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Speaker 1: I got a motherfucking gets today, alleged from the motherfucking.

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Speaker 2: South ose guapo.

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Speaker 3: I'm in the building.

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Speaker 2: What's good, my nigga?

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Speaker 3: Hey man, it's up there stuff though, Yes.

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Speaker 2: Lord, who gave your big break?

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Speaker 3: What's rich? Kid?

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Speaker 1: It's your big break? Do you think two Chains and

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Speaker 1: Street Execs.

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Speaker 2: Was your big break?

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Speaker 3: Now? Was probably my biggest.

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Speaker 2: That's my bruh shut out to yup. How did you

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Speaker 2: get introduced to that situation?

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Speaker 3: I mean, you know, pee from the streets on from

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Speaker 3: the streets, you know. So it was like basal, just

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Speaker 3: like we had the studio in it and he'll push

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Speaker 3: up on it, just on some regular pushing up on

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Speaker 3: the in hear some you know. Also, I'm also having

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Speaker 3: a relationship with the migos too, Mmm okay, okay, having

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Speaker 3: a relationship with them and shit, now, y'all, I'm homele

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Speaker 3: I'm bros and ship with Y'allso y'all y'all signs on

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Speaker 3: them already, so I'm around. Do you think that the

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Speaker 3: thug and ship split the cit up? No? I want

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Speaker 3: to split this se up because it ain't like when

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Speaker 3: they got together, they brought this that brought the city together,

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Speaker 3: not saying that in no type of way. But I'm

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Speaker 3: saying like it ain't like well time when they was

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Speaker 3: out just ski and all something. It ain't like that

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Speaker 3: about the city together. The city fuck which with them

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Speaker 3: when rhyning with them cause the front of town. But

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Speaker 3: it ain't right with the them partner know each other,

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Speaker 3: like no, the city together? So them not damning yet,

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Speaker 3: I ain't on real. Ain't nobody putting your folks on

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Speaker 3: forck with man? They get ready insider that folks on folk.

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Speaker 1: That the narrative is kind of changing with a lot

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Speaker 1: because at first everybody felt like go down here.

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Speaker 2: Everybody worked together, niggas you know they each other.

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Speaker 3: Exactly as the the blind started.

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Speaker 1: To open, you'd be like, oh you can really don't

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Speaker 1: everybody don't funk with everybody?

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Speaker 3: It did used to be like yeah it did. Metro

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Speaker 3: drum eight the way to do it right. Why I'm

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Speaker 3: to my all us in Stull together like just you

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Speaker 3: name that around the pioneers like you all us in

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Speaker 3: the walk for five producers of some of the ones

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Speaker 3: their name we in there?

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Speaker 2: What you think changed that though?

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Speaker 3: When I'm minna come flock over what they think his

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Speaker 3: name is?

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Speaker 2: Try to kind of get you into a back and forth.

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Speaker 3: Do you know him? Do you have a relation? Nah,

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Speaker 3: I ain't know him. I ain't know him. A question though, like,

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Speaker 3: who's this nigga called.

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Speaker 2: Nigga? When I see you almost like cool?

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Speaker 4: So now I know you are privy to crashing out

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Speaker 4: fat I'm gonna come on line now violate you.

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Speaker 3: Now. I dare you to go on that platform and

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Speaker 3: make a credible threat. Nigga, I did you right? He

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Speaker 3: spoke on It was just really like he spoke on

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Speaker 3: some Atlanta shit and I just spoke on what he

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Speaker 3: spoke on, and then I just like, I don't take it.

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Speaker 3: I never took him.

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Speaker 1: What's happening to y'all? This is Loan from It Up

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Speaker 1: There podcast. I want to thank everybody who was watching

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Speaker 1: this channel and who like and subscribe to our content

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Speaker 1: and just enjoy our conversations. It does show a high

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Speaker 1: level of people who stop by and watch the content

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Speaker 1: or not subscribed, and so I wanted to put a

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Speaker 1: call to action in front of the videos and ask

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Speaker 1: that you guys who are here right now watching me

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Speaker 1: watching this video, make sure you hit the like, but

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Speaker 1: and more importantly, make sure you subscribe It may sound small,

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Speaker 1: but it does help with the algorithm, and it does

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Speaker 1: keep this content coming and help us know that we

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Speaker 1: are actually growing in the market and people enjoy what

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Speaker 1: we bring. If you enjoy the content to the next level,

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Speaker 1: you come to patreon dot com. It's up There Podcast,

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Speaker 1: and that's where you can catch me a lot at.

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Speaker 1: This is where I have a live call in show,

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Speaker 1: and we also have a community field with all kinds

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Speaker 1: of things we do, gaming and different endeavors on our show,

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Speaker 1: different endeavors for our show. So again, thank you, guys

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Speaker 1: from the center of my soul for helping me being

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Speaker 1: able to start in this content world and cover a

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Speaker 1: lot of ground, even though we got a lot more

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Speaker 1: ground to cover. I thank you guys so so so much.

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Speaker 1: But make sure you hit subscribe, make sure you hit like,

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Speaker 1: and make sure you tuned in with the family. And

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Speaker 1: let's handle this like a family. Let's watch these videos

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Speaker 1: like a family. Let's come in like a family. Let's

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Speaker 1: really enjoy each other as I try to run around

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Speaker 1: the world creating some of the best content that the

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Speaker 1: world has ever seen. I do appreciate y'all. It's Up

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Speaker 1: There Podcast. Let's get on to the show.

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Speaker 3: Thank you?

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Speaker 2: Yeah, how long you've been torn, how long you've been

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Speaker 2: doing show? How many years?

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Speaker 3: How I feel seen.

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Speaker 2: You look younger the month. But this what I don't

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Speaker 2: know about you, y'all got on his teenager.

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Speaker 3: And then even in at the age that I was

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Speaker 3: a teenager, I still were like a van because I

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Speaker 3: wasn't hanging around nobody my age, like I started hanging

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Speaker 3: with them late, like late, I was the last one

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Speaker 3: in the for real.

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Speaker 1: I didn't know that said when I was looking into it,

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Speaker 1: that's the first thing. It's I was people.

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Speaker 2: I was like, Oh, they got it on when they

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Speaker 2: were like when they were like teenage.

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Speaker 1: Like younger and kind of carried the sound right introduced

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Speaker 1: the sound. I was talking to Rich Homi Kaw and

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Speaker 1: Daddy yesterday I DM too, and I was talking about

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Speaker 1: how a Lianne of help really take over the rap

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Speaker 1: game facts And I ain't just talking about like on

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Speaker 1: some cool I'm talking about the business fact. You feel me,

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Speaker 1: that's a different conversation. That was a very hard obstacle

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Speaker 1: for us to take that from New York, when they

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Speaker 1: had all the buildings in New York, all the execs,

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Speaker 1: everything was in New York.

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Speaker 2: And we found a way to kind of pull it

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Speaker 2: to the South. Do you think that?

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Speaker 1: And for y'all that don't know, man, it's up the

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Speaker 1: park as you know, the vice final boss, you know

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Speaker 1: all that Singleton, biggest in history, you.

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Speaker 2: Know all of that you did.

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Speaker 1: I got a guess today, a leegend from the man

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Speaker 1: South Jose Guappo.

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Speaker 3: I'm in the building.

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Speaker 2: What's good?

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Speaker 3: My name man?

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Speaker 2: Though?

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Speaker 3: Yes?

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Speaker 2: Lord, So I think I was going to ask you, like,

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Speaker 2: how do you feel?

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Speaker 1: Do you feel like that that you get enough props

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Speaker 1: around here for what you've done?

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Speaker 3: I would say yeah. I would say yeah, because it

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Speaker 3: ain't like nobody discredit it might not be acknowledging it,

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Speaker 3: but it ain't discrediting it. So I would say yeah,

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Speaker 3: because it is people that is crediting. So I was

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Speaker 3: saying right now when you say especially from like the

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Speaker 3: real ones, like right, you know, real ones?

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Speaker 2: Right? Yeah?

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Speaker 3: The guy like yeah, yeah, I get that from him,

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Speaker 3: like all my peers like yeah for sure.

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Speaker 2: And that's really what it be about.

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Speaker 1: Nigga want to feel like yo, the ones that do

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Speaker 1: it too, like y'all know, I'm wanting them too.

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Speaker 3: Now.

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Speaker 2: Yeah, you know what I'm saying It's like in the NFL,

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Speaker 2: like that's.

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Speaker 1: What puts the prestige on the super Bowl, ring on

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Speaker 1: the Championship, you know, the finals and things, because who

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Speaker 1: came before you and done it. They are respect the

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Speaker 1: fact they know what it took to get there, and

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Speaker 1: their respect the fact that you are now in the

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Speaker 1: finals and actually putting in points. So now when you

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Speaker 1: say Nigga.

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Speaker 2: May not acknowledge you, what does that mean and what

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Speaker 2: does that feel like?

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Speaker 3: Mmm? Like you know, I'm like like like like, uh,

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Speaker 3: may be listening to your music on the all the

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Speaker 3: time whatever, but they're posting they don't even really listen

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Speaker 3: to on their story, but they know they're listening to you.

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Speaker 3: But I don't want to promote you, right Souse's something

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Speaker 3: that might be going on something behind the doors in

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Speaker 3: the hotel room and drops out and just lie on

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Speaker 3: your name or something like that. Like that, I felt like, oh, yeah,

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Speaker 3: they just they just do a lot of slobbery on

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Speaker 3: the pillows. They're doing a lot of pillows that like that.

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Speaker 3: That's why I like that when I said that knowledge

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Speaker 3: and like when they don't get acknowledged by certain people

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Speaker 3: or whatever they is on the level of artists. I

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Speaker 3: be like already and I'm.

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Speaker 2: Like, you know, a yeah, you know it's a motive

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Speaker 2: with it.

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Speaker 3: Yeah yeah, but it still be a respect, be respect.

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Speaker 2: Yeah.

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Speaker 1: Now what what I'm also figuring out about Atlanta because

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Speaker 1: the narrative is kind of changing with Atlanta because at

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Speaker 1: first everybody felt like you down here, everybody worked together.

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Speaker 2: You know each other exactly.

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Speaker 1: Now you start as as the the blind started to open,

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Speaker 1: you'd be like, oh they really don't everybody don't everybody?

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Speaker 1: And then it ain't acknowledging.

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Speaker 3: It used to be like that. It used to it did.

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Speaker 3: It used to be like yeah it did, metro drums

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Speaker 3: eate a way to do it. I'm to my all

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Speaker 3: us instead of together like just you name the Atlanta Pioneers,

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Speaker 3: like when all of us in the walk off five

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Speaker 3: four five producers of some of the ones their name

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Speaker 3: we in there. So it's just like, I don't know

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Speaker 3: what you think changed that though when I mining car,

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Speaker 3: because ain't even like it changed a person card because

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Speaker 3: I'm still in cohesion with everybody, know what I'm saying.

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Speaker 3: I'm still I still come to everybody, and you know,

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Speaker 3: and like it change, I'm gonna it's just like you know,

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Speaker 3: he being himself, you know what I'm saying, And he's

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Speaker 3: been itself one hundred percent like he was being hisself

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Speaker 3: like thirty percent around you. Yeah, you know what I'm saying.

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Speaker 3: That why he fucking with him? He knew he was

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Speaker 3: a really you knew because he was thirty. But he

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Speaker 3: only can be thirty because he knew, like he went

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Speaker 3: in the seat to why he can't even think he

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Speaker 3: can compare with you or compete with you or anything

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Speaker 3: like that. When when you're in the punt of y'alln't

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Speaker 3: competing in parent anyway. But you know how this ship goes.

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Speaker 2: There'll still be some underlying competition though a lot of.

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Speaker 3: Times though, Yeah, so man, all that shit like that,

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Speaker 3: like shit, you got no player player round play it

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Speaker 3: well like on these sports teams they got they got

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Speaker 3: rolls and position. These folks gotta play. Man. In fact,

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Speaker 3: everybody can't be the quarter of that. Everybody can't be

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Speaker 3: around that. Ere I can't be where I say. So

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Speaker 3: you gotta do that, like you gotta learn how to

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Speaker 3: get in when you fit in right, and sometimes you

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Speaker 3: might got to bite the apple. As long as you

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Speaker 3: know that you got some good teeth this alive?

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Speaker 1: Yeah, yeah, who actually discovered you?

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Speaker 3: Mm? I would say I discovered myself for real on

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Speaker 3: some playings on some plan like as far as like

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Speaker 3: damn when I became when I joined the Rich Kids

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Speaker 3: or whatever.

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Speaker 2: Like who gave who gave your big break? Was Rich Kids?

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Speaker 2: Your big break?

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Speaker 1: Do you think two Chains and Street Execs was your

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Speaker 1: big break?

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Speaker 3: Now? Was probably my biggest? Yeah, my bigger break? Yeah, yeah,

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Speaker 3: that's kind of That's what I did the most. I

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Speaker 3: did the most over there, right, So I would say, yeah,

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Speaker 3: that was.

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Speaker 1: Your biggest break. How did you get introduced to that situation?

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Speaker 3: I mean, you know, he from the streets on from

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Speaker 3: the streets, you know, so it was like basically just

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Speaker 3: like he used to be pushing up to the studio

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Speaker 3: on and spending they mean the spot spin. We had

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Speaker 3: the studio in it and he'll push up on it

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Speaker 3: just on some regular pushing up on the heal song,

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Speaker 3: you know like that. It started all that, right, But

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Speaker 3: what playing the most like he for he for that

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Speaker 3: song going on. So originally me and A Long Way

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Speaker 3: Post have been the first two artist he signed for real.

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Speaker 3: Originally I didn't know that. Yeah, he had the Studio

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Speaker 3: Metropolitan of fourteen. Yeah, like we were the two that

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Speaker 3: he took up the first.

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Speaker 2: Yeah.

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Speaker 3: Yeah, we was just a long way too, man, going

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Speaker 3: through a hell of things. Yeah, free my nigga along way.

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Speaker 3: They already know what's up with that rest up. They

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Speaker 3: know what's up man when we run around with and

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Speaker 3: get home.

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Speaker 2: Yeah, you talk to him, how you doing?

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Speaker 3: He good? He good, good, solid, He ain't tripping, He

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Speaker 3: ain't tripp. He ain't tripp. But just to finish up

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Speaker 3: your questions with pee. Also al so having a relationship

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Speaker 3: with the migos toomm okay, okay, having a relationship with them,

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Speaker 3: and yeah, I'm homeless, I'm bros. And also y'all, y'all

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Speaker 3: signs him already. So I'm around, but I'm not just

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Speaker 3: around like he an extra homes around and he got

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Speaker 3: potential to your joint whatever to well you know what

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Speaker 3: I'm saying, yeah, type. So I was just taking advantage

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Speaker 3: of all the opportunity I can getting on what's home

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Speaker 3: as I can don't getting the studio time that I

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Speaker 3: can get and ship fun around the mad one that

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Speaker 3: they were ready to go on made a couple.

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Speaker 1: What what was the first one that that y'all did together?

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Speaker 1: Or what was the one you think had the most impact?

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Speaker 3: Right up? Yeah, yeah, that was that one carricter label

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Speaker 3: for a minute because they couldn't drop no music. The

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Speaker 3: Migo can't drop no music for eighteen months for the

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Speaker 3: three hundred. Yeah, so that's why Skip of the Flipper

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Speaker 3: was on the original version, but he ain't again took

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Speaker 3: off and take off I put on because they came

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Speaker 3: dropped on music at the times.

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Speaker 1: I remember that they was in litigation with three hundred.

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Speaker 1: I remember that. So and that was the time you

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Speaker 1: was there, damn. So when y'all was young doing So

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Speaker 1: let's go back a little more because we're gonna get

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Speaker 1: the currency. But but for the people who made it's

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Speaker 1: a lot of people watching this and some people may

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Speaker 1: not know history, you know what I'm saying. But take

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Speaker 1: me back to rich the kids. Did y'all know, well,

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Speaker 1: y'all just having fun? Did y'all talk about the business?

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Speaker 1: Was the business?

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Speaker 3: No? Hell no, man, we we ain't even adolescent these teenagers.

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Speaker 3: Teenagers were talking about business.

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Speaker 2: So how do y'all get together with that? Like how

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Speaker 2: y'all get a studio? Like?

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Speaker 3: I mean, shot is tipped blood cousin.

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Speaker 2: Show.

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Speaker 3: Yeah, Shot show, that's why he still be with Tip.

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Speaker 3: That is real cut, like not little col that's real cool.

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Speaker 3: Like we had a studio to studio in the basement.

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Speaker 3: Right Shot recorded all that record that first two men

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Speaker 3: say money, sweat and twenty four seventh Shot recorded, Shot

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Speaker 3: recorded my paro. That's deep shout shout smart shout.

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Speaker 2: Yeah, that's dope.

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Speaker 3: We got a new single out right now. To think

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Speaker 3: about mine. It's going crazy. Think about money, it's going crazy.

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Speaker 3: You got to put on your Apple music.

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Speaker 1: Yeah, when you when you see y'all going back up

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Speaker 1: on them playlist or on TikTok, what what does that

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Speaker 1: feel like?

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Speaker 3: I mean it just be like a made timeless music

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Speaker 3: and like most like okay cool like this this, you

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Speaker 3: know matter like when they come around whatever age you is.

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Speaker 3: When once you get to an age that you understand

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Speaker 3: the music, you gonna like it.

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Speaker 2: Yeah. Sure, did you have a relationship with Young School?

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Speaker 3: Of course? He like, I executive produce Street Lottery. I

311
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Speaker 3: didn't know that I executive produce Street Lottery. You can

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Speaker 3: put it up right now. I got a song on

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Speaker 3: the call. Cant get your school or not featured on

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Speaker 3: it or that he just wanted to put a song

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Speaker 3: around on the mid tape because I executive produce street lot.

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Speaker 3: As far as like, I ain't telling him no lyrics,

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Speaker 3: not nothing like that. But if he had a verse

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Speaker 3: in the hook and I hear it beat like putop

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Speaker 3: on that one like thump in the Mace one day

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Speaker 3: at the studio, I'm like, man, then then when Mace

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Speaker 3: had all her you know when they down on about

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Speaker 3: him and a preaching. But I know how to read energy,

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Speaker 3: like when I see injury, I'm like, man, he's like

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Speaker 3: the energy look feel like he come from where we

325
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Speaker 3: come from the street. Like man, you know, yeah I

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Speaker 3: put that I'm putting in. I wouldn'tay put it together

327
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Speaker 3: because I ain't tell makes come in town. Last was

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Speaker 3: already that this.

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Speaker 2: What's about our coach? You can't even say you put

330
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Speaker 2: that together? When you slip.

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Speaker 1: You ain't got to tell him fly in if a

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Speaker 1: come and if I just be like yo, bro y'all

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00:16:16,320 --> 00:16:19,360
Speaker 1: gonna do that and it go, I slick put that together, Yeah,

334
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Speaker 1: I coach, you don't need you don't need to kind

335
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Speaker 1: of like talk about that, like if you if you

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Speaker 1: put that together, that's Dad ain't no, bro, you don't

337
00:16:27,200 --> 00:16:29,720
Speaker 1: got to bake noin and all that.

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Speaker 2: That's that's some cap.

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Speaker 1: That's too much doing too much like you know what

340
00:16:34,080 --> 00:16:36,960
Speaker 1: I mean, instrumental when to play, you know what I mean,

341
00:16:37,080 --> 00:16:39,440
Speaker 1: y'all need to but that's our coach, you and put

342
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Speaker 1: pressure on the knick quick to call anything cap and man,

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Speaker 1: Now he ain't had a fight down, you know what

344
00:16:45,160 --> 00:16:47,600
Speaker 1: I'm saying, have a little pressure on it, but I

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Speaker 1: just won't really know that's over with.

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Speaker 2: We ain't got to be sip.

347
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Speaker 3: Squabbed put in. They came out alone like some going

348
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Speaker 3: all that, like even back to that old old put

349
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Speaker 3: the old pl min sake like that John did it.

350
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Speaker 3: John did it like I was the nigga that he

351
00:17:07,760 --> 00:17:09,840
Speaker 3: walked up to and like said the hook before he

352
00:17:09,920 --> 00:17:17,399
Speaker 3: went in the book like and he dropped then hey

353
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Speaker 3: put them on now. Yeah, I was in a lot

354
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Speaker 3: of steel sessions like.

355
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Speaker 2: You've been in the mix.

356
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Speaker 3: It's a teenager. Yeah, if you had to count, I'll

357
00:17:27,760 --> 00:17:30,560
Speaker 3: be trying to tell like you can't fake this man

358
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Speaker 3: like this, they would have been exposed sounding like.

359
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Speaker 2: Yeah, and you know they can't wait disposed.

360
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Speaker 3: Whoa You know that, especially when Cat Williams. Did he

361
00:17:38,880 --> 00:17:41,600
Speaker 3: did you know they readily go into interviews and all that.

362
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Speaker 3: That what I be telling now, they're gonna get on

363
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Speaker 3: the day, They're gonna get somebody hurt.

364
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Speaker 1: Yes, Lord, them a little bit of your like the

365
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Speaker 1: like man up, you know what I mean. That's how

366
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Speaker 1: they try to do. Like you gonna pipe me our

367
00:17:53,160 --> 00:17:55,240
Speaker 1: way up, you know what I mean. But for me,

368
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Speaker 1: I be telling the truth. You can't do that to

369
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Speaker 1: the truth. That's the reason why, Yeah, I be loud

370
00:18:01,280 --> 00:18:04,320
Speaker 1: on these mice right, because I'm the truth. It gotta

371
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Speaker 1: be the truth. Like you said, been in the mix.

