WEBVTT - The Brooklyn Boys SLICE TIME for Ep. #346

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<v Speaker 1>Brooklyn Boys Podcast.

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<v Speaker 2>Light Reactions. This podcast all depends on you, baby.

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<v Speaker 3>That's right. It is lifetime for Brooklyn Boys episode three,

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<v Speaker 3>forty six and beyond.

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<v Speaker 2>I'm exciting, very exciting.

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<v Speaker 3>Yeah, what's going on there, David Brody.

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<v Speaker 2>I'm thinking we should pre record the thing we're about

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<v Speaker 2>to say. But this is the episode about the episode

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<v Speaker 2>where people leave talkbacks by pushing the microphone button on

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<v Speaker 2>the I Heart radio app and leave their thoughts on

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<v Speaker 2>the episode they listen to.

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<v Speaker 3>That's right. This is not the actual Brooklyn Boys episode.

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<v Speaker 3>So if you're looking for laughter, go elsewhere.

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<v Speaker 2>You'll get it. You'll get it here. But you've been

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<v Speaker 2>on a stand the.

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<v Speaker 3>Reference right because people are just talking about it. And

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<v Speaker 3>listen to three and you'll be able to hear what

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<v Speaker 3>people are talking about past episodes here. This is all

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<v Speaker 3>old news, no, but we love it though, because it's

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<v Speaker 3>our chance to get feedback and not real time.

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<v Speaker 2>But we're getting there.

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<v Speaker 3>One day, We're going we're gonna do a live podcast

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<v Speaker 3>and have people being able to like a chat going.

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<v Speaker 2>On the side. We're gonna have a chat going on

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<v Speaker 2>the side.

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<v Speaker 3>People are gonna be you know, texting us and live

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<v Speaker 3>interacting with the brook and book. Yeah, we do a

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<v Speaker 3>live podcast. Just nobody hears it. No, No, we're gonna

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<v Speaker 3>do it live live to the audience.

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<v Speaker 2>Yeah, oh that's different. We do live to the slices.

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<v Speaker 2>We gotta do live, don't write it, do it live.

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<v Speaker 3>We really should do one. It's not that difficult. We

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<v Speaker 3>could set it up right here in our homes. We

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<v Speaker 3>could just like start it up and then let's see

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<v Speaker 3>how the podcast goes. Okay, where there's live into where

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<v Speaker 3>there's live interaction as people.

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<v Speaker 2>We asked people if they would be willing to do that,

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<v Speaker 2>and we'd have to set up a Patreon account or

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<v Speaker 2>some kind of a Yeah, that charges right. We ask people,

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<v Speaker 2>would you pay a nominal fee to be able to

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<v Speaker 2>live interact with us as we record? And nobody replied crickets. Yeah,

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<v Speaker 2>people love our podcast, but if it cost them twenty

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<v Speaker 2>five cents, they're out.

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<v Speaker 3>Not twenty five cents. It would be more than twenty

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<v Speaker 3>five cents. But anyway, I understand that. But that's what

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<v Speaker 3>comedy is scary. I'm exaggerating for comedic purposes. Well, we

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<v Speaker 3>charge how about five dollars five dollars admission for the

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<v Speaker 3>Brooking Boys.

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<v Speaker 2>I don't know what the platform costs to do that.

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<v Speaker 2>But even if it was like a dollar, you know,

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<v Speaker 2>it'd be nice if a thousand people wanted to do it.

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<v Speaker 2>You know, I could use the money. But all does

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<v Speaker 2>it go to us?

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<v Speaker 4>Though?

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<v Speaker 2>It goes to the Patreon people goes to the platform

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<v Speaker 2>for Yeah, yeah, I know. That's the problem.

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<v Speaker 3>It's like the way anyone Uber just takes over everything.

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<v Speaker 3>Now you know that they the Uber app makes more

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<v Speaker 3>than the drivers at this point.

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<v Speaker 2>It's disgusting.

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<v Speaker 3>Yeah, but providing the company and the time, right, but

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<v Speaker 3>there was an app and that there was a time

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<v Speaker 3>where the drivers had eighty percent, seventy five percent, and

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<v Speaker 3>it waned over the years.

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<v Speaker 2>Oh absolutely, And then they got the kit.

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<v Speaker 3>You know, it's like serving the kids the crack on

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<v Speaker 3>the playground, and then a little by little they took

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<v Speaker 3>more and more of a percentage, and now it's in

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<v Speaker 3>the other direction.

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<v Speaker 2>It's a it's a lot like that with a lot

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<v Speaker 2>of these apps.

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<v Speaker 3>The technology is there for starters, get everybody addicted, and then.

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<v Speaker 2>The technology takes over it makes all the money. I'm

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<v Speaker 2>just saying, ma'am.

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<v Speaker 3>Anyway, all right, let's get to the talkbacks. We got

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<v Speaker 3>a lot to cover. Of course, thank you for your feedback.

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<v Speaker 3>If you listen to the iHeart Radio app, you have

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<v Speaker 3>the privilege of clicking on that microphone button. If you

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<v Speaker 3>listen anywhere else, well your shit out of luck. So

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<v Speaker 3>listen through the Art Radio app.

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<v Speaker 5>Here we go, heybroocome moys, Jamie from Gueen's here.

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<v Speaker 6>I don't know if you guys are even going to

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<v Speaker 6>hear this, because the last few weeks most of my

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<v Speaker 6>talkbacks haven't been playing for some weird reason.

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<v Speaker 7>Anyway, last week on Sizetime, someone mentions hearing a song

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<v Speaker 7>that Brody did a parody of, and it's sounding weird

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<v Speaker 7>because they're used to Brody's parody.

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<v Speaker 5>Well, I have that with the song Cake by the Ocean. Brody,

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<v Speaker 5>you did a parody of that song for Phone Tap.

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<v Speaker 5>You DIDs the phone.

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<v Speaker 6>Top was Brody that you were calling because you were

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<v Speaker 6>some guy from her Hair Plays calling about this guy's

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<v Speaker 6>broken laptop, and you did parody.

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<v Speaker 7>Songs trolling him as the hold music about his laptop.

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<v Speaker 5>And so you did Cake by the Ocean, and one

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<v Speaker 5>of them was like your laptop's still broken, haw.

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<v Speaker 7>And every time I hear Cake by the Ocean, I

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<v Speaker 7>hear your laptops still broken and I die laughing.

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<v Speaker 5>Thank you, Brody.

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<v Speaker 2>I have to say, first of all, thank you for

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<v Speaker 2>bringing back that memory. Scary. I don't know if it's

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<v Speaker 2>you could even dispute this, but I'm one funny son

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<v Speaker 2>of a bitch. Oh no, there's no disputing that. I agree.

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<v Speaker 2>I agree with you. That's why.

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<v Speaker 3>That's why I said we should do this podcast together,

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<v Speaker 3>because you were a fun son of a bitch.

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<v Speaker 2>I know good talent when I see it. I appreciate that.

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<v Speaker 2>That was a great I did. I did a bunch

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<v Speaker 2>of those where I put people on a hold in

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<v Speaker 2>new accustomed songs. Yeah, and they were like, what was

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<v Speaker 2>that music on holding? I don't know, and it was

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<v Speaker 2>all like making fun of them. Recordings of the people

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<v Speaker 2>listening have no idea what we're talking about. But maybe

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<v Speaker 2>one day we'll bring our phone tap back.

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<v Speaker 3>No, if you didn't know the phone tap, then you

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<v Speaker 3>don't know what Jamie's talking about. It's kind of like

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<v Speaker 3>you don't you bring that home with the jingles and

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<v Speaker 3>we'll play it on the podcast. That's a good idea.

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<v Speaker 2>Next week if somebody posted.

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<v Speaker 4>It, I'm answering, MJ.

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<v Speaker 3>You don't push video side like that, Vinny can wait

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<v Speaker 3>one second. A lot of people are posting my phone taps,

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<v Speaker 3>your phone taps. I know I have a phone tap

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<v Speaker 3>legally on TikTok on TikTok, so maybe someone can post

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<v Speaker 3>that one or one of the many I did where

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<v Speaker 3>I made hold the whole.

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<v Speaker 2>Music song patties and we'll reshare it all my Jimmy Jingles.

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<v Speaker 4>Ones bonding guys broken.

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<v Speaker 8>I'm answering MJ from NJ about the not I answer them,

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<v Speaker 8>but I'm commenting on the whole stealing thing again.

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<v Speaker 4>With the water underneath the cart, it was a time

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<v Speaker 4>at a Sam's.

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<v Speaker 8>Club where I had a bag of dog food underneath

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<v Speaker 8>the cart and uh, I realized that before I got

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<v Speaker 8>out of the store.

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<v Speaker 4>But I did the scan and go, so I had

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<v Speaker 4>already paid for the rest of the stuff.

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<v Speaker 8>So I let the guy know at the door that

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<v Speaker 8>I said I have to ring up the dog food separately,

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<v Speaker 8>and it was like, yeah, no problem, and Brody, before

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<v Speaker 8>you get to it. I know it tells you like

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<v Speaker 8>thirty items and count them. I either miscounted or I

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<v Speaker 8>paid for something twice, like gallon of milk or something

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<v Speaker 8>like that. Something that I had multiples of and I

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<v Speaker 8>didn't realize it, but it was. If I had made

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<v Speaker 8>it to the car, I wasn't going back. Yeah, and

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<v Speaker 8>not not intentionally, but once you're outside, you're.

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<v Speaker 3>Exactly you're outside a little bit of a little bit

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<v Speaker 3>of inconvenience.

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<v Speaker 2>So yeah, that thanks.

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<v Speaker 9>Hey, APRICLM voice. This is Mariya from Union City. I'm

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<v Speaker 9>coming on the fact that Juan Valdez did that really

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<v Speaker 9>nice canvas for Gandhi and when Gandhi mentioned his name

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<v Speaker 9>on the Big Show, I was like, oh shit, Juan

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<v Speaker 9>Valdez is sending shit to Sauce on the side and

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<v Speaker 9>hasn't done one thing for.

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<v Speaker 5>The Brooklyn Boys aside from you know, good content.

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<v Speaker 9>But not to say that, not shitting on you, Juan,

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<v Speaker 9>but you know Brooklyn Boys, what's up?

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<v Speaker 10>Right?

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<v Speaker 2>And we corrected that in the Brooklyn Boys episode.

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<v Speaker 3>If you didn't hear it, Juan Valdez did a canvas

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<v Speaker 3>painting for me which I thought was made by a

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<v Speaker 3>guy named Tattoo Bob. So I've had this sitting literally

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<v Speaker 3>prominently at my desk at the radio station. You can't

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<v Speaker 3>miss it when you walk in the room for two

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<v Speaker 3>years now. And it was Juan Valdez all the time,

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<v Speaker 3>so he really did cover me first, Brody, not so much.

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<v Speaker 2>No, wait a minute, did you ever thank tattoo Bob

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<v Speaker 2>for sending you the picture that he didn't send you? Yes,

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<v Speaker 2>and he accepted the thanks. That's the crazy part. Well,

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<v Speaker 2>here's the thing. Juan DMed me, and I'll mention it

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<v Speaker 2>again on the Brooklyn Boys podcast. Do the next episode.

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<v Speaker 3>Wan DM me and said, just so you know, Brody,

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<v Speaker 3>during the pandemic, I offered to draw you a picture

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<v Speaker 3>of yourself on the couch, you know, because I was

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<v Speaker 3>working from home like everybody else.

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<v Speaker 2>Yeah, and you said you were good, you didn't need it.

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<v Speaker 2>So I don't remember that, but that sounds like me.

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<v Speaker 2>I don't like people to go to trouble.

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<v Speaker 10>You know.

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<v Speaker 2>You don't have to paint me. I'm fine. What am

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<v Speaker 2>I gonna do with it? So I probably did tell

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<v Speaker 2>him don't worry about it. But that was five years ago.

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<v Speaker 2>Now that you're currently painting things for people, that's a

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<v Speaker 2>different story. All righty from all over? Okay, you won't continue, Brody,

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<v Speaker 2>what's up?

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<v Speaker 10>No?

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<v Speaker 2>I want to hear from Q from all over the place.

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<v Speaker 11>Hey, this is cue from all over the map. I

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<v Speaker 11>just stop by to just call Scary a little fucking

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<v Speaker 11>bitch because he could never own up the shit. He

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<v Speaker 11>can never apologize to shit. First it was Sam, and

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<v Speaker 11>now is Rasca. Come on, Scary, do better. It used

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<v Speaker 11>to be scary and brody. Now it's brody and scary

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<v Speaker 11>because you know, Scary wants to be a low bitch

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<v Speaker 11>about shit.

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<v Speaker 12>But anyways, y'all have a good one.

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<v Speaker 3>The classic case of not knowing the entire story. So

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<v Speaker 3>she's judging the book by the second.

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<v Speaker 2>Yeah, first of all, I appreciate that it's protty and

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<v Speaker 2>scary now, but why did it take him being a

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<v Speaker 2>punk ass bitch for me to move up? I should

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<v Speaker 2>have been I should have been for us the whole time.

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<v Speaker 3>It's not a ross Car Rascar. I think Rifka ross Car.

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<v Speaker 3>She said, I don't know who that is. I don't

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<v Speaker 3>know the second part. The first part is the Sam story,

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<v Speaker 3>which you just you just had to be there. I'm sorry, people,

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<v Speaker 3>don't you ow an apology for what?

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<v Speaker 13>Did you?

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<v Speaker 3>I know nobody in apology. In fact, pretty soon people

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<v Speaker 3>gonna own me an apology.

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<v Speaker 2>I think you'll riff an apology now that I remember, Yes,

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<v Speaker 2>you do what I don't remember, but I remember your apology.

