WEBVTT - From the Vault: Demogorgon

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<v Speaker 1>Hey, welcome to Stuff to blow your mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick. And hey folks,

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<v Speaker 1>Robert and I were out of the office for a bit.

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<v Speaker 1>I guess whatever you would call the office right now.

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<v Speaker 1>We were out of the home office for a bit. Uh.

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<v Speaker 1>So we are running a vault episode today. We're going

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<v Speaker 1>into the vault for a classic episode on the demo Organ. Yeah,

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<v Speaker 1>this is a fun one. It's one that we referenced

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<v Speaker 1>recently on the show, so we thought what better time

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<v Speaker 1>than now to unleash the demogorgan once again. This originally

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<v Speaker 1>aired on October one, twenty nineteen. I have very fond memories.

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<v Speaker 1>I think you'll enjoy it at length. The universal Hubbub,

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<v Speaker 1>wild of stunning sounds and voices, all confused, born through

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<v Speaker 1>the hollow dark, assaults his ear with loudest vehemence. Thither

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<v Speaker 1>he applies, undaunted and eat their whatever power or spirit

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<v Speaker 1>of the nethermost abyss might in that noise reside of

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<v Speaker 1>whom to ask which way the nearest coast of darkness

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<v Speaker 1>lies bordering on light? When straight behold the throne of

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<v Speaker 1>chaos and his dark pavilion spread wide on the wasteful deep,

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<v Speaker 1>with him enthroned sat sable, vested night, eldest of things,

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<v Speaker 1>the consort of his reign. And by them stood orcas

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<v Speaker 1>and eighties and the dreaded name of dim Rumor. Next

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<v Speaker 1>and chants and tumult and confusion, all embroiled and discord

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<v Speaker 1>with a thousand various mouths. Welcome to Stuff to Blow

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<v Speaker 1>Your Mind, a production of I Heart Radios, How Stuff Work.

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<v Speaker 1>Hey you, Welcome to Stuff to Blow your Mind. My

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<v Speaker 1>name is Robert Lamb, and I'm Joe McCormick, and I'm

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<v Speaker 1>so excited. It's my favorite time of the year. It's October,

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<v Speaker 1>which is my favorite month of the year anyway, but

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<v Speaker 1>it's also my favorite time of the year at work

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<v Speaker 1>because it's Monster Month. Here on Stuff to Blow your Mind,

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<v Speaker 1>that's right when we devote the entire month of October

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<v Speaker 1>and sometimes a little change two topics that are either

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<v Speaker 1>obsessed with monsters or or darkness or horror or terror.

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<v Speaker 1>Is there anything even remotely HALLOWEENI We just fully embrace it.

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<v Speaker 1>It's the most wonderful time of the year. And so

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<v Speaker 1>and you know, as we were coming up with episodes

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<v Speaker 1>to record this year, where we you know, our minds

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<v Speaker 1>turned to things we've covered in the past. So on

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<v Speaker 1>one hand, there's an old episode of the show about

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<v Speaker 1>the mind flares of Dungeons and Dragons. Uh, and it's

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<v Speaker 1>led various folks to request another episode dealing with something

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<v Speaker 1>from the world of Dungeons and Dragons. And likewise, last

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<v Speaker 1>year we did an episode on the Great Basilisk where

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<v Speaker 1>we talk about this concept of not only the monstrous Bassilist,

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<v Speaker 1>but this kind of uh, you know, tech world futuristic

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<v Speaker 1>vision of an all powerful, malevolent AI. And so we

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<v Speaker 1>decided we we'd up the anti this year and discuss

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<v Speaker 1>an entity that kind of combines both of these themes.

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<v Speaker 1>And so we're going to talk about the Demogorgan. Now,

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<v Speaker 1>I would not be surprised for the largest portion of

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<v Speaker 1>you out there are familiar with the idea of a demogorgan,

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<v Speaker 1>primarily from the recent Netflix show Stranger Things. I guess

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<v Speaker 1>it's mainly the first season of that, right, Yeah, I

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<v Speaker 1>mean the creature it keeps popping up as well, but

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<v Speaker 1>it's mainly that that first excellent season of Stranger Things,

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<v Speaker 1>and uh, and I think that's a good place to start.

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<v Speaker 1>Like the most recent pop culture incarnation of the demogorgan.

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<v Speaker 1>It's probably one of the best new cinematic monsters that

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<v Speaker 1>we've encountered in recent years. Uh, you know, this category

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<v Speaker 1>confusion entity that's at once humanoid and be steal but

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<v Speaker 1>at times he's bipedal and other times it's crawling around

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<v Speaker 1>on all fours. It's like a v this fly trapped minotaur. Yeah,

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<v Speaker 1>that's the other cool aspect of it's It's it's head

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<v Speaker 1>at times looks like a featureless mask of flesh, but

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<v Speaker 1>then it opens up in these these flower petals, these

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<v Speaker 1>kind of uh you know, a razor toothed flower petals

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<v Speaker 1>around this gaping maw. But I also like that it's

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<v Speaker 1>a dimension hopper, right, which kind of means it's always

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<v Speaker 1>it could pop up anywhere. Yeah, it travels through dimensions,

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<v Speaker 1>though I'm uncertain if that's part of its natural abilities,

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<v Speaker 1>because we see it feeding on an egg in its

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<v Speaker 1>own dimension at one point. Uh. And perhaps it takes

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<v Speaker 1>to hunting in our world due to the weakening of

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<v Speaker 1>the connection between the two, uh, you know, due to

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<v Speaker 1>mad science, of course. Um. But if this is the case,

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<v Speaker 1>it's still quite proficient it traveling between the world's through

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<v Speaker 1>those rips and tears to acquire food. Right, So it

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<v Speaker 1>could actually be a rather mundane predator in its own world.

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<v Speaker 1>It's just that Matthew Modine and his psychic projects unleashed

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<v Speaker 1>this predator into it made it an invasive species in

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<v Speaker 1>our world. Right. Yeah, yeah, like it, like it. It

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<v Speaker 1>does pretty well in its own world, but here it

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<v Speaker 1>can really go at it, you know, like a Superman

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<v Speaker 1>with the Yellow Sun. Yeah. But of course in stranger Things,

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<v Speaker 1>we also learned that the kids in the in the story,

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<v Speaker 1>they name this creature the democ Organ because they are

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<v Speaker 1>actively playing dungeons and Dragons and they and they are

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<v Speaker 1>playing a campaign that involves the democ Organ. Uh. This,

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<v Speaker 1>this Prince of Demons, is mighty demon, lord of just

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<v Speaker 1>immense power. Now, Robert, I know that you have a

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<v Speaker 1>reputation as a quite cruel dungeon master yourself. So do

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<v Speaker 1>you subject to your adventuring travelers to a democ Organ

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<v Speaker 1>every now and then? No? Not not no, not yet.

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<v Speaker 1>And it's not the kind of thing you would you

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<v Speaker 1>would inflict on your adventures in a hap hazard fashion.

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<v Speaker 1>It is one of the most powerful entities in the game,

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<v Speaker 1>so it's it's the kind of thing you cap off

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<v Speaker 1>an entire campaign with that you would only throw at

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<v Speaker 1>you know, a higher level, like really high level characters. Um.

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<v Speaker 1>I mean, I guess you could throw it in haphazardly.

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<v Speaker 1>You have just kind of a very casual game where

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<v Speaker 1>people have like just immensely powerful characters. In each week

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<v Speaker 1>you just battle some things that are tremendously powerful to

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<v Speaker 1>just see how it all shakes out. But um, for instance,

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<v Speaker 1>in the campaign Out of the Abyss, which is a

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<v Speaker 1>campaign that I've been playing in my group that I've

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<v Speaker 1>been dungeon mastering for about four years now, we are

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<v Speaker 1>almost at the point where the Demogorgon may be encountered.

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<v Speaker 1>Oh yeah, so we've been building up to it. Do

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<v Speaker 1>you have demogorgon que music ready to go when it happens? Basically,

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<v Speaker 1>I mean, it's a it's a big deal. It's uh,

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<v Speaker 1>you know, we have an enormous figuring that we've been

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<v Speaker 1>putting together. It's a it's huge. Okay, Well, in the

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<v Speaker 1>Dungeons and Dragons world, what is this demogorgon creature? It's

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<v Speaker 1>obviously nothing like what's in Stranger things like that. It's

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<v Speaker 1>not a venus, fly trap minotaur, right, So in Dungeons

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<v Speaker 1>and Dragons. The Demogorgon dates back to nineteen seventy six.

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<v Speaker 1>That's when this entity originated in a supplement titled Eldric

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<v Speaker 1>Wizards by Gary Gyga himself and Brian Bloom. And if

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<v Speaker 1>you look around online you can find this in PDF

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<v Speaker 1>form and it has some you know, some adorably kind

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<v Speaker 1>of crude illustrations of what the various creatures would look like.

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<v Speaker 1>Those those those the illustrations, and Dungeons and Dragons have

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<v Speaker 1>come a long way. Like the most like the earliest

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<v Speaker 1>version of the democ organ that is illustrated in this

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<v Speaker 1>book is which just crude sketch of this, uh, this

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<v Speaker 1>kind of two headed tentacle armed, chicken footed thing with

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<v Speaker 1>baboon heads, right yeah, with baboon heads. But the like,

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<v Speaker 1>it's cute. I mean, it's like it's kind of like

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<v Speaker 1>the monsters in the Ranking and Bass Middle Earth. Yea.

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<v Speaker 1>And of course, you know, part most the big thing

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<v Speaker 1>abou Dungeons and Dragons is it does take place in

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<v Speaker 1>the mind, and especially early on they did, they didn't

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<v Speaker 1>have elaborate illustrations. You're supposed to, you know, come up

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<v Speaker 1>with it yourself. Today we have elaborate illustrations the most

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<v Speaker 1>recent fifth edition illustrations of the democ Organ are just

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<v Speaker 1>absolutely beautiful where it seems like there's like a burning

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<v Speaker 1>on inside of the creature. But I want to read

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<v Speaker 1>just a quick description from that original nine supplement to

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<v Speaker 1>to properly describe what the creature looks like, because the

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<v Speaker 1>basic description has not changed. Okay, melt my mind with terror. Okay,

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<v Speaker 1>quoth guy GaX and bloom here. Uh. It is contended

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<v Speaker 1>by some that this demon lord is supreme, and in

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<v Speaker 1>any event, he is awesome in his power. This gigantic

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<v Speaker 1>demon is eighteen tall and reptilian. His skin is plated

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<v Speaker 1>with snake like scales, His body and legs are those

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<v Speaker 1>of a giant lizard, His twin necks resemble snakes, and

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<v Speaker 1>his thick tail is forked. Dimagorgan has two heads which

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<v Speaker 1>bear the visages of evil baboons or perhaps mandrils. Rather

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<v Speaker 1>than having arms, he has great tentacles. His appearance testifies

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<v Speaker 1>to his command of cold blooded things such as serpents, reptiles,

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<v Speaker 1>and octopi. And Robert, you brought in a glorious figure

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<v Speaker 1>in the I now hold in my hand. It's uh,

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<v Speaker 1>it's very nice. Yeah, this is a small one, the

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<v Speaker 1>big one I couldn't even bring in because it's just

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<v Speaker 1>it's it's too enormous. It would alarm people. Uh and

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<v Speaker 1>they would they would wonder what was about to befall them.

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<v Speaker 1>So so yeah, basically, this description, though, holds up. It's

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<v Speaker 1>been tweaked a little bit. I think at one point

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<v Speaker 1>the heads were more hyena like because as I mentioned earlier,

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<v Speaker 1>we've had various editions of Dungeons and Dragons were on

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<v Speaker 1>addition five at this point, uh and uh and in

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<v Speaker 1>each edition has brought about various changes to the rules,

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<v Speaker 1>the mechanic, to the lore, and we'll get into some

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<v Speaker 1>of that in a minute as it relates to democgorgan

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<v Speaker 1>Um and then the art, who has mostly gotten just

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<v Speaker 1>tremendously better over the years. And again the most recent

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<v Speaker 1>fifth edition art is absolutely splendid to behold. But of course,

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<v Speaker 1>another thing to keep in mind is that the democ

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<v Speaker 1>organ is a demon, a demon lord. And given the

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<v Speaker 1>moral panics surrounding supposed Satanists and the the quote unquote

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<v Speaker 1>dangers of D and D back in the nineteen eighties,

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<v Speaker 1>the various demons and devils the game lore lost their titles.

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<v Speaker 1>At one point Um so when I originally started playing

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<v Speaker 1>back in the nineties, Uh, these various devils and demons

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<v Speaker 1>were known as uh the tenari uh instead of actually

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<v Speaker 1>referring to them as demons. So it's a rebrand. Yeah,

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<v Speaker 1>it was a rebrand because everyone was freaking out about

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<v Speaker 1>imagine Satanist, which I think we've discussed on the show before.

