1 00:00:00,960 --> 00:00:05,519 Speaker 1: This story contains adult content and language. Listener discretion is advised. 2 00:00:12,640 --> 00:00:14,880 Speaker 2: This is an arena where the lines between fantasy and 3 00:00:14,920 --> 00:00:18,760 Speaker 2: reality are always blurred. You're playing a role, you're talking 4 00:00:18,800 --> 00:00:21,360 Speaker 2: to someone who's playing a role, but inevitably the real 5 00:00:21,480 --> 00:00:22,840 Speaker 2: use thinks out through the cracks. 6 00:00:28,440 --> 00:00:32,320 Speaker 1: I'm Kate Winkler Dawson, a nonfiction author and journalism professor 7 00:00:32,360 --> 00:00:35,080 Speaker 1: in Austin, Texas. I'm also the co host of the 8 00:00:35,120 --> 00:00:38,960 Speaker 1: podcast Buried Bones on Exactly Right, and throughout my career, 9 00:00:39,240 --> 00:00:42,960 Speaker 1: research for my many audio and book projects has taken 10 00:00:43,040 --> 00:00:46,280 Speaker 1: me around the world. On Wicked Words, I sit down 11 00:00:46,320 --> 00:00:51,000 Speaker 1: with the people I've met along the way, amazing writers, journalists, filmmakers, 12 00:00:51,040 --> 00:00:55,480 Speaker 1: and podcasters who have investigated and reported on notorious true 13 00:00:55,480 --> 00:00:59,240 Speaker 1: crime cases. This is about the choices writers make, both 14 00:00:59,320 --> 00:01:03,000 Speaker 1: good and and it's a deep dive into the unpublished 15 00:01:03,040 --> 00:01:09,800 Speaker 1: details behind their stories. Filmmaker Colin Archdeacon had an unusual 16 00:01:09,920 --> 00:01:14,280 Speaker 1: relationship with a convicted killer named Grant a Motto in Florida. 17 00:01:14,400 --> 00:01:17,600 Speaker 1: A Motto murdered his parents and his brother in twenty eighteen, 18 00:01:18,040 --> 00:01:21,000 Speaker 1: and the media blamed his obsession with a cam model, 19 00:01:21,240 --> 00:01:24,839 Speaker 1: but Archdeacon found out that a motto had a very 20 00:01:24,880 --> 00:01:28,160 Speaker 1: different motive. Let's find out more about the three part 21 00:01:28,319 --> 00:01:34,560 Speaker 1: series Control Alt Desire on Paramount Plus. What kind of 22 00:01:34,560 --> 00:01:37,240 Speaker 1: experience do you come to this series with? Did you 23 00:01:37,280 --> 00:01:39,679 Speaker 1: ever do any kind of print writing or journalism? Where 24 00:01:39,720 --> 00:01:40,399 Speaker 1: do you come from? 25 00:01:40,760 --> 00:01:43,640 Speaker 2: So? I actually very much came up through journalism. I 26 00:01:43,720 --> 00:01:46,200 Speaker 2: was a video journalist for about five or six years 27 00:01:46,240 --> 00:01:49,720 Speaker 2: before taking on this story. I'd been working as an 28 00:01:49,880 --> 00:01:53,360 Speaker 2: editor in the documentary field before that, and after making 29 00:01:53,600 --> 00:01:56,280 Speaker 2: not very much headway, I decided to kind of change 30 00:01:56,320 --> 00:01:58,400 Speaker 2: gears and get into journalism. So I moved out to 31 00:01:58,440 --> 00:02:00,760 Speaker 2: New York. I went to the Unity Graduates of Journalism 32 00:02:01,120 --> 00:02:03,160 Speaker 2: and then was lucky enough to get an internship at 33 00:02:03,160 --> 00:02:06,320 Speaker 2: the New York Times video department and kind of, you know, 34 00:02:06,360 --> 00:02:08,040 Speaker 2: paid my bills as a video journalist for the next 35 00:02:08,080 --> 00:02:09,000 Speaker 2: five or six years after that. 36 00:02:09,400 --> 00:02:11,920 Speaker 1: And how did you come to this story which I 37 00:02:11,960 --> 00:02:15,119 Speaker 1: have told you? I binged in actually more like half 38 00:02:15,160 --> 00:02:17,959 Speaker 1: a day, not even a day on Paramount Plus. I 39 00:02:17,960 --> 00:02:18,920 Speaker 1: thought it was wonderful. 40 00:02:19,160 --> 00:02:21,600 Speaker 2: So I was I was actively looking for a story 41 00:02:21,639 --> 00:02:23,440 Speaker 2: that I thought was worthy of a long form treatment, 42 00:02:23,800 --> 00:02:26,079 Speaker 2: and I was also really interested in finding a story 43 00:02:26,080 --> 00:02:29,160 Speaker 2: that I thought could kind of expose the way that 44 00:02:29,200 --> 00:02:31,840 Speaker 2: the Internet is changing the way we feel about ourselves, 45 00:02:32,520 --> 00:02:35,200 Speaker 2: the way that the Internet is reshaping society, and also 46 00:02:35,240 --> 00:02:37,120 Speaker 2: an opportunity to kind of talk about how that argument 47 00:02:37,160 --> 00:02:40,200 Speaker 2: is often exaggerated. And when I saw Grant's case, I 48 00:02:40,200 --> 00:02:43,240 Speaker 2: immediately saw all those ingredients and kind of took a 49 00:02:43,240 --> 00:02:45,520 Speaker 2: long shot. I wrote in a handwritten letter, and then 50 00:02:45,560 --> 00:02:46,080 Speaker 2: we were off. 51 00:02:46,360 --> 00:02:49,640 Speaker 1: Now, normally I like to unravel these stories as a mystery, 52 00:02:49,720 --> 00:02:51,520 Speaker 1: but I think we really do need to start with 53 00:02:51,760 --> 00:02:54,040 Speaker 1: Grant or where I guess where does it make sense 54 00:02:54,080 --> 00:02:55,400 Speaker 1: for us to start with this story. 55 00:02:55,600 --> 00:02:56,760 Speaker 2: What I could do is I could start the story 56 00:02:56,800 --> 00:02:58,680 Speaker 2: telling you how I heard about it, and then how 57 00:02:58,720 --> 00:03:01,360 Speaker 2: I started piecing together the clue. So my experience of 58 00:03:01,400 --> 00:03:03,480 Speaker 2: the story, like I just said, was, you know, I 59 00:03:03,520 --> 00:03:05,600 Speaker 2: sort of on the look for a documentary project. I 60 00:03:05,639 --> 00:03:07,760 Speaker 2: particularly wanted to do something that dealt with the Internet, 61 00:03:08,200 --> 00:03:10,240 Speaker 2: and I happen to see a headline in the Washington 62 00:03:10,280 --> 00:03:12,720 Speaker 2: Post about a man who had been arrested for committing 63 00:03:12,760 --> 00:03:16,160 Speaker 2: a violent crime. He was accused of killing his parents 64 00:03:16,200 --> 00:03:17,760 Speaker 2: and his brother in the home that they all lived 65 00:03:17,760 --> 00:03:20,440 Speaker 2: in together. And the way the media was spinning in 66 00:03:20,480 --> 00:03:22,600 Speaker 2: at the time is that the motivation for this crime 67 00:03:23,120 --> 00:03:25,640 Speaker 2: was this sort of jilted relationship he had had with 68 00:03:25,720 --> 00:03:28,240 Speaker 2: a cam model, which is sort of like a live 69 00:03:28,280 --> 00:03:31,440 Speaker 2: streaming burlesque act that people will watch on the Internet. 70 00:03:32,040 --> 00:03:35,480 Speaker 2: And I immediately thought, Okay, this man certainly thought that 71 00:03:35,520 --> 00:03:37,839 Speaker 2: he was in love with this woman. I didn't really 72 00:03:37,920 --> 00:03:40,640 Speaker 2: question the fact that he had a real, authentic emotional 73 00:03:40,640 --> 00:03:43,640 Speaker 2: connection with this person, but I did very much doubt 74 00:03:43,720 --> 00:03:46,920 Speaker 2: that this relationship was the real motivation for the crime. 75 00:03:47,080 --> 00:03:49,040 Speaker 2: And I knew that because of the lurid nature of 76 00:03:49,080 --> 00:03:52,360 Speaker 2: this crime and this accusation, that the media, the mainstream media, 77 00:03:52,440 --> 00:03:55,080 Speaker 2: and certainly the criminal justice system, was sort of flat 78 00:03:55,080 --> 00:03:57,400 Speaker 2: in the story and likely oversimplify it and make it 79 00:03:57,440 --> 00:03:59,280 Speaker 2: all about the cam girl. So what I did is 80 00:03:59,320 --> 00:04:01,760 Speaker 2: I wrote Atto a letter in prison. I think I 81 00:04:01,760 --> 00:04:04,640 Speaker 2: wrote it to him within three days of his being arrested. 82 00:04:05,040 --> 00:04:08,080 Speaker 2: I'd never written an inmate before. All I had seen 83 00:04:08,120 --> 00:04:10,560 Speaker 2: from Grant was some of his interrogation footage, which was 84 00:04:10,600 --> 00:04:13,800 Speaker 2: surfaced on YouTube very soon after his arrest, and one 85 00:04:13,800 --> 00:04:15,280 Speaker 2: of the first things that Grant talks about in his 86 00:04:15,320 --> 00:04:17,920 Speaker 2: interrogation is his love of anime and video games, which 87 00:04:17,960 --> 00:04:20,359 Speaker 2: is very perverse considering you know that he's under arrest 88 00:04:20,360 --> 00:04:23,080 Speaker 2: for murder. He immediately launches into this sort of like 89 00:04:23,160 --> 00:04:25,880 Speaker 2: fanboy monologue about how much anime beans to him. So 90 00:04:25,920 --> 00:04:27,600 Speaker 2: I saw that as an opportunity to get Grant talking 91 00:04:27,600 --> 00:04:29,919 Speaker 2: about himself, to get his mind off the case, and 92 00:04:29,960 --> 00:04:31,880 Speaker 2: I reached out to Grant with a letter and I said, hy, Grant, 93 00:04:31,920 --> 00:04:34,240 Speaker 2: you know I'm calling. I'm a documentary filmmaker. You know, 94 00:04:34,240 --> 00:04:36,280 Speaker 2: I'm not really interested right now in talking about the murder, 95 00:04:36,400 --> 00:04:38,560 Speaker 2: the things that you're being accused of. Let me tell 96 00:04:38,560 --> 00:04:40,400 Speaker 2: you a little bit about myself and let me ask you, 97 00:04:40,400 --> 00:04:41,680 Speaker 2: you know, what is it that you loved so much 98 00:04:41,720 --> 00:04:43,440 Speaker 2: about anime? Tell me a little bit about the games 99 00:04:43,440 --> 00:04:45,320 Speaker 2: that you played, Tell me a bit about what your 100 00:04:45,360 --> 00:04:47,400 Speaker 2: life was like before all this chaos. Put it in 101 00:04:47,440 --> 00:04:49,280 Speaker 2: the mail, didn't think much of it, wasn't sure what 102 00:04:49,320 --> 00:04:51,279 Speaker 2: was going to happen, started looking around for new stories, 103 00:04:51,680 --> 00:04:54,479 Speaker 2: and I think later that week I got a giant 104 00:04:54,560 --> 00:04:58,320 Speaker 2: letter from Grant in the mail, maybe five or six pages, handwritten, 105 00:04:59,080 --> 00:05:02,400 Speaker 2: and it was almost entire about anime and video games. 106 00:05:02,600 --> 00:05:03,960 Speaker 2: And what he said at the end of the letter 107 00:05:04,120 --> 00:05:05,680 Speaker 2: is that the reason he got back to me out 108 00:05:05,680 --> 00:05:07,160 Speaker 2: of all the other people who've been approaching him was 109 00:05:07,200 --> 00:05:08,520 Speaker 2: I was the only one who didn't ask if he 110 00:05:08,640 --> 00:05:11,640 Speaker 2: was guilty. I was really there to listen to Grant 111 00:05:11,920 --> 00:05:14,440 Speaker 2: to sort of just like bear witness to his own thoughts. 112 00:05:14,760 --> 00:05:18,520 Speaker 2: I didn't come in with an agenda, and I wasn't 113 00:05:18,839 --> 00:05:22,360 Speaker 2: immediately kind of getting at the forensics of the crime 114 00:05:22,680 --> 00:05:25,480 Speaker 2: and the mechanics of the murder or the mechanics of 115 00:05:25,520 --> 00:05:28,039 Speaker 2: the arrest. That wasn't what compelled me about his story, 116 00:05:28,040 --> 00:05:29,800 Speaker 2: whereas I think every other journalists that have reached out 117 00:05:29,800 --> 00:05:31,560 Speaker 2: to him was sort of looking for Corey details right 118 00:05:31,600 --> 00:05:33,480 Speaker 2: off the bat. And you know, from these humble beginnings, 119 00:05:33,480 --> 00:05:36,080 Speaker 2: a couple of you know, handwritten letters that sort of 120 00:05:36,120 --> 00:05:38,200 Speaker 2: generated a rapport between me and Grant that lasted for 121 00:05:38,240 --> 00:05:41,279 Speaker 2: over four years, me recording phone calls in my apartment 122 00:05:41,320 --> 00:05:44,560 Speaker 2: and then eventually selling this project to Paramount Plus and 123 00:05:44,800 --> 00:05:46,760 Speaker 2: going out and filming interviews around the country and even 124 00:05:46,800 --> 00:05:47,159 Speaker 2: in Europe. 125 00:05:47,480 --> 00:05:48,760 Speaker 1: I mean, one of the things that I think is 126 00:05:48,800 --> 00:05:51,360 Speaker 1: a huge benefit to a series like this, a three 127 00:05:51,400 --> 00:05:54,560 Speaker 1: part series on a streamer, is you do have the 128 00:05:54,640 --> 00:05:58,440 Speaker 1: time to dig into these different characters. And I thought 129 00:05:58,440 --> 00:06:01,840 Speaker 1: you did a great job talking about particularly the dynamics 130 00:06:02,360 --> 00:06:05,920 Speaker 1: of the family, of the Motto family, between the parents 131 00:06:06,160 --> 00:06:08,880 Speaker 1: and the two brothers. I would like to start with 132 00:06:08,920 --> 00:06:12,240 Speaker 1: the relationship between Cody and Grant, which I still am 133 00:06:12,279 --> 00:06:17,320 Speaker 1: a little confused about. Am I misremembering Grant saying that 134 00:06:17,400 --> 00:06:21,359 Speaker 1: he feels like Cody, the brother he killed, was the 135 00:06:21,400 --> 00:06:22,440 Speaker 1: love of his life. 136 00:06:22,680 --> 00:06:25,200 Speaker 2: That is absolutely what Grant said. He said it to 137 00:06:25,200 --> 00:06:27,680 Speaker 2: me very many times. And what became clear to me 138 00:06:27,720 --> 00:06:30,840 Speaker 2: once I started sort of investigating this case, talking to 139 00:06:30,880 --> 00:06:33,760 Speaker 2: people who knew the a Moattos and spending just countless 140 00:06:33,760 --> 00:06:36,200 Speaker 2: hours on the phone with Grant, is this was really 141 00:06:36,360 --> 00:06:39,520 Speaker 2: the love affair that triggered this horrible crime. It was 142 00:06:39,560 --> 00:06:41,919 Speaker 2: Cody who broke his heart. It was Cody that he 143 00:06:41,920 --> 00:06:43,840 Speaker 2: had pledged his life to, and it was Cody that 144 00:06:43,880 --> 00:06:46,480 Speaker 2: he could not stand to be without. These were brothers 145 00:06:46,520 --> 00:06:48,600 Speaker 2: that were only a couple of years apart. They had 146 00:06:48,640 --> 00:06:51,920 Speaker 2: the same career, They played the same games, they watched 147 00:06:51,920 --> 00:06:54,599 Speaker 2: the same movies. They spent all of their time together. 