WEBVTT - S1E3 - Dead Man’s Party

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<v Speaker 1>Good morning Down, Good morning Cat. How are you. I'm good.

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<v Speaker 1>How are you doing fantastically? I like that we're changing

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<v Speaker 1>scenery per episode, which I think is fun. You know,

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<v Speaker 1>we're working it out, we're experimenting, figuring out what our

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<v Speaker 1>setups are going to be, and currently I'm going a

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<v Speaker 1>blanket for it and I'm very much enjoying the experience.

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<v Speaker 1>It looks great, it looks great. At what age do

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<v Speaker 1>we stop making blanket for it's just for fun? You know,

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<v Speaker 1>that was a silly thing. You know when they say

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<v Speaker 1>growing up to trap, this is exactly what they're talking about. Like,

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<v Speaker 1>when did we stop just being like I'm going to

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<v Speaker 1>take eighteen pillow, say I'm gonna make myself a little

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<v Speaker 1>a little hidey hide and I'm going to watch some

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<v Speaker 1>movies in there, and that's going to be my day.

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<v Speaker 1>I mean, I've never stopped making blanket for it, so

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<v Speaker 1>maybe I've just never grown up. I'm proud of you.

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<v Speaker 1>I'm proud of you. That was the correct choice. I

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<v Speaker 1>want that as a voice note, I'm proud of you. Yes, yes,

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<v Speaker 1>Before we dive into anything, I am Dominic Show and

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<v Speaker 1>I'm Katherine McNamara, and welcome back, Come join us as

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<v Speaker 1>we returned into the shadows. We'll get that eventually, we're

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<v Speaker 1>going to get it one of these episodes. We're going

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<v Speaker 1>to get it perfect. We have actually started to see

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<v Speaker 1>some of some of the viewership. I guess that's the

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<v Speaker 1>wrong listeners. We're starting to see some of how people

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<v Speaker 1>are receiving the podcast response, response and feedback, listeners and

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<v Speaker 1>viewers all together. If you can think of a word

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<v Speaker 1>for all four of those things, please let me know. Rate,

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<v Speaker 1>view and subscribe, rate, listen, subscribe. But the response has

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<v Speaker 1>been so fantastic, So this is the first time that

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<v Speaker 1>we've seen how you've responded to it, and I just

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<v Speaker 1>want to say thank you all for listening because it's

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<v Speaker 1>really lovely. You know, us and the producing team here

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<v Speaker 1>at Propagate and My Heart were all really behind this

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<v Speaker 1>um and we wanted to do something quite special and

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<v Speaker 1>it seems like us and you guys are on the

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<v Speaker 1>same page. So that's really wonderful. So thank you for listening. Yeah,

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<v Speaker 1>and we've been telling everyone at Propagate and My Heart

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<v Speaker 1>and you know, all the all the way at the

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<v Speaker 1>letter what angels each and every one of you are,

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<v Speaker 1>and you're just absolutely living up to your legacy, and

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<v Speaker 1>I just wanted to you know, Domin, I want to

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<v Speaker 1>extend the biggest thank you for listening and for your

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<v Speaker 1>feedback and responses, and we'll have some more new featureats

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<v Speaker 1>for you all to maybe participate in very soon. Um So,

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<v Speaker 1>where we left off last week, we had left poor

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<v Speaker 1>Simon upside down and we were all in sort of

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<v Speaker 1>a bit of a panic as to how to get

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<v Speaker 1>our brave, awesome, handsome Monday back, although jas would never

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<v Speaker 1>have met any of those things, and we're sort of

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<v Speaker 1>had a loss of what to do next, and that

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<v Speaker 1>leads us directly into episode three, which is what we

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<v Speaker 1>will be talking about today, called dead Man's Party. The

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<v Speaker 1>air dates of which was January, Good Grief, Long Time Ago,

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<v Speaker 1>over six years ago, Unbelievable, which was written based on

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<v Speaker 1>the books by Cassie Claire, with the writers of the

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<v Speaker 1>episode being Ad Dector and Marjorie David, and it was

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<v Speaker 1>directed by the lovely Andy Walk and it was the

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<v Speaker 1>first time we got to meet him, which was fantastic.

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<v Speaker 1>Andy and the um cat tell us a little about

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<v Speaker 1>what we can expect in this episode. So in this episode,

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<v Speaker 1>the group takes an unexpected detour into the realm of

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<v Speaker 1>the Undead, Clary, Jace, Alec, and Isabel must hatch a

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<v Speaker 1>rescue plan that takes them into the heart of vampire Lair.

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<v Speaker 1>With Simon being held captive at the Hotel de more Claire,

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<v Speaker 1>he pleads with Jason elegant Isabel to help her rescue

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<v Speaker 1>her best friend. As the team readies for the mission,

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<v Speaker 1>Jace helps Clary learn more about her shadow Hunter powers,

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<v Speaker 1>Isabel turns to her favorite see Ye for intel, and

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<v Speaker 1>Alec begins to question Jace's motives and his place in

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<v Speaker 1>their partnership. Meanwhile, a very scared Simon gets a very

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<v Speaker 1>up close and personal with Camille, the leader of the

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<v Speaker 1>vampire clan. So much happening, and already episode three, so much,

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<v Speaker 1>so much already going on. We're meeting new people, we're

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<v Speaker 1>meeting new new species in our world, and a lot

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<v Speaker 1>happened behind the scenes of this episode as well. We'll

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<v Speaker 1>get into that later. I was rewatching it two days ago.

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<v Speaker 1>I was dealing with jet lag from England to l

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<v Speaker 1>A and I was rewatching it and I got like

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<v Speaker 1>full body shivers because you can see when it happened,

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<v Speaker 1>or you won't see as an audience member ever when

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<v Speaker 1>it happens. But I can see when it happens, and

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<v Speaker 1>I'm like, oh, yep, that's it. That's the moment right there.

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<v Speaker 1>But we will get into that later on. So, Cat,

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<v Speaker 1>why don't you tell us some of the fun facts

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<v Speaker 1>about shooting this except for fun fact number two, I'm

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<v Speaker 1>gonna talk about fun fact number two. Um, So, we

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<v Speaker 1>shot this episode in ten days, from the nineteenth of

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<v Speaker 1>June to the twenty nine of June. Oh June, Oh boy,

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<v Speaker 1>was starting to get warm in Toronto, it was. And

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<v Speaker 1>this was pre um temperature control in our studio as

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<v Speaker 1>well as Yeah, we'll get into that more an episode five. Yeah,

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<v Speaker 1>episode five, it was bad. That's I remember. It was

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<v Speaker 1>five is when it got real bad. But we'll we'll

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<v Speaker 1>discuss that this particular scene between myself and Matt Dadario

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<v Speaker 1>that really uh caused a turning point in the Shadow

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<v Speaker 1>Hunters lore and what we perceived for anyway, and let

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<v Speaker 1>us some set changes in season two, but we'll sort

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<v Speaker 1>that out later. There's a few goofs in this episode. Uh,

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<v Speaker 1>you know, we were still learning how to do all

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<v Speaker 1>the vampire freezing and incantos and speed and such, and

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<v Speaker 1>so there's a point I guess in which Simon's hand

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<v Speaker 1>changes position. And there's another point where we've got some

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<v Speaker 1>jumping bloody mary glasses. I don't know. I've never caught

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<v Speaker 1>those things, and I've seen the episode a few times.

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<v Speaker 1>One of the best things about being honest like a

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<v Speaker 1>supernatural esque show, though, like anytime someone points something like

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<v Speaker 1>that out, we can just be like, a warlock did it.

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<v Speaker 1>It was a warlock is magic the best it exists

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<v Speaker 1>in our world. So just don't, you know, don't mess

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<v Speaker 1>around with it, like it's this is our excuse and

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<v Speaker 1>that's You're gonna have to be happy with that, and

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<v Speaker 1>that's where we live. Yes, another fun fact, this is

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<v Speaker 1>the first episode that we really get to talk about

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<v Speaker 1>parabotite and we really get to dive into that anthology

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<v Speaker 1>and what that means, and we get into it more

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<v Speaker 1>an episode for and I know that was something that

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<v Speaker 1>you and Matt dealt with the most, because you really

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<v Speaker 1>aren't the only kind of major parabtide that we really

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<v Speaker 1>dive into. We get into it a little bit with

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<v Speaker 1>later on, but it's more so you and Matt kind

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<v Speaker 1>of carried that that mantle as it were, throughout the

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<v Speaker 1>whole year. And that, Yeah, we do get into that

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<v Speaker 1>in season one, don't we with Luke and his Parabitie.

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<v Speaker 1>But yeah, it's it really is just Matt and I,

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<v Speaker 1>which was which was really good fun for us. You know,

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<v Speaker 1>we got to, like we've discussed a few times before

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<v Speaker 1>in this in this podcast with Simon sort of taking

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<v Speaker 1>towards Simon and David taking the hands of like, this

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<v Speaker 1>is what the vampires are going to be, this is

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<v Speaker 1>how they're going to move, this is how they're gonna look, like,

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<v Speaker 1>this is our responsibility to develop this. Matt and I

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<v Speaker 1>had the responsibility of developing what the Parabitie relationship was

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<v Speaker 1>even again coming down to like how you say parabati

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<v Speaker 1>and Matt and I both pronounced it parabitie sort of

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<v Speaker 1>almost instinctively, but we actually had that conversation with Cassie,

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<v Speaker 1>and when Cassie wrote it, I think she had it

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<v Speaker 1>in her head as parabat I. I think that's how

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<v Speaker 1>she had it pronounced in her head. Um, and it's

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<v Speaker 1>just interesting that Matt and I got to a different pronunciation.

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<v Speaker 1>But yeah, this was sort of the first time we

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<v Speaker 1>get to like anticipate and sort of foreshadow what this

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<v Speaker 1>relationship is going to be and how important it is

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<v Speaker 1>and explain it to the audience. And then what I

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<v Speaker 1>did notice, which I think is interesting, which I don't

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<v Speaker 1>think we'd really touched on. I don't think we touched

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<v Speaker 1>on in this episode, and correct me if I'm wrong,

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<v Speaker 1>But we do see the first sort of opportunity of

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<v Speaker 1>Alec feeling what Jace is feeling, and it happens later

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<v Speaker 1>on when we get to that section. I'll sort of

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<v Speaker 1>explain it, but you do see a moment where and

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<v Speaker 1>it's quite cool. I wonder if it was just by accident,

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<v Speaker 1>because I don't remember having this conversation, but there's Matt

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<v Speaker 1>in the foreground and me in the background, out of

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<v Speaker 1>focus here, and we both sort of do the same

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<v Speaker 1>thing with our faces just for one just for half

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<v Speaker 1>a second, and it's a cool moment for us because

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<v Speaker 1>that becomes so it becomes important later in the show.

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<v Speaker 1>So this was Yeah, it was a fun opportunity for

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<v Speaker 1>us to sort of explore and play with that relationship.

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<v Speaker 1>And that's what's so great about this is there's so

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<v Speaker 1>much mythology to the show, and so much of it

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<v Speaker 1>I think why all of us had so much fun,

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<v Speaker 1>especially in this first season as we got to kind

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<v Speaker 1>of create the rules for the mythology and how you know,

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<v Speaker 1>we read the books and you know what it's supposed

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<v Speaker 1>to be in its scripted and all of this, but

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<v Speaker 1>then the physical kind of manifestation of it, when you're

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<v Speaker 1>living it out, it becomes different and it's it's a

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<v Speaker 1>fun thing to get to create with a group totally totally,

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<v Speaker 1>and I think, you know, another fun point for audiences

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<v Speaker 1>who don't know necessarily or or maybe who are unfamiliar

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<v Speaker 1>with what sort of set life is like. You can

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<v Speaker 1>have the best laid plans of myce men ready to

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<v Speaker 1>rock and roll, and then you get to set that

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<v Speaker 1>day and there's a tree that nobody noticed, or their

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<v Speaker 1>ground is too hard, or you know, something is different

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<v Speaker 1>and we weren't expecting that, and all of a sudden

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<v Speaker 1>we have to change the scene kind of on its heads.

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<v Speaker 1>And we're like, okay, well, instead of you saying this,

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<v Speaker 1>this is being said by this person. We're going to

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<v Speaker 1>do this, We do this, and we're just going to

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<v Speaker 1>switch it because we especially with a show like Shadow

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<v Speaker 1>Hunters where we sort of fifty fifty were in the

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<v Speaker 1>student we were out on location. When you're on location

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<v Speaker 1>you don't have that much control. You have some control,

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<v Speaker 1>but you don't have that much control of you know,

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<v Speaker 1>what's going on. Some days you turn up and there

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<v Speaker 1>have decided to fix the road across the street, and

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<v Speaker 1>that's the noise that you're going to be hearing the

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<v Speaker 1>whole way through. You know, you just have to sort

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<v Speaker 1>of roll with it. This this episode, I think was

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<v Speaker 1>very fifty fifty on location, and it was our first

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<v Speaker 1>big nighttime shoot, like first proper two in the morning shoot.

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<v Speaker 1>I think it was. It was I mean, since we

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<v Speaker 1>had done you know, all the stuff in the nightclub,

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<v Speaker 1>it was it was one of our first shoots that

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<v Speaker 1>we were up all night outside in a graveyard that

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<v Speaker 1>we all got very familiar with. Yeah, we got very

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<v Speaker 1>familiar with this graveyard. I think outside is more what

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<v Speaker 1>I mean, because you can you know, when you're inside

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<v Speaker 1>and you're shooting two or two in the morning, you

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<v Speaker 1>don't really have any reflection of that time passing because

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<v Speaker 1>you're stuck inside. You know, you're just working inside. When

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<v Speaker 1>you're outside, it starts to get colder, and the bugs

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<v Speaker 1>start to come out and they want to buy and

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<v Speaker 1>you know, the mood just it's at one point because

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<v Speaker 1>it's it's cold, and it's dark, and everyone's and we're

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<v Speaker 1>filming in a graveyard and it's weird. You know, I think.

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<v Speaker 1>Wasn't this also the episode that we all spent so

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<v Speaker 1>much time in the pandavan trying to keep warm, and

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<v Speaker 1>the fumes started to get to the fumes. That's right,

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<v Speaker 1>that is so I do remember that. So the Panda Van,

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<v Speaker 1>as as cool as it was to see on screen,

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<v Speaker 1>it had some leaks. Boy, had some leaks. It's not

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<v Speaker 1>a big deal, but it smelled like gas. It smelled

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<v Speaker 1>straight up like petrol in that car, and if you

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<v Speaker 1>sat in it for too long you started to get

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<v Speaker 1>a little loopy. We got the giggles. We got the giggles,

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<v Speaker 1>which we were all, you know, accidentally high, which is

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<v Speaker 1>not ideal. Cat Again, this being your fora why didn't

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<v Speaker 1>you tell us a little about some of the important

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<v Speaker 1>book to screen movements. Yeah, So as we dive in,

0:11:51.679 --> 0:11:55.600
<v Speaker 1>there's there's only a few differences. As we have discussed.

0:11:55.920 --> 0:11:59.079
<v Speaker 1>We get to talk about Parabatie this episode, which is fantastic.

0:11:59.240 --> 0:12:04.800
<v Speaker 1>Also one of our biggest locations and something that really

0:12:04.800 --> 0:12:06.959
<v Speaker 1>comes in in the book is the Hotel de More,

0:12:07.120 --> 0:12:09.920
<v Speaker 1>which it tends to be the central vampire layer in

0:12:10.000 --> 0:12:13.640
<v Speaker 1>New York City, which is an old hotel that's under construction,

0:12:14.360 --> 0:12:17.760
<v Speaker 1>and it's not only is it a vampire layer, but

0:12:17.800 --> 0:12:22.840
<v Speaker 1>we discovered that the vampires are hedonists but also have

0:12:23.120 --> 0:12:29.280
<v Speaker 1>a proclivity for stealing ancient artifacts and artwork and other

0:12:29.600 --> 0:12:32.360
<v Speaker 1>is it stealing if you rob your own grave. That's

0:12:32.480 --> 0:12:42.800
<v Speaker 1>this is a whole thing, right, Stealing, collecting, attributing, gathering, acquiring. Yeah,

0:12:42.920 --> 0:12:46.439
<v Speaker 1>one of the sort of the inevitables of eternal life

0:12:46.440 --> 0:12:49.679
<v Speaker 1>as you are going to hoard. And I think it's

0:12:49.679 --> 0:12:52.400
<v Speaker 1>whether you hold something that's valuable or whether you hold

0:12:52.480 --> 0:12:55.480
<v Speaker 1>something that's not valuable, and they do tend to I

0:12:55.520 --> 0:12:58.199
<v Speaker 1>think in most iterations of the vampire story there are

0:12:58.760 --> 0:13:02.920
<v Speaker 1>these sort of arc ach antiques that live within their

0:13:03.320 --> 0:13:06.480
<v Speaker 1>world because and this is another thing that's very cool

0:13:06.640 --> 0:13:10.040
<v Speaker 1>is especially with things like vampires, is we get to

0:13:10.120 --> 0:13:14.600
<v Speaker 1>take on like the last possible version of a story

0:13:14.640 --> 0:13:18.040
<v Speaker 1>that's existed for you know, hundreds and hundreds and hundreds

0:13:18.040 --> 0:13:19.440
<v Speaker 1>of years, and we try and stick to some of

0:13:19.480 --> 0:13:22.200
<v Speaker 1>that law, or we poke fun at previous law, or

0:13:22.480 --> 0:13:24.679
<v Speaker 1>we create our new law or whatever it is. But

0:13:25.280 --> 0:13:27.320
<v Speaker 1>as a general rule, the story sort of stays the same.

0:13:27.360 --> 0:13:29.760
<v Speaker 1>So you know bran Brand Stoker's Dracula lived in this

0:13:29.880 --> 0:13:33.079
<v Speaker 1>gorgeous castle in Transylvania, but had collected all of these

0:13:33.080 --> 0:13:35.560
<v Speaker 1>sort of a kuchrama over the course of you know,

0:13:35.640 --> 0:13:37.520
<v Speaker 1>the hundreds and hundreds of years that he's been alive,

0:13:37.559 --> 0:13:40.160
<v Speaker 1>and we we still have that law in our show.

