WEBVTT - E Jean Carroll on Writing and Resilience

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from iHeart Radio. When you consider the life and

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<v Speaker 1>work of my guest today, you would be forgiven for

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<v Speaker 1>thinking it was all a work of fiction. Egene Carroll

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<v Speaker 1>has lived a life of drama and intrigue that any

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<v Speaker 1>actor would aspire to play on television. Known for writing

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<v Speaker 1>one of the longest running advice columns in American publishing,

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<v Speaker 1>Carol advised readers of L magazine from nineteen ninety three

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<v Speaker 1>to twenty nineteen in her Asked Egene column. During that time,

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<v Speaker 1>she wrote several books, including two thousand and four's Mister Wright,

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<v Speaker 1>Right Now, How a Smart Woman Can Land Her Dream Man.

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<v Speaker 1>In six weeks after ending her advice column in twenty nineteen,

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<v Speaker 1>Carrol's work as an author changed dramatically. In her fifth book,

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<v Speaker 1>titled What do We Need Men For a Modest Proposal,

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<v Speaker 1>Carol accused Donald Trump of sexually assaulting her in the

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<v Speaker 1>mid nineteen nineties. A follow up was released in twenty

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<v Speaker 1>twenty five, entitled Not My Type. One Woman Versus a President.

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<v Speaker 1>Carol's decision to come forward with her story culminated with

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<v Speaker 1>her winning multiple civil cases against Donald Trump and being

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<v Speaker 1>awarded eighty three point three million dollars in damages. Apart

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<v Speaker 1>from her victories in court, Carol's writing career includes work

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<v Speaker 1>published in New York magazine, Vanity Fair, The Atlantic, Esquire,

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<v Speaker 1>and Outside Magazine. With such an illustrious writing career, I

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<v Speaker 1>was curious if Egene started out as an avid reader.

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<v Speaker 2>Well, I never picked up a book when I was young.

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<v Speaker 2>My whole thing was to be outside and play. My

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<v Speaker 2>parents could not force me to pick up a book,

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<v Speaker 2>could not force me. My mother would yell when I

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<v Speaker 2>came home from the first grade because my grades were

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<v Speaker 2>so bad. Words didn't interest me, you know, caterpillars interested

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<v Speaker 2>in me. Sheep interested me, right, Grass I grew up.

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<v Speaker 2>It was a nineteenth century Queen Anne red brick schoolhouse

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<v Speaker 2>in the middle of the sticks, behind the sticks in

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<v Speaker 2>the hills of Indiana.

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<v Speaker 1>Wow.

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<v Speaker 2>Oh, it was exquisite. And my parents, my young parents,

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<v Speaker 2>were full of beans, and they bought this shambling old

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<v Speaker 2>schoolhouse and remodeled it and we moved in. And across

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<v Speaker 2>the street was the old church, and across the street

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<v Speaker 2>from that was the graveyard. That was my childhood. Oh, Alec,

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<v Speaker 2>it was boot Collic and so my mother would open

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<v Speaker 2>the front door and I would run out, and that

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<v Speaker 2>would be that would be it for the day. I

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<v Speaker 2>would be outside, Alexai, you didn't have to look. I mean,

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<v Speaker 2>just picture this. You open your front door and to

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<v Speaker 2>tell the kid to go outside. You'll see him at

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<v Speaker 2>dinner time. That's how safe, That's how far back in

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<v Speaker 2>the country were and how safe we were. And I

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<v Speaker 2>only had my dog for my companion. That then I'd

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<v Speaker 2>come back for lunch, and then I leave again by myself.

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<v Speaker 1>And when does this take hold of you? This idea

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<v Speaker 1>you were writing when you were very young, I understand.

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<v Speaker 2>Well, at the age of twelve, my father came home.

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<v Speaker 2>He handed my mother something. My mother began screaming and

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<v Speaker 2>ran out the door, ran up and down the street.

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<v Speaker 2>Now we had moved into the colossal Fort Wayne, Indiana,

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<v Speaker 2>and so we had neighbors. So she ran up and

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<v Speaker 2>down the street, yelling with excitement, so thrilled what her

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<v Speaker 2>husband had given her. I thought, what the hell is

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<v Speaker 2>going on? What had happened? Is he in Time magazine?

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<v Speaker 2>He had had a letter published to the editor, And

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<v Speaker 2>I thought, oh, this is the sighting. This is what

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<v Speaker 2>happens when you get published in a magazine. So I

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<v Speaker 2>thought this is good. So I sent off my first

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<v Speaker 2>pitch at the age of twelve to the series and

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<v Speaker 2>Roebuck Catalog.

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<v Speaker 1>What was the pitch?

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<v Speaker 2>Oh, a story idea about a little girl who cut

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<v Speaker 2>out all the clothes in the series and Roebuck Catalog,

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<v Speaker 2>and everything she cut out became real and she got

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<v Speaker 2>to wear the clothes, so.

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<v Speaker 1>She wanted to go shopping. She didn't go to the

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<v Speaker 1>catalog to order things. She just materialized them from the

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<v Speaker 1>images in the captin.

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<v Speaker 2>That's exactly I love that. Oh, they turned it down.

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<v Speaker 1>They turned it down.

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<v Speaker 2>So but I saw the light. I saw that writing

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<v Speaker 2>something and having it published caused a great to do,

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<v Speaker 2>and it looked like it was a lot of fun.

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<v Speaker 2>I mean, when you see your own mother tearing out

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<v Speaker 2>into the street to show the neighbors, yelling and laughing

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<v Speaker 2>about this great thing that happened and what it was.

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<v Speaker 2>It was something that was published in a magazine. It

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<v Speaker 2>really lit up my brain.

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<v Speaker 1>Now, when you're riding and you first get to New York.

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<v Speaker 1>To come to New York, when.

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<v Speaker 2>Nineteen eighty one, eighty one, I came here to take

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<v Speaker 2>fran Lubowitz camping, for Outside Magazine. Can you imagine taking

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<v Speaker 2>fran Lubowitz camping?

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<v Speaker 1>No, I can't.

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<v Speaker 2>I can't putting her into a tent.

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<v Speaker 1>No. When I saw that in the documentary, Mike God,

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<v Speaker 1>I almost gagged. I thought, that's brilliant.

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<v Speaker 2>Oh God, Jesus, I know. So I just took a

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<v Speaker 2>look around New York and said Jesus, and never went

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<v Speaker 2>back to Well. I went back to Montana to pack

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<v Speaker 2>up and say goodbye to the old husband, and then

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<v Speaker 2>came to New York.

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<v Speaker 1>We're in Montana, were you?

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<v Speaker 2>Oh? Ennis, fly fishing capital of the world.

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<v Speaker 1>That's where he wanted to deliver. You were into fly fishing.

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<v Speaker 2>He thought he was on his timingway, so he was

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<v Speaker 2>in the fly fishing was unbelievable, I admit, But you know,

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<v Speaker 2>I rode my horse, miss Hot, and he fly fished

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<v Speaker 2>and was a firefighter during the fire season. So and

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<v Speaker 2>then we wanted to be writers. And when we were

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<v Speaker 2>practicing being trying to get into magazines. That was a

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<v Speaker 2>big thing, to get into magazines.

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<v Speaker 1>Did you back in the Montana days were you published?

