WEBVTT - An Internet that Spans the Stars

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you, welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Julie Douglas,

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<v Speaker 1>and we are reaching to you one way or another

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<v Speaker 1>through the Internet. We are crawling out to you through

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<v Speaker 1>the quote unquote into webs, through the tubes, slithering our

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<v Speaker 1>way towards your ear, yeah, sometimes traveling through the air, uh,

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<v Speaker 1>and then into a device, and then through chords through

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<v Speaker 1>the air again and then into your skull, which is uh.

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<v Speaker 1>I mean that's the way the Internet gets it gets

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<v Speaker 1>it hooks into you, you know, it gets it roots

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<v Speaker 1>down into you, like like some sort of organism and

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<v Speaker 1>an organism that just continues to grow and to grow

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<v Speaker 1>and to consume and consume. And where does it all end. Well,

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<v Speaker 1>eventually it goes into space, right yeah, I mean, which

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<v Speaker 1>just what we're gonna talk about today. We're talking about

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<v Speaker 1>this idea of a space that is a networked space

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<v Speaker 1>that um, we live in. I mean, it's it's really

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<v Speaker 1>crazy when you when you think of the Internet in

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<v Speaker 1>terms of like human culture is sort of half biological

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<v Speaker 1>and structural and then half information half Internet. Like we

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<v Speaker 1>are where does humanity end and Internet began at this

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<v Speaker 1>point you know well, and you've said before um um,

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<v Speaker 1>and I agree, like we already are cyborgs to some extent.

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<v Speaker 1>So this is just sort of a natural, uh, you know,

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<v Speaker 1>outburst of what we have here on planet Earth that

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<v Speaker 1>we will take into space for many good reasons, I think, um.

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<v Speaker 1>But before we talk about that, I did want to

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<v Speaker 1>talk about how this this is something that will happen

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<v Speaker 1>based on what we've seen here on Earth. And I'm

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<v Speaker 1>sure all heard of something called Moore's law, this idea

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<v Speaker 1>that computing power doubles every two years. And we've seen

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<v Speaker 1>this with you know, technology at least since the seven

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<v Speaker 1>in ds UM on a very grand scale. So now

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<v Speaker 1>that there's this idea of something called the Internet of things,

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<v Speaker 1>and this is an idea of a lot of two

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<v Speaker 1>way interaction between people using open source software systems to

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<v Speaker 1>share ideas, create ideas out of basically thin air. Um

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<v Speaker 1>fab Labs is something that m I T Professor Neil

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<v Speaker 1>gershon Field created. It's essentially computer labs all of the

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<v Speaker 1>world that use open software so that just about anybody

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<v Speaker 1>who's interested can dream up a thing in a computer

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<v Speaker 1>model and then make it UM. So it's about this

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<v Speaker 1>idea about how we're we've gone beyond not just being

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<v Speaker 1>networked and sharing information, but now creating things out of it.

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<v Speaker 1>Is very interesting and that's why they call it the

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<v Speaker 1>Internet of things. UM. You know, look back to sixth

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<v Speaker 1>cents uh, wearable technology. We talked about this before. All surfaces,

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<v Speaker 1>all things become networked, can project um. These networks are

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<v Speaker 1>that this internet capabilities basically onto anything, right, and everything

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<v Speaker 1>is is taking a new data, collecting data and passing

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<v Speaker 1>it one potentially giving a stata as well. Your refrigerator

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<v Speaker 1>is telling you that your eggs are expired. The chair

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<v Speaker 1>that you're sitting in is telling you that, um, you

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<v Speaker 1>know your your vital signs are the following or your

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<v Speaker 1>moods are the following. Based on this UM everything becomes

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<v Speaker 1>alive and networked. And so it's very interesting to think that, um,

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<v Speaker 1>you now you can create something just out of your

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<v Speaker 1>head and say, okay, well let's let's you know, rig

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<v Speaker 1>up this three D printing and I'm going to create

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<v Speaker 1>a piece of jewelry that I've just designed or an organ. Right,

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<v Speaker 1>So okay, what do you do once you have networked

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<v Speaker 1>the earth and every imaginable surface becomes alive with data.

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<v Speaker 1>What do you do? I mean you well, I was

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<v Speaker 1>gonna say, you do whatever you want, right, I mean,

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<v Speaker 1>it's like the utimate freedom. You're not ultimately creative freedom

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<v Speaker 1>in a way, though you can see where it could

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<v Speaker 1>sort of lead to creative stagmentation as well. I don't know. Well,

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<v Speaker 1>I mean there's this idea that we are in a

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<v Speaker 1>weird way. If you take a space analogy where there's

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<v Speaker 1>you know, microgravity or you know, nearly the void here

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<v Speaker 1>that there's no gravity, the same thing is happening on

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<v Speaker 1>a technological scale that we're not moored by our computer

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<v Speaker 1>equipment anymore. Now it's all sort of becoming UM, this

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<v Speaker 1>free floating thing, this cloud computing, UM, this wearable technology

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<v Speaker 1>that doesn't tether us to something. So it would make

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<v Speaker 1>sense that we would look to the skies and say, okay,

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<v Speaker 1>if we are going to um continue manned and robotic missions,

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<v Speaker 1>which we are, then we need to figure out a

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<v Speaker 1>way to connect ourselves planet to planet UM and uh,

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<v Speaker 1>you know wherever else we go out there in the wild. Yeah,

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<v Speaker 1>So we end up pursuing this idea of an interplanetary internet,

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<v Speaker 1>and this has been on has been on the table

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<v Speaker 1>for you years, um, and we've had several projects come along,

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<v Speaker 1>um and uh, you know with with varying degrees of

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<v Speaker 1>success or cancelation. I mean you've had the canceled Mars

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<v Speaker 1>Telecommunications orbiter. There was deep impact networking uh DP in

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<v Speaker 1>on the I S, S S. Astronauts are using Facebook already,

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<v Speaker 1>And I mean it all comes down to, alright, we're

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<v Speaker 1>gonna send probes out. We want these, we need these

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<v Speaker 1>probes to communicate with us. They are part of our technology,

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<v Speaker 1>they're part of our technological information culture. They are they

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<v Speaker 1>are parts of humanity, and so they need to be

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<v Speaker 1>connected to us by this greasy tentacle of data. And

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<v Speaker 1>uh and for that in place, we need an Internet

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<v Speaker 1>connection out there. We need to be able to to

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<v Speaker 1>set up the the servers that make this possible. Well,

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<v Speaker 1>I'm surely if we wireless, because yeah, that's gonna be

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<v Speaker 1>just a mess, isn't it. Um? And yeah, let's extrapolate

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<v Speaker 1>this out ten tho years from now. And we you know,

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<v Speaker 1>we just talked about this idea of a colonizing space.

