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Speaker 1: It's nine o one.

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Speaker 2: With Jenny Garth and Tory spelling. Oh this week, you guys, dude,

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Speaker 2: I don't know what to say.

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Speaker 3: We're back and for sad reasons.

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Speaker 2: The sad and mad. I'm all the fields good, that's good.

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Speaker 4: How do we feel about who'sy lady with the short

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Speaker 4: haircut and the short things?

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Speaker 2: And I can't think of her name, Jamie Blake?

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Speaker 5: What's her name?

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Speaker 3: Jamie Blake?

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Speaker 5: Who's Jamie Blake her real name?

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Speaker 3: I thought you said, how do we feel about the

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Speaker 3: girl with them?

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Speaker 2: Oh?

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Speaker 4: Tory always would have that on her mind because it's Brian.

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Speaker 2: I'm more fixated on Emma. Emma, Oh, I thought you.

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Speaker 5: I love that Tory went there to the girl that's kissing.

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Speaker 3: No, I don't mind that.

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Speaker 2: Well one has one has short hair and a pixie

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Speaker 2: and what as a bob so easy to.

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Speaker 4: So I want to know right out the gate from

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Speaker 4: both of you.

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Speaker 5: Did Emma do the right thing? Or she just like

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Speaker 5: a villain? What is she?

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Speaker 2: I don't I mean, she's just a girl that got

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Speaker 2: caught in the doorway and really gotta just tell the

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Speaker 2: truth when that happens.

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Speaker 3: This is this is a tough one because yeah, I

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Speaker 3: don't see her as a villain. Sorry, that's gonna be unpopular,

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Speaker 3: but you don't.

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Speaker 2: See her as a villain. She came into town, yeah,

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Speaker 2: went it just went straight for Brandon, like not even

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Speaker 2: a second's delay. She saw him, she conquered him.

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Speaker 5: Am I crazy to call her a vixen? A villain?

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Speaker 5: But also like girl power?

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Speaker 1: It's like she's sort of that too, yes, because she's

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Speaker 1: not well, No, would you call that guest trick rounded No,

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Speaker 1: I'd call that a girl's girl.

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Speaker 3: But no, I mean here's the thing, Oh see, it's

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Speaker 3: it's such a tough one because she doesn't owe Kelly anything. Right,

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Speaker 3: she came in and she found a guy and she

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Speaker 3: went for it.

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Speaker 2: And she knew he had a boy, he had a girlfriend.

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Speaker 2: She knew that.

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Speaker 5: So there's that factor, right, that's not very girl. She

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Speaker 5: knew the girlfriend, right that.

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Speaker 4: You're right, that is what makes her villainy.

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Speaker 2: If she didn't know at all, then and then we'd

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Speaker 2: have another discussion. But like she knew.

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Speaker 5: Yeah, that's a great point.

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Speaker 3: There's another word besides villain, there's God.

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Speaker 2: I love it that you want to defend her though,

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Speaker 2: I'm really interested this, Like, why are you trying to defend.

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Speaker 3: Her because I like her in real life.

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Speaker 5: Too on levels of wrong.

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Speaker 4: Though I still stand by that Brandon was worse.

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Speaker 3: You can't compare them.

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Speaker 4: It's like apples and oranges, you know, where they kind

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Speaker 4: of did it dirty is that they made it's they

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Speaker 4: make her so conniving that that's what makes her worse.

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Speaker 4: It's like if she just went to the office, she's

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Speaker 4: sort of this sexy girl who writes the column, and

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Speaker 4: he came on to her, or even mutually, and then

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Speaker 4: he went for it. But it's all the conniving, the

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Speaker 4: dropping the watch and the boiling water.

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Speaker 2: And the short skirts up on the desk.

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Speaker 4: Recording on the old cassette tape on you know, it's like,

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Speaker 4: and then showing him the tape and then inviting her

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Speaker 4: in to play the tape.

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Speaker 5: It's like they made her.

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Speaker 4: They made her villainy when it might have been more

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Speaker 4: interesting to make her not so villainy.

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Speaker 3: Okay, I understand this, and and granted I've gone on

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Speaker 3: this roller coaster ride. I've gone ups and ups and downs.

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Speaker 3: Like I like her, I don't like her, I hate her.

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Speaker 2: I love her.

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Speaker 5: So well played for the TV part, When did.

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Speaker 2: You love her?

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Speaker 3: Good? Question the moment I saw that haircut, you are hilarious.

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Speaker 3: Here's okay, here's the thing. I think Angel Boris now

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Speaker 3: Angel Boris read is really good because I'm not debating

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Speaker 3: that she's a villain.

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Speaker 2: I know so correct.

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Speaker 3: She's a villain, a scripted villain that actually has.

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Speaker 5: Likability, which is right. You are right.

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Speaker 2: Wait wait wait wait can you walk me through the

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Speaker 2: walk me through the likability please? As a character, not.

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Speaker 3: A I understand, but Angel playing that part, she could

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Speaker 3: have played it very one note. And there's something in

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Speaker 3: the way she plays it and her soul that comes

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Speaker 3: through that you want to hate her, but you just don't.

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Speaker 2: Ye.

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Speaker 5: Yeah, it's a little Heather lockleyer.

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Speaker 3: Like no, no, no, she was the villain in melrose Place,

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Speaker 3: but there was something like like a daughter.

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Speaker 2: Listen, I'm sorry, what break it down for me? What

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Speaker 2: was likable about this character? The way? Why do you,

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Speaker 2: as a female like the way she played the character.

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Speaker 2: It's not the way she played it, it's the character.

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Speaker 3: There's some warmth that comes through, and I don't know

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Speaker 3: what it is.

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Speaker 4: I agree with you, Tori. There's like she's ninety percent

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Speaker 4: ten percent, and.

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Speaker 5: I don't know if it's because she's so sexy.

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Speaker 2: When she's being like that time percent, she's still being conniving.

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Speaker 5: She's yeah, she's com meditated. Correct, that's true.

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Speaker 3: She's written, You're right, unlike well, total villain and yet

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Speaker 3: the way she portrays her.

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Speaker 4: Okay, well, I think we're talking about two different things. Okay,

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Speaker 4: here's what I'm gonna say. There's nothing likable about her,

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Speaker 4: but there's something very intriguing about her, so that maybe

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Speaker 4: what I'm experiencing is like I'm kind of bummed she's

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Speaker 4: gonna be gone soon, you know what I'm saying, Like

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Speaker 4: she's awful.

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Speaker 2: She's yeah, she's making it a little more, mixing it

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Speaker 2: up more.

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Speaker 4: Yeah, there's something interesting about her for this whole show.

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Speaker 5: Okay, Yeah, I don't disagree, but I just don't.

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Speaker 2: I can't say that she's there's something redeemable about her

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Speaker 2: as a character.

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Speaker 4: No, she's terrible because she's also not honest, Like the

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Speaker 4: dropping the watch and the recording and the.

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Speaker 2: Whole thing is dishonest. But it's like, but she did

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Speaker 2: a great job as an actress, There's no question about it.

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Speaker 4: If you were her, would you have done what she did?

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Speaker 5: And told Kelly?

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Speaker 2: I thought that was Gnarley, Like I said, she he's

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Speaker 2: being straight up asked, I don't think this character is

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Speaker 2: a liar because she didn't lie to anybody. She just

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Speaker 2: didn't tell Kelly because she thought Brandon should be the

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Speaker 2: one to tell Kelly.

