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Speaker 1: Yo, yo yo, welcome to us up their podcasts. I

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Speaker 1: am your active and attractive hosts big loan for another

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Speaker 1: episode of the fastest Crown Podcasts on the market. Round

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Speaker 1: of applause for my motherfucking supporters. I want to say

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Speaker 1: thank you all man. You can be in the where

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Speaker 1: in the world and you chose to be around the

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Speaker 1: red with us, embracing the information, being on top of

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Speaker 1: the game, and just putting game down. You know, last

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Speaker 1: week I had a short episode. This week, I have

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Speaker 1: a short episode. I got some big things coming. So

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Speaker 1: I'm traveling a whole lot and I'm just coming off

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Speaker 1: the cuffs, you know, I'm just I don't have nothing,

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Speaker 1: like I don't even know what we're gonna talk about.

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Speaker 1: I'm literally gonna even freestyle the topics. So this is

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Speaker 1: a very unique time for me. But I embraced this,

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Speaker 1: you know. I know, if they allow me to do

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Speaker 1: this in my purist and Rad's farm and allow me

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Speaker 1: to make a lot of money, I can't say how

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Speaker 1: much of money I can make with this because I'm

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Speaker 1: smothering in information. Right, It's so many different outlooks and

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Speaker 1: pathways and grooves in my brain to how to think

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Speaker 1: to how to approach things, to how to break things down,

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Speaker 1: that it's gonna be rough, you know, it's gonna be

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Speaker 1: rough to box me in. You know. What I'm finding interesting,

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Speaker 1: And I'm flirting with the audience, see, because I do

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Speaker 1: what I want with this thing, and so I'm flirting

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Speaker 1: with the audience. What I find interesting is is they're

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Speaker 1: putting me in the Eric Thomas bag, like people are

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Speaker 1: taking my clips and putting them, you know, on those

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Speaker 1: in that world for those of you in the content

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Speaker 1: where you understand what I'm saying, Like the motivation talk

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Speaker 1: world is a whole world by itself, you know. And

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Speaker 1: so I find that interesting because I have not crafted

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Speaker 1: anything in that way, right, I'm just talking to my people,

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Speaker 1: and it resonates that way. So I think we got

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Speaker 1: a very unique combination as to what we brain to

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Speaker 1: media as a whole, not even just to this hill

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Speaker 1: pop side of things, because again I haven't even spun

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Speaker 1: out and went and talked to the Joey Diaz's and

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Speaker 1: the Bert Christner's and the Joe Rogans and the Andrew

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Speaker 1: scholtz Is of the world and had some of those

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Speaker 1: tough conversations that I need to have on that side,

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Speaker 1: you know, and then pulling out of that, I still

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Speaker 1: haven't even went to the game aside and really spoke

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Speaker 1: to those guys in a way whatever their brain is

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Speaker 1: viewed differently than it currently is because they sit and

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Speaker 1: talk all day, which allows them to have a very

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Speaker 1: intimate relationship with their audience. But when you sit next

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Speaker 1: to someone who's interested in how you did this and

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Speaker 1: what it is you done, you tend to create conversation

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Speaker 1: that you cannot create by yourself. And to me, you know,

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Speaker 1: when I judge what it is I do, that's even

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Speaker 1: another thing where I'm like, man, nobody contributes to this

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Speaker 1: particular show, right. And let me also update you guys

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Speaker 1: about that I came in this game viewing myself as

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Speaker 1: I'm gonna do a podcast. But I'm a producer. I'm

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Speaker 1: a producer from set design, two cameras, to topics to

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Speaker 1: personalities to I'm a producer. And so if I allow

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Speaker 1: them to categorize me as a podcaster, that will be

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Speaker 1: a mistake on my behalf. So I want to update

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Speaker 1: my audience that I do know the difference. And so

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Speaker 1: this particular show that you deal with here, it has

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Speaker 1: no outside influence at all, there's no notes being took

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Speaker 1: right at most, we're having like the baby. So for

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Speaker 1: seventeen K this week, loan what you think about that?

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Speaker 1: You see what I'm saying, and I just be like, yo,

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Speaker 1: well this is how I think if you pay attention

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Speaker 1: to that, and that's just my way of doing it.

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Speaker 1: Here the experience, it's gonna be when we sit down

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Speaker 1: with the top names in the game and it's up

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Speaker 1: that podcast still have guests. Let me be clear on that,

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Speaker 1: and we all everything. In my position, I treat what

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Speaker 1: a high vibration and I hope my audience allows me

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Speaker 1: a chance to show them that. Right, it's not gonna

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Speaker 1: be a I care about this one more than I

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Speaker 1: care about this one. That's why it costs so much

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Speaker 1: to get me to commit to something. It's millions for

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Speaker 1: me to commit, right, because the level of attention I

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Speaker 1: give things is not and it's equity. It's equity too.

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Speaker 1: Let me say that because I need the youngsters this

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Speaker 1: on my coat tail right to understand that when you

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Speaker 1: do provide a certain level of service, you ask for equity.

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Speaker 1: But you don't be the man to change ties at

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Speaker 1: the shop and call the boss into the office, man,

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Speaker 1: let me have a word with you. I'm gonna need

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Speaker 1: twenty percent of a company. You's what I'm saying That

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Speaker 1: don't even make sense, right, But you gotta have a

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Speaker 1: certain level of service to speak that equity talk. That's

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Speaker 1: why when you hear the Lebron James of the world

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Speaker 1: and some of these guys, the Steph Curves of the

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Speaker 1: world and that field. When you speak about the loons

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Speaker 1: in the media field, or you speak about the did Is,

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Speaker 1: the Jays, the QCs, the little babies, the people that's

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Speaker 1: doing these bigger deals in these brands, the Drake's, the Yay's.

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Speaker 1: That's why I'm surprised with what Yay has went through, right,

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Speaker 1: But I understand that Yay was more interested in chasing

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Speaker 1: down that bigon dollar tag line, right. He knew he

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Speaker 1: trusts he One thing about trusting your ability sometimes it

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Speaker 1: could be your akillers heal because you can trust it

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Speaker 1: enough to say, all right, I'm gonna make it that,

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Speaker 1: I'm gonna make this a little move, but I'm gonna

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Speaker 1: recover from that. You don't make it, recover from it. See,

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Speaker 1: I told y'all, I'll recover from it. But what if

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Speaker 1: you never made that mistake. How much further would you been?

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Speaker 1: But I think Kanye was really interested in being like

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Speaker 1: on Jaden them level with the big in dollar talk.

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Speaker 1: He might have signed some contracts that was way more

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Speaker 1: favorable for the people that he signed with than it

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Speaker 1: was for him. And that's interesting because in our opinion

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Speaker 1: from the outside, he had leverage. But I always know

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Speaker 1: and speak to people about this ain't about popularity. So

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Speaker 1: you see Kanye West and say, man, why you don't

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Speaker 1: do it yourself? Bro? You Kanye Yo? This is about

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Speaker 1: industry and infrastructure, right, This is about access to the

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Speaker 1: people that got access to the things. I need to

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Speaker 1: scale the brain and keep it at the quality level.

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Speaker 1: And people won't meet us. Just go down to the

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Speaker 1: fashion martin buy my T shirts. And I can't compete

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Speaker 1: with Valenciaga doing that. You see what I'm saying. Like

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Speaker 1: I tell people that ask me about podcasting because a

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Speaker 1: lot of people are, you know, begging me to put

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Speaker 1: some kind of course together on how to approach this.

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Speaker 1: But I tell people the number one thing is you

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Speaker 1: gotta always remember you competing with the market. See, I

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Speaker 1: hope these dudes don't take personal anything that I say

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Speaker 1: or doing. If they do, I'm prepared because I come

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Speaker 1: from a war zone, but I pray they don't take

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Speaker 1: anything personal. But what I'm doing is competing with the market.

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Speaker 1: I gotta understand the money is on the It's in

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Speaker 1: the market, Chef, these individual people, the money is in

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Speaker 1: the market, Chef boy. I'm looking at Rogan like and

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Speaker 1: you can hear my peers call me that. You can

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Speaker 1: hear b Marshall say I'm Joe Rogan. You can hit

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Speaker 1: Elliot Wilson say I'm in the future. You can hear

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Speaker 1: all these people co signed me from the top of

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Speaker 1: the mountain. You can think it's some kind of key

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Speaker 1: key joke, but I want people to know this is

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Speaker 1: a real thing. If you think I'm playing with Chasing Rogan,

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Speaker 1: you got me up right. He got five honey Mellion

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Speaker 1: for three years for doing what I'm doing. And if

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Speaker 1: you think I'm playing with him and I've been selling that,

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Speaker 1: I hope ain't got fitting out all on it. You

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Speaker 1: think you think I'm playing with Joe Rogan, y'all yo

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Speaker 1: yo man. And then our culture being so influential now

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Speaker 1: by the numbers, it tells me I gotta cross over

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Speaker 1: and deal with some of those people and speak to

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Speaker 1: them in a way that they understand and why I'm

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Speaker 1: coming from. But I know how to do that. And

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Speaker 1: if that's the only obstacle that I see, that means

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Speaker 1: I move with that level of confidence. Now be clear,

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Speaker 1: I know things are gonna pop up that I don't see,

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Speaker 1: but the level of confidence I need to move with

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Speaker 1: to be able to move this train in that direction.

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Speaker 1: I obtain that by having that type of outlook on

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Speaker 1: the outcome that I'm up against. You understand, but I

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Speaker 1: ain't even told y'all were to find this is why,

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Speaker 1: this is why they came forward this man if If

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Speaker 1: you're listening to the audio adventure right now, I need

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Speaker 1: you to hit the Patreon dot com. It's up that

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Speaker 1: podcast the only place you will find the video exclusively

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Speaker 1: the same day that the audio drops. I do not

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Speaker 1: play the same game that everybody plays. I'm big dog

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Speaker 1: status and we're playing a different game. We're changing this thing, right,

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Speaker 1: So I appreciate the people that's there. Y'all mean the

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Speaker 1: world to me. I appreciate the people that's come, and

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Speaker 1: you mean the world to me. Those that's on the

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Speaker 1: outside of that, I'm gonna have to start classifying you

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Speaker 1: guys this chair picking the game. Oh, it's a lot

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Speaker 1: of regurgitating the loan going on, but that's over with,

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Speaker 1: give it sixty days, it's done. You know, was copying

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Speaker 1: me and doing certain things, trying to take from what

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Speaker 1: I'm doing and go get the gifts before I drop

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Speaker 1: it and put this in your thing now because I'm

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Speaker 1: doing it without giving credit or acknowledgement or even liking

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Speaker 1: what you see. But you consuming what you see and

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Speaker 1: you copying what you see. Tell me a lot about

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Speaker 1: a name that won't like what he's seeing in regards

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Speaker 1: to this fake social media world. But then a take

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Speaker 1: what he's see you done and then go doing say

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Speaker 1: a lot about them individuals. But in this game, a

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Speaker 1: lot of people come to Chairy Pick, you understand. They

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Speaker 1: come to see how Loan approaching it, what loans saying

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Speaker 1: about it, so they can go regurgitate that on a

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Speaker 1: bigger platform. But that's over with soon. You know. With

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Speaker 1: anything you do, man, you gotta be the best. Not

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Speaker 1: only do you gotta be the best, you gotta believe

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Speaker 1: you the best, because one thing they'll do to you,

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Speaker 1: even if you are the best, they'll trick you into

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Speaker 1: believing that they the best, and they'll do that because

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Speaker 1: they was there before you. And so the comfortable spots

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Speaker 1: that the best set that they're done and sit there

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Speaker 1: before you do it. I'm not speaking about in real life.

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Speaker 1: I'm speaking about social settings. Right, some opportunities should be

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Speaker 1: presented to the person doing that job at the highest level.

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Speaker 1: Oftentimes you see that doesn't happen because someone who's got

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Speaker 1: the information on how to get in that spot prior

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Speaker 1: to the person that's doing it better than them will

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Speaker 1: be lying into that spot or relationship their way into

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Speaker 1: that spot, and then the person that usually is doing

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Speaker 1: the thing is on the outside of receiving any kind

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Speaker 1: of reward. It was confusing to me to see Little

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Speaker 1: Baby had a highest stream and sell an album of

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Speaker 1: twenty twenty I believe they was, and then not win

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Speaker 1: the awar. Y'all told me to bring apples for dollars.

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Speaker 1: I brought apples, and then y'all still renegued on the deal.

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Speaker 1: This is the this is the game that we sit in,

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Speaker 1: and so as I'm in media, I understand that you're

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Speaker 1: not only dealing with people who want to see you

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Speaker 1: on the outside of where they're trying to go right

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Speaker 1: because if they got a microphone in front of them,

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Speaker 1: like me, I'm competition to them. Let's be clear, everybody

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Speaker 1: in the back of their mind is gonna say no,

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Speaker 1: it ain't really like that. People go on bigger platforms,

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Speaker 1: they don't mention, they don't mention Loan, they don't mention

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Speaker 1: other podcasts. And if you think, oh, it's slip their mind,

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Speaker 1: you gotta be fooling yourself. People are not mentioning in

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Speaker 1: the other podcasts because other podcasts are competition and in

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Speaker 1: this game, they're adopting bad business practices. They have this

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Speaker 1: famine mentality, right, and so they don't understand that you

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Speaker 1: gotta put yourself in position to stay in position, and

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Speaker 1: you're not gonna be the top voice forever. You better

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Speaker 1: get in position to where like yo, I'm no longer

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Speaker 1: the top voice, but the top voices come through me.

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Speaker 1: They don't know how to transition into that because the

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Speaker 1: row the crowd don't go with that. See, I'm always

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Speaker 1: interested in the money. I want the money. They want

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Speaker 1: to row the crowd, and that's why I'm moving faster

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Speaker 1: than them, because they're doing it floor for what they're

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Speaker 1: cheering that and I'm doing it for where they're paying there. See,

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Speaker 1: they are going to where it's five thousand people that

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Speaker 1: screaming their name, and I shore where it's fifty paying people. There. See,

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Speaker 1: it's a different thing happening. It's a different thing happening.

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Speaker 1: Not only it's my time spent more valuable in the

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Speaker 1: place where I could help feed my family. We can

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Speaker 1: set that to the side. But the person that's willing

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Speaker 1: to invest in their future or what they want to understand,

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Speaker 1: I have to take them a little more serious than

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Speaker 1: y'all to just need somewhere to take your old lady

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Speaker 1: to make her thank you small, or some people that

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Speaker 1: need someone, or to go on a Saturday because they

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Speaker 1: really got nothing to do. If you pay to come

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Speaker 1: here nine times out of team, you come in with

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Speaker 1: a different mindset. But it's two different kind of hustling

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Speaker 1: going on. And sometimes the plaus ain't where they see

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Speaker 1: fifty people, but they don't know them. Fifty people pay

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Speaker 1: five thousand dollars a piece to be there. Them two

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Speaker 1: thousand people they were free entering free food. So it's

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Speaker 1: a different thing happening. We might be dealing with the

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Speaker 1: same people, just in different ways. Right, Yeah, everybody watch

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Speaker 1: our podcads too, but they don't watch it. And let

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Speaker 1: me see how home getting down? They watching this in man,

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Speaker 1: let me see who were interviewing and ain't nothing else

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Speaker 1: to do because they're in the background while we're griddling.

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Speaker 1: You know, they shut the traps down when I dropped.

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Speaker 1: When I dropped, they shut the traps down, and they're

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Speaker 1: sitting around in the trap watching this. They sitting around

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Speaker 1: spots watching dude, what dude time about about that? Because

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Speaker 1: it's high level game. I ain't better than them. Might

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Speaker 1: come from where they come from, Right, I'm just an

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Speaker 1: extension of water happened if you go dive into the

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Speaker 1: books and start trying to understand something outside of the

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Speaker 1: street life. I'm just a reflection of that. I'm a

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Speaker 1: resource to come from that, right, especially with my status. Right,

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Speaker 1: I'm a symbol. I'm symbolism at this point, Like Yo, Home,

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Speaker 1: I'm telling you all you gotta do. You gotta eject

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Speaker 1: yourself out of that seat or that current jet you in.

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Speaker 1: You know what I'm saying, because that mother got you

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Speaker 1: flying the wrong way And often times we'll get caught

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Speaker 1: in comfortability and knowing, Like bro, I make twenty thousand

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Speaker 1: dollars a month with this just on some hustling, Like

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Speaker 1: I ain't trying to clock out of that, and then

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Speaker 1: you're telling me this for two to three years for free.

