WEBVTT - MY LADY'S SONG - Act 3

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<v Speaker 1>At three, Sal has broken the code of La Familia

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<v Speaker 1>and has killed family in order to save Hara. Vince

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<v Speaker 1>forces Sal to bring Hara back by putting Sal's family

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<v Speaker 1>in danger. Does Sal bring Hara back to meet her

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<v Speaker 1>fate with Vince? Or do Sal and Vince meet and

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<v Speaker 1>have the inevitable Vinyl showdown? Interior Sal's Hotel Room, Continuous,

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<v Speaker 1>Right way you belong? Interior Harrah's Hotel Room, Chicago night.

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<v Speaker 1>Harah has just come out of the shower. She's in

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<v Speaker 1>the hotel bathrobe, her hair done up in a towel.

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<v Speaker 1>There's a faint knock at the door. She cautiously goes

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<v Speaker 1>to the door.

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<v Speaker 2>Who is it, Sah?

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<v Speaker 1>Harah opens the door to see Sal, his face beaten

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<v Speaker 1>to a pulp. Sal is holding his jacket, an overnight bag,

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<v Speaker 1>Leo's pistol in his belt.

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<v Speaker 2>Oh my god, we gotta get out of here.

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<v Speaker 3>Can you give me a little more?

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<v Speaker 4>Exhausted?

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<v Speaker 5>We got and he's out of breath, straight off the fight.

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<v Speaker 2>I just had lasagnas.

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<v Speaker 3>All right?

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<v Speaker 2>Here we go? Who is it?

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<v Speaker 3>Sal?

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<v Speaker 1>Parah opens the door to see Sal, his face beaten

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<v Speaker 1>to a pulp. Sala is holding his jacket, an overnight bag,

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<v Speaker 1>Leo's pistol in his belt.

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<v Speaker 2>Oh my god, we gotta get at you.

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<v Speaker 1>Sal falls through the doorway and onto the floor. Interior

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<v Speaker 1>black Lincoln town car night Parah drives. Salah is in

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<v Speaker 1>the front seat, leaning against the passenger door, reeking of pain.

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<v Speaker 1>His left arm cradles his broken ribs, and his right

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<v Speaker 1>hand holds a zip lock baggy of ice to his face.

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<v Speaker 1>The Nancy Wilson song.

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<v Speaker 6>Ends, we gotta get you to a hospital.

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<v Speaker 1>He drops the ice bag.

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<v Speaker 2>Oh, no, hospital, I got a call fence. He just

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<v Speaker 2>tried to kill you. No, no, he would never do

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<v Speaker 2>that unless he had to.

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<v Speaker 1>Le sal Limo Service Office late night. Uncle Charlie and

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<v Speaker 1>Vince played gin waiting for Leo's call. The phone rings.

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<v Speaker 1>Vince puts the call on speaker. Intercut between front seat

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<v Speaker 1>of town car and office.

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<v Speaker 4>Yeah, Vince, sal my man, Leo get that.

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<v Speaker 2>Yeah, Yeah, Leo got here all right. Said you sent

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<v Speaker 2>them to the girl and me.

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<v Speaker 7>Oh you know that ain't true. I'll kill that rep

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<v Speaker 7>bested with my bare hands.

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<v Speaker 4>Sal Leo wanted a piece of your ass from day one.

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<v Speaker 4>You know that. I swear we didn't send them for you.

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<v Speaker 2>Charlie, relax, I know you never said a punk like

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<v Speaker 2>that for me.

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<v Speaker 4>Sal You didn't try to protect that girl, did you.

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<v Speaker 2>I didn't have time to do shit.

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<v Speaker 5>That stupid fuck came at me with those big hamhockses

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<v Speaker 5>no weapon.

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<v Speaker 4>Where is he now?

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<v Speaker 2>His body's laying on a garbage dumpster behind all hotel.

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<v Speaker 1>Vince and Uncle Charlie laughed.

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<v Speaker 7>Sala, Barbo, You're a rock, a fucking stone age rock,

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<v Speaker 7>a petrified rock that can't even be scratched.

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<v Speaker 2>What are you a full? He scratched me good. I'm

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<v Speaker 2>not gonna be able to head back for a few days.

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<v Speaker 4>They bust you up bed.

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<v Speaker 2>I think I got a couple of broken ribs.

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<v Speaker 4>Ah, you're getting old South, Yeah.

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<v Speaker 2>I no shit.

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<v Speaker 5>If he wasn't such an amateur, you'd be talking into

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<v Speaker 5>a dead phone.

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<v Speaker 2>He had to blood in the mouth, he talked when

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<v Speaker 2>he should have just took a shot.

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<v Speaker 4>What about the girl?

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<v Speaker 2>Are you kidding? Have to see my face in lee

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<v Speaker 2>in the alley with his brains pouring out of his ears.

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<v Speaker 2>She took off. I ain't any shape to go.

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<v Speaker 7>After I'll take care of her. You just get back

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<v Speaker 7>here as soon as you can.

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<v Speaker 2>I just need a day or two.

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<v Speaker 4>You need anything, You call Charlie.

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<v Speaker 2>Vince next time you try to kill me, don't it

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<v Speaker 2>sold me? Send the prop Sal hangs up.

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<v Speaker 4>His brain's pouring out.

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<v Speaker 2>Is he.

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<v Speaker 1>Interior? Black Lincoln Town car night traveling moving along I

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<v Speaker 1>fifty five from Chicago to Saint Louis.

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<v Speaker 2>He bought it for now.

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<v Speaker 6>I'll get off at a train station and you'll never

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<v Speaker 6>see me again, I promise.

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<v Speaker 2>How are you don't know these people?

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<v Speaker 5>You need a new identity passport and new Social Security number,

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<v Speaker 5>not to mention money. Even then, it's a fifty to

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<v Speaker 5>fifty chance Vince will find you.

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<v Speaker 2>Don't worry about me.

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<v Speaker 1>I'll get by.

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<v Speaker 2>How as long as I got what men want. If

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<v Speaker 2>I could raise my hand right now, I'd slap your face.

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<v Speaker 6>I'm trying to get you out of this.

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<v Speaker 5>If you care anything about yourself or me, you'll do

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<v Speaker 5>as I tell you.

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<v Speaker 6>So why why are you doing this for me?

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<v Speaker 2>I don't know.

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<v Speaker 5>Maybe because no one ever Just drive?

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<v Speaker 2>Where are we going Saint Louis?

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<v Speaker 5>This?

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<v Speaker 2>He said? That old junkie he works for Vince. We

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<v Speaker 2>did eight years together.

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<v Speaker 5>He owes me, and he's the only one I know

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<v Speaker 5>who can get you your papers fast.

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<v Speaker 2>He's gom a pervert. We gotta take a shot now,

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<v Speaker 2>just shut up and drive. Put on some music.

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<v Speaker 1>Harah Press's play. Eartha Kid sings Saint Louis Woman exterior,

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<v Speaker 1>black Lincoln Town Car early morning. We drive down I

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<v Speaker 1>fifty five to Saint Louis. As Eartha sings Night turns

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<v Speaker 1>to mourning.

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<v Speaker 2>We hear in voiceover one of those stupid questions, what

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<v Speaker 2>what's your real name?

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<v Speaker 6>Lily and Scott from Kansas.

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<v Speaker 2>Lily like the flower.

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<v Speaker 5>Lily's always reminded me of the old phonograph horn on

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<v Speaker 5>the RCADS.

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<v Speaker 2>You know what the dog now you're too young. Of

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<v Speaker 2>course the head horn wasn't white, but I used to

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<v Speaker 2>think that God spoke to the world through the Lily horn.

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<v Speaker 2>It was all just too damn busy to listen. You

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<v Speaker 2>look pretty with the song coming up behind you.

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<v Speaker 6>Lily, Leo must to hit you good.

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<v Speaker 2>Go back to sleep, brust.

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<v Speaker 1>Exterior, sid Sin City, early afternoons. Sid Sin City is

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<v Speaker 1>the largest perversion oasis in the Midwest. Not only is

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<v Speaker 1>it a club twice or three times the size of

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<v Speaker 1>the Private Eye Club, it's a triple X rated video center,

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<v Speaker 1>an exotic lingerie boutique, and a sex toy shop that's

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<v Speaker 1>second to none. There also happens to be a motel

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<v Speaker 1>right next door. The black Lincoln town car pulls in

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<v Speaker 1>interior sid Sin City Club continuous. The lunch crowd is

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<v Speaker 1>small but vocal as they cheer on a young girl

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<v Speaker 1>who's obviously new to the strip. Tease, hold on, et,

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<v Speaker 1>what was it like for you here in your day?

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<v Speaker 4>All right, page ninety, everybody.

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<v Speaker 2>Move it along.

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<v Speaker 1>Haarrah, still dressed in her navy blue conservative suit, and

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<v Speaker 1>Sal still hurting. Come up to the bar. Some mindless

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<v Speaker 1>disco shit is playing, as the bartender says, what.

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<v Speaker 5>Do you have about some real music? What tell Sid

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<v Speaker 5>that sal Ma Reno from New York is here to

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<v Speaker 5>see you.

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<v Speaker 4>He'll be out in the second. You can tell him yourself.

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<v Speaker 4>You want to drink or ross steak for that map yours?

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<v Speaker 2>I have very funny Dievebepsi for me?

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<v Speaker 4>How about you?

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<v Speaker 1>Kettle one and tonic Sal gives her a look.

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<v Speaker 6>On second thought, how about it ginger Ale?

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<v Speaker 4>Not too much ice? Huh, couple of high rollers.

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<v Speaker 2>This girl could use some pointers.

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<v Speaker 5>Don't get any ideas, miss Lily and Scott.

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<v Speaker 1>As the song ends, the young girl on stage finishes

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<v Speaker 1>her feeble attempt. Sid parts the curtains and walks onto

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<v Speaker 1>the stage. Sid is an old timer dressed in a

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<v Speaker 1>very stylish outfit Armani suit, Gucci shoes, and a black

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<v Speaker 1>T shirt.

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<v Speaker 3>Hey, how about a big hand for the young ladies.

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<v Speaker 2>First try?

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<v Speaker 3>You got the makings, darling. Believe me, Sid knows you.

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<v Speaker 8>Come to Sid's private office and Sid I'll give you

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<v Speaker 8>a few pointers.

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<v Speaker 2>Ah.

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<v Speaker 8>Hey, hey, Felis, You're not gonna believe this, But yesterday

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<v Speaker 8>a mushroom walks into Sid's barn.

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<v Speaker 3>Yeah no, no, no, no, no, no, I mean it,

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<v Speaker 3>And I said, I'm sorry, we do not served mushrooms here.

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<v Speaker 3>The mushroom says, why not. I'm a fun guy.

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<v Speaker 4>Fun guy.

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<v Speaker 1>Laughs and booze from the crowd. Sid is about to

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<v Speaker 1>tell another when he spots Sal at the bar.

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<v Speaker 8>Sal waves, Hey, all right, boys, Sid'll give you a break.

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<v Speaker 8>No more jokes for a while. Now, let's get on

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<v Speaker 8>with the amateurs show. Next, here is a young lady

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<v Speaker 8>to try her hand and all other parts at the

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<v Speaker 8>art of the strip death Jack.

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<v Speaker 1>Sid leaves the stage and goes right over to Sal.

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<v Speaker 1>As the next girl comes on stage, Sid looks in

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<v Speaker 1>Sal's eyes and then hugs him.

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<v Speaker 3>What the fuck happened to you?

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<v Speaker 2>I need your help.

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<v Speaker 1>Interior Sid Sin City Club office, late afternoon. Harris stands

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<v Speaker 1>against a light colored wall as a flashbulb goes off.

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<v Speaker 1>Sid has just taken her photo.

