1 00:00:00,240 --> 00:00:00,560 Speaker 1: Worry. 2 00:00:00,640 --> 00:00:03,920 Speaker 2: Today's episode will contain spoilers for the Last of US 3 00:00:03,920 --> 00:00:07,120 Speaker 2: season two and of course season one, and maybe some 4 00:00:07,200 --> 00:00:07,840 Speaker 2: of the game too. 5 00:00:08,000 --> 00:00:09,560 Speaker 3: Oh, I think the game is gonna come up. 6 00:00:24,360 --> 00:00:25,599 Speaker 4: Helloa. 7 00:00:25,640 --> 00:00:28,960 Speaker 2: It is Jason Gncepcion and on Mesday Night and welcome 8 00:00:29,000 --> 00:00:30,640 Speaker 2: back to x Ravasion of the Podcast, where we dive 9 00:00:30,720 --> 00:00:33,880 Speaker 2: deep idiot favorite shows, movies, comics of pop culture company 10 00:00:33,920 --> 00:00:36,040 Speaker 2: from my our podcast, We're We're Very three episodes a 11 00:00:36,040 --> 00:00:41,000 Speaker 2: week every Tuesday, Thursday and Friday, plus Dubs News on 12 00:00:41,159 --> 00:00:42,640 Speaker 2: Tatoes News. 13 00:00:42,760 --> 00:00:44,760 Speaker 5: You can only whisper. It's like a lore them me. 14 00:00:45,280 --> 00:00:50,400 Speaker 5: But in today's episode, Wow, we're convening the jackson Hole 15 00:00:50,440 --> 00:00:53,840 Speaker 5: Council or I guess now maybe it's like the Satellite 16 00:00:53,920 --> 00:00:58,240 Speaker 5: Seactle Council for the Last of US season two round 17 00:00:58,560 --> 00:01:04,640 Speaker 5: table off the that pretty shocking finale, which I am 18 00:01:04,800 --> 00:01:08,080 Speaker 5: so excited to see how people felt about it. 19 00:01:08,280 --> 00:01:09,800 Speaker 4: I can't wait to see. 20 00:01:10,160 --> 00:01:14,520 Speaker 5: Dude, this has gonna be crazy divisive, like not necessarily 21 00:01:14,560 --> 00:01:17,880 Speaker 5: in the council, I don't know, but in the bandom, 22 00:01:17,920 --> 00:01:19,600 Speaker 5: like I think people are gonna. 23 00:01:19,319 --> 00:01:20,360 Speaker 4: Be in the fandom. 24 00:01:20,360 --> 00:01:26,280 Speaker 2: Well, listen, that's not considering, that's not especial. Okay, let's 25 00:01:26,280 --> 00:01:30,319 Speaker 2: get into it, all right, folks, please welcome super producers 26 00:01:30,480 --> 00:01:35,200 Speaker 2: Joeell and Aaron to the show. 27 00:01:38,000 --> 00:01:39,720 Speaker 1: Fuel Rage Fire. 28 00:01:40,560 --> 00:01:47,040 Speaker 5: I gotta say, any fucking person who questioned whether Bella 29 00:01:47,160 --> 00:01:51,760 Speaker 5: Ramsey had the juice, they better be swallowing those words 30 00:01:51,840 --> 00:01:54,840 Speaker 5: right now, because this episode is a powerhouse. 31 00:01:54,960 --> 00:01:55,840 Speaker 3: Aaron, how you doing? 32 00:01:56,160 --> 00:01:58,080 Speaker 6: I mean I never questioned whether or not Bella had 33 00:01:58,080 --> 00:02:00,920 Speaker 6: the juice. I questioned whether or not Bella was use 34 00:02:00,960 --> 00:02:04,880 Speaker 6: it like h during in a physical pain, and then 35 00:02:04,920 --> 00:02:05,440 Speaker 6: we see. 36 00:02:05,280 --> 00:02:06,400 Speaker 3: All the bruises on her back. 37 00:02:06,560 --> 00:02:08,280 Speaker 4: All right, yeah, she's getting it. I get it. 38 00:02:08,400 --> 00:02:10,040 Speaker 6: She's this is real stunts. Yeah. 39 00:02:10,160 --> 00:02:11,520 Speaker 4: No, okay, So. 40 00:02:11,560 --> 00:02:16,360 Speaker 2: Let's just quick thirty thousand foot view. What did we 41 00:02:16,400 --> 00:02:20,519 Speaker 2: think of the season before we get to the finale, Joelle, 42 00:02:20,600 --> 00:02:21,280 Speaker 2: Let's start with you. 43 00:02:21,680 --> 00:02:24,320 Speaker 7: Well, I was talking to Aaron before we hopped on Mike, 44 00:02:24,560 --> 00:02:27,400 Speaker 7: and I was fresh. I was like, damn you, Craig, 45 00:02:27,760 --> 00:02:30,480 Speaker 7: because the whole season I was like, wow, this is 46 00:02:30,600 --> 00:02:34,840 Speaker 7: paced so awkwardly, like I don't understand, Like we have 47 00:02:34,919 --> 00:02:37,920 Speaker 7: this great character Isaac Comini, barely spend any time with 48 00:02:38,040 --> 00:02:40,320 Speaker 7: him at all, like or bouncing back and forth. 49 00:02:40,360 --> 00:02:41,480 Speaker 1: We got flashbacks like. 50 00:02:41,480 --> 00:02:44,639 Speaker 4: Handra Hen does handra Han have a line? Does Alma 51 00:02:44,720 --> 00:02:47,040 Speaker 4: you have a line? I mean we just kind of 52 00:02:47,040 --> 00:02:48,960 Speaker 4: see her through a scene. 53 00:02:49,080 --> 00:02:50,800 Speaker 1: Yeah, maybe, like and so it was. 54 00:02:50,880 --> 00:02:53,960 Speaker 7: It was irritating to me because I never felt like 55 00:02:54,000 --> 00:02:56,400 Speaker 7: I was enveloped in the story. The pacing was just 56 00:02:56,440 --> 00:02:59,600 Speaker 7: so jarring. But then this finale was so damn good. 57 00:02:59,680 --> 00:03:02,200 Speaker 7: I was like, it's so good, and it brought me 58 00:03:02,280 --> 00:03:05,280 Speaker 7: back to this. He did an interview with Tony Gilroy 59 00:03:05,360 --> 00:03:09,880 Speaker 7: on his podcast script Writing, script Notes, script Notes Notes, 60 00:03:09,960 --> 00:03:12,880 Speaker 7: and he was saying like, I don't know when I'll 61 00:03:12,880 --> 00:03:14,320 Speaker 7: go back to being able to make a movie like 62 00:03:14,360 --> 00:03:16,359 Speaker 7: I've signed on for this. It's such a long journey. 63 00:03:16,600 --> 00:03:18,760 Speaker 7: I was like, ah, buddy, you made a movie. You 64 00:03:18,800 --> 00:03:20,600 Speaker 7: made a movie instead of a TV show. And I'm 65 00:03:20,600 --> 00:03:22,080 Speaker 7: not even mad about it. 66 00:03:22,080 --> 00:03:23,000 Speaker 1: It's good. 67 00:03:23,480 --> 00:03:25,520 Speaker 7: I just sort of wish we had been able to 68 00:03:25,560 --> 00:03:28,799 Speaker 7: binge it. I think a lot of this fan bs 69 00:03:28,919 --> 00:03:29,799 Speaker 7: like where. 70 00:03:29,560 --> 00:03:31,880 Speaker 1: There were so many people who genuinely enjoyed the game. 71 00:03:31,919 --> 00:03:34,960 Speaker 7: It had genuine critiques that I think we're valid that 72 00:03:35,000 --> 00:03:37,640 Speaker 7: I think might have enjoyed the series a great deal 73 00:03:37,680 --> 00:03:39,800 Speaker 7: more if they had been able to just binge it 74 00:03:39,840 --> 00:03:43,360 Speaker 7: and get the whole idea in one not one sitting 75 00:03:43,360 --> 00:03:43,800 Speaker 7: like one or two? 76 00:03:43,840 --> 00:03:45,760 Speaker 4: Are we and or pilled? Have we been like and 77 00:03:45,960 --> 00:03:47,600 Speaker 4: or season two pilled? Is that the. 78 00:03:47,640 --> 00:03:49,800 Speaker 3: Issue have been hand or pilled? 79 00:03:49,880 --> 00:03:54,000 Speaker 5: I also think that for a show with only seven episodes, 80 00:03:54,040 --> 00:03:57,080 Speaker 5: and I understand, look, we did weekly coverage of this show, 81 00:03:57,200 --> 00:03:59,920 Speaker 5: and we were absolutely not the only podcast or outlet 82 00:04:00,160 --> 00:04:02,920 Speaker 5: do it. Like I get HBO gets the conversation going, 83 00:04:03,320 --> 00:04:06,880 Speaker 5: but I think that in this specific case, if they 84 00:04:06,920 --> 00:04:09,320 Speaker 5: had done a secret binge drop, this would have been 85 00:04:09,360 --> 00:04:12,360 Speaker 5: perceived as such a stronger season because it. 86 00:04:12,360 --> 00:04:13,720 Speaker 3: Is very uneven. 87 00:04:13,840 --> 00:04:17,080 Speaker 5: But I do think that the finale ties things together 88 00:04:17,160 --> 00:04:19,680 Speaker 5: and leaves us in a space where I actually want 89 00:04:19,720 --> 00:04:22,800 Speaker 5: to know what's going to happen. Yeah, it makes the 90 00:04:22,839 --> 00:04:24,960 Speaker 5: journey worth it. Aaron, how did the season sit for you? 91 00:04:25,440 --> 00:04:26,839 Speaker 4: I loved it. I loved it. 92 00:04:26,880 --> 00:04:29,640 Speaker 6: I mean I think in our last roundtable after episode five, 93 00:04:29,800 --> 00:04:33,400 Speaker 6: we briefly talked about how season one felt more focused 94 00:04:33,400 --> 00:04:36,279 Speaker 6: on individual storylines and season two has been all about 95 00:04:36,279 --> 00:04:41,200 Speaker 6: these groups and these armies or these organizations or cities 96 00:04:41,240 --> 00:04:44,000 Speaker 6: and the people within it. And I really felt like 97 00:04:44,040 --> 00:04:46,320 Speaker 6: the season finale did such a good job of showing 98 00:04:47,320 --> 00:04:50,560 Speaker 6: that all of these communities are at risk when one 99 00:04:50,600 --> 00:04:54,200 Speaker 6: individual acts out and is brash and is dangerous and 100 00:04:54,320 --> 00:04:57,440 Speaker 6: goes against what the community maybe should do and then 101 00:04:57,480 --> 00:05:01,800 Speaker 6: suddenly like, you know, whether it be Abby going and 102 00:05:01,880 --> 00:05:05,520 Speaker 6: doing more than the rest of the WLF team wanted 103 00:05:05,920 --> 00:05:09,479 Speaker 6: when they capture Joel and staying longer and then that 104 00:05:09,520 --> 00:05:11,520 Speaker 6: puts all of them at risk and then they're dying, 105 00:05:11,760 --> 00:05:14,599 Speaker 6: or whether it's Ellie like doing things that you know, 106 00:05:14,760 --> 00:05:18,720 Speaker 6: she the town council voted against. Like, it's really interesting 107 00:05:19,360 --> 00:05:21,920 Speaker 6: to see this finale bring it all back together and say, 108 00:05:22,279 --> 00:05:26,240 Speaker 6: this show is still about individual choices and it's sometimes 109 00:05:26,279 --> 00:05:29,560 Speaker 6: a really horrible result for the rest of the people involved. 110 00:05:29,880 --> 00:05:33,440 Speaker 5: Let's talk a little bit more about kind of more 111 00:05:33,560 --> 00:05:37,880 Speaker 5: zoomed in, specifically about the finale. Joel, what was it 112 00:05:37,960 --> 00:05:39,720 Speaker 5: that worked for you and kind of what was your 113 00:05:39,800 --> 00:05:43,400 Speaker 5: journey as you went from that opening all the way 114 00:05:43,440 --> 00:05:46,320 Speaker 5: to that finale, which at the final moments I think 115 00:05:46,360 --> 00:05:47,919 Speaker 5: are going to really have people talking. 116 00:05:48,839 --> 00:05:51,239 Speaker 7: I think so too, Okay, I think two things worked 117 00:05:51,240 --> 00:05:54,720 Speaker 7: for me. One, the thesis of season one seemed to 118 00:05:54,760 --> 00:05:56,680 Speaker 7: be like what will you do for love? 119 00:05:56,760 --> 00:05:57,680 Speaker 1: Like what's the line? 120 00:05:57,920 --> 00:05:58,120 Speaker 7: Right? 121 00:05:58,600 --> 00:05:58,800 Speaker 5: Right? 122 00:05:59,279 --> 00:06:01,880 Speaker 7: In season two, it's all culminated and like what happens 123 00:06:01,880 --> 00:06:05,479 Speaker 7: to the children, and it's so hammered home beautifully in 124 00:06:05,520 --> 00:06:08,919 Speaker 7: this final episode where constantly you know, Ellie's sort of 125 00:06:08,960 --> 00:06:12,200 Speaker 7: predicants whole idea. She's very concerned of like I am 126 00:06:12,240 --> 00:06:14,320 Speaker 7: a good person and my best friend doesn't think so, 127 00:06:14,400 --> 00:06:16,440 Speaker 7: like nobody sees me as being good, and she's like, 128 00:06:16,520 --> 00:06:18,440 Speaker 7: I had to save that kid. I'm a good person, 129 00:06:18,440 --> 00:06:19,320 Speaker 7: Like Joel was a good person. 