1 00:00:00,160 --> 00:00:02,600 Speaker 1: This episode of Stuff You Missed In History Class is 2 00:00:02,640 --> 00:00:05,480 Speaker 1: brought to you by Squarespace, the all in one platform 3 00:00:05,519 --> 00:00:07,640 Speaker 1: that makes it fast and easy to create your own 4 00:00:07,680 --> 00:00:11,480 Speaker 1: professional website, portfolio, and online store. For a free trial 5 00:00:11,560 --> 00:00:15,400 Speaker 1: and ten percent off, visit squarespace dot com, slash history 6 00:00:15,440 --> 00:00:18,680 Speaker 1: and enter offer code history at check out. A better 7 00:00:18,680 --> 00:00:22,799 Speaker 1: web starts with your website. Welcome to you, Stuff you 8 00:00:22,840 --> 00:00:32,880 Speaker 1: Missed in History Class from how Stuff Works dot com. Hello, 9 00:00:32,920 --> 00:00:35,519 Speaker 1: and welcome to the podcast. I'm Tracy B. Wilson and 10 00:00:35,600 --> 00:00:38,839 Speaker 1: I'm Holly from and we are continuing and doing some 11 00:00:38,960 --> 00:00:42,280 Speaker 1: updates because I am being a slacker and taking time 12 00:00:42,520 --> 00:00:46,000 Speaker 1: to not be at work for a little while, and 13 00:00:46,040 --> 00:00:49,560 Speaker 1: so we're updating some of our previous episodes to keep 14 00:00:49,560 --> 00:00:52,680 Speaker 1: things going in my absence. Uh. And this is actually 15 00:00:52,680 --> 00:00:55,040 Speaker 1: an update to an episode that Holly and I recorded together, 16 00:00:55,560 --> 00:00:58,360 Speaker 1: which is the we You know, most of our stuff 17 00:00:58,400 --> 00:01:00,480 Speaker 1: is within the last twelve months, and so there's not 18 00:01:00,680 --> 00:01:04,600 Speaker 1: often a need to update things. Uh. Not so with 19 00:01:04,680 --> 00:01:08,200 Speaker 1: the Voyage Manuscript, which has had multiple needs for updates 20 00:01:08,240 --> 00:01:12,600 Speaker 1: since it originally came out. Yeah, this came out originally 21 00:01:12,600 --> 00:01:15,080 Speaker 1: in March, which is a little more than a year ago, 22 00:01:15,319 --> 00:01:19,120 Speaker 1: so the Voyage Manuscript. If you missed out on that episode, 23 00:01:19,120 --> 00:01:21,880 Speaker 1: it's a two forty page book full of illustrations and 24 00:01:21,959 --> 00:01:26,000 Speaker 1: a seemingly indecipherable text. Lots and lots of people wrote 25 00:01:26,000 --> 00:01:29,320 Speaker 1: to us after that episode originally came out, reminding us 26 00:01:29,360 --> 00:01:32,920 Speaker 1: of the x K c D comic that implies that 27 00:01:33,000 --> 00:01:36,040 Speaker 1: it was the equivalent of a fifteenth century Dungeons and 28 00:01:36,120 --> 00:01:39,920 Speaker 1: Dragons manual. I do love x K C D. I 29 00:01:39,959 --> 00:01:46,080 Speaker 1: had just forgotten that too, So Yeah, however, there have 30 00:01:46,280 --> 00:01:49,040 Speaker 1: been other new developments. Yeah, and the first two months 31 00:01:49,040 --> 00:01:53,200 Speaker 1: of two completely different teams came up with two completely 32 00:01:53,240 --> 00:01:56,640 Speaker 1: different theories about the manuscript, and both of them were 33 00:01:56,720 --> 00:01:59,600 Speaker 1: kind of allegedly build as breakthroughs. Yes, we're both of them. 34 00:01:59,640 --> 00:02:02,880 Speaker 1: We got many, many many emails and tweets and Facebook 35 00:02:03,040 --> 00:02:06,240 Speaker 1: notes from people saying they've cracked the Voyage Manuscript, and 36 00:02:06,280 --> 00:02:08,440 Speaker 1: we were sort of like, which one are you talking 37 00:02:08,480 --> 00:02:15,040 Speaker 1: about again? Didn't that just happened three weeks ago. The 38 00:02:15,080 --> 00:02:17,720 Speaker 1: first of these is on January, and that's when the 39 00:02:17,760 --> 00:02:21,680 Speaker 1: American Botanical Council published a paper in its peer reviewed journal, 40 00:02:21,680 --> 00:02:24,960 Speaker 1: which is called Herbal Graham. This was written by botanist 41 00:02:25,080 --> 00:02:29,320 Speaker 1: Dr Arthur O. Tucker as well as Rexford H. Talbot, 42 00:02:29,400 --> 00:02:34,400 Speaker 1: and the paper focused on the manuscripts botanical illustrations instead 43 00:02:34,400 --> 00:02:36,360 Speaker 1: of doing what a lot of people do, which is 44 00:02:36,360 --> 00:02:38,920 Speaker 1: a straight up sign trying to decipher the text. The 45 00:02:38,919 --> 00:02:41,960 Speaker 1: two compared the illustrations to ones from other manuscripts that 46 00:02:42,040 --> 00:02:44,280 Speaker 1: had existed at about the same time that the Voyage 47 00:02:44,320 --> 00:02:48,120 Speaker 1: Manuscript was first discovered, and they found an illustration that 48 00:02:48,200 --> 00:02:51,600 Speaker 1: looked very similar to a soap plant that was shown 49 00:02:51,600 --> 00:02:56,240 Speaker 1: in the Mexican codex Cruise Bodyanus so using this as 50 00:02:56,280 --> 00:03:00,440 Speaker 1: a starting point, they reportedly identified thirty seven plants, six animals, 51 00:03:00,440 --> 00:03:03,640 Speaker 1: and one mineral from the Voyage Manuscript that also appeared 52 00:03:04,040 --> 00:03:07,480 Speaker 1: in Central and South American texts, and from there they 53 00:03:07,520 --> 00:03:10,080 Speaker 1: worked up a theory that this manuscript is in an 54 00:03:10,160 --> 00:03:15,120 Speaker 1: extinct dialect of a Mexican indigenous language known as the Wattle. 