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Speaker 1: And it's drinks, motherfucking podcast. He's a legendary Queen's wrapper.

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Speaker 1: He's agree that's your boy in or he's a Miami

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Speaker 1: hip hop pioneer up his d J e f N.

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Speaker 1: Together they drink it up with some of the biggest players,

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Speaker 1: I mean in the most professional unprofessional podcast and your

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Speaker 1: number one sorts for drunk fact drinks motherfucking every day

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Speaker 1: is New Year's e. That's like it's time for drink champs,

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Speaker 1: drink up, mother mother, pull it up. Waits many facebo.

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Speaker 1: I'm saying there's lines. I'm saying that you love from

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Speaker 1: him that he didn't write. Hold up. He's not saying.

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Speaker 1: Somebody got to see goes okay, So let let's do this.

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Speaker 1: Let's just say what he sees. Let's do this. Rapper, rapper, producer.

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Speaker 1: What's the criteria? There is the greatest rapper, much ship

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Speaker 1: everything everything, three of three sex degrees got to be offensically.

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Speaker 1: You take there's rapper and there's MC. I think it's

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Speaker 1: what's the friteria? The big game the game described the

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Speaker 1: pinion game means rock him, rock him now ros the

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Speaker 1: protos like nag uh let's face being they're so meaty.

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Speaker 1: There's a lot also, three candy grass came. I don't

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Speaker 1: know a little curse. How do you? How do we

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Speaker 1: not know? Somebody else gave him my idea? So what's

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Speaker 1: the friteria I did? I did? Like how we actual z?

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Speaker 1: You don't know you? Right here, I'm saying to you,

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Speaker 1: everybody's inspired by I'm just about to say again what

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Speaker 1: I'm saying, guess what did you I'm able to look

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Speaker 1: at you and guess what I'm paying the paint I'm saying.

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Speaker 1: I don't mean I'm saying I'm not the most amazing

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Speaker 1: painter because I looked at you and I'm inspired by

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Speaker 1: what you gotta do right period. I'm saying that I'm

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Speaker 1: still I gotta I still gotta do the work. I

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Speaker 1: still got to do the work. But I'm saying I'm

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Speaker 1: inspired by your life again, that you were able to

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Speaker 1: pin it right, to pin it, even if if you

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Speaker 1: may not even even somebody game, no idiot, don't matter.

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Speaker 1: I'm saying you life'n me here. I used to be

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Speaker 1: in the studio with Dr Dre two thousand. The eminem

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Speaker 1: is just now coming around. Um no, it is before

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Speaker 1: m and one day Dre said, you know what's funny

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Speaker 1: about you? He said, uh, I didn't know this about myself.

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Speaker 1: He said, you fucking all your conversations and within an

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Speaker 1: hour or two hours we're hanging out, he's here, bet,

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Speaker 1: and then you write about everything that we just talked about.

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Speaker 1: I was like, I don't even know I do that.

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Speaker 1: He's like, you're ill naked, like you soak up? Of course,

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Speaker 1: some funny what do you guys gonna say? Some funny ship?

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Speaker 1: I'd be like, that's a bar, but everybody, that's what

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Speaker 1: I do. Yeah, what you like? I don't want to shop,

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Speaker 1: but I go, yo, what y'all thinking about this ship

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Speaker 1: that happened the news today? And I sit back, look,

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Speaker 1: don't look at that, Look at Cole. Yeah, black Kobe,

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Speaker 1: Kobe is whole get down is Michael Jordan. But do

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Speaker 1: you ever do the work? That's what a creative people.

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Speaker 1: Based on what you said, I'm talking about superliteracy, don't

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Speaker 1: from yourself to the whoever you consider, because everybody's top

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Speaker 1: ten is different. If you can literally tell me that

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Speaker 1: you could create a criteria, you can't get something from nothing,

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Speaker 1: Nona saying, I'm gonna saying, if you could create a

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Speaker 1: criteria that all of these guys would be able to

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Speaker 1: fit into and then you can judge him from that. So,

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Speaker 1: for example, I don't know who your top five is.

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Speaker 1: I don't know where everybody's South five is. South five

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Speaker 1: Me not. I'm saying, I say, you gotta top you

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Speaker 1: have the top five, your top twenty, right, you can't

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Speaker 1: have five. But you just don't see the point. I'm

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Speaker 1: just doing twenty. I don't wanna tell you why, because

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Speaker 1: don't tell. Are you throwing twentys on the table one

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Speaker 1: you're throwing one through? I'll not, won't, I won't not.

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Speaker 1: That won't be an I'm saying that if the coteria

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Speaker 1: is three things, let's just do three things. Originality, stating

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Speaker 1: the stage, president, the delivering on stage, because I m

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Speaker 1: c absolutely not. What's the sports rapper and that's my

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Speaker 1: man to death. But we come on. He's boring, he's

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Speaker 1: not wor to be he's what he got bored to you.

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Speaker 1: He's not the right when he listened to him, you

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Speaker 1: see what you see when he likesten this. I can

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Speaker 1: again to death, yes, but he never took the time

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Speaker 1: to create a stage shot. How we're talking about the

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Speaker 1: stage talk about a word say to get that. We

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Speaker 1: got to get street prais my life. I don't who's

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Speaker 1: on the still said he'll have to put the shop.

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Speaker 1: He got it, he can do it for a day.

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Speaker 1: I said, it was a point got the boys like

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Speaker 1: he's sticking on young guys by grass birds perform that

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Speaker 1: they're gonna get it in the handle. I'm exactly. I

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Speaker 1: think if we accomplished anything, we've we've actually accomplished nothing yet.

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Speaker 1: Art is subjective, exactly, And I said, I said the clock.

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Speaker 1: I want to talking. Who's serious we established it? We

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Speaker 1: cannot because each person has their own crisis. That's gotta

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Speaker 1: it's wrong. Let's go what lyrically, just one drive to lyrically.

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Speaker 1: I I don't understand what go oh, Mom's really belt

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Speaker 1: period for me, Yeah, it's jay Z good, it's nice

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Speaker 1: caress one. For me, it was a big el nuts

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Speaker 1: to somebody's some say, nas Son, that's a subjective. It's

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Speaker 1: all subjective is about where you were in your life.

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Speaker 1: I mean, for me, let me tell you something. Let

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Speaker 1: me tell you something. And I apologize and I love

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Speaker 1: you guys, everybody. I loved every speech to you guys,

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Speaker 1: but spoke about it's a super buck super And the

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Speaker 1: thing about it is right, It's like I could never

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Speaker 1: live here like need that I could never produce. Like

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Speaker 1: I could see music, I can hear it, but I

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Speaker 1: could never press. I could never press the body. But

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Speaker 1: that ain't produce him what I'm saying that you know

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Speaker 1: what I'm trying to say. I can hear comedy, I

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Speaker 1: got you, I can see it, but I could never

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Speaker 1: actually perform. Richard Bryan got Wright got ready for him,

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Speaker 1: by the way, the greatest he got he got jokes

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Speaker 1: ready for got, he got jokes form. See he could

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Speaker 1: get this, but he's can sit in the gratest you

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Speaker 1: try it had shipped written before he goes in the

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Speaker 1: greatest he goes on the stage. They come to the stage.

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Speaker 1: Don't that somebody goes Joe. When you said that, you

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Speaker 1: could have said this, don't sick the funk out of you.

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Speaker 1: That's how he got to never say it like I

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Speaker 1: wrote it. But listen, don't he's the right Wait wait, wait, wait,

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Speaker 1: don't said regimes don't eat m Harry was all o

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Speaker 1: fo tip him tip. I was the only art film

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Speaker 1: isolated to I'm something about real You see me really

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Speaker 1: that's the only even stop fact. That's what it is,

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Speaker 1: the fact that it is. It's the fact is that

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Speaker 1: that is a fact. Okay, wait wait wait you mean

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Speaker 1: Roll Smith. He just said we don't consider Roll Smith

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Speaker 1: real and hit block. No he didn't say that. Don't

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Speaker 1: say said no. You know I'm saying no. No. He

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Speaker 1: said he wanted to be commercial, right, he wanted to

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Speaker 1: be I think it's something said that I don't ship,

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Speaker 1: but I don't thinking about the Smith. Yeah, but me,

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Speaker 1: I'm gonna I don't get Smith all the money. I'm

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Speaker 1: telling you, don't say I'm from. I don't I'm from

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Speaker 1: I'm totally effing basu. Will Smith was putting me out

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Speaker 1: top five theory. No, so he didn't think of this

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Speaker 1: hard time show people to think of that at the times.

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Speaker 1: Funny some people did. Yeah, some people do, Neminem, but

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Speaker 1: don't give me on the tech top giving them flaking me.

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Speaker 1: Tell me right now, Okay, em I was telling Eminem.

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Speaker 1: Eminem said the only reason why he rapped, I said Will.

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Speaker 1: Em Eminem told me and Jeff end Will to his face,

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Speaker 1: the only reason why he even rapped was because of Will.

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Speaker 1: That's only saying I'm saying I'm saying, I'm not saying,

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Speaker 1: I'm realized that you don't have to be from the

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Speaker 1: friend hood. This is an hartful nod. I'm taking two

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Speaker 1: record on record, old record, over old. There's battles that

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Speaker 1: Will's battle, but the makes a loss. He has a

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Speaker 1: Losso battle. Yet I'm telling on record, Okay, so let'st

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Speaker 1: me know, Hey, the battles he's had, he had talking

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Speaker 1: about memorable, historical JA battles and guess what he's won

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Speaker 1: all of them. He's saying, well, let's saying, let's tell,

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Speaker 1: let's do let's quite toy. Like, I just wanted to

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Speaker 1: say that this is an analogy. I'm gonna give you

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Speaker 1: the dot three. So if we're going to a basketball

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Speaker 1: game and I buy a shoe and it's called air,

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Speaker 1: Jordan's right. If you go to the basketball game, you

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Speaker 1: buy a single to go to back, so real, I mean,

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Speaker 1: I just count the money. I'm just trying to you.

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Speaker 1: Got you go to the bathroom and you just buy

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Speaker 1: his shoes. So I wanted to Michael Jordan bodies Jordan's

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Speaker 1: but if Jordan was on the court, and then a

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Speaker 1: little nigga from Tokyo jumped out his back and did

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Speaker 1: all the dunks. I don't want the Jordan's no more.

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Speaker 1: That's what rappids. If I find out there's seven little

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Speaker 1: bit books copy out of your back, if you sign out,

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Speaker 1: if you finn out, you, if you figed out as

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Speaker 1: a key to herd, they say, you know who you

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Speaker 1: should have one here know me sauce money, sauce, all

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Speaker 1: this ship. Don't we going right now? We're showing our age.

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Speaker 1: We're showing our age, he said, he shows it. This

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Speaker 1: can come the true cats in the age that we are.

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Speaker 1: If we heard the nigga didn't really vicularity wrote, we

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Speaker 1: will be fucking bloat away and we are an elder

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Speaker 1: right listen what they right do right things. Let's make

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Speaker 1: it inflated right down. N get this, let me get this,

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Speaker 1: let me get this. Let go out. We're gonna go na.

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Speaker 1: Let's go out one. Let me get this. Get all

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Speaker 1: the viewers that nigga you really respected in our age,

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Speaker 1: really respect them already listen about respect. Let me get

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Speaker 1: this guy in our age. It's our age. Sun Sun

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Speaker 1: Sun say signs erical session something gif dosten ton all

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Speaker 1: our age in our way, and we heard it a

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Speaker 1: jay really right when you vote, said but in this

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Speaker 1: same age straight by something, We're like, what ever, listen

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Speaker 1: do you have Rick Rosson did right? Son? I'm listen

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Speaker 1: what he was gonna do? Not get him? Whatever? Your

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Speaker 1: different age a different age, so len't tell you what

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Speaker 1: we are different. Phototop You ever heard about somebody not righting?

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Speaker 1: It was, I'm saying, really on a on the national

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Speaker 1: levels was drinking, we would everybody was stopped because we

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Speaker 1: were not silly, no no, but I'm four minutes because

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Speaker 1: was like j everything right like usbody, ybody's all rings

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Speaker 1: as Look do you know when your apartment you gonna

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Speaker 1: hold them to all? Giving the y'all was the greatest

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Speaker 1: rapper of all time? You said, y'all, nobody's all even

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Speaker 1: a body's still paid out. Nobody all even hear the

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Speaker 1: greatness right the same word? Who the fu? Who think

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Speaker 1: he wasn't a great rule? Ye, somebody's offer to the

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Speaker 1: best of all time. I'm just saying he's like Bally

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Speaker 1: four three, body's all in the n like he's the

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Speaker 1: greatest of all. Has been going on since since ninety

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Speaker 1: saying you're not all, you're the greatest that we love

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Speaker 1: actually go your correct me tell you about let me

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Speaker 1: tell you about because because I'm tea you something much

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Speaker 1: this but cares a rule, big bad Hans lyrics on,

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Speaker 1: but my body's all here that he was the greatest

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Speaker 1: fault grandma's the caste crossing up. Who say he's got

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Speaker 1: the greatest, But he's in my time's runing. He's in

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Speaker 1: nottap fo him as he tried, who tap tell he's

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Speaker 1: the he's the logo. Why we do this? Where will?

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Speaker 1: Who did you see? Because he said his name just

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Speaker 1: now we didn't see a lot of people's things. Just

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Speaker 1: snap the DMC from my DMC changed his name to

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Speaker 1: DMC because of GMC. GMC is the logo. It's every wrapper.

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Speaker 1: He still looks like this to this day and will

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Speaker 1: find his name day. Can't cool if you ask it?

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Speaker 1: Cool mo, dear glad as the cash, you're not gonna

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Speaker 1: do this with you that on the normal r head

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Speaker 1: ex actually the same. I am Brooklyn. If I have

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Speaker 1: a corner from me, they had nigger corner bay, I

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Speaker 1: have bad in the Dronford Howard Philomon too. This is

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Speaker 1: all the bets. This is nice and listen, but you

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Speaker 1: can't the same man just now and all these rules

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Speaker 1: these niggas applied to him, but I don't apply camera that.

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Speaker 1: Wooster's then have up tone don't rules and it's don't criteria.

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Speaker 1: It ain't term. You play the term. I think in

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Speaker 1: terms of lyracis and terms the lyricists, you have to

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Speaker 1: pen your rash. Everything got to be questions. Everything for that,

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Speaker 1: everything's questions. You got your m lyric to be a

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Speaker 1: lyrics too. You gotta write, do you have a claim better?

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Speaker 1: You don't? Right? If you don't right? Yeah, you do

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Speaker 1: you agree? You gringe top five lyricists lyricists I give,

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Speaker 1: I know, top great hustler. You know, I said, I

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Speaker 1: have about role my ship. So I said no, I said,

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Speaker 1: I said, do you agree in terms of the criteria

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Speaker 1: for the top four lyricists. It happens you agree, yah

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Speaker 1: dot you agree, drec. So the rule says and because

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Speaker 1: everything that spect that only good. But it's my point

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Speaker 1: if you wake it down this lyricist he might be

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Speaker 1: in your top five. Maybe that's okay. So then that's

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Speaker 1: my point. If you're gonna take the top five. But

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Speaker 1: we said that check. We're not saying because we say

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Speaker 1: we're not saying, who were saying that, He's not what

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Speaker 1: I'm saying. If you don't see you emme was one

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Speaker 1: of the endless motherfuckers, right cool, but damn motherfund does that.

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Speaker 1: Probably can skate all over image lyrically, but their records

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Speaker 1: their career, so we might not even put them in

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Speaker 1: the lyrical category because of everything that's a given we

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Speaker 1: know that we say about just Larous finished, how did

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Speaker 1: you do that? That's like saying the nigg is great

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Speaker 1: but all he had was a three. Here's a great

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Speaker 1: he's a great free point, He's a great Greek poursuit that.

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Speaker 1: They's a great play that great step Steph Currys when

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Speaker 1: they were not to be the greatest com anality of

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Speaker 1: hip hop is the malimation the two things, the production

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Speaker 1: and the m c all I'm talking about. I never

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Speaker 1: said who had the hottest record. I never said who

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Speaker 1: got the most benches, who made the posts followers, We're

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Speaker 1: gonna sat down and pin they ship, And then the

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Speaker 1: other things are other factors that actually relate to why

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Speaker 1: I like, I helped him in him in his career,

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Speaker 1: broke before Dre Madam and I told fucking jay Z

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Speaker 1: about the help you use the word help bluesy. What

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Speaker 1: does that mean? It doesn't matter because that's how I

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Speaker 1: never story. Right now I can tell that story. I knew,

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Speaker 1: I knew its Troy, I knew a white nig right understanding.

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Speaker 1: But my point is the only thing we're talking about.

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Speaker 1: It's fundamental lyricous. Right, So she understood that ice Cube

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Speaker 1: was dope. I love Dr Dre, I love ez easy

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Speaker 1: et and right, ice Cube was a West Coast lyricist

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Speaker 1: for me because he was talking that hood atlay Ship.

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Speaker 1: She Rapp was talking in a queen's way, and I

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Speaker 1: fucked with it. But New York thugs and gangsters are

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Speaker 1: fucking Italian to drink crips and bloods in Mexican Ja,

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Speaker 1: I wanted to. We just said dr any breakers, right,

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Speaker 1: you can probably stay for a fact and vyba Vernus

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Speaker 1: day exactly didn't make it. Say what do we say?

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Speaker 1: It's trying to be a great producing You had to

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Speaker 1: do the drums. You have to say that. It's the

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Speaker 1: same concept that if you get help this day, help

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Speaker 1: because you can't help, you get help out story. What

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Speaker 1: the fun is out explained? Help explained? It helps assisted

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Speaker 1: something you didn't do, that's help something you didn't do.

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Speaker 1: Assistance add ons als things that don't you don't contribute.

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Speaker 1: That is called help. And if you have a project

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Speaker 1: that comes out and there's any inkling of that help,

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Speaker 1: are you still the greatest? Same concepts to be continued

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Speaker 1: on drink Champs like angry one person, one person, dangery. Yeah,

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Speaker 1: so you're saying any help across the board lyrically, just

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Speaker 1: trying to wrap. He's trying to make it down because

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Speaker 1: you're you're you're in valley. No, y'all saying you're hell

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Speaker 1: exactly asking your fully valid. I'm not seeing your fully

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Speaker 1: I got stories for my own drink Chaps. Then I'm

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Speaker 1: gonna tell you to the grot that hellup. This was

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Speaker 1: an announcement. Tell us, tell us this, I won't be

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Speaker 1: here for the next one. Tell us us all baby

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Speaker 1: had to help on d Dad angel LETTI let it go.

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Speaker 1: N It ain't that right, boot let it go. I

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Speaker 1: just wrote true, but let's start starting right. That is writing.

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Speaker 1: That is writing because he needed to put something in there.

