WEBVTT - Episode 315 w/ Tank

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<v Speaker 1>Welcome to Drink Champs, the production of the Black Effect

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<v Speaker 1>and I Heart Radio and his drinks motherfucking podcast. He's

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<v Speaker 1>a legendary Queen's rappers. He's said that's your boy here,

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<v Speaker 1>No R, He's a Miami hippop pioneer. D J e

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<v Speaker 1>f N. Together they drinking up with some of the

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<v Speaker 1>biggest players in the most professional, unprofessional podcast and yet

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<v Speaker 1>number one sorts for drunk backs. Motherfucks New Year's e

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<v Speaker 1>just for Drink Champs. Trick up on the what it

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<v Speaker 1>could be Hopeley would have should be. This is your

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<v Speaker 1>point in o R. What up is d J e

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<v Speaker 1>f N and this drink chap yapao make some No.

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<v Speaker 1>And right now when I'm when I'm talking about the

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<v Speaker 1>guests to the left of me, I am talking about

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<v Speaker 1>R and B phenomenon. I'm listening to his music and

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<v Speaker 1>I'm trying to look for old o'tune. I'm trying to

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<v Speaker 1>look for the cheek codes. And now this is a

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<v Speaker 1>this is a he's hanks. I he arrails hands, Hans

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<v Speaker 1>he hit that. No, he came here, loved man. Let's

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<v Speaker 1>get it. Don't camera, don't caumecra, don't get you don't camera.

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<v Speaker 1>This man has been out there working doing what he

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<v Speaker 1>gotta do, and this motherfucking field always happy every time

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<v Speaker 1>I see it. So case you don't know who the

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<v Speaker 1>hell I'm talking about, because he's gonna sing your girls

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<v Speaker 1>panties off, and this is true. Case you don't know

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<v Speaker 1>how'm talking about, what only to say inevitable camera. Yeah,

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<v Speaker 1>for the record, we're coming off this oscars, right, I

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<v Speaker 1>just want to stay off top. I'm scared of world Smith, like,

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<v Speaker 1>you don't vote for them, right. I've met Will a

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<v Speaker 1>few times. I've I've never met Chris Rock. Okay, okay,

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<v Speaker 1>Well one time I met Chris Rock talk. It was

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<v Speaker 1>in the party and if I'm talking and sayd hey, Chris,

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<v Speaker 1>you no take a picture? And Chris is like, what

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<v Speaker 1>is the world going to? The um? I want the

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<v Speaker 1>picture with Noriega and Chris Rock. And I was like,

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<v Speaker 1>I couldn't tell that. First of all, it wasn't funny.

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<v Speaker 1>That wasn't funny to me. And then I was like,

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<v Speaker 1>and I started to think about it that comedians don't

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<v Speaker 1>know how to turn off being So what did you see?

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<v Speaker 1>What did you see when when you first saw that?

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<v Speaker 1>Where was you at? What what was you saying to yourself?

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<v Speaker 1>I saw I saw a man fat up. I saw

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<v Speaker 1>a man feed up. You know what I mean? I

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<v Speaker 1>think when we when we look at Will, we we

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<v Speaker 1>want to paint this perfect picture because to us, you know,

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<v Speaker 1>he is a king. He is that standard, that bob,

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<v Speaker 1>and so we we we great him on a very

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<v Speaker 1>high scale. Will is not allowed to make mistakes, he's

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<v Speaker 1>not allowed to have bad days. He's not a lot

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<v Speaker 1>of it's a lot of pressure. And then I see

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<v Speaker 1>the wife, you know, who's been enduring, you know, enduring

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<v Speaker 1>for the last however long, and I just saw a

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<v Speaker 1>breaking point. And the joke probably wasn't the worst joke

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<v Speaker 1>that's been said. We've seen some crazier jokes. But sometimes

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<v Speaker 1>it's just the straw that breaks the camels. Question under

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<v Speaker 1>what I'm saying, Like, weird at a breaking point. So

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<v Speaker 1>even this straw right here, it may not be all

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<v Speaker 1>about you, but this little straw that you just put

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<v Speaker 1>on that camel's back, it was enough to send me.

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<v Speaker 1>Now was he wrong? I don't know, I don't know.

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<v Speaker 1>I want your opinion. I just up listen. Yes he

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<v Speaker 1>was wrong, undoubtably a full chest wrong. Now here's what

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<v Speaker 1>you do know, sometimes you have to go there to

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<v Speaker 1>let people know that you will. Yeah, I equated to

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<v Speaker 1>talking to shot earlier. I equated to being on the

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<v Speaker 1>basketball court. Right. There are fouls, and there are technical fouls, right,

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<v Speaker 1>and so at a certain point in the game, when

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<v Speaker 1>you're trying to send a message to the other team,

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<v Speaker 1>you may say, you know what, for the sake of

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<v Speaker 1>the energy moving forward, I need to not issue a

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<v Speaker 1>regular fiul. I need to issue a technical foul. So

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<v Speaker 1>you mother fuckers. No, I will go there if I

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<v Speaker 1>have to. Because I felt him when he said keep

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<v Speaker 1>my wife's name, I'll keep motherfucking mouth. That's I said.

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<v Speaker 1>I was immediately scared of the person who made parents

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<v Speaker 1>don't understand. You don't mess with said, I've been judged.

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<v Speaker 1>I missed judge this for years. Leave a man, leave

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<v Speaker 1>a man's money alone, leave a man's kids alone, leave

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<v Speaker 1>a man's food alone, and by God, leave a man's

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<v Speaker 1>wife alone. Just like that, Just because the last time

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<v Speaker 1>act like this is the first time a comedian has

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<v Speaker 1>been ran up on, not just magnitude though, I got it. Yeah,

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<v Speaker 1>but this is commonplace. You can look in the crowd.

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<v Speaker 1>I do comedy. You can look at the crowd and

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<v Speaker 1>tell I shouldn't talk about him because he's already giving

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<v Speaker 1>me the place, like, don't bring that ship over here

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<v Speaker 1>like I'm enjoying myself. But I will. I will do that.

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<v Speaker 1>You know what I'm saying, Comedians so this, I don't

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<v Speaker 1>think anybody could have anticipated that. But because he didn't smack,

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<v Speaker 1>he smacked the internet. He smacked the means all the

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<v Speaker 1>jokes that did be said every time Tupac is bored up,

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<v Speaker 1>they'd be saying, it's like some funny ship. He's tired

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<v Speaker 1>of that. He smacked. It's like a pressure, just like

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<v Speaker 1>that's what it was. Fed up. Will has the size

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<v Speaker 1>he has to reach. Have you seen Chris thought about that?

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<v Speaker 1>Chris say, man, let me just let it go. That's

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<v Speaker 1>the disappointed. If I walk up on you and swing

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<v Speaker 1>on you, I know it's something coming behind that we're

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<v Speaker 1>going to wrestle fight this thing out. I needed Chris Rock.

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<v Speaker 1>I needed him to just give me so good. He's

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<v Speaker 1>taking like a taking like a let me tell you something.

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<v Speaker 1>He took it like a g let me tell you something.

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<v Speaker 1>When they say when they say, I'm saying, it could

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<v Speaker 1>have gone crazy, it could have gone crazy, but let

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<v Speaker 1>me just like it's supposed to. At that moment, it

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<v Speaker 1>felt like the Sauce Awards. It doesn't even be like

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<v Speaker 1>you right when you smack me automatic. That's another part

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<v Speaker 1>I forgot. He didn't want him. He's the ultimate, but

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<v Speaker 1>I think the smack is worse in the punch. You're

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<v Speaker 1>treated me like I got penny holes on, like coming hard? No,

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<v Speaker 1>what is this? Like? I can't That was because it's

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<v Speaker 1>Oscars and the truth. Let me just tell you something.

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<v Speaker 1>I've never been in the Oscars. I've never I'm just

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<v Speaker 1>I just I felt like it's there awards show, right.

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<v Speaker 1>I always felt like that this you know more is

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<v Speaker 1>boycotting that, but I always felt like it was their

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<v Speaker 1>award show. But they had my man producing it. Um Wacker, Yeah,

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<v Speaker 1>woll Packer. And don't I feel like every time they

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<v Speaker 1>like we do get something like we do something for

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<v Speaker 1>ourselves up, like like I want to do real Smith

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<v Speaker 1>is gonna smack with Rock. That's a fucking just there

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<v Speaker 1>was sound like a joke like like here's the thing. Okay, okay,

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<v Speaker 1>we are event for We're an eventful people like that

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<v Speaker 1>somehow another the stars always line for us to have

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<v Speaker 1>a moment when we're trying to have a moment. That

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<v Speaker 1>was good. This just just what it is sometimes, man.

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<v Speaker 1>And shout out to Willpacker for for producing a hell

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<v Speaker 1>of a show. The show was actually good. Very proud

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<v Speaker 1>of Will pack Great show you get because I don't

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<v Speaker 1>like award shows it did. It looks like it has

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<v Speaker 1>no soul and you could tell before I knew Will

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<v Speaker 1>Packer was doing it, I could tell this was made

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<v Speaker 1>with soul. Somebody, somebody who's producing this soul and their

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<v Speaker 1>motherfucker looking out for me and wanted me to watch

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<v Speaker 1>absolutely aslutely so, have you ever been in an access

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<v Speaker 1>I've never been to the oscars. I've never been invited. Um,

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<v Speaker 1>I can don't consider myself an actor. You know. I

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<v Speaker 1>have some big BET blockbusters as well as some some

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<v Speaker 1>major TV one blockbuster. Did you see me in the

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<v Speaker 1>new edition? Starts Joe bust me? You didn't, Okay, that's fine.

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<v Speaker 1>Anybody in here and see me, That's fine. I hate it.

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<v Speaker 1>I'm like, I'm a big deal on BT Okay, nothing

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<v Speaker 1>made to the big screen yet I'm on my way.

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<v Speaker 1>I'm gonna need your support, so you're doing you know

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<v Speaker 1>they don't invite me, so you know what. The Oscars

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<v Speaker 1>they't invited me yet. You know, I guess they don't

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<v Speaker 1>nominate BT movies and TV one movies. But we're getting there,

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<v Speaker 1>We're making progress. How about the Grammys? What do you

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<v Speaker 1>what do you in terms of that? Like your photogrammis?

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<v Speaker 1>Are you like the Grammys? I'm not. I'm not saying

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<v Speaker 1>funck the Grammys. Okay, I'm never say that, But I

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<v Speaker 1>can't say there is a need for immediate change. This

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<v Speaker 1>gradual we're working on it. Oh, we're gonna get to it.

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<v Speaker 1>Not gonna work because music is ever changing. As we

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<v Speaker 1>see now that these platforms have come in, all these

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<v Speaker 1>new platforms that have come into place to help monetize

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<v Speaker 1>music more and give more visibility to certain kinds of artists,

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<v Speaker 1>the landscape is completely different. And you have a format

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<v Speaker 1>that is catered to traditional to traditional music or the

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<v Speaker 1>traditional style of judging music, you can't do that no more.

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<v Speaker 1>You just can't, like case in point, like when oz

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<v Speaker 1>was going crazy. Of course, if you don't, if you're

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<v Speaker 1>not in the festivals, if you're not tapping into that

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<v Speaker 1>place where that music is played, you don't know how

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<v Speaker 1>massive that kid is you don't know to put him

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<v Speaker 1>in the top rap categories at your Grammys because you

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<v Speaker 1>don't know. Everything you're doing is still done in a

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<v Speaker 1>traditional space, different metrics. So it has to change, and

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<v Speaker 1>people who understand the new metrics have to be integrated

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<v Speaker 1>into the Grammys or they're gonna or they're gonna lose

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<v Speaker 1>touch with everybody. They're gonna lose touch with everybody, and

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<v Speaker 1>these things have to be televised. Like I argue this, UM,

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<v Speaker 1>shout out to hear those guys. I love everybody. Um,

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<v Speaker 1>you know, shout out to BT, shoutout to Soul training,

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<v Speaker 1>all these guys. But accused me that the R and

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<v Speaker 1>B best R and B category is not televised. Why

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<v Speaker 1>why why can't we Why can't I love be seen? Huh,

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<v Speaker 1>sexuality be saying that's crazy. I didn't even that. I

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<v Speaker 1>don't want to hurt nobody, nobody. You know what I'm saying.

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<v Speaker 1>My songs are you know, your phones are different. You

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<v Speaker 1>know what I'm saying. But yet, and not against hip hop,

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<v Speaker 1>you have more of a platform to say and do

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<v Speaker 1>the things you need to do versus me. I'm just

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<v Speaker 1>selling love. But I digress. So I think the format

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<v Speaker 1>needs to be adjusted. In the way you adjust that

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<v Speaker 1>format is by integrating people who know what the fund

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<v Speaker 1>is going on right now, right like we like we're

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<v Speaker 1>supposed to be at the the championship of that, Like

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<v Speaker 1>when these these awards and things like that, it's supposed

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<v Speaker 1>to be some of us in the room. Is that

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<v Speaker 1>what you're intended? Absolutely? Yeah, in the room and listen.

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<v Speaker 1>It can't be everybody can't be over thirty. Everybody can't

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<v Speaker 1>be over forded. Okay, but a sixty five year old listen,

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<v Speaker 1>I don't care how long I don't already trying to

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<v Speaker 1>hang on. He should not be voting in just shouldn't

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<v Speaker 1>be doing it right the pop category. He should listn't.

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<v Speaker 1>If he want to vote on smooth jazz, let let

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<v Speaker 1>him do that. But there has to be changed, and

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<v Speaker 1>the integration has to happen now or you're gonna lose

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<v Speaker 1>touch with the culture R and B and hip hop

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<v Speaker 1>for that matter. Let me let me ask you changing

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<v Speaker 1>it up a little bit. One thing I can hear

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<v Speaker 1>from you, like I could. I can hear when I'm

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<v Speaker 1>listening to your music, I could tell you was raising

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<v Speaker 1>the church boy. Are you absolutely like it? Says that,

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<v Speaker 1>and I know that's we're real singers. It always it

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<v Speaker 1>starts out like that. How do you feel I'm switching

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<v Speaker 1>it up a little bit? How do you feel about

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<v Speaker 1>people who don't go to that, people who just take

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<v Speaker 1>the easy route out and go order tune and then

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<v Speaker 1>they can't even perform live because they're really not they

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<v Speaker 1>can't sing at all. I love it. I did not

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<v Speaker 1>expect that. I love it. It's a place for all

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<v Speaker 1>of its love. Because listen, there are R and B R,

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<v Speaker 1>and there are R and B singers. There's a difference.

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<v Speaker 1>I need them so that the highlight of what I

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<v Speaker 1>do is personified even more. You're gonna get some of that.

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<v Speaker 1>You canna have playtime over there, you know what I'm saying,

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<v Speaker 1>and enjoy them. Tune the lyrics in Maryland, I I

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<v Speaker 1>turned the tune on. Sometimes I turned it on to

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<v Speaker 1>the aesthetic for the sound, tap into the youth. But

0:14:27.640 --> 0:14:30.000
<v Speaker 1>when you want to hear a real singer, when you

0:14:30.040 --> 0:14:32.440
<v Speaker 1>want your soul touched, you know what I'm saying. When

0:14:32.440 --> 0:14:34.360
<v Speaker 1>you when you when ladies, when you want your inner

0:14:34.360 --> 0:14:43.200
<v Speaker 1>secretions to flow in section, I don't want to after

0:14:43.280 --> 0:14:47.920
<v Speaker 1>that mean, I know what it means. Then you come

0:14:48.000 --> 0:14:53.440
<v Speaker 1>see R B singer. And again I always, I always

0:14:53.480 --> 0:14:55.960
<v Speaker 1>try to speak to the equality of a thing. If

0:14:56.000 --> 0:14:58.920
<v Speaker 1>you're gonna give the guys with the auto tune all

0:14:59.000 --> 0:15:02.760
<v Speaker 1>the mainstream look, then give the vocal listen real singers

0:15:02.800 --> 0:15:06.320
<v Speaker 1>some mainstream looks as well. We're asking let make some

0:15:12.040 --> 0:15:15.360
<v Speaker 1>that would be the equivalent of lyricists m c s.

0:15:15.440 --> 0:15:17.760
<v Speaker 1>And some that aren't. But they make dope music. They

0:15:17.760 --> 0:15:20.440
<v Speaker 1>make dope music. Some some rappers are stylists, you know

0:15:20.440 --> 0:15:22.120
<v Speaker 1>what I'm saying, where it's like a voice you just

0:15:22.320 --> 0:15:24.600
<v Speaker 1>can't deny, you know what I'm saying. Some rappers are

0:15:24.600 --> 0:15:27.320
<v Speaker 1>good at making songs. The hook is fired the body

0:15:27.360 --> 0:15:30.040
<v Speaker 1>of the so so maybe a few lines. And then

0:15:30.080 --> 0:15:34.040
<v Speaker 1>some are just flat out lyricists to where there are bars,

0:15:34.520 --> 0:15:37.640
<v Speaker 1>you know what I'm saying. That they're just undefeated. So

0:15:38.520 --> 0:15:41.720
<v Speaker 1>it's room for all of it. I just want us

0:15:41.840 --> 0:15:44.160
<v Speaker 1>to be able to I'm an R and B singer. Man,

0:15:45.040 --> 0:15:52.400
<v Speaker 1>let me eat too, Let me with my big right right?

0:15:52.520 --> 0:15:57.840
<v Speaker 1>Are you drinking beer? Is that pace efical? Yeah? He

0:15:57.920 --> 0:16:15.920
<v Speaker 1>might be met Say so when I googled you it,

0:16:16.000 --> 0:16:23.880
<v Speaker 1>say so. When I doled you seen you will see

0:16:24.160 --> 0:16:28.480
<v Speaker 1>slack for performing at a Black gay pride event. Yeah,

0:16:28.640 --> 0:16:33.560
<v Speaker 1>why would you see slack for that? You you tell me,

0:16:33.880 --> 0:16:39.040
<v Speaker 1>I'm asking you. He saw your tweet. You know, I

0:16:39.080 --> 0:16:41.840
<v Speaker 1>think it's I think it's just a disconnect. I'm not

0:16:41.840 --> 0:16:44.080
<v Speaker 1>gonna understand that, you know what I mean. I think

0:16:44.200 --> 0:16:46.840
<v Speaker 1>I'm gonna speak. You know, in terms of the Black community,

0:16:46.920 --> 0:16:51.600
<v Speaker 1>there's a there's a stigma, and there's there's there's a

0:16:51.640 --> 0:16:55.640
<v Speaker 1>hate that goes along with being gay, right right, And

0:16:55.720 --> 0:17:00.440
<v Speaker 1>oftentimes in our language, to even um to I mean

0:17:00.480 --> 0:17:04.400
<v Speaker 1>the greater person to the lowest, we can degrade them.

0:17:04.920 --> 0:17:09.919
<v Speaker 1>We use gay. It's the adjective. And so that carries

0:17:09.960 --> 0:17:13.480
<v Speaker 1>on even into entertainment. So paint the picture for you.

0:17:13.720 --> 0:17:17.280
<v Speaker 1>Guy Brian who used to manage your fantasia, who's a

0:17:17.320 --> 0:17:20.879
<v Speaker 1>gay man, who's my friend. He said, hey, man, what

0:17:20.920 --> 0:17:22.720
<v Speaker 1>do you think about performing a gay pride in d C?

0:17:22.960 --> 0:17:26.640
<v Speaker 1>I said, yeah, well we kind I'm from DC. Yeah,

0:17:26.640 --> 0:17:28.920
<v Speaker 1>I said, I said, ship, we're kind of back. The

0:17:29.000 --> 0:17:32.280
<v Speaker 1>guy he said, they got this kind of bag. I'm

0:17:32.280 --> 0:17:38.560
<v Speaker 1>all the way right. And so we we get in

0:17:38.640 --> 0:17:42.800
<v Speaker 1>there and and the first thing you say, are you

0:17:42.840 --> 0:17:46.840
<v Speaker 1>gonna take your shirt off? And I said, you called me,

0:17:48.480 --> 0:17:52.160
<v Speaker 1>I'll do what I do. I do a thing I'm

0:17:52.160 --> 0:17:55.000
<v Speaker 1>not scared of im. I's not gonna rub off on

0:17:55.080 --> 0:17:57.720
<v Speaker 1>me because I had to do my show right. So

0:17:57.840 --> 0:18:01.560
<v Speaker 1>I go out there and I'm doing the first song right,

0:18:02.440 --> 0:18:04.800
<v Speaker 1>and as I'm singing my first song, I just kind

0:18:04.800 --> 0:18:07.000
<v Speaker 1>of noticed I'm scanning the crowd. You know, they don't

0:18:07.000 --> 0:18:08.879
<v Speaker 1>know how to receive me at this time. I'm not

0:18:08.960 --> 0:18:13.440
<v Speaker 1>knowing I'm the first straight mail artists to ever do it.

0:18:14.040 --> 0:18:15.960
<v Speaker 1>I'm not. I'm not. I'm not knowing the energy and

0:18:16.040 --> 0:18:18.399
<v Speaker 1>my understanding why all these questions are, you know, surrounding this.

0:18:19.160 --> 0:18:21.159
<v Speaker 1>So I get out there and you know, I finished

0:18:21.160 --> 0:18:24.520
<v Speaker 1>my first song and the explosions going out bad bad.

0:18:24.720 --> 0:18:29.960
<v Speaker 1>They're like, all right, don't like this, y'all trying to

0:18:31.400 --> 0:18:36.639
<v Speaker 1>masculinity and saying the sisters don't turn out now. I

0:18:36.720 --> 0:18:41.760
<v Speaker 1>came to see you all and they said yeah. And

0:18:42.359 --> 0:18:46.800
<v Speaker 1>it was at that moment that they understood, like, I

0:18:46.880 --> 0:18:50.160
<v Speaker 1>have no judgment for you in your lifestyle. I only

0:18:50.240 --> 0:18:53.400
<v Speaker 1>have love for you as a human being. You also

0:18:53.560 --> 0:18:56.399
<v Speaker 1>are the reason why I'm able to feed my family,

0:18:56.960 --> 0:18:59.240
<v Speaker 1>So I love you for that and I'm gonna I'm

0:18:59.240 --> 0:19:02.160
<v Speaker 1>gonna entertain. Ain't the same way I would entertain on

0:19:02.200 --> 0:19:04.080
<v Speaker 1>any stage, whether it's a bunch of girls in the

0:19:04.080 --> 0:19:05.760
<v Speaker 1>front row a bunch of guys in the front room.

0:19:05.800 --> 0:19:10.280
<v Speaker 1>I'm securing my ship. I'm secure. I don't feel like

0:19:10.280 --> 0:19:11.680
<v Speaker 1>I'm gonna walk into a game room and all of

0:19:11.760 --> 0:19:16.160
<v Speaker 1>something become gay. Right, And so when the backlash comes

0:19:16.200 --> 0:19:17.879
<v Speaker 1>and people are saying, oh, he must be gay, I

0:19:17.920 --> 0:19:19.959
<v Speaker 1>can laugh at that because that's not the worst thing

0:19:20.000 --> 0:19:22.919
<v Speaker 1>you can call me, right, because I don't see it

0:19:22.960 --> 0:19:26.840
<v Speaker 1>is that. So I just did Pride in Dallas. Where's

0:19:26.880 --> 0:19:32.920
<v Speaker 1>the bag? As I got fans there? Do they got

0:19:32.920 --> 0:19:37.080
<v Speaker 1>the bag? I'm on the way. You sure you want

0:19:37.080 --> 0:19:38.520
<v Speaker 1>to take picture? You goddamn r I don't want to

0:19:38.520 --> 0:19:41.359
<v Speaker 1>take pictures, and ain't really if it ain't photographs, they

0:19:41.359 --> 0:19:45.159
<v Speaker 1>don't hit the ground there in full support. So and

0:19:45.200 --> 0:19:46.840
<v Speaker 1>I told him, I said, once we get out of

0:19:47.960 --> 0:19:50.360
<v Speaker 1>once we get out of this hate space and are

0:19:50.359 --> 0:19:52.879
<v Speaker 1>willing to have a real sit down and try to

0:19:53.040 --> 0:19:56.280
<v Speaker 1>understand each other and do it in love, it's always

0:19:56.280 --> 0:20:00.639
<v Speaker 1>gonna be this barrier between so many things. So for me,

0:20:00.680 --> 0:20:02.760
<v Speaker 1>I leave with love. Man, I don't care what it

0:20:02.840 --> 0:20:06.359
<v Speaker 1>is like. We had Jason Lee on here um and

0:20:06.720 --> 0:20:08.320
<v Speaker 1>I had to ask him the question that we asked

0:20:08.320 --> 0:20:10.240
<v Speaker 1>everyone else. You know what I mean, because if not,

0:20:10.320 --> 0:20:12.720
<v Speaker 1>wouldn't have been that. You know what the question is,

0:20:13.240 --> 0:20:20.679
<v Speaker 1>does he eat? Ask? Wow, you want to go? Just

0:20:20.880 --> 0:20:26.199
<v Speaker 1>talk to me. Brother. I'm here on the club. I

0:20:26.359 --> 0:20:31.919
<v Speaker 1>hate the same Jason Lee's a whole different kind of ass,

0:20:34.040 --> 0:20:42.359
<v Speaker 1>remember I mean Harry answer, He's right, but the club,

0:20:42.920 --> 0:20:45.160
<v Speaker 1>so obviously you say you do eat as just be clear,

0:20:45.840 --> 0:20:55.080
<v Speaker 1>woman's asked, woman's woman. I just want to keep this clear.

0:20:55.640 --> 0:20:59.200
<v Speaker 1>They're gonna try to find a way. So we also

0:20:59.760 --> 0:21:03.600
<v Speaker 1>had Trick Daddy on here, and Trick Daddy said he

0:21:03.760 --> 0:21:09.600
<v Speaker 1>not only he enjoys being an ass, eat a booty gang,

0:21:09.640 --> 0:21:12.720
<v Speaker 1>eat the moody and I he said, he got legs

0:21:12.800 --> 0:21:17.600
<v Speaker 1>up and everything. I said, No, no legs up, he said,

0:21:18.720 --> 0:21:26.119
<v Speaker 1>and he asked you to. But Trick, Trick Daddy is

0:21:26.160 --> 0:21:32.960
<v Speaker 1>the president, and we are members in this cart not

0:21:33.080 --> 0:21:37.080
<v Speaker 1>always legs up. We don't always. You know what I

0:21:37.160 --> 0:21:39.800
<v Speaker 1>was gonna be that compromise up a little bit. You

0:21:39.840 --> 0:21:43.040
<v Speaker 1>know what I'm saying, This scotch up. What I'm saying,

0:21:43.720 --> 0:21:54.720
<v Speaker 1>I feel like, you know you chest no, no, And

0:21:54.800 --> 0:21:57.879
<v Speaker 1>he wears a bit, you wear a bit no nothing,

0:21:59.000 --> 0:22:04.280
<v Speaker 1>Oh my god. Yeah, no, listen, man, it's a man

0:22:04.320 --> 0:22:07.280
<v Speaker 1>and a woman, you know, being consensual about things that

0:22:07.359 --> 0:22:09.840
<v Speaker 1>you know what I'm saying, there are there are lines

0:22:10.480 --> 0:22:14.280
<v Speaker 1>draw hey, don't just don't know. No no, poke pokey.

0:22:16.840 --> 0:22:31.359
<v Speaker 1>He toned that down, you know what I'm saying. You know,

0:22:32.760 --> 0:22:34.959
<v Speaker 1>but the first time it did happen to me, I was,

0:22:35.160 --> 0:22:36.760
<v Speaker 1>you know what, I don't know why I'm doing this.

0:22:37.560 --> 0:22:42.280
<v Speaker 1>I was in my Susie Rodeo and I'm sorry, Susie

0:22:42.359 --> 0:22:45.600
<v Speaker 1>Rodo Suo rodeo. You know how long ago that was

0:22:55.440 --> 0:22:58.120
<v Speaker 1>radio and I was thinking the older woman at the time,

0:22:58.200 --> 0:23:01.160
<v Speaker 1>and she was like me, you know, show your first time,

0:23:01.240 --> 0:23:04.400
<v Speaker 1>my first time. You got the first time. Eventually, that's

0:23:04.440 --> 0:23:07.200
<v Speaker 1>how I got, you know, brought into this world. Check

0:23:07.280 --> 0:23:11.119
<v Speaker 1>that he world. And uh and and you know, I

0:23:11.440 --> 0:23:13.240
<v Speaker 1>you know, I haven't had my legs up on the

0:23:13.320 --> 0:23:19.240
<v Speaker 1>head resting it. You know, it's very tick It tickled

0:23:19.240 --> 0:23:23.719
<v Speaker 1>before I could actually enjoy it, right, so you know,

0:23:23.920 --> 0:23:33.639
<v Speaker 1>and and it's like wow, wow, wow, he re funked

0:23:33.680 --> 0:23:39.080
<v Speaker 1>up my child. A second he was on the road

0:23:39.680 --> 0:23:42.040
<v Speaker 1>and I told you, I can really went smoke weeds.

0:23:42.080 --> 0:23:45.320
<v Speaker 1>So only we would smoke weeds so I went to

0:23:45.359 --> 0:23:48.800
<v Speaker 1>his room. He just did not ask him. He's like

0:23:49.000 --> 0:23:51.600
<v Speaker 1>he was playing video games. He just went to turn

0:23:51.640 --> 0:23:55.879
<v Speaker 1>on the TV and he just he had his legs

0:23:55.880 --> 0:24:01.280
<v Speaker 1>on the TV on the because you know, yeah himself,

0:24:02.960 --> 0:24:06.000
<v Speaker 1>so take We don't know if you know. The show

0:24:06.080 --> 0:24:09.520
<v Speaker 1>was about giving out flower giving giving out flowers, showing

0:24:09.560 --> 0:24:11.880
<v Speaker 1>people to love while they are alive and while they stand,

0:24:11.920 --> 0:24:14.640
<v Speaker 1>and showing people how great they are. So no doubt,

0:24:14.640 --> 0:24:25.080
<v Speaker 1>we want to give your flowers live and flash being

0:24:25.160 --> 0:24:31.000
<v Speaker 1>what the hell you all lifetimes? A lifetime? We changed

0:24:31.000 --> 0:24:36.199
<v Speaker 1>the time fire. Thank you brother. So let me ask you.

0:24:36.440 --> 0:24:39.000
<v Speaker 1>Moving around, We're gonna get back to the later, you

0:24:39.040 --> 0:24:43.600
<v Speaker 1>know anything, So what do you what do you? What

0:24:43.640 --> 0:24:48.040
<v Speaker 1>do you still love about this game? It's that's changed

0:24:48.160 --> 0:24:53.720
<v Speaker 1>for me. Um before what I loved about this game

0:24:53.880 --> 0:25:00.399
<v Speaker 1>was everything that I had to offer, very selfish about

0:25:00.400 --> 0:25:02.040
<v Speaker 1>the way I was gonna sing to him, about the

0:25:02.040 --> 0:25:03.879
<v Speaker 1>way I was going to perform, by the way I

0:25:03.920 --> 0:25:06.280
<v Speaker 1>was going to write it and produce it and deliver

0:25:06.400 --> 0:25:09.760
<v Speaker 1>it me how I'm going to do it right. Every

0:25:09.760 --> 0:25:11.919
<v Speaker 1>every show, every time I wake up, I'm about to

0:25:12.160 --> 0:25:17.520
<v Speaker 1>kill these I'm like kill him right. And now it's

0:25:19.280 --> 0:25:25.520
<v Speaker 1>I can't wait to build up this next singer songwriter

0:25:25.680 --> 0:25:29.879
<v Speaker 1>producer so that they can go kill on R and

0:25:29.920 --> 0:25:33.199
<v Speaker 1>B's behalf. I can't wait to give everything that I

0:25:33.280 --> 0:25:40.840
<v Speaker 1>have to somebody else. That's what drives me now, because like,

0:25:41.040 --> 0:25:42.840
<v Speaker 1>what good is the game if it? If it dies

0:25:42.880 --> 0:25:47.480
<v Speaker 1>with me? You have to right and that, and that's

0:25:47.480 --> 0:25:51.479
<v Speaker 1>how you truly truly build. That's how you truly create

0:25:51.600 --> 0:25:56.960
<v Speaker 1>a legacy when your arms extend as far as humanly possible.

