WEBVTT - One on One: Scott Cohen (Max Medina)

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<v Speaker 1>I am all in. Kiss you, I am all in

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<v Speaker 1>with Scott Patterson and I Heart Radio podcast. Okay, hi everybody,

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<v Speaker 1>Scott Patterson, I am all in podcast. We are graced

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<v Speaker 1>with the presence of one of the you know, the

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<v Speaker 1>best actors working out there. He is extremely versatile actor.

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<v Speaker 1>Scott Cohen played Max Medino and Gilmore Girls as you know. Um, listen, Pal,

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<v Speaker 1>you know I love you. Yeah, okay, but I am

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<v Speaker 1>not happy with Max Medina. It's the first time I'm

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<v Speaker 1>watching the show. I didn't look and I don't know

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<v Speaker 1>if it's me or if it's just Luke that's having

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<v Speaker 1>this reaction. But why do you think this is bothering

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<v Speaker 1>me so much? I mean, besides, I would say that

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<v Speaker 1>it's who I mean, you know, there was competition from

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<v Speaker 1>the very beginning. It was like, you know, they put

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<v Speaker 1>they they didn't they met us head to head before

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<v Speaker 1>everything kind of fell apart from Max and went the

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<v Speaker 1>way of Luke. I mean, it's it's to the point,

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<v Speaker 1>it got to the point where there is you know,

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<v Speaker 1>team Max team Luke. Like online, I mean, you always

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<v Speaker 1>win obviously, Um, but it's uh, it's it's intense. It's

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<v Speaker 1>like it's a it's a it's a big competition for

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<v Speaker 1>Laura for lauralized love. It is for lauralized attention. Okay,

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<v Speaker 1>so here's here's the big question. I mean, not as Max,

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<v Speaker 1>but as but as Scott. Did you ever think that

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<v Speaker 1>it was inappropriate to date to date uh a mom

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<v Speaker 1>of a student. No, I don't think so. Um you

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<v Speaker 1>mean like playing the character or as you Scott Cohen,

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<v Speaker 1>do you think it's inappropriate? I am not you. I

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<v Speaker 1>absolutely do not think it's inappropriate. I think you know,

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<v Speaker 1>if you fall in love with somebody, you fall in

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<v Speaker 1>love with somebody, doesn't matter kind of what the situation is.

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<v Speaker 1>I mean, you know, there there are things that you

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<v Speaker 1>have to kind of negotiate. You know, you can't obviously

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<v Speaker 1>you know you can't play favorites and um, you know

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<v Speaker 1>you you you you can't say you can't exploit the

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<v Speaker 1>relationship with the student, you know, for the mother that's problematic,

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<v Speaker 1>which you know I think they um that that didn't happen,

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<v Speaker 1>um specifically, but there was kind of you know, there

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<v Speaker 1>was a little bit of dealing with Rory in a

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<v Speaker 1>way to get to laure Ali, that kind of thing,

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<v Speaker 1>which I thought, you know, that could be a problem. Um,

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<v Speaker 1>but you never saw it in relationship to other students.

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<v Speaker 1>But in reality that's that those are problems. But I

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<v Speaker 1>don't think it's it's a it's an issue to date

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<v Speaker 1>the mother of a student. I think, um, I mean

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<v Speaker 1>interestingly enough, I think what happens in you know, as

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<v Speaker 1>a teacher especially, I think that that you're if you're

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<v Speaker 1>a good teacher, you spend more time with a parent

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<v Speaker 1>maybe like you know, then you might you're in a

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<v Speaker 1>bar somewhere or something. I mean, and you get so

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<v Speaker 1>intimate with people. It's like doing a movie you get

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<v Speaker 1>so into or TV show you get so intimate with people.

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<v Speaker 1>You know, those are the people that you meet, you

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<v Speaker 1>know what I mean. So it's uh so I think

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<v Speaker 1>it's kind of maybe a natural, um growth out of

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<v Speaker 1>out out of being a teacher. I mean, I get

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<v Speaker 1>it disagreeably. I could change my mind. I could change

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<v Speaker 1>what I say. You know, I put myself in Rory's

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<v Speaker 1>shoes as a sixteen year old, and you know, my

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<v Speaker 1>math teacher calls and I'm falling a little bit behind,

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<v Speaker 1>and he calls my mom and he or no, he

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<v Speaker 1>calls me and he you know, we're talking and he said, listen,

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<v Speaker 1>you know you're outburst in class, not appropriate, but we

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<v Speaker 1>can catch you up. And I know you're late, you

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<v Speaker 1>missed the test. Blah blah blah, right, because that's what

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<v Speaker 1>happened in the show. Uh. And then he said, and Scott,

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<v Speaker 1>would you mind putting your mother on the phone? Right?

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<v Speaker 1>And I said, oh boy, I'm in real trouble now.

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<v Speaker 1>So I, you know, I run upstairs and I get

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<v Speaker 1>on the other phone and I listen in and he says,

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<v Speaker 1>you know, I I what is the word? Is this

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<v Speaker 1>what actually happens in the show? Now? You left a

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<v Speaker 1>message you left I totally forget. You left a voicemail

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<v Speaker 1>on on Laurelized home answering machine that said, you know,

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<v Speaker 1>because Laurie missed, Rory missed the test, she wasn't allowed

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<v Speaker 1>to take the test. She flipped out in class, she

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<v Speaker 1>got in Eliza's face, she got in Chad Michael Murray's face. Um,

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<v Speaker 1>and you asked her to leave go to library. Wait,

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<v Speaker 1>you missed the test, You cannot take the test. You

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<v Speaker 1>were late. We don't care about the excuse. Yes, And

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<v Speaker 1>then um, and then there was that big scene and

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<v Speaker 1>the Headmaster Charleston's office where Lauren comes in and just

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<v Speaker 1>you know, just tears him a new one and refers

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<v Speaker 1>to him as l Duce and they and he's cool

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<v Speaker 1>as a cucumber and just says, listen, the rules are

