WEBVTT - If You Love the Krebs Cycle with Dan Hernandez

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<v Speaker 1>Hey guys, we have been doing Nightcall now for over

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<v Speaker 1>a year. Time Flies apparently this is our sixty four episode.

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<v Speaker 1>Rachel informed me when we got in here. Um, and

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<v Speaker 1>it's been great and we really appreciate everybody listening to

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<v Speaker 1>the pot and being a part of our night weirdos community.

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<v Speaker 1>But we are ready to take the night Call experience

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<v Speaker 1>to the next level, so we've decided to launch a

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<v Speaker 1>Patreon to give you guys yea to give you guys

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<v Speaker 1>access to special rewards and special events and bonus episodes

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<v Speaker 1>and stuff. Are website is patreon dot com forward slash Nightcall,

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<v Speaker 1>and you'll be able to find updates, tier rewards, all

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<v Speaker 1>sorts of information things like merch and book club and

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<v Speaker 1>special invitations to in person meetups that you can't get

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<v Speaker 1>anywhere else. It's but on our Patreon secret society meetups.

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<v Speaker 1>We're starting a cult basically as West Company, but you

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<v Speaker 1>can support us with as little as a dollar a

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<v Speaker 1>month or more if you're feeling crazy. And we're really

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<v Speaker 1>looking forward to furthering our Nightcall mission through Patreon and

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<v Speaker 1>bringing you all sorts of new cool stuff, So please

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<v Speaker 1>join us on the astral plane at Patreon dot com.

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<v Speaker 1>Forward slash Nightcall. It's one two a m. In Rhyme

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<v Speaker 1>City and you're listening to Nightcom. Hello and welcome Tonightcall,

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<v Speaker 1>a podcast for your strange days and lily nights. My

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<v Speaker 1>name is Emmily Oshida. I am here not in Rhyme City,

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<v Speaker 1>but in New York City and with me on the

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<v Speaker 1>other end of the line in Los Angeles, I have

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<v Speaker 1>Molly Lambert and Tess Lynch as well as our special

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<v Speaker 1>guests this week, Dan Hernandez, Hello, Hello, Hello. I'm a

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<v Speaker 1>super fan of the show, so I'm glad that I

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<v Speaker 1>made it here. Dan. It's a friend of Nightcall, and

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<v Speaker 1>he co wrote the movie Detective Pikachu his writing partner

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<v Speaker 1>Benji Sammit, coming out everywhere in May May tenth. We

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<v Speaker 1>are very excited about this movie, so we are very

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<v Speaker 1>good at to have I am so excited for mostly

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<v Speaker 1>for the reasons that Ken Wattanabe's name, his character's name

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<v Speaker 1>in it, is Detective Yoshida, and it's very, very seldom

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<v Speaker 1>that there's a Yoshida in in fiction, like they almost

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<v Speaker 1>never pop up just because like one, Japanese names don't

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<v Speaker 1>pop up this often into for whatever reason that one doesn't.

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<v Speaker 1>So I was very excited, and I think in my

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<v Speaker 1>handle on Twitter was detect detective here for a while

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<v Speaker 1>out of the celebration, and I appreciated that, um no

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<v Speaker 1>one was more pump than than I was. When Ken

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<v Speaker 1>watsonab signed onto the movie because the last the last

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<v Speaker 1>Sumurai was like, yeah, my college go to a movie

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<v Speaker 1>with my friend group from college. So whenever anything good happens,

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<v Speaker 1>we just said they were all They're all perfect. Remember

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<v Speaker 1>when he when he when he finishes his poem, when

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<v Speaker 1>he attains Satri on the battlefield. Yeah, wow, speaking of battlefields,

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<v Speaker 1>Oh look at that. We're gonna talk about a show

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<v Speaker 1>called Game of Thrones. And while while we wait for

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<v Speaker 1>our producers to leave their respective booths, because neither of

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<v Speaker 1>the watched the episode The Long Night, I think Roy

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<v Speaker 1>said he can handle Game of Thrones. He just doesn't

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<v Speaker 1>want a Venger's spoilers, which spoiler There will be no spoilers. Okay, okay,

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<v Speaker 1>a movie none of us have seen, but there will

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<v Speaker 1>be spoilers for Game if their owns if you don't

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<v Speaker 1>want them now, but say these are spoilers for the

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<v Speaker 1>episode The Long Night, not whatever episode aired last night,

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<v Speaker 1>which when you're hearing this, we are still living a

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<v Speaker 1>week in the past, so um. But it was a

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<v Speaker 1>big episode. It was a big battle episode, so that's why.

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<v Speaker 1>But at this point, phobic everyone should have been absorbed

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<v Speaker 1>into the monoculture. But there's no be absorbed. I refuse.

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<v Speaker 1>So this is a long standing thing with Molly back

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<v Speaker 1>from Girls and Hoodies, that Molly refuses to be wooed

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<v Speaker 1>by Game of Thron Do not like the show? Be honest,

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<v Speaker 1>how many episodes of the show if you watched at

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<v Speaker 1>least five, and I've seen the pilot more than one time.

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<v Speaker 1>I think it is boring. And you know, I thought

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<v Speaker 1>I didn't like medieval things, but now I've gone to

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<v Speaker 1>the renfair like three years in a row with Jane Murray,

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<v Speaker 1>friend of the Pod, and it turns out I do

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<v Speaker 1>like medieval things. I just don't really like Game of Thrones.

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<v Speaker 1>How do you feel about Lord of the Rings? Also

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<v Speaker 1>don't like it. I feel like there's too much c

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<v Speaker 1>g I, and like New Zealand is already very beautiful,

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<v Speaker 1>and the obsession with like let's make the sun set

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<v Speaker 1>perfect every time is insane. Well not to a man's

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<v Speaker 1>plain to you, but the c g I is actually

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<v Speaker 1>quite minimal in the load of the rings that use

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<v Speaker 1>a lot of bigotures and pactrical effects in it. But well,

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<v Speaker 1>surly kind. Another friend of night Call claimed to me

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<v Speaker 1>that Game of Thrones was not really a fantasy show.

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<v Speaker 1>It just has dragons, and the dragons are awesome, but

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<v Speaker 1>it doesn't does have dragons, Melissander, there's the Lord of Light,

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<v Speaker 1>there's all of her magic, there's um the White Walkers

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<v Speaker 1>obviously called magic. Yeah, magic is exceptional when it happens. Yeah,

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<v Speaker 1>some people have magic. Yes, some people have people have magic,

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<v Speaker 1>but when it happens, it's it's it's near miraculous. And

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<v Speaker 1>by the way, Emily's man's planning voice was sort of

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<v Speaker 1>just my internal monologue. So I feel a little, well

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<v Speaker 1>damn comfortable. We have a authority. Dan has read all

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<v Speaker 1>the books. Oh damn, I've only seen I've only only

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<v Speaker 1>read one of them. I read the first one and

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<v Speaker 1>I was like, Okay, I got it. I enjoy watching

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<v Speaker 1>it as a show more. But I might go back

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<v Speaker 1>and read them someday. I don't know. I tend to

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<v Speaker 1>do the deep dive on anything that I get excited about,

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<v Speaker 1>so I absorbed them immediately. And you know, it's a

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<v Speaker 1>sad thing that the last book came out the year

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<v Speaker 1>that I moved to Los Angeles, which I think was

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<v Speaker 1>two thousand eleven. So I've been waiting anxiously for the

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<v Speaker 1>you know, for the last book. But I spent my

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<v Speaker 1>time on the Wiki of Ice and Fire. I feel

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<v Speaker 1>like I'm ready. I'm prepared. But I will say when

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<v Speaker 1>I got to the show today, uh, there was already

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<v Speaker 1>tension in the air surrounding and they were already fighting

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<v Speaker 1>about Game of Thrones when Dan approached us to say, hey,

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<v Speaker 1>I'm here to do. The point was just that, well,

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<v Speaker 1>by the way, I love that tests you were on

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<v Speaker 1>the anti side back to these days, and since then

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<v Speaker 1>you have crossed over. She crossed over, but she's going

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<v Speaker 1>to fight with you now about anarist Look, I I

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<v Speaker 1>don't I don't hate Gnaris at all. I did say that,

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<v Speaker 1>in my opinion, Denarius is the least interesting kind of

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<v Speaker 1>main character. I had to catch up on this show,

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<v Speaker 1>and it wasn't fun catching up on the show because yeah,

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<v Speaker 1>well we were talking about muck bangs a minute ago.

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<v Speaker 1>Like it was like I was like, gotta get through,

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<v Speaker 1>and she doesn't remember. People are in season one she does.

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<v Speaker 1>She look bangs that horseheart remember, yeah, okay there, Yeah,

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<v Speaker 1>I mean it's touched on everything. So it's any kind

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<v Speaker 1>of reference that you make to anything. There is probably

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<v Speaker 1>a Game of Thrones example, I I warmed to it.

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<v Speaker 1>I don't find that you'd have to be team Denarius

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<v Speaker 1>or team Santa. Personally, I was saying, only one person

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<v Speaker 1>can win. You see that. It's not you do have

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<v Speaker 1>or Team Santa because they can't both. They both don't

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<v Speaker 1>want the same thing though. It's just act, but one

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<v Speaker 1>of them is going to have to die. It's a

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<v Speaker 1>battle royale. It's not necessarily in last night's episode, which

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<v Speaker 1>is now you know, many episodes in the past because

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<v Speaker 1>of the wonders of time traveling podcasting. We'll get to

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<v Speaker 1>the timeline theories. Yes, but I mean Santa was legitimately

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<v Speaker 1>hiding in the crypt while Denares was fighting on the dragon.

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<v Speaker 1>I gotta say Denies dropped the ball a couple of

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<v Speaker 1>times he was fighting on the dragon. Yeah, she was

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<v Speaker 1>fighting on the dragon. That happens the first five episodes.

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<v Speaker 1>Wait wait wait, she was like you mean she was riding,

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<v Speaker 1>she was like punching. Although there was some dragon on

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<v Speaker 1>dragon battle as well could have been better. That was

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<v Speaker 1>the part of the episode that I liked because it

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<v Speaker 1>looked the most like a heavy metal album cover, and

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<v Speaker 1>I was totally this is my ship. I love it.

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<v Speaker 1>The blue flames coming out of the white dragon. I

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<v Speaker 1>think all the dragons look cheap. They look like Xena.

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<v Speaker 1>It looks like it looks like Dungeons and Dragons, like

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<v Speaker 1>the cover of like the manuals for Dungeons and Dragons.

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<v Speaker 1>I love it like Dan is wearing a Dungeons and

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<v Speaker 1>Dragon shirt. It's so cool. It's like and made out

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<v Speaker 1>of like Dungeons and Dragons iconography. I think this is

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<v Speaker 1>my formal Dungeons and Dragon shirt for business opportunity and

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<v Speaker 1>more subtle, Trill, Trill. This week's episode of Nightcall is

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<v Speaker 1>brought to you by Cheers Health Emily from Nightcall And

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<v Speaker 1>if you're like me, you love to unwind with a

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<v Speaker 1>but Molly, you've only watched the first five episodes. You

0:12:22.720 --> 0:12:25.880
<v Speaker 1>feel it's hard to do of a general I just

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<v Speaker 1>don't care for sword and Sandal though, But it's not

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<v Speaker 1>all that there are only sandals once you get to Dorn.