0:25:57.080 --> 0:26:01.040
<v Speaker 1>Right if an artist thirty years down the line says

0:26:01.160 --> 0:26:03.520
<v Speaker 1>all of this was made possible because one day Tank

0:26:03.560 --> 0:26:05.240
<v Speaker 1>gave me a call and said, I believe in you,

0:26:05.320 --> 0:26:08.960
<v Speaker 1>and we're going to make something great happen. I've done

0:26:08.960 --> 0:26:13.360
<v Speaker 1>my job. I've done my job because that that's my

0:26:13.400 --> 0:26:18.679
<v Speaker 1>true gift. My true gift is championing and supporting and

0:26:18.720 --> 0:26:21.480
<v Speaker 1>putting the battery. You can do it. I used to

0:26:21.520 --> 0:26:24.679
<v Speaker 1>have a kid, uh that used to sing backgrounds with

0:26:24.760 --> 0:26:29.640
<v Speaker 1>me my name and Luke James right, and and Luke

0:26:29.720 --> 0:26:31.439
<v Speaker 1>James just also live well, so you can live with me.

0:26:31.480 --> 0:26:33.080
<v Speaker 1>Man A said, first of all, you need to be

0:26:33.080 --> 0:26:35.119
<v Speaker 1>writing songs. You need to be doing all this stuff

0:26:35.160 --> 0:26:36.720
<v Speaker 1>like this is what you need to be doing. It's

0:26:36.760 --> 0:26:38.560
<v Speaker 1>the first song he wrote was on my albums. That

0:26:38.640 --> 0:26:41.920
<v Speaker 1>club and pain Right brought him in and we're singing back,

0:26:41.960 --> 0:26:43.879
<v Speaker 1>We're singing. He's on the road singing backgrounds with men.

0:26:43.920 --> 0:26:45.720
<v Speaker 1>I got my guys standing back there doing that thing.

0:26:46.680 --> 0:26:48.480
<v Speaker 1>And one day we're at the house. You're singing, going

0:26:48.480 --> 0:26:51.719
<v Speaker 1>back and forth, you know, sharpening the tools, and he

0:26:51.760 --> 0:26:56.280
<v Speaker 1>goes into this high active Mariot Carrie Slash. I was like,

0:26:57.480 --> 0:27:00.560
<v Speaker 1>it's like, NICKI, it's crazy. I said, this is what

0:27:00.560 --> 0:27:02.119
<v Speaker 1>we're gonna do. We're gonna go on my stage and

0:27:02.160 --> 0:27:03.879
<v Speaker 1>I'm gonna call you out and I'm gonna say if

0:27:03.920 --> 0:27:08.399
<v Speaker 1>Maxwell was here, what would he do? That kid? And

0:27:08.400 --> 0:27:11.560
<v Speaker 1>then I want you to go crazy? And this kid

0:27:11.640 --> 0:27:15.560
<v Speaker 1>stood at the front of my stage and almost took

0:27:15.640 --> 0:27:21.480
<v Speaker 1>over my entire show every night. I had to fight

0:27:21.520 --> 0:27:26.880
<v Speaker 1>to get my show back little James every night. But

0:27:27.040 --> 0:27:30.240
<v Speaker 1>I wanted him to do that. I wanted them to

0:27:30.280 --> 0:27:33.240
<v Speaker 1>scream and go crazy every time he touched that microphone.

0:27:33.320 --> 0:27:37.879
<v Speaker 1>Now he's a little James believed in that kid still,

0:27:37.960 --> 0:27:40.800
<v Speaker 1>do you know what I'm saying, Like, I'm looking to

0:27:40.880 --> 0:27:43.800
<v Speaker 1>build things bigger than me, and we did that for you.

0:27:44.600 --> 0:27:48.879
<v Speaker 1>Genuine m hmm, genuine. That was my next question. I

0:27:48.920 --> 0:27:56.280
<v Speaker 1>was about to say, what the hell happened to teach

0:27:56.359 --> 0:27:59.240
<v Speaker 1>superfess we get there, I'm fresh out of church to

0:27:59.440 --> 0:28:01.520
<v Speaker 1>let's let you interview some you know, I'm fresh from

0:28:01.560 --> 0:28:04.639
<v Speaker 1>prior rehearsal to the plane to l A. You know

0:28:04.640 --> 0:28:08.480
<v Speaker 1>what I'm saying, at this time, the devil kind of

0:28:08.640 --> 0:28:10.840
<v Speaker 1>is still in the music. You know what I'm saying.

0:28:11.040 --> 0:28:14.840
<v Speaker 1>I was brainwashed to believe that this is the devil. Right,

0:28:15.119 --> 0:28:20.400
<v Speaker 1>it's no longer the devil. But we get to rehearsal

0:28:20.800 --> 0:28:23.560
<v Speaker 1>and I'm one of those overachievers. Before we get to

0:28:23.680 --> 0:28:26.760
<v Speaker 1>l A, I know every genuine song, top to bottom,

0:28:26.880 --> 0:28:29.920
<v Speaker 1>every harm No we were I was just there to

0:28:29.920 --> 0:28:34.359
<v Speaker 1>sing almost already done Pony number one platinum. I learned

0:28:34.400 --> 0:28:38.440
<v Speaker 1>every background part on his album, interludes everything. He walks

0:28:38.440 --> 0:28:41.240
<v Speaker 1>into rehearsal, he starts chewing some stuff up, you know,

0:28:41.320 --> 0:28:47.440
<v Speaker 1>just playing on the microphone, and we're back like I'm

0:28:47.440 --> 0:28:53.520
<v Speaker 1>gonna try another be Doobie out me like oh these

0:28:54.920 --> 0:28:58.240
<v Speaker 1>they started playing it like I'm like, yeah, we're ready.

0:28:58.480 --> 0:29:00.040
<v Speaker 1>He's so excited. He's like, I got to call this

0:29:00.120 --> 0:29:02.800
<v Speaker 1>background singers on the hall tour it's Mary on the tour.

0:29:03.320 --> 0:29:05.040
<v Speaker 1>It's Drew Hill on the tour. And I got the

0:29:05.080 --> 0:29:07.520
<v Speaker 1>calling singers. He calls the Leah. I got the best

0:29:07.520 --> 0:29:09.880
<v Speaker 1>singers on the tour. You better come see him. The

0:29:09.960 --> 0:29:12.680
<v Speaker 1>Lah comes to this to the rehearsal studio. Here's a

0:29:12.800 --> 0:29:16.240
<v Speaker 1>sing She's like, niggers cold. I come down. I get

0:29:16.240 --> 0:29:18.000
<v Speaker 1>to me to Lea for the first time, She's like,

0:29:18.000 --> 0:29:21.080
<v Speaker 1>what's your name? I was like Darrell. She's like, where

0:29:21.200 --> 0:29:24.000
<v Speaker 1>you from. I'm from such and such. You're really doing

0:29:24.120 --> 0:29:26.840
<v Speaker 1>with your real name because at the time only my

0:29:26.880 --> 0:29:30.360
<v Speaker 1>family knew my nickname. My name is out of the baby,

0:29:30.440 --> 0:29:32.000
<v Speaker 1>so I was just Durell at the time. You know

0:29:32.040 --> 0:29:38.080
<v Speaker 1>what I'm saying. This time, I'm twenty two and she's

0:29:38.120 --> 0:29:41.160
<v Speaker 1>you know, she's just asking me questions like I'm the

0:29:41.200 --> 0:29:43.520
<v Speaker 1>main attraction. I don't know what this is the Lea

0:29:44.280 --> 0:29:47.280
<v Speaker 1>She's got on the outfit bros To tell me this

0:29:47.440 --> 0:29:52.840
<v Speaker 1>is the share the stomach is that. I'm like, this

0:29:53.000 --> 0:29:57.000
<v Speaker 1>is a liv and she's concerned about me. Right, And

0:29:58.520 --> 0:30:01.520
<v Speaker 1>about a week later, Alia fired two background singers and

0:30:01.600 --> 0:30:12.320
<v Speaker 1>hired me and another guy. You and and those two

0:30:13.120 --> 0:30:15.880
<v Speaker 1>um mainly genuine like Alia would say you dope. You're

0:30:15.880 --> 0:30:17.680
<v Speaker 1>like a one man Joe to see what you need

0:30:17.720 --> 0:30:19.480
<v Speaker 1>to do, like you gotta wear this, and then then

0:30:19.480 --> 0:30:21.680
<v Speaker 1>then you got the you got the song, focus on

0:30:21.720 --> 0:30:23.160
<v Speaker 1>the piano, but you need to throw some of that

0:30:23.280 --> 0:30:25.000
<v Speaker 1>edge like she was just just game me gave me

0:30:25.160 --> 0:30:27.400
<v Speaker 1>and Ginuine would sit sit with me at the top

0:30:27.440 --> 0:30:29.600
<v Speaker 1>of a theater, sold out theater, right and he was

0:30:29.640 --> 0:30:31.280
<v Speaker 1>standing there. He would watch his picture line and to

0:30:31.440 --> 0:30:34.680
<v Speaker 1>be a thousand girls in the picture line literally and

0:30:34.680 --> 0:30:36.080
<v Speaker 1>he would say, dog, I'm gonna take every one of

0:30:36.080 --> 0:30:37.720
<v Speaker 1>these picture dogs. That's what you gotta do. You wanna

0:30:37.720 --> 0:30:39.720
<v Speaker 1>be a style. You got to keep a die. If

0:30:39.760 --> 0:30:41.880
<v Speaker 1>the last one of them dig I'm gonna touch him all.

0:30:42.920 --> 0:30:45.560
<v Speaker 1>If last one of the last one of them, dog dog.

0:30:45.960 --> 0:30:49.760
<v Speaker 1>And I would watch him do this every night, left

0:30:49.760 --> 0:30:53.520
<v Speaker 1>no fan behind every night. This is what you gotta do,

0:30:53.600 --> 0:30:55.360
<v Speaker 1>taking things and you're writing songs. And then I got

0:30:55.440 --> 0:30:58.240
<v Speaker 1>to meet my favorite producer, Timberland, and me and Timberland

0:30:58.240 --> 0:31:02.280
<v Speaker 1>on the bus with my PVDPM keyboard making beats together

0:31:03.360 --> 0:31:04.920
<v Speaker 1>and he's like, take you talent, you got the sauce,

0:31:05.000 --> 0:31:06.240
<v Speaker 1>but you gotta do is you gotta do this. You

0:31:06.240 --> 0:31:08.360
<v Speaker 1>gotta do this, all these guys gaming me, gaming me,

0:31:08.560 --> 0:31:10.760
<v Speaker 1>gaming me, and then Ginuine did what gave me the

0:31:10.760 --> 0:31:15.200
<v Speaker 1>front of his stage. Go crazy, little brow. You talk

0:31:15.280 --> 0:31:21.240
<v Speaker 1>about you talk about the leftovers. Amen, Yeah, yeah, yeah,

0:31:21.280 --> 0:31:26.800
<v Speaker 1>I'm the coldest wingman in history, in history. I carried

0:31:26.840 --> 0:31:29.200
<v Speaker 1>the foot locker bags. You know what I'm saying. I

0:31:29.320 --> 0:31:31.880
<v Speaker 1>carried the oak tree bags. I would be in the

0:31:31.920 --> 0:31:35.120
<v Speaker 1>middle of the mall buying the silver jewelry. You know

0:31:35.160 --> 0:31:38.160
<v Speaker 1>the sound I'm saying, the sterling silver sock to fit

0:31:38.240 --> 0:31:41.480
<v Speaker 1>in with Genuine. His wing men wouldn't look so crazy.

0:31:41.640 --> 0:31:43.840
<v Speaker 1>And when Genuine went out and he needed that wing

0:31:43.880 --> 0:31:51.280
<v Speaker 1>we got supers there. I'm staring. I'm starine head. We

0:31:51.400 --> 0:31:52.920
<v Speaker 1>got him out. You would have going on the power

0:31:52.960 --> 0:31:58.800
<v Speaker 1>of a laminate the r late with the wine, Oh

0:31:58.840 --> 0:32:02.280
<v Speaker 1>my god, with Genuine. We'd love to go see him.

0:32:02.360 --> 0:32:05.560
<v Speaker 1>I would love for you to see him. You got

0:32:05.600 --> 0:32:13.440
<v Speaker 1>any friends, You got any friends? So that's that's Genuine.

0:32:13.920 --> 0:32:15.600
<v Speaker 1>Let's let's cross over in the t G T. Let's

0:32:15.600 --> 0:32:20.280
<v Speaker 1>do it. Let's get into that. What then happened? Man,

0:32:21.320 --> 0:32:24.479
<v Speaker 1>I'm gonna blame all of us, you said all of us,

0:32:24.840 --> 0:32:27.720
<v Speaker 1>all of us, as I put most of the blame

0:32:27.800 --> 0:32:32.280
<v Speaker 1>on Tyrese, and then and then some more and now

0:32:32.440 --> 0:32:34.600
<v Speaker 1>some of the blame on Genuine, and then I'll get

0:32:34.640 --> 0:32:37.400
<v Speaker 1>back to myself. I gotta you know, I'm I'm here

0:32:37.480 --> 0:32:40.920
<v Speaker 1>with you. Never make myself look better than those guys.

0:32:41.040 --> 0:32:46.160
<v Speaker 1>This is just the true Okay, okay, Um. What happened

0:32:46.160 --> 0:32:49.760
<v Speaker 1>the first time around is we fought to make that album.

0:32:50.760 --> 0:32:53.880
<v Speaker 1>It was a hell of a process. Yeah no, no,

0:32:54.000 --> 0:32:57.760
<v Speaker 1>no's like literally like the only thing that kept me

0:32:59.200 --> 0:33:01.160
<v Speaker 1>from fighting Ti Reese, like you know what I'm saying,

0:33:01.200 --> 0:33:03.320
<v Speaker 1>like really like like slamming, slamming him on top of

0:33:03.320 --> 0:33:06.440
<v Speaker 1>his head was it was that guy right there. Yeah,

0:33:06.520 --> 0:33:08.320
<v Speaker 1>my manager. He was like, you can't go over there

0:33:08.360 --> 0:33:12.719
<v Speaker 1>and fight. I said, why can't I can't. I can

0:33:12.800 --> 0:33:15.760
<v Speaker 1>go to his house. We can fight, get it off

0:33:15.840 --> 0:33:18.600
<v Speaker 1>our chest, and then make some more music. But you

0:33:18.680 --> 0:33:22.160
<v Speaker 1>are not gonna text me text me like like I'm

0:33:22.200 --> 0:33:26.600
<v Speaker 1>not a grown like Tyrese on the text chain. Oh oh,

0:33:26.800 --> 0:33:30.840
<v Speaker 1>he greasy on the text shape. He'd go there on

0:33:30.960 --> 0:33:34.360
<v Speaker 1>the tech shape right and as soon as I say, cool,

0:33:34.480 --> 0:33:37.600
<v Speaker 1>I'm coming to fuck you up. While we always want

0:33:37.640 --> 0:33:40.800
<v Speaker 1>to fight because all the fighting words. Okay, who's on

0:33:40.920 --> 0:33:43.640
<v Speaker 1>the text change though? Me? Genuine and tyrese. It's the

0:33:43.680 --> 0:33:48.240
<v Speaker 1>craziest check. And then you'll see I say, yea, I

0:33:48.240 --> 0:33:54.120
<v Speaker 1>shouldn't do this. That y'all better than this, said no,

0:33:54.440 --> 0:33:59.360
<v Speaker 1>I'm gonna him up absolutely um. But that was just

0:33:59.440 --> 0:34:02.960
<v Speaker 1>to Alpha Like me and Tie are both capitalcorns, and

0:34:03.080 --> 0:34:06.680
<v Speaker 1>we bumped heads every step of the way. I'm way first,

0:34:06.920 --> 0:34:10.800
<v Speaker 1>he's he's the December thirty one. We bumped heads every

0:34:11.120 --> 0:34:14.600
<v Speaker 1>step of the way. That's my brother, so I can

0:34:14.719 --> 0:34:16.919
<v Speaker 1>I can say, I can talk about anybody else talking

0:34:16.920 --> 0:34:20.040
<v Speaker 1>about um. And I just felt like he was doing

0:34:20.080 --> 0:34:22.160
<v Speaker 1>too much. Why I was mad? He knows this. I

0:34:22.239 --> 0:34:26.560
<v Speaker 1>was mad. I was like, listen, I make albums. I

0:34:26.719 --> 0:34:32.000
<v Speaker 1>make bodies of work. I have classic albums. I am

0:34:32.280 --> 0:34:35.600
<v Speaker 1>still doing this ship at a high level. To let

0:34:35.719 --> 0:34:40.480
<v Speaker 1>me handle the music. Your cash. As the biggest star

0:34:40.600 --> 0:34:44.080
<v Speaker 1>in our group, I will give way to you handling

0:34:44.120 --> 0:34:49.160
<v Speaker 1>the business. Use that Tyree's blockbuster billion dollar box office

0:34:49.239 --> 0:34:53.279
<v Speaker 1>cache to get us the best deal imaginable, all the

0:34:53.360 --> 0:35:02.640
<v Speaker 1>fast and furiousness. Rightious, He's furious, come furious, but let

0:35:02.760 --> 0:35:05.680
<v Speaker 1>me handle this music. This is what the funk I do.

0:35:06.760 --> 0:35:09.520
<v Speaker 1>And he wouldn't get out of my way, kept stepping

0:35:09.560 --> 0:35:13.000
<v Speaker 1>on my toes. He likes to do boot camps. I

0:35:13.200 --> 0:35:15.600
<v Speaker 1>like to lock in with two or two or three producers,

0:35:15.680 --> 0:35:19.880
<v Speaker 1>a couple of writers and make magic. People like a

0:35:20.000 --> 0:35:24.600
<v Speaker 1>thousand producers and writers making I don't. I just don't

0:35:24.640 --> 0:35:26.920
<v Speaker 1>make music like that. I'm from the Jimmy Jam and

0:35:27.000 --> 0:35:31.200
<v Speaker 1>Terry Lewis from Teddy Riley, from the Timberland, the Doctor Dre.

0:35:31.520 --> 0:35:34.040
<v Speaker 1>I'm from those schools where we lock in and we

0:35:34.239 --> 0:35:36.600
<v Speaker 1>find it and we make magic. That's what I'm from.

0:35:36.800 --> 0:35:40.040
<v Speaker 1>But but his process is not wrong, just not my process.

0:35:40.800 --> 0:35:44.640
<v Speaker 1>So our arguments and our beef was more so men

0:35:44.680 --> 0:35:48.520
<v Speaker 1>who have been successful trying to figure out a way

0:35:49.840 --> 0:35:52.040
<v Speaker 1>being successful individually trying to figure out a way to

0:35:52.120 --> 0:35:55.799
<v Speaker 1>be successful together, right, And so neither one of us

0:35:56.320 --> 0:36:00.000
<v Speaker 1>wanted to bow down to either person's process. Your process,

0:36:00.000 --> 0:36:01.799
<v Speaker 1>it's not better than mind. Your process is not better

0:36:01.800 --> 0:36:04.400
<v Speaker 1>than mine. Well, then here we are, and that's what

0:36:04.520 --> 0:36:09.160
<v Speaker 1>made it difficult. Finally get the album done. Over time,

0:36:09.320 --> 0:36:14.800
<v Speaker 1>album finally comes out, we do some shows overseas, I

0:36:14.880 --> 0:36:17.120
<v Speaker 1>think seven shows overseas. We do like three shows in

0:36:17.160 --> 0:36:20.040
<v Speaker 1>the US, and again we have a movie start in

0:36:20.080 --> 0:36:22.000
<v Speaker 1>the group. He gets called away to do a movie

0:36:22.680 --> 0:36:25.000
<v Speaker 1>which we couldn't control because you know what, Paul passed

0:36:25.040 --> 0:36:29.120
<v Speaker 1>and got rest his soul um it from a scheduling standpoint,

0:36:29.600 --> 0:36:32.560
<v Speaker 1>it got crazy for for Tie and everybody that was

0:36:32.600 --> 0:36:36.160
<v Speaker 1>a part of the franchise, And so when that responsibility called,

0:36:36.400 --> 0:36:38.520
<v Speaker 1>he had to answer, and so that threw us off

0:36:38.560 --> 0:36:43.120
<v Speaker 1>on the first one. Getting into this second one looks

0:36:43.160 --> 0:36:45.400
<v Speaker 1>like you're passionate about this one. Yeah, yeah, I'm passionate

0:36:45.400 --> 0:36:47.000
<v Speaker 1>about this one. I want to say this so that

0:36:47.160 --> 0:36:51.680
<v Speaker 1>everybody can get on their ass right. T g T

0:36:51.840 --> 0:36:54.960
<v Speaker 1>the second time around is bigger than music. Bigger than

0:36:55.080 --> 0:36:57.160
<v Speaker 1>music in terms of it as it relates to us.

0:36:58.000 --> 0:36:59.960
<v Speaker 1>It's for the It's for the R and B universe

0:37:00.000 --> 0:37:05.440
<v Speaker 1>as a collective and for kings as a collective to

0:37:05.480 --> 0:37:08.399
<v Speaker 1>see the Kings can come together and do real ship,

0:37:09.320 --> 0:37:12.640
<v Speaker 1>creating a blue merin what what what I think is

0:37:12.680 --> 0:37:17.440
<v Speaker 1>happening right now is as stressful as that process was.

0:37:19.960 --> 0:37:24.840
<v Speaker 1>Nobody feels like they have to inconvenience themselves anymore to

0:37:25.000 --> 0:37:27.759
<v Speaker 1>do it, and I blame that on people being rich.

0:37:30.000 --> 0:37:35.440
<v Speaker 1>Is rich? Genuine is rich? Do they need t g T. No,

0:37:37.960 --> 0:37:40.480
<v Speaker 1>It doesn't matter to them what the fans needed. But

0:37:41.480 --> 0:37:48.200
<v Speaker 1>the R and B universe needs t g T. For

0:37:48.360 --> 0:37:52.600
<v Speaker 1>the love of what we are, for the legacy of

0:37:52.760 --> 0:37:55.840
<v Speaker 1>what we're building. That's what t g T is about.

0:37:56.760 --> 0:37:58.359
<v Speaker 1>This is my last album, but t g T would

0:37:58.400 --> 0:38:01.080
<v Speaker 1>be my absolute last album if we did that right,

0:38:01.680 --> 0:38:06.080
<v Speaker 1>because the people who are watching us, what is the message?

0:38:07.480 --> 0:38:11.360
<v Speaker 1>What is the message we send? After one album? Arguments

0:38:11.440 --> 0:38:17.319
<v Speaker 1>online and nothing after what did we do? We heard

0:38:17.360 --> 0:38:21.080
<v Speaker 1>ourselves more than we helped ourselves. We believe that with

0:38:21.200 --> 0:38:24.080
<v Speaker 1>all this ship after the fact, I mean, people may

0:38:24.120 --> 0:38:26.160
<v Speaker 1>be able to separate the music from the foodsgenes that

0:38:26.200 --> 0:38:28.120
<v Speaker 1>we went through. I respect it. It was one of

0:38:28.120 --> 0:38:30.439
<v Speaker 1>the greatest R and B albums ever created. I will

0:38:30.440 --> 0:38:35.640
<v Speaker 1>say that. But we gotta finish right. We gotta finish right, man,

0:38:37.120 --> 0:38:39.560
<v Speaker 1>all the way down to the wire. It's fourth quarter,

0:38:40.000 --> 0:38:44.520
<v Speaker 1>last three minutes left. What are we doing? So that's

0:38:44.520 --> 0:38:47.719
<v Speaker 1>where I'm at? Right, can give me some more You

0:38:49.560 --> 0:38:52.080
<v Speaker 1>got it? S yeah, you send it to both of us,

0:38:52.080 --> 0:38:55.560
<v Speaker 1>asks just me, okay, I got it? Boom. You want

0:38:55.600 --> 0:38:58.960
<v Speaker 1>to play it on the rules? The rules are no

0:38:59.160 --> 0:39:03.600
<v Speaker 1>politically correct answers. Ship. If you say both or neither,

0:39:04.080 --> 0:39:07.239
<v Speaker 1>we all take a shot. So it's it's a it's

0:39:07.719 --> 0:39:10.160
<v Speaker 1>multiple or two. So we're gonna do this for two nights.

0:39:10.960 --> 0:39:14.200
<v Speaker 1>It's one. Are these shots? You say one? We're good?

0:39:14.280 --> 0:39:17.719
<v Speaker 1>Nobody drinks say both are neither. We're drinking. We drink

0:39:17.760 --> 0:39:19.600
<v Speaker 1>with you, don't drink by yourself. We drink with you. Yeah,

0:39:19.719 --> 0:39:23.600
<v Speaker 1>we all drink. Y'all can drink too. Yeah. I felt

0:39:23.600 --> 0:39:25.120
<v Speaker 1>like I said at first, But as long as you're

0:39:25.120 --> 0:39:31.680
<v Speaker 1>with me, are you ready? Absolutely love my shot up

0:39:32.080 --> 0:39:34.279
<v Speaker 1>normally see them a little my shot up. Now you're

0:39:34.280 --> 0:39:36.520
<v Speaker 1>all correct? This is this is Japanese that you're on

0:39:36.680 --> 0:39:41.239
<v Speaker 1>right here. This is Dominican mamajuana right here in the

0:39:41.360 --> 0:39:46.520
<v Speaker 1>national nations nations right here. I would have the day

0:39:46.600 --> 0:39:50.200
<v Speaker 1>later on your thing. Yes, yes, spot me a mama pup. Yes,

0:39:51.600 --> 0:39:55.520
<v Speaker 1>poor lightly. It is a long game. Snoop Dogg with

0:39:55.640 --> 0:40:01.719
<v Speaker 1>jay z A. We drink it. We could drink. We

0:40:01.800 --> 0:40:05.200
<v Speaker 1>could drink. I mean, unless you gotta answer it sounds

0:40:05.200 --> 0:40:07.040
<v Speaker 1>like a drink. That sounds like a drink to me,

0:40:07.520 --> 0:40:15.719
<v Speaker 1>ship both. Okay, you started off early. You didn't do

0:40:16.400 --> 0:40:18.000
<v Speaker 1>I don't know what you're gonna askwer for this morning.

0:40:20.120 --> 0:40:22.279
<v Speaker 1>I was a little too much. Take good time, take

0:40:22.280 --> 0:40:25.919
<v Speaker 1>good time. At no I've been I've lost a couple

0:40:25.920 --> 0:40:31.160
<v Speaker 1>of times. It happens Chris Brown or Usha Chris Brown.

0:40:33.480 --> 0:40:34.719
<v Speaker 1>I didn't I didn't know what she was gonna go

0:40:34.800 --> 0:40:41.239
<v Speaker 1>with it. There trade songs or Jeremiah trade songs? Podcast

0:40:41.400 --> 0:40:51.400
<v Speaker 1>or radio you got a podcast? Okay, this one, I

0:40:51.400 --> 0:41:01.200
<v Speaker 1>don't know what you're gonna say. Rianna Beyonce Missy or

0:41:01.280 --> 0:41:07.719
<v Speaker 1>Eve Missy? Keep sweat, Johnny Gil keep sweat. He played

0:41:07.760 --> 0:41:18.160
<v Speaker 1>the game for real or Kanye for Real? Fab for

0:41:18.280 --> 0:41:34.840
<v Speaker 1>Jada kiss high Beverages, Who yeah solo. I don't like

0:41:34.920 --> 0:41:37.759
<v Speaker 1>what's happening right now. I don't know that's addressed that

0:41:39.080 --> 0:41:40.960
<v Speaker 1>you you you're making a face like you just did

0:41:41.000 --> 0:41:45.080
<v Speaker 1>a whole shots like this coming. This is, this is

0:41:45.320 --> 0:41:47.319
<v Speaker 1>it's that whiskey, y'all. You have something that I don't

0:41:47.320 --> 0:41:53.960
<v Speaker 1>know a little top of this is trust me do

0:41:54.080 --> 0:41:58.040
<v Speaker 1>this all things? All right? All right? Um we are okay?

0:42:00.120 --> 0:42:08.719
<v Speaker 1>Mariah or Janet Janet? I gotta ask this why why

0:42:08.920 --> 0:42:16.239
<v Speaker 1>on that one times? In totality the overall you know

0:42:16.280 --> 0:42:20.080
<v Speaker 1>what I mean sing sing Janet as like the complete

0:42:20.160 --> 0:42:25.320
<v Speaker 1>performer that she is. Um, she just is what she is,

0:42:25.920 --> 0:42:28.520
<v Speaker 1>you know what I mean? From from a dancer to

0:42:28.920 --> 0:42:35.600
<v Speaker 1>what I'm saying the full Circle's Bust the rhymes are Eminem.

0:42:43.880 --> 0:42:46.280
<v Speaker 1>You know what I gotta go with what I listened to? Okay,

0:42:46.400 --> 0:42:49.080
<v Speaker 1>bust the rhymes? You want to explain now, it would

0:42:49.080 --> 0:42:55.879
<v Speaker 1>be good. I think that. Here's what I think people

0:42:55.960 --> 0:42:58.279
<v Speaker 1>have to figure out. If you've never seen anybody trying

0:42:58.280 --> 0:43:01.640
<v Speaker 1>to follow bus the rhymes on stage on stage, oh yeah,

0:43:02.640 --> 0:43:07.400
<v Speaker 1>you won't understand this. You do not want any smoke

0:43:08.000 --> 0:43:11.560
<v Speaker 1>with Buster rhymes and split Star when them songs come

0:43:11.600 --> 0:43:15.240
<v Speaker 1>on and start going back to back to back to back.

0:43:15.960 --> 0:43:19.080
<v Speaker 1>Now to the Eminem hamlet in the right setting and

0:43:19.120 --> 0:43:23.080
<v Speaker 1>the verses in the right setting. Let's let's let's let's

0:43:23.160 --> 0:43:28.040
<v Speaker 1>we we want this question. Let's say versus Buster. First, Eminem,

0:43:28.320 --> 0:43:41.799
<v Speaker 1>what is happening? Buster? Your face? Anybody has an opportunity

0:43:41.920 --> 0:43:45.960
<v Speaker 1>to jump on that man with Eminem, with Eminem, it's Buster,

0:43:47.160 --> 0:43:50.520
<v Speaker 1>it's Buster because he had game on here. Game said

0:43:50.520 --> 0:43:53.560
<v Speaker 1>that he's better than Eminem. The game is better. He's

0:43:53.560 --> 0:44:01.080
<v Speaker 1>a game. Yeah, and what rapping? Okay, you have to

0:44:01.200 --> 0:44:05.719
<v Speaker 1>believe that you are the best. That's how this works. It,

0:44:06.760 --> 0:44:09.439
<v Speaker 1>that's it. I will never I will never talk down

0:44:09.480 --> 0:44:12.560
<v Speaker 1>on the man believing in himself. He believed it to period.

0:44:13.719 --> 0:44:16.680
<v Speaker 1>I don't know, I don't know. I will say, I

0:44:16.760 --> 0:44:19.120
<v Speaker 1>will say I think again in terms of what I

0:44:19.200 --> 0:44:25.320
<v Speaker 1>listened to, game song's on the playlist, So just no, no,

0:44:25.480 --> 0:44:52.440
<v Speaker 1>no Monica or Brandy, Brandy, digital or analog. Yeah, Toby

0:44:52.520 --> 0:45:03.480
<v Speaker 1>Lanes on the weekend. Whoa, oh sorry about the weekend. Wow,

0:45:05.320 --> 0:45:13.600
<v Speaker 1>that was crazy. Take the shot. Nope, stuff, Nope, I'm

0:45:13.640 --> 0:45:16.800
<v Speaker 1>gonna go. I'm gonna I'm gonna go with overall artistry.

0:45:16.840 --> 0:45:18.600
<v Speaker 1>In terms of tool bag, I'm gonna go with Tori.