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<v Speaker 1>So what sort of you know, virtual life can you

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<v Speaker 1>create out in space? And what will it look like um,

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<v Speaker 1>you know, on each planet or you know in each

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<v Speaker 1>area that we decided to focus on, and will it

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<v Speaker 1>be worth living if you don't have a good Internet

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<v Speaker 1>connection out there? Right? Well? Yeah, I mean that part

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<v Speaker 1>of the reason why UM on the International Space Station

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<v Speaker 1>they have UM Internet capability is this idea that you

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<v Speaker 1>can tap back into life on Earth. Again, if it's

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<v Speaker 1>a huge psychological factor to be able to feel connected,

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<v Speaker 1>what's interesting those you and and again it you also

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<v Speaker 1>get into ideas of if we can't physically go to places,

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<v Speaker 1>then we can digitally go to them. We can we

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<v Speaker 1>can control and communicate with distant probes. We can conceivably

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<v Speaker 1>use virtual reality or UM or or even digitized consciousness

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<v Speaker 1>if you really want to look long term to actually

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<v Speaker 1>travel there in the form of a machine or or

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<v Speaker 1>a mechanical avatar. UM. All these things are kind of

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<v Speaker 1>on the table long term. But but you need that

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<v Speaker 1>Internet in place to do it. But it's not just

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<v Speaker 1>as simple as oh, now we have wireless and expans

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<v Speaker 1>tremendous distances. You end up with it with a number

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<v Speaker 1>of problems you have to deal with. First of all,

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<v Speaker 1>satellite maintenance. If you have various satellites and servers out

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<v Speaker 1>there floating around. Um. You know, they might not have

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<v Speaker 1>to deal with a ton of of maintenance, but you're

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<v Speaker 1>gonna still have your You're still expanding, You're gonna have

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<v Speaker 1>to maintain this network. There's also the possibility of hackers

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<v Speaker 1>and break in. So I mean hackers. Hacker is gonna hack, right,

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<v Speaker 1>I mean, that's just how it goes. It doesn't necessarily

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<v Speaker 1>you you need to make sense because you might say, oh,

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<v Speaker 1>why would a hacker mess with our ability to communicate

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<v Speaker 1>with space? Probs, they'll do it because that's what they do.

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<v Speaker 1>Because some of them are fifteen yeah, you know, um,

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<v Speaker 1>and then they'll be varying levels of people making political statements, etcetera.

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<v Speaker 1>But we've we've seen enough of our history that that

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<v Speaker 1>they are just a part of it. They're the germs,

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<v Speaker 1>um or that what depends on the point of view.

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<v Speaker 1>You could also see them as a at times as

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<v Speaker 1>a defensive part of an immune system as well. But

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<v Speaker 1>they are inniably a part of our information technological culture.

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<v Speaker 1>Well and right now. I mean, security is a huge

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<v Speaker 1>issue and a lot of people have bandied about the

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<v Speaker 1>idea of quantum cryptology. But um or cryptography. But even

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<v Speaker 1>that is not secure, that is breakable. So yeah, you know,

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<v Speaker 1>is it possible to even have a super secure system,

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<v Speaker 1>I mean really anything attackable At that point, you can't

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<v Speaker 1>use the honor system at all, even with even with

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<v Speaker 1>space travel. Uh. And then the other big thing is

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<v Speaker 1>the is that when we when we're dealing with long

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<v Speaker 1>distances like this, we're dealing with cosmic distances, be it

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<v Speaker 1>from say Earth to Uranus or Earth to some distance system,

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<v Speaker 1>you're dealing with speed of light delays. Okay, so on

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<v Speaker 1>Earth we have two community computers connected to the Internet,

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<v Speaker 1>maybe there are a few thousand miles away at most,

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<v Speaker 1>and uh, the information can travel is really remarkable speeds.

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<v Speaker 1>It's it's almost instantaneous. I have a bit of data,

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<v Speaker 1>I send it to you and wham it's fair. Right,

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<v Speaker 1>but how fast can we actually send data? Right? Light

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<v Speaker 1>travels at eighties six thousand miles per second, so it

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<v Speaker 1>only takes a you know, a few factions was a

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<v Speaker 1>second to send a packet of data from one computer

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<v Speaker 1>to another. In contrast, distances between a station on Earth

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<v Speaker 1>and one on Mars can be between thirty eight million

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<v Speaker 1>miles and two eight million miles, so these distances, you

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<v Speaker 1>can take several minutes or hours for a radio signal

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<v Speaker 1>to reach a receiving station. Yeah, and can I let

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<v Speaker 1>me jump in and just talk about this packet of

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<v Speaker 1>data that that gets transmitted because of the World Science

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<v Speaker 1>Festival UM. On a panel about the past history of

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<v Speaker 1>Internet in the future, they talked about what it takes

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<v Speaker 1>to transmit this packet and I find it fascinating if

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<v Speaker 1>you break it down and then you start to think

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<v Speaker 1>about it in the void. So okay, let's say a

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<v Speaker 1>person in England clicks on a World Science Festival link.

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<v Speaker 1>This is what happens, and I'll just run you through it,

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<v Speaker 1>because like fascinating to me at least. First, a server

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<v Speaker 1>asked for a copy of the page that you want

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<v Speaker 1>to look at, basically, and then this request is wrapped

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<v Speaker 1>in data including the World Science Festival's i P address.