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<v Speaker 2>I remember like I couldn't sleep all night. I'm sure

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<v Speaker 2>that's scary.

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<v Speaker 3>Yeah, oh, here comes Reggie.

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<v Speaker 14>Reggie here, I just tweeted you or XU or whatever

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<v Speaker 14>you want to call that. I'm volunteering to send you you,

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<v Speaker 14>you know whatever. Do you want some free stuff? I'll

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<v Speaker 14>send some stuff. I'm not promising you'll be good, but

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<v Speaker 14>I'm gonna send some stuff. I need a mailing address.

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<v Speaker 14>I can't remember it.

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<v Speaker 1>Come on, guys, you want.

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<v Speaker 2>To send us free stuff? I believe Reggie uh messaged

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<v Speaker 2>me in a public forum on Twitter and said, hey,

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<v Speaker 2>what's your mailing address? Yeah, that's not That's probably not

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<v Speaker 2>the best place to ask me when there's so many

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<v Speaker 2>opportunities to DM me.

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<v Speaker 3>And secondly, while we're on the topic, I'm afraid to

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<v Speaker 3>see what Reggie might send. So, you know, be careful

0:10:32.480 --> 0:10:34.520
<v Speaker 3>what you wish for. But if you want to send

0:10:34.600 --> 0:10:39.520
<v Speaker 3>us free shit, free shit for us, send it to iHeartMedia.

0:10:40.600 --> 0:10:42.640
<v Speaker 2>It just googlely addressed for iHeart Metia one.

0:10:42.559 --> 0:10:46.240
<v Speaker 3>Twenty five West fifty fifth Street and care of Scury

0:10:46.360 --> 0:10:50.120
<v Speaker 3>Jones at Ze one Hunter E E r Y, New York,

0:10:50.160 --> 0:10:56.360
<v Speaker 3>New York one oh one nine, Yeah, okay, yes, yes, Brodi, Yes,

0:10:56.720 --> 0:10:59.120
<v Speaker 3>if something's for me that you're sending to that address.

0:10:59.720 --> 0:11:01.720
<v Speaker 2>In I had the package to Skiery, you could write

0:11:01.720 --> 0:11:04.600
<v Speaker 2>a note saying the second one is for Brodie's right.

0:11:04.760 --> 0:11:05.840
<v Speaker 3>No, no, I thought you were gonna give.

0:11:05.880 --> 0:11:07.760
<v Speaker 2>I thought you were gonna give your mailing address at

0:11:07.840 --> 0:11:10.480
<v Speaker 2>your home now for all the free shit for you. Yeah,

0:11:10.520 --> 0:11:12.240
<v Speaker 2>and don't put my name on the box, because I

0:11:12.640 --> 0:11:14.160
<v Speaker 2>worked out all right. By the way, can I just

0:11:14.200 --> 0:11:16.000
<v Speaker 2>tell you tell a story real quick? You keep going,

0:11:16.120 --> 0:11:16.520
<v Speaker 2>go for it.

0:11:16.679 --> 0:11:18.920
<v Speaker 3>Not that this belongs to the slices or anything, but

0:11:19.120 --> 0:11:22.240
<v Speaker 3>go well, this is involving the slices. Continue you like

0:11:22.320 --> 0:11:25.280
<v Speaker 3>to apologize, but I think they might be slices.

0:11:25.320 --> 0:11:29.280
<v Speaker 2>I'm not sure. Somebody sent a cameo request for me

0:11:29.360 --> 0:11:31.640
<v Speaker 2>to wish a happy birthday to their wife because she

0:11:31.720 --> 0:11:35.400
<v Speaker 2>loves the Almostrade Morning Show. Now, and I'm gonna bring

0:11:35.400 --> 0:11:38.240
<v Speaker 2>it up on the Brooklyn Boys episode. I'm gonna do it.

0:11:38.840 --> 0:11:41.600
<v Speaker 2>But here's my question, and slices you can you can

0:11:41.640 --> 0:11:43.480
<v Speaker 2>listen now, you can listen again one of the Brooklyn

0:11:43.520 --> 0:11:45.400
<v Speaker 2>Boys when I do it again. I asked this question,

0:11:45.960 --> 0:11:48.560
<v Speaker 2>but did the husband not know? I don't work there anymore?

0:11:48.960 --> 0:11:50.920
<v Speaker 2>Or am I a bargain basement birthday present where they

0:11:50.960 --> 0:11:53.160
<v Speaker 2>figured I'd get me for less than like asking Elvis

0:11:53.240 --> 0:11:53.480
<v Speaker 2>to do it.

0:11:54.800 --> 0:11:55.480
<v Speaker 3>It's great question.

0:11:56.880 --> 0:12:00.920
<v Speaker 2>Okay, I'm just curious. We'll talk about that next Rogie here.

0:12:01.400 --> 0:12:04.040
<v Speaker 14>Okay, So this is what I'm thinking. The songs, the

0:12:04.160 --> 0:12:07.160
<v Speaker 14>jingles to come back from a commercial. Put them in

0:12:07.200 --> 0:12:11.719
<v Speaker 14>the system, just randomly old different numbers, and every time

0:12:11.800 --> 0:12:14.360
<v Speaker 14>you're gonna come back from a commercial, just press one

0:12:14.440 --> 0:12:16.840
<v Speaker 14>of them, so it's a surprise every time of which

0:12:16.880 --> 0:12:19.439
<v Speaker 14>one you're doing. Just don't repeat the numbers. Write it

0:12:19.520 --> 0:12:21.800
<v Speaker 14>down somewhere, you know, so we get to hear all

0:12:21.840 --> 0:12:25.240
<v Speaker 14>of them and a different one every time. That way,

0:12:25.400 --> 0:12:28.200
<v Speaker 14>if anybody's hating any of them, you're only gonna hear

0:12:28.200 --> 0:12:31.000
<v Speaker 14>it once. You know, you won't hear it again until

0:12:31.080 --> 0:12:35.439
<v Speaker 14>they cycle through all of them. Scary, Brody doesn't have

0:12:35.520 --> 0:12:36.160
<v Speaker 14>a piggy band.

0:12:36.480 --> 0:12:37.240
<v Speaker 5>He's Jewish.

0:12:37.320 --> 0:12:39.839
<v Speaker 14>They don't do pork. I know Brody does pork, but

0:12:40.000 --> 0:12:45.040
<v Speaker 14>in honor of the other Jews, he doesn't do pick. Okay, honestly,

0:12:45.280 --> 0:12:48.640
<v Speaker 14>that sounded great coming back from commercial with that clip,

0:12:48.880 --> 0:12:50.000
<v Speaker 14>that song, that jingle.

0:12:50.800 --> 0:12:51.559
<v Speaker 15>That was awesome.

0:12:51.960 --> 0:12:54.040
<v Speaker 16>That is some Yes, yet.

0:12:55.640 --> 0:12:56.600
<v Speaker 5>I missed the reason.

0:12:56.720 --> 0:12:58.840
<v Speaker 14>Why didn't you play something.

0:13:00.679 --> 0:13:01.400
<v Speaker 17>From commercial?

0:13:02.520 --> 0:13:02.880
<v Speaker 10>All right?

0:13:03.000 --> 0:13:05.240
<v Speaker 3>I don't know this is all out of context because

0:13:05.280 --> 0:13:08.599
<v Speaker 3>we're not. She's listening in real time and commenting in

0:13:08.640 --> 0:13:11.199
<v Speaker 3>real time. But this was six days ago, so I

0:13:11.240 --> 0:13:12.319
<v Speaker 3>don't know what she's referring to.

0:13:13.120 --> 0:13:15.160
<v Speaker 2>She's referring to the fact that we came back from

0:13:15.200 --> 0:13:17.800
<v Speaker 2>commercial and you didn't play one of the new regions.

0:13:17.880 --> 0:13:21.000
<v Speaker 2>I know we address that, but you're gonna play now though,

0:13:21.080 --> 0:13:22.199
<v Speaker 2>right when we come back from commercial.

0:13:22.280 --> 0:13:24.240
<v Speaker 3>But this isn't the Brooklyn Boys. This is a slice

0:13:24.320 --> 0:13:27.880
<v Speaker 3>time No no, no, no out, it's production. You play,

0:13:27.920 --> 0:13:31.960
<v Speaker 3>you play the bumper into spots on this. Okay, we'll

0:13:32.000 --> 0:13:35.400
<v Speaker 3>do that, but we're not ready to go to commercial yet. No,

0:13:35.600 --> 0:13:35.920
<v Speaker 3>not yet.

0:13:36.240 --> 0:13:42.080
<v Speaker 18>Hi, Scary and Brodie. I am calling about the music

0:13:42.200 --> 0:13:45.599
<v Speaker 18>after commercial breaks. They're horrible. Every one of them was

0:13:45.640 --> 0:13:46.720
<v Speaker 18>worse than the one before.

0:13:46.760 --> 0:13:48.040
<v Speaker 2>Thank you, thanks for being honest.

0:13:48.600 --> 0:13:50.760
<v Speaker 18>Better to have nothing than to have any of those.

0:13:51.920 --> 0:13:55.800
<v Speaker 3>It sucks the quality. It's not up to speed of

0:13:55.920 --> 0:13:58.960
<v Speaker 3>what we can offer as the Brooklyn Boys. We deserve,

0:13:59.400 --> 0:14:01.800
<v Speaker 3>we serve to deliver better than that. Yes, hold on,

0:14:02.280 --> 0:14:04.560
<v Speaker 3>Reggie just told you she loved them, and you cut

0:14:04.600 --> 0:14:07.080
<v Speaker 3>her off. Someone agrees with you, and you're like, yes see,

0:14:07.360 --> 0:14:09.200
<v Speaker 3>there's proof. Let's keep playing the.

0:14:09.240 --> 0:14:12.199
<v Speaker 2>Calls before you jerk off with one caller because she

0:14:12.240 --> 0:14:12.719
<v Speaker 2>agreed with you.

0:14:13.000 --> 0:14:17.560
<v Speaker 3>I'm telling you, Brody, that's not up to r oh

0:14:17.800 --> 0:14:22.880
<v Speaker 3>oh oh wow, wow, keep going.

0:14:23.000 --> 0:14:24.520
<v Speaker 2>I believe in my slices.

0:14:25.080 --> 0:14:27.680
<v Speaker 5>Scary and Brodie. This is Renee from Leicester. I was

0:14:27.800 --> 0:14:31.040
<v Speaker 5>just listening Scary talk about his boy and not bringing

0:14:31.080 --> 0:14:31.680
<v Speaker 5>the girl around.

0:14:32.080 --> 0:14:34.480
<v Speaker 13>I think it's what Brodie says the first time that

0:14:34.920 --> 0:14:38.280
<v Speaker 13>oh she doesn't exist and he just wants you all

0:14:38.320 --> 0:14:40.600
<v Speaker 13>off his back. Maybe he doesn't want to go out

0:14:40.640 --> 0:14:43.680
<v Speaker 13>with or she's married and she doesn't want to go

0:14:43.720 --> 0:14:44.280
<v Speaker 13>out in public.

0:14:44.360 --> 0:14:45.440
<v Speaker 5>Could be option number two.

0:14:48.280 --> 0:14:52.800
<v Speaker 2>He doesn't get in trouble very juice. Could be thank

0:14:52.880 --> 0:14:55.440
<v Speaker 2>you for the scary scariest friend who allegedly has a

0:14:55.480 --> 0:14:57.360
<v Speaker 2>girlfriend but never brings her around to shows pictures.

0:14:57.440 --> 0:15:01.920
<v Speaker 4>That's right, Brody and scary. Brian for making Florida Harry,

0:15:01.960 --> 0:15:02.920
<v Speaker 4>I got you on this one.

0:15:03.240 --> 0:15:07.960
<v Speaker 1>I agree. I didn't like any of those intros, especially when.

0:15:07.840 --> 0:15:08.240
<v Speaker 18>I listen to.

0:15:10.760 --> 0:15:14.400
<v Speaker 1>Kind of listen isn't two times speed, So Sparry, I

0:15:14.480 --> 0:15:15.160
<v Speaker 1>get you on this one.

0:15:16.480 --> 0:15:18.400
<v Speaker 2>List isn't two time speed. That's not my fault.

0:15:20.000 --> 0:15:23.720
<v Speaker 19>Hey, this is Maria from Union City. I'm listening to

0:15:23.840 --> 0:15:31.400
<v Speaker 19>the latest episode and Quan Valdez. I'm sorry. I made

0:15:31.400 --> 0:15:35.960
<v Speaker 19>the same assumption as Scary. However, However, being that it's

0:15:36.040 --> 0:15:40.560
<v Speaker 19>always Brody and scary, I think Brody needs painting a

0:15:40.800 --> 0:15:46.360
<v Speaker 19>sap like, whatever you're doing, stop and do the Brody painting.

0:15:46.800 --> 0:15:49.360
<v Speaker 20>It's only you know, expected.

0:15:48.920 --> 0:15:51.400
<v Speaker 3>And quant If you could just paint Brody like one

0:15:51.440 --> 0:15:52.840
<v Speaker 3>of your French girls, that would be great.

0:15:52.880 --> 0:15:54.440
<v Speaker 2>Yes, thank you, lay on the.

0:15:54.480 --> 0:15:58.600
<v Speaker 20>Couch for you, Hi, Brooklyn Boys. Teresa from Vera Beach, Florida.

0:15:59.400 --> 0:16:04.080
<v Speaker 21>David, I would like to suggest that you call the

0:16:04.240 --> 0:16:08.640
<v Speaker 21>location that you're scheduled to have your upgrade MRI and

0:16:08.920 --> 0:16:12.040
<v Speaker 21>make sure they have an upright MRI.