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<v Speaker 5>She's going to need everything passporard, social security, drive, his license,

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<v Speaker 5>the whole show.

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<v Speaker 3>Okay, where was her? Never mind? I don't want to

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<v Speaker 3>know her real name and where she comes from.

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<v Speaker 2>What do you want to know?

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<v Speaker 8>I only want to know what my friend needs. Okay,

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<v Speaker 8>here's a key to Cavin nine next door. It's the

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<v Speaker 8>last room on the bottom floor.

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<v Speaker 2>I'll wait for salth It's okay. I can make it

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<v Speaker 2>by myself. Just bring in the bags.

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<v Speaker 8>It's okay, I'll help show over. Don't you worry at all.

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<v Speaker 8>Sid has got it all under control here. You are

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<v Speaker 8>very lovely to look at my child.

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<v Speaker 2>Go ahead, I'll be right there.

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<v Speaker 1>Para exits, Sid removes his jacket and throws it across

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<v Speaker 1>his desk, then enters a back room. Interior Sid's Sin

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<v Speaker 1>City back Lounge, early evening. Sid's private lounge is like

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<v Speaker 1>a chik's sexual playroom. Dark red curtains hang from everywhere.

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<v Speaker 1>A large fluffy bed takes up most of the room.

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<v Speaker 1>A nude young girl is passed out on the bed.

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<v Speaker 1>Two young boys no more than fifteen years older there.

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<v Speaker 1>One of the boys is freebasing, the other draws on

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<v Speaker 1>a bong. The young girl, who was on the stage

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<v Speaker 1>is filling a needle with juice. Sid puts on a

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<v Speaker 1>smoking jacket.

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<v Speaker 8>I would offer you something, but present can this and

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<v Speaker 8>maybe next trip. You know, that's a nice piece of

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<v Speaker 8>ash you got there. That's your private stock.

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<v Speaker 2>It's now what you think.

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<v Speaker 8>Then when you're well, I'll get you a piece that'll

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<v Speaker 8>make that look like yesterday's lunch.

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<v Speaker 3>Sure, I said, but.

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<v Speaker 2>Right now I just want new papers for her?

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<v Speaker 3>How long tomorrow night? Maybe next morning?

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<v Speaker 2>Sid.

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<v Speaker 5>This is between you and me, no one else, not

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<v Speaker 5>even Vince. You can't do that. I'll be out of

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<v Speaker 5>here tonight.

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<v Speaker 3>So sah, how could you?

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<v Speaker 2>I figured you owe me one.

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<v Speaker 3>Sid. This isn't like you.

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<v Speaker 2>Fuck.

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<v Speaker 3>Let's Sid talk to Vince. See what I can.

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<v Speaker 2>Vince tried to have me killed.

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<v Speaker 3>That's not so you'd.

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<v Speaker 2>Be lying in a prison Morgan. If it wasn't for me, sure, Sally, yeah,

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<v Speaker 2>sure for you.

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<v Speaker 3>But then Sid has always had a soft heart.

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<v Speaker 1>Interior Sid's sin City motel room. Early morning. Ella Fitzgerald sings,

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<v Speaker 1>Come rain or Come shine. Salas sleeping on the bed.

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<v Speaker 1>Haah sits on the bed and applies a cold, wet

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<v Speaker 1>towel to his still swollen face. Sal barely moves. Harah

0:11:09.160 --> 0:11:11.480
<v Speaker 1>gets up, goes to the dresser and takes the car

0:11:11.559 --> 0:11:16.200
<v Speaker 1>keys and exits the room. Exterior black Lincoln town car

0:11:16.200 --> 0:11:20.320
<v Speaker 1>early morning. Hara drives west along I forty four. Ella

0:11:20.360 --> 0:11:24.840
<v Speaker 1>Fitzgerald continues singing, Come Rain or Come Shine. Signpost reads

0:11:25.040 --> 0:11:30.240
<v Speaker 1>Saint Cloud, Missouri, another sign reading State Psychiatric Hospital. The

0:11:30.280 --> 0:11:35.880
<v Speaker 1>town car turns in exterior Psychiatric Lawn, Saint Cloud, Missouri. Afternoon,

0:11:36.559 --> 0:11:39.240
<v Speaker 1>Harah pushes an old woman in a wheelchair towards a

0:11:39.240 --> 0:11:43.200
<v Speaker 1>gazebo next to a beautiful pond. At a closer glance,

0:11:43.280 --> 0:11:45.280
<v Speaker 1>we can see that the woman isn't as old as

0:11:45.280 --> 0:11:48.800
<v Speaker 1>she appears. However, the woman is obviously in a world

0:11:48.840 --> 0:11:51.280
<v Speaker 1>of her own. Ella stops singing.

0:11:52.320 --> 0:11:55.240
<v Speaker 6>The nurses say you like to come out here? I

0:11:55.240 --> 0:11:57.000
<v Speaker 6>can see why it's beautiful.

0:11:57.280 --> 0:12:02.200
<v Speaker 9>The nurses A nurses stee they do not they do?

0:12:02.720 --> 0:12:03.520
<v Speaker 2>Oh?

0:12:03.600 --> 0:12:07.920
<v Speaker 10>They do? The nurses steal my makeup when I'm sleeping.

0:12:07.920 --> 0:12:08.840
<v Speaker 2>Why would they do that?

0:12:09.720 --> 0:12:14.760
<v Speaker 10>Because when I look good, their boyfriends notice me. They

0:12:14.840 --> 0:12:16.320
<v Speaker 10>watch me and the.

0:12:16.400 --> 0:12:17.440
<v Speaker 9>Nurse's skitchell us.

0:12:18.480 --> 0:12:21.920
<v Speaker 6>I bet they do, Mama. I'll just bet they do that.

0:12:22.080 --> 0:12:25.400
<v Speaker 10>When I dress up, my hair is done just right

0:12:26.120 --> 0:12:31.240
<v Speaker 10>mm hmm, like Rita Hayworth. My Lord knows I'm the

0:12:31.320 --> 0:12:38.280
<v Speaker 10>definitive source of beauty and style. Oh yes, I am.

0:12:39.240 --> 0:12:41.720
<v Speaker 9>Do you have some makeup that I could use? I'll

0:12:41.760 --> 0:12:43.400
<v Speaker 9>be sparing of it.

0:12:43.559 --> 0:12:47.280
<v Speaker 1>Sure. Harah takes a small makeup kid with mirror and

0:12:47.320 --> 0:12:49.839
<v Speaker 1>lipstick out of her pocketbook and gives it to her mother.

0:12:50.400 --> 0:12:53.280
<v Speaker 1>Mama opens the kid as Hara turns and looks out

0:12:53.320 --> 0:12:54.080
<v Speaker 1>over the pond.

0:12:54.280 --> 0:12:58.680
<v Speaker 9>Oh mmm, my, this will do nice. Sleep.

0:13:01.120 --> 0:13:04.520
<v Speaker 6>I sent you a check to this hospital, almost all

0:13:04.559 --> 0:13:07.320
<v Speaker 6>the money I had. It shall last for a while year,

0:13:07.440 --> 0:13:09.960
<v Speaker 6>year and a half. But that's it, Mama.

0:13:10.559 --> 0:13:13.080
<v Speaker 2>No more. You can't count on me.

0:13:13.160 --> 0:13:14.480
<v Speaker 6>No more, you understand, Mama.

0:13:14.679 --> 0:13:18.800
<v Speaker 9>Oh why yes, don't you go worrying about me.

0:13:20.080 --> 0:13:22.320
<v Speaker 2>Roy will be here anytime now, Roy.

0:13:23.400 --> 0:13:26.480
<v Speaker 9>I want to look nice for when Roy comes.

0:13:26.200 --> 0:13:27.120
<v Speaker 2>Back from me. Mamma.

0:13:27.200 --> 0:13:28.080
<v Speaker 6>Roy ain't coming.

0:13:27.920 --> 0:13:32.280
<v Speaker 9>Back, Yes he will. You just see. He knows where

0:13:32.280 --> 0:13:33.360
<v Speaker 9>his bread is buttered.

0:13:33.480 --> 0:13:36.800
<v Speaker 6>Mamma, Roy was a drunken bum hush child.

0:13:37.520 --> 0:13:39.640
<v Speaker 9>That lady like of you to talk about your daddy

0:13:39.679 --> 0:13:40.080
<v Speaker 9>that way.

0:13:40.200 --> 0:13:42.000
<v Speaker 6>My stepdaddy was a pig.

0:13:43.600 --> 0:13:51.160
<v Speaker 9>He was my husband, my husband, he provided for.

0:13:51.200 --> 0:13:55.760
<v Speaker 6>Us, Mama, He had me every time you left me.

0:13:55.920 --> 0:13:56.800
<v Speaker 9>That is not true.

0:13:57.400 --> 0:14:01.120
<v Speaker 6>Every time you left the house. No, every time, and

0:14:01.200 --> 0:14:01.760
<v Speaker 6>you knew it.

0:14:02.000 --> 0:14:05.160
<v Speaker 10>That is not true. You are confusing me.

0:14:05.400 --> 0:14:07.959
<v Speaker 1>God, I wish it wasn't true.

0:14:08.200 --> 0:14:12.439
<v Speaker 10>Roy had problems with your sister. That's slut her lying

0:14:12.520 --> 0:14:16.160
<v Speaker 10>way my sister. That's slut Lily who took my Roy

0:14:16.240 --> 0:14:16.920
<v Speaker 10>away from me.

0:14:16.960 --> 0:14:17.760
<v Speaker 1>My own blood.

0:14:17.840 --> 0:14:18.120
<v Speaker 2>Mama.

0:14:18.160 --> 0:14:20.960
<v Speaker 9>I'm Lilian, I'm your only Yes, yes you are.

0:14:21.520 --> 0:14:25.120
<v Speaker 10>You are my Lilian who loves her Mama. And your

0:14:25.160 --> 0:14:27.880
<v Speaker 10>sister Lily is the one who stole my husband with

0:14:27.920 --> 0:14:31.120
<v Speaker 10>her cheap and sinful ways. But Roy is coming back

0:14:31.360 --> 0:14:34.000
<v Speaker 10>because he don't like that trumpet type.

0:14:34.680 --> 0:14:37.040
<v Speaker 2>How do I look? How do I look?

0:14:37.080 --> 0:14:37.280
<v Speaker 3>Now?

0:14:38.760 --> 0:14:40.160
<v Speaker 9>Ain't not just the prettiest thing?

0:14:41.440 --> 0:14:44.960
<v Speaker 1>Harah stares at Mama's face covered with makeup that looks

0:14:45.000 --> 0:14:47.600
<v Speaker 1>more suited to a circus clown than a Southern woman

0:14:47.640 --> 0:14:54.440
<v Speaker 1>of beauty and style. Judy Garland sings summertime exterior sid

0:14:54.600 --> 0:14:58.600
<v Speaker 1>Sin City, late afternoon, Judy sings as a light blue

0:14:58.640 --> 0:15:02.600
<v Speaker 1>Lincoln town car mobile pulls into the parking lot. A

0:15:02.640 --> 0:15:05.560
<v Speaker 1>bandaged Sal gets out of the passenger side front door

0:15:05.640 --> 0:15:08.560
<v Speaker 1>and goes into the club. The car pulls away and

0:15:08.680 --> 0:15:13.360
<v Speaker 1>parks by Room nine Interior Sid SID City Private Lounge,

0:15:13.480 --> 0:15:16.400
<v Speaker 1>late afternoon. The young girl who was shooting up after

0:15:16.440 --> 0:15:19.800
<v Speaker 1>her strip tease is now on Sid's bed, totally nude

0:15:19.840 --> 0:15:24.160
<v Speaker 1>and totally strung out. Throughout the following scene, Sid sits

0:15:24.240 --> 0:15:27.920
<v Speaker 1>up on the bed, back up against enormous pillows. Sid

0:15:28.000 --> 0:15:30.720
<v Speaker 1>rubs the young lady's body with his right hand, while

0:15:30.760 --> 0:15:33.360
<v Speaker 1>a nude young boy sits on the floor at Sid's

0:15:33.440 --> 0:15:37.200
<v Speaker 1>left hand. A second young girl, partially dressed, is at

0:15:37.240 --> 0:15:39.800
<v Speaker 1>Sid's dresser, working on the fixings for a needle.

