1 00:00:01,240 --> 00:00:02,840 Speaker 1: Dear leat you know USA listener. 2 00:00:03,200 --> 00:00:05,840 Speaker 2: Before we start, you should know that if you want 3 00:00:05,840 --> 00:00:10,000 Speaker 2: to listen to this episode, add free. Just join plus 4 00:00:10,520 --> 00:00:12,879 Speaker 2: and you can join for as little as seven dollars 5 00:00:12,920 --> 00:00:16,920 Speaker 2: a month. Joining also gets you behind the scenes access 6 00:00:17,040 --> 00:00:21,040 Speaker 2: and yes, some cheese me. So click the link in 7 00:00:21,079 --> 00:00:25,279 Speaker 2: the episode description and after you do that, then click play. 8 00:00:25,720 --> 00:00:32,320 Speaker 1: Let's go to the show. 9 00:00:36,000 --> 00:00:40,200 Speaker 2: The warning to our listeners this episode includes some explicit 10 00:00:40,280 --> 00:00:46,040 Speaker 2: language and mature content. I was listening while they were 11 00:00:46,040 --> 00:00:49,280 Speaker 2: doing the mic check, Yes, what were you doing? 12 00:00:49,560 --> 00:00:50,000 Speaker 3: Then they were. 13 00:00:49,960 --> 00:00:53,000 Speaker 4: Coloring, Charlie, that's what Catalina is doing. 14 00:00:53,040 --> 00:00:56,080 Speaker 2: And and then you were like, ah, yes, Quaria, no 15 00:00:56,560 --> 00:00:59,080 Speaker 2: perto that. I used to watch in cartoons growing up 16 00:00:59,120 --> 00:00:59,720 Speaker 2: in Colombia. 17 00:01:00,440 --> 00:01:03,320 Speaker 5: Right, No, my mom my mom taught. 18 00:01:03,080 --> 00:01:05,920 Speaker 6: Me how to do a h a little drawing. My 19 00:01:05,920 --> 00:01:08,880 Speaker 6: mom's Colombian. And then Katarina recognized the drawing as well, 20 00:01:08,920 --> 00:01:10,520 Speaker 6: and she's like, yes, I used to do that too 21 00:01:10,520 --> 00:01:12,120 Speaker 6: when I was a kid, and yeah. 22 00:01:11,959 --> 00:01:15,520 Speaker 4: It's it's called the work of art. It's a dog, 23 00:01:16,040 --> 00:01:16,280 Speaker 4: is it? 24 00:01:16,360 --> 00:01:18,080 Speaker 1: You have to think about it? Yeah? I was like, 25 00:01:18,160 --> 00:01:18,760 Speaker 1: is it a dog? 26 00:01:19,280 --> 00:01:22,560 Speaker 4: Yah, it's it's it's a dog. It was my creation. 27 00:01:22,800 --> 00:01:25,200 Speaker 4: It's a dog looks like a poodle in me. 28 00:01:29,520 --> 00:01:34,520 Speaker 2: From media, It's Latino, Usa. I'm Madie Hosa. Today three 29 00:01:34,560 --> 00:01:39,160 Speaker 2: Colombian actresses are starring in a new Netflix action thriller 30 00:01:39,240 --> 00:01:43,800 Speaker 2: alongside Hollywood superstars Ben Affleck and Matt Damon. We speak 31 00:01:43,840 --> 00:01:47,319 Speaker 2: with them about Latina roles in Hollywood, their careers, and 32 00:01:47,560 --> 00:01:55,160 Speaker 2: their solidarity on set. The movie is a high intensity 33 00:01:55,320 --> 00:01:56,920 Speaker 2: cop film called The Rip. 34 00:01:57,160 --> 00:01:58,600 Speaker 1: It's out now on Netflix. 35 00:01:59,000 --> 00:02:03,680 Speaker 7: A federal agent h keep circling back, questioning you, you man, why. 36 00:02:03,560 --> 00:02:05,320 Speaker 6: That is the wackest shit I've ever heard. 37 00:02:05,360 --> 00:02:07,720 Speaker 1: So let me pull my fucking foot through it right now. 38 00:02:07,840 --> 00:02:11,600 Speaker 2: So when we're all getting deposed, you remember this fucking moment. 39 00:02:12,200 --> 00:02:16,320 Speaker 2: It's directed behind Joe Carnahan and I'm warning you it's 40 00:02:16,320 --> 00:02:18,920 Speaker 2: gonna have a lot of view on the edge of 41 00:02:19,000 --> 00:02:23,119 Speaker 2: your seats. It's about a special forces team in Miami 42 00:02:23,520 --> 00:02:28,000 Speaker 2: that discovers millions of dollars in cash at a stash house. 43 00:02:28,240 --> 00:02:32,160 Speaker 2: After that, the trust within the team begins to unravel. 44 00:02:32,760 --> 00:02:35,000 Speaker 2: So let me introduce you to the three Latinas you 45 00:02:35,080 --> 00:02:38,520 Speaker 2: see in the movie. First up, Gatalina Sandino Moreno, who 46 00:02:38,520 --> 00:02:40,360 Speaker 2: plays a sharp detective. 47 00:02:40,480 --> 00:02:43,359 Speaker 8: We got We've never seen him learn like this, Well, 48 00:02:43,440 --> 00:02:44,200 Speaker 8: he's going crazy. 49 00:02:45,360 --> 00:02:50,040 Speaker 1: How much that holding It's impossible, He's being all over 50 00:02:50,080 --> 00:02:50,480 Speaker 1: the house. 51 00:02:50,560 --> 00:02:52,359 Speaker 8: There has to be a long more morningside. 52 00:02:52,560 --> 00:02:56,120 Speaker 2: Katalina is widely known for her breakout role as Maria 53 00:02:56,280 --> 00:03:00,480 Speaker 2: in the two thousand and four Columbian American film Madiethelo Grace. 54 00:03:01,120 --> 00:03:05,200 Speaker 2: And then there's Sasha Kaye, who plays a street smart 55 00:03:05,200 --> 00:03:06,560 Speaker 2: woman named Desi. 56 00:03:06,960 --> 00:03:11,839 Speaker 1: What's your name, Dasi, that's your rock star name? 57 00:03:11,840 --> 00:03:13,000 Speaker 8: What's your full legal name? 58 00:03:13,720 --> 00:03:15,280 Speaker 5: Dazre Lopez Wilna. 