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<v Speaker 1>The Satanism as presented in the Satanic Panic of the

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<v Speaker 1>eighties did not exist, no one, No one has actually

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<v Speaker 1>no ritual um, you know, sacrificial uh worship of Satan

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<v Speaker 1>has has occurred in human history. Uh, certainly not on

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<v Speaker 1>the organized scale that uh that you see described in

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<v Speaker 1>some of these moral panics. But but anyway, Yeah, the

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<v Speaker 1>demonic edge was taken off the game for a while,

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<v Speaker 1>and if you wish to invoke such entities you had

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<v Speaker 1>to you had to bust out an older monster manual. Thankfully,

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<v Speaker 1>the Demons of the Abyss and the Devils of the

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<v Speaker 1>Nine Hells have made the return, and de mcgregan himself

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<v Speaker 1>is is not only back, but he's a he's a

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<v Speaker 1>cover batty, you know, he's he's there on the cover

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<v Speaker 1>of Out of the Abyss and is the the creature

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<v Speaker 1>that you battle at the very end, and you know

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<v Speaker 1>he's he's not only fearsome physically, he's also a highly

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<v Speaker 1>intelligent entity. He has an intelligent score of twenty, which is,

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<v Speaker 1>you know, like top of the d twenty. Okay, how

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<v Speaker 1>high does it go? Is twenty the most intelligent? Yeah,

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<v Speaker 1>twenty is is tremendously impressive. It's like a John von

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<v Speaker 1>Neumann kind of thing. Like it's I think, like a

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<v Speaker 1>ten is is more in keeping with like, you know,

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<v Speaker 1>sort of average human intelligence. This thing is beyond that.

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<v Speaker 1>Like eighteen is is like really high for a starting

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<v Speaker 1>character in Indungens of Dragons, starting mortal character. But the

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<v Speaker 1>Demcgorgon does not use the intelligence for the good of humankind.

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<v Speaker 1>The de m ocgorgan is gonna what is gonna design

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<v Speaker 1>the most neferious financial instruments that have ever been uh imagined?

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<v Speaker 1>Oh yeah, I mean he's he's completely chaotically evil. Um.

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<v Speaker 1>He's also known as the Sibilant Beast and the Master

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<v Speaker 1>of the Spiraling Depths and h by in those two heads,

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<v Speaker 1>each one has a name. In dungeons and dragon's lore,

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<v Speaker 1>one is Annual and the other is Hathoradia. Uh I

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<v Speaker 1>guess I don't know that anyone ever actually speaks to

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<v Speaker 1>one head or the other. You just kind of speak

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<v Speaker 1>to the de m Ocgorgan. Maybe that's the way to

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<v Speaker 1>beat it. You get them fighting each other. Maybe, I

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<v Speaker 1>don't know. I mean it basically, he's this wonderful embodiment

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<v Speaker 1>of like chaos and disorder, and uh I you know,

0:12:42.960 --> 0:12:46.200
<v Speaker 1>I think he wonderfully, you know, embodies the sense of

0:12:46.280 --> 0:12:50.120
<v Speaker 1>maddening division. Kind of a perfect demon for modern times especially.

0:12:50.320 --> 0:12:51.800
<v Speaker 1>And I also like to think of the two heads

0:12:51.880 --> 0:12:55.480
<v Speaker 1>is representing like the different hemispheres of the brain. Okay,

0:12:55.920 --> 0:12:58.880
<v Speaker 1>so maybe only one of them can do a complex language,

0:12:59.200 --> 0:13:02.240
<v Speaker 1>maybe so, yuh. But but also I like the idea

0:13:02.240 --> 0:13:04.800
<v Speaker 1>that the demon lords like are these mighty things, but

0:13:05.160 --> 0:13:09.360
<v Speaker 1>perhaps they exist because they're they're like the accumulated runoff

0:13:09.440 --> 0:13:13.280
<v Speaker 1>of all like human inequity, you know. And of course

0:13:13.280 --> 0:13:15.280
<v Speaker 1>there are other demon lords as well, and they all

0:13:15.320 --> 0:13:18.760
<v Speaker 1>plot against each other and war eternally. They represent different

0:13:18.800 --> 0:13:23.640
<v Speaker 1>depths of moral sin. So Demogorgan's most prominent rivals are Orcus,

0:13:23.679 --> 0:13:26.559
<v Speaker 1>the demon Lord of undeath, as well as the demon

0:13:26.600 --> 0:13:30.040
<v Speaker 1>Lord of perversion graz It, and the Master of Lies

0:13:30.200 --> 0:13:34.080
<v Speaker 1>fraz are Blue. But He's also opposed by Bahamat you know,

0:13:34.200 --> 0:13:37.240
<v Speaker 1>Gou and then of course Jubilex and Zuktimi, who we've

0:13:37.400 --> 0:13:39.840
<v Speaker 1>mentioned in passing on the show before. Wait, so one

0:13:39.840 --> 0:13:42.080
<v Speaker 1>of his rivals is Orcas. You know. We began this

0:13:42.120 --> 0:13:45.080
<v Speaker 1>episode with a reading from John Milton's Paradise Lost, in

0:13:45.200 --> 0:13:48.319
<v Speaker 1>which the name Orcus is invoked. They don't really explain,

0:13:48.920 --> 0:13:52.600
<v Speaker 1>Milton doesn't go into who Orcus is there, but uh so,

0:13:52.880 --> 0:13:55.559
<v Speaker 1>I didn't expect Orcas to come back. Also in the

0:13:55.960 --> 0:13:58.440
<v Speaker 1>D and D law here, Yeah, I mean Orcus was

0:13:58.559 --> 0:14:02.720
<v Speaker 1>a Roman god of the under world who punished oathbreakers.

0:14:02.840 --> 0:14:04.599
<v Speaker 1>And oh and by the way, he also has his

0:14:04.679 --> 0:14:10.120
<v Speaker 1>own designated trans Newtonian object in zero four A two Orcus.

0:14:10.760 --> 0:14:13.160
<v Speaker 1>Not all demon lords can make that claim that they

0:14:13.200 --> 0:14:17.480
<v Speaker 1>actually have some sort of cosmic body named after them.

0:14:18.600 --> 0:14:20.400
<v Speaker 1>But this gets to the point that the D and

0:14:20.480 --> 0:14:24.240
<v Speaker 1>D is this wonderful mix of influences, fusing various twentieth

0:14:24.240 --> 0:14:28.160
<v Speaker 1>century fantasy and sci fi works with mythology and flow

0:14:28.240 --> 0:14:31.880
<v Speaker 1>in folklore to create its worlds. So that's so Orcus

0:14:31.920 --> 0:14:36.080
<v Speaker 1>obviously comes from Roman mythology. There are other creatures we mentioned.

0:14:36.120 --> 0:14:38.920
<v Speaker 1>Bahammed Bahamed is the entity that the knights templars who

0:14:38.920 --> 0:14:41.920
<v Speaker 1>are accused of worshiping in the fourteenth century and we're

0:14:41.960 --> 0:14:45.960
<v Speaker 1>subsequently eradicated for uh. So you know that's where that

0:14:46.040 --> 0:14:48.640
<v Speaker 1>name comes from. But then there's d m ocg Oregan

0:14:48.720 --> 0:14:52.240
<v Speaker 1>to consider, and uh and obviously the name predates dungeons

0:14:52.240 --> 0:14:55.880
<v Speaker 1>and dragons because it pops up in Paradise Lost. Yeah,

0:14:56.120 --> 0:15:01.120
<v Speaker 1>so you would I think, obviously expect given the word demogorgon,

0:15:01.560 --> 0:15:04.520
<v Speaker 1>that this is something from Greek mythology, right, just sounds

0:15:04.640 --> 0:15:07.760
<v Speaker 1>like something straight out of Greeks were of course, like

0:15:07.760 --> 0:15:10.040
<v Speaker 1>like Medusa. So you might think, oh, well, this is

0:15:10.080 --> 0:15:13.120
<v Speaker 1>some this is some Greek monster that gets turned into

0:15:13.160 --> 0:15:15.840
<v Speaker 1>a god at some point. But despite what you would

0:15:15.840 --> 0:15:19.160
<v Speaker 1>think from the name, you will not find the Demogorgon

0:15:19.280 --> 0:15:22.480
<v Speaker 1>in ancient Greek mythology. You flipped through the works of Homer,

0:15:22.720 --> 0:15:26.640
<v Speaker 1>labors of Hercules, myths of Antalympus, cults of Athena or Apollo,

0:15:26.920 --> 0:15:30.920
<v Speaker 1>you're gonna find no demogorgan anywhere. So where does this

0:15:30.960 --> 0:15:35.440
<v Speaker 1>beast come from? Well, we've we've considered pop culture, and

0:15:35.520 --> 0:15:38.880
<v Speaker 1>we've considered uh, you know, a current twenty first century

0:15:38.920 --> 0:15:43.040
<v Speaker 1>Netflix show. We've considered a twentieth century role playing game.

0:15:43.280 --> 0:15:45.000
<v Speaker 1>So what we're gonna do is we're gonna dive deeper.

0:15:45.040 --> 0:15:47.960
<v Speaker 1>We're gonna go into the literary world and continue to

0:15:48.040 --> 0:15:52.440
<v Speaker 1>follow follow the shadow of Demogorgan through the spiraling depths.

0:15:52.680 --> 0:15:58.880
<v Speaker 1>But first we're gonna take a break. Alright, We're back, alright.

0:15:58.920 --> 0:16:01.240
<v Speaker 1>So we've been talking about the monster, the demon lord,

0:16:01.280 --> 0:16:04.840
<v Speaker 1>the dem Organ as it is represented in Dungeons and Dragons,

0:16:04.920 --> 0:16:08.280
<v Speaker 1>and Robert has some experience with that. But we now

0:16:08.400 --> 0:16:10.280
<v Speaker 1>have said that we need to go deeper because we're

0:16:10.280 --> 0:16:12.920
<v Speaker 1>trying to figure out where this monster came from. If

0:16:12.920 --> 0:16:15.040
<v Speaker 1>it doesn't come from what you would guess based on

0:16:15.080 --> 0:16:17.760
<v Speaker 1>its name Greek mythology, right, And our next step is

0:16:17.800 --> 0:16:20.720
<v Speaker 1>to look at its very the way its name is

0:16:20.760 --> 0:16:24.800
<v Speaker 1>invoked in various works of literature. So one of the

0:16:24.840 --> 0:16:27.360
<v Speaker 1>books I was looking at on this count was a

0:16:27.360 --> 0:16:30.760
<v Speaker 1>book called Dangerous Games. What the Moral Panic over role

0:16:30.800 --> 0:16:33.640
<v Speaker 1>Playing Games says about play, religion, and imagined worlds, by

0:16:33.760 --> 0:16:36.920
<v Speaker 1>Joseph P. Laycock, And uh, this is this is an

0:16:36.960 --> 0:16:39.360
<v Speaker 1>interesting looking book that I really want to read more from.

0:16:39.960 --> 0:16:43.520
<v Speaker 1>But the author mentions that DeMorgan pops up in a

0:16:43.640 --> 0:16:48.080
<v Speaker 1>number of early modern and Romantic works. Uh. Interestingly enough,

0:16:48.160 --> 0:16:51.440
<v Speaker 1>Leacock also highlights an author and RPG named that I've

0:16:51.440 --> 0:16:55.000
<v Speaker 1>brought up on the show before. You may are Barker. Um,

0:16:55.360 --> 0:16:57.880
<v Speaker 1>you know the this is this guy who is known

0:16:57.920 --> 0:17:02.600
<v Speaker 1>for creating these books and this role world of Tucamel,

0:17:03.040 --> 0:17:06.720
<v Speaker 1>which is this fantasy. It's the sci fi fantasy world

0:17:07.119 --> 0:17:10.840
<v Speaker 1>that depends less far less on Western models of of

0:17:10.960 --> 0:17:14.359
<v Speaker 1>history and religion and uh in myth and more on

0:17:14.600 --> 0:17:18.960
<v Speaker 1>East Asian models. So uh there, if you're into fantasy,

0:17:19.160 --> 0:17:21.000
<v Speaker 1>I recommend picking up those books. They are a little

0:17:21.040 --> 0:17:23.639
<v Speaker 1>old fashioned in some respects, like they're very much in

0:17:23.640 --> 0:17:26.399
<v Speaker 1>the mold of like kind of a swashbuckling uh, you know,

0:17:26.520 --> 0:17:31.000
<v Speaker 1>male centered adventure. But the world that he created is

0:17:31.119 --> 0:17:35.520
<v Speaker 1>really something to behold. But anyway, he he points out, quote,

0:17:35.640 --> 0:17:38.879
<v Speaker 1>the prominence of original fantasy religions in D and D

0:17:38.920 --> 0:17:42.280
<v Speaker 1>as opposed to adaptations of Christian saints and demons, can

0:17:42.320 --> 0:17:46.520
<v Speaker 1>be attributed largely to the influence of M. A. R. Barker. Uh,

0:17:46.880 --> 0:17:50.359
<v Speaker 1>because Barker was was very active in that whole scene

0:17:50.359 --> 0:17:53.280
<v Speaker 1>at the time. These various individuals like Geykax and others

0:17:53.320 --> 0:17:56.800
<v Speaker 1>who were creating these role playing worlds. But as should

0:17:56.840 --> 0:17:59.840
<v Speaker 1>be clear from us talking about John Milton, the demogorgon

0:18:00.200 --> 0:18:04.119
<v Speaker 1>is not something that is a purely created, uh you know,

0:18:04.200 --> 0:18:07.520
<v Speaker 1>fantasy religion creature. It actually does have more of a history.