55 00:03:16,000 --> 00:03:19,200 Speaker 1: And then on February fourteenth, so we're talking about less 56 00:03:19,200 --> 00:03:22,840 Speaker 1: than a month later, the University of Bedfordshire announced that 57 00:03:22,880 --> 00:03:26,560 Speaker 1: Stephen Backs, professor of Applied Linguistics, had cracked the code 58 00:03:26,560 --> 00:03:30,399 Speaker 1: on the Voyage Manuscript. In his approach and conclusions were 59 00:03:30,440 --> 00:03:34,320 Speaker 1: completely different, except that he had also started with the 60 00:03:34,360 --> 00:03:38,040 Speaker 1: plants right. He looked at medieval manuscripts in Arabic and 61 00:03:38,080 --> 00:03:41,120 Speaker 1: other languages and started trying to identify the plants and 62 00:03:41,120 --> 00:03:44,400 Speaker 1: the voyage manuscript based on the plants and these other texts, 63 00:03:45,280 --> 00:03:47,960 Speaker 1: And once he had pinned down some of the plant's 64 00:03:48,000 --> 00:03:52,080 Speaker 1: probable names, he started working on deciphering the text, kind 65 00:03:52,120 --> 00:03:55,080 Speaker 1: of using those plant names as the key. I were 66 00:03:55,120 --> 00:03:58,480 Speaker 1: like the Rosetta stone for his right thing. Uh. And 67 00:03:58,520 --> 00:04:01,320 Speaker 1: based on this work, Backs claim that he decoded about 68 00:04:01,400 --> 00:04:05,160 Speaker 1: ten words in fourteen signs and clusters, and he theorized 69 00:04:05,200 --> 00:04:07,640 Speaker 1: that the manuscript is a coded version of a Near 70 00:04:07,680 --> 00:04:11,440 Speaker 1: Eastern or Asian language. So again, too, they can't both 71 00:04:11,440 --> 00:04:14,960 Speaker 1: be right. They could be both right if the text 72 00:04:15,040 --> 00:04:17,080 Speaker 1: is not entirely in one language, like that's the only 73 00:04:17,120 --> 00:04:19,719 Speaker 1: way they would work. If it's one text written in 74 00:04:19,800 --> 00:04:24,760 Speaker 1: multiple languages, that would work. But we got so many 75 00:04:24,800 --> 00:04:27,480 Speaker 1: notes from people who were so excited and so hopeful, 76 00:04:27,839 --> 00:04:30,840 Speaker 1: and I hate to burst the bubble, but at the 77 00:04:30,880 --> 00:04:35,560 Speaker 1: same time, this definitely seemed like something we should take 78 00:04:35,600 --> 00:04:38,919 Speaker 1: the opportunity to update. So let's take a moment for 79 00:04:38,960 --> 00:04:40,960 Speaker 1: a word from our sponsor before we turn you back 80 00:04:41,000 --> 00:04:43,240 Speaker 1: over to us to talk to you from the past 81 00:04:43,640 --> 00:04:52,160 Speaker 1: about what we talked about with the Voyage Manuscript before. Okay, 82 00:04:52,320 --> 00:04:56,920 Speaker 1: here here's our original from back in marchisode on the 83 00:04:57,000 --> 00:05:07,120 Speaker 1: Voyage Manuscript. They were going to talk about one of 84 00:05:07,120 --> 00:05:11,920 Speaker 1: those great history mystery that's persisted for hundreds of years, 85 00:05:12,839 --> 00:05:15,720 Speaker 1: which I always love those, because you know, once it's 86 00:05:15,800 --> 00:05:18,000 Speaker 1: it just remains a mystery for x amount of time. 87 00:05:18,600 --> 00:05:20,560 Speaker 1: It's just probably always going to be a mystery. And 88 00:05:20,640 --> 00:05:22,960 Speaker 1: even if it gets solved, I think there will always 89 00:05:22,960 --> 00:05:25,240 Speaker 1: be detractors, which makes it kind of well and I 90 00:05:25,560 --> 00:05:27,120 Speaker 1: it's one of those things that I always am a 91 00:05:27,200 --> 00:05:30,240 Speaker 1: little bit annoyed at the unsolved mystery because I wanted 92 00:05:30,279 --> 00:05:32,640 Speaker 1: to know the real story. I don't know that we 93 00:05:32,720 --> 00:05:35,560 Speaker 1: ever can because there will never probably be an accepted 94 00:05:35,680 --> 00:05:38,880 Speaker 1: version of the real story by every universally accepted. Yes, 95 00:05:38,880 --> 00:05:41,080 Speaker 1: there would have to be some kind of new discovery 96 00:05:41,200 --> 00:05:43,840 Speaker 1: on this one, I think so, yes. But well, we're 97 00:05:43,880 --> 00:05:47,080 Speaker 1: talking about today is a document called the Voytage Manuscript. 98 00:05:47,880 --> 00:05:49,800 Speaker 1: You may or may not have heard of it. Some 99 00:05:50,160 --> 00:05:53,839 Speaker 1: uh sort of code breaking fans have have done a 100 00:05:53,880 --> 00:05:56,400 Speaker 1: lot of study on it. Some historians are really into it. 101 00:05:56,480 --> 00:05:58,760 Speaker 1: But what it is is a book that no one 102 00:05:58,800 --> 00:06:04,839 Speaker 1: can read, Yes, is in an unknown language? Yes. Most 103 00:06:04,839 --> 00:06:07,240 Speaker 1: people consider it to be a cipher text of some 104 00:06:07,320 --> 00:06:12,200 Speaker 1: sort perhaps, um. It could be that it could also 105 00:06:12,279 --> 00:06:16,520 Speaker 1: be nonsense. Uh. There are the outliers that like to 106 00:06:16,839 --> 00:06:20,520 Speaker 1: say Aliens brought it, but there's some scientific evidence that 107 00:06:20,520 --> 00:06:24,440 Speaker 1: that is not really the case. Um. So for some 108 00:06:24,560 --> 00:06:27,120 Speaker 1: basic background on it. It's actually named after a fairly 109 00:06:27,160 --> 00:06:30,800 Speaker 1: modern person, Wilfred Voynage, who was an anti Korean bookseller 110 00:06:30,839 --> 00:06:34,920 Speaker 1: that acquired the text in UM. He was Polish American 111 00:06:35,440 --> 00:06:38,440 Speaker 1: and he found it in a Jesuit library near Rome 112 00:06:38,560 --> 00:06:43,440 Speaker 1: and purchased it there. Two forty pages long and written 113 00:06:43,440 --> 00:06:46,280 Speaker 1: in an unknown text. It's kind of pretty and loopy 114 00:06:46,360 --> 00:06:49,680 Speaker 1: to look at. It is a very curly, it's flowing script. 