0:13:40.200 --> 0:13:42.480
<v Speaker 1>Those vampires still do that same thing, which I think

0:13:42.559 --> 0:13:44.680
<v Speaker 1>is for me. That was something that was really cool

0:13:44.720 --> 0:13:47.800
<v Speaker 1>about working on a show like this is it is modern,

0:13:47.840 --> 0:13:50.880
<v Speaker 1>and you know, we've got new tech and we've got

0:13:50.920 --> 0:13:53.360
<v Speaker 1>these swords and jackets and you know, all of this

0:13:53.480 --> 0:13:55.920
<v Speaker 1>new stuff. But also we're and we do talk about

0:13:56.000 --> 0:13:58.040
<v Speaker 1>a lot. It's a war that's been being fought. Since

0:13:59.000 --> 0:14:00.760
<v Speaker 1>we have a date for it. What is it looking

0:14:00.800 --> 0:14:02.680
<v Speaker 1>better in black than the widows of our animal? Since

0:14:05.200 --> 0:14:09.200
<v Speaker 1>I think it's twelve thirty four, twelve thirty four, I

0:14:09.320 --> 0:14:12.360
<v Speaker 1>was off by quite a way, by quite a way,

0:14:12.400 --> 0:14:15.720
<v Speaker 1>by about six years, It's okay. Twelve thirty four should

0:14:15.720 --> 0:14:17.719
<v Speaker 1>have been an easy one to remember as well. One

0:14:18.120 --> 0:14:19.960
<v Speaker 1>it's one to three four is what it is. That's

0:14:20.000 --> 0:14:21.560
<v Speaker 1>an easy day. Do you want to try and connect

0:14:21.600 --> 0:14:24.880
<v Speaker 1>your headphones? Sweets? Now? Are you sure, all right? Deck

0:14:25.000 --> 0:14:30.200
<v Speaker 1>is over there. Um. Also, as we dive in, we

0:14:30.760 --> 0:14:33.520
<v Speaker 1>get to see a little bit more about Clarie and

0:14:33.520 --> 0:14:37.560
<v Speaker 1>Simon's relationship, and you know, Clari's losing all of her

0:14:37.600 --> 0:14:41.080
<v Speaker 1>people and she's lost Simon. She has lost her mom

0:14:41.160 --> 0:14:45.360
<v Speaker 1>at this point, and in essence, she's lost Luke. And

0:14:45.520 --> 0:14:48.080
<v Speaker 1>we start to learn about some of the Clave rules

0:14:48.120 --> 0:14:51.200
<v Speaker 1>as they you know, figure out how to get Simon back.

0:14:51.560 --> 0:14:55.080
<v Speaker 1>And I feel as though we always had this discussion

0:14:55.240 --> 0:15:00.240
<v Speaker 1>of how this particular shadow Hunter team of Isy, Jason, Alec, Yeah,

0:15:00.880 --> 0:15:04.840
<v Speaker 1>probably tend to be the more rambunctious of the shadow

0:15:04.880 --> 0:15:06.800
<v Speaker 1>Hunters because all the rest of the shadow Hunters tend

0:15:06.880 --> 0:15:08.520
<v Speaker 1>to seem to really follow the rules and do their

0:15:08.600 --> 0:15:13.240
<v Speaker 1>job and clean up our mess that we create. We

0:15:13.320 --> 0:15:14.840
<v Speaker 1>used to talk about that a lot, didn't we. Like

0:15:15.040 --> 0:15:17.520
<v Speaker 1>towards the end of season two, we'd be talking to

0:15:17.640 --> 0:15:21.640
<v Speaker 1>sort of like, you know, the background performers are also

0:15:21.720 --> 0:15:24.160
<v Speaker 1>known as extras or supporting artists sort of depending on

0:15:24.200 --> 0:15:26.240
<v Speaker 1>where you're from and what you're used to, and we

0:15:26.240 --> 0:15:27.600
<v Speaker 1>would talk to them and we were like, you know

0:15:27.640 --> 0:15:29.920
<v Speaker 1>what we can add in here is you guys can

0:15:29.960 --> 0:15:32.560
<v Speaker 1>be pissed at us because we're just constantly going out

0:15:32.600 --> 0:15:34.760
<v Speaker 1>and breaking the rules, and you guys follow the rules,

0:15:34.800 --> 0:15:38.360
<v Speaker 1>and they're just like this fucking team. These guys are

0:15:38.360 --> 0:15:41.840
<v Speaker 1>the worst. That's so they're just constantly causing everyone trouble.

0:15:41.920 --> 0:15:45.600
<v Speaker 1>Like every time there's a problem, it's always jays Alakan

0:15:45.680 --> 0:15:47.720
<v Speaker 1>is he always, always, always, And then with the addition

0:15:47.800 --> 0:15:51.480
<v Speaker 1>of Clary's jazzy and Clary, it's we're just you know,

0:15:51.640 --> 0:15:55.320
<v Speaker 1>we're that sort of irritating group at school and nine

0:15:55.360 --> 0:15:57.200
<v Speaker 1>times out of tend it just happens to work out

0:15:57.280 --> 0:16:01.040
<v Speaker 1>for us, but not not necessarily virtue of us doing

0:16:01.120 --> 0:16:03.040
<v Speaker 1>what we're supposed to do, more by virtue of us

0:16:03.080 --> 0:16:07.080
<v Speaker 1>falling and landing on our feet exactly, were by virtue

0:16:07.120 --> 0:16:09.880
<v Speaker 1>of oh, this accidentally just happened and fell into ours

0:16:10.000 --> 0:16:13.120
<v Speaker 1>and it's wonderful. Yeah, yeah, exactly. But you know, I

0:16:13.200 --> 0:16:17.360
<v Speaker 1>feel as though, as as the team becomes more cohesive

0:16:17.840 --> 0:16:20.040
<v Speaker 1>a little bit, we gained some skills, I think, so

0:16:20.360 --> 0:16:22.400
<v Speaker 1>we learned some things. We do learn some things, and

0:16:22.480 --> 0:16:25.680
<v Speaker 1>we learn how to sort of work with each other

0:16:25.720 --> 0:16:28.520
<v Speaker 1>a little more. And the and you know, again it's

0:16:28.560 --> 0:16:30.400
<v Speaker 1>that same thing that you were talking about earlier, is

0:16:30.440 --> 0:16:32.800
<v Speaker 1>we're still sort of finding our feet within the show

0:16:32.840 --> 0:16:35.400
<v Speaker 1>at this point as well, So you know, later on

0:16:35.560 --> 0:16:37.800
<v Speaker 1>when we really do delve into what this you know,

0:16:38.000 --> 0:16:40.640
<v Speaker 1>parabitie relationship is, for example, then we get to rely

0:16:40.760 --> 0:16:43.040
<v Speaker 1>on that more is like, this is what our law is.

0:16:43.200 --> 0:16:45.720
<v Speaker 1>This we've set up sort of the ground base, and

0:16:45.840 --> 0:16:48.240
<v Speaker 1>then you know, it's not really until it's actually my

0:16:48.360 --> 0:16:51.680
<v Speaker 1>favorite episode that for me as a performer that I've

0:16:51.680 --> 0:16:54.200
<v Speaker 1>ever been in this episode two, Season two, episode three,

0:16:54.720 --> 0:16:56.560
<v Speaker 1>with that whole thing that happens, which obviously we're going

0:16:56.640 --> 0:16:59.360
<v Speaker 1>to talk about later on further down line with the podcast,

0:16:59.440 --> 0:17:02.200
<v Speaker 1>but that was one of my favorite episodes because that

0:17:02.320 --> 0:17:04.560
<v Speaker 1>was that was a Parabti episode. Actually think it was

0:17:04.640 --> 0:17:08.840
<v Speaker 1>cooled Parabti. It was Parabtie last Yeah, parabit I lost, Yeah,

0:17:08.880 --> 0:17:10.560
<v Speaker 1>and it was that was the first time that we

0:17:10.640 --> 0:17:12.600
<v Speaker 1>got to like, great, let's hone in on what these

0:17:12.680 --> 0:17:14.879
<v Speaker 1>things are, and I wonder if the audience, you know,

0:17:15.000 --> 0:17:17.200
<v Speaker 1>let us know if if this these are things that

0:17:17.240 --> 0:17:19.640
<v Speaker 1>you sort of saw and noticed throughout watching the show

0:17:19.760 --> 0:17:22.120
<v Speaker 1>is we did get to kind of fine tune things.

0:17:22.200 --> 0:17:24.800
<v Speaker 1>So season one was very like we're going to introduce

0:17:24.840 --> 0:17:26.600
<v Speaker 1>the vampires and we're going to set up sort of

0:17:26.680 --> 0:17:30.000
<v Speaker 1>the bedrock of law. This is sort of the rough

0:17:30.080 --> 0:17:32.960
<v Speaker 1>things that we're going to follow, and then we introduced

0:17:32.960 --> 0:17:35.080
<v Speaker 1>Simon into the world and he gets to sort of

0:17:35.160 --> 0:17:38.119
<v Speaker 1>explore that is more drastically, and you get to explore

0:17:38.160 --> 0:17:40.199
<v Speaker 1>being a shadow hunter is sort of from the ground up,

0:17:40.320 --> 0:17:41.760
<v Speaker 1>you know, and we get to do that more and

0:17:41.840 --> 0:17:44.560
<v Speaker 1>more as the seasons went on, which was which I

0:17:44.880 --> 0:17:49.080
<v Speaker 1>think is one of the beautiful things about doing a show.

0:17:49.359 --> 0:17:52.640
<v Speaker 1>You know, if we'd have ended at season one, which

0:17:52.800 --> 0:17:55.000
<v Speaker 1>you know, we will talk about that later on, but

0:17:55.040 --> 0:17:56.800
<v Speaker 1>there's so much that we wouldn't have been able to explore,

0:17:56.840 --> 0:17:58.280
<v Speaker 1>which would have been a shame. And we didn't know.

0:17:58.560 --> 0:18:00.680
<v Speaker 1>We didn't know for like six months and soft filming

0:18:00.720 --> 0:18:02.760
<v Speaker 1>season one if we were coming back for two. We

0:18:02.840 --> 0:18:04.760
<v Speaker 1>had no idea. It's a really long time. It was

0:18:04.800 --> 0:18:24.439
<v Speaker 1>a long time. Yeah, we had a long wait. Speaking

0:18:24.520 --> 0:18:27.320
<v Speaker 1>of lore and the show and anything else. Something else

0:18:27.359 --> 0:18:29.520
<v Speaker 1>I think is interesting about this episode is the parallel

0:18:29.640 --> 0:18:32.080
<v Speaker 1>because we do explore Parabi for the first time, but

0:18:32.200 --> 0:18:35.840
<v Speaker 1>we also explore Simon and Clary's friendship, which there are

0:18:35.840 --> 0:18:37.720
<v Speaker 1>a lot of parallels between the two, and you know,

0:18:37.880 --> 0:18:42.400
<v Speaker 1>if it's one very specific one for sure, well indeed,

0:18:43.000 --> 0:18:47.400
<v Speaker 1>but as we dive in, we get to see another

0:18:47.520 --> 0:18:50.680
<v Speaker 1>aspect of the lore, which I realized now in season

0:18:50.760 --> 0:18:53.240
<v Speaker 1>one was such a huge deal, but we had so

0:18:53.440 --> 0:18:57.440
<v Speaker 1>many big deal things since then. The Mortal Cup was

0:18:57.560 --> 0:19:00.119
<v Speaker 1>such a huge part of season one, and it is

0:19:00.560 --> 0:19:03.080
<v Speaker 1>everyone wanted the Mortal Cup and it was this literal

0:19:03.240 --> 0:19:06.240
<v Speaker 1>holy grail of swords and Clary was the key. So

0:19:06.440 --> 0:19:10.000
<v Speaker 1>people kept, you know, taking people that Clary loved or

0:19:10.119 --> 0:19:14.520
<v Speaker 1>threatening elements of Clary's life and she didn't even know

0:19:14.600 --> 0:19:18.360
<v Speaker 1>where the Cup was for the longest time until episode six,

0:19:18.480 --> 0:19:23.680
<v Speaker 1>I believe. But we'll get into that later. But foreshadowing, Yeah,

0:19:23.960 --> 0:19:26.000
<v Speaker 1>we're going to do a whole bunch of foreshadowing because

0:19:26.040 --> 0:19:28.280
<v Speaker 1>we're not very good at staying on topics. No we're not.

0:19:28.560 --> 0:19:32.119
<v Speaker 1>But okay, back on top Let's see first is how

0:19:32.240 --> 0:19:34.840
<v Speaker 1>to get Simon back. So we're navigating the shadow world.

0:19:34.880 --> 0:19:37.639
<v Speaker 1>We're learning about vampires. This is our vampire episode in

0:19:37.680 --> 0:19:41.280
<v Speaker 1>a sense. And as we're learning about vampires, we cut

0:19:41.359 --> 0:19:45.760
<v Speaker 1>back and forth to the Vampire Lare itself and the hotel.

0:19:45.840 --> 0:19:47.440
<v Speaker 1>The more and we get to see, but we also

0:19:47.560 --> 0:19:50.160
<v Speaker 1>learn about Oh, this is one of my favorite elements

0:19:50.359 --> 0:19:53.320
<v Speaker 1>of the Mortal instruments. World in general is the sort

0:19:53.359 --> 0:19:58.359
<v Speaker 1>of spectrum that Cassie Claire has set up of the

0:19:58.440 --> 0:20:01.040
<v Speaker 1>mythological creatures that this in our world. And this is

0:20:01.080 --> 0:20:05.400
<v Speaker 1>something that's so unique to this universe is that all

0:20:05.560 --> 0:20:09.040
<v Speaker 1>creatures and all beings exist on a scale from angel

0:20:09.119 --> 0:20:12.920
<v Speaker 1>to human to demon, and every aspect and every creature

0:20:13.160 --> 0:20:17.480
<v Speaker 1>is sort of a different combination thereof. So humans are human,

0:20:17.960 --> 0:20:20.480
<v Speaker 1>angels are angels, demons or demons, but then in between

0:20:20.560 --> 0:20:23.120
<v Speaker 1>you have shadow Hunters, which are half angel half human.

0:20:23.640 --> 0:20:26.560
<v Speaker 1>You have seas which are half angel half demon. You

0:20:26.760 --> 0:20:31.960
<v Speaker 1>have werewolves and vampires, which are humans with a demon disease.

0:20:32.520 --> 0:20:35.199
<v Speaker 1>And so as you go through every kind of creature

0:20:35.280 --> 0:20:38.520
<v Speaker 1>that you encounter across all of it has different elements

0:20:38.640 --> 0:20:40.840
<v Speaker 1>of these and that plays so much into our story

0:20:40.960 --> 0:20:43.240
<v Speaker 1>as we move forward in the different ways in which

0:20:43.240 --> 0:20:47.080
<v Speaker 1>shadow Hunters navigate and deal with and handle being sort

0:20:47.119 --> 0:20:50.040
<v Speaker 1>of the demon police as it were, of this world

0:20:50.520 --> 0:20:53.680
<v Speaker 1>totally totally. And then you're right, and then later on

0:20:53.760 --> 0:20:57.280
<v Speaker 1>we get to deal with the sort of racial hierarchy

0:20:57.400 --> 0:21:00.560
<v Speaker 1>that lives within our world, and we touched on it

0:21:00.720 --> 0:21:03.960
<v Speaker 1>sort of briefly in this episode with with the introduction

0:21:04.000 --> 0:21:06.680
<v Speaker 1>of Melion, who will get his own proper introduction in

0:21:06.720 --> 0:21:09.840
<v Speaker 1>a second, but he does briefly mention you know that

0:21:10.520 --> 0:21:13.800
<v Speaker 1>the Shadow Answers don't respect the sea leaves as much

0:21:13.840 --> 0:21:15.800
<v Speaker 1>as they should be respected. They sort of used more

0:21:15.840 --> 0:21:19.040
<v Speaker 1>as like a tool within within the Shadow on to

0:21:19.160 --> 0:21:23.560
<v Speaker 1>world until later on. Because each one of these creatures

0:21:23.640 --> 0:21:26.719
<v Speaker 1>and and elements and combinations thereof, and warlocks as well,

0:21:26.760 --> 0:21:29.080
<v Speaker 1>which I forgot to mention, which are half human half demon.

0:21:29.720 --> 0:21:33.440
<v Speaker 1>It all manifests itself in in different ways in their

0:21:33.520 --> 0:21:36.639
<v Speaker 1>kind of physicality and their abilities, and the different physical

0:21:36.880 --> 0:21:41.320
<v Speaker 1>and magical expressions of the different combinations of blood, which

0:21:41.600 --> 0:21:44.200
<v Speaker 1>is part of what plays into Valentine's experiments as well,

0:21:44.280 --> 0:21:47.280
<v Speaker 1>as he's trying to create the perfect soldier, the perfect

0:21:47.280 --> 0:21:52.480
<v Speaker 1>shadow hunter, the perfect weapon, and certain things you just

0:21:52.680 --> 0:21:56.600
<v Speaker 1>don't mess with in the world of magic, yeah, or

0:21:56.680 --> 0:21:59.520
<v Speaker 1>the world of Blood. So, since we touched on it,

0:21:59.680 --> 0:22:02.840
<v Speaker 1>and it's sort of getting off our chronology here a little,

0:22:03.280 --> 0:22:06.040
<v Speaker 1>but since we mentioned it, let's introduce, which is very

0:22:06.080 --> 0:22:11.640
<v Speaker 1>exciting to me, the wonderful Mellion number one Seeley, who

0:22:11.680 --> 0:22:17.520
<v Speaker 1>has played by the incomparable Jade, who was one of

0:22:17.560 --> 0:22:19.440
<v Speaker 1>our sort of very first Jade and David one of

0:22:19.480 --> 0:22:22.560
<v Speaker 1>our very first guest stars who became very much a

0:22:22.640 --> 0:22:24.840
<v Speaker 1>part of our family. They were a part of the

0:22:24.880 --> 0:22:27.359
<v Speaker 1>group and still have been. A lot of people who

0:22:27.640 --> 0:22:30.879
<v Speaker 1>listened to this podcast have seen, you know, us with

0:22:31.000 --> 0:22:33.680
<v Speaker 1>Jade at the conventions and traveling around Europe and this,

0:22:33.800 --> 0:22:37.200
<v Speaker 1>that and the other. And Jade became a part of

0:22:37.240 --> 0:22:41.359
<v Speaker 1>the furniture very quickly, which which was really beautiful. It was,

0:22:41.440 --> 0:22:43.399
<v Speaker 1>and he was also I mean, he's just such a

0:22:44.240 --> 0:22:47.840
<v Speaker 1>beautiful soul and a wonderful person. But also he was

0:22:47.920 --> 0:22:50.840
<v Speaker 1>sort of our tour guide around Toronto for a lot

0:22:50.880 --> 0:22:53.479
<v Speaker 1>of it as well. You know, he showed us all

0:22:53.520 --> 0:22:55.600
<v Speaker 1>the fun spots and gave us lots of things to do,

0:22:55.840 --> 0:22:58.399
<v Speaker 1>and took us to music things and art shows and

0:22:58.760 --> 0:23:01.080
<v Speaker 1>you know, all of these things that he does being

0:23:01.119 --> 0:23:04.800
<v Speaker 1>a part of the local kind of artistic community in Toronto,

0:23:04.920 --> 0:23:07.120
<v Speaker 1>he welcomed us into that and then I think made

0:23:07.240 --> 0:23:09.920
<v Speaker 1>us feel so at home and gave us more of

0:23:10.280 --> 0:23:12.920
<v Speaker 1>a community really in a place that we were living

0:23:13.000 --> 0:23:16.200
<v Speaker 1>that none of us knew anything about. Totally, totally, totally.

