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Speaker 1: Richard The Show by Smart Small Small, Small, Small Small.

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Speaker 2: Here comes Haze.

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Speaker 3: And Sean.

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Speaker 2: Hollywood.

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Speaker 3: Huh what.

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Speaker 4: Did you say something?

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Speaker 3: No, okay, it's the singing, but like that's the singer. Yeah, okay,

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Speaker 3: m h.

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Speaker 2: Thanks for having me.

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Speaker 3: Oh yeah, I mean yeah, thanks for thanks for thanks

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Speaker 3: for do you want to say like thanks for coming

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Speaker 3: or yeah, I don't know.

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Speaker 2: Oh well, I don't know.

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Speaker 3: If you guys just started, I.

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Speaker 4: Don't even know.

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Speaker 2: It was a really hard podcast to get on.

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Speaker 4: Actually this is.

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Speaker 3: Yeah, I mean at this point, yeah, that's not news

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Speaker 3: to me. Like I like, I've done six hundred episodes

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Speaker 3: of it and now I'm doing another one. Yeah, so

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Speaker 3: you telling me about it when you have just started

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Speaker 3: doing one of it? Is it's built different.

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Speaker 4: It's fans blaming mm hmmm.

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Speaker 2: I thought that's what you guys wanted me to come

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Speaker 2: on and do.

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Speaker 4: I don't know actually what you're gonna do. So that's

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Speaker 4: why I'm kind of withholding the thank you When you're like,

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Speaker 4: thank you for having me on, I'm like, I'm not

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Speaker 4: really gonna thank you for being on because you haven't

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Speaker 4: like been on yet, you know what I mean, Like

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Speaker 4: you're here and it's just like I'm excited. I'm curious,

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Speaker 4: like I'm hopeful that you're gonna bring something to the

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Speaker 4: table we haven't seen before, but we've seen a lot.

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Speaker 4: We've done six hundred episode.

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Speaker 3: And every everyone who has done this show has been

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Speaker 3: a guest. Yeah you know what I mean. Yeah, Like,

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Speaker 3: and I'm always kind of wondering because you're like a host,

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Speaker 3: you have a show I do. Yeah, you're a.

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Speaker 2: And we don't. We don't have guests on ours.

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Speaker 3: You don't have guests on your so like you're all hot.

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Speaker 4: Yeah, which some people go, oh, that's like some jerk

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Speaker 4: off thing, like if you're like a host of a

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Speaker 4: podcast and you don't have a guest on it, like

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Speaker 4: that's like, as Hayes was saying, like that's like just

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Speaker 4: some jerk off thing, like it's just you talking to you.

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Speaker 4: And it's like I don't feel that way at all,

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Speaker 4: you know, I think you have a real show.

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Speaker 3: But then people like people will come on here and

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Speaker 3: I'll be like, oh, I wonder if I'll actually get

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Speaker 3: to do the show with a host, and then they

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Speaker 3: will instantly reveal themselves to be more of a guest

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Speaker 3: and that that's fine. Like literally six hundred other people

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Speaker 3: have done the exact same thing.

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Speaker 4: Oh my god, it's not. It's never a shock to

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Speaker 4: me anymore. I'd love to be surprised. Like I'd love

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Speaker 4: to have a host show up because obviously I've had

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Speaker 4: to host six hundred of It would be nice break.

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Speaker 3: Yeah, but they is like literally the main it's big

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Speaker 3: guest energy. Yeah.

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Speaker 2: Okay, well I guess it's just like sort of put

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Speaker 2: on my host hat for a second. I could sort

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Speaker 2: of turn something like you guys have a hat to

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Speaker 2: We wear hats frequently.

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Speaker 3: Okay, but do you have a hat or do you

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Speaker 3: wear hats?

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Speaker 2: We wear hats. We don't have a branded hat. Well,

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Speaker 2: we do, but we don't wear it because it's like

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Speaker 2: wearing your own merge. That's sort of podcast that sort

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Speaker 2: of jerk off stuff. I would say, wearing your own hat,

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Speaker 2: wouldn't you say, like for me to wear the hat

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Speaker 2: pack hat is like one thing, but oh no, it's.

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Speaker 3: Like very alpha to like literally have somebody else's hat

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Speaker 3: like on top of me, literally literally someone else.

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Speaker 4: Washing my ship in from the fucking No.

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Speaker 3: It's so alpha to have someone else's hat like like

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Speaker 3: squishing my head into my dominant instead of my own hat,

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Speaker 3: which is designed to actually pick my head up, actually

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Speaker 3: lifting me up and that and like and it and

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Speaker 3: it does improve uh scolioscopy.

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Speaker 2: Okay, because you're not sitting up very straight right now.

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Speaker 3: And it's it takes work. And this is isometric. It's like,

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Speaker 3: what you're doing, what I'm doing right now is isometrics.

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Speaker 4: Yes, interesting, it's magnetized, it's polarized. It's like, got it's

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Speaker 4: got all technology. No it's not. It's no, it's not chemicals, chemicals,

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Speaker 4: that's you.

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Speaker 3: And I said, yeah, it's like knowing that he was

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Speaker 3: going to say, it's not so I was, I'm not here, hold.

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Speaker 2: On, hold on, I'm not here to cause friction between

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Speaker 2: you guys. You put me in the middle, which I

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Speaker 2: felt like, I don't know what type of dynamic you're

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Speaker 2: trying to create here, but like it's not going to happen.

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Speaker 4: Where do you want to sit? You're the host, right

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Speaker 4: Where do you want to sit? You want me there?

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Speaker 4: You get him here?

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Speaker 2: I would like to sit at the desk.

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Speaker 3: There is that actually there is, and there's a camera

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Speaker 3: that is chemical.

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Speaker 4: If you sit over where.

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Speaker 2: Kevin is, well, I don't want to be presumptuous.

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Speaker 4: Okay, then don't. It's like I don't go, I don't.

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Speaker 3: I don't want to be this.

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Speaker 4: It's like, all right, that's not really up to me

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Speaker 4: whether you do that, Like, that's not really my I'm

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Speaker 4: not in control of that. I actually will let the

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Speaker 4: guest or host or whatever you are.

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Speaker 2: At this point, like we're still figuring it out, and

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Speaker 2: I can.

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Speaker 3: Feel the promotion and this is another huge guest thing,

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Speaker 3: like they always have something that like they're just so

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Speaker 3: excited to stop on.

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Speaker 4: The talk about it. But when are we're going to

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Speaker 4: ask about my thing?

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Speaker 3: And it is exciting, Sure, I get it. Yeah, big

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Speaker 3: show coming up, over compensating.

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Speaker 4: M hmm.

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Speaker 2: It's just interesting because when I sat down, the first

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Speaker 2: thing you brought up was your wife's show. I actually

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Speaker 2: hadn't even mentioned my show once.

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Speaker 5: Guy, So talking about it's it's like, yeah, it's like

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Speaker 5: obviously making you very uncomfortable that we have wives, which

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Speaker 5: is like again.

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Speaker 4: That's it's just a little pick me.

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Speaker 2: I guess it.

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Speaker 4: Just this is like every other episode we have to

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Speaker 4: do this and.

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Speaker 2: You put them in the middle.

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Speaker 4: Right, energy changes, right just here you go, Well.

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Speaker 2: I feel a lot better now. I Also, I did

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Speaker 2: want to say it took me so long to get

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Speaker 2: booked on this podcast. I want to do this podcast

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Speaker 2: to impress the guy. It took me so long to

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Speaker 2: get booked on this freaking podcast. We're not even dating anymore,

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Speaker 2: and I just think that maybe if you had booked

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Speaker 2: me sooner.

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Speaker 3: And that sucks because that was only two episodes.

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Speaker 2: Ago, episode five hundred and ninety eight or five hundred

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Speaker 2: ninety nine.

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Speaker 3: Yeah.

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Speaker 4: Sorry, It's just I'm noticing a lack of accountability when

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Speaker 4: we say, like, we're not even dating anymore. M hm,

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Speaker 4: he dumped my ass.

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Speaker 2: I'm not here to I'm not here to talk about

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Speaker 2: my dating life.

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Speaker 3: Everyone else is.

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Speaker 2: I'm here to talk about your wife's project.

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Speaker 4: I got my ass, though, I mean you should probably.

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Speaker 3: I blew it.

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Speaker 4: I fumbled the bag. That's what we say. You know

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Speaker 4: what I mean. You say, we just take.

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Speaker 2: Your wedding rings off, and I feel like your wives

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Speaker 2: maybe won't appreciate that.

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Speaker 4: You don't know the first thing about my wife. She's

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Speaker 4: dying to have me take that thing off, and that

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Speaker 4: is the first thing.

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Speaker 3: Number one.

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Speaker 4: She's trying to get that thing off.

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Speaker 3: She's rigging all kinds of elaborate traps.

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Speaker 2: You should do an episode if.

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Speaker 4: She would feel if she saw this, if she ever,

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Speaker 4: I mean it would be it's it's complicated because she'd

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Speaker 4: have to be I guess watching the episode, which would

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Speaker 4: actually watching the video.

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Speaker 2: Because someone's got to actually make money for the home, right.

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Speaker 2: You guys are podcast hosts, so yeah, I think it'd

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Speaker 2: be cool to have them come on and do your

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Speaker 2: guys jobs and then all of a sudden it becomes

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Speaker 2: a better podcast because it's two women at the home.

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Speaker 3: Well at home about that as well, I mean, are

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Speaker 3: we bringing that same energy to to.

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Speaker 2: To Benito where Terry would host the podcast show? Oh?

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Speaker 2: I see, I thought you meant for Bennie's partner to

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Speaker 2: come in and host our podcast because that wouldn't really

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Speaker 2: changed the optics because he's a guy as well, because

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Speaker 2: Benny's a homosexual gay man.

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Speaker 3: Yeah, he's a homosexual.

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Speaker 2: Game he dates a guy. I would say your show

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Speaker 2: lacks diversity.

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Speaker 4: So there's two men then dating a guy, and then

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Speaker 4: there's two men there in that relationship, my relationship.

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Speaker 3: No, but he's very diverse.

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Speaker 4: It actually embraces diverse.

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Speaker 3: But you understand he's diverse.

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Speaker 2: Oh, he must be diverse because they're LGBTQ plus.

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Speaker 4: Okay, all I'm saying is it's a very male dominated

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Speaker 4: space that relationship, and I actually, uh embrace a relationship

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Speaker 4: that involves women gives women a voice, which is like

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Speaker 4: that one does.

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Speaker 3: And that's not diverse. I'm in a house where I

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Speaker 3: am not diverse, but my wife is because she's a woman.

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Speaker 2: Because she's a showrunner.

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Speaker 3: Well she's a I mean, yes, and you're not. She's

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Speaker 3: a Yeah, she's a female showrunner.

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Speaker 2: But you have a movie and development, right, that's the

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Speaker 2: other one. Oh, you have a movie in development.

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Speaker 4: Yeah, I don't know it's in development, it's filmed.

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Speaker 2: Oh, well, so it's in po post. Yeah, it's so

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Speaker 2: hard for you to just say yes to something.

