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Speaker 1: He is drinks chants, motherfucking podcast man.

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Speaker 2: He's a legends every queen's rapper.

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Speaker 1: He ain't sagree that your boy in O R E.

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Speaker 1: He's a Miami hip hop pioneer. What ups d J

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Speaker 1: E f N?

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Speaker 2: Together they drink it up with some of the biggest

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Speaker 2: players you me and the most professional unprofessional podcast and

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Speaker 2: your number one source for drunk drink chans for.

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Speaker 1: Every day is New Year, Csten. It's time for drink champs.

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Speaker 3: Drink up mother mother?

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Speaker 1: What a good holies gonna see me this? Your boy

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Speaker 1: n A O n A? What up is d J

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Speaker 1: E f N? How y'all make some.

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Speaker 4: Yo?

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Speaker 1: Listen man. When we started this show, we said we

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Speaker 1: want to give it to people who are I calls

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Speaker 1: people who are legends. This man right here has been

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Speaker 1: making everybody in this room laugh for him, beyond and beyond.

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Speaker 1: He got asked Carl out of nowhere. Lord, he got

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Speaker 1: text and ship stop doing stress with a shirt open,

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Speaker 1: and he's continued to do it. He's my favorite old

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Speaker 1: spice man ever. You gotta listen.

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Speaker 5: Yeah, I mean listen. I can choose bro and he's

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Speaker 5: clean house. He's done it. He's been funnier and funny

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Speaker 5: and funny. He's grown with time. He is true in

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Speaker 5: the definition of wine is better with time.

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Speaker 1: He is a legend. He's an I car and today

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Speaker 1: drink chances remote So happy to give this man his

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Speaker 1: flowers and tell him how much he means to the game,

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Speaker 1: and tell him how much that when he's doing comedy,

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Speaker 1: the world is a better motherfucking place. So the one

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Speaker 1: thing that I'm a very fan of comedians, right, obviously, right,

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Speaker 1: The one thing I can see about your specials is

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Speaker 1: you never repeat jokes. Yeah, Like I see some of

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Speaker 1: the greats. Me watch them like I watched them at

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Speaker 1: Miami in prov and I'll go to like Milwaukee and

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Speaker 1: I can finish their joke. You know what I'm saying,

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Speaker 1: because I'm like, yo, man, my dude, I was watching it.

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Speaker 1: But something about you, especially your specials, you don't Why

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Speaker 1: is that why you do all new material? Man?

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Speaker 6: I just think that people people deserve that, you know

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Speaker 6: what I mean. Like when people come to these shows, man,

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Speaker 6: they get babysitters outfit, you know what I mean, They

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Speaker 6: taking budgets out, they pay checks to just come right

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Speaker 6: for you to come see me. And I do the

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Speaker 6: same thing that you saw last time. If it was me,

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Speaker 6: I wouldn't come again, you know what I mean, because

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Speaker 6: I keep by me. I keep getting babysitters for no reason,

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Speaker 6: you know what I mean.

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Speaker 3: Like, I'm not gonna do that.

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Speaker 6: I'm I'm gonna go see somebody else where I can

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Speaker 6: see something new, you know what I mean. And so

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Speaker 6: I just think the audience deserved that. And so when

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Speaker 6: I'm writing and when I'm going out on tour and

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Speaker 6: stuff like that, I keep that in mind, you know,

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Speaker 6: I keep those people in mind, and I go, all right,

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Speaker 6: I'm doing this for them, you know what I mean.

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Speaker 3: I want them to see something.

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Speaker 4: So you don't work out the material that you're doing

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Speaker 4: these No, I'll.

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Speaker 1: Work it out.

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Speaker 6: But I got a I have like a little residency

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Speaker 6: in Los Angeles. I have to improv forty people. That's

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Speaker 6: like forty people.

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Speaker 3: And I be bombing my ass off of that. Motherfucker.

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Speaker 3: People be laughing at me, not being fun. But I

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Speaker 3: have to do it, you know what I mean.

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Speaker 6: I'd rather bomb in front of forty people to see

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Speaker 6: what work and what don't. But then once I stockpile

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Speaker 6: all that material, then at the while, after a few

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Speaker 6: months whatever, I go hit the road, then you.

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Speaker 1: Really be taking down the joke.

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Speaker 6: Yeah yeah, yeah, yeah, And I purposely leave one joke

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Speaker 6: that don't work, okay, Yeah, I think it's funny not

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Speaker 6: being funny.

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Speaker 1: Okay.

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Speaker 3: Yeah.

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Speaker 1: So I seen you in a breakfast club and you

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Speaker 1: was talking about the Spare. I believe the spare is

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Speaker 1: the thing in Las Vegas.

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Speaker 3: Oh yeah, And.

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Speaker 1: You were saying that, I believe YouTube right sold it

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Speaker 1: out four days in a row for five months straight,

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Speaker 1: all right, So it made me started to think.

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Speaker 3: One.

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Speaker 1: Obviously, I thought of bad Bunny, but then I thought

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Speaker 1: of bad Bunny. Bad Bunny did did similar to that

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Speaker 1: three months straight.

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Speaker 3: Uh huh.

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Speaker 1: I believe it was four days a week, but it

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Speaker 1: was in Puerto Rico. So that's home Court adventage, right.

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Speaker 3: Ye. Absolutely.

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Speaker 1: The one thing that I was thinking about when I

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Speaker 1: heard you say that was the one thing about this

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Speaker 1: is you got Paul McCart, You got YouTube right, you

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Speaker 1: got YouTube group. YouTube is a group. Yeah, so it's

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Speaker 1: more than one people that you're coming to see. Now,

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Speaker 1: can we do that same thing with Kevin Hart and

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Speaker 1: Chris Rock Drake and Kendrick Lamar, each one of them together,

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Speaker 1: get it? And like yeah, yeah, yeah, okay.

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Speaker 6: But all of them are like headliners within themselves or whatever.

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Speaker 3: I was just mainly speaking like what icons do.

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Speaker 1: We have, like just the YouTube that can do that?

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Speaker 6: And the only person I can really think that could

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Speaker 6: possibly do it is Diana Ross.

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Speaker 3: Only Beyonce could do it. Yes, yes, Beyonce can do it.

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Speaker 3: Yeah yeah yeah she can't, she can't.

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Speaker 6: But but other than that, I really don't know too

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Speaker 6: many people that can that can sell it out four

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Speaker 6: days a week, sometimes five days a week for five

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Speaker 6: months straight. Like I don't know no black icons that

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Speaker 6: can really do that. I mean, you could put Earth

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Speaker 6: in the Fire, Stevie Wonder and Lina Richie together, but

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Speaker 6: old niggas gonna be there.

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Speaker 1: But I don't know.

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Speaker 6: Nobody else that can just do but you got to

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Speaker 6: put them together.

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Speaker 3: Yeah you know what I mean, you can't can't do it.

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Speaker 1: I feel like jay Z and Nas could do that,

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Speaker 1: But that might be my hip hop saying that to me.

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Speaker 3: Because you know me too on it too. But I

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Speaker 3: don't know what you say.

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Speaker 1: I don't know.

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Speaker 3: I'm a Nas jay fan. I just you know, know,

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Speaker 3: you know what with.

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Speaker 1: The important parson that you're saying is the geographics is

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Speaker 1: the actual uh Las Vegas. Las Vegas is a tourist town.

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Speaker 1: Even the people that that that live in Las Vegas

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Speaker 1: don't really come out. They're like already written, right.

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Speaker 6: But I think that I also think the problem is

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Speaker 6: a lot of black folks, young especially young folks, they

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Speaker 6: don't they don't support our icons. They just don't say yeah,

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Speaker 6: they don't. They don't go see nobody that that be

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Speaker 6: really be. It'd be like a lot of older people.

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Speaker 6: I went to a Morse Date concert. It was like

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Speaker 6: there was like twelve hundred people in the audience and

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Speaker 6: I was sitting up here like this mors.

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Speaker 3: Day, Like anyway they come to Seymour's days.

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Speaker 1: That's good. Yeah, somebody truck is hard something twenty five.

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Speaker 3: Yeah.

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Speaker 6: But I've seen these shows be like very small audiences

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Speaker 6: because a lot of young cats be like, man, they

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Speaker 6: wanted to see the hip happening ship and they don't.

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Speaker 6: They don't go see their icons. But I just went

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Speaker 6: to go see Billy Idol. I'm in the audience at

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Speaker 6: Billy Idol.

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Speaker 3: Ship, jam motherfucker all the way to the back.

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Speaker 6: Everybody only black people that was there was me and JB.

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Speaker 6: Smooth black people.

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Speaker 1: I'm going to see cooler gang. I'm going to just well, I.

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Speaker 3: Was with Robert glassfer Uh at Napa Valley.

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Speaker 1: When you have fooling the gang, I.

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Speaker 3: Mean, I know we know it's earthing the fire, Earth

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Speaker 3: the fire.

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Speaker 6: I'm tripping cooling again. I ain't never seen cool in

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Speaker 6: the game. They got that new leader, they don't got

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Speaker 6: the damn got j T.

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Speaker 1: Don't they cooking niggas out of the game.

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Speaker 6: This is a nigga that looks like changing.

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Speaker 4: Even with Morris Day, You're like, come on, they wasn't

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Speaker 4: around no, but.

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Speaker 6: They think that's the person like that, Like when I

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Speaker 6: went to see Morris Day, that one Jerome with them,

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Speaker 6: I like, who's this niggag holding the mirror more ship?

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Speaker 3: Like, yeah, they changing them out left and right.

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Speaker 1: You know. Now, one thing that I saw you explain

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Speaker 1: in a couple of places, and it was very articulate,

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Speaker 1: but it was something that that that touched me directly,

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Speaker 1: right that y'all said that when y'all renegotiated Blackish, everybody

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Speaker 1: kind of went in and kind of like did it individually, right,

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Speaker 1: And that's something like I believe that hip hop could

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Speaker 1: have learned from y'all, right, like had had y'all, like

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Speaker 1: like collectively, you know, got together, because because collectively, without y'all,

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Speaker 1: there is no show, right, and the show is a

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Speaker 1: hit show. Right, it's a hit show. So it just

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Speaker 1: makes sense, like, hey, guys, we're not trying to be assholes,

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Speaker 1: but we're trying to be compensated in the way that

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Speaker 1: we did. Do you think that was a mistake that

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Speaker 1: you guys didn't come together.

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Speaker 6: I totally think it was a mistake because I rallied,

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Speaker 6: especially with the guys that if any I ever seen

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Speaker 6: the show. We used to have like an office scene

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Speaker 6: where he would Anthony would go to work. He had

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Speaker 6: talked to his coworkers and we used to always do

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Speaker 6: these office scenes. So I was talking to the office

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Speaker 6: people like, yo, man, they need us for the scene,

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Speaker 6: Like let's just chill and then we man, let's get

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Speaker 6: our money up like everybody else is doing it.

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Speaker 3: Let's just do that.

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Speaker 6: And it was like, because I don't think the family

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Speaker 6: was really dealing with us like that, So I was like,

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Speaker 6: let's deal with the office cats. All of them was like, yeah,

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Speaker 6: let's do it.

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Speaker 1: But when you say the family, what you mean.

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Speaker 6: Like like Anthony family like that was one entity and

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Speaker 6: then it was the.

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Speaker 1: Yeah, because I wouldn't even look at it.

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Speaker 6: Because when we did these scenes, we never was with

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Speaker 6: the family. Every blue moon you would see episode with

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Speaker 6: us with the family, but other than that, no, yeah.

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Speaker 1: It would just be us.

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Speaker 6: Shoot this and then he'll come shoot with us. But

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Speaker 6: we never really was with him or whatever, you know.

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Speaker 6: So I was like, man, So I was like, yeah,

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Speaker 6: let's let's let's let's wait and let's get our money up.

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Speaker 6: And then I went in there picking sign blackfist up

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Speaker 6: and they was.

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Speaker 3: Like, everybody's down to make up, get ready.

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Speaker 1: I was like, this is a question that I'm actually

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Speaker 1: super naive because we got black directors, we got black producers,

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Speaker 1: we got black writers, we got black actors. Like when

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Speaker 1: are we going to ever be the foodboo? Like, when

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Speaker 1: are we going to actually be the food of movies?

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Speaker 3: Right?

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Speaker 1: Like, what's what's my man name? Just did the the

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Speaker 1: the the ship that's on Netflix? Stalkers?

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Speaker 3: What is it?

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Speaker 1: The ship with Michael B.

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Speaker 3: Jordan's center sitting there?

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Speaker 1: And I said stokers? But we understand that he's a

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Speaker 1: black director, right, we understand so and it's successful isn't

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Speaker 1: that example that we should just go and take on

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Speaker 1: our own thing or do we need these budgets?

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Speaker 6: I mean, it's all changing right now, man, everything's changing.

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Speaker 6: Everybody is getting super independent. Everybody's doing their own thing.

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Speaker 6: One thing that they can't take away is, you know,

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Speaker 6: a hit is a hit, you know what I mean.

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Speaker 6: The script is great, The script is great. They can't

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Speaker 6: take it away. Like a star's a star. You cannot

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Speaker 6: take away a star being the star, you know what

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Speaker 6: I mean. It's just it's inevitable, you know, so as

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Speaker 6: long as you keep writing what you writing, and it's

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Speaker 6: going to speak for itself, you know what I mean,

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Speaker 6: especially if everybody want it. The problem is is that

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Speaker 6: I don't think that we are like taking each other

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Speaker 6: with us, you know what I mean. It's still that

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Speaker 6: only one person can get it at a time type

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Speaker 6: of mentality.

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Speaker 3: But it's like that in music too.

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Speaker 6: It's like that and everything it's like and it's so

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Speaker 6: sad because it's different styles of people.

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Speaker 3: It's different styles of people.

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Speaker 6: Comedy, acting, music, hip hop, and it's like, let everybody

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Speaker 6: have their own style in their own lane, and maybe

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Speaker 6: it could be six month Buckers at the top of

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Speaker 6: the thing, but in different styles, you know what I mean.

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Speaker 6: Like back in the nineties it hip hop and shit,

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Speaker 6: that was the beauty about hip hop.

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Speaker 3: Back then, everybody was unique and doing their own thing,

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Speaker 3: and it was like that.

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Speaker 6: And now it's like, if you not sounding like a motherfucker,

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Speaker 6: you can't get signed. And that's how it is with

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Speaker 6: comedy a lot of times too, if you don't sound,

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Speaker 6: if you're not doing this, because there's a lot of

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Speaker 6: comics that's doing like CrowdWork, you know what I mean.

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Speaker 6: And I'm not mad at it. Big on stage and

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Speaker 6: they just go, hey, where you're from, Oh, yeah, what's

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Speaker 6: your what's your birthday?

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Speaker 3: Oh that's your wife? Okay, hey you that's your girlfriend?

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Speaker 3: Heys And there's no written material. They're just doing that.

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Speaker 3: I'm not mad at that, Like that's what you do.

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Speaker 3: That's what you do. But everybody's I mean, it is

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Speaker 3: considered improv but still it takes away from you know,

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Speaker 3: writing a joke, you know what I mean. People still

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Speaker 3: want to hear jokes.

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Speaker 6: Nobody want to go in there and listen to you

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Speaker 6: get to know everybody.

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Speaker 3: For a whole while, you know what I mean, Like

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Speaker 3: you do that on.

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Speaker 1: Your that's your weekend greet.

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Speaker 7: It's just.

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Speaker 6: Exact niggas, you know, like Yo, don't spend the whole

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Speaker 6: goddamn time getting to know motherfuckers. It's like, people want

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Speaker 6: a joke and I ain't mad at it.

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Speaker 3: I just I just want balance.

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Speaker 6: I want to balance with everything, Like give me balance

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Speaker 6: with that ship, you know. But you know, the game

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Speaker 6: is changing, man, A lot of people don't know no better,

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Speaker 6: especially younger cats. They just don't know no about it,

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Speaker 6: and that's what they came up on. But I just

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Speaker 6: want everybody to understand that there's a formula that happened

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Speaker 6: way before that, and it still exists, and it's very scarce,

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Speaker 6: but it still exists.

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Speaker 3: Well yeah, and it still works.

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Speaker 6: I mean you got people like you know, Chappelle myself,

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Speaker 6: that's you know, yeh said, that's that's out here, like

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Speaker 6: really still killing the game with that, you know, And

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Speaker 6: so I just want people to understand that that's not

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Speaker 6: the end all be all, Like look for balance in

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Speaker 6: any comedian you go see, force them and challenge them

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Speaker 6: to write a joke and see what happened.

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Speaker 1: So let me ask you, right, in these past couple

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Speaker 1: of years, it's been a lot easier to get on

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Speaker 1: a comedy because of this. Right. Yeah, so you have

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Speaker 1: you have comedians that's full fledged comedians that can get

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Speaker 1: up and give it to you, and then you got

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Speaker 1: comedians that sketch comedians. Right, that's that they cater to Instagram.

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Speaker 4: Right.

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Speaker 1: We had an episode on this show one time. It's

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Speaker 1: one of my favorite episodes on the show. Was we

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Speaker 1: had was the guy Mike, Mike Apps was just a

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Speaker 1: natural comedian. Yeah. I know, I did not know what

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Speaker 1: I was doing. I did not set this guy up,

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Speaker 1: you know. So I just put the enternet Forgot's name

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Speaker 1: is we Do Brown. But I put him next to Mike,

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Speaker 1: and Mike just couldn't help himself. He just start frying

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Speaker 1: this guy. He just like he was like yo, he said,

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Speaker 1: he said, it looked like God. I wanted to make

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Speaker 1: you omitgine and he said, I'm gonna give you a

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Speaker 1: little bit more. You know.

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Speaker 3: So what I'm I'm.

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Speaker 1: Thinking this is how naive I am get you two points. One,

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Speaker 1: I'm thinking every comedian now, and then two, I'm at

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Speaker 1: least thinking they know each other, like at least they met.

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Speaker 1: And Mike just couldn't help himself. Bro, Like and there

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Speaker 1: was Mike Boy named the Older the Older Gentleman. Oh

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Speaker 1: he was even worse. They were just going at him.

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Speaker 1: And I'm sitting there and I'm saying to myself, I

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Speaker 1: set up this.

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Speaker 8: Commedion, knowing, knowingly for the brave warriorms comedians into a

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Speaker 8: newborn basically.

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Speaker 1: And they just ate the new born man. You know.

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Speaker 4: That was like an idol to him, like he's getting

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Speaker 4: no more.

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Speaker 1: What I'm trying to say is this, there's there's some

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Speaker 1: new comedians that you can tell they're going to supersede

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Speaker 1: this Instagram thing. They're gonna they're gonna go above there.

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Speaker 1: And then some people that say, you know what, that's

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Speaker 1: your world, but stay there because you can't fuck with

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Speaker 1: this other world.

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Speaker 6: So with us is absolutely that's the truth, you know,

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Speaker 6: like those sketches and what you're known for online and

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Speaker 6: ship and then you're getting this notoriety and everybody love

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Speaker 6: you and ship like that, And then you try to

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Speaker 6: go to the comedy club and you try to get

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Speaker 6: some material going.

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Speaker 3: If you're gonna do that, you.

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Speaker 6: Better go get some writers or something. Don't go in there, motherfucker,

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Speaker 6: motherfucker kick a cat a cat, right kick it in

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Speaker 6: the lake and everybody see that ship go viral, and

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Speaker 6: then you're gonna stay and you kick the cat ship.

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Speaker 9: Right, so now you're gonna say to be kicking ship,

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Speaker 9: hick a bunch of ship and make everybody laughs.

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Speaker 1: Fucking life, Yo, you better.

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Speaker 6: Keep kicking mother, because you ain't got no material and ship,

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Speaker 6: you know what I mean.

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Speaker 3: But that's what they do.

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Speaker 6: They they have to watch that will make you as

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Speaker 6: will break you.

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Speaker 3: You gotta understand that, you know, you got to.

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Speaker 6: Yeah, you gotta understand that you on that motherfucking Graham

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Speaker 6: blowing the funk up, you better know what happened after that,

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Speaker 6: you know what I mean. And there's a lot of

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Speaker 6: newer comics that that are feeling that right now. They're going,

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Speaker 6: oh that they went out there with this notoriety and

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Speaker 6: when did these clubs? And man, it just didn't go

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Speaker 6: good for them, you know what I mean.

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Speaker 1: Because sometimes it works vice versa. Sometimes it goes where

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Speaker 1: the older comedians are trying to do the.

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Speaker 10: Skits and that didn't work. Bro trying to be banks,

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Speaker 10: but shout out.

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Speaker 3: That's what I love. This is just one of those

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Speaker 3: guys that got it off, you know what I mean.

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Speaker 3: He figured it out and he gave and he gave

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Speaker 3: homage to Motheruckers beforehand. You know what I mean.

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Speaker 1: What I love about the new comedians, this is what

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Speaker 1: I love when they get canceled. Like day three days

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Speaker 1: of cancelation. You didn't see you know, he got canceled

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Speaker 1: the other day. That's that's he banks. He did a

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Speaker 1: skit about the guy who was like, I like, you

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Speaker 1: you know the guy who raped people in jail. Oh

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Speaker 1: my god, I don't know. I don't know what that's

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Speaker 1: the story. So so what happens is, by the way,

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Speaker 1: I don't want to say the skin is hilary because

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Speaker 1: don't want to be canceled leading sunny. But I didn't realize.

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Speaker 1: So when you read the comments, there was so many

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Speaker 1: like like they're like yo, and the comments is saying YO,

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Speaker 1: making fun about rape is never a joke. And I'm like,

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Speaker 1: damn because I thought it was funny. I'm like, I'm

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Speaker 1: part of the problem. So what I'm trying to say

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Speaker 1: is I believe he went an apology. Told is it

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Speaker 1: hard for comedians like because it's like you're going to

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Speaker 1: cross the line but never put the pinky toe over.

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Speaker 3: Look, it's such it's such a It's.

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Speaker 6: Something that every comic deal with, especially nowadays, man, because

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Speaker 6: you're we're in the business, especially the old school comics

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Speaker 6: funnyest funny.

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Speaker 3: We know, and you take pain and you make it funny.

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Speaker 3: You can't gonna stage going.

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Speaker 6: I had a magnificent day to day and I got

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Speaker 6: paid and I ain't going.

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Speaker 11: All my kids are great, you know, I'm like, God,

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Speaker 11: she did three threesomes with me this week.

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Speaker 6: You can't do some ship like that. You know, you

395
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Speaker 6: got to. You got to you go from pain. So

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Speaker 6: when you have these situations that's hurtful to people, you

397
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Speaker 6: got to understand the comic.

398
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Speaker 3: Is coming from pain from the get go. But everything

399
00:20:17,440 --> 00:20:17,800
Speaker 3: that he's.

400
00:20:17,680 --> 00:20:20,040
Speaker 6: Saying so he don't mean no harm by it. He's

401
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Speaker 6: just taking another painful moment trying to make it funny.

402
00:20:23,880 --> 00:20:29,400
Speaker 6: So to differentiate between what's painful that's acceptable and what's

403
00:20:29,440 --> 00:20:33,520
Speaker 6: painful that's not is some really fucked up ship that

404
00:20:33,680 --> 00:20:35,480
Speaker 6: you have to go by.

405
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Speaker 3: After change all the time and changes all the time,

406
00:20:38,280 --> 00:20:40,479
Speaker 3: you know what I mean, So you don't know what

407
00:20:40,600 --> 00:20:43,280
Speaker 3: the fuck you can really say and not say. So

408
00:20:43,600 --> 00:20:47,960
Speaker 3: it's a very touchy, touchy area for for for comics.

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Speaker 3: Or whatever.

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Speaker 6: You know, figure that shit. I don't fuck with neither, right,

411
00:20:52,119 --> 00:20:54,320
Speaker 6: But in my and my stand up, I don't say

412
00:20:54,320 --> 00:20:55,200
Speaker 6: ship about that ship.

413
00:20:55,440 --> 00:20:58,400
Speaker 1: You got to see from the beginning as well. Oh yeah, yeah.

414
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Speaker 6: He had a group called to Go Get Us and

415
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Speaker 6: they used to perform at this place called the Cotton Club.

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Speaker 1: Man.

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00:21:03,359 --> 00:21:06,560
Speaker 6: Everybody de started to be like uh and I got

418
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Speaker 6: some hell.

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00:21:07,000 --> 00:21:08,800
Speaker 3: Of five beats that was just it.

420
00:21:08,880 --> 00:21:14,040
Speaker 6: You know, he rhymes, but he wasn't like he was like, yeah,

421
00:21:14,080 --> 00:21:17,360
Speaker 6: it wasn't great like that, but the music was like, oh,

422
00:21:17,520 --> 00:21:18,879
Speaker 6: this dude is crazy.

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00:21:18,560 --> 00:21:19,159
Speaker 3: With it, you know.

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Speaker 6: And he just kept doing and kept doing, and I

425
00:21:21,760 --> 00:21:27,160
Speaker 6: remember he did uh h is uh. Then he did

426
00:21:28,119 --> 00:21:32,240
Speaker 6: motherfucking beans true to truth. Every time I step in

427
00:21:32,280 --> 00:21:36,440
Speaker 6: the book after that, myers have to reintroduce themselves to him.

428
00:21:37,320 --> 00:21:40,000
Speaker 1: Yeah, it was it was like what up?

429
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Speaker 3: Yea.

430
00:21:40,440 --> 00:21:45,320
Speaker 1: Then it was like Kanye West, to give you a

431
00:21:45,359 --> 00:21:48,360
Speaker 1: great story. Me go back to that, let me give

432
00:21:48,359 --> 00:21:50,239
Speaker 1: you a great story. I thought you have mister Lee

433
00:21:50,320 --> 00:21:55,240
Speaker 1: working for you right there. We're on the group chat

434
00:21:55,280 --> 00:21:58,359
Speaker 1: and I'm like, yo, I said, you asked, what is

435
00:21:58,440 --> 00:22:01,800
Speaker 1: d on work drinking? And he goes, excuse me, He

436
00:22:01,880 --> 00:22:09,440
Speaker 1: goes by the name of Cole, Sir, I know what

437
00:22:09,520 --> 00:22:15,159
Speaker 1: you got good here.

438
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Speaker 3: To addressed.

439
00:22:22,240 --> 00:22:31,080
Speaker 1: Jesus this year is too okay from the Kanye, we're

440
00:22:31,080 --> 00:22:35,560
Speaker 1: talking about Kanye, yeah yeah, yea, yeah. So we spoke

441
00:22:35,560 --> 00:22:39,080
Speaker 1: about after he started wearing lover. Yeah, because you have

442
00:22:39,160 --> 00:22:41,000
Speaker 1: to call the nigga what we love.

443
00:22:41,160 --> 00:22:44,800
Speaker 6: We're gonna you know, some lovers with that cold weather

444
00:22:44,840 --> 00:22:48,399
Speaker 6: after Jack No, no, no, it was there was good people.

445
00:22:48,520 --> 00:22:48,720
Speaker 4: Man.

446
00:22:48,760 --> 00:22:50,600
Speaker 6: They weren't like I was around him a super lot.

447
00:22:50,640 --> 00:22:52,000
Speaker 6: But I used to be with my I don't know

448
00:22:52,000 --> 00:22:56,160
Speaker 6: if you know, I got Coodie. Yeah, yeah, that's my guy.

449
00:22:56,240 --> 00:22:58,120
Speaker 6: Some me and Coody was like, you know, we're still

450
00:22:58,200 --> 00:23:00,520
Speaker 6: best friends man, and you know, we used to hang

451
00:23:00,560 --> 00:23:02,760
Speaker 6: out a lot, so I would be around Yay. When

452
00:23:02,800 --> 00:23:05,280
Speaker 6: Coody started documenting him and ship, you know, and then

453
00:23:05,760 --> 00:23:09,640
Speaker 6: it just got to a point where I just me personally,

454
00:23:09,680 --> 00:23:12,199
Speaker 6: I just felt like I was like I remember one

455
00:23:12,280 --> 00:23:14,440
Speaker 6: day we went to a party and we were and

456
00:23:14,480 --> 00:23:17,720
Speaker 6: when we walked in, Yea was like, man, let's go

457
00:23:17,760 --> 00:23:20,119
Speaker 6: to the VIP area and it was like probably about

458
00:23:20,119 --> 00:23:22,280
Speaker 6: fifteen of us and we went to the VIP area

459
00:23:22,320 --> 00:23:24,440
Speaker 6: and we were chilling. Then he was like this ship

460
00:23:24,560 --> 00:23:26,919
Speaker 6: dead up here. Let's go downstairs with action that. So

461
00:23:26,960 --> 00:23:29,639
Speaker 6: we all went downstairs with action that. Then he was like,

462
00:23:30,080 --> 00:23:31,800
Speaker 6: Sniggs keeps sucking with me, Come on, let's go back

463
00:23:31,880 --> 00:23:33,680
Speaker 6: upstairs to the VIP. And then we went a man

464
00:23:34,640 --> 00:23:36,959
Speaker 6: and then he was like, damn, ain't no holds up

465
00:23:37,000 --> 00:23:40,080
Speaker 6: there down the stairs ship we brought. When we went

466
00:23:40,119 --> 00:23:41,959
Speaker 6: back down there, I was like, I ain't going back up.

467
00:23:42,560 --> 00:23:44,199
Speaker 6: I ain't going and the niggas went up and I

468
00:23:44,280 --> 00:23:45,000
Speaker 6: just stayed down.

469
00:23:45,040 --> 00:23:46,560
Speaker 3: And then I was like, I ain't.

470
00:23:46,359 --> 00:23:48,680
Speaker 6: About to keep following you around nigga like that. And

471
00:23:48,760 --> 00:23:51,520
Speaker 6: I think that was the end of my hanging.

472
00:23:53,320 --> 00:23:57,960
Speaker 1: And restro respect. Other than r Kelly Yay really had

473
00:23:57,960 --> 00:24:01,360
Speaker 1: no other example to actually look at, right, because who

474
00:24:01,400 --> 00:24:07,320
Speaker 1: else blew up? I mean, what is like the global artist.

475
00:24:09,640 --> 00:24:09,800
Speaker 3: All?

476
00:24:09,800 --> 00:24:12,440
Speaker 6: They all they can like, you know, to be real

477
00:24:12,480 --> 00:24:13,880
Speaker 6: with you, everybody looked.

478
00:24:13,640 --> 00:24:18,120
Speaker 3: At comment Common.

479
00:24:18,200 --> 00:24:21,600
Speaker 6: Common was Common was the motherfucker? I mean, who's the

480
00:24:21,720 --> 00:24:23,520
Speaker 6: dude that was doing it? If you did the song

481
00:24:23,560 --> 00:24:25,760
Speaker 6: with Common, you was like, oh, so, I'm quite sure

482
00:24:25,840 --> 00:24:28,320
Speaker 6: ya was excited to rock with with Common?

483
00:24:28,359 --> 00:24:31,160
Speaker 3: You know what I mean? Because it was juice comment

484
00:24:32,240 --> 00:24:39,040
Speaker 3: Twister I did do I die? You know? Yeah? It was.

485
00:24:39,240 --> 00:24:40,640
Speaker 6: It was a lot of a lot of a lot

486
00:24:40,640 --> 00:24:44,520
Speaker 6: of great West Side MC's that was getting down, you know,

487
00:24:44,680 --> 00:24:48,280
Speaker 6: a psychodrama Buck and all them, they was all getting

488
00:24:48,280 --> 00:24:48,560
Speaker 6: it in.

489
00:24:48,640 --> 00:24:51,120
Speaker 3: So Yay was like he did a.

490
00:24:51,040 --> 00:24:54,400
Speaker 6: Song called a Hire with Do a Die and them,

491
00:24:54,480 --> 00:24:56,000
Speaker 6: you know what I mean, because he wanted to work

492
00:24:56,000 --> 00:24:58,639
Speaker 6: with them whatever. But yeah, it was like it was

493
00:24:58,720 --> 00:25:01,680
Speaker 6: like we you want to work Chicago artists only at

494
00:25:01,680 --> 00:25:04,960
Speaker 6: first shout out the track stuff like it was all

495
00:25:04,960 --> 00:25:07,720
Speaker 6: these all these people that wanted to work together, and

496
00:25:07,760 --> 00:25:09,800
Speaker 6: once you work with them, you start really kind of

497
00:25:09,840 --> 00:25:12,119
Speaker 6: thinking about everybody else in the world, you know, especially

498
00:25:12,200 --> 00:25:15,960
Speaker 6: if it blew, and it did, and so ship Yay.

499
00:25:15,840 --> 00:25:16,920
Speaker 3: Left, Common left.

500
00:25:16,920 --> 00:25:20,040
Speaker 6: When everybody started leaving, it is the city kind of

501
00:25:20,119 --> 00:25:24,280
Speaker 6: like kind of window down whether the Bratt left, everybody left. Yeah,

502
00:25:24,600 --> 00:25:27,680
Speaker 6: so Sha was still there. She's still rocking. Shout out

503
00:25:27,680 --> 00:25:31,119
Speaker 6: to Shanna, but yeah, it was it was. Yeah, the

504
00:25:31,160 --> 00:25:34,159
Speaker 6: city got kind of kind of kind of bland or whatever.

505
00:25:34,240 --> 00:25:37,680
Speaker 6: But when ya got with rock with the rock Man

506
00:25:38,240 --> 00:25:39,720
Speaker 6: and then he came home.

507
00:25:39,640 --> 00:25:40,480
Speaker 1: It was cold.

508
00:25:41,080 --> 00:25:46,520
Speaker 6: Always college dropout shed that motherfucker was. They was playing

509
00:25:46,560 --> 00:25:52,639
Speaker 6: that ship and funerals, wedding elevators like that.

510
00:25:52,760 --> 00:26:11,200
Speaker 3: Ship was anywhere got up. It was crazy.

511
00:26:11,640 --> 00:26:14,679
Speaker 1: So I don't know if you know, but you've been

512
00:26:14,680 --> 00:26:17,440
Speaker 1: telling me for years that he tried to name Northwest

513
00:26:18,440 --> 00:26:24,600
Speaker 1: Rie really get out. Do you believe it? I did not,

514
00:26:26,920 --> 00:26:29,320
Speaker 1: But then they kept he kept saying it. He said

515
00:26:29,320 --> 00:26:31,960
Speaker 1: it on this show, said it on The Brothers Club,

516
00:26:32,440 --> 00:26:34,920
Speaker 1: and then but still like it was no confirmation. So

517
00:26:35,440 --> 00:26:40,400
Speaker 1: I go to virgil oblos Uh passed. What's it called

518
00:26:40,440 --> 00:26:44,240
Speaker 1: when you when you pass away? And they not pass over?

519
00:26:44,359 --> 00:26:46,879
Speaker 1: That's that's Jewish you No, no, no, it's something that

520
00:26:47,440 --> 00:26:50,400
Speaker 1: passed like yeah, they was. They were Louis bit. Tom

521
00:26:50,480 --> 00:26:54,880
Speaker 1: was sending him off. So I see him kardash Year

522
00:26:55,400 --> 00:26:59,879
Speaker 1: and I see Northwest, who apparently she's named as to me, right,

523
00:27:00,200 --> 00:27:06,040
Speaker 1: that's crazy, So he come look at me. He goes,

524
00:27:06,320 --> 00:27:08,800
Speaker 1: He's like, no, come here. So I'm like, I know

525
00:27:08,880 --> 00:27:10,920
Speaker 1: I'm read in the face. I'm black, and I know

526
00:27:12,520 --> 00:27:15,520
Speaker 1: my face turning like oh ships like why am I

527
00:27:15,600 --> 00:27:19,120
Speaker 1: about to say something? Northwest? And Kim like what am

528
00:27:19,160 --> 00:27:23,440
Speaker 1: I belonging? And she got He goes to her, he goes,

529
00:27:23,480 --> 00:27:26,199
Speaker 1: this is who I named you after? To Northwest. She

530
00:27:26,280 --> 00:27:34,960
Speaker 1: looked at me like he ain't ship, Like I want

531
00:27:35,000 --> 00:27:42,000
Speaker 1: me doing. But then Kim looked at me, and she

532
00:27:42,359 --> 00:27:45,919
Speaker 1: looked at me with the look of death, right like

533
00:27:45,960 --> 00:27:47,520
Speaker 1: you gotta remember this is right after I let car.

534
00:27:47,600 --> 00:27:50,800
Speaker 1: You just go crazy. She's looking at me like you

535
00:27:50,840 --> 00:27:52,040
Speaker 1: are not off the hook at me?

536
00:27:52,400 --> 00:27:52,520
Speaker 7: Right?

537
00:27:52,840 --> 00:27:57,280
Speaker 1: Wow. I never got this to hear this story. Recently,

538
00:27:57,320 --> 00:28:02,160
Speaker 1: she goes online and she says, walk, Yes, Kanye wanted

539
00:28:02,160 --> 00:28:06,080
Speaker 1: to name him. By the way, Kanye, that was. That

540
00:28:06,200 --> 00:28:08,800
Speaker 1: is one of the best compliments I've ever got. Name

541
00:28:08,840 --> 00:28:11,960
Speaker 1: of the Norriega is too crazy. Normally I would have

542
00:28:11,960 --> 00:28:15,080
Speaker 1: got I would have been all like golf, all and everything.

543
00:28:15,280 --> 00:28:16,880
Speaker 1: Look at me voluntary to be a go.

544
00:28:22,920 --> 00:28:23,080
Speaker 3: A love.

545
00:28:23,119 --> 00:28:24,679
Speaker 12: I can take a dress. I don't want to take

546
00:28:24,720 --> 00:28:27,120
Speaker 12: a drink. It's about that time. That's about that time.

547
00:28:30,840 --> 00:28:35,520
Speaker 12: Plus you know what you know, you know, you know

548
00:28:35,680 --> 00:28:38,680
Speaker 12: you got the baby. You know hold on, hold you

549
00:28:38,720 --> 00:28:39,200
Speaker 12: know what you got.

550
00:28:39,360 --> 00:28:41,920
Speaker 1: You know you know the family denies the baby. This

551
00:28:42,000 --> 00:28:46,160
Speaker 1: is the baby that denies the family like we stepped,

552
00:28:46,160 --> 00:28:49,720
Speaker 1: we stepped, but it doesn't matter. Man. But yo, yay.

553
00:28:50,440 --> 00:28:53,200
Speaker 1: That's one of the biggest compliments I've ever ever got.

554
00:28:53,320 --> 00:28:55,680
Speaker 1: And another one. I want to make this clear and

555
00:28:55,760 --> 00:28:58,400
Speaker 1: get back to the interview. I will never forget what

556
00:28:58,440 --> 00:29:01,080
Speaker 1: fifty for me. When he came to see us that day,

557
00:29:01,720 --> 00:29:04,320
Speaker 1: pretty soon jumped out the car. He had his security

558
00:29:04,320 --> 00:29:05,880
Speaker 1: with him, and he turned and he looked at his

559
00:29:05,920 --> 00:29:10,960
Speaker 1: security and said, chill, I'm with Norwy, I'm okay against

560
00:29:10,960 --> 00:29:13,160
Speaker 1: the rapper to do that for me, that is a big,

561
00:29:13,200 --> 00:29:15,440
Speaker 1: big compliment I've now. I thought about that the other day.