0:16:12.160 --> 0:16:16.640
<v Speaker 20>I did maybe even make sure they have you booked

0:16:17.080 --> 0:16:20.320
<v Speaker 20>for that day and time. Have a good one.

0:16:20.400 --> 0:16:23.600
<v Speaker 3>It doesn't matter no matter how many times and eleven

0:16:23.640 --> 0:16:26.440
<v Speaker 3>ways till Sunday that he expressed himself they told him

0:16:26.440 --> 0:16:27.040
<v Speaker 3>they had one.

0:16:27.440 --> 0:16:30.640
<v Speaker 2>It sucks. By the way, I did call and reconfirm.

0:16:30.920 --> 0:16:34.080
<v Speaker 2>My new appointment is coming up and it's the place

0:16:34.120 --> 0:16:36.560
<v Speaker 2>I've been to already. So unless the machine is broken

0:16:36.600 --> 0:16:37.120
<v Speaker 2>for three months.

0:16:37.200 --> 0:16:39.800
<v Speaker 3>I can't wait. I can't wait to see I can't

0:16:39.840 --> 0:16:42.480
<v Speaker 3>wait to see you the disappointment in your face.

0:16:43.240 --> 0:16:44.400
<v Speaker 2>Yeah, I can't wait.

0:16:45.280 --> 0:16:50.920
<v Speaker 3>The Brooklyn Boys podcast, we will be right back, all

0:16:51.040 --> 0:16:54.480
<v Speaker 3>right to wait wait now the jury is still out.

0:16:54.560 --> 0:16:57.760
<v Speaker 2>That was two calls. The hated we're not doing it. There,

0:16:57.840 --> 0:16:58.480
<v Speaker 2>we're not doing it.

0:16:59.040 --> 0:16:59.360
<v Speaker 10>Hold on.

0:16:59.440 --> 0:17:01.440
<v Speaker 2>Reggie called and left five messages. How much you like

0:17:01.560 --> 0:17:02.080
<v Speaker 2>now we got no.

0:17:02.200 --> 0:17:04.560
<v Speaker 3>No, it's so let's let's listen and tell me all

0:17:04.600 --> 0:17:07.720
<v Speaker 3>about a second when I will play one coming back

0:17:08.000 --> 0:17:11.720
<v Speaker 3>from this commercial break, when we get this consensus that

0:17:11.880 --> 0:17:13.520
<v Speaker 3>it actually was was a good thing.

0:17:13.720 --> 0:17:16.560
<v Speaker 2>But they love the AI I I I got a

0:17:16.600 --> 0:17:19.160
<v Speaker 2>DM about it? Can I read the DM? Doesn't count?

0:17:19.200 --> 0:17:23.879
<v Speaker 2>They didn't Leaven talk back. Let's continue, I asked, Brooklyn Boys.

0:17:23.960 --> 0:17:27.560
<v Speaker 20>It's Teresa from Vera Beach, Florida. I just wanted to

0:17:29.280 --> 0:17:35.359
<v Speaker 20>mention to Scary. I think that your friend's girlfriend is

0:17:35.640 --> 0:17:39.200
<v Speaker 20>probably married. Oh no, one, did you guys think of that?

0:17:39.480 --> 0:17:39.520
<v Speaker 1>No?

0:17:40.320 --> 0:17:46.119
<v Speaker 2>No day twice tonight from Brooklyn.

0:17:47.000 --> 0:17:49.720
<v Speaker 4>Uh Bernie. I gotta agree with Scary. I didn't like

0:17:49.880 --> 0:17:52.240
<v Speaker 4>any of those rejoiners and whatever the hell you called it.

0:17:53.640 --> 0:17:56.680
<v Speaker 8>Yeah, girl, the beginning of the podcast when it opens,

0:17:57.600 --> 0:17:59.639
<v Speaker 8>you know, after you go from vacation, like you know,

0:17:59.720 --> 0:18:04.760
<v Speaker 8>Brook Boys is back kind of thing. But I think

0:18:04.800 --> 0:18:09.320
<v Speaker 8>they're unnecessary. Ain't a radio show. It's podcasting. It's the

0:18:09.400 --> 0:18:11.520
<v Speaker 8>reason we listen because it's not a radio.

0:18:11.320 --> 0:18:13.560
<v Speaker 2>It's not a radio show. Thank you, thank you, video,

0:18:13.920 --> 0:18:19.280
<v Speaker 2>thank you. Oh so we shouldn't play a show opener

0:18:19.359 --> 0:18:21.880
<v Speaker 2>or the bumpers that go into the spot.

0:18:22.400 --> 0:18:24.760
<v Speaker 3>That's what it's the radio show. It's already towing the line.

0:18:24.760 --> 0:18:26.920
<v Speaker 3>If any draws the line, it's already towing the line

0:18:26.960 --> 0:18:28.720
<v Speaker 3>that we do that stuff. Brodie, I'm surprised we do

0:18:28.840 --> 0:18:29.359
<v Speaker 3>do that stuff.

0:18:29.440 --> 0:18:29.600
<v Speaker 12>We do.

0:18:30.119 --> 0:18:31.760
<v Speaker 2>We we do three of the.

0:18:31.800 --> 0:18:34.239
<v Speaker 3>Four things a radio show would do. But the fourth thing,

0:18:34.440 --> 0:18:38.159
<v Speaker 3>Oh no, Oh, it just takes up more time. If

0:18:38.200 --> 0:18:42.000
<v Speaker 3>it listens, if it adds, if it adds to the podcast, yes,

0:18:42.880 --> 0:18:43.919
<v Speaker 3>I think it's subtracts.

0:18:45.280 --> 0:18:48.520
<v Speaker 2>It doesn't energy and a professionals they're horrible. They're not

0:18:48.600 --> 0:18:52.200
<v Speaker 2>real singers. I'm telling you fantastic. Oh we're gonna talk

0:18:52.200 --> 0:18:53.640
<v Speaker 2>about AI now in the next book.

0:18:53.840 --> 0:18:58.479
<v Speaker 8>Okay, And just to reap up one thing that you said, Uh,

0:18:58.840 --> 0:18:59.840
<v Speaker 8>it's contempts.

0:19:00.200 --> 0:19:02.640
<v Speaker 4>He's not the kind of content we want. This kind

0:19:02.680 --> 0:19:04.280
<v Speaker 4>of content is funny, but.

0:19:06.160 --> 0:19:09.120
<v Speaker 8>Stretching the podcast out by a few minutes by putting

0:19:09.240 --> 0:19:14.000
<v Speaker 8>some bullshit tracks in there not really what we're looking for.

0:19:15.200 --> 0:19:16.880
<v Speaker 4>We want more of you guys big.

0:19:19.160 --> 0:19:22.440
<v Speaker 2>He's he's right, scar.

0:19:22.119 --> 0:19:22.640
<v Speaker 10>The word.

0:19:25.280 --> 0:19:25.639
<v Speaker 1>Scary.

0:19:25.680 --> 0:19:29.120
<v Speaker 8>You took the words right. Just let her be a rush.

0:19:29.200 --> 0:19:30.920
<v Speaker 8>He's gonna fuck it up. That's probably why you have

0:19:31.040 --> 0:19:35.200
<v Speaker 8>so many problems with these fucking people. Uh Brody, You

0:19:35.280 --> 0:19:40.600
<v Speaker 8>get under their skin and you make them nervous. I

0:19:40.720 --> 0:19:43.040
<v Speaker 8>know you're a good guy, but you gotta chill the

0:19:43.119 --> 0:19:45.960
<v Speaker 8>fuck out sometimes I get it. Listen, I hear I

0:19:46.040 --> 0:19:48.520
<v Speaker 8>had problems get ship like that too, you know, fucking

0:19:48.760 --> 0:19:51.480
<v Speaker 8>rising pull the phone people.

0:19:51.800 --> 0:19:56.800
<v Speaker 2>M M there you go, Vins right, and he's stilling

0:19:56.840 --> 0:19:58.240
<v Speaker 2>dog food. Yeah, I can't argue with him on.

0:19:58.359 --> 0:20:03.240
<v Speaker 22>One up the spoilson, Like, hey, yuh go to painting

0:20:03.320 --> 0:20:05.280
<v Speaker 22>that Wan Valdez did for Gandhi.

0:20:05.320 --> 0:20:07.720
<v Speaker 3>I mean, like I got the idea of a painting

0:20:07.760 --> 0:20:09.000
<v Speaker 3>that he could do for the Brooklyn Boys.

0:20:09.040 --> 0:20:12.280
<v Speaker 10>He could like, uh make one of the Brooklyn Boys

0:20:12.359 --> 0:20:13.720
<v Speaker 10>and stuff using flowers.

0:20:13.800 --> 0:20:19.600
<v Speaker 22>He could use like uh peach toppings like sausages, pepperoni, mushrooms, peppers,

0:20:19.640 --> 0:20:20.440
<v Speaker 22>and stuff like that.

0:20:20.640 --> 0:20:23.040
<v Speaker 23>All right, Yeah, that'd be uh, that'd be something great

0:20:23.040 --> 0:20:27.640
<v Speaker 23>if wan Val does kind of pull off man, hey

0:20:27.920 --> 0:20:28.720
<v Speaker 23>is cute.

0:20:28.440 --> 0:20:31.359
<v Speaker 2>From We Lost Them? Oh yeah, that's a great idea.

0:20:31.480 --> 0:20:32.360
<v Speaker 2>Thank you, Asian Mike.

0:20:34.119 --> 0:20:36.960
<v Speaker 24>All right, Mike, Hey, this is.

0:20:37.040 --> 0:20:38.160
<v Speaker 1>Cue from all Over the Map.

0:20:38.280 --> 0:20:42.960
<v Speaker 11>I just want to say Brody is raw because the

0:20:43.600 --> 0:20:45.560
<v Speaker 11>music sound clips that he made were pretty good. I

0:20:45.680 --> 0:20:48.000
<v Speaker 11>like the two hip hop ones, and then the two

0:20:49.080 --> 0:20:51.879
<v Speaker 11>rockish ones after the hip hop ones, and then I

0:20:52.040 --> 0:20:53.520
<v Speaker 11>like the one that has the trumpets in it.

0:20:53.920 --> 0:20:55.080
<v Speaker 1>All those were pretty good.

0:20:55.440 --> 0:20:58.119
<v Speaker 11>I just think, uh, you know, scary as being a

0:20:58.200 --> 0:20:59.000
<v Speaker 11>little bit so.

0:20:59.480 --> 0:21:00.879
<v Speaker 1>Yeah, Brodie here is.

0:21:01.040 --> 0:21:04.280
<v Speaker 3>Ra c from all over the Map has map has

0:21:04.320 --> 0:21:06.439
<v Speaker 3>an axe to grind with me. That's that's the problem.

0:21:06.520 --> 0:21:09.040
<v Speaker 2>There, no, no, no, hold on, hold on. I think

0:21:09.040 --> 0:21:10.720
<v Speaker 2>we just you know what, you know what I just realized.

0:21:10.840 --> 0:21:12.760
<v Speaker 2>But you now have to play one when we come back.

0:21:12.920 --> 0:21:15.720
<v Speaker 3>Nope, it's three to two, Vinnie, Vinnie, and nope, we

0:21:15.840 --> 0:21:19.280
<v Speaker 3>have three three people that the hater said, you said,

0:21:19.440 --> 0:21:22.119
<v Speaker 3>I'll play one. You said I'll play one. If somebody

0:21:22.240 --> 0:21:24.360
<v Speaker 3>leads the message and says that that's what you said.

0:21:24.680 --> 0:21:26.600
<v Speaker 2>We didn't get we didn't you have to take the lead.

0:21:26.680 --> 0:21:27.560
<v Speaker 3>You haven't taken the lead.

0:21:31.200 --> 0:21:36.880
<v Speaker 10>I got left ric you good girl, No offense taken here,

0:21:37.160 --> 0:21:37.760
<v Speaker 10>Harry's good.

0:21:37.800 --> 0:21:39.280
<v Speaker 16>I was just right.

0:21:40.480 --> 0:21:43.359
<v Speaker 10>Hey, you know Riska, I got asked, Well, he didn't

0:21:43.359 --> 0:21:47.520
<v Speaker 10>ask my question like a few talkbacks though, when you.

0:21:47.560 --> 0:21:51.080
<v Speaker 22>Did the Reggie impression. I asked of you, which pop

0:21:51.080 --> 0:21:53.639
<v Speaker 22>booking a point was like? Any like Crown Heights of

0:21:53.680 --> 0:21:57.760
<v Speaker 22>Brooke Park just ay from must Voyage. I'm like sorry

0:21:57.840 --> 0:22:01.680
<v Speaker 22>for so many top facts, but I'm gonna respond to John.

0:22:01.520 --> 0:22:03.800
<v Speaker 10>The former mailman from Long Island.

0:22:04.960 --> 0:22:08.840
<v Speaker 22>Jil funny you mentioned, Uh, you'll have the local correctional facility.

0:22:09.840 --> 0:22:13.959
<v Speaker 22>I just got accepted and scheduled taking correction exams for county.

0:22:14.960 --> 0:22:18.000
<v Speaker 22>If I get in and make it through, I got you,

0:22:18.080 --> 0:22:19.680
<v Speaker 22>bro I'll get you out of the hope.

0:22:21.160 --> 0:22:21.479
<v Speaker 3>All right.

0:22:21.720 --> 0:22:25.040
<v Speaker 2>He knows people. That's hey, as Mike, I appreciate you

0:22:25.160 --> 0:22:28.120
<v Speaker 2>using this as a personals ad for you to hook

0:22:28.200 --> 0:22:30.840
<v Speaker 2>up with all these people, but uh, maybe say you

0:22:30.960 --> 0:22:32.119
<v Speaker 2>like the rejoins I created.

