WEBVTT - Listener Mail: Turtle of Enormous Girth

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>I Heart Radio. Hey, welcome to Stuff to Blow your

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<v Speaker 1>Mind listener mail. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick, and it's Monday, the day of the week.

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<v Speaker 1>We read back some messages that you have sent into

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<v Speaker 1>the show, Rob do you want to get us started today?

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<v Speaker 1>With this message from Daniel. This one actually in a

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<v Speaker 1>in a rare cameo comes from the Facebook module and

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<v Speaker 1>it's in response to some previous listener mail about the

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<v Speaker 1>vegetable lamb of tartary. Yeah. Yeah, the Stuff to Blow

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<v Speaker 1>your Mind discussion module. You can look that up on

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<v Speaker 1>Facebook and request to join if you want. Um And

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<v Speaker 1>I'm going to see about getting that added to the

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<v Speaker 1>the I Heart Listening for our website. I was just

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<v Speaker 1>noticing that that some other podcasts in our network have

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<v Speaker 1>additional links on there. It's like, hey, we can throw

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<v Speaker 1>some stuff on those links. Why not? Uh? But anyway,

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<v Speaker 1>Daniel writes, um r E colin the listener maile mentioning

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<v Speaker 1>eventually grown meat cultured from human celebrity tissue cage sneaks. Yes,

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<v Speaker 1>Daniel rights. It comes up in anti viral from not

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<v Speaker 1>the main plot hook more as background world building, but

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<v Speaker 1>exactly what he suggested fans by steaks grown from their

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<v Speaker 1>idol sell samples to be close to them. Daniel continues

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<v Speaker 1>had never heard of the film before, just happened to

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<v Speaker 1>spot it on my local public libraries DVD shelves last

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<v Speaker 1>week and noticed it was written and directed by Brandon

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<v Speaker 1>Cronenberg and wondered how much like his dad's movies his

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<v Speaker 1>would be? Quite was the answer? Nice, I had no

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<v Speaker 1>idea this existed. I also don't think I knew that

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<v Speaker 1>David Cronenberg had a son who was also a filmmaker. Yeah,

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<v Speaker 1>I knew that this existed, but I just I hadn't

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<v Speaker 1>watched it. Um not that I wasn't interested, but but

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<v Speaker 1>it is good to hear that the chron in Burghs

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<v Speaker 1>don't fall too far from the Cronenberg tree. It's a

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<v Speaker 1>weird tree. Speaking of the the film collections at public libraries,

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<v Speaker 1>I have a very weird member. There was a period

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<v Speaker 1>where I was I had figured out whoa I can

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<v Speaker 1>save money Instead of like looking for scratch DVDs at

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<v Speaker 1>the local used book and CD store, I can save

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<v Speaker 1>money by renting DVDs from the library for free, but

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<v Speaker 1>their selection was so odd. I remember there being a

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<v Speaker 1>shelf that the main items that caught my attention on

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<v Speaker 1>it were disks for Inland Empire, The Treasure of the

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<v Speaker 1>Sierra Madre, and Flubber. You know, I don't remember ever

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<v Speaker 1>renting a movie from the library public library, but I

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<v Speaker 1>remember they had them, and I do have family members

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<v Speaker 1>to this day who I think get most of their

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<v Speaker 1>movies from the public library, which, yeah, I mean, go

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<v Speaker 1>for it. Why not? Libraries are great. Now. On the

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<v Speaker 1>the issue of Brandon Cronenberg, however, I can't help but

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<v Speaker 1>think that the David Cronenberg was being a little bit

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<v Speaker 1>of a hypocrite just naming his son a normal, boring

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<v Speaker 1>name like Brandon, when he comes up with such remarkably creative,

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<v Speaker 1>weird names for characters in his movies. Yes, why was

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<v Speaker 1>his Why was his child not named like uh, fleshly

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<v Speaker 1>rector Cronenberg or something? Yeah? Why not? Alright? This next

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<v Speaker 1>message comes from Cindy, also about vegetable name of tartary,

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<v Speaker 1>adding to the long chain of responses we've got about

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<v Speaker 1>people eating raw potatoes. Cindy says, my first time writing

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<v Speaker 1>in I often have the urge to write in while

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<v Speaker 1>listening to an episode, but I usually procrastinate until I forget. Luckily,

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<v Speaker 1>the raw potato topic has come up in two listener

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<v Speaker 1>males in a row, so I had no excuses this time.

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<v Speaker 1>One of my favorite dishes at Angelo Pietro, a Japanese

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<v Speaker 1>style Italian restaurant in Honolulu, Hawaii, is their raw potato salad,

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<v Speaker 1>and she and lads a link to a photo which

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<v Speaker 1>looks to me. I've never had a raw potato salad,

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<v Speaker 1>but just in a low rez photo, it looks kind

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<v Speaker 1>of like a shredded dike on salad, you know, just

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<v Speaker 1>like strips of white vegetable matter, apparently dressed and covered

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<v Speaker 1>in some herbs. Cindy goes on the link, describes the

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<v Speaker 1>dish and provides a recipe directly from the restaurant. The

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<v Speaker 1>shredded potato salad is definitely served raw. It is crisp

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<v Speaker 1>and delicious and readily takes on the flavor of the dressing.

