WEBVTT - KK of 2nd 2 None Talk's Compton History, DJ Quik and more

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<v Speaker 1>You see Donald Trump, don't let your boy. He let

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<v Speaker 1>Larry Hoop, Route Dog and a whole bunch of other

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<v Speaker 1>people too.

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<v Speaker 2>They said he's still got time though, he's still facing

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<v Speaker 2>two hundred years for something else as soon as.

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<v Speaker 1>He gets back to Chicago Hu from the state hunting.

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<v Speaker 2>I don't even know if that's the case. I think

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<v Speaker 2>that was just some paperwork shit. I don't know, you

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<v Speaker 2>know what, bro the man that's out now and he's

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<v Speaker 2>seventy some years old. Man, they can't be that vindicted though. Shit,

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<v Speaker 2>I don't know. I haven't really read too much about it.

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<v Speaker 2>I've seen it, but from what I was reading, he's

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<v Speaker 2>still facing a gang of you know, other shit. So

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<v Speaker 2>I don't know how that's feasible.

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<v Speaker 1>You I'm here, his son of You know what, I've

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<v Speaker 1>been trying to figure out for the longest time. The

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<v Speaker 1>human being man that most probably live to be one

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<v Speaker 1>hundred and two, and that's really pushing it right, right,

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<v Speaker 1>How do you give somebody two hundred years? I'm trying

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<v Speaker 1>to figure that out? Is it? Like? Man? You know what?

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<v Speaker 1>That's almost like some witchcraft type of ship that's like

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<v Speaker 1>what do they call that ship? That karmic.

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<v Speaker 3>Shit?

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<v Speaker 1>Karmack punishment and some ship like that. The nigga going

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<v Speaker 1>to this his next life and just steal in trouble.

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<v Speaker 2>Yeah, I guess if that's if that's a possibility. Yeah,

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<v Speaker 2>they don't. They don't want you to have no chances.

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<v Speaker 1>Oh that's crazy, man, Even even in death, your ass

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<v Speaker 1>could still be on some time. You know what I

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<v Speaker 1>was figuring out.

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<v Speaker 2>Man.

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<v Speaker 1>We had Juigo g in here a few weeks ago,

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<v Speaker 1>and I was just thinking about the city of Compton.

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<v Speaker 1>Compton is probably the number one rap city in the country, dog,

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<v Speaker 1>outside of Brooklyn and all that shit. Man, Compton, you

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<v Speaker 1>gotta you gotta think about it. From the nineties ship

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<v Speaker 1>even the eighties dog going up to now. Compano had

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<v Speaker 1>it on smash Now.

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<v Speaker 2>They tried to say that. You know, people nowadays, I

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<v Speaker 2>guess with the diversity of music, people are gonna be like, well,

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<v Speaker 2>you can't say that now because the South the South is,

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<v Speaker 2>and the South that and whatever. Whatever.

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<v Speaker 3>So you gotta I guess you gotta go by time frame.

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<v Speaker 1>Well, you know what I'm gonna tell you, Like this, bro.

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<v Speaker 2>For a long time, we didn't have shit, you know

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<v Speaker 2>what I'm saying.

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<v Speaker 1>Think about this though, eight the South don't have some

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<v Speaker 1>cold people, man. You know, star Facing in the South

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<v Speaker 1>is a big region. Were talking about a city, man,

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<v Speaker 1>that don't do Compton even have one hundred thousand people

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<v Speaker 1>in it?

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<v Speaker 2>Bro Uh, all depends on how you count it. I'm

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<v Speaker 2>sure one hundred thousand people do lived in Compton.

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<v Speaker 1>Yeah, but let's say Coon got Compton ain't no big

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<v Speaker 1>That's what I'm saying. Compton not no no million population

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<v Speaker 1>of one million type of city though. You know it's

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<v Speaker 1>a small city, bro Compen is a small city and

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<v Speaker 1>the habits and the impact that it has on music. Dog,

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<v Speaker 1>I don't you know unless you're talking about like Brooklyn

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<v Speaker 1>and you know, the Bronx and all that stuff. They

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<v Speaker 1>was around since the inception of hip hop. You know,

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<v Speaker 1>I'm talking about this small city that's had the impact

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<v Speaker 1>on music. I doubt that anybody from New York or

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<v Speaker 1>anywhere else can say that they got some resident in

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<v Speaker 1>the city that has had the impact on music Compton.

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<v Speaker 1>Did Compton us really in the whole new genre?

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<v Speaker 3>Dog? Yeah?

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<v Speaker 2>But like you said, the Brooklyn's and the ships like

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<v Speaker 2>that has been around since the inception and are still

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<v Speaker 2>going on to this day too. So that's that's a

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<v Speaker 2>hard argument.

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<v Speaker 1>I don't know, man, Compton, you know, Compton might be

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<v Speaker 1>you know you people are gonna.

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<v Speaker 2>Say you being biased now because of the Kendrick era.

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<v Speaker 2>Oh yeah, you're saying that because Kendricks got because like

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<v Speaker 2>I said, for a long time, we didn't have a lot,

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<v Speaker 2>we didn't have a lot to represent. You know what

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<v Speaker 2>I'm saying. Like I said, it's in, it's in time frames.

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<v Speaker 1>But let me kick this off though, dog, because no

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<v Speaker 1>matter the time frames were significant. Okay, First of all,

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<v Speaker 1>you got tidy t and mixed Master Spade that you

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<v Speaker 1>start off with, right, I would say that's probably the

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<v Speaker 1>I'm only naming people that actually lived in Compton, I

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<v Speaker 1>would say, the legendary, right.

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<v Speaker 3>Yeah.

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<v Speaker 1>Then you got the NWA era Dog, and you had

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<v Speaker 1>people that was claiming Compton, Compton was so influential back

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<v Speaker 1>in the day. You had people that didn't even live

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<v Speaker 1>in Compton claiming it. Right. So you had NWA. I

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<v Speaker 1>can't even begin to describe what they did for hip hop.

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<v Speaker 1>You feel what I'm saying. It was just gangster rap,

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<v Speaker 1>not just gangster rap, Dog, just the whole thing.

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<v Speaker 2>Just because not everybody, nobody was accepting of gangster rap.

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<v Speaker 2>You know what I'm saying, and had you tell it.

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<v Speaker 2>NWA destroyed a lot when it came to hip hop.

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<v Speaker 2>So you know, from other people's perspective.

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<v Speaker 1>Well, you know what, No, what n w A did

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<v Speaker 1>is they you know, let's just drop the gangster rap ship.

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<v Speaker 1>It was reality rap in its fines. They put the

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<v Speaker 1>spotlight on police brutality, put the spotlight on what the

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<v Speaker 1>average young dude in the neighborhood was going through. Right

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<v Speaker 1>then you got you know yourself, CMW You feel what

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<v Speaker 1>I'm saying, that era start. Then you got DJ Quick

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<v Speaker 1>across town. Then you have you just got this thing

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<v Speaker 1>man with so many rappers out of comptent Dog at

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<v Speaker 1>the time, I'm trying to think of a mall dog.

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<v Speaker 1>But Compton always had a place kind of eight because

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<v Speaker 1>you you know, the CMW era was big Dog is

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<v Speaker 1>still cracking. You still sell the records to this day.

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<v Speaker 2>So what was the BDP era? So was the tribe

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<v Speaker 2>called quest era. So was the motherfucking just Ice era.

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<v Speaker 2>So was the run DMC era. So was the air.

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<v Speaker 1>Ice Man. Just don't compare to nobody in Comton. No dogs, just.

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<v Speaker 2>Man, don't even start that ship. Still you like controversy,

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<v Speaker 2>you're gonna say n w A, then you're gonna say

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<v Speaker 2>just Ice because he was for he was formidable when

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<v Speaker 2>they came to motherfucker, just.

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<v Speaker 1>Man, murderer, when it comes to a crime homicide, I'm

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<v Speaker 1>never doing some time. I get my lyrics direct, I'm

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<v Speaker 1>always getting respect. That gets your girl and my aunt

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<v Speaker 1>very drift.

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<v Speaker 2>How you look at it from different hip hop perspectives,

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<v Speaker 2>Like I said, people are donna claim they ship. They

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<v Speaker 2>gonna say com didn't like you or whatever you felt.

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<v Speaker 2>And then people from the East Coast are don't feel

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<v Speaker 2>like shit. We've been so dominant we started hip hop.

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<v Speaker 1>Yeah, and you know what, and you right man, and

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<v Speaker 1>it ain't I'm trying to be controversy. Who ate. I'm

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<v Speaker 1>just for the record, I love just Ice dog like

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<v Speaker 1>I could tell you about every from booger banded bits

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<v Speaker 1>to all that shit that was like the first hard course.

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<v Speaker 1>You know what, Actually he was spitting gangster ship.

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<v Speaker 2>Indeed, just the Ice you know before n W he was.

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<v Speaker 2>He was on some gangster ship. So was a r

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<v Speaker 2>S one. So so was all the niggas like Spoony

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<v Speaker 2>G and all the niggas that came from that era

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<v Speaker 2>they were spitting gangster player ship.

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<v Speaker 1>Hell yeah, you know what I'm trying to figure out.

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<v Speaker 1>We can't see him KK, Well we got we got

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<v Speaker 1>the homie KK from second to none. He on the

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<v Speaker 1>his ass so black, you can't see.

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<v Speaker 3>Him, all right.

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<v Speaker 1>No, no, we can't see you. We we just y'all

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<v Speaker 1>just pretend like he's there.

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<v Speaker 3>All right, Okay, well look what about.

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<v Speaker 1>Hell yeah, ship the homiesne popped up. I don't spoke

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<v Speaker 1>too soon.

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<v Speaker 4>Hold on, let me take this one out, okay, and let.

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<v Speaker 1>Me turn this other one off. Hold on this.

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<v Speaker 3>Okay? Yeah, that cool enough?

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<v Speaker 1>Yeah, that's cool right there. Okay, because because we was

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<v Speaker 1>messed around. Man, you know, I was just saying, like

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<v Speaker 1>when you heard the conversation me and eight is halveing

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<v Speaker 1>and y'all all kind of came out during the same time.

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<v Speaker 5>Well you know, uh, what's up APN gratulations on another

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<v Speaker 5>bond day two as well, prior to to the conversation.

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<v Speaker 1>Look, you know what, hold on, before we get started, man,

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<v Speaker 1>I gotta say something. Man, he wasn't on last week,

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<v Speaker 1>but big, big, big, big happy but late a birthday

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<v Speaker 1>man to my motherfucking nigga. Man, my friend, my own boy,

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<v Speaker 1>not just the co host. I really fuck with this nigga, yall,

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<v Speaker 1>This is my nigga right here, my nigga, m C eight.

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<v Speaker 3>Man, good.

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<v Speaker 1>Happy birthday. Hell you can you look sideway? He's not

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<v Speaker 1>my nigga. Turns back the other way.

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<v Speaker 3>Okay, I'll just try the first time.

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<v Speaker 1>Man side down, know all kinds of other stuff, but man,

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<v Speaker 1>happy Latey's birthday. Man at the homie MC eight man,

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<v Speaker 1>you know m C eight You know in that exclusive club.

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<v Speaker 1>He a Gemini as in mine. I got one coming

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<v Speaker 1>up in a few weeks. You know, Geminis run the world, man.

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<v Speaker 1>Not only is Geminis man, just.

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<v Speaker 3>People in the world.

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<v Speaker 1>Man. They the best rappers, they the best producers. If

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<v Speaker 1>you really look at Gemini's running this shit just kind

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<v Speaker 1>of like how comfort run the rap shit.

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<v Speaker 3>Whatever.

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<v Speaker 5>You know, it's all good, Go ahead, Geminis. We'll take

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<v Speaker 5>the trendy.

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<v Speaker 1>So you know what I find interest to know when

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<v Speaker 1>you talk about this man, y'all, y'all from the opposite

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<v Speaker 1>side of the tracks. Literally you know what I'm saying.

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<v Speaker 1>We didn't even go go into all the you know,

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<v Speaker 1>political stuff, But was you hearing about eight KK when

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<v Speaker 1>he was like ear before he started making music and stuff,

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<v Speaker 1>before his music became popular.

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<v Speaker 5>Boy, you know what, man, I have to say this

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<v Speaker 5>and let the world no a k befolks c mw

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<v Speaker 5>at they can't before section as far as the street, Uh,

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<v Speaker 5>you know, I heard about it, uh, you know, because

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<v Speaker 5>I was moving around Lynnwood, Compton and whatnot. I was

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<v Speaker 5>in then with when I first heard. You know, I

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<v Speaker 5>think it was not the blue tape, but I think

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<v Speaker 5>it was a clear tape.

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<v Speaker 3>You know. I was like, that's cool. You know. Uh,

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<v Speaker 3>there's a lot of people.

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<v Speaker 5>Take it for granted because of its two different color

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<v Speaker 5>size or two tales of the story and whatnot. But no,

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<v Speaker 5>it was a Compton appreciation happy at that time, I

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<v Speaker 5>think eighty nine or ninety something that ever.

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<v Speaker 3>You know, I was in Linnwood.

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<v Speaker 5>I'm like, okay, some more competent dudes, you know, Oh

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<v Speaker 5>they dang, you know, they cribs.

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<v Speaker 3>That's cool. But it was.

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<v Speaker 5>It was a comportant thing, just appreciation, you know, right

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<v Speaker 5>after Spade, Tidy t Mixed Master Can Uh you know

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<v Speaker 5>my days.

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<v Speaker 3>You know, I'm from the east side of Compton.

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<v Speaker 5>A lot of people don't know that about KK or

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<v Speaker 5>secting from the east side of Compton, you know, near

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<v Speaker 5>the litt Am Street area.

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<v Speaker 3>So but uh, growing up, I moved Oh go ahead.

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<v Speaker 1>Bro, I'm sorry you off from the east side. I

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<v Speaker 1>did not know.

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<v Speaker 5>Yeah, born and raised east side Rosecrans between Santa Fe

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<v Speaker 5>Long Beach Boulevard right off roads.

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<v Speaker 3>Crans and Vans nine seventeen.

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<v Speaker 5>Then I moved to nine twelve West Spruce fifth Grade,

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<v Speaker 5>like eighty one or something like that. Yeah, then I uh,

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<v Speaker 5>that's what back KK balled down the Crans because I

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<v Speaker 5>was always headed back to the east side.

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<v Speaker 3>Once I moved to Spruce.

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<v Speaker 5>That that brings the story, you know, I was balling

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<v Speaker 5>back to the east side, back towards Lose Park where

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<v Speaker 5>I came from.

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<v Speaker 3>But I moved on the Spruce.

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<v Speaker 1>You know, I really meant like fuck with Crawford, man

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<v Speaker 1>high and see Crawford, my nigga, that's my guy. Right

0:11:52.040 --> 0:11:52.480
<v Speaker 1>there on.

0:11:54.080 --> 0:11:55.160
<v Speaker 3>I was back on the road.