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<v Speaker 1>the rules. Maybe she shouldn't be here, she doesn't have

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<v Speaker 1>to be here, she doesn't have to go to Harvard,

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<v Speaker 1>so on and so forth, but the rules are the rules,

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<v Speaker 1>and she could she So he he bent a little

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<v Speaker 1>bit and told you that she can take the test

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<v Speaker 1>or she can do some extra credit work. And that

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<v Speaker 1>was the message you were leaving for her. You can

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<v Speaker 1>take some extra credit. And you were you said, this

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<v Speaker 1>message is Ferrory. And I talked with the dean and

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<v Speaker 1>he the headmaster, and he said, you can take some

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<v Speaker 1>exstra credit and get caught up, and we're going to

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<v Speaker 1>get you in a place where you should be. Anyway,

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<v Speaker 1>and by the way, if your mother is listening, Laurela,

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<v Speaker 1>I really enjoyed. Okay, well, I define thought listen. I

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<v Speaker 1>just thought, wow, wow, okay, so so so let me

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<v Speaker 1>rephrase is what I just said. The question you caught me.

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<v Speaker 1>So the question was whether I think Scott Colin thinks

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<v Speaker 1>it's a problem. But obviously Max mcdina was a little

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<v Speaker 1>kind of you know, he exploited the phone call a

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<v Speaker 1>little bit um, but he didn't innocently. You know, that

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<v Speaker 1>was Max mcdeina's way, you know, if it was it

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<v Speaker 1>was convenient to talk to Laurela, if he had if

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<v Speaker 1>he was leaving a message for Rory, but he's busy,

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<v Speaker 1>he didn't have time to leave. He didn't. Yeah, exactly, exactly, Yeah, yeah, yeah.

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<v Speaker 1>I don't think it's a problem though, I mean, I

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<v Speaker 1>that's the drama of the show, really, I mean, for

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<v Speaker 1>Max mcdina at least, I think that's part of the

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<v Speaker 1>drama which leave which somehow, I mean, I think that

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<v Speaker 1>does play a part in what Laurelized decision in the

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<v Speaker 1>end becomes it you know, this whole kind of like

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<v Speaker 1>uh confluence of relationships. I mean, I don't know what

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<v Speaker 1>was in any or in his mind, but you know

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<v Speaker 1>that that there was, that there was those issues were

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<v Speaker 1>prevalent for for Laura la that you know might have

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<v Speaker 1>led to you know, not being sure about what you

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<v Speaker 1>know to be with Max or not, So that maybe

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<v Speaker 1>that was really part of the whole thing why she

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<v Speaker 1>left Hartford. She couldn't get away with that stuff. At

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<v Speaker 1>the country club, right right, come to a small town

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<v Speaker 1>and just sort of exactly corrupt that place. There you

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<v Speaker 1>go with all her glory and yeah, sparkling personality. Sure,

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<v Speaker 1>poor innocent Maxi Medina. So so you're a victim. Okay, exactly,

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<v Speaker 1>that's the way I see Scott. What Scott, Scott, what's

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<v Speaker 1>with the touching? The world? So there was a lot

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<v Speaker 1>of touching. What what this is twenty years ago? Man?

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<v Speaker 1>Every time? For me, it's been forever. I never saw it.

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<v Speaker 1>It even wasn't even aware. But you you, my friend,

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<v Speaker 1>you know, we got to talk about the touching because

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<v Speaker 1>the touching, I mean you were like you were rubbing

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<v Speaker 1>her elbow with your thumb. This is this is with

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<v Speaker 1>Lorela Okay, yes, yeah, yeah, you know this is this

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<v Speaker 1>Max Medina's charmed I mean you know he was in

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<v Speaker 1>love with Laura Lae. He was, you know, any any

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<v Speaker 1>way he can get close to her, he would get

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<v Speaker 1>close to her. Man, Boy, did you ever I mean

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<v Speaker 1>talk about a full court press? Nice, you were going in,

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<v Speaker 1>you were going to the hoop? Oh god, um, yeah.

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<v Speaker 1>I don't think you'd be allowed to do that these days.

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<v Speaker 1>I mean I think you would. You would need permission

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<v Speaker 1>to you know, to kind of create that. But I

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<v Speaker 1>think that, I mean, I do think that that. I

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<v Speaker 1>don't think it was manipulation. I think that it was

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<v Speaker 1>you know, um, you know Max's honest feelings about Laura

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<v Speaker 1>La and you know he really fell deeply in love

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<v Speaker 1>with her and just really wanted to be close with

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<v Speaker 1>her in any way that again, and if she accepted it,

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<v Speaker 1>then you know, um, it was all good. It was

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<v Speaker 1>not you know, it was not an issue. So she

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<v Speaker 1>defended very well. I mean she she denied you denied,

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<v Speaker 1>you denied you. This is not a good idea, my daughters.

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<v Speaker 1>You know, she she you know, she she walked the

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<v Speaker 1>high road, if you will. But man, you just the

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<v Speaker 1>rubbing some on. You just kept you, just kept kept

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<v Speaker 1>said there was there is no high roads. Am I

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<v Speaker 1>talking about high road? No? I guess you know. I

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<v Speaker 1>to me, it was all just about his you know,

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<v Speaker 1>his his his desire and his his um his lust

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<v Speaker 1>for her and which he felt was real. It was

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<v Speaker 1>real for him. It was totally real for him. I mean,

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<v Speaker 1>I guess it was real for her too on So

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<v Speaker 1>it wasn't you know, until she felt like it wasn't.

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<v Speaker 1>I don't even remember if there was a reason, was

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<v Speaker 1>there a reason that that she left her, or you're

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<v Speaker 1>not even up, You're not there yet. No, I don't know.

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<v Speaker 1>I don't know. We're dealing with right next. I haven't

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<v Speaker 1>moved past the touching. It's driving me crazy, keeping me

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<v Speaker 1>up at night. That was in the in the in

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<v Speaker 1>the in the diner scene, and you're in your dinner,

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<v Speaker 1>in your dinner. No, No, it wasn't in my diner. No.