0:23:16.320 --> 0:23:19.360
<v Speaker 1>I do have to say the first time I met

0:23:19.480 --> 0:23:23.560
<v Speaker 1>Jade was just so indicative of who he is and

0:23:23.760 --> 0:23:26.280
<v Speaker 1>how wonderful he is as a human, and how committed

0:23:26.359 --> 0:23:29.600
<v Speaker 1>and dedicated he was to this character and to creating

0:23:29.640 --> 0:23:31.680
<v Speaker 1>it to the best of his ability. As you know,

0:23:31.920 --> 0:23:34.000
<v Speaker 1>when we're making the show, we're running around the studio

0:23:34.119 --> 0:23:36.840
<v Speaker 1>like chickens with our heads cut off and running from

0:23:36.880 --> 0:23:40.320
<v Speaker 1>place to place and kind of between fittings and stunt

0:23:40.400 --> 0:23:44.520
<v Speaker 1>rehearsals and different scenes and whatever administrative stuff we need

0:23:44.560 --> 0:23:47.200
<v Speaker 1>to do. And I remember I was racing from I

0:23:47.280 --> 0:23:50.120
<v Speaker 1>think a fitting back to set and I walked by

0:23:50.359 --> 0:23:53.480
<v Speaker 1>and there's this guy sitting at one of the tables

0:23:54.080 --> 0:23:57.480
<v Speaker 1>reading City of Bones. I think he was even in

0:23:57.960 --> 0:24:00.040
<v Speaker 1>his armor that they had just tried on him of

0:24:00.119 --> 0:24:02.639
<v Speaker 1>the first time. And I looked at this guy and

0:24:02.680 --> 0:24:05.919
<v Speaker 1>I was like, oh, my gosh, that looks like Melliorn.

0:24:06.600 --> 0:24:09.280
<v Speaker 1>And he looks up and he goes clary. He's like

0:24:09.359 --> 0:24:13.159
<v Speaker 1>a cat. I'm so sorry. Hi. We just had this

0:24:13.280 --> 0:24:16.280
<v Speaker 1>moment where I saw each other first as our characters

0:24:16.440 --> 0:24:19.720
<v Speaker 1>and then instantly fell in love with how much we

0:24:19.920 --> 0:24:23.440
<v Speaker 1>both suited. You know, this thing, this image that we

0:24:23.560 --> 0:24:25.760
<v Speaker 1>had in our heads from the book of these characters,

0:24:25.800 --> 0:24:33.640
<v Speaker 1>and then instantly just his effusive warmth envelopes you. Yea yeah,

0:24:33.840 --> 0:24:37.040
<v Speaker 1>it does. Jade is this is this sort of wonderful,

0:24:37.200 --> 0:24:40.000
<v Speaker 1>like very sort of silly in his own right. He's

0:24:40.040 --> 0:24:44.720
<v Speaker 1>just this wonderful, sort of ethereal creature who's entirely unapologetically himself,

0:24:45.480 --> 0:24:47.280
<v Speaker 1>not that he would ever need to apologize for it,

0:24:47.280 --> 0:24:50.640
<v Speaker 1>because he's just the loveliest human being alive. So yeah,

0:24:50.760 --> 0:24:53.560
<v Speaker 1>he just sort of exists in his own like branch

0:24:53.680 --> 0:24:55.560
<v Speaker 1>of the world. And I love that about him. It's

0:24:55.600 --> 0:24:58.520
<v Speaker 1>my favorite thing about Jade is he just is. He

0:24:58.640 --> 0:25:00.760
<v Speaker 1>just did He just does him. He just is Jade,

0:25:01.480 --> 0:25:04.200
<v Speaker 1>which is really wonderful. Absolutely, and he has suched this

0:25:04.240 --> 0:25:06.960
<v Speaker 1>wonderful way about him that and I've seen him do

0:25:07.040 --> 0:25:10.000
<v Speaker 1>this at Carma cons and with you know, each one

0:25:10.040 --> 0:25:12.800
<v Speaker 1>of us as well. He has this ability to just

0:25:13.680 --> 0:25:19.200
<v Speaker 1>be so encouraging and so loving to every person he meets,

0:25:19.359 --> 0:25:21.679
<v Speaker 1>even if he's just meeting someone for the first time.

0:25:21.920 --> 0:25:25.200
<v Speaker 1>Is he is very good at making you feel like

0:25:25.320 --> 0:25:27.240
<v Speaker 1>you're the only person in the world and that just

0:25:27.359 --> 0:25:29.959
<v Speaker 1>for that little brief moment that he the only thing

0:25:30.000 --> 0:25:32.800
<v Speaker 1>that matters is your connection in that in whatever it

0:25:32.920 --> 0:25:36.159
<v Speaker 1>is that you're talking about, and he remembers it. He

0:25:36.240 --> 0:25:38.000
<v Speaker 1>remembers it in stores, and I've seen the same thing

0:25:38.080 --> 0:25:40.879
<v Speaker 1>where he does, you know, interactions with fans all over

0:25:40.920 --> 0:25:43.879
<v Speaker 1>the world, and he remembers everyone and every conversation he's

0:25:43.920 --> 0:25:46.840
<v Speaker 1>ever had with them, which I wish I could say

0:25:46.880 --> 0:25:48.760
<v Speaker 1>that about myself. I do my best, but there are

0:25:48.840 --> 0:25:51.200
<v Speaker 1>times where I'm like, you know, this is it's done

0:25:51.400 --> 0:25:54.280
<v Speaker 1>four conventions in three days, and I'm like losing my mind.

0:25:54.359 --> 0:25:56.600
<v Speaker 1>I don't know what's what, but Jade knows. Everything is

0:25:56.640 --> 0:25:59.560
<v Speaker 1>like a rollerdex of like, oh I remember you, this

0:25:59.720 --> 0:26:01.720
<v Speaker 1>is you had this issue and like how's your brother?

0:26:01.840 --> 0:26:05.520
<v Speaker 1>And what I'm like, that's insane. He has such a

0:26:05.640 --> 0:26:10.280
<v Speaker 1>huge heart and such a wonderful presence and is just,

0:26:10.960 --> 0:26:13.520
<v Speaker 1>as you said, ethereal and kind of timeless in a

0:26:13.600 --> 0:26:18.719
<v Speaker 1>way that Selee's are. So he's just he just is Melane.

0:26:20.840 --> 0:26:24.840
<v Speaker 1>Moving on from that, so our Jade love Fest, a

0:26:25.040 --> 0:26:29.119
<v Speaker 1>Jade LoveFest, we get to this cool thing, which we

0:26:29.200 --> 0:26:31.080
<v Speaker 1>haven't really done before in the show. This is sort

0:26:31.080 --> 0:26:33.760
<v Speaker 1>of the first time that we see it where we're

0:26:33.800 --> 0:26:36.359
<v Speaker 1>in the institudent. We briefly we're talking about this earlier.

0:26:36.400 --> 0:26:37.800
<v Speaker 1>We're like, what are we going to do? This is

0:26:37.840 --> 0:26:40.160
<v Speaker 1>our plan? Blah blah blah, and we're sort of having

0:26:40.200 --> 0:26:42.040
<v Speaker 1>our round table moment and you get to see the

0:26:42.119 --> 0:26:46.800
<v Speaker 1>interactions between Izzy and Jason Alec and it the way

0:26:46.840 --> 0:26:48.920
<v Speaker 1>it was written, I really like because it's this is

0:26:49.000 --> 0:26:51.639
<v Speaker 1>just normal conversation for us. This is just like, you know,

0:26:51.720 --> 0:26:53.639
<v Speaker 1>we're talking about the vampires and we're like, oh, no,

0:26:53.800 --> 0:26:56.640
<v Speaker 1>that's Camille's outfit, right, there's local guys. They're just down

0:26:56.680 --> 0:26:58.640
<v Speaker 1>the street. Like it's we know these things, like it's

0:26:58.680 --> 0:27:01.320
<v Speaker 1>just normal, Like you know, we have our little like

0:27:01.400 --> 0:27:03.520
<v Speaker 1>our Yellow Pages version of like, yeah, it's the hole,

0:27:03.520 --> 0:27:04.920
<v Speaker 1>tell them what we know where this is. It's not

0:27:04.960 --> 0:27:07.840
<v Speaker 1>a big deal, or like what about the Seelies And

0:27:08.119 --> 0:27:11.560
<v Speaker 1>we're like, we know the Seelies in and out and up,

0:27:12.200 --> 0:27:16.560
<v Speaker 1>like oh, the Seilies are the anything with half angel,

0:27:16.600 --> 0:27:19.760
<v Speaker 1>half demon, it's the Elves, fairies, Nixxies, pixies, like it's

0:27:20.080 --> 0:27:22.840
<v Speaker 1>you know, and it's just this normal conversation for us.

0:27:22.880 --> 0:27:24.919
<v Speaker 1>And that's something that I thought was really cool because

0:27:25.600 --> 0:27:28.399
<v Speaker 1>we we got to explore it via Clary and we

0:27:28.520 --> 0:27:30.879
<v Speaker 1>got to tell the audience via Clary. But for the

0:27:30.960 --> 0:27:33.720
<v Speaker 1>three of us, this is just this is just our lives.

0:27:33.800 --> 0:27:36.280
<v Speaker 1>This is normal, Like, oh, that's Bob he's the postman.

0:27:36.359 --> 0:27:40.080
<v Speaker 1>He comes every Wednesday and Saturday, like it's that natural,

0:27:40.240 --> 0:27:42.920
<v Speaker 1>like you know, oh, it's the fairies or it's the seilies,

0:27:43.000 --> 0:27:45.080
<v Speaker 1>or it's the vampires, like it's it's just our life.

0:27:45.560 --> 0:27:47.119
<v Speaker 1>And I thought that was really cool, and I remember

0:27:47.200 --> 0:27:49.040
<v Speaker 1>really liking how that was written because it was a

0:27:49.160 --> 0:27:53.960
<v Speaker 1>very natural, like sibling conversation between the three of us there.

0:27:53.960 --> 0:27:59.240
<v Speaker 1>And also during that that one little section um where

0:27:59.280 --> 0:28:02.800
<v Speaker 1>we're around the able, we get one first little foreshadowing

0:28:03.040 --> 0:28:07.800
<v Speaker 1>glimpse into who Alec is repressing and who he is

0:28:07.920 --> 0:28:10.639
<v Speaker 1>forced to repress within himself, and it's actually is he

0:28:11.200 --> 0:28:14.119
<v Speaker 1>who who brings it up? Doesn't Alex say something like, oh,

0:28:14.200 --> 0:28:16.480
<v Speaker 1>we all have our apparently Selee's have their thing or

0:28:16.520 --> 0:28:18.960
<v Speaker 1>whatever you like Seelee's and they're sort of teasing each

0:28:19.000 --> 0:28:21.600
<v Speaker 1>other and she says, well, we all have our things,

0:28:21.760 --> 0:28:24.240
<v Speaker 1>don't we. And it's that first at all moment where

0:28:24.280 --> 0:28:29.479
<v Speaker 1>we're like, huh, who is Alex? Who? What's Alex thing?

0:28:29.640 --> 0:28:32.120
<v Speaker 1>We don't know what Alex thing is? Really like, it's

0:28:32.200 --> 0:28:33.720
<v Speaker 1>you know, we know he's a shadow answer, we know

0:28:33.760 --> 0:28:35.919
<v Speaker 1>he's talented, we know he's caring and loving and obviously

0:28:36.040 --> 0:28:39.920
<v Speaker 1>very handsome, but what is this thing that's being hidden?

0:28:39.960 --> 0:28:44.200
<v Speaker 1>And more importantly, maybe most importantly, why why does he

0:28:44.320 --> 0:28:46.200
<v Speaker 1>feel like this part of him needs to be hidden?

0:28:47.120 --> 0:28:50.520
<v Speaker 1>Food for thought for later on. We're planting the seeds.

0:28:51.640 --> 0:28:53.640
<v Speaker 1>We're planting the seeds, but there's a whole episode that

0:28:53.680 --> 0:28:55.520
<v Speaker 1>happens later on, but this is the first time that

0:28:55.600 --> 0:28:58.920
<v Speaker 1>we get to see that, like, huh, what was that?

0:28:59.240 --> 0:29:03.239
<v Speaker 1>What does that mean? Absolutely, and now everyone has their

0:29:03.280 --> 0:29:06.240
<v Speaker 1>marching orders and off we go on mission is. He

0:29:06.320 --> 0:29:11.000
<v Speaker 1>goes to talk to Meliorn. And one of my favorite

0:29:11.040 --> 0:29:13.920
<v Speaker 1>scenes that we got to do in this first season

0:29:14.160 --> 0:29:17.120
<v Speaker 1>was us in the graveyard, you, Me and Matt, because

0:29:17.160 --> 0:29:18.760
<v Speaker 1>I think it was sort of the first time that

0:29:18.960 --> 0:29:23.000
<v Speaker 1>we got to have that triangle really play out in

0:29:23.080 --> 0:29:26.640
<v Speaker 1>a very interesting way. You know, the Clarie and Alec

0:29:26.760 --> 0:29:29.880
<v Speaker 1>go ahead to head putting Jace in the middle of going, Okay,

0:29:30.000 --> 0:29:32.240
<v Speaker 1>I have to manage both of these personalities, and I

0:29:32.360 --> 0:29:34.920
<v Speaker 1>care about both of these people, and they're both right

0:29:35.000 --> 0:29:36.640
<v Speaker 1>in a way, so how do we sort this out?

0:29:37.160 --> 0:29:40.000
<v Speaker 1>But also we get to bring in another book element,

0:29:40.160 --> 0:29:43.320
<v Speaker 1>which is the fact that shadow Hunters store weapons in

0:29:43.560 --> 0:29:47.480
<v Speaker 1>churches and graveyards and crypts because they're all over the

0:29:47.520 --> 0:29:50.000
<v Speaker 1>world and if you need to find a demon, I

0:29:50.120 --> 0:29:54.760
<v Speaker 1>need to store the angelic tools on consecrated ground. Yeah,

0:29:54.840 --> 0:29:56.880
<v Speaker 1>we have your little cash somewhere where you know it's

0:29:56.920 --> 0:29:59.000
<v Speaker 1>going to be safe. This is an interesting one as

0:29:59.040 --> 0:30:00.920
<v Speaker 1>well because we had a couple of lines in the

0:30:01.000 --> 0:30:04.880
<v Speaker 1>beginning of how shadow unders make money or how they've

0:30:04.920 --> 0:30:09.760
<v Speaker 1>survived in a world that exists, you know, entirely unaware

0:30:10.000 --> 0:30:12.360
<v Speaker 1>that that they are a part of it. And we

0:30:12.480 --> 0:30:16.040
<v Speaker 1>had lines early on and I can't remember why they disappeared,

0:30:16.320 --> 0:30:17.840
<v Speaker 1>but we had these lines that I thought were so

0:30:18.000 --> 0:30:20.120
<v Speaker 1>cool of like, well, how does shadow unders make their money?

0:30:20.160 --> 0:30:21.920
<v Speaker 1>Like how do you look at all this tech? Like

0:30:22.000 --> 0:30:24.640
<v Speaker 1>how does this happen? You're like, well, the head of X,

0:30:24.760 --> 0:30:26.800
<v Speaker 1>Y and Z bankers a shadow hunter and they you know,

0:30:26.880 --> 0:30:28.840
<v Speaker 1>you look at a photo or a painting of them,

0:30:28.880 --> 0:30:30.520
<v Speaker 1>and you can see like a tiny little bit of

0:30:30.640 --> 0:30:34.800
<v Speaker 1>ruins sticking up from you know, the guy who founded

0:30:34.880 --> 0:30:36.920
<v Speaker 1>Chase Morgan Bank or whatever it was, you know, and

0:30:36.960 --> 0:30:39.280
<v Speaker 1>these cool little things. And this was that this was

0:30:39.360 --> 0:30:41.720
<v Speaker 1>our what we ended up doing our sort of fora

0:30:41.840 --> 0:30:44.000
<v Speaker 1>into Like we used to work with the churches because

0:30:44.240 --> 0:30:47.240
<v Speaker 1>all churches or religions recognized demons and angels and a

0:30:47.360 --> 0:30:49.360
<v Speaker 1>version of heaven and a version of hell and whatever

0:30:49.440 --> 0:30:51.400
<v Speaker 1>it is. And we used to work with them, and

0:30:51.480 --> 0:30:53.320
<v Speaker 1>over the years they forgot about it because we're good

0:30:53.360 --> 0:30:57.280
<v Speaker 1>at what we do, and they just stopped encountering demons

0:30:57.360 --> 0:31:00.320
<v Speaker 1>as like a regular thing. Which is why this is

0:31:00.360 --> 0:31:02.800
<v Speaker 1>becoming such a big deal that the demons are resurfacing,

0:31:02.920 --> 0:31:07.640
<v Speaker 1>because you know, it means we have to do our

0:31:07.720 --> 0:31:12.480
<v Speaker 1>job better we do. Indeed, I also think, correct me

0:31:12.520 --> 0:31:15.360
<v Speaker 1>if I'm wrong. I think the chest that we pull

0:31:15.400 --> 0:31:19.520
<v Speaker 1>out of the grave, there is another one that was

0:31:19.640 --> 0:31:21.560
<v Speaker 1>used in the movie. I think that's another prop that

0:31:21.640 --> 0:31:23.720
<v Speaker 1>was used in the movie. You're right, it was because

0:31:23.800 --> 0:31:27.040
<v Speaker 1>we were still using the swords and the other kind

0:31:27.120 --> 0:31:29.920
<v Speaker 1>of weapons and they had that. They actually used that

0:31:30.160 --> 0:31:33.960
<v Speaker 1>same crypt for this the parallel scene in the film.