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Speaker 3: Too long with with with some of the ones that

373
00:18:10,040 --> 00:18:14,200
Speaker 3: scared to go around and being especially closed studio spaces

374
00:18:14,200 --> 00:18:20,240
Speaker 3: and yeah with on my land ship, yeah cuts man, Yes, Lord,

375
00:18:20,440 --> 00:18:22,920
Speaker 3: I'm really part of the culture from two thousand and

376
00:18:22,960 --> 00:18:25,280
Speaker 3: eight up to now. I don't have something going on

377
00:18:25,359 --> 00:18:28,240
Speaker 3: every year. Do you think it's two sides of Atlanta?

378
00:18:29,520 --> 00:18:31,520
Speaker 3: I want to say two sides say a lot of

379
00:18:31,760 --> 00:18:35,040
Speaker 3: out of time people don't move, I said, John, I

380
00:18:35,160 --> 00:18:38,600
Speaker 3: two sixes is Atlanta right me? Personally? That what I said.

381
00:18:39,920 --> 00:18:42,400
Speaker 3: Besides that, I just be like the out of towne

382
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Speaker 3: that I'm more so I want to say two sides. Yeah,

383
00:18:44,880 --> 00:18:48,240
Speaker 3: because they were gentrifying. They were gentrifying it before already,

384
00:18:48,320 --> 00:18:51,200
Speaker 3: like years back, right, I want to say two sides.

385
00:18:51,280 --> 00:18:53,920
Speaker 3: Do you think that the thug and gonna split the

386
00:18:53,960 --> 00:18:58,679
Speaker 3: sit up? No, I want to split this se up

387
00:18:58,760 --> 00:19:02,720
Speaker 3: because it didn't like it ain't like when they got

388
00:19:02,760 --> 00:19:06,359
Speaker 3: together they brought that brought the city together, right, not

389
00:19:06,400 --> 00:19:08,159
Speaker 3: seeing it in no type of way. But what I'm saying, like,

390
00:19:08,200 --> 00:19:12,520
Speaker 3: it ain't like well when they was out with the

391
00:19:12,640 --> 00:19:15,359
Speaker 3: ski and all something, it ain't like that brought the

392
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Speaker 3: city together. The city with them and were running with

393
00:19:18,760 --> 00:19:20,480
Speaker 3: them cause they front of the town. But it ain't

394
00:19:20,560 --> 00:19:23,440
Speaker 3: like like it was them partning up with each other

395
00:19:23,560 --> 00:19:26,000
Speaker 3: like man the city together. So them not being together

396
00:19:26,040 --> 00:19:30,199
Speaker 3: ain't gonna really ain't nobody picking you for man and

397
00:19:30,400 --> 00:19:33,280
Speaker 3: they get a real insider and folk on folk.

398
00:19:33,800 --> 00:19:35,640
Speaker 2: For home, That's what I'm saying.

399
00:19:35,720 --> 00:19:42,640
Speaker 3: So they're gonna be behind clothed like phone conversation. Yeah,

400
00:19:42,760 --> 00:19:45,480
Speaker 3: you know, niggas know what going on in real right.

401
00:19:45,960 --> 00:19:48,480
Speaker 1: See, but I'm thinking like that's what can lead to

402
00:19:48,520 --> 00:19:52,240
Speaker 1: the downfall. But letting not through gonna but just the division, right,

403
00:19:52,359 --> 00:19:55,160
Speaker 1: because like we said back in the day, you would

404
00:19:55,240 --> 00:19:59,080
Speaker 1: have Guappo jump on something with Gucci and then Future

405
00:19:59,200 --> 00:20:01,159
Speaker 1: end up on it and then the Metro did the

406
00:20:01,280 --> 00:20:02,720
Speaker 1: drums and Ate the way did the.

407
00:20:02,720 --> 00:20:05,520
Speaker 3: Keys and appeal.

408
00:20:05,920 --> 00:20:09,200
Speaker 1: Yeah, it'll be like a a bunch of like facts

409
00:20:09,400 --> 00:20:12,080
Speaker 1: you dig and now it's like if you got on

410
00:20:12,400 --> 00:20:15,119
Speaker 1: dish with them. Guys, we're not working with you. We

411
00:20:15,200 --> 00:20:17,080
Speaker 1: ain't gonna whoop on you or noney.

412
00:20:17,200 --> 00:20:20,800
Speaker 3: You know what I'm type of intentions. But I can't

413
00:20:20,840 --> 00:20:22,840
Speaker 3: say I can't really speak for nobody else, but I

414
00:20:22,960 --> 00:20:25,960
Speaker 3: just know you know going on in your industry, like

415
00:20:26,600 --> 00:20:31,120
Speaker 3: like you know what I'm saying it right.

416
00:20:31,240 --> 00:20:35,600
Speaker 1: It's you, But but what have you ever been pushed

417
00:20:35,680 --> 00:20:36,800
Speaker 1: to one side of the other?

418
00:20:37,160 --> 00:20:41,439
Speaker 3: No, kind of like this. It's like I look at

419
00:20:41,480 --> 00:20:43,120
Speaker 3: it like this, if I ain't, if I ain't gonna

420
00:20:43,119 --> 00:20:47,159
Speaker 3: shoot my gun, be ready to die about whatever it

421
00:20:47,280 --> 00:20:50,119
Speaker 3: is that you got going on. Yeah, I'm in bothering.

422
00:20:49,880 --> 00:20:52,280
Speaker 2: Myself right, And it's a lot of that going a lot.

423
00:20:52,400 --> 00:20:56,320
Speaker 3: I ain't, yes, man, just because oh when I saw

424
00:20:56,960 --> 00:20:57,840
Speaker 3: all your house.

425
00:20:59,080 --> 00:21:02,919
Speaker 1: Right yeah, and and I ain't even gonna say Atlanta,

426
00:21:02,920 --> 00:21:04,919
Speaker 1: it's a lot of that and not cold what niggas,

427
00:21:04,920 --> 00:21:07,480
Speaker 1: but see, but like you says, yes, man behavior because

428
00:21:07,520 --> 00:21:11,600
Speaker 1: niggas need Yeah, but niggas need favors. And sometimes a

429
00:21:11,640 --> 00:21:13,800
Speaker 1: nigga don't even promise you a favor. Sometimes they just

430
00:21:13,880 --> 00:21:16,800
Speaker 1: know I'm powerful and just to try to get in

431
00:21:16,920 --> 00:21:19,679
Speaker 1: my good grace. They're trying not to do something that

432
00:21:19,800 --> 00:21:22,760
Speaker 1: may offend me. I ain't never even promise them niggas nothing.

433
00:21:22,760 --> 00:21:25,879
Speaker 1: I ain't never even you look them niggas. Wait, but

434
00:21:25,920 --> 00:21:28,320
Speaker 1: I ain't fucking Guabo c Loan Slick, don't fuck with

435
00:21:28,400 --> 00:21:28,880
Speaker 1: him and ship.

436
00:21:29,600 --> 00:21:32,320
Speaker 2: If I fuck with Guabo Loon, ain't gonna never fuck

437
00:21:32,400 --> 00:21:34,119
Speaker 2: with me Loan ain't never promise.

438
00:21:34,280 --> 00:21:35,639
Speaker 3: That's how the black boss shit go.

439
00:21:35,800 --> 00:21:36,760
Speaker 2: That ship so fucked.

440
00:21:36,840 --> 00:21:40,359
Speaker 3: That's dombina off go. Yeah, they ain't ready to be

441
00:21:40,400 --> 00:21:42,240
Speaker 3: personal with a lot of people. It just be they

442
00:21:42,280 --> 00:21:46,400
Speaker 3: get put it in a space. So I respect the game.

443
00:21:46,880 --> 00:21:47,720
Speaker 2: I don't respect it.

444
00:21:48,040 --> 00:21:51,359
Speaker 3: I respect the game as in like I mean, I

445
00:21:51,359 --> 00:21:55,440
Speaker 3: ain't gonna buy. I ain't a buying by. I acknowledge

446
00:21:55,480 --> 00:22:00,480
Speaker 3: that it is like the law break them I fast.

447
00:22:00,520 --> 00:22:03,680
Speaker 3: That's basically what I was like, that's what you're doing.

448
00:22:03,840 --> 00:22:05,879
Speaker 3: I still coming over and do what I want to

449
00:22:05,880 --> 00:22:07,639
Speaker 3: do it my way. I can take ship, but you

450
00:22:07,760 --> 00:22:08,760
Speaker 3: definitely had on with that.

451
00:22:08,920 --> 00:22:12,120
Speaker 2: Like, so when.

452
00:22:13,359 --> 00:22:16,040
Speaker 1: It says right here that you did you do like

453
00:22:16,680 --> 00:22:18,679
Speaker 1: you got any stories you can you can tell the

454
00:22:18,720 --> 00:22:21,360
Speaker 1: fans that maybe they haven't heard before.

455
00:22:21,720 --> 00:22:26,280
Speaker 3: Maybe I got time any time store. I can't even

456
00:22:26,440 --> 00:22:29,520
Speaker 3: really off the top, off the top, just talk about

457
00:22:30,080 --> 00:22:33,240
Speaker 3: and a lot of like I got a lot of

458
00:22:33,280 --> 00:22:36,760
Speaker 3: street stuff that but I do that. It's a it's

459
00:22:36,800 --> 00:22:39,440
Speaker 3: a it's a it's a it's a YouTube channel, block

460
00:22:39,520 --> 00:22:42,159
Speaker 3: party talk with like me telling some stories.

461
00:22:42,359 --> 00:22:44,119
Speaker 1: Yeah, I've been seeing I've been seeing you try to

462
00:22:44,119 --> 00:22:48,600
Speaker 1: get into the content bag. Really Okay, So before the TikTok,

463
00:22:48,920 --> 00:22:51,840
Speaker 1: before they did you have you ever lost confidence in this?

464
00:22:52,800 --> 00:22:53,639
Speaker 3: Confidence? No?

465
00:22:54,000 --> 00:22:54,119
Speaker 2: Right?

466
00:22:54,280 --> 00:22:58,520
Speaker 3: But fun? Yeah? Confidence?

467
00:22:58,600 --> 00:23:01,760
Speaker 1: Yeah, you always knew you can pop it. But I

468
00:23:01,760 --> 00:23:02,800
Speaker 1: ain't having fun with this.

469
00:23:05,520 --> 00:23:09,480
Speaker 3: I probably even be popping in all the fun. I'm

470
00:23:09,560 --> 00:23:12,960
Speaker 3: still better do me Like, but if I have fun,

471
00:23:14,320 --> 00:23:15,800
Speaker 3: it ain't gonna go right. I ain't not gonna go

472
00:23:15,880 --> 00:23:18,919
Speaker 3: right for real. I ain't gonna really be standing podcast

473
00:23:19,000 --> 00:23:21,560
Speaker 3: for real. You know what I'm saying. I am fine

474
00:23:22,240 --> 00:23:25,520
Speaker 3: like a job. Yeah, oh y'all be ahead. I don't

475
00:23:25,560 --> 00:23:27,840
Speaker 3: want to do it like that, want to have fun.

476
00:23:28,480 --> 00:23:31,520
Speaker 2: Yeah. I was also on the research.

477
00:23:31,560 --> 00:23:34,440
Speaker 1: It was saying, like you you had some you dropped

478
00:23:34,440 --> 00:23:37,720
Speaker 1: a song called Truth after some kind of contract disputes,

479
00:23:38,200 --> 00:23:41,120
Speaker 1: whatever you learned about the music business that you make

480
00:23:41,160 --> 00:23:44,159
Speaker 1: and give a new artist or some insight.

481
00:23:44,240 --> 00:23:46,080
Speaker 2: I think you got kind of before you ask it.

482
00:23:46,160 --> 00:23:47,679
Speaker 1: I think you guys kind of got put in the

483
00:23:47,680 --> 00:23:51,440
Speaker 1: trap because you were so young, you know what I'm saying.

484
00:23:51,480 --> 00:23:53,960
Speaker 1: So it wasn't no, you didn't really have an opportunity

485
00:23:54,040 --> 00:23:55,640
Speaker 1: to understand what was happening.

486
00:23:56,359 --> 00:23:57,040
Speaker 3: What was going on?

487
00:23:57,119 --> 00:23:59,120
Speaker 2: Yeah, what kind of what kind of what kind of game?

488
00:23:59,200 --> 00:24:01,920
Speaker 3: What kind of how you're a lawyer, man, how you're

489
00:24:01,920 --> 00:24:03,879
Speaker 3: a lawyer. You know what I'm saying. Make sure you

490
00:24:03,880 --> 00:24:07,240
Speaker 3: read over it all paperwork and whatever you don't understand,

491
00:24:07,600 --> 00:24:10,280
Speaker 3: Go find somebody that understand that. You see her might

492
00:24:10,359 --> 00:24:14,520
Speaker 3: understand that. Make sure you read over that shit. And

493
00:24:14,800 --> 00:24:16,119
Speaker 3: you know what I'm saying. Just try to get the

494
00:24:16,119 --> 00:24:17,840
Speaker 3: best deal for you. Even if you get a deal,

495
00:24:17,880 --> 00:24:20,680
Speaker 3: because what may work for somebody else may don't work

496
00:24:20,680 --> 00:24:23,480
Speaker 3: for you. You may can get a deal for fifteen

497
00:24:23,560 --> 00:24:26,720
Speaker 3: thousand and you make and they shoot you to what

498
00:24:27,280 --> 00:24:30,080
Speaker 3: in three years? You were seventeen? Me, Yeah, it's lord,

499
00:24:30,560 --> 00:24:32,480
Speaker 3: But somebody else makeing go get a deal for four

500
00:24:32,600 --> 00:24:35,320
Speaker 3: me and then two years they can be broke with

501
00:24:35,520 --> 00:24:38,640
Speaker 3: one hundred and twenty thousand in the account. So it's

502
00:24:38,720 --> 00:24:41,560
Speaker 3: like the advice is to keep working, don't stop at

503
00:24:41,560 --> 00:24:44,600
Speaker 3: what you're doing. And hey, you man, sometimes you got

504
00:24:44,600 --> 00:24:45,639
Speaker 3: to spend some the makes on.

505
00:24:46,040 --> 00:24:49,040
Speaker 1: Right when you think about this kid and Gates Lebron thing,

506
00:24:49,160 --> 00:24:49,879
Speaker 1: what was your.

507
00:24:49,760 --> 00:24:50,320
Speaker 2: Thoughts on that?

508
00:24:50,520 --> 00:24:52,760
Speaker 3: Already? You got no thoughts on them like that? It's like,

509
00:24:53,960 --> 00:24:56,159
Speaker 3: I mean, I still from a perspective that he's saying,

510
00:24:56,200 --> 00:24:58,560
Speaker 3: but I also like, you know, come on, man, you

511
00:24:58,600 --> 00:25:02,080
Speaker 3: know it sounds it's it never came out of my mouth.

512
00:25:02,320 --> 00:25:04,679
Speaker 1: Yeah, because you don't. I mean, you know that's an

513
00:25:04,760 --> 00:25:06,480
Speaker 1: unspoken rule man, you know what I mean.

514
00:25:06,560 --> 00:25:09,159
Speaker 3: But you don't care how heel, Like I know a

515
00:25:09,280 --> 00:25:12,560
Speaker 3: person like he'll be playing and everything like that, like yeah,

516
00:25:12,560 --> 00:25:14,640
Speaker 3: I was just speaking down the other day. You will

517
00:25:15,600 --> 00:25:20,560
Speaker 3: care about the internet like he ain't really stunning, no

518
00:25:20,720 --> 00:25:22,800
Speaker 3: comments and all that get on and say.

519
00:25:24,000 --> 00:25:25,960
Speaker 2: But for me, it's like we like gay.

520
00:25:26,080 --> 00:25:28,520
Speaker 1: So I don't want to call it for what it is,

521
00:25:28,560 --> 00:25:31,320
Speaker 1: but it's it was cloud chasing, you know what I'm saying. Nigga,

522
00:25:31,359 --> 00:25:33,000
Speaker 1: don't want to call it for what it is because

523
00:25:33,119 --> 00:25:35,080
Speaker 1: a lot of people like him, you know what I'm saying,

524
00:25:35,119 --> 00:25:37,919
Speaker 1: Like I was talking to some people earlier, and you

525
00:25:37,960 --> 00:25:40,800
Speaker 1: know they're trying to find a way to say it.

526
00:25:40,800 --> 00:25:42,480
Speaker 3: Right or good or nice.

527
00:25:42,840 --> 00:25:47,480
Speaker 2: Yeah, the reach, Yeah you know what I mean, Like

528
00:25:48,200 --> 00:25:48,720
Speaker 2: folks want to.

529
00:25:48,680 --> 00:25:51,000
Speaker 3: Talk about that, like we know, like, yeah, I know

530
00:25:51,040 --> 00:25:54,520
Speaker 3: what I can get on my right and I know

531
00:25:54,720 --> 00:25:59,480
Speaker 3: it will be everywhere. But I don't got this for

532
00:25:59,640 --> 00:26:03,160
Speaker 3: no gut man. I ain't even no gimmicks need all that,

533
00:26:03,320 --> 00:26:05,600
Speaker 3: and they gonna need all that, like it ain't just serious,

534
00:26:05,680 --> 00:26:08,600
Speaker 3: like they ain't liking the music. And you know we

535
00:26:08,600 --> 00:26:12,720
Speaker 3: can feel this real born hustle like that was before

536
00:26:12,720 --> 00:26:16,600
Speaker 3: a rapper, hustle before the rapper. Yeah, it's a hustle,

537
00:26:16,680 --> 00:26:17,359
Speaker 3: damn rapper.

538
00:26:17,440 --> 00:26:20,920
Speaker 1: Like, yeah, let's talk about your your dad once that

539
00:26:21,040 --> 00:26:24,439
Speaker 1: your father that passed away. Yes, I junk man, all right,

540
00:26:24,520 --> 00:26:26,840
Speaker 1: Peter bro I seen I've seen a lot of real

541
00:26:27,080 --> 00:26:30,600
Speaker 1: legends posting posting about that.

542
00:26:30,720 --> 00:26:31,800
Speaker 2: How have you been since that?

543
00:26:31,920 --> 00:26:35,040
Speaker 3: Bro? I just don't stand bizz, you know what I'm saying, Yeah,

544
00:26:35,240 --> 00:26:41,000
Speaker 3: just staying biz. They're working, like just keeping keeping bounced

545
00:26:41,000 --> 00:26:44,240
Speaker 3: out because you know, I got siblings and I got sisters,

546
00:26:44,760 --> 00:26:47,840
Speaker 3: they got kids, you know what I'm saying. But we're

547
00:26:47,880 --> 00:26:49,560
Speaker 3: all in a good space, you know what I'm saying.

548
00:26:49,680 --> 00:26:53,640
Speaker 3: Nobody financially like even like around her for food stamps

549
00:26:53,680 --> 00:26:56,280
Speaker 3: like that, you know what I'm saying. And good space

550
00:26:56,320 --> 00:26:59,600
Speaker 3: every boy kids taking care of you know what I'm saying.

551
00:27:00,840 --> 00:27:03,399
Speaker 3: But it was just like, hey, man, I understand life.

552
00:27:03,920 --> 00:27:06,880
Speaker 3: I know death is the only thing we promising. Now,

553
00:27:06,920 --> 00:27:10,400
Speaker 3: how you go? Maya made Nigga may be like, oh,

554
00:27:11,119 --> 00:27:11,959
Speaker 3: I know you got to go.

555
00:27:12,400 --> 00:27:12,680
Speaker 2: Lord.

556
00:27:12,800 --> 00:27:14,920
Speaker 3: I just feel like my dad did their job while

557
00:27:14,920 --> 00:27:20,680
Speaker 3: he will, like he taught me and from whatever, I

558
00:27:20,720 --> 00:27:23,800
Speaker 3: don't give it on what you may think he may think,

559
00:27:23,960 --> 00:27:27,720
Speaker 3: like Nigga, don't even talk about it, Like yeah, he

560
00:27:27,840 --> 00:27:32,120
Speaker 3: teachs me about like that. I'm talking about nine years old,

561
00:27:32,160 --> 00:27:34,359
Speaker 3: Like even sometime the simplest learn how to work at

562
00:27:34,440 --> 00:27:39,280
Speaker 3: electric washing machine. You know what I'm saying, Like real father,

563
00:27:40,040 --> 00:27:41,960
Speaker 3: You know what I'm saying, Like your real father, Like

564
00:27:42,080 --> 00:27:45,119
Speaker 3: brush your teeth tooth time a day, like you know

565
00:27:45,160 --> 00:27:47,080
Speaker 3: what I'm saying. Like so it's like and then once

566
00:27:47,119 --> 00:27:48,959
Speaker 3: Nigga got to their age, it wasn't the really got

567
00:27:49,200 --> 00:27:52,800
Speaker 3: into w he were hustling little like that around the

568
00:27:52,840 --> 00:27:58,600
Speaker 3: clubs and dancing, and that might know know him, He's

569
00:27:58,640 --> 00:28:01,680
Speaker 3: still just be giving nigga as as like as as

570
00:28:01,720 --> 00:28:04,240
Speaker 3: you get older and older, whatever age you're at, he

571
00:28:04,359 --> 00:28:06,399
Speaker 3: got something, he got something for you.

572
00:28:06,480 --> 00:28:09,440
Speaker 2: Yeah. What what was his what was his thing? Did

573
00:28:09,440 --> 00:28:10,400
Speaker 2: he own clubs?

574
00:28:10,440 --> 00:28:10,520
Speaker 3: Like?

575
00:28:10,560 --> 00:28:11,160
Speaker 2: What was his thing?

576
00:28:11,240 --> 00:28:14,080
Speaker 3: Yeah? Yeah? Kept tap out? Everybody know about top Out?

