 --> 0:14:12.880
<v Speaker 1>words and he was dirty and stuff. But it was great.

0:14:13.000 --> 0:14:17.360
<v Speaker 1>He was so good. But Billy is also a musician,

0:14:17.400 --> 0:14:19.920
<v Speaker 1>so he would play a little. He actually came through

0:14:20.000 --> 0:14:24.040
<v Speaker 1>playing in a band called the Humble Bumbs with Jerry Rafferty.

0:14:24.120 --> 0:14:28.680
<v Speaker 1>He was a folk musician. He's a good banjo player, Billy,

0:14:28.720 --> 0:14:31.840
<v Speaker 1>and he's a good singer, and so he kind of

0:14:31.920 --> 0:14:37.120
<v Speaker 1>drifted into comedy from doing playing folk clubs. And so

0:14:37.280 --> 0:14:39.760
<v Speaker 1>I was very heavily influenced by Billy because he was

0:14:39.760 --> 0:14:43.680
<v Speaker 1>from the same socioeconomic background as me. He was the

0:14:43.720 --> 0:14:46.480
<v Speaker 1>first person I ever saw who was famous who sounded

0:14:46.880 --> 0:14:49.800
<v Speaker 1>like we did, like you know, my family or my

0:14:49.920 --> 0:14:53.120
<v Speaker 1>friends and stuff. So he was very and he was

0:14:53.240 --> 0:14:56.160
<v Speaker 1>and he was and is a great comedian. I mean

0:14:56.160 --> 0:14:59.120
<v Speaker 1>for me, he's like he's like Jackie Robinson almost, if

0:14:59.160 --> 0:15:00.440
<v Speaker 1>you know what I mean. For me, it was like

0:15:00.480 --> 0:15:04.240
<v Speaker 1>he had that kind of gives the first guy into

0:15:04.280 --> 0:15:09.280
<v Speaker 1>the big leagues, and I think that that if anything

0:15:09.440 --> 0:15:11.520
<v Speaker 1>made me want to be a comedian, it was maybe

0:15:11.560 --> 0:15:15.360
<v Speaker 1>to emulate Billy. But Billy is a rack on tour.

0:15:15.480 --> 0:15:18.000
<v Speaker 1>He's a musician, he's a writer, he's an artist, and

0:15:18.080 --> 0:15:21.880
<v Speaker 1>so whatever past he carved, I think I kind of

0:15:21.960 --> 0:15:26.040
<v Speaker 1>rather pathetically follow in his way, like a little kind

0:15:26.040 --> 0:15:30.320
<v Speaker 1>of tribute band. Not the Zen wrong being a tribute band,

0:15:30.320 --> 0:15:36.640
<v Speaker 1>but that's right. Hello, This is Greig Ferguson, and I

0:15:36.680 --> 0:15:38.280
<v Speaker 1>want to let you know I have a brand new

0:15:38.360 --> 0:15:41.680
<v Speaker 1>stand up comedy special out now on YouTube. It's called

0:15:42.120 --> 0:15:45.720
<v Speaker 1>I'm So Happy, and I would be so happy if

0:15:45.760 --> 0:15:48.160
<v Speaker 1>you checked it out. To watch the special, just go

0:15:48.160 --> 0:15:51.520
<v Speaker 1>to my YouTube channel at the Craig Verguson Show and

0:15:51.640 --> 0:15:53.680
<v Speaker 1>is this right there? Just click it and play it

0:15:53.720 --> 0:15:56.400
<v Speaker 1>and it's free. I can't look. I'm not going to

0:15:56.440 --> 0:15:57.880
<v Speaker 1>come around your house and show you how to do it.

0:15:57.960 --> 0:15:59.480
<v Speaker 1>If you can't do it, then you can't have it.

0:15:59.480 --> 0:16:06.640
<v Speaker 1>But if you can out, it's yours, all right. This

0:16:06.720 --> 0:16:12.560
<v Speaker 1>is from Killy dyl Meister, which almost sounds like like

0:16:12.680 --> 0:16:16.760
<v Speaker 1>you might be related to Lenny kil Meister from Motorhead,

0:16:16.800 --> 0:16:20.000
<v Speaker 1>but probably not because it's a different name. What music

0:16:20.040 --> 0:16:25.160
<v Speaker 1>are you currently listening to at the moment, I have

0:16:25.840 --> 0:16:29.680
<v Speaker 1>for some reason, I'm listening to a lot of Schubert.

0:16:30.120 --> 0:16:33.400
<v Speaker 1>I know, it's the it's the weirdest thing. I listened

0:16:33.440 --> 0:16:35.760
<v Speaker 1>to a very eclectic taste of music, as most people do,

0:16:36.000 --> 0:16:40.240
<v Speaker 1>and I listened to a lot of different things. I like,

0:16:40.400 --> 0:16:44.800
<v Speaker 1>you know, death metal and Bossanova and everything in between.

0:16:44.840 --> 0:16:48.720
<v Speaker 1>But I reread a book recently that I had read

0:16:48.800 --> 0:16:51.760
<v Speaker 1>a long time ago, a book called The Master and

0:16:51.840 --> 0:16:55.240
<v Speaker 1>Margarita by Michael Bulgakov. It's a great book if you've

0:16:55.280 --> 0:16:57.240
<v Speaker 1>if you've never read it, give it a go. It's

0:16:57.280 --> 0:17:01.000
<v Speaker 1>a fabulous book. And in The Master arga Rita there's

0:17:01.000 --> 0:17:04.040
<v Speaker 1>a reference at one point when I'm not going to

0:17:04.119 --> 0:17:08.159
<v Speaker 1>do any spoilers for you, but the protagonists imagine a

0:17:08.240 --> 0:17:11.479
<v Speaker 1>place where everything is all right and they can walk

0:17:12.000 --> 0:17:15.080
<v Speaker 1>in the park and listen to Schubert. And I thought,

0:17:15.240 --> 0:17:18.320
<v Speaker 1>I don't know anything Schubert, so I listened to some Schubert.

