1 00:00:06,880 --> 00:00:13,680 Speaker 1: Fantastica Soila Princeton the Salvage previously on the Princess of 2 00:00:13,720 --> 00:00:17,160 Speaker 1: South Beach. It was an action packed day at Lakasarosa. 3 00:00:17,239 --> 00:00:21,000 Speaker 1: After Raoul started to suspect A Stevan's involvement in Nacho's disappearance, 4 00:00:21,320 --> 00:00:23,799 Speaker 1: Maria del Garmin decided to show him his sex tape 5 00:00:23,800 --> 00:00:26,560 Speaker 1: with Nacho, and Raoul handed it over to Andres, the 6 00:00:26,640 --> 00:00:30,280 Speaker 1: Teen Vogue reporter. Maria and Estreia had a blowout fight 7 00:00:30,320 --> 00:00:32,600 Speaker 1: about it right as a scandal broke on live TV, 8 00:00:33,000 --> 00:00:36,720 Speaker 1: with Estraya calling into question Maria's morality, and even with 9 00:00:36,760 --> 00:00:39,880 Speaker 1: all of A Stevan's dirty laundry out, he still won 10 00:00:40,080 --> 00:00:45,240 Speaker 1: and became Miami's new mayor Florida. I'm right and all 11 00:00:45,280 --> 00:00:48,320 Speaker 1: of that in time to be arrested for Nacho's disappearance. 12 00:00:48,800 --> 00:00:51,400 Speaker 1: Let's see how A Stevan is enjoying life behind bars. 13 00:00:55,040 --> 00:01:11,520 Speaker 1: Okay Calderon thirty minutes, Louisa, thank god you're here. Did 14 00:01:11,560 --> 00:01:14,360 Speaker 1: you bring the money for the bail? I can't believe 15 00:01:14,360 --> 00:01:16,720 Speaker 1: they're asking for ten million. Those judges must be insane. 16 00:01:17,240 --> 00:01:19,360 Speaker 1: But I'll take care of that. After I settled into 17 00:01:19,640 --> 00:01:23,840 Speaker 1: my mayoral duties, Steven I'm not here to bail you out. 18 00:01:23,920 --> 00:01:25,800 Speaker 1: What what do you mean You're not here to bail 19 00:01:25,840 --> 00:01:28,920 Speaker 1: me out, Louisa? Do you understand how disgusting this place is. 20 00:01:28,920 --> 00:01:30,560 Speaker 1: They don't even have a big day. I would rather 21 00:01:30,600 --> 00:01:32,440 Speaker 1: be locked up in a zoom Steven, I don't think 22 00:01:32,440 --> 00:01:36,000 Speaker 1: you realize the severity of the situation you're in. They 23 00:01:36,120 --> 00:01:40,640 Speaker 1: think you killed Nacho, that you killed him in cold 24 00:01:40,720 --> 00:01:44,280 Speaker 1: blood to cover up your affair, which is obviously not true. 25 00:01:44,400 --> 00:01:47,680 Speaker 1: What's not true that you were having an affair or 26 00:01:47,720 --> 00:01:49,720 Speaker 1: that you killed I think it's a little late to 27 00:01:49,760 --> 00:01:54,400 Speaker 1: deny our little transgression. Everyone saw the video, and look, 28 00:01:54,440 --> 00:01:59,360 Speaker 1: I regret every single second of it killing Nacho. You 29 00:01:59,400 --> 00:02:04,120 Speaker 1: know I'm not kill people of doing that, Louisa. You 30 00:02:04,200 --> 00:02:07,520 Speaker 1: know I didn't do it. You believe me, right. I 31 00:02:07,560 --> 00:02:11,560 Speaker 1: don't know what you're capable of. I don't know you anymore. 32 00:02:12,040 --> 00:02:14,919 Speaker 1: How could you even say that after twenty two years 33 00:02:14,919 --> 00:02:17,480 Speaker 1: of marriage, everything we've been through, is this a marriage? 