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<v Speaker 1>The packet leaves the home computer, travels underground via copper

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<v Speaker 1>wire network, routes itself through a regional network, then ends

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<v Speaker 1>up at an Internet hub at Telehouse North in London. Okay,

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<v Speaker 1>so this hub then looks at it and says, okay,

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<v Speaker 1>this packets UM. Well, the World Science Festival server is

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<v Speaker 1>in l A. So we're gonna have to get this

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<v Speaker 1>over there, so tell a house North then sends the

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<v Speaker 1>packet out is light through fiber optic cables in the ocean,

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<v Speaker 1>where the packet is then routed to a hub in

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<v Speaker 1>New York. The hub sends the packet through a series

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<v Speaker 1>of regional networks there until it reaches the server in

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<v Speaker 1>l A. Okay, this is crazy, right, because this is

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<v Speaker 1>a lot of things. It's not even done yet, it's

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<v Speaker 1>halfway there, but there's a ton of things happening here. Uh.

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<v Speaker 1>The server then receives and reads the request and gets

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<v Speaker 1>ready to send information to England. But web pages are

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<v Speaker 1>like they're way too large to be sent as a

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<v Speaker 1>single packet of data, So the data spread out into

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<v Speaker 1>tiny packets of data, each one wrapped in the information

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<v Speaker 1>it needs to then rebuild itself back in England. And

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<v Speaker 1>then these packets are then checked and sent by the

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<v Speaker 1>hub in l A back to New York and back

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<v Speaker 1>through the fiberactive cables to England and back through that

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<v Speaker 1>regional network and then back to the man of the

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<v Speaker 1>copper wire back to that home in England, where they

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<v Speaker 1>all form into one cohesive web page. And this whole

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<v Speaker 1>journey takes one second. Okay. So that's that's one of

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<v Speaker 1>those things that we just completely take for granted that

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<v Speaker 1>that our networks are are so well tied together and

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<v Speaker 1>their data is being parsed out in such a way

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<v Speaker 1>the to you know, give us the data that we want,

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<v Speaker 1>you know, one second later. So when we're talking about

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<v Speaker 1>sending information out to sam Mars colony or or a

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<v Speaker 1>or a space probe, that's uh, that's that's sailing away

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<v Speaker 1>from our system. We're talking about taking information, breaking up

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<v Speaker 1>into pieces and then sending a swarm of those pieces

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<v Speaker 1>at the destination. Right. So I mean there's there's different

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<v Speaker 1>protocols here, and that's what they're trying to figure out.

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<v Speaker 1>Vincent Serf, who is called the father of the Internet, um,

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<v Speaker 1>also works for Google now their head evangelist or something, yeah,

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<v Speaker 1>chief evangelist Officers and something like that. Um, he's actually

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<v Speaker 1>creating those protocols and standardizing them so that everybody can

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<v Speaker 1>use them, um, every nation that wants to. And it's

0:12:50.800 --> 0:12:53.040
<v Speaker 1>it's again, it's it's a little bit different because it's

0:12:53.040 --> 0:12:55.520
<v Speaker 1>going to be networked different. The highway is going to

0:12:55.600 --> 0:12:59.160
<v Speaker 1>be um, you know, it's not It's like we can

0:12:59.200 --> 0:13:02.600
<v Speaker 1>just run FIBERCT cables up, you know, to Mars, right,

0:13:02.880 --> 0:13:05.120
<v Speaker 1>and we have to we have to factor in data loss.

0:13:05.200 --> 0:13:06.839
<v Speaker 1>We have to factor in that you're not going to

0:13:06.880 --> 0:13:09.800
<v Speaker 1>have a consistent stream of information between these two places,

0:13:09.960 --> 0:13:13.240
<v Speaker 1>even though there are some really interesting UM plans for

0:13:13.280 --> 0:13:16.679
<v Speaker 1>you know, partially using lasers to pitch this information out there,

0:13:16.720 --> 0:13:19.360
<v Speaker 1>but but ultimately well, one of the things that really

0:13:19.360 --> 0:13:23.800
<v Speaker 1>fascinates me is the idea that assuming that we we

0:13:23.920 --> 0:13:28.040
<v Speaker 1>do not find a loophole in um in in the

0:13:28.040 --> 0:13:32.160
<v Speaker 1>the speed limit of light in terms of transferring information,

0:13:32.840 --> 0:13:37.199
<v Speaker 1>assuming that we're long term, we're beholden to that law

0:13:37.360 --> 0:13:40.880
<v Speaker 1>that that no information, no spaceship, nothing can travel faster

0:13:40.960 --> 0:13:44.720
<v Speaker 1>than a beam of light across the galaxy. We end

0:13:44.760 --> 0:13:47.400
<v Speaker 1>up with a situation where you could say, let's say

0:13:47.400 --> 0:13:49.880
<v Speaker 1>you have Earth, all right, and you have Earth's Internet

0:13:49.960 --> 0:13:52.560
<v Speaker 1>and it's localized Internet, and then let's say you have

0:13:52.640 --> 0:13:56.240
<v Speaker 1>a distant colony at what distance do you end up

0:13:56.280 --> 0:13:59.880
<v Speaker 1>having this mitosis of of internet and this mitosis of

0:14:00.040 --> 0:14:04.880
<v Speaker 1>culture to where h as interconnected as we feel with

0:14:04.960 --> 0:14:09.120
<v Speaker 1>our internet, um you would end up in a situation where, uh,

0:14:09.280 --> 0:14:12.360
<v Speaker 1>due to this time delay of sending information. You would

0:14:12.520 --> 0:14:14.680
<v Speaker 1>you would have these two colonies in touch with each

0:14:14.679 --> 0:14:16.880
<v Speaker 1>other and they would have regular updates about their news,

0:14:16.920 --> 0:14:23.359
<v Speaker 1>but you would have uh, growing and ever distancing Internet cultures.