115 00:06:49,720 --> 00:06:54,400 Speaker 1: It's very pretty um and colorful. Yes, it's currently how 116 00:06:54,520 --> 00:06:56,920 Speaker 1: is that um yale And we'll talk about that a 117 00:06:56,960 --> 00:06:59,760 Speaker 1: little bit later. But they have this great descriptor in 118 00:07:00,040 --> 00:07:02,520 Speaker 1: here UM page about it, where it says it is 119 00:07:02,560 --> 00:07:06,640 Speaker 1: drawn in ink with vibrant washes in various shades of green, brown, yellow, blue, 120 00:07:06,640 --> 00:07:09,000 Speaker 1: and red. And it just sounds so sweet and quaint 121 00:07:09,000 --> 00:07:10,880 Speaker 1: the way they describe it as this, And when you 122 00:07:10,920 --> 00:07:14,280 Speaker 1: look at it, it's both quaint and weird because it's 123 00:07:14,320 --> 00:07:18,480 Speaker 1: illustrated throughout. There are a hundred and thirteen unidentified plant 124 00:07:18,520 --> 00:07:23,040 Speaker 1: species drawn in there, astronomical and astrological drawings. There are 125 00:07:23,080 --> 00:07:27,560 Speaker 1: basically drawings of some sort of like the botanical slash 126 00:07:27,600 --> 00:07:31,320 Speaker 1: scientific variety on almost every page of the thing, um, 127 00:07:31,440 --> 00:07:36,440 Speaker 1: some of which is not immediately recognizable as no there. 128 00:07:36,520 --> 00:07:38,440 Speaker 1: That's one of the ways that people have tried to 129 00:07:38,440 --> 00:07:40,720 Speaker 1: approach it, is by identifying some of the plant life 130 00:07:40,760 --> 00:07:43,680 Speaker 1: that's drawn in it and trying to backwards engineer that way, 131 00:07:43,680 --> 00:07:46,320 Speaker 1: but that hasn't really panned out. Um. There are also 132 00:07:46,480 --> 00:07:50,640 Speaker 1: some interesting female nudes in it. Yes, Uh, it's interesting. 133 00:07:50,760 --> 00:07:52,960 Speaker 1: I looked at some of these pictures and I couldn't tell. 134 00:07:53,000 --> 00:07:56,280 Speaker 1: They all have swollen abdomens. But I can't tell if 135 00:07:56,320 --> 00:08:00,160 Speaker 1: it's trying to depict pregnancy or just the more the 136 00:08:00,280 --> 00:08:03,880 Speaker 1: round body type that has been popular throughout history at 137 00:08:04,080 --> 00:08:07,240 Speaker 1: certain points. It's a little bit hard to know for sure. Well, 138 00:08:07,320 --> 00:08:10,960 Speaker 1: I love the Yale description of it. Miniature female nudes, 139 00:08:11,320 --> 00:08:15,240 Speaker 1: most with swelled abdomens, immersed or waiting in fluids and 140 00:08:15,400 --> 00:08:20,160 Speaker 1: oddly interacting with interconnecting tubes and capsules. Yeah, I think 141 00:08:20,280 --> 00:08:24,160 Speaker 1: that's part of what has caused people to want to 142 00:08:24,280 --> 00:08:27,560 Speaker 1: attribute it to alien origin. It is a little bit 143 00:08:28,600 --> 00:08:31,640 Speaker 1: it's odd, it's a little bit freaky. It's odd, and 144 00:08:31,680 --> 00:08:34,760 Speaker 1: just from that description brings up sort of connotations of 145 00:08:34,920 --> 00:08:40,600 Speaker 1: weird fertility, something strangeness. Yeah, people being strung together. It's 146 00:08:40,640 --> 00:08:43,719 Speaker 1: it's a little bit weird. There are also nine cosmological 147 00:08:43,720 --> 00:08:47,000 Speaker 1: medallions and they're many of those are huge, and they're 148 00:08:47,080 --> 00:08:52,600 Speaker 1: drawn across um folded folio pages and in some cases 149 00:08:52,679 --> 00:08:57,199 Speaker 1: they may be depicting geographical elements, but it's not again 150 00:08:57,240 --> 00:09:01,720 Speaker 1: always clear. We haven't correcked this. And then medicinal herbs 151 00:09:01,720 --> 00:09:05,760 Speaker 1: and roots, which are considered separate from the plant species. 152 00:09:07,160 --> 00:09:09,600 Speaker 1: And there's no byline. No, we don't know who wrote it, 153 00:09:09,679 --> 00:09:12,360 Speaker 1: which is part of the mystery. So it is currently 154 00:09:12,400 --> 00:09:15,200 Speaker 1: housed at Yale University in the UH I believe it's 155 00:09:15,240 --> 00:09:18,520 Speaker 1: pronounced by Nicki Rare Book and Manuscript Library and it's 156 00:09:18,559 --> 00:09:23,559 Speaker 1: listed as MS four oh eighty. There's a pretty cool 157 00:09:23,679 --> 00:09:26,800 Speaker 1: page at Yale that that gives more information about it, 158 00:09:26,840 --> 00:09:28,520 Speaker 1: and we will link to it from the shore notes 159 00:09:28,559 --> 00:09:31,240 Speaker 1: we have started doing with this podcast. Would like to 160 00:09:31,280 --> 00:09:34,200 Speaker 1: have a look at a more detail about what it 161 00:09:34,200 --> 00:09:36,240 Speaker 1: looks like and what's in there. Yeah, they did a 162 00:09:36,240 --> 00:09:41,600 Speaker 1: wonderful job of breaking down and describing really every element 163 00:09:41,600 --> 00:09:44,600 Speaker 1: of the book UM from a you know, an unbiased, 164 00:09:44,679 --> 00:09:48,360 Speaker 1: pretty neutral standpoint, just kind of I once worked in 165 00:09:48,600 --> 00:09:54,720 Speaker 1: a library as doing acquisitions and cataloging assistance. So they're 166 00:09:54,720 --> 00:09:58,480 Speaker 1: perfect basically is what I'm saying. They're cataloging UM is 167 00:09:58,960 --> 00:10:01,240 Speaker 1: like an ideal for and that you would catalog something 168 00:10:01,240 --> 00:10:03,679 Speaker 1: that you don't understand, right it is. It is a 169 00:10:03,800 --> 00:10:07,480 Speaker 1: very fascinating read. There is also linked from there a 170 00:10:07,559 --> 00:10:10,400 Speaker 1: chemical analysis of the book itself and what the pages 171 00:10:10,400 --> 00:10:12,560 Speaker 1: are made of and what the anks are made of. Yeah, 172 00:10:12,600 --> 00:10:16,080 Speaker 1: which is