34 00:02:17,639 --> 00:02:19,880 Speaker 1: We lived in the same house, but there's nothing else 35 00:02:19,960 --> 00:02:23,760 Speaker 1: between us, Luisa. There will be plenty of time to 36 00:02:23,800 --> 00:02:28,480 Speaker 1: talk about this after you get me out. For now, 37 00:02:28,720 --> 00:02:31,120 Speaker 1: I need you to focus on what's important. My bail 38 00:02:31,480 --> 00:02:33,440 Speaker 1: I know everything looks pretty bad right now, but it's 39 00:02:33,520 --> 00:02:36,080 Speaker 1: not too late to control the narrative. Here. We can 40 00:02:36,200 --> 00:02:38,320 Speaker 1: use this as an example of how the government tries 41 00:02:38,360 --> 00:02:45,320 Speaker 1: to go after powerful, successful people. Yeah, basta, Steven, Can 42 00:02:45,440 --> 00:02:48,880 Speaker 1: you stop with the campaign? It's all you think about. 43 00:02:49,200 --> 00:02:51,119 Speaker 1: It won't surprise me if you did whatever it took 44 00:02:51,120 --> 00:02:55,280 Speaker 1: to Louisa. You knew natural old people money. Did you 45 00:02:55,320 --> 00:02:58,040 Speaker 1: refuse to help him and then did he blackmail you 46 00:02:58,120 --> 00:03:01,679 Speaker 1: with this tape? No, you're talking crazy, dog. Don't call 47 00:03:01,720 --> 00:03:06,080 Speaker 1: me crazy. You know what, it's crazy, This whole situation 48 00:03:06,160 --> 00:03:08,400 Speaker 1: we are in because of you. I'm sick of you 49 00:03:08,440 --> 00:03:10,680 Speaker 1: calling me crazy, telling me that I need to go 50 00:03:10,760 --> 00:03:14,720 Speaker 1: to doctors and therapists, when really I have been right 51 00:03:15,080 --> 00:03:20,560 Speaker 1: this whole time to doubt you. Wait, where are you going? 52 00:03:21,040 --> 00:03:25,040 Speaker 1: I think you need some time to reflect, Award. I'm 53 00:03:25,040 --> 00:03:28,160 Speaker 1: begging you. You can fix all of this. Just tell 54 00:03:28,200 --> 00:03:31,679 Speaker 1: them that you were with me the night that natal disappeared. 55 00:03:31,760 --> 00:03:34,240 Speaker 1: But I wasn't. I don't know where you were, Louisa. 56 00:03:34,600 --> 00:03:37,560 Speaker 1: I was there when you needed me. Now I need you, 57 00:03:37,720 --> 00:03:41,440 Speaker 1: and you've never let me forget it. I can't continue 58 00:03:41,440 --> 00:03:46,080 Speaker 1: to live this way. I can't continue to avoid the truth. You, 59 00:03:46,160 --> 00:03:49,680 Speaker 1: on the other hand, seemed totally fine with living a lie. Louisa, 60 00:03:50,000 --> 00:03:51,640 Speaker 1: what is it that you are not understanding? Here? When 61 00:03:51,640 --> 00:03:54,800 Speaker 1: I get out, you will be the first lady of Miami, 62 00:03:55,640 --> 00:03:58,840 Speaker 1: My first lady. We could start over, you and me. 63 00:03:59,200 --> 00:04:01,480 Speaker 1: We can live the life we've always wanted. We could 64 00:04:01,520 --> 00:04:05,920 Speaker 1: start from a scratch. We could leave the past behind us. 65 00:04:06,000 --> 00:04:12,720 Speaker 1: Stem what happened to Gabby Cabaretra? Who Gabby Gabarera, young 66 00:04:12,760 --> 00:04:15,960 Speaker 1: girl who disappeared from one of your religious camps. Did 67 00:04:16,040 --> 00:04:19,760 Speaker 1: you also kill her? Usa? I have never killed anybody, 68 00:04:19,800 --> 00:04:22,560 Speaker 1: and I found the payments you made to her family. 