562
00:29:15,480 --> 00:29:17,120
Speaker 1: I was just sleeping in my bed and I was like,

563
00:29:17,160 --> 00:29:20,479
Speaker 1: that was so hold. We was out here, but right,

564
00:29:20,520 --> 00:29:23,440
Speaker 1: I mean out here, you know what I'm saying. That's

565
00:29:23,440 --> 00:29:29,360
Speaker 1: when he came to the show. Yes, yeah, so Jack

566
00:29:29,360 --> 00:29:35,800
Speaker 1: Whiler said he's five minutes away. So okay, so uh okay, No,

567
00:29:38,320 --> 00:29:40,160
Speaker 1: So your mom's birthday is October eleven.

568
00:29:40,320 --> 00:29:45,600
Speaker 6: Yeah okay, yeah, yeah, just passed not too long ago. Yeah,

569
00:29:46,200 --> 00:29:49,680
Speaker 6: that's uh, that's crazy. Yeah, my much she passed away

570
00:29:49,720 --> 00:29:52,760
Speaker 6: about four years ago. Oh wow yeah yeah, yeah, thank you.

571
00:29:52,880 --> 00:29:53,080
Speaker 3: Yeah.

572
00:29:53,120 --> 00:29:56,960
Speaker 6: It was uh, still dealing with that, you know, dealing

573
00:29:57,000 --> 00:30:01,360
Speaker 6: with you know, her passing and.

574
00:30:00,400 --> 00:30:01,840
Speaker 3: You know, trying to go through life.

575
00:30:02,480 --> 00:30:05,680
Speaker 6: You know, anybody that ever lost somebody, you already know

576
00:30:05,720 --> 00:30:09,240
Speaker 6: how they especially a mom, a mom, especially being an only.

577
00:30:09,080 --> 00:30:13,840
Speaker 3: Child too child. I was I wasn't you know, what

578
00:30:13,920 --> 00:30:15,960
Speaker 3: it was. We never had ship.

579
00:30:16,080 --> 00:30:18,719
Speaker 6: We was poor as put our food on a window

580
00:30:18,800 --> 00:30:25,680
Speaker 6: sill because we had refrigerator. Ship like that, you keep

581
00:30:25,760 --> 00:30:30,400
Speaker 6: keep to keep your food on refrigerator window ledge or whatever.

582
00:30:30,520 --> 00:30:32,959
Speaker 6: But I didn't know we even I didn't know we

583
00:30:32,960 --> 00:30:34,920
Speaker 6: didn't have ship, you know what I mean, because it

584
00:30:34,960 --> 00:30:37,000
Speaker 6: was just so much love and you know, I didn't

585
00:30:37,040 --> 00:30:40,000
Speaker 6: know that, not until you know, later on, when I

586
00:30:40,040 --> 00:30:43,280
Speaker 6: got older and started getting off into girls and ship

587
00:30:43,400 --> 00:30:46,400
Speaker 6: like that. Then I was like, oh, we're poor, you know,

588
00:30:46,560 --> 00:30:50,760
Speaker 6: I didn't. I didn't know that, you know, like, what's

589
00:30:50,840 --> 00:30:54,400
Speaker 6: up with your shoes? I'm like, what you mean was wrong?

590
00:30:55,440 --> 00:30:57,160
Speaker 6: So when they stopped doing that, I was like, dang.

591
00:30:57,240 --> 00:31:00,000
Speaker 6: But still no, she worked hard and tried to make

592
00:31:00,080 --> 00:31:10,760
Speaker 6: it happened whatever. But yeah with that crazy oh yeah, yeah, that.

593
00:31:10,800 --> 00:31:16,680
Speaker 1: The boy came through the butt finally. Okay, bag, okay,

594
00:31:16,760 --> 00:31:19,240
Speaker 1: because last time you smoke the blood was Paul McCartney.

595
00:31:20,000 --> 00:31:25,680
Speaker 3: Yeah, that's some you know, some.

596
00:31:25,640 --> 00:31:30,880
Speaker 1: Point, so you you know.

597
00:31:34,120 --> 00:31:35,440
Speaker 3: Paul McCartney came.

598
00:31:35,600 --> 00:31:40,160
Speaker 1: Uh, let's get to that later. Yeah, let's get to that.

599
00:31:40,280 --> 00:31:44,240
Speaker 1: Let's talk about the special. Yeah, okay, especially it's on Netflix,

600
00:31:44,640 --> 00:31:47,240
Speaker 1: but we were watching the bootleg version on YouTube. I

601
00:31:47,360 --> 00:31:49,640
Speaker 1: just want to throw that out there. How does that work?

602
00:31:49,680 --> 00:31:52,920
Speaker 1: Because like back in the days when bootlegs used to happen,

603
00:31:52,960 --> 00:31:54,800
Speaker 1: we used to have to go to the Africans. We should

604
00:31:54,760 --> 00:31:56,760
Speaker 1: have to beat them up and ask them where did

605
00:31:56,760 --> 00:31:58,800
Speaker 1: they get it from? The Sinister Canal street? And it's

606
00:31:58,920 --> 00:32:02,720
Speaker 1: Technese in the Canal I thought that the Chinese.

607
00:32:03,440 --> 00:32:03,600
Speaker 3: Enough.

608
00:32:03,920 --> 00:32:09,640
Speaker 1: This is in twenty twenty five. How do you approach

609
00:32:09,680 --> 00:32:12,880
Speaker 1: something like that, because you know, I imagine Netflix did a

610
00:32:13,440 --> 00:32:16,800
Speaker 1: lookletive deal with you. Now if I don't have Netflix,

611
00:32:16,880 --> 00:32:19,200
Speaker 1: I can go on YouTube and enjoy this specially that

612
00:32:19,280 --> 00:32:22,680
Speaker 1: you did just for Netflix. How do you navigate to it?

613
00:32:22,720 --> 00:32:25,320
Speaker 6: But especially being now probably a year and some change

614
00:32:25,440 --> 00:32:28,080
Speaker 6: or whatever. Yeah, yeah, it came out, so I think

615
00:32:28,120 --> 00:32:31,680
Speaker 6: people have figured it out. They can put stuff on

616
00:32:31,720 --> 00:32:34,840
Speaker 6: YouTube or whatever. But when they drop like you can't,

617
00:32:34,960 --> 00:32:36,880
Speaker 6: you can't do that then you know what I mean?

618
00:32:37,040 --> 00:32:39,720
Speaker 6: So like, yeah, you have to you forced to watch

619
00:32:39,760 --> 00:32:43,479
Speaker 6: it on Netflix. It's no recording it or nothing like that.

620
00:32:43,600 --> 00:32:46,600
Speaker 6: Unless you plan your TV and you recording it like that.

621
00:32:47,280 --> 00:32:48,960
Speaker 1: That's not going to affect your deal. Because you're dealing

622
00:32:48,960 --> 00:32:50,920
Speaker 1: with Netflix and some of the butlegs. It probably better

623
00:32:50,920 --> 00:32:51,120
Speaker 1: for you.

624
00:32:51,280 --> 00:32:53,120
Speaker 3: Yeah, I mean enough everybody.

625
00:32:53,200 --> 00:32:55,400
Speaker 1: That's my question is like if your numbers do good

626
00:32:55,440 --> 00:32:57,680
Speaker 1: on YouTube, Netflix come back to you and say you

627
00:32:57,800 --> 00:32:58,560
Speaker 1: look what we did on.

628
00:32:58,560 --> 00:33:01,600
Speaker 6: YouTube or well no, no no, because they look at

629
00:33:02,520 --> 00:33:07,120
Speaker 6: look when Netflix they want you to come to Netflix.

630
00:33:07,160 --> 00:33:09,240
Speaker 6: They're not looking at YouTube, like what you're doing?

631
00:33:09,520 --> 00:33:12,240
Speaker 1: Talk about netflixes. Netflix never give you your numbers.

632
00:33:13,320 --> 00:33:18,360
Speaker 3: They doesn't give your numbers. You gotta like got to

633
00:33:18,400 --> 00:33:19,040
Speaker 3: know somebody.

634
00:33:19,040 --> 00:33:24,160
Speaker 1: Okay, you just.

635
00:33:24,160 --> 00:33:26,160
Speaker 6: Yeah, I think you just got to go through certain

636
00:33:26,160 --> 00:33:29,000
Speaker 6: people and they'll give your numbers if you really ask for.

637
00:33:29,600 --> 00:33:32,320
Speaker 1: I noticed like they'll like one, two, three, four, five,

638
00:33:32,320 --> 00:33:33,920
Speaker 1: but they won't have no numbers.

639
00:33:33,640 --> 00:33:34,520
Speaker 3: Under that one. Yeah.

640
00:33:34,600 --> 00:33:37,240
Speaker 1: Yeah, you don't know what indicatese how did that become

641
00:33:37,320 --> 00:33:37,719
Speaker 1: number one?

642
00:33:38,080 --> 00:33:41,080
Speaker 6: I think like recent and recent years, they start like

643
00:33:41,280 --> 00:33:43,520
Speaker 6: if you ask them for it, then okay, you know

644
00:33:43,640 --> 00:33:45,360
Speaker 6: somebody will work hard to get it for you.

645
00:33:45,560 --> 00:33:47,960
Speaker 1: And as a comedian, is that the end all be

646
00:33:48,120 --> 00:33:50,520
Speaker 1: all as of right now is to have a special

647
00:33:50,600 --> 00:33:51,160
Speaker 1: on Netflix.

648
00:33:51,560 --> 00:33:55,520
Speaker 6: I mean it's like it's something back of the days

649
00:33:55,560 --> 00:33:59,520
Speaker 6: to be Yeah yeah, through all of that.

650
00:33:59,440 --> 00:34:02,400
Speaker 3: But yeah, you you you you want that.

651
00:34:02,560 --> 00:34:05,080
Speaker 6: That is a goal for a lot of comedians that

652
00:34:05,120 --> 00:34:09,360
Speaker 6: have a special on Netflix, absolutely, because it's like the

653
00:34:09,480 --> 00:34:12,080
Speaker 6: reach is so crazy. You drop a special on there

654
00:34:12,760 --> 00:34:17,480
Speaker 6: and if it's funny, you're selling out theaters the next day.

655
00:34:17,520 --> 00:34:18,160
Speaker 3: You know what I mean.

656
00:34:18,280 --> 00:34:21,440
Speaker 6: Yeah, so there's definitely a goal for like a lot

657
00:34:21,480 --> 00:34:23,240
Speaker 6: of comics to reach or whatever.

658
00:34:23,440 --> 00:34:23,680
Speaker 4: You know.

659
00:34:23,920 --> 00:34:29,040
Speaker 1: Yeah, come sit down.

660
00:34:29,960 --> 00:34:33,560
Speaker 3: Adults and possible ship. You went real deep.

661
00:34:38,719 --> 00:34:43,040
Speaker 6: Everybody else and my neighbor shot out. You'll be standing

662
00:34:43,080 --> 00:34:45,480
Speaker 6: around with a group of niggas shying to just walk up.

663
00:34:45,520 --> 00:34:46,600
Speaker 1: Everybody like ship.

664
00:34:48,239 --> 00:34:52,719
Speaker 3: He'll be like it used the real depot and he'll

665
00:34:52,800 --> 00:34:56,200
Speaker 3: just stand around, look at everybody and he'll just choose

666
00:34:56,200 --> 00:35:01,280
Speaker 3: who slaps ship, slap your cargo. Yeah, to be like no.

667
00:35:01,040 --> 00:35:04,000
Speaker 6: No, it was like South Suburbs of Chicago, slap ship

668
00:35:04,040 --> 00:35:05,920
Speaker 6: out of the dog and just be like, man, give

669
00:35:05,920 --> 00:35:06,520
Speaker 6: me some money.

670
00:35:08,040 --> 00:35:08,239
Speaker 1: Yeah.

671
00:35:08,680 --> 00:35:10,560
Speaker 6: I would be like as soon as he walked up,

672
00:35:10,600 --> 00:35:14,319
Speaker 6: I'll be like I gotta go. And I knew that

673
00:35:14,320 --> 00:35:18,960
Speaker 6: that was happening to but yeah, shy House, Yeah.

674
00:35:18,680 --> 00:35:23,000
Speaker 3: Ra told me about that was your childhood. But d

675
00:35:23,120 --> 00:35:28,480
Speaker 3: ray Y, Yeah, yeah, we I like Damnar raised d

676
00:35:28,640 --> 00:35:29,120
Speaker 3: ray Man.

677
00:35:29,200 --> 00:35:29,399
Speaker 1: Yeah.

678
00:35:29,400 --> 00:35:31,120
Speaker 6: He was used to live next door to one of

679
00:35:31,120 --> 00:35:34,560
Speaker 6: my best friends, Chris and uh Man Chris used to

680
00:35:34,640 --> 00:35:36,920
Speaker 6: like always look out for him because d Ray Mama

681
00:35:37,080 --> 00:35:41,680
Speaker 6: was like like like like really bad, like in drugs

682
00:35:41,680 --> 00:35:44,479
Speaker 6: and dry.

683
00:35:43,560 --> 00:35:45,239
Speaker 1: Kind of like a little unsafe because he's he's like

684
00:35:45,360 --> 00:35:50,560
Speaker 1: he's like unsafe like skin and green unsafe and that's unsafe,

685
00:35:53,840 --> 00:35:58,239
Speaker 1: like like yeah, that's the unsafe like he had he

686
00:35:58,360 --> 00:35:59,800
Speaker 1: had to like yeah.

687
00:36:00,320 --> 00:36:03,520
Speaker 6: Yeah, so we we looked out for him like a

688
00:36:03,560 --> 00:36:06,359
Speaker 6: lot and ship you know, and so yeah, and then

689
00:36:06,400 --> 00:36:08,919
Speaker 6: he started doing stand up. You know, it was like man,

690
00:36:09,000 --> 00:36:11,480
Speaker 6: he took off. Man, so it was good. Yeah, shout

691
00:36:11,480 --> 00:36:12,359
Speaker 6: out to d and Ship.

692
00:36:13,320 --> 00:36:15,120
Speaker 1: So let me ask let me ask you. Right, I've

693
00:36:15,160 --> 00:36:19,400
Speaker 1: access to multiple comedians, and I always compare it to

694
00:36:19,440 --> 00:36:22,520
Speaker 1: the rap game, right, this chicken chipling circuit excuse me,

695
00:36:23,239 --> 00:36:26,439
Speaker 1: uh in in the comedy world, and then well wrap

696
00:36:26,480 --> 00:36:33,080
Speaker 1: we have like it's called underground. I guess we might

697
00:36:33,239 --> 00:36:39,680
Speaker 1: think that we under it's the same thing, right. The

698
00:36:39,840 --> 00:36:44,440
Speaker 1: difference is when I started to do research of like

699
00:36:44,520 --> 00:36:47,560
Speaker 1: how comedians come up, Like you said earlier, you said

700
00:36:48,400 --> 00:36:50,879
Speaker 1: you went to see the band and the band only

701
00:36:50,880 --> 00:36:53,840
Speaker 1: had twelve hundred people there, right, Morris day A. Right,

702
00:36:53,960 --> 00:36:56,799
Speaker 1: that's that's that's a big international band, but a lot

703
00:36:56,840 --> 00:36:59,680
Speaker 1: of us coming up in hip hop will have a

704
00:36:59,680 --> 00:37:02,120
Speaker 1: little thing, but we'll still get up twelve hundred dollars

705
00:37:02,239 --> 00:37:05,960
Speaker 1: or twenty five hundred thirty thousand. What I noticed in

706
00:37:06,000 --> 00:37:09,120
Speaker 1: the chicken circuit was a lot of people were getting

707
00:37:09,120 --> 00:37:13,560
Speaker 1: seventy five dollars one hundred and fifty dollars. That's something

708
00:37:13,600 --> 00:37:18,120
Speaker 1: that wrapped. Don't go through that, not that much like,

709
00:37:18,239 --> 00:37:22,480
Speaker 1: not that bad, not in that type of way. How

710
00:37:22,520 --> 00:37:24,760
Speaker 1: does a person go from getting one hundred and fifty

711
00:37:24,800 --> 00:37:27,600
Speaker 1: dollars to one hundred dollars thousand a night.

712
00:37:28,040 --> 00:37:29,960
Speaker 3: Let me tell you, Let me tell you, Let me

713
00:37:30,000 --> 00:37:33,800
Speaker 3: tell you, Let me tell you. We went look at.

714
00:37:35,200 --> 00:37:35,520
Speaker 7: What's that?

715
00:37:36,520 --> 00:37:38,360
Speaker 3: It's a diamond glass. That a little bit about this

716
00:37:38,400 --> 00:37:39,920
Speaker 3: for me, man. You know when he had his.

717
00:37:39,880 --> 00:37:42,000
Speaker 13: Accident, Yeah, I was taking care of him. I used

718
00:37:42,000 --> 00:37:43,560
Speaker 13: to have to wipe his ass and you know what

719
00:37:43,600 --> 00:37:46,040
Speaker 13: I'm saying, I'll feed him.

720
00:37:46,160 --> 00:37:47,239
Speaker 3: I had to help him get back to.

721
00:37:47,280 --> 00:37:48,040
Speaker 1: Normal and everything.

722
00:37:48,040 --> 00:37:49,400
Speaker 3: So you don't to do some woman, give me a

723
00:37:49,400 --> 00:37:49,799
Speaker 3: new eye.

724
00:37:50,640 --> 00:37:56,640
Speaker 1: You got one? That's yeah, that's dope. Make a noise withour.

725
00:38:09,880 --> 00:38:29,120
Speaker 3: We're going to get just one.

726
00:38:19,960 --> 00:38:20,240
Speaker 7: Okay.

727
00:38:29,920 --> 00:38:32,839
Speaker 6: They stat tour called the Creative Tour. You go from

728
00:38:32,880 --> 00:38:35,400
Speaker 6: New York, right, and you go all the way down

729
00:38:35,520 --> 00:38:37,919
Speaker 6: state the state, state the state, all the way down

730
00:38:37,960 --> 00:38:41,239
Speaker 6: to Miami and then back over the Dallas then up

731
00:38:41,280 --> 00:38:45,680
Speaker 6: to Memphis. Every night you're driving from a city city getting.

732
00:38:45,320 --> 00:38:49,719
Speaker 3: Two hundred dollars two hundred, one hundred and fifty three hundreds.

733
00:38:49,400 --> 00:38:50,440
Speaker 1: A bunch of comics together.

734
00:38:50,680 --> 00:38:53,879
Speaker 6: It's like two two comics and y'all ride together, y'all

735
00:38:53,920 --> 00:38:56,200
Speaker 6: rent a car and just do that ship. And everybody

736
00:38:56,200 --> 00:38:58,360
Speaker 6: had to do that. It was crazy, dog and we

737
00:38:58,400 --> 00:39:01,600
Speaker 6: ain't gonna make no money, but you felt like you

738
00:39:01,800 --> 00:39:05,239
Speaker 6: had to do it because everybody big was doing it.

739
00:39:06,080 --> 00:39:11,560
Speaker 1: The old comedian's apology on behalf of the whole rape.

740
00:39:14,080 --> 00:39:16,680
Speaker 1: We thought we had it the worst. Well, don't say it,

741
00:39:16,719 --> 00:39:19,440
Speaker 1: because the promo runs is similar. You don't get paid.

742
00:39:19,600 --> 00:39:22,279
Speaker 1: Promo ones is worse. But I give you this. I

743
00:39:22,320 --> 00:39:25,319
Speaker 1: will give you this. Promo ones bills a relationship if

744
00:39:25,320 --> 00:39:27,839
Speaker 1: you want to live in this game and have relationships, right,

745
00:39:27,880 --> 00:39:29,000
Speaker 1: and for a twenty year span.

746
00:39:29,239 --> 00:39:30,520
Speaker 3: That promo one is.

747
00:39:32,480 --> 00:39:35,080
Speaker 1: Basically no because they're not on a record label. So

748
00:39:35,239 --> 00:39:38,520
Speaker 1: the difference between that is they're doing that for themselves

749
00:39:38,600 --> 00:39:40,239
Speaker 1: as opposed to us. We're doing this for a record

750
00:39:40,320 --> 00:39:42,680
Speaker 1: label in hopes of we're going to be in longevity

751
00:39:42,719 --> 00:39:45,839
Speaker 1: business for ten years or more and we're gonna have

752
00:39:45,880 --> 00:39:48,239
Speaker 1: great relationships with the radio stations that we just came

753
00:39:48,320 --> 00:39:48,840
Speaker 1: and looked out for.

754
00:39:48,840 --> 00:39:51,040
Speaker 4: I mean, it's still entertainer's not getting paid, still the

755
00:39:51,040 --> 00:39:52,200
Speaker 4: same that one.

756
00:39:56,840 --> 00:39:59,600
Speaker 6: Understand why ain't no per diem.

757
00:40:00,280 --> 00:40:02,000
Speaker 1: I'm drinking this down to drink because of you, because

758
00:40:02,040 --> 00:40:07,080
Speaker 1: you ordered, you brought up not getting paid.

759
00:40:07,120 --> 00:40:10,000
Speaker 13: And when I was talking to Michael Blaxon, y'all did

760
00:40:10,880 --> 00:40:15,120
Speaker 13: to Mike, Yeah, you d l City. Y'all had a

761
00:40:15,200 --> 00:40:18,160
Speaker 13: show in Chicago. You know what I'm saying was the

762
00:40:18,560 --> 00:40:21,359
Speaker 13: turnout wasn't really good because of the promotion was wrong

763
00:40:21,360 --> 00:40:24,400
Speaker 13: with the promoter, which was when in Chicago and Chicago,

764
00:40:24,600 --> 00:40:26,279
Speaker 13: and then the promoter was trying to cut a deal

765
00:40:26,320 --> 00:40:30,400
Speaker 13: with y'all, like you cut him a break, but you

766
00:40:30,480 --> 00:40:31,880
Speaker 13: was the only one went as in the phone you

767
00:40:31,880 --> 00:40:32,400
Speaker 13: told him.

768
00:40:35,000 --> 00:40:38,239
Speaker 6: No, I remember something like that, but no, it ended

769
00:40:38,360 --> 00:40:40,399
Speaker 6: up working out at the at the end of the day,

770
00:40:40,400 --> 00:40:42,560
Speaker 6: it all worked out. But I don't know what Mike

771
00:40:42,640 --> 00:40:45,120
Speaker 6: deal was, but mine worked out.

772
00:40:45,520 --> 00:40:46,040
Speaker 3: You got all.

773
00:40:52,719 --> 00:40:56,120
Speaker 1: I worked out. You know, that's a great question because

774
00:40:58,480 --> 00:41:03,640
Speaker 1: bus when I say I'm saying rappers, right, Oh, we

775
00:41:03,680 --> 00:41:07,160
Speaker 1: have a reputation that supersedes us, right right. So they'll say,

776
00:41:07,160 --> 00:41:09,240
Speaker 1: all right, cool, Maybe I won't play with DMX money,

777
00:41:09,239 --> 00:41:12,200
Speaker 1: but maybe i'll mess with Mocha Locos money.

778
00:41:12,280 --> 00:41:12,440
Speaker 3: Right.

779
00:41:12,640 --> 00:41:14,239
Speaker 1: Maybe I won't mess with nor your money, but maybe

780
00:41:14,280 --> 00:41:17,520
Speaker 1: i'll mess with Monster's money. All of y'all known to

781
00:41:17,560 --> 00:41:22,439
Speaker 1: be funny people. So how does the promoter choose who

782
00:41:22,480 --> 00:41:25,360
Speaker 1: to mess with or short and who not to?

783
00:41:25,719 --> 00:41:29,160
Speaker 3: Man, they just have to like figure it out.

784
00:41:29,600 --> 00:41:31,840
Speaker 6: I always got my money, man, because this is what

785
00:41:31,920 --> 00:41:34,279
Speaker 6: I used to do the promoters back in the day

786
00:41:34,320 --> 00:41:37,080
Speaker 6: before I had like representation. Somebody will call me up

787
00:41:37,120 --> 00:41:38,360
Speaker 6: and be like, hey, man, I want you to do

788
00:41:38,400 --> 00:41:40,600
Speaker 6: a show down in Louisville, and I'd be like this,

789
00:41:40,880 --> 00:41:45,280
Speaker 6: who is this? And they'll be like Scott. I'll be like, nah,

790
00:41:45,640 --> 00:41:46,439
Speaker 6: heard about you.

791
00:41:46,560 --> 00:41:47,080
Speaker 1: I'm good.

792
00:41:47,440 --> 00:41:49,680
Speaker 6: And then they'd be like what and I'd be like, yeah,

793
00:41:49,960 --> 00:41:52,400
Speaker 6: you ain't paying motherfuckers and all that and I'm not.

794
00:41:52,480 --> 00:41:55,640
Speaker 6: I'm not doing that. They always do this who told

795
00:41:55,680 --> 00:41:58,120
Speaker 6: you this shit? And not be like everybody told me

796
00:41:59,680 --> 00:42:00,799
Speaker 6: I ain't coming down there.

797
00:42:00,880 --> 00:42:04,000
Speaker 3: He'll be like, no, fuck that nom, that's my reputation.

798
00:42:04,480 --> 00:42:04,880
Speaker 3: You know what.

799
00:42:05,040 --> 00:42:05,680
Speaker 1: You know what I'm gonna do.

800
00:42:05,920 --> 00:42:06,920
Speaker 3: I'ma I'm gonna throw.

801
00:42:06,840 --> 00:42:11,399
Speaker 1: You an extra. We're gonna pick you up. You want

802
00:42:11,400 --> 00:42:12,680
Speaker 1: to find us over tails and.

803
00:42:13,560 --> 00:42:15,879
Speaker 3: Showed you who I am because that ain't who I am.

804
00:42:15,920 --> 00:42:21,800
Speaker 3: And I'm like, let's see. And they always go above

805
00:42:21,880 --> 00:42:22,800
Speaker 3: and beyond.

806
00:42:22,480 --> 00:42:29,960
Speaker 1: It to within. Nobody never even said that that's a

807
00:42:30,000 --> 00:42:30,399
Speaker 1: good way.

808
00:42:30,840 --> 00:42:34,160
Speaker 3: Let me get one of those blunts by speaking on

809
00:42:34,160 --> 00:42:35,000
Speaker 3: one of those blunts.

810
00:42:36,880 --> 00:42:41,080
Speaker 1: Paul McCartney, Yeah, yeah, yeah, we get into it. Yeah, yeah,

811
00:42:41,080 --> 00:42:41,840
Speaker 1: he's getting.

812
00:42:41,560 --> 00:42:48,399
Speaker 6: To Paul is one of the realists. And Bob too, Yeah, bombmously. Yes,

813
00:42:48,560 --> 00:42:53,400
Speaker 6: he laughed the whole time. Yeah, he came upstairs. He

814
00:42:53,520 --> 00:42:58,040
Speaker 6: came upstairs and was like, hey, man, I came here

815
00:42:58,040 --> 00:42:59,880
Speaker 6: to see you. I saw your name on the mir

816
00:43:00,120 --> 00:43:01,920
Speaker 6: key and I think you're funny.

817
00:43:02,000 --> 00:43:02,239
Speaker 3: Yeah.

818
00:43:02,360 --> 00:43:04,759
Speaker 6: I was on my coming home from rehearsal. I got

819
00:43:04,760 --> 00:43:07,640
Speaker 6: a world tour coming up, and so I just wanted

820
00:43:07,680 --> 00:43:09,200
Speaker 6: to come in and come kick it. And I was

821
00:43:09,320 --> 00:43:13,000
Speaker 6: like what, I'm looking at him, like what, He's like yeah,

822
00:43:13,040 --> 00:43:15,919
Speaker 6: and he reached his packet put out this fat ass joint.

823
00:43:15,960 --> 00:43:17,280
Speaker 6: He was like, you don't mind, dude.

824
00:43:17,080 --> 00:43:19,440
Speaker 1: And there was a joint aunt it was a fact.

825
00:43:20,760 --> 00:43:23,160
Speaker 3: Like he was. It was it.

826
00:43:24,360 --> 00:43:25,080
Speaker 1: It was loud.

827
00:43:25,200 --> 00:43:28,000
Speaker 6: Yo, he's lit, that motherfucker. He was just like, yeah, man,

828
00:43:28,160 --> 00:43:30,480
Speaker 6: so how long you've been doing stand up? And I

829
00:43:30,560 --> 00:43:32,960
Speaker 6: was telling him and then I was like, hey, man,

830
00:43:33,000 --> 00:43:33,920
Speaker 6: let me ask you a question.

831
00:43:34,040 --> 00:43:35,279
Speaker 3: He was said yeah.

832
00:43:35,280 --> 00:43:37,799
Speaker 6: I was like, what's up at you? And Michael Jackson? Man,

833
00:43:37,880 --> 00:43:40,000
Speaker 6: it was all cool. He was like yeah, we was

834
00:43:40,239 --> 00:43:43,719
Speaker 6: I hate he died and we didn't we didn't uh speak. Yeah,

835
00:43:43,800 --> 00:43:46,320
Speaker 6: he was like, but yeah, he fucked me over man, fuck.

836
00:43:46,160 --> 00:43:47,960
Speaker 1: Me him up though too. Yeah.

837
00:43:49,520 --> 00:43:52,919
Speaker 6: I heard about Mike No, but he he told Mike

838
00:43:53,200 --> 00:43:57,040
Speaker 6: money isn't publishing and Mike was like, yeah, I'm about

839
00:43:57,120 --> 00:43:59,800
Speaker 6: your publisher. And he was like yeah, all right whatever.

840
00:44:00,040 --> 00:44:04,359
Speaker 6: He was on AD and Mike, Yeah he told everything. Yeah,

841
00:44:04,360 --> 00:44:07,120
Speaker 6: he told Mike bout his publishing. Then this is the

842
00:44:07,160 --> 00:44:09,719
Speaker 6: part that I really didn't know. He said, I asked Mike,

843
00:44:10,000 --> 00:44:13,080
Speaker 6: but since he bought my publishing, give me a bump.

844
00:44:13,480 --> 00:44:16,520
Speaker 6: Mike was like nah. He was like nah, this business

845
00:44:16,640 --> 00:44:18,799
Speaker 6: and he was like well, he was like, we didn't

846
00:44:18,840 --> 00:44:22,680
Speaker 6: did hits together. Mike like nah no, and wouldn't give

847
00:44:22,719 --> 00:44:24,320
Speaker 6: him the bump. And he said he stopped sucking with

848
00:44:24,400 --> 00:44:25,000
Speaker 6: him after that.

849
00:44:25,400 --> 00:44:27,040
Speaker 1: Bubble's need God, damn fool, Well.

850
00:44:30,480 --> 00:44:32,719
Speaker 3: He stopped sucking with Michael. Did Mike stopped fucking with him?

851
00:44:32,840 --> 00:44:35,960
Speaker 1: I was Mike after somebody take you publishing bro.

852
00:44:36,000 --> 00:44:37,760
Speaker 3: I believe he's on you.

853
00:44:38,200 --> 00:44:38,480
Speaker 1: Hold on.

854
00:44:39,200 --> 00:44:41,600
Speaker 13: You think Paul had forty seven million dollars back his

855
00:44:41,640 --> 00:44:42,720
Speaker 13: own publisher.

856
00:44:43,800 --> 00:44:44,160
Speaker 1: He didn't.

857
00:44:44,160 --> 00:44:46,560
Speaker 6: They didn't make He said they didn't make money like that.

858
00:44:46,719 --> 00:44:49,520
Speaker 6: He said he wasn't making money like that on his records.

859
00:44:49,640 --> 00:44:52,320
Speaker 6: He was like, they signed really fucked up deals. He

860
00:44:52,719 --> 00:44:54,520
Speaker 6: make his money on the road and ship like that

861
00:44:54,719 --> 00:44:56,840
Speaker 6: or whatever. He was like, it wasn't He said he

862
00:44:56,960 --> 00:44:59,640
Speaker 6: was actually looking for a bump because they didn't make money.

863
00:44:59,640 --> 00:45:01,239
Speaker 6: It was like I got to split money with with

864
00:45:01,360 --> 00:45:02,440
Speaker 6: three different other guys.

865
00:45:02,880 --> 00:45:07,319
Speaker 1: And you got to remember too, uh that Catalog didn't

866
00:45:07,320 --> 00:45:10,720
Speaker 1: start making money till the years later. That's the reason

867
00:45:10,719 --> 00:45:12,600
Speaker 1: why they always say that it was a problem because

868
00:45:13,360 --> 00:45:17,160
Speaker 1: with Mike is because Sony wanted that publishing back. That

869
00:45:17,280 --> 00:45:19,360
Speaker 1: was all. It was all on the Sony. So that

870
00:45:19,560 --> 00:45:20,839
Speaker 1: is some deep ship that I don't want to keep

871
00:45:20,920 --> 00:45:25,920
Speaker 1: continuing because Mike was in against the worst world than me.

872
00:45:26,160 --> 00:45:28,320
Speaker 3: But you know what, what I think.

873
00:45:28,160 --> 00:45:30,040
Speaker 13: Mike really didn't like white people like that because he

874
00:45:30,040 --> 00:45:30,920
Speaker 13: gave Little Richie back.

875
00:45:30,960 --> 00:45:34,080
Speaker 1: He's publishing. Little Chie made.

876
00:45:48,200 --> 00:45:50,440
Speaker 4: More backstory to that Beatles and and and m J

877
00:45:50,600 --> 00:45:53,239
Speaker 4: thing like, wasn't there something that they did to him?

878
00:45:53,280 --> 00:45:56,480
Speaker 1: And that's why he bought Mike bitch and there was

879
00:45:56,520 --> 00:45:58,400
Speaker 1: something some girl.

880
00:46:00,120 --> 00:46:03,600
Speaker 4: Know that they did dirty somehow they said something slicking

881
00:46:03,600 --> 00:46:04,239
Speaker 4: and he said that.

882
00:46:04,360 --> 00:46:17,960
Speaker 14: He said bullshit there for some reason, Michael's pet tiger, Yeah,

883
00:46:18,280 --> 00:46:18,920
Speaker 14: that made.

884
00:46:19,200 --> 00:46:23,799
Speaker 13: Up guess book the world Rickles for philectropy, So you know,

885
00:46:24,320 --> 00:46:26,200
Speaker 13: he had to be some ship if he ain't want

886
00:46:26,239 --> 00:46:29,239
Speaker 13: to give a homeboy bump a couple of motherfucker's bump.

887
00:46:29,320 --> 00:46:29,680
Speaker 3: I don't know.

888
00:46:29,760 --> 00:46:34,200
Speaker 1: He just simply said that Te McCartney didn't give Mike

889
00:46:34,280 --> 00:46:39,000
Speaker 1: a bump at the club one what you did? Remember that.

890
00:46:43,120 --> 00:46:52,120
Speaker 3: You wouldn't even drink Pepsy? No, I never, that's mine.

891
00:46:52,200 --> 00:46:54,479
Speaker 1: You met Prince. I met went to Prince Club.

892
00:46:54,760 --> 00:46:55,399
Speaker 3: I met the Prince.

893
00:46:57,040 --> 00:46:59,560
Speaker 6: He came to Warner Brother's lot when I used to

894
00:46:59,560 --> 00:47:02,239
Speaker 6: write for O'Brien. He came to the lot next week.

895
00:47:02,520 --> 00:47:05,239
Speaker 1: He said that, you know what, I used to write

896
00:47:05,239 --> 00:47:05,680
Speaker 1: the car.

897
00:47:16,680 --> 00:47:23,120
Speaker 3: George Lofez studio was right next door. George and Prince

898
00:47:23,160 --> 00:47:26,360
Speaker 3: and George was like really and Prince Man, They was

899
00:47:26,440 --> 00:47:31,160
Speaker 3: like this dog Prince Kanes and did his show. This

900
00:47:31,600 --> 00:47:35,560
Speaker 3: Prince did like five shows at the Form and charged

901
00:47:35,600 --> 00:47:36,840
Speaker 3: only like twenty dollars.

902
00:47:36,880 --> 00:47:40,799
Speaker 6: You remember that, like music? Yeah, yeah, yeah, Prince was

903
00:47:41,040 --> 00:47:44,440
Speaker 6: in the room we was in. He was what's the azario?

904
00:47:44,640 --> 00:47:45,239
Speaker 3: What's her name?

905
00:47:45,320 --> 00:47:45,600
Speaker 1: Girl?

906
00:47:45,880 --> 00:47:48,920
Speaker 3: Yeah Dawson, Yeah.

907
00:47:48,560 --> 00:47:51,600
Speaker 6: She was there with him and man, he was just

908
00:47:51,680 --> 00:47:53,359
Speaker 6: chilling like coolon dog.

909
00:47:53,440 --> 00:47:55,920
Speaker 3: But that month he got an oar on his ass.

910
00:47:56,840 --> 00:47:58,400
Speaker 1: Who think it would to fight you a prince?

911
00:47:59,160 --> 00:48:03,239
Speaker 3: What I think? I think I would? Okay, I want

912
00:48:03,320 --> 00:48:05,960
Speaker 3: to see Prince get old though, me too, just wanted

913
00:48:06,000 --> 00:48:07,960
Speaker 3: to see him like in a card again and some

914
00:48:08,040 --> 00:48:12,479
Speaker 3: flats and ship just changing the temperature on the wall.

915
00:48:12,640 --> 00:48:16,440
Speaker 1: Say you don't date girls because if you give him

916
00:48:16,440 --> 00:48:18,640
Speaker 1: a joke like I'm gonna get that ship better than

917
00:48:18,760 --> 00:48:22,040
Speaker 1: Lake Mintonka. If they don't get the joke, they don't

918
00:48:22,040 --> 00:48:25,000
Speaker 1: get the joke, like you out of my girl.

919
00:48:25,680 --> 00:48:28,120
Speaker 6: I was like, get you get you waiting wedding in

920
00:48:28,239 --> 00:48:30,480
Speaker 6: lake Man the time and it's like what, I was like,

921
00:48:30,560 --> 00:48:31,800
Speaker 6: you don't know what that is from?

922
00:48:33,000 --> 00:48:33,160
Speaker 3: No?

923
00:48:33,600 --> 00:48:35,960
Speaker 6: I was like, you have seen purple rains it's like nah,

924
00:48:36,200 --> 00:48:38,200
Speaker 6: I was like, I instantly.

925
00:48:37,800 --> 00:48:40,880
Speaker 3: Got on my phone, Nigga color.

926
00:48:42,960 --> 00:48:44,960
Speaker 13: So what's the youngest good woman that you will date

927
00:48:45,040 --> 00:48:46,880
Speaker 13: and what's the what you doing?

928
00:48:46,960 --> 00:48:48,479
Speaker 1: And now I don't know the dog.

929
00:48:48,560 --> 00:48:50,200
Speaker 3: I ain't sure, but I know it ain't gonna be

930
00:48:50,400 --> 00:48:55,960
Speaker 3: younger than like thirty five or something like that. Though

931
00:48:56,000 --> 00:48:56,440
Speaker 3: I don't know.