148 00:06:55,160 --> 00:06:57,880 Speaker 2: They had plans to live with each other as unmarried 149 00:06:57,880 --> 00:07:02,320 Speaker 2: adults once their parents passed away. It was something almost 150 00:07:02,360 --> 00:07:06,200 Speaker 2: beyond obsession. They were kind of living as one spirit 151 00:07:06,240 --> 00:07:08,159 Speaker 2: in two bodies. Is how Grant would say it to me. 152 00:07:08,640 --> 00:07:11,440 Speaker 2: And once Grant started to feel his grasp on that 153 00:07:11,520 --> 00:07:15,000 Speaker 2: relationship weakening, that's when he turned to the cam model. 154 00:07:15,600 --> 00:07:18,160 Speaker 2: And that's when his life really started spinning out of control. 155 00:07:18,480 --> 00:07:21,160 Speaker 1: And I remember Grant saying, I think it was Grant 156 00:07:21,240 --> 00:07:24,440 Speaker 1: saying they hoped to die at the same time. One 157 00:07:24,440 --> 00:07:27,240 Speaker 1: couldn't live without the other. Cody really felt like that too. 158 00:07:27,840 --> 00:07:30,880 Speaker 2: Cody appears who have felt like that too. You know, 159 00:07:30,920 --> 00:07:33,120 Speaker 2: these were two They were, I believe twenty nine and 160 00:07:33,200 --> 00:07:35,480 Speaker 2: thirty at the time of the murders. These were two 161 00:07:35,520 --> 00:07:40,360 Speaker 2: brothers who had strong, lucrative, promising careers in healthcare, and 162 00:07:40,440 --> 00:07:42,280 Speaker 2: yet they both elected to when their late twenties and 163 00:07:42,320 --> 00:07:44,560 Speaker 2: early thirties to continue to live at home with their parents, 164 00:07:44,920 --> 00:07:47,960 Speaker 2: who still did all their laundry, cooked all their meals, 165 00:07:48,280 --> 00:07:51,160 Speaker 2: did their taxes for them, and they were kind of 166 00:07:51,200 --> 00:07:53,440 Speaker 2: just free to sit in their bedrooms and you know, 167 00:07:53,480 --> 00:07:55,320 Speaker 2: play on the internet all day and then go to 168 00:07:55,360 --> 00:07:56,720 Speaker 2: work when they had to go to work. And that 169 00:07:56,800 --> 00:08:00,440 Speaker 2: was pretty much their lives. It was very sheltered, very small, 170 00:08:00,920 --> 00:08:05,240 Speaker 2: and very comfortable for them. Very very deep expression of 171 00:08:05,280 --> 00:08:07,480 Speaker 2: comfort is what I got from Grant, which is you know, 172 00:08:07,520 --> 00:08:09,600 Speaker 2: sort of what the you know, the suburbs are designed 173 00:08:09,640 --> 00:08:12,040 Speaker 2: to provide for its inhabitants, and it's certainly what they 174 00:08:12,080 --> 00:08:14,680 Speaker 2: were doing. They were living the suburban dream. They had money, 175 00:08:14,840 --> 00:08:17,120 Speaker 2: they had comfort, they had privacy, they had all the 176 00:08:17,120 --> 00:08:19,640 Speaker 2: toys they wanted, and they had a future that was very, 177 00:08:19,880 --> 00:08:23,280 Speaker 2: very secure. Once that position of security was challenged by 178 00:08:23,280 --> 00:08:26,320 Speaker 2: Grant's own decision making, that's when he really started to 179 00:08:26,320 --> 00:08:27,480 Speaker 2: spin out of control. 180 00:08:30,480 --> 00:08:32,560 Speaker 1: I think one of the things the strengths about this 181 00:08:32,640 --> 00:08:36,120 Speaker 1: series also is that it feels like you can because 182 00:08:36,160 --> 00:08:38,360 Speaker 1: of the way you move, you move through the chronological order, 183 00:08:38,520 --> 00:08:40,920 Speaker 1: I feel like everything, you know, you can really kind 184 00:08:40,960 --> 00:08:43,959 Speaker 1: of tell where things fall apart, how they start out 185 00:08:43,960 --> 00:08:46,720 Speaker 1: as a very strong family and then we have these revelations. 186 00:08:46,840 --> 00:08:50,800 Speaker 1: So will you tell me specifically about the dynamic between 187 00:08:51,440 --> 00:08:54,320 Speaker 1: the parents and the kids, because this seems at first 188 00:08:54,400 --> 00:08:56,920 Speaker 1: like both parents are in the medical field. Is that right? 189 00:08:57,520 --> 00:09:00,840 Speaker 2: Yep, both parents were in the medical field. I believe 190 00:09:01,200 --> 00:09:05,120 Speaker 2: that Margaret, the mother, worked on the phones for an 191 00:09:05,160 --> 00:09:07,960 Speaker 2: insurance company in some capacity, and that the father, Chad 192 00:09:08,040 --> 00:09:10,640 Speaker 2: was it was a pharmacist who at the time of 193 00:09:10,640 --> 00:09:13,240 Speaker 2: the crimes was working as a telepharmacist for CBS, so 194 00:09:13,240 --> 00:09:15,600 Speaker 2: they both had strong careers in the medical field sort 195 00:09:15,600 --> 00:09:18,560 Speaker 2: of shepherded their sons through it as well. And you know, 196 00:09:18,559 --> 00:09:21,280 Speaker 2: from the outside, it really looked like the perfect happy family. 197 00:09:21,400 --> 00:09:23,400 Speaker 2: You know, there's these four people who spent all of 198 00:09:23,440 --> 00:09:26,200 Speaker 2: their time together, who lived together in this giant house, 199 00:09:26,200 --> 00:09:30,840 Speaker 2: seemingly peacefully, and they just spent every waking moments of 200 00:09:30,840 --> 00:09:33,959 Speaker 2: their free times in each other's company, which I think, 201 00:09:34,080 --> 00:09:36,760 Speaker 2: in a way was not the best for Grant. I 202 00:09:36,760 --> 00:09:39,400 Speaker 2: think it shrunk his world so that the way that 203 00:09:39,480 --> 00:09:41,840 Speaker 2: his family felt about him was all that mattered. It 204 00:09:41,880 --> 00:09:43,640 Speaker 2: was the only thing he knew it was. You know, 205 00:09:43,640 --> 00:09:46,559 Speaker 2: those were really the four walls of his psychological existence. 206 00:09:46,880 --> 00:09:48,880 Speaker 2: What these three people thought about him. 207 00:09:49,240 --> 00:09:52,400 Speaker 1: Tell me about Chad, because I think later on in 208 00:09:52,440 --> 00:09:56,640 Speaker 1: the series we find out that Cody and Grant's father 209 00:09:56,880 --> 00:10:00,199 Speaker 1: seems to be pretty controlling, which makes sense considering they're 210 00:10:00,200 --> 00:10:03,120 Speaker 1: all in the same house and they're together. I would 211 00:10:03,160 --> 00:10:05,880 Speaker 1: have guessed that he was controlling. Do you have evidence 212 00:10:05,920 --> 00:10:07,240 Speaker 1: of that or how do we even know that? 213 00:10:07,640 --> 00:10:12,360 Speaker 2: There's very strong evidence that Chad was sort of a controlling, overbearing, 214 00:10:12,480 --> 00:10:15,920 Speaker 2: domineering father. It's how he would describe himself. It's how 215 00:10:15,920 --> 00:10:19,240 Speaker 2: his coworkers described him. It's how neighbors and friends of 216 00:10:19,240 --> 00:10:22,560 Speaker 2: the Amodel Boys described him as very controlling. He certainly 217 00:10:22,600 --> 00:10:26,200 Speaker 2: seemed like an eccentric, but it didn't seem to be 218 00:10:26,360 --> 00:10:31,200 Speaker 2: something profoundly pathological or something that you wouldn't see, you know, 219 00:10:31,600 --> 00:10:35,080 Speaker 2: in any standard neighborhood in America. He was an overbearing 220 00:10:35,120 --> 00:10:38,120 Speaker 2: father who was obsessed with his children, who wanted to 221 00:10:38,120 --> 00:10:41,040 Speaker 2: control their lives, but it didn't seem like it was 222 00:10:41,120 --> 00:10:45,679 Speaker 2: anything too out of the ordinary. That being said, Grant 223 00:10:45,720 --> 00:10:48,520 Speaker 2: does tell a sort of chilling story about how his 224 00:10:48,559 --> 00:10:50,920 Speaker 2: father would always talk about how he was in touch 225 00:10:50,960 --> 00:10:54,480 Speaker 2: with God and how God would come to him in 226 00:10:54,520 --> 00:10:56,440 Speaker 2: his sleep and tell him what he should do and 227 00:10:56,480 --> 00:10:58,520 Speaker 2: tell him how he should control the family, and that 228 00:10:58,600 --> 00:11:00,640 Speaker 2: he had one vision. When Margaret, the mother was in 229 00:11:00,679 --> 00:11:03,120 Speaker 2: the hospital giving birth to Grant, Chad allegedly had a 230 00:11:03,200 --> 00:11:06,160 Speaker 2: vision of the devil coming to him and telling him 231 00:11:06,160 --> 00:11:09,000 Speaker 2: that Grant would be his greatest failure in life. And 232 00:11:09,120 --> 00:11:12,319 Speaker 2: this was sort of an omen of prophecy that Chad 233 00:11:12,320 --> 00:11:14,880 Speaker 2: didn't share with Grant until I think a few weeks 234 00:11:15,040 --> 00:11:17,360 Speaker 2: before the murders took place, So it does give you 235 00:11:17,400 --> 00:11:19,880 Speaker 2: an idea of sort of the grandiosity that Chad may 236 00:11:19,880 --> 00:11:22,360 Speaker 2: have had. But I want to be very careful about 237 00:11:22,440 --> 00:11:24,559 Speaker 2: not dragging Chad's name through the mud. He's not here 238 00:11:24,600 --> 00:11:28,839 Speaker 2: to defend himself. Grant is certainly an unreliable narrator, and 239 00:11:28,960 --> 00:11:32,079 Speaker 2: he said lots of awful things about his family that 240 00:11:32,120 --> 00:11:33,560 Speaker 2: we did not include in the series because we were 241 00:11:33,600 --> 00:11:34,920 Speaker 2: not able to corrobborat Well. 242 00:11:35,000 --> 00:11:37,960 Speaker 1: That's smart, and that's part of being a journalist, you know, 243 00:11:38,000 --> 00:11:41,240 Speaker 1: as understanding the difference between throwing everything in the kitchen 244 00:11:41,280 --> 00:11:43,480 Speaker 1: sink and saying, Okay, this is all the information we 245 00:11:43,600 --> 00:11:47,360 Speaker 1: have versus being able to cooperate with other people. So 246 00:11:47,600 --> 00:11:49,440 Speaker 1: I'm glad you were able to do that. What do 247 00:11:49,480 --> 00:11:52,640 Speaker 1: we know about Margaret? Was she someone who was an 248 00:11:52,760 --> 00:11:55,679 Speaker 1: enabler or did she sign on with this with Chad, 249 00:11:55,880 --> 00:11:57,760 Speaker 1: or you know, do we think that she was just 250 00:11:57,840 --> 00:12:01,240 Speaker 1: sort of there and control along with the two guys. 251 00:12:01,600 --> 00:12:03,959 Speaker 2: I think you know everything that I was able to 252 00:12:04,040 --> 00:12:06,400 Speaker 2: learn about Margaret. A motto tells me that she was 253 00:12:06,440 --> 00:12:11,920 Speaker 2: an incredibly caring person, an altruist and very devoted mother, 254 00:12:12,320 --> 00:12:14,560 Speaker 2: someone who devoted a huge amount of her free time 255 00:12:14,600 --> 00:12:18,959 Speaker 2: to rehabilitating animals to doting on her children, probably spent 256 00:12:19,120 --> 00:12:21,600 Speaker 2: periods of that marriage failing a little under the thumb 257 00:12:21,880 --> 00:12:25,040 Speaker 2: of Chat Tomato. But ultimately, the portrait that we got 258 00:12:25,080 --> 00:12:27,640 Speaker 2: of this couple in their old age, nearing retirement is 259 00:12:27,679 --> 00:12:30,760 Speaker 2: people who've settled into a very peaceful coexistence. You know, 260 00:12:30,800 --> 00:12:32,679 Speaker 2: they would cuddle up and drink wine and watch old 261 00:12:32,720 --> 00:12:34,960 Speaker 2: movies on the weekend. And though she had sort of 262 00:12:34,960 --> 00:12:38,800 Speaker 2: weathered the storm of Chat's eccentricities during their younger years together, 263 00:12:39,320 --> 00:12:42,360 Speaker 2: it was still a functional marriage and a happy one 264 00:12:42,400 --> 00:12:43,000 Speaker 2: at times. 265 00:12:43,360 --> 00:12:46,840 Speaker 1: Do you think that Cody and Grant, who incidentally I 266 00:12:46,880 --> 00:12:49,440 Speaker 1: thought were twins, I mean, they look so much alike. 267 00:12:49,200 --> 00:12:51,360 Speaker 2: They look absolutely like twins. Yeah, sound canny. 268 00:12:51,640 --> 00:12:54,800 Speaker 1: What are the differences in their personalities that you've learned, 269 00:12:54,920 --> 00:12:58,120 Speaker 1: if anything? Or are they really working in parallel with 270 00:12:58,160 --> 00:12:59,480 Speaker 1: each other their whole lives. 271 00:13:00,040 --> 00:13:01,800 Speaker 2: Cody was a lot more of an alpha. I think 272 00:13:02,040 --> 00:13:04,959 Speaker 2: he took after Chad a little bit more. He was domineering, 273 00:13:05,440 --> 00:13:08,280 Speaker 2: he was confident, he was a little more swaggering, and 274 00:13:08,320 --> 00:13:11,400 Speaker 2: he was certainly more socially well adjusted. He had just 275 00:13:11,559 --> 00:13:14,319 Speaker 2: entered a romantic relationship with a coworker around the time 276 00:13:14,360 --> 00:13:16,959 Speaker 2: of these crimes, which is something that seemed just completely 277 00:13:17,040 --> 00:13:19,520 Speaker 2: out of reach of Grant. So I think what we 278 00:13:19,559 --> 00:13:23,120 Speaker 2: see as sort of a Cody who was higher functioning, 279 00:13:23,400 --> 00:13:26,240 Speaker 2: more charismatic, better socially well adjusted, and it was this 280 00:13:26,320 --> 00:13:29,720 Speaker 2: process of him eclipsing his younger brother Grant that became 281 00:13:29,800 --> 00:13:34,600 Speaker 2: something that was just psychologically unmanageable for Grant, this parallel 282 00:13:34,679 --> 00:13:37,480 Speaker 2: track of him and Cody. Suddenly he was on his 283 00:13:37,520 --> 00:13:40,440 Speaker 2: own course, and it was a darker, lonelier course, and 284 00:13:40,480 --> 00:13:41,800 Speaker 2: he couldn't stand the separation. 