59 00:03:15,520 --> 00:03:19,440 Speaker 9: The ID driver's license inside Any Animals Now sets? 60 00:03:19,840 --> 00:03:21,040 Speaker 1: Just me, you alone here. 61 00:03:22,080 --> 00:03:22,320 Speaker 7: Just Me. 62 00:03:23,480 --> 00:03:26,760 Speaker 2: Sasha is known for being the first Latina Supergirl in 63 00:03:26,800 --> 00:03:30,080 Speaker 2: the twenty twenty three film The Flash. The role even 64 00:03:30,160 --> 00:03:33,480 Speaker 2: led to her very own official Barbie doll, and we 65 00:03:33,680 --> 00:03:37,400 Speaker 2: also spoke to Lena Esco, who plays the tough captain 66 00:03:37,800 --> 00:03:40,240 Speaker 2: of the narcotics team in her. 67 00:03:40,200 --> 00:03:41,960 Speaker 5: Eyes Everywhere, I know. 68 00:03:43,520 --> 00:03:45,160 Speaker 3: You just need to know that I'm the only cock 69 00:03:45,240 --> 00:03:46,280 Speaker 3: you can trust. 70 00:03:46,640 --> 00:03:50,520 Speaker 2: Lena is non newcomer to crime dramas, having starred previously 71 00:03:50,960 --> 00:03:53,760 Speaker 2: in the TV show Swat. She's also known for being 72 00:03:54,040 --> 00:03:57,640 Speaker 2: really outspoken about gender equality. 73 00:03:57,840 --> 00:04:00,360 Speaker 1: So let's get into our conversation. 74 00:04:03,240 --> 00:04:14,200 Speaker 2: Catalina Sandino, Moreno, Sasha Kaye, Lina Escoda. So I started 75 00:04:14,240 --> 00:04:18,440 Speaker 2: seeing these advertisements for the rip, and of course with 76 00:04:18,520 --> 00:04:22,360 Speaker 2: some guys by the name of Matt Damon and Ben Affleck. 77 00:04:22,400 --> 00:04:24,680 Speaker 2: I don't know if anybody's heard of them, small Town, 78 00:04:24,720 --> 00:04:26,480 Speaker 2: No Idea. 79 00:04:26,279 --> 00:04:27,040 Speaker 4: The Newcommerce. 80 00:04:27,240 --> 00:04:30,440 Speaker 5: This movie is the first. Yeah I heard they're from Boston. 81 00:04:30,680 --> 00:04:33,159 Speaker 1: Yeah, they're friends from Boston. They've got this accent and 82 00:04:33,240 --> 00:04:33,719 Speaker 1: they might. 83 00:04:33,560 --> 00:04:35,000 Speaker 4: Break out out of this movie for yeah. 84 00:04:35,040 --> 00:04:37,400 Speaker 5: Yeah, I mean, we're never no see what happens. 85 00:04:37,480 --> 00:04:41,200 Speaker 2: So my question to you is, you have three Colombian 86 00:04:41,360 --> 00:04:47,320 Speaker 2: actresses on the set of a major Hollywood production. What 87 00:04:47,360 --> 00:04:48,760 Speaker 2: was that like to be on a set and to 88 00:04:48,839 --> 00:04:51,600 Speaker 2: just be like, AHAs Colombians and don't mess with us. 89 00:04:51,680 --> 00:04:54,000 Speaker 6: I mean, the first time I saw Atalina, we spoke 90 00:04:54,000 --> 00:04:56,279 Speaker 6: in Spanish and it was an immediate connection. 91 00:04:56,440 --> 00:04:58,960 Speaker 5: You know, as we've been talking in this press story. 92 00:04:59,000 --> 00:05:01,800 Speaker 6: It's just so much fun to have someone that has 93 00:05:01,800 --> 00:05:04,240 Speaker 6: a very similar accent to you, that feels like family. 94 00:05:04,320 --> 00:05:05,960 Speaker 5: And then with Lena, you know, I didn't get. 95 00:05:05,839 --> 00:05:07,520 Speaker 6: To work with her because it was they were the 96 00:05:07,560 --> 00:05:10,359 Speaker 6: scenes were divided. But we've been together on this press 97 00:05:10,400 --> 00:05:12,240 Speaker 6: run and we've all had such a blast, and so 98 00:05:12,279 --> 00:05:14,760 Speaker 6: it's an immediate kind of connection and warmth. 99 00:05:15,000 --> 00:05:18,400 Speaker 2: You know, do you are three Colombian actresses, and so 100 00:05:19,440 --> 00:05:22,480 Speaker 2: there is this question of each one of your characters 101 00:05:22,520 --> 00:05:26,120 Speaker 2: being very specific and very different. 102 00:05:26,640 --> 00:05:28,880 Speaker 3: I mean I asked the director Joe, I said, did 103 00:05:28,920 --> 00:05:30,480 Speaker 3: you know you cast three Colombians? 104 00:05:30,480 --> 00:05:32,600 Speaker 4: He goes, I had no idea. Oh no, may I 105 00:05:32,640 --> 00:05:33,479 Speaker 4: had no idea. 106 00:05:33,839 --> 00:05:34,480 Speaker 5: Yeah, I wasn't. 107 00:05:34,600 --> 00:05:37,039 Speaker 6: Yeah, I think the casting crocess for our characters was 108 00:05:37,040 --> 00:05:40,719 Speaker 6: not supposed to be specific to Colombian women. 109 00:05:40,960 --> 00:05:43,120 Speaker 5: It just happened that we were all Colombian. 110 00:05:43,320 --> 00:05:44,120 Speaker 1: You're all Colombian. 111 00:05:44,160 --> 00:05:47,680 Speaker 6: In the rip, I would say, I would say signal 112 00:05:47,760 --> 00:05:52,039 Speaker 6: that I'm Colombian, obviously because of flag, and then me 113 00:05:52,120 --> 00:05:54,599 Speaker 6: and Kataria speak in Spanish, so it's I think an 114 00:05:54,600 --> 00:05:58,440 Speaker 6: obvious go getter that we're But Lena never they I 115 00:05:58,480 --> 00:05:59,360 Speaker 6: mean they don't really. 116 00:05:59,279 --> 00:06:01,520 Speaker 8: Yeah, but it's never like between us. It's never left, 117 00:06:01,560 --> 00:06:03,960 Speaker 8: Oh we're Colombians, like we all know. No, it's just 118 00:06:04,040 --> 00:06:07,840 Speaker 8: it's just the accent. It's just for people that distinguish 119 00:06:07,960 --> 00:06:10,680 Speaker 8: accents in Spanish that will recognize that we're Columbians. 120 00:06:10,680 --> 00:06:11,800 Speaker 5: The flag is the only thing. 