0:22:33.359 --> 0:22:37.600
<v Speaker 25>Hey, Bernie scary down Fromowa. Bodie, you are correct. Everybody

0:22:37.680 --> 0:22:40.359
<v Speaker 25>is going to be commenting about these AI.

0:22:42.119 --> 0:22:42.560
<v Speaker 4>Jingles.

0:22:42.640 --> 0:22:43.120
<v Speaker 10>They are.

0:22:45.000 --> 0:22:49.560
<v Speaker 4>Not great. The ones you guys used to do people

0:22:49.600 --> 0:22:50.520
<v Speaker 4>are so much better.

0:22:50.680 --> 0:22:51.879
<v Speaker 3>Thank you all.

0:22:52.119 --> 0:22:55.000
<v Speaker 25>Hate it, but scary, it's right. It just doesn't match

0:22:55.080 --> 0:22:57.159
<v Speaker 25>what you guys do. It doesn't matter you, guys, not

0:22:57.280 --> 0:23:00.399
<v Speaker 25>in the least hove you guys, don't.

0:23:00.200 --> 0:23:03.359
<v Speaker 2>You do the AI singers sound just like real singing. No,

0:23:03.400 --> 0:23:06.280
<v Speaker 2>they don't, they don't. They're not there yet. Brody, I'm sorry.

0:23:06.600 --> 0:23:07.560
<v Speaker 2>I know what I'm hearing.

0:23:07.920 --> 0:23:10.920
<v Speaker 3>You're too close to different, You're too close to your work.

0:23:11.359 --> 0:23:14.240
<v Speaker 3>That's the problem. This sets you an AI video of

0:23:14.520 --> 0:23:17.000
<v Speaker 3>a fat sheriff and you thought it was real. That's

0:23:17.080 --> 0:23:18.480
<v Speaker 3>a video from a company.

0:23:19.119 --> 0:23:19.399
<v Speaker 5>You know what.

0:23:19.560 --> 0:23:21.399
<v Speaker 3>Get that company to do the jingles. I bet you

0:23:21.440 --> 0:23:22.760
<v Speaker 3>they do a thousand times better.

0:23:23.600 --> 0:23:24.160
<v Speaker 2>That was real?

0:23:24.200 --> 0:23:24.600
<v Speaker 5>What is that?

0:23:24.720 --> 0:23:27.920
<v Speaker 3>Look that sounded real? This company is garbage? That this one,

0:23:28.040 --> 0:23:30.800
<v Speaker 3>This AI company. I'm telling you this stuff sounds great.

0:23:30.880 --> 0:23:31.640
<v Speaker 3>Keep going next?

0:23:31.720 --> 0:23:31.880
<v Speaker 2>Cool?

0:23:31.960 --> 0:23:40.080
<v Speaker 17>Okay, pizza delivery guy here, scary. Not all of the

0:23:40.240 --> 0:23:44.200
<v Speaker 17>AI welcome back songs are bad.

0:23:45.640 --> 0:23:49.159
<v Speaker 1>There was one or two two.

0:23:49.280 --> 0:23:53.840
<v Speaker 17>That were acceptable that you guys could use. There was

0:23:53.920 --> 0:23:55.600
<v Speaker 17>too much going on in most of them.

0:23:55.680 --> 0:23:56.760
<v Speaker 2>He's throwing you a bone.

0:23:56.880 --> 0:24:00.720
<v Speaker 1>See, but Brody, there is a couple you're right that

0:24:00.840 --> 0:24:01.439
<v Speaker 1>you could use.

0:24:01.640 --> 0:24:03.399
<v Speaker 2>Love you guys, a couple look at it.

0:24:03.480 --> 0:24:05.320
<v Speaker 3>He's trying to he's trying to make make the best

0:24:05.359 --> 0:24:08.120
<v Speaker 3>of the bad situation. He didn't he didn't say which ones,

0:24:08.240 --> 0:24:09.919
<v Speaker 3>So that doesn't help us. It does not help us.

0:24:09.960 --> 0:24:12.360
<v Speaker 3>We need your your constructive criticism.

0:24:12.520 --> 0:24:15.000
<v Speaker 26>Brody and Scary and never Scary and Brownie is from

0:24:17.600 --> 0:24:21.879
<v Speaker 26>Those intros are a little right. I guess they're definitely

0:24:21.920 --> 0:24:25.119
<v Speaker 26>too long. They saw more like intros than you know,

0:24:25.240 --> 0:24:28.840
<v Speaker 26>back from commercial break, so you know scary right, They

0:24:28.840 --> 0:24:32.480
<v Speaker 26>are a bit long. But the kiss one, the kiss one,

0:24:33.359 --> 0:24:35.760
<v Speaker 26>I see that as a good like the one with

0:24:35.840 --> 0:24:37.960
<v Speaker 26>the fade out. I I can see that as a

0:24:38.040 --> 0:24:41.119
<v Speaker 26>good intro. Yeah, I see that's a good intro, the

0:24:41.200 --> 0:24:44.320
<v Speaker 26>kiss one. But also Brody, not for knowing, but you

0:24:44.320 --> 0:24:48.280
<v Speaker 26>should have one. Veldez make you a painting, even though

0:24:48.320 --> 0:24:49.800
<v Speaker 26>I know you said you don't want one, But I

0:24:49.880 --> 0:24:53.360
<v Speaker 26>have them make you a painting and make Scary hang

0:24:53.440 --> 0:24:54.520
<v Speaker 26>it up in his house.

0:24:56.160 --> 0:24:57.560
<v Speaker 3>Just a reminder, how would I do that?

0:24:57.800 --> 0:24:59.879
<v Speaker 4>Of who the man is that?

0:25:00.000 --> 0:25:00.960
<v Speaker 2>I appreciate that?

0:25:01.080 --> 0:25:01.240
<v Speaker 11>Well?

0:25:01.280 --> 0:25:04.160
<v Speaker 2>All right, bro you're getting slaughtered over here.

0:25:04.240 --> 0:25:06.200
<v Speaker 3>Man, I listen. I love you like a brother. I

0:25:06.359 --> 0:25:08.480
<v Speaker 3>sometimes you just gotta you gotta tell it like it is,

0:25:08.600 --> 0:25:11.000
<v Speaker 3>and I'm telling you like it is. I'm giving you

0:25:11.080 --> 0:25:11.960
<v Speaker 3>the I think you.

0:25:12.640 --> 0:25:15.480
<v Speaker 2>I think you messaged people uh and told people to

0:25:15.560 --> 0:25:17.040
<v Speaker 2>call and say they didn't like Oh I rigged this.

0:25:17.320 --> 0:25:22.600
<v Speaker 2>This is all planted. Yeah, okay, age now relocated in CT.

0:25:23.800 --> 0:25:23.919
<v Speaker 4>Uh.

0:25:24.520 --> 0:25:30.800
<v Speaker 27>Yeah, Brody, my guy, those aig come on grass. None

0:25:30.840 --> 0:25:34.080
<v Speaker 27>of it match your energy, thank you. I'm a scary

0:25:34.119 --> 0:25:34.720
<v Speaker 27>on this one.

0:25:35.600 --> 0:25:36.320
<v Speaker 2>None of them. Brody.

0:25:36.359 --> 0:25:38.280
<v Speaker 3>You gotta take it from me. I know what I'm

0:25:38.320 --> 0:25:41.960
<v Speaker 3>talking about. Years in the business, my friend, thirty years.

0:25:42.000 --> 0:25:44.600
<v Speaker 3>I have a good ear for fucking awesome ship. How

0:25:44.600 --> 0:25:46.560
<v Speaker 3>does it not match our energy? They were all energy,

0:25:46.600 --> 0:25:47.680
<v Speaker 3>they were all upbaaten fun.

0:25:47.840 --> 0:25:48.600
<v Speaker 2>It's all trash.

0:25:54.240 --> 0:25:57.240
<v Speaker 3>Sounds like the trucker welcome back to me.

0:25:57.880 --> 0:25:59.600
<v Speaker 2>Call more trucker, you do one more?

0:25:59.720 --> 0:26:01.480
<v Speaker 1>Ca me a sire barbaryo.

0:26:01.640 --> 0:26:06.320
<v Speaker 16>You know, concerning the old rejoined music controversy there, I

0:26:06.480 --> 0:26:10.280
<v Speaker 16>think it's a great idea. It's something your podcast could use.

0:26:10.280 --> 0:26:12.920
<v Speaker 16>It'd be a great compliment to your podcast there. But

0:26:13.320 --> 0:26:15.520
<v Speaker 16>you know, coming, I think you need something a little

0:26:15.600 --> 0:26:17.240
<v Speaker 16>more subtle to come in from.

0:26:17.600 --> 0:26:20.240
<v Speaker 28>Yeah, nothing too in your face, you know, like with

0:26:20.440 --> 0:26:24.000
<v Speaker 28>that girl screaming and with a boy that's gonna scare

0:26:24.080 --> 0:26:26.040
<v Speaker 28>some people wake up the dead and stuff, you know,

0:26:26.200 --> 0:26:30.400
<v Speaker 28>but maybe a little instrumental music nas and so maybe

0:26:30.480 --> 0:26:34.240
<v Speaker 28>some jazz, little Chuckman joning there, you know, right after

0:26:34.320 --> 0:26:37.080
<v Speaker 28>commercial break, and then you come in with your conversation

0:26:37.280 --> 0:26:39.600
<v Speaker 28>right where you're left off, and you slowly fade out

0:26:39.680 --> 0:26:41.800
<v Speaker 28>the music and then you ran into the mix of

0:26:41.880 --> 0:26:44.200
<v Speaker 28>things again, you know, and you can get wrapped back

0:26:44.280 --> 0:26:45.080
<v Speaker 28>down the business.

0:26:45.480 --> 0:26:48.800
<v Speaker 16>Although it wouldn't depend on the subject you're discussing in

0:26:48.920 --> 0:26:49.680
<v Speaker 16>the day of the week.

0:26:49.720 --> 0:26:49.879
<v Speaker 4>You know.

0:26:50.000 --> 0:26:51.959
<v Speaker 1>Let's say you're.

0:26:51.320 --> 0:26:54.240
<v Speaker 16>Recording on a Friday, and then Scoots all pumped because

0:26:54.240 --> 0:26:56.639
<v Speaker 16>he's gonna go on vacation to the Cayman Islands.

0:26:56.680 --> 0:26:59.760
<v Speaker 2>You know, he's happy, So I think something like this

0:27:00.160 --> 0:27:01.560
<v Speaker 2>be in order that day.

0:27:01.520 --> 0:27:02.800
<v Speaker 3>You know, I would.

0:27:04.200 --> 0:27:14.560
<v Speaker 15>Yeah that one rightee, and then yeah, back in there,

0:27:14.600 --> 0:27:17.000
<v Speaker 15>you know and talking all like who all right, I

0:27:17.080 --> 0:27:18.680
<v Speaker 15>can't wait to go home vacation.

0:27:18.520 --> 0:27:20.240
<v Speaker 2>And then Brody is all hitting on him. You don't

0:27:20.280 --> 0:27:21.800
<v Speaker 2>even know where you're going, and all this.

0:27:21.960 --> 0:27:24.840
<v Speaker 29>Crap, you know, getting after him and all this bullshit.

0:27:25.040 --> 0:27:27.920
<v Speaker 29>But anyway, you know, that's what I think you should do,

0:27:28.040 --> 0:27:30.240
<v Speaker 29>you know, because that would that would make it great,

0:27:30.280 --> 0:27:32.280
<v Speaker 29>you know, that would be awesome, man.

0:27:32.560 --> 0:27:35.119
<v Speaker 2>But anyway, you know, uh, just work on it. You

0:27:35.200 --> 0:27:37.600
<v Speaker 2>guys will come up with some good you know. I

0:27:37.800 --> 0:27:39.480
<v Speaker 2>know you guys. You guys are smart.

0:27:39.560 --> 0:27:43.119
<v Speaker 30>You're the greatest already, guys, we'll see you leader.

0:27:43.520 --> 0:27:45.280
<v Speaker 3>She says that that we will come up with something.

0:27:45.359 --> 0:27:47.320
<v Speaker 3>That means that that greatness hasn't happened yet.

0:27:48.000 --> 0:27:49.960
<v Speaker 2>Yeah, he also knows. He's saying I'll come up with

0:27:50.040 --> 0:27:52.399
<v Speaker 2>something because you don't come up with ship. This is

0:27:52.440 --> 0:28:02.680
<v Speaker 2>True podcast with Scary and Rudy. The Brooklyn Boys are bad. Yeah,

0:28:08.080 --> 0:28:09.480
<v Speaker 2>let's look for what's going on.

0:28:09.720 --> 0:28:09.879
<v Speaker 5>You know.

0:28:10.760 --> 0:28:12.720
<v Speaker 2>I wanted to come under and tell you guys, not

0:28:12.880 --> 0:28:13.439
<v Speaker 2>too worry.

0:28:13.600 --> 0:28:14.600
<v Speaker 3>Not just pro coping.

0:28:14.680 --> 0:28:14.840
<v Speaker 1>Man.

0:28:14.880 --> 0:28:16.439
<v Speaker 10>Ain't just gonna take care of you, man.

0:28:16.520 --> 0:28:19.040
<v Speaker 16>I know one dayn't make a portrait of you, but

0:28:19.440 --> 0:28:20.720
<v Speaker 16>I'm gonna make one of you.

0:28:20.800 --> 0:28:23.080
<v Speaker 11>Okay, guys, I'm just gonna find a good car.

0:28:23.200 --> 0:28:23.320
<v Speaker 18>Here.

0:28:23.880 --> 0:28:25.520
<v Speaker 1>Let me see here. Oh there's a good one. Right,

0:28:25.560 --> 0:28:27.560
<v Speaker 1>there's an orange one. It's a Union Pacific.