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Speaker 4: Yeah. I don't know if that always happens. But something

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Speaker 4: about the way you sort of pose your is it

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Speaker 4: a question? It didn't feel like question. So it's in post.

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Speaker 4: That's not really a question, is it. It's like, so I

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Speaker 4: know what's going on, and it's like yeah, because I'm

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Speaker 4: not like, knock the fuck out by that.

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Speaker 3: And I guess one way to promote your show is

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Speaker 3: by is by diminishing all the other shows. I mean

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Speaker 3: I I agree that that's one way to do it.

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Speaker 4: Yeah, it's your show versus other things like the movie

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Speaker 4: or like a I don't like to talk about it.

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Speaker 4: I'm writing for severance right now. So like, I guess

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Speaker 4: if you like what is great, you finally fucking bullied

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Speaker 4: me into talking about this job that, first of all,

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Speaker 4: is supposed to be a secret Jesus Christ, and like

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Speaker 4: it's like, okay, now everyone's let's go at it.

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Speaker 2: Well you could. Here's what I do. When I'm hosting

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Speaker 2: and I say something maybe that I shouldn't have said,

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Speaker 2: I just say, well, we'll bleep that, and that creates

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Speaker 2: a safe space within the room where we feel like

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Speaker 2: we can talk about anything. And it's like, well, we

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Speaker 2: will be taken care of.

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Speaker 4: But I actually want my listeners to feel safe. I

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Speaker 4: want them to feel like I'm not hiding things from them,

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Speaker 4: you know what I mean. So it's like, it's weird

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Speaker 4: my show is less for the people in the room.

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Speaker 2: M hm h.

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Speaker 4: It's actually more for the audience who we make the

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Speaker 4: show for.

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Speaker 2: Well, because you charge the money to listen to it, yeah,

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Speaker 2: whereas I'm paying to be here.

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Speaker 3: Okay, both in so, so what.

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Speaker 2: I guess you're making money. You're double what's it called

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Speaker 2: double dipping now when a realtor sells a house and

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Speaker 2: buys the house.

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Speaker 4: Yeah, it's not called that they're dipping twice. I guess

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Speaker 4: they're dipping on both sides of it.

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Speaker 2: Can is it possible to look that up?

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Speaker 3: As the host looking at me? Jesus Christ? I mean,

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Speaker 3: it seemed like you had done your research. I I

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Speaker 3: don't look it up on here.

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Speaker 4: If I take my phone out to look that up,

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Speaker 4: I'm never putting it down again.

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Speaker 3: There.

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Speaker 4: I'll be so many emails, there's so much. There's so

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Speaker 4: much from work right now, so fun.

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Speaker 2: Well, shouldn't you be in a writer's room right now?

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Speaker 4: I just so you're writing for Oh my god, she

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Speaker 4: wants to know the hour and yeah, great, there we

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Speaker 4: got to talk about that. Oh my god, it's like

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Speaker 4: huge show that I work for, and all of a

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Speaker 4: sudden I got to talk about it on the podcast. Yeah,

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Speaker 4: uh yes, I will be going into the writer's room

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Speaker 4: right after this. I actually was able to carve out

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Speaker 4: time to be here with you so that you could

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Speaker 4: kind of present your wares to the audience. And so

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Speaker 4: far it's yeah, you've got this show over compensating. Is

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Speaker 4: the title ironic?

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Speaker 2: No, I'd say it's pretty literal.

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Speaker 4: It's actually over compensating. So I'm not getting that at all.

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Speaker 3: So you're making too much money to be on there?

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Speaker 2: I think then that would it. Then it would be

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Speaker 2: called overcompensated. I think different tens.

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Speaker 3: Well, it's that they're the show. The show is named.

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Speaker 3: The title is the name of the show.

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Speaker 4: I guess what I'm realizing is you think you're the show.

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Speaker 2: Yeah, in a lot of ways, I am so.

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Speaker 3: And the show is the show about that. And the

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Speaker 3: show is at college.

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Speaker 2: It's set in college.

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Speaker 3: Yeah, okay, and is it called thirties college?

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Speaker 2: It's not polite to ask.

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Speaker 3: What the name of the college is.

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Speaker 2: Yeah, it's not play to ask.

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Speaker 4: Jesus as everybody's they're for their masters I guess doctorate. Yeah, okay,

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Speaker 4: for their doctorate.

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Speaker 3: Alright.

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Speaker 2: Have you ever met a doctor someone with a doctorate?

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Speaker 3: Mmm?

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Speaker 4: Yeah, I have to see one regularly.

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Speaker 3: Yeah, they're always peering over me.

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Speaker 2: My dad's a doctor, so wow.

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Speaker 4: Yeah, it's been really tough for you to get into

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Speaker 4: the arts.

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Speaker 2: Yeah. I mean he had a lot of he had

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Speaker 2: a lot of connections obviously through the hospital. But I

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Speaker 2: paved my own way connected through I paved my own way.

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Speaker 4: M hm.

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Speaker 2: How about you guys? You got in through your wife.

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Speaker 2: What's your story?

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Speaker 3: I did in a way wife a couple of times.

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Speaker 4: This is his wife helped me.

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Speaker 3: It's on.

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Speaker 4: And I just guess. I'm just guessing it's on Peacock.

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Speaker 3: So that got me that I'm living for a second,

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Speaker 3: that would be interesting. Huh.

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Speaker 2: It's not on Peacock. It's on Prime Video.

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Speaker 3: Okay, So if you don't mind, I just kind of

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Speaker 3: just settle back end.

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Speaker 2: Sure, Hey, take as long as you need. You're the guest. Relax.

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Speaker 4: What do I call you? When somebody has two names?

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Speaker 4: I just don't know what to do.

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Speaker 2: You just say both Mary Beth, mary Beth or or whatever.

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Speaker 3: Is there a middle name floating around in there somewhere

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Speaker 3: as well?

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Speaker 2: It's floating in a way. My name is Mary Elizabeth,

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Speaker 2: so okay, Mary Beth is the nickname. Okay, sort of

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Speaker 2: born from that, and then I don't have a proper

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Speaker 2: middle name. My first name is Mary Elizabeth and I

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Speaker 2: was born at the hospital where my dad works worked.

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Speaker 4: M Candace ass.

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Speaker 2: Yeah, the Candace ass.

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Speaker 4: Happens to you know, a lot of good doctors.

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Speaker 2: It does.

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Speaker 4: Yeah, crazy make a mistake, you know, mm hmm, whatever.

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Speaker 3: And I just like, I just can't help but wishing,

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Speaker 3: I mean, that's what kind of got me to move

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Speaker 3: out here and to like project I've ever like been

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Speaker 3: a part of. Is I guess the product of a wish.

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Speaker 3: And I wish after six hundred episodes, we could do

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Speaker 3: one where it's not about who owns what hospital like

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Speaker 3: and like who's dad, like who has the richest dad?

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Speaker 3: And it could be just hanging out talking about our

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Speaker 3: paths and our and our dreams and ways that like

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Speaker 3: are not competing against each other, that like understand there

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Speaker 3: is room in this business for everybody.

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Speaker 4: I'd like, Yeah, I'd love to one episode with an

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Speaker 4: abundance mindset. Yes, that's right, if we could try one,

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Speaker 4: And obviously it's not an be this one, but I'm

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Speaker 4: just setting my intention. I'm wishing for that to be

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Speaker 4: maybe for the six year two or something.

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Speaker 2: Right, Yeah, well, it's definitely not going to be this one.

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Speaker 3: I know.

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Speaker 4: I just said that because.

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Speaker 2: We're almost done, right, seventeen minutes.

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Speaker 3: Wow, that's got a one in front.

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Speaker 2: It feels like a good amount of time. It feels

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Speaker 2: like a really good amount.

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Speaker 4: It's still a one in front of the Time.

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Speaker 3: Not a big Ezra gal Ezra who not into what

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Speaker 3: Ezra's putting down? Abundance?

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Speaker 2: Is that the guy is that Ezra.

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Speaker 3: Kleine, Ezra Kline. Yes, it's so funny that his book

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Speaker 3: is about bigness, but clin means littleness, little Ezra, Ezra small.

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Speaker 2: I don't really understand who that is or what he does.

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Speaker 2: I think he works at the New York Times, but

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Speaker 2: I just see a lot of stuff about him, and

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Speaker 2: it's a cultural blind spot.

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Speaker 3: Have you been in there.

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Speaker 2: Into the Times building? I haven't.

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Speaker 3: Okay, have you been into the News Times newspaper?

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Speaker 2: Have I ever been featured in the Times?

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Speaker 3: Yeah?

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Speaker 2: I got interviewed actually last week. Wow, because of my

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Speaker 2: work for zoron mum Donnie's mayor role campaign. Okay, they

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Speaker 2: called me to ask about him.

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Speaker 4: I gotta tell you. They have to fill a whole

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Speaker 4: paper every single day. Yeah, I have to fill a

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Speaker 4: whole thing every day. They don't take one day off.

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Speaker 2: Have they ever been desperate enough to talk to you guys?

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Speaker 4: Or I've never given them my email. I'm not really

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Speaker 4: thirsty like that, but you have a podcasts Uh? Is

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Speaker 4: that on Peacock? Something's got to be on Peacock? And

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Speaker 4: here am I crazy?

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Speaker 2: I can say, with honesty and truth, I've nothing I've

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Speaker 2: ever done is on Peacock. M okay, And that's just

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Speaker 2: where I stand with that streamer I aim for.

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Speaker 4: So the podcast is, uh, it's on a network.

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Speaker 2: It's on Deer Media, Deer Media, Dear Media.

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Speaker 4: Mm hmmm hmmm.

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Speaker 2: Yeah. Their space is a little bit different, I would

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Speaker 2: say than your guys.

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Speaker 3: Who's the brass there?

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Speaker 2: I don't want to talk about.

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Speaker 3: Did you hear that?

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Speaker 2: I don't even I don't even get it?

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Speaker 4: What rude?

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Speaker 3: Alph Deer? Oh okay, yes, that way I get it?

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Speaker 3: Rein Deer Media.

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Speaker 2: It's actually spelled d R. It's not spelled like that.

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Speaker 4: It should be Rudolph's in charge. Who's your co host?

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Speaker 4: Bader and Blitzing and Bamby as well, Bambi Wow, oh ship,

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Speaker 4: thanks for coming through?

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Speaker 3: And what happens on this thing?

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Speaker 4: Go out a big salt lick review Salt licks, just yeah,

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Speaker 4: go review deer food just yeah. Hunter tell you where

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Speaker 4: the hunters are? Don't go there? Or what do you

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Speaker 4: do on this show? What's it called it's called Ride.

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Speaker 3: Oh and is it called different stuff?

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Speaker 2: Yeah?

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Speaker 4: Is it called different stuff or did you change it?

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Speaker 3: No?

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Speaker 2: We had a podcast at Spotify for one season called Obsessed,

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Speaker 2: but it got canceled. It's only podcasts in history to

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Speaker 2: get canceled, which we take a lot of pride in.

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Speaker 2: And then we set up shop at Deer Media. Under

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Speaker 2: the banner.