0:15:40.400 --> 0:15:44.360
<v Speaker 3>Song ends, soal so, what did the good doctor say?

0:15:44.520 --> 0:15:46.920
<v Speaker 2>A couple of busted ribs, A butterfly from my eye.

0:15:47.040 --> 0:15:48.680
<v Speaker 2>I'll lift. Thanks for the car.

0:15:49.680 --> 0:15:50.600
<v Speaker 3>You're moving better.

0:15:51.440 --> 0:15:56.000
<v Speaker 11>Now, how about a little recreation now, my friend Joy,

0:15:56.080 --> 0:15:58.040
<v Speaker 11>there can be gentle when she wants.

0:15:58.320 --> 0:16:01.800
<v Speaker 1>Sid indicates the girl fixing the needle. She smiles at Sal.

0:16:02.240 --> 0:16:04.400
<v Speaker 1>She looks as gentle as a lioness.

0:16:05.040 --> 0:16:06.920
<v Speaker 5>The back brace helps, but I don't think I could

0:16:06.920 --> 0:16:10.960
<v Speaker 5>handle anything as lovely as young joy Lily come back?

0:16:12.720 --> 0:16:14.120
<v Speaker 3>Do you really expect her to?

0:16:15.480 --> 0:16:16.600
<v Speaker 2>She needs her papers?

0:16:17.000 --> 0:16:20.000
<v Speaker 3>They ready? Oh oh they were done in an hour.

0:16:20.240 --> 0:16:22.080
<v Speaker 3>All I needed was Lilian's photo.

0:16:22.560 --> 0:16:23.120
<v Speaker 2>Why didn't you?

0:16:23.560 --> 0:16:26.560
<v Speaker 1>During the following dialogue, the young girl takes the needle

0:16:26.600 --> 0:16:29.000
<v Speaker 1>to Sid, who opens a ring on his index finger.

0:16:29.480 --> 0:16:32.800
<v Speaker 1>The girl carefully fills the ring with the liquid. Sid

0:16:32.800 --> 0:16:36.520
<v Speaker 1>closes the ringtop and turns it palm down. He touches

0:16:36.560 --> 0:16:39.120
<v Speaker 1>the ring to his tongue and enjoys the jolt it

0:16:39.160 --> 0:16:45.640
<v Speaker 1>gives him.

0:16:45.760 --> 0:16:48.960
<v Speaker 11>You see you A lovely young girl by the name

0:16:49.000 --> 0:16:52.240
<v Speaker 11>of Betty and McCormick die suddenly in New York City.

0:16:52.880 --> 0:16:57.240
<v Speaker 11>Natural causes Day tells Sid Uncle Charlie sends Sid her papers.

0:16:57.880 --> 0:17:00.800
<v Speaker 11>Best to do these things right away. I believe you

0:17:01.040 --> 0:17:02.720
<v Speaker 11>knew missus Betty.

0:17:02.600 --> 0:17:04.119
<v Speaker 2>N No, I didn't know her.

0:17:04.359 --> 0:17:07.800
<v Speaker 8>Oh one of Sid's discoveries a lot of menace.

0:17:08.240 --> 0:17:09.280
<v Speaker 3>Her professional name.

0:17:09.240 --> 0:17:11.600
<v Speaker 5>Cut the crap, said, you know who Lily is? So

0:17:11.640 --> 0:17:12.840
<v Speaker 5>what's that to do with the odds?

0:17:13.680 --> 0:17:18.320
<v Speaker 8>Sid never forgets a nice piece of ass anyway. Vince

0:17:18.359 --> 0:17:21.280
<v Speaker 8>put out the word about Harra before you ever got here.

0:17:23.640 --> 0:17:27.400
<v Speaker 8>Soal Cid has lived too long for It's too late

0:17:27.400 --> 0:17:29.440
<v Speaker 8>in the game for me to start crossing a man

0:17:29.520 --> 0:17:32.800
<v Speaker 8>like Vince. Uncle Charlie's waiting in your room.

0:17:33.160 --> 0:17:34.359
<v Speaker 2>You're enjoying this, aren't you.

0:17:34.840 --> 0:17:37.240
<v Speaker 1>Sid smacks the nude girl's ass with the palm of

0:17:37.240 --> 0:17:39.159
<v Speaker 1>his hand, and she reacts with a smile.

0:17:41.000 --> 0:17:43.160
<v Speaker 3>Sid enjoys life and death.

0:17:43.880 --> 0:17:45.280
<v Speaker 2>I should kill you right now.

0:17:45.560 --> 0:17:48.960
<v Speaker 8>Why I told Uncle Charlie that you came here or

0:17:49.040 --> 0:17:49.919
<v Speaker 8>beat up with Lillian?

0:17:50.760 --> 0:17:51.560
<v Speaker 3>I mean, Sarah.

0:17:52.160 --> 0:17:55.879
<v Speaker 8>It's not Betty yan yet. Listen, you've got a way out.

0:17:56.480 --> 0:17:58.480
<v Speaker 8>I did that for my friend. All you have to

0:17:58.520 --> 0:18:00.600
<v Speaker 8>do is get in one of Sid's cars and go

0:18:00.680 --> 0:18:01.680
<v Speaker 8>back to New York City.

0:18:01.920 --> 0:18:03.280
<v Speaker 2>Uncle Charlie will never buy that.

0:18:04.200 --> 0:18:05.919
<v Speaker 3>He might when he sees your face.

0:18:06.280 --> 0:18:07.840
<v Speaker 2>He killed me when he sees my face.

0:18:07.920 --> 0:18:10.040
<v Speaker 3>But don't be a fool. You can't run.

0:18:11.040 --> 0:18:13.439
<v Speaker 8>Vince even knows about her mother at the nuthouse, the

0:18:13.480 --> 0:18:14.960
<v Speaker 8>stupid bitch center at check.

0:18:15.920 --> 0:18:18.600
<v Speaker 3>Long as Vince is alive, they'll find her. No matter

0:18:18.680 --> 0:18:20.920
<v Speaker 3>what you do. You can't cross her man like Vince.

0:18:21.000 --> 0:18:23.520
<v Speaker 2>Now tell me something I don't know interesting.

0:18:23.640 --> 0:18:26.200
<v Speaker 3>So how far does loyalty go with men like us?

0:18:27.119 --> 0:18:27.680
<v Speaker 3>It's your call.

0:18:27.800 --> 0:18:30.600
<v Speaker 2>Sal Thanks for nothing, he Sid.

0:18:30.480 --> 0:18:32.960
<v Speaker 8>Tries to please just let her go to your room,

0:18:32.960 --> 0:18:36.680
<v Speaker 8>and Uncle Charlie will live. I mean no, no, you'll

0:18:36.680 --> 0:18:37.399
<v Speaker 8>be off the hook.

0:18:38.080 --> 0:18:40.760
<v Speaker 5>Maybe I want Lilian's photo on those papers, and I

0:18:40.800 --> 0:18:42.639
<v Speaker 5>want a pink slip for one of your cars, and

0:18:42.680 --> 0:18:43.400
<v Speaker 5>I want it now.

0:18:44.119 --> 0:18:49.200
<v Speaker 8>They're on the table. So don't place, sir Lance a lot.

0:18:49.240 --> 0:18:52.280
<v Speaker 8>It doesn't fit in next con like you take it

0:18:52.320 --> 0:18:55.080
<v Speaker 8>from Sid. He's a wise old bestard.

0:18:55.600 --> 0:18:57.840
<v Speaker 1>Sal takes the papers Sid.

0:18:57.920 --> 0:19:03.560
<v Speaker 2>If you crossed me, Sid, never now run.

0:19:03.880 --> 0:19:09.480
<v Speaker 1>Billy Holiday sings stormy blues storm exterior Sid's sin City

0:19:09.560 --> 0:19:13.399
<v Speaker 1>Motel twilight. As Billy sings, we see Sal come up

0:19:13.440 --> 0:19:15.959
<v Speaker 1>to the light blue Lincoln town car. He looks at

0:19:15.960 --> 0:19:18.560
<v Speaker 1>his hotel room door. He gets into the light blue

0:19:18.560 --> 0:19:22.800
<v Speaker 1>limo and pulls away. Billy Holiday continues singing as twilight

0:19:22.880 --> 0:19:25.720
<v Speaker 1>turns to night and the black Lincoln town car pulls

0:19:25.760 --> 0:19:28.800
<v Speaker 1>into the motel parking lot. Harah gets out of the

0:19:28.800 --> 0:19:31.800
<v Speaker 1>car and walks toward her hotel room door, the last

0:19:31.880 --> 0:19:35.440
<v Speaker 1>room on the bottom floor. Harrah's about to insert card

0:19:35.520 --> 0:19:38.200
<v Speaker 1>key when a hand covers her mouth and pulls her away.

0:19:38.640 --> 0:19:41.360
<v Speaker 1>It's Sal. Billy stops singing.

0:19:41.280 --> 0:19:46.080
<v Speaker 5>Woo, don't scream, Uncle, Charlie's inside, give me a minute,

0:19:46.240 --> 0:19:48.200
<v Speaker 5>then put the card key in the lock and push

0:19:48.200 --> 0:19:49.600
<v Speaker 5>her open the door and then hit the deck.

0:19:50.320 --> 0:19:51.000
<v Speaker 2>One minute.

0:19:51.680 --> 0:19:53.960
<v Speaker 1>Sal goes to the back of the motel room. There's

0:19:54.000 --> 0:19:56.040
<v Speaker 1>a public garbage can just to the side of the

0:19:56.040 --> 0:19:59.240
<v Speaker 1>French doors. Sal takes the cover off the garbage can

0:19:59.280 --> 0:20:02.160
<v Speaker 1>and stands to the side of the French doors. Sal

0:20:02.240 --> 0:20:05.439
<v Speaker 1>peeks inside and sees a sleeping Uncle Charlie with his

0:20:05.560 --> 0:20:08.080
<v Speaker 1>arm resting on the arm of a large cushioned chair.

0:20:08.800 --> 0:20:11.320
<v Speaker 1>After a moment, Parah puts the card key in the

0:20:11.359 --> 0:20:14.680
<v Speaker 1>door and kicks the door and it flies open. Uncle

0:20:14.760 --> 0:20:17.080
<v Speaker 1>Charlie jumps to his feet and fires at the door.

0:20:17.520 --> 0:20:20.399
<v Speaker 1>Sal slams the garbage can cover onto the French windows,

0:20:20.520 --> 0:20:24.520
<v Speaker 1>breaking the glass. Charlie turns and fires toward the French doors.

0:20:25.000 --> 0:20:28.840
<v Speaker 1>Sal fire's back, putting three bounds into Charlie's chest, spinning

0:20:28.920 --> 0:20:32.760
<v Speaker 1>him around. Uncle Charlie sinks back into the cushioned chair.

0:20:33.200 --> 0:20:36.720
<v Speaker 1>The pistol falls from his hand. Parah stands in the

0:20:36.760 --> 0:20:39.960
<v Speaker 1>doorway as Sal comes face to face with the dying

0:20:40.119 --> 0:20:44.320
<v Speaker 1>Uncle Charlie.