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Speaker 1: I know that's a hard seal, but we gotta do

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Speaker 1: something other than what we've been trained to do. Let's

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Speaker 1: speak about this really quick. Jeffrey Dahmo. This dude has

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Speaker 1: a movie on Netflix. Man, we've been watching it, and

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Speaker 1: I'm gonna be honest, like, as far as me, it's

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Speaker 1: been a while since I've been able to stay up

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Speaker 1: and really interested in watching something. But the Internet it's

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Speaker 1: surrounding this Jeffrey Dahman thing made me say, let me

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Speaker 1: really get into this. Number one. I would argue that

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Speaker 1: Netflix is paying some kind of marketing team or something

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Speaker 1: to put that word out about yo. I think they

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Speaker 1: deliberately highlighted the black thing because they knew that will

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Speaker 1: keep it talked about in pop culture and hip hop culture, right,

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Speaker 1: that will keep that conversation going. Some of the biggest

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Speaker 1: celebrities to come out, whether they're speaking on Behalf or Man,

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Speaker 1: it's messed up. He did that. The black people are

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Speaker 1: whatever it is. I think they planned that in there,

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Speaker 1: even though it's the truth. I think the way they

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Speaker 1: went about that was very specific. I wanted to watch

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Speaker 1: it because it was so much around it, and I

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Speaker 1: actually been staying up watching it, like you know, Brick

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Speaker 1: by Brick and this dude is a very weird, insane person.

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Speaker 1: They tried to humanize this guy with this movie, though

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Speaker 1: they shortened his name. They made him in certain instances

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Speaker 1: take losses without explanation right to make it seem like

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Speaker 1: what had happened to him had made him spawn out

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Speaker 1: of control. But they're not telling the people that's watching

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Speaker 1: that that. Don't nobody give u what happened to you.

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Speaker 1: If you run around and start killing people all this,

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Speaker 1: you're gonna have to deal with the results of that.

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Speaker 1: And it's also crazy that YouTube is shadowing Netflix, so

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Speaker 1: if something goes crazy on Netflix and there's some content

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Speaker 1: of it on YouTube, you start to see it pop

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Speaker 1: back up. But this dude was, this psychopath, was with

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Speaker 1: black people. He moved into the ghetto and he started

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Speaker 1: to invite people over and offer them money, And then

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Speaker 1: in itself says to be right, is that, like, yo,

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Speaker 1: they all coming over there for money? Because he moved

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Speaker 1: in a poor area Yo, if you go certain places

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Speaker 1: and tell them yo, I'm trying to get you to

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Speaker 1: come over to my house. I got a hundred dollars

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Speaker 1: for you to take pictures. Man in folk calling the

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Speaker 1: police on you. Man, man, listen, you can only get

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Speaker 1: away with that what its ain't got nothing. You could

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Speaker 1: be in a rich area of telling them. I got

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Speaker 1: ten thousand dollars for you to come to my house

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Speaker 1: and take pictures and get the police called on you

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Speaker 1: did due. We offer a hundred dollars fifty dollars. It

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Speaker 1: was so much strange, and one person got away. They

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Speaker 1: took him back. The smell like, my man, do you

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Speaker 1: know a smell like that is undeniable and we can't

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Speaker 1: get nobody to check it out. Then when they do

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Speaker 1: check it out, it's at the end. He hadn't been

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Speaker 1: doing it for years. Man, this this movie was disturbing, right,

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Speaker 1: It was very um. I opened them and then I sit,

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Speaker 1: damn man, Things in your life will feed you. It'll

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Speaker 1: feed your life. Always shows you as a child, things

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Speaker 1: that may expose themselves as an adult. Because when I

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Speaker 1: think about, like over the life of it. Even this

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Speaker 1: dude when he started to gut those fish and cut

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Speaker 1: that open in the way that made him feel and

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Speaker 1: how he was interested in that. I'm like, oh, yeah,

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Speaker 1: he's he got a loose screw. Nah, he missing a

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Speaker 1: couple of the cans. He he won the wars that

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Speaker 1: ain't got it up. You know. You used to say, man,

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Speaker 1: I want him to stay with me and stay next

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Speaker 1: to me and never leave. Like, yo, bro, you need

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00:18:52,760 --> 00:18:56,080
Speaker 1: to get you a dog. You need to do something. Man.

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Speaker 1: You can't for me though. This is for me, and

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Speaker 1: I'm being and I do want to be sensitive to

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Speaker 1: the families right that's affected and had been affected by that,

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Speaker 1: because that's a whole other conversation of the people that

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Speaker 1: has been able to put this aside, Who families were affected,

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Speaker 1: who's been able to bury this Jeffrey Dahma horror story

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Speaker 1: that a young nephew or son or cousin, uncle or

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Speaker 1: whatever went through. And then here we are then with

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Speaker 1: a new movie that exposes that scale, appeals that scale

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Speaker 1: about and shows that old scar without being compensated. And

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Speaker 1: I agree with Joe Budden on this. There's a conversation

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Speaker 1: that needs to be had about how they're able to

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Speaker 1: even do these kind of things without paying the people

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00:19:44,600 --> 00:19:47,920
Speaker 1: involved there's some language they use and when they when

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Speaker 1: they're able to say based on a true story, or

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Speaker 1: you know that that little screen that comes up before

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Speaker 1: these arcady docs and things come out, there's something happening

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Speaker 1: with that, and not think that a couple of us

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00:20:01,200 --> 00:20:03,760
Speaker 1: podcasts need to sit down with some information and try

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Speaker 1: to comb through that, because that'll be a story that

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Speaker 1: could help Hollywood and help even actors and people can

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Speaker 1: really reference when they're trying to combat some of that. Now,

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00:20:17,160 --> 00:20:20,399
Speaker 1: these families should become and say that, especially people that

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00:20:20,640 --> 00:20:24,439
Speaker 1: use and buy name by circumstance, by situation. Like, I

365
00:20:24,520 --> 00:20:28,000
Speaker 1: think that's interesting. It's just a very weird place that

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Speaker 1: Hollywood is able to operate in. And Netflix is now

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Speaker 1: they make their bones off of those kind of true

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Speaker 1: story type thing. But I think who really lives there

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Speaker 1: is Lifetime Movie Network. Now, that's who really lives in

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Speaker 1: that little pocket right there that Netflix is trying to

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Speaker 1: get in. It's that Lifetime Movie network pocket that all

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Speaker 1: the women watch Lifetime Moving Networker have a story from

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Speaker 1: a small city the number nineteen people know that it happen,

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Speaker 1: You know, about a lady putting some in a husband

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Speaker 1: cowfin and this and that and went to court and

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00:21:05,280 --> 00:21:08,360
Speaker 1: beat it because like they really, they got all them stories,

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Speaker 1: all them type of little you know, murder mystery and

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Speaker 1: all of that. So they if some rules were to

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Speaker 1: be implemented, it'll it'll crash a good section of television

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Speaker 1: as we know it, especially like lifetime, moving networking. Like that,

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Speaker 1: they're gone, and see another mistake that should have been

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Speaker 1: a role block with this Jeffrey Dahma idiot. That was it.

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Speaker 1: And this is what I'm saying about people being leaning in.

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Speaker 1: If you don't understand what your child is asking you

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Speaker 1: in four, then the answers no, especially if it ain't

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Speaker 1: your child. So when Jeffrey Dahma went and asked, yo,

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Speaker 1: can I take this pig home? And they like what

388
00:21:51,560 --> 00:21:54,800
Speaker 1: nobody's asked it? What is that about? So it should

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00:21:54,800 --> 00:21:56,800
Speaker 1: have been a no, but it's like, well, I don't

390
00:21:56,840 --> 00:21:58,800
Speaker 1: see nothing wrong with it, and it's a dead pig

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Speaker 1: with hey, man, go ahead, shout, I don't know what

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00:22:01,040 --> 00:22:03,840
Speaker 1: you're doing with it, but go ahead. See he feeding

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Speaker 1: something that you can't even see. And had you stopped

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00:22:08,119 --> 00:22:10,560
Speaker 1: him right there, he wouldn't have been as far as

395
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Speaker 1: he was when he ran into the dude and being

396
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Speaker 1: able to chop his bones down and hammer him and

397
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Speaker 1: damn that turn him into chalk. You see what I'm saying.

398
00:22:20,119 --> 00:22:22,399
Speaker 1: But a month ass school let him take a pig

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00:22:22,520 --> 00:22:26,439
Speaker 1: home because they was they didn't have any boundaries in place. Really,

400
00:22:26,880 --> 00:22:32,320
Speaker 1: they ignored the boundaries that was in place because I'm

401
00:22:32,359 --> 00:22:35,040
Speaker 1: sure you wasn't supposed to do that. But they let

402
00:22:35,040 --> 00:22:37,280
Speaker 1: this dude take a pig home. This thing, you know,

403
00:22:37,400 --> 00:22:39,480
Speaker 1: he at home with the pig, take the little hard

404
00:22:39,520 --> 00:22:41,639
Speaker 1: out the pit like he's on some other ship, and

405
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Speaker 1: you feeding it because you don't know to say no.

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00:22:45,280 --> 00:22:48,680
Speaker 1: You don't know how to say no. You gotta say no. Man.

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00:22:49,280 --> 00:22:51,080
Speaker 1: You know what I'm saying. I know it sounds hard

408
00:22:51,480 --> 00:22:53,720
Speaker 1: because these kids don't know what they up against. They

409
00:22:53,720 --> 00:22:56,760
Speaker 1: don't even know what they feeding theirselves. They don't know.

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Speaker 1: Damn I'm I don't I'm feeding that that urged on

411
00:23:00,280 --> 00:23:03,239
Speaker 1: that side, and I'm allowing you to get closer and

412
00:23:03,280 --> 00:23:06,080
Speaker 1: closer to that instead of saying, now, I know what

413
00:23:06,240 --> 00:23:10,119
Speaker 1: that ends up at, right, and if I don't understand it,

414
00:23:10,200 --> 00:23:12,720
Speaker 1: clearly no, because it's out of the ordinary. Can I

415
00:23:12,800 --> 00:23:15,000
Speaker 1: take a pig home? No, you can't take the pig

416
00:23:15,080 --> 00:23:17,560
Speaker 1: Hume why I won't do nothing just taking No, you

417
00:23:17,600 --> 00:23:20,720
Speaker 1: can't take the pig home. Then if you steal the pig,

418
00:23:21,160 --> 00:23:24,160
Speaker 1: I know the pig right now, that's his warnings right here.

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00:23:24,200 --> 00:23:27,800
Speaker 1: He he stole up dead pig. What it? Somebody needs

420
00:23:27,800 --> 00:23:30,240
Speaker 1: to check on you know what I'm saying. But when

421
00:23:30,240 --> 00:23:33,120
Speaker 1: you let all let go and you and you kind

422
00:23:33,119 --> 00:23:36,600
Speaker 1: of let him freestyle, it's way through life without any boundaries,

423
00:23:36,640 --> 00:23:40,119
Speaker 1: and call it finding itself. You will find yourself in

424
00:23:40,119 --> 00:23:42,199
Speaker 1: a situation where you got to help him out of

425
00:23:42,200 --> 00:23:44,320
Speaker 1: a hole that he might have dugged. It's too deep

426
00:23:44,400 --> 00:23:47,240
Speaker 1: that you can also fall in with him and all

427
00:23:47,280 --> 00:23:52,120
Speaker 1: it takes your participation as a parent. See, sometimes your

428
00:23:52,160 --> 00:23:55,080
Speaker 1: son or your daughter can dig a hole big enough

429
00:23:55,080 --> 00:24:01,040
Speaker 1: for the family to fall in. Now, these little is negligent.

430
00:24:01,119 --> 00:24:05,120
Speaker 1: What they behavior, these little girls is negligent. What they behavior.

431
00:24:05,240 --> 00:24:08,280
Speaker 1: So sometimes heus don't climbed out of You don't made

432
00:24:08,320 --> 00:24:11,400
Speaker 1: it the middle class. You don't done all. You can

433
00:24:11,560 --> 00:24:14,040
Speaker 1: work half your life to make it the middle class.

434
00:24:14,280 --> 00:24:16,679
Speaker 1: And there your child get to a certain age and

435
00:24:16,800 --> 00:24:19,760
Speaker 1: start needing you for bonds, sucking up this picking up

436
00:24:19,800 --> 00:24:21,440
Speaker 1: that you put your house up to try to get.

437
00:24:21,640 --> 00:24:24,120
Speaker 1: Next thing, you know, you don't feel back down to poverty.

438
00:24:24,400 --> 00:24:26,600
Speaker 1: They don't dig the whole big enough for the family

439
00:24:26,680 --> 00:24:32,000
Speaker 1: to fall in. But it's usually single mothers. They're fall

440
00:24:32,080 --> 00:24:34,960
Speaker 1: in the hole because their emotions right, because the man,

441
00:24:35,400 --> 00:24:38,560
Speaker 1: the father, usually someone saying, ain't nothing else I can

442
00:24:38,600 --> 00:24:43,040
Speaker 1: do for le Johnny, that's it, Teresa, we're not putting

443
00:24:43,040 --> 00:24:45,200
Speaker 1: this house up for me. Not. The boy's not gonna

444
00:24:45,280 --> 00:24:49,000
Speaker 1: do right. He doesn't shoulders he not. But you know,

445
00:24:49,200 --> 00:24:53,240
Speaker 1: Teresa want to put the house up. She don't understand

446
00:24:53,280 --> 00:24:55,280
Speaker 1: that our men ain't a dug a hole big enough

447
00:24:55,280 --> 00:24:59,200
Speaker 1: with our whole family can fall in this hole. That

448
00:24:59,240 --> 00:25:03,400
Speaker 1: don't mean heal. Let me understand when the hell see,

449
00:25:03,400 --> 00:25:07,480
Speaker 1: it's a time to help, you know, I know y'all

450
00:25:07,480 --> 00:25:11,840
Speaker 1: see Duval sometimes say that nigga come asking me for money,

451
00:25:11,840 --> 00:25:14,000
Speaker 1: and I tell a man, I can't interrupt what God

452
00:25:14,119 --> 00:25:16,919
Speaker 1: doing in your life. My brother, God trying to speak

453
00:25:16,960 --> 00:25:21,480
Speaker 1: to you. No, that's a joke and everything. But at

454
00:25:21,480 --> 00:25:23,159
Speaker 1: the end of the day, you gotta know whinning to

455
00:25:23,200 --> 00:25:25,440
Speaker 1: help somebody. You gotta know album and he right there,

456
00:25:25,520 --> 00:25:30,640
Speaker 1: he just need that little push. Then it becomes the right.

457
00:25:30,720 --> 00:25:34,920
Speaker 1: People have to be in that position because if someone

458
00:25:35,040 --> 00:25:38,520
Speaker 1: has that level of power over winning. When not to

459
00:25:38,600 --> 00:25:42,880
Speaker 1: give someone that pusher, that look that they need. That's

460
00:25:42,880 --> 00:25:46,520
Speaker 1: a slippery spot. It's where the being. Whole time you're

461
00:25:46,520 --> 00:25:48,920
Speaker 1: looking at your son like a good boy, your daughter

462
00:25:49,040 --> 00:25:51,040
Speaker 1: like a good girl, but they digging a hole big

463
00:25:51,200 --> 00:25:53,960
Speaker 1: enough for the family to fall live. Whole time they

464
00:25:54,040 --> 00:25:56,399
Speaker 1: talked to Jeffrey Domo fall, he kept saying he was

465
00:25:56,440 --> 00:26:00,440
Speaker 1: a good boy, and I'm on top. But then we're

466
00:26:00,440 --> 00:26:02,680
Speaker 1: no longer dealing with a boy, We're dealing with a man.

467
00:26:04,400 --> 00:26:06,200
Speaker 1: You saw him as a good boy, but I don't

468
00:26:06,240 --> 00:26:09,240
Speaker 1: know when you had your snapshot, but it clearly tells

469
00:26:09,320 --> 00:26:11,800
Speaker 1: me something wrong with you because you keep talking about

470
00:26:11,840 --> 00:26:14,760
Speaker 1: good boy, and here this man is a man. So

471
00:26:14,920 --> 00:26:17,600
Speaker 1: you keep taking me to the past about what he was.

472
00:26:17,800 --> 00:26:20,959
Speaker 1: Then you keep looking back at when he was innocent

473
00:26:21,040 --> 00:26:25,800
Speaker 1: and even stole fifteen times. So while the mother and

474
00:26:25,960 --> 00:26:31,720
Speaker 1: the parents of view him from his best decisions, from

475
00:26:31,840 --> 00:26:34,600
Speaker 1: his greatest times, why the parents view him like that?

476
00:26:35,040 --> 00:26:37,960
Speaker 1: The rest of the world views you from your worstest moments.