0:17:18.320 --> 0:17:19.959
<v Speaker 1>And I gotta be honest. I know this is probably

0:17:19.960 --> 0:17:23.160
<v Speaker 1>not news to some of you, but pretty fucking good,

0:17:23.960 --> 0:17:29.560
<v Speaker 1>pretty pretty fucking good. I'm not a huge fan of it.

0:17:29.600 --> 0:17:31.920
<v Speaker 1>Seems terrible thing to say. I'm not a huge fan

0:17:31.960 --> 0:17:35.560
<v Speaker 1>of classical music. But I'm kind of kind of no, really,

0:17:35.960 --> 0:17:38.479
<v Speaker 1>you know, that seems to be a lot of dumb

0:17:38.920 --> 0:17:42.800
<v Speaker 1>dumb dumb bum bumbody dumb. I'm like, oh, settled down,

0:17:43.400 --> 0:17:45.320
<v Speaker 1>But he doesn't have a lot of that. He's a

0:17:45.440 --> 0:17:50.040
<v Speaker 1>It's a very melodic and sweeping and kind of ethereal

0:17:50.200 --> 0:17:55.520
<v Speaker 1>and gorgeous. So the big news from today's show, I

0:17:55.520 --> 0:17:57.960
<v Speaker 1>think that is going to rock. It's just going to

0:17:58.240 --> 0:18:00.840
<v Speaker 1>shake the foundations of the music again. This stee is

0:18:00.880 --> 0:18:05.640
<v Speaker 1>that I think Schubert is pretty good. All right. This

0:18:05.720 --> 0:18:12.800
<v Speaker 1>is from its Becked. It backed umm it Becked says,

0:18:12.920 --> 0:18:15.520
<v Speaker 1>it's a lovely name. It Becked just one name like

0:18:15.640 --> 0:18:23.200
<v Speaker 1>Sting or Madonna or Flash. I don't know who flashes

0:18:23.640 --> 0:18:25.760
<v Speaker 1>Flash Gordon, but that that wouldn't be one day, that

0:18:25.800 --> 0:18:30.400
<v Speaker 1>would be two names. It would be Flash, just Flash.

0:18:31.560 --> 0:18:36.800
<v Speaker 1>Maybe I'll call myself Flash Flash. Hey it's Flash. Hi everyone,

0:18:36.840 --> 0:18:42.679
<v Speaker 1>it's me Flash. Anyway. This is from It's Becked. Who

0:18:42.800 --> 0:18:47.520
<v Speaker 1>is it's just got one name like Flash? He said?

0:18:47.560 --> 0:18:50.720
<v Speaker 1>Of the many venues you've performed in which one sticks

0:18:50.720 --> 0:18:55.280
<v Speaker 1>out to you the most? And why? Well? I have

0:18:55.560 --> 0:18:59.399
<v Speaker 1>performed in a great deal of venues, some of them

0:18:59.480 --> 0:19:02.240
<v Speaker 1>quite un new usual. I remember I did stand up

0:19:02.280 --> 0:19:05.520
<v Speaker 1>once on the floor of the New York Stock Exchange.

0:19:05.960 --> 0:19:07.919
<v Speaker 1>It was weird. It was one of those corporate gigs

0:19:07.920 --> 0:19:13.040
<v Speaker 1>which everybody in show business does. Like everybody if you think,

0:19:13.080 --> 0:19:16.760
<v Speaker 1>oh yeah, but my favorite rock band would never do

0:19:16.800 --> 0:19:20.840
<v Speaker 1>a corporate gig, They've fucking done it. Everybody does it.

0:19:21.400 --> 0:19:23.080
<v Speaker 1>So I was doing a corporate gig on the floor

0:19:23.119 --> 0:19:24.840
<v Speaker 1>of the New York Stock Exchange. You know. All they

0:19:24.920 --> 0:19:27.400
<v Speaker 1>did was they just after the day's trading was over,

0:19:27.480 --> 0:19:32.240
<v Speaker 1>a bunch of stockbrokers got together, and you know, they

0:19:32.400 --> 0:19:36.080
<v Speaker 1>hired me to come up and tell them stories and

0:19:36.160 --> 0:19:39.240
<v Speaker 1>jokes and stuff. And I did it and it was okay.

0:19:39.800 --> 0:19:43.560
<v Speaker 1>I felt a little weird doing it, and I think

0:19:43.640 --> 0:19:45.960
<v Speaker 1>it was a little bit of a strange experience, but

0:19:46.000 --> 0:19:48.000
<v Speaker 1>it worked out all right, and that was quite memorable.

0:19:48.280 --> 0:19:51.560
<v Speaker 1>One of the memorable things about that was there was

0:19:51.560 --> 0:19:53.480
<v Speaker 1>no dressing There's no dressing rooms in the New York

0:19:53.520 --> 0:19:55.199
<v Speaker 1>Stock Exchange, so there wasn't a place for me to

0:19:55.200 --> 0:19:58.720
<v Speaker 1>go and prepare myself for the day, you know, to

0:19:58.760 --> 0:20:03.400
<v Speaker 1>put on my outfit and make up and stuff. As

0:20:03.440 --> 0:20:05.520
<v Speaker 1>usually there's a dressing room or something where you can

0:20:05.640 --> 0:20:08.320
<v Speaker 1>go and like, you know, hang out until it's time

0:20:08.359 --> 0:20:10.720
<v Speaker 1>to go on on stage or on the floor of

0:20:10.720 --> 0:20:14.160
<v Speaker 1>the New York Stock Exchange. And they didn't have anywhere

0:20:14.200 --> 0:20:15.639
<v Speaker 1>for me to sit, so they said, oh, we'll just

0:20:15.640 --> 0:20:17.760
<v Speaker 1>go into the chairman's office. You can just go to

0:20:17.800 --> 0:20:20.560
<v Speaker 1>the chairman's office of the New York Stock Age because