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Speaker 1: I'm give you on a small level this point. I

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Speaker 1: gave you that on a small level because we're gonna

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Speaker 1: got my own drink cham I want to say this,

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Speaker 1: but my point is I used that as example that

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Speaker 1: I was in the room, so I contributed. So imagine

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Speaker 1: people that time about let me finish. So imagine people

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Speaker 1: that would in in longer right with him time. No,

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Speaker 1: you're not letting me finish. That are more confidential with

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Speaker 1: a meaning that could keep more things under wraps. You

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Speaker 1: don't think that I said tell me a somm doing

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Speaker 1: that that big didn't help you. I didn't get my

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Speaker 1: I didn't get ida. I don't my biggie story. Here's

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Speaker 1: my biggie story. I got arrested downtown Brookland one time.

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Speaker 1: I ain't gonna tell you what I did. And they

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Speaker 1: had me chains and the motherfucking bench in the fucking

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Speaker 1: precinct and the commotion going on outside, and I'm like,

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Speaker 1: what's going on? And it was bringing Biggie in this

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Speaker 1: motherfucker And I was changed in the bench and I'm like,

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Speaker 1: oh sho, that's Biggie Smalls. And when I got situated

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Speaker 1: and got out, I was walking out and people like, yo,

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Speaker 1: did you see Biggie in there? And I was like yeah, yeah.

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Speaker 1: Then they locked the funk up. But I'm going on.

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Speaker 1: That was my biggie story, my little biggy no assistance.

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Speaker 1: It's just no fucking production. You shouldn't to go hell

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Speaker 1: you shouna get into me. He started to put in

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Speaker 1: a round, what's your what's you said that? How going

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Speaker 1: that way? Introduced man, Now let's try what's your big

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Speaker 1: I did every show. Biggie didn't feel it every show, Yeah,

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Speaker 1: absolutely every show. This video did you see from him?

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Speaker 1: We got the uh the soccer jersey on it from

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Speaker 1: my show and fill up. So every show he didn't

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Speaker 1: feel that because I was dead, period, salute period. That's

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Speaker 1: what's your biggieff was matter of fact I did. I

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Speaker 1: did pops last show when Philly as well, when he's

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Speaker 1: what you call him, was out uh flavoring. And here

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Speaker 1: my first record is, uh, I gotta do a show.

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Speaker 1: I'm opening up for Biggie, but he's double booked. So

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Speaker 1: did nigging cuts me? Does the show? Murdered and then

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Speaker 1: walked out like he lets you ask, and I'm like,

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Speaker 1: we're bigger story story. I got fifteen million Biggie stories,

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Speaker 1: but this is the best Biggie story I I would

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Speaker 1: tell you was one day supporting the day parade. Oh,

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00:22:14,520 --> 00:22:21,320
Speaker 1: it's already liked the story and and um big he

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Speaker 1: actually thought he was part of he can. I don't

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Speaker 1: know why. I don't know if y'all know. It was

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Speaker 1: a famous week spot from France and at the time,

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Speaker 1: every fucking rapper in the world. We're going to Branson,

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Speaker 1: We're going to Grant, remember in the reps. So I

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Speaker 1: stood there, I'm Biggie. Um he came to Brandson. But

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Speaker 1: here's the funny part about it. It's not that's nothing.

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Speaker 1: The funny part that Biggie came to Brandson. It was

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Speaker 1: Bobby Brown. Wow. And Bobby Brown pulled up. And when

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Speaker 1: Bobby Brown pulled up, I was like, oh, my ship,

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Speaker 1: this is the book. We don't have enough. We e know.

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Speaker 1: This is the most racist like ever fold my life.

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Speaker 1: He looked at me in the menia, He's like true Spanish.

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Speaker 1: I said, yeah, He said, what is it? Cocaine? Tell

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Speaker 1: me that. This is why Big Easy, Biggest, because I said,

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Speaker 1: everybody took any Biggie story. Everybody had a story. You

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Speaker 1: don't have to do what somebody helping him writeing producing it.

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Speaker 1: We had stories to go around story New York. Please,

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Speaker 1: That's why. That's why, because it resonates with me and

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00:23:42,080 --> 00:23:44,840
Speaker 1: they don't like. Nobody read it, nobody wrote it, nobody.

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00:23:45,520 --> 00:23:49,359
Speaker 1: It resonates with everybody. The other Biggest story. Hold on,

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Speaker 1: He just made me realize the other Biggie story. All right.

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Speaker 1: What happened was, um, we had did a record called

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Speaker 1: Till and why now ship to come? Like you didn't

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00:24:04,320 --> 00:24:09,760
Speaker 1: know to tell you prior coming out, Prior to coming out,

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Speaker 1: this was a hit man. But duction so big, So

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Speaker 1: when you and then I don't want to cry. This

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Speaker 1: is like when you look at BIG's Last People that

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Speaker 1: he called in that interview. Oh that that that that movie,

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Speaker 1: and he looks at people. He goes, y'all gotta call people.

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Speaker 1: He's last people. And Big called me wow, and he said,

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Speaker 1: you know I want to get on this record. I'm

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Speaker 1: getting the remix all and walk All right. Mind wasn't

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Speaker 1: out at the top right, So when Big called me,

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Speaker 1: I was like, how the fuck you heard this? That's

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Speaker 1: how I like. I didn't react like well, like I said,

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Speaker 1: I don't you, I won't pull you. You know what

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00:25:01,040 --> 00:25:03,040
Speaker 1: I'm saying that at that time, like I was like,

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Speaker 1: damn this thing out my bootlegs. You know what. I'm

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Speaker 1: sad with your story, you know, brother, had to show

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Speaker 1: HBO of Christops. On HBO it was the season finale.

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Speaker 1: He said, Yo, who y'all want on the season Valley?

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Speaker 1: Who you want to perform on the season Valley? I said,

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Speaker 1: you gotta get Biggie, get bigger. Yes, he calls people big.

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Speaker 1: He said, Yo, I'll do this season finale, but I

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Speaker 1: can't do it this week. I gotta go to l

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Speaker 1: A for the souls uh strip of Brooklyn. He said,

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Speaker 1: I gotta go to l A for the Soul Paid Awards.

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Speaker 1: I'll do it after that never came back. He never

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Speaker 1: came back. Let me have that, lottle Man say, my

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00:25:45,560 --> 00:25:47,760
Speaker 1: people just yeah, let me just tell you something. I

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Speaker 1: want to thank you Charlie mcka one thing, uh Tony

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Speaker 1: robber wan thing uh riss cast. I want to thank

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Speaker 1: d dot course bad Rapper got to that motherfucker and

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Speaker 1: I'm like that, you know, But that's just hold on hold.

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Speaker 1: That's what this platform is. This platform is for people

396
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Speaker 1: to be argumented it because it's no way shape form

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Speaker 1: and fashion. I suld ever agree with you in any

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Speaker 1: way shape form and fashion. If this is how you

399
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Speaker 1: feel and that's how I feel, that's how you feel,

400
00:26:28,080 --> 00:26:31,320
Speaker 1: and that's how he feels. We should always you don't

401
00:26:31,400 --> 00:26:35,639
Speaker 1: feel that way. And the thing is, I was so

402
00:26:36,040 --> 00:26:41,240
Speaker 1: I was so happy of your opinions of the nabies,

403
00:26:42,280 --> 00:26:48,200
Speaker 1: like you have a total different opinion from everybody. He's

404
00:26:48,240 --> 00:26:53,360
Speaker 1: an architect of the name. So before we get about it, here,

405
00:26:54,720 --> 00:27:00,399
Speaker 1: you're telling us, because this is what I want to

406
00:27:00,400 --> 00:27:06,760
Speaker 1: be clear about, clear Crystal, I don't want to ask

407
00:27:06,840 --> 00:27:10,440
Speaker 1: this question. Please do, please do. Are you saying big

408
00:27:10,560 --> 00:27:15,600
Speaker 1: high help. I didn't say big at help, Glad, but

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Speaker 1: I'm saying big at help. I'm saying Jay, I'm saying

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Speaker 1: Jay had help. I'm saying grandmaster this person. I'm saying

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00:27:25,200 --> 00:27:29,760
Speaker 1: these guys had help. Okay, what form of help? This

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00:27:29,960 --> 00:27:34,840
Speaker 1: is extra? No, No, that's what I'm saying that I'm

413
00:27:35,440 --> 00:27:45,280
Speaker 1: making money. This is all the stuff. Once you say yeah, help,

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00:27:45,359 --> 00:27:48,200
Speaker 1: I'll get it right. I'll get it right. But there's

415
00:27:48,240 --> 00:27:51,360
Speaker 1: different types of help. Yes, right, there is a help

416
00:27:51,440 --> 00:27:54,920
Speaker 1: where you say, okay, I'm gonna help you put in

417
00:27:55,320 --> 00:28:01,119
Speaker 1: the truffle and the truffle thing. That's it. It doesn't

418
00:28:01,200 --> 00:28:05,520
Speaker 1: necessarily means I made the truth, dish or take the

419
00:28:05,560 --> 00:28:08,000
Speaker 1: bags out of the car. I want to take their

420
00:28:08,040 --> 00:28:10,400
Speaker 1: bags out of the car call if I'm making scrambled eggs,

421
00:28:10,400 --> 00:28:14,840
Speaker 1: and I say, pass me this. That's help, that's helping.

422
00:28:15,760 --> 00:28:19,960
Speaker 1: Look look at the face. See one thing. Snakes didn't

423
00:28:19,960 --> 00:28:22,320
Speaker 1: really crashed in that system. I know what. He's a

424
00:28:22,359 --> 00:28:24,440
Speaker 1: little word. He's got a little word. So what he's

425
00:28:24,440 --> 00:28:26,520
Speaker 1: saying was he said some rappers a little word is

426
00:28:26,600 --> 00:28:29,080
Speaker 1: face didn't crack. He said, someone your whole rapist. So

427
00:28:29,280 --> 00:28:33,200
Speaker 1: he said, some of your greatest hand writers stole back.

428
00:28:33,280 --> 00:28:39,560
Speaker 1: So I know, damn, why don't assist question? Why do

429
00:28:39,600 --> 00:28:42,320
Speaker 1: you not as this question as a rapper? As a rapper,

430
00:28:42,680 --> 00:28:45,239
Speaker 1: did you have help? Did you have help? Or did

431
00:28:45,280 --> 00:28:48,160
Speaker 1: you have a cuss when you're inspired by? Or what

432
00:28:48,240 --> 00:28:53,200
Speaker 1: are you? Kids loved you? You wouldn't You know? Me

433
00:28:53,680 --> 00:28:55,600
Speaker 1: always had because I gotta produce. You always had what

434
00:28:55,760 --> 00:28:57,440
Speaker 1: I had a producer, so he helped me with a

435
00:28:57,480 --> 00:29:02,280
Speaker 1: beat p right for beat. Okay, everyone wrote nothing for me?

436
00:29:02,480 --> 00:29:05,600
Speaker 1: That right for me? As sistance, I need you. You

437
00:29:05,640 --> 00:29:08,280
Speaker 1: got a sister of the club. I'm still look at me.

438
00:29:09,640 --> 00:29:12,120
Speaker 1: I had to think. I'm signed to amazing right holds

439
00:29:12,120 --> 00:29:14,440
Speaker 1: for you? Think about this. We were signing a major later,

440
00:29:14,480 --> 00:29:16,520
Speaker 1: so many roles for you. Don't tell me, let me

441
00:29:16,600 --> 00:29:20,360
Speaker 1: finish broke. So it's not easy. I'm just saying, to

442
00:29:20,480 --> 00:29:22,640
Speaker 1: think about this. You cant do a record and somebody

443
00:29:22,680 --> 00:29:24,960
Speaker 1: says you gotta fix some of the lines. So you

444
00:29:25,080 --> 00:29:27,400
Speaker 1: had assistance because they're not gonna promote the record if

445
00:29:27,440 --> 00:29:29,400
Speaker 1: you keep saying i'mnna kill this bitch in the third

446
00:29:29,760 --> 00:29:32,760
Speaker 1: D right, I gotta change the line, right, assistance, Now

447
00:29:32,760 --> 00:29:35,000
Speaker 1: I might change it. They didn't rewrite it, but they

448
00:29:35,080 --> 00:29:36,560
Speaker 1: told me I had to me write it. So you

449
00:29:36,720 --> 00:29:41,600
Speaker 1: always are getting worked and let health assistance or not

450
00:29:41,840 --> 00:29:48,280
Speaker 1: about none of that mean personally. Nt have somebody they beat? Yeah, definitely, Yeah,

451
00:29:48,920 --> 00:29:51,600
Speaker 1: ins assisted, So that's assistance. If we all have to me,

452
00:29:53,560 --> 00:29:57,440
Speaker 1: we got So everybody has assistance, right, So everybody has

453
00:29:57,480 --> 00:30:03,040
Speaker 1: a system, right yeah, lyrics, right, right stuff. But at

454
00:30:03,080 --> 00:30:07,280
Speaker 1: the same token, I understand what d because because the

455
00:30:07,360 --> 00:30:11,520
Speaker 1: thing about it is, sometimes it comes the time to

456
00:30:11,640 --> 00:30:16,480
Speaker 1: make hit record and it's like, yo, you know you

457
00:30:16,640 --> 00:30:18,320
Speaker 1: gotta do what you gotta do to get that hit. No,

458
00:30:18,440 --> 00:30:20,880
Speaker 1: it's nothing the dots know. If somebody comes with if

459
00:30:20,920 --> 00:30:23,200
Speaker 1: a real or drill or whoever the funk it is,

460
00:30:23,520 --> 00:30:28,520
Speaker 1: comes with this record, it's already set up. All I

461
00:30:28,560 --> 00:30:31,720
Speaker 1: gotta do is filling the dots, right my free record

462
00:30:32,320 --> 00:30:35,680
Speaker 1: that I had to do is what that's help slash assistance. Correct,

463
00:30:35,880 --> 00:30:39,719
Speaker 1: it's assistance. He's the producer. That's my question called collas

464
00:30:39,800 --> 00:30:44,800
Speaker 1: the stuffed. No, No, it's a collaboration right right, it's

465
00:30:44,840 --> 00:30:51,400
Speaker 1: cold so go, that's that's that's what that's what somebody

466
00:30:51,680 --> 00:30:55,520
Speaker 1: help at least holds out what I'm saying this again,

467
00:30:55,680 --> 00:31:00,280
Speaker 1: he knows the matter of semantics. Collaborations. It's how the

468
00:31:00,400 --> 00:31:07,160
Speaker 1: sixt what I'm saying to you, not even your raps.

469
00:31:07,560 --> 00:31:11,000
Speaker 1: You're one of seventeen million of us that have made

470
00:31:11,040 --> 00:31:13,800
Speaker 1: the tempatut thing about our score hip hoply so the

471
00:31:13,920 --> 00:31:16,880
Speaker 1: ones that have had helped are the ones we're talking about,

472
00:31:17,280 --> 00:31:19,960
Speaker 1: and specifically the ones that have that he happened to

473
00:31:20,120 --> 00:31:25,280
Speaker 1: be in time of twenties have what I'm saying to y'all,

474
00:31:25,560 --> 00:31:27,880
Speaker 1: And what I'm saying to y'all is some things we

475
00:31:28,000 --> 00:31:31,240
Speaker 1: know are factual, some things we don't. What I'm saying

476
00:31:31,360 --> 00:31:34,880
Speaker 1: is everybody's top withever is subjective because you can't have

477
00:31:35,040 --> 00:31:38,120
Speaker 1: a rule on it. Because my tip five producers for

478
00:31:38,240 --> 00:31:41,560
Speaker 1: me have all collaborated, right, But that's that's I think,

479
00:31:41,600 --> 00:31:45,040
Speaker 1: I think, and that means that what does that mean? Kanye,

480
00:31:45,280 --> 00:31:47,840
Speaker 1: for example, went on went on a rampage d I

481
00:31:48,000 --> 00:31:51,720
Speaker 1: ghost producers, a D Die ghost produce. You heard that word?

482
00:31:52,880 --> 00:31:55,560
Speaker 1: You heard that say that. Meanwhile, his name is on

483
00:31:55,640 --> 00:31:59,440
Speaker 1: the record, he got all his money more right boom?

484
00:31:59,640 --> 00:32:02,480
Speaker 1: But is a term? It's not a ghost. You're not

485
00:32:02,560 --> 00:32:06,880
Speaker 1: a ghost. You collaborating, You collaborated you. So what I'm

486
00:32:06,920 --> 00:32:09,440
Speaker 1: saying to you is, so if he just dropped off

487
00:32:09,480 --> 00:32:11,920
Speaker 1: the beat and went back to Chicago and you heard

488
00:32:11,920 --> 00:32:14,040
Speaker 1: the full song, what the fund did they that do?

489
00:32:14,920 --> 00:32:18,520
Speaker 1: The full you make? By the way to what you

490
00:32:18,640 --> 00:32:20,960
Speaker 1: don't so name the record? Was the the Benjamin? Was

491
00:32:21,000 --> 00:32:23,320
Speaker 1: it every time? When wasn't my its? Because your name

492
00:32:23,360 --> 00:32:25,000
Speaker 1: was nor novels and you didn't go out. You never

493
00:32:25,040 --> 00:32:26,560
Speaker 1: heard him say thing. I really I don't want him

494
00:32:26,560 --> 00:32:29,280
Speaker 1: to the benchument you know what? And I can admit

495
00:32:29,320 --> 00:32:32,680
Speaker 1: to you right yeah, of course Kanye co produced with me.

496
00:32:33,360 --> 00:32:36,200
Speaker 1: But he dropped off a beat? Is that a full

497
00:32:36,240 --> 00:32:37,960
Speaker 1: song that we you don't put out beat albums up?

498
00:32:38,080 --> 00:32:41,200
Speaker 1: I have answerting ILMs. So when you said sitting on,

499
00:32:42,600 --> 00:32:46,120
Speaker 1: somebody gotta finish the job. When you say so, when

500
00:32:46,120 --> 00:32:50,600
Speaker 1: you say true, is that the song that is absolutely?

501
00:32:50,640 --> 00:32:55,760
Speaker 1: Did you say it? Did you say say? You say

502
00:32:55,880 --> 00:32:58,400
Speaker 1: it's like Dad's righting. I just wrote something you're saying

503
00:32:58,600 --> 00:33:00,920
Speaker 1: that's called at this word that get st If you

504
00:33:00,920 --> 00:33:04,000
Speaker 1: would have said true with a joke, if you he

505
00:33:04,080 --> 00:33:08,120
Speaker 1: said before you said all that, you said semantics, before

506
00:33:08,120 --> 00:33:09,920
Speaker 1: you said all that wasn't it was word that you

507
00:33:10,080 --> 00:33:13,040
Speaker 1: repeat it before all I said it's semantics. It is semantics.

508
00:33:13,400 --> 00:33:17,000
Speaker 1: Mean the semantics. Y'all were using help, assistance or collaborations.