0:14:23.440 --> 0:14:27.600
<v Speaker 1>So new memes that are that are particularly only to

0:14:27.680 --> 0:14:30.400
<v Speaker 1>this world, up to the date information, up to date

0:14:30.400 --> 0:14:34.080
<v Speaker 1>information that's specific only to this world, uh, and they

0:14:34.120 --> 0:14:37.640
<v Speaker 1>sort of grow into different informational cultural environments. I mean,

0:14:37.640 --> 0:14:40.640
<v Speaker 1>what you're talking about here is the evolution of language. UM.

0:14:40.680 --> 0:14:43.440
<v Speaker 1>And I read this UM, and some of them share

0:14:43.560 --> 0:14:46.880
<v Speaker 1>that we prepared. We were talking about living in space

0:14:47.080 --> 0:14:51.160
<v Speaker 1>that eventually, UM, that even speech patterns would be altered

0:14:51.360 --> 0:14:54.920
<v Speaker 1>because sound travels a little bit differently and so UM.

0:14:55.040 --> 0:14:57.960
<v Speaker 1>You know, essentially you can still communicate with one another,

0:14:58.000 --> 0:15:00.920
<v Speaker 1>but over a hundred thousand years, you know, speech patterns

0:15:00.960 --> 0:15:04.160
<v Speaker 1>may change very differently for people who are living off

0:15:04.240 --> 0:15:07.680
<v Speaker 1>Earth permanently. UM. So that's really interesting that you bring

0:15:07.760 --> 0:15:12.480
<v Speaker 1>up the memes and the metaphors that someone on Earth

0:15:12.520 --> 0:15:15.440
<v Speaker 1>may not be able to get. If you know, someone's

0:15:15.480 --> 0:15:19.160
<v Speaker 1>living on Mars because you have a completely different environment.

0:15:19.960 --> 0:15:23.200
<v Speaker 1>You know, the sun um is beating down on you

0:15:23.280 --> 0:15:26.520
<v Speaker 1>in a completely different way. And to try to communicate

0:15:26.560 --> 0:15:29.440
<v Speaker 1>that to someone else outside of that experience. That's what

0:15:29.880 --> 0:15:33.880
<v Speaker 1>causes you know, different cultures in different languages, right, yeah,

0:15:33.960 --> 0:15:36.360
<v Speaker 1>I mean it to go back to you know, in

0:15:36.360 --> 0:15:40.480
<v Speaker 1>the past we've discussed say artificial gravity, magical artificial gravity,

0:15:40.800 --> 0:15:42.560
<v Speaker 1>and how that's something that sort of shows up in

0:15:42.560 --> 0:15:44.440
<v Speaker 1>science fiction and we just you know, we don't think

0:15:44.480 --> 0:15:47.000
<v Speaker 1>about it all that much. Spaceship it has gravity like

0:15:47.040 --> 0:15:49.200
<v Speaker 1>Earth because people to film that way and we don't

0:15:49.200 --> 0:15:51.760
<v Speaker 1>have to think that hard about it. Likewise, you see,

0:15:51.840 --> 0:15:55.160
<v Speaker 1>you know classic Star Trek, right, two individuals are talking

0:15:55.160 --> 0:15:56.840
<v Speaker 1>to each other is just you know, ones on one

0:15:56.880 --> 0:15:59.400
<v Speaker 1>screen the others on the other. And we often we

0:15:59.440 --> 0:16:02.240
<v Speaker 1>often don't a factor in these vast distances that we're

0:16:02.240 --> 0:16:05.760
<v Speaker 1>communicating across because we're probably already skimming over how we're

0:16:05.760 --> 0:16:10.160
<v Speaker 1>traveling those distances, are using um, potentially problematic science to

0:16:10.240 --> 0:16:13.760
<v Speaker 1>explain in a galactic travel, So in a galactic communication

0:16:13.920 --> 0:16:17.640
<v Speaker 1>that just you know, penciled inn in the margins. Uh

0:16:18.000 --> 0:16:20.800
<v Speaker 1>but uh but but to you have to imagine of

0:16:20.880 --> 0:16:25.560
<v Speaker 1>a future where these different worlds have have different Internet

0:16:25.560 --> 0:16:30.600
<v Speaker 1>that that communicating between uh one colony and another would

0:16:31.400 --> 0:16:33.360
<v Speaker 1>it would harken back to the days of sending a

0:16:33.400 --> 0:16:36.800
<v Speaker 1>telegram or or snail mail where you would have to

0:16:36.840 --> 0:16:39.200
<v Speaker 1>wait for this packet of data to travel at even

0:16:39.240 --> 0:16:42.840
<v Speaker 1>at just a phenomenal speeds to travel, to be received

0:16:42.960 --> 0:16:46.800
<v Speaker 1>and then to travel back to you. Um, it's it's

0:16:46.800 --> 0:16:51.320
<v Speaker 1>fascinating because I mean, the more we see the Internet

0:16:51.800 --> 0:16:55.560
<v Speaker 1>in the speed of information unitis here on Earth and

0:16:55.680 --> 0:16:58.080
<v Speaker 1>uh and in our more optimistic moments, we imagine it

0:16:58.440 --> 0:17:03.040
<v Speaker 1>ultimately bring us all together. Um, the idea that that

0:17:03.120 --> 0:17:06.560
<v Speaker 1>just isn't possible given the vast distances in the in

0:17:06.640 --> 0:17:10.399
<v Speaker 1>the the speed limit of light when it comes to

0:17:11.080 --> 0:17:14.160
<v Speaker 1>envisioning our future out in the stars. Well, and there's

0:17:14.200 --> 0:17:17.320
<v Speaker 1>also this question of who who is? Uh? When I

0:17:17.359 --> 0:17:20.399
<v Speaker 1>say who, I mean more like national identity. Who is

0:17:20.400 --> 0:17:23.359
<v Speaker 1>going to be creating this network and dominating it? Right?