130 00:06:19,360 --> 00:06:19,919 Speaker 1: He saved me. 131 00:06:20,600 --> 00:06:24,520 Speaker 7: Then later she's betrayed by a child on the banks. 132 00:06:25,080 --> 00:06:27,919 Speaker 7: You know, if she'd been tactically thinking that was a 133 00:06:28,000 --> 00:06:29,600 Speaker 7: very cute little girl, but you might have taken her 134 00:06:29,600 --> 00:06:32,600 Speaker 7: out because you know, survival, it's wild out here. 135 00:06:32,880 --> 00:06:35,000 Speaker 1: And then of course with the tragedy. 136 00:06:34,880 --> 00:06:38,400 Speaker 7: At the end, with a pregnant woman understanding she's dying 137 00:06:38,400 --> 00:06:40,799 Speaker 7: and be like, please just save my kid. What happens 138 00:06:40,800 --> 00:06:44,800 Speaker 7: to the kids, and so to like so strongly repeat 139 00:06:44,880 --> 00:06:49,120 Speaker 7: that theme and really like narrow laser focus it in 140 00:06:49,240 --> 00:06:51,920 Speaker 7: on Ellie. Part two of what really works is Ellie's 141 00:06:52,000 --> 00:06:55,360 Speaker 7: rage is now understandable. I still wish we had a 142 00:06:55,400 --> 00:06:57,640 Speaker 7: little peeps of it, even if it was in her 143 00:06:57,920 --> 00:07:00,799 Speaker 7: silent moments, if she wasn't expressing it with her friends 144 00:07:00,839 --> 00:07:02,640 Speaker 7: or whatever I do, which we had a little bit 145 00:07:02,680 --> 00:07:05,839 Speaker 7: more throughout the season, but for it when the confrontation, 146 00:07:07,800 --> 00:07:10,840 Speaker 7: when she's like, hey, that's I found it. 147 00:07:10,960 --> 00:07:11,880 Speaker 1: That's the wheel on the wheel. 148 00:07:11,920 --> 00:07:15,360 Speaker 7: Okay, I'm gonna go like like there's a storm and 149 00:07:16,040 --> 00:07:18,680 Speaker 7: Tommy's out there, And it was crazy to be like 150 00:07:18,800 --> 00:07:20,440 Speaker 7: Tommy's out there and she's like, yeah, but Tommy would 151 00:07:20,480 --> 00:07:22,960 Speaker 7: want me to go get Joel's killer, and it's like, well, 152 00:07:23,000 --> 00:07:24,000 Speaker 7: Tommy's alive. 153 00:07:24,520 --> 00:07:28,360 Speaker 4: Tommy is alive, right, yeah, you here. You could go 154 00:07:28,400 --> 00:07:28,960 Speaker 4: get it and. 155 00:07:29,120 --> 00:07:31,960 Speaker 7: Still go get revenge for Joel, but you can't even 156 00:07:32,120 --> 00:07:36,760 Speaker 7: differentiate like time and space. You're just so laser focused, 157 00:07:36,800 --> 00:07:40,160 Speaker 7: and like seeing those decisions play out again, and everything 158 00:07:40,200 --> 00:07:44,400 Speaker 7: before and everything after so much more like palpable and intense, 159 00:07:44,800 --> 00:07:47,560 Speaker 7: and I think all of that just calmlated so beautifully together. 160 00:07:47,640 --> 00:07:51,160 Speaker 7: I really enjoyed, like watching those sequences. It was heartbreaking. 161 00:07:52,040 --> 00:07:53,280 Speaker 3: Yeah, I was. 162 00:07:53,440 --> 00:07:55,960 Speaker 5: Shocked actually by how much I enjoyed it because I 163 00:07:56,120 --> 00:08:01,080 Speaker 5: really struggled with uh Nora's death in the season. I 164 00:08:01,120 --> 00:08:03,880 Speaker 5: felt like it didn't feel authentic to Ellie. I felt 165 00:08:03,920 --> 00:08:06,680 Speaker 5: like it was very just like a light switch that 166 00:08:06,760 --> 00:08:09,640 Speaker 5: I didn't really understand why it was turned on, And 167 00:08:09,680 --> 00:08:13,680 Speaker 5: I didn't think that it was particularly well done, and 168 00:08:13,760 --> 00:08:17,280 Speaker 5: I just it made me dislike Ellie, but not in 169 00:08:17,320 --> 00:08:21,200 Speaker 5: a way that felt intentional. But the way that they 170 00:08:21,280 --> 00:08:24,360 Speaker 5: dealt with melan Owen and the changes they made, I 171 00:08:24,400 --> 00:08:26,440 Speaker 5: found it to be incredibly affecting. 172 00:08:27,520 --> 00:08:30,600 Speaker 4: Yeah, I did too. I thought that. I mean that 173 00:08:32,520 --> 00:08:33,640 Speaker 4: the scene where. 174 00:08:35,080 --> 00:08:40,240 Speaker 2: Ellie is trying to figure out how she can follow 175 00:08:40,360 --> 00:08:45,360 Speaker 2: these instructions to save the child are so harrowing and 176 00:08:45,440 --> 00:08:48,440 Speaker 2: hard to watch. And I think also, you know, if 177 00:08:48,480 --> 00:08:52,360 Speaker 2: there's one thing this this season has done right, I 178 00:08:52,400 --> 00:08:57,600 Speaker 2: think it's drilling down on that idea that while Ellie 179 00:08:57,640 --> 00:09:01,360 Speaker 2: is doing something that I think we all all that 180 00:09:01,480 --> 00:09:04,640 Speaker 2: resonates with us in a very human and emotional way, 181 00:09:04,760 --> 00:09:09,359 Speaker 2: you know, revenge justice. You feel like something totally unjustice 182 00:09:09,480 --> 00:09:11,520 Speaker 2: happened and you want to make it right and you 183 00:09:12,760 --> 00:09:15,840 Speaker 2: have it in your power to make it right, and 184 00:09:15,920 --> 00:09:22,440 Speaker 2: at the same time examining how that can turn you 185 00:09:23,760 --> 00:09:26,080 Speaker 2: into like an angel of death. 186 00:09:26,760 --> 00:09:31,200 Speaker 4: You know, even. 187 00:09:34,040 --> 00:09:37,120 Speaker 2: It's like, yeah, you can whisper to her as she's dying, hand, 188 00:09:37,120 --> 00:09:37,960 Speaker 2: I didn't mean it. 189 00:09:37,960 --> 00:09:40,920 Speaker 4: You know, like, what what does that really mean? Yeah? 190 00:09:40,920 --> 00:09:42,080 Speaker 4: What does that really mean? 191 00:09:42,160 --> 00:09:44,560 Speaker 2: To not have meant to do that? And you would 192 00:09:44,559 --> 00:09:48,560 Speaker 2: ask the same of of Joel. And it made me 193 00:09:48,640 --> 00:09:52,040 Speaker 2: think of I watch I watched this show on the 194 00:09:52,040 --> 00:10:08,440 Speaker 2: beleaguered Showtime network, Couple Therapy. 195 00:10:01,920 --> 00:10:03,959 Speaker 5: A couple of Therapy, extra vision crossover. 196 00:10:04,080 --> 00:10:05,559 Speaker 3: It could happen. He love that. 197 00:10:06,120 --> 00:10:10,120 Speaker 2: But she she was talking to this couple who were 198 00:10:10,160 --> 00:10:13,560 Speaker 2: having you know, there's these recriminations going back and forth, 199 00:10:13,960 --> 00:10:17,360 Speaker 2: like you did this, okay, yeah, but like I did 200 00:10:17,400 --> 00:10:20,880 Speaker 2: that because you did this first. And she was like, actually, wait, 201 00:10:20,920 --> 00:10:22,480 Speaker 2: hold on, I want to stop you because it's not 202 00:10:22,520 --> 00:10:26,520 Speaker 2: actually important who did what first. Both partners were like, well, 203 00:10:26,559 --> 00:10:29,720 Speaker 2: I think it is important because it's and she's like, yes, 204 00:10:29,760 --> 00:10:32,520 Speaker 2: in a legal sense, like if we were in a courtroom, 205 00:10:32,679 --> 00:10:38,319 Speaker 2: that's important, right, But in terms of stopping this of 206 00:10:38,400 --> 00:10:46,320 Speaker 2: moving on from this cycle, it's not important. And that 207 00:10:46,520 --> 00:10:48,920 Speaker 2: scene really reminded me of that because I think it's 208 00:10:49,320 --> 00:10:51,679 Speaker 2: you know, we've talked a lot about the changes that 209 00:10:51,720 --> 00:10:55,520 Speaker 2: they've made visa v Elie, and we've talked a lot 210 00:10:55,520 --> 00:10:59,720 Speaker 2: about some of the more unhinged criticisms of Eli. 211 00:11:00,280 --> 00:11:00,920 Speaker 4: They nerved her. 212 00:11:01,000 --> 00:11:06,840 Speaker 2: She's not like this crazy John wa and and I 213 00:11:06,880 --> 00:11:10,880 Speaker 2: think those changes are positive. And I think they're positive 214 00:11:10,960 --> 00:11:13,920 Speaker 2: because of this scene here this is the scene where 215 00:11:14,440 --> 00:11:17,960 Speaker 2: whatever they end up doing, if they end up following 216 00:11:18,000 --> 00:11:22,720 Speaker 2: the kind of blueprint of the game with the in 217 00:11:22,760 --> 00:11:27,720 Speaker 2: the final confrontation between Ellie and Abbey, it's because of this. 218 00:11:27,640 --> 00:11:29,160 Speaker 4: Scene that it will make sense. 219 00:11:31,040 --> 00:11:36,320 Speaker 2: And I just thought it was tremendously impactful and important 220 00:11:36,360 --> 00:11:38,800 Speaker 2: and kind of what the entire show is about is 221 00:11:38,840 --> 00:11:42,840 Speaker 2: like either choose life or choose death, but you can't 222 00:11:43,160 --> 00:11:44,120 Speaker 2: choose them both. 223 00:11:45,200 --> 00:11:50,960 Speaker 6: You really can't choose them both. Aaron, Yeah, this was 224 00:11:50,960 --> 00:11:55,280 Speaker 6: a heartbreaking scene. I mean, mel dying and and just 225 00:11:55,360 --> 00:11:58,600 Speaker 6: whispering you're doing You're doing great, You're doing great, like 226 00:11:58,720 --> 00:12:03,480 Speaker 6: that was heartbreaking. And also I think, really, you know 227 00:12:04,160 --> 00:12:07,160 Speaker 6: season one, the finale of season one opens with Ellie 228 00:12:07,160 --> 00:12:09,920 Speaker 6: being born like her mom is attacked by infected and 229 00:12:09,960 --> 00:12:12,679 Speaker 6: then she is born as her mother is dying and 230 00:12:12,960 --> 00:12:16,960 Speaker 6: is saved by Marlene. But that was like an infected attack, 231 00:12:17,040 --> 00:12:22,120 Speaker 6: and then here we have another living, non infected human 232 00:12:22,640 --> 00:12:26,960 Speaker 6: killing this mother and a much worse outcome where the 233 00:12:26,960 --> 00:12:29,440 Speaker 6: baby does not make it. And it was I think 234 00:12:29,559 --> 00:12:35,000 Speaker 6: just like the change in these two scenes in the finale, 235 00:12:35,080 --> 00:12:38,079 Speaker 6: like like Joelle's talking about with kids with the offspring, 236 00:12:38,120 --> 00:12:42,560 Speaker 6: and like the future generations not working out this time 237 00:12:42,760 --> 00:12:44,400 Speaker 6: feels so depressing and dark. 238 00:12:44,600 --> 00:12:47,880 Speaker 2: And I would argue the worst thing that Ellie did 239 00:12:47,960 --> 00:12:50,280 Speaker 2: was not immediately turn around when she found out that 240 00:12:50,320 --> 00:12:51,559 Speaker 2: Dina is pregnant. 241 00:12:51,240 --> 00:12:52,640 Speaker 4: Like yes, what are you talking about? 242 00:12:52,720 --> 00:12:58,960 Speaker 5: Like and go back even if you know like Dina did, 243 00:12:59,080 --> 00:13:01,439 Speaker 5: she said, Oh, I don't think you know. I want 244 00:13:01,520 --> 00:13:03,360 Speaker 5: revenge too. I don't give a shit. Get on the 245 00:13:03,360 --> 00:13:06,959 Speaker 5: fucking horse. We're going home, Like that's h And I 246 00:13:07,800 --> 00:13:12,000 Speaker 5: really loved what they did with Jesse and Ellie in 247 00:13:12,080 --> 00:13:16,240 Speaker 5: this episode. I think those conversations so. 248 00:13:15,960 --> 00:13:19,480 Speaker 2: He puts the responsibility squarely on her, Hey what about 249 00:13:19,520 --> 00:13:23,680 Speaker 2: my life? What about my relationship with my child too? 250 00:13:24,240 --> 00:13:28,280 Speaker 2: And I'm here bailing you out of this. 251 00:13:29,320 --> 00:13:29,640 Speaker 3: Yeah. 252 00:13:29,679 --> 00:13:32,719 Speaker 5: And I also thought there was something so interesting. 