0:12:31.679 --> 0:12:34.360
<v Speaker 1>And it's true, actually she doesn't even know what dor is.

0:12:35.120 --> 0:12:37.400
<v Speaker 1>I have lodged the complaint many times that I don't

0:12:37.480 --> 0:12:40.840
<v Speaker 1>understand why it takes place in like a British colonialist universe.

0:12:40.960 --> 0:12:42.600
<v Speaker 1>It doesn't though, it takes place in the whole world,

0:12:42.640 --> 0:12:46.320
<v Speaker 1>Like there's a place in many different universes. I'm so

0:12:46.400 --> 0:12:49.959
<v Speaker 1>aware of the man's planning voice. But um, it's based

0:12:50.000 --> 0:12:52.360
<v Speaker 1>on the historical War of the Roses. Yes, well why

0:12:52.360 --> 0:12:56.640
<v Speaker 1>not just make something about the historical war dragons. But

0:12:58.080 --> 0:13:01.240
<v Speaker 1>everybody's right, but everybody is all It's like, well, it's history.

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<v Speaker 1>That's why everybody's white. It's like, yeah, but there's dragging.

0:13:03.920 --> 0:13:09.720
<v Speaker 1>Not everybody's white. And they actually why are they British?

0:13:09.720 --> 0:13:12.000
<v Speaker 1>They're not all British. They speak in many different languages.

0:13:12.040 --> 0:13:14.320
<v Speaker 1>And the interesting thing is that it really like now

0:13:14.360 --> 0:13:16.440
<v Speaker 1>that you have people from one part of the world

0:13:16.440 --> 0:13:18.160
<v Speaker 1>that have landed in this other part of the world.

0:13:18.160 --> 0:13:21.240
<v Speaker 1>It's basically like northern England or Scotland, and they're like

0:13:21.320 --> 0:13:24.520
<v Speaker 1>from the equivalent of you know, the Middle East, Like

0:13:24.600 --> 0:13:27.120
<v Speaker 1>there's a tension, like there's a there's a differentness, Like

0:13:27.120 --> 0:13:29.480
<v Speaker 1>it definitely adjusted. What if you made a show about

0:13:29.520 --> 0:13:33.199
<v Speaker 1>like real world history instead of like, yeah, they haven't

0:13:34.000 --> 0:13:38.400
<v Speaker 1>show about real world history where people start being stopping

0:13:38.400 --> 0:13:41.760
<v Speaker 1>for light about the show about like some people who

0:13:41.800 --> 0:13:45.400
<v Speaker 1>live in a house in King's Landing. Yeah, that's coming,

0:13:45.480 --> 0:13:49.880
<v Speaker 1>I watch it. Well, Well, one thing about last night's

0:13:49.880 --> 0:13:52.520
<v Speaker 1>episode that like, so I I got, I got completely

0:13:52.600 --> 0:13:54.920
<v Speaker 1>like carpet bombed, but is I don't know if that's

0:13:54.960 --> 0:13:59.120
<v Speaker 1>the correct term, but like by Diners fans, because like

0:13:59.200 --> 0:14:01.280
<v Speaker 1>this show has gotten to the place where people really

0:14:01.280 --> 0:14:04.920
<v Speaker 1>identify with these characters, like they are political figures. And

0:14:05.000 --> 0:14:09.679
<v Speaker 1>I made a joke about dinner Dinners is comparative worthlessness

0:14:09.760 --> 0:14:12.600
<v Speaker 1>last night and like really really like I woke the

0:14:12.679 --> 0:14:16.640
<v Speaker 1>dragon as they say, um, and I thought that was

0:14:16.679 --> 0:14:19.560
<v Speaker 1>fascinating because like last time I was doing anything about

0:14:19.600 --> 0:14:21.600
<v Speaker 1>the show, like writing about it, I don't feel like

0:14:21.640 --> 0:14:24.120
<v Speaker 1>the level of discourse was at this level. And in

0:14:24.280 --> 0:14:26.320
<v Speaker 1>some time in the last couple of years, it's gotten

0:14:26.840 --> 0:14:31.240
<v Speaker 1>it's gotten insane uh yeah, yeah. I also got attacked

0:14:31.240 --> 0:14:33.920
<v Speaker 1>by Game of Thrones fans for suggesting that if they

0:14:34.000 --> 0:14:38.400
<v Speaker 1>like really tedious, complicated mythologies, they check out local politics

0:14:40.440 --> 0:14:43.640
<v Speaker 1>as an impartial observe. I'm watching Emily and Molly fight

0:14:43.680 --> 0:14:47.160
<v Speaker 1>a battle on two fronts last night on Twitter, but

0:14:47.200 --> 0:14:49.760
<v Speaker 1>I can't help but feel that you, Molly must have

0:14:49.840 --> 0:14:53.200
<v Speaker 1>known what was about to happen. Was complimenting them. I

0:14:53.280 --> 0:14:56.120
<v Speaker 1>was saying, it's very impressive you can keep track of

0:14:56.160 --> 0:15:00.440
<v Speaker 1>these boring storylines and fake people. Imagine if you applied

0:15:00.480 --> 0:15:07.000
<v Speaker 1>this uh a breath of paying attention to you can

0:15:07.080 --> 0:15:09.280
<v Speaker 1>You're the person who always says you can pay attention

0:15:09.320 --> 0:15:13.720
<v Speaker 1>to more than one thing, you are. I totally and

0:15:13.880 --> 0:15:16.440
<v Speaker 1>like I have also said, like it's just Game of Thrones,

0:15:16.480 --> 0:15:19.280
<v Speaker 1>Like I can pay attention to like a boring, hard

0:15:19.320 --> 0:15:23.160
<v Speaker 1>to explain plotline if it's like on mad Men or

0:15:23.400 --> 0:15:25.800
<v Speaker 1>some show that I like, you know, I'm like trying

0:15:25.840 --> 0:15:28.600
<v Speaker 1>to explain it to somebody. It totally sounds boring, but

0:15:28.680 --> 0:15:31.040
<v Speaker 1>I care, or like vander pump Rules, I'm like, this

0:15:31.200 --> 0:15:34.040
<v Speaker 1>person is more important, you know, cares about this person

0:15:34.080 --> 0:15:36.920
<v Speaker 1>more than they care about them. But I think Game

0:15:36.960 --> 0:15:40.160
<v Speaker 1>of Thrones fans have. It's just weird how people who

0:15:40.200 --> 0:15:43.280
<v Speaker 1>like the things that are the most popular get so

0:15:43.320 --> 0:15:45.160
<v Speaker 1>mad at you for like being like, oh, I don't

0:15:45.200 --> 0:15:49.480
<v Speaker 1>like this thing that you're like you, how dare you?

0:15:49.640 --> 0:15:52.000
<v Speaker 1>And the same thing is too with like Marvel Hives.

0:15:52.200 --> 0:15:54.360
<v Speaker 1>And that's what's scary about it is I'm just like,

0:15:55.120 --> 0:15:59.000
<v Speaker 1>what are these movies doing for you? Really? Like? So

0:15:59.080 --> 0:16:01.720
<v Speaker 1>there's to argument, which is one that like let people

0:16:01.760 --> 0:16:03.760
<v Speaker 1>like things things, which I think is stupid, Like I

0:16:03.760 --> 0:16:06.400
<v Speaker 1>think anything can be criticized, and like I don't, I don't,

0:16:06.440 --> 0:16:09.880
<v Speaker 1>I don't really I'm saying it's like High Life fans

0:16:10.000 --> 0:16:13.360
<v Speaker 1>don't like attack say like you should die if you

0:16:13.400 --> 0:16:15.800
<v Speaker 1>didn't see Highlife yet. And I do want to see

0:16:15.840 --> 0:16:19.000
<v Speaker 1>High Life. That's the movie. I'm excited about it. But

0:16:19.360 --> 0:16:22.160
<v Speaker 1>I think it's all like a byproduct of these things

0:16:22.200 --> 0:16:26.320
<v Speaker 1>were so marginalized for so long because it's culture has

0:16:26.360 --> 0:16:29.520
<v Speaker 1>been dominant for like the twenty years. It's not marginalized

0:16:29.560 --> 0:16:33.320
<v Speaker 1>like superhero movies have been the dominant for like everything

0:16:33.440 --> 0:16:36.000
<v Speaker 1>is for twelve year old boys only. And it's like

0:16:36.040 --> 0:16:38.160
<v Speaker 1>if you say, like, actually I'm not super that's not

0:16:38.240 --> 0:16:41.440
<v Speaker 1>what I'm super into. People are like how dare you

0:16:41.600 --> 0:16:44.720
<v Speaker 1>not like I don't think less about nerd culture, not

0:16:44.840 --> 0:16:47.840
<v Speaker 1>like being newly ascendant, because it's not really newly anymore.

0:16:47.840 --> 0:16:49.560
<v Speaker 1>But I feel like like it's like you are now

0:16:49.600 --> 0:16:52.120
<v Speaker 1>able to curate the communities and the people and the

0:16:52.160 --> 0:16:54.200
<v Speaker 1>taste of the people that you surround yourself with to

0:16:54.280 --> 0:16:56.320
<v Speaker 1>a t. So when you're like, when you do have

0:16:56.360 --> 0:17:01.040
<v Speaker 1>an opposing viewpoint across your your awareness, it feels not

0:17:01.120 --> 0:17:05.080
<v Speaker 1>even opposing water like like some of it's like feels

0:17:05.080 --> 0:17:08.199
<v Speaker 1>game or gaydy where it's like like, the worst I

0:17:08.240 --> 0:17:10.119
<v Speaker 1>ever got attacked was for being like, wouldn't it be

0:17:10.240 --> 0:17:12.560
<v Speaker 1>nice if G t A had a female character once?

0:17:12.560 --> 0:17:16.399
<v Speaker 1>And that everybody was like fuck you. Yes, they were like,

0:17:16.440 --> 0:17:18.680
<v Speaker 1>I hope you get raped and died. I was like,

0:17:19.040 --> 0:17:21.040
<v Speaker 1>I didn't even I like the games. That's the whole

0:17:21.040 --> 0:17:22.680
<v Speaker 1>thing I'm saying is that I like the games that

0:17:22.720 --> 0:17:25.480
<v Speaker 1>I would just once like one of the prostitutes that

0:17:25.520 --> 0:17:27.640
<v Speaker 1>you like, have an interaction with, to be the main

0:17:27.880 --> 0:17:30.520
<v Speaker 1>character that I played, because it would be fun and

0:17:30.600 --> 0:17:33.000
<v Speaker 1>like do something new with the games here. I will

0:17:33.040 --> 0:17:35.359
<v Speaker 1>always I will say this about Game of Thrones, and

0:17:35.359 --> 0:17:37.800
<v Speaker 1>this is like and and maybe maybe if tests or

0:17:37.880 --> 0:17:41.479
<v Speaker 1>Dan you have differing experiences, like please please chime in.