932
00:48:56,640 --> 00:48:58,719
Speaker 6: It just all depends on how the woman is and ship,

933
00:48:58,760 --> 00:49:01,560
Speaker 6: you know, if she cool and she I mature like

934
00:49:00,880 --> 00:49:02,400
Speaker 6: I like older.

935
00:49:02,120 --> 00:49:04,360
Speaker 3: Women man long, you know what I mean. I like

936
00:49:04,560 --> 00:49:05,920
Speaker 3: I like the mother.

937
00:49:22,320 --> 00:49:23,120
Speaker 1: That ain't.

938
00:49:25,440 --> 00:49:28,680
Speaker 3: That's crazy. Let me ask you something.

939
00:49:29,040 --> 00:49:34,480
Speaker 6: How do you feel about like, uh, fake cities, people

940
00:49:34,600 --> 00:49:39,000
Speaker 6: you know about people not knowing who old school people

941
00:49:39,080 --> 00:49:41,000
Speaker 6: are not acknowledging that.

942
00:49:41,920 --> 00:49:44,680
Speaker 1: Give you a better example. I'm sorry you didn't give

943
00:49:44,680 --> 00:49:52,680
Speaker 1: me an example, But did I say, now, let me

944
00:49:52,719 --> 00:49:54,839
Speaker 1: let me, let me let me relate this to hip hop. Now.

945
00:49:57,680 --> 00:49:59,680
Speaker 1: I don't know how this goal is in the comedian world,

946
00:49:59,719 --> 00:50:02,600
Speaker 1: but and hip hop. I find it very respectful for

947
00:50:02,640 --> 00:50:06,440
Speaker 1: a kid to come up eighteen years old, twenty one

948
00:50:06,520 --> 00:50:09,960
Speaker 1: years old make this living and they they're making millions

949
00:50:09,960 --> 00:50:11,800
Speaker 1: of dollars and then you're asking them, who's Biggie Smalls?

950
00:50:11,840 --> 00:50:13,680
Speaker 1: And they can't tell you. But then they got on

951
00:50:13,719 --> 00:50:17,359
Speaker 1: Michael Jordan sneakers, like how this show who Michael Jordan is?

952
00:50:17,520 --> 00:50:19,960
Speaker 1: You're not making a dollar off the NBA, You're not

953
00:50:20,040 --> 00:50:22,719
Speaker 1: going to Yukon, You're not going to Syracuse, You're going

954
00:50:22,760 --> 00:50:25,759
Speaker 1: to university. And the first thing you can't do is

955
00:50:25,840 --> 00:50:28,040
Speaker 1: learn who the fuck too Short is. You can't learn

956
00:50:28,040 --> 00:50:30,120
Speaker 1: who the fuck ice Cube is. You can't learn who

957
00:50:30,120 --> 00:50:32,440
Speaker 1: the fuck NCA is. Get the fuck Spie one is

958
00:50:34,440 --> 00:50:36,960
Speaker 1: as me? And then it's crazy and listen, I'm the

959
00:50:37,040 --> 00:50:40,279
Speaker 1: problem because my kids don't listen to that shit. Neither

960
00:50:40,960 --> 00:50:45,160
Speaker 1: they listening to Little Little Heaven there.

961
00:50:46,880 --> 00:50:47,200
Speaker 3: Listen.

962
00:50:47,520 --> 00:50:48,520
Speaker 4: I always say it's on the show.

963
00:50:48,520 --> 00:50:49,160
Speaker 1: It's not, it's not.

964
00:50:49,640 --> 00:50:52,279
Speaker 4: It's not a problem they don't know is if they're

965
00:50:52,280 --> 00:50:54,160
Speaker 4: in a certain field, if you a hip hop head

966
00:50:54,280 --> 00:50:56,520
Speaker 4: or you a comedian, is that they don't want to know.

967
00:50:56,680 --> 00:50:58,759
Speaker 4: Like the young generation doesn't want to know. They don't

968
00:50:58,760 --> 00:51:02,080
Speaker 4: want to know about anything. And it's like young comedian,

969
00:51:02,800 --> 00:51:04,120
Speaker 4: they to know what I'm saying.

970
00:51:04,120 --> 00:51:06,080
Speaker 1: It's supposed to be naming Richard pryor they're supposed to

971
00:51:06,080 --> 00:51:07,080
Speaker 1: be naming Red Fox.

972
00:51:07,120 --> 00:51:08,560
Speaker 3: Should be looking back at what.

973
00:51:10,280 --> 00:51:11,360
Speaker 1: You want to know where does Zapple?

974
00:51:13,480 --> 00:51:15,800
Speaker 3: You went Doug and praise for it, and you respected

975
00:51:15,840 --> 00:51:18,319
Speaker 3: them to make was limited though, you know what I'm saying.

976
00:51:18,320 --> 00:51:21,239
Speaker 13: When we're growing up and whatnot, there is no Instagram

977
00:51:21,360 --> 00:51:24,320
Speaker 13: or there is no Google and whatnot, so you everything

978
00:51:25,360 --> 00:51:25,680
Speaker 13: was good.

979
00:51:25,760 --> 00:51:28,160
Speaker 1: They should know more now because of everything is instant.

980
00:51:28,840 --> 00:51:30,279
Speaker 1: I think it's just this.

981
00:51:31,560 --> 00:51:34,799
Speaker 6: They should they got all that ship or whatever you said.

982
00:51:34,920 --> 00:51:36,480
Speaker 1: You said it before, he said, this smart phone is

983
00:51:36,520 --> 00:51:37,280
Speaker 1: stupidest ship.

984
00:51:37,360 --> 00:51:40,080
Speaker 3: It is the stupidest ship. The smart phone stupid and ship.

985
00:51:40,239 --> 00:51:42,840
Speaker 3: You know, but I remember this, this this network, this

986
00:51:43,000 --> 00:51:48,439
Speaker 3: network hired this really big I don't want to say

987
00:51:48,600 --> 00:51:52,920
Speaker 3: motherfuckers knaves hired this really big streamer, right, the biggest

988
00:51:52,960 --> 00:51:54,799
Speaker 3: streamer out there, right, oh, ship.

989
00:51:55,160 --> 00:51:58,240
Speaker 6: So they hired this person to come to the award

990
00:51:58,280 --> 00:52:03,560
Speaker 6: shows and do facts ship. And this motherfucker was like yo,

991
00:52:03,920 --> 00:52:06,640
Speaker 6: like people was like he was going up to people like,

992
00:52:06,920 --> 00:52:07,759
Speaker 6: I don't know who that is?

993
00:52:09,480 --> 00:52:10,000
Speaker 3: What that is.

994
00:52:10,960 --> 00:52:14,319
Speaker 6: His excuse was, don't blame me because I'm young, and

995
00:52:14,360 --> 00:52:16,600
Speaker 6: that was so disrespectful to me, because.

996
00:52:19,000 --> 00:52:20,000
Speaker 1: They want to Africa dance.

997
00:52:20,040 --> 00:52:23,520
Speaker 3: Look, I was backstage and I met and I met

998
00:52:23,560 --> 00:52:24,200
Speaker 3: and I met.

999
00:52:24,400 --> 00:52:29,400
Speaker 6: I met dude one time backstage and he walked backstage.

1000
00:52:28,920 --> 00:52:30,160
Speaker 3: And I was like, hey, what's up man?

1001
00:52:30,160 --> 00:52:32,640
Speaker 6: He was like this, and he walked off and he

1002
00:52:32,760 --> 00:52:35,560
Speaker 6: was with my I like that, dude, the blond.

1003
00:52:35,320 --> 00:52:36,799
Speaker 1: Head Drew ski is with.

1004
00:52:36,880 --> 00:52:40,320
Speaker 3: Drew Skie looked at me and was like this, what's up, O,

1005
00:52:40,480 --> 00:52:41,440
Speaker 3: G how you doing? Man?

1006
00:52:41,440 --> 00:52:44,239
Speaker 6: I appreciate you, man, I love everything you do. Then

1007
00:52:44,280 --> 00:52:46,440
Speaker 6: he went to him and was like, man, you know

1008
00:52:46,680 --> 00:52:48,440
Speaker 6: ge he funny as hell, you know.

1009
00:52:48,520 --> 00:52:49,200
Speaker 3: And he was like this.

1010
00:52:51,239 --> 00:52:53,040
Speaker 6: And just walked off and ship. And I was like this,

1011
00:52:53,239 --> 00:52:56,320
Speaker 6: that's cool, that's cool. That's I'm cool with that. I'm

1012
00:52:56,400 --> 00:52:56,719
Speaker 6: good with that.

1013
00:52:56,840 --> 00:52:57,319
Speaker 1: You don't know why.

1014
00:52:57,320 --> 00:53:00,839
Speaker 6: I'm just all good, right, But when you go on

1015
00:53:00,880 --> 00:53:04,000
Speaker 6: the record and say when they trying to go this

1016
00:53:04,160 --> 00:53:07,359
Speaker 6: babyface and this is this person.

1017
00:53:07,080 --> 00:53:08,520
Speaker 1: And want to recarpet with.

1018
00:53:09,960 --> 00:53:12,560
Speaker 3: You, like but look, but they asked him and he

1019
00:53:12,680 --> 00:53:15,160
Speaker 3: was like this, I don't know these people. I'm young.

1020
00:53:15,360 --> 00:53:18,160
Speaker 6: Don't don't blame me because I'm young. That's that was

1021
00:53:18,520 --> 00:53:22,040
Speaker 6: terrible to do. And to hire him to be your

1022
00:53:22,080 --> 00:53:25,040
Speaker 6: representation out of an award show that you got icons

1023
00:53:25,080 --> 00:53:26,160
Speaker 6: and you got younger people.

1024
00:53:26,280 --> 00:53:28,279
Speaker 3: I think this is like this ship.

1025
00:53:28,719 --> 00:53:30,439
Speaker 4: They couldn't even It's not even his fault's the people

1026
00:53:30,440 --> 00:53:33,920
Speaker 4: who hired him, really, but it's like hosted the Hip

1027
00:53:33,960 --> 00:53:37,879
Speaker 4: Hop Awards as opposed to there's still icons there too.

1028
00:53:37,960 --> 00:53:41,799
Speaker 6: That's just how you but it's more I get it,

1029
00:53:41,840 --> 00:53:44,279
Speaker 6: but maybe they should have done that. But my thing is,

1030
00:53:44,280 --> 00:53:46,919
Speaker 6: don't put a person in position that's going to dis

1031
00:53:47,160 --> 00:53:49,600
Speaker 6: icons just because you're young and you don't know about

1032
00:53:49,640 --> 00:53:51,480
Speaker 6: them and you ain't look them up or whatever, then

1033
00:53:51,520 --> 00:53:53,640
Speaker 6: you shouldn't be in that position. You should have somebody

1034
00:53:53,719 --> 00:53:56,439
Speaker 6: there that's going to acknowledge all the older people, even

1035
00:53:56,480 --> 00:53:58,840
Speaker 6: if you don't know them, like just man.

1036
00:53:58,840 --> 00:54:01,520
Speaker 1: Just know that they got there. They had a whole career,

1037
00:54:02,160 --> 00:54:03,399
Speaker 1: You got a career, you.

1038
00:54:03,480 --> 00:54:05,360
Speaker 3: Was even born, you know what I mean, and just

1039
00:54:05,480 --> 00:54:08,000
Speaker 3: respect them. And that's all. I'm not trying to beef

1040
00:54:08,040 --> 00:54:10,240
Speaker 3: and ship. I'm just going if you're.

1041
00:54:10,120 --> 00:54:12,800
Speaker 6: Going to be in that position, do your research about

1042
00:54:12,800 --> 00:54:15,239
Speaker 6: when you see icons and giving them love when you

1043
00:54:15,280 --> 00:54:16,280
Speaker 6: see them, period.

1044
00:54:16,400 --> 00:54:17,480
Speaker 3: That's all I'm saying.

1045
00:54:22,360 --> 00:54:22,760
Speaker 1: Something.

1046
00:54:22,800 --> 00:54:25,359
Speaker 13: We hold the younger people to a certain standard when

1047
00:54:25,400 --> 00:54:27,800
Speaker 13: they come in, Like you know, I'll be seeing a

1048
00:54:27,800 --> 00:54:29,480
Speaker 13: lot of the little interviews.

1049
00:54:29,000 --> 00:54:29,839
Speaker 3: On certain.

1050
00:54:31,440 --> 00:54:35,719
Speaker 13: Morning shows and different platforms, and you know it'd be

1051
00:54:35,719 --> 00:54:37,319
Speaker 13: a little bit too much respect for a.

1052
00:54:37,239 --> 00:54:41,440
Speaker 3: Lot of the so called new people that's popping.

1053
00:54:41,480 --> 00:54:43,760
Speaker 13: And they're not like a lot of the older generation

1054
00:54:43,880 --> 00:54:46,600
Speaker 13: ain't telling them exactly what it is and how they

1055
00:54:46,640 --> 00:54:48,680
Speaker 13: really feel about what they're doing.

1056
00:54:49,120 --> 00:54:52,319
Speaker 6: But they're following people because of how famous they are.

1057
00:54:52,480 --> 00:54:53,520
Speaker 3: Even Nikki said that.

1058
00:54:53,600 --> 00:54:56,880
Speaker 6: Nikki said, motherfuckers ain't fame, no motherfuckers ain't talented no more.

1059
00:54:56,920 --> 00:54:58,640
Speaker 3: They're famous and ship And.

1060
00:54:58,600 --> 00:55:01,120
Speaker 6: So you got these people people that really don't know

1061
00:55:01,239 --> 00:55:03,600
Speaker 6: too much and nothing, you know what I mean, that's

1062
00:55:03,680 --> 00:55:06,479
Speaker 6: out here. I'm not trying to diss her or nothing

1063
00:55:06,520 --> 00:55:09,120
Speaker 6: like that, but they did you see that video a

1064
00:55:09,239 --> 00:55:12,120
Speaker 6: lotto in the a at the jewelry store and they

1065
00:55:12,200 --> 00:55:16,440
Speaker 6: asked her name the forty fifth and the forty seventh president,

1066
00:55:16,560 --> 00:55:18,960
Speaker 6: and if you could do that, we'll take some money

1067
00:55:18,960 --> 00:55:19,880
Speaker 6: off your jewelry.

1068
00:55:19,920 --> 00:55:20,200
Speaker 3: Wow.

1069
00:55:20,480 --> 00:55:25,320
Speaker 6: She was like this the forty fifth forty seventh. Wow,

1070
00:55:26,960 --> 00:55:29,240
Speaker 6: he said, the forty fifth to forty sevenths, right, forty

1071
00:55:29,280 --> 00:55:34,000
Speaker 6: fifth or forty And I'm sitting there going wow. But

1072
00:55:34,080 --> 00:55:36,799
Speaker 6: people follow her and be like she's true, she's this

1073
00:55:36,960 --> 00:55:39,000
Speaker 6: and that in the third and it's like, man, if

1074
00:55:39,040 --> 00:55:41,640
Speaker 6: you're gonna be in the public eye, I think it

1075
00:55:43,640 --> 00:55:48,839
Speaker 6: should be on you to be knowledgeable of anything. If

1076
00:55:48,880 --> 00:55:52,040
Speaker 6: somebody asks you, you know what I mean, like a, yeah,

1077
00:55:52,200 --> 00:55:55,759
Speaker 6: it is fifth forty seventh president is Trump like.

1078
00:55:56,600 --> 00:56:12,640
Speaker 1: Trump is forty seven? They both both. I'm working one

1079
00:56:12,680 --> 00:56:18,759
Speaker 1: that I realized.

1080
00:56:22,040 --> 00:56:27,840
Speaker 6: Question no, no, shout out a lot of I'm just saying,

1081
00:56:27,920 --> 00:56:31,080
Speaker 6: like when when you look up to these people that

1082
00:56:31,160 --> 00:56:33,640
Speaker 6: are new in the game, and you don't look up

1083
00:56:33,719 --> 00:56:36,440
Speaker 6: to your older people that's doing the game, and you

1084
00:56:36,520 --> 00:56:38,880
Speaker 6: put all your faith and everything in these younger people

1085
00:56:38,920 --> 00:56:41,839
Speaker 6: that's coming up, thinking that everybody know everything. They ain't

1086
00:56:41,880 --> 00:56:45,719
Speaker 6: loved enough or they haven't experienced enough or studied enough

1087
00:56:45,760 --> 00:56:48,719
Speaker 6: in order to be held to that standard that you

1088
00:56:49,040 --> 00:56:51,319
Speaker 6: leaving them at All I'm saying is that's a lot

1089
00:56:51,320 --> 00:56:52,800
Speaker 6: of older cats out here that's.

1090
00:56:52,600 --> 00:56:53,040
Speaker 3: Been doing that.

1091
00:56:53,080 --> 00:56:54,840
Speaker 6: I'm gonna talk about even hip hop, you know what

1092
00:56:54,920 --> 00:56:58,000
Speaker 6: I mean, like l L and everybody that you can

1093
00:56:58,080 --> 00:57:00,600
Speaker 6: learn a lot from these cats, no lot, you know,

1094
00:57:00,680 --> 00:57:04,080
Speaker 6: and they have ventured off into other endeavors in order

1095
00:57:04,120 --> 00:57:07,160
Speaker 6: for them to have knowledge of self and knowledge of

1096
00:57:07,800 --> 00:57:11,080
Speaker 6: culture and business and everything, you know what I mean.

1097
00:57:11,160 --> 00:57:14,520
Speaker 6: So I just want young people to really pay attention

1098
00:57:14,640 --> 00:57:18,040
Speaker 6: and do your studies on who you consider the Messiah

1099
00:57:18,040 --> 00:57:21,800
Speaker 6: out here, and don't forget those that I really are

1100
00:57:21,880 --> 00:57:22,960
Speaker 6: the Messiah out of here.

1101
00:57:23,000 --> 00:57:27,800
Speaker 4: Plus, aging is an exclusive to older people.

1102
00:57:27,800 --> 00:57:28,840
Speaker 3: Everybody's in age.

1103
00:57:29,080 --> 00:57:32,920
Speaker 4: Everybody others you want to be treated because will be

1104
00:57:32,960 --> 00:57:34,240
Speaker 4: in that position exactly.

1105
00:57:34,400 --> 00:57:36,880
Speaker 6: And the more you live, the more you go through, right,

1106
00:57:37,040 --> 00:57:39,200
Speaker 6: So therefore you're gonna have a little bit more experience

1107
00:57:39,280 --> 00:57:40,040
Speaker 6: than before.

1108
00:57:40,160 --> 00:57:40,400
Speaker 3: Right.

1109
00:57:40,800 --> 00:57:43,040
Speaker 6: So that's how it is. And I want young people

1110
00:57:43,040 --> 00:57:44,880
Speaker 6: to understand that. I even have to tell my son

1111
00:57:44,960 --> 00:57:47,760
Speaker 6: that sometime I'm like, for I'm not this age for

1112
00:57:47,840 --> 00:57:49,760
Speaker 6: no reason, you know what I mean. People didn't make

1113
00:57:49,800 --> 00:57:50,560
Speaker 6: it to this age.

1114
00:57:50,840 --> 00:57:51,480
Speaker 1: You know what I mean.

1115
00:57:51,680 --> 00:57:54,720
Speaker 6: Like it's a reason why I'm here, you know what

1116
00:57:54,720 --> 00:57:57,520
Speaker 6: I mean. And so I want people to understand that

1117
00:57:57,560 --> 00:57:59,560
Speaker 6: when it comes to your elders or whatever, just give

1118
00:57:59,600 --> 00:58:01,120
Speaker 6: them love man and listen to him.

1119
00:58:01,120 --> 00:58:04,080
Speaker 3: At least listen to him. They gonna know something speaking

1120
00:58:04,080 --> 00:58:09,280
Speaker 3: of that, because you just lost D'Angelo.

1121
00:58:09,720 --> 00:58:12,280
Speaker 15: Yeah, and what you just did a tribute?

1122
00:58:13,160 --> 00:58:16,080
Speaker 3: You didn't just do it? I did it on Blackish? Yeah,

1123
00:58:16,200 --> 00:58:16,520
Speaker 3: I did it.

1124
00:58:17,760 --> 00:58:20,600
Speaker 1: Yeah, I did his. I did his how does it Feel?

1125
00:58:20,680 --> 00:58:22,760
Speaker 3: Video? On Blackish? No, I ain't show all that.

1126
00:58:22,840 --> 00:58:25,680
Speaker 15: Ship you did?

1127
00:58:25,760 --> 00:58:32,760
Speaker 1: My man? What was what was Posina.

1128
00:58:32,880 --> 00:58:33,600
Speaker 3: What was he doing?

1129
00:58:33,840 --> 00:58:41,760
Speaker 1: He was doing it. My brother, My commerce was killing me.

1130
00:58:43,200 --> 00:58:43,840
Speaker 1: That's my brother.

1131
00:58:44,320 --> 00:58:50,080
Speaker 3: Sometimes you just gonna I love get Manet love bro

1132
00:58:50,600 --> 00:58:51,840
Speaker 3: and d D was.

1133
00:58:52,120 --> 00:58:54,320
Speaker 6: I mean, I ain't ever met d but you know

1134
00:58:54,440 --> 00:58:56,800
Speaker 6: from what I've heard from other people, he was. You know,

1135
00:58:57,000 --> 00:58:59,000
Speaker 6: he was to himself a lot, you know what I mean.

1136
00:58:59,120 --> 00:59:01,160
Speaker 6: And you know something, artists are like that. You know,

1137
00:59:01,280 --> 00:59:04,200
Speaker 6: he didn't tour live. I ain't never seen him perform live.

1138
00:59:04,360 --> 00:59:07,800
Speaker 4: He was battling that cancer in silence basically for years.

1139
00:59:07,880 --> 00:59:11,440
Speaker 6: I hain't never seen him since the time he came out. Yeah, yeah,

1140
00:59:12,160 --> 00:59:14,200
Speaker 6: ever seen him on tour. I've never seen him with

1141
00:59:14,520 --> 00:59:16,840
Speaker 6: other people on tour. I've never seen him by himself

1142
00:59:16,840 --> 00:59:20,680
Speaker 6: on tour. Other people probably seen him. I just never

1143
00:59:20,720 --> 00:59:23,280
Speaker 6: seen DeAngelo, you know what I mean. And man, he's

1144
00:59:23,320 --> 00:59:28,680
Speaker 6: one of the greatest musicians we've had. Oh no, absolutely,

1145
00:59:28,760 --> 00:59:32,480
Speaker 6: And you know they keep Dwinderland, They keep Dwinderland. We

1146
00:59:32,560 --> 00:59:35,280
Speaker 6: got to wrap Stevie Wonder and some bubble wrap or

1147
00:59:35,320 --> 00:59:38,080
Speaker 6: some got damn because we only got a few left.

1148
00:59:38,280 --> 00:59:41,959
Speaker 1: Yes, I'm gonna be honest. We've been doing this show

1149
00:59:42,000 --> 00:59:46,080
Speaker 1: for nine years, thank plus yep, and everybody has a

1150
00:59:46,120 --> 00:59:51,160
Speaker 1: Stevie Wonder story where they think Stevie could see Osley

1151
00:59:51,200 --> 00:59:53,560
Speaker 1: Brothers said they had to stop him from coursing the highway.

1152
00:59:54,080 --> 01:00:00,360
Speaker 1: On this shows, the shack said he lived the same

1153
01:00:00,360 --> 01:00:03,240
Speaker 1: building with Stevie, and Stevie jumped and gotten the elevator

1154
01:00:03,280 --> 01:00:07,240
Speaker 1: with him by himself by it, and Shaan said he

1155
01:00:07,400 --> 01:00:09,280
Speaker 1: not only pressed the number, he said, what's up? Decent

1156
01:00:11,200 --> 01:00:15,960
Speaker 1: on the show. On this show, somebody else says, he says,

1157
01:00:16,960 --> 01:00:24,320
Speaker 1: forget he faced time, and he faced it's all on camera.

1158
01:00:24,640 --> 01:00:29,680
Speaker 1: Listen by the way, I'm not then said that he said,

1159
01:00:29,720 --> 01:00:35,640
Speaker 1: good to see you. Stop all on the show. I

1160
01:00:35,680 --> 01:00:39,080
Speaker 1: promise you. I can't make this up. It's so got

1161
01:00:39,600 --> 01:00:43,040
Speaker 1: you brought up Stevie. N It's gotten so good that

1162
01:00:43,200 --> 01:00:46,200
Speaker 1: even if Stevie can't see or can see me, I

1163
01:00:46,240 --> 01:00:49,320
Speaker 1: don't actually want to know, Like I just want to

1164
01:00:49,360 --> 01:00:53,080
Speaker 1: keep the room. I'm going like it's just like you know,

1165
01:00:53,480 --> 01:00:55,600
Speaker 1: it's gonna sound fund up I describe this, But if

1166
01:00:55,640 --> 01:00:59,040
Speaker 1: I see Stevie, I might need move because I know

1167
01:00:59,080 --> 01:01:01,480
Speaker 1: what NEPHT is going. That's the thig that the world

1168
01:01:03,200 --> 01:01:06,880
Speaker 1: I'm I can't see. Let's go, and I'm like Stevie

1169
01:01:06,920 --> 01:01:07,720
Speaker 1: is Stevie.

1170
01:01:07,920 --> 01:01:11,760
Speaker 3: Hell, yes, Stevie is Stevie like my arts and Nemesis Jack.

1171
01:01:12,800 --> 01:01:18,320
Speaker 6: Stevie ain't ship Stevie and motherfucking are you talking about?

1172
01:01:18,320 --> 01:01:18,640
Speaker 4: Hold on?

1173
01:01:19,040 --> 01:01:28,360
Speaker 3: Stevie took this chick from me one time. Your moment

1174
01:01:28,960 --> 01:01:31,800
Speaker 3: to drink.

1175
01:01:34,040 --> 01:01:43,160
Speaker 1: Real dk tos he order you ain't shape you. You

1176
01:01:43,320 --> 01:01:44,919
Speaker 1: and Stevie both look at the same chick.

1177
01:01:45,080 --> 01:01:51,640
Speaker 10: No, No, I trying to get it.

1178
01:01:52,040 --> 01:01:53,000
Speaker 1: Okay, So what happened?

1179
01:01:53,680 --> 01:01:56,560
Speaker 6: So I had this chick right and we went to

1180
01:01:56,640 --> 01:02:00,240
Speaker 6: this concert. Now Stevie just be popping up at Ship.

1181
01:02:00,320 --> 01:02:00,560
Speaker 4: You know.

1182
01:02:00,880 --> 01:02:02,439
Speaker 3: I don't know if you know this, but a lot.

1183
01:02:02,360 --> 01:02:04,920
Speaker 6: Of times you see Stevie at things he wasn't invited.

1184
01:02:06,080 --> 01:02:08,360
Speaker 6: You should be showing the funk up man like. You

1185
01:02:08,400 --> 01:02:11,200
Speaker 6: can't just tell him no like you, he just.

1186
01:02:11,240 --> 01:02:14,120
Speaker 3: Calm and ship. You ain't gonna bull shit. I'm about

1187
01:02:14,160 --> 01:02:17,120
Speaker 3: to put quest Love on blast. Ask quest Love, dog

1188
01:02:17,400 --> 01:02:18,080
Speaker 3: cook quests.

1189
01:02:18,160 --> 01:02:19,640
Speaker 1: I'm put your glass quess.

1190
01:02:20,120 --> 01:02:20,680
Speaker 3: Quest said.

1191
01:02:21,640 --> 01:02:24,800
Speaker 6: He showed up to the White House. Obama was like,

1192
01:02:24,920 --> 01:02:25,720
Speaker 6: don't let him in.

1193
01:02:25,680 --> 01:02:30,040
Speaker 3: Here, like either, ain't me trying to holler at him?

1194
01:02:30,080 --> 01:02:35,880
Speaker 1: Shell and Ship like, so he took all security the right,

1195
01:02:36,400 --> 01:02:36,840
Speaker 1: they said.

1196
01:02:36,840 --> 01:02:39,720
Speaker 6: Obama's on stage talking to Obama said he looked over

1197
01:02:39,760 --> 01:02:40,360
Speaker 6: to the side.

1198
01:02:40,440 --> 01:02:43,680
Speaker 3: He said he just saw him coming in like this.

1199
01:02:43,840 --> 01:02:50,680
Speaker 16: Obama was like, God, let him in here, Stevie.

1200
01:02:50,920 --> 01:02:55,080
Speaker 3: Stevie be on somemoke like you know, he ain't hear

1201
01:02:55,200 --> 01:02:58,000
Speaker 3: me here. Get at your brod nigga and the heartbeat.

1202
01:02:58,280 --> 01:03:02,840
Speaker 6: But anyway, I want to want to go see Santana, right,

1203
01:03:03,000 --> 01:03:04,400
Speaker 6: And I was like, just when I.

1204
01:03:04,360 --> 01:03:11,800
Speaker 1: First got to l A right Carlo. So yeah, So.

1205
01:03:14,600 --> 01:03:16,600
Speaker 6: After the show, I'm going backstage, and I got this

1206
01:03:16,680 --> 01:03:19,880
Speaker 6: chick with me. But during the show, he brings this

1207
01:03:20,080 --> 01:03:23,000
Speaker 6: Stevie just come out nowhere, right, He come out and

1208
01:03:23,000 --> 01:03:24,400
Speaker 6: he do like a guest spot with him.

1209
01:03:24,400 --> 01:03:28,600
Speaker 3: They go backstage. I go backstage. I go the girl

1210
01:03:28,600 --> 01:03:28,880
Speaker 3: I was with.

1211
01:03:29,040 --> 01:03:30,680
Speaker 6: I was like, man, you you want you want to

1212
01:03:30,680 --> 01:03:32,560
Speaker 6: meet Stee. She's like, hey, I love me him. And

1213
01:03:32,600 --> 01:03:35,080
Speaker 6: I was like, yo, I just want to introduce telling

1214
01:03:35,160 --> 01:03:36,680
Speaker 6: the body guy. He was like just hold on for

1215
01:03:36,680 --> 01:03:38,320
Speaker 6: a second. I was like, I'm gonna go get some drinks.

1216
01:03:38,360 --> 01:03:40,360
Speaker 6: I go get some drinks to come back. She gone,

1217
01:03:41,080 --> 01:03:43,000
Speaker 6: and I'm like, well, yo, what she had body guy

1218
01:03:43,120 --> 01:03:45,040
Speaker 6: Like yeah, she went in. I let in and go

1219
01:03:45,080 --> 01:03:46,360
Speaker 6: see Stevie and I was like, all.

1220
01:03:46,360 --> 01:03:48,000
Speaker 3: Right, cool, I go in here. He's like, yeah, it's

1221
01:03:48,040 --> 01:03:52,720
Speaker 3: just a lot of people in there right now. I'm

1222
01:03:52,760 --> 01:03:57,720
Speaker 3: standing at this, so I'm like, okay, So I'm standing.

1223
01:03:57,560 --> 01:03:58,400
Speaker 1: Over the drinks.

1224
01:03:59,400 --> 01:04:03,160
Speaker 3: Forty five minutes go by, dog, I'm sitting there like, y'all,

1225
01:04:03,280 --> 01:04:07,640
Speaker 3: what the fuck? So I'm texting her ship myf't answering

1226
01:04:07,840 --> 01:04:10,040
Speaker 3: and I'm sitting there. I'm like, man, what the fuck.

1227
01:04:10,960 --> 01:04:13,240
Speaker 3: Finally she come out and she was like.

1228
01:04:13,480 --> 01:04:18,800
Speaker 6: Hey, yeah, she came up to She was like this

1229
01:04:19,080 --> 01:04:21,480
Speaker 6: just a true story. I'm not butster. She came she

1230
01:04:21,560 --> 01:04:23,240
Speaker 6: was like, hey, what's up? And I was like, fuck,

1231
01:04:23,360 --> 01:04:25,400
Speaker 6: what the fuck is she doing? And she was like, man,

1232
01:04:25,440 --> 01:04:27,880
Speaker 6: Stevee was just talking to me about some stuff, and

1233
01:04:28,000 --> 01:04:30,760
Speaker 6: you know, you know, if you can do me a favor,

1234
01:04:31,280 --> 01:04:33,680
Speaker 6: he really want to talk to me, and if you

1235
01:04:33,720 --> 01:04:36,760
Speaker 6: can go home to be cool. And I got some

1236
01:04:36,840 --> 01:04:39,640
Speaker 6: money for you to go home, and gave me like

1237
01:04:39,680 --> 01:04:41,960
Speaker 6: one hundred dollars to go home because she drove right

1238
01:04:42,040 --> 01:04:44,160
Speaker 6: and I gave me some money to go home, take

1239
01:04:44,160 --> 01:04:49,280
Speaker 6: a cab home. And I just couldn't believe that Stevie

1240
01:04:51,200 --> 01:04:52,640
Speaker 6: and I knew Stevie gave.

1241
01:04:52,440 --> 01:04:54,800
Speaker 3: Her that money because that motherfucker to have a dime.

1242
01:04:56,800 --> 01:05:02,040
Speaker 6: Steve, I got have I just I was riding home

1243
01:05:02,160 --> 01:05:04,640
Speaker 6: with the calb dog, just sitting there like I'm.

1244
01:05:04,440 --> 01:05:07,320
Speaker 1: Not gonna lie. That's how you know you're a real nigga.

1245
01:05:08,120 --> 01:05:09,720
Speaker 1: You can tell it's still kind of a little bit

1246
01:05:09,720 --> 01:05:14,920
Speaker 1: affecting you because you like you're still thinking about it

1247
01:05:15,000 --> 01:05:19,560
Speaker 1: little bit like man, just.

1248
01:05:19,960 --> 01:05:23,760
Speaker 6: Like I mean more, I mean not just you know, yeah, Stevie,

1249
01:05:23,840 --> 01:05:26,200
Speaker 6: I'll sitting up like, man, this is blind.

1250
01:05:26,280 --> 01:05:29,080
Speaker 3: Dude took my girl no offense.

1251
01:05:40,840 --> 01:05:53,000
Speaker 1: Talking about you know what, I might be scared to

1252
01:05:53,040 --> 01:05:56,439
Speaker 1: have TV on because it's like too much.

1253
01:05:57,480 --> 01:06:03,400
Speaker 6: Like look, I see him later on right, he did that, right,

1254
01:06:03,760 --> 01:06:07,000
Speaker 6: and I think you confront him. I was chilling, right,

1255
01:06:07,280 --> 01:06:10,160
Speaker 6: I was chilling side at this bar was a hole

1256
01:06:10,240 --> 01:06:12,160
Speaker 6: in the wall to the hole and having of the

1257
01:06:12,200 --> 01:06:12,640
Speaker 6: girl with you.

1258
01:06:12,800 --> 01:06:22,200
Speaker 3: I was with a group of people and everybody when

1259
01:06:22,240 --> 01:06:25,000
Speaker 3: he came in the club, everybody was like, oh my god, that's.

1260
01:06:24,880 --> 01:06:32,320
Speaker 1: Stevie and I was like that nigga. So he signed out.

1261
01:06:32,560 --> 01:06:35,280
Speaker 3: I'm looking at him like just chilling, And then one

1262
01:06:35,320 --> 01:06:37,720
Speaker 3: of these people came over to me and was like, yo, Steve,

1263
01:06:37,720 --> 01:06:38,880
Speaker 3: you want to talk to you for a minute.

1264
01:06:38,880 --> 01:06:40,800
Speaker 6: And I was like, I ain't going over there. I

1265
01:06:40,840 --> 01:06:42,360
Speaker 6: was like, he can come over here. I ain't going

1266
01:06:42,360 --> 01:06:44,439
Speaker 6: over there. And then they was like then they came

1267
01:06:44,480 --> 01:06:46,040
Speaker 6: back up and was like, man, can you just come

1268
01:06:46,080 --> 01:06:47,680
Speaker 6: over here? And I was like all right, and I

1269
01:06:47,760 --> 01:06:48,480
Speaker 6: went over there.

1270
01:06:49,720 --> 01:06:50,480
Speaker 3: True story.

1271
01:06:50,880 --> 01:06:53,240
Speaker 6: I know y'all got to think on bo sitting. I

1272
01:06:53,280 --> 01:06:56,160
Speaker 6: got over there and he was just sitting there and

1273
01:06:56,200 --> 01:06:59,520
Speaker 6: they was like, dr right here and he was like hey.

1274
01:07:00,000 --> 01:07:09,680
Speaker 3: I was like, what you like something? And I lean down.

1275
01:07:09,760 --> 01:07:09,920
Speaker 1: Man.

1276
01:07:10,000 --> 01:07:13,080
Speaker 6: He was like, why your bitch ass still tripping over that?

1277
01:07:17,720 --> 01:07:21,880
Speaker 6: When you see Stevie? Asked Stevie, I sweat to you.

1278
01:07:21,880 --> 01:07:23,160
Speaker 1: He said that, and I was.

1279
01:07:23,160 --> 01:07:27,360
Speaker 3: Like, ain't nobody tripping over that girl? And he was

1280
01:07:27,400 --> 01:07:30,280
Speaker 3: like he was like she is, motherfucker and said I'm not.

1281
01:07:30,520 --> 01:07:32,800
Speaker 3: He was like yeah, he said, I'm married now. I

1282
01:07:32,800 --> 01:07:35,520
Speaker 3: don't even I don't even matter now, but I could

1283
01:07:35,560 --> 01:07:36,000
Speaker 3: feel it.

1284
01:07:36,160 --> 01:07:37,040
Speaker 1: I can feel it.

1285
01:07:38,120 --> 01:07:40,560
Speaker 6: I can feel you said, and I ain't tripping nigga.

1286
01:07:42,320 --> 01:07:44,400
Speaker 6: He was just like yeah, whatever, and I was like, man,

1287
01:07:44,440 --> 01:07:45,280
Speaker 6: I'm gone.

1288
01:07:45,000 --> 01:07:51,240
Speaker 3: Man, love, I said, I kept going, I'm leaving. Was

1289
01:07:51,720 --> 01:07:52,240
Speaker 3: talking to.

1290
01:07:55,640 --> 01:07:59,840
Speaker 1: I was trying to be I was talking to sell.

1291
01:08:00,280 --> 01:08:01,440
Speaker 1: I was like, I'm getting to go.

1292
01:08:02,480 --> 01:08:05,040
Speaker 3: Nigga, Nigga, I'm leaving.

1293
01:08:09,520 --> 01:08:12,920
Speaker 13: You ain't want to just leave nigga like you you

1294
01:08:14,040 --> 01:08:16,080
Speaker 13: bet you.

1295
01:08:17,200 --> 01:08:20,600
Speaker 3: I should have just walked away. I'm trying to be

1296
01:08:20,720 --> 01:08:22,920
Speaker 3: respect yo.

1297
01:08:23,120 --> 01:08:26,599
Speaker 1: Straight straight true Snow. You know you were there because

1298
01:08:26,640 --> 01:08:30,120
Speaker 1: he had he had a.

1299
01:08:29,560 --> 01:08:31,200
Speaker 3: Pop true story.

