1 00:00:05,160 --> 00:00:07,520 Speaker 1: Hey, this is Sanny and Samantha. Welcome to stuff I 2 00:00:07,600 --> 00:00:09,240 Speaker 1: ever told your production. iHeart Radio. 3 00:00:18,640 --> 00:00:21,720 Speaker 2: And to end the year of twenty twenty five, we 4 00:00:21,800 --> 00:00:26,360 Speaker 2: are featuring a musical group from Australia who's been using 5 00:00:26,440 --> 00:00:29,800 Speaker 2: music to speak out against colonization, oppression and white supremacy 6 00:00:30,320 --> 00:00:32,880 Speaker 2: and for our activists around the world. We are talking 7 00:00:32,960 --> 00:00:36,920 Speaker 2: about the group Divide and Dissolve. So Divide and Dissolve 8 00:00:37,000 --> 00:00:39,879 Speaker 2: released their first album in twenty sixteen twenty seventeen when 9 00:00:39,920 --> 00:00:43,240 Speaker 2: it was formed by duo ta Kaya Reid the saxophonist 10 00:00:43,320 --> 00:00:46,880 Speaker 2: and guitarist and Sylvie Nahill the percussionist. So Reid was 11 00:00:46,880 --> 00:00:51,000 Speaker 2: actually born in Texas but was raised in Melbourne, Australia, 12 00:00:51,159 --> 00:00:55,480 Speaker 2: and she identifies as black and Cherokee, and Nahill is 13 00:00:55,840 --> 00:00:59,600 Speaker 2: an Australian Native but also has Maori background. So they 14 00:00:59,600 --> 00:01:01,720 Speaker 2: came to get there to make music that push for 15 00:01:01,840 --> 00:01:04,120 Speaker 2: black and Indigenous empowerment and rights. 16 00:01:04,240 --> 00:01:06,080 Speaker 3: So you know, we already love that here and. 17 00:01:06,040 --> 00:01:08,160 Speaker 2: If you do get a chance, obviously they have a 18 00:01:08,200 --> 00:01:11,040 Speaker 2: lot of albums and they are available all on your 19 00:01:11,120 --> 00:01:13,920 Speaker 2: any of the apps, musical apps, and their album is 20 00:01:14,000 --> 00:01:17,039 Speaker 2: really cool, like it's nice instrumentals and then it gives 21 00:01:17,040 --> 00:01:19,120 Speaker 2: you a good upbeat. If I was still running, I 22 00:01:19,120 --> 00:01:20,960 Speaker 2: think i'd have to put them on my list. It 23 00:01:21,000 --> 00:01:24,160 Speaker 2: feels very motivating. Okay, yeah, yeah, you need to go 24 00:01:24,240 --> 00:01:25,360 Speaker 2: check them out. It's really interesting. 25 00:01:25,360 --> 00:01:28,319 Speaker 3: I'm like, oh yeah, so you definitely get that vibe. 26 00:01:28,360 --> 00:01:29,920 Speaker 2: And I don't know if I would say it's heavy 27 00:01:30,000 --> 00:01:32,640 Speaker 2: metal as much as they're saying it heavy, but for 28 00:01:32,680 --> 00:01:35,319 Speaker 2: some reason, I'm gonna stick with the heavy metal because 29 00:01:35,360 --> 00:01:37,880 Speaker 2: it fills with that downbeat. 30 00:01:38,200 --> 00:01:40,440 Speaker 3: It feels really good. It feels like you could definitely 31 00:01:40,760 --> 00:01:44,120 Speaker 3: wash in this. And I say this as a non masher. 32 00:01:44,640 --> 00:01:48,240 Speaker 2: It's about the say, well, the few times I've gone 33 00:01:48,240 --> 00:01:50,440 Speaker 2: to those shows, I would actually get protected by my 34 00:01:50,440 --> 00:01:53,480 Speaker 2: bigger friends, so I didn't get crushed because they're serious. 35 00:01:53,760 --> 00:01:56,800 Speaker 1: They are serious, and if you get stuck, it's hard 36 00:01:56,800 --> 00:01:57,320 Speaker 1: to get out. 37 00:01:57,160 --> 00:01:59,440 Speaker 3: Something and you're not ready for it. Oh yeah. 38 00:01:59,480 --> 00:02:04,120 Speaker 2: Anyways, So they have stated before in interviews that they 39 00:02:04,160 --> 00:02:07,480 Speaker 2: wanted to decolonize metal and push past the narrative that 40 00:02:07,520 --> 00:02:10,440 Speaker 2: heavy metal and heavy music had to be explicitly mel centered. 