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<v Speaker 2>We both got He became editor in chief of Outdoor Life,

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<v Speaker 2>and I took Friendly Woods camping. You know, what it's

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<v Speaker 2>like arriving in New York when you're you know, ready

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<v Speaker 2>to go, and you're running up and down the boulevards

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<v Speaker 2>at two in the morning, and it's fact aous. You're

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<v Speaker 2>meeting friends and you're staying up. Remember the brasserie where

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<v Speaker 2>we would go and have coffee at the end of

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<v Speaker 2>the night.

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<v Speaker 1>I mean, yeah, Cafe Central, all those places, all the

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<v Speaker 1>late night joints. That's all dead now. By the way,

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<v Speaker 1>every he's in bed, you.

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<v Speaker 2>Know, I don't understand it, Dull.

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<v Speaker 1>It's changed. Its changed a lot. Everybody's in bed, they're

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<v Speaker 1>up early, they go jogging.

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<v Speaker 2>Well, you're in bedd okay? Can I ask you so sure?

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<v Speaker 2>When do you do all your reading?

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<v Speaker 1>I would say that I carry reading with me and

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<v Speaker 1>when I have interstitial moments during the day where I'm

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<v Speaker 1>sitting there driving in a car, you know, I want

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<v Speaker 1>to read the New Yorker, I want to read more

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<v Speaker 1>of some book I do that. I find that reading

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<v Speaker 1>at night when I go to sleep is advisable in

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<v Speaker 1>order to get off the tablet. What's the greatest place

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<v Speaker 1>on earth to read? What's your favorite place to read?

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<v Speaker 2>In the kitchen standing up when I'm eating lunch.

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<v Speaker 1>My answer is on an airplane. Oh, airplane to the bet,

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<v Speaker 1>that's what airplanes were built for.

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<v Speaker 2>Well, the airplane is great because nobody can get to

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<v Speaker 2>your next seat.

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<v Speaker 1>Bubble. Oh you put on that, you put that, hell

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<v Speaker 1>those headphones on and on a little shell pan nocturn.

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<v Speaker 2>And start reading It's heaven.

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<v Speaker 1>Now I want to get into your more about your writing,

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<v Speaker 1>which is that where's the place you were writing with,

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<v Speaker 1>whether you were on the staff or not. Who were

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<v Speaker 1>you on the staff with for the longest.

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<v Speaker 2>Well, it's it Saturday Night Live for a half year.

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<v Speaker 2>That was a good staff until Senator the future Senator

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<v Speaker 2>came up behind. He didn't realize how I was there,

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<v Speaker 2>Senator Franklin, and he picked up the sketch that I

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<v Speaker 2>had actress read through, and al frank said, what the

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<v Speaker 2>fuck is this? Why was it read? He didn't realize

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<v Speaker 2>I was there, and you Ali, who I believe has

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<v Speaker 2>made more appearances on Saturday Night Live than anybody in

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<v Speaker 2>the history seventeen times. So you know what a killing

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<v Speaker 2>line that would be to hear As a writer. I

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<v Speaker 2>knew I was doomed, but nothing I wrote at that

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<v Speaker 2>show they thought was funny, not a single word. I

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<v Speaker 2>couldn't nothing dead silence that read through? Can you imagine.

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<v Speaker 1>Dead, painful silent? You were there just for half a year.

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<v Speaker 1>I did not even know that was possible.

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<v Speaker 2>Who knew, right? But Larry David lasted a half year.

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<v Speaker 1>I didn't know that. Wow, you're a good company, I am.

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<v Speaker 1>But in terms of magazines, you warned us on the

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<v Speaker 1>staff of any magazines.

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<v Speaker 2>Yeah, Esquire right outside l There were some other magazines too,

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<v Speaker 2>but yeah, yeah.

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<v Speaker 1>So why did you decide you want to do the

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<v Speaker 1>TV show?

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<v Speaker 2>Well, who wouldn't want to do a TV show?

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<v Speaker 1>But who told you? Well? Where did the where did

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<v Speaker 1>the impetus come, either from yourself or from someone else

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<v Speaker 1>in your life to step in front of the camera

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<v Speaker 1>and you believed you were camera ready so to speak.

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<v Speaker 2>That was Roger Ailes's decision. Somebody showed him the column,

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<v Speaker 2>the ascgene column, and Rogers decided, well, what did he

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<v Speaker 2>have to lose? I mean, nobody was watching this new

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<v Speaker 2>network he started, which eventually became MSNBC, and he had

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<v Speaker 2>nothing to lose, so he just put me on TV.

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<v Speaker 1>To do live I mean Fox.

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<v Speaker 2>No, this is the new NBC channel that Roger Ailes

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<v Speaker 2>himself created out as nothing, and he just gave me

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<v Speaker 2>a live hour every day on TV. It was you know,

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<v Speaker 2>it was fun.

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<v Speaker 1>Then when you were doing that show, and you're creating

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<v Speaker 1>that show, and you're producing that show. Who helped you

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<v Speaker 1>get that thing rolling? Elke?

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<v Speaker 2>I had no idea what the fuck I was doing.

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<v Speaker 1>You know, you covered it brilliantly.

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<v Speaker 2>I just climbed on the sofa and started jumping up

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<v Speaker 2>and down, because that's it was just to bring an

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<v Speaker 2>advice column alive, because, as you know, an advice column

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<v Speaker 2>has got the hatred and passion and the love and

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<v Speaker 2>the jealousy, has got everything. And I thought, yeah, no,

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<v Speaker 2>everybody's there. So I thought, I, well, you just bring

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<v Speaker 2>that to TV. And I tried. You know, maybe in

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<v Speaker 2>another couple of years I would have calmed down and

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<v Speaker 2>would have had a really good show.

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<v Speaker 1>But did someone discuss with you? Did you tell them

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<v Speaker 1>what kind of show you wanted to do, or did

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<v Speaker 1>they tell you what they expected from you?

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<v Speaker 2>No, Roger said, hey, Egen, go do your show. Here's

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<v Speaker 2>an hour. And so really my thing was to bring

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<v Speaker 2>the advice column alive. Everybody there was a news producer,

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<v Speaker 2>so we sort of stumbled around I didn't even know

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<v Speaker 2>what a producer was. I had no idea. So they,

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<v Speaker 2>of course they would get the guests, and there was

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<v Speaker 2>an entire staff, you know, who begged people to come

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<v Speaker 2>on the show.

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<v Speaker 1>Booking is yeah, you live and die by booking.

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<v Speaker 2>Oh yeah. It was a free for all, a free

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<v Speaker 2>for all on that network until it became MSNBC. So

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<v Speaker 2>that's how Roger did it. And then Roger left and

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<v Speaker 2>created the Fox News Juggernaut.

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<v Speaker 1>Now I'm want to read you a quote Bill Toanelli,

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<v Speaker 1>Esquire and Rolling Stone editor said in a nineteen ninety

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<v Speaker 1>nine interview that you are quote institutionally incapable of being uninteresting?

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<v Speaker 1>Is the Egen Carroll show on TV you in real life? Well?

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<v Speaker 1>Did you create the Egen Carrol that stepped in front

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<v Speaker 1>of the camera or was that just you?

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<v Speaker 2>Before I started talking to you today, I was another Egen.

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<v Speaker 2>This is the Egen that I'm talking to Ali. As

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<v Speaker 2>you know, there's an Alec Baldwin that is the Barbara

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<v Speaker 2>Stanwick of his generation does comedy and tragedy. That's you.

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<v Speaker 1>I love that. I'm the Barbara Stanwick.