0:18:07.560 --> 0:18:11.919
<v Speaker 1>It goes back into Christian mythology in some way. So again,

0:18:12.040 --> 0:18:16.199
<v Speaker 1>whence the democ organ? Can we trace it back through literature? Yeah, well,

0:18:16.240 --> 0:18:19.880
<v Speaker 1>let's look at some of the key examples of literary

0:18:19.960 --> 0:18:23.280
<v Speaker 1>democ organ that pop up. Well, let's start with Milton's

0:18:23.320 --> 0:18:26.560
<v Speaker 1>Paradise Lost. We read that fantastic quote from it in

0:18:26.600 --> 0:18:29.919
<v Speaker 1>our cold open Uh. Paradise Losses, of course, the masterpiece

0:18:29.920 --> 0:18:32.160
<v Speaker 1>of John Milton, who lives sixteen o eight through six

0:18:32.440 --> 0:18:36.080
<v Speaker 1>seventy four, and which he sets no higher goal than

0:18:36.119 --> 0:18:39.920
<v Speaker 1>to quote justify the ways of God demand which I

0:18:40.240 --> 0:18:44.280
<v Speaker 1>always love that, like they just just really going for

0:18:44.359 --> 0:18:47.000
<v Speaker 1>it with this work, you know, um. And to achieve

0:18:47.080 --> 0:18:51.760
<v Speaker 1>this lofty goal, he retells the creation and the angelic

0:18:51.880 --> 0:18:54.160
<v Speaker 1>fall and the fall of man, and in doing so

0:18:54.520 --> 0:18:57.720
<v Speaker 1>creates a Satan that is uh, in some people's eyes,

0:18:58.440 --> 0:19:03.720
<v Speaker 1>problematically uh sympathetic and tragic. Yeah. Now, I think you

0:19:03.760 --> 0:19:07.719
<v Speaker 1>can easily say that Milton was not like sympathetic towards Satan.

0:19:07.800 --> 0:19:11.160
<v Speaker 1>He was a devout, devoted Protestant Christian. But I've seen

0:19:11.200 --> 0:19:15.719
<v Speaker 1>I've seen that criticism leveled at him, particularly in when

0:19:15.760 --> 0:19:19.520
<v Speaker 1>I was growing up reading some particularly various like Christian

0:19:19.520 --> 0:19:23.800
<v Speaker 1>fundamentalists of views of demonology and the treatment of demons

0:19:23.800 --> 0:19:26.720
<v Speaker 1>and angels, and literature that would chart to another like,

0:19:26.720 --> 0:19:30.280
<v Speaker 1>oh Milton made uh he he made Satan way too likable. Yeah,

0:19:30.320 --> 0:19:34.239
<v Speaker 1>I mean I think if you've got no tolerance at all, uh,

0:19:34.440 --> 0:19:37.119
<v Speaker 1>then then yeah, might might go too far for you.

0:19:37.200 --> 0:19:39.080
<v Speaker 1>But I think one thing he sets out to achieve

0:19:39.160 --> 0:19:42.680
<v Speaker 1>and does in Paradise Lost is he shows sin as

0:19:43.000 --> 0:19:48.080
<v Speaker 1>as going astray, you know, as folly, as like following uh,

0:19:48.200 --> 0:19:51.280
<v Speaker 1>following a misguided path, and not always just kind of

0:19:51.320 --> 0:19:57.240
<v Speaker 1>this like uh, indefinable miasma of horrible nous. People often

0:19:57.240 --> 0:19:58.960
<v Speaker 1>like to think of the devil is like something you

0:19:59.000 --> 0:20:02.440
<v Speaker 1>can't even look at. But Milton's devil. I mean the

0:20:03.520 --> 0:20:06.919
<v Speaker 1>kind of scary thing about the devil in classic conceptions

0:20:06.920 --> 0:20:09.000
<v Speaker 1>of it is that he's seductive and that he makes

0:20:09.000 --> 0:20:13.040
<v Speaker 1>good arguments. Yeah again, I mean de mcgregan and dn

0:20:13.119 --> 0:20:16.200
<v Speaker 1>D has that intelligence of twenty wisdom of seventeen. You'd

0:20:16.200 --> 0:20:20.159
<v Speaker 1>expect as much at least from Satan. Yeah, now in

0:20:20.200 --> 0:20:23.280
<v Speaker 1>Paradise lost, of course, Satan Ultimately he loses a war

0:20:23.359 --> 0:20:25.720
<v Speaker 1>in heaven. He falls down with his demons. They get

0:20:25.760 --> 0:20:28.199
<v Speaker 1>cast into Hell. They have a big debate about what

0:20:28.240 --> 0:20:30.919
<v Speaker 1>to do about this. Some demons counsel that they should,

0:20:31.000 --> 0:20:33.080
<v Speaker 1>you know, take up arms, and I think Malock says,

0:20:33.160 --> 0:20:36.280
<v Speaker 1>let's go fight again. Some say, you know, we're down here,

0:20:36.359 --> 0:20:37.840
<v Speaker 1>we can do just let's make the best of it.

0:20:37.920 --> 0:20:41.560
<v Speaker 1>You know, Hell's not so bad. And but but Satan

0:20:41.600 --> 0:20:44.600
<v Speaker 1>gets to this idea He's going to get revenge by

0:20:44.720 --> 0:20:49.240
<v Speaker 1>by corrupting God's favorite creation, the human, and spoiler, he

0:20:49.280 --> 0:20:53.640
<v Speaker 1>pulls it off. But yeah, this epic poem, you can

0:20:53.640 --> 0:20:55.080
<v Speaker 1>see you can almost think of it as kind of

0:20:55.080 --> 0:20:58.720
<v Speaker 1>a reboot or kind of like an amazing piece of

0:20:58.720 --> 0:21:03.000
<v Speaker 1>of biblical and fiction where he fleshes out this idea

0:21:03.040 --> 0:21:05.320
<v Speaker 1>of a war in heaven and he adds in all

0:21:05.359 --> 0:21:08.920
<v Speaker 1>sorts of dramatic and gnarly details. One I always liked

0:21:09.000 --> 0:21:12.879
<v Speaker 1>is that he forges a sword for the Archangeel Michael uh,

0:21:12.920 --> 0:21:16.480
<v Speaker 1>that is powerful enough to cut through anything, including the

0:21:16.480 --> 0:21:20.320
<v Speaker 1>flesh of other angels. God forges the sword, you mean, yeah, yeah,

0:21:20.359 --> 0:21:22.600
<v Speaker 1>who did I say forged it. Oh, I thought it

0:21:22.680 --> 0:21:25.280
<v Speaker 1>sounded like you're saying Satan did. Okay, well I'm probably

0:21:25.280 --> 0:21:27.679
<v Speaker 1>thinking Saranto because we just did that right, right, But

0:21:28.080 --> 0:21:30.840
<v Speaker 1>to be clear, and God made the sword. Yeah, that's cood. Well,

0:21:30.880 --> 0:21:32.679
<v Speaker 1>I mean, I feel like there's so much stuff in

0:21:32.800 --> 0:21:36.400
<v Speaker 1>Paradise Lost. And we were talking before we came into

0:21:36.440 --> 0:21:39.280
<v Speaker 1>the studio here about Dante as well, where there are

0:21:39.280 --> 0:21:43.520
<v Speaker 1>these great works of literature within the Christian literary tradition

0:21:43.960 --> 0:21:48.359
<v Speaker 1>that get incorporated into people's theology, like they forget that

0:21:48.520 --> 0:21:53.000
<v Speaker 1>stuff that's just in Paradise Lost isn't actually in the Bible, right, Yeah,

0:21:53.040 --> 0:21:55.719
<v Speaker 1>And and we can thank Dante for the pretty much

0:21:55.720 --> 0:21:59.240
<v Speaker 1>the whole concept of of purgatory becoming so prominent in

0:21:59.280 --> 0:22:03.480
<v Speaker 1>when in West traditions. But but yeah, so so in

0:22:03.640 --> 0:22:07.040
<v Speaker 1>creating Paradise Lost, Milton, he drags in a number of

0:22:07.119 --> 0:22:09.400
<v Speaker 1>names and develops a more demon names that do pop

0:22:09.480 --> 0:22:13.000
<v Speaker 1>up in the Bible, like the Elzeba, Belial, Mammon, Moloc.

0:22:13.400 --> 0:22:17.600
<v Speaker 1>But then he also drags in Orcus and Demogorgon, and

0:22:17.640 --> 0:22:21.960
<v Speaker 1>then there are seemingly new creations like most mus saber Uh,

0:22:22.080 --> 0:22:25.680
<v Speaker 1>the architect of Pandemonium, the capital of Hell. So de

0:22:25.840 --> 0:22:28.879
<v Speaker 1>mcgorgan is mentioned in book two and you heard it

0:22:28.880 --> 0:22:31.520
<v Speaker 1>at the start of this episode described and this is

0:22:31.680 --> 0:22:35.680
<v Speaker 1>a section of Paradise Lass that describes Satan's voyage out

0:22:35.680 --> 0:22:38.680
<v Speaker 1>of Hell with sin and death. So the dem Ogregan

0:22:38.800 --> 0:22:42.320
<v Speaker 1>is basically a background player's texture. Yeah, just add a

0:22:42.320 --> 0:22:44.760
<v Speaker 1>little texture to this scene as Satan crosses the wilds

0:22:44.800 --> 0:22:47.680
<v Speaker 1>of chaos and night that span the void between Heaven

0:22:47.680 --> 0:22:50.800
<v Speaker 1>and Hell. And there are other literary invocations of the

0:22:50.840 --> 0:22:53.479
<v Speaker 1>Demogorgon that I would say are basically the same. They

0:22:53.560 --> 0:22:57.840
<v Speaker 1>use the demogorgan not as a major figure of significance,

0:22:57.880 --> 0:23:00.960
<v Speaker 1>but something is sort of texture to a dablished that

0:23:01.080 --> 0:23:05.000
<v Speaker 1>a place is sort of ultimately abandoned by God and

0:23:05.000 --> 0:23:07.840
<v Speaker 1>and wretched, you know, like it's just really horrible. And

0:23:07.880 --> 0:23:10.320
<v Speaker 1>another great example of this is the way the demog

0:23:10.400 --> 0:23:14.159
<v Speaker 1>organ is invoked in Edmund Spencer's The Fairy Queen. Uh So,

0:23:14.240 --> 0:23:16.440
<v Speaker 1>if you've never read it, The Fairy Queen is also

0:23:16.520 --> 0:23:19.960
<v Speaker 1>it's like Paradise Lost, an English epic poem. It's from

0:23:19.960 --> 0:23:23.520
<v Speaker 1>the sixteenth century, so it's earlier than Paradise Lost, and

0:23:23.520 --> 0:23:27.280
<v Speaker 1>it's this really long poem about virtues and the adventures

0:23:27.320 --> 0:23:30.439
<v Speaker 1>of chivalrous nights. It's one of those that's uh, you know,

0:23:30.480 --> 0:23:32.840
<v Speaker 1>to modern readers. I think it has a whole lot

0:23:32.880 --> 0:23:35.400
<v Speaker 1>of interest in it, and there is some great poetry

0:23:35.400 --> 0:23:37.800
<v Speaker 1>in it, but also it can be very long and

0:23:37.840 --> 0:23:40.840
<v Speaker 1>ponderous and kind of stuffy in some ways, because I mean,

0:23:40.880 --> 0:23:44.760
<v Speaker 1>you can only read so much about piety and shipt um.

0:23:45.000 --> 0:23:47.399
<v Speaker 1>But it's long been interpreted as containing a lot of

0:23:47.440 --> 0:23:52.120
<v Speaker 1>allegorical representations of present figures and politics from the Elizabethan era.

0:23:52.200 --> 0:23:54.040
<v Speaker 1>When it was written, I think I was reading about

0:23:54.040 --> 0:23:58.480
<v Speaker 1>how spencer Um he secured himself a really nice pension

0:23:58.600 --> 0:24:01.920
<v Speaker 1>from the Elizabethan court by presenting the poem to Queen Elizabeth.