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<v Speaker 1>I've had it many times during my visits and when

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<v Speaker 1>I lived there, and I don't recall any gastro intestinal

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<v Speaker 1>upset after consuming it. So maybe Cindy's here to put

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<v Speaker 1>fears to rest about too many worries about upset stomach

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<v Speaker 1>after eating raw potato, assuming it's not greening and full

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<v Speaker 1>of solanine. Cindy goes on. Unfortunately, the article does not

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<v Speaker 1>provide the origins of the dish. My googling did not

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<v Speaker 1>turn up any information on whether it's a specialty of

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<v Speaker 1>either Japanese or Italian food culture. The only thing similar

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<v Speaker 1>that I can think of is Sichuanese. Um. I'm gonna

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<v Speaker 1>try to say this chong ban too. So see a

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<v Speaker 1>spiced shredded potato salad where the potatoes are briefly blanched

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<v Speaker 1>or stir fried to lightly cook them and keep them

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<v Speaker 1>crispy and crunchy before being dressed. It's usually served cold.

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<v Speaker 1>Since this is not an American food culture thing crisp

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<v Speaker 1>raw potatoes as a vegetable, I thought a different perspective

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<v Speaker 1>was interesting. Anyway, keep up the wonderful work. I truly

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<v Speaker 1>enjoy all of the episodes, be they science or myth heavy.

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<v Speaker 1>They keep my brain working and continuously learning. Thank you, Cindy. Oh,

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<v Speaker 1>I had to look up this restaurant. I don't I'm

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<v Speaker 1>not planning to be back in Honolulu anytime soon, but

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<v Speaker 1>it looks great. It looks like a place I'd love

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<v Speaker 1>to check out. Sichuan ease food is one of my

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<v Speaker 1>favorite kinds of food, but I've never I've read about

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<v Speaker 1>this uh shredded potato salad before, but I've never tried it,

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<v Speaker 1>and I would very much like to. Maybe I'll have

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<v Speaker 1>to figure out how to make this at home. I

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<v Speaker 1>have been working on my ability to make Sichuan cuisine

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<v Speaker 1>at home because I found an online market that's sells

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<v Speaker 1>a lot of good ingredients you need, like the Sichuan

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<v Speaker 1>peppercorns and the UH and the zatsi and stuff like that. Yeah,

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<v Speaker 1>you were telling me about this, Yeah, all right. Our

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<v Speaker 1>next bit of listener mail is in response to a

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<v Speaker 1>Monster Fact episode about World Turtles. Uh. Specifically, we we

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<v Speaker 1>lead in that episode with it being about a Pokemon

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<v Speaker 1>that is a turtle with like a forest on its back,

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<v Speaker 1>but ultimately is it Squirtle? Is it the one Pokemon

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<v Speaker 1>I know? No, No, it's it's tort Tara. It's not Squirtle,

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<v Speaker 1>though the Squirtle is great too. This one is like

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<v Speaker 1>an enormous turtle with generally depicted as having like a

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<v Speaker 1>tree growing out of its um at the top of

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<v Speaker 1>its shell, like a forest on its shell. Nice. Yeah,

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<v Speaker 1>and there they are featured in the the entertaining motion

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<v Speaker 1>picture Pokemon Detective Pikachu. When you get around to seeing

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<v Speaker 1>that one, Joe, does that one have the baby Pikachu

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<v Speaker 1>in it? Um? I don't remember seeing the baby Pikachu

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<v Speaker 1>Pechu in that movie, though my son says that he

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<v Speaker 1>was there, or we saw one in a cut scene

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<v Speaker 1>or something. I don't know. He does not factor heavily

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<v Speaker 1>into the plot. Anyway, this listener was writing in in

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<v Speaker 1>regard to some of the the more pop culture references

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<v Speaker 1>to this idea of a world turtle, a turtle that

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<v Speaker 1>is upon which the world is placed, or you know

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<v Speaker 1>that they're various versions of this, and anyway, Mike writeson

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<v Speaker 1>And says, when you were talking about examples of mythological

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<v Speaker 1>turtles with the world on their back, I immediately thought

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<v Speaker 1>of Maturin from Stephen King's books. In it, Maturin is

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<v Speaker 1>the is the force of good that opposes Pennyworth, Pennyworth,

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<v Speaker 1>penny Wise, penny Wise. This confusing with Alfred from Batman.

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<v Speaker 1>I well, uh, yeah, I'm sure Mike means the penny Wise. Uh.