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<v Speaker 2>Barbara Stanwyck. Nobody played comedy and.

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<v Speaker 1>Tragedy like yeah, all of it. Yeah, she was great.

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<v Speaker 1>So there's the private you and the public you.

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<v Speaker 2>Yes, there we go.

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<v Speaker 1>Yeah, it's a character you play.

0:12:36.840 --> 0:12:39.560
<v Speaker 2>Yeah, that came up during the trial. Tell me how

0:12:39.960 --> 0:12:44.680
<v Speaker 2>how oh the defense of the president tried to take

0:12:44.840 --> 0:12:47.360
<v Speaker 2>every time I made a joke or went to a

0:12:47.400 --> 0:12:50.439
<v Speaker 2>party or said something funny in a col this woman

0:12:50.480 --> 0:12:54.040
<v Speaker 2>couldn't have suffered from the attack. Look how Look how

0:12:54.120 --> 0:12:57.560
<v Speaker 2>Mary and johny she is? That was their case. In

0:12:57.600 --> 0:13:01.160
<v Speaker 2>other words, if you're a woman and and you have

0:13:01.240 --> 0:13:07.080
<v Speaker 2>been attacked, you have to wear a shroud forever, cover

0:13:07.200 --> 0:13:12.480
<v Speaker 2>yourself and sit in a cave and never smile again,

0:13:12.640 --> 0:13:16.439
<v Speaker 2>never have a career again, don't have any friends. God knows,

0:13:16.480 --> 0:13:19.760
<v Speaker 2>you should never go to a party again. They pulled

0:13:19.760 --> 0:13:23.200
<v Speaker 2>out every single party I'd been to, which was like five,

0:13:23.760 --> 0:13:28.280
<v Speaker 2>you know, since their no it was they thought that

0:13:28.360 --> 0:13:32.040
<v Speaker 2>it was sixteen hundreds. It was the sixteen hundreds, you know,

0:13:32.160 --> 0:13:35.800
<v Speaker 2>weren't allowed to smile. What woman's life was to be over?

0:13:36.520 --> 0:13:38.640
<v Speaker 1>Well, now that you bring this up, let me just

0:13:38.679 --> 0:13:41.719
<v Speaker 1>ask you this. This is what's important to me. You have friends,

0:13:42.000 --> 0:13:43.360
<v Speaker 1>like when I live in New York, my friends with

0:13:43.360 --> 0:13:46.800
<v Speaker 1>these Rockefeller Republicans, which is less regulation on my businesses

0:13:46.800 --> 0:13:48.800
<v Speaker 1>and lower taxes, and they don't give a shit about

0:13:48.800 --> 0:13:51.480
<v Speaker 1>anything else. They don't care about same sex marriage, abortion,

0:13:51.760 --> 0:13:54.880
<v Speaker 1>the social issues don't play to them. Now, when you

0:13:55.240 --> 0:13:58.800
<v Speaker 1>went through this whole thing, or many years pass between

0:13:58.800 --> 0:14:00.840
<v Speaker 1>the event and the late nine and you were writing

0:14:00.840 --> 0:14:03.160
<v Speaker 1>your book and then going to court, did you have

0:14:03.200 --> 0:14:05.720
<v Speaker 1>friends of yours that were Republicans who were really really

0:14:05.760 --> 0:14:07.120
<v Speaker 1>disappointed or angry with you.

0:14:07.840 --> 0:14:13.520
<v Speaker 2>My mother was a Republican politician. But you know what,

0:14:13.640 --> 0:14:17.479
<v Speaker 2>and like, I never told her. She was on her deathbed.

0:14:17.640 --> 0:14:21.320
<v Speaker 2>We were all around her when Trump was running and

0:14:21.360 --> 0:14:24.320
<v Speaker 2>all those women came forward. Remember all those women came

0:14:24.360 --> 0:14:28.280
<v Speaker 2>forward after the access So I went to and so

0:14:28.680 --> 0:14:31.200
<v Speaker 2>I never told my mother because I thought it would

0:14:31.320 --> 0:14:35.280
<v Speaker 2>kill her. So she was really Remember I'm from Indiana.

0:14:35.400 --> 0:14:39.560
<v Speaker 2>I have a lot of friends who are Republicans, but

0:14:39.640 --> 0:14:43.640
<v Speaker 2>nobody said anything because they hated Donald Trump for doing it,

0:14:43.960 --> 0:14:46.320
<v Speaker 2>just hated it. They just heard it and they hated it.

0:14:46.760 --> 0:14:51.520
<v Speaker 2>So no, I got slimed by everybody else in the country,

0:14:51.560 --> 0:14:53.840
<v Speaker 2>but not by my Republican friends. No.

0:14:54.480 --> 0:14:57.680
<v Speaker 1>So, well, a lot of years go by and the

0:14:57.720 --> 0:15:01.160
<v Speaker 1>event happens, and then you write the book. Was there

0:15:01.280 --> 0:15:04.080
<v Speaker 1>some pivotal moment when you knew you had to step

0:15:04.160 --> 0:15:05.960
<v Speaker 1>up and do what you wanted to do. Because it

0:15:05.960 --> 0:15:08.720
<v Speaker 1>was almost twenty years later, what was it that made

0:15:08.800 --> 0:15:09.520
<v Speaker 1>you move forward?

0:15:10.120 --> 0:15:13.760
<v Speaker 2>Oh? It was Megan Twoian and Jodi Kantner coming out

0:15:13.800 --> 0:15:16.720
<v Speaker 2>in the New York Times with the Harvey Weinstein story. Really,

0:15:17.160 --> 0:15:20.360
<v Speaker 2>do you remember how that rocked the country? Sure, and

0:15:20.400 --> 0:15:24.520
<v Speaker 2>women stood up. Probably half the women you knew had

0:15:24.520 --> 0:15:28.000
<v Speaker 2>a story, and they suddenly started telling those stories. And

0:15:28.040 --> 0:15:32.000
<v Speaker 2>I thought, oh Jesus, women are talking. Because I'm a

0:15:32.040 --> 0:15:37.080
<v Speaker 2>silent generation woman. I was born during the Second World War,

0:15:37.360 --> 0:15:39.960
<v Speaker 2>so the last thing we would ever do is talk

0:15:39.960 --> 0:15:45.080
<v Speaker 2>about our whole thing was chin up and smile. Wow,

0:15:45.440 --> 0:15:48.880
<v Speaker 2>that was it. We expected a man to be a

0:15:48.960 --> 0:15:51.040
<v Speaker 2>little gravvy and to be a little pushy, and to

0:15:51.080 --> 0:15:53.680
<v Speaker 2>be a honey, honey, honey, and to back you up

0:15:53.720 --> 0:15:58.520
<v Speaker 2>against the wall. That's what it was like going to work. Oh,

0:15:58.720 --> 0:16:02.440
<v Speaker 2>come on, el and Jodie Katner and Megan Toury hit

0:16:02.600 --> 0:16:05.320
<v Speaker 2>the front page of the New York Times, and women,

0:16:06.200 --> 0:16:09.880
<v Speaker 2>well known women. When is Paltrow? You know, they were

0:16:10.080 --> 0:16:14.800
<v Speaker 2>coming forward with stories about Harvey Winston. Brad Pitt stepped up.