253 00:13:32,800 --> 00:13:34,040 Speaker 3: You know, we have been. 254 00:13:33,960 --> 00:13:37,280 Speaker 5: Quite critical of the way to WLF and the Scars 255 00:13:37,320 --> 00:13:40,480 Speaker 5: have kind of been left as almost these kind of 256 00:13:41,320 --> 00:13:45,760 Speaker 5: archetypal antagonists rather than any kind of given much depth. 257 00:13:46,240 --> 00:13:49,120 Speaker 5: But I thought what was kind of unbelievable in this 258 00:13:49,240 --> 00:13:57,880 Speaker 5: episode was just realizing how absolutely nihilistic and unnecessary the 259 00:13:57,920 --> 00:14:00,720 Speaker 5: whole war is and how clear it's like, actually this 260 00:14:00,880 --> 00:14:04,360 Speaker 5: is fucking stupid, Like you guys could be living in 261 00:14:04,400 --> 00:14:07,320 Speaker 5: this space and there is no need for you to 262 00:14:07,360 --> 00:14:10,280 Speaker 5: be chopping out each other's guts or sniping people, Like 263 00:14:10,360 --> 00:14:12,679 Speaker 5: why the fuck does it matter, Like that's what you're 264 00:14:12,720 --> 00:14:13,560 Speaker 5: choosing to do. 265 00:14:13,840 --> 00:14:19,280 Speaker 7: But then also how ingrained it is, like yeah, no, 266 00:14:19,440 --> 00:14:22,040 Speaker 7: cut her guts, like you're like, oh yeah, it's it's 267 00:14:22,080 --> 00:14:25,000 Speaker 7: so ingrained in how they operate they can't even think 268 00:14:25,520 --> 00:14:29,960 Speaker 7: beyond like like even Abby's rushing in at the end, 269 00:14:30,120 --> 00:14:33,000 Speaker 7: Like you know, in our first interaction with Abby, the 270 00:14:33,040 --> 00:14:36,680 Speaker 7: show makes a change from the games. We understand to 271 00:14:36,760 --> 00:14:40,320 Speaker 7: some extent her decision making, but we're so Unjual's side 272 00:14:40,920 --> 00:14:43,160 Speaker 7: of things where we're and and it's awful to watch 273 00:14:43,200 --> 00:14:45,480 Speaker 7: Ellie have to process this in real time. 274 00:14:46,680 --> 00:14:49,120 Speaker 1: And the end though, you're kind of like, I get 275 00:14:49,120 --> 00:14:50,360 Speaker 1: why you gotta shoot Ellie girl? 276 00:14:50,880 --> 00:14:52,160 Speaker 4: Yeah, yeah, she kills. 277 00:14:51,960 --> 00:14:54,200 Speaker 7: Your pregnant bestie, Like she's out here wreaking havoc. 278 00:14:54,360 --> 00:14:56,520 Speaker 4: You let her go clearly. 279 00:14:56,280 --> 00:15:00,640 Speaker 5: Very close to Abby, whether it's the p A ship 280 00:15:00,720 --> 00:15:05,440 Speaker 5: or whatever. I also think something that was really well 281 00:15:05,480 --> 00:15:08,200 Speaker 5: done is I like the changes they made to Owen 282 00:15:08,240 --> 00:15:12,160 Speaker 5: and Mel's story from the game, like weren't well if 283 00:15:12,520 --> 00:15:15,960 Speaker 5: in the game, Owen kind of like runs away from 284 00:15:15,960 --> 00:15:21,920 Speaker 5: the WLF after he accidentally kills another member, and Mel 285 00:15:22,080 --> 00:15:25,120 Speaker 5: does die, but there is not the It is not 286 00:15:25,280 --> 00:15:29,520 Speaker 5: in the situation where Ellie is like purposefully not gonna 287 00:15:29,560 --> 00:15:31,280 Speaker 5: kill her. It's like she's gonna kill her. Then she 288 00:15:31,320 --> 00:15:34,000 Speaker 5: finds out she's pregnant and she's upset afterwards, and that 289 00:15:34,160 --> 00:15:37,080 Speaker 5: is one of the most heart wrenching parts of part two. 290 00:15:37,600 --> 00:15:39,720 Speaker 5: But I think the way that they did at this time, 291 00:15:39,760 --> 00:15:42,760 Speaker 5: where Ellie clearly did not want to kill either of them, 292 00:15:43,080 --> 00:15:46,000 Speaker 5: but again that cycle of violence Owen has to get 293 00:15:46,000 --> 00:15:49,160 Speaker 5: the gun. Owen doesn't believe that Ellie is going to 294 00:15:49,240 --> 00:15:52,920 Speaker 5: allow them to live, so he tries to kill her, 295 00:15:52,960 --> 00:15:54,880 Speaker 5: and that leads to both of them dying and that 296 00:15:54,960 --> 00:15:58,200 Speaker 5: kind of horrific shock, And this is I'm not gonna lie. 297 00:15:58,200 --> 00:16:00,840 Speaker 5: This is also a trophy love from films and where 298 00:16:00,880 --> 00:16:03,720 Speaker 5: you think somebody has survived and then you realize that 299 00:16:03,840 --> 00:16:05,920 Speaker 5: actually they have also been shot. You know. 300 00:16:06,280 --> 00:16:08,000 Speaker 3: I thought that was so affecting. 301 00:16:08,040 --> 00:16:11,760 Speaker 5: And I also think the actress that plays Mel is 302 00:16:11,960 --> 00:16:16,320 Speaker 5: just unbelievable. The small amount of time that she has 303 00:16:16,480 --> 00:16:21,560 Speaker 5: on screen and the absolute impact that she makes is 304 00:16:21,720 --> 00:16:24,840 Speaker 5: just I want to see her in a million other things. 305 00:16:24,880 --> 00:16:30,160 Speaker 5: I think she's absolutely fantastic. And that moment, like you said, Aaron, 306 00:16:30,240 --> 00:16:36,040 Speaker 5: like when she's telling Ellie like her nursing, her caretaker nature, 307 00:16:36,400 --> 00:16:39,520 Speaker 5: she just can't stop it. So she's kind of saying 308 00:16:39,560 --> 00:16:43,760 Speaker 5: to Ellie like you're doing great, like you you know, 309 00:16:44,560 --> 00:16:48,360 Speaker 5: like she's just so kind to Ariella Bearer, and she 310 00:16:48,560 --> 00:16:53,800 Speaker 5: is just so fantastic. And I think I was already 311 00:16:53,800 --> 00:16:56,120 Speaker 5: a fan of hers from Stargirl, but I just was 312 00:16:56,160 --> 00:16:58,480 Speaker 5: really moved by those scenes, and I felt like they 313 00:16:58,520 --> 00:17:01,720 Speaker 5: gave us a lot more to go on. 314 00:17:01,960 --> 00:17:04,119 Speaker 7: It was like discovering the core of who she was 315 00:17:04,320 --> 00:17:06,960 Speaker 7: exactly right, like if if, if everything else is going 316 00:17:07,080 --> 00:17:09,960 Speaker 7: away and this is just her lizard brain left it. 317 00:17:10,359 --> 00:17:11,520 Speaker 1: This was just a nice woman. 318 00:17:12,359 --> 00:17:13,160 Speaker 4: Yeah, it's really. 319 00:17:13,280 --> 00:17:17,440 Speaker 2: It also made me think about how much one how 320 00:17:17,480 --> 00:17:20,560 Speaker 2: easy it is to become the bad guy without realizing 321 00:17:21,000 --> 00:17:23,640 Speaker 2: Ellie doesn't realize that she is the villain in these 322 00:17:23,640 --> 00:17:28,639 Speaker 2: people's lives, and two, how much like more successful the 323 00:17:28,920 --> 00:17:30,639 Speaker 2: WLF Revenge vision was. 324 00:17:30,680 --> 00:17:33,080 Speaker 4: It's like it's like showing. 325 00:17:34,320 --> 00:17:36,719 Speaker 2: You know what you know, how like you know one 326 00:17:36,760 --> 00:17:39,800 Speaker 2: of the most ancient sayings, revenge is a dish best 327 00:17:39,800 --> 00:17:42,280 Speaker 2: served cold. And here's why it took five years, but 328 00:17:42,320 --> 00:17:45,000 Speaker 2: they got the right They did get the right guy. 329 00:17:45,040 --> 00:17:47,240 Speaker 2: Did they go too far? They tortured him. It's terrible 330 00:17:47,280 --> 00:17:49,600 Speaker 2: what happened. But they got the one guy. 331 00:17:49,680 --> 00:17:52,080 Speaker 7: But they got the coolishment they didn't they got the 332 00:17:52,160 --> 00:17:54,520 Speaker 7: one I think, no extra deaths. 333 00:17:54,640 --> 00:17:57,400 Speaker 4: They got the one guy, Ellie. 334 00:17:57,920 --> 00:17:58,560 Speaker 6: This thing. 335 00:18:00,080 --> 00:18:02,760 Speaker 4: Was safe. They didn't live. 336 00:18:03,000 --> 00:18:06,680 Speaker 2: They let Ellie live, and look at what Ellie's done 337 00:18:06,680 --> 00:18:09,720 Speaker 2: and it's collateral damage. 338 00:18:08,440 --> 00:18:11,560 Speaker 1: But as the show's like final. 339 00:18:11,280 --> 00:18:17,080 Speaker 7: Theme of like community, my apologize one ad okay, it 340 00:18:17,119 --> 00:18:20,520 Speaker 7: also speaks to the show's final theme of community versus 341 00:18:20,600 --> 00:18:21,080 Speaker 7: the self. 342 00:18:21,560 --> 00:18:23,200 Speaker 1: Right, they did it as a community. 343 00:18:23,240 --> 00:18:26,280 Speaker 7: They all made a pack, they always together, they all 344 00:18:26,600 --> 00:18:30,399 Speaker 7: arrived where Ellie is like, I can't get my community 345 00:18:30,400 --> 00:18:31,679 Speaker 7: to back me, I'll just do it myself. 346 00:18:31,720 --> 00:18:35,879 Speaker 5: I also think that is such a great point, Joelle, 347 00:18:35,920 --> 00:18:41,080 Speaker 5: because there's definitely an argument that if Ellie had not gone, 348 00:18:42,440 --> 00:18:45,920 Speaker 5: the community at some point would have returned. 349 00:18:45,720 --> 00:18:46,600 Speaker 3: To that idea. 350 00:18:46,840 --> 00:18:51,119 Speaker 5: I think it was clearly yeah, it was just not right. 351 00:18:51,200 --> 00:18:51,480 Speaker 3: Now. 352 00:18:51,720 --> 00:18:55,400 Speaker 5: Okay, so let's let's go to an ad break because 353 00:18:55,440 --> 00:18:56,760 Speaker 5: I think the next thing I want to talk about 354 00:18:56,800 --> 00:18:59,280 Speaker 5: is probably going to be a long, a long chance. 355 00:19:16,080 --> 00:19:18,359 Speaker 3: However, Aaron and Joel. 356 00:19:18,400 --> 00:19:22,680 Speaker 5: I would love to know your thoughts on Dina and 357 00:19:22,760 --> 00:19:25,760 Speaker 5: Ellie having the conversation that didn't happen in the game 358 00:19:25,800 --> 00:19:29,080 Speaker 5: where Ellie tells Dina what Joel did, because I found 359 00:19:29,160 --> 00:19:34,119 Speaker 5: that to be such a nerve racking scene, and I 360 00:19:34,160 --> 00:19:37,199 Speaker 5: think it does kind of change and shift where we 361 00:19:37,280 --> 00:19:38,560 Speaker 5: leave them at the end of the season. 362 00:19:38,600 --> 00:19:39,840 Speaker 3: Aaron, how did that work for you? 363 00:19:40,520 --> 00:19:44,440 Speaker 6: It felt in the beginning, I felt like Dina reacted 364 00:19:44,480 --> 00:19:46,760 Speaker 6: too harshly, and then the next morning she's like over 365 00:19:46,800 --> 00:19:48,439 Speaker 6: it and gives her the bracelet, and I was like, 366 00:19:48,480 --> 00:19:51,920 Speaker 6: that actually feels very real, Like someone you love tells 367 00:19:51,960 --> 00:19:56,160 Speaker 6: you something and you yes, you have two drastically different reactions, 368 00:19:56,160 --> 00:19:59,240 Speaker 6: and then in the end you're like, well, what to 369 00:19:59,280 --> 00:20:01,840 Speaker 6: talk about this more later? But like you shocked me 370 00:20:01,880 --> 00:20:04,240 Speaker 6: with this, but yeah, I know that there's other things 371 00:20:04,240 --> 00:20:07,919 Speaker 6: we're dealing with. So I liked that. I like that 372 00:20:07,960 --> 00:20:09,720 Speaker 6: this show I feel like gets a lot of these 373 00:20:09,720 --> 00:20:15,320 Speaker 6: interpersonal things correct or feeling very authentic and real, and 374 00:20:15,320 --> 00:20:17,480 Speaker 6: not just in a way that it was like, Okay, 375 00:20:17,520 --> 00:20:20,320 Speaker 6: I forgive you and then three episodes later, we should 376 00:20:20,320 --> 00:20:22,359 Speaker 6: go back to this or something like. It felt that 377 00:20:22,400 --> 00:20:23,520 Speaker 6: felt authentic so I. 378 00:20:23,480 --> 00:20:25,280 Speaker 5: Really there is an urgency, you know. 379 00:20:25,440 --> 00:20:25,640 Speaker 4: Yes. 380 00:20:25,800 --> 00:20:29,479 Speaker 5: I also think that I have been quite you know, 381 00:20:29,800 --> 00:20:33,159 Speaker 5: loudly critical this season of how I feel like the 382 00:20:33,200 --> 00:20:36,880 Speaker 5: writing has let down Dina and Ellie often when they're 383 00:20:36,920 --> 00:20:41,760 Speaker 5: by themselves. But I think this is a season high 384 00:20:41,840 --> 00:20:45,560 Speaker 5: for like and not just a season, but also a series. 