477
00:26:39,720 --> 00:26:43,359
Speaker 1: They view you and categorize you based on when you

478
00:26:43,480 --> 00:26:48,919
Speaker 1: made the bad decisions, not the good decision. Especially if

479
00:26:48,960 --> 00:26:52,399
Speaker 1: you continue to make him with reason, you understand. So

480
00:26:52,640 --> 00:26:55,359
Speaker 1: the whole time his father was saying, Yo, he's a

481
00:26:55,440 --> 00:26:58,040
Speaker 1: good boy. He's a good boy. And they let me

482
00:26:58,200 --> 00:27:01,879
Speaker 1: know the mother that we always be clocked out of

483
00:27:01,960 --> 00:27:04,679
Speaker 1: what's going on. It's hard for us to be objective

484
00:27:04,760 --> 00:27:10,360
Speaker 1: about something we've we've been instrumental in creating. But it's

485
00:27:10,400 --> 00:27:13,840
Speaker 1: a necessary attribute to have because you're sitting your children

486
00:27:14,000 --> 00:27:20,280
Speaker 1: up for a significant deficit in regards to evolving. There's

487
00:27:20,320 --> 00:27:23,399
Speaker 1: gonna be some arrested development and how they interact with

488
00:27:23,600 --> 00:27:29,680
Speaker 1: things life, people, places, and social settings. Right, they're gonna

489
00:27:29,760 --> 00:27:32,400
Speaker 1: think that the behavior they were able to do inside

490
00:27:32,440 --> 00:27:35,320
Speaker 1: of the house would be acceptable outside of the house

491
00:27:35,400 --> 00:27:39,680
Speaker 1: because there's been no transitional point. There's been no curfew point,

492
00:27:39,800 --> 00:27:42,119
Speaker 1: there's been no you know what I'm saying. So you

493
00:27:42,240 --> 00:27:45,280
Speaker 1: gotta understand that laws and rules. Because they think they

494
00:27:45,320 --> 00:27:47,679
Speaker 1: can run that game on the police that they've been

495
00:27:47,760 --> 00:27:51,440
Speaker 1: getting over with Mama with, they think they can run

496
00:27:51,520 --> 00:27:54,320
Speaker 1: that same game that worked on the teacher that didn't

497
00:27:54,359 --> 00:27:57,600
Speaker 1: count because he the kids don't understand. These teachers don't

498
00:27:57,640 --> 00:27:59,880
Speaker 1: give a fuck anyway. So when you think you run

499
00:28:00,200 --> 00:28:02,040
Speaker 1: game on them, hey, I need to go to the bathroom,

500
00:28:02,080 --> 00:28:04,159
Speaker 1: I'd be having a little problem, and you skipping the

501
00:28:04,240 --> 00:28:07,159
Speaker 1: clare and you're thinking, boy, I'm running game on that teacher. Now,

502
00:28:07,200 --> 00:28:09,960
Speaker 1: that teacher don't give a They don't make enough to

503
00:28:10,080 --> 00:28:14,760
Speaker 1: can in America school system. It take a very specific

504
00:28:14,880 --> 00:28:17,320
Speaker 1: kind of person to take that amount of money and

505
00:28:17,400 --> 00:28:20,240
Speaker 1: still care about the children in America school system. And

506
00:28:20,320 --> 00:28:22,280
Speaker 1: so a lot of time my children get caught up

507
00:28:22,280 --> 00:28:24,800
Speaker 1: been thinking they running game on the teacher when the

508
00:28:24,880 --> 00:28:28,280
Speaker 1: teacher is running game on the system because the teacher

509
00:28:28,480 --> 00:28:33,040
Speaker 1: is basically taking their job for economic reasons, right, basically

510
00:28:33,160 --> 00:28:36,439
Speaker 1: need to pay bills and not really interested in building

511
00:28:36,520 --> 00:28:39,080
Speaker 1: tomorrow or the future of these children. It's just like

512
00:28:39,280 --> 00:28:41,360
Speaker 1: this pays my bills and this they had a little

513
00:28:41,440 --> 00:28:45,400
Speaker 1: job for a teacher and they made this amount. Right,

514
00:28:45,520 --> 00:28:47,480
Speaker 1: So at some point we got to even look at

515
00:28:47,560 --> 00:28:50,840
Speaker 1: that and try to examine what scale are the teachers

516
00:28:50,920 --> 00:28:54,480
Speaker 1: being paid on? Right? Is that are we considering the

517
00:28:54,600 --> 00:28:57,920
Speaker 1: responsibility of the teachers at all? And I'm sure some

518
00:28:58,040 --> 00:29:01,360
Speaker 1: people are say yeah, in private schools are definitely considering

519
00:29:02,400 --> 00:29:05,440
Speaker 1: And so you know, I guess that's a for each

520
00:29:05,480 --> 00:29:07,720
Speaker 1: his own. If you're getting afford private school, you probably

521
00:29:07,760 --> 00:29:10,960
Speaker 1: need to try to do that. If not, your kids

522
00:29:11,000 --> 00:29:13,600
Speaker 1: are going to a school where you have no influence

523
00:29:13,680 --> 00:29:16,840
Speaker 1: on what they learn, you have no influence on how

524
00:29:17,000 --> 00:29:20,360
Speaker 1: they're being taught to view the world. Right, So you

525
00:29:20,480 --> 00:29:22,720
Speaker 1: wonder why they view the world a certain way is

526
00:29:22,720 --> 00:29:25,360
Speaker 1: because the school that they went to kind of taught

527
00:29:25,440 --> 00:29:29,520
Speaker 1: them to look at life like this. Like getting a

528
00:29:29,640 --> 00:29:33,240
Speaker 1: job it's this, and the boss is usually a white dude.

529
00:29:33,400 --> 00:29:38,360
Speaker 1: And these are not things that they're saying verbatim. These

530
00:29:38,480 --> 00:29:42,160
Speaker 1: just all examples they're providing when they have to describe

531
00:29:42,400 --> 00:29:46,520
Speaker 1: what successful looks like. And so they tend to reach

532
00:29:46,600 --> 00:29:50,320
Speaker 1: into these settings where it looks like what the Corporation

533
00:29:50,440 --> 00:29:53,880
Speaker 1: of America needs it to look like, whether that's industrial,

534
00:29:54,800 --> 00:29:57,840
Speaker 1: whether that's this kind of cause, set of like setting

535
00:30:00,000 --> 00:30:02,280
Speaker 1: and all of that. And I want to be clear too,

536
00:30:02,360 --> 00:30:05,560
Speaker 1: you got to participate in that. Most humans, most Americans

537
00:30:05,600 --> 00:30:09,800
Speaker 1: will have to participate in the workforce at some point. Right,

538
00:30:09,920 --> 00:30:13,400
Speaker 1: So don't get confused and say like I never had

539
00:30:13,640 --> 00:30:15,440
Speaker 1: I see a lot of people having their hand on that.

540
00:30:15,520 --> 00:30:19,040
Speaker 1: I ain't never had no job. Yeah, I understand that.

541
00:30:20,360 --> 00:30:23,000
Speaker 1: And if you were born into a situation where you're

542
00:30:23,040 --> 00:30:28,120
Speaker 1: father or someone ahead of you had business structure, business acumen,

543
00:30:28,240 --> 00:30:31,640
Speaker 1: that passed down to you. You know, I give you

544
00:30:31,720 --> 00:30:34,640
Speaker 1: a ride of applause, even if you find it out yourself,

545
00:30:34,720 --> 00:30:36,680
Speaker 1: I give you a riude of applause. But most people

546
00:30:36,840 --> 00:30:40,320
Speaker 1: had to participate in the workforce. So now the question

547
00:30:40,440 --> 00:30:43,840
Speaker 1: and the job becomes loan, how do we transition out

548
00:30:43,880 --> 00:30:48,320
Speaker 1: of the workforce? And see that's where my course and

549
00:30:48,440 --> 00:30:51,880
Speaker 1: classes come in. That is that That's what I'm gonna

550
00:30:51,920 --> 00:30:53,680
Speaker 1: try to put together because you hear a lot of

551
00:30:53,720 --> 00:30:55,960
Speaker 1: these entrepreneur guys in there, and this is what I'm

552
00:30:56,000 --> 00:31:00,520
Speaker 1: saying about people being disconnected with the culture. Right, it

553
00:31:00,680 --> 00:31:02,520
Speaker 1: got to be a breath of fresh chelf for people

554
00:31:02,560 --> 00:31:04,960
Speaker 1: out there to understand that there's now someone in the

555
00:31:05,080 --> 00:31:07,400
Speaker 1: mix that kind of understands what it looks like to

556
00:31:07,480 --> 00:31:12,000
Speaker 1: be on the other side. But a lot of these

557
00:31:12,200 --> 00:31:15,600
Speaker 1: entrepreneur dudes always just talk about yo, getting money, getting money,

558
00:31:15,640 --> 00:31:17,680
Speaker 1: getting money don't work for people. Go get it, go

559
00:31:17,840 --> 00:31:20,000
Speaker 1: get it, go get it. And sometimes I might pop

560
00:31:20,120 --> 00:31:23,440
Speaker 1: certain they get lost in that kind of translation. But

561
00:31:23,560 --> 00:31:26,120
Speaker 1: I want to be clear. Most people have to participate

562
00:31:26,200 --> 00:31:31,520
Speaker 1: in the workforce at some point. Right, that's your first customer.

563
00:31:31,840 --> 00:31:33,560
Speaker 1: That's where you can kind of get you a little

564
00:31:33,640 --> 00:31:37,640
Speaker 1: capital there's several ways to get capital from working a job, right,

565
00:31:37,720 --> 00:31:40,520
Speaker 1: So again, some of these conversations we have to iron out.

566
00:31:41,160 --> 00:31:46,400
Speaker 1: And this is what my my courses in classes come

567
00:31:46,480 --> 00:31:49,040
Speaker 1: in that right that we're putting together right now, So y'all,

568
00:31:49,120 --> 00:31:51,960
Speaker 1: y'all have to be on the lookout for that. But

569
00:31:52,120 --> 00:31:56,760
Speaker 1: it's transitioning from the workforce, you know, and trying to

570
00:31:56,840 --> 00:31:59,840
Speaker 1: become a millionaire on your own merit. All Right, let's

571
00:31:59,840 --> 00:32:03,720
Speaker 1: talk talk about this pnb Rock rppnb Rock to people

572
00:32:03,840 --> 00:32:08,440
Speaker 1: who were responsible for the death of pnb Rock have

573
00:32:08,600 --> 00:32:15,440
Speaker 1: now been arrested. Circumstances revolving around this situation have now

574
00:32:15,560 --> 00:32:21,600
Speaker 1: been revealed, and the Instagram posts from the mother of

575
00:32:21,680 --> 00:32:24,640
Speaker 1: his children had nothing to do with it. That's why

576
00:32:24,720 --> 00:32:27,080
Speaker 1: when I spoke about it, I was very careful not

577
00:32:27,200 --> 00:32:30,600
Speaker 1: to push blame on hunt and to steal, just kind

578
00:32:30,640 --> 00:32:35,600
Speaker 1: of speak about the cultures surrounding tagging pitches versus taking pictures.

579
00:32:36,040 --> 00:32:41,120
Speaker 1: But with pnb Rock murder suspects being in question, arrests

580
00:32:41,240 --> 00:32:43,400
Speaker 1: were made. There were three people arrest This is what

581
00:32:43,520 --> 00:32:46,000
Speaker 1: the news had to say. My father is in custody

582
00:32:46,040 --> 00:32:48,960
Speaker 1: along with his seventeen year old son and the boy's stepmother.

583
00:32:49,520 --> 00:32:53,240
Speaker 1: They're being charged with murder of brapper pnb Rock. He

584
00:32:53,440 --> 00:32:55,640
Speaker 1: was shot and killed during Robert at Roscoe' Chricken and

585
00:32:55,680 --> 00:32:58,880
Speaker 1: Waffles in South la orlier this month. Fox London Christy

586
00:32:58,960 --> 00:33:01,520
Speaker 1: Berhardo has more on the trio of suspect. She joined

587
00:33:01,560 --> 00:33:06,760
Speaker 1: the Style live from Compton, Christie Yet one of the suspects,

588
00:33:06,840 --> 00:33:10,600
Speaker 1: Chantelle Trone, was arraigned here at the Compton Courthouse earlier today.

589
00:33:10,680 --> 00:33:13,520
Speaker 1: The seventeen year old, whose name is not being released

590
00:33:13,560 --> 00:33:16,200
Speaker 1: because he is a minor, was also arraigned in juvenile

591
00:33:16,320 --> 00:33:19,600
Speaker 1: court and his father was on the run until today,

592
00:33:21,280 --> 00:33:24,320
Speaker 1: a family under arrest. Forty year old Freddie Trone no

593
00:33:24,480 --> 00:33:27,520
Speaker 1: longer a fugitive, caught by police in Las Vegas. The

594
00:33:27,720 --> 00:33:30,880
Speaker 1: LAPD says he was the getaway driver and his seventeen

595
00:33:30,960 --> 00:33:33,720
Speaker 1: year old son was the gunman who earlier this month

596
00:33:33,800 --> 00:33:39,600
Speaker 1: shot and killed pmb Rock while he was eating lunch

597
00:33:39,640 --> 00:33:42,800
Speaker 1: at Roscoe's Chicken and Waffles in South la with his girlfriend.

598
00:33:43,120 --> 00:33:46,120
Speaker 1: The lap believes the duo was after the rapper's expensive

599
00:33:46,200 --> 00:33:48,800
Speaker 1: jewelry and may have been tipped off to his whereabouts

600
00:33:48,920 --> 00:33:52,560
Speaker 1: by a social media post. His murder provoking outrage and

601
00:33:52,680 --> 00:33:56,040
Speaker 1: calls for justice. He was a guest in our community

602
00:33:56,400 --> 00:34:00,440
Speaker 1: and was gunned down. Gunned down by coward leat also

603
00:34:00,560 --> 00:34:03,560
Speaker 1: likely to turn heads. Box eleven has learned the alleged

604
00:34:03,560 --> 00:34:06,280
Speaker 1: teen gunmen was just out of jail and wearing an

605
00:34:06,280 --> 00:34:09,000
Speaker 1: ankle monitor which should have gone off once he left

606
00:34:09,080 --> 00:34:10,799
Speaker 1: his home. Of court's going to go on the record

607
00:34:10,920 --> 00:34:13,480
Speaker 1: called the matter of people were Chantel Trone also in

608
00:34:13,560 --> 00:34:16,839
Speaker 1: custody Freddie Trone's thirty eight year old wife, Chantelle, who

609
00:34:16,960 --> 00:34:20,680
Speaker 1: choked back tears during her arrangement incompetent. Police have not

610
00:34:20,800 --> 00:34:23,800
Speaker 1: said her involvement, but she pled not guilty to charges

611
00:34:24,000 --> 00:34:29,800
Speaker 1: of being an accessory after the fact. Chantel Trone is

612
00:34:29,880 --> 00:34:33,880
Speaker 1: due back in court on October thirteenth. As for Freddie

613
00:34:34,160 --> 00:34:37,960
Speaker 1: Lee Trone, he could be arranged as early as tomorrow. Now.

614
00:34:38,000 --> 00:34:41,360
Speaker 1: We did check jailhouse records and it shows that someone

615
00:34:41,440 --> 00:34:44,320
Speaker 1: with the same name and the same age was arrested

616
00:34:44,600 --> 00:34:47,440
Speaker 1: back in August and was released in March of this

617
00:34:47,640 --> 00:34:50,160
Speaker 1: year from County jail. But those records did not say

618
00:34:50,320 --> 00:34:55,200
Speaker 1: on what charges live in Compton. So you see they're

619
00:34:55,280 --> 00:34:57,799
Speaker 1: letting you know that was a fault in sun situation.

620
00:34:58,200 --> 00:35:00,880
Speaker 1: Right when his first took place. I was talking to

621
00:35:00,880 --> 00:35:03,239
Speaker 1: one of my g homans and I should have spoke

622
00:35:03,320 --> 00:35:05,200
Speaker 1: about this, but I didn't. I just kind of just

623
00:35:05,360 --> 00:35:08,000
Speaker 1: kept it to myself and we was talking. In the

624
00:35:08,080 --> 00:35:10,120
Speaker 1: first thing, he was like like he was saying, he

625
00:35:10,239 --> 00:35:13,000
Speaker 1: was like, loan, that's a desperation move. This before any

626
00:35:13,040 --> 00:35:15,840
Speaker 1: of this came out, and we got to talk it,

627
00:35:15,880 --> 00:35:17,480
Speaker 1: and I said, yeah, yeah, there had to be a

628
00:35:17,560 --> 00:35:22,080
Speaker 1: desperation move. That's what made me. You know, my viewpoint was, yo, man,

629
00:35:22,160 --> 00:35:25,919
Speaker 1: there was an opt but there was an opportunist, right see,

630
00:35:25,920 --> 00:35:27,919
Speaker 1: an opportunity to get some money. I need the money

631
00:35:28,000 --> 00:35:30,600
Speaker 1: go for what I know right then. But the idea

632
00:35:30,840 --> 00:35:33,760
Speaker 1: that it was a father and son, right the father

633
00:35:33,920 --> 00:35:36,520
Speaker 1: is supposed to leave the pack, the idea that the

634
00:35:36,640 --> 00:35:39,920
Speaker 1: father would have his son doing something like that. But

635
00:35:40,760 --> 00:35:43,360
Speaker 1: when we spoke about it being a desperate move, I

636
00:35:43,560 --> 00:35:46,520
Speaker 1: instantly when this news came out, what they said was

637
00:35:46,560 --> 00:35:48,640
Speaker 1: he was on the ankle money. Okay, so two plus

638
00:35:48,719 --> 00:35:50,759
Speaker 1: two is fols. So that would say to me, he

639
00:35:50,960 --> 00:35:53,560
Speaker 1: needed a lawyer for that case. He needed some money.

