WEBVTT - Severance Season 2 Episode 7: Chikhai Bardo

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<v Speaker 1>Today's episode contained spoilers for the seventh episode, the huge

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<v Speaker 1>seventh episode of the second season of Severance.

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<v Speaker 2>Be warned.

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<v Speaker 1>Hello, and it is Jasconcepcion and I'm Rosie Night and

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<v Speaker 1>welcome back to x Revision of the podcast where we

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<v Speaker 1>dive deep into your favorite shows, movies, comics and pop culture.

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<v Speaker 1>We're coming you from my our podcast where we're bringing

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<v Speaker 1>you three episodes a week every Tuesday, Thursday, Wednesday, with

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<v Speaker 1>news on Saturday.

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<v Speaker 3>In today's episode, Oh baby, we're going to the testing

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<v Speaker 3>flow and it's gonna be terrible. We are talking Severance

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<v Speaker 3>two o seven, maybe one of the most powerful episodes

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<v Speaker 3>of TV over the year so far, also absolutely heartbreaking.

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<v Speaker 3>So we will be digging into that, all of our theories,

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<v Speaker 3>everything that we spotted that maybe you didn't, and obviously

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<v Speaker 3>you guys can tell us what you spotted in the discord.

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<v Speaker 3>Also quick reminder, I've been very excited to see everybody

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<v Speaker 3>jumping on our next book club title, which is The

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<v Speaker 3>Magician and the Alchemist's Gate from the Ted Chang short

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<v Speaker 3>story collection Exhalations Ed. This is a fave story of

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<v Speaker 3>mine and Jason's. It's also very popular within the discord,

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<v Speaker 3>so if you want to join the Discord chat about

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<v Speaker 3>book Club. Last note and remember you can listen to

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<v Speaker 3>our debut book Club episode about Dead Evil Borne again

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<v Speaker 3>right now.

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<v Speaker 1>Previously on sever And season two episode seven, Chicky Bardo,

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<v Speaker 1>which is the a stage of death according to the

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<v Speaker 1>ego Buddhist ego death the Buddhist belief system. We all

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<v Speaker 1>been on flashbacks some years ago. Mark and Jemma are

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<v Speaker 1>both working as teachers at a university or a college somewhere.

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<v Speaker 1>They meet at a blood drive, which we will talk about.

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<v Speaker 3>I say, you may notice something wrong about this picture.

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<v Speaker 1>And immediately one of the things that I think is

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<v Speaker 1>like really good about this show and really patient and

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<v Speaker 1>is not easy to do is the storytelling. Look how

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<v Speaker 1>good Mark and Jemma look. It's specifically Mark, what is

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<v Speaker 1>this telling you? Years of depression of grief have taken

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<v Speaker 1>a toll on Mark, Like.

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<v Speaker 3>He is like so confident here they're so yeah. I

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<v Speaker 3>mean Gemma also almost looks like a different person. She

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<v Speaker 3>looks the way that they made her up, the way

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<v Speaker 3>they and there is this instant chemistry and connection and

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<v Speaker 3>even the way that their arms are being you know,

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<v Speaker 3>drained for the for the blood drive. Means that they

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<v Speaker 3>have to hold hands in the middle to shake hands,

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<v Speaker 3>but it's more of an immediate intimate connection. It's it's

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<v Speaker 3>so great.

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<v Speaker 2>So she's great.

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<v Speaker 1>A paper about Tolstoy is the death of Ivan Ilyitch

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<v Speaker 1>and he's crating a paper about drug use in World

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<v Speaker 1>War One and they immediately hit it off. Elsewhere, we

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<v Speaker 1>cut to the Lumen testing floor, where we see in

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<v Speaker 1>the present Gemma or the present ish, We don't really

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<v Speaker 1>know the timeline right, but Gemma's getting her blood taken

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<v Speaker 1>by Sandra Bernhard.

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<v Speaker 3>Way just like throw it in my mind.

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<v Speaker 1>She's getting her blood taken by Sandra Bernhardt, and she's

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<v Speaker 1>living down here. She got a little apartment down on

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<v Speaker 1>the test floor, very prison like. And the nurse asks,

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<v Speaker 1>because it was clear that Jemma was thinking this flashback

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<v Speaker 1>is was Gemma's recollections. She was remembering this moment because

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<v Speaker 1>she's having her blood taken down here on the testing floor,

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<v Speaker 1>and she's remembering, Oh, yeah, that's how I met Mark,

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<v Speaker 1>Remember when we met at the blood drive.

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<v Speaker 2>And so the nurse asks, where'd you go? Just now?

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<v Speaker 1>And we realize that in this moment that we are

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<v Speaker 1>in the recollections Gema's recollections of Mark. This is important

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<v Speaker 1>the flashbacks and whose perspective the flashbacks take place in

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<v Speaker 1>is going to be important.

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<v Speaker 2>We will discuss.

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<v Speaker 1>We get another flashback and it's Mark and Jemma living together,

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<v Speaker 1>and it's very clear that they are happy, and again

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<v Speaker 1>it's heartbreaking stuff. We go to Mark's house in the present.

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<v Speaker 1>That flashback, by the way, I think is taking place

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<v Speaker 1>in Mark's dreaming.

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<v Speaker 3>As regarding it, this is kind of the ebb and

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<v Speaker 3>flow that makes this episode so interesting because it's starting

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<v Speaker 3>to make us ask questions about what can you remember,

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<v Speaker 3>what can you not remember? We are definitely, as we

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<v Speaker 3>were talking out in the group chat, we are definitely

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<v Speaker 3>in an eternal sunshine of the spotless mind type situation

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<v Speaker 3>when it comes to what is reliable who can remember

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<v Speaker 3>for sure? And yeah, I'm very interested to talk more

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<v Speaker 3>about whose recollections these are. And also if there's some

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<v Speaker 3>kind of situation where once you have been severed, there

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<v Speaker 3>is maybe like a hive mind element to certain parts,

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<v Speaker 3>if you have shared history with someone else, I don't know.

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<v Speaker 3>I think that's some really interesting stuff.

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<v Speaker 1>That's an interesting thing to think about. And I've been

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<v Speaker 1>wondering that myself.

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<v Speaker 4>Okay.

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<v Speaker 1>Devin is freaking out because Mark's in a fucking coma

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<v Speaker 1>and has been, uh, you know, doing this reintegration process

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<v Speaker 1>without her knowing, and she's she's losing it.

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<v Speaker 2>Regaby's like, he just needs to rest.

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<v Speaker 1>He's gonna be okay, and Devin really doesn't believe it,

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<v Speaker 1>and she's like.

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<v Speaker 3>You're not allowed to talking about what are you talking about?

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<v Speaker 3>I don't know about this.

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<v Speaker 1>I don't know what's Devin is like, you're not allowed

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<v Speaker 1>to do this anymore to my brother, and Regaby is like, well,

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<v Speaker 1>this is what he wants to do because this is

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<v Speaker 1>how he will get Gemma back, and Devin's like, we

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<v Speaker 1>don't even know if she's live, and She's like she's fucking.

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<v Speaker 3>And also, Devin, interestingly, I think we've kind of talked about,

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<v Speaker 3>like what's her purpose in the show, Like is she

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<v Speaker 3>an art? Has been a popular conversation in fandoms, but

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<v Speaker 3>I have to say she's an I don't think she's

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<v Speaker 3>an op. I think that she is as many of

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<v Speaker 3>these characters are morally gray, but here I was really believing, like, oh,

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<v Speaker 3>this is your brother, and you will legit kill this

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<v Speaker 3>woman if she ever fucks with him, like, I really

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<v Speaker 3>believe that, and also interestingly with Gaby says to her,

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<v Speaker 3>this is how you like, both of you get Gemma back,

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<v Speaker 3>and then we do start to understand that Devin and Gemma,

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<v Speaker 3>Mark's not the only one grieving. Let's put it that.

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<v Speaker 2>Way right correct.

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<v Speaker 1>On the test floor, the nurse measures Gemma's vitals, make sure.

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<v Speaker 1>She asks her, have you eaten? Have you done your calisthenics?

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<v Speaker 1>Have you done your reading? The calisthenics interestingly mirror the

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<v Speaker 1>kind of figures that we see on the cards, the

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<v Speaker 1>lumen cards that we saw in season one, we will

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<v Speaker 1>see in this episode. The nurse then asks, hey, what

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<v Speaker 1>do you if you were to be trapped in a landslide,

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<v Speaker 1>what would you be more afraid of? Suffocator and drowning?

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<v Speaker 1>She says drying drowning and she's holding like this little

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<v Speaker 1>woe lie detector or something, and the nurse reads the

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<v Speaker 1>read out and then they go off to visit the rooms.

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<v Speaker 2>Gem is like, how many rooms do I have? To say?

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<v Speaker 4>Six?

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<v Speaker 1>Jemma kind of like it is like a god size size.

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<v Speaker 1>At this she goes to her closet, puts on an

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<v Speaker 1>outfit that has been laid out for her that seems

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<v Speaker 1>to I have not gone deep on this, but the

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<v Speaker 1>outfits that she will wear seem to mirror a lot

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<v Speaker 1>of the outfits that we see the Egans, the the

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<v Speaker 1>mannequins of the Egans from the museum wearing.

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<v Speaker 3>Yeah. I also something I think that's really interesting about

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<v Speaker 3>this is like the bernout character. I was like, she

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<v Speaker 3>almost seems like she cares about Gemma as well, even

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<v Speaker 3>though she's not allowed to the idea of like checking

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<v Speaker 3>that she's eaten and exercised in all of that. Yeah,

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<v Speaker 3>it does seem like they want the best test results,

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<v Speaker 3>but I think it feels almost as an acknowledgment of

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<v Speaker 3>like she knows what Gemma is about to go through,

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<v Speaker 3>and she's kind of checking in like are you best?

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<v Speaker 3>Can you do this? You know?

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<v Speaker 1>Not that if for Gobi used to work on the

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<v Speaker 1>test floor.

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<v Speaker 3>That would make a lot of sense. I mean, as

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<v Speaker 3>we'll see this, this becomes a very bleak episode that

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<v Speaker 3>tells you a little more about the way lumin does

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<v Speaker 3>not respect humans or brains or anything anything.

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<v Speaker 1>Yes, the nurse takes Gemma past a series of rooms.

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<v Speaker 1>There's various hallways with lots and lots and lots of rooms,

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<v Speaker 1>and the rooms are labeled with project names of projects

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<v Speaker 1>that we know the MDR crew has worked on in

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<v Speaker 1>season one in some of season two including Allentown, Cairns, Drainesville,

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<v Speaker 1>and on and on and on. Uh they go to

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<v Speaker 1>a room labeled Wellington. The nurse unlocks the door using

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<v Speaker 1>like a pomp pad that takes the nurse's blood, which

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<v Speaker 1>is interesting and real returning to this yet a lot

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<v Speaker 1>of blood. The inside the room, we see doctor Mauer,

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<v Speaker 1>who will come to be Gema's torture, and this made

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<v Speaker 1>me wonder if this is taking place two episodes ago

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<v Speaker 1>when we saw who we now know is doctor Mauer

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<v Speaker 1>picking up dental tools from a storeroom somewhere and then

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<v Speaker 1>going down the elevator and whistling that kind of sea

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<v Speaker 1>shanty tune that he was whistling when in this episode,

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<v Speaker 1>Jemma goes into the room, so the scenario is a

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<v Speaker 1>visit to the dentist. Maur asks Gemma to open up Gemma.

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<v Speaker 1>It's clear this version of Gemma in the room is

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<v Speaker 1>severed so that this personality only knows this room. I'm

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<v Speaker 1>always here crying.

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<v Speaker 3>Is that because you go, oh, you know, I was

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<v Speaker 3>here six you know. I was just here, you know,

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<v Speaker 3>a minute ago, and he's like, no, it's been six weeks.

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<v Speaker 3>Like they're not even honest, you know too, huh. I

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<v Speaker 3>think probably of all the things we've seen in severance

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<v Speaker 3>being an Innie who is just.

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<v Speaker 2>Office is the word.

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<v Speaker 3>That's how that's like a soul level evil.

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<v Speaker 1>I want to lightly push back on one thing you said,

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<v Speaker 1>I think they are weird. I was why. I was

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<v Speaker 1>like weirded out by the fact that Mauer is honest

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<v Speaker 1>weather he tells her it's been six weeks, so there

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<v Speaker 1>is for some reason they are leveling with the Innie

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<v Speaker 1>and letting them know that even though you have not

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<v Speaker 1>clocked that time has passed, because you only exist in

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<v Speaker 1>this room, time has passed.

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<v Speaker 2>Like the same thing in the Christmas thing.

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<v Speaker 1>In the Christmas scenario, he says, yeah, Christmas comes back

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<v Speaker 1>once a year.

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<v Speaker 3>Even though you think it's always Christmas.