what kind of uh squelches any of those 173 00:10:16,120 --> 00:10:20,880 Speaker 1: alien origin theories where they're identified elements from our planet. Yes, 174 00:10:20,920 --> 00:10:26,400 Speaker 1: and we have also scientifically, we being other researchers, identified 175 00:10:26,800 --> 00:10:29,640 Speaker 1: the approximately when it was created. There was a two 176 00:10:29,640 --> 00:10:34,560 Speaker 1: thousand nine University of Arizona project. Researchers carbendated it to 177 00:10:34,600 --> 00:10:36,880 Speaker 1: the early half of the fifteenth century, so there's a 178 00:10:37,880 --> 00:10:41,640 Speaker 1: probability that it was written between fourteen of four and 179 00:10:41,720 --> 00:10:44,520 Speaker 1: fourteen thirty eight. I mean, that's the basic description of it. 180 00:10:44,559 --> 00:10:48,000 Speaker 1: So then we're kind of onto what is this thing. 181 00:10:48,679 --> 00:10:51,360 Speaker 1: I don't know, and everybody has theories, and because it's 182 00:10:51,559 --> 00:10:54,520 Speaker 1: never proven out, everyone thinks their theory might be the 183 00:10:54,600 --> 00:10:57,160 Speaker 1: right one. Um. Some people think it could be a 184 00:10:57,160 --> 00:11:01,200 Speaker 1: book of secrets, like it's alchemy or another secret knowledge, 185 00:11:01,760 --> 00:11:04,200 Speaker 1: and that it is in fact a medieval cipher text 186 00:11:04,240 --> 00:11:08,200 Speaker 1: that is intended to hide and prevent others from getting 187 00:11:08,200 --> 00:11:12,559 Speaker 1: this secret knowledge. Uh. Some have even suggested that it's 188 00:11:12,559 --> 00:11:16,080 Speaker 1: actually a record of inventions and discoveries of Roger Bacon, 189 00:11:16,120 --> 00:11:20,120 Speaker 1: who was a friar and scholar in the u but 190 00:11:20,200 --> 00:11:22,240 Speaker 1: that theory has mostly been discounted. Yeah, that was a 191 00:11:22,320 --> 00:11:24,800 Speaker 1: very circumstantial thing of there are things in here that 192 00:11:24,840 --> 00:11:27,240 Speaker 1: he was interested in, so maybe he made this and 193 00:11:27,280 --> 00:11:31,520 Speaker 1: that's Yeah, there's definitely a lot of circumstantial evidence around 194 00:11:31,559 --> 00:11:34,599 Speaker 1: all of it. Every theory about it, the remnant of 195 00:11:34,640 --> 00:11:38,319 Speaker 1: an ancient language theory doesn't really hold a lot of water. 196 00:11:39,040 --> 00:11:42,360 Speaker 1: It's one of those things that when you hear linguist 197 00:11:42,520 --> 00:11:47,080 Speaker 1: experts and cryptographers talk about, they immediately will say, when 198 00:11:47,120 --> 00:11:49,199 Speaker 1: you first look at it, it looks like something we 199 00:11:49,200 --> 00:11:51,680 Speaker 1: should be able to read. It looks like a text, 200 00:11:51,840 --> 00:11:55,199 Speaker 1: it looks like you know, an alphabet. But the deeper 201 00:11:55,240 --> 00:11:58,479 Speaker 1: they get into it, the more they realize they can't. 202 00:11:58,800 --> 00:12:00,679 Speaker 1: It becomes sort of more a usaid of the more 203 00:12:00,720 --> 00:12:03,439 Speaker 1: they study it. And that's one of those ideas that's 204 00:12:03,440 --> 00:12:06,840 Speaker 1: pretty captivating because languages do go extinct. There are definitely 205 00:12:07,520 --> 00:12:10,720 Speaker 1: written languages that we have not been able to decipher 206 00:12:10,840 --> 00:12:13,079 Speaker 1: until we have found some other texts that has led 207 00:12:13,160 --> 00:12:16,000 Speaker 1: us decipher it. So I think that's one of those 208 00:12:16,040 --> 00:12:18,480 Speaker 1: ideas that hasn an allure to it, but that has 209 00:12:18,520 --> 00:12:22,560 Speaker 1: not really panned out. Yeah, And one of the one 210 00:12:22,559 --> 00:12:25,240 Speaker 1: of the things that kind of discounts that theory is 211 00:12:25,280 --> 00:12:28,559 Speaker 1: that normally in any language, the most common words are 212 00:12:28,600 --> 00:12:31,240 Speaker 1: normally quite short, like the repeated words. Just like in 213 00:12:31,320 --> 00:12:36,600 Speaker 1: English it would be you know, your articles, articles, prepositions, etcetera. 214 00:12:36,640 --> 00:12:39,160 Speaker 1: They tend to be compact, short little words, and in 215 00:12:39,200 --> 00:12:41,960 Speaker 1: this particular document, the most common words tend to be 216 00:12:42,040 --> 00:12:45,080 Speaker 1: very long and sort of complicated in comparison to the rest, 217 00:12:45,920 --> 00:12:49,640 Speaker 1: which kind of breaks the rules of language, which is 218 00:12:49,640 --> 00:12:53,640 Speaker 1: one of the things that um people who are fond 219 00:12:53,640 --> 00:12:56,480 Speaker 1: of the Gibberish theory like to cite like this doesn't 220 00:12:56,520 --> 00:13:00,559 Speaker 1: make sense as a language. It's probably not, and people 221 00:13:00,559 --> 00:13:02,719 Speaker 1: have been trying to decrypt it since at least the 222 00:13:02,760 --> 00:13:07,040 Speaker 1: sixteen hundreds. We know, uh, even in World War Two 223 00:13:07,200 --> 00:13:10,160 Speaker 1: army codebreakers were just sort of taking a crack at 224 00:13:10,160 --> 00:13:12,840 Speaker 1: it on the side, and they couldn't make heads nor 225 00:13:12,920 --> 00:13:16,960 Speaker 1: tails of it. They couldn't really like even get you know, 226 00:13:17,000 --> 00:13:18,719 Speaker 1: sort of a toe hold in to be like, oh, 227 00:13:18,760 --> 00:13:21,880 Speaker 1: we think we might know, we have no idea. Again, 228 00:13:22,559 --> 00:13:26,040 Speaker 1: that almost seems suspicious to me that nobody, in four 229 00:13:26,160 --> 00:13:29,480 Speaker 1: hundred plus years of trying to analyze this document could 230 00:13:29,520 --> 00:13:33,319 Speaker 1: really get any sort of positive affirmation that they were 231 00:13:33,360 --> 00:13:35,400 Speaker 1: on the right track. They all kind of end up 232 00:13:35,400 --> 00:13:36,880 Speaker 1: throwing up their hands and shaking their heads, and I 233 00:13:37,200 --> 00:13:40,120 Speaker 1: don't know. Here's one of my favorites is that the 234 00:13:40,120 --> 00:13:43,720 Speaker 1: hoax very it is. Uh. John d in case anybody 235 00:13:43,760 --> 00:13:47,280 Speaker 1: does not recognize that name was is kind of most 236 00:13:47,280 --> 00:13:49,800 Speaker 1: famous as being the astrologer and an adviser to Queen 237 00:13:49,840 --> 00:13:54,839 Speaker 1: Elizabeth the First, and some people attribute it or want 238 00:13:54,920 --> 00:13:57,840 Speaker 1: to support the theory that it's actually a hoax that 239 00:13:57,880 --> 00:14:03,600 Speaker 1: he perpetrated. At the time, I remember hearing a scholar 240 00:14:03,679 --> 00:14:06,079 Speaker 1: on this particular text say, you know, it was very 241 00:14:06,120 --> 00:14:09,560 Speaker 1: common for just as it's common now for people in 242 00:14:09,720 --> 00:14:14,040 Speaker 1: business or people of wealth to purchase great art to 243 00:14:14,120 --> 00:14:17,360 Speaker 1: show how cultured they are. At this time, it was 244 00:14:17,440 --> 00:14:21,440 Speaker 1: similarly popular for people to have an illuminated text in 245 00:14:21,520 --> 00:14:24,080 Speaker 1: their home to show that they were cultured. And so 246 00:14:24,520 --> 00:14:26,240 Speaker 1: it could have been like a money making scheme like 247 00:14:26,240 --> 00:14:28,440 Speaker 1: a the book to go there a fake looking document 248 00:14:28,480 --> 00:14:31,280 Speaker 1: that looks like a really cool illuminated text, and we'll 249 00:14:31,280 --> 00:14:33,400 Speaker 1: just sell it to some businessman who wants people to 250 00:14:33,440 --> 00:14:36,520 Speaker 1: think he's smart. Um. I kind of love that one. 251 00:14:37,000 --> 00:14:40,240 Speaker 1: And another suspect implicated in that as Edward Kelly, who 252 00:14:40,280 --> 00:14:42,200 Speaker 1: was a hanger on in the court of Elizabeth one 253 00:14:42,520 --> 00:14:44,320 Speaker 1: and became very close with John D. A lot of 254 00:14:44,320 --> 00:14:46,520 Speaker 1: people dismissed him as a charlatan and a fake, but 255 00:14:46,600 --> 00:14:49,680 Speaker 1: John D, for some reason, really formed um an affinity 256 00:14:49,760 --> 00:14:52,000 Speaker 1: and a close friendship with him. One of the things 257 00:14:52,080 --> 00:14:54,400 Speaker 1: that makes people think that maybe this theory is the 258 00:14:54,520 --> 00:14:57,360 Speaker 1: right one is that there are no scratch outs or 259 00:14:57,400 --> 00:15:01,920 Speaker 1: erasers and in the whole entirety of the book, which 260 00:15:02,000 --> 00:15:04,720 Speaker 1: even if you're copying, if you're making a copy of 261 00:15:04,760 --> 00:15:06,720 Speaker 1: something you have already written out, like I will do 262 00:15:06,760 --> 00:15:08,840 Speaker 1: that sometimes if I'm writing a letter to somebody with 263 00:15:08,880 --> 00:15:11,360 Speaker 1: a pen on paper, it will be copying out something 264 00:15:11,440 --> 00:15:13,800 Speaker 1: that I've kind of drafted on another page. Even then 265 00:15:13,840 --> 00:15:16,560 Speaker 1: at some point you make a mistake and you have 266 00:15:16,600 --> 00:15:18,880 Speaker 1: to either scratch it out or erase it. And there 267 00:15:18,960 --> 00:15:21,280 Speaker 1: is none of that at all, So it does not 268 00:15:21,440 --> 00:15:24,200 Speaker 1: seem like somebody was actually trying to make an accurate 269 00:15:24,240 --> 00:15:27,800 Speaker 1: set of words on the paper. Yeah, you would eventually 270 00:15:27,880 --> 00:15:31,600 Speaker 1: hit something where you would have to get rid of 271 00:15:31,640 --> 00:15:34,880 Speaker 1: it or clarify in some way. The big proponent of 272 00:15:34,880 --> 00:15:37,080 Speaker 1: the theory is Gordon rug And he's head of the 273 00:15:37,120 --> 00:15:40,920 Speaker 1: Knowledge Modeling group at Keele University and Staffordshire, England. UH 274 00:15:40,960 --> 00:15:44,280 Speaker 1: and he's done some interesting almost um sort of computer 275 00:15:44,320 --> 00:15:49,320 Speaker 1: science approaches to analyzing and recreating similar documents where he 276 00:15:49,400 --> 00:15:53,080 Speaker 1: lays out letters on a grid and he's created this 277 00:15:53,160 --> 00:15:56,080 Speaker 1: little um like a card that you can lay on 278 00:15:56,120 --> 00:15:58,160 Speaker 1: top of the grid and it has three cutouts and 279 00:15:58,280 --> 00:16:01,240 Speaker 1: so in that grid he's it in you know, character 280 00:16:01,520 --> 00:16:03,920 Speaker 1: similar to the ones in this document, and just by 281 00:16:03,960 --> 00:16:07,400 Speaker 1: moving that card around and writing out in order whatever 282 00:16:07,600 --> 00:16:10,720 Speaker 1: characters happened to land in your open spaces, you can 283 00:16:10,760 --> 00:16:13,520 Speaker 1: create this gibberish that looks really realistic and really like 284 00:16:13,560 --> 00:16:17,120 Speaker 1: a language. UM And he kind of believes this supports 285 00:16:17,160 --> 00:16:21,000 Speaker 1: again the the gibberish theory rather than it being um 286 00:16:21,040 --> 00:16:25,240 Speaker 1: a cipher that's you know, well thought out another theory. 