0:31:34.440 --> 0:31:36.720
<v Speaker 1>But I believe in the film it was in set

0:31:36.840 --> 0:31:40.000
<v Speaker 1>in the floor of an actual church as opposed to

0:31:40.080 --> 0:31:43.800
<v Speaker 1>being a freestanding kind of grave in the middle of

0:31:43.840 --> 0:31:48.440
<v Speaker 1>the graveyard. Remember this graveyard, by the way. I don't

0:31:48.440 --> 0:31:52.920
<v Speaker 1>know if you remember, but the ground was very soft

0:31:53.920 --> 0:31:58.600
<v Speaker 1>and you thankfully we're in lovely steel toad combat boots.

0:31:59.040 --> 0:32:04.520
<v Speaker 1>I was still in eight inch Isabel stilettos, and what

0:32:04.760 --> 0:32:07.840
<v Speaker 1>that led to was me basically aer rating the graveyard

0:32:08.120 --> 0:32:11.000
<v Speaker 1>as as I walked through and poking holes, which would

0:32:11.000 --> 0:32:13.800
<v Speaker 1>have been fine, generally speaking, until I looked closer and

0:32:13.880 --> 0:32:16.200
<v Speaker 1>saw that a lot of the graves were from, you know,

0:32:16.320 --> 0:32:20.120
<v Speaker 1>the seventeen eighties, in which case I'm pretty sure the

0:32:20.440 --> 0:32:23.840
<v Speaker 1>soil has circulated and race surfaced at this point. So

0:32:24.040 --> 0:32:27.240
<v Speaker 1>I spent most of the evening apologizing to those folks

0:32:28.440 --> 0:32:34.200
<v Speaker 1>on whose graves I was not gracefully stepping. Yeah. Yeah, Yeah,

0:32:34.600 --> 0:32:36.680
<v Speaker 1>it's funny, isn't it, because we and again we'll talk

0:32:36.680 --> 0:32:40.000
<v Speaker 1>about this later on, but we had an issue. We

0:32:40.120 --> 0:32:45.440
<v Speaker 1>had the reverse issue with the tension of the surface

0:32:45.520 --> 0:32:50.400
<v Speaker 1>of the ground at that graveyard later on in season two,

0:32:50.600 --> 0:32:55.120
<v Speaker 1>late season two, Yeah, absolute reverse issue. I don't remember

0:32:55.520 --> 0:32:59.720
<v Speaker 1>it was it was season three, because oh right, that's

0:33:00.200 --> 0:33:04.320
<v Speaker 1>it was season three. It was cold, and some swords suffered,

0:33:04.480 --> 0:33:07.480
<v Speaker 1>That's all I can say. But we'll talk suffer or

0:33:07.560 --> 0:33:10.560
<v Speaker 1>did we suffer? A sword suffered? Do you remember when

0:33:10.640 --> 0:33:12.640
<v Speaker 1>he when he had to stab it into the ground

0:33:12.800 --> 0:33:14.840
<v Speaker 1>and it's sort of accordioned. You remember that that was

0:33:14.880 --> 0:33:17.120
<v Speaker 1>the same graveyards. We're just in a different corner of

0:33:17.160 --> 0:33:21.360
<v Speaker 1>the graveyards. But again we will talk about that later on.

0:33:21.680 --> 0:33:23.520
<v Speaker 1>There's so much We're gonna keep saying this. There's so

0:33:23.680 --> 0:33:26.200
<v Speaker 1>much to keep coming back for everyone, and that's why

0:33:26.280 --> 0:33:29.480
<v Speaker 1>we're here. But also you know, as as when it

0:33:29.560 --> 0:33:32.240
<v Speaker 1>comes to things to come back for we have our

0:33:32.320 --> 0:33:35.120
<v Speaker 1>first glimpse, maybe not our first glimpse, but our next

0:33:35.160 --> 0:33:40.360
<v Speaker 1>glimpse at the next place moment that it is from

0:33:40.400 --> 0:33:44.080
<v Speaker 1>the book as well, but it's you as as Jason's

0:33:44.120 --> 0:33:46.680
<v Speaker 1>being clarionto this world and teaching her how to be

0:33:46.720 --> 0:33:50.840
<v Speaker 1>a shadow hunter and teaching her how to trust her instincts.

0:33:50.880 --> 0:33:53.560
<v Speaker 1>They're connecting on a lot of levels, and you know,

0:33:53.640 --> 0:33:56.840
<v Speaker 1>there's there's these situations where you end up relying on

0:33:56.920 --> 0:34:00.800
<v Speaker 1>a person and you get very close and and vulnerable.

0:34:01.640 --> 0:34:04.320
<v Speaker 1>Now with Jason Clary, we know that leads to a

0:34:04.400 --> 0:34:08.520
<v Speaker 1>lot of chemistry and teaching her how to weld the

0:34:08.560 --> 0:34:11.120
<v Speaker 1>sword is the equivalent of like going on a mini

0:34:11.200 --> 0:34:16.560
<v Speaker 1>golf date for these two similar Yeah, what I wanted,

0:34:16.760 --> 0:34:19.239
<v Speaker 1>and I remember talking to Andy about this is what

0:34:19.360 --> 0:34:21.920
<v Speaker 1>I wanted was this sort of and it's difficult to

0:34:21.960 --> 0:34:23.600
<v Speaker 1>do with like a sword and with the positioning that

0:34:23.640 --> 0:34:25.840
<v Speaker 1>they wanted on the on you know, the day of

0:34:25.880 --> 0:34:28.040
<v Speaker 1>the framing with us sort of stacked behind each other.

0:34:28.360 --> 0:34:30.960
<v Speaker 1>But I wanted this sort of like tai Chi moment

0:34:31.160 --> 0:34:34.640
<v Speaker 1>where we're sort of following each other's energy through the

0:34:35.840 --> 0:34:38.680
<v Speaker 1>almost like the cosmos, you know, they're sort of working

0:34:38.760 --> 0:34:41.600
<v Speaker 1>with each other, and the almost could have done it

0:34:41.640 --> 0:34:43.840
<v Speaker 1>with their eyes closed. And it started with touching and

0:34:44.000 --> 0:34:46.600
<v Speaker 1>following where the touching is going, and then that's separated

0:34:46.640 --> 0:34:49.200
<v Speaker 1>into just sort of following the energy of where it

0:34:49.320 --> 0:34:51.239
<v Speaker 1>was going, which led to her doing it on her own,

0:34:51.840 --> 0:34:55.320
<v Speaker 1>which is a large part of how Jay's teaches. Clary

0:34:55.960 --> 0:34:58.520
<v Speaker 1>is knowing that her instincts are going to take over,

0:34:58.760 --> 0:35:01.400
<v Speaker 1>understanding that her in thinks are there, and it's just

0:35:01.520 --> 0:35:03.960
<v Speaker 1>about sort of waking them up. And whether he pushes her,

0:35:04.680 --> 0:35:07.600
<v Speaker 1>you know, hard, or whether he pushes her in in

0:35:08.520 --> 0:35:11.319
<v Speaker 1>more delicate ways is in this scene and just lets

0:35:11.400 --> 0:35:14.359
<v Speaker 1>it sort of take over. This was our first time

0:35:14.440 --> 0:35:17.759
<v Speaker 1>that we get to see Clary be a shadow anter.

0:35:17.920 --> 0:35:20.920
<v Speaker 1>This is that her first like this sword does fit

0:35:21.000 --> 0:35:23.040
<v Speaker 1>in my hand. This sort is an extension of who

0:35:23.120 --> 0:35:26.600
<v Speaker 1>I am, and my instincts are coming from within me.

0:35:26.760 --> 0:35:28.440
<v Speaker 1>They're not It's not a motion that I'm doing with

0:35:28.560 --> 0:35:30.520
<v Speaker 1>my hand. It's I can feel it in my heart

0:35:30.560 --> 0:35:32.640
<v Speaker 1>and I can feel it coming out of my body

0:35:32.680 --> 0:35:34.719
<v Speaker 1>and into this sword and into this weapon. And that's

0:35:36.120 --> 0:35:37.719
<v Speaker 1>what we wanted to sort of show there, which I

0:35:37.760 --> 0:35:42.000
<v Speaker 1>think is cool, and then nicely ended that scene I

0:35:42.120 --> 0:35:44.960
<v Speaker 1>think with actually maybe chuckle. And I was rewatching it

0:35:45.480 --> 0:35:50.000
<v Speaker 1>that like sort of intensely almost sexual moment where we're

0:35:50.000 --> 0:35:51.800
<v Speaker 1>sort of close together and like I'm going to be

0:35:51.880 --> 0:35:55.360
<v Speaker 1>there for you. I will, we will be there for you.

0:35:56.040 --> 0:36:00.239
<v Speaker 1>Is just forget whatever I was saying at least Scarborough. Yeah,

0:36:00.280 --> 0:36:02.160
<v Speaker 1>I'm definitely gonna be there. Oh it's not we we

0:36:02.480 --> 0:36:10.200
<v Speaker 1>the wee. Yeah. Poor to poor Jason not being able

0:36:10.280 --> 0:36:15.239
<v Speaker 1>to express his feelings very well. That's again what is

0:36:15.320 --> 0:36:17.680
<v Speaker 1>such a great thing about Place, And I think why

0:36:18.960 --> 0:36:22.880
<v Speaker 1>their relationship was so beautiful to watch grow because you

0:36:23.040 --> 0:36:26.960
<v Speaker 1>have this kind of teaching back and forth that's happening.

0:36:27.080 --> 0:36:29.440
<v Speaker 1>You know. Jason is teaching Clary to trust her instincts

0:36:29.680 --> 0:36:32.800
<v Speaker 1>in in being a shadow hunter and in her skills

0:36:32.880 --> 0:36:37.279
<v Speaker 1>and and this sort of inherent lineage of being a

0:36:37.400 --> 0:36:40.760
<v Speaker 1>fighter and a soldier and having these powers, whereas Clary

0:36:40.920 --> 0:36:43.600
<v Speaker 1>is teaching Days to trust his instincts when it comes

0:36:43.640 --> 0:36:46.440
<v Speaker 1>to his emotions, and to trust her and to kind

0:36:46.480 --> 0:36:50.319
<v Speaker 1>of be more open and more vulnerable, to to sort

0:36:50.360 --> 0:36:54.160
<v Speaker 1>of go against the shadow Hunter's creed of emotions. Cloud

0:36:54.239 --> 0:36:59.160
<v Speaker 1>judgment and emotions are a hindrance, not a tool, and

0:36:59.280 --> 0:37:01.320
<v Speaker 1>it's it's this sort of combination of the two that

0:37:01.480 --> 0:37:05.680
<v Speaker 1>ultimately makes them both more powerful in a lot of ways.

0:37:06.239 --> 0:37:10.560
<v Speaker 1>Exactly right. So moving on from our wonderful graveyard scene. Um,

0:37:10.840 --> 0:37:14.680
<v Speaker 1>we'll actually briefly whilst we're there, because we did touch

0:37:14.719 --> 0:37:16.239
<v Speaker 1>on this earlier and I said we would come back

0:37:16.239 --> 0:37:18.000
<v Speaker 1>to it when we're in the scene. But this is

0:37:18.160 --> 0:37:20.400
<v Speaker 1>the moment if you're rewatching with us, this is the

0:37:20.480 --> 0:37:23.880
<v Speaker 1>moment where you can see for the first time Jason

0:37:23.920 --> 0:37:25.960
<v Speaker 1>alec is about to leave. Jay says something along the

0:37:26.000 --> 0:37:27.879
<v Speaker 1>lines of like, do you see what you need here?

0:37:27.960 --> 0:37:30.279
<v Speaker 1>And he's like, no, I need a bow. By the way,

0:37:30.360 --> 0:37:32.280
<v Speaker 1>first time we see Alex bow is in this episode

0:37:32.280 --> 0:37:35.440
<v Speaker 1>as well, Alex signature bow, which is exciting, but he's like, no,

0:37:35.600 --> 0:37:37.279
<v Speaker 1>I don't have a bow. I need some rrows. I've

0:37:37.280 --> 0:37:40.120
<v Speaker 1>got a ruined Tomorrows And he's like okay. He goes

0:37:40.320 --> 0:37:43.320
<v Speaker 1>and it takes two steps away and just does a

0:37:43.400 --> 0:37:47.759
<v Speaker 1>little and it's the first time that we see that

0:37:47.840 --> 0:37:51.600
<v Speaker 1>these two not only our best friends, but there is

0:37:51.680 --> 0:37:55.480
<v Speaker 1>this this ethereal supernatural relationship that they have that they

0:37:55.480 --> 0:37:58.160
<v Speaker 1>actually feel when each other feels, They sense when each

0:37:58.200 --> 0:38:00.120
<v Speaker 1>other feel and we get to talk about him more

0:38:00.120 --> 0:38:02.480
<v Speaker 1>and more late, more and more later on as the

0:38:02.520 --> 0:38:04.560
<v Speaker 1>seasons go on, But this is the first moment where

0:38:04.560 --> 0:38:06.399
<v Speaker 1>you get to see the two of them together. It's

0:38:06.440 --> 0:38:08.799
<v Speaker 1>more than just like I know you're upset and I'm

0:38:08.840 --> 0:38:11.359
<v Speaker 1>going to apologize. It's like I can feel that you're

0:38:11.440 --> 0:38:14.640
<v Speaker 1>upset and it happens to us together, which is really cool,

0:38:15.480 --> 0:38:18.400
<v Speaker 1>the first moment for us to get to explore and

0:38:18.719 --> 0:38:21.360
<v Speaker 1>in the same way that there's a vulnerability with Clary

0:38:21.520 --> 0:38:24.880
<v Speaker 1>and there's a vulnerability where you are kind of you,

0:38:25.040 --> 0:38:27.799
<v Speaker 1>we're both using our instincts in that sense, you really

0:38:27.960 --> 0:38:32.120
<v Speaker 1>see how honed that relationship is and how you both

0:38:32.160 --> 0:38:35.640
<v Speaker 1>trust each other's instincts and judgment. And just whereas you

0:38:35.680 --> 0:38:38.680
<v Speaker 1>see Clary and Jay's kind of discovering, you see Alec

0:38:38.760 --> 0:38:41.480
<v Speaker 1>and Jay's just knowing in the same way that Clarie

0:38:41.520 --> 0:38:44.239
<v Speaker 1>and Simon know how the other person feels and can

0:38:44.320 --> 0:38:48.080
<v Speaker 1>almost predict and finish each other's sentences, and it's like

0:38:48.239 --> 0:38:51.040
<v Speaker 1>you said, it's it's really lovely to see both sides

0:38:51.120 --> 0:39:15.080
<v Speaker 1>of those relationships. We leave the graveyard, we are armed

0:39:15.120 --> 0:39:20.440
<v Speaker 1>up to the teeth with our vampire killing accessories, and

0:39:20.920 --> 0:39:24.880
<v Speaker 1>this takes us to I believe the Vampire bar, you

0:39:25.000 --> 0:39:26.600
<v Speaker 1>and I at least when we go straight to the

0:39:26.680 --> 0:39:29.480
<v Speaker 1>vampire bar. From here, we're waiting for Alec to come

0:39:29.520 --> 0:39:33.160
<v Speaker 1>meet us. Correct. The first fun thing about this vampire

0:39:33.280 --> 0:39:36.000
<v Speaker 1>bar is this is another one of our sort of

0:39:36.160 --> 0:39:40.479
<v Speaker 1>unilaterally multi used sets that ended up being any number

0:39:40.560 --> 0:39:43.160
<v Speaker 1>of things. It is in the far corner of our studio.

0:39:43.800 --> 0:39:46.840
<v Speaker 1>It's interesting because we know, you know, we know because

0:39:46.840 --> 0:39:48.839
<v Speaker 1>we see it. We were there. So when the bike

0:39:49.200 --> 0:39:53.840
<v Speaker 1>exits that room that is that is the basically the

0:39:53.880 --> 0:39:57.600
<v Speaker 1>back sort of parking lot of our studio. You know,

0:39:57.680 --> 0:39:59.640
<v Speaker 1>we cleared out the cars. This is clue parking. This

0:39:59.719 --> 0:40:01.319
<v Speaker 1>is where the crew would come in and park their

0:40:01.360 --> 0:40:03.480
<v Speaker 1>cars at the beginning of the day. We cleared those

0:40:03.520 --> 0:40:05.759
<v Speaker 1>out and obviously used it as part of our as

0:40:05.800 --> 0:40:08.759
<v Speaker 1>our set. Also, a family of raccoons lived back there

0:40:08.880 --> 0:40:12.200
<v Speaker 1>for most of the time. Remember remembering those big towers

0:40:12.680 --> 0:40:14.680
<v Speaker 1>climbing up They were all in a little roll like

0:40:14.760 --> 0:40:18.440
<v Speaker 1>little ducklings, Carling. I have a video of it somewhere,

0:40:18.480 --> 0:40:20.719
<v Speaker 1>but it's not very good. It was the other thing

0:40:20.760 --> 0:40:22.840
<v Speaker 1>as well, you know, I'm thinking about that. You go

0:40:22.960 --> 0:40:25.320
<v Speaker 1>back through behind the scenes photos and you notice the

0:40:25.360 --> 0:40:28.320
<v Speaker 1>difference in quality of cell phones, the cameras on my

0:40:28.400 --> 0:40:31.160
<v Speaker 1>cell phone. The difference in quality in just six years

0:40:31.320 --> 0:40:35.920
<v Speaker 1>has come on like leaps and bounds. So congratulations, Apple,

0:40:36.120 --> 0:40:38.759
<v Speaker 1>Now give me a new phone. Apple. I think we

0:40:38.880 --> 0:40:41.080
<v Speaker 1>noticed it in particular because a lot of our sets

0:40:41.120 --> 0:40:45.040
<v Speaker 1>and locations were quite dark, and the low light photography

0:40:45.120 --> 0:40:50.920
<v Speaker 1>and photeography capabilities were vastly different. In twenty season one,

0:40:51.000 --> 0:40:53.200
<v Speaker 1>we have to explain a lot more of what's happening

0:40:53.239 --> 0:40:55.320
<v Speaker 1>in the photo, and later on towards the end of

0:40:55.360 --> 0:40:57.719
<v Speaker 1>season three, it's more obvious in the photo because the

0:40:57.800 --> 0:41:02.759
<v Speaker 1>camera's got better, exactly so that Empires can see a

0:41:02.880 --> 0:41:05.640
<v Speaker 1>little more of the sort of dark underbelly of the

0:41:05.719 --> 0:41:08.440
<v Speaker 1>vampire world. We're not in the hotel demot we're not

0:41:08.760 --> 0:41:13.400
<v Speaker 1>in a clan sort of headquarters, this like beautiful safe place.