0:17:23.400 --> 0:17:27.440
<v Speaker 1>Because well, not presumably, but most likely there's probably gonna

0:17:27.440 --> 0:17:29.160
<v Speaker 1>be one player in here that's going to have more

0:17:29.200 --> 0:17:32.520
<v Speaker 1>of an influence um, what gets designed and how it

0:17:32.560 --> 0:17:41.600
<v Speaker 1>influences our communication. So it's it's interesting, which is unavoidable

0:17:41.640 --> 0:17:44.600
<v Speaker 1>you end up with like Catholic Google and then Eastern

0:17:44.720 --> 0:17:49.000
<v Speaker 1>Orthodox Google. Right, Well, I don't know, because here's the thing,

0:17:49.119 --> 0:17:52.840
<v Speaker 1>Like you know, again, if you're living on Mars, do

0:17:52.880 --> 0:17:56.359
<v Speaker 1>you have. You've talked about this before too extensively. What

0:17:56.400 --> 0:17:59.399
<v Speaker 1>does religion mean in space at that point? With that

0:17:59.480 --> 0:18:05.679
<v Speaker 1>perspective of so, there could be very huge cultural divides. Um.

0:18:05.720 --> 0:18:07.480
<v Speaker 1>And that's not necessarily what we were intending to talk

0:18:07.520 --> 0:18:11.119
<v Speaker 1>about today, like this offer cultural divide brought on by

0:18:11.119 --> 0:18:15.000
<v Speaker 1>the Internet. But we've already um been able to look

0:18:15.240 --> 0:18:19.560
<v Speaker 1>at the Internet in retrospect and see how influences culture. Um.

0:18:19.640 --> 0:18:22.800
<v Speaker 1>So it's interesting to extrapolate that mount into space. Yeah, totally.

0:18:22.880 --> 0:18:24.680
<v Speaker 1>I mean, that's that's the part of this. It really

0:18:24.680 --> 0:18:27.920
<v Speaker 1>blows my mind. I mean because the idea of all right, well,

0:18:28.000 --> 0:18:30.440
<v Speaker 1>you know, how do we have have space probs communicate

0:18:30.480 --> 0:18:33.040
<v Speaker 1>with each other, how an offerable colony communicate with us?

0:18:33.080 --> 0:18:35.160
<v Speaker 1>I mean, that's really fascinating. I love that. But when

0:18:35.160 --> 0:18:39.240
<v Speaker 1>you start thinking about the cultural ramifications and the personal ramifications, um,

0:18:39.280 --> 0:18:41.280
<v Speaker 1>I mean, that's that's where I really connect with the issue.

0:18:41.400 --> 0:18:43.960
<v Speaker 1>So all right, hey, we're gonna take a quick break

0:18:44.000 --> 0:18:45.960
<v Speaker 1>and we come back. We're gonna wrap things up and

0:18:46.000 --> 0:18:52.960
<v Speaker 1>we're gonna run through some liner mail. All right, we

0:18:53.040 --> 0:18:57.280
<v Speaker 1>have returned. Um. So yeah, there's just a little bit

0:18:57.280 --> 0:19:02.120
<v Speaker 1>of of insight into where we're going with the internet, um,

0:19:02.240 --> 0:19:05.760
<v Speaker 1>immediately and then long term as we're trying to imagine

0:19:05.800 --> 0:19:09.800
<v Speaker 1>what life beyond our world might consist of, especially when

0:19:09.800 --> 0:19:12.439
<v Speaker 1>you when you think of the human race, is not

0:19:12.520 --> 0:19:16.159
<v Speaker 1>nearly this organic thing or even this uh, this world

0:19:16.240 --> 0:19:21.160
<v Speaker 1>of things, but this internet of things, this internet of existence. Yeah,

0:19:21.760 --> 0:19:23.480
<v Speaker 1>all right, well let's uh, let's take a look at

0:19:23.560 --> 0:19:26.120
<v Speaker 1>a couple of data packets that came in. Oh yes, yes,

0:19:26.440 --> 0:19:31.119
<v Speaker 1>bring us some of these robot the listener mail. All right.

0:19:31.359 --> 0:19:34.880
<v Speaker 1>First of all, um, I think was the fiction podcast

0:19:34.880 --> 0:19:38.880
<v Speaker 1>where we're talking about the way fiction alters our perception

0:19:38.880 --> 0:19:42.159
<v Speaker 1>of reality and ultimately the manifestation of reality around us,

0:19:42.520 --> 0:19:45.000
<v Speaker 1>especially in terms of culture, not so much the laws

0:19:45.040 --> 0:19:47.840
<v Speaker 1>of physics, but but certainly the way that we behave

0:19:47.920 --> 0:19:50.639
<v Speaker 1>as a as a people. Um. I think that was

0:19:50.680 --> 0:19:53.119
<v Speaker 1>the one where I brought up that I did not

0:19:53.240 --> 0:19:57.360
<v Speaker 1>really understand what she's a brick house. She's mighty mighty

0:19:57.520 --> 0:20:00.240
<v Speaker 1>hang out what that means. But because it because time

0:20:00.280 --> 0:20:02.000
<v Speaker 1>I hear she's a brick house, I imagine a woman

0:20:02.040 --> 0:20:04.680
<v Speaker 1>made out of bricks, and I don't see how that's

0:20:04.680 --> 0:20:07.679
<v Speaker 1>particularly attractive because it's a woman made up of bricks.

0:20:07.720 --> 0:20:10.439
<v Speaker 1>And we were talking about the tactile parts of our

0:20:10.480 --> 0:20:13.840
<v Speaker 1>brains that respond to metaphors, if I remember correctly. Yeah,

0:20:14.000 --> 0:20:17.360
<v Speaker 1>And so Jim writes in and he explained it. He says,

0:20:17.400 --> 0:20:21.240
<v Speaker 1>she's a brick house because she's stacked, as like bricks

0:20:21.280 --> 0:20:25.760
<v Speaker 1>are stacked. Shack it down, shack it down, now, Jim

0:20:25.760 --> 0:20:28.880
<v Speaker 1>in New Jersey. So I guess that makes sense. She's

0:20:28.920 --> 0:20:31.120
<v Speaker 1>so that the whole thing is that's bricks are stacked.