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<v Speaker 1>And in the Dark Tower series, Maturin exists as a

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<v Speaker 1>mythological character for the people of Midward World. The main

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<v Speaker 1>character in the Dark Tower series tells the others about

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<v Speaker 1>a poem from his childhood quote see the turtle of

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<v Speaker 1>enormous girth on his shell, he holds the earth. His

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<v Speaker 1>thought is slow but always kind. He holds us all

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<v Speaker 1>within his mind on his back. All vows are made.

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<v Speaker 1>He sees the truth but mayn't aid. He loves the land,

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<v Speaker 1>and loves the sea, and even loves a child like me.

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<v Speaker 1>Thanks for the show. It's always entertaining and educational. Well,

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<v Speaker 1>you know, um, this is a great point. I forgot

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<v Speaker 1>all about, um the world Turtle from Stephen King's Dark Tower.

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<v Speaker 1>And also Yet. Yeah, it does show up, and it's

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<v Speaker 1>been a very long time since I read that. But

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<v Speaker 1>there's all that additional stuff that I don't think made

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<v Speaker 1>it into the movies, about the the ritual of Chud

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<v Speaker 1>and the World Turtle and so forth. I think that's

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<v Speaker 1>one of those books that must be paired down, even

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<v Speaker 1>if made into multiple movies or a four hour mini series. Yeah.

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<v Speaker 1>I did really enjoy the first of the two recent

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<v Speaker 1>I in general both film adaptations of Yet. I liked

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<v Speaker 1>the first part and wasn't crazy about the second part. Yep, yep,

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<v Speaker 1>I'm pretty much right there. You know who directed the

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<v Speaker 1>TV mini series of it, the original one with Tim Curry.

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<v Speaker 1>Oh yeah, they tie into something we were watching us,

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<v Speaker 1>Tommy Lee Wallace, director of Halloween three season. That's right,

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<v Speaker 1>that's right. Well, there's some great stuff in that. In

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<v Speaker 1>that that old the first part of the old mini

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<v Speaker 1>series version of it that came out in Okay, Rob,

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<v Speaker 1>you ready for this one from Lurch? Yes, let's hear

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<v Speaker 1>from Lurch. Okay, this is an about an old episode

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<v Speaker 1>on tidally locked planets. Lurch says, good morning, gentlemen. I

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<v Speaker 1>am interrupting my driving out here in the back of

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<v Speaker 1>Beyond to offer some thoughts on a very old episode.

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<v Speaker 1>I apologize for not being very pacific. I listened to

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<v Speaker 1>it months ago and just don't remember the title, but

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<v Speaker 1>it's been percolating in the dark recesses of my mind

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<v Speaker 1>ever since. At the end of the episode, you asked

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<v Speaker 1>for a listener input on what we thought the weather

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<v Speaker 1>might be like on a relatively earthlike planet if said

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<v Speaker 1>planet was tidally locked to the local star, and a

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<v Speaker 1>quick reference at tidal locking means that the planet's rotation

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<v Speaker 1>has become synchronous with its orbit around something, either around

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<v Speaker 1>the planet or around a star, so the same side

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<v Speaker 1>of the planet always faces into the into the thing

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<v Speaker 1>that it's orbiting. Yeah. So like if it was an

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<v Speaker 1>earthlike world, it would mean that one side of the

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<v Speaker 1>Earth it's locked in perpetual daylight and the other side

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<v Speaker 1>of perpetual darkness. Yeah. Earth's moon is tidally locked with

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<v Speaker 1>the Earth, so the same side of the Moon is

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<v Speaker 1>always facing the Earth. You never see the far side

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<v Speaker 1>of the Moon unless from like a spacecraft photo. Right.

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<v Speaker 1>Lurch goes on to say, if said planet was tidally

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<v Speaker 1>locked to the local star, I don't think it would

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<v Speaker 1>be earth like for very long geologically speaking. Once it

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<v Speaker 1>stopped rotating in relatively short order, there would be a

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<v Speaker 1>continuous wind storm racing it hundreds of miles per hour

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<v Speaker 1>or faster from the dark side to the light side

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<v Speaker 1>than rising as the air warms near the center of

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<v Speaker 1>the sunlit face, before racing back to the night side,

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<v Speaker 1>where it cools and sinks to ground level and flows

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<v Speaker 1>sunward again. The air flow cross section would look rather

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<v Speaker 1>like a stretched out rubber band, but it's a mistake

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<v Speaker 1>to think it would be that simple. The surface of

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<v Speaker 1>a planet is not really homogeneous. Some places will warm

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<v Speaker 1>more and faster than others. This would twist the wind flow.