0:11:55.280 --> 0:11:55.480
<v Speaker 1>Man.

0:11:55.559 --> 0:11:58.560
<v Speaker 5>I remember, you know, we don't get a lot of

0:11:58.640 --> 0:12:02.480
<v Speaker 5>chance to get a lot of time to talk about

0:12:02.520 --> 0:12:04.480
<v Speaker 5>saying no, none in the history or not, you know,

0:12:04.920 --> 0:12:07.640
<v Speaker 5>but just bringing up the fact, even knowing about CMW,

0:12:08.720 --> 0:12:12.120
<v Speaker 5>you know, man, there's a lot of compter history that's

0:12:12.240 --> 0:12:16.320
<v Speaker 5>untold that to fill in the gaps and bridges of

0:12:16.400 --> 0:12:20.560
<v Speaker 5>over these three decades of so called rapping hip hop history.

0:12:21.080 --> 0:12:23.439
<v Speaker 5>You know, it's just a lot of events through this

0:12:23.600 --> 0:12:26.560
<v Speaker 5>rapping hip hop history. We were actually there. I just

0:12:26.640 --> 0:12:29.559
<v Speaker 5>listened to a lot of stories. I'll be laughing. Some

0:12:29.600 --> 0:12:32.520
<v Speaker 5>of these cats weren't even invented, but they showed tell

0:12:32.559 --> 0:12:33.479
<v Speaker 5>them stories.

0:12:34.600 --> 0:12:36.160
<v Speaker 3>For real, real, for real.

0:12:36.920 --> 0:12:40.440
<v Speaker 1>You know you said some real important man. Eight does

0:12:40.720 --> 0:12:45.400
<v Speaker 1>predate everybody pretty much, you know, yeah, it was Compa's

0:12:45.480 --> 0:12:48.920
<v Speaker 1>most wanted and you know, shit, ain't Joe had to

0:12:48.920 --> 0:12:51.400
<v Speaker 1>be what seventeen or sixteen or some shit like that.

0:12:52.160 --> 0:12:56.000
<v Speaker 2>It was about seventeen when we first started. Uh, when

0:12:56.040 --> 0:12:58.880
<v Speaker 2>we first hooked up with Unknown and slipping them, we

0:12:58.880 --> 0:13:02.960
<v Speaker 2>was probably like yeah on on seventeen and then we

0:13:03.000 --> 0:13:05.800
<v Speaker 2>was able to jump on the Compting compilation. That's what

0:13:05.960 --> 0:13:10.920
<v Speaker 2>started it. We heard, That's what I heard that Rhyme's

0:13:10.960 --> 0:13:14.880
<v Speaker 2>two Funky we had on the Compting compilation. So that

0:13:15.040 --> 0:13:18.839
<v Speaker 2>kind of set us off right there before U before

0:13:18.880 --> 0:13:22.679
<v Speaker 2>everybody started getting picked up, we were like right behind

0:13:22.880 --> 0:13:25.880
<v Speaker 2>Easy and Nwa. I mean shit, we used to hang

0:13:25.960 --> 0:13:28.120
<v Speaker 2>with them. Go to their video shoots all of that.

0:13:28.360 --> 0:13:32.400
<v Speaker 2>You know, they knew about us. Some young niggas. Chill

0:13:32.480 --> 0:13:35.560
<v Speaker 2>used to stay across the street from you know, Wrenn

0:13:35.640 --> 0:13:39.839
<v Speaker 2>and them, so he's all the time and shit, and

0:13:39.880 --> 0:13:42.760
<v Speaker 2>they used to invite us to ship. So we were

0:13:42.840 --> 0:13:44.960
<v Speaker 2>just trying to get our name out there. So we,

0:13:45.440 --> 0:13:48.040
<v Speaker 2>like I said, we had fucked with Unknown and Lonzo

0:13:48.840 --> 0:13:52.080
<v Speaker 2>and uh, you know, everybody know Lonzo's famous for the

0:13:52.120 --> 0:13:57.360
<v Speaker 2>Wrecking Crew and you know and the inception of getting

0:13:57.400 --> 0:14:00.240
<v Speaker 2>those guys together as far as that just comes are

0:14:00.600 --> 0:14:04.040
<v Speaker 2>you know, dre yella easy, you know all of that.

0:14:04.240 --> 0:14:07.640
<v Speaker 2>So but yeah, we were right on the coattails and

0:14:07.679 --> 0:14:12.560
<v Speaker 2>Ship because Unknown was one of Lonzo's you know, buddies

0:14:12.640 --> 0:14:15.160
<v Speaker 2>and Ship, and you know, they had these little independent

0:14:15.200 --> 0:14:19.560
<v Speaker 2>record labels and shiit Uh Lonzo had Crew Cut, Unknown

0:14:19.600 --> 0:14:24.480
<v Speaker 2>had Techno Hop, you know, they Dream Team had they label,

0:14:24.520 --> 0:14:28.320
<v Speaker 2>and then Egypt Egypt had Egyptian Empire, so they had

0:14:28.360 --> 0:14:31.840
<v Speaker 2>these four little independent labels and we just so happened

0:14:31.880 --> 0:14:35.800
<v Speaker 2>to hook up with Unknown who had Techno Hop because

0:14:35.840 --> 0:14:40.000
<v Speaker 2>of being on the Compton compilation. So from there we

0:14:40.120 --> 0:14:42.560
<v Speaker 2>got to put out a little MAXI single called just

0:14:42.720 --> 0:14:45.680
<v Speaker 2>as Compton Little take that was going on the Swap

0:14:45.760 --> 0:14:49.520
<v Speaker 2>Meets and Ship you know, didn't have no major distribution,

0:14:49.680 --> 0:14:52.440
<v Speaker 2>but that's how we got put on because of those

0:14:52.520 --> 0:14:56.480
<v Speaker 2>two first little projects we had did with those two

0:14:56.520 --> 0:14:59.480
<v Speaker 2>independent labels. And that was, like you said, that was

0:14:59.520 --> 0:15:03.000
<v Speaker 2>before the inception of of all the greats that were

0:15:03.040 --> 0:15:05.520
<v Speaker 2>there to come from Compton, you know what I'm saying.

0:15:05.760 --> 0:15:07.960
<v Speaker 2>So we had our foot in the door when the

0:15:08.000 --> 0:15:12.200
<v Speaker 2>door first cracked open. For as far as gangster raptors concerned.

0:15:13.040 --> 0:15:15.320
<v Speaker 1>Yeah, I was. I remember I was playing for Long

0:15:15.360 --> 0:15:18.840
<v Speaker 1>Beach City College football and homie Darryl Kemp brought me

0:15:18.880 --> 0:15:21.480
<v Speaker 1>one of those tapes and I said, Man, this nigga

0:15:21.520 --> 0:15:23.920
<v Speaker 1>can rapped like a motherfucker. I was an MC fan

0:15:23.960 --> 0:15:27.520
<v Speaker 1>from the like Gidea up Dog, and I didn't know

0:15:27.640 --> 0:15:30.720
<v Speaker 1>because you know, see him definitely that nigga Chill wasn't

0:15:30.760 --> 0:15:33.400
<v Speaker 1>on no motherfucking songs. All I knew was this nigger

0:15:33.520 --> 0:15:35.680
<v Speaker 1>right here. So I thought that was like an alias

0:15:35.760 --> 0:15:37.800
<v Speaker 1>or something. I guess he comped his most wanted when

0:15:37.800 --> 0:15:39.800
<v Speaker 1>he ain't eight, you know what I'm saying. That that's

0:15:39.840 --> 0:15:40.880
<v Speaker 1>his official title.

0:15:40.960 --> 0:15:41.120
<v Speaker 3>You know.

0:15:41.520 --> 0:15:43.080
<v Speaker 1>You know, a nigga might have had two or three

0:15:43.120 --> 0:15:43.920
<v Speaker 1>monikers back.

0:15:43.800 --> 0:15:44.240
<v Speaker 3>In the day.

0:15:44.720 --> 0:15:47.360
<v Speaker 2>Yeah, the only Chill kept going in and out of jail.

0:15:47.520 --> 0:15:51.240
<v Speaker 2>So when we first got signed, we signed this COMPTS

0:15:51.360 --> 0:15:55.120
<v Speaker 2>Most Wanted. So they just decided to keep it, you

0:15:55.160 --> 0:15:58.120
<v Speaker 2>know what I'm saying, and give it a try. And

0:15:58.160 --> 0:16:00.520
<v Speaker 2>we were able to put out like three products under

0:16:00.600 --> 0:16:05.000
<v Speaker 2>Compass Most Wanted, but it seemed like every project Chill

0:16:05.080 --> 0:16:08.680
<v Speaker 2>would be going to jail. So uh, we ended up

0:16:09.400 --> 0:16:12.320
<v Speaker 2>just dropping the Compass Most Wanted and the label just

0:16:12.320 --> 0:16:14.320
<v Speaker 2>decided that we was going to start the m C

0:16:14.480 --> 0:16:15.840
<v Speaker 2>eight projects.

0:16:17.400 --> 0:16:20.160
<v Speaker 5>Man, that's crazy you mentioned that though. I mean my

0:16:20.240 --> 0:16:24.560
<v Speaker 5>bad interrupting, but doing that era eight. Uh for me

0:16:24.680 --> 0:16:26.480
<v Speaker 5>standing on for van Nets, I used to be on

0:16:26.560 --> 0:16:30.160
<v Speaker 5>Burrs and the light Skinning member of c m W.

0:16:31.160 --> 0:16:33.600
<v Speaker 3>Yeah, he stayed around on Sloan and stuff.

0:16:35.440 --> 0:16:35.480
<v Speaker 4>Like.

0:16:35.800 --> 0:16:38.440
<v Speaker 3>Yeah, that's that's my neighborhood. We all went.

0:16:39.160 --> 0:16:41.880
<v Speaker 2>We all went to junior high together, me Chilling and

0:16:42.160 --> 0:16:44.080
<v Speaker 2>we met in junior high school. We all went to

0:16:44.120 --> 0:16:49.640
<v Speaker 2>Hamilton Junior High in Loan Beach, okay Man. That's where

0:16:49.640 --> 0:16:52.720
<v Speaker 2>we all hooked up at And then at had the

0:16:52.800 --> 0:16:57.280
<v Speaker 2>little you know ant Pops you know, had a They

0:16:57.320 --> 0:17:02.680
<v Speaker 2>had converted his garage into like a studio little club

0:17:02.840 --> 0:17:05.560
<v Speaker 2>studio looking like for for him and ship and he

0:17:05.640 --> 0:17:08.520
<v Speaker 2>had turntables and all of that. So we used to

0:17:08.560 --> 0:17:10.960
<v Speaker 2>go over ants house in Elm Street and fuck around

0:17:10.960 --> 0:17:16.040
<v Speaker 2>a lot. Okay, that's when we first start putting it together,

0:17:16.240 --> 0:17:19.439
<v Speaker 2>like okay, nigga, we're gonna be conscious, most wanted. And

0:17:19.520 --> 0:17:21.720
<v Speaker 2>from there, like I said, the shit just took off

0:17:21.760 --> 0:17:24.840
<v Speaker 2>from just hooking up trying to practice and work at

0:17:24.880 --> 0:17:29.280
<v Speaker 2>ants house to me crafting my writing skills and shipping

0:17:29.280 --> 0:17:33.000
<v Speaker 2>and going on to meet slipped and unknown and ship

0:17:33.200 --> 0:17:37.399
<v Speaker 2>like that. Oh man, that's that's a blessing, bro, because

0:17:37.680 --> 0:17:40.119
<v Speaker 2>during that time I was actually around the corner on

0:17:40.240 --> 0:17:41.720
<v Speaker 2>birds Your.

0:17:43.160 --> 0:17:43.359
<v Speaker 3>You know.

0:17:43.560 --> 0:17:46.920
<v Speaker 5>Now, that's kind of how I heard y'all, you know,

0:17:47.920 --> 0:17:49.000
<v Speaker 5>having y'all tape.

0:17:53.240 --> 0:17:55.640
<v Speaker 2>My auntie used to live in Elm Hood, so that's

0:17:55.640 --> 0:17:57.760
<v Speaker 2>how we used to get over the Ants. She used

0:17:57.800 --> 0:18:01.040
<v Speaker 2>to live on Elm Street, right, I forgot the street,

0:18:01.119 --> 0:18:03.560
<v Speaker 2>but she used to live in Elmhood, so we would

0:18:03.600 --> 0:18:06.760
<v Speaker 2>go over there at her house from after schools and

0:18:06.800 --> 0:18:10.480
<v Speaker 2>then were we would just bail down rosecrants over the

0:18:10.520 --> 0:18:15.960
<v Speaker 2>Ant's house and ship over there by over there there about.

0:18:15.760 --> 0:18:18.359
<v Speaker 3>The center and the pizza place and ship. Yeah.

0:18:18.560 --> 0:18:21.760
<v Speaker 5>Two for one used to be right there, yeah yeah, yeah,

0:18:21.840 --> 0:18:27.520
<v Speaker 5>we were probably walking and talking and one one twenty

0:18:27.560 --> 0:18:30.320
<v Speaker 5>five East walk in the belting. I used to at

0:18:30.320 --> 0:18:33.800
<v Speaker 5>the bail by gus Berger's and all that road street

0:18:33.960 --> 0:18:37.560
<v Speaker 5>coming from when I moved before the heill Over Alameda.

0:18:37.480 --> 0:18:41.400
<v Speaker 3>Oh y yeah, you know hell Over Yeah yeah, before.

0:18:41.119 --> 0:18:45.159
<v Speaker 5>All that and before the Alametera Corridor got built. But

0:18:45.240 --> 0:18:48.120
<v Speaker 5>during the eighties, that's how that's how I got him

0:18:48.200 --> 0:18:51.760
<v Speaker 5>to you. This is you know before uh well quick

0:18:51.760 --> 0:18:55.080
<v Speaker 5>as second and up KK second and up and high

0:18:55.160 --> 0:18:58.440
<v Speaker 5>see well basically KK quick and how I see during

0:18:58.520 --> 0:19:02.160
<v Speaker 5>the eighties we were ready us from like eighty three.

0:19:03.040 --> 0:19:05.960
<v Speaker 5>You know, KK wasn't no rap name. That's my nickname

0:19:06.000 --> 0:19:09.159
<v Speaker 5>from birth. But you know, during that time, that's how

0:19:09.200 --> 0:19:12.679
<v Speaker 5>I got empty, y'all man. And you know, uh, I

0:19:12.680 --> 0:19:14.880
<v Speaker 5>guess I didn't know about the music, but I heard

0:19:14.880 --> 0:19:18.080
<v Speaker 5>about it because I was, you know, from our beginners.

0:19:18.080 --> 0:19:21.040
<v Speaker 5>We all started from DJs. A lot of people don't

0:19:21.119 --> 0:19:23.480
<v Speaker 5>know all the details. You know, we were all DJs.

0:19:23.520 --> 0:19:27.720
<v Speaker 5>Everybody did everything that's programming all.