0:17:41.520 --> 0:17:43.119
<v Speaker 1>But the reason that I like Game of Thrones, and

0:17:43.160 --> 0:17:44.760
<v Speaker 1>I think kind of also the reason why people have

0:17:44.840 --> 0:17:49.120
<v Speaker 1>this very um strong reaction to this is that, like

0:17:49.480 --> 0:17:52.439
<v Speaker 1>I I personally, I am a masochist. So when I

0:17:52.480 --> 0:17:55.160
<v Speaker 1>start watching something like the first episode of Game of Thrones,

0:17:55.200 --> 0:17:56.960
<v Speaker 1>which makes zero sense to me and I don't know

0:17:57.000 --> 0:17:59.959
<v Speaker 1>who anybody is or what they're talking about, my instain,

0:18:00.160 --> 0:18:02.679
<v Speaker 1>if it's at all interesting to me, is to like

0:18:02.880 --> 0:18:05.520
<v Speaker 1>put myself through it and figure it out and learn

0:18:05.560 --> 0:18:07.920
<v Speaker 1>who all the dumb little characters are and like look

0:18:07.960 --> 0:18:12.200
<v Speaker 1>at a map and ship like that's my nerdy Like

0:18:11.840 --> 0:18:13.840
<v Speaker 1>I don't like to look at a map. I I

0:18:13.920 --> 0:18:16.520
<v Speaker 1>totally agree with to get through it though, then it's like, oh,

0:18:16.640 --> 0:18:19.160
<v Speaker 1>I've I've gone through all of this, I've done all

0:18:19.200 --> 0:18:22.160
<v Speaker 1>the things, and now it's again. It's like if it's

0:18:22.200 --> 0:18:24.639
<v Speaker 1>the wire, if it's something I'm interested in, or I'm like,

0:18:24.680 --> 0:18:26.440
<v Speaker 1>I do want to find out what happens in this world,

0:18:26.760 --> 0:18:29.840
<v Speaker 1>I just like fundamentally do not want to spend time

0:18:29.840 --> 0:18:34.080
<v Speaker 1>in a medieval world because it just seems horrible to me. Well,

0:18:34.119 --> 0:18:35.840
<v Speaker 1>I think I think there's two things I do agree

0:18:35.840 --> 0:18:37.440
<v Speaker 1>that nerd culture has been a Senate for a long time.

0:18:37.480 --> 0:18:40.720
<v Speaker 1>But I also think that what is remarkable about Game

0:18:40.760 --> 0:18:42.639
<v Speaker 1>of Thrones, at least when it was first written, was

0:18:42.680 --> 0:18:45.760
<v Speaker 1>that it was such a subversion of what the expectation

0:18:45.920 --> 0:18:48.240
<v Speaker 1>was that now people feel like they're a part of something.

0:18:48.240 --> 0:18:49.760
<v Speaker 1>Don't you think the show is not as much of

0:18:49.760 --> 0:18:52.240
<v Speaker 1>a subversion as the books are. I think that the

0:18:52.240 --> 0:18:55.000
<v Speaker 1>first season was pretty shocking to people who weren't familiar

0:18:55.040 --> 0:18:56.639
<v Speaker 1>with it, and so once you throw a lot of

0:18:56.720 --> 0:18:58.840
<v Speaker 1>rape in it that wasn't in the book. They were

0:18:58.920 --> 0:19:00.879
<v Speaker 1>liberal with their rape. To see the trap in the

0:19:00.880 --> 0:19:02.840
<v Speaker 1>show that wasn't really put me off. On the first season,

0:19:02.920 --> 0:19:05.199
<v Speaker 1>I was like, I hate this because they always are like,

0:19:05.240 --> 0:19:07.639
<v Speaker 1>it's medieval times, everybody's getting raped all the times. And

0:19:07.680 --> 0:19:10.399
<v Speaker 1>again I'm like, there are dragons, you can do whatever

0:19:10.480 --> 0:19:12.879
<v Speaker 1>you want in this made up world. This is what

0:19:12.920 --> 0:19:15.399
<v Speaker 1>you're choosing to show. They definitely lean into that, and

0:19:15.440 --> 0:19:17.679
<v Speaker 1>that was I think, maybe not, I mean it was

0:19:17.720 --> 0:19:19.879
<v Speaker 1>it was pretty put me off the show. And again

0:19:19.920 --> 0:19:23.080
<v Speaker 1>it's like I thought, I just hated medieval stuff, and

0:19:23.119 --> 0:19:25.119
<v Speaker 1>then I saw Pulver Hooven's flesh and Blood and I

0:19:25.160 --> 0:19:27.880
<v Speaker 1>was like, no, it's just I guess what I'm trying

0:19:27.880 --> 0:19:29.880
<v Speaker 1>to say is I think there's like a deeper levels.

0:19:30.320 --> 0:19:37.400
<v Speaker 1>The Pulver Hoven version is more chilling than what I

0:19:37.480 --> 0:19:40.119
<v Speaker 1>like about. What I like about Flesh and Blood is

0:19:40.160 --> 0:19:44.000
<v Speaker 1>it really leans into how horrible medieval times were, and

0:19:44.080 --> 0:19:46.720
<v Speaker 1>it's like it doesn't romanticize it in any way. It's

0:19:46.720 --> 0:19:50.840
<v Speaker 1>just the same thing. It's just like it's a different style.

0:19:50.960 --> 0:19:53.080
<v Speaker 1>But I think they people want to live in Game

0:19:53.119 --> 0:19:59.200
<v Speaker 1>of Thrones. I don't want to. I think that people

0:19:59.560 --> 0:20:00.960
<v Speaker 1>like with the g t A with Game of Thrones.

0:20:01.000 --> 0:20:02.760
<v Speaker 1>I think that any time that you get turned onto

0:20:02.800 --> 0:20:05.719
<v Speaker 1>something that is seemingly like underground, even though in this

0:20:05.760 --> 0:20:08.639
<v Speaker 1>case it is the least underground thing ever anymore, I

0:20:08.680 --> 0:20:13.000
<v Speaker 1>think that initial that like vitriolic response is like how

0:20:13.040 --> 0:20:14.920
<v Speaker 1>dare you attack the thing that like I am cool

0:20:15.080 --> 0:20:17.840
<v Speaker 1>enough to like fuck you? And I think that that

0:20:18.119 --> 0:20:21.760
<v Speaker 1>is in anything game or gay comics gate whatever like. So,

0:20:21.920 --> 0:20:26.680
<v Speaker 1>I I do understand like the fandom of this is

0:20:26.680 --> 0:20:30.160
<v Speaker 1>is oftentimes really hard to even again, I just feel

0:20:30.160 --> 0:20:32.480
<v Speaker 1>like it's Game of Thrones. I don't think it's maybe

0:20:32.480 --> 0:20:36.080
<v Speaker 1>it's just it's it's Marvel too. It's like anything that's right,

0:20:36.119 --> 0:20:38.080
<v Speaker 1>But it's these things that are so popular. Again, it's

0:20:38.080 --> 0:20:40.640
<v Speaker 1>like people who like Succession don't like tweet me, and shit,

0:20:41.080 --> 0:20:45.560
<v Speaker 1>if you're like Succession. Most of my involvement with the

0:20:45.600 --> 0:20:48.720
<v Speaker 1>show that has not been like talking to people online

0:20:48.760 --> 0:20:51.320
<v Speaker 1>about it, Like it's been watching the show and like

0:20:51.440 --> 0:20:53.960
<v Speaker 1>looking at this wicky of ice and fire, like I

0:20:54.000 --> 0:20:56.040
<v Speaker 1>don't like I'm not on the boards for this one,

0:20:56.080 --> 0:20:58.760
<v Speaker 1>you know, like I find my own enjoyment of it.

0:20:59.080 --> 0:21:01.240
<v Speaker 1>I've decided to like enjoy the show in my own way,

0:21:01.320 --> 0:21:04.280
<v Speaker 1>so like it doesn't really matter how fans are talking about.

0:21:05.040 --> 0:21:08.200
<v Speaker 1>To wrap up this segment, let's talk about who everyone's

0:21:08.280 --> 0:21:12.639
<v Speaker 1>voting for, I mean rooting for. Maybe I'm voting for

0:21:12.760 --> 0:21:15.760
<v Speaker 1>who's a democracy? Who's everybody rooting for in the Game

0:21:15.800 --> 0:21:19.080
<v Speaker 1>of Thrones to win? Well, I I defer to Emily

0:21:19.160 --> 0:21:22.000
<v Speaker 1>and Dan. I mean I don't really I'm not rooting

0:21:22.119 --> 0:21:27.360
<v Speaker 1>for anybody, Like it's not really the competitionship for Sercy.

0:21:27.840 --> 0:21:33.840
<v Speaker 1>I mean, thank you expectedly et. Okay, so you guys

0:21:33.920 --> 0:21:36.440
<v Speaker 1>are on the same side we are. I just feel

0:21:36.480 --> 0:21:39.400
<v Speaker 1>like Denares Denares did find in the battle last night.

0:21:39.440 --> 0:21:42.480
<v Speaker 1>That's all I'm saying, is that I can't doctor Nearest

0:21:42.560 --> 0:21:45.960
<v Speaker 1>for having for ordering her dragon Baby to scorch everybody

0:21:46.840 --> 0:21:48.800
<v Speaker 1>they all wear on the show. Oh my god. Okay,

0:21:48.840 --> 0:21:52.280
<v Speaker 1>we're moving on because back in the booth, no more spoiler.

0:21:52.320 --> 0:21:54.720
<v Speaker 1>You got to know who Dan is voting for. I

0:21:54.720 --> 0:21:57.639
<v Speaker 1>will do this no spoilers, but I my vote for

0:21:57.680 --> 0:22:00.440
<v Speaker 1>the Iron Throne is Santa. I think that she is.

0:22:00.880 --> 0:22:03.359
<v Speaker 1>I want Sansa for Warden of the North. There's like

0:22:03.400 --> 0:22:08.120
<v Speaker 1>a VP, it's it's so called. How can you begin? Yeah,

0:22:08.200 --> 0:22:10.960
<v Speaker 1>it's hard to It's hard to even talk dialogue with

0:22:11.000 --> 0:22:13.879
<v Speaker 1>you because you know what I'm saying. Like, imagine if people,

0:22:14.160 --> 0:22:17.120
<v Speaker 1>if you could just is Sansa the Ginger she wanted

0:22:17.119 --> 0:22:21.480
<v Speaker 1>to ginger? You should like her. She's fantastic. I love

0:22:21.520 --> 0:22:24.480
<v Speaker 1>It's very dry. If mad Men had maps, would you

0:22:24.760 --> 0:22:28.400
<v Speaker 1>examine the mad Men maps? Like, oh, don Draper's apartment

0:22:28.520 --> 0:22:31.840
<v Speaker 1>is I'm not good with maps. Generally maps are a

0:22:31.880 --> 0:22:34.879
<v Speaker 1>week kind of just have to be inclined. Like Actually,

0:22:34.880 --> 0:22:36.800
<v Speaker 1>George R. Martin wrote the first chafter the book and

0:22:36.840 --> 0:22:38.320
<v Speaker 1>sat down and was like, I need to make a map.

0:22:38.440 --> 0:22:42.480
<v Speaker 1>No hold up, I need a map. Don't like risk,

0:22:43.320 --> 0:22:53.800
<v Speaker 1>give me a good map. A map? Fan too, I'm

0:22:53.920 --> 0:22:58.600
<v Speaker 1>very excited talk about anyway. Okay, the film Event of

0:22:58.640 --> 0:23:02.200
<v Speaker 1>the Summer. Is there a map of of Rhyme City?