0:20:20.600 --> 0:20:23.040
<v Speaker 1>he's not there. Now I don't know who that is,

0:20:23.119 --> 0:20:26.119
<v Speaker 1>but I mean it's somewhat super powerful, probably like I

0:20:26.160 --> 0:20:29.399
<v Speaker 1>don't know, Satan or something, Satan's office at the New

0:20:29.480 --> 0:20:32.840
<v Speaker 1>York I don't know if say, I don't think it's

0:20:32.920 --> 0:20:37.320
<v Speaker 1>but somebody, you know, somebody very powerful who runs the

0:20:37.359 --> 0:20:39.560
<v Speaker 1>New York Stock Exchange. And they had this very fancy

0:20:39.600 --> 0:20:43.040
<v Speaker 1>office and obviously it was in the evening, so this

0:20:43.119 --> 0:20:46.320
<v Speaker 1>individual wasn't there. And I went into the office and

0:20:46.400 --> 0:20:52.479
<v Speaker 1>on the wall was hanging at Jackson Pollock painting. Now

0:20:52.480 --> 0:20:54.200
<v Speaker 1>I don't know if you know anything about Jackson Pollock,

0:20:54.240 --> 0:20:58.320
<v Speaker 1>but Jackson Pollock was that he's the scatter man or

0:20:58.440 --> 0:21:06.200
<v Speaker 1>modern art. And the paintings are the title paintings. They're abstracts,

0:21:06.280 --> 0:21:09.960
<v Speaker 1>and they're they're kind of their evocative and emotional pieces

0:21:09.960 --> 0:21:12.560
<v Speaker 1>of art, but they're not figurative. You know, they don't

0:21:12.560 --> 0:21:15.399
<v Speaker 1>have there's not a picture of a cat or you know,

0:21:15.440 --> 0:21:19.040
<v Speaker 1>a little boy fishing or Sinorita turning to you or

0:21:19.040 --> 0:21:22.880
<v Speaker 1>anything like that. So you know, so it's not it's

0:21:22.880 --> 0:21:24.720
<v Speaker 1>the kind of thing. My wife is more involved than

0:21:24.800 --> 0:21:27.720
<v Speaker 1>she knows all about that. But I don't really I

0:21:27.840 --> 0:21:30.399
<v Speaker 1>like paintns of things, you know, like, oh, look a

0:21:30.880 --> 0:21:33.200
<v Speaker 1>look at that painting. It's a painting of a cat,

0:21:33.359 --> 0:21:40.119
<v Speaker 1>isn't it really good? But but she understands Rothko and

0:21:40.320 --> 0:21:43.800
<v Speaker 1>Jackson Pollock and you know, Cy Twombly and all those

0:21:44.080 --> 0:21:46.640
<v Speaker 1>very clever people. And but it was the first time

0:21:46.680 --> 0:21:50.119
<v Speaker 1>I'd been in the presence of an actual Jackson Pollock painting,

0:21:50.160 --> 0:21:53.359
<v Speaker 1>and the first thing that, you know, I'd seen reproductions

0:21:53.960 --> 0:21:56.840
<v Speaker 1>of his paintings in photographs, as I'm sure all of

0:21:56.880 --> 0:21:59.119
<v Speaker 1>you have. And we could probably put some up in

0:21:59.160 --> 0:22:01.920
<v Speaker 1>the web site or something into it. We have a website,

0:22:02.080 --> 0:22:04.840
<v Speaker 1>we probably do. We have a website, right, so you

0:22:04.880 --> 0:22:06.920
<v Speaker 1>can put Jackson Pollock up and you go, oh, yeah,

0:22:06.920 --> 0:22:09.639
<v Speaker 1>I know what you mean. But what was interesting was

0:22:10.080 --> 0:22:13.359
<v Speaker 1>that being in the presence of the actual painting was

0:22:13.440 --> 0:22:17.120
<v Speaker 1>a very different experience. It hit me like a freight train.

0:22:17.720 --> 0:22:20.280
<v Speaker 1>It was amazing because I was like, oh my god,

0:22:20.320 --> 0:22:25.359
<v Speaker 1>this is and I can't put into words what it did.

0:22:25.440 --> 0:22:27.560
<v Speaker 1>And I know this sounds fanciful and a bit kind

0:22:27.600 --> 0:22:30.920
<v Speaker 1>of you know, really Craig, but it was a very

0:22:31.000 --> 0:22:34.840
<v Speaker 1>emotional response and I couldn't describe it in words. And look,

0:22:35.000 --> 0:22:37.520
<v Speaker 1>I have no fucking slouch when it comes to describing things.

0:22:37.560 --> 0:22:41.679
<v Speaker 1>I work with words. I'm fairly decent, you know, describing

0:22:41.720 --> 0:22:44.000
<v Speaker 1>how I feel or how I see things or right,

0:22:44.920 --> 0:22:48.439
<v Speaker 1>I like to think I'm fairly air dye. But I

0:22:48.560 --> 0:22:56.520
<v Speaker 1>couldn't express the emotion that this painting seemed to construct

0:22:56.840 --> 0:23:01.160
<v Speaker 1>or elicit from me. And I was I'm still kind

0:23:01.160 --> 0:23:03.560
<v Speaker 1>of impressed by that. I'm kind of amazed by that,

0:23:03.640 --> 0:23:06.040
<v Speaker 1>and it made me kind of drew me into it.

0:23:06.040 --> 0:23:09.400
<v Speaker 1>It wasn't all happiness, and it wasn't all sadness. It

0:23:09.440 --> 0:23:12.680
<v Speaker 1>was it was a very weird kind of thing. The

0:23:12.760 --> 0:23:14.639
<v Speaker 1>only thing I can kind of equake to is a

0:23:14.680 --> 0:23:20.480
<v Speaker 1>sort of fairly low impact drug, you know, like maybe

0:23:20.760 --> 0:23:24.960
<v Speaker 1>shit cannabis, but it kind of it kind of or

0:23:25.080 --> 0:23:29.399
<v Speaker 1>maybe like week like a weak diazepam or something. It

0:23:29.440 --> 0:23:31.280
<v Speaker 1>made me feel kind of good and a little bit

0:23:31.320 --> 0:23:34.080
<v Speaker 1>different and but it was it was a visual experience.