509
00:33:17,080 --> 00:33:18,800
Speaker 1: Y'all were just trying to use another word for saying

510
00:33:19,040 --> 00:33:23,080
Speaker 1: somebody did something else again writing. I'm saying as far

511
00:33:23,120 --> 00:33:26,440
Speaker 1: as lyricist, lyricist criteria for lyricists, for me, he is

512
00:33:26,480 --> 00:33:29,800
Speaker 1: writing and for song. Okay, we're all drink champs, right,

513
00:33:30,400 --> 00:33:35,440
Speaker 1: so we shouldn't know the words angular cassis. I don't

514
00:33:35,440 --> 00:33:38,239
Speaker 1: even know if that's how you say it, opulent, If

515
00:33:38,240 --> 00:33:41,080
Speaker 1: you aren't familiar with those wine terms, congratulations, you're just

516
00:33:41,320 --> 00:33:44,680
Speaker 1: like the rest of us. I don't care if wine

517
00:33:44,720 --> 00:33:48,000
Speaker 1: clubs and critics Babylon about her focus nous. I don't

518
00:33:48,040 --> 00:33:50,360
Speaker 1: even know. I don't even know if that's how you

519
00:33:50,640 --> 00:33:53,320
Speaker 1: say it. I just want to know does it taste good?

520
00:33:53,920 --> 00:33:55,200
Speaker 1: You know what I'm saying, is it gonna get me,

521
00:33:55,640 --> 00:33:58,920
Speaker 1: get me feeling nice? So we found a First Leaf

522
00:33:59,600 --> 00:34:01,880
Speaker 1: is the only wine clothe It's based on your taste.

523
00:34:02,800 --> 00:34:05,560
Speaker 1: And we just received our first order of First Leaf

524
00:34:06,400 --> 00:34:10,919
Speaker 1: and the wines are great. Seriously like these wines, they're

525
00:34:10,920 --> 00:34:14,120
Speaker 1: really good. And you can customize your First Leaf order

526
00:34:14,239 --> 00:34:18,040
Speaker 1: by selecting the color, the wine regions, and frequency of

527
00:34:18,120 --> 00:34:21,879
Speaker 1: your wine shipments. First Leaf then creates an introductory three

528
00:34:21,960 --> 00:34:26,840
Speaker 1: pack of wine to get you started. And the wines

529
00:34:26,880 --> 00:34:28,640
Speaker 1: they picked for us, I mean, at least for me,

530
00:34:30,120 --> 00:34:33,880
Speaker 1: it was a spot on. They all you know, had variations.

531
00:34:33,960 --> 00:34:37,000
Speaker 1: It tasted good and again the most important part had

532
00:34:37,080 --> 00:34:41,080
Speaker 1: me feeling nice. With First Lease introductory pack, you'll get

533
00:34:41,320 --> 00:34:45,560
Speaker 1: all three for just five bucks each. Normally these bottles

534
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Speaker 1: of wine go for twenty dollars each, if not more.

535
00:34:48,880 --> 00:34:51,960
Speaker 1: When your bottles arrived, rate the wine to get it

536
00:34:52,040 --> 00:34:56,560
Speaker 1: personalized selections based on your unique taste. The more wines

537
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538
00:35:00,000 --> 00:35:03,560
Speaker 1: eliminates the middleman and works directly with the world's foremost

539
00:35:03,640 --> 00:35:06,920
Speaker 1: wineries in France, Italy and Napa Valley. You know, that's

540
00:35:06,960 --> 00:35:09,680
Speaker 1: where all the best wines come from. First Leaf is

541
00:35:09,760 --> 00:35:12,680
Speaker 1: my new favorite way to rate and buy quality wine.

542
00:35:13,600 --> 00:35:17,080
Speaker 1: To order your three pack of introductory wine for fifteen dollars,

543
00:35:17,320 --> 00:35:21,360
Speaker 1: go to try first leaf dot com Forward slash Champs.

544
00:35:21,960 --> 00:35:25,000
Speaker 1: That's three bottles of wine for only fifteen dollars at

545
00:35:25,160 --> 00:35:30,960
Speaker 1: try first leaf dot com Forward slash Champs. Experience first

546
00:35:30,960 --> 00:35:35,640
Speaker 1: Sleaf today. Try first sleeve dot com Forward slash c

547
00:35:36,080 --> 00:35:39,080
Speaker 1: h A M P S Drink Champs. Army. You don't

548
00:35:39,080 --> 00:35:44,600
Speaker 1: want to miss out on this deal writing a song

549
00:35:44,760 --> 00:35:50,200
Speaker 1: not like again, where would you put in your lyricism?

550
00:35:52,840 --> 00:36:01,360
Speaker 1: Who's all these rounds and no assistance is dead? But

551
00:36:01,480 --> 00:36:06,120
Speaker 1: but y you know okay? And I wouldn't doubt that

552
00:36:06,120 --> 00:36:07,759
Speaker 1: because I don't know if I can to death. Even

553
00:36:07,800 --> 00:36:09,319
Speaker 1: the ship I just said about him with a brother

554
00:36:09,440 --> 00:36:11,920
Speaker 1: talking to another brother, even back then saying Yo, these

555
00:36:11,960 --> 00:36:14,200
Speaker 1: other guys are putting on better shows. It wasn't a

556
00:36:14,239 --> 00:36:16,960
Speaker 1: disrespect of I can. My point to you is assistance

557
00:36:17,000 --> 00:36:19,080
Speaker 1: as assistance. You can dance around the words and all

558
00:36:19,120 --> 00:36:21,080
Speaker 1: this other ship. If you can help, and everything that

559
00:36:21,160 --> 00:36:25,120
Speaker 1: you do is not from you, you got everything else.

560
00:36:25,160 --> 00:36:28,000
Speaker 1: I'm saying the subjective. Sorry again that's what I'm saying said,

561
00:36:28,239 --> 00:36:29,800
Speaker 1: and I know some of the it was nercusis that

562
00:36:29,840 --> 00:36:32,400
Speaker 1: we will never talk about in our top five because

563
00:36:32,440 --> 00:36:34,759
Speaker 1: of the other parts of their career that you look

564
00:36:34,840 --> 00:36:37,839
Speaker 1: at them or who they are. But lyrically, I'm sure

565
00:36:37,840 --> 00:36:39,840
Speaker 1: they are people. That's greater than Big, greater than jay Z,

566
00:36:39,960 --> 00:36:43,880
Speaker 1: great Eminem, greater than Camera. That's that's black people in

567
00:36:43,960 --> 00:36:48,480
Speaker 1: generals and the people Jordan's black black thoughts right and

568
00:36:48,560 --> 00:36:51,840
Speaker 1: let's rapper right now. So people big punt gets arguably

569
00:36:52,000 --> 00:36:55,839
Speaker 1: talks about being who knows? Who's the greatest? Who knows?

570
00:36:56,200 --> 00:36:58,520
Speaker 1: Because we can't put a category on it because if

571
00:36:58,520 --> 00:37:00,239
Speaker 1: we did, half for the rappers we love wouldn' able

572
00:37:00,239 --> 00:37:01,839
Speaker 1: to see because they didn't think. Because to me, it's

573
00:37:01,840 --> 00:37:04,120
Speaker 1: the unanswerable question. That's why when you want to bothers

574
00:37:05,160 --> 00:37:08,920
Speaker 1: that this conversation, that's the one that one of the

575
00:37:09,040 --> 00:37:12,480
Speaker 1: conversation is, I could care less like you know, you know,

576
00:37:13,360 --> 00:37:17,480
Speaker 1: like um, let me, let me um. You can think

577
00:37:17,600 --> 00:37:20,120
Speaker 1: whatever you want to think. You would think who you

578
00:37:20,200 --> 00:37:21,719
Speaker 1: want to you could think you would want to think.

579
00:37:22,000 --> 00:37:23,960
Speaker 1: But the thing about it is it's just hip hop.

580
00:37:24,040 --> 00:37:26,160
Speaker 1: As long as we continue to love hip hop, which

581
00:37:26,200 --> 00:37:32,200
Speaker 1: is the beauty is the fact that we've seen here

582
00:37:32,239 --> 00:37:35,399
Speaker 1: all that's not true that some people say I don't

583
00:37:35,400 --> 00:37:38,320
Speaker 1: believe that. I don't. But that's how do you feel like?

584
00:37:38,680 --> 00:37:41,279
Speaker 1: That's how happened with me. That's not what we're saying

585
00:37:41,320 --> 00:37:43,800
Speaker 1: about drink that Drake is not a hip hop anybody

586
00:37:45,640 --> 00:37:51,360
Speaker 1: don't tell him that I agree with you that I

587
00:37:51,480 --> 00:37:54,640
Speaker 1: want him to because that was meet this problem was

588
00:37:54,960 --> 00:38:01,840
Speaker 1: he felt like that Drake didn't the long Yeah, it

589
00:38:01,920 --> 00:38:09,560
Speaker 1: was falter. It was a different version that's got so boderful.

590
00:38:10,040 --> 00:38:14,640
Speaker 1: He's no longer official. That was understand right, It was

591
00:38:14,719 --> 00:38:17,200
Speaker 1: to say to you it is that right. No, it

592
00:38:17,320 --> 00:38:19,960
Speaker 1: was some unerstake. The fact that we're sitting here arguing

593
00:38:20,239 --> 00:38:23,359
Speaker 1: so passionately about what people believe in hip hop hip hop.

594
00:38:23,480 --> 00:38:29,880
Speaker 1: It speaks to the greatness of hip hop age that

595
00:38:30,760 --> 00:38:35,000
Speaker 1: when when he actually attacked him for that, that was actual.

596
00:38:35,120 --> 00:38:39,080
Speaker 1: And that's because that was because sometimes, oh geez, I

597
00:38:39,080 --> 00:38:40,759
Speaker 1: don't saying this to the youth. I want to make

598
00:38:40,800 --> 00:38:43,440
Speaker 1: it preachy, but we were here for a reason, and

599
00:38:43,640 --> 00:38:47,080
Speaker 1: sometimes when you look to be the boss with no

600
00:38:48,160 --> 00:38:52,280
Speaker 1: you know, all bosses were workers, all generals were soldiers.

601
00:38:52,719 --> 00:38:55,360
Speaker 1: You understand, you to you. So when you have in

602
00:38:55,480 --> 00:38:58,439
Speaker 1: general next to you, you're trying to overstep the general

603
00:38:58,440 --> 00:39:02,040
Speaker 1: when you haven't even became a corporal. But to you,

604
00:39:02,120 --> 00:39:05,240
Speaker 1: but you' that's where the mistakes are. We we are teaching.

605
00:39:05,280 --> 00:39:06,920
Speaker 1: This is what I'm saying right now. My point is,

606
00:39:07,040 --> 00:39:09,560
Speaker 1: but they have to want to be taught. No, no,

607
00:39:09,719 --> 00:39:12,120
Speaker 1: no no, because they when you were sixteen, you didn't

608
00:39:12,120 --> 00:39:16,840
Speaker 1: even want to hear what the og was saying. Today's

609
00:39:16,880 --> 00:39:20,520
Speaker 1: young day, they hard had it. And today from Lee,

610
00:39:20,600 --> 00:39:22,640
Speaker 1: I'm saying, I only wanted to listen to old Yeah,

611
00:39:22,920 --> 00:39:24,960
Speaker 1: that's all. I already listened to his old heads. I

612
00:39:25,000 --> 00:39:27,480
Speaker 1: didn't want to listen to the guys. I'm an og product.

613
00:39:27,520 --> 00:39:30,000
Speaker 1: I can name sixty five that I wrout with right now.

614
00:39:30,600 --> 00:39:33,359
Speaker 1: That's like the are the dudes? We looked for them dudes.

615
00:39:33,560 --> 00:39:35,839
Speaker 1: One because my father was wasn't the win at an

616
00:39:35,840 --> 00:39:38,640
Speaker 1: a very young age. But that's also reasons so but

617
00:39:39,040 --> 00:39:42,200
Speaker 1: so no, that's my point. Me had a general in

618
00:39:42,320 --> 00:39:46,440
Speaker 1: his mix, and through whatever God had planned is separated,

619
00:39:46,600 --> 00:39:49,000
Speaker 1: and then you can see the results of sometimes where

620
00:39:49,120 --> 00:39:51,440
Speaker 1: you are not guided. That's what I'm saying. You can

621
00:39:51,480 --> 00:39:53,799
Speaker 1: see it's it's written, It's written in stone. You don't

622
00:39:53,800 --> 00:39:55,520
Speaker 1: have to say it's written in stone. So what we're

623
00:39:55,520 --> 00:39:58,440
Speaker 1: saying is satimes. He is sometimes reach back to the ogs,

624
00:39:58,800 --> 00:40:00,600
Speaker 1: not all of us to snakes. Now, all of us

625
00:40:00,600 --> 00:40:04,320
Speaker 1: weren't what you had. They gotta see mixing you like

626
00:40:06,640 --> 00:40:09,560
Speaker 1: a whole But you today, I gotta see it. You

627
00:40:09,680 --> 00:40:12,480
Speaker 1: got a whole ship under their nose. So do you

628
00:40:12,520 --> 00:40:15,360
Speaker 1: know what steak that's for you today? Okay, it is

629
00:40:15,400 --> 00:40:16,960
Speaker 1: a different way. It isn't different way. Whatever we got,

630
00:40:17,120 --> 00:40:19,600
Speaker 1: we get to see you like yo, he get babe,

631
00:40:19,600 --> 00:40:22,560
Speaker 1: he's flies, He's whatever. I'm I'm in buy him. I'm

632
00:40:22,560 --> 00:40:26,440
Speaker 1: gonna sucking follow his lead. Okay, boom, did you mix Charlie?

633
00:40:27,239 --> 00:40:32,719
Speaker 1: Check something else that's gone that we never tell ya.

634
00:40:32,719 --> 00:40:34,800
Speaker 1: I was gonna win a super Bowl? You said, I

635
00:40:34,920 --> 00:40:38,120
Speaker 1: never tell us don't win the Superball, Uncle, I'm gonna

636
00:40:38,120 --> 00:40:39,760
Speaker 1: be out, and I'm gonna be out before. We didn't

637
00:40:39,800 --> 00:40:42,960
Speaker 1: never got a y'all, but I fat team. I didn't.

638
00:40:42,960 --> 00:40:44,719
Speaker 1: I was throwing it out there. Yeah I didn't doubt that.

639
00:40:44,760 --> 00:40:46,719
Speaker 1: I'm saying it out there. I'm stilling the money too.

640
00:40:46,760 --> 00:40:53,960
Speaker 1: I'm saying you know, yeah came, I know we all

641
00:40:54,200 --> 00:40:56,239
Speaker 1: we gotta stay focused on the fact that we didn't

642
00:40:56,280 --> 00:41:01,759
Speaker 1: win that Super Bowl. You know, feature try away him

643
00:41:01,800 --> 00:41:05,600
Speaker 1: you come that horn ship though? What was that about? Yeah,

644
00:41:05,600 --> 00:41:07,719
Speaker 1: he was out d Yeah that was some other stuff

645
00:41:07,719 --> 00:41:10,279
Speaker 1: I celebrated, But that was something about something I don't

646
00:41:10,320 --> 00:41:13,319
Speaker 1: know him. Was a dude and feel it they green

647
00:41:13,480 --> 00:41:15,560
Speaker 1: the polls and they can still climbed the pot. Yeah,

648
00:41:15,680 --> 00:41:19,840
Speaker 1: he was like he did. It was I don't know

649
00:41:19,880 --> 00:41:22,040
Speaker 1: who he isn't from the Yeah, I don't know who

650
00:41:22,040 --> 00:41:23,359
Speaker 1: he was, but I know I know one thing I'm

651
00:41:23,400 --> 00:41:26,440
Speaker 1: saying we did. He said, you wanted to freeze health

652
00:41:26,480 --> 00:41:30,280
Speaker 1: freeze over and then Minneapolis hell froze over because Tony

653
00:41:30,400 --> 00:41:33,120
Speaker 1: robs from my brother got to ask you, yes, sir,

654
00:41:33,360 --> 00:41:39,720
Speaker 1: you and drops the Simmons very clause. Yeah. Yeah, let

655
00:41:39,760 --> 00:41:41,279
Speaker 1: me say this. Let me say that this is me

656
00:41:41,320 --> 00:41:45,880
Speaker 1: taking from there. Yea. Ever is the way you know? This?

657
00:41:46,080 --> 00:41:49,200
Speaker 1: This is the reality like this this is the real ship. Uh,

658
00:41:49,280 --> 00:41:53,040
Speaker 1: this is eighteen. In the last five years, Russell Simmons

659
00:41:53,080 --> 00:41:55,040
Speaker 1: has been the most influence you person in my career

660
00:41:55,360 --> 00:41:59,000
Speaker 1: or more so than anybody else. This is fat true.

661
00:41:59,160 --> 00:42:04,080
Speaker 1: This is just say no admizational ship or new speculatory ship.

662
00:42:04,200 --> 00:42:06,719
Speaker 1: Russell has been more influence you in my career in

663
00:42:06,719 --> 00:42:09,839
Speaker 1: the last five years than anybody. Now, let me get

664
00:42:09,880 --> 00:42:13,880
Speaker 1: this straight. So for the listeners, horrible rape is the

665
00:42:13,960 --> 00:42:17,040
Speaker 1: worst thing ever to take something from a woman or

666
00:42:17,040 --> 00:42:20,600
Speaker 1: a man one It's the worst. Should have a sexual

667
00:42:20,640 --> 00:42:22,680
Speaker 1: assault is the wors should ever to have to live

668
00:42:22,719 --> 00:42:24,960
Speaker 1: in a secrecy of what you went through and not

669
00:42:25,080 --> 00:42:27,439
Speaker 1: tell anybody and not feel like you come out worst.

670
00:42:27,440 --> 00:42:29,719
Speaker 1: Should have a sexual aggression. It was a new term

671
00:42:29,760 --> 00:42:34,600
Speaker 1: that I just was made aware of. Horrible. Yeah, it's

672
00:42:34,600 --> 00:42:39,360
Speaker 1: a new term. It's sexual If you sent was it

673
00:42:39,640 --> 00:42:42,200
Speaker 1: forty five percent of women I did the research, forty

674
00:42:42,280 --> 00:42:44,080
Speaker 1: five percent women in American thing, if you send a

675
00:42:44,120 --> 00:42:47,319
Speaker 1: drink to a girl in the club is considered sexual aggression.

676
00:42:48,000 --> 00:42:55,080
Speaker 1: Sexual aggression. If you come up if something that you're

677
00:42:55,160 --> 00:42:58,320
Speaker 1: compliment a woman, If you compliment a woman want something physical,

678
00:42:58,719 --> 00:43:01,560
Speaker 1: forty five percent of women in American thing, that's sexual aggression.

679
00:43:01,840 --> 00:43:03,480
Speaker 1: So you gotta watch what you're doing, what you say,

680
00:43:04,719 --> 00:43:07,520
Speaker 1: what that says? What's that said? Russell has been the

681
00:43:07,600 --> 00:43:10,200
Speaker 1: most influential person in my career in the last five

682
00:43:10,280 --> 00:43:12,440
Speaker 1: years than anybody. He was the nigger that fought for

683
00:43:12,520 --> 00:43:14,440
Speaker 1: me to host All Death Comedy he was going to

684
00:43:14,560 --> 00:43:18,120
Speaker 1: fool for me to get movies and TV auditions and meetings.

685
00:43:18,840 --> 00:43:23,520
Speaker 1: That's real. I'm never gonna basketball that. But like I said,

686
00:43:23,600 --> 00:43:28,840
Speaker 1: great horrible sexual so horrible. It's like you misconduct horrible.