0:16:14.920 --> 0:16:16.880
<v Speaker 2>Remember when they told the story where he had called

0:16:16.920 --> 0:16:19.400
<v Speaker 2>Harvey and said, if you dare go near one, that's

0:16:19.400 --> 0:16:21.120
<v Speaker 2>one more time I will kill you.

0:16:21.400 --> 0:16:25.720
<v Speaker 1>Yeah, I would love to have seen that. Oh I

0:16:25.800 --> 0:16:28.080
<v Speaker 1>don't see Brad, you know, cuddle with Harvey for a

0:16:28.120 --> 0:16:28.600
<v Speaker 1>little while.

0:16:28.680 --> 0:16:32.560
<v Speaker 2>But anyway, oh man, So they showed me what to do, so.

0:16:32.520 --> 0:16:34.840
<v Speaker 1>I did it. I'm going to see this. Sheila Nevans

0:16:34.920 --> 0:16:36.680
<v Speaker 1>is on the show. I don't respect anybody in this

0:16:36.720 --> 0:16:40.560
<v Speaker 1>business more than Shila Nevans, who single handedly crafts HBO

0:16:40.640 --> 0:16:43.960
<v Speaker 1>documentaries and is the godmother of so many documentaries. And

0:16:44.040 --> 0:16:45.640
<v Speaker 1>she talks to me about a guy, his hands on

0:16:45.680 --> 0:16:48.240
<v Speaker 1>her leg, he's on her knee, his hand's going up

0:16:48.240 --> 0:16:50.400
<v Speaker 1>her dress whatever. And I stopped and I go, what

0:16:50.400 --> 0:16:53.640
<v Speaker 1>did you do? She goes, I slept with him. I go,

0:16:53.760 --> 0:16:56.400
<v Speaker 1>are you kidding me? She goes, no, back then, that's

0:16:56.440 --> 0:16:58.280
<v Speaker 1>what you did if you wanted to get ahead.

0:16:58.720 --> 0:17:01.960
<v Speaker 2>And I thought, God, that's exactly right. And if you didn't,

0:17:02.320 --> 0:17:03.960
<v Speaker 2>you would not get the promotion.

0:17:04.240 --> 0:17:06.320
<v Speaker 1>Right. That's what she said, That's how you got ahead.

0:17:06.680 --> 0:17:09.800
<v Speaker 2>This is why women have never gained a quality because

0:17:09.840 --> 0:17:14.600
<v Speaker 2>of the sexual violence. This is why women have always

0:17:15.200 --> 0:17:17.600
<v Speaker 2>always a little lower than men.

0:17:17.800 --> 0:17:19.440
<v Speaker 1>Always at right on my show.

0:17:19.520 --> 0:17:23.240
<v Speaker 2>Believe me, Oh not in your life. You either believe

0:17:23.320 --> 0:17:23.640
<v Speaker 2>you that.

0:17:29.680 --> 0:17:33.800
<v Speaker 1>Journalist and author Agene Carroll. If you're interested in the

0:17:33.840 --> 0:17:37.359
<v Speaker 1>origins of the me Too movement on Hollywood's reckoning with

0:17:37.440 --> 0:17:40.480
<v Speaker 1>sex and power, check out my conversation with New York

0:17:40.480 --> 0:17:43.080
<v Speaker 1>Times writers Megan Chewey and Jodi Kanter.

0:17:43.440 --> 0:17:46.760
<v Speaker 3>It's really important to remember that there are two categories

0:17:46.920 --> 0:17:52.080
<v Speaker 3>of women essentially that Weinstein allegedly harasses and assaults. One

0:17:52.119 --> 0:17:56.639
<v Speaker 3>of them actresses. The second assistance women who want to

0:17:56.680 --> 0:17:59.720
<v Speaker 3>be producers, right, women who are twenty three years old,

0:17:59.800 --> 0:18:02.000
<v Speaker 3>and they are so excited because they're on there.

0:18:02.160 --> 0:18:04.480
<v Speaker 1>At the bottom of the ladder, very first.

0:18:04.240 --> 0:18:06.879
<v Speaker 3>Day at a company like Mirramax or the Weinstein Company.

0:18:06.880 --> 0:18:09.160
<v Speaker 3>This is going to be their big shot. It's so exciting,

0:18:09.200 --> 0:18:12.200
<v Speaker 3>there's so much potential here. And then boom, Harvey Weinstein

0:18:12.240 --> 0:18:14.880
<v Speaker 3>walks into the room and everything changes. And so this

0:18:14.960 --> 0:18:17.840
<v Speaker 3>is all about the actresses and the assistants.

0:18:17.880 --> 0:18:18.120
<v Speaker 2>Both.

0:18:18.720 --> 0:18:23.440
<v Speaker 3>They're coming into this with with dreams, with ideas, with ambitions,

0:18:23.480 --> 0:18:27.240
<v Speaker 3>with hopes, and he turns those hopes and ambitions against

0:18:27.240 --> 0:18:29.520
<v Speaker 3>the women. And that has to do also with the

0:18:29.560 --> 0:18:32.840
<v Speaker 3>power of the movie. Is the power of this work.

0:18:33.080 --> 0:18:36.360
<v Speaker 3>You know, what is your ticket into this world? And

0:18:36.400 --> 0:18:39.480
<v Speaker 3>how can that? You know, is your desire for entry

0:18:39.600 --> 0:18:42.479
<v Speaker 3>into this world a kind of vulnerability that can then

0:18:42.520 --> 0:18:43.359
<v Speaker 3>be turned against you.

0:18:45.840 --> 0:18:48.879
<v Speaker 1>To hear more of my conversation with Megan Chewy and

0:18:49.000 --> 0:18:53.159
<v Speaker 1>Jodi Kanter, go to Here's the Thing dot org. After

0:18:53.200 --> 0:18:57.440
<v Speaker 1>the break, Egene Carol talks about publishing her explosive twenty

0:18:57.560 --> 0:19:00.440
<v Speaker 1>nineteen book and who stood by her while so much

0:19:00.480 --> 0:19:16.400
<v Speaker 1>of the general public did not believe her accusations. I'm

0:19:16.440 --> 0:19:20.000
<v Speaker 1>Alec Baldwin and you're listening to Here's the Thing. In

0:19:20.040 --> 0:19:24.119
<v Speaker 1>the late nineteen nineties, Egen Carol bumped into Donald Trump

0:19:24.440 --> 0:19:28.080
<v Speaker 1>outside of Bergdorf Goodman in New York City. What started

0:19:28.280 --> 0:19:32.120
<v Speaker 1>as an impromptu shopping trip turned into a harrowing account

0:19:32.200 --> 0:19:36.280
<v Speaker 1>of sexual assault in a department store dressing room. I

0:19:36.359 --> 0:19:39.959
<v Speaker 1>wanted to know how Egene coped with such a traumatic event,

0:19:40.280 --> 0:19:43.560
<v Speaker 1>and what it's like constantly seeing her attacker, who was

0:19:43.600 --> 0:19:46.879
<v Speaker 1>also the President of the United States on television and

0:19:47.119 --> 0:19:48.040
<v Speaker 1>in media.

0:19:48.920 --> 0:19:54.719
<v Speaker 2>You know, seeing him so much, so saturated and everything.