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<v Speaker 1>Eventually there would be a ginormous cyclonic storm centered at

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<v Speaker 1>the most sunward point in the hemisphere, where all the

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<v Speaker 1>shrieking winds will eventually run out of room and fountain

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<v Speaker 1>up towards space, driven by the mass of air coming

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<v Speaker 1>up behind. As the air races to the sunlit side,

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<v Speaker 1>it will soon scour away anything in its path. Even

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<v Speaker 1>mountains will be erased. In a few million years, When

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<v Speaker 1>the mass of the air piles up, it will slow

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<v Speaker 1>and drop most of the dust it's been carrying. As

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<v Speaker 1>the mountains elsewhere erode, a new single mountain, comprised of

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<v Speaker 1>their dust and bones will grow and take shape at

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<v Speaker 1>the center of the sunward vortex. Eventually it will make

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<v Speaker 1>Olympus Mons, the biggest mountain on Mars, look like an

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<v Speaker 1>ant hill. The dark side is not without it's called

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<v Speaker 1>a tourists though. Just as on the day side, uneven

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<v Speaker 1>ground temperatures will set up a hemisphere spanning vortex as

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<v Speaker 1>the air being pushed from the hot side cools and

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<v Speaker 1>sinks instead of a mountain of dust and debris. Though

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<v Speaker 1>the water carried by the air will condense and freeze,

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<v Speaker 1>leading to another mountain of ice not stone. It seems

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<v Speaker 1>to me this mountain will probably be smaller than the

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<v Speaker 1>daylight one. I think it likely that much of the

0:12:52.000 --> 0:12:54.559
<v Speaker 1>water will continue to cycle from the cold side to

0:12:54.720 --> 0:12:58.160
<v Speaker 1>hot then back again somewhere near the terminator, and that

0:12:58.160 --> 0:13:00.439
<v Speaker 1>would be the border between the lit side. In the

0:13:00.520 --> 0:13:03.760
<v Speaker 1>dark side of the planet, liquid water runoff from the

0:13:03.840 --> 0:13:07.120
<v Speaker 1>ice sheet will flow sunward, carrying sediment and dust that

0:13:07.160 --> 0:13:10.600
<v Speaker 1>got blown to the cold zone. Eventually, the streams and

0:13:10.720 --> 0:13:13.320
<v Speaker 1>rivers will vanish as the wind whips the surface of

0:13:13.360 --> 0:13:16.240
<v Speaker 1>the water to a froth and carries the spray away

0:13:16.320 --> 0:13:20.200
<v Speaker 1>on another cycle. At either weather pole. The lightning display

0:13:20.240 --> 0:13:23.199
<v Speaker 1>would be phenomenal given the amount of static electricity that

0:13:23.240 --> 0:13:26.840
<v Speaker 1>would be generated by the winds. Life could even survive

0:13:26.880 --> 0:13:28.920
<v Speaker 1>on such a planet, though I'm of the opinion it

0:13:28.920 --> 0:13:32.600
<v Speaker 1>would buy necessity be small, too much cross section, and

0:13:32.600 --> 0:13:35.120
<v Speaker 1>the winds would tear it apart. Whether it be a

0:13:35.160 --> 0:13:39.520
<v Speaker 1>dirt dweller or airborne bacteria and the like. Yeah, subsurface

0:13:39.600 --> 0:13:43.880
<v Speaker 1>marine life, yes, even something like coral capable of building small,

0:13:44.000 --> 0:13:47.440
<v Speaker 1>low lying shelters might work. Tarte grades would probably call

0:13:47.440 --> 0:13:49.360
<v Speaker 1>it an amusement park with a heck of an e

0:13:49.520 --> 0:13:53.040
<v Speaker 1>ticket ride, but I doubt anything bigger than a quarter

0:13:53.120 --> 0:13:56.240
<v Speaker 1>could cut it. Maybe at the relative center of the vortices,

0:13:56.720 --> 0:13:59.520
<v Speaker 1>and I'm pretty sure the atmosphere wouldn't freeze out, not

0:13:59.600 --> 0:14:02.160
<v Speaker 1>so long as the star provides enough heat to drive

0:14:02.200 --> 0:14:05.560
<v Speaker 1>the weather engine of such things, does the occasional truck

0:14:05.640 --> 0:14:08.600
<v Speaker 1>driver ponder on the long highways. Thank you for taking

0:14:08.640 --> 0:14:11.640
<v Speaker 1>the time to read this. Thanks for easing my day's lurch.

0:14:12.120 --> 0:14:15.480
<v Speaker 1>Oh thanks lurch. This is a great email, um, and

0:14:15.679 --> 0:14:19.480
<v Speaker 1>it lines up somewhat with with with hypothetical scenarios I've

0:14:19.520 --> 0:14:21.520
<v Speaker 1>read in the past. It's been a while, so I

0:14:21.560 --> 0:14:24.640
<v Speaker 1>forget some of the details, but yeah, this seems to

0:14:24.680 --> 0:14:27.040
<v Speaker 1>line up mostly with the kinds of things I've read

0:14:27.080 --> 0:14:30.040
<v Speaker 1>people describing about what a planet like that might be like. Though,

0:14:30.560 --> 0:14:34.280
<v Speaker 1>I wonder how far away a planet can be from

0:14:34.280 --> 0:14:37.960
<v Speaker 1>a star and and be tidally locked to that star.