0:41:13.520 --> 0:41:18.320
<v Speaker 1>We're in this place that is dark and dingy and dangerous,

0:41:18.560 --> 0:41:21.120
<v Speaker 1>you know, almost like a trap for human beings were

0:41:21.160 --> 0:41:24.399
<v Speaker 1>in this place. That is scary. It's a scary place

0:41:24.480 --> 0:41:27.520
<v Speaker 1>to be. It's, as you said, the dark underbelly. It's luring,

0:41:27.800 --> 0:41:30.080
<v Speaker 1>luring humans. It's the sort of thing that shadow hunters

0:41:30.120 --> 0:41:34.160
<v Speaker 1>try and prevent against, or at least put rules in

0:41:34.280 --> 0:41:37.200
<v Speaker 1>place that have a guise of controlling it, whether or

0:41:37.239 --> 0:41:41.160
<v Speaker 1>not they actually are exactly. And you can speak to

0:41:41.239 --> 0:41:45.960
<v Speaker 1>this a little more. Another fun element of watching Clary

0:41:46.239 --> 0:41:50.319
<v Speaker 1>hone her instincts, watching her ability to to become more

0:41:50.360 --> 0:41:51.880
<v Speaker 1>of the shadow hunter that she's going to be in

0:41:51.920 --> 0:41:53.600
<v Speaker 1>the future. So you can tell us a little more

0:41:53.600 --> 0:41:56.880
<v Speaker 1>about that. With the seeing through, is it a glamor,

0:41:56.880 --> 0:41:59.440
<v Speaker 1>It wouldn't be a glamor seeing through like the layers

0:41:59.440 --> 0:42:02.399
<v Speaker 1>of reality, the incanto? Yeah, so what we Something else

0:42:02.480 --> 0:42:04.600
<v Speaker 1>we discover about the vampires in this episode is they

0:42:04.680 --> 0:42:08.000
<v Speaker 1>have this ability called incanto, which is sort of a

0:42:08.400 --> 0:42:13.280
<v Speaker 1>hypnosis of and humans are affected by it. Shadow Hunters

0:42:13.480 --> 0:42:17.239
<v Speaker 1>have runes that prevent against it, but Clary, being new,

0:42:17.560 --> 0:42:22.479
<v Speaker 1>doesn't really have that capability as yet, and we see

0:42:22.600 --> 0:42:29.160
<v Speaker 1>her do her best at distracting and dealing with a

0:42:29.640 --> 0:42:33.040
<v Speaker 1>a vampire as it were. We discovered that we need

0:42:33.120 --> 0:42:34.719
<v Speaker 1>to get to Hotel to more and the only way

0:42:34.760 --> 0:42:37.680
<v Speaker 1>to do that is by flying motorcycle, because that's how

0:42:37.760 --> 0:42:41.320
<v Speaker 1>vampires travel. So what do we do? We decided to

0:42:41.320 --> 0:42:46.520
<v Speaker 1>steal a flying motorcycle because that's of course the logical

0:42:46.640 --> 0:42:49.359
<v Speaker 1>chain of events, like what would you do? Obviously, that's

0:42:49.520 --> 0:42:53.439
<v Speaker 1>that's just what happens. Yeah, Jas goes, hey, why don't

0:42:53.440 --> 0:42:56.440
<v Speaker 1>you go go talk to that vampire over there? And

0:42:56.680 --> 0:42:58.960
<v Speaker 1>of course Clary gets incanted because she doesn't know what

0:42:59.040 --> 0:43:02.759
<v Speaker 1>she's doing, and Jay still ends up able to you know,

0:43:03.200 --> 0:43:05.600
<v Speaker 1>kick some butt, steal the keys, and off we go,

0:43:06.120 --> 0:43:08.799
<v Speaker 1>which this, I think for you and I was one

0:43:08.840 --> 0:43:12.240
<v Speaker 1>of our very first encounters with sort of the grandiose

0:43:12.400 --> 0:43:15.840
<v Speaker 1>nature of what the kind of c g I powers

0:43:15.960 --> 0:43:19.080
<v Speaker 1>of this world could be, This sort of combining the

0:43:19.120 --> 0:43:21.200
<v Speaker 1>practical effects with the c g I because we were

0:43:21.239 --> 0:43:24.160
<v Speaker 1>on a massive green screen and yet we still had

0:43:24.239 --> 0:43:26.680
<v Speaker 1>to be on this motorcycle. And I actually I had

0:43:26.719 --> 0:43:28.600
<v Speaker 1>a lot of fun in this scene. I did too.

0:43:28.880 --> 0:43:31.000
<v Speaker 1>We were on wires as well. Do you remember the

0:43:31.120 --> 0:43:35.680
<v Speaker 1>bike was was in the air, they elevated the bike.

0:43:35.920 --> 0:43:40.040
<v Speaker 1>There's there is a photo of us somewhere around. I

0:43:40.080 --> 0:43:42.919
<v Speaker 1>think I have a video of it. You have the gimball. Yeah,

0:43:43.120 --> 0:43:45.479
<v Speaker 1>when this episode, Yeah, when this episode airs, we should

0:43:45.520 --> 0:43:47.840
<v Speaker 1>post some some behind the scenes of this because this

0:43:47.960 --> 0:43:50.839
<v Speaker 1>was a really cool rig, a really really cool rig

0:43:50.920 --> 0:43:52.640
<v Speaker 1>that we got to play with. And they also had

0:43:52.760 --> 0:43:55.160
<v Speaker 1>something that I always find on sets to be um.

0:43:56.160 --> 0:43:57.520
<v Speaker 1>I get a kick out of it. I think it's

0:43:57.600 --> 0:44:00.799
<v Speaker 1>very amusing. Is when they need light to flash by

0:44:00.920 --> 0:44:03.040
<v Speaker 1>quickly as though cars are passing by, they sort of

0:44:03.120 --> 0:44:06.200
<v Speaker 1>have the helicopter lins, the helicopter lights where they put

0:44:06.320 --> 0:44:09.160
<v Speaker 1>two lights on a spinning stand. They call them see stands,

0:44:09.239 --> 0:44:12.080
<v Speaker 1>So the giant metal stands that hold you know downb

0:44:12.280 --> 0:44:14.640
<v Speaker 1>but the giant metal sticks like a heavy tripod, kind

0:44:14.640 --> 0:44:17.160
<v Speaker 1>of like a big heavy tripod um and then they

0:44:17.239 --> 0:44:22.000
<v Speaker 1>put perpendicular on top that spins and the effect is

0:44:22.120 --> 0:44:24.279
<v Speaker 1>the light because of the you know, the light spin

0:44:24.400 --> 0:44:27.360
<v Speaker 1>like helicopter blades on the ends of these perpendicular poles,

0:44:27.800 --> 0:44:29.839
<v Speaker 1>and the effect is the light coming on and off

0:44:29.880 --> 0:44:31.600
<v Speaker 1>of your face and on and off of your face,

0:44:31.640 --> 0:44:33.520
<v Speaker 1>which is very clever, and it's, you know, one of

0:44:33.560 --> 0:44:37.239
<v Speaker 1>those cool behind the scenes tricks. I wonder who thought

0:44:37.280 --> 0:44:39.080
<v Speaker 1>of it first, that this was the because you know,

0:44:39.239 --> 0:44:41.040
<v Speaker 1>these tricks were most of them sort of came out

0:44:41.080 --> 0:44:44.560
<v Speaker 1>of the nineteen twenties when c g I wasn't a thing,

0:44:44.680 --> 0:44:46.560
<v Speaker 1>and it was like, well, hey, I have a flashlight.

0:44:46.600 --> 0:44:48.400
<v Speaker 1>I could just do this exactly, you know what I mean,

0:44:48.480 --> 0:44:51.960
<v Speaker 1>Like there's you know these like cool cinema tricks that

0:44:52.520 --> 0:44:54.400
<v Speaker 1>they just never got improved on because they were never

0:44:54.440 --> 0:44:56.480
<v Speaker 1>needed to be improved on, so they just still exist.

0:44:56.560 --> 0:44:58.600
<v Speaker 1>This is our standard, Like great, let's get the helicopter

0:44:58.680 --> 0:45:01.719
<v Speaker 1>lights up and let's make this thing. And that's what

0:45:01.800 --> 0:45:05.400
<v Speaker 1>I think made that scene so effective is because we

0:45:05.480 --> 0:45:07.719
<v Speaker 1>did combine the practical and the c g I. You have,

0:45:07.960 --> 0:45:10.839
<v Speaker 1>you know, this flying motorcycle going up in the air,

0:45:10.960 --> 0:45:13.680
<v Speaker 1>but it's it's us on a motorcycle with the helicopter

0:45:13.880 --> 0:45:16.759
<v Speaker 1>life and the fans and everything else. And I think

0:45:16.840 --> 0:45:19.600
<v Speaker 1>it it changed our performance as well that we actually

0:45:19.760 --> 0:45:24.200
<v Speaker 1>got to do this practically in some sense, totally totally, totally, totally.

0:45:24.560 --> 0:45:28.399
<v Speaker 1>So then we land on the roof. It's like one mind,

0:45:28.719 --> 0:45:31.880
<v Speaker 1>you're already on it. And this scene, I don't know

0:45:31.920 --> 0:45:34.200
<v Speaker 1>if you know this dumb, this scene with Jason Clary

0:45:34.239 --> 0:45:36.279
<v Speaker 1>on the roof of hotel to More. The dialogue is

0:45:36.320 --> 0:45:39.040
<v Speaker 1>taken almost directly from the book Interesting I did not

0:45:39.160 --> 0:45:40.960
<v Speaker 1>know that this whole conversation that they have, I mean,

0:45:41.000 --> 0:45:43.880
<v Speaker 1>obviously it was altered a bit for the show, but

0:45:45.040 --> 0:45:49.279
<v Speaker 1>they Jason Clary do have a conversation about the fact

0:45:49.360 --> 0:45:51.600
<v Speaker 1>that Jason has never been in love and the fact

0:45:51.719 --> 0:45:54.840
<v Speaker 1>that emotions cloud judgment and all of these things that

0:45:54.920 --> 0:45:58.080
<v Speaker 1>become such major themes in our show moving forward. But

0:45:58.200 --> 0:46:00.280
<v Speaker 1>it also is the first time that I think Clara

0:46:00.360 --> 0:46:04.319
<v Speaker 1>gets a glimpse at the way Jason thinks and why

0:46:04.440 --> 0:46:06.239
<v Speaker 1>he is the work he is, and why he is

0:46:06.360 --> 0:46:10.080
<v Speaker 1>so closed off to emotion in some sense. You know,

0:46:10.200 --> 0:46:12.440
<v Speaker 1>there's an interesting thing with this that I was when

0:46:12.480 --> 0:46:15.320
<v Speaker 1>I was watching it in relation to that love conversation,

0:46:15.520 --> 0:46:18.960
<v Speaker 1>which I think is interesting Jason never having experienced anything

0:46:19.040 --> 0:46:22.800
<v Speaker 1>like that at all, a romantic love, because he, you know,

0:46:23.560 --> 0:46:27.840
<v Speaker 1>in reality, understands exactly what love is. He loves Alec,

0:46:27.880 --> 0:46:29.680
<v Speaker 1>he loves his he, he loves his fellow Shadow, and

0:46:29.800 --> 0:46:31.800
<v Speaker 1>as he loves Mars, he loves you know, all of

0:46:31.840 --> 0:46:34.480
<v Speaker 1>these people around him. He just hasn't experience necessarily a

0:46:34.600 --> 0:46:38.120
<v Speaker 1>romantic love before. But what's interesting is, and I was

0:46:38.120 --> 0:46:42.320
<v Speaker 1>talking to my girlfriend about this recently, is you or

0:46:42.360 --> 0:46:44.799
<v Speaker 1>at least from my point of view. I have felt

0:46:44.840 --> 0:46:47.400
<v Speaker 1>like I was in love before and I felt that

0:46:47.600 --> 0:46:50.200
<v Speaker 1>this is this is it, this is the be all

0:46:50.280 --> 0:46:53.440
<v Speaker 1>and end all. But then every time I meet someone new,

0:46:54.840 --> 0:46:56.839
<v Speaker 1>you know, for whatever reason, that relationship ended, and then

0:46:56.880 --> 0:46:58.879
<v Speaker 1>it moves on. You know, you evolved and you grow

0:46:58.920 --> 0:47:01.320
<v Speaker 1>and you're like, oh, actually, this is what love feels like.

0:47:01.560 --> 0:47:04.200
<v Speaker 1>This is that previous thing was nice and I enjoyed it,

0:47:04.280 --> 0:47:07.279
<v Speaker 1>but this it wasn't. I didn't I don't feel the

0:47:07.320 --> 0:47:09.080
<v Speaker 1>way I feel now, and now it's sort of elevated.

0:47:09.120 --> 0:47:11.600
<v Speaker 1>And the same with Decca. Now this is the most

0:47:11.719 --> 0:47:13.480
<v Speaker 1>in love I've ever felt in my entire life, and

0:47:14.920 --> 0:47:16.799
<v Speaker 1>it sort of made me feel like I wonder if

0:47:16.880 --> 0:47:19.279
<v Speaker 1>that previous thing was actually love or if it was

0:47:19.360 --> 0:47:22.040
<v Speaker 1>more if the if love is sort of more of

0:47:22.080 --> 0:47:25.960
<v Speaker 1>a spectrum where you're it's a certain percentage lust and

0:47:26.000 --> 0:47:29.160
<v Speaker 1>a certain percentage love or a certain percentage connection whatever.

0:47:29.320 --> 0:47:32.640
<v Speaker 1>And then the you know, the more you find your person,

0:47:32.800 --> 0:47:35.239
<v Speaker 1>you know your your soul mate, the romanticized version of

0:47:35.280 --> 0:47:38.080
<v Speaker 1>what a soul mate is. I always this is one

0:47:38.120 --> 0:47:40.200
<v Speaker 1>of the things that I directly related to with Jace,

0:47:40.320 --> 0:47:43.359
<v Speaker 1>where it's sort of felt a bit like I've never

0:47:43.440 --> 0:47:45.560
<v Speaker 1>been in love, and I'm not really in any rush

0:47:45.719 --> 0:47:48.239
<v Speaker 1>to sort of chase that because I feel like when

0:47:48.280 --> 0:47:50.800
<v Speaker 1>it when it arrives, then I'm just going to know

0:47:51.040 --> 0:47:53.080
<v Speaker 1>it's I'm going to feel it in my heart that like, oh,

0:47:53.160 --> 0:47:54.840
<v Speaker 1>this is what love is and this is awesome. And

0:47:54.960 --> 0:47:57.680
<v Speaker 1>that's how he feels with Clary. I think a big

0:47:57.760 --> 0:48:00.440
<v Speaker 1>part of why they get so close so quickly is

0:48:00.480 --> 0:48:02.520
<v Speaker 1>because of this connection that they feel with each other,

0:48:02.600 --> 0:48:05.760
<v Speaker 1>because they're sort of magnetically drawn to each other anyway

0:48:05.760 --> 0:48:08.719
<v Speaker 1>stopping moment over No, But I it's actually interesting that

0:48:08.800 --> 0:48:11.720
<v Speaker 1>you bring that up because I agree with you completely.

0:48:11.719 --> 0:48:13.880
<v Speaker 1>I think as you go through phases of life, you

0:48:14.640 --> 0:48:18.520
<v Speaker 1>learn with every relationship and with every person you meet

0:48:18.520 --> 0:48:21.440
<v Speaker 1>and every kind of love you experience, your understanding of

0:48:21.520 --> 0:48:23.520
<v Speaker 1>love change is also where you are as a human

0:48:24.080 --> 0:48:26.960
<v Speaker 1>changes how what love means to you at that at

0:48:27.000 --> 0:48:29.200
<v Speaker 1>that moment in time. You know, when you're fifteen, it's

0:48:29.360 --> 0:48:31.919
<v Speaker 1>entirely different than when you're twenty five, and it's ardly

0:48:31.920 --> 0:48:33.520
<v Speaker 1>to hard when you're thirty five and moving forward. But

0:48:34.080 --> 0:48:38.120
<v Speaker 1>it's interesting mythologically that you bring this up because I

0:48:38.160 --> 0:48:40.600
<v Speaker 1>don't know if you recall this, but in the lore

0:48:40.920 --> 0:48:45.279
<v Speaker 1>of this world, and the shadow World shadow Hunters only

0:48:45.360 --> 0:48:48.640
<v Speaker 1>fall in love once and they have one great love

0:48:48.719 --> 0:48:51.200
<v Speaker 1>of their life, and that is it. And that's why

0:48:52.560 --> 0:48:54.680
<v Speaker 1>you know, you can have a parabatae, which is it's

0:48:54.800 --> 0:48:59.239
<v Speaker 1>it's a metaphysical emotional connection that is supposed to be

0:48:59.440 --> 0:49:03.600
<v Speaker 1>and required to be non romantic because the shadow Hunters

0:49:03.719 --> 0:49:06.960
<v Speaker 1>love is so great and it is so when shadow

0:49:07.040 --> 0:49:11.640
<v Speaker 1>Hunters find there one person, yeah, it's for life, it's

0:49:11.680 --> 0:49:15.200
<v Speaker 1>for life, and that is I think what probably is is,

0:49:15.719 --> 0:49:17.759
<v Speaker 1>you know, Clary doesn't know this yet, but I think

0:49:17.840 --> 0:49:22.920
<v Speaker 1>it's what's jarring to Alec and maybe even to Jason

0:49:23.080 --> 0:49:26.000
<v Speaker 1>some level, that Jace does have such connection with Clary,

0:49:26.120 --> 0:49:28.279
<v Speaker 1>because if that is, that's a huge threat to not

0:49:28.440 --> 0:49:33.040
<v Speaker 1>only the parabatic relationship, but also to Jace's position at

0:49:33.040 --> 0:49:37.200
<v Speaker 1>the Institute and his job and if she's Valentine's daughter,

0:49:37.360 --> 0:49:39.760
<v Speaker 1>because they don't they still don't know a hundred percent

0:49:39.880 --> 0:49:43.760
<v Speaker 1>if Clary is on the up and up one percent.