1300
01:08:31,560 --> 01:08:33,439
Speaker 6: And now I see him again and it was it

1301
01:08:33,560 --> 01:08:35,479
Speaker 6: was love every time I see him.

1302
01:08:35,520 --> 01:08:36,479
Speaker 3: Now just be love.

1303
01:08:37,360 --> 01:08:37,840
Speaker 1: Yeah, I had.

1304
01:08:40,000 --> 01:08:43,200
Speaker 3: I'm telling everybody. When he came to the club, Everybody's like.

1305
01:08:44,120 --> 01:08:49,120
Speaker 6: And I just chilling nigga, Like, nigga, did.

1306
01:08:48,960 --> 01:08:50,000
Speaker 1: You ever speak to homegirl?

1307
01:08:50,960 --> 01:08:53,960
Speaker 6: I spoke to her later on and she was like, Yo,

1308
01:08:54,080 --> 01:08:56,920
Speaker 6: I want to apologize for that.

1309
01:08:56,920 --> 01:08:57,639
Speaker 3: I was wrong.

1310
01:08:57,840 --> 01:09:01,880
Speaker 6: I shouldn't have left you all this other ship just

1311
01:09:01,960 --> 01:09:03,880
Speaker 6: like yeah, whatever, motherfucker.

1312
01:09:05,080 --> 01:09:07,439
Speaker 1: Yeah, but you wasn't new in Hollywood at that time.

1313
01:09:07,600 --> 01:09:08,760
Speaker 1: You was already seen that. No.

1314
01:09:09,000 --> 01:09:12,360
Speaker 6: I was, so I was known, but I wasn't like,

1315
01:09:12,360 --> 01:09:14,360
Speaker 6: like nationally known or no ship like that.

1316
01:09:14,439 --> 01:09:16,680
Speaker 3: I just got to l a you know what I mean.

1317
01:09:16,720 --> 01:09:19,599
Speaker 6: I didn't. I didn't even really have no job at

1318
01:09:19,600 --> 01:09:22,360
Speaker 6: the time. I was just getting there trying to figure

1319
01:09:22,360 --> 01:09:22,679
Speaker 6: it out.

1320
01:09:22,760 --> 01:09:23,840
Speaker 3: Did yeh?

1321
01:09:24,320 --> 01:09:24,519
Speaker 7: Yeah.

1322
01:09:24,560 --> 01:09:27,120
Speaker 3: I had did comic view, I did Death Jam comic view.

1323
01:09:27,200 --> 01:09:29,880
Speaker 6: I did all of that. Yeah, so comics knew me.

1324
01:09:29,920 --> 01:09:32,200
Speaker 6: I was like a comics comic, but I wasn't like,

1325
01:09:32,640 --> 01:09:35,559
Speaker 6: you know, like you know just we had young Berg

1326
01:09:35,600 --> 01:09:37,680
Speaker 6: go heare and young Berg said that one time that

1327
01:09:37,720 --> 01:09:40,760
Speaker 6: he went on tour with DMX, he was new and

1328
01:09:41,320 --> 01:09:45,960
Speaker 6: took his girl. But he actually he told him said,

1329
01:09:45,960 --> 01:09:47,360
Speaker 6: can I talk to your girl for one minute in

1330
01:09:47,400 --> 01:09:47,760
Speaker 6: my room?

1331
01:09:48,680 --> 01:09:50,439
Speaker 1: You know what I mean said? He said, he said,

1332
01:09:50,439 --> 01:09:53,040
Speaker 1: you left her person in my room, so I wanted

1333
01:09:53,040 --> 01:09:54,880
Speaker 1: to go get her and Young Bird was like, oh okay,

1334
01:09:54,920 --> 01:09:58,640
Speaker 1: yeah take he and he never seen the girl. He

1335
01:09:58,760 --> 01:10:00,880
Speaker 1: was unseasoned. He didn't know what he was doing.

1336
01:10:01,200 --> 01:10:02,320
Speaker 3: That's crazy.

1337
01:10:03,320 --> 01:10:03,559
Speaker 1: Yeah.

1338
01:10:03,920 --> 01:10:07,000
Speaker 6: Uh yeah, I didn't have some run ins when Lawrence

1339
01:10:07,040 --> 01:10:11,639
Speaker 6: Fishburn was on. He was on Blackish with us right Fishburn, but.

1340
01:10:11,600 --> 01:10:17,880
Speaker 1: I heard Cam had Yeah, yo, that ship happened to

1341
01:10:17,960 --> 01:10:20,760
Speaker 1: me before Blackish though he did that.

1342
01:10:20,800 --> 01:10:24,120
Speaker 6: Same ship and the Lawrence fish No. I was in

1343
01:10:24,160 --> 01:10:27,320
Speaker 6: New York and I was walking so not so hard.

1344
01:10:27,360 --> 01:10:31,280
Speaker 6: I think it was downtown area around walking and uh man,

1345
01:10:31,400 --> 01:10:33,799
Speaker 6: true ship. I was with the tries On Neill shout out.

1346
01:10:33,640 --> 01:10:35,720
Speaker 3: To USID.

1347
01:10:36,520 --> 01:10:39,200
Speaker 6: This Boston comedy festival that they had right up in

1348
01:10:39,240 --> 01:10:40,040
Speaker 6: New York or whatever.

1349
01:10:40,360 --> 01:10:40,639
Speaker 3: Yeah.

1350
01:10:40,720 --> 01:10:42,479
Speaker 1: Yeah, it was like what you think.

1351
01:10:42,560 --> 01:10:45,080
Speaker 6: Comedy festival, but it was in New York or were

1352
01:10:45,080 --> 01:10:47,519
Speaker 6: walking down the street going to this bar and I

1353
01:10:47,560 --> 01:10:49,200
Speaker 6: was like, man, I got used the bathroom and I

1354
01:10:49,240 --> 01:10:51,759
Speaker 6: went down these steps into this jazz area.

1355
01:10:52,240 --> 01:10:56,160
Speaker 3: Saw Laurence Fishburn with with some dude. They was chilling

1356
01:10:56,200 --> 01:10:59,120
Speaker 3: and I was like, oh my god, they're gonna Lawrence

1357
01:10:59,120 --> 01:11:01,320
Speaker 3: Fishburn's going in the bathroom and I'm like, all right,

1358
01:11:01,400 --> 01:11:01,720
Speaker 3: let me go.

1359
01:11:01,760 --> 01:11:02,839
Speaker 1: Say what's up to him.

1360
01:11:03,320 --> 01:11:06,200
Speaker 6: I walk out and I was like, I was like, man, Larry,

1361
01:11:06,360 --> 01:11:09,080
Speaker 6: you are amazing. He was like, hey, nigga, the fuck

1362
01:11:09,160 --> 01:11:09,519
Speaker 6: you called?

1363
01:11:11,360 --> 01:11:15,360
Speaker 1: I was like what. He was like, fuck, told you?

1364
01:11:15,479 --> 01:11:16,640
Speaker 1: My name is Larry.

1365
01:11:17,479 --> 01:11:23,120
Speaker 3: I was like, it's said on cornbread in the credits,

1366
01:11:23,360 --> 01:11:27,759
Speaker 3: like said Larry. He was like, my name Lawrence, nigga Lawrence.

1367
01:11:28,320 --> 01:11:30,880
Speaker 3: He would call me Larry. You don't know me, motherfucker.

1368
01:11:32,160 --> 01:11:34,479
Speaker 1: I was like all right, and I.

1369
01:11:36,200 --> 01:11:41,760
Speaker 3: Just said all right, walk period. He went all I

1370
01:11:41,800 --> 01:11:43,639
Speaker 3: went outside the tree, like all right.

1371
01:11:43,800 --> 01:11:47,760
Speaker 1: I was like, no, I said that.

1372
01:11:47,840 --> 01:11:51,280
Speaker 3: Nigga just went off talking to Larry. I said, that's

1373
01:11:51,439 --> 01:11:54,559
Speaker 3: just say Larry in the credits. I'm like, I ain't

1374
01:11:54,560 --> 01:11:56,360
Speaker 3: even know that nigga name is Lawrence.

1375
01:11:57,160 --> 01:11:58,760
Speaker 1: I was like, it's crazy.

1376
01:11:59,360 --> 01:12:00,720
Speaker 3: He was like, he went off on you.

1377
01:12:00,800 --> 01:12:04,320
Speaker 6: I was like, yeah, I just walked away. But later on,

1378
01:12:04,520 --> 01:12:07,080
Speaker 6: when I got on Blackish and he walked in the room.

1379
01:12:06,960 --> 01:12:09,679
Speaker 3: I was like, I just say something, but I didn't.

1380
01:12:10,080 --> 01:12:13,639
Speaker 6: I didn't say nothing until last day, the last day

1381
01:12:13,680 --> 01:12:16,599
Speaker 6: of black I said, you know, you cussed me out right.

1382
01:12:17,160 --> 01:12:19,280
Speaker 6: He was like, for what I said because I called

1383
01:12:19,280 --> 01:12:25,000
Speaker 6: you Larry, and he was like, sounded like me. I said,

1384
01:12:25,040 --> 01:12:26,240
Speaker 6: but why did you cuss me out?

1385
01:12:26,360 --> 01:12:26,559
Speaker 3: Dog?

1386
01:12:26,680 --> 01:12:29,679
Speaker 6: Because the said Larry under credits. He was like, three

1387
01:12:29,720 --> 01:12:32,320
Speaker 6: movies called me Larry. He was like, my name is Lawrence.

1388
01:12:32,360 --> 01:12:34,559
Speaker 6: Though he was like I like the name Lawrence when

1389
01:12:34,560 --> 01:12:36,680
Speaker 6: I got older. Lawrence is more mature. It's a more

1390
01:12:36,720 --> 01:12:37,280
Speaker 6: mature name.

1391
01:12:37,360 --> 01:12:37,759
Speaker 1: And Larry.

1392
01:12:37,800 --> 01:12:39,600
Speaker 6: I want to be called Lawrence. That's my name, and

1393
01:12:39,640 --> 01:12:41,720
Speaker 6: that's how I want to call And I said, dog,

1394
01:12:42,080 --> 01:12:44,280
Speaker 6: you know people love you. They gonna call you all

1395
01:12:44,360 --> 01:12:47,440
Speaker 6: kind of shit. I said, so you get mad. Motherfuckers

1396
01:12:47,479 --> 01:12:52,680
Speaker 6: call you Morpheus and he was like no. It was

1397
01:12:52,720 --> 01:12:55,400
Speaker 6: like because I can't stop that. He said, I can't

1398
01:12:55,400 --> 01:12:58,120
Speaker 6: stop people from calling me Morpheus. He was like, I

1399
01:12:58,240 --> 01:12:59,920
Speaker 6: just let it slide. He was like, you called me

1400
01:13:00,120 --> 01:13:04,719
Speaker 6: Lawrence or Morpheus. And he was like, but other than that,

1401
01:13:04,720 --> 01:13:05,080
Speaker 6: that's it.

1402
01:13:05,640 --> 01:13:16,160
Speaker 16: I was like, larious, he could explain that on the moment.

1403
01:13:16,040 --> 01:13:18,920
Speaker 1: Instead of going off just said that in the moment.

1404
01:13:18,960 --> 01:13:19,920
Speaker 1: I'm like, I don't know you.

1405
01:13:20,240 --> 01:13:21,679
Speaker 3: I ain't never met you in my life.

1406
01:13:22,040 --> 01:13:24,880
Speaker 1: I'm just a fan said that story on this show,

1407
01:13:25,360 --> 01:13:30,080
Speaker 1: and we need to co sign that story.

1408
01:13:33,160 --> 01:13:36,400
Speaker 7: I'm getting to death. I'm confused when I see I'm like, laws,

1409
01:13:43,280 --> 01:13:44,639
Speaker 7: you hear me with jay Z too?

1410
01:13:45,360 --> 01:13:48,400
Speaker 6: Yeah, not beef. How could I work with Jay? I

1411
01:13:48,520 --> 01:13:52,440
Speaker 6: worked with Jay Lena? Dude, do you know what I mean? Celebrities?

1412
01:13:52,520 --> 01:13:53,000
Speaker 3: This mean?

1413
01:13:53,400 --> 01:13:57,599
Speaker 6: It's like what I just bu lots of celebrities Jay?

1414
01:13:57,720 --> 01:13:58,280
Speaker 1: This mean?

1415
01:14:00,640 --> 01:14:04,840
Speaker 6: I was at a death Jam party, uh in the Hills.

1416
01:14:05,280 --> 01:14:09,120
Speaker 6: This was like coming in the nineties, Yeah, California Hills, right,

1417
01:14:09,160 --> 01:14:11,320
Speaker 6: And we were outside, Me and my boy Reggie. We

1418
01:14:11,360 --> 01:14:15,280
Speaker 6: outside and the party jumping right, all death Jam artists

1419
01:14:15,280 --> 01:14:15,639
Speaker 6: in there.

1420
01:14:15,720 --> 01:14:15,920
Speaker 3: Right.

1421
01:14:16,920 --> 01:14:20,360
Speaker 6: All of a sudden, six s uvs pull up. Jake

1422
01:14:20,439 --> 01:14:23,000
Speaker 6: get out and I'm looking like, oh, there goes Jay

1423
01:14:23,040 --> 01:14:24,720
Speaker 6: and ship right, and he walked right up to me

1424
01:14:24,760 --> 01:14:26,840
Speaker 6: on my boy and it's like this what the party

1425
01:14:26,880 --> 01:14:29,080
Speaker 6: looking like? And We was like, man, that motherfucker jump

1426
01:14:29,080 --> 01:14:30,720
Speaker 6: and he was like, what y'all doing out here? We

1427
01:14:30,720 --> 01:14:32,840
Speaker 6: was like, Shire just drink in trying to cool off.

1428
01:14:33,160 --> 01:14:35,320
Speaker 6: He was like, oh cool, that's what's up. He was like, Ship,

1429
01:14:35,360 --> 01:14:37,400
Speaker 6: why see y'all up in there. We was like all right.

1430
01:14:37,640 --> 01:14:38,320
Speaker 6: He walked away.

1431
01:14:38,360 --> 01:14:42,920
Speaker 1: We was like, we just kicked it with j. So

1432
01:14:42,960 --> 01:14:44,400
Speaker 1: we was like, let's get up in here and kick

1433
01:14:44,400 --> 01:14:45,200
Speaker 1: it with Jay and Ship.

1434
01:14:45,320 --> 01:14:46,760
Speaker 3: Right, So Jay go up in there.

1435
01:14:46,960 --> 01:14:48,640
Speaker 6: We walk up in there and this girl, I know,

1436
01:14:48,760 --> 01:14:50,280
Speaker 6: she was there and I said, yo, we just hung

1437
01:14:50,280 --> 01:14:52,599
Speaker 6: out with Jay and Ship was kicking it with Jay, right.

1438
01:14:52,800 --> 01:14:53,840
Speaker 1: She was like what I said?

1439
01:14:53,880 --> 01:14:54,080
Speaker 7: Yeah?

1440
01:14:54,120 --> 01:14:56,160
Speaker 3: I said, look, take this camera. I had one in

1441
01:14:56,200 --> 01:14:57,040
Speaker 3: them yellow.

1442
01:14:59,160 --> 01:15:07,240
Speaker 1: Got Kodak Ship, take it to Dwayne Weed and the camera.

1443
01:15:07,400 --> 01:15:09,120
Speaker 3: And I was like, this show. We're gonna dance over

1444
01:15:09,160 --> 01:15:09,559
Speaker 3: the Jay.

1445
01:15:10,040 --> 01:15:11,800
Speaker 6: When we get over there, I'm gonna just be like, man,

1446
01:15:11,840 --> 01:15:13,960
Speaker 6: let me get a picture, snap the picture, and then

1447
01:15:14,000 --> 01:15:16,400
Speaker 6: we can leave, al right, Like all right, cool, We

1448
01:15:17,120 --> 01:15:18,280
Speaker 6: dancing and Ship and.

1449
01:15:19,680 --> 01:15:22,840
Speaker 3: We get all the way over that dog right right here, right.

1450
01:15:22,920 --> 01:15:24,680
Speaker 3: So I'm dancing in front of Jay. I'm looking at her.

1451
01:15:24,760 --> 01:15:27,400
Speaker 3: I'm like you ready. He's like yeah, And I stopped

1452
01:15:27,400 --> 01:15:27,920
Speaker 3: and I was like.

1453
01:15:27,920 --> 01:15:31,599
Speaker 6: Hey, Jay, can I get a picture? He was like, yo, son,

1454
01:15:31,960 --> 01:15:33,720
Speaker 6: the fuck you want to take a picture with me?

1455
01:15:33,800 --> 01:15:36,800
Speaker 6: For and all these pictures in the party. It was like, God,

1456
01:15:36,840 --> 01:15:38,600
Speaker 6: you want to take a picture with the nigga and

1457
01:15:38,640 --> 01:15:40,000
Speaker 6: all these women in the party.

1458
01:15:40,040 --> 01:15:41,280
Speaker 3: He was like, yo, you wow.

1459
01:15:41,680 --> 01:15:42,280
Speaker 1: I looked like.

1460
01:15:47,320 --> 01:15:49,320
Speaker 3: I look at the chicken. We just a bitch dancing

1461
01:15:49,479 --> 01:15:51,320
Speaker 3: car because.

1462
01:15:52,720 --> 01:15:53,360
Speaker 1: Just walk away.

1463
01:15:53,439 --> 01:16:00,000
Speaker 6: I was like, I just walked away in the whole

1464
01:16:00,080 --> 01:16:01,719
Speaker 6: old party heard it, dog.

1465
01:16:01,960 --> 01:16:04,920
Speaker 3: I was like, the whole party heard that ship. Dog.

1466
01:16:05,000 --> 01:16:06,920
Speaker 6: I was like, I was just sitting on the side,

1467
01:16:07,080 --> 01:16:09,960
Speaker 6: like when nobody talk to me, is everybody in there

1468
01:16:09,960 --> 01:16:13,439
Speaker 6: red and math everybody? When nobody said everybody just like

1469
01:16:14,640 --> 01:16:17,799
Speaker 6: lookg it was crazy.

1470
01:16:17,840 --> 01:16:19,920
Speaker 3: I left the party. I had to leave. I have

1471
01:16:19,960 --> 01:16:26,679
Speaker 3: a good time, Like I ain't never seen that girl.

1472
01:16:28,360 --> 01:16:30,680
Speaker 3: She just took the camera and just yo, took the

1473
01:16:30,720 --> 01:16:32,960
Speaker 3: camera and went away. Stole your camera.

1474
01:16:33,479 --> 01:16:36,200
Speaker 1: Yeah, dog, I'm telling you that.

1475
01:16:37,840 --> 01:16:40,320
Speaker 6: Ain't no celebrity in this mother ever not been this

1476
01:16:40,520 --> 01:16:41,640
Speaker 6: by another celebrity.

1477
01:16:42,120 --> 01:16:44,519
Speaker 1: Like but but because when.

1478
01:16:44,360 --> 01:16:50,920
Speaker 3: You said somebody this, but let me have.

1479
01:16:52,640 --> 01:16:54,880
Speaker 1: I thought you made like on record. So all right,

1480
01:16:54,920 --> 01:16:58,200
Speaker 1: so so so what's another funny encounter you had with

1481
01:16:58,240 --> 01:16:59,599
Speaker 1: a celebrity.

1482
01:16:59,560 --> 01:17:03,400
Speaker 6: Ship Maxwell Maxwell. I was out here in New York

1483
01:17:03,479 --> 01:17:05,519
Speaker 6: one time. I don't even know if he remembered. This

1484
01:17:05,640 --> 01:17:07,639
Speaker 6: house in New York and I was with my man Chauncey,

1485
01:17:08,200 --> 01:17:09,800
Speaker 6: and we went to this party. We got in there

1486
01:17:09,840 --> 01:17:13,680
Speaker 6: about one in the morning. Maxwell in there. Chauncey was like, man,

1487
01:17:13,680 --> 01:17:15,800
Speaker 6: they go Maxwell. He was like you Maxwell.

1488
01:17:16,080 --> 01:17:19,080
Speaker 3: Maxwell had all these model chicks right, he was at

1489
01:17:19,080 --> 01:17:21,840
Speaker 3: the bar. He was like, Chauncey, what up? Chauncy like

1490
01:17:22,000 --> 01:17:22,679
Speaker 3: my boy DMN.

1491
01:17:22,880 --> 01:17:25,120
Speaker 1: He like, y'all what up? D Sky? What up? Man?

1492
01:17:25,280 --> 01:17:32,360
Speaker 1: Just some baby? Come on, man, come on, we go

1493
01:17:32,680 --> 01:17:34,880
Speaker 1: march go to chicks and ship and we over there

1494
01:17:34,960 --> 01:17:38,720
Speaker 1: to be I'll read it. Weed drinks, the ships come on,

1495
01:17:38,800 --> 01:17:46,960
Speaker 1: take pencil. I'm like, all right, cool Max, even Max.

1496
01:17:48,000 --> 01:17:50,959
Speaker 6: So we go over there were flicking drinking and ships

1497
01:17:50,960 --> 01:17:52,280
Speaker 6: like yo, let's go to another party.

1498
01:17:52,280 --> 01:17:53,439
Speaker 3: We went to another party.

1499
01:17:53,880 --> 01:17:55,160
Speaker 1: We hang out.

1500
01:17:55,240 --> 01:17:56,200
Speaker 3: They come.

1501
01:17:56,640 --> 01:17:57,759
Speaker 1: I'm like, hey, Maxy.

1502
01:17:57,920 --> 01:18:01,800
Speaker 3: We came in the ship, went home, went to the

1503
01:18:01,880 --> 01:18:03,479
Speaker 3: room to the little model stick man.

1504
01:18:03,600 --> 01:18:06,719
Speaker 1: I'm like, man, I said, was fly as fun.

1505
01:18:07,720 --> 01:18:10,120
Speaker 6: Next day I go out and I go to this

1506
01:18:10,240 --> 01:18:12,439
Speaker 6: party and ship, right, I go up in there. Who

1507
01:18:12,560 --> 01:18:16,879
Speaker 6: in the club Maxwell. I see Maxwell. I'm like, oh,

1508
01:18:17,040 --> 01:18:18,960
Speaker 6: I walk up to a massive.

1509
01:18:20,040 --> 01:18:20,639
Speaker 3: He's like.

1510
01:18:22,200 --> 01:18:22,280
Speaker 7: What.

1511
01:18:25,200 --> 01:18:28,680
Speaker 3: I was like, what's happening? He was like, who what

1512
01:18:28,960 --> 01:18:42,120
Speaker 3: did you? I'm like, it's this skid. He just walked away.

1513
01:18:42,320 --> 01:18:42,559
Speaker 1: Dog.

1514
01:18:42,680 --> 01:18:53,280
Speaker 3: I'm like, right, Ship, not remember me at all?

1515
01:18:53,640 --> 01:18:53,880
Speaker 1: Dog.

1516
01:18:54,040 --> 01:18:56,599
Speaker 3: And we hung out to about six in the morning. Dog.

1517
01:18:57,000 --> 01:19:02,200
Speaker 3: The next day it was the next day, was he

1518
01:19:02,320 --> 01:19:05,280
Speaker 3: on the shout got really I don't know that. I

1519
01:19:05,360 --> 01:19:07,200
Speaker 3: was like, all right, man.

1520
01:19:12,280 --> 01:19:19,760
Speaker 4: He was. He was like, come on, come on, I'm

1521
01:19:19,760 --> 01:19:21,200
Speaker 4: gonna tell you something.

1522
01:19:21,840 --> 01:19:25,120
Speaker 1: Be watching one of your specials. I was like, so like,

1523
01:19:25,920 --> 01:19:31,519
Speaker 1: mad at how you assessed me? Like me Like, I

1524
01:19:31,560 --> 01:19:35,120
Speaker 1: was like, I was watching and I want to say,

1525
01:19:35,120 --> 01:19:37,080
Speaker 1: you was looking at the white people in the audience,

1526
01:19:37,880 --> 01:19:45,240
Speaker 1: and you said black people like plastic bags. And I

1527
01:19:45,240 --> 01:19:51,280
Speaker 1: immediately stopped and I pressed pause, and I went to

1528
01:19:51,400 --> 01:19:56,080
Speaker 1: every garbage can that I had, excuse me, every little

1529
01:19:57,880 --> 01:20:01,800
Speaker 1: I had in my house, and I said, this nigga

1530
01:20:01,840 --> 01:20:07,599
Speaker 1: doesn't assess me. Every little I had my house had

1531
01:20:07,800 --> 01:20:13,719
Speaker 1: more plastic bag under that. But that didn't that still

1532
01:20:14,280 --> 01:20:17,080
Speaker 1: didn't like alarm me that he assessed me too good.

1533
01:20:18,439 --> 01:20:23,759
Speaker 1: I went to the cabinets. Cabbiness had but then I said,

1534
01:20:24,200 --> 01:20:31,040
Speaker 1: it's under the kitchen that determines, under the sink, under

1535
01:20:31,040 --> 01:20:35,080
Speaker 1: the sink the determines from a real plastic bag freak

1536
01:20:35,320 --> 01:20:39,360
Speaker 1: or not. I've been listening to me ten seconds. I

1537
01:20:39,439 --> 01:20:42,280
Speaker 1: was sitting there. You know you roll, you want to roll,

1538
01:20:42,360 --> 01:20:46,479
Speaker 1: see though, So I'm sitting there like, and I opened

1539
01:20:46,520 --> 01:20:49,120
Speaker 1: it up, and then you said something especially to you, said,

1540
01:20:49,200 --> 01:20:52,120
Speaker 1: you know when they be trying to get away, trying

1541
01:20:52,160 --> 01:20:58,360
Speaker 1: to get away. And I said, now now I want

1542
01:20:58,360 --> 01:21:02,479
Speaker 1: to I want to up this question. Is it just

1543
01:21:02,800 --> 01:21:06,640
Speaker 1: black people who love plastic bags or is it anybody

1544
01:21:07,520 --> 01:21:11,320
Speaker 1: experience anything hood that like classic bags.

1545
01:21:11,680 --> 01:21:16,000
Speaker 6: I only speak from the black experience. If anybody else

1546
01:21:16,080 --> 01:21:19,040
Speaker 6: got it going on? And okay, but I know the

1547
01:21:19,040 --> 01:21:22,839
Speaker 6: black houses that I've been to, everybody got a drawer

1548
01:21:23,080 --> 01:21:27,080
Speaker 6: pantry full of them up, it might be it might

1549
01:21:27,120 --> 01:21:27,719
Speaker 6: be universal.

1550
01:21:27,800 --> 01:21:29,559
Speaker 1: And the one thing that you didn't say, you didn't

1551
01:21:29,600 --> 01:21:30,479
Speaker 1: say to go.

1552
01:21:30,439 --> 01:21:33,960
Speaker 6: Back, No, no, no, no, just plastic I mean it

1553
01:21:34,000 --> 01:21:35,040
Speaker 6: could be to go back.

1554
01:21:35,760 --> 01:21:37,639
Speaker 3: Yeah, you can use it from.

1555
01:21:37,520 --> 01:21:40,480
Speaker 1: A bunch of plassic bags. And one plastic bag is pulling.

1556
01:21:40,240 --> 01:21:40,720
Speaker 3: Out a.

1557
01:21:46,640 --> 01:21:48,760
Speaker 1: Track backs for everything, like for real.

1558
01:21:49,560 --> 01:21:52,360
Speaker 3: Definitely you can use them for shower.

1559
01:21:52,240 --> 01:21:56,479
Speaker 1: Caps umbrellas, umbrellas, backpack.

1560
01:21:56,640 --> 01:22:03,720
Speaker 3: You can put your chicken and take it out, it up, Yeah, like.

1561
01:22:05,760 --> 01:22:07,040
Speaker 1: You don't throw away the back.

1562
01:22:15,400 --> 01:22:20,639
Speaker 13: Chicago, man, Chicago, you automatically assume they know everybody in Chicago.

1563
01:22:20,800 --> 01:22:25,120
Speaker 13: It's like that you ever bump into a killer you got.

1564
01:22:24,280 --> 01:22:28,479
Speaker 3: Yeah yeah, yeah yeah, popping and everything wrong there.

1565
01:22:29,640 --> 01:22:30,520
Speaker 1: I just playing.

1566
01:22:35,960 --> 01:22:38,640
Speaker 6: Calls is the truth, man, I mean, like you know,

1567
01:22:38,680 --> 01:22:42,240
Speaker 6: whatever happened that that happened. I just I feel like

1568
01:22:42,280 --> 01:22:45,160
Speaker 6: this when it comes to music. Let me let me

1569
01:22:45,200 --> 01:22:47,000
Speaker 6: break this to you real quick. I think when it

1570
01:22:47,040 --> 01:22:52,760
Speaker 6: comes to music, music is bookmarks in life, right, bookmarks,

1571
01:22:53,240 --> 01:22:55,439
Speaker 6: certain song come on, you know where you was at,

1572
01:22:55,479 --> 01:22:57,320
Speaker 6: what you was doing, all of that, right, and so

1573
01:22:57,360 --> 01:22:58,800
Speaker 6: it's a bookmark in your life.

1574
01:22:58,920 --> 01:22:59,080
Speaker 1: Right.

1575
01:22:59,439 --> 01:23:02,479
Speaker 6: You also have these memories when these songs come out,

1576
01:23:02,600 --> 01:23:04,759
Speaker 6: like you make these memories or whatever.

1577
01:23:04,880 --> 01:23:06,720
Speaker 3: Right, so when you hear these songs.

1578
01:23:07,120 --> 01:23:13,280
Speaker 6: These memories come back. People make music. That music is

1579
01:23:13,320 --> 01:23:17,479
Speaker 6: no longer theirs. It becomes the people. That's why when

1580
01:23:17,520 --> 01:23:20,719
Speaker 6: the person hears a song, they going, that's my song, Oh,

1581
01:23:20,760 --> 01:23:24,880
Speaker 6: that's my jam, that's it becomes yours. It's like if

1582
01:23:24,880 --> 01:23:27,439
Speaker 6: an artist draws a painting and put it on the wall.

1583
01:23:28,000 --> 01:23:30,280
Speaker 3: He can't come back later to your house and be like,

1584
01:23:30,320 --> 01:23:32,519
Speaker 3: oh no no, no, no, no, no no no, let.

1585
01:23:32,520 --> 01:23:36,120
Speaker 6: Me change my painting. It's no longer his, it's my pain.

1586
01:23:36,280 --> 01:23:38,400
Speaker 6: I could do whatever I want. That's how music is,

1587
01:23:38,439 --> 01:23:38,640
Speaker 6: you know.

1588
01:23:38,640 --> 01:23:42,160
Speaker 3: What I mean. And so when people like don't be playing.

1589
01:23:41,880 --> 01:23:45,320
Speaker 6: People's music because of whatever they've done, that's really taking

1590
01:23:45,360 --> 01:23:47,760
Speaker 6: away the bookmark that you made in life. And it's

1591
01:23:47,800 --> 01:23:51,519
Speaker 6: your music. It's no longer their music, So why stop

1592
01:23:51,600 --> 01:23:53,639
Speaker 6: playing it, you know what I mean? Because you're taking

1593
01:23:53,680 --> 01:23:57,240
Speaker 6: away your memories, You're taking away your bookmarks because it's

1594
01:23:57,240 --> 01:24:00,400
Speaker 6: no longer theirs. It's not their music, know what I mean.

1595
01:24:00,439 --> 01:24:02,439
Speaker 6: If you want to stop their money coming in, then

1596
01:24:03,000 --> 01:24:05,879
Speaker 6: so be it. But on your own time or whatever

1597
01:24:06,160 --> 01:24:09,040
Speaker 6: or whatever party. I think you should play whatever you

1598
01:24:09,040 --> 01:24:09,360
Speaker 6: want to.

1599
01:24:10,400 --> 01:24:13,960
Speaker 1: Like when you look separate the art from the person,

1600
01:24:14,040 --> 01:24:16,880
Speaker 1: when you look at shows like Benny Hill and you

1601
01:24:16,920 --> 01:24:19,360
Speaker 1: look at Sad and his Son, and you look at

1602
01:24:20,160 --> 01:24:23,200
Speaker 1: the Jeffersons, you look at what's the ship or she bunker?

1603
01:24:23,600 --> 01:24:25,639
Speaker 1: Like when you look back at that ship, I sit

1604
01:24:25,720 --> 01:24:28,960
Speaker 1: back and I say I loved it this, Yeah, I

1605
01:24:29,040 --> 01:24:34,559
Speaker 1: say this ain't gonna fly. Why can I separate like

1606
01:24:34,840 --> 01:24:36,599
Speaker 1: that's what it was back then, like they got this

1607
01:24:36,640 --> 01:24:39,719
Speaker 1: whole blog thing, but like eighties babies are like people

1608
01:24:39,840 --> 01:24:43,760
Speaker 1: like you know, kids never never wore a seatbelt. That's

1609
01:24:43,760 --> 01:24:46,720
Speaker 1: the reason why, Like like like why why can't it

1610
01:24:46,800 --> 01:24:47,160
Speaker 1: be like that?

1611
01:24:48,120 --> 01:24:51,680
Speaker 6: No, it's just it's the times change, you know what

1612
01:24:51,680 --> 01:24:54,439
Speaker 6: I mean. It's just like it's like the more people,

1613
01:24:55,800 --> 01:25:00,320
Speaker 6: you know, stand up for different things that bother them,

1614
01:25:00,360 --> 01:25:03,960
Speaker 6: and now it's just certain words you can't say, things

1615
01:25:04,000 --> 01:25:06,320
Speaker 6: you can't do. It's just and it's only gonna get

1616
01:25:06,360 --> 01:25:10,160
Speaker 6: worse and and ship more and more than that. Freedom

1617
01:25:10,160 --> 01:25:13,640
Speaker 6: of speeches like that is like I think that's like

1618
01:25:13,920 --> 01:25:15,559
Speaker 6: almost a thing of the past.

1619
01:25:15,640 --> 01:25:18,360
Speaker 3: Yeah. Yeah, you can't even say what you really want

1620
01:25:18,360 --> 01:25:26,240
Speaker 3: to say.

1621
01:25:26,680 --> 01:25:30,240
Speaker 1: You ain't say about it. But excuse me, mister cole.

1622
01:25:33,760 --> 01:25:34,120
Speaker 3: Proper.

1623
01:25:36,439 --> 01:25:38,400
Speaker 1: Our show was about giving people their flowers.

1624
01:25:38,920 --> 01:25:39,840
Speaker 3: That's uh.

1625
01:25:40,200 --> 01:25:43,519
Speaker 1: What you have done for the game of comedy, what

1626
01:25:43,640 --> 01:25:46,120
Speaker 1: you have done for this industry. You have done, you know,

1627
01:25:46,200 --> 01:25:50,720
Speaker 1: continuing to be original, continuing to be funny, continuing to

1628
01:25:50,760 --> 01:25:54,799
Speaker 1: make you know what I mean, classic material, and continue.

1629
01:25:54,800 --> 01:25:57,240
Speaker 1: And we wanted to tell you how much the game

1630
01:25:58,080 --> 01:26:00,360
Speaker 1: you know that you mean to the game, to us

1631
01:26:01,160 --> 01:26:03,400
Speaker 1: and to the game period. If we want to give

1632
01:26:03,400 --> 01:26:05,280
Speaker 1: your flowers face to face man, and man, we give

1633
01:26:05,280 --> 01:26:07,599
Speaker 1: your flowers. Appreciate that's what You're good.

1634
01:26:12,360 --> 01:26:13,320
Speaker 3: Thank you man.

1635
01:26:13,600 --> 01:26:15,559
Speaker 1: It's better than the Grammy because it comes from your people.

1636
01:26:17,080 --> 01:26:18,320
Speaker 3: Thank you so much. Man.

1637
01:26:18,360 --> 01:26:23,280
Speaker 6: I ain't gonna this is so great man. I appreciate it, man,

1638
01:26:23,360 --> 01:26:25,839
Speaker 6: this is this is everything.

1639
01:26:27,960 --> 01:26:31,519
Speaker 1: Man. Man, I want to, I want to. I want to.

1640
01:26:32,360 --> 01:26:36,200
Speaker 1: I want to address something too, because I've always understood

1641
01:26:36,920 --> 01:26:43,360
Speaker 1: the importance of comedic content, right, but something that I

1642
01:26:43,400 --> 01:26:48,760
Speaker 1: appreciate it more than ever ever ever. During COVID, Right,

1643
01:26:49,960 --> 01:26:52,760
Speaker 1: I came outside, but I tried to comply as much

1644
01:26:52,760 --> 01:26:57,559
Speaker 1: as I can. But I'm Porto weekend and black, so

1645
01:26:57,680 --> 01:27:00,640
Speaker 1: I'm conflicted. I got to come outside a handball or

1646
01:27:00,680 --> 01:27:05,960
Speaker 1: basketball one of the right. But during COVID, I realized

1647
01:27:06,000 --> 01:27:10,280
Speaker 1: I already already knew how important it is to laugh, right,

1648
01:27:14,280 --> 01:27:16,640
Speaker 1: But during COVID, I realized how important it is to

1649
01:27:16,720 --> 01:27:22,680
Speaker 1: laugh during disaster. Yeah, even during it's like something that's like,

1650
01:27:22,720 --> 01:27:25,800
Speaker 1: you know, something really really wrong in life, Like I

1651
01:27:26,800 --> 01:27:30,040
Speaker 1: first couldn't take nine to eleven jokes, right because I'm

1652
01:27:30,040 --> 01:27:33,439
Speaker 1: from New York City and you know what they say.

1653
01:27:33,439 --> 01:27:37,000
Speaker 1: Too soon it was like too soon. Both you know,

1654
01:27:37,080 --> 01:27:40,080
Speaker 1: New York is we wait, we are our fucking middle name.

1655
01:27:40,080 --> 01:27:45,479
Speaker 1: It's too soon. But then covid was something different, right,

1656
01:27:45,560 --> 01:27:48,639
Speaker 1: because not eleven was just really us who got affected,

1657
01:27:49,120 --> 01:27:53,400
Speaker 1: like New York City. But then covid was the world, right,

1658
01:27:54,800 --> 01:27:57,679
Speaker 1: And it was that thirty minutes or that ten minutes

1659
01:27:57,760 --> 01:27:59,919
Speaker 1: or that twelve minutes that I just would go online

1660
01:28:00,600 --> 01:28:03,759
Speaker 1: and comedians would just go be online and just serving

1661
01:28:03,760 --> 01:28:07,320
Speaker 1: that material, and it meant the world to me because

1662
01:28:07,360 --> 01:28:13,040
Speaker 1: whatever comedian I was watching, whoever it be, at that moment,

1663
01:28:13,120 --> 01:28:16,400
Speaker 1: I felt like they were talking to me, like, not

1664
01:28:16,520 --> 01:28:19,040
Speaker 1: the world, like I felt like they were zeroing in

1665
01:28:19,200 --> 01:28:24,719
Speaker 1: on me at home, even my goddamn protisserie chicken and broccoli,

1666
01:28:24,760 --> 01:28:27,840
Speaker 1: trying to be healthy but still trying to have fun

1667
01:28:28,120 --> 01:28:30,920
Speaker 1: and listen to the community. That's when I realized I

1668
01:28:30,960 --> 01:28:37,400
Speaker 1: always knew how important comics were, but it made me

1669
01:28:37,439 --> 01:28:42,080
Speaker 1: feel like the world can't exist, Yeah without funny or

1670
01:28:42,120 --> 01:28:45,280
Speaker 1: without comics. How did you take that time?