577
00:28:14,080 --> 00:28:16,679
Speaker 3: Everybody you're not from Alanta, Georgia if you don't know

578
00:28:16,720 --> 00:28:19,480
Speaker 3: about top Out. What I'm saying. The first one was

579
00:28:19,520 --> 00:28:27,760
Speaker 3: on fourth in Industrial didn't get shot up by no rappers, funny.

580
00:28:29,880 --> 00:28:35,320
Speaker 3: The other one was on Camelton, the other ones on

581
00:28:35,400 --> 00:28:37,560
Speaker 3: cometing the boy undred thous I see the boy undred

582
00:28:37,560 --> 00:28:40,640
Speaker 3: two thousand on one night, Yeah, on the humble them

583
00:28:40,720 --> 00:28:42,400
Speaker 3: because it's an alcohol.

584
00:28:42,680 --> 00:28:46,640
Speaker 2: Damn three thousand and Oh god, that's.

585
00:28:46,400 --> 00:28:49,320
Speaker 3: Hard walking off. Let me see what he got to

586
00:28:49,320 --> 00:28:50,840
Speaker 3: look on his face, let me see what's going on.

587
00:28:52,240 --> 00:28:56,080
Speaker 3: I did see it, right, that's hard. That's hard a lot.

588
00:28:56,160 --> 00:28:58,160
Speaker 1: Like I said, the people that that that I know

589
00:28:58,320 --> 00:29:02,400
Speaker 1: from him, that that was like big ingen up your father,

590
00:29:02,720 --> 00:29:05,600
Speaker 1: like a bunch of them one bunch of them ones.

591
00:29:05,680 --> 00:29:06,320
Speaker 2: You know what I'm saying.

592
00:29:06,360 --> 00:29:09,760
Speaker 1: So I'm saying Okay, he must have been someone that

593
00:29:09,760 --> 00:29:10,320
Speaker 1: that people.

594
00:29:10,600 --> 00:29:12,560
Speaker 2: You know what I mean, hell in high regard, you

595
00:29:12,600 --> 00:29:14,880
Speaker 2: know what I mean. And you got player on you

596
00:29:15,000 --> 00:29:16,280
Speaker 2: like you know it's player.

597
00:29:16,120 --> 00:29:22,080
Speaker 3: On you now, ain't doing that.

598
00:29:22,360 --> 00:29:26,440
Speaker 2: Don't let him get away with Yes, lord, it is

599
00:29:26,600 --> 00:29:27,960
Speaker 2: done on you broke at.

600
00:29:31,600 --> 00:29:33,640
Speaker 1: Yeah, but it's on you thought like because I be

601
00:29:33,680 --> 00:29:36,880
Speaker 1: around everybody, so I know, like you know, I can

602
00:29:36,960 --> 00:29:40,200
Speaker 1: smell corny, I can smell like I can smell it

603
00:29:41,720 --> 00:29:45,080
Speaker 1: this bro, I can smell it, you know what I'm saying.

604
00:29:45,640 --> 00:29:48,320
Speaker 1: So you know it don't take long give it. It's

605
00:29:48,400 --> 00:29:51,280
Speaker 1: like it's I can just you know what I mean,

606
00:29:51,360 --> 00:29:54,280
Speaker 1: I can tell it's on you.

607
00:29:54,320 --> 00:29:56,760
Speaker 3: Get out of there without even making you feel batter.

608
00:29:56,960 --> 00:30:01,160
Speaker 1: Right, Yeah, yeah, yeah, because we been doing it too long.

609
00:30:01,200 --> 00:30:03,400
Speaker 2: It's part of how we been able to survive, you

610
00:30:03,440 --> 00:30:06,400
Speaker 2: know what I'm saying. And maneuver. Sure you know it

611
00:30:06,480 --> 00:30:08,480
Speaker 2: said you had a brother passed away as well.

612
00:30:08,520 --> 00:30:10,640
Speaker 3: The other money My brother little money passed away in

613
00:30:10,640 --> 00:30:15,920
Speaker 3: twenty fifteen, like but like it wasn't even hey man,

614
00:30:16,640 --> 00:30:19,480
Speaker 3: he man, pops, that's one meant for them. Like it

615
00:30:19,560 --> 00:30:22,280
Speaker 3: wasn't like because I don't have smoke, I get money

616
00:30:22,480 --> 00:30:27,520
Speaker 3: exactly right, I understood, and I've been got taught that

617
00:30:28,200 --> 00:30:31,640
Speaker 3: violence brains supposed to stop the money. Yes, lord, so

618
00:30:31,720 --> 00:30:36,640
Speaker 3: you know we also play defense. But I got im

619
00:30:36,640 --> 00:30:39,200
Speaker 3: saying like when none of them, even with my father

620
00:30:39,240 --> 00:30:42,040
Speaker 3: and my brother, want none of them for them, and like, oh,

621
00:30:42,080 --> 00:30:45,400
Speaker 3: I need to come to look for them, right, just

622
00:30:45,520 --> 00:30:48,600
Speaker 3: be miscellanian drive by and shit, I don't respect driver.

623
00:30:49,480 --> 00:30:51,719
Speaker 3: That's my house. Yeah, how do you handle that?

624
00:30:51,760 --> 00:30:51,960
Speaker 2: Though?

625
00:30:52,120 --> 00:30:56,800
Speaker 1: Like, I'll give you an example. So you know, you

626
00:30:56,840 --> 00:30:58,920
Speaker 1: know he's in my hood. So I pull up. You know,

627
00:30:59,120 --> 00:31:03,240
Speaker 1: every every city got areas where the guys be at.

628
00:31:03,280 --> 00:31:05,080
Speaker 1: So I pull up to the truss by, you know,

629
00:31:05,120 --> 00:31:07,080
Speaker 1: the dice house, and he got the pool tables.

630
00:31:09,360 --> 00:31:11,320
Speaker 2: So I push up, and you know, I check it

631
00:31:11,360 --> 00:31:12,240
Speaker 2: in on the homies.

632
00:31:12,320 --> 00:31:14,560
Speaker 1: When I come around and I see one of the

633
00:31:14,600 --> 00:31:18,880
Speaker 1: little homies, you know, about twenty eight they done shot

634
00:31:18,960 --> 00:31:20,200
Speaker 1: him in the chest.

635
00:31:20,440 --> 00:31:23,960
Speaker 3: So I'm saying, Yo, what the what? Yo?

636
00:31:24,000 --> 00:31:27,600
Speaker 2: What happened? And so he goes to explain to me that.

637
00:31:29,760 --> 00:31:32,800
Speaker 1: There was a situation going on upstairs, because that's a

638
00:31:32,880 --> 00:31:35,400
Speaker 1: that's a strip club upstairs. Its like a whole compound

639
00:31:35,640 --> 00:31:39,560
Speaker 1: slick on, you know, so far as what I what

640
00:31:39,600 --> 00:31:42,880
Speaker 1: I'm getting to is like, man, what did you was

641
00:31:42,920 --> 00:31:46,360
Speaker 1: you just talking about you before? Before I got to that,

642
00:31:46,840 --> 00:31:49,280
Speaker 1: My father in, oh yeah, that it wasn't meant for them.

643
00:31:49,720 --> 00:31:52,680
Speaker 1: And so my question, my question is basically surrounding or

644
00:31:52,720 --> 00:31:54,440
Speaker 1: how you handle that? And the reason I asked that

645
00:31:54,600 --> 00:31:56,760
Speaker 1: is because one of the homeboys, so I go in,

646
00:31:56,800 --> 00:31:58,560
Speaker 1: he shot in the chests and I'm asking what going

647
00:31:58,640 --> 00:31:59,640
Speaker 1: on and what happened?

648
00:32:00,160 --> 00:32:01,000
Speaker 2: How you get shot?

649
00:32:01,080 --> 00:32:04,080
Speaker 1: He tells me that one of the new guys he

650
00:32:04,160 --> 00:32:07,920
Speaker 1: got around him, went up to the strip club area

651
00:32:08,320 --> 00:32:12,360
Speaker 1: messing with somebody and then they come down. Yeah, so

652
00:32:12,400 --> 00:32:15,760
Speaker 1: they come down. He basically made a dry threat.

653
00:32:16,680 --> 00:32:20,000
Speaker 2: You talking to me, God, shoot this whole arong with you.

654
00:32:21,080 --> 00:32:25,120
Speaker 2: So them calling him, they thinking, is he really finish?

655
00:32:25,120 --> 00:32:28,960
Speaker 2: Shoot it up? So when he go into the dice spot,

656
00:32:29,240 --> 00:32:30,200
Speaker 2: they gonna break on.

657
00:32:30,360 --> 00:32:32,520
Speaker 1: They gonna come behind him and start shooting cause they

658
00:32:32,640 --> 00:32:34,520
Speaker 1: really thinking something that happened.

659
00:32:36,400 --> 00:32:36,600
Speaker 3: Right.

660
00:32:36,640 --> 00:32:39,840
Speaker 1: You can't do no bluffing, you can't do no talking,

661
00:32:40,880 --> 00:32:43,280
Speaker 1: you can't do no talking. So but the long story

662
00:32:43,320 --> 00:32:47,160
Speaker 1: short is they started everything.

663
00:32:47,200 --> 00:32:48,760
Speaker 2: Didn't get shot in the chicks.

664
00:32:49,320 --> 00:32:52,520
Speaker 1: The homie who spotted is because soon they come in,

665
00:32:52,560 --> 00:32:54,720
Speaker 1: they just see him and boom they don't know who

666
00:32:54,720 --> 00:32:58,560
Speaker 1: they gonna see.

667
00:32:58,600 --> 00:33:00,120
Speaker 3: So he asked me like, how did.

668
00:33:00,280 --> 00:33:03,000
Speaker 1: How do you handle like because I told my guy

669
00:33:03,080 --> 00:33:06,040
Speaker 1: I would have heard that looking responsible like the little

670
00:33:06,120 --> 00:33:08,800
Speaker 1: they brought them down here, they got me shot in

671
00:33:08,920 --> 00:33:09,400
Speaker 1: my chest.

672
00:33:10,080 --> 00:33:11,520
Speaker 2: I got to hold him accountable.

673
00:33:11,560 --> 00:33:13,360
Speaker 3: And how do you how do you say? How? I

674
00:33:13,440 --> 00:33:18,360
Speaker 3: look at it on the street time streetway. But as

675
00:33:18,400 --> 00:33:22,160
Speaker 3: far as just you know, mental and healing type words,

676
00:33:23,480 --> 00:33:26,600
Speaker 3: life just goes like once you see, like once you

677
00:33:26,640 --> 00:33:29,680
Speaker 3: wake up, like if it was yesterday and you wake

678
00:33:29,760 --> 00:33:32,560
Speaker 3: up tomorrow and you see, like how I don't stop

679
00:33:34,440 --> 00:33:35,360
Speaker 3: still going on.

680
00:33:36,960 --> 00:33:42,320
Speaker 2: I'm just saying and with the streets, we can't.

681
00:33:42,400 --> 00:33:45,000
Speaker 1: We're not talking about streets, And I'm talking about the blame,

682
00:33:45,400 --> 00:33:47,720
Speaker 1: the anger, the frustration.

683
00:33:48,960 --> 00:33:55,800
Speaker 3: Out on anybody. You wanted to go free pitree.

684
00:33:54,480 --> 00:33:58,000
Speaker 1: Because I couldn't take bro, My homeboy couldn't breathe, you

685
00:33:58,000 --> 00:34:00,400
Speaker 1: know how, you just get hitting the chest and they

686
00:34:00,480 --> 00:34:03,600
Speaker 1: bre you can really hear it, like they weezing their

687
00:34:03,720 --> 00:34:06,080
Speaker 1: shortness of breath. And I'm like, damn, bro, you ain't

688
00:34:06,160 --> 00:34:09,239
Speaker 1: have nothing to do with this, right And so I

689
00:34:09,320 --> 00:34:11,560
Speaker 1: was sitting there at that moment it made me think

690
00:34:11,680 --> 00:34:17,760
Speaker 1: like damn bro, and my emotionally, you know, unstable, because

691
00:34:17,800 --> 00:34:19,680
Speaker 1: I would have looked at the dude that brought them

692
00:34:19,719 --> 00:34:20,799
Speaker 1: down there and been like.

693
00:34:20,840 --> 00:34:23,120
Speaker 3: You weren't being lefting wrong though, Yeah.

694
00:34:22,920 --> 00:34:23,960
Speaker 2: That's what that's basically.

695
00:34:24,320 --> 00:34:26,919
Speaker 1: I want to make sure that I ain't irrational with that, right,

696
00:34:26,960 --> 00:34:28,080
Speaker 1: because it's like I ain't.

697
00:34:27,920 --> 00:34:33,439
Speaker 3: Not who bought you? Right? Well here right?

698
00:34:34,200 --> 00:34:37,279
Speaker 2: Yeah, look at wrong you scared of these podcas Now

699
00:34:37,320 --> 00:34:38,080
Speaker 2: they sending in.

700
00:34:38,160 --> 00:34:42,239
Speaker 3: Jail, na I ain't don't do whatever they wanted to

701
00:34:42,239 --> 00:34:44,960
Speaker 3: he like, cause I ain't. I'm innocent, man, I don't

702
00:34:45,000 --> 00:34:47,080
Speaker 3: got no, I don't got nothing. But you've been seeing

703
00:34:47,120 --> 00:34:49,200
Speaker 3: how you seeing out of the West Coach. They sending

704
00:34:49,280 --> 00:34:52,120
Speaker 3: it by yeah gang bangers, so you know they getting

705
00:34:52,200 --> 00:34:56,160
Speaker 3: they know all the other turning jump into a game

706
00:34:56,239 --> 00:35:02,080
Speaker 3: band platform, right, so they going telling the real stories

707
00:35:02,120 --> 00:35:09,239
Speaker 3: and my bodies ain't no such tell that. You know

708
00:35:09,320 --> 00:35:14,439
Speaker 3: how that's telling? You're just telling an interview, right. It's

709
00:35:14,480 --> 00:35:16,879
Speaker 3: a confession, bro, Yeah you ain't told. You can't tell

710
00:35:16,960 --> 00:35:19,560
Speaker 3: to the police in the interrogation room, but you just

711
00:35:19,640 --> 00:35:20,720
Speaker 3: told it on the podcasts.

712
00:35:20,719 --> 00:35:21,520
Speaker 2: It's a confession.

713
00:35:21,760 --> 00:35:24,600
Speaker 3: I know he did this, and I know you're saying,

714
00:35:24,600 --> 00:35:26,360
Speaker 3: you know, man, ain't crazy.

715
00:35:26,360 --> 00:35:28,279
Speaker 2: They went out bad. I tell I ain't gonna lie.

716
00:35:28,320 --> 00:35:29,480
Speaker 2: You know, I know all them.

717
00:35:31,880 --> 00:35:34,480
Speaker 1: Yeah, I know you know the brick baby too, because

718
00:35:34,520 --> 00:35:37,840
Speaker 1: you know you had been I've heard you speak about

719
00:35:37,880 --> 00:35:41,000
Speaker 1: him before, but he didn't he if you asked me

720
00:35:41,040 --> 00:35:42,200
Speaker 1: when he spoke about you.

721
00:35:42,160 --> 00:35:44,600
Speaker 2: He really didn't give you no He ain't give you

722
00:35:44,600 --> 00:35:45,080
Speaker 2: no love.

723
00:35:45,360 --> 00:35:47,399
Speaker 1: He kind of talked about you in a way where

724
00:35:47,400 --> 00:35:51,279
Speaker 1: it was like it wasn't as friendly as I would

725
00:35:51,320 --> 00:35:53,640
Speaker 1: have expected it to be, Like you know what I'm saying.

726
00:35:53,640 --> 00:35:55,239
Speaker 3: When he was out there, Yeah, I think he was

727
00:35:55,239 --> 00:35:58,440
Speaker 3: in the stage. It was like, I don't know, you

728
00:35:58,719 --> 00:36:03,920
Speaker 3: smoke cigarette, camel. I read going through something that was

729
00:36:03,960 --> 00:36:05,960
Speaker 3: around the time way to my GUCA man got some good.

730
00:36:06,400 --> 00:36:07,319
Speaker 2: He was doing too much.

731
00:36:07,400 --> 00:36:09,560
Speaker 3: I was just going through something just you know. And

732
00:36:09,680 --> 00:36:12,120
Speaker 3: he had already hit me up about like pounds of

733
00:36:12,160 --> 00:36:16,480
Speaker 3: scheme and that thing. Know they be doing all that

734
00:36:16,600 --> 00:36:19,239
Speaker 3: nothing no jump, yeah, trying to charge niggas for this that,

735
00:36:19,280 --> 00:36:21,239
Speaker 3: And I just feel like it.

736
00:36:21,320 --> 00:36:24,640
Speaker 2: Was that yeah do you But but do you think.

737
00:36:24,600 --> 00:36:27,360
Speaker 3: Cause because it ain't nothing that happened for him to

738
00:36:28,040 --> 00:36:31,600
Speaker 3: even go left, I just think that's character out, like

739
00:36:31,960 --> 00:36:33,600
Speaker 3: somebody cares them out.

740
00:36:33,760 --> 00:36:36,799
Speaker 2: But why they do it. I mean, and you, out

741
00:36:36,840 --> 00:36:38,120
Speaker 2: of everybody, why pick you?

742
00:36:38,239 --> 00:36:38,840
Speaker 3: He did you?

743
00:36:39,000 --> 00:36:42,080
Speaker 2: He said, you know, I'm gonna be honest about this.

744
00:36:42,600 --> 00:36:45,560
Speaker 1: When brick Baby talk about Atlanta, damned it be fitting

745
00:36:45,640 --> 00:36:49,720
Speaker 1: like he talking like the boards. But I'm in Atlanta

746
00:36:49,760 --> 00:36:52,240
Speaker 1: and I know better. I know the difference. I plugged

747
00:36:52,280 --> 00:36:52,920
Speaker 1: with the guys.

748
00:36:53,239 --> 00:36:56,200
Speaker 2: But when he talked, he'd be basically like I got

749
00:36:56,200 --> 00:36:59,160
Speaker 2: them than they know who they know. You know, he'd

750
00:36:59,160 --> 00:36:59,919
Speaker 2: be kind of big.

751
00:37:00,120 --> 00:37:07,480
Speaker 5: He goes big, But I'm saying, like I think he's

752
00:37:07,560 --> 00:37:08,839
Speaker 5: experienced down hill.

753
00:37:09,520 --> 00:37:12,200
Speaker 3: I mean, you know, I don't know what he was

754
00:37:12,239 --> 00:37:17,399
Speaker 3: doing around before that, before we before I started being

755
00:37:17,400 --> 00:37:21,160
Speaker 3: around or whatever. But I don't know about change national

756
00:37:21,800 --> 00:37:25,880
Speaker 3: getting changed. Back when I was around, it was like

757
00:37:26,280 --> 00:37:31,759
Speaker 3: solidified solid from my he carried, he carried before all

758
00:37:31,800 --> 00:37:34,880
Speaker 3: that Internet, no jump all that like it was. It

759
00:37:35,000 --> 00:37:40,240
Speaker 3: was anybody sep want them, you want them?

760
00:37:39,680 --> 00:37:39,839
Speaker 2: Yeah?

761
00:37:42,000 --> 00:37:44,560
Speaker 3: And he one of us.

762
00:37:44,640 --> 00:37:48,279
Speaker 1: Yeah, and you know I been I heard certain things,

763
00:37:48,320 --> 00:37:51,040
Speaker 1: you know, but I've also heard other things that you

764
00:37:51,080 --> 00:37:53,000
Speaker 1: know what I mean. But that's part of this. You

765
00:37:53,040 --> 00:37:55,279
Speaker 1: ain't gonna win every time the dice roll, you know

766
00:37:55,280 --> 00:37:56,600
Speaker 1: what I'm saying. So it's part of it.

767
00:37:56,680 --> 00:37:59,480
Speaker 3: But like you said they don't have that just got

768
00:37:59,480 --> 00:38:01,719
Speaker 3: down something to talk about? Why not?

769
00:38:01,960 --> 00:38:02,359
Speaker 2: For sure?

770
00:38:03,360 --> 00:38:05,160
Speaker 3: It ain't talking about you ain't have nothing going on

771
00:38:05,320 --> 00:38:07,839
Speaker 3: now for sure something talk about well good or bad?

772
00:38:08,200 --> 00:38:10,799
Speaker 2: Yeah, you've been on No Jumper before.

773
00:38:10,520 --> 00:38:12,520
Speaker 3: Too, And yeah I've been on a Jumper but like

774
00:38:12,680 --> 00:38:15,000
Speaker 3: some ship had with the episode to what like I

775
00:38:15,000 --> 00:38:18,239
Speaker 3: think I lost the videos so it came out like

776
00:38:18,320 --> 00:38:21,960
Speaker 3: with like on the audio real. Yeah, but they tried

777
00:38:22,000 --> 00:38:25,640
Speaker 3: to get me back and yeah, trying to. I just

778
00:38:25,680 --> 00:38:26,359
Speaker 3: ain't went back.

779
00:38:26,560 --> 00:38:29,799
Speaker 1: Yeah, I've seen a lot of people kind of blackballing

780
00:38:29,840 --> 00:38:32,799
Speaker 1: because of the the line of questioning. Like even when

781
00:38:32,840 --> 00:38:35,120
Speaker 1: I interviewed Adam, I didn't do No jumple but I

782
00:38:35,200 --> 00:38:38,040
Speaker 1: interview him, but I was just like, you know, I

783
00:38:38,080 --> 00:38:38,920
Speaker 1: wanted to talk.

784
00:38:38,719 --> 00:38:40,799
Speaker 2: To him about what he was doing, like what are

785
00:38:40,840 --> 00:38:41,279
Speaker 2: you doing?

786
00:38:41,440 --> 00:38:43,480
Speaker 1: Like you know what I mean? But I didn't. I

787
00:38:43,480 --> 00:38:47,160
Speaker 1: didn't want to sit without him. It's just too much.