0:23:02.240 --> 0:23:06.119
<v Speaker 1>Is there a geography? Is it in the Alola regions?

0:23:06.880 --> 0:23:11.159
<v Speaker 1>It's in its own region, that is not you know,

0:23:11.200 --> 0:23:16.000
<v Speaker 1>it's Rhyme City. It's kind of its own unique place. Um,

0:23:16.040 --> 0:23:19.280
<v Speaker 1>there's not a formal map, although I did draw myself

0:23:19.440 --> 0:23:21.879
<v Speaker 1>a map when we were in the process of writing,

0:23:21.920 --> 0:23:26.920
<v Speaker 1>just to kind of keep some of the the very

0:23:27.119 --> 0:23:32.520
<v Speaker 1>Game of throne s complexity as we were writing. Um.

0:23:32.560 --> 0:23:35.640
<v Speaker 1>But yes, so the pokey versus not poke a verse

0:23:35.840 --> 0:23:39.360
<v Speaker 1>is not unlike of Thrones in a way. I mean

0:23:39.400 --> 0:23:43.280
<v Speaker 1>there are so many like compelling characters from different regions.

0:23:43.320 --> 0:23:45.919
<v Speaker 1>Like it's you know, yeah, that's something that are dragon

0:23:46.000 --> 0:23:49.840
<v Speaker 1>like because there's like the plant creatures and the water creature.

0:23:49.920 --> 0:23:53.840
<v Speaker 1>There's so many types. It's psychic types. Of course, this

0:23:53.880 --> 0:23:55.320
<v Speaker 1>is like a Game of Thrones. I would care about

0:23:55.320 --> 0:23:58.480
<v Speaker 1>with everybody in a Game of Thrones with You're gonna

0:23:58.520 --> 0:24:03.200
<v Speaker 1>love this movie Forgotten Pokemon us for people who are

0:24:03.359 --> 0:24:07.320
<v Speaker 1>interested in, um, what's it called? Like taxonomy's less than

0:24:07.359 --> 0:24:12.000
<v Speaker 1>like geography, and and you definitely more like that more

0:24:12.040 --> 0:24:17.480
<v Speaker 1>taxonomy than geography. You really like biospheres, you will love Yeah,

0:24:17.880 --> 0:24:22.639
<v Speaker 1>we are you love the creb cycle. We are a

0:24:22.640 --> 0:24:26.639
<v Speaker 1>generation biosphere, we are for sure. So tell us about how,

0:24:26.920 --> 0:24:30.919
<v Speaker 1>like how you came to be involved with again the

0:24:30.960 --> 0:24:33.200
<v Speaker 1>film event of the summer at least if Testa's children

0:24:33.240 --> 0:24:35.040
<v Speaker 1>are to be believed, and they are like my number

0:24:35.040 --> 0:24:38.520
<v Speaker 1>one Hollywood pundits. At this point, I forgot my Detective

0:24:38.520 --> 0:24:41.880
<v Speaker 1>Pikachu card at home. My husband was like, please get

0:24:41.960 --> 0:24:44.040
<v Speaker 1>Dan to sign this and have him just pretend that

0:24:44.080 --> 0:24:47.040
<v Speaker 1>he is Pikachu. I was like, I could just sign

0:24:47.080 --> 0:24:49.480
<v Speaker 1>it and be like, this is Pikachu. Like, no, you

0:24:49.520 --> 0:24:53.720
<v Speaker 1>won't believe that at all. But yeah, how did this happen?

0:24:53.760 --> 0:24:56.760
<v Speaker 1>How did this come together? Basically, my partner Benjie Samon

0:24:56.840 --> 0:24:59.119
<v Speaker 1>and I had done a movie for the people that

0:24:59.160 --> 0:25:03.320
<v Speaker 1>now run Legendary and when they were in the process of,

0:25:04.040 --> 0:25:06.199
<v Speaker 1>you know, getting the rights to this movie, and you know,

0:25:06.240 --> 0:25:09.639
<v Speaker 1>they really were very eager to to to get it

0:25:09.720 --> 0:25:11.760
<v Speaker 1>rolling out. They were like, who are the biggest nerds

0:25:11.760 --> 0:25:15.760
<v Speaker 1>that we know? Put out the call for them. We

0:25:15.800 --> 0:25:18.320
<v Speaker 1>need them, um, And we kind of were in the

0:25:18.440 --> 0:25:21.600
<v Speaker 1>right place at the right time, and you know, as

0:25:21.640 --> 0:25:27.639
<v Speaker 1>it happens, my Pokemon knowledge was, you know, fairly robust.

0:25:27.400 --> 0:25:30.560
<v Speaker 1>Get to brush up on your Pokemon. I did. I

0:25:30.600 --> 0:25:32.720
<v Speaker 1>definitely had to brush up. And I mean, you know,

0:25:32.720 --> 0:25:34.360
<v Speaker 1>the thing is like when we were young, I think

0:25:34.359 --> 0:25:36.439
<v Speaker 1>we're all around the same age. You know, there were

0:25:36.480 --> 0:25:39.600
<v Speaker 1>a hundred and fifty, you know, and then every time

0:25:39.680 --> 0:25:43.439
<v Speaker 1>that there's a new generation of Pokemon, there's another hundred

0:25:43.520 --> 0:25:45.320
<v Speaker 1>or so that get added. And so by the time

0:25:45.359 --> 0:25:48.520
<v Speaker 1>that I'm sitting down to write this movie, there are

0:25:48.560 --> 0:25:50.800
<v Speaker 1>over eight hundred, and now there's close to a thousand,

0:25:51.359 --> 0:25:53.280
<v Speaker 1>and so there was a point in the process of

0:25:53.280 --> 0:25:55.800
<v Speaker 1>writing this movie where I have what's called the Poka decks.

0:25:55.840 --> 0:25:57.920
<v Speaker 1>It's like the Wiki of Ice and Fire, except in

0:25:57.960 --> 0:26:00.600
<v Speaker 1>book form. I have a Pokemon encyclopedia one hand and

0:26:00.680 --> 0:26:02.440
<v Speaker 1>the keyboard in the other hand. I'm going, gosh, if

0:26:02.440 --> 0:26:06.959
<v Speaker 1>only there were some kind of bioluminescent mushroom, I don't know,

0:26:07.280 --> 0:26:13.120
<v Speaker 1>flip the page. Oh well, that's perfect. If only there

0:26:13.160 --> 0:26:16.080
<v Speaker 1>were some kind of Pokemon that were like a key.

0:26:16.119 --> 0:26:17.840
<v Speaker 1>Why would we need a key that That one isn't

0:26:17.920 --> 0:26:19.639
<v Speaker 1>ultimately in the movie, but you know, there were just

0:26:20.359 --> 0:26:23.200
<v Speaker 1>anything that you can imagine there is a type and

0:26:23.359 --> 0:26:25.520
<v Speaker 1>like they've thought about it, and it exists and it

0:26:25.560 --> 0:26:29.000
<v Speaker 1>has two evolutions, and so it became a process of curation.

0:26:30.119 --> 0:26:32.920
<v Speaker 1>There's so many of these things. How do you sort

0:26:32.920 --> 0:26:35.240
<v Speaker 1>of get to which ones are going to be in

0:26:35.240 --> 0:26:38.160
<v Speaker 1>the movie or which ones can't even sustain? A movie

0:26:38.560 --> 0:26:42.919
<v Speaker 1>I saw made the cut Jarsard had to make the

0:26:42.960 --> 0:26:46.400
<v Speaker 1>cut because that's one of the original Like, O, G, Yeah,

0:26:46.440 --> 0:26:49.120
<v Speaker 1>that's what I was saying, Wait, did Giggli Puff do it?

0:26:51.960 --> 0:26:56.160
<v Speaker 1>What's really mean? In the trailer? Jiggli has definitely got

0:26:56.160 --> 0:26:59.320
<v Speaker 1>an attitude in the trailer. I don't know if I

0:26:59.400 --> 0:27:03.359
<v Speaker 1>necessarily envisioned that exact thing when we're writing like it,

0:27:03.440 --> 0:27:05.360
<v Speaker 1>I actually love it. You know. He is a good

0:27:05.359 --> 0:27:09.000
<v Speaker 1>super Smash Brothers character to play well. Interestingly, Smash Brothers

0:27:09.040 --> 0:27:11.040
<v Speaker 1>was like a real entry point for me because I

0:27:11.080 --> 0:27:13.520
<v Speaker 1>was a little bit older than I think the height

0:27:13.600 --> 0:27:16.119
<v Speaker 1>of the Pokemon craze, where if I had been two

0:27:16.200 --> 0:27:18.640
<v Speaker 1>or three years younger, I probably would have really been,

0:27:19.520 --> 0:27:22.639
<v Speaker 1>you know, deep in it from day one. But because

0:27:22.640 --> 0:27:25.679
<v Speaker 1>of video games and because of like funnily enough, internet culture,

0:27:26.520 --> 0:27:28.240
<v Speaker 1>you kind of had to brush up and get to

0:27:28.240 --> 0:27:33.880
<v Speaker 1>know these different characters. Like Sid Duck is my personal favorite,

0:27:35.359 --> 0:27:38.879
<v Speaker 1>Oh by far? Why far? Because side Duck is the

0:27:38.920 --> 0:27:40.600
<v Speaker 1>premise of side Ark for those you know, He's a

0:27:40.640 --> 0:27:44.639
<v Speaker 1>little duck that has psychic abilities, and if he gets

0:27:44.680 --> 0:27:47.360
<v Speaker 1>too stressed out, he has a psychic explosion and could

0:27:47.440 --> 0:27:50.840
<v Speaker 1>kill everyone. So they constantly have to keep side up,

0:27:50.920 --> 0:27:56.760
<v Speaker 1>Calm side Uck, calming music. They have to, you know.

0:27:56.840 --> 0:27:59.760
<v Speaker 1>But for a long time on this forum, I used

0:27:59.760 --> 0:28:02.320
<v Speaker 1>to go on all the time something awful. Uh. One

0:28:02.359 --> 0:28:04.280
<v Speaker 1>of the little emojis that they would use was just

0:28:04.320 --> 0:28:06.920
<v Speaker 1>sid Duck grabbing his head for that sort of became

0:28:06.920 --> 0:28:10.960
<v Speaker 1>synonymous with like, what the hell, what the fun is this?

0:28:11.560 --> 0:28:13.200
<v Speaker 1>And so I always thought it was just so funny,

0:28:13.240 --> 0:28:15.560
<v Speaker 1>and so one of the first things that when we

0:28:15.600 --> 0:28:17.919
<v Speaker 1>came on board, we said, sid Duck is clearly the

0:28:17.960 --> 0:28:21.920
<v Speaker 1>comedic breakout of these of all of these pokemon, why

0:28:21.960 --> 0:28:24.359
<v Speaker 1>because he was neurotic to begin with, you know. And

0:28:24.359 --> 0:28:26.080
<v Speaker 1>so as a comedy writer, I was like, well, we

0:28:26.119 --> 0:28:30.600
<v Speaker 1>want all the pokemon that like have comedic quirks and stuff.