0:20:43.840 --> 0:20:45.399
<v Speaker 2>Yeah, he.

0:20:47.400 --> 0:20:54.040
<v Speaker 9>Per see, hey, hey, hey he oh we.

0:20:54.119 --> 0:20:58.240
<v Speaker 2>Said he was the best I had a great teacher here.

0:21:00.160 --> 0:21:01.440
<v Speaker 4>But I taught Vince too.

0:21:02.040 --> 0:21:03.800
<v Speaker 2>Vince comes after me, or Harry's going to get the

0:21:03.800 --> 0:21:04.760
<v Speaker 2>same thing Vince.

0:21:05.520 --> 0:21:09.760
<v Speaker 4>Vince won't crumb after you. He'll make you come to him.

0:21:10.480 --> 0:21:11.440
<v Speaker 2>You're probably right.

0:21:11.600 --> 0:21:15.480
<v Speaker 4>Oh Jesus, this hurts.

0:21:15.119 --> 0:21:17.800
<v Speaker 2>Says that you're doing all of this for a piece

0:21:17.800 --> 0:21:22.359
<v Speaker 2>of assh I taught you better than that. It's not

0:21:22.440 --> 0:21:23.440
<v Speaker 2>about that, Charlie.

0:21:23.600 --> 0:21:25.560
<v Speaker 4>Ohy, you mean you ain't doing this?

0:21:25.600 --> 0:21:26.960
<v Speaker 2>Girl? No?

0:21:27.200 --> 0:21:34.480
<v Speaker 8>Oh oh well nah hem really fucking confuse.

0:21:35.359 --> 0:21:40.880
<v Speaker 1>Uncle Charlie slumps over dead. Judy Garland sings somewhere over

0:21:40.920 --> 0:21:41.960
<v Speaker 1>the rainbow.

0:21:42.400 --> 0:21:44.200
<v Speaker 2>Get our bags ready, put them in the light blue

0:21:44.240 --> 0:21:45.040
<v Speaker 2>Lincoln around back.

0:21:45.640 --> 0:21:49.320
<v Speaker 1>Sal tosses the keys and exits. We follow Sal across

0:21:49.359 --> 0:21:52.280
<v Speaker 1>the parking lot and through the strip club. Disco is playing,

0:21:52.280 --> 0:21:55.080
<v Speaker 1>but we only hear Judy singing somewhere over the rainbow.

0:21:56.240 --> 0:22:00.440
<v Speaker 1>Interior Sid sin City back Lounge, late evening. The song

0:22:00.520 --> 0:22:03.919
<v Speaker 1>continues as the young ladies from before are both nude

0:22:04.040 --> 0:22:06.719
<v Speaker 1>and rubbing up to Sid. The young boy is at

0:22:06.720 --> 0:22:11.040
<v Speaker 1>the dresser snorting cocaine. Sid is about to receive an

0:22:11.160 --> 0:22:13.680
<v Speaker 1>oral sexual favor from one of the young girls. When

0:22:13.720 --> 0:22:18.080
<v Speaker 1>the door flies open, Sal fires one shot into Sid's forehead.

0:22:18.480 --> 0:22:21.359
<v Speaker 1>The girls scream and look towards Saal in sheer fright.

0:22:21.880 --> 0:22:25.560
<v Speaker 1>Sal looks around, then walks out. The two girls and

0:22:25.600 --> 0:22:28.480
<v Speaker 1>the boy look at Sid and then run to the drugs,

0:22:28.520 --> 0:22:33.000
<v Speaker 1>which they try to carry off. Exterior Route seventy East,

0:22:33.119 --> 0:22:36.480
<v Speaker 1>night into day. Judy continues singing as we see the

0:22:36.480 --> 0:22:40.440
<v Speaker 1>blue Lincoln town Car traveling east towards Indianapolis. The song

0:22:40.640 --> 0:22:42.800
<v Speaker 1>ends as we hear in voiceover.

0:22:43.840 --> 0:22:45.280
<v Speaker 2>Say, why did they call him uncle?

0:22:45.960 --> 0:22:47.000
<v Speaker 6>He ain't nobody's uncle.

0:22:47.200 --> 0:22:48.040
<v Speaker 2>You're wrong there.

0:22:48.680 --> 0:22:51.000
<v Speaker 5>Vince's Anne on his mother's side, was married to Charlie

0:22:51.040 --> 0:22:54.399
<v Speaker 5>for over thirty years. Two amateurs tried to take Charlie

0:22:54.400 --> 0:22:58.240
<v Speaker 5>out and got her. Charlie got them no shit. Believe me,

0:22:58.320 --> 0:22:59.800
<v Speaker 5>you don't want to know what Uncle Charlie did to

0:22:59.840 --> 0:23:02.600
<v Speaker 5>the guy who ordered that hit. He had blood in

0:23:02.640 --> 0:23:02.960
<v Speaker 5>the mouth.

0:23:03.000 --> 0:23:06.040
<v Speaker 2>Ever since, blood in the mouth, it.

0:23:06.080 --> 0:23:09.760
<v Speaker 5>Was always business with Charlie. Now he enjoys it, did

0:23:09.840 --> 0:23:10.280
<v Speaker 5>enjoy it.

0:23:11.320 --> 0:23:14.760
<v Speaker 6>I bet Vince has a little blood in his mouth. Gallinsworth.

0:23:14.880 --> 0:23:17.480
<v Speaker 5>No, no, no, Vince don't care. He'll do whatever he has

0:23:17.520 --> 0:23:19.040
<v Speaker 5>to do, but he don't care.

0:23:19.960 --> 0:23:21.360
<v Speaker 2>That makes him even more dangerous.

0:23:21.760 --> 0:23:24.720
<v Speaker 1>Interior light blue town car night traveling.

0:23:26.000 --> 0:23:26.840
<v Speaker 6>Why are we heading.

0:23:26.680 --> 0:23:28.560
<v Speaker 2>Nie right now?

0:23:28.600 --> 0:23:31.000
<v Speaker 5>I'm not sure where you're heading, but I'll have to

0:23:31.040 --> 0:23:34.199
<v Speaker 5>head east sooner or later. Why we'll try to make

0:23:34.240 --> 0:23:36.600
<v Speaker 5>Columbus by tonight. They'll put you on a plane, in

0:23:36.600 --> 0:23:38.000
<v Speaker 5>our train or something in the morning.

0:23:38.400 --> 0:23:42.840
<v Speaker 1>Exterior light blue Lincoln town car twilight tonight. The day

0:23:42.920 --> 0:23:46.879
<v Speaker 1>now passes tonight. As we approach Columbus, Ohio, Keeley Smith

0:23:46.920 --> 0:23:52.760
<v Speaker 1>sings that old black magic Interior Hotel room in Columbus, Ohio.

0:23:52.800 --> 0:23:56.080
<v Speaker 1>Early evening, Sal sits at the desk looking at a

0:23:56.119 --> 0:24:00.320
<v Speaker 1>train schedule from Columbus to points anywhere. He then picks

0:24:00.359 --> 0:24:07.040
<v Speaker 1>up the hotel phone and dials Hello, Ma Interior. Sal's kitchen,

0:24:07.119 --> 0:24:13.920
<v Speaker 1>benson Hurst, Brooklyn. Evening intercut phone conversation between locations.

0:24:13.240 --> 0:24:14.679
<v Speaker 9>Sal, where are you?

0:24:15.119 --> 0:24:16.000
<v Speaker 2>I'm in a hotel?

0:24:17.119 --> 0:24:18.879
<v Speaker 9>Oh, you should be here tonight.

0:24:18.960 --> 0:24:20.280
<v Speaker 11>We got everything you like.

0:24:20.880 --> 0:24:22.080
<v Speaker 2>I wish I could be Mom.

0:24:22.600 --> 0:24:25.399
<v Speaker 1>Carmela is standing at the phone. She walks to the

0:24:25.440 --> 0:24:28.280
<v Speaker 1>stove with the cordless phone to stir her boiling sauce.

0:24:29.440 --> 0:24:30.880
<v Speaker 1>We say a prayer for you.

0:24:31.200 --> 0:24:33.080
<v Speaker 4>I could use it, we all could.

0:24:34.160 --> 0:24:37.120
<v Speaker 1>Who's that my boyfriend this year?

0:24:37.680 --> 0:24:38.320
<v Speaker 2>Vince is there?

0:24:38.760 --> 0:24:41.600
<v Speaker 1>Vince is sitting at the table, cutting vegetables for salad

0:24:41.640 --> 0:24:43.040
<v Speaker 1>with a large chopping knife.

0:24:43.400 --> 0:24:47.520
<v Speaker 4>Hello, my friend Ma, what's he doing? I'm making salad.

0:24:47.920 --> 0:24:51.080
<v Speaker 1>He took me for a ride in the big white bus,

0:24:51.560 --> 0:24:54.520
<v Speaker 1>you know the one you had here before you went.

0:24:54.359 --> 0:24:58.240
<v Speaker 4>Away, sALS. She loved the TVs.

0:24:58.800 --> 0:24:59.960
<v Speaker 2>Oh what a big call.

0:25:00.760 --> 0:25:03.280
<v Speaker 9>No wonder you had Anthony help you clean up.

0:25:03.920 --> 0:25:07.840
<v Speaker 2>It's bigger than a bedroom. Please, Vince, I'll do anything.

0:25:08.040 --> 0:25:11.639
<v Speaker 4>You left me no choice, Leo. We could have worked out.

0:25:11.920 --> 0:25:14.080
<v Speaker 1>But Charlie, what are you two talking about?

0:25:14.200 --> 0:25:15.639
<v Speaker 2>Vince, don't do this?

0:25:16.920 --> 0:25:19.840
<v Speaker 4>What I gotta do? You knew the rules?

0:25:20.720 --> 0:25:24.760
<v Speaker 2>What rules? What for you talk about rules?

0:25:24.960 --> 0:25:28.600
<v Speaker 4>You go against family? We kill you killed family? We

0:25:28.800 --> 0:25:31.160
<v Speaker 4>killed family, well killing.

0:25:31.720 --> 0:25:34.080
<v Speaker 9>I don't like this talk.

0:25:34.400 --> 0:25:36.720
<v Speaker 1>We don't see Vincent walk up to Carmela at the

0:25:36.760 --> 0:25:39.720
<v Speaker 1>stove and shove the large chopping knife into her chest.

0:25:39.880 --> 0:25:40.640
<v Speaker 2>Ah.

0:25:40.720 --> 0:25:45.120
<v Speaker 1>He does it again and again. We hear Carmela fall

0:25:45.160 --> 0:25:47.400
<v Speaker 1>to the floor and the plots from the stove fall

0:25:47.480 --> 0:25:50.320
<v Speaker 1>with her. No, no, kill.

0:25:50.160 --> 0:25:52.280
<v Speaker 2>You, I'll kill you.

0:25:51.960 --> 0:25:54.080
<v Speaker 4>You hear her die, I'm gonna kill you.

0:25:54.200 --> 0:25:58.000
<v Speaker 1>Vin Vincent sits at the table and speaks calmly, that's right.

0:25:58.680 --> 0:26:00.800
<v Speaker 7>You are going to come back and try to kill me.

0:26:01.359 --> 0:26:03.480
<v Speaker 7>Only you're going to bring that slut with you.

0:26:04.200 --> 0:26:06.680
<v Speaker 2>Forget the girl. This is between you and me.

0:26:06.880 --> 0:26:09.919
<v Speaker 4>No more lies, Sy, no more lies.

0:26:10.280 --> 0:26:12.720
<v Speaker 7>You bring her back, or I'm gonna play a little

0:26:12.720 --> 0:26:15.600
<v Speaker 7>game with your lying nephew in a welding torch.