788
00:38:47,719 --> 00:38:49,359
Speaker 2: Fluff, you know what I mean.

789
00:38:49,400 --> 00:38:51,279
Speaker 1: I like I like like this because you get to

790
00:38:51,320 --> 00:38:54,919
Speaker 1: see it for hard witty what he thinking, what he knows.

791
00:38:55,239 --> 00:38:57,440
Speaker 2: Yeah, you can't run from this right here. This is

792
00:38:57,480 --> 00:38:58,640
Speaker 2: like a you know what I mean?

793
00:38:58,760 --> 00:38:59,920
Speaker 3: Yeah, min no he mind.

794
00:39:00,080 --> 00:39:02,279
Speaker 1: You got to have something up here though, you know

795
00:39:02,320 --> 00:39:04,080
Speaker 1: what I mean, Or you're gonna whoop on you and

796
00:39:04,160 --> 00:39:05,920
Speaker 1: then people gonna say, breast sound dumb and.

797
00:39:05,960 --> 00:39:09,200
Speaker 3: They what he's talking about? What he's talking about?

798
00:39:09,239 --> 00:39:09,319
Speaker 4: Right?

799
00:39:09,840 --> 00:39:10,680
Speaker 3: Turn it?

800
00:39:11,560 --> 00:39:15,440
Speaker 1: But but but I do think that the relationship between

801
00:39:15,520 --> 00:39:19,399
Speaker 1: podcasts and artists is productive if it's done right.

802
00:39:19,600 --> 00:39:23,160
Speaker 3: Yeah. Yeah, Like right now, I'm gonna be on my

803
00:39:23,360 --> 00:39:26,239
Speaker 3: brother Tomas tom Myney new single thing about money is

804
00:39:26,239 --> 00:39:29,160
Speaker 3: out right now on our platform. We're shooing the video

805
00:39:30,080 --> 00:39:33,080
Speaker 3: we see already undeal, we already started. We finishing it

806
00:39:33,120 --> 00:39:36,360
Speaker 3: this Thursday. You know what I'm saying here? The next Instagram,

807
00:39:36,840 --> 00:39:38,360
Speaker 3: I don't know what type of game they play on

808
00:39:38,400 --> 00:39:41,440
Speaker 3: my Instagram, my main page they unhacked or whatever. So

809
00:39:41,560 --> 00:39:43,440
Speaker 3: I got the whole they gappo back up right now.

810
00:39:43,520 --> 00:39:46,560
Speaker 3: Until I get that back they get at me on there.

811
00:39:46,880 --> 00:39:49,319
Speaker 2: Do you do you lose money when the Instagram go down?

812
00:39:50,440 --> 00:39:53,160
Speaker 3: Yeah? Of course yeah.

813
00:39:53,760 --> 00:39:55,480
Speaker 1: Was you getting paid or was it just you do

814
00:39:56,680 --> 00:39:58,799
Speaker 1: the visibility side of it.

815
00:39:58,800 --> 00:40:01,239
Speaker 3: It's the visi business side of it and the pay

816
00:40:01,360 --> 00:40:04,120
Speaker 3: because like you may got money in your DM yeah

817
00:40:04,160 --> 00:40:08,080
Speaker 3: that's what I mean, right, It may be like the mony.

818
00:40:09,400 --> 00:40:12,040
Speaker 3: You may got bad in your DM right right.

819
00:40:11,960 --> 00:40:12,759
Speaker 2: Right, right right?

820
00:40:13,040 --> 00:40:16,000
Speaker 1: Do you like independent better than being signed with the label?

821
00:40:16,000 --> 00:40:17,239
Speaker 1: What's the best route for you?

822
00:40:17,960 --> 00:40:22,759
Speaker 3: I fuck both? I fucked both. Like the label? If

823
00:40:22,960 --> 00:40:26,400
Speaker 3: if the labels, I feel like, oh yeah cool, def

824
00:40:26,719 --> 00:40:31,920
Speaker 3: my folk, I fuck with them and we negotiate the

825
00:40:32,000 --> 00:40:37,040
Speaker 3: right foruck with them. But until then they're gonna be independent. Yeah,

826
00:40:37,640 --> 00:40:40,160
Speaker 3: you got the name read I think, like on their

827
00:40:40,160 --> 00:40:43,160
Speaker 3: own self. And then they were crazy when I be

828
00:40:43,239 --> 00:40:46,919
Speaker 3: seeing like artists that be popping or whatever at the time,

829
00:40:47,040 --> 00:40:49,440
Speaker 3: they can't drop and they go to going up about the.

830
00:40:49,440 --> 00:40:52,560
Speaker 2: Label happen damn there Every time they go to.

831
00:40:52,600 --> 00:40:56,840
Speaker 3: Going up, I'd be like, I don't even undersign distribution

832
00:40:57,200 --> 00:41:00,520
Speaker 3: man distribution IMPLI what's your.

833
00:41:00,880 --> 00:41:05,120
Speaker 1: Yeah, guys, what happens with the labels where they try

834
00:41:05,160 --> 00:41:06,400
Speaker 1: to stop from dropping?

835
00:41:06,440 --> 00:41:06,560
Speaker 3: Though?

836
00:41:06,600 --> 00:41:08,120
Speaker 2: That's I don't never understand that.

837
00:41:09,080 --> 00:41:11,879
Speaker 3: I ain't ever mess to amazing able to know, right,

838
00:41:11,960 --> 00:41:12,239
Speaker 3: I ain't.

839
00:41:13,120 --> 00:41:15,640
Speaker 2: When you had the Street Execs, what was that management?

840
00:41:15,880 --> 00:41:20,040
Speaker 3: Yeah? And then the QC was managed SID and then

841
00:41:20,080 --> 00:41:26,400
Speaker 3: you had the I did say with GUI, but it

842
00:41:26,480 --> 00:41:30,800
Speaker 3: one that like work was just he wanted to sign me.

843
00:41:30,920 --> 00:41:34,040
Speaker 3: He wanted the sign yeah, but you know then he

844
00:41:34,280 --> 00:41:35,239
Speaker 3: again locked up and.

845
00:41:36,080 --> 00:41:38,160
Speaker 1: You know who you you look like to me too?

846
00:41:38,640 --> 00:41:40,279
Speaker 1: That is locked up right now?

847
00:41:40,320 --> 00:41:44,239
Speaker 2: What's that? Uh from here too?

848
00:41:45,280 --> 00:41:49,080
Speaker 1: You should be around depending what the god then the

849
00:41:49,160 --> 00:41:49,600
Speaker 1: money and.

850
00:41:49,840 --> 00:41:55,560
Speaker 3: The hood was probably my man. We got too many together,

851
00:41:55,680 --> 00:41:59,799
Speaker 3: man out of plug like that man, you look like

852
00:41:59,880 --> 00:42:02,160
Speaker 3: that free blood man. I'm talking about y'all getting me

853
00:42:02,280 --> 00:42:05,960
Speaker 3: like a certain My brother. Man, my brother, like we

854
00:42:06,040 --> 00:42:08,239
Speaker 3: got two four minute take together.

855
00:42:08,320 --> 00:42:09,120
Speaker 2: He finish, come home.

856
00:42:09,160 --> 00:42:12,160
Speaker 3: He's been going home too. Yeah, they've been going He

857
00:42:12,239 --> 00:42:16,040
Speaker 3: stay sout, stayed always shut, he stayed solid. How long

858
00:42:16,080 --> 00:42:22,760
Speaker 3: is six years? That's six five and going on six. Damn.

859
00:42:22,840 --> 00:42:24,359
Speaker 2: He did hit him with the rico too.

860
00:42:25,320 --> 00:42:27,239
Speaker 3: I ain't really get too much into it, but I

861
00:42:27,280 --> 00:42:29,279
Speaker 3: thought it was like a rico. I don't know if

862
00:42:29,320 --> 00:42:31,040
Speaker 3: he was included in the rico, right.

863
00:42:31,280 --> 00:42:33,200
Speaker 2: Do you not worry about that down here?

864
00:42:33,640 --> 00:42:36,600
Speaker 1: Like how Atlanta is moving like you got him baby

865
00:42:37,640 --> 00:42:39,840
Speaker 1: with the wife.

866
00:42:39,480 --> 00:42:42,080
Speaker 3: And I mean, I don't really worry about it because

867
00:42:42,120 --> 00:42:47,160
Speaker 3: it's like niggas don't rather be on that type of

868
00:42:47,160 --> 00:42:50,440
Speaker 3: ship no more. You know what I'm saying. Yeah, niggat

869
00:42:50,560 --> 00:42:53,040
Speaker 3: nigga did it go turn up with the young crew sometimes,

870
00:42:53,440 --> 00:42:57,120
Speaker 3: but nigga around young crew. Maniga know the young tripp.

871
00:42:57,040 --> 00:42:59,640
Speaker 1: They bullshit, but see the thing, Yeah they went and

872
00:42:59,680 --> 00:43:02,320
Speaker 1: got through them, and they were talking about twenty twelve,

873
00:43:02,400 --> 00:43:06,200
Speaker 1: twenty thirteen, like man, my teeth were rocked in everything.

874
00:43:06,239 --> 00:43:08,120
Speaker 2: And then I ain't need the same, right.

875
00:43:08,200 --> 00:43:10,200
Speaker 3: I mean, but you gotta know what skeletons you got

876
00:43:10,200 --> 00:43:13,880
Speaker 3: in your closet. You know, you gotta be prepared for it,

877
00:43:14,280 --> 00:43:16,760
Speaker 3: come with it. You know you still got skelets in class.

878
00:43:17,000 --> 00:43:20,200
Speaker 3: And I ain't talking about understand for anybody, right, But.

879
00:43:20,120 --> 00:43:22,239
Speaker 1: That's what makes it, that's what makes it scary as

880
00:43:22,280 --> 00:43:24,759
Speaker 1: a rapper doing here. It's like, yeah, I don't I

881
00:43:24,760 --> 00:43:27,799
Speaker 1: don't hang with the young, but you know I do

882
00:43:27,920 --> 00:43:28,680
Speaker 1: got it, you know what I mean.

883
00:43:28,719 --> 00:43:32,120
Speaker 2: I did come from runing now, you know.

884
00:43:34,920 --> 00:43:37,319
Speaker 3: But young be knowing what's in it already though they

885
00:43:37,360 --> 00:43:39,320
Speaker 3: wanted they want to do cancer young. You know what

886
00:43:39,360 --> 00:43:45,160
Speaker 3: I'm saying, maybe hollering like ask me different. I run

887
00:43:45,200 --> 00:43:47,359
Speaker 3: to a couple of them. I got some good sense, right,

888
00:43:47,680 --> 00:43:51,000
Speaker 3: run run to a couple of about he burned that.

889
00:43:51,280 --> 00:43:54,000
Speaker 2: Yeah, they don't take long.

890
00:43:54,239 --> 00:43:57,880
Speaker 3: Saving ain't no saving und folks, A little hundred thous

891
00:43:57,880 --> 00:44:01,759
Speaker 3: the one fit, it's I ain't called a watch y'all

892
00:44:01,840 --> 00:44:04,360
Speaker 3: dropped two little songs. I ain't gonna know no.

893
00:44:04,239 --> 00:44:07,360
Speaker 1: More, bro, But you've been around long enough to know

894
00:44:07,400 --> 00:44:09,959
Speaker 1: the sequence of events, you know what I'm saying.

895
00:44:10,160 --> 00:44:12,239
Speaker 2: I don't know the sequence of events.

896
00:44:12,400 --> 00:44:18,120
Speaker 1: And it's always important to remember prosperity has no guarantees, bro.

897
00:44:18,239 --> 00:44:19,160
Speaker 2: So just because you.

898
00:44:19,080 --> 00:44:22,200
Speaker 1: Get a chick or deal or a good song, and

899
00:44:22,520 --> 00:44:23,959
Speaker 1: that don't mean you're gonna get a nun.

900
00:44:24,239 --> 00:44:25,880
Speaker 2: You gotta learn how to work the stove.

901
00:44:26,200 --> 00:44:28,640
Speaker 3: Yeah, for sure. I mean I dropped to me, I

902
00:44:28,719 --> 00:44:32,400
Speaker 3: dropped one every year. But it's like a formula, you

903
00:44:32,480 --> 00:44:36,360
Speaker 3: know what I'm saying, right, It's like a former like okay, cool.

904
00:44:37,440 --> 00:44:40,080
Speaker 3: You gotta know your audience, right, you gotta know, like

905
00:44:41,920 --> 00:44:46,040
Speaker 3: what's going on in the world the lingo? Yeah, yeah,

906
00:44:47,360 --> 00:44:50,880
Speaker 3: is the world for uh? Like dang gonna be just

907
00:44:50,880 --> 00:44:54,399
Speaker 3: trying to hear nothing about bolling. I mean balin' gonna

908
00:44:54,400 --> 00:44:58,440
Speaker 3: be getting played or whatever. But I know if I balling,

909
00:44:58,520 --> 00:45:03,080
Speaker 3: come on times, we ain't doing none of that, not

910
00:45:03,120 --> 00:45:06,200
Speaker 3: even hanging on the song. But it's like I'm gonna

911
00:45:06,200 --> 00:45:09,560
Speaker 3: put him over balling. Yeah like that. So, and the

912
00:45:09,640 --> 00:45:14,319
Speaker 3: folks got at attention Span song zone through some song Yeah,

913
00:45:14,440 --> 00:45:16,040
Speaker 3: if they don't come on the way, they like that,

914
00:45:16,200 --> 00:45:16,959
Speaker 3: skip them over.

915
00:45:17,239 --> 00:45:17,680
Speaker 2: Yeah.

916
00:45:17,880 --> 00:45:21,640
Speaker 1: Do you think for somebody like thug getting getting out,

917
00:45:22,000 --> 00:45:26,080
Speaker 1: do you think what position do you think his music

918
00:45:26,640 --> 00:45:29,760
Speaker 1: could be in if he can't rap about certain things?

919
00:45:30,760 --> 00:45:33,879
Speaker 1: Should he go towards the pain or popping it?

920
00:45:36,160 --> 00:45:39,800
Speaker 3: Both? I say both? Your personally, I say both. And

921
00:45:40,600 --> 00:45:43,319
Speaker 3: you know you got you know, thug pop records and

922
00:45:43,360 --> 00:45:47,320
Speaker 3: all that. That's diamond, so getting any genre.

923
00:45:47,520 --> 00:45:50,560
Speaker 2: Yeah. Do you think he lost anything from the jail though.

924
00:45:52,840 --> 00:45:55,520
Speaker 3: And even if it's just after hearing that money not money?

925
00:45:55,600 --> 00:45:58,879
Speaker 3: So now you like that you can tell.

926
00:45:59,400 --> 00:46:02,400
Speaker 2: Yeah, I think I think he's I think I don't know.

927
00:46:02,480 --> 00:46:03,160
Speaker 2: I think jail.

928
00:46:03,280 --> 00:46:06,200
Speaker 3: I think Jill know how jail do niggas anyway, like

929
00:46:06,239 --> 00:46:11,080
Speaker 3: you still like you still have to adapt, like that's

930
00:46:11,120 --> 00:46:11,560
Speaker 3: what time.

931
00:46:11,680 --> 00:46:13,400
Speaker 1: And when I hit that money on money that I

932
00:46:13,400 --> 00:46:16,040
Speaker 1: can it's damn it, like I can. I can feel that,

933
00:46:16,320 --> 00:46:19,879
Speaker 1: I can feel that fresh shout. I'm back, me, I'm back,

934
00:46:19,960 --> 00:46:20,480
Speaker 1: but I ain't.

935
00:46:21,160 --> 00:46:21,399
Speaker 3: Bro.

936
00:46:21,600 --> 00:46:23,400
Speaker 1: Just go back to some of the records. He was

937
00:46:23,480 --> 00:46:26,799
Speaker 1: just floating on them ship, changing his pitches and he

938
00:46:26,920 --> 00:46:29,920
Speaker 1: was just in a pocket. And now it's like it

939
00:46:30,040 --> 00:46:32,799
Speaker 1: damn it feels like he's trying to double Dutch, like,

940
00:46:32,880 --> 00:46:33,760
Speaker 1: trying to get.

941
00:46:33,640 --> 00:46:34,680
Speaker 2: Get his back in.

942
00:46:35,120 --> 00:46:38,360
Speaker 1: I don't feel it. You know, that's my guy, Roscoe.

943
00:46:38,440 --> 00:46:41,560
Speaker 1: All him is my guys. I'm saying, but I don't

944
00:46:41,600 --> 00:46:45,759
Speaker 1: think that he's comfortable right now to where he's dropping it.

945
00:46:45,800 --> 00:46:50,560
Speaker 1: And it sounds like number one, he's enjoying hisself. And

946
00:46:50,600 --> 00:46:54,959
Speaker 1: then number two, I just it's something missing. I can't

947
00:46:54,960 --> 00:46:57,200
Speaker 1: put my I can't put my finger on it, because

948
00:46:57,200 --> 00:47:01,000
Speaker 1: he's still him, he's still monumental, he's still huge.

949
00:47:01,480 --> 00:47:04,839
Speaker 2: But I'm telling you because I'm I'm a I'm I'm.

950
00:47:06,760 --> 00:47:09,840
Speaker 3: Be around too many folds, so it takes some of

951
00:47:09,920 --> 00:47:14,799
Speaker 3: that away, bro, I'm telling you, like and of course

952
00:47:14,840 --> 00:47:16,960
Speaker 3: one of them, yeah.

953
00:47:18,840 --> 00:47:21,520
Speaker 1: Yeah, yeah, But I'm saying if it was me, I'm

954
00:47:21,560 --> 00:47:23,040
Speaker 1: looking at him right and I'm saying, all right, the

955
00:47:23,040 --> 00:47:25,400
Speaker 1: money on money number one and see.

956
00:47:25,280 --> 00:47:25,959
Speaker 2: You got that again.

957
00:47:26,000 --> 00:47:28,640
Speaker 1: I'm final, boss man. So I take a little bit here,

958
00:47:28,640 --> 00:47:30,480
Speaker 1: a little bit there, and I put all this together

959
00:47:30,480 --> 00:47:34,520
Speaker 1: and I say, that's why what my theory is makes sense.

960
00:47:34,520 --> 00:47:36,640
Speaker 1: So when he went on g Q, he basically said,

961
00:47:37,520 --> 00:47:42,839
Speaker 1: I'm consciously now rapping to where they can hear me, right,

962
00:47:42,960 --> 00:47:47,640
Speaker 1: meaning instead of saying yeah, you know what I'm saying.

963
00:47:48,960 --> 00:47:50,440
Speaker 2: You know, he's trying to. He's trying to.

964
00:47:50,680 --> 00:47:53,000
Speaker 1: And I don't know if there's trauma from using the

965
00:47:53,080 --> 00:47:54,560
Speaker 1: lyrics in court, or.

966
00:47:55,360 --> 00:47:57,239
Speaker 3: It might just be growth as an artist.

967
00:47:57,680 --> 00:48:01,320
Speaker 1: Yeah, but I think the band is the the bag.

968
00:48:01,880 --> 00:48:04,600
Speaker 1: I think he finds himself in that mumble le like

969
00:48:04,719 --> 00:48:05,560
Speaker 1: in that just.

970
00:48:05,520 --> 00:48:07,200
Speaker 2: That vibe bag, you know.

971
00:48:07,600 --> 00:48:10,000
Speaker 1: And so that's basically when I'm you know, I'm just

972
00:48:10,040 --> 00:48:13,720
Speaker 1: trying to figure out. Tell me, what's your process? What's

973
00:48:13,760 --> 00:48:15,920
Speaker 1: your process is that? Do you go in and mumble?

974
00:48:16,000 --> 00:48:18,360
Speaker 1: Do you go straight to the paper? Do you freestyle?

975
00:48:21,640 --> 00:48:25,720
Speaker 3: I punch in? I punch in like line fine line fine.

976
00:48:26,000 --> 00:48:28,239
Speaker 3: I may think of I may think of the chorus,

977
00:48:28,719 --> 00:48:30,680
Speaker 3: think of the cords, That's what I may think about.

978
00:48:31,120 --> 00:48:33,440
Speaker 3: I said, punch in on that too. Or I may

979
00:48:33,480 --> 00:48:36,239
Speaker 3: write a course. Sometimes nigga be in the airport on

980
00:48:36,320 --> 00:48:38,360
Speaker 3: flights and just traveling on the road to or that.

981
00:48:38,440 --> 00:48:40,840
Speaker 3: Nigga may write a course some of the notes of

982
00:48:41,000 --> 00:48:44,640
Speaker 3: that and that my process. I go in that moment,

983
00:48:45,920 --> 00:48:49,520
Speaker 3: my studio necessities and is it have you been?

984
00:48:49,680 --> 00:48:50,799
Speaker 2: Have you did it?

985
00:48:50,880 --> 00:48:54,239
Speaker 1: A long stint in jail, so you probably see you

986
00:48:54,280 --> 00:48:57,000
Speaker 1: don't know what I'm saying, Bro, I'm telling you when

987
00:48:57,040 --> 00:49:01,239
Speaker 1: I hear that, I'm saying, don't hate this, bro. I

988
00:49:02,239 --> 00:49:06,200
Speaker 1: ain't hating them to help me get in the game.

989
00:49:06,320 --> 00:49:09,480
Speaker 1: So this but they know I say what's real. I'm

990
00:49:09,520 --> 00:49:11,000
Speaker 1: gonna say what I feel.

991
00:49:10,800 --> 00:49:12,480
Speaker 3: And you're entitled to say something.

992
00:49:12,800 --> 00:49:16,480
Speaker 1: It's that on that right, So but I'm saying, it's

993
00:49:16,480 --> 00:49:22,160
Speaker 1: like it just doesn't feel in that pocket.