0:28:30.640 --> 0:28:33.119
<v Speaker 1>Let's put those guys in the movie right away so

0:28:33.160 --> 0:28:35.320
<v Speaker 1>that we can actually, you know, kind of build story

0:28:35.359 --> 0:28:37.840
<v Speaker 1>around them and stuff. So that was my thought process

0:28:37.840 --> 0:28:39.680
<v Speaker 1>as I approached it. Do you have any of the

0:28:39.760 --> 0:28:43.320
<v Speaker 1>like super powerful like Archias and Evltall and all those

0:28:43.640 --> 0:28:51.320
<v Speaker 1>those people. I'm not at liberty to reveal the power

0:28:51.400 --> 0:28:55.080
<v Speaker 1>level of the Pokemon you guys know about Archias. Archias

0:28:55.200 --> 0:28:57.440
<v Speaker 1>is like Pokemon, but it's like God and it has

0:28:57.480 --> 0:28:59.240
<v Speaker 1>a thousand arms and it created the world and it

0:28:59.280 --> 0:29:02.960
<v Speaker 1>can destroy it. Veltall Evel Tall is like, correct me

0:29:03.000 --> 0:29:04.480
<v Speaker 1>if I'm wrong, dam But it's like kind of like

0:29:04.720 --> 0:29:08.080
<v Speaker 1>the evil Archias who comes and he's like the destroyer.

0:29:08.320 --> 0:29:12.080
<v Speaker 1>He's like I was super powerful. I had no idea

0:29:12.200 --> 0:29:16.200
<v Speaker 1>that this level of like intensity existed within the pokey world,

0:29:16.200 --> 0:29:20.680
<v Speaker 1>Like there is a there is a cosmology, there is

0:29:20.720 --> 0:29:26.520
<v Speaker 1>a super turned into Evan Galleon while we were I mean,

0:29:26.560 --> 0:29:31.560
<v Speaker 1>I would love that. And then there's like Lunala and yeah,

0:29:31.640 --> 0:29:35.360
<v Speaker 1>you should write the next one. You seem to know what.

0:29:37.240 --> 0:29:41.400
<v Speaker 1>I was lobbying heartily for this conversation to include Dick

0:29:41.440 --> 0:29:45.720
<v Speaker 1>Tracy and Two Framed Roger Rabbit, because those are two

0:29:45.720 --> 0:29:48.080
<v Speaker 1>of the movies I remember being very excited about as

0:29:48.120 --> 0:29:49.720
<v Speaker 1>a kid, and I was trying to remember, like, why

0:29:49.760 --> 0:29:52.600
<v Speaker 1>were we all very excited about Dick Tracy? What a

0:29:52.640 --> 0:29:54.640
<v Speaker 1>weird thing to be excited about? It wasn't that you

0:29:54.720 --> 0:29:57.600
<v Speaker 1>read the comics or anything. I did read the comments,

0:29:57.720 --> 0:30:01.480
<v Speaker 1>and I was a weird nineteen fifties culture consuming read

0:30:01.520 --> 0:30:04.719
<v Speaker 1>the kid. Yeah, in fact, Tracy is one of my

0:30:04.880 --> 0:30:08.000
<v Speaker 1>like I wouldn't say hobbies, but like I'll go deep. Well,

0:30:08.040 --> 0:30:11.440
<v Speaker 1>I learned that Batman was based on Dick Tracy, that

0:30:11.520 --> 0:30:13.600
<v Speaker 1>it was like inspired by Dick Tracy, which made so

0:30:13.680 --> 0:30:15.400
<v Speaker 1>much sense to me because I'm always saying Batman is

0:30:15.400 --> 0:30:17.560
<v Speaker 1>a cop, and it was like, oh, he literally is

0:30:17.640 --> 0:30:20.200
<v Speaker 1>based on Dick Tracy. He is a cop. I mean,

0:30:20.240 --> 0:30:22.360
<v Speaker 1>if you look at the rogues gallery of Dick Tracy,

0:30:22.720 --> 0:30:25.640
<v Speaker 1>which is as as good as it gets, you can

0:30:25.720 --> 0:30:29.160
<v Speaker 1>sort of see where and each of them have sort

0:30:29.200 --> 0:30:32.720
<v Speaker 1>of like a very like simple like shoulders has large shoulders,

0:30:34.720 --> 0:30:38.880
<v Speaker 1>the brow has got a big brown faces face, you know,

0:30:38.960 --> 0:30:42.239
<v Speaker 1>like but it's but it's like very but they're very

0:30:42.240 --> 0:30:45.800
<v Speaker 1>grotesque in a Wayskin in the movie, it's so gro tesque.

0:30:45.800 --> 0:30:48.480
<v Speaker 1>I just bought they just did a Dick Tracy reboot

0:30:48.600 --> 0:30:52.080
<v Speaker 1>comic that I just bought a copy of Golden Apple

0:30:52.520 --> 0:30:55.560
<v Speaker 1>because I was like, oh, Dick Tracy, it's in the air.

0:30:55.680 --> 0:30:58.600
<v Speaker 1>But also it was the first Disney comic book movie.

0:30:59.120 --> 0:31:00.840
<v Speaker 1>I go pretty deep up on these things, and I

0:31:01.400 --> 0:31:05.040
<v Speaker 1>have an archive of toys and stuff. So I actually

0:31:05.040 --> 0:31:08.160
<v Speaker 1>was going to bring you each a mint in box, uh,

0:31:08.440 --> 0:31:12.760
<v Speaker 1>Steve the Tramp figure, but I couldn't I couldn't find them.

0:31:12.800 --> 0:31:14.960
<v Speaker 1>But I did bring this. So do you remember this

0:31:15.080 --> 0:31:17.120
<v Speaker 1>controversy at the time. I have the rest of these

0:31:17.120 --> 0:31:19.880
<v Speaker 1>guys in my car. That is amazing. Dan just brought

0:31:19.880 --> 0:31:24.000
<v Speaker 1>out a Dick Tracy figure. So Molly, this will actually

0:31:24.040 --> 0:31:26.040
<v Speaker 1>appeal to your interest, which is at the time, there

0:31:26.120 --> 0:31:28.280
<v Speaker 1>was a big stink because there's this character that is

0:31:28.280 --> 0:31:30.000
<v Speaker 1>from the comic Steve the Tramp, and he's you know,

0:31:30.040 --> 0:31:33.000
<v Speaker 1>he's like a homeless bad guy. But they made this

0:31:33.120 --> 0:31:36.560
<v Speaker 1>figure Steve the Tramp, you know, homeless rights activists and

0:31:36.720 --> 0:31:39.479
<v Speaker 1>people were like, this is such a negative portrayal. This

0:31:39.520 --> 0:31:42.560
<v Speaker 1>is so unacceptable. So this figure at the time, in

0:31:42.600 --> 0:31:46.000
<v Speaker 1>the like the consumerists, you know, like early nineties, became

0:31:46.080 --> 0:31:49.760
<v Speaker 1>very valuable and that's why my I bought like five

0:31:49.800 --> 0:31:53.479
<v Speaker 1>of them in the box. So I was gonna I

0:31:53.520 --> 0:31:58.480
<v Speaker 1>have for each of you a mint in box Steve the'sing,

0:31:59.800 --> 0:32:02.840
<v Speaker 1>but it's it's lost. My mom moved from Florida and

0:32:02.880 --> 0:32:06.480
<v Speaker 1>so she basically shipped me like every I'm like a collector.

0:32:06.760 --> 0:32:08.560
<v Speaker 1>So I have the stuff in a literally in a

0:32:08.600 --> 0:32:11.680
<v Speaker 1>tent outside of my house, and I so I will

0:32:11.680 --> 0:32:14.480
<v Speaker 1>find you these mint in boxy the trimps. They're not

0:32:14.520 --> 0:32:18.000
<v Speaker 1>worth that much anymore. I should have sold high well

0:32:18.000 --> 0:32:21.040
<v Speaker 1>now that Dick tracy Mania is coming back. But yeah, Also,

0:32:21.160 --> 0:32:25.760
<v Speaker 1>Roger Rabbit seems like a very obvious inspiration for Detective Pikachu.

0:32:26.240 --> 0:32:28.680
<v Speaker 1>I mean that that was the one that I think

0:32:28.680 --> 0:32:30.520
<v Speaker 1>Benji and I were thinking about the most. And I

0:32:30.560 --> 0:32:32.640
<v Speaker 1>think that and by the way, there were other writers

0:32:32.640 --> 0:32:35.960
<v Speaker 1>who worked on the movie, Nicole Prolman, Derreck Connolly, Rob Letterman,

0:32:35.960 --> 0:32:37.960
<v Speaker 1>who also directed the movies. But I do think that

0:32:38.000 --> 0:32:41.400
<v Speaker 1>all of us, when we decided to really actually try

0:32:41.400 --> 0:32:44.720
<v Speaker 1>to tell a detective story, we're very aware of Roger Rabbit.

0:32:44.800 --> 0:32:47.760
<v Speaker 1>And specifically, the things that I like about Roger Rabbit

0:32:48.560 --> 0:32:53.760
<v Speaker 1>are the internal logic of how the tunes function and

0:32:53.840 --> 0:32:57.800
<v Speaker 1>that at no point do they once they establish a rule,

0:32:57.880 --> 0:33:01.240
<v Speaker 1>they are pretty faithful to that. You know, whether it's

0:33:01.760 --> 0:33:04.880
<v Speaker 1>if the Weasels laugh too much, they die, or the

0:33:04.920 --> 0:33:08.360
<v Speaker 1>dip or whatever. It is, like there's an internal logic

0:33:08.440 --> 0:33:12.160
<v Speaker 1>that is sacro sanct and the way that the tunes

0:33:12.280 --> 0:33:16.040
<v Speaker 1>think about things, the way that the tune logic functions

0:33:16.120 --> 0:33:19.160
<v Speaker 1>is really interesting. And so when we're trying to write

0:33:19.960 --> 0:33:23.400
<v Speaker 1>a scene between you know, the main character of of

0:33:23.480 --> 0:33:26.800
<v Speaker 1>Pikachu and like a Bulbastre, you're sitting there going like,

0:33:26.840 --> 0:33:34.640
<v Speaker 1>what does BBS want? What is bulbastres motivation? And by

0:33:34.640 --> 0:33:37.320
<v Speaker 1>the way, the Pokemon Company had a lot of opinions

0:33:37.400 --> 0:33:40.400
<v Speaker 1>about this. It wasn't just like do whatever you want.

0:33:40.520 --> 0:33:44.000
<v Speaker 1>It was like, no, no, Bulbastours behave in a certain way.