0:28:27.600 --> 0:28:27.719
<v Speaker 11>Here.

0:28:27.800 --> 0:28:30.920
<v Speaker 3>Let's give me the paint man, mix it up right here.

0:28:31.600 --> 0:28:32.480
<v Speaker 16>Yeah, okay, let me.

0:28:32.560 --> 0:28:33.320
<v Speaker 1>Start from the top.

0:28:33.600 --> 0:28:36.400
<v Speaker 2>There he's taking a train.

0:28:37.760 --> 0:28:39.120
<v Speaker 1>Oh yeah, it's looking good.

0:28:39.160 --> 0:28:39.280
<v Speaker 16>Man.

0:28:39.360 --> 0:28:41.160
<v Speaker 10>Bronie is scary like you men.

0:28:43.520 --> 0:28:45.520
<v Speaker 2>What's thanking her feeding on a train?

0:28:45.960 --> 0:28:46.440
<v Speaker 31>Oh shit?

0:28:48.160 --> 0:28:51.280
<v Speaker 16>Oh nothing her worth the maintenance co workersing up the

0:28:51.560 --> 0:28:52.600
<v Speaker 16>hinges to the door.

0:28:55.720 --> 0:28:59.000
<v Speaker 29>Oh yeah, man, oh man, guys, I'm gonna have to go.

0:28:59.240 --> 0:29:02.080
<v Speaker 1>Guys, know that deal with is going okay?

0:29:02.360 --> 0:29:04.480
<v Speaker 3>Come later, Hey, guys.

0:29:05.320 --> 0:29:06.840
<v Speaker 1>I was able to do the guy.

0:29:08.320 --> 0:29:11.200
<v Speaker 16>And I found a little refugee and a little stories

0:29:11.240 --> 0:29:13.720
<v Speaker 16>from they got here on the yard. But anyway, you know,

0:29:13.800 --> 0:29:16.920
<v Speaker 16>I wanted to talk about Juanito, you know, the male

0:29:17.040 --> 0:29:20.600
<v Speaker 16>man from Long Island, the one that Brody put the

0:29:20.680 --> 0:29:23.800
<v Speaker 16>finger on, you know, but dropped the crime, Doug. But

0:29:24.400 --> 0:29:27.760
<v Speaker 16>Brody you know, uh, snitches gets stitches right, man too,

0:29:27.920 --> 0:29:29.600
<v Speaker 16>you gotta be careful on that, okay, But.

0:29:31.160 --> 0:29:32.320
<v Speaker 1>Liam our breath?

0:29:33.960 --> 0:29:37.120
<v Speaker 2>Is that the sound that I'm getting caught after feeting

0:29:37.200 --> 0:29:37.560
<v Speaker 2>up the train?

0:29:37.720 --> 0:29:38.680
<v Speaker 30>Was that was that was?

0:29:38.760 --> 0:29:39.959
<v Speaker 2>That wasn't Chad from Omaha?

0:29:40.320 --> 0:29:40.360
<v Speaker 10>No?

0:29:40.920 --> 0:29:44.200
<v Speaker 2>No, that was Angel. That was Angel Angel. I think

0:29:44.240 --> 0:29:45.000
<v Speaker 2>it continues here.

0:29:45.040 --> 0:29:49.239
<v Speaker 16>Hold on, Yeah, I need the car the male man

0:29:49.320 --> 0:29:52.000
<v Speaker 16>from Long Island, you know, uh, you know you need

0:29:52.080 --> 0:29:56.239
<v Speaker 16>any help there and in the detention center wherever you're at, man, Uh,

0:29:57.000 --> 0:29:59.880
<v Speaker 16>let me know which one you're at. And I got

0:30:00.040 --> 0:30:02.360
<v Speaker 16>p post all over the place. I've got connections. Okay,

0:30:02.680 --> 0:30:04.000
<v Speaker 16>my homeboys will help you out.

0:30:04.040 --> 0:30:04.280
<v Speaker 3>Okay.

0:30:04.320 --> 0:30:05.840
<v Speaker 1>I just gotta tell them that you're with me.

0:30:06.000 --> 0:30:09.360
<v Speaker 16>Okay, but let me know, man, because it can be

0:30:09.480 --> 0:30:11.800
<v Speaker 16>tough in there, all right, But but don't don't let

0:30:11.880 --> 0:30:12.640
<v Speaker 16>your spirits down.

0:30:12.680 --> 0:30:13.800
<v Speaker 1>You're gonna man.

0:30:13.920 --> 0:30:15.840
<v Speaker 16>You know what I got to thinking, Man, I think

0:30:15.920 --> 0:30:19.160
<v Speaker 16>when it saw, you're gonna be okay, man, because I

0:30:19.240 --> 0:30:24.520
<v Speaker 16>don't know anybody that can do a talk pack through

0:30:24.560 --> 0:30:28.160
<v Speaker 16>a pay phone. If you can do that, man, oh man,

0:30:28.480 --> 0:30:31.160
<v Speaker 16>especially because those those calls, they're gotta be collected. I

0:30:31.200 --> 0:30:34.360
<v Speaker 16>didn't know the Brooklyn Boys to collect calls. So if

0:30:34.400 --> 0:30:36.600
<v Speaker 16>you can do that, man, you're gonna be fine. Bro,

0:30:36.840 --> 0:30:37.800
<v Speaker 16>don't worry about it.

0:30:38.200 --> 0:30:39.000
<v Speaker 29>Just hang in there.

0:30:39.320 --> 0:30:41.720
<v Speaker 1>Everything's gonna work out in the end. Okay.

0:30:42.080 --> 0:30:44.480
<v Speaker 3>This guy's got an entire movie playing out in his head.

0:30:44.960 --> 0:30:47.600
<v Speaker 3>I mean, he's got so much happening. He's playing all

0:30:47.640 --> 0:30:48.400
<v Speaker 3>the characters too.

0:30:49.360 --> 0:30:50.680
<v Speaker 2>I'm glad he got away from the cops.

0:30:52.480 --> 0:30:56.400
<v Speaker 31>Hi Brooklyn Boys. Jenna Groom right here from Pompano Beach. Sorry,

0:30:56.400 --> 0:30:58.920
<v Speaker 31>if you can hear the rain in the background. I

0:30:59.160 --> 0:31:02.120
<v Speaker 31>just want to come to the defense of one because

0:31:02.280 --> 0:31:05.400
<v Speaker 31>I am part of the Brooklyn Boys Facebook group, and

0:31:05.720 --> 0:31:09.560
<v Speaker 31>he has put up portraits of you guys there, so

0:31:09.680 --> 0:31:12.520
<v Speaker 31>if you haven't seen them already, you should look because

0:31:12.680 --> 0:31:15.520
<v Speaker 31>they are absolutely gorgeous likenesses.

0:31:15.720 --> 0:31:18.520
<v Speaker 3>Well, I've seen mine. Maybe he did one of Brody

0:31:18.560 --> 0:31:19.400
<v Speaker 3>and didn't give it to.

0:31:19.480 --> 0:31:23.680
<v Speaker 2>Him, is that right? Okay? If you're talking about hold on,

0:31:23.800 --> 0:31:25.920
<v Speaker 2>let me pull up the ones you're talking about, because

0:31:26.160 --> 0:31:28.800
<v Speaker 2>I got them sent to me. If you're talking about

0:31:29.640 --> 0:31:34.280
<v Speaker 2>the sketches of me as a pickleball player, that was

0:31:34.360 --> 0:31:38.320
<v Speaker 2>the Cowboy Trucker okay. And then he did want to

0:31:38.360 --> 0:31:42.320
<v Speaker 2>Skiery recently, and that was also Cowboy Trucker. All right,

0:31:43.720 --> 0:31:45.640
<v Speaker 2>all right, well, I thank you Cowboy Trucker for my

0:31:46.720 --> 0:31:49.400
<v Speaker 2>pickleball sketch that was in the Brooklyn Boys chat room

0:31:49.560 --> 0:31:50.320
<v Speaker 2>that somebody sent me.

0:31:50.760 --> 0:31:54.120
<v Speaker 3>Cowboy Trucker does it all. I mean, he acts out plays,

0:31:54.200 --> 0:31:58.120
<v Speaker 3>he writes novels, movies, and he's now a he's an artist.

0:31:59.200 --> 0:32:00.760
<v Speaker 20>You know what that for me?

0:32:00.920 --> 0:32:03.240
<v Speaker 2>And then he's got resting bitch face standing in the

0:32:03.280 --> 0:32:06.040
<v Speaker 2>background holding a pickleball paddle it and he's got a

0:32:06.120 --> 0:32:08.720
<v Speaker 2>pickleball patty in the back. Send those to me.

0:32:08.800 --> 0:32:09.520
<v Speaker 3>I didn't see them.

0:32:10.600 --> 0:32:13.800
<v Speaker 2>Uh yeah, And you didn't see yours. Now we're not part.

0:32:13.800 --> 0:32:15.920
<v Speaker 2>I'm not part of that group. All right, let's continue.

0:32:15.960 --> 0:32:16.480
<v Speaker 2>But they sent them.

0:32:16.520 --> 0:32:18.560
<v Speaker 31>Okay, hi Brooklyn Boys.

0:32:18.800 --> 0:32:19.680
<v Speaker 20>Jen the groomer here.

0:32:20.240 --> 0:32:22.320
<v Speaker 14>Out of the re entries so far.

0:32:22.440 --> 0:32:26.760
<v Speaker 31>I like the rap hip hop and the first skull

0:32:26.920 --> 0:32:28.920
<v Speaker 31>one definitely like those.

0:32:30.240 --> 0:32:35.160
<v Speaker 3>Okay, good, thank you. Out of sixteen three Brooklyn Boys.

0:32:35.240 --> 0:32:40.560
<v Speaker 32>Jenni from MD melven CT's scary, scary, scary, Stop talking

0:32:40.560 --> 0:32:42.880
<v Speaker 32>about my boy Scotty P's new girl like that.

0:32:45.560 --> 0:32:47.400
<v Speaker 4>I know, I don't even know if that's what you're

0:32:47.400 --> 0:32:47.840
<v Speaker 4>talking about.

0:32:47.920 --> 0:32:51.280
<v Speaker 10>But that's not all I pictured the way you said.

0:32:51.080 --> 0:32:55.640
<v Speaker 4>That Nau nobody's seen her. Nobody's seen her.

0:32:55.960 --> 0:32:56.560
<v Speaker 2>It's not true.

0:32:58.720 --> 0:33:00.479
<v Speaker 4>That's he ugly post her.

0:33:00.560 --> 0:33:04.360
<v Speaker 3>He posts her all over his social media. She's everywhere

0:33:04.480 --> 0:33:05.520
<v Speaker 3>not talking about Scotty B.

0:33:05.720 --> 0:33:06.280
<v Speaker 2>Not in the least.

0:33:08.160 --> 0:33:13.520
<v Speaker 33>The Brooklyn Boys podcasts, Now the Boys are back, or

0:33:14.880 --> 0:33:17.680
<v Speaker 33>we have come right back, or.

0:33:19.280 --> 0:33:22.640
<v Speaker 1>Now we are right back. You got something like that.

0:33:23.320 --> 0:33:25.880
<v Speaker 2>Oh see what he did there. He's trying to make

0:33:25.920 --> 0:33:28.160
<v Speaker 2>an extension to the ones that we already do. So

0:33:28.240 --> 0:33:31.000
<v Speaker 2>it's kind of like it would go, it would redo.

0:33:31.200 --> 0:33:34.880
<v Speaker 2>They were Yeah, I like that, Maybe we already do

0:33:35.000 --> 0:33:37.680
<v Speaker 2>those they've already been done and sang when I had

0:33:37.760 --> 0:33:41.400
<v Speaker 2>you access to singers, did you.

0:33:41.560 --> 0:33:45.320
<v Speaker 33>Know White Lines song is in Anchorman two?

0:33:46.560 --> 0:33:48.880
<v Speaker 2>Oh wow, we have a head.

0:33:50.040 --> 0:33:52.880
<v Speaker 3>We're excited because now people are gonna recognize it from

0:33:52.920 --> 0:33:53.640
<v Speaker 3>the Brooklyn boys.

0:33:55.320 --> 0:33:56.520
<v Speaker 1>I played the song games.

0:33:56.640 --> 0:33:58.960
<v Speaker 33>Someone was in line in front of me talking on

0:33:59.000 --> 0:34:02.960
<v Speaker 33>the cashier, and when it ended, someone said, my name

0:34:03.080 --> 0:34:04.240
<v Speaker 33>is Josie.

0:34:04.760 --> 0:34:06.920
<v Speaker 1>So I go up. I say, are you on vacation

0:34:07.040 --> 0:34:09.360
<v Speaker 1>for a week? Okay?

0:34:09.840 --> 0:34:13.400
<v Speaker 33>And now I've noticed two cashiers using their middle finger

0:34:13.600 --> 0:34:16.000
<v Speaker 33>to ring up my order. And I don't know if

0:34:16.040 --> 0:34:20.200
<v Speaker 33>it's irony or coincidence, or just because Brody mentioned Scary

0:34:20.360 --> 0:34:23.360
<v Speaker 33>was doing it. But all of a sudden, now I'm saying.

0:34:23.600 --> 0:34:25.600
<v Speaker 2>That could be a subliminal message.

0:34:25.800 --> 0:34:26.200
<v Speaker 3>You never know.