0:14:38.040 --> 0:14:39.960
<v Speaker 1>I would think that tidle locking, I think tends to

0:14:40.000 --> 0:14:43.720
<v Speaker 1>happen when things are closer to the thing they're orbiting,

0:14:44.080 --> 0:14:46.760
<v Speaker 1>And of course, as a rocky world gets closer to

0:14:47.640 --> 0:14:50.200
<v Speaker 1>it's uh, it's host star, there's there's a greater and

0:14:50.240 --> 0:14:54.520
<v Speaker 1>greater chance that this atmosphere is just blown away into space. Yeah, yeah,

0:14:54.640 --> 0:14:57.160
<v Speaker 1>this isn't. This is a much older episode. I don't

0:14:57.160 --> 0:15:00.040
<v Speaker 1>remember how this episode is. It's old enough that I

0:15:00.080 --> 0:15:03.720
<v Speaker 1>have on occasion recently thought I wonder if that's a

0:15:03.760 --> 0:15:06.560
<v Speaker 1>topic that we should revisit on the show. But after

0:15:06.600 --> 0:15:09.760
<v Speaker 1>an email this good, maybe we don't have to. So Yeah, bravo, lurch.

0:15:10.040 --> 0:15:12.560
<v Speaker 1>Richly imagined and as far as I can tell, mostly

0:15:12.600 --> 0:15:16.440
<v Speaker 1>pretty physically plausible. If anybody in the geophysical sciences wants

0:15:16.480 --> 0:15:20.160
<v Speaker 1>to chime in and agree, disagree, or expand on this scenario,

0:15:20.560 --> 0:15:23.359
<v Speaker 1>please write in as well. Anyway, it's it's a fascinating

0:15:23.440 --> 0:15:26.680
<v Speaker 1>topic and one that's been explored in numerous uh sci

0:15:26.720 --> 0:15:30.600
<v Speaker 1>fi treatments and uh and speaking of science fiction, let's

0:15:30.640 --> 0:15:38.560
<v Speaker 1>get into a little weird house cinema. Oh yeah, man,

0:15:38.600 --> 0:15:41.120
<v Speaker 1>we got some messages from people who have more diver

0:15:41.400 --> 0:15:44.880
<v Speaker 1>knowledge than I would have imagined existed. Yeah. Yeah, I

0:15:44.920 --> 0:15:49.280
<v Speaker 1>was pleasantly surprised with the amount of giver feedback we

0:15:49.280 --> 0:15:50.960
<v Speaker 1>we heard. You know, I wasn't sure if this one

0:15:51.040 --> 0:15:53.680
<v Speaker 1>was one where I just didn't know what kind of

0:15:53.680 --> 0:15:56.800
<v Speaker 1>a following the Giver had. But this one comes to

0:15:56.880 --> 0:16:00.560
<v Speaker 1>us from Matthias. Matthias says, Hey, Robert and j I

0:16:00.640 --> 0:16:03.040
<v Speaker 1>normally don't listen to the Weird House Cinema episodes because

0:16:03.080 --> 0:16:05.160
<v Speaker 1>I'm not much of a movie buff, but I happened

0:16:05.200 --> 0:16:08.000
<v Speaker 1>to be a fan of Geiver. When I saw that

0:16:08.040 --> 0:16:10.960
<v Speaker 1>episode pop up in my feed, I listened to it immediately.

0:16:11.360 --> 0:16:13.280
<v Speaker 1>My history with Geiver goes back to when I was

0:16:13.320 --> 0:16:16.240
<v Speaker 1>a child in the mid nineties. I rented the VHS

0:16:16.320 --> 0:16:19.760
<v Speaker 1>anime tapes from the likes of Blockbuster and Rogers Video

0:16:20.200 --> 0:16:23.040
<v Speaker 1>or no Rogers Video. Maybe it's a regional thing. Wait,

0:16:23.120 --> 0:16:26.280
<v Speaker 1>is that a compound? Is it Blockbuster and Rogers Video? No?

0:16:28.280 --> 0:16:31.240
<v Speaker 1>Unless that is a regional thing at any rate, is is?

0:16:31.360 --> 0:16:33.920
<v Speaker 1>Uh uh? And I was hooked, although I'm not sure

0:16:33.920 --> 0:16:36.520
<v Speaker 1>why my parents allowed me to watch them with all

0:16:36.560 --> 0:16:39.440
<v Speaker 1>the violence and swearing. When I was older, I discovered

0:16:39.440 --> 0:16:42.040
<v Speaker 1>the live action Guiver movie, the one you guys watched.

0:16:42.240 --> 0:16:44.520
<v Speaker 1>And it wasn't until my late teens, when I showed

0:16:44.560 --> 0:16:47.280
<v Speaker 1>the movie to my friends that I discovered Mark Hamill

0:16:47.480 --> 0:16:50.360
<v Speaker 1>is in fact not the Giver. As a kid, I

0:16:50.480 --> 0:16:53.680
<v Speaker 1>knew Mark Hamill was Luke Skywalker, but I didn't understand

0:16:53.720 --> 0:16:56.360
<v Speaker 1>that he looked that way in the seventies and this

0:16:56.400 --> 0:16:59.640
<v Speaker 1>movie was from the nineties. I then associated the person

0:16:59.680 --> 0:17:02.800
<v Speaker 1>that look the closest to Luke Skywalker as Mark Hamill.