994
00:49:22,680 --> 00:49:25,759
Speaker 3: It's just that man, first one probably probably wasn't it

995
00:49:25,840 --> 00:49:26,560
Speaker 3: a miss? Right?

996
00:49:27,480 --> 00:49:31,000
Speaker 1: What contrasted with gunn on And that's why I say

997
00:49:31,440 --> 00:49:34,279
Speaker 1: leaning into the pain, especially for the first two or three,

998
00:49:34,320 --> 00:49:37,319
Speaker 1: because you really just went through a hell of a thing, right,

999
00:49:37,400 --> 00:49:40,000
Speaker 1: And it's almost almost feels like that he wants.

1000
00:49:39,800 --> 00:49:41,880
Speaker 2: To just skip over it like it never happened. Like

1001
00:49:42,360 --> 00:49:43,319
Speaker 2: I don't even like.

1002
00:49:46,840 --> 00:49:48,880
Speaker 1: Talking about that's the lead single and we know the

1003
00:49:49,120 --> 00:49:51,040
Speaker 1: at least I know the business, so I know.

1004
00:49:51,040 --> 00:49:55,000
Speaker 5: That Jel had to come with the But then when

1005
00:49:55,120 --> 00:50:00,560
Speaker 5: first first then he was Blackett and then left me

1006
00:50:00,960 --> 00:50:03,480
Speaker 5: because the fans want to hear from like the fans

1007
00:50:03,520 --> 00:50:04,360
Speaker 5: want to update.

1008
00:50:04,640 --> 00:50:05,520
Speaker 3: You see what I'm saying.

1009
00:50:05,600 --> 00:50:08,719
Speaker 1: You can't just pop back out popping it. It's like

1010
00:50:08,920 --> 00:50:10,960
Speaker 1: you just was in like facing light.

1011
00:50:11,239 --> 00:50:14,439
Speaker 3: But what he told the fans on the land ain't

1012
00:50:14,440 --> 00:50:17,840
Speaker 3: even feel like my cap I'm saying it could be

1013
00:50:17,920 --> 00:50:19,680
Speaker 3: cap what I'm saying. But if you're telling of your

1014
00:50:19,760 --> 00:50:20,840
Speaker 3: fans that, but.

1015
00:50:20,719 --> 00:50:22,680
Speaker 2: That's what I'm trying to tell you, might be the mistake.

1016
00:50:23,000 --> 00:50:25,920
Speaker 1: Don't cap us down, gone gone and go on and

1017
00:50:26,040 --> 00:50:28,760
Speaker 1: tell us you hurt gone, tell us then be traded

1018
00:50:28,880 --> 00:50:29,880
Speaker 1: me gone.

1019
00:50:29,920 --> 00:50:31,440
Speaker 3: You gotta gone lean into that.

1020
00:50:31,520 --> 00:50:34,840
Speaker 1: Bro, I'm telling you what's gonna win because you evoke

1021
00:50:34,960 --> 00:50:38,759
Speaker 1: emotion in these people. I was part of uh uh

1022
00:50:39,000 --> 00:50:41,880
Speaker 1: uh the entire I'm part of the media. So I

1023
00:50:42,000 --> 00:50:45,520
Speaker 1: saw how all these people stopped and followed the case,

1024
00:50:45,600 --> 00:50:48,360
Speaker 1: and right, it's equity.

1025
00:50:47,880 --> 00:50:51,080
Speaker 2: In there everywhere, That's what I'm saying. Yeah, So it's

1026
00:50:51,120 --> 00:50:51,920
Speaker 2: equity in that.

1027
00:50:52,080 --> 00:50:52,239
Speaker 3: Bro.

1028
00:50:52,360 --> 00:50:54,759
Speaker 1: You don't just you don't just leave that go just

1029
00:50:54,800 --> 00:50:57,120
Speaker 1: even from a bending perspective, right, And I'm gonna shoot

1030
00:50:57,120 --> 00:50:59,960
Speaker 1: that to him. I'm really gonna shoot that word to him.

1031
00:51:00,040 --> 00:51:02,359
Speaker 1: You know what I'm saying, Like, Bro, I feel as

1032
00:51:02,360 --> 00:51:07,160
Speaker 1: though my opinion is that lean into the pain, lean

1033
00:51:07,239 --> 00:51:10,080
Speaker 1: into what happened. Bro, don't run from that. You know,

1034
00:51:10,160 --> 00:51:13,360
Speaker 1: I know, I know you want to like that over with.

1035
00:51:13,760 --> 00:51:17,560
Speaker 1: I'm done with that I'm back in my bag. But

1036
00:51:18,160 --> 00:51:22,600
Speaker 1: your fans they don't work like that, you know what

1037
00:51:22,600 --> 00:51:27,399
Speaker 1: I'm saying. Yeah, they want to update, Yeah, they want

1038
00:51:27,400 --> 00:51:30,360
Speaker 1: both all And so I'm not saying I'm saying you

1039
00:51:30,480 --> 00:51:31,400
Speaker 1: use the formula.

1040
00:51:31,840 --> 00:51:33,319
Speaker 2: I ain't saying don't pop it.

1041
00:51:33,400 --> 00:51:35,840
Speaker 3: I would have dropped the further out exactly.

1042
00:51:36,360 --> 00:51:39,719
Speaker 2: See, it's a formula with this, that's part of the coach.

1043
00:51:39,840 --> 00:51:40,920
Speaker 2: That's part of the formula.

1044
00:51:40,960 --> 00:51:43,600
Speaker 3: The first day out is part of the coaching. Be

1045
00:51:43,680 --> 00:51:45,640
Speaker 3: a street artist, part of the coach.

1046
00:51:45,760 --> 00:51:47,719
Speaker 1: And then he could have switched the first day out

1047
00:51:47,800 --> 00:51:49,600
Speaker 1: by him being one of the biggest artists in.

1048
00:51:49,520 --> 00:51:53,000
Speaker 3: The world, it would have been his thing. Whatever.

1049
00:51:53,080 --> 00:51:53,680
Speaker 2: You know what I'm saying.

1050
00:51:53,680 --> 00:51:55,320
Speaker 1: But that's what i mean when I say we gotta

1051
00:51:55,360 --> 00:51:57,440
Speaker 1: start sitting down, you as an artist, me as a

1052
00:51:57,520 --> 00:52:00,360
Speaker 1: CEO of this, we gotta start sitting down then, like

1053
00:52:01,360 --> 00:52:06,839
Speaker 1: really putting thought into our rollouts, campaigns. I'm messaging like

1054
00:52:07,160 --> 00:52:10,360
Speaker 1: not just because put it all in his outfit.

1055
00:52:10,480 --> 00:52:14,279
Speaker 3: Yeah, all this all the count of Count Brown for

1056
00:52:14,360 --> 00:52:16,120
Speaker 3: a lot wayiam more than the outfit.

1057
00:52:16,400 --> 00:52:17,960
Speaker 2: That's facts, bro, that's fact.

1058
00:52:18,280 --> 00:52:18,839
Speaker 3: So so.

1059
00:52:20,320 --> 00:52:21,560
Speaker 2: Do you do melodies?

1060
00:52:21,600 --> 00:52:25,800
Speaker 3: Do you? Yeah? A female song? I probably should a

1061
00:52:25,840 --> 00:52:29,359
Speaker 3: video to a female song. I did a couple. I

1062
00:52:29,400 --> 00:52:31,600
Speaker 3: did it a minute ago. But I ain't never shoot

1063
00:52:31,600 --> 00:52:33,719
Speaker 3: a video and the girl like that, my folks, I

1064
00:52:33,719 --> 00:52:35,759
Speaker 3: probably shot a video too. I ain't never shot a

1065
00:52:35,840 --> 00:52:37,759
Speaker 3: video to what like I catered to a women in

1066
00:52:37,760 --> 00:52:41,759
Speaker 3: the video like as shaking and like that. So I'm

1067
00:52:41,920 --> 00:52:44,360
Speaker 3: shut the video twelve like it's just one main girl,

1068
00:52:45,040 --> 00:52:48,640
Speaker 3: she playing my girlfriend type. Yeah, try like that, well,

1069
00:52:48,680 --> 00:52:51,600
Speaker 3: not even try to do something. I down did a

1070
00:52:51,640 --> 00:52:53,759
Speaker 3: pop record with a girl from Canada and they were

1071
00:52:53,800 --> 00:52:57,360
Speaker 3: writ one of them type records. Oh yeah, yeah, you

1072
00:52:57,360 --> 00:53:02,239
Speaker 3: you are top five from Atlanta. Pluto t u w

1073
00:53:06,719 --> 00:53:15,080
Speaker 3: mm hmm uh mhm from from Atlanta.

1074
00:53:16,040 --> 00:53:17,680
Speaker 2: It ain't in line if the ain't.

1075
00:53:18,680 --> 00:53:26,600
Speaker 3: Uh Gucci Man on counting at first, he said, Alabama, Yeah,

1076
00:53:26,640 --> 00:53:31,840
Speaker 3: I think he came up here. Yeah, of course he

1077
00:53:30,040 --> 00:53:36,440
Speaker 3: was from six Man just you know brown what. Yeah,

1078
00:53:36,640 --> 00:53:38,960
Speaker 3: but yeah, you gotta go Tip.

1079
00:53:41,719 --> 00:53:44,640
Speaker 2: Tip on the first one you had, you gotta go Tip.

1080
00:53:44,760 --> 00:53:46,040
Speaker 3: He was out for all them.

1081
00:53:46,840 --> 00:53:48,800
Speaker 2: Yes, your list, you do what you ain't really.

1082
00:53:48,600 --> 00:53:55,200
Speaker 3: Putting in no order. I'm not tip uh Tuto baby

1083
00:53:55,360 --> 00:53:57,560
Speaker 3: up in twenty one.

1084
00:53:59,360 --> 00:54:02,200
Speaker 2: Three stacks, I mean.

1085
00:54:03,800 --> 00:54:06,600
Speaker 3: Yeah, because they don't really get that. I mean, I

1086
00:54:06,680 --> 00:54:10,560
Speaker 3: know what it is. I know what you mean the kid.

1087
00:54:11,320 --> 00:54:12,919
Speaker 3: What I'm saying, Like I just told you I've seen

1088
00:54:12,960 --> 00:54:15,160
Speaker 3: what type of person was with no camera names, just

1089
00:54:15,280 --> 00:54:18,960
Speaker 3: walking there after all, fun with her right as a person,

1090
00:54:19,320 --> 00:54:23,680
Speaker 3: right but if but if music, Yeah, I don't know

1091
00:54:23,800 --> 00:54:26,520
Speaker 3: too much of it. You know, I'm Siman's jackson. Yeah

1092
00:54:26,600 --> 00:54:31,120
Speaker 3: you know so, I'm also grow up on dip said

1093
00:54:31,160 --> 00:54:31,920
Speaker 3: more than outcast.

1094
00:54:32,280 --> 00:54:33,359
Speaker 2: You liked that dip set?

1095
00:54:33,480 --> 00:54:36,760
Speaker 1: Who your favorite camera on Jim Jim shout out Jimmy,

1096
00:54:37,080 --> 00:54:39,080
Speaker 1: Jim shout out Jimmy.

1097
00:54:39,800 --> 00:54:43,879
Speaker 2: Jimmy pushed the mean line. Yeah, Jimmy pushed the mean line.

1098
00:54:43,920 --> 00:54:46,360
Speaker 1: If it wasn't for Jimmy, though, I ain't gonna you

1099
00:54:46,400 --> 00:54:47,920
Speaker 1: know what I'm saying, it would have looked different for

1100
00:54:48,040 --> 00:54:48,680
Speaker 1: cam them.

1101
00:54:48,560 --> 00:54:49,200
Speaker 3: For a minute.

1102
00:54:49,200 --> 00:54:52,640
Speaker 1: Man, you know what I'm saying, Jim jam I for

1103
00:54:53,440 --> 00:54:54,920
Speaker 1: you got a personal relationship with.

1104
00:54:54,960 --> 00:55:02,600
Speaker 3: Him person, Yeah, very personal. That's dope, real man, Yes, sir,

1105
00:55:02,719 --> 00:55:05,600
Speaker 3: been doing it, yeah, been doing I need to be

1106
00:55:05,640 --> 00:55:07,680
Speaker 3: taking pictures in them all, like y'all got this shirt?

1107
00:55:07,960 --> 00:55:13,000
Speaker 3: Yeah big on fashion, Yeah, I fuck with fashion, but

1108
00:55:13,040 --> 00:55:15,239
Speaker 3: I want sound that super big on it. But yeah,

1109
00:55:15,360 --> 00:55:20,759
Speaker 3: like I'm funny, yeah yeah, yeah, but yeah I like

1110
00:55:20,800 --> 00:55:23,480
Speaker 3: little pieces and like I want to be time for

1111
00:55:24,360 --> 00:55:27,080
Speaker 3: you know that I might gotta do a certain show

1112
00:55:27,920 --> 00:55:30,719
Speaker 3: you I might want to go a certain look like that. Yeah,

1113
00:55:30,800 --> 00:55:36,080
Speaker 3: like I'm down to I'm into what was the European

1114
00:55:36,200 --> 00:55:39,359
Speaker 3: cuts right type tailor made? And you know what I'm

1115
00:55:39,360 --> 00:55:42,120
Speaker 3: saying to him, pants, all that the right way? You

1116
00:55:42,120 --> 00:55:44,480
Speaker 3: know what I'm saying, it might be a little too

1117
00:55:44,520 --> 00:55:49,399
Speaker 3: much over here, take that out to make it right type? Yeah,

1118
00:55:50,960 --> 00:55:53,640
Speaker 3: all the ship cut the right way for sure. You

1119
00:55:53,680 --> 00:55:56,080
Speaker 3: know they don't know about them European cuts.

1120
00:55:55,800 --> 00:56:00,359
Speaker 1: Yes, lord, but yeah, now man, I just you know,

1121
00:56:00,760 --> 00:56:02,839
Speaker 1: I was I was wondering that because something I've seen

1122
00:56:02,920 --> 00:56:06,680
Speaker 1: y'all in them. Have a conversation with Jim about Atlanta

1123
00:56:06,760 --> 00:56:13,600
Speaker 1: or New York fashion and both both Swag City yea, both.

1124
00:56:15,680 --> 00:56:19,359
Speaker 2: Saying yeah it was Hallered. It wasn't New York as

1125
00:56:19,400 --> 00:56:19,719
Speaker 2: a whole.

1126
00:56:19,840 --> 00:56:21,239
Speaker 3: It was New York.

1127
00:56:21,440 --> 00:56:22,840
Speaker 2: Yeah, it was right.

1128
00:56:23,520 --> 00:56:26,960
Speaker 3: Both because like even when meet some doing their thing,

1129
00:56:27,560 --> 00:56:31,960
Speaker 3: they was down there in front of the Yeah they

1130
00:56:32,000 --> 00:56:34,239
Speaker 3: were front of d but down there from when they're

1131
00:56:34,239 --> 00:56:38,359
Speaker 3: doing their thing. So it's like even with that, they

1132
00:56:38,400 --> 00:56:42,719
Speaker 3: did they think what you're thinking about the big meat situation.

1133
00:56:44,239 --> 00:56:48,680
Speaker 3: I don't know, man, It's like it's like you, I

1134
00:56:48,760 --> 00:56:50,279
Speaker 3: don't want them to be that. I don't want to

1135
00:56:50,320 --> 00:56:54,120
Speaker 3: beat you because we come up on off them, you know. Yeah,

1136
00:56:54,239 --> 00:56:58,200
Speaker 3: like I really watched the old documents and learned and

1137
00:56:58,280 --> 00:57:02,920
Speaker 3: said people based off that, based off what he was saying, like,

1138
00:57:03,840 --> 00:57:06,279
Speaker 3: I don't know, man, that's a tricky situation. Man's just

1139
00:57:06,320 --> 00:57:08,800
Speaker 3: like how they're just trying to put something on everybody

1140
00:57:09,000 --> 00:57:09,640
Speaker 3: name this.

1141
00:57:09,760 --> 00:57:11,799
Speaker 2: Year right it's going down.

1142
00:57:11,840 --> 00:57:15,600
Speaker 1: Do you think from from the street perspective, do you

1143
00:57:15,680 --> 00:57:18,680
Speaker 1: think that you got to have paperwork to be labeled

1144
00:57:18,680 --> 00:57:18,960
Speaker 1: to wreck?

1145
00:57:19,000 --> 00:57:22,760
Speaker 3: Because nowadays now you know that you see see you know,

1146
00:57:22,760 --> 00:57:24,919
Speaker 3: are you just talking about the people do the lawn

1147
00:57:25,000 --> 00:57:27,840
Speaker 3: stretches and all, you know, the people that sneak out

1148
00:57:27,880 --> 00:57:35,320
Speaker 3: and go tell see some oh such and such was itself. Yeah,

1149
00:57:35,400 --> 00:57:36,800
Speaker 3: and they don't get rolled up and.

1150
00:57:38,480 --> 00:57:41,160
Speaker 2: They trying to get around you know what's going.

1151
00:57:40,960 --> 00:57:48,200
Speaker 3: On inside jail Snitch is a curse, like just crazy,

1152
00:57:48,280 --> 00:57:51,680
Speaker 3: Like I don't want to do it, man, I don't

1153
00:57:51,840 --> 00:57:55,840
Speaker 3: want no problem with no rack beef. I don't want nothing, man,

1154
00:57:55,920 --> 00:57:57,840
Speaker 3: you know what I'm saying, I don't I don't want

1155
00:57:57,880 --> 00:57:58,600
Speaker 3: nothing to do it.

1156
00:57:58,880 --> 00:57:59,080
Speaker 2: Man.

1157
00:57:59,320 --> 00:58:02,120
Speaker 1: I was because it's like this here, right, because I've

1158
00:58:02,120 --> 00:58:06,000
Speaker 1: been set up, told on from an inform and me

1159
00:58:06,360 --> 00:58:09,720
Speaker 1: now you know, not my cousin. So I know kind

1160
00:58:09,720 --> 00:58:14,680
Speaker 1: of the feeling and the betrayal associated with you are helping.

1161
00:58:14,400 --> 00:58:15,919
Speaker 3: Them really turned you in.

1162
00:58:16,080 --> 00:58:22,800
Speaker 2: Man, that hurt me. That's really why I be by myself.

1163
00:58:22,840 --> 00:58:23,040
Speaker 3: Now.

1164
00:58:23,160 --> 00:58:28,160
Speaker 1: I'm traumatized, like I'm literally from the street traumatized from

1165
00:58:28,200 --> 00:58:28,960
Speaker 1: that situation.

1166
00:58:29,040 --> 00:58:32,920
Speaker 3: Bro that man told on me, I can imagine that

1167
00:58:32,960 --> 00:58:37,000
Speaker 3: I feel aware about doing that to me. Bro.

1168
00:58:38,120 --> 00:58:42,280
Speaker 1: It literally called you see, and I'm literally having my

1169
00:58:42,320 --> 00:58:46,880
Speaker 1: way nobody with me. Bro, that's cold from that, from

1170
00:58:46,920 --> 00:58:50,400
Speaker 1: that situation broke me. Man, So I look at that

1171
00:58:50,720 --> 00:58:53,560
Speaker 1: a different way. It hurts me man like, especially when

1172
00:58:53,600 --> 00:58:56,240
Speaker 1: it's some like that. But here's what I also know

1173
00:58:57,120 --> 00:58:59,240
Speaker 1: a lot of these now try to get around and man,

1174
00:58:59,280 --> 00:59:02,720
Speaker 1: my name ain't no paperwork, ain't it told on this,

1175
00:59:02,760 --> 00:59:04,360
Speaker 1: that and the third. But here's the trick.

1176
00:59:05,640 --> 00:59:09,960
Speaker 2: You can give information that don't lead to arrest today.

1177
00:59:10,440 --> 00:59:10,640
Speaker 3: Right.

1178
00:59:10,720 --> 00:59:14,880
Speaker 1: So when I was under investigation, right, come to find

1179
00:59:14,920 --> 00:59:18,160
Speaker 1: out that the first thing one of my homeboys done

1180
00:59:18,240 --> 00:59:21,120
Speaker 1: was told him that he have all them cars out

1181
00:59:21,160 --> 00:59:23,160
Speaker 1: on the road, like telling them to play.

1182
00:59:23,800 --> 00:59:24,840
Speaker 2: Now this didn't.

1183
00:59:25,040 --> 00:59:27,240
Speaker 1: This wasn't setting me up to where they would come

1184
00:59:27,280 --> 00:59:31,080
Speaker 1: by something and get me. But he was giving them

1185
00:59:31,120 --> 00:59:34,840
Speaker 1: that last little piece that they needed for them to

1186
00:59:34,960 --> 00:59:37,640
Speaker 1: move and understand which carter pull over. And that's what

1187
00:59:37,840 --> 00:59:40,760
Speaker 1: ended up getting me pulled over, end up getting me searched,

1188
00:59:40,840 --> 00:59:43,440
Speaker 1: end you know what I'm saying. So it don't necessarily

1189
00:59:43,480 --> 00:59:46,880
Speaker 1: have to be in paperwork that yo, loan did this

1190
00:59:47,040 --> 00:59:50,880
Speaker 1: or this person you know, gave us information directly to

1191
00:59:51,000 --> 00:59:51,800
Speaker 1: arrest these people.

1192
00:59:53,040 --> 00:59:53,960
Speaker 2: Yeah, man, they know how.