0:23:34.080 --> 0:23:36.720
<v Speaker 1>That's why I thought was so amazing about it. And

0:23:36.760 --> 0:23:40.720
<v Speaker 1>so I mean I became kind of a a little

0:23:40.720 --> 0:23:44.520
<v Speaker 1>more converted to the to the world of abstract expressionism

0:23:44.920 --> 0:23:48.720
<v Speaker 1>from doing that gig. So in answer to the many

0:23:48.720 --> 0:23:51.080
<v Speaker 1>of which venue sticks out to you the most, I

0:23:51.080 --> 0:23:55.600
<v Speaker 1>don't know if that sticks out the most, but what

0:23:55.640 --> 0:23:58.000
<v Speaker 1>it does do is it certainly changed me. There are

0:23:58.119 --> 0:24:02.840
<v Speaker 1>venues that I've played, you know, in doing stand up.

0:24:02.920 --> 0:24:06.240
<v Speaker 1>I think I'm the only person I know that's played

0:24:06.280 --> 0:24:12.159
<v Speaker 1>the Carnegie Hall in Dunfermline, Scotland, and Carnegie Hall in

0:24:12.440 --> 0:24:17.560
<v Speaker 1>New York City I've known, and they're very different venues

0:24:19.160 --> 0:24:21.720
<v Speaker 1>or as we say in New York at Carnegie Hall,

0:24:22.720 --> 0:24:26.439
<v Speaker 1>but as they say in Dunfermline called Nagie Hall. I

0:24:26.480 --> 0:24:28.800
<v Speaker 1>think probably there's some more Carnegie Halls. I think that

0:24:28.880 --> 0:24:31.760
<v Speaker 1>was one in Pittsburgh has got to be one in Pittsburgh.

0:24:32.000 --> 0:24:34.840
<v Speaker 1>They are very different venues, the Carnegie halland on Fermline

0:24:34.840 --> 0:24:37.400
<v Speaker 1>and the Carnegie Hall or Carnegie Hall in New York.

0:24:37.520 --> 0:24:43.080
<v Speaker 1>In when I played the Carnegie Hall and done Fermline, Scotland,

0:24:43.080 --> 0:24:44.800
<v Speaker 1>it was before I stopped drinking. It was in the

0:24:44.840 --> 0:24:47.960
<v Speaker 1>early days of stand up, when I was still performing

0:24:48.000 --> 0:24:53.119
<v Speaker 1>as a character that I called bing Hitler. It was

0:24:53.160 --> 0:24:57.160
<v Speaker 1>the whole story. And when I was doing a character thing,

0:24:57.240 --> 0:25:01.680
<v Speaker 1>and I was playing a kind of a kind of buffoon,

0:25:02.680 --> 0:25:07.720
<v Speaker 1>a kind of idiot who was sort of from Dunfermline, Scotland.

0:25:08.119 --> 0:25:12.080
<v Speaker 1>Now that's a bit of a problem because I'm not

0:25:12.240 --> 0:25:16.600
<v Speaker 1>from Dunfermlin in Scotland and from a town called Cumbernauld,

0:25:16.640 --> 0:25:19.439
<v Speaker 1>which is just outside Glasgow in Scotland, kind of the

0:25:19.440 --> 0:25:27.320
<v Speaker 1>New Jersey of Let's Go and so I so I

0:25:27.400 --> 0:25:29.800
<v Speaker 1>was a kind of natural enemy to the audience there anyway,

0:25:29.800 --> 0:25:31.480
<v Speaker 1>And it was a lot of punk rockers and stuff

0:25:31.520 --> 0:25:34.520
<v Speaker 1>like that. And it was the upshot of it was

0:25:34.840 --> 0:25:38.080
<v Speaker 1>that I was drinking. I went on stage. I did

0:25:38.119 --> 0:25:41.639
<v Speaker 1>not go down well with the audience, and I was

0:25:41.640 --> 0:25:44.520
<v Speaker 1>still playing a guitar at the time, and they they

0:25:44.560 --> 0:25:46.440
<v Speaker 1>started throwing things at me, and then they rushed the

0:25:46.520 --> 0:25:48.880
<v Speaker 1>stage and they stole my guitar and things were getting

0:25:48.920 --> 0:25:51.240
<v Speaker 1>a little hairy, and I had to get a cab

0:25:51.880 --> 0:25:54.200
<v Speaker 1>out of there to get back to Edinburgh, to get

0:25:54.240 --> 0:25:57.640
<v Speaker 1>away from the audience who were at that point had

0:25:58.400 --> 0:26:00.520
<v Speaker 1>the kind of morph from being an audience said the

0:26:00.600 --> 0:26:04.879
<v Speaker 1>more of a kind of angry bob. And they chased

0:26:04.880 --> 0:26:06.879
<v Speaker 1>me out of the venue and I jumped into a

0:26:06.920 --> 0:26:08.720
<v Speaker 1>taxi and I was driving away in the taxi and

0:26:08.720 --> 0:26:11.560
<v Speaker 1>somebody through a rock and it it broke the back

0:26:11.600 --> 0:26:13.680
<v Speaker 1>window of the taxi. I had to pay the taxi driver,

0:26:13.960 --> 0:26:15.199
<v Speaker 1>but he was like, you'll have to pay for that.

0:26:15.240 --> 0:26:17.280
<v Speaker 1>I went, fine, just keep going. I mean, it was

0:26:17.440 --> 0:26:19.320
<v Speaker 1>like and he drove me back to Edinburgh. It was

0:26:19.400 --> 0:26:21.679
<v Speaker 1>very cold because the window and it was glass, but

0:26:22.080 --> 0:26:24.240
<v Speaker 1>I had to pay for his weird window to get fixed.