0:17:03.120 --> 0:17:05.119
<v Speaker 1>It's something my friends and I still laugh about to

0:17:05.200 --> 0:17:08.080
<v Speaker 1>this day. So he thought that the young guy in

0:17:08.119 --> 0:17:11.600
<v Speaker 1>the movie, what's the character, Sean or whatever, the blonde

0:17:11.680 --> 0:17:14.800
<v Speaker 1>boy that was Mark Hamill, when really Mark Hamill is

0:17:14.840 --> 0:17:19.080
<v Speaker 1>this mustache man. That's interesting because we we speculated and

0:17:19.119 --> 0:17:21.439
<v Speaker 1>has been speculated by others as well, of course, that

0:17:21.560 --> 0:17:24.720
<v Speaker 1>this is what the filmmakers intended. They're like, well, Mark's

0:17:24.720 --> 0:17:26.560
<v Speaker 1>too old to play this character. Can we get somebody

0:17:26.560 --> 0:17:30.360
<v Speaker 1>who kind of looks like Mark Hamill to play this part? Uh?

0:17:30.560 --> 0:17:32.760
<v Speaker 1>The kids won't know the difference, and lo and behold,

0:17:33.000 --> 0:17:35.080
<v Speaker 1>Uh it seems to be the case. Right, So we

0:17:35.160 --> 0:17:38.040
<v Speaker 1>have his name on the box and that'll get you

0:17:38.080 --> 0:17:42.480
<v Speaker 1>in there, and then you just assume it's this guy. Yeah. Now,

0:17:42.600 --> 0:17:47.080
<v Speaker 1>Matthias shares a lot of excellent information about the Guy

0:17:47.080 --> 0:17:51.320
<v Speaker 1>over franchise, including various clips, and I will share you Matthias.

0:17:51.400 --> 0:17:53.879
<v Speaker 1>I looked at these. Uh, there's one when we pointed

0:17:53.880 --> 0:17:56.399
<v Speaker 1>out that there's a great fight scene in one of

0:17:56.400 --> 0:17:58.719
<v Speaker 1>the animes, and I did check that out. I'm always

0:17:58.840 --> 0:18:02.879
<v Speaker 1>game for some sort of a great weird alien versus

0:18:03.080 --> 0:18:06.000
<v Speaker 1>dude in alien costumes suit. But I'm not going to

0:18:06.080 --> 0:18:08.360
<v Speaker 1>go through all of these tidbits just because I don't

0:18:08.400 --> 0:18:11.040
<v Speaker 1>know how. I don't know how deep the thirst is

0:18:11.760 --> 0:18:14.480
<v Speaker 1>for most listeners when it comes to to the Gueiver.

0:18:14.680 --> 0:18:18.480
<v Speaker 1>But here's here's one thing that Mathiah shares about the sequel,

0:18:18.520 --> 0:18:22.280
<v Speaker 1>Geiver Dark Hero quote. The live action sequel Geiver Dark

0:18:22.280 --> 0:18:24.880
<v Speaker 1>Hero took itself a lot more seriously than it's prequel,

0:18:25.160 --> 0:18:27.960
<v Speaker 1>but it is entertaining enough if you wanted to kill time.

0:18:28.359 --> 0:18:31.080
<v Speaker 1>There's a lot more superhuman martial arts that goes on.

0:18:31.160 --> 0:18:34.399
<v Speaker 1>While Sean now David Hayter, well known as the voice

0:18:34.400 --> 0:18:38.960
<v Speaker 1>of Solid Snake, searches for information on Chronos, the Geiver

0:18:39.320 --> 0:18:42.520
<v Speaker 1>and the aliens that created the Geiver unit, I don't

0:18:42.520 --> 0:18:45.560
<v Speaker 1>think it's Memi enough to warrant a weird House Cinema episode.

0:18:45.760 --> 0:18:50.159
<v Speaker 1>What do you mean by Mimi? At any rate? Mathiah

0:18:50.160 --> 0:18:53.919
<v Speaker 1>shares some more tidbits from the Geiver universe, and I

0:18:54.040 --> 0:18:56.720
<v Speaker 1>enjoyed learning more about it. But also ends with I

0:18:56.720 --> 0:18:59.040
<v Speaker 1>don't want to bomb you guys with too much Geiver lore,

0:18:59.320 --> 0:19:01.600
<v Speaker 1>so I'll leave it at that. Thanks for the episode.