0:19:27.680 --> 0:19:33.520
<v Speaker 1>Night the night. Because I want to take that, like

0:19:33.640 --> 0:19:37.159
<v Speaker 1>A just told us his origin story, right, what was

0:19:37.240 --> 0:19:40.080
<v Speaker 1>y'all doing about that time because Quick, y'all always had

0:19:40.119 --> 0:19:42.120
<v Speaker 1>one producer Quick, what was y'all?

0:19:44.359 --> 0:19:48.359
<v Speaker 3>You see me smiling? Yeah, everybody.

0:19:48.400 --> 0:19:53.119
<v Speaker 5>Everybody had a drum machine or we made based beat

0:19:53.400 --> 0:19:56.000
<v Speaker 5>paulse mixing first with the Devil Concess.

0:19:56.080 --> 0:19:57.560
<v Speaker 3>It's pretty much the same story.

0:19:57.880 --> 0:20:02.040
<v Speaker 5>This started from like eighty two fifth grade for me

0:20:02.080 --> 0:20:04.240
<v Speaker 5>when I moved to the West side on Spruce Street,

0:20:04.520 --> 0:20:07.920
<v Speaker 5>the nine hundred block, so you know, seventh grade eighty three,

0:20:07.960 --> 0:20:10.440
<v Speaker 5>that's when I met Quick in high Sea.

0:20:10.680 --> 0:20:12.400
<v Speaker 3>He was already DJ Quick Mix.

0:20:12.520 --> 0:20:16.440
<v Speaker 5>I was KK from birth and the highly intelligent Crawford

0:20:17.200 --> 0:20:18.720
<v Speaker 5>seventh grade eighty three.

0:20:18.600 --> 0:20:20.760
<v Speaker 3>So we were all involved in music.

0:20:20.840 --> 0:20:26.439
<v Speaker 5>I was basically like the singer, slash rapper, comedian jokes

0:20:26.480 --> 0:20:30.840
<v Speaker 5>toill you know serious. That's why me and Park was close.

0:20:30.920 --> 0:20:32.840
<v Speaker 5>A lot of people don't know that relationship unless you

0:20:32.920 --> 0:20:34.920
<v Speaker 5>was in the streets. So why we don't have those

0:20:34.920 --> 0:20:39.320
<v Speaker 5>records together. But uh, you know my bringing up, but uh,

0:20:39.880 --> 0:20:42.639
<v Speaker 5>nobody discovered us. And if it would be anybody that

0:20:42.760 --> 0:20:45.600
<v Speaker 5>discovered us, me and D my cousin, it would have

0:20:45.640 --> 0:20:48.960
<v Speaker 5>been Mixed Master Spade, the Scotti D So during that era,

0:20:49.359 --> 0:20:52.560
<v Speaker 5>the late eighties, Uh when y'all was around the corner.

0:20:52.720 --> 0:20:55.840
<v Speaker 5>I was skip off of birds and you know, jumping

0:20:55.880 --> 0:20:59.000
<v Speaker 5>my cutlins. We'll go to the talent shows. These are

0:20:59.040 --> 0:21:02.520
<v Speaker 5>the stories doing eighty eight into eighty eight, eighty nine

0:21:02.560 --> 0:21:06.119
<v Speaker 5>to ninety. The story's quick telling on his album KK

0:21:06.200 --> 0:21:08.760
<v Speaker 5>Shulda Knew Better. That's how my homeboy took you in.

0:21:09.520 --> 0:21:12.879
<v Speaker 5>You know, amg mobs kicking my well. We're trying to

0:21:12.920 --> 0:21:15.919
<v Speaker 5>do something and trying to you know, not be like

0:21:16.000 --> 0:21:18.800
<v Speaker 5>nobody else. But uh, this is the type of music

0:21:18.840 --> 0:21:21.880
<v Speaker 5>we do. We respected Dre Easy and all of them.

0:21:22.400 --> 0:21:24.479
<v Speaker 5>We wasn't over there, but we knew it. Knew of

0:21:24.520 --> 0:21:27.240
<v Speaker 5>each other from the streets. Spade and then used to

0:21:27.280 --> 0:21:29.119
<v Speaker 5>come to my house. You know, I knew King t

0:21:29.320 --> 0:21:31.919
<v Speaker 5>was around the corner off of Wilmington and Spruce. Who

0:21:31.960 --> 0:21:35.119
<v Speaker 5>I was back in, you know from eighty one on

0:21:35.280 --> 0:21:39.280
<v Speaker 5>up uh man. You know it was watching the hood

0:21:39.400 --> 0:21:43.240
<v Speaker 5>get formed or watching everything. And but I was based

0:21:43.240 --> 0:21:46.320
<v Speaker 5>around music. And if you go back a whole David

0:21:46.359 --> 0:21:48.879
<v Speaker 5>Junior High eighty three through eighty six, we can go

0:21:48.960 --> 0:21:50.600
<v Speaker 5>through and look back to year, but you see me

0:21:50.680 --> 0:21:54.560
<v Speaker 5>all based around music. They started the English Teacher started

0:21:54.600 --> 0:21:57.840
<v Speaker 5>the gospel soul a choir because I was always singing.

0:21:58.600 --> 0:22:02.600
<v Speaker 5>You know, we was popular already basically become of famous

0:22:02.600 --> 0:22:05.479
<v Speaker 5>at junior high. You know, so with me that history

0:22:05.600 --> 0:22:08.760
<v Speaker 5>Spade and Scottie d from Taler shows Me and d

0:22:09.720 --> 0:22:11.679
<v Speaker 5>you know, with our tapes. Quick at this taste, we

0:22:11.720 --> 0:22:15.159
<v Speaker 5>had tapes as well, you know, and mixing it with

0:22:15.280 --> 0:22:15.720
<v Speaker 5>the singing.

0:22:15.760 --> 0:22:18.720
<v Speaker 3>It's the eighties, so right, so.

0:22:18.720 --> 0:22:21.000
<v Speaker 1>Y'all was producing a lot of your own stuff to them.

0:22:21.600 --> 0:22:23.040
<v Speaker 3>Yeah, that's how it all started.

0:22:23.080 --> 0:22:27.320
<v Speaker 5>I was connectivity with me and Quick and us all

0:22:27.320 --> 0:22:30.560
<v Speaker 5>being DJs. Me and D started off, and you know

0:22:30.680 --> 0:22:33.560
<v Speaker 5>then d was a little behind us, a year behind

0:22:33.640 --> 0:22:36.359
<v Speaker 5>us in school. So once I got to the seventh grade,

0:22:36.359 --> 0:22:39.320
<v Speaker 5>I'm the new new dudes on the West side, you know,

0:22:39.400 --> 0:22:41.240
<v Speaker 5>as far as fifth and sixth grade. But once we

0:22:41.280 --> 0:22:45.280
<v Speaker 5>got to Davis, everybody was you know, breaking just came

0:22:45.320 --> 0:22:47.760
<v Speaker 5>in Windmill and we was already popping and all that

0:22:48.320 --> 0:22:51.480
<v Speaker 5>eight from the eighties and all that, but uh, breaking

0:22:51.560 --> 0:22:54.280
<v Speaker 5>it just came in. We was already DJing and scratching

0:22:54.880 --> 0:22:59.320
<v Speaker 5>before eighty three. Uh, we all had turntables. I had

0:22:59.359 --> 0:23:01.919
<v Speaker 5>to make sure how she had a mixture two turntables,

0:23:02.400 --> 0:23:05.120
<v Speaker 5>you know, had a little paper jobs working with pop.

0:23:05.240 --> 0:23:08.480
<v Speaker 5>So I was able to get a receiver, two speakers

0:23:08.520 --> 0:23:13.440
<v Speaker 5>and all that and mixure Ti mixer too, fishing turntable

0:23:13.520 --> 0:23:18.720
<v Speaker 5>until I got some upgraded. In high school ninth grade

0:23:18.720 --> 0:23:26.480
<v Speaker 5>eighty six, everybody did everything man drum programming see Quincy shampling.

0:23:28.600 --> 0:23:31.399
<v Speaker 1>Uhuh, that was the ghettle set up right there. Man.

0:23:31.520 --> 0:23:34.240
<v Speaker 1>You had to turn three microphone.

0:23:33.720 --> 0:23:35.680
<v Speaker 3>Two eighty two eighty three.

0:23:35.760 --> 0:23:37.119
<v Speaker 1>Yeah.

0:23:37.400 --> 0:23:39.880
<v Speaker 5>See quick, See a lot of people don't listen without say,

0:23:39.920 --> 0:23:42.280
<v Speaker 5>to a lot of folks, they don't pay attention, you

0:23:42.320 --> 0:23:43.960
<v Speaker 5>know what I mean. They they were hearing a lot

0:23:43.960 --> 0:23:46.920
<v Speaker 5>of things, but they don't really listen, you know. Quick,

0:23:47.000 --> 0:23:50.480
<v Speaker 5>tell the whole story. I mean, if you go back

0:23:50.680 --> 0:23:53.440
<v Speaker 5>and pay attention, turn this first album cover while I'm

0:23:53.440 --> 0:23:57.920
<v Speaker 5>in the front seat with on we b viobe. Yeah,

0:23:57.960 --> 0:24:00.520
<v Speaker 5>I was at skateland with curtains blowing the eighties. I

0:24:00.560 --> 0:24:02.600
<v Speaker 5>was even after dark when I was in eighth grade.

0:24:04.400 --> 0:24:08.760
<v Speaker 3>So you know I'm still there. I think eight eight.

0:24:08.880 --> 0:24:09.560
<v Speaker 3>You older than me.

0:24:09.600 --> 0:24:13.119
<v Speaker 5>I believe I'm fifty four, but I was out there

0:24:13.119 --> 0:24:18.119
<v Speaker 5>in eighth grade skate land even after dark. Let's go

0:24:18.240 --> 0:24:22.560
<v Speaker 5>bowling that dudos all that, you know, Red Fox come

0:24:22.600 --> 0:24:24.800
<v Speaker 5>to my my mama house on Spruce when we moved

0:24:24.800 --> 0:24:28.720
<v Speaker 5>a spruce, BB King, Tyron Davis, all of us on

0:24:28.840 --> 0:24:31.560
<v Speaker 5>Spruce because the little club the Thunderbird was right there

0:24:31.560 --> 0:24:34.800
<v Speaker 5>on Spruce in wilbantip so Id. That's what the singer

0:24:34.960 --> 0:24:39.159
<v Speaker 5>kicked in chasing my mother. You remember the Thunderbird.

0:24:39.800 --> 0:24:43.679
<v Speaker 3>Yeah, I remember even after dark too on Alvaloe. I

0:24:43.760 --> 0:24:44.640
<v Speaker 3>was in I was.

0:24:44.560 --> 0:24:49.080
<v Speaker 5>In there outside around DMC came to see this the eighties,

0:24:49.119 --> 0:24:51.720
<v Speaker 5>like eighty three, eighty four. LLL was with Spade in

0:24:51.800 --> 0:24:54.399
<v Speaker 5>them and and uh he had the chop top chevy

0:24:54.400 --> 0:24:57.080
<v Speaker 5>old Dayton's back. Then I kind of think that's what

0:24:57.440 --> 0:25:01.520
<v Speaker 5>LLL's got, that Dayton idea frunkle. We see eighth grade

0:25:01.600 --> 0:25:05.160
<v Speaker 5>on pe at David Junior High. It wasn't no kangos

0:25:05.200 --> 0:25:08.080
<v Speaker 5>really cracking. Here comes Spade now, you know everybody and

0:25:08.160 --> 0:25:10.760
<v Speaker 5>we were run run to the gates so we can

0:25:10.800 --> 0:25:14.560
<v Speaker 5>see Spade on the dates, you know, going southbound on

0:25:14.640 --> 0:25:17.800
<v Speaker 5>Wilmington headed towards what we would call Palmer Block. Back

0:25:17.840 --> 0:25:21.320
<v Speaker 5>then going through see the block, I don't see a kingo.

0:25:21.640 --> 0:25:21.840
<v Speaker 1>You know.

0:25:22.800 --> 0:25:26.280
<v Speaker 3>I'm more, Uh, I have a better perception of things. Uh.

0:25:26.880 --> 0:25:29.000
<v Speaker 5>Some of my peers that's all the blessing I guess

0:25:29.040 --> 0:25:31.760
<v Speaker 5>to make it to be second or none later, you know,

0:25:32.440 --> 0:25:35.000
<v Speaker 5>and collective of some of the homies, even just like

0:25:35.080 --> 0:25:39.240
<v Speaker 5>hearing me eight stories are bringing this collective of history

0:25:39.600 --> 0:25:40.320
<v Speaker 5>that's unknown.

0:25:40.359 --> 0:25:43.000
<v Speaker 3>We was all around each other, man.

0:25:43.080 --> 0:25:45.640
<v Speaker 5>I think I even ran this to y'all downtown Competon

0:25:46.000 --> 0:25:49.359
<v Speaker 5>when they had the clothing store there probably eight.

0:25:49.440 --> 0:25:52.480
<v Speaker 3>Nine, oh definitely, Yeah, Man, chair was tight.

0:25:52.640 --> 0:25:52.840
<v Speaker 1>Man.

0:25:52.920 --> 0:25:56.119
<v Speaker 5>You know, I was always uncomfortable forard an Allometa the

0:25:56.200 --> 0:26:01.879
<v Speaker 5>barbershop phone shop. Yeah, saying two thousand, I was living

0:26:01.920 --> 0:26:06.320
<v Speaker 5>over there behind Wilson Park. Yeah, it's a cold game.

0:26:06.400 --> 0:26:10.679
<v Speaker 5>That's a man chill connected. Around two thousand I got divorced.

0:26:10.720 --> 0:26:14.199
<v Speaker 5>It was not they moved back to count They have

0:26:14.280 --> 0:26:16.959
<v Speaker 5>a studio or something over there. Yeah, that's what I

0:26:17.000 --> 0:26:17.760
<v Speaker 5>was living at there.

0:26:17.800 --> 0:26:18.000
<v Speaker 3>I was.

0:26:18.080 --> 0:26:20.280
<v Speaker 5>I moved out my house and got divorced and moved

0:26:20.280 --> 0:26:23.680
<v Speaker 5>to the studio behind Wilson Park. Yell, you know what

0:26:23.720 --> 0:26:27.160
<v Speaker 5>I'm talking about. Yeah, Man, cheers to be in there.

0:26:27.200 --> 0:26:31.080
<v Speaker 5>The homie June for watch Uh still I think you.

0:26:31.200 --> 0:26:34.120
<v Speaker 5>I don't know if you came through back then.

0:26:34.119 --> 0:26:34.359
<v Speaker 3>It was.

0:26:36.640 --> 0:26:40.520
<v Speaker 1>I started coming around man real early, but I was

0:26:40.560 --> 0:26:41.800
<v Speaker 1>playing for now I remember you.

0:26:41.840 --> 0:26:44.440
<v Speaker 3>I remember you like ninety one ninety two round craft.