0:26:24.280 --> 0:26:27.320
<v Speaker 1>This is a long time ago and that was my

0:26:27.440 --> 0:26:33.320
<v Speaker 1>experience playing the Carnegie Hall in done Fermline. Now years

0:26:33.359 --> 0:26:37.000
<v Speaker 1>and years later, I played Carnegie Hall in New York City.

0:26:37.040 --> 0:26:40.480
<v Speaker 1>I actually did it twice in the same day. I

0:26:40.840 --> 0:26:42.680
<v Speaker 1>had booked a show and it sold out and they said,

0:26:42.680 --> 0:26:45.040
<v Speaker 1>we do another show, and I mean sure, I said,

0:26:45.040 --> 0:26:47.640
<v Speaker 1>but we only have a matinee available at half past

0:26:47.680 --> 0:26:50.680
<v Speaker 1>two in the afternoon. All right, we'll give it a go.

0:26:51.160 --> 0:26:53.600
<v Speaker 1>So I played Carnegie Hall in New York twice in

0:26:53.640 --> 0:26:56.199
<v Speaker 1>the same day half past two in the afternoon. And

0:26:56.240 --> 0:26:58.240
<v Speaker 1>I've got to be honest, it was a little sedate

0:26:58.680 --> 0:27:00.520
<v Speaker 1>it was a bit of a sedate. It was more

0:27:00.560 --> 0:27:04.199
<v Speaker 1>like a Schubert concept, to be honest with you. But

0:27:04.280 --> 0:27:07.200
<v Speaker 1>the evening show was very much the same thing, and

0:27:07.600 --> 0:27:11.840
<v Speaker 1>nobody beat me up or chased me out of the venue.

0:27:12.000 --> 0:27:14.280
<v Speaker 1>At Carnegie Hall in New York, nobody stole my guitar.

0:27:14.359 --> 0:27:17.080
<v Speaker 1>I wasn't playing a guitar at that point, and the

0:27:17.119 --> 0:27:22.480
<v Speaker 1>audience seemed much happier and with the show than the

0:27:22.800 --> 0:27:26.000
<v Speaker 1>audience and Nfermline the New York audience. I will say

0:27:26.000 --> 0:27:28.439
<v Speaker 1>this though. The difference is that by the time I

0:27:28.520 --> 0:27:31.400
<v Speaker 1>played Carnegie Hall in New York, I had stopped drinking.

0:27:32.720 --> 0:27:37.080
<v Speaker 1>I had stopped drinking for about probably about fifteen or

0:27:37.119 --> 0:27:41.200
<v Speaker 1>twenty years at that point, so I imagine the performance was

0:27:41.240 --> 0:27:45.080
<v Speaker 1>of a different type. I think that's the case, and

0:27:45.960 --> 0:27:48.200
<v Speaker 1>I rather loved it. I will give you a little

0:27:48.200 --> 0:27:50.760
<v Speaker 1>piece of information about Carnegie Hall as well, just to

0:27:51.960 --> 0:27:53.840
<v Speaker 1>say if you're ever playing it, be very careful. There

0:27:53.880 --> 0:27:57.240
<v Speaker 1>is a very steep rake on the stage. A rake

0:27:57.359 --> 0:28:01.240
<v Speaker 1>is a kind of gradient on the stage which slants

0:28:01.440 --> 0:28:04.400
<v Speaker 1>towards the front of the stage so that the audience,

0:28:04.400 --> 0:28:06.800
<v Speaker 1>when they're looking from the auditorium, get a better view.

0:28:06.840 --> 0:28:09.879
<v Speaker 1>I think it's really for plays and for orchestras and

0:28:09.880 --> 0:28:13.359
<v Speaker 1>stuff like that. It gives people a better view, or

0:28:13.400 --> 0:28:17.120
<v Speaker 1>maybe projects sound better or something. And the Carnegie Hall

0:28:17.119 --> 0:28:20.000
<v Speaker 1>in New York is a very steep rake and it's

0:28:20.040 --> 0:28:23.439
<v Speaker 1>made of wood the floor. So all I'm saying is,

0:28:23.520 --> 0:28:27.480
<v Speaker 1>don't wear your socks when you're playing Carnegie Hall in

0:28:27.520 --> 0:28:30.000
<v Speaker 1>New York. Wear a pair of grippy shoes, or you

0:28:30.040 --> 0:28:39.640
<v Speaker 1>could come a cropper. I learned that hardly. This is

0:28:39.680 --> 0:28:44.320
<v Speaker 1>from Tyler brou who says, Hi, my name is Tyler.

0:28:45.000 --> 0:28:49.560
<v Speaker 1>I don't know. I have a question about fatherhood. All right,

0:28:50.640 --> 0:28:52.920
<v Speaker 1>Later this week my second child will be born and

0:28:52.960 --> 0:28:56.840
<v Speaker 1>I'll become a father of two. Yep, what tips do

0:28:56.920 --> 0:29:00.800
<v Speaker 1>you have for someone bringing new life into the world. Well, Tyler,

0:29:01.120 --> 0:29:04.040
<v Speaker 1>as the father, I have to say, it's pretty obvious

0:29:04.080 --> 0:29:06.720
<v Speaker 1>you are not the one bringing your life into the world.

0:29:06.880 --> 0:29:10.680
<v Speaker 1>You're the one witnessing your life being brought in in

0:29:10.760 --> 0:29:14.240
<v Speaker 1>the world, I suppose. I mean it's semantics. Really, I

0:29:14.360 --> 0:29:17.000
<v Speaker 1>was there at the birth of both my children, and

0:29:17.080 --> 0:29:22.239
<v Speaker 1>I have to say it's quite a show, isn't it.