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<v Speaker 1>I met her in Hartford. She was taking in some

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<v Speaker 1>classes at the local college there, and she said, maybe

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<v Speaker 1>we can meet for some place whatever was and you

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<v Speaker 1>you were rubbing her arm, and she didn't look at

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<v Speaker 1>you when you started doing it, or looked down. She

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<v Speaker 1>just sort of looked out. And I could tell she

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<v Speaker 1>was shocked by it, and that not a lot of

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<v Speaker 1>men had been touching her in that way. And I

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<v Speaker 1>got the feeling she kind of liked it. And then

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<v Speaker 1>you did it again after you were telling the story

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<v Speaker 1>of your uncle. You would you would have gotten to

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<v Speaker 1>her much sooner in the show. If you had done

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<v Speaker 1>the same thing as me, the show would have been cut.

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<v Speaker 1>It would have been a three year, three year show.

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<v Speaker 1>That's why I'm so worked up about it because why

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<v Speaker 1>didn't I do that? It just took you a long time,

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<v Speaker 1>and it was and it was more appropriate too, because

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<v Speaker 1>it was like, I'm not I'm not well, I was

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<v Speaker 1>Rory's father's figure. But I can rub a little bit?

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<v Speaker 1>Why can't I rub? Everyone could rub? I see you

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<v Speaker 1>See that's why, that's what makes you, Scott Cohen, because

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<v Speaker 1>you made those choices as the character, and you want

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<v Speaker 1>her heart. And the second time you rubbed her, she

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<v Speaker 1>looked down at your thumb and then she smiled. She

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<v Speaker 1>liked it. She liked you, so I got her my

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<v Speaker 1>favorite scene. But are you are you? Are you up

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<v Speaker 1>to the where we where we talk at the door

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<v Speaker 1>where me guess we're a Cinnamon's wake, where you the

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<v Speaker 1>died Babbett's cat died and you come for the date

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<v Speaker 1>and she's not there, and then she sees you and

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<v Speaker 1>comes home and says, sorry, we gotta read, we gotta

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<v Speaker 1>we gotta reschedule, and you and then you, the master

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<v Speaker 1>of your craft, say maybe you know, maybe we shouldn't

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<v Speaker 1>do this. I really like you, Laura Ala, but I

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<v Speaker 1>don't want to waste your time. And it's kind of

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<v Speaker 1>a thing. And then you sort of walk off and

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<v Speaker 1>she's like no, no, no no no no no no,

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<v Speaker 1>we can do it again. And you said, and you

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<v Speaker 1>make the decision of like, well, okay, we can we

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<v Speaker 1>can try this again. Um but okay, so here's here's

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<v Speaker 1>the deal. So you made that choice as the actor

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<v Speaker 1>Scott to have Max rubbing. Where did that come from?

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<v Speaker 1>Did you talk about that with Lauren before or did

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<v Speaker 1>you just lay that on her? No? I mean, I

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<v Speaker 1>just I just did it. I mean I think that Lauren, um,

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<v Speaker 1>who I experienced as a very accepting uh um actor

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<v Speaker 1>you know, I mean, you knew your lines when you

0:13:01.040 --> 0:13:05.400
<v Speaker 1>walked in, and uh didn't really um waste a lot

0:13:05.400 --> 0:13:08.120
<v Speaker 1>of time. She was you know, she allowed you to

0:13:08.160 --> 0:13:11.640
<v Speaker 1>just be who you were. And and that's you know

0:13:11.679 --> 0:13:15.920
<v Speaker 1>that I didn't. I don't. I don't think. Um. I

0:13:15.960 --> 0:13:20.520
<v Speaker 1>think maybe if we kissed, I think there was maybe

0:13:20.520 --> 0:13:24.920
<v Speaker 1>a conversation, um, but you know, not too much and

0:13:25.120 --> 0:13:27.920
<v Speaker 1>uh and I think we were in bed ones that

0:13:28.000 --> 0:13:30.400
<v Speaker 1>might have been a conversation. But this, no, this was

0:13:30.480 --> 0:13:34.840
<v Speaker 1>just uming effect. I've never I've never been asked this

0:13:34.920 --> 0:13:37.760
<v Speaker 1>question before. This is I'm I'm a bit stumped. I

0:13:37.760 --> 0:13:41.680
<v Speaker 1>think it's just you know it is for me. You know,

0:13:41.840 --> 0:13:46.240
<v Speaker 1>it's interesting because the whole, the whole show that started

0:13:46.320 --> 0:13:48.400
<v Speaker 1>for me. I don't know what your process was, but

0:13:48.480 --> 0:13:53.480
<v Speaker 1>like when I I was offered like three episodes, right

0:13:54.040 --> 0:13:58.800
<v Speaker 1>and um and at that time, now it's like, you know,

0:14:00.040 --> 0:14:02.120
<v Speaker 1>I'm happy I got I would get that money. At

0:14:02.200 --> 0:14:06.600
<v Speaker 1>that time, it was like that's that sucks, um and

0:14:07.559 --> 0:14:10.680
<v Speaker 1>the UH. And I actually said no for a long time,

0:14:10.760 --> 0:14:12.120
<v Speaker 1>like I didn't want to do it. I was like,

0:14:12.160 --> 0:14:14.720
<v Speaker 1>I don't really want to do this. And and then

0:14:15.000 --> 0:14:21.000
<v Speaker 1>I saw Lauren at a at some kind of like

0:14:21.400 --> 0:14:24.240
<v Speaker 1>publicity thing for this thing that I did, and and

0:14:24.320 --> 0:14:28.320
<v Speaker 1>she was just so fantastic and fun and um, and

0:14:28.360 --> 0:14:29.920
<v Speaker 1>I was like, you know what, I think this could

0:14:29.920 --> 0:14:31.960
<v Speaker 1>be really fun to do and um. And so so

0:14:32.040 --> 0:14:34.840
<v Speaker 1>I took it and there was there was such like

0:14:34.880 --> 0:14:40.160
<v Speaker 1>an um, a welcoming kind of sensibility from any and

0:14:40.280 --> 0:14:44.400
<v Speaker 1>Lauren when I got on set that uh it allowed

0:14:44.400 --> 0:14:47.120
<v Speaker 1>me just to really be free and not not feel

0:14:47.240 --> 0:14:49.920
<v Speaker 1>kind of burdened by any kind of what I'm supposed

0:14:49.920 --> 0:14:52.880
<v Speaker 1>to do or um. And so I just felt free.