640
00:35:53,640 --> 00:35:56,160
Speaker 1: He needed a lawyer money. And that's what me and

641
00:35:56,239 --> 00:35:58,560
Speaker 1: my homeboy was talking about it, like a move like

642
00:35:58,760 --> 00:36:02,120
Speaker 1: that it's such a desperate move. It speaks to like,

643
00:36:03,080 --> 00:36:05,279
Speaker 1: oh my god, right now, I gotta bust a move.

644
00:36:05,880 --> 00:36:09,680
Speaker 1: I need this very very bad now. They arrested the

645
00:36:09,760 --> 00:36:13,520
Speaker 1: stepmother's well. Her involvement is yet to be disclosed, but

646
00:36:13,719 --> 00:36:16,000
Speaker 1: here are some details from the news about the three

647
00:36:16,040 --> 00:36:19,200
Speaker 1: people that's involved so far. Ells about what led to

648
00:36:19,280 --> 00:36:22,080
Speaker 1: the arrests in the killing of rapper pnb Rock. Did

649
00:36:22,120 --> 00:36:25,200
Speaker 1: you here with the latest? Now? Both Freddie Lee Trone,

650
00:36:25,200 --> 00:36:27,040
Speaker 1: who had been on the run but was arrested in

651
00:36:27,160 --> 00:36:30,719
Speaker 1: Las Vegas yesterday and his seventeen year old son had

652
00:36:30,760 --> 00:36:33,920
Speaker 1: been charged with murder in the death of rapper pnb Rock,

653
00:36:34,200 --> 00:36:38,040
Speaker 1: although prosecutors say it was the teenager who actually shot

654
00:36:38,120 --> 00:36:40,480
Speaker 1: and killed him. And today we're learning more about what

655
00:36:40,640 --> 00:36:43,720
Speaker 1: happened that fateful day now. The timeline in the felony

656
00:36:43,760 --> 00:36:46,640
Speaker 1: complaint says that Freddie Lee Trone met with someone outside

657
00:36:46,719 --> 00:36:50,640
Speaker 1: Roscoe's just moments after pnb Rock and his girlfriend arrived.

658
00:36:51,040 --> 00:36:54,719
Speaker 1: Trone is then seen leaving, but he returns shortly. This

659
00:36:54,920 --> 00:36:57,480
Speaker 1: time he's with his seventeen year old son, who was

660
00:36:57,640 --> 00:37:01,120
Speaker 1: reportedly armed with a gun. Trone drops him off a

661
00:37:01,239 --> 00:37:05,000
Speaker 1: short distance away from Roscoe's. The teen then walks into

662
00:37:05,040 --> 00:37:07,640
Speaker 1: the restaurant and goes straight to the table where the

663
00:37:07,760 --> 00:37:11,279
Speaker 1: rapper and his girlfriend were eating, pointing a gun at them,

664
00:37:11,360 --> 00:37:14,920
Speaker 1: Prosecutors allege and saying quote, give me all of your

665
00:37:15,000 --> 00:37:19,239
Speaker 1: jewelry now. The timeline then has the teen shooting P

666
00:37:19,440 --> 00:37:22,600
Speaker 1: and B in the chest just like that, and after

667
00:37:22,680 --> 00:37:25,439
Speaker 1: he fell to the ground, prosecutors say the teen shot

668
00:37:25,520 --> 00:37:28,880
Speaker 1: him two more times in the back. The felony complaint

669
00:37:28,960 --> 00:37:31,480
Speaker 1: goes on to say the teenager then pointed that gun

670
00:37:31,560 --> 00:37:35,279
Speaker 1: at P and B's girlfriend, Steph, saying quote, show me

671
00:37:35,400 --> 00:37:39,120
Speaker 1: your hands, give me that blank right now. I swear

672
00:37:39,200 --> 00:37:42,120
Speaker 1: to God I shoot you in the head. The teen

673
00:37:42,320 --> 00:37:45,120
Speaker 1: then took her jewelry, but it didn't end there. The

674
00:37:45,200 --> 00:37:47,520
Speaker 1: complaint went on to say that as the rapper lay

675
00:37:47,719 --> 00:37:51,480
Speaker 1: dying on the floor, the teenager robbed him too, taking

676
00:37:51,600 --> 00:37:54,719
Speaker 1: his chains and watch, and even pulling his rings off

677
00:37:54,760 --> 00:37:57,520
Speaker 1: of his fingers. The timeline ends with the father and

678
00:37:57,640 --> 00:38:01,280
Speaker 1: son driving home, but prosecutors say they parked blocks away

679
00:38:01,600 --> 00:38:04,560
Speaker 1: and walked home, with the team disposing of his shoes

680
00:38:04,640 --> 00:38:07,520
Speaker 1: and shirt along the way. The felon and complaint makes

681
00:38:07,719 --> 00:38:10,839
Speaker 1: no mention of that now infamous social media post from

682
00:38:10,920 --> 00:38:14,720
Speaker 1: pnb's girlfriends that tag them eating at Roscoe's, although police

683
00:38:14,760 --> 00:38:18,640
Speaker 1: say the investigation is not over yet, so I think

684
00:38:18,680 --> 00:38:23,160
Speaker 1: the internet overreacted to to tag another picture. I mean,

685
00:38:23,280 --> 00:38:25,440
Speaker 1: but you know, everyone went into a panic. We sent

686
00:38:25,480 --> 00:38:29,239
Speaker 1: out of condolences out to her for having even witness that.

687
00:38:30,239 --> 00:38:32,160
Speaker 1: But for those of y'all to listen to me, you know,

688
00:38:32,239 --> 00:38:35,960
Speaker 1: when it first happened, I said, oh, man, I told

689
00:38:36,000 --> 00:38:40,799
Speaker 1: you these savages. I told you that these names would

690
00:38:40,840 --> 00:38:44,719
Speaker 1: take and watch you gasping for air and undo your

691
00:38:44,800 --> 00:38:47,840
Speaker 1: ear rings, take the rings off your finger while you

692
00:38:47,960 --> 00:38:50,480
Speaker 1: swimming in your blood. I told you these don't have

693
00:38:50,680 --> 00:38:53,879
Speaker 1: that level of viciousness when he comes to the hustle though,

694
00:38:54,920 --> 00:38:58,839
Speaker 1: these hustle like little boys. Do you think a man

695
00:38:58,920 --> 00:39:00,480
Speaker 1: they are to take that kind of risks to have

696
00:39:00,560 --> 00:39:03,200
Speaker 1: a certain level of visionness even about his hustle. But

697
00:39:03,680 --> 00:39:05,440
Speaker 1: a lot of these dudes that are taken them kind

698
00:39:05,480 --> 00:39:07,560
Speaker 1: of risk like that, they ain't gotten. They ain't gonna

699
00:39:07,560 --> 00:39:10,399
Speaker 1: really do no whole bunch of hustling. I'm disappointed though,

700
00:39:10,440 --> 00:39:13,040
Speaker 1: in the father's involvement to pull back up with your

701
00:39:13,120 --> 00:39:15,719
Speaker 1: son and go make the move. But let me be clear,

702
00:39:15,760 --> 00:39:19,040
Speaker 1: I know this is a real thing. This happens. I

703
00:39:19,200 --> 00:39:21,840
Speaker 1: was sixteen years old. Man, I had a little homeboy

704
00:39:21,920 --> 00:39:24,560
Speaker 1: man that were whooping grown men. Man, when them grown

705
00:39:24,640 --> 00:39:27,720
Speaker 1: men and when they got their son, my homeboy whooped

706
00:39:27,760 --> 00:39:31,520
Speaker 1: his son. Then the grown men gotta get involved. Right,

707
00:39:31,560 --> 00:39:33,480
Speaker 1: It's it was. It was too much going on. But

708
00:39:33,600 --> 00:39:37,520
Speaker 1: what I'm telling you is this is a neighborhood thing, right,

709
00:39:37,680 --> 00:39:41,200
Speaker 1: your son is Usually these streets may be so lost

710
00:39:41,840 --> 00:39:44,080
Speaker 1: that they are raised, they sawn up to be the

711
00:39:44,200 --> 00:39:48,280
Speaker 1: mini version of them. Right. All I know about the streets,

712
00:39:48,320 --> 00:39:51,200
Speaker 1: all the robbing and shot undone. I put it in

713
00:39:51,360 --> 00:39:55,040
Speaker 1: him younger, so he the strong, go faster. Me he

714
00:39:55,160 --> 00:39:57,440
Speaker 1: didn't need, didn't know how to work with technology and

715
00:39:57,560 --> 00:40:01,000
Speaker 1: all of that. And for me, they just leading them

716
00:40:01,080 --> 00:40:03,560
Speaker 1: young dudes down in the wrong pair. Now, some of

717
00:40:03,600 --> 00:40:05,840
Speaker 1: these young dudes just doesn't choose their own fake just

718
00:40:05,920 --> 00:40:08,440
Speaker 1: because of what they've consumed and the vibration that they

719
00:40:09,040 --> 00:40:13,880
Speaker 1: choose to land on, you know, and the environment plays

720
00:40:13,920 --> 00:40:16,160
Speaker 1: a role in it too. But I did that your

721
00:40:16,239 --> 00:40:20,200
Speaker 1: father walk you into committing a crime that it cost

722
00:40:20,280 --> 00:40:23,160
Speaker 1: you your life is crazy. What I ain'tle monitor on

723
00:40:24,640 --> 00:40:27,080
Speaker 1: the motherfucker that it gave you life or walk you

724
00:40:27,200 --> 00:40:30,600
Speaker 1: into a restaurant to take a mother life and cost

725
00:40:30,680 --> 00:40:34,600
Speaker 1: you your life on his watch. I can't even imagine

726
00:40:34,680 --> 00:40:37,920
Speaker 1: that level of desperation, and I come from it, so

727
00:40:38,040 --> 00:40:40,400
Speaker 1: I know the white people can't wrap their man around it.

728
00:40:41,000 --> 00:40:42,880
Speaker 1: But I knew that they probably try to get at

729
00:40:42,960 --> 00:40:45,040
Speaker 1: her to come on with your too, Like they just

730
00:40:45,160 --> 00:40:48,799
Speaker 1: shot dude, man. They plan for keeps now. It's all

731
00:40:48,960 --> 00:40:51,760
Speaker 1: up in the air. And that's why I made that assumption.

732
00:40:51,880 --> 00:40:54,440
Speaker 1: Like they're they're undo your ear ring, man, while you

733
00:40:54,560 --> 00:40:57,480
Speaker 1: grabbing on them, trying to make you grabbing on them

734
00:40:57,560 --> 00:41:00,000
Speaker 1: with your last little breath. They are undoing your earrings,

735
00:41:00,320 --> 00:41:03,080
Speaker 1: they taking your necklace off, they won't your chain, they

736
00:41:03,160 --> 00:41:06,320
Speaker 1: won't your glasses in the last minutes of your life,

737
00:41:07,760 --> 00:41:10,440
Speaker 1: and then shoot your mother as again. Then look at

738
00:41:10,520 --> 00:41:14,279
Speaker 1: your old lady, come on with your watch too, and

739
00:41:14,480 --> 00:41:17,440
Speaker 1: you just shot her Superman in front of Huh you

740
00:41:17,640 --> 00:41:20,600
Speaker 1: just shot because she no damn well gonna protect her.

741
00:41:20,680 --> 00:41:23,800
Speaker 1: You just done him bad in front of her. And

742
00:41:23,840 --> 00:41:25,719
Speaker 1: then you got it pointed at hunt and say come

743
00:41:25,760 --> 00:41:29,480
Speaker 1: on with your You know, she scared the death and

744
00:41:29,600 --> 00:41:31,839
Speaker 1: if she frees up in that moment, she might get

745
00:41:31,920 --> 00:41:37,440
Speaker 1: shot too. And that's why I wasn't so quick to

746
00:41:37,560 --> 00:41:42,200
Speaker 1: just slam beloved because I'm knowing like most women, when

747
00:41:42,239 --> 00:41:44,400
Speaker 1: they were the dude and a dude moving and shaking,

748
00:41:44,480 --> 00:41:49,239
Speaker 1: and he's powerful at the internet. Look at me if

749
00:41:49,280 --> 00:41:51,399
Speaker 1: I put her in a bigger house, I put hunt

750
00:41:51,440 --> 00:41:54,800
Speaker 1: a better car. I made our life better. I'm powerful

751
00:41:54,840 --> 00:41:57,160
Speaker 1: to these people right here in my circle. That's when

752
00:41:57,200 --> 00:42:00,640
Speaker 1: the Internet gets through with me. I'm talking about when

753
00:42:00,680 --> 00:42:03,160
Speaker 1: the Internet put me away and tucked me away and

754
00:42:03,320 --> 00:42:06,600
Speaker 1: hide my legacy in that house. Though I'm still the man,

755
00:42:06,719 --> 00:42:09,560
Speaker 1: I'm still powerful in that house. So they killed the

756
00:42:09,760 --> 00:42:12,480
Speaker 1: new was powerful the hut in front of her. They

757
00:42:12,600 --> 00:42:15,759
Speaker 1: done him a certain way in front of her. I

758
00:42:15,840 --> 00:42:18,320
Speaker 1: can only imagine how they ripped through her, right in

759
00:42:18,400 --> 00:42:21,680
Speaker 1: front of her faith. And then they reached down on

760
00:42:21,800 --> 00:42:24,919
Speaker 1: that and start unlike can you imagine her man said,

761
00:42:24,960 --> 00:42:27,160
Speaker 1: didn't get through with doing him like it? And look

762
00:42:27,200 --> 00:42:31,279
Speaker 1: at you? Come on with that, you come on with that?

763
00:42:31,440 --> 00:42:35,040
Speaker 1: Watching this? You got too. These just left out of

764
00:42:35,120 --> 00:42:38,680
Speaker 1: this restaurant. They have a zero percent chance of getting

765
00:42:38,719 --> 00:42:42,759
Speaker 1: away with this crime. It's no way in the they're

766
00:42:42,760 --> 00:42:45,400
Speaker 1: getting They had just came out of this restaurant. They

767
00:42:45,480 --> 00:42:50,719
Speaker 1: can't beat this. But whatever circumstances. They end, they feel

768
00:42:50,760 --> 00:42:53,120
Speaker 1: like they back against the wall to what this move

769
00:42:53,280 --> 00:42:55,800
Speaker 1: right here is acceptable for whatever they got going on.

770
00:42:56,560 --> 00:42:58,799
Speaker 1: And that's what I try to tell. While you see

771
00:42:58,920 --> 00:43:00,799
Speaker 1: robberts try to move with a lot of people, that's

772
00:43:00,880 --> 00:43:03,719
Speaker 1: them trying to make it hard, trying to make it

773
00:43:03,800 --> 00:43:06,560
Speaker 1: hard for you to get through. But what tends to

774
00:43:06,600 --> 00:43:08,759
Speaker 1: happen when you move with a lot of people like that,

775
00:43:08,920 --> 00:43:12,520
Speaker 1: It usually ain't nobody from the outside. Somebody from the

776
00:43:12,560 --> 00:43:16,040
Speaker 1: outside worked their way in the inside because you need

777
00:43:16,120 --> 00:43:18,359
Speaker 1: all them people, and then it usually get you from

778
00:43:18,400 --> 00:43:21,440
Speaker 1: the inside, not necessarily kill your number to watch the

779
00:43:21,520 --> 00:43:25,400
Speaker 1: old here a chain come up missing over here. You

780
00:43:25,719 --> 00:43:29,640
Speaker 1: know this bank roll right here was eighteen thousand short.