121 00:06:11,920 --> 00:06:13,520 Speaker 1: The flag is the only thing for me. 122 00:06:13,760 --> 00:06:15,400 Speaker 5: Yeah, and then we should see Miami. 123 00:06:15,520 --> 00:06:17,839 Speaker 8: So there's a lot of Latin people here, so we 124 00:06:17,880 --> 00:06:20,400 Speaker 8: could have we could have been from anywhere. 125 00:06:20,760 --> 00:06:23,760 Speaker 2: Yeah, but that is pretty cool that there was no 126 00:06:23,880 --> 00:06:29,000 Speaker 2: plan to actually seek Colombian actresses and then it turns 127 00:06:29,000 --> 00:06:30,240 Speaker 2: out that you, yeah. 128 00:06:30,080 --> 00:06:31,960 Speaker 4: It was meant to happen. It was meant to happen. 129 00:06:32,160 --> 00:06:34,360 Speaker 2: I mean, it's going to be a big deal. It's 130 00:06:34,400 --> 00:06:38,479 Speaker 2: going to be watched by millions of people. But what 131 00:06:38,640 --> 00:06:41,320 Speaker 2: do you want people to kind of walk away? 132 00:06:41,640 --> 00:06:44,200 Speaker 6: We keep talking about how much fun we had making 133 00:06:44,240 --> 00:06:46,160 Speaker 6: it and how much fun we want everyone to have 134 00:06:46,279 --> 00:06:48,920 Speaker 6: watching it, and I think at the at the core 135 00:06:49,160 --> 00:06:52,200 Speaker 6: that's how we feel. We want everyone to just have 136 00:06:52,279 --> 00:06:55,680 Speaker 6: a good time. It's a throwback cop movie and we 137 00:06:55,720 --> 00:06:57,480 Speaker 6: had such a blast making it together. 138 00:06:57,560 --> 00:07:00,000 Speaker 1: Wait, what do you mean it's a throwback cop movie? 139 00:07:00,160 --> 00:07:03,279 Speaker 3: What she meant was, you know, it's bringing back you 140 00:07:03,320 --> 00:07:06,520 Speaker 3: know the film nostalgic who films like The Training Day. 141 00:07:06,920 --> 00:07:07,760 Speaker 3: You'll never see the. 142 00:07:07,760 --> 00:07:10,000 Speaker 10: Light of the fuck you dick, you fucking with you 143 00:07:10,360 --> 00:07:11,040 Speaker 10: the police? 144 00:07:12,640 --> 00:07:16,120 Speaker 11: You just flip it to who called nine one one? 145 00:07:16,360 --> 00:07:17,239 Speaker 1: You guys are calling. 146 00:07:17,120 --> 00:07:17,720 Speaker 5: Nine one one? 147 00:07:18,160 --> 00:07:18,960 Speaker 9: What from here called? 148 00:07:19,600 --> 00:07:19,760 Speaker 11: Now? 149 00:07:19,800 --> 00:07:22,000 Speaker 6: We did it wasn't us We got to nine one 150 00:07:22,080 --> 00:07:23,560 Speaker 6: one call robbery. 151 00:07:23,280 --> 00:07:27,280 Speaker 4: Guys, come on Cecario one on hostages. 152 00:07:29,880 --> 00:07:33,760 Speaker 5: That was something else, may sir, Yeah, it's the Turney 153 00:07:33,800 --> 00:07:34,320 Speaker 5: wants to statement. 154 00:07:34,360 --> 00:07:35,000 Speaker 9: What do you want me to stay? 155 00:07:35,040 --> 00:07:35,320 Speaker 7: To work? 156 00:07:35,680 --> 00:07:36,160 Speaker 1: The truth? 157 00:07:37,280 --> 00:07:38,640 Speaker 4: Heat Cirpico. 158 00:07:39,080 --> 00:07:43,840 Speaker 3: You know these movies that you know we love so much, All, yeah, 159 00:07:44,000 --> 00:07:44,400 Speaker 3: let's go. 160 00:07:45,240 --> 00:07:45,840 Speaker 4: It's very rare. 161 00:07:45,960 --> 00:07:48,560 Speaker 3: You read a rat script and it translates into a 162 00:07:48,560 --> 00:07:51,840 Speaker 3: great movie. But also having so much fun from beginning 163 00:07:51,840 --> 00:07:54,680 Speaker 3: to end, and feeling so welcomed and being around people 164 00:07:54,720 --> 00:07:55,160 Speaker 3: that are so. 165 00:07:55,160 --> 00:07:57,800 Speaker 4: Humble and relaxed and fun. 166 00:07:57,880 --> 00:08:01,040 Speaker 3: It was very warm and welcoming and everyone seems so 167 00:08:01,120 --> 00:08:03,120 Speaker 3: kind and you don't see that that often. I mean, 168 00:08:03,160 --> 00:08:05,720 Speaker 3: I've been on crazy sets where people are just not 169 00:08:05,800 --> 00:08:09,840 Speaker 3: happy to be there, not excited, not inspired, or just miserable, 170 00:08:09,880 --> 00:08:11,320 Speaker 3: and this was quite the opposite. 171 00:08:11,480 --> 00:08:14,280 Speaker 2: Do you think it's because of the atmosphere that Ben 172 00:08:14,360 --> 00:08:16,280 Speaker 2: and Matt bring that they're just like, this is the 173 00:08:16,320 --> 00:08:18,560 Speaker 2: way we like to have our sets working. 174 00:08:19,120 --> 00:08:19,320 Speaker 1: Yeah. 175 00:08:19,360 --> 00:08:20,360 Speaker 4: I think it's a combination. 176 00:08:20,680 --> 00:08:22,640 Speaker 8: I mean, the director is the one that kind of 177 00:08:22,640 --> 00:08:25,720 Speaker 8: like sets the tone of the set, and then Madame Ben. 178 00:08:26,360 --> 00:08:28,320 Speaker 8: You know, it's it's a great combination, and it was 179 00:08:28,360 --> 00:08:30,400 Speaker 8: a fantastic set to be part of, and it was 180 00:08:30,440 --> 00:08:33,320 Speaker 8: fun to work with everybody Catalina. 181 00:08:33,559 --> 00:08:36,520 Speaker 2: In two thousand and four, when the film Maria Full 182 00:08:36,559 --> 00:08:41,000 Speaker 2: of Grace kind of hit the stage, it was beautiful, powerful. 183 00:08:40,640 --> 00:08:48,160 Speaker 8: Film, Marira see. 184 00:08:52,400 --> 00:09:01,280 Speaker 1: Prosila Namos. 