0:19:54.920 --> 0:19:57.800
<v Speaker 2>Either I got the fuck over it and moved on

0:19:58.240 --> 0:20:00.920
<v Speaker 2>and was able to take him, or my life really

0:20:00.920 --> 0:20:03.640
<v Speaker 2>would have been over. I was so immersed in it

0:20:03.760 --> 0:20:06.560
<v Speaker 2>that I became accustomed to it, and then I didn't

0:20:06.600 --> 0:20:10.000
<v Speaker 2>even see it. That's what happens. It becomes it becomes

0:20:10.480 --> 0:20:13.840
<v Speaker 2>not a horrible it becomes something that I lived with.

0:20:14.280 --> 0:20:17.439
<v Speaker 2>You either learn to bat it away or your life

0:20:17.520 --> 0:20:17.880
<v Speaker 2>is over.

0:20:18.800 --> 0:20:21.639
<v Speaker 1>Well, now, before you press charges, before you bring a

0:20:21.680 --> 0:20:25.480
<v Speaker 1>case against him, you write the book. Yeah, but do

0:20:25.600 --> 0:20:29.199
<v Speaker 1>the imprint bulk at that idea of writing that material

0:20:29.240 --> 0:20:30.800
<v Speaker 1>about him? Were they concerned about that at all?

0:20:30.880 --> 0:20:34.160
<v Speaker 2>Legally we had that thing. Every word was gone through

0:20:34.520 --> 0:20:37.360
<v Speaker 2>by one of the great attorneys in the country.

0:20:37.680 --> 0:20:39.080
<v Speaker 1>So they backed you that imprint.

0:20:39.680 --> 0:20:43.120
<v Speaker 2>Yeah, and also New York Magazine backed it. That thing

0:20:43.240 --> 0:20:45.600
<v Speaker 2>was fact checked up and down when I when I

0:20:45.640 --> 0:20:48.000
<v Speaker 2>came out with the story, it's remarkable it was in

0:20:48.040 --> 0:20:52.040
<v Speaker 2>the book. But New York Magazine excerpted that was the

0:20:52.080 --> 0:20:54.840
<v Speaker 2>thing that hit the White House. And they saw that

0:20:54.920 --> 0:20:58.360
<v Speaker 2>picture of me on the cover and like without makeup,

0:20:58.960 --> 0:21:02.600
<v Speaker 2>without makeup, and that's when he said, you know, when

0:21:02.600 --> 0:21:04.840
<v Speaker 2>you're seventy five, you don't go on the cover of

0:21:04.840 --> 0:21:09.400
<v Speaker 2>a magazine without makeup. Right. The feeling was, she's when

0:21:09.440 --> 0:21:12.159
<v Speaker 2>a woman tells the truth, she doesn't stand there in

0:21:12.200 --> 0:21:14.680
<v Speaker 2>a gob of makeup, so they put it on the

0:21:14.800 --> 0:21:18.320
<v Speaker 2>cover and there I am an elderly woman, and the

0:21:18.400 --> 0:21:24.080
<v Speaker 2>story came out, and because I looked so old, and

0:21:24.119 --> 0:21:28.080
<v Speaker 2>because I look my age, most people didn't believe me.

0:21:28.600 --> 0:21:30.320
<v Speaker 1>Really didn't believe.

0:21:30.359 --> 0:21:33.240
<v Speaker 2>You didn't believe it. You don't see an old lady

0:21:33.640 --> 0:21:36.359
<v Speaker 2>when she comes forward and talks about what happens being

0:21:36.400 --> 0:21:39.800
<v Speaker 2>attacked by a man. She's not believed Alex unless she

0:21:39.960 --> 0:21:45.280
<v Speaker 2>looks fuckable. She's got to look desirable in some way.

0:21:45.880 --> 0:21:50.760
<v Speaker 2>And they couldn't picture the snazzy, young Donald Trump attacking

0:21:50.840 --> 0:21:52.600
<v Speaker 2>this elderly crone.

0:21:53.080 --> 0:21:54.800
<v Speaker 1>I try to tell myself as I get older, that

0:21:54.840 --> 0:21:58.040
<v Speaker 1>you're fuckable to somebody out there. The task is just

0:21:58.080 --> 0:22:01.280
<v Speaker 1>to find them. Got be somebody, You got me somebody.

0:22:01.359 --> 0:22:03.920
<v Speaker 2>I'm like, hey, do you remember back in the day

0:22:04.320 --> 0:22:08.160
<v Speaker 2>when nobody was better looking than you? Nobody I found them.

0:22:08.359 --> 0:22:10.439
<v Speaker 1>I had a good month. I had a great I

0:22:10.480 --> 0:22:13.440
<v Speaker 1>had one month in the early ninety decades you had

0:22:13.520 --> 0:22:15.760
<v Speaker 1>the early nineties. I had that was good. It was

0:22:15.760 --> 0:22:16.240
<v Speaker 1>a good time.

0:22:16.320 --> 0:22:18.600
<v Speaker 2>Oh it was devastating.

0:22:19.560 --> 0:22:22.000
<v Speaker 1>I got all these questions, none of them have anything

0:22:22.000 --> 0:22:23.359
<v Speaker 1>to do with my sex life.

0:22:23.720 --> 0:22:26.640
<v Speaker 2>I mean devastating devastating.

0:22:27.240 --> 0:22:30.480
<v Speaker 1>Now let me ask you. Let me ask you this

0:22:31.440 --> 0:22:34.040
<v Speaker 1>without naming any names. Of course, there were any friends

0:22:34.080 --> 0:22:36.879
<v Speaker 1>that you relied on heavily. You must have needed good

0:22:36.920 --> 0:22:39.040
<v Speaker 1>friends to help get you through the ups and downs

0:22:39.040 --> 0:22:44.560
<v Speaker 1>of this correct. Oh yeah, Lisa Burnbaugh Lisa who I know?

0:22:44.720 --> 0:22:47.920
<v Speaker 2>Yes, And Carol Martin another you know, she broke the

0:22:47.920 --> 0:22:50.639
<v Speaker 2>glass ceiling of New York. She became the first black

0:22:50.640 --> 0:22:54.560
<v Speaker 2>woman to anchor a New York news show. And Lisa Burnbaugh. Yeah,

0:22:54.680 --> 0:23:00.320
<v Speaker 2>those two steadfast. Everybody at the Atlantic magazine Esquire Elle,

0:23:00.520 --> 0:23:03.840
<v Speaker 2>all the journalists backed me up to the hill. They

0:23:03.920 --> 0:23:09.520
<v Speaker 2>understood it. So yes, my family absolutely, my dogs, yes,

0:23:10.040 --> 0:23:15.560
<v Speaker 2>my neighbors yes. Although oddly Alick, when the last book

0:23:15.600 --> 0:23:18.560
<v Speaker 2>came out and it immediately hit the New York Times

0:23:18.560 --> 0:23:23.040
<v Speaker 2>bestseller lists, I had books and I was handing them

0:23:23.040 --> 0:23:26.040
<v Speaker 2>out to my neighbors, and I handed it to my

0:23:26.280 --> 0:23:30.000
<v Speaker 2>next door neighbor and I said, here's my latest book.

0:23:30.119 --> 0:23:34.480
<v Speaker 2>She said, what you suit? The president? She never heard

0:23:34.520 --> 0:23:37.679
<v Speaker 2>of it. You're kidding me, No, Ali, Almost nobody in

0:23:37.680 --> 0:23:40.080
<v Speaker 2>this country really has heard of it. Just a few

0:23:40.080 --> 0:23:41.960
<v Speaker 2>of us in New York know about it, but most

0:23:42.040 --> 0:23:44.920
<v Speaker 2>people so. One of the reasons why they voted for him.