0:29:22.440 --> 0:29:25.800
<v Speaker 1>Anyone who's been alive human birth? I mean, look for

0:29:25.920 --> 0:29:30.600
<v Speaker 1>the mothers involved. You know, you know, I can't even imagine.

0:29:30.600 --> 0:29:33.880
<v Speaker 1>I mean, it's just craziness, but then pain and all that.

0:29:33.960 --> 0:29:39.120
<v Speaker 1>But as a as a witness to your child being born,

0:29:39.360 --> 0:29:44.520
<v Speaker 1>my goodness, it's a weird It's again again, It's something

0:29:44.560 --> 0:29:47.200
<v Speaker 1>that's very difficult to describe. You know, maybe I'm learning

0:29:47.280 --> 0:29:49.720
<v Speaker 1>on this edition of the podcast. I'm nowhere nearest there

0:29:49.800 --> 0:29:53.000
<v Speaker 1>you day. As I say, guy, I can't really describe

0:29:53.000 --> 0:29:57.320
<v Speaker 1>the emotion of what it's like to because you know,

0:29:57.360 --> 0:30:00.320
<v Speaker 1>when someone is being what a human is being born

0:30:00.360 --> 0:30:03.840
<v Speaker 1>in a room and like there's a kind of weird

0:30:04.440 --> 0:30:09.080
<v Speaker 1>like anticipation and then someone news there like, oh my god,

0:30:09.880 --> 0:30:14.280
<v Speaker 1>so wild. There's a lot of you know, a lot

0:30:14.360 --> 0:30:17.000
<v Speaker 1>of gory business. I'm not good with any of that.

0:30:17.000 --> 0:30:19.560
<v Speaker 1>I would have been a terrible doctor. That and the

0:30:19.600 --> 0:30:22.120
<v Speaker 1>fact that you know, I'm not clever enough to be

0:30:22.160 --> 0:30:27.800
<v Speaker 1>a doctor. But also I think that you know, to

0:30:27.840 --> 0:30:30.760
<v Speaker 1>be to feel squeamish is not something you want. And

0:30:30.800 --> 0:30:34.840
<v Speaker 1>a doctor. You don't want a doctor going oh like that,

0:30:34.840 --> 0:30:37.480
<v Speaker 1>that's not you want a doctor. Do you have very

0:30:37.680 --> 0:30:42.880
<v Speaker 1>tips about bringing new life? Tips about father? You know,

0:30:43.040 --> 0:30:47.240
<v Speaker 1>it's funny, I you know, I spent because I'm playing

0:30:47.280 --> 0:30:51.360
<v Speaker 1>in Jersey, my oldest kid, who's now nearly twenty four.

0:30:51.440 --> 0:30:53.880
<v Speaker 1>He's not kid anymore. We were hanging out after the

0:30:53.920 --> 0:30:58.959
<v Speaker 1>show last night. He lives nearby and and it's an

0:30:59.000 --> 0:31:03.480
<v Speaker 1>amazing thing. I actually remember it from the movie Lost

0:31:03.520 --> 0:31:06.600
<v Speaker 1>in Translation, when Bill Murray's character is talking to Scolet

0:31:06.680 --> 0:31:09.960
<v Speaker 1>Johnson's character about his children and said, you know, as

0:31:10.000 --> 0:31:13.640
<v Speaker 1>their babies, and when their little children, they're so adorable,

0:31:13.760 --> 0:31:16.560
<v Speaker 1>and their little children they're funny and cuting all those things.

0:31:16.800 --> 0:31:19.600
<v Speaker 1>And then when they grow up, and this is at

0:31:19.600 --> 0:31:22.960
<v Speaker 1>the point of father Rudeima, you know that my youngest

0:31:22.960 --> 0:31:27.440
<v Speaker 1>boy is fourteen. So he's not a baby. He's not

0:31:27.600 --> 0:31:30.080
<v Speaker 1>you know, Philly cooked, but he's not a baby. But

0:31:30.560 --> 0:31:32.360
<v Speaker 1>I mean, it is anyone Philly cooked to. I mean,

0:31:32.400 --> 0:31:34.360
<v Speaker 1>I'm sixty two. I don't know if I'm fully cooked,

0:31:34.360 --> 0:31:37.720
<v Speaker 1>but they I've been baked a couple of times somehow. Right.

0:31:38.560 --> 0:31:41.680
<v Speaker 1>The business of what Bill Murray's character says in that

0:31:41.720 --> 0:31:46.840
<v Speaker 1>movie is that they become just these very interesting human beings,

0:31:46.880 --> 0:31:49.840
<v Speaker 1>maybe the most interesting people you know, And they do.

0:31:50.440 --> 0:31:55.040
<v Speaker 1>My kids are the most interesting people I know. And

0:31:55.080 --> 0:31:56.920
<v Speaker 1>if you know me, you know, I know it's pretty

0:31:56.960 --> 0:32:01.320
<v Speaker 1>interesting people. But nobody is interesting as my kids. All right,

0:32:01.600 --> 0:32:08.760
<v Speaker 1>this is from Elsa g Hernandez Gonzalez. I'm guessing maybe

0:32:10.200 --> 0:32:13.240
<v Speaker 1>you know. I think I can guess your kind of

0:32:13.360 --> 0:32:18.200
<v Speaker 1>ethnic background. I think Elsa g Hernandez Gonzalez. I may

0:32:18.200 --> 0:32:20.840
<v Speaker 1>be wrong, of course you may. That may be a

0:32:20.960 --> 0:32:25.479
<v Speaker 1>married name, and you've married into the Hernandez Gonzalez is whoever.

0:32:25.520 --> 0:32:29.960
<v Speaker 1>It is great. You've spoken about your favorite bands and

0:32:30.080 --> 0:32:32.600
<v Speaker 1>artists and your talks, and I've wondered, would you make

0:32:32.640 --> 0:32:36.240
<v Speaker 1>a playlist of your favorites to share, like a playlist

0:32:36.280 --> 0:32:38.440
<v Speaker 1>on Spotify or anything like that. That's a very long

0:32:38.760 --> 0:32:41.080
<v Speaker 1>It's always interesting to see what others enjoy, especially if

0:32:41.120 --> 0:32:45.560
<v Speaker 1>it's someone with good music taste. Yeah, I would do that.