0:26:44.520 --> 0:26:45.320
<v Speaker 3>I remember.

0:26:46.800 --> 0:26:49.520
<v Speaker 5>Only historian off the crew. I still got stuff from

0:26:49.520 --> 0:26:51.160
<v Speaker 5>eighty five eighty two.

0:26:53.640 --> 0:26:56.280
<v Speaker 1>So much. Dog. I ran with Crawford so much. A

0:26:56.280 --> 0:26:57.919
<v Speaker 1>lot of people thought I was a blood for the

0:26:57.960 --> 0:27:00.720
<v Speaker 1>longest time. Dog Like I had to like because I

0:27:00.800 --> 0:27:04.320
<v Speaker 1>was around Crawford so much. It was like, man, niggas

0:27:04.320 --> 0:27:06.399
<v Speaker 1>would be like like me and rb H was in

0:27:06.440 --> 0:27:09.119
<v Speaker 1>Long Beach one night and we riding, and you know

0:27:09.160 --> 0:27:11.440
<v Speaker 1>he was couzin somebody so steal my bad man. I

0:27:11.480 --> 0:27:14.399
<v Speaker 1>forgot you a b dog, I said, I don't belong

0:27:14.440 --> 0:27:18.160
<v Speaker 1>in no games. You tripping myself. But I would get

0:27:18.200 --> 0:27:20.760
<v Speaker 1>that from everybody because me and him was just cool.

0:27:21.119 --> 0:27:24.880
<v Speaker 1>But what's crazy? As I hung around just as many crips.

0:27:24.920 --> 0:27:28.960
<v Speaker 1>But I guess people because I don't know, man, it's crazy.

0:27:29.320 --> 0:27:33.600
<v Speaker 5>Yes, association what they call my affiliation? You affiliated?

0:27:34.119 --> 0:27:34.520
<v Speaker 1>Okay?

0:27:35.680 --> 0:27:38.480
<v Speaker 3>Yeah? I mean you know, like everybody thought we was

0:27:38.480 --> 0:27:39.240
<v Speaker 3>from tree Top.

0:27:41.480 --> 0:27:44.840
<v Speaker 5>I read read a burgony car still to the day

0:27:45.119 --> 0:27:48.760
<v Speaker 5>until somebody on Wikipedia put up there am street power

0:27:48.880 --> 0:27:49.800
<v Speaker 5>bloods what not?

0:27:50.520 --> 0:27:51.520
<v Speaker 3>A few years ago.

0:27:51.880 --> 0:27:56.040
<v Speaker 5>I'm laughing because, uh, this is another thing about second

0:27:56.040 --> 0:27:58.639
<v Speaker 5>and nine and how I've been in the name for

0:27:59.160 --> 0:28:02.480
<v Speaker 5>our group. You know, it wasn't even yeah, it's all

0:28:02.520 --> 0:28:04.320
<v Speaker 5>the street. We all grew up in that in the eighties.

0:28:04.359 --> 0:28:07.199
<v Speaker 5>But it was God first, second and no man. But

0:28:07.720 --> 0:28:10.760
<v Speaker 5>we already lived a life, so don't want to promote

0:28:10.800 --> 0:28:15.399
<v Speaker 5>that and you know, out of the respect before the

0:28:15.480 --> 0:28:17.919
<v Speaker 5>love of hip hop because the East Coast of New

0:28:18.040 --> 0:28:21.719
<v Speaker 5>York three boroughs thing that's we was introduced to when

0:28:21.760 --> 0:28:25.160
<v Speaker 5>we got to New York in nineties. Signed the Profile Records,

0:28:25.359 --> 0:28:29.119
<v Speaker 5>the bedding war between Death Jam and Profile Records for

0:28:29.200 --> 0:28:32.080
<v Speaker 5>Second or None because Depth Jam wanted us, you know,

0:28:32.160 --> 0:28:35.880
<v Speaker 5>after the after easing the popped, you know, dev Jahms.

0:28:35.920 --> 0:28:37.760
<v Speaker 5>It was a bending ward with Depth John a Profile

0:28:37.880 --> 0:28:41.680
<v Speaker 5>Records for Second and None. It's a whole lot of history. Yeah,

0:28:41.680 --> 0:28:45.040
<v Speaker 5>to open the door, Yeah.

0:28:45.040 --> 0:28:49.960
<v Speaker 1>Hold on, hold on, kk so who put the album together?

0:28:50.080 --> 0:28:53.160
<v Speaker 1>Your first album? That was a combination of y'all and Quick.

0:28:54.560 --> 0:28:58.280
<v Speaker 5>Yeah, people, it's it's produced by Second and None and Quick.

0:28:59.040 --> 0:29:02.240
<v Speaker 5>Why would it say, because I can't go back in time,

0:29:02.320 --> 0:29:07.120
<v Speaker 5>but AI nobody's ass to get their brain back to reality,

0:29:07.160 --> 0:29:10.560
<v Speaker 5>to go back and read the ship you bought look

0:29:10.600 --> 0:29:12.280
<v Speaker 5>at to read the credits. That's why I talked a

0:29:12.320 --> 0:29:15.040
<v Speaker 5>lot of people. Quit swiping the read want to swipe,

0:29:15.040 --> 0:29:18.040
<v Speaker 5>turn the page, write something down to help your brain

0:29:18.200 --> 0:29:21.480
<v Speaker 5>get back. Uh, go back and turn the cover while

0:29:21.480 --> 0:29:23.800
<v Speaker 5>I'm in the front seat, Go back and listen. Now,

0:29:23.840 --> 0:29:30.440
<v Speaker 5>you know, man, as you know, it's just a whole lot, y'all.

0:29:30.520 --> 0:29:34.080
<v Speaker 5>Miss it's a lot of people got got our story wrong.

0:29:34.400 --> 0:29:38.160
<v Speaker 5>That's basically the same. That's pretty much what I'm about

0:29:38.200 --> 0:29:40.960
<v Speaker 5>to do. It's like me releasing my first solo album.

0:29:41.320 --> 0:29:44.040
<v Speaker 5>It's still second or none. But I got tired of

0:29:44.040 --> 0:29:46.760
<v Speaker 5>people saying this and that. Yeah, it was a collective

0:29:47.080 --> 0:29:50.240
<v Speaker 5>me and quick. Most of those ideas are the records

0:29:50.280 --> 0:29:53.959
<v Speaker 5>I bought, or that was my idea, or tapping your

0:29:54.000 --> 0:29:57.080
<v Speaker 5>feet while you're hitting. You know, everybody got amazed, and

0:29:57.200 --> 0:29:59.840
<v Speaker 5>sugar Free came along. We've been doing that, but not

0:30:00.080 --> 0:30:03.240
<v Speaker 5>taking no credit away from Free. He popped that off first.

0:30:03.240 --> 0:30:06.320
<v Speaker 5>But we've been tapping. I was tapping on cans with

0:30:06.360 --> 0:30:09.000
<v Speaker 5>a pencil and the marker and the pins just to

0:30:09.040 --> 0:30:10.959
<v Speaker 5>see the difference in the sound on the bottom of

0:30:10.960 --> 0:30:15.000
<v Speaker 5>a can and try to sample that sound back then

0:30:15.120 --> 0:30:18.200
<v Speaker 5>in the ages, just you know, like I said, devil Cotttes,

0:30:18.320 --> 0:30:24.520
<v Speaker 5>pause that right there, one two, rewind make them instrumental.

0:30:26.360 --> 0:30:28.880
<v Speaker 1>One thing I do know that everybody in the camp

0:30:28.960 --> 0:30:30.880
<v Speaker 1>man was serious about their production.

0:30:31.040 --> 0:30:31.280
<v Speaker 3>Dog.

0:30:31.960 --> 0:30:35.400
<v Speaker 1>Everybody from y'all to Crawford see a lot of this

0:30:35.440 --> 0:30:37.720
<v Speaker 1>stuff already know. I'm just That's why I'm asking you,

0:30:37.760 --> 0:30:39.160
<v Speaker 1>so you can let the world know. You know what

0:30:39.200 --> 0:30:40.560
<v Speaker 1>I'm saying the real well, we.

0:30:42.080 --> 0:30:46.280
<v Speaker 5>All are engineers, and we all are producers, and we

0:30:46.400 --> 0:30:51.760
<v Speaker 5>all wrote our own lyrics and every whatever Quick's ideas

0:30:51.840 --> 0:30:55.560
<v Speaker 5>on his albums with his ideas second to Nun's ideas

0:30:55.600 --> 0:30:56.680
<v Speaker 5>with minds.

0:30:56.320 --> 0:30:58.040
<v Speaker 3>The Deep collaborated.

0:30:58.560 --> 0:31:00.840
<v Speaker 5>I bought the records for the sound was all the hits,

0:31:01.200 --> 0:31:03.480
<v Speaker 5>or it might have been an idea like me going,

0:31:05.840 --> 0:31:07.120
<v Speaker 5>now I need a bass player.

0:31:07.440 --> 0:31:12.840
<v Speaker 3>How much you charge play this and then get to

0:31:12.920 --> 0:31:13.280
<v Speaker 3>tap it?

0:31:17.160 --> 0:31:20.480
<v Speaker 5>Okay, man, well you faster on you quicker on the

0:31:20.560 --> 0:31:24.960
<v Speaker 5>drum machine, the drum program programs that I am so yeah,

0:31:25.520 --> 0:31:27.600
<v Speaker 5>you can go ahead and knock it out. I'm gonna

0:31:27.600 --> 0:31:29.360
<v Speaker 5>work on this baseline in my head to get it

0:31:29.400 --> 0:31:32.160
<v Speaker 5>to a real bass or somebody that could play the bass.

0:31:32.200 --> 0:31:35.520
<v Speaker 5>Back then standing the guitar man was so called man,

0:31:35.600 --> 0:31:38.640
<v Speaker 5>you know, but dreading them use them so I don't

0:31:38.640 --> 0:31:40.560
<v Speaker 5>want to do what somebody else did, to use what

0:31:40.640 --> 0:31:42.840
<v Speaker 5>they use it. I want to be creative and have

0:31:42.920 --> 0:31:45.200
<v Speaker 5>my own flavor style, you know what I mean. So

0:31:46.760 --> 0:31:49.800
<v Speaker 5>the distinctive, well, this is what they doing. I don't

0:31:49.800 --> 0:31:54.000
<v Speaker 5>want to do that, not so much being negative on

0:31:54.120 --> 0:31:57.200
<v Speaker 5>nobody else's style of flavor. Back then, it's just be different,

0:31:58.040 --> 0:32:00.479
<v Speaker 5>you know, be unique. And that's how I guess what harmony.

0:32:00.520 --> 0:32:03.280
<v Speaker 5>I was always singing, me and my cousin. Did you

0:32:03.320 --> 0:32:07.680
<v Speaker 5>know switched the boy all the seventies music? You know,

0:32:07.800 --> 0:32:11.520
<v Speaker 5>we was he waved all that blowing in church from

0:32:11.560 --> 0:32:15.040
<v Speaker 5>the seventies on up. Like I say, junior High, I'm

0:32:15.080 --> 0:32:17.440
<v Speaker 5>part of every choir. I didn't want to be all

0:32:17.480 --> 0:32:20.640
<v Speaker 5>the English teachers. Everybody heard me singing and in the

0:32:20.720 --> 0:32:23.880
<v Speaker 5>hallways put me in something, you know.

0:32:24.560 --> 0:32:26.720
<v Speaker 1>Let me let me ask you this KK when y'all

0:32:26.760 --> 0:32:31.320
<v Speaker 1>first did it? If you want it? Then God, did

0:32:31.360 --> 0:32:32.920
<v Speaker 1>you know that record was gonna be as big as

0:32:32.920 --> 0:32:34.840
<v Speaker 1>it was? Nah?

0:32:35.160 --> 0:32:38.240
<v Speaker 5>Because the idea we wasn't trying to make it. You know,

0:32:38.320 --> 0:32:41.120
<v Speaker 5>we didn't know. You know, we found out probably a

0:32:41.200 --> 0:32:44.440
<v Speaker 5>year later we were famous. You know, it was cool

0:32:44.640 --> 0:32:48.080
<v Speaker 5>because ten dollars thirty thirty taps in the box ten

0:32:48.120 --> 0:32:54.160
<v Speaker 5>dollars a tape three hundred late eighties. So the idea

0:32:54.280 --> 0:32:56.360
<v Speaker 5>even get in the record. There wasn't no mama, I

0:32:56.560 --> 0:33:00.000
<v Speaker 5>never or even the fath in the idea to become famous,

0:33:00.720 --> 0:33:03.160
<v Speaker 5>cause in that sense being for Compton and you know

0:33:03.200 --> 0:33:05.600
<v Speaker 5>through the seventies and eighties and all of them out

0:33:05.640 --> 0:33:08.160
<v Speaker 5>being on the roe. You know, not trying to floss myself.

0:33:08.160 --> 0:33:10.840
<v Speaker 5>It ain't about me. But I was already famous. It's

0:33:10.920 --> 0:33:14.360
<v Speaker 5>KK from birth, So wasn't no rap name. That's my

0:33:14.480 --> 0:33:17.640
<v Speaker 5>nigganame from birth, you know, giving so I ran with that.

0:33:17.720 --> 0:33:20.320
<v Speaker 5>Some of the teachers called me KK, like I said,

0:33:20.320 --> 0:33:23.880
<v Speaker 5>I'm all the yearbooks Davis Junior High ansertin here and

0:33:24.040 --> 0:33:25.680
<v Speaker 5>most of the stuff. You know, you can see my

0:33:25.800 --> 0:33:30.320
<v Speaker 5>story or both sides some MOR's tongas nothing is in

0:33:30.400 --> 0:33:33.720
<v Speaker 5>Serainos could tell it from the baby dayo to basica,

0:33:33.840 --> 0:33:39.360
<v Speaker 5>you know, outside of rap examt I mean ext that's

0:33:39.400 --> 0:33:41.640
<v Speaker 5>that's the story, that's the blessing. That's why we're still

0:33:41.680 --> 0:33:45.960
<v Speaker 5>able to function and ain't nobody looking for us, and

0:33:46.000 --> 0:33:48.840
<v Speaker 5>we can still function and get around there and get

0:33:48.920 --> 0:33:51.560
<v Speaker 5>love like we do around this world internationally. For thirty

0:33:51.600 --> 0:33:56.440
<v Speaker 5>five thirty six years to have somebody even want you

0:33:56.520 --> 0:33:59.960
<v Speaker 5>that much. We like the dramatics and all the rest

0:34:00.080 --> 0:34:07.080
<v Speaker 5>from the Ohio Sound, Memphis Sound, Motown, Comptown. Yeah see

0:34:07.200 --> 0:34:11.719
<v Speaker 5>M W and W A second, No King T. You know,

0:34:11.800 --> 0:34:14.279
<v Speaker 5>back then it was King T, DJ Pool, DJ Var.