687
00:43:29,600 --> 00:43:32,760
Speaker 1: My heart goes out to all those women. If he's guilty,

688
00:43:32,840 --> 00:43:36,680
Speaker 1: that's fucked up. But in the court of public opinion,

689
00:43:37,080 --> 00:43:40,480
Speaker 1: people have already convicted him. There's the court of public opinion,

690
00:43:40,719 --> 00:43:43,480
Speaker 1: and there's the real actual court. Let's wait to see

691
00:43:43,520 --> 00:43:46,280
Speaker 1: what happens in the actual court. Because when he's cleared

692
00:43:46,400 --> 00:43:48,879
Speaker 1: up or when when it if women, and if he's

693
00:43:48,920 --> 00:43:51,120
Speaker 1: cleared up, that's the most that's the worst thing in

694
00:43:51,160 --> 00:43:53,040
Speaker 1: the world to be convicted of something like that and

695
00:43:53,239 --> 00:43:56,360
Speaker 1: be innocent. It's the worst thing in the world. Like

696
00:43:56,440 --> 00:43:58,560
Speaker 1: you said, the court of public opinion, public opinion, I

697
00:43:59,320 --> 00:44:04,440
Speaker 1: can get found not gift already r poblic already cast

698
00:44:04,480 --> 00:44:07,239
Speaker 1: already weeks ago. But how about Bill Cosby, Because it

699
00:44:07,280 --> 00:44:12,120
Speaker 1: feels like BILLI can you do nothing my career would

700
00:44:12,120 --> 00:44:16,719
Speaker 1: Actually she did, actually did stage. He made sea the

701
00:44:16,719 --> 00:44:18,920
Speaker 1: bill stage and speaking freely. Yeah, that's true. But I

702
00:44:19,000 --> 00:44:23,000
Speaker 1: mean as far as Russell did, no little cosm get somebody.

703
00:44:23,600 --> 00:44:27,520
Speaker 1: I'm saying, but I say, I'm saying directly, but yeah,

704
00:44:28,520 --> 00:44:31,960
Speaker 1: definitely given somebody like Pale. Yeah, yeah, I'm just I'm

705
00:44:32,040 --> 00:44:36,560
Speaker 1: showing it out. One of my one of my mentors

706
00:44:36,600 --> 00:44:39,880
Speaker 1: in this business, he gave he want to law school,

707
00:44:40,280 --> 00:44:43,200
Speaker 1: and Bill Cosby paid for his law school and he

708
00:44:43,280 --> 00:44:50,960
Speaker 1: gets I don't know, I don't know what bills Bill. Yeah,

709
00:44:51,800 --> 00:44:54,239
Speaker 1: I'm just saying. So the reason why I don't have

710
00:44:54,520 --> 00:44:59,200
Speaker 1: love for Bill, it's because he never showed love to

711
00:44:59,400 --> 00:45:02,279
Speaker 1: hip hop. Because the way he did he made for

712
00:45:02,360 --> 00:45:04,959
Speaker 1: the hour. Doesn't love the hip hop. No, he didn't

713
00:45:05,000 --> 00:45:09,560
Speaker 1: love that it is. And did you know he's actually

714
00:45:09,719 --> 00:45:14,640
Speaker 1: from Richard Allen Project. We know, and guess what that's

715
00:45:14,640 --> 00:45:16,279
Speaker 1: what that that that's some of the university is in

716
00:45:16,360 --> 00:45:20,720
Speaker 1: North Philly. No, and you know what, women respect North Philly.

717
00:45:20,880 --> 00:45:24,400
Speaker 1: We want to respect that. But when that man said that,

718
00:45:24,880 --> 00:45:27,279
Speaker 1: you guys gotta take care of put your pants. Put

719
00:45:27,320 --> 00:45:29,800
Speaker 1: your pants, that's what he just wanted to That was fashion.

720
00:45:29,920 --> 00:45:32,680
Speaker 1: It wasn't. That was like I think I think again

721
00:45:32,719 --> 00:45:35,960
Speaker 1: back that guy say about owl heads right again, I'm saying,

722
00:45:36,000 --> 00:45:38,400
Speaker 1: the old heads supposed to tell you something you might

723
00:45:38,440 --> 00:45:41,160
Speaker 1: not just it's good. Right, So I'm saying again, I'm

724
00:45:41,200 --> 00:45:43,320
Speaker 1: saying the culture of having your parents second was a

725
00:45:43,400 --> 00:45:46,759
Speaker 1: penitentiary culture. Right. That's so I'm saying one. So I'm

726
00:45:46,760 --> 00:45:48,959
Speaker 1: saying he's pulling your cot for it. Don't be upset

727
00:45:49,000 --> 00:45:53,560
Speaker 1: about it. Yeah, difference plus all difference was silver roll.

728
00:45:54,080 --> 00:46:01,879
Speaker 1: It was saying I'm exactly the same person. Yeah, old

729
00:46:04,120 --> 00:46:07,520
Speaker 1: head speak. Old heads speak from their level of understanding.

730
00:46:08,040 --> 00:46:11,280
Speaker 1: You don't understand this Baggy Jean's and the two Timm's

731
00:46:11,280 --> 00:46:14,600
Speaker 1: in the fucking oversized page. Old to you like, I'll

732
00:46:14,640 --> 00:46:18,160
Speaker 1: meet your brother's show, right, are you know who invited

733
00:46:18,160 --> 00:46:21,120
Speaker 1: me to your brother's show? Who was jay Z? Jay

734
00:46:21,200 --> 00:46:23,919
Speaker 1: Z hit me and send me. I mean, I don't

735
00:46:23,960 --> 00:46:31,680
Speaker 1: know why I've put the voice like that. I don't know, Jasy,

736
00:46:32,680 --> 00:46:38,239
Speaker 1: I meant your brother's show with jay Z's voice like that.

737
00:46:38,360 --> 00:46:42,840
Speaker 1: I'm so sorry. Apologize not what I meant to say. Right,

738
00:46:44,200 --> 00:46:47,640
Speaker 1: you're gonna know that. Come on, you gotta come. It's

739
00:46:47,680 --> 00:46:49,879
Speaker 1: coming up. It's it's coming friend, it's coming up. It's

740
00:46:49,880 --> 00:46:56,239
Speaker 1: coming up. Because you need distracted. Pussy out, just it

741
00:46:56,360 --> 00:47:03,160
Speaker 1: just pussy but no reason, it's a reason, says sad

742
00:47:03,920 --> 00:47:05,880
Speaker 1: and say hid the morning. At this point, you should

743
00:47:05,880 --> 00:47:09,120
Speaker 1: be way about this. He said it and say there's

744
00:47:09,120 --> 00:47:14,480
Speaker 1: always ray super pussy. Oh no, you can't say the

745
00:47:14,560 --> 00:47:16,719
Speaker 1: next ye take something, I'm hanging out. Polls, I'm hanging

746
00:47:16,760 --> 00:47:18,840
Speaker 1: out Today's were right away. I was like, that was

747
00:47:18,880 --> 00:47:22,400
Speaker 1: word of the day. I'm to tell you something easy

748
00:47:22,480 --> 00:47:25,520
Speaker 1: that Chris is out said and you just can't want

749
00:47:25,520 --> 00:47:29,000
Speaker 1: any dolls. Non't tell you about he was just saying,

750
00:47:29,160 --> 00:47:31,239
Speaker 1: it's sex. Moo, yes, what about the morning for though,

751
00:47:31,280 --> 00:47:33,560
Speaker 1: that's my mother that's before. Yeah, you can't look that's

752
00:47:33,600 --> 00:47:37,040
Speaker 1: my point back around and w no, no, I always

753
00:47:37,120 --> 00:47:40,000
Speaker 1: actually you don't actually talk actually your terms the word

754
00:47:40,400 --> 00:47:43,200
Speaker 1: right now, I don't you don't worry you man, are

755
00:47:43,239 --> 00:47:45,960
Speaker 1: you going more right now? I'm a thousand percent saying

756
00:47:45,960 --> 00:47:49,680
Speaker 1: I say already, but you right right now. But if

757
00:47:49,680 --> 00:47:53,000
Speaker 1: you're got a bui, she's actually got like you, she

758
00:47:53,160 --> 00:47:56,440
Speaker 1: kind of she's probably through American man. The man made

759
00:47:56,440 --> 00:47:59,800
Speaker 1: I see you put right. What I'm just saying, I

760
00:47:59,920 --> 00:48:03,880
Speaker 1: was sometimes violation back most time of defence is a

761
00:48:03,960 --> 00:48:07,080
Speaker 1: most time defense point you Cholly, I'm thinking about you

762
00:48:07,200 --> 00:48:10,080
Speaker 1: kept saying I'm a berryman you want kept saying I'm

763
00:48:10,080 --> 00:48:12,200
Speaker 1: a Merryma. No, I can't say you kept sorry you

764
00:48:12,280 --> 00:48:14,759
Speaker 1: heard no, I don't want to move. I want jelly back.

765
00:48:15,640 --> 00:48:18,160
Speaker 1: Plead my case, please showing back. So do you feel

766
00:48:18,160 --> 00:48:21,799
Speaker 1: the same way about a woman who breastfeeds though I'm

767
00:48:21,800 --> 00:48:28,839
Speaker 1: find she violated me too as well. Take sea, no ship.

768
00:48:29,080 --> 00:48:30,680
Speaker 1: What I'm saying to you is that is a viola ship.

769
00:48:31,719 --> 00:48:33,640
Speaker 1: I'm saying. I'm saying I'm sharing you. If I didn't

770
00:48:33,680 --> 00:48:35,200
Speaker 1: invite that to you, for you to be showing your

771
00:48:35,239 --> 00:48:38,160
Speaker 1: skin and actually rebalious, you can't sayination. So do you

772
00:48:38,200 --> 00:48:41,439
Speaker 1: feel say whatever you like right now? That's I don't

773
00:48:41,440 --> 00:48:45,719
Speaker 1: say that's that's what you feel that you don't, but

774
00:48:45,840 --> 00:48:47,840
Speaker 1: some people don't. It's not what I'm saying to you.

775
00:48:47,880 --> 00:48:49,680
Speaker 1: I'm talking about in terms of I like it. I

776
00:48:49,800 --> 00:48:54,759
Speaker 1: just say it's back ahead. What I'm saying right now,

777
00:48:55,600 --> 00:48:57,400
Speaker 1: selling your orders there right now at home where the

778
00:48:57,440 --> 00:49:00,680
Speaker 1: roads that right now, that's a inappropriate time and propriate

779
00:49:00,760 --> 00:49:10,200
Speaker 1: at some I want to go this sun like don't

780
00:49:10,239 --> 00:49:13,359
Speaker 1: really don't really what I'm says. You can't. It's because

781
00:49:13,400 --> 00:49:16,120
Speaker 1: the first thing you see is the first thing you see.

782
00:49:16,760 --> 00:49:19,799
Speaker 1: That's the first thing you're saying that it's inappropriate? Right

783
00:49:20,640 --> 00:49:27,560
Speaker 1: who killer lad she's getting you sucking the promised, you

784
00:49:27,640 --> 00:49:32,960
Speaker 1: know because of that, because my god, let me tell you,

785
00:49:33,360 --> 00:49:34,799
Speaker 1: Let me tell you why. Let me tell you why

786
00:49:34,800 --> 00:49:36,840
Speaker 1: it is because guess what if if the guy was

787
00:49:36,920 --> 00:49:40,000
Speaker 1: following him walking down Anna say, maybe I'm saying again

788
00:49:40,160 --> 00:49:43,160
Speaker 1: when she walked away, everybody this way, nobody wasn't never

789
00:49:43,200 --> 00:49:46,200
Speaker 1: be nobody, right, That's what it is, right, So I

790
00:49:46,280 --> 00:49:48,200
Speaker 1: get what I'm saying that frank like, you didn't ask

791
00:49:48,239 --> 00:49:52,880
Speaker 1: for that. Can't ask that completely, you know, felling on

792
00:49:54,040 --> 00:49:56,279
Speaker 1: you're married, man, I never can. I just didn't want

793
00:49:56,320 --> 00:49:58,080
Speaker 1: to say. That's a lot, right you guys that did

794
00:49:58,239 --> 00:50:00,359
Speaker 1: you say that Michael aggression ship where you came by

795
00:50:00,680 --> 00:50:04,120
Speaker 1: a woman to dream you're being rude? I just sexually sexual, right,

796
00:50:04,239 --> 00:50:06,279
Speaker 1: So what I was saying was I flifted because he

797
00:50:06,400 --> 00:50:08,239
Speaker 1: was like the second time he was like, yeah, there's

798
00:50:08,239 --> 00:50:09,680
Speaker 1: a lot of pussies for no reason. But that's how

799
00:50:09,760 --> 00:50:12,520
Speaker 1: I started a horrible She s go around me. I'm

800
00:50:12,520 --> 00:50:15,800
Speaker 1: coming to I know. But when nor Re said, like

801
00:50:16,400 --> 00:50:18,520
Speaker 1: I'm seeing things, I'm trying not just see. But that's

802
00:50:18,520 --> 00:50:28,480
Speaker 1: a great that's a great, poets, that's a great they

803
00:50:28,520 --> 00:50:31,959
Speaker 1: made right. She was cooked up around him he's compa

804
00:50:31,960 --> 00:50:34,200
Speaker 1: about her. Right, But guess what if she don't want

805
00:50:34,360 --> 00:50:36,480
Speaker 1: were you're looking at her and always saying don't want you.

806
00:50:37,719 --> 00:50:39,600
Speaker 1: We had a pocket for that, right. So therefore I'm

807
00:50:39,600 --> 00:50:41,439
Speaker 1: saying at that point in time, she becomes violated because

808
00:50:41,480 --> 00:50:44,279
Speaker 1: she's saying, I'm comfortable tone. Look at what y'all look

809
00:50:44,280 --> 00:50:46,799
Speaker 1: at at me? Period. Now guess what she fathers saying,

810
00:50:46,960 --> 00:50:49,040
Speaker 1: you know what I mean, came in. She comfortable being

811
00:50:49,040 --> 00:50:51,880
Speaker 1: around tone, so she knows he's around tone and tails

812
00:50:52,000 --> 00:50:54,880
Speaker 1: this and tells niggas like, yo, damn, she know that

813
00:50:54,960 --> 00:50:59,120
Speaker 1: being a yo son. Oh, she looking at that stuff.

814
00:50:59,160 --> 00:51:01,080
Speaker 1: She know being around me. It's like, that's what it is,

815
00:51:01,160 --> 00:51:03,719
Speaker 1: and tells that because the niggas, I may ram be

816
00:51:03,800 --> 00:51:06,520
Speaker 1: like you said. So you're saying whatever, you gotta check

817
00:51:06,520 --> 00:51:11,160
Speaker 1: with you in that way. I never I don't have heart. Okay,

818
00:51:11,200 --> 00:51:13,839
Speaker 1: whether you got hurt, what you isolated, it's imperty. It's

819
00:51:13,880 --> 00:51:18,319
Speaker 1: not property. No, it's contresy. It's my property. But an

820
00:51:18,360 --> 00:51:26,680
Speaker 1: admire to the window shot for the colts yallow to

821
00:51:26,719 --> 00:51:28,359
Speaker 1: touch you. I can't, but I didn't care. You don't

822
00:51:28,360 --> 00:51:31,840
Speaker 1: want him to look yet appreciate That's one if we

823
00:51:31,960 --> 00:51:34,680
Speaker 1: tell you that ship. I appreciate that, okay, but I'm

824
00:51:34,719 --> 00:51:37,959
Speaker 1: just say touch okay. So back to my point. In't

825
00:51:38,000 --> 00:51:40,879
Speaker 1: that a bit of a microaggression because you're bringing something

826
00:51:41,200 --> 00:51:43,680
Speaker 1: you look but don't touch. It looks really and it's

827
00:51:43,760 --> 00:51:51,520
Speaker 1: kind of overly nice logo. Look and be respectful and respectful.

828
00:51:51,640 --> 00:51:53,319
Speaker 1: If the girl got have vagina right now, we'll get

829
00:51:53,440 --> 00:51:57,759
Speaker 1: your chance happy. You can't you you got you gotta

830
00:51:57,760 --> 00:52:00,560
Speaker 1: be a question with aggression, you can't respect Jina on

831
00:52:00,719 --> 00:52:03,759
Speaker 1: you is making it? It was on me on met

832
00:52:03,880 --> 00:52:05,839
Speaker 1: Dory said that he's seen it from now. He can't

833
00:52:05,840 --> 00:52:07,680
Speaker 1: see it from a distance, right, but he's seen it

834
00:52:08,480 --> 00:52:12,279
Speaker 1: treat time these days. Right, it's all like you're right

835
00:52:13,280 --> 00:52:19,120
Speaker 1: he listen dors Man, Yeah, that's what I do, I

836
00:52:19,320 --> 00:52:21,800
Speaker 1: think because you make it gonna take anyway. I like

837
00:52:22,040 --> 00:52:27,320
Speaker 1: marking friends very sick and that's not sign. It was

838
00:52:27,400 --> 00:52:32,319
Speaker 1: literally the upper thigh. No, that's not what are you blind? Time?

839
00:52:32,400 --> 00:52:33,800
Speaker 1: It was the upper thigh. No, I ain't talking to

840
00:52:33,920 --> 00:52:37,719
Speaker 1: ain't somethithing. I'm talking about your camera. The Jena up

841
00:52:38,800 --> 00:52:41,719
Speaker 1: you said to Rid said what you said? You said Jack,

842
00:52:41,760 --> 00:52:43,839
Speaker 1: you said Man, you said the trading soon you say

843
00:52:43,880 --> 00:52:46,160
Speaker 1: Camper shone call up. But she I love Candlington. You said,

844
00:52:47,000 --> 00:52:49,279
Speaker 1: that's totally give me. That's what you said. You love

845
00:52:49,320 --> 00:52:51,880
Speaker 1: the dollar Joe. You said you appreciate that front and

846
00:52:51,920 --> 00:52:53,439
Speaker 1: at that point in time. I been at that point

847
00:52:53,520 --> 00:52:59,799
Speaker 1: time because I wanted all your comes all right now. Yes,

848
00:53:00,239 --> 00:53:04,920
Speaker 1: as a free as I appreciated him whatever. I definitely

849
00:53:05,000 --> 00:53:10,480
Speaker 1: didn't want to be some type of friend. Um Man,

850
00:53:11,680 --> 00:53:14,080
Speaker 1: it's different. It could be a friend like a regular friend.

851
00:53:14,120 --> 00:53:18,680
Speaker 1: They could be a listein friend, want to be want friend,

852
00:53:20,440 --> 00:53:24,520
Speaker 1: earth out play and just gave you didn't know she's

853
00:53:24,560 --> 00:53:29,520
Speaker 1: coming up now. Yeah, but I'm just telling you nothing

854
00:53:31,760 --> 00:53:35,120
Speaker 1: you bring that started to real law and doing a

855
00:53:35,239 --> 00:53:39,319
Speaker 1: dream opinion that it was kind of concual. I was trying,

856
00:53:41,400 --> 00:53:46,160
Speaker 1: grass Cat. I don't know what outside and what I said,

857
00:53:47,040 --> 00:53:49,320
Speaker 1: because you like said your whole see about Michael regression,

858
00:53:49,400 --> 00:53:52,239
Speaker 1: like even buying. You said sexual forty five sexual was

859
00:53:52,440 --> 00:53:54,480
Speaker 1: whatever the fund is called what I was saying I had.