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<v Speaker 1>It's almost as if they are trying to get these

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<v Speaker 1>innies used to the idea that you're going to be

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<v Speaker 1>missing time and you're going to only exist in here,

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<v Speaker 1>but there's things going on that you don't know about

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<v Speaker 1>and just accept it.

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<v Speaker 2>I found that very weird.

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<v Speaker 3>I do too, and then something I think is really

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<v Speaker 3>interesting too is the it's clear that Dr Mauer is

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<v Speaker 3>has feelings for Gemma like that starts to come across.

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<v Speaker 3>And maybe that's also why he's trying to add that

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<v Speaker 3>level of you know, inverted commas honesty with the different innings.

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<v Speaker 3>But obviously Gemma has no connection to him or them,

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<v Speaker 3>just these kind of night And it's crazy to me

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<v Speaker 3>as well, because I think, correct me if I'm wrong.

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<v Speaker 3>Is this the first time that we've seen someone who

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<v Speaker 3>has multiple innies like five or six gema?

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<v Speaker 1>This is her first time that we know that we're

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<v Speaker 1>seeing it for Yes.

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<v Speaker 3>Yes, yes, that's true. It could be.

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<v Speaker 2>Yeah.

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<v Speaker 3>I like that that's a good way of putting it.

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<v Speaker 1>Outside the room. Gemma comes out, she remembers nothing of

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<v Speaker 1>the past two hours. We go back to Marrow, but

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<v Speaker 1>she has she has sore jaw. I think if she

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<v Speaker 1>just that the physical pain.

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<v Speaker 2>She's kind of like rubbing her draw when she comes

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<v Speaker 2>up and she rumors nothing.

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<v Speaker 1>Back at Mark's, Devin is like, Mark, come back, you know,

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<v Speaker 1>please wake up. She's freaking out. His eyes are moving.

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<v Speaker 1>We go into his memories. Now in the flashback, he

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<v Speaker 1>goes to Jemma's office and he brings her an ant

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<v Speaker 1>farm and he's like, because you said you like ants,

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<v Speaker 1>and she's like, no, I like plants.

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<v Speaker 2>And this is.

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<v Speaker 1>Clearly very early on in their relationship, and then we

0:12:18.080 --> 0:12:23.079
<v Speaker 1>get a montage, also clearly from Mark's perspective of their

0:12:23.160 --> 0:12:28.360
<v Speaker 1>life together. I noticed that in many of these flashbacks

0:12:28.640 --> 0:12:32.320
<v Speaker 1>they are working, but they break work. They interrupt each

0:12:32.320 --> 0:12:34.600
<v Speaker 1>other from work, and they're both happy to see each

0:12:34.640 --> 0:12:38.800
<v Speaker 1>other with that interruption. Mark has purchased a crib in

0:12:38.800 --> 0:12:43.640
<v Speaker 1>this flashback, and they're clearly planning a family. Gema's like

0:12:43.679 --> 0:12:46.719
<v Speaker 1>a crib who's gonna put together? And you're not much

0:12:46.720 --> 0:12:50.439
<v Speaker 1>of a handyman. Jema mentions and time passes.

0:12:51.720 --> 0:12:53.640
<v Speaker 3>Just quickly. I want to say, I felt like the

0:12:53.679 --> 0:12:57.960
<v Speaker 3>amptparm gift is like a very clever kind of nod

0:12:58.160 --> 0:13:00.760
<v Speaker 3>to the you know, the infinite layer of lumen that

0:13:00.800 --> 0:13:03.440
<v Speaker 3>we don't Oh yeah, really no, you know there's something.

0:13:03.720 --> 0:13:06.920
<v Speaker 3>There's definitely something there, and I love that she was like, well,

0:13:06.960 --> 0:13:09.480
<v Speaker 3>I don't like ants, but I love farms, so you

0:13:09.520 --> 0:13:12.040
<v Speaker 3>know you've got something right. But there's clearly there's so

0:13:12.160 --> 0:13:15.600
<v Speaker 3>much kind of illusion in this episode to Lumen, and

0:13:15.679 --> 0:13:19.600
<v Speaker 3>maybe the fact that these two were put together by Luhman.

0:13:19.720 --> 0:13:21.720
<v Speaker 3>We don't know, but there's there's a lot of strange

0:13:21.720 --> 0:13:22.520
<v Speaker 3>things occurring.

0:13:22.920 --> 0:13:28.160
<v Speaker 1>Yes, there's a dinner party at Mark and Jemma's house

0:13:28.240 --> 0:13:31.000
<v Speaker 1>with Devon and Ricken dn R are talking about a

0:13:31.040 --> 0:13:32.560
<v Speaker 1>recent trip to some mountains.

0:13:32.640 --> 0:13:33.720
<v Speaker 2>Ricken really enjoyed it.

0:13:33.800 --> 0:13:38.120
<v Speaker 1>He's like putting himself forth as this like born and

0:13:38.200 --> 0:13:42.920
<v Speaker 1>bred outdoor adventurer, whereas Devon is like, you're crazy.

0:13:43.000 --> 0:13:44.840
<v Speaker 2>That was insane, like it was very dangerous.

0:13:45.480 --> 0:13:52.080
<v Speaker 1>And here notice we and in this conversation, I think

0:13:52.120 --> 0:13:56.439
<v Speaker 1>is one of the most obvious switchovers in perspective. As

0:13:56.480 --> 0:14:00.439
<v Speaker 1>Devon and Ricken and Mark are discussing the vacation, we

0:14:00.520 --> 0:14:06.199
<v Speaker 1>go to a little interaction between Gemma and Devon. We

0:14:06.360 --> 0:14:11.280
<v Speaker 1>hear Ricken saying, hey, Mark, like, I'd love to you

0:14:11.280 --> 0:14:13.839
<v Speaker 1>should come to the mountains. I'd love to spend more

0:14:13.880 --> 0:14:15.920
<v Speaker 1>time with you and get to know you more in

0:14:16.040 --> 0:14:20.200
<v Speaker 1>nature's splendor. And we see from Jemma's perspective her declining

0:14:20.240 --> 0:14:22.520
<v Speaker 1>wine that Devin is trying to pour from her.

0:14:22.920 --> 0:14:24.720
<v Speaker 2>And this is one.

0:14:24.560 --> 0:14:29.480
<v Speaker 1>Of the best examples of good writing in which a

0:14:29.560 --> 0:14:32.480
<v Speaker 1>character tells another character that they're pregnant without telling them

0:14:32.520 --> 0:14:34.080
<v Speaker 1>they are pregnant exactly.

0:14:33.720 --> 0:14:36.600
<v Speaker 3>And the emotional range that the two of them get

0:14:36.680 --> 0:14:39.560
<v Speaker 3>in this interaction is huge.

0:14:40.280 --> 0:14:43.000
<v Speaker 1>We angle on Jemma's eyes and the light goes from

0:14:43.120 --> 0:14:46.800
<v Speaker 1>cold to warm, and we realize now that time has passed,

0:14:46.840 --> 0:14:49.000
<v Speaker 1>she's in the shower and she's just miscarried.

0:14:49.760 --> 0:14:51.200
<v Speaker 2>Mark finds her in the shower.

0:14:52.760 --> 0:14:56.880
<v Speaker 1>The rain goes backwards, and I think there's another hand

0:14:56.920 --> 0:14:59.720
<v Speaker 1>over here to Mark's perspective because the rain goes backwards

0:14:59.720 --> 0:15:05.080
<v Speaker 1>and see market MDR from sometime last season when uh uh,

0:15:05.640 --> 0:15:09.960
<v Speaker 1>Miss Casey was working with them on the MDR floor.

0:15:10.000 --> 0:15:13.760
<v Speaker 1>And then we follow wires in the MDR floor up

0:15:14.240 --> 0:15:17.320
<v Speaker 1>somewhere through the Lumen building to a team of observers

0:15:17.760 --> 0:15:21.600
<v Speaker 1>who are observing the MDR team one person per MDR

0:15:21.720 --> 0:15:26.640
<v Speaker 1>team member Mark Kelly Dyllon and irving. Mister Drummond is

0:15:26.640 --> 0:15:31.880
<v Speaker 1>there observing the observers and doctor Mauer is with him.

0:15:33.320 --> 0:15:38.280
<v Speaker 1>Mister Drummond says the severance barriers are holding Mauer is like, yes,

0:15:38.880 --> 0:15:41.760
<v Speaker 1>the technology is working, it seems. Mauer admits he has

0:15:41.800 --> 0:15:44.080
<v Speaker 1>a fondness for Gemma, but Drummond tells him, like, at

0:15:44.120 --> 0:15:45.120
<v Speaker 1>the end of this year, you gonna have to give

0:15:45.120 --> 0:15:50.600
<v Speaker 1>her up. We learned that Gemma had previously attacked. Mauer says,

0:15:51.160 --> 0:15:53.200
<v Speaker 1>you know, I'm fond of her, and she's fond of

0:15:53.240 --> 0:15:54.160
<v Speaker 1>me too, I think.

0:15:54.720 --> 0:15:57.160
<v Speaker 2>And then Drummond says.

0:15:57.120 --> 0:16:01.040
<v Speaker 1>Didn't she almost break your finger once? This, I think

0:16:01.120 --> 0:16:04.360
<v Speaker 1>is and I think we probably agree on this, right,

0:16:04.360 --> 0:16:07.920
<v Speaker 1>that this seems like a reference to a previous escape attempt.

0:16:08.000 --> 0:16:10.360
<v Speaker 3>Yes, right, definitely.

0:16:11.120 --> 0:16:15.320
<v Speaker 1>We go back to Lumen time unknown Gemma on the

0:16:15.360 --> 0:16:19.320
<v Speaker 1>test floor. She's dressed in a romper. Now we cut

0:16:19.360 --> 0:16:23.560
<v Speaker 1>to the outside world. It's a flashback Mark and Jemma

0:16:23.640 --> 0:16:26.520
<v Speaker 1>at a doctor's office. They're seeing a fertility specialist, and

0:16:26.520 --> 0:16:29.000
<v Speaker 1>we see that maur is there. He's one of the doctors.

0:16:29.400 --> 0:16:34.520
<v Speaker 1>As Gemma is filling I stop here. Yes, as many

0:16:34.560 --> 0:16:39.160
<v Speaker 1>are now noting, and as I dimly remembered, there's a

0:16:39.200 --> 0:16:42.040
<v Speaker 1>line in season one in which Devin says to Mark, hey,

0:16:42.080 --> 0:16:45.480
<v Speaker 1>are you still seeing that therapist with the creepy mustache.

0:16:45.520 --> 0:16:47.280
<v Speaker 1>That's got to be mass.

0:16:46.840 --> 0:16:49.560
<v Speaker 3>Got to be him, absolutely, and not just that in

0:16:49.680 --> 0:16:52.680
<v Speaker 3>the first room. I mean in the first scene of

0:16:52.680 --> 0:16:56.640
<v Speaker 3>this where we see Gemma and Mark meet, the testing

0:16:56.640 --> 0:16:59.840
<v Speaker 3>equipment has like lumin logos on it, So I think

0:17:00.040 --> 0:17:04.800
<v Speaker 3>ye for whatever reason, these two have been in Luman's

0:17:04.880 --> 0:17:07.400
<v Speaker 3>kind of suckle for a while.

0:17:07.480 --> 0:17:09.679
<v Speaker 1>They picked them up, probably at the blood drive, and

0:17:09.720 --> 0:17:12.520
<v Speaker 1>then started to really drill down, and clearly they are

0:17:14.000 --> 0:17:16.400
<v Speaker 1>involved in events in ways that we don't know, much

0:17:16.440 --> 0:17:21.240
<v Speaker 1>more significantly than we know, and I think that the

0:17:21.359 --> 0:17:24.720
<v Speaker 1>reason it's notable. Then, in a lot of these test

0:17:24.760 --> 0:17:28.040
<v Speaker 1>room scenarios, there are different things that seem to mirror

0:17:28.080 --> 0:17:32.679
<v Speaker 1>events from Gemma and Mark's life that sometimes Gemma on

0:17:32.720 --> 0:17:34.280
<v Speaker 1>the test floor would not have known about, like a

0:17:34.320 --> 0:17:36.920
<v Speaker 1>comment by Mark or a particular thought that he had.

0:17:38.600 --> 0:17:44.280
<v Speaker 1>For instance, we'll see an escape attempt like doctor Mauer disparishes,

0:17:44.640 --> 0:17:47.639
<v Speaker 1>the death of even Iliach, the book that Gemma was

0:17:47.720 --> 0:17:49.600
<v Speaker 1>grading when she met Mark.

0:17:49.800 --> 0:17:50.680
<v Speaker 2>There's all these.

0:17:50.520 --> 0:17:53.800
<v Speaker 1>Little things, and I think it's from some of it,

0:17:53.880 --> 0:17:56.679
<v Speaker 1>at least from these therapy sessions or other ways that

0:17:56.760 --> 0:18:01.840
<v Speaker 1>Luhmann has been collecting information about Mark, and anyway, in

0:18:01.920 --> 0:18:05.720
<v Speaker 1>Gemma's test floor space splace space, we're in her recollections

0:18:05.760 --> 0:18:10.000
<v Speaker 1>now she's remembering the past. We see fast images of

0:18:10.200 --> 0:18:11.440
<v Speaker 1>someone molding.