0:24:02.680 --> 0:24:04.920
<v Speaker 1>But again, the Demogorgan here does not appear as a

0:24:05.000 --> 0:24:07.960
<v Speaker 1>main character, but sort of as a bit of character

0:24:08.119 --> 0:24:11.919
<v Speaker 1>for the landscape. So just to read one stands in

0:24:12.000 --> 0:24:15.160
<v Speaker 1>which it is invoked. Therefore desirous the end of all

0:24:15.240 --> 0:24:18.480
<v Speaker 1>their days to know and them to enlarge with long

0:24:18.600 --> 0:24:22.480
<v Speaker 1>extent by wondrous skill and many hidden ways to the

0:24:22.600 --> 0:24:27.160
<v Speaker 1>three Fatal Sisters house. She went far underground from Tract

0:24:27.200 --> 0:24:30.560
<v Speaker 1>of Living, went down in the bottom of the deep abyss,

0:24:30.640 --> 0:24:34.920
<v Speaker 1>where Demogorgan in dull darkness pent far from the view

0:24:34.960 --> 0:24:39.000
<v Speaker 1>of God's in Heaven's bliss, This hideous chaos keeps their

0:24:39.080 --> 0:24:43.000
<v Speaker 1>dreadful dwelling. Is So this character is going She's going

0:24:43.080 --> 0:24:46.560
<v Speaker 1>down into a into a dark, godforsaken place. And how

0:24:46.560 --> 0:24:49.159
<v Speaker 1>do you signal places dark and God forsaken? How do

0:24:49.160 --> 0:24:51.800
<v Speaker 1>you show places evil and far from God? Well, you

0:24:51.840 --> 0:24:54.720
<v Speaker 1>mentioned it's where the demogorgan hangs out. So if the

0:24:54.720 --> 0:24:58.360
<v Speaker 1>red Cross Night stands for piety and holiness, the Demogorgan

0:24:58.480 --> 0:25:02.600
<v Speaker 1>stands for unholiness and satanic chaos. Now, another work that's

0:25:02.720 --> 0:25:07.280
<v Speaker 1>uh that's often invoked that mentions the Demogorgon is another

0:25:07.320 --> 0:25:11.760
<v Speaker 1>sixteenth century work. It's an Italian epic poem by uh

0:25:12.040 --> 0:25:19.600
<v Speaker 1>Lodovico Ariosto, a titled Orlando Furioso, which is a poem

0:25:19.640 --> 0:25:22.840
<v Speaker 1>that concerns the night Orlando, who is known in French

0:25:22.880 --> 0:25:27.000
<v Speaker 1>traditions as Roland Uh. Now, at least in some versions

0:25:27.000 --> 0:25:32.320
<v Speaker 1>and translations, it does mention Demogorgon quote the ruler of fates.

0:25:33.119 --> 0:25:35.879
<v Speaker 1>But as far as I could tell, again, he's just background.

0:25:35.920 --> 0:25:39.359
<v Speaker 1>He's just texture that's added to this to a particular scene.

0:25:39.680 --> 0:25:42.280
<v Speaker 1>All right, So this gets us back to the fifteen

0:25:42.400 --> 0:25:46.280
<v Speaker 1>sixteenth century UM. And so we see by then that

0:25:46.320 --> 0:25:50.800
<v Speaker 1>the demogorgan is being invoked in UH literature written by

0:25:50.920 --> 0:25:54.400
<v Speaker 1>Christians as some kind of infernal demons, some bad thing.

0:25:54.440 --> 0:25:56.639
<v Speaker 1>Maybe it has something to do with fate, maybe it

0:25:56.680 --> 0:25:59.359
<v Speaker 1>has something to do with chaos. And there's an earlier

0:25:59.400 --> 0:26:02.119
<v Speaker 1>source that came across that's a hundred years or so

0:26:02.200 --> 0:26:07.160
<v Speaker 1>before this UH, the fourteenth century Latin encyclopedia of pagan

0:26:07.240 --> 0:26:12.600
<v Speaker 1>gods in their relationships, known as Boccaccio's Gina Loggia deorum

0:26:12.680 --> 0:26:16.480
<v Speaker 1>Gentilium or the Genealogy of the Gods of the Gentiles.

0:26:17.040 --> 0:26:20.760
<v Speaker 1>This was written by the Italian poet Giovanni Boccaccio, and

0:26:20.760 --> 0:26:24.120
<v Speaker 1>Boccaccio apparently was commissioned to sort of like put together this,

0:26:24.119 --> 0:26:27.040
<v Speaker 1>this compendium of all the bad old gods, you know,

0:26:27.160 --> 0:26:30.439
<v Speaker 1>the pagan stuff back then, and show the relationships to

0:26:30.480 --> 0:26:32.919
<v Speaker 1>each other, to make a family tree. I found an

0:26:32.920 --> 0:26:36.639
<v Speaker 1>addition and analysis by Ernest Hatch. Wilkins actually could not

0:26:36.840 --> 0:26:40.080
<v Speaker 1>find an English translation of this. I think there might

0:26:40.119 --> 0:26:43.600
<v Speaker 1>be one out there somewhere, but maybe it's not available online. UM.

0:26:43.760 --> 0:26:48.200
<v Speaker 1>But anyway, Wilkins, in this nineteen edition from the University

0:26:48.240 --> 0:26:52.960
<v Speaker 1>of Chicago Press, was discussing what is covered in this book,

0:26:53.240 --> 0:26:57.159
<v Speaker 1>and apparently in attempting to create a family tree of

0:26:57.320 --> 0:27:02.360
<v Speaker 1>all pagan gods, Boccaccio regards the dem o Organ as

0:27:02.400 --> 0:27:06.719
<v Speaker 1>the original pagan deity, like the great great grandfather of

0:27:06.800 --> 0:27:10.919
<v Speaker 1>Jupiter or Zeus, from which all other pagan deities are descended.

0:27:11.359 --> 0:27:16.680
<v Speaker 1>So the family tree just starts right at the top Demogorgon. Alright,

0:27:16.680 --> 0:27:20.120
<v Speaker 1>So if you're if you're looking at various pagan gods

0:27:20.200 --> 0:27:23.840
<v Speaker 1>from a from this Christian standpoint where pagan gods are

0:27:23.880 --> 0:27:27.440
<v Speaker 1>a bad thing and perhaps are actually demons, then later

0:27:27.480 --> 0:27:29.760
<v Speaker 1>that's where we getting the idea that the Demogorgan is

0:27:29.840 --> 0:27:35.719
<v Speaker 1>something primal and perhaps uh vile in nature, the very

0:27:35.760 --> 0:27:39.320
<v Speaker 1>first god. How strange. Now, it turns out this isn't

0:27:39.359 --> 0:27:43.040
<v Speaker 1>the first reference to a demo Organ and Christian literature,

0:27:43.080 --> 0:27:46.560
<v Speaker 1>and we will find an earlier mention of it later on.

0:27:47.000 --> 0:27:49.320
<v Speaker 1>But before we move on to that, I wanted to

0:27:49.320 --> 0:27:51.040
<v Speaker 1>talk about what I think is one of the most

0:27:51.119 --> 0:27:54.320
<v Speaker 1>interesting literary depictions of the demo Organ, definitely the most

0:27:54.359 --> 0:27:58.440
<v Speaker 1>interesting I've come across, and it's in Percy bish Shelley's

0:27:58.640 --> 0:28:03.160
<v Speaker 1>Prometheus Unbound. And this is of course Mary's husband yes, yes.

0:28:03.240 --> 0:28:06.600
<v Speaker 1>The husband of the author of Frankenstein, Percy B. Shelley,

0:28:06.760 --> 0:28:10.800
<v Speaker 1>was an English Romantic poet. This is a lyric drama,

0:28:10.840 --> 0:28:12.920
<v Speaker 1>so it's a drama sort of written in verse. The

0:28:13.520 --> 0:28:17.520
<v Speaker 1>play is a response to the Greek myth of Prometheus,

0:28:17.560 --> 0:28:21.359
<v Speaker 1>and Shelly first published it in eighteen twenty and he

0:28:21.400 --> 0:28:25.560
<v Speaker 1>explicitly presented it as this as a response to the

0:28:26.160 --> 0:28:30.800
<v Speaker 1>play Prometheus Bound by the ancient Greek playwright Escalus. So

0:28:31.000 --> 0:28:33.080
<v Speaker 1>the myth of Prometheus, you might know it well, but

0:28:33.240 --> 0:28:36.720
<v Speaker 1>just to refresh, it goes something like this. Prometheus was

0:28:37.280 --> 0:28:40.320
<v Speaker 1>one of a race of deities in ancient Greek religion

0:28:40.640 --> 0:28:43.880
<v Speaker 1>known as the Titans, and the Titans came before the

0:28:43.920 --> 0:28:48.240
<v Speaker 1>gods of Olympus. The Titans were offspring from the union

0:28:48.440 --> 0:28:52.000
<v Speaker 1>of Uranus the heavens and Gaya the earth, and they

0:28:52.120 --> 0:28:55.080
<v Speaker 1>ruled the earth until Chronus, the king of the Titans,

0:28:55.440 --> 0:28:58.960
<v Speaker 1>was dethroned and his allies were defeated by his son

0:28:59.160 --> 0:29:02.320
<v Speaker 1>Zeus and the Olympian gods. This is the War of

0:29:02.360 --> 0:29:06.400
<v Speaker 1>the Titans, or the Titanum macky um. So Prometheus was

0:29:06.440 --> 0:29:09.720
<v Speaker 1>one of the Titans, the son of the Titan Yapidus,

0:29:09.760 --> 0:29:12.160
<v Speaker 1>but he took the side of Zeus in the war

0:29:12.200 --> 0:29:14.880
<v Speaker 1>between the Olympians and the Titans, so he's still around

0:29:14.920 --> 0:29:18.920
<v Speaker 1>among the Olympian gods. And Zeus, of course is a creep,

0:29:18.960 --> 0:29:22.160
<v Speaker 1>as is Zeus is you just set your watch to it.

0:29:22.200 --> 0:29:24.440
<v Speaker 1>He's going to be a creep in a jerk. Zeus

0:29:24.800 --> 0:29:28.400
<v Speaker 1>doesn't want mortal humans down on earth like us, to

0:29:28.520 --> 0:29:33.080
<v Speaker 1>have power and knowledge like the gods. So he takes

0:29:33.080 --> 0:29:36.440
<v Speaker 1>this crucial step in this myth of hiding fire from

0:29:36.520 --> 0:29:38.600
<v Speaker 1>the humans. He takes fire from the earth, he hides

0:29:38.640 --> 0:29:41.640
<v Speaker 1>it amount Olympus. He says humans can't have it, and

0:29:41.760 --> 0:29:45.800
<v Speaker 1>Prometheus the Titan instead is sympathetic to humans, and so

0:29:45.840 --> 0:29:49.160
<v Speaker 1>what he does is he steals fire from where Zeus

0:29:49.240 --> 0:29:51.720
<v Speaker 1>had hidden it on Olympus, and he takes it down

0:29:51.760 --> 0:29:55.320
<v Speaker 1>to share with the mortals below. And this is a

0:29:55.360 --> 0:29:58.680
<v Speaker 1>trope that we see in various mythologies. So for instance,

0:29:58.720 --> 0:30:01.880
<v Speaker 1>there's a there's a nearly id intical role in Chinese

0:30:01.920 --> 0:30:04.880
<v Speaker 1>myth of the fire driller, who essentially does the same thing.

0:30:04.960 --> 0:30:07.080
<v Speaker 1>And when we see this again in so many stories,

0:30:07.240 --> 0:30:10.560
<v Speaker 1>there's some sort of knowledge of you know, some sort

0:30:10.600 --> 0:30:14.480
<v Speaker 1>of generally it's basically technological in nature and it is

0:30:15.080 --> 0:30:18.040
<v Speaker 1>taken from the gods one way or the other, borrowed

0:30:18.520 --> 0:30:22.920
<v Speaker 1>from the gods and bestowed be either bestowed to humans

0:30:22.960 --> 0:30:26.680
<v Speaker 1>by some benevolent entity like Prometheus, or it is just

0:30:26.800 --> 0:30:29.720
<v Speaker 1>straight up stolen from the gods by mortals. Well, I

0:30:29.920 --> 0:30:32.200
<v Speaker 1>think I like the Chinese version even better because in

0:30:32.280 --> 0:30:36.560
<v Speaker 1>that the god who brings the fire doesn't it explicitly

0:30:36.600 --> 0:30:39.800
<v Speaker 1>brings the technological means to make fire, not just the

0:30:39.840 --> 0:30:41.840
<v Speaker 1>fire itself, so the fire drill. Of course, you know,

0:30:42.240 --> 0:30:44.480
<v Speaker 1>if you ever used a bow drill, it's not so easy,

0:30:44.560 --> 0:30:47.440
<v Speaker 1>but you can make fire that way. I think Prometheus

0:30:47.480 --> 0:30:50.760
<v Speaker 1>is usually depicted as bringing like a burning branch or

0:30:50.800 --> 0:30:53.120
<v Speaker 1>something yeah like that. And granted that makes for a

0:30:53.200 --> 0:30:56.760
<v Speaker 1>much better sculpture of painting, right this naked Titan with

0:30:56.840 --> 0:31:01.920
<v Speaker 1>the with with this highly symbolic of a flaming torture branch.