0:34:14.480 --> 0:34:18.239
<v Speaker 5>You know we heard these names. Yeah, unknown, you know,

0:34:18.560 --> 0:34:20.600
<v Speaker 5>just the whole comptant thing that's.

0:34:21.600 --> 0:34:25.480
<v Speaker 3>From where was caring from. I have no idea.

0:34:25.520 --> 0:34:27.239
<v Speaker 5>I'll still be trying to get out of King T

0:34:27.560 --> 0:34:30.719
<v Speaker 5>H pooing them u uh you know Toddy T. When

0:34:30.719 --> 0:34:33.120
<v Speaker 5>I see him, I be trying to uh you know

0:34:33.320 --> 0:34:35.200
<v Speaker 5>we see each other. I'll be trying to get stories

0:34:35.200 --> 0:34:35.640
<v Speaker 5>out of him.

0:34:35.640 --> 0:34:42.480
<v Speaker 1>And you know, man, well we you know, yeah, yeah,

0:34:42.760 --> 0:34:43.439
<v Speaker 1>I got some ship.

0:34:44.239 --> 0:34:47.879
<v Speaker 5>Yeah see, this is just the thing man, height Man,

0:34:47.920 --> 0:34:50.280
<v Speaker 5>I wish the world could have seen how we're talking

0:34:50.320 --> 0:34:53.759
<v Speaker 5>now thirty five some years ago, sort of open their

0:34:53.760 --> 0:34:56.960
<v Speaker 5>mind up back then to how a lot of people

0:34:57.000 --> 0:34:59.160
<v Speaker 5>put the jacket on us because of the red car.

0:35:00.239 --> 0:35:01.959
<v Speaker 5>Wasn't a red card, it was the Burger de card.

0:35:02.040 --> 0:35:05.680
<v Speaker 5>We're from compter so, but we never promoted that. A

0:35:05.680 --> 0:35:08.080
<v Speaker 5>lot of people don't understand that. You know what I'm

0:35:08.080 --> 0:35:10.280
<v Speaker 5>saying with the burg and me in the Red Side.

0:35:10.480 --> 0:35:13.040
<v Speaker 5>You know, it takes a lot of people to understand

0:35:13.200 --> 0:35:17.719
<v Speaker 5>the uh, the foundation of what that shit is. So

0:35:18.080 --> 0:35:20.600
<v Speaker 5>people get it confused because all they hear is blood

0:35:20.640 --> 0:35:24.000
<v Speaker 5>and see red and whatever. They don't understand that kind

0:35:24.000 --> 0:35:26.640
<v Speaker 5>of a lot of content. Homies was po rules and shit.

0:35:27.080 --> 0:35:31.560
<v Speaker 2>So you know, you people have to know that history.

0:35:31.719 --> 0:35:34.280
<v Speaker 3>You get me. That's like just being on the outside.

0:35:34.360 --> 0:35:36.160
<v Speaker 3>Niggas ain't gonna understand that shit.

0:35:36.320 --> 0:35:39.840
<v Speaker 5>You know, they gonna go niggas wore they they bloods

0:35:39.960 --> 0:35:42.479
<v Speaker 5>or whatever, So you got to understand. And like I said,

0:35:42.480 --> 0:35:44.759
<v Speaker 5>when they go back to the foundation of hip hop,

0:35:45.280 --> 0:35:48.920
<v Speaker 5>you know, niggas didn't want to really go at that

0:35:49.120 --> 0:35:51.240
<v Speaker 5>because we just want to be hip hop niggas.

0:35:51.320 --> 0:35:54.720
<v Speaker 2>You feel me. We didn't want to push that side

0:35:54.760 --> 0:35:58.760
<v Speaker 2>of what was representing shit. Niggas already knew. They knew

0:35:59.040 --> 0:36:03.600
<v Speaker 2>I exact niggas man, that's all hey, and.

0:36:04.880 --> 0:36:05.680
<v Speaker 3>Not to join us.

0:36:05.719 --> 0:36:08.920
<v Speaker 5>But add to that, hence our first single, second and

0:36:09.000 --> 0:36:11.719
<v Speaker 5>now's first single, And it was like the sense of

0:36:12.760 --> 0:36:15.799
<v Speaker 5>paying homage to hip hop because we appreciated what hip

0:36:15.840 --> 0:36:18.280
<v Speaker 5>hop did, but this is this.

0:36:18.200 --> 0:36:22.200
<v Speaker 3>Is who we are. And during that time in nineteen ninety,

0:36:22.719 --> 0:36:24.799
<v Speaker 3>we were we were we were in New York, so we.

0:36:24.760 --> 0:36:29.000
<v Speaker 5>Got it first hand. Why y'all gang banking? You know,

0:36:29.080 --> 0:36:31.759
<v Speaker 5>I don't think Cube went through that. You know, we

0:36:31.840 --> 0:36:34.080
<v Speaker 5>had a different experience being in New York around the

0:36:34.120 --> 0:36:34.760
<v Speaker 5>same time.

0:36:37.080 --> 0:36:38.279
<v Speaker 3>Man, who was it?

0:36:38.400 --> 0:36:38.480
<v Speaker 2>Uh?

0:36:39.480 --> 0:36:43.719
<v Speaker 3>I'm trying to think of the group Stessisnic and the

0:36:43.800 --> 0:36:46.000
<v Speaker 3>drummer Bobby and Uh.

0:36:46.360 --> 0:36:51.440
<v Speaker 5>I still liked Daddyo Daddyo and the drummer Bobby from Stetisnic.

0:36:52.040 --> 0:36:54.319
<v Speaker 5>They interviewed us when we first got to New York,

0:36:54.360 --> 0:36:57.279
<v Speaker 5>took us around the streets. Why y'all killing each other

0:36:57.320 --> 0:37:00.520
<v Speaker 5>over colors and while y'all singing hooks over here hip hop?

0:37:01.040 --> 0:37:04.839
<v Speaker 5>This nineteen ninety Daddy old and I said they still

0:37:04.840 --> 0:37:07.000
<v Speaker 5>got the HS tape of the interview we did and

0:37:07.440 --> 0:37:11.160
<v Speaker 5>grilling us. I don't think any you know, I heard

0:37:11.239 --> 0:37:13.000
<v Speaker 5>stories within w A and New York.

0:37:14.120 --> 0:37:14.480
<v Speaker 3>I heard.

0:37:14.520 --> 0:37:16.480
<v Speaker 5>I didn't hear too much about Q because he was

0:37:16.520 --> 0:37:19.719
<v Speaker 5>showing more affection and not saying no, no, no, negative way.

0:37:20.640 --> 0:37:24.680
<v Speaker 5>But they came at us hard, not quick second and none,

0:37:25.840 --> 0:37:28.880
<v Speaker 5>especially you know with the dev John bid on this

0:37:29.520 --> 0:37:32.239
<v Speaker 5>and from Compton come on.

0:37:34.080 --> 0:37:38.160
<v Speaker 3>Profile well to run.

0:37:38.239 --> 0:37:40.399
<v Speaker 5>DMC had a big part of that as well as

0:37:40.480 --> 0:37:43.440
<v Speaker 5>like l a dream team. I still mess around with

0:37:43.440 --> 0:37:46.680
<v Speaker 5>Snake Puppy today. You know what came from Compton or

0:37:46.719 --> 0:37:50.040
<v Speaker 5>what came from Myra Spade and Toddy t you know.

0:37:50.200 --> 0:37:54.400
<v Speaker 5>But that's what the singing harmonies, the run DMC aggressiveness.

0:37:54.680 --> 0:38:01.600
<v Speaker 5>I'm DMC, I'm KMC, the Kelton Mac k Matt k McDonald.

0:38:02.040 --> 0:38:05.120
<v Speaker 5>You know, I'm KMC and that's d.

0:38:06.280 --> 0:38:06.360
<v Speaker 3>So.

0:38:06.520 --> 0:38:09.200
<v Speaker 5>You know it's say, it's a mixture of panamage to

0:38:09.280 --> 0:38:12.040
<v Speaker 5>hip hop. It what stood out it was different Wodan

0:38:12.800 --> 0:38:15.040
<v Speaker 5>uh East Coast. You know back then it was two

0:38:15.080 --> 0:38:18.440
<v Speaker 5>Live Crew, it was uh this group you know, it

0:38:18.480 --> 0:38:22.160
<v Speaker 5>was KRS one BDP basically and then uh, you know

0:38:22.719 --> 0:38:24.520
<v Speaker 5>all these cats I still talk with or we have

0:38:24.640 --> 0:38:27.680
<v Speaker 5>relations today. E pm D who took us on tour.

0:38:28.440 --> 0:38:32.000
<v Speaker 5>Uh that's us at DODS effects Uh leaders of the

0:38:32.080 --> 0:38:35.440
<v Speaker 5>New School and they was all together one and Onyx

0:38:35.480 --> 0:38:37.920
<v Speaker 5>and all these cats first come together. You know, they

0:38:37.960 --> 0:38:40.759
<v Speaker 5>still visit me out there. You know, they be telling me,

0:38:40.800 --> 0:38:43.400
<v Speaker 5>you know name, Uh everybody come through the spot of

0:38:43.520 --> 0:38:46.160
<v Speaker 5>inn artall you know what I mean. So it's still

0:38:46.239 --> 0:38:49.239
<v Speaker 5>genuine love twenty twenty five all that, but it's not

0:38:49.400 --> 0:38:52.920
<v Speaker 5>on Instagram. This is uh, you know, real life streets

0:38:52.960 --> 0:38:53.880
<v Speaker 5>ain't no cameras on.

0:38:55.480 --> 0:38:55.719
<v Speaker 3>Shit.

0:38:55.840 --> 0:38:59.400
<v Speaker 5>But I wish that the world could back then if

0:38:59.440 --> 0:39:02.839
<v Speaker 5>we had to check answered with all these digital platforms

0:39:02.880 --> 0:39:05.680
<v Speaker 5>and whatnot, so everybody could have got the story straight,

0:39:06.120 --> 0:39:09.080
<v Speaker 5>just about Compton, let alone West Coast.

0:39:09.360 --> 0:39:12.919
<v Speaker 1>That dog were getting the stories out there. We're letting

0:39:12.920 --> 0:39:15.000
<v Speaker 1>it be, putting the reel out there in the universe.

0:39:15.440 --> 0:39:18.680
<v Speaker 1>Don't worry, don't worry. Put the whole ship down for real. Hey,

0:39:18.719 --> 0:39:20.799
<v Speaker 1>you know what, let me ask you man, because you

0:39:20.880 --> 0:39:23.759
<v Speaker 1>kind of got away from it that the Death Jam

0:39:23.880 --> 0:39:26.080
<v Speaker 1>was a ship. I think every rep and everything.

0:39:26.320 --> 0:39:28.840
<v Speaker 3>Okay, why we didn't do with that jam?

0:39:29.080 --> 0:39:32.360
<v Speaker 5>The reason why because it was so much history relative

0:39:32.480 --> 0:39:35.640
<v Speaker 5>to duos being the duo, you know, and I was

0:39:36.719 --> 0:39:40.040
<v Speaker 5>basically using the two for second none and my cousin

0:39:40.120 --> 0:39:44.680
<v Speaker 5>you know the other the other. Yeah, so the duos

0:39:44.840 --> 0:39:48.720
<v Speaker 5>mixed Spain Toddy T was at the top of the list,

0:39:49.000 --> 0:39:50.920
<v Speaker 5>you know. Then after that it was you know who

0:39:51.040 --> 0:39:55.640
<v Speaker 5>dn E run DMC. You know it just fit. Okay,

0:39:56.160 --> 0:39:58.520
<v Speaker 5>how do we blend in with not sounding like them?

0:39:58.600 --> 0:40:02.000
<v Speaker 5>My voice sounded different, you know, I was already aggressive voice.

0:40:02.160 --> 0:40:05.360
<v Speaker 5>I didn't want to be DMC. I'm kk so you know,

0:40:05.520 --> 0:40:07.439
<v Speaker 5>but I'm from the West Coast, so I ain't gonna

0:40:07.440 --> 0:40:11.120
<v Speaker 5>sound like him. He is not like running, you know

0:40:11.160 --> 0:40:13.400
<v Speaker 5>what I'm saying. But in the similar sense, we're the

0:40:13.400 --> 0:40:16.640
<v Speaker 5>West Coast run DMC and this but uh deaf Jam

0:40:16.719 --> 0:40:21.680
<v Speaker 5>and the profile and the meeting running DMC basically Jame

0:40:21.760 --> 0:40:24.600
<v Speaker 5>Master j and DMC, you know, and being in New

0:40:24.680 --> 0:40:26.360
<v Speaker 5>York and being schooled in nineties.

0:40:27.040 --> 0:40:30.239
<v Speaker 1>You know what I'm saying. Man, you said it was

0:40:31.200 --> 0:40:32.600
<v Speaker 1>you said it was a bit. War was the.

0:40:32.640 --> 0:40:39.120
<v Speaker 5>Shaping damn profile. Lee or Russell came up, Greedy Greg

0:40:39.320 --> 0:40:43.000
<v Speaker 5>you already know. Uh during the time before a quick

0:40:43.080 --> 0:40:46.520
<v Speaker 5>and selected profile records that did in war so to speak,

0:40:47.160 --> 0:40:49.080
<v Speaker 5>Death Jam got a hold of the tape. I guess

0:40:49.120 --> 0:40:51.160
<v Speaker 5>they thought it was quick, but it was second and none.

0:40:52.400 --> 0:40:55.680
<v Speaker 5>So when uh the music fest, uh they that was

0:40:55.719 --> 0:40:58.400
<v Speaker 5>at the Stofis Hotel back then in the century. I

0:40:58.480 --> 0:40:59.680
<v Speaker 5>forgot the name of that music.

0:40:59.719 --> 0:40:59.879
<v Speaker 3>Come.

0:41:00.560 --> 0:41:03.239
<v Speaker 5>This is what shave first popped up us. The park

0:41:03.400 --> 0:41:05.960
<v Speaker 5>was already chilling. It's a whole bunch of stories. I'll

0:41:06.000 --> 0:41:08.680
<v Speaker 5>bring them up later about that night because that's when

0:41:08.719 --> 0:41:11.520
<v Speaker 5>the first the whole music world of the West got

0:41:11.560 --> 0:41:14.800
<v Speaker 5>to see all of us second and nine, quick, amg

0:41:14.920 --> 0:41:18.320
<v Speaker 5>and how I see together the homie Teddy bear through.

0:41:18.160 --> 0:41:19.400
<v Speaker 3>The whole world got to see us.

0:41:19.440 --> 0:41:22.319
<v Speaker 5>We already knew battle Cat, you know, from the history

0:41:22.320 --> 0:41:25.160
<v Speaker 5>from eighty ninety ninety being off Crenshaw seventy six, a

0:41:25.239 --> 0:41:28.520
<v Speaker 5>greedy Greds. So we already knew a few cats from

0:41:28.520 --> 0:41:31.160
<v Speaker 5>that side of Crenshaw in that era, from being a

0:41:31.280 --> 0:41:34.520
<v Speaker 5>Hongky Harrow's you on Crenshawn influence at the car wash

0:41:35.040 --> 0:41:38.400
<v Speaker 5>at the Foxhills. My also second and none was already

0:41:39.040 --> 0:41:40.920
<v Speaker 5>I'm not stopping going to Hongky Harrows.