781
00:43:30,080 --> 00:43:33,280
Speaker 1: It took two hundred off each bank roll. He didn't

782
00:43:33,320 --> 00:43:36,520
Speaker 1: think we were gonna count it again. You see what

783
00:43:36,520 --> 00:43:38,920
Speaker 1: I'm saying. So it's it would be things like that

784
00:43:39,080 --> 00:43:43,600
Speaker 1: that's happening. But you know, I tell these kids, you know,

785
00:43:43,719 --> 00:43:47,960
Speaker 1: they grow up, Yo. The booget man ain't real. But man,

786
00:43:48,040 --> 00:43:52,200
Speaker 1: we grew up around some monsters. Man, I grew up

787
00:43:52,239 --> 00:43:54,640
Speaker 1: around some monsters. I grew up around some dudes that

788
00:43:54,719 --> 00:43:58,279
Speaker 1: are do you bad? You feel me? I'm talking about

789
00:43:58,800 --> 00:44:03,200
Speaker 1: Duke Bad doing bad. You know, so my texture a

790
00:44:03,239 --> 00:44:06,040
Speaker 1: little different. I know what's up. I don't play around.

791
00:44:06,280 --> 00:44:10,400
Speaker 1: I don't think nothing, no joke. I don't leave doors unlocked.

792
00:44:10,640 --> 00:44:13,480
Speaker 1: I keep one in my head, in my gun, I

793
00:44:13,560 --> 00:44:17,120
Speaker 1: don't need no safety on it. I'm not joking or playing.

794
00:44:17,600 --> 00:44:20,920
Speaker 1: You violate this show. I'm gonna get the shooting right,

795
00:44:21,040 --> 00:44:23,960
Speaker 1: and it ain't because I'm trying to be tough. Then

796
00:44:24,040 --> 00:44:27,080
Speaker 1: I just saw what they do to next playing and

797
00:44:27,239 --> 00:44:30,560
Speaker 1: that's what these children ain't saucy, that ain't saw what

798
00:44:30,719 --> 00:44:35,080
Speaker 1: happened to this playing gangster that's playing in between that game,

799
00:44:35,239 --> 00:44:39,239
Speaker 1: that's acting like them getting their smadge. Man. You know,

800
00:44:39,440 --> 00:44:41,759
Speaker 1: so I try to teach my kids like yo, bro,

801
00:44:42,520 --> 00:44:45,040
Speaker 1: stay on the other side of the street. Y'all having

802
00:44:45,120 --> 00:44:47,640
Speaker 1: it these I'm gonna bumping to break this generation of

803
00:44:47,760 --> 00:44:51,279
Speaker 1: curse far as finances, so that's over with. Y'all ain't

804
00:44:51,320 --> 00:44:53,319
Speaker 1: got to see a no dope or no dumb shit

805
00:44:53,560 --> 00:44:55,759
Speaker 1: that So if y'all go the other way, that's because

806
00:44:55,840 --> 00:44:57,759
Speaker 1: y'all choosing to be dumb. And I'm gonna tell you

807
00:44:57,920 --> 00:45:01,160
Speaker 1: like they told me, and that weight gonna cost you

808
00:45:01,320 --> 00:45:04,560
Speaker 1: something that you might can't repelling. So you want to

809
00:45:04,600 --> 00:45:06,719
Speaker 1: play with that, go play with it. I'm in my

810
00:45:06,880 --> 00:45:11,000
Speaker 1: old age. I ain't running down that role after you though. Man,

811
00:45:11,040 --> 00:45:13,080
Speaker 1: I don't work these last four or five years in

812
00:45:13,160 --> 00:45:15,879
Speaker 1: my lot and work too hard. I'm not you know now,

813
00:45:15,920 --> 00:45:20,760
Speaker 1: I'm gonna try to let me be clear. I'm always

814
00:45:20,840 --> 00:45:23,120
Speaker 1: gonna be a listening ill. I'm always gonna be the

815
00:45:23,200 --> 00:45:26,719
Speaker 1: person giving you game. But I can't let you dig

816
00:45:26,840 --> 00:45:29,360
Speaker 1: a hole big enough for the family to fall in it.

817
00:45:30,680 --> 00:45:33,040
Speaker 1: You know what I'm saying. I can't let you risk

818
00:45:33,120 --> 00:45:36,480
Speaker 1: everything because it ain't just about you, just like it

819
00:45:36,560 --> 00:45:40,520
Speaker 1: ain't just about me. This is about your children, This

820
00:45:40,719 --> 00:45:45,040
Speaker 1: about my grandchildren, my grandchildren's children, right. This is about

821
00:45:45,760 --> 00:45:48,640
Speaker 1: my family and my mother, the people that love me, right.

822
00:45:48,760 --> 00:45:52,800
Speaker 1: This ain't about one particular person. So the idea that

823
00:45:52,960 --> 00:45:58,279
Speaker 1: I have to sacrifice the whole thing because because you

824
00:45:58,400 --> 00:46:01,960
Speaker 1: want to go down the road that I've already been

825
00:46:02,080 --> 00:46:04,279
Speaker 1: down and had to come back up that road it

826
00:46:04,400 --> 00:46:08,200
Speaker 1: didn't go down the other road, I would be highly disappointed.

827
00:46:08,280 --> 00:46:12,200
Speaker 1: Now with that being said, Um, it cost me a lot.

828
00:46:12,680 --> 00:46:17,120
Speaker 1: You know, my mind set, my interaction with with love,

829
00:46:17,800 --> 00:46:22,480
Speaker 1: my interaction with accepting compliments like all of that weary

830
00:46:22,520 --> 00:46:25,160
Speaker 1: because I'm always what they're trying to do, They're trying

831
00:46:25,200 --> 00:46:27,440
Speaker 1: to get something, what they trying to do. They you know,

832
00:46:27,560 --> 00:46:29,759
Speaker 1: it's always something on me because I come from a

833
00:46:29,880 --> 00:46:33,640
Speaker 1: place where it wasn't much going on. I was fifteen

834
00:46:33,719 --> 00:46:35,640
Speaker 1: years old. I was the first one with a car,

835
00:46:36,520 --> 00:46:38,800
Speaker 1: and I'm gonna just get y'all this little game. This

836
00:46:38,920 --> 00:46:40,719
Speaker 1: is why I'm trying to tell you my come up

837
00:46:40,880 --> 00:46:43,520
Speaker 1: is just different. In my little click of people in

838
00:46:43,640 --> 00:46:46,640
Speaker 1: my hood. I was the first one with a car

839
00:46:46,680 --> 00:46:50,080
Speaker 1: because my homeboy mama had had a car in their

840
00:46:50,200 --> 00:46:53,480
Speaker 1: yard and the law in Tennessee had said, listen, after

841
00:46:53,560 --> 00:46:55,480
Speaker 1: that cop being they because they bought the house and

842
00:46:55,600 --> 00:46:58,320
Speaker 1: the car was there. So they said, yo, after that

843
00:46:58,520 --> 00:47:00,680
Speaker 1: cop being in your yard a certain amount of time,

844
00:47:02,120 --> 00:47:04,839
Speaker 1: you get a chance you own that car legally, right,

845
00:47:04,960 --> 00:47:06,719
Speaker 1: and you file it to us. So they filed the

846
00:47:06,840 --> 00:47:09,279
Speaker 1: thing and got the title, so the car to Meca.

847
00:47:09,400 --> 00:47:12,880
Speaker 1: I was already hustling, so she sold the car to me.

848
00:47:13,680 --> 00:47:15,960
Speaker 1: Now this car had to kill switch on it, and

849
00:47:16,040 --> 00:47:17,880
Speaker 1: it was a certain way that you hooked the car

850
00:47:18,000 --> 00:47:21,839
Speaker 1: up and make it run me. I'm in my neighborhood.

851
00:47:22,120 --> 00:47:24,239
Speaker 1: But this is why I learned young. See, I'm in

852
00:47:24,320 --> 00:47:27,120
Speaker 1: my neighborhood, so I'm thinking let the home is no. Yeah,

853
00:47:27,160 --> 00:47:28,840
Speaker 1: I'm letting it about. No man, Look, I got a

854
00:47:28,920 --> 00:47:31,160
Speaker 1: car now, were riding around the hood, were smoking in

855
00:47:31,239 --> 00:47:33,840
Speaker 1: the car. I got the look switch. I'm letting anybody

856
00:47:33,880 --> 00:47:36,359
Speaker 1: no look, this is how you run it. My mama

857
00:47:36,440 --> 00:47:38,200
Speaker 1: didn't know I had the card at the time. She

858
00:47:38,239 --> 00:47:40,520
Speaker 1: wouldn't approve of me having a card at that time.

859
00:47:40,960 --> 00:47:42,560
Speaker 1: And this is why I try to tell you, it's

860
00:47:42,680 --> 00:47:45,640
Speaker 1: things happening outside of your house. You don't know that

861
00:47:45,800 --> 00:47:49,320
Speaker 1: your children is doing. Luckily, I was smart enough to

862
00:47:49,520 --> 00:47:52,360
Speaker 1: dance in a way where like that, you know. And

863
00:47:52,440 --> 00:47:55,120
Speaker 1: by the time I started getting in trouble, she was

864
00:47:55,200 --> 00:47:58,279
Speaker 1: owned to me, you know, and she started to put

865
00:47:58,440 --> 00:48:01,600
Speaker 1: roadblocks to try to stopped me from doing certain things,

866
00:48:01,719 --> 00:48:04,360
Speaker 1: you know, even though I was making bad decisions. But anyway,

867
00:48:05,800 --> 00:48:07,600
Speaker 1: I'm letting in the hood. No. Look, this is how

868
00:48:07,640 --> 00:48:09,520
Speaker 1: you do it. Bro Like hither dad and I got

869
00:48:09,600 --> 00:48:13,120
Speaker 1: a bucket full of chain. First thing happened. This wouldn't

870
00:48:13,160 --> 00:48:14,960
Speaker 1: let me know. I come out one more and get

871
00:48:15,040 --> 00:48:20,000
Speaker 1: in my car because you couldn't lock the doors. Back then,

872
00:48:20,120 --> 00:48:23,080
Speaker 1: the cars had one key to lock the door, and

873
00:48:23,200 --> 00:48:25,640
Speaker 1: one key to star the car. I had the key

874
00:48:25,719 --> 00:48:27,440
Speaker 1: to start the car and not the key to lock

875
00:48:27,560 --> 00:48:29,120
Speaker 1: the door. I was too young to know the call

876
00:48:29,200 --> 00:48:31,440
Speaker 1: a lock smell for anything like that, so I'll just

877
00:48:31,560 --> 00:48:34,160
Speaker 1: leave the door on lock. First thing happened. I come

878
00:48:34,200 --> 00:48:36,880
Speaker 1: out one more and get in my car, and it

879
00:48:37,000 --> 00:48:40,960
Speaker 1: smelled like smoke. I said, damn, I am this car

880
00:48:41,040 --> 00:48:44,120
Speaker 1: been sitting now all night. You know, somebody had been

881
00:48:44,200 --> 00:48:48,000
Speaker 1: smoking in the car. So when I when I said

882
00:48:48,000 --> 00:48:50,160
Speaker 1: it smelled like smoke, I look, I look at my thing.

883
00:48:50,280 --> 00:48:53,120
Speaker 1: All my chain's gone. That's the first thing. They don't

884
00:48:53,120 --> 00:48:56,160
Speaker 1: win and need my partner. This pop be my hood deed,

885
00:48:56,280 --> 00:48:58,680
Speaker 1: my home boy. We all young. They don't win in

886
00:48:58,760 --> 00:49:02,080
Speaker 1: and stole my chaine the car, and they probably using

887
00:49:02,160 --> 00:49:05,200
Speaker 1: my cor to come smoke when they outside, when they' know,

888
00:49:05,280 --> 00:49:07,640
Speaker 1: but you know they're just chilling outside. Go get in

889
00:49:07,719 --> 00:49:09,560
Speaker 1: loon car smoke. Man. You know, Loon got the cor

890
00:49:09,640 --> 00:49:12,360
Speaker 1: park down there, you know, and they're going there and smoke.

891
00:49:12,480 --> 00:49:16,400
Speaker 1: So I said, okay, let me pay attention. Now. They

892
00:49:16,480 --> 00:49:18,640
Speaker 1: don't know because I ain't even say nothing. So I've

893
00:49:18,640 --> 00:49:21,520
Speaker 1: always been a plot and so on. Now I'm paying attention.

894
00:49:21,560 --> 00:49:24,360
Speaker 1: So now I'm fifty two fake out. I'm acting like

895
00:49:24,520 --> 00:49:28,719
Speaker 1: I'm going in and coming back out. So I act

896
00:49:28,800 --> 00:49:31,800
Speaker 1: like I go in and come back out. Them niggas

897
00:49:31,840 --> 00:49:35,680
Speaker 1: in my car, we get into it. Come to find out,

898
00:49:35,800 --> 00:49:38,600
Speaker 1: I think they've been driving my car the thing around

899
00:49:38,640 --> 00:49:40,960
Speaker 1: the block. Hout and show there aboutter how to start it.

900
00:49:41,400 --> 00:49:44,319
Speaker 1: They probably right back, they don't miss it up or nothing.

901
00:49:44,400 --> 00:49:46,919
Speaker 1: But the thing is the same people I thought had

902
00:49:47,040 --> 00:49:50,200
Speaker 1: my best centuries, they wore my home boys, and they

903
00:49:50,280 --> 00:49:52,560
Speaker 1: probably didn't. It ain't that they hated me or none,

904
00:49:52,600 --> 00:49:55,480
Speaker 1: but the circumstance, Man, we need somewhere to smoke, So

905
00:49:55,719 --> 00:50:00,200
Speaker 1: the circumstances outweighed whatever friendship or boundaries that we head

906
00:50:00,280 --> 00:50:02,600
Speaker 1: in place. We need something a smoke. Noon got the

907
00:50:02,640 --> 00:50:06,759
Speaker 1: car right there, that's getting his car. It ain't hurting nobody. See,

908
00:50:06,840 --> 00:50:09,759
Speaker 1: they justified it in their own man, And sometimes you

909
00:50:09,920 --> 00:50:13,320
Speaker 1: deal with that. So sometimes the person that you trust

910
00:50:14,000 --> 00:50:17,920
Speaker 1: can introduce you to things that can cost you, things

911
00:50:17,960 --> 00:50:21,279
Speaker 1: that that's too expensive for them to pay for. In

912
00:50:21,440 --> 00:50:26,680
Speaker 1: this particular circumstance, it was this dude father that introduced

913
00:50:26,760 --> 00:50:29,960
Speaker 1: him to a lifestyle that ultimately cost him his life.

914
00:50:31,320 --> 00:50:36,399
Speaker 1: So that dude gave you life and then crashed you out. Say, oh,

915
00:50:37,000 --> 00:50:39,800
Speaker 1: y'all want to crash yourself out? We know y'all know

916
00:50:40,000 --> 00:50:43,880
Speaker 1: better crash yourself. I don't crash your sons. Ye know

917
00:50:43,960 --> 00:50:46,400
Speaker 1: we're doing bad when we crashing our sons. And I

918
00:50:46,480 --> 00:50:48,680
Speaker 1: don't even know that to be the case with dude,

919
00:50:48,719 --> 00:50:51,239
Speaker 1: because something I know. Sometimes the young boys think they

920
00:50:51,320 --> 00:50:54,120
Speaker 1: want to crash out. They think that's part of being

921
00:50:54,160 --> 00:50:59,600
Speaker 1: a gangster is the crabs surviving the crabs. See, y'all

922
00:50:59,640 --> 00:51:02,160
Speaker 1: got it all up the younger. That's why they gotta

923
00:51:02,200 --> 00:51:04,239
Speaker 1: come listen to me and hear me well and write

924
00:51:04,280 --> 00:51:07,839
Speaker 1: this down. You can be a gangster without crashing out.

925
00:51:08,320 --> 00:51:11,760
Speaker 1: You can be a gangster without being criminal. Being gangsters,

926
00:51:11,920 --> 00:51:14,600
Speaker 1: taking care of your family, the people that depend on you,

927
00:51:14,719 --> 00:51:19,400
Speaker 1: putting information into the universe, allowing people to elevate. That's gangster.

928
00:51:20,680 --> 00:51:22,960
Speaker 1: But a lot of y'all think you only gangster when

929
00:51:23,000 --> 00:51:26,280
Speaker 1: you survived the car wreck. When you survived the car crabs,

930
00:51:26,680 --> 00:51:32,080
Speaker 1: you gotta reevaluate your tendencies, raise your vibration. We ain't

931
00:51:32,120 --> 00:51:34,719
Speaker 1: looking at it like that no more. We know we

932
00:51:34,800 --> 00:51:37,719
Speaker 1: can survive a wreck. We know other races can't really

933
00:51:37,760 --> 00:51:40,359
Speaker 1: survive the kind of term more we've been through. That's

934
00:51:40,880 --> 00:51:44,279
Speaker 1: that's all that's overstood. But we now got to go

935
00:51:44,400 --> 00:51:47,280
Speaker 1: get some information. We now gotta get some money, pass

936
00:51:47,400 --> 00:51:49,640
Speaker 1: down some shit to the family so they can pass

937
00:51:49,719 --> 00:51:53,600
Speaker 1: down some shit, so we can start dealing with families money.