0:31:02.360 --> 0:31:06.560
<v Speaker 1>But through the years Prometheus's gift to the humans, I

0:31:06.600 --> 0:31:09.120
<v Speaker 1>think it's more often interpreted along the lines of the

0:31:09.120 --> 0:31:13.200
<v Speaker 1>fire driller, where he's it's not just fire, Prometheus symbolizes

0:31:13.680 --> 0:31:18.360
<v Speaker 1>the power from the heavens, who betrays the leader god

0:31:18.720 --> 0:31:22.520
<v Speaker 1>and brings down general technology and knowledge and power and

0:31:22.560 --> 0:31:26.480
<v Speaker 1>succor to the humans, which which it's interesting that in

0:31:26.680 --> 0:31:29.959
<v Speaker 1>Prometheus and the figure of Prometheus and the figure of

0:31:30.160 --> 0:31:33.760
<v Speaker 1>Satan have a lot in common, right, Oh kind of yeah,

0:31:33.800 --> 0:31:36.000
<v Speaker 1>because I mean, yes, Satan. One of the things that's

0:31:36.000 --> 0:31:38.000
<v Speaker 1>interesting about the story of Satan and the Garden of

0:31:38.120 --> 0:31:40.800
<v Speaker 1>Eden is that Satan does not lie to the humans.

0:31:41.520 --> 0:31:43.959
<v Speaker 1>You know, he's presented as doing bad, but he he

0:31:44.080 --> 0:31:47.760
<v Speaker 1>encourages them to h to violate God's law in the

0:31:47.800 --> 0:31:50.000
<v Speaker 1>garden and eat from the tree that has forbidden to them.

0:31:50.040 --> 0:31:51.959
<v Speaker 1>But he says, you can eat from this tree and

0:31:52.000 --> 0:31:54.280
<v Speaker 1>you will not die as you've been told you will.

0:31:54.320 --> 0:31:56.320
<v Speaker 1>And it it turns out it's true. They eat and

0:31:56.360 --> 0:31:58.719
<v Speaker 1>it doesn't kill them, except you could make the argument

0:31:58.760 --> 0:32:01.080
<v Speaker 1>that maybe, well maybe it makes them mortal in the

0:32:01.160 --> 0:32:03.720
<v Speaker 1>long run. But I mean, basically, he's a disruptor, to

0:32:03.800 --> 0:32:06.320
<v Speaker 1>put it in like Silicon Valley terms, right, Like he's

0:32:06.760 --> 0:32:12.560
<v Speaker 1>trying to disrupt creation. Um. But so in the Greek myth,

0:32:12.640 --> 0:32:15.840
<v Speaker 1>of course, Prometheus being nice to the humans and betraying Zeus,

0:32:15.880 --> 0:32:18.560
<v Speaker 1>both the mortals and Prometheus are punished for this. The

0:32:18.600 --> 0:32:22.240
<v Speaker 1>punishment for humans is a sequence of events that leads

0:32:22.240 --> 0:32:24.920
<v Speaker 1>to the opening of Pandora's box, out of which flow

0:32:24.960 --> 0:32:28.080
<v Speaker 1>all the hardships and frailty of human life. You get plague,

0:32:28.120 --> 0:32:31.640
<v Speaker 1>you get toiled to survive all that stuff, and a

0:32:31.640 --> 0:32:34.440
<v Speaker 1>little bit of hope left over. I guess. Yeah. In

0:32:34.520 --> 0:32:39.280
<v Speaker 1>the bottom, uh, Prometheus is punished in a more explicit way.

0:32:39.800 --> 0:32:42.680
<v Speaker 1>He is bound to a rock in the Caucasus Mountains,

0:32:42.920 --> 0:32:45.520
<v Speaker 1>and not only has he chained up, but Zeus sends

0:32:45.560 --> 0:32:49.000
<v Speaker 1>a nasty eagle to peck out his liver each day,

0:32:49.280 --> 0:32:52.840
<v Speaker 1>and unfortunately, Prometheus is immortal, so his liver, as an

0:32:52.880 --> 0:32:56.520
<v Speaker 1>immortal liver, just keeps regenerating, and the eagle can fly

0:32:56.600 --> 0:32:58.360
<v Speaker 1>back and peck it out and eat it again the

0:32:58.360 --> 0:33:01.400
<v Speaker 1>next day. It sounds like a bad deal. Yeah, it's

0:33:01.680 --> 0:33:03.240
<v Speaker 1>a bad deal, But I don't know as far as,

0:33:03.280 --> 0:33:06.120
<v Speaker 1>like you know, offending Zeus goes. I guess it could

0:33:06.160 --> 0:33:08.640
<v Speaker 1>have been worse. I guess. So. Now, in response to

0:33:08.720 --> 0:33:12.760
<v Speaker 1>this myth, Shelly Percy bis Shelley in his play takes

0:33:12.840 --> 0:33:15.480
<v Speaker 1>up the banner of Prometheus and he makes him a

0:33:15.520 --> 0:33:17.680
<v Speaker 1>heroic figure in the play. And I would say this

0:33:17.720 --> 0:33:21.960
<v Speaker 1>is not surprising because you could definitely say that Percy

0:33:22.000 --> 0:33:27.400
<v Speaker 1>Shelley was of a revolutionary temperament theologically, politically and in literature.

0:33:27.720 --> 0:33:30.600
<v Speaker 1>He was very against the old ways and the old

0:33:30.760 --> 0:33:34.280
<v Speaker 1>powers and the authorities, and for sort of disruption and

0:33:34.360 --> 0:33:37.520
<v Speaker 1>revolution and doing things in a new way. Now, the

0:33:37.560 --> 0:33:40.120
<v Speaker 1>plot of Shelley's play is kind of abstract and sort

0:33:40.120 --> 0:33:44.400
<v Speaker 1>of loaded with characters and images of ponderous meaningfulness. So,

0:33:45.160 --> 0:33:47.200
<v Speaker 1>uh so I'm gonna try to do a short summary,

0:33:47.320 --> 0:33:49.960
<v Speaker 1>leaving aside all the stuff that takes us in other

0:33:50.040 --> 0:33:52.560
<v Speaker 1>directions and focusing on how the Dimmock organ comes in.

0:33:52.640 --> 0:33:55.800
<v Speaker 1>So Prometheus is we find him in this state where

0:33:55.840 --> 0:33:59.600
<v Speaker 1>he's bound up by Zeus. It's Jupiter in this play,

0:33:59.640 --> 0:34:02.560
<v Speaker 1>but this same figure, the king of the gods, bound

0:34:02.600 --> 0:34:06.160
<v Speaker 1>up and tortured by Jupiter for bringing knowledge to the mortals,

0:34:06.200 --> 0:34:08.959
<v Speaker 1>and in Shelley's version it is explicitly not just fire

0:34:09.000 --> 0:34:11.919
<v Speaker 1>but general knowledge and aid. And there are two other

0:34:12.000 --> 0:34:15.200
<v Speaker 1>deities who are sympathetic to Prometheus and they want to

0:34:15.200 --> 0:34:18.640
<v Speaker 1>help him. These are the sisters Asia and Panthea, and

0:34:18.760 --> 0:34:22.040
<v Speaker 1>they attempt to free Prometheus from his bondage. Asia is

0:34:22.080 --> 0:34:25.160
<v Speaker 1>a c nymph who is actually the beloved of Prometheus,

0:34:25.200 --> 0:34:29.239
<v Speaker 1>and Panthea is her sister. Led by a dream, the

0:34:29.280 --> 0:34:32.480
<v Speaker 1>two of them venture into the underworld, and they meet

0:34:32.520 --> 0:34:36.440
<v Speaker 1>a character called the Demogorgan, who is portrayed as a

0:34:36.520 --> 0:34:40.640
<v Speaker 1>kind of supremely powerful but also strangely passive and kind

0:34:40.680 --> 0:34:45.600
<v Speaker 1>of inert force of fate and nothingness, who is also

0:34:45.800 --> 0:34:48.880
<v Speaker 1>the son of Jupiter. Now, when they first come across

0:34:49.120 --> 0:34:53.440
<v Speaker 1>uh the demo Organ, the character of Panthea describes him

0:34:53.480 --> 0:34:56.960
<v Speaker 1>this way. She says, I see a mighty darkness filling

0:34:57.000 --> 0:35:00.360
<v Speaker 1>the seat of power, and rays of gloom, dark round

0:35:00.400 --> 0:35:04.800
<v Speaker 1>as light from the meridian sun, ungazed upon and shapeless,

0:35:04.840 --> 0:35:08.360
<v Speaker 1>neither limb nor form nor outline. Yet we feel it

0:35:08.480 --> 0:35:11.360
<v Speaker 1>is a living spirit. This is very different from the

0:35:11.440 --> 0:35:14.279
<v Speaker 1>D and D demigorgan, right, Yeah, This is more like

0:35:14.440 --> 0:35:19.080
<v Speaker 1>a primordial soup of the deity. Yeah. So they say

0:35:19.120 --> 0:35:21.520
<v Speaker 1>that they since there is a living presence down in

0:35:21.560 --> 0:35:24.560
<v Speaker 1>the abyss with them, and there's a mighty darkness, there's

0:35:24.560 --> 0:35:26.719
<v Speaker 1>something in the gloom, but they can't see that it

0:35:26.760 --> 0:35:30.040
<v Speaker 1>has any kind of shape or body. And then Panthea

0:35:30.080 --> 0:35:33.879
<v Speaker 1>and Asia have a consultation with the Demogorgon. They asked

0:35:33.960 --> 0:35:37.680
<v Speaker 1>him questions and the Demogorgan reveals to them that Jupiter

0:35:37.880 --> 0:35:40.560
<v Speaker 1>created the world with all the good and the bad,

0:35:40.719 --> 0:35:44.680
<v Speaker 1>that it entails, and also that even Jupiter himself is

0:35:44.719 --> 0:35:48.720
<v Speaker 1>not all powerful, because, in the words of the Demogorgon quote,

0:35:49.160 --> 0:35:53.319
<v Speaker 1>all spirits are enslaved, which serve things evil. And he

0:35:53.360 --> 0:35:56.759
<v Speaker 1>says to Asia, thou knowest if Jupiter be such or No.

0:35:57.239 --> 0:36:00.319
<v Speaker 1>Of course Asia knows that even though Jupiter is the

0:36:00.400 --> 0:36:03.799
<v Speaker 1>chief god, Jupiter still does things that are evil. He

0:36:03.840 --> 0:36:06.960
<v Speaker 1>serves evil, so there must be some kind of power

0:36:07.040 --> 0:36:09.520
<v Speaker 1>over him, because all things that serve evil have some

0:36:09.560 --> 0:36:13.719
<v Speaker 1>power over them. So what is even Jupiter subject to? Well?

0:36:13.800 --> 0:36:16.799
<v Speaker 1>The demo organ answer is that too. Quote if the

0:36:16.840 --> 0:36:20.520
<v Speaker 1>abyssum could vomit forth its secrets. But a voice is

0:36:20.560 --> 0:36:24.319
<v Speaker 1>wanting the deep truth is imageless. For what would it

0:36:24.360 --> 0:36:27.719
<v Speaker 1>avail to bid the gaze on the revolving world? What

0:36:27.880 --> 0:36:32.279
<v Speaker 1>to bid? Speak fate, time, occasion, chance, and change? To

0:36:32.440 --> 0:36:37.439
<v Speaker 1>these all things are subject but eternal love. Love. That's

0:36:37.440 --> 0:36:41.160
<v Speaker 1>the fifth element. I guess it is. So even Jupiter,

0:36:41.280 --> 0:36:43.880
<v Speaker 1>the ultimate god of everything, is subject to the power

0:36:43.920 --> 0:36:47.239
<v Speaker 1>of love. Uh. Sounds kind of cheesy, but then but

0:36:47.360 --> 0:36:50.319
<v Speaker 1>then Asia is like, Okay, well, I love Prometheus, so

0:36:50.440 --> 0:36:54.040
<v Speaker 1>when will he be freed? Like when shall the destined

0:36:54.040 --> 0:36:57.200
<v Speaker 1>hour arrive for Prometheus to be to be freed, and

0:36:57.239 --> 0:37:01.560
<v Speaker 1>the dem o organ just says, behold exclamation point. So

0:37:01.600 --> 0:37:05.400
<v Speaker 1>then immediately the Demogorgan travels to heaven where Jupiter is

0:37:05.480 --> 0:37:07.400
<v Speaker 1>the Jupiter, the chief God, is in the middle of

0:37:07.400 --> 0:37:10.279
<v Speaker 1>a big speech about how awesome he is, and the

0:37:10.320 --> 0:37:14.720
<v Speaker 1>Demogorgan appears and then he just he just messes up Jupiter.

0:37:14.840 --> 0:37:18.680
<v Speaker 1>He casts him down, He destroys the tyrant creator God,

0:37:19.040 --> 0:37:22.319
<v Speaker 1>and then Prometheus can be freed by Hercules and reunited

0:37:22.320 --> 0:37:24.960
<v Speaker 1>with Asia. That's quite a climax. Well, but it's not

0:37:25.080 --> 0:37:27.399
<v Speaker 1>the climax. Somehow, This is not the end of the play.

0:37:27.480 --> 0:37:30.080
<v Speaker 1>This is like act three of a five act play.