860
00:53:54,600 --> 00:53:57,239
Speaker 1: She's not about forty five. You beats my fund. I'm

861
00:53:57,239 --> 00:53:59,400
Speaker 1: just saying so with my sisters, I get it. If

862
00:53:59,400 --> 00:54:01,719
Speaker 1: we do buy your drink, I want you when to

863
00:54:01,760 --> 00:54:04,840
Speaker 1: go to the club with no purse, rero no idea

864
00:54:08,640 --> 00:54:11,600
Speaker 1: bring out the wind press, right, because as a woman

865
00:54:11,600 --> 00:54:13,320
Speaker 1: that comes to a club with no money because that

866
00:54:13,440 --> 00:54:16,279
Speaker 1: invitation that I'm saying, she's supposed to be no, no, no, no,

867
00:54:16,360 --> 00:54:18,680
Speaker 1: you're on my point. If you know what, if they

868
00:54:18,760 --> 00:54:20,680
Speaker 1: know what they're doing and not home girls, they not

869
00:54:21,120 --> 00:54:24,840
Speaker 1: if they go with no purse, how do you expect

870
00:54:24,880 --> 00:54:27,080
Speaker 1: to drink? But they expect to go drink. We're looking

871
00:54:27,120 --> 00:54:30,839
Speaker 1: for something to socialment and for the post quart man

872
00:54:30,880 --> 00:54:33,640
Speaker 1: gonna take the bill. So all I'm saying is, though

873
00:54:33,960 --> 00:54:36,360
Speaker 1: you have to be you, you are complicit at some

874
00:54:36,520 --> 00:54:40,440
Speaker 1: point and what you're putting out in the universe. You

875
00:54:40,560 --> 00:54:44,880
Speaker 1: cannot wear fucking raw fish and dive in the ocean

876
00:54:44,920 --> 00:54:47,239
Speaker 1: and getting mad at the shop. Well again I'm saying, no, no, no,

877
00:54:47,400 --> 00:54:48,880
Speaker 1: I'm saying but the thing about it in terms of

878
00:54:49,000 --> 00:54:52,000
Speaker 1: world is he talking about what you're talking about. You're

879
00:54:52,000 --> 00:54:53,960
Speaker 1: talking about like I'm not talking about you. You can

880
00:54:54,040 --> 00:55:00,600
Speaker 1: talk it personal and talking to you talk how many

881
00:55:00,600 --> 00:55:04,239
Speaker 1: youths as a hand versus what I'm saying again, that's

882
00:55:04,239 --> 00:55:06,880
Speaker 1: how he survived. You're saying again, I'm saying, there's there's

883
00:55:07,080 --> 00:55:09,719
Speaker 1: there's baby throwing here, right, So that's bagi throwing here

884
00:55:09,719 --> 00:55:11,120
Speaker 1: I'm talking to you're talking about woman and the man

885
00:55:11,600 --> 00:55:13,759
Speaker 1: that we had a more discipline on ourselves. I'm saying,

886
00:55:14,320 --> 00:55:16,200
Speaker 1: but he but he was addressing was when he said

887
00:55:16,200 --> 00:55:18,759
Speaker 1: that the sexual aggression they're saying is now that you

888
00:55:18,840 --> 00:55:21,960
Speaker 1: buy say there's a protects something. I don't make that. No,

889
00:55:23,200 --> 00:55:26,800
Speaker 1: I don't tell he's addressed it intrection. No, it's aggression.

890
00:55:26,840 --> 00:55:28,319
Speaker 1: When I'm saying, you come up to it, what's something

891
00:55:28,400 --> 00:55:31,640
Speaker 1: you feelings? But if she if she said, y'all speak

892
00:55:31,680 --> 00:55:33,200
Speaker 1: out a you're doing, how you feeling? You want to

893
00:55:33,239 --> 00:55:36,280
Speaker 1: drink and she accepts it right only when she accepts

894
00:55:36,280 --> 00:55:39,120
Speaker 1: it and she said, I love she said, she says

895
00:55:39,200 --> 00:55:41,560
Speaker 1: no things. I don't want no things. I said, but

896
00:55:41,719 --> 00:55:44,120
Speaker 1: you want to find us and the women feel like

897
00:55:44,160 --> 00:55:46,680
Speaker 1: it's sexual aggressive and send them a drink comment dem

898
00:55:49,600 --> 00:55:50,960
Speaker 1: I'm like, I'm gonna you know what I'm seeing, this

899
00:55:50,960 --> 00:55:54,239
Speaker 1: is gonna get dressed. I'm addressed when they go it's

900
00:55:54,239 --> 00:55:57,800
Speaker 1: not about it was this is diff's not great, like

901
00:55:59,160 --> 00:56:02,320
Speaker 1: if Tony saying, I should always from here on, I

902
00:56:02,440 --> 00:56:04,759
Speaker 1: can never meet a woman. I'm not married, I don't

903
00:56:04,760 --> 00:56:08,399
Speaker 1: have a girlfriend. Mad a woman and I didn't see

904
00:56:08,520 --> 00:56:10,719
Speaker 1: I was only said, well, I'm saying, you know, you

905
00:56:11,000 --> 00:56:13,040
Speaker 1: just say what I want to hear what you're saying,

906
00:56:13,200 --> 00:56:16,400
Speaker 1: we're gonna give us anywhere? Said I know, I love me,

907
00:56:18,280 --> 00:56:21,080
Speaker 1: but but the whole point was if if, if, how

908
00:56:21,120 --> 00:56:23,000
Speaker 1: do you meet a woman in a in a society

909
00:56:23,040 --> 00:56:27,160
Speaker 1: where now nothing like So, if I send a drink

910
00:56:27,200 --> 00:56:29,320
Speaker 1: I'm tripping and you work together and I say, he

911
00:56:29,400 --> 00:56:31,120
Speaker 1: would you like to go to line you are, I'm saying,

912
00:56:31,120 --> 00:56:36,080
Speaker 1: tell us, I don't time. Sorry again, I want to

913
00:56:36,160 --> 00:56:38,920
Speaker 1: go to this clob Why sending the drink? You're tripping?

914
00:56:39,000 --> 00:56:40,800
Speaker 1: Okay again, I'm saying to you again you don't know

915
00:56:40,840 --> 00:56:43,080
Speaker 1: where that one is married? Right? You don't really want

916
00:56:43,120 --> 00:56:45,040
Speaker 1: me us what I'm saying, I can't somebody right now

917
00:56:45,040 --> 00:56:47,480
Speaker 1: you might go to the back said don't right, I

918
00:56:47,600 --> 00:56:51,160
Speaker 1: want to exactly exactly, you're nothing right now? Why I

919
00:56:51,239 --> 00:56:55,080
Speaker 1: didn't think about saying like right, I never had So

920
00:56:55,160 --> 00:56:57,560
Speaker 1: therefore I'm saying, I'm saying, so forever be offended. I

921
00:56:57,640 --> 00:56:59,759
Speaker 1: will drink. So don't send me go drink. You know,

922
00:56:59,760 --> 00:57:02,000
Speaker 1: I mean, Perry, I don't drink. Don't the woman should

923
00:57:02,000 --> 00:57:03,120
Speaker 1: come to me and say, what do you want to

924
00:57:03,360 --> 00:57:05,160
Speaker 1: get drink no, I'm wannabout you drink because I do.

925
00:57:05,239 --> 00:57:06,560
Speaker 1: I'm saying I'm not gonna putting you, but I'm not

926
00:57:06,640 --> 00:57:08,799
Speaker 1: putting myself. I don't drink, I don't smoke. I never

927
00:57:08,920 --> 00:57:10,799
Speaker 1: drank a smoker dare in my life. So therefore I'm

928
00:57:10,840 --> 00:57:12,320
Speaker 1: not gonna ask you do you want to drink? And

929
00:57:12,360 --> 00:57:13,880
Speaker 1: I'm saying you don't ask me? Can I about you

930
00:57:13,880 --> 00:57:16,320
Speaker 1: a drink? Perry, We have conversation, and that's as far

931
00:57:16,360 --> 00:57:18,080
Speaker 1: as it's gonna go, period. But I guess what, the

932
00:57:18,120 --> 00:57:20,360
Speaker 1: minute that you say no or you say I'm not interested,

933
00:57:20,560 --> 00:57:22,800
Speaker 1: I'm backing up. Well, I think that's what the option

934
00:57:22,920 --> 00:57:25,760
Speaker 1: is that I think young women have to meet everybody anyway.

935
00:57:26,320 --> 00:57:28,120
Speaker 1: And so if you're so true about meet your kid

936
00:57:28,160 --> 00:57:30,040
Speaker 1: and I drink, I think we are so digital. I

937
00:57:30,160 --> 00:57:33,040
Speaker 1: watch everybody I know, and as soon as we get

938
00:57:33,080 --> 00:57:36,120
Speaker 1: out of this ship, everybody's gonna do this right, right, right,

939
00:57:36,360 --> 00:57:41,000
Speaker 1: motherfucker thinking about your sidy. Everybody that's connection is right.

940
00:57:41,040 --> 00:57:43,440
Speaker 1: We are not social, so down people are thinking sending

941
00:57:43,480 --> 00:57:45,920
Speaker 1: you a drink is weird. That's like sivory because the

942
00:57:46,040 --> 00:57:49,120
Speaker 1: social just not doing. Because I'm telling you go back

943
00:57:49,120 --> 00:57:51,280
Speaker 1: to and saying again her husband could be in the ballroom.

944
00:57:51,480 --> 00:57:53,120
Speaker 1: But but what it's not and what she's all about,

945
00:57:53,760 --> 00:57:56,240
Speaker 1: she's with a fring. But that's what that's what you say.

946
00:57:56,520 --> 00:57:59,200
Speaker 1: You know what, if she wants tell you body chemistry

947
00:57:59,200 --> 00:58:01,439
Speaker 1: and human beings, you can't read it that are non

948
00:58:01,640 --> 00:58:03,919
Speaker 1: verbal communis right, But you can't read it that I'm saying.

949
00:58:03,920 --> 00:58:07,000
Speaker 1: It's a difference of and I'm saying there's a lot

950
00:58:07,000 --> 00:58:09,520
Speaker 1: of that's a lot of I'm a flirtation talking to dude, right, Okay,

951
00:58:09,640 --> 00:58:13,000
Speaker 1: I'm affirtation. Something suld be a first, should't lady? Right?

952
00:58:13,000 --> 00:58:14,520
Speaker 1: Hen be she can go and I'm saying she could

953
00:58:14,600 --> 00:58:17,080
Speaker 1: very well get up. She's very vi. I'm saying. Guess

954
00:58:17,120 --> 00:58:18,840
Speaker 1: what I'm saying. I'm saying she could, she could be

955
00:58:18,840 --> 00:58:21,680
Speaker 1: at she gonna be just that, she would be just that,

956
00:58:21,800 --> 00:58:23,920
Speaker 1: just just far. That's what she said. I don't know

957
00:58:23,960 --> 00:58:27,920
Speaker 1: nobody to touch me. She don't say she could be.

958
00:58:27,960 --> 00:58:29,320
Speaker 1: It could be tend dudes in this room, and she

959
00:58:29,360 --> 00:58:31,440
Speaker 1: could saying I would have sex with all nine of them,

960
00:58:31,640 --> 00:58:33,080
Speaker 1: and I want the one dude not to touch me.

961
00:58:33,320 --> 00:58:36,040
Speaker 1: You knock. That's guess what when we gu's telling me

962
00:58:36,120 --> 00:58:38,320
Speaker 1: when we bring it on friend's house. There was two

963
00:58:38,360 --> 00:58:40,080
Speaker 1: girls that was not what for us to three months

964
00:58:40,440 --> 00:58:42,800
Speaker 1: literally I'm talking about from run DMC all the way

965
00:58:42,800 --> 00:58:45,000
Speaker 1: they do to J J. Fat. I'm talking about those

966
00:58:45,040 --> 00:58:48,200
Speaker 1: two girls were intimate with every almost every dude on

967
00:58:48,280 --> 00:58:50,120
Speaker 1: I have my saying with dudes, really, but with everyone

968
00:58:50,280 --> 00:58:51,920
Speaker 1: and then what are the dudes they just don't want

969
00:58:51,920 --> 00:58:56,560
Speaker 1: to have sex with What I'm saying up set doesn't

970
00:58:57,000 --> 00:58:59,680
Speaker 1: up set. But it's all right to say no, no,

971
00:58:59,720 --> 00:59:02,360
Speaker 1: I'm you know so right and say so so in

972
00:59:02,400 --> 00:59:06,080
Speaker 1: the social setting. I'm saying to be social talk right,

973
00:59:06,120 --> 00:59:08,000
Speaker 1: I'm saying this shouldn't be in the situation. But tertimes

974
00:59:08,040 --> 00:59:09,720
Speaker 1: you think that open ain't to people in your right

975
00:59:09,840 --> 00:59:12,560
Speaker 1: over this, open open this liquor. No, no, it's not,

976
00:59:12,680 --> 00:59:15,040
Speaker 1: it's not. Go over it all times sometimes I can.

977
00:59:15,120 --> 00:59:16,919
Speaker 1: I hate to open it. The don't know the hopen

978
00:59:17,000 --> 00:59:18,840
Speaker 1: it is? How are you doing? My name is rats,

979
00:59:19,160 --> 00:59:21,240
Speaker 1: that's you and how you do it? You can't tell

980
00:59:21,240 --> 00:59:22,800
Speaker 1: me em you know not. I'm not eman, But I'm

981
00:59:22,800 --> 00:59:25,360
Speaker 1: saying that. I'm saying to you, society, I'm saying perceiving

982
00:59:25,880 --> 00:59:29,160
Speaker 1: right right, I'm saying to society and society and saying okay,

983
00:59:29,280 --> 00:59:31,400
Speaker 1: again you go back like for me, it ain't. It

984
00:59:31,400 --> 00:59:33,200
Speaker 1: ain't bothering me because I've always have been that type

985
00:59:33,200 --> 00:59:35,320
Speaker 1: of dude. Like I'm like, listen, if you ain't feeling me,

986
00:59:35,320 --> 00:59:37,600
Speaker 1: I ain't feeling you. That's how rock. So I can't

987
00:59:37,600 --> 00:59:40,000
Speaker 1: state how to get down right. It's my only like

988
00:59:40,640 --> 00:59:43,600
Speaker 1: like me exactly. That's how you like me. Don't want

989
00:59:43,600 --> 00:59:47,320
Speaker 1: to do business with me? But now down down. First

990
00:59:47,320 --> 00:59:50,200
Speaker 1: of all, every nia here. First off, I like y'all

991
00:59:51,120 --> 00:59:57,040
Speaker 1: yre that staining argument is fucking fantastic argue that it

992
00:59:57,120 --> 01:00:02,200
Speaker 1: was fact over about that. Here is is you have

993
01:00:02,240 --> 01:00:04,880
Speaker 1: a pedigree, so when you walk before you come there,

994
01:00:05,080 --> 01:00:07,520
Speaker 1: people already know who the funk you are. Your accomplishment

995
01:00:07,600 --> 01:00:13,280
Speaker 1: knock and now regular heavy human boy on the planet.

996
01:00:14,040 --> 01:00:17,000
Speaker 1: You are d that you're Charlie, that your tongue come on,

997
01:00:17,080 --> 01:00:20,840
Speaker 1: then knock it off. So your name is on the flyer, right,

998
01:00:20,880 --> 01:00:23,040
Speaker 1: But I don't know, but I don't say we need

999
01:00:23,040 --> 01:00:25,000
Speaker 1: to talk to you, right. I don't take that I

1000
01:00:25,040 --> 01:00:28,840
Speaker 1: didn't get to know. But because because the name was

1001
01:00:28,840 --> 01:00:30,960
Speaker 1: the name to me, I'll be honest, you gotta have

1002
01:00:31,200 --> 01:00:32,680
Speaker 1: three names to me. I don't know yest with you,

1003
01:00:32,720 --> 01:00:34,840
Speaker 1: I'm saying, say it's a woman that don't know me, right,

1004
01:00:35,120 --> 01:00:37,600
Speaker 1: I'll tell him my name was Charles. Yeah, Iver tell

1005
01:00:37,640 --> 01:00:39,600
Speaker 1: you about right, Because I want to pull the wall down.

1006
01:00:39,640 --> 01:00:41,800
Speaker 1: I want to be strictly on the fact that is

1007
01:00:41,840 --> 01:00:43,920
Speaker 1: our vibe. It ain't about from talking about all of

1008
01:00:44,000 --> 01:00:46,280
Speaker 1: the tree gives yes, because to me, that's weak because

1009
01:00:46,320 --> 01:00:47,880
Speaker 1: guess what, there's a there's a dude I'm talking. I

1010
01:00:47,960 --> 01:00:49,480
Speaker 1: don't have nothing going on for him, but they got

1011
01:00:49,480 --> 01:00:51,280
Speaker 1: a couple of dollars, right, and some women that's what

1012
01:00:51,360 --> 01:00:53,360
Speaker 1: they want. For me. I'm saying, I want you strictly

1013
01:00:53,400 --> 01:00:57,440
Speaker 1: be invested. Ain't there is this but for me? Even

1014
01:00:57,520 --> 01:01:00,360
Speaker 1: if you do that a little you got tales, they're

1015
01:01:00,360 --> 01:01:02,880
Speaker 1: gonna start looking at I don't know. I want them

1016
01:01:02,920 --> 01:01:05,760
Speaker 1: to do Yo. That's Tony Rock And I want to

1017
01:01:05,800 --> 01:01:08,120
Speaker 1: have a conversation with you. But I don't want to

1018
01:01:08,120 --> 01:01:11,080
Speaker 1: have a conversation with you and then realize on what

1019
01:01:11,200 --> 01:01:15,040
Speaker 1: you realize, Oh ship Chick. I wanted to realize, Oh

1020
01:01:15,120 --> 01:01:19,680
Speaker 1: he really do I do court great? Who he thought

1021
01:01:19,720 --> 01:01:23,520
Speaker 1: he was? You known? TV ship? Here? Real thy up

1022
01:01:23,560 --> 01:01:25,960
Speaker 1: from Brooklyn, New York. He came from nothing and made

1023
01:01:26,000 --> 01:01:28,360
Speaker 1: it here. And he's appreciative of everything he has in

1024
01:01:28,440 --> 01:01:31,200
Speaker 1: his life, and that makes me more real to them.

1025
01:01:31,360 --> 01:01:38,880
Speaker 1: But the same realize that everybody says, that's what I'm saying.

1026
01:01:38,920 --> 01:01:40,640
Speaker 1: I don't really get into that. I don't be married

1027
01:01:40,680 --> 01:01:46,560
Speaker 1: twenty years and September gratulations. But I got a question also,

1028
01:01:46,840 --> 01:01:49,560
Speaker 1: just so to everybody, you know, what if the chick

1029
01:01:49,960 --> 01:01:53,439
Speaker 1: is not interested in knowing the real you? I'm talking

1030
01:01:56,600 --> 01:02:00,800
Speaker 1: what's he saying? But I'm saying he's saying what they're saying.