285 00:13:42,240 --> 00:13:45,160 Speaker 1: Does it seem like Cody was going to at some 286 00:13:45,320 --> 00:13:48,520 Speaker 1: point get serious with someone and then move out, and 287 00:13:48,559 --> 00:13:50,120 Speaker 1: that was what Grant's fear was. 288 00:13:50,600 --> 00:13:54,240 Speaker 2: It's unclear exactly what Cody's long term plans were. He 289 00:13:54,360 --> 00:13:57,439 Speaker 2: certainly had no financial reason to be staying at home 290 00:13:57,440 --> 00:14:00,280 Speaker 2: and living with his parents. I think there was a 291 00:14:00,320 --> 00:14:02,480 Speaker 2: sense that, you know, this was a committed unit and 292 00:14:02,520 --> 00:14:05,520 Speaker 2: the Amatos stuck together, and that's how everyone in that 293 00:14:05,600 --> 00:14:08,680 Speaker 2: house wanted it. Certainly, anyone there could have left. Margaret 294 00:14:08,679 --> 00:14:10,839 Speaker 2: could have filed for divorce. Cody or Grant could have 295 00:14:10,840 --> 00:14:14,080 Speaker 2: gotten their own apartment, and they decided not to do so. 296 00:14:14,080 --> 00:14:17,000 Speaker 2: So the evidence that we have is that Cody, while 297 00:14:17,040 --> 00:14:21,200 Speaker 2: maybe bristling a little more under Chad's regimen than Grant had, 298 00:14:21,560 --> 00:14:24,160 Speaker 2: was comfortable with the relationship and did love, you know, 299 00:14:24,240 --> 00:14:26,680 Speaker 2: living in his childhood room down the hallway from his brother, 300 00:14:27,080 --> 00:14:30,160 Speaker 2: watching anime, playing video games, and sort of like having 301 00:14:30,160 --> 00:14:32,960 Speaker 2: family dinner every night, Which is not to say that 302 00:14:33,080 --> 00:14:35,080 Speaker 2: he wasn't, you know, the kind of person who's going 303 00:14:35,120 --> 00:14:37,200 Speaker 2: to grow up and get married and eventually move out. 304 00:14:37,520 --> 00:14:39,520 Speaker 2: But at the age of thirty, he was not that 305 00:14:39,600 --> 00:14:40,440 Speaker 2: kind of prison. 306 00:14:43,400 --> 00:14:47,320 Speaker 1: Let's talk about their careers. Both of these men go 307 00:14:47,440 --> 00:14:50,760 Speaker 1: into the medical field, and then Grant loses his job, 308 00:14:51,000 --> 00:14:53,760 Speaker 1: which I thought, oh man, he must have really screwed 309 00:14:53,800 --> 00:14:56,240 Speaker 1: something up. But the way that it's framed in the 310 00:14:56,320 --> 00:15:00,720 Speaker 1: series feels like not something like he is, you know, 311 00:15:00,880 --> 00:15:03,640 Speaker 1: Angel of Death or anything like that. It just seems 312 00:15:03,680 --> 00:15:06,320 Speaker 1: like he was thinking differently, tell me what happens in 313 00:15:06,360 --> 00:15:07,840 Speaker 1: his job before he's let go. 314 00:15:08,360 --> 00:15:12,720 Speaker 2: So Grant and Cody were both studying to become nurse anesthesiologists, 315 00:15:12,960 --> 00:15:15,040 Speaker 2: which is sort of the person that puts a patient 316 00:15:15,080 --> 00:15:17,520 Speaker 2: to sleep before a major surgery. I'm sure it's much 317 00:15:17,520 --> 00:15:19,560 Speaker 2: more complex than that, but that was sort of the 318 00:15:19,560 --> 00:15:22,120 Speaker 2: general gist of what they did. At the time where 319 00:15:22,120 --> 00:15:24,320 Speaker 2: Grant's career was sort of derailed. He was in nurse 320 00:15:24,320 --> 00:15:26,360 Speaker 2: anesthesia school, so he was at the point where he 321 00:15:26,400 --> 00:15:28,400 Speaker 2: was doing his clinicals sort of like working as an 322 00:15:28,440 --> 00:15:31,720 Speaker 2: intern performing anesthesia in a hospital. Not quite a full 323 00:15:31,760 --> 00:15:34,680 Speaker 2: fledged antestesiologist, but someone who had, you know, a man 324 00:15:34,720 --> 00:15:36,560 Speaker 2: with the amount of medical training and could be trusted 325 00:15:36,600 --> 00:15:40,040 Speaker 2: to put patients to sleep. He was working in an 326 00:15:40,240 --> 00:15:42,640 Speaker 2: L and D ward or a neonatal ward, I'm not 327 00:15:42,680 --> 00:15:44,920 Speaker 2: sure exactly which, but working with pregnant women preparing to 328 00:15:44,920 --> 00:15:47,880 Speaker 2: give birth, and ultimately I'm sure in labor and he 329 00:15:48,120 --> 00:15:50,800 Speaker 2: was giving someone who was giving a female patient an epidoral, 330 00:15:50,840 --> 00:15:53,400 Speaker 2: which is like a very long syringe that goes into 331 00:15:53,400 --> 00:15:57,160 Speaker 2: the spinal cord. And basically he had a disagreement with 332 00:15:57,200 --> 00:16:00,480 Speaker 2: the doctor in charge over how to play the needle, 333 00:16:00,520 --> 00:16:03,160 Speaker 2: how to insert the needle in, how much drug to administer, 334 00:16:03,800 --> 00:16:06,280 Speaker 2: and instead of sort of backing down and being the 335 00:16:06,320 --> 00:16:10,600 Speaker 2: student and accepting instruction from his superior, he sort of 336 00:16:10,640 --> 00:16:13,800 Speaker 2: bristled and started a big argument and insisted that he 337 00:16:14,000 --> 00:16:17,000 Speaker 2: was right and the doctor was wrong. This confrontation sort 338 00:16:17,000 --> 00:16:19,720 Speaker 2: of boiled over into the hallway where they were having 339 00:16:19,800 --> 00:16:24,040 Speaker 2: this frankly very unprofessional disagreement in front of other patients, 340 00:16:24,480 --> 00:16:27,080 Speaker 2: and once word of this confrontation sort of made its 341 00:16:27,080 --> 00:16:29,240 Speaker 2: way up to the school, they immediately kicked Grant out. 342 00:16:29,960 --> 00:16:33,160 Speaker 2: Not necessarily because he was right or wrong. I'm certainly 343 00:16:33,200 --> 00:16:34,800 Speaker 2: not qualified to say if he was right or wrong 344 00:16:34,840 --> 00:16:37,120 Speaker 2: about how this medication should be administered, but just the 345 00:16:37,200 --> 00:16:40,440 Speaker 2: idea that in the middle of training he would call 346 00:16:40,520 --> 00:16:42,960 Speaker 2: out his doctor and do so in front of patients 347 00:16:42,960 --> 00:16:45,080 Speaker 2: who are depending on the team of medical professionals to 348 00:16:45,080 --> 00:16:48,080 Speaker 2: administer appropriate care was sort of beyond the pale. So 349 00:16:48,120 --> 00:16:49,920 Speaker 2: all of a sudden, Grant is now kicked out of 350 00:16:50,000 --> 00:16:53,320 Speaker 2: nurse and ansthesia school and forced to work as registered nurse, 351 00:16:53,400 --> 00:16:56,320 Speaker 2: which he sort of saw as a position beneath him, 352 00:16:56,600 --> 00:17:00,600 Speaker 2: beneath his education level, beneath his intellectual level, and certainly 353 00:17:00,640 --> 00:17:03,600 Speaker 2: now beneath his brother Cody. So this is really the 354 00:17:03,640 --> 00:17:06,879 Speaker 2: first the first time where the chain is broken and 355 00:17:06,960 --> 00:17:10,199 Speaker 2: these two men are not living identical lives. Now Cody 356 00:17:10,480 --> 00:17:13,199 Speaker 2: is a nurse anesetist. He's on track to have an 357 00:17:13,320 --> 00:17:16,920 Speaker 2: enormous income, to have prestige, to have control of his schedule, 358 00:17:17,280 --> 00:17:19,840 Speaker 2: to sort of attain a lifestyle similar to the kind 359 00:17:19,840 --> 00:17:21,560 Speaker 2: that his father was able to provide for the family. 360 00:17:21,960 --> 00:17:24,679 Speaker 2: And Grant is now knocked down a level. He's a 361 00:17:24,720 --> 00:17:27,960 Speaker 2: registered nurse, which he saw as a pedestrian job. He 362 00:17:28,080 --> 00:17:31,080 Speaker 2: kind of saw the prospect of him ever achieving a 363 00:17:31,160 --> 00:17:33,600 Speaker 2: higher degree is almost impossible now that he had this 364 00:17:33,640 --> 00:17:36,159 Speaker 2: black mark on his record. And then, believe it or not, 365 00:17:36,240 --> 00:17:40,119 Speaker 2: Grant makes another very similar mistake. He's now working as 366 00:17:40,119 --> 00:17:43,760 Speaker 2: a registered nurse. He is at sort of one of 367 00:17:43,760 --> 00:17:47,719 Speaker 2: these generic drive up clinics that you see all over Orlando. 368 00:17:47,800 --> 00:17:51,840 Speaker 2: There's a huge medical industry in Orlando, and again involving 369 00:17:51,880 --> 00:17:55,600 Speaker 2: pain medication. Grant felt that some of the patients under 370 00:17:55,600 --> 00:17:57,239 Speaker 2: his care as an r end were not being, as 371 00:17:57,280 --> 00:18:00,119 Speaker 2: he put it in the police statement, adequately relaxed. What 372 00:18:00,160 --> 00:18:02,600 Speaker 2: he was doing is he was basically as strange as 373 00:18:02,600 --> 00:18:04,879 Speaker 2: it sounds, in these medical clinics, as far as I 374 00:18:04,920 --> 00:18:07,280 Speaker 2: could gather, there's sort of like a vending machine for 375 00:18:07,400 --> 00:18:09,800 Speaker 2: these painkillers, and what Grant was doing, and you know, 376 00:18:09,840 --> 00:18:11,440 Speaker 2: you have to type in a lot of very specific 377 00:18:11,440 --> 00:18:14,040 Speaker 2: information in order to get the medicine to pop out, 378 00:18:14,320 --> 00:18:16,359 Speaker 2: and Grant was going to these vending machines and taking 379 00:18:16,400 --> 00:18:19,399 Speaker 2: out way more medicine than he needed, storing it in 380 00:18:19,400 --> 00:18:22,000 Speaker 2: his pockets and doling it out as he saw fit 381 00:18:22,080 --> 00:18:25,639 Speaker 2: to patients, and this resulted in some people being over medicated. 382 00:18:25,960 --> 00:18:28,840 Speaker 2: It's certainly completely illegal to be taking out these super 383 00:18:28,840 --> 00:18:30,920 Speaker 2: strong sedatives. I think it was prope ful in this case, 384 00:18:30,960 --> 00:18:33,959 Speaker 2: which is what killed Michael Jackson. And he was sort of, 385 00:18:33,960 --> 00:18:35,880 Speaker 2: I don't want to say, playing god because he wasn't 386 00:18:35,960 --> 00:18:38,960 Speaker 2: killing anybody, but he again, you get a sense of 387 00:18:39,040 --> 00:18:43,080 Speaker 2: the arrogance, the egomania, and sort of the disdain for authority, 388 00:18:43,800 --> 00:18:46,080 Speaker 2: all things that Grant, you know, was not really able 389 00:18:46,119 --> 00:18:48,800 Speaker 2: to express in his family life. In his life as 390 00:18:48,800 --> 00:18:51,919 Speaker 2: the younger brother, his life is sort of the you know, 391 00:18:51,960 --> 00:18:54,600 Speaker 2: the hen pecked son. But at work he was very 392 00:18:54,600 --> 00:18:59,320 Speaker 2: comfortable being this sort of domineering, aggressive, swaggering, know it 393 00:18:59,400 --> 00:19:02,800 Speaker 2: all and he got busted almost immediately for doing this. 394 00:19:03,240 --> 00:19:06,159 Speaker 2: And when he was confronted by his bosses at this clinic, 395 00:19:06,240 --> 00:19:09,600 Speaker 2: he started shivering and shaking, started saying he had nothing 396 00:19:09,680 --> 00:19:12,399 Speaker 2: left to live for anymore, and he scared them to 397 00:19:12,400 --> 00:19:14,240 Speaker 2: the point that they thought he might commit suicide, which 398 00:19:14,280 --> 00:19:16,639 Speaker 2: is what they called the cops. So again, you know, 399 00:19:16,720 --> 00:19:19,959 Speaker 2: what could have been a simple disagreement at work that, 400 00:19:20,040 --> 00:19:23,000 Speaker 2: if handled professionally, could have been swept aside. Grant let 401 00:19:23,040 --> 00:19:25,879 Speaker 2: his emotions get the better of him. The police were called, 402 00:19:26,720 --> 00:19:30,240 Speaker 2: he was arrested and charged with I think a felony, 403 00:19:30,280 --> 00:19:32,879 Speaker 2: theft of medication. It may not have been a felony, 404 00:19:32,920 --> 00:19:35,800 Speaker 2: but he was certainly charges were pending, and he was 405 00:19:35,920 --> 00:19:38,639 Speaker 2: kind of, you know, made bail sent home awaiting the 406 00:19:38,680 --> 00:19:41,240 Speaker 2: results of that case. So now, all of a sudden, 407 00:19:41,240 --> 00:19:43,320 Speaker 2: not only is Grant no longer able to work as 408 00:19:43,320 --> 00:19:46,440 Speaker 2: a nurse anesthetist, he is looking at the possibility of 409 00:19:46,480 --> 00:19:48,639 Speaker 2: having to forfeit his entire medical career. He's not going 410 00:19:48,680 --> 00:19:50,280 Speaker 2: to be able to work as a nurse. I'll never 411 00:19:50,320 --> 00:19:52,000 Speaker 2: be able to achieve any kind of higher degree in 412 00:19:52,000 --> 00:19:55,040 Speaker 2: the medical field. He'll be blackballed. And again, not only 413 00:19:55,280 --> 00:19:57,560 Speaker 2: does this set him off track with his brother Cody. 414 00:19:57,840 --> 00:20:01,040 Speaker 2: Now he can't support himself. He's discribed the family. He 415 00:20:01,080 --> 00:20:03,439 Speaker 2: can't work in the field that the entire family works in. 416 00:20:03,800 --> 00:20:07,480 Speaker 2: He is now completely outcast from the life that he 417 00:20:07,520 --> 00:20:09,560 Speaker 2: had created for himself and also very much the life 418 00:20:09,640 --> 00:20:12,320 Speaker 2: that Chad, his father had created for him. You can 419 00:20:12,400 --> 00:20:15,080 Speaker 2: live in my giant suburban home you can play games 420 00:20:15,119 --> 00:20:17,280 Speaker 2: all day so long as you get a degree, you 421 00:20:17,359 --> 00:20:19,800 Speaker 2: work hard, and you achieve success in the medical career. 