0:32:46.120 --> 0:32:48.680
<v Speaker 1>It's like it's like making a mixtape for someone you

0:32:48.720 --> 0:32:53.800
<v Speaker 1>don't know. I think that making playlists is kind of

0:32:53.840 --> 0:32:57.200
<v Speaker 1>interesting from artists that you like. So I guess that's

0:32:57.200 --> 0:33:01.200
<v Speaker 1>what Eliza's saying. Yeah, yeah, I do that. I think

0:33:01.320 --> 0:33:04.080
<v Speaker 1>there would be some Suber on it, obviously. Then i'd

0:33:04.160 --> 0:33:09.560
<v Speaker 1>balance it with some Motorhead, maybe the Ramones. Here's the

0:33:09.600 --> 0:33:12.400
<v Speaker 1>thing about the Ramones. I want to tell you. It

0:33:12.480 --> 0:33:14.560
<v Speaker 1>was something I was talking to a British person about

0:33:14.600 --> 0:33:17.720
<v Speaker 1>this fairly recently, and they were talking about it was

0:33:17.760 --> 0:33:21.360
<v Speaker 1>an English person, someone from North London, which is kind

0:33:21.360 --> 0:33:24.640
<v Speaker 1>of a niche market, and they were telling me, as

0:33:25.160 --> 0:33:30.560
<v Speaker 1>I'm sure many Americans have heard before when talking to

0:33:30.800 --> 0:33:33.720
<v Speaker 1>English people, that the phrase that begins you see the

0:33:33.800 --> 0:33:36.800
<v Speaker 1>thing about Americans. You see the thing about Americans is

0:33:37.360 --> 0:33:40.040
<v Speaker 1>I'm like, well, we Americans would be talking about here.

0:33:40.320 --> 0:33:43.160
<v Speaker 1>I've never understood that. Well, you see the thing about

0:33:43.200 --> 0:33:46.680
<v Speaker 1>Americans and then they start talking to you about, you know,

0:33:47.280 --> 0:33:51.000
<v Speaker 1>some guy they've seen on a British documentary who was

0:33:51.640 --> 0:33:55.880
<v Speaker 1>you know, survived on his boat in a you know,

0:33:56.200 --> 0:33:59.280
<v Speaker 1>Hurrican in Florida and he was wearing a hat that

0:33:59.320 --> 0:34:02.600
<v Speaker 1>said who Hearted. And they say that's America and that's

0:34:02.640 --> 0:34:04.680
<v Speaker 1>part of America, and God bless them. That's great. I

0:34:04.680 --> 0:34:09.640
<v Speaker 1>think that's awesome. But the the idea that America is

0:34:09.680 --> 0:34:12.799
<v Speaker 1>one thing, well, talk to Eliza g Ornandez Gonzales or

0:34:12.880 --> 0:34:17.560
<v Speaker 1>Craig Ferguson. I mean, America is very as we know,

0:34:18.239 --> 0:34:20.960
<v Speaker 1>how do you even define that? But what this person

0:34:21.000 --> 0:34:24.000
<v Speaker 1>says to the thing about America two things. One was

0:34:24.200 --> 0:34:28.919
<v Speaker 1>that Americans are such loonings like okay, well, I think

0:34:28.960 --> 0:34:33.120
<v Speaker 1>there are certainly moonies who exist here, but America doesn't

0:34:33.120 --> 0:34:38.600
<v Speaker 1>have exclusivity on loonings. And the second one is you

0:34:38.680 --> 0:34:43.520
<v Speaker 1>always say this in British people. British people from the

0:34:43.560 --> 0:34:46.960
<v Speaker 1>intelligence and bourgeois British people also always say this, think

0:34:46.960 --> 0:34:49.719
<v Speaker 1>about Americas. They have no sense of irony. They have

0:34:49.800 --> 0:34:54.160
<v Speaker 1>no sense of irony. And I remember one of the

0:34:54.200 --> 0:34:57.400
<v Speaker 1>writers on the Late Night Show. I was telling them

0:34:57.440 --> 0:35:00.239
<v Speaker 1>about this, a guy called Ted Mail Karen, who was

0:35:00.239 --> 0:35:02.439
<v Speaker 1>one of the head writers on the Late Night Show,

0:35:02.800 --> 0:35:05.759
<v Speaker 1>and he said, Americans have no sense of irony. I said,

0:35:05.760 --> 0:35:07.480
<v Speaker 1>that's what they always say. He said, well, that's rich

0:35:07.760 --> 0:35:11.239
<v Speaker 1>coming from a country that called itself Great Britain. I

0:35:11.320 --> 0:35:15.200
<v Speaker 1>was like, oh, touchet, it's aus of milk for you. Ted. Anyway,

0:35:15.360 --> 0:35:16.920
<v Speaker 1>the reason why I bring this up is about the

0:35:17.040 --> 0:35:23.440
<v Speaker 1>Ramones because the type of America that I wanted to

0:35:23.560 --> 0:35:25.879
<v Speaker 1>be when I was a kid, it was a very

0:35:26.160 --> 0:35:30.320
<v Speaker 1>odd mixture of I wanted to be an astronaut because

0:35:30.320 --> 0:35:33.239
<v Speaker 1>I'd seen astronauts landing on the Moon when I was

0:35:33.239 --> 0:35:36.200
<v Speaker 1>a little kid than they were American, so I wanted

0:35:36.200 --> 0:35:37.920
<v Speaker 1>to be one of those. But as I got a

0:35:37.920 --> 0:35:40.600
<v Speaker 1>bit older, I wanted also to be in the Ramones

0:35:40.640 --> 0:35:43.240
<v Speaker 1>because I saw them. I wanted to be like the Ramones,