0:18:11.119 --> 0:18:15.000
<v Speaker 3>Clay m HM into like a tree, yeah.

0:18:14.760 --> 0:18:17.000
<v Speaker 1>And various winter scenes, and then we end up on

0:18:17.080 --> 0:18:20.640
<v Speaker 1>Mark putting clothes away in a hallway. This is from

0:18:20.920 --> 0:18:24.960
<v Speaker 1>Jemma's perspective, I think, because she then asks Mark, hey,

0:18:25.000 --> 0:18:28.560
<v Speaker 1>help me, it's time to inject the drugs. She's nervous

0:18:28.600 --> 0:18:30.919
<v Speaker 1>about it. He's like, don't worry. Like he's very charming

0:18:30.960 --> 0:18:32.760
<v Speaker 1>about it. It's like, we're gonna get that little girl.

0:18:32.800 --> 0:18:33.760
<v Speaker 1>She's out there waiting for us.

0:18:33.760 --> 0:18:37.080
<v Speaker 3>And then he and jem who we've you know, maybe

0:18:37.080 --> 0:18:38.639
<v Speaker 3>we've already met her in Lumen.

0:18:39.119 --> 0:18:39.399
<v Speaker 2>Yeah.

0:18:39.440 --> 0:18:42.879
<v Speaker 1>Back on the test floor, maur is examining Gemma I

0:18:42.880 --> 0:18:45.280
<v Speaker 1>think in her apartment or in a room adjacent to

0:18:45.320 --> 0:18:48.960
<v Speaker 1>her apartment. Various scans are being taken in real time,

0:18:49.320 --> 0:18:51.840
<v Speaker 1>and the observers and the observation floor are looking at

0:18:51.840 --> 0:18:55.120
<v Speaker 1>the scans. We see that Jemma is indeed chipped. There's

0:18:55.119 --> 0:18:57.439
<v Speaker 1>a chip in her head, although it seems to me

0:18:57.480 --> 0:18:59.320
<v Speaker 1>like the chip looks different than the way that we

0:18:59.400 --> 0:19:03.719
<v Speaker 1>see in Mark's bigger or something right. Maur is asking

0:19:03.800 --> 0:19:07.080
<v Speaker 1>Jema how many rooms have you visited and what if

0:19:07.080 --> 0:19:09.919
<v Speaker 1>anything she remembers from those rooms. She doesn't remember anything,

0:19:09.960 --> 0:19:13.600
<v Speaker 1>just kind of like lingering physical pain from different places.

0:19:14.080 --> 0:19:17.600
<v Speaker 1>He asks if when she exited the rooms, did you

0:19:17.680 --> 0:19:20.240
<v Speaker 1>feel any of the four tempers, you know, woe and

0:19:20.400 --> 0:19:23.919
<v Speaker 1>despair whatever. The only room she has not been to,

0:19:24.040 --> 0:19:26.040
<v Speaker 1>she says, is cold. There's only one room I haven't

0:19:26.040 --> 0:19:26.240
<v Speaker 1>been to.

0:19:26.320 --> 0:19:27.080
<v Speaker 2>It's cold Harbor.

0:19:27.720 --> 0:19:32.040
<v Speaker 1>And he is interested in the way that that she

0:19:32.680 --> 0:19:36.600
<v Speaker 1>recalls this and knows this, and when she goes there,

0:19:37.119 --> 0:19:39.600
<v Speaker 1>she asked, what will happen when I go there? He says,

0:19:40.040 --> 0:19:42.600
<v Speaker 1>you will see the world again. In the world will

0:19:42.640 --> 0:19:45.399
<v Speaker 1>see you. And she's like, oh, that means I get

0:19:45.440 --> 0:19:48.480
<v Speaker 1>to see Mark again. And Mauer is like, super evasive.

0:19:48.800 --> 0:19:51.199
<v Speaker 1>Then about the thing. Yeah, Jemma gets mad. She's like, well,

0:19:51.240 --> 0:19:53.280
<v Speaker 1>you just fucking speak like a normal person, like the

0:19:53.320 --> 0:20:13.320
<v Speaker 1>fat We do a fade cut to a flashback to

0:20:13.359 --> 0:20:19.200
<v Speaker 1>the outside world, Gemma in the bathroom feeling sad and

0:20:19.240 --> 0:20:22.600
<v Speaker 1>Marks so clearly her recollections right, and Mark calling her

0:20:22.640 --> 0:20:23.960
<v Speaker 1>from the kitchen telling.

0:20:23.720 --> 0:20:25.600
<v Speaker 2>Her that the coffee is ready.

0:20:26.200 --> 0:20:30.840
<v Speaker 1>I think that this fade cut is important because now

0:20:30.880 --> 0:20:33.520
<v Speaker 1>we're entering the era of the flashbacks, in which a

0:20:33.560 --> 0:20:38.920
<v Speaker 1>distance is growing between Mark and Gemma related to their

0:20:38.960 --> 0:20:42.639
<v Speaker 1>inability to get pregnant and the struggles around that something

0:20:42.640 --> 0:20:45.639
<v Speaker 1>I think a lot of people can empathize with. We

0:20:45.760 --> 0:20:49.960
<v Speaker 1>cut to daytime at Mark's in the present. Regabi is like, Okay,

0:20:49.960 --> 0:20:51.960
<v Speaker 1>Mark's fine. Now, he just needs to sleep and he's

0:20:52.000 --> 0:20:52.760
<v Speaker 1>going to be okay.

0:20:52.800 --> 0:20:55.400
<v Speaker 2>He's just journeying. We see him dreaming.

0:20:56.000 --> 0:20:59.439
<v Speaker 1>Regabi insists that whatever this procedure is working and we

0:20:59.520 --> 0:21:02.480
<v Speaker 1>just need to give time. Devin is like, hey, you

0:21:02.560 --> 0:21:06.159
<v Speaker 1>know the any cottage where the people who've just been

0:21:06.200 --> 0:21:10.760
<v Speaker 1>severed become their inniase, and and Gaby's like, yeah, Demona

0:21:10.800 --> 0:21:14.359
<v Speaker 1>Birthing retreat, what about it? And she's like, well, there's

0:21:14.400 --> 0:21:17.439
<v Speaker 1>this lady we know who worked there, Harmony Cabell, Like

0:21:17.480 --> 0:21:20.760
<v Speaker 1>why don't we contact her and get her help with this?

0:21:20.800 --> 0:21:22.720
<v Speaker 2>And Regaby's like are you fucking Like.

0:21:22.880 --> 0:21:25.639
<v Speaker 3>Yeah, She's like she and she says something very interesting,

0:21:25.680 --> 0:21:28.680
<v Speaker 3>Why would you do that? She says she was raised

0:21:28.760 --> 0:21:31.800
<v Speaker 3>by them, she's she says something else first, soldier.

0:21:32.400 --> 0:21:34.479
<v Speaker 1>Yeah, she says something else first, which is like, these

0:21:34.520 --> 0:21:39.399
<v Speaker 1>are two different things, like that's severing, this is integration,

0:21:39.680 --> 0:21:42.400
<v Speaker 1>Like this is yeah.

0:21:41.600 --> 0:21:42.400
<v Speaker 2>And then you're right.

0:21:42.480 --> 0:21:46.280
<v Speaker 1>She's like no, Cobell is tried and true, like she

0:21:46.440 --> 0:21:49.400
<v Speaker 1>was she's raised in this. She's a she says, she's

0:21:49.440 --> 0:21:54.120
<v Speaker 1>a soldier. And Devin, who I'm kind of mad at

0:21:54.160 --> 0:21:58.600
<v Speaker 1>in this episode, though she's doing understandable stuff, is like

0:21:59.160 --> 0:22:01.239
<v Speaker 1>while I'm calling her anyway, and Goby's like, okay, then

0:22:01.240 --> 0:22:05.399
<v Speaker 1>I'm done by yeah, exactly where Andy's And Devon's like,

0:22:05.440 --> 0:22:07.880
<v Speaker 1>wait what you can't leave me with this, and Goby's like, yes,

0:22:07.880 --> 0:22:10.680
<v Speaker 1>I'm leaving, by the way, don't call that woman bye,

0:22:10.800 --> 0:22:14.320
<v Speaker 1>and she leaves and then Mark that advice, take that advice,

0:22:14.800 --> 0:22:18.880
<v Speaker 1>and then Mark, well, Devon is like hesitating. She may

0:22:18.920 --> 0:22:21.280
<v Speaker 1>be about to call Cobel, but then Mark begins to

0:22:21.359 --> 0:22:22.240
<v Speaker 1>kind of like mutter.

0:22:23.280 --> 0:22:26.320
<v Speaker 2>The title to the episode chick i Bardo chick Diabardo.

0:22:26.640 --> 0:22:32.119
<v Speaker 1>We cut two flashback Mark's recollections. Chick i Bardo is,

0:22:33.160 --> 0:22:39.959
<v Speaker 1>according to Jemma, the the her analysis of one of

0:22:40.000 --> 0:22:45.200
<v Speaker 1>those like personality test cards from Lumen and it shows

0:22:45.200 --> 0:22:47.840
<v Speaker 1>a man doing what appears to be calistenics but also

0:22:47.920 --> 0:22:52.120
<v Speaker 1>like maybe pushing back another version of himself. And Jemma says,

0:22:52.119 --> 0:22:55.040
<v Speaker 1>it's ego death. It's a guy like fighting against himself.

0:22:55.960 --> 0:23:02.000
<v Speaker 1>And this came in the mail for her, Okay, you know,

0:23:02.200 --> 0:23:05.800
<v Speaker 1>like probably identified by the blood tests and other testing

0:23:05.840 --> 0:23:10.080
<v Speaker 1>that they have been doing, and she needs to interpret

0:23:10.080 --> 0:23:12.359
<v Speaker 1>these Varius drowings. Mark is like why are wasting your

0:23:12.359 --> 0:23:15.320
<v Speaker 1>time with this kind of asshole? Mark future Mdr Mark

0:23:15.359 --> 0:23:17.320
<v Speaker 1>a little bit, and Jemma's like, don't.

0:23:17.080 --> 0:23:17.479
<v Speaker 2>Why are you?

0:23:17.640 --> 0:23:18.159
<v Speaker 4>Why are you?

0:23:18.520 --> 0:23:23.679
<v Speaker 1>Like, why are you criticizing this thing that I'm enjoying.

0:23:23.720 --> 0:23:28.199
<v Speaker 1>I'm enjoying this and you know, don't tell me how

0:23:28.240 --> 0:23:30.160
<v Speaker 1>to feel about this. And he says like, I don't

0:23:30.160 --> 0:23:35.159
<v Speaker 1>have any idea how you're feeling, so like, what is it?

0:23:35.200 --> 0:23:38.400
<v Speaker 1>And Jemma is like, basically says like I'm exhausted, I'm

0:23:38.440 --> 0:23:41.480
<v Speaker 1>beat up from trying to conceive in this whole struggle

0:23:41.520 --> 0:23:43.640
<v Speaker 1>around conception, and so Mark.

0:23:43.560 --> 0:23:45.000
<v Speaker 2>Is like, okay, let's just stop then.

0:23:45.200 --> 0:23:49.840
<v Speaker 1>Now time passes and it seems like now here's another handoff.

0:23:49.920 --> 0:23:55.119
<v Speaker 1>Right to cut to Gemma waking up at Lumen. She

0:23:55.160 --> 0:23:57.400
<v Speaker 1>brushes her teeth, she makes her bed, She's in her

0:23:57.400 --> 0:24:00.760
<v Speaker 1>little apartment. She gets dressed in her outfit. It to

0:24:00.840 --> 0:24:02.399
<v Speaker 1>go to one of the rooms, and this time the

0:24:02.480 --> 0:24:08.000
<v Speaker 1>room is a harrowing plane ride with severe turbulence. Maur

0:24:08.160 --> 0:24:12.200
<v Speaker 1>is the flight attendant and he's like getting all thrown around.

0:24:12.680 --> 0:24:14.720
<v Speaker 3>I think it's really funny because he's like trying to

0:24:14.720 --> 0:24:17.399
<v Speaker 3>reassure her again that kind of care for her coming.

0:24:17.520 --> 0:24:19.600
<v Speaker 3>He's like, don't worry, it's normal, and he's getting like

0:24:19.680 --> 0:24:24.800
<v Speaker 3>float flung around. Also another horrible room to be stuck in,

0:24:25.119 --> 0:24:29.480
<v Speaker 3>and interesting that you think, like dentists' flights, they are

0:24:29.520 --> 0:24:34.280
<v Speaker 3>almost testing her on like really obvious and kind of

0:24:34.520 --> 0:24:38.480
<v Speaker 3>well known human fears that a lot of people share.