422 00:20:20,080 --> 00:20:22,359 Speaker 2: All of a sudden, in a very short amount of months, 423 00:20:22,359 --> 00:20:24,159 Speaker 2: Grant had thrown all of that away. 424 00:20:24,560 --> 00:20:27,600 Speaker 1: Did you get a sense from anybody in Chad and 425 00:20:27,640 --> 00:20:30,840 Speaker 1: Margaret's world about what their reaction was to all of 426 00:20:30,880 --> 00:20:34,679 Speaker 1: this or Cody's reaction. Was it, in fact shaming? I 427 00:20:34,680 --> 00:20:37,159 Speaker 1: can't believe you did this. You such are moron. You know, 428 00:20:37,200 --> 00:20:38,520 Speaker 1: what are you going to do with your life now? 429 00:20:38,640 --> 00:20:39,480 Speaker 1: Was that their reaction? 430 00:20:40,400 --> 00:20:43,119 Speaker 2: I think in private, there was a little bit of 431 00:20:43,119 --> 00:20:46,399 Speaker 2: browbeating against Grant. Of course, any father who had worked 432 00:20:46,400 --> 00:20:49,359 Speaker 2: so hard to provide such a comfortable lifestyle would be, 433 00:20:49,400 --> 00:20:51,960 Speaker 2: you know, scandalized by what Grant had done, and they 434 00:20:51,960 --> 00:20:54,440 Speaker 2: would say, I don't understand this, what are you doing? 435 00:20:54,520 --> 00:20:58,120 Speaker 2: How could you have done this? But more importantly, what 436 00:20:58,160 --> 00:21:01,400 Speaker 2: the family did is they locked arms and they did 437 00:21:01,560 --> 00:21:04,840 Speaker 2: everything they could to rally around Grant and support him. 438 00:21:05,160 --> 00:21:09,200 Speaker 2: They got him therapy, they got him lawyers, They did 439 00:21:09,359 --> 00:21:12,119 Speaker 2: everything in their power to get him back on his feet. 440 00:21:12,400 --> 00:21:16,240 Speaker 2: And they were the same supportive, committed, devoted parents that 441 00:21:16,280 --> 00:21:19,000 Speaker 2: they always had. That and Grant, as we see again, 442 00:21:19,480 --> 00:21:22,280 Speaker 2: was just surrounded by support and love. Maybe it was 443 00:21:22,320 --> 00:21:24,480 Speaker 2: a bit of a crooked love. Maybe it wasn't always 444 00:21:24,480 --> 00:21:27,480 Speaker 2: expressed in the most supportive or effective way, but clearly 445 00:21:27,560 --> 00:21:30,359 Speaker 2: these were two parents who desperately loved their son, wanted 446 00:21:30,440 --> 00:21:33,119 Speaker 2: him to get better, and would spare no emotional or 447 00:21:33,200 --> 00:21:35,200 Speaker 2: financial expense to help him do so. 448 00:21:35,280 --> 00:21:38,000 Speaker 1: Now, this is I think the first time I really 449 00:21:38,160 --> 00:21:42,000 Speaker 1: understood the concept of a cam girl, and you explained it. 450 00:21:42,040 --> 00:21:45,240 Speaker 1: I thought, very well, kind of burlesque show, sexy woman 451 00:21:45,320 --> 00:21:52,320 Speaker 1: on camera. But when does the camgirl concept enter into 452 00:21:52,440 --> 00:21:55,240 Speaker 1: Grant's life, because it feels like it just takes over 453 00:21:55,440 --> 00:21:56,600 Speaker 1: almost instantly. 454 00:21:57,160 --> 00:22:00,320 Speaker 2: So yeah, very shortly after Grant lost his second job, 455 00:22:00,600 --> 00:22:03,560 Speaker 2: you know, was charged with felony theptic medication. He's at 456 00:22:03,560 --> 00:22:07,639 Speaker 2: home now, all that, never leaving the house, spending what 457 00:22:07,720 --> 00:22:09,920 Speaker 2: he told me, eighteen to twenty four hours a day 458 00:22:10,000 --> 00:22:13,040 Speaker 2: on the internet. He tried to start a streaming career 459 00:22:13,160 --> 00:22:15,359 Speaker 2: on Twitch, which is where people will sort of watch 460 00:22:15,359 --> 00:22:18,720 Speaker 2: you play video games. Maybe sort of unimaginable to people 461 00:22:18,840 --> 00:22:22,200 Speaker 2: my age and older, but very popular, very popular online today, 462 00:22:22,280 --> 00:22:25,080 Speaker 2: which is a mammoth platform with lots of really talented 463 00:22:25,119 --> 00:22:28,080 Speaker 2: broadcasters on it, and Grant, you know, kind of convinced 464 00:22:28,080 --> 00:22:30,200 Speaker 2: his family, Hey, I'm going to broadcast myself playing video 465 00:22:30,200 --> 00:22:32,720 Speaker 2: games and it will be my new career. And again, 466 00:22:33,000 --> 00:22:37,119 Speaker 2: you know, I'm sure with enormous amounts of skepticism. You know, 467 00:22:37,160 --> 00:22:39,040 Speaker 2: they helped him buy all the equipment he needed to 468 00:22:39,040 --> 00:22:42,240 Speaker 2: be a streamer. They encouraged him. He tried it. Now, 469 00:22:42,280 --> 00:22:43,879 Speaker 2: all of a sudden, he's in his bedroom all day 470 00:22:43,880 --> 00:22:47,040 Speaker 2: alone playing video games quote unquote professionally, and he's bringing 471 00:22:47,080 --> 00:22:49,600 Speaker 2: in something like one hundred dollars a month. It's clearly 472 00:22:49,640 --> 00:22:53,479 Speaker 2: not going anywhere. It's a ridiculous fantasy. There's no future 473 00:22:53,480 --> 00:22:56,040 Speaker 2: in it. And then one day alone at night, as 474 00:22:56,080 --> 00:22:59,240 Speaker 2: Grant tells the story, he's downloading anime on a tour 475 00:22:59,320 --> 00:23:02,240 Speaker 2: in site and he sees an ad from myfreecams dot com, 476 00:23:02,240 --> 00:23:05,919 Speaker 2: which is an extremely popular camming website, camming platform. He 477 00:23:05,920 --> 00:23:08,720 Speaker 2: clicks on it. He's whisked into this world. You know, 478 00:23:08,720 --> 00:23:10,520 Speaker 2: I've seen it now. It's sort of like, you know, 479 00:23:10,600 --> 00:23:13,159 Speaker 2: this carousel of different women that you can click on, 480 00:23:13,320 --> 00:23:15,520 Speaker 2: and then all of a sudden you're transported into a 481 00:23:15,600 --> 00:23:17,800 Speaker 2: room with them. They're sitting in front of a computer 482 00:23:17,880 --> 00:23:20,720 Speaker 2: with a camera on it. Often just chit chatting with 483 00:23:20,880 --> 00:23:24,760 Speaker 2: members they're in, you know, often underwear revealing outfits, and 484 00:23:24,800 --> 00:23:26,440 Speaker 2: then over the course of like you know, a two 485 00:23:26,520 --> 00:23:29,639 Speaker 2: or three hour performance, the vast majority of which is 486 00:23:29,680 --> 00:23:32,399 Speaker 2: just sort of small talk, it evolves into sort of 487 00:23:32,440 --> 00:23:35,719 Speaker 2: like more erotic acts and performances. The way Grant tells it, 488 00:23:35,760 --> 00:23:38,600 Speaker 2: he saw this woman and fell in love at first sight. 489 00:23:38,800 --> 00:23:42,960 Speaker 2: Her stage name was Eddie Sweet. She was a Bulgarian camperformer, 490 00:23:43,240 --> 00:23:47,440 Speaker 2: you know, with dark hair, beautiful blue eyes. To Grant, 491 00:23:47,520 --> 00:23:50,280 Speaker 2: must have sounded like a very exotic accent. She had 492 00:23:50,320 --> 00:23:53,920 Speaker 2: sort of a dark, biting sense of humor, and Grant 493 00:23:53,960 --> 00:23:56,679 Speaker 2: was head overheels, you know. Even though these are you know, 494 00:23:56,760 --> 00:23:59,600 Speaker 2: communal spaces where there's maybe one hundred guys watching a 495 00:23:59,640 --> 00:24:03,119 Speaker 2: single performance, Grant was able to feel like he was 496 00:24:03,160 --> 00:24:07,040 Speaker 2: forging a really personal connection with Addie Sweet. And what 497 00:24:07,080 --> 00:24:09,320 Speaker 2: he did is he started spending more and more money 498 00:24:09,359 --> 00:24:13,120 Speaker 2: in this sort of camming ecosystem to the point where, 499 00:24:13,200 --> 00:24:15,240 Speaker 2: you know, if you spend enough money in this system, 500 00:24:15,280 --> 00:24:17,760 Speaker 2: you're able to have one on one conversations with the 501 00:24:17,760 --> 00:24:20,560 Speaker 2: camp performer. So him and Addie Sweet, whose real name 502 00:24:20,760 --> 00:24:23,439 Speaker 2: he later found out was Sylvie, started spending huge amounts 503 00:24:23,440 --> 00:24:26,399 Speaker 2: of time on the phone together. He got her personal numbers, 504 00:24:26,400 --> 00:24:29,200 Speaker 2: so they were texting all day. What's this is called, 505 00:24:29,520 --> 00:24:32,040 Speaker 2: you know in the sex work industry, is the girlfriend experience. 506 00:24:32,400 --> 00:24:34,679 Speaker 2: This person will sort of performed the emotional role of 507 00:24:34,720 --> 00:24:36,840 Speaker 2: being your girlfriend. Well, of course, never meeting with you 508 00:24:36,920 --> 00:24:39,960 Speaker 2: in person, you get to feel like you have a girlfriend. 509 00:24:40,200 --> 00:24:44,040 Speaker 2: And while I think the vast majority of people on 510 00:24:44,080 --> 00:24:47,359 Speaker 2: these camming sites understand that this is fantasy play, that 511 00:24:47,400 --> 00:24:50,080 Speaker 2: this has cause play. Of course, if you're paying someone 512 00:24:50,080 --> 00:24:52,880 Speaker 2: to be your girlfriend, they're not your girlfriend. It's after all, 513 00:24:52,960 --> 00:24:55,840 Speaker 2: not called the girlfriend. It's called the girlfriend experience, right, 514 00:24:55,920 --> 00:24:58,720 Speaker 2: This is all a mediated fantasy, and the rules of 515 00:24:58,760 --> 00:25:01,880 Speaker 2: the game are were still clear. I was looking for 516 00:25:01,880 --> 00:25:05,040 Speaker 2: sort of any kind of academic literature about camming that 517 00:25:05,080 --> 00:25:07,560 Speaker 2: I could read to sort of educate myself to feel 518 00:25:07,560 --> 00:25:10,280 Speaker 2: like I wasn't coming in It's a total neophyight, when 519 00:25:10,280 --> 00:25:12,800 Speaker 2: I eventually interviewed these cam workers and so that I 520 00:25:12,840 --> 00:25:15,280 Speaker 2: wasn't just sort of getting the perspective of online users. 521 00:25:15,320 --> 00:25:16,960 Speaker 2: So I wanted to find some kind of expert who 522 00:25:16,960 --> 00:25:18,840 Speaker 2: had done the heavy lifting and the heavy thinking that 523 00:25:18,920 --> 00:25:21,720 Speaker 2: I couldn't do on my own. And I found doctor 524 00:25:21,760 --> 00:25:25,399 Speaker 2: Angela Jones, who was a professor at SUNNI. She had 525 00:25:25,440 --> 00:25:27,840 Speaker 2: written a book called Camming, which was the only serious 526 00:25:27,880 --> 00:25:30,719 Speaker 2: academic work I could find about the camming industry, and 527 00:25:31,440 --> 00:25:33,440 Speaker 2: it was sort of became the bible of our show. 528 00:25:33,480 --> 00:25:35,840 Speaker 2: I had everyone working on the series read the book, 529 00:25:36,160 --> 00:25:39,480 Speaker 2: and it provided a lens and a language and a 530 00:25:39,520 --> 00:25:42,600 Speaker 2: system of empathy and sympathy for understanding this world that 531 00:25:42,680 --> 00:25:45,480 Speaker 2: was totally out of reach for us as non experts. 532 00:25:45,760 --> 00:25:49,240 Speaker 1: And I thought that doctor Jones made some really excellent points. 533 00:25:49,440 --> 00:25:51,240 Speaker 1: One of the things that I think is interesting about 534 00:25:51,280 --> 00:25:54,480 Speaker 1: this world that I think you showed both sides of 535 00:25:54,920 --> 00:25:58,399 Speaker 1: is On the one hand, Grant talked about what he 536 00:25:58,400 --> 00:26:00,560 Speaker 1: felt like was the manipulation of the world, which is 537 00:26:00,600 --> 00:26:03,960 Speaker 1: literally like a ranking system if I understood him, of 538 00:26:04,040 --> 00:26:07,520 Speaker 1: the amount of money that these men would pay Sylvie 539 00:26:07,880 --> 00:26:10,360 Speaker 1: and then of course, you know, she would be effusive 540 00:26:11,000 --> 00:26:13,920 Speaker 1: for the top men who happened to be Grant. 