185 00:09:02,080 --> 00:09:04,280 Speaker 2: In many ways, it helped to kind of redefine the 186 00:09:04,320 --> 00:09:08,840 Speaker 2: way in which Latin as Latin American women are featured 187 00:09:09,000 --> 00:09:12,320 Speaker 2: in American cinema. And I'm wondering, when you look back 188 00:09:12,360 --> 00:09:15,440 Speaker 2: at your career, how do you feel about how Hollywood 189 00:09:15,800 --> 00:09:19,560 Speaker 2: has kind of adapted or not to Latin American and 190 00:09:19,600 --> 00:09:21,040 Speaker 2: Latina actresses. 191 00:09:22,000 --> 00:09:26,520 Speaker 8: It has slowly been evolving, you know. I think it's 192 00:09:26,600 --> 00:09:29,800 Speaker 8: it's interesting how I mean. I I didn't hope that 193 00:09:29,880 --> 00:09:32,920 Speaker 8: Hollywood would change from one day to another, but I 194 00:09:32,960 --> 00:09:38,160 Speaker 8: think little steps were getting there somewhere completely different from 195 00:09:38,240 --> 00:09:41,360 Speaker 8: where we were in two thousand and four. I think 196 00:09:41,440 --> 00:09:44,040 Speaker 8: Maria phil Grace is not about Narcos, about a different 197 00:09:44,080 --> 00:09:44,720 Speaker 8: point of view. 198 00:09:45,360 --> 00:09:49,280 Speaker 5: Is a story about this the people that are heard unseen. 199 00:09:50,160 --> 00:09:52,480 Speaker 8: Usually at that time, I remember a lot of movies 200 00:09:52,920 --> 00:09:55,760 Speaker 8: coming not just from Columbia but from all over the world. 201 00:09:56,160 --> 00:09:59,440 Speaker 8: They were just focusing on the guys you know, dealing 202 00:09:59,440 --> 00:10:03,240 Speaker 8: the drugs and making the deals and killing people. And 203 00:10:03,320 --> 00:10:07,240 Speaker 8: then this movie, I think shifts the point of view 204 00:10:07,960 --> 00:10:12,319 Speaker 8: in a completely different moment. A person that is the 205 00:10:12,400 --> 00:10:15,160 Speaker 8: little one, the little person that is had to do 206 00:10:15,400 --> 00:10:22,319 Speaker 8: the whole trip, that had to suffer the whole journey. 207 00:10:23,880 --> 00:10:26,880 Speaker 2: Coming up on Latino USA, we continue our conversation with 208 00:10:26,920 --> 00:10:30,200 Speaker 2: the Latinas starring in the new Netflix movie The Rip. 209 00:10:30,559 --> 00:10:33,200 Speaker 2: We talk about the meaning of their work on an 210 00:10:33,240 --> 00:10:35,240 Speaker 2: off screen like Lina's. 211 00:10:35,520 --> 00:10:38,280 Speaker 3: Back then you couldn't post pictures of mothers breast beating 212 00:10:38,480 --> 00:10:40,200 Speaker 3: on Instagram and Facebook. Can we change that? 213 00:10:40,880 --> 00:10:43,199 Speaker 2: And what it was like for Sasha to play the 214 00:10:43,200 --> 00:10:44,760 Speaker 2: first Latina. 215 00:10:44,480 --> 00:10:46,760 Speaker 5: Supergirl, any sort of representation. 216 00:10:46,840 --> 00:10:48,439 Speaker 6: I think that's the art that I want to create 217 00:10:48,480 --> 00:10:49,839 Speaker 6: and I want people to have a good time. 218 00:10:50,920 --> 00:10:51,840 Speaker 1: That's after the break. 219 00:10:52,600 --> 00:11:10,400 Speaker 7: Yes, there's a lot going on right now, mounting economic inequality, 220 00:11:10,559 --> 00:11:15,439 Speaker 7: threats to democracy, environmental disaster, the sour stench of chaos 221 00:11:15,480 --> 00:11:19,480 Speaker 7: in the air. I'm Brook Gladstone, host of WNYC's on 222 00:11:19,559 --> 00:11:23,880 Speaker 7: the Media. Want to understand the reasons and the meanings 223 00:11:23,880 --> 00:11:26,960 Speaker 7: of the narratives that let us hear and maybe how 224 00:11:27,000 --> 00:11:29,520 Speaker 7: to head them off at the pass that's on the 225 00:11:29,559 --> 00:11:38,400 Speaker 7: media's specialty Take a listen wherever you get your podcasts. 226 00:11:39,320 --> 00:11:40,160 Speaker 1: Hey, we're back. 227 00:11:41,120 --> 00:11:43,839 Speaker 2: Before the break, we were talking about how three Columbian 228 00:11:43,920 --> 00:11:47,400 Speaker 2: actresses ended up together on the set of a major 229 00:11:47,679 --> 00:11:52,560 Speaker 2: Netflix thriller, and it happened completely by accident. Let's continue 230 00:11:52,559 --> 00:11:55,400 Speaker 2: my conversation now with the stars of The Rip, Catalina 231 00:11:55,440 --> 00:11:58,920 Speaker 2: Sandino Moreno, Sasha Kaye, and Lina Esco. 232 00:12:01,360 --> 00:12:02,640 Speaker 1: Catalina, I'm wondering when. 233 00:12:03,000 --> 00:12:04,559 Speaker 2: I mean, when you get the call and it's like, 234 00:12:04,600 --> 00:12:06,240 Speaker 2: do you want to start a movie with Ben Affleck 235 00:12:06,280 --> 00:12:09,000 Speaker 2: and Matt Damon, how do you say no? But of course, 236 00:12:09,040 --> 00:12:12,160 Speaker 2: as an artist, you are thinking about the character you play, 237 00:12:12,800 --> 00:12:16,640 Speaker 2: Detective Lolo Salasadre. You really are in the mix of 238 00:12:16,720 --> 00:12:19,760 Speaker 2: all of the drama that's happening. What made you say yes? 239 00:12:20,240 --> 00:12:23,080 Speaker 8: But Mat Damon, Joe Garnihan, I mean, like, it's such 240 00:12:23,120 --> 00:12:26,840 Speaker 8: a great group of people. I've watched these guys for 241 00:12:26,880 --> 00:12:31,560 Speaker 8: a very long time. I admire them deeply, and for 242 00:12:31,640 --> 00:12:34,559 Speaker 8: me to be on a set with them is fantastic. 