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Speaker 4: It's also bananas that Kelly went over there like that.

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Speaker 2: Yeah, but why yeah, why can we go over there?

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Speaker 4: You went over there because you thought it was Steve

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Speaker 4: and that he was cheating on Hillary Swank, and so

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Speaker 4: I thought that was like also bananas, like.

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Speaker 3: Where she lived.

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Speaker 5: It's actually an interesting question.

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Speaker 2: Yellow Pages.

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Speaker 4: Yeah, right, was weird if I was, you know, a

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Speaker 4: person and this girl I'm sort of loosely friends with

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Speaker 4: has an entanglement with a random dude that I'm close with.

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Speaker 2: I'm not going to go knock on her door. Yeah,

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Speaker 2: that was a little confrontational for weird reasons.

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Speaker 3: We had to get there somehow, though.

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Speaker 2: First of all, I love that they just keep holding

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Speaker 2: up the cassette tape. I don't know. I'm glad it's over.

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Speaker 2: I'm glad the liaring, the liaring is over.

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Speaker 4: Brandon's liar liarings Darley and letting Steve. I mean, come on, dude,

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Speaker 4: Brandon they they are writing him like dog.

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Speaker 2: Poop, They're writing him like val, what's happening? I have

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Speaker 2: fury here?

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Speaker 5: Tell us.

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Speaker 3: I think they in their minds at the time, they

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Speaker 3: might have been like, we're losing the show. In their minds,

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Speaker 3: I mean, we're all the show, but like Brandon Walsh

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Speaker 3: Minnesota Twins, we've lost one, we're about to lose the

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Speaker 3: other how and they were like, Okay, people are going

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Speaker 3: to be miserable, so let's just tak him. Let's take

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Speaker 3: this character and make him be like them.

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Speaker 5: Who cares?

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Speaker 3: Brandon Walsh interesting?

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Speaker 2: I mean, I definitely see what you're saying, but that

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Speaker 2: that's a really down dirty that's terrible blasphemy.

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Speaker 3: Again, I'm I'm in shock. I know he was in

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Speaker 3: the mind space of you know, he's moving on, and.

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Speaker 4: But as a producer, did he have the ability to go,

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Speaker 4: don't write me so yes, sleepy, I for sure think

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Speaker 4: so at this So.

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Speaker 5: I guess maybe he was kind of into it.

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Speaker 3: Why do you think maybe he was, Like sure, I

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Speaker 3: don't know.

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Speaker 4: But it keeps flashing back in my mind to that

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Speaker 4: love scene with that Emma woman, Like I keep flashing back.

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Speaker 5: To that that was so it was just a lot.

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Speaker 5: It was very a lot.

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Speaker 3: Why because it was so not exciting.

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Speaker 2: See, I thought it was because it was like too

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Speaker 2: like sex, like poorn almost.

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Speaker 4: It was like it was like the most aggressive sex

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Speaker 4: scene we've had on nine O two one zero.

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Speaker 2: Oh, yes, by.

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Speaker 5: Far it was. It was gnarly, where are you.

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Speaker 2: Going with this? Amy interesting because I didn't like that.

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Speaker 4: Maybe we liked that they adulted him up or made

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Speaker 4: him maybe he doesn't want to always be good Brandon.

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Speaker 2: Well surely, I'm sure that's there, But yeah, that was

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Speaker 2: taking it to an extreme.

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Speaker 3: Yeah, here's the thing I gotta say, You guys like

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Speaker 3: Jamie Walters was not that's not him. He played a character.

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Speaker 3: He pushed Donna down the stairs. Well mean that, But

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Speaker 3: here's the thing. Jason Priestley plays Brandon Walsh. He cheats

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Speaker 3: on Kelly Taylor in the worst way. He's beloved.

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Speaker 2: Still, how is this all fair to this day?

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Speaker 4: I know, because we only think guys, I'm so sorry

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Speaker 4: because not that they didn't watch it, but they base

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Speaker 4: everything in my opinion on the first five seasons. How

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Speaker 4: we feel about everybody is totally based on the early

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Speaker 4: your season.

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Speaker 2: Yeah, but I'm watching this as a viewer as a

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Speaker 2: young girl who thinks Brandon Walsh is the best guy

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Speaker 2: in the world and dreams of having a boyfriend like him.

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Speaker 2: He's so devoted, so faithful, so honest, so smart, and

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Speaker 2: he loves his girlfriend so much. And then to see

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Speaker 2: as a viewer him cheat on her in this way

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Speaker 2: and such graphic visual details and then lie about it. Yeah,

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Speaker 2: the lying and then finally get caught as a viewer.

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Speaker 2: Am I ever gonna like him? Make?

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Speaker 4: Well?

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Speaker 2: May I remind you how this season ends? So? Yeah,

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Speaker 2: you sure are?

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Speaker 3: No, I don't know what what do you mean? What toy? Obviously?

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Speaker 3: Is there a wedding?

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Speaker 2: No? Do they get back together? Are you saying I

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Speaker 2: get back together?

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Speaker 5: Yeah?

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Speaker 2: So I'm just telling you that now.

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Speaker 5: I'm not spoiling it because it's three years afo.

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Speaker 2: You just spoiled it.

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Speaker 4: But it's like we all come around on these people too,

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Speaker 4: we do we soften?

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Speaker 2: Why why why I had to because it was in

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Speaker 2: script I mean, Kelly had to because that was my job, right.

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Speaker 4: I never think of this stuff when I think of

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Speaker 4: Brandon holistically.

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Speaker 2: I know, but that's that's the problem.

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Speaker 3: It's not redeemable on his part, Like it's just unless

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Speaker 3: we have some backstory of why he felt he needed

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Speaker 3: to Why, Like, I don't want to think that just

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Speaker 3: someone comes in, she's sexy and he's just like Okay.

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Speaker 3: I wish they could go into the backstory of like

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Speaker 3: at some point, like what were his feelings? Why did

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Speaker 3: he feel that what he had wasn't good enough on

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Speaker 3: his part that he needed to do something else? What

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Speaker 3: was he not feeling good about himself? We don't know?

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Speaker 4: Or is he just a twenty two year old dude?

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Speaker 4: That's the other thing. You all are acting like you're

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Speaker 4: all thirty.

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Speaker 5: It looks like thirty.

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Speaker 2: I feel like everybody on the show is thirty.

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Speaker 5: We're all twenty two.

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Speaker 2: They got so old so fast, and like it did

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Speaker 2: it's really hard to remember.

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Speaker 3: You're right, But before that, he's always actually no am

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Speaker 3: we Valentine?

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Speaker 5: Okay, you know what?

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Speaker 3: How is he a can you call a man America's sweetheart?

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Speaker 3: What is the male version of that?

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Speaker 5: Hearth thrub heart? Thrubs can be.

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Speaker 3: Kind of broody and like not so bad boys, America's sweetheart?

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Speaker 2: He's yeah, like the man.

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Speaker 3: I know, first five seasons, Amy, I get it, But

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Speaker 3: you guys, let's tell them what we're watching here. Season eight.

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Speaker 2: Yes, sorry, we got ahead of ourselves, you guys, Okay, segments,

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Speaker 2: let's see.

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Speaker 5: I'm so flustered now, Well.

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Speaker 4: Do we want to keep talking about this?

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Speaker 5: Because we could?

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Speaker 4: But also I'm obsessed with the mall, clown and the

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Speaker 4: whole There's so much talk.