41 00:02:10,480 --> 00:02:12,440 Speaker 3: So they really wanted to break those molds, and. 42 00:02:12,400 --> 00:02:15,200 Speaker 2: In twenty twenty three, Nahil actually left the band, but 43 00:02:15,320 --> 00:02:18,440 Speaker 2: Reid continued with the music, bringing in different artists for 44 00:02:18,480 --> 00:02:21,959 Speaker 2: the progression, so you'll have different people have opportunities to 45 00:02:22,000 --> 00:02:23,840 Speaker 2: play with her. So she talked about how cool that 46 00:02:24,000 --> 00:02:28,200 Speaker 2: was and featuring different artists who had similar backgrounds with her. So, 47 00:02:28,320 --> 00:02:31,440 Speaker 2: with five albums under their belt, they've continued to push 48 00:02:31,520 --> 00:02:34,200 Speaker 2: the boundaries of what their genre was about. So this 49 00:02:34,280 --> 00:02:37,200 Speaker 2: is from their website and on how they describe themselves, 50 00:02:37,400 --> 00:02:40,120 Speaker 2: they say Takaya Reid is a two spirit Black and 51 00:02:40,200 --> 00:02:43,920 Speaker 2: Cherokee composer, multi instrumentalist, and leader of her band Divide 52 00:02:43,960 --> 00:02:47,799 Speaker 2: and Dissolve, an internationally acclaimed band whose work bridges do metal, 53 00:02:48,120 --> 00:02:51,920 Speaker 2: neoclassical composition, and sound design. Her practice is rooted in 54 00:02:52,000 --> 00:02:55,880 Speaker 2: decolonial politics and a commitment to envisioning liberatory futures. Their 55 00:02:55,960 --> 00:02:59,440 Speaker 2: recent works gas Lit and Systemic, produced by Ruben Nielsen 56 00:02:59,480 --> 00:03:03,520 Speaker 2: of Unknown Mortal Orchestra and released on Invader Records, roped 57 00:03:03,520 --> 00:03:07,120 Speaker 2: the band to wider international audiences, including a twenty twenty 58 00:03:07,120 --> 00:03:11,560 Speaker 2: four US tour supporting Chelsea Wolf. Their newest record, Insatiable 59 00:03:11,680 --> 00:03:14,639 Speaker 2: Belly Union, pushes the boundaries of doom metal by weaving 60 00:03:14,680 --> 00:03:19,120 Speaker 2: in re saxophone voice, and compositional approach that balances heaviness 61 00:03:19,160 --> 00:03:20,480 Speaker 2: with emotional clarity. 62 00:03:20,880 --> 00:03:23,560 Speaker 3: It is very nice. I could definitely feel those moments. 63 00:03:23,919 --> 00:03:24,600 Speaker 3: And as she. 64 00:03:24,639 --> 00:03:27,720 Speaker 2: Continues in her musical career, Reid has only dug her 65 00:03:27,800 --> 00:03:30,680 Speaker 2: hills and deeper into the messaging of her music. So 66 00:03:30,800 --> 00:03:34,120 Speaker 2: from an article from Madernnews dot Org, they write, growing 67 00:03:34,200 --> 00:03:37,320 Speaker 2: up Black and Cherokee, Reid said she always carried within 68 00:03:37,360 --> 00:03:40,360 Speaker 2: her the reality that our social and political systems can 69 00:03:40,480 --> 00:03:43,680 Speaker 2: and do perpetuate these cycles of violence. And yet this 70 00:03:43,800 --> 00:03:46,560 Speaker 2: reality hasn't overwhelmed the love and beauty that can go 71 00:03:46,680 --> 00:03:49,320 Speaker 2: hand in hand with existence, an idea that sufferces most 72 00:03:49,320 --> 00:03:52,280 Speaker 2: cleanly in the album's closing desire, which serves as a 73 00:03:52,280 --> 00:03:55,200 Speaker 2: point of sonic hope read and Coe conjuring the sound 74 00:03:55,240 --> 00:03:57,720 Speaker 2: of sunlight finally breaking through the clouds at the tail 75 00:03:57,840 --> 00:04:00,800 Speaker 2: end of a long, ferocious storm. And she has stayed 76 00:04:00,800 --> 00:04:03,000 Speaker 2: firm in the genre of music that is her music. 77 00:04:03,040 --> 00:04:06,240 Speaker 2: Though she was classically trained with the saxophone, she plays 78 00:04:06,360 --> 00:04:09,720 Speaker 2: as she feels, and her perseverance has only increased her 79 00:04:09,720 --> 00:04:12,920 Speaker 2: fan base. Obviously we're part of that now. And this 80 00:04:13,040 --> 00:04:15,880 Speaker 2: is from a Guardian article featuring her and her work. 81 00:04:15,960 --> 00:04:19,120 Speaker 2: They write, while audiences have warmed to the band's message. 