243 00:12:34,600 --> 00:12:37,200 Speaker 8: And then meeting Sasha and Lena is just such a 244 00:12:37,200 --> 00:12:39,400 Speaker 8: great group of people, all of us together in a 245 00:12:39,440 --> 00:12:42,840 Speaker 8: great script. So it was just impossible to say, I'm 246 00:12:42,880 --> 00:12:45,560 Speaker 8: just gonna pass And it was interesting, I mean, like 247 00:12:45,640 --> 00:12:49,520 Speaker 8: the script was interesting. You never know who's the bad guy, 248 00:12:50,160 --> 00:12:52,920 Speaker 8: what's gonna happen until the very very end. 249 00:12:53,679 --> 00:12:56,440 Speaker 2: Thank you for saying that. Because I was confused. I 250 00:12:56,480 --> 00:12:59,480 Speaker 2: was like, kiss the passando, I don't know who am 251 00:12:59,480 --> 00:12:59,959 Speaker 2: I rooting for? 252 00:13:00,480 --> 00:13:01,800 Speaker 1: Hey, go sit with her. 253 00:13:02,160 --> 00:13:03,000 Speaker 6: She does not move. 254 00:13:03,800 --> 00:13:04,520 Speaker 3: We're resting her. 255 00:13:05,400 --> 00:13:05,720 Speaker 1: The fuck? 256 00:13:05,800 --> 00:13:08,760 Speaker 6: Did I just say? Did you hear the word of rest? 257 00:13:10,000 --> 00:13:11,200 Speaker 5: They're gonna kill us, aren't they? 258 00:13:11,360 --> 00:13:12,120 Speaker 3: And be all right? 259 00:13:12,720 --> 00:13:14,720 Speaker 5: You have to help you the only good one. 260 00:13:15,160 --> 00:13:18,320 Speaker 2: I mean, I was definitely rooting for Desi right, the 261 00:13:18,400 --> 00:13:21,439 Speaker 2: character played by Sasha, and you did a great job. 262 00:13:21,679 --> 00:13:23,160 Speaker 1: Sasha, thank you so much. 263 00:13:23,320 --> 00:13:27,400 Speaker 2: You made headlines as the first Latina Supergirl. 264 00:13:27,679 --> 00:13:29,840 Speaker 6: We have the first Latina Supergirl, and. 265 00:13:33,120 --> 00:13:35,079 Speaker 1: The movie comes out of the flashes that in July. 266 00:13:35,320 --> 00:13:39,000 Speaker 1: But I'm not a human. I'm a cryptonian. 267 00:13:40,120 --> 00:13:41,640 Speaker 5: Hi, guys, I am at Motel. 268 00:13:42,120 --> 00:13:43,800 Speaker 6: Let's go see how I'm bart is. 269 00:13:44,640 --> 00:13:46,400 Speaker 5: These are the people who made the Barbie. 270 00:13:48,480 --> 00:13:53,160 Speaker 2: All right, And suddenly a lot of people were projecting 271 00:13:53,240 --> 00:13:56,319 Speaker 2: meaning onto you. I'm wondering if you can talk a 272 00:13:56,320 --> 00:14:00,520 Speaker 2: little bit about that pressure that came like you had 273 00:14:00,559 --> 00:14:04,960 Speaker 2: to represent an entire community because it's like, yeah, we 274 00:14:05,000 --> 00:14:06,240 Speaker 2: have a Latina Supergirl. 275 00:14:06,880 --> 00:14:09,280 Speaker 6: I think as an artist, you want people to connect 276 00:14:09,320 --> 00:14:11,120 Speaker 6: with your art and you want people to feel seen 277 00:14:11,240 --> 00:14:12,719 Speaker 6: and represented. 278 00:14:13,000 --> 00:14:13,160 Speaker 5: Right. 279 00:14:13,240 --> 00:14:15,520 Speaker 6: I think for me as an artist, I want to 280 00:14:15,559 --> 00:14:18,880 Speaker 6: see more of things that I can relate to, more 281 00:14:18,920 --> 00:14:21,640 Speaker 6: people that inspire me, more stories that tell stories that 282 00:14:21,680 --> 00:14:25,040 Speaker 6: feel and synergy with my life. Any sort of representation. 283 00:14:25,120 --> 00:14:26,680 Speaker 6: I think that's the art that I want to create 284 00:14:26,720 --> 00:14:27,600 Speaker 6: and I want people to have. 285 00:14:27,560 --> 00:14:28,000 Speaker 5: A good time. 286 00:14:28,000 --> 00:14:29,920 Speaker 6: And when I got the job, I thought, oh my god, 287 00:14:29,960 --> 00:14:33,480 Speaker 6: this is incredible. It was, I think, baffling for me. 288 00:14:33,560 --> 00:14:37,160 Speaker 6: But I'm I'm just really grateful and I'm I think, 289 00:14:37,240 --> 00:14:39,160 Speaker 6: you know, as we've been doing these interviews too, people 290 00:14:39,200 --> 00:14:41,400 Speaker 6: have shared how meaningful it has been to their kids 291 00:14:41,440 --> 00:14:44,600 Speaker 6: who are Latin as well and to them, and I 292 00:14:44,600 --> 00:14:48,200 Speaker 6: think that that's all you can really take away from it. 293 00:14:48,280 --> 00:14:50,000 Speaker 5: You know, I'm very grateful. 294 00:14:49,680 --> 00:14:53,880 Speaker 1: And as a queer Latina plains Latina supergirl, Yeah, what 295 00:14:53,920 --> 00:14:54,400 Speaker 1: was that like? 296 00:14:54,440 --> 00:14:58,040 Speaker 6: You know, I'm just a woman who you know, happens 297 00:14:58,040 --> 00:15:00,920 Speaker 6: to love who she loves and likes to wear boys 298 00:15:01,000 --> 00:15:04,200 Speaker 6: clothes and likes to act and make art and make music. 