938
00:51:54,160 --> 00:51:56,520
Speaker 1: And we ain't got to send one nigga like Kanye

939
00:51:56,680 --> 00:51:58,640
Speaker 1: to try to get up through that and deal with

940
00:51:58,719 --> 00:52:00,759
Speaker 1: the Woo, the Woo family and his him and his

941
00:52:00,920 --> 00:52:05,440
Speaker 1: little people. He understands Jay and his people. He just

942
00:52:05,560 --> 00:52:08,759
Speaker 1: gotta go and up against the Walmart family to try

943
00:52:08,800 --> 00:52:11,080
Speaker 1: to get a big boy deal like we gotta start

944
00:52:11,120 --> 00:52:14,839
Speaker 1: having families of this ship. And that's why we gotta

945
00:52:14,920 --> 00:52:17,799
Speaker 1: be clear that the new standards ain't getting yourself rich,

946
00:52:17,880 --> 00:52:21,040
Speaker 1: it's how many got rich off? You know, how many

947
00:52:21,080 --> 00:52:23,600
Speaker 1: people you put in position? That's the new standard to

948
00:52:23,640 --> 00:52:26,320
Speaker 1: see black people. We used to have, We didn't raise that.

949
00:52:26,440 --> 00:52:29,279
Speaker 1: He used to be just getting rich was enough. Now

950
00:52:29,480 --> 00:52:32,120
Speaker 1: NaNs how many people did you get rich? That's the

951
00:52:32,239 --> 00:52:35,000
Speaker 1: new question we gotta ask each other. You know what

952
00:52:35,040 --> 00:52:38,279
Speaker 1: I'm saying, We're putting people in position because that's what

953
00:52:38,520 --> 00:52:40,920
Speaker 1: deals with legacy, and that's what we're trying to with

954
00:52:41,280 --> 00:52:47,000
Speaker 1: legacy talk about this. The baby so seventeen k the

955
00:52:47,080 --> 00:52:50,040
Speaker 1: first week and then came out of the city was

956
00:52:50,160 --> 00:52:53,120
Speaker 1: black ball. A bunch of people went into having conversation

957
00:52:53,200 --> 00:52:55,799
Speaker 1: about is he being blackball? What's going on? How can

958
00:52:55,880 --> 00:52:59,360
Speaker 1: he sell seventeen k first week? That's an interesting number

959
00:52:59,400 --> 00:53:02,160
Speaker 1: seeing that he was one of them guys that so

960
00:53:02,480 --> 00:53:05,520
Speaker 1: one eight in or some ninety at least one hundred

961
00:53:05,520 --> 00:53:08,080
Speaker 1: and fifty, you know what I'm saying, forty million listeners

962
00:53:08,160 --> 00:53:12,040
Speaker 1: on spotifying things like that. I see academics and other

963
00:53:12,080 --> 00:53:14,400
Speaker 1: people saying that yo Ebro got something to do with

964
00:53:14,520 --> 00:53:16,400
Speaker 1: a couple of the's playlist has got something to do

965
00:53:16,600 --> 00:53:19,279
Speaker 1: with it. You know, I believe that he's not being

966
00:53:19,440 --> 00:53:24,279
Speaker 1: placed the same he's not getting the same placement. I

967
00:53:24,400 --> 00:53:29,240
Speaker 1: think he did compound issues. You know, he put itself

968
00:53:29,280 --> 00:53:32,480
Speaker 1: in a very unique situation. Here's a point I think

969
00:53:32,520 --> 00:53:34,880
Speaker 1: I want to make y'all. Y'all, let me tell rappers this,

970
00:53:35,080 --> 00:53:37,560
Speaker 1: and I mean this as respectful as I know how

971
00:53:37,640 --> 00:53:41,879
Speaker 1: to say it, because there's a different thing happening. Tour

972
00:53:41,960 --> 00:53:46,120
Speaker 1: Relains is Tour Relains. Whatever Tour Relays did with Meg.

973
00:53:46,280 --> 00:53:48,320
Speaker 1: They're waiting on that to play out in court. But

974
00:53:48,640 --> 00:53:51,360
Speaker 1: I want to be clear, everybody can't operate in the

975
00:53:51,719 --> 00:53:56,200
Speaker 1: market like tour Relaines. Tore Relaines ability to create and

976
00:53:56,320 --> 00:54:01,560
Speaker 1: craft a song and penmanship it's next let them. So

977
00:54:01,760 --> 00:54:04,200
Speaker 1: when you see Lebron walk off the court, and not

978
00:54:04,400 --> 00:54:07,200
Speaker 1: that tour Relaines is Lebron, but his skill set it's

979
00:54:07,320 --> 00:54:10,960
Speaker 1: very specific. He can operate in a lot of these

980
00:54:11,160 --> 00:54:13,600
Speaker 1: rams in regards to music. So you can't be a

981
00:54:13,760 --> 00:54:16,719
Speaker 1: rapper that's kind of gimmicky and then do what he

982
00:54:16,920 --> 00:54:20,520
Speaker 1: done and sustain your fan base. Right, some of these

983
00:54:20,840 --> 00:54:25,319
Speaker 1: acts or artists need a lot of this moving at

984
00:54:25,400 --> 00:54:29,839
Speaker 1: the same time to look as big as they look.

985
00:54:30,480 --> 00:54:32,720
Speaker 1: And then when you drill it down, it's about music

986
00:54:32,800 --> 00:54:36,840
Speaker 1: and everybody's great rappers, but can we get somebody to

987
00:54:36,960 --> 00:54:40,799
Speaker 1: sound like that? We can we replace you with somebody else?

988
00:54:42,480 --> 00:54:45,359
Speaker 1: That's a hard question for a rapper When you start

989
00:54:45,400 --> 00:54:48,680
Speaker 1: to deal with tour relays, that's a very limited list

990
00:54:49,000 --> 00:54:51,040
Speaker 1: that you have to deal with in regards to who

991
00:54:51,120 --> 00:54:53,279
Speaker 1: can I put in If I am a fan of

992
00:54:53,360 --> 00:54:56,640
Speaker 1: what tor Relaines provides the market, who do I put

993
00:54:56,760 --> 00:55:01,120
Speaker 1: in after that? That's probably nobody after that, and you

994
00:55:01,239 --> 00:55:03,759
Speaker 1: probably get the Tory and some of these lanes after

995
00:55:03,920 --> 00:55:06,520
Speaker 1: a Drake or after some of these guys, because he's

996
00:55:06,560 --> 00:55:09,440
Speaker 1: not like some of his And man, I'm getting geeky

997
00:55:09,480 --> 00:55:11,400
Speaker 1: and tiky, and I hope y'all like keeping up. But

998
00:55:11,760 --> 00:55:14,680
Speaker 1: some of the Tory does is a version of what

999
00:55:14,880 --> 00:55:19,560
Speaker 1: Drake did, right, some of what Tory does is a

1000
00:55:19,719 --> 00:55:22,239
Speaker 1: version of what Chris Brown did. Is just probably a

1001
00:55:22,360 --> 00:55:26,440
Speaker 1: notch under, right, but before a rapper, it's five notches up.

1002
00:55:26,560 --> 00:55:30,200
Speaker 1: Before Chris as a singer, it'll be a notch under.

1003
00:55:30,280 --> 00:55:34,000
Speaker 1: But it just lives in this little pocket right there.

1004
00:55:34,400 --> 00:55:37,160
Speaker 1: And man, these other rap dudes, Man, if you can't

1005
00:55:37,280 --> 00:55:41,960
Speaker 1: really your p and ain't like that, bro, you might

1006
00:55:42,160 --> 00:55:45,400
Speaker 1: can't go against the machine in the same way and

1007
00:55:45,480 --> 00:55:48,520
Speaker 1: get the same effects and then also being canceled as

1008
00:55:48,560 --> 00:55:51,880
Speaker 1: a It's a process. So you go through that, that

1009
00:55:52,120 --> 00:55:55,120
Speaker 1: the drop off of Woll seventeen thousand, and then you

1010
00:55:55,239 --> 00:55:59,560
Speaker 1: look up, keep dropping, keep dropping, keep dropping. You understand

1011
00:55:59,640 --> 00:56:02,640
Speaker 1: two years later, eighteen months later, you're back selling forty

1012
00:56:02,680 --> 00:56:06,480
Speaker 1: five thousand pure fans, hated thousand pure fan. Then you're

1013
00:56:06,520 --> 00:56:08,960
Speaker 1: back number one. So you gotta learn to work through

1014
00:56:09,080 --> 00:56:12,439
Speaker 1: that too. And that's a message to the baby, y'all

1015
00:56:12,520 --> 00:56:15,239
Speaker 1: gotta learn how to not that he don't know. I

1016
00:56:15,360 --> 00:56:17,880
Speaker 1: believe he does. But rappers, y'all got to learn that

1017
00:56:18,640 --> 00:56:21,560
Speaker 1: if you do get canceled, if you do go into

1018
00:56:21,640 --> 00:56:25,239
Speaker 1: a situation where the market seems to now pitch you

1019
00:56:25,360 --> 00:56:28,080
Speaker 1: in this place where everyone is going against you for

1020
00:56:28,200 --> 00:56:31,560
Speaker 1: some strange reason, or the narrative is the music, then

1021
00:56:31,880 --> 00:56:34,359
Speaker 1: whatever it is, whatever the narratives are, that it has

1022
00:56:34,400 --> 00:56:37,640
Speaker 1: affected your bottom line in your sales. You have to know.

1023
00:56:38,040 --> 00:56:40,640
Speaker 1: You gotta work through that. You can't shot off and

1024
00:56:40,760 --> 00:56:42,799
Speaker 1: go into hating and I ain't dropping now for two

1025
00:56:42,880 --> 00:56:46,719
Speaker 1: more years. They're gonna you're done. You gotta work through

1026
00:56:46,840 --> 00:56:49,600
Speaker 1: that and keep dropping through that and find that groove again,

1027
00:56:49,719 --> 00:56:53,319
Speaker 1: like Kodak Black Dead. You gotta work through them saying man,

1028
00:56:53,400 --> 00:56:55,920
Speaker 1: what is that? Does it? Oh? I like Ellen, that's

1029
00:56:55,960 --> 00:56:59,640
Speaker 1: it right there, and you gotta work through that. So

1030
00:57:00,080 --> 00:57:02,000
Speaker 1: that's just a part of it too, what the Baby

1031
00:57:02,160 --> 00:57:06,400
Speaker 1: is going through, you know. But the baby and Tour Relanes,

1032
00:57:06,440 --> 00:57:10,120
Speaker 1: if we look at artists, tour is a much much

1033
00:57:10,320 --> 00:57:16,840
Speaker 1: different artists than the baby. I believe that the Baby

1034
00:57:17,680 --> 00:57:23,000
Speaker 1: traded his position to Tour Relanes, and so I think

1035
00:57:23,120 --> 00:57:26,800
Speaker 1: with him embracing tore Relanes, you know, and then a

1036
00:57:26,880 --> 00:57:29,080
Speaker 1: lot of them fights and shootings and all of that

1037
00:57:29,320 --> 00:57:32,800
Speaker 1: on top of all of that stuff. And then with

1038
00:57:33,040 --> 00:57:35,400
Speaker 1: him coming out and saying like they kind of slept together.

1039
00:57:35,800 --> 00:57:39,200
Speaker 1: See some of the audience got turned off about all

1040
00:57:39,280 --> 00:57:41,880
Speaker 1: that compounding stuff together and dude just got to work

1041
00:57:41,960 --> 00:57:45,280
Speaker 1: through that. But he said, yo, I got the money

1042
00:57:45,360 --> 00:57:47,560
Speaker 1: first though you know I ain't ain't waiting no money.

1043
00:57:47,600 --> 00:57:50,080
Speaker 1: And if he did that, he cool because then you

1044
00:57:50,200 --> 00:57:52,080
Speaker 1: just worked through it and look back up and you'll

1045
00:57:52,160 --> 00:57:56,200
Speaker 1: be back cool. What happens is these artists is run

1046
00:57:56,400 --> 00:57:59,560
Speaker 1: from that because it feel bad, It feel funny that

1047
00:57:59,680 --> 00:58:02,400
Speaker 1: play right there, because that's part of the machine thing.

1048
00:58:02,560 --> 00:58:04,680
Speaker 1: They want you to chase the machine. They put your

1049
00:58:04,720 --> 00:58:09,440
Speaker 1: way up out. Then when they let you go and

1050
00:58:09,600 --> 00:58:13,720
Speaker 1: you sit somewhere under where you were, they know. Now

1051
00:58:13,800 --> 00:58:16,120
Speaker 1: you're dealing with the pressure from your fans and just

1052
00:58:16,360 --> 00:58:19,640
Speaker 1: from your human brain, just knowing you used to sell

1053
00:58:19,760 --> 00:58:22,080
Speaker 1: this name. You're selling that, you used to get this

1054
00:58:22,280 --> 00:58:24,160
Speaker 1: many shows. Now you're getting that you used to be

1055
00:58:24,320 --> 00:58:28,160
Speaker 1: paid that. It just does something you against you. Now

1056
00:58:28,240 --> 00:58:30,800
Speaker 1: you in this battle with yourself, and sometimes you find

1057
00:58:30,840 --> 00:58:34,040
Speaker 1: yourself chasing the label, chase, trying to chase that situation

1058
00:58:34,160 --> 00:58:37,080
Speaker 1: again to get that feeling. And now you're not making

1059
00:58:37,120 --> 00:58:40,400
Speaker 1: the music because now you're trying to make the next show,

1060
00:58:41,640 --> 00:58:44,000
Speaker 1: or now you're trying to make the nixt you know,

1061
00:58:44,120 --> 00:58:46,720
Speaker 1: whatever hit record that you had. You're trying to get

1062
00:58:46,800 --> 00:58:50,360
Speaker 1: into that vein instead of just creating freely. But you

1063
00:58:50,440 --> 00:58:52,720
Speaker 1: got to create freely knowing that the numbers ain't looking

1064
00:58:52,760 --> 00:58:55,960
Speaker 1: the same. I just man, I don't know, like you know,

1065
00:58:56,000 --> 00:58:58,080
Speaker 1: I'm gonna have a conversation with the baby. I'm gonna

1066
00:58:58,080 --> 00:58:59,680
Speaker 1: get him on the part and we'll chop it up

1067
00:58:59,680 --> 00:59:01,840
Speaker 1: about what he feels like I heard tust Is speaking

1068
00:59:01,880 --> 00:59:04,320
Speaker 1: about and for those of you oner what tust is

1069
00:59:04,400 --> 00:59:06,640
Speaker 1: somebody on the same label. I heard him speaking about

1070
00:59:06,680 --> 00:59:09,840
Speaker 1: the yo. The baby situation affected all of us, like

1071
00:59:10,000 --> 00:59:12,520
Speaker 1: people on this label and anything we was affected by

1072
00:59:12,560 --> 00:59:16,000
Speaker 1: that like that one just like he was losing relationships

1073
00:59:16,080 --> 00:59:22,520
Speaker 1: my CEO. But Tussey got to understand too, though, is

1074
00:59:22,600 --> 00:59:25,880
Speaker 1: that Arnold, which is the CEO, couldn't lose any relationships

1075
00:59:25,960 --> 00:59:28,280
Speaker 1: on behalf for the baby that wasn't there on behalf

1076
00:59:28,320 --> 00:59:31,280
Speaker 1: for the baby. So he was losing relationships that the

1077
00:59:31,440 --> 00:59:34,280
Speaker 1: marriage was there because of who the baby was. The

1078
00:59:34,360 --> 00:59:37,120
Speaker 1: relationship was built on the baby. So when the baby

1079
00:59:37,240 --> 00:59:40,520
Speaker 1: kind of went into that place where they were looking

1080
00:59:40,560 --> 00:59:44,120
Speaker 1: at him strange, the relationship was severed. But I don't

1081
00:59:44,160 --> 00:59:47,240
Speaker 1: think that he lost any relationships that he created on

1082
00:59:47,400 --> 00:59:49,920
Speaker 1: his own. You know. It was probably some of that

1083
00:59:50,720 --> 00:59:53,200
Speaker 1: because people was there, man, we feel with your label. Man,

1084
00:59:53,240 --> 00:59:55,080
Speaker 1: we see you got the baby doing good, and then

1085
00:59:55,120 --> 00:59:57,680
Speaker 1: when the baby went old up, we're gonna bag up.

1086
00:59:58,400 --> 01:00:01,840
Speaker 1: So while I do believe that that's true, right, some

1087
01:00:02,000 --> 01:00:04,920
Speaker 1: people bagged up. And I can see how him as

1088
01:00:05,000 --> 01:00:07,960
Speaker 1: an artist feels like dame man, it's right, my chance

1089
01:00:08,040 --> 01:00:10,560
Speaker 1: and this happening like that's a bad place to be in.