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Speaker 2: There's so much to talk about in this episode. Season eight,

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Speaker 2: episode sixteen, Illegal Tender Air January fourteenth, nineteen ninety eight.

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Speaker 3: Synopsis. Emma wants revenge and she's coming with receipts. Kelly

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Speaker 3: faces the truth. Brandon's guilty of deceit. It's all David's fault.

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Speaker 3: When Jamie Blake gets fired, he runs to the peapad

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Speaker 3: and gets the singer hired. Noah finds out about Valerie's

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Speaker 3: secret client, and now he and val have the right

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Speaker 3: to remain silent.

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Speaker 4: So we have four storylines. We've got the Emma stuff

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Speaker 4: with Brandon. Wait, wait, I have to tell you, guys.

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Speaker 2: It was directed by Anson Williams, one of her favorite directors.

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Speaker 3: I did notice that, and written by Ken Stringer, who

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Speaker 3: started initially as our first ad.

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Speaker 2: That's right.

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Speaker 4: So we have four storylines. We've got the kids lost

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Speaker 4: in the mall. We've got this Emma fatal attraction thing.

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Speaker 4: We've got the singer, and we've got the gambling. It's

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Speaker 4: a lot and it's a lot which one.

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Speaker 3: If you could would you have lost?

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Speaker 5: Maybe the singer thing?

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Speaker 2: Oh really, I don't know that I would have lost

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Speaker 2: the kid getting lost.

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Speaker 3: I just was.

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Speaker 4: Obsessed with what mall is that? Oh my god, we

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Speaker 4: know it's the outdoor mall. Is it on Ventura? Yeah,

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Speaker 4: that's what I thought. Okay, so let's should we talk

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Speaker 4: about the missing and the sort of is that a

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Speaker 4: red herring when we think was he a kidnapper or not?

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Speaker 2: Oh?

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Speaker 4: Of course he wasn't. He did the right thing. Like,

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Speaker 4: I don't know how you describe a red herring. I

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Speaker 4: don't know what that word means.

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Speaker 2: I didn't never think he was a kidnapper. I just

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Speaker 2: think the kid like got lost and some nice man

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Speaker 2: found him.

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Speaker 4: But I think we're supposed to think, oh no, with

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Speaker 4: the candy, He's like, camere, little boy, I have candy,

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Speaker 4: and then you're supposed to be like, oh no, now

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Speaker 4: he's kidnapped.

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Speaker 2: I guess that. I mean, I guess I'm watching something

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Speaker 2: from the nineties. So I didn't think that. But if

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Speaker 2: I were watching that now, I probably would Immediately.

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Speaker 4: I was like, they're trying to make us think this

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Speaker 4: is a kidnapping.

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Speaker 3: I remember filming there that day and I was super

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Speaker 3: excited because in between shots there were stores there and

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Speaker 3: you go to chic goes. They were like boutique ones. Listen,

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Speaker 3: it was in the nineties, like it was like, oh

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Speaker 3: boutiques like that was yeah, yeah, there weren't like big

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Speaker 3: chains and like stuff. All I am focused on now

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Speaker 3: is the red balloon, and I'm like, oh, it's.

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Speaker 4: So it totally and the creepy He's gonna go and

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Speaker 4: get killed by a clown.

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Speaker 5: The creepy clowns is like a horror movie. I liked it.

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Speaker 5: Kids adorable? Have we tried to find him?

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Speaker 6: It was in chapter nineties where because chapter Miles Jeffrey,

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Speaker 6: that guy is adorable and the whole like, oh, Steve's okay.

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Speaker 4: First of all, so Steve tells the kid to lie

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Speaker 4: and say he had like tails. I was like, that's bad,

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Speaker 4: But then I actually didn't think it was so like

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Speaker 4: I thought Hilary Swank like overreacted to Steve, like.

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Speaker 5: Oh my god, you have to hold his hand all

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Speaker 5: the time.

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Speaker 2: I don't.

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Speaker 3: I don't neither.

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Speaker 2: No, yeah, as a mom uh no, well right, but

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Speaker 2: then she.

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Speaker 4: Correct But the whole point is she yelled at Steve

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Speaker 4: but then did the same thing. It's kind of like

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Speaker 4: a tropy trophy storyline.

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Speaker 2: I feel like she said, you have to hold his

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Speaker 2: hand when there's traffic, and he's crossing some traffic, but

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Speaker 2: she was standing right next to him and they were

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Speaker 2: I mean, I can imagine she wouldn't be holding his

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Speaker 2: hand the whole time, like at the clown thing. I

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Speaker 2: don't know.

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Speaker 4: I would be watching and making sure my kid doesn't

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Speaker 4: wander off chasing a balloon.

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Speaker 2: But that's true, that's a mall at a mall.

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Speaker 4: But these days my brother just puts trackers on my

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Speaker 4: nieces so that like it just like Apple trackers on them.

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Speaker 3: Oh that's a good one.

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Speaker 2: Sit in really good.

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Speaker 3: Did you know you could actually like carve it into

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Speaker 3: their tennis shoes in the insoul and you.

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Speaker 5: I think that's genius.

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Speaker 2: Wow.

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Speaker 4: I asked my niece if I could do that when

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Speaker 4: she went to Mexico for spring break, but she said no.

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Speaker 3: I was like, Okay, you don't ask you just do it.

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Speaker 4: But it was a long time to find the kid

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Speaker 4: out a very small mall.

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Speaker 2: Yeah, that's true. That's true. That's so that's I don't

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Speaker 2: know that storyline. I wasn't as excited about also because

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Speaker 2: I kind of know that this is ending soon, and

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Speaker 2: so I'm I.

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Speaker 4: Feel like they have one more episode with her.

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Speaker 2: Yeah, would you guys think of the singer of Jamie Blake.

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Speaker 2: She's she was the act, she was the character, but

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Speaker 2: she's also a real singer. Oh she was, yes, it

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Speaker 2: says uh. Signed by A and M Records in nineteen ninety.

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Speaker 5: Silled A and M Records.

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Speaker 3: She had cool, she had a cool look, cool voice.

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Speaker 5: I just feel like.

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Speaker 2: We've done this storyline.

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Speaker 5: It's just like, here's a gazillion time.

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Speaker 4: I'm like, Okay, David wants to be a musician. Oh,

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Speaker 4: he's find a singer. Oh, Valerie's mad.

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Speaker 2: I just it's very trophy. She's adorable and a really

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Speaker 2: good performer.

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Speaker 3: This is the new version of Watch What Happens Live,

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Speaker 3: and the word is trophy. Yeah, it's literally if you

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Speaker 3: just the drinking game, it's just.

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Speaker 4: The same old storyline. Although I'm fine with it. It's

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Speaker 4: the same old crap with Valerie too. Oh oh, Valerie

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Speaker 4: criminal again. Yeah, you're a criminal again. Oh cool, Okay,

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Speaker 4: it's just.

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Speaker 3: So Yeah, we talked about last week. We were not

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Speaker 3: happy about the bookie coming back. We're like, oh good,

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Speaker 3: we don't want to watch this.

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Speaker 2: So I look like Garth today? Hold on, we wait

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Speaker 2: a little bit. I'm not gonna lie.

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Speaker 4: I don't want to lie and say amazing.

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Speaker 3: Wait, your hair it actually looks so phenomenal. You look,

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Speaker 3: it looks eight eyed.