299 00:15:04,320 --> 00:15:07,840 Speaker 6: And the hope is that people like it and connect 300 00:15:07,880 --> 00:15:08,200 Speaker 6: with it. 301 00:15:08,760 --> 00:15:10,920 Speaker 2: And in the rip you get to show a very 302 00:15:10,920 --> 00:15:13,240 Speaker 2: different So you are not the super girl in the rip. 303 00:15:13,640 --> 00:15:21,640 Speaker 1: A wtgg. What does it mean? Are we the good guys? 304 00:15:23,000 --> 00:15:24,520 Speaker 5: Any validation that you're a good guy? 305 00:15:25,200 --> 00:15:25,400 Speaker 4: Owe? 306 00:15:25,520 --> 00:15:28,280 Speaker 6: My favorite thing about playing this character is I got 307 00:15:28,320 --> 00:15:33,400 Speaker 6: to work with such incredible actors and I got scenes 308 00:15:33,440 --> 00:15:34,640 Speaker 6: with each and every one of them. 309 00:15:34,760 --> 00:15:35,160 Speaker 1: You did. 310 00:15:35,320 --> 00:15:37,920 Speaker 6: I had scenes with Catalina, I had scenes with Tiana. 311 00:15:37,960 --> 00:15:41,000 Speaker 6: I had scenes with Steven, I had with Ben and Matt, 312 00:15:41,320 --> 00:15:44,680 Speaker 6: even me and Lena. You know, we had our phone call. 313 00:15:44,720 --> 00:15:46,720 Speaker 6: Even though we didn't do it together, it's still it's 314 00:15:46,800 --> 00:15:49,720 Speaker 6: Desi connects with each character in the film. And there's 315 00:15:49,720 --> 00:15:54,200 Speaker 6: something really beautiful about that. And you know, Sasha got 316 00:15:54,200 --> 00:15:57,760 Speaker 6: to bond with my co stars too, and that because 317 00:15:57,800 --> 00:16:01,360 Speaker 6: of that, because of Desi's relationship with them, So to me, 318 00:16:01,440 --> 00:16:02,320 Speaker 6: that was very special. 319 00:16:02,960 --> 00:16:08,760 Speaker 2: Se Lena, you play the riveting opening scene with Captain Jackie. 320 00:16:09,400 --> 00:16:12,640 Speaker 3: I will get to you, I'll protect you, and I'll 321 00:16:12,720 --> 00:16:13,600 Speaker 3: pull you out of there. 322 00:16:14,120 --> 00:16:17,680 Speaker 8: Okay, don't trust anyone. 323 00:16:17,720 --> 00:16:22,520 Speaker 2: You are super well known for your activism and your 324 00:16:22,560 --> 00:16:25,360 Speaker 2: work on the twenty fourteen film Free the Nipple. It's 325 00:16:25,400 --> 00:16:27,720 Speaker 2: a project that pushback on the notion that women's bodies 326 00:16:28,400 --> 00:16:31,680 Speaker 2: have to be covered, specifically our nipples. Talk to me 327 00:16:31,720 --> 00:16:34,080 Speaker 2: a little bit about what that experience has been like. 328 00:16:34,120 --> 00:16:37,840 Speaker 2: You're very outspoken, you are, I mean, would you consider 329 00:16:37,840 --> 00:16:41,520 Speaker 2: yourself an activist? And kind of what gives you the 330 00:16:41,560 --> 00:16:45,600 Speaker 2: courage to keep on being that activist as an actor 331 00:16:46,240 --> 00:16:49,680 Speaker 2: in a time when Hollywood and all movie making is 332 00:16:49,720 --> 00:16:52,480 Speaker 2: really going through a lot of changes given the world 333 00:16:52,520 --> 00:16:53,200 Speaker 2: we're living through. 334 00:16:54,040 --> 00:16:56,840 Speaker 3: Free the Nipple came and twenty ten at a time 335 00:16:56,880 --> 00:16:59,120 Speaker 3: when no one was talking about gender equality at all, 336 00:16:59,200 --> 00:17:02,440 Speaker 3: no media, and I wanted to do something radical, and 337 00:17:02,480 --> 00:17:04,360 Speaker 3: I thought the nipple was the trojan horse. It wasn't 338 00:17:04,359 --> 00:17:06,359 Speaker 3: really about going topless, but we had to do something 339 00:17:06,480 --> 00:17:09,560 Speaker 3: radical to start a conversation at the time when nobody 340 00:17:09,600 --> 00:17:11,879 Speaker 3: was talking about it. Can you explain to me the 341 00:17:11,920 --> 00:17:13,120 Speaker 3: double standard and nipples? 342 00:17:13,119 --> 00:17:15,520 Speaker 11: The first thing we assume when we were born. It 343 00:17:15,600 --> 00:17:19,360 Speaker 11: nourishes us, and then somehow the symbol of life becomes illegal. 344 00:17:19,480 --> 00:17:21,760 Speaker 11: And one's even more annoying is that while we were 345 00:17:21,800 --> 00:17:25,880 Speaker 11: allowed to see murder, violence and war on every channel, 346 00:17:26,280 --> 00:17:29,400 Speaker 11: Janet Jackson's nipple slips and it becomes the fucking crime 347 00:17:29,440 --> 00:17:30,920 Speaker 11: of the century. 348 00:17:31,119 --> 00:17:33,919 Speaker 3: I shot the film in twenty twelve and it was 349 00:17:33,960 --> 00:17:37,400 Speaker 3: again pure activism. It was not supposed to be anything else. 350 00:17:37,480 --> 00:17:40,120 Speaker 3: And then IFC on Netflix picked it up in twenty fifteen, 351 00:17:40,200 --> 00:17:43,720 Speaker 3: and back then you couldn't post pictures of mothers breast 352 00:17:43,760 --> 00:17:45,240 Speaker 3: beating on Instagram and Facebook. 353 00:17:45,280 --> 00:17:46,000 Speaker 4: Can we change that? 354 00:17:46,520 --> 00:17:49,879 Speaker 3: And now it's gotten worse because now painters are getting censored, 355 00:17:49,880 --> 00:17:51,640 Speaker 3: and we're about to collaborate with one of the biggest 356 00:17:51,840 --> 00:17:54,080 Speaker 3: artists associations of painters all over the world that are 357 00:17:54,119 --> 00:17:56,600 Speaker 3: getting censored. We're going to launch that The Lake in March, 358 00:17:57,000 --> 00:17:59,920 Speaker 3: because now paintings of nudes are being censored. You can't 359 00:18:00,080 --> 00:18:03,000 Speaker 3: have that on Instagram unless you have millions of followers. 