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Speaker 4: Ride, under the banner Ride. Yeah, the name of the

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Speaker 4: show is a banner.

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Speaker 2: The name of the show is Ride.

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Speaker 4: But the banner, well, I don't want to get caught up.

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Speaker 2: In the banner of it all.

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Speaker 4: You know, I don't think I didn't introduce it. So

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Speaker 4: I'm just trying to understand what it.

402
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Speaker 3: Was not it's not important to us. We're trying to

403
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Speaker 3: like listen to your respond.

404
00:21:19,600 --> 00:21:22,520
Speaker 2: Been pretty quiet actually to you. He's kind of taken

405
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Speaker 2: over here, and I'm not.

406
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Speaker 3: I just got curious bamby.

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00:21:29,680 --> 00:21:31,439
Speaker 2: He took the deer riff and really went for it.

408
00:21:31,480 --> 00:21:34,160
Speaker 2: I felt like you weren't fully locked into that one.

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Speaker 2: Do you guys want to talk about it?

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Speaker 3: The uh did you hear me say Bambi or not

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Speaker 3: the bambo?

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Speaker 2: Well, it felt it felt half hearted.

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Speaker 4: I was jealous because Rudolph created a misunderstanding that I

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Speaker 4: don't think Bambi would have. And so if I had

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Speaker 4: started with Bamby, we might have got there, but we

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00:21:53,440 --> 00:21:56,080
Speaker 4: wouldn't have gotten to you saying it, Dottr and Blitzen,

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Speaker 4: we wouldn't have had or I don't know which ones.

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Speaker 2: I said, we're salt licks.

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Speaker 3: Yeah, he said so well.

420
00:22:02,680 --> 00:22:03,960
Speaker 4: He said dry corn.

421
00:22:04,080 --> 00:22:11,000
Speaker 3: Yeah, to listen, just just listen, okay, And this is

422
00:22:11,040 --> 00:22:11,879
Speaker 3: another guest thing.

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Speaker 4: Don't tell her to just listen though that's kind of

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00:22:13,680 --> 00:22:15,520
Speaker 4: been the issue a lot of the time for the show.

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Speaker 3: Sure, that's right, just talk, but talk about what.

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Speaker 4: We want to hear.

427
00:22:21,440 --> 00:22:23,480
Speaker 2: Well, I'm happy to chime in on any topics you

428
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Speaker 2: guys find interesting.

429
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Speaker 4: Well, I want to understand the show. I mean, I

430
00:22:27,359 --> 00:22:29,280
Speaker 4: guess you want to talk about the TV show. But

431
00:22:29,400 --> 00:22:35,679
Speaker 4: I'm so confused by this podcast banner. Is there a

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Speaker 4: show called podcast the Ride?

433
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Speaker 3: Mm hmm, podcast the Ride? Well, maybe that's her show.

434
00:22:43,560 --> 00:22:44,399
Speaker 2: It's not my show.

435
00:22:45,320 --> 00:22:46,440
Speaker 4: People like that one.

436
00:22:46,680 --> 00:22:48,320
Speaker 2: I don't know about it. I shook my head no

437
00:22:48,400 --> 00:22:49,840
Speaker 2: emphatically when you said that.

438
00:22:50,240 --> 00:22:52,760
Speaker 3: But maybe that's just what people call your show. It's

439
00:22:52,800 --> 00:22:58,240
Speaker 3: not okay, So what is the Ride? That's happening in

440
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Speaker 3: your showbit.

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00:23:05,800 --> 00:23:07,679
Speaker 2: I would just like to say that if there was

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Speaker 2: a podcast that was solely focused on like Christmas, that

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Speaker 2: wouldn't that would not be a very evergreen podcast.

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Speaker 3: So podcasts is that from Christmas?

445
00:23:18,000 --> 00:23:19,520
Speaker 2: But you just brought up Santa.

446
00:23:19,200 --> 00:23:21,640
Speaker 4: Well, but evergreens are a huge part of Christmas.

447
00:23:22,160 --> 00:23:24,720
Speaker 2: So the podcast is called Ride and in every episode

448
00:23:24,840 --> 00:23:29,639
Speaker 2: my co host an out homosexual and I a proud

449
00:23:29,680 --> 00:23:32,640
Speaker 2: bisexual woman. We talked about something we ride from.

450
00:23:32,640 --> 00:23:36,000
Speaker 3: Okay, it's literally been twenty three minutes and you have

451
00:23:36,119 --> 00:23:39,479
Speaker 3: not once mentioned being bisexual until now. Yeah, and you

452
00:23:39,640 --> 00:23:41,959
Speaker 3: and you just said you're proud of it. But I

453
00:23:42,000 --> 00:23:44,080
Speaker 3: just want to say, and also before the show, since

454
00:23:44,080 --> 00:23:47,560
Speaker 3: you're obsessed with talking about every single everything that happened before,

455
00:23:48,119 --> 00:23:50,520
Speaker 3: she did not mention being Kevin. Did she mention? And

456
00:23:50,520 --> 00:23:54,159
Speaker 3: and Kevin would notice.

457
00:23:53,920 --> 00:23:56,919
Speaker 2: Right, Okay, No, I would not be able to have

458
00:23:57,040 --> 00:24:01,159
Speaker 2: not argued that I didn't bring it up. Well just

459
00:24:01,280 --> 00:24:01,560
Speaker 2: to go.

460
00:24:03,040 --> 00:24:04,720
Speaker 3: Mom see and that's.

461
00:24:04,920 --> 00:24:07,080
Speaker 2: Oh wait, no, I think that's the parking marshal here

462
00:24:07,119 --> 00:24:09,400
Speaker 2: to to get you from New.

463
00:24:09,400 --> 00:24:13,760
Speaker 4: York and called the city marshal whatever that from before?

464
00:24:13,840 --> 00:24:16,920
Speaker 4: So another thing before the show. So talking about locations in.

465
00:24:16,880 --> 00:24:20,120
Speaker 3: Brooklyn, and you'll notice that all.

466
00:24:21,040 --> 00:24:23,639
Speaker 4: No, but I do remember that when I said that

467
00:24:23,680 --> 00:24:28,280
Speaker 4: the city Marshal sees my car, you said he was

468
00:24:28,400 --> 00:24:30,720
Speaker 4: just standing there, and I had to inform you that

469
00:24:30,760 --> 00:24:31,960
Speaker 4: the city Marshal was a woman.

470
00:24:33,280 --> 00:24:35,240
Speaker 2: Do you see what I just did there? As the host?

471
00:24:35,320 --> 00:24:38,159
Speaker 2: I gave you an opportunity to recount an anecdote that

472
00:24:38,240 --> 00:24:40,400
Speaker 2: I think actually portrayed you in a really good light.

473
00:24:40,960 --> 00:24:44,280
Speaker 2: And I gave you that. That's called giving you the flowers?

474
00:24:44,600 --> 00:24:45,960
Speaker 3: Is your character proud bisexual?

475
00:24:46,000 --> 00:24:47,200
Speaker 4: Don't think that's what flowers are?

476
00:24:47,240 --> 00:24:50,280
Speaker 2: Actually? Uh No, she is straight in the show. She's

477
00:24:50,320 --> 00:24:51,560
Speaker 2: she's HEATERO great.

478
00:24:51,680 --> 00:24:55,960
Speaker 3: Nice. I'm sure there are no straight actresses out there.

479
00:24:56,000 --> 00:25:01,679
Speaker 3: He would have loved that job. But I guess my

480
00:25:01,760 --> 00:25:02,800
Speaker 3: culture is your costume.

481
00:25:02,880 --> 00:25:06,199
Speaker 2: They've had enough. I think they've had enough jobs, Kevin.

482
00:25:06,800 --> 00:25:09,280
Speaker 3: I just want to establish did she say anything about

483
00:25:09,280 --> 00:25:09,960
Speaker 3: being bisexual?

484
00:25:10,000 --> 00:25:12,240
Speaker 4: She did say bye to me several times, but I

485
00:25:12,280 --> 00:25:13,280
Speaker 4: don't think I was related.

486
00:25:14,359 --> 00:25:18,240
Speaker 2: Okay, so I guess you could say it's open to interpretation.

487
00:25:18,600 --> 00:25:19,880
Speaker 3: Why was she saying goodbye?

488
00:25:20,880 --> 00:25:22,520
Speaker 2: I was trying to tell her a fun story.

489
00:25:22,920 --> 00:25:28,720
Speaker 3: She just kept saying bye. Wow. Okay, sounds really sweet

490
00:25:28,800 --> 00:25:30,959
Speaker 3: of Kevin to try and tell you a fun story.

491
00:25:31,080 --> 00:25:33,320
Speaker 2: You don't even know what the story was about. I

492
00:25:33,359 --> 00:25:34,800
Speaker 2: know it was fun, it wasn't fun to me.

493
00:25:35,080 --> 00:25:38,800
Speaker 3: You didn't think it was fun. Okay, Well you're the

494
00:25:38,840 --> 00:25:41,840
Speaker 3: expert obviously, so bye.

495
00:25:41,880 --> 00:25:42,680
Speaker 4: That's two.

496
00:25:44,640 --> 00:25:45,000
Speaker 2: Mm hmm.

497
00:25:46,200 --> 00:25:52,560
Speaker 3: So nothing nice, nothing else in there. No, okay, we

498
00:25:52,640 --> 00:25:54,560
Speaker 3: did just have one of the world's most famous pant

499
00:25:54,560 --> 00:25:56,399
Speaker 3: sexuals this show last that.

500
00:25:56,640 --> 00:26:01,720
Speaker 2: I just want to say, Wayne Brady, Yes, pan sexual.

501
00:26:01,800 --> 00:26:05,800
Speaker 2: I think it's a brave designation. It's it's just not

502
00:26:05,960 --> 00:26:09,200
Speaker 2: for me. I don't like. I don't like how it sounds. Okay,

503
00:26:09,320 --> 00:26:12,159
Speaker 2: I think by is cleaner, but I will.

504
00:26:12,080 --> 00:26:15,560
Speaker 3: Do you think it's dirty filthy to you?

505
00:26:15,600 --> 00:26:19,879
Speaker 2: No, clean in a figurative sense. It's just easier to say.

506
00:26:20,119 --> 00:26:22,480
Speaker 2: And I think it's more widely known, so so it's.

507
00:26:22,359 --> 00:26:23,760
Speaker 4: Dirty to you in a figurative sense.

508
00:26:24,280 --> 00:26:29,440
Speaker 2: Yeah, okay, okay, what's your guys sexuality?

509
00:26:30,800 --> 00:26:33,600
Speaker 4: I don't think I really do that anymore.

510
00:26:33,840 --> 00:26:39,520
Speaker 2: Yeah, what would your wife say your sexuality is?

511
00:26:42,840 --> 00:26:45,520
Speaker 4: They would probably change the subject. I mean, I can't

512
00:26:45,560 --> 00:26:49,520
Speaker 4: imagine anyone even trying to talk to them about it,

513
00:26:49,560 --> 00:26:52,760
Speaker 4: but I know the conversation would be very short, and

514
00:26:52,960 --> 00:26:58,479
Speaker 4: it would probably be them bringing up something else or

515
00:26:58,800 --> 00:27:01,120
Speaker 4: maybe just driving away just saying bye.