385 00:20:45,600 --> 00:20:49,160 Speaker 5: I think this episode is incredible, and there were multiple moments, 386 00:20:49,160 --> 00:20:51,560 Speaker 5: but this was kind of the first big one where 387 00:20:51,600 --> 00:20:54,000 Speaker 5: I was like, Okay, they locked in, they got it, 388 00:20:54,200 --> 00:20:59,159 Speaker 5: Like whoever? This That conversation felt so real and so painful, 389 00:20:59,320 --> 00:21:02,720 Speaker 5: and I felt like Bella was just firing on all cylinders. 390 00:21:02,800 --> 00:21:05,239 Speaker 5: Isabella is so incredible when it comes to kind of 391 00:21:05,680 --> 00:21:10,960 Speaker 5: micro emotions and just how horrified because the thing is 392 00:21:11,000 --> 00:21:17,000 Speaker 5: about this secret is that it affects every single person 393 00:21:17,040 --> 00:21:19,879 Speaker 5: on Earth. It affects your best friend, it affects your enemy. 394 00:21:20,560 --> 00:21:23,040 Speaker 5: And I just thought it was quite astounding. And I 395 00:21:23,800 --> 00:21:28,159 Speaker 5: was disappointed that we didn't get the Joel and Tommy conversation, 396 00:21:28,320 --> 00:21:30,240 Speaker 5: but I think this ended up being a good change. 397 00:21:30,320 --> 00:21:31,520 Speaker 3: Joell, how did it work for you? 398 00:21:32,440 --> 00:21:35,760 Speaker 7: It highlighted so many things which I thought was really interesting, 399 00:21:36,320 --> 00:21:40,399 Speaker 7: Like before this scene you have Jesse standing outside with 400 00:21:40,440 --> 00:21:43,119 Speaker 7: the gun, he's skeptical of whether it's Ellie. He decides 401 00:21:43,160 --> 00:21:47,359 Speaker 7: it is her, lets her in, but he's laid Dina 402 00:21:47,480 --> 00:21:49,520 Speaker 7: up there, like covered her with a blanket, like he's 403 00:21:49,640 --> 00:21:53,720 Speaker 7: playing protect her outside. And there's this really discussion he 404 00:21:53,760 --> 00:21:55,560 Speaker 7: has later with Ellie where he's like, yeah, I love her, 405 00:21:55,560 --> 00:21:58,480 Speaker 7: but it's not quite the same. He's like, I've been 406 00:21:58,480 --> 00:22:01,919 Speaker 7: in like real love before, and it's different. You just 407 00:22:01,960 --> 00:22:05,280 Speaker 7: see how like Dina and Ellie are in love, but 408 00:22:05,320 --> 00:22:09,280 Speaker 7: in a way that isn't sort of the sappy, like 409 00:22:09,359 --> 00:22:12,800 Speaker 7: overly performative. They're equals like in every like Dina's hurt 410 00:22:12,840 --> 00:22:14,479 Speaker 7: and she was like move over, like I'm gonna take 411 00:22:14,520 --> 00:22:15,000 Speaker 7: care of you. 412 00:22:15,080 --> 00:22:16,960 Speaker 1: Like there is no looking there. 413 00:22:17,000 --> 00:22:19,840 Speaker 7: They're just completely meeting each other at the same point, 414 00:22:19,920 --> 00:22:21,439 Speaker 7: and it's so beautiful. And so then when you have 415 00:22:21,560 --> 00:22:26,960 Speaker 7: this like very vulnerable Ellie, like you completely understand Dina's 416 00:22:27,040 --> 00:22:29,080 Speaker 7: like heartbreak, like we didn't have to be you knew, 417 00:22:29,400 --> 00:22:31,359 Speaker 7: you knew all of this, and you didn't let me 418 00:22:31,400 --> 00:22:33,760 Speaker 7: make a full decision, and that's frustrating. 419 00:22:33,840 --> 00:22:35,960 Speaker 3: Great, but again. 420 00:22:35,760 --> 00:22:38,119 Speaker 7: Even in the next day for like that to carry over, 421 00:22:39,280 --> 00:22:41,359 Speaker 7: you know, Jesse, the first thing he's like, you should 422 00:22:41,359 --> 00:22:44,600 Speaker 7: not be up. She's like, I got this, like to 423 00:22:44,640 --> 00:22:48,000 Speaker 7: say goodbye, I can barricade the door. She is pregnant. 424 00:22:48,000 --> 00:22:50,439 Speaker 7: They should have gone back, but like she feels like 425 00:22:50,440 --> 00:22:53,080 Speaker 7: a badass bitch, like she's really strong. She made she 426 00:22:53,160 --> 00:22:56,560 Speaker 7: did not have fully informed like ability to make a 427 00:22:56,640 --> 00:22:59,879 Speaker 7: complete decision, but she did want to be by l 428 00:23:00,160 --> 00:23:02,879 Speaker 7: as you would have. I think made the choice to 429 00:23:02,960 --> 00:23:05,359 Speaker 7: still calm and still protect her. I think that they're 430 00:23:05,440 --> 00:23:09,200 Speaker 7: that locked in, and because of that, it makes like again, 431 00:23:09,320 --> 00:23:11,840 Speaker 7: just everything going forward much more interesting. I wish we 432 00:23:11,880 --> 00:23:14,879 Speaker 7: could have had some smaller moments like this before I 433 00:23:15,080 --> 00:23:17,800 Speaker 7: point Rosie, but this, they nailed this. 434 00:23:18,280 --> 00:23:19,160 Speaker 3: Yeah they did. 435 00:23:20,119 --> 00:23:24,760 Speaker 5: It also kind of leads to another big conversation, which 436 00:23:24,800 --> 00:23:32,560 Speaker 5: is really like, what do you guys feel about the 437 00:23:32,600 --> 00:23:37,680 Speaker 5: way that kind of Jesse interacts with Ellie this episode 438 00:23:37,760 --> 00:23:41,600 Speaker 5: and with Dina and that kind of realistic conversations that 439 00:23:41,640 --> 00:23:46,720 Speaker 5: they're having, and kind of the notion of where this 440 00:23:46,840 --> 00:23:51,479 Speaker 5: could go, how Ellie views juty, how and loyalty and 441 00:23:51,520 --> 00:23:54,320 Speaker 5: how Jesse views it, and kind of the when Jesse 442 00:23:54,440 --> 00:23:57,840 Speaker 5: talks about the pressure of knowing everyone wants him to be, 443 00:23:58,040 --> 00:24:01,600 Speaker 5: you know, the next Maria. That stuff was like pretty 444 00:24:01,600 --> 00:24:06,160 Speaker 5: incredible and obviously it makes the end of the episode 445 00:24:06,240 --> 00:24:07,640 Speaker 5: like even more heartbreaking. 446 00:24:07,680 --> 00:24:08,959 Speaker 3: Aaron I really liked it. 447 00:24:09,000 --> 00:24:10,560 Speaker 4: I thought it was really important. 448 00:24:10,720 --> 00:24:14,880 Speaker 2: I thought, I thought that there is there's something very 449 00:24:14,960 --> 00:24:20,840 Speaker 2: real in Ellie's kind of knee jerk reaction to Jesse 450 00:24:21,200 --> 00:24:24,280 Speaker 2: trying to be a sincerely good person by being like, 451 00:24:24,280 --> 00:24:27,960 Speaker 2: you're such a fucking nerd, Like that is really you know, 452 00:24:29,359 --> 00:24:32,439 Speaker 2: trying to be good and do good things is often 453 00:24:32,600 --> 00:24:37,520 Speaker 2: like the corniest fucking thing possible, like in real life. 454 00:24:37,840 --> 00:24:40,240 Speaker 4: And so I thought that that felt. 455 00:24:40,040 --> 00:24:42,160 Speaker 2: Very true for Ellie to be like, oh, so you're 456 00:24:42,160 --> 00:24:44,359 Speaker 2: good and I'm bad because like I'm on a revenge 457 00:24:44,400 --> 00:24:46,680 Speaker 2: mission and you just like want to run Jackson. Well, 458 00:24:47,520 --> 00:24:50,119 Speaker 2: but I thought that it was really important that Jesse 459 00:24:50,280 --> 00:24:53,719 Speaker 2: b not just like the voice of reason, but like 460 00:24:53,840 --> 00:24:58,240 Speaker 2: the voice the person who calls her out. Yeah, from 461 00:24:58,280 --> 00:25:03,320 Speaker 2: a from a place of actual responsibility. Here's a person 462 00:25:04,240 --> 00:25:07,320 Speaker 2: who is going above and beyond to be responsible not 463 00:25:07,400 --> 00:25:10,679 Speaker 2: just for your life but for everybody's life here, and 464 00:25:10,800 --> 00:25:14,040 Speaker 2: look at how reckless you're being in this moment. And 465 00:25:14,119 --> 00:25:19,199 Speaker 2: I thought that was And I thought that Ellie's anger 466 00:25:19,240 --> 00:25:25,280 Speaker 2: and frustration at him, the way she calls him out 467 00:25:25,320 --> 00:25:27,320 Speaker 2: for oh, yeah, like you're good and I'm bad and 468 00:25:27,359 --> 00:25:29,000 Speaker 2: I'm such a piece of shit. I thought that was 469 00:25:29,160 --> 00:25:35,320 Speaker 2: so real because it that's that hit home for her. 470 00:25:35,480 --> 00:25:38,760 Speaker 2: You can tell that it hit her that she knew 471 00:25:39,000 --> 00:25:43,280 Speaker 2: in that moment, Oh yeah, I'm this is really like 472 00:25:43,640 --> 00:25:44,480 Speaker 2: stupid when. 473 00:25:44,359 --> 00:25:47,320 Speaker 5: I'm doing not that shup like not ever. 474 00:25:48,240 --> 00:25:50,960 Speaker 2: Yeah, not that this isn't a worthy thing to do, 475 00:25:51,080 --> 00:25:56,080 Speaker 2: but the way it's happening right now is irresponsible. 476 00:25:56,200 --> 00:25:57,000 Speaker 4: It's reckless. 477 00:25:57,080 --> 00:26:02,000 Speaker 2: I've put many people's lives in danger for something that 478 00:26:04,480 --> 00:26:07,200 Speaker 2: is for me, is something that I want, not what's 479 00:26:07,280 --> 00:26:11,800 Speaker 2: best for everybody. And I thought that was really important. 480 00:26:11,840 --> 00:26:13,800 Speaker 2: I thought that was really important that he said that 481 00:26:14,000 --> 00:26:17,480 Speaker 2: to her and put that weight on her shoulders, said explicitly, 482 00:26:18,040 --> 00:26:21,480 Speaker 2: you're responsible for all of these lives, all of these 483 00:26:21,520 --> 00:26:24,840 Speaker 2: people that came out here to save you, that broke 484 00:26:25,600 --> 00:26:28,640 Speaker 2: the compact and the contract they had with their larger 485 00:26:28,680 --> 00:26:32,280 Speaker 2: community just to save you. Realize all the people that 486 00:26:32,400 --> 00:26:36,200 Speaker 2: broke their word to save you because they care about you. 487 00:26:37,200 --> 00:26:40,879 Speaker 2: And when he says listen, I know you'd storm the 488 00:26:40,920 --> 00:26:44,000 Speaker 2: gates of health to get me, what he's also saying 489 00:26:44,160 --> 00:26:49,800 Speaker 2: is realize your responsibility to these other people around you. Okay, 490 00:26:49,880 --> 00:26:51,879 Speaker 2: what's the hardest thing that you would do. 491 00:26:53,600 --> 00:26:56,879 Speaker 4: For them? And think about doing that now. 492 00:26:57,400 --> 00:26:58,000 Speaker 6: Yeah. 493 00:26:58,040 --> 00:27:00,560 Speaker 5: I also found that to be a very interesting moment. 