0:37:30.120 --> 0:37:32.600
<v Speaker 1>After this, it seems I've never read the thing in full,

0:37:32.680 --> 0:37:35.640
<v Speaker 1>I admit I've read some passages. It seems like after

0:37:35.680 --> 0:37:38.040
<v Speaker 1>this there is a lot of like sort of um

0:37:38.400 --> 0:37:42.799
<v Speaker 1>windy pontificating about love and virtues and what is good

0:37:42.840 --> 0:37:46.040
<v Speaker 1>and right. But anyway, I think the Demogorgon's role in

0:37:46.080 --> 0:37:49.680
<v Speaker 1>this story is very interesting. He's well, so I kept

0:37:49.680 --> 0:37:52.600
<v Speaker 1>saying he but the Demogorgan. Actually, one thing that's been

0:37:52.640 --> 0:37:55.080
<v Speaker 1>pointed out by scholars is that the Demogorgan has never

0:37:55.160 --> 0:37:59.600
<v Speaker 1>given a gender. Uh In in Percy's play. Uh In

0:38:00.000 --> 0:38:02.480
<v Speaker 1>and other sources. It is I think, assumed to be

0:38:02.520 --> 0:38:06.000
<v Speaker 1>a he, but there's no there's no gender in Prometheus Unbound.

0:38:06.360 --> 0:38:09.400
<v Speaker 1>So the Demogorgon, whoever they are, whatever they are, is

0:38:09.520 --> 0:38:13.239
<v Speaker 1>depicted as in some kind of infernal phantom of the underworld,

0:38:13.320 --> 0:38:17.800
<v Speaker 1>but also a liberating force for positive good overthrowing the

0:38:17.880 --> 0:38:22.839
<v Speaker 1>tyrannical order of creation at the appointed hour. Uh. Though interestingly,

0:38:22.840 --> 0:38:25.200
<v Speaker 1>I would say the demogorgan doesn't really seem to act

0:38:25.239 --> 0:38:28.239
<v Speaker 1>out of their own volition. It's almost as if, um,

0:38:28.920 --> 0:38:32.000
<v Speaker 1>they are somehow triggered into this act by the visit

0:38:32.120 --> 0:38:35.759
<v Speaker 1>from Asia and Panthea, Like it's the love for Prometheus

0:38:36.000 --> 0:38:39.839
<v Speaker 1>from Asia that was faded to proceed the appointed hour

0:38:40.040 --> 0:38:43.880
<v Speaker 1>of Jupiter's destruction and the liberation of the world. Another

0:38:43.960 --> 0:38:47.319
<v Speaker 1>thing that's interesting here about Shelley's work, So we talked

0:38:47.520 --> 0:38:50.960
<v Speaker 1>about how the demogorgan does not actually come from Greek mythology,

0:38:51.080 --> 0:38:54.719
<v Speaker 1>even though he's being retro insurgent into like classical mythology here.

0:38:54.920 --> 0:38:58.560
<v Speaker 1>Greek and Roman kind of blended mythology here. Um, what

0:38:58.880 --> 0:39:01.759
<v Speaker 1>would the word demo gorgon mean if it actually were

0:39:01.960 --> 0:39:04.840
<v Speaker 1>a Greek word. Well, you've got the apparent roots demos

0:39:05.080 --> 0:39:09.640
<v Speaker 1>and Gorgon like the people's gorgon like democracy, and then

0:39:09.680 --> 0:39:13.759
<v Speaker 1>then Gorgon again, the monster, the of which Medusa is

0:39:13.800 --> 0:39:17.839
<v Speaker 1>a member of the species. But actually the gorgon name

0:39:18.000 --> 0:39:21.239
<v Speaker 1>for Medusa that has a root in Greek too. It's

0:39:21.280 --> 0:39:24.520
<v Speaker 1>from the word gorgos, which means something like terrible or grim,

0:39:24.719 --> 0:39:28.040
<v Speaker 1>you know, terror inducing. So the demon organ could literally

0:39:28.080 --> 0:39:31.680
<v Speaker 1>be translated as the people's terror, like the terror of

0:39:31.760 --> 0:39:34.840
<v Speaker 1>the masses of people, which is a very interesting intersection

0:39:34.920 --> 0:39:37.600
<v Speaker 1>with the idea of like a long faded revolution to

0:39:37.800 --> 0:39:42.000
<v Speaker 1>dethrone tyrant kings and unworthy gods. And of course we know,

0:39:42.280 --> 0:39:45.160
<v Speaker 1>uh Percy Shelley was a supporter of the French Revolution.

0:39:45.640 --> 0:39:48.920
<v Speaker 1>He believed in atheism, He believed in republicanism, not to

0:39:48.960 --> 0:39:51.680
<v Speaker 1>be confused with like the Republican Party of today, like

0:39:51.800 --> 0:39:54.480
<v Speaker 1>in the context of the time, that was representative government

0:39:54.560 --> 0:39:58.320
<v Speaker 1>as opposed to monarchy. Um. And so I think it

0:39:58.400 --> 0:40:01.520
<v Speaker 1>could be tempting to think of like the French Revolution

0:40:01.640 --> 0:40:06.240
<v Speaker 1>as Shelley's demogorgon, the people's terror, like this inevitable swell

0:40:06.320 --> 0:40:09.799
<v Speaker 1>of justice that washes tyrants from their thrones, but at

0:40:09.840 --> 0:40:13.160
<v Speaker 1>the same time contains a terrifying and mighty darkness that

0:40:13.600 --> 0:40:17.200
<v Speaker 1>can't really be seen or understood. I like that, the

0:40:17.280 --> 0:40:22.960
<v Speaker 1>people's terror, I mean, yeah, I don't know. I don't

0:40:23.000 --> 0:40:25.839
<v Speaker 1>know if if Shelley himself would have seen that, uh

0:40:26.080 --> 0:40:28.560
<v Speaker 1>seen that comparison, because I think he may have had

0:40:28.640 --> 0:40:32.400
<v Speaker 1>a more a less nuanced view of the guillotine saying.

0:40:33.120 --> 0:40:35.680
<v Speaker 1>And of course this introduces the idea of the democ

0:40:35.800 --> 0:40:40.160
<v Speaker 1>organ as as being like potential, like political candidate. Yeah,

0:40:40.800 --> 0:40:44.080
<v Speaker 1>perhaps in in our upcoming elections. Yeah, if if you're

0:40:44.120 --> 0:40:47.600
<v Speaker 1>if you're inclined to use a right in candidate demogor

0:40:48.560 --> 0:40:51.120
<v Speaker 1>the just rage of the people that is without form

0:40:51.239 --> 0:40:56.759
<v Speaker 1>or shape. Now, one more example of demogorgan popping up

0:40:57.160 --> 0:41:00.440
<v Speaker 1>in uh in In in a work of literature, uh

0:41:00.880 --> 0:41:04.360
<v Speaker 1>Is is a story essentially a short story from Voltaire

0:41:04.960 --> 0:41:09.440
<v Speaker 1>Voltaire Live, seventeen seventy eight. And I've never read this

0:41:09.520 --> 0:41:11.840
<v Speaker 1>one before. I'd read I'd read some works of Voltaire

0:41:12.000 --> 0:41:15.560
<v Speaker 1>in the past. Um, but at anyway, this one is

0:41:15.880 --> 0:41:19.680
<v Speaker 1>titled Plato's Dream, in which the Demogorgon is presented as

0:41:19.719 --> 0:41:24.279
<v Speaker 1>a genie who witnesses the initial creation um of the

0:41:24.400 --> 0:41:29.960
<v Speaker 1>world by this primordial force called the demi urge, and

0:41:30.239 --> 0:41:33.279
<v Speaker 1>along with its fellow genies. Uh. The dem ogregan is

0:41:33.360 --> 0:41:36.840
<v Speaker 1>granted a portion of the creation too, then uh, you know,

0:41:37.080 --> 0:41:42.000
<v Speaker 1>to then finish into a functioning world. The demogorgan is

0:41:42.120 --> 0:41:45.400
<v Speaker 1>given the task of creating Earth and uh, and is

0:41:45.440 --> 0:41:48.799
<v Speaker 1>then critiqued and criticized by his fellow genies for making

0:41:48.880 --> 0:41:52.319
<v Speaker 1>such a mixed up planet. And so there's a part

0:41:52.360 --> 0:41:55.239
<v Speaker 1>here I want to quote where the Demogorgon responds to

0:41:55.360 --> 0:41:58.640
<v Speaker 1>his critics and says, quote, it is an easy matter

0:41:58.760 --> 0:42:01.640
<v Speaker 1>to find fault, good for olks, said the genie. But

0:42:01.760 --> 0:42:03.960
<v Speaker 1>do you imagine it is so easy to form an

0:42:04.000 --> 0:42:06.640
<v Speaker 1>animal who, having the gift of reason and free will,

0:42:06.719 --> 0:42:10.000
<v Speaker 1>shall not sometimes abuse his liberty? Do you think that,

0:42:10.160 --> 0:42:13.800
<v Speaker 1>in rearing between nine and ten thousand different plants, it

0:42:13.960 --> 0:42:17.640
<v Speaker 1>is so easy to prevent some few from having noxious qualities?

0:42:18.239 --> 0:42:21.640
<v Speaker 1>Do you suppose that with a certain quantity of water, sand,

0:42:21.760 --> 0:42:24.040
<v Speaker 1>and mud, you could make a globe that you'd have

0:42:24.200 --> 0:42:27.960
<v Speaker 1>neither seas nor deserts. As for you, my sneering friend,

0:42:28.239 --> 0:42:31.560
<v Speaker 1>I think you have just finished the planet Jupiter. Let

0:42:31.640 --> 0:42:34.520
<v Speaker 1>us see now what figure you make with your great

0:42:34.600 --> 0:42:38.680
<v Speaker 1>belts and your long nights, with four moons to enlighten them.

0:42:39.040 --> 0:42:41.960
<v Speaker 1>Let us examine your worlds and see whether the inhabitants

0:42:42.040 --> 0:42:45.480
<v Speaker 1>you have made or exempt from follies or diseases. I

0:42:45.520 --> 0:42:47.480
<v Speaker 1>guess we'll just have to wait for the Europa Probe

0:42:47.480 --> 0:42:51.680
<v Speaker 1>to form us on to resolve this one. Right, So,

0:42:52.400 --> 0:42:54.759
<v Speaker 1>there's not much to really I feel like uncover in

0:42:54.880 --> 0:42:58.960
<v Speaker 1>this one, but there are there's at least one detail

0:42:59.040 --> 0:43:01.799
<v Speaker 1>in this that will become critical. Uh. In our next

0:43:01.880 --> 0:43:05.040
<v Speaker 1>section of the podcast, after we come back from a break,

0:43:05.320 --> 0:43:08.960
<v Speaker 1>we will get into the true abyssal origins of the

0:43:09.040 --> 0:43:16.200
<v Speaker 1>demo organ. All right, we're back. So we've charted the

0:43:16.280 --> 0:43:20.320
<v Speaker 1>path of the demogorgan through much literature throughout especially the

0:43:20.560 --> 0:43:23.840
<v Speaker 1>Christian world, and its role in some interesting sort of

0:43:24.160 --> 0:43:28.640
<v Speaker 1>revolutionary sentiments as expressed through literature like Prometheus Unbound or

0:43:28.719 --> 0:43:32.520
<v Speaker 1>in Voltaire story. But we're trying to find the origin

0:43:32.640 --> 0:43:35.200
<v Speaker 1>of this. Where does the Demogorgon actually come from? If

0:43:35.239 --> 0:43:39.480
<v Speaker 1>it doesn't come from classic Greek mythology. Well, the origin

0:43:39.840 --> 0:43:43.920
<v Speaker 1>is discussed in a nineteen sixty four book titled The

0:43:44.040 --> 0:43:48.680
<v Speaker 1>Discarded Image and Introduction to Medieval and Renaissance Literature, written

0:43:48.760 --> 0:43:52.120
<v Speaker 1>by none other than C. S. Lewis. In fact, it

0:43:52.160 --> 0:43:54.640
<v Speaker 1>was C. S. Lewis's last book before he died, and

0:43:54.760 --> 0:43:58.560
<v Speaker 1>it deals with medieval cosmology. He turns our attention to

0:43:58.640 --> 0:44:01.800
<v Speaker 1>the fourth book of the Debate by Stadius, the first.

0:44:02.160 --> 0:44:07.400
<v Speaker 1>Stadius lived uh see forty five through and this is

0:44:07.440 --> 0:44:11.080
<v Speaker 1>an epic poem written in Latin about the Theban cycle.

0:44:11.520 --> 0:44:14.600
<v Speaker 1>And here the author alludes to a deity that shall

0:44:14.680 --> 0:44:18.880
<v Speaker 1>not be named a quote sovereign of the threefold world.