0:26:15.960 --> 0:26:17.160
<v Speaker 4>Don't make me do that.

0:26:18.040 --> 0:26:22.520
<v Speaker 1>Vince slowly walks away. In the background, we see Carmela

0:26:22.600 --> 0:26:25.000
<v Speaker 1>on the floor, back up against the stove with the

0:26:25.080 --> 0:26:27.760
<v Speaker 1>knife in her heart and covered with the sauce from

0:26:27.800 --> 0:26:32.360
<v Speaker 1>the stove. Vince's feet crossed the camera as Eda James

0:26:32.400 --> 0:26:38.400
<v Speaker 1>sings someone to watch over me. Interior Sal's hotel room continuous.

0:26:39.119 --> 0:26:42.320
<v Speaker 1>Eda James continues singing as Sal bangs the phone down

0:26:42.440 --> 0:26:45.240
<v Speaker 1>over and over again, then throws it across the room.

0:26:45.680 --> 0:26:48.280
<v Speaker 1>He rips the hotel phone out of the wall. He

0:26:48.400 --> 0:26:53.600
<v Speaker 1>falls to his knees and cries. Exterior Root seventy east

0:26:53.600 --> 0:26:58.080
<v Speaker 1>to Wheeling, West Virginia, day to night. Traveling the light

0:26:58.160 --> 0:27:00.960
<v Speaker 1>blue Lincoln Town Car drives through Ohio to the West

0:27:01.040 --> 0:27:05.040
<v Speaker 1>Virginia border. Edna James finishes her song, then we hear

0:27:05.119 --> 0:27:06.399
<v Speaker 1>in voiceover.

0:27:06.640 --> 0:27:08.800
<v Speaker 6>Saal, when do I get off this merry go Round?

0:27:09.320 --> 0:27:10.080
<v Speaker 1>I got papers?

0:27:10.119 --> 0:27:11.480
<v Speaker 2>Now you get off one? I say.

0:27:12.359 --> 0:27:13.760
<v Speaker 6>I was just wondering, Well.

0:27:13.680 --> 0:27:17.200
<v Speaker 2>Don't, I'll make the moves. Why are you acting this way?

0:27:17.480 --> 0:27:21.560
<v Speaker 1>Interior light blue Lincoln town car afternoon. During the following

0:27:21.640 --> 0:27:24.920
<v Speaker 1>two scenes, images of Lada and Harra having sex in

0:27:24.960 --> 0:27:28.240
<v Speaker 1>the back of Sal's limo keep flashing through Sal's mind.

0:27:29.520 --> 0:27:32.040
<v Speaker 2>Why why? Because you don't listen.

0:27:32.400 --> 0:27:33.119
<v Speaker 6>That's not true.

0:27:33.160 --> 0:27:34.000
<v Speaker 2>I listened to everything.

0:27:34.040 --> 0:27:36.840
<v Speaker 6>Oh yeah, Flash, When did I not listen to you?

0:27:36.960 --> 0:27:40.320
<v Speaker 5>I told you no phone calls, no letters, no nothing

0:27:40.359 --> 0:27:42.399
<v Speaker 5>to the outside. I didn't you mailed a check to

0:27:42.400 --> 0:27:43.800
<v Speaker 5>your crazy mother in the nuthouse.

0:27:44.000 --> 0:27:45.560
<v Speaker 6>How did they find out about that?

0:27:45.640 --> 0:27:49.159
<v Speaker 2>I told you? They know everything everything.

0:27:48.840 --> 0:27:49.919
<v Speaker 1>Flash, sALS.

0:27:49.960 --> 0:27:52.199
<v Speaker 6>She's just a crazy old lady who doesn't even know me.

0:27:52.880 --> 0:27:55.000
<v Speaker 5>Well that's the last you see of her because they

0:27:55.040 --> 0:27:56.160
<v Speaker 5>already traced the check.

0:27:56.359 --> 0:27:58.639
<v Speaker 6>They wouldn't hurt her. She can't tell them anything about me.

0:27:58.920 --> 0:28:01.240
<v Speaker 2>They will use whatever can to get what they want.

0:28:01.600 --> 0:28:04.320
<v Speaker 2>That was a stupid thing to do. Stupid. Why are

0:28:04.359 --> 0:28:07.639
<v Speaker 2>you talking to me like this? Because I added knot Flash, I.

0:28:07.680 --> 0:28:08.800
<v Speaker 6>Want to go to the train station.

0:28:09.359 --> 0:28:12.640
<v Speaker 2>Why you don't trust me anymore? I I didn't say that.

0:28:12.760 --> 0:28:17.160
<v Speaker 2>I serve my purpose now? Fuck Sal? Right? Am I right?

0:28:17.880 --> 0:28:21.800
<v Speaker 2>Answer me? You don't trust me to get the fuck

0:28:21.880 --> 0:28:23.359
<v Speaker 2>out now.

0:28:23.920 --> 0:28:26.560
<v Speaker 1>The light blue Lincoln pulls over to the shoulder. Sal

0:28:26.640 --> 0:28:28.840
<v Speaker 1>gets out the behind the wheel, goes around to the

0:28:28.880 --> 0:28:30.480
<v Speaker 1>passenger side and opens the door.

0:28:30.680 --> 0:28:34.479
<v Speaker 2>Sal, Sal, what are you doing out? Get the fuck out, bitch.

0:28:34.840 --> 0:28:37.760
<v Speaker 1>Harah doesn't get out. Sal starts pulling her out of

0:28:37.800 --> 0:28:40.360
<v Speaker 1>the car. Harrah is scared out of her mind.

0:28:40.840 --> 0:28:43.360
<v Speaker 6>Stop this, Sal, Please, you're scaring me.

0:28:43.560 --> 0:28:44.680
<v Speaker 5>Why why are you doing this?

0:28:45.040 --> 0:28:45.520
<v Speaker 2>Question me?

0:28:45.840 --> 0:28:48.760
<v Speaker 5>You fucking question me after what I've done to save.

0:28:48.600 --> 0:28:52.280
<v Speaker 2>Your worthless life. I'm not worthless, worthless piece of shit.

0:28:52.520 --> 0:28:55.480
<v Speaker 6>Flash, I'm not worthless.

0:28:55.960 --> 0:28:58.920
<v Speaker 1>Sal reaches into the backseat and throws out two pieces

0:28:58.920 --> 0:28:59.960
<v Speaker 1>of Harah's luggage.

0:29:00.160 --> 0:29:03.000
<v Speaker 5>Save your own fucking ass. You would even last a

0:29:03.080 --> 0:29:06.760
<v Speaker 5>day without me. Now go fuck yourself a ride someplace, Sal.

0:29:07.320 --> 0:29:11.560
<v Speaker 2>I thank you, you're on your own. Please like me slash.

0:29:11.880 --> 0:29:15.000
<v Speaker 1>Sal pushes her away, gets in the car and takes off.

0:29:15.520 --> 0:29:19.720
<v Speaker 1>Harah looks at the passing cars. Julie London sings crime

0:29:19.760 --> 0:29:22.360
<v Speaker 1>your River. Haarah doesn't know where to go or what

0:29:22.560 --> 0:29:26.000
<v Speaker 1>to do. She picks up her suitcases and starts walking,

0:29:26.560 --> 0:29:30.360
<v Speaker 1>then drops the suitcases. She sits on one and cries

0:29:33.160 --> 0:29:36.840
<v Speaker 1>afternoon becomes twilight, and Harah is still sitting there when

0:29:36.840 --> 0:29:40.560
<v Speaker 1>the light blue Lincoln pulls into view. Sal gets out

0:29:40.600 --> 0:29:44.040
<v Speaker 1>and goes to her. Haarah throws her arms around Sal's

0:29:44.120 --> 0:29:50.280
<v Speaker 1>neck and hugs him for dear life. Interior Pioneer Diner Mcmetchen,

0:29:50.320 --> 0:29:53.880
<v Speaker 1>West Virginia, early evening. From the inside of the diner,

0:29:53.920 --> 0:29:56.400
<v Speaker 1>we see the light blue town car pull up. Sal

0:29:56.480 --> 0:29:58.600
<v Speaker 1>and Harrah get out and walk into the diner and

0:29:58.640 --> 0:30:01.320
<v Speaker 1>sit at a booth. Light blue town car is in

0:30:01.360 --> 0:30:03.800
<v Speaker 1>the background, and so is a help wanted sign in

0:30:03.800 --> 0:30:07.560
<v Speaker 1>the booth window right next to a jukebox. Haah sits

0:30:07.600 --> 0:30:11.640
<v Speaker 1>as Sal heads for a bathroom. The Julie London song ends.

0:30:12.720 --> 0:30:13.600
<v Speaker 2>I'll be right back.

0:30:14.600 --> 0:30:17.120
<v Speaker 1>Haraah looks at a menu when she notices a nice

0:30:17.160 --> 0:30:20.040
<v Speaker 1>looking young man at the counter looking at her. The

0:30:20.120 --> 0:30:23.920
<v Speaker 1>young man tips his baseball cap. Haarah just smiles and

0:30:23.960 --> 0:30:27.080
<v Speaker 1>looks away. The young man comes over to the booth.

0:30:27.920 --> 0:30:30.840
<v Speaker 2>Excuse me, my name is Jeff Tyler.

0:30:31.840 --> 0:30:35.720
<v Speaker 1>Good for you. You just come in from Missouri.

0:30:36.200 --> 0:30:37.040
<v Speaker 6>How did you know that?

0:30:37.560 --> 0:30:38.800
<v Speaker 2>I just saw your license plate?

0:30:39.160 --> 0:30:39.840
<v Speaker 3>I didn't mean to pray.

0:30:39.880 --> 0:30:42.320
<v Speaker 2>I went to school in Jefferson City.

0:30:43.120 --> 0:30:43.760
<v Speaker 6>Learn anything.

0:30:44.920 --> 0:30:45.480
<v Speaker 2>Excuse me?

0:30:46.200 --> 0:30:49.880
<v Speaker 1>Sal comes up behind Jeff. During the following conversation, Sal

0:30:50.080 --> 0:30:51.960
<v Speaker 1>just stares at Jeff up and down.

0:30:53.440 --> 0:30:57.320
<v Speaker 2>This is Jeff Tyler. Jeff Tyler.

0:30:57.920 --> 0:31:00.360
<v Speaker 3>I went to school in Jefferson City, Missouri, and I

0:31:00.400 --> 0:31:04.600
<v Speaker 3>was just well, I saw your plates, and I didn't

0:31:04.840 --> 0:31:05.560
<v Speaker 3>You didn't want.

0:31:07.200 --> 0:31:07.920
<v Speaker 4>Nothing, sir.

0:31:09.280 --> 0:31:11.200
<v Speaker 2>Didn'mian to interrupt your dinner with your daughter, if you

0:31:11.240 --> 0:31:11.760
<v Speaker 2>excuse me.

0:31:12.280 --> 0:31:14.400
<v Speaker 1>Jeff goes back to his dinner at the counter as

0:31:14.400 --> 0:31:18.520
<v Speaker 1>Sal gets into the booth. You thought I was your daughter.

0:31:19.760 --> 0:31:21.240
<v Speaker 2>I don't think that's so funny.

0:31:22.760 --> 0:31:23.680
<v Speaker 1>I thought it was nice.

0:31:24.640 --> 0:31:26.520
<v Speaker 6>I didn't think they made hecks like him anymore.

0:31:27.320 --> 0:31:30.600
<v Speaker 1>Scared the shit out of him. The waitress comes over, Hello,

0:31:30.760 --> 0:31:31.800
<v Speaker 1>welcome to the Pioneer.

0:31:31.840 --> 0:31:32.520
<v Speaker 9>What can I get you?