287 00:16:26,040 --> 00:16:28,120 Speaker 1: So many theories about this there are, and I mean 288 00:16:28,160 --> 00:16:29,840 Speaker 1: we could go on for days and days about all 289 00:16:29,840 --> 00:16:31,280 Speaker 1: of the theories. So we're kind of hitting the high 290 00:16:31,320 --> 00:16:33,480 Speaker 1: notes on this one. Yeah, there's there's a prayer book 291 00:16:33,680 --> 00:16:36,520 Speaker 1: theory about, you know, in some kind of Germanic slash 292 00:16:36,680 --> 00:16:40,280 Speaker 1: romance creole do you have have? It was like, what 293 00:16:40,280 --> 00:16:41,920 Speaker 1: what has led to the idea of the prayer But 294 00:16:42,520 --> 00:16:45,160 Speaker 1: I think it's because it hasn't ever been decrypted. It 295 00:16:45,240 --> 00:16:48,680 Speaker 1: kind of holds popularity with people that want to think 296 00:16:48,680 --> 00:16:51,200 Speaker 1: it is a ciphertext and that it's a prayer book 297 00:16:51,400 --> 00:16:56,840 Speaker 1: of the Cather's that somehow managed to survive the Inquisition 298 00:16:57,280 --> 00:17:01,280 Speaker 1: when everything else was being burnt. Uh, Because everything else 299 00:17:01,400 --> 00:17:03,840 Speaker 1: was burnt, there's nothing else to possibly give us the 300 00:17:03,920 --> 00:17:06,760 Speaker 1: key to dick grip this. So that's but that's not 301 00:17:06,800 --> 00:17:08,520 Speaker 1: a very popular one. I just thought it was interesting, 302 00:17:09,040 --> 00:17:11,359 Speaker 1: um And at one point people were even kind of 303 00:17:11,400 --> 00:17:15,560 Speaker 1: suspicious that Voinache himself had assembled the book um to 304 00:17:15,640 --> 00:17:19,560 Speaker 1: create a faux valuable for his antiquities collection, but carbon 305 00:17:19,640 --> 00:17:24,959 Speaker 1: dating because the paper is from and the inks are 306 00:17:25,000 --> 00:17:27,680 Speaker 1: all dated further back. He would have to really be 307 00:17:27,720 --> 00:17:31,960 Speaker 1: scientifically pretty magic ulgiable that right, so that if he 308 00:17:32,040 --> 00:17:34,840 Speaker 1: had tried to, if that had been a forgery, it 309 00:17:35,040 --> 00:17:38,800 Speaker 1: would have been a masterful forgery using information he would 310 00:17:38,800 --> 00:17:41,920 Speaker 1: not have had really at a time. And what's really 311 00:17:41,960 --> 00:17:46,000 Speaker 1: interesting is that it's um has changed hands quite a 312 00:17:46,080 --> 00:17:52,000 Speaker 1: number of times. The first one that Will mention is 313 00:17:52,040 --> 00:17:56,399 Speaker 1: actually one of those circumstantial things so allegedly owned by 314 00:17:56,480 --> 00:17:59,520 Speaker 1: John D who we talked about earlier, and it was 315 00:17:59,640 --> 00:18:02,480 Speaker 1: bought from D we know, by Emperor Rudolph the second 316 00:18:02,480 --> 00:18:05,639 Speaker 1: of Germany, so the Holy Roman Emperor, for six hundred 317 00:18:05,880 --> 00:18:10,320 Speaker 1: gold duckets, which is roughly thirty thousand dollars in today's economy. 318 00:18:10,680 --> 00:18:15,600 Speaker 1: That just makes me annoyed thinking that it was potentially 319 00:18:15,600 --> 00:18:19,320 Speaker 1: the writings of Roger Bacon. And the circumstantial evidence that 320 00:18:19,560 --> 00:18:22,080 Speaker 1: supports this idea, or that he bought it from D 321 00:18:22,240 --> 00:18:25,080 Speaker 1: and not from someone else, is that there are accounts 322 00:18:25,119 --> 00:18:27,320 Speaker 1: that mentioned D having come into a sum of money 323 00:18:27,320 --> 00:18:29,480 Speaker 1: that's just a little bit bigger than this. I want 324 00:18:29,480 --> 00:18:32,280 Speaker 1: to say it's like six hundred and fifteen or six 325 00:18:32,480 --> 00:18:34,840 Speaker 1: d and eighteen, and I believe it's John Dy's son 326 00:18:34,920 --> 00:18:37,400 Speaker 1: that wrote some of those at least, So it's kind 327 00:18:37,400 --> 00:18:39,919 Speaker 1: of like, well, we know that it was purchased for 328 00:18:39,920 --> 00:18:42,639 Speaker 1: this amount around this time, and we know that suddenly 329 00:18:42,680 --> 00:18:44,600 Speaker 1: this guy had this amount of money in his pocket 330 00:18:44,720 --> 00:18:48,480 Speaker 1: at this time. That that reminds me of one of 331 00:18:48,520 --> 00:18:51,080 Speaker 1: the police procedurals. You may have the person in the 332 00:18:51,160 --> 00:18:53,680 Speaker 1: room and they're like, Okay, we know this guy boughties 333 00:18:53,760 --> 00:18:56,760 Speaker 1: documents for for thirty thousand dollars and you magically have 334 00:18:56,880 --> 00:19:00,360 Speaker 1: a thirty thousand dollar bank deposit. Yeah, yeah, exactly. It's 335 00:19:01,240 --> 00:19:03,080 Speaker 1: that is as as far as we can get in 336 00:19:03,160 --> 00:19:06,800 Speaker 1: terms of veracity with this one. Uh. And then it 337 00:19:06,840 --> 00:19:11,240 Speaker 1: appears to Emperor Rudolph gave the manuscript to Jacobus Horse 338 00:19:11,280 --> 00:19:14,560 Speaker 1: a key to Tepanis and I may be mispronouncing any 339 00:19:14,600 --> 00:19:18,239 Speaker 1: of that um and that exchange is based on an 340 00:19:18,280 --> 00:19:21,920 Speaker 1: inscription that's visible in the document in the onfolio one R. 341 00:19:22,480 --> 00:19:24,360 Speaker 1: But you have to read it with ultra violet light, 342 00:19:24,560 --> 00:19:27,080 Speaker 1: so that's ink that it's faded off, and that's all 343 00:19:27,119 --> 00:19:30,000 Speaker 1: that's sort of left is the the chemical shadow, right. 