0:24:38.600 --> 0:24:41.359
<v Speaker 3>What's your biggest fear going on an aeroplane, the airplane clashing,

0:24:41.400 --> 0:24:44.040
<v Speaker 3>what's your biggest far going to the dentist. These are

0:24:44.080 --> 0:24:47.600
<v Speaker 3>things that are maybe like a baseline of kind of

0:24:47.640 --> 0:24:50.160
<v Speaker 3>how humans in general who have these fears would react.

0:24:50.160 --> 0:24:51.320
<v Speaker 3>I think it's very interesting.

0:24:52.200 --> 0:24:56.240
<v Speaker 1>I think it's very interesting as well. We cut to

0:24:56.320 --> 0:24:59.720
<v Speaker 1>the observers. Maer notes that Marcus stuck at ninety six

0:24:59.720 --> 0:25:03.720
<v Speaker 1>percent refinement on Cold Harbor, holding up their progress. Drummond

0:25:03.800 --> 0:25:08.920
<v Speaker 1>is like the nosebleed set us back. Drummond tells Maur

0:25:09.280 --> 0:25:11.680
<v Speaker 1>that again, when they're done, you're gonna have to say

0:25:11.680 --> 0:25:15.120
<v Speaker 1>good bye to Gemma. Maur accepts this, and they both

0:25:15.200 --> 0:25:18.600
<v Speaker 1>kind of say for cure, Gemma makes a weird little meal.

0:25:18.640 --> 0:25:20.160
<v Speaker 2>That looks like Star Wars food.

0:25:20.440 --> 0:25:25.119
<v Speaker 3>Yeah. Yeah, even the food, the food that they put

0:25:25.200 --> 0:25:28.320
<v Speaker 3>on her table at when she's in the airplane is

0:25:28.359 --> 0:25:32.600
<v Speaker 3>also weird food, Like it's very weird. It's almost like

0:25:32.640 --> 0:25:35.639
<v Speaker 3>you can't there's something about lumen where they can't like

0:25:35.800 --> 0:25:38.879
<v Speaker 3>replicate this very normal thing that people do, which is

0:25:39.040 --> 0:25:41.840
<v Speaker 3>eat food that is appetizing instead of all the food

0:25:41.880 --> 0:25:44.240
<v Speaker 3>is slightly off, slightly weird, very star.

0:25:44.040 --> 0:25:50.119
<v Speaker 1>Wars Drummond, continuing the conversation, wants to know why Maur

0:25:50.359 --> 0:25:54.640
<v Speaker 1>is continuing to wear his little Christmas sweat, and we will,

0:25:54.720 --> 0:25:57.800
<v Speaker 1>as we will see soon, it's because in that particular

0:25:57.920 --> 0:26:01.320
<v Speaker 1>room scenario, maur and Emma are a couple, so he

0:26:01.400 --> 0:26:05.200
<v Speaker 1>probably is quite fond of that little scenario. We cut

0:26:05.240 --> 0:26:08.760
<v Speaker 1>to Gemma and her lumin apartment putting on a wedding ring.

0:26:09.760 --> 0:26:12.480
<v Speaker 1>We see her and she puts on like a kind

0:26:12.520 --> 0:26:16.280
<v Speaker 1>of fifties kind of outfit, and then we see her

0:26:16.400 --> 0:26:20.760
<v Speaker 1>in this Christmas room. She is writing out various thank

0:26:20.800 --> 0:26:23.080
<v Speaker 1>you cards, which he expressed in one of the flashbacks,

0:26:23.119 --> 0:26:26.800
<v Speaker 1>the thing she hates doing, yeah, various Christmas thank you

0:26:27.480 --> 0:26:31.639
<v Speaker 1>cards to people for Christmas gifts. So many in fact,

0:26:31.720 --> 0:26:33.480
<v Speaker 1>there's a pile of them that her hand is like

0:26:33.560 --> 0:26:36.439
<v Speaker 1>aching and shaking, and she's thanking of mister Tisdale for

0:26:36.480 --> 0:26:40.080
<v Speaker 1>his gift of a growder, but it's actually, as Maur corrects,

0:26:40.160 --> 0:26:41.320
<v Speaker 1>a d grouder.

0:26:41.440 --> 0:26:41.720
<v Speaker 2>Now.

0:26:42.200 --> 0:26:46.480
<v Speaker 1>This is as many have noted online. This If you

0:26:46.640 --> 0:26:53.080
<v Speaker 1>watch the miscarriage scene, there's a shot towards the end

0:26:53.119 --> 0:26:56.479
<v Speaker 1>where the camera lingers on the tile and the grouding

0:26:56.520 --> 0:26:58.920
<v Speaker 1>which does look like a little overdone, like it needs

0:26:58.920 --> 0:27:00.840
<v Speaker 1>to be scraped out. If you've ever done any work

0:27:00.880 --> 0:27:03.480
<v Speaker 1>in the bathroom, you know what I mean, see you,

0:27:03.520 --> 0:27:04.960
<v Speaker 1>it would require a degrounder.

0:27:05.960 --> 0:27:09.760
<v Speaker 2>Again, seemingly a reference to their life. They seem to know.

0:27:10.640 --> 0:27:13.359
<v Speaker 1>All of these scenarios seem to contain little details from

0:27:13.400 --> 0:27:18.160
<v Speaker 1>their life. She's done with the card mowers, like you're done,

0:27:18.160 --> 0:27:20.040
<v Speaker 1>you don't have to do anymore, and then they go

0:27:20.119 --> 0:27:24.040
<v Speaker 1>to leave. They're going somewhere in this little scenario, and

0:27:26.320 --> 0:27:29.120
<v Speaker 1>Mauer says I love you and basically pressures jem into

0:27:29.119 --> 0:27:30.720
<v Speaker 1>saying because she doesn't say it back, and then she

0:27:30.840 --> 0:27:35.439
<v Speaker 1>says it. This also mirroring the last time Mark and

0:27:35.560 --> 0:27:36.840
<v Speaker 1>Jemma saw each other.

0:27:36.920 --> 0:27:40.399
<v Speaker 2>As we will see we go, She goes back to

0:27:40.400 --> 0:27:40.879
<v Speaker 2>her apartment.

0:27:40.960 --> 0:27:45.160
<v Speaker 1>She's listening to Billie Holliday. She recalls we go flashback

0:27:45.640 --> 0:27:50.000
<v Speaker 1>now to Mark, very angry in a fury disassembling the

0:27:50.080 --> 0:27:53.400
<v Speaker 1>crib that he had made, and very clearly now there's

0:27:53.400 --> 0:27:57.280
<v Speaker 1>a space between them. There's an emotional something, there's they're arguing.

0:27:57.440 --> 0:28:02.639
<v Speaker 1>There's something between them now tremendous madness, frustration, et cetera.

0:28:03.000 --> 0:28:08.000
<v Speaker 1>They are growing apart clearly. Now here is where I

0:28:08.040 --> 0:28:13.719
<v Speaker 1>will say, Okay, so let's first recap it.

0:28:13.760 --> 0:28:18.200
<v Speaker 2>So okay, yeah, yeah, she's in her.

0:28:18.119 --> 0:28:23.240
<v Speaker 1>Apartment, she can barely eat. Maour comes in and asks,

0:28:23.320 --> 0:28:24.720
<v Speaker 1>how are you feeling? Same old thing?

0:28:24.840 --> 0:28:25.720
<v Speaker 2>Like the rooms?

0:28:25.800 --> 0:28:28.240
<v Speaker 1>Did they cause you to feel anything? Do you remember

0:28:28.280 --> 0:28:31.040
<v Speaker 1>anything from them? And it's clear that Gemma is coming

0:28:31.080 --> 0:28:35.960
<v Speaker 1>to a decision, and she's as she is coming to

0:28:36.000 --> 0:28:38.280
<v Speaker 1>a decision. In the flashback, if you watch it back,

0:28:38.320 --> 0:28:41.520
<v Speaker 1>there's a moment where something comes into her eyes as

0:28:41.560 --> 0:28:45.760
<v Speaker 1>Mark is destroying this crib, and here she appears to

0:28:45.760 --> 0:28:47.080
<v Speaker 1>be coming to a decision as well.

0:28:48.600 --> 0:28:50.680
<v Speaker 2>She is like she asks.

0:28:50.400 --> 0:28:52.600
<v Speaker 1>About like Mark and when she's going to see him,

0:28:52.600 --> 0:28:55.520
<v Speaker 1>and Mars like Mark is remarried and has a daughter.

0:28:55.560 --> 0:29:00.040
<v Speaker 1>Now it's been many years since you were gone, and

0:29:00.040 --> 0:29:04.360
<v Speaker 1>and sorry about that. Then he goes to the bookshelf

0:29:04.400 --> 0:29:10.400
<v Speaker 1>and he picks off Tolstoy's death of Ivonne Ilitch and

0:29:10.680 --> 0:29:13.520
<v Speaker 1>starts to disparage. It is like, let me guess spoiler alert,

0:29:13.600 --> 0:29:17.080
<v Speaker 1>like he fucking he dies at the end, which again

0:29:17.160 --> 0:29:19.840
<v Speaker 1>mirrors exactly kind of what Mark said when he was

0:29:20.080 --> 0:29:27.080
<v Speaker 1>looking at her paper. She flips out naturally, hits More

0:29:27.160 --> 0:29:29.800
<v Speaker 1>over the head with a chair and goes to flee.

0:29:30.400 --> 0:29:33.480
<v Speaker 1>She's running through the hallways. She gets to the elevator,

0:29:33.560 --> 0:29:37.600
<v Speaker 1>the nurses in pursuit. She gets into the elevator and

0:29:37.640 --> 0:29:39.720
<v Speaker 1>it goes up, but at the top it's the severed

0:29:39.760 --> 0:29:42.720
<v Speaker 1>floor and she boom reverts to Miss Casey. We cut

0:29:42.760 --> 0:29:48.520
<v Speaker 1>two Mark's recollections of the last time they saw each other.

0:29:49.160 --> 0:29:52.280
<v Speaker 1>Gemma is going somewhere to charades I think with Devin

0:29:52.280 --> 0:29:56.320
<v Speaker 1>and Ricken or somebody she doesn't say, but a charade somewhere,

0:29:56.800 --> 0:29:59.440
<v Speaker 1>and she's playing it off, but it's clear that she

0:29:59.520 --> 0:30:01.880
<v Speaker 1>doesn't think Mark is gonna come, and she doesn't want

0:30:01.920 --> 0:30:06.520
<v Speaker 1>Mark to come. She's like, are you sure, gosh? Then

0:30:06.560 --> 0:30:08.560
<v Speaker 1>she says, did you get that de Nalli thing I

0:30:08.600 --> 0:30:10.080
<v Speaker 1>sent you? We don't know what this is, but it

0:30:10.160 --> 0:30:14.960
<v Speaker 1>might be lumin information right, paperwork right to some indoctrination thing.

0:30:15.400 --> 0:30:17.760
<v Speaker 1>And she's like, I'll be back at ten. She says

0:30:17.760 --> 0:30:20.520
<v Speaker 1>I love you. Mark is so engrossed in whatever he's

0:30:20.520 --> 0:30:22.560
<v Speaker 1>doing that he doesn't respond. She says I love you,

0:30:22.600 --> 0:30:24.280
<v Speaker 1>and then he's like, oh, yeah, I love you too.

0:30:24.680 --> 0:30:25.400
<v Speaker 2>We cut two.

0:30:26.480 --> 0:30:30.520
<v Speaker 1>Miltchik now meets Miss Casey, who is like trying to

0:30:30.560 --> 0:30:33.120
<v Speaker 1>wander out of the dark hallway at the at the

0:30:33.280 --> 0:30:35.600
<v Speaker 1>end of the elevator to get outside.

0:30:35.920 --> 0:30:37.120
<v Speaker 2>She's very confused.

0:30:38.400 --> 0:30:42.160
<v Speaker 1>Miss Casey clearly thinks that she has an AUDI that

0:30:42.280 --> 0:30:45.520
<v Speaker 1>is in the outside world, so this is interesting. But

0:30:45.640 --> 0:30:48.840
<v Speaker 1>she's clear that there's lling.

0:30:48.960 --> 0:30:52.560
<v Speaker 3>Her is kind of saying like, don't worry like you out.

0:30:52.520 --> 0:30:54.600
<v Speaker 2>She doesn't find Yeah, she doesn't.

0:30:54.720 --> 0:30:55.640
<v Speaker 3>She can sense it.

0:30:55.800 --> 0:30:58.280
<v Speaker 1>She can sense it right because of the same panic

0:30:58.360 --> 0:31:00.920
<v Speaker 1>that she entered the elevator in fuck Meltchick.

0:31:02.120 --> 0:31:04.480
<v Speaker 3>Now it's fuck Meltchick at this.

0:31:04.560 --> 0:31:09.840
<v Speaker 1>We then cut immediately to Mark's flashback his perspective, hours

0:31:09.880 --> 0:31:13.360
<v Speaker 1>are passing. Cops show up to tell her Gemma is dead.