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Speaker 4: Okay, she's talking about does she look like Wayne's world

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Speaker 4: looked like Dana Carvey, And yes, you.

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Speaker 2: Do look like Garth? Right, that was the name guy,

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Speaker 2: you guys, you guys. My last name's Garth.

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Speaker 4: All I think about is when they went to that

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Speaker 4: concert and they're holding up their backstage passes.

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Speaker 2: Wait, how do you what was? They went like this, right,

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Speaker 2: you guys, Okay, let's stop doing that.

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Speaker 3: Then, by the way, she looked beautiful, hair looked great

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Speaker 3: until she proofed it up and then she literally did

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Speaker 3: transform into him.

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Speaker 5: That was that was crazy?

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Speaker 2: Yeah, that was actually I have a really I can

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Speaker 2: do Nick Nolty too, if you want to see that. No,

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Speaker 2: not to.

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Speaker 4: Do, actually though, I think also it happens that you're

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Speaker 4: wearing that shirt. Which is kind of a Wayne's Worldy

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Speaker 4: type shirt. I think it's it's all work anyway, we digress.

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Speaker 4: First of all, Lindsay Price like, can we talk about.

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Speaker 5: Her really quick?

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Speaker 4: Of course, you're right, Tori, Like, she really just starts

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Speaker 4: out as a very minor character.

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Speaker 2: And just so comfortable in her in her skin, like

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Speaker 2: she's like she's supposed to be there.

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Speaker 5: It feels like, yeah, she's just there.

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Speaker 3: I know, and she looks but I'm telling you she

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Speaker 3: was just She's brought in to work in the office

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Speaker 3: because they they need a workplace. This is now becoming

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Speaker 3: a workplace drum.

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Speaker 4: And I did look up where is the office? I

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00:21:43,400 --> 00:21:46,959
Speaker 4: was inspired to be like where is the Beverly Beat?

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00:21:47,080 --> 00:21:49,840
Speaker 4: And it's like Hollywood Boulevard. I did find it really fast.

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Speaker 4: I should have memorized where.

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Speaker 2: I feel like it's like over by where Netflix is?

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Speaker 4: Now where is the Beverly Beat? Like it was six

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00:22:01,320 --> 00:22:03,040
Speaker 4: six oh five Hollywood Boulevard?

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Speaker 2: Yes, right there.

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00:22:05,000 --> 00:22:08,280
Speaker 4: We need to hit that Spanish revival style building.

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00:22:08,320 --> 00:22:11,719
Speaker 3: Yeah, they're like, uh, is it Gricos? Is that it?

425
00:22:11,800 --> 00:22:13,960
Speaker 3: Pizza is at the bottom.

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00:22:14,040 --> 00:22:18,960
Speaker 4: It serves as the backdrop for the character's editorial escapades

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Speaker 4: it's right near Hollywood and Highland.

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Speaker 3: So I believe I'm not sure that those office spaces

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Speaker 3: that they're showing from the outside world of wonder Ru

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00:22:31,880 --> 00:22:37,439
Speaker 3: Paul drag Race, that's where those are their offices in

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Speaker 3: real in real life. Now it's like the last twenty years.

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Speaker 2: Hi, It's Jenny Garth from the I Choose Me podcast.

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Speaker 2: You guys, I'm thrilled to announce that the second annual

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00:22:57,160 --> 00:23:01,639
Speaker 2: I Choose Me Live, a women's Howardman's Summit, is coming

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00:23:01,720 --> 00:23:04,760
Speaker 2: to the iHeart Theater in Los Angeles. It is a

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00:23:04,880 --> 00:23:08,840
Speaker 2: girls day out. There will be shopping, there will be cocktails,

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00:23:08,880 --> 00:23:12,560
Speaker 2: there will be goodie bags. So join me and our

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00:23:12,720 --> 00:23:19,440
Speaker 2: incredible guests, my friend Gabrielle carteris aka Andrea Zuckerman, who

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00:23:19,520 --> 00:23:23,120
Speaker 2: doesn't want a little nine or two on oo, Amanda Kloops, Geenie,

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00:23:23,119 --> 00:23:29,320
Speaker 2: My Paradise Star, Sarah Shahi Caramo, Bethany Joy Lenz, Yes

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00:23:29,680 --> 00:23:33,480
Speaker 2: Haley from One Tree Hill. So join me for fabulous

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00:23:33,520 --> 00:23:38,080
Speaker 2: conversations with these trailblazers, and I promise you this will

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00:23:38,080 --> 00:23:41,280
Speaker 2: be a day that can change your life for the better.

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Speaker 2: You need this, trust me. Coming April twenty fifth to

445
00:23:45,760 --> 00:23:49,320
Speaker 2: the iHeart Theater in Los Angeles. Tickets are on sale

446
00:23:49,359 --> 00:23:56,520
Speaker 2: now at leips dot com.

447
00:23:56,640 --> 00:23:58,639
Speaker 4: Now, there is one thing this thing says wrong. It

448
00:23:58,680 --> 00:24:01,639
Speaker 4: says the building represents the office where Brandon and Steve

449
00:24:01,720 --> 00:24:07,560
Speaker 4: ran their student newspaper. It's student newspaper. AI, Come on this, AI,

450
00:24:07,840 --> 00:24:13,479
Speaker 4: get your crap together. AI, But fans like to go

451
00:24:13,520 --> 00:24:17,840
Speaker 4: buy it, says, So what do we think of Valerie?

452
00:24:18,440 --> 00:24:22,080
Speaker 2: I feel so bad for this her as an actress

453
00:24:22,080 --> 00:24:26,359
Speaker 2: like Tiffany, to be having to do the same storyline

454
00:24:26,400 --> 00:24:27,159
Speaker 2: over and over it.

455
00:24:27,280 --> 00:24:30,520
Speaker 4: I feel bad for Noah, who's wrongfully been arrested.

456
00:24:30,960 --> 00:24:34,040
Speaker 3: Because Amy loves Noah. Now she loves him.

457
00:24:34,359 --> 00:24:36,240
Speaker 2: I do. I didn't like in the scene in the

458
00:24:36,240 --> 00:24:39,080
Speaker 2: office when he took the guy's briefcase and slammed it down.

459
00:24:39,240 --> 00:24:41,199
Speaker 4: I didn't understand why he was still you'll leave the

460
00:24:41,280 --> 00:24:44,160
Speaker 4: money here, Like why, yeah, why didn't he say get

461
00:24:44,160 --> 00:24:46,040
Speaker 4: out of it, get take your stinking money and get

462
00:24:46,040 --> 00:24:46,480
Speaker 4: out of here.

463
00:24:47,480 --> 00:24:49,440
Speaker 2: I guess because that was his customer's money.

464
00:24:49,600 --> 00:24:53,359
Speaker 4: Maybe okay, oh yeah, maybe he's going to return all

465
00:24:53,359 --> 00:24:53,760
Speaker 4: the money.

466
00:24:53,760 --> 00:24:56,360
Speaker 5: That's right. How about Donna.

467
00:24:56,200 --> 00:24:59,400
Speaker 2: Just sleeping on the boat way to go? Donna?

468
00:25:00,680 --> 00:25:07,920
Speaker 3: Thanks? I like my own pigtails, my red pigtails.