344 00:19:30,080 --> 00:19:32,119 Speaker 1: That was one of the things that they found and 345 00:19:32,160 --> 00:19:35,240 Speaker 1: documented during the chemical analysis that we were talking about 346 00:19:35,240 --> 00:19:37,840 Speaker 1: a little bit earlier. Um. One of the things that 347 00:19:37,960 --> 00:19:39,800 Speaker 1: I read in that analysis that I thought was pretty 348 00:19:39,800 --> 00:19:41,919 Speaker 1: cool was that an acid wash had been used on 349 00:19:41,920 --> 00:19:45,080 Speaker 1: the pages, possibly to bring out the vibrancy of the ink, 350 00:19:45,160 --> 00:19:48,200 Speaker 1: but that that may have been washed away other writing 351 00:19:48,200 --> 00:19:51,920 Speaker 1: in the book. Uh, so it's it's not really that 352 00:19:51,920 --> 00:19:54,800 Speaker 1: that that was written in an ink that required ultra 353 00:19:54,880 --> 00:19:57,000 Speaker 1: violet light to see at a time. It's ink that 354 00:19:57,040 --> 00:19:58,760 Speaker 1: has faded to the point that that's the only way 355 00:19:58,800 --> 00:20:02,720 Speaker 1: to see it. Yeah, destroyed through time and treatment through 356 00:20:02,720 --> 00:20:05,360 Speaker 1: the ages. Not that does not in any way support 357 00:20:05,400 --> 00:20:10,080 Speaker 1: the secret or alien theories. Uh, there's there are some 358 00:20:10,119 --> 00:20:12,919 Speaker 1: gaps in the timeline of where it's been, but we 359 00:20:13,000 --> 00:20:18,879 Speaker 1: do know that it was given to Athanasius Kircher in 360 00:20:18,960 --> 00:20:23,560 Speaker 1: sixteen sixty six by Johannes Marcus Marcia of cromelind. Uh. 361 00:20:23,920 --> 00:20:26,080 Speaker 1: And then there's another little kind of we're not sure 362 00:20:26,119 --> 00:20:29,639 Speaker 1: what happened or where the book was. We do know 363 00:20:29,720 --> 00:20:32,520 Speaker 1: that during some of these tradeoffs, people were trying to 364 00:20:32,560 --> 00:20:35,520 Speaker 1: get people to decrypt this text. So that's why we 365 00:20:35,560 --> 00:20:37,760 Speaker 1: say for more than four years people have been trying 366 00:20:37,760 --> 00:20:41,440 Speaker 1: to figure it out. And then it's suddenly, it seems 367 00:20:41,440 --> 00:20:43,199 Speaker 1: said to us, because it's the first time we hear 368 00:20:43,240 --> 00:20:46,000 Speaker 1: about it again after there were many other things happening 369 00:20:46,359 --> 00:20:50,119 Speaker 1: after a gap of two years. Yeah, then Voyage found 370 00:20:50,160 --> 00:20:53,120 Speaker 1: it in as I said, at Jesuit College near Rome, 371 00:20:54,080 --> 00:20:57,000 Speaker 1: and then in nineteen sixty nine it was given to 372 00:20:57,040 --> 00:21:00,120 Speaker 1: the Benicky Library by an HP Krause who had purchased 373 00:21:00,160 --> 00:21:04,640 Speaker 1: it from the estate of Voynache's widow Uh it had 374 00:21:04,640 --> 00:21:10,439 Speaker 1: passed to her and then her executor ended up selling 375 00:21:10,440 --> 00:21:14,520 Speaker 1: it to this person. Now we're basically up to today. Yeah. 376 00:21:14,520 --> 00:21:20,080 Speaker 1: In December, a finished businessman named Vico let Vola. I 377 00:21:20,119 --> 00:21:23,119 Speaker 1: may have mispronounced that I claimed that he was a 378 00:21:23,119 --> 00:21:25,760 Speaker 1: prophet of God and that he had been given divine 379 00:21:25,800 --> 00:21:30,640 Speaker 1: insight into the contents of this manuscript. Probably not true. Well, 380 00:21:30,920 --> 00:21:34,040 Speaker 1: and people question his methods and they of course want 381 00:21:34,160 --> 00:21:38,160 Speaker 1: some backup on this, and it never happens. He has 382 00:21:38,320 --> 00:21:41,399 Speaker 1: um an associate named Arikitola who is pretty much handling 383 00:21:41,480 --> 00:21:46,200 Speaker 1: pr for him UM and his statement in an interview 384 00:21:46,280 --> 00:21:49,040 Speaker 1: is that Mr la Valla said that no, no one 385 00:21:49,119 --> 00:21:51,560 Speaker 1: normal human can decode it because there is no code 386 00:21:51,600 --> 00:21:54,240 Speaker 1: or method to read this text. It's a channel language 387 00:21:54,240 --> 00:21:57,880 Speaker 1: of prophecy uh and that basically God had told him 388 00:21:57,880 --> 00:21:59,439 Speaker 1: what it meant, and that there is no way to 389 00:21:59,440 --> 00:22:02,479 Speaker 1: decrypt it. There is no cipher for it. You just 390 00:22:02,480 --> 00:22:05,959 Speaker 1: have to trust him that God told him this. Um 391 00:22:06,040 --> 00:22:10,520 Speaker 1: And he says it's a botany journal basically, which is 392 00:22:10,640 --> 00:22:12,720 Speaker 1: kind of funny that that's kind of a mundane thing 393 00:22:12,800 --> 00:22:16,080 Speaker 1: to say after God told me it's a botany journal. 394 00:22:16,119 --> 00:22:21,679 Speaker 1: I had a divine revelation of this extremely ordinary thing. Yeah, 395 00:22:22,040 --> 00:22:25,240 Speaker 1: and they're to a website that's maintained around him. But 396 00:22:25,359 --> 00:22:29,439 Speaker 1: he really this is as Tracy mentioned in December, and 397 00:22:29,440 --> 00:22:31,600 Speaker 1: then he really hasn't gotten much press passed then, Like 398 00:22:31,640 --> 00:22:33,600 Speaker 1: nobody's really paid a whole lot of attention to his 399 00:22:33,680 --> 00:22:37,040 Speaker 1: claims anymore. So that's where it stands. It's still a mystery. 