516
00:27:01,800 --> 00:27:04,399
Speaker 2: Maybe, but then it would be confusing. That would be

517
00:27:04,480 --> 00:27:07,520
Speaker 2: confusing in that, just like I feel like earlier it

518
00:27:07,640 --> 00:27:08,280
Speaker 2: was confusing.

519
00:27:10,119 --> 00:27:15,760
Speaker 3: I've kind of put out a different thing every episode, honestly. Yeah,

520
00:27:15,800 --> 00:27:17,440
Speaker 3: I was kind of hoping to not have this is

521
00:27:17,480 --> 00:27:24,880
Speaker 3: actually and once again casting my little wishing rod out

522
00:27:24,920 --> 00:27:27,359
Speaker 3: into the pond. Yeah. I was kind of hoping for

523
00:27:27,480 --> 00:27:31,680
Speaker 3: one episode not to have to put out a distinct

524
00:27:32,520 --> 00:27:34,080
Speaker 3: sexual identity, not to.

525
00:27:34,080 --> 00:27:37,400
Speaker 4: Get cornered into labeling my sexual identity, but just being

526
00:27:37,440 --> 00:27:41,880
Speaker 4: able to exist as a a human being. Is that insane?

527
00:27:42,280 --> 00:27:46,600
Speaker 2: Yeahs insane? I would say, so, you're not gonna come

528
00:27:46,600 --> 00:27:48,800
Speaker 2: out in this episode.

529
00:27:48,520 --> 00:27:51,360
Speaker 3: I guess no, if you want me to like pick

530
00:27:51,400 --> 00:27:54,720
Speaker 3: a new one. I mean, like I've done pretty much

531
00:27:54,760 --> 00:27:59,200
Speaker 3: every number of Polly at this point, really episode yeah,

532
00:27:59,520 --> 00:28:02,359
Speaker 3: oh but you I haven't done run Out of Yours

533
00:28:02,480 --> 00:28:05,560
Speaker 3: is two, Like, yeah, I covered I was on six

534
00:28:05,600 --> 00:28:09,040
Speaker 3: hundred episodes, Like we got to that pretty early on,

535
00:28:13,880 --> 00:28:20,159
Speaker 3: so I guess like it's I did three hundred like

536
00:28:20,440 --> 00:28:21,919
Speaker 3: around when the movie came out. It was like kind

537
00:28:21,960 --> 00:28:24,199
Speaker 3: of a promotional episode that like that was what I

538
00:28:24,240 --> 00:28:27,960
Speaker 3: was into that episode. Being in the Holy coool of

539
00:28:28,000 --> 00:28:28,760
Speaker 3: three hundred.

540
00:28:28,480 --> 00:28:30,640
Speaker 2: People sounds tiring.

541
00:28:30,440 --> 00:28:34,439
Speaker 3: So I guess I'll do. Oh oh, twenty eight is it?

542
00:28:34,480 --> 00:28:37,040
Speaker 3: What is twenty eight years later coming out? It is?

543
00:28:39,800 --> 00:28:41,120
Speaker 4: What can we do with that? Yeah?

544
00:28:41,160 --> 00:28:42,840
Speaker 3: I don't know, because we did twenty eight for twenty

545
00:28:42,880 --> 00:28:46,040
Speaker 3: eight weeks later, but maybe it's like twenty eight years

546
00:28:46,280 --> 00:28:47,200
Speaker 3: twenty eight year olds.

547
00:28:48,800 --> 00:28:51,320
Speaker 2: Maybe a little old for that, twenty eight year olds.

548
00:28:51,360 --> 00:28:53,520
Speaker 3: Yeah, okay, Yeah, I.

549
00:28:53,480 --> 00:28:55,600
Speaker 2: Don't know about the girl over here. I don't know

550
00:28:55,600 --> 00:28:56,560
Speaker 2: about the optics for that.

551
00:28:56,840 --> 00:29:03,280
Speaker 5: Okay, necessarily okay, growing up kind of get to class

552
00:29:02,320 --> 00:29:05,400
Speaker 5: that the freshman Orientation.

553
00:29:05,560 --> 00:29:09,280
Speaker 2: I played junior and.

554
00:29:08,280 --> 00:29:10,640
Speaker 3: Oh okay, Old Sea Dog.

555
00:29:13,480 --> 00:29:14,920
Speaker 4: A senior jor.

556
00:29:19,120 --> 00:29:28,760
Speaker 3: Hollywood Whollywood. So it's called ride. It's not about any

557
00:29:28,840 --> 00:29:31,480
Speaker 3: ride that that we know of yet.

558
00:29:31,800 --> 00:29:36,000
Speaker 4: You ride for something? What's something you ride it for?

559
00:29:36,800 --> 00:29:40,320
Speaker 2: Use past tense road on the show. An example of

560
00:29:40,360 --> 00:29:44,080
Speaker 2: something I rode for was changing your mind can be

561
00:29:44,120 --> 00:29:47,080
Speaker 2: a concept, it can be a tangible thing. We wrote,

562
00:29:47,120 --> 00:29:50,200
Speaker 2: I rode for fags once. The scrubs that nurses wear

563
00:29:50,200 --> 00:29:54,760
Speaker 2: of it are sexy, sexy scrubs. And then I rode

564
00:29:54,800 --> 00:29:55,840
Speaker 2: for CarMax once.

565
00:29:56,320 --> 00:29:58,800
Speaker 4: So I don't know why this is making me feel

566
00:29:58,800 --> 00:30:00,200
Speaker 4: like I want to cry right now.

567
00:30:01,520 --> 00:30:02,960
Speaker 2: Is there something you ride for that you want to

568
00:30:03,000 --> 00:30:03,400
Speaker 2: talk about.

569
00:30:04,160 --> 00:30:08,320
Speaker 4: No, No, I just feel like I'm gonna cry right

570
00:30:08,360 --> 00:30:10,200
Speaker 4: now hearing you talk about like CarMax.

571
00:30:10,880 --> 00:30:15,360
Speaker 2: It's CarMax the lip Oh No, it's car Max.

572
00:30:15,560 --> 00:30:16,440
Speaker 3: Oh I thought it was.

573
00:30:16,960 --> 00:30:19,200
Speaker 4: I thought it was like I thought it was like

574
00:30:19,240 --> 00:30:21,800
Speaker 4: the company, like the haggle free car buying company.

575
00:30:21,880 --> 00:30:22,320
Speaker 3: Yeah.

576
00:30:22,400 --> 00:30:26,000
Speaker 2: I've never interacted with that company, so I wouldn't have

577
00:30:26,120 --> 00:30:26,880
Speaker 2: much to say.

578
00:30:26,800 --> 00:30:30,040
Speaker 3: Racial kind of like, it's just CarMax.

579
00:30:31,360 --> 00:30:33,400
Speaker 2: Racial in what sense you.

580
00:30:33,320 --> 00:30:33,920
Speaker 3: Brought it up?

581
00:30:34,600 --> 00:30:36,720
Speaker 4: Yeah, near the one who's making it.

582
00:30:36,720 --> 00:30:38,560
Speaker 3: It's like Max's Mexican or something.

583
00:30:39,320 --> 00:30:39,920
Speaker 4: Car Max.

584
00:30:40,680 --> 00:30:42,480
Speaker 2: I think it's a British company.

585
00:30:42,640 --> 00:30:45,280
Speaker 3: That we don't we do sexuality stuff on here, like

586
00:30:45,320 --> 00:30:47,080
Speaker 3: we don't like racial stuff. We don't.

587
00:30:47,320 --> 00:30:49,040
Speaker 2: You kind of steer clear up, and that's why you

588
00:30:49,760 --> 00:30:53,760
Speaker 2: well never mind, Wow.

589
00:30:53,560 --> 00:31:06,720
Speaker 3: We got it. Well, never mind speaking of steering clear Okay,

590
00:31:06,840 --> 00:31:09,360
Speaker 3: And this is I mean, it's obviously very different from

591
00:31:09,400 --> 00:31:12,640
Speaker 3: being obsessed. We'll get that out of the way right here.

592
00:31:12,720 --> 00:31:18,880
Speaker 3: Being obsessed. So anyone from Spotify who's like, hey, that's

593
00:31:18,920 --> 00:31:22,800
Speaker 3: our show. We canceled it, but we still own it.

594
00:31:22,880 --> 00:31:25,320
Speaker 3: You can't do it anymore. Well, we're not.

595
00:31:25,080 --> 00:31:27,680
Speaker 4: We're we're not obsessed with this stuff. We're rioting for

596
00:31:27,720 --> 00:31:28,560
Speaker 4: it exactly.

597
00:31:28,680 --> 00:31:30,520
Speaker 2: Yeah, I'm shocked you guys, what are.

598
00:31:30,400 --> 00:31:32,640
Speaker 4: Something you were obsessed with? CarMax?

599
00:31:33,240 --> 00:31:34,400
Speaker 2: I'm not here to talk about that.

600
00:31:34,640 --> 00:31:40,320
Speaker 4: Okay, what are you here to do? Sorry? One second?

601
00:31:40,520 --> 00:31:41,640
Speaker 4: What are you here to do?

602
00:31:42,120 --> 00:31:46,160
Speaker 2: I thought I was hosting What's with an episode of Abundance?

603
00:31:46,520 --> 00:31:48,120
Speaker 2: That was the prompt, what's with this?

604
00:31:48,280 --> 00:31:52,760
Speaker 3: The key art? On the show? Everyone's all piled up?

605
00:31:53,600 --> 00:31:56,360
Speaker 2: It's a party party, we pull up this key art.

606
00:31:56,520 --> 00:31:58,440
Speaker 4: I want to get a look at it too, because

607
00:32:00,360 --> 00:32:01,640
Speaker 4: I haven't had a chance.

608
00:32:02,160 --> 00:32:04,520
Speaker 2: You've been too busy in the severance writer's room. Do

609
00:32:04,560 --> 00:32:06,080
Speaker 2: you they make you go up in an elevator and

610
00:32:06,120 --> 00:32:07,840
Speaker 2: you can't remember what you did at work?

611
00:32:09,480 --> 00:32:09,560
Speaker 4: No?

612
00:32:15,840 --> 00:32:19,200
Speaker 3: That makes me feel like she she thinks she's in

613
00:32:19,240 --> 00:32:25,960
Speaker 3: like college for real, and she and has really immersed

614
00:32:25,960 --> 00:32:30,640
Speaker 3: herself at Big Straight as well. Doesn't seem very proud

615
00:32:30,640 --> 00:32:30,800
Speaker 3: of me?

616
00:32:31,080 --> 00:32:32,040
Speaker 2: Look at this key art?

617
00:32:33,040 --> 00:32:35,280
Speaker 4: Doesn't that one's gotta look at the key ard? I

618
00:32:35,280 --> 00:32:36,360
Speaker 4: would like to understand.

619
00:32:36,440 --> 00:32:40,400
Speaker 3: Everyone's all look at God, look at this Everyone's all

620
00:32:40,440 --> 00:32:44,360
Speaker 3: piled up. It's been pretty fun to shoot though, but disgusting.