0:45:19.320 --> 0:45:25.120
<v Speaker 1>Mm hmm. That was I ain't been broken the mitt

0:45:25.200 --> 0:45:28.360
<v Speaker 1>All right, let's go keep thriller or off the wall.

0:45:30.640 --> 0:45:33.319
<v Speaker 1>Go ahead, get my shot, right, Yeah, I don't want

0:45:33.320 --> 0:45:36.359
<v Speaker 1>to do this. We gotta play with it. We gotta

0:45:36.360 --> 0:45:41.640
<v Speaker 1>play with it. Give it to you, Okay, I say,

0:45:41.680 --> 0:45:56.719
<v Speaker 1>I think, I say I respect Oh Dr Dre or

0:45:56.760 --> 0:46:08.279
<v Speaker 1>pup Daddy. Yeah, it's starting to feel like they are.

0:46:10.080 --> 0:46:15.960
<v Speaker 1>It's starting to feel like they leone. Um. You don't

0:46:16.000 --> 0:46:27.960
<v Speaker 1>criteria whatever, your criterias stop so much. He don't give

0:46:28.600 --> 0:46:40.160
<v Speaker 1>you can answer every way you want. I wanna take

0:46:40.200 --> 0:46:43.600
<v Speaker 1>that shot. That'll get the whether. You gotta get these

0:46:43.640 --> 0:46:46.320
<v Speaker 1>shots ready, man, Because he was going through them like

0:46:46.360 --> 0:46:47.840
<v Speaker 1>Oh yeah, I was having a good time and then

0:46:47.880 --> 0:46:51.720
<v Speaker 1>I just just hit a wall. Hit the wall, Puff

0:46:51.800 --> 0:46:55.000
<v Speaker 1>and Dr Dre. I mean talking about guys bro Like

0:46:58.960 --> 0:47:02.120
<v Speaker 1>you're talking about brand and headphones and liquor and it

0:47:02.280 --> 0:47:07.160
<v Speaker 1>just gets billions. It's crazy. Marvin Gaye, Smokey Robs, Marvin Gaye,

0:47:08.360 --> 0:47:15.960
<v Speaker 1>Al Green, Teddy Penagraph, Al Green, the grit Stone, Jerry

0:47:16.120 --> 0:47:22.560
<v Speaker 1>Curl Baptist preaching, Womanized and gens. I'm not sure makes

0:47:22.680 --> 0:47:27.239
<v Speaker 1>makes some noise to that. That's when the music music.

0:47:28.760 --> 0:47:32.520
<v Speaker 1>It's crazy, right, that's a little The day I felt terrible,

0:47:33.280 --> 0:47:37.359
<v Speaker 1>I said, it's kind of funny because as you're going

0:47:37.440 --> 0:47:40.120
<v Speaker 1>through this ship, you're making the best music ever. And

0:47:40.200 --> 0:47:44.600
<v Speaker 1>it was like you're hurt. It's making my ears happy.

0:47:45.760 --> 0:47:50.319
<v Speaker 1>That's what pain does. That's what pain does. Yeah, please

0:47:50.360 --> 0:47:52.640
<v Speaker 1>don't go. It was a real song. Maybe I deserve

0:47:52.719 --> 0:47:58.000
<v Speaker 1>it was a real song. That's my notes, chill sucking

0:47:58.080 --> 0:48:04.880
<v Speaker 1>up my notes. Mm hmm. I've never known this question.

0:48:05.640 --> 0:48:08.440
<v Speaker 1>Michael Jackson or Prince Michael Jackson? Have you met either

0:48:08.480 --> 0:48:11.560
<v Speaker 1>one of them? The day I was supposed to go

0:48:11.719 --> 0:48:19.440
<v Speaker 1>meet Michael what what the day Jamie was Jamie was

0:48:19.480 --> 0:48:21.440
<v Speaker 1>taking all of us out out to uh out to

0:48:21.520 --> 0:48:24.319
<v Speaker 1>the ranch. Jamie Fox I'm sorry, Jamie FOXX was taking

0:48:24.360 --> 0:48:28.080
<v Speaker 1>us all out to right, Jamie, I'm not like we

0:48:28.200 --> 0:48:30.319
<v Speaker 1>was just noticed. I was singing backgrounds. Okay, all right,

0:48:31.160 --> 0:48:33.880
<v Speaker 1>So you supposed to Jackson, Yes, I was supposed to me.

0:48:34.600 --> 0:48:37.520
<v Speaker 1>He was going. They were rehearsing next right right next

0:48:37.560 --> 0:48:39.839
<v Speaker 1>door to us, and then they told Fox bring your crow,

0:48:39.960 --> 0:48:41.680
<v Speaker 1>come on down. Michael would love to have you guys,

0:48:41.760 --> 0:48:45.880
<v Speaker 1>like you're just calling Fox just now. Is either Jamie Jamie,

0:48:46.200 --> 0:48:48.320
<v Speaker 1>It's not both. So if you say, you say, Jamie,

0:48:48.360 --> 0:48:52.160
<v Speaker 1>motherfucker you got it's a hard package. And I think

0:48:52.200 --> 0:48:56.000
<v Speaker 1>he's got that, you know, trademark or something. Oh that's crazy.

0:48:56.440 --> 0:49:01.399
<v Speaker 1>Holy Okay, Bobby Brown, I'll be sure Bobby Brown don't

0:49:01.440 --> 0:49:03.960
<v Speaker 1>do that. I need to explain because the way you

0:49:04.000 --> 0:49:07.799
<v Speaker 1>said that Bobby Brown is is one of the kings,

0:49:08.719 --> 0:49:12.040
<v Speaker 1>one of the kings. Like when Bobby Brown left New Edition,

0:49:12.120 --> 0:49:14.879
<v Speaker 1>who was the greatest group and probably the greatest group

0:49:15.000 --> 0:49:18.360
<v Speaker 1>blueprint of all times? Right, Bobby Brown went told to

0:49:18.440 --> 0:49:22.280
<v Speaker 1>toll with New Edition every night by himself, by himself,

0:49:22.400 --> 0:49:24.800
<v Speaker 1>and what I gotta do. Listen and in d C.

0:49:25.480 --> 0:49:27.200
<v Speaker 1>You know what I'm saying, at the Capital Center. He

0:49:27.360 --> 0:49:30.239
<v Speaker 1>gave them problems. What do you mean he went up

0:49:30.239 --> 0:49:35.359
<v Speaker 1>against them. It was like he was right before new edition.

0:49:36.400 --> 0:49:38.600
<v Speaker 1>I'll be sure somebody before, I'll be sure. Then I'll

0:49:38.600 --> 0:49:43.320
<v Speaker 1>be sure. Then Bobby Brown, then new edition. You know,

0:49:43.440 --> 0:49:47.520
<v Speaker 1>Bobby went crazy because Bobby went to that thing. Bobby,

0:49:47.719 --> 0:49:51.120
<v Speaker 1>Bobby went to that ship. You ever read his book

0:49:51.600 --> 0:49:55.600
<v Speaker 1>when um he said that he fried cocaine chicken, chicken

0:49:55.680 --> 0:49:59.520
<v Speaker 1>and cocaine. I did not read. Did you say how

0:49:59.600 --> 0:50:06.440
<v Speaker 1>it tastes? He kept the rest of no one else

0:50:07.880 --> 0:50:12.279
<v Speaker 1>who said, well, supposedly in his book goes somewhere he

0:50:12.840 --> 0:50:16.120
<v Speaker 1>has so much cocaine that he didn't know it was cocaine,

0:50:16.160 --> 0:50:18.919
<v Speaker 1>and he thought it was flower at one point. Yeah,

0:50:18.960 --> 0:50:21.920
<v Speaker 1>it's accident. And he didn't. You don't you make think

0:50:22.040 --> 0:50:25.800
<v Speaker 1>he didn't. And I want to hear the after. You

0:50:25.880 --> 0:50:29.800
<v Speaker 1>know what, that's not the best. You know, it's like

0:50:29.840 --> 0:50:31.320
<v Speaker 1>you know your real nick. I never thought of that.

0:50:33.760 --> 0:50:37.960
<v Speaker 1>I didn't taste it's because number Oh god, that's that's

0:50:38.000 --> 0:50:44.400
<v Speaker 1>crazy right there. We'll talk later. Oldest read it or

0:50:44.440 --> 0:50:52.400
<v Speaker 1>Sam Cup, Sam Cup, Stevie Wonder, Luther vandros Stevie Wonder.

0:50:52.560 --> 0:50:57.080
<v Speaker 1>I think Stevie see, huh. You can see sometimes what

0:51:01.280 --> 0:51:06.600
<v Speaker 1>you're looking at it sometimes driving license huh. I think

0:51:06.640 --> 0:51:09.640
<v Speaker 1>Stevie got Stephen can see sometimes I don't know how

0:51:09.719 --> 0:51:12.200
<v Speaker 1>he does. I mess Stevie a bunch of times. Stevie

0:51:12.239 --> 0:51:15.480
<v Speaker 1>gave me a recording kit. One time, me and Stevie

0:51:15.520 --> 0:51:17.520
<v Speaker 1>sets out the side on the piano on the keyboard

0:51:17.560 --> 0:51:20.759
<v Speaker 1>before singing lyrics. He's singing my lyrics and I messed

0:51:20.840 --> 0:51:24.239
<v Speaker 1>his up. It's cool, It's fine. Apologize, you know it's

0:51:24.280 --> 0:51:31.080
<v Speaker 1>that apologize. I apologize the ultimate Frost. He's flawsing on

0:51:31.280 --> 0:51:35.000
<v Speaker 1>us on the spot, like Stephen, don't walk up to

0:51:35.040 --> 0:51:36.640
<v Speaker 1>you all the time and sit next to you on

0:51:36.719 --> 0:51:39.160
<v Speaker 1>the keyboartist and I know all of your songs and

0:51:39.280 --> 0:51:42.920
<v Speaker 1>just start singing your lyrics and I was I choked,

0:51:43.440 --> 0:51:45.440
<v Speaker 1>Shot said, he wrote in the elevator with Stevie and

0:51:45.480 --> 0:51:54.120
<v Speaker 1>Stevie press but the story out there. Let's get love

0:51:54.160 --> 0:51:56.400
<v Speaker 1>the frost. You sat down and play the piano together.

0:51:57.080 --> 0:51:59.680
<v Speaker 1>Let's just be clear you think you can see the

0:51:59.719 --> 0:52:02.960
<v Speaker 1>piano because this is this is weird. I'm not even

0:52:03.000 --> 0:52:04.840
<v Speaker 1>like I mean, at that point, you don't have to

0:52:04.880 --> 0:52:06.200
<v Speaker 1>see when you can say like that, I don't have

0:52:06.239 --> 0:52:09.480
<v Speaker 1>to see the real life. You think he can see though,

0:52:09.600 --> 0:52:13.520
<v Speaker 1>for real I think he can see sometimes, right, because

0:52:13.840 --> 0:52:18.040
<v Speaker 1>how you notice? I think that because other sentences, other

0:52:18.120 --> 0:52:21.439
<v Speaker 1>senses are so heightened, right, and be and being able

0:52:21.480 --> 0:52:25.120
<v Speaker 1>to understand the sensibility of shapes and sizes of things,

0:52:25.239 --> 0:52:29.760
<v Speaker 1>and and counting in the math of things, the ability

0:52:29.840 --> 0:52:32.680
<v Speaker 1>to visualize what's in front of you. It's possible to

0:52:32.880 --> 0:52:37.440
<v Speaker 1>see shades. It's possible to be able to from a

0:52:37.560 --> 0:52:40.879
<v Speaker 1>sonic standpoint. Right, You've seen Batman when they were using

0:52:40.920 --> 0:52:43.600
<v Speaker 1>the phones to pin uh pin uh what do they

0:52:43.640 --> 0:52:49.719
<v Speaker 1>called it, with the with the with the submarines, which

0:52:49.760 --> 0:52:53.960
<v Speaker 1>is right, And so there's an idea of sonar existing

0:52:54.040 --> 0:52:57.680
<v Speaker 1>within us, and so that will create the structure or

0:52:57.719 --> 0:53:00.680
<v Speaker 1>whatever space that you're in or whatever thing that you touch. Right,

0:53:01.160 --> 0:53:05.120
<v Speaker 1>possible can he see switch lanes? No, No, Stevie can

0:53:05.160 --> 0:53:09.719
<v Speaker 1>switch lanes. This is nothing, Shock said, Shock said, he

0:53:09.840 --> 0:53:13.840
<v Speaker 1>will were in the elevator. He didn't say that he

0:53:13.960 --> 0:53:16.319
<v Speaker 1>was in there. He just seek Stevie like they lived

0:53:16.320 --> 0:53:19.200
<v Speaker 1>in the same building and they both walked in and

0:53:19.520 --> 0:53:22.399
<v Speaker 1>Shock because he didn't want to say that, and Stevie said,

0:53:22.640 --> 0:53:27.120
<v Speaker 1>when Shaq walked out, all right later Diesel like he

0:53:27.280 --> 0:53:34.520
<v Speaker 1>was a pressing the button to it obviously, but this

0:53:34.640 --> 0:53:38.160
<v Speaker 1>is you can google it on line. U Sho accuses

0:53:38.360 --> 0:53:42.760
<v Speaker 1>that Stevie could actually see the way too. They figure

0:53:42.800 --> 0:53:48.120
<v Speaker 1>it's Stevie. He's been, he's been to professionally understand how

0:53:48.200 --> 0:53:52.640
<v Speaker 1>that works. That's true. Look, they just hit me with Stevie.

0:53:52.680 --> 0:53:55.680
<v Speaker 1>ONEA gave Darryl Dwkin his chocolate done the nickname. What

0:53:57.040 --> 0:54:01.400
<v Speaker 1>he gave Darryl Dawkins his chocolate thunder nickname? How do

0:54:01.480 --> 0:54:06.000
<v Speaker 1>you know he's hunk man. I'm sure somebody told him

0:54:07.200 --> 0:54:21.120
<v Speaker 1>Darrel Dawkins. That's that's a darker guy, we said, oldest

0:54:21.160 --> 0:54:24.319
<v Speaker 1>ready man, Sam Cook? Right, do we skip over Erica

0:54:24.320 --> 0:54:27.640
<v Speaker 1>about doing at least? Yeah? You spose I do all

0:54:27.640 --> 0:54:36.320
<v Speaker 1>at least your kids about you pussy instance, No, I wouldn't.

0:54:36.719 --> 0:54:38.399
<v Speaker 1>What do you mean, I don't have it? You don't

0:54:38.400 --> 0:54:44.600
<v Speaker 1>want to support the pussy. I support pussy. You don't

0:54:44.640 --> 0:54:52.600
<v Speaker 1>know that, Yeah, pussy home good, it's called the whole

0:54:52.640 --> 0:54:54.560
<v Speaker 1>product line. Like, I don't know. I don't know how

0:54:54.560 --> 0:54:56.400
<v Speaker 1>to explain that to my wife that I brought some

0:54:56.440 --> 0:54:58.160
<v Speaker 1>pussy home. You know what I'm saying. I don't. I don't.

0:54:58.520 --> 0:55:00.520
<v Speaker 1>That's a good point. You know what. I'm like, bab

0:55:00.640 --> 0:55:06.120
<v Speaker 1>I got this got it might be like, what is so?

0:55:06.360 --> 0:55:10.560
<v Speaker 1>So you want to know what her? You want me

0:55:10.560 --> 0:55:12.520
<v Speaker 1>to put it off so I can. You can be

0:55:12.640 --> 0:55:24.879
<v Speaker 1>around supporting? Are you support? It's not a goodly ship.

0:55:25.000 --> 0:55:30.120
<v Speaker 1>That was good. I had no idea who are new

0:55:30.160 --> 0:55:34.080
<v Speaker 1>addition we did? We did a new addition or the

0:55:34.160 --> 0:55:42.480
<v Speaker 1>Jackson five? Fuck? I have to go with a new addition.

0:55:43.719 --> 0:55:49.759
<v Speaker 1>You really love new addition, love new addition. I was

0:55:49.920 --> 0:55:52.040
<v Speaker 1>raised on that album. My love for R and B

0:55:52.280 --> 0:55:56.799
<v Speaker 1>grew with any heartbreak, you know, going to that tour,

0:55:57.040 --> 0:56:00.040
<v Speaker 1>my my first concert, asking my father, please can you

0:56:00.160 --> 0:56:05.359
<v Speaker 1>take me to see a New Edition? We need a yes, Yes,

0:56:05.880 --> 0:56:09.040
<v Speaker 1>that's the blueprint for me. And then from New Edition

0:56:09.400 --> 0:56:13.080
<v Speaker 1>spawned every other group that you can think of at

0:56:13.120 --> 0:56:18.160
<v Speaker 1>this point, from the Instincts, the Whole Boyfriend before that,

0:56:20.320 --> 0:56:28.160
<v Speaker 1>really right after Jackson five, when did they come out

0:56:28.520 --> 0:56:32.359
<v Speaker 1>it seventies Yeah, I'm seventy seven, I'm seventy six. Yes,

0:56:32.760 --> 0:56:37.880
<v Speaker 1>So New Edition became the blueprint for every successful group thereafter.

0:56:38.880 --> 0:56:42.480
<v Speaker 1>The blueprint nothing different. This is how we're gonna rehearse.

0:56:42.960 --> 0:56:45.000
<v Speaker 1>So we're sing this is how we're gonna do it.

0:56:45.280 --> 0:56:48.759
<v Speaker 1>We need five the whole thing, the whole thing to

0:56:48.800 --> 0:56:51.440
<v Speaker 1>be able to do that. Yea. And they're the blueprint.

0:56:52.239 --> 0:56:57.600
<v Speaker 1>God damn, it makes a noise. New addition. So besides,

0:56:57.840 --> 0:57:00.680
<v Speaker 1>besides new edition, who else were you listening to? Really

0:57:00.760 --> 0:57:05.760
<v Speaker 1>young Jodac. I can see it, I can see it, Jodac.

0:57:05.920 --> 0:57:08.879
<v Speaker 1>Now that's a blueprint. Yeah. That was like the bad

0:57:08.960 --> 0:57:12.759
<v Speaker 1>Boys are someone's well, Bobby was the bad boy, and

0:57:12.840 --> 0:57:17.120
<v Speaker 1>then and then uh, and then the the three UM

0:57:18.000 --> 0:57:20.720
<v Speaker 1>B B D. Of course the first the first R

0:57:20.800 --> 0:57:23.720
<v Speaker 1>and B and hip hop group, which new edition. It's

0:57:23.720 --> 0:57:27.280
<v Speaker 1>a new edition but in a spawn off, but never

0:57:27.360 --> 0:57:30.520
<v Speaker 1>had been done before. They were the first, so they

0:57:30.600 --> 0:57:32.600
<v Speaker 1>had kind of an edge to them. If you want

0:57:32.600 --> 0:57:34.440
<v Speaker 1>to say that, you know what I'm saying. And then

0:57:34.520 --> 0:57:43.720
<v Speaker 1>there's no addition you have Jodac my god, Yeah, we

0:57:43.800 --> 0:57:46.840
<v Speaker 1>just take a shout to join. That's because that's because

0:57:57.560 --> 0:57:58.840
<v Speaker 1>so that was my makeup. When I would go to

0:57:58.960 --> 0:58:01.240
<v Speaker 1>churches over you know, all over the d m V.

0:58:01.920 --> 0:58:04.360
<v Speaker 1>They'd be like, you sound like a gospel Jelasy, Like

0:58:04.560 --> 0:58:07.040
<v Speaker 1>you know what I'm saying, you sound like a gospel

0:58:07.120 --> 0:58:16.320
<v Speaker 1>Jeltacy or r Kelly, like, you just got you know, Kelly, Yeah,

0:58:17.560 --> 0:58:28.400
<v Speaker 1>let's just let's R Kelly, He said, Robert Kelly's blueprint.

0:58:30.000 --> 0:58:34.840
<v Speaker 1>I get it. Yeah, I get it. I understand. But

0:58:36.320 --> 0:58:44.000
<v Speaker 1>there's there's absolutely no way that now they are the guests, right,

0:58:45.280 --> 0:58:49.600
<v Speaker 1>There's absolutely no way that I can dig into my

0:58:50.360 --> 0:58:55.680
<v Speaker 1>musical DNA and strip away Joe to see and R.

0:58:55.760 --> 0:59:02.760
<v Speaker 1>Kelly and Brian mynight in baby Faces. It's absolutely impossible.

0:59:03.160 --> 0:59:07.680
<v Speaker 1>Everyone else is like, we get it, we understand, But like,

0:59:08.720 --> 0:59:14.040
<v Speaker 1>I still watched The Cosby Show, And how does it

0:59:14.120 --> 0:59:17.240
<v Speaker 1>make you feel when you watch it? Do you do

0:59:17.360 --> 0:59:19.600
<v Speaker 1>the lessons? Do you see Did you see the Bill

0:59:19.680 --> 0:59:23.520
<v Speaker 1>Cosby documentary? We got to talk about Bill. It's cold,

0:59:23.560 --> 0:59:25.000
<v Speaker 1>We got to talk about that. It has the same

0:59:25.040 --> 0:59:28.160
<v Speaker 1>the documentary. I saw the Rob documentary, which scared me.

0:59:29.800 --> 0:59:35.280
<v Speaker 1>You scared me. Did you work with Kelly? Right? Indirectly?

0:59:36.280 --> 0:59:40.280
<v Speaker 1>I did a song for Sharissa that R. Kelly ended

0:59:40.360 --> 0:59:44.280
<v Speaker 1>up featuring on SO and I produced and wrote it

0:59:44.440 --> 0:59:47.600
<v Speaker 1>and I Kelly got on it and sang so. Indirectly,

0:59:47.880 --> 0:59:50.840
<v Speaker 1>UM hung out with him a couple of times. Play

0:59:50.920 --> 0:59:53.200
<v Speaker 1>some basketball. You want to hear that? Would like to

0:59:53.240 --> 0:59:57.600
<v Speaker 1>hear that? Kelly? There I'm gonna try to I'm gonna

0:59:57.600 --> 1:00:00.160
<v Speaker 1>try to make this short because it's it's three parts, right,

1:00:00.200 --> 1:00:05.440
<v Speaker 1>all right. So we're having a celebrity basketball game. Okay,

1:00:05.760 --> 1:00:07.320
<v Speaker 1>first time I meet Rob. Let's go back to that

1:00:08.840 --> 1:00:12.480
<v Speaker 1>first time I meet R Kelly was with Tyrese. We

1:00:12.560 --> 1:00:18.040
<v Speaker 1>call up, come outside because Tyrese's Tyres is the is

1:00:18.120 --> 1:00:21.360
<v Speaker 1>the fan club president of r K. Did not know

1:00:21.560 --> 1:00:27.080
<v Speaker 1>this fan club president him right now in jail number

1:00:32.040 --> 1:00:37.760
<v Speaker 1>R Kelly. What do you need tywheek Tyrees? I thought

1:00:37.840 --> 1:00:40.400
<v Speaker 1>I was the big R Kelly fan. Tyrese trumps me

1:00:40.520 --> 1:00:45.000
<v Speaker 1>by a thousand, okay, big of Tyres. So we the

1:00:45.160 --> 1:00:50.320
<v Speaker 1>with the W and uh where is this the W?

1:00:50.560 --> 1:00:56.800
<v Speaker 1>And uh yeah? Westwood, Westwood, Westwood, Yes, and this is

1:00:56.840 --> 1:00:58.920
<v Speaker 1>the first time I meet R. Kelly at the W.

1:00:59.280 --> 1:01:02.920
<v Speaker 1>At the W, Kelly gets off the bus, walks over

1:01:03.040 --> 1:01:06.680
<v Speaker 1>to me, gives me a hug, and the only thing

1:01:06.720 --> 1:01:09.800
<v Speaker 1>he says to me is a devil dead or alive,

1:01:09.920 --> 1:01:14.880
<v Speaker 1>can't keep us apart. And I know what you meant

1:01:14.920 --> 1:01:17.240
<v Speaker 1>by that. You're trying to say that y'all have smoked

1:01:17.560 --> 1:01:25.480
<v Speaker 1>no no for my bad. The first time you met him,

1:01:26.120 --> 1:01:29.960
<v Speaker 1>he said, king of devil dead or alive, keep us apart.

1:01:29.960 --> 1:01:33.200
<v Speaker 1>I know he was talking about. I know who he

1:01:33.320 --> 1:01:36.160
<v Speaker 1>was talking about. Somebody was talking about, y'all know, somebody

1:01:36.160 --> 1:01:40.040
<v Speaker 1>who was just keeping us apart. Because I was signed

1:01:41.880 --> 1:01:44.320
<v Speaker 1>under the idea that I was the next R Kelly

1:01:45.200 --> 1:01:49.160
<v Speaker 1>by the person who made R Kelly m So I

1:01:49.200 --> 1:01:52.200
<v Speaker 1>knew exactly what he was talking about. But that was

1:01:52.680 --> 1:01:58.360
<v Speaker 1>then separate ways and seen him again since cut to Orlando.

1:01:58.400 --> 1:02:01.640
<v Speaker 1>I think it's All Star or Super Bowl celebrity basketball game.

1:02:02.160 --> 1:02:06.720
<v Speaker 1>Chris Brown and celebrity friends versus R Kelly and celebrity friends.

1:02:07.200 --> 1:02:17.520
<v Speaker 1>That's it. They're announcing Chris Brown's celebrity team. It's a

1:02:17.640 --> 1:02:22.880
<v Speaker 1>bunch of celebrities. It's us, right, all of us. Our

1:02:22.960 --> 1:02:27.080
<v Speaker 1>Kelly comes running in with this team. They announced the

1:02:27.160 --> 1:02:29.760
<v Speaker 1>celebrities for the R. Kelly team. Give it up for

1:02:30.200 --> 1:02:36.960
<v Speaker 1>R Kelly Playball. It is R Kelly and seven Team

1:02:37.160 --> 1:02:43.280
<v Speaker 1>goods fresh shout. None of their clothes match shoes. Is

1:02:43.400 --> 1:02:49.000
<v Speaker 1>fucked up like a movie. These these guys are not

1:02:49.400 --> 1:02:56.720
<v Speaker 1>basketball players. They are criminals for sure. I know the

1:02:56.840 --> 1:03:04.040
<v Speaker 1>criminal outfit. I know it. I know it. The game starts,

1:03:05.200 --> 1:03:09.000
<v Speaker 1>I said, I got kills part of me. I as

1:03:09.200 --> 1:03:11.080
<v Speaker 1>we needed the fans to understand what you're saying. You're

1:03:11.080 --> 1:03:15.960
<v Speaker 1>saying you're guarding. I'm checking our Kelly. Okay, yes, let's

1:03:16.040 --> 1:03:21.320
<v Speaker 1>go right r Kelly. Kelly decides to cut to the left.

1:03:22.440 --> 1:03:27.120
<v Speaker 1>I get a pick upside my head, like a pick,

1:03:27.440 --> 1:03:32.040
<v Speaker 1>like a pick. Okay, bomb, okay, okay, boom upside my

1:03:32.120 --> 1:03:40.080
<v Speaker 1>head one of them, I said, got me on that one.

1:03:42.200 --> 1:03:51.080
<v Speaker 1>That's got some men still checking out Killy still checking

1:03:51.120 --> 1:03:59.600
<v Speaker 1>out Kelly. Kelly cut boom, boom. Two picks from sad goon.

1:04:01.480 --> 1:04:09.960
<v Speaker 1>I said, hallelujah. I'm trying to keep my ship together.

1:04:11.560 --> 1:04:17.160
<v Speaker 1>So no feeling right. Kelly gets the ball, come to

1:04:17.240 --> 1:04:24.080
<v Speaker 1>the basket, turn to go with him. Boom said going again,

1:04:25.200 --> 1:04:29.480
<v Speaker 1>same guy. I said, cool. If that's how the funk

1:04:29.560 --> 1:04:34.959
<v Speaker 1>y'all want to play, that's how the funk we're gonna play. Yes, okay,

1:04:35.080 --> 1:04:38.400
<v Speaker 1>I play football. I played basketball because I can. I'm

1:04:38.440 --> 1:04:40.360
<v Speaker 1>a football player. I'm gonna lying back on the running back.

1:04:41.400 --> 1:04:46.120
<v Speaker 1>I said, let's play. I proceeded to run every one

1:04:46.160 --> 1:04:51.800
<v Speaker 1>of these motherfucker's the funk over every player. I'm talking

1:04:52.040 --> 1:04:55.560
<v Speaker 1>cash ship to kill. Yeah, you got these motherfucker's trying

1:04:55.600 --> 1:04:59.960
<v Speaker 1>to pick me. I'm you don't want he coming out

1:05:00.000 --> 1:05:04.880
<v Speaker 1>trying to check me, or you can't check me on

1:05:05.680 --> 1:05:09.520
<v Speaker 1>this show game, this trash check this thing to the

1:05:09.680 --> 1:05:12.600
<v Speaker 1>funk out of here the whole game. I'm going crazy.

1:05:12.840 --> 1:05:15.760
<v Speaker 1>The first half. It gets to a point to where

1:05:15.880 --> 1:05:20.280
<v Speaker 1>t I fresh Out comes out of the stands and says, hey, Tank,

1:05:20.320 --> 1:05:24.560
<v Speaker 1>you gotta keep a cool head, bro, you gotta you

1:05:24.640 --> 1:05:27.600
<v Speaker 1>gotta keep a cool I said, I'm in my mind,

1:05:28.440 --> 1:05:32.600
<v Speaker 1>you just gotta. And then I'm thinking, like, am I

1:05:32.760 --> 1:05:36.120
<v Speaker 1>that bad? That a hand freshout of freshout of Prinson

1:05:36.360 --> 1:05:40.240
<v Speaker 1>to tell me to come down. I'm gone. Though, second

1:05:40.280 --> 1:05:42.040
<v Speaker 1>half comes, we're about to win the game. Our current

1:05:42.080 --> 1:05:44.680
<v Speaker 1>it makes a shot, they give him thirty points. I'm leaded,

1:05:45.920 --> 1:05:49.040
<v Speaker 1>while Wayne Williams, I'm cussing him the funk out. I'm

1:05:49.080 --> 1:05:51.800
<v Speaker 1>cussing our Kelly out. I'm cussing his gooms out there

1:05:51.800 --> 1:05:53.680
<v Speaker 1>like tanking a person. That's how we gotta play with

1:05:53.800 --> 1:06:00.880
<v Speaker 1>our funck y'all. And Rob I'm oh kiss the ball.

1:06:01.400 --> 1:06:03.760
<v Speaker 1>Two sets of stuff, win the game, Get in the

1:06:03.840 --> 1:06:06.840
<v Speaker 1>funk out of here, get them out of here. Who Assi,

1:06:07.280 --> 1:06:11.000
<v Speaker 1>I'm there, I'm bare. My people don't know that side

1:06:11.040 --> 1:06:23.760
<v Speaker 1>of him. Guy. They leave never see R. Kelly again,

1:06:23.920 --> 1:06:25.960
<v Speaker 1>never see him again. But that's on my mind. I'm

1:06:26.040 --> 1:06:28.880
<v Speaker 1>pissed R. Kelly for the rest of the time. That's

1:06:28.880 --> 1:06:30.480
<v Speaker 1>how you make you know what I'm saying. That's how

1:06:30.520 --> 1:06:32.920
<v Speaker 1>you make real enemies. On the basketball court, right, that

1:06:33.040 --> 1:06:35.440
<v Speaker 1>was some whole ass ship niggas just picking for you

1:06:35.560 --> 1:06:37.800
<v Speaker 1>all game. Nikos would catch the rebound up under the

1:06:37.840 --> 1:06:39.800
<v Speaker 1>basketball court and throw it back to him so he

1:06:39.840 --> 1:06:42.520
<v Speaker 1>could shoot. That's how they play. Kills gets the ball,

1:06:42.720 --> 1:06:45.800
<v Speaker 1>anybody else shoots, somebody get sucked up. That's how he plays.