1031
01:02:01,360 --> 01:02:04,440
Speaker 1: I look at I look at this, I look I

1032
01:02:04,520 --> 01:02:07,960
Speaker 1: look at what they both said. And what else? You

1033
01:02:08,040 --> 01:02:11,400
Speaker 1: know what I'm saying to you? What what? To his point? A,

1034
01:02:11,480 --> 01:02:14,800
Speaker 1: to Charlie's point, Charlie saying, there's a way that he

1035
01:02:14,920 --> 01:02:17,800
Speaker 1: has been schooled and raised to approach to women on

1036
01:02:17,920 --> 01:02:19,880
Speaker 1: the way to go. What I'm saying to you is

1037
01:02:20,320 --> 01:02:22,640
Speaker 1: they are, and there are women that are raised to

1038
01:02:22,720 --> 01:02:25,680
Speaker 1: accept that. Then there are there are women who he's saying,

1039
01:02:25,720 --> 01:02:29,360
Speaker 1: who leaves their house with the intent or not worried

1040
01:02:29,440 --> 01:02:33,320
Speaker 1: about your realness or how deep you are. Their intent

1041
01:02:33,600 --> 01:02:37,000
Speaker 1: is to get you. Well, if you say some other winds,

1042
01:02:37,360 --> 01:02:40,439
Speaker 1: we don't have a radar on us to know which

1043
01:02:40,480 --> 01:02:43,000
Speaker 1: ones those are. We don't have us to say we

1044
01:02:43,040 --> 01:02:45,640
Speaker 1: don't have all right, we don't because there could be

1045
01:02:45,720 --> 01:02:48,000
Speaker 1: a woman like you said that it's dressed just like that,

1046
01:02:48,040 --> 01:02:50,040
Speaker 1: doesn't want anybody to touch us, she just likes to

1047
01:02:50,160 --> 01:02:52,760
Speaker 1: dress like that. But we take that same girl, another

1048
01:02:52,800 --> 01:02:55,120
Speaker 1: girl that's dressed exactly like that, that got two niggas

1049
01:02:55,160 --> 01:02:59,080
Speaker 1: Sandwich Chadlich enough, So we're equating that style of dress

1050
01:02:59,760 --> 01:03:02,960
Speaker 1: at we we could go after both of them are

1051
01:03:03,200 --> 01:03:06,520
Speaker 1: but a ll right, I don't know, but but we

1052
01:03:06,720 --> 01:03:10,560
Speaker 1: don't know what their attentions are either, But they don't

1053
01:03:10,560 --> 01:03:12,640
Speaker 1: It don't matter when the attendtion. I'm saying, don't't touch

1054
01:03:12,640 --> 01:03:14,880
Speaker 1: any say their attentions don't matter. I'm saying that their

1055
01:03:14,920 --> 01:03:17,600
Speaker 1: attentions do matter. If if she's aggressive him I'm talking

1056
01:03:17,600 --> 01:03:19,640
Speaker 1: about I'm talking about in terms of what he actually

1057
01:03:19,920 --> 01:03:22,520
Speaker 1: how he actually acts on it. I'm saying, because she's

1058
01:03:22,600 --> 01:03:26,200
Speaker 1: dressed like that, she's not responsible for the way you as.

1059
01:03:26,480 --> 01:03:28,880
Speaker 1: She's not drugresentation like you're saying, you got you got

1060
01:03:29,440 --> 01:03:34,880
Speaker 1: it about it's vas It's not about you. It was

1061
01:03:34,960 --> 01:03:39,080
Speaker 1: a representing about RepA. It's something that happened. She showed

1062
01:03:39,120 --> 01:03:43,840
Speaker 1: that exchange. My brain think about you gotta recent you

1063
01:03:43,880 --> 01:03:46,680
Speaker 1: got you can't. You gotta put it. I gotta learn

1064
01:03:46,720 --> 01:03:51,480
Speaker 1: to think all the servant shot like Torman Handy's out.

1065
01:03:51,480 --> 01:03:55,480
Speaker 1: I mean, I got the game. Tony is definitely swagging

1066
01:03:55,560 --> 01:04:01,000
Speaker 1: her head is not And I told I work. I

1067
01:04:01,080 --> 01:04:03,760
Speaker 1: just want you to know that I was still respect

1068
01:04:03,840 --> 01:04:09,439
Speaker 1: you as a human human. Let's talk about you. It's

1069
01:04:09,440 --> 01:04:12,440
Speaker 1: about the INDI no, I tell you, it's about me

1070
01:04:12,640 --> 01:04:16,200
Speaker 1: as a go I don't respect you. That's that's where

1071
01:04:16,920 --> 01:04:22,160
Speaker 1: give me some I love that you got great um,

1072
01:04:22,280 --> 01:04:33,840
Speaker 1: assuming um, who is it burg me? I really acknowledge

1073
01:04:33,880 --> 01:04:36,560
Speaker 1: your hair. It was it was late I bought to entertainment. Man,

1074
01:04:36,640 --> 01:04:40,120
Speaker 1: what's about it? Just JA was like, I's about you

1075
01:04:40,280 --> 01:04:51,720
Speaker 1: as a human. Never set you Tony about bad human affect.

1076
01:04:52,080 --> 01:04:55,680
Speaker 1: It was not mad. Give me exact, guys, exactly, and

1077
01:04:55,760 --> 01:04:57,560
Speaker 1: that's that's what. That's more. That's what my wife. My

1078
01:04:57,600 --> 01:05:00,960
Speaker 1: wife owes that someway. She's exactly se she's in New York.

1079
01:05:01,080 --> 01:05:04,680
Speaker 1: She's still all over us right over so you know.

1080
01:05:05,160 --> 01:05:08,640
Speaker 1: But listen, I just wanted the specty y'all. Guys. I

1081
01:05:08,800 --> 01:05:18,120
Speaker 1: was expect you're a mumble rap right now, Like I

1082
01:05:18,160 --> 01:05:24,840
Speaker 1: don't like like stuff. Just got throw ski ski in there,

1083
01:05:25,440 --> 01:05:29,560
Speaker 1: scars birth next stop what I'm trying to hit up

1084
01:05:31,320 --> 01:05:36,680
Speaker 1: the pros. Yeah you're listen. Yeah, just you don't know.

1085
01:05:37,640 --> 01:05:41,560
Speaker 1: This is these pre roles for real. Yes, yes to you.

1086
01:05:42,240 --> 01:05:43,880
Speaker 1: That's a check, that's what that is. No, no, no,

1087
01:05:44,080 --> 01:05:45,680
Speaker 1: let me just say no no, let me just take

1088
01:05:46,040 --> 01:05:51,000
Speaker 1: to check. This is where marketing and promu probably and

1089
01:05:51,040 --> 01:05:55,960
Speaker 1: I used to go to all the weeks. He's like, oh, yeah,

1090
01:05:56,240 --> 01:06:00,960
Speaker 1: to stop. You got to like like like you look

1091
01:06:01,080 --> 01:06:08,720
Speaker 1: kind of like you know, you don't know how to read. Yeah,

1092
01:06:09,520 --> 01:06:11,440
Speaker 1: my ship. It was like, you're crazy. You gotta relaxed

1093
01:06:12,960 --> 01:06:18,120
Speaker 1: together like this. It was like like it was a

1094
01:06:18,200 --> 01:06:25,080
Speaker 1: little too wild. I'm glad you're coming up. You love

1095
01:06:25,240 --> 01:06:28,600
Speaker 1: so hard. So look I used to come here and

1096
01:06:28,640 --> 01:06:30,760
Speaker 1: I used to come to l A and I just like, y'all,

1097
01:06:33,000 --> 01:06:36,200
Speaker 1: I know it's a little weird that's coming. Was like, oh,

1098
01:06:36,280 --> 01:06:39,680
Speaker 1: I like this because this is already rolled up. And

1099
01:06:39,760 --> 01:06:43,560
Speaker 1: then it's just so happens that I made a connection

1100
01:06:43,800 --> 01:06:46,880
Speaker 1: with these people that's gonna be at right now and

1101
01:06:46,960 --> 01:06:50,120
Speaker 1: the Lows Mansion and I just need you just gotta

1102
01:06:50,120 --> 01:06:56,720
Speaker 1: don't all of it. We're gonna have a Junior Champs collaboration,

1103
01:06:56,800 --> 01:06:59,280
Speaker 1: and we're gonna have a Norway gallaboration. We'll have everything

1104
01:06:59,280 --> 01:07:01,480
Speaker 1: in collaboration with these people. But what I'm trying to

1105
01:07:01,560 --> 01:07:04,720
Speaker 1: tell you is this is real ship. It's very very true,

1106
01:07:04,920 --> 01:07:07,120
Speaker 1: like very selling. Like Chris Rock says, I like your

1107
01:07:07,160 --> 01:07:12,040
Speaker 1: pussy and then and then Tony Rocks are it's very selling.

1108
01:07:12,640 --> 01:07:18,919
Speaker 1: Wait wait hold for editing go very seldom and he says,

1109
01:07:19,000 --> 01:07:21,640
Speaker 1: you know, I'm not like your pussy said you're gonna

1110
01:07:22,840 --> 01:07:27,720
Speaker 1: you don't want to pleasure and they manufactured because time

1111
01:07:29,280 --> 01:07:35,440
Speaker 1: all this sen saying, it's like it's a great pussyness

1112
01:07:35,480 --> 01:07:37,520
Speaker 1: in the world. Like it's just like those two Rock

1113
01:07:37,600 --> 01:07:41,400
Speaker 1: pussy was just saying, just to keep in the room

1114
01:07:41,400 --> 01:07:44,000
Speaker 1: with too, Like sometimes it's the way it HAPs like

1115
01:07:46,880 --> 01:07:58,200
Speaker 1: him to back very help just talking about my little

1116
01:07:58,680 --> 01:08:02,320
Speaker 1: about someone someone. This is the thing that we got

1117
01:08:02,440 --> 01:08:06,680
Speaker 1: to realize. Sometimes ask us as famous people, you can

1118
01:08:06,720 --> 01:08:10,760
Speaker 1: give the dick to the wrong person, yeah, or sometimes

1119
01:08:11,040 --> 01:08:13,680
Speaker 1: you can give the dick to the right person. What

1120
01:08:13,920 --> 01:08:23,680
Speaker 1: is this going. I'm no, we here, no because we

1121
01:08:23,760 --> 01:08:31,000
Speaker 1: have the worthy dickroyalty. Yeah, very true. We're black. You

1122
01:08:31,040 --> 01:08:32,760
Speaker 1: know that he's really funked up because you can get

1123
01:08:32,840 --> 01:08:36,360
Speaker 1: royalties from commercials. It is a royalty day. We have work.

1124
01:08:38,840 --> 01:08:43,000
Speaker 1: We have like you have to got to keeping because

1125
01:08:43,040 --> 01:08:49,839
Speaker 1: the thing is sometimes whoever we kind of like smash roscus,

1126
01:08:49,920 --> 01:08:54,800
Speaker 1: gotta relax. Sorry, sorry, because he knows what ending comes

1127
01:08:55,760 --> 01:08:59,920
Speaker 1: there ended. You didn't know the end of the very

1128
01:09:00,000 --> 01:09:07,599
Speaker 1: I'm not waiting. I know what the ending man, she knows.

1129
01:09:07,680 --> 01:09:15,560
Speaker 1: Damn the watch you there is no ending, but I

1130
01:09:15,720 --> 01:09:22,719
Speaker 1: just know, I say, whatever's ending, listen. Sometimes at least

1131
01:09:22,840 --> 01:09:29,400
Speaker 1: match things right, and then these other people have other agendas.

1132
01:09:31,400 --> 01:09:35,599
Speaker 1: Right now when we are like you know, starting out,

1133
01:09:36,160 --> 01:09:38,120
Speaker 1: we don't give a funk about the other agendas. We

1134
01:09:38,280 --> 01:09:41,479
Speaker 1: just want to bust in your face. You're strowing out

1135
01:09:41,520 --> 01:09:50,200
Speaker 1: there just when you talk about you, you're saying, wait, wait,

1136
01:09:50,240 --> 01:09:52,160
Speaker 1: it went different. You catch it just went different? Did

1137
01:09:52,200 --> 01:09:54,439
Speaker 1: you hear she said? Don't talk about you said buff

1138
01:09:54,479 --> 01:09:56,280
Speaker 1: your face. Don't talk about me. When you say that

1139
01:09:56,840 --> 01:09:59,800
Speaker 1: that sex was a question, I'm saying that it shou

1140
01:10:00,000 --> 01:10:02,320
Speaker 1: It's like that. You know what I'm saying. You're shifting.

1141
01:10:02,680 --> 01:10:05,080
Speaker 1: Pay attention to the what I'm trying to tell you. Okay,

1142
01:10:05,240 --> 01:10:08,960
Speaker 1: pay attention us as famous people. It comes apart in

1143
01:10:09,040 --> 01:10:14,160
Speaker 1: our career. People just want to take us down, right,

1144
01:10:14,840 --> 01:10:20,160
Speaker 1: are they're gonna say with this sexual question when we

1145
01:10:20,280 --> 01:10:27,160
Speaker 1: actually if you liked when not bust in the face? Personal?

1146
01:10:28,880 --> 01:10:32,519
Speaker 1: So what about what about those eagles? What about eagles?

1147
01:10:32,600 --> 01:10:42,240
Speaker 1: The one? Yeah, it's one points? How good are the cameras? He?

1148
01:10:44,200 --> 01:10:46,639
Speaker 1: How did the Bills eagles? When it's a good door staff?

1149
01:10:46,680 --> 01:10:49,000
Speaker 1: About amazing? Ever? But did you see a black pant

1150
01:10:49,040 --> 01:10:51,920
Speaker 1: for you? Oh? No, turns on the stretcher to make

1151
01:10:51,960 --> 01:10:55,120
Speaker 1: my three friends the black pants the conversation, and then

1152
01:10:55,160 --> 01:10:57,240
Speaker 1: we're gonna stop because I felt like we're gonna be

1153
01:10:57,520 --> 01:11:06,320
Speaker 1: like like, well, like who who? Who's the problem? Got

1154
01:11:06,439 --> 01:11:16,519
Speaker 1: add the fun? Here's the thing, you black panther was

1155
01:11:16,600 --> 01:11:19,360
Speaker 1: the dopest ship ever. I didn't even see it yet,

1156
01:11:19,400 --> 01:11:22,840
Speaker 1: but it's a dope. There's black people and I'm not

1157
01:11:22,880 --> 01:11:25,000
Speaker 1: even know I'm a telling I'm gonna tell you on like, dude,

1158
01:11:25,040 --> 01:11:28,000
Speaker 1: it's dope. He did he did? Uh? Well? First of all,

1159
01:11:28,040 --> 01:11:29,360
Speaker 1: I don't want to ruin it for y'all. So if

1160
01:11:29,400 --> 01:11:30,960
Speaker 1: you haven't seen black, you don't want to give it.

1161
01:11:31,680 --> 01:11:37,120
Speaker 1: I've been a theatrical uh as what do you call

1162
01:11:37,200 --> 01:11:39,920
Speaker 1: on the attribute that has never been utilized in the

1163
01:11:39,960 --> 01:11:43,280
Speaker 1: movie game that they actually did Marobael Martin around the

1164
01:11:43,360 --> 01:11:45,560
Speaker 1: around the screen. I don't want to talk about it,

1165
01:11:47,200 --> 01:11:51,360
Speaker 1: bullet don't, but so don't health there's this the athical

1166
01:11:51,479 --> 01:11:56,280
Speaker 1: thing that has something black ship. It's just like that's

1167
01:11:56,320 --> 01:11:59,680
Speaker 1: so fire. There go there go, there you go. Let

1168
01:11:59,720 --> 01:12:02,519
Speaker 1: you go to from and then I must say, must

1169
01:12:03,040 --> 01:12:05,960
Speaker 1: you have to see soon though, before that is done,

1170
01:12:06,960 --> 01:12:08,800
Speaker 1: you need to watch it in the theater. Like certain

1171
01:12:08,840 --> 01:12:13,479
Speaker 1: movies you're gonna watch in the theater your station, like Dynamics.

1172
01:12:13,520 --> 01:12:16,680
Speaker 1: I'm block movie because a lot of people got the

1173
01:12:16,800 --> 01:12:22,920
Speaker 1: same thing. And then Tack, what do you think that

1174
01:12:24,520 --> 01:12:28,479
Speaker 1: what you say that you know what I'm saying. I

1175
01:12:28,560 --> 01:12:33,519
Speaker 1: under saying a lot of myself that was tied saying.

1176
01:12:33,560 --> 01:12:38,120
Speaker 1: That's about what you're saying that movie when you go,

1177
01:12:38,240 --> 01:12:42,759
Speaker 1: I don't watch rapper movies. Doesn't getting sunk with rappers

1178
01:12:42,760 --> 01:12:46,160
Speaker 1: because to movie, yeah, rappers a lot of movies. Trolley

1179
01:12:46,200 --> 01:12:50,559
Speaker 1: back is what did I think? I think that? Uh,

1180
01:12:51,120 --> 01:12:54,000
Speaker 1: the German to play pop It's good. It was good.

1181
01:12:54,080 --> 01:12:57,360
Speaker 1: I think they can real play Jada was good. Of course,

1182
01:12:57,400 --> 01:12:59,719
Speaker 1: we know what I'm saying again the overall story again,

1183
01:13:00,960 --> 01:13:02,960
Speaker 1: I know what I told Benny Boom. I told Benny Bonus,

1184
01:13:03,280 --> 01:13:06,679
Speaker 1: I said, difficult. You gotta your head's heavy. That's heavy

1185
01:13:09,040 --> 01:13:12,000
Speaker 1: when somebody, especially with pop, mean to people like that's

1186
01:13:12,040 --> 01:13:14,280
Speaker 1: just hearing for you man again, because I'm talking about

1187
01:13:14,320 --> 01:13:16,360
Speaker 1: for the same reason somebody love it, somebody gonna hate

1188
01:13:16,400 --> 01:13:18,639
Speaker 1: the same I know the person made the screenplay. Yeah,

1189
01:13:19,840 --> 01:13:24,200
Speaker 1: Tom average, Okay, I don't want drappers rock. You know

1190
01:13:24,280 --> 01:13:26,280
Speaker 1: what you know what rappers do in their movies. You

1191
01:13:26,320 --> 01:13:28,639
Speaker 1: remember da Japelle when he was born and he ever

1192
01:13:28,800 --> 01:13:33,040
Speaker 1: dick you a little baby. Remember Dajapale sell. That's what

1193
01:13:33,160 --> 01:13:34,880
Speaker 1: rappers you. My life is so hard. I had its

1194
01:13:34,880 --> 01:13:37,679
Speaker 1: harder than everybody, and I did all my mind self,

1195
01:13:37,880 --> 01:13:41,519
Speaker 1: and you I think he did it by itself. I

1196
01:13:41,600 --> 01:13:44,120
Speaker 1: think they should need every made man was at least

1197
01:13:44,160 --> 01:13:47,280
Speaker 1: made by a woman and another man. I movies they

1198
01:13:47,320 --> 01:13:55,360
Speaker 1: should have did said well into the two pop movie.