0:14:52.880 --> 0:14:54.320
<v Speaker 1>And I have to say, I mean, I don't I

0:14:54.360 --> 0:14:56.680
<v Speaker 1>don't think I feel that way. You know, I'm not.

0:14:57.440 --> 0:15:01.120
<v Speaker 1>It's it's um not something that uh not that that

0:15:01.400 --> 0:15:04.080
<v Speaker 1>particular thing, but you know, feeling that kind of freedom

0:15:04.200 --> 0:15:07.120
<v Speaker 1>on a set doesn't come, you know, every day. So

0:15:07.200 --> 0:15:10.400
<v Speaker 1>you know, that's one of the reasons I remember it

0:15:10.560 --> 0:15:16.000
<v Speaker 1>as such a lovely experience. And besides the the fandom

0:15:16.040 --> 0:15:19.080
<v Speaker 1>of it all and being recognized for it like just

0:15:19.160 --> 0:15:22.080
<v Speaker 1>you know, and twenty this is what it's a you know,

0:15:22.160 --> 0:15:27.680
<v Speaker 1>twenty years later, one years it's crazy, man. It's like, um, anyway,

0:15:27.720 --> 0:15:28.960
<v Speaker 1>do you want me to read you I'm gonna read

0:15:28.960 --> 0:15:31.160
<v Speaker 1>you the voicemail. I'm gonna take you back. Here we go.

0:15:31.280 --> 0:15:34.040
<v Speaker 1>This is the voicemail you left in episode for the

0:15:34.080 --> 0:15:40.280
<v Speaker 1>Deer Hunters on on Laurel ez loreal Ize uh answering, Hi,

0:15:40.440 --> 0:15:43.440
<v Speaker 1>this is a message for Rory. It's Max Medina calling.

0:15:43.480 --> 0:15:45.920
<v Speaker 1>I just wanted to say that I talked to Headmaster

0:15:46.080 --> 0:15:49.320
<v Speaker 1>Charleston or Ill do Cha as he is more affectionately

0:15:49.360 --> 0:15:51.760
<v Speaker 1>known at the Gilmore Household, and he's agreed to let

0:15:51.800 --> 0:15:54.120
<v Speaker 1>you do some extra credit work to make up for

0:15:54.160 --> 0:15:59.200
<v Speaker 1>the miss test today. Uh. Now, I'm not sure what

0:15:59.280 --> 0:16:02.680
<v Speaker 1>extra credit work uh it is going to be, but

0:16:03.120 --> 0:16:08.200
<v Speaker 1>it probably will be time consuming and extremely painful. Uh,

0:16:08.200 --> 0:16:13.080
<v Speaker 1>it will, however, such a satist, it's it's just unbelievable. Um.

0:16:13.120 --> 0:16:15.600
<v Speaker 1>It will, however, get you back to where I think

0:16:15.640 --> 0:16:18.480
<v Speaker 1>you rightfully belong. Rory, don't lose heart. Make this work.

0:16:18.520 --> 0:16:21.240
<v Speaker 1>And if your mother is listening, Laurel, I it was

0:16:21.280 --> 0:16:28.280
<v Speaker 1>a pleasure encountering you. Hope it happens again. Anyways, see

0:16:28.280 --> 0:16:31.680
<v Speaker 1>you in class by. You know, I think that I

0:16:32.720 --> 0:16:36.240
<v Speaker 1>think that that's brilliant writing. So so what what to

0:16:36.360 --> 0:16:42.720
<v Speaker 1>me that's really about? Um? Uh, Max is is Max

0:16:43.000 --> 0:16:48.720
<v Speaker 1>knows laurelized like he got a glimpse of of who

0:16:48.760 --> 0:16:51.880
<v Speaker 1>she was and one that she probably would be on

0:16:51.920 --> 0:16:55.120
<v Speaker 1>the phone right listening and on this, you know, and

0:16:55.240 --> 0:16:59.160
<v Speaker 1>to um or listening to the to the to the

0:16:59.200 --> 0:17:05.160
<v Speaker 1>recording UM and that and that he knew that, um,

0:17:05.240 --> 0:17:08.240
<v Speaker 1>that the fun of meeting her was going like it

0:17:08.320 --> 0:17:12.119
<v Speaker 1>was going to go someplace. And so so to me,

0:17:12.200 --> 0:17:15.040
<v Speaker 1>that's actually really innocent kind of you know, I mean,

0:17:15.320 --> 0:17:17.520
<v Speaker 1>for lack of a better word, charming kind of conversation.

0:17:17.600 --> 0:17:21.320
<v Speaker 1>But it's mainly focused on on Rory. I also think

0:17:21.359 --> 0:17:25.520
<v Speaker 1>that Max Medina would have been and I actually don't know.

0:17:25.560 --> 0:17:27.280
<v Speaker 1>Maybe this did happen, but I think he would have

0:17:27.280 --> 0:17:32.439
<v Speaker 1>been quick to quit that job if Rory needed, If

0:17:32.520 --> 0:17:36.480
<v Speaker 1>Rory needed him to be separate from from their life,

0:17:36.480 --> 0:17:37.720
<v Speaker 1>I think that he would have been. He would have

0:17:37.720 --> 0:17:40.000
<v Speaker 1>found someplace else to go. I think Laurelae was much

0:17:40.000 --> 0:17:45.320
<v Speaker 1>more important than his work. Extremely honorable statement. Boy does that? Wow?