1:06:46.280 --> 1:06:50.360
<v Speaker 1>Cut to We're in Chicago on some T G T

1:06:50.480 --> 1:06:55.640
<v Speaker 1>business again, ty reeses are all things are Kelly? He

1:06:55.760 --> 1:06:58.520
<v Speaker 1>got He like, look, man, Rob really wants you to

1:06:58.600 --> 1:07:00.600
<v Speaker 1>come by the gym. You know what I'm saying. Just

1:07:01.080 --> 1:07:03.560
<v Speaker 1>you know that bygones be bygones, you know, make fun

1:07:03.720 --> 1:07:06.640
<v Speaker 1>Rob Man. I tell him, I said that, No, don't

1:07:06.640 --> 1:07:09.360
<v Speaker 1>be like that tank. You know the Kings, Yeah, the

1:07:09.480 --> 1:07:11.800
<v Speaker 1>King just want to haul at you. The King. Why

1:07:11.800 --> 1:07:13.720
<v Speaker 1>are you calling him the king? First of all, he

1:07:13.960 --> 1:07:16.200
<v Speaker 1>you know, he's the kid, he the King. But anyway,

1:07:16.920 --> 1:07:26.120
<v Speaker 1>just right right, what are we talking about? Right? So

1:07:26.760 --> 1:07:28.520
<v Speaker 1>I was like, he finally talking to me, and so

1:07:28.560 --> 1:07:30.760
<v Speaker 1>I was like, out, go for the tapes, or this

1:07:30.800 --> 1:07:33.320
<v Speaker 1>is after the tapes, this is before the case for

1:07:33.400 --> 1:07:36.120
<v Speaker 1>the case for the tapes. You know the tape. You

1:07:36.200 --> 1:07:39.240
<v Speaker 1>know that was like the people want on bootleg after

1:07:39.320 --> 1:07:42.280
<v Speaker 1>the tape. After that was going there all expect that.

1:07:42.400 --> 1:07:48.439
<v Speaker 1>So he was he wasn't convicted, right, I can't judge

1:07:48.520 --> 1:07:51.080
<v Speaker 1>him anyway, solus. Plus, you still want to bust his

1:07:51.120 --> 1:07:54.240
<v Speaker 1>ass and I still want to bust So we get

1:07:54.280 --> 1:07:56.840
<v Speaker 1>to the gym, right, nobody. I definitely told this part

1:07:56.840 --> 1:07:58.280
<v Speaker 1>of the store. I leave this part out, but you

1:07:58.320 --> 1:08:01.760
<v Speaker 1>know we're here. So we walk in and as soon

1:08:01.800 --> 1:08:03.960
<v Speaker 1>as he walking to the gym, I'm stone wall because

1:08:04.280 --> 1:08:06.840
<v Speaker 1>it's just me and tires. I know it's killed. I

1:08:06.880 --> 1:08:08.160
<v Speaker 1>know he got his gunes with him. Know what I'm saying,

1:08:08.160 --> 1:08:09.880
<v Speaker 1>I'm ready for whatever it is, what it is. Right,

1:08:10.360 --> 1:08:12.240
<v Speaker 1>So soon as I walk in the gym, walking in

1:08:12.360 --> 1:08:15.880
<v Speaker 1>with my face on, yeah, ni, he like this tank,

1:08:15.920 --> 1:08:18.400
<v Speaker 1>Come on man, you know I love you. Man, Come here, man,

1:08:19.080 --> 1:08:21.640
<v Speaker 1>come here, man. And he go up to embraced me

1:08:21.920 --> 1:08:28.160
<v Speaker 1>and he starts tickling me. What the fun? Now, here's

1:08:28.160 --> 1:08:32.840
<v Speaker 1>the problem with that? Again? I'm really ticklish. So I'm

1:08:32.880 --> 1:08:38.599
<v Speaker 1>like stop. Yes, yes, stop, you don't. It's that kind

1:08:38.640 --> 1:08:45.600
<v Speaker 1>of on it's embarrassing moment, A tickling me, right. I

1:08:45.640 --> 1:08:47.080
<v Speaker 1>said it was his way of making friends, and he's like,

1:08:48.439 --> 1:08:50.880
<v Speaker 1>oh my god. But he was like, yeah, this that's

1:08:50.920 --> 1:08:53.320
<v Speaker 1>how you got a comment that you gotta tickling because

1:08:53.320 --> 1:08:55.760
<v Speaker 1>just take a funk, you up the tank. I have

1:08:55.920 --> 1:08:59.680
<v Speaker 1>no idea, girl, No, I'm not gonna do this with

1:08:59.720 --> 1:09:08.080
<v Speaker 1>you anyway. I've been here so anyway, this is R

1:09:08.200 --> 1:09:12.080
<v Speaker 1>Kelly's way of trying to get back at me. He

1:09:12.240 --> 1:09:16.000
<v Speaker 1>put me on the opposite team. R Kelly's rules in

1:09:16.040 --> 1:09:19.439
<v Speaker 1>the gym is when he wins, he plays next. When

1:09:19.479 --> 1:09:24.320
<v Speaker 1>he loses, he plays next. He sounds like rules to

1:09:24.400 --> 1:09:31.080
<v Speaker 1>me at all Y's world. It's world. He never right.

1:09:31.800 --> 1:09:36.679
<v Speaker 1>He put me on every opposing team. Now the first game,

1:09:36.920 --> 1:09:40.040
<v Speaker 1>I'm going crazy like that. It is what it is, right,

1:09:40.479 --> 1:09:43.240
<v Speaker 1>So I'm going I'm going to ham on him. But

1:09:43.320 --> 1:09:48.080
<v Speaker 1>then I stopped and I checked myself. By the way,

1:09:48.080 --> 1:09:50.920
<v Speaker 1>the first game you won, right, First I checked myself.

1:09:51.479 --> 1:09:56.240
<v Speaker 1>I said, you know what, and in in in real life,

1:09:56.560 --> 1:10:00.160
<v Speaker 1>I respect this man in real life. He is the

1:10:00.240 --> 1:10:02.439
<v Speaker 1>king of R and B. In real life. Yes, some

1:10:02.560 --> 1:10:09.680
<v Speaker 1>athletically superior. I'm younger, he's older, right, Let let let

1:10:09.760 --> 1:10:13.760
<v Speaker 1>me let my older do do his thing. And so

1:10:14.240 --> 1:10:16.439
<v Speaker 1>you let him win for the rest of the rest

1:10:16.479 --> 1:10:18.280
<v Speaker 1>of the games. I let him win. I was like,

1:10:18.320 --> 1:10:20.400
<v Speaker 1>you know what it is? What he'll make a shot? Kills,

1:10:20.439 --> 1:10:22.439
<v Speaker 1>I said, shot right there. I can't, boy, what do

1:10:22.479 --> 1:10:27.920
<v Speaker 1>you shoot that from? You shot that from Manica? I

1:10:28.120 --> 1:10:32.479
<v Speaker 1>allow you a better man. Listen, I'm not done. Maybe

1:10:32.520 --> 1:10:35.840
<v Speaker 1>the ticklings something you over. I think that's what it did.

1:10:35.920 --> 1:10:47.439
<v Speaker 1>It definitely worked him. I think he knows me. Cut

1:10:47.520 --> 1:10:51.680
<v Speaker 1>to brother Jake Valentine comes to town. He's always my ringer, right,

1:10:52.520 --> 1:10:54.679
<v Speaker 1>and I said, listen, man, Kills wantus to come play

1:10:54.720 --> 1:10:57.599
<v Speaker 1>basketball with him tonight. I feel like we're back cool again, right.

1:10:57.880 --> 1:10:59.880
<v Speaker 1>He's like, man, I'm not going to play with Kels.

1:11:00.240 --> 1:11:02.640
<v Speaker 1>I played real basketball. I say, I know, but you

1:11:02.680 --> 1:11:04.720
<v Speaker 1>know it's it's the King. Like that reason now it's

1:11:04.760 --> 1:11:07.040
<v Speaker 1>the King. You know, we get to go who like,

1:11:07.240 --> 1:11:09.280
<v Speaker 1>just you know, we'll play, but you don't gotta really

1:11:09.280 --> 1:11:11.559
<v Speaker 1>gotta play, like just be cool. He's like, just, man,

1:11:11.600 --> 1:11:14.880
<v Speaker 1>I don't want the part that please please. So Jake said,

1:11:14.880 --> 1:11:18.120
<v Speaker 1>I'm coming, let's go. So we're gonna pull up at

1:11:18.120 --> 1:11:21.120
<v Speaker 1>the gym with kels kel see me this time. Hey tanke,

1:11:21.200 --> 1:11:23.200
<v Speaker 1>how you doing. Man, Good to see you. I said,

1:11:23.240 --> 1:11:26.400
<v Speaker 1>that's my manager. Jay Valenceine said, your manager. He looked

1:11:26.439 --> 1:11:30.479
<v Speaker 1>like you goddamn son. I said, yeah, he's aging and black.

1:11:30.560 --> 1:11:32.560
<v Speaker 1>You know they on age. You know what I'm saying. Like, So,

1:11:33.439 --> 1:11:37.640
<v Speaker 1>we starts to playing right and I'm telling j I'm like,

1:11:37.720 --> 1:11:40.000
<v Speaker 1>j be cool. You look at him. You don't think

1:11:40.000 --> 1:11:41.680
<v Speaker 1>he getting ready to do what he get ready to do. Well,

1:11:41.680 --> 1:11:44.040
<v Speaker 1>he's gonna do it. I don't know where this is gone.

1:11:44.520 --> 1:11:52.519
<v Speaker 1>I'm going. We're sitting there. We played refused. Kelly win

1:11:52.560 --> 1:11:55.840
<v Speaker 1>was the first game and he starts talking cash Ship

1:11:56.000 --> 1:11:59.559
<v Speaker 1>told you whole asked niggas from l A like y'all

1:11:59.720 --> 1:12:05.280
<v Speaker 1>like that. This shottown nigga, this shottown you. You niggas

1:12:05.280 --> 1:12:08.960
<v Speaker 1>ain't Oh, He's calling us everything out of the book.

1:12:09.200 --> 1:12:11.120
<v Speaker 1>Jake walks over to me and says, I'm not losing

1:12:11.160 --> 1:12:18.639
<v Speaker 1>the next game. Shit, come down the court, next very

1:12:18.680 --> 1:12:22.400
<v Speaker 1>first player. The next game, Jake got the ball. Three, Chuck,

1:12:23.840 --> 1:12:27.160
<v Speaker 1>come down the very next place, spending in the circle. Three,

1:12:28.520 --> 1:12:33.360
<v Speaker 1>Come down the next place to the hold the funk up.

1:12:35.360 --> 1:12:40.640
<v Speaker 1>Who got the pretty nigger? What do you mean you

1:12:40.960 --> 1:12:43.519
<v Speaker 1>get the funk out, you get the fun in? He's

1:12:43.560 --> 1:12:49.120
<v Speaker 1>so we won that game. I said, Jay, are you

1:12:49.160 --> 1:12:50.840
<v Speaker 1>good now? He said, I'm good. We'll lose the rest

1:12:52.080 --> 1:12:54.600
<v Speaker 1>and we lost the rest of the games for the

1:12:54.680 --> 1:12:58.280
<v Speaker 1>sake of are killing It looked like he still ain't

1:12:58.320 --> 1:13:05.360
<v Speaker 1>agree with you. He's still he's still he got a career.

1:13:05.560 --> 1:13:09.080
<v Speaker 1>But you know, but you know, those were good moments

1:13:09.160 --> 1:13:10.479
<v Speaker 1>like for me because it's like I got to be

1:13:10.560 --> 1:13:15.000
<v Speaker 1>around you know, that guy who I thought musically was,

1:13:15.600 --> 1:13:18.000
<v Speaker 1>you know, the greatest of all times. You know what

1:13:18.000 --> 1:13:21.599
<v Speaker 1>I'm saying in spite of you know what I mean,

1:13:22.000 --> 1:13:25.080
<v Speaker 1>it's it's a lot connected to it that you know,

1:13:25.320 --> 1:13:27.400
<v Speaker 1>we don't have to unpack. We get. But that's why

1:13:27.479 --> 1:13:29.519
<v Speaker 1>that's why I bring up the Bill Cosby thing is

1:13:29.600 --> 1:13:32.240
<v Speaker 1>because and I think you asked me earlier that I

1:13:32.360 --> 1:13:34.840
<v Speaker 1>didn't know how to answer it, um saying, how do

1:13:34.880 --> 1:13:36.960
<v Speaker 1>you feel when I still see the Cosby Show? Cosby

1:13:37.000 --> 1:13:40.200
<v Speaker 1>Show is still one of the greatest. It's still a

1:13:40.240 --> 1:13:44.080
<v Speaker 1>cosmic show, and it made me feel ill like that

1:13:45.240 --> 1:13:48.200
<v Speaker 1>I could see a positive black family on there. So

1:13:48.280 --> 1:13:50.519
<v Speaker 1>I don't think it takes away from that. So if

1:13:50.520 --> 1:13:54.680
<v Speaker 1>you still love R. Kelly's music, that's but it's just

1:13:54.760 --> 1:13:57.360
<v Speaker 1>the thing is the music what it depicts, and then

1:13:57.479 --> 1:14:00.000
<v Speaker 1>knowing what the charges, not even what the music depend

1:14:00.040 --> 1:14:03.760
<v Speaker 1>it's more so with the music enabled the power of

1:14:03.840 --> 1:14:06.679
<v Speaker 1>the music and the power period, right, but the sexual

1:14:06.840 --> 1:14:09.880
<v Speaker 1>content thinking that you're talking to a woman or whatever.

1:14:10.320 --> 1:14:13.000
<v Speaker 1>Then knowing now, that's probably where people have problems, you know,

1:14:13.160 --> 1:14:16.120
<v Speaker 1>connecting know that think it's great, but then have a

1:14:16.160 --> 1:14:17.640
<v Speaker 1>hard time. But at the time, while I was being

1:14:17.680 --> 1:14:21.760
<v Speaker 1>inspired by it, I'm a kid. I don't know. Yeah,

1:14:22.240 --> 1:14:25.479
<v Speaker 1>but people will see that and say, you know the

1:14:25.560 --> 1:14:28.280
<v Speaker 1>headline O tank was inspired by R. Kelly and not

1:14:28.400 --> 1:14:30.799
<v Speaker 1>put it in and not put it in proper context.

1:14:31.040 --> 1:14:33.840
<v Speaker 1>Every R and B singer you ever run into from now,

1:14:34.360 --> 1:14:37.479
<v Speaker 1>from then to now on, we'll tell you he's the guy.

1:14:38.800 --> 1:14:41.680
<v Speaker 1>You can't deny our Kelly. How many rappers careers if

1:14:41.680 --> 1:14:43.439
<v Speaker 1>they didn't have R Kelly on the home the hook?

1:14:44.680 --> 1:14:47.160
<v Speaker 1>You gotta like, you gotta give, you gotta give, you

1:14:47.240 --> 1:14:50.720
<v Speaker 1>gotta give that, yeah, if you don't give nothing else. Yeah,

1:14:51.120 --> 1:14:53.880
<v Speaker 1>that's why I broke up the Cosby Show because the

1:14:54.000 --> 1:14:56.160
<v Speaker 1>Cosby Show is just it was it was it was

1:14:56.280 --> 1:14:58.920
<v Speaker 1>everything we needed. It was funny about the Cosby Show.

1:14:58.960 --> 1:15:01.080
<v Speaker 1>Sorry to change such a a little bit, but you

1:15:01.200 --> 1:15:04.000
<v Speaker 1>notice no one from the Cosby Show is dis in Bil,

1:15:05.400 --> 1:15:08.760
<v Speaker 1>not one of them. It's one character that was Denise's

1:15:08.840 --> 1:15:12.000
<v Speaker 1>old boyfriend, that's it. But none of them are this

1:15:12.160 --> 1:15:13.760
<v Speaker 1>and Bill. Well, because you have to look at it

1:15:13.880 --> 1:15:17.560
<v Speaker 1>like this, right, and let's say, let's say there is

1:15:17.600 --> 1:15:20.800
<v Speaker 1>a monster that is Bill Cosby. Let's just say it hypothetically.

1:15:21.800 --> 1:15:25.720
<v Speaker 1>I guarantee you they never got to see him. I

1:15:25.800 --> 1:15:29.479
<v Speaker 1>guarantee you they never met him. Only only person they

1:15:29.560 --> 1:15:31.880
<v Speaker 1>met was was a man that changed their lives for

1:15:32.000 --> 1:15:35.719
<v Speaker 1>the better. Right, they gave them an opportunity to probably

1:15:35.800 --> 1:15:39.960
<v Speaker 1>so somebody else wouldn't. Nobody else would. That's what they see,

1:15:40.840 --> 1:15:43.080
<v Speaker 1>you know what I mean? So how do you? How

1:15:43.120 --> 1:15:45.759
<v Speaker 1>do you? How do you say something against that? If anything,

1:15:45.800 --> 1:15:49.400
<v Speaker 1>you can't say nothing at all to be in support

1:15:49.560 --> 1:15:52.479
<v Speaker 1>or or nothing. I don't know who you guys know,

1:15:52.720 --> 1:15:54.639
<v Speaker 1>who you guys see, or who you guys have met,

1:15:54.760 --> 1:15:57.560
<v Speaker 1>but the man that I met changed my life for

1:15:57.680 --> 1:16:00.640
<v Speaker 1>the better. I wouldn't be the So I am the

1:16:00.720 --> 1:16:05.479
<v Speaker 1>woman of the man that I am without that man, right, Look,

1:16:06.439 --> 1:16:10.640
<v Speaker 1>come says Shaquillo now jokingly look says that it's not

1:16:10.760 --> 1:16:13.840
<v Speaker 1>really blind. Get joking, sad, Just Stevie one is not

1:16:14.000 --> 1:16:19.080
<v Speaker 1>really blind the elevator saying, what's up? I just told

1:16:19.120 --> 1:16:24.880
<v Speaker 1>you he's blind, but he can see some ship. I

1:16:25.000 --> 1:16:28.080
<v Speaker 1>love that. By the way, we got one more question

1:16:30.040 --> 1:16:33.800
<v Speaker 1>to Okay, sorry, I thought it was just not go

1:16:33.880 --> 1:16:37.000
<v Speaker 1>on that tangent? Was that me? That's my phone, that's all.

1:16:37.040 --> 1:16:39.000
<v Speaker 1>We didn't do. No, we didn't do the that's that's

1:16:39.000 --> 1:16:45.560
<v Speaker 1>our phone. Actually, okay. Oh TLC or s w V.

1:16:48.240 --> 1:16:49.920
<v Speaker 1>I love that. No, no, no, no, no no, I'm

1:16:49.960 --> 1:16:54.120
<v Speaker 1>just I'm just cooling my drink off. I'm just have

1:16:54.280 --> 1:16:58.160
<v Speaker 1>one ready. I'm going with I'm just cooling my drink. Okay,

1:16:58.760 --> 1:17:04.840
<v Speaker 1>it's cool and cute a drinker. That's w V. That's

1:17:05.000 --> 1:17:11.400
<v Speaker 1>w V over T easy cocoa. We need s w

1:17:11.520 --> 1:17:14.519
<v Speaker 1>B and and well Jack Jack said he could get

1:17:14.560 --> 1:17:25.280
<v Speaker 1>a jack through. That's right, that's rights Coco single. And

1:17:25.320 --> 1:17:28.320
<v Speaker 1>then my girls too. I just did a show with

1:17:28.360 --> 1:17:33.559
<v Speaker 1>them not too longer. Love love them, love them. Last question,

1:17:33.800 --> 1:17:42.360
<v Speaker 1>all right, loyalty or respect. It's a great question. It's

1:17:42.400 --> 1:17:54.599
<v Speaker 1>a great question. I'm gonna go with, just take a shot. Nope,

1:17:59.600 --> 1:18:04.519
<v Speaker 1>I'm anna with respect. Okay, we definitely need an explanation

1:18:04.560 --> 1:18:12.000
<v Speaker 1>for this. Respect Why because because loyalty has so many

1:18:12.800 --> 1:18:17.240
<v Speaker 1>levels to it. There's so many levels to it in

1:18:17.400 --> 1:18:21.280
<v Speaker 1>terms of what you require from something or someone in

1:18:21.439 --> 1:18:25.840
<v Speaker 1>order for it to feel like loyalty. It just it

1:18:25.960 --> 1:18:30.160
<v Speaker 1>just varies so much. But as long as I have

1:18:30.320 --> 1:18:33.800
<v Speaker 1>your respect, as long as you understand that I am

1:18:33.880 --> 1:18:37.040
<v Speaker 1>who I am and I do what I do, and

1:18:37.160 --> 1:18:40.400
<v Speaker 1>you can acknowledge that, I can live with that, as

1:18:40.439 --> 1:18:43.000
<v Speaker 1>long as you can say, you know what, whether you

1:18:43.320 --> 1:18:46.920
<v Speaker 1>whether you stay with me or not in terms whether

1:18:46.920 --> 1:18:49.240
<v Speaker 1>it's business or a person or whatever it is, as

1:18:49.320 --> 1:18:53.439
<v Speaker 1>long as you can announce acknowledge that motherfucker did right

1:18:53.479 --> 1:18:56.559
<v Speaker 1>about me. He is what he is, he is everything

1:18:56.640 --> 1:19:00.599
<v Speaker 1>he says he is. But I can live with it. Man.

1:19:00.760 --> 1:19:02.400
<v Speaker 1>I'm gonna take a shot to that though. I'm gonna

1:19:02.439 --> 1:19:07.680
<v Speaker 1>be honest, even though because because you know why, we

1:19:08.000 --> 1:19:12.680
<v Speaker 1>me and we solo. I'm gonna get over there. I

1:19:12.720 --> 1:19:23.040
<v Speaker 1>think so. And we always say both, yeah, and we

1:19:23.120 --> 1:19:26.679
<v Speaker 1>always say both to it because well that's the answer.

1:19:27.040 --> 1:19:29.040
<v Speaker 1>When it was answered that way, we all it made

1:19:29.080 --> 1:19:30.840
<v Speaker 1>the most sense to us, right. I mean, I'm still

1:19:30.840 --> 1:19:34.880
<v Speaker 1>I'm still with both. I'm still with both because I

1:19:34.960 --> 1:19:38.160
<v Speaker 1>think loyal with loyalty comes respect. I think respect comes loyalty.

1:19:38.560 --> 1:19:44.960
<v Speaker 1>They're not handed in the same sense. Okay, yeah, because

1:19:45.320 --> 1:19:47.920
<v Speaker 1>at some point we have to consider self preservation, right,

1:19:48.520 --> 1:19:50.880
<v Speaker 1>and so as we consider self preservation, we have to

1:19:51.000 --> 1:19:54.400
<v Speaker 1>consider that for the other person, and sometimes within the

1:19:54.479 --> 1:19:59.440
<v Speaker 1>interests of self preservation, you are now not the priority.

1:20:00.040 --> 1:20:04.160
<v Speaker 1>M Like, I love you, but in the interests of

1:20:04.200 --> 1:20:08.960
<v Speaker 1>self preservation, I can't pick you right, and so the

1:20:09.080 --> 1:20:12.760
<v Speaker 1>respect takes over when you're able to come to me

1:20:13.160 --> 1:20:17.040
<v Speaker 1>and articulate that I respect you. So let's let me

1:20:17.160 --> 1:20:19.120
<v Speaker 1>have this conversation with you. Whether it be a tough

1:20:19.200 --> 1:20:22.799
<v Speaker 1>conversation or not, it's when there there's no respect involved

1:20:23.360 --> 1:20:32.240
<v Speaker 1>where that disloyal situations can be wrong by both. You

1:20:32.360 --> 1:20:36.120
<v Speaker 1>can't but respect. If you don't want to wrong with

1:20:36.200 --> 1:20:40.000
<v Speaker 1>me no more after everything I've done, at least come

1:20:40.000 --> 1:20:42.280
<v Speaker 1>and tell me. Don't let me find out on the streets.

1:20:42.360 --> 1:20:45.280
<v Speaker 1>Have that kind of respect for me. That's that's why

1:20:45.280 --> 1:20:47.000
<v Speaker 1>I could respect. I think the reason why we would

1:20:47.000 --> 1:20:49.040
<v Speaker 1>say both is because we feel when you have both,

1:20:49.640 --> 1:20:52.680
<v Speaker 1>there's better chances in heah, it'll be a better situation

1:20:52.960 --> 1:20:56.840
<v Speaker 1>when there's just one there, there's more opportunity can tell

1:20:56.840 --> 1:21:00.479
<v Speaker 1>you it's it's it's hard to get both after it's

1:21:00.520 --> 1:21:02.600
<v Speaker 1>hard to get even when you think it's usually not

1:21:03.280 --> 1:21:07.800
<v Speaker 1>the both are this moment circles this moment. I can

1:21:07.840 --> 1:21:12.720
<v Speaker 1>count those people on one and a half hands. Right,

1:21:13.120 --> 1:21:20.000
<v Speaker 1>let's make some noise for that. Good questions? What era

1:21:20.760 --> 1:21:23.600
<v Speaker 1>of R and B do you think has is the

1:21:23.680 --> 1:21:27.160
<v Speaker 1>most impactful? Nineties? And that what google should we talking

1:21:27.160 --> 1:21:30.519
<v Speaker 1>about in the nineties boys men to see even before

1:21:30.600 --> 1:21:36.599
<v Speaker 1>the going back to Kelly sixties and seven, Juine, Drew Hill,

1:21:38.120 --> 1:21:44.640
<v Speaker 1>uh Jacket, Edge one twelve, Danielle Jones, Monica Brandy And

1:21:44.720 --> 1:21:46.880
<v Speaker 1>why do you think that's the most impactful. Why do

1:21:46.920 --> 1:21:48.400
<v Speaker 1>you think those groups? What did they do that you

1:21:48.479 --> 1:21:52.000
<v Speaker 1>feel most impactful. I'll be selfish first and say they

1:21:52.120 --> 1:21:56.920
<v Speaker 1>made me. I'll start there, um and that was my era,

1:21:57.040 --> 1:21:58.639
<v Speaker 1>That's the ere I lived in. That's the era where

1:21:58.680 --> 1:22:01.240
<v Speaker 1>I put on some into pocket guest jings in the

1:22:01.280 --> 1:22:04.800
<v Speaker 1>party shirt and and went to some young ladies house

1:22:04.840 --> 1:22:07.000
<v Speaker 1>who was having the basement party. You know what I'm saying,

1:22:07.400 --> 1:22:10.200
<v Speaker 1>And we gotta try and put the lights off, you

1:22:10.240 --> 1:22:14.160
<v Speaker 1>know what I'm saying finger popping. Absolutely, what do you

1:22:14.280 --> 1:22:17.760
<v Speaker 1>mean not so lovely? Just get a little bit on

1:22:17.840 --> 1:22:28.400
<v Speaker 1>that figured Okay, pack my hands out. This is straight banker,

1:22:30.360 --> 1:22:41.080
<v Speaker 1>I'm big. That's my era, like where they were the

1:22:41.200 --> 1:22:45.120
<v Speaker 1>last even when you know the up tempos were ruling

1:22:45.280 --> 1:22:48.479
<v Speaker 1>through in the world the last hour, hour and a

1:22:48.600 --> 1:22:53.280
<v Speaker 1>half of whatever function you was at. Slow jams, you

1:22:53.360 --> 1:22:56.439
<v Speaker 1>got to you got to really dig in and grab

1:22:56.640 --> 1:22:59.720
<v Speaker 1>them cheeks and side to side. Man, what you're doing

1:22:59.840 --> 1:23:02.400
<v Speaker 1>like they're like, I've been feeling you all know, I've

1:23:02.439 --> 1:23:04.479
<v Speaker 1>been looking at you. I've been looking at you, looking

1:23:04.479 --> 1:23:06.360
<v Speaker 1>at me, look at you, look at me, like me,

1:23:07.320 --> 1:23:12.320
<v Speaker 1>like what are we doing? Closing one of the fights

1:23:12.439 --> 1:23:15.280
<v Speaker 1>at the club after that, I always I was always

1:23:15.320 --> 1:23:18.240
<v Speaker 1>jealous of your RB niggas. Because of that. You should

1:23:18.240 --> 1:23:22.439
<v Speaker 1>have been like, like, my ship is ending with we

1:23:22.560 --> 1:23:25.400
<v Speaker 1>all then we barty and I'm doing the best performance

1:23:25.479 --> 1:23:28.200
<v Speaker 1>that with someone want to stab some nigga, I'm like,

1:23:28.320 --> 1:23:30.640
<v Speaker 1>I hate this ship. I go to R because these

1:23:30.640 --> 1:23:39.560
<v Speaker 1>things gotta fights. You you're so fu No no no, no,

1:23:39.680 --> 1:23:45.560
<v Speaker 1>not mean that's Music's tell what you did getting a

1:23:45.640 --> 1:23:51.160
<v Speaker 1>man been stabbed? Because if you're walk through to man,

1:23:52.560 --> 1:23:54.160
<v Speaker 1>you know what I was. I was to jealous. I

1:23:54.200 --> 1:23:57.439
<v Speaker 1>went to a Mic Apps concert, yeah, and I just answer,

1:23:57.520 --> 1:24:00.200
<v Speaker 1>just wanted to see how this ship feel, and it

1:24:00.400 --> 1:24:03.400
<v Speaker 1>was all positive energy. I was like, yeah, do you

1:24:03.560 --> 1:24:07.320
<v Speaker 1>know how y'all blessed? Like hip hop? We hip hop.

1:24:07.400 --> 1:24:09.680
<v Speaker 1>You gotta be on point because you just feel like

1:24:09.800 --> 1:24:12.640
<v Speaker 1>someone else is just gonna test you or try you.

1:24:13.080 --> 1:24:14.560
<v Speaker 1>But when I go to R and B, or I

1:24:14.680 --> 1:24:17.800
<v Speaker 1>go to a comedian concert and I just sit there

1:24:17.840 --> 1:24:23.519
<v Speaker 1>and there's no valid very jealous. Validation is different. Your

1:24:23.640 --> 1:24:28.080
<v Speaker 1>validation is a rap sheet that's just suck up. That's

1:24:28.120 --> 1:24:33.360
<v Speaker 1>funny because it's true. It's funny. That's your validation. You

1:24:33.520 --> 1:24:40.559
<v Speaker 1>have to have attempted murder, being the murder can serve

1:24:40.680 --> 1:24:45.040
<v Speaker 1>the drug and shot they want you to get at.

1:24:45.080 --> 1:24:51.439
<v Speaker 1>He's grazy, show me the wound. Yeah, it's a survival music.

1:24:51.520 --> 1:24:58.640
<v Speaker 1>It's still yeah. My validation. Let's my validation is a

1:24:58.720 --> 1:25:04.120
<v Speaker 1>woman screaming out loud. But there could be dangerous too,

1:25:04.360 --> 1:25:11.599
<v Speaker 1>like hey, got wed let me just let me tell

1:25:11.600 --> 1:25:14.800
<v Speaker 1>you something. When I did regg E thron for the

1:25:15.400 --> 1:25:17.680
<v Speaker 1>year and a half two years i did, I was

1:25:17.800 --> 1:25:20.679
<v Speaker 1>probably the most happiest I've ever been at the music

1:25:21.320 --> 1:25:24.680
<v Speaker 1>because I would party and in Orlando you said on

1:25:24.760 --> 1:25:28.320
<v Speaker 1>Lando earlier, Land was one of mym and we were

1:25:28.479 --> 1:25:32.280
<v Speaker 1>party and party afterwards. I wasn't used to that. I

1:25:32.400 --> 1:25:36.360
<v Speaker 1>was used to party and then the party closes, something's

1:25:36.360 --> 1:25:37.760
<v Speaker 1>going to happen, and I could sit there and I

1:25:37.840 --> 1:25:40.160
<v Speaker 1>could just damn and I was just I was like

1:25:40.240 --> 1:25:41.960
<v Speaker 1>the happiest guy. I should have been a vegan at

1:25:41.960 --> 1:25:44.880
<v Speaker 1>the time, because I was just happy because because you

1:25:44.920 --> 1:25:48.240
<v Speaker 1>knew to be happy and like I was just said,

1:25:48.400 --> 1:25:50.519
<v Speaker 1>and I was like when I realized, then I went

1:25:50.560 --> 1:25:53.120
<v Speaker 1>back to hip hop and I had to get back

1:25:53.439 --> 1:25:56.840
<v Speaker 1>used to violence like that was just you have no

1:25:57.040 --> 1:26:00.439
<v Speaker 1>front ship, wasn't done a drink. I'm a be honest.