1199
01:13:55,720 --> 01:13:58,320
Speaker 1: What I'm saying to the dr grey after that, I

1200
01:13:58,320 --> 01:14:00,479
Speaker 1: should be going the whole history was because you can't

1201
01:14:00,479 --> 01:14:02,840
Speaker 1: stop in the start of stopping and started. That's that's

1202
01:14:02,840 --> 01:14:07,000
Speaker 1: a tall order. He stuff based on accuracy your game

1203
01:14:07,080 --> 01:14:09,240
Speaker 1: following n w ain't oh my good, come on the

1204
01:14:09,320 --> 01:14:11,400
Speaker 1: bars a little bit the bars through the Are you

1205
01:14:11,439 --> 01:14:13,240
Speaker 1: talking about a game? You're talking about f Gary Ray

1206
01:14:13,360 --> 01:14:15,800
Speaker 1: versus Little Boy. That's not satter the n W. A

1207
01:14:15,920 --> 01:14:23,960
Speaker 1: movie is not moving the homie shout out, it's good. Yeah, movie,

1208
01:14:24,000 --> 01:14:27,439
Speaker 1: I don't know. I want to see if I want

1209
01:14:27,439 --> 01:14:33,680
Speaker 1: to listen, that's what you've got. That's that's a big s.

1210
01:14:33,920 --> 01:14:36,080
Speaker 1: That's somebody where. That's just saying, right, that's what film

1211
01:14:36,240 --> 01:14:38,920
Speaker 1: is that where? What if the funk are you talking

1212
01:14:38,920 --> 01:14:42,479
Speaker 1: about yourscast? If you're doing a movie about ship that

1213
01:14:42,600 --> 01:14:47,479
Speaker 1: really happened, telling the story that happened. But again I'm saying,

1214
01:14:47,880 --> 01:14:51,439
Speaker 1: have you swimming on toys movie? I don't want that's

1215
01:14:51,439 --> 01:14:54,639
Speaker 1: nothing for the little toys movie. You're said, he said,

1216
01:14:54,680 --> 01:15:00,680
Speaker 1: it's a sha that's not tall. You said, that's that's

1217
01:15:02,240 --> 01:15:04,720
Speaker 1: I'm just saying that. But I'm a movie. Was it?

1218
01:15:06,640 --> 01:15:09,320
Speaker 1: You get talking in that Let's let's keep your West

1219
01:15:09,360 --> 01:15:12,680
Speaker 1: coast because that's what we are. Shut shuts out to

1220
01:15:12,760 --> 01:15:15,519
Speaker 1: the fucking West? Were here? Can we all be? We

1221
01:15:15,640 --> 01:15:19,160
Speaker 1: love the West? Shot like that? I got to think

1222
01:15:19,160 --> 01:15:23,200
Speaker 1: as Champs is here with us. No, it's just not.

1223
01:15:23,960 --> 01:15:30,320
Speaker 1: First of all, if there are New York people, I'm

1224
01:15:30,360 --> 01:15:32,360
Speaker 1: gonna do with I'm gonna save mine for my own

1225
01:15:32,400 --> 01:15:38,560
Speaker 1: were temple. No, No that I don't. I don't know

1226
01:15:39,080 --> 01:15:43,000
Speaker 1: with wise thinking, like like criminal homeboy, who's one of

1227
01:15:43,040 --> 01:15:45,200
Speaker 1: our best friends we got after jay Z. I know,

1228
01:15:46,240 --> 01:15:51,320
Speaker 1: like I don't really like as a favor, but long

1229
01:15:51,400 --> 01:15:54,080
Speaker 1: short people, but a long story short if it ain't

1230
01:15:54,080 --> 01:15:56,760
Speaker 1: accurate as people that were there on the ground, that

1231
01:15:56,880 --> 01:15:59,360
Speaker 1: can tell the stories about what happened at this place,

1232
01:15:59,760 --> 01:16:02,559
Speaker 1: when it happened, Who did what, who got knocked out,

1233
01:16:02,600 --> 01:16:05,120
Speaker 1: who got sucked up? You don't tell stories on dead

1234
01:16:05,160 --> 01:16:07,519
Speaker 1: people and act like they got sucked up. You don't lie.

1235
01:16:07,920 --> 01:16:10,759
Speaker 1: So I don't like. I don't watch narratives of rappers,

1236
01:16:10,840 --> 01:16:15,840
Speaker 1: for one because when some of this no no, because

1237
01:16:16,000 --> 01:16:18,519
Speaker 1: because when a nigga pop, it reminds me of what

1238
01:16:18,720 --> 01:16:20,880
Speaker 1: rappers say in their music. All of a sudden, you

1239
01:16:20,960 --> 01:16:22,560
Speaker 1: went from broke nigga, and all of a sudden you

1240
01:16:22,800 --> 01:16:25,559
Speaker 1: get your first platinum record and they like, I got

1241
01:16:25,640 --> 01:16:28,080
Speaker 1: all the bitches. You know, I was a killer, like

1242
01:16:28,680 --> 01:16:31,400
Speaker 1: the one you, the humble guy that was sad about life.

1243
01:16:32,120 --> 01:16:34,120
Speaker 1: Your first two albums, you was a nice, good guy.

1244
01:16:34,960 --> 01:16:37,000
Speaker 1: All of a sudden you kill everybody. You got all

1245
01:16:37,080 --> 01:16:38,920
Speaker 1: the dope. You're the murderer of my nigga. You know Pablo,

1246
01:16:39,320 --> 01:16:42,800
Speaker 1: every nigga no Pablo Bro, knock it off, Knock it

1247
01:16:42,880 --> 01:16:46,639
Speaker 1: off my nigga. If you knew Pablo, you wouldn't wrap nigga.

1248
01:16:46,680 --> 01:16:52,000
Speaker 1: My cousin is Brena being night Blue Boggs. Here, we're here,

1249
01:16:52,040 --> 01:16:56,760
Speaker 1: we go. Who's divorce? Who's the number one day? With

1250
01:16:56,840 --> 01:16:59,439
Speaker 1: the fake all these niggas, who's the number one nigga

1251
01:17:00,000 --> 01:17:02,040
Speaker 1: one day with the fake criteria? The number one thing?

1252
01:17:02,200 --> 01:17:04,760
Speaker 1: Who's number one? I'm never gonna do the number one day?

1253
01:17:05,000 --> 01:17:10,400
Speaker 1: Faia number one nigga? Fake guteria? Who? All these rap vegas?

1254
01:17:10,439 --> 01:17:14,639
Speaker 1: Because number one I don't like rap, I'm gonna gonna happen.

1255
01:17:15,720 --> 01:17:18,519
Speaker 1: I don't want to make a fake criteria. Who I

1256
01:17:19,240 --> 01:17:23,960
Speaker 1: feel like? He kind of boo, yeah, I will. I

1257
01:17:24,000 --> 01:17:29,000
Speaker 1: don't know. I'm doing politics. I plete politics politically. Who

1258
01:17:29,040 --> 01:17:33,160
Speaker 1: are you? When I said what number one was? Fagteria

1259
01:17:35,160 --> 01:17:38,080
Speaker 1: one lad? The fake criteria? Who? I don't know? The

1260
01:17:38,120 --> 01:17:39,640
Speaker 1: fame Conteria, I don't even know what that means. He

1261
01:17:39,640 --> 01:17:41,840
Speaker 1: didn't tell the drum thing killers like it's inverted the

1262
01:17:41,920 --> 01:17:45,080
Speaker 1: vises saying Tony didn't party and Pluck speak on it,

1263
01:17:45,160 --> 01:17:50,360
Speaker 1: will speak on it. Number one speaking talking numb number one,

1264
01:17:50,880 --> 01:17:53,519
Speaker 1: you got it? You feel kind away? Who is ya?

1265
01:17:54,040 --> 01:17:59,920
Speaker 1: No y'all rappers on a comic You's number one. Nigga

1266
01:18:00,000 --> 01:18:03,000
Speaker 1: didn't really just day just didn't get money say he

1267
01:18:03,439 --> 01:18:08,920
Speaker 1: worried about pok representing something that he wasn't um right now,

1268
01:18:09,240 --> 01:18:14,080
Speaker 1: except I said the n A movie was accurate, but

1269
01:18:14,200 --> 01:18:17,080
Speaker 1: everybody's inaccurate. I thought I thought he was referring to

1270
01:18:17,120 --> 01:18:20,680
Speaker 1: somebody even the first year he said that first your

1271
01:18:20,760 --> 01:18:23,040
Speaker 1: first album it was this. I was like my being

1272
01:18:23,080 --> 01:18:26,720
Speaker 1: digit underground and then being okay, So move been talking

1273
01:18:26,720 --> 01:18:29,960
Speaker 1: about pot I said, Okay, I wouldn't want movie somebody

1274
01:18:30,000 --> 01:18:32,960
Speaker 1: went from A. Really a lot of people go from anybody. Okay,

1275
01:18:33,000 --> 01:18:35,479
Speaker 1: So my point is but specifically pot yet. But because

1276
01:18:35,520 --> 01:18:37,559
Speaker 1: if you're from A to B, let's just use part

1277
01:18:37,600 --> 01:18:39,720
Speaker 1: for example, like no speaking Devia. I think he's one

1278
01:18:39,760 --> 01:18:42,519
Speaker 1: of the greatest ever doing is once again we have

1279
01:18:42,680 --> 01:18:45,439
Speaker 1: to look at uh. I was just making a point

1280
01:18:45,479 --> 01:18:48,040
Speaker 1: about your saying what because whether we consider the greatest

1281
01:18:48,120 --> 01:18:50,320
Speaker 1: and that's the top. Some of the things that he

1282
01:18:51,040 --> 01:18:53,920
Speaker 1: was doing was not on authentic or for not necessarily

1283
01:18:53,960 --> 01:18:56,920
Speaker 1: what you said. But some people were saying that it's

1284
01:18:56,960 --> 01:18:58,960
Speaker 1: not authentic. You're saying you're doing one thing you gotta

1285
01:18:59,560 --> 01:19:02,960
Speaker 1: it's still uhst nigger. And then I always say this,

1286
01:19:03,120 --> 01:19:07,360
Speaker 1: think about Pokin Biggie. Them niggas helped design each other.

1287
01:19:07,520 --> 01:19:10,280
Speaker 1: The biggie I heard because I was an indergry nigga.

1288
01:19:10,600 --> 01:19:13,120
Speaker 1: Biggie ready to Die did not sound like the same

1289
01:19:13,160 --> 01:19:17,519
Speaker 1: biggie ready to die facts I had it because I

1290
01:19:17,560 --> 01:19:20,160
Speaker 1: was an industry kid. I'm already about to get signed.

1291
01:19:20,479 --> 01:19:22,599
Speaker 1: Bready to die did not sound like that. It wasn't

1292
01:19:22,640 --> 01:19:24,880
Speaker 1: no fucking get Biggie, give me one more chance. It

1293
01:19:25,000 --> 01:19:28,280
Speaker 1: was not the West Coast records that we all influenced

1294
01:19:28,320 --> 01:19:31,320
Speaker 1: each other poking Biggie. I'll never speak on a relationship

1295
01:19:31,400 --> 01:19:33,360
Speaker 1: that nigga has had a relationship by the time I'll

1296
01:19:33,400 --> 01:19:35,120
Speaker 1: come in. By by the time I come to stay

1297
01:19:35,160 --> 01:19:38,320
Speaker 1: with jay Z, them niggas had lived and died, knew

1298
01:19:38,360 --> 01:19:40,519
Speaker 1: me a little bit. I'm a kid with a dream

1299
01:19:40,560 --> 01:19:43,960
Speaker 1: and showing me love and I already moved. Yall, nigga,

1300
01:19:43,960 --> 01:19:49,200
Speaker 1: you know it's fucking with nigga because niggas like when

1301
01:19:49,320 --> 01:19:54,479
Speaker 1: Park actually you know, got down with Big first off

1302
01:19:54,600 --> 01:19:56,800
Speaker 1: first though, here's the biggest thing in the world that

1303
01:19:56,880 --> 01:19:59,559
Speaker 1: a lot of us skipped over that program was Pop

1304
01:19:59,680 --> 01:20:04,040
Speaker 1: was a fan, a big if you look they had friends,

1305
01:20:04,520 --> 01:20:07,760
Speaker 1: like if you look at the really friend movies each

1306
01:20:08,120 --> 01:20:14,160
Speaker 1: both movies. Pop was actually the person that gravitated Biggie

1307
01:20:14,200 --> 01:20:16,800
Speaker 1: one winning over Sage. That was a pot. But over here,

1308
01:20:17,560 --> 01:20:19,400
Speaker 1: that's gonna be leaving the Bay coming to l A.

1309
01:20:19,560 --> 01:20:21,840
Speaker 1: Like you know what, I'm gonna dress up. I'm gonna

1310
01:20:21,840 --> 01:20:25,479
Speaker 1: start doing this real fucking nigga. The Tupac was a

1311
01:20:25,640 --> 01:20:28,600
Speaker 1: Bay nigger. He had a fucking stupid beating on. Like

1312
01:20:28,800 --> 01:20:32,040
Speaker 1: you gotta remember pockets still a process. He's a process

1313
01:20:32,080 --> 01:20:35,280
Speaker 1: of scar facing fucking trash. That's why wearing changed. In

1314
01:20:35,320 --> 01:20:40,720
Speaker 1: the fucking leather Chuck, It's facts in the East Coast

1315
01:20:41,960 --> 01:20:46,200
Speaker 1: get its fall years in l A. In the did

1316
01:20:46,240 --> 01:20:48,560
Speaker 1: he come to l A in l A and he

1317
01:20:48,680 --> 01:20:50,840
Speaker 1: learned how to fly up? So what I'm saying to

1318
01:20:50,920 --> 01:20:55,720
Speaker 1: you is two and there's a two parts, And I

1319
01:20:55,760 --> 01:20:58,400
Speaker 1: mean I think I have a human being. And there's

1320
01:20:58,439 --> 01:21:00,759
Speaker 1: a Biggie. There's a Biggie Smalls and is for victorious

1321
01:21:00,840 --> 01:21:06,320
Speaker 1: b I G. And they are Christopher Watchers and then

1322
01:21:08,080 --> 01:21:10,040
Speaker 1: it's the same thing he saying. You know, what I'm saying,

1323
01:21:10,080 --> 01:21:12,479
Speaker 1: what I'm saying to you is unfortunately, like Charlie Max

1324
01:21:12,479 --> 01:21:15,840
Speaker 1: said earlier, is that we we equate their music with

1325
01:21:16,000 --> 01:21:20,439
Speaker 1: their human reality exactly. And I'm sorry I'm saying, but

1326
01:21:20,520 --> 01:21:24,599
Speaker 1: I'm saying that I'm saying that's wrong what we're saying.

1327
01:21:24,640 --> 01:21:27,840
Speaker 1: And I'm saying and I'm saying that's wrong. I'm saying

1328
01:21:27,880 --> 01:21:30,600
Speaker 1: to you, I'm saying it's wrong because here there was

1329
01:21:30,640 --> 01:21:33,240
Speaker 1: a guy's hosting a great show out there, shout out

1330
01:21:33,280 --> 01:21:38,800
Speaker 1: the Drake Champs, I'm gonna pay to myself, and I

1331
01:21:38,960 --> 01:21:46,280
Speaker 1: think um feel he admired a certain style of rapper,

1332
01:21:47,120 --> 01:21:49,679
Speaker 1: listen to these style of rappers, but ended up going

1333
01:21:50,160 --> 01:21:53,920
Speaker 1: this way. Had choices to make. That's the beauty of

1334
01:21:54,000 --> 01:21:56,840
Speaker 1: hip hop. You had choices. We always right. But I'm

1335
01:21:56,920 --> 01:21:59,320
Speaker 1: sure there was a path of time of nom your

1336
01:21:59,360 --> 01:22:05,040
Speaker 1: path where Norri might not have felt like I forgot

1337
01:22:05,080 --> 01:22:07,200
Speaker 1: I think your last name said Thiago. But it might have, say,

1338
01:22:07,479 --> 01:22:08,920
Speaker 1: it might have been a record that you might have

1339
01:22:09,000 --> 01:22:11,960
Speaker 1: made that just been a little crossing your soul. It

1340
01:22:12,080 --> 01:22:15,360
Speaker 1: might have just been a little uncomfortable with who you were,

1341
01:22:15,640 --> 01:22:17,920
Speaker 1: who you would perceived as but you might have been

1342
01:22:17,960 --> 01:22:23,240
Speaker 1: willing to try it. Records that way, right, And so

1343
01:22:23,400 --> 01:22:24,840
Speaker 1: my point is, at the end of the day, that

1344
01:22:25,120 --> 01:22:27,680
Speaker 1: was probably a part of you that somebody brought out

1345
01:22:27,760 --> 01:22:31,160
Speaker 1: you to to explore. But it also might have softened

1346
01:22:31,240 --> 01:22:34,519
Speaker 1: you up little bit people's eyes. It might have softened

1347
01:22:34,560 --> 01:22:36,720
Speaker 1: you up or some people, you know what I'm saying

1348
01:22:36,720 --> 01:22:39,960
Speaker 1: to you. So you actually are portraying something that at

1349
01:22:40,040 --> 01:22:44,000
Speaker 1: certain times ain't necessarily a hundred percent how you want

1350
01:22:44,040 --> 01:22:48,320
Speaker 1: to be. How people perceive, well you, you created that perception.

1351
01:22:48,760 --> 01:22:51,120
Speaker 1: So when you go last, so when you go lest,

1352
01:22:51,160 --> 01:22:53,479
Speaker 1: it's almost uncomfortable for people. We're not used to you

1353
01:22:53,680 --> 01:22:56,000
Speaker 1: like that. I mean, I'm a perfect example. I do

1354
01:22:56,200 --> 01:22:57,840
Speaker 1: want to suit this weekend. You would have thought I

1355
01:22:58,000 --> 01:22:59,840
Speaker 1: never put on a suitor set for court. I saw.

1356
01:23:00,560 --> 01:23:03,360
Speaker 1: It's like, yo, guys, I'm like, God damn. But the

1357
01:23:03,479 --> 01:23:05,280
Speaker 1: perception and every time they see me, I'm trying to

1358
01:23:05,320 --> 01:23:08,320
Speaker 1: be Russell Simmons, just baseball and this and that. So

1359
01:23:08,600 --> 01:23:10,920
Speaker 1: if we create a perception and then there's a part

1360
01:23:10,960 --> 01:23:13,639
Speaker 1: of us that want to go left, we gotta understand

1361
01:23:13,680 --> 01:23:15,840
Speaker 1: that you can't define me by that first perception you

1362
01:23:15,960 --> 01:23:18,640
Speaker 1: had of me. That's what we do for rappers. So

1363
01:23:18,800 --> 01:23:21,920
Speaker 1: nor he can never ever go a certain way because

1364
01:23:21,920 --> 01:23:24,479
Speaker 1: we're gonna go back. They got dudes right now, you're

1365
01:23:24,520 --> 01:23:27,519
Speaker 1: fan well that ship and I need that. I need that,

1366
01:23:29,160 --> 01:23:30,519
Speaker 1: I need that tea when we went out from you.