0:17:45.440 --> 0:17:49.840
<v Speaker 1>Okay that that almost stops the train dead in its tracks. Wow,

0:17:49.960 --> 0:17:55.240
<v Speaker 1>you're good. You're good, Scott Cohen, You're good, because I'll

0:17:55.280 --> 0:17:58.480
<v Speaker 1>tell you because man, that one move. And even back

0:17:58.480 --> 0:18:02.040
<v Speaker 1>that I'm not just saying because if today how things are,

0:18:02.119 --> 0:18:05.639
<v Speaker 1>but even back then, I mean, did you ever consider

0:18:06.400 --> 0:18:09.560
<v Speaker 1>when reading it and rehearsing it and doing it that,

0:18:09.880 --> 0:18:16.240
<v Speaker 1>my god, I am placing Chiltern and in legal hot water.

0:18:16.600 --> 0:18:20.920
<v Speaker 1>I am placing Rory in a very precarious position with

0:18:20.960 --> 0:18:27.880
<v Speaker 1>her classmates who are already showing aggression towards her, um,

0:18:27.920 --> 0:18:30.000
<v Speaker 1>you know, as the new kid, as you know, somebody

0:18:30.040 --> 0:18:35.800
<v Speaker 1>who's attractive and super intelligent. And I mean you notice that. Yeah,

0:18:35.840 --> 0:18:37.720
<v Speaker 1>I mean I think I think that. I think that

0:18:37.760 --> 0:18:41.640
<v Speaker 1>Max Medina, you know, if there's a if there's a

0:18:41.680 --> 0:18:46.360
<v Speaker 1>flaw to his character, it was that laurel I really was.

0:18:49.160 --> 0:18:52.600
<v Speaker 1>She took precedence so so it wasn't it wasn't. Um.

0:18:52.640 --> 0:18:54.520
<v Speaker 1>I don't think he did think about those things. I

0:18:54.520 --> 0:18:56.400
<v Speaker 1>think that he probably, I mean, I think he did

0:18:56.440 --> 0:18:59.320
<v Speaker 1>think about them slightly, like don't you like, don't go

0:18:59.440 --> 0:19:01.800
<v Speaker 1>this far, to go this far? But UM, I don't

0:19:01.800 --> 0:19:03.520
<v Speaker 1>think it was at the forefront of his mind. I

0:19:03.520 --> 0:19:04.960
<v Speaker 1>think at the forefront of his mind was that he

0:19:05.000 --> 0:19:07.720
<v Speaker 1>met this woman that he was really falling in love

0:19:07.800 --> 0:19:11.960
<v Speaker 1>with and and and just that um and wanted to

0:19:11.960 --> 0:19:14.760
<v Speaker 1>be with her. You know. I I think the reason

0:19:14.800 --> 0:19:17.560
<v Speaker 1>I'm having such a visceral, visceral reaction to all this

0:19:18.400 --> 0:19:20.960
<v Speaker 1>is because I've never seen it before. And I never

0:19:21.040 --> 0:19:29.000
<v Speaker 1>realized that Amy through so many, um serious contenders into

0:19:29.040 --> 0:19:32.520
<v Speaker 1>the ring with her, and that she was deeply considering

0:19:32.560 --> 0:19:36.000
<v Speaker 1>and you know, just from what I've been hearing about

0:19:36.040 --> 0:19:41.199
<v Speaker 1>the the lifeline of your relationship on the show with

0:19:41.240 --> 0:19:47.280
<v Speaker 1>her is that it was very serious and um, you know,

0:19:47.320 --> 0:19:51.080
<v Speaker 1>I just never realized that it was so real, and

0:19:51.119 --> 0:19:53.879
<v Speaker 1>it was so real for her and for her character,

0:19:54.000 --> 0:19:56.800
<v Speaker 1>and that you guys, you know, were just about together.

0:19:56.960 --> 0:20:02.000
<v Speaker 1>I mean, you were it was happening. Um. And I

0:20:02.040 --> 0:20:05.560
<v Speaker 1>remember reading all the scripts and I knew it, uh,

0:20:05.640 --> 0:20:08.959
<v Speaker 1>but seeing it is a different experience. It's a very

0:20:09.040 --> 0:20:12.040
<v Speaker 1>powerful experience for me because if you know, all these

0:20:12.040 --> 0:20:15.800
<v Speaker 1>feelings are coming up, all these sort of uh, you know,

0:20:15.840 --> 0:20:19.160
<v Speaker 1>I was getting a little j But do you feel

0:20:19.200 --> 0:20:21.960
<v Speaker 1>I'm just curious, do you feel like that in the

0:20:22.040 --> 0:20:23.640
<v Speaker 1>at the end of like you end up with her

0:20:23.640 --> 0:20:26.199
<v Speaker 1>in the end? Right? Yeah? So do you do you

0:20:26.240 --> 0:20:30.360
<v Speaker 1>feel like that you're you're as as Luke, that your

0:20:30.720 --> 0:20:33.160
<v Speaker 1>your worthiness of Luke, that it went through this kind

0:20:33.200 --> 0:20:36.960
<v Speaker 1>of uh, you know, this crucible of of of other men,

0:20:37.080 --> 0:20:39.480
<v Speaker 1>and you know that you ended up you know that

0:20:39.560 --> 0:20:43.520
<v Speaker 1>you were successful in the end. I mean, you know,

0:20:43.640 --> 0:20:47.760
<v Speaker 1>you're probably That's a really good question. And nobody's ever

0:20:47.800 --> 0:20:50.560
<v Speaker 1>asked me that question before. Not that this is about me,

0:20:50.600 --> 0:20:53.000
<v Speaker 1>it's about you, But you asked me the question. So

0:20:53.040 --> 0:20:57.640
<v Speaker 1>I'm gonna I'm gonna consider it. Um. Yeah, maybe maybe

0:20:57.680 --> 0:21:02.160
<v Speaker 1>there was something in him that she was too classy,