0:34:26.280 --> 0:34:28.200
<v Speaker 2>It's a coincidence. By the way, the reason why no

0:34:28.239 --> 0:34:30.040
<v Speaker 2>one reacted is that the line in the song is

0:34:30.520 --> 0:34:35.520
<v Speaker 2>Josie's on a vacation far away. Come around and talk

0:34:35.560 --> 0:34:41.440
<v Speaker 2>it over. Josie's on a vacation borrowway. That's right. I

0:34:41.440 --> 0:34:42.960
<v Speaker 2>didn't want to sing it like that. I understand how

0:34:42.960 --> 0:34:44.759
<v Speaker 2>to sing it's the outfield. I didn't want to sing

0:34:44.800 --> 0:34:46.399
<v Speaker 2>it like that. But she doesn't say I'm going away

0:34:46.440 --> 0:34:48.840
<v Speaker 2>on vacation for a week. That's why Jone got the song.

0:34:50.800 --> 0:34:52.880
<v Speaker 1>The phone call about the ketchup Smoothie.

0:34:53.480 --> 0:34:54.880
<v Speaker 2>It was on the week. But you just want to

0:34:54.920 --> 0:34:55.680
<v Speaker 2>talk right over him.

0:34:55.760 --> 0:34:55.880
<v Speaker 23>Huh.

0:34:57.040 --> 0:34:58.279
<v Speaker 2>You and I were talking. I didn't tell you to

0:34:58.360 --> 0:35:01.880
<v Speaker 2>hit the button, no consideration.

0:35:02.719 --> 0:35:05.520
<v Speaker 33>I got plenty of the phone call about the catchup

0:35:05.560 --> 0:35:07.399
<v Speaker 33>Smoothie while he was on the tour.

0:35:08.000 --> 0:35:09.600
<v Speaker 1>Sounded like Liam's talkbox.

0:35:10.920 --> 0:35:18.719
<v Speaker 2>Okay, thank you, Hey guys.

0:35:18.560 --> 0:35:19.120
<v Speaker 10>What's going on?

0:35:19.360 --> 0:35:23.280
<v Speaker 30>It's still Cowboy Trucker here one more time, Yes, Siree Barbary.

0:35:23.360 --> 0:35:25.480
<v Speaker 30>Now you know I had to come back on here

0:35:25.520 --> 0:35:29.120
<v Speaker 30>and address something from the previous slash time. You know, uh,

0:35:29.360 --> 0:35:32.880
<v Speaker 30>from that uh felonious male man from Long Island. You know,

0:35:33.120 --> 0:35:35.200
<v Speaker 30>by the way, that's gotta be one of the that's

0:35:35.239 --> 0:35:37.720
<v Speaker 30>gotta make the list of one of the dumbest criminal

0:35:38.440 --> 0:35:40.680
<v Speaker 30>moves that I've ever heard of, don't you think so?

0:35:41.160 --> 0:35:44.279
<v Speaker 30>You know, confession of a major feeling me on a

0:35:44.440 --> 0:35:45.640
<v Speaker 30>national podcast.

0:35:46.480 --> 0:35:50.200
<v Speaker 16>Oh my god, Oh what's next, Doctor Field Show? Don't

0:35:50.239 --> 0:35:53.680
<v Speaker 16>forget about old brother. That's right up there with the

0:35:53.760 --> 0:35:55.960
<v Speaker 16>guy that tried to steal a back in front of

0:35:56.040 --> 0:35:59.239
<v Speaker 16>a police station or the other guy that tried to

0:35:59.320 --> 0:36:03.640
<v Speaker 16>steal a car with somebody sitting in it more or

0:36:03.880 --> 0:36:07.200
<v Speaker 16>you even better? Now the guy the little redheaded girl

0:36:07.280 --> 0:36:09.439
<v Speaker 16>that tried to steal a bag of candy in front

0:36:09.520 --> 0:36:10.040
<v Speaker 16>of Brody.

0:36:11.719 --> 0:36:15.040
<v Speaker 2>Why I can't handle that boy. That kills me? All right?

0:36:15.160 --> 0:36:16.759
<v Speaker 1>But you know, getting serious here.

0:36:16.800 --> 0:36:19.120
<v Speaker 16>You know, he was saying that he was tired of

0:36:19.200 --> 0:36:23.319
<v Speaker 16>me doing so many talkbacks on the podcast. He said,

0:36:23.360 --> 0:36:26.840
<v Speaker 16>I did forty seven thousand. I don't believe him. I

0:36:26.960 --> 0:36:30.600
<v Speaker 16>didn't do forty seven thousand. I didn't count that many,

0:36:30.920 --> 0:36:34.239
<v Speaker 16>you know. But you know, I'm gonna be fair and

0:36:34.360 --> 0:36:38.000
<v Speaker 16>I'm gonna take it into consideration and i'm gonna cut

0:36:38.080 --> 0:36:41.279
<v Speaker 16>it down. I'm gonna go ahead and cut it down.

0:36:41.320 --> 0:36:44.439
<v Speaker 16>I'm gonna cut it down to an even forty thousand. That'll,

0:36:44.719 --> 0:36:47.279
<v Speaker 16>hopefully that'll make you happy and a whole bunch of

0:36:47.320 --> 0:36:48.400
<v Speaker 16>other people happy.

0:36:48.480 --> 0:36:48.760
<v Speaker 3>Okay.

0:36:49.160 --> 0:36:51.440
<v Speaker 16>Oh and one more thing, I promise.

0:36:51.680 --> 0:36:52.400
<v Speaker 2>I promise.

0:36:52.480 --> 0:36:55.920
<v Speaker 3>I promise scouts on her Okay, hope to die.

0:36:55.960 --> 0:36:58.960
<v Speaker 16>Stick a needle in my eye. I will not consist

0:36:59.120 --> 0:37:02.200
<v Speaker 16>to any major you're filling these on the podcast. Okay,

0:37:02.520 --> 0:37:05.279
<v Speaker 16>all right, man, So hope you get out soon, and

0:37:05.680 --> 0:37:08.239
<v Speaker 16>you know, keep your spirits up. You're gonna be all right.

0:37:08.360 --> 0:37:10.080
<v Speaker 2>Okay, thank you.

0:37:10.800 --> 0:37:14.239
<v Speaker 34>Hey, Brody, Scary, this is Trish from CET. Like the

0:37:14.400 --> 0:37:18.759
<v Speaker 34>second clip you guys played for a comeback from a

0:37:18.800 --> 0:37:21.560
<v Speaker 34>commercial the Rock and Roll That one was awesome.

0:37:22.440 --> 0:37:22.759
<v Speaker 2>Thank you.

0:37:23.000 --> 0:37:27.640
<v Speaker 3>He got somebody, Brody, congratulations, very proud.

0:37:27.800 --> 0:37:30.799
<v Speaker 34>Hi, this is Trisha from CET leaving a talk back

0:37:30.920 --> 0:37:34.080
<v Speaker 34>on Scary's friend that's not bringing around his girl. Do

0:37:34.080 --> 0:37:37.239
<v Speaker 34>you ever think maybe she could be married or and

0:37:37.360 --> 0:37:40.920
<v Speaker 34>doesn't want to pull a cold play move, or maybe

0:37:41.160 --> 0:37:46.480
<v Speaker 34>she's significantly younger and that would look or maybe she's

0:37:46.520 --> 0:37:47.760
<v Speaker 34>significantly older.

0:37:48.360 --> 0:37:50.399
<v Speaker 1>Who knows, give it a thought.

0:37:50.520 --> 0:37:52.759
<v Speaker 3>Wow, we were only going with the ugly card, but

0:37:52.840 --> 0:37:54.680
<v Speaker 3>it seems like a lot of a lot of people

0:37:54.760 --> 0:37:55.840
<v Speaker 3>play in the married idea.

0:37:56.719 --> 0:37:58.880
<v Speaker 2>Wow, it's pretty crazy to ask him.

0:38:00.120 --> 0:38:00.839
<v Speaker 3>That's pretty wild.

0:38:00.920 --> 0:38:03.080
<v Speaker 2>Actually, let's have him on the podcast and confront him.

0:38:03.520 --> 0:38:07.319
<v Speaker 2>We'll have to we'll have to like disguise his voice,

0:38:07.440 --> 0:38:11.120
<v Speaker 2>like let's let's let's let's tell him it's something else

0:38:11.160 --> 0:38:12.040
<v Speaker 2>that we want to have him on for it, and

0:38:12.040 --> 0:38:13.440
<v Speaker 2>then when he gets on, be like, hey, so, uh,

0:38:13.920 --> 0:38:18.359
<v Speaker 2>how come nobody sees your girlfriend? It's the Brooklyn Boys Podcast.

0:38:20.560 --> 0:38:23.040
<v Speaker 24>Brooklyn, What the hell is this?

0:38:25.800 --> 0:38:26.360
<v Speaker 10>What is it like?

0:38:27.000 --> 0:38:29.799
<v Speaker 3>It's the Brooklyn Boys Podcast, Brody and Scary we are back,

0:38:30.200 --> 0:38:30.600
<v Speaker 3>don't know.

0:38:30.680 --> 0:38:32.279
<v Speaker 2>Hold on a second, I didn't know what the rise

0:38:32.400 --> 0:38:36.400
<v Speaker 2>is playing of this ship. It's not up to you,

0:38:36.640 --> 0:38:38.200
<v Speaker 2>It's up to whoever has the controls.

0:38:39.239 --> 0:38:43.920
<v Speaker 3>Then that sounded like ass sounded great, it's out like

0:38:44.000 --> 0:38:45.839
<v Speaker 3>everybody wanted nice.

0:38:46.600 --> 0:38:48.839
<v Speaker 2>That's terrible. No, it's true.

0:38:48.960 --> 0:38:51.440
<v Speaker 3>Brody's just inserting these in the middle of nowhere. I

0:38:51.440 --> 0:38:55.560
<v Speaker 3>would never do that. What come on?

0:38:55.800 --> 0:38:55.960
<v Speaker 12>Now?

0:38:57.040 --> 0:38:58.160
<v Speaker 2>What are you doing, Brodie?

0:38:58.239 --> 0:38:59.920
<v Speaker 1>The Brooklyn Boys podcast?

0:39:00.160 --> 0:39:00.400
<v Speaker 23>What on?

0:39:00.880 --> 0:39:01.400
<v Speaker 2>What about it?

0:39:09.000 --> 0:39:09.200
<v Speaker 8>Yeah?

0:39:09.840 --> 0:39:10.520
<v Speaker 3>Oh god?

0:39:12.280 --> 0:39:15.040
<v Speaker 2>Can we count? Can we finish up? This last set

0:39:15.120 --> 0:39:19.319
<v Speaker 2>of talk's absolutely absolutely horrendous?

0:39:20.360 --> 0:39:22.319
<v Speaker 10>Hey, old Brooklyn Boys, what it's your boy?

0:39:22.640 --> 0:39:23.160
<v Speaker 1>Asian mic?

0:39:24.080 --> 0:39:24.120
<v Speaker 5>So?

0:39:24.480 --> 0:39:27.000
<v Speaker 1>Uh, free ship for you guys?

0:39:27.360 --> 0:39:28.160
<v Speaker 4>Where'd I send it?

0:39:28.440 --> 0:39:31.359
<v Speaker 22>I'm gonna send you something, Brody, so you can stop

0:39:31.400 --> 0:39:36.520
<v Speaker 22>watching from roast Poclo main.

0:39:36.600 --> 0:39:37.719
<v Speaker 1>With no vegetables.

0:39:37.960 --> 0:39:39.040
<v Speaker 2>Well that's what you can send it.

0:39:40.239 --> 0:39:42.560
<v Speaker 10>Yeah, let me let me get the uh, let me

0:39:42.600 --> 0:39:44.719
<v Speaker 10>get the iddy and then uh, I'll send you something.

0:39:44.800 --> 0:39:45.000
<v Speaker 2>Thank you.

0:39:45.080 --> 0:39:47.720
<v Speaker 3>We dropped that earlier in the podcast. Just scroll Brooken

0:39:47.760 --> 0:39:49.279
<v Speaker 3>Boys Podcast peel Box zero.

0:39:50.640 --> 0:39:54.200
<v Speaker 22>Yeah, you know I'm not working, Brody I'm gonna send

0:39:54.239 --> 0:39:55.640
<v Speaker 22>you so many way, I'm gonna buy it on my

0:39:55.800 --> 0:39:56.360
<v Speaker 22>own pocket.

0:39:57.040 --> 0:39:59.840
<v Speaker 10>And uh, that's that's that's how much I love you.

0:40:00.080 --> 0:40:00.200
<v Speaker 4>Right.

0:40:00.920 --> 0:40:04.120
<v Speaker 10>I appreciate the lot, but I'm going and let me

0:40:04.200 --> 0:40:05.440
<v Speaker 10>get the addy and I'll say you.

0:40:05.760 --> 0:40:07.200
<v Speaker 2>I don't need passive aggressive gifts.

0:40:07.320 --> 0:40:09.040
<v Speaker 3>I'm good, Thank you, Jerry.

0:40:09.360 --> 0:40:12.799
<v Speaker 10>You're not gonna get any uh, sympathy for you as

0:40:12.840 --> 0:40:15.520
<v Speaker 10>for me, all right, because like you just came.

0:40:15.440 --> 0:40:19.320
<v Speaker 22>Back from like yo, what Fiftiethification of the year, and me,

0:40:19.719 --> 0:40:22.480
<v Speaker 22>I lost my job before up before I went on

0:40:22.520 --> 0:40:25.840
<v Speaker 22>my last occasion, and I also got caught in that earthquake.

0:40:25.360 --> 0:40:26.319
<v Speaker 26>Out there when I was there.

0:40:27.560 --> 0:40:29.600
<v Speaker 3>Yeah, it is what is but scary.

0:40:29.760 --> 0:40:33.359
<v Speaker 10>Maybe maybe I'll get you something, but like, just let

0:40:33.400 --> 0:40:36.120
<v Speaker 10>me get the addy, right, and all.