0:20:31.280 --> 0:20:35.000
<v Speaker 1>She is stacked, stacked in the sense that she's put

0:20:35.040 --> 0:20:40.879
<v Speaker 1>together and busty, right, That that what I'm getting here. Yeah, busty,

0:20:40.920 --> 0:20:44.679
<v Speaker 1>it would say, is what stacks means. Yeah, okay, all right,

0:20:44.760 --> 0:20:47.000
<v Speaker 1>Well that I'm still picturing a woman made out of bricks,

0:20:47.040 --> 0:20:49.280
<v Speaker 1>but I have a little more background on that now.

0:20:49.359 --> 0:20:53.159
<v Speaker 1>Thank you for the funky inside the Jim Um. We

0:20:53.320 --> 0:20:57.040
<v Speaker 1>received some more listener mail regarding the episode The Horror,

0:20:57.040 --> 0:20:59.480
<v Speaker 1>where we talked about how our brains working when watching

0:20:59.480 --> 0:21:02.040
<v Speaker 1>scary movie these want we're addicted to it and uh

0:21:02.240 --> 0:21:05.639
<v Speaker 1>and that, you know, really connected with a number of people.

0:21:05.880 --> 0:21:07.720
<v Speaker 1>We heard from a listener by the name of Sean

0:21:08.359 --> 0:21:11.960
<v Speaker 1>Uh Sean Nicoliffe I can use his last name since

0:21:12.000 --> 0:21:15.840
<v Speaker 1>he's writing online here, and Hedio writes and to say

0:21:15.840 --> 0:21:18.280
<v Speaker 1>I recently listened to your show about horror, and being

0:21:18.280 --> 0:21:21.399
<v Speaker 1>a staff writer for horror Attics dot net, wanted to

0:21:21.440 --> 0:21:24.240
<v Speaker 1>send my thoughts. I primarily do reviews of horror films,

0:21:24.400 --> 0:21:27.120
<v Speaker 1>and with over sixty films I've reviewed, I've covered decades

0:21:27.280 --> 0:21:30.520
<v Speaker 1>and uh and genres of film. I've come to believe

0:21:30.560 --> 0:21:33.000
<v Speaker 1>and this is my personal opinion, but the type of

0:21:33.000 --> 0:21:35.399
<v Speaker 1>of horror a fan wraps their mind around depends a

0:21:35.400 --> 0:21:37.960
<v Speaker 1>lot on their age. Those who are younger under twenty

0:21:37.960 --> 0:21:40.439
<v Speaker 1>five seem to go for the quick slasher types of movies,

0:21:40.800 --> 0:21:43.640
<v Speaker 1>these being things like Saw, Final Destination and just gore

0:21:43.720 --> 0:21:46.360
<v Speaker 1>Field films. In general, this is because they are used

0:21:46.400 --> 0:21:48.960
<v Speaker 1>to more instant gratification and their attentions fans are a

0:21:48.960 --> 0:21:51.399
<v Speaker 1>bit short. As we get older, our case may change

0:21:51.400 --> 0:21:54.320
<v Speaker 1>is we look for people to scare our our minds,

0:21:54.320 --> 0:21:56.800
<v Speaker 1>and thus one horror that hits the mind more than

0:21:56.840 --> 0:21:59.600
<v Speaker 1>the site. A great example of the current horror trend

0:21:59.720 --> 0:22:03.760
<v Speaker 1>is how Josh Weeden's The Cabin in the Woods shows

0:22:03.800 --> 0:22:06.919
<v Speaker 1>us how horror films are very formulate, and all you

0:22:06.960 --> 0:22:09.240
<v Speaker 1>need to do is get a group of kids, random

0:22:09.280 --> 0:22:11.760
<v Speaker 1>monster and kill all but one, and you get yourself

0:22:11.760 --> 0:22:14.399
<v Speaker 1>a horror film people want to see, and he goes

0:22:14.440 --> 0:22:17.320
<v Speaker 1>in from there to discuss I think some more spoilery stuff.

0:22:17.359 --> 0:22:21.440
<v Speaker 1>So I'll leave it at that. But Sean writes under

0:22:21.480 --> 0:22:25.679
<v Speaker 1>the name night Missed at the Horror Attics and he

0:22:25.760 --> 0:22:28.199
<v Speaker 1>recently did a top ten where you just mentioned his

0:22:28.200 --> 0:22:30.720
<v Speaker 1>top ten favorite. Yeah that was interesting all the cap Yeah,

0:22:30.800 --> 0:22:33.480
<v Speaker 1>so just real quick. He has an extensive post on this,

0:22:33.600 --> 0:22:35.679
<v Speaker 1>you can look up at her attics dot net. But

0:22:36.480 --> 0:22:40.200
<v Speaker 1>just to run through his ten favorites. Salem's Lot Saturday nine,

0:22:40.600 --> 0:22:42.720
<v Speaker 1>that's a good one. The Shining nineteen eight, that's a

0:22:42.720 --> 0:22:45.800
<v Speaker 1>great one. Dog Soldiers two thousand two. Did you see this?

0:22:45.840 --> 0:22:47.399
<v Speaker 1>I haven't seen that one. It's pretty fun. It's the

0:22:47.400 --> 0:22:49.760
<v Speaker 1>guy who did the Descent, and it's it's kind of

0:22:49.760 --> 0:22:54.400
<v Speaker 1>like Aliens with werewolves, and it's one of the few

0:22:54.440 --> 0:22:58.800
<v Speaker 1>werewolves move werewolf movies that really works. Um Fido, which

0:22:58.840 --> 0:23:02.280
<v Speaker 1>is zombie flick that I have not seen. Um The

0:23:02.320 --> 0:23:05.879
<v Speaker 1>Host two thousand six, South Korean horror film. That's a

0:23:05.920 --> 0:23:10.200
<v Speaker 1>good one. Takes the the monster movie scenario and turns

0:23:10.240 --> 0:23:12.560
<v Speaker 1>us on its head by having us like almost instantly

0:23:12.560 --> 0:23:15.520
<v Speaker 1>see the monster and then it just rampages the whole film. Uh,

0:23:15.640 --> 0:23:20.360
<v Speaker 1>The Exorcist another classic, let the Right One in two

0:23:20.400 --> 0:23:23.240
<v Speaker 1>thousand and eight. This is the the original, not the remake.