1090
01:00:11,080 --> 01:00:13,000
Speaker 1: I can see how he felt that. But I think

1091
01:00:13,080 --> 01:00:15,960
Speaker 1: some of that was some of those opportunities that was

1092
01:00:16,400 --> 01:00:20,280
Speaker 1: lost were only there because of the baby. Not saying

1093
01:00:20,320 --> 01:00:23,480
Speaker 1: that that's okay that he lost him, but imagine what

1094
01:00:23,640 --> 01:00:27,720
Speaker 1: he lost. He said he lost thirty ms, you know,

1095
01:00:27,880 --> 01:00:32,120
Speaker 1: just from that running. I wonder if he would have

1096
01:00:32,200 --> 01:00:34,240
Speaker 1: never about to a route, what that would have happened.

1097
01:00:34,280 --> 01:00:37,400
Speaker 1: Don't though, That's that's another thing. What they never would

1098
01:00:37,400 --> 01:00:39,920
Speaker 1: have reacted like that or they just looking because I

1099
01:00:40,040 --> 01:00:42,400
Speaker 1: remember even saying this, I was saying, he yo, the

1100
01:00:42,520 --> 01:00:46,680
Speaker 1: baby the audience is looking to turn on you. They're

1101
01:00:46,760 --> 01:00:49,640
Speaker 1: looking to turn on you. I remember when his baby

1102
01:00:49,720 --> 01:00:52,160
Speaker 1: Mama came out and all that was happening. I'm like, yo,

1103
01:00:52,240 --> 01:00:53,960
Speaker 1: they're on the edge of that seat looking to turn

1104
01:00:54,040 --> 01:00:57,560
Speaker 1: on this due because it seemed like they had got

1105
01:00:57,640 --> 01:01:00,760
Speaker 1: aggravated with him always being in the news, and they

1106
01:01:00,840 --> 01:01:03,959
Speaker 1: even had a narrative going around about like he ain't

1107
01:01:04,040 --> 01:01:06,120
Speaker 1: been in trouble, he ain't hitting nobody, or whatever the

1108
01:01:06,240 --> 01:01:09,120
Speaker 1: case may be. But it just felt like that they

1109
01:01:09,200 --> 01:01:11,840
Speaker 1: were just waiting on him to make some kind of mistake.

1110
01:01:11,960 --> 01:01:16,600
Speaker 1: And I felt that energy on the internet, any little

1111
01:01:16,680 --> 01:01:18,800
Speaker 1: thing that was on him, any little thing that was

1112
01:01:18,880 --> 01:01:21,800
Speaker 1: on him, And it's like, after you did that brought

1113
01:01:21,920 --> 01:01:24,320
Speaker 1: Tory out, they were starting and then we were looking

1114
01:01:24,400 --> 01:01:28,600
Speaker 1: to trade. We're looking to turn on you. And now

1115
01:01:28,680 --> 01:01:31,200
Speaker 1: that the sales are what the sales are, they highlighting that.

1116
01:01:31,960 --> 01:01:34,439
Speaker 1: But he got to work through that. If he gonna

1117
01:01:34,480 --> 01:01:36,640
Speaker 1: stay around, he might he might say, fucking, I'm done.

1118
01:01:36,640 --> 01:01:39,920
Speaker 1: I made my money. Say it's a lot. Even with Takasha,

1119
01:01:40,000 --> 01:01:42,840
Speaker 1: you see him, he scared of them numbers. He's scared

1120
01:01:42,920 --> 01:01:45,640
Speaker 1: to drop. He's scared to drop. See some of them numbers.

1121
01:01:45,720 --> 01:01:50,520
Speaker 1: Come back, come back selling two thousand. Yeah, Takasha don't

1122
01:01:50,520 --> 01:01:52,200
Speaker 1: want to draw. He would just be like, man, almost

1123
01:01:52,280 --> 01:01:53,920
Speaker 1: my numbers was high when I was out there. I

1124
01:01:53,960 --> 01:01:56,640
Speaker 1: can keep him like that and keep flexing on that

1125
01:01:56,760 --> 01:02:00,280
Speaker 1: standard because now when you dropping, those numbers go down

1126
01:02:00,360 --> 01:02:03,600
Speaker 1: for somebody to like it to Kasha, that talking is different.

1127
01:02:04,040 --> 01:02:06,200
Speaker 1: They man, nobody put him no more. Look, he doesn't

1128
01:02:06,240 --> 01:02:09,680
Speaker 1: do so he trying to steal away from that, and

1129
01:02:09,760 --> 01:02:12,840
Speaker 1: that's that's caging him. And that's what I'm trying to

1130
01:02:12,880 --> 01:02:16,880
Speaker 1: tell you. You locked up without being behind ball, you

1131
01:02:16,920 --> 01:02:20,320
Speaker 1: know what I'm saying. They've caged him create creatively to

1132
01:02:20,480 --> 01:02:22,640
Speaker 1: where he can't even put out the music. He think

1133
01:02:22,680 --> 01:02:26,760
Speaker 1: it's hot because if the numbers don't come back righty

1134
01:02:26,840 --> 01:02:32,000
Speaker 1: to fix his equin in this space weird place. Hey,

1135
01:02:32,120 --> 01:02:33,640
Speaker 1: let me say this and then I'm gonna get out

1136
01:02:33,680 --> 01:02:37,479
Speaker 1: of here. Everybody ain't gonna do it right. You're gonna

1137
01:02:37,520 --> 01:02:39,520
Speaker 1: deal with some people that you're gonna be talking a

1138
01:02:39,600 --> 01:02:42,440
Speaker 1: lot of them gonna be talking. Some people gonna get

1139
01:02:42,480 --> 01:02:45,560
Speaker 1: out there and get it done. You know, everybody that's

1140
01:02:45,640 --> 01:02:48,440
Speaker 1: saying it ain't doing it. And everybody that got it

1141
01:02:48,560 --> 01:02:51,680
Speaker 1: done ain't talking about it. But you gotta know the

1142
01:02:51,800 --> 01:02:54,200
Speaker 1: different between doing and saying, Like you gotta learn the

1143
01:02:54,280 --> 01:02:58,240
Speaker 1: different between listening and hearing, climbing and being carus. See,

1144
01:02:58,280 --> 01:03:00,520
Speaker 1: that's different things happening. You can end up in the

1145
01:03:00,600 --> 01:03:03,200
Speaker 1: same place, but we just got there different. We can

1146
01:03:03,280 --> 01:03:05,680
Speaker 1: be talking to the same people. They're just interested in

1147
01:03:05,840 --> 01:03:09,200
Speaker 1: different ways. Right. The game is for the two want

1148
01:03:09,240 --> 01:03:13,640
Speaker 1: the game. This ain't for everybody. Everybody ain't gonna pick

1149
01:03:13,760 --> 01:03:17,080
Speaker 1: up what I'm putting down because everybody ain't entrepreneurs. Everybody

1150
01:03:17,080 --> 01:03:20,960
Speaker 1: ain't entrepreneurs. Don't know what the game got for them.

1151
01:03:21,040 --> 01:03:23,320
Speaker 1: That's why they ain't interested in being in the game.

1152
01:03:24,160 --> 01:03:26,560
Speaker 1: I think the dope game got everything. They don't know

1153
01:03:26,640 --> 01:03:29,920
Speaker 1: what entrepreneurship got them. They don't know what this other

1154
01:03:30,000 --> 01:03:32,280
Speaker 1: side got them. When they do business and structure, they

1155
01:03:32,480 --> 01:03:35,120
Speaker 1: escorp and do their taxes right and say a T

1156
01:03:35,360 --> 01:03:37,600
Speaker 1: shirts and get them from here and sell them over there,

1157
01:03:37,920 --> 01:03:40,080
Speaker 1: just like they're doing that other They don't know what

1158
01:03:40,200 --> 01:03:43,120
Speaker 1: this due for them. But see, NaN's time for me

1159
01:03:43,240 --> 01:03:45,240
Speaker 1: to start to tell them what this he'll due for them.

1160
01:03:45,280 --> 01:03:47,200
Speaker 1: Can't nobody to talk to him like I can talk

1161
01:03:47,240 --> 01:03:50,160
Speaker 1: to him? And I say that respectfully. I never meant

1162
01:03:50,200 --> 01:03:52,560
Speaker 1: the disrespect because I just meant to letting them know

1163
01:03:52,960 --> 01:03:56,920
Speaker 1: I needed to be respected. And sometimes when you claim

1164
01:03:57,040 --> 01:04:00,480
Speaker 1: your position, I feel like you took there and I

1165
01:04:00,600 --> 01:04:05,600
Speaker 1: can't be responsible for Nick's disrespected by my hustle. You

1166
01:04:05,680 --> 01:04:08,240
Speaker 1: don't know me. You feel away because I hustle like

1167
01:04:08,360 --> 01:04:10,760
Speaker 1: a mother. You feel away because the people that used

1168
01:04:10,800 --> 01:04:13,960
Speaker 1: to like you before they knew me, now they know me.

1169
01:04:14,120 --> 01:04:17,120
Speaker 1: They don't funk with you, so you feel away. I

1170
01:04:17,200 --> 01:04:19,240
Speaker 1: don't feel away about the people I lost to the

1171
01:04:19,800 --> 01:04:22,880
Speaker 1: discover whoever. You know. I'm hustling, I'm gonna lose something.

1172
01:04:22,960 --> 01:04:26,040
Speaker 1: I'm a game song. Ain't nobody perfect getting this show,

1173
01:04:26,520 --> 01:04:28,760
Speaker 1: But you look, get this little fame and let it

1174
01:04:28,840 --> 01:04:32,200
Speaker 1: go to your head. My name was my name before

1175
01:04:32,280 --> 01:04:36,200
Speaker 1: you stamped it. And see this podcast space for me, man,

1176
01:04:36,320 --> 01:04:39,400
Speaker 1: it's just like it's a funny place. It's fun to me.

1177
01:04:39,520 --> 01:04:42,280
Speaker 1: I like looking at it and having conversation. For me, bro,

1178
01:04:42,760 --> 01:04:46,200
Speaker 1: it's almost like I'm dealing with children. You know, the

1179
01:04:46,320 --> 01:04:48,800
Speaker 1: mindset of a lot of these guys and not everybody.

1180
01:04:48,840 --> 01:04:52,160
Speaker 1: It's some great content creators out here in this podcast space.

1181
01:04:52,280 --> 01:04:57,280
Speaker 1: But for the sake of competitiveness, because of my competitive nature,

1182
01:04:57,320 --> 01:05:00,200
Speaker 1: I'm gonna I'm gonna appeal to my compet to the

1183
01:05:00,440 --> 01:05:03,960
Speaker 1: spirit when I speak to you, how I feel about

1184
01:05:04,040 --> 01:05:06,439
Speaker 1: what I do and what it is y'all do. I'm

1185
01:05:06,560 --> 01:05:09,200
Speaker 1: laying the blueprint how you do this thing. But you

1186
01:05:09,360 --> 01:05:11,080
Speaker 1: got to know you got to have the level of

1187
01:05:11,200 --> 01:05:13,800
Speaker 1: talent and understanding of the game. I got to even

1188
01:05:13,920 --> 01:05:17,720
Speaker 1: copy me. That's the problem y'all think y'all can copy

1189
01:05:18,120 --> 01:05:23,320
Speaker 1: when you ain't got the body structure. Only iverything can

1190
01:05:23,440 --> 01:05:25,920
Speaker 1: do that crossover in that way because of the size

1191
01:05:26,120 --> 01:05:28,480
Speaker 1: he was. He was just that small, that little bit

1192
01:05:28,880 --> 01:05:30,920
Speaker 1: on the ground here, cross you up. You can do

1193
01:05:31,000 --> 01:05:35,000
Speaker 1: a crossover. It'll just be a second late. It might

1194
01:05:35,120 --> 01:05:38,160
Speaker 1: even look the same to you in the mirror. But

1195
01:05:38,320 --> 01:05:40,480
Speaker 1: when we start to drill it down and deal with

1196
01:05:40,600 --> 01:05:43,680
Speaker 1: the particulars, and that's what we have to do in businesses,

1197
01:05:43,880 --> 01:05:46,760
Speaker 1: start to separate the men from the mice. Why do

1198
01:05:46,920 --> 01:05:49,240
Speaker 1: the culture come right here instead of go over there,

1199
01:05:49,240 --> 01:05:51,840
Speaker 1: because it's clear what the culture lived at. I'm too

1200
01:05:52,000 --> 01:05:54,120
Speaker 1: much like the people that they praised, but with a

1201
01:05:54,160 --> 01:05:58,040
Speaker 1: little more information. And I'm leading away right. I'm trying

1202
01:05:58,080 --> 01:06:02,120
Speaker 1: to tell listen, if into a street putting game down,

1203
01:06:02,520 --> 01:06:06,840
Speaker 1: I'm putting them up on game. I ain't one of

1204
01:06:06,880 --> 01:06:11,240
Speaker 1: them kind of and seeing this industry, man, everybody wants

1205
01:06:11,320 --> 01:06:17,000
Speaker 1: something for nothing. Life is hard enough. Dog. I look

1206
01:06:17,040 --> 01:06:19,200
Speaker 1: at the game. I say, everybody tell you you can

1207
01:06:19,280 --> 01:06:22,640
Speaker 1: do it. They speak to these young boys, Man, you

1208
01:06:22,720 --> 01:06:25,240
Speaker 1: can do it, man, just you can do it. Man.

1209
01:06:25,280 --> 01:06:27,440
Speaker 1: Anybody can do it. It can be done. It's what

1210
01:06:27,600 --> 01:06:29,680
Speaker 1: they say. But nobody to tell you how to do it.

1211
01:06:31,080 --> 01:06:33,680
Speaker 1: And I'm starting to notice that tell you how to

1212
01:06:33,760 --> 01:06:35,320
Speaker 1: do it because they don't know how to do it,

1213
01:06:35,880 --> 01:06:39,959
Speaker 1: so they can't teach what they ain't been taught. They've

1214
01:06:40,000 --> 01:06:42,960
Speaker 1: been invited into a party, and they ain't through a party.

1215
01:06:43,600 --> 01:06:46,320
Speaker 1: So you're dealing with the party event planning. When you

1216
01:06:46,440 --> 01:06:49,120
Speaker 1: fe with me, you're dealing with the highest level of

1217
01:06:49,280 --> 01:06:53,360
Speaker 1: understanding about this business that I'm men. I understand every

1218
01:06:53,480 --> 01:06:57,320
Speaker 1: market a podcasting. That is not one place I'm not

1219
01:06:57,480 --> 01:07:01,280
Speaker 1: interested in because this mark it belongs to the person

1220
01:07:01,400 --> 01:07:04,800
Speaker 1: that understands it. They won't me believe that it belongs

1221
01:07:04,840 --> 01:07:09,360
Speaker 1: to the white boy. I love and respect what everybody

1222
01:07:09,480 --> 01:07:12,080
Speaker 1: has contributed to the coach, but I don't think no

1223
01:07:12,280 --> 01:07:15,840
Speaker 1: one understands what I understand. And until I'm proving that

1224
01:07:16,040 --> 01:07:19,320
Speaker 1: someone understands it. I'm gonna stand on that. And if

1225
01:07:19,400 --> 01:07:22,560
Speaker 1: you got a hustle, whoever within the sign of my voice,

1226
01:07:22,560 --> 01:07:24,440
Speaker 1: you don't let no trick you out of what you

1227
01:07:24,560 --> 01:07:28,360
Speaker 1: got going on. The further I get, the more I

1228
01:07:28,480 --> 01:07:30,560
Speaker 1: speak to people in the business, I say I know

1229
01:07:30,720 --> 01:07:38,200
Speaker 1: more than these people. I'm knee deep in this. Now

1230
01:07:38,400 --> 01:07:44,200
Speaker 1: I have a language barrier. Here's the problem, not problem, obstacle,

1231
01:07:44,240 --> 01:07:46,720
Speaker 1: because I don't use problem, because problem will speak to

1232
01:07:46,840 --> 01:07:49,000
Speaker 1: it that it may not be able to be resolved,

1233
01:07:49,040 --> 01:07:52,840
Speaker 1: and I don't stand by that right. So the obstacle

1234
01:07:52,920 --> 01:07:56,800
Speaker 1: that I see as I navigate through this game is

1235
01:07:57,800 --> 01:08:02,840
Speaker 1: the language barrier of explaining what you're trying to say

1236
01:08:03,160 --> 01:08:07,760
Speaker 1: to a company is a problem. You cannot create an

1237
01:08:07,840 --> 01:08:13,120
Speaker 1: understanding in business without language being intact, right. You got

1238
01:08:13,240 --> 01:08:16,360
Speaker 1: to place yourself in a situation to be clear and

1239
01:08:16,520 --> 01:08:19,640
Speaker 1: speak that exact language that the companies understand or it

1240
01:08:19,680 --> 01:08:22,479
Speaker 1: can get lost in translation. And I also want to

1241
01:08:22,520 --> 01:08:25,960
Speaker 1: speak about this, and then then I'll go Kodak Black

1242
01:08:26,080 --> 01:08:29,160
Speaker 1: issue the apology to P and B rocks baby mama,

1243
01:08:29,760 --> 01:08:32,559
Speaker 1: mother of his child, who was there also was robbed.