0:23:44.960 --> 0:23:50.199
<v Speaker 2>They never heard he was held liable for sexual abuse.

0:23:50.280 --> 0:23:52.760
<v Speaker 2>Never heard it, never heard that he had to pay

0:23:52.800 --> 0:23:57.280
<v Speaker 2>eighty three point three million because their Instagram feed is

0:23:57.320 --> 0:23:58.800
<v Speaker 2>not showing them that fact.

0:23:58.880 --> 0:23:59.480
<v Speaker 1>It's interesting.

0:23:59.520 --> 0:24:01.399
<v Speaker 2>I never thought of them, and now there is their

0:24:01.440 --> 0:24:03.960
<v Speaker 2>Facebook feed, and now is their TikTok.

0:24:04.119 --> 0:24:06.720
<v Speaker 1>I never thought about how it was not covered widely

0:24:06.960 --> 0:24:11.760
<v Speaker 1>enough the story. Now, when you started the process to

0:24:11.840 --> 0:24:16.199
<v Speaker 1>bring charges against him, did you have earlier lawyers you

0:24:16.280 --> 0:24:18.920
<v Speaker 1>engaged with or has Robbie been your lawyer throughout?

0:24:19.320 --> 0:24:25.040
<v Speaker 2>Robbie Caplan was I hardly knew a lawyer. George Conway

0:24:25.240 --> 0:24:29.000
<v Speaker 2>is the one who suggested, as he said, I think

0:24:29.080 --> 0:24:31.200
<v Speaker 2>I know someone. That's what he said, and it turns

0:24:31.200 --> 0:24:35.280
<v Speaker 2>out to be Robbie Caplan, the woman who opened up

0:24:35.800 --> 0:24:38.159
<v Speaker 2>the way for gay rights in this country, and the

0:24:38.200 --> 0:24:43.720
<v Speaker 2>woman who at the time was trouncing the Nazis in Charlottesville.

0:24:43.760 --> 0:24:47.560
<v Speaker 2>And that was a huge case, this white supremacist the Nazis.

0:24:47.160 --> 0:24:48.439
<v Speaker 1>Remember all of them put together.

0:24:48.880 --> 0:24:52.119
<v Speaker 2>Robbie beat them all, just fucking beat them all. And

0:24:52.160 --> 0:24:55.040
<v Speaker 2>as you know, she's this tiny little woman, long woman

0:24:55.440 --> 0:25:00.000
<v Speaker 2>from you know, Shaker Heights, Ohio, just mashed the Nazis,

0:25:00.480 --> 0:25:02.280
<v Speaker 2>and so she was the one.

0:25:02.920 --> 0:25:05.919
<v Speaker 1>Now when you I mean, this is a tough question,

0:25:05.960 --> 0:25:10.200
<v Speaker 1>but when you walk into Bergdorfs with Trump and everything

0:25:10.280 --> 0:25:13.439
<v Speaker 1>horrible ensues. You're walking in there with somebody that you

0:25:13.480 --> 0:25:16.720
<v Speaker 1>thought you knew, kind of, that you had an impression of,

0:25:16.920 --> 0:25:19.480
<v Speaker 1>kind of, and the Trump you eventually meet was one

0:25:19.520 --> 0:25:22.360
<v Speaker 1>you never met before. So the Trump that you're walking into,

0:25:22.520 --> 0:25:24.679
<v Speaker 1>who was he? You thought he was just charming and

0:25:24.720 --> 0:25:28.280
<v Speaker 1>silly and fun. Yeah, he's kind of a fop boy.

0:25:28.400 --> 0:25:31.720
<v Speaker 2>Is that a perfect word? He actually made a joke

0:25:31.760 --> 0:25:36.040
<v Speaker 2>about himself. He was easy and up for anything, up

0:25:36.080 --> 0:25:39.720
<v Speaker 2>for a wark, and you know, playful exactly. It Come

0:25:39.800 --> 0:25:41.160
<v Speaker 2>help me by a present?

0:25:41.880 --> 0:25:42.600
<v Speaker 1>What am I?

0:25:42.600 --> 0:25:46.560
<v Speaker 2>I'm an advice calmnist. That's my duty to help people

0:25:46.600 --> 0:25:50.600
<v Speaker 2>buy a present. So I was real. Also he was

0:25:50.840 --> 0:25:55.000
<v Speaker 2>very pretty at that time, a huh interesting, very tall,

0:25:55.200 --> 0:25:58.399
<v Speaker 2>very handsome, very blonde, you know, in the old overcoat.

0:25:58.840 --> 0:26:05.200
<v Speaker 2>He was quite pretty. It was quite fun, that's the word.

0:26:05.400 --> 0:26:11.080
<v Speaker 2>Taking Trump through Burgdors suggesting gifts and he's, you know,

0:26:11.280 --> 0:26:16.080
<v Speaker 2>yamoring about how he's thinking a buy and Burgdors.

0:26:17.359 --> 0:26:19.520
<v Speaker 1>You're there to buy a bag, he's there to buy

0:26:19.560 --> 0:26:20.000
<v Speaker 1>the store.

0:26:20.560 --> 0:26:24.320
<v Speaker 2>But it's just exactly what happened in the first election.

0:26:24.920 --> 0:26:27.639
<v Speaker 2>We thought he was a clown. Remember, we thought he

0:26:27.800 --> 0:26:31.280
<v Speaker 2>was light and sort of silly and a hoddler and

0:26:31.800 --> 0:26:37.040
<v Speaker 2>sort of a con mes. Yeah, that's what the world thought.

0:26:37.200 --> 0:26:41.720
<v Speaker 2>And then, like me, it turned dark. Boom, he's not

0:26:41.920 --> 0:26:46.879
<v Speaker 2>that way. He's not that way. It's like funny, funny, funny, laughing, laughing, laughing,

0:26:46.920 --> 0:26:51.439
<v Speaker 2>playful boom. Then he's sending troops into the streets. You know,

0:26:51.680 --> 0:26:54.240
<v Speaker 2>I wish people had paid attention to what I said,

0:26:54.920 --> 0:26:58.000
<v Speaker 2>you know me, and you know what two dozen other women.

0:26:58.240 --> 0:27:01.040
<v Speaker 1>Yes, I had a friend of mine told me a story.

0:27:02.000 --> 0:27:06.399
<v Speaker 1>Someone he told me about was accused of sexually attacking

0:27:06.440 --> 0:27:10.840
<v Speaker 1>a woman in the dining room of a famous private club.

0:27:11.280 --> 0:27:14.960
<v Speaker 1>You know, linen's and posh and suits and ties, and

0:27:15.000 --> 0:27:16.720
<v Speaker 1>they're having lunch. The guy puts his hand under the

0:27:16.760 --> 0:27:19.600
<v Speaker 1>table and you can imagine the rest. So he's doing

0:27:19.640 --> 0:27:23.280
<v Speaker 1>this in the center dining room of this fabulous Manhattan

0:27:23.280 --> 0:27:27.720
<v Speaker 1>private club, and she goes and preses charges eventually, and

0:27:28.240 --> 0:27:29.800
<v Speaker 1>the next thing that happens is, of course, what's the

0:27:29.840 --> 0:27:32.439
<v Speaker 1>liability of the club. And I was wondering, were there

0:27:32.440 --> 0:27:35.480
<v Speaker 1>ever any consequences at all for Bergdorfs when this happened.