621
00:32:44,560 --> 00:32:47,520
Speaker 3: Oh my gosh, it looks like everyone's having a pretty

622
00:32:47,520 --> 00:32:47,840
Speaker 3: good time.

623
00:32:47,960 --> 00:32:53,520
Speaker 4: Oh my god. Oh wait, oh we know this guy.

624
00:32:55,720 --> 00:32:59,360
Speaker 4: Oh we know one of these guys. Which one doing

625
00:32:59,440 --> 00:32:59,920
Speaker 4: this show?

626
00:33:00,160 --> 00:33:00,400
Speaker 1: Yeah?

627
00:33:00,560 --> 00:33:03,480
Speaker 4: Yeah, Dog de Marco, he's yeah, big Dog de Marco.

628
00:33:03,760 --> 00:33:05,720
Speaker 2: Yeah, that's what his name was on the call sheet too.

629
00:33:07,160 --> 00:33:09,200
Speaker 4: That's why I said it, big Dog de Marco.

630
00:33:09,800 --> 00:33:10,680
Speaker 3: He's done the show.

631
00:33:11,320 --> 00:33:11,760
Speaker 2: Mm hmm.

632
00:33:12,240 --> 00:33:15,280
Speaker 3: He's doing it again soon to promote this.

633
00:33:16,560 --> 00:33:22,320
Speaker 4: No, okay, I hope, because it's like, you're barely getting

634
00:33:22,400 --> 00:33:25,880
Speaker 4: half an episode out of this, and then we're gonna

635
00:33:25,880 --> 00:33:29,640
Speaker 4: have him here on the same promotional tour.

636
00:33:29,880 --> 00:33:32,960
Speaker 3: I thought Amazon might have just anticipated that they might

637
00:33:33,000 --> 00:33:35,120
Speaker 3: want another another cut at.

638
00:33:34,920 --> 00:33:37,880
Speaker 4: It, and then they get to pick what.

639
00:33:39,560 --> 00:33:41,640
Speaker 2: They thought, maybe that a straight white guy could relate

640
00:33:41,680 --> 00:33:44,720
Speaker 2: to you guys better. They were doing a litmus test

641
00:33:44,720 --> 00:33:47,640
Speaker 2: with a Bye Girl. But it's clearly not going very well.

642
00:33:47,760 --> 00:33:50,360
Speaker 4: So the good Bye Girl.

643
00:33:51,880 --> 00:33:53,680
Speaker 3: He could be bye if he wanted.

644
00:33:54,120 --> 00:33:56,360
Speaker 2: Adam, you should tell him that.

645
00:33:57,320 --> 00:34:00,680
Speaker 3: I'm going to. First of all, I am him right now.

646
00:34:00,720 --> 00:34:02,959
Speaker 3: He's a fan of the show, lists the show, he's

647
00:34:03,000 --> 00:34:06,240
Speaker 3: gonna know, so literally everything I've said, I've been telling

648
00:34:06,200 --> 00:34:07,200
Speaker 3: you that's true.

649
00:34:07,240 --> 00:34:09,160
Speaker 4: We were told you were a fan of the show.

650
00:34:09,200 --> 00:34:10,200
Speaker 4: How does that make you feel?

651
00:34:11,239 --> 00:34:12,600
Speaker 3: Who? Who told? Yeah?

652
00:34:12,680 --> 00:34:15,959
Speaker 4: What was that publicist? I walked in and I heard

653
00:34:16,800 --> 00:34:19,560
Speaker 4: she's a fan of the show. And then when I

654
00:34:19,640 --> 00:34:22,120
Speaker 4: start talking to you, I was like, this motherfucker has

655
00:34:22,200 --> 00:34:23,480
Speaker 4: no idea what this show is.

656
00:34:23,960 --> 00:34:25,600
Speaker 2: Yes, I've heard the show. I've listened to.

657
00:34:25,680 --> 00:34:30,799
Speaker 3: Personal publicist or one for the show. I think one

658
00:34:30,800 --> 00:34:32,839
Speaker 3: for the show. Do you have a personal one?

659
00:34:33,960 --> 00:34:38,040
Speaker 2: It was my personal publicist, But it's not really personal,

660
00:34:38,120 --> 00:34:41,040
Speaker 2: it's professional. I would say. She doesn't like go out

661
00:34:41,080 --> 00:34:43,480
Speaker 2: and like publicize, like what's going on in my family

662
00:34:43,560 --> 00:34:46,640
Speaker 2: or anything. It's about the show. I brought. I brought

663
00:34:46,640 --> 00:34:48,160
Speaker 2: them on feet for the show.

664
00:34:49,000 --> 00:34:52,839
Speaker 3: So it's just for this project, just for this podcast,

665
00:34:53,280 --> 00:34:54,960
Speaker 3: just for this podcast. I couldn't.

666
00:34:55,120 --> 00:34:57,000
Speaker 2: I couldn't get cut through the noise of all the

667
00:34:57,040 --> 00:35:01,120
Speaker 2: people clamoring to do Hollywood Handbook. Well here, I said,

668
00:35:01,160 --> 00:35:03,760
Speaker 2: what is this a podcast or Variety's Comics to watch?

669
00:35:03,880 --> 00:35:05,560
Speaker 2: Can we get the guard to get on here in

670
00:35:05,560 --> 00:35:07,080
Speaker 2: the Varieties Comics to watch?

671
00:35:07,080 --> 00:35:11,680
Speaker 3: Did you get Varieties Comics to watch? Yeah? Okay, m BB.

672
00:35:13,440 --> 00:35:17,200
Speaker 4: M BB can we get the Uh, can we get

673
00:35:17,239 --> 00:35:18,879
Speaker 4: the guy you were trying to impress on the horn?

674
00:35:19,040 --> 00:35:21,080
Speaker 4: See what he thinks about how this is going so far?

675
00:35:21,200 --> 00:35:22,920
Speaker 2: Well, he wouldn't know what he because it hasn't come

676
00:35:22,920 --> 00:35:23,399
Speaker 2: out yet.

677
00:35:24,120 --> 00:35:27,799
Speaker 4: Yeah, but he could feel it. I mean, a couple

678
00:35:27,840 --> 00:35:29,920
Speaker 4: of seconds on speaker, you're gonna have to say his name.

679
00:35:29,960 --> 00:35:31,640
Speaker 4: Would it be weird for you? Would it be weird

680
00:35:31,680 --> 00:35:32,400
Speaker 4: for you to call her?

681
00:35:34,040 --> 00:35:36,359
Speaker 3: So everyone gets to know your name and no one

682
00:35:36,400 --> 00:35:39,799
Speaker 3: gets to even know who he is. Ever, I haven't.

683
00:35:39,800 --> 00:35:42,080
Speaker 4: I don't know why I've got this like bad vibe.

684
00:35:42,239 --> 00:35:44,040
Speaker 4: The guy you were dating isn't the same guy who

685
00:35:44,040 --> 00:35:44,719
Speaker 4: fired your dad?

686
00:35:44,800 --> 00:35:45,120
Speaker 3: Is it?

687
00:35:46,520 --> 00:35:47,520
Speaker 2: I'm not here to talk about.

688
00:35:47,719 --> 00:35:48,640
Speaker 3: Is he a comedy guy?

689
00:35:51,080 --> 00:35:53,759
Speaker 4: He would feel good if it's a fan of our show,

690
00:35:53,920 --> 00:35:58,200
Speaker 4: he would say so, but but I doubt many would.

691
00:35:58,280 --> 00:36:02,640
Speaker 3: Does he do stand up? No, that's why it didn't work.

692
00:36:03,760 --> 00:36:07,880
Speaker 4: We are We're a special breed. You know, it's a

693
00:36:09,360 --> 00:36:10,040
Speaker 4: different thing.

694
00:36:10,400 --> 00:36:12,799
Speaker 2: There's something about guys who don't do stand up at

695
00:36:12,800 --> 00:36:16,839
Speaker 2: their own language us like, because I also do stand up.

696
00:36:17,040 --> 00:36:19,400
Speaker 3: I know what we're saying.

697
00:36:19,480 --> 00:36:22,960
Speaker 4: The reason it didn't work is because we are part

698
00:36:23,000 --> 00:36:27,239
Speaker 4: of this I boldy work an outsider just is never

699
00:36:27,480 --> 00:36:29,359
Speaker 4: going to really understand us.

700
00:36:29,520 --> 00:36:32,080
Speaker 3: It's just about being at the table road.

701
00:36:32,400 --> 00:36:37,080
Speaker 4: Yes, you know, at the table on the road, living

702
00:36:37,160 --> 00:36:39,000
Speaker 4: out of a.

703
00:36:38,320 --> 00:36:42,319
Speaker 2: Man book bag or yeah. Yeah, it's hard. It's hard.

704
00:36:42,360 --> 00:36:44,200
Speaker 2: It's hard on personal relationships.

705
00:36:45,000 --> 00:36:50,600
Speaker 4: And by the way, it's all material everything. I mean,

706
00:36:50,640 --> 00:36:52,640
Speaker 4: you have what you think is a private moment, the

707
00:36:52,680 --> 00:36:55,600
Speaker 4: next night it's getting nerrored out on stage in front

708
00:36:55,600 --> 00:37:00,520
Speaker 4: of everybody, and it's and it's getting laughs and and

709
00:37:00,600 --> 00:37:04,239
Speaker 4: sometimes you're the you're the butt of the joke, and

710
00:37:04,320 --> 00:37:07,560
Speaker 4: sometimes you know you're the hero of the story, but

711
00:37:07,640 --> 00:37:10,799
Speaker 4: you don't get to pick. It's how it gets filtered

712
00:37:10,880 --> 00:37:14,480
Speaker 4: through this like crazy prism that is the comic's mind.

713
00:37:15,080 --> 00:37:17,640
Speaker 4: And talk about that a little bit. Speak on that,

714
00:37:17,800 --> 00:37:21,359
Speaker 4: because you wanted to kind of explain, like, you know

715
00:37:21,600 --> 00:37:25,440
Speaker 4: what that what that process is for you. It's different

716
00:37:25,440 --> 00:37:30,919
Speaker 4: for everybody obviously, but that your your brain is sort

717
00:37:30,960 --> 00:37:35,080
Speaker 4: of this like crazy machine that like transforms these little

718
00:37:35,080 --> 00:37:39,319
Speaker 4: interactions that you have into like well it's rumpel stilt

719
00:37:39,360 --> 00:37:42,319
Speaker 4: skin up there, Yeah, spinning the straw into gold, and

720
00:37:42,360 --> 00:37:43,920
Speaker 4: it's comic gold that comes out.

721
00:37:44,000 --> 00:37:46,479
Speaker 3: Because if you because it's to talk about you say,

722
00:37:46,600 --> 00:37:49,319
Speaker 3: you say, I'm also a stand up, And I think

723
00:37:49,360 --> 00:37:51,160
Speaker 3: you know as well as we do. If you're if

724
00:37:51,200 --> 00:37:55,719
Speaker 3: you're an actress, a podcast host, and a stand up,

725
00:37:56,520 --> 00:37:57,319
Speaker 3: you're a stand up.