82 00:04:19,120 --> 00:04:21,840 Speaker 2: More Over the years, Reid says she continues to talk 83 00:04:21,880 --> 00:04:25,200 Speaker 2: about her themes on stage as she's aware that there's 84 00:04:25,240 --> 00:04:27,520 Speaker 2: not many people who look like me doing this type 85 00:04:27,560 --> 00:04:30,800 Speaker 2: of music. She still sometimes encounters audience members who are 86 00:04:30,800 --> 00:04:33,359 Speaker 2: confused about why a woman of color is playing in 87 00:04:33,360 --> 00:04:35,800 Speaker 2: a heavy band. If you're in shock about the type 88 00:04:35,800 --> 00:04:37,760 Speaker 2: of music that's being played, then let me just. 89 00:04:37,720 --> 00:04:40,080 Speaker 3: Be really clear what this music is about. 90 00:04:40,839 --> 00:04:43,400 Speaker 2: And she said this about the music she makes from 91 00:04:43,560 --> 00:04:46,440 Speaker 2: Solvo dot Ghost dot Io, and I think it's important 92 00:04:46,560 --> 00:04:49,600 Speaker 2: that we make sure we include her words on this. 93 00:04:50,279 --> 00:04:52,880 Speaker 2: She writes, I know that music's heavy, but I feel 94 00:04:53,000 --> 00:04:55,440 Speaker 2: genre less. We get booked at so many different things 95 00:04:55,480 --> 00:04:58,480 Speaker 2: all the time. Fashion stuff, art stuff, classical music stuff. 96 00:04:58,839 --> 00:05:01,280 Speaker 2: I'm a classically trained musician and I play a lot 97 00:05:01,279 --> 00:05:04,360 Speaker 2: of instruments. People can hear that in the music. They're like, oh, 98 00:05:04,440 --> 00:05:07,920 Speaker 2: but it sounds like because it is. I'm really grateful 99 00:05:07,920 --> 00:05:09,960 Speaker 2: that I have the ability to play different instruments, and 100 00:05:10,000 --> 00:05:12,760 Speaker 2: I feel very comfortable in a classical music setting or 101 00:05:12,760 --> 00:05:16,320 Speaker 2: in many different settings, and I love composing. So it 102 00:05:16,360 --> 00:05:18,799 Speaker 2: isn't surprising to know that she has had some pushback 103 00:05:18,839 --> 00:05:21,599 Speaker 2: and has had some conflict throughout our career. So in 104 00:05:21,600 --> 00:05:25,679 Speaker 2: twenty eighteen, their video Resistance was actually removed from YouTube 105 00:05:25,760 --> 00:05:29,000 Speaker 2: due to the protests and criticisms of politicians and some 106 00:05:29,200 --> 00:05:32,960 Speaker 2: media outlets for spraying and spinning on colonial figures, but 107 00:05:33,240 --> 00:05:36,479 Speaker 2: was reinstated with an apology from YouTube. And we know 108 00:05:36,520 --> 00:05:38,880 Speaker 2: about this kind of backlash and the pushback when it 109 00:05:38,920 --> 00:05:40,920 Speaker 2: comes to like, but it is this freedom of speech. 110 00:05:41,160 --> 00:05:44,240 Speaker 3: They really weren't doing these things. What are you going 111 00:05:44,320 --> 00:05:44,760 Speaker 3: to do about this? 112 00:05:45,080 --> 00:05:49,120 Speaker 2: And because people don't like it, they complain real loud, 113 00:05:49,320 --> 00:05:53,440 Speaker 2: and from their same Salva dot ghost io article, she 114 00:05:53,560 --> 00:05:56,840 Speaker 2: says this about the reaction about her newest album as 115 00:05:56,839 --> 00:06:00,440 Speaker 2: well as what she's doing. If I'm to generalize, most 116 00:06:00,440 --> 00:06:03,320 Speaker 2: people are really supportive and I appreciate that a lot. 117 00:06:03,520 --> 00:06:05,640 Speaker 2: There are some pushbacks sometimes, but most of the time, 118 00:06:05,680 --> 00:06:09,400 Speaker 2: people understand what free Palestine means and they understand why 119 00:06:09,440 --> 00:06:12,320 Speaker 2: white supremacy must end. And I think people when they 120 00:06:12,360 --> 00:06:14,720 Speaker 2: look at me, they understand why I would want white 121 00:06:14,720 --> 00:06:18,000 Speaker 2: supremacy to not exist and why I want land back 122 00:06:18,080 --> 00:06:21,600 Speaker 2: for Indigenous people. I'm sure talking about this stuff is impactful. 