0:49:44.080 --> 0:49:47.280
<v Speaker 1>So it's interesting if jas is one true love happens

0:49:47.320 --> 0:49:50.600
<v Speaker 1>to be the face of pure evil, of evil, yeah,

0:49:50.760 --> 0:49:54.440
<v Speaker 1>the yeah, the seedling of evil for sure. So I

0:49:54.480 --> 0:49:56.600
<v Speaker 1>don't know if you remember this, but this is the

0:49:56.760 --> 0:49:59.880
<v Speaker 1>one and only time that we used a practical light

0:50:00.080 --> 0:50:03.439
<v Speaker 1>up stella after the bikes, when we've landed on the roof,

0:50:03.680 --> 0:50:06.160
<v Speaker 1>we had do you remember this? They had one with

0:50:06.320 --> 0:50:10.200
<v Speaker 1>a with a wire attached to the physical stella, which

0:50:10.239 --> 0:50:12.160
<v Speaker 1>was attached to a battery pack which was in my

0:50:12.360 --> 0:50:15.120
<v Speaker 1>other pockets. So it went from this pocket down here,

0:50:15.160 --> 0:50:17.640
<v Speaker 1>through my jacket around my back and then down my

0:50:17.760 --> 0:50:20.759
<v Speaker 1>sleeve into this stella and I could physically turn on

0:50:20.840 --> 0:50:23.439
<v Speaker 1>the light of the stell a with this hand which

0:50:23.480 --> 0:50:26.480
<v Speaker 1>is hidden behind my back. And if you cut two, oh,

0:50:26.520 --> 0:50:28.320
<v Speaker 1>I don't have the time on this, which is annoying.

0:50:28.360 --> 0:50:30.279
<v Speaker 1>So I don't have the time stamp, but I So

0:50:30.560 --> 0:50:32.319
<v Speaker 1>the idea was that I will light up the stelle,

0:50:32.400 --> 0:50:34.759
<v Speaker 1>I will ruin clary c G, I will take over

0:50:34.880 --> 0:50:36.800
<v Speaker 1>the you know, the burning section on the skin, and

0:50:36.880 --> 0:50:39.080
<v Speaker 1>then I let it go and the cell a d

0:50:39.320 --> 0:50:42.080
<v Speaker 1>lights or you know whatever, and then I put it away.

0:50:42.640 --> 0:50:45.240
<v Speaker 1>The issue with that is if you look very closely

0:50:45.360 --> 0:50:47.640
<v Speaker 1>here and I'm literally looking at the scene, you can

0:50:47.680 --> 0:50:49.759
<v Speaker 1>see the wire. It's hanging out of the back of

0:50:49.880 --> 0:50:53.400
<v Speaker 1>my jacket. Yeah. Pretty obviously there's a black there's like

0:50:53.480 --> 0:50:55.480
<v Speaker 1>a black cable that looks like sort of a headphone

0:50:55.520 --> 0:50:58.440
<v Speaker 1>wire and it's hanging out of my jacket. So right

0:50:58.520 --> 0:51:01.200
<v Speaker 1>as he right as Jays turns around having to be

0:51:01.520 --> 0:51:04.360
<v Speaker 1>done with ruining Clary and puts the Stelle in his

0:51:04.440 --> 0:51:07.719
<v Speaker 1>back pocket, which is where it lived. That wire is

0:51:07.840 --> 0:51:11.439
<v Speaker 1>just there. It's just it's just hanging out. James forgot

0:51:11.480 --> 0:51:13.920
<v Speaker 1>to put his headphones away. You forgot to put his

0:51:14.000 --> 0:51:16.560
<v Speaker 1>headphones away. Also, It's dawning on me right in this

0:51:16.719 --> 0:51:18.840
<v Speaker 1>moment that I think part of the reason why I

0:51:18.880 --> 0:51:20.960
<v Speaker 1>broke so many Stellar's is because I chose to put

0:51:21.000 --> 0:51:22.600
<v Speaker 1>it in my back pocket and I would forget and

0:51:22.680 --> 0:51:24.560
<v Speaker 1>sit on it and it would shutter in my back

0:51:24.600 --> 0:51:28.160
<v Speaker 1>pocket and have that awful moment of like, yeah, well

0:51:28.360 --> 0:51:30.960
<v Speaker 1>that's broken. That is definitely how because I broke a

0:51:31.040 --> 0:51:33.120
<v Speaker 1>couple of Stellar season one as well, that is definitely

0:51:33.200 --> 0:51:35.719
<v Speaker 1>how I broke them. And was so thankful for our

0:51:35.800 --> 0:51:39.359
<v Speaker 1>Holsters in season two because it took care of all

0:51:39.480 --> 0:51:41.319
<v Speaker 1>of that. And maybe that's why they decided to make

0:51:41.360 --> 0:51:45.120
<v Speaker 1>his holsters, because they were sick of us breaking. In

0:51:45.280 --> 0:51:47.520
<v Speaker 1>big part, yeah, I think in big part that was

0:51:47.600 --> 0:51:51.239
<v Speaker 1>part of it. So now listen, now we get to

0:51:51.320 --> 0:51:54.520
<v Speaker 1>the meat of the episode, the exciting part of the episode,

0:51:54.840 --> 0:51:59.319
<v Speaker 1>the action packed conclusion. Here we go rescuing Simon Part two.

0:52:00.160 --> 0:52:04.000
<v Speaker 1>Rescuing Simon Part two. So also, interesting thing about this

0:52:04.040 --> 0:52:06.440
<v Speaker 1>set where we land the motor cycle. This is the

0:52:06.520 --> 0:52:08.840
<v Speaker 1>roof of our studio. Oh yeah, that's right, isn't it.

0:52:09.200 --> 0:52:11.839
<v Speaker 1>This is the roof of our studio, the actual practical roof.

0:52:12.040 --> 0:52:14.120
<v Speaker 1>This is the actual practical roof of our studios. So

0:52:14.239 --> 0:52:18.480
<v Speaker 1>we are three stories up on the top of this, uh,

0:52:19.040 --> 0:52:23.920
<v Speaker 1>this building that we sort of wrecked into. Interestingly, the

0:52:24.120 --> 0:52:27.440
<v Speaker 1>only time we use the roof because we later built

0:52:27.600 --> 0:52:31.279
<v Speaker 1>a roof inside later we built a set inside, you know,

0:52:31.360 --> 0:52:34.360
<v Speaker 1>we did for every other instance. That this was the

0:52:34.440 --> 0:52:37.239
<v Speaker 1>only time we were actually very interesting, I wonder why.

0:52:37.560 --> 0:52:39.880
<v Speaker 1>So Actually, in the background of this of this scene

0:52:39.880 --> 0:52:43.080
<v Speaker 1>with the motorcycle, you can see the towers where the

0:52:43.200 --> 0:52:46.800
<v Speaker 1>raccoons lived, which to there. There are these four towers

0:52:46.840 --> 0:52:50.279
<v Speaker 1>behind us, these sort of cylindrical white towers, which is

0:52:50.320 --> 0:52:52.520
<v Speaker 1>where this family of raccoons lived was in there, and

0:52:52.640 --> 0:52:55.880
<v Speaker 1>at the bottom of those towers is the vampire bar.

0:52:56.000 --> 0:52:58.320
<v Speaker 1>So the bottom corner of the parking lot that's that

0:52:58.400 --> 0:53:01.879
<v Speaker 1>we also used for Magnus is party of the rave

0:53:02.000 --> 0:53:03.600
<v Speaker 1>that we see in the next episode that sort of

0:53:03.719 --> 0:53:06.920
<v Speaker 1>revolving door of sets, that's that's over there behind this,

0:53:07.920 --> 0:53:10.160
<v Speaker 1>So just like a little sort of interesting piece of

0:53:11.360 --> 0:53:13.719
<v Speaker 1>magic of how how TV shows are filmed. You know,

0:53:13.800 --> 0:53:15.680
<v Speaker 1>it's all sort of in the same area, but not

0:53:15.800 --> 0:53:17.880
<v Speaker 1>really in the same area. And I think too in

0:53:17.960 --> 0:53:21.919
<v Speaker 1>this episode we see another part of the sound stage.

0:53:21.920 --> 0:53:23.759
<v Speaker 1>Do you remember that one area where we did our

0:53:23.840 --> 0:53:27.800
<v Speaker 1>first kind of badass slow motion walk through with the

0:53:27.920 --> 0:53:31.400
<v Speaker 1>swords glowing in the dark, and that that was the

0:53:31.480 --> 0:53:33.799
<v Speaker 1>first time we encountered on set where we show up

0:53:33.840 --> 0:53:37.480
<v Speaker 1>and the entire crew is in masks and there's some

0:53:37.640 --> 0:53:39.400
<v Speaker 1>sort of dust floating in the air and we have

0:53:39.520 --> 0:53:41.879
<v Speaker 1>no idea what's going on. We made masks cool before

0:53:41.960 --> 0:53:46.279
<v Speaker 1>twenty just saying shadow they were. They were being used

0:53:46.280 --> 0:53:48.520
<v Speaker 1>a lot by the shadow Ants group for sure, because

0:53:48.560 --> 0:53:50.640
<v Speaker 1>we were up in the attic essentially of this building

0:53:50.719 --> 0:53:53.400
<v Speaker 1>with like there was like the honestly parts of it,

0:53:53.480 --> 0:53:56.440
<v Speaker 1>it looked like it almost looked like tile, and then

0:53:56.480 --> 0:53:58.440
<v Speaker 1>you touched it and your hands would sink an inch

0:53:58.520 --> 0:54:02.359
<v Speaker 1>and a half through this collection of dust, like years

0:54:02.360 --> 0:54:04.040
<v Speaker 1>and years and years worth of dust. So it's pretty

0:54:04.040 --> 0:54:06.920
<v Speaker 1>grim up there. Granted, looked great for atmosphere, and our

0:54:06.960 --> 0:54:09.600
<v Speaker 1>poor crew had to be in there for most of

0:54:09.680 --> 0:54:11.920
<v Speaker 1>the time, so of course they were in has mat

0:54:12.080 --> 0:54:14.920
<v Speaker 1>suits and masks and and while they were setting up

0:54:14.960 --> 0:54:18.520
<v Speaker 1>we got to step away from said dust. But I

0:54:18.640 --> 0:54:21.360
<v Speaker 1>do remember that was one of the first moments that

0:54:21.520 --> 0:54:24.880
<v Speaker 1>it hit me. This sort of it's that moment on

0:54:24.960 --> 0:54:27.040
<v Speaker 1>set where you have to pinch yourself because you feel

0:54:27.040 --> 0:54:29.040
<v Speaker 1>like a little kid playing with swords in the woods

0:54:29.120 --> 0:54:31.480
<v Speaker 1>and playing with your friends, because you go, oh no,

0:54:31.640 --> 0:54:33.400
<v Speaker 1>this is the moment. This is where we do the

0:54:33.480 --> 0:54:37.200
<v Speaker 1>badass slow motion. This is our our team, this is

0:54:37.239 --> 0:54:40.239
<v Speaker 1>our superhero moment. This is our kind of you know,

0:54:40.640 --> 0:54:42.840
<v Speaker 1>the part where the rock music kicks in and the

0:54:42.920 --> 0:54:46.680
<v Speaker 1>mission starts and and here it goes, and uh, you

0:54:46.719 --> 0:54:48.719
<v Speaker 1>know it's it's true for the story as well. It's

0:54:48.760 --> 0:54:52.279
<v Speaker 1>the first time that Clary is officially or unofficially part

0:54:52.320 --> 0:54:55.120
<v Speaker 1>of the team and serving a purpose and kind of

0:54:55.920 --> 0:55:17.440
<v Speaker 1>having at least a small modicum of skills. So, speaking

0:55:17.520 --> 0:55:21.120
<v Speaker 1>of said instincts and skills, we move in. The shadow

0:55:21.160 --> 0:55:24.960
<v Speaker 1>Hunters move in. We have Distraction Team Alpha and then

0:55:25.600 --> 0:55:29.600
<v Speaker 1>Team Place moving in separately and making our way towards

0:55:29.800 --> 0:55:34.560
<v Speaker 1>slowly where Simon is we bump into our handsome friend

0:55:34.920 --> 0:55:39.799
<v Speaker 1>from earlier and this is where no, our handsome friend

0:55:39.840 --> 0:55:45.600
<v Speaker 1>from the biker bar, blue jacket dude. And this is

0:55:45.920 --> 0:55:48.840
<v Speaker 1>the part I've been just dying to talk about. This

0:55:48.960 --> 0:55:51.279
<v Speaker 1>is where I snap my ankle. This is where I

0:55:51.320 --> 0:55:53.160
<v Speaker 1>snapped my ankle and you can see it kind of

0:55:53.200 --> 0:55:55.560
<v Speaker 1>happen if you look real close. I don't think you'll

0:55:55.560 --> 0:55:59.000
<v Speaker 1>see my ankle actually snap, thank god. But there we

0:55:59.120 --> 0:56:02.040
<v Speaker 1>walk into this play and Jace gets blindsided by these

0:56:02.360 --> 0:56:05.520
<v Speaker 1>these two vampires lifted up into the air and then

0:56:05.520 --> 0:56:08.759
<v Speaker 1>slammed down into the ground earlier on, So this is

0:56:08.920 --> 0:56:11.279
<v Speaker 1>this is the full story of how this happened. Earlier on.

0:56:11.880 --> 0:56:14.279
<v Speaker 1>In this day, we were rehearsing a stunt that was

0:56:14.320 --> 0:56:16.719
<v Speaker 1>supposed to be in this cool fight scene where I

0:56:18.080 --> 0:56:21.200
<v Speaker 1>use this cupuera, which is a Brazilian sort of dance

0:56:21.280 --> 0:56:24.800
<v Speaker 1>slash fighting martial art. This cupuerera move where I go

0:56:24.920 --> 0:56:26.959
<v Speaker 1>down on one hand and use my legs to wrap

0:56:27.120 --> 0:56:30.279
<v Speaker 1>around the neck of the vampire and pull him over

0:56:30.360 --> 0:56:31.920
<v Speaker 1>the top and he ends up sort of locked up

0:56:31.920 --> 0:56:34.200
<v Speaker 1>in an armbar. The video of that is on my

0:56:34.280 --> 0:56:37.320
<v Speaker 1>Instagram somewhere of me rehearsing it. Earlier this day, we

0:56:37.400 --> 0:56:39.600
<v Speaker 1>was sort of finalizing it and we made there was

0:56:39.640 --> 0:56:41.400
<v Speaker 1>a mistake that happened, and I ended up taking a

0:56:41.440 --> 0:56:44.879
<v Speaker 1>knee to the face which sort of knocked out half

0:56:44.920 --> 0:56:47.400
<v Speaker 1>of one of my tooth, and it happens, it was

0:56:47.440 --> 0:56:50.480
<v Speaker 1>a mistake. So then we go to set sort of

0:56:50.560 --> 0:56:55.000
<v Speaker 1>borderline concussed with a little chunk of tooth missing. And

0:56:55.120 --> 0:56:57.279
<v Speaker 1>the first thing that happens is we do this this

0:56:57.480 --> 0:57:00.320
<v Speaker 1>tackle and my ankle just snaps underneath me on landing,

0:57:00.719 --> 0:57:02.680
<v Speaker 1>and I remember it happening, And anyone who's ever done

0:57:02.719 --> 0:57:07.960
<v Speaker 1>this before, you'll know this this sort of weird paradox

0:57:08.040 --> 0:57:11.520
<v Speaker 1>of emotions that goes through you where you're in instant pain.

0:57:11.800 --> 0:57:13.880
<v Speaker 1>You know something bad has happened to that area of

0:57:13.920 --> 0:57:16.280
<v Speaker 1>your body. You're in so much pain, but you're also

0:57:16.440 --> 0:57:19.680
<v Speaker 1>so it's so annoying. It's such an annoying You're like, oh, God,

0:57:19.800 --> 0:57:22.240
<v Speaker 1>damn it. That's no, that's what it is. And with

0:57:22.400 --> 0:57:25.840
<v Speaker 1>me when something when I get hurt badly, I go

0:57:26.040 --> 0:57:28.160
<v Speaker 1>very quiet, and I go very insular, and I sort

0:57:28.200 --> 0:57:29.680
<v Speaker 1>of try and breathe my way through it, and I'm like,

0:57:29.760 --> 0:57:31.080
<v Speaker 1>I know there are people here who are going to

0:57:31.120 --> 0:57:33.600
<v Speaker 1>help me. So I just go cut. I'm so sorry.

0:57:33.640 --> 0:57:35.360
<v Speaker 1>We need to stop. I'm so sorry. We need to stop.

0:57:35.400 --> 0:57:37.840
<v Speaker 1>We need to stop, We need to stop, which immediately

0:57:37.880 --> 0:57:40.040
<v Speaker 1>brings the medics into set um. You know, they know

0:57:40.200 --> 0:57:42.440
<v Speaker 1>something's gone wrong whatever, and they start on doing my

0:57:42.560 --> 0:57:44.360
<v Speaker 1>boots and by the time my boot is off, my

0:57:44.400 --> 0:57:47.080
<v Speaker 1>ankle is twice the size. Straight to the hospital. We

0:57:47.160 --> 0:57:49.400
<v Speaker 1>put a we put a pause on the day. And

0:57:50.160 --> 0:57:52.240
<v Speaker 1>that was sort of the position I was in for

0:57:52.320 --> 0:57:55.240
<v Speaker 1>the next like five episodes, because it was my ankle

0:57:55.360 --> 0:57:57.560
<v Speaker 1>was a mess, so is in. I was wrapped up

0:57:57.560 --> 0:58:00.800
<v Speaker 1>in like you know, either support straps they needed to

0:58:00.840 --> 0:58:02.800
<v Speaker 1>see my feeds where I was on crutches, or I

0:58:02.880 --> 0:58:05.960
<v Speaker 1>was in a boot. And this is this is the episode.