469
00:25:08,600 --> 00:25:11,840
Speaker 2: Wait for you. Your characters like gone from like I'll

470
00:25:11,840 --> 00:25:14,639
Speaker 2: be a virgin until I'm married, until now being like,

471
00:25:14,920 --> 00:25:18,440
Speaker 2: let's go go a few rounds on the boat, let's

472
00:25:18,480 --> 00:25:21,000
Speaker 2: go all the way if the boat is a rock,

473
00:25:21,119 --> 00:25:22,320
Speaker 2: and don't come in on.

474
00:25:25,480 --> 00:25:28,640
Speaker 3: Oh, I'm just floating with it. I mean, the thing is,

475
00:25:30,720 --> 00:25:33,560
Speaker 3: I don't know, but.

476
00:25:32,520 --> 00:25:33,840
Speaker 5: What do you.

477
00:25:34,400 --> 00:25:39,359
Speaker 3: I'm trying to choose my words carefully. Okay, once you

478
00:25:39,400 --> 00:25:44,800
Speaker 3: know you have done the deed and made that choice,

479
00:25:45,160 --> 00:25:50,359
Speaker 3: perhaps again twenty two year old, you know, she's like, well,

480
00:25:50,440 --> 00:25:51,640
Speaker 3: I didn't wait for marriage.

481
00:25:52,160 --> 00:25:52,440
Speaker 5: Wait.

482
00:25:52,680 --> 00:25:55,879
Speaker 3: I thought that was going to be my forever with

483
00:25:56,080 --> 00:25:59,679
Speaker 3: David and it didn't work out, And so now she

484
00:25:59,720 --> 00:26:01,840
Speaker 3: could have wait a little longer. I understand.

485
00:26:02,160 --> 00:26:02,640
Speaker 5: No, I don't.

486
00:26:02,680 --> 00:26:04,040
Speaker 2: I don't think she needs a way a little longer.

487
00:26:04,119 --> 00:26:07,280
Speaker 2: I just think it's cute because the juxaposition of the

488
00:26:07,320 --> 00:26:10,080
Speaker 2: character and how cockly you switch. I see what you're

489
00:26:10,080 --> 00:26:14,440
Speaker 2: saying about, like once you give the milk away, then

490
00:26:14,680 --> 00:26:18,200
Speaker 2: then the farmer leaves, and then the milk the cow

491
00:26:18,280 --> 00:26:19,360
Speaker 2: still needs to be milked.

492
00:26:23,000 --> 00:26:25,200
Speaker 3: I remember my mom telling me that.

493
00:26:27,040 --> 00:26:27,520
Speaker 2: About it.

494
00:26:28,520 --> 00:26:31,119
Speaker 3: Granted, like I was a virgin, but she I just

495
00:26:31,200 --> 00:26:34,560
Speaker 3: remember her being like, why give the milk away?

496
00:26:34,600 --> 00:26:34,800
Speaker 2: Wait?

497
00:26:34,960 --> 00:26:35,960
Speaker 3: What?

498
00:26:35,960 --> 00:26:36,040
Speaker 6: What?

499
00:26:36,200 --> 00:26:38,520
Speaker 4: Why buy the cow when you give the milk away

500
00:26:38,520 --> 00:26:39,480
Speaker 4: for free.

501
00:26:39,119 --> 00:26:40,480
Speaker 2: When you can get the milk for free?

502
00:26:40,680 --> 00:26:43,120
Speaker 3: Right, And it's a seventeen year old girl. I heard

503
00:26:43,160 --> 00:26:45,880
Speaker 3: them like, oh mom, it's kind of a weird thing.

504
00:26:46,320 --> 00:26:49,879
Speaker 2: Little it's so like in the timeframe of the Beverly Hillbillies,

505
00:26:49,880 --> 00:26:52,960
Speaker 2: like those very dated side.

506
00:26:53,240 --> 00:26:55,880
Speaker 5: Yeah, true, you know what I mean, Like, the cow

507
00:26:55,920 --> 00:26:57,399
Speaker 5: should be able to do what the cow wants.

508
00:26:57,440 --> 00:27:00,760
Speaker 2: And also it shouldn't be called a cow, right, it's

509
00:27:00,800 --> 00:27:01,440
Speaker 2: called a cow.

510
00:27:01,920 --> 00:27:05,000
Speaker 3: I really kiss this boy. But bottom line, the cow

511
00:27:05,040 --> 00:27:06,399
Speaker 3: can do what the cow wants.

512
00:27:07,200 --> 00:27:10,040
Speaker 2: How do I feel about this episode? What do you

513
00:27:10,160 --> 00:27:10,920
Speaker 2: what do you think?

514
00:27:11,040 --> 00:27:13,560
Speaker 3: I mean, you got to feel better than previous ones.

515
00:27:14,320 --> 00:27:16,400
Speaker 2: Yeah, at least the ending was exciting.

516
00:27:17,359 --> 00:27:19,720
Speaker 3: Everything we have to talk about.

517
00:27:20,119 --> 00:27:20,520
Speaker 4: I just.

518
00:27:21,960 --> 00:27:26,040
Speaker 3: First of all, you guys, I thought Steve Sanders. I

519
00:27:26,200 --> 00:27:30,400
Speaker 3: really enjoyed him this episode because I was like, oh wow,

520
00:27:30,560 --> 00:27:34,439
Speaker 3: like he's done some bad stuff and always like I

521
00:27:34,440 --> 00:27:38,919
Speaker 3: don't know, it was a stand up best friend.

522
00:27:40,200 --> 00:27:43,480
Speaker 4: Now that's a guys guy. Yeah, there's a couple things

523
00:27:43,520 --> 00:27:47,320
Speaker 4: with Steve. So Steve was willing to take the hit

524
00:27:47,520 --> 00:27:50,439
Speaker 4: for Brandon, and they do bring up all Steve's past,

525
00:27:51,400 --> 00:27:56,679
Speaker 4: you know, indiscretions, plagiarism, to mess ups. Right, But I

526
00:27:56,800 --> 00:28:01,480
Speaker 4: also was like, yuck, yucky. You're friends with Kelly too,

527
00:28:01,600 --> 00:28:05,679
Speaker 4: this is yucky. Yeah, oh what came first? The chicken

528
00:28:05,760 --> 00:28:07,560
Speaker 4: or the egg? You know what came first?

529
00:28:07,640 --> 00:28:07,880
Speaker 2: Killy?

530
00:28:08,359 --> 00:28:11,800
Speaker 3: Yeah, that's right, right, Wow, it's really yeah, threw the

531
00:28:11,840 --> 00:28:12,720
Speaker 3: cow the chicken?

532
00:28:12,760 --> 00:28:13,200
Speaker 2: Care?

533
00:28:14,160 --> 00:28:16,400
Speaker 4: And how do we feel about Steve and Hillary's wink?

534
00:28:17,840 --> 00:28:20,240
Speaker 2: I think I feel any different than we've ever felt.

535
00:28:20,359 --> 00:28:23,880
Speaker 2: We're just kind of it's kind of like, oh, it's

536
00:28:23,960 --> 00:28:26,560
Speaker 2: nice to see Steve growing up a little Yeah.

537
00:28:27,359 --> 00:28:31,080
Speaker 4: But yeah, same old crap too with the like don't

538
00:28:31,119 --> 00:28:33,560
Speaker 4: tell her you had the double cheeseburger and then like

539
00:28:33,920 --> 00:28:36,760
Speaker 4: cross the ur or just.

540
00:28:36,720 --> 00:28:40,800
Speaker 2: Telling Brandon he said, never tell the truth until you

541
00:28:40,840 --> 00:28:41,680
Speaker 2: try lying first.