494 00:27:00,640 --> 00:27:03,200 Speaker 5: It makes me want to cry, actually, because I do 495 00:27:03,280 --> 00:27:06,520 Speaker 5: think that again, this is some of the best writing 496 00:27:06,560 --> 00:27:10,479 Speaker 5: of this season because it's so real and it's Ellie 497 00:27:10,600 --> 00:27:14,640 Speaker 5: is Her defensiveness is so relatable, like if you've ever 498 00:27:14,720 --> 00:27:17,280 Speaker 5: been the one who caused the problem and then somebody 499 00:27:18,080 --> 00:27:21,919 Speaker 5: tells you, it's like that the worst fucking feeling in 500 00:27:21,960 --> 00:27:24,800 Speaker 5: the world, and we've all been there. And I also 501 00:27:25,000 --> 00:27:29,080 Speaker 5: love how much depth they gave to Jesse, how much 502 00:27:29,160 --> 00:27:33,160 Speaker 5: reality about like he tells her, he gave up real love. 503 00:27:33,240 --> 00:27:35,840 Speaker 5: He gave up that kind of head rush love that 504 00:27:35,880 --> 00:27:37,840 Speaker 5: you get where you're both falling for each other and 505 00:27:37,880 --> 00:27:40,600 Speaker 5: it's the best feeling in the world because he knew 506 00:27:40,800 --> 00:27:43,760 Speaker 5: that he couldn't abandon the people who raised him, you 507 00:27:43,800 --> 00:27:46,400 Speaker 5: know it. And I also think there's an interesting parallel 508 00:27:46,440 --> 00:27:52,200 Speaker 5: there to the loyalty that Ellie feels for Joel, because 509 00:27:52,240 --> 00:27:55,160 Speaker 5: that is why Joel was her community and I loved 510 00:27:55,200 --> 00:27:59,080 Speaker 5: that line. I'm also very interested to see where they 511 00:27:59,200 --> 00:28:02,080 Speaker 5: take this because one of the big criticisms of Last 512 00:28:02,080 --> 00:28:04,399 Speaker 5: of Us two is when Jesse is killed by Abby. 513 00:28:05,160 --> 00:28:09,119 Speaker 5: It is very much like she says, like Jesse and 514 00:28:09,160 --> 00:28:11,600 Speaker 5: then that's kind of it and there's not necessarily like 515 00:28:11,640 --> 00:28:16,439 Speaker 5: a lot of retribution, or it's not often spoken about, 516 00:28:16,520 --> 00:28:18,919 Speaker 5: and she just kind of gets on with it. But 517 00:28:19,000 --> 00:28:21,320 Speaker 5: I feel like after that conversation, there's no way that's 518 00:28:21,359 --> 00:28:23,719 Speaker 5: going to be the case here. And I think that 519 00:28:23,880 --> 00:28:26,760 Speaker 5: coming to terms with it and understanding. You know, a 520 00:28:26,800 --> 00:28:31,040 Speaker 5: lot of people have been asking what is how are 521 00:28:31,040 --> 00:28:33,720 Speaker 5: they going to end this show when we've already had 522 00:28:33,760 --> 00:28:37,880 Speaker 5: the porch flashback. Maybe it's not just about Joel. Maybe 523 00:28:37,880 --> 00:28:40,960 Speaker 5: Ellie's choice to forgive is about Jesse. Maybe it's about 524 00:28:41,000 --> 00:28:41,720 Speaker 5: somebody else. 525 00:28:41,880 --> 00:28:47,040 Speaker 2: Yeah, I think another reason why this and Mel's death, 526 00:28:47,440 --> 00:28:50,800 Speaker 2: the Jesse scene and Mel's death are so important. Are 527 00:28:51,240 --> 00:28:54,720 Speaker 2: they lay the groundwork for Ellie taking responsibility for everything 528 00:28:54,760 --> 00:28:57,920 Speaker 2: that's happened and not putting it on Abby. Yes, Abby 529 00:28:58,000 --> 00:29:03,880 Speaker 2: killed Jesse. Jesse's only there because Ellie went there alone 530 00:29:04,320 --> 00:29:07,600 Speaker 2: drug Dina, the mother of Jesse's child, and made all 531 00:29:07,640 --> 00:29:10,160 Speaker 2: these people come after her, and then refused to go 532 00:29:10,280 --> 00:29:12,520 Speaker 2: back when they had the chance to go back. So 533 00:29:12,640 --> 00:29:15,360 Speaker 2: I think that it's gonna be very important for that turn, 534 00:29:15,440 --> 00:29:17,800 Speaker 2: if that's the way they decide to go, because you're 535 00:29:17,800 --> 00:29:21,200 Speaker 2: going to realize she actually doesn't blame Abby for that death. 536 00:29:21,240 --> 00:29:22,960 Speaker 4: It's her fault she did that. 537 00:29:27,200 --> 00:29:31,000 Speaker 2: I wanted to bring up recent some Oh, let's let's 538 00:29:31,000 --> 00:29:34,720 Speaker 2: take a quick break and then come back talk more 539 00:29:34,800 --> 00:29:52,920 Speaker 2: or less of us too, and we're back. So Craig 540 00:29:52,960 --> 00:29:57,000 Speaker 2: Mason recently came out and said he expects season three 541 00:29:57,040 --> 00:30:00,320 Speaker 2: to be longer than season two, saying there's no way 542 00:30:00,320 --> 00:30:02,880 Speaker 2: to complete this narrative in a third season, especially listen, 543 00:30:03,400 --> 00:30:05,320 Speaker 2: at which point I wanted to say, yeah, especially if 544 00:30:05,320 --> 00:30:06,840 Speaker 2: you only do seven episodes. 545 00:30:08,040 --> 00:30:09,200 Speaker 4: Let's figure out how to do more. 546 00:30:09,880 --> 00:30:12,640 Speaker 5: Yeah, but game timeline wise, I also think that's an 547 00:30:12,760 --> 00:30:17,440 Speaker 5: absolutely wild thing to say, unless there's a specific route 548 00:30:17,440 --> 00:30:18,640 Speaker 5: that they go, which is what I think they're going 549 00:30:18,680 --> 00:30:18,840 Speaker 5: to do. 550 00:30:18,880 --> 00:30:21,800 Speaker 6: But yeah, that's just shocking someone who's not played the game. 551 00:30:21,880 --> 00:30:24,040 Speaker 6: How the percentage of the way through game two are 552 00:30:24,080 --> 00:30:27,120 Speaker 6: we right now? Roughly seventy? 553 00:30:27,720 --> 00:30:31,320 Speaker 5: Yeah, you could finish it in season three, but I 554 00:30:31,360 --> 00:30:36,200 Speaker 5: think my guess is that they will. Season three will 555 00:30:36,240 --> 00:30:38,960 Speaker 5: basically just be Abby's journey. I think that's the only 556 00:30:39,000 --> 00:30:39,360 Speaker 5: way it. 557 00:30:39,320 --> 00:30:42,520 Speaker 4: Makes Mostly I think it would mostly Abby's. 558 00:30:42,240 --> 00:30:44,080 Speaker 5: Journey and then you get to this moment, and then 559 00:30:44,120 --> 00:30:46,680 Speaker 5: I guess season four is going to be however they 560 00:30:46,760 --> 00:30:52,880 Speaker 5: want to expand out this Abby and Ellie moment, but yeah, 561 00:30:52,920 --> 00:30:56,040 Speaker 5: hopefully longer. I would say eight episodes. I would have 562 00:30:56,080 --> 00:31:00,760 Speaker 5: loved an extra episode in this season for sure. But yeah, 563 00:31:01,400 --> 00:31:04,800 Speaker 5: very interesting to say that in the lead up to 564 00:31:04,840 --> 00:31:07,800 Speaker 5: the final episode when yeah, we are we are almost 565 00:31:07,840 --> 00:31:08,520 Speaker 5: done with the game. 566 00:31:09,400 --> 00:31:11,040 Speaker 6: You know what extra episode we should have gotten? We 567 00:31:11,040 --> 00:31:12,600 Speaker 6: should have gotten a Jesse episode. 568 00:31:12,760 --> 00:31:15,480 Speaker 5: Oh god, damn, you're so right. I would have fucking 569 00:31:16,080 --> 00:31:19,000 Speaker 5: I agree, especially like young Massino, like don't waste him. 570 00:31:19,120 --> 00:31:21,200 Speaker 1: Yea honestly lucky so talent. 571 00:31:21,320 --> 00:31:25,800 Speaker 4: I love Esse Jesse so much it may happen, we 572 00:31:25,840 --> 00:31:26,480 Speaker 4: may get that. 573 00:31:26,720 --> 00:31:27,320 Speaker 1: I do. That's a. 574 00:31:29,160 --> 00:31:30,280 Speaker 6: Two weeks with the painter. 575 00:31:31,480 --> 00:31:33,680 Speaker 7: First of all, that would have been a great like 576 00:31:34,120 --> 00:31:37,120 Speaker 7: and the same way I think Happy Journey at the 577 00:31:37,160 --> 00:31:39,720 Speaker 7: top would have been really great to see like her, 578 00:31:39,880 --> 00:31:42,920 Speaker 7: like the story you knowd about her eight year old self, uh, 579 00:31:43,080 --> 00:31:45,440 Speaker 7: discovering her family and stuff. I do sort of wish 580 00:31:45,520 --> 00:31:48,280 Speaker 7: we had like a bunch of vignettes of like Jackson Hole, 581 00:31:48,560 --> 00:31:51,040 Speaker 7: like in the same way we have those kickoffs at 582 00:31:51,120 --> 00:31:54,440 Speaker 7: the in season one where it's like, oh, this is 583 00:31:54,480 --> 00:31:55,800 Speaker 7: someone predicting. 584 00:31:55,400 --> 00:31:56,720 Speaker 1: That mushrooms could survive. 585 00:31:56,800 --> 00:31:59,480 Speaker 7: Oh this is someone discovering like, oh, you gotta bomb 586 00:31:59,520 --> 00:32:01,440 Speaker 7: things because it's gonna get a hand so fast. 587 00:32:01,560 --> 00:32:04,560 Speaker 5: Gray, that's a great point that feels so different to 588 00:32:04,640 --> 00:32:06,720 Speaker 5: anything we got in season two. I would have loved 589 00:32:06,760 --> 00:32:10,080 Speaker 5: a little bit, a little bit better an anthology sprinkle. 590 00:32:11,440 --> 00:32:11,640 Speaker 1: Percent. 591 00:32:11,720 --> 00:32:14,200 Speaker 7: I think those moments were great. And just to quickly 592 00:32:14,240 --> 00:32:16,479 Speaker 7: circle back to Jesse, I think the way they made 593 00:32:16,560 --> 00:32:19,600 Speaker 7: us fall in love with Jesse, like he was the 594 00:32:19,720 --> 00:32:21,640 Speaker 7: future and you've ruined it. 595 00:32:21,880 --> 00:32:27,680 Speaker 5: He's the most thoughtful, kind, empathetic, generous. He's so generous 596 00:32:27,680 --> 00:32:30,800 Speaker 5: with his time with his friendship. Like the fact that 597 00:32:30,840 --> 00:32:35,760 Speaker 5: he didn't just disown Ellie when she essentially like started 598 00:32:35,800 --> 00:32:39,000 Speaker 5: immediately dating his girlfriend. Like he had such a fantastic 599 00:32:39,120 --> 00:32:40,400 Speaker 5: vision of what a community came. 600 00:32:40,440 --> 00:32:41,080 Speaker 1: Back for me? 601 00:32:41,120 --> 00:32:43,840 Speaker 7: Why such addic to him? 602 00:32:43,880 --> 00:32:46,960 Speaker 2: He was still such a piece of shit. It felt 603 00:32:47,000 --> 00:32:48,840 Speaker 2: like such a piece of shit to him. 604 00:32:49,120 --> 00:32:51,840 Speaker 6: Jesse was like Captain America and Ellie's like Wolverine. Like 605 00:32:51,920 --> 00:32:54,040 Speaker 6: every time you see them together in the comics, it's 606 00:32:54,080 --> 00:32:56,160 Speaker 6: like one of you really has your shit together. 607 00:32:56,400 --> 00:32:58,000 Speaker 4: Otherwise it is just like a loose cannon. 608 00:32:58,200 --> 00:33:00,120 Speaker 2: You know, Aaron, you made a good point that I 609 00:33:00,120 --> 00:33:05,560 Speaker 2: think is really important when uh, when Ellie tells Dina 610 00:33:05,640 --> 00:33:08,280 Speaker 2: about the tell the digital story about Salt Lake City 611 00:33:08,320 --> 00:33:11,080 Speaker 2: and all that, and then Dina's mad about it and shocked, 612 00:33:11,080 --> 00:33:14,960 Speaker 2: but then the next day it seems like it's okay. 613 00:33:15,040 --> 00:33:18,080 Speaker 2: There was something so true about the way relationships work 614 00:33:18,120 --> 00:33:21,760 Speaker 2: in that moment where you know, if you've ever gotten 615 00:33:21,760 --> 00:33:25,360 Speaker 2: on a big fight on vacation or like home for 616 00:33:25,440 --> 00:33:27,800 Speaker 2: the holidays, something you know, in a place where we 617 00:33:27,840 --> 00:33:31,520 Speaker 2: can't talk about this. Okay, listen, we can't talk about 618 00:33:31,520 --> 00:33:35,720 Speaker 2: this now, and it hasn't gone away, but we're going 619 00:33:35,800 --> 00:33:38,560 Speaker 2: to get through this moment right here, and you can 620 00:33:38,560 --> 00:33:39,840 Speaker 2: bet that we're going to come back and we're going 621 00:33:39,920 --> 00:33:40,520 Speaker 2: to talk about that. 622 00:33:40,840 --> 00:33:43,240 Speaker 5: But now it needs to be like Incahoo's. 623 00:33:43,320 --> 00:33:46,760 Speaker 2: We need to be now, we need to get through 624 00:33:46,800 --> 00:33:48,560 Speaker 2: Thanksgiving or whatever it is. 625 00:33:48,640 --> 00:33:51,760 Speaker 4: You know, like that's so real. 626 00:33:52,480 --> 00:33:59,920 Speaker 2: And all these Jesse moments had that ring of truth 627 00:34:00,160 --> 00:34:04,120 Speaker 2: about a person you really understood who Jesse was not 628 00:34:04,160 --> 00:34:06,720 Speaker 2: in just like things he said, but in the fact 629 00:34:06,720 --> 00:34:08,680 Speaker 2: that he showed up like he showed. 