0:19:01.640 --> 0:19:10.000
<v Speaker 1>It was fun, Matthias and the Guiver males. Do not

0:19:10.200 --> 0:19:13.639
<v Speaker 1>stop because next we've got one from Devon. Devon says, Hello,

0:19:13.760 --> 0:19:16.119
<v Speaker 1>Rob and Joe. I've been a fond listener of your

0:19:16.119 --> 0:19:18.680
<v Speaker 1>podcast for several years now, but have not been moved

0:19:18.680 --> 0:19:21.840
<v Speaker 1>to right until now. With two Weird House Cinema episodes

0:19:21.880 --> 0:19:25.160
<v Speaker 1>touching on pieces of my teenage life and stray mentions

0:19:25.200 --> 0:19:28.240
<v Speaker 1>of the movie version of my favorite book, I decided

0:19:28.280 --> 0:19:31.359
<v Speaker 1>the time is now. I was a large anime geek

0:19:31.400 --> 0:19:33.560
<v Speaker 1>in the nineties, as was the style at the time,

0:19:34.000 --> 0:19:37.439
<v Speaker 1>and was a fan of both the Za Ram's anime

0:19:37.600 --> 0:19:42.359
<v Speaker 1>counterpart za Ram was another movie we did about an

0:19:42.400 --> 0:19:45.520
<v Speaker 1>alien and a bounty hunter uh and the Giver anime.

0:19:46.000 --> 0:19:48.080
<v Speaker 1>To hear you both talk about these series brought me

0:19:48.080 --> 0:19:50.760
<v Speaker 1>into a rabbit hole of nostalgia. Well, I don't have

0:19:50.920 --> 0:19:53.600
<v Speaker 1>much to add to the Za Ram discussion the Guiver discussion.

0:19:53.600 --> 0:19:56.879
<v Speaker 1>I can shed some light on Geivers anime only lasted

0:19:56.880 --> 0:20:00.719
<v Speaker 1>twelve episodes, covering the Chronos Japan arc from the manga

0:20:01.280 --> 0:20:05.080
<v Speaker 1>This is the same plot that the first movie roughly covers.

0:20:05.320 --> 0:20:08.440
<v Speaker 1>While condensing and americanizing the plot, some of the broader

0:20:08.440 --> 0:20:11.600
<v Speaker 1>strokes are intact with a PG. Thirteen schlock coating to

0:20:11.680 --> 0:20:15.439
<v Speaker 1>cover the disturbing gore of the anime series. Geiver was

0:20:15.480 --> 0:20:19.440
<v Speaker 1>an attempt at a dark tokusatsu series. As at the time,

0:20:19.520 --> 0:20:22.840
<v Speaker 1>traditional tokusatsu was on a bit of a decline in

0:20:22.920 --> 0:20:26.479
<v Speaker 1>Japan and late eighties and early nineties, anime and manga

0:20:26.520 --> 0:20:29.560
<v Speaker 1>were being pulled in a dark, violent and sexual direction.

0:20:30.080 --> 0:20:34.560
<v Speaker 1>As such, combining the style of other popular dark body

0:20:34.600 --> 0:20:38.320
<v Speaker 1>horror anime, they did their own spin on the tokusatsu hero.

0:20:38.920 --> 0:20:42.080
<v Speaker 1>This is why the original Geiver had the coloration of

0:20:42.240 --> 0:20:46.040
<v Speaker 1>Ultraman Hey, Ultraman uh from what was the movie we

0:20:46.080 --> 0:20:50.400
<v Speaker 1>did uh Hanuman and the Seven Ultraman Devon goes on

0:20:50.840 --> 0:20:54.640
<v Speaker 1>and many features reminiscent of Kaman Rider, a still very

0:20:54.640 --> 0:20:58.240
<v Speaker 1>popular tokusatsu series. These are the ones that are much

0:20:58.240 --> 0:21:02.640
<v Speaker 1>more directly similar or to the Power Rangers. Devon writes,

0:21:02.720 --> 0:21:04.600
<v Speaker 1>what caught me most about this film was that it

0:21:04.680 --> 0:21:08.680
<v Speaker 1>tried to keep most of the creature design and translated

0:21:08.720 --> 0:21:12.119
<v Speaker 1>to rubber suit monsters, you can actually draw parallels between

0:21:12.160 --> 0:21:14.639
<v Speaker 1>some of the monsters in the manga and those in

0:21:14.680 --> 0:21:17.760
<v Speaker 1>the American movie. This plus a number of details and

0:21:17.840 --> 0:21:21.000
<v Speaker 1>dedication to the gross cronin Bergeean aspects that were a

0:21:21.040 --> 0:21:23.960
<v Speaker 1>staple of the original. In fact, I remember that the

0:21:24.000 --> 0:21:26.800
<v Speaker 1>second movie actually tries to rhet con in a lot

0:21:26.840 --> 0:21:30.119
<v Speaker 1>of information and characters left out of the first movie,

0:21:30.359 --> 0:21:34.200
<v Speaker 1>such as the second geiver unit. Oh boy, uh that

0:21:34.440 --> 0:21:38.520
<v Speaker 1>is damaged and working for Chronos, the Chronos Corporation. Something