1671
01:28:49,880 --> 01:28:54,720
Speaker 6: It was very unsure, very unsure, because you're talking to

1672
01:28:54,880 --> 01:29:00,519
Speaker 6: people who make they live in doing shows, interacting. Yeah, yeah,

1673
01:29:00,560 --> 01:29:04,040
Speaker 6: doing shows, traveling, doing shows and stuff. A lot of

1674
01:29:04,040 --> 01:29:07,080
Speaker 6: comedians they don't got health care and dental.

1675
01:29:07,760 --> 01:29:09,720
Speaker 3: They don't got none of that. They ain't got that.

1676
01:29:10,160 --> 01:29:14,320
Speaker 3: So therefore to shut that down for like years, a

1677
01:29:14,439 --> 01:29:20,160
Speaker 3: year or two, I was devastating. Touring Yeah, yeah, yeah,

1678
01:29:20,920 --> 01:29:22,800
Speaker 3: you know a lot of comics had to I had

1679
01:29:22,840 --> 01:29:24,960
Speaker 3: to help out a few comics, you know what I mean,

1680
01:29:25,160 --> 01:29:27,840
Speaker 3: and other comics was helping out other comics because it

1681
01:29:27,880 --> 01:29:29,040
Speaker 3: wasn't nobody making no money.

1682
01:29:29,040 --> 01:29:29,280
Speaker 14: It was.

1683
01:29:30,000 --> 01:29:32,760
Speaker 6: It was like a really tripped out time, you know

1684
01:29:32,760 --> 01:29:35,679
Speaker 6: what I mean. But a lot was invented then too,

1685
01:29:36,200 --> 01:29:38,960
Speaker 6: but not I still on the it's worth it, but

1686
01:29:39,240 --> 01:29:41,960
Speaker 6: you know, it still was like you got to find

1687
01:29:41,960 --> 01:29:45,160
Speaker 6: a beauty in that, you know what I mean. I

1688
01:29:45,280 --> 01:29:49,240
Speaker 6: learned how to DJ during that time. I started djying

1689
01:29:49,520 --> 01:29:52,880
Speaker 6: and playing. I only play like house music and disco music,

1690
01:29:53,000 --> 01:29:56,120
Speaker 6: but I learned and that that led to me making

1691
01:29:56,240 --> 01:29:59,439
Speaker 6: songs and traveling and playing music.

1692
01:29:59,640 --> 01:30:01,280
Speaker 3: You know, I play. I play in New.

1693
01:30:01,200 --> 01:30:05,040
Speaker 6: York a lot with Tasha Diggs, and I play in

1694
01:30:05,320 --> 01:30:08,760
Speaker 6: Chicago Terry Hunter and l A.

1695
01:30:09,160 --> 01:30:09,400
Speaker 1: KG.

1696
01:30:09,600 --> 01:30:13,680
Speaker 6: Superstar and yeah, like yeah, the chosen few picnics. So

1697
01:30:13,800 --> 01:30:18,760
Speaker 6: it went from just playing records to actually being on

1698
01:30:18,800 --> 01:30:21,200
Speaker 6: these stage all the stuff. Yeah, a whole other career

1699
01:30:21,280 --> 01:30:25,519
Speaker 6: for me so to Michaels one. Yeah, no, I did

1700
01:30:25,520 --> 01:30:28,559
Speaker 6: it with Tony Roberts. I didn't want with Rip Michaels

1701
01:30:28,560 --> 01:30:32,880
Speaker 6: to shout out the ripos still Roberts, Tony Robbers comedian. Yeah,

1702
01:30:32,920 --> 01:30:36,200
Speaker 6: we did one on yeah yeah, yeah, yeah, So we

1703
01:30:36,280 --> 01:30:37,960
Speaker 6: had a good time shout out to Tony and ship.

1704
01:30:38,040 --> 01:30:40,120
Speaker 6: But uh yeah, man, it was it was. It was

1705
01:30:40,160 --> 01:30:42,560
Speaker 6: a really really tripped out bizarre time, you know what

1706
01:30:42,640 --> 01:30:46,280
Speaker 6: I mean. But that platform is important, you know what

1707
01:30:46,320 --> 01:30:49,599
Speaker 6: I mean, for comics to have or whatever. I got

1708
01:30:49,600 --> 01:30:52,439
Speaker 6: this other thing that I haven't it's about the launch.

1709
01:30:52,479 --> 01:30:54,599
Speaker 6: It's gonna be on my YouTube page if if people

1710
01:30:54,640 --> 01:30:57,120
Speaker 6: can follow my YouTube page, Dion Cole. I got the

1711
01:30:57,160 --> 01:31:01,920
Speaker 6: thing called funny Knowing you interview these comedians, you get

1712
01:31:01,960 --> 01:31:05,000
Speaker 6: to know them from from the parents meeting to where

1713
01:31:05,000 --> 01:31:09,439
Speaker 6: they are now. But the twist is is that every

1714
01:31:09,479 --> 01:31:10,960
Speaker 6: answer that they give is real.

1715
01:31:11,520 --> 01:31:13,880
Speaker 3: But it's a punchline but it's real.

1716
01:31:14,479 --> 01:31:16,719
Speaker 6: So it's almost like they're doing a whole new hour

1717
01:31:17,080 --> 01:31:19,639
Speaker 6: about their life that you ain't never any heard about.

1718
01:31:20,040 --> 01:31:22,080
Speaker 6: So these questions I asked them, you know, I give

1719
01:31:22,120 --> 01:31:23,360
Speaker 6: him questions ahead of time.

1720
01:31:23,479 --> 01:31:26,200
Speaker 3: But this ship is hilarious, dude.

1721
01:31:26,000 --> 01:31:28,360
Speaker 6: It's almost like they're doing a whole New Hour stand

1722
01:31:28,439 --> 01:31:31,400
Speaker 6: up about their life because each answer got to be funny.

1723
01:31:31,439 --> 01:31:32,400
Speaker 3: That's the requirement.

1724
01:31:32,800 --> 01:31:36,880
Speaker 6: And I've already interviewed dal Julie, said, Tiffany Hattish, Mike

1725
01:31:37,000 --> 01:31:41,679
Speaker 6: Gapps to Shina Arnold. Man, like a lot of people

1726
01:31:41,800 --> 01:31:47,280
Speaker 6: d Ray Corey, like I did, mister Marcus the porn stars,

1727
01:31:49,080 --> 01:31:49,680
Speaker 6: he just he.

1728
01:31:49,760 --> 01:31:57,080
Speaker 1: Just calm down.

1729
01:31:58,520 --> 01:31:59,360
Speaker 3: That's the only community.

1730
01:31:59,400 --> 01:32:13,200
Speaker 10: I don't know, I can see what I.

1731
01:32:09,160 --> 01:32:12,000
Speaker 6: No, but yeah, but it's it's it's a very good platform.

1732
01:32:12,040 --> 01:32:14,040
Speaker 6: And these platforms I needed for comics.

1733
01:32:14,080 --> 01:32:14,280
Speaker 3: Man.

1734
01:32:14,760 --> 01:32:16,559
Speaker 6: But all the point and the point I'm saying, it's

1735
01:32:16,640 --> 01:32:21,320
Speaker 6: all started from COVID. COVID you know even this I

1736
01:32:21,360 --> 01:32:22,519
Speaker 6: think you know no.

1737
01:32:22,360 --> 01:32:29,760
Speaker 1: No, but but yeah, we're in twenty sixteen. Yeah, this

1738
01:32:29,840 --> 01:32:31,960
Speaker 1: is this is our ship is like interacting with people

1739
01:32:32,120 --> 01:32:35,360
Speaker 1: like Zoom didn't work for us because like you can't

1740
01:32:35,360 --> 01:32:39,240
Speaker 1: smell mom, you can't smell my you like you can't

1741
01:32:39,280 --> 01:32:42,360
Speaker 1: see that that I'm really drinking vodka like straight like

1742
01:32:42,360 --> 01:32:44,080
Speaker 1: like like so you got to you gotta be in.

1743
01:32:44,439 --> 01:32:46,439
Speaker 4: But even though we didn't like doing it, it was

1744
01:32:46,479 --> 01:32:49,599
Speaker 4: important for us to do those Zoom continue like yeah,

1745
01:32:50,040 --> 01:32:51,519
Speaker 4: to keep them up during that time.

1746
01:32:51,400 --> 01:32:54,400
Speaker 3: We needed it. Yeah, yeah, yeah, yeah, and it was important.

1747
01:32:54,600 --> 01:32:57,360
Speaker 3: I came out here doing COVID when we had kids on.

1748
01:32:57,680 --> 01:32:59,720
Speaker 1: Yeah, but I'm not gonna lie to you. That was

1749
01:32:59,720 --> 01:33:02,639
Speaker 1: a first, like one of the first Atlanta listen. Atlanta

1750
01:33:02,720 --> 01:33:06,000
Speaker 1: never closed, No, we didn't, Atlanta did Atlanta stay it

1751
01:33:06,120 --> 01:33:10,840
Speaker 1: up in Atlanta stay closed for twelve minutes, and they

1752
01:33:10,840 --> 01:33:12,200
Speaker 1: were like, we ain't fucking with y'all.

1753
01:33:12,280 --> 01:33:14,360
Speaker 3: Yeah. I did not go.

1754
01:33:14,760 --> 01:33:20,080
Speaker 1: Yeah, I did not go down there. Yeah. I drove

1755
01:33:20,160 --> 01:33:24,880
Speaker 1: there too, at that drove there love. I love driving. Yeah,

1756
01:33:24,960 --> 01:33:32,960
Speaker 1: that's wild. But Jack was definitely okay, okay, cool, all right, gods,

1757
01:33:32,960 --> 01:33:36,160
Speaker 1: so where you go to the bathroom because the plastic bags,

1758
01:33:36,200 --> 01:33:37,000
Speaker 1: I ain't gonna lie to you.

1759
01:33:37,479 --> 01:33:39,320
Speaker 3: That is a that is a.

1760
01:33:42,720 --> 01:33:45,960
Speaker 1: I'm forty eight, now, get the fuck out of here.

1761
01:33:46,160 --> 01:33:49,760
Speaker 1: Well looking good, Okay, thank you, that's what I got

1762
01:33:49,840 --> 01:33:57,960
Speaker 1: you here, man, let's do it. But I'm okay, no, no, no,

1763
01:33:58,000 --> 01:34:02,240
Speaker 1: But that's one of my requirements now is like I

1764
01:34:02,280 --> 01:34:05,000
Speaker 1: have to meet somebody and say, how many plastic bags

1765
01:34:05,000 --> 01:34:09,840
Speaker 1: you got your? I think that's to be the new requirement.

1766
01:34:09,880 --> 01:34:13,960
Speaker 1: Like when you meet somebody like get it you gott adjudge,

1767
01:34:14,000 --> 01:34:17,719
Speaker 1: that's a judgment right there, anything like, let's just stop

1768
01:34:17,760 --> 01:34:21,120
Speaker 1: this conversation. They ain't got no classic bag.

1769
01:34:21,240 --> 01:34:22,439
Speaker 3: I don't think this is gonna work out.

1770
01:34:22,479 --> 01:34:24,519
Speaker 1: And then and then its flavors of the plastic bags too.

1771
01:34:24,520 --> 01:34:28,400
Speaker 1: You gotta remember it's yellow, this brown, this white.

1772
01:34:28,880 --> 01:34:29,960
Speaker 3: Uh.

1773
01:34:30,080 --> 01:34:32,040
Speaker 1: I think that's it, right, I think it's only it's

1774
01:34:32,040 --> 01:34:33,400
Speaker 1: black or black black.

1775
01:34:33,600 --> 01:34:34,360
Speaker 3: You see, I'm so black.

1776
01:34:34,400 --> 01:34:37,599
Speaker 1: I don't even count the black. Yeah, all right, ship man.

1777
01:34:38,280 --> 01:34:40,080
Speaker 1: And the brown always seems like Puerto Rican to me,

1778
01:34:40,120 --> 01:34:43,400
Speaker 1: so you know, someone don't count that. Okay, there's one

1779
01:34:43,400 --> 01:34:48,160
Speaker 1: other color, white, I said white, white, Beige, I said beage,

1780
01:34:48,160 --> 01:34:53,000
Speaker 1: that's Porto Rican. Okay, Yellow, I said yellow, Okay, that's Chinese.

1781
01:34:53,080 --> 01:34:55,200
Speaker 1: That's right, Okay, yeah, yousul.

1782
01:34:55,040 --> 01:34:55,559
Speaker 3: Be the Chinese.

1783
01:34:55,720 --> 01:34:59,000
Speaker 1: No, no, no, no, no yellow ties. I see how you're trying

1784
01:34:59,000 --> 01:35:04,760
Speaker 1: to coordinate it. It's around mother, okay. Yeah. So little

1785
01:35:04,760 --> 01:35:06,800
Speaker 1: before we can roll with plass back, I'm gonna say

1786
01:35:06,840 --> 01:35:09,880
Speaker 1: judge people. But let's talk about Average Joe Joe. Right.

1787
01:35:10,520 --> 01:35:14,120
Speaker 1: I heard that that was actually out on another platform

1788
01:35:14,200 --> 01:35:16,519
Speaker 1: prior to being on Netflix b T.

1789
01:35:16,920 --> 01:35:17,880
Speaker 3: Yeah that's right.

1790
01:35:17,960 --> 01:35:21,800
Speaker 6: Yeah, So so Average Joe is an actual show. It's

1791
01:35:21,840 --> 01:35:25,160
Speaker 6: a b it's a b T plus show. It's original

1792
01:35:25,560 --> 01:35:29,200
Speaker 6: programmer for them. It came out on b BT plus.

1793
01:35:29,479 --> 01:35:32,400
Speaker 6: Is this ship with Nellie Tip Trill? No, that's not

1794
01:35:32,439 --> 01:35:33,639
Speaker 6: the same. That's not the same.

1795
01:35:34,000 --> 01:35:45,439
Speaker 1: The streaming okay, okay, t ship was like around cut back,

1796
01:35:45,800 --> 01:35:49,040
Speaker 1: we need uncut back, uncut.

1797
01:35:50,280 --> 01:35:55,880
Speaker 3: Somebody got offends.

1798
01:35:58,560 --> 01:36:06,960
Speaker 1: The boy cat Holy Ship. Another is that, but.

1799
01:36:06,880 --> 01:36:07,720
Speaker 3: It's the booty can.

1800
01:36:13,680 --> 01:36:16,880
Speaker 1: It's like, don't go to the strip club. It's not

1801
01:36:17,040 --> 01:36:17,639
Speaker 1: like at all.

1802
01:36:19,920 --> 01:36:21,120
Speaker 15: He got big guy.

1803
01:36:33,560 --> 01:36:36,120
Speaker 1: Okay. So we were talking about we're doing qu okay,

1804
01:36:36,160 --> 01:36:38,200
Speaker 1: I'm in all right, let's see what you got said.

1805
01:36:40,560 --> 01:36:45,240
Speaker 3: Let me see that's funny.

1806
01:36:45,800 --> 01:36:46,280
Speaker 1: There it is.

1807
01:36:46,400 --> 01:36:49,080
Speaker 4: All right, So this is our drinking game. We're going

1808
01:36:49,160 --> 01:36:52,559
Speaker 4: to give you two choices. If you pick one, we're

1809
01:36:52,560 --> 01:36:55,160
Speaker 4: not drinking. But if you say both are neither, like

1810
01:36:55,160 --> 01:36:57,439
Speaker 4: you don't want to answer the question, then we all drink.

1811
01:36:57,479 --> 01:37:01,479
Speaker 4: We all take a shot, drink or drink whatever you're drinking.

1812
01:37:01,640 --> 01:37:03,599
Speaker 4: But really it's about coming up with stories of anything

1813
01:37:03,640 --> 01:37:05,000
Speaker 4: we thought about, like anything we mentioned.

1814
01:37:06,080 --> 01:37:07,080
Speaker 1: Yeah, all right.

1815
01:37:07,280 --> 01:37:19,160
Speaker 4: First one is Kevin Hart Chris rock uh and it's

1816
01:37:19,160 --> 01:37:20,960
Speaker 4: any criteria to you, to you.

1817
01:37:22,120 --> 01:37:27,400
Speaker 6: I love Kevin's savviness and business and everything you know.

1818
01:37:27,560 --> 01:37:30,080
Speaker 6: I actually work for him on the project and stuff.

1819
01:37:30,240 --> 01:37:34,800
Speaker 6: I think he's great, phenomenal comic theaters arenas.

1820
01:37:35,640 --> 01:37:40,080
Speaker 3: So I get it. Rock is been around forever.

1821
01:37:40,080 --> 01:37:43,400
Speaker 6: Just legendary and all of that, and so I will

1822
01:37:43,439 --> 01:37:46,840
Speaker 6: go with Rock just on his legendariness and how he is.

1823
01:37:46,880 --> 01:37:47,519
Speaker 3: You know what I mean.

1824
01:37:47,800 --> 01:37:50,800
Speaker 6: But I love Kevin, and Kevin is phenomenal, one of

1825
01:37:50,840 --> 01:37:53,479
Speaker 6: the greatest that ever did it, you know what I mean.

1826
01:37:53,560 --> 01:37:57,759
Speaker 3: But just they both are amazing. But I'm just gonna

1827
01:37:57,800 --> 01:38:00,839
Speaker 3: go legendary status Rock.

1828
01:38:02,320 --> 01:38:02,880
Speaker 1: Fear enough.

1829
01:38:03,720 --> 01:38:05,840
Speaker 3: Richard Prior Red Fox, Richard.

1830
01:38:05,520 --> 01:38:09,679
Speaker 1: Pryor rich is probably the only a nigga that could

1831
01:38:09,680 --> 01:38:11,800
Speaker 1: say he slept with another nigga and none of us

1832
01:38:11,800 --> 01:38:15,519
Speaker 1: paid attention to it. We just we just we just

1833
01:38:15,640 --> 01:38:15,840
Speaker 1: let it.

1834
01:38:21,000 --> 01:38:24,639
Speaker 3: When Richie from the man who says his booty cat.

1835
01:38:26,560 --> 01:38:32,599
Speaker 1: So everybody everybody cat, I was like I was watching.

1836
01:38:33,200 --> 01:38:35,240
Speaker 1: I was like this mother was anch.

1837
01:38:36,960 --> 01:38:40,799
Speaker 3: He was when he was little. Damn he was raising.

1838
01:38:43,520 --> 01:38:43,920
Speaker 1: Happened.

1839
01:38:44,760 --> 01:38:47,400
Speaker 3: If you'm raising the whole house, I think I think

1840
01:38:48,520 --> 01:38:48,800
Speaker 3: you know.

1841
01:38:48,800 --> 01:38:52,920
Speaker 1: If we're gonna see you, right, that's hilarious.

1842
01:38:53,479 --> 01:38:57,240
Speaker 4: Eddie Murphy or Damon Wayne's Eddie Murphy.

1843
01:38:58,240 --> 01:39:01,120
Speaker 6: I love Damon shout to Damon A's one of the goats.

1844
01:39:01,360 --> 01:39:04,800
Speaker 6: Eddie though all day long, I think I think Damon with.

1845
01:39:05,240 --> 01:39:12,960
Speaker 3: Shoes right right, super underrated be he always was being

1846
01:39:13,000 --> 01:39:13,320
Speaker 3: a bee.

1847
01:39:13,360 --> 01:39:16,840
Speaker 1: But is it Eddie who perfected the leather outfits.

1848
01:39:17,160 --> 01:39:19,400
Speaker 6: I'm gonna tell you when you see me on Specials

1849
01:39:19,439 --> 01:39:25,200
Speaker 6: doing and I got leather pants, honor Eddie, Eddie. Every

1850
01:39:25,280 --> 01:39:27,880
Speaker 6: time that I every time, every Special you see me,

1851
01:39:28,000 --> 01:39:29,680
Speaker 6: I got a pair of leather pants on and I

1852
01:39:29,800 --> 01:39:30,920
Speaker 6: do it in honor Eddie.

1853
01:39:31,000 --> 01:39:32,479
Speaker 1: Do you remember when you first met Eddie?

1854
01:39:33,479 --> 01:39:33,679
Speaker 3: Yo?

1855
01:39:34,120 --> 01:39:36,760
Speaker 6: Yeah, when I met Eddie, Dogg. I'm gonna tell you

1856
01:39:36,800 --> 01:39:39,360
Speaker 6: that ship. I'm gonna tell you real quick. Two times

1857
01:39:39,400 --> 01:39:41,160
Speaker 6: I met Eddie. The first time I met Eddie, I

1858
01:39:41,240 --> 01:39:43,800
Speaker 6: was walking to this party that they was having for

1859
01:39:44,000 --> 01:39:46,760
Speaker 6: dream Girls. As I was walking through the door, Eddie

1860
01:39:46,800 --> 01:39:48,080
Speaker 6: was leaving. He was walking out.

1861
01:39:49,479 --> 01:39:49,679
Speaker 1: Yeah.

1862
01:39:49,760 --> 01:39:52,759
Speaker 3: Yeah, he stopped at the door and he said something.

1863
01:39:52,840 --> 01:39:55,200
Speaker 6: In the whole room started laughing and I was just

1864
01:39:55,200 --> 01:39:58,280
Speaker 6: standing like out the way. But then I leaned into

1865
01:39:58,400 --> 01:40:01,559
Speaker 6: him and I was like, hey, man, you're gonna see

1866
01:40:01,560 --> 01:40:03,720
Speaker 6: me again, dog, and he just looked at me. I

1867
01:40:03,800 --> 01:40:04,479
Speaker 6: was like, okay.

1868
01:40:07,160 --> 01:40:09,280
Speaker 3: Cut to Netflix.

1869
01:40:09,479 --> 01:40:12,920
Speaker 6: They have these parties every year for like anybody's like

1870
01:40:13,000 --> 01:40:15,639
Speaker 6: nominated for any kind of award. They had these dinners

1871
01:40:15,680 --> 01:40:18,559
Speaker 6: right where they have like all comedians, not a lot

1872
01:40:18,600 --> 01:40:21,240
Speaker 6: of comedians. It's probably like twenty comedians.

1873
01:40:21,280 --> 01:40:22,920
Speaker 1: So it's not Netflix. It's not a joke.

1874
01:40:22,960 --> 01:40:23,240
Speaker 3: It's not.

1875
01:40:23,640 --> 01:40:26,920
Speaker 6: Yes, yes, Netflix is a joke and Netflix, right, that

1876
01:40:27,000 --> 01:40:31,080
Speaker 6: might be about fifty comedians, right. And Eddie we was there,

1877
01:40:31,160 --> 01:40:33,479
Speaker 6: and Eddie walked in that motherfucker right, and I seen

1878
01:40:33,560 --> 01:40:35,759
Speaker 6: him and I was like, oh, ship, they go, Eddie.

1879
01:40:36,080 --> 01:40:37,920
Speaker 3: So I kind of put my head down and I

1880
01:40:37,960 --> 01:40:38,360
Speaker 3: was chilling.

1881
01:40:38,439 --> 01:40:43,000
Speaker 6: But everybody was at Dave Kevin, I mean, anybody that's like,

1882
01:40:44,280 --> 01:40:47,719
Speaker 6: anybody was in this motherfucker right, And Eddie walked around

1883
01:40:47,800 --> 01:40:50,400
Speaker 6: spoke to everybody, and then he walked right up to

1884
01:40:50,439 --> 01:40:52,719
Speaker 6: me and was like, hey, dog, I'm a fan, man.

1885
01:40:52,800 --> 01:40:55,200
Speaker 6: And I was like, don't say that, dog, and he

1886
01:40:55,320 --> 01:40:57,360
Speaker 6: was like, now for real, he's like I am.

1887
01:40:57,800 --> 01:41:00,240
Speaker 3: I said really. He was like yeah, man, and he's

1888
01:41:00,280 --> 01:41:03,680
Speaker 3: I may keep doing your thing. I appreciate the way

1889
01:41:03,760 --> 01:41:07,080
Speaker 3: that you do and your style and everything. And at

1890
01:41:07,080 --> 01:41:09,400
Speaker 3: that moment I told him, I said, man, whatever you need, dog,

1891
01:41:09,479 --> 01:41:12,080
Speaker 3: I don't care what it is you want me to write. Now,

1892
01:41:12,760 --> 01:41:15,680
Speaker 3: I ain't charging you nothing. Just let me come rock

1893
01:41:15,760 --> 01:41:17,160
Speaker 3: with you. Let me show you what I can do,

1894
01:41:17,240 --> 01:41:20,519
Speaker 3: whatever you need. He was like, all right, cool, thanks And.

1895
01:41:20,520 --> 01:41:23,599
Speaker 6: After that, man, that was that was that boosts my morale.

1896
01:41:24,240 --> 01:41:27,760
Speaker 6: So I'm gonna let you know to all the legends. Man,

1897
01:41:27,800 --> 01:41:29,800
Speaker 6: when you go when you say some ship like that

1898
01:41:29,880 --> 01:41:33,320
Speaker 6: to anybody even like him seas and ship like singers,

1899
01:41:33,360 --> 01:41:37,320
Speaker 6: when the legend just you merely going, you appreciate somebody

1900
01:41:38,160 --> 01:41:41,360
Speaker 6: that would take that person's work ethic to a whole

1901
01:41:41,400 --> 01:41:46,320
Speaker 6: another page of stuff. No, absolutely, so any legends out there, man,

1902
01:41:46,479 --> 01:41:49,040
Speaker 6: definitely give people they love. Man, if you if you really,

1903
01:41:49,360 --> 01:41:51,920
Speaker 6: if you really fuck with them whatever, because I went

1904
01:41:51,960 --> 01:41:53,600
Speaker 6: on a whole another page after that, and.

1905
01:41:53,720 --> 01:41:57,360
Speaker 1: Especially people coming up as legends to show love apps.

1906
01:41:58,760 --> 01:42:01,160
Speaker 3: Absolutely absolutely yes, yes.

1907
01:42:03,280 --> 01:42:06,640
Speaker 6: Before we keep going and actually not real quick and

1908
01:42:06,680 --> 01:42:10,559
Speaker 6: then after that cut to about two years later, I

1909
01:42:10,560 --> 01:42:13,720
Speaker 6: did a movie with him, did a movie called You People.

1910
01:42:16,160 --> 01:42:16,840
Speaker 1: The Jewish Got Ye.

1911
01:42:17,640 --> 01:42:21,120
Speaker 6: When I did a scene with him in there, yeah,

1912
01:42:21,200 --> 01:42:21,760
Speaker 6: j hell.

1913
01:42:21,720 --> 01:42:23,479
Speaker 3: Yeah, it was John the Hill yep. And I did

1914
01:42:23,479 --> 01:42:24,560
Speaker 3: a scene in the movie with it.

1915
01:42:26,000 --> 01:42:26,160
Speaker 1: Yeah.

1916
01:42:26,160 --> 01:42:28,599
Speaker 6: I played the wedding plan in the movie. Yeah, I

1917
01:42:28,640 --> 01:42:31,680
Speaker 6: was like setting the wedding up for them. Yeah, well

1918
01:42:31,720 --> 01:42:34,880
Speaker 6: Lord London, yep. So it all came full circle.

1919
01:42:34,640 --> 01:42:34,840
Speaker 1: You know.

1920
01:42:35,120 --> 01:42:40,160
Speaker 6: So shout out to Eddie standing in part Eddie, Eddie, you.

1921
01:42:40,120 --> 01:42:42,879
Speaker 3: Do a movie with Eddie. Eddie do his coverage.

1922
01:42:43,800 --> 01:42:46,240
Speaker 6: And we did Eddie's coverage and then they was turning

1923
01:42:46,280 --> 01:42:48,680
Speaker 6: on my coverage right, And so we came back and

1924
01:42:48,760 --> 01:42:51,120
Speaker 6: sat down and I'm like going over my lines and

1925
01:42:51,160 --> 01:42:53,360
Speaker 6: waiting to do the move, do the scene with him,

1926
01:42:53,720 --> 01:42:55,280
Speaker 6: and this dude just sat down.

1927
01:42:55,320 --> 01:42:57,720
Speaker 3: I was like, are you ready? And I'm like, well yeah,

1928
01:42:58,400 --> 01:43:02,439
Speaker 3: and he's like hen coming. I said, so what you're doing.

1929
01:43:03,080 --> 01:43:06,960
Speaker 3: He's like, I'm doing Eddie's part. I said, okay, So

1930
01:43:07,040 --> 01:43:07,960
Speaker 3: I did my scene.

1931
01:43:08,400 --> 01:43:11,679
Speaker 6: So he does his scene without no Eddie's large after

1932
01:43:11,800 --> 01:43:12,559
Speaker 6: Eddie coverage.

1933
01:43:12,840 --> 01:43:15,520
Speaker 3: He gone, you don't see that anymore.

1934
01:43:15,680 --> 01:43:17,679
Speaker 1: Like his shot because people don't know when.

1935
01:43:19,920 --> 01:43:22,240
Speaker 6: The camera turned on the other person if it's like

1936
01:43:22,400 --> 01:43:23,920
Speaker 6: over a shoulder or something that.

1937
01:43:23,880 --> 01:43:25,080
Speaker 3: Ain't his shoulder.

1938
01:43:26,520 --> 01:43:33,840
Speaker 6: Eddie Schiller, but he's Eddie Murphy's about Yeah. So it

1939
01:43:33,960 --> 01:43:37,720
Speaker 6: was honor when we did you people to actually go

1940
01:43:37,880 --> 01:43:39,840
Speaker 6: back and forth with him in a scene because a

1941
01:43:39,880 --> 01:43:42,120
Speaker 6: lot of people don't be in a scene with him,

1942
01:43:42,160 --> 01:43:42,800
Speaker 6: you know what I mean.

1943
01:43:42,880 --> 01:43:44,880
Speaker 3: So It was a great shout out to the legend

1944
01:43:45,000 --> 01:43:45,479
Speaker 3: Eddie Man.

1945
01:43:46,400 --> 01:43:49,920
Speaker 4: Who would you say your inspirations comic inspirations.

1946
01:43:49,520 --> 01:43:51,759
Speaker 3: Man, mine go all the way across the board.

1947
01:43:51,840 --> 01:43:57,840
Speaker 6: I mean, Eddie definitely read Fox, Moms, Mayble, Ellen, Degenerous, Mitchefburn,

1948
01:43:58,000 --> 01:43:59,439
Speaker 6: George Garland.

1949
01:43:59,520 --> 01:44:03,559
Speaker 3: Like Man. I just like detail. I'm a detailed comic.

1950
01:44:03,760 --> 01:44:07,040
Speaker 6: Like even with my comedy, it's more like observational humor,

1951
01:44:07,400 --> 01:44:08,920
Speaker 6: you know what I mean. It's not like I do

1952
01:44:09,000 --> 01:44:11,920
Speaker 6: a lot of topical stuff. Anything you see in my specials.

1953
01:44:12,320 --> 01:44:14,680
Speaker 6: I'm not really talking about too much that's going on

1954
01:44:14,800 --> 01:44:17,120
Speaker 6: at the moment, and I don't.

1955
01:44:16,920 --> 01:44:20,519
Speaker 3: Do political stuff. But it's very you know, very like.

1956
01:44:22,640 --> 01:44:26,040
Speaker 6: Yeah that could relate to and very observational type stuff

1957
01:44:26,120 --> 01:44:29,080
Speaker 6: or whatever. So those people are those kind of comics,

1958
01:44:29,120 --> 01:44:30,680
Speaker 6: you know what I mean. And so I mix it

1959
01:44:30,720 --> 01:44:35,040
Speaker 6: all in with the fearlessness of Richard Pryor and even Dave.

1960
01:44:35,400 --> 01:44:37,400
Speaker 6: You know, I've been on tour with Dave a few

1961
01:44:37,439 --> 01:44:40,519
Speaker 6: times and just watching him every night, just watching d

1962
01:44:41,160 --> 01:44:43,960
Speaker 6: get down. D it's probably you know, one of the

1963
01:44:44,040 --> 01:44:47,280
Speaker 6: messiahs or the Messiah right now, because he don't have

1964
01:44:47,360 --> 01:44:51,639
Speaker 6: no sponsorships, he ain't got nobody got as nothing.

1965
01:44:52,600 --> 01:44:53,800
Speaker 3: He ain't got nobody answer to this.

1966
01:44:53,880 --> 01:44:56,080
Speaker 6: So he can do he can do things that other

1967
01:44:56,120 --> 01:44:58,919
Speaker 6: people can't do, you know, and that's why he's important.

1968
01:44:59,200 --> 01:44:59,439
Speaker 3: You know.

1969
01:44:59,560 --> 01:45:03,240
Speaker 13: So how did you feel about when Kat was going

1970
01:45:03,280 --> 01:45:05,400
Speaker 13: and uh, when Dave was one that cat was saying

1971
01:45:05,400 --> 01:45:08,479
Speaker 13: what he said on Shanna Shark. Uh you said when

1972
01:45:08,560 --> 01:45:10,960
Speaker 13: day went that cat? Yeah, when he was like kind

1973
01:45:10,960 --> 01:45:14,479
Speaker 13: of clapping back, he felt like Cat was, you know,

1974
01:45:14,520 --> 01:45:15,880
Speaker 13: stepping on a lot of cars.

1975
01:45:15,880 --> 01:45:18,160
Speaker 6: I was there that night, we was at d RAS Wrong. Yeah,

1976
01:45:18,200 --> 01:45:20,920
Speaker 6: I was on stage with him. I think he was

1977
01:45:20,960 --> 01:45:24,120
Speaker 6: just giving his rendition. You know how he felt, you know,

1978
01:45:24,160 --> 01:45:26,479
Speaker 6: he felt like, you know, we we need to be

1979
01:45:26,520 --> 01:45:29,040
Speaker 6: working together, you know what I mean, Like we comics,

1980
01:45:29,080 --> 01:45:33,839
Speaker 6: Like what were out here doings? Yeah, act like rappers

1981
01:45:34,080 --> 01:45:36,920
Speaker 6: is crazy and it's like, you know we we comics, you.

1982
01:45:36,880 --> 01:45:37,360
Speaker 3: Know what I mean.

1983
01:45:37,439 --> 01:45:39,640
Speaker 6: And so he was just basically saying like if you

1984
01:45:39,720 --> 01:45:42,400
Speaker 6: had a problem, just call somebody whatever, you know. But uh,

1985
01:45:44,120 --> 01:45:46,439
Speaker 6: you know, it just happened the way that it happened

1986
01:45:46,520 --> 01:45:48,880
Speaker 6: or whatever, you know. And I think the one thing

1987
01:45:48,920 --> 01:45:51,160
Speaker 6: that tripped me out about that whole interview with Shanna

1988
01:45:51,240 --> 01:45:53,439
Speaker 6: Sharp was all this stuff Kat was talking about was

1989
01:45:53,560 --> 01:45:56,600
Speaker 6: old as fuck, like this had been out there, like

1990
01:45:56,680 --> 01:45:59,280
Speaker 6: how did everybody? How did it blow up like that?

1991
01:45:59,560 --> 01:46:03,280
Speaker 6: On this interview? I never really got that, but because

1992
01:46:03,280 --> 01:46:05,519
Speaker 6: it was all old information, you know what I mean.

1993
01:46:05,680 --> 01:46:08,920
Speaker 6: So to see that happen, it blew my mind, you know,

1994
01:46:09,040 --> 01:46:11,320
Speaker 6: but it is what it is.

1995
01:46:11,439 --> 01:46:14,200
Speaker 1: When the cash defense Cat really don't do interviews or

1996
01:46:14,240 --> 01:46:14,920
Speaker 1: really talking.

1997
01:46:15,200 --> 01:46:18,639
Speaker 6: Yeah, but he has Okay, you know what he has

1998
01:46:18,720 --> 01:46:19,400
Speaker 6: talked about that?

1999
01:46:19,720 --> 01:46:22,000
Speaker 1: Well do you explain that the whole Diddy thing? Then?

2000
01:46:22,120 --> 01:46:25,760
Speaker 13: You know where he's like twenty twenty four? You know,

2001
01:46:26,320 --> 01:46:28,600
Speaker 13: did it going down? And did it went down in

2002
01:46:28,680 --> 01:46:31,000
Speaker 13: twenty twenty four? How do you if it's all, oh,

2003
01:46:32,280 --> 01:46:33,920
Speaker 13: how do you explain that conspiracy?

2004
01:46:34,000 --> 01:46:34,400
Speaker 1: Right? Then?

2005
01:46:34,840 --> 01:46:40,040
Speaker 3: How the fuck you mixed Diddy? That was sharp?

2006
01:46:40,120 --> 01:46:41,320
Speaker 1: It was on interview?

2007
01:46:41,400 --> 01:46:45,439
Speaker 3: So what he said he's about Cat talking about it, Yeah,

2008
01:46:45,479 --> 01:46:46,160
Speaker 3: I mean, I don't know.

2009
01:46:46,240 --> 01:46:49,639
Speaker 6: That's his experience and ship, you know. Like I worked

2010
01:46:49,640 --> 01:46:53,080
Speaker 6: for Diddy for like three months? Was it hosted the

2011
01:46:53,280 --> 01:46:56,400
Speaker 6: Billboard Awards and I wrote them me and a couple

2012
01:46:56,400 --> 01:46:59,760
Speaker 6: of other rights the monologue. Yeah, so I wrote, But

2013
01:46:59,840 --> 01:47:02,840
Speaker 6: I ain't seen none of that ship that everybody's talking about.

2014
01:47:03,040 --> 01:47:06,080
Speaker 6: You've been around, did you see any of that me neither.

2015
01:47:06,120 --> 01:47:11,320
Speaker 6: I didn't see anything nothing at all. So, I mean,

2016
01:47:11,560 --> 01:47:14,880
Speaker 6: you know it was all good. You know that's around

2017
01:47:14,880 --> 01:47:15,479
Speaker 6: all Kelly too.

2018
01:47:15,840 --> 01:47:18,439
Speaker 3: Yeah, do you see nothing nothing?

2019
01:47:18,479 --> 01:47:19,200
Speaker 1: It doesn't exist.

2020
01:47:19,320 --> 01:47:21,840
Speaker 3: Yes, you know, respect saying I didn't see the.

2021
01:47:21,880 --> 01:47:25,080
Speaker 1: Victims jabs moving face on love.

2022
01:47:26,400 --> 01:47:32,280
Speaker 3: Huh oh ship them two of my guys. Ship that's

2023
01:47:32,320 --> 01:47:35,600
Speaker 3: a that if you say both, that was really I

2024
01:47:35,600 --> 01:47:39,400
Speaker 3: guess it's both shot. Yeah, well.