0:31:14.360 --> 0:31:17.600
<v Speaker 1>We cut back to Gemma in this like hell like

0:31:17.680 --> 0:31:21.800
<v Speaker 1>existence the nurse facinger. We cut back to Mark. He's

0:31:21.840 --> 0:31:24.680
<v Speaker 1>looking at the door. The cops are approaching, and now

0:31:25.760 --> 0:31:28.920
<v Speaker 1>they do a very interesting edit where it's a match.

0:31:29.640 --> 0:31:32.600
<v Speaker 1>It's like a match edit left side of the screen

0:31:32.680 --> 0:31:33.760
<v Speaker 1>is Mark looking.

0:31:33.520 --> 0:31:34.360
<v Speaker 2>At the cops.

0:31:35.120 --> 0:31:37.800
<v Speaker 1>Right side of the screen is Gemma looking at the nurse,

0:31:37.840 --> 0:31:40.480
<v Speaker 1>and they are looking across this space at each other,

0:31:40.600 --> 0:31:45.040
<v Speaker 1>almost like a mirror image. And then Mark wakes up.

0:31:45.880 --> 0:31:51.360
<v Speaker 1>Devin is relieved. We see a quick light of Jemma's

0:31:51.400 --> 0:31:54.160
<v Speaker 1>eyes as I guess he's remembering that he knows Missus

0:31:54.480 --> 0:31:57.200
<v Speaker 1>his wife. He's seen her thereon Lumen is miss Casey,

0:31:57.520 --> 0:32:00.200
<v Speaker 1>and then he begins to cry. Let's go to an

0:32:00.200 --> 0:32:04.280
<v Speaker 1>ad break to process all this information and then discuss

0:32:04.520 --> 0:32:04.880
<v Speaker 1>what we.

0:32:04.840 --> 0:32:24.000
<v Speaker 4>Think is happening after this. Okay, we're back, all right.

0:32:24.120 --> 0:32:29.160
<v Speaker 1>A lot of things to talk about here, and first

0:32:29.240 --> 0:32:31.640
<v Speaker 1>let's talk about what we know for sure. We now

0:32:31.720 --> 0:32:34.400
<v Speaker 1>know what that Gemma Won is alive, which we knew,

0:32:34.440 --> 0:32:36.120
<v Speaker 1>but we know for a fact that she's alive now

0:32:36.120 --> 0:32:37.640
<v Speaker 1>because we've not seen her in season.

0:32:37.400 --> 0:32:39.240
<v Speaker 3>Two and she has multiple anies.

0:32:40.360 --> 0:32:43.120
<v Speaker 1>We now know that they can sever people multiple times,

0:32:44.080 --> 0:32:48.280
<v Speaker 1>and that this might be more common than we think.

0:32:48.960 --> 0:32:53.120
<v Speaker 1>We now know what the MDR team is doing. They

0:32:53.320 --> 0:33:00.600
<v Speaker 1>are refining scenarios so that after a severed person experiences

0:33:00.720 --> 0:33:05.360
<v Speaker 1>these things, they will be essentially bulletproof. On the other side,

0:33:05.800 --> 0:33:10.680
<v Speaker 1>no stimuli no emotions, no feelings from no memories from

0:33:10.680 --> 0:33:13.760
<v Speaker 1>that event will reach the person on the other side

0:33:13.800 --> 0:33:16.120
<v Speaker 1>of the event that we know. Now here's what we

0:33:16.200 --> 0:33:19.920
<v Speaker 1>don't know. What is cold harbor? I don't know, and

0:33:20.760 --> 0:33:21.920
<v Speaker 1>a lot of other things.

0:33:22.280 --> 0:33:24.680
<v Speaker 3>Yeah, okay, so let's talk about cold harbor, because Jason,

0:33:24.760 --> 0:33:25.600
<v Speaker 3>you have a good theory.

0:33:25.760 --> 0:33:27.760
<v Speaker 2>I have a theory about cold horror. Might be wrong.

0:33:28.000 --> 0:33:30.400
<v Speaker 3>Yeah, and when I was watching this episode, I also

0:33:30.440 --> 0:33:32.320
<v Speaker 3>think I have a theory that's probably wrong, but I'm

0:33:32.360 --> 0:33:34.440
<v Speaker 3>interested to talk about it. So Jason, go for it.

0:33:34.480 --> 0:33:36.600
<v Speaker 1>I will first lay out my theory. So each of

0:33:36.640 --> 0:33:39.960
<v Speaker 1>these rooms, and there are myriad rooms, right, are like

0:33:40.280 --> 0:33:45.360
<v Speaker 1>negative things, and they and it seems like they have

0:33:45.440 --> 0:33:51.200
<v Speaker 1>to do specific rooms for specific negative type of events

0:33:51.440 --> 0:33:55.080
<v Speaker 1>that correspond to these four tempers that they are trying

0:33:55.120 --> 0:34:00.640
<v Speaker 1>to tamp down. Right now, I think cold harbor, or like,

0:34:00.680 --> 0:34:02.800
<v Speaker 1>what's the worst negative thing you can experience?

0:34:02.840 --> 0:34:04.120
<v Speaker 2>I guess near death.

0:34:03.920 --> 0:34:08.640
<v Speaker 1>Maybe like it could be that she experience of Jo's.

0:34:09.000 --> 0:34:11.279
<v Speaker 1>I think, what's the worst thing you can experience is

0:34:11.320 --> 0:34:12.719
<v Speaker 1>like losing someone you love?

0:34:13.040 --> 0:34:13.239
<v Speaker 2>Right?

0:34:14.080 --> 0:34:18.120
<v Speaker 1>And I think what's worse than losing someone you love?

0:34:18.600 --> 0:34:22.080
<v Speaker 1>What's even worse than that is losing someone you love

0:34:22.320 --> 0:34:26.440
<v Speaker 1>and it's your fault somehow. Yes, So I think that

0:34:26.640 --> 0:34:29.160
<v Speaker 1>Jemma did make a decision to go with I don't

0:34:29.160 --> 0:34:31.799
<v Speaker 1>think she knew what it would all entail, but I

0:34:31.840 --> 0:34:34.440
<v Speaker 1>do think she slipped away that night to go with Luman.

0:34:34.560 --> 0:34:37.000
<v Speaker 1>And I think that the editing the way that they

0:34:37.040 --> 0:34:42.000
<v Speaker 1>do these kind of mirror flashbacks, specifically towards the end,

0:34:42.040 --> 0:34:45.640
<v Speaker 1>where if you watch, it appears that Gemma is watching

0:34:45.680 --> 0:34:48.560
<v Speaker 1>Mark's grief as he is talking to these cops and

0:34:48.640 --> 0:34:52.439
<v Speaker 1>experiencing this. She's like watching all of this happen to him.

0:34:52.719 --> 0:34:54.759
<v Speaker 1>And then when she wake when he wakes up, she's

0:34:54.760 --> 0:35:00.240
<v Speaker 1>almost smiling. I think that's because she understands that she's

0:35:00.640 --> 0:35:03.120
<v Speaker 1>The decision she made caused Mark a lot of pain.

0:35:03.600 --> 0:35:09.920
<v Speaker 1>And so I wonder if Cold Harbor isn't the room

0:35:10.000 --> 0:35:16.920
<v Speaker 1>in which they are testing to see if all of

0:35:16.960 --> 0:35:21.400
<v Speaker 1>her memories, feelings, emotions, senses.

0:35:21.040 --> 0:35:24.040
<v Speaker 2>Of Mark can be completely killed off.

0:35:25.080 --> 0:35:29.439
<v Speaker 1>What I mean is, isn't could Cold Harbor not be

0:35:30.080 --> 0:35:34.560
<v Speaker 1>the scenario in which maur As himself says Mark has

0:35:34.600 --> 0:35:39.880
<v Speaker 1>moved on, he's remarried, it's been years, he has a daughter.

0:35:40.600 --> 0:35:43.200
<v Speaker 1>And by the way, this fucking stupid book from the

0:35:43.560 --> 0:35:46.279
<v Speaker 1>from the time when you guys met that's this book

0:35:46.320 --> 0:35:47.319
<v Speaker 1>is fucking dumb as.

0:35:47.200 --> 0:35:48.480
<v Speaker 3>Shit is a dumb book too.

0:35:48.680 --> 0:35:51.640
<v Speaker 1>Yeah, and if she accepts that, right, and if she

0:35:51.840 --> 0:35:57.680
<v Speaker 1>is just like okay, then Cold Harbor will have succeeded.

0:35:59.040 --> 0:36:00.160
<v Speaker 2>That's my theory.

0:36:00.840 --> 0:36:03.279
<v Speaker 1>And now there's here in the drawbacks to this, yes,

0:36:04.800 --> 0:36:06.879
<v Speaker 1>the drawbacks of the theory. Or she says she's never

0:36:06.920 --> 0:36:10.640
<v Speaker 1>been in the room and Maur agrees that she's never

0:36:10.680 --> 0:36:13.680
<v Speaker 1>been in the room, My pushback would be one, why

0:36:13.680 --> 0:36:17.000
<v Speaker 1>do we don't believe anything? Maur says, right, yeah, lying

0:36:17.000 --> 0:36:19.719
<v Speaker 1>to her in this scene, he's telling her Mark has

0:36:19.760 --> 0:36:22.400
<v Speaker 1>moved on and is and it's been years and he

0:36:22.480 --> 0:36:25.000
<v Speaker 1>has a daughter now, all of which we know is untrue.

0:36:25.239 --> 0:36:28.160
<v Speaker 1>So there's no reason for him to believe that. If

0:36:28.160 --> 0:36:30.120
<v Speaker 1>he's telling her you've never been in Cold Harbor, that

0:36:30.120 --> 0:36:33.799
<v Speaker 1>we should accept his truth truth? Why should we not

0:36:34.160 --> 0:36:38.839
<v Speaker 1>believe her? Probably because she wouldn't remember it if they

0:36:38.880 --> 0:36:39.799
<v Speaker 1>had designed.

0:36:39.560 --> 0:36:42.719
<v Speaker 3>Maybe I was gonna say, this could be this could

0:36:42.760 --> 0:36:46.640
<v Speaker 3>be this severing is that. Yeah, they could set out

0:36:46.719 --> 0:36:48.640
<v Speaker 3>so she doesn't remember coming out the room. There's no

0:36:48.719 --> 0:36:51.360
<v Speaker 3>reason why that couldn't be an any for that too, Okay,

0:36:51.400 --> 0:36:54.880
<v Speaker 3>so my theory is similar to that, but because of

0:36:54.920 --> 0:36:57.360
<v Speaker 3>what they said, where they're like, you know the world,

0:36:57.680 --> 0:36:59.400
<v Speaker 3>you will see the world, and the world will see you.

0:36:59.760 --> 0:37:03.480
<v Speaker 3>I I wonder if cold harbor is literally you getting

0:37:03.560 --> 0:37:05.759
<v Speaker 3>to go back into the world. But the reason it's

0:37:05.800 --> 0:37:09.879
<v Speaker 3>called cold harbor is because you are essentially disconnected emotionally

0:37:10.360 --> 0:37:13.480
<v Speaker 3>for everything very B two K like the ice box

0:37:13.480 --> 0:37:14.680
<v Speaker 3>where my heart used to be like.

0:37:14.640 --> 0:37:17.319
<v Speaker 2>Yeah, your honaries, you're.

0:37:17.239 --> 0:37:20.280
<v Speaker 3>Exactly You're somebody who all these things that have happened

0:37:20.320 --> 0:37:23.520
<v Speaker 3>to you you can now leave be in the real world.

0:37:23.600 --> 0:37:26.920
<v Speaker 3>You'll never reveal Lumen, you'll never remember any of the things,

0:37:27.000 --> 0:37:29.960
<v Speaker 3>but you are you know, fixed or cured or whatever

0:37:30.000 --> 0:37:32.040
<v Speaker 3>they're trying to test for. Because it seems to me

0:37:32.160 --> 0:37:36.719
<v Speaker 3>like the sale aspect of like what Lumen would do,

0:37:36.760 --> 0:37:39.759
<v Speaker 3>the way they could monetize it is that if you

0:37:39.880 --> 0:37:45.080
<v Speaker 3>lose a child, you can forget, if you lose a partner,

0:37:45.200 --> 0:37:47.719
<v Speaker 3>if you don't get the job, you want something. I

0:37:47.760 --> 0:37:50.080
<v Speaker 3>also want to mention because it was in the recap

0:37:50.080 --> 0:37:52.200
<v Speaker 3>and I thought this was so interesting, so I went

0:37:52.280 --> 0:37:56.040
<v Speaker 3>back to watch the episode when they included in the

0:37:56.080 --> 0:37:59.080
<v Speaker 3>recap as well as in the opening sequence, the title sequence.