0:41:40.960 --> 0:41:41.480
<v Speaker 3>I don't care.

0:41:42.120 --> 0:41:45.319
<v Speaker 5>I'm spending black money over here, you know. So that's

0:41:45.440 --> 0:41:50.279
<v Speaker 5>nineteen ninety eighty nine, oh Man Schloss swap meet. We

0:41:50.400 --> 0:41:53.040
<v Speaker 5>had a ball, but not being chesty, and you know,

0:41:53.080 --> 0:41:55.680
<v Speaker 5>and that's the blessing to still be alive thirty plus

0:41:55.840 --> 0:41:58.760
<v Speaker 5>years later. You know, I'm gonna stand up for something,

0:41:58.800 --> 0:42:02.160
<v Speaker 5>but I ain't gonna be too chasty where things get messy,

0:42:02.760 --> 0:42:03.399
<v Speaker 5>you know what I mean.

0:42:04.719 --> 0:42:06.640
<v Speaker 1>I gotta ask you this man, and I ain't gonna

0:42:06.680 --> 0:42:09.520
<v Speaker 1>go too much into the whole other stuff about nobody else, right,

0:42:09.600 --> 0:42:12.600
<v Speaker 1>but with the time, man to where it seemed like

0:42:12.719 --> 0:42:15.120
<v Speaker 1>the crew just kind of went on Paus Like when

0:42:15.160 --> 0:42:18.960
<v Speaker 1>when Quick start having this little situation with you know,

0:42:19.000 --> 0:42:22.480
<v Speaker 1>the record label or whatever, pretty much add him on

0:42:22.600 --> 0:42:27.359
<v Speaker 1>Pauls for making music. I just always felt like, man,

0:42:27.440 --> 0:42:30.200
<v Speaker 1>that whole crew could have probably just been so much

0:42:30.280 --> 0:42:32.480
<v Speaker 1>bigger man than what it was because it was so

0:42:32.600 --> 0:42:35.040
<v Speaker 1>much heat. You gotta think about it. You had, y'all,

0:42:35.760 --> 0:42:41.600
<v Speaker 1>it was highest seating, sugar free Quick. Why do you

0:42:41.719 --> 0:42:49.879
<v Speaker 1>think NMG came later though? Yeah, Free came much later.

0:42:53.800 --> 0:42:57.279
<v Speaker 5>Just saying Quick second or none and AMG even though

0:42:57.320 --> 0:43:00.760
<v Speaker 5>Cross was around. But that's the majority of the world

0:43:00.960 --> 0:43:03.680
<v Speaker 5>viewed it. And that was the homie as well. You know,

0:43:03.719 --> 0:43:06.160
<v Speaker 5>it was a crew. They kept trying to throw tighters

0:43:06.160 --> 0:43:09.439
<v Speaker 5>on us after in w A the Comps City Crew

0:43:09.520 --> 0:43:11.520
<v Speaker 5>and all his names that kept trying to throw on us.

0:43:11.960 --> 0:43:14.480
<v Speaker 5>I'm like, look, we just grew up together, three of us,

0:43:14.719 --> 0:43:18.680
<v Speaker 5>four of us grew up together, two of us cousins

0:43:18.680 --> 0:43:21.520
<v Speaker 5>from eighty three. We all grew up together junior in

0:43:21.680 --> 0:43:27.000
<v Speaker 5>high school related around music. There's been plenty times, man,

0:43:27.200 --> 0:43:31.840
<v Speaker 5>just like you say, there's been situations or some of

0:43:31.840 --> 0:43:37.080
<v Speaker 5>these major prominent big labels. We probably had the same deals,

0:43:37.480 --> 0:43:41.920
<v Speaker 5>not probably but to be like that label or had

0:43:41.960 --> 0:43:45.640
<v Speaker 5>the positions. But at that time some minds wasn't grown enough,

0:43:45.719 --> 0:43:47.760
<v Speaker 5>you know. And I'm not saying no names of nobody,

0:43:47.800 --> 0:43:51.120
<v Speaker 5>but we all were kids. So not making the best

0:43:51.160 --> 0:43:55.759
<v Speaker 5>decision for business wise, being so young and coming from

0:43:55.800 --> 0:44:00.200
<v Speaker 5>that world, not understanding the business aspect of things back then,

0:44:00.400 --> 0:44:04.800
<v Speaker 5>being like you said, seventeen eighteen and going into eighteen

0:44:04.840 --> 0:44:07.719
<v Speaker 5>and nineteen, you know what I mean. So I still

0:44:07.760 --> 0:44:10.960
<v Speaker 5>got all the contracts right right over here, all my

0:44:11.080 --> 0:44:15.160
<v Speaker 5>crazy right there. I stayed with him. I'm a paper man.

0:44:16.640 --> 0:44:21.960
<v Speaker 5>But yeah, man, that wow, it's a lot dog. But

0:44:22.000 --> 0:44:25.880
<v Speaker 5>the decision to go to profile answering that question, getting

0:44:25.880 --> 0:44:29.239
<v Speaker 5>back to that instead of death jam, a death John

0:44:29.320 --> 0:44:32.080
<v Speaker 5>wouldn't let go run DMC and getting this information and

0:44:32.200 --> 0:44:35.120
<v Speaker 5>knowledge because they never wasn't no death jam. A lot

0:44:35.120 --> 0:44:37.840
<v Speaker 5>of people didn't know that. That was just rush management

0:44:37.880 --> 0:44:43.200
<v Speaker 5>and wasn't not right right, But then Steve plot Nick

0:44:43.239 --> 0:44:46.160
<v Speaker 5>and Court Robbins' profile, they wouldn't let run DMC go.

0:44:46.400 --> 0:44:48.840
<v Speaker 5>So being in New York before you know, we just

0:44:48.920 --> 0:44:51.960
<v Speaker 5>signed it was not in ninety I'm sitting there with

0:44:52.080 --> 0:44:55.760
<v Speaker 5>Jans Jay and DMC. You know, we're talking to folks,

0:44:56.400 --> 0:45:01.160
<v Speaker 5>Rob Aasa, Danny Dane, everybody know, Sweet t, Jazzy Joyce

0:45:02.800 --> 0:45:05.239
<v Speaker 5>at the label about the Army. Yeah, we we at

0:45:05.239 --> 0:45:08.440
<v Speaker 5>the label in New York a Profile. You're right there

0:45:08.480 --> 0:45:12.440
<v Speaker 5>on Broadway, I believe six forty Broadway something like that. Well,

0:45:12.480 --> 0:45:14.319
<v Speaker 5>you know, we had spent a while out there, you know,

0:45:14.520 --> 0:45:17.360
<v Speaker 5>walked around. They were scheduled death of us walking around

0:45:17.640 --> 0:45:21.000
<v Speaker 5>like I got pictures. But uh, you know, they were

0:45:21.000 --> 0:45:23.480
<v Speaker 5>schooling us pretty much, you know what I mean, and

0:45:24.560 --> 0:45:27.440
<v Speaker 5>seeing and hearing how they was doing around DMC that

0:45:27.680 --> 0:45:30.880
<v Speaker 5>you know, and depth John was going through. I'm like, shit,

0:45:31.200 --> 0:45:35.400
<v Speaker 5>they here depth John Color, you know, uh, after the

0:45:35.440 --> 0:45:36.600
<v Speaker 5>Beastie Boys.

0:45:36.280 --> 0:45:36.680
<v Speaker 1>And you know.

0:45:38.480 --> 0:45:42.640
<v Speaker 5>Ll you know it's like, damn, that's legendary. Damn jam

0:45:42.760 --> 0:45:45.439
<v Speaker 5>Damn we count it. That'll be a stamp like a mother,

0:45:45.600 --> 0:45:51.000
<v Speaker 5>you know. But Quick sign first the Profile. We did

0:45:51.040 --> 0:45:54.359
<v Speaker 5>the album together, and that's why it's produced. Its sad

0:45:54.400 --> 0:45:58.400
<v Speaker 5>produced by Quick instead of sad produced by Second, Quick

0:45:58.440 --> 0:45:59.439
<v Speaker 5>and Second or none.

0:46:00.040 --> 0:46:02.640
<v Speaker 1>Oh, you know, if you'll work records with him on

0:46:02.640 --> 0:46:03.200
<v Speaker 1>the first.

0:46:03.000 --> 0:46:06.360
<v Speaker 5>Album, most of them records is my physical records. I

0:46:06.480 --> 0:46:08.920
<v Speaker 5>bought me and him went to the records store in

0:46:09.080 --> 0:46:12.960
<v Speaker 5>eighty four, if you wanted it, my tough guys, Isaac

0:46:13.040 --> 0:46:17.440
<v Speaker 5>Kaye's record, I bought right. I can name all of

0:46:17.480 --> 0:46:19.480
<v Speaker 5>the samples and everything.

0:46:20.000 --> 0:46:20.640
<v Speaker 3>That's what I said.

0:46:23.400 --> 0:46:27.399
<v Speaker 5>I say my ideas, and that's you know. I didn't

0:46:27.400 --> 0:46:30.120
<v Speaker 5>want to be a negative, but it's a lot of shit.

0:46:30.440 --> 0:46:32.759
<v Speaker 5>DJ Quickie second and no fans, y'all got the shit

0:46:32.960 --> 0:46:36.360
<v Speaker 5>fucked up. I'm gonna just say it like that, and

0:46:36.400 --> 0:46:39.680
<v Speaker 5>we ain't gonna hate this, but yeah, some of you know,

0:46:39.800 --> 0:46:41.920
<v Speaker 5>some people be telling me shit. I just look at

0:46:42.000 --> 0:46:45.200
<v Speaker 5>him like you gotta remember we was kids and all

0:46:45.280 --> 0:46:47.960
<v Speaker 5>album came out thirty five years ago, but we had tapes,

0:46:48.680 --> 0:46:51.920
<v Speaker 5>uh thirty seven some years ago, thirty almost thirty eight

0:46:52.000 --> 0:46:52.560
<v Speaker 5>years ago.

0:46:52.800 --> 0:46:54.760
<v Speaker 1>And you know what, I'm gonna put this to y'all.

0:46:54.800 --> 0:46:57.960
<v Speaker 1>Both some bad motherfuckers. Oh, y'all some bad motherfuckers.

0:46:57.960 --> 0:47:00.560
<v Speaker 5>So you know what I mean, man, all of us. Man,

0:47:00.760 --> 0:47:02.600
<v Speaker 5>I love it. Man, I appreciate the love.

0:47:02.719 --> 0:47:06.440
<v Speaker 3>Man. We just we we didn't really have a voice,

0:47:07.360 --> 0:47:08.520
<v Speaker 3>you know, I talk more on the.

0:47:08.480 --> 0:47:12.040
<v Speaker 1>Streets, you know, the unsung heroes like people don't know,

0:47:12.480 --> 0:47:14.480
<v Speaker 1>like eight produced records, you know.

0:47:16.320 --> 0:47:18.760
<v Speaker 3>Make me, we all make man.

0:47:19.360 --> 0:47:21.480
<v Speaker 5>This is what the partner in the aspect of what

0:47:21.600 --> 0:47:24.680
<v Speaker 5>we're talking now, that's the light moments like the world

0:47:24.719 --> 0:47:27.080
<v Speaker 5>of hip hop and the world of rap. The world

0:47:27.120 --> 0:47:28.719
<v Speaker 5>of R and B needs to know that, or the

0:47:28.719 --> 0:47:32.000
<v Speaker 5>world of music. You know, we're not just stand up

0:47:32.160 --> 0:47:33.080
<v Speaker 5>rappers and stuff.

0:47:33.160 --> 0:47:37.200
<v Speaker 1>Yeah, it's some real man like ain't just rappers like motherfuckers.

0:47:37.239 --> 0:47:39.600
<v Speaker 5>Yeah, we can change ordand tis and we know the

0:47:39.680 --> 0:47:44.080
<v Speaker 5>damn jacket have talent, you know what I'm saying.

0:47:44.080 --> 0:47:47.000
<v Speaker 2>People just want to put niggas in one box, but

0:47:47.160 --> 0:47:50.560
<v Speaker 2>that's because they don't know you feel me. I have

0:47:50.640 --> 0:47:53.200
<v Speaker 2>to let them know the history of of what the

0:47:53.280 --> 0:47:55.279
<v Speaker 2>you know, what your talent range is.

0:47:55.400 --> 0:47:58.920
<v Speaker 3>You know what I'm saying multiple things.

0:47:59.239 --> 0:48:02.520
<v Speaker 2>Just don't put me in the box and consider me

0:48:02.560 --> 0:48:04.440
<v Speaker 2>as just a one dimensional artist.

0:48:04.480 --> 0:48:05.719
<v Speaker 3>Nigga. I can do a lot of shit.

0:48:07.239 --> 0:48:10.080
<v Speaker 1>They had one of my favorite beats that from Tales

0:48:10.120 --> 0:48:20.000
<v Speaker 1>of the Hood. I think that Boom Boom, hands and

0:48:20.080 --> 0:48:23.120
<v Speaker 1>a few not that. Niggas don't be trying to, like

0:48:23.160 --> 0:48:25.839
<v Speaker 1>you said, claim the glory or whatever it is what

0:48:25.920 --> 0:48:28.440
<v Speaker 1>it is, but niggas have their hands and a lot

0:48:28.480 --> 0:48:29.840
<v Speaker 1>of ship people don't know about.

0:48:30.480 --> 0:48:35.960
<v Speaker 5>Oh man, Yes, indeed it's indeed, you know, and it's

0:48:36.040 --> 0:48:38.520
<v Speaker 5>nothing to take nothing to take away from nobody else,

0:48:38.560 --> 0:48:41.839
<v Speaker 5>shign and nothing that was never the concept just like

0:48:41.880 --> 0:48:45.560
<v Speaker 5>a hip hop and going back to our first single,

0:48:45.600 --> 0:48:48.800
<v Speaker 5>be true to yourself pyanomos to those that came before

0:48:48.880 --> 0:48:52.640
<v Speaker 5>us or a craft or you know what they call culture.

0:48:52.880 --> 0:48:55.759
<v Speaker 5>It was just life at the time before yours and

0:48:55.800 --> 0:48:59.080
<v Speaker 5>now it's yours. And you find yourself in that aspect

0:48:59.120 --> 0:49:01.359
<v Speaker 5>of life, you know, and build on it, you know.