630 00:34:08,480 --> 00:34:09,440 Speaker 4: He didn't have to show up. 631 00:34:10,000 --> 00:34:12,880 Speaker 2: How many times has he saved Ellie's life, and she 632 00:34:12,960 --> 00:34:18,800 Speaker 2: could barely say thank you, like and barely recognize what's happening. 633 00:34:18,880 --> 00:34:20,840 Speaker 2: And that's why again, I just felt like it was 634 00:34:20,840 --> 00:34:22,759 Speaker 2: so important for her to call her, for him to 635 00:34:22,800 --> 00:34:27,399 Speaker 2: call her out, not Tommy, who is honestly one of. 636 00:34:27,400 --> 00:34:28,640 Speaker 4: These forces who. 637 00:34:30,120 --> 00:34:35,640 Speaker 2: Spoil is the long word, but like allowed Ellie to 638 00:34:35,760 --> 00:34:37,960 Speaker 2: get away with fucking murder. 639 00:34:40,800 --> 00:34:42,360 Speaker 4: Yeah, to get to this point, and. 640 00:34:42,320 --> 00:34:45,719 Speaker 2: It was so important that her contemporary who's on a 641 00:34:45,719 --> 00:34:49,440 Speaker 2: completely different track, say hey, look at what look at 642 00:34:49,480 --> 00:34:51,879 Speaker 2: what you're doing, Like, look what you're doing to all 643 00:34:51,920 --> 00:34:54,760 Speaker 2: of us. That was so important and really ran true. 644 00:34:56,280 --> 00:34:59,720 Speaker 5: So, speaking of things that the showrunners have been. 645 00:34:59,640 --> 00:35:03,760 Speaker 3: Said, let's talk a little bit about. 646 00:35:04,160 --> 00:35:11,760 Speaker 5: This comment that I do think is quite a divisive one. Recently, 647 00:35:11,800 --> 00:35:14,920 Speaker 5: when asked if the Fireflies could have successfully created a 648 00:35:15,000 --> 00:35:18,799 Speaker 5: vaccine had Joel not killed them, Neil Druckman, creator of 649 00:35:18,920 --> 00:35:24,520 Speaker 5: the show and of you know, the game, our intent 650 00:35:24,800 --> 00:35:28,000 Speaker 5: was yes they could, He replied, This is so wild 651 00:35:28,040 --> 00:35:28,279 Speaker 5: to me. 652 00:35:28,400 --> 00:35:30,160 Speaker 1: This is a bad joy. 653 00:35:29,560 --> 00:35:34,040 Speaker 5: This is one of the absolute reasons that this game 654 00:35:34,239 --> 00:35:37,959 Speaker 5: has stayed in the public consciousness and conversation for so long, 655 00:35:38,400 --> 00:35:42,440 Speaker 5: because we do not know and because people want to 656 00:35:42,480 --> 00:35:45,640 Speaker 5: talk about it. People want to imagine what they would do, 657 00:35:45,800 --> 00:35:49,239 Speaker 5: how they would deal with it. Joel is you know, 658 00:35:49,400 --> 00:35:51,440 Speaker 5: to many people who played the game, he is in 659 00:35:51,520 --> 00:35:53,520 Speaker 5: the right, he is a hero. They are not as 660 00:35:53,560 --> 00:35:56,600 Speaker 5: horrified by what he did. And I think that Druckman 661 00:35:56,640 --> 00:35:59,000 Speaker 5: Amazon did a great job, as we've talked about quite 662 00:35:59,040 --> 00:36:02,960 Speaker 5: extensively in season one finale, of showcasing just how horrific 663 00:36:03,040 --> 00:36:06,560 Speaker 5: what Joel did was. But also in this season we 664 00:36:06,640 --> 00:36:09,560 Speaker 5: have seen the scars, we have seen the WLF. These 665 00:36:09,560 --> 00:36:12,800 Speaker 5: are people who will destroy other people, who will torture 666 00:36:12,840 --> 00:36:15,320 Speaker 5: other people, who will kill other people. So the world 667 00:36:15,320 --> 00:36:17,440 Speaker 5: that they live in is violent. 668 00:36:17,680 --> 00:36:17,880 Speaker 1: You know. 669 00:36:18,120 --> 00:36:20,160 Speaker 5: Violence is kind of at the heart of everything in 670 00:36:20,239 --> 00:36:22,560 Speaker 5: the show, except for what we see in Jackson Hole. 671 00:36:23,120 --> 00:36:26,320 Speaker 5: And I think that this is just absolutely a wild 672 00:36:26,520 --> 00:36:29,960 Speaker 5: thing to say, because it completely changes and ends a 673 00:36:30,000 --> 00:36:32,680 Speaker 5: lot of the conversations. Aaron, when we were in the 674 00:36:33,080 --> 00:36:34,880 Speaker 5: group chat talking about this, how is you're feeling As 675 00:36:34,880 --> 00:36:36,360 Speaker 5: someone who has not played the game. 676 00:36:39,480 --> 00:36:45,960 Speaker 6: I prefer not knowing, And I am shocked to hear 677 00:36:46,040 --> 00:36:47,960 Speaker 6: you say that that is one of the reasons that 678 00:36:48,280 --> 00:36:52,479 Speaker 6: the game has remained so powerful, because that's the kind 679 00:36:52,520 --> 00:36:57,520 Speaker 6: of mental, philosophical question that most video games do not even. 680 00:36:57,400 --> 00:36:58,400 Speaker 3: Attempt to tackle. 681 00:36:58,800 --> 00:37:00,640 Speaker 6: And so the fact that this game did it is 682 00:37:00,680 --> 00:37:04,239 Speaker 6: amazing and the fact that we lost it is horrible. 683 00:37:07,000 --> 00:37:09,400 Speaker 5: Joelle, tell me more, Joel, because you are like, you know, 684 00:37:09,480 --> 00:37:12,480 Speaker 5: all of us thereah creatives and Joelle is a fantastic 685 00:37:12,560 --> 00:37:16,080 Speaker 5: writer in case you didn't know, So from a writer's perspective, 686 00:37:16,640 --> 00:37:18,480 Speaker 5: could you talk a little bit about how that hit 687 00:37:18,600 --> 00:37:18,799 Speaker 5: for you. 688 00:37:20,360 --> 00:37:20,920 Speaker 1: I think what. 689 00:37:22,760 --> 00:37:25,479 Speaker 7: It just it zaps a lot of the energy out 690 00:37:25,560 --> 00:37:28,719 Speaker 7: of the game, Like it is a different vehicle, So 691 00:37:28,760 --> 00:37:31,600 Speaker 7: let's putting you in jewel shoes, so you not knowing 692 00:37:31,680 --> 00:37:34,840 Speaker 7: important out and also not being able to make a 693 00:37:34,840 --> 00:37:36,800 Speaker 7: different choice. Like it puts you in a very strange 694 00:37:36,840 --> 00:37:40,879 Speaker 7: place of like you're understanding his like confusion. 695 00:37:41,040 --> 00:37:43,280 Speaker 1: You don't want to do what he's doing. He's still doing. 696 00:37:43,320 --> 00:37:48,239 Speaker 7: It is like this very strange like tandem relationship of destruction. 697 00:37:48,800 --> 00:37:51,319 Speaker 7: And it really hinges on not knowing because if you know, 698 00:37:51,640 --> 00:37:53,080 Speaker 7: then you're just playing. 699 00:37:53,000 --> 00:37:54,120 Speaker 1: The baddy, which can be fun. 700 00:37:54,560 --> 00:37:57,560 Speaker 7: You know, game takes a lot of the energy out 701 00:37:57,840 --> 00:38:03,640 Speaker 7: for the show. I think it removes a lot of 702 00:38:03,680 --> 00:38:07,879 Speaker 7: the friction between Abby and Ellie, and I think, yeah, 703 00:38:07,880 --> 00:38:12,920 Speaker 7: that's it makes Abby, right, Yeah, yeah, because otherwise, what 704 00:38:12,960 --> 00:38:16,960 Speaker 7: you're left with the two women stepping into their like 705 00:38:17,120 --> 00:38:21,719 Speaker 7: adulthood and leadership positions and both really struggling with the 706 00:38:21,760 --> 00:38:25,320 Speaker 7: paths what's been done to them and with their future 707 00:38:25,320 --> 00:38:27,040 Speaker 7: and how they want to live it. And that's really 708 00:38:27,040 --> 00:38:30,760 Speaker 7: in they're totally even at this point, both so justified 709 00:38:30,760 --> 00:38:34,960 Speaker 7: and understandably. It's way different if it's like Joel was 710 00:38:34,960 --> 00:38:37,400 Speaker 7: a dick and now you're a dick and you're Abby, Like, 711 00:38:37,400 --> 00:38:38,840 Speaker 7: I guess you got a shooter girl, because that's the 712 00:38:38,920 --> 00:38:41,800 Speaker 7: rules of this universe, Like I don't know else. You 713 00:38:41,800 --> 00:38:43,640 Speaker 7: you need that confusion in the town. And I understand 714 00:38:43,680 --> 00:38:46,960 Speaker 7: as a creator like wanting to share like, oh no, 715 00:38:47,040 --> 00:38:48,080 Speaker 7: Joel's totally. 716 00:38:49,800 --> 00:38:52,280 Speaker 5: So if you think he's right and obviously off to 717 00:38:51,920 --> 00:38:54,440 Speaker 5: the first season, I will say that was like as 718 00:38:54,600 --> 00:38:56,760 Speaker 5: as we've mentioned, there's been a lot of really wild 719 00:38:57,239 --> 00:39:00,400 Speaker 5: online this course about this show throughout its history, but 720 00:39:00,840 --> 00:39:02,520 Speaker 5: at the end of season one there was like a 721 00:39:02,640 --> 00:39:06,239 Speaker 5: lot of people who are super mad about the way 722 00:39:06,320 --> 00:39:08,560 Speaker 5: Joel was portrayed, who felt like he was so I 723 00:39:08,560 --> 00:39:14,600 Speaker 5: do also imagine that there is a eagerness on Druckman's 724 00:39:14,640 --> 00:39:18,600 Speaker 5: pot to kind of maybe make the morals and ethics 725 00:39:18,680 --> 00:39:20,359 Speaker 5: of the show and its character. 726 00:39:21,560 --> 00:39:23,719 Speaker 7: Like the horrors of violence, and people keep coming away 727 00:39:23,760 --> 00:39:26,160 Speaker 7: with like he was right, imagine your head is a wall. 728 00:39:26,360 --> 00:39:27,400 Speaker 4: Why don't people understand? 729 00:39:28,160 --> 00:39:28,600 Speaker 3: I think that. 730 00:39:28,800 --> 00:39:31,239 Speaker 2: I think from a process point of view, right you're 731 00:39:31,280 --> 00:39:34,600 Speaker 2: in the writer's room, I think it is it makes 732 00:39:34,680 --> 00:39:41,640 Speaker 2: complete sense to come to to have a direction in 733 00:39:41,719 --> 00:39:45,000 Speaker 2: that sense in terms of could could the fireflies actually 734 00:39:45,000 --> 00:39:49,440 Speaker 2: have done it? To discuss that and to but like 735 00:39:49,560 --> 00:39:53,560 Speaker 2: I do think that to your point, there's a reason 736 00:39:53,600 --> 00:39:57,720 Speaker 2: why we still talk about the Sopranos, and it's because 737 00:39:57,760 --> 00:40:02,080 Speaker 2: you just don't know you discussed that's you're dissecting it. 738 00:40:02,160 --> 00:40:05,040 Speaker 2: You're wondering which way does this break and does it 739 00:40:05,080 --> 00:40:05,920 Speaker 2: even matter to you? 740 00:40:06,200 --> 00:40:07,000 Speaker 4: An answer? 741 00:40:07,560 --> 00:40:07,759 Speaker 1: Right? 742 00:40:08,120 --> 00:40:10,640 Speaker 4: And I think in that. 743 00:40:10,560 --> 00:40:16,760 Speaker 2: Way, not knowing hues more closely to what life is like, 744 00:40:16,760 --> 00:40:20,120 Speaker 2: like it's just a road not taken, it's a it's 745 00:40:20,160 --> 00:40:25,160 Speaker 2: a and knowing makes it more explicitly a video games story. 