0:33:44.240 --> 0:33:46.200
<v Speaker 1>How did they behave? You know, there were certain ones

0:33:46.240 --> 0:33:50.320
<v Speaker 1>where they would say, well, these guys maybe don't team up,

0:33:50.640 --> 0:33:53.440
<v Speaker 1>you know, like, or these guys are not as strategically minded,

0:33:53.520 --> 0:33:57.360
<v Speaker 1>or these guys you know exactly. You know it really

0:33:57.440 --> 0:34:01.360
<v Speaker 1>it really it sounds so it's it was kind of

0:34:01.360 --> 0:34:05.200
<v Speaker 1>a weird experiment in sitting down and going, Okay, what's

0:34:05.200 --> 0:34:10.479
<v Speaker 1>the emotional reality? Yeah, well that's why who Frame Rabbit

0:34:10.600 --> 0:34:12.440
<v Speaker 1>is so yeah, like who framed draw your Rabbit? You

0:34:12.480 --> 0:34:15.520
<v Speaker 1>are so invested emotionally in those characters. And that's another

0:34:15.520 --> 0:34:17.919
<v Speaker 1>thing too, where you're like you're using some things there's

0:34:18.080 --> 0:34:21.080
<v Speaker 1>original characters, but also when they do go to tune Town.

0:34:21.160 --> 0:34:23.880
<v Speaker 1>It's like, who do you you decide to show that

0:34:23.960 --> 0:34:27.040
<v Speaker 1>will flesh out that universe. And I think that movie,

0:34:27.080 --> 0:34:29.680
<v Speaker 1>by the way, still stands up like Super stands up

0:34:30.640 --> 0:34:34.480
<v Speaker 1>a lot. And the fact that Eddie Valiant, he takes

0:34:34.480 --> 0:34:36.840
<v Speaker 1>the tunes very seriously even though he doesn't like them.

0:34:37.000 --> 0:34:39.359
<v Speaker 1>He just it is a part of life that is

0:34:40.200 --> 0:34:42.759
<v Speaker 1>just true to this city and this this version of

0:34:42.960 --> 0:34:45.160
<v Speaker 1>San Francisco. I think it is like that. I always

0:34:45.160 --> 0:34:47.400
<v Speaker 1>thought it was Los Angeles, or maybe it is Los Angeles.

0:34:47.400 --> 0:34:49.279
<v Speaker 1>I can't, but I remember it's the it's the it's

0:34:49.320 --> 0:34:52.080
<v Speaker 1>the trolley line that you know, is the whole cruxim

0:34:53.440 --> 0:34:55.640
<v Speaker 1>there is a real reality to like, Okay, this is

0:34:55.640 --> 0:34:57.480
<v Speaker 1>a city where if you go to the coffee shop

0:34:58.280 --> 0:35:01.120
<v Speaker 1>there could be a tune there, and that that's just

0:35:01.360 --> 0:35:04.040
<v Speaker 1>no one is really that put out by It's also

0:35:04.040 --> 0:35:06.719
<v Speaker 1>about gentrifying tunes out of tune Town to put the

0:35:06.719 --> 0:35:10.880
<v Speaker 1>freeway through it. It is very like ellen history centric.

0:35:11.120 --> 0:35:17.080
<v Speaker 1>It's like there's this great neighborhood that it's right the

0:35:17.800 --> 0:35:21.400
<v Speaker 1>historic you know, tune restaurants. Yeah, like we're going to

0:35:21.480 --> 0:35:24.439
<v Speaker 1>tear it down to put the freeway through it for progress. Also,

0:35:24.520 --> 0:35:27.799
<v Speaker 1>like the idea of like a self loathing tune is

0:35:27.840 --> 0:35:31.600
<v Speaker 1>as the villain is ingenious and terrified, terrified. It's a

0:35:31.719 --> 0:35:33.480
<v Speaker 1>very scared Did you show tested you show your kids

0:35:33.480 --> 0:35:36.880
<v Speaker 1>who framed Roger Rabbit, they would be so yeah, I

0:35:37.040 --> 0:35:39.520
<v Speaker 1>was kind of scared of who framed super scared, but

0:35:39.560 --> 0:35:42.319
<v Speaker 1>that's what makes it good. I would be terrified. They

0:35:42.400 --> 0:35:46.120
<v Speaker 1>just saw beetle Juice, which scar No. I was never

0:35:46.200 --> 0:35:49.680
<v Speaker 1>that afraid of beetle Juice, and they were. They loved it,

0:35:49.719 --> 0:35:53.480
<v Speaker 1>but they were also like petrified, And I think it's

0:35:53.520 --> 0:35:58.440
<v Speaker 1>because Beetlejuice is He's never really the bad guy movie,

0:35:58.640 --> 0:36:02.279
<v Speaker 1>whereas Judge doom Is dips the Little Shoe and was

0:36:02.320 --> 0:36:05.680
<v Speaker 1>the most traumatic thing that's ever happened. Juice as scary

0:36:05.719 --> 0:36:08.640
<v Speaker 1>as Judge do. I actually think Beetlejuice is a really

0:36:08.920 --> 0:36:11.919
<v Speaker 1>utopian portrait of the afterlife, which will get to later.

0:36:12.080 --> 0:36:15.440
<v Speaker 1>But I was like, they look great. They can sleep

0:36:15.520 --> 0:36:19.560
<v Speaker 1>in the air, they can just love it, take it

0:36:19.680 --> 0:36:21.960
<v Speaker 1>doesn't hurt them. They can push their faces around. How

0:36:22.000 --> 0:36:25.200
<v Speaker 1>great would that be? I think of a million opportunities

0:36:25.239 --> 0:36:27.080
<v Speaker 1>a day when I could use It's very reassuring that

0:36:27.120 --> 0:36:29.200
<v Speaker 1>there is a there is a handbook of the debt.

0:36:29.400 --> 0:36:36.200
<v Speaker 1>That's what it's like. There's a serious bureaucracy. We all

0:36:36.200 --> 0:36:41.080
<v Speaker 1>like fantasy bureaucracy. It's true. I love I love, I

0:36:41.120 --> 0:36:43.920
<v Speaker 1>love a good form. I love a good I love

0:36:43.960 --> 0:36:46.800
<v Speaker 1>a good map. That's where Molly and I differ. I guess,

0:36:46.840 --> 0:36:49.440
<v Speaker 1>but I was just like one of mundane story Like

0:36:49.680 --> 0:36:51.680
<v Speaker 1>I always say this, but like Jurassic Park, on a day,

0:36:51.760 --> 0:36:56.719
<v Speaker 1>nothing goes wrong. Yeah, and yet you won't watch terrace House,

0:36:56.760 --> 0:37:07.840
<v Speaker 1>which is basically you'll love you'll goo lagoon. Right, Hey, folks,

0:37:08.239 --> 0:37:11.480
<v Speaker 1>if you love true stories about extraordinary life experiences, we

0:37:11.560 --> 0:37:14.680
<v Speaker 1>think you'll love the Risk podcast. Risk is the show

0:37:14.680 --> 0:37:17.080
<v Speaker 1>where people tell true stories they never thought they'd dare

0:37:17.120 --> 0:37:20.839
<v Speaker 1>to share stories too uncensored for public radio. On Risk,

0:37:20.960 --> 0:37:23.839
<v Speaker 1>nothing's too intimate or too strange, like the one about

0:37:23.840 --> 0:37:26.400
<v Speaker 1>the guy who got kidnapped by the drug cartel, or

0:37:26.440 --> 0:37:28.640
<v Speaker 1>the girl who discovered she was living with a cannibal,

0:37:29.000 --> 0:37:30.920
<v Speaker 1>or the woman who learned the person she was sharing

0:37:31.000 --> 0:37:34.239
<v Speaker 1>kinky fantasies with online was her dear old dad. You'll

0:37:34.239 --> 0:37:38.320
<v Speaker 1>hear real people sharing about life experiences so funny, so scary,

0:37:38.400 --> 0:37:41.440
<v Speaker 1>so mystifying, you won't believe your ears. Find it all

0:37:41.480 --> 0:37:43.759
<v Speaker 1>at Risk show dot com or just search on your

0:37:43.760 --> 0:37:47.239
<v Speaker 1>podcast app for Risk that's r A s K, exclamation

0:37:47.320 --> 0:38:01.120
<v Speaker 1>point or Risk hyphen show dot com. So we have

0:38:01.560 --> 0:38:04.680
<v Speaker 1>a night email this week coming to us from Eric.

0:38:05.440 --> 0:38:09.440
<v Speaker 1>Eric writes Miss Lambert, Miss Lynch, Mr Rashida. If you

0:38:09.719 --> 0:38:12.920
<v Speaker 1>guided the dead to the afterlife, what would your aesthetic be?

0:38:13.560 --> 0:38:15.720
<v Speaker 1>Do you go with a classic like the Grim Reaper

0:38:16.080 --> 0:38:19.320
<v Speaker 1>or the Death Coach or something fresh? Do you tailor

0:38:19.320 --> 0:38:23.440
<v Speaker 1>it to each soul? That's uh, that's from Eric again.

0:38:23.480 --> 0:38:26.919
<v Speaker 1>Thank you, Eric. This is a really good question, and we,

0:38:27.200 --> 0:38:29.040
<v Speaker 1>you know, we started to get into it. I mean,

0:38:29.040 --> 0:38:33.600
<v Speaker 1>the Tim Burton Beetlejuice afterlife aesthetic is definitely like a

0:38:33.719 --> 0:38:37.440
<v Speaker 1>very timeless afterlife aesthetic, at least in the history of cinema.

0:38:37.560 --> 0:38:40.960
<v Speaker 1>Like that's I think it's extremely realistic as well. Yeah, yeah,

0:38:41.040 --> 0:38:42.719
<v Speaker 1>it feels like it would be boring. It would be

0:38:42.719 --> 0:38:44.719
<v Speaker 1>a song. You have to take a number, you know,

0:38:45.600 --> 0:38:48.000
<v Speaker 1>and I don't know that you have to go somewhere else.

0:38:48.040 --> 0:38:50.680
<v Speaker 1>You can stay where you are for a long time,

0:38:50.880 --> 0:38:54.480
<v Speaker 1>haunting or not. I think it sounds it sounds right

0:38:54.520 --> 0:38:56.520
<v Speaker 1>to me, but it's not necessarily what I would want

0:38:56.920 --> 0:38:58.839
<v Speaker 1>from the afterlife. I mean, if this is like what

0:38:58.840 --> 0:39:02.279
<v Speaker 1>what exactly would be ideal? I might come up with

0:39:02.320 --> 0:39:06.759
<v Speaker 1>something different. I think my ideal aesthetic would be and

0:39:06.800 --> 0:39:08.520
<v Speaker 1>this is going to sound horrible when I say it

0:39:08.520 --> 0:39:10.719
<v Speaker 1>out loud, but just like, bear with me. It would

0:39:10.719 --> 0:39:18.040
<v Speaker 1>be something between an airport and a nursing home. But wait,

0:39:18.120 --> 0:39:21.959
<v Speaker 1>you have to be old. No, it's just a saying

0:39:22.000 --> 0:39:24.920
<v Speaker 1>like a kind of like a kind of wide space

0:39:25.080 --> 0:39:28.760
<v Speaker 1>with like tiled floors in Venetian blinds, and it's always

0:39:28.840 --> 0:39:32.680
<v Speaker 1>Magic Hour coming through the windows, and they're like, I

0:39:32.719 --> 0:39:38.359
<v Speaker 1>think it's I think you're just know it's like more

0:39:38.440 --> 0:39:40.480
<v Speaker 1>like I don't know if you ever follow or like

0:39:40.800 --> 0:39:44.480
<v Speaker 1>listen to these like vapor wave mixes on YouTube, like

0:39:44.719 --> 0:39:47.759
<v Speaker 1>and they always choose this sort of like nineties on

0:39:47.880 --> 0:39:50.360
<v Speaker 1>a ma looped animation of like the inside of a

0:39:50.440 --> 0:39:53.359
<v Speaker 1>mall with like a shimmering fountain and like this chill

0:39:53.440 --> 0:39:57.920
<v Speaker 1>ass jazz plane, Like I know exactly what that's basically

0:39:58.000 --> 0:40:00.400
<v Speaker 1>that's basically what I'm going for. But I think it

0:40:00.400 --> 0:40:03.240
<v Speaker 1>would be like a long corridor with like an endless

0:40:03.320 --> 0:40:06.160
<v Speaker 1>moving walk away and like the sun is always streaming

0:40:06.200 --> 0:40:10.160
<v Speaker 1>through one side. Like that would be my Is it empty? Yeah?