0:27:35.880 --> 0:27:41.479
<v Speaker 2>No, Alec Bergdorf stepped up and gave Robbie kaplan the

0:27:41.480 --> 0:27:47.200
<v Speaker 2>floor plans of the sixth. No, they were extremely cooperative

0:27:47.680 --> 0:27:48.679
<v Speaker 2>and good people.

0:27:48.840 --> 0:27:50.840
<v Speaker 1>Right, great, they were good people.

0:27:50.920 --> 0:27:53.040
<v Speaker 2>And I know that story that you just said about.

0:27:53.320 --> 0:27:58.840
<v Speaker 2>I know that identical story from a young, really sharp

0:27:59.000 --> 0:28:03.280
<v Speaker 2>and beautiful young woman at club. They were sitting downstairs.

0:28:03.359 --> 0:28:05.679
<v Speaker 2>Trump is sitting next to her. It's a big business meeting.

0:28:06.040 --> 0:28:08.800
<v Speaker 2>She had just met him. And again the hand under

0:28:08.840 --> 0:28:11.640
<v Speaker 2>the table, right up her leg and going up as

0:28:11.640 --> 0:28:14.120
<v Speaker 2>far as he could. Right at twenty one. She had

0:28:14.240 --> 0:28:18.160
<v Speaker 2>just met him, right, I mean unspeakable. And of course

0:28:18.359 --> 0:28:23.200
<v Speaker 2>she did not officially come forward like many other women, many, many, many,

0:28:23.200 --> 0:28:29.760
<v Speaker 2>and other women didn't come forward about him.

0:28:29.840 --> 0:28:34.119
<v Speaker 1>Journalist and author Egen Carroll, if you're enjoying this conversation,

0:28:34.240 --> 0:28:36.840
<v Speaker 1>tell a friend and be sure to follow. Here's the

0:28:36.880 --> 0:28:41.280
<v Speaker 1>thing on the iHeartRadio app, Spotify or wherever you get

0:28:41.280 --> 0:28:45.160
<v Speaker 1>your podcasts. When we come back, Egene Carroll reflects on

0:28:45.200 --> 0:28:48.080
<v Speaker 1>her life and tells us what advice she would or

0:28:48.120 --> 0:29:04.760
<v Speaker 1>wouldn't give to her younger self. I'm Alec Baldwin, and

0:29:04.800 --> 0:29:08.560
<v Speaker 1>this is here's the thing. El magazine first published the

0:29:08.720 --> 0:29:13.120
<v Speaker 1>Ask Egen advice column in nineteen ninety three. In the column,

0:29:13.280 --> 0:29:16.840
<v Speaker 1>Egen Carol spoke to readers with her opinions and advice

0:29:16.960 --> 0:29:21.440
<v Speaker 1>on sex, feminism, and their various life situations. Her column

0:29:21.520 --> 0:29:26.719
<v Speaker 1>was widely read and acclaimed for being compassionate, fearless, and inspiring. Now,

0:29:26.760 --> 0:29:30.720
<v Speaker 1>thirty two years after ask Egen began, I was curious

0:29:30.920 --> 0:29:34.360
<v Speaker 1>what advice Egen Carol would give to her younger self.

0:29:35.360 --> 0:29:37.800
<v Speaker 2>To my younger self, I want need advice from my

0:29:37.880 --> 0:29:40.600
<v Speaker 2>younger self. My younger self was great. I love my

0:29:40.680 --> 0:29:43.560
<v Speaker 2>younger I write my younger self just to advise me,

0:29:43.640 --> 0:29:49.080
<v Speaker 2>to say, Egene, you're having a great time. Enjoy the

0:29:49.200 --> 0:29:51.840
<v Speaker 2>end of the world. That's the thing yourself, it's going

0:29:51.880 --> 0:29:55.440
<v Speaker 2>to say, of the world, let's party. Yeah, I don't.

0:29:55.680 --> 0:29:58.480
<v Speaker 2>I have no advice to that young woman. She was

0:29:58.600 --> 0:30:01.360
<v Speaker 2>full of beans, and I really I liked her, And

0:30:01.960 --> 0:30:04.160
<v Speaker 2>I liked you when you were younger. I like you

0:30:04.240 --> 0:30:08.880
<v Speaker 2>even better now. So yeah, none of those writing letters

0:30:08.880 --> 0:30:12.760
<v Speaker 2>to younger selves, because interesting, the younger selves had it all.

0:30:14.760 --> 0:30:18.200
<v Speaker 2>Why so are we going to give those fucking younger people? No,

0:30:18.480 --> 0:30:21.560
<v Speaker 2>we can listen to them well, you got seven kids.

0:30:21.560 --> 0:30:22.440
<v Speaker 2>You can listen to them.

0:30:22.480 --> 0:30:25.680
<v Speaker 1>Oh my gosh, I need some advice, not from my children,

0:30:25.720 --> 0:30:26.960
<v Speaker 1>although they keep giving it to me.

0:30:27.600 --> 0:30:31.760
<v Speaker 2>Can I ask one question, alec Yes, please. The family

0:30:31.840 --> 0:30:35.000
<v Speaker 2>you've created, is it like your family that you had

0:30:35.080 --> 0:30:36.640
<v Speaker 2>when you were growing up on Long Island?

0:30:37.240 --> 0:30:39.960
<v Speaker 1>Well not really, because my dad had a job where

0:30:40.000 --> 0:30:42.400
<v Speaker 1>he was not home until the very end of the day,

0:30:43.160 --> 0:30:45.680
<v Speaker 1>and as a result, I would wait up. I had

0:30:45.680 --> 0:30:50.040
<v Speaker 1>this silly game. My mother was too exhausted and emotionally

0:30:50.200 --> 0:30:53.600
<v Speaker 1>spent to really really parent me in a way, so

0:30:53.640 --> 0:30:55.760
<v Speaker 1>I would literally talk to my mother and I said

0:30:55.760 --> 0:30:58.160
<v Speaker 1>the most idiotic things to my mother. When I look back,

0:30:58.160 --> 0:30:59.880
<v Speaker 1>I'd say, I'm going to stay up and let dad.

0:31:00.640 --> 0:31:02.960
<v Speaker 1>I'm gonna wait up for dad. Everyone in my house

0:31:03.080 --> 0:31:06.000
<v Speaker 1>is asleep. My dad came home, he'd lay on the

0:31:06.040 --> 0:31:07.880
<v Speaker 1>couch and he'd say to me, and this is the

0:31:07.920 --> 0:31:09.800
<v Speaker 1>part of why I wanted to be an actor. And

0:31:09.840 --> 0:31:12.640
<v Speaker 1>he'd lay on the couch and he'd have the New

0:31:12.680 --> 0:31:15.480
<v Speaker 1>York Times in his hand, that with those fiffy TV

0:31:15.640 --> 0:31:18.480
<v Speaker 1>reviews of the movies and reviews, and he sit there

0:31:18.480 --> 0:31:22.080
<v Speaker 1>and go, Wow, how green was my valley? That's a

0:31:22.120 --> 0:31:24.880
<v Speaker 1>great movie. And I'd say, let's watch it, and he said, no, no, no,

0:31:24.960 --> 0:31:27.160
<v Speaker 1>you gotta go to bed. It's eleven thirty. You gotta go.