360 00:18:06,600 --> 00:18:25,480 Speaker 1: That's after the break. Stay with us, yes, hey, we're back. 361 00:18:25,640 --> 00:18:28,600 Speaker 2: Let's jump back into my conversation with the Latinas stars 362 00:18:28,960 --> 00:18:30,960 Speaker 2: of netflix new movie The Rip. 363 00:18:32,320 --> 00:18:32,800 Speaker 1: How do you. 364 00:18:32,800 --> 00:18:35,760 Speaker 2: Manage, not only in this film, but in general, the 365 00:18:35,800 --> 00:18:39,159 Speaker 2: fact that Latinas have to be or are often perceived 366 00:18:39,280 --> 00:18:43,719 Speaker 2: as being sexualized, sexual sensual, pretty attractive. 367 00:18:43,800 --> 00:18:49,840 Speaker 8: Ett you avoided period. You just avoid it. You just 368 00:18:49,920 --> 00:18:54,159 Speaker 8: read something that has those stereotypes and you just say no. 369 00:18:54,280 --> 00:18:55,840 Speaker 8: Thank you and you keep moving on. 370 00:18:57,119 --> 00:19:00,440 Speaker 5: Yes, not the same for everyone. I Latin ESK doesn't 371 00:19:00,440 --> 00:19:08,280 Speaker 5: look at kid in right. It's case and. 372 00:19:09,920 --> 00:19:13,320 Speaker 6: We're very strong and that I think that's why Joe, 373 00:19:13,520 --> 00:19:14,800 Speaker 6: you know, put us in this film. 374 00:19:14,800 --> 00:19:16,240 Speaker 5: It's a personal choice. 375 00:19:16,440 --> 00:19:21,080 Speaker 8: I mean some girls like those parts, but I'm talking 376 00:19:21,119 --> 00:19:25,880 Speaker 8: for myself and I just avoid it and people seek that. 377 00:19:26,040 --> 00:19:28,360 Speaker 1: It's a personal choice, Elena, what about you? I mean 378 00:19:28,480 --> 00:19:30,080 Speaker 1: just artists can choose. 379 00:19:30,520 --> 00:19:33,439 Speaker 2: Yeah, and it's a matter of artistic choice as opposed 380 00:19:33,440 --> 00:19:36,119 Speaker 2: to that being kind of put on you exactly. 381 00:19:36,160 --> 00:19:39,760 Speaker 3: I mean I choose to, you know, wear boys clothes 382 00:19:39,880 --> 00:19:42,720 Speaker 3: or one day I choose to show my cleavage, you 383 00:19:42,800 --> 00:19:44,760 Speaker 3: know what I mean. Like, I choose what I want 384 00:19:44,800 --> 00:19:46,119 Speaker 3: when I want it, you know, I want to be 385 00:19:46,200 --> 00:19:48,520 Speaker 3: Some days I feel super feminine, some days I don't. 386 00:19:48,600 --> 00:19:51,399 Speaker 4: Some days I feel like a boy. But that's that's okay, 387 00:19:51,520 --> 00:19:51,720 Speaker 4: you know. 388 00:19:51,960 --> 00:19:54,359 Speaker 3: So I feel the worst thing is when you're posing 389 00:19:54,359 --> 00:19:56,840 Speaker 3: for a picture and a guy goes, hey, can you smile? 390 00:19:56,880 --> 00:19:59,960 Speaker 4: Can you be pretty? Can you? I'm like, come on, man, like, 391 00:20:00,119 --> 00:20:02,280 Speaker 4: don't do that. Don't do that. You wouldn't do that 392 00:20:02,320 --> 00:20:02,720 Speaker 4: to a man. 393 00:20:03,080 --> 00:20:06,240 Speaker 1: I love that. What's it been like where are you 394 00:20:06,320 --> 00:20:07,080 Speaker 1: on the wild ride? 395 00:20:07,160 --> 00:20:09,679 Speaker 6: We were in New York for the premiere. We had 396 00:20:09,680 --> 00:20:12,919 Speaker 6: a blast. We did some some a lot of press, 397 00:20:13,359 --> 00:20:16,960 Speaker 6: two junket days and then we flew into Miami and 398 00:20:17,000 --> 00:20:19,760 Speaker 6: we had a little Netflix dinner last night to promote 399 00:20:19,760 --> 00:20:20,200 Speaker 6: the movie. 400 00:20:20,200 --> 00:20:22,919 Speaker 5: And now we're doing our Miami junket day today. 401 00:20:23,280 --> 00:20:25,800 Speaker 2: How are you processing? Like this is a big deal 402 00:20:26,160 --> 00:20:30,119 Speaker 2: two day press junket now Miami. It's it das So yeah, like, 403 00:20:30,200 --> 00:20:32,080 Speaker 2: how are you kind of like. 404 00:20:32,080 --> 00:20:34,960 Speaker 1: Be in the moment. This is beautiful, this is extraordinary 405 00:20:35,720 --> 00:20:37,040 Speaker 1: and living it fully. 406 00:20:37,520 --> 00:20:43,720 Speaker 6: Drawing WHOA Seriously, I think that you know, you know, 407 00:20:43,760 --> 00:20:46,560 Speaker 6: as glamorous as it all looks, it's I think we've 408 00:20:46,560 --> 00:20:48,639 Speaker 6: all slept maybe three hours a night, you know, And 409 00:20:48,680 --> 00:20:51,960 Speaker 6: I think in those moments when we're chugging coffee and 410 00:20:52,080 --> 00:20:55,040 Speaker 6: Catalina picks up, you know, if she finds Markers and 411 00:20:55,040 --> 00:20:56,359 Speaker 6: you think, oh my god, this is. 412 00:20:56,480 --> 00:21:02,520 Speaker 5: Fucking iconic, and you think about how amazing that is, 413 00:21:02,560 --> 00:21:04,160 Speaker 5: and you ground yourself and. 414 00:21:04,080 --> 00:21:07,879 Speaker 6: You you know, you're you're able to kind of be 415 00:21:08,000 --> 00:21:10,240 Speaker 6: very grateful for those moments like when we're you know, 416 00:21:10,240 --> 00:21:12,679 Speaker 6: when we were at the premiere or you know, we're 417 00:21:12,760 --> 00:21:16,320 Speaker 6: joking about something or yeah, I mean, I feel really 418 00:21:16,320 --> 00:21:17,719 Speaker 6: grateful to be here with these ladies. 