542
00:28:41,960 --> 00:28:44,520
Speaker 5: Oh my god, that's what he said to him.

543
00:28:44,600 --> 00:28:47,160
Speaker 3: That's right, he did do that. I guess I'm thinking

544
00:28:47,200 --> 00:28:48,960
Speaker 3: about the part that I was like, you know what,

545
00:28:49,080 --> 00:28:52,760
Speaker 3: that's that's a friend that would go Yeah, he could

546
00:28:52,800 --> 00:28:56,040
Speaker 3: go down in every single way here and cost his

547
00:28:56,160 --> 00:28:59,320
Speaker 3: relation everything and he did that for Brandon because he

548
00:28:59,360 --> 00:29:02,920
Speaker 3: loves it. So I that's the part I like about him.

549
00:29:02,920 --> 00:29:05,960
Speaker 2: But do you think he would have gone like I

550
00:29:06,040 --> 00:29:08,400
Speaker 2: would have done the whole like gun until let Carlely

551
00:29:08,440 --> 00:29:11,080
Speaker 2: find out and broken up with Carly with this lie?

552
00:29:11,120 --> 00:29:11,640
Speaker 2: Do you think he was?

553
00:29:12,120 --> 00:29:15,400
Speaker 3: I wonder if he really thought that out. And maybe

554
00:29:15,400 --> 00:29:19,920
Speaker 3: that's telling right there that Carly's not ding ding ding

555
00:29:19,960 --> 00:29:22,880
Speaker 3: ding ding ding ding okay, because he must have. No,

556
00:29:23,200 --> 00:29:23,760
Speaker 3: he doesn't think.

557
00:29:24,040 --> 00:29:25,240
Speaker 5: I don't even think he thought it through.

558
00:29:25,280 --> 00:29:26,800
Speaker 2: I think he would have just told her that I

559
00:29:26,800 --> 00:29:30,840
Speaker 2: didn't actually do it right, So true, I want to

560
00:29:30,920 --> 00:29:34,400
Speaker 2: give this episode. I don't know. I think it's like,

561
00:29:34,840 --> 00:29:35,480
Speaker 2: there's so much.

562
00:29:36,000 --> 00:29:37,800
Speaker 5: Could we just talk about your scene?

563
00:29:38,080 --> 00:29:39,360
Speaker 2: I'm ready to be done with that.

564
00:29:40,400 --> 00:29:43,720
Speaker 4: The storyline between you all is more like eight point five,

565
00:29:43,840 --> 00:29:45,240
Speaker 4: but the rest is like a seven.

566
00:29:45,960 --> 00:29:49,040
Speaker 2: Yeah, because it's same, oh same, oh yeah, just.

567
00:29:49,040 --> 00:29:52,080
Speaker 4: The same old. David's got an artist? Can she play

568
00:29:52,120 --> 00:29:54,040
Speaker 4: the pa pad Valerie? Oh?

569
00:29:54,160 --> 00:29:56,040
Speaker 5: I don't want to, Okay, I'll do it for you.

570
00:29:56,160 --> 00:29:58,120
Speaker 4: It's just like, oh my god, I've seen this so

571
00:29:58,160 --> 00:29:58,880
Speaker 4: many times.

572
00:29:59,040 --> 00:29:59,680
Speaker 2: I'm curious.

573
00:29:59,720 --> 00:30:02,480
Speaker 5: Are they couple sort of? A? Yeah, they sort of

574
00:30:02,520 --> 00:30:04,120
Speaker 5: are like they are.

575
00:30:05,080 --> 00:30:07,440
Speaker 3: And here's the thing, I'm taking.

576
00:30:07,200 --> 00:30:10,080
Speaker 2: Myself out of it. You can't you can't, I can't

577
00:30:10,480 --> 00:30:10,720
Speaker 2: let me.

578
00:30:11,640 --> 00:30:16,120
Speaker 3: I actually, as a viewer, don't they They had chemistry

579
00:30:16,280 --> 00:30:19,240
Speaker 3: when they were together before, but now together, I'm like,

580
00:30:20,280 --> 00:30:25,280
Speaker 3: this is a non m It's just the way it's

581
00:30:25,320 --> 00:30:26,960
Speaker 3: written though. At the two of them, you just like

582
00:30:27,080 --> 00:30:29,600
Speaker 3: don't want them to be together and you don't get the.

583
00:30:29,520 --> 00:30:33,360
Speaker 2: Hair right because we kind of like David just because

584
00:30:33,400 --> 00:30:36,840
Speaker 2: of his origin on the show, So he's like one

585
00:30:36,840 --> 00:30:39,719
Speaker 2: of our core people. Yeah, he can mess up, just

586
00:30:39,720 --> 00:30:41,760
Speaker 2: like Okay, so he messed up and we still love him.

587
00:30:41,800 --> 00:30:43,400
Speaker 2: So now I guess Brandon's supposed to be able to

588
00:30:43,400 --> 00:30:47,760
Speaker 2: mess up and we will still love him. Have any

589
00:30:47,760 --> 00:30:50,640
Speaker 2: of the girls ever helped me think this? Or have

590
00:30:50,680 --> 00:30:53,160
Speaker 2: any of the girls ever like cheated on somebody and

591
00:30:53,200 --> 00:30:55,400
Speaker 2: then been still liked for it.

592
00:30:55,760 --> 00:30:59,880
Speaker 3: Or had a fatal flaw but everyone ignoredon went poor Valeries.

593
00:31:00,280 --> 00:31:01,120
Speaker 2: Valerie, that's her.

594
00:31:01,200 --> 00:31:03,440
Speaker 3: Yeah, but in theory, okay, so we're gonna go with

595
00:31:03,480 --> 00:31:07,480
Speaker 3: the core cast, right, not that she's not Okay, he's

596
00:31:07,520 --> 00:31:08,200
Speaker 3: there to do bad thing.

597
00:31:08,280 --> 00:31:10,240
Speaker 2: Gabrielle cheats on Jesse.

598
00:31:11,680 --> 00:31:15,480
Speaker 3: With that point, he's not there anymore, so you know,

599
00:31:15,520 --> 00:31:16,120
Speaker 3: I'm just kidding.

600
00:31:18,440 --> 00:31:22,920
Speaker 2: Oh man, So my point So Brenda, wait, Brenda, Donna.

601
00:31:22,680 --> 00:31:26,480
Speaker 3: David still there. So Kelly and Donna Brenda did.

602
00:31:26,520 --> 00:31:28,480
Speaker 2: Never do anything like that? Right? Am I? Right? Am

603
00:31:28,480 --> 00:31:30,760
Speaker 2: I wrong? I have no idea she did she cheated

604
00:31:30,880 --> 00:31:31,640
Speaker 2: in Paris?

605
00:31:31,640 --> 00:31:32,120
Speaker 5: Correct?

606
00:31:32,520 --> 00:31:36,640
Speaker 2: Oh? Yes, right on on Dylan? Was it on Dylan?

607
00:31:37,160 --> 00:31:37,760
Speaker 2: She cheated on?

608
00:31:38,040 --> 00:31:39,360
Speaker 3: It was not on Brandon.