2025
01:47:41,400 --> 01:47:44,680
Speaker 1: You want to show called drink Champs, water champs. Come on,

2026
01:47:44,720 --> 01:47:50,479
Speaker 1: we're gonna get your flowers. Goddamn it. You got show tonight.

2027
01:47:50,560 --> 01:47:55,960
Speaker 1: You don't have to show tonight. No, yeah, do you

2028
01:47:56,040 --> 01:48:03,000
Speaker 1: do know? Okay, go ahead. That was hot. That was

2029
01:48:03,200 --> 01:48:08,799
Speaker 1: That was hot as fun was hot. It was not socky.

2030
01:48:09,680 --> 01:48:11,240
Speaker 1: I got to wake up and run, you know, run

2031
01:48:11,280 --> 01:48:12,200
Speaker 1: the New York City Marathon.

2032
01:48:12,800 --> 01:48:13,000
Speaker 3: Yeah.

2033
01:48:13,000 --> 01:48:14,640
Speaker 1: That's the reason why I'm doing this diet drink. So

2034
01:48:14,680 --> 01:48:21,320
Speaker 1: when they said they said, wanted excuse me, mister Cole,

2035
01:48:22,720 --> 01:48:26,240
Speaker 1: I don't know what. I stopped drinking, right, okay, stop drinking.

2036
01:48:26,320 --> 01:48:32,120
Speaker 1: It was like he ordered Badka with Sosay, they got

2037
01:48:32,120 --> 01:48:36,280
Speaker 1: it wrong. I was like so much to say, I

2038
01:48:36,360 --> 01:48:40,280
Speaker 1: know I used to drink that. The diet drink like, yeah,

2039
01:48:40,320 --> 01:48:42,679
Speaker 1: I mean when you trying to finish, I stopped.

2040
01:48:42,680 --> 01:48:44,840
Speaker 6: I stopped drinking for a couple of months. Now I

2041
01:48:44,840 --> 01:48:47,440
Speaker 6: got to get ready for this uh project?

2042
01:48:47,800 --> 01:48:52,840
Speaker 1: Was it the younger doing some marble project? Younger me

2043
01:48:52,920 --> 01:48:53,599
Speaker 1: to stop drinking.

2044
01:48:54,520 --> 01:48:57,040
Speaker 3: Yeah, yeah, I can get ready for this thing.

2045
01:48:57,520 --> 01:48:58,640
Speaker 1: You better play a super hero.

2046
01:48:59,080 --> 01:49:04,360
Speaker 3: No, I just need to look different. Okay, that baby

2047
01:49:04,760 --> 01:49:06,240
Speaker 3: got swoll you used to be.

2048
01:49:07,040 --> 01:49:11,200
Speaker 1: Yeah, he noticed that.

2049
01:49:12,560 --> 01:49:18,040
Speaker 3: I'm so confused. I ain't only questioned it no more.

2050
01:49:18,080 --> 01:49:28,760
Speaker 1: I'm just gonna handswer anything. Okay, thank you. I look

2051
01:49:28,840 --> 01:49:40,400
Speaker 1: now you look amazing. Thank you, sir. You a little

2052
01:49:40,479 --> 01:49:51,960
Speaker 1: you're a little blurry, but you're amazing. That's you anywhere. Girl.

2053
01:49:52,040 --> 01:49:54,599
Speaker 1: He got ask girl, he got he got girl.

2054
01:49:54,680 --> 01:49:59,320
Speaker 3: That's so, that's so for I know, I mean he's

2055
01:49:59,560 --> 01:50:02,720
Speaker 3: very I used my old spice.

2056
01:50:08,160 --> 01:50:11,639
Speaker 1: My next six, and then the girls didn't come after

2057
01:50:11,720 --> 01:50:28,479
Speaker 1: the old spikes, like like, yeah, so your spike take

2058
01:50:28,560 --> 01:50:30,760
Speaker 1: that from Teddy Cruz, Teddy Crew.

2059
01:50:31,560 --> 01:50:33,800
Speaker 6: I'm gonna tell you. They was like, you know what,

2060
01:50:34,439 --> 01:50:37,680
Speaker 6: there's like we're looking for. You know, we've been having

2061
01:50:37,720 --> 01:50:39,519
Speaker 6: a lot of guys with muscles and stuff.

2062
01:50:40,920 --> 01:50:42,479
Speaker 1: So when you saying Teddy Creus youre talking about to

2063
01:50:42,520 --> 01:50:44,600
Speaker 1: do from Friday, yeah, or the dude that try to

2064
01:50:44,600 --> 01:50:45,680
Speaker 1: get his guy's nuts with the.

2065
01:50:46,680 --> 01:50:51,840
Speaker 6: He was in White Chicks yeh yeah on Friday, yeah

2066
01:50:52,200 --> 01:50:55,720
Speaker 6: Friday yea yeah, yeah yeah yeah, there was like yeah,

2067
01:50:55,720 --> 01:50:57,519
Speaker 6: we had a lot of guys and muscles and stuff.

2068
01:50:57,560 --> 01:50:59,360
Speaker 3: Yeah, he was old Gust right before ours.

2069
01:51:00,160 --> 01:51:01,000
Speaker 1: It was the due on the horse.

2070
01:51:01,080 --> 01:51:05,719
Speaker 3: It was doing the horse Terry and mean Terry. Terry

2071
01:51:05,880 --> 01:51:11,439
Speaker 3: was with him like eight years really so far mine

2072
01:51:11,479 --> 01:51:12,479
Speaker 3: has been about seven.

2073
01:51:13,040 --> 01:51:17,400
Speaker 17: You've been an old spice nikka for seven years, if

2074
01:51:17,439 --> 01:51:24,200
Speaker 17: you want to call it. Everywhere I go, somebody like

2075
01:51:24,360 --> 01:51:27,680
Speaker 17: give me some supper, Like I.

2076
01:51:27,720 --> 01:51:30,240
Speaker 1: Don't just got it in my pocket. Don't you going

2077
01:51:30,320 --> 01:51:31,160
Speaker 1: some old spies.

2078
01:51:32,960 --> 01:51:33,240
Speaker 3: With you?

2079
01:51:33,920 --> 01:51:39,599
Speaker 1: Like brother, next time?

2080
01:51:39,760 --> 01:51:42,720
Speaker 3: Next time you. I started using old spies because of you.

2081
01:51:44,040 --> 01:51:45,800
Speaker 1: A lot of a lot of people, but a lot

2082
01:51:45,800 --> 01:51:48,000
Speaker 1: of people we cut off old spies because you started

2083
01:51:48,040 --> 01:51:53,400
Speaker 1: walking with old English. Yeah, old English that I got.

2084
01:51:55,360 --> 01:51:58,600
Speaker 1: So we started working. But then we didn't know the

2085
01:51:58,720 --> 01:52:02,280
Speaker 1: old spice with brothers. When they came back to what

2086
01:52:02,360 --> 01:52:05,280
Speaker 1: the brothers and then I didn't see the Terry Crews.

2087
01:52:05,439 --> 01:52:07,680
Speaker 1: I'm sorry, Terry Crews. I seen the dude on the

2088
01:52:07,760 --> 01:52:13,439
Speaker 1: horse that he looked like moved off. I just looked like,

2089
01:52:13,520 --> 01:52:16,120
Speaker 1: I don't know. He let he pray a lot, like

2090
01:52:16,760 --> 01:52:22,680
Speaker 1: I don't know who you pray too. But but then

2091
01:52:23,080 --> 01:52:25,280
Speaker 1: but then I see you there and I was like,

2092
01:52:26,080 --> 01:52:30,560
Speaker 1: it's either Old Spice fucked up or they made the

2093
01:52:30,680 --> 01:52:34,120
Speaker 1: best decision in the world and they made the best

2094
01:52:38,160 --> 01:52:40,160
Speaker 1: come on, because because we're off from the hoods and

2095
01:52:40,240 --> 01:52:43,360
Speaker 1: we know that Old Spice is like it's a staple. Right,

2096
01:52:43,840 --> 01:52:45,559
Speaker 1: where do you where'd you at when you get the call?

2097
01:52:45,840 --> 01:52:49,840
Speaker 1: And did you hang up on the first call them

2098
01:52:50,160 --> 01:52:52,679
Speaker 1: from Old Spikes like Jackson?

2099
01:52:53,040 --> 01:52:56,040
Speaker 6: They they hit me, like I said, they were sitting

2100
01:52:56,120 --> 01:52:58,800
Speaker 6: up like man, we we we We had a lot

2101
01:52:58,840 --> 01:53:01,640
Speaker 6: of guys with muscles and stuff, and I was like,

2102
01:53:01,720 --> 01:53:05,000
Speaker 6: we just want like an every day, next door, every

2103
01:53:05,120 --> 01:53:05,960
Speaker 6: day kind of guy.

2104
01:53:06,320 --> 01:53:08,200
Speaker 1: And it was like, you know, did you take that

2105
01:53:08,280 --> 01:53:09,880
Speaker 1: as nigga not with muscles?

2106
01:53:09,960 --> 01:53:12,599
Speaker 3: Yeah, well I guess I ain't got.

2107
01:53:14,560 --> 01:53:16,360
Speaker 6: But they were like, man, you were doing I mean,

2108
01:53:16,439 --> 01:53:18,840
Speaker 6: I ain't trying to like name drop or whatever. But

2109
01:53:18,880 --> 01:53:20,960
Speaker 6: they was like, you did all these like really quirky

2110
01:53:21,120 --> 01:53:25,560
Speaker 6: characters like on Blackish, Rangie Tribecco, all the ones I

2111
01:53:25,640 --> 01:53:28,920
Speaker 6: was doing on coning and they just was like, man,

2112
01:53:29,000 --> 01:53:30,800
Speaker 6: this tould be a fit. So they flew me out

2113
01:53:30,840 --> 01:53:33,360
Speaker 6: to portrait you. They flew me out there.

2114
01:53:35,200 --> 01:53:39,200
Speaker 3: I shot all these weird commercials, throwing rocks, catching fish

2115
01:53:39,240 --> 01:53:43,680
Speaker 3: out the lake, my team, you know, solid trees with

2116
01:53:43,880 --> 01:53:46,840
Speaker 3: beavers and ship It was like all kinds of stuff.

2117
01:53:47,400 --> 01:53:50,360
Speaker 3: And when I got back to the States, this guy

2118
01:53:50,439 --> 01:53:53,200
Speaker 3: named Omar I was like writing for them and he

2119
01:53:53,360 --> 01:53:56,400
Speaker 3: was like, yo, what you think about this campaign? And

2120
01:53:56,520 --> 01:53:59,720
Speaker 3: it was like, uh manhatt skin too, and I was

2121
01:53:59,760 --> 01:54:03,080
Speaker 3: just I was like, yeah, that's interesting. He's like we

2122
01:54:03,080 --> 01:54:03,640
Speaker 3: should try it.

2123
01:54:03,880 --> 01:54:06,280
Speaker 6: It's like all right, then we shut out your commercials

2124
01:54:06,320 --> 01:54:09,880
Speaker 6: about my girl gabbing Gabriel and the shout out to Gabriel,

2125
01:54:09,960 --> 01:54:10,720
Speaker 6: Dennis whatever, and.

2126
01:54:13,600 --> 01:54:14,120
Speaker 1: Yeah we did.

2127
01:54:14,320 --> 01:54:17,040
Speaker 6: We knocked it out and boom, yeah no I did.

2128
01:54:17,120 --> 01:54:19,400
Speaker 6: I was gonna blow up like that and then went

2129
01:54:19,520 --> 01:54:24,160
Speaker 6: crazy and after that we just no, you don't never

2130
01:54:24,280 --> 01:54:30,240
Speaker 6: know those things. You just go do ye no, yea, yeah,

2131
01:54:30,280 --> 01:54:31,760
Speaker 6: both right, think about it.

2132
01:54:32,040 --> 01:54:36,400
Speaker 1: No, No, you don't know. I agree with you because

2133
01:54:36,440 --> 01:54:39,000
Speaker 1: you know you know what that like this is, you know,

2134
01:54:39,120 --> 01:54:40,680
Speaker 1: for lack of a better turn. I don't want to die.

2135
01:54:40,680 --> 01:54:44,520
Speaker 1: Anybody who else had the position prior to you, but

2136
01:54:44,600 --> 01:54:47,440
Speaker 1: it's two days one. You can smell the street coming

2137
01:54:47,480 --> 01:54:50,560
Speaker 1: off with you. I sorry, sorry, I don't mean that.

2138
01:54:50,880 --> 01:54:53,520
Speaker 1: You can smell like regardless from the streets or not.

2139
01:54:53,600 --> 01:54:58,280
Speaker 1: You can smell like you've been Yeah, you have free lunch, right,

2140
01:54:58,560 --> 01:55:00,640
Speaker 1: you know what I mean? Like you can and then

2141
01:55:00,960 --> 01:55:08,880
Speaker 1: you can what I mean, So you can see that.

2142
01:55:08,960 --> 01:55:13,240
Speaker 1: But then you can see like Old Spice actually did

2143
01:55:13,440 --> 01:55:18,440
Speaker 1: their due diligence and they seeked out a person that

2144
01:55:18,600 --> 01:55:23,440
Speaker 1: can resonate in a white neighborhood. Yea good here, yeah,

2145
01:55:24,760 --> 01:55:27,920
Speaker 1: Puerto Rican neighborhood. We don't know if you're Dominican or not,

2146
01:55:28,880 --> 01:55:30,720
Speaker 1: you know what I mean, We don't know, We don't

2147
01:55:30,720 --> 01:55:32,960
Speaker 1: know up in the air for a couple of years

2148
01:55:33,680 --> 01:55:42,640
Speaker 1: saying the water fish like did you based on just

2149
01:55:42,920 --> 01:55:52,400
Speaker 1: start spreading room. But that's that's that's it's kind of crazy.

2150
01:55:52,600 --> 01:55:55,480
Speaker 13: Yeah, yeah, you can kind of see why it would

2151
01:55:55,480 --> 01:55:57,600
Speaker 13: blow up though, right because you know, you know.

2152
01:55:57,720 --> 01:55:59,880
Speaker 3: But you don't know, you know what I mean, You know,

2153
01:55:59,920 --> 01:56:03,080
Speaker 3: you just do it and then you hope that because

2154
01:56:04,120 --> 01:56:04,960
Speaker 3: because the.

2155
01:56:05,080 --> 01:56:08,120
Speaker 6: Thing is is that we we did the commercials they

2156
01:56:08,160 --> 01:56:11,480
Speaker 6: were known for, which was very weird, quirky.

2157
01:56:12,880 --> 01:56:15,560
Speaker 3: Yeah, so you were you were going with this was

2158
01:56:15,600 --> 01:56:17,560
Speaker 3: waiting on that thrill got so to.

2159
01:56:17,600 --> 01:56:21,040
Speaker 1: Come back and came out to No, they never came

2160
01:56:21,120 --> 01:56:21,880
Speaker 1: out so to come.

2161
01:56:21,800 --> 01:56:23,920
Speaker 6: Back and they go, hey, we've got a man that

2162
01:56:24,040 --> 01:56:27,320
Speaker 6: skin too, and and none of the quirky in your mind.

2163
01:56:27,360 --> 01:56:29,880
Speaker 3: Going like this is better. Wait a minute, No, I

2164
01:56:29,920 --> 01:56:30,200
Speaker 3: didn't know.

2165
01:56:30,240 --> 01:56:31,840
Speaker 6: I was just going on, man, how they're going to

2166
01:56:32,160 --> 01:56:34,920
Speaker 6: how they're gonna take this because we're not doing what

2167
01:56:35,080 --> 01:56:38,440
Speaker 6: they normally do. So yeah, I was worried, like but

2168
01:56:38,560 --> 01:56:41,320
Speaker 6: then when it blew, I was like, oh ship like

2169
01:56:41,520 --> 01:56:43,080
Speaker 6: damn like like.

2170
01:56:43,240 --> 01:56:46,960
Speaker 1: This because you shifted there the whole style.

2171
01:56:47,160 --> 01:56:49,760
Speaker 6: Man, Yeah, it was crazy. So man shout out to

2172
01:56:49,920 --> 01:56:57,640
Speaker 6: shout it. Come, I wear the wolf, the one with

2173
01:56:57,720 --> 01:56:59,960
Speaker 6: the wolf on that werewolf one like the one with a.

2174
01:57:04,160 --> 01:57:04,839
Speaker 7: You see.

2175
01:57:06,440 --> 01:57:07,320
Speaker 1: Special algorithm.

2176
01:57:10,080 --> 01:57:10,520
Speaker 3: I got.

2177
01:57:12,240 --> 01:57:16,520
Speaker 1: Canna get over that. I got the bear cloth and

2178
01:57:16,720 --> 01:57:19,560
Speaker 1: someone with a wolf on it. You don't know that

2179
01:57:20,760 --> 01:57:22,760
Speaker 1: I made the bootlegs quite okay.

2180
01:57:29,000 --> 01:57:29,320
Speaker 3: Alone.

2181
01:57:30,240 --> 01:57:32,000
Speaker 1: Donald Tree is not a Donard no more right, No,

2182
01:57:32,240 --> 01:57:32,600
Speaker 1: it's not.

2183
01:57:34,360 --> 01:57:34,840
Speaker 3: Fifty now.

2184
01:57:34,920 --> 01:57:43,600
Speaker 1: Yeah, bocus on fief man. We're still doing quick time.

2185
01:57:44,040 --> 01:57:45,840
Speaker 4: I don't think you answered, Dave Chappelle, Martin.

2186
01:57:45,760 --> 01:57:48,520
Speaker 3: Lawrence, Dave Chappelle or Martin Lawrence.

2187
01:57:49,520 --> 01:57:51,320
Speaker 1: Yeah, you got interesting.

2188
01:57:51,960 --> 01:57:54,000
Speaker 3: Yeah, that's that's very interesting.

2189
01:57:54,320 --> 01:57:57,720
Speaker 1: That's what I might want to take a drink for that.

2190
01:57:58,200 --> 01:58:03,440
Speaker 3: You took that take because because because okay, I'll take

2191
01:58:03,480 --> 01:58:09,200
Speaker 3: it with you. Because uh uh, David is just Dave Man.

2192
01:58:09,360 --> 01:58:10,520
Speaker 3: Martin is a legend. You know.

2193
01:58:10,720 --> 01:58:12,720
Speaker 6: I'm sure with both others, and they both great. Shout

2194
01:58:12,720 --> 01:58:16,560
Speaker 6: out to Martin. Shot today with Mark to throw that

2195
01:58:16,640 --> 01:58:17,800
Speaker 6: out there, you want to throw that out.

2196
01:58:21,680 --> 01:58:25,320
Speaker 1: I tore with neither, all right. But I did go

2197
01:58:25,400 --> 01:58:32,240
Speaker 1: to Dave Chappelle concert three nights in a row, the

2198
01:58:32,320 --> 01:58:35,720
Speaker 1: one with the rules. Mm hmmm. You was in the

2199
01:58:35,760 --> 01:58:41,000
Speaker 1: Yellow Springs, No Hollywood, Florida right here and you and no, no, no,

2200
01:58:41,160 --> 01:58:45,000
Speaker 1: and not got to see how a comedian perfects their special.

2201
01:58:45,680 --> 01:58:48,520
Speaker 1: So one night it was like it was like dope,

2202
01:58:48,600 --> 01:58:50,480
Speaker 1: but it was like all right, But then the next

2203
01:58:50,600 --> 01:58:54,880
Speaker 1: night he delivered the same jokes with a different intensity.

2204
01:58:55,360 --> 01:58:58,520
Speaker 1: And then on the third night it was like, yeah,

2205
01:58:58,840 --> 01:59:01,560
Speaker 1: I wish rappers could do that, like like you like,

2206
01:59:01,960 --> 01:59:03,720
Speaker 1: that's suppose I can give you a rhyme and like

2207
01:59:03,760 --> 01:59:07,000
Speaker 1: I say that bar is not good. It's over once

2208
01:59:07,040 --> 01:59:09,000
Speaker 1: I throw this ship out right right right right, but

2209
01:59:09,080 --> 01:59:11,280
Speaker 1: the comedian and you motherfuckers are cheating.

2210
01:59:13,720 --> 01:59:14,360
Speaker 3: In a good way.

2211
01:59:15,160 --> 01:59:17,800
Speaker 1: What I mean. What I mean by that is you

2212
01:59:17,880 --> 01:59:21,120
Speaker 1: can test the product out, realize that that's not working,

2213
01:59:21,640 --> 01:59:25,360
Speaker 1: and change it prior to the actual product dropping.

2214
01:59:26,360 --> 01:59:28,080
Speaker 6: But here, but but but let me let me don't

2215
01:59:28,160 --> 01:59:30,680
Speaker 6: have that. But let me but let me, let me

2216
01:59:30,800 --> 01:59:33,520
Speaker 6: let me hit you at this. You can do your

2217
01:59:33,720 --> 01:59:35,280
Speaker 6: song for the rest of your life.

2218
01:59:35,360 --> 01:59:46,680
Speaker 1: Though that's we can't do what I'm saying yourself.

2219
01:59:51,080 --> 01:59:53,760
Speaker 6: I wish somebody, I wish I could do a show

2220
01:59:53,880 --> 01:59:55,880
Speaker 6: and people in the audience to be like, do the

2221
01:59:55,960 --> 01:59:57,960
Speaker 6: water on the floor, and I'd be like, all right,

2222
01:59:58,040 --> 01:59:59,000
Speaker 6: this is going out to you.

2223
02:00:02,920 --> 02:00:03,480
Speaker 1: Black people.

2224
02:00:03,480 --> 02:00:05,720
Speaker 3: If you ain't got water on your floor, I'm leaving.

2225
02:00:07,880 --> 02:00:08,280
Speaker 1: Everybody.

2226
02:00:09,720 --> 02:00:12,760
Speaker 3: We can't do that ship. We can't do none of

2227
02:00:12,800 --> 02:00:14,720
Speaker 3: the ship that we do. And you came up in

2228
02:00:14,800 --> 02:00:18,000
Speaker 3: like the Peppermint Lounge ship. I got booed out that

2229
02:00:18,120 --> 02:00:19,440
Speaker 3: motherfucker so many times.

2230
02:00:19,800 --> 02:00:21,840
Speaker 6: I mean one time I went in there, I was like, hey,

2231
02:00:22,360 --> 02:00:27,760
Speaker 6: they was like boom. I was like, why anytime I

2232
02:00:27,800 --> 02:00:30,000
Speaker 6: get booed I leave on a whole nother name and ship.

2233
02:00:31,400 --> 02:00:44,800
Speaker 3: I was like, I'm turning out that son sitting at

2234
02:00:44,840 --> 02:00:50,360
Speaker 3: the bottle you up with a ride like home after

2235
02:00:50,400 --> 02:00:55,040
Speaker 3: you get booed. Ship, ain't no ride like that?

2236
02:00:55,280 --> 02:00:58,600
Speaker 1: Jack, no radio because your homies, your homies is not

2237
02:00:58,760 --> 02:01:03,680
Speaker 1: trying to like say that you did good. How does

2238
02:01:03,760 --> 02:01:04,600
Speaker 1: this pop do bad?

2239
02:01:04,720 --> 02:01:12,920
Speaker 3: My people be like this? It was them them dogs

2240
02:01:13,000 --> 02:01:16,400
Speaker 3: on the trip. They get it right all the way home.

2241
02:01:16,640 --> 02:01:24,520
Speaker 3: No radio when sheld wife was no rain, just ride.

2242
02:01:30,240 --> 02:01:33,680
Speaker 3: Comedians don't do good. They always say, uh, give it

2243
02:01:33,800 --> 02:01:38,680
Speaker 3: up for the ladies to give away. You come and

2244
02:01:38,960 --> 02:01:40,000
Speaker 3: give it up for the ladies.

2245
02:01:40,520 --> 02:01:47,840
Speaker 1: Know that they should ain't work Just crazy, crazy crazy?

2246
02:01:48,960 --> 02:01:52,960
Speaker 1: Why they tell you that ship that should is bob.

2247
02:01:54,200 --> 02:01:58,440
Speaker 1: I heard you say you say to night you smoke

2248
02:01:58,480 --> 02:02:03,360
Speaker 1: with for McCartney. Uh, we went on stage, you bombed.

2249
02:02:03,480 --> 02:02:06,840
Speaker 1: But you said that you heard Paul McCartney. Uh, because

2250
02:02:06,880 --> 02:02:07,640
Speaker 1: I ain't laughing.

2251
02:02:07,840 --> 02:02:10,520
Speaker 3: I ain't smoked weed and performed in years.

2252
02:02:10,640 --> 02:02:13,560
Speaker 1: But bigger than that, Not only you heard Paul McCartney laugh,

2253
02:02:13,920 --> 02:02:17,160
Speaker 1: you heard your other comedians like that's all I heard.

2254
02:02:17,240 --> 02:02:17,280
Speaker 3: Like.

2255
02:02:17,440 --> 02:02:21,840
Speaker 1: So now now let me ask you something. Right, is

2256
02:02:22,000 --> 02:02:25,880
Speaker 1: that traditional as your friend to say, oh, you're having

2257
02:02:25,880 --> 02:02:28,720
Speaker 1: a bad night. I'm gonna laugh at this. So I

2258
02:02:28,720 --> 02:02:31,000
Speaker 1: am I supposed to be like as your friend like

2259
02:02:32,440 --> 02:02:34,720
Speaker 1: and like just let you ride that out, and that's

2260
02:02:35,000 --> 02:02:35,600
Speaker 1: very hairy.

2261
02:02:38,280 --> 02:02:41,240
Speaker 6: I have people laugh, and it seemed like they laughing

2262
02:02:41,320 --> 02:02:44,120
Speaker 6: at me instead of with me and ship. So like

2263
02:02:44,480 --> 02:02:47,200
Speaker 6: that night, I'll do a joke, and I'll do a

2264
02:02:47,280 --> 02:02:50,600
Speaker 6: joke Dad, and the whole room be quiet, and then

2265
02:02:50,680 --> 02:02:55,560
Speaker 6: I just heard Paul go and my other friend like ah,

2266
02:02:56,680 --> 02:02:59,440
Speaker 6: and then that to be it, and so I have

2267
02:02:59,520 --> 02:03:01,680
Speaker 6: to just move on to the next joke and then

2268
02:03:02,000 --> 02:03:07,840
Speaker 6: the same thing. It was terrible, But I really don't

2269
02:03:07,880 --> 02:03:10,600
Speaker 6: know because if the room is just dead quiet, I

2270
02:03:10,680 --> 02:03:13,880
Speaker 6: think that's why they made some kind of noise, because.

2271
02:03:13,600 --> 02:03:14,600
Speaker 3: The room is just dead.

2272
02:03:14,840 --> 02:03:17,040
Speaker 1: For McCartney's Dead a black comedy show.

2273
02:03:18,080 --> 02:03:21,800
Speaker 6: Just as starstruck, Paul was dying laughing that I was

2274
02:03:21,920 --> 02:03:28,160
Speaker 6: doing bad because he wasn't because everybody catered him so much.

2275
02:03:28,400 --> 02:03:30,880
Speaker 6: And I ain't changed my material up to just kill,

2276
02:03:31,000 --> 02:03:33,560
Speaker 6: because I could have just killed and did all my

2277
02:03:33,640 --> 02:03:37,360
Speaker 6: old ship that killed, right, but that would have took

2278
02:03:37,400 --> 02:03:39,480
Speaker 6: away what the night was about. The night was about

2279
02:03:39,520 --> 02:03:42,040
Speaker 6: me doing new material. I'm at the improv all the time,

2280
02:03:42,200 --> 02:03:45,120
Speaker 6: going new material, so in the lab room, the little room,

2281
02:03:45,240 --> 02:03:48,760
Speaker 6: so I wasn't gonna let Paul take away from me

2282
02:03:48,960 --> 02:03:51,160
Speaker 6: doing what I was there to do, you know what

2283
02:03:51,280 --> 02:03:53,640
Speaker 6: I mean. And I think he felt it that I

2284
02:03:53,760 --> 02:03:56,760
Speaker 6: wasn't trying to appease him because I brought him on stage.

2285
02:03:56,760 --> 02:03:58,440
Speaker 6: At the end of the night, I told everybody what

2286
02:03:58,520 --> 02:04:00,800
Speaker 6: I did bad. I was like, man, I smoked with

2287
02:04:01,280 --> 02:04:04,640
Speaker 6: this dude I ain't smoking thirteen years and performed.

2288
02:04:04,800 --> 02:04:06,040
Speaker 3: I was like, and he got me.

2289
02:04:06,080 --> 02:04:08,120
Speaker 6: All fucked up, and I was like, Paul, come up here,

2290
02:04:08,960 --> 02:04:15,480
Speaker 6: Paul can Paul came up there, and I just was

2291
02:04:15,600 --> 02:04:19,000
Speaker 6: like putting them in the headlock and punching them and ship.

2292
02:04:18,840 --> 02:04:20,600
Speaker 1: Like you got me high? High did you have?

2293
02:04:24,160 --> 02:04:26,720
Speaker 6: But most people would be like this, And I'm like,

2294
02:04:26,800 --> 02:04:29,920
Speaker 6: this motherfucker, you know what I mean. And I think

2295
02:04:29,960 --> 02:04:33,440
Speaker 6: he appreciated, Like, Yo, it's a real moment. I'm like

2296
02:04:33,560 --> 02:04:35,600
Speaker 6: treating him real, you know what I mean. But yeah,

2297
02:04:35,680 --> 02:04:38,680
Speaker 6: I bombed tremendously getting high with him or whatever.

2298
02:04:38,880 --> 02:04:41,800
Speaker 1: Yeah, ba McCarty.

2299
02:04:44,520 --> 02:04:46,680
Speaker 6: I mean like I haven't seen him since then, but

2300
02:04:46,840 --> 02:04:49,240
Speaker 6: that night, Yeah, we ain't switch numbers this ship, but

2301
02:04:49,360 --> 02:04:53,520
Speaker 6: that night that night, man, we hung hung. It was crazy.

2302
02:04:53,640 --> 02:04:57,920
Speaker 6: I'm like, man, this is like a Baul McCarty have security. No,

2303
02:04:58,720 --> 02:05:00,840
Speaker 6: he had one dude with him, this dude named Mike,

2304
02:05:01,040 --> 02:05:02,760
Speaker 6: that round with him. It was just him and Mike

2305
02:05:03,240 --> 02:05:05,080
Speaker 6: rolled up. Did he rolled the blunt? Yeah, it was

2306
02:05:05,120 --> 02:05:05,760
Speaker 6: already rolled.

2307
02:05:05,800 --> 02:05:09,880
Speaker 1: Okay, was already already been already already.

2308
02:05:11,680 --> 02:05:15,920
Speaker 13: Yeah, what a Poe McCartney head. Did that joint lace though?

2309
02:05:16,280 --> 02:05:17,120
Speaker 13: You never thought about that?

2310
02:05:17,320 --> 02:05:18,160
Speaker 1: No, it wasn't.

2311
02:05:18,840 --> 02:05:22,640
Speaker 3: I smell. I smelled. He was smoking late.

2312
02:05:23,560 --> 02:05:27,280
Speaker 6: He had he had some gas gas he had real

2313
02:05:30,200 --> 02:05:32,640
Speaker 6: Paul had gas jack. He was sucking around.

2314
02:05:33,240 --> 02:05:36,240
Speaker 1: Negative man to be.

2315
02:05:40,440 --> 02:05:49,840
Speaker 3: Anywhere, even if it was this morning. We're gonna let it.

2316
02:05:51,120 --> 02:05:58,640
Speaker 1: That's the best story ever. The king a real real Yes, uh, Miketer,

2317
02:05:58,760 --> 02:05:59,280
Speaker 1: Chris Tucker.

2318
02:06:02,160 --> 02:06:02,960
Speaker 3: I love them both.

2319
02:06:03,200 --> 02:06:05,280
Speaker 6: But I've been knowing Mike Longan and Chris, so I'm

2320
02:06:05,320 --> 02:06:07,600
Speaker 6: just gonna say that I think Chris is one of

2321
02:06:07,680 --> 02:06:11,960
Speaker 6: the most phenomenal talents that we have. I just been

2322
02:06:12,040 --> 02:06:17,000
Speaker 6: knowing Mike forever, legendary ship and yeah, it's just yeah,

2323
02:06:17,520 --> 02:06:19,440
Speaker 6: my man, Mike. Mike is just at my house too.

2324
02:06:19,680 --> 02:06:22,800
Speaker 6: A couple of few weeks ago, and shout out to

2325
02:06:22,840 --> 02:06:23,280
Speaker 6: Mike Apps.

2326
02:06:23,480 --> 02:06:24,560
Speaker 1: You bought Big Boy House.

2327
02:06:25,480 --> 02:06:25,880
Speaker 14: I did.

2328
02:06:26,440 --> 02:06:31,080
Speaker 3: I bought Big Boy's House. Yeah, of course in l a.

2329
02:06:31,840 --> 02:06:36,240
Speaker 1: Big Boy from big Boy, which big Boy on the

2330
02:06:36,360 --> 02:06:38,200
Speaker 1: radio radio?

2331
02:06:38,320 --> 02:06:40,400
Speaker 3: Yeah yeah, shout out the big boy, big Boy.

2332
02:06:40,440 --> 02:06:41,400
Speaker 1: That's not big at all.

2333
02:06:41,800 --> 02:06:44,480
Speaker 3: No, not no more, no it used to be big Boy.

2334
02:06:44,880 --> 02:06:47,320
Speaker 3: Yeah yeah. Sold it for a lot of money too,

2335
02:06:47,400 --> 02:06:48,200
Speaker 3: more than you got it for.

2336
02:06:48,400 --> 02:06:51,280
Speaker 6: I sold it during the pandemic, Oh yeah, because they

2337
02:06:51,320 --> 02:06:54,919
Speaker 6: couldn't get materials in the country like wood and screws

2338
02:06:54,960 --> 02:06:55,560
Speaker 6: and ship like that.

2339
02:06:56,760 --> 02:06:57,920
Speaker 1: Let's keep it going. Yeah yeah.

2340
02:06:58,000 --> 02:06:58,920
Speaker 3: I was like this.

2341
02:06:59,600 --> 02:07:03,280
Speaker 6: First of all, I had this car, right and I

2342
02:07:03,400 --> 02:07:07,120
Speaker 6: had it for two years. And I looked online and

2343
02:07:07,200 --> 02:07:09,520
Speaker 6: they sold the same car that I had for like

2344
02:07:09,880 --> 02:07:13,040
Speaker 6: an extra one hundred two hundred thousand, And I was

2345
02:07:13,200 --> 02:07:15,840
Speaker 6: like what And I called them up and they was like, man.

2346
02:07:15,720 --> 02:07:18,800
Speaker 3: We're looking for these cars right now. Gave him the car.

2347
02:07:19,840 --> 02:07:21,880
Speaker 3: I was like, y'all could sell it. Made one hundred

2348
02:07:21,920 --> 02:07:24,520
Speaker 3: thousand on it, and I drove it for two years though,

2349
02:07:24,560 --> 02:07:26,520
Speaker 3: because they couldn't get him in the country. So I

2350
02:07:26,720 --> 02:07:28,800
Speaker 3: was like, this, shit, what else can't they get in

2351
02:07:28,840 --> 02:07:29,280
Speaker 3: the country?

2352
02:07:29,720 --> 02:07:32,200
Speaker 6: And I found out they couldn't get wood and screws

2353
02:07:32,360 --> 02:07:34,840
Speaker 6: and metal and shit like that in the country.

2354
02:07:34,880 --> 02:07:37,120
Speaker 3: So houses was skyrocketing.

2355
02:07:37,360 --> 02:07:40,520
Speaker 6: And this guy was like, you might as just sell

2356
02:07:40,560 --> 02:07:43,240
Speaker 6: your house, and I was like, I'll see and I

2357
02:07:43,400 --> 02:07:48,680
Speaker 6: put it up out of there like so during the

2358
02:07:48,800 --> 02:07:50,880
Speaker 6: pandemic pandemics a month fu.

2359
02:07:51,400 --> 02:07:54,680
Speaker 3: Yeah, you're a genius, bro I mean, you mean all

2360
02:07:54,720 --> 02:07:57,040
Speaker 3: the more about all that, but you know, I fly

2361
02:07:57,200 --> 02:07:58,560
Speaker 3: under it. I fly under the radar.

2362
02:07:58,720 --> 02:08:02,800
Speaker 6: Jack, I'll be chilling, like chilling shots out all they

2363
02:08:02,880 --> 02:08:05,920
Speaker 6: is just chilling, like you know, I don't. You know,

2364
02:08:05,960 --> 02:08:07,880
Speaker 6: I ain't an emotional cat, you know what I mean.

2365
02:08:08,040 --> 02:08:10,200
Speaker 6: I ain't want to what you say. All you brought

2366
02:08:10,240 --> 02:08:12,680
Speaker 6: all my information out there. Yeah, your emotions to keep

2367
02:08:12,720 --> 02:08:14,680
Speaker 6: you broke. I slide totally different.

2368
02:08:15,160 --> 02:08:15,320
Speaker 4: You know.

2369
02:08:15,560 --> 02:08:19,200
Speaker 6: I don't text emotional. I don't text email with emotions

2370
02:08:19,240 --> 02:08:22,720
Speaker 6: because that go from a tangible thought to actually I

2371
02:08:22,760 --> 02:08:25,400
Speaker 6: mean you having a thought to something tangible that somebody

2372
02:08:25,440 --> 02:08:29,360
Speaker 6: can touch and hold that you thought and felt, you

2373
02:08:29,440 --> 02:08:29,960
Speaker 6: know what I mean.

2374
02:08:30,440 --> 02:08:32,720
Speaker 1: So why even type that ship? You know what I mean,

2375
02:08:32,920 --> 02:08:33,720
Speaker 1: I don't do none of that.

2376
02:08:34,840 --> 02:08:37,000
Speaker 3: Slide a little different, you know, and just stay out

2377
02:08:37,040 --> 02:08:40,400
Speaker 3: of everybody way and shit, you know, especially nowadays, you

2378
02:08:40,480 --> 02:08:42,240
Speaker 3: got you got you gotta lay low.

2379
02:08:42,160 --> 02:08:42,720
Speaker 1: You know what I mean.

2380
02:08:43,680 --> 02:08:49,120
Speaker 18: What's billionaire problems? You said, what what's billionaire problems? Billionaire problems?

2381
02:08:49,200 --> 02:08:52,160
Speaker 18: Billionaire problems and what things that broke niggas can't do

2382
02:08:52,320 --> 02:08:53,840
Speaker 18: that billionaire people can do.

2383
02:08:54,520 --> 02:08:55,560
Speaker 3: I mean, I don't really know.

2384
02:08:55,720 --> 02:08:58,040
Speaker 6: I ain't been around a lot of billionaires, only being

2385
02:08:58,080 --> 02:09:03,120
Speaker 6: around one or whatever. But uh, I know, rich people's

2386
02:09:03,200 --> 02:09:06,040
Speaker 6: job is to floss. Broke people's job is to critique.