69 00:04:22,920 --> 00:04:25,440 Speaker 1: You've been paying them for years to keep quiet. Isn't 70 00:04:25,440 --> 00:04:29,520 Speaker 1: that right? Theresa? Please? Please please sit down? Please? No, 71 00:04:29,800 --> 00:04:33,200 Speaker 1: will you sit down if I tell you the truth? Yes, 72 00:04:34,360 --> 00:04:35,919 Speaker 1: I have been paying off her family, but but not 73 00:04:36,160 --> 00:04:40,520 Speaker 1: because I killed her. That girl, Gabby, she caught me 74 00:04:41,200 --> 00:04:46,640 Speaker 1: in an compromising position. She caught you having sex with 75 00:04:46,680 --> 00:04:49,640 Speaker 1: another man. Yes, okay, okay, okay. Yes. The point is 76 00:04:50,240 --> 00:04:53,320 Speaker 1: she saw something that she wasn't supposed to. But I 77 00:04:53,360 --> 00:04:56,360 Speaker 1: didn't kill her, Louisa. I went to her family and 78 00:04:56,360 --> 00:04:58,600 Speaker 1: I threatened them with a lawsuit. I told him that 79 00:04:58,640 --> 00:05:00,120 Speaker 1: I was willing to pay them a hefty song if 80 00:05:00,120 --> 00:05:02,560 Speaker 1: they could guarantee that their daughter would keep her mouth shut. 81 00:05:03,240 --> 00:05:05,560 Speaker 1: I don't know what happened to that girl, and that 82 00:05:05,680 --> 00:05:09,320 Speaker 1: is the whole truth. I swear I didn't kill her. 83 00:05:10,320 --> 00:05:14,760 Speaker 1: I didn't kill much. You have to believe me. I don't. 84 00:05:15,200 --> 00:05:18,680 Speaker 1: I'm sorry, I don't believe anything you say. You're such 85 00:05:18,680 --> 00:05:21,800 Speaker 1: a good actor when you need something to leave me 86 00:05:21,800 --> 00:05:25,000 Speaker 1: in here. If you had just been honest with me, 87 00:05:25,440 --> 00:05:28,360 Speaker 1: maybe everything would have turned out different. Maybe the two 88 00:05:28,400 --> 00:05:32,200 Speaker 1: of us could have found some semblance of happiness. But 89 00:05:32,400 --> 00:05:37,280 Speaker 1: now that's too late. Here are the divorce papers. And 90 00:05:37,400 --> 00:05:40,360 Speaker 1: before you think about blackmailing me by telling Gloria all 91 00:05:40,400 --> 00:05:44,160 Speaker 1: about what we did, don't worry. I'm going to tell 92 00:05:44,200 --> 00:05:47,680 Speaker 1: her myself and deal with the consequences. I don't want 93 00:05:47,680 --> 00:05:52,279 Speaker 1: to live in a lie anymore, a Steven. I want 94 00:05:52,279 --> 00:05:55,919 Speaker 1: to be free, and until you stop living your own lie, 95 00:05:56,440 --> 00:06:04,440 Speaker 1: you'll never be free. As Luisa, Luisa, don't go, Luisa 96 00:06:04,560 --> 00:06:12,880 Speaker 1: come back? WHOA. That scene was long and intense, very 97 00:06:12,880 --> 00:06:15,920 Speaker 1: out of character for this show, don't you think, Well, 98 00:06:16,480 --> 00:06:19,200 Speaker 1: now that Luisa is free, let's see what she'll do 99 00:06:19,240 --> 00:06:27,200 Speaker 1: with her new sense of freedom. How do you go? 100 00:06:27,800 --> 00:06:37,200 Speaker 1: Are you okay? It was awful? Why are you trying? 