1:26:00.479 --> 1:26:03.840
<v Speaker 1>I'm gonna be honest. Nine nine shows and a hundred

1:26:03.920 --> 1:26:07.120
<v Speaker 1>shows of reggae through I swear to god, probably ninety

1:26:07.160 --> 1:26:10.679
<v Speaker 1>nine of them. Nothing nothing ever happened. Nothing, nothing never happened,

1:26:10.680 --> 1:26:12.559
<v Speaker 1>I swear to god. It's nothing to say. That's why

1:26:12.560 --> 1:26:14.160
<v Speaker 1>I said ninety nine. I never said that. Was that

1:26:14.280 --> 1:26:17.240
<v Speaker 1>one of them that who was that and got crazy?

1:26:17.680 --> 1:26:25.479
<v Speaker 1>It's probably because when she makes nothing, y'all, yeah, it happens.

1:26:26.439 --> 1:26:34.160
<v Speaker 1>Probably crowd. I don't even do that. Inspires you to

1:26:34.560 --> 1:26:38.679
<v Speaker 1>show what you made, though, But that's fuck does sheet music?

1:26:39.640 --> 1:26:45.280
<v Speaker 1>That's you know, say I got a rap sheet as

1:26:45.360 --> 1:26:48.680
<v Speaker 1>it in today's time, because nobody's really checking them all,

1:26:48.760 --> 1:26:54.200
<v Speaker 1>not all MC's not all rappers. It's fabricated. Not all

1:26:54.240 --> 1:26:56.559
<v Speaker 1>of them are rhyming about that, that's true. I mean

1:26:56.840 --> 1:27:03.960
<v Speaker 1>most star nine D sound that's a percentage. Look at

1:27:04.000 --> 1:27:06.080
<v Speaker 1>the charts. No charge. If you're talking about charges, that

1:27:06.439 --> 1:27:08.800
<v Speaker 1>what's the I mean? But but but that's how we're

1:27:08.800 --> 1:27:14.360
<v Speaker 1>identified rights a lot of things that if they want

1:27:14.400 --> 1:27:16.880
<v Speaker 1>to know the best about, that's where they look. They

1:27:16.960 --> 1:27:22.519
<v Speaker 1>looking mainstream culture, right, and what is maxstream culture? It's violence,

1:27:22.960 --> 1:27:27.040
<v Speaker 1>just drug dealing, is drug selling us? That's what That's

1:27:27.080 --> 1:27:32.080
<v Speaker 1>what they that's what they perceived the best. Why why

1:27:32.160 --> 1:27:37.120
<v Speaker 1>is that the best of us? Why? Like Sam Smith

1:27:37.200 --> 1:27:41.400
<v Speaker 1>gets to sing a great song about stay with Me

1:27:42.880 --> 1:27:46.479
<v Speaker 1>that goes straight to power rotation on the mainstream radio station.

1:27:46.640 --> 1:27:52.879
<v Speaker 1>If I sing that same song stay with Me, limited bandwidth.

1:27:55.160 --> 1:28:06.120
<v Speaker 1>Because our violence isn't the threat our love it Yeah,

1:28:09.840 --> 1:28:15.639
<v Speaker 1>our family separated, it's fine, it's perfect. The man staying

1:28:15.680 --> 1:28:18.599
<v Speaker 1>with his family and raising his kids and pouring into

1:28:18.760 --> 1:28:23.880
<v Speaker 1>his woman, that's a threat. You're about to be a preacher.

1:28:30.600 --> 1:28:32.720
<v Speaker 1>And that's what R and B stands for. And that's

1:28:32.720 --> 1:28:35.759
<v Speaker 1>why R and B takes such a back seat, because

1:28:35.800 --> 1:28:42.000
<v Speaker 1>we're not promoting the aesthetic that continues to perpetuate the stereotype.

1:28:43.640 --> 1:28:46.599
<v Speaker 1>You guys are killers, you guys are animals, You guys

1:28:46.640 --> 1:28:51.160
<v Speaker 1>are savages. That's when you're at your best. So that's

1:28:51.200 --> 1:28:55.040
<v Speaker 1>what we're going to reward. Those are the guys who

1:28:55.120 --> 1:28:58.320
<v Speaker 1>get the hundred million dollar deals. Those are the guys

1:28:58.400 --> 1:29:02.559
<v Speaker 1>who fill up the arenas and stadiums to talk that ship.

1:29:02.760 --> 1:29:09.280
<v Speaker 1>We love when you talk that ship love, We're cool.

1:29:10.200 --> 1:29:14.840
<v Speaker 1>We're cool. I love love you do. Wasn't love and

1:29:14.920 --> 1:29:24.680
<v Speaker 1>love popular? We don't control, we don't own conglomerates. It

1:29:24.800 --> 1:29:31.880
<v Speaker 1>comes down to ownership. Yeah, we don't own radio, we

1:29:32.040 --> 1:29:36.519
<v Speaker 1>don't own streaming, we don't own media, we don't own

1:29:36.600 --> 1:29:41.120
<v Speaker 1>none of it. But we own our feelings. And it's

1:29:41.280 --> 1:29:44.720
<v Speaker 1>very seldom that people promote love and love, love and

1:29:44.800 --> 1:29:47.640
<v Speaker 1>being in love well, because what happens now is that

1:29:47.840 --> 1:29:50.680
<v Speaker 1>with with social media and all these other things, you

1:29:50.840 --> 1:29:54.960
<v Speaker 1>get hypnotized by an algorithm, so and everybody wants to

1:29:55.000 --> 1:29:58.000
<v Speaker 1>be popping right. So in the idea of wanting to

1:29:58.040 --> 1:30:01.880
<v Speaker 1>be popping, You're gonna roll with what's popping. Nobody's they're

1:30:01.880 --> 1:30:04.280
<v Speaker 1>not leaders anymore. The followers like what happened in the

1:30:04.360 --> 1:30:07.600
<v Speaker 1>oscars that that became immediately everybody had to post that

1:30:07.760 --> 1:30:13.720
<v Speaker 1>had they want they wanted to be so bad. It's

1:30:13.760 --> 1:30:16.559
<v Speaker 1>the algorithm. I'm sorry, you have a business. I got

1:30:19.760 --> 1:30:23.880
<v Speaker 1>you didn't, I mean whatever. I'm just saying last night immediately,

1:30:23.960 --> 1:30:27.439
<v Speaker 1>not a second past. And that means they put everybody

1:30:27.479 --> 1:30:29.320
<v Speaker 1>bom bom bom. And I'm like, wow, we live in

1:30:29.360 --> 1:30:35.240
<v Speaker 1>a mean beef in that algorithm, right, And so the

1:30:35.320 --> 1:30:44.080
<v Speaker 1>algorithm is is drugs, abuse of any kind, ratchet killing.

1:30:44.439 --> 1:30:47.160
<v Speaker 1>It's all like it's a I'm victim of it. I'm

1:30:47.200 --> 1:30:51.800
<v Speaker 1>a world star. Like I'm just looking. I'm like, you know,

1:30:52.320 --> 1:31:00.679
<v Speaker 1>and I'm seeing that the headline you doing something take yeah,

1:31:01.360 --> 1:31:05.240
<v Speaker 1>accidentally accidentally shoots her friend in the in the head.

1:31:05.320 --> 1:31:08.360
<v Speaker 1>I'm like saw that. I'm like and I'm like, I

1:31:08.439 --> 1:31:11.280
<v Speaker 1>have to click that. I have to see what that is.

1:31:12.240 --> 1:31:18.920
<v Speaker 1>So that's where we are in society, especially ours over

1:31:19.040 --> 1:31:22.000
<v Speaker 1>my man Danny people. Yeah, yeah, so we could we

1:31:22.040 --> 1:31:24.880
<v Speaker 1>could post some cool love shot. All you can say tomorrow.

1:31:24.920 --> 1:31:27.640
<v Speaker 1>I'm in love my life. I say all the time,

1:31:27.680 --> 1:31:31.559
<v Speaker 1>I'm married, but nothing's gonna get married to Nothering's gonna

1:31:31.560 --> 1:31:34.960
<v Speaker 1>go more viral out here, smack of a mask. If

1:31:35.000 --> 1:31:37.760
<v Speaker 1>you say, you know what, I'm gonna be honest with y'all.

1:31:37.920 --> 1:31:43.759
<v Speaker 1>I got I got two bodies in Denver. H don't

1:31:44.560 --> 1:31:51.240
<v Speaker 1>I won't saying that nothing would be more fun to

1:31:51.320 --> 1:31:55.920
<v Speaker 1>hell with your love. Yeah, with your love, your brown love,

1:31:56.640 --> 1:32:02.000
<v Speaker 1>about your brown legs. We care about your brown savagery.

1:32:03.280 --> 1:32:08.439
<v Speaker 1>Show us the savage. That's when you're at your best.

1:32:09.720 --> 1:32:12.160
<v Speaker 1>I always go back to, like I think about, think

1:32:12.200 --> 1:32:15.679
<v Speaker 1>about Denzel. You what he said told Will? He said,

1:32:15.880 --> 1:32:18.200
<v Speaker 1>the Devil's gonna come at you when you're at your high.

1:32:18.280 --> 1:32:24.719
<v Speaker 1>Of course, of course it's gonna be Would imagine didn't

1:32:24.720 --> 1:32:29.160
<v Speaker 1>Tel winning an oscar for training day and not winning

1:32:29.200 --> 1:32:35.920
<v Speaker 1>for Malcolm X. It's the world we're living. Yeah? Did

1:32:35.960 --> 1:32:40.800
<v Speaker 1>he did he work? Did he work? One of my

1:32:40.880 --> 1:32:46.080
<v Speaker 1>favorite movies of Denzel Remember the Titans football? Absolutely, you

1:32:46.160 --> 1:32:50.920
<v Speaker 1>will remember the night you played the Titans. Whether you

1:32:51.000 --> 1:32:53.519
<v Speaker 1>win or lose, you don't remember this night. I used that.

1:32:53.920 --> 1:32:55.360
<v Speaker 1>I used that to do you remember like the saw

1:32:55.640 --> 1:32:58.439
<v Speaker 1>to night you saw Tank? Yeah? You gave me when

1:32:58.439 --> 1:33:04.240
<v Speaker 1>you get lucky enough what you're doing right. But but imagine,

1:33:04.960 --> 1:33:10.240
<v Speaker 1>imagine winning for being a crooked cop, being a nigger

1:33:10.240 --> 1:33:13.280
<v Speaker 1>at its finest. But let's just be clear, Tank and

1:33:13.520 --> 1:33:17.320
<v Speaker 1>all honesty. He killed, that's not going to lie to you.

1:33:17.560 --> 1:33:21.439
<v Speaker 1>He did, but didn't kill everything that everything he didn't.

1:33:21.960 --> 1:33:24.200
<v Speaker 1>But I don't sell it for that or not anything else,

1:33:24.439 --> 1:33:26.000
<v Speaker 1>you know what, I'm gonna be honest. I think that

1:33:26.120 --> 1:33:29.000
<v Speaker 1>they slept on Malcolm X and they didn't. They didn't

1:33:29.040 --> 1:33:32.479
<v Speaker 1>want to give that power black image. We're not giving

1:33:32.720 --> 1:33:38.320
<v Speaker 1>power to black. I respect that power. What it is

1:33:39.920 --> 1:33:43.880
<v Speaker 1>you're going to win in the space we think you

1:33:43.920 --> 1:33:47.360
<v Speaker 1>should win in where we think you're at your best.

1:33:49.720 --> 1:33:52.840
<v Speaker 1>This is where you live for us. Now we will

1:33:52.920 --> 1:33:57.200
<v Speaker 1>reward you how that works. I'm about to say, take

1:33:57.240 --> 1:33:58.559
<v Speaker 1>a shot, but I don't think she'd take a shot

1:33:58.600 --> 1:34:08.679
<v Speaker 1>for that. Probably not, but maybe not just as real.

1:34:09.400 --> 1:34:12.880
<v Speaker 1>It's real, And I'm not listening as much as as

1:34:12.960 --> 1:34:16.719
<v Speaker 1>much as the Will you know smacking, you know, smack

1:34:16.760 --> 1:34:20.120
<v Speaker 1>and Chris is a thing. I'm not gonna let that

1:34:20.280 --> 1:34:27.160
<v Speaker 1>overshadow the fact that Will got his oscar. He did

1:34:27.160 --> 1:34:33.600
<v Speaker 1>you see the movie? Actually Smith wanted for absolutely. I

1:34:33.720 --> 1:34:36.800
<v Speaker 1>was obviously with the movie what's that? What do you mean?

1:34:37.360 --> 1:34:40.240
<v Speaker 1>Because and I think I think it probably was a

1:34:40.360 --> 1:34:44.720
<v Speaker 1>licensing issue because I felt like we never got to

1:34:44.880 --> 1:34:51.040
<v Speaker 1>see Venus and Serena do everything that they did, and

1:34:51.120 --> 1:34:53.600
<v Speaker 1>maybe that's for another movie. Yeah, you know, but I

1:34:53.800 --> 1:34:56.519
<v Speaker 1>was I was waiting about Tupac. I was I was

1:34:56.640 --> 1:35:01.120
<v Speaker 1>waiting to go into all the grands. I was waiting

1:35:01.160 --> 1:35:04.640
<v Speaker 1>to go there because I watched all of it, and

1:35:04.760 --> 1:35:06.320
<v Speaker 1>that's all. That's only when I was mad at I

1:35:06.400 --> 1:35:07.920
<v Speaker 1>got to where it didn't go there. I got where

1:35:08.360 --> 1:35:12.320
<v Speaker 1>I probably didn't. There's some probably some Venus and Serena

1:35:12.400 --> 1:35:15.759
<v Speaker 1>was like, now that that's ours, this story, his story.

1:35:17.120 --> 1:35:18.560
<v Speaker 1>That's what I felt like. I felt like it was

1:35:18.680 --> 1:35:22.519
<v Speaker 1>his story with them in it. But I wanted to

1:35:22.600 --> 1:35:24.600
<v Speaker 1>see that. So was it? What was his name? Was

1:35:24.640 --> 1:35:27.800
<v Speaker 1>the name of it? You can't watch that and not

1:35:27.920 --> 1:35:30.240
<v Speaker 1>be like, I gotta be a better parent or create

1:35:30.280 --> 1:35:34.519
<v Speaker 1>a better structure all the time. Can we take a

1:35:34.520 --> 1:35:43.320
<v Speaker 1>shot to came rich? Figure? I say this all the time.

1:35:43.360 --> 1:35:45.640
<v Speaker 1>I said the other day in Queen's Bridge, I said, Yo,

1:35:46.080 --> 1:35:51.160
<v Speaker 1>the first time I actually thought I saw like over extended,

1:35:51.880 --> 1:35:55.240
<v Speaker 1>extended the amount of love was watching wrong our tests

1:35:55.600 --> 1:35:59.479
<v Speaker 1>as father t and they I mean, you know when

1:35:59.479 --> 1:36:01.920
<v Speaker 1>New York sit. So I'm from left Frac City, but

1:36:01.960 --> 1:36:03.600
<v Speaker 1>I used to go to Queensbridge and go visit my

1:36:03.680 --> 1:36:06.320
<v Speaker 1>friends and it was too cold for us to even

1:36:06.400 --> 1:36:09.080
<v Speaker 1>stand outside. And I would see Ron Artests and his

1:36:09.200 --> 1:36:12.840
<v Speaker 1>father and he'll be throwing the ball like staring his

1:36:13.040 --> 1:36:18.040
<v Speaker 1>chest and this is snowing, he's slipping, he's picking them up,

1:36:19.200 --> 1:36:22.360
<v Speaker 1>and at first my first thought was this is child abuse.

1:36:22.640 --> 1:36:24.479
<v Speaker 1>But first of all, excuse me. It was so bad.

1:36:24.560 --> 1:36:26.360
<v Speaker 1>At first, I didn't even know that was his father,

1:36:26.920 --> 1:36:31.360
<v Speaker 1>I thought because because I didn't think that was they

1:36:31.400 --> 1:36:33.960
<v Speaker 1>were brothers. And then I realized, I said, yo, the same.

1:36:34.439 --> 1:36:36.320
<v Speaker 1>They go at it all the time, these brothers, and

1:36:36.360 --> 1:36:40.400
<v Speaker 1>they're like, nah, that's Ron's father. So he would be

1:36:40.479 --> 1:36:43.120
<v Speaker 1>out there in the snow, like I know for a

1:36:43.240 --> 1:36:45.880
<v Speaker 1>fact one million per cent Ron Artest is one million

1:36:45.920 --> 1:36:49.360
<v Speaker 1>percent in NBA because of his father. I got to

1:36:49.439 --> 1:36:52.240
<v Speaker 1>see this ship with myself. I'm talking about in the snow.

1:36:52.520 --> 1:36:54.280
<v Speaker 1>I'll be sitting there's it's too cold for me to

1:36:54.320 --> 1:36:56.840
<v Speaker 1>smell cracker because I'm out there like that, and these

1:36:56.920 --> 1:36:59.519
<v Speaker 1>nickers is out there. That's that was my job. I'm sorry.

1:37:00.520 --> 1:37:14.000
<v Speaker 1>That was sun cry. So I'm still handsome, Freezing. You

1:37:14.120 --> 1:37:16.280
<v Speaker 1>need to go back, and you need to go back

1:37:16.320 --> 1:37:19.360
<v Speaker 1>and cook Freezing. And I'm seeing him throwing the ball

1:37:19.439 --> 1:37:21.040
<v Speaker 1>at him, and then they told him that's his father

1:37:21.479 --> 1:37:24.240
<v Speaker 1>and I was like, so there was no When I

1:37:24.320 --> 1:37:27.759
<v Speaker 1>went on to you know, become, it was like, damn,

1:37:27.880 --> 1:37:33.120
<v Speaker 1>Like that was the strongest father figure I've ever seen me.

1:37:34.000 --> 1:37:37.200
<v Speaker 1>And it was so strong that I actually like, WHOA.

1:37:37.760 --> 1:37:39.600
<v Speaker 1>I didn't even accept it. I was like that that

1:37:39.720 --> 1:37:42.439
<v Speaker 1>was wrong. And then went to the NBA. I was like,

1:37:42.720 --> 1:37:45.439
<v Speaker 1>I knew that ship bro. I felt then it Listen.

1:37:45.800 --> 1:37:48.400
<v Speaker 1>They talked about Joe Jackson like that was wrong, right,

1:37:49.320 --> 1:37:52.320
<v Speaker 1>They talked about Matthew Knowles like that was wrong. But

1:37:52.920 --> 1:37:55.000
<v Speaker 1>guess what came out of that Richard like he was

1:37:56.280 --> 1:38:02.120
<v Speaker 1>like he was crazy, he was doing too much. Yeah, relax, yes, relaxed. No,

1:38:02.200 --> 1:38:04.360
<v Speaker 1>I'm not gonna relax. She told you she was gonna

1:38:04.400 --> 1:38:06.519
<v Speaker 1>within it. She told you was confident. She told you

1:38:06.560 --> 1:38:10.400
<v Speaker 1>why I stopped nothing with that, And look what you made.

1:38:12.760 --> 1:38:17.120
<v Speaker 1>You're gonna beat somebody. Ye if I got something to

1:38:17.200 --> 1:38:21.360
<v Speaker 1>do with it, You're gonna beat somebody. M you reward

1:38:21.479 --> 1:38:29.280
<v Speaker 1>that all right, King Richard, King Richard, I don't want

1:38:29.360 --> 1:38:32.599
<v Speaker 1>some of this Japanese del y'all. I'm gona take another shot, Jane.

1:38:33.040 --> 1:38:38.559
<v Speaker 1>I feel like you said, I'm doing the real del all.

1:38:38.840 --> 1:38:41.320
<v Speaker 1>Let me yes, yes, yes, I'm doing the deal. After this,

1:38:41.800 --> 1:38:47.400
<v Speaker 1>this is a rocket deli again. After that, it's something

1:38:47.400 --> 1:38:58.280
<v Speaker 1>sexy to represent this print. Let me ask you something, please,

1:38:59.800 --> 1:39:03.280
<v Speaker 1>I've seen you in this industry. We've been both in

1:39:03.360 --> 1:39:08.920
<v Speaker 1>this industry a long time. You've always smiling, you always

1:39:09.000 --> 1:39:14.080
<v Speaker 1>in a good mood. Is that a front? Or is

1:39:14.160 --> 1:39:17.519
<v Speaker 1>that really like you? Really love life like that? I mean,

1:39:17.600 --> 1:39:19.400
<v Speaker 1>I think if you're gonna say yes, I know you're

1:39:19.400 --> 1:39:23.200
<v Speaker 1>gonna say yes. I guess what my mother acts is.

1:39:24.280 --> 1:39:27.680
<v Speaker 1>I felt out of love with this music business, not

1:39:27.840 --> 1:39:33.360
<v Speaker 1>with the music, the music badness. Have you ever felt

1:39:33.360 --> 1:39:35.840
<v Speaker 1>out of love with the music business? Fell out of

1:39:35.960 --> 1:39:39.120
<v Speaker 1>love with the music business? You ever in love with

1:39:39.240 --> 1:39:41.840
<v Speaker 1>the music business? Oh? I have the business of it.

1:39:42.400 --> 1:39:46.760
<v Speaker 1>I was in love with all of it from I

1:39:46.800 --> 1:39:52.599
<v Speaker 1>signed the out on. But still I'm still in love

1:39:52.640 --> 1:39:55.160
<v Speaker 1>with it anyway, still in love with the music business.

1:39:55.400 --> 1:39:57.240
<v Speaker 1>I was still in love with it. I gotta get

1:39:57.280 --> 1:39:59.320
<v Speaker 1>in there, and I got in and I was in

1:39:59.439 --> 1:40:03.880
<v Speaker 1>love and in two thousand two I had fifteen hundred

1:40:03.920 --> 1:40:05.559
<v Speaker 1>dollars in my account and the man owed me seven

1:40:05.680 --> 1:40:11.640
<v Speaker 1>hundred thousand. This man is and he wouldn't give it

1:40:11.720 --> 1:40:16.479
<v Speaker 1>to me. You have hundred. He owes you seven. This

1:40:16.640 --> 1:40:20.360
<v Speaker 1>calculation is crazy. Had a wife and a kid. Wouldn't

1:40:20.439 --> 1:40:24.200
<v Speaker 1>give it to me. I knew he owed me, wouldn't

1:40:24.280 --> 1:40:28.280
<v Speaker 1>give it to me. I tried to. I tried to hurt,

1:40:28.400 --> 1:40:33.960
<v Speaker 1>said man, I'm not a gangster, not affiliated. I know people,

1:40:34.800 --> 1:40:39.599
<v Speaker 1>but I'm a soldier. So for mine, I'm a ride

1:40:39.720 --> 1:40:44.080
<v Speaker 1>or die for mine. And I adopted that. I tried

1:40:44.200 --> 1:40:48.840
<v Speaker 1>that right, which set me on the bench for and

1:40:49.000 --> 1:40:54.360
<v Speaker 1>said man did pay. Said men paid a little. L

1:40:54.400 --> 1:40:59.800
<v Speaker 1>A Reid said man paid a little. Why I needed it? No,

1:41:00.920 --> 1:41:07.040
<v Speaker 1>went from seven hundred thousand to a hundred. Yeah needed it.

1:41:08.080 --> 1:41:13.759
<v Speaker 1>H needed it. Caught me slipping fun this music business.

1:41:14.479 --> 1:41:17.960
<v Speaker 1>That's that's my point. Like this music buss. The more

1:41:18.040 --> 1:41:21.559
<v Speaker 1>I learned about the business, and I'm watching I'm first off,

1:41:21.760 --> 1:41:25.439
<v Speaker 1>I'm watching the promo guy. I'm watching myself do fifty

1:41:25.960 --> 1:41:30.160
<v Speaker 1>promo shows and I'm watching the promo go to the

1:41:30.280 --> 1:41:33.560
<v Speaker 1>back room and grab cash, and you're doing it for

1:41:33.680 --> 1:41:40.880
<v Speaker 1>free back this wait funck this up funk this fun

1:41:41.000 --> 1:41:45.920
<v Speaker 1>this music game. Yeah, I'm at a house on Ved

1:41:46.000 --> 1:41:49.559
<v Speaker 1>all day one day, walk into a club one day.

1:41:49.600 --> 1:41:51.000
<v Speaker 1>Let me let me me go back. I walk into

1:41:51.040 --> 1:41:55.559
<v Speaker 1>a club one day and somebody screams, take look over,

1:41:56.320 --> 1:41:59.880
<v Speaker 1>Jamie Fox. I walk over Jamie Fox and my hey

1:42:00.040 --> 1:42:01.960
<v Speaker 1>man was like, he said, man, I've been looking for you, nigga.

1:42:02.560 --> 1:42:08.639
<v Speaker 1>You look calls nigga. We gotta talk at this time.

1:42:08.800 --> 1:42:12.320
<v Speaker 1>I'm having these feelings. Fuck the music business. I go

1:42:12.439 --> 1:42:14.960
<v Speaker 1>back to the d m V. I'll be the minister

1:42:15.120 --> 1:42:18.040
<v Speaker 1>music at somebody's church. Finished my calling to be a preacher.

1:42:18.640 --> 1:42:22.400
<v Speaker 1>I'll do that. I'm standing in Jamie Foxx's kitchen with

1:42:22.560 --> 1:42:25.439
<v Speaker 1>him and his sister Dietro, and he's like, so, what's

1:42:25.479 --> 1:42:27.120
<v Speaker 1>the man, what we're doing? Like, what's going on? Said,

1:42:27.120 --> 1:42:30.479
<v Speaker 1>I ain't doing nothing. I'm about to go home. I'm

1:42:30.479 --> 1:42:33.600
<v Speaker 1>about to go the church thing, move back into my

1:42:33.680 --> 1:42:36.360
<v Speaker 1>mom's house until I can figure my own place out.

1:42:36.720 --> 1:42:42.040
<v Speaker 1>He's like, you got the records out, okay record He like,

1:42:43.000 --> 1:42:46.040
<v Speaker 1>You're like, you can't go home. It's the funk. I can't.

1:42:46.280 --> 1:42:49.040
<v Speaker 1>He said, no, you can't. He said, what I'm gonna do.

1:42:50.760 --> 1:42:53.280
<v Speaker 1>That's what you mean? He said, Who's gonna inspire me?

1:42:54.680 --> 1:42:57.920
<v Speaker 1>I'll look to you. He just said, ain't know where

1:42:57.920 --> 1:43:00.639
<v Speaker 1>you're going home, Niger at the do you dream playing?

1:43:00.640 --> 1:43:03.400
<v Speaker 1>You ain't going nowhere naked. We're gonna fight this, We're

1:43:03.400 --> 1:43:06.960
<v Speaker 1>gonna ride this ship out, Nick, And I'm like, well

1:43:07.000 --> 1:43:11.760
<v Speaker 1>what at this time, I'm kind of homeless. He's like,

1:43:11.840 --> 1:43:13.760
<v Speaker 1>what you're gonna do? He said, this is what you're

1:43:13.800 --> 1:43:17.160
<v Speaker 1>gonna do. You're gonna use my studio and you're gonna

1:43:17.160 --> 1:43:21.040
<v Speaker 1>live in my house until you figure at the funk out. Wow.

1:43:21.479 --> 1:43:30.439
<v Speaker 1>Jamie Fox, real nigger like that? Wow? That I would

1:43:30.479 --> 1:43:34.360
<v Speaker 1>love to Jamie Fox and Brian and Brian too. So

1:43:34.400 --> 1:43:39.920
<v Speaker 1>if Jennie Fox doesn't say that there's no tank, there's

1:43:40.120 --> 1:43:44.640
<v Speaker 1>there is no sex, love in pain? What wrong you

1:43:44.800 --> 1:43:47.200
<v Speaker 1>there to say that? She was about to quick? What? What?

1:43:47.360 --> 1:43:49.960
<v Speaker 1>What was? What was that moment? I saw people who

1:43:50.040 --> 1:43:53.640
<v Speaker 1>weren't as good as me making it right? So the

1:43:53.760 --> 1:43:55.280
<v Speaker 1>niggas ain't like me. It ain't as good as me,

1:43:55.880 --> 1:43:58.360
<v Speaker 1>And you're not a hate. It's not a hater, but

1:44:00.000 --> 1:44:02.640
<v Speaker 1>I compete for a living. Nigga ain't nice like me?

1:44:03.560 --> 1:44:04.840
<v Speaker 1>But there at the top of the charge. Look at

1:44:04.840 --> 1:44:06.759
<v Speaker 1>them niggas, I kill him niggas every not on stage

1:44:07.560 --> 1:44:11.439
<v Speaker 1>don't want to work like I'm a hundred percenter Like

1:44:11.560 --> 1:44:14.519
<v Speaker 1>most people don't know what that is. Two. I produce it,

1:44:14.800 --> 1:44:24.840
<v Speaker 1>write it, sing it, perform it by myself. You know,

1:44:30.800 --> 1:44:34.519
<v Speaker 1>they changed they changed publishing rules for two people because

1:44:34.520 --> 1:44:37.800
<v Speaker 1>of R Kelly, because the Tank. Oh, we can't have

1:44:37.960 --> 1:44:41.120
<v Speaker 1>you placing ten songs on one album. We have to

1:44:41.200 --> 1:44:44.920
<v Speaker 1>create thresholds, we have to create benchmarks. So at two

1:44:45.040 --> 1:44:48.080
<v Speaker 1>hundred and fifty thousand records, three songs count. At five

1:44:48.160 --> 1:44:50.920
<v Speaker 1>hundred thousand records, three and a half songs count. At

1:44:50.960 --> 1:44:53.840
<v Speaker 1>a million, all the songs count, but not unto then

1:44:54.160 --> 1:44:57.920
<v Speaker 1>for you and Rob, because I was running through them.

1:44:58.360 --> 1:45:01.080
<v Speaker 1>Give me my back end, now give me my front an.

1:45:02.080 --> 1:45:06.400
<v Speaker 1>I got eight on this one hunt a per center? Right,

1:45:07.240 --> 1:45:11.360
<v Speaker 1>but you do you let people right? Right? Okay? Absolutely?

1:45:11.439 --> 1:45:14.120
<v Speaker 1>Why does that so accepted an R and B world?

1:45:16.640 --> 1:45:19.760
<v Speaker 1>I don't know why it's not. I think rapping is

1:45:19.840 --> 1:45:22.160
<v Speaker 1>like here. First of all, I used to wrap. Everybody

1:45:22.200 --> 1:45:25.040
<v Speaker 1>hates when I go into my MC hurricane upping a little.

1:45:25.120 --> 1:45:27.320
<v Speaker 1>I'm gonna going to my m C Hurricane days that

1:45:27.400 --> 1:45:29.040
<v Speaker 1>means you still wrap. Let's go. I'll start it off.

1:45:29.080 --> 1:45:31.680
<v Speaker 1>It's a wrapper. I'm not gonna do it. I do it.

1:45:33.160 --> 1:45:36.240
<v Speaker 1>I'll tell your freestyle fas, that's not what I want

1:45:36.240 --> 1:45:39.320
<v Speaker 1>to go back. Just stop what I want to go back.

1:45:39.360 --> 1:45:43.040
<v Speaker 1>You have the berct name for this city, Hurricane, But

1:45:43.120 --> 1:45:44.920
<v Speaker 1>I can tell you I don't want to hate your

1:45:46.439 --> 1:45:50.840
<v Speaker 1>I'm already I was Hurricane. Used to when I was

1:45:50.880 --> 1:45:53.839
<v Speaker 1>a kid, I would go around the hood rapping against

1:45:53.880 --> 1:45:55.519
<v Speaker 1>the you know, vice lords and the g d s,

1:45:56.000 --> 1:45:58.560
<v Speaker 1>and I would I would. I would in d C

1:45:59.000 --> 1:46:05.120
<v Speaker 1>No in mil Walk, Wisconsin, right war in Milwaukee, Klwaukee, Wisconsin. Yeah, Wisconsin.