1367
01:23:31,840 --> 01:23:35,680
Speaker 1: You're right, You're right, but facts, but hip hop and

1368
01:23:35,920 --> 01:23:39,240
Speaker 1: in general, we have to evolve. Mean what I mean

1369
01:23:39,600 --> 01:23:43,440
Speaker 1: is what I mean is evolution takes help and assistance.

1370
01:23:43,520 --> 01:23:50,080
Speaker 1: The thing about it, right, like he no, we all

1371
01:23:50,160 --> 01:23:52,840
Speaker 1: need to think about it is this. I would be

1372
01:23:53,080 --> 01:23:57,880
Speaker 1: a fucking asshole right to be the guy that says

1373
01:23:57,960 --> 01:24:03,880
Speaker 1: to for yeah, you're the only reason why I'm here. Now.

1374
01:24:04,400 --> 01:24:09,879
Speaker 1: The thing about it is, you guys could think that chill, relax.

1375
01:24:10,720 --> 01:24:13,880
Speaker 1: You guys can say, yo, you know what, the only

1376
01:24:13,960 --> 01:24:17,320
Speaker 1: reason why for about here is because Norri did a

1377
01:24:17,400 --> 01:24:21,920
Speaker 1: record woman, right, That's how you guys chill, chill and everything.

1378
01:24:22,360 --> 01:24:26,479
Speaker 1: But I'm telling you I'm the reason to say that

1379
01:24:26,680 --> 01:24:30,960
Speaker 1: could care less for you're here. I think you're the

1380
01:24:31,080 --> 01:24:33,719
Speaker 1: most one of the most talented people in the world,

1381
01:24:34,040 --> 01:24:36,600
Speaker 1: and I think that you will be here whether I

1382
01:24:36,920 --> 01:24:40,519
Speaker 1: was here involved in your career or not. That's how

1383
01:24:40,640 --> 01:24:47,479
Speaker 1: I think destiny, but destinitely his destiny think, but I

1384
01:24:47,520 --> 01:24:51,320
Speaker 1: don't give a fun I don't care. So when he's

1385
01:24:52,080 --> 01:24:55,200
Speaker 1: the person that he is without me, it makes me

1386
01:24:55,360 --> 01:24:59,280
Speaker 1: feel fantastic. It doesn't make any want to tell him,

1387
01:24:59,760 --> 01:25:02,640
Speaker 1: you're you gotta stand hand, you gotta salute me, and

1388
01:25:02,760 --> 01:25:04,960
Speaker 1: you gotta do all that. Like I don't want that.

1389
01:25:05,280 --> 01:25:12,080
Speaker 1: It's it's like somebody saying big wouldn't be big if

1390
01:25:12,120 --> 01:25:15,360
Speaker 1: he didn't get on that beat at that moment all

1391
01:25:15,479 --> 01:25:17,640
Speaker 1: that time. Right. Yeah, but I don't feel that way,

1392
01:25:17,680 --> 01:25:20,160
Speaker 1: is what you're saying. I'm like, I'm the same way.

1393
01:25:20,960 --> 01:25:23,320
Speaker 1: Like I don't feel that way, like like like like, look,

1394
01:25:23,640 --> 01:25:27,200
Speaker 1: I love for I really do, and I think for

1395
01:25:27,400 --> 01:25:31,519
Speaker 1: all would be who for all is, regardless of the vehicle,

1396
01:25:31,680 --> 01:25:36,880
Speaker 1: for that opportunity. I've never acknowledge what we did. Yes,

1397
01:25:38,120 --> 01:25:41,200
Speaker 1: I'm gonna always acknowledged that. I'm always and I'm always

1398
01:25:41,240 --> 01:25:51,760
Speaker 1: telling him I've seen you use it's like change. I

1399
01:25:51,840 --> 01:25:55,960
Speaker 1: just wanted to say that everything that killing your stories,

1400
01:25:56,120 --> 01:26:01,759
Speaker 1: like you gotta remember this as never mean you remember

1401
01:26:02,240 --> 01:26:04,840
Speaker 1: about a few times I was so wasted, What the

1402
01:26:04,880 --> 01:26:08,240
Speaker 1: funk was I doing? Better to think about it again.

1403
01:26:08,600 --> 01:26:12,400
Speaker 1: I'm a student first and foremost. This is about the

1404
01:26:12,439 --> 01:26:15,280
Speaker 1: first time actually aware enough to know I've met you.

1405
01:26:15,720 --> 01:26:19,560
Speaker 1: I might have been in Philly, are here, I I

1406
01:26:19,640 --> 01:26:23,960
Speaker 1: lived here for you to me. I remember that. I

1407
01:26:24,600 --> 01:26:31,120
Speaker 1: truly your names bai. Even I want to take somebody

1408
01:26:31,200 --> 01:26:37,200
Speaker 1: here before I don't know, I don't even to me.

1409
01:26:37,280 --> 01:26:40,600
Speaker 1: I was like, you're holding down and instantly the conversations

1410
01:26:40,920 --> 01:26:45,200
Speaker 1: you want to but if you don't, I was like

1411
01:26:45,560 --> 01:26:48,640
Speaker 1: someone talking about you gotta white tsutation. Yeah it was

1412
01:26:49,120 --> 01:26:51,960
Speaker 1: to eat. Yeah, mat like my idea, but but my

1413
01:26:52,040 --> 01:26:55,800
Speaker 1: whole thing about knowing everybody like you, what you said

1414
01:26:55,840 --> 01:26:58,760
Speaker 1: to me honestly on some real ship, like those Foundations,

1415
01:26:59,040 --> 01:27:00,880
Speaker 1: Voice of Men or This and the Third like some

1416
01:27:00,960 --> 01:27:02,960
Speaker 1: of those people. I know, you know. I met him

1417
01:27:03,040 --> 01:27:06,160
Speaker 1: later in my journey, you know, before I'm outside artist,

1418
01:27:06,479 --> 01:27:10,479
Speaker 1: when I'm in nor I got the best story about really,

1419
01:27:10,760 --> 01:27:13,519
Speaker 1: but I definitely got no poison man story. That was crazy.

1420
01:27:13,800 --> 01:27:17,160
Speaker 1: I need a poison man story. I know Mark. I

1421
01:27:17,200 --> 01:27:19,920
Speaker 1: went to high school with markin Yeah. I went to

1422
01:27:20,600 --> 01:27:23,160
Speaker 1: because I went too for the arts exactly. I went

1423
01:27:23,200 --> 01:27:25,559
Speaker 1: to high school, but I was drawn. I wasn't even

1424
01:27:25,600 --> 01:27:29,439
Speaker 1: on the rapture. I was like fifteen, so I wouldn't

1425
01:27:29,640 --> 01:27:33,960
Speaker 1: when he left came to affiliate song. Yeah. I was like, yeah,

1426
01:27:34,040 --> 01:27:36,760
Speaker 1: that's ill because he don't tell you what's wrong about that.

1427
01:27:36,840 --> 01:27:39,639
Speaker 1: He left on the pretenses of being the Bobby Brown

1428
01:27:39,680 --> 01:27:42,280
Speaker 1: of the group. That's my sole reason for leaving him.

1429
01:27:42,439 --> 01:27:44,120
Speaker 1: He created a group and left the group for was

1430
01:27:44,160 --> 01:27:48,240
Speaker 1: Will Smith the Bible Brown of the First Friends. Yeah, no, no,

1431
01:27:49,120 --> 01:27:55,000
Speaker 1: because a legend never broke up. That's still yeah, that's all.

1432
01:27:56,320 --> 01:27:59,880
Speaker 1: That's all never So Will still with yeah jo Jeffer

1433
01:27:59,880 --> 01:28:03,320
Speaker 1: for Front Stills today. But it's that Will is like

1434
01:28:03,320 --> 01:28:06,400
Speaker 1: a lot break. It's just it's not just funny. No,

1435
01:28:06,640 --> 01:28:09,880
Speaker 1: don't think we'll y'all to pass your stuf. I'm saying again, Okay,

1436
01:28:10,000 --> 01:28:11,680
Speaker 1: I'm gonna walk this way, you can walk that way.

1437
01:28:11,680 --> 01:28:13,320
Speaker 1: But we still were still together at the end of

1438
01:28:13,400 --> 01:28:14,760
Speaker 1: that road. We can still on me there. We all

1439
01:28:15,000 --> 01:28:18,160
Speaker 1: we all do st today. That's the best story. You're

1440
01:28:18,160 --> 01:28:20,479
Speaker 1: gonna have something I love about it. That's the thing

1441
01:28:20,479 --> 01:28:23,920
Speaker 1: about women's everybody hates each other, everybody that's a group

1442
01:28:24,000 --> 01:28:28,080
Speaker 1: in gender rule. Make no one still want to say

1443
01:28:28,120 --> 01:28:36,560
Speaker 1: that everybody. Ain't no one talk about that that I

1444
01:28:36,720 --> 01:28:38,639
Speaker 1: used to like. But that's that's That's what I'm saying.

1445
01:28:38,640 --> 01:28:40,400
Speaker 1: That ain't the case, no one wanted to be the

1446
01:28:40,479 --> 01:28:42,639
Speaker 1: other person like jeff never wanted to be Will Will

1447
01:28:42,760 --> 01:28:46,479
Speaker 1: never wanted to be Joff period, Jeffer was a magnifficent. Well,

1448
01:28:46,560 --> 01:28:49,599
Speaker 1: no one, be honest. Can I play like on Will

1449
01:28:49,680 --> 01:28:53,800
Speaker 1: Smith go Away? But to me in that like a

1450
01:28:53,880 --> 01:29:00,040
Speaker 1: biopsy picko love it. We don't want to call a

1451
01:29:02,560 --> 01:29:11,639
Speaker 1: lifetime about Actually, what is it my lifetime movie about fists?

1452
01:29:12,200 --> 01:29:17,000
Speaker 1: I'll send your vote. We're doing it with Bob my

1453
01:29:17,080 --> 01:29:22,640
Speaker 1: Man Rama shot. Hey, but listen, this is gonna do

1454
01:29:22,720 --> 01:29:26,280
Speaker 1: what's like like we'll do. They're asking us to wrap

1455
01:29:26,920 --> 01:29:29,800
Speaker 1: as I'm having the rap. I want to get how

1456
01:29:29,880 --> 01:29:34,200
Speaker 1: does it listen, We'll tell you. I'm I'm getting shape

1457
01:29:34,280 --> 01:29:38,840
Speaker 1: at some point. Let me tell you. I'm saying to you,

1458
01:29:38,960 --> 01:29:43,840
Speaker 1: anything is possible. The first Prince played alive, so guess

1459
01:29:43,880 --> 01:29:45,439
Speaker 1: what you can do. No, I want to try to

1460
01:29:45,479 --> 01:29:48,760
Speaker 1: play the minute we can do like yeah, times out

1461
01:29:48,880 --> 01:29:53,360
Speaker 1: and and the Philly. I'm going Sir Philly with the

1462
01:29:53,439 --> 01:29:56,800
Speaker 1: Philly SPI first Prince, I'm going like, that's what I

1463
01:29:56,840 --> 01:29:59,600
Speaker 1: want to play. One to play the Welshman before he

1464
01:29:59,680 --> 01:30:02,240
Speaker 1: got a first part. That's the first first part. So

1465
01:30:02,320 --> 01:30:03,920
Speaker 1: I want to play that. They let me saying you

1466
01:30:03,920 --> 01:30:06,880
Speaker 1: get the oss I get that's your way, bro, and

1467
01:30:06,920 --> 01:30:12,439
Speaker 1: I'm gonna welcome that kings that question question, no question

1468
01:30:13,280 --> 01:30:16,519
Speaker 1: that runs to tell him that, actually, you know what

1469
01:30:16,680 --> 01:30:23,640
Speaker 1: was in the biggest trying this up. I forget if

1470
01:30:23,640 --> 01:30:25,519
Speaker 1: you make that commitment. I'm talking about me and Will

1471
01:30:25,600 --> 01:30:28,360
Speaker 1: Will do that movie period. You get some trade the

1472
01:30:28,439 --> 01:30:31,040
Speaker 1: first brands towns I had a first First off, First

1473
01:30:31,040 --> 01:30:33,720
Speaker 1: of all, first of all, come on some type of

1474
01:30:33,800 --> 01:30:37,200
Speaker 1: towns where you get some Brits. Well, first off, no

1475
01:30:37,760 --> 01:30:41,559
Speaker 1: hills Come on, don't that no one knows you gotta

1476
01:30:42,640 --> 01:30:46,479
Speaker 1: show your suits and no hills on please if he

1477
01:30:46,520 --> 01:30:54,040
Speaker 1: didn't wear trains, no Sandy train, the sports EF six

1478
01:30:54,160 --> 01:30:56,439
Speaker 1: or six three here, So you're telling me I can

1479
01:30:56,520 --> 01:30:58,559
Speaker 1: woke up the day. No, you can be in cash

1480
01:30:58,600 --> 01:31:01,680
Speaker 1: short people. You actually I'm like rocket like rocket like

1481
01:31:01,880 --> 01:31:04,400
Speaker 1: rocket the heads, Well, I want to tell you anyone

1482
01:31:04,400 --> 01:31:08,960
Speaker 1: want to tell you? Right, Um, I'm like the closest

1483
01:31:09,040 --> 01:31:20,879
Speaker 1: thing to Will. If I live, I'm doing it, doing everything, slime,

1484
01:31:22,200 --> 01:31:28,720
Speaker 1: doing it, sending guys. You let me gonna reckond say

1485
01:31:28,800 --> 01:31:33,080
Speaker 1: this right already saying this though, Are you gonna record

1486
01:31:33,080 --> 01:31:36,639
Speaker 1: saying this? Every movie is everything? Everything that you've done

1487
01:31:36,680 --> 01:31:39,760
Speaker 1: thus far, You've been success way right wrong. I feel

1488
01:31:39,760 --> 01:31:43,080
Speaker 1: like Will Smith, I'm trying to say, I feel like

1489
01:31:43,320 --> 01:31:45,439
Speaker 1: that's the movie. Look, I'm cantling it. They can call up.

1490
01:31:45,920 --> 01:31:49,400
Speaker 1: You're telling man, I'm telling your thing. I'm trying because

1491
01:31:49,400 --> 01:31:51,320
Speaker 1: I'm gonna cat to tell you already. See are you

1492
01:31:51,439 --> 01:31:59,920
Speaker 1: joh I'll you're magnificent for me and you you check

1493
01:32:00,040 --> 01:32:04,040
Speaker 1: first prints jag he's waiting anything my way. I'm gonna

1494
01:32:04,040 --> 01:32:11,400
Speaker 1: lose a latop flats out and I'm getting scarel ja

1495
01:32:11,640 --> 01:32:17,160
Speaker 1: don cubans. It was fairly nigger, I think, because you know,

1496
01:32:17,320 --> 01:32:20,160
Speaker 1: you know, I'll stand like and like and like, listen,

1497
01:32:20,160 --> 01:32:21,599
Speaker 1: we can do that. We can. We could get last

1498
01:32:21,640 --> 01:32:28,160
Speaker 1: came color, were should coll like else. We were going

1499
01:32:29,680 --> 01:32:33,720
Speaker 1: we fix you a funnier die and you gotta be Will. Yeah,

1500
01:32:33,760 --> 01:32:40,680
Speaker 1: Tony's gonna gotta take ready. I'm like this people was

1501
01:32:41,439 --> 01:32:43,559
Speaker 1: called correct ships. We can fix that. We make you likes,

1502
01:32:43,600 --> 01:32:45,840
Speaker 1: we're faking moneys. And then I understand on my knee

1503
01:32:45,920 --> 01:32:49,200
Speaker 1: I made short Yeah, absolutely, yeah, wait, we're gonna do

1504
01:32:49,320 --> 01:32:51,360
Speaker 1: that because gotta take up ya gotta take a player.

1505
01:32:52,560 --> 01:32:55,320
Speaker 1: You gotta do a pick in the drops because is

1506
01:32:55,400 --> 01:32:57,400
Speaker 1: this thing exit out. It was this cool out. I'm

1507
01:32:57,400 --> 01:32:59,080
Speaker 1: just gonna be out of it sometimes, just like that

1508
01:32:59,680 --> 01:33:17,080
Speaker 1: to pay said before before spring tests. Right now, that's

1509
01:33:17,200 --> 01:33:22,640
Speaker 1: not that's gonna happen. I'm gonna go and focus. I'm

1510
01:33:22,680 --> 01:33:29,719
Speaker 1: gonna focus on my brother. I'm not gonna I gotta

1511
01:33:29,760 --> 01:33:33,439
Speaker 1: take a piece. I don't know who win. Down stairs,

1512
01:33:33,840 --> 01:33:36,800
Speaker 1: you've been listening to the drink Champs podcast. Drink Champs

1513
01:33:36,840 --> 01:33:39,000
Speaker 1: is a weekly podcast created by d j e f

1514
01:33:39,040 --> 01:33:41,720
Speaker 1: F and n O r E. And it's produced by

1515
01:33:41,920 --> 01:33:44,559
Speaker 1: d j e F and n O r E sound

1516
01:33:44,600 --> 01:33:47,920
Speaker 1: engineered by Hazardous Sounds. You can also watch us on

1517
01:33:48,000 --> 01:33:51,680
Speaker 1: Revolt TV every Thursday night at ten pm Eastern, as

1518
01:33:51,720 --> 01:33:54,320
Speaker 1: well as online six days following the TV premiere of

1519
01:33:54,360 --> 01:33:58,400
Speaker 1: an episode. Schedule may vary depending on special releases or

1520
01:33:58,479 --> 01:34:02,360
Speaker 1: off weeks. For everything drink Champs, including drink Champs merch

1521
01:34:02,600 --> 01:34:06,240
Speaker 1: powered by eight nine Clothing. Log onto drink Champs dot com.

1522
01:34:07,240 --> 01:34:10,679
Speaker 1: Follow us on Twitter, Facebook and Instagram at drink Champs.

1523
01:34:11,520 --> 01:34:13,760
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1524
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Speaker 1: Instagram at d j E f N on Facebook and Twitter,

1525
01:34:17,439 --> 01:34:20,880
Speaker 1: and follow Nori at the Real Noriega on Instagram at

1526
01:34:20,960 --> 01:34:24,960
Speaker 1: Noriega on Twitter and Facebook. Look out for new podcasts

1527
01:34:25,000 --> 01:34:28,680
Speaker 1: coming out under our podcast network. Also be sure to subscribe,

1528
01:34:29,080 --> 01:34:32,400
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1529
01:34:32,479 --> 01:34:36,599
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1530
01:34:36,640 --> 01:34:40,040
Speaker 1: so search us, find us, subscribe, like in comment there

1531
01:34:40,080 --> 01:34:42,880
Speaker 1: as well. Thank you to our drink Champs Army for

1532
01:34:43,000 --> 01:34:45,400
Speaker 1: continued support, and if you are new to the Army,

1533
01:34:45,640 --> 01:34:46,799
Speaker 1: thanks for joining the family.