101 00:06:37,200 --> 00:06:39,400 Speaker 1: It's a reflex. I always cry when I see other 102 00:06:39,400 --> 00:06:42,719 Speaker 1: people crying, the same thing happens when I see someone puke. Also, 103 00:06:42,800 --> 00:06:45,200 Speaker 1: my dad, who I just found out is your ex's lover, 104 00:06:45,400 --> 00:06:47,599 Speaker 1: is still missing. Do I need more reasons to explain 105 00:06:47,600 --> 00:06:54,560 Speaker 1: why I'm crying? Really? I'm sorry? Thank you for being here, 106 00:06:54,680 --> 00:06:58,520 Speaker 1: of course, Louisa. Listen. I don't know what there is 107 00:06:58,560 --> 00:07:02,000 Speaker 1: between us, but I care about you and we've been 108 00:07:02,000 --> 00:07:05,400 Speaker 1: through a lot together. And hold on, I think I 109 00:07:05,440 --> 00:07:10,080 Speaker 1: know this number. Hello, darned, I went to voicemail. You 110 00:07:10,240 --> 00:07:18,040 Speaker 1: have one voice message Roul remember me? Do you think 111 00:07:18,080 --> 00:07:20,920 Speaker 1: I'm stupid? Do you think you were going to just 112 00:07:20,960 --> 00:07:23,080 Speaker 1: be able to get out of paying me what I'm owed? 113 00:07:23,200 --> 00:07:26,560 Speaker 1: And I don't care your father faked his death, Raoul. 114 00:07:27,160 --> 00:07:30,320 Speaker 1: When there is a debt, I expect it to be paid. 115 00:07:31,240 --> 00:07:32,640 Speaker 1: So if you don't want to pay for it with 116 00:07:32,720 --> 00:07:39,000 Speaker 1: your life, then you know what to do. Uh bo. 117 00:07:39,800 --> 00:07:42,680 Speaker 1: Seems like with everything going on, they forgot about the mob, 118 00:07:42,920 --> 00:07:46,280 Speaker 1: but the mob definitely didn't forget about Raoul. But what 119 00:07:46,400 --> 00:07:51,720 Speaker 1: kind of person fakes their own death? Ridiculous? Well, let's 120 00:07:51,800 --> 00:07:54,400 Speaker 1: leave these two love birds and their menacing voice message 121 00:07:54,400 --> 00:08:11,880 Speaker 1: and visit my favorite Animanita Haiti lovers. It's me Tatianna. Obviously, boy, 122 00:08:11,920 --> 00:08:15,240 Speaker 1: do we have a juicy scoop for you? On the 123 00:08:15,360 --> 00:08:22,160 Speaker 1: next tea with Tatiana, it's them on one but he 124 00:08:22,280 --> 00:08:27,600 Speaker 1: got arrested. Crazy stuff, But you know what's not crazy? 125 00:08:27,960 --> 00:08:32,520 Speaker 1: Taking my brand new Lincoln Aviator GT out for a spin. 126 00:08:33,400 --> 00:08:37,600 Speaker 1: Driving this suv is about as smooth an experience as 127 00:08:37,640 --> 00:08:42,920 Speaker 1: they come. Truly a worthwhile investment. Oh and the Carlerons, 128 00:08:43,600 --> 00:08:47,960 Speaker 1: they're still up to their usual wacky gossip inclined turn 129 00:08:48,000 --> 00:08:53,719 Speaker 1: of events. What a family, what a car? All right, 130 00:08:54,040 --> 00:08:56,360 Speaker 1: that's it for now, but be sure to tune in 131 00:08:56,480 --> 00:09:00,440 Speaker 1: next time for more scandalous rumors about like their own. 132 00:09:00,920 --> 00:09:19,640 Speaker 1: On the next team with Datianna, can I come in? 133 00:09:20,280 --> 00:09:25,080 Speaker 1: It's your house, glory, Estria. I know you're mad at me, 134 00:09:25,200 --> 00:09:30,040 Speaker 1: but mad no. I feel disappointed and betrayed and a 135 00:09:30,040 --> 00:09:32,480 Speaker 1: little hungry. And I also feel stabbed in the back. 136 00:09:32,520 --> 00:09:34,440 Speaker 1: You know what, I guess I also do feel angry. 