1:46:05.280 --> 1:46:07.519
<v Speaker 1>So I used to go around the hood in battle

1:46:07.960 --> 1:46:10.599
<v Speaker 1>real gangsters with my wraps. I a rap called Rated

1:46:10.760 --> 1:46:14.000
<v Speaker 1>R that used to kill everything. How did rad a go?

1:46:14.439 --> 1:46:20.560
<v Speaker 1>I'm not doing it with just you. Just just freestyles

1:46:20.640 --> 1:46:28.320
<v Speaker 1>horribly on the drake. Spell it will be so you

1:46:28.439 --> 1:46:32.080
<v Speaker 1>know where were we going? We was used about the

1:46:32.080 --> 1:46:42.680
<v Speaker 1>freestyle Hark was coming. I'm a rapper first, then I'm

1:46:42.720 --> 1:46:46.679
<v Speaker 1>a R and B saying that is crazy. Most people

1:46:46.720 --> 1:46:49.240
<v Speaker 1>don't know that. But I'm not telling everybody. Okay, you

1:46:49.280 --> 1:46:51.840
<v Speaker 1>ain't gonna tell you. I'm not freestyling. Let's never let's

1:46:51.880 --> 1:46:53.080
<v Speaker 1>get out of this, Let's go to the next let's

1:46:53.080 --> 1:46:56.960
<v Speaker 1>go to the ness. Okay, why did you call it

1:46:57.120 --> 1:47:03.720
<v Speaker 1>maybe I deserve, because, by the way, for years, I

1:47:03.880 --> 1:47:07.479
<v Speaker 1>call it baby, I deserve. I was fucked up today

1:47:07.520 --> 1:47:10.840
<v Speaker 1>when I realized it's baby, I was like, oh, I'm

1:47:10.880 --> 1:47:14.160
<v Speaker 1>just thinking this sh it wrong for years because because

1:47:14.200 --> 1:47:18.160
<v Speaker 1>you were living in the affirmative, I think you're picking

1:47:18.200 --> 1:47:20.559
<v Speaker 1>me up. I'm not sure, but I think you're me up,

1:47:21.600 --> 1:47:28.200
<v Speaker 1>just taking Yeah, I'm just taking that's big up. I'm sorry.

1:47:29.160 --> 1:47:39.040
<v Speaker 1>I'm sorry. I think it's having fun. It's your fun's

1:47:39.080 --> 1:47:49.400
<v Speaker 1>interview you have. Let's go read wrong as well. Okay,

1:47:49.680 --> 1:47:53.599
<v Speaker 1>I'm gonna take me another show. I'm just gonna get

1:47:53.600 --> 1:47:58.120
<v Speaker 1>me ready. Okay, you're living in the affirmative, right, which

1:47:58.160 --> 1:48:01.400
<v Speaker 1>means you're sure that things, these things should happen, And

1:48:01.560 --> 1:48:06.120
<v Speaker 1>I was living in the speculative space, where isn't maybe

1:48:07.600 --> 1:48:12.000
<v Speaker 1>maybe you should do that. I wouldn't advise it, but

1:48:12.160 --> 1:48:15.960
<v Speaker 1>if so, maybe if it did happen in some way,

1:48:16.040 --> 1:48:19.760
<v Speaker 1>shape or form, I could accept it because of all

1:48:19.840 --> 1:48:25.400
<v Speaker 1>the things that I've done. Maybe leaves a lot of

1:48:25.560 --> 1:48:30.640
<v Speaker 1>room right for for men. We need room. We need

1:48:30.720 --> 1:48:34.240
<v Speaker 1>room to change our minds. We need room to be assholes.

1:48:34.479 --> 1:48:38.920
<v Speaker 1>We need room. So when she does it and she says, well,

1:48:39.000 --> 1:48:44.840
<v Speaker 1>you said that, do you deserve saying maybe maybe get

1:48:44.920 --> 1:48:48.920
<v Speaker 1>your ass out of here? Because I hadn't decided definitively

1:48:50.120 --> 1:48:53.840
<v Speaker 1>if I was okay with that, I have thought about it.

1:48:55.240 --> 1:48:59.880
<v Speaker 1>Hence them Maybe this nick is getting deep. I write

1:49:00.439 --> 1:49:04.519
<v Speaker 1>songs for a living. Maybe it's a hell of a word.

1:49:05.320 --> 1:49:08.320
<v Speaker 1>I'm not giving you permission. I'm just saying there's a

1:49:08.439 --> 1:49:13.880
<v Speaker 1>chance I might forgive you and excuses now in real life,

1:49:14.120 --> 1:49:17.680
<v Speaker 1>because in a song, you're saying that you deserve she

1:49:18.240 --> 1:49:21.479
<v Speaker 1>getting you back. Correct to wonder who's calling so damn

1:49:21.560 --> 1:49:23.800
<v Speaker 1>late for you to say I'm tripping just to hold

1:49:23.840 --> 1:49:26.640
<v Speaker 1>me from upstate? Don't he know it's one o'clock in

1:49:26.720 --> 1:49:29.800
<v Speaker 1>the morning. You say it's cool. Maybe it's cool. Maybe

1:49:29.840 --> 1:49:32.439
<v Speaker 1>I deserve for you to say he's coming into town,

1:49:33.920 --> 1:49:35.280
<v Speaker 1>for you to say that he wants you and him

1:49:35.320 --> 1:49:38.960
<v Speaker 1>to hang out. I don't like it, but I know

1:49:39.080 --> 1:49:42.519
<v Speaker 1>I gotta trust you. It ain't cool, but I know

1:49:42.680 --> 1:49:45.559
<v Speaker 1>it's true. Maybe I'll deserve for you to go out

1:49:45.600 --> 1:49:48.280
<v Speaker 1>and find some other guy. Maybe I'll deserve for you

1:49:48.400 --> 1:49:51.120
<v Speaker 1>to stay out with him all night. Maybe I deserve

1:49:51.320 --> 1:49:53.640
<v Speaker 1>for you to do all the things I did to you.

1:49:54.560 --> 1:49:59.080
<v Speaker 1>Maybe I deserve maybe for you to put on that

1:49:59.240 --> 1:50:02.120
<v Speaker 1>sexy dress, for me to ask you, who the hell

1:50:02.160 --> 1:50:06.439
<v Speaker 1>are you trying to impress? Bitch, for you to laugh

1:50:06.520 --> 1:50:09.320
<v Speaker 1>at all like that. I'm just splitting on some cool shit.

1:50:13.960 --> 1:50:18.760
<v Speaker 1>What did you deserve? For me to ask you where

1:50:18.800 --> 1:50:21.719
<v Speaker 1>the funk you've been? For you to say, I'd better

1:50:21.800 --> 1:50:28.639
<v Speaker 1>stop tripping to grab your neck until you let me know. Yeah,

1:50:31.120 --> 1:50:37.439
<v Speaker 1>that's the part that flew way under the radar, so

1:50:37.720 --> 1:50:44.680
<v Speaker 1>happy under the You don't run crying, crying out the

1:50:44.800 --> 1:50:48.240
<v Speaker 1>door to grab my coat and chase you down the street,

1:50:48.640 --> 1:50:51.320
<v Speaker 1>to say it's not you, it's my own securities. For

1:50:51.439 --> 1:50:54.320
<v Speaker 1>you to say, yes, I cheat on you, For me

1:50:54.439 --> 1:50:57.120
<v Speaker 1>to say I don't care after all I put you through,

1:50:57.280 --> 1:51:01.920
<v Speaker 1>Maybe I deserve well, was listening to this song. I

1:51:01.960 --> 1:51:07.439
<v Speaker 1>couldn't help it. I can't have said that we're gonna

1:51:07.439 --> 1:51:11.120
<v Speaker 1>suck me up. You've got the reach of the side

1:51:11.160 --> 1:51:19.800
<v Speaker 1>that and that's maybe maybe you did you deserve it. Maybe,

1:51:20.920 --> 1:51:25.200
<v Speaker 1>thank you, thank you, I've accepted my faith in a

1:51:25.240 --> 1:51:28.920
<v Speaker 1>few situations. Let me ask you, because like, when I'm

1:51:28.960 --> 1:51:32.439
<v Speaker 1>listening to your songs, I couldn't. I was like, I'm

1:51:32.520 --> 1:51:36.880
<v Speaker 1>listening like this, I've been through some ship, everything is

1:51:39.600 --> 1:51:42.800
<v Speaker 1>you're going through it, been through it, been through it,

1:51:43.920 --> 1:51:49.960
<v Speaker 1>and once maybe I deserve worked. It led me to

1:51:50.080 --> 1:51:54.519
<v Speaker 1>believe that everything about my real life will will work

1:51:54.600 --> 1:51:58.799
<v Speaker 1>from this point on. So I never wrote from fantasy

1:51:58.920 --> 1:52:03.080
<v Speaker 1>or fallacy. I always wrote from fact. And you worked

1:52:03.080 --> 1:52:07.160
<v Speaker 1>with Beyonce too, right, No, I worked with Kelly Okay

1:52:08.240 --> 1:52:14.920
<v Speaker 1>fire and working with Kelly Rowland, she's dope. You have

1:52:15.120 --> 1:52:20.040
<v Speaker 1>no idea. I had no idea, she says, a great

1:52:20.120 --> 1:52:23.400
<v Speaker 1>person though she's done. It's one of the best of us. Her,

1:52:24.360 --> 1:52:26.960
<v Speaker 1>one of the best of us. Him too, Yes, yes, yes,

1:52:27.280 --> 1:52:29.400
<v Speaker 1>both of them as are just amazing people. I work

1:52:29.479 --> 1:52:32.519
<v Speaker 1>with Kelly Rowland, and I was completely throwing the funk

1:52:32.560 --> 1:52:36.840
<v Speaker 1>off because well, we always know, we always want to

1:52:36.840 --> 1:52:42.960
<v Speaker 1>give the credit to Beyonce. Who is Beyonce? Yeah, the

1:52:43.080 --> 1:52:45.920
<v Speaker 1>greatest of all times? Right? We always want to notice

1:52:45.960 --> 1:52:48.320
<v Speaker 1>what you said about bust the rhymes. You said busting

1:52:48.360 --> 1:52:51.759
<v Speaker 1>rhymes and swift Star on stage. That's what you just said,

1:52:51.880 --> 1:52:57.000
<v Speaker 1>bust the rhymes, bust the rhymes is that's that's what

1:52:57.120 --> 1:53:02.840
<v Speaker 1>I'm like. Yes, Kelly Roland is by far one of

1:53:02.920 --> 1:53:06.719
<v Speaker 1>the most talented females I've ever worked with in my life,

1:53:08.400 --> 1:53:13.559
<v Speaker 1>by far. And I'm sitting in the studio like, hear

1:53:13.640 --> 1:53:16.280
<v Speaker 1>these harmonies? You hear? Do you hear her? Do you

1:53:16.360 --> 1:53:19.920
<v Speaker 1>hear the text? Do you hear her? Her change? And

1:53:20.560 --> 1:53:25.000
<v Speaker 1>do you hear are hearing this? I never knew because

1:53:25.040 --> 1:53:27.640
<v Speaker 1>I gave all the credit to Beyonce. That's how the

1:53:27.760 --> 1:53:32.879
<v Speaker 1>business of Destiny's Child was set up to a door Beyonce.

1:53:34.280 --> 1:53:36.639
<v Speaker 1>And then I finally got in the ring with Kelly

1:53:36.800 --> 1:53:41.960
<v Speaker 1>Rowland and realized that while while Beyonce is in the booth,

1:53:42.320 --> 1:53:46.040
<v Speaker 1>there's a Kelly Rowland saying, oh try this. Oh, and

1:53:46.160 --> 1:53:51.040
<v Speaker 1>this notice is crazy. Oh, and there's and we never knew.

1:53:52.720 --> 1:53:58.360
<v Speaker 1>She's amazing fire And I thank her to this thing

1:53:58.439 --> 1:54:01.160
<v Speaker 1>for those two records. God damn make some looks for

1:54:01.240 --> 1:54:06.960
<v Speaker 1>that I keep. I'm keeping the real tank. I just

1:54:07.000 --> 1:54:11.080
<v Speaker 1>gotta shop. Yeah, I ain't a lot. You're a real drinker, though,

1:54:11.120 --> 1:54:13.519
<v Speaker 1>are you kidding? Yeah? I don't know what I'm gonna

1:54:13.520 --> 1:54:14.840
<v Speaker 1>do for the rest of the day. But by the way,

1:54:15.240 --> 1:54:17.960
<v Speaker 1>by the way, sol i've seen you. Let me just

1:54:18.080 --> 1:54:22.720
<v Speaker 1>tell you how real Tank is. Maybe you'll hang out

1:54:22.840 --> 1:54:28.360
<v Speaker 1>for maybe I'm to take it l A. It wasn't

1:54:28.360 --> 1:54:31.640
<v Speaker 1>on the flight. No, it's in front. What I'm not

1:54:31.680 --> 1:54:33.480
<v Speaker 1>gonna say because I love this hotel and I don't

1:54:33.520 --> 1:54:37.080
<v Speaker 1>want to blow it up because I'm gonna be there,

1:54:38.760 --> 1:54:41.640
<v Speaker 1>so you're not going back. You blow it up. So

1:54:41.960 --> 1:54:45.600
<v Speaker 1>I see him, I'm like, yo, super down the Earth

1:54:45.640 --> 1:54:47.720
<v Speaker 1>and I'm not gonna tank. I don't know if you

1:54:47.800 --> 1:54:49.720
<v Speaker 1>know what you're I gotta show God dream jamps And

1:54:49.800 --> 1:54:53.560
<v Speaker 1>he's like, of course I know, asshole, Why would you

1:54:53.600 --> 1:54:55.920
<v Speaker 1>say that. I was like, think what you're doing? He

1:54:56.000 --> 1:54:59.720
<v Speaker 1>said absolutely, And you kept your word from that minute

1:55:00.040 --> 1:55:02.560
<v Speaker 1>on you said no, but listen to hear me out.

1:55:05.200 --> 1:55:08.160
<v Speaker 1>It's so beautiful when when when I see people keep

1:55:08.200 --> 1:55:12.840
<v Speaker 1>their word everything, but because you know what's crazy. I'm

1:55:12.880 --> 1:55:16.880
<v Speaker 1>so used to the fakeness, too used to words and

1:55:17.000 --> 1:55:19.080
<v Speaker 1>just seeing me and saying, hey, they just say what

1:55:19.160 --> 1:55:23.280
<v Speaker 1>they say. Because so when I meet a word one,

1:55:23.680 --> 1:55:26.160
<v Speaker 1>I gotta I gotta salute you like I gotta salute

1:55:26.160 --> 1:55:28.880
<v Speaker 1>you because you said, what motherfucker, I pull up on you.

1:55:29.080 --> 1:55:32.000
<v Speaker 1>I'll come right with Miami, no problem, and everything you

1:55:32.160 --> 1:55:36.680
<v Speaker 1>said you've done. I'm a victim of people not keeping

1:55:36.760 --> 1:55:40.280
<v Speaker 1>their word. Me too, so I know how it's you know, yes,

1:55:40.360 --> 1:55:44.040
<v Speaker 1>that's okay, and I never want anybody to feel that

1:55:44.200 --> 1:55:48.520
<v Speaker 1>way about me. I've fallen short. I'm not perfect. Of course,

1:55:48.760 --> 1:55:51.720
<v Speaker 1>I'll miss some deadlines. Absolutely, But if you ever see

1:55:51.800 --> 1:55:53.960
<v Speaker 1>me and say, like I called you, you were supposed

1:55:53.960 --> 1:55:58.720
<v Speaker 1>to say my apologies, I got you different, right, I'll

1:55:58.760 --> 1:56:01.000
<v Speaker 1>take care of that. That's where I like to live.

1:56:01.720 --> 1:56:04.520
<v Speaker 1>So when you say, first of all you say Drake Champs,

1:56:05.520 --> 1:56:07.000
<v Speaker 1>first of all, I don't think you know what? Then

1:56:07.120 --> 1:56:14.120
<v Speaker 1>that means first of all, what do brother? By the way,

1:56:14.200 --> 1:56:17.800
<v Speaker 1>let's just tell you something day, I'm gonna let you talk. Okay,

1:56:18.080 --> 1:56:22.880
<v Speaker 1>where in this prestige this hotel? And I say you

1:56:22.920 --> 1:56:26.920
<v Speaker 1>know his hand? And the god comes walking out with

1:56:27.120 --> 1:56:31.600
<v Speaker 1>a moving box full of weed. It says, would you

1:56:31.760 --> 1:56:34.800
<v Speaker 1>like some of this? Where in the funk do you

1:56:34.960 --> 1:56:38.920
<v Speaker 1>think I'm already putting hand full of weeds? Would you

1:56:39.040 --> 1:56:49.680
<v Speaker 1>like something? Why do you have? Where are the bags

1:56:51.360 --> 1:56:53.320
<v Speaker 1>I put this? I'm gonna take you allgine you got

1:56:53.440 --> 1:56:56.600
<v Speaker 1>you got cheat you with respect, No, I respect. I'm

1:56:56.680 --> 1:57:01.480
<v Speaker 1>just concerned that was so much of weed I've never

1:57:01.560 --> 1:57:04.480
<v Speaker 1>seen that much of weed in the box, and you

1:57:04.560 --> 1:57:10.160
<v Speaker 1>were gracious me. I don't smoke. I drink a little. Yes,

1:57:11.120 --> 1:57:19.400
<v Speaker 1>we take no But I'm gonna be honest with you.

1:57:20.000 --> 1:57:22.920
<v Speaker 1>I'm gonna tell you something. You have one of the

1:57:23.040 --> 1:57:28.440
<v Speaker 1>best souls I've ever seen. Like I promise you. You

1:57:29.240 --> 1:57:32.160
<v Speaker 1>know you said you came out since ninety eight. You

1:57:32.240 --> 1:57:34.800
<v Speaker 1>know we've seen each other. We've always showed each other respect,

1:57:35.680 --> 1:57:39.560
<v Speaker 1>you know, but I've never kind of saw you mad.

1:57:41.840 --> 1:57:44.680
<v Speaker 1>I know you get mad, don't get it twisted. But

1:57:45.720 --> 1:57:50.680
<v Speaker 1>other than you and tires, that's the only one who

1:57:50.840 --> 1:57:53.320
<v Speaker 1>gets you mad. I was no. I wasn't mad when

1:57:53.440 --> 1:57:55.560
<v Speaker 1>when you know, when a guy was holding seven hundred

1:57:55.560 --> 1:57:58.200
<v Speaker 1>thousand Okay, so that's where I but that wasn't public.

1:57:58.600 --> 1:58:00.960
<v Speaker 1>That's where that's where I went. You know, I went different,

1:58:01.600 --> 1:58:03.480
<v Speaker 1>and I turned into a guy that I didn't I

1:58:03.520 --> 1:58:07.880
<v Speaker 1>shouldn't have been, and I and I and I I

1:58:07.960 --> 1:58:10.360
<v Speaker 1>suffered because of that. I set from two thousand two

1:58:10.400 --> 1:58:13.880
<v Speaker 1>to two thousand seven, because you know, I told a

1:58:13.920 --> 1:58:16.880
<v Speaker 1>guy listened before before any of those guys, you know,

1:58:17.240 --> 1:58:19.600
<v Speaker 1>we'll get to your house to protect you. I'll get

1:58:19.640 --> 1:58:26.720
<v Speaker 1>there before them. Now, let's work. I've been in that place.

1:58:27.640 --> 1:58:30.920
<v Speaker 1>You know what I'm saying. But I really loved this ship,

1:58:31.240 --> 1:58:39.760
<v Speaker 1>nor you really love the music. I really love making music. Listen,

1:58:41.240 --> 1:58:43.440
<v Speaker 1>I was doing this for a hundred and fifty dollars

1:58:43.520 --> 1:58:48.040
<v Speaker 1>a week. I was doing it for a hundred and

1:58:48.120 --> 1:58:52.480
<v Speaker 1>fifty dollars a week, and I was happy. I got

1:58:52.520 --> 1:58:57.240
<v Speaker 1>close to six figures a show. Are you kidding me

1:58:57.520 --> 1:59:03.920
<v Speaker 1>to sing? Yes, sir, having the time of my life?

1:59:04.720 --> 1:59:10.960
<v Speaker 1>I'm having the time of my What you need? No? No, no, no, no, no,

1:59:11.200 --> 1:59:13.040
<v Speaker 1>keep going. You keep blowing that smoke. I don't know

1:59:13.040 --> 1:59:17.280
<v Speaker 1>what's happening to me. I don't smoke. Well, you didn't

1:59:17.280 --> 1:59:26.960
<v Speaker 1>take smoking. I genuinely, I genuinely enjoy R and B

1:59:27.120 --> 1:59:31.640
<v Speaker 1>music and everybody doing it. I genuinely even Young Blue

1:59:33.160 --> 1:59:37.680
<v Speaker 1>new guy. What's he saying again? What the song would

1:59:37.760 --> 1:59:48.440
<v Speaker 1>right if I ever time? Is because we had a

1:59:48.520 --> 1:59:53.320
<v Speaker 1>we had a thing online. What happened I forgot okay,

1:59:53.760 --> 1:59:56.200
<v Speaker 1>I only google the positive part of you. I didn't

1:59:56.640 --> 2:00:00.440
<v Speaker 1>appreciate you for that, I thought, But you got to it,

2:00:02.480 --> 2:00:04.760
<v Speaker 1>says A guy says, I think that Young Blue might

2:00:04.800 --> 2:00:07.440
<v Speaker 1>be the new king of R and by well, one

2:00:07.520 --> 2:00:13.560
<v Speaker 1>record to okay, my back, and I said, I'm so

2:00:13.760 --> 2:00:16.680
<v Speaker 1>glad I was born in a different generation, because this

2:00:16.880 --> 2:00:22.160
<v Speaker 1>generation is wild in terms of how they throw out calculates.

2:00:22.360 --> 2:00:27.680
<v Speaker 1>King and Queen got go Not any disrespect to him,

2:00:27.960 --> 2:00:30.680
<v Speaker 1>no disrespect for him at all at all. But do

2:00:30.880 --> 2:00:32.680
<v Speaker 1>you know what goat? And what do you know? What?

2:00:36.320 --> 2:00:37.680
<v Speaker 1>Do you know what that means? You know what it

2:00:37.960 --> 2:00:42.040
<v Speaker 1>means to have a guy like jay Z, have a

2:00:42.080 --> 2:00:45.200
<v Speaker 1>guy like nas Drake, to have a guy, to have people,

2:00:45.400 --> 2:00:49.840
<v Speaker 1>to have a Chris Brown, r Kelly, to have these

2:00:49.920 --> 2:00:56.400
<v Speaker 1>guys who have to have guys who have had another name.

2:00:56.480 --> 2:00:59.200
<v Speaker 1>To that that, I have to add baby Face. You've

2:00:59.200 --> 2:01:02.600
<v Speaker 1>been skipping baby Face all night. Let me not baby Face,

2:01:02.640 --> 2:01:05.000
<v Speaker 1>because he's the guy who I really want to be

2:01:05.800 --> 2:01:09.400
<v Speaker 1>Slash Keith Sweat. We'll get to all of that. I

2:01:09.440 --> 2:01:12.480
<v Speaker 1>don't think baby Face ever raised his voice. Doesn't have to.

2:01:12.720 --> 2:01:16.160
<v Speaker 1>I don't think he's yelled in his life. Doesn't have to. Ye,

2:01:16.880 --> 2:01:19.160
<v Speaker 1>I don't know why he says, I give the love.

2:01:19.680 --> 2:01:22.200
<v Speaker 1>I'll cook your dinner too as soon as I get

2:01:22.280 --> 2:01:28.000
<v Speaker 1>home from work. This motherfucker worked eight hours, came home,

2:01:28.640 --> 2:01:31.720
<v Speaker 1>fuck the ship out of him, and then cook dinner.

2:01:32.040 --> 2:01:34.880
<v Speaker 1>That's what he just said. That's what he said after

2:01:35.000 --> 2:01:38.480
<v Speaker 1>he got home from work eight hour shift, hard body,

2:01:38.600 --> 2:01:42.440
<v Speaker 1>karate who you want to be? Who you want to be?

2:01:45.960 --> 2:01:53.200
<v Speaker 1>Where were we going? But the tweet came out and

2:01:53.760 --> 2:01:57.080
<v Speaker 1>he felt a way like as if I was disrespecting him. Right.

2:01:58.120 --> 2:02:00.600
<v Speaker 1>I don't think he realizes that I'm a fan of

2:02:00.760 --> 2:02:05.600
<v Speaker 1>him because I only liked that song and I only

2:02:05.680 --> 2:02:10.840
<v Speaker 1>want the younger generation two fight for their space and

2:02:11.120 --> 2:02:15.600
<v Speaker 1>earned their space, versus just throw around to take it

2:02:16.880 --> 2:02:21.600
<v Speaker 1>like you can't you can't take king or go. You

2:02:21.680 --> 2:02:28.280
<v Speaker 1>can't take that. You have to earn that. But I

2:02:28.440 --> 2:02:32.800
<v Speaker 1>do understand why he felt that way because but he

2:02:32.920 --> 2:02:37.520
<v Speaker 1>didn't say he's the goat. No, he didn't say it them.

2:02:38.320 --> 2:02:41.240
<v Speaker 1>But what happened to We're back to that straw breaking

2:02:41.320 --> 2:02:43.720
<v Speaker 1>the camel's back. And this is what I noticed in

2:02:43.920 --> 2:02:48.080
<v Speaker 1>some of what he said in his response. People have

2:02:48.360 --> 2:02:53.960
<v Speaker 1>been people have been taken away from his creativity and

2:02:54.160 --> 2:02:58.240
<v Speaker 1>diminishing his ability to do what he does since he started.

2:02:58.760 --> 2:03:02.680
<v Speaker 1>It wasn't about me, m hmm. I was just the

2:03:02.800 --> 2:03:07.160
<v Speaker 1>person that came at the right time that you're CHRISTI

2:03:07.360 --> 2:03:11.400
<v Speaker 1>where he was Chris Rock, did we go there? I

2:03:11.440 --> 2:03:18.640
<v Speaker 1>mean I was Christal I was. I was My voice

2:03:18.760 --> 2:03:21.680
<v Speaker 1>was too much at that time. Had it been anybody

2:03:21.720 --> 2:03:24.200
<v Speaker 1>else but Chris Rock, I don't think Will would have

2:03:24.200 --> 2:03:27.840
<v Speaker 1>walked on that stage. But it's Chris Rock. It's too big,

2:03:27.920 --> 2:03:31.680
<v Speaker 1>it's too powerful. I have to address this. So I

2:03:31.840 --> 2:03:34.560
<v Speaker 1>understand why Young Blue had to address it the way

2:03:34.640 --> 2:03:37.280
<v Speaker 1>he did. And I even text him before he even

2:03:37.320 --> 2:03:39.920
<v Speaker 1>tweeted anything. I said, Si, bro, it's not what you

2:03:40.040 --> 2:03:43.400
<v Speaker 1>think it is. I rock with you. And he's still

2:03:44.440 --> 2:03:48.280
<v Speaker 1>made some more posts, which I think was probably encouraged

2:03:49.120 --> 2:03:51.200
<v Speaker 1>by some other people because he's a good kid. He's

2:03:51.240 --> 2:03:53.640
<v Speaker 1>not a bad kid at all. So what actually happened

2:03:54.760 --> 2:03:57.520
<v Speaker 1>this was over my head. I just didn't want I

2:03:57.600 --> 2:03:59.760
<v Speaker 1>don't like me and John Queens went through this. Who's

2:03:59.800 --> 2:04:02.920
<v Speaker 1>my brother, my little brother, and I love Jack Quiss.

2:04:03.920 --> 2:04:05.760
<v Speaker 1>He is the king of R and B two. I

2:04:05.920 --> 2:04:08.120
<v Speaker 1>love Jack Quis. He could say whatever he want to say,

2:04:08.320 --> 2:04:11.040
<v Speaker 1>and I'm a support him period. I don't care what

2:04:11.120 --> 2:04:14.960
<v Speaker 1>he says. That's my little nigga, right. And somebody was

2:04:15.400 --> 2:04:17.440
<v Speaker 1>somebody was calling somebody else was saying he's the king

2:04:17.560 --> 2:04:19.720
<v Speaker 1>or he's the way I said, you and not the king.

2:04:19.880 --> 2:04:23.240
<v Speaker 1>You ain't put enough work yet how do you pass

2:04:23.320 --> 2:04:25.880
<v Speaker 1>Chris Brown just all of a sudden because and he

2:04:26.000 --> 2:04:29.960
<v Speaker 1>said it's this generation, it's not a generational thing. I

2:04:30.080 --> 2:04:34.040
<v Speaker 1>think he's right. Let me just tell you why what

2:04:34.480 --> 2:04:39.160
<v Speaker 1>this generation calls goat and king is only different. You

2:04:39.240 --> 2:04:42.800
<v Speaker 1>gotta say what you're saying, right, So what's right about that? No,

2:04:42.960 --> 2:04:46.600
<v Speaker 1>that's not right. You can see the point. I can

2:04:46.640 --> 2:04:48.840
<v Speaker 1>see you know what I'm saying, because I can see

2:04:48.880 --> 2:04:51.960
<v Speaker 1>them saying he is the most revered in that space

2:04:52.160 --> 2:04:54.520
<v Speaker 1>at the moment, because you know what I think, because

2:04:54.560 --> 2:04:57.960
<v Speaker 1>everything nowadays is at the moment in the social media

2:04:58.880 --> 2:05:05.680
<v Speaker 1>come from we come from we come from pain, dudes different,

2:05:05.760 --> 2:05:08.760
<v Speaker 1>it's different now. And me and Jocquis is my that's

2:05:08.800 --> 2:05:11.040
<v Speaker 1>my family. I know his mom that that's the family. Like.

2:05:11.160 --> 2:05:13.680
<v Speaker 1>So we talked it out. We were able to talk

2:05:13.720 --> 2:05:16.160
<v Speaker 1>about and like, I love beautiful, I love you bro,

2:05:16.920 --> 2:05:18.840
<v Speaker 1>and we mean Young Blue, we're taking a shot to that.

2:05:18.960 --> 2:05:22.880
<v Speaker 1>I feel like it's take a shot that we just

2:05:23.000 --> 2:05:24.240
<v Speaker 1>you know, I'll just take a shot and get a

2:05:24.240 --> 2:05:25.760
<v Speaker 1>little shot with you. Yeah, come on, let's go on.

2:05:25.800 --> 2:05:30.240
<v Speaker 1>Let's go. Yes to R and B niggas not having me.

2:05:32.120 --> 2:05:34.320
<v Speaker 1>So me and Young Blue haven't been able to talk

2:05:34.400 --> 2:05:36.920
<v Speaker 1>that out yet, which I which I hope to do. Yeah,

2:05:36.920 --> 2:05:39.760
<v Speaker 1>your RB niggas gotta stop. But but no, no, he

2:05:39.920 --> 2:05:42.200
<v Speaker 1>just wanted. He just won an award for Best Hip

2:05:42.240 --> 2:05:49.800
<v Speaker 1>Hop New Artists. Wow, which validates my point. Now what

2:05:50.040 --> 2:05:58.040
<v Speaker 1>was your point? He's not the King of Army's not

2:05:58.120 --> 2:06:00.200
<v Speaker 1>the new king of R and B. I love him.

2:06:00.920 --> 2:06:05.280
<v Speaker 1>I love his work. I buy his work, which which

2:06:05.360 --> 2:06:07.560
<v Speaker 1>even goes even further. So you feel like he's more

2:06:07.600 --> 2:06:10.640
<v Speaker 1>of a rapper. I feel like he's a hybrid. He's

2:06:10.680 --> 2:06:21.160
<v Speaker 1>the he's the evolution. He's not. I think he's he's

2:06:21.200 --> 2:06:24.360
<v Speaker 1>a hybrid. He's a new evolution of of everything that

2:06:24.480 --> 2:06:28.400
<v Speaker 1>we've that we've done, and there is no category for him.