0:58:06.040 --> 0:58:09.080
<v Speaker 1>This is the episode that the big first injury happened.

0:58:09.800 --> 0:58:13.280
<v Speaker 1>But you know, credit to the crew and the team,

0:58:13.320 --> 0:58:15.320
<v Speaker 1>my fellow actors. We powered our way through and we

0:58:15.440 --> 0:58:17.800
<v Speaker 1>managed to get stuff. And I don't think unless you

0:58:17.920 --> 0:58:20.400
<v Speaker 1>know this story, I don't think you would really know

0:58:21.800 --> 0:58:24.480
<v Speaker 1>that anything happened. A lot of that was creative shoot shooting,

0:58:24.600 --> 0:58:27.800
<v Speaker 1>creative filmmaking that you know, dom currently walk you can

0:58:27.840 --> 0:58:31.000
<v Speaker 1>do maybe three steps and that's kind of it for now.

0:58:31.640 --> 0:58:33.840
<v Speaker 1>And we figured it out. We've figured it out as

0:58:33.880 --> 0:58:36.320
<v Speaker 1>a team and collaboratively as actors were like, well then

0:58:36.360 --> 0:58:38.360
<v Speaker 1>why don't we enter from here or you know whatever,

0:58:38.440 --> 0:58:41.160
<v Speaker 1>And fellow actors were very very helpful with that. My

0:58:41.200 --> 0:58:44.200
<v Speaker 1>colleagues were very helpful and very supportive. And then also

0:58:44.280 --> 0:58:47.480
<v Speaker 1>the crew and the team around us were very accommodating

0:58:47.640 --> 0:58:50.480
<v Speaker 1>for trying to figure that out. So as as bad

0:58:50.560 --> 0:58:53.000
<v Speaker 1>as the injury was, the fact that it didn't put

0:58:53.040 --> 0:58:55.040
<v Speaker 1>a stoppage in the show, I think is a credit

0:58:55.120 --> 0:58:57.720
<v Speaker 1>to the team that we had up there. Absolutely, and

0:58:57.840 --> 0:59:00.040
<v Speaker 1>that's that's exactly it. And I think that was of

0:59:00.120 --> 0:59:03.120
<v Speaker 1>the first time that we all did have to band

0:59:03.200 --> 0:59:05.480
<v Speaker 1>together as a crew and a cast and and a

0:59:05.560 --> 0:59:08.480
<v Speaker 1>team and go, Okay, here's a problem. How do we

0:59:08.560 --> 0:59:10.240
<v Speaker 1>solve it. How do we figure this out? How do

0:59:10.320 --> 0:59:12.320
<v Speaker 1>we fix it? Because we can't start figure this out

0:59:12.640 --> 0:59:15.640
<v Speaker 1>and trains gotta keep moving, so let's let's all carry

0:59:15.680 --> 0:59:18.560
<v Speaker 1>each other through. And you know, that became kind of

0:59:18.640 --> 0:59:21.360
<v Speaker 1>the spirit of the show in in a really beautiful way,

0:59:22.200 --> 0:59:25.720
<v Speaker 1>as unfortunate as it was. For as unfortunate as it was,

0:59:26.440 --> 0:59:29.760
<v Speaker 1>a nicely clarifying moment that these are good people that

0:59:29.840 --> 0:59:31.120
<v Speaker 1>I want to spend a lot of my time with

0:59:32.120 --> 0:59:35.760
<v Speaker 1>even though I was in pain. So let's also talk

0:59:35.800 --> 0:59:40.000
<v Speaker 1>about whilst we're in the Vampire Den. We have not

0:59:40.200 --> 0:59:44.200
<v Speaker 1>mentioned Alberto enough in this and this is I think

0:59:44.360 --> 0:59:46.240
<v Speaker 1>this was a real time for him to sort of fly.

0:59:46.720 --> 0:59:50.520
<v Speaker 1>We got to understand how how brilliant Alberto is an

0:59:50.640 --> 0:59:54.880
<v Speaker 1>improvisation and how how easy he made this sort of

0:59:55.000 --> 0:59:57.880
<v Speaker 1>dialogue that was very you know, and you got to

0:59:57.960 --> 1:00:01.880
<v Speaker 1>see him like play with things and do the thing

1:00:02.040 --> 1:00:04.840
<v Speaker 1>with you know, with the with the vase, and he

1:00:04.920 --> 1:00:07.400
<v Speaker 1>gets to go and have fun. And this is like

1:00:07.480 --> 1:00:11.400
<v Speaker 1>Alberto's wheelhouse. This is what he's amazing at is when

1:00:11.480 --> 1:00:13.760
<v Speaker 1>they just sort of let him go and they go, well,

1:00:13.800 --> 1:00:16.000
<v Speaker 1>he's amazing a lot of things. But when they just

1:00:16.200 --> 1:00:18.320
<v Speaker 1>let him sort of go, yeah, you've got kind of

1:00:18.360 --> 1:00:20.640
<v Speaker 1>free rein here. You just go and do your thing. Um,

1:00:20.720 --> 1:00:24.160
<v Speaker 1>and he's like, I got You have him opposite Caitlin Leeb,

1:00:24.240 --> 1:00:27.720
<v Speaker 1>who plays Camille so brilliantly, who just slithers in as

1:00:27.760 --> 1:00:34.400
<v Speaker 1>this very feline, very sexy, all powerful lead vampire of

1:00:34.520 --> 1:00:38.920
<v Speaker 1>the clan, and then you have Alberto opposite her, and

1:00:39.040 --> 1:00:41.960
<v Speaker 1>you you set him loose with all of the artifacts

1:00:42.000 --> 1:00:45.240
<v Speaker 1>and all of the playthings and go, okay, have fun.

1:00:45.360 --> 1:00:47.320
<v Speaker 1>You give him a sandbox and let him go play

1:00:48.000 --> 1:00:50.920
<v Speaker 1>and it just enjoy Yeah, and well, and Alberto got

1:00:50.960 --> 1:00:54.480
<v Speaker 1>to create so much too, of what the incanto was

1:00:54.600 --> 1:00:58.200
<v Speaker 1>and how it manifests, and what you know, the freezes are,

1:00:58.240 --> 1:01:00.440
<v Speaker 1>and how how it works with vampires and how to

1:01:00.560 --> 1:01:04.200
<v Speaker 1>do the speed and all of these different elements. A

1:01:04.280 --> 1:01:09.240
<v Speaker 1>lot of that was Alberto's creativity influencing how it manifested.

1:01:09.400 --> 1:01:11.680
<v Speaker 1>And I remember having conversations with him because he did

1:01:11.760 --> 1:01:14.560
<v Speaker 1>that scene first before I did mine in canto, and

1:01:14.680 --> 1:01:16.640
<v Speaker 1>so I sort of had to go to him and go, okay,

1:01:16.880 --> 1:01:19.280
<v Speaker 1>you've established this, what did you do and how does

1:01:19.320 --> 1:01:21.080
<v Speaker 1>it work? And you know that way we could keep

1:01:21.120 --> 1:01:23.520
<v Speaker 1>it consistent. We did a lot of that. We remember,

1:01:23.800 --> 1:01:25.120
<v Speaker 1>we used to do a lot of that sort of

1:01:25.160 --> 1:01:29.280
<v Speaker 1>stuff where whoever it was who filmed first, we take

1:01:29.360 --> 1:01:31.960
<v Speaker 1>that person aside and go, hey, how how did you

1:01:32.040 --> 1:01:34.040
<v Speaker 1>set this law up? Because we weren't there those days.

1:01:34.120 --> 1:01:36.080
<v Speaker 1>And this is another thing that it's that is interesting

1:01:36.160 --> 1:01:39.120
<v Speaker 1>for people to remember, is you know, on set, if

1:01:39.200 --> 1:01:41.640
<v Speaker 1>you're not in that scene, the chances are you weren't

1:01:41.680 --> 1:01:44.520
<v Speaker 1>physically there that day, so you didn't see what happened.

1:01:44.840 --> 1:01:46.600
<v Speaker 1>And then on top of that, if they tried a

1:01:46.680 --> 1:01:49.160
<v Speaker 1>few different iterations of whatever it was, we don't know

1:01:49.240 --> 1:01:51.080
<v Speaker 1>which one they're going to go with. So the only

1:01:51.160 --> 1:01:54.720
<v Speaker 1>way to match what had previously been established is this

1:01:54.840 --> 1:01:58.160
<v Speaker 1>is how we do things. To doing it again is

1:01:58.280 --> 1:02:01.080
<v Speaker 1>to talk to the actors and the directors and the

1:02:01.400 --> 1:02:03.280
<v Speaker 1>teams around you and say, hey, how did we do this?

1:02:03.440 --> 1:02:05.800
<v Speaker 1>How what was the what was the process that we

1:02:05.880 --> 1:02:08.400
<v Speaker 1>went through? And you know, we'll talk about this much

1:02:08.480 --> 1:02:11.240
<v Speaker 1>later on, but Luke and I had that that conversation

1:02:11.600 --> 1:02:15.240
<v Speaker 1>when we play each other, you know, in that section

1:02:15.280 --> 1:02:18.440
<v Speaker 1>in season three, we sat down, we'd at a bar

1:02:18.560 --> 1:02:20.000
<v Speaker 1>and we had some drinks and it was a weird

1:02:20.080 --> 1:02:23.080
<v Speaker 1>motion for everyone else there because we were mimicking each other.

1:02:23.200 --> 1:02:25.520
<v Speaker 1>We were copying each other's motions and like figuring out

1:02:25.600 --> 1:02:27.360
<v Speaker 1>how to move like each other and talk like each

1:02:27.400 --> 1:02:29.920
<v Speaker 1>other and stand like each other. And that's, you know,

1:02:30.240 --> 1:02:32.680
<v Speaker 1>one of those things that sort of goes into making

1:02:33.600 --> 1:02:35.880
<v Speaker 1>making these kind of shows that you know you have

1:02:36.080 --> 1:02:38.400
<v Speaker 1>to you have to collaborate and work and trust the

1:02:38.440 --> 1:02:40.760
<v Speaker 1>other people. Didn't even Alberto have to do that at

1:02:40.760 --> 1:02:44.840
<v Speaker 1>one point as well. For when you Glamors in the bar, right,

1:02:44.840 --> 1:02:47.720
<v Speaker 1>because didn't one of you glamorous or something? There was

1:02:47.800 --> 1:02:51.800
<v Speaker 1>something I forget exactly what it was, Glamours as him.

1:02:52.040 --> 1:02:54.720
<v Speaker 1>And then we had lovely Sarah Scottford. I don't know

1:02:54.720 --> 1:02:57.760
<v Speaker 1>if you remember who was playing our gorgeous girl. So

1:02:57.840 --> 1:03:00.640
<v Speaker 1>Sarah Scottford had been with us pretty much since the

1:03:00.680 --> 1:03:03.560
<v Speaker 1>beginning as a standing, which is one of the more

1:03:04.000 --> 1:03:07.800
<v Speaker 1>painstaking jobs on set. A stand in is someone who,

1:03:09.120 --> 1:03:10.560
<v Speaker 1>you know, if we're in hair and makeup, or if

1:03:10.560 --> 1:03:13.400
<v Speaker 1>we're getting our touches done, or if we're speaking to

1:03:13.680 --> 1:03:16.560
<v Speaker 1>the director or rehearsing or whatever it is, the standing

1:03:16.680 --> 1:03:19.600
<v Speaker 1>literally stands in our spot and they get lit around us.

1:03:19.680 --> 1:03:21.360
<v Speaker 1>They match the lighting to us, and they sort of

1:03:21.440 --> 1:03:23.840
<v Speaker 1>look vaguely like us. There are heights, there are build

1:03:24.280 --> 1:03:27.160
<v Speaker 1>and Sarah, I believe, was your stand in or sort

1:03:27.200 --> 1:03:31.120
<v Speaker 1>of our overall female standing and this one day we

1:03:31.240 --> 1:03:34.280
<v Speaker 1>needed a person in and Sarah was the perfect girl

1:03:34.320 --> 1:03:36.480
<v Speaker 1>for it. And then she comes into the scene. But yeah,

1:03:36.560 --> 1:03:39.160
<v Speaker 1>we'll talk about that one. That's I think that's season two.

1:03:39.240 --> 1:03:40.440
<v Speaker 1>We have time for that one. It is, But I

1:03:40.480 --> 1:03:42.880
<v Speaker 1>will say that's another thing I love so much about

1:03:42.960 --> 1:03:45.280
<v Speaker 1>this show is that it gave so many people the

1:03:45.360 --> 1:03:48.760
<v Speaker 1>opportunity to be the right person to step in and

1:03:48.840 --> 1:03:53.120
<v Speaker 1>fill in, like Sarah stepping in and bring Sydney, Yeah,

1:03:53.200 --> 1:03:56.240
<v Speaker 1>Sydney bringing people on the show. Verity, who was one

1:03:56.280 --> 1:03:58.920
<v Speaker 1>of our makeup artists. She was a permit on on

1:03:59.080 --> 1:04:02.400
<v Speaker 1>the first season and got her union status and was

1:04:02.440 --> 1:04:04.720
<v Speaker 1>able to build her way up through the ranks of

1:04:04.920 --> 1:04:07.640
<v Speaker 1>being a makeup artist. And just can't explain that a

1:04:07.680 --> 1:04:11.040
<v Speaker 1>little for not just the people at home, I don't

1:04:11.040 --> 1:04:13.560
<v Speaker 1>fully understand explain that one to me a little more

1:04:13.720 --> 1:04:16.800
<v Speaker 1>so when you're training, it's very similarly to when you're

1:04:16.800 --> 1:04:19.200
<v Speaker 1>an actor before you're a member of the union. It's

1:04:19.880 --> 1:04:22.640
<v Speaker 1>your first couple of jobs. You have a permit, which

1:04:22.680 --> 1:04:24.800
<v Speaker 1>means you're allowed to work on a union job and

1:04:25.120 --> 1:04:28.080
<v Speaker 1>kind of in training as it were. And Verity, who

1:04:28.160 --> 1:04:30.400
<v Speaker 1>is one of our brilliant makeup artists who hopefully will

1:04:30.480 --> 1:04:32.240
<v Speaker 1>have on the show at some point because she was

1:04:32.320 --> 1:04:35.120
<v Speaker 1>with us from day one. And it's also a huge

1:04:35.400 --> 1:04:41.840
<v Speaker 1>engaged by the congratulations, pity, congratulations Verity, and she was

1:04:41.920 --> 1:04:45.080
<v Speaker 1>given the opportunity to be on the show, then became

1:04:45.760 --> 1:04:49.240
<v Speaker 1>a regular makeup artist on the show who was employed

1:04:49.320 --> 1:04:52.720
<v Speaker 1>full time not just on a daily basis, and because

1:04:52.760 --> 1:04:55.880
<v Speaker 1>of that ended up getting her union status and got

1:04:55.960 --> 1:04:59.760
<v Speaker 1>to work through and you know, then be a second

1:04:59.840 --> 1:05:02.120
<v Speaker 1>is sistant and a first assistant and now is you know,

1:05:02.240 --> 1:05:06.040
<v Speaker 1>heading department on different shows and doing makeup in in

1:05:06.120 --> 1:05:08.960
<v Speaker 1>a very different capacity. You know, as kind of one

1:05:09.080 --> 1:05:10.960
<v Speaker 1>works their way up the corporate ladder, you kind of

1:05:11.000 --> 1:05:13.880
<v Speaker 1>work your way up through the ranks in different departments.

1:05:14.240 --> 1:05:15.920
<v Speaker 1>You have the same way. You usually start off doing

1:05:15.960 --> 1:05:18.160
<v Speaker 1>guest stars and then end up in recurring roles and

1:05:18.200 --> 1:05:20.560
<v Speaker 1>then a series regular, and you know, all all the

1:05:20.600 --> 1:05:23.160
<v Speaker 1>ways in which we move up as we gain experience

1:05:23.240 --> 1:05:25.760
<v Speaker 1>in the industry. It was so lovely to be able

1:05:25.840 --> 1:05:29.320
<v Speaker 1>to see our show give people that had been with

1:05:29.520 --> 1:05:31.240
<v Speaker 1>us for a long time and we're already members of

1:05:31.280 --> 1:05:34.280
<v Speaker 1>the family chances to not only stay with us for

1:05:34.400 --> 1:05:37.720
<v Speaker 1>several years, but also to grow in their in their

1:05:37.800 --> 1:05:41.840
<v Speaker 1>careers as well. Absolutely, absolutely yeah, and that that was

1:05:42.000 --> 1:05:44.640
<v Speaker 1>such a fun thing for us because you you grow

1:05:44.760 --> 1:05:46.480
<v Speaker 1>to know and love these people and then to watch

1:05:46.560 --> 1:05:49.400
<v Speaker 1>them kind of blossom and come into their own it's

1:05:49.440 --> 1:05:54.080
<v Speaker 1>it's such a celebratory, wonderful thing, totally alright, So listen,

1:05:54.240 --> 1:05:57.040
<v Speaker 1>where are we now? Let's move on. So so we

1:05:57.120 --> 1:05:59.080
<v Speaker 1>also get to see a lot. As you were saying

1:05:59.120 --> 1:06:02.240
<v Speaker 1>about Simon and Camille, we learn a lot. Camille is

1:06:02.280 --> 1:06:04.920
<v Speaker 1>pulling information out of Simon or trying to find out

1:06:04.960 --> 1:06:07.040
<v Speaker 1>where Clary is trying to find out where the Mortal

1:06:07.120 --> 1:06:09.360
<v Speaker 1>Cup is, trying to get as much advantage, but in

1:06:09.480 --> 1:06:12.880
<v Speaker 1>the end she ends up revealing information. She lets a

1:06:12.920 --> 1:06:16.400
<v Speaker 1>few things slip about Magnus Bain which will play into

1:06:16.800 --> 1:06:20.640
<v Speaker 1>later episodes as far as the memory and wiping abilities

1:06:20.920 --> 1:06:24.080
<v Speaker 1>and things that we're trying to discover in mine out

1:06:24.120 --> 1:06:28.920
<v Speaker 1>of Clary's brain. And then we finally everything comes to

1:06:29.000 --> 1:06:32.240
<v Speaker 1>a head. It does. We all meet chaos and sues.