1244
01:08:32,640 --> 01:08:36,000
Speaker 1: Now that we found out and saw P and B

1245
01:08:36,280 --> 01:08:39,040
Speaker 1: in his last moments, right, Kodek Black came out and

1246
01:08:39,160 --> 01:08:45,800
Speaker 1: said something to her following the death of P and

1247
01:08:45,880 --> 01:08:49,400
Speaker 1: B that was unacceptable, So he came out and apologize. Now,

1248
01:08:51,000 --> 01:08:53,400
Speaker 1: you know, my approach was always I don't know. That's

1249
01:08:53,439 --> 01:08:55,280
Speaker 1: why when I spoke about it, I made sure to

1250
01:08:55,360 --> 01:08:57,640
Speaker 1: put the clip of the LAPD saying it and not

1251
01:08:57,840 --> 01:09:01,560
Speaker 1: me saying it. I always try to surrounded and acknowledge

1252
01:09:01,600 --> 01:09:05,599
Speaker 1: that she was in a very particular place, specific place

1253
01:09:06,280 --> 01:09:08,559
Speaker 1: that if you ain't been nowhere close to that park,

1254
01:09:08,720 --> 01:09:11,240
Speaker 1: you don't know what that swing feel like. So I

1255
01:09:11,439 --> 01:09:13,720
Speaker 1: never played with that and wanted to flirt with that.

1256
01:09:13,840 --> 01:09:16,120
Speaker 1: I tried to speak on it in a way where

1257
01:09:16,160 --> 01:09:20,400
Speaker 1: we learned from and everything I do involve elevation and understanding, right,

1258
01:09:20,800 --> 01:09:25,479
Speaker 1: so that what I was trying to put down, he

1259
01:09:25,680 --> 01:09:28,760
Speaker 1: came out and apologizing. Again. I know that's heavy for her.

1260
01:09:28,880 --> 01:09:31,799
Speaker 1: You know, we came to find that she was also robbed,

1261
01:09:31,880 --> 01:09:35,320
Speaker 1: and again they took something off her and took his ship,

1262
01:09:35,520 --> 01:09:37,680
Speaker 1: told her to blow her head off, but they let

1263
01:09:37,760 --> 01:09:41,160
Speaker 1: her live, so she watched him dying. Man. I always

1264
01:09:41,240 --> 01:09:44,519
Speaker 1: know that women that deal with us, man, they it's rough. Yeah,

1265
01:09:44,560 --> 01:09:46,880
Speaker 1: it's rough dealing with a black man, could we up

1266
01:09:46,880 --> 01:09:50,400
Speaker 1: again so much? We called in a trap. While we're trapping,

1267
01:09:51,880 --> 01:09:55,920
Speaker 1: we don't lost all understanding of industry, right, I remember

1268
01:09:56,000 --> 01:09:58,320
Speaker 1: when we least understood how to work our way into

1269
01:09:58,400 --> 01:10:01,640
Speaker 1: being in a supervibe position where you can least have

1270
01:10:01,800 --> 01:10:04,160
Speaker 1: a pension when you're just done and buy a house.

1271
01:10:04,240 --> 01:10:07,439
Speaker 1: And we didn't lost all structure of everything. And they

1272
01:10:07,600 --> 01:10:10,840
Speaker 1: just wide open out there and them and some of

1273
01:10:10,880 --> 01:10:13,360
Speaker 1: them swimming and making it salute to them and others.

1274
01:10:13,439 --> 01:10:16,760
Speaker 1: It's drowning. And so the women that we pull into

1275
01:10:17,000 --> 01:10:19,599
Speaker 1: because one thing about us, when we get by ourself,

1276
01:10:19,680 --> 01:10:22,080
Speaker 1: we pull into the person that's close to is whether

1277
01:10:22,160 --> 01:10:24,800
Speaker 1: that be good or bad, some kind of way it

1278
01:10:24,960 --> 01:10:28,920
Speaker 1: gets out. It comes out of us, whether within conversation,

1279
01:10:29,000 --> 01:10:31,960
Speaker 1: whether it's in energy, whether this's and not speaking, because

1280
01:10:32,040 --> 01:10:36,479
Speaker 1: not speaking is also a language. Sometimes when you don't

1281
01:10:36,560 --> 01:10:40,479
Speaker 1: say something, it makes the situation even more strenuous. So

1282
01:10:40,680 --> 01:10:44,160
Speaker 1: sometimes you gotta understand it not speaking, it's saying something.

1283
01:10:46,920 --> 01:10:49,280
Speaker 1: But I know that sometimes when the women deal with

1284
01:10:49,400 --> 01:10:51,400
Speaker 1: the kind of men that has the heavy load on

1285
01:10:51,520 --> 01:10:54,040
Speaker 1: their shoulders, that move around the world with a certain

1286
01:10:54,120 --> 01:10:57,679
Speaker 1: bravado and understanding that it may not be as easy

1287
01:10:57,720 --> 01:11:00,680
Speaker 1: as we think to make it home. It's always an obstacle.

1288
01:11:01,160 --> 01:11:03,800
Speaker 1: But you gotta know, man, that sometimes you dealing will

1289
01:11:03,920 --> 01:11:06,240
Speaker 1: hurt people that are hurt person to take a sacred

1290
01:11:06,320 --> 01:11:10,320
Speaker 1: place and burn it to the ground. I hurt person,

1291
01:11:10,439 --> 01:11:12,760
Speaker 1: don't got no vision to even see clear that they

1292
01:11:12,760 --> 01:11:16,720
Speaker 1: are in a sacred place. It's the right package of

1293
01:11:16,800 --> 01:11:20,560
Speaker 1: the wrong address. It's that theory. You gotta understand that

1294
01:11:20,720 --> 01:11:24,920
Speaker 1: sometimes you can be delivered to the wrong person, or

1295
01:11:25,000 --> 01:11:28,920
Speaker 1: sometimes the wrong person can be delivered to you. But

1296
01:11:29,120 --> 01:11:32,040
Speaker 1: guess what life is about decisions and sortain things out.

1297
01:11:32,120 --> 01:11:34,759
Speaker 1: So you gotta place yourself in a situation. I always

1298
01:11:34,840 --> 01:11:37,640
Speaker 1: take in information and make the right decision or try to.

1299
01:11:38,600 --> 01:11:43,599
Speaker 1: And I always give yourself room to recover. Never spend everything,

1300
01:11:43,960 --> 01:11:46,960
Speaker 1: never put all in it, never go all the way

1301
01:11:48,200 --> 01:11:51,960
Speaker 1: in regards to business, leave yourself some room to recover

1302
01:11:52,240 --> 01:11:55,240
Speaker 1: just in case. I know it's seemed promising, But the

1303
01:11:55,439 --> 01:11:59,439
Speaker 1: market is the last factor that decides everything in business.

1304
01:12:00,160 --> 01:12:05,840
Speaker 1: But you know, back back to the women that wrap

1305
01:12:05,960 --> 01:12:08,880
Speaker 1: their arms around us, you gotta make sure you're dealing

1306
01:12:08,960 --> 01:12:11,160
Speaker 1: with a person that ain't hurt. Because I hurt person

1307
01:12:11,240 --> 01:12:14,160
Speaker 1: to take a sacred place and burn into the ground.

1308
01:12:15,560 --> 01:12:20,800
Speaker 1: A relationship is supposed to compliment like a condiment, not

1309
01:12:21,000 --> 01:12:26,599
Speaker 1: be arguments. It's common sense, right, because if you were

1310
01:12:26,680 --> 01:12:31,519
Speaker 1: the wrong person, they're drained you. They'll take everything you got,

1311
01:12:31,760 --> 01:12:34,160
Speaker 1: everything you got in you, all the love you got,

1312
01:12:34,280 --> 01:12:37,240
Speaker 1: all the understanding, the second chance, that the third chance

1313
01:12:37,360 --> 01:12:40,040
Speaker 1: is to benefit of the doubt, see the wrong person

1314
01:12:40,080 --> 01:12:44,800
Speaker 1: to snatch benefit of the doubts away from you. Now

1315
01:12:44,840 --> 01:12:47,000
Speaker 1: I had benefit of the doubt for I ran into

1316
01:12:47,040 --> 01:12:51,920
Speaker 1: certain people. Now I'm dealing with results. Now I had

1317
01:12:52,080 --> 01:12:55,479
Speaker 1: expectations for I ran into certain people. Now I'm dealing

1318
01:12:55,560 --> 01:12:59,840
Speaker 1: with results. I can no longer place myself in no

1319
01:13:00,280 --> 01:13:04,719
Speaker 1: kind of unfortunate circumstances where everything is left in someone

1320
01:13:04,840 --> 01:13:09,080
Speaker 1: else's hands that I can't control, right a toxic person,

1321
01:13:09,720 --> 01:13:11,600
Speaker 1: or take it from you when you ain't got it.

1322
01:13:13,360 --> 01:13:16,200
Speaker 1: That's why relationships are so important them. May you tied

1323
01:13:16,240 --> 01:13:18,720
Speaker 1: while you're standing still, you ain't left home all day,

1324
01:13:18,760 --> 01:13:21,560
Speaker 1: and you dead tired, ain't then drained out all of you?

1325
01:13:24,360 --> 01:13:27,280
Speaker 1: And because you love someone or because y'all got history.

1326
01:13:27,320 --> 01:13:29,519
Speaker 1: I just don't think that that's in the contract. I

1327
01:13:29,600 --> 01:13:32,519
Speaker 1: think the terms and conditions don't state that YO, just

1328
01:13:32,600 --> 01:13:34,760
Speaker 1: because I love you or we've been together, or I

1329
01:13:34,840 --> 01:13:36,960
Speaker 1: bought you a business, or you helped me, or I

1330
01:13:37,120 --> 01:13:39,599
Speaker 1: helped you. I don't think that that means you gotta

1331
01:13:39,760 --> 01:13:47,120
Speaker 1: sit here and be watered boarded figuratively. See a lot

1332
01:13:47,160 --> 01:13:50,840
Speaker 1: of people drowning in misery and need the relationships with

1333
01:13:51,000 --> 01:13:55,240
Speaker 1: each other. The only time they're smiling is when they're

1334
01:13:55,240 --> 01:13:57,479
Speaker 1: taking pictures. I need to smile on the day, like

1335
01:13:57,560 --> 01:14:00,280
Speaker 1: I need to like the person I'm involved with. I

1336
01:14:00,360 --> 01:14:04,439
Speaker 1: don't need to be at odds every goddamn day. I

1337
01:14:04,520 --> 01:14:06,880
Speaker 1: don't need to be in competition and trying to figure

1338
01:14:06,880 --> 01:14:09,880
Speaker 1: out who in position and jocking for position about who what,

1339
01:14:10,080 --> 01:14:12,760
Speaker 1: when and where. We're in a relationship together. We post

1340
01:14:12,840 --> 01:14:16,800
Speaker 1: to compliment each other. I think there's a time and

1341
01:14:16,920 --> 01:14:19,760
Speaker 1: place for everything. I think everything got a position and

1342
01:14:19,840 --> 01:14:21,640
Speaker 1: a lot of time people want it just to be

1343
01:14:22,160 --> 01:14:25,559
Speaker 1: non gender. We're going into this weird place where nobody

1344
01:14:25,680 --> 01:14:29,280
Speaker 1: wants to say, AI cook, or I clean, I pay

1345
01:14:29,360 --> 01:14:31,840
Speaker 1: the bills, or I cut the grass. Don't nobody want

1346
01:14:31,880 --> 01:14:34,800
Speaker 1: to claim nothing in the house is just whoever they're

1347
01:14:34,920 --> 01:14:37,640
Speaker 1: going get it. But that's outside of the structure that

1348
01:14:37,760 --> 01:14:41,200
Speaker 1: should be put in place. And that's just in my opinion.

1349
01:14:41,479 --> 01:14:44,479
Speaker 1: I think there's a time for everything, and everything can

1350
01:14:44,600 --> 01:14:47,479
Speaker 1: coexist for the greater good. There's a time for the sun,

1351
01:14:47,600 --> 01:14:51,479
Speaker 1: and there's a time for the moon. There's a time

1352
01:14:51,560 --> 01:14:55,400
Speaker 1: for the day, there's a time for the night. Right,

1353
01:14:55,560 --> 01:14:58,320
Speaker 1: So I think that these things can coexist in regards

1354
01:14:58,360 --> 01:15:01,640
Speaker 1: to these relationships. But I you know that sometimes you

1355
01:15:01,760 --> 01:15:05,639
Speaker 1: get tired. People get tired of folk draining them. People

1356
01:15:05,720 --> 01:15:07,960
Speaker 1: get tired of folk taking them down there through the

1357
01:15:08,320 --> 01:15:11,800
Speaker 1: problems and obstacles and back and forth, through the breakups

1358
01:15:11,840 --> 01:15:14,680
Speaker 1: and need makeups, and we don't put years in. At

1359
01:15:14,760 --> 01:15:17,040
Speaker 1: some point it better to start over than to keep

1360
01:15:17,080 --> 01:15:20,400
Speaker 1: picking up broken glass. At some point you cut yourself

1361
01:15:20,479 --> 01:15:24,439
Speaker 1: picking up broken glass. At some point you gotta understand

1362
01:15:24,520 --> 01:15:26,880
Speaker 1: you can't keep picking up broken gladd what they take

1363
01:15:26,960 --> 01:15:31,720
Speaker 1: you for a janitor, what we keep picking up. Now,

1364
01:15:31,920 --> 01:15:34,240
Speaker 1: just buy me a new mirror. I need to see

1365
01:15:34,320 --> 01:15:38,080
Speaker 1: some different anyway. I need to see things clear. Anyway.

1366
01:15:38,720 --> 01:15:41,320
Speaker 1: I was seeing things dumb in that mirror. I was

1367
01:15:41,400 --> 01:15:43,720
Speaker 1: moving a certain way with that mirror. I'm glad you

1368
01:15:43,840 --> 01:15:46,240
Speaker 1: shout at that. I tell y'all lot of time, I

1369
01:15:46,320 --> 01:15:48,519
Speaker 1: don't gotta break up with dough bout it. What they

1370
01:15:48,680 --> 01:15:51,760
Speaker 1: do violate the terms our relationship. I don't got to

1371
01:15:51,840 --> 01:15:55,360
Speaker 1: speak on yo. You know what you did don't coexist

1372
01:15:55,439 --> 01:15:58,240
Speaker 1: with our expectations. We got in place for one another.

1373
01:15:58,439 --> 01:16:00,880
Speaker 1: And if I don't got no expectations on you, then

1374
01:16:00,960 --> 01:16:05,040
Speaker 1: I'm single. That's the problem now, a lot of people

1375
01:16:05,160 --> 01:16:07,920
Speaker 1: moving around with expectations on each other when they pulled

1376
01:16:07,960 --> 01:16:11,200
Speaker 1: to be single. If you with somebody, you put expectations

1377
01:16:11,280 --> 01:16:13,960
Speaker 1: on what it is. If it ain't no expectations, I'm

1378
01:16:14,040 --> 01:16:16,240
Speaker 1: with that too, but that needs to be understood. And

1379
01:16:16,560 --> 01:16:19,960
Speaker 1: you don't get the Supreme Pisa with that now. You

1380
01:16:20,000 --> 01:16:22,439
Speaker 1: don't get the luxury package with that. When you get

1381
01:16:22,479 --> 01:16:25,560
Speaker 1: a package now and it's better than the basic, but

1382
01:16:25,680 --> 01:16:28,479
Speaker 1: it ain't the luxury package. But I want to thank

1383
01:16:28,520 --> 01:16:31,040
Speaker 1: y'all to listen for listening. It's up there podcast. Y'all

1384
01:16:31,080 --> 01:16:33,519
Speaker 1: know exactly how I get out right now, man, go

1385
01:16:33,640 --> 01:16:36,680
Speaker 1: to patreon dot com. It's up there podcast. Man. I

1386
01:16:36,800 --> 01:16:38,960
Speaker 1: see y'all next week. We're going hard and harder for

1387
01:16:39,200 --> 01:16:39,800
Speaker 1: ships old