123 00:06:21,720 --> 00:06:25,000 Speaker 2: It impacts me. People have had violent reactions to me before. 124 00:06:25,040 --> 00:06:27,400 Speaker 2: People have screened from the audience. A few things that 125 00:06:27,440 --> 00:06:30,120 Speaker 2: have happened where it's been scary. But I do not 126 00:06:30,240 --> 00:06:32,839 Speaker 2: want to be dominated by fear. There are so many 127 00:06:32,880 --> 00:06:35,840 Speaker 2: prices that we pay, and sometimes not saying things has 128 00:06:35,880 --> 00:06:38,320 Speaker 2: an impact. I don't want to live in that fear. 129 00:06:38,680 --> 00:06:41,760 Speaker 2: Anything is possible. I could live a really long life. 130 00:06:41,880 --> 00:06:42,280 Speaker 3: I could not. 131 00:06:43,000 --> 00:06:44,919 Speaker 2: But whatever I'm doing, I would like to know that 132 00:06:44,960 --> 00:06:46,760 Speaker 2: I tried really hard and I did it with all 133 00:06:46,800 --> 00:06:48,880 Speaker 2: my heart. It's a drop in the ocean. That's it, 134 00:06:48,920 --> 00:06:51,559 Speaker 2: and I'm totally happy with that. I'm like, cool, here's 135 00:06:51,560 --> 00:06:53,800 Speaker 2: my one drop in the ocean. The water returns to 136 00:06:53,839 --> 00:06:56,320 Speaker 2: the sky and it falls back down, and there's all 137 00:06:56,360 --> 00:06:58,839 Speaker 2: these cycles of life and water. Our bodies give out 138 00:06:59,040 --> 00:07:01,880 Speaker 2: and then they return to the earth. I'm just participating 139 00:07:01,920 --> 00:07:04,839 Speaker 2: in a way that feels good for me. I love that. 140 00:07:05,000 --> 00:07:05,640 Speaker 3: Very poetic. 141 00:07:05,720 --> 00:07:10,240 Speaker 2: Obviously, she's an artist, so her newest album, Insatia Well, 142 00:07:10,320 --> 00:07:13,000 Speaker 2: has been well received and was even nominated or put 143 00:07:13,000 --> 00:07:15,960 Speaker 2: on the shortlist for the Australian Music Prize and by 144 00:07:15,960 --> 00:07:18,480 Speaker 2: the way, their first I believe the first album won 145 00:07:18,520 --> 00:07:21,440 Speaker 2: the Music Victoria Award in twenty seventeen, so pretty big deal. 146 00:07:21,480 --> 00:07:22,720 Speaker 3: In Australia and. 147 00:07:22,720 --> 00:07:25,680 Speaker 2: In that same interview, Reid talks about their newest album, 148 00:07:25,840 --> 00:07:27,880 Speaker 2: and this is what she had to say. My newest 149 00:07:27,880 --> 00:07:30,280 Speaker 2: single off of my new album, it is about that 150 00:07:30,400 --> 00:07:32,960 Speaker 2: hope and love. It's about how we make decisions today 151 00:07:33,160 --> 00:07:35,480 Speaker 2: in the present or in the past that will influence 152 00:07:35,480 --> 00:07:38,080 Speaker 2: the future and hopefully these things will make things better. 153 00:07:38,280 --> 00:07:40,840 Speaker 2: And sometimes you work towards something that you won't experience 154 00:07:40,880 --> 00:07:43,720 Speaker 2: in this lifetime. I think about how older people will 155 00:07:43,760 --> 00:07:46,160 Speaker 2: continue to remind me and my friends things were a 156 00:07:46,200 --> 00:07:47,840 Speaker 2: lot harder when I was a child, or when my 157 00:07:47,920 --> 00:07:50,920 Speaker 2: parents were children, or when their parents were children. Then 158 00:07:51,040 --> 00:07:53,480 Speaker 2: we're getting into slavery, and you go back and back 159 00:07:53,520 --> 00:07:56,440 Speaker 2: more and you're getting into these genocides. They're very close 160 00:07:56,480 --> 00:07:58,760 Speaker 2: in our future, in our past, and for me, the 161 00:07:58,840 --> 00:08:01,400 Speaker 2: music is about the hope of love that's required in 162 00:08:01,480 --> 00:08:04,720 Speaker 2: order to make decisions that will impact the dispossession and 163 00:08:04,760 --> 00:08:08,400 Speaker 2: the geneticide that's happening and hopefully making things better for people. 