0:37:59.120 --> 0:38:01.360
<v Speaker 3>There's so many babies this time. I thought it was

0:38:01.400 --> 0:38:05.120
<v Speaker 3>really interesting that they included the conversation Devin had with Harmony,

0:38:05.160 --> 0:38:07.040
<v Speaker 3>where Devin's like, so, could you get severed so you

0:38:07.080 --> 0:38:10.200
<v Speaker 3>don't remember you're pregnant because being pregnant is like a

0:38:10.239 --> 0:38:14.040
<v Speaker 3>truly horrific experience, like a body horror experience. I thought

0:38:14.080 --> 0:38:16.480
<v Speaker 3>that was very interesting. So I wonder if what Luman's

0:38:16.480 --> 0:38:21.800
<v Speaker 3>trying to do is essentially make severance something that anyone

0:38:21.840 --> 0:38:23.880
<v Speaker 3>who has the money can do to not have to

0:38:23.960 --> 0:38:27.480
<v Speaker 3>live through, essentially creating like a servant cloth with them.

0:38:30.360 --> 0:38:33.880
<v Speaker 5>Okay, okay, so here's what I noticed in this episode.

0:38:33.880 --> 0:38:38.719
<v Speaker 5>A lot where you get severed can be a door. Yes, right,

0:38:38.800 --> 0:38:43.759
<v Speaker 5>So the elevator has felt like this very big change, right,

0:38:43.800 --> 0:38:48.000
<v Speaker 5>you're dropping floors, there's multiple like you, we don't understand,

0:38:48.120 --> 0:38:50.520
<v Speaker 5>there may not even be science behind it, but it

0:38:50.520 --> 0:38:52.719
<v Speaker 5>has felt so specific. But now the fact that they're like,

0:38:52.840 --> 0:38:54.840
<v Speaker 5>not only do we have clauses that allow you to

0:38:54.880 --> 0:38:57.960
<v Speaker 5>pop out of your severed self at any point in

0:38:58.000 --> 0:39:02.359
<v Speaker 5>time by a chip, also an archway might just transform

0:39:02.400 --> 0:39:05.799
<v Speaker 5>you into an entirely different person. And if you look

0:39:05.800 --> 0:39:08.359
<v Speaker 5>at the way this show has had like a commentary

0:39:08.480 --> 0:39:12.239
<v Speaker 5>on modern day workforce. This is a very terrifying thought

0:39:12.239 --> 0:39:15.840
<v Speaker 5>of like literally checking yourself at the door, and also

0:39:16.160 --> 0:39:18.080
<v Speaker 5>beyond that, like who do you sell this kind of

0:39:18.080 --> 0:39:22.640
<v Speaker 5>technology to. It's not your average person, and what can

0:39:22.680 --> 0:39:26.040
<v Speaker 5>you possibly do with this technology of if anyone crosses

0:39:26.080 --> 0:39:29.120
<v Speaker 5>this threshold, they are now essentially a severed entity.

0:39:29.560 --> 0:39:32.520
<v Speaker 3>That's very terrifying, Okay, Joelle. Also, you have another theory

0:39:32.520 --> 0:39:35.560
<v Speaker 3>about kind of a big pharma aspect that Luman could

0:39:35.560 --> 0:39:37.439
<v Speaker 3>be doing, So will you talk a little bit about that?

0:39:38.440 --> 0:39:38.680
<v Speaker 2>Okay.

0:39:38.680 --> 0:39:42.120
<v Speaker 5>So I've been thinking a lot about Luhmann as a

0:39:42.160 --> 0:39:47.960
<v Speaker 5>pharmaceutical corporation. All of the elements of stress we saw

0:39:48.320 --> 0:39:53.759
<v Speaker 5>testing were either actual medical procedures or they were like

0:39:53.920 --> 0:39:57.319
<v Speaker 5>psychological triggers. Those as mentioned earlier, can sort of like

0:39:57.400 --> 0:40:01.000
<v Speaker 5>exist in anyone And I think it's such a if

0:40:01.040 --> 0:40:05.040
<v Speaker 5>you think about what you want to cure, you know,

0:40:05.080 --> 0:40:07.759
<v Speaker 5>as a medical company, typically what you're trying to do

0:40:07.880 --> 0:40:12.080
<v Speaker 5>is prolonged life or make better, but not fully cure,

0:40:12.520 --> 0:40:16.120
<v Speaker 5>like the goals to keep people coming back and purchasing things.

0:40:16.120 --> 0:40:20.360
<v Speaker 5>In this idea that we have a cure for literally

0:40:20.760 --> 0:40:24.640
<v Speaker 5>whatever might stress you out, you know, from pregnancy, two.

0:40:24.719 --> 0:40:27.200
<v Speaker 5>I mean embraces, like.

0:40:27.160 --> 0:40:29.440
<v Speaker 3>Where's the line I would actually I would.

0:40:29.280 --> 0:40:30.719
<v Speaker 5>Get don't need to be saying I have.

0:40:30.680 --> 0:40:33.919
<v Speaker 3>A fantastic dentist. Now shout out Dr mart I love you.

0:40:34.320 --> 0:40:36.640
<v Speaker 3>She's done a great job. But before I met her,

0:40:37.920 --> 0:40:40.520
<v Speaker 3>I would have got severed to go to the dentist.

0:40:40.680 --> 0:40:42.600
<v Speaker 3>I would make I'm sorry, I would make my Inny

0:40:42.640 --> 0:40:44.440
<v Speaker 3>do it. I hated it so much, I had so

0:40:44.560 --> 0:40:47.480
<v Speaker 3>much dental trauma. Like I would, I would do it,

0:40:47.560 --> 0:40:49.640
<v Speaker 3>you know, so I do think.

0:40:49.120 --> 0:40:51.240
<v Speaker 1>And Joel, I think you're right. I think clearly Luman

0:40:51.400 --> 0:40:54.319
<v Speaker 1>is hoping to go wide with this. Right, they're like

0:40:54.440 --> 0:40:57.720
<v Speaker 1>consumer they want to take this to the consumer market,

0:40:57.840 --> 0:41:02.759
<v Speaker 1>not just like the corporate workforce market, because frankly, like

0:41:02.840 --> 0:41:05.080
<v Speaker 1>that's not a lot of money if you're just marketing

0:41:05.080 --> 0:41:08.719
<v Speaker 1>to corporations and their employees. And that made me think

0:41:08.760 --> 0:41:13.240
<v Speaker 1>that I think probably what listen, brain surgery is brain surgery.

0:41:13.560 --> 0:41:16.840
<v Speaker 1>Like if you go to the consumer market, then and

0:41:17.160 --> 0:41:20.320
<v Speaker 1>I have to and I like your product what it does,

0:41:20.400 --> 0:41:22.000
<v Speaker 1>but I have to get a chip and plant in

0:41:22.000 --> 0:41:23.799
<v Speaker 1>my head. I'm not I'm probably not doing it. I

0:41:23.840 --> 0:41:27.640
<v Speaker 1>think that their end goal is severance without a chip. Yes,

0:41:27.840 --> 0:41:30.359
<v Speaker 1>I think whatever. I don't know if it's that's cold

0:41:30.360 --> 0:41:32.800
<v Speaker 1>Harbor or whatever, but I think what they are working

0:41:33.000 --> 0:41:37.960
<v Speaker 1>on is the ability to like do these switches, to

0:41:38.120 --> 0:41:40.879
<v Speaker 1>enact these switches without having to drill in your head

0:41:40.960 --> 0:41:42.200
<v Speaker 1>and put a thing in there.

0:41:43.040 --> 0:41:45.399
<v Speaker 3>Because also as well, I would say something I think

0:41:45.440 --> 0:41:48.520
<v Speaker 3>that is really resonant about this is we have seen,

0:41:48.640 --> 0:41:51.120
<v Speaker 3>you know, people who've chosen to go to get the

0:41:51.200 --> 0:41:54.120
<v Speaker 3>Elon musk chimp in their head because they feel like

0:41:54.120 --> 0:41:56.200
<v Speaker 3>it will make them be able to communicate better if

0:41:56.239 --> 0:41:58.040
<v Speaker 3>they are in a situation where it's not easy for

0:41:58.080 --> 0:42:02.000
<v Speaker 3>them to communicate. Also, you know, so Amazon has those

0:42:02.120 --> 0:42:04.360
<v Speaker 3>chips that people put into their hand to paper stuff

0:42:04.400 --> 0:42:06.040
<v Speaker 3>that you can see at Whole Foods now. So I

0:42:06.080 --> 0:42:09.319
<v Speaker 3>think it feels very resonant this idea of like how

0:42:09.400 --> 0:42:13.920
<v Speaker 3>much would you sacrifice or take on in order to

0:42:13.960 --> 0:42:18.560
<v Speaker 3>live the ultimate life of you know, convenience, you don't

0:42:18.560 --> 0:42:21.279
<v Speaker 3>have to experience any of the tough things in life, like,

0:42:21.320 --> 0:42:23.160
<v Speaker 3>so what would you do for that? Also, I do

0:42:23.200 --> 0:42:25.799
<v Speaker 3>want to say I do think I think the Big

0:42:25.840 --> 0:42:28.160
<v Speaker 3>Farmer thing is very likely. I also think if you

0:42:28.200 --> 0:42:31.520
<v Speaker 3>think about most this is very different to most Hollywood movies.

0:42:31.560 --> 0:42:34.560
<v Speaker 3>But I think about you know, Jurassic World or like

0:42:34.640 --> 0:42:37.680
<v Speaker 3>The Man Curing Candidate or all these different kind of movies.

0:42:38.680 --> 0:42:40.839
<v Speaker 3>One of the things that science always wants to do

0:42:41.440 --> 0:42:43.560
<v Speaker 3>it or companies like this always want to do, is

0:42:43.640 --> 0:42:48.759
<v Speaker 3>like create weapons and create soldiers and create people. I

0:42:48.800 --> 0:42:52.400
<v Speaker 3>think the idea of some kind of inny army and

0:42:52.480 --> 0:42:54.480
<v Speaker 3>the idea that you could sell this to the military

0:42:54.520 --> 0:43:00.359
<v Speaker 3>and essentially create entire you know, generations of soldiers who

0:43:00.400 --> 0:43:04.520
<v Speaker 3>have no I who have no remembering. But the innies

0:43:04.520 --> 0:43:07.239
<v Speaker 3>are constantly twenty four seven basically able to fight. And

0:43:07.280 --> 0:43:10.040
<v Speaker 3>I do want to say how atable workforce skare exactly

0:43:10.120 --> 0:43:13.040
<v Speaker 3>and they can't argue, you know. Also, I'm thinking back

0:43:13.040 --> 0:43:16.720
<v Speaker 3>to Jason's really interesting idea of severance and the lumin

0:43:16.960 --> 0:43:20.200
<v Speaker 3>being a space where people can be rehabilitated. It definitely

0:43:20.280 --> 0:43:23.200
<v Speaker 3>has me thinking of like incarcerated people and the way

0:43:23.239 --> 0:43:26.239
<v Speaker 3>that they are used as an exploited labor force. I

0:43:26.239 --> 0:43:28.319
<v Speaker 3>think there's so much interesting stuff here. I also do

0:43:28.440 --> 0:43:32.800
<v Speaker 3>just want to shout out our discord mod legend, Heidi,

0:43:33.560 --> 0:43:36.319
<v Speaker 3>who did basically check me in the x ray Vision

0:43:36.320 --> 0:43:39.000
<v Speaker 3>Goggles channel and was like, Babe, I don't I think

0:43:39.000 --> 0:43:41.760
<v Speaker 3>they're just lying about the time to mess with the innies,

0:43:41.800 --> 0:43:44.160
<v Speaker 3>like I don't necessarily think it's a timey wymy thing.

0:43:44.160 --> 0:43:46.560
<v Speaker 3>And I was like, Okay, great, cool, But I do

0:43:46.600 --> 0:43:49.920
<v Speaker 3>still think there's this notion of we don't know how

0:43:49.920 --> 0:43:53.160
<v Speaker 3>the innies experienced time. We don't know if everyone else

0:43:53.320 --> 0:43:57.760
<v Speaker 3>in the team has separate innies, Like how well, Gemma,

0:43:57.880 --> 0:43:58.520
<v Speaker 3>that's as you are.

0:43:59.320 --> 0:44:02.520
<v Speaker 2>I want to this is do we talk about this last.