609
00:31:41,120 --> 00:31:43,480
Speaker 2: Or Steve, so it must have been telling. Okay, great, yep,

610
00:31:44,440 --> 00:31:46,640
Speaker 2: But we did we see that? Was that? Oh yeah,

611
00:31:46,640 --> 00:31:48,560
Speaker 2: we saw that whole thing happened. I feel like we

612
00:31:48,840 --> 00:31:53,760
Speaker 2: forgive a lot of things on this show. But also

613
00:31:53,880 --> 00:31:55,400
Speaker 2: she was a lot younger.

614
00:31:55,560 --> 00:31:58,760
Speaker 3: Yeah, totally, but wait, oh I like this, this is fun.

615
00:31:58,960 --> 00:32:02,200
Speaker 3: So poor were going back to the females that are

616
00:32:02,240 --> 00:32:05,280
Speaker 3: still here. Did Donna ever Joe, Kelly and Donna have

617
00:32:05,360 --> 00:32:08,640
Speaker 3: they ever done anything that they It should be like

618
00:32:09,000 --> 00:32:09,640
Speaker 3: not redeemed?

619
00:32:09,960 --> 00:32:13,360
Speaker 4: Are you dating two people the fireman and someone else

620
00:32:13,400 --> 00:32:15,200
Speaker 4: at the same time and trying to remember?

621
00:32:15,480 --> 00:32:17,960
Speaker 2: Yes, but she wasn't They knew about it? I think right?

622
00:32:18,080 --> 00:32:20,600
Speaker 3: They did? They were, They were upfront about it.

623
00:32:20,720 --> 00:32:24,000
Speaker 4: Yeah, God, you should have stayed with Cameron Bancroft.

624
00:32:24,040 --> 00:32:25,000
Speaker 2: He really messed that up.

625
00:32:25,040 --> 00:32:25,600
Speaker 5: I loved him.

626
00:32:26,000 --> 00:32:27,600
Speaker 3: Jill loves Donna the parent.

627
00:32:30,200 --> 00:32:34,320
Speaker 2: The other things, though, were more like crimes against themselves.

628
00:32:34,440 --> 00:32:37,840
Speaker 2: You know, like I love that, like things that they

629
00:32:37,880 --> 00:32:40,560
Speaker 2: did that were not good for themselves, but they never

630
00:32:40,600 --> 00:32:45,320
Speaker 2: did something that was purposely not good for their partners.

631
00:32:45,680 --> 00:32:47,280
Speaker 4: I just think about, like what could they have done

632
00:32:47,320 --> 00:32:49,000
Speaker 4: on the show to be less Trophy?

633
00:32:49,120 --> 00:32:51,200
Speaker 2: But like I don't know, Yeah, how would you make

634
00:32:51,240 --> 00:32:53,120
Speaker 2: it less? I don't know, ahead give it a try.

635
00:32:53,160 --> 00:32:55,280
Speaker 5: I've been thinking that in my mind, like four times.

636
00:32:55,360 --> 00:32:58,040
Speaker 3: Four times Trophy has been said, yeah, just calling it out.

637
00:32:59,000 --> 00:33:00,200
Speaker 5: Everybody drink when.

638
00:33:01,840 --> 00:33:04,880
Speaker 4: Or Jumpy the sharky jump be the shark. It's not

639
00:33:04,960 --> 00:33:08,560
Speaker 4: even Jumpy the sharky. It's just Trophy number five.

640
00:33:08,640 --> 00:33:11,880
Speaker 2: It's not to you guys. Oh jee, any way to

641
00:33:11,920 --> 00:33:15,960
Speaker 2: go little vodka in that mudy we'll hair the dog

642
00:33:19,280 --> 00:33:20,600
Speaker 2: or the cow or the chicken.

643
00:33:20,720 --> 00:33:21,360
Speaker 5: I don't know.

644
00:33:22,320 --> 00:33:26,400
Speaker 2: It's not bad, nothing's bad. It's just not great. So

645
00:33:26,520 --> 00:33:27,640
Speaker 2: what do you give it?

646
00:33:27,760 --> 00:33:28,480
Speaker 5: Seven and a half?

647
00:33:28,680 --> 00:33:29,040
Speaker 2: Okay?

648
00:33:29,720 --> 00:33:33,120
Speaker 3: I gotta say though that end scene, I was like,

649
00:33:33,320 --> 00:33:36,200
Speaker 3: I can't wait to watch next week. I'm sorry, like,

650
00:33:36,280 --> 00:33:39,080
Speaker 3: oh yeah, with Kelly and Brandon, I was like this.

651
00:33:40,360 --> 00:33:42,120
Speaker 2: I don't want to see them fighting.

652
00:33:42,320 --> 00:33:47,800
Speaker 3: I'm sorry, Jen, this happens to you because it did

653
00:33:47,880 --> 00:33:51,400
Speaker 3: happen to me. But yeah, it still was like, in

654
00:33:51,480 --> 00:33:54,040
Speaker 3: order to play those emotions of somebody being cheated on,

655
00:33:54,600 --> 00:33:57,480
Speaker 3: you have to let it seek through a layer of

656
00:33:57,520 --> 00:33:59,240
Speaker 3: your human well.

657
00:33:59,280 --> 00:34:02,800
Speaker 4: And that tape is sort of like it's like a

658
00:34:02,920 --> 00:34:05,520
Speaker 4: tricky because he kind of says I had feelings for

659
00:34:05,560 --> 00:34:07,400
Speaker 4: you or whatever he says. But I felt like he

660
00:34:07,480 --> 00:34:09,680
Speaker 4: was saying that at the time to just kind of

661
00:34:09,760 --> 00:34:13,120
Speaker 4: get rid of her. So I don't think he actually,

662
00:34:13,200 --> 00:34:14,839
Speaker 4: you know what I'm saying. That tape must have been

663
00:34:14,880 --> 00:34:16,120
Speaker 4: so painful to listen to.

664
00:34:17,040 --> 00:34:21,040
Speaker 3: Can you what would be the today version of that recording?

665
00:34:21,040 --> 00:34:24,239
Speaker 3: It wouldn't be voice memo because it was recording a conversation.

666
00:34:24,440 --> 00:34:29,440
Speaker 2: What would it be hidden camera? Just somebody recording on

667
00:34:29,520 --> 00:34:30,520
Speaker 2: an voice.

668
00:34:30,320 --> 00:34:33,200
Speaker 3: Like can you do that on your phone? Asking for

669
00:34:33,239 --> 00:34:33,560
Speaker 3: a friend?

670
00:34:33,640 --> 00:34:35,279
Speaker 5: Yeah? People do that crap all the time.

671
00:34:35,360 --> 00:34:37,960
Speaker 4: I think it's illegal, But like you can record a

672
00:34:38,000 --> 00:34:42,520
Speaker 4: call illegally, illegally, illegally, okay.

673
00:34:42,800 --> 00:34:44,320
Speaker 3: A snapchat photo.

674
00:34:44,719 --> 00:34:46,799
Speaker 2: So if you were to record a call like that,

675
00:34:46,840 --> 00:34:49,760
Speaker 2: like Emma Ditch, would she what do you mean illegally?

676
00:34:49,760 --> 00:34:50,040
Speaker 2: What's that?

677
00:34:50,280 --> 00:34:53,000
Speaker 4: You're not allowed but in California to record someone without

678
00:34:53,040 --> 00:34:55,680
Speaker 4: telling them. I'm not a lawyer, but I think I'm right.

679
00:34:56,719 --> 00:34:58,759
Speaker 4: I'm pretty sure you're not allowed to just record someone

680
00:34:58,800 --> 00:34:59,560
Speaker 4: without letting them know.