1:06:33.160 --> 1:06:35.840
<v Speaker 1>We slay a few vampires, which will have to get

1:06:35.880 --> 1:06:39.440
<v Speaker 1>the exact kill count because I don't recall what that is.

1:06:39.600 --> 1:06:42.040
<v Speaker 1>I have one, I think I think I have one

1:06:42.080 --> 1:06:44.680
<v Speaker 1>and you have one in this only because I remember

1:06:44.920 --> 1:06:46.680
<v Speaker 1>I have a broken ankle. And they were like, can

1:06:46.720 --> 1:06:48.520
<v Speaker 1>you still do that spinning move where you take off

1:06:48.560 --> 1:06:52.360
<v Speaker 1>someone's head? And I was like, I don't know. The

1:06:52.480 --> 1:06:54.720
<v Speaker 1>answer is I don't know. I'm not sure, And I

1:06:54.800 --> 1:06:56.880
<v Speaker 1>think if you watch, it's sort of an awkward like

1:06:57.440 --> 1:07:00.360
<v Speaker 1>had to shift from you know, I trained it as

1:07:00.360 --> 1:07:02.400
<v Speaker 1>almost like a pirouette, like a ballet pirouette, on my

1:07:02.480 --> 1:07:04.680
<v Speaker 1>left foot, which is the foot that ended up just

1:07:05.200 --> 1:07:07.520
<v Speaker 1>you know, broken beyond all reasons. So I had to

1:07:07.560 --> 1:07:09.600
<v Speaker 1>shift it onto my right foot, but my sword is

1:07:09.640 --> 1:07:11.400
<v Speaker 1>in my right hand, so it felt off that my

1:07:11.480 --> 1:07:15.200
<v Speaker 1>balance was using both. And it's an awkward it's an

1:07:15.240 --> 1:07:18.760
<v Speaker 1>awkward spin. It's I feel awkward to watching it. Sure well,

1:07:19.080 --> 1:07:22.960
<v Speaker 1>despite your awkwardness, we still win the battle, but we

1:07:23.120 --> 1:07:25.440
<v Speaker 1>almost get caught as we're trying to get away, and

1:07:25.560 --> 1:07:29.280
<v Speaker 1>then Raphael intercepts, and this is kind of one of

1:07:29.360 --> 1:07:31.440
<v Speaker 1>the first it's one of the first instances that we

1:07:31.600 --> 1:07:36.240
<v Speaker 1>see of basically what the core message of what I

1:07:36.320 --> 1:07:38.120
<v Speaker 1>think our show ended up being in the end is

1:07:38.160 --> 1:07:40.920
<v Speaker 1>that no matter as we were talking about the kind

1:07:40.960 --> 1:07:46.280
<v Speaker 1>of spectrum of lineage and creature and species, blood type,

1:07:46.520 --> 1:07:49.560
<v Speaker 1>however you want to refer to it, it's not what

1:07:49.800 --> 1:07:51.600
<v Speaker 1>runs through your veins that makes you who you are

1:07:51.680 --> 1:07:53.280
<v Speaker 1>and makes you a hero or a villain, or a

1:07:53.320 --> 1:07:55.120
<v Speaker 1>good guy or a bad guy. It's the choices that

1:07:55.200 --> 1:07:57.840
<v Speaker 1>you make, and it's what you choose to do and

1:07:57.960 --> 1:08:01.520
<v Speaker 1>where your heart lies as opposed to where you lie

1:08:01.600 --> 1:08:04.439
<v Speaker 1>in this sort of divisive world, and I think that's such.

1:08:04.480 --> 1:08:06.480
<v Speaker 1>It even says it doesn't he he says the line,

1:08:06.600 --> 1:08:09.800
<v Speaker 1>he says, remember who your friends are. And I think

1:08:10.400 --> 1:08:14.200
<v Speaker 1>the overarching as you're saying, sort of the overarching theme

1:08:14.280 --> 1:08:17.040
<v Speaker 1>of our story is exactly that is, you know, you

1:08:17.160 --> 1:08:18.800
<v Speaker 1>remember who your friends are, and it doesn't matter who

1:08:18.840 --> 1:08:21.599
<v Speaker 1>they are or where they're from. They are your people,

1:08:22.200 --> 1:08:24.479
<v Speaker 1>regardless of whether they look the same or behave the

1:08:24.560 --> 1:08:27.200
<v Speaker 1>same or if they're from a different world or you know,

1:08:27.360 --> 1:08:30.719
<v Speaker 1>a different realm. They are your friends, and they your people,

1:08:30.760 --> 1:08:33.080
<v Speaker 1>and they your family, and it's important to keep them

1:08:33.160 --> 1:08:36.559
<v Speaker 1>close and not just envelope them for who they are,

1:08:36.680 --> 1:08:39.439
<v Speaker 1>but also have a more profound understanding of who they

1:08:39.479 --> 1:08:41.400
<v Speaker 1>are and their journey and how they got to where

1:08:41.439 --> 1:08:44.960
<v Speaker 1>they are, you know, an understanding of how this young

1:08:45.080 --> 1:08:50.120
<v Speaker 1>kid ended up, you know, a brutal, immortal succubus, which

1:08:50.360 --> 1:08:52.840
<v Speaker 1>wasn't his choice, that's not what he wanted. That's that's

1:08:53.400 --> 1:08:56.400
<v Speaker 1>you know, to understanding that story. I think was a

1:08:56.439 --> 1:08:58.519
<v Speaker 1>big part of what we were trying to do there too,

1:08:58.760 --> 1:09:03.280
<v Speaker 1>is the art imitates life, of like, instead of seeing

1:09:03.320 --> 1:09:05.519
<v Speaker 1>something as different, maybe let's have a little understanding of

1:09:05.600 --> 1:09:07.600
<v Speaker 1>what that is, let's have a conversation. Let's try and

1:09:08.240 --> 1:09:12.599
<v Speaker 1>evolve ourselves to understanding that and make people feel welcome

1:09:12.640 --> 1:09:14.640
<v Speaker 1>to tell their stories so we can understand it, we

1:09:14.720 --> 1:09:17.360
<v Speaker 1>can move, and we can grow with with the ever

1:09:17.479 --> 1:09:19.439
<v Speaker 1>changing world around us. And I think you're right. I

1:09:19.479 --> 1:09:21.519
<v Speaker 1>think that was a big part of what we wanted

1:09:21.560 --> 1:09:24.840
<v Speaker 1>to to tell in our story. And I think you know,

1:09:24.960 --> 1:09:28.000
<v Speaker 1>the not only the writers, but I think every actor

1:09:28.160 --> 1:09:30.720
<v Speaker 1>that came onto the show really understood that and and

1:09:31.160 --> 1:09:34.120
<v Speaker 1>took to that. And I I always found there to

1:09:34.240 --> 1:09:37.040
<v Speaker 1>be a bit of art imitating life in that sense

1:09:37.120 --> 1:09:38.519
<v Speaker 1>because our show, I mean, you and I have both

1:09:38.520 --> 1:09:40.320
<v Speaker 1>worked on a lot of sets over the years, and

1:09:41.280 --> 1:09:45.519
<v Speaker 1>I had not encountered a set before and haven't since.

1:09:45.640 --> 1:09:51.080
<v Speaker 1>That was so collaborative and celebratory of everyone's gifts as

1:09:51.120 --> 1:09:53.439
<v Speaker 1>shadow Hunters. You know, it really was a set where

1:09:53.840 --> 1:09:57.479
<v Speaker 1>everyone recognized that every single person was being a part

1:09:57.520 --> 1:09:59.599
<v Speaker 1>of telling the story and and an artist in their

1:09:59.640 --> 1:10:04.240
<v Speaker 1>own and had their own specific expertise, and we really

1:10:04.280 --> 1:10:07.840
<v Speaker 1>allowed you every department to feed off of each other

1:10:07.960 --> 1:10:11.240
<v Speaker 1>in that way and to influence and and elevate every

1:10:11.320 --> 1:10:13.920
<v Speaker 1>element of the show in the same way that you know,

1:10:14.160 --> 1:10:17.960
<v Speaker 1>our characters and our creatures all find ways to allow

1:10:18.000 --> 1:10:21.720
<v Speaker 1>their gifts to work together to accomplish these goals and

1:10:21.840 --> 1:10:24.439
<v Speaker 1>to to save the day in the end, we hope agreed.

1:10:24.920 --> 1:10:26.400
<v Speaker 1>But before we sort of run out of time, I

1:10:26.439 --> 1:10:29.439
<v Speaker 1>want to touch on the and you this is really

1:10:29.800 --> 1:10:32.200
<v Speaker 1>you telling this story. But it was interesting for me

1:10:32.320 --> 1:10:37.640
<v Speaker 1>to rewatch this that moment of parallel between the relationships

1:10:38.080 --> 1:10:42.560
<v Speaker 1>of Simon and Clary and Alec and Chase and the

1:10:43.360 --> 1:10:48.160
<v Speaker 1>romance friendship divide there that we see, you know, all

1:10:48.240 --> 1:10:51.960
<v Speaker 1>too clearly from Simon and then what is going to

1:10:52.040 --> 1:10:55.360
<v Speaker 1>be led into in the next episode with Alec and

1:10:55.479 --> 1:10:57.920
<v Speaker 1>Chase and that relationship. And I thought that was a

1:10:58.000 --> 1:11:02.960
<v Speaker 1>cool parallel that we got to show exists in all

1:11:03.040 --> 1:11:07.200
<v Speaker 1>different types of world. And I think both Cassie and

1:11:07.360 --> 1:11:09.320
<v Speaker 1>our writers were sort of trying to explain that this

1:11:09.520 --> 1:11:14.000
<v Speaker 1>is this is one of the stereotypical relationships that exists

1:11:14.160 --> 1:11:17.120
<v Speaker 1>in just normal, everyday life for the readers and the

1:11:17.200 --> 1:11:21.680
<v Speaker 1>viewers and the listeners, and we reflected that in what

1:11:21.840 --> 1:11:24.439
<v Speaker 1>we do in the show. Yeah, there's something I loved

1:11:24.520 --> 1:11:27.800
<v Speaker 1>so much about things that are show dead, as he said,

1:11:27.840 --> 1:11:30.799
<v Speaker 1>as we take these normal, sort of mundane human problems

1:11:31.360 --> 1:11:33.840
<v Speaker 1>and set them in a yes stumps doing air quotes,

1:11:34.320 --> 1:11:38.280
<v Speaker 1>and set them in a supernatural setting where at least

1:11:38.320 --> 1:11:40.920
<v Speaker 1>you know, this is why I loved reading Why a

1:11:41.040 --> 1:11:43.759
<v Speaker 1>Fantasy as a kid, because if you're going through something

1:11:43.880 --> 1:11:47.840
<v Speaker 1>in your own life that if these people can handle

1:11:47.880 --> 1:11:51.559
<v Speaker 1>those same situations and still fight demons and save the world,

1:11:51.680 --> 1:11:54.920
<v Speaker 1>maybe my problems aren't so bad. And you know, it's

1:11:54.960 --> 1:11:57.960
<v Speaker 1>as you said, it's it's a literal physical representation. You

1:11:58.160 --> 1:12:00.680
<v Speaker 1>see the triangles all kind of placed out in the

1:12:00.760 --> 1:12:04.160
<v Speaker 1>roof you have, you know, you looking at me, looking

1:12:04.200 --> 1:12:07.960
<v Speaker 1>at Simon, looking at me, looking at you, looking at Alec,

1:12:08.000 --> 1:12:09.840
<v Speaker 1>and Alec looking at you looking at me, and it's

1:12:09.880 --> 1:12:12.880
<v Speaker 1>just this whole kind of interconnected. And then Isabelle applying

1:12:12.920 --> 1:12:15.680
<v Speaker 1>lipstick in the corner because she's just she sees it

1:12:15.760 --> 1:12:21.320
<v Speaker 1>all those silly, silly, silly boys and girl. But then,

1:12:21.479 --> 1:12:23.720
<v Speaker 1>you know, then we do have this moment where it's

1:12:23.920 --> 1:12:28.960
<v Speaker 1>it's I've rewatched it. It's so heartbreaking, lee innocent and

1:12:29.160 --> 1:12:31.760
<v Speaker 1>painful at the same time, when when Claire gives him

1:12:31.760 --> 1:12:34.200
<v Speaker 1>in the biggest hug and goes, You're my best friend.

1:12:34.280 --> 1:12:35.800
<v Speaker 1>I don't know what I would do without you, and

1:12:35.920 --> 1:12:40.160
<v Speaker 1>kisses him on the cheek and he's just going a

1:12:40.200 --> 1:12:43.960
<v Speaker 1>little heartbreak. Yeah, and he's so good at that. Oh,

1:12:44.040 --> 1:12:46.040
<v Speaker 1>I know, he used to break my heart left, right,

1:12:46.080 --> 1:12:49.200
<v Speaker 1>and center. There's an episode later where I swear I

1:12:49.360 --> 1:12:51.760
<v Speaker 1>was crying more on his coverage than on my own,

1:12:51.920 --> 1:12:54.160
<v Speaker 1>just because he broke my heart so much. I know

1:12:54.240 --> 1:12:57.639
<v Speaker 1>which scene you're talking about with the in in your

1:12:57.720 --> 1:13:01.040
<v Speaker 1>room or would be his room, right, Yeah, I know which.

1:13:01.120 --> 1:13:05.000
<v Speaker 1>I know which one you're talking about. You know. Over

1:13:05.040 --> 1:13:06.840
<v Speaker 1>the course of the season, he had a couple where

1:13:06.880 --> 1:13:11.360
<v Speaker 1>we god, there's the one in three it must be

1:13:11.520 --> 1:13:16.920
<v Speaker 1>three with his mom. It's probably my favorite scene we

1:13:17.000 --> 1:13:20.080
<v Speaker 1>ever did on the show. Yeah, because it's so heartbreaking.

1:13:20.240 --> 1:13:24.240
<v Speaker 1>But again, Freddie, foreshadowing, that's for later on. That's gonna

1:13:24.240 --> 1:13:28.120
<v Speaker 1>be your new nickname. But then, speaking of foreshadowing, we

1:13:28.280 --> 1:13:30.679
<v Speaker 1>have the final moment of the episode where Simon starts

1:13:30.720 --> 1:13:37.200
<v Speaker 1>to fixate on a vein of Clary's as it starts pulsing. Yeah. Yeah,

1:13:37.560 --> 1:13:41.760
<v Speaker 1>lots lots going on for poor Simond, and I think

1:13:41.840 --> 1:13:44.400
<v Speaker 1>that's pretty much the end of our episode. That is

1:13:44.479 --> 1:13:47.960
<v Speaker 1>the end of our episode, leading us into the next

1:13:48.040 --> 1:13:52.320
<v Speaker 1>phase of this journey as we deal with the aftermath,

1:13:52.400 --> 1:13:57.519
<v Speaker 1>inevitably of saving Clary's best friend. Yep, yep, yep, yep, yeah,

1:13:57.640 --> 1:14:00.240
<v Speaker 1>all kinds of things came up in our of it.

1:14:01.080 --> 1:14:07.439
<v Speaker 1>Still no Valentine, still no Cup, still no Mum. Yeah,

1:14:07.720 --> 1:14:10.920
<v Speaker 1>when it's still probably a bad good job. We still

1:14:10.960 --> 1:14:12.599
<v Speaker 1>think Luke is a bad guy right now. And I'm

1:14:12.600 --> 1:14:14.719
<v Speaker 1>getting ahead of myself now as well, because I watched

1:14:14.880 --> 1:14:21.040
<v Speaker 1>through six yesterday or five yes same so now I'm like, wait,

1:14:21.840 --> 1:14:25.639
<v Speaker 1>which one is what happened in episode four? And I'm

1:14:25.760 --> 1:14:28.400
<v Speaker 1>trying and not get ahead of myself whilst we're doing this.

1:14:28.640 --> 1:14:31.640
<v Speaker 1>But as far as this episode goes, we want to

1:14:31.680 --> 1:14:34.560
<v Speaker 1>say thank you so much as always for listening, and

1:14:35.800 --> 1:14:38.920
<v Speaker 1>we will see you next time. Welcome back now, welcome back.

1:14:39.240 --> 1:14:41.600
<v Speaker 1>My brain is not functioning it, Yes, thank you for

1:14:41.760 --> 1:14:45.479
<v Speaker 1>joining us, and we'll see you next time on Return

1:14:45.600 --> 1:14:48.160
<v Speaker 1>to the Shadows. One last thing. I don't know if

1:14:48.200 --> 1:14:50.600
<v Speaker 1>this is going to be applicable when it airs, but

1:14:50.720 --> 1:14:52.760
<v Speaker 1>I just want to send my thoughts and prayers to

1:14:52.840 --> 1:14:55.760
<v Speaker 1>the people of the Ukraine. Hopefully by the time this

1:14:55.840 --> 1:14:58.960
<v Speaker 1>has aired it has been resolved peacefully and democratically, but

1:14:59.080 --> 1:15:01.080
<v Speaker 1>I just want to send my thoughts out. We are

1:15:01.160 --> 1:15:03.720
<v Speaker 1>thinking of you, and please stay safe as much as

1:15:03.760 --> 1:15:14.479
<v Speaker 1>you possibly can. Well said Down returned to The Shadows

1:15:14.479 --> 1:15:18.080
<v Speaker 1>as hosted an executive produced by Katherine McNamara and Dominic Sherwood.

1:15:18.200 --> 1:15:21.800
<v Speaker 1>Our executive producer is Langley. Our senior producers are Liz

1:15:21.840 --> 1:15:24.639
<v Speaker 1>Hayes and Diego Tapia, and our producers are Hannah Harris

1:15:24.680 --> 1:15:28.320
<v Speaker 1>and Kristin Vermilia. Original music by Alex Kinsey and performed

1:15:28.400 --> 1:15:31.479
<v Speaker 1>by Alex Kinsey and Katheryn McNamara. The episode was mixed

1:15:31.479 --> 1:15:32.360
<v Speaker 1>by Seth Landski.