2:06:29.280 --> 2:06:31.720
<v Speaker 1>There's no category at the Grammys or the Soul Trained

2:06:31.840 --> 2:06:35.080
<v Speaker 1>or at the BT. They haven't created the category that

2:06:35.680 --> 2:06:39.320
<v Speaker 1>that that speaks to what he and so many of

2:06:39.400 --> 2:06:45.680
<v Speaker 1>these new artists do. They do everything. So while I'm

2:06:45.800 --> 2:06:51.920
<v Speaker 1>celebrating him, which he doesn't realize because he's catching so

2:06:52.080 --> 2:06:57.080
<v Speaker 1>much flak from whatever side. My straw was the straw

2:06:57.160 --> 2:06:59.080
<v Speaker 1>that broke the camel's back and he felt the need

2:06:59.160 --> 2:07:02.480
<v Speaker 1>to come at me. So you feel like because a

2:07:02.560 --> 2:07:04.440
<v Speaker 1>lot of the times in hip hop, we go through

2:07:04.480 --> 2:07:08.800
<v Speaker 1>this a lot um. First, I'm so happy to be here.

2:07:09.280 --> 2:07:15.560
<v Speaker 1>Thank you for appreciate when I say that. But the

2:07:15.720 --> 2:07:18.120
<v Speaker 1>hip hop there's so many stories of O G s

2:07:18.200 --> 2:07:22.720
<v Speaker 1>not really accepting the young people. Are you thinking this?

2:07:23.040 --> 2:07:26.320
<v Speaker 1>Is that the way it came off? I hit him.

2:07:27.280 --> 2:07:30.640
<v Speaker 1>Here's how it started. Okay, First we he connected slightly.

2:07:30.960 --> 2:07:33.120
<v Speaker 1>And then where at our R and B money runs,

2:07:33.160 --> 2:07:36.000
<v Speaker 1>my bro j J runts and he comes over to

2:07:36.080 --> 2:07:40.360
<v Speaker 1>me and said, O G, let's get something. Let's get something, okay.

2:07:40.440 --> 2:07:43.080
<v Speaker 1>And so I said, I got the perfect record, and

2:07:43.160 --> 2:07:45.600
<v Speaker 1>I'm like, he said, send it to me. I sent

2:07:45.680 --> 2:07:48.520
<v Speaker 1>it to him, and I'm like, what you think because

2:07:49.360 --> 2:07:51.920
<v Speaker 1>I'm open for criticism if you ain't working with it.

2:07:52.520 --> 2:07:56.200
<v Speaker 1>I sent Drake three records before he said, that's the one, right,

2:07:56.640 --> 2:07:59.520
<v Speaker 1>you ain't working with it. I'm I got tough skin

2:08:00.040 --> 2:08:05.040
<v Speaker 1>me that game too. By the way, keep going, keeping

2:08:05.880 --> 2:08:12.240
<v Speaker 1>so fantastic because I love it. So at any point

2:08:12.240 --> 2:08:14.480
<v Speaker 1>you couldn't said, oh gee, that's not the one, send

2:08:14.560 --> 2:08:18.760
<v Speaker 1>me something else. Okay. He never did that. Hit him again,

2:08:19.080 --> 2:08:23.360
<v Speaker 1>talk to me baby, nothing. At this point, I'm like,

2:08:23.800 --> 2:08:26.880
<v Speaker 1>got it, and I text him back. I'm like, listen, bro,

2:08:27.240 --> 2:08:30.200
<v Speaker 1>in this business, you've got two things. Your gift in

2:08:30.280 --> 2:08:35.720
<v Speaker 1>your word honorable. At any point you can tell me O,

2:08:35.960 --> 2:08:38.720
<v Speaker 1>g I ain't feeling it, or I ain't even fucking

2:08:38.760 --> 2:08:41.640
<v Speaker 1>with you right now, give me a second. Good luck.

2:08:42.200 --> 2:08:45.360
<v Speaker 1>I can take all of that, but the radio silence,

2:08:46.160 --> 2:08:49.760
<v Speaker 1>that's the Hollywood ship, which I'm like, don't do that.

2:08:50.000 --> 2:08:53.240
<v Speaker 1>And we all been through that very easy, and I'm

2:08:53.280 --> 2:08:55.000
<v Speaker 1>telling him not to do that because I just know

2:08:55.120 --> 2:08:57.600
<v Speaker 1>what it is, and and you would, you being the

2:08:57.680 --> 2:09:03.040
<v Speaker 1>elder artist, you know exactly. I know exactly what that means.

2:09:03.200 --> 2:09:06.280
<v Speaker 1>You don't, And I'm telling him with me, you don't

2:09:06.320 --> 2:09:08.640
<v Speaker 1>have to do that. I said, but in the future,

2:09:08.960 --> 2:09:12.520
<v Speaker 1>just make your word your bond. If you fucking still

2:09:12.640 --> 2:09:17.280
<v Speaker 1>and if not, say so, it's gonna get you so

2:09:17.600 --> 2:09:21.800
<v Speaker 1>far in this business. And so that was my only

2:09:22.480 --> 2:09:24.840
<v Speaker 1>message to him, not that I'm mad at you for

2:09:24.960 --> 2:09:28.240
<v Speaker 1>not getting on my record, because well, but people again

2:09:28.320 --> 2:09:31.240
<v Speaker 1>don't understand, is that I don't need people on my record.

2:09:31.840 --> 2:09:35.080
<v Speaker 1>I'm a hundred percenter. My last two number ones were

2:09:35.200 --> 2:09:41.040
<v Speaker 1>me a hundred percent written produced saying it's me, It's me.

2:09:41.120 --> 2:09:45.360
<v Speaker 1>I don't need anybody, but I love collaborating. That's fire.

2:09:45.720 --> 2:09:49.160
<v Speaker 1>I love going to to to Chris Brown studio and

2:09:49.280 --> 2:09:52.000
<v Speaker 1>hearing a hundred songs in a row and being like

2:09:52.120 --> 2:09:56.440
<v Speaker 1>this nigga is cold shit. I gotta get there like.

2:09:56.640 --> 2:10:03.840
<v Speaker 1>I love that. But the respect from elder to the

2:10:03.920 --> 2:10:09.480
<v Speaker 1>new generation there there is a divide, and we gotta

2:10:09.560 --> 2:10:12.600
<v Speaker 1>figure out how to fix that, because I only want

2:10:12.680 --> 2:10:16.160
<v Speaker 1>what's the best for the new generation. You know what

2:10:16.200 --> 2:10:19.520
<v Speaker 1>I'm saying, whether it be money long, whether it be

2:10:20.360 --> 2:10:23.400
<v Speaker 1>whoever it is, whether it be Jock Quins, whether there's

2:10:23.480 --> 2:10:26.520
<v Speaker 1>power in numbers. I understand you want to go out

2:10:26.560 --> 2:10:32.840
<v Speaker 1>on tour by yourself and build your heart ticket, you know,

2:10:33.360 --> 2:10:40.760
<v Speaker 1>build your heart screen necessary five six R and B

2:10:40.920 --> 2:10:47.360
<v Speaker 1>as on one tour. It's necessary. Of course. I'm a

2:10:47.480 --> 2:10:53.200
<v Speaker 1>close two years in. If you want to close, I'll

2:10:53.240 --> 2:10:54.680
<v Speaker 1>let you. I'll let you try it for at night.

2:10:55.320 --> 2:10:57.400
<v Speaker 1>But it's gonna be heavy. Once I take these clothes off,

2:10:57.560 --> 2:11:04.120
<v Speaker 1>it's gonna get different. But I'm always preaching numbers because

2:11:04.200 --> 2:11:07.040
<v Speaker 1>that's how you guys did it. You guys did it

2:11:07.120 --> 2:11:09.840
<v Speaker 1>with numbers, because guess what you would do. You would

2:11:09.880 --> 2:11:12.480
<v Speaker 1>get in the room, you would smoke that fucking weed.

2:11:13.400 --> 2:11:16.800
<v Speaker 1>It's legal. I got a medical card on, you would

2:11:16.800 --> 2:11:21.440
<v Speaker 1>smoke that medicinal weed, you would drink that liquor, and

2:11:21.600 --> 2:11:27.080
<v Speaker 1>you would come to an agreement. We don't have weed

2:11:27.280 --> 2:11:31.120
<v Speaker 1>and liquor in common. R and B guys only have

2:11:31.360 --> 2:11:34.800
<v Speaker 1>women in common, and we're always trying to be one up.

2:11:36.240 --> 2:11:38.840
<v Speaker 1>So let me ask you how long you've been married?

2:11:39.920 --> 2:11:44.560
<v Speaker 1>Three years? Okay, so I'm not talking about this. You

2:11:44.600 --> 2:11:50.080
<v Speaker 1>can talk whatever I'm talk about. When you use a home. Okay,

2:11:52.920 --> 2:12:00.320
<v Speaker 1>let him talk talk because I need to imagine the

2:12:00.440 --> 2:12:05.320
<v Speaker 1>difference between R and B bussy, bussy or pussy. He

2:12:07.040 --> 2:12:13.040
<v Speaker 1>just buzzy, he said, Pete, it's a pee because dank,

2:12:13.120 --> 2:12:16.880
<v Speaker 1>I could just imagine how the tours was when you

2:12:16.960 --> 2:12:19.000
<v Speaker 1>were single. Obviously, because we want to respect wife. I

2:12:19.080 --> 2:12:20.440
<v Speaker 1>got my wing on, you got your ring on. We

2:12:20.520 --> 2:12:24.760
<v Speaker 1>both out spide, but we had life before the life

2:12:24.840 --> 2:12:27.000
<v Speaker 1>absolutely that we love right now, because they're the like

2:12:27.120 --> 2:12:29.320
<v Speaker 1>we love. We want to be married. I'm staying married.

2:12:29.360 --> 2:12:31.360
<v Speaker 1>I want to stay man. You're staying marry I got.

2:12:31.960 --> 2:12:34.960
<v Speaker 1>I'm not giving her half of anything. Holy ship. I

2:12:34.960 --> 2:12:49.240
<v Speaker 1>don't know how to take that. Those ship stop nigger. Yeah,

2:12:49.760 --> 2:12:55.640
<v Speaker 1>me and you were clearly, but when you were before

2:12:55.720 --> 2:12:59.440
<v Speaker 1>you met her. I don't know how it feels to

2:12:59.520 --> 2:13:02.360
<v Speaker 1>have the number. Want R and B record and be

2:13:02.560 --> 2:13:11.120
<v Speaker 1>outside finger popping everything? If how was it? Everything? He said,

2:13:12.600 --> 2:13:16.160
<v Speaker 1>it's different. Let me let me just coming to my concert.

2:13:16.280 --> 2:13:21.320
<v Speaker 1>Let me give me to Mattis like, wait a minute,

2:13:26.400 --> 2:13:34.480
<v Speaker 1>it's been Let me help you going to do me

2:13:34.560 --> 2:13:39.480
<v Speaker 1>a shot? Get your together. I need to hear this

2:13:39.640 --> 2:13:42.600
<v Speaker 1>thing because I need to know and be as different

2:13:43.200 --> 2:13:49.920
<v Speaker 1>you're different. Before I get to a city, I'll equated to.

2:13:50.000 --> 2:13:51.480
<v Speaker 1>Now I do the numbers. For now. There are three

2:13:51.560 --> 2:13:56.040
<v Speaker 1>to five there's three to five thousand women who are

2:13:56.160 --> 2:14:01.280
<v Speaker 1>preparing themselves for tank to come in town. They got

2:14:01.360 --> 2:14:07.720
<v Speaker 1>they got their wave caps. Maybe DA's Greece. Maybe you

2:14:07.800 --> 2:14:10.720
<v Speaker 1>know when they're getting their nails done. They know when

2:14:10.800 --> 2:14:14.280
<v Speaker 1>they're getting their hair done. The y'all fit has been purchased,

2:14:16.160 --> 2:14:23.520
<v Speaker 1>The nails have been manicured and pedicured. The monkey has

2:14:23.600 --> 2:14:28.200
<v Speaker 1>been either is either hairless or has a landing strip.

2:14:29.120 --> 2:14:33.280
<v Speaker 1>Landing strip. Not because I'm gonna get to him, just

2:14:33.520 --> 2:14:37.240
<v Speaker 1>because I'm into preparation for it all. They could get

2:14:37.400 --> 2:14:41.400
<v Speaker 1>lucky with anybody. Don't got to beat me. But R

2:14:41.480 --> 2:14:44.720
<v Speaker 1>and B dictates that at some point you're gonna get

2:14:44.800 --> 2:14:51.120
<v Speaker 1>touched up. I'm trying to hold back my clap now

2:14:52.080 --> 2:14:56.520
<v Speaker 1>imagined that all of that energy is really for me.

2:14:59.800 --> 2:15:06.720
<v Speaker 1>I can pick, choose, and decide as I desire. Everybody

2:15:06.760 --> 2:15:11.160
<v Speaker 1>else can deal with the rest. But a woman is hoping,

2:15:12.480 --> 2:15:22.280
<v Speaker 1>she's been waiting to waiting and hoping to be chosen,

2:15:23.360 --> 2:15:25.800
<v Speaker 1>because it only works if they choose. You know that, right.

2:15:27.480 --> 2:15:29.520
<v Speaker 1>We can talk all the ship. We won't until a

2:15:29.600 --> 2:15:33.640
<v Speaker 1>woman says it is so it don't happen. Are We're

2:15:33.680 --> 2:15:36.120
<v Speaker 1>taking a shot to that real correct? But keep going

2:15:36.200 --> 2:15:45.400
<v Speaker 1>with your patience. Mm hmm. That is what I walk into.

2:15:46.840 --> 2:15:51.160
<v Speaker 1>I walk into a woman being the best she can

2:15:51.240 --> 2:15:57.360
<v Speaker 1>be on that particular night, just because I'm in town.

2:15:59.200 --> 2:16:04.720
<v Speaker 1>How do you not partect? And she chose you? She

2:16:05.080 --> 2:16:12.960
<v Speaker 1>chose you. M I come from the house of Genuine, who,

2:16:13.040 --> 2:16:17.600
<v Speaker 1>first of all, was the ultimate light skin and he

2:16:17.680 --> 2:16:21.480
<v Speaker 1>had good hair. You ain't gonna beat him on stage,

2:16:22.600 --> 2:16:24.880
<v Speaker 1>and you can't beat him up in real life because

2:16:24.920 --> 2:16:27.760
<v Speaker 1>he will beat your motherfucking asks. For some reason, I

2:16:27.840 --> 2:16:29.400
<v Speaker 1>think Gene want to know how to fight. I feel

2:16:29.480 --> 2:16:35.080
<v Speaker 1>Genuine watches boxing from sun up to sundown. She always

2:16:35.120 --> 2:16:40.720
<v Speaker 1>knew beat it your motherfucking asks if you think it's

2:16:40.720 --> 2:16:47.840
<v Speaker 1>sweet right now, That's who I learned from. So I

2:16:47.879 --> 2:16:53.080
<v Speaker 1>don't want I don't want every woman in my days,

2:16:54.200 --> 2:17:02.400
<v Speaker 1>I wanted the right one. I discernment is as a gift, right.

2:17:02.760 --> 2:17:04.480
<v Speaker 1>You don't gotta have every watch, you gotta have to

2:17:04.520 --> 2:17:08.640
<v Speaker 1>write watch watch. I don't want every It's not even

2:17:08.760 --> 2:17:13.320
<v Speaker 1>my thing. I've had threesome, spot some fives and got it.

2:17:14.440 --> 2:17:21.400
<v Speaker 1>That ain't he would have kept going something and that

2:17:21.520 --> 2:17:25.480
<v Speaker 1>doesn't I don't care about that. What What What I

2:17:25.600 --> 2:17:29.360
<v Speaker 1>care about is taking a motherfucker part and putting them

2:17:29.400 --> 2:17:36.200
<v Speaker 1>back together again. That's what I'm different. R and B

2:17:38.320 --> 2:17:44.440
<v Speaker 1>R and B money, R and B money. I think

2:17:44.480 --> 2:17:51.160
<v Speaker 1>you got a fan right now? Let me we we

2:17:51.640 --> 2:17:55.200
<v Speaker 1>we before we interview anybody, we listened to their music

2:17:55.640 --> 2:17:57.160
<v Speaker 1>and we was in here and this is let me

2:17:57.200 --> 2:18:05.440
<v Speaker 1>just say something. This is the sexiest we ever felt that. Wait,

2:18:05.600 --> 2:18:08.640
<v Speaker 1>let's listen. Listen, what what are you doing it for?

2:18:10.360 --> 2:18:15.280
<v Speaker 1>You got your kids, You got either your wife or

2:18:15.280 --> 2:18:17.000
<v Speaker 1>a few baby mamas that you got to make sure

2:18:17.080 --> 2:18:20.960
<v Speaker 1>that the buildess covered. But what are you doing it for?

2:18:23.120 --> 2:18:25.480
<v Speaker 1>So that so that the nigga would see you in

2:18:25.520 --> 2:18:29.720
<v Speaker 1>the street it's say my nigga, or so that a

2:18:29.800 --> 2:18:31.560
<v Speaker 1>woman will see you in the street and say, oh

2:18:31.680 --> 2:18:39.840
<v Speaker 1>my god, that is him. Which one makes you feel

2:18:39.920 --> 2:18:45.840
<v Speaker 1>like you are the man that you are. I'm through

2:18:46.160 --> 2:18:49.879
<v Speaker 1>because you know what, because you know what through. Let

2:18:49.920 --> 2:18:52.119
<v Speaker 1>me tell you why. Let me tell you why. It's

2:18:52.160 --> 2:18:54.640
<v Speaker 1>like a one million per cent tell you that me

2:18:54.720 --> 2:19:05.080
<v Speaker 1>and you have probably that the exact sit fans this

2:19:05.520 --> 2:19:08.560
<v Speaker 1>of course for the most part, because what I'm saying

2:19:08.680 --> 2:19:11.640
<v Speaker 1>is I can tell Nigga's come up to you and say, Nigga,

2:19:11.640 --> 2:19:14.960
<v Speaker 1>I made a baby to you. Nigga's come up to

2:19:15.040 --> 2:19:20.359
<v Speaker 1>me and be like, I went to jail to ship terrible.

2:19:23.280 --> 2:19:35.120
<v Speaker 1>It's fine, but you're my friend. I think where you're going. Okay, yes, yes, right,

2:19:35.160 --> 2:19:39.800
<v Speaker 1>that's right. Come on, that's right, Dane. Now, but that's

2:19:39.879 --> 2:19:43.640
<v Speaker 1>real ship. How um. I've always wanted to have those fans.

2:19:43.720 --> 2:19:45.920
<v Speaker 1>By the way, people said, nick I made a baby

2:19:46.040 --> 2:19:51.840
<v Speaker 1>to your ship. It's a choice. Yes, you you are

2:19:52.000 --> 2:19:56.840
<v Speaker 1>a product of your environment. Yes I'm fucked up. You

2:19:56.920 --> 2:20:00.760
<v Speaker 1>product of your environment. I'm a product of my environment.

2:20:01.640 --> 2:20:07.840
<v Speaker 1>Raised by my great grandmother, grandmother mother in the church,

2:20:08.120 --> 2:20:13.440
<v Speaker 1>strong black woman receipt. Women opened the door, say thank you.

2:20:13.879 --> 2:20:18.920
<v Speaker 1>I'm sorry. That's why I was raised. I'm out there

2:20:18.959 --> 2:20:21.320
<v Speaker 1>trying to be trying to be a gangster disciple, and

2:20:21.400 --> 2:20:22.880
<v Speaker 1>it's like, we're not gonna let you do none of

2:20:22.920 --> 2:20:26.400
<v Speaker 1>this ship because your grandmama gonna kill us. I gotta

2:20:26.440 --> 2:20:28.640
<v Speaker 1>pitch for it. Carved in my arm as we speak,

2:20:29.560 --> 2:20:33.880
<v Speaker 1>that's disciples sign trying to be it, all of it.

2:20:35.160 --> 2:20:39.200
<v Speaker 1>I wanted, man, you better go home. Your grandmama may

2:20:39.280 --> 2:20:41.879
<v Speaker 1>want to play. My great grandfather said on the porch.

2:20:43.080 --> 2:20:48.400
<v Speaker 1>Paul lewis with a shotgun and gangs. The gangsters would

2:20:48.440 --> 2:20:53.760
<v Speaker 1>talk at the at the shrubbery before my house. He

2:20:53.959 --> 2:21:04.879
<v Speaker 1>stand up on him. They stopped talking. When they got

2:21:05.040 --> 2:21:07.840
<v Speaker 1>at the end of the shrubbery of our block, they

2:21:07.920 --> 2:21:13.000
<v Speaker 1>started talking again. He sat out, put the shotgun. That swell,

2:21:14.640 --> 2:21:17.800
<v Speaker 1>we're not fucking with you a little Darrell. You're not

2:21:17.879 --> 2:21:23.000
<v Speaker 1>gonna be no gangster disciple. You're not now. Paul Louis

2:21:23.000 --> 2:21:25.120
<v Speaker 1>gonna kill us if we bring you into this. I

2:21:25.240 --> 2:21:28.160
<v Speaker 1>love our generations where I'm from. I love our generation.

2:21:28.320 --> 2:21:33.240
<v Speaker 1>We would like listen. I love I love the stories

2:21:33.320 --> 2:21:37.840
<v Speaker 1>like that. I was there. It was there was a

2:21:37.920 --> 2:21:41.920
<v Speaker 1>shotgun pointed at me. In fifth grade, that's him right there.

2:21:42.000 --> 2:21:45.600
<v Speaker 1>Get him. I said, I'm not him. I promise I'm

2:21:45.640 --> 2:21:49.080
<v Speaker 1>not him. That's him. Nigga, no nigga front. He said,

2:21:49.120 --> 2:21:55.040
<v Speaker 1>that's not him. Nick. I'm telling you that. M hm.

2:21:55.920 --> 2:21:59.880
<v Speaker 1>That ain't sexy. If that's your life, if that's what

2:22:00.080 --> 2:22:02.160
<v Speaker 1>you come from, I respect it. You gotta fight your

2:22:02.200 --> 2:22:04.119
<v Speaker 1>way out. What I was trying to say, sorry, because

2:22:04.840 --> 2:22:07.879
<v Speaker 1>is I love our generation. That generation that you're talking about,

2:22:08.240 --> 2:22:11.000
<v Speaker 1>is because we protected our talents when we've seen somebody

2:22:11.080 --> 2:22:15.640
<v Speaker 1>that's gonna make it somewhere. Kenny Anderson, Um, you know,

2:22:15.680 --> 2:22:18.000
<v Speaker 1>I'm from Left Fact City, Keny Anderson from that Fact City,

2:22:18.280 --> 2:22:21.360
<v Speaker 1>and I remember all the drug dealers coming together and

2:22:21.720 --> 2:22:24.840
<v Speaker 1>chipping in to make sure Kenny Anderson never had to

2:22:24.879 --> 2:22:27.360
<v Speaker 1>sell a drug, never had to do anything. So he

2:22:27.480 --> 2:22:30.480
<v Speaker 1>was going through college and people I thought that, like

2:22:30.560 --> 2:22:32.480
<v Speaker 1>the NBA was hitting them off, but it was all

2:22:32.600 --> 2:22:35.080
<v Speaker 1>my prizes, just all people from my hood, was just

2:22:35.160 --> 2:22:37.640
<v Speaker 1>making sure that you want to roll that gag, you know,

2:22:37.959 --> 2:22:41.720
<v Speaker 1>go have this that goad, and that's not that's this

2:22:41.800 --> 2:22:49.080
<v Speaker 1>generation that you just how I stayed there, I would

2:22:49.080 --> 2:22:55.959
<v Speaker 1>have turned into a guy, right inevitable. Two cousins dead

2:22:56.000 --> 2:23:01.879
<v Speaker 1>from murder m first cousin. He beat that from how

2:23:01.959 --> 2:23:08.840
<v Speaker 1>he did it. He home God, bless God, bless um family.

2:23:09.720 --> 2:23:17.000
<v Speaker 1>There were the guys we understand family like own bracelets.

2:23:17.720 --> 2:23:20.880
<v Speaker 1>Five years, two years, three years too, his family right.

2:23:21.400 --> 2:23:25.760
<v Speaker 1>I would have had no choice. That's what I'm supposed

2:23:25.800 --> 2:23:29.880
<v Speaker 1>to be. I'm overachieved, so I win. We said that

2:23:30.080 --> 2:23:37.240
<v Speaker 1>I win. Father said to my mother, I love you.

2:23:37.360 --> 2:23:40.360
<v Speaker 1>With my family back, I'm staying in Maryland. I need you.

2:23:42.240 --> 2:23:47.960
<v Speaker 1>Took me out of that to that. So your father

2:23:48.000 --> 2:23:49.640
<v Speaker 1>and your mother broke up. And then your pop said,

2:23:50.520 --> 2:23:54.040
<v Speaker 1>I need that, I need that, I need you, I

2:23:54.120 --> 2:23:59.800
<v Speaker 1>need them. My pops, don't man up. I'm in the

2:24:00.000 --> 2:24:04.840
<v Speaker 1>in intentury or dead. Pops said, no, I need that.

2:24:05.640 --> 2:24:09.440
<v Speaker 1>And then that's when y'all move to a decent station

2:24:09.520 --> 2:24:12.640
<v Speaker 1>on Andrews Air Force Base. And he gave me the

2:24:12.640 --> 2:24:16.760
<v Speaker 1>whooping of my life, the beating of my life. That

2:24:17.000 --> 2:24:22.800
<v Speaker 1>changed my life. What did you do? Seventh grade? We

2:24:22.879 --> 2:24:25.560
<v Speaker 1>go to the principal's office for the I don't know

2:24:25.760 --> 2:24:32.360
<v Speaker 1>tiph time, maybe ayby more. She says, if you take

2:24:32.480 --> 2:24:39.480
<v Speaker 1>him home, I'll pass him. Just never bring him back. Wow,

2:24:41.480 --> 2:24:48.480
<v Speaker 1>don't ever bring him back here. I'll pass him. I

2:24:48.680 --> 2:24:51.760
<v Speaker 1>was that guy, got to ask you what you did everything?

2:24:53.280 --> 2:24:56.800
<v Speaker 1>So the teacher, I'll whoop his ass. Tek me to

2:24:56.879 --> 2:25:01.160
<v Speaker 1>deal with your father. Take him home, never bring him back,

2:25:01.400 --> 2:25:04.039
<v Speaker 1>and I'll pass, and I'll pass. What great are we talking?

2:25:04.200 --> 2:25:06.520
<v Speaker 1>Seven seventh grade? That said grade I dropped? It was

2:25:06.760 --> 2:25:10.720
<v Speaker 1>I was an animal. If they won't do it, I'll

2:25:10.760 --> 2:25:14.440
<v Speaker 1>do it. Then they scared, I'll do it. Punch the teacher.

2:25:15.240 --> 2:25:20.360
<v Speaker 1>It scared. I punched the nigger. Oh are you making

2:25:20.440 --> 2:25:26.760
<v Speaker 1>love music right now? Sir? You killed that? How far

2:25:27.240 --> 2:25:34.680
<v Speaker 1>you killed that? That's why you're making Take him home?

2:25:34.800 --> 2:25:38.480
<v Speaker 1>Never bring him back. My father looked at me and said, cool,

2:25:39.040 --> 2:25:42.600
<v Speaker 1>I got him at the beating of my life. He

2:25:42.720 --> 2:25:46.520
<v Speaker 1>bungs you home. He probably What's what I need to understand.

2:25:47.160 --> 2:25:57.680
<v Speaker 1>Was it extension cord? You want black beatings? Extension cord

2:25:58.080 --> 2:26:01.720
<v Speaker 1>familiar as I But yeah, we got well to everywhere

2:26:03.560 --> 2:26:10.359
<v Speaker 1>and that next year, Now I can get detention once,

2:26:11.560 --> 2:26:15.120
<v Speaker 1>and then the year after that, I found God. You

2:26:15.200 --> 2:26:19.240
<v Speaker 1>never had to worry about anything. I just see my

2:26:19.360 --> 2:26:22.200
<v Speaker 1>mom's this weekend, and my mother said I was the

2:26:22.360 --> 2:26:27.040
<v Speaker 1>only child that she didn't beat you. Yeah, I was

2:26:27.080 --> 2:26:34.880
<v Speaker 1>on what my friend you know about coming I don't

2:26:34.920 --> 2:26:39.600
<v Speaker 1>know what did you felt it? You felt it? He

2:26:40.200 --> 2:26:47.800
<v Speaker 1>didn't know anyone laughing? Any want to know this? Just

2:26:47.959 --> 2:26:52.040
<v Speaker 1>nick want But I said it was Eila, and she

2:26:52.160 --> 2:26:55.600
<v Speaker 1>said it was either you tricked me too much. Baby.

2:26:55.920 --> 2:26:59.760
<v Speaker 1>This is my mother. By the way, Oh well, you

2:26:59.840 --> 2:27:03.600
<v Speaker 1>know you would act, you would ask swift. Then my

2:27:03.680 --> 2:27:06.120
<v Speaker 1>sister comes out and says exactly what he said. You

2:27:06.240 --> 2:27:10.720
<v Speaker 1>should have been catching on. He was foul. I don't want,

2:27:11.600 --> 2:27:15.119
<v Speaker 1>but this is a famous story about me in my hood,

2:27:16.240 --> 2:27:20.200
<v Speaker 1>how I jumped off the fifth floor? What all right?

2:27:20.240 --> 2:27:26.000
<v Speaker 1>The police came, right, and so my sister tells the story.

2:27:26.040 --> 2:27:28.160
<v Speaker 1>By the way, I've never told his story because I

2:27:28.200 --> 2:27:33.000
<v Speaker 1>don't really think people care. Right, I got this, I

2:27:33.120 --> 2:27:39.240
<v Speaker 1>got this. So yeah, so my sister said, a story,

2:27:39.760 --> 2:27:43.800
<v Speaker 1>listen nor we jumped off the fifth floor because the

2:27:43.840 --> 2:27:46.080
<v Speaker 1>police is coming from him. So I'm like, all right, cool,

2:27:46.160 --> 2:27:50.879
<v Speaker 1>we're laughing whatever whatever we feel me did me come out?

2:27:50.920 --> 2:27:54.200
<v Speaker 1>And this this is this is my only astortionists ever

2:27:54.400 --> 2:27:59.480
<v Speaker 1>in life? Is this lady name show extortionist? Yes? She

2:27:59.640 --> 2:28:05.080
<v Speaker 1>just stort to me every time she sees me. I

2:28:05.160 --> 2:28:10.040
<v Speaker 1>don't want to say why, but um with your every

2:28:10.080 --> 2:28:16.119
<v Speaker 1>time I see on it whatever. And then she sees

2:28:16.200 --> 2:28:19.360
<v Speaker 1>me and we're filming, and we're filming, and she goes

2:28:21.080 --> 2:28:24.280
<v Speaker 1>all that gangster rap ship he'd be talking about. I

2:28:24.400 --> 2:28:26.480
<v Speaker 1>bet you I don't know about when he jumped off

2:28:26.560 --> 2:28:33.840
<v Speaker 1>the film flaws like the people we are sitting there filming, like, oh,

2:28:33.959 --> 2:28:38.320
<v Speaker 1>this story is legend. So I say that, Just say

2:28:39.000 --> 2:28:44.920
<v Speaker 1>I'm a motherfucking legening man. That's all we need. Let

2:28:44.959 --> 2:28:47.000
<v Speaker 1>me ask you. I want to always ask you, what

2:28:47.200 --> 2:28:52.120
<v Speaker 1>is your relationship with you and John? Yeah? I don't

2:28:52.120 --> 2:28:55.000
<v Speaker 1>really have a relationship with John. I remember walking in

2:28:55.600 --> 2:28:58.240
<v Speaker 1>I remember we were doing a ski a ski resort trip,

2:28:58.600 --> 2:29:02.840
<v Speaker 1>met him with headliners Yeah and the ski resort, ski resort,

2:29:03.160 --> 2:29:07.440
<v Speaker 1>and he was going to yeah, Upper New York, Okay,

2:29:07.959 --> 2:29:09.879
<v Speaker 1>and he was going after me, which I didn't think

2:29:09.920 --> 2:29:12.400
<v Speaker 1>was the right. But I was like, you know what

2:29:12.520 --> 2:29:18.320
<v Speaker 1>you shooting. I'm gonna kick his right. I did not know.