0:23:23.560 --> 0:23:27.160
<v Speaker 1>And I agree Swedish one so good, it is good.

0:23:27.200 --> 0:23:30.320
<v Speaker 1>One Perfect Creature two thousand seven. I don't think I've

0:23:30.320 --> 0:23:34.720
<v Speaker 1>seen this one Um Slither two thousand six. I know

0:23:34.800 --> 0:23:37.120
<v Speaker 1>it has its bands, it's not not really my thing.

0:23:37.440 --> 0:23:42.359
<v Speaker 1>And The Strangers two thousand nine. So so there are

0:23:42.359 --> 0:23:46.800
<v Speaker 1>just a few films that one of our listeners recommends

0:23:46.800 --> 0:23:49.919
<v Speaker 1>in terms of great Heart and Uh. Finally, we have

0:23:50.080 --> 0:23:54.199
<v Speaker 1>one other bit of listener male related to the The

0:23:54.200 --> 0:23:57.280
<v Speaker 1>Horror episode, and this is from Marta Marta Wright. Since

0:23:57.359 --> 0:24:00.359
<v Speaker 1>this Hi, Julian Robert. I'm writing you because I just

0:24:00.400 --> 0:24:02.840
<v Speaker 1>finished listening to the Horror podcast. I've been listening to

0:24:02.880 --> 0:24:04.960
<v Speaker 1>you guys for about a year now, and I will

0:24:04.960 --> 0:24:07.400
<v Speaker 1>admit that this particular podcast is one of my favorites

0:24:07.440 --> 0:24:10.119
<v Speaker 1>so far. I found myself. I found myself grinning and

0:24:10.160 --> 0:24:12.760
<v Speaker 1>nodding as I listened. I grew up watching horror movies

0:24:12.800 --> 0:24:15.800
<v Speaker 1>and reading horror novels. I still have my original copies

0:24:15.840 --> 0:24:18.680
<v Speaker 1>of Stephen King's books, some a bit tattered but obviously

0:24:18.720 --> 0:24:21.160
<v Speaker 1>well loved and often re read over the years. While

0:24:21.200 --> 0:24:23.840
<v Speaker 1>growing up, my family was highly aware of my quote

0:24:23.880 --> 0:24:27.040
<v Speaker 1>unquote fascination with horror movies, to the point that for

0:24:27.119 --> 0:24:30.080
<v Speaker 1>my eleventh birthday party, my dad rented some horror movies

0:24:30.440 --> 0:24:33.080
<v Speaker 1>whose name I can't recall a twenty years later, I

0:24:33.119 --> 0:24:36.760
<v Speaker 1>think you're talking about the movies that um. As my

0:24:36.920 --> 0:24:38.840
<v Speaker 1>friends and I watched the movie, we huddled together in

0:24:38.880 --> 0:24:41.199
<v Speaker 1>awe and fear. Whenever a scary bit would come on,

0:24:41.240 --> 0:24:42.879
<v Speaker 1>we would scream, and mind I would run down and

0:24:42.920 --> 0:24:44.680
<v Speaker 1>ask if we wanted him to turn the movie off,

0:24:44.920 --> 0:24:48.840
<v Speaker 1>would either holler um a rather empathetic no, or we

0:24:48.840 --> 0:24:51.440
<v Speaker 1>would shoot him since we were completely enthralled with what

0:24:51.480 --> 0:24:54.040
<v Speaker 1>we were watching. All I really remember of the movie

0:24:54.080 --> 0:24:56.639
<v Speaker 1>now is the movie dealt with mummies, some priests from

0:24:56.680 --> 0:24:59.960
<v Speaker 1>ancient Egypt who traveled through time and tore people's heart.

0:25:00.000 --> 0:25:04.200
<v Speaker 1>Its sound whoa. I don't hm that one's not ringing

0:25:04.200 --> 0:25:06.239
<v Speaker 1>a bell, because at first I thought she was going

0:25:06.280 --> 0:25:08.720
<v Speaker 1>to be talking about like the old Boars carlaf deal.

0:25:09.040 --> 0:25:10.680
<v Speaker 1>I mean, it kind of sounds like a plot on

0:25:10.800 --> 0:25:14.199
<v Speaker 1>true but but that doesn't match up. I mean, there

0:25:14.280 --> 0:25:18.080
<v Speaker 1>was a great cheesy um mummy related film that was

0:25:18.119 --> 0:25:20.720
<v Speaker 1>on MST years back that had like a like an

0:25:20.720 --> 0:25:22.840
<v Speaker 1>ancient astronauts staying but the money it was really a

0:25:22.880 --> 0:25:25.399
<v Speaker 1>space alien and it's collecting jewels. But there was no

0:25:25.480 --> 0:25:27.840
<v Speaker 1>heart ripping in that. So I don't know. That's a

0:25:27.840 --> 0:25:30.040
<v Speaker 1>good actually a good call out for listeners. If you

0:25:30.080 --> 0:25:32.280
<v Speaker 1>know what she's talking about, let us know and we

0:25:32.320 --> 0:25:36.040
<v Speaker 1>will educate the all of us. Um. She continues, as

0:25:36.080 --> 0:25:37.840
<v Speaker 1>I said, My family was aware that I was and

0:25:37.880 --> 0:25:39.960
<v Speaker 1>still i'm a horror fan. As I hit the age

0:25:40.000 --> 0:25:42.119
<v Speaker 1>where I was old enough to babysit my younger sister,

0:25:42.200 --> 0:25:44.080
<v Speaker 1>my parents would always tell me not to let my

0:25:44.080 --> 0:25:46.400
<v Speaker 1>sister watch horror movies while they were out. Of course,

0:25:46.440 --> 0:25:48.680
<v Speaker 1>the minute they left, she would beg to watch whatever

0:25:48.720 --> 0:25:51.280
<v Speaker 1>Freddie movie happened to be on table or I happen

0:25:51.320 --> 0:25:53.160
<v Speaker 1>to bring home from the video store. Would go back