0:31:33.120 --> 0:31:34.280
<v Speaker 2>How's the stew here?

0:31:35.560 --> 0:31:37.840
<v Speaker 9>I wouldn't serve it to my cat in.

0:31:37.920 --> 0:31:41.680
<v Speaker 2>My kind of place. Tell me, sugar, what do you recommend?

0:31:43.040 --> 0:31:45.040
<v Speaker 10>Not a bad steak, and we have the best burger

0:31:45.080 --> 0:31:45.360
<v Speaker 10>you ever.

0:31:45.480 --> 0:31:47.720
<v Speaker 9>Ate comes with fries, burger.

0:31:47.400 --> 0:31:50.520
<v Speaker 2>And a beer for me, Betty Anne, I'll have a

0:31:50.560 --> 0:31:51.640
<v Speaker 2>turkey burger and water.

0:31:52.280 --> 0:31:54.480
<v Speaker 10>Right, I'll be right back with those drinks.

0:31:55.680 --> 0:31:56.960
<v Speaker 6>Probably hasn't got a dime.

0:31:57.440 --> 0:32:02.440
<v Speaker 5>Who Jeff Tyler, most likely the son and grandson, coal miners.

0:32:03.080 --> 0:32:04.760
<v Speaker 2>That's what this area used to be known for.

0:32:06.160 --> 0:32:07.360
<v Speaker 6>What do you think he does now?

0:32:08.080 --> 0:32:11.760
<v Speaker 2>I don't know. High school gym teacher, coaches baseball.

0:32:12.680 --> 0:32:16.840
<v Speaker 6>Yeah, he looks the type I thought he recognized me

0:32:16.880 --> 0:32:17.960
<v Speaker 6>from them.

0:32:18.160 --> 0:32:20.600
<v Speaker 5>Yeah, you know, keep yourself looking like you are now

0:32:20.640 --> 0:32:21.280
<v Speaker 5>a normal will.

0:32:21.120 --> 0:32:25.160
<v Speaker 2>Ever suspect you look fine? I'm proud to be seen

0:32:25.200 --> 0:32:25.400
<v Speaker 2>with you.

0:32:26.480 --> 0:32:29.640
<v Speaker 6>Think so that's how he looked at me, like he

0:32:30.440 --> 0:32:30.760
<v Speaker 6>like you.

0:32:30.800 --> 0:32:33.400
<v Speaker 5>Just thought you were a good looking girl. The kind

0:32:33.400 --> 0:32:35.080
<v Speaker 5>of girl he'd like to take to a nice dinner

0:32:35.080 --> 0:32:38.400
<v Speaker 5>and maybe a movie. The kind of girl that, after two,

0:32:38.520 --> 0:32:41.040
<v Speaker 5>three four dates, he'd like to make love to in

0:32:41.080 --> 0:32:42.800
<v Speaker 5>his own bed instead of a cheap sex in the

0:32:42.800 --> 0:32:45.680
<v Speaker 5>backseat of a car. The kind of girl he'd like

0:32:45.720 --> 0:32:48.480
<v Speaker 5>to take home to meet his family the coal miners.

0:32:49.080 --> 0:32:49.880
<v Speaker 2>The kind of girl that.

0:32:49.920 --> 0:32:52.360
<v Speaker 5>If things go well, he may want to marry and

0:32:52.400 --> 0:32:55.320
<v Speaker 5>raise a family with the kind of girl that he

0:32:55.320 --> 0:32:58.080
<v Speaker 5>wants to go through a dull, boring, more normal than

0:32:58.120 --> 0:33:00.520
<v Speaker 5>normal life with a girl.

0:33:01.000 --> 0:33:04.240
<v Speaker 6>M can you see me in a life like that?

0:33:05.080 --> 0:33:06.520
<v Speaker 1>Sal takes hold of her hand.

0:33:07.680 --> 0:33:09.240
<v Speaker 2>Yeah I can't.

0:33:10.160 --> 0:33:10.920
<v Speaker 6>It's too late.

0:33:11.400 --> 0:33:12.880
<v Speaker 2>You got a new life handed to you.

0:33:13.760 --> 0:33:14.880
<v Speaker 6>Could you live that life?

0:33:16.600 --> 0:33:18.520
<v Speaker 2>I'd give anything to have had a life like that.

0:33:19.840 --> 0:33:20.600
<v Speaker 6>Sal, what's wrong?

0:33:23.360 --> 0:33:25.720
<v Speaker 2>Look about what happened back there on the road. I

0:33:25.760 --> 0:33:30.080
<v Speaker 2>am I'm kind of in a Sal, I'm in for

0:33:30.120 --> 0:33:30.880
<v Speaker 2>the whole ride.

0:33:31.440 --> 0:33:33.160
<v Speaker 6>I'm with you, even if it means going back to

0:33:33.160 --> 0:33:35.760
<v Speaker 6>New York to face Vince. I know you love me,

0:33:35.840 --> 0:33:37.640
<v Speaker 6>and I I mean, I don't.

0:33:37.440 --> 0:33:39.280
<v Speaker 9>Mean like shit.

0:33:39.960 --> 0:33:41.680
<v Speaker 6>I have to go to the john. Just play some music,

0:33:41.680 --> 0:33:41.960
<v Speaker 6>will you.

0:33:42.760 --> 0:33:45.880
<v Speaker 1>Sal watches Harrah as she exits. He puts a coin

0:33:45.920 --> 0:33:48.920
<v Speaker 1>in the jukebox and presses a couple of buttons. He

0:33:49.000 --> 0:33:51.280
<v Speaker 1>takes the help wanted sign out of the window and

0:33:51.360 --> 0:33:54.840
<v Speaker 1>a pen out from his inside suit jacket pocket. Sarah

0:33:54.960 --> 0:33:59.120
<v Speaker 1>Vaughan sings, Motherless Child. Sl writes a note to Harah

0:33:59.160 --> 0:34:00.120
<v Speaker 1>that reads.

0:34:01.080 --> 0:34:04.320
<v Speaker 2>Take this job. If you don't hear from me or

0:34:04.360 --> 0:34:09.440
<v Speaker 2>my nephew Anthony in two days, run for it. Sah ps,

0:34:10.239 --> 0:34:11.160
<v Speaker 2>you love me too.

0:34:12.480 --> 0:34:15.080
<v Speaker 1>Sal folds the note and takes it with him. We

0:34:15.200 --> 0:34:18.560
<v Speaker 1>listened to Sarah sing. We see Sal and Jeff going

0:34:18.560 --> 0:34:21.640
<v Speaker 1>to the light blue Lincoln town car. Sal pulls Harrah's

0:34:21.680 --> 0:34:24.640
<v Speaker 1>luggage out of the back seat. He gives Jeff some money.

0:34:25.000 --> 0:34:28.640
<v Speaker 1>Jeff doesn't want it, but Sal insists, Sal gives him

0:34:28.680 --> 0:34:31.479
<v Speaker 1>the note. Sal gets into the car and we see

0:34:31.480 --> 0:34:34.680
<v Speaker 1>the back of Harah at the booth. Harah comes running

0:34:34.719 --> 0:34:38.760
<v Speaker 1>out after Sal, but the car has pulled away. Jeff

0:34:38.840 --> 0:34:41.760
<v Speaker 1>hands Sarah the note and carries her luggage to the diner.

0:34:42.480 --> 0:34:46.960
<v Speaker 1>Harrah stands there looking after the light blue Lincoln exterior

0:34:47.040 --> 0:34:51.160
<v Speaker 1>light blue Lincoln town car. Twilight to night traveling. Sal

0:34:51.280 --> 0:34:54.719
<v Speaker 1>drives east on Route seventy seventy six to Harrisburg, then

0:34:54.800 --> 0:34:58.880
<v Speaker 1>Route eighty one seventy eight north to Allentown twilight, and

0:34:58.920 --> 0:35:02.160
<v Speaker 1>we see the first sign for the Verrizanto Bridge to Brooklyn,

0:35:02.239 --> 0:35:05.280
<v Speaker 1>the fourth largest city in the US of A. Sarah

0:35:05.400 --> 0:35:11.160
<v Speaker 1>Vaughan finishes her song interior Sal's kitchen, Bensonhurst, Brooklyn, dusk.

0:35:11.920 --> 0:35:14.600
<v Speaker 1>Sal's sister, Donna sits at the kitchen table with a

0:35:14.600 --> 0:35:18.920
<v Speaker 1>coffee cup in her hand. Sal enters, Mama's dead.

0:35:19.680 --> 0:35:20.040
<v Speaker 2>I know.

0:35:21.560 --> 0:35:25.840
<v Speaker 12>That animal has my son. I know, hey, you know everything.

0:35:26.920 --> 0:35:29.120
<v Speaker 12>You know your best friend killed my mother. You know

0:35:29.200 --> 0:35:31.840
<v Speaker 12>he's gonna kill my son. You know that you and

0:35:31.880 --> 0:35:34.360
<v Speaker 12>your dirty, filthy world killed everything I loved.

0:35:35.239 --> 0:35:37.239
<v Speaker 2>I'll make them pay, Promise pay.

0:35:37.520 --> 0:35:40.040
<v Speaker 1>Donna gets up and starts smacking Sal's face.

0:35:40.120 --> 0:35:43.320
<v Speaker 2>Hey, is that all you can think of? Making someone pay.

0:35:43.239 --> 0:35:43.800
<v Speaker 4>For your sins?

0:35:44.920 --> 0:35:49.200
<v Speaker 2>You brought that world into this house. You no one

0:35:49.239 --> 0:35:49.800
<v Speaker 2>else you.

0:35:50.920 --> 0:35:53.680
<v Speaker 1>Sal grabs her arms and holds her close to his chest.

0:35:53.920 --> 0:36:02.960
<v Speaker 2>He's got my head, please said, I won't. Anthon will

0:36:03.000 --> 0:36:04.800
<v Speaker 2>be back in the morning. Promise.

0:36:06.120 --> 0:36:10.799
<v Speaker 1>We hear Billie Holiday singing, God Bless the child. Interior

0:36:10.920 --> 0:36:14.760
<v Speaker 1>Sal's bedroom in Brooklyn Night. Sal takes a new black

0:36:14.800 --> 0:36:17.320
<v Speaker 1>suit out of his closet. He lays it on his bed.

0:36:17.880 --> 0:36:21.800
<v Speaker 1>A montage of images a freshly starched, clean white shirt

0:36:21.800 --> 0:36:24.600
<v Speaker 1>being laid on the bed, Sal polishing a pair of

0:36:24.640 --> 0:36:29.120
<v Speaker 1>black shoes. Sal in the shower, Sal strapping a holster

0:36:29.200 --> 0:36:33.520
<v Speaker 1>to his ankle, Sal putting on pants, black socks and shoes.

0:36:34.400 --> 0:36:36.920
<v Speaker 1>Sal putting on the leather harness that holds his razor

0:36:36.960 --> 0:36:39.960
<v Speaker 1>in his sleeve. He tests it out. It works fine.

0:36:40.920 --> 0:36:43.480
<v Speaker 1>Sal taking a suitcase out from under his bed. He

0:36:43.560 --> 0:36:47.440
<v Speaker 1>removes a bullet proof vest. Sal buttons his shirt and

0:36:47.480 --> 0:36:49.880
<v Speaker 1>puts on the jacket. He sits at the desk and

0:36:49.960 --> 0:36:56.279
<v Speaker 1>writes a note. Sal exits as the doorbell rings. Interior

0:36:56.440 --> 0:37:01.600
<v Speaker 1>seven K Senator Baxter's suite. Knight opens the door as

0:37:01.640 --> 0:37:04.200
<v Speaker 1>the sounds of a large political party are heard. In

0:37:04.239 --> 0:37:07.920
<v Speaker 1>the background. The Billie Holiday song plays until it ends.