541 00:26:14,240 --> 00:26:16,159 Speaker 2: You know, I think a really perfect word for this 542 00:26:16,240 --> 00:26:20,719 Speaker 2: story is gamified. You know, the Camming ecosystem is gamified, 543 00:26:21,040 --> 00:26:23,000 Speaker 2: so you get points by how much you tip, and 544 00:26:23,040 --> 00:26:26,640 Speaker 2: there's a leaderboard for who's scoring the most points and inevitably, 545 00:26:26,680 --> 00:26:29,360 Speaker 2: all the men in these rooms are competing for who 546 00:26:29,359 --> 00:26:31,639 Speaker 2: can be the leader, who can win the game. It 547 00:26:31,680 --> 00:26:34,120 Speaker 2: looks like a video game, It feels like a video game. 548 00:26:34,240 --> 00:26:36,199 Speaker 2: It sounds like video games with all the you know, 549 00:26:36,240 --> 00:26:39,920 Speaker 2: the digital sound effects and the icons and the badges, 550 00:26:40,480 --> 00:26:43,800 Speaker 2: and it's just very much mirrors gaming culture down to 551 00:26:43,840 --> 00:26:47,960 Speaker 2: a t and Grant, whose social status had I don't 552 00:26:47,960 --> 00:26:49,159 Speaker 2: want to say had been stripped of him, but who 553 00:26:49,200 --> 00:26:51,919 Speaker 2: had sort of set his social status on fire in 554 00:26:51,960 --> 00:26:54,679 Speaker 2: his real life, all of a sudden found this world 555 00:26:54,840 --> 00:26:56,919 Speaker 2: where he could be a top dog again, and he 556 00:26:56,960 --> 00:26:59,320 Speaker 2: could kind of get that swagger back, and he could 557 00:26:59,400 --> 00:27:01,199 Speaker 2: kind of be thea that he wasn't able to be 558 00:27:01,240 --> 00:27:03,520 Speaker 2: in real life. And the way to do that was 559 00:27:03,560 --> 00:27:06,119 Speaker 2: by spending as much money as possible to become the 560 00:27:06,119 --> 00:27:08,800 Speaker 2: top of the leader board and ultimately become, you know, 561 00:27:08,880 --> 00:27:12,679 Speaker 2: the main receptacle of Sylvie's attention. So what he started 562 00:27:12,680 --> 00:27:15,679 Speaker 2: doing was burning through his life savings, spending more and 563 00:27:15,720 --> 00:27:18,879 Speaker 2: more money every single night, every single performance. Tipping is 564 00:27:18,920 --> 00:27:21,199 Speaker 2: he set a little bell jingles inside the room and 565 00:27:21,280 --> 00:27:25,160 Speaker 2: everybody looks at you like you're some special guy. He basically, 566 00:27:25,320 --> 00:27:27,400 Speaker 2: you know, he felt like a celebrity in this room. 567 00:27:28,000 --> 00:27:30,280 Speaker 2: And when he burned through his own savings, this is 568 00:27:30,359 --> 00:27:32,280 Speaker 2: where you know it took a turn that he was 569 00:27:32,359 --> 00:27:35,600 Speaker 2: ultimately not able to get out of. Randt started spending 570 00:27:35,680 --> 00:27:38,960 Speaker 2: his family's money. He started stealing credit cards, he started 571 00:27:38,960 --> 00:27:41,800 Speaker 2: taking out loans and other people's names. He started, I 572 00:27:41,800 --> 00:27:44,720 Speaker 2: believe he was even able to mortgage the to mortgage 573 00:27:44,720 --> 00:27:47,600 Speaker 2: the home. And what he ended up doing was stealing 574 00:27:47,600 --> 00:27:50,920 Speaker 2: over two hundred thousand dollars from his family and giving 575 00:27:50,920 --> 00:27:52,639 Speaker 2: it all to Sylvie in the course of something like 576 00:27:52,680 --> 00:27:57,040 Speaker 2: six months, and again in another act of I think 577 00:27:57,040 --> 00:28:00,280 Speaker 2: at this point we'd have to say unconditional love. His 578 00:28:00,400 --> 00:28:03,959 Speaker 2: parents discover all this, They discover grand subterfuge, they discover 579 00:28:04,080 --> 00:28:08,800 Speaker 2: all the theft. They confront him and they forgive him. 580 00:28:08,920 --> 00:28:11,160 Speaker 2: They offer to pay back all the money, They offer 581 00:28:11,240 --> 00:28:13,800 Speaker 2: to sweep any criminal probes that might be going on 582 00:28:13,960 --> 00:28:16,600 Speaker 2: under the rug. They take him to therapy, they allow 583 00:28:16,640 --> 00:28:18,800 Speaker 2: him to continue living in the house, and they do 584 00:28:18,880 --> 00:28:22,560 Speaker 2: everything they can to rehabilitate their son. And sadly, what 585 00:28:22,560 --> 00:28:24,520 Speaker 2: we see in the story is that all of their 586 00:28:24,520 --> 00:28:25,359 Speaker 2: best efforts fail. 587 00:28:25,760 --> 00:28:28,960 Speaker 1: Let's talk about the girlfriend experience, because this is the 588 00:28:29,040 --> 00:28:31,920 Speaker 1: part of the series where I was the most conflicted, 589 00:28:32,520 --> 00:28:35,080 Speaker 1: and I understand the concept. So you know, like you're 590 00:28:35,080 --> 00:28:40,040 Speaker 1: making a personal connection. Certainly, if we believe Grant, she 591 00:28:40,240 --> 00:28:43,440 Speaker 1: is drawing him in and it seems like really sharing 592 00:28:43,520 --> 00:28:46,400 Speaker 1: some personal aspects of her life. He feels like he 593 00:28:46,440 --> 00:28:49,920 Speaker 1: can draw a line between her online persona and Sylvie, 594 00:28:50,360 --> 00:28:54,120 Speaker 1: the woman who has vulnerabilities. But do you get the 595 00:28:54,120 --> 00:28:57,760 Speaker 1: impression that this is all an act? Because you had 596 00:28:57,760 --> 00:29:01,880 Speaker 1: a cam girl in the series who has a really 597 00:29:01,960 --> 00:29:04,920 Speaker 1: what felt like an authentic conversation with one of her 598 00:29:05,040 --> 00:29:08,440 Speaker 1: anonymous clients on the phone, And man, I just had 599 00:29:08,440 --> 00:29:11,720 Speaker 1: a hard time reading what is real and what is 600 00:29:11,840 --> 00:29:14,640 Speaker 1: not with you know, some of these people, both with 601 00:29:14,680 --> 00:29:17,080 Speaker 1: the clients and with the women. 602 00:29:17,360 --> 00:29:20,840 Speaker 2: Yeah, I think it's definitely this is an arena where 603 00:29:20,880 --> 00:29:24,320 Speaker 2: the lines between fantasy and reality are always blurred. You're 604 00:29:24,360 --> 00:29:27,480 Speaker 2: playing a role, you're talking to someone who's playing a role, 605 00:29:27,720 --> 00:29:30,280 Speaker 2: but inevitably the real use sneaks out through the cracks, 606 00:29:30,600 --> 00:29:34,440 Speaker 2: and there always is some kind of authentic emotional transaction 607 00:29:34,920 --> 00:29:36,960 Speaker 2: where you're chit chatting about what she did that day, 608 00:29:37,280 --> 00:29:39,840 Speaker 2: which you watched on TV last night. How annoying it 609 00:29:39,880 --> 00:29:41,400 Speaker 2: is to sit in traffic when you're just trying to 610 00:29:41,400 --> 00:29:44,840 Speaker 2: get groceries. You know. Real life inevitably insinuates itself in 611 00:29:44,880 --> 00:29:49,000 Speaker 2: all these relationships, but there is this underlying, like heartbeat 612 00:29:49,080 --> 00:29:52,720 Speaker 2: of capitalism pulsing through all of these interactions where money 613 00:29:52,760 --> 00:29:57,240 Speaker 2: is being exchanged, money is being asked for. Though, as 614 00:29:57,240 --> 00:30:00,360 Speaker 2: Grant says point blank in the series, Sylvia or asked 615 00:30:00,400 --> 00:30:02,520 Speaker 2: him to spend money on her, he did all of 616 00:30:02,520 --> 00:30:05,440 Speaker 2: it on his own. You know, something that doctor Jones says, 617 00:30:05,440 --> 00:30:06,840 Speaker 2: I'm not sure if this made it in the series, 618 00:30:06,960 --> 00:30:08,760 Speaker 2: is like, look, if you want a girlfriend, if you 619 00:30:08,800 --> 00:30:11,560 Speaker 2: want a relationship, there are websites for that. You can 620 00:30:11,560 --> 00:30:14,080 Speaker 2: go on Tinder, or you can go on Hinge. When 621 00:30:14,120 --> 00:30:16,719 Speaker 2: you go onto one of these camping platforms, you're very 622 00:30:16,840 --> 00:30:19,920 Speaker 2: much entering the world of a game. And the vast 623 00:30:19,960 --> 00:30:24,640 Speaker 2: majority of people understand this. It's rare that someone completely 624 00:30:24,720 --> 00:30:27,560 Speaker 2: loses perspective on real life and where the roles begin 625 00:30:27,640 --> 00:30:30,800 Speaker 2: and end, and develops this kind of obsession that being upset. 626 00:30:30,800 --> 00:30:33,360 Speaker 2: Of course, it does happen, and people who work in 627 00:30:33,400 --> 00:30:36,040 Speaker 2: this industry know the signs, they know what to look for, 628 00:30:36,640 --> 00:30:39,520 Speaker 2: and we are told they're very quick to cut off 629 00:30:39,560 --> 00:30:43,240 Speaker 2: people when they feel that it's becoming completely psychologically destructive 630 00:30:43,520 --> 00:30:45,479 Speaker 2: to enter into one of these sort of like almost 631 00:30:45,480 --> 00:30:48,520 Speaker 2: like a cause play relationship. The way Grant tells the story, 632 00:30:48,560 --> 00:30:50,880 Speaker 2: he was spending something like eight or ten hours a 633 00:30:51,000 --> 00:30:55,120 Speaker 2: day texting or talking to Sylvie or watching her performances. 634 00:30:55,960 --> 00:31:00,520 Speaker 2: They certainly got very close, but again Grant was lying 635 00:31:00,680 --> 00:31:04,520 Speaker 2: to Sylvie, probably a lot more than she was manufacturing 636 00:31:04,560 --> 00:31:08,480 Speaker 2: an identity herself. He told Sylvie that he was a 637 00:31:08,640 --> 00:31:11,960 Speaker 2: millionaire doctor who drove a BMW and lived in his 638 00:31:12,000 --> 00:31:14,880 Speaker 2: own house. He sold Sylvie the fantasy life that he 639 00:31:14,960 --> 00:31:17,840 Speaker 2: thought he deserved, all the things he thought him and 640 00:31:17,880 --> 00:31:20,160 Speaker 2: Cody were sort of set up to earn on their 641 00:31:20,200 --> 00:31:22,600 Speaker 2: own and that he had destroyed. He told Sylvia that 642 00:31:22,600 --> 00:31:25,600 Speaker 2: he had achieved all those things. So from Sylvie's point 643 00:31:25,600 --> 00:31:28,600 Speaker 2: of view, I can imagine that it is somewhat flattering 644 00:31:29,040 --> 00:31:33,280 Speaker 2: to have a wealthy American doctor who's obsessed with you 645 00:31:33,680 --> 00:31:36,120 Speaker 2: and spending all of his money on you, And of 646 00:31:36,120 --> 00:31:38,760 Speaker 2: course that must be somewhat intriguing. I would never try 647 00:31:38,800 --> 00:31:41,040 Speaker 2: to intinunate that she had any sort of romantic feelings 648 00:31:41,040 --> 00:31:44,000 Speaker 2: for him, but it probably wasn't so horrible to get 649 00:31:44,040 --> 00:31:46,120 Speaker 2: on the phone and in chit chat with this successful 650 00:31:46,160 --> 00:31:49,040 Speaker 2: man who's obsessed with you every day. Grant is educated, 651 00:31:49,080 --> 00:31:52,560 Speaker 2: he's intelligent. I'm the same is true for Sylvie, and 652 00:31:52,640 --> 00:31:56,280 Speaker 2: I think it's quite believable that they could have, you know, stimulating, 653 00:31:56,560 --> 00:31:59,080 Speaker 2: friendly conversations with each other, and they very likely did. 654 00:31:59,360 --> 00:32:03,480 Speaker 2: But of course, you know, Grant again refused to acknowledge 655 00:32:03,480 --> 00:32:05,760 Speaker 2: the boundaries of this world, and there are very clear 656 00:32:05,800 --> 00:32:09,400 Speaker 2: boundaries psychological boundaries about what is real, what is love, 657 00:32:09,720 --> 00:32:12,960 Speaker 2: what is not true. As some of the men, some 658 00:32:13,000 --> 00:32:14,920 Speaker 2: of the other men in the group were also like 659 00:32:15,000 --> 00:32:17,600 Speaker 2: Sylvie's super fans told me, you know, this is like 660 00:32:17,640 --> 00:32:19,120 Speaker 2: a strip club. It's a place that I come to 661 00:32:19,200 --> 00:32:21,720 Speaker 2: after work to let off a little steam. Of course, 662 00:32:21,760 --> 00:32:24,080 Speaker 2: it's erotic, and you know, I'm stimulating that part of 663 00:32:24,120 --> 00:32:25,920 Speaker 2: my life. Of course I do like chit chatting with 664 00:32:25,960 --> 00:32:29,440 Speaker 2: the girls. But you know, just as sort of pathetic 665 00:32:29,520 --> 00:32:32,640 Speaker 2: and misguided and sad it is when you know a 666 00:32:32,680 --> 00:32:34,840 Speaker 2: man thinks that to use their language, you know, the 667 00:32:34,840 --> 00:32:37,280 Speaker 2: strippers falling in love with them. That's exactly what they 668 00:32:37,320 --> 00:32:40,080 Speaker 2: saw happening with Grant. These were all, you know, functional 669 00:32:40,120 --> 00:32:43,240 Speaker 2: adults who had the money again to spend. They'd become 670 00:32:43,280 --> 00:32:45,840 Speaker 2: these big tippers to enter this sort of like rarefied 671 00:32:45,880 --> 00:32:50,480 Speaker 2: class of of top tippers, but they absolutely understood where 672 00:32:50,520 --> 00:32:52,960 Speaker 2: the lines were and they had never seen someone spin 673 00:32:53,040 --> 00:32:55,600 Speaker 2: out of control the way Grant did so, which I think, 674 00:32:55,720 --> 00:32:58,959 Speaker 2: you know, further establishes how taboo his behavior was, and 675 00:32:59,000 --> 00:33:01,240 Speaker 2: that well, certainly, you know, the camming world, there is 676 00:33:01,240 --> 00:33:03,960 Speaker 2: a world designed to get users to spend money, just 677 00:33:04,080 --> 00:33:08,240 Speaker 2: like a casino or a Walmart. It's not quite as 678 00:33:08,320 --> 00:33:10,880 Speaker 2: predatory as it was made to seem during the trial. 679 00:33:11,120 --> 00:33:12,960 Speaker 1: I had wondered that that was the point I wanted 680 00:33:13,000 --> 00:33:17,280 Speaker 1: to bring up, is after these murders happened, this story, 681 00:33:17,560 --> 00:33:19,920 Speaker 1: as lured as it could be made in the media, 682 00:33:20,000 --> 00:33:22,640 Speaker 1: becomes fodder for sort of like late night talk shows, 683 00:33:22,680 --> 00:33:24,640 Speaker 1: I mean, every media you can think of, and it 684 00:33:24,680 --> 00:33:27,520 Speaker 1: always goes back to this guy killed his parents and 685 00:33:27,520 --> 00:33:31,800 Speaker 1: his brother over this beautiful international camgirl, and we now 686 00:33:31,920 --> 00:33:35,520 Speaker 1: know it was so much more complex. And also Sylvie 687 00:33:36,000 --> 00:33:39,360 Speaker 1: is not responsible for what this man did to his family. 688 00:33:40,080 --> 00:33:44,680 Speaker 1: I had wondered what the reaction was from the camgirl community. 689 00:33:44,720 --> 00:33:46,800 Speaker 1: Have you had any reaction or at least for the 690 00:33:47,040 --> 00:33:48,960 Speaker 1: people who appeared in your show. 691 00:33:49,320 --> 00:33:51,440 Speaker 2: So the cam models that we spoke to in our show, 692 00:33:51,840 --> 00:33:56,120 Speaker 2: I'll work for a studio called Models for Models in Romania. 693 00:33:56,600 --> 00:33:59,360 Speaker 2: It is run by former cam models, run for former 694 00:33:59,400 --> 00:34:02,200 Speaker 2: cam models. It's an all female staff. It's very nurturing, 695 00:34:02,280 --> 00:34:04,280 Speaker 2: protective environment from what we were able to see. They 696 00:34:04,360 --> 00:34:08,160 Speaker 2: pay their taxes, they're above board, they advertised on the radio, 697 00:34:09,040 --> 00:34:12,320 Speaker 2: their address is publicized. It was a very normal workplace 698 00:34:12,520 --> 00:34:14,719 Speaker 2: in a lot of ways. They were totally unaware of 699 00:34:14,719 --> 00:34:17,560 Speaker 2: this case, even though you know, they were performing within, 700 00:34:17,640 --> 00:34:20,400 Speaker 2: you know, just a couple hundred miles of where Sylvie was. 701 00:34:20,719 --> 00:34:23,920 Speaker 2: And I think ultimately where this case really got a 702 00:34:23,920 --> 00:34:28,320 Speaker 2: football in the public imagination was in the true crime internet. 