726
00:37:59,000 --> 00:37:59,800
Speaker 2: Stand up first.

727
00:38:00,080 --> 00:38:05,200
Speaker 3: If you're a stand up, an ex girlfriend and a

728
00:38:05,239 --> 00:38:06,360
Speaker 3: college student.

729
00:38:06,640 --> 00:38:09,960
Speaker 2: Your stand up, you're a stand up. Yeah. Well, I

730
00:38:09,960 --> 00:38:13,040
Speaker 2: would say as far as my process, I just I'm

731
00:38:13,080 --> 00:38:17,960
Speaker 2: just there to hold a mirror up to society. He did. Yeah,

732
00:38:18,000 --> 00:38:24,200
Speaker 2: and sometimes people don't like what's reflected back at them.

733
00:38:24,239 --> 00:38:25,320
Speaker 2: What do you think about that.

734
00:38:26,000 --> 00:38:26,640
Speaker 4: I was talking to.

735
00:38:28,640 --> 00:38:29,800
Speaker 3: You're there hold.

736
00:38:31,440 --> 00:38:34,920
Speaker 2: Up to society, and sometimes people don't like what they see, but.

737
00:38:34,920 --> 00:38:38,640
Speaker 3: Sometimes people like they're more used to what they look

738
00:38:38,719 --> 00:38:42,640
Speaker 3: like in a mirror. What people actually don't like is

739
00:38:42,680 --> 00:38:43,760
Speaker 3: seeing what they look.

740
00:38:43,800 --> 00:38:46,880
Speaker 4: Like photo or something.

741
00:38:47,280 --> 00:38:50,319
Speaker 3: So people actually probably like it when you do that.

742
00:38:51,080 --> 00:38:54,160
Speaker 3: But it can be difficult to explain to your boyfriend

743
00:38:54,160 --> 00:38:55,040
Speaker 3: that he is part of.

744
00:38:55,040 --> 00:38:58,360
Speaker 2: Society, right, because I think people like to believe that

745
00:38:58,400 --> 00:39:00,680
Speaker 2: they're like above it or whatever, but they're not.

746
00:39:00,719 --> 00:39:04,960
Speaker 3: They're not, so you are because you're holding the mirror.

747
00:39:05,040 --> 00:39:07,879
Speaker 2: I'm literally on a stage. I'm above them all, which

748
00:39:07,920 --> 00:39:09,279
Speaker 2: I'm sure you guys know about that.

749
00:39:10,760 --> 00:39:14,440
Speaker 3: Oh yeah, and we're also tall, so yeah.

750
00:39:14,200 --> 00:39:19,960
Speaker 4: How are you, that's stupid. Just say I gotta talk

751
00:39:20,000 --> 00:39:20,319
Speaker 4: about it.

752
00:39:21,000 --> 00:39:24,759
Speaker 2: I know you're taller, but how tall are you? Yeah, it.

753
00:39:26,239 --> 00:39:26,799
Speaker 4: Doesn't matter.

754
00:39:26,920 --> 00:39:29,160
Speaker 2: Well, I'm I'm the host and I'm asking, and I

755
00:39:29,200 --> 00:39:31,279
Speaker 2: thought this was an episode of abundance. You don't even

756
00:39:31,320 --> 00:39:32,840
Speaker 2: want to answer a question of numbers.

757
00:39:33,040 --> 00:39:34,279
Speaker 3: How tall is Benny?

758
00:39:34,520 --> 00:39:35,359
Speaker 2: Benny six to one?

759
00:39:36,640 --> 00:39:39,919
Speaker 4: Perfect? Yeah, of course, Jesus Christ. This is nice.

760
00:39:40,320 --> 00:39:43,560
Speaker 2: Interesting you have a woman on the podcast and you

761
00:39:43,600 --> 00:39:46,880
Speaker 2: ask about her male co host height, Like, I'm sitting

762
00:39:46,960 --> 00:39:51,160
Speaker 2: right here, do you even care how tall I am?

763
00:39:51,400 --> 00:39:53,840
Speaker 3: But but when.

764
00:39:53,640 --> 00:39:56,000
Speaker 2: I that's what I thought, that's what I thought.

765
00:39:56,880 --> 00:40:00,279
Speaker 3: That's fine. The episodes asking about women's bodies, and that

766
00:40:00,719 --> 00:40:01,680
Speaker 3: also was bad.

767
00:40:02,200 --> 00:40:05,719
Speaker 4: Yeah, we used to really go through all the specs,

768
00:40:05,800 --> 00:40:07,120
Speaker 4: like anytime we had.

769
00:40:07,840 --> 00:40:10,560
Speaker 3: Not that part, say okay, let's try a different part.

770
00:40:10,960 --> 00:40:11,920
Speaker 3: That's even worse.

771
00:40:12,520 --> 00:40:15,799
Speaker 4: Yeah, okay, But we were, we were. We spent a

772
00:40:15,960 --> 00:40:18,200
Speaker 4: lot of episodes. I mean, this is episode six o one,

773
00:40:18,320 --> 00:40:22,040
Speaker 4: probably four hundred episodes we spent asking about essentially women's measures.

774
00:40:23,320 --> 00:40:27,040
Speaker 3: You guys have an insane number of parts. Yeah, Like

775
00:40:27,320 --> 00:40:30,480
Speaker 3: it's not a criticism, but like, give me a fucking like,

776
00:40:30,719 --> 00:40:34,120
Speaker 3: Jesus Christ, it's too much can I just how many,

777
00:40:34,200 --> 00:40:35,319
Speaker 3: honestly do we need?

778
00:40:35,480 --> 00:40:38,759
Speaker 2: Like I feel like your wives avoiding talking about your

779
00:40:38,760 --> 00:40:48,600
Speaker 2: guys sexuality is starting to make more sense.

780
00:40:49,800 --> 00:40:55,240
Speaker 3: Oh good oh thank goodness. But this is just good news.

781
00:40:55,520 --> 00:40:58,279
Speaker 3: It is fair game, Like she's right, you know, like

782
00:40:58,360 --> 00:41:00,800
Speaker 3: the wives, this is what they signed up.

783
00:41:00,640 --> 00:41:04,480
Speaker 4: For, right well, because when you're a husband being with

784
00:41:04,560 --> 00:41:06,879
Speaker 4: guys like stand up, yeah, you know what.

785
00:41:06,760 --> 00:41:10,800
Speaker 2: I mean, stand up, you might be a husband. But

786
00:41:10,840 --> 00:41:12,840
Speaker 2: if you're a stand up and a husband your standing a.

787
00:41:12,840 --> 00:41:16,000
Speaker 3: Stand up, you might be a stand up husband as well.

788
00:41:19,760 --> 00:41:23,359
Speaker 2: So interesting the dynamic you guys have. Have you ever

789
00:41:23,400 --> 00:41:23,839
Speaker 2: hooked up?

790
00:41:25,120 --> 00:41:27,360
Speaker 3: Have Sean and I hooked up? Or me and my wife?

791
00:41:27,840 --> 00:41:29,160
Speaker 2: Yeah, you guys together.

792
00:41:35,120 --> 00:41:38,879
Speaker 3: Hooked. It's been I mean like it's been so many

793
00:41:39,000 --> 00:41:40,040
Speaker 3: episodes that.

794
00:41:39,960 --> 00:41:41,320
Speaker 2: You can't fully remember.

795
00:41:42,000 --> 00:41:44,239
Speaker 3: And somebody, you know how sometimes you feel like.

796
00:41:45,760 --> 00:41:47,280
Speaker 2: We've done like ninety something.

797
00:41:47,160 --> 00:41:50,040
Speaker 3: Okay, so even that many you'll be talking about something

798
00:41:50,760 --> 00:41:53,239
Speaker 3: and be like, did we do this all? Righty? Do

799
00:41:53,320 --> 00:41:55,359
Speaker 3: we have this exact same conversation before?

800
00:41:55,560 --> 00:41:55,759
Speaker 2: Yeah?

801
00:41:55,760 --> 00:41:58,040
Speaker 3: And that's how I sometimes think about, like should se

802
00:41:58,160 --> 00:41:59,080
Speaker 3: and I hook up on this one?

803
00:41:59,080 --> 00:42:02,040
Speaker 4: And I'll be like that are people sick of that?

804
00:42:02,080 --> 00:42:04,880
Speaker 4: And we just hook up are people? Are people going

805
00:42:04,920 --> 00:42:06,640
Speaker 4: to be like, oh great, they're hooking up again, like

806
00:42:06,640 --> 00:42:08,480
Speaker 4: they're sick of it because I think you might have

807
00:42:08,480 --> 00:42:08,759
Speaker 4: done it.

808
00:42:08,920 --> 00:42:11,000
Speaker 3: You don't want to do something and be like you

809
00:42:11,040 --> 00:42:13,279
Speaker 3: did that, Like they'll be listening to like you did

810
00:42:13,320 --> 00:42:14,600
Speaker 3: that already? I know?

811
00:42:14,760 --> 00:42:16,319
Speaker 2: Is that the type of listeners you guys have.

812
00:42:17,000 --> 00:42:19,680
Speaker 4: We have all kinds of listeners okay, just good, all

813
00:42:19,760 --> 00:42:21,759
Speaker 4: kinds of listeners we have. You did that already. We

814
00:42:22,360 --> 00:42:25,080
Speaker 4: have You used to do something I liked? You stop

815
00:42:25,160 --> 00:42:29,160
Speaker 4: doing it? We have? Will you please do something else?

816
00:42:29,480 --> 00:42:31,880
Speaker 2: What's the request you guys have gotten? Maybe you could.

817
00:42:31,719 --> 00:42:34,680
Speaker 3: Try this because of the guests did not care for it.

818
00:42:37,800 --> 00:42:38,200
Speaker 3: We have that.

819
00:42:38,400 --> 00:42:40,360
Speaker 2: Well, it's something you guys haven't done that that people

820
00:42:40,360 --> 00:42:40,960
Speaker 2: want to see.

821
00:42:42,440 --> 00:42:48,160
Speaker 4: Had you on? That's what you want to hear, right, Oh,

822
00:42:48,560 --> 00:42:53,160
Speaker 4: they've really been clamoring for a Mary Beth Barone episode,

823
00:42:53,320 --> 00:42:56,120
Speaker 4: so I'm sure they'll love this one. You really put

824
00:42:56,120 --> 00:43:00,360
Speaker 4: your best put forward. That's this has been. This is

825
00:43:00,360 --> 00:43:05,640
Speaker 4: what it's all been leading to six oh one. It's

826
00:43:05,680 --> 00:43:17,920
Speaker 4: like everything is like, forget it, Mary Beth. Can you

827
00:43:17,920 --> 00:43:19,239
Speaker 4: help me with an Instagram post?

828
00:43:19,280 --> 00:43:23,680
Speaker 3: I'm trying to do as I'm trying to let everyone know.

829
00:43:23,680 --> 00:43:28,320
Speaker 4: I'm gonna be taking a short break from Instagram.

830
00:43:28,400 --> 00:43:29,600
Speaker 2: Okay, so kind of classic.