164 00:08:08,720 --> 00:08:11,080 Speaker 2: Sometimes that those feelings are so distanced and far away 165 00:08:11,240 --> 00:08:12,000 Speaker 2: and impossible. 166 00:08:12,320 --> 00:08:12,920 Speaker 3: I called it. 167 00:08:12,880 --> 00:08:16,880 Speaker 2: Monolithic because we are dealing with monolithic entities where it's 168 00:08:16,920 --> 00:08:20,440 Speaker 2: been posed as truth and unstoppable and unchangeable, but anything 169 00:08:20,520 --> 00:08:24,440 Speaker 2: is possible, especially getting rid of subjectivity of systemic oppression. 170 00:08:24,760 --> 00:08:26,640 Speaker 2: So this is about holding onto that in a way 171 00:08:26,640 --> 00:08:29,960 Speaker 2: that feels loving and filled with compassion. Like she said, 172 00:08:30,000 --> 00:08:33,199 Speaker 2: this last album was something about breaking through with love 173 00:08:33,320 --> 00:08:35,959 Speaker 2: and hope, and their descriptor of the last song about 174 00:08:35,960 --> 00:08:38,640 Speaker 2: breaking out of the clouds and seeing sun. I feel 175 00:08:38,720 --> 00:08:41,720 Speaker 2: like she really is coming full circle in this conversation 176 00:08:41,800 --> 00:08:42,800 Speaker 2: and in these albums. 177 00:08:42,960 --> 00:08:44,400 Speaker 3: And also I love. 178 00:08:44,679 --> 00:08:48,120 Speaker 2: The irony of heavy metal or heavy music being about 179 00:08:48,559 --> 00:08:50,959 Speaker 2: love and hope because you don't expect that, so it's 180 00:08:50,960 --> 00:08:53,880 Speaker 2: not like as like sound would go. It's ironic, but 181 00:08:54,040 --> 00:08:56,839 Speaker 2: in actuality it feels like, yeah, that's what breaks through. 182 00:08:57,280 --> 00:08:59,200 Speaker 2: So I love when we have creators like this and 183 00:08:59,280 --> 00:09:01,880 Speaker 2: artists like this that use their music for something so 184 00:09:01,960 --> 00:09:04,600 Speaker 2: much bigger and so much broader. So I'm really excited 185 00:09:04,640 --> 00:09:06,400 Speaker 2: to go listen to the whole album. I only heard 186 00:09:06,400 --> 00:09:08,440 Speaker 2: a couple of songs, and I encourage you to do 187 00:09:08,640 --> 00:09:11,280 Speaker 2: as well. Again, it's Divide and Dissolve and you can 188 00:09:11,320 --> 00:09:12,360 Speaker 2: go and check that out. 189 00:09:13,040 --> 00:09:17,920 Speaker 1: Yes, yes, and please go do so. Listeners, And if 190 00:09:17,920 --> 00:09:20,000 Speaker 1: you would like to contact us, you can You can 191 00:09:20,040 --> 00:09:22,520 Speaker 1: email us at Hello at stuff Whenever Told You dot com. 192 00:09:22,600 --> 00:09:24,560 Speaker 1: You can find us on Blue Sky at mom Stuff podcast, 193 00:09:24,720 --> 00:09:27,240 Speaker 1: or on Instagram and TikTok at stuff I Never Told You. 194 00:09:27,440 --> 00:09:30,319 Speaker 1: We're also on YouTube. We have some new merchandise accomp Hero, 195 00:09:30,400 --> 00:09:31,679 Speaker 1: and we have a book you can get wherever you 196 00:09:31,720 --> 00:09:34,000 Speaker 1: get your books. Thanks as always to our super produce 197 00:09:34,040 --> 00:09:36,320 Speaker 1: Christina or Executive Brus, to my and your contributor Joey, 198 00:09:36,440 --> 00:09:38,839 Speaker 1: thank you, and thanks to you for listening. Stuff When 199 00:09:38,840 --> 00:09:40,400 Speaker 1: Never Told You is production by Heart Radio. For more 200 00:09:40,400 --> 00:09:41,920 Speaker 1: podcast from my heart Radio, you can check out the 201 00:09:42,000 --> 00:09:43,960 Speaker 1: heart Radio app, Apple podcast, or if you listen to 202 00:09:43,960 --> 00:09:44,680 Speaker 1: your favorite show