0:40:10.880 --> 0:40:13.719
<v Speaker 1>It's mostly empty. I mean it's a quiet it's like peaceful.

0:40:14.520 --> 0:40:17.400
<v Speaker 1>There's like a fountain. What about you, Dan, what do

0:40:17.440 --> 0:40:21.560
<v Speaker 1>you think? It's a great question. And I've arrived at

0:40:21.719 --> 0:40:27.719
<v Speaker 1>It's Denny's. Didn't you get what are you ordering? It's

0:40:27.480 --> 0:40:32.440
<v Speaker 1>you it's a Moon's over my Hammy forever. Uh. And

0:40:32.560 --> 0:40:34.920
<v Speaker 1>I guess if I were the Grim Reaper s character,

0:40:35.000 --> 0:40:37.760
<v Speaker 1>I would sort of be the sort of like gregarious,

0:40:37.800 --> 0:40:42.239
<v Speaker 1>avuncular waiter, has people kind of figured out where they were.

0:40:42.680 --> 0:40:48.200
<v Speaker 1>I think, you know, the CBS here Haven Haven friended me.

0:40:50.280 --> 0:40:52.360
<v Speaker 1>I think I think I think that's right because I

0:40:52.400 --> 0:40:54.680
<v Speaker 1>find diners to be sort of a weird liminal space.

0:40:55.719 --> 0:40:57.399
<v Speaker 1>And of course I know that's you guys very much.

0:40:57.400 --> 0:41:00.800
<v Speaker 1>You guys esthetics. So I I think I think Dennis,

0:41:01.120 --> 0:41:04.120
<v Speaker 1>I agree, because heaven is twenty four hours, Molly, what

0:41:04.160 --> 0:41:08.600
<v Speaker 1>would yours be? Some sort of green space that's unexpectedly vague.

0:41:09.040 --> 0:41:11.040
<v Speaker 1>I don't know. I just came back from Oregon. It's

0:41:11.080 --> 0:41:12.960
<v Speaker 1>like all I can think about is that there are

0:41:13.000 --> 0:41:15.439
<v Speaker 1>places that have water. You know, it's such a good

0:41:15.480 --> 0:41:18.680
<v Speaker 1>aesthetic for the afterlife. In fact, I like started to

0:41:18.719 --> 0:41:21.239
<v Speaker 1>design a D and D campaign around this. One is

0:41:24.120 --> 0:41:26.960
<v Speaker 1>in Portland and downtown Portland. There are all these parks

0:41:26.960 --> 0:41:30.400
<v Speaker 1>that are kind of these constructed cement waterfalls that you

0:41:30.440 --> 0:41:32.960
<v Speaker 1>can kind of they don't I think sometimes some of

0:41:32.960 --> 0:41:34.719
<v Speaker 1>them have water going through them and some of them don't,

0:41:34.719 --> 0:41:36.880
<v Speaker 1>so they're just these like series of steps. But because

0:41:36.880 --> 0:41:39.000
<v Speaker 1>it's Oregon and like tends to be kind of damp

0:41:39.040 --> 0:41:41.200
<v Speaker 1>and mossy, like a lot of times it's just these

0:41:41.239 --> 0:41:43.560
<v Speaker 1>like sort of it feels like the ruins of an

0:41:43.560 --> 0:41:48.319
<v Speaker 1>American city, like it's just moss covered like every structures. Oh,

0:41:48.520 --> 0:41:50.959
<v Speaker 1>I love it makes me feel everything. And okay, here

0:41:51.120 --> 0:41:54.120
<v Speaker 1>is another medival fantasy thing I like. I love legend

0:41:54.200 --> 0:41:58.200
<v Speaker 1>of Zelda. Zelda's great and that like es actually the

0:41:58.200 --> 0:42:01.160
<v Speaker 1>most recent Zelda was really good. Love almost just like

0:42:01.320 --> 0:42:04.400
<v Speaker 1>making like that like a foresty. Can I tell you

0:42:04.440 --> 0:42:07.400
<v Speaker 1>mine that we've been of course? Okay, have you guys

0:42:07.440 --> 0:42:10.120
<v Speaker 1>ever been to one of the restaurants that's like underground

0:42:10.160 --> 0:42:13.440
<v Speaker 1>with the aquarium walls? No where, I feel like I

0:42:13.480 --> 0:42:17.319
<v Speaker 1>went to one maybe at like Epcot that I've been

0:42:17.320 --> 0:42:20.320
<v Speaker 1>in a restaurant like that that is definitely the Florida.

0:42:20.880 --> 0:42:24.000
<v Speaker 1>It was totally Florida. Afterlife is the afterlife as well,

0:42:24.360 --> 0:42:27.520
<v Speaker 1>it's it's a glass bottom submarine. Well, I think it's.

0:42:27.880 --> 0:42:30.160
<v Speaker 1>I think it's one of it has a weird menu,

0:42:30.520 --> 0:42:32.400
<v Speaker 1>Like I'm I'm going off the Dennis because I'm like,

0:42:32.440 --> 0:42:34.280
<v Speaker 1>what if there were no food? There has to be food.

0:42:34.440 --> 0:42:37.080
<v Speaker 1>But I'm like, it's all like baked alaska and crab

0:42:37.160 --> 0:42:39.000
<v Speaker 1>claws and stuff, and then you're just watching like all

0:42:39.040 --> 0:42:42.760
<v Speaker 1>these fish go by. Yeah, that's pretty good. Actually revolving,

0:42:43.040 --> 0:42:45.600
<v Speaker 1>any revolving restaurant on any tower where the food is

0:42:45.719 --> 0:42:48.080
<v Speaker 1>oh yeah, but you go like the Rainbow Room in

0:42:48.120 --> 0:42:49.799
<v Speaker 1>New York and not that the food is bad. I've

0:42:49.840 --> 0:42:53.440
<v Speaker 1>never been, but I've been to whatever it's called, like

0:42:53.640 --> 0:42:57.720
<v Speaker 1>l A Prime on top of them, Yeah, the Bonaventure. Yeah,

0:42:57.840 --> 0:42:59.960
<v Speaker 1>I mean it's such a good I mean it's it's incredible,

0:43:00.160 --> 0:43:01.960
<v Speaker 1>Like you don't care that you're paying twenty dollars for

0:43:01.960 --> 0:43:04.799
<v Speaker 1>a shitty steak sandwich. It's just like the best vibe

0:43:04.800 --> 0:43:07.160
<v Speaker 1>in the world that basically feels unchanged from you know,

0:43:07.200 --> 0:43:09.759
<v Speaker 1>the mid nineties. I love it. My wife went to

0:43:09.920 --> 0:43:12.880
<v Speaker 1>Dukes and Malibu in a pot of dolphins swam by

0:43:13.120 --> 0:43:16.640
<v Speaker 1>the giant window, So that sounds pretty good to me.

0:43:16.719 --> 0:43:20.280
<v Speaker 1>I like yours. The best. I think the afterlife is Malibu.

0:43:21.239 --> 0:43:23.520
<v Speaker 1>Fine with that, We'll finally get to live there in

0:43:23.560 --> 0:43:28.200
<v Speaker 1>the afterlife exactly. I like that before we go out,

0:43:28.200 --> 0:43:33.000
<v Speaker 1>do we want to chat about our cryptid fascination? Yeah? Yeah.

0:43:33.719 --> 0:43:37.080
<v Speaker 1>We brought Dan on because in part because I was

0:43:37.080 --> 0:43:40.200
<v Speaker 1>tweeting about the song Willy Bully by Sam the Sham

0:43:40.239 --> 0:43:42.680
<v Speaker 1>and the Faris, and Dan, it turns out, is also

0:43:42.719 --> 0:43:45.759
<v Speaker 1>the world's foremost expert on Willy Bully. Dan take it away. Well,

0:43:46.239 --> 0:43:48.680
<v Speaker 1>you know, I don't know if I'm the world's foremost expert,

0:43:48.760 --> 0:43:52.160
<v Speaker 1>but I will say this a little background. My father

0:43:52.360 --> 0:43:55.520
<v Speaker 1>was going to lead a cryptozoological expedition into the Everglades

0:43:55.560 --> 0:43:59.960
<v Speaker 1>to find the Skunk Ape, very very important cryptod Why

0:44:00.120 --> 0:44:02.560
<v Speaker 1>was this This wasn't just before I was born in

0:44:02.560 --> 0:44:05.040
<v Speaker 1>a hurricane. They had rented the air boats, you know,

0:44:05.080 --> 0:44:07.480
<v Speaker 1>they were ready to go. That have the correspondence between

0:44:07.520 --> 0:44:11.799
<v Speaker 1>the American Cryptozoological Society and my father. Hurricane I believe

0:44:11.840 --> 0:44:15.080
<v Speaker 1>was Hurricane Hugo blew off the expedition and it was

0:44:15.120 --> 0:44:18.080
<v Speaker 1>never mounted. So that's so that's a little background on me.

0:44:18.640 --> 0:44:22.400
<v Speaker 1>And so when I hear Wooly Bully, I recognize that

0:44:22.440 --> 0:44:26.200
<v Speaker 1>as a crypto right away. I got two horns and

0:44:26.280 --> 0:44:30.439
<v Speaker 1>a wooly jaw. What are we talking about here? We're

0:44:30.440 --> 0:44:34.240
<v Speaker 1>talking about the first squatch song that's ever been been recorded.