1193
00:59:55,040 --> 00:59:56,800
Speaker 3: I'm just a rapper. Ma, you know what I'm saying,

1194
00:59:57,200 --> 00:59:59,480
Speaker 3: I'm a rapper. I know there may be a new

1195
00:59:59,520 --> 01:00:02,520
Speaker 3: audience to be seeing me and shouts to my fans

1196
01:00:02,480 --> 01:00:05,240
Speaker 3: and supporters though, but for the new audience, I need

1197
01:00:05,280 --> 01:00:08,520
Speaker 3: to know that I'm the I'm the person. I'm the

1198
01:00:08,600 --> 01:00:12,600
Speaker 3: artist that the songs, big old facts running up hustle

1199
01:00:12,640 --> 01:00:15,040
Speaker 3: and now what's up?

1200
01:00:16,280 --> 01:00:16,400
Speaker 4: Uh?

1201
01:00:17,320 --> 01:00:20,000
Speaker 2: What's that TikTok? Right now?

1202
01:00:21,160 --> 01:00:25,600
Speaker 3: Yeah? Yeah, I was a part of all of that,

1203
01:00:25,720 --> 01:00:26,680
Speaker 3: Like you know what I'm saying.

1204
01:00:26,720 --> 01:00:29,000
Speaker 2: So, and you got to keep pushing the line with

1205
01:00:29,120 --> 01:00:29,720
Speaker 2: the rep.

1206
01:00:31,240 --> 01:00:34,439
Speaker 3: Sing a single all right now, like the single right

1207
01:00:34,480 --> 01:00:37,080
Speaker 3: now two feet in one for them?

1208
01:00:40,160 --> 01:00:42,680
Speaker 1: Right, I've seen what what them, no jumping, try to

1209
01:00:42,760 --> 01:00:45,480
Speaker 1: kind of flock over. I think his name is trying

1210
01:00:45,480 --> 01:00:47,520
Speaker 1: to kind of get you into a back and forth.

1211
01:00:47,800 --> 01:00:49,560
Speaker 2: Do you know him? Do you have a region?

1212
01:00:49,720 --> 01:00:51,640
Speaker 3: N I ain't know him. If I ain't know him

1213
01:00:51,680 --> 01:00:53,440
Speaker 3: at all, I ain't know him at all. I ain't know.

1214
01:00:54,240 --> 01:00:56,240
Speaker 3: But he spoke on It was just really like he

1215
01:00:56,320 --> 01:00:58,360
Speaker 3: spoke on some Atlanta flo.

1216
01:00:58,600 --> 01:01:01,360
Speaker 2: Calling the cops on rapper Guappo and getting him booked

1217
01:01:01,400 --> 01:01:04,000
Speaker 2: for selling drugs. He made about me, I said, Jose

1218
01:01:04,040 --> 01:01:05,000
Speaker 2: Guappo lead Millos.

1219
01:01:05,040 --> 01:01:07,400
Speaker 4: So then I started to bite back, right, I made

1220
01:01:07,400 --> 01:01:09,960
Speaker 4: a YouTube video saying, Jose Guappo, I'm gonna get you

1221
01:01:10,000 --> 01:01:11,640
Speaker 4: locked up with him two months right.

1222
01:01:11,440 --> 01:01:13,240
Speaker 2: Oh, ship, So you got him locked up today?

1223
01:01:13,240 --> 01:01:16,400
Speaker 1: So you called the police and told them about this

1224
01:01:16,480 --> 01:01:18,120
Speaker 1: Jose Guappos trap house.

1225
01:01:18,160 --> 01:01:20,479
Speaker 3: And two months later, Jose Guapo trapouse just got ready

1226
01:01:20,480 --> 01:01:21,120
Speaker 3: and he got arrested.

1227
01:01:21,160 --> 01:01:23,240
Speaker 2: Look on the flopper got two rappers arrested so.

1228
01:01:23,280 --> 01:01:26,400
Speaker 4: Far, listen Jose and his homie was also on bail.

1229
01:01:26,560 --> 01:01:28,800
Speaker 4: So I made the call in and said, Jose Guappo

1230
01:01:28,960 --> 01:01:31,440
Speaker 4: was posted on his Instagram that he got arrested and

1231
01:01:31,480 --> 01:01:33,480
Speaker 4: he's out on bail and he's facing you know, blah

1232
01:01:33,480 --> 01:01:35,400
Speaker 4: blah blah. Right, I said, I don't think that he

1233
01:01:35,480 --> 01:01:38,320
Speaker 4: should be out here like smoking weed, popping purns on

1234
01:01:38,400 --> 01:01:40,680
Speaker 4: his Instagram as he says, So I'm not hold up

1235
01:01:40,680 --> 01:01:43,280
Speaker 4: now plug also too bro like Jose Wappo, don't like,

1236
01:01:43,280 --> 01:01:44,000
Speaker 4: don't got a job.

1237
01:01:44,080 --> 01:01:46,000
Speaker 3: YouTube not paying him, the music not paying him.

1238
01:01:46,040 --> 01:01:48,480
Speaker 4: Jose Guappo is making money because Jose Guoppo is like

1239
01:01:48,520 --> 01:01:50,560
Speaker 4: selling drugs and he's proud of it. Right, he brags

1240
01:01:50,560 --> 01:01:52,560
Speaker 4: about selling drugs on like he's like YouTube champ. So

1241
01:01:52,680 --> 01:01:55,440
Speaker 4: we made the call down. Nine days later, Jose Guappo

1242
01:01:55,720 --> 01:01:57,920
Speaker 4: locked up by time because the traphouse got run up

1243
01:01:57,920 --> 01:02:00,280
Speaker 4: into you can't beef with CVIL.

1244
01:02:00,440 --> 01:02:03,480
Speaker 3: And I just spoke on what he spoke on and

1245
01:02:03,520 --> 01:02:06,200
Speaker 3: then I just was like, don't I don't take it.

1246
01:02:06,240 --> 01:02:08,600
Speaker 3: I never took him to see it. Like I'm turning

1247
01:02:08,760 --> 01:02:12,320
Speaker 3: into more like I'm a joning type thing. I'm not

1248
01:02:12,320 --> 01:02:15,760
Speaker 3: feel to thrawn you because you already playing the police police.

1249
01:02:17,320 --> 01:02:19,400
Speaker 3: I don't thinking you in now, but I am faining

1250
01:02:19,440 --> 01:02:23,520
Speaker 3: cracks and jokes, right, but yeah, but to keep it real,

1251
01:02:23,520 --> 01:02:26,680
Speaker 3: those shot to call me uh when pop past and

1252
01:02:26,720 --> 01:02:30,840
Speaker 3: not call me with like the Instagram pop past. He

1253
01:02:31,040 --> 01:02:35,000
Speaker 3: was like, uh, you know at long passed like squashed.

1254
01:02:35,760 --> 01:02:37,320
Speaker 2: Yeah, they try to put it behind.

1255
01:02:37,400 --> 01:02:40,800
Speaker 3: Yeah, like he came genuine though, right. I was without

1256
01:02:40,760 --> 01:02:43,480
Speaker 3: a chicken, right because I know and it wasn't nothing

1257
01:02:43,520 --> 01:02:46,000
Speaker 3: real to begin with at all at all. It just,

1258
01:02:46,040 --> 01:02:49,040
Speaker 3: you know, just some content that he was doing.

1259
01:02:49,760 --> 01:02:52,360
Speaker 2: What's your relationship with two Chains and all the nigs?

1260
01:02:52,400 --> 01:02:55,880
Speaker 3: Y'all good? Yeah? I don't good with everybody, bro. I

1261
01:02:55,880 --> 01:02:57,919
Speaker 3: don't really got no problem about it, and it ain't

1262
01:02:57,920 --> 01:03:02,439
Speaker 3: nothing happened to me to for media have some problem.

1263
01:03:02,120 --> 01:03:06,680
Speaker 1: With somebody joint tapes. You're thinking about doing another joint tape?

1264
01:03:06,760 --> 01:03:09,640
Speaker 3: Yeah, me and Shoty godfriend drops a joint, a joint

1265
01:03:09,680 --> 01:03:13,320
Speaker 3: tape called The Originals. It's already done. It's hard, that's

1266
01:03:13,320 --> 01:03:16,600
Speaker 3: already done. That's you're gonna pipe it up? Yeah, for sure.

1267
01:03:16,600 --> 01:03:19,560
Speaker 3: We're gonna finish on that thing about money video Thursday.

1268
01:03:20,040 --> 01:03:21,760
Speaker 3: I don't know it's gonna be out by then, but

1269
01:03:22,160 --> 01:03:23,560
Speaker 3: I don't even know what the video gonna be out

1270
01:03:23,560 --> 01:03:26,880
Speaker 3: by then. But y'all just stay tuned because a movie

1271
01:03:26,920 --> 01:03:30,680
Speaker 3: they might get money after the other summer. I promise

1272
01:03:31,040 --> 01:03:33,560
Speaker 3: I'm gonna put on your music before I go yeah.

1273
01:03:33,480 --> 01:03:36,200
Speaker 2: Let go I need that, Yes, sir? What what what is?

1274
01:03:37,280 --> 01:03:40,040
Speaker 2: Who inspired you in your music journal? You were so

1275
01:03:40,200 --> 01:03:41,040
Speaker 2: young's damn it.

1276
01:03:41,160 --> 01:03:46,520
Speaker 3: Like like Jim damn Like they had heavy feel it's

1277
01:03:46,560 --> 01:03:50,560
Speaker 3: on just swagging, like not even just rapping, just the

1278
01:03:50,720 --> 01:03:52,480
Speaker 3: mean there like you know what I'm saying, Joe I

1279
01:03:52,560 --> 01:03:54,800
Speaker 3: nigga pop it like you know New York nigga got

1280
01:03:54,840 --> 01:03:59,160
Speaker 3: an accent, just jam for real? What's what's that? What's that?

1281
01:03:59,240 --> 01:04:02,600
Speaker 3: What's that? Because Dollard them got songs like it too?

1282
01:04:02,800 --> 01:04:08,200
Speaker 2: Was that was that style that like b.

1283
01:04:09,280 --> 01:04:11,680
Speaker 3: Like was that style? There was a sound of the

1284
01:04:12,800 --> 01:04:13,560
Speaker 3: right but was.

1285
01:04:13,520 --> 01:04:16,320
Speaker 1: It before the rich homie young thugs?

1286
01:04:17,640 --> 01:04:18,160
Speaker 3: Wow?

1287
01:04:18,280 --> 01:04:21,720
Speaker 1: So that's where they pulled that from. So they pulled

1288
01:04:21,720 --> 01:04:25,880
Speaker 1: that and kind of added to that, like you know

1289
01:04:25,880 --> 01:04:29,160
Speaker 1: what I'm saying, It started to make table way, make

1290
01:04:29,240 --> 01:04:31,400
Speaker 1: you views up table way, you know what I'm saying,

1291
01:04:31,520 --> 01:04:34,560
Speaker 1: kind of making it a little more palatable. But that

1292
01:04:35,160 --> 01:04:37,560
Speaker 1: had a whole Bro, Atlanta loves that kind of ship.

1293
01:04:37,800 --> 01:04:40,440
Speaker 1: When that's that's that's Atlanta.

1294
01:04:40,080 --> 01:04:44,840
Speaker 3: Bro and the really front like effect. That's different because

1295
01:04:44,840 --> 01:04:46,560
Speaker 3: we know what was going on when it came out.

1296
01:04:49,080 --> 01:04:51,520
Speaker 2: Bro, they can drop future and all this that's cool.

1297
01:04:51,880 --> 01:04:52,400
Speaker 3: Go up.

1298
01:04:52,960 --> 01:04:55,280
Speaker 2: But if they dropped one of them joints, where y'all

1299
01:04:55,400 --> 01:04:56,240
Speaker 2: where that's the bag?

1300
01:04:56,360 --> 01:04:59,280
Speaker 3: What? What is that? That? What?

1301
01:04:59,840 --> 01:05:02,520
Speaker 1: I I can't explain it, but it's a very distinct

1302
01:05:02,600 --> 01:05:04,160
Speaker 1: Atlanta sound.

1303
01:05:04,240 --> 01:05:05,880
Speaker 3: I know what you're talking about. I know what you're

1304
01:05:05,880 --> 01:05:07,600
Speaker 3: talking about. I don't know the name up to put

1305
01:05:07,640 --> 01:05:08,920
Speaker 3: on it and run like that, but I know what

1306
01:05:08,960 --> 01:05:10,360
Speaker 3: you're talking about that right there.

1307
01:05:10,600 --> 01:05:15,480
Speaker 1: I've never seen Atlanta react the way I have, just

1308
01:05:15,560 --> 01:05:18,400
Speaker 1: certain times when I seen them react to they dropped

1309
01:05:18,440 --> 01:05:21,440
Speaker 1: that and just whoa and she just go crazy.

1310
01:05:21,640 --> 01:05:23,280
Speaker 3: Yeah, because it was a mother Fire era.

1311
01:05:23,440 --> 01:05:24,160
Speaker 2: It's a moment.

1312
01:05:24,280 --> 01:05:29,120
Speaker 3: Yeah, coming out with dances like that. Yeah, what happened

1313
01:05:29,160 --> 01:05:31,560
Speaker 3: to that? Don't dance around here no more? Do? They

1314
01:05:31,680 --> 01:05:37,160
Speaker 3: started getting pop? I ain't nah, but you know they

1315
01:05:37,160 --> 01:05:38,960
Speaker 3: still be doing that little dances shit on tip top.

1316
01:05:39,200 --> 01:05:40,960
Speaker 3: I ain't gonna say that, but I think they still

1317
01:05:41,000 --> 01:05:44,320
Speaker 3: be doing their little dances and shit on tips into

1318
01:05:44,400 --> 01:05:46,640
Speaker 3: that type of sh I said that, but they used

1319
01:05:46,680 --> 01:05:48,920
Speaker 3: to be in the club dancing down here, like they

1320
01:05:48,960 --> 01:05:50,959
Speaker 3: used to tell that died out of that died down

1321
01:05:51,000 --> 01:05:53,640
Speaker 3: and died out early. That died down like probably like

1322
01:05:53,680 --> 01:05:55,200
Speaker 3: twenty ten, twenty twelve.

1323
01:05:55,400 --> 01:05:56,120
Speaker 2: They stopped all.

1324
01:05:56,440 --> 01:05:59,640
Speaker 3: Yeah, they started that. Don't even start sneaking gun club.

1325
01:06:00,440 --> 01:06:02,439
Speaker 2: Get caught over and top it out.

1326
01:06:02,600 --> 01:06:09,120
Speaker 3: Yeah, it wasn't even by then. Yeah yeah, yeah you

1327
01:06:09,200 --> 01:06:11,800
Speaker 3: got any children? No, I don't got no children yet.

1328
01:06:11,960 --> 01:06:14,760
Speaker 2: Boy, that's boy. That's boy, didn't even got it.

1329
01:06:14,840 --> 01:06:16,680
Speaker 3: I don't no chidren yet because she I don't want

1330
01:06:16,720 --> 01:06:18,960
Speaker 3: my child Like boy, how I did? I want my

1331
01:06:19,040 --> 01:06:22,880
Speaker 3: child out of mama and dad intentional with that? Yeah,

1332
01:06:23,560 --> 01:06:25,240
Speaker 3: so don't want to baby mama.

1333
01:06:26,120 --> 01:06:28,280
Speaker 2: What about the relationship for the women watching?

1334
01:06:28,520 --> 01:06:34,439
Speaker 3: I'm single, single, Yeah, I'm already mingling, but I'm really

1335
01:06:34,480 --> 01:06:37,000
Speaker 3: ready to meet something talking about something.

1336
01:06:37,040 --> 01:06:38,840
Speaker 2: Yeah, it's really worth every weight.

1337
01:06:39,360 --> 01:06:42,959
Speaker 3: Lord what I'm saying? Yeah, ain't going along?

1338
01:06:43,440 --> 01:06:49,120
Speaker 2: Yeah, because it's about their time. Really, ain't really said the.

1339
01:06:52,720 --> 01:06:58,080
Speaker 3: Man. Yeah, let the young the platform man. Yeah, I'm

1340
01:06:58,120 --> 01:07:00,200
Speaker 3: still gonna be a young So.

1341
01:07:00,160 --> 01:07:05,280
Speaker 1: You're gonna be an old old waite for show all.

1342
01:07:05,400 --> 01:07:07,880
Speaker 3: My niece's nephew gonna know I ain't the one they're

1343
01:07:07,880 --> 01:07:13,520
Speaker 3: gonna tell you mama. Yeah, of course, man, they're gonna

1344
01:07:13,600 --> 01:07:20,760
Speaker 3: unclench they call financial shout my niece and nephew.

1345
01:07:20,960 --> 01:07:22,920
Speaker 2: What kind of what kind of women you you like

1346
01:07:22,960 --> 01:07:23,480
Speaker 2: to mess with?

1347
01:07:23,600 --> 01:07:23,760
Speaker 3: Though.

1348
01:07:23,800 --> 01:07:25,480
Speaker 2: Do you like a home body?

1349
01:07:25,640 --> 01:07:27,480
Speaker 3: Do you like a yea home boy for sure.

1350
01:07:27,360 --> 01:07:30,160
Speaker 2: Home body? Do you like thick? Skinny?

1351
01:07:30,600 --> 01:07:30,680
Speaker 4: Like?

1352
01:07:30,760 --> 01:07:31,560
Speaker 2: What's your type?

1353
01:07:32,000 --> 01:07:34,120
Speaker 3: I don't really got no type, but yeah I don't

1354
01:07:34,200 --> 01:07:39,640
Speaker 3: got no I prefer I prefer I prefer like nice ass,

1355
01:07:40,360 --> 01:07:43,120
Speaker 3: nice weight on you, not not I wanna say nice way.

1356
01:07:43,320 --> 01:07:47,320
Speaker 3: I'm just saying, like Dick, I like me too, you

1357
01:07:47,320 --> 01:07:51,800
Speaker 3: know what I'm saying. I like cute partit like skinny

1358
01:07:51,840 --> 01:07:56,200
Speaker 3: ship when they just looking they looking, but muscle. I

1359
01:07:57,080 --> 01:07:59,720
Speaker 3: like to like the big butts. I like big butts

1360
01:07:59,760 --> 01:08:05,240
Speaker 3: and I can't not lie, you know kind of now

1361
01:08:05,320 --> 01:08:12,640
Speaker 3: if you don't got line whatever, Yeah.

1362
01:08:10,880 --> 01:08:12,960
Speaker 2: Yeah, man, Like I'm like that too.

1363
01:08:13,000 --> 01:08:15,720
Speaker 1: But you know what I'm finding is the skinny ones

1364
01:08:16,080 --> 01:08:18,719
Speaker 1: with the with the ass though, skinny with the eggs

1365
01:08:19,560 --> 01:08:23,800
Speaker 1: they call. Yeah, yeah, yeah, that's the slim, thick junk.

1366
01:08:24,040 --> 01:08:26,160
Speaker 1: Yeah man, that junk that's starting.

1367
01:08:25,840 --> 01:08:29,920
Speaker 3: To kischen workout with the workout let because.

1368
01:08:29,680 --> 01:08:31,639
Speaker 2: Really, because really I ain't gonna lie.

1369
01:08:31,680 --> 01:08:37,439
Speaker 1: I'm the heavyweight champion. You have to be too something,

1370
01:08:37,479 --> 01:08:42,240
Speaker 1: ready to do something. She got the have as. There's

1371
01:08:42,280 --> 01:08:45,719
Speaker 1: no stomach fat, none of that, but just all woman

1372
01:08:46,600 --> 01:08:49,120
Speaker 1: and I like I done took several women over there

1373
01:08:49,160 --> 01:08:51,919
Speaker 1: that got yeah to get that yeah.

1374
01:08:51,280 --> 01:08:54,639
Speaker 2: Yeah, yeah, yeah tightened up. That's my playground. They need

1375
01:08:54,680 --> 01:08:56,880
Speaker 2: to get that together. You know what I'm saying.

1376
01:08:57,040 --> 01:08:59,519
Speaker 1: I don't literally done that because I'm the heavy I

1377
01:08:59,640 --> 01:09:01,400
Speaker 1: like the every weight jump, but.

1378
01:09:02,040 --> 01:09:05,680
Speaker 2: The petite jumps didn't giving me. Lately, I've been saying.

1379
01:09:05,479 --> 01:09:07,800
Speaker 3: Damn, you know, we we as man, we all go

1380
01:09:07,880 --> 01:09:10,559
Speaker 3: through all the fast of what we were fell and

1381
01:09:11,000 --> 01:09:15,960
Speaker 3: sometimes we might go, uh, one of these ye going,

1382
01:09:16,360 --> 01:09:19,160
Speaker 3: you know what I mean, sometimes the one and.

1383
01:09:19,960 --> 01:09:22,439
Speaker 1: I got see now, I used to have a team

1384
01:09:22,600 --> 01:09:26,280
Speaker 1: full little heavy weight champions.

1385
01:09:26,479 --> 01:09:27,280
Speaker 2: Now I'm heaving.

1386
01:09:28,000 --> 01:09:31,839
Speaker 1: You know, my main she's you know, perfect. I wouldn't

1387
01:09:31,840 --> 01:09:34,519
Speaker 1: have made sure that as far as the other jumps

1388
01:09:35,000 --> 01:09:38,559
Speaker 1: with I got a couple of little John skinny petite,

1389
01:09:39,080 --> 01:09:41,840
Speaker 1: you know what I mean, it's just like ooh, he'll

1390
01:09:41,920 --> 01:09:45,000
Speaker 1: own that. And it's it's easier to move around with

1391
01:09:45,120 --> 01:09:48,120
Speaker 1: that junk though. That's what made I didn't see that

1392
01:09:48,200 --> 01:09:51,640
Speaker 1: big thing. You just you ain't really just wrestling.

1393
01:09:51,240 --> 01:09:56,800
Speaker 3: That talking about trying to show I just somebody was

1394
01:09:56,800 --> 01:10:00,479
Speaker 3: speaking on that happened to me to her like I

1395
01:10:00,680 --> 01:10:02,040
Speaker 3: tried to sit on TP.