0:44:02.320 --> 0:44:05.520
<v Speaker 1>Week that I think that Milchik is a permit any

0:44:06.320 --> 0:44:10.280
<v Speaker 1>I think that Milchick is an inny contract inny who

0:44:11.360 --> 0:44:17.560
<v Speaker 1>has been allowed to basically jail break his audi, which

0:44:17.600 --> 0:44:23.120
<v Speaker 1>is why he is so obsessed with and dedicated to

0:44:24.280 --> 0:44:30.000
<v Speaker 1>personal growth air quotes in the ideology of Kre and

0:44:30.080 --> 0:44:34.680
<v Speaker 1>the egans like, because I think that he has to

0:44:34.719 --> 0:44:37.680
<v Speaker 1>follow those protocols or else just erase him and he's

0:44:37.680 --> 0:44:42.880
<v Speaker 1>his AUDI again. I think that's why he's such a

0:44:42.960 --> 0:44:48.000
<v Speaker 1>loyal employee for them. And I think it's possible that

0:44:48.080 --> 0:44:50.719
<v Speaker 1>like Natalie and some of the others, maybe mister Drummond,

0:44:51.160 --> 0:44:55.080
<v Speaker 1>are like that too. They are innies who were trained

0:44:55.520 --> 0:45:00.439
<v Speaker 1>in the ideology of Kre and Lumen and when they've

0:45:00.440 --> 0:45:03.319
<v Speaker 1>displayed enough loyalty or then allowed to become permit and

0:45:03.360 --> 0:45:07.640
<v Speaker 1>he's who work doing the most hardcore shit for Lumen.

0:45:09.160 --> 0:45:13.040
<v Speaker 5>I have a different but similar thought process on Miltchik,

0:45:13.080 --> 0:45:22.080
<v Speaker 5>which is that whatever Spacel Culvert was raised in, that

0:45:22.160 --> 0:45:26.560
<v Speaker 5>he was there too, like years later behind her, a

0:45:26.600 --> 0:45:30.759
<v Speaker 5>freshman to her senior sort of situation. But I to me,

0:45:30.880 --> 0:45:33.560
<v Speaker 5>the more I think about Milchick, the more it feels

0:45:33.560 --> 0:45:36.640
<v Speaker 5>like he's literally waking up. Like we go back to

0:45:36.680 --> 0:45:39.640
<v Speaker 5>the like portrait thing, like if you're if you think

0:45:39.680 --> 0:45:44.200
<v Speaker 5>about Lumen as a cult space where you're brought up

0:45:44.239 --> 0:45:47.600
<v Speaker 5>in it, inundated in it, adhering to it, and then

0:45:47.640 --> 0:45:50.680
<v Speaker 5>you reach a space where you are very suddenly othered

0:45:51.480 --> 0:45:53.800
<v Speaker 5>and also your job is threatened by a child he

0:45:53.960 --> 0:45:57.560
<v Speaker 5>started to like, so he feels like he's waking up

0:45:57.600 --> 0:46:03.240
<v Speaker 5>to uh, the real world while still have like working

0:46:03.280 --> 0:46:07.680
<v Speaker 5>through his like brainwashing conditioning space, which I find really interesting.

0:46:07.719 --> 0:46:09.520
<v Speaker 5>We need to figure out where did.

0:46:09.440 --> 0:46:12.600
<v Speaker 3>She why did she die? Also, Joelle, I like this.

0:46:12.880 --> 0:46:16.919
<v Speaker 3>I like this as a as a point to jump

0:46:16.920 --> 0:46:19.920
<v Speaker 3>on because something I have been interested in is like,

0:46:20.560 --> 0:46:25.080
<v Speaker 3>could it be that people like Cobel and Miltchick and

0:46:25.200 --> 0:46:29.759
<v Speaker 3>maybe Gemma honestly, is it like there are levels of

0:46:29.880 --> 0:46:34.239
<v Speaker 3>lumen where you go through a certain amount as an

0:46:34.280 --> 0:46:37.960
<v Speaker 3>inny to basically and when they think that you are

0:46:38.000 --> 0:46:41.719
<v Speaker 3>loyal enough, you can basically earn your OUTI status back.

0:46:41.880 --> 0:46:43.959
<v Speaker 3>And I think that is why Miltchik keeps talking about

0:46:44.000 --> 0:46:46.960
<v Speaker 3>needing to grow and he's on a deadline because he

0:46:47.080 --> 0:46:50.120
<v Speaker 3>wants to be able to be an OUTI. Like how

0:46:50.480 --> 0:46:54.160
<v Speaker 3>Cobel you know, had this out e life. I'm just

0:46:54.280 --> 0:46:57.320
<v Speaker 3>interested to see where it goes, because I think something

0:46:57.360 --> 0:47:00.200
<v Speaker 3>that's so majestic about this show is you will watch

0:47:00.239 --> 0:47:03.200
<v Speaker 3>an episode like this and be completely moved and just

0:47:03.600 --> 0:47:07.880
<v Speaker 3>scary heartbroken, but you still are engaged in the mystery.

0:47:07.960 --> 0:47:11.120
<v Speaker 3>It's so good. It's so hard to balance that. And

0:47:11.280 --> 0:47:14.840
<v Speaker 3>now you know, yes, yes, yes, talk about.

0:47:14.600 --> 0:47:18.839
<v Speaker 5>Who like winter overlay on all of the show. And

0:47:18.840 --> 0:47:23.479
<v Speaker 5>then when we get these flashback scenes which are so

0:47:23.560 --> 0:47:26.239
<v Speaker 5>beautifully shot, and I think Ben Stiller shot most of these.

0:47:26.239 --> 0:47:29.000
<v Speaker 5>The cinematographer of the series directed this episode.

0:47:29.520 --> 0:47:33.680
<v Speaker 3>And when we see how the mark go through fall down,

0:47:33.760 --> 0:47:36.880
<v Speaker 3>go through the wires, that was all done practically, no cg.

0:47:37.920 --> 0:47:40.279
<v Speaker 3>That was something she actually put together. She said it

0:47:40.320 --> 0:47:42.400
<v Speaker 3>was it was the hardest. I think she called it

0:47:42.440 --> 0:47:44.680
<v Speaker 3>like a diversion or a side quest, but she said

0:47:44.680 --> 0:47:46.600
<v Speaker 3>it was like the hardest thing that they had to

0:47:46.640 --> 0:47:49.160
<v Speaker 3>do was work out how to do that shot all

0:47:49.200 --> 0:47:51.439
<v Speaker 3>in one and then go down the wires. I mean,

0:47:52.120 --> 0:47:53.880
<v Speaker 3>truly an unbelievable talent.

0:47:55.040 --> 0:47:59.600
<v Speaker 5>The effort is entirely visible. It's so beautiful and you

0:47:59.600 --> 0:48:02.800
<v Speaker 5>get this other fresh air where we're seeing Gemma among

0:48:02.840 --> 0:48:07.440
<v Speaker 5>the plants, like very ear representation of spring. This idea

0:48:07.480 --> 0:48:10.000
<v Speaker 5>that if she did choose to go down into lumin

0:48:10.160 --> 0:48:12.120
<v Speaker 5>like it is this her version of descending into hell,

0:48:12.360 --> 0:48:14.799
<v Speaker 5>which brings back to your point, Rosie, which like can

0:48:14.920 --> 0:48:17.719
<v Speaker 5>she earn her way out? And if she does, are

0:48:17.760 --> 0:48:20.720
<v Speaker 5>they now? Like? And even to sort of Jason's idea

0:48:20.760 --> 0:48:24.400
<v Speaker 5>of like what if Milchick's a permanent any sort of

0:48:24.400 --> 0:48:28.160
<v Speaker 5>on deadline trying to earn something? Does you have all

0:48:28.200 --> 0:48:33.200
<v Speaker 5>these people being persephonees yep, Like actually to break out

0:48:33.239 --> 0:48:35.120
<v Speaker 5>of hell is really intriguing.

0:48:35.200 --> 0:48:40.280
<v Speaker 3>Well, definitely, like the moment where Milchick stops missus Casey

0:48:40.320 --> 0:48:44.080
<v Speaker 3>slash Gemma and tries that's very posephone, like don't look back, babe,

0:48:44.120 --> 0:48:46.480
<v Speaker 3>just walk past him, like just try and do it.

0:48:46.560 --> 0:48:49.279
<v Speaker 3>See what happens. You don't have to just listen to him.

0:48:49.280 --> 0:48:50.520
<v Speaker 3>It's like, oh, it's heartbreaking.

0:48:51.320 --> 0:48:52.520
<v Speaker 2>I wonder like.

0:48:54.640 --> 0:48:57.759
<v Speaker 1>Letting Gemma out as any or audi would require that

0:48:57.840 --> 0:49:01.480
<v Speaker 1>everybody who knew her would forget the fuck she was right, So,

0:49:01.840 --> 0:49:05.839
<v Speaker 1>whether she's whatever, no matter what personality is dominant when

0:49:05.840 --> 0:49:09.040
<v Speaker 1>she leaves the Women building. So either she can never

0:49:09.239 --> 0:49:13.239
<v Speaker 1>leave right truly, or they need to figure out a

0:49:13.280 --> 0:49:17.120
<v Speaker 1>way where they can make people forget specific people ever

0:49:17.280 --> 0:49:17.920
<v Speaker 1>fucking exist.

0:49:18.840 --> 0:49:21.600
<v Speaker 5>I think when the tests are over, they just eliminate Gema,

0:49:21.719 --> 0:49:24.359
<v Speaker 5>like the conversation of like, you're gonna have to say

0:49:24.360 --> 0:49:26.759
<v Speaker 5>goodbye to her once we complete this test. I think

0:49:27.000 --> 0:49:29.080
<v Speaker 5>some folks get to go out because either they don't

0:49:29.080 --> 0:49:32.560
<v Speaker 5>have connections or because some their group of people think

0:49:32.560 --> 0:49:33.359
<v Speaker 5>they've agreed to this.

0:49:33.920 --> 0:49:34.160
<v Speaker 3>Uh.

0:49:34.239 --> 0:49:36.680
<v Speaker 5>But I think Gemma was sort of tested for on

0:49:36.719 --> 0:49:39.279
<v Speaker 5>a much more intense level than everybody else, and she

0:49:39.360 --> 0:49:40.799
<v Speaker 5>is definitely not going to get out.

0:49:40.960 --> 0:49:43.279
<v Speaker 2>One more thing. I want one more thing.

0:49:43.280 --> 0:49:45.640
<v Speaker 1>I wanted to ask, so Mark is there specifically, because

0:49:46.920 --> 0:49:51.520
<v Speaker 1>it seems like all the MDR crew that are working

0:49:51.560 --> 0:49:58.400
<v Speaker 1>on things specific to tempers that they personally are dealing

0:49:58.440 --> 0:50:01.480
<v Speaker 1>with on the outside, right, Mark is dealing with grief.

0:50:02.200 --> 0:50:07.800
<v Speaker 1>Dylan is dealing with an unhappy marriage. Irving is question mark.

0:50:09.680 --> 0:50:14.799
<v Speaker 1>Helly is dealing with potentially the fact that she's being

0:50:14.880 --> 0:50:17.759
<v Speaker 1>kept out of her father's graces and is not part

0:50:17.800 --> 0:50:20.279
<v Speaker 1>of the board, which I think she clearly thinks she

0:50:20.400 --> 0:50:21.040
<v Speaker 1>deserves to.

0:50:21.000 --> 0:50:24.240
<v Speaker 2>Be just a thing to note.

0:50:24.280 --> 0:50:26.200
<v Speaker 1>I don't know where that goes, but I think it's

0:50:26.280 --> 0:50:29.000
<v Speaker 1>interesting because it leads me to wonder, like, why are

0:50:29.000 --> 0:50:31.000
<v Speaker 1>the what is the importance of the rest of them?

0:50:31.040 --> 0:50:32.440
<v Speaker 2>They must be Mark.

0:50:32.360 --> 0:50:36.240
<v Speaker 1>Is clearly more special, but like there is also something

0:50:36.280 --> 0:50:39.239
<v Speaker 1>to the there's a reason the other ones are there

0:50:39.320 --> 0:50:42.239
<v Speaker 1>as well, that is waiting to be unwrapped.

0:50:42.440 --> 0:50:46.000
<v Speaker 3>This would be incredibly bleak but real. I you know,

0:50:46.120 --> 0:50:49.279
<v Speaker 3>someone like Irving might have been gone in there to

0:50:49.320 --> 0:50:51.840
<v Speaker 3>get seven because he didn't want to feel the feelings

0:50:51.880 --> 0:50:54.960
<v Speaker 3>he had romantically for like other men. You don't know

0:50:55.080 --> 0:50:59.240
<v Speaker 3>the way that this kind of heartbreaking play is gonna

0:50:59.640 --> 0:51:03.400
<v Speaker 3>kind of work itself out. And I'm definitely again, I

0:51:03.480 --> 0:51:05.000
<v Speaker 3>just got to come in here at the last minute

0:51:05.000 --> 0:51:07.879
<v Speaker 3>after saying something very serious and say, you know, when

0:51:09.360 --> 0:51:12.080
<v Speaker 3>she tells Mark like, oh, did you get the Denali thing?