137 00:09:34,960 --> 00:09:39,480 Speaker 1: I know that I disappointed you and Arimona, Claudia and myself. 138 00:09:40,160 --> 00:09:43,559 Speaker 1: Believe me, I'm I'm so sorry, but I'm going to 139 00:09:43,640 --> 00:09:46,199 Speaker 1: fix this. I thought you were done playing the innocent 140 00:09:46,400 --> 00:09:50,400 Speaker 1: ingenue or whatever. The damage is done, Maria. Ugh, they 141 00:09:50,440 --> 00:09:53,199 Speaker 1: haven't stopped ringing that bell ever since the stamon got arrested. 142 00:09:53,440 --> 00:09:58,079 Speaker 1: Paparazzi are the worst after you. It's not the paparazzi. 143 00:09:58,600 --> 00:10:03,560 Speaker 1: And oh this is rich. Your little boyfriend is coming 144 00:10:03,600 --> 00:10:06,080 Speaker 1: over now. He's not here for me, he's here for you. 145 00:10:07,000 --> 00:10:14,400 Speaker 1: Just come Glauria. It's so good to see you. Yeah, 146 00:10:14,480 --> 00:10:18,359 Speaker 1: just come in. I wasn't expecting your call, but I'm 147 00:10:18,400 --> 00:10:21,200 Speaker 1: so happy that you did. I feel terrible about how 148 00:10:21,240 --> 00:10:23,520 Speaker 1: things ended between us and and look, if you just 149 00:10:23,800 --> 00:10:27,679 Speaker 1: gave me another shot, I could show you andress. Please stop. 150 00:10:28,200 --> 00:10:32,120 Speaker 1: I didn't call you over to discuss that. Oh then, 151 00:10:32,840 --> 00:10:35,400 Speaker 1: what is it? Do you have another sex tape to 152 00:10:35,440 --> 00:10:39,080 Speaker 1: give me too soon? Dude? Oh? Okay, got it? No 153 00:10:39,480 --> 00:10:42,080 Speaker 1: I don't, but thank you for your help with that. 154 00:10:42,280 --> 00:10:44,480 Speaker 1: Yeah no, don't don't mention it. I should thank you. 155 00:10:44,960 --> 00:10:48,040 Speaker 1: I got promoted. I'm finally doing the investigative work that 156 00:10:48,080 --> 00:10:51,400 Speaker 1: I wanted to be doing. Perfect, because that's exactly what 157 00:10:51,400 --> 00:10:53,600 Speaker 1: you're going to do. Do you want to make things 158 00:10:53,679 --> 00:10:56,960 Speaker 1: right between us? More than anything. Well, then you're going 159 00:10:57,000 --> 00:11:00,960 Speaker 1: to help me find Gabby Cabrera, Gaby Carrera, the girl 160 00:11:01,000 --> 00:11:03,959 Speaker 1: that everyone thinks of Stevan murdered years ago. Yes, you're 161 00:11:04,000 --> 00:11:06,839 Speaker 1: going to help Estria with whatever she needs, and you're 162 00:11:06,880 --> 00:11:10,359 Speaker 1: not going to stop until you find her. And in exchange, 163 00:11:11,040 --> 00:11:14,000 Speaker 1: I'm going to give you an even bigger story, the 164 00:11:14,040 --> 00:11:17,320 Speaker 1: biggest story of your career. What Bigger than the Estevan 165 00:11:17,440 --> 00:11:21,480 Speaker 1: Nacho sex tape, Bigger than that, Bigger than Gabby Gabrera, 166 00:11:22,200 --> 00:11:24,960 Speaker 1: bigger than all of it? What do you mean? Okay, wait, 167 00:11:25,000 --> 00:11:28,120 Speaker 1: what is going on? Gloria? What are you doing? I'm 168 00:11:28,160 --> 00:11:31,959 Speaker 1: not gonna live a lie anymore. Estria, You were right. 