2:29:18.480 --> 2:29:21.640
<v Speaker 1>I did not know he's gonna I'm a killer, right.

2:29:21.840 --> 2:29:25.080
<v Speaker 1>So I come back from the ski resort, which is

2:29:25.120 --> 2:29:29.320
<v Speaker 1>an hour and a half away. M hmm. We went

2:29:29.440 --> 2:29:32.600
<v Speaker 1>and eight at Applebee's on the way back. All that,

2:29:33.560 --> 2:29:37.640
<v Speaker 1>and we get back and Johams in the lobby in

2:29:37.800 --> 2:29:43.440
<v Speaker 1>show gear and and he's just before and I was like, oh,

2:29:43.520 --> 2:29:46.960
<v Speaker 1>shoot you on the white niggas. He's like, now, I'm

2:29:46.959 --> 2:29:50.240
<v Speaker 1>gonna let you have that champ. What do you mean?

2:29:50.600 --> 2:29:52.840
<v Speaker 1>He's like, I ain't feeling it tonight. You know what

2:29:52.840 --> 2:29:55.160
<v Speaker 1>I'm saying that you do your thing, baby. You know

2:29:55.200 --> 2:30:00.600
<v Speaker 1>what I'm saying, like it's all good. I said, what

2:30:00.680 --> 2:30:04.080
<v Speaker 1>do you mean You're not going? No, no good, I'm good.

2:30:04.280 --> 2:30:10.560
<v Speaker 1>I ain't got time for that tonight. He was the

2:30:10.720 --> 2:30:14.160
<v Speaker 1>first guy I ever seen saying I don't feel like

2:30:14.280 --> 2:30:20.520
<v Speaker 1>performing tonight. Good luck. But it feels like you're saying

2:30:21.560 --> 2:30:26.240
<v Speaker 1>you felt like you don't feel like performing with you. Nope,

2:30:26.600 --> 2:30:29.320
<v Speaker 1>what about me? What about you? What about me? What

2:30:29.440 --> 2:30:33.720
<v Speaker 1>about nobody? Jahim literally marched to the beat of his

2:30:33.800 --> 2:30:38.000
<v Speaker 1>own drum. If I don't feel like performing tonight, I'm

2:30:38.120 --> 2:30:42.960
<v Speaker 1>not going to perform. M hmm. Period. That's gonna be

2:30:43.040 --> 2:30:47.080
<v Speaker 1>a business mess. No, it's just it's it's it's here.

2:30:49.240 --> 2:30:52.000
<v Speaker 1>I'm not saying he was threatened by you. I feel like,

2:30:52.360 --> 2:30:54.800
<v Speaker 1>I'll be honest, I feel like you're saying that, but

2:30:55.320 --> 2:30:58.440
<v Speaker 1>he's not saying that. That's what I'm saying about that part.

2:30:58.640 --> 2:31:01.640
<v Speaker 1>Most things are threatened by me because that's what you said.

2:31:01.640 --> 2:31:05.040
<v Speaker 1>That's a fact. Niggas don't want to perform, don't want to.

2:31:06.280 --> 2:31:09.440
<v Speaker 1>I got work because I don't just sing it. I

2:31:09.560 --> 2:31:14.400
<v Speaker 1>write it and produce it. Honey, my ship is over

2:31:14.480 --> 2:31:20.160
<v Speaker 1>sixty million out in the streets. So but he's not

2:31:20.240 --> 2:31:22.600
<v Speaker 1>a guy that was concerned about that. He was a

2:31:22.640 --> 2:31:24.760
<v Speaker 1>guy that was like, I'm gonna do what the funk

2:31:24.800 --> 2:31:26.360
<v Speaker 1>I want to do when the funk I want to

2:31:26.400 --> 2:31:29.480
<v Speaker 1>do it. M he was the first guy I've ever

2:31:29.600 --> 2:31:31.920
<v Speaker 1>seen like that in R and B that said I'm

2:31:31.920 --> 2:31:34.200
<v Speaker 1>gonna do what the funk I wanted to do. That's

2:31:34.240 --> 2:31:37.320
<v Speaker 1>what Mack quietly, what made me want to do it?

2:31:37.800 --> 2:31:40.000
<v Speaker 1>I told my manager Ja I said that that won't

2:31:40.080 --> 2:31:43.080
<v Speaker 1>kill us, right A right, if it's right, we'll go.

2:31:43.400 --> 2:31:53.840
<v Speaker 1>So not right, we won't. I asked Twitter Tank who

2:31:54.000 --> 2:32:02.000
<v Speaker 1>was he against on versus nobody? You're asking the wrong question,

2:32:04.280 --> 2:32:08.000
<v Speaker 1>kim Puis, I said, okay, you're sorry, kim Pits. You

2:32:08.000 --> 2:32:11.080
<v Speaker 1>should have asked in Spanish man, who can do what

2:32:11.240 --> 2:32:16.879
<v Speaker 1>the funk I do? Kim Putis, I said, who can

2:32:17.280 --> 2:32:20.960
<v Speaker 1>write it, produce it, sing it and go number one?

2:32:22.240 --> 2:32:26.920
<v Speaker 1>With nobody else in charge? Nobody else producing it, nobody

2:32:26.959 --> 2:32:33.400
<v Speaker 1>else writing it, nobody else doing anything? Who else? Name one?

2:32:34.840 --> 2:32:41.760
<v Speaker 1>Alligan can't kill us. I just want you to keep going, sir.

2:32:43.040 --> 2:32:56.119
<v Speaker 1>You're saying place produce it, screaming no you can. I'm

2:32:56.240 --> 2:33:00.560
<v Speaker 1>that guy. I can do it all and welcome to

2:33:00.640 --> 2:33:03.000
<v Speaker 1>his studio by myself and walk out with an album

2:33:03.560 --> 2:33:08.400
<v Speaker 1>and in Spanish English and in Spanish by myself, and

2:33:08.560 --> 2:33:14.160
<v Speaker 1>go number one. So it's not the question is who's

2:33:14.160 --> 2:33:18.600
<v Speaker 1>better than me? Who do you know? They can do that?

2:33:19.160 --> 2:33:23.480
<v Speaker 1>Only one guy that was close. He's locked up. Okay,

2:33:26.440 --> 2:33:28.560
<v Speaker 1>they got us jump me to beat me. They need

2:33:28.680 --> 2:33:31.480
<v Speaker 1>the best producer, they need the best writers, They need

2:33:31.560 --> 2:33:36.720
<v Speaker 1>the best choreographers too. To jump me by my motherfucking self,

2:33:37.440 --> 2:33:41.960
<v Speaker 1>to name one? Taking a shot? Put this, put the

2:33:42.040 --> 2:33:50.000
<v Speaker 1>liquer down. Who no name one? Dream? We need you, bro.

2:33:50.280 --> 2:33:56.680
<v Speaker 1>He was talking to that ship earlier. Nobody who's gonna

2:33:56.800 --> 2:34:01.440
<v Speaker 1>produce it, write it, sing it, go number one by himself?

2:34:05.440 --> 2:34:11.600
<v Speaker 1>You name one? I'm going then ask me who the

2:34:11.680 --> 2:34:17.120
<v Speaker 1>king is. Don't ask me that. I don't nobody to

2:34:17.160 --> 2:34:29.640
<v Speaker 1>do what I do. Clap for that. I'm now gonna

2:34:29.640 --> 2:34:32.000
<v Speaker 1>start of seeing a look at the story deal the

2:34:32.040 --> 2:34:34.160
<v Speaker 1>story I see him do and say I want story

2:34:34.200 --> 2:34:43.000
<v Speaker 1>do I want to? Not in past? Its right now.

2:34:43.800 --> 2:34:50.240
<v Speaker 1>So right now, you're not bab your hand. I'm not

2:34:50.440 --> 2:34:59.360
<v Speaker 1>battling nobody. I don't leave a break. God, maybe you

2:34:59.400 --> 2:35:02.240
<v Speaker 1>could do it from that. Listen. I'll tell you honestly,

2:35:02.240 --> 2:35:05.640
<v Speaker 1>I can't be R Kelly in the versus. Okay, that's hard.

2:35:06.680 --> 2:35:08.440
<v Speaker 1>I can't so who you want? Who you want, like

2:35:08.720 --> 2:35:12.800
<v Speaker 1>if Swiss, there's no there's nobody. I can't beat R

2:35:12.920 --> 2:35:16.320
<v Speaker 1>Kelly in the versus. He is R Kelly. I can't

2:35:16.360 --> 2:35:19.039
<v Speaker 1>beat him in the versus. In terms of who I am.

2:35:19.400 --> 2:35:23.680
<v Speaker 1>There's nobody who does what I do. There's no producer, songwriter,

2:35:24.240 --> 2:35:28.320
<v Speaker 1>singer who does what I do. There's nobody, Like, let's

2:35:28.320 --> 2:35:32.840
<v Speaker 1>say us sure is the product of Jermaine dupri Confessions

2:35:32.920 --> 2:35:36.600
<v Speaker 1>is his story. It's not. It's not us your story.

2:35:37.000 --> 2:35:42.000
<v Speaker 1>It's his story. It's just it's be Cox at the produce,

2:35:42.080 --> 2:35:46.119
<v Speaker 1>Brian Cox producing at that they gotta jump me. It's

2:35:51.840 --> 2:35:56.200
<v Speaker 1>it's at the top of their game there. It's for

2:35:56.520 --> 2:36:00.360
<v Speaker 1>people against me. So what about this song for song?

2:36:00.520 --> 2:36:05.119
<v Speaker 1>Never mind song song for the song? It's five niggas

2:36:05.160 --> 2:36:09.720
<v Speaker 1>on the song first me by myself as you against

2:36:09.760 --> 2:36:16.039
<v Speaker 1>you on versus. Let's go tyrenks. Don't write or produce.

2:36:16.840 --> 2:36:20.640
<v Speaker 1>He not me? I right for Jinua one. He not me.

2:36:22.120 --> 2:36:28.960
<v Speaker 1>He's my mentor he's not me. Who's me? Listen? I

2:36:29.080 --> 2:36:32.840
<v Speaker 1>gotta keep my ship straight? Who produces it right? It

2:36:33.280 --> 2:36:43.200
<v Speaker 1>sings it? He's not me. You don't produce ship tree

2:36:43.240 --> 2:36:49.119
<v Speaker 1>and no produced nothing, I thought, dreams nothing. I'm here

2:36:50.200 --> 2:36:55.160
<v Speaker 1>from start to finish. The kick, the snare, whatever the

2:36:55.240 --> 2:36:59.600
<v Speaker 1>pad is, whatever the memory line, that's me. I'm him

2:37:01.240 --> 2:37:05.560
<v Speaker 1>your because there's only one Guy's goake it because there's

2:37:05.600 --> 2:37:13.440
<v Speaker 1>only one guy. Because you're popping wow ships like a guy.

2:37:13.840 --> 2:37:18.160
<v Speaker 1>You gotta take it or don't count. He's in jail.

2:37:20.080 --> 2:37:22.600
<v Speaker 1>That could come close. That's what he came to me

2:37:22.680 --> 2:37:24.920
<v Speaker 1>and said, they need to learn that ship you're doing.

2:37:27.840 --> 2:37:29.920
<v Speaker 1>And you and your manager beat him in ball. When

2:37:29.959 --> 2:37:36.640
<v Speaker 1>you want to beat his ask me and h he

2:37:36.800 --> 2:37:40.280
<v Speaker 1>never wanted to give him the games. But let's not

2:37:40.360 --> 2:37:44.120
<v Speaker 1>get it twisted. R Kelly is the king of R

2:37:44.240 --> 2:37:49.840
<v Speaker 1>and B. Let's not get this ship twisted. Let this

2:37:50.000 --> 2:37:54.560
<v Speaker 1>be your headline. R Kelly is the king of R

2:37:54.680 --> 2:37:59.480
<v Speaker 1>and B. Whether you like it or not, I'm not

2:38:00.040 --> 2:38:03.920
<v Speaker 1>don't need anything that he might have done outside of

2:38:04.000 --> 2:38:10.120
<v Speaker 1>the real legalities. He's piano bitch. She's like a motherfucker.

2:38:10.920 --> 2:38:16.520
<v Speaker 1>Who has believed I can fly? You stop it. I

2:38:16.680 --> 2:38:22.120
<v Speaker 1>can't believe who has believe I can fly? No, no, no, no,

2:38:23.320 --> 2:38:30.880
<v Speaker 1>who has done who has fiesta with jay Z the

2:38:31.080 --> 2:38:36.840
<v Speaker 1>Goat a biggie. I don't care what you say, we

2:38:36.959 --> 2:38:40.080
<v Speaker 1>will we will always be chasing the ghosts of our Kelly.

2:38:41.360 --> 2:38:43.360
<v Speaker 1>I don't care how great I feel like I am.

2:38:43.480 --> 2:38:45.720
<v Speaker 1>I know I am r. Kelly said, nigger, you got

2:38:45.800 --> 2:38:47.720
<v Speaker 1>that falsetto. I don't know how you do that. You

2:38:47.800 --> 2:38:51.280
<v Speaker 1>gotta teach me that ship. I respect it. I'm not

2:38:51.440 --> 2:38:58.200
<v Speaker 1>him yet. I'm not him yet. I'm not I'm a

2:38:58.280 --> 2:39:01.920
<v Speaker 1>problem mean that music. Let's music very musically. I am

2:39:02.000 --> 2:39:05.959
<v Speaker 1>not him. We don't want to become him. Not him, right, Okay?

2:39:06.640 --> 2:39:12.640
<v Speaker 1>You know Fortunate the Batchell thing, that's a Kelly. He

2:39:12.840 --> 2:39:15.080
<v Speaker 1>wasn't going to give that record away. They said, in

2:39:15.240 --> 2:39:18.280
<v Speaker 1>order to make do on your deal, you gotta give

2:39:18.320 --> 2:39:23.679
<v Speaker 1>that to Max Will let him let him fortunate. Fortunate

2:39:24.840 --> 2:39:32.400
<v Speaker 1>have you? Girl, I'm surprised I heard. I don't know

2:39:32.480 --> 2:39:44.920
<v Speaker 1>what Kelly that was? Life live my life, life, life, Live, life, Live.

2:39:45.879 --> 2:40:00.959
<v Speaker 1>That's a give, that's our killing, fucking kidding me. I got,

2:40:01.120 --> 2:40:05.320
<v Speaker 1>I got a million miles before I beat him. He's

2:40:05.360 --> 2:40:07.280
<v Speaker 1>the bar okay, none of he's on the niggas fun

2:40:07.360 --> 2:40:12.000
<v Speaker 1>with me. He's the bar okay. How many people you

2:40:12.080 --> 2:40:14.080
<v Speaker 1>think is right in R Kelly and jail right now?

2:40:14.200 --> 2:40:18.400
<v Speaker 1>Like from R and B people A bunch a bunch,

2:40:18.800 --> 2:40:21.720
<v Speaker 1>So no one really cut him off in ya world.

2:40:23.520 --> 2:40:27.680
<v Speaker 1>I separated myself because he wasn't a friend of mine,

2:40:28.800 --> 2:40:30.840
<v Speaker 1>be honest, and once you beat him in ball, he

2:40:30.879 --> 2:40:34.560
<v Speaker 1>didn't like you. He's not earlier. He wasn't a friend

2:40:34.640 --> 2:40:37.280
<v Speaker 1>and manager manager wanted to beat him every time. Every time.

2:40:38.720 --> 2:40:41.400
<v Speaker 1>I wanted him to be a friend of mine. But

2:40:42.480 --> 2:40:46.119
<v Speaker 1>because R. Kelly was R Kelly, he was the tip

2:40:46.160 --> 2:40:48.400
<v Speaker 1>of the food chain, so he was like anything beneath

2:40:48.440 --> 2:40:50.560
<v Speaker 1>me is beneath me. He really wasn't a nice guy,

2:40:51.520 --> 2:40:54.160
<v Speaker 1>so he didn't sunk with me, but he foke with me.

2:40:54.920 --> 2:40:56.280
<v Speaker 1>He foke with me because he knew what I was.

2:40:57.120 --> 2:41:00.040
<v Speaker 1>But I'm not gonna give it to you, nigga that

2:41:00.160 --> 2:41:06.240
<v Speaker 1>I earned it. Nigga old school wasn't that guy, and

2:41:06.320 --> 2:41:09.120
<v Speaker 1>I respect him for it because I didn't want it

2:41:09.320 --> 2:41:14.200
<v Speaker 1>given to me. Of course we all do. I wanted

2:41:14.240 --> 2:41:16.840
<v Speaker 1>to beat you, nigga. I didn't get a chance to

2:41:16.879 --> 2:41:21.880
<v Speaker 1>beat R. Kelly. Fans call me King, fans call me

2:41:22.000 --> 2:41:25.520
<v Speaker 1>all sorts of names. I didn't get to beat the guy.

2:41:26.640 --> 2:41:30.920
<v Speaker 1>I didn't get to beat R. Kelly. He beat a

2:41:31.000 --> 2:41:33.040
<v Speaker 1>lot of ship right now, how did you get to

2:41:33.080 --> 2:41:39.840
<v Speaker 1>beat him? He's the guy these things are Kelly Kelly

2:41:39.959 --> 2:41:43.640
<v Speaker 1>was That was the headline of the arena tour. It

2:41:43.800 --> 2:41:49.640
<v Speaker 1>was him. I didn't get to beat him, so I can't.

2:41:53.080 --> 2:41:56.039
<v Speaker 1>I can't assume a title. I can't. I'm the General

2:41:56.160 --> 2:41:59.520
<v Speaker 1>of R and B. That's the title was given. That's

2:42:00.360 --> 2:42:03.840
<v Speaker 1>I'm in the filipedia. Then your nickname says the general.

2:42:04.120 --> 2:42:07.680
<v Speaker 1>I'm in the field to sit on their thrones and

2:42:07.840 --> 2:42:11.000
<v Speaker 1>watch people do battle. I'm in the field. But by

2:42:11.040 --> 2:42:15.720
<v Speaker 1>the way, there's very few people who worked with Aliyah

2:42:16.040 --> 2:42:26.520
<v Speaker 1>and R. Kelly. Listen, I'll say this Aaliyah gave me

2:42:26.640 --> 2:42:31.480
<v Speaker 1>all the confidence I needed to step into this thing

2:42:31.640 --> 2:42:35.080
<v Speaker 1>called R and B. Because before that I was just

2:42:35.200 --> 2:42:40.600
<v Speaker 1>a church kid, singing church music and singing church and

2:42:40.640 --> 2:42:42.640
<v Speaker 1>that wrong with being nothing wrong with it. But I

2:42:42.800 --> 2:42:48.120
<v Speaker 1>wasn't ready you're a I was green. Aliah told me

2:42:48.280 --> 2:42:56.000
<v Speaker 1>you're ready, You're ready for this ship, and like nothing

2:42:56.280 --> 2:43:07.320
<v Speaker 1>valid Okay, get my a shot ready. Nothing validates you

2:43:08.680 --> 2:43:16.160
<v Speaker 1>more than a woman real. When Aliah says you're that guy,

2:43:17.480 --> 2:43:21.880
<v Speaker 1>all right, that makes all the difference in the world.

2:43:24.520 --> 2:43:29.560
<v Speaker 1>Nothing trumps that. And when she said that to me,

2:43:30.280 --> 2:43:36.320
<v Speaker 1>I tuck it and I ran with it. I said,

2:43:36.520 --> 2:43:40.280
<v Speaker 1>Leah said it, so keep none of y'all funk with me.

2:43:41.160 --> 2:43:44.520
<v Speaker 1>I don't care what none of y'all say. Elijah said,

2:43:44.560 --> 2:43:50.880
<v Speaker 1>I'm him. Yeah, we'll funk what you say. I'm him.

2:43:51.360 --> 2:43:56.800
<v Speaker 1>Because Elijah said so in genuine gave me. He gave

2:43:56.840 --> 2:44:02.600
<v Speaker 1>me the He gave me the battle him. Let's just

2:44:02.680 --> 2:44:06.800
<v Speaker 1>be clear, you are my shot, is right? I don't

2:44:06.840 --> 2:44:12.800
<v Speaker 1>not right. He gave me the battery. Shout out to Jine,

2:44:13.560 --> 2:44:19.000
<v Speaker 1>Shout out to Tyrese while vocal battle wrest in peace

2:44:19.080 --> 2:44:27.440
<v Speaker 1>to Eliah. Yeah, vocal battle you Tyres. When Elia said

2:44:27.480 --> 2:44:30.400
<v Speaker 1>you him, yeah, you know you him? You are him

2:44:31.280 --> 2:44:33.879
<v Speaker 1>guy Tyres tried to battle me in his early days,

2:44:35.520 --> 2:44:40.280
<v Speaker 1>said Nicky, you're not me, I'm him. Kicked his ass.

2:44:41.240 --> 2:44:45.560
<v Speaker 1>How does a vocal battle go? Run for run? So

2:44:45.640 --> 2:44:51.480
<v Speaker 1>what do you it's not that, it's not that, it's

2:44:51.520 --> 2:44:55.760
<v Speaker 1>not that, it's not what he just did. I promise you,

2:44:55.840 --> 2:44:59.920
<v Speaker 1>it's not tarres to tell you we wouldn't run for

2:45:00.080 --> 2:45:04.080
<v Speaker 1>run on the e O L Elements of Life video,

2:45:04.160 --> 2:45:08.440
<v Speaker 1>shoot we want note for note And I said, this

2:45:08.680 --> 2:45:13.520
<v Speaker 1>is why I'm different. Mm hmmm. And he said, and

2:45:13.600 --> 2:45:18.160
<v Speaker 1>that's when he became my friend. M Eliyah said, you're different.

2:45:19.480 --> 2:45:22.560
<v Speaker 1>I got you. This is what you should be and

2:45:22.680 --> 2:45:25.520
<v Speaker 1>everything she said I should be, that's what I became,

2:45:28.640 --> 2:45:34.680
<v Speaker 1>nothing less. I become nothing less than what Elijah said

2:45:34.720 --> 2:45:38.080
<v Speaker 1>I should be. And Genuine is sitting at his house,

2:45:38.800 --> 2:45:43.040
<v Speaker 1>rich with bags of money, saying, that's my son. I

2:45:43.240 --> 2:45:46.240
<v Speaker 1>told him he was gonna be that. It's fire. That's

2:45:46.280 --> 2:45:49.360
<v Speaker 1>what the funk I am. So when these niggas started

2:45:49.360 --> 2:45:52.520
<v Speaker 1>talking about King and all this other ships they're talking

2:45:52.520 --> 2:45:55.760
<v Speaker 1>about twenty two years in, I'm number one right now.

2:45:57.240 --> 2:46:10.440
<v Speaker 1>Come see me, nigga. I love this. You know why

2:46:10.480 --> 2:46:13.880
<v Speaker 1>I love this. I'm gonna tell you why I love this,

2:46:13.959 --> 2:46:20.320
<v Speaker 1>because um, you've given us all you this is one

2:46:20.400 --> 2:46:24.280
<v Speaker 1>million for saying you. And I watched the interviews on

2:46:24.360 --> 2:46:27.040
<v Speaker 1>the Burthos Club. I watched it and I was so

2:46:27.560 --> 2:46:29.360
<v Speaker 1>happy to meet you. That I mean to see you

2:46:29.480 --> 2:46:31.360
<v Speaker 1>that day, not to meet you, that to me and

2:46:31.440 --> 2:46:36.279
<v Speaker 1>you and then for you to bring your whole energy

2:46:36.360 --> 2:46:39.440
<v Speaker 1>into fruition like like I said this, wrappers will out

2:46:39.480 --> 2:46:44.840
<v Speaker 1>of me and say and I called him good, you

2:46:44.920 --> 2:46:49.240
<v Speaker 1>know whatever, But you kept your word from the minute

2:46:50.160 --> 2:46:53.240
<v Speaker 1>we've seen each other again reconnected and I know for

2:46:53.440 --> 2:46:56.920
<v Speaker 1>one million but sent you're a real person and I

2:46:57.040 --> 2:46:58.640
<v Speaker 1>just want to salute that. I just want to get

2:46:58.680 --> 2:47:05.480
<v Speaker 1>you your flowers. I also want them before you say something,

2:47:05.800 --> 2:47:08.920
<v Speaker 1>but I also want one thing to tell you. Thank

2:47:09.000 --> 2:47:12.440
<v Speaker 1>you A whole legend out my nigga niggers like I

2:47:12.560 --> 2:47:17.280
<v Speaker 1>cause just a tiny bit of what I'm here is

2:47:18.240 --> 2:47:21.240
<v Speaker 1>sometimes you're still fighting for something that's already given to you.

2:47:23.240 --> 2:47:26.360
<v Speaker 1>We all respect you, we all salute you. We all

2:47:26.640 --> 2:47:30.800
<v Speaker 1>know like you that guy, We all know that. You

2:47:30.840 --> 2:47:34.040
<v Speaker 1>know what I'm saying. And you know what's crazy about

2:47:34.320 --> 2:47:36.680
<v Speaker 1>us is the more money we get, you more whatever,

2:47:37.120 --> 2:47:39.879
<v Speaker 1>and sometimes we try to fight for something that's already ours.

2:47:40.720 --> 2:47:43.680
<v Speaker 1>You know what I'm saying. I had to learn that.

2:47:43.800 --> 2:47:48.040
<v Speaker 1>I had to learn that is you know. Um, so

2:47:48.080 --> 2:47:50.560
<v Speaker 1>many people keep every time I go on Twitter, They're like,

2:47:51.040 --> 2:47:53.560
<v Speaker 1>we want people to interview you and e fan because

2:47:53.600 --> 2:47:55.920
<v Speaker 1>y'all give out flowers, but as y'all turn to get

2:47:55.959 --> 2:48:00.720
<v Speaker 1>the flowers, and and my response is, uh, when we

2:48:00.840 --> 2:48:04.000
<v Speaker 1>give out the flowers, that is all flowers too. You

2:48:04.040 --> 2:48:06.760
<v Speaker 1>know what I'm saying, That as all flowers too. And

2:48:06.840 --> 2:48:11.680
<v Speaker 1>I just want you to know Tank, your music is endless.

2:48:16.879 --> 2:48:20.120
<v Speaker 1>I've studied you, know you. I consider you my friend,

2:48:20.400 --> 2:48:22.360
<v Speaker 1>but I studied you because I wanted to be like

2:48:22.800 --> 2:48:25.680
<v Speaker 1>and what I said is like, damn, this is probably

2:48:25.760 --> 2:48:33.240
<v Speaker 1>the last R and B real person like left. And

2:48:34.320 --> 2:48:37.840
<v Speaker 1>everything about the way you you transition your music, the

2:48:37.879 --> 2:48:40.959
<v Speaker 1>way you put it together, the way everything is exactly.

2:48:41.120 --> 2:48:43.720
<v Speaker 1>I used to buy tapes called slow jams kicking pre

2:48:45.080 --> 2:48:47.000
<v Speaker 1>you still you kicking for us to make these these

2:48:47.240 --> 2:48:50.360
<v Speaker 1>these tapes called slow dams, and I would go and

2:48:50.720 --> 2:48:54.360
<v Speaker 1>that would be my you know, there would be my

2:48:54.520 --> 2:48:57.440
<v Speaker 1>way to try to get a girl. I'm playing the

2:48:57.520 --> 2:49:02.080
<v Speaker 1>slow jams and me just me, just listening to your joint.

2:49:02.320 --> 2:49:06.560
<v Speaker 1>I'm like, damn, this is just this is real music.

2:49:07.400 --> 2:49:11.760
<v Speaker 1>This is real music. You make real music. We love you,

2:49:12.000 --> 2:49:15.360
<v Speaker 1>we respect you, we honor you. And it's in case

2:49:15.440 --> 2:49:20.840
<v Speaker 1>you've never knew the ship that you do matters? And

2:49:21.040 --> 2:49:27.840
<v Speaker 1>were motherfucker was like that, motherfucker it matters. Bro. I've

2:49:27.879 --> 2:49:30.080
<v Speaker 1>been studying you for since I've seen you in l

2:49:30.160 --> 2:49:32.840
<v Speaker 1>A and I was just like, I was like, damn,

2:49:34.360 --> 2:49:41.440
<v Speaker 1>is that people making real music, real music feelings where

2:49:41.480 --> 2:49:43.760
<v Speaker 1>you feel it in your feelings. And I gotta give

2:49:43.800 --> 2:49:47.000
<v Speaker 1>those people power. Yes, I got to use my moment

2:49:47.360 --> 2:49:49.200
<v Speaker 1>as I am number one, It's not just about me.

2:49:50.640 --> 2:49:52.879
<v Speaker 1>How do I empower the next artist to be number

2:49:52.920 --> 2:49:58.720
<v Speaker 1>one on R and B radio? How that's the point

2:49:59.160 --> 2:50:01.800
<v Speaker 1>we went to, good shot. I have a little bathroom,

2:50:01.879 --> 2:50:03.800
<v Speaker 1>but come down to the shot. Did you go to

2:50:03.800 --> 2:50:07.879
<v Speaker 1>the bathroomlet's do let's go, let's do shot. Bathroom, then shot,

2:50:08.240 --> 2:50:11.280
<v Speaker 1>and then we're gonna drinke some pictures and let's just changing.

2:50:12.320 --> 2:50:14.560
<v Speaker 1>I'm sorry because I don't want to prolong the shot,

2:50:14.640 --> 2:50:18.119
<v Speaker 1>but I also want to get your flowers. I really

2:50:18.200 --> 2:50:21.840
<v Speaker 1>appreciate you coming here. I really appreciate you, you know,

2:50:21.959 --> 2:50:28.280
<v Speaker 1>sharing your story, you know, being real, vulnerable, humble, cocky,

2:50:28.400 --> 2:50:31.880
<v Speaker 1>all on the same the same token. It's all the

2:50:32.000 --> 2:50:35.520
<v Speaker 1>same token on the table. But thank you so much

2:50:35.560 --> 2:50:37.880
<v Speaker 1>for being the real you, because you're gonna came in

2:50:38.000 --> 2:50:39.959
<v Speaker 1>and did and did you know, and by the way,

2:50:40.480 --> 2:50:42.480
<v Speaker 1>you're drinking that whole deli on boy. We will get

2:50:42.480 --> 2:50:53.480
<v Speaker 1>you a deal. We don't get you deal myself. It's

2:50:53.560 --> 2:50:58.440
<v Speaker 1>the bathroom. And then thanks for joining us for another

2:50:58.520 --> 2:51:00.880
<v Speaker 1>episode of Drink Chance Holds the by yours truly, d

2:51:01.040 --> 2:51:03.400
<v Speaker 1>J e f N and n O r E. Please

2:51:03.440 --> 2:51:05.640
<v Speaker 1>make sure to follow us on all our socials. Let's

2:51:05.680 --> 2:51:09.280
<v Speaker 1>add drink Champs across all platforms at the Real Noriegan

2:51:09.360 --> 2:51:12.920
<v Speaker 1>I g at Noriega on Twitter, mine is at Who's

2:51:12.920 --> 2:51:15.800
<v Speaker 1>Crazy on I g at, d J E f N

2:51:15.879 --> 2:51:18.280
<v Speaker 1>on Twitter, and most importantly, stay up to date with

2:51:18.360 --> 2:51:21.720
<v Speaker 1>the latest releases, news and merg by going to drink

2:51:21.840 --> 2:51:31.600
<v Speaker 1>champs dot com. For more podcasts from my heart Radio,

2:51:32.000 --> 2:51:35.680
<v Speaker 1>visit the iHeart Radio app, Apple podcast, or wherever you

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