0:35:43.239 --> 0:35:45.600
<v Speaker 1>and I wanted to be like Iggy Pop, and I

0:35:45.640 --> 0:35:49.560
<v Speaker 1>wanted to be like people who were in rock bands

0:35:50.360 --> 0:35:55.080
<v Speaker 1>and people who chewed gum and had teeth. And here's

0:35:55.120 --> 0:35:59.400
<v Speaker 1>the thing that really got me. When I first visited

0:35:59.440 --> 0:36:04.640
<v Speaker 1>America in nineteen seventy five, when I was thirteen, I

0:36:04.680 --> 0:36:07.239
<v Speaker 1>went to a bowling alley for the first time. We

0:36:07.280 --> 0:36:09.719
<v Speaker 1>did have bowling analogies in Scotland at that time. I

0:36:09.760 --> 0:36:11.839
<v Speaker 1>went to a bowler I'd never seen a bowling alley before.

0:36:11.880 --> 0:36:14.160
<v Speaker 1>I was like, this is amazing. And I tasted a

0:36:14.200 --> 0:36:16.719
<v Speaker 1>beverage and I remember it to this day. It was

0:36:16.960 --> 0:36:20.839
<v Speaker 1>root beer over crushed ice, and I was like, oh

0:36:20.880 --> 0:36:24.120
<v Speaker 1>my god, whatever this say is, I have to I

0:36:24.160 --> 0:36:26.120
<v Speaker 1>have to have more of this as much as possible

0:36:26.320 --> 0:36:28.160
<v Speaker 1>for the rest of my life. Now, I'll be honest

0:36:28.200 --> 0:36:29.600
<v Speaker 1>with you. I don't drink a lot of root beer

0:36:29.600 --> 0:36:32.799
<v Speaker 1>over crushed ice, but every now and again I have

0:36:32.960 --> 0:36:36.360
<v Speaker 1>one and it brings me back to that. And anyway,

0:36:36.400 --> 0:36:38.960
<v Speaker 1>what I'm saying is, for some reason I was talking

0:36:39.000 --> 0:36:42.040
<v Speaker 1>about the Ramones. I want to be a Ramones type

0:36:42.040 --> 0:36:44.840
<v Speaker 1>I think he pop American but also an astronaut American.

0:36:44.960 --> 0:36:46.600
<v Speaker 1>I think what I like about being in America is

0:36:46.840 --> 0:36:51.880
<v Speaker 1>want to be a living It's America. Oh well, he's

0:36:51.880 --> 0:36:54.879
<v Speaker 1>an email about that, and then probably we'll get done

0:36:54.920 --> 0:36:58.760
<v Speaker 1>after this. But this is from Tony Gallo, who says,

0:36:59.200 --> 0:37:01.600
<v Speaker 1>when you first landed in Smithtown, which is the first

0:37:01.600 --> 0:37:04.120
<v Speaker 1>place that I went to in America, Smithtown, Love Island,

0:37:05.320 --> 0:37:07.759
<v Speaker 1>on your first trip to America? What hit you heard this?

0:37:07.920 --> 0:37:11.759
<v Speaker 1>The accents, the aggressive left turns, or the crushing realization

0:37:11.880 --> 0:37:15.640
<v Speaker 1>that this was it? What was your funniest moment of

0:37:15.719 --> 0:37:21.160
<v Speaker 1>culture shock? I no, I think I've been, you know,

0:37:22.120 --> 0:37:25.440
<v Speaker 1>mine in the culture shock thing for a for a

0:37:25.480 --> 0:37:28.680
<v Speaker 1>long time. Now. I'm kind of like the Scottish jakov

0:37:28.760 --> 0:37:32.319
<v Speaker 1>Smyrna or something, you know, like in my country. You know,

0:37:32.719 --> 0:37:34.879
<v Speaker 1>when I first came here, it was the root beer

0:37:34.920 --> 0:37:37.080
<v Speaker 1>Overcross that is, that was the thing that really got me.

0:37:37.239 --> 0:37:39.920
<v Speaker 1>I that was the first way in. And also you've

0:37:39.920 --> 0:37:41.960
<v Speaker 1>got to understand it was nineteen seventy five when I

0:37:41.960 --> 0:37:44.799
<v Speaker 1>first came here. It was the summer in nineteen seventy five.

0:37:44.880 --> 0:37:48.239
<v Speaker 1>I was thirteen, I'd never been out of Glasgow and

0:37:48.320 --> 0:37:52.040
<v Speaker 1>I go to Prestbook Airport in Scotland and I get

0:37:52.040 --> 0:37:56.720
<v Speaker 1>on an airplane that lands in JFK in nineteen seventy

0:37:56.719 --> 0:38:00.239
<v Speaker 1>five and I go from Glasgow having never left there.

0:38:00.239 --> 0:38:04.560
<v Speaker 1>I have never been anywhere to New York City in

0:38:04.640 --> 0:38:10.360
<v Speaker 1>nineteen seventy five and to this day is to my mind,

0:38:11.239 --> 0:38:13.960
<v Speaker 1>they still the greatest city in the world, New York City.

0:38:14.280 --> 0:38:16.520
<v Speaker 1>It's just over the George Washington Bridge, and I'm going

0:38:16.600 --> 0:38:20.440
<v Speaker 1>to go there in a minute to answer a question

0:38:20.560 --> 0:38:23.440
<v Speaker 1>that's come in because I moved back to Scotland for

0:38:23.480 --> 0:38:24.960
<v Speaker 1>a long time and people say to me, you still

0:38:24.960 --> 0:38:26.799
<v Speaker 1>live in Scotland or I moved back to Scotland for

0:38:27.160 --> 0:38:31.360
<v Speaker 1>five years and I don't. I don't. I live in

0:38:31.360 --> 0:38:35.480
<v Speaker 1>New York City. So I'm going to go home. I'll

0:38:35.480 --> 0:38:37.080
<v Speaker 1>see you guys later. Thank