0:44:19.320 --> 0:44:23.520
<v Speaker 1>And then early Christian author Lactantius, who lived to fifty

0:44:23.640 --> 0:44:28.040
<v Speaker 1>through wrote a commentary on this work and stated that

0:44:28.200 --> 0:44:32.480
<v Speaker 1>Stadius was referring in in fact, to the Greek uh

0:44:33.280 --> 0:44:38.520
<v Speaker 1>demi Organ there this or creator quote the god whose

0:44:38.640 --> 0:44:42.440
<v Speaker 1>name it is unlawful to know. So we're talking so

0:44:42.680 --> 0:44:48.000
<v Speaker 1>demi Organ, from which we get Demogorgon and uh. And

0:44:48.080 --> 0:44:51.000
<v Speaker 1>then Lewis writes the following to sum this up quote,

0:44:51.080 --> 0:44:53.799
<v Speaker 1>this is plain sailing the demi urge or workmen being

0:44:53.840 --> 0:44:57.200
<v Speaker 1>the creator in the Timaeus. But there are two variants

0:44:57.280 --> 0:45:03.600
<v Speaker 1>in the manuscripts. One is Morgana, the other Demogorgan. From

0:45:03.640 --> 0:45:07.759
<v Speaker 1>the later of these corruptions, later ages evolved a completely

0:45:07.960 --> 0:45:12.680
<v Speaker 1>new deity, Demogorgan, who was to enjoy a distinguished literary

0:45:12.800 --> 0:45:17.440
<v Speaker 1>career in Boccaccio's geneology of the gods in Spencer, in

0:45:17.600 --> 0:45:21.280
<v Speaker 1>Milton and in Shelley. This is perhaps the only time

0:45:21.719 --> 0:45:27.000
<v Speaker 1>a scribal blunder underwent an apotheosis. Oh that's amazing, uh,

0:45:27.120 --> 0:45:30.520
<v Speaker 1>and just so in a mythological context, of course, Apotheosis

0:45:30.640 --> 0:45:33.839
<v Speaker 1>here reversed to the process of a human being being

0:45:34.040 --> 0:45:37.640
<v Speaker 1>deified or something being made into a higher being, like

0:45:37.719 --> 0:45:40.480
<v Speaker 1>a god or a star or heavenly object being taken

0:45:40.560 --> 0:45:44.120
<v Speaker 1>up into heaven. Ancient kings were sometimes made into gods,

0:45:44.239 --> 0:45:47.719
<v Speaker 1>and legendary heroes like Hercules, sometimes lived lives that were

0:45:47.760 --> 0:45:50.719
<v Speaker 1>so worthy or so notable they were assumed into the

0:45:50.800 --> 0:45:53.120
<v Speaker 1>pantheon and became god. So I think that's what he's

0:45:53.160 --> 0:45:57.160
<v Speaker 1>saying here, is that somebody made a blunder in copying

0:45:57.200 --> 0:46:01.240
<v Speaker 1>a manuscript or in translating, in understanding what a word

0:46:01.440 --> 0:46:06.080
<v Speaker 1>meant in an older book, and through that scribal error

0:46:06.239 --> 0:46:10.120
<v Speaker 1>we got a brand new deity such that, you know,

0:46:10.239 --> 0:46:13.800
<v Speaker 1>a thousand years later, Boccaccio would say, this deity is

0:46:13.920 --> 0:46:18.600
<v Speaker 1>the original Macdaddy deity, like the Number, like the Pagan

0:46:18.680 --> 0:46:22.040
<v Speaker 1>God before all the other ones, and it just comes

0:46:22.160 --> 0:46:26.120
<v Speaker 1>from a mistranslation or misreading of a word, right, And

0:46:26.239 --> 0:46:30.480
<v Speaker 1>the word that was misread or a mistranslated is the

0:46:30.600 --> 0:46:34.640
<v Speaker 1>dimmi urge, which which curiously enough, is cited in that

0:46:34.800 --> 0:46:37.719
<v Speaker 1>Voltaire short story. Right, So it seems like Voltaire was

0:46:37.800 --> 0:46:40.040
<v Speaker 1>kind of on the right track with the association here.

0:46:40.600 --> 0:46:42.799
<v Speaker 1>Uh And and this is great because the demi urge

0:46:42.880 --> 0:46:46.000
<v Speaker 1>is one of my favorite characters from any mythology in

0:46:46.040 --> 0:46:50.640
<v Speaker 1>the world. But its role is complicated and varies across

0:46:50.680 --> 0:46:55.600
<v Speaker 1>different traditions, including like Platonic schools of philosophy and religion

0:46:56.000 --> 0:46:59.600
<v Speaker 1>in the you know, in the centuries following Plato's actual teachings,

0:47:00.120 --> 0:47:03.440
<v Speaker 1>and in various Gnostic religions. I'll try to give a

0:47:03.560 --> 0:47:06.600
<v Speaker 1>general summary that applies to multiple lines of tradition that

0:47:06.719 --> 0:47:09.120
<v Speaker 1>have sort of similar attributes, but just be aware that

0:47:09.160 --> 0:47:10.840
<v Speaker 1>there are a lot of different things that are all

0:47:10.920 --> 0:47:14.120
<v Speaker 1>sort of versions of the demi urge. The word demi urge,

0:47:14.520 --> 0:47:17.680
<v Speaker 1>as uh As Lewis mentioned, comes from the Greek. In

0:47:17.760 --> 0:47:20.520
<v Speaker 1>its original form, is just a common noun that means

0:47:20.600 --> 0:47:26.280
<v Speaker 1>something like craftsmen. You know, it's somebody who makes things, sculptor, maker, producer.

0:47:27.080 --> 0:47:29.840
<v Speaker 1>But within these religious points of view or in in

0:47:29.960 --> 0:47:34.000
<v Speaker 1>these philosophies and cosmologies, the demi Urge is a figure

0:47:34.120 --> 0:47:38.960
<v Speaker 1>that creates the material world, is the creator, but apart

0:47:39.080 --> 0:47:42.480
<v Speaker 1>from many other religions, this does not mean that he

0:47:42.680 --> 0:47:45.879
<v Speaker 1>is the ultimate creator God or that he is good.

0:47:46.520 --> 0:47:49.680
<v Speaker 1>He is, I would say, variously portrayed as is everything,

0:47:49.840 --> 0:47:54.400
<v Speaker 1>ranging from kind of neutral and bumbling to actively malevolent.

0:47:54.840 --> 0:47:57.440
<v Speaker 1>And to give an example from one strain of Gnosticism

0:47:57.760 --> 0:48:01.040
<v Speaker 1>in the Gnostic text known as the Apoco Craffon of John,

0:48:01.920 --> 0:48:05.920
<v Speaker 1>the dimmi Urge figure is this foolish, arrogant, wicked deity

0:48:06.120 --> 0:48:10.960
<v Speaker 1>called yelled to both who creates the material bodies of humans.

0:48:11.040 --> 0:48:13.520
<v Speaker 1>I think he also maybe creates the material world or

0:48:13.600 --> 0:48:17.000
<v Speaker 1>some aspects of it um and humans. The humans that

0:48:17.080 --> 0:48:21.160
<v Speaker 1>he created end up with souls when they are inadvertently

0:48:21.239 --> 0:48:24.720
<v Speaker 1>contaminated by a spark or a light from the higher

0:48:25.160 --> 0:48:27.800
<v Speaker 1>nobler plane of being known as the play a roma,

0:48:28.280 --> 0:48:31.759
<v Speaker 1>which means something like fullness. And so you've got the

0:48:31.800 --> 0:48:35.960
<v Speaker 1>ple roma, the fullness the real world, the real greater place,

0:48:36.040 --> 0:48:38.400
<v Speaker 1>which is is immaterial in nature, and then you've got

0:48:38.520 --> 0:48:42.680
<v Speaker 1>the the crappy material world that yelled to both made

0:48:42.800 --> 0:48:45.440
<v Speaker 1>and now we're stuck in that thing. And yelda bo

0:48:45.480 --> 0:48:49.040
<v Speaker 1>Oath resents the fact that humans have this spark from

0:48:49.080 --> 0:48:51.640
<v Speaker 1>the ple roma and tries to fight against it. So

0:48:51.760 --> 0:48:55.000
<v Speaker 1>to do so, he tries to keep humans confused and

0:48:55.080 --> 0:48:57.480
<v Speaker 1>in the dark, so we're always fumbling around in this

0:48:57.600 --> 0:49:01.720
<v Speaker 1>kind of baffling material hell which is our everyday world.

0:49:02.320 --> 0:49:05.279
<v Speaker 1>And the Gnostics within this tradition believe that you can

0:49:05.360 --> 0:49:08.600
<v Speaker 1>only escape the horrors of the material world by becoming

0:49:08.719 --> 0:49:12.239
<v Speaker 1>privy to secret knowledge. That knowledge is the gns is

0:49:12.400 --> 0:49:15.960
<v Speaker 1>the secret knowledge that explains the real world. And this

0:49:16.160 --> 0:49:19.279
<v Speaker 1>is this is how you transcend the secret mythology, the

0:49:19.320 --> 0:49:23.280
<v Speaker 1>secret rituals that give you access to the true, fuller

0:49:23.440 --> 0:49:28.200
<v Speaker 1>reality behind this material illusion that controls our lives. And

0:49:28.280 --> 0:49:31.200
<v Speaker 1>you can actually see a connection to Platonic philosophy. Even

0:49:31.200 --> 0:49:33.680
<v Speaker 1>if this sounds like a very kind of strange, complicated

0:49:33.800 --> 0:49:36.800
<v Speaker 1>theological take on on the creation of the world, it

0:49:36.840 --> 0:49:39.480
<v Speaker 1>sounds a lot like Plato's cave, right, Yeah, yeah, it does.

0:49:39.600 --> 0:49:42.680
<v Speaker 1>I mean, and also the basic spirit of this is

0:49:42.719 --> 0:49:45.360
<v Speaker 1>also reflected in other faiths. I mean, the idea of

0:49:45.400 --> 0:49:47.759
<v Speaker 1>there being a secret reality of their of there being

0:49:47.840 --> 0:49:50.000
<v Speaker 1>some sort of cycle that we need to break free from.

0:49:50.480 --> 0:49:54.360
<v Speaker 1>I mean, you see that in say Hindu and Buddhist traditions,

0:49:54.880 --> 0:49:58.360
<v Speaker 1>and this idea of the spark of something more divine

0:49:58.480 --> 0:50:01.440
<v Speaker 1>being like trapped in the mud of our bodies. How

0:50:01.480 --> 0:50:04.360
<v Speaker 1>do you see that also reflected in even more recent

0:50:04.440 --> 0:50:08.239
<v Speaker 1>creations like scientology. Oh totally, I think, yeah, absolutely. I

0:50:08.280 --> 0:50:12.759
<v Speaker 1>would say gnostic theology reflects something that is a very

0:50:13.000 --> 0:50:15.800
<v Speaker 1>common belief among humans, and you can see how often

0:50:16.280 --> 0:50:18.359
<v Speaker 1>it appears, not just in other religions, but in all

0:50:18.440 --> 0:50:20.880
<v Speaker 1>kinds of pop culture. I mean, echoes of the gnostic

0:50:20.960 --> 0:50:24.840
<v Speaker 1>worldview bounce around constantly even through contemporary culture, whether we

0:50:24.920 --> 0:50:27.480
<v Speaker 1>are conscious of it or not, and whether the creators

0:50:27.520 --> 0:50:29.560
<v Speaker 1>of these pieces of culture or conscious of it or not.

0:50:29.800 --> 0:50:32.760
<v Speaker 1>If I mean, if you've seen the matrix, you already

0:50:32.840 --> 0:50:36.640
<v Speaker 1>have a sort of baseline understanding of gnostic cosmology. You

0:50:36.760 --> 0:50:40.000
<v Speaker 1>just replace the evil computers and the agents with like

0:50:40.120 --> 0:50:43.600
<v Speaker 1>cosmic realms and wicked ar cons like the demi Urge.