0:40:36.040 --> 0:40:38.120
<v Speaker 2>Four of these he's asked for the address we and

0:40:38.239 --> 0:40:40.120
<v Speaker 2>we did give it to you earlier. Okay, but you

0:40:40.200 --> 0:40:42.239
<v Speaker 2>need to hear it because these are talking this is true,

0:40:42.280 --> 0:40:45.040
<v Speaker 2>but but I don't Yeah, it's okay. You don't need

0:40:45.040 --> 0:40:47.040
<v Speaker 2>to keep you don't need to keep telling him to

0:40:47.120 --> 0:40:49.520
<v Speaker 2>listen earlier in the podcast. He's already heard that message.

0:40:49.520 --> 0:40:51.719
<v Speaker 2>You don't need to send me anything. How good I

0:40:51.840 --> 0:40:53.200
<v Speaker 2>love you Asian Mike no matter what.

0:40:53.480 --> 0:40:57.600
<v Speaker 10>Good Yeah, I mean I haven't doing a lot this year,

0:40:57.719 --> 0:41:01.160
<v Speaker 10>as you can tell. So if I've been keep a

0:41:01.239 --> 0:41:05.279
<v Speaker 10>positive a state positive and pushing through all these obstacles,

0:41:05.400 --> 0:41:09.040
<v Speaker 10>and it's paid off to me, Like look up what

0:41:09.239 --> 0:41:10.440
<v Speaker 10>Maddie when from whom Brunk.

0:41:10.280 --> 0:41:13.919
<v Speaker 22>Said, she said stuck saying floud weekend wedding, And that's

0:41:13.960 --> 0:41:17.680
<v Speaker 22>give me the motivation to uh the can hap to Maddie.

0:41:18.080 --> 0:41:21.759
<v Speaker 2>You know, won her that what she gets from me?

0:41:22.200 --> 0:41:26.239
<v Speaker 2>Because he's good luck, Thank you. Keep up the positive vibes.

0:41:28.200 --> 0:41:29.080
<v Speaker 1>Here, Rody.

0:41:29.120 --> 0:41:30.800
<v Speaker 35>You're talking about the MRI machine.

0:41:31.400 --> 0:41:33.719
<v Speaker 10>So my wife does this to me all the time.

0:41:33.840 --> 0:41:36.320
<v Speaker 5>She's like you better call, you, better double check, make sure.

0:41:36.200 --> 0:41:38.160
<v Speaker 11>They have what you want, because I'm the person that

0:41:38.320 --> 0:41:41.239
<v Speaker 11>disappointed when I get there and it's not there, right,

0:41:41.760 --> 0:41:43.480
<v Speaker 11>So I'm like, no, no, no, no, no, I'm not

0:41:43.560 --> 0:41:46.160
<v Speaker 11>gonna call because I don't want to talk to Sylvia.

0:41:46.960 --> 0:41:50.400
<v Speaker 1>So it's your fault, Rody for not calling not done checking.

0:41:52.560 --> 0:41:55.560
<v Speaker 11>Also it's my fault if you're hearing this twice because

0:41:55.600 --> 0:41:56.720
<v Speaker 11>I didn't want to wait for three.

0:41:56.640 --> 0:41:59.600
<v Speaker 20>Minutes until I had cell service to hit the send button.

0:42:00.000 --> 0:42:00.879
<v Speaker 27>So that's the case.

0:42:01.040 --> 0:42:02.000
<v Speaker 10>My bad crisis.

0:42:02.719 --> 0:42:07.680
<v Speaker 27>It's all good, all right, Scary and Brody and Brody

0:42:07.719 --> 0:42:11.760
<v Speaker 27>and scarys go Rody Na Nie from CT I'm.

0:42:11.600 --> 0:42:12.520
<v Speaker 1>Going to break it down for you.

0:42:13.200 --> 0:42:16.520
<v Speaker 9>If you don't add the BBP the Brooklyn Boys podcast

0:42:16.760 --> 0:42:20.319
<v Speaker 9>as the number one pre set on the iHeartRadio app

0:42:20.840 --> 0:42:23.120
<v Speaker 9>in this county, you are going to jail.

0:42:23.320 --> 0:42:23.759
<v Speaker 4>There it is.

0:42:24.719 --> 0:42:25.560
<v Speaker 2>I was waiting for that.

0:42:25.960 --> 0:42:26.279
<v Speaker 13>Thank you.

0:42:26.480 --> 0:42:30.040
<v Speaker 2>Okay, so Scary thinks that's real. By the way, if

0:42:30.080 --> 0:42:34.000
<v Speaker 2>I could just say the guys at Exclusively Organic Media,

0:42:34.520 --> 0:42:36.000
<v Speaker 2>I hit them up and I asked them if they

0:42:36.040 --> 0:42:39.279
<v Speaker 2>could please do a custom one for me because I

0:42:39.400 --> 0:42:40.120
<v Speaker 2>love their account.

0:42:40.640 --> 0:42:42.600
<v Speaker 4>Here it is, break it down for you. The Brooklyn

0:42:42.640 --> 0:42:44.240
<v Speaker 4>Boys is hosted by Brody and Scary.

0:42:44.640 --> 0:42:46.840
<v Speaker 31>If you say in a conversation it's Scary and Brody

0:42:47.120 --> 0:42:49.640
<v Speaker 31>wrong and in this county you go to jail, I'm

0:42:49.840 --> 0:42:50.080
<v Speaker 31>break it.

0:42:50.520 --> 0:42:52.160
<v Speaker 3>Thank you boy, all right, you can shut that off

0:42:52.239 --> 0:42:56.160
<v Speaker 3>now here you Thanks, I appreciate you, all right, thanks, thank.

0:42:56.040 --> 0:43:00.400
<v Speaker 24>You for the BRONX. So Scary Jones, isn't it the

0:43:00.440 --> 0:43:02.760
<v Speaker 24>morning show turned on you and blamed you is because

0:43:02.840 --> 0:43:05.600
<v Speaker 24>you threw a producer Sam under the bus. You didn't

0:43:05.600 --> 0:43:08.680
<v Speaker 24>take responsibility for what happened. You tried to negate any

0:43:08.840 --> 0:43:13.200
<v Speaker 24>sort of responsibility on your behalf, while Sam came on apologized,

0:43:13.440 --> 0:43:16.000
<v Speaker 24>admitted that part of it was her fault, and you

0:43:16.200 --> 0:43:19.839
<v Speaker 24>continued that's why everybody turned on you, and Brody knew

0:43:19.880 --> 0:43:23.080
<v Speaker 24>what happened without knowing Brooklyn boys, it's Maddy from Brooklyn

0:43:23.120 --> 0:43:23.759
<v Speaker 24>and the Bronx again.

0:43:23.920 --> 0:43:25.960
<v Speaker 36>Ye just wanted to say that I was listening to

0:43:26.040 --> 0:43:28.440
<v Speaker 36>old episodes of an Acquired Taste podcast and I.

0:43:28.560 --> 0:43:32.799
<v Speaker 24>Heard Reggie here. I thought it was hysterical and such

0:43:32.800 --> 0:43:34.360
<v Speaker 24>a little easter egg for me.

0:43:34.800 --> 0:43:39.120
<v Speaker 36>Also, I heard Juan Vasquez on Sauce on the Side

0:43:39.120 --> 0:43:42.200
<v Speaker 36>with Gandhi, So I love that all the slices are

0:43:43.280 --> 0:43:45.080
<v Speaker 36>all into the Elvis Duran family.

0:43:45.400 --> 0:43:48.280
<v Speaker 24>They are Maddy from Brooklyn and the Bronx.

0:43:48.360 --> 0:43:50.800
<v Speaker 23>I just want to say that perhaps the reason that

0:43:50.960 --> 0:43:54.919
<v Speaker 23>Juan Veld does Juan Vasquez does not send you free

0:43:55.000 --> 0:43:59.440
<v Speaker 23>shit for you is that you're perfectly fine allowing the

0:44:00.160 --> 0:44:02.399
<v Speaker 23>first century equivalent of a traveling diet to make fun

0:44:02.440 --> 0:44:06.000
<v Speaker 23>of him on your podcast, just saying.

0:44:06.719 --> 0:44:10.000
<v Speaker 32>He books of this and it's always brought in scary.

0:44:10.520 --> 0:44:16.480
<v Speaker 32>There is painting, extra Bagansta mystery confusion. By the way, uh,

0:44:16.680 --> 0:44:19.160
<v Speaker 32>scary journies. I gave that painting to Andrew, and I

0:44:19.280 --> 0:44:23.600
<v Speaker 32>told Andrew gave it too scary, So he should have said, hey,

0:44:23.840 --> 0:44:26.440
<v Speaker 32>Juan sent you this, just like when I gave the

0:44:26.520 --> 0:44:29.760
<v Speaker 32>painting to Andrew and she brought it up for Gandhy

0:44:30.000 --> 0:44:30.320
<v Speaker 32>got it.

0:44:31.080 --> 0:44:33.760
<v Speaker 4>This should have all been known news.

0:44:34.120 --> 0:44:36.960
<v Speaker 3>That's the same. That's why I didn't know because it

0:44:37.160 --> 0:44:39.360
<v Speaker 3>was hand delivered by Andrew, so I had no clue.

0:44:39.719 --> 0:44:42.800
<v Speaker 2>He books book on this. I apologize, thrown in and scary.

0:44:43.040 --> 0:44:45.680
<v Speaker 3>Continuing on, Well, now, when it comes to paintings, it's

0:44:45.719 --> 0:44:49.239
<v Speaker 3>scary Gandhi and nobody else, and.

0:44:49.360 --> 0:44:52.719
<v Speaker 32>It's always thrown in and scary, continuing on on the

0:44:52.760 --> 0:44:57.480
<v Speaker 32>painting Escandalal so, why didn't I paint Brody? Roddy does

0:44:57.560 --> 0:45:01.000
<v Speaker 32>not recall, But we had this conversation before and we

0:45:01.120 --> 0:45:04.920
<v Speaker 32>had it again. I want to paint Brody, but I

0:45:04.960 --> 0:45:08.399
<v Speaker 32>don't think Brody wants more stuff. He's in a point

0:45:08.440 --> 0:45:12.000
<v Speaker 32>of his life where he wants mini minies have what

0:45:12.160 --> 0:45:16.360
<v Speaker 32>he wants. But if this license and Scary Jones commission it,

0:45:16.920 --> 0:45:18.960
<v Speaker 32>he broken puts you both with this, and it's always

0:45:19.160 --> 0:45:22.960
<v Speaker 32>brody and scary. So let's talk back on the painting extravaganza.

0:45:23.920 --> 0:45:25.880
<v Speaker 32>So if you guys want to paint thing of Brody

0:45:26.239 --> 0:45:30.040
<v Speaker 32>on good old fashioned canvas, it would be a big

0:45:30.120 --> 0:45:36.160
<v Speaker 32>ass canvas. Scary living with talk Bucks. Say yes, paint him,

0:45:37.120 --> 0:45:39.799
<v Speaker 32>and I'll paint him, and then somebody gets to keep.

0:45:39.719 --> 0:45:42.920
<v Speaker 2>It prod scary nobody wants.

0:45:44.680 --> 0:45:49.280
<v Speaker 3>He says, that's the last one he's got filed one.

0:45:49.440 --> 0:45:52.640
<v Speaker 2>I gotta make a new rule. One does when you

0:45:52.760 --> 0:45:55.600
<v Speaker 2>get to a certain point. If you're gonna keep leaving talkbacks,

0:45:55.640 --> 0:45:58.000
<v Speaker 2>that's fine, but you gotta cut the intro out. You

0:45:58.040 --> 0:46:01.600
<v Speaker 2>gotta move it along. And that's the guy whose name

0:46:01.680 --> 0:46:03.080
<v Speaker 2>comes first in your fucking intro.

0:46:03.360 --> 0:46:08.480
<v Speaker 3>So that's when you're in the middle of a sentence.

0:46:08.600 --> 0:46:11.600
<v Speaker 3>Just go to the next just go continue right for momentum.

0:46:12.120 --> 0:46:13.799
<v Speaker 3>Just like when we come out of a commercial break,

0:46:13.840 --> 0:46:15.799
<v Speaker 3>we just go to the next call and not play

0:46:15.840 --> 0:46:17.600
<v Speaker 3>those awful AI intros.

0:46:17.680 --> 0:46:20.520
<v Speaker 2>Oh shut up, tick a book before this, and it's

0:46:20.560 --> 0:46:22.759
<v Speaker 2>always broke and scary. I love you know, I like

0:46:22.840 --> 0:46:23.160
<v Speaker 2>the intro.

0:46:24.320 --> 0:46:29.800
<v Speaker 32>Brody, great job, I like Electric Man. I like Electric

0:46:29.880 --> 0:46:30.480
<v Speaker 32>Man one?

0:46:30.840 --> 0:46:32.239
<v Speaker 2>Are you like Electronics Man?

0:46:33.160 --> 0:46:33.200
<v Speaker 1>Like?

0:46:33.400 --> 0:46:34.200
<v Speaker 2>For last break?

0:46:35.120 --> 0:46:35.840
<v Speaker 4>Female Scott?

0:46:36.600 --> 0:46:38.480
<v Speaker 2>Maybe des can voice over it.

0:46:39.360 --> 0:46:42.480
<v Speaker 32>So there are programs that the slices can voice over

0:46:43.239 --> 0:46:45.440
<v Speaker 32>the jingle or whatever. So maybe we'll do that and

0:46:45.520 --> 0:46:48.279
<v Speaker 32>they'll be hey, book and busy behon on this. And

0:46:48.360 --> 0:46:51.840
<v Speaker 32>it's always burn and scary. Alabama White Sauce is just

0:46:52.000 --> 0:46:55.480
<v Speaker 32>the name of the sus. It's just like Nashville Hot Sauce.