0:21:38.560 --> 0:21:41.160
<v Speaker 1>tells me that screaming Mad George was actually a fan

0:21:41.200 --> 0:21:45.040
<v Speaker 1>of the original source material. Uh. Now there's more of

0:21:45.040 --> 0:21:46.679
<v Speaker 1>this email that I think we don't have time to

0:21:46.720 --> 0:21:50.040
<v Speaker 1>get into today, where Devon goes into great detail about

0:21:50.040 --> 0:21:52.960
<v Speaker 1>the movie of the Last Unicorn, which we may come

0:21:53.000 --> 0:21:55.960
<v Speaker 1>to someday. Um, But but I think we'll have to

0:21:56.000 --> 0:21:57.800
<v Speaker 1>leave it there for now. Though, I have to share

0:21:57.840 --> 0:22:01.760
<v Speaker 1>Devon's transition, which is saying, now that we have eaten

0:22:01.800 --> 0:22:04.360
<v Speaker 1>the meat we slapped together, let's take a slightly more

0:22:04.400 --> 0:22:09.000
<v Speaker 1>wholesome turn. Very very well done, Yes, and I do

0:22:09.040 --> 0:22:12.880
<v Speaker 1>appreciate that the additional tidbits about the Last Unicorn. It's

0:22:12.880 --> 0:22:15.199
<v Speaker 1>been been a while since I read that, And actually,

0:22:15.240 --> 0:22:17.080
<v Speaker 1>when I think back. I think I only read the

0:22:17.160 --> 0:22:18.960
<v Speaker 1>first half to my son and then we had to

0:22:18.960 --> 0:22:21.879
<v Speaker 1>return the book to the library. But the book of

0:22:21.920 --> 0:22:24.160
<v Speaker 1>the book was pretty pretty good as well. I definitely

0:22:24.200 --> 0:22:28.679
<v Speaker 1>read up through uh the end of the cycle with

0:22:28.680 --> 0:22:32.400
<v Speaker 1>with Mommy Fortuna, who is wonderfully voiced in that by

0:22:32.440 --> 0:22:38.160
<v Speaker 1>Angela Lansbury. Um, great, great, which voice, And really that's

0:22:38.200 --> 0:22:39.600
<v Speaker 1>the I think that's the best part of the That's

0:22:39.600 --> 0:22:41.399
<v Speaker 1>the best part of the movie to the first half

0:22:41.440 --> 0:22:45.359
<v Speaker 1>in my opinion, but well worth checking out. All right,

0:22:45.400 --> 0:22:47.200
<v Speaker 1>We're gonna go ahead and close up the mail bag

0:22:47.240 --> 0:22:50.880
<v Speaker 1>on this episode, but we will be back with more

0:22:50.960 --> 0:22:54.159
<v Speaker 1>Listener Mail in the future. Some Monday in the future,

0:22:54.680 --> 0:22:56.440
<v Speaker 1>you will check the Stuff to Blow your my own

0:22:56.440 --> 0:22:58.800
<v Speaker 1>podcast feed and lo and behold, there will be a

0:22:58.840 --> 0:23:02.159
<v Speaker 1>new episode of listener Mail, and then following that on

0:23:02.200 --> 0:23:04.800
<v Speaker 1>a Tuesday, there will be a core episode of Stuff

0:23:04.800 --> 0:23:07.920
<v Speaker 1>to Blow Your Mind, followed by a Monster Factor and Artifact,

0:23:07.920 --> 0:23:10.840
<v Speaker 1>followed by another core episode on a Thursday, followed by

0:23:10.840 --> 0:23:13.200
<v Speaker 1>a Weird House Cinema on a Friday. That's our time

0:23:13.240 --> 0:23:15.800
<v Speaker 1>to set aside most serious concerns and just talk about

0:23:15.800 --> 0:23:18.600
<v Speaker 1>a weird film. Huge thanks as always to our excellent

0:23:18.640 --> 0:23:21.840
<v Speaker 1>audio producer Seth Nicholas Johnson. If you would like to

0:23:21.840 --> 0:23:24.320
<v Speaker 1>get in touch with us with feedback on this episode

0:23:24.400 --> 0:23:26.639
<v Speaker 1>or any other, to suggest a topic for the future,

0:23:26.720 --> 0:23:28.720
<v Speaker 1>or just to say hello, you can email us at

0:23:28.800 --> 0:23:39.119
<v Speaker 1>contact at stuff to Blow your Mind dot com. Stuff

0:23:39.119 --> 0:23:41.359
<v Speaker 1>to Blow Your Mind is a production of I Heart Radio.

0:23:41.680 --> 0:23:43.840
<v Speaker 1>For more podcasts for My heart Radio, visit the i

0:23:43.880 --> 0:23:46.679
<v Speaker 1>heart Radio app, Apple Podcasts, or wherever you listen to

0:23:46.720 --> 0:23:47.520
<v Speaker 1>your favorite shows.