0:51:12.400 --> 0:51:15.880
<v Speaker 3>Obviously that feels like a reference to Ricken and the

0:51:15.960 --> 0:51:19.439
<v Speaker 3>Mountain climbing. She'd also mentioned Mount Everest use this real

0:51:19.520 --> 0:51:22.960
<v Speaker 3>name within this show, so you think, oh, maybe they're

0:51:22.960 --> 0:51:24.520
<v Speaker 3>going to try it out because like they can't have

0:51:24.560 --> 0:51:26.920
<v Speaker 3>a baby, so they got it. But just saying I'm

0:51:26.960 --> 0:51:31.640
<v Speaker 3>bringing it back for the fans of the anagrams, it's

0:51:31.680 --> 0:51:34.880
<v Speaker 3>a it's denial. You know, Denali is a real place,

0:51:34.920 --> 0:51:37.799
<v Speaker 3>but in the context the severance where they love to

0:51:37.880 --> 0:51:40.600
<v Speaker 3>do a funny anagram to get us talking, it's denial.

0:51:40.680 --> 0:51:44.000
<v Speaker 3>You know. These could actually be the different levels that

0:51:44.080 --> 0:51:47.040
<v Speaker 3>you have to go through as part of lumin I'm

0:51:47.080 --> 0:51:49.680
<v Speaker 3>just very I want to know where it's gonna go. Okay,

0:51:49.840 --> 0:51:53.960
<v Speaker 3>we got three episodes left, Yeah, okay, what are your

0:51:54.160 --> 0:51:58.920
<v Speaker 3>big swing, craziest pitch theories for what we're going to

0:51:58.960 --> 0:52:00.000
<v Speaker 3>see in the last three episode.

0:52:01.360 --> 0:52:05.040
<v Speaker 5>I think we have to get a Patricia arcad what

0:52:05.760 --> 0:52:09.000
<v Speaker 5>she's doing. It's gotta be the next episode too, because

0:52:09.000 --> 0:52:11.279
<v Speaker 5>it can't be the penultimate, Like the penultimate needs to

0:52:11.320 --> 0:52:17.000
<v Speaker 5>answer whatever the major question is for this season, which

0:52:17.040 --> 0:52:23.320
<v Speaker 5>I think might be like can Mark safely or successfully integrating?

0:52:24.840 --> 0:52:30.560
<v Speaker 5>Can he accomplish reintegration without offering himself and so you

0:52:30.560 --> 0:52:32.200
<v Speaker 5>need you need a whole episode for that where he's

0:52:32.239 --> 0:52:35.000
<v Speaker 5>really pushing the boundaries of what he's been doing so far.

0:52:35.040 --> 0:52:37.319
<v Speaker 5>So I really hope that next episode it's like I'm

0:52:37.360 --> 0:52:39.640
<v Speaker 5>hoping it's almost a bottle episode. So we delicated her

0:52:39.680 --> 0:52:41.799
<v Speaker 5>where we're getting a little bit of information on her

0:52:41.800 --> 0:52:44.560
<v Speaker 5>background and a lot more information on what she's actively

0:52:44.640 --> 0:52:48.200
<v Speaker 5>doing right now. I also think we're going to see

0:52:48.200 --> 0:52:50.640
<v Speaker 5>a swing in Milchick. I can't tell which direction, if

0:52:50.680 --> 0:52:56.400
<v Speaker 5>he descends further into his authoritarian personality or if we

0:52:56.440 --> 0:52:58.720
<v Speaker 5>see a swing against it where he's like, you fuck

0:52:58.800 --> 0:53:04.160
<v Speaker 5>this company. I think that Luhman has set up folks

0:53:04.280 --> 0:53:07.600
<v Speaker 5>that keep Mark in line to continue doing work at

0:53:07.600 --> 0:53:10.880
<v Speaker 5>a regular pace, and now they've become friends and family,

0:53:11.320 --> 0:53:13.959
<v Speaker 5>and they're really trying to strike like continue the balance

0:53:14.080 --> 0:53:16.040
<v Speaker 5>either like he has got five percent left, just keep

0:53:16.040 --> 0:53:18.319
<v Speaker 5>them happy, keep everything at peace, so we can get

0:53:18.320 --> 0:53:21.000
<v Speaker 5>this thing across the line and move forward. And I

0:53:21.040 --> 0:53:23.000
<v Speaker 5>think we're gonna see you like at one percent, Mark

0:53:23.080 --> 0:53:25.960
<v Speaker 5>stalls out and then lumin descended a chaos where Luman's like,

0:53:26.000 --> 0:53:28.839
<v Speaker 5>oh god, it's this tragedy, this big thing we've set up,

0:53:29.120 --> 0:53:32.560
<v Speaker 5>it's not working, And hopefully it brings the big guy

0:53:32.800 --> 0:53:34.200
<v Speaker 5>boss man down to the low.

0:53:34.520 --> 0:53:36.840
<v Speaker 3>And let's say, I wonder if this is my really

0:53:36.880 --> 0:53:39.960
<v Speaker 3>crazy out there theory. I do think there's something to

0:53:40.000 --> 0:53:42.520
<v Speaker 3>the idea that Gemma was tricked into going to Lumen

0:53:42.560 --> 0:53:44.399
<v Speaker 3>as a way to be like, we can help your

0:53:44.640 --> 0:53:47.400
<v Speaker 3>with a baby, like that's what's ruining your life. I

0:53:47.400 --> 0:53:49.680
<v Speaker 3>do wonder if there's some kind of like you know,

0:53:50.360 --> 0:53:53.640
<v Speaker 3>we've all seen those demonic possession movies like the Fantastic

0:53:53.680 --> 0:53:56.600
<v Speaker 3>First Omen that we talked about a lot, obviously Immacula,

0:53:56.680 --> 0:53:59.719
<v Speaker 3>where somebody is having a baby that has a greater

0:53:59.719 --> 0:54:02.319
<v Speaker 3>person wears his baby stuff like that. It's usually a

0:54:02.360 --> 0:54:06.200
<v Speaker 3>satanic thing. But is there a world where the reason

0:54:06.200 --> 0:54:09.080
<v Speaker 3>that they're testing Gemma so deeply and making sure she

0:54:09.120 --> 0:54:11.359
<v Speaker 3>doesn't remember these things is because they're going to try

0:54:11.360 --> 0:54:14.640
<v Speaker 3>and have her like siah Ka egan to be brought

0:54:14.680 --> 0:54:17.520
<v Speaker 3>back to life. I think she, I was wondering. I

0:54:17.560 --> 0:54:22.480
<v Speaker 3>think she may have had the next leader of you know, Luhman,

0:54:22.600 --> 0:54:25.000
<v Speaker 3>one of the egans, and the reason that they're now

0:54:25.040 --> 0:54:26.960
<v Speaker 3>testing her is being like, just let's just make sure

0:54:27.000 --> 0:54:30.239
<v Speaker 3>she doubly doesn't know anything that goes on in these

0:54:30.360 --> 0:54:33.560
<v Speaker 3>rooms because Cordarba that could also be the truth of

0:54:33.640 --> 0:54:35.799
<v Speaker 3>that is that they're you know, that's where they're making

0:54:35.840 --> 0:54:41.080
<v Speaker 3>babies Palpatine style, very creepy, scary stuff. So I think

0:54:41.120 --> 0:54:44.719
<v Speaker 3>that I want to see a Mark and Gemma reconnection.

0:54:44.840 --> 0:54:48.799
<v Speaker 3>I think they'll probably save that for the finale, but

0:54:49.239 --> 0:54:51.960
<v Speaker 3>for now, I think we need to know over the

0:54:52.000 --> 0:54:54.880
<v Speaker 3>next two episodes, like tell us more about what Luman's doing,

0:54:55.440 --> 0:54:58.080
<v Speaker 3>and can you do it in a way that teases

0:54:58.480 --> 0:55:01.440
<v Speaker 3>what's behind the curtain without doing the four reveal that

0:55:01.480 --> 0:55:03.880
<v Speaker 3>can oft be often kind of take away from the

0:55:03.920 --> 0:55:04.640
<v Speaker 3>power of the show.

0:55:06.560 --> 0:55:08.960
<v Speaker 1>Gosh, my crazy theory is the one I laid out

0:55:09.000 --> 0:55:11.960
<v Speaker 1>that Cold Harbor is the room in wish Doctor Martos

0:55:12.719 --> 0:55:14.520
<v Speaker 1>Jemma that Mark has moved on.

0:55:15.320 --> 0:55:16.919
<v Speaker 2>I believe that.

0:55:18.800 --> 0:55:23.399
<v Speaker 1>At one hundred percent, she would have no reaction, and

0:55:24.239 --> 0:55:28.799
<v Speaker 1>if this theory is correct, and that that is the

0:55:28.880 --> 0:55:32.360
<v Speaker 1>reason why she has to go back into these rooms

0:55:32.400 --> 0:55:36.680
<v Speaker 1>like it, it doesn't it. It seems interesting to me

0:55:36.880 --> 0:55:41.240
<v Speaker 1>that she's clearly been in some of these various rooms

0:55:41.320 --> 0:55:43.480
<v Speaker 1>multiple times, right why.

0:55:43.360 --> 0:55:45.160
<v Speaker 3>Yeah, I feel like this is just how the every

0:55:45.239 --> 0:55:48.560
<v Speaker 3>day is there just making her Yeah, these horrible, you know,

0:55:49.160 --> 0:55:50.240
<v Speaker 3>kind of pressure tests.

0:55:50.280 --> 0:55:52.200
<v Speaker 1>I guess it would be that, and then I would

0:55:52.360 --> 0:55:55.120
<v Speaker 1>I Gosh, I agree with you that I believe that

0:55:55.160 --> 0:55:56.839
<v Speaker 1>we're going to see Cobel again. We're going to get

0:55:56.880 --> 0:56:00.440
<v Speaker 1>more on that side of things. I think we're going to,

0:56:02.719 --> 0:56:08.120
<v Speaker 1>you know, whatever this idea of using Ricken is, whether

0:56:08.200 --> 0:56:15.040
<v Speaker 1>it's to twist his philosophy and ideology and basically defang

0:56:15.760 --> 0:56:19.040
<v Speaker 1>person that they think could be like a potentially powerful

0:56:19.040 --> 0:56:22.160
<v Speaker 1>critic of them on the outside, or whether they really

0:56:22.200 --> 0:56:25.960
<v Speaker 1>do see a value in his self help stuff for Innis.

0:56:26.560 --> 0:56:28.840
<v Speaker 1>I think that will be I think that will be

0:56:28.880 --> 0:56:34.040
<v Speaker 1>part of it, And I think, Gosh, I think we

0:56:34.080 --> 0:56:37.359
<v Speaker 1>will see Mark try to go undercover inside lumin as

0:56:37.400 --> 0:56:38.560
<v Speaker 1>a reintegrated Mark.

0:56:39.560 --> 0:56:42.480
<v Speaker 3>I was wondering that too, And also so much of

0:56:42.520 --> 0:56:46.960
<v Speaker 3>the opening sequence is like Mark, who is in his

0:56:47.160 --> 0:56:51.040
<v Speaker 3>suit pulling you know, the inny or the OUTI, depending

0:56:51.080 --> 0:56:53.040
<v Speaker 3>which way you see it, who's in the prison suit

0:56:53.080 --> 0:56:55.560
<v Speaker 3>and they kind of constantly pulling each other back and forth.

0:56:55.840 --> 0:56:58.200
<v Speaker 3>So I think you're right. I think a reintegrated Mark

0:56:58.280 --> 0:56:59.640
<v Speaker 3>is going to go in there to try and find

0:56:59.719 --> 0:57:02.640
<v Speaker 3>jem Ah. And how will that end up, I don't know,

0:57:03.239 --> 0:57:05.200
<v Speaker 3>but I can't wait to see it. This is just

0:57:05.239 --> 0:57:06.080
<v Speaker 3>such a great show.

0:57:06.640 --> 0:57:10.560
<v Speaker 1>It's really really great on the next few episodes of

0:57:11.000 --> 0:57:13.759
<v Speaker 1>X ray Vision, We're diving into more stuff. Joelle, thank

0:57:13.800 --> 0:57:16.440
<v Speaker 1>you so much for joining us. Joe, that's it for

0:57:16.520 --> 0:57:18.080
<v Speaker 1>this episode.

0:57:18.400 --> 0:57:19.120
<v Speaker 2>Thanks for Lizzie.

0:57:25.600 --> 0:57:28.240
<v Speaker 1>X ray Vision is hosted by Jason Concepcion and Rosie

0:57:28.280 --> 0:57:30.320
<v Speaker 1>Knight and is a production of iHeart Podcast.

0:57:30.680 --> 0:57:34.280
<v Speaker 3>Our executive producers are Joel Monique and Aaron Korfman.

0:57:34.520 --> 0:57:36.560
<v Speaker 2>Our supervising producer is Abu Safar.

0:57:36.960 --> 0:57:40.880
<v Speaker 3>Our producers are Common, Laurent Dean Jonathan and Bay Wag.

0:57:41.000 --> 0:57:43.800
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:57:43.840 --> 0:57:45.120
<v Speaker 1>songs by Aaron Kauffman.

0:57:45.280 --> 0:57:49.080
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and Heidi.

0:57:49.360 --> 0:57:50.600
<v Speaker 3>Our discord moderate, though