400 00:22:37,080 --> 00:22:40,280 Speaker 1: It's still at Yale. I think to see it you 401 00:22:40,320 --> 00:22:45,040 Speaker 1: would have to jump through some hoops. Often the case 402 00:22:45,119 --> 00:22:48,040 Speaker 1: with special collections, it can be really difficult to get 403 00:22:48,080 --> 00:22:51,320 Speaker 1: actual physical access to the manuscript unless you have a 404 00:22:51,359 --> 00:22:53,520 Speaker 1: reason to be there. Yeah. But the good news is 405 00:22:54,080 --> 00:22:56,280 Speaker 1: there are lots of scans and photos of it online, 406 00:22:56,280 --> 00:22:58,280 Speaker 1: so if you're curious about it, you can really easily 407 00:22:58,280 --> 00:23:00,840 Speaker 1: find pictures of it. We will put those in our 408 00:23:00,840 --> 00:23:04,320 Speaker 1: share notes also, they'll find them. And it's interesting because 409 00:23:04,359 --> 00:23:06,000 Speaker 1: it's one of those things to me that even if 410 00:23:06,040 --> 00:23:09,240 Speaker 1: it is a hoax, it's now become really historically significant 411 00:23:09,800 --> 00:23:13,080 Speaker 1: in that one just the idea that it could be 412 00:23:13,480 --> 00:23:17,240 Speaker 1: a hoax perpetrated by a fairly famous historical figure kind 413 00:23:17,240 --> 00:23:19,679 Speaker 1: of makes it interesting in and of itself. Um, but 414 00:23:19,800 --> 00:23:22,440 Speaker 1: also just that so many people have spent so many 415 00:23:22,520 --> 00:23:25,959 Speaker 1: years trying to decipher it and reveal its meaning. That 416 00:23:26,040 --> 00:23:28,359 Speaker 1: kind of has a meaning in and of itself for me, 417 00:23:28,440 --> 00:23:30,800 Speaker 1: Like it says a lot about our desire to just 418 00:23:31,160 --> 00:23:35,240 Speaker 1: crack unknowable things and sort of our our persistence in 419 00:23:35,280 --> 00:23:38,560 Speaker 1: doing so. So, yeah, we'll see if there's someone who 420 00:23:38,640 --> 00:23:42,080 Speaker 1: magically cracks it. I will be upfront and say I 421 00:23:42,119 --> 00:23:45,919 Speaker 1: tend to favorite favor the gibberish theories, but we don't know. 422 00:23:46,840 --> 00:23:50,080 Speaker 1: As you said, some other piece of evidence could come 423 00:23:50,119 --> 00:23:52,040 Speaker 1: to light and all of that will change. There would 424 00:23:52,080 --> 00:23:55,080 Speaker 1: have to be sort of a Rosetta Rosetta stone for 425 00:23:55,119 --> 00:23:58,840 Speaker 1: the pointage manage yes, to really figure out if it 426 00:23:58,880 --> 00:24:02,000 Speaker 1: says anything whichould awfully cool, it would be both cool 427 00:24:02,040 --> 00:24:04,240 Speaker 1: and sad, which is the opposite of what I said 428 00:24:04,240 --> 00:24:06,720 Speaker 1: at the beginning of Unsolved Mystery is getting on my nerves. Yeah, 429 00:24:06,760 --> 00:24:08,760 Speaker 1: that's sort of the thing that I've noticed in doing 430 00:24:08,880 --> 00:24:13,800 Speaker 1: research on this is that even when there are pretty solid, 431 00:24:13,920 --> 00:24:17,000 Speaker 1: you know, pieces of I don't want to say evidence, 432 00:24:17,040 --> 00:24:22,560 Speaker 1: but pretty solid supporting UM concepts, uh, like the man 433 00:24:22,640 --> 00:24:26,920 Speaker 1: who has been able to replicate pretty similar gibberish texts, 434 00:24:27,280 --> 00:24:31,040 Speaker 1: people don't really want to accept it. There are entire 435 00:24:31,119 --> 00:24:35,720 Speaker 1: message boards and online groups surrounding this manuscript because it 436 00:24:35,800 --> 00:24:38,080 Speaker 1: is so sort of engrossing and engaging for people that 437 00:24:38,160 --> 00:24:42,320 Speaker 1: love UM ciphertext and the idea of a mystery, and 438 00:24:42,359 --> 00:24:44,359 Speaker 1: it's interesting to watch them debate. And some of them 439 00:24:44,359 --> 00:24:46,040 Speaker 1: will be like, yeah, I see, and his methods are 440 00:24:46,040 --> 00:24:48,000 Speaker 1: sound and that all make sense, but I don't believe 441 00:24:48,000 --> 00:24:51,440 Speaker 1: it the end, Like they just don't want to believe it. Uh. 442 00:24:51,359 --> 00:24:55,159 Speaker 1: It's fascinating because nobody wants to kind of lose the mystery. 443 00:24:55,200 --> 00:24:57,800 Speaker 1: I think at this point, after it's after gone on, 444 00:24:59,640 --> 00:25:01,680 Speaker 1: it's kind of like giving up a good friend at 445 00:25:01,680 --> 00:25:08,120 Speaker 1: that point. So now that you're all refreshed on all 446 00:25:08,119 --> 00:25:11,320 Speaker 1: points on the Voytage manuscript, uh, if you want to 447 00:25:11,359 --> 00:25:14,119 Speaker 1: talk about it or anything else, really that fiatu your interest. 448 00:25:14,160 --> 00:25:17,040 Speaker 1: You can do so at History Podcasts at Discovery dot com. 449 00:25:17,080 --> 00:25:19,760 Speaker 1: You can visit us at Facebook dot com slash missed 450 00:25:19,800 --> 00:25:23,120 Speaker 1: in History, on Twitter at missed in History at missed 451 00:25:23,160 --> 00:25:25,719 Speaker 1: in History dot tumbler dot com, and on pinterest dot 452 00:25:25,800 --> 00:25:28,639 Speaker 1: com slash missed in History. You would like to do 453 00:25:28,680 --> 00:25:31,840 Speaker 1: a little research about similar topics, you can go to 454 00:25:31,840 --> 00:25:34,800 Speaker 1: how stuff works dot com and type in the word 455 00:25:34,840 --> 00:25:37,520 Speaker 1: code and you will get how codebreakers work. You can 456 00:25:37,560 --> 00:25:40,040 Speaker 1: research almost anything you like at the house to works 457 00:25:40,040 --> 00:25:42,560 Speaker 1: dot com, and you can also visit us Holly and 458 00:25:42,600 --> 00:25:45,959 Speaker 1: Tracy at missed in History dot com or the Voytage 459 00:25:46,000 --> 00:25:53,480 Speaker 1: Manuscript and many other things for more on there's thousands 460 00:25:53,480 --> 00:26:08,040 Speaker 1: of other topics. Is how stuff Works dot com. This 461 00:26:08,119 --> 00:26:10,359 Speaker 1: episode of stuff you Missed in History classes brought to 462 00:26:10,359 --> 00:26:12,359 Speaker 1: you by Linda dot com. 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