831
00:43:33,960 --> 00:43:35,200
Speaker 3: How do how do I start?

832
00:43:35,600 --> 00:43:37,560
Speaker 2: Are you? Are you gonna pull it up on the TV?

833
00:43:37,760 --> 00:43:38,440
Speaker 3: Or I can't?

834
00:43:38,640 --> 00:43:41,280
Speaker 4: I can't. I can't dispute it. I seem to remember

835
00:43:41,320 --> 00:43:43,160
Speaker 4: some other laughs.

836
00:43:42,960 --> 00:43:45,560
Speaker 3: But I don't have the board in front of me.

837
00:43:45,600 --> 00:43:48,600
Speaker 2: Can I say? The most powerful statement about leaving Instagram

838
00:43:48,680 --> 00:43:50,799
Speaker 2: is to just just leave it. You don't even have

839
00:43:50,840 --> 00:43:51,480
Speaker 2: to say anything.

840
00:43:52,520 --> 00:43:58,960
Speaker 3: But then that does you can't like engage. You can't

841
00:43:59,000 --> 00:44:03,000
Speaker 3: like do a post about not doing that, you know

842
00:44:03,040 --> 00:44:03,480
Speaker 3: what I mean?

843
00:44:04,719 --> 00:44:08,000
Speaker 4: Yeah, it's a fundamental misunderstanding of the entire premise of

844
00:44:08,040 --> 00:44:08,920
Speaker 4: what Kevin's doing.

845
00:44:09,320 --> 00:44:13,960
Speaker 2: Okay, we'll get the notes out back up then Kevin, Okay,

846
00:44:14,000 --> 00:44:15,240
Speaker 2: so why are you taking a break?

847
00:44:16,080 --> 00:44:16,279
Speaker 3: Then?

848
00:44:17,040 --> 00:44:19,200
Speaker 2: It's just so much is happening in the world right now,

849
00:44:19,239 --> 00:44:21,120
Speaker 2: I need to take a break. Okay. Well, we definitely

850
00:44:21,160 --> 00:44:23,200
Speaker 2: don't want to say that in the post because that'll

851
00:44:23,239 --> 00:44:26,640
Speaker 2: get picked apart, like you know, oh, you're white. You

852
00:44:26,680 --> 00:44:28,480
Speaker 2: can just tune it out that sort of thing.

853
00:44:29,239 --> 00:44:32,239
Speaker 4: Okay, should it be like, well, maybe say you're not.

854
00:44:32,239 --> 00:44:32,840
Speaker 3: White, Kevin?

855
00:44:33,360 --> 00:44:35,560
Speaker 2: I think you should make it more about a personal crisis,

856
00:44:35,560 --> 00:44:38,799
Speaker 2: so that'll spark intrigue and then you can just sort of.

857
00:44:38,719 --> 00:44:40,880
Speaker 4: Dip out to be a crisis that he's not white.

858
00:44:42,760 --> 00:44:48,120
Speaker 4: It could be a positive thing. Really, I'm just saying,

859
00:44:48,239 --> 00:44:50,960
Speaker 4: as soon as we landed on I think sort of

860
00:44:51,000 --> 00:44:52,960
Speaker 4: a rich area that Kevin's going to post that he's

861
00:44:53,600 --> 00:44:55,240
Speaker 4: not white and he's taking a break.

862
00:44:55,280 --> 00:44:55,800
Speaker 3: Able to avoid.

863
00:44:57,080 --> 00:44:59,520
Speaker 4: You're like, yeah, you were like, oh, it's an emergency.

864
00:44:59,560 --> 00:45:00,799
Speaker 4: This is like a bad thing.

865
00:45:02,120 --> 00:45:04,640
Speaker 2: All I'm saying is I see a black square in

866
00:45:04,680 --> 00:45:06,759
Speaker 2: the notesapp under January, which I didn't even know you

867
00:45:06,760 --> 00:45:09,200
Speaker 2: could do. And so now I'm thinking, did you post

868
00:45:09,280 --> 00:45:12,040
Speaker 2: the black square? And you're just feeling kind of anxious

869
00:45:12,040 --> 00:45:13,640
Speaker 2: about it, Kevin, and that's why you want to take

870
00:45:13,640 --> 00:45:14,760
Speaker 2: a break from social media.

871
00:45:15,040 --> 00:45:16,640
Speaker 4: Let's see who posted the black square.

872
00:45:17,960 --> 00:45:20,000
Speaker 2: I can't read this.

873
00:45:20,000 --> 00:45:23,759
Speaker 3: This is headgums kind of collective notes, right, yep, yeah,

874
00:45:23,760 --> 00:45:24,879
Speaker 3: it's a drop box link.

875
00:45:25,080 --> 00:45:29,520
Speaker 2: Okay, well I guess oh that's a good actually, Okay,

876
00:45:29,680 --> 00:45:33,800
Speaker 2: So I think that the message should say I'm hey everyone,

877
00:45:33,840 --> 00:45:39,319
Speaker 2: Hello to my followers, followers, thanks so much for your Yeah,

878
00:45:39,680 --> 00:45:43,480
Speaker 2: thanks so much for your loyalty throughout the years. I'm

879
00:45:43,560 --> 00:45:46,120
Speaker 2: drowning in work right now, So we're going to step away.

880
00:45:46,280 --> 00:45:47,960
Speaker 3: So much for the fellows.

881
00:45:51,000 --> 00:45:53,319
Speaker 2: I've decided to take a break from social media due

882
00:45:53,320 --> 00:45:55,719
Speaker 2: to the workload put upon me by the host of

883
00:45:55,760 --> 00:45:59,240
Speaker 2: Hollywood Handbook and the abusive conditions under which I'm forced

884
00:45:59,239 --> 00:46:00,920
Speaker 2: to work day and day in Silver Lake at the

885
00:46:00,920 --> 00:46:04,560
Speaker 2: Headgume Studio. I'm doing fine legally, I have to say that,

886
00:46:04,760 --> 00:46:06,600
Speaker 2: but I hope your return one day. It's just not

887
00:46:06,680 --> 00:46:09,040
Speaker 2: something I can process right now. Do you you guys

888
00:46:09,080 --> 00:46:09,880
Speaker 2: so much? Do you.

889
00:46:11,320 --> 00:46:14,000
Speaker 4: Because you've done this TV show? When you're in production

890
00:46:14,120 --> 00:46:17,440
Speaker 4: on a show, do you do like an automatic response

891
00:46:17,520 --> 00:46:19,839
Speaker 4: like a way message where every email that you get

892
00:46:20,320 --> 00:46:22,520
Speaker 4: kicks back to be like, I'm in production on a

893
00:46:22,560 --> 00:46:24,759
Speaker 4: TV show right now, may not get back to you

894
00:46:24,840 --> 00:46:25,319
Speaker 4: on time.

895
00:46:25,840 --> 00:46:27,920
Speaker 2: So no, And I'll tell you why. And maybe you

896
00:46:27,920 --> 00:46:30,480
Speaker 2: wouldn't know this because you've never you've never acted on

897
00:46:30,480 --> 00:46:32,200
Speaker 2: a TV show before. You've just sort of been behind

898
00:46:32,239 --> 00:46:34,719
Speaker 2: the scenes because whatever, maybe like you don't have the

899
00:46:34,760 --> 00:46:37,600
Speaker 2: look or whatever it is for an actor. There's a

900
00:46:37,600 --> 00:46:39,759
Speaker 2: lot of downtime on set. So I would say, if anything,

901
00:46:39,800 --> 00:46:41,919
Speaker 2: I respond to emails like faster, can I.

902
00:46:41,880 --> 00:46:50,279
Speaker 3: Just say and I'll handle this. It's so it's so

903
00:46:50,640 --> 00:46:53,439
Speaker 3: funny to me. It's so funny that you would say

904
00:46:53,440 --> 00:46:56,840
Speaker 3: that he doesn't have the look when he actually is

905
00:46:56,960 --> 00:47:00,839
Speaker 3: cast in rolls, where that is literally the only thing

906
00:47:00,880 --> 00:47:02,000
Speaker 3: they want him to do.

907
00:47:02,520 --> 00:47:07,560
Speaker 2: Is to just look no lines. I bet, I bet

908
00:47:07,600 --> 00:47:09,719
Speaker 2: you get a lot of stuff that Adam Divine passed on.

909
00:47:09,800 --> 00:47:10,359
Speaker 3: Can I see?

910
00:47:10,840 --> 00:47:13,560
Speaker 4: Can I see from your own Divine doesn't pass on anything?

911
00:47:13,600 --> 00:47:17,920
Speaker 4: First of all, can I see from dear friend? And

912
00:47:17,960 --> 00:47:21,160
Speaker 4: I've never known to pass on a single thing? Show

913
00:47:21,200 --> 00:47:25,320
Speaker 4: her from the movie raise or commercial your own movie?

914
00:47:25,320 --> 00:47:26,879
Speaker 3: That's imposed right now? Let me see?

915
00:47:26,960 --> 00:47:33,439
Speaker 4: Oh yeah, show hang on, I give that look in it?

916
00:47:33,600 --> 00:47:34,680
Speaker 4: Does that look familiar?

917
00:47:35,280 --> 00:47:37,040
Speaker 2: Well, it's just it's just what you've been doing on

918
00:47:37,040 --> 00:47:41,120
Speaker 2: the podcast. It's cool you wrote yourself into the movie.

919
00:47:41,280 --> 00:47:43,399
Speaker 2: I guess some actors can audition in book things. Other

920
00:47:43,400 --> 00:47:45,200
Speaker 2: people need to write stuff for themselves.

921
00:47:45,840 --> 00:47:49,960
Speaker 4: Yeah. Have you gotten a lot of requests to write

922
00:47:49,960 --> 00:47:50,520
Speaker 4: first stuff?

923
00:47:51,600 --> 00:47:52,400
Speaker 2: No?

924
00:47:52,400 --> 00:47:56,319
Speaker 4: No, But you write material like when you go up

925
00:47:56,320 --> 00:47:56,880
Speaker 4: on stage.

926
00:47:57,200 --> 00:47:59,960
Speaker 2: Yeah, I mean I think it's really great.

927
00:48:00,080 --> 00:48:04,600
Speaker 3: It is that like you like. Obviously, some might say

928
00:48:04,640 --> 00:48:07,279
Speaker 3: that Benny felt an obligation to put you in the

929
00:48:07,320 --> 00:48:09,839
Speaker 3: show because you've worked together for so long, But that

930
00:48:09,960 --> 00:48:14,560
Speaker 3: you did a totally anonymous audition that he didn't even

931
00:48:14,640 --> 00:48:17,040
Speaker 3: know that this was his friend and someone that he'd

932
00:48:17,080 --> 00:48:20,680
Speaker 3: been doing a podcast with for so long. I like,

933
00:48:20,840 --> 00:48:21,960
Speaker 3: I think that's beautiful.

934
00:48:22,400 --> 00:48:24,359
Speaker 2: He wrote, he wrote me a part in the show

935
00:48:24,400 --> 00:48:27,799
Speaker 2: because he is very inspired by me. His words. I

936
00:48:27,800 --> 00:48:29,799
Speaker 2: think it's interesting that you made a movie that's now

937
00:48:29,800 --> 00:48:31,880
Speaker 2: in post. How many scenes did you have in it?