0:44:35.360 --> 0:44:39.319
<v Speaker 1>That's what we're talking about. They were squatching. I thought

0:44:39.320 --> 0:44:43.040
<v Speaker 1>it was the devil. No, I mean maybe maybe we

0:44:43.080 --> 0:44:45.759
<v Speaker 1>don't know. It could be a crypted too. I don't

0:44:45.760 --> 0:44:48.120
<v Speaker 1>know if the devil falls it. Look, if you saw

0:44:48.120 --> 0:44:50.320
<v Speaker 1>a bath a mat, it would be kind of similar

0:44:50.360 --> 0:44:53.160
<v Speaker 1>to maybe like a skunk ape. But I don't think

0:44:53.160 --> 0:44:56.600
<v Speaker 1>that you would casually have Maddie tell Hattie about a

0:44:56.719 --> 0:45:01.759
<v Speaker 1>thing which is wait, so let's list all the things

0:45:01.800 --> 0:45:05.440
<v Speaker 1>that we know about it, though, just like to be sure, Um,

0:45:05.960 --> 0:45:16.520
<v Speaker 1>two horns that's it, that is possible, or it's woolish

0:45:16.840 --> 0:45:19.839
<v Speaker 1>like there's some wool like substance that it has as

0:45:19.880 --> 0:45:27.560
<v Speaker 1>its coat. Yes, And that its behavior was demonstrable bully ish. Uh,

0:45:27.600 --> 0:45:30.480
<v Speaker 1>you know that there was some threat to the to

0:45:30.640 --> 0:45:33.640
<v Speaker 1>the to the creature itself. Now I have gone even

0:45:33.680 --> 0:45:35.880
<v Speaker 1>deeper on this because in the next verse, Hattie tells

0:45:35.920 --> 0:45:40.960
<v Speaker 1>Maddie forget it, essentially says forget it, don't be l seven,

0:45:41.239 --> 0:45:46.360
<v Speaker 1>let's dance. That sounds like a classic Dana Scully. Oh,

0:45:46.440 --> 0:45:50.040
<v Speaker 1>you didn't see what you thought you saw. Malder. I

0:45:50.080 --> 0:45:53.200
<v Speaker 1>think that there's there's a lot going on underneath the

0:45:53.239 --> 0:45:58.319
<v Speaker 1>wooly Bully. I learned a lot just dance. Yes, you

0:45:58.320 --> 0:45:59.960
<v Speaker 1>know they don't want you to know about the wooly bull.

0:46:01.080 --> 0:46:04.279
<v Speaker 1>Sam the sham had a cat named Wooly Bully, also

0:46:04.320 --> 0:46:07.440
<v Speaker 1>served as the inspiration for the song parent according to Wikipedia.

0:46:08.000 --> 0:46:13.160
<v Speaker 1>And I mean, yes, just truthers who think it's about

0:46:13.160 --> 0:46:15.959
<v Speaker 1>a cat. No, it's according to Sam that I also

0:46:16.000 --> 0:46:18.080
<v Speaker 1>heard people say it was about a wooly mammoth that

0:46:18.160 --> 0:46:20.760
<v Speaker 1>somebody like sees a wooly mammoth. I think wily mammoth

0:46:20.840 --> 0:46:23.759
<v Speaker 1>is actually, in some ways a more compelling theory than

0:46:23.840 --> 0:46:27.239
<v Speaker 1>even the squatch because of the horns. Well I heard

0:46:27.280 --> 0:46:30.440
<v Speaker 1>also don't have what I heard from Maddie. It's wooly

0:46:30.480 --> 0:46:33.560
<v Speaker 1>all over? Is that also there is Maybe it was

0:46:33.640 --> 0:46:37.120
<v Speaker 1>like when the wily mammoth was discovered or something, there

0:46:37.200 --> 0:46:39.560
<v Speaker 1>was like maybe a big find in the press, and

0:46:39.600 --> 0:46:42.360
<v Speaker 1>so it was like a novelty song about a wooly

0:46:42.440 --> 0:46:46.319
<v Speaker 1>mammoth being found. Really, that is what I heard in

0:46:46.400 --> 0:46:48.760
<v Speaker 1>my research. I haven't heard that one, but that's awesome.

0:46:48.800 --> 0:46:50.960
<v Speaker 1>If true because it was to cash in on the

0:46:51.040 --> 0:46:54.960
<v Speaker 1>like wooly Man. This is all the same kind of general.

0:46:55.160 --> 0:46:58.200
<v Speaker 1>Is this a contemporary with the Flying Purple people eater? Like?

0:46:58.360 --> 0:47:04.240
<v Speaker 1>Was there crip? Actually? It actually? But I had a thought.

0:47:04.440 --> 0:47:06.120
<v Speaker 1>I had a thought which I'll post to you guys,

0:47:06.120 --> 0:47:10.040
<v Speaker 1>which is there aren't that many songs about cryptids or

0:47:10.040 --> 0:47:16.520
<v Speaker 1>that even referenced crypt sank though in yes, yes, the

0:47:16.560 --> 0:47:20.520
<v Speaker 1>squawk being the most famous cryptid I think in popular

0:47:20.560 --> 0:47:23.239
<v Speaker 1>have you ever seen a squawks tears? Well? Look at mine? Well,

0:47:23.280 --> 0:47:26.480
<v Speaker 1>look at mine? We need to make a song about

0:47:26.520 --> 0:47:28.600
<v Speaker 1>a cryptid. I think it's what you're saying as mission

0:47:28.640 --> 0:47:31.000
<v Speaker 1>a song about a crypt Have you guys read The

0:47:31.120 --> 0:47:34.080
<v Speaker 1>Fearsome Creatures of the Great what is it of the

0:47:34.120 --> 0:47:36.439
<v Speaker 1>Great lumber Woods or the North lumber There's a book

0:47:36.440 --> 0:47:38.400
<v Speaker 1>that the squawk comes from, and they have like the

0:47:38.480 --> 0:47:41.319
<v Speaker 1>ho Dag they have all of the different cryptids from

0:47:41.360 --> 0:47:44.840
<v Speaker 1>like this particular region that's where Steely Dan got this squawk.

0:47:45.120 --> 0:47:47.000
<v Speaker 1>But I have a you can get a copy, but

0:47:47.080 --> 0:47:49.280
<v Speaker 1>it's like you can only get like the most bootleg

0:47:49.360 --> 0:47:52.520
<v Speaker 1>copy of this book, like cryptid, because they're so regional too,

0:47:52.680 --> 0:47:55.560
<v Speaker 1>they can I pose another thing, which is you know

0:47:55.600 --> 0:47:58.600
<v Speaker 1>that song, the one about Little Talks. It's like, like,

0:47:59.560 --> 0:48:03.120
<v Speaker 1>listen when you whatever. It's like I was really counting

0:48:03.120 --> 0:48:09.960
<v Speaker 1>you guys knowing this song. It's it's like Dana Dans Monsters, Yeah,

0:48:09.960 --> 0:48:14.359
<v Speaker 1>thank you producer Rachel Monsters and men. So that song

0:48:14.520 --> 0:48:17.520
<v Speaker 1>I thought was very metaphorical. It seemed like she was

0:48:17.560 --> 0:48:20.920
<v Speaker 1>talking to like a metaphorical ghost of a past relationship. No,

0:48:21.239 --> 0:48:23.840
<v Speaker 1>it is literally about a ghost. I found that to

0:48:23.880 --> 0:48:27.799
<v Speaker 1>be less interesting suddenly, whereas the Wooly Bully, I think

0:48:28.000 --> 0:48:30.560
<v Speaker 1>is literally about a wooly bully, and I find it

0:48:30.600 --> 0:48:33.160
<v Speaker 1>more interesting. I agree, it's way more interesting if it's

0:48:33.160 --> 0:48:35.319
<v Speaker 1>a real wooly bully. Feel like a garage rock song

0:48:35.360 --> 0:48:37.360
<v Speaker 1>that you don't really know what it's about. It is

0:48:37.400 --> 0:48:40.040
<v Speaker 1>like the perfect garage rock song. Yeah. I read that

0:48:40.040 --> 0:48:41.880
<v Speaker 1>book once about Louie Louis and how there was like

0:48:41.880 --> 0:48:44.359
<v Speaker 1>an obscenity trial because nobody knew what the lyrics were

0:48:44.400 --> 0:48:47.520
<v Speaker 1>for sure. But it's also because apparently on the recording

0:48:47.520 --> 0:48:49.759
<v Speaker 1>of Louie Louis you can hear the drummer y'all fuck

0:48:49.800 --> 0:48:51.759
<v Speaker 1>when he drops his drumsticks and guess what we just

0:48:51.760 --> 0:48:58.640
<v Speaker 1>earned ourselves in explicit rating. Congratulations hot for TV. Well

0:48:58.680 --> 0:49:03.400
<v Speaker 1>going deep on a song that's sixty years If the

0:49:03.480 --> 0:49:08.240
<v Speaker 1>drumstick drops at Louie, well, we're blowing the lid off

0:49:08.840 --> 0:49:11.719
<v Speaker 1>the Wooly Bully. I also didn't know. I like it

0:49:11.800 --> 0:49:14.000
<v Speaker 1>made sense when I thought about it, but I was like, oh,

0:49:14.080 --> 0:49:17.200
<v Speaker 1>they're like a Tohano like bar blues band. This is

0:49:17.239 --> 0:49:22.400
<v Speaker 1>cold case Wooly Bully. Well, thank you so much for

0:49:22.480 --> 0:49:26.040
<v Speaker 1>being on this week, Dan, I appreciate your inside on

0:49:26.120 --> 0:49:31.000
<v Speaker 1>everything from crypto pop songs and Game of Thrones. Well,

0:49:31.040 --> 0:49:33.520
<v Speaker 1>thank you for having me. I am a huge fan

0:49:34.000 --> 0:49:37.239
<v Speaker 1>and uh, this has been a real career highlight, So

0:49:37.320 --> 0:49:40.160
<v Speaker 1>thank you very much. Later we will see you to

0:49:40.640 --> 0:49:44.920
<v Speaker 1>mount a D and D campaign. Yeah yeah, Now, Emily

0:49:44.960 --> 0:49:49.480
<v Speaker 1>Ready apparently has one written. I can alter it slightly

0:49:49.520 --> 0:49:54.680
<v Speaker 1>to be a Detective Pikachu tie in, and then I'm in.

0:49:54.840 --> 0:49:57.480
<v Speaker 1>I'm reading awesome. Well, everybody goes see, I'm not like

0:49:57.560 --> 0:50:00.080
<v Speaker 1>you need our reminder, but I go see, Detective you

0:50:00.080 --> 0:50:04.080
<v Speaker 1>could chew what it is? That? What may tense? Ten?

0:50:04.280 --> 0:50:07.600
<v Speaker 1>Oh my god? May third in Japan, Third in Japan.

0:50:07.760 --> 0:50:11.120
<v Speaker 1>You're in Japan is made. I'm going to the premiere Thursday.

0:50:11.360 --> 0:50:15.319
<v Speaker 1>Cool nice. See. How did Jiggli puff for us? Yes,

0:50:15.920 --> 0:50:18.480
<v Speaker 1>I'm hoping there will be some pokey representation on the

0:50:18.480 --> 0:50:22.359
<v Speaker 1>red carpet um. If you have any thoughts on cryptids

0:50:22.480 --> 0:50:25.200
<v Speaker 1>or anything else Night related, please give us a call

0:50:25.239 --> 0:50:27.640
<v Speaker 1>at two four oh four six Night. You can also

0:50:27.760 --> 0:50:30.880
<v Speaker 1>email us at Night Call Podcast at gmail dot com.

0:50:30.880 --> 0:50:34.240
<v Speaker 1>Please follow us on social media Nightcall Pod on Twitter,

0:50:34.360 --> 0:50:37.600
<v Speaker 1>Nightcall Podcast on Facebook and Instagram. And if you're liking

0:50:37.600 --> 0:50:40.839
<v Speaker 1>the show, please like, review, and subscribe wherever you listen

0:50:40.880 --> 0:50:44.440
<v Speaker 1>to podcasts. We'll see you next week. One of us

0:50:44.440 --> 0:50:47.359
<v Speaker 1>has to say bye, There we go, There we go.

0:50:47.600 --> 0:50:47.839
<v Speaker 1>Bye