0:25:53.320 --> 0:25:55.600
<v Speaker 1>and forth for a bit until I finally agreed, and

0:25:55.640 --> 0:25:58.400
<v Speaker 1>of course she'd get scared, would still be awake when

0:25:58.400 --> 0:26:00.520
<v Speaker 1>our parents came home, and I'd get in trouble. Now

0:26:00.560 --> 0:26:03.240
<v Speaker 1>that we're adults, my sister refuses to see scary movies,

0:26:03.280 --> 0:26:06.120
<v Speaker 1>all of Freddy Krueger or Jason, and she has discovered

0:26:06.240 --> 0:26:09.800
<v Speaker 1>that even the really good and scary psychological throwers are

0:26:09.880 --> 0:26:12.320
<v Speaker 1>not her cup of tea, But being the awesome sister

0:26:12.400 --> 0:26:15.120
<v Speaker 1>that she is, she'll go with me once a year

0:26:15.160 --> 0:26:17.200
<v Speaker 1>and see a scary movie and we'll spend the entire

0:26:17.240 --> 0:26:20.320
<v Speaker 1>time peeking over her purse. Any who decide I share,

0:26:20.560 --> 0:26:24.159
<v Speaker 1>please continue doing the awesome job you guys do. Um

0:26:25.040 --> 0:26:30.840
<v Speaker 1>And uh, yeah, so it's just sincerely, Martha. Well that's awesome. Um.

0:26:30.880 --> 0:26:33.840
<v Speaker 1>And it's interesting to be just talking about um exposing

0:26:33.880 --> 0:26:36.240
<v Speaker 1>her sister to this and her sister ending up being

0:26:36.320 --> 0:26:39.280
<v Speaker 1>the polar opposite, uh, you know, not not having a

0:26:39.280 --> 0:26:42.440
<v Speaker 1>tolerance or a desire to seek out horror films as

0:26:42.440 --> 0:26:45.200
<v Speaker 1>an adult. Yeah, as yeah, as a child, she wanted them.

0:26:45.200 --> 0:26:47.280
<v Speaker 1>And I was just thinking that corroborates two different studies

0:26:47.280 --> 0:26:49.280
<v Speaker 1>that we've talked about before, the fact that kids cannot

0:26:49.280 --> 0:26:53.399
<v Speaker 1>get enough candy, right, um, and you know, having to

0:26:53.400 --> 0:26:57.320
<v Speaker 1>do with like um, energy stores as a child and

0:26:57.440 --> 0:27:00.000
<v Speaker 1>the quick fix they get from candy, and then they

0:27:00.119 --> 0:27:03.840
<v Speaker 1>they can't get enough scary movies. Yeah, you know, which

0:27:03.880 --> 0:27:07.399
<v Speaker 1>also corroborates some other studies. So yeah, yeah, and uh,

0:27:08.080 --> 0:27:10.880
<v Speaker 1>I can't help but think of of my own family too,

0:27:10.880 --> 0:27:14.600
<v Speaker 1>because I would get my sisters to watch these scary movies,

0:27:14.880 --> 0:27:17.040
<v Speaker 1>and I my middle sister, Lucy, she was she wasn't

0:27:17.040 --> 0:27:19.119
<v Speaker 1>really affected by him. She just kind of, you know,

0:27:19.119 --> 0:27:22.840
<v Speaker 1>I wasn't particularly interested. But I feel like my youngest sister, Alison,

0:27:22.840 --> 0:27:26.320
<v Speaker 1>she would get rather frightened by these films. But as

0:27:26.320 --> 0:27:29.240
<v Speaker 1>an adult she she still seems to have some level

0:27:29.440 --> 0:27:34.280
<v Speaker 1>of of nostalgia and appreciation for horror films, like she'll

0:27:34.320 --> 0:27:36.560
<v Speaker 1>she'll dress up, she could really get some Halloween and all. So,

0:27:37.359 --> 0:27:40.120
<v Speaker 1>I don't know. It's it's interesting though that in um

0:27:40.119 --> 0:27:43.960
<v Speaker 1>In MARTA's case, the younger sister ended up just going

0:27:44.359 --> 0:27:46.560
<v Speaker 1>almost completely do the other side of the fence on

0:27:46.680 --> 0:27:49.000
<v Speaker 1>the horror movie issue. Yeah yeah, And yet maybe it's

0:27:49.200 --> 0:27:51.720
<v Speaker 1>her once a year thing with her sister and she's like,

0:27:51.760 --> 0:27:55.520
<v Speaker 1>I got too explored again at that moment, she savors

0:27:55.600 --> 0:27:57.399
<v Speaker 1>it and who knows, maybe she'll bring her back at

0:27:57.560 --> 0:28:01.679
<v Speaker 1>around yeah O taste j inch. Well, Hey, if you

0:28:01.720 --> 0:28:03.679
<v Speaker 1>have something you would like to share with us, be

0:28:03.760 --> 0:28:06.520
<v Speaker 1>it related to horror movies, be it related to brick houses,

0:28:06.840 --> 0:28:10.640
<v Speaker 1>be it related to oh that, the future of the internet,

0:28:10.960 --> 0:28:13.840
<v Speaker 1>and uh and what the internet might be like On

0:28:13.880 --> 0:28:16.120
<v Speaker 1>an off roll colony let us know. You can find

0:28:16.160 --> 0:28:18.880
<v Speaker 1>us on Facebook where we are stuff to Blow Your Mind,

0:28:18.960 --> 0:28:20.600
<v Speaker 1>and you can find us on Twitter where our handle

0:28:20.680 --> 0:28:23.119
<v Speaker 1>is blow the Mind. And you can always send us

0:28:23.119 --> 0:28:30.840
<v Speaker 1>an email to blow the Mind at Discovery dot com.

0:28:30.920 --> 0:28:33.480
<v Speaker 1>Be sure to check out our new video podcast, Stuff

0:28:33.520 --> 0:28:36.159
<v Speaker 1>from the Future. Join How Stuff Work staff as we

0:28:36.200 --> 0:28:39.760
<v Speaker 1>explore the most promising and perplexing possibilities of tomorrow.