938
00:48:32,800 --> 00:48:37,439
Speaker 3: I did? Like, again, people watching it be like he's

939
00:48:37,480 --> 00:48:39,960
Speaker 3: only in there because they've done the podcast for six

940
00:48:40,040 --> 00:48:43,160
Speaker 3: hundred and one episodes. That's not for me. That's not

941
00:48:43,239 --> 00:48:46,359
Speaker 3: the kind of attention I want. Okay, you know like

942
00:48:46,480 --> 00:48:51,120
Speaker 3: that Like that to me is like I'm not sitting

943
00:48:51,239 --> 00:48:53,560
Speaker 3: cal what's the matter?

944
00:48:54,360 --> 00:48:57,960
Speaker 2: Something in my throat? It's kind of dusty in here.

945
00:48:59,120 --> 00:49:03,280
Speaker 3: And that Like that's bad. Your show is at dusty.

946
00:49:03,360 --> 00:49:05,279
Speaker 2: Like, no, we don't do it in a garage. We

947
00:49:05,320 --> 00:49:07,360
Speaker 2: do it in office. Know.

948
00:49:07,520 --> 00:49:10,680
Speaker 4: This number is where they have walls and stuff. It's

949
00:49:10,680 --> 00:49:14,640
Speaker 4: the number of episodes I've done of this many different

950
00:49:14,680 --> 00:49:19,560
Speaker 4: TV shows. Three episodes on three shows.

951
00:49:20,560 --> 00:49:26,760
Speaker 2: That's really cool. Yeah, so you've done three shows. Yeah,

952
00:49:26,840 --> 00:49:29,160
Speaker 2: and you were sort of playing an Adam divine type.

953
00:49:32,040 --> 00:49:33,759
Speaker 3: I'm not seeing that at all.

954
00:49:33,880 --> 00:49:35,120
Speaker 4: I just I don't even know.

955
00:49:35,360 --> 00:49:40,760
Speaker 3: I think you've that's a that's a miss for Maybe.

956
00:49:40,520 --> 00:49:42,320
Speaker 4: You're just saying that because I was on two episodes

957
00:49:42,360 --> 00:49:43,120
Speaker 4: of Workaholics.

958
00:49:43,920 --> 00:49:45,839
Speaker 2: No, maybe it's because I see people for who they

959
00:49:45,840 --> 00:49:47,920
Speaker 2: really are show. I don't have all the history of

960
00:49:47,920 --> 00:49:49,160
Speaker 2: the six hundred pretty big show.

961
00:49:49,200 --> 00:49:51,799
Speaker 4: I know it's not over compensating, but a pretty big show.

962
00:49:52,120 --> 00:49:55,160
Speaker 3: But they would put him on Workaholics where they already

963
00:49:55,239 --> 00:50:00,920
Speaker 3: have an Adam divine type who actually is Adam, but

964
00:50:00,960 --> 00:50:03,520
Speaker 3: they're going to put him on there and not as

965
00:50:03,560 --> 00:50:05,960
Speaker 3: like not as a way to like confuse people, or

966
00:50:05,960 --> 00:50:07,840
Speaker 3: maybe that was a I mean, I don't know, was

967
00:50:07,880 --> 00:50:09,879
Speaker 3: that the idea of the episode that they'd be like.

968
00:50:09,920 --> 00:50:12,919
Speaker 4: That was never discussed with me, That I was there

969
00:50:13,000 --> 00:50:16,160
Speaker 4: to be the same type as someone else who was

970
00:50:16,200 --> 00:50:18,239
Speaker 4: on the show, who already was who he was that

971
00:50:18,320 --> 00:50:18,880
Speaker 4: wasn't brought to be.

972
00:50:19,120 --> 00:50:21,040
Speaker 2: You're credited as body double.

973
00:50:23,600 --> 00:50:26,319
Speaker 4: So now I don't know where we are. It's like

974
00:50:26,760 --> 00:50:31,560
Speaker 4: some kind of like crazy bit you're doing, I guess,

975
00:50:31,640 --> 00:50:33,920
Speaker 4: but like, and I want to love it and I

976
00:50:34,080 --> 00:50:36,719
Speaker 4: want to be there with you because like, this is

977
00:50:36,760 --> 00:50:40,359
Speaker 4: the kind of comedy I absolutely go nuts for where

978
00:50:40,400 --> 00:50:43,960
Speaker 4: it's like this sort of like fake war alternate reality

979
00:50:44,360 --> 00:50:46,719
Speaker 4: where it's like I'm like credited as body double.

980
00:50:46,480 --> 00:50:48,879
Speaker 2: But I guess it's me because you don't find fun

981
00:50:50,000 --> 00:50:52,279
Speaker 2: That must be because you don't find women funny. It's

982
00:50:52,280 --> 00:50:54,440
Speaker 2: like if I was a man on the show, Like

983
00:50:54,480 --> 00:50:56,440
Speaker 2: if Adam was here and he was just saying like, oh,

984
00:50:56,480 --> 00:50:59,719
Speaker 2: you're credited as body double. Ahahaha, your head goes back

985
00:51:00,080 --> 00:51:01,680
Speaker 2: after Well that.

986
00:51:01,960 --> 00:51:04,480
Speaker 4: Adam would have been responsible for what the credit was.

987
00:51:05,440 --> 00:51:07,360
Speaker 4: He would the way he would do probably get me

988
00:51:07,400 --> 00:51:09,800
Speaker 4: a bill that would crush, that would get me going.

989
00:51:11,520 --> 00:51:14,120
Speaker 3: But you're honestly not going to admit that.

990
00:51:15,160 --> 00:51:18,280
Speaker 4: Wait me, yes, what youth would think it was funny?

991
00:51:18,280 --> 00:51:20,319
Speaker 4: If he did, you wouldn't think that was funny at all.

992
00:51:20,600 --> 00:51:23,160
Speaker 2: I guess I would because it would be so unexpected

993
00:51:23,800 --> 00:51:28,080
Speaker 2: for him to say that. Yeah, I guess I've just

994
00:51:28,160 --> 00:51:29,760
Speaker 2: established my benchmarkers.

995
00:51:29,840 --> 00:51:31,879
Speaker 4: I'm not thinking about him doing it.

996
00:51:32,520 --> 00:51:34,680
Speaker 3: He'd have like a physicality to it.

997
00:51:34,640 --> 00:51:37,160
Speaker 4: You know, well he does a lot of physical stuff,

998
00:51:37,320 --> 00:51:39,880
Speaker 4: which I don't really I don't know why.

999
00:51:40,120 --> 00:51:40,719
Speaker 3: Again, it's a.

1000
00:51:40,840 --> 00:51:42,359
Speaker 4: You can check it my wife. I don't do any

1001
00:51:42,400 --> 00:51:42,959
Speaker 4: physical stuff.

1002
00:51:42,960 --> 00:51:45,160
Speaker 2: I'm trying to think. I'm trying to think what your

1003
00:51:45,200 --> 00:51:46,200
Speaker 2: casting type.

1004
00:51:45,960 --> 00:51:49,960
Speaker 3: Is keep thinking, thinking you're gonna need all day.

1005
00:51:50,239 --> 00:51:56,040
Speaker 2: I'll get back to you the mold. Well you are

1006
00:51:56,120 --> 00:52:02,440
Speaker 2: quite tall, hm, which I guess a lot of are short. Joy.

1007
00:52:02,560 --> 00:52:04,400
Speaker 4: I mean, that's that's what we've established.

1008
00:52:06,080 --> 00:52:08,600
Speaker 3: Christ And charl was saying, I look like Amya Taylor Joy.

1009
00:52:09,560 --> 00:52:10,920
Speaker 3: But she she pronounced it on.

1010
00:52:11,239 --> 00:52:13,040
Speaker 2: I think a lot of people do that, and then

1011
00:52:13,040 --> 00:52:15,400
Speaker 2: I find myself correcting the pronunciation of a name of

1012
00:52:15,400 --> 00:52:16,359
Speaker 2: someone I don't even know.

1013
00:52:17,000 --> 00:52:18,840
Speaker 3: I mean, that's it's.

1014
00:52:19,000 --> 00:52:24,400
Speaker 2: It's like Walton Doggin she's written people say Walter, Yeah,

1015
00:52:25,040 --> 00:52:27,360
Speaker 2: myself among them for a while, until I was viciously

1016
00:52:27,360 --> 00:52:30,720
Speaker 2: corrected by a straight man who I can't say.

1017
00:52:31,000 --> 00:52:33,799
Speaker 3: I wonder what boyfriend again she will not.

1018
00:52:35,520 --> 00:52:38,359
Speaker 4: I'm never going to get his name. I wonder what

1019
00:52:38,400 --> 00:52:46,120
Speaker 4: put Adam Divine into that big beautiful brainyars. What that's

1020
00:52:46,160 --> 00:52:48,440
Speaker 4: how I look. I've nevergotten that.

1021
00:52:48,600 --> 00:52:49,160
Speaker 3: Yeah.

1022
00:52:49,239 --> 00:52:51,040
Speaker 2: Wait, when I said, if Adam said you were the

1023
00:52:51,040 --> 00:52:53,000
Speaker 2: body double, did you think I meant Adam Divine or

1024
00:52:53,000 --> 00:52:53,760
Speaker 2: Adam DeMarco.

1025
00:52:55,480 --> 00:52:56,960
Speaker 4: I thought you meant Adam divine.

1026
00:52:57,120 --> 00:52:58,200
Speaker 2: I met Adam DeMarco.

1027
00:52:58,320 --> 00:53:00,439
Speaker 4: Adam de Marco said it. I'm not loud, your guest,

1028
00:53:00,680 --> 00:53:01,400
Speaker 4: I'm not laughing.

1029
00:53:03,040 --> 00:53:05,560
Speaker 3: I'm moving. I tell I'm very moved by that.

1030
00:53:07,000 --> 00:53:08,080
Speaker 4: I'm transapport it.

1031
00:53:08,120 --> 00:53:10,319
Speaker 3: That's the power he has.

1032
00:53:09,560 --> 00:53:12,839
Speaker 2: Yes, well, he's an actor, he's not a stand up.

1033
00:53:13,320 --> 00:53:17,200
Speaker 3: So are you Do you think you're correcting me.

1034
00:53:18,120 --> 00:53:22,120
Speaker 2: I'm agreeing with you. Something you guys could learn a

1035
00:53:22,120 --> 00:53:22,800
Speaker 2: thing or two about.

1036
00:53:23,120 --> 00:53:27,600
Speaker 3: Okay, Well, they normally don't begin well and then end

1037
00:53:27,640 --> 00:53:27,960
Speaker 3: with so.

1038
00:53:30,000 --> 00:53:31,640
Speaker 2: You know that sounds like I guess you haven't done

1039
00:53:31,719 --> 00:53:40,040
Speaker 2: much improv with women. No comment, he's just trying.

1040
00:53:39,800 --> 00:53:49,600
Speaker 3: To remember was that a beliep okay? But