1396
01:10:03,000 --> 01:10:05,599
Speaker 2: Yeah, and you really can't get the big off if

1397
01:10:05,640 --> 01:10:06,800
Speaker 2: she think like that.

1398
01:10:06,960 --> 01:10:10,160
Speaker 3: Hey you say you can't when they find out you

1399
01:10:10,200 --> 01:10:16,880
Speaker 3: got school and they find out the incredible yeah, yeah,

1400
01:10:17,080 --> 01:10:21,120
Speaker 3: over the gut, through the way out crazy. Yeah, they

1401
01:10:21,240 --> 01:10:26,320
Speaker 3: playing a dangerous game. The only fans not really, I

1402
01:10:26,320 --> 01:10:29,320
Speaker 3: ain't really what about the broad what about wrong? The

1403
01:10:29,400 --> 01:10:32,719
Speaker 3: only fans I don't even like. I for out abroad,

1404
01:10:32,720 --> 01:10:34,600
Speaker 3: they got their own fans. But I don't even like

1405
01:10:35,280 --> 01:10:40,360
Speaker 3: hold semi like videos type doing that for me, especially

1406
01:10:40,360 --> 01:10:42,800
Speaker 3: if I'm way across, if I'm in l A and

1407
01:10:42,840 --> 01:10:47,800
Speaker 3: you and Atma, I don't really like the Oh you

1408
01:10:47,840 --> 01:10:51,800
Speaker 3: know they're doing eros and you know they have out

1409
01:10:52,040 --> 01:10:53,920
Speaker 3: naked for me.

1410
01:10:54,200 --> 01:10:56,519
Speaker 1: You know they're doing real live phone sex now especially

1411
01:10:56,560 --> 01:11:00,479
Speaker 1: with the FaceTime now Bro, they have couples calling rippers

1412
01:11:00,520 --> 01:11:01,840
Speaker 1: and I mean they haven't group.

1413
01:11:02,880 --> 01:11:03,400
Speaker 2: That's man.

1414
01:11:04,200 --> 01:11:09,799
Speaker 3: They got a dolls. They got their dolls. That that's

1415
01:11:09,840 --> 01:11:12,599
Speaker 3: a as a as a multi being in that world.

1416
01:11:12,840 --> 01:11:14,559
Speaker 3: And I'm telling what that's show up.

1417
01:11:14,800 --> 01:11:19,320
Speaker 1: Phil Victim chasing that Marke b d s him. He chasing,

1418
01:11:19,360 --> 01:11:21,920
Speaker 1: he wants he he like to choke the beat the

1419
01:11:22,400 --> 01:11:23,040
Speaker 1: and put it in.

1420
01:11:23,160 --> 01:11:23,920
Speaker 3: On the collar.

1421
01:11:24,600 --> 01:11:28,799
Speaker 1: You understand me, say he on that so that's the problem,

1422
01:11:28,880 --> 01:11:32,920
Speaker 1: right manunk on some other ship. Man unk in that

1423
01:11:33,080 --> 01:11:36,760
Speaker 1: choking that didn metter two weeks ago. Man, I'm throwed out.

1424
01:11:36,760 --> 01:11:39,960
Speaker 1: He burnt man, Man, he dumb? Man?

1425
01:11:40,280 --> 01:11:42,080
Speaker 3: Wrong with you? Man?

1426
01:11:42,120 --> 01:11:44,759
Speaker 1: You done just meant this and she thirty years younger

1427
01:11:44,760 --> 01:11:46,519
Speaker 1: than you and you choking in the room and you

1428
01:11:46,600 --> 01:11:47,960
Speaker 1: were fifty men, you dumb.

1429
01:11:48,680 --> 01:11:49,639
Speaker 2: You know what I'm saying.

1430
01:11:49,640 --> 01:11:52,040
Speaker 1: You can't play them kind of games. And then that's

1431
01:11:52,080 --> 01:11:55,320
Speaker 1: another thing, like even about status. We can't just really

1432
01:11:55,360 --> 01:12:00,360
Speaker 1: be moving around if then like that say anything.

1433
01:12:00,080 --> 01:12:04,160
Speaker 3: Yeah, you all do a stortion with with with a

1434
01:12:04,479 --> 01:12:07,519
Speaker 3: for abortion man, all type of the gap like they

1435
01:12:07,680 --> 01:12:10,200
Speaker 3: print and try to stort you for someone abortion money

1436
01:12:10,240 --> 01:12:12,840
Speaker 3: and it ain't even pregnant, but you know we're trying all.

1437
01:12:13,479 --> 01:12:16,640
Speaker 1: Yeah, man, And that that's another feel like that, you

1438
01:12:16,680 --> 01:12:18,040
Speaker 1: know when I was in the street.

1439
01:12:18,280 --> 01:12:19,120
Speaker 2: It's a difference.

1440
01:12:19,200 --> 01:12:22,519
Speaker 1: This is different than street balling because this comes with

1441
01:12:22,680 --> 01:12:26,160
Speaker 1: so many The visibility of it adds an element that like.

1442
01:12:26,479 --> 01:12:32,120
Speaker 3: Right, I wasn't prepared can be shown yeah coming yeah bro.

1443
01:12:32,320 --> 01:12:35,519
Speaker 2: So it's like now I'm just like damn man, but yeah,

1444
01:12:35,560 --> 01:12:37,320
Speaker 2: what you think about this? Do you know anything about

1445
01:12:38,120 --> 01:12:38,639
Speaker 2: you been keeping?

1446
01:12:39,040 --> 01:12:42,320
Speaker 3: I mean that's you know, you know it's gonna be

1447
01:12:42,360 --> 01:12:44,880
Speaker 3: in an algorithm. I mean I've seen a little bit,

1448
01:12:45,040 --> 01:12:48,639
Speaker 3: but you know they got the phone conversation. Yeah, it's

1449
01:12:48,680 --> 01:12:49,879
Speaker 3: just like aunt Trump.

1450
01:12:49,840 --> 01:12:51,920
Speaker 2: An hundred million dollar deal done.

1451
01:12:51,880 --> 01:12:55,719
Speaker 3: It just like he like what hever and he's still

1452
01:12:55,840 --> 01:12:56,360
Speaker 3: on the phone.

1453
01:12:56,439 --> 01:12:56,479
Speaker 4: What.

1454
01:12:57,720 --> 01:13:01,320
Speaker 3: Yeah, I don't know, man, No, you gotta think about it. Man,

1455
01:13:01,320 --> 01:13:03,280
Speaker 3: you got some where I ain't saying, but you got

1456
01:13:03,439 --> 01:13:13,479
Speaker 3: people will wear in the world. You know where fetishes.

1457
01:13:14,160 --> 01:13:17,479
Speaker 1: You know what though, it's like a heron addict when

1458
01:13:17,479 --> 01:13:21,519
Speaker 1: you when you deal with those kind of fetishes wherever

1459
01:13:21,640 --> 01:13:22,280
Speaker 1: you can get it.

1460
01:13:22,320 --> 01:13:24,240
Speaker 2: Bro See, if you come from the street and you

1461
01:13:24,360 --> 01:13:26,360
Speaker 2: really hustle. I hustled it all.

1462
01:13:26,880 --> 01:13:30,639
Speaker 1: So I know the difference between a coke customer, appeal customer,

1463
01:13:30,760 --> 01:13:36,960
Speaker 1: a heron customer, a smoke weed that Heron customer a

1464
01:13:37,040 --> 01:13:41,479
Speaker 1: different beasts. He's undertaking, he's you can't control him when

1465
01:13:41,479 --> 01:13:43,240
Speaker 1: he needed he coming because he's sick.

1466
01:13:44,400 --> 01:13:47,240
Speaker 3: It's different things exactly.

1467
01:13:47,320 --> 01:13:49,840
Speaker 1: So when you deal with these people with this kind

1468
01:13:49,840 --> 01:13:53,920
Speaker 1: of fetish level, it's a kin to being a Heron

1469
01:13:54,040 --> 01:13:57,680
Speaker 1: addict that wherever I find it, Thank you God, I

1470
01:13:57,760 --> 01:14:00,200
Speaker 1: just hit the jackpot. That's why he can end up

1471
01:14:00,240 --> 01:14:03,040
Speaker 1: with a girl thirty years younger than him, Shannon Seaw

1472
01:14:03,240 --> 01:14:04,120
Speaker 1: doing these kinds.

1473
01:14:03,920 --> 01:14:05,920
Speaker 3: Of things, what I maint no sense?

1474
01:14:06,000 --> 01:14:08,000
Speaker 1: Yeah, because for me, Bro, like even if I'm an

1475
01:14:08,080 --> 01:14:11,759
Speaker 1: choke my broad while we I gotta have some history

1476
01:14:11,800 --> 01:14:12,320
Speaker 1: with this.

1477
01:14:12,240 --> 01:14:15,880
Speaker 3: Girl, I ain't. I don't even chugg choking.

1478
01:14:16,000 --> 01:14:18,439
Speaker 2: He ain't with that they with that because I.

1479
01:14:18,560 --> 01:14:20,720
Speaker 3: Just you know, I just I'm in talk a lot

1480
01:14:21,240 --> 01:14:25,080
Speaker 3: about being on the road and came chugging him when

1481
01:14:25,080 --> 01:14:30,120
Speaker 3: they say choking if Broad, I ain't even into that

1482
01:14:30,160 --> 01:14:32,880
Speaker 3: for I ain't even I ain't no four place type

1483
01:14:32,880 --> 01:14:34,880
Speaker 3: of right right, you know what I'm saying. I make

1484
01:14:34,960 --> 01:14:38,760
Speaker 3: sure everything goes right to what she had, But I

1485
01:14:38,760 --> 01:14:39,840
Speaker 3: ain't even into that for.

1486
01:14:39,800 --> 01:14:42,439
Speaker 1: It seeing that's what I'm saying. That's how so this

1487
01:14:42,600 --> 01:14:45,000
Speaker 1: broad was getting him. He that's he would like hair

1488
01:14:45,040 --> 01:14:47,599
Speaker 1: around that. So she'll send him a picture. One time

1489
01:14:47,760 --> 01:14:50,559
Speaker 1: she was adding him for fifty thousand that he didn't

1490
01:14:50,600 --> 01:14:53,759
Speaker 1: have the fifty and he was taking too long to answer,

1491
01:14:53,840 --> 01:14:56,920
Speaker 1: so she sat on the couch, put the camera right

1492
01:14:56,960 --> 01:14:58,040
Speaker 1: there and.

1493
01:14:57,960 --> 01:15:00,679
Speaker 3: Spread wide eagles centim cock shot.

1494
01:15:01,800 --> 01:15:03,960
Speaker 1: Get what do you do then? What I'm telling he's

1495
01:15:04,000 --> 01:15:07,080
Speaker 1: a craving man. Bro, I ain't got fift, I got ten.

1496
01:15:07,880 --> 01:15:08,960
Speaker 3: What can you do for ten?

1497
01:15:09,200 --> 01:15:10,400
Speaker 2: Can you come down for ten?

1498
01:15:11,760 --> 01:15:11,880
Speaker 4: Bro?

1499
01:15:12,800 --> 01:15:12,920
Speaker 3: Uh?

1500
01:15:13,040 --> 01:15:14,120
Speaker 2: Bro, that's an addiction.

1501
01:15:14,360 --> 01:15:14,479
Speaker 3: Bro.

1502
01:15:15,280 --> 01:15:17,360
Speaker 1: You know what I'm saying. That's an addiction, bro, and

1503
01:15:17,479 --> 01:15:20,920
Speaker 1: it's it's rough. Also, speaking about addiction, you dropped someone.

1504
01:15:21,360 --> 01:15:21,960
Speaker 3: Sorry for the.

1505
01:15:23,600 --> 01:15:24,200
Speaker 2: Talk about that.

1506
01:15:24,760 --> 01:15:29,360
Speaker 3: I kicked it coup salute and kick the cup salute salute?

1507
01:15:29,760 --> 01:15:30,640
Speaker 2: How hard was that?

1508
01:15:31,080 --> 01:15:34,800
Speaker 3: One of that hard? What you wasn't six and want

1509
01:15:34,920 --> 01:15:37,280
Speaker 3: I ain't get a meal to what? Yeah?

1510
01:15:37,760 --> 01:15:41,160
Speaker 2: That's dope, thank god? Yeah, Bro, I have seen him

1511
01:15:41,200 --> 01:15:43,360
Speaker 2: go through hell, you know.

1512
01:15:43,360 --> 01:15:46,280
Speaker 3: What I'm saying. They go through. I just starts to sales.

1513
01:15:47,520 --> 01:15:50,200
Speaker 3: I've seen it go through. Yeah, I got a pup

1514
01:15:50,240 --> 01:15:54,840
Speaker 3: on him, putting issues on it. They can't get big.

1515
01:15:55,760 --> 01:15:57,600
Speaker 3: I've seen that. What made me like, I just be

1516
01:15:57,680 --> 01:16:00,400
Speaker 3: sitting heavy two those but I don't know how the meals.

1517
01:16:00,880 --> 01:16:04,160
Speaker 3: That's so dope because you're because usually the humans and

1518
01:16:04,360 --> 01:16:07,240
Speaker 3: I take care of I take care of my man

1519
01:16:07,640 --> 01:16:09,000
Speaker 3: to tea?

1520
01:16:10,960 --> 01:16:11,720
Speaker 2: How long it take?

1521
01:16:14,280 --> 01:16:17,040
Speaker 3: Like you just cold turkey? Yeah, ain't real taking that,

1522
01:16:17,240 --> 01:16:21,760
Speaker 3: ain't really taking that like I ain't really again in

1523
01:16:21,800 --> 01:16:25,840
Speaker 3: the West, That's that's a hell of a thing to

1524
01:16:25,920 --> 01:16:27,519
Speaker 3: be able to do that they're getting in the West,

1525
01:16:28,080 --> 01:16:31,360
Speaker 3: and it was like making me treat people bad. Treat them.

1526
01:16:31,439 --> 01:16:35,959
Speaker 2: Yeah you know that you have mood swim yeah, snapping

1527
01:16:36,160 --> 01:16:37,040
Speaker 2: and then be cool.

1528
01:16:37,200 --> 01:16:40,040
Speaker 3: Be knowing that I was wrong man, knowing that dead

1529
01:16:40,120 --> 01:16:42,880
Speaker 3: hair room man, feeling so through all this.

1530
01:16:43,120 --> 01:16:49,080
Speaker 2: Yeah, you like when I went off, didn't man, they

1531
01:16:49,240 --> 01:16:52,880
Speaker 2: just called me. They did not say stop. I said,

1532
01:16:53,120 --> 01:16:56,840
Speaker 2: like you'd be like, they'd be like, bro, what the No,

1533
01:16:57,240 --> 01:17:01,040
Speaker 2: I'm just going nigga, You be like, why are you mad?

1534
01:17:01,120 --> 01:17:01,599
Speaker 2: What's going?

1535
01:17:02,400 --> 01:17:06,160
Speaker 3: Haven't she having no man forever?

1536
01:17:06,360 --> 01:17:06,560
Speaker 2: You know what?

1537
01:17:06,640 --> 01:17:10,360
Speaker 3: I don't know ship? So they go to the kids. Man,

1538
01:17:10,400 --> 01:17:13,680
Speaker 3: don't pick that up. Man, if you already got it

1539
01:17:14,080 --> 01:17:20,600
Speaker 3: picked up, bounce some water than but don't pick it up.

1540
01:17:20,640 --> 01:17:23,519
Speaker 3: If if you if you got the trust, you ain't

1541
01:17:23,560 --> 01:17:27,240
Speaker 3: never had no no scarce with it like an old

1542
01:17:27,360 --> 01:17:31,120
Speaker 3: d or no no, not real like I don't have

1543
01:17:31,280 --> 01:17:33,280
Speaker 3: sit to what I think. I like, I was sleeping

1544
01:17:33,320 --> 01:17:37,559
Speaker 3: the airport right and there's one flight and they probably

1545
01:17:37,600 --> 01:17:41,639
Speaker 3: thought like I was super gone, But no, I ain't

1546
01:17:41,680 --> 01:17:44,639
Speaker 3: never had no o D. I wouldn't know how let feel.

1547
01:17:45,600 --> 01:17:49,479
Speaker 3: I ain't never even like went their hard like just

1548
01:17:49,560 --> 01:17:53,680
Speaker 3: to be having because I'm gonna keep part of it right,

1549
01:17:55,840 --> 01:17:58,040
Speaker 3: just because I got this this much or something. I

1550
01:17:58,120 --> 01:18:02,840
Speaker 3: mean I'm doing, you know, come over on this, Yes,

1551
01:18:03,439 --> 01:18:04,479
Speaker 3: might push off that on this.

1552
01:18:04,600 --> 01:18:04,800
Speaker 2: Yeah.

1553
01:18:06,240 --> 01:18:09,080
Speaker 3: It was like that. Yeah, and they had the people

1554
01:18:09,160 --> 01:18:11,760
Speaker 3: more so things. I was probably gone because of how

1555
01:18:13,479 --> 01:18:14,040
Speaker 3: buying it in.

1556
01:18:14,360 --> 01:18:18,120
Speaker 1: Yeah type, but we know that if you're from that,

1557
01:18:18,600 --> 01:18:20,320
Speaker 1: you know what I'm saying. You know, but these people

1558
01:18:20,400 --> 01:18:22,320
Speaker 1: on the internet probably don't know that. You know what

1559
01:18:22,320 --> 01:18:26,720
Speaker 1: I'm saying when you because I think also some of

1560
01:18:26,760 --> 01:18:29,200
Speaker 1: the interviews might have played into where they kind of

1561
01:18:29,880 --> 01:18:32,200
Speaker 1: seen you on the interview and like Bro kind of

1562
01:18:32,240 --> 01:18:34,240
Speaker 1: looked like he gone, you know.

1563
01:18:34,760 --> 01:18:39,200
Speaker 3: Going interview. I used to be gone, used to be going.

1564
01:18:42,160 --> 01:18:42,639
Speaker 2: You lucky.

1565
01:18:42,680 --> 01:18:46,080
Speaker 1: You ain't never had no scares, Bro. If you you

1566
01:18:46,120 --> 01:18:49,400
Speaker 1: know what I'm saying, you getting down with this? Yeah, man,

1567
01:18:49,720 --> 01:18:50,080
Speaker 1: because we.

1568
01:18:50,120 --> 01:18:53,160
Speaker 2: See Kwawn and it don't take a life one.

1569
01:18:54,160 --> 01:18:58,120
Speaker 3: Yeah, you know you gotta nigga gotta chill, like for real,

1570
01:18:58,240 --> 01:19:01,240
Speaker 3: for real. I ain't even just saying it. Just ain't

1571
01:19:01,280 --> 01:19:06,240
Speaker 3: got chill bro, for real, Right, I don't know what's

1572
01:19:06,280 --> 01:19:09,559
Speaker 3: going on. You can get so crazy. How they had

1573
01:19:09,600 --> 01:19:13,240
Speaker 3: the government and they get the one they put out

1574
01:19:13,720 --> 01:19:17,080
Speaker 3: to the folks that really supposed to begin them like person.

1575
01:19:17,360 --> 01:19:23,960
Speaker 1: Okay and white because there is a scenario what population control.

1576
01:19:23,720 --> 01:19:26,240
Speaker 3: Is a common control as always control.

1577
01:19:26,600 --> 01:19:27,040
Speaker 4: You know that?

1578
01:19:27,520 --> 01:19:30,080
Speaker 3: Yeah, they talk about that. You know that?

1579
01:19:30,479 --> 01:19:34,519
Speaker 2: Yeah? Yeah, yeah? Man, what you want to lead to

1580
01:19:34,560 --> 01:19:36,160
Speaker 2: people with anything? You want to tell the people?

1581
01:19:36,200 --> 01:19:38,160
Speaker 3: I want to tell people. I'm backing that action, man,

1582
01:19:38,240 --> 01:19:41,240
Speaker 3: I'm backing the action. I'm back outside. I'm saying, y'all

1583
01:19:41,240 --> 01:19:44,559
Speaker 3: gonna be y' don't be seeing me everywhere? Hop about

1584
01:19:45,080 --> 01:19:48,320
Speaker 3: what I'm saying. New music on the way, think about money.

1585
01:19:48,520 --> 01:19:51,400
Speaker 3: The single is out right now on our platform. My

1586
01:19:51,560 --> 01:19:55,519
Speaker 3: folks going crazy. Go share it, go stream it, put

1587
01:19:55,560 --> 01:19:59,519
Speaker 3: it on repeat. What I'm saying, I got artiststs got

1588
01:19:59,600 --> 01:20:02,320
Speaker 3: we got merch on the way, got straight on the way.

1589
01:20:04,479 --> 01:20:06,599
Speaker 3: I ain't gonna give them too much of yeah, cause

1590
01:20:06,640 --> 01:20:07,800
Speaker 3: you know these folks run off.

1591
01:20:09,479 --> 01:20:13,080
Speaker 2: Yes, Lord, is there a rich Kids reunion going on?

1592
01:20:15,720 --> 01:20:20,400
Speaker 3: I will man, I'm gonna leave it at this. I'm

1593
01:20:20,400 --> 01:20:29,040
Speaker 3: gonna say they want to beat enough. They don't get it, dope, dope.

1594
01:20:29,080 --> 01:20:31,759
Speaker 2: Have y'all thought about touring couple pop up shows?

1595
01:20:32,360 --> 01:20:36,479
Speaker 3: Even even that? Now?

1596
01:20:36,840 --> 01:20:37,439
Speaker 2: Do you think?

1597
01:20:37,479 --> 01:20:38,120
Speaker 3: Because see.