0:21:02.240 --> 0:21:07.120
<v Speaker 1>to educated, too too smart for him, too on top

0:21:07.200 --> 0:21:09.240
<v Speaker 1>of everything that he would never have a chance. He's

0:21:09.280 --> 0:21:13.639
<v Speaker 1>just a small town guy and he doesn't have big aspirations,

0:21:13.720 --> 0:21:17.640
<v Speaker 1>you know, he's not. Yeah, I think there was some insecurity, there,

0:21:17.800 --> 0:21:22.040
<v Speaker 1>some deep insecurity that he couldn't handle or or make happy,

0:21:22.080 --> 0:21:26.080
<v Speaker 1>a woman who was so obviously spectacular. It was she

0:21:26.240 --> 0:21:29.360
<v Speaker 1>was just a bright light in that town. Not not

0:21:29.480 --> 0:21:31.879
<v Speaker 1>that you know that there weren't other bright lights in

0:21:31.920 --> 0:21:34.680
<v Speaker 1>that town, but she was like really like you put

0:21:34.720 --> 0:21:39.120
<v Speaker 1>her anywhere, and it's like, wow, um, that's so interesting.

0:21:39.160 --> 0:21:40.880
<v Speaker 1>You know, it's like it's really a credit. I mean,

0:21:40.920 --> 0:21:44.720
<v Speaker 1>I'm I'm I'm not really sure, but I'm pretty sure. Like,

0:21:45.000 --> 0:21:48.679
<v Speaker 1>uh that Amy left after six seasons or something that right,

0:21:49.440 --> 0:21:53.240
<v Speaker 1>like the last season, but I mean, I would imagine

0:21:53.760 --> 0:21:56.640
<v Speaker 1>you know that the development of character over seven years

0:21:56.640 --> 0:21:59.560
<v Speaker 1>of the entire time, it's such it's such a credit

0:21:59.600 --> 0:22:02.800
<v Speaker 1>to that Amy and Dan to kind of reach a

0:22:02.840 --> 0:22:05.479
<v Speaker 1>point of you know that there was great humility in

0:22:05.560 --> 0:22:08.560
<v Speaker 1>the idea of small town love, that there was this

0:22:08.720 --> 0:22:11.439
<v Speaker 1>really um I mean, and you see that throughout the

0:22:11.520 --> 0:22:14.560
<v Speaker 1>entire show, like small town really created you know, such

0:22:15.359 --> 0:22:18.280
<v Speaker 1>camaraderie and community and all this kind of stuff. But

0:22:18.440 --> 0:22:20.679
<v Speaker 1>you know that that small town love wins in the

0:22:20.760 --> 0:22:23.080
<v Speaker 1>end because it really is an emblem of what real

0:22:23.240 --> 0:22:26.679
<v Speaker 1>love can and should be. It's not something you know,

0:22:27.000 --> 0:22:30.960
<v Speaker 1>you don't need to be um. You know it everything

0:22:31.000 --> 0:22:33.320
<v Speaker 1>kind of falls to the wayside, whether it's being you know,

0:22:33.520 --> 0:22:37.119
<v Speaker 1>fancy and elegant and intellectual or you know, what really

0:22:37.160 --> 0:22:39.879
<v Speaker 1>matters is that you have feelings for somebody and that

0:22:39.880 --> 0:22:43.520
<v Speaker 1>that's that's that's sharing. That's sharing is uh is of

0:22:43.560 --> 0:22:45.639
<v Speaker 1>the utmost importance, which is I mean, it's pretty interesting

0:22:45.720 --> 0:22:48.720
<v Speaker 1>that Amy and Dan. I mean, there's you know, they're

0:22:49.000 --> 0:22:51.919
<v Speaker 1>they're they're so good at it, and I think I

0:22:51.960 --> 0:22:54.000
<v Speaker 1>think you know now that I think about another element

0:22:54.080 --> 0:22:59.960
<v Speaker 1>is uh, he probably was protect Luke was probably protecting

0:23:00.080 --> 0:23:05.159
<v Speaker 1>himself against any potential breakup. And he you know, I

0:23:05.160 --> 0:23:07.200
<v Speaker 1>don't know if you've ever been a situation when you're younger,

0:23:07.320 --> 0:23:09.480
<v Speaker 1>I've I've been a couple of those where it's like,

0:23:09.560 --> 0:23:12.479
<v Speaker 1>I don't know if I can handle losing her, So

0:23:12.560 --> 0:23:15.760
<v Speaker 1>I don't really want to be terribly aggressive. I don't

0:23:15.800 --> 0:23:19.600
<v Speaker 1>feel like I deserve her anyway. And she's gonna dump me,

0:23:20.200 --> 0:23:22.399
<v Speaker 1>she's gonna find me out, and then I'll be just

0:23:22.480 --> 0:23:26.399
<v Speaker 1>a wreck, you know. So there's that so interesting perspective,

0:23:26.520 --> 0:23:33.960
<v Speaker 1>very interesting, very interesting. Um. But the touching, God, the touching.

0:23:35.359 --> 0:23:37.560
<v Speaker 1>I watched it over and over again. I was uploaded

0:23:37.560 --> 0:23:42.320
<v Speaker 1>at night. I wonder there must be a gift out

0:23:42.359 --> 0:23:47.080
<v Speaker 1>there about touching. I'm sure I was learning I was,

0:23:47.560 --> 0:23:49.600
<v Speaker 1>and if not, I'm sure there will be. Now. I

0:23:49.680 --> 0:23:51.320
<v Speaker 1>tried it on my wife and she she hit my

0:23:51.320 --> 0:23:54.880
<v Speaker 1>hand away. She goes, what are you doing? I said,

0:23:54.920 --> 0:23:59.000
<v Speaker 1>I'm Max Medini and you isn't it working? I'm Scott

0:23:59.080 --> 0:24:09.320
<v Speaker 1>coining you. Yeah, okay, So you weren't given any direction

0:24:11.400 --> 0:24:16.040
<v Speaker 1>or of course not to touch that, I think, yeah,

0:24:16.080 --> 0:24:18.919
<v Speaker 1>I mean I might, I might have been given. I

0:24:18.920 --> 0:24:23.679
<v Speaker 1>don't really remember a lot of direction ever. Um, but

0:24:23.800 --> 0:24:29.960
<v Speaker 1>I'm sure Amy directed a lot. Not everybody directed, um.