703 00:34:28,560 --> 00:34:33,080 Speaker 2: You saw these sort of explosively popular YouTube videos and 704 00:34:33,160 --> 00:34:35,680 Speaker 2: Twitch streams, and it was, you know, this sort of 705 00:34:35,719 --> 00:34:38,080 Speaker 2: species of internet culture that I was sort of unfamiliar with, 706 00:34:38,080 --> 00:34:40,840 Speaker 2: where there's I think there's a Grand Model YouTube video 707 00:34:41,200 --> 00:34:44,600 Speaker 2: where a woman does a makeup tutorial while explaining every 708 00:34:44,640 --> 00:34:47,520 Speaker 2: detail of the case, and I think I believe this 709 00:34:47,560 --> 00:34:50,960 Speaker 2: one had something like thirteen million view And it was 710 00:34:51,040 --> 00:34:54,879 Speaker 2: really this community that latched on to the story and 711 00:34:54,920 --> 00:34:58,680 Speaker 2: that sort of invested it with you know, conspiracy theories 712 00:34:58,719 --> 00:35:02,600 Speaker 2: and pop psychological analysis and stuff like that. But outside 713 00:35:02,640 --> 00:35:04,839 Speaker 2: of you know, Grant's you know community of you know, 714 00:35:04,880 --> 00:35:08,600 Speaker 2: basically the fifty mile radius of Orlando where he grew up, 715 00:35:09,000 --> 00:35:10,920 Speaker 2: the case didn't have a lot of national attention on him. 716 00:35:11,120 --> 00:35:14,000 Speaker 1: I felt like when Grant really jumped the shark was 717 00:35:14,080 --> 00:35:18,759 Speaker 1: when he made that video meant for Cody before the murders. 718 00:35:19,280 --> 00:35:21,720 Speaker 1: And of course when he starts the video, I'm thinking, 719 00:35:21,800 --> 00:35:25,120 Speaker 1: this is what he's leaving behind after he dies by suicide, 720 00:35:25,160 --> 00:35:27,319 Speaker 1: which was not the case. It was a I need 721 00:35:27,360 --> 00:35:30,920 Speaker 1: fifty thousand dollars to go meet this cam model and 722 00:35:30,960 --> 00:35:33,280 Speaker 1: you need to give it to me, Cody. That felt 723 00:35:33,320 --> 00:35:36,120 Speaker 1: like a big switch to me. Do you think that 724 00:35:36,120 --> 00:35:40,600 Speaker 1: that was really the beginning of Grant thinking I'm going 725 00:35:40,680 --> 00:35:42,120 Speaker 1: to go down the road and I can't get off 726 00:35:42,160 --> 00:35:44,200 Speaker 1: this road, and it's going to end with the murders 727 00:35:44,239 --> 00:35:44,920 Speaker 1: of my family. 728 00:35:45,400 --> 00:35:48,520 Speaker 2: Well, Grant told us is that when he first started 729 00:35:48,560 --> 00:35:52,000 Speaker 2: hatching this plan to commit this, you know, absolutely horrifying 730 00:35:52,000 --> 00:35:56,879 Speaker 2: triple homicide, was in therapy. His family had sent him 731 00:35:56,920 --> 00:35:59,719 Speaker 2: to sort of a rehab clinic to get over his 732 00:36:00,360 --> 00:36:02,440 Speaker 2: to the internet, to get over his addiction to this woman, 733 00:36:02,880 --> 00:36:06,400 Speaker 2: to sort of hopefully start to allay his self destructive behavior, 734 00:36:06,600 --> 00:36:10,400 Speaker 2: and it was the indignity of being sent to a 735 00:36:10,480 --> 00:36:15,240 Speaker 2: rehabilitation clinic with, as he described, scummy drug addicts. Again, 736 00:36:15,360 --> 00:36:18,319 Speaker 2: this sort of absolute loss of social status that he 737 00:36:18,440 --> 00:36:21,320 Speaker 2: saw as his birthright, this level of shame and indignity, 738 00:36:21,360 --> 00:36:23,920 Speaker 2: was something that Grant couldn't stand, and it was in 739 00:36:23,960 --> 00:36:26,560 Speaker 2: that facility that Grant started to hatch the plan that 740 00:36:26,760 --> 00:36:30,440 Speaker 2: was a few weeks after he filmed these incredibly disturbing 741 00:36:30,520 --> 00:36:34,279 Speaker 2: videos dedicated to his family begging them for I think 742 00:36:34,320 --> 00:36:37,480 Speaker 2: fifty thousand dollars so that he could go visit Sylvia 743 00:36:37,560 --> 00:36:40,839 Speaker 2: in Europe and see if she really did love him 744 00:36:40,920 --> 00:36:43,360 Speaker 2: or not. As you can imagine, his parents and his 745 00:36:43,440 --> 00:36:46,360 Speaker 2: brother were immediately Saint Grant, this is a fantasy world. 746 00:36:46,680 --> 00:36:49,840 Speaker 2: She doesn't love you, she's not even pretending to love you. 747 00:36:49,840 --> 00:36:53,040 Speaker 2: You're paying her for a girlfriend experience. You can't blame 748 00:36:53,080 --> 00:36:56,359 Speaker 2: this woman. The Amados never blamed Sylvie. Chad actually wrote 749 00:36:56,400 --> 00:36:59,000 Speaker 2: her a letter sort of absolving her of guilt. They 750 00:36:59,120 --> 00:37:02,359 Speaker 2: just begged her to off her relationship with him and 751 00:37:02,400 --> 00:37:05,080 Speaker 2: to stop taking his money or to stop receiving his 752 00:37:05,120 --> 00:37:07,759 Speaker 2: money because it wasn't actually his. But yet in these 753 00:37:07,840 --> 00:37:11,000 Speaker 2: videos that Grant recorded sort of begging his parents for 754 00:37:11,040 --> 00:37:13,560 Speaker 2: the funds to go start a life in Europe with Sylvie. 755 00:37:13,960 --> 00:37:16,840 Speaker 2: We could see that he's totally lost touch with reality. 756 00:37:17,239 --> 00:37:22,239 Speaker 2: He's pale, his face is drawn. He's speaking like he's 757 00:37:22,280 --> 00:37:25,759 Speaker 2: in the midst of some international espionage plot, using all 758 00:37:25,800 --> 00:37:29,440 Speaker 2: this James Bond type language about how his secrets need 759 00:37:29,520 --> 00:37:32,480 Speaker 2: to be protected and the mission needs to be completed 760 00:37:32,480 --> 00:37:35,080 Speaker 2: and the plan needs to be enacted, And you see 761 00:37:35,080 --> 00:37:38,160 Speaker 2: a man who's completely lost touch with reality. But I 762 00:37:38,200 --> 00:37:40,760 Speaker 2: don't know if we're necessarily looking at a man ready 763 00:37:41,120 --> 00:37:43,919 Speaker 2: to commit a triple homicide at that point in those videos. 764 00:37:44,560 --> 00:37:47,680 Speaker 2: It wasn't until, like I said, the final indignation of 765 00:37:47,760 --> 00:37:51,560 Speaker 2: having to talk to a professional therapist about his fantasies, 766 00:37:51,760 --> 00:37:56,000 Speaker 2: that Grant really could no longer take his fall from grace, 767 00:37:56,239 --> 00:37:58,400 Speaker 2: could no longer stomach what he had become, could no 768 00:37:58,440 --> 00:38:01,359 Speaker 2: longer really look in the mirror. And as someone on 769 00:38:01,360 --> 00:38:02,759 Speaker 2: my team put it, this was a man, you know 770 00:38:02,800 --> 00:38:06,839 Speaker 2: who really just couldn't withstand his own shame, couldn't deal 771 00:38:06,880 --> 00:38:09,640 Speaker 2: with what he had become, and had to destroy everybody 772 00:38:09,680 --> 00:38:12,000 Speaker 2: who was casting judgment on him, which again, his world 773 00:38:12,040 --> 00:38:14,640 Speaker 2: was so small. There were only three people Grant really knew. 774 00:38:14,719 --> 00:38:16,799 Speaker 2: Grant really spent time with, Grant shared his life with, 775 00:38:17,280 --> 00:38:19,640 Speaker 2: And if his life had been destroyed, then those three 776 00:38:19,680 --> 00:38:22,720 Speaker 2: people who constituted his life had to be destroyed as well. 777 00:38:22,960 --> 00:38:25,600 Speaker 1: Take me through that experience. Tell me about the crime, 778 00:38:25,600 --> 00:38:26,240 Speaker 1: what happened. 779 00:38:26,680 --> 00:38:29,560 Speaker 2: What we know about the crime is that Grant killed 780 00:38:29,760 --> 00:38:33,719 Speaker 2: his three family members with four bullets. It was very calculated, 781 00:38:34,120 --> 00:38:37,040 Speaker 2: it was very precise. Grant and his brother had an 782 00:38:37,120 --> 00:38:40,480 Speaker 2: enormous amount of experience with guns. They went to shooting 783 00:38:40,560 --> 00:38:44,080 Speaker 2: ranges all the time. They had many many guns in 784 00:38:44,120 --> 00:38:46,799 Speaker 2: the house. They played airsoft, which is sort of this 785 00:38:46,920 --> 00:38:51,440 Speaker 2: like militarized paintball game with all of their friends. And 786 00:38:51,480 --> 00:38:54,759 Speaker 2: he was a weapons expert. And what he did is 787 00:38:55,239 --> 00:38:57,640 Speaker 2: he came down one afternoon while everyone was at work. 788 00:38:57,640 --> 00:38:59,239 Speaker 2: His mother worked at home, so it was just Grant 789 00:38:59,239 --> 00:39:01,200 Speaker 2: and his mom at home. His mom was on the 790 00:39:01,200 --> 00:39:05,279 Speaker 2: computer playing Candy Crush. Grant snuck up behind her and 791 00:39:05,400 --> 00:39:07,120 Speaker 2: shot her in the back of the head. He then 792 00:39:07,160 --> 00:39:09,680 Speaker 2: waited for his father to get home. His father came 793 00:39:09,719 --> 00:39:12,240 Speaker 2: in through the kitchen. He walked in said hey Dad. 794 00:39:12,360 --> 00:39:14,439 Speaker 2: When his dad turned around, he shot his father once 795 00:39:14,680 --> 00:39:17,479 Speaker 2: failed to kill his father with that shot. His father 796 00:39:17,480 --> 00:39:20,239 Speaker 2: struggled for a bit and then Grant shot him one 797 00:39:20,520 --> 00:39:23,880 Speaker 2: final time, killing him. Then he got on the phone 798 00:39:23,880 --> 00:39:26,360 Speaker 2: with his brother. We're not sure what happened in this 799 00:39:26,440 --> 00:39:30,160 Speaker 2: phone call, but Grant somehow enticed his brother to leave 800 00:39:30,239 --> 00:39:33,399 Speaker 2: work and come home. This is what we know from 801 00:39:33,440 --> 00:39:36,000 Speaker 2: Cody's co workers. He got some kind of call, seemed 802 00:39:36,040 --> 00:39:39,360 Speaker 2: very distressed, and left work, which is not something Cody 803 00:39:39,880 --> 00:39:42,319 Speaker 2: was likely to do. He was a very committed and 804 00:39:42,320 --> 00:39:44,560 Speaker 2: regimented professional. Him leaving work in the middle of a 805 00:39:44,560 --> 00:39:47,640 Speaker 2: ship was unheard of. Cody comes home, takes one step 806 00:39:47,680 --> 00:39:49,640 Speaker 2: through the garage, Grant is waiting there on the side 807 00:39:49,680 --> 00:39:51,920 Speaker 2: of the wall, and kills Cody with one shot the 808 00:39:52,040 --> 00:39:56,440 Speaker 2: moment he walks in. Grant then spends hours at home 809 00:39:57,040 --> 00:40:01,800 Speaker 2: with the corpses of his family, organizing hard drives, trying 810 00:40:01,800 --> 00:40:05,160 Speaker 2: to get into his family member's bank accounts, making sure 811 00:40:05,160 --> 00:40:08,440 Speaker 2: that he has the entire archive of Sylvie videos, and 812 00:40:08,520 --> 00:40:10,879 Speaker 2: eventually leaving the home in the middle of the night, 813 00:40:11,640 --> 00:40:15,360 Speaker 2: going to a supermarket parking lot and logging onto Sylvie's 814 00:40:15,360 --> 00:40:17,319 Speaker 2: website so that he can watch a performance and spend 815 00:40:17,360 --> 00:40:20,000 Speaker 2: another night tipping her and being you know, being a 816 00:40:20,000 --> 00:40:23,040 Speaker 2: big dog in the winner's circle. He then goes to 817 00:40:23,120 --> 00:40:26,640 Speaker 2: a job interview the next morning, performs decently well at 818 00:40:26,680 --> 00:40:29,360 Speaker 2: this job interview, and is arrested at a hotel the 819 00:40:29,360 --> 00:40:33,600 Speaker 2: next day and he's taken in for questioning. He's very timid, 820 00:40:34,000 --> 00:40:38,040 Speaker 2: he's docile, he's in scrubs, and he gives I think. 821 00:40:38,080 --> 00:40:42,600 Speaker 2: Over the course of a six hour interrogation, he speaks 822 00:40:42,719 --> 00:40:46,320 Speaker 2: very placidly about his love of anime, his love of 823 00:40:46,440 --> 00:40:50,400 Speaker 2: video games, his love of weapons, his love of Sylvie. 824 00:40:50,920 --> 00:40:54,080 Speaker 2: He narrates the downfall that he had experienced, and this 825 00:40:54,280 --> 00:40:59,319 Speaker 2: very shocking short of crescendo to the interrogation. Grant is 826 00:40:59,360 --> 00:41:02,640 Speaker 2: presented with the photographs of his dead family members and asked, 827 00:41:02,680 --> 00:41:04,440 Speaker 2: did you leave the house with your family like this? 828 00:41:05,120 --> 00:41:09,239 Speaker 2: Grant breaks down in tears and immediately says no. He 829 00:41:09,280 --> 00:41:13,560 Speaker 2: holds his ground, claims his innocence, says he didn't do 830 00:41:13,600 --> 00:41:18,520 Speaker 2: anything like this. Went to trial claiming his innocence, saying 831 00:41:18,520 --> 00:41:21,520 Speaker 2: he never did anything like this, received a life sentence, 832 00:41:22,040 --> 00:41:25,880 Speaker 2: went behind bars claiming he was innocent. Spent months and 833 00:41:26,000 --> 00:41:29,160 Speaker 2: months on the phone with me, claiming his innocence, saying 834 00:41:29,160 --> 00:41:31,839 Speaker 2: he never did this. No one ever believed it. I 835 00:41:31,920 --> 00:41:34,440 Speaker 2: never believed it. He didn't have a credible theory of 836 00:41:34,440 --> 00:41:37,000 Speaker 2: what had actually happened that night. And then he took 837 00:41:37,080 --> 00:41:40,120 Speaker 2: his case to appeal. The Department of Justice in Florida 838 00:41:40,160 --> 00:41:42,920 Speaker 2: denied his appeal, and once it became clear that Grant 839 00:41:42,960 --> 00:41:44,600 Speaker 2: was going to be behind bars for the rest of 840 00:41:44,640 --> 00:41:47,759 Speaker 2: his life with no chance of parole, that is when 841 00:41:47,760 --> 00:41:50,120 Speaker 2: he decided to tell me the truth. That is when 842 00:41:50,120 --> 00:41:52,680 Speaker 2: he confessed to me that he had committed these murders. 