746 00:40:25,200 --> 00:40:28,680 Speaker 2: We can play it again now knowing what it happened, you. 747 00:40:28,600 --> 00:40:29,000 Speaker 4: Know what I mean? 748 00:40:29,560 --> 00:40:33,640 Speaker 2: And so I think it does to me. It makes 749 00:40:33,719 --> 00:40:37,160 Speaker 2: it a little less cool, the story a little less 750 00:40:38,200 --> 00:40:41,080 Speaker 2: magical and resonant to actually know that they could have 751 00:40:41,120 --> 00:40:41,440 Speaker 2: done it. 752 00:40:41,560 --> 00:40:43,480 Speaker 4: I always lean that way in my heart, but not 753 00:40:43,560 --> 00:40:46,839 Speaker 4: knowing too. It's sort of why we love talking about 754 00:40:46,840 --> 00:40:47,360 Speaker 4: this story. 755 00:40:47,520 --> 00:40:50,520 Speaker 5: It's also kind of hilarious to come down on it 756 00:40:50,600 --> 00:40:52,880 Speaker 5: on one side like that, because, as we have pointed 757 00:40:52,880 --> 00:40:55,840 Speaker 5: out many times, both in the games and in the games, 758 00:40:55,880 --> 00:40:58,880 Speaker 5: there is more evidence with the notes and the recordings 759 00:40:58,880 --> 00:41:01,359 Speaker 5: that maybe the Five fars one to something. But in 760 00:41:01,400 --> 00:41:03,399 Speaker 5: the show in the game both it did not look 761 00:41:03,480 --> 00:41:05,319 Speaker 5: like they were going to do any good science in 762 00:41:05,360 --> 00:41:07,960 Speaker 5: that hospital, like Salt Lake City, did not look like 763 00:41:08,000 --> 00:41:11,480 Speaker 5: they were making anything that was going to come close. 764 00:41:13,560 --> 00:41:14,520 Speaker 4: But like, I. 765 00:41:14,360 --> 00:41:16,880 Speaker 5: Think that is another thing where it's just kind of 766 00:41:16,920 --> 00:41:21,080 Speaker 5: if it's this moral black and white choice and the 767 00:41:21,120 --> 00:41:23,400 Speaker 5: idea is yeah, they could have, then make me believe 768 00:41:23,400 --> 00:41:24,920 Speaker 5: it in the story as well. 769 00:41:25,200 --> 00:41:28,239 Speaker 6: Have been good ever come from a creator after the 770 00:41:28,280 --> 00:41:31,719 Speaker 6: work is finished and published, like saying something additional, just 771 00:41:31,760 --> 00:41:34,920 Speaker 6: tell me, like who the main character's favorite band is 772 00:41:36,239 --> 00:41:42,600 Speaker 6: into it, to get on. 773 00:41:42,640 --> 00:41:43,840 Speaker 7: The back and be like, no, that's not what I 774 00:41:43,840 --> 00:41:44,400 Speaker 7: was trying to do. 775 00:41:44,520 --> 00:41:44,960 Speaker 1: Just hold on. 776 00:41:47,719 --> 00:41:48,160 Speaker 3: Okay. 777 00:41:48,360 --> 00:41:51,239 Speaker 5: Another big kind of news point that we should hit 778 00:41:51,239 --> 00:41:55,439 Speaker 5: on post the finale is drug Men revealed that they 779 00:41:55,520 --> 00:41:59,880 Speaker 5: were actually working on a different game other than intercollect 780 00:42:00,600 --> 00:42:03,279 Speaker 5: which we got the which I'm really excited about because 781 00:42:03,280 --> 00:42:06,480 Speaker 5: it has Tatty Gabrielle as he character. She's amazing. I 782 00:42:06,520 --> 00:42:08,600 Speaker 5: love that they saw how good she was as Noura 783 00:42:08,719 --> 00:42:11,600 Speaker 5: and wanted to give her a Biggert space, but everyone thought, 784 00:42:11,600 --> 00:42:14,200 Speaker 5: well that was it. So is part of the reason 785 00:42:14,480 --> 00:42:18,480 Speaker 5: that they're saying, well, we can't finish the story in 786 00:42:18,600 --> 00:42:21,560 Speaker 5: three seasons because the new game is going to be 787 00:42:21,640 --> 00:42:24,720 Speaker 5: last of US part three and it comes out alongside 788 00:42:24,760 --> 00:42:28,640 Speaker 5: season four, and that is kind of what they corporate synergy. 789 00:42:28,920 --> 00:42:33,440 Speaker 4: You can see it coming right big. It makes absolutely 790 00:42:34,680 --> 00:42:35,800 Speaker 4: too much sense. 791 00:42:36,120 --> 00:42:36,520 Speaker 7: I mean. 792 00:42:38,640 --> 00:42:41,279 Speaker 5: Dropping these nuggets like in her bro you know. 793 00:42:41,400 --> 00:42:42,839 Speaker 3: So I feel like, yes, that's what. 794 00:42:43,200 --> 00:42:47,040 Speaker 4: Makes way too much sense, Jason. And by the way, 795 00:42:47,040 --> 00:42:47,839 Speaker 4: the last thing you. 796 00:42:47,760 --> 00:42:52,840 Speaker 2: Want, as if you're drunk man, I think, is for 797 00:42:54,120 --> 00:42:56,359 Speaker 2: a season of television to come out that blows up 798 00:42:56,400 --> 00:43:01,040 Speaker 2: your game. They need to come out true in tandem 799 00:43:01,600 --> 00:43:04,680 Speaker 2: or basically at the same time, so. 800 00:43:04,760 --> 00:43:07,040 Speaker 4: One does not necessarily spoil the other. 801 00:43:07,160 --> 00:43:10,120 Speaker 3: That's Jason, what I think they would want as. 802 00:43:09,920 --> 00:43:12,560 Speaker 5: Someone who's played the games like many times, and it 803 00:43:12,640 --> 00:43:16,479 Speaker 5: is what would you want to see in a Loss 804 00:43:16,520 --> 00:43:18,960 Speaker 5: of Us Part three, like where does it go for you? 805 00:43:19,000 --> 00:43:20,400 Speaker 3: What do you want to look at? Who does it? 806 00:43:20,640 --> 00:43:20,799 Speaker 5: Well? 807 00:43:21,320 --> 00:43:26,560 Speaker 4: Listen, it's an open world racing game. You can play 808 00:43:26,760 --> 00:43:34,919 Speaker 4: as a cow well, I mean listen. 809 00:43:36,200 --> 00:43:42,560 Speaker 2: Uh. Coming to this with you know, with storyteller brain, 810 00:43:42,640 --> 00:43:49,719 Speaker 2: having been storyteller pilled not to see this as an 811 00:43:49,760 --> 00:43:58,440 Speaker 2: elaborate kind of to see like a a WWE slash 812 00:43:58,520 --> 00:44:03,279 Speaker 2: superhero structure in this What do I mean? You have 813 00:44:03,680 --> 00:44:07,800 Speaker 2: Hero one and Hero two, they meet, they don't get along, 814 00:44:07,840 --> 00:44:10,080 Speaker 2: they hate each other, They fight, fight, fight, fight fight. 815 00:44:10,360 --> 00:44:11,320 Speaker 4: Then what happens? 816 00:44:11,640 --> 00:44:15,080 Speaker 5: Uh Uh? 817 00:44:15,440 --> 00:44:17,120 Speaker 4: I don't know how it would happen. 818 00:44:18,239 --> 00:44:21,360 Speaker 2: I don't know how it would happen, but it feels 819 00:44:21,520 --> 00:44:24,919 Speaker 2: like the only place Listen, you know how storytelling goes 820 00:44:25,520 --> 00:44:30,560 Speaker 2: character A can't do this thing, refuses to do this thing. 821 00:44:30,680 --> 00:44:32,919 Speaker 2: The arc must be that they do the thing right. 822 00:44:33,760 --> 00:44:36,080 Speaker 2: How do they get together? How do they cooperate? I 823 00:44:36,080 --> 00:44:38,440 Speaker 2: think that that's the only place this story can go. 824 00:44:39,200 --> 00:44:40,040 Speaker 4: And the fact that. 825 00:44:39,960 --> 00:44:42,600 Speaker 2: You can't imagine how it will get there means that 826 00:44:43,880 --> 00:44:45,719 Speaker 2: you know, Druckman and Amazing are really going to be 827 00:44:45,960 --> 00:44:49,239 Speaker 2: or Druckman, you know, primarily is really. 828 00:44:49,000 --> 00:44:52,839 Speaker 4: Going to be in the lab making it make sense that. 829 00:44:52,800 --> 00:44:54,960 Speaker 2: They would get to that place where they cooperate. I 830 00:44:54,960 --> 00:44:56,479 Speaker 2: think that's the only place that it can. 831 00:44:57,320 --> 00:45:03,320 Speaker 5: Also as well, maybe some kind of quest to undo 832 00:45:03,360 --> 00:45:08,120 Speaker 5: what Joel did and find a cute I heard a rumor. 833 00:45:07,920 --> 00:45:11,040 Speaker 7: That Tommy was going to be the main character of 834 00:45:11,280 --> 00:45:14,799 Speaker 7: the third game, and if that's the case, it makes 835 00:45:14,800 --> 00:45:16,400 Speaker 7: a lot of sense to me that they gave him 836 00:45:16,400 --> 00:45:19,399 Speaker 7: a kid in this season, which he does not have 837 00:45:19,480 --> 00:45:22,160 Speaker 7: in the game, right, and it sort of like helps 838 00:45:22,200 --> 00:45:24,279 Speaker 7: you fast tracked whatever is going on in game three. 839 00:45:24,280 --> 00:45:26,839 Speaker 1: Potentially this is just a rumor, and I. 840 00:45:26,840 --> 00:45:29,880 Speaker 7: Like the idea of, like if what we're continuing in 841 00:45:30,000 --> 00:45:33,319 Speaker 7: is like what's left behind in the legacy. You've got 842 00:45:33,360 --> 00:45:36,560 Speaker 7: so many children on the board right now. We've got 843 00:45:36,719 --> 00:45:40,880 Speaker 7: Dina's kid, We've got Tommy's kid. We don't really know 844 00:45:40,920 --> 00:45:45,360 Speaker 7: what's going on with Abby and her stuff, but I imagine 845 00:45:45,440 --> 00:45:50,319 Speaker 7: we get some form of like younger sibling or apprentice 846 00:45:50,520 --> 00:45:53,360 Speaker 7: or whatever from there, and maybe what we're seeing is 847 00:45:53,400 --> 00:45:56,759 Speaker 7: Tommy trying to help that generation not end up like 848 00:45:56,920 --> 00:45:57,319 Speaker 7: the ones. 849 00:45:57,400 --> 00:46:00,880 Speaker 5: That would be a really delightful kind of What would 850 00:46:00,880 --> 00:46:03,279 Speaker 5: interest you most is someone who hasn't watched the game, 851 00:46:03,560 --> 00:46:05,920 Speaker 5: if you were going to kind of paint a season 852 00:46:06,000 --> 00:46:08,960 Speaker 5: four or season three that you would want that doesn't 853 00:46:09,000 --> 00:46:10,799 Speaker 5: go along with what you know of the game and 854 00:46:10,920 --> 00:46:12,560 Speaker 5: just is based on what you've seen in the show. 855 00:46:12,560 --> 00:46:15,319 Speaker 5: What do you think you'd be most interested in continuing 856 00:46:15,320 --> 00:46:15,960 Speaker 5: to explore? 857 00:46:16,320 --> 00:46:18,759 Speaker 6: I mean, Jason said it. I think, yeah, the two 858 00:46:18,800 --> 00:46:22,080 Speaker 6: of them teaming up there there's some way that actually 859 00:46:22,120 --> 00:46:23,759 Speaker 6: someone else has an idea of how to make a 860 00:46:23,840 --> 00:46:27,640 Speaker 6: vaccine and the two of them go and now like, 861 00:46:27,960 --> 00:46:28,640 Speaker 6: let's fix it. 862 00:46:28,840 --> 00:46:31,040 Speaker 3: Yeah, yeah, get. 863 00:46:30,880 --> 00:46:33,640 Speaker 6: You know, the sins of our fathers and hear me right, 864 00:46:34,600 --> 00:46:36,600 Speaker 6: So that would be I think a slam dunk. 865 00:46:37,200 --> 00:46:42,680 Speaker 5: That sounds honestly pretty fantastic. Okay, last questions before we 866 00:46:42,719 --> 00:46:43,359 Speaker 5: wrap it up. 867 00:46:44,640 --> 00:46:45,719 Speaker 3: What do you need to. 868 00:46:45,680 --> 00:46:50,480 Speaker 5: See in season three to make you care about Abby? 869 00:46:50,600 --> 00:46:52,920 Speaker 5: After we saw her just shoot Jesse in the face, 870 00:46:53,000 --> 00:46:55,359 Speaker 5: you know, Joel whatever. We've kind of talked about that, 871 00:46:55,400 --> 00:46:57,920 Speaker 5: but Joel and Aaron, what do you need to see 872 00:46:58,520 --> 00:47:01,360 Speaker 5: to care about Abby? And thighs with her situation? 873 00:47:02,320 --> 00:47:04,120 Speaker 1: I already care about Abby. 874 00:47:04,239 --> 00:47:08,080 Speaker 7: The show makes a really strong and decisive decision to 875 00:47:08,120 --> 00:47:12,400 Speaker 7: be like from go you understand like why what Abby's morning? 876 00:47:12,880 --> 00:47:17,080 Speaker 7: And because that rage has already been cemented twice already 877 00:47:17,120 --> 00:47:20,200 Speaker 7: with Joel and Ellie. It's very easy to understand, like 878 00:47:20,239 --> 00:47:20,920 Speaker 7: it's it's. 879 00:47:20,840 --> 00:47:21,840 Speaker 1: Part of the disease. 