0:37:08.680 --> 0:37:10.960
<v Speaker 2>May I help you tell the Senator I want to

0:37:10.960 --> 0:37:12.759
<v Speaker 2>see him? As you can see, he's very busy.

0:37:12.880 --> 0:37:16.360
<v Speaker 5>Listen, Slick, you go tell the Senator that Sal, the

0:37:16.440 --> 0:37:19.360
<v Speaker 5>driver of the limo he fucked those pornos stars in

0:37:19.840 --> 0:37:20.239
<v Speaker 5>is here.

0:37:20.800 --> 0:37:23.520
<v Speaker 1>The aid is in shock. He tries to say something

0:37:23.560 --> 0:37:26.239
<v Speaker 1>to Sal, then turns and goes to the Senator, who's

0:37:26.280 --> 0:37:29.319
<v Speaker 1>in the middle of a conversation. The Aid whispers in

0:37:29.320 --> 0:37:33.839
<v Speaker 1>his ear. The Senator looks at Sal, excuses himself and walks.

0:37:33.520 --> 0:37:38.920
<v Speaker 2>Over what No pawnstars listen to me? No, you listen

0:37:38.960 --> 0:37:40.640
<v Speaker 2>to me because I'm going to do you a favor.

0:37:41.880 --> 0:37:42.840
<v Speaker 3>And what might that be?

0:37:43.800 --> 0:37:46.240
<v Speaker 2>After tonight you won't have to worry about Vince?

0:37:48.080 --> 0:37:51.440
<v Speaker 3>Did you hear me? I'm listening, but.

0:37:51.600 --> 0:37:53.759
<v Speaker 2>I still have a copy of you. Howrah? And the

0:37:53.800 --> 0:37:54.480
<v Speaker 2>missing Lada?

0:37:55.680 --> 0:37:57.000
<v Speaker 4>What would you want for that?

0:37:57.920 --> 0:37:58.799
<v Speaker 2>Not a fucking thing?

0:38:00.320 --> 0:38:01.480
<v Speaker 4>That's very generous of you.

0:38:02.760 --> 0:38:06.560
<v Speaker 2>Well that was easy, hey, asshole. Nothing's easy.

0:38:07.239 --> 0:38:09.919
<v Speaker 5>If a certain party like Hawer Reems even gets a cold,

0:38:09.920 --> 0:38:12.520
<v Speaker 5>whether I'm still around or not, your naked.

0:38:12.200 --> 0:38:15.160
<v Speaker 2>Ass will be all over the nightly news. You got

0:38:15.160 --> 0:38:20.680
<v Speaker 2>my word. Now I'm worried. Call Vance and tell him

0:38:20.680 --> 0:38:22.319
<v Speaker 2>I'm coming to the garage.

0:38:22.360 --> 0:38:26.560
<v Speaker 1>Sal exits and slams the door behind him. Exterior La

0:38:26.600 --> 0:38:30.600
<v Speaker 1>Sallemo Service Garage, late night. It starts to drizzle as

0:38:30.640 --> 0:38:32.920
<v Speaker 1>Sal drives up to the enormous garage door of the

0:38:33.040 --> 0:38:37.000
<v Speaker 1>lasal Limo Service. The ambient New York City night light

0:38:37.239 --> 0:38:39.319
<v Speaker 1>makes the outside of the garage look as much like

0:38:39.360 --> 0:38:43.120
<v Speaker 1>an old Gothic horror movie as the inside. Sal gets

0:38:43.120 --> 0:38:45.640
<v Speaker 1>out of the light blue Lincoln and the enormous steel

0:38:45.640 --> 0:38:49.799
<v Speaker 1>gray garage door opens as if welcoming Sal to the inevitable.

0:38:50.560 --> 0:38:53.680
<v Speaker 1>Sal walks into the garage and the huge door closes

0:38:53.719 --> 0:38:59.960
<v Speaker 1>as if locking him in hell. Interior La Sallemo Service Garage, continuous.

0:39:00.840 --> 0:39:03.000
<v Speaker 1>Sal walks over to the light switch next to the

0:39:03.040 --> 0:39:06.600
<v Speaker 1>office door. He flicks it on, but no good. He

0:39:06.640 --> 0:39:10.040
<v Speaker 1>looks toward the grease pit and sees Anthony hanging off

0:39:10.080 --> 0:39:13.359
<v Speaker 1>the car lift by his bound hands in the same

0:39:13.440 --> 0:39:16.279
<v Speaker 1>manner as Lada, only this time the dog is not

0:39:16.440 --> 0:39:19.560
<v Speaker 1>in the grease pit below. The dog is chained to

0:39:19.600 --> 0:39:22.960
<v Speaker 1>the same steel ring as before, but is on ground level.

0:39:23.200 --> 0:39:27.320
<v Speaker 1>The dog barks at Sal, Uncle, Sel, Uncle, Sal, Please

0:39:27.680 --> 0:39:32.120
<v Speaker 1>a few moments of excruciating silence before we hear Vince's

0:39:32.239 --> 0:39:33.920
<v Speaker 1>voice over the PA system.

0:39:34.080 --> 0:39:36.640
<v Speaker 4>Sally boy, my old friend.

0:39:36.760 --> 0:39:39.200
<v Speaker 1>Sal is trying to find out where Vince's voice is

0:39:39.239 --> 0:39:42.719
<v Speaker 1>coming from a series of shots, long row of Limos,

0:39:42.960 --> 0:39:47.640
<v Speaker 1>tool rack, the office window, Anthony hanging close up of Sal.

0:39:48.239 --> 0:39:50.560
<v Speaker 2>I could remember a time when you weren't afraid to

0:39:50.600 --> 0:39:52.000
<v Speaker 2>talk to me face to face.

0:39:52.080 --> 0:39:54.359
<v Speaker 7>And I can remember a time when you knew how

0:39:54.400 --> 0:39:56.600
<v Speaker 7>to do what you were told, when you knew what

0:39:56.760 --> 0:39:57.480
<v Speaker 7>family meant.

0:39:58.200 --> 0:39:59.879
<v Speaker 4>You disappointed me, Sally.

0:40:00.600 --> 0:40:03.440
<v Speaker 1>The girl, Sal pats his breast pocket.

0:40:03.680 --> 0:40:04.520
<v Speaker 2>She's right here.

0:40:05.360 --> 0:40:08.280
<v Speaker 4>You know, I'll kill the kid if I have to. Now,

0:40:08.400 --> 0:40:09.920
<v Speaker 4>No games, where's the girl?

0:40:10.160 --> 0:40:11.880
<v Speaker 1>Sal holds up a piece of paper.

0:40:12.280 --> 0:40:13.160
<v Speaker 2>No game, Vince.

0:40:13.960 --> 0:40:16.279
<v Speaker 5>Here's the address and phone number of the diners she's

0:40:16.320 --> 0:40:20.400
<v Speaker 5>working at, her new name, social security number, everything you need.

0:40:20.480 --> 0:40:23.359
<v Speaker 4>You were supposed to bring her this way.

0:40:23.400 --> 0:40:25.120
<v Speaker 2>You can pick her off anytime you want.

0:40:26.000 --> 0:40:30.000
<v Speaker 5>Charlie always said revenge is a dish best served, Cole.

0:40:31.800 --> 0:40:36.160
<v Speaker 4>That's very obliging of you. Uncle Charlie would be proud

0:40:36.200 --> 0:40:38.400
<v Speaker 4>of you if he was still alive.

0:40:38.719 --> 0:40:39.920
<v Speaker 2>Release the kid.

0:40:40.600 --> 0:40:42.240
<v Speaker 4>How do I know what's on that paper?

0:40:42.520 --> 0:40:43.840
<v Speaker 2>I give you my word.

0:40:43.960 --> 0:40:47.640
<v Speaker 7>Your word means nothing since you've been fucking that tu Tom.

0:40:47.840 --> 0:40:51.439
<v Speaker 2>Let the kid go, Vince. This is between you and me. Now.

0:40:52.239 --> 0:40:55.640
<v Speaker 1>There's a long pause, and finally the lift goes down

0:40:55.680 --> 0:40:58.120
<v Speaker 1>and Anthony's able to release his arms from the rung

0:40:58.200 --> 0:41:02.960
<v Speaker 1>of the lift. He runs to out who unties him.

0:41:03.080 --> 0:41:08.919
<v Speaker 2>Uncle Sale, he killed? I know, I know, I get

0:41:08.920 --> 0:41:12.080
<v Speaker 2>out here. It'll be easier with the two of us.

0:41:12.680 --> 0:41:15.319
<v Speaker 5>Nothing's easy, kid, Now get lost before you get us

0:41:15.320 --> 0:41:17.960
<v Speaker 5>both killed. There's a letter on Grandma's table telling you

0:41:18.000 --> 0:41:18.760
<v Speaker 5>what to do next.

0:41:19.440 --> 0:41:22.919
<v Speaker 1>Anthony slowly backs away and exits through the normal door

0:41:22.960 --> 0:41:26.719
<v Speaker 1>within the enormous steel gray garage door. However, we see

0:41:26.760 --> 0:41:29.040
<v Speaker 1>Anthony peeking in through the door's mail slot.

0:41:29.640 --> 0:41:32.000
<v Speaker 4>I'm glad I didn't have to kill him. He's a

0:41:32.000 --> 0:41:32.439
<v Speaker 4>good kid.

0:41:33.239 --> 0:41:36.080
<v Speaker 7>After I kill you, maybe I'll get him a job

0:41:36.200 --> 0:41:39.640
<v Speaker 7>of some kind. Now, you lay that piece of paper

0:41:39.680 --> 0:41:41.240
<v Speaker 7>down on the hood or the first limmo.

0:41:42.080 --> 0:41:44.520
<v Speaker 1>Sal puts the piece of paper back in his breast

0:41:44.520 --> 0:41:48.080
<v Speaker 1>pocket and starts walking around the garage looking for Vince.

0:41:48.640 --> 0:41:51.520
<v Speaker 2>Not Vince. I think I'll let you come and take

0:41:51.560 --> 0:41:52.000
<v Speaker 2>it from me.

0:41:54.840 --> 0:41:57.840
<v Speaker 4>You and me? Is that it salth you and me?

0:41:58.200 --> 0:41:58.719
<v Speaker 4>The too bad?

0:42:00.000 --> 0:42:01.560
<v Speaker 2>How could you do that to Carmela?

0:42:02.239 --> 0:42:05.440
<v Speaker 4>That was your fault, your prick. You killed Charlie.

0:42:05.440 --> 0:42:08.879
<v Speaker 2>That was different. Charlie would have killed me. My mother,

0:42:09.000 --> 0:42:10.200
<v Speaker 2>now killed family.

0:42:10.280 --> 0:42:11.240
<v Speaker 4>You know the rules?

0:42:11.280 --> 0:42:15.200
<v Speaker 2>Fuck your rules. You killed her, and I'm gonna kill you. Vince.

0:42:15.840 --> 0:42:18.600
<v Speaker 1>Sal notices a cable running under the office door, across

0:42:18.640 --> 0:42:21.799
<v Speaker 1>the workbench and into the third limo. Sal pulls out

0:42:21.840 --> 0:42:24.360
<v Speaker 1>his pistol with his right hand and grabs the cable

0:42:24.400 --> 0:42:27.920
<v Speaker 1>with his left. Sal yanks the cable and the microphone

0:42:28.000 --> 0:42:31.440
<v Speaker 1>is pulled out of Vince's hands. Sal fires two shots

0:42:31.480 --> 0:42:34.640
<v Speaker 1>into the tinted windshield of the third limo. Sal ducks

0:42:34.640 --> 0:42:38.000
<v Speaker 1>behind the first limo. Vince is now out of the limo,

0:42:38.080 --> 0:42:40.480
<v Speaker 1>in the open and no longer on the PA speaker.