2387
02:09:07,520 --> 02:09:10,520
Speaker 6: And that's what happens. Is many times I've been broke

2388
02:09:10,560 --> 02:09:13,160
Speaker 6: sitting on the corner and somebody ride by some and

2389
02:09:13,760 --> 02:09:16,480
Speaker 6: and a cadillact with vogues, and I watch it and I'd.

2390
02:09:16,280 --> 02:09:19,960
Speaker 3: Be like, you know what I do. I changed the

2391
02:09:20,040 --> 02:09:20,720
Speaker 3: tires on that.

2392
02:09:22,320 --> 02:09:24,720
Speaker 6: Critiquing this man ship, you know what I mean, but

2393
02:09:24,880 --> 02:09:26,800
Speaker 6: dreaming though it ain't even really critiquing.

2394
02:09:26,800 --> 02:09:30,680
Speaker 3: It's dreaming and ship, you know. So yeah, that's just

2395
02:09:30,760 --> 02:09:36,600
Speaker 3: how I came up in Chicago whatever the other day.

2396
02:09:36,720 --> 02:09:41,640
Speaker 1: Right, not flossing, but I came onside my property, right,

2397
02:09:42,800 --> 02:09:47,200
Speaker 1: I came on something of my property. I seen a

2398
02:09:47,280 --> 02:09:50,000
Speaker 1: person that didn't have a home. Uh huh. He was

2399
02:09:50,080 --> 02:09:53,800
Speaker 1: right on telling my property. And I wanted to say

2400
02:09:53,880 --> 02:09:59,400
Speaker 1: something so bad out there. Yeah, then I realized I

2401
02:09:59,440 --> 02:10:09,840
Speaker 1: had to manage my blackness. What I'm looking at? This

2402
02:10:10,000 --> 02:10:13,200
Speaker 1: guy came downstairs to look at the beach the same

2403
02:10:13,240 --> 02:10:15,040
Speaker 1: way I came to look at the beach. He just

2404
02:10:15,120 --> 02:10:19,320
Speaker 1: happened to be adjacent close to my problem, right right right.

2405
02:10:20,160 --> 02:10:22,520
Speaker 1: I wanted to walk over there and be like the fun.

2406
02:10:24,680 --> 02:10:30,360
Speaker 1: But then I remember, yes, sometimes you get the man.

2407
02:10:31,000 --> 02:10:34,760
Speaker 3: Your blackness sometimes, you know, like I took off my.

2408
02:10:34,880 --> 02:10:40,720
Speaker 1: Slippers and I made contact with a guy basically he

2409
02:10:41,040 --> 02:10:43,800
Speaker 1: kind of like left. I don't know if I don't

2410
02:10:43,800 --> 02:10:47,040
Speaker 1: know if I was meaning at him, well, if I

2411
02:10:47,160 --> 02:10:50,200
Speaker 1: was just regularly just looking at him. But I was

2412
02:10:50,360 --> 02:10:53,480
Speaker 1: proud of myself. I had your number. This time I

2413
02:10:53,520 --> 02:10:54,560
Speaker 1: would to hit you and say I.

2414
02:10:54,680 --> 02:10:59,280
Speaker 3: Managed watching yourself right.

2415
02:10:59,480 --> 02:11:02,360
Speaker 1: Yes, Then you got to when's the last time you

2416
02:11:02,520 --> 02:11:04,040
Speaker 1: had to watch your blackness?

2417
02:11:04,600 --> 02:11:13,760
Speaker 3: Shuh? I remember one time, not on No Flaw Ship.

2418
02:11:13,880 --> 02:11:15,080
Speaker 3: But I'm just tell you what.

2419
02:11:15,240 --> 02:11:19,040
Speaker 6: I got got nominated for Emmy right, and went to

2420
02:11:19,120 --> 02:11:21,840
Speaker 6: the Emmys. No this when I was writing for Conan,

2421
02:11:22,320 --> 02:11:26,000
Speaker 6: and I was just so happy being from South Side Chicago,

2422
02:11:26,440 --> 02:11:29,800
Speaker 6: sitting in the Emmy's looking at my name on the screen,

2423
02:11:30,200 --> 02:11:32,840
Speaker 6: being nominated, right and forever. They can't never take that

2424
02:11:32,920 --> 02:11:38,960
Speaker 6: away from me that I'm nominated. Yeah, So I'm thinking

2425
02:11:39,040 --> 02:11:41,080
Speaker 6: that to myself. I'm like, they can never take that

2426
02:11:41,160 --> 02:11:43,480
Speaker 6: away from me. My title for now one is Emmy

2427
02:11:43,560 --> 02:11:45,440
Speaker 6: nominated writer Dion Cole.

2428
02:11:45,640 --> 02:12:01,120
Speaker 1: Right, you got it wrongated.

2429
02:12:00,080 --> 02:12:07,400
Speaker 6: Know what, But I'm thinking that, right, I'm thinking this

2430
02:12:07,600 --> 02:12:10,040
Speaker 6: in the audience. I'm just like, wow, this is great.

2431
02:12:10,080 --> 02:12:13,240
Speaker 6: I got the toxtedo on. I'm feeling good. Left, went

2432
02:12:13,280 --> 02:12:15,600
Speaker 6: to a bar, right. I used to smoke cigarettes. Right,

2433
02:12:15,680 --> 02:12:18,040
Speaker 6: So I go outside and I'm smoking a cigarette and

2434
02:12:18,040 --> 02:12:21,280
Speaker 6: I'm standing outside and I'm just reflecting.

2435
02:12:22,040 --> 02:12:25,720
Speaker 3: Man, Yeah, I used to smoke. I used to smoke.

2436
02:12:27,960 --> 02:12:34,240
Speaker 6: Uhm, no, no, no, they like newports, but they.

2437
02:12:34,160 --> 02:12:36,520
Speaker 3: Were marble, marble, marbleman thoughts.

2438
02:12:37,960 --> 02:12:40,760
Speaker 1: Marble the cowboy killing.

2439
02:12:42,880 --> 02:12:45,760
Speaker 3: Your thoughts. I smoke the green, the green and white man.

2440
02:12:48,400 --> 02:13:05,120
Speaker 1: You get definitely navigated the white niggas. Okay. So I'm

2441
02:13:05,160 --> 02:13:06,560
Speaker 1: out there, I reflecting this ship.

2442
02:13:07,200 --> 02:13:10,160
Speaker 6: And as I'm sitting out there, feeling hot, feeling proud,

2443
02:13:11,600 --> 02:13:14,880
Speaker 6: I hate these keys jingling and I look over and

2444
02:13:15,000 --> 02:13:18,280
Speaker 6: these white with women are like this, you bring in

2445
02:13:18,400 --> 02:13:23,000
Speaker 6: my car around And I just looked and I was like, cause,

2446
02:13:23,000 --> 02:13:25,200
Speaker 6: I'm standing in front of the place with a tuxedo.

2447
02:13:25,600 --> 02:13:25,720
Speaker 1: Right.

2448
02:13:25,880 --> 02:13:30,520
Speaker 6: So I'm like, bitch, I just got nominated for Emmy.

2449
02:13:30,760 --> 02:13:33,200
Speaker 6: The fuck is wrong with you. I'm not Valet, motherfucker.

2450
02:13:33,800 --> 02:13:36,960
Speaker 1: Oh I'm so sorry. I'm so sorry.

2451
02:13:37,600 --> 02:13:39,200
Speaker 3: And I was like, let me tell you another thing.

2452
02:13:40,080 --> 02:13:43,240
Speaker 3: And I had to manage my blackness at the moment.

2453
02:13:43,360 --> 02:13:47,160
Speaker 3: I was like, you have a nice day, bitch, and

2454
02:13:49,320 --> 02:13:51,080
Speaker 3: but yeah, that was that was when I have to

2455
02:13:51,240 --> 02:13:52,280
Speaker 3: like manage that ship.

2456
02:13:53,280 --> 02:14:00,240
Speaker 1: Go crazy. She thought I was a fucking Valet. Here,

2457
02:14:00,680 --> 02:14:03,360
Speaker 1: dead ass. This is in California, California.

2458
02:14:04,080 --> 02:14:09,520
Speaker 3: She was like, excuse me. I was like, I was

2459
02:14:09,880 --> 02:14:18,160
Speaker 3: just sitting there going, this is amazing. Wake up, nigga.

2460
02:14:23,800 --> 02:14:28,200
Speaker 6: Away, humble the hell out of Jack. I mean one

2461
02:14:28,280 --> 02:14:30,640
Speaker 6: time this girl was like this. I was sitting at

2462
02:14:30,680 --> 02:14:32,680
Speaker 6: this bar. This girl faked me out right. I mad

2463
02:14:32,720 --> 02:14:35,640
Speaker 6: as hell at the bar. This dude, this Asian dude.

2464
02:14:35,720 --> 02:14:37,600
Speaker 3: These two white girls walking me with the camera and

2465
02:14:37,680 --> 02:14:39,640
Speaker 3: it was like this, can I get a picture?

2466
02:14:39,680 --> 02:14:44,240
Speaker 1: I was like, god damn dog jay z he said

2467
02:14:44,280 --> 02:14:47,640
Speaker 1: Jason a little bit, but I took I grabbed.

2468
02:14:47,920 --> 02:14:49,840
Speaker 3: I grabbed the two girls and was standing there with

2469
02:14:49,920 --> 02:14:52,720
Speaker 3: an attitude. And the dude, it was like a man

2470
02:14:52,840 --> 02:14:53,200
Speaker 3: of us.

2471
02:14:55,720 --> 02:14:59,720
Speaker 1: He wanted to be in no want me picture.

2472
02:15:04,640 --> 02:15:08,160
Speaker 3: How humbling. I'm standing there hugging the chicks like this.

2473
02:15:09,640 --> 02:15:10,640
Speaker 1: And They was like who are you?

2474
02:15:11,240 --> 02:15:16,800
Speaker 3: And I was like, just give me the camera. But

2475
02:15:16,960 --> 02:15:22,879
Speaker 3: I thought they wanted to be oh ship. I was like, humble,

2476
02:15:23,160 --> 02:15:26,560
Speaker 3: be humble, you gotta be humble, said I was a

2477
02:15:26,640 --> 02:15:29,760
Speaker 3: real story. Uh he's like this, can you take a picture.

2478
02:15:29,800 --> 02:15:33,040
Speaker 1: I was like, fuck, get us.

2479
02:15:40,600 --> 02:15:41,840
Speaker 3: I was like, you.

2480
02:15:44,960 --> 02:15:47,360
Speaker 1: Anybody else stole a joke from you? Oh?

2481
02:15:48,480 --> 02:15:52,360
Speaker 3: Hell yeah, plenty of people stole jokes. What do you?

2482
02:15:52,520 --> 02:15:53,840
Speaker 1: What do you? How do you react to that?

2483
02:15:54,040 --> 02:15:54,280
Speaker 3: Dude?

2484
02:15:54,920 --> 02:15:58,480
Speaker 6: You just you go watch them and people that remix

2485
02:15:58,680 --> 02:16:02,320
Speaker 6: jokes to everything. Yeah, there's nothing you really can do

2486
02:16:02,400 --> 02:16:02,800
Speaker 6: about it.

2487
02:16:03,120 --> 02:16:03,320
Speaker 7: You know.

2488
02:16:03,600 --> 02:16:06,320
Speaker 6: Back in the day, you you're a whooping motherfucker ass.

2489
02:16:06,560 --> 02:16:10,680
Speaker 6: Nowadays it's it's so hard man. If you post a joke,

2490
02:16:10,760 --> 02:16:13,240
Speaker 6: somebody gonna go right one just like it, or do

2491
02:16:13,400 --> 02:16:14,560
Speaker 6: the exact same joke.

2492
02:16:15,400 --> 02:16:18,200
Speaker 1: And uh, one of your specials. I think you said

2493
02:16:18,240 --> 02:16:21,200
Speaker 1: that you said it to a female and then you

2494
02:16:21,280 --> 02:16:23,720
Speaker 1: said you don't just post that on Instagram, you better

2495
02:16:23,840 --> 02:16:28,240
Speaker 1: tag me. You said that, especially like yeah bad that

2496
02:16:28,360 --> 02:16:30,840
Speaker 1: people will steal your ship? Yeah, and you tag you

2497
02:16:30,920 --> 02:16:33,199
Speaker 1: and not even like yeah.

2498
02:16:33,160 --> 02:16:36,440
Speaker 6: Like or what a lot of these people men doing too.

2499
02:16:36,520 --> 02:16:38,760
Speaker 6: They'll take your joke and write a whole skit on it.

2500
02:16:39,200 --> 02:16:41,240
Speaker 6: They'll do the whole skit on your ship, and not

2501
02:16:41,440 --> 02:16:46,320
Speaker 6: like giving you homage, like actually making it their skin. Yeah,

2502
02:16:46,959 --> 02:16:49,879
Speaker 6: but not even yeah, not even like tagging you into

2503
02:16:50,840 --> 02:16:52,440
Speaker 6: nothing like that, you know what I mean.

2504
02:16:52,680 --> 02:16:54,680
Speaker 3: So you have a check the coming by the joke.

2505
02:16:55,520 --> 02:16:56,800
Speaker 3: Oh yeah, yeah. I mean.

2506
02:16:56,879 --> 02:16:59,640
Speaker 6: One time I was in Saint Louis. I was with

2507
02:16:59,760 --> 02:17:02,840
Speaker 6: my man and Kenny how and we walked in the spot. Yeah,

2508
02:17:02,959 --> 02:17:05,000
Speaker 6: we walked the shoutut to Kenny. We walk in the spot.

2509
02:17:05,640 --> 02:17:08,640
Speaker 6: Kenny got like twelve fifteen niggas with him. I don't

2510
02:17:08,680 --> 02:17:11,039
Speaker 6: even know none of him. I just know Kenny because

2511
02:17:11,040 --> 02:17:13,400
Speaker 6: I met Kenny up there and we walk in and

2512
02:17:13,520 --> 02:17:15,640
Speaker 6: walking in with all these dude dude on stage doing

2513
02:17:15,720 --> 02:17:18,760
Speaker 6: my joke, doing one of my dope jokes too.

2514
02:17:19,160 --> 02:17:21,880
Speaker 3: He got on stage. I was like, hey, motherfucker, what

2515
02:17:21,959 --> 02:17:23,320
Speaker 3: the fuck is you doing doing my joke?

2516
02:17:23,400 --> 02:17:23,600
Speaker 1: Dog?

2517
02:17:23,720 --> 02:17:24,680
Speaker 3: And he was like this, huh.

2518
02:17:24,760 --> 02:17:27,039
Speaker 6: I was like, nigga, don't look at you. Fucking hum me, nigga.

2519
02:17:27,080 --> 02:17:28,640
Speaker 6: I was like, why are you up there doing my ship?

2520
02:17:29,040 --> 02:17:30,600
Speaker 6: Don't what you're talking about? I say, you know who

2521
02:17:30,640 --> 02:17:31,920
Speaker 6: I am though, right? He was like yeah, I said,

2522
02:17:31,959 --> 02:17:32,400
Speaker 6: mother fucker, you.

2523
02:17:32,440 --> 02:17:34,200
Speaker 3: Know the joke. Motherfucker you did the verb babi? What

2524
02:17:34,240 --> 02:17:35,360
Speaker 3: the fuck is wrong with you? Nigga?

2525
02:17:35,400 --> 02:17:37,120
Speaker 1: He was like this, I ain't do that.

2526
02:17:37,160 --> 02:17:39,520
Speaker 6: Ship nigga behind him pulled out mother fucking nine right.

2527
02:17:39,600 --> 02:17:41,680
Speaker 6: I was like this, oh, Ship, these niggas.

2528
02:17:41,440 --> 02:17:43,240
Speaker 1: Got gone, ran down all the way, and.

2529
02:17:43,280 --> 02:17:44,960
Speaker 3: Ship ran out the door.

2530
02:17:45,120 --> 02:17:46,800
Speaker 1: He's definitely joke, Kenny.

2531
02:17:46,640 --> 02:17:48,920
Speaker 3: Come out the door and go he with us.

2532
02:17:53,440 --> 02:17:53,920
Speaker 1: With the gun.

2533
02:18:00,040 --> 02:18:03,160
Speaker 3: I was already in the park a lot, but I

2534
02:18:03,280 --> 02:18:07,520
Speaker 3: was like, Ship, I just kept running. They put the gun,

2535
02:18:07,680 --> 02:18:09,640
Speaker 3: but they put the gun on the dude. Yeah, they

2536
02:18:09,720 --> 02:18:10,800
Speaker 3: put the gun on the dude.

2537
02:18:11,440 --> 02:18:11,680
Speaker 1: Yeah.

2538
02:18:12,040 --> 02:18:14,680
Speaker 6: Like they put the gun on the dude like like like, yo,

2539
02:18:14,840 --> 02:18:18,000
Speaker 6: dude quick because he was trying to get off out

2540
02:18:18,040 --> 02:18:20,120
Speaker 6: out of the boys. Hey man, calm down again. I

2541
02:18:20,280 --> 02:18:21,560
Speaker 6: was like, but he ain't saying that. He just put

2542
02:18:21,600 --> 02:18:24,240
Speaker 6: the gun on them. I'm like, ran out the ship.

2543
02:18:24,959 --> 02:18:26,960
Speaker 6: I don't really, I really don't even perform in Saint

2544
02:18:27,000 --> 02:18:30,200
Speaker 6: Louis no more because of that. But I was so embarrassed,

2545
02:18:30,200 --> 02:18:32,240
Speaker 6: and all the comics constantly.

2546
02:18:31,800 --> 02:18:36,400
Speaker 3: Bring that ship up. It's like, bigger, you ran that

2547
02:18:36,920 --> 02:18:39,600
Speaker 3: from your own motherfucker with the gun. Ship.

2548
02:18:39,760 --> 02:18:42,680
Speaker 6: So yeah, I confront motherfuckers about the ship. But it

2549
02:18:42,760 --> 02:18:44,680
Speaker 6: ain't really nothing you can do about it. You know,

2550
02:18:45,040 --> 02:18:50,080
Speaker 6: what's your views on crowd work? I mean yeah, yeah,

2551
02:18:50,120 --> 02:18:52,640
Speaker 6: we talked about it. Yeah, like I just want balance,

2552
02:18:54,520 --> 02:18:56,480
Speaker 6: Yeah yeah yeah.

2553
02:18:57,080 --> 02:18:58,920
Speaker 1: Let me ask for him real quick, do we still

2554
02:18:58,920 --> 02:19:05,720
Speaker 1: on QuickTime? Slow? D Rose or Michael Jordan. Michael Jordan's

2555
02:19:06,360 --> 02:19:10,039
Speaker 1: fame wise in Chicago right now, it's a big debate

2556
02:19:10,160 --> 02:19:15,080
Speaker 1: Michael saying Michael Jordan is hands down the bigger athlete,

2557
02:19:15,959 --> 02:19:19,119
Speaker 1: but they're saying that d Rose is the bigger star

2558
02:19:19,320 --> 02:19:23,920
Speaker 1: because he's homegrown. D Rose is from the streets definitely,

2559
02:19:24,040 --> 02:19:27,640
Speaker 1: and everybody everybody, everybody know him, and he is from

2560
02:19:27,800 --> 02:19:29,800
Speaker 1: the crib definitely.

2561
02:19:29,440 --> 02:19:35,200
Speaker 6: From Chicago, d Rose. If you're from Chicago, d Rose

2562
02:19:35,400 --> 02:19:38,119
Speaker 6: is the guy, right But as far as.

2563
02:19:38,040 --> 02:19:40,120
Speaker 3: Fame, yeah, and.

2564
02:19:41,879 --> 02:19:47,360
Speaker 6: Leading on team to championships and ship, Mike, Mike changes

2565
02:19:47,400 --> 02:19:49,840
Speaker 6: the economy. I don't know a lot of mothers who

2566
02:19:49,920 --> 02:19:51,080
Speaker 6: changed the economy.

2567
02:19:51,520 --> 02:19:53,720
Speaker 3: When they do the Lebron. I hate Mike.

2568
02:19:54,080 --> 02:19:56,440
Speaker 6: I hate Paris, and I'd be like, did Lebron change

2569
02:19:56,480 --> 02:20:00,640
Speaker 6: the economy? No, No, he ain't changed the economy. I

2570
02:20:00,720 --> 02:20:03,400
Speaker 6: could grow an AFRO if I wanted to, I could

2571
02:20:03,440 --> 02:20:06,320
Speaker 6: grow an afro. If if I really wanted to get braids,

2572
02:20:06,720 --> 02:20:07,240
Speaker 6: I can get.

2573
02:20:07,120 --> 02:20:11,240
Speaker 13: Curls all that ship. But because of Michael. But because

2574
02:20:11,280 --> 02:20:14,040
Speaker 13: of Michael, that's what I did, is keep it bad

2575
02:20:14,480 --> 02:20:16,600
Speaker 13: just because you know I got a headline.

2576
02:20:16,760 --> 02:20:18,680
Speaker 1: That's for something. You know, I got a headline, bro.

2577
02:20:18,840 --> 02:20:23,200
Speaker 3: Yeah, and it is easy maintain too, right, Yeah, it's

2578
02:20:23,280 --> 02:20:25,280
Speaker 3: easier to main time. Look at it.

2579
02:20:25,520 --> 02:20:26,400
Speaker 1: He's sweating from here.

2580
02:20:28,120 --> 02:20:28,280
Speaker 3: You know.

2581
02:20:28,400 --> 02:20:31,560
Speaker 1: He a different type of verson. Your sweat start from here.

2582
02:20:32,840 --> 02:20:35,640
Speaker 1: If you get like a hairstyle, that like God the

2583
02:20:35,760 --> 02:20:42,320
Speaker 1: devil with you. But last time you had a hairstyle,

2584
02:20:43,280 --> 02:20:47,720
Speaker 1: I had my ship like that came twenty twenty twenty

2585
02:20:47,879 --> 02:20:49,879
Speaker 1: doing in twenty twenty two.

2586
02:20:49,920 --> 02:20:53,800
Speaker 13: Years ago, about four years ago, and you know, I

2587
02:20:53,920 --> 02:20:57,000
Speaker 13: was like, I'm gonna try something different. I'm gonna try

2588
02:20:57,040 --> 02:20:59,520
Speaker 13: something different. I'm finish, jump out the window and see

2589
02:20:59,520 --> 02:21:02,240
Speaker 13: what everybody thing and whatnot? Yet Hey am my ship

2590
02:21:02,280 --> 02:21:03,880
Speaker 13: like jenir wine man baby hell all that?

2591
02:21:04,120 --> 02:21:10,400
Speaker 3: Yeah, baby yeah? I had the gospel sex numble, gospel

2592
02:21:10,560 --> 02:21:14,920
Speaker 3: sex number changing the game.

2593
02:21:15,520 --> 02:21:22,680
Speaker 1: You should just changing gospel six. That's hilarious.

2594
02:21:22,879 --> 02:21:26,119
Speaker 3: Come on, you can be fine as hell.

2595
02:21:26,160 --> 02:21:28,440
Speaker 1: I still go there. What's up?

2596
02:21:28,560 --> 02:21:34,520
Speaker 3: Ladies who love Jesus makes you know gospel sex sex right,

2597
02:21:34,680 --> 02:21:39,039
Speaker 3: that's funny though, Man, that should be a character.

2598
02:21:41,040 --> 02:21:41,440
Speaker 4: You like that?

2599
02:21:41,680 --> 02:21:41,880
Speaker 3: I do.

2600
02:21:42,440 --> 02:21:52,760
Speaker 13: I got another character lined, uh superhero right, well, I

2601
02:21:52,840 --> 02:21:55,160
Speaker 13: know what you're thinking. Okay, yeah, you gotta stick.

2602
02:21:55,200 --> 02:21:58,120
Speaker 3: And he got a dog. The dog his name bitch.

2603
02:21:58,680 --> 02:22:03,080
Speaker 1: You know why why because because it's a girl. That's

2604
02:22:03,080 --> 02:22:07,680
Speaker 1: a girl. Yeah, the superheroes name. That's what the superhero's name.

2605
02:22:07,959 --> 02:22:12,520
Speaker 13: He's a blind comic, right, but by day he fights crime.

2606
02:22:12,760 --> 02:22:13,840
Speaker 3: Can the dog see.

2607
02:22:16,640 --> 02:22:24,959
Speaker 1: This is a dog dog the bitch can see the bitch.

2608
02:22:27,520 --> 02:22:30,640
Speaker 13: But if he loses the dog or the cane, and

2609
02:22:30,760 --> 02:22:32,760
Speaker 13: that's when he's most vulnerable, that's like it's gripping.

2610
02:22:33,080 --> 02:22:34,800
Speaker 3: He has to have his cane and his dog.

2611
02:22:35,360 --> 02:22:37,119
Speaker 1: The dog voice me, Stevie Wonder.

2612
02:22:37,560 --> 02:22:42,280
Speaker 3: I like the dog like matter of fact, matter of fact.

2613
02:22:42,400 --> 02:22:45,240
Speaker 3: The nickname is my sill More. And what do you think?

2614
02:22:45,480 --> 02:22:47,760
Speaker 3: This is getting so weird right now?

2615
02:22:48,240 --> 02:23:01,280
Speaker 1: I have no idea blind with blind lime for you

2616
02:23:01,360 --> 02:23:09,000
Speaker 1: got you got? I think what you're going with? That's crazy.

2617
02:23:10,800 --> 02:23:11,959
Speaker 1: Did you drink your champagne?

2618
02:23:12,240 --> 02:23:12,440
Speaker 3: Yeah?

2619
02:23:12,480 --> 02:23:13,640
Speaker 1: One percent? Definitely.

2620
02:23:14,040 --> 02:23:18,160
Speaker 4: Robin Williams or George Carlin, George Garland. All right, let's

2621
02:23:18,160 --> 02:23:20,440
Speaker 4: try to go through quick jay Z a big daddy

2622
02:23:20,480 --> 02:23:25,400
Speaker 4: can jay Z shout out the cane yep, Cat Williams

2623
02:23:25,440 --> 02:23:28,080
Speaker 4: or Jamie Foxx, uh.

2624
02:23:28,959 --> 02:23:34,440
Speaker 6: Sucks the the the Jamie is so underrated. He probably

2625
02:23:34,520 --> 02:23:38,160
Speaker 6: one of the most underrated people on the planet. I

2626
02:23:38,240 --> 02:23:40,959
Speaker 6: mean he's phenomenal. We all know that, but he's more

2627
02:23:41,040 --> 02:23:44,320
Speaker 6: phenomenal than his phenomenalness, Like he's great.

2628
02:23:44,640 --> 02:23:49,720
Speaker 1: I don't know. Yeah, I forgot he was drinking them. Man.

2629
02:23:51,040 --> 02:23:51,520
Speaker 3: Yeah, I'm not.

2630
02:23:53,040 --> 02:23:54,920
Speaker 1: Uh a woman this woman right?

2631
02:23:55,480 --> 02:23:55,680
Speaker 3: Yes?

2632
02:23:55,879 --> 02:24:00,960
Speaker 1: Man, Okay, told me was mister Lee. I thought listen,

2633
02:24:01,680 --> 02:24:02,680
Speaker 1: Black Witness relaxed.

2634
02:24:02,879 --> 02:24:03,440
Speaker 3: There's no way.

2635
02:24:05,280 --> 02:24:07,040
Speaker 1: There's no way you're gonna thought that was mister Lee.

2636
02:24:07,440 --> 02:24:10,000
Speaker 1: There's no way, bro. Your vision is not that fun.

2637
02:24:10,440 --> 02:24:14,080
Speaker 13: Listen, listen, y'all heard me questioning my six willity right there.

2638
02:24:15,720 --> 02:24:21,920
Speaker 3: You said, I'm sorry, you said cat booty. I ain't

2639
02:24:21,959 --> 02:24:23,279
Speaker 3: never heard that about life.

2640
02:24:23,120 --> 02:24:23,760
Speaker 1: By cat.

2641
02:24:28,160 --> 02:24:28,400
Speaker 3: Cat.

2642
02:24:30,840 --> 02:24:33,680
Speaker 1: I apologize. This is a booty cat cat.

2643
02:24:33,879 --> 02:24:38,039
Speaker 3: Yeah, you can't get them pregnant in that booty.

2644
02:24:37,800 --> 02:24:56,000
Speaker 4: Cat curve your enthusiasm or sid phone.

2645
02:24:59,400 --> 02:25:01,240
Speaker 3: A ah curve?

2646
02:25:02,400 --> 02:25:06,400
Speaker 6: All right, time felt is great, but curve I identified

2647
02:25:06,760 --> 02:25:07,119
Speaker 6: more black.

2648
02:25:07,240 --> 02:25:12,400
Speaker 3: Yeah. Yeah. They had a whole family called the blacks.

2649
02:25:12,720 --> 02:25:17,160
Speaker 1: Yeah, not in that moment, and they did it during

2650
02:25:17,680 --> 02:25:24,560
Speaker 1: not covid Katrina, Hurrtane Katrina. They did and Fox was

2651
02:25:24,680 --> 02:25:28,840
Speaker 1: dating the Yallo like, yes, gave him something a little

2652
02:25:28,840 --> 02:25:31,720
Speaker 1: bit of that thing and then broke the Yeah she

2653
02:25:31,840 --> 02:25:44,640
Speaker 1: was d in the in the episode and you gotta dress,

2654
02:25:53,000 --> 02:25:55,600
Speaker 1: do you see? Motherfuckers? He was ready to start.

2655
02:25:58,280 --> 02:25:59,000
Speaker 3: I was like, Yo, what.

2656
02:26:02,200 --> 02:26:04,000
Speaker 1: Last one? I'm not going to give you. I'm not

2657
02:26:04,040 --> 02:26:06,720
Speaker 1: going to interrogate the witness. I'm not going to lead

2658
02:26:06,760 --> 02:26:08,480
Speaker 1: you towards the way. That's what I'm meant to say.

2659
02:26:09,360 --> 02:26:22,080
Speaker 1: Loyalty or respect. Loyalty. Loyalty will gain respect. You know,

2660
02:26:23,320 --> 02:26:24,879
Speaker 1: if you loyal to me, I respect you.

2661
02:26:27,560 --> 02:26:33,000
Speaker 6: Me respecting you without loyalty would take away the respect right.

2662
02:26:34,720 --> 02:26:41,400
Speaker 1: Loyalty. So let me ask you because I've been wanting

2663
02:26:41,400 --> 02:26:45,880
Speaker 1: to get this off my chest since earlier. Right, I

2664
02:26:46,000 --> 02:26:48,640
Speaker 1: believe we all spoke about how sometimes we don't work together,

2665
02:26:48,760 --> 02:26:50,720
Speaker 1: like I believe it started with the Blackest right, we

2666
02:26:50,920 --> 02:26:54,080
Speaker 1: were saying like Blackish, like if guys would have came together.

2667
02:26:54,560 --> 02:26:57,320
Speaker 1: So I'm saying moving forward right like we just had

2668
02:26:57,440 --> 02:27:01,520
Speaker 1: Jesse Therera Damn, you know, I don't know how to

2669
02:27:01,560 --> 02:27:02,400
Speaker 1: pronounce the last name.

2670
02:27:02,400 --> 02:27:02,760
Speaker 3: I love that.

2671
02:27:03,520 --> 02:27:05,440
Speaker 1: I love that. I love that. And then we just

2672
02:27:05,520 --> 02:27:10,840
Speaker 1: had releases, and then I got my boy script TV, right,

2673
02:27:11,800 --> 02:27:15,359
Speaker 1: and and I want to do this, this underground comedy,

2674
02:27:15,560 --> 02:27:23,840
Speaker 1: right call handballs balls or handball. I want to throw Yeah,

2675
02:27:23,840 --> 02:27:25,560
Speaker 1: I want to throw in the I want people to

2676
02:27:25,640 --> 02:27:26,760
Speaker 1: like it's flavoring, it's cool.

2677
02:27:28,080 --> 02:27:28,800
Speaker 3: Right, But.

2678
02:27:30,320 --> 02:27:38,400
Speaker 1: Immediately I realized that ham ball, the actual sport, is

2679
02:27:38,480 --> 02:27:47,880
Speaker 1: predominated uh by latinus right and in a great ratio. Right,

2680
02:27:48,440 --> 02:27:51,200
Speaker 1: But how do I do this? Immediately I said, you

2681
02:27:51,280 --> 02:27:53,000
Speaker 1: know what I want to be in Chris Pinson.

2682
02:27:54,080 --> 02:27:54,920
Speaker 3: Shout out to Chris.

2683
02:27:55,560 --> 02:27:57,880
Speaker 1: Immediately I was like, yo, I hate Chris Princer. I

2684
02:27:58,000 --> 02:28:00,560
Speaker 1: was like, yo, if I need something to block it up.

2685
02:28:03,200 --> 02:28:06,959
Speaker 1: I don't know if he never played handball in his life.

2686
02:28:07,200 --> 02:28:09,800
Speaker 1: I don't know if he even can relate to the

2687
02:28:10,040 --> 02:28:15,280
Speaker 1: Querto Rican Latin culture that's mixed with the black culture.

2688
02:28:15,600 --> 02:28:18,480
Speaker 1: That's the New York thing, right, the thing that I'm

2689
02:28:18,520 --> 02:28:21,920
Speaker 1: trying to do. But automatically, I wanted to pick somebody

2690
02:28:22,000 --> 02:28:28,600
Speaker 1: that I know that can translate the message that I'm

2691
02:28:28,600 --> 02:28:32,440
Speaker 1: trying to deliver. Is that me being naive or is

2692
02:28:32,480 --> 02:28:33,320
Speaker 1: that me being smart?

2693
02:28:33,360 --> 02:28:37,680
Speaker 3: No? You being smart. Okay, definitely absolutely, man, get somebody, Yeah,

2694
02:28:38,280 --> 02:28:39,040
Speaker 3: give him to come on.

2695
02:28:39,200 --> 02:28:41,279
Speaker 1: I hit him. I bothered him immediately on a Sunday.

2696
02:28:41,920 --> 02:28:43,920
Speaker 1: I didn't care. I was like here and he was

2697
02:28:43,959 --> 02:28:44,800
Speaker 1: like North whatever.

2698
02:28:46,000 --> 02:28:49,120
Speaker 3: He is the guy for okay, man, Chris Chris is

2699
02:28:49,440 --> 02:28:50,560
Speaker 3: don't get Chris.

2700
02:28:50,879 --> 02:28:55,160
Speaker 6: Chris don't never be off like he's always on shop,

2701
02:28:55,800 --> 02:28:59,560
Speaker 6: super shot, roast Master man. That motherfucker he put it together,

2702
02:29:00,200 --> 02:29:03,520
Speaker 6: he said roast Master. He ROAs show ass. He liked

2703
02:29:03,520 --> 02:29:06,039
Speaker 6: the Don Rickles real but he.

2704
02:29:06,160 --> 02:29:08,560
Speaker 1: Has like material, like he could sit right here.

2705
02:29:08,640 --> 02:29:12,680
Speaker 6: He can tell you a gazillion stories and anything you say,

2706
02:29:12,800 --> 02:29:14,280
Speaker 6: he gonna tag that ship like this.

2707
02:29:14,879 --> 02:29:15,760
Speaker 3: Like in a heartbeat.

2708
02:29:15,920 --> 02:29:19,520
Speaker 6: Yeah, anytime I do, like some type of award show

2709
02:29:19,640 --> 02:29:21,960
Speaker 6: or something like that, anythink that I'm hosting or something.

2710
02:29:22,920 --> 02:29:25,240
Speaker 6: Definitely called Chris to come help me out.

2711
02:29:25,440 --> 02:29:27,840
Speaker 1: Okay yea because immediately I was like, yo, you know what.

2712
02:29:29,360 --> 02:29:32,720
Speaker 1: I feel like I could provide the part of the

2713
02:29:32,920 --> 02:29:36,120
Speaker 1: Latin part and then you know, along with the other

2714
02:29:36,160 --> 02:29:37,600
Speaker 1: people that have but I was like, you know what,

2715
02:29:39,200 --> 02:29:43,119
Speaker 1: I have to put some spice on because if you're

2716
02:29:43,120 --> 02:29:44,959
Speaker 1: a black person that played had Bore, you was an

2717
02:29:45,000 --> 02:29:47,440
Speaker 1: elite black person that means that you knew both coaches,

2718
02:29:47,720 --> 02:29:50,080
Speaker 1: meaning you knew the Mexican culture, you knew the Puerto

2719
02:29:50,160 --> 02:29:52,680
Speaker 1: Rican coachure, you knew the Ecuadorian coach, you knew the

2720
02:29:52,760 --> 02:29:56,000
Speaker 1: Honduras culture, you knew the nukagre and culture, and you

2721
02:29:56,040 --> 02:29:59,360
Speaker 1: knew how to write gffiti in such so I wanted

2722
02:29:59,360 --> 02:30:01,360
Speaker 1: to do that. But what I said is, okay, I

2723
02:30:01,440 --> 02:30:06,080
Speaker 1: got everything that the lat the Latin Parker could like.

2724
02:30:06,720 --> 02:30:08,720
Speaker 1: And I was like, Yo, how can I make this?

2725
02:30:08,920 --> 02:30:11,520
Speaker 1: I'm sorry because I'm you know, I can say this

2726
02:30:12,360 --> 02:30:14,800
Speaker 1: everybody else fall back? How kind of nigga? This ship

2727
02:30:14,959 --> 02:30:21,560
Speaker 1: up a little bit some black inlants, but I don't

2728
02:30:21,600 --> 02:30:25,280
Speaker 1: represent just Puerto Rico. I represent the whole lat absolutely thing.

2729
02:30:25,440 --> 02:30:29,680
Speaker 1: Then I represent Gone No, I represent all the black

2730
02:30:29,720 --> 02:30:32,400
Speaker 1: ship too. So I said all right, and Chris Spencer

2731
02:30:32,520 --> 02:30:36,960
Speaker 1: was the only person and I hit him, I know,

2732
02:30:37,480 --> 02:30:41,080
Speaker 1: whatever time I hit him. He was like Norway's out

2733
02:30:41,080 --> 02:30:45,119
Speaker 1: of his and I was like, Yo, how fast can

2734
02:30:45,160 --> 02:30:47,600
Speaker 1: you write a script? And he was like it depends

2735
02:30:47,640 --> 02:30:50,880
Speaker 1: on you know whatever he said between me and him.

2736
02:30:51,160 --> 02:30:53,360
Speaker 1: But I was like, I want you to do it

2737
02:30:53,520 --> 02:30:54,520
Speaker 1: this way and like that.

2738
02:30:55,920 --> 02:30:58,280
Speaker 3: But he knew what I mean. He definitely did get

2739
02:30:58,320 --> 02:31:01,480
Speaker 3: that ship popping death. He is definitely the guy for you.