1598
01:20:39,439 --> 01:20:42,880
Speaker 2: What are the powerful artists? That is powerful? And then

1599
01:20:42,880 --> 01:20:45,599
Speaker 2: you know, Alex and them down here, they powerful and tour.

1600
01:20:46,560 --> 01:20:49,560
Speaker 1: Maybe they can put together some kind of alima you

1601
01:20:49,640 --> 01:20:54,040
Speaker 1: know what I'm saying, tour that can go actually on

1602
01:20:54,240 --> 01:20:56,960
Speaker 1: the road because you'll have enough artists here they can

1603
01:20:57,080 --> 01:20:59,880
Speaker 1: draw mainstream you know what I'm saying, ticket sales.

1604
01:21:00,439 --> 01:21:02,240
Speaker 3: But they have to be a big guy.

1605
01:21:02,400 --> 01:21:04,439
Speaker 1: Yeah, it had to be somebody that just trying to

1606
01:21:04,479 --> 01:21:07,639
Speaker 1: pipe out, trying to throw a bone to this from

1607
01:21:07,720 --> 01:21:08,120
Speaker 1: the town.

1608
01:21:08,320 --> 01:21:10,439
Speaker 3: You know what I'm saying. You know they don't you know,

1609
01:21:10,560 --> 01:21:13,560
Speaker 3: people having their own agendas and their own strategies on

1610
01:21:13,720 --> 01:21:16,160
Speaker 3: what they doing in their life, our career.

1611
01:21:16,880 --> 01:21:20,840
Speaker 2: You know, so you ain't looking forward to no nigga

1612
01:21:20,920 --> 01:21:24,000
Speaker 2: reaching out, reaching or helping or nothing. You just pushing your.

1613
01:21:24,080 --> 01:21:30,599
Speaker 3: Line pretty much. Hand out is Atlanta?

1614
01:21:30,880 --> 01:21:33,559
Speaker 2: Is that spirit dying in Atlanta?

1615
01:21:33,680 --> 01:21:37,120
Speaker 3: Where Yeah, a lot of realms again took a lot

1616
01:21:37,200 --> 01:21:41,840
Speaker 3: of realms again took But we're gonna keep this for sure.

1617
01:21:41,920 --> 01:21:45,000
Speaker 3: We're gonna make sure that is always that We're gonna

1618
01:21:45,040 --> 01:21:48,760
Speaker 3: keep their name. We ain't need to go out in vain. Yeah,

1619
01:21:49,200 --> 01:21:51,160
Speaker 3: but a lot of realms have that got took from

1620
01:21:51,600 --> 01:21:54,000
Speaker 3: whether in jail or dead. Yeah.

1621
01:21:55,640 --> 01:21:57,639
Speaker 2: Yeah, who your favorite artists right now?

1622
01:21:58,200 --> 01:22:01,519
Speaker 3: S TG is my guy. Him made a knife, that's

1623
01:22:01,600 --> 01:22:05,160
Speaker 3: my We was on tour with baby yeah tz. I

1624
01:22:05,200 --> 01:22:08,840
Speaker 3: don't t anybody that be around me that they know

1625
01:22:08,960 --> 01:22:11,640
Speaker 3: the song about how much I ride to it with that?

1626
01:22:12,240 --> 01:22:14,160
Speaker 3: You got one with him? No, I ain't got one

1627
01:22:14,240 --> 01:22:16,280
Speaker 3: with leta get that, don.

1628
01:22:16,240 --> 01:22:17,600
Speaker 2: Yeah that's got to get that.

1629
01:22:17,760 --> 01:22:21,280
Speaker 3: That's easy to It's easy. That's ain't got that connect?

1630
01:22:21,400 --> 01:22:23,560
Speaker 3: Yeah that should be, but it be too about like

1631
01:22:23,760 --> 01:22:25,720
Speaker 3: real when we get around each other, won't even be

1632
01:22:25,840 --> 01:22:28,599
Speaker 3: really likession to them.

1633
01:22:29,479 --> 01:22:30,360
Speaker 2: That's how I be too.

1634
01:22:30,960 --> 01:22:34,040
Speaker 3: They've been in the studios with all of them. You

1635
01:22:34,160 --> 01:22:36,800
Speaker 3: want a name like, but I just don't really like

1636
01:22:36,880 --> 01:22:40,040
Speaker 3: be on the We might be on some other some

1637
01:22:40,920 --> 01:22:46,120
Speaker 3: over hell, some other bus. There might be gambling might

1638
01:22:46,960 --> 01:22:50,280
Speaker 3: get them girls like you don't necessari just be the

1639
01:22:50,360 --> 01:22:57,679
Speaker 3: one like hey man, Thursday, all the ones that came

1640
01:22:57,800 --> 01:23:00,519
Speaker 3: out that the people don't like and everything from work,

1641
01:23:00,560 --> 01:23:04,080
Speaker 3: it just organic on that, like, oh you need to

1642
01:23:04,120 --> 01:23:06,360
Speaker 3: put a verse on this. I was like, Okay, this

1643
01:23:06,640 --> 01:23:08,280
Speaker 3: was the day that we work and this is what

1644
01:23:08,479 --> 01:23:08,920
Speaker 3: came out.

1645
01:23:09,200 --> 01:23:11,320
Speaker 2: Yeah, you know what I'm thinking. It's maybe that's what

1646
01:23:11,479 --> 01:23:12,599
Speaker 2: Atlanta is missing.

1647
01:23:13,120 --> 01:23:15,880
Speaker 1: It's just that organic feel now because it did turn

1648
01:23:15,960 --> 01:23:17,600
Speaker 1: into business and I'm trying to hold future now.

1649
01:23:17,680 --> 01:23:18,880
Speaker 2: Man, I need to get him on this song.

1650
01:23:19,160 --> 01:23:21,240
Speaker 3: You know I need I need to get you know, the.

1651
01:23:21,479 --> 01:23:22,960
Speaker 1: Baby that I need to make your baby get on

1652
01:23:23,040 --> 01:23:25,200
Speaker 1: these many copy You know, it kind of churked it

1653
01:23:25,280 --> 01:23:28,640
Speaker 1: in the business when y'all was really just players, just

1654
01:23:28,800 --> 01:23:31,479
Speaker 1: catching vibes in the yold and this ship turned into

1655
01:23:31,560 --> 01:23:32,240
Speaker 1: an industry.

1656
01:23:32,800 --> 01:23:36,080
Speaker 3: And it's not nobody fuck because it's like, once you

1657
01:23:36,280 --> 01:23:39,720
Speaker 3: sign a business move, it's a book. It's business like.

1658
01:23:39,800 --> 01:23:42,040
Speaker 3: You know what I'm saying, ain't nobody fuck. You know

1659
01:23:42,280 --> 01:23:44,000
Speaker 3: I'm I ain't walking around help.

1660
01:23:44,040 --> 01:23:47,000
Speaker 2: I ain't nobody nobody you can't.

1661
01:23:48,400 --> 01:23:50,960
Speaker 1: Yeah, That's what I was telling because you know, I

1662
01:23:51,080 --> 01:23:54,160
Speaker 1: did it yesterday and we got to talk about Ralo

1663
01:23:54,479 --> 01:23:57,040
Speaker 1: and I was like, the main thing you don't want,

1664
01:23:57,120 --> 01:23:59,439
Speaker 1: bro is to look wounded. You don't never want to

1665
01:23:59,479 --> 01:24:03,640
Speaker 1: look wombed it out here, you know what I'm saying, Yeah, man,

1666
01:24:03,680 --> 01:24:05,519
Speaker 1: because sometimes you can just key man.

1667
01:24:06,120 --> 01:24:07,479
Speaker 3: Women, they ain't any niggas.

1668
01:24:07,520 --> 01:24:11,320
Speaker 1: Ain't you start looking like you start looking wounded, you

1669
01:24:11,439 --> 01:24:15,000
Speaker 1: start looking like you need something. And one of the

1670
01:24:15,080 --> 01:24:18,639
Speaker 1: four day laws of powers appeal to never need nothing.

1671
01:24:18,720 --> 01:24:22,360
Speaker 3: That's how you get everything teut. You see what I'm saying.

1672
01:24:22,400 --> 01:24:24,720
Speaker 1: So when you come out with the you know, so

1673
01:24:25,080 --> 01:24:27,360
Speaker 1: that's what I'm saying, like, you know, the the law,

1674
01:24:27,800 --> 01:24:30,360
Speaker 1: the universal law is always in effect, you know what

1675
01:24:30,400 --> 01:24:33,639
Speaker 1: I mean. Can't nobody get around that. But yeah, man,

1676
01:24:33,680 --> 01:24:36,200
Speaker 1: I was talking to actually Mondo. I did Mondo.

1677
01:24:36,320 --> 01:24:38,920
Speaker 2: He wanted to get some off his chest for I've

1678
01:24:38,920 --> 01:24:41,920
Speaker 2: seen that that's gonna be stupid too when it come out.

1679
01:24:42,479 --> 01:24:43,360
Speaker 2: When it's come out.

1680
01:24:44,280 --> 01:24:47,760
Speaker 3: I don't know if y'all did an He just and

1681
01:24:47,880 --> 01:24:50,519
Speaker 3: he just went, he just went. He just he just went.

1682
01:24:51,080 --> 01:24:51,400
Speaker 3: He went.

1683
01:24:51,560 --> 01:24:55,679
Speaker 2: He went up, like he said, a bunch of hefferent space.

1684
01:24:56,040 --> 01:24:59,040
Speaker 1: Yeah, and he actually also addressed a bunch of that

1685
01:25:00,120 --> 01:25:02,639
Speaker 1: that has been dormant for a long time.

1686
01:25:03,040 --> 01:25:04,720
Speaker 2: You know what I'm saying. He kind of really set

1687
01:25:04,760 --> 01:25:05,720
Speaker 2: the record straate.

1688
01:25:05,600 --> 01:25:06,599
Speaker 3: Like that what I'm doing.

1689
01:25:07,920 --> 01:25:10,680
Speaker 1: Yeah, yeah, for sure, Yeah you got to you know

1690
01:25:10,680 --> 01:25:12,639
Speaker 1: what I'm saying, because me and his last one.

1691
01:25:12,680 --> 01:25:14,760
Speaker 2: But see, he know this is the thing, you know,

1692
01:25:14,840 --> 01:25:16,519
Speaker 2: when they come here, I really got an.

1693
01:25:16,520 --> 01:25:20,760
Speaker 1: Audience and it's really real nice and it's real talk audience. Right,

1694
01:25:20,920 --> 01:25:23,439
Speaker 1: So he come last time, he thought he was just

1695
01:25:23,520 --> 01:25:26,200
Speaker 1: sitting with me like it was gonna be some Sam

1696
01:25:26,360 --> 01:25:28,120
Speaker 1: Hundy k so.

1697
01:25:30,080 --> 01:25:32,559
Speaker 3: I gotta come back, you know what I mean.

1698
01:25:32,760 --> 01:25:35,200
Speaker 1: So now he that came man, he because you know

1699
01:25:35,280 --> 01:25:37,880
Speaker 1: he got the wooded certain he had the dress like

1700
01:25:38,000 --> 01:25:41,320
Speaker 1: and you know me, I'm gonna actually, you know, trust me.

1701
01:25:41,400 --> 01:25:43,519
Speaker 1: The only reason why we ain't had no backing forth

1702
01:25:43,640 --> 01:25:45,880
Speaker 1: is because you ain't said nothing that I really felt

1703
01:25:45,960 --> 01:25:47,960
Speaker 1: like was no nothing dislike.

1704
01:25:48,320 --> 01:25:50,280
Speaker 3: You know what I mean, pretty much disagree with it.

1705
01:25:50,280 --> 01:25:54,519
Speaker 2: I ain't disagreeing with nothing, but any event that I watch, yeah.

1706
01:25:56,200 --> 01:25:56,760
Speaker 3: Go for nothing.

1707
01:25:58,000 --> 01:26:03,040
Speaker 1: So so what you kicking is just some well I'm saying, bro, everything'

1708
01:26:03,120 --> 01:26:05,880
Speaker 1: bro saying to me is just in land with I agree.

1709
01:26:07,400 --> 01:26:09,720
Speaker 2: You know what I'm saying. But you will see me

1710
01:26:09,800 --> 01:26:12,559
Speaker 2: sit with anybody, and the minute I hear something.

1711
01:26:12,400 --> 01:26:15,120
Speaker 3: That ain't right, yeah you'll check it. It don't matter.

1712
01:26:15,320 --> 01:26:17,120
Speaker 3: You'll cut them off an airline, yeah, it no matter

1713
01:26:17,160 --> 01:26:18,160
Speaker 3: who it is. I watch.

1714
01:26:18,680 --> 01:26:22,240
Speaker 1: I think I think you know over here like us,

1715
01:26:22,720 --> 01:26:27,160
Speaker 1: this is really what we cattapult because what other you know,

1716
01:26:27,400 --> 01:26:30,599
Speaker 1: big facts, salute facts, big facts. Yeah they're my family.

1717
01:26:30,720 --> 01:26:33,240
Speaker 1: So but it's just me and them in the South.

1718
01:26:34,000 --> 01:26:36,519
Speaker 1: You know what I'm saying. Literally, the rest of these

1719
01:26:36,560 --> 01:26:39,520
Speaker 1: platforms don't got no deals, they don't got no infrastructure.

1720
01:26:39,600 --> 01:26:42,080
Speaker 1: They know they could be big on YouTube.

1721
01:26:42,439 --> 01:26:43,240
Speaker 3: But I'm with this.

1722
01:26:43,439 --> 01:26:44,120
Speaker 2: iHeart bro.

1723
01:26:44,760 --> 01:26:48,000
Speaker 3: This is radio type, you know what I'm saying.

1724
01:26:48,040 --> 01:26:51,120
Speaker 1: So this is what I'm saying about understanding how you

1725
01:26:51,240 --> 01:26:52,759
Speaker 1: can really service your audience.

1726
01:26:53,160 --> 01:26:53,320
Speaker 3: Right.

1727
01:26:53,479 --> 01:26:56,280
Speaker 1: Some I even get podcast mad at me, right, like

1728
01:26:56,840 --> 01:26:59,000
Speaker 1: not mad at me because the ain't no me, but

1729
01:26:59,280 --> 01:27:02,280
Speaker 1: just don't understand the bus this. For instance, I have

1730
01:27:02,439 --> 01:27:06,000
Speaker 1: an artist come holler at me. So let's just say

1731
01:27:06,080 --> 01:27:08,240
Speaker 1: that that that the artists go sit on the platform

1732
01:27:08,320 --> 01:27:10,519
Speaker 1: before he come holler in me. He might go sit

1733
01:27:10,560 --> 01:27:14,360
Speaker 1: on that platform and don't say nothing, and then come

1734
01:27:14,439 --> 01:27:17,720
Speaker 1: to me and then say all this, and then that

1735
01:27:17,920 --> 01:27:19,960
Speaker 1: the person who he just left from or feel a

1736
01:27:20,040 --> 01:27:23,080
Speaker 1: certain kind of way, like damn bro just left my platform.

1737
01:27:23,120 --> 01:27:25,799
Speaker 1: He ain't say none of that, like O n BPS

1738
01:27:25,840 --> 01:27:30,080
Speaker 1: had just done my shot and he waited until he

1739
01:27:30,200 --> 01:27:35,320
Speaker 1: got to me to say to talk about this where

1740
01:27:35,320 --> 01:27:37,560
Speaker 1: they took his song and the label tried to do this.

1741
01:27:39,920 --> 01:27:40,080
Speaker 3: Yeah.

1742
01:27:40,160 --> 01:27:42,680
Speaker 1: Yeah, So it's just you gotta know this what this

1743
01:27:42,880 --> 01:27:45,599
Speaker 1: is a real audience and it's purchasing power over here.

1744
01:27:45,680 --> 01:27:49,400
Speaker 1: These nigga banshed they subscribing to my Patren, which is

1745
01:27:49,520 --> 01:27:50,440
Speaker 1: like my Netflix.

1746
01:27:50,520 --> 01:27:52,840
Speaker 2: I got eight thousand people paying me over there.

1747
01:27:53,360 --> 01:27:56,960
Speaker 1: You know what I'm saying. So these people bash. So

1748
01:27:57,080 --> 01:27:59,200
Speaker 1: if you get over here in my world and turn

1749
01:27:59,280 --> 01:28:02,639
Speaker 1: these folks up, these folks are actually support and that's

1750
01:28:02,680 --> 01:28:04,120
Speaker 1: what you got to make sure you do. And I

1751
01:28:04,160 --> 01:28:10,720
Speaker 1: also been having a conversation about it's streaming really stream Yeah,

1752
01:28:10,920 --> 01:28:14,600
Speaker 1: like because I was out streaming, came out. I was

1753
01:28:14,680 --> 01:28:16,520
Speaker 1: out there.

1754
01:28:17,920 --> 01:28:22,320
Speaker 3: I ain't gonna like it. Ain't. Yeah, I'm just talking

1755
01:28:22,400 --> 01:28:24,840
Speaker 3: about the other day too, Like you know you're gonna

1756
01:28:24,840 --> 01:28:27,200
Speaker 3: Apple music and downold the song. You're not buying the song?

1757
01:28:27,479 --> 01:28:32,599
Speaker 2: Still you got on? Ain't they're crazy? Why would they separate?

1758
01:28:33,360 --> 01:28:35,360
Speaker 3: Like, I don't know I did that. I don't know

1759
01:28:35,400 --> 01:28:37,120
Speaker 3: why they changed the charge if you asked me.

1760
01:28:38,360 --> 01:28:41,840
Speaker 2: They were forced to do that. They were forced to

1761
01:28:41,920 --> 01:28:43,160
Speaker 2: do that by the government.

1762
01:28:44,240 --> 01:28:44,559
Speaker 3: Box.

1763
01:28:45,320 --> 01:28:46,960
Speaker 2: Yeah, that they charge you for that.

1764
01:28:47,160 --> 01:28:48,760
Speaker 3: Hell is going on? Apple man?

1765
01:28:49,120 --> 01:28:49,439
Speaker 2: Listen.

1766
01:28:49,840 --> 01:28:54,240
Speaker 1: The reason they did the change is Samsung actually took

1767
01:28:54,280 --> 01:28:56,960
Speaker 1: them to court. And so now you have to have

1768
01:28:57,040 --> 01:29:00,360
Speaker 1: a universal charging for everything. If you notice, everything ain't got.

1769
01:29:00,360 --> 01:29:00,880
Speaker 2: A C now.

1770
01:29:01,880 --> 01:29:04,479
Speaker 1: And so moving forward, if you push it out, damn

1771
01:29:04,520 --> 01:29:06,240
Speaker 1: near everything gonna have one charger.

1772
01:29:06,560 --> 01:29:09,400
Speaker 2: Like a C for everything you got, you know what

1773
01:29:09,439 --> 01:29:12,000
Speaker 2: I mean? They changing that, so they forced them to

1774
01:29:12,080 --> 01:29:13,160
Speaker 2: do that, you know what I mean.

1775
01:29:13,880 --> 01:29:17,160
Speaker 1: And so that's the kind of thing. I watched the business,

1776
01:29:17,240 --> 01:29:18,800
Speaker 1: the high level business, right, So I.

1777
01:29:18,880 --> 01:29:19,640
Speaker 2: Was watching.

1778
01:29:22,080 --> 01:29:27,480
Speaker 1: Apple and Samsung had a disagreement and Samsung sued Apple.

1779
01:29:27,400 --> 01:29:30,240
Speaker 2: For the for the the touch zoom you know how

1780
01:29:30,280 --> 01:29:31,000
Speaker 2: you can zoom in.

1781
01:29:31,960 --> 01:29:35,479
Speaker 1: That was that was like a Samsung product and Apple

1782
01:29:35,600 --> 01:29:36,960
Speaker 1: just kind of took it and put it on.

1783
01:29:37,040 --> 01:29:38,840
Speaker 2: Their ship and got famous for it.

1784
01:29:39,240 --> 01:29:42,240
Speaker 3: So now when they super to.

1785
01:29:44,800 --> 01:29:47,200
Speaker 2: But listen, let's not petty. They get though, this was

1786
01:29:47,280 --> 01:29:50,800
Speaker 2: gonna suck you up. So they sue Apple, homie. They

1787
01:29:50,960 --> 01:29:53,439
Speaker 2: win because it's clear they had it patting it. It

1788
01:29:53,560 --> 01:29:56,320
Speaker 2: was they it was the zoom in. They had to

1789
01:29:56,400 --> 01:29:57,800
Speaker 2: pay them, folks. I think it was like.

1790
01:29:59,560 --> 01:30:03,040
Speaker 1: Probably seventy million. Guess how they paid them for us

1791
01:30:04,520 --> 01:30:05,880
Speaker 1: all track the trailers for the.

1792
01:30:05,960 --> 01:30:11,439
Speaker 3: Pennies ultimately try ultimate dis but they pulled up. Listen,

1793
01:30:11,520 --> 01:30:13,400
Speaker 3: you know how many track the trailers is pulling up

1794
01:30:13,400 --> 01:30:14,640
Speaker 3: in front of the Apple.

1795
01:30:16,160 --> 01:30:17,400
Speaker 2: All pennies.

1796
01:30:18,720 --> 01:30:21,920
Speaker 1: Just since y'all want to sources because we gotta pay y'all,

1797
01:30:24,920 --> 01:30:28,000
Speaker 1: we're gonna make it inconvenience for you because you know

1798
01:30:28,040 --> 01:30:28,519
Speaker 1: what I'm saying.

1799
01:30:28,560 --> 01:30:29,280
Speaker 2: But we're gonna have the.

1800
01:30:29,280 --> 01:30:31,240
Speaker 3: Business because we can't get around handling the business.

1801
01:30:31,800 --> 01:30:33,840
Speaker 2: Yeah, So it's like that man,