0:42:41.280 --> 0:42:43.480
<v Speaker 7>You are becoming a very hard man to have a

0:42:43.600 --> 0:42:45.480
<v Speaker 7>nice conversation with zal.

0:42:46.400 --> 0:42:49.719
<v Speaker 2>Vince, your chief. Fuck. You should have invested in wireless.

0:42:50.000 --> 0:42:51.279
<v Speaker 2>You're behind the times.

0:42:52.040 --> 0:42:54.560
<v Speaker 7>After I kill you, I'll call up Anthony and hire

0:42:54.640 --> 0:42:57.080
<v Speaker 7>him to put in a new system I'm in since

0:42:57.120 --> 0:42:59.640
<v Speaker 7>he knows so much about all this new text.

0:43:00.239 --> 0:43:01.279
<v Speaker 2>Yeah, he's good at that.

0:43:02.239 --> 0:43:04.040
<v Speaker 5>Too bad you won't be around to see some of

0:43:04.080 --> 0:43:05.279
<v Speaker 5>the tapes he got.

0:43:05.520 --> 0:43:07.840
<v Speaker 1>Sal lies on the floor, looking under the limbos for

0:43:07.960 --> 0:43:11.920
<v Speaker 1>Vince's feet. The dog barks like crazy. Vince moves up

0:43:11.960 --> 0:43:15.480
<v Speaker 1>closer to Sal. Sall loises Vince's feet moving around a

0:43:15.520 --> 0:43:19.520
<v Speaker 1>limo and fires to shot, misses but causes Vince to run.

0:43:20.160 --> 0:43:22.680
<v Speaker 1>Sal jumps up and fires and hits Vince in his

0:43:22.760 --> 0:43:26.640
<v Speaker 1>back shoulder. Vince goes down, scrambling behind a tire.

0:43:26.680 --> 0:43:29.000
<v Speaker 2>You hit me, prick, You're gonna die.

0:43:29.680 --> 0:43:33.400
<v Speaker 4>No, no, I don't think so. You'll have to do

0:43:33.480 --> 0:43:34.480
<v Speaker 4>better than that, Sath.

0:43:35.040 --> 0:43:37.239
<v Speaker 1>Vince works his way to a chain that's locked in

0:43:37.320 --> 0:43:40.600
<v Speaker 1>a vice on the workbench. Sal starts working his way

0:43:40.640 --> 0:43:41.400
<v Speaker 1>towards Vince.

0:43:41.719 --> 0:43:43.640
<v Speaker 2>I figured you wouldn't be that easy to kill.

0:43:44.080 --> 0:43:47.240
<v Speaker 4>I'm glad you hit me, Saal. It's just what I needed.

0:43:47.880 --> 0:43:48.920
<v Speaker 4>I'm getting a real.

0:43:48.800 --> 0:43:50.600
<v Speaker 2>High from this.

0:43:50.600 --> 0:43:52.720
<v Speaker 7>This is how it should be for men like des

0:43:53.760 --> 0:43:56.040
<v Speaker 7>last two real warriors, left.

0:43:55.920 --> 0:43:59.000
<v Speaker 2>Warriors, what warriors? Too old?

0:43:59.000 --> 0:44:01.360
<v Speaker 5>Mean fox trying to each other because of a girl.

0:44:02.080 --> 0:44:04.080
<v Speaker 5>Just two dinosaurs with nothing left to do.

0:44:05.760 --> 0:44:09.920
<v Speaker 7>Maybe you have nothing. It's a little surprised for you, Sally.

0:44:10.719 --> 0:44:13.759
<v Speaker 1>Vince jumps up and fires in Sal's direction, causing him

0:44:13.760 --> 0:44:16.640
<v Speaker 1>to duck. Vince runs for the vice, on the workbench.

0:44:16.880 --> 0:44:20.360
<v Speaker 1>Sal fires and misses. Vince releases the vice grip with

0:44:20.400 --> 0:44:22.600
<v Speaker 1>the butt of his pistol, causing the chain to run

0:44:22.640 --> 0:44:26.400
<v Speaker 1>out and freeing the dog. The dog attacks Sal, causing

0:44:26.400 --> 0:44:29.160
<v Speaker 1>a pistol to fall from his hand. Sal tries to

0:44:29.200 --> 0:44:31.520
<v Speaker 1>fight off the dog and reach for his second pistol

0:44:31.560 --> 0:44:35.080
<v Speaker 1>on his leg. Sal is being torn alive by the dog,

0:44:35.200 --> 0:44:38.520
<v Speaker 1>but manages to get the pistol and fires two quick shots.

0:44:39.480 --> 0:44:42.080
<v Speaker 2>You're torn alive, it says, torn alive.

0:44:47.760 --> 0:44:53.320
<v Speaker 1>The dog screams, flies, moans, then staggers away. Falling dead,

0:44:54.320 --> 0:44:56.439
<v Speaker 1>Sal tries to get to his feet only to see

0:44:56.520 --> 0:45:00.480
<v Speaker 1>Vince walking at him. Vince smiles and fire. He's getting

0:45:00.520 --> 0:45:03.640
<v Speaker 1>Sal in the belly below the vest. Sal fires and

0:45:03.760 --> 0:45:06.399
<v Speaker 1>hits Vince in the side, but Vince puts three more

0:45:06.480 --> 0:45:09.839
<v Speaker 1>rounds into Sal's chest, pinning him to the floor. One

0:45:09.840 --> 0:45:12.960
<v Speaker 1>of the rounds catches Sal in the next the pistol

0:45:13.040 --> 0:45:18.360
<v Speaker 1>drops from Sal's hand. Sal lies there dying. Vince stands

0:45:18.400 --> 0:45:21.360
<v Speaker 1>over him. Blood is pouring out of his shoulder.

0:45:21.520 --> 0:45:25.720
<v Speaker 7>You stupid fuck, You could have had anything you wanted.

0:45:26.560 --> 0:45:28.680
<v Speaker 7>You had to go play Knight in shining armor for

0:45:28.760 --> 0:45:29.960
<v Speaker 7>a piece of ass.

0:45:30.840 --> 0:45:31.799
<v Speaker 2>It wasn't about that.

0:45:32.000 --> 0:45:35.680
<v Speaker 7>Then you're a bigger asshole than I thought. I'll take

0:45:35.719 --> 0:45:36.560
<v Speaker 7>that note now.

0:45:37.400 --> 0:45:40.040
<v Speaker 1>Sal tries to pull the note out of his breast pocket,

0:45:40.040 --> 0:45:41.239
<v Speaker 1>but falls back.

0:45:41.200 --> 0:45:43.440
<v Speaker 4>Face down, stupid basted.

0:45:44.400 --> 0:45:48.600
<v Speaker 1>Peggy Lee sings, is that all there is? Vince reaches

0:45:48.680 --> 0:45:52.759
<v Speaker 1>down and turns Sal's face up. Sal whips his right

0:45:52.880 --> 0:45:56.239
<v Speaker 1>arm and the razor comes from nowhere and slices Vince's neck.

0:45:56.800 --> 0:46:00.000
<v Speaker 1>Vince staggers back, clutching his throat and gasping for air.

0:46:00.640 --> 0:46:03.840
<v Speaker 1>He looks towards sallin his last seconds of life and

0:46:03.960 --> 0:46:16.560
<v Speaker 1>almost seems to smile, then falls to the ground, dead ghost.

0:46:14.560 --> 0:46:19.520
<v Speaker 2>And ss his pants at the pants.

0:46:19.840 --> 0:46:24.440
<v Speaker 4>We took that line, Joe's age, that's what it sounds.

0:46:24.760 --> 0:46:27.680
<v Speaker 1>Anthony comes running up to his uncle and opens his shirt,

0:46:27.840 --> 0:46:30.440
<v Speaker 1>trying to remove the bulletproof vest that has at least

0:46:30.480 --> 0:46:34.240
<v Speaker 1>four shots in it. However, when Anthony spots the neck wound,

0:46:34.400 --> 0:46:38.160
<v Speaker 1>he stops. Sal motions for Anthony to come closer as

0:46:38.200 --> 0:46:42.319
<v Speaker 1>he whispers into his ear. Peggy Lee continues singing as

0:46:42.719 --> 0:46:47.080
<v Speaker 1>we hear the sound of a phone ringing Interior Pioneer

0:46:47.200 --> 0:46:51.040
<v Speaker 1>diner mcmetch in West Virginia early morning. Peggy Lee is

0:46:51.080 --> 0:46:54.800
<v Speaker 1>still singing Parrah, now wearing a name tag that says

0:46:54.840 --> 0:46:58.160
<v Speaker 1>Betty Ann is working as a waitress. She's running her

0:46:58.160 --> 0:47:01.200
<v Speaker 1>buns off, trying to work the breakfast crowd. The waitress

0:47:01.200 --> 0:47:02.520
<v Speaker 1>from before calls out to.

0:47:02.480 --> 0:47:05.680
<v Speaker 10>Her, Betty Anne, phone, make it fast time.

0:47:06.360 --> 0:47:09.480
<v Speaker 1>Betty and McCormick picks up the phone by the cash register.

0:47:10.000 --> 0:47:12.399
<v Speaker 1>She can't hear who's at the other end he called it.

0:47:13.000 --> 0:47:16.480
<v Speaker 1>She reaches behind the register, turns a dial, and the

0:47:16.520 --> 0:47:18.239
<v Speaker 1>Peggy Lee song fades out.

0:47:19.360 --> 0:47:26.000
<v Speaker 6>Yes, this is Betty Anne. Who Yes, Yes, I understand.

0:47:27.200 --> 0:47:31.279
<v Speaker 1>Betty and McCormick hangs up the phone and stands there motionless.

0:47:32.120 --> 0:47:35.160
<v Speaker 1>The salty waitress carrying four plates of ham and eggs

0:47:35.200 --> 0:47:35.920
<v Speaker 1>comes up to her.

0:47:36.680 --> 0:47:41.799
<v Speaker 6>What's the matter, Kay, my friend sal is uh his

0:47:41.960 --> 0:47:47.480
<v Speaker 6>nephew called to tell me, tell you what to have

0:47:47.520 --> 0:47:49.200
<v Speaker 6>a wonderful life.

0:47:49.600 --> 0:47:53.480
<v Speaker 10>Oh yeah, well, how about making my life wonderphone? Start

0:47:53.480 --> 0:47:55.720
<v Speaker 10>passing out those eggs. Okay, one more time.

0:47:57.880 --> 0:47:59.240
<v Speaker 4>Pass the eggs.

0:47:59.360 --> 0:47:59.600
<v Speaker 3>Eggs.

0:48:01.840 --> 0:48:04.160
<v Speaker 10>Now, how about making my life wonderful and start passing

0:48:04.160 --> 0:48:04.920
<v Speaker 10>out those eggs?

0:48:06.440 --> 0:48:12.120
<v Speaker 1>Sure, anything, you say, Betty and McCormick reaches behind the

0:48:12.160 --> 0:48:16.040
<v Speaker 1>counter and turns up the sound. Peggy Lee sings, Is

0:48:16.080 --> 0:48:19.840
<v Speaker 1>that all there is? We see Betty Ann doing her job.

0:48:20.440 --> 0:48:23.560
<v Speaker 1>We even see her serve coffee to young Jeff who

0:48:23.680 --> 0:48:27.520
<v Speaker 1>can't keep his eyes off her. Slow fade to black,

0:48:28.600 --> 0:48:28.759
<v Speaker 1>the

0:48:28.960 --> 0:48:34.200
<v Speaker 9>End, If that's all there is,