0:31:27.280 --> 0:31:29.480
<v Speaker 1>You gotta go to bed now. And I go, come on,

0:31:29.560 --> 0:31:31.800
<v Speaker 1>let's just watch ten minutes and he say, okay, ten

0:31:31.840 --> 0:31:33.880
<v Speaker 1>minutes and then he'd pass out and fall asleep.

0:31:34.200 --> 0:31:35.120
<v Speaker 2>Oh and you see.

0:31:35.280 --> 0:31:39.000
<v Speaker 1>And I would watch Five Graves to Cairo. I'd watch

0:31:39.120 --> 0:31:42.800
<v Speaker 1>How Green was My Valley? I watched Sorry, Wrong Number,

0:31:43.320 --> 0:31:47.680
<v Speaker 1>I watched a Red River. I watched every old movie

0:31:47.720 --> 0:31:51.880
<v Speaker 1>on TV for years, City for Conquest. I watched all

0:31:51.920 --> 0:31:55.720
<v Speaker 1>the great old studio movies, gangster movies. And that was

0:31:55.760 --> 0:31:57.120
<v Speaker 1>the beginning of me wanted to be an actor.

0:31:57.560 --> 0:32:01.160
<v Speaker 2>So that's interesting. Say you have your career, which is

0:32:02.000 --> 0:32:05.080
<v Speaker 2>a lot of movies and a lot of hit TV.

0:32:05.720 --> 0:32:08.960
<v Speaker 2>So it comes from this childhood and watching these great

0:32:09.040 --> 0:32:13.640
<v Speaker 2>movies and then watching you know, Dinah Shore and all that.

0:32:13.760 --> 0:32:17.120
<v Speaker 2>Because you're exactly Mike Douglas.

0:32:18.400 --> 0:32:21.800
<v Speaker 1>Everything you're nerved with it. I watch. The thing is,

0:32:21.840 --> 0:32:24.760
<v Speaker 1>when I was young, I watched anything. I watched the

0:32:24.840 --> 0:32:29.200
<v Speaker 1>news with John Chancellor, with my father, I watched everything everything.

0:32:30.920 --> 0:32:34.200
<v Speaker 1>Now I want to say to you, thank you you

0:32:34.240 --> 0:32:36.440
<v Speaker 1>are and you've heard this ad infinite And what a

0:32:36.480 --> 0:32:39.200
<v Speaker 1>hero you are to women who've suffered through this because

0:32:39.200 --> 0:32:42.400
<v Speaker 1>you hung in there under much stress and abuse and

0:32:42.520 --> 0:32:45.640
<v Speaker 1>were rewarded. You are a hero obviously to people of

0:32:45.680 --> 0:32:50.080
<v Speaker 1>this movement that crested during your proceedings and Canter and Twey,

0:32:50.400 --> 0:32:51.960
<v Speaker 1>and you're a great hero to a lot of women

0:32:52.000 --> 0:32:53.920
<v Speaker 1>because you fought, You fought for yourself.

0:32:54.880 --> 0:32:57.840
<v Speaker 2>Thank you person. Can I tell you something, Yes, you

0:32:57.880 --> 0:33:01.760
<v Speaker 2>are the only journalist, the only interviewer I think of

0:33:01.800 --> 0:33:05.480
<v Speaker 2>you as a journalist. You're the only person who never

0:33:05.560 --> 0:33:08.440
<v Speaker 2>said to me, Egene, when are you getting your money?

0:33:09.000 --> 0:33:13.160
<v Speaker 2>You're the only one because they don't understand. To me,

0:33:13.680 --> 0:33:17.000
<v Speaker 2>it was proving he was a liar. That was the thing.

0:33:17.440 --> 0:33:20.640
<v Speaker 2>That was the thing. I proved it. I proved it.

0:33:20.960 --> 0:33:23.800
<v Speaker 2>So we're going to get the money. But I don't

0:33:23.920 --> 0:33:26.960
<v Speaker 2>understand why everybody's panties are in such a twist about

0:33:26.960 --> 0:33:27.880
<v Speaker 2>getting this money.

0:33:28.200 --> 0:33:29.960
<v Speaker 1>Right. Well, well we'll know, you know, I we'll know.

0:33:30.000 --> 0:33:32.560
<v Speaker 1>We'll do. You got the money, we'll do another interview

0:33:32.720 --> 0:33:34.920
<v Speaker 1>and there'll be a lot of cashmere blankets on those

0:33:35.000 --> 0:33:36.000
<v Speaker 1>chairs behind you.

0:33:36.080 --> 0:33:39.200
<v Speaker 2>Oh dude, can you imagine? These are so many Wrangler

0:33:39.600 --> 0:33:43.760
<v Speaker 2>wool shirts a before we go. Yes, I've got a

0:33:43.800 --> 0:33:48.200
<v Speaker 2>new project, the end of the world. Sometimes I look

0:33:48.240 --> 0:33:50.800
<v Speaker 2>at it as a merry event. Sometimes I think, oh no.

0:33:51.160 --> 0:33:54.560
<v Speaker 2>Sometimes it's global warming, sometimes it's a nuclear threat. Sometimes

0:33:54.560 --> 0:33:56.520
<v Speaker 2>it's the collapse of the government. You know, every day

0:33:56.560 --> 0:33:58.719
<v Speaker 2>it's a different thing. But I want to know the

0:33:58.760 --> 0:34:01.400
<v Speaker 2>fun things you would do at the end of the world.

0:34:01.920 --> 0:34:04.120
<v Speaker 1>Probably sit on the couch and watch reruns of The

0:34:04.160 --> 0:34:07.320
<v Speaker 1>Dinah Shore Show. That's when I was happiest. My younger

0:34:07.360 --> 0:34:10.560
<v Speaker 1>self was a far happier than my adults, far happier

0:34:10.640 --> 0:34:11.440
<v Speaker 1>when I was younger.

0:34:11.800 --> 0:34:15.080
<v Speaker 2>Ali, that is a breakthrough. May I talk to you

0:34:15.160 --> 0:34:16.799
<v Speaker 2>later in a couple of months about this.

0:34:17.239 --> 0:34:20.960
<v Speaker 1>Yeah, we'll have dinner with Robbie perfect. I love it.

0:34:21.280 --> 0:34:24.920
<v Speaker 1>I love it too, all right, listen, you take good

0:34:24.960 --> 0:34:27.160
<v Speaker 1>care of yourself, and I want to send you my

0:34:27.320 --> 0:34:29.279
<v Speaker 1>very best of my sincere thanks for doing the show.

0:34:29.320 --> 0:34:30.040
<v Speaker 1>I appreciate it.

0:34:30.120 --> 0:34:33.200
<v Speaker 2>I loved every minute, every fucking minute. I love it.

0:34:33.239 --> 0:34:34.120
<v Speaker 2>Thank you very much.

0:34:38.680 --> 0:34:43.480
<v Speaker 1>My thanks to author and journalist Egene Carroll. This episode

0:34:43.600 --> 0:34:47.160
<v Speaker 1>was recorded at CDM Studios in New York City. Were

0:34:47.200 --> 0:34:50.760
<v Speaker 1>produced by Kathleen Russo, Zach MacNeice, and Victoria de Martin.

0:34:51.600 --> 0:34:55.080
<v Speaker 1>Our engineer is Frank Imperial. Our social media manager is

0:34:55.160 --> 0:34:58.040
<v Speaker 1>Danielle Gingrich. I'm Alec Baldwin. Here's the thing that is

0:34:58.080 --> 0:35:20.080
<v Speaker 1>brought to you by Ihearts Video