880 00:47:21,880 --> 00:47:23,799 Speaker 7: And in the same way twenty eight days later is 881 00:47:23,880 --> 00:47:26,279 Speaker 7: like the rage is the thing that turns you. I 882 00:47:26,360 --> 00:47:30,919 Speaker 7: really think like there's parallels here between like, oh god, 883 00:47:30,960 --> 00:47:33,360 Speaker 7: the community versus the individual. The mushrooms are a community, 884 00:47:33,360 --> 00:47:37,480 Speaker 7: they work really well together. Rage is dividing these humans, 885 00:47:37,560 --> 00:47:39,719 Speaker 7: is stopping them from being able to come together and 886 00:47:39,760 --> 00:47:43,600 Speaker 7: work together. And so I think for me, what I'm 887 00:47:43,880 --> 00:47:46,359 Speaker 7: hoping we get out of Abby is like. 888 00:47:47,040 --> 00:47:50,600 Speaker 1: It's I mean, I almost don't. I love Belle Ramsey. 889 00:47:50,640 --> 00:47:52,720 Speaker 7: They should be able to do whatever, but I almost 890 00:47:52,719 --> 00:47:54,719 Speaker 7: don't want to see them in the next season. I 891 00:47:54,719 --> 00:48:00,239 Speaker 7: think it would It would be challenging in all so, 892 00:48:00,320 --> 00:48:03,040 Speaker 7: I know it's really difficult in our current time to 893 00:48:03,040 --> 00:48:05,799 Speaker 7: figure out, like as a studio, like how do we 894 00:48:06,440 --> 00:48:09,799 Speaker 7: protect our performers and still tell a good story. There's 895 00:48:09,840 --> 00:48:11,839 Speaker 7: a lot of balance to be Like if you just 896 00:48:11,880 --> 00:48:14,120 Speaker 7: remove Bella Ramsay, is that like when Star Wars just 897 00:48:14,120 --> 00:48:16,719 Speaker 7: hate the characters people didn't like and like manage them. 898 00:48:17,000 --> 00:48:19,080 Speaker 7: Is Rosico just gone? Or is this part of the 899 00:48:19,080 --> 00:48:20,880 Speaker 7: certain And so it has to be tactically done. I 900 00:48:20,880 --> 00:48:23,040 Speaker 7: think Craig's got a deft enough pen to nail it. 901 00:48:23,560 --> 00:48:25,160 Speaker 7: But I would like to see is just it's just 902 00:48:25,200 --> 00:48:27,080 Speaker 7: purely Abby's journey, so that by the time we get 903 00:48:27,120 --> 00:48:31,160 Speaker 7: to that gun pull, wear fully understanding all three sixty 904 00:48:31,200 --> 00:48:33,799 Speaker 7: sides of it, and the final episode is the resolution 905 00:48:34,000 --> 00:48:35,440 Speaker 7: fallout of that moment. 906 00:48:36,080 --> 00:48:37,400 Speaker 1: Yeah, I see what are you hearing? 907 00:48:37,840 --> 00:48:40,799 Speaker 6: I mean I want some sweet moments of Abby and 908 00:48:40,800 --> 00:48:44,239 Speaker 6: her friends because we have only really seen her be 909 00:48:44,560 --> 00:48:48,440 Speaker 6: upset with them and short with them, and she is 910 00:48:48,520 --> 00:48:51,120 Speaker 6: so filled with rage and these people who have done 911 00:48:52,360 --> 00:48:55,800 Speaker 6: something horrible with her and they're the ones paying the price. Yeah, 912 00:48:55,800 --> 00:48:58,120 Speaker 6: for her, and they're the ones paying the price give 913 00:48:58,200 --> 00:49:01,839 Speaker 6: me a reason to This is the wrong phrase, but 914 00:49:02,040 --> 00:49:03,239 Speaker 6: to know it was worth it? 915 00:49:03,320 --> 00:49:05,480 Speaker 4: Like is she what are these people? 916 00:49:07,120 --> 00:49:07,640 Speaker 3: They love her? 917 00:49:07,760 --> 00:49:08,080 Speaker 6: Yeah? 918 00:49:08,160 --> 00:49:08,759 Speaker 3: Yeah, what is it? 919 00:49:08,760 --> 00:49:08,840 Speaker 5: So? 920 00:49:08,880 --> 00:49:10,920 Speaker 6: I want to know more about that. I understand she 921 00:49:11,000 --> 00:49:13,800 Speaker 6: lost her father. I need I need more about why 922 00:49:14,040 --> 00:49:18,759 Speaker 6: so many people trusted her? And I mean, you know, 923 00:49:18,960 --> 00:49:21,520 Speaker 6: she's like tapped in to be the new face of 924 00:49:21,600 --> 00:49:25,520 Speaker 6: the w LF, Like why is everyone so in on her? 925 00:49:25,600 --> 00:49:28,319 Speaker 6: When to me, she's like, right now a really good 926 00:49:28,400 --> 00:49:31,880 Speaker 6: mirror for Ellie, who we know is not going to 927 00:49:31,920 --> 00:49:34,880 Speaker 6: be taking over Jackson Hole from what I can see, like, 928 00:49:35,480 --> 00:49:37,480 Speaker 6: how are these what's the difference with Avy? So that's 929 00:49:37,480 --> 00:49:38,080 Speaker 6: what I want to see. 930 00:49:38,120 --> 00:49:38,400 Speaker 3: Okay. 931 00:49:38,680 --> 00:49:41,799 Speaker 5: Also, just before we finished, Jason, you brought up the sopranos. 932 00:49:42,000 --> 00:49:45,080 Speaker 5: Let's talk about the ending, Jason, how did that work? 933 00:49:45,200 --> 00:49:47,439 Speaker 4: Back? 934 00:49:47,719 --> 00:49:51,360 Speaker 5: It's You're gonna this is like a crazy nineties style 935 00:49:51,480 --> 00:49:52,560 Speaker 5: ambiguous ending. 936 00:49:52,719 --> 00:49:55,279 Speaker 3: But how are people going to I know that you. 937 00:49:55,200 --> 00:49:57,120 Speaker 5: Guys, there's going to be people who are so mad 938 00:49:57,120 --> 00:49:57,480 Speaker 5: about this. 939 00:49:58,160 --> 00:50:01,160 Speaker 2: Reactions which is the stame react Basically, I have to 940 00:50:01,840 --> 00:50:07,360 Speaker 2: any effective Clive, which is one like fuck you. 941 00:50:09,360 --> 00:50:14,120 Speaker 4: And that's why that's why you're not you don't. 942 00:50:13,880 --> 00:50:17,000 Speaker 2: Have the balls to do it. I know you don't, 943 00:50:18,000 --> 00:50:20,680 Speaker 2: and there's the and then there's the maybe you do. 944 00:50:21,080 --> 00:50:23,800 Speaker 2: So I thought it was very effective and I also 945 00:50:24,040 --> 00:50:25,440 Speaker 2: like listen and I think a lot of people are 946 00:50:25,480 --> 00:50:27,200 Speaker 2: gonna have that reaction like fuck you? 947 00:50:27,440 --> 00:50:33,240 Speaker 4: Are you serious? Fuck you? Craig? What about you? Everybody's reaction? 948 00:50:33,320 --> 00:50:34,399 Speaker 4: What are your reactions? 949 00:50:35,000 --> 00:50:36,320 Speaker 1: I mean, just wow? 950 00:50:36,640 --> 00:50:40,480 Speaker 7: Really, because I think, especially because what you're really stuck 951 00:50:40,520 --> 00:50:42,120 Speaker 7: in is not even that gunshot. 952 00:50:42,239 --> 00:50:44,960 Speaker 1: I still thinking about Jesse, like I can't. 953 00:50:44,760 --> 00:50:46,799 Speaker 4: Like you don't even have time, you don't have time 954 00:50:46,840 --> 00:50:47,440 Speaker 4: to process it. 955 00:50:47,760 --> 00:50:51,000 Speaker 7: No, it's so chaotic and it's so and like, you know, 956 00:50:51,320 --> 00:50:53,520 Speaker 7: for Tommy to be like run, You're like, there's no 957 00:50:53,600 --> 00:50:56,920 Speaker 7: running from this, Tommy to please get grow up. You're 958 00:50:57,080 --> 00:50:59,520 Speaker 7: worried about like where's Dina. We don't even see her. 959 00:51:00,360 --> 00:51:01,239 Speaker 7: Hopefully she's hiding. 960 00:51:01,239 --> 00:51:02,120 Speaker 1: But for how long is that work? 961 00:51:02,280 --> 00:51:05,200 Speaker 7: But really you're just like we just lost everything, Like 962 00:51:05,520 --> 00:51:07,600 Speaker 7: really it's crazy because we didn't get a lot of 963 00:51:07,640 --> 00:51:09,600 Speaker 7: time with Jesse, but you're just like it's all gone. 964 00:51:10,840 --> 00:51:12,840 Speaker 5: It was such an emmy performance. 965 00:51:13,080 --> 00:51:16,680 Speaker 7: He truly was so solid, and I think like that 966 00:51:16,800 --> 00:51:19,560 Speaker 7: to me makes the freezing of time feel right, Like 967 00:51:19,640 --> 00:51:22,200 Speaker 7: it's it's so chaotic and it's so emotionally overwrought and 968 00:51:22,239 --> 00:51:24,680 Speaker 7: she's like, and just stay suspended here, We'll be right back. 969 00:51:24,719 --> 00:51:26,759 Speaker 7: I was like, I love this, this really Workstreme, what 970 00:51:26,760 --> 00:51:27,080 Speaker 7: about you? 971 00:51:27,080 --> 00:51:27,200 Speaker 5: Hear? 972 00:51:28,680 --> 00:51:30,480 Speaker 6: I mean, it was a huge shock and I loved it, 973 00:51:30,760 --> 00:51:34,120 Speaker 6: And now looking back at it, I am glad that 974 00:51:34,200 --> 00:51:37,040 Speaker 6: they didn't cut to black and then do Ellie's recording 975 00:51:37,040 --> 00:51:44,200 Speaker 6: of take on Me by Aha. I would have been yeah. 976 00:51:43,640 --> 00:51:45,400 Speaker 5: But you know what I think you I agree with 977 00:51:45,440 --> 00:51:48,279 Speaker 5: all of you. And I also think, like, now we've 978 00:51:48,320 --> 00:51:52,080 Speaker 5: talked about it, if they really do not have Bella 979 00:51:52,200 --> 00:51:56,480 Speaker 5: in season three and that's how they end, that's gonna 980 00:51:56,520 --> 00:51:58,080 Speaker 5: be some brave fucking TV. 981 00:51:59,120 --> 00:52:00,360 Speaker 3: If you don't get solution. 982 00:52:00,520 --> 00:52:04,600 Speaker 5: Told the finale of season three to know the outcome, 983 00:52:04,719 --> 00:52:07,080 Speaker 5: and that is there's the ninety percent of you're not 984 00:52:07,120 --> 00:52:09,520 Speaker 5: fucking brave enough, but there's the ten percent of, oh 985 00:52:09,560 --> 00:52:11,839 Speaker 5: what if you are? 986 00:52:11,920 --> 00:52:14,719 Speaker 7: It's not taking notes from folks, So it feels like 987 00:52:14,800 --> 00:52:17,720 Speaker 7: whatever we have is like exactly his vision is Neils 988 00:52:18,000 --> 00:52:19,560 Speaker 7: and so yeah, I'm excited to see what happens. 989 00:52:22,000 --> 00:52:25,040 Speaker 2: Well, that's it for our the last of US two 990 00:52:25,280 --> 00:52:29,480 Speaker 2: season finale round table chow. Thank you so much for 991 00:52:29,600 --> 00:52:33,920 Speaker 2: joining us. Coming up in the next few episodes of 992 00:52:33,920 --> 00:52:36,160 Speaker 2: Extra Vision, we're continuing to look at summer movies with 993 00:52:36,239 --> 00:52:39,120 Speaker 2: the history of the stunts in the Mission Impossible franchise. 994 00:52:39,160 --> 00:52:41,680 Speaker 2: The next week, we have a sendoff for the beloved 995 00:52:42,000 --> 00:52:44,359 Speaker 2: Nintendo Switch and a look back at the John Wick 996 00:52:44,480 --> 00:52:47,840 Speaker 2: franchise as we get ready for an indie armist in 997 00:52:47,960 --> 00:52:49,319 Speaker 2: Ballerina that tip. 998 00:52:49,480 --> 00:52:57,640 Speaker 4: This episode, X ray Vision is hosted by Jason Concepcion. 999 00:52:57,719 --> 00:52:58,440 Speaker 5: I'm Rosie Knight. 1000 00:52:58,520 --> 00:52:59,920 Speaker 4: And is a production of iheartpot. 1001 00:53:00,680 --> 00:53:04,280 Speaker 5: Our executive producers are Joel Monique and Aaron Kaufman. 1002 00:53:04,520 --> 00:53:06,560 Speaker 4: Our supervising producer is Abu Zafar. 1003 00:53:06,960 --> 00:53:10,879 Speaker 5: Our producers are Common, Laurent Dean Jonathan and Bay Wag. 1004 00:53:11,000 --> 00:53:13,799 Speaker 2: A theme song is by Brian Vasquez, with alternate theme 1005 00:53:13,840 --> 00:53:15,120 Speaker 2: songs by Aaron Kauffman. 1006 00:53:15,280 --> 00:53:18,640 Speaker 5: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and 1007 00:53:18,760 --> 00:53:20,480 Speaker 5: Heidi Our discord moderator