0:49:01.440 --> 0:49:06.400
<v Speaker 5>So that was my mindset from Junior High, Elementary. Everybody

0:49:06.640 --> 0:49:10.920
<v Speaker 5>know me and Compton, you know everybody. You know, it

0:49:11.000 --> 0:49:12.839
<v Speaker 5>ain't about me, like I said, But I ain't never

0:49:13.000 --> 0:49:15.760
<v Speaker 5>changed except for a couple of grades and a little

0:49:15.760 --> 0:49:18.960
<v Speaker 5>taller and heavier. I'm still the same from elementary and

0:49:19.000 --> 0:49:22.040
<v Speaker 5>if you know me, you can you know. Everybody know this.

0:49:22.840 --> 0:49:25.040
<v Speaker 5>So they say, all the other famous people from Compton

0:49:25.640 --> 0:49:28.680
<v Speaker 5>and all the famous three people, I ain't never changed.

0:49:30.040 --> 0:49:33.399
<v Speaker 1>I mean, you know, man, let me ask you something, man,

0:49:33.719 --> 0:49:37.000
<v Speaker 1>and I gotta ask you this dog. You know, the

0:49:37.000 --> 0:49:39.520
<v Speaker 1>homie AMG is from Ohio White men. You know that's

0:49:39.880 --> 0:49:40.319
<v Speaker 1>my dog.

0:49:40.440 --> 0:49:40.560
<v Speaker 3>Right.

0:49:40.800 --> 0:49:44.680
<v Speaker 1>I talked to AMG sometimes stuff? Right, And how did

0:49:44.719 --> 0:49:45.759
<v Speaker 1>y'all wink up with him?

0:49:47.360 --> 0:49:52.320
<v Speaker 5>Greedy Gregg's house me and my black colors taking everybody

0:49:52.480 --> 0:49:55.440
<v Speaker 5>once quick ones playing handing them betweet and shabby and

0:49:55.520 --> 0:49:58.280
<v Speaker 5>them school Quick up. But like the story he tells,

0:49:58.320 --> 0:50:01.719
<v Speaker 5>because we wasn't finished because he had. Uh, I'll let

0:50:01.719 --> 0:50:04.439
<v Speaker 5>you hear the first song, the first beat Quick did

0:50:04.520 --> 0:50:08.799
<v Speaker 5>for us. It caught the breakthrough, but you know we

0:50:08.840 --> 0:50:12.719
<v Speaker 5>wasn't finished with that song. All of a sudden, Quick

0:50:12.719 --> 0:50:16.120
<v Speaker 5>getting scooped up and there on LA like player Hamm said, Yeah,

0:50:16.160 --> 0:50:18.400
<v Speaker 5>I went to the counting to get a DJ. I

0:50:18.440 --> 0:50:22.200
<v Speaker 5>put even my cutter listen boughty back to LA, you know.

0:50:22.320 --> 0:50:24.919
<v Speaker 5>So I jumped to my cutlers and high seat, jumped

0:50:24.920 --> 0:50:28.440
<v Speaker 5>in this elcho and d jumped in my cudlors with me,

0:50:28.480 --> 0:50:31.200
<v Speaker 5>and we went out the Western over there and brown it.

0:50:32.040 --> 0:50:34.880
<v Speaker 5>You know, somebody say he over there, so we well

0:50:34.960 --> 0:50:38.480
<v Speaker 5>drove over there. I think it was eighty eight eighty nine. Man,

0:50:38.520 --> 0:50:40.399
<v Speaker 5>way at he at because we're not finished what we're

0:50:40.440 --> 0:50:42.920
<v Speaker 5>doing here. I here over here DJ with y'all. You know,

0:50:42.920 --> 0:50:46.960
<v Speaker 5>I'm just sharing the story, you know, but uh, man,

0:50:47.000 --> 0:50:50.319
<v Speaker 5>we ain't finished what we're doing. Quick wasn't there, and

0:50:50.320 --> 0:50:52.560
<v Speaker 5>I'm gonna lee and I'm giving it the world this

0:50:52.640 --> 0:50:54.600
<v Speaker 5>because the fans need to know the history of that.

0:50:55.239 --> 0:50:57.520
<v Speaker 5>That's how we connected as far as with AMG through

0:50:57.520 --> 0:51:01.000
<v Speaker 5>that whole linkage, getting the quick from here and them,

0:51:01.040 --> 0:51:03.600
<v Speaker 5>Hey man where he at? We ain't finished what were doing?

0:51:04.160 --> 0:51:06.759
<v Speaker 5>It's cool, y'all, dog, you know, Candeller called him, Man,

0:51:06.800 --> 0:51:09.560
<v Speaker 5>get over there. They hurt our ship, you know what

0:51:09.640 --> 0:51:09.879
<v Speaker 5>I mean?

0:51:09.880 --> 0:51:14.600
<v Speaker 3>It was like, damn the hell, the same way Spade

0:51:14.640 --> 0:51:14.960
<v Speaker 3>and D.

0:51:15.000 --> 0:51:17.120
<v Speaker 5>I would go back to that Spade Scotty D and

0:51:17.280 --> 0:51:20.040
<v Speaker 5>the Talent Show and how did they gave us our

0:51:20.080 --> 0:51:23.279
<v Speaker 5>money back Spade and Scotty D in ninety for the

0:51:23.320 --> 0:51:25.239
<v Speaker 5>Talent Show because they heard our songs?

0:51:25.840 --> 0:51:27.040
<v Speaker 3>Uh man, but.

0:51:27.040 --> 0:51:29.640
<v Speaker 5>Yeah, playing Ham's hooking up with AMG, getting the greedy

0:51:29.640 --> 0:51:34.120
<v Speaker 5>Greg House. AMG was already there, you know, because the

0:51:34.200 --> 0:51:38.120
<v Speaker 5>greedy Greg him brought MG to the phone. No no, no, no,

0:51:38.239 --> 0:51:40.160
<v Speaker 5>my bad. I know I live off here and there,

0:51:40.239 --> 0:51:43.000
<v Speaker 5>but I stick to the timeline of life and stuff,

0:51:43.000 --> 0:51:45.560
<v Speaker 5>you know, but just leave up to that moment. For me,

0:51:45.640 --> 0:51:48.680
<v Speaker 5>I jumped a little bit because that was going from Compton,

0:51:48.960 --> 0:51:52.759
<v Speaker 5>LA and the first experiences based around music. That's how

0:51:52.840 --> 0:51:55.160
<v Speaker 5>we're going up leading the AMG meeting him at Greedy

0:51:55.200 --> 0:51:58.360
<v Speaker 5>Greggs on Crenshaw seventy sist. We was over that in

0:51:58.480 --> 0:52:03.640
<v Speaker 5>them territories from a ninety the music you know, made

0:52:03.719 --> 0:52:06.600
<v Speaker 5>him make Greedy Greghouse. He was already there on the

0:52:06.680 --> 0:52:11.000
<v Speaker 5>drum machine, just like everybody else was. We all comprecate Inglewood,

0:52:11.600 --> 0:52:16.040
<v Speaker 5>La Borderline, the Greedy Greghouse upstairs where all the records were,

0:52:16.680 --> 0:52:20.000
<v Speaker 5>and the equipments and keyboards, the four track. You know,

0:52:20.560 --> 0:52:22.600
<v Speaker 5>we brought what we had. I brought my records, my

0:52:22.680 --> 0:52:26.120
<v Speaker 5>mama's records. Uh Quick Broble he had. Well, we bought

0:52:26.200 --> 0:52:29.640
<v Speaker 5>at Keeble's records during rose Grands in the eighties, the

0:52:29.840 --> 0:52:33.920
<v Speaker 5>same records that four five years became. If you want it, uh,

0:52:34.040 --> 0:52:37.239
<v Speaker 5>they can't be true to yourself. Curtis Mayfield records. I

0:52:37.360 --> 0:52:40.759
<v Speaker 5>bought ain't nothing wrong my mama record Casey in the

0:52:40.840 --> 0:52:43.439
<v Speaker 5>Sunshine band, you know he see. We can go into

0:52:43.520 --> 0:52:47.759
<v Speaker 5>details and all the details about that beat, this beat,

0:52:48.320 --> 0:52:51.720
<v Speaker 5>how I was, what was used. It sounded like a snare.

0:52:52.880 --> 0:52:55.080
<v Speaker 5>I was goting to creating sounds of me and Quick,

0:52:55.160 --> 0:52:57.680
<v Speaker 5>you know, pretty much out of our group. You know,

0:52:57.800 --> 0:53:00.640
<v Speaker 5>it was uh that was us, you know what I mean?

0:53:00.719 --> 0:53:04.480
<v Speaker 5>But amg at Greedy Gregg's coming upstairs. He was already

0:53:04.480 --> 0:53:07.160
<v Speaker 5>in their drum programming. He had this stuff already together,

0:53:07.640 --> 0:53:09.800
<v Speaker 5>so it was cool, meaning another cat that was a

0:53:09.840 --> 0:53:12.200
<v Speaker 5>little different from us, you know at the time, you know,

0:53:12.360 --> 0:53:15.560
<v Speaker 5>being from Ohio, he's flaming inglewood because that's where he's living.

0:53:16.160 --> 0:53:18.759
<v Speaker 5>So you know, the door is open. He gotta taste

0:53:18.800 --> 0:53:21.400
<v Speaker 5>the wild world because Quick was already over there. We

0:53:21.560 --> 0:53:23.560
<v Speaker 5>came second, but he gotta taste the KK and D

0:53:23.800 --> 0:53:26.760
<v Speaker 5>or second to none, and you know the rest is history.

0:53:26.840 --> 0:53:30.440
<v Speaker 5>Like I say, Quick, tell most of the stories. Really listen,

0:53:31.640 --> 0:53:35.120
<v Speaker 5>my name come up a lot of go back, go

0:53:35.320 --> 0:53:38.320
<v Speaker 5>let go back and check the records out before black

0:53:38.400 --> 0:53:39.479
<v Speaker 5>Tone that ain't come up.

0:53:41.920 --> 0:53:42.520
<v Speaker 1>A whole lot.

0:53:43.360 --> 0:53:46.080
<v Speaker 3>Yeah, that's like Compton.

0:53:47.320 --> 0:53:51.520
<v Speaker 1>Let me when the whole death Row, when the whole

0:53:51.680 --> 0:53:54.400
<v Speaker 1>death Row Eric came through, like you know, Sugar was

0:53:54.440 --> 0:53:57.560
<v Speaker 1>out there doing what they was doing. Do you feel

0:53:57.600 --> 0:53:59.160
<v Speaker 1>like the game was changing a little.

0:53:58.920 --> 0:54:02.279
<v Speaker 5>Bit before that running because we was part of the

0:54:02.320 --> 0:54:05.160
<v Speaker 5>first running when before all the homies got out.

0:54:05.400 --> 0:54:07.200
<v Speaker 3>See a lot of people don't know that history too.

0:54:08.320 --> 0:54:09.400
<v Speaker 3>We was right there.

0:54:10.840 --> 0:54:13.520
<v Speaker 5>Right there to record shopping Dre. We was in front

0:54:13.560 --> 0:54:17.480
<v Speaker 5>of Dras and Neop. I met Snoop before all of them.

0:54:18.080 --> 0:54:20.560
<v Speaker 5>Doc introduced me to Snoop at the club. We was

0:54:20.600 --> 0:54:24.319
<v Speaker 5>at the Grand Club, same place. I think I met

0:54:24.440 --> 0:54:28.640
<v Speaker 5>Sipus Hill, but I met Snoop through DC. He didn

0:54:28.719 --> 0:54:31.640
<v Speaker 5>wanted to got me, kay, I want you to meet somebody.

0:54:32.360 --> 0:54:34.439
<v Speaker 5>You know, It's a whole bunch of these stories, man,

0:54:34.760 --> 0:54:37.719
<v Speaker 5>Like I like, you know, being around they right there

0:54:38.480 --> 0:54:41.440
<v Speaker 5>off Santa Fe, Man, you know.

0:54:43.320 --> 0:54:46.799
<v Speaker 3>Santa Fe. All these areas. Man, Man, I'm trying to.

0:54:46.800 --> 0:54:49.759
<v Speaker 1>Figure out how you all cats made music back then. Man.

0:54:49.880 --> 0:54:53.040
<v Speaker 1>You know when I I came to La in eighty seven, right,

0:54:53.800 --> 0:54:56.640
<v Speaker 1>it was so cracking back then. Man, it was fishing.

0:54:56.800 --> 0:55:00.799
<v Speaker 1>Back then, it was a fishing. I don't know how

0:55:01.840 --> 0:55:05.000
<v Speaker 1>being in the line like man eighty eighty.

0:55:04.600 --> 0:55:08.400
<v Speaker 3>Nine, Man, it was it was dudes bumping our tastes.

0:55:08.400 --> 0:55:11.960
<v Speaker 3>We used to be, uh everywhere in the streets.

0:55:12.320 --> 0:55:14.439
<v Speaker 5>We even got into a shootout and Christian our sister,

0:55:14.480 --> 0:55:17.080
<v Speaker 5>and they had that gas back the day dude thought

0:55:17.160 --> 0:55:18.680
<v Speaker 5>we was following and we was on our way to

0:55:18.719 --> 0:55:19.600
<v Speaker 5>Greedy Greg House.

0:55:19.800 --> 0:55:21.080
<v Speaker 3>He banging. Ain't nothing wrong.

0:55:21.120 --> 0:55:23.880
<v Speaker 5>Because I was one of the tape the underground tapes

0:55:24.239 --> 0:55:26.560
<v Speaker 5>before ours came out. I was hitting in the streets,

0:55:27.280 --> 0:55:29.839
<v Speaker 5>so we you know, he banging our stuff. He turned

0:55:29.880 --> 0:55:32.960
<v Speaker 5>into gas station and started wilding out. I could smell

0:55:33.000 --> 0:55:35.320
<v Speaker 5>the water in the ad. You know, I know he's tripping.

0:55:35.960 --> 0:55:38.640
<v Speaker 5>We was trippling, he banging our tape. We get into

0:55:38.680 --> 0:55:42.320
<v Speaker 5>a shoot out, you know, he started tripping that he

0:55:42.440 --> 0:55:43.520
<v Speaker 5>thought we was following it.

0:55:44.000 --> 0:55:46.920
<v Speaker 1>Then the time and that, and you know the thing

0:55:47.200 --> 0:55:50.440
<v Speaker 1>is everybody knew, y'all was bloods but quickly.

0:55:50.480 --> 0:55:53.319
<v Speaker 3>We never pushed that line. That's that's that's what I'm saying.

0:55:53.520 --> 0:55:56.640
<v Speaker 1>Man, so vocal with that stuff. Man, it kind of

0:55:56.800 --> 0:55:58.440
<v Speaker 1>just spread over everybody.

0:55:59.160 --> 0:56:02.279
<v Speaker 5>It took over the wall storm because Quick promoted the

0:56:02.440 --> 0:56:05.880
<v Speaker 5>thing of naming homies you know, or you know or

0:56:05.920 --> 0:56:06.239
<v Speaker 5>what not.

0:56:06.400 --> 0:56:09.759
<v Speaker 3>The lifestyle we was living it. And but just like

0:56:09.920 --> 0:56:12.120
<v Speaker 3>I say, music over rioted.