419 00:21:17,880 --> 00:21:18,160 Speaker 1: Same. 420 00:21:18,240 --> 00:21:21,119 Speaker 3: I think it's it's enjoying every moment of it and 421 00:21:21,400 --> 00:21:24,680 Speaker 3: always being conscious that I'm not, you know, thinking about 422 00:21:24,720 --> 00:21:27,040 Speaker 3: something else. Just like John Lennon said, life happens when 423 00:21:27,080 --> 00:21:29,560 Speaker 3: you're making other plans, and I'm a I'm a slave 424 00:21:29,600 --> 00:21:32,680 Speaker 3: to that. Sometimes I try to, because my god, life 425 00:21:32,720 --> 00:21:35,520 Speaker 3: is so fleeting. Anything can change in a blink of 426 00:21:35,520 --> 00:21:37,679 Speaker 3: an eye, and this is a beautiful moment we're sharing. 427 00:21:37,760 --> 00:21:41,200 Speaker 3: Not very rarely you get to be in a production 428 00:21:41,359 --> 00:21:45,600 Speaker 3: like this with just great people, and so I'm trying 429 00:21:45,600 --> 00:21:47,800 Speaker 3: to enjoy that as much as possible. No matter what 430 00:21:47,840 --> 00:21:50,480 Speaker 3: happens with the film, it's been really a wonderful experience. 431 00:21:50,600 --> 00:21:54,200 Speaker 3: So there's always a come down, and there's no better 432 00:21:54,240 --> 00:21:56,719 Speaker 3: place to have a come down than at home with 433 00:21:56,920 --> 00:21:57,640 Speaker 3: loved ones, you know. 434 00:21:58,200 --> 00:22:04,280 Speaker 1: Get when you're so fan the Colombia. 435 00:22:05,040 --> 00:22:09,240 Speaker 2: I've been to Colombia many, many times, Mefalta, Cali, par 436 00:22:10,240 --> 00:22:12,960 Speaker 2: but I'd love to know before we end if each 437 00:22:12,960 --> 00:22:15,719 Speaker 2: of you have a favorite Colombian dicho. 438 00:22:16,280 --> 00:22:17,160 Speaker 4: My god, so many. 439 00:22:17,760 --> 00:22:19,000 Speaker 1: It's just how we say hi. 440 00:22:19,080 --> 00:22:26,159 Speaker 10: It's like cups party, no, no, Cubo, Puz Parsi, bienn 441 00:22:26,160 --> 00:22:30,000 Speaker 10: No no, and then you're like, I see you sac 442 00:22:30,200 --> 00:22:40,280 Speaker 10: mask to es Mass Columbia, No Ma Colombia Ala, that 443 00:22:40,480 --> 00:22:49,680 Speaker 10: is yes, Jo is better than. 444 00:22:52,400 --> 00:22:58,920 Speaker 2: Oh my god, I love that. No, no isnamuno. You're 445 00:22:58,960 --> 00:23:00,320 Speaker 2: not You're not a. 446 00:23:00,080 --> 00:23:03,240 Speaker 4: Old coin coin to be liked by. 447 00:23:03,080 --> 00:23:06,359 Speaker 2: Everybody, to be loved by everybody. Lena, take us out. 448 00:23:06,760 --> 00:23:11,000 Speaker 4: Oh man, I'll take you out, but I don't have one. Kay. 449 00:23:13,760 --> 00:23:23,320 Speaker 2: Also very very Colombian. Good luck with everything. I hope 450 00:23:23,320 --> 00:23:24,040 Speaker 2: you get some sleep. 451 00:23:24,440 --> 00:23:26,280 Speaker 4: Thank you, thank you. 452 00:23:30,240 --> 00:23:34,960 Speaker 2: That was Catalina Moreno Kay and Lina Esco from the 453 00:23:35,000 --> 00:23:56,120 Speaker 2: new movie The rip Out, now on Netflix. Our episode 454 00:23:56,160 --> 00:23:59,200 Speaker 2: was produced by Adriana Rodriguez. It was edited by our 455 00:23:59,200 --> 00:24:03,320 Speaker 2: managing editor Fernando Echari. It was mixed by Stephanie Lebou. 456 00:24:03,760 --> 00:24:07,720 Speaker 2: Nancy Trujillo is our production manager. The Latino USA team 457 00:24:07,800 --> 00:24:14,040 Speaker 2: also includes Roxa Na Guire, Julia Caruso, Revecque, Barra, Renaldole Junior, Luis, 458 00:24:14,200 --> 00:24:18,719 Speaker 2: Luna Corrima Marquez, Julieta Martinelli, Monica Morales, Garcia, Paloma Perez, 459 00:24:19,040 --> 00:24:23,000 Speaker 2: JJ Carubin and Annelo Reees Pennilei Ramirez and I are 460 00:24:23,040 --> 00:24:26,879 Speaker 2: executive producers I'm your host Mariao Josa. Latino USA is 461 00:24:26,920 --> 00:24:30,800 Speaker 2: part of Iheart's Michael Duda podcast Network. Executive producers at 462 00:24:30,840 --> 00:24:34,720 Speaker 2: iHeart are Leo Gomez and Arlene Santana. Join us again 463 00:24:34,760 --> 00:24:37,439 Speaker 2: on our next episode. In the meantime, catch us on 464 00:24:37,480 --> 00:24:40,760 Speaker 2: all of our social media, and dear listener, don't forget 465 00:24:41,040 --> 00:24:44,480 Speaker 2: to join Futuro Plus. You'll get to listen to episodes 466 00:24:44,560 --> 00:24:48,640 Speaker 2: air free and get special bonus content. By joining, you'll 467 00:24:48,680 --> 00:24:52,280 Speaker 2: also be supporting Futuro Media, which we know you care about. 468 00:24:52,600 --> 00:24:55,800 Speaker 1: Do it now. Gracias estella proxima nota es. 469 00:25:00,119 --> 00:25:04,119 Speaker 9: Latino USA is made possible in part by the Heising 470 00:25:04,200 --> 00:25:11,240 Speaker 9: Simons Foundation, unlocking knowledge, opportunity and possibilities. More at hsfoundation 471 00:25:11,480 --> 00:25:15,840 Speaker 9: dot org, the Ford Foundation, working with visionaries on the 472 00:25:15,840 --> 00:25:19,960 Speaker 9: front lines of social change worldwide, and the John D. 473 00:25:20,200 --> 00:25:22,000 Speaker 9: And Catherine T. MacArthur Foundation