681
00:34:59,600 --> 00:35:03,520
Speaker 3: You're like, I'm how on Ryan's roses they always have

682
00:35:03,600 --> 00:35:06,080
Speaker 3: to say, Ryan has to say just to let you

683
00:35:06,160 --> 00:35:09,239
Speaker 3: know right right on the radio. Yeah.

684
00:35:09,280 --> 00:35:09,520
Speaker 2: Yeah.

685
00:35:09,600 --> 00:35:11,799
Speaker 4: Or you can get permission after too, if you like,

686
00:35:13,080 --> 00:35:15,200
Speaker 4: you know, if you were doing that, and then you'd say, hey,

687
00:35:15,320 --> 00:35:17,880
Speaker 4: can we air this and they can say yes, okay.

688
00:35:17,920 --> 00:35:21,080
Speaker 3: But in real life, so even back then, is she

689
00:35:21,200 --> 00:35:24,239
Speaker 3: allowed to record it and then play it for somebody?

690
00:35:24,360 --> 00:35:25,560
Speaker 3: Could she be arrested?

691
00:35:25,960 --> 00:35:26,480
Speaker 5: No?

692
00:35:26,480 --> 00:35:31,640
Speaker 4: No, Yeah, it's like you're not allowed to record people

693
00:35:31,640 --> 00:35:32,520
Speaker 4: without their knowledge.

694
00:35:32,520 --> 00:35:32,840
Speaker 2: I don't know.

695
00:35:32,840 --> 00:35:34,760
Speaker 4: I'm not a lawyer, so I'm making this up basically,

696
00:35:34,800 --> 00:35:37,160
Speaker 4: but I'm pretty sure there's like you're not allowed to just.

697
00:35:37,160 --> 00:35:40,040
Speaker 3: Record people, but you play one on a podcast, You're fine.

698
00:35:40,239 --> 00:35:42,600
Speaker 4: It's like, you know how when you call you know,

699
00:35:42,800 --> 00:35:46,680
Speaker 4: Comcast Cable, it says this line may be recorded.

700
00:35:46,800 --> 00:35:51,600
Speaker 2: They have to say insurance. Yeah, that's more to like

701
00:35:51,640 --> 00:35:53,799
Speaker 2: make sure that their employees are not being like, you know,

702
00:35:54,320 --> 00:35:59,840
Speaker 2: you don't like you. I don't care what carrier you listen, It's.

703
00:35:59,680 --> 00:36:00,799
Speaker 5: Not the fault you be.

704
00:36:02,440 --> 00:36:05,320
Speaker 3: I gotta say though, Wait, Kelly is coming back to

705
00:36:05,400 --> 00:36:09,399
Speaker 3: Donna and the beach apartment. Is this happening? She says,

706
00:36:09,440 --> 00:36:11,960
Speaker 3: I'm going to stay with Donna, But yeah, she moved

707
00:36:11,960 --> 00:36:14,480
Speaker 3: back in permanently. Make me so happy?

708
00:36:14,600 --> 00:36:17,520
Speaker 2: She mess because where else is she gonna go? Right,

709
00:36:18,480 --> 00:36:21,000
Speaker 2: she should have never moved into Brandon's. I know that

710
00:36:21,080 --> 00:36:21,919
Speaker 2: was kind of a bad call.

711
00:36:21,960 --> 00:36:25,040
Speaker 4: I also was just obsessed with the decor of the wallshouse.

712
00:36:25,080 --> 00:36:25,759
Speaker 3: It's so bad.

713
00:36:26,080 --> 00:36:29,040
Speaker 4: All the shop keys on the shelf, the wall art

714
00:36:29,200 --> 00:36:30,200
Speaker 4: is just horrendous.

715
00:36:30,320 --> 00:36:33,440
Speaker 2: The blanket over the couch, it's just so bad. It's

716
00:36:33,480 --> 00:36:35,560
Speaker 2: just the color theme in general. It makes you want

717
00:36:35,560 --> 00:36:37,680
Speaker 2: to just like lay down in a ditch.

718
00:36:38,440 --> 00:36:42,360
Speaker 4: So I'm like, oh, this house is decorated horrifically.

719
00:36:44,000 --> 00:36:48,200
Speaker 3: I had good bones though, that's good house. Where's Jamie Blake? Now?

720
00:36:48,239 --> 00:36:51,360
Speaker 2: Do you think she had a She did some vocals recently.

721
00:36:51,560 --> 00:36:55,160
Speaker 2: I saw that. Oh great for a bit. Wait four,

722
00:36:56,280 --> 00:37:01,360
Speaker 2: she's still singing. She's still sanging. That's good stuff, you guys.

723
00:37:01,440 --> 00:37:04,839
Speaker 2: Great episode. I feel like, I don't know, I'm not

724
00:37:04,920 --> 00:37:08,480
Speaker 2: really excited to watch Kelly and Brandon deal with this.

725
00:37:08,560 --> 00:37:09,360
Speaker 2: I gotta be honest.

726
00:37:09,440 --> 00:37:10,080
Speaker 5: Yeah, it gets old.

727
00:37:10,120 --> 00:37:11,200
Speaker 3: That's just a trauma tricker.

728
00:37:11,239 --> 00:37:12,759
Speaker 4: I don't want to like scare anyone gets a little

729
00:37:12,840 --> 00:37:15,759
Speaker 4: dull for a minute. Here, it's a little dull.

730
00:37:16,320 --> 00:37:20,040
Speaker 3: Oh, it does gets dull. We just unduled it now

731
00:37:20,160 --> 00:37:21,319
Speaker 3: I kind of dullgether?

732
00:37:22,120 --> 00:37:28,000
Speaker 4: And then yeah, next week is season eight, episode seventeen,

733
00:37:28,360 --> 00:37:30,200
Speaker 4: the Elephant's father.

734
00:37:30,920 --> 00:37:34,640
Speaker 2: Yeah, it just gets random. Uh woa, who's the elephant?

735
00:37:35,360 --> 00:37:37,520
Speaker 3: Give us a little hint so people are excited to

736
00:37:37,640 --> 00:37:39,280
Speaker 3: listen to this, ak us.

737
00:37:39,480 --> 00:37:42,239
Speaker 4: What I remember is it sort of like random storyline,

738
00:37:42,320 --> 00:37:46,520
Speaker 4: random storyline, random storyline, random story.

739
00:37:45,880 --> 00:37:47,200
Speaker 2: Who's the elephant? Yeah?

740
00:37:47,200 --> 00:37:47,880
Speaker 3: What's the reference?

741
00:37:47,920 --> 00:37:50,600
Speaker 2: I don't remember it yet. Oh man, is like the.

742
00:37:50,640 --> 00:37:53,520
Speaker 3: Elephant in the room. Probably not that I don't All

743
00:37:54,960 --> 00:37:56,200
Speaker 3: cat's out of the bag now.

744
00:37:58,800 --> 00:38:01,600
Speaker 2: I cannot, in my wildest dreams imagine what it could

745
00:38:01,600 --> 00:38:03,920
Speaker 2: be about. Well, guess what we're gonna pay that the

746
00:38:03,960 --> 00:38:07,640
Speaker 2: title one short week? Okay, and then actually to watch

747
00:38:07,680 --> 00:38:10,520
Speaker 2: I want to see, if nothing else, just to explain

748
00:38:10,560 --> 00:38:16,600
Speaker 2: the title exactly there, Bye bye,