0:56:12.920 --> 0:56:15.959
<v Speaker 5>Like like I said it in ninety two on DJ

0:56:16.239 --> 0:56:19.800
<v Speaker 5>quick album Fuck the Red and the Blue Team Food

0:56:19.880 --> 0:56:23.400
<v Speaker 5>My Color One Green That's on his Way to Funk album,

0:56:23.440 --> 0:56:25.759
<v Speaker 5>the title of the song is called no bullsh Shit

0:56:26.400 --> 0:56:27.080
<v Speaker 5>Fucking Troups.

0:56:27.120 --> 0:56:29.200
<v Speaker 3>It's temporary. That's that's my mindset.

0:56:29.280 --> 0:56:31.799
<v Speaker 5>That's why the Me and Pock stories, y'all don't hear

0:56:31.800 --> 0:56:35.520
<v Speaker 5>about before death row out there in Inglewood off in

0:56:35.640 --> 0:56:40.359
<v Speaker 5>Period and IVC and hart On me and breeding Pop

0:56:40.960 --> 0:56:42.800
<v Speaker 5>and all of them and stuff, you know, during the

0:56:42.880 --> 0:56:46.839
<v Speaker 5>era before anybody really know what was cracking. That's why

0:56:46.880 --> 0:56:49.319
<v Speaker 5>we got pictures of us and Easy Easy over there

0:56:49.360 --> 0:56:53.440
<v Speaker 5>on seventy six. Crenshaw was my house on Spruce h

0:56:53.520 --> 0:56:55.799
<v Speaker 5>That's what it didn't mean, turn your video shot at

0:56:55.880 --> 0:56:59.280
<v Speaker 5>my mama house. I stayed in Comptony un till ninety

0:56:59.360 --> 0:57:02.840
<v Speaker 5>eight at the kept that same house, you know what

0:57:02.920 --> 0:57:08.080
<v Speaker 5>I mean. Earlier he was talking about the Compton Uh man, uh,

0:57:08.239 --> 0:57:11.359
<v Speaker 5>you know, no distrittracting nobody else. I'm the only one

0:57:11.440 --> 0:57:13.440
<v Speaker 5>that stayed in Compton as long as I could believe

0:57:13.800 --> 0:57:16.480
<v Speaker 5>the way it was known. You know, Sugar used to

0:57:16.480 --> 0:57:20.160
<v Speaker 5>come to the house easy right down Spruce nine twelve

0:57:20.200 --> 0:57:21.560
<v Speaker 5>spruits right for the dead end.

0:57:22.160 --> 0:57:24.000
<v Speaker 3>You can see it. And it didn't didn't mean to

0:57:24.040 --> 0:57:24.880
<v Speaker 3>turn your video.

0:57:27.160 --> 0:57:29.200
<v Speaker 1>I was, you know, speaking easy. I don't know how

0:57:29.240 --> 0:57:31.600
<v Speaker 1>you let none of y'all get away to me.

0:57:33.440 --> 0:57:35.880
<v Speaker 5>Because he couldn't catch his man that that At the

0:57:35.960 --> 0:57:39.080
<v Speaker 5>time before we signed it, we was around, like I say,

0:57:39.160 --> 0:57:44.440
<v Speaker 5>the history, we was around, you know from them that

0:57:44.640 --> 0:57:46.040
<v Speaker 5>was that was a spark.

0:57:46.160 --> 0:57:46.440
<v Speaker 1>Thank you.

0:57:46.600 --> 0:57:50.720
<v Speaker 5>Eight slipping unknown and all that. Mike te homie even

0:57:50.840 --> 0:57:54.120
<v Speaker 5>at his daddy. I think Aunt's sister, you know, just uh,

0:57:54.600 --> 0:57:56.600
<v Speaker 5>you know what I'm saying, man, it was already it was.

0:57:56.720 --> 0:57:57.080
<v Speaker 4>It was a.

0:57:58.600 --> 0:58:02.040
<v Speaker 5>That little stint with Q and that man. They ain't

0:58:02.080 --> 0:58:04.840
<v Speaker 5>had nothing to do with us. Man, we ain't on

0:58:04.920 --> 0:58:06.479
<v Speaker 5>that funny stuff. You know what I'm saying.

0:58:07.080 --> 0:58:07.560
<v Speaker 1>I know we.

0:58:09.720 --> 0:58:12.440
<v Speaker 2>Sometimes it be the peer pressures of niggas around you

0:58:12.880 --> 0:58:14.720
<v Speaker 2>and just trying to live up to you know what

0:58:14.880 --> 0:58:17.919
<v Speaker 2>you're supposed to be representing. Man, you know that shit

0:58:18.040 --> 0:58:20.280
<v Speaker 2>caught a lot of us at a young ages. We

0:58:20.360 --> 0:58:23.440
<v Speaker 2>didn't know. Like I told, like I always tell niggas, Uh,

0:58:23.800 --> 0:58:26.640
<v Speaker 2>the shit was dumb to me because it prevents niggas

0:58:26.680 --> 0:58:30.520
<v Speaker 2>from all trying to enjoy the successful times and hip hop.

0:58:30.600 --> 0:58:32.440
<v Speaker 2>You know what I'm saying. Now, you got to give

0:58:32.520 --> 0:58:34.760
<v Speaker 2>niggas choices of what they want to buy and shit.

0:58:34.840 --> 0:58:36.840
<v Speaker 2>And I want niggas to buy at all, not me.

0:58:37.000 --> 0:58:38.920
<v Speaker 2>I want niggas to buy quick. I want niggas to

0:58:38.920 --> 0:58:41.240
<v Speaker 2>buy my shit. I want niggas to buy every nigga

0:58:41.240 --> 0:58:45.760
<v Speaker 2>that's representing content. And when you drawing the lines and shit,

0:58:46.080 --> 0:58:48.400
<v Speaker 2>you give niggas choices. And now they got to take

0:58:48.440 --> 0:58:51.880
<v Speaker 2>a side and pick. So it was always dumb, you know,

0:58:52.200 --> 0:58:55.240
<v Speaker 2>for us to be beefing within our own section and shit,

0:58:55.360 --> 0:58:58.680
<v Speaker 2>because we all just wanted to represent the Hub City.

0:58:58.760 --> 0:59:01.400
<v Speaker 2>You feel me and let niggas know that was the

0:59:01.520 --> 0:59:04.600
<v Speaker 2>best place that you could be in. You feel me,

0:59:04.800 --> 0:59:09.240
<v Speaker 2>And that was my message around the motherfucking world was Nigga,

0:59:09.240 --> 0:59:11.800
<v Speaker 2>ain't no place better than condo. Whether you got me,

0:59:12.040 --> 0:59:14.960
<v Speaker 2>whether you got quick second or none, conscience most wanted,

0:59:15.400 --> 0:59:18.480
<v Speaker 2>whether you got king t, whether you got any nigga.

0:59:18.520 --> 0:59:21.800
<v Speaker 2>That's talking about the Hub City nigga too. It's a blessing,

0:59:22.080 --> 0:59:25.880
<v Speaker 2>you feel medave man, if.

0:59:25.800 --> 0:59:27.680
<v Speaker 1>You already got to make some records, what kind of

0:59:27.720 --> 0:59:29.880
<v Speaker 1>banging ass cracking ass records then would have been.

0:59:29.960 --> 0:59:34.720
<v Speaker 5>We're still here, we all still got our voices and

0:59:34.840 --> 0:59:37.080
<v Speaker 5>now we have better life. Like I say, back then,

0:59:37.760 --> 0:59:41.360
<v Speaker 5>imagine them seeing me in Tupac together a MC breathe

0:59:42.560 --> 0:59:44.600
<v Speaker 5>and had the chance to look at three of us

0:59:45.600 --> 0:59:47.880
<v Speaker 5>and lay long like how we looking the world is

0:59:47.920 --> 0:59:51.640
<v Speaker 5>looking at us now and have the decent conversation as

0:59:51.760 --> 0:59:54.800
<v Speaker 5>grown men. We didn't have that light back then, or

0:59:55.400 --> 1:00:00.080
<v Speaker 5>too much to share content and communications, you know, I

1:00:00.200 --> 1:00:03.920
<v Speaker 5>mean so uh definitely a blessing to even be talking

1:00:03.960 --> 1:00:06.080
<v Speaker 5>and speaking on at the beard, to speak on it,

1:00:06.240 --> 1:00:07.880
<v Speaker 5>you know, do all.

1:00:07.800 --> 1:00:09.280
<v Speaker 3>The stories everybody's don't know.

1:00:10.880 --> 1:00:14.040
<v Speaker 1>Yeah for real, man, you know, the next time you

1:00:14.200 --> 1:00:16.160
<v Speaker 1>right around the corner from us. Man, the next time

1:00:16.200 --> 1:00:17.760
<v Speaker 1>we were at there, you come in and sit down

1:00:17.840 --> 1:00:18.400
<v Speaker 1>with us. Man.

1:00:18.520 --> 1:00:19.720
<v Speaker 3>We appreciate you.

1:00:20.120 --> 1:00:22.439
<v Speaker 1>I appreciate you, especially in the last minute shit, because

1:00:22.480 --> 1:00:24.080
<v Speaker 1>I could hit the homie today, like, man, what you're

1:00:24.080 --> 1:00:26.400
<v Speaker 1>doing tonight, Come on the show, come kick it, because

1:00:26.480 --> 1:00:28.920
<v Speaker 1>you know it's so many stories, man, And that's the thing.

1:00:29.560 --> 1:00:31.760
<v Speaker 1>I'll be knowing these stories, but they ain't never mind

1:00:31.800 --> 1:00:34.600
<v Speaker 1>stories to tell. Man. I rather bring the homies on that,

1:00:34.880 --> 1:00:37.520
<v Speaker 1>you know, the really thing and their men. Let them

1:00:37.560 --> 1:00:39.400
<v Speaker 1>tell their owns, you know what I'm saying. Let them

1:00:39.440 --> 1:00:41.520
<v Speaker 1>tell it will better than I.

1:00:42.960 --> 1:00:45.360
<v Speaker 5>I appreciate it. You love even reaching out and having

1:00:45.400 --> 1:00:47.280
<v Speaker 5>the time to space both your brothers, you know what

1:00:47.320 --> 1:00:51.840
<v Speaker 5>I mean, just to say to the world. You know, uh,

1:00:52.640 --> 1:00:55.200
<v Speaker 5>like I say, I had the voice, but didn't have

1:00:55.480 --> 1:00:58.600
<v Speaker 5>like the choice of platforms to speak back then, and

1:00:58.840 --> 1:01:01.600
<v Speaker 5>like like on that record, it just like the truth

1:01:02.040 --> 1:01:05.160
<v Speaker 5>that shit was temporary. Let's move forward to some permanent

1:01:05.920 --> 1:01:07.840
<v Speaker 5>you know that was spoken to ninety twos.

1:01:07.960 --> 1:01:09.920
<v Speaker 1>You know, let me ask you this, KK, because you

1:01:10.000 --> 1:01:13.160
<v Speaker 1>know what, I'm always had to keep it. I'm always

1:01:13.200 --> 1:01:15.520
<v Speaker 1>had to keep it funky, you know. Quick at one

1:01:15.560 --> 1:01:18.880
<v Speaker 1>of the most talented people in the universe. Ultra talented

1:01:19.000 --> 1:01:22.800
<v Speaker 1>dude man right, super dope man like he rapped just

1:01:22.840 --> 1:01:25.000
<v Speaker 1>as good as he produced. He's a dope dude right

1:01:26.680 --> 1:01:28.919
<v Speaker 1>when you always was it was it ever hard working

1:01:29.000 --> 1:01:29.760
<v Speaker 1>with him doog.

1:01:31.360 --> 1:01:35.840
<v Speaker 5>Well straight up and everybody, no, straight up. It's always

1:01:35.880 --> 1:01:38.880
<v Speaker 5>a toughs to work on something when you have I'm

1:01:38.920 --> 1:01:41.400
<v Speaker 5>not I'm not a competitive spirit or a person.

1:01:41.920 --> 1:01:42.080
<v Speaker 3>You know.

1:01:42.120 --> 1:01:46.160
<v Speaker 5>I can compete, but I'm not pushing the competitive agenda.

1:01:47.000 --> 1:01:49.600
<v Speaker 5>You know, I could do that very well, but that's

1:01:49.680 --> 1:01:52.360
<v Speaker 5>not the point. That's why like our first single, don't

1:01:52.400 --> 1:01:55.960
<v Speaker 5>have no Hooks and called be true to yourself. You know,

1:01:56.040 --> 1:01:58.520
<v Speaker 5>I like to pay homage to those of life and

1:01:58.680 --> 1:02:01.880
<v Speaker 5>not just rap every thing that came before me, you

1:02:01.960 --> 1:02:04.160
<v Speaker 5>know what I mean. So that's that's uh, speaking of

1:02:04.240 --> 1:02:05.520
<v Speaker 5>who I am and the person I am not.

1:02:05.640 --> 1:02:07.560
<v Speaker 3>The world don't know. There just no second or none

1:02:07.800 --> 1:02:10.160
<v Speaker 3>because we ain't really had a voice, uh you know,

1:02:10.360 --> 1:02:14.800
<v Speaker 3>but it'll come. Uh my man, damn you know.

1:02:15.320 --> 1:02:18.240
<v Speaker 5>Like I said, it's my first time world. I appreciate

1:02:18.320 --> 1:02:20.520
<v Speaker 5>and apologize from random jumping in.

1:02:20.800 --> 1:02:24.640
<v Speaker 1>Now that's all. It's all good man, you know what.

1:02:24.760 --> 1:02:27.920
<v Speaker 1>I just you know what, because Quick as a genius man.

1:02:28.120 --> 1:02:29.400
<v Speaker 1>And when people he.

1:02:29.480 --> 1:02:33.720
<v Speaker 5>Called me a genius, he called me like I said,

1:02:34.080 --> 1:02:36.720
<v Speaker 5>That's why I brought up the compet it ain't no competition.

1:02:37.280 --> 1:02:40.440
<v Speaker 5>And uh, it's hard working with somebody that feels that

1:02:40.600 --> 1:02:42.120
<v Speaker 5>their peers might be an equal.

1:02:44.440 --> 1:02:44.640
<v Speaker 1>Yeah.

1:02:45.640 --> 1:02:49.520
<v Speaker 3>Yeah, when you find a kindred spirit of how.

1:02:49.480 --> 1:02:51.880
<v Speaker 5>Did this start? See a lot of this it started

1:02:51.920 --> 1:02:57.640
<v Speaker 5>from me and Quick, let's get your ship straight. Then

1:02:57.720 --> 1:03:01.920
<v Speaker 5>it come on, cousin right there and.

1:03:03.560 --> 1:03:07.840
<v Speaker 1>On that note, right your man, man, we out of here.

1:03:10.880 --> 1:03:14.680
<v Speaker 1>Shueka mm hm