0:46:56.239 --> 0:46:59.040
<v Speaker 32>It's just the name of us. Yes, it sounds kind

0:46:59.080 --> 0:47:06.160
<v Speaker 32>of but now really uh not really that is always

0:47:06.280 --> 0:47:10.239
<v Speaker 32>brod scary. And the last talk back of the day

0:47:12.560 --> 0:47:16.440
<v Speaker 32>breast milk, hm uh scared just say, thought you were

0:47:16.560 --> 0:47:19.080
<v Speaker 32>final on dexter ros and you were not gonna have dexeros.

0:47:19.160 --> 0:47:21.239
<v Speaker 32>But now if it tastes like breast milk, if you

0:47:21.360 --> 0:47:23.919
<v Speaker 32>just want to try it, even though it has dexter ros,

0:47:24.960 --> 0:47:28.400
<v Speaker 32>this is I don't know, and uh I already know.

0:47:30.760 --> 0:47:33.240
<v Speaker 4>From the faucet, so good.

0:47:33.120 --> 0:47:38.360
<v Speaker 2>Look, you know what good catch. And for that reason

0:47:39.000 --> 0:47:39.600
<v Speaker 2>i'd be out.

0:47:40.080 --> 0:47:42.000
<v Speaker 3>Uh if it contains dextrous it might have been one

0:47:42.000 --> 0:47:44.200
<v Speaker 3>of the ingredients I read, and if it is, it's

0:47:44.239 --> 0:47:46.919
<v Speaker 3>not something that I would I would ingest for that reason,

0:47:47.000 --> 0:47:51.759
<v Speaker 3>but not because it's breast milk because dextrous synthetic Well

0:47:51.800 --> 0:47:55.839
<v Speaker 3>it's not. I'm sorry, it's just not it's not not dextros,

0:47:56.000 --> 0:47:59.400
<v Speaker 3>suklos all that stuff, sucrosse bad.

0:47:59.400 --> 0:48:06.640
<v Speaker 2>Awful, not good. Okay, doctor Jones, I'm a TikTok doc.

0:48:06.719 --> 0:48:07.680
<v Speaker 2>Don't don't forget.

0:48:08.200 --> 0:48:12.359
<v Speaker 12>Yeah, Hey, yeah, hey Brooke, Good boys, it's Eddie from

0:48:12.400 --> 0:48:13.400
<v Speaker 12>Old Bridge, New Jersey.

0:48:13.920 --> 0:48:14.560
<v Speaker 1>Mister Brody.

0:48:14.920 --> 0:48:18.560
<v Speaker 12>When you got screwed on that MRI thing, you had

0:48:18.600 --> 0:48:21.200
<v Speaker 12>a call and speak to that crazy Sylvia lady and

0:48:21.280 --> 0:48:23.080
<v Speaker 12>she kept saying, let me do this, let me do that,

0:48:23.120 --> 0:48:25.319
<v Speaker 12>and I know you were getting annoyed, but she did say,

0:48:25.440 --> 0:48:27.759
<v Speaker 12>let me schedule you for an open MRI and you

0:48:27.840 --> 0:48:29.120
<v Speaker 12>were like, no, no, no, it's got to be a

0:48:29.160 --> 0:48:31.759
<v Speaker 12>stand up one. So at the end she really did

0:48:31.840 --> 0:48:33.560
<v Speaker 12>help you out, as annoying as she was.

0:48:34.040 --> 0:48:34.360
<v Speaker 2>See you.

0:48:36.600 --> 0:48:37.360
<v Speaker 3>You hear that, Brody.

0:48:38.920 --> 0:48:41.000
<v Speaker 2>Yeah, but I corrected her and said, no, not an

0:48:41.040 --> 0:48:42.640
<v Speaker 2>open one, an upright one.

0:48:43.239 --> 0:48:45.600
<v Speaker 1>I con from old on you.

0:48:45.760 --> 0:48:49.320
<v Speaker 2>No, I'm still fucking talking. He's back. I would like

0:48:49.400 --> 0:48:54.839
<v Speaker 2>to read for you what dextros is, because you seem

0:48:54.880 --> 0:48:57.759
<v Speaker 2>to think it's something that it isn't. Dextros is a

0:48:57.920 --> 0:49:02.920
<v Speaker 2>normal sugar derived from It is consumed in large If

0:49:03.000 --> 0:49:05.880
<v Speaker 2>consumed in large quantities, it can spike the body's blood

0:49:05.880 --> 0:49:08.760
<v Speaker 2>sugar levels. May increase the risk of several health conditions.

0:49:08.800 --> 0:49:12.400
<v Speaker 2>That's the problem, large large quantities. You could have a

0:49:12.480 --> 0:49:16.560
<v Speaker 2>cup of ice cream with dextros. It's sugar from corn, right,

0:49:16.719 --> 0:49:20.400
<v Speaker 2>but from corn sugar. I like sugar from sugar. I

0:49:20.560 --> 0:49:21.360
<v Speaker 2>like cane sugar.

0:49:21.800 --> 0:49:24.880
<v Speaker 3>I don't want sugar that's derived from anything, because if

0:49:24.920 --> 0:49:28.480
<v Speaker 3>it's derived, the word derive itself means it's not real.

0:49:28.680 --> 0:49:30.920
<v Speaker 2>Because it's not sugar comes And where does sugar come from,

0:49:30.960 --> 0:49:32.560
<v Speaker 2>scary sugar? Cane?

0:49:33.800 --> 0:49:37.560
<v Speaker 3>It's derived from cane. Yeah, but that's the natural form.

0:49:37.719 --> 0:49:40.080
<v Speaker 3>That's how we should be consuming sugar. No other way.

0:49:41.640 --> 0:49:44.879
<v Speaker 3>Sugar could come from other places. Yeah, but there's other

0:49:44.960 --> 0:49:47.000
<v Speaker 3>sweeteners out there that are no good.

0:49:47.120 --> 0:49:50.439
<v Speaker 2>You're talking about artificial sweeteners. And by the way, cane

0:49:50.480 --> 0:49:52.719
<v Speaker 2>sugar is not better than high fructose corn syrup. I

0:49:52.800 --> 0:49:55.200
<v Speaker 2>did my real research and it's the same shit. No,

0:49:55.560 --> 0:49:58.440
<v Speaker 2>cola is not gonna Coca cola is. I'll send you,

0:49:58.560 --> 0:50:00.520
<v Speaker 2>I'll send you the proof proof.

0:50:00.520 --> 0:50:00.839
<v Speaker 4>All right.

0:50:00.880 --> 0:50:02.160
<v Speaker 2>I don't want to get into this. This isn't the

0:50:02.239 --> 0:50:03.080
<v Speaker 2>kind of podcast we do.

0:50:03.239 --> 0:50:06.000
<v Speaker 3>I know him, all right, all right, Brody, you should

0:50:06.080 --> 0:50:08.360
<v Speaker 3>drink soda. Doesn't become healthier when you have sugar in it.

0:50:08.520 --> 0:50:11.120
<v Speaker 3>It's still bad to you listen that that. I don't

0:50:11.120 --> 0:50:14.160
<v Speaker 3>agree that that. I don't argue with sugar is sugar,

0:50:14.440 --> 0:50:17.080
<v Speaker 3>But yes, correct, some sugars are worse than others.

0:50:17.640 --> 0:50:20.960
<v Speaker 12>Any from Old Bridge, New Jersey again uh still on

0:50:21.080 --> 0:50:23.520
<v Speaker 12>episode three forty six, when you went out to box

0:50:23.640 --> 0:50:26.960
<v Speaker 12>called grill, mister Brody, yes, you said, oh it's even

0:50:27.000 --> 0:50:29.400
<v Speaker 12>better because my friend paid for it, even after the

0:50:29.560 --> 0:50:33.480
<v Speaker 12>free appetizers. And then you said, we tipped him nicely.

0:50:34.000 --> 0:50:36.560
<v Speaker 12>So if your friend expensed it, how do you get

0:50:36.800 --> 0:50:38.280
<v Speaker 12>we tipped him nicely.

0:50:39.760 --> 0:50:43.520
<v Speaker 2>I don't think great point to you because we both

0:50:43.600 --> 0:50:47.719
<v Speaker 2>gave a cash tip. That's one, oh we because he

0:50:48.000 --> 0:50:51.360
<v Speaker 2>can't expense a large tip, so to make up for that,

0:50:52.080 --> 0:50:56.080
<v Speaker 2>so you put down cash, so you you partook in that. Yes,

0:50:56.160 --> 0:50:58.440
<v Speaker 2>I put down cash. I made it, I mean, so

0:50:58.520 --> 0:51:01.800
<v Speaker 2>he put down a normal tip up on his and

0:51:01.920 --> 0:51:04.799
<v Speaker 2>I put down a tip in cash because I had

0:51:04.840 --> 0:51:07.560
<v Speaker 2>gotten the the rice balls for free and my meal

0:51:07.680 --> 0:51:08.920
<v Speaker 2>was free because my friend paid for it.

0:51:09.200 --> 0:51:11.200
<v Speaker 3>So I put down cash. But good call on that,

0:51:11.600 --> 0:51:14.080
<v Speaker 3>but try to catch that was good listening, but I

0:51:14.160 --> 0:51:14.799
<v Speaker 3>put cash down.

0:51:14.840 --> 0:51:18.160
<v Speaker 35>That's how hey by boys, Christie Fan Saddlebrook regarding episode

0:51:18.160 --> 0:51:21.240
<v Speaker 35>three forty six, he comeback from commercial jingles.

0:51:21.719 --> 0:51:23.960
<v Speaker 5>I am so so sorry, Brodie.

0:51:24.320 --> 0:51:27.759
<v Speaker 35>I love you to jeth and I usually agree with

0:51:27.880 --> 0:51:31.760
<v Speaker 35>you one hundred percent, but now it's ninety nine percent.

0:51:32.040 --> 0:51:34.960
<v Speaker 35>And I did not like any of the jingles either.

0:51:35.000 --> 0:51:38.320
<v Speaker 35>I'm totally with Scary on this one. They just sounded

0:51:38.400 --> 0:51:40.879
<v Speaker 35>too much for a comeback.

0:51:40.600 --> 0:51:41.600
<v Speaker 5>From a commercial break.

0:51:41.960 --> 0:51:42.439
<v Speaker 1>So sorry.

0:51:42.480 --> 0:51:43.320
<v Speaker 31>I hope you so love me.

0:51:44.440 --> 0:51:46.000
<v Speaker 2>I do love you. I'll toe them down. I'll I'll

0:51:46.000 --> 0:51:47.240
<v Speaker 2>see what I come up with the next.

0:51:47.200 --> 0:51:50.839
<v Speaker 35>By by Boys Christy again. You know, there was one

0:51:51.400 --> 0:51:55.320
<v Speaker 35>jingle that Scary said this could possibly work, and I

0:51:55.480 --> 0:51:58.560
<v Speaker 35>agree with him on that one. It was softer, gentler,

0:52:00.080 --> 0:52:02.839
<v Speaker 35>ease into it. But I really don't think you need

0:52:02.880 --> 0:52:06.480
<v Speaker 35>anything because it does take away from the podcast time.

0:52:06.560 --> 0:52:09.120
<v Speaker 5>It takes away from what you two do best.

0:52:09.280 --> 0:52:12.400
<v Speaker 11>What we all love about you and the podcast.

0:52:13.280 --> 0:52:14.120
<v Speaker 10>That's my two cents.

0:52:14.160 --> 0:52:16.160
<v Speaker 2>Thank you, thank you. I appreciate appreciate it.

0:52:17.120 --> 0:52:17.359
<v Speaker 8>Ah.

0:52:19.280 --> 0:52:21.360
<v Speaker 3>I'm gonna have my victory sip here in just a

0:52:21.400 --> 0:52:25.239
<v Speaker 3>second after this final talk back on the Lifetime Thank

0:52:25.239 --> 0:52:26.400
<v Speaker 3>you very much, ladies and gentlemen.

0:52:27.360 --> 0:52:29.800
<v Speaker 1>Justin Heank Glyn Boys.

0:52:29.920 --> 0:52:33.800
<v Speaker 17>Johann from Miami here calling him in regards to episode

0:52:33.840 --> 0:52:37.920
<v Speaker 17>three forty six, the commercial break songs.

0:52:38.640 --> 0:52:40.040
<v Speaker 1>Those things are bangers.

0:52:40.160 --> 0:52:43.399
<v Speaker 4>Man, Oh shit, I couldn't help but think.

0:52:43.480 --> 0:52:46.160
<v Speaker 17>But do you think next time you have spruce uh,

0:52:46.280 --> 0:52:47.920
<v Speaker 17>the next time you have spruce on you come back

0:52:47.960 --> 0:52:48.640
<v Speaker 17>from a commercial?

0:52:49.400 --> 0:52:51.759
<v Speaker 5>Is scary? Gonna a man him by playing the hip

0:52:51.800 --> 0:52:53.200
<v Speaker 5>hop one exactly.

0:52:53.920 --> 0:52:55.880
<v Speaker 3>And when you say bangers, you mean you bang your

0:52:55.920 --> 0:52:57.280
<v Speaker 3>head against the fucking Walkers.

0:52:57.320 --> 0:53:03.360
<v Speaker 2>They suck. They were terrific. Yeah, they've been banished the

0:53:03.480 --> 0:53:07.400
<v Speaker 2>Brooklyn Boys. We'll see a little later this week on

0:53:07.480 --> 0:53:08.200
<v Speaker 2>the Brooklyn Boys.

0:53:08.280 --> 0:53:11.200
<v Speaker 3>Thanks for participating some of your.

0:53:12.760 --> 0:53:20.480
<v Speaker 2>Slice reactions. This podcast all depends on you, baby

0:53:22.560 --> 0:53:26.160
<v Speaker 10>De Free