843 00:41:53,520 --> 00:41:55,719 Speaker 2: He told me what happened that night, and then all 844 00:41:55,719 --> 00:41:57,440 Speaker 2: of a sudden, I was kind of treated to like 845 00:41:57,480 --> 00:42:00,920 Speaker 2: the real Grant, you know, the mask had fined cracked off, 846 00:42:01,560 --> 00:42:03,160 Speaker 2: and I was able to talk with the real grand 847 00:42:03,239 --> 00:42:05,400 Speaker 2: someone that he had in part been hiding from me 848 00:42:05,480 --> 00:42:08,520 Speaker 2: all these years, on the phone. And what we saw 849 00:42:08,719 --> 00:42:13,760 Speaker 2: was all this sort of egomania, these recriminations, the pathology 850 00:42:14,160 --> 00:42:16,920 Speaker 2: of thinking that he was better than everybody else and 851 00:42:16,960 --> 00:42:19,239 Speaker 2: that he deserved the world on a platter. All of 852 00:42:19,280 --> 00:42:22,440 Speaker 2: that really came to the foreground in a very unguarded 853 00:42:22,440 --> 00:42:25,880 Speaker 2: and shocking way once Grant's appeal was denied. And that 854 00:42:26,400 --> 00:42:28,400 Speaker 2: is the Grant that we introduced audiences to in the 855 00:42:28,400 --> 00:42:31,080 Speaker 2: third and final episode, and that is the Grant that 856 00:42:31,120 --> 00:42:34,840 Speaker 2: I hope audiences remember when they think back on this project. 857 00:42:35,239 --> 00:42:40,000 Speaker 1: I will say it's pretty disgusting. His smirk just transforms 858 00:42:40,120 --> 00:42:42,799 Speaker 1: I think, his whole personality, like you said in that 859 00:42:42,880 --> 00:42:46,560 Speaker 1: last episode, and it pops up a couple of different times. 860 00:42:46,600 --> 00:42:48,799 Speaker 1: I think, tell me about the little bit of a 861 00:42:48,800 --> 00:42:51,200 Speaker 1: wild goose chase that he sent you and then it 862 00:42:51,280 --> 00:42:54,520 Speaker 1: sounds like quite a few police officers on which ends 863 00:42:54,600 --> 00:42:55,920 Speaker 1: up with that damn smirk. 864 00:42:56,560 --> 00:42:59,200 Speaker 2: Yeah. One of the weak points in the prosecution's case 865 00:42:59,239 --> 00:43:01,480 Speaker 2: is that there was no more weapon. They couldn't find 866 00:43:01,520 --> 00:43:04,640 Speaker 2: the gun that had actually killed the Amatos, which was 867 00:43:04,640 --> 00:43:06,359 Speaker 2: a glaring hole in their case. It made it seem 868 00:43:06,440 --> 00:43:07,920 Speaker 2: like for a long time that Grant could actually be 869 00:43:07,960 --> 00:43:11,000 Speaker 2: found innocent and walk away from this trial of freeman. 870 00:43:11,320 --> 00:43:13,040 Speaker 2: Like I said, once it's appeal was denied and Grant 871 00:43:13,040 --> 00:43:14,560 Speaker 2: finally confessed to me, I asked him right away. I 872 00:43:14,560 --> 00:43:17,080 Speaker 2: was like, Grant, where's the murder weapon? And he said, oh, well, 873 00:43:17,120 --> 00:43:19,560 Speaker 2: I actually, after I killed my family, I went back 874 00:43:19,560 --> 00:43:21,400 Speaker 2: to one of my friend's houses and I buried it 875 00:43:21,440 --> 00:43:25,920 Speaker 2: in his backyard, which seemed strange, as many of the 876 00:43:26,000 --> 00:43:28,480 Speaker 2: lawyers said the second I told this theory to the lawyers, 877 00:43:28,480 --> 00:43:29,799 Speaker 2: they jumped on it right away. It was like, this 878 00:43:29,840 --> 00:43:32,520 Speaker 2: doesn't sound credible, this sounds bizarre. Wouldn't there be evidence 879 00:43:32,560 --> 00:43:34,960 Speaker 2: of digging. Why wouldn't he just throw it in a lake. 880 00:43:35,000 --> 00:43:38,600 Speaker 2: There's a million lakes around here. Why would he do this? Nevertheless, 881 00:43:38,680 --> 00:43:42,600 Speaker 2: Grant held tutor that story. I felt legally obligated to 882 00:43:42,640 --> 00:43:45,560 Speaker 2: tell the sheriffs that I had been told this information 883 00:43:45,640 --> 00:43:47,560 Speaker 2: that there could potentially be a murder weapon buried in 884 00:43:47,560 --> 00:43:50,359 Speaker 2: this backyard somewhere out in Florida. I had to give them, 885 00:43:50,440 --> 00:43:53,360 Speaker 2: you know, some sworn testimony, and they allowed us to 886 00:43:53,400 --> 00:43:56,280 Speaker 2: film them digging for this, this murder weapon in the backyard, 887 00:43:56,760 --> 00:43:59,719 Speaker 2: and they didn't find it. Grant, of course, had a 888 00:43:59,760 --> 00:44:01,720 Speaker 2: theory that, you know, he had buried it under a tree, 889 00:44:01,800 --> 00:44:04,440 Speaker 2: and in the years intervening between when he was arrested 890 00:44:04,440 --> 00:44:05,879 Speaker 2: and when we went to dig it up, those trees 891 00:44:05,920 --> 00:44:09,040 Speaker 2: had been removed, and maybe the landscapers had sort of 892 00:44:09,320 --> 00:44:11,400 Speaker 2: excavated the gun and just thrown it away in a 893 00:44:11,480 --> 00:44:15,080 Speaker 2: landfill somewhere. But you know, the story wasn't quite convincing, 894 00:44:15,239 --> 00:44:17,240 Speaker 2: and at that point, I think we saw that Grant 895 00:44:17,320 --> 00:44:20,080 Speaker 2: was you know, a manipulator, a narcissist, someone who was 896 00:44:20,160 --> 00:44:22,279 Speaker 2: enjoying this cat and mouse game that he was now 897 00:44:22,320 --> 00:44:24,719 Speaker 2: playing with me. And that was sort of the conclusion 898 00:44:24,719 --> 00:44:27,240 Speaker 2: that we all drew from this event. You know that 899 00:44:27,280 --> 00:44:32,400 Speaker 2: here's another lie, another manipulation, another desperate grasp for attention, 900 00:44:32,960 --> 00:44:36,759 Speaker 2: and also, I think, frankly, another desperate attempt on his 901 00:44:36,920 --> 00:44:41,480 Speaker 2: part to attack his friend. You know, the man who 902 00:44:41,560 --> 00:44:44,680 Speaker 2: Grant said had the gun buried in his backyard was 903 00:44:44,719 --> 00:44:47,760 Speaker 2: another innocent bystander, another victim of this crime, and another 904 00:44:47,840 --> 00:44:49,920 Speaker 2: victim of Grant's you know, machinations. 905 00:44:50,239 --> 00:44:53,280 Speaker 1: And I think, to your credit, that last episode really 906 00:44:53,360 --> 00:44:59,640 Speaker 1: does put so much separation between Grant, this love sick puppy, 907 00:45:00,239 --> 00:45:02,960 Speaker 1: you know, who was so desperate to be with this 908 00:45:03,040 --> 00:45:05,759 Speaker 1: cam model that he killed his parents and his brother 909 00:45:05,880 --> 00:45:08,040 Speaker 1: for the money and they were pressuring him to stop 910 00:45:08,080 --> 00:45:12,680 Speaker 1: and all of that, and this manipulative woman. And now 911 00:45:12,760 --> 00:45:16,120 Speaker 1: the reality of it is, you know, I wonder if 912 00:45:16,160 --> 00:45:18,840 Speaker 1: this would have happened in some way, shape or form, 913 00:45:19,080 --> 00:45:21,440 Speaker 1: whether he had met Sylvie or gotten into that world 914 00:45:21,520 --> 00:45:25,600 Speaker 1: or not, just because he seems so much more authentic 915 00:45:26,120 --> 00:45:29,760 Speaker 1: now after this mask is pulled off. It just seems 916 00:45:29,800 --> 00:45:33,239 Speaker 1: like inevitable that something bad was going to happen. But 917 00:45:33,520 --> 00:45:35,920 Speaker 1: as I was starting to say, now, to your credit, 918 00:45:36,080 --> 00:45:39,279 Speaker 1: there's so much space now between I think, you know, 919 00:45:39,360 --> 00:45:41,840 Speaker 1: Sylvie was an excuse and the cam model world was 920 00:45:41,880 --> 00:45:45,040 Speaker 1: an excuse that now is not very legitimate. 921 00:45:45,480 --> 00:45:48,600 Speaker 2: Yeah, I think you're absolutely right. I think that's you know, 922 00:45:48,640 --> 00:45:53,440 Speaker 2: grantstonfatuation with Sylvie was a symptom. It wasn't the disease, 923 00:45:54,280 --> 00:45:57,279 Speaker 2: and it's very important to distinguish between the two. I 924 00:45:57,320 --> 00:46:00,120 Speaker 2: think without Sylvie there still would have been a tragedy 925 00:46:00,200 --> 00:46:02,799 Speaker 2: in this family. And I think that, you know, even 926 00:46:02,840 --> 00:46:04,920 Speaker 2: if Grant's life had gone exactly how he wanted it 927 00:46:04,960 --> 00:46:07,759 Speaker 2: to and he had achieved all of this success, I 928 00:46:07,800 --> 00:46:10,920 Speaker 2: think he still would have hurt the people in his 929 00:46:10,960 --> 00:46:13,160 Speaker 2: life in some sort of savage way. It might not 930 00:46:13,280 --> 00:46:17,879 Speaker 2: have been this unbelievably tragic, violent outburst, but I think 931 00:46:17,920 --> 00:46:20,880 Speaker 2: this man has serious mental health problems and he was 932 00:46:20,920 --> 00:46:23,080 Speaker 2: going to hurt the people in his life in one 933 00:46:23,120 --> 00:46:25,880 Speaker 2: way or another. Sylvie was in, you know, sort of 934 00:46:25,880 --> 00:46:28,799 Speaker 2: the wrong place at the wrong time and became this 935 00:46:28,920 --> 00:46:31,960 Speaker 2: object of fascination for Grant. But I don't think she 936 00:46:32,200 --> 00:46:35,319 Speaker 2: twisted his mind or his motivations or preyed on his 937 00:46:35,360 --> 00:46:39,560 Speaker 2: emotions in any sort of unusual way whatsoever. There are 938 00:46:39,560 --> 00:46:42,440 Speaker 2: millions of people engaged in these kind of relationships around 939 00:46:42,440 --> 00:46:45,239 Speaker 2: the world. They don't end in violence. What was that 940 00:46:45,320 --> 00:46:47,719 Speaker 2: work here? With something a lot more complicated, a lot 941 00:46:47,800 --> 00:46:51,680 Speaker 2: more human, a lot more idiosyncratic to Grant's own, you know, 942 00:46:51,719 --> 00:46:54,080 Speaker 2: particular psychology and emotional makeup. 943 00:46:54,640 --> 00:46:58,600 Speaker 1: You hire an investigator, translator, investigator to try to find her, 944 00:46:58,840 --> 00:47:03,080 Speaker 1: and when ultimately this investigator tracks her down, Sylvie sounds 945 00:47:03,160 --> 00:47:06,400 Speaker 1: like another victim to me. I mean, she is scared, senseless, 946 00:47:06,480 --> 00:47:10,080 Speaker 1: and I'm sure if she were to pick someone to 947 00:47:10,160 --> 00:47:13,239 Speaker 1: speak with it would be your crew, just because you 948 00:47:13,320 --> 00:47:16,360 Speaker 1: have done such an in depth job. But she seems 949 00:47:16,600 --> 00:47:20,560 Speaker 1: frightened and of course not trusting Grant and feeling betrayed 950 00:47:20,600 --> 00:47:22,960 Speaker 1: in all sorts of things, but mostly frightened. 951 00:47:23,360 --> 00:47:26,360 Speaker 2: Yeah. I absolutely consider Sylvie to be one of the 952 00:47:26,440 --> 00:47:29,640 Speaker 2: victims of this crime. I told her so in many letters. 953 00:47:29,960 --> 00:47:32,680 Speaker 2: She you know, as doctor Jones says in our series, 954 00:47:32,719 --> 00:47:35,680 Speaker 2: she was just doing her job and this terrible thing happened. 955 00:47:35,719 --> 00:47:38,799 Speaker 2: When we speak to where she absolutely sounds scared. She 956 00:47:38,920 --> 00:47:40,960 Speaker 2: says that she had to go to therapy to recover 957 00:47:41,040 --> 00:47:43,359 Speaker 2: from this event. That has taken a lot of work 958 00:47:43,400 --> 00:47:44,799 Speaker 2: for her to get back on her feet, but that 959 00:47:44,920 --> 00:47:48,359 Speaker 2: luckily she has. She's still working, she's still successful. And 960 00:47:48,400 --> 00:47:51,400 Speaker 2: I think very telling is that she's never in this 961 00:47:51,440 --> 00:47:53,879 Speaker 2: conversation we have from her, she never says Grant's name, 962 00:47:54,719 --> 00:47:57,319 Speaker 2: she never says, you know, the term the murder or 963 00:47:57,360 --> 00:48:00,360 Speaker 2: the crime. She just says this thing. It's still something 964 00:48:00,360 --> 00:48:03,960 Speaker 2: that she can't speak. It's still something that clearly is 965 00:48:03,960 --> 00:48:07,600 Speaker 2: a weight on her. And again, it's just another crystal 966 00:48:07,640 --> 00:48:10,760 Speaker 2: clear portrait of and I hate to use this language, 967 00:48:10,760 --> 00:48:14,680 Speaker 2: but how effective this crime was. Grant destroyed so many people, 968 00:48:15,080 --> 00:48:18,400 Speaker 2: He destroyed so many lives, and the legacy of his 969 00:48:18,520 --> 00:48:21,919 Speaker 2: actions still live on. It's not over, and it will 970 00:48:21,920 --> 00:48:24,319 Speaker 2: not be over for anyone who lived through this. 971 00:48:24,960 --> 00:48:26,640 Speaker 1: I mean, I hate to bring this up, but this 972 00:48:26,800 --> 00:48:30,560 Speaker 1: man has gotten a tremendous amount of attention from women. 973 00:48:30,880 --> 00:48:34,160 Speaker 1: I never understand it. I don't need to understand it, 974 00:48:34,560 --> 00:48:37,440 Speaker 1: but he claims, and I'm sure it's true, that he 975 00:48:37,480 --> 00:48:41,560 Speaker 1: has gotten just hundreds of solicitations from women who want 976 00:48:41,600 --> 00:48:45,960 Speaker 1: to communicate with him. And kind of grossly he explains 977 00:48:46,160 --> 00:48:49,400 Speaker 1: how he knows when someone is authentic and is an 978 00:48:49,440 --> 00:48:52,440 Speaker 1: authentic and how he can now be picky. It is 979 00:48:52,520 --> 00:48:55,680 Speaker 1: clear that Grant A. Motto is getting more attention now 980 00:48:55,719 --> 00:48:58,759 Speaker 1: than he ever has in his entire life, and is 981 00:48:58,840 --> 00:49:01,240 Speaker 1: kind of getting what he wants in an odd way. 982 00:49:01,640 --> 00:49:05,040 Speaker 2: I think that's true, and that is an inevitable byproduct 983 00:49:05,040 --> 00:49:06,919 Speaker 2: of this project is that Grant is going to get 984 00:49:06,920 --> 00:49:09,640 Speaker 2: some attention, and it's going to be, you know, attention 985 00:49:10,080 --> 00:49:13,080 Speaker 2: from people who are likely not doing very well themselves. 