169 00:11:32,559 --> 00:11:36,480 Speaker 1: I'm not some innocent angenue, But I'm not Gloria Caleron either. 170 00:11:37,200 --> 00:11:41,240 Speaker 1: Andres I'm an orphan named Maria del Garmin. Gloria and 171 00:11:41,240 --> 00:11:45,720 Speaker 1: I are twins. Well, we were twins. Gloria died the 172 00:11:45,800 --> 00:11:48,000 Speaker 1: night she crashed her boat, and I've been living her 173 00:11:48,040 --> 00:11:53,080 Speaker 1: life ever since. Okay, okay, sure, yeah, very funny. What 174 00:11:53,080 --> 00:11:54,960 Speaker 1: what is this? What is this? Punket? Is Ashton Kutch? 175 00:11:54,960 --> 00:11:57,000 Speaker 1: You're gonna come around. Look you you are still mad 176 00:11:57,040 --> 00:12:00,520 Speaker 1: at me, so you're making up this whole telenovela story 177 00:12:00,600 --> 00:12:03,960 Speaker 1: to mess with me. No believe me, I am not okay, sure, 178 00:12:04,040 --> 00:12:06,600 Speaker 1: let me get this straight. You expect me to believe 179 00:12:06,720 --> 00:12:09,880 Speaker 1: Gloria Calderone had a twin that no one knew about, 180 00:12:10,040 --> 00:12:12,960 Speaker 1: who was somehow an orphan who also happened to be 181 00:12:13,000 --> 00:12:15,800 Speaker 1: there the night that she died and you served her life. 182 00:12:16,240 --> 00:12:25,000 Speaker 1: Come on, give me a break, Gloria. Did someone say 183 00:12:25,000 --> 00:12:44,319 Speaker 1: my name? Did you miss me? If you're enjoying Princess 184 00:12:44,320 --> 00:12:47,640 Speaker 1: of South Beach, please subscribe, rate, and review our show 185 00:12:47,840 --> 00:12:50,559 Speaker 1: wherever you're listening. The Princess of South Beach is a 186 00:12:50,600 --> 00:12:53,880 Speaker 1: production of I Hearts, Michael Luda Podcast Network, and Sono, 187 00:12:54,320 --> 00:12:57,920 Speaker 1: Created and directed by Jasmine Romeo. Written by Jasmine Romero 188 00:12:58,040 --> 00:13:01,319 Speaker 1: and Joanna Housemans, with help from then La Sarkis, Monisa 189 00:13:01,360 --> 00:13:06,080 Speaker 1: Hendrix and Christian Jatar. Produced by Luis Ordo Castillo, Executive 190 00:13:06,120 --> 00:13:09,320 Speaker 1: produced by Conald Byrne and Gizelle Bances for iHeart by 191 00:13:09,400 --> 00:13:13,680 Speaker 1: Joanna Housman, and by Jasmine Romero and Joshua Weinstein for Sonaro. 192 00:13:14,000 --> 00:13:18,280 Speaker 1: Performances in this episode by Rachel Zegler, Gina Torres, Raulas 193 00:13:18,320 --> 00:13:23,840 Speaker 1: Barza x Mayo, Andy Bustios and Alan Eisenberg. Our production 194 00:13:23,880 --> 00:13:28,480 Speaker 1: manager is Querensachitis. Recording and engineering by Emiliano Quintana, with 195 00:13:28,600 --> 00:13:33,680 Speaker 1: sound designed by Edwin Irigoyen, Cassandra Tinajo, Andres Bayena, Diego 196 00:13:33,760 --> 00:13:37,600 Speaker 1: Medina and Andres Coronaldo. Assistant sound designed by Eric Senttheno, 197 00:13:37,840 --> 00:13:42,400 Speaker 1: Casting and coordination by Andres Chaitis Folly by Samantha Gonzalez Fong, 198 00:13:42,800 --> 00:13:46,080 Speaker 1: our theme song and original music by Rodrigo Garzia Roles 199 00:13:46,240 --> 00:13:47,400 Speaker 1: and Charlie Hernandez.