0:24:30.400 --> 0:24:32.639
<v Speaker 1>I The only the only other person I really remember

0:24:32.680 --> 0:24:36.800
<v Speaker 1>directing is Michael Cattleman, unfortunately, UM, who I worked with

0:24:37.560 --> 0:24:42.160
<v Speaker 1>not too not too long ago. UM, who loved um.

0:24:42.200 --> 0:24:45.080
<v Speaker 1>But no, I don't think. I don't. I don't think

0:24:45.119 --> 0:24:50.439
<v Speaker 1>so well not to get to actory here. But the

0:24:50.560 --> 0:24:53.480
<v Speaker 1>reason I'm I'm focused in on the touching is it,

0:24:54.080 --> 0:24:57.280
<v Speaker 1>you know check Off Anton Chekhov talks a lot about

0:24:57.320 --> 0:24:59.960
<v Speaker 1>the psychology or mom, sorry, Michael check Off, the great teacher,

0:25:00.119 --> 0:25:03.439
<v Speaker 1>the cousin of the nephew of Anton uh talks a

0:25:03.480 --> 0:25:07.199
<v Speaker 1>lot about the psychological gesture and how you should trust it,

0:25:07.280 --> 0:25:11.000
<v Speaker 1>and that to me, that is the manifestation of the

0:25:11.040 --> 0:25:15.840
<v Speaker 1>psychological gesture. That is the perfect psychological gesture, which is

0:25:16.000 --> 0:25:18.600
<v Speaker 1>what makes you, Scott Cohen, which is why you get

0:25:18.640 --> 0:25:21.119
<v Speaker 1>the jobs, you know, with all of the big people

0:25:21.359 --> 0:25:25.560
<v Speaker 1>in the big movies. And because you're you trust that

0:25:25.720 --> 0:25:29.800
<v Speaker 1>you go with that. So maybe there's a little actor jealousy, like,

0:25:30.080 --> 0:25:32.400
<v Speaker 1>damn it, that guy is good, you know to do that,

0:25:32.760 --> 0:25:35.680
<v Speaker 1>because that's a detail. You know, that's one of those

0:25:35.720 --> 0:25:41.199
<v Speaker 1>details that riles people up. But it it enhances the scene,

0:25:41.640 --> 0:25:44.159
<v Speaker 1>and and and and it says so much without you know,

0:25:44.240 --> 0:25:47.280
<v Speaker 1>you having just say anything, and you just rubbing that outbow,

0:25:47.320 --> 0:25:49.639
<v Speaker 1>you're just rubbing well, Scott, I have to say, I

0:25:50.040 --> 0:25:52.199
<v Speaker 1>am so flattered that you say this, and I'm not

0:25:52.280 --> 0:25:56.199
<v Speaker 1>I'm really not joking, um because you know, you you

0:25:56.280 --> 0:26:03.240
<v Speaker 1>go through life, um never really knowing what your uniqueness

0:26:03.880 --> 0:26:07.520
<v Speaker 1>uh possibly is. I mean as actors, you know, we

0:26:07.640 --> 0:26:10.920
<v Speaker 1>really just go from from job to job, audition to audition,

0:26:11.560 --> 0:26:13.679
<v Speaker 1>and you know, you work hard, and most of the

0:26:13.680 --> 0:26:16.480
<v Speaker 1>time it's working by yourself because you know, you're either

0:26:16.760 --> 0:26:18.719
<v Speaker 1>you know, on tape or you're you know, even when

0:26:18.760 --> 0:26:21.080
<v Speaker 1>you're shooting a TV show or a movie. You rarely

0:26:21.119 --> 0:26:25.440
<v Speaker 1>get like like like uh Gilmore girls, you rarely get

0:26:25.440 --> 0:26:27.560
<v Speaker 1>that moment where you really understand how to you know

0:26:27.600 --> 0:26:33.600
<v Speaker 1>that you're you know, uh, interacting with somebody. Um. So uh,

0:26:33.720 --> 0:26:35.639
<v Speaker 1>I thank you for that because that really means a

0:26:35.640 --> 0:26:39.680
<v Speaker 1>lot that that someone else is seeing, um, something that's

0:26:39.720 --> 0:26:44.040
<v Speaker 1>kind of unique to me, and um that it just

0:26:44.119 --> 0:26:46.280
<v Speaker 1>means a lot. So thank you. You're welcome. I mean,

0:26:46.320 --> 0:26:49.159
<v Speaker 1>it's a it's it's a bold choice. It's something that

0:26:49.320 --> 0:26:53.879
<v Speaker 1>just happened in your research and in the scene with

0:26:53.880 --> 0:26:57.359
<v Speaker 1>with Lauren. And you know, a lot of actors wouldn't

0:26:57.359 --> 0:27:00.200
<v Speaker 1>have gone for it. They would have thought about out

0:27:00.200 --> 0:27:02.800
<v Speaker 1>it maybe, but they wouldn't have done it, or they

0:27:02.800 --> 0:27:04.639
<v Speaker 1>would have asked permission and then it would have become

0:27:04.720 --> 0:27:07.560
<v Speaker 1>sort of awkward and and not organic, you know what

0:27:07.600 --> 0:27:09.440
<v Speaker 1>I mean. So it's I mean, you just did it.

0:27:09.440 --> 0:27:16.160
<v Speaker 1>It was just so so let me ask you this. Uh,

0:27:16.480 --> 0:27:20.879
<v Speaker 1>I'm only five episodes in. What should I prepare for her?