986 00:49:13,719 --> 00:49:16,400 Speaker 2: What I hope is that this project once and for 987 00:49:16,480 --> 00:49:20,560 Speaker 2: all dispels the idea of Grant potentially being innocent, which 988 00:49:20,640 --> 00:49:22,600 Speaker 2: was still you know, in the public record that he 989 00:49:22,640 --> 00:49:24,840 Speaker 2: was claiming his innocence until I was able to extract 990 00:49:24,840 --> 00:49:27,360 Speaker 2: this confession for him. It's now a matter of public 991 00:49:27,400 --> 00:49:30,200 Speaker 2: and permanent record that Granted Motto did commit these murders, 992 00:49:30,480 --> 00:49:33,000 Speaker 2: has confessed to these murders, and I think, as we 993 00:49:33,080 --> 00:49:35,600 Speaker 2: expressed in the final the final minutes of the series, 994 00:49:35,840 --> 00:49:38,760 Speaker 2: experience is almost no remorse. So I think the idea 995 00:49:38,800 --> 00:49:41,680 Speaker 2: of him being a and this is language that I 996 00:49:41,680 --> 00:49:43,719 Speaker 2: got from speaking to some of these women who reach 997 00:49:43,760 --> 00:49:46,960 Speaker 2: out to these convicted murderers, is this is not you know, 998 00:49:47,360 --> 00:49:50,680 Speaker 2: a poor, broken boy, a victim of a modern society 999 00:49:50,719 --> 00:49:55,520 Speaker 2: who didn't understand his vulnerability. This was a cold, calculated, 1000 00:49:55,800 --> 00:50:00,279 Speaker 2: heartless act by a very disturbed man who, as a 1001 00:50:00,360 --> 00:50:04,400 Speaker 2: human being deserves some sympathy, but as a rational actor 1002 00:50:04,760 --> 00:50:08,400 Speaker 2: and a victim of circumstance, I think deserves no sympathy whatsoever. 1003 00:50:09,040 --> 00:50:11,560 Speaker 2: And what I'm hoping is that this actually dampens the 1004 00:50:11,600 --> 00:50:14,160 Speaker 2: appeal of the Grand Model story going forward. 1005 00:50:14,560 --> 00:50:17,360 Speaker 1: What was your last conversation like with Grant or have 1006 00:50:17,440 --> 00:50:19,440 Speaker 1: you had a last conversation with him yet? 1007 00:50:19,800 --> 00:50:21,719 Speaker 2: So I would say that we haven't had our last 1008 00:50:21,719 --> 00:50:24,560 Speaker 2: conversation without giving away too many details. Grant and I 1009 00:50:24,680 --> 00:50:27,480 Speaker 2: were able to communicate with a contraband cell phone that 1010 00:50:27,520 --> 00:50:29,680 Speaker 2: he was able to smuggle into prison. Oh, we were 1011 00:50:29,719 --> 00:50:32,960 Speaker 2: able to text fairly regularly, and he always had read receipts, 1012 00:50:33,000 --> 00:50:34,839 Speaker 2: so I would know when he received my messages. As 1013 00:50:34,880 --> 00:50:36,560 Speaker 2: far as I know, Grant hasn't received any of my 1014 00:50:36,600 --> 00:50:39,640 Speaker 2: messages since Thanksgiving. We're recording this in April, so it's 1015 00:50:39,680 --> 00:50:42,120 Speaker 2: been about four months since I was able to communicate 1016 00:50:42,160 --> 00:50:45,040 Speaker 2: with Grant. I think it's very likely that Grant is 1017 00:50:45,040 --> 00:50:47,360 Speaker 2: being punished for this series coming out, being punished for 1018 00:50:47,400 --> 00:50:50,520 Speaker 2: communicating with a journalist without the prison's intervention, and is 1019 00:50:50,600 --> 00:50:54,120 Speaker 2: very likely in solitary confinement right now. This is a 1020 00:50:54,200 --> 00:50:57,000 Speaker 2: risk that Grant knew he was taking. He kind of 1021 00:50:57,000 --> 00:50:59,759 Speaker 2: saw it as sort of the inevitable consequence of him 1022 00:50:59,760 --> 00:51:01,719 Speaker 2: pt disicipating in the story is that he would have 1023 00:51:01,760 --> 00:51:04,600 Speaker 2: his phone confiscated, he would be punished by the guards, 1024 00:51:04,640 --> 00:51:07,759 Speaker 2: and he'd be thrown in solitary And it appears that 1025 00:51:07,760 --> 00:51:10,479 Speaker 2: that's what's happening right now, though of course I don't 1026 00:51:10,480 --> 00:51:12,680 Speaker 2: know for sure. But what I can tell you is 1027 00:51:12,680 --> 00:51:15,800 Speaker 2: that Grant has not communicated with me since I finished 1028 00:51:15,840 --> 00:51:17,960 Speaker 2: the show in November. As far as I know, he 1029 00:51:18,000 --> 00:51:20,160 Speaker 2: hasn't seen the show and might not be able to 1030 00:51:20,160 --> 00:51:21,799 Speaker 2: get his hands on any kind of technology for a 1031 00:51:21,800 --> 00:51:23,359 Speaker 2: long time, which could be a good thing. 1032 00:51:23,680 --> 00:51:26,919 Speaker 1: What would be the purpose for you to keep communicating 1033 00:51:27,040 --> 00:51:29,680 Speaker 1: with him once the show is out? Is there another 1034 00:51:29,719 --> 00:51:30,440 Speaker 1: step after this? 1035 00:51:31,080 --> 00:51:34,520 Speaker 2: I feel that I owe Grant sort of the respect 1036 00:51:34,800 --> 00:51:36,879 Speaker 2: of staying in touch with him. You know, he did 1037 00:51:36,880 --> 00:51:39,440 Speaker 2: share his story with me. We spent a long time 1038 00:51:39,560 --> 00:51:42,400 Speaker 2: getting to know each other. That being said, I always 1039 00:51:42,440 --> 00:51:45,680 Speaker 2: had to create, you know, a very firm wall between us. 1040 00:51:46,200 --> 00:51:50,040 Speaker 2: This could never be a friendship or a therapeutic relationship 1041 00:51:50,080 --> 00:51:52,960 Speaker 2: for him, And certainly that was something that Grant wanted. 1042 00:51:53,040 --> 00:51:56,640 Speaker 2: You know, he's in prison for life, and he needs partnership, 1043 00:51:56,680 --> 00:51:58,839 Speaker 2: and he needs sympathy, and he needs people to listen 1044 00:51:58,840 --> 00:52:01,359 Speaker 2: to him. And once I realized that he was sort 1045 00:52:01,360 --> 00:52:03,920 Speaker 2: of developing this kind of attachment to me into our calls, 1046 00:52:04,239 --> 00:52:06,839 Speaker 2: I had to pull back a little bit and make 1047 00:52:06,880 --> 00:52:09,200 Speaker 2: sure that Grant didn't view me as a friend. That 1048 00:52:09,320 --> 00:52:12,040 Speaker 2: being said, I do feel that I owe him staying 1049 00:52:12,040 --> 00:52:14,840 Speaker 2: in touch. I'm curious to hear what he has to 1050 00:52:14,840 --> 00:52:18,279 Speaker 2: say about the show, But yeah, I certainly don't feel 1051 00:52:18,320 --> 00:52:20,560 Speaker 2: that Grant deserves my sympathy or my empathy any more 1052 00:52:20,600 --> 00:52:21,680 Speaker 2: than he's already received it. 1053 00:52:22,120 --> 00:52:24,719 Speaker 1: I'm just so curious about why did they not pursue 1054 00:52:24,920 --> 00:52:27,279 Speaker 1: the death penalty in this case. I am not going 1055 00:52:27,360 --> 00:52:30,000 Speaker 1: to talk about my politics around the death penalty, but 1056 00:52:31,000 --> 00:52:33,680 Speaker 1: we're in Florida. You would think that with a triple 1057 00:52:33,800 --> 00:52:35,800 Speaker 1: murder that would be the first thing on their minds. 1058 00:52:36,120 --> 00:52:38,360 Speaker 2: Well, it was certainly on the table. And the reason 1059 00:52:38,360 --> 00:52:40,879 Speaker 2: that Grant did not get the death penalty is that 1060 00:52:40,960 --> 00:52:44,359 Speaker 2: his one surviving brother, this was a half brother of 1061 00:52:44,360 --> 00:52:47,160 Speaker 2: his who had moved out of the house, was much 1062 00:52:47,160 --> 00:52:49,880 Speaker 2: older than Grant, sort of isolated from the family, but 1063 00:52:49,920 --> 00:52:52,880 Speaker 2: still a half brother. Nonetheless, someone who intimately knew Grant's 1064 00:52:52,920 --> 00:52:56,640 Speaker 2: parents went on the stand and said, despite everything, despite 1065 00:52:56,640 --> 00:52:59,800 Speaker 2: my absolute, rock solid belief that Grant did kill my family, 1066 00:53:00,400 --> 00:53:03,760 Speaker 2: I still love my brother, And that statement saved Grant's life, 1067 00:53:04,200 --> 00:53:07,360 Speaker 2: and again is yet another piece of evidence of the 1068 00:53:07,560 --> 00:53:11,000 Speaker 2: unconditional love and support that Grant received from his family 1069 00:53:11,200 --> 00:53:13,520 Speaker 2: every step down the rabbit hole. 1070 00:53:13,800 --> 00:53:17,040 Speaker 1: Did other family members say something similar or was there 1071 00:53:17,040 --> 00:53:20,120 Speaker 1: anybody else there to represent Chad and Margaret? 1072 00:53:20,400 --> 00:53:23,080 Speaker 2: No one else took the stand to defend Grant or 1073 00:53:23,120 --> 00:53:24,920 Speaker 2: to talk about the impact that this murder had had 1074 00:53:24,960 --> 00:53:28,680 Speaker 2: on the family. I think the Amatos were estranged from 1075 00:53:28,840 --> 00:53:31,880 Speaker 2: certain parts of their family. They were very isolated family. 1076 00:53:32,200 --> 00:53:34,080 Speaker 2: I think they all kind of just went to work 1077 00:53:34,080 --> 00:53:35,759 Speaker 2: and then went home and spent all of their free 1078 00:53:35,800 --> 00:53:38,359 Speaker 2: time at home together. So there were not a lot 1079 00:53:38,400 --> 00:53:41,440 Speaker 2: of people who had insight into what these tumultuous last 1080 00:53:41,480 --> 00:53:43,839 Speaker 2: six months of the Amado's lives were like. I think 1081 00:53:43,880 --> 00:53:45,799 Speaker 2: Margaret was upfront about the fact that she was going 1082 00:53:45,840 --> 00:53:48,719 Speaker 2: through family problems and she was distressed, but no one 1083 00:53:48,760 --> 00:53:51,160 Speaker 2: really knew what the nature of them was, and I 1084 00:53:51,160 --> 00:53:55,560 Speaker 2: think certainly everybody was disgusted with Grant. Everyone was completely 1085 00:53:55,600 --> 00:53:58,600 Speaker 2: convinced of his guilt and didn't feel like they needed 1086 00:53:58,640 --> 00:54:00,200 Speaker 2: to take the stand in order to put this man 1087 00:54:00,200 --> 00:54:00,800 Speaker 2: behind bars. 1088 00:54:01,440 --> 00:54:03,279 Speaker 1: Tell me a little bit about what your feelings are 1089 00:54:03,320 --> 00:54:08,360 Speaker 1: with that fem fatale storyline, the manipulated man, poor man 1090 00:54:08,560 --> 00:54:12,240 Speaker 1: who has fallen into the web of this woman who 1091 00:54:12,360 --> 00:54:16,440 Speaker 1: is specifically targeting him to kind of play with his emotions. 1092 00:54:16,760 --> 00:54:19,239 Speaker 2: I think it plays into the fantasy here that you know, 1093 00:54:19,360 --> 00:54:22,759 Speaker 2: men are not responsible for their own sexual impulses. It's 1094 00:54:22,760 --> 00:54:26,000 Speaker 2: something hardwired into them. They can't be taken to task 1095 00:54:26,080 --> 00:54:30,359 Speaker 2: for acting on these impulses, which obviously serves a patriarchy 1096 00:54:30,640 --> 00:54:34,800 Speaker 2: in you know, completely transparent ways. It puts a target 1097 00:54:34,840 --> 00:54:37,640 Speaker 2: on the backs of any women with sexual agency, any 1098 00:54:37,640 --> 00:54:40,839 Speaker 2: women who want to explore their sexual capital, who want 1099 00:54:40,880 --> 00:54:44,120 Speaker 2: to spend their sexual capital in the open marketplace. And 1100 00:54:44,160 --> 00:54:46,440 Speaker 2: what it does is it I think it's a way 1101 00:54:46,480 --> 00:54:49,120 Speaker 2: of you know, subjugating women. You know, you have the 1102 00:54:49,160 --> 00:54:52,279 Speaker 2: responsibility of not praying on men's sexuality, Whereas I think 1103 00:54:52,320 --> 00:54:54,640 Speaker 2: we all know that time and again, what most often 1104 00:54:54,640 --> 00:54:56,920 Speaker 2: happens is that women are the victims of male sexuality, 1105 00:54:57,160 --> 00:54:59,359 Speaker 2: and I think that's exactly what we're seeing in this 1106 00:54:59,440 --> 00:55:02,480 Speaker 2: case here, where Sylvie ends up becoming the victim of 1107 00:55:02,520 --> 00:55:14,400 Speaker 2: Brandon Motto, just like so many other people in this story. 1108 00:55:16,680 --> 00:55:19,560 Speaker 1: If you love historical true crime stories, check out the 1109 00:55:19,600 --> 00:55:22,480 Speaker 1: audio versions of my books The Ghost Club, All That 1110 00:55:22,600 --> 00:55:25,839 Speaker 1: Is Wicked, and American Sherlock, and Don't Forget. There are 1111 00:55:25,920 --> 00:55:29,680 Speaker 1: twelve seasons of my historical true crime podcast, Tenfold More 1112 00:55:29,719 --> 00:55:33,360 Speaker 1: Wicked right here in this podcast feed, scroll back and 1113 00:55:33,400 --> 00:55:36,160 Speaker 1: give them a listen if you haven't already. This has 1114 00:55:36,200 --> 00:55:40,719 Speaker 1: been an exactly right production. Our senior producer is Alexis M. Morosi. 1115 00:55:41,080 --> 00:55:45,520 Speaker 1: Our associate producer is Christina Chamberlain. This episode was mixed 1116 00:55:45,560 --> 00:55:49,440 Speaker 1: by John Bradley. Curtis Heath is our composer. Artwork by 1117 00:55:49,600 --> 00:55:54,000 Speaker 1: Nick Toga. Executive produced by Georgia Hardstark, Karen Kilgarriff and 1118 00:55:54,080 --> 00:55:58,440 Speaker 1: Danielle Kramer. Follow Wicked Words on Instagram at tenfold More 1119 00:55:58,480 --> 00:56:02,360 Speaker 1: Wicked and on Facebook look at Wicked Words Pod