0:50:44.000 --> 0:50:47.440
<v Speaker 1>The demi Urge sort of created a material matrix for

0:50:47.560 --> 0:50:50.440
<v Speaker 1>us to live in, when in reality we are beings

0:50:50.560 --> 0:50:53.520
<v Speaker 1>from this better, immaterial world and we have to find

0:50:53.600 --> 0:50:56.000
<v Speaker 1>ways to escape and get back to it. So you're

0:50:56.040 --> 0:50:58.640
<v Speaker 1>saying we are star dust, we are golden, we are

0:50:58.719 --> 0:51:01.399
<v Speaker 1>billion year old card, and we have to find our

0:51:01.440 --> 0:51:03.520
<v Speaker 1>way back to the garden. Yes, but you can only

0:51:03.600 --> 0:51:06.040
<v Speaker 1>get back to the garden if you teach your children well,

0:51:06.320 --> 0:51:09.320
<v Speaker 1>because it is the secret knowledge that is required to

0:51:09.440 --> 0:51:12.000
<v Speaker 1>get you there. And most people are never going to

0:51:12.040 --> 0:51:13.960
<v Speaker 1>be let in on the secret. They're just sort of

0:51:14.120 --> 0:51:17.560
<v Speaker 1>going about their you know, their everyday life, toiling after

0:51:17.719 --> 0:51:21.479
<v Speaker 1>material things without understanding that the material world is bad

0:51:21.640 --> 0:51:24.480
<v Speaker 1>and fake. But I love this idea that the demi

0:51:24.640 --> 0:51:28.799
<v Speaker 1>Urge being this creator of the material world who's at

0:51:28.840 --> 0:51:31.880
<v Speaker 1>the at the very least bumbling and at worst some

0:51:32.040 --> 0:51:34.839
<v Speaker 1>kind of devilish thing that that hates us and wants

0:51:34.920 --> 0:51:38.479
<v Speaker 1>to trick us into living bad, wrong lives. I could

0:51:38.600 --> 0:51:42.000
<v Speaker 1>see this mistranslation leading to the creation of the demi

0:51:42.160 --> 0:51:45.840
<v Speaker 1>Organ figure being an excellent modern reworking of the Gnostic

0:51:45.920 --> 0:51:48.399
<v Speaker 1>theology and being a part of that demi Urge's plan,

0:51:49.000 --> 0:51:52.560
<v Speaker 1>Like the demmy Urge hides the true nosis about its

0:51:52.600 --> 0:51:55.560
<v Speaker 1>wicked role in creating the material world and these filthy

0:51:55.640 --> 0:51:59.520
<v Speaker 1>bodies of ours by causing a scribal error that hides

0:51:59.560 --> 0:52:02.560
<v Speaker 1>its six distance, and instead it gets everybody focused on

0:52:02.640 --> 0:52:06.680
<v Speaker 1>this fake, illusory demon or primordial god, the democ Organ

0:52:07.120 --> 0:52:09.200
<v Speaker 1>and then you're scared of the democ organ or you're

0:52:09.239 --> 0:52:12.239
<v Speaker 1>in all of its primeval darkness and shapeless presence, so

0:52:12.360 --> 0:52:14.560
<v Speaker 1>you forget that you need to be seeking the noses

0:52:14.640 --> 0:52:18.799
<v Speaker 1>to escape this wretched unreality. Uh and uh yeah, yeah,

0:52:18.840 --> 0:52:21.960
<v Speaker 1>I mean if you're ultimately if you're trying to envision

0:52:22.080 --> 0:52:25.239
<v Speaker 1>the ultimate evil power in a in a in a

0:52:25.360 --> 0:52:28.400
<v Speaker 1>fantasy world. Uh yeah, this this sounds like the This

0:52:28.600 --> 0:52:31.320
<v Speaker 1>is the Prince of Demons right here. You know. I

0:52:31.400 --> 0:52:34.359
<v Speaker 1>weirdly kept thinking about the demi irriage when we were

0:52:34.400 --> 0:52:36.879
<v Speaker 1>recently talking about that book I read by Philip Ball

0:52:37.120 --> 0:52:42.399
<v Speaker 1>about quantum mechanics that it is called Beyond Weird. It's

0:52:42.520 --> 0:52:45.239
<v Speaker 1>great book. It's a new book from this year last

0:52:45.320 --> 0:52:48.160
<v Speaker 1>year about quantum mechanics. And one of the things that

0:52:48.239 --> 0:52:49.840
<v Speaker 1>I think is really great about the book is it

0:52:49.920 --> 0:52:52.000
<v Speaker 1>doesn't let you off the hook. It doesn't just let

0:52:52.040 --> 0:52:54.600
<v Speaker 1>you say wow, quantum mechanics sure does seem weird and

0:52:54.640 --> 0:52:56.680
<v Speaker 1>then kind of shake your head and move on. Like it.

0:52:57.080 --> 0:52:59.080
<v Speaker 1>It tries to force you to look at it. It

0:52:59.200 --> 0:53:02.880
<v Speaker 1>does the thing from like Clockwork Orange where it helds

0:53:02.920 --> 0:53:05.960
<v Speaker 1>your eyelids open and says, no, look at this and

0:53:06.160 --> 0:53:08.640
<v Speaker 1>pay attention. And you know, one of the things that

0:53:08.760 --> 0:53:11.840
<v Speaker 1>you walk away from that with is that, Okay, you know,

0:53:11.920 --> 0:53:15.840
<v Speaker 1>I'm not saying that physical reality isn't real, but it

0:53:17.080 --> 0:53:20.200
<v Speaker 1>it makes you think that whatever way we're interacting with

0:53:20.400 --> 0:53:22.279
<v Speaker 1>the world on a day to day basis, you know,

0:53:22.360 --> 0:53:25.440
<v Speaker 1>the kind of reality we perceive with like objects you

0:53:25.520 --> 0:53:28.920
<v Speaker 1>can touch and and see and know their place and

0:53:28.960 --> 0:53:32.239
<v Speaker 1>all that, that is not the ultimate like arbiter of

0:53:32.360 --> 0:53:36.200
<v Speaker 1>what reality is. Like, your perception of reality is not

0:53:36.400 --> 0:53:40.320
<v Speaker 1>necessarily the most accurate way of understanding reality, even though it,

0:53:40.520 --> 0:53:42.160
<v Speaker 1>you know, it seems to work good enough to get

0:53:42.200 --> 0:53:44.480
<v Speaker 1>you through life, so how could it be wrong? But

0:53:44.640 --> 0:53:47.480
<v Speaker 1>yet we you know, we do experiments in physics all

0:53:47.560 --> 0:53:50.960
<v Speaker 1>the time. Now that that just show you over and

0:53:51.080 --> 0:53:53.640
<v Speaker 1>over again that the way you have of making sense

0:53:53.680 --> 0:53:56.959
<v Speaker 1>of the world is some kind of derivative, second order

0:53:57.719 --> 0:54:01.000
<v Speaker 1>kind of grasp of physics. So you have no intuitive

0:54:01.080 --> 0:54:04.440
<v Speaker 1>way of understanding quantum reality. You know, what happens before

0:54:04.560 --> 0:54:08.319
<v Speaker 1>decoherence and everything, So that ultimately there is this there

0:54:08.440 --> 0:54:12.080
<v Speaker 1>is this deeper truth in the universe that that we

0:54:12.160 --> 0:54:15.480
<v Speaker 1>are not inherently privy to. We're only privy to it

0:54:15.760 --> 0:54:21.560
<v Speaker 1>via UH technology, via science, UH these are essentially gnostic

0:54:21.719 --> 0:54:25.200
<v Speaker 1>tools of elevation. That that's how you get the noses

0:54:25.200 --> 0:54:29.400
<v Speaker 1>as you do a double slit experiment. Well, I've enjoyed this, uh,

0:54:29.719 --> 0:54:32.400
<v Speaker 1>this journey that we've taken, you know, because it feels,

0:54:34.320 --> 0:54:37.000
<v Speaker 1>i mean, part of it seems like the natural destination

0:54:37.080 --> 0:54:38.839
<v Speaker 1>for an exploration of the democ organ, that it would

0:54:38.880 --> 0:54:43.840
<v Speaker 1>tie back to this primordial being that's wrapped in gnostic mystery.

0:54:44.120 --> 0:54:45.839
<v Speaker 1>But on the other hand, I love that it also

0:54:46.280 --> 0:54:50.480
<v Speaker 1>hinges incredibly upon just a scribal blunder. You know that

0:54:50.600 --> 0:54:53.560
<v Speaker 1>it's a it's it's this thing that was actually you know,

0:54:53.680 --> 0:54:56.680
<v Speaker 1>it's never really real in the way that we uh

0:54:56.960 --> 0:54:59.880
<v Speaker 1>we might you know, attribute it as having been. It

0:55:00.080 --> 0:55:04.640
<v Speaker 1>was never actually uh an entity that was worshiped or

0:55:04.680 --> 0:55:08.160
<v Speaker 1>even factored into any actual myth cycle. No, it is

0:55:08.239 --> 0:55:10.680
<v Speaker 1>wholly without shape and out of the darkness. It is

0:55:10.760 --> 0:55:13.960
<v Speaker 1>the figure that Asia and Panthea go to visit, and

0:55:14.080 --> 0:55:16.399
<v Speaker 1>you know, it just waits there until it's hour comes

0:55:16.520 --> 0:55:19.799
<v Speaker 1>round at last. Yeah. Yeah, And I also love how

0:55:19.840 --> 0:55:21.600
<v Speaker 1>we got to let's see if we got to to

0:55:21.719 --> 0:55:25.680
<v Speaker 1>turn to Joni Mitchell, Crosby Stills and Nash uh c

0:55:25.960 --> 0:55:29.680
<v Speaker 1>s Lewis Um Milton and of course Gary Gygax to

0:55:29.880 --> 0:55:33.520
<v Speaker 1>understand it all a wonderful motley crew for those wooden

0:55:33.600 --> 0:55:37.239
<v Speaker 1>ships on the water. All right, well, we're gonna close

0:55:37.280 --> 0:55:40.080
<v Speaker 1>it out right there, But obviously I imagined a number

0:55:40.080 --> 0:55:42.960
<v Speaker 1>of you have thoughts about the demogorgan, either the Netflix

0:55:43.040 --> 0:55:46.000
<v Speaker 1>version or the Dungeons and Dragons incarnation, or perhaps some

0:55:46.120 --> 0:55:50.480
<v Speaker 1>of the literary uh incarnations that we've discussed here as well,

0:55:50.600 --> 0:55:52.320
<v Speaker 1>and of course we would love to hear from you.

0:55:53.239 --> 0:55:56.480
<v Speaker 1>But stay tuned because again, this entire month of October

0:55:56.920 --> 0:56:00.759
<v Speaker 1>is going to be Halloween themed as it has been

0:56:00.800 --> 0:56:04.960
<v Speaker 1>in the past. Uh, We're gonna have all new monstrosities

0:56:05.000 --> 0:56:08.520
<v Speaker 1>to consider. Uh tying in as much science as we

0:56:08.640 --> 0:56:11.000
<v Speaker 1>possibly can. Have we ever done an episode on the

0:56:11.080 --> 0:56:15.239
<v Speaker 1>science of Medusa snakes for hair? Is there's something there? Something? Oh?

0:56:15.320 --> 0:56:18.200
<v Speaker 1>I don't know. I mean, I've I've covered at least

0:56:18.200 --> 0:56:20.200
<v Speaker 1>blogged about Medusa back in the day, and I think

0:56:20.239 --> 0:56:23.560
<v Speaker 1>I did maybe a monster science video about Medusa. But

0:56:23.960 --> 0:56:26.680
<v Speaker 1>that would be an interesting one to to to explore again,

0:56:27.520 --> 0:56:30.400
<v Speaker 1>because the Medusa is a is a fascinating monster. And

0:56:30.480 --> 0:56:33.080
<v Speaker 1>then some of the things we've done with the Medusa

0:56:33.640 --> 0:56:37.000
<v Speaker 1>are kind of monstrous. Uh yeah, I could. I would

0:56:37.040 --> 0:56:40.560
<v Speaker 1>be up for a Medusa exploration. Bring it all right.

0:56:40.960 --> 0:56:42.480
<v Speaker 1>In the meantime, if you want to support the show,

0:56:42.560 --> 0:56:44.360
<v Speaker 1>the best thing you can do is make sure you

0:56:44.440 --> 0:56:46.719
<v Speaker 1>have subscribed and then rate and review us wherever you

0:56:46.800 --> 0:56:48.960
<v Speaker 1>have the power to do so. And don't forget about invention.

0:56:49.400 --> 0:56:53.480
<v Speaker 1>Monsters are great, but the real monster is always human

0:56:53.600 --> 0:56:56.719
<v Speaker 1>endeavor and human invention, and that's what we explore. The

0:56:56.800 --> 0:57:01.040
<v Speaker 1>invention is a journey through human techno. His really, it's

0:57:01.040 --> 0:57:04.120
<v Speaker 1>a it's a celebration or at least a contemplation in

0:57:04.239 --> 0:57:07.719
<v Speaker 1>some in many cases, of the fire of Prometheus. Yeah.

0:57:08.360 --> 0:57:10.960
<v Speaker 1>The things we made, how they made us, where they

0:57:11.040 --> 0:57:14.239
<v Speaker 1>came from. Yeah, So make sure you have checked that

0:57:14.440 --> 0:57:17.080
<v Speaker 1>show out as well, and make sure you subscribe, rate

0:57:17.160 --> 0:57:20.280
<v Speaker 1>and review helps us out huge, thanks as always to

0:57:20.360 --> 0:57:24.360
<v Speaker 1>our excellent audio producer Seth Nicholas Johnson. If you have

0:57:24.680 --> 0:57:27.040
<v Speaker 1>any feedback on this episode and we'd like to share

0:57:27.040 --> 0:57:29.000
<v Speaker 1>it with us, If you'd like to get in touch

0:57:29.120 --> 0:57:31.840
<v Speaker 1>just to say hi or suggest a topic for the future,

0:57:31.960 --> 0:57:35.280
<v Speaker 1>you can email us at contact at stuff to Blow

0:57:35.360 --> 0:57:45.840
<v Speaker 1>your Mind dot com. Stuff to Blow Your Mind is

0:57:45.840 --> 0:57:48.160
<v Speaker 1>a production of iHeart Radios. How to works for more

0:57:48.200 --> 0:57:50.600
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0:57:50.760 --> 0:57:53.360
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0:57:54.560 --> 0:58:09.360
<v Speaker 1>Bl bl Blula joined join the joint part Part far