2740
02:31:01,800 --> 02:31:05,680
Speaker 1: Definitely. Yeah. So God comes down to you. Mm hmmm,

2741
02:31:06,240 --> 02:31:13,120
Speaker 1: God says, man, I want you to save humanity. So

2742
02:31:13,240 --> 02:31:18,360
Speaker 1: I got three choices for you. I got a person

2743
02:31:18,440 --> 02:31:22,080
Speaker 1: that's gonna direct your movie. I got a person that's

2744
02:31:22,120 --> 02:31:26,119
Speaker 1: gonna write your movie. I got a person that's gonna

2745
02:31:26,200 --> 02:31:30,800
Speaker 1: produce your movie. But your movie, and who you pick

2746
02:31:30,959 --> 02:31:36,920
Speaker 1: is on you. This is God, g O D. You're

2747
02:31:36,959 --> 02:31:44,480
Speaker 1: gonna save him? Man, who are you picking thirteen? He

2748
02:31:44,520 --> 02:31:45,000
Speaker 1: didn't know that.

2749
02:31:57,720 --> 02:32:00,920
Speaker 3: Y'all, but y'all to do the movie.

2750
02:32:01,000 --> 02:32:04,920
Speaker 1: Okay, so let me let me reiterate this ship. God

2751
02:32:05,040 --> 02:32:07,920
Speaker 1: comes down. He's like, He's like, like, you know your

2752
02:32:08,000 --> 02:32:12,920
Speaker 1: niggas is outside and tacos. God is God.

2753
02:32:14,840 --> 02:32:15,400
Speaker 3: Come down.

2754
02:32:15,879 --> 02:32:19,200
Speaker 1: He got he got the jewelry on, he got the

2755
02:32:19,720 --> 02:32:21,440
Speaker 1: he got the Richard Milly. You know what I man,

2756
02:32:22,320 --> 02:32:25,920
Speaker 1: God like yo, Man, I'm gonna give you a chance

2757
02:32:25,959 --> 02:32:32,800
Speaker 1: to save humanity. The director, the producer, the writer, and

2758
02:32:32,959 --> 02:32:35,200
Speaker 1: the writer. Now I'm gonna give you. I'm gonna give

2759
02:32:35,200 --> 02:32:37,080
Speaker 1: you a way out. No no, no, no no no,

2760
02:32:37,760 --> 02:32:40,160
Speaker 1: let me let you. I was gonna give your way out.

2761
02:32:40,200 --> 02:32:46,000
Speaker 1: But I was give him the way out. But let's

2762
02:32:46,000 --> 02:32:48,440
Speaker 1: see who you're going go, and.

2763
02:32:48,520 --> 02:32:49,480
Speaker 3: I gotta pick the three.

2764
02:32:50,320 --> 02:32:55,480
Speaker 1: Oh this is all you, right, you save humanity. It's

2765
02:32:55,560 --> 02:33:00,320
Speaker 1: all on you. You say Bibles forever. But if you

2766
02:33:00,480 --> 02:33:06,360
Speaker 1: funk up, you in the purgatory, you you out there

2767
02:33:06,400 --> 02:33:16,080
Speaker 1: with shake tam. Writer that I would get would be.

2768
02:33:20,120 --> 02:33:26,520
Speaker 3: Malik As. Malikas, I love him. I would get Malikas. Okay,

2769
02:33:26,640 --> 02:33:27,039
Speaker 3: who who?

2770
02:33:27,560 --> 02:33:32,000
Speaker 13: Okay, he writes some neighbors with sider entertain neighbors we

2771
02:33:32,120 --> 02:33:34,360
Speaker 13: say neighbors, neighborhood, the neighborhood.

2772
02:33:34,440 --> 02:33:39,240
Speaker 3: Yeah, yeah, yeah, Malikas is one of the greatest minds.

2773
02:33:39,360 --> 02:33:39,960
Speaker 1: Neighborhood.

2774
02:33:40,800 --> 02:33:41,640
Speaker 3: Yeah yeah.

2775
02:33:42,160 --> 02:33:43,959
Speaker 6: I would get him to write. I would get him

2776
02:33:44,000 --> 02:33:53,080
Speaker 6: to write it, uh, produce it, I would get. I

2777
02:33:53,120 --> 02:33:53,879
Speaker 6: would get.

2778
02:33:56,600 --> 02:34:02,800
Speaker 3: James, Samuel James saying did the heart that they fall on.

2779
02:34:02,879 --> 02:34:06,720
Speaker 1: The Cowboy movie that jay Z and the Rock They said, yeah.

2780
02:34:07,080 --> 02:34:11,720
Speaker 6: I will get him, and then and then for uh

2781
02:34:12,720 --> 02:34:17,360
Speaker 6: for what was the other one that was right? Our director?

2782
02:34:18,240 --> 02:34:18,920
Speaker 6: I would get.

2783
02:34:19,920 --> 02:34:23,720
Speaker 1: Because what are your pictures so far? Producer? Okay?

2784
02:34:23,800 --> 02:34:32,760
Speaker 3: Now director director probably Coogler ran right, that's what choir?

2785
02:34:34,160 --> 02:34:35,760
Speaker 1: How about how about this? Let me let me throw

2786
02:34:35,800 --> 02:34:39,560
Speaker 1: your life raft? How about to collaborate together. How about that?

2787
02:34:44,280 --> 02:34:44,600
Speaker 3: That's all.

2788
02:34:45,560 --> 02:34:51,000
Speaker 1: That's uh a great question because you know why, I'm

2789
02:34:51,000 --> 02:34:53,280
Speaker 1: gonna be honest with you. I'm gonna be honest with you,

2790
02:34:54,360 --> 02:35:02,720
Speaker 1: brot weird. But let me be serious for a second.

2791
02:35:05,520 --> 02:35:09,760
Speaker 1: That story. Me hearing y'all talking about Blackish. You know

2792
02:35:09,920 --> 02:35:13,880
Speaker 1: you're all comedians. So me hearing y'all individually talk about

2793
02:35:13,920 --> 02:35:18,280
Speaker 1: it or in this like little specs that you have

2794
02:35:20,520 --> 02:35:24,080
Speaker 1: makes me liaugh mm hmm. But me being human makes

2795
02:35:24,120 --> 02:35:27,600
Speaker 1: me not lie. Me being a human says damn. I

2796
02:35:27,720 --> 02:35:31,640
Speaker 1: wish we could have did that, because that's exactly what

2797
02:35:32,320 --> 02:35:37,240
Speaker 1: Bu Tang did right right. Wu Tang is essentially sound

2798
02:35:38,120 --> 02:35:43,040
Speaker 1: signed to Loud Records, and then said, but I'm a

2799
02:35:43,920 --> 02:35:47,760
Speaker 1: we're all gonna come together and you're gonna go over here.

2800
02:35:48,600 --> 02:35:50,400
Speaker 1: You're gonna go over here. You're gonna go over here

2801
02:35:51,760 --> 02:35:55,320
Speaker 1: because from Blackish went to grown Ish. U was a

2802
02:35:55,400 --> 02:35:56,200
Speaker 1: grown Ish too, right.

2803
02:35:56,440 --> 02:35:58,760
Speaker 3: I was doing grown Ash while I was doing Blackish.

2804
02:35:58,840 --> 02:36:01,680
Speaker 3: Kenya Bearish shout out to Kenyan Barris, shout out to

2805
02:36:01,720 --> 02:36:02,600
Speaker 3: Anthony Anderson.

2806
02:36:03,480 --> 02:36:04,680
Speaker 1: We heard your son of deal with.

2807
02:36:09,920 --> 02:36:12,320
Speaker 6: Yeah when it started, when they started growing and they

2808
02:36:12,400 --> 02:36:14,600
Speaker 6: came over to me and it was like, y'all, we're

2809
02:36:14,640 --> 02:36:17,360
Speaker 6: gonna start the show. It's gonna be almost like the

2810
02:36:17,640 --> 02:36:20,080
Speaker 6: like a different world, but it's gonna be with kids,

2811
02:36:20,120 --> 02:36:22,959
Speaker 6: and we're gonna use yaa shout out to y'all shy.

2812
02:36:23,440 --> 02:36:25,959
Speaker 3: And he was like, hey, you should.

2813
02:36:26,440 --> 02:36:28,040
Speaker 6: I think we're gonna have you come over there and

2814
02:36:28,720 --> 02:36:31,600
Speaker 6: just to make sure that it's that the take off

2815
02:36:31,640 --> 02:36:32,920
Speaker 6: and it's funny and ship, you know.

2816
02:36:33,000 --> 02:36:35,080
Speaker 3: And I was like this, I'm gonna be on that show,

2817
02:36:35,160 --> 02:36:38,560
Speaker 3: in this show. He was like, well, we're gonna. He's like,

2818
02:36:38,600 --> 02:36:41,119
Speaker 3: we're gonna, We're gonna, We're gonna make it happen. We're

2819
02:36:41,120 --> 02:36:41,760
Speaker 3: gonna make it happen.

2820
02:36:41,840 --> 02:36:46,600
Speaker 6: So they made me like a professor because in certain colleges,

2821
02:36:47,080 --> 02:36:50,520
Speaker 6: if you start uh some type of class or whatever,

2822
02:36:51,160 --> 02:36:53,240
Speaker 6: you could become a professor of your own, you know

2823
02:36:53,280 --> 02:36:55,200
Speaker 6: what I mean. You can just have your own class

2824
02:36:55,280 --> 02:36:57,240
Speaker 6: or whatever. So he was like, we'll have that, and

2825
02:36:57,360 --> 02:36:58,960
Speaker 6: that's what you will be in order for you to

2826
02:36:59,080 --> 02:37:02,320
Speaker 6: still do both or whatever. And I was like all right,

2827
02:37:02,480 --> 02:37:05,280
Speaker 6: So we did it. It took off, and man, I

2828
02:37:05,400 --> 02:37:09,160
Speaker 6: did about four years over there Grownish and then uh

2829
02:37:09,560 --> 02:37:12,480
Speaker 6: left and then still was doing Blackish at the same time.

2830
02:37:12,560 --> 02:37:14,400
Speaker 3: And just going back and forth, you know what I mean?

2831
02:37:14,640 --> 02:37:17,920
Speaker 3: So yeah, that was that was that was. That was

2832
02:37:17,959 --> 02:37:20,000
Speaker 3: a crazy time at that time. I was doing like

2833
02:37:20,160 --> 02:37:21,720
Speaker 3: three different shows at that time.

2834
02:37:22,000 --> 02:37:22,160
Speaker 7: You know.

2835
02:37:25,640 --> 02:37:30,320
Speaker 1: Now one of my favorite things is you're talking to

2836
02:37:30,400 --> 02:37:34,600
Speaker 1: the fat people in the audience who me, yeah about

2837
02:37:34,680 --> 02:37:36,600
Speaker 1: you exited that? Yeah?

2838
02:37:38,920 --> 02:37:39,520
Speaker 3: Did that harm?

2839
02:37:39,640 --> 02:37:44,240
Speaker 1: You know because you you looked at one point it

2840
02:37:44,400 --> 02:37:49,240
Speaker 1: was like stop eating that ship. That resonated to me.

2841
02:37:51,480 --> 02:37:56,680
Speaker 1: Anytime I'm about to, I'll just see you just stop

2842
02:37:56,720 --> 02:37:56,920
Speaker 1: me in.

2843
02:37:56,959 --> 02:37:57,600
Speaker 3: There like.

2844
02:37:59,480 --> 02:38:01,000
Speaker 1: No, I was like an old bit.

2845
02:38:01,120 --> 02:38:01,720
Speaker 3: I used to do it.

2846
02:38:01,720 --> 02:38:05,240
Speaker 1: I used to be like, uh, you know you're a

2847
02:38:05,320 --> 02:38:09,280
Speaker 1: bigger yeah yeah, yeah, super big. Yeah. I would like

2848
02:38:09,680 --> 02:38:11,400
Speaker 1: to before and after.

2849
02:38:15,959 --> 02:38:19,320
Speaker 3: I used to be like like like stop eating that ship,

2850
02:38:19,480 --> 02:38:21,760
Speaker 3: like you already know how to taste I stop.

2851
02:38:21,760 --> 02:38:26,920
Speaker 6: Eating stop eating that ship. You know, listen, you're getting

2852
02:38:26,920 --> 02:38:29,400
Speaker 6: fat on ship. You taste tasted before, you know what

2853
02:38:29,480 --> 02:38:31,520
Speaker 6: I mean? If you're gonna get fat doing those ship

2854
02:38:31,879 --> 02:38:33,000
Speaker 6: ain't never tasted before.

2855
02:38:34,120 --> 02:38:35,680
Speaker 1: I don't know if he eats SMP or not. He's

2856
02:38:35,680 --> 02:38:42,720
Speaker 1: a vegang. Well they keep catching him with shrimp, catching

2857
02:38:44,600 --> 02:38:50,960
Speaker 1: like like he cheat on with shrimp. I'm going to

2858
02:38:51,040 --> 02:38:52,560
Speaker 1: do it like there on the side of the.

2859
02:38:54,440 --> 02:38:54,840
Speaker 3: Whe's son.

2860
02:38:54,959 --> 02:39:01,520
Speaker 1: Yet he's you get them, get you you. I mean

2861
02:39:01,680 --> 02:39:04,680
Speaker 1: he's Rosaria that that's my family.

2862
02:39:06,400 --> 02:39:08,800
Speaker 3: But that's funny coming up.

2863
02:39:08,840 --> 02:39:10,480
Speaker 1: And it's just a.

2864
02:39:10,560 --> 02:39:13,840
Speaker 3: Lot like a little shells, little tails and ship everywhere.

2865
02:39:16,520 --> 02:39:21,800
Speaker 3: It's starting the out. You can get the gut, so

2866
02:39:22,040 --> 02:39:25,240
Speaker 3: more of it with it, like I'm want them.

2867
02:39:25,360 --> 02:39:27,680
Speaker 1: I'm nigga.

2868
02:39:27,720 --> 02:39:31,880
Speaker 3: You are hilarious guy, you be. You've been killing me.

2869
02:39:32,600 --> 02:39:32,800
Speaker 1: Die.

2870
02:39:32,959 --> 02:39:37,600
Speaker 3: I'm telling you that. I'm telling you I'm still thinking

2871
02:39:37,760 --> 02:39:44,280
Speaker 3: us gospel sex. Some of you don't do this gospel

2872
02:39:44,360 --> 02:39:46,320
Speaker 3: sex symbol is hilarious.

2873
02:39:47,000 --> 02:39:59,800
Speaker 15: I can't do this right now. And yeah, this means

2874
02:39:59,800 --> 02:40:03,000
Speaker 15: that to me really enough for I missed my twin.

2875
02:40:06,320 --> 02:40:08,039
Speaker 13: I'm so happy to be here with y'all right now

2876
02:40:08,680 --> 02:40:11,040
Speaker 13: for you to say that to me, because I know

2877
02:40:11,160 --> 02:40:13,879
Speaker 13: you had never seen me before in real life and whatnot, and.

2878
02:40:13,879 --> 02:40:20,120
Speaker 1: You had never seen him neither, big fan and the

2879
02:40:20,200 --> 02:40:20,920
Speaker 1: most respectful.

2880
02:40:21,840 --> 02:40:25,320
Speaker 6: No, no, no, I'm man keeping thinking about you doing

2881
02:40:25,680 --> 02:40:27,880
Speaker 6: and I appreciate that, and keep doing what you're doing though.

2882
02:40:27,959 --> 02:40:32,680
Speaker 3: You are hilarious. And what makes you funny, man, everybody's

2883
02:40:32,800 --> 02:40:34,840
Speaker 3: unique in their own way, and what makes you funny

2884
02:40:35,040 --> 02:40:37,320
Speaker 3: to me is the sincerity.

2885
02:40:38,200 --> 02:40:41,320
Speaker 6: I mean you almost it's like you don't mean no harm.

2886
02:40:41,480 --> 02:40:44,960
Speaker 6: You just saying what you're saying, and that's what makes

2887
02:40:45,000 --> 02:40:48,120
Speaker 6: you unique and dope. And you know that's that perspective

2888
02:40:48,160 --> 02:40:49,920
Speaker 6: because it's a lot of people out here that's funny,

2889
02:40:50,040 --> 02:40:52,240
Speaker 6: but I can't quote one of their jokes because that's

2890
02:40:52,360 --> 02:40:55,480
Speaker 6: all they are funny and their personality is and then it.

2891
02:40:55,640 --> 02:40:59,800
Speaker 3: So that's why I remember. I keep I keep repeating

2892
02:40:59,840 --> 02:41:01,680
Speaker 3: this that you said because it's funny.

2893
02:41:01,800 --> 02:41:03,520
Speaker 1: I love one of your skits with your friend.

2894
02:41:03,600 --> 02:41:12,280
Speaker 3: Don't cut this out. I need I'm here for this.

2895
02:41:18,520 --> 02:41:24,680
Speaker 19: Damn I have this ship, so damn fuck me up. Well,

2896
02:41:25,760 --> 02:41:30,240
Speaker 19: I wasn't on credit. I said, I wasn't keep me going.

2897
02:41:32,000 --> 02:41:33,440
Speaker 3: Go ahead, and I was.

2898
02:41:33,879 --> 02:41:38,640
Speaker 1: I had to sold down back and you fuck me up. Man.

2899
02:41:38,640 --> 02:41:40,800
Speaker 13: I love you so much, man, thank you for inviting

2900
02:41:40,840 --> 02:41:46,560
Speaker 13: me here. Man this man boy will I'll give you

2901
02:41:46,800 --> 02:41:53,680
Speaker 13: the rest of my eye for this opport. I don't

2902
02:41:53,680 --> 02:41:56,480
Speaker 13: know how to repay you. Man, he said that to

2903
02:41:56,600 --> 02:41:59,720
Speaker 13: me in front of people. It's gonna be on people

2904
02:41:59,760 --> 02:42:04,040
Speaker 13: gonna see it. I'm serious. Dog, hope you blow I

2905
02:42:04,080 --> 02:42:09,959
Speaker 13: mean you already blew up because you're the men you're

2906
02:42:10,000 --> 02:42:11,840
Speaker 13: tucking with them, so you're already large.

2907
02:42:11,920 --> 02:42:17,160
Speaker 3: But just man, don't don't stop being sincere because that's

2908
02:42:17,320 --> 02:42:20,720
Speaker 3: unique and I don't see that often and people that's funny.

2909
02:42:21,080 --> 02:42:23,880
Speaker 3: So keep that dog because that's man. You can go

2910
02:42:24,040 --> 02:42:26,520
Speaker 3: far with that. Just be sincere and be just what

2911
02:42:26,720 --> 02:42:31,000
Speaker 3: you are. And I promise you you're gonna these doors

2912
02:42:31,040 --> 02:42:32,680
Speaker 3: gonna open for you on for real.

2913
02:42:33,760 --> 02:42:36,039
Speaker 1: I see it. I can feel it. You feel like hugging.

2914
02:42:37,280 --> 02:42:53,879
Speaker 1: I get your hug. Yeah, oh, then you no more hugs.

2915
02:42:57,760 --> 02:43:03,120
Speaker 1: Learn I got a little too close. This is one

2916
02:43:03,240 --> 02:43:06,760
Speaker 1: main This is the last question. Right, I think I

2917
02:43:06,879 --> 02:43:13,240
Speaker 1: touched on it earlier, Right, but I kind of like

2918
02:43:13,360 --> 02:43:15,560
Speaker 1: want to be like not serious, but a little serious

2919
02:43:15,640 --> 02:43:18,960
Speaker 1: with this, right, So lets SUPs right now. Right, Let's

2920
02:43:19,280 --> 02:43:24,120
Speaker 1: suppose it's a person. This person leads out, falls down

2921
02:43:24,640 --> 02:43:30,680
Speaker 1: and dies or gets hurt. Right, most of us will

2922
02:43:30,720 --> 02:43:34,480
Speaker 1: sit back and say, oh, okay, if it's funny, as

2923
02:43:34,520 --> 02:43:36,800
Speaker 1: the person tripped, we'll say, oh, that was funny.

2924
02:43:37,120 --> 02:43:37,240
Speaker 4: Right.

2925
02:43:39,120 --> 02:43:43,920
Speaker 1: If it's not funny and they tripped in a way

2926
02:43:43,959 --> 02:43:48,840
Speaker 1: where it's oh, it's horrific, be like, oh are you okay?

2927
02:43:49,000 --> 02:43:55,480
Speaker 1: Like whatever, whatever, But that's normal people. A comedian has

2928
02:43:55,520 --> 02:43:59,560
Speaker 1: to find something comedic out of everything. That's what I

2929
02:43:59,680 --> 02:44:03,959
Speaker 1: love about comedians, right from Marlon Wayne. From every time

2930
02:44:04,000 --> 02:44:06,440
Speaker 1: I see Marlon Wayn's every want ways to jump out

2931
02:44:06,520 --> 02:44:09,120
Speaker 1: and just he'll just rank on my friends, shout out

2932
02:44:09,320 --> 02:44:11,760
Speaker 1: my man. He'll just rank on my friend Sonny D.

2933
02:44:11,879 --> 02:44:14,280
Speaker 1: He'll look at D. He knows Sonny D could take it.

2934
02:44:14,400 --> 02:44:18,160
Speaker 1: That's him over that's him over there. And Marlon would

2935
02:44:18,160 --> 02:44:20,720
Speaker 1: just look at him and be like like, he won't

2936
02:44:20,760 --> 02:44:24,600
Speaker 1: necessarily rank on me, but he wrecking somebody close to me,

2937
02:44:25,320 --> 02:44:29,640
Speaker 1: and he'll just give it to him. M hm. And

2938
02:44:29,720 --> 02:44:31,240
Speaker 1: we were saying the too soon part.

2939
02:44:32,560 --> 02:44:35,320
Speaker 4: Now you're saying that find it something funny out of tragedy.

2940
02:44:35,520 --> 02:44:37,320
Speaker 1: So yeah, yeah, that's the part I'm trying to think.

2941
02:44:39,160 --> 02:44:39,600
Speaker 3: It was so.

2942
02:44:42,720 --> 02:44:48,840
Speaker 1: Many different tragedies, right, And I looked at comedians to

2943
02:44:49,000 --> 02:44:54,480
Speaker 1: make these tragedies kind of make fun of it, but

2944
02:44:54,640 --> 02:44:57,600
Speaker 1: not fun of it, make light of it, but make

2945
02:44:57,760 --> 02:45:01,400
Speaker 1: light of it, right, So many of them. Like I

2946
02:45:01,440 --> 02:45:04,000
Speaker 1: went to a Kevin Hart show, who the fuck is there?

2947
02:45:04,800 --> 02:45:05,200
Speaker 3: Was you there?

2948
02:45:05,280 --> 02:45:09,640
Speaker 1: Sonny? We went to in l A, come on in

2949
02:45:09,879 --> 02:45:13,959
Speaker 1: LA remember that ship? And keV remember he gave up

2950
02:45:13,959 --> 02:45:17,120
Speaker 1: the pieces? I don't one to Yeah, I think so

2951
02:45:17,320 --> 02:45:20,960
Speaker 1: he gave up virtual pizzas at first, this was not real,

2952
02:45:21,360 --> 02:45:24,520
Speaker 1: Like I was from New York City. Don't tell me

2953
02:45:24,600 --> 02:45:26,800
Speaker 1: you got a pizza but me, and then you keep

2954
02:45:26,879 --> 02:45:30,240
Speaker 1: me out, like do you like the jokes?

2955
02:45:30,879 --> 02:45:31,199
Speaker 3: Nigga?

2956
02:45:31,320 --> 02:45:38,440
Speaker 1: I wanted the pizza. So what I'm saying this for comedians, right?

2957
02:45:41,360 --> 02:45:43,440
Speaker 1: It was so lost?

2958
02:45:45,080 --> 02:45:45,200
Speaker 3: Right?

2959
02:45:46,040 --> 02:45:48,560
Speaker 1: What was the same before that? Because I'm trying to

2960
02:45:48,600 --> 02:45:49,160
Speaker 1: make this point.

2961
02:45:49,959 --> 02:45:53,680
Speaker 4: You were just trying to say how they find humor,

2962
02:45:55,520 --> 02:45:55,800
Speaker 4: trying to.

2963
02:45:55,840 --> 02:46:02,840
Speaker 1: Think, okay, my bad. So through all these travesties this happened.

2964
02:46:03,240 --> 02:46:07,880
Speaker 1: How the fuck do you make humor? And like, like

2965
02:46:07,959 --> 02:46:12,960
Speaker 1: I said, too soon, Yeah, somebody dies tomorrow. Like this

2966
02:46:13,440 --> 02:46:17,039
Speaker 1: is actually some comedians somewhere that's gonna be like, yeah,

2967
02:46:17,400 --> 02:46:22,000
Speaker 1: he mixed his fencing all wrong? Did he just say?

2968
02:46:26,200 --> 02:46:29,440
Speaker 1: I asked the question, is that going too far? Ever?

2969
02:46:29,520 --> 02:46:29,920
Speaker 1: Too far?

2970
02:46:31,400 --> 02:46:31,520
Speaker 7: Uh?

2971
02:46:35,640 --> 02:46:39,040
Speaker 3: Just it just all depends, man. You know, you got

2972
02:46:39,120 --> 02:46:39,840
Speaker 3: to try it out.

2973
02:46:40,200 --> 02:46:41,800
Speaker 6: You got to go try that ship out in front

2974
02:46:41,840 --> 02:46:43,560
Speaker 6: of some people, you know what I mean, if you

2975
02:46:43,760 --> 02:46:46,039
Speaker 6: rub them wrong way, then you know, you know, then

2976
02:46:46,080 --> 02:46:47,160
Speaker 6: if you don't think you don't.

2977
02:46:47,240 --> 02:46:50,840
Speaker 3: But there's a lot of people that that really put

2978
02:46:51,280 --> 02:46:54,200
Speaker 3: go far. And that's part of the act and ship.

2979
02:46:54,800 --> 02:46:57,200
Speaker 6: You know, one of my one of my guys man

2980
02:46:57,560 --> 02:47:01,560
Speaker 6: started with him and ship, Corey Hoke Gonna started with

2981
02:47:01,720 --> 02:47:05,439
Speaker 6: him in Chicago. Corey is one of the most offensive

2982
02:47:06,000 --> 02:47:07,279
Speaker 6: people in the game.

2983
02:47:07,120 --> 02:47:09,200
Speaker 1: But ambitious to see.

2984
02:47:09,360 --> 02:47:15,800
Speaker 6: But it's so funny that you can't even you can't

2985
02:47:15,879 --> 02:47:19,400
Speaker 6: even trip over what he's saying because it's so funny.

2986
02:47:19,600 --> 02:47:22,320
Speaker 6: It's like he about the only person I know who

2987
02:47:22,400 --> 02:47:26,920
Speaker 6: can be that offensive and that funny. He's funny, and

2988
02:47:27,040 --> 02:47:30,640
Speaker 6: it's like you're not even offended because you know it's

2989
02:47:30,720 --> 02:47:33,280
Speaker 6: not you, and people who are offended they comeing to

2990
02:47:33,360 --> 02:47:36,840
Speaker 6: comedy club all fucked up anyway and coming there being

2991
02:47:37,000 --> 02:47:38,760
Speaker 6: upset and feeling some kind of way.

2992
02:47:38,800 --> 02:47:40,920
Speaker 3: When it's like, you don't if that shit.

2993
02:47:40,800 --> 02:47:42,600
Speaker 6: Don't apply to you, then then on the part of

2994
02:47:42,640 --> 02:47:44,480
Speaker 6: you can laugh at it, you know what I mean,

2995
02:47:44,720 --> 02:47:47,360
Speaker 6: you know whatever he's saying. But he's probably one of

2996
02:47:47,360 --> 02:47:50,200
Speaker 6: the only guys that I know who can just be

2997
02:47:50,800 --> 02:47:54,119
Speaker 6: like that without no holds bar, you know what I mean.

2998
02:47:54,280 --> 02:48:00,600
Speaker 6: But myself I have to, like I have to way

2999
02:48:00,680 --> 02:48:02,880
Speaker 6: out what I say and what I do and how

3000
02:48:02,959 --> 02:48:03,440
Speaker 6: I say it.

3001
02:48:03,640 --> 02:48:06,520
Speaker 1: Because I heard you one time you said that you

3002
02:48:06,680 --> 02:48:11,640
Speaker 1: was gonna say a gay joke in LA and you

3003
02:48:11,720 --> 02:48:16,280
Speaker 1: were like, I was like, nah, nah, I'm not No.

3004
02:48:16,720 --> 02:48:20,400
Speaker 6: It just depends on Like what I don't want is

3005
02:48:20,480 --> 02:48:24,480
Speaker 6: I don't want gay people to feel like like you

3006
02:48:24,879 --> 02:48:27,600
Speaker 6: still hear me, motherfucker, you know, and you do things

3007
02:48:27,720 --> 02:48:28,680
Speaker 6: just like black folks do.

3008
02:48:29,160 --> 02:48:29,680
Speaker 1: So I can go on.

3009
02:48:29,720 --> 02:48:31,880
Speaker 6: Stage and just talk about black shit all god damn

3010
02:48:31,959 --> 02:48:34,280
Speaker 6: day long, but I can't talk about nobody else. I

3011
02:48:34,280 --> 02:48:36,800
Speaker 6: can talk about white people all day long, talk about Hispanics,

3012
02:48:36,840 --> 02:48:39,280
Speaker 6: but I can't talk about gay people like that ain't fair.

3013
02:48:39,600 --> 02:48:41,960
Speaker 6: It's like everybody can get it, you know what I mean.

3014
02:48:42,080 --> 02:48:43,960
Speaker 6: And I don't want gay people to be offended like that.

3015
02:48:44,000 --> 02:48:45,440
Speaker 6: I don't want you to know that you can get

3016
02:48:45,480 --> 02:48:48,440
Speaker 6: it just like it's just like everybody else can get it.

3017
02:48:48,720 --> 02:48:51,240
Speaker 6: You can get it, not not, you know what I mean.

3018
02:48:51,520 --> 02:48:59,520
Speaker 1: Like I got hype too.

3019
02:49:06,879 --> 02:49:09,960
Speaker 3: I bet you, I bet you, I bet you're dang

3020
02:49:10,040 --> 02:49:11,160
Speaker 3: dash watching this Like.

3021
02:49:20,600 --> 02:49:24,640
Speaker 6: No, but I mean, like yo, everybody, everybody, everybody across

3022
02:49:24,720 --> 02:49:27,040
Speaker 6: the board is even. And I don't want nobody come

3023
02:49:27,120 --> 02:49:29,960
Speaker 6: to No Show feeling like I can't talk about you,

3024
02:49:30,200 --> 02:49:32,920
Speaker 6: but everybody else can be talked about. Don't ship through

3025
02:49:32,959 --> 02:49:35,760
Speaker 6: my show and watch me talk about sixteen niggas and

3026
02:49:35,879 --> 02:49:39,000
Speaker 6: then when I talk about you, you offended. So don't

3027
02:49:39,040 --> 02:49:41,280
Speaker 6: come in there with that attitude at all. Actually, don't

3028
02:49:41,320 --> 02:49:44,520
Speaker 6: even come if you if you you know, closed minded

3029
02:49:44,680 --> 02:49:46,959
Speaker 6: like that. You know, you come to open your mind,

3030
02:49:47,000 --> 02:49:48,600
Speaker 6: You come to have fun and hear some shit you

3031
02:49:48,680 --> 02:49:50,720
Speaker 6: don't normally hear, and that's what you paid to hear.

3032
02:49:51,200 --> 02:49:54,120
Speaker 6: And one person got to stop fucking up the show.

3033
02:49:54,160 --> 02:49:56,160
Speaker 6: For everybody else that can handle it, get the fuck

3034
02:49:56,200 --> 02:49:56,879
Speaker 6: out the clubs.

3035
02:50:02,320 --> 02:50:07,720
Speaker 1: Yeah, I just want to say to you, man, you're

3036
02:50:07,800 --> 02:50:11,200
Speaker 1: really a legend, you're really an icon. You really shift

3037
02:50:11,240 --> 02:50:14,080
Speaker 1: the culture. You really did everything they're supposed to do,

3038
02:50:14,680 --> 02:50:16,960
Speaker 1: and you continue to do it like I you know,

3039
02:50:18,280 --> 02:50:21,520
Speaker 1: when I when I do these interviews, I like to,

3040
02:50:21,800 --> 02:50:25,280
Speaker 1: you know, assess what I'm doing. And I watched every

3041
02:50:25,360 --> 02:50:33,080
Speaker 1: single you know, uh special And in comedy world, people

3042
02:50:33,120 --> 02:50:38,320
Speaker 1: don't get specials. Right, you got a fucking lot? Yeah yeah,

3043
02:50:38,640 --> 02:50:43,240
Speaker 1: and is classic thank you? No one gets classic specials

3044
02:50:43,440 --> 02:50:45,080
Speaker 1: three classic inflict.

3045
02:50:45,600 --> 02:50:49,400
Speaker 3: Yeah, thank you, but thank you, but no, no, no, no.

3046
02:50:49,400 --> 02:50:51,320
Speaker 1: No, no, you're right, you're right, you're right, But you

3047
02:50:51,400 --> 02:50:55,960
Speaker 1: know what, I want to thank you, because again, like

3048
02:50:57,520 --> 02:50:59,840
Speaker 1: comedy is better when you're out there.

3049
02:51:00,560 --> 02:51:03,400
Speaker 3: Man, I mean a lot, man, and I mean that

3050
02:51:03,920 --> 02:51:05,080
Speaker 3: you don't hear that often.

3051
02:51:06,080 --> 02:51:09,120
Speaker 6: And to hear it, I accept it from anybody that

3052
02:51:09,280 --> 02:51:13,080
Speaker 6: say that, because this is a thankless business, you know

3053
02:51:13,120 --> 02:51:15,240
Speaker 6: what I mean, because at the end of the day,

3054
02:51:16,280 --> 02:51:18,480
Speaker 6: you got to put us oute everything you're going through

3055
02:51:18,720 --> 02:51:20,680
Speaker 6: to go out there and make everybody laugh and shit.

3056
02:51:20,760 --> 02:51:23,360
Speaker 6: I'm not complaining and nothing, but I'm just saying I

3057
02:51:23,400 --> 02:51:26,400
Speaker 6: can get in a car accident my son and getting

3058
02:51:26,440 --> 02:51:29,360
Speaker 6: a fight, all that shit, anything, all that shit, and

3059
02:51:29,400 --> 02:51:31,680
Speaker 6: I still got to go, like make everybody laugh and shit,

3060
02:51:31,760 --> 02:51:34,360
Speaker 6: and then when I'm done, I go back to these

3061
02:51:34,480 --> 02:51:35,640
Speaker 6: problems and shit, you know.

3062
02:51:35,840 --> 02:51:40,080
Speaker 3: And so to hear people say nice things like that.

3063
02:51:40,280 --> 02:51:44,240
Speaker 6: Man, it means a lot. It booshed my morale to

3064
02:51:44,400 --> 02:51:47,720
Speaker 6: keep going. You know, people on hospital beds, people in jail,

3065
02:51:48,400 --> 02:51:50,040
Speaker 6: when they come up and they see us and they

3066
02:51:50,160 --> 02:51:52,240
Speaker 6: be like, man, thank you for doing that shit. You know,

3067
02:51:52,920 --> 02:51:56,200
Speaker 6: it make it worthwhile and shit. So I appreciate for

3068
02:51:56,320 --> 02:51:57,840
Speaker 6: the bottom part what you said.

3069
02:51:58,120 --> 02:52:00,240
Speaker 1: It bigger shit because you know why it's big into

3070
02:52:00,280 --> 02:52:10,879
Speaker 1: that because comedians won the world. I know, Beyonce girls

3071
02:52:10,959 --> 02:52:16,000
Speaker 1: won first. So let's calm down, not going to get

3072
02:52:16,080 --> 02:52:19,000
Speaker 1: the queen. But after that we need to laugh because

3073
02:52:19,080 --> 02:52:20,520
Speaker 1: even the queens need to lie.

3074
02:52:21,760 --> 02:52:22,560
Speaker 3: It's medicine.

3075
02:52:22,959 --> 02:52:26,760
Speaker 1: Yeah, absolutely, it really is. It really is. And I

3076
02:52:26,879 --> 02:52:29,680
Speaker 1: want to, you know, show love to you and every

3077
02:52:29,760 --> 02:52:33,800
Speaker 1: other comedian that made us lie throughout this you know

3078
02:52:34,440 --> 02:52:39,600
Speaker 1: world of ours that we did it, that we navigated

3079
02:52:39,680 --> 02:52:46,240
Speaker 1: through and now we're here now. And yeah, with our comedy,

3080
02:52:46,920 --> 02:52:47,520
Speaker 1: we ain't ship.

3081
02:52:48,760 --> 02:52:48,960
Speaker 14: Man.

3082
02:52:49,160 --> 02:52:52,560
Speaker 6: It's it's a tough business, but were out there making

3083
02:52:52,600 --> 02:52:54,840
Speaker 6: it happen for everybody. We're gonna bring it to you,

3084
02:52:54,879 --> 02:52:56,480
Speaker 6: and we're gonna bring you all that funny ship and

3085
02:52:56,560 --> 02:52:59,600
Speaker 6: we're gonna have no host bard and we're gonna mother

3086
02:52:59,640 --> 02:53:02,280
Speaker 6: fucking bring it to you by all means necessary. You

3087
02:53:02,400 --> 02:53:06,400
Speaker 6: come out to the show you support, you're gonna laugh,

3088
02:53:06,440 --> 02:53:08,320
Speaker 6: and you're gonna have a good goddamn time no matter

3089
02:53:08,400 --> 02:53:09,119
Speaker 6: what you're going through.

3090
02:53:09,800 --> 02:53:10,680
Speaker 1: Goddamn. Thank you.

3091
02:53:17,879 --> 02:53:21,280
Speaker 4: Drink Champs is a Drink Champs LLC production hosts and

3092
02:53:21,400 --> 02:53:22,920
Speaker 4: executive producers n O.

3093
02:53:23,120 --> 02:53:24,800
Speaker 1: R E and dj e FN.

3094
02:53:26,000 --> 02:53:30,120
Speaker 4: Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

3095
02:53:30,400 --> 02:53:34,039
Speaker 4: or wherever you get your podcasts. Thanks for joining us

3096
02:53:34,080 --> 02:53:36,680
Speaker 4: for another episode of Drink Champs hosted by yours truly,

3097
02:53:36,840 --> 02:53:39,360
Speaker 4: dj E f N and n O r E. Please

3098
02:53:39,440 --> 02:53:41,600
Speaker 4: make sure to follow us on all our socials that's

3099
02:53:41,680 --> 02:53:45,000
Speaker 4: at Drink Champs across all platforms. At the Real Noria

3100
02:53:45,080 --> 02:53:48,360
Speaker 4: go on, I g at Noriega on Twitter, Mine is

3101
02:53:48,400 --> 02:53:51,600
Speaker 4: at Who's Crazy on I g at dj e f

3102
02:53:51,720 --> 02:53:54,120
Speaker 4: N on Twitter, And most importantly, stay up to date

3103
02:53:54,200 --> 02:53:57,400
Speaker 4: with the latest releases, news and merch by going to

3104
02:53:57,480 --> 02:53:58,800
Speaker 4: drink Champs dot com.

3105
02:54:00,200 --> 02:54:00,560
Speaker 3: The Vision