0:27:20.920 --> 0:27:23.359
<v Speaker 1>Am I gonna lose my I don't know, I don't know.

0:27:24.520 --> 0:27:28.040
<v Speaker 1>I actually I've only seen a couple of scenes from

0:27:28.080 --> 0:27:33.200
<v Speaker 1>all the episodes. I don't think I watched after I

0:27:33.280 --> 0:27:37.480
<v Speaker 1>was in it. Really, Um, you know, there there's there's

0:27:37.520 --> 0:27:40.480
<v Speaker 1>the big, big scene at the end um of his

0:27:40.800 --> 0:27:44.440
<v Speaker 1>you know where he asked her to marry her. UM,

0:27:44.560 --> 0:27:46.919
<v Speaker 1>and I think the show. The show is called A

0:27:47.000 --> 0:27:50.359
<v Speaker 1>Thousand Daisies or something like that. Um, and he buys

0:27:50.359 --> 0:27:53.240
<v Speaker 1>her all these daisies and she's like in this and

0:27:53.280 --> 0:27:56.359
<v Speaker 1>she I think, I think she accepts in it. And

0:27:56.400 --> 0:27:59.840
<v Speaker 1>then I don't even remember how how she how she

0:28:00.119 --> 0:28:03.320
<v Speaker 1>doesn't marry me, whether, I don't know if there was

0:28:03.320 --> 0:28:05.960
<v Speaker 1>a wedding. I don't think there was a wedding, and

0:28:06.040 --> 0:28:08.840
<v Speaker 1>she doesn't come. I forget exactly how that turned out.

0:28:10.119 --> 0:28:13.040
<v Speaker 1>And then I remember, yeah anyway, yeah, and then I

0:28:13.080 --> 0:28:15.680
<v Speaker 1>remember talking. I remember over the years, you know, over

0:28:15.720 --> 0:28:18.959
<v Speaker 1>those those few years, talking to Dan and Amy, you know,

0:28:19.200 --> 0:28:20.760
<v Speaker 1>they were going to bring me back, and then that

0:28:20.960 --> 0:28:26.280
<v Speaker 1>never happened. And then UM, yeah, M interesting. And you're

0:28:26.280 --> 0:28:30.240
<v Speaker 1>in New York right now, right upstate New York are

0:28:31.280 --> 0:28:35.400
<v Speaker 1>Oh and you've been there since uh the pandemic started

0:28:35.400 --> 0:28:41.000
<v Speaker 1>maybe or yeah, well yeah, I got actually just as

0:28:41.040 --> 0:28:45.520
<v Speaker 1>the pandemic was starting, I got rid of my apartment

0:28:45.520 --> 0:28:49.920
<v Speaker 1>in New York. UM, mainly because we were not spending

0:28:49.960 --> 0:28:51.800
<v Speaker 1>that much time there and then and we didn't want

0:28:51.800 --> 0:28:55.160
<v Speaker 1>to really pay for it anymore, so we um, so

0:28:55.200 --> 0:28:57.640
<v Speaker 1>we gave it up. But then and at the same

0:28:57.680 --> 0:28:59.800
<v Speaker 1>time the pandemic kid so it's like kind of normal,

0:29:00.040 --> 0:29:03.320
<v Speaker 1>we wouldn't be there. Um And you know, now if

0:29:03.320 --> 0:29:05.600
<v Speaker 1>I worked there, it's it's a bit of an issue,

0:29:05.600 --> 0:29:07.040
<v Speaker 1>like I have to find a place to stay usually,

0:29:07.120 --> 0:29:09.959
<v Speaker 1>but it's um. But I'm up here in the country

0:29:10.040 --> 0:29:13.239
<v Speaker 1>and it's fantastic and I love it right right right. Uh,

0:29:13.360 --> 0:29:15.400
<v Speaker 1>there's a yeah, there's a lot to be said. I

0:29:15.400 --> 0:29:17.360
<v Speaker 1>I sold my house in l a too, and we

0:29:17.400 --> 0:29:20.360
<v Speaker 1>went out a little bit to the country. Well I

0:29:20.400 --> 0:29:24.440
<v Speaker 1>wouldn't say country, but of California. Yeah, yeah, we didn't.

0:29:25.120 --> 0:29:29.240
<v Speaker 1>We didn't make it out of California, but we still may.

0:29:29.680 --> 0:29:31.760
<v Speaker 1>Are you you're from back east, though, aren't you. Yeah,

0:29:31.760 --> 0:29:35.440
<v Speaker 1>I'm from Philadelphia, was born in Philadelphia, grew up in

0:29:35.480 --> 0:29:38.080
<v Speaker 1>South Jersey. Yeah, and I spent you know, a lot

0:29:38.080 --> 0:29:41.080
<v Speaker 1>of my summers in New York City because my sister

0:29:41.200 --> 0:29:43.640
<v Speaker 1>was living with somebody there and married to somebody there,

0:29:43.640 --> 0:29:45.560
<v Speaker 1>so we would go up every summer. I'd go up

0:29:45.560 --> 0:29:47.480
<v Speaker 1>every summer in high school and just spend the summer

0:29:47.560 --> 0:29:51.440
<v Speaker 1>up there with her. Let's get back to this, uh,

0:29:51.640 --> 0:29:55.080
<v Speaker 1>this this role that you play that has has has

0:29:55.320 --> 0:30:00.280
<v Speaker 1>has had this sort of this nuclear bomb in my life.

0:30:00.880 --> 0:30:05.720
<v Speaker 1>So when you first got the script, did you have, um,

0:30:05.760 --> 0:30:08.320
<v Speaker 1>any kind of misgivings and you may have addressed us

0:30:08.320 --> 0:30:12.080
<v Speaker 1>already about a teacher dating a mom, did you have

0:30:12.120 --> 0:30:14.400
<v Speaker 1>any kind of thoughts you could put children in jeopardy?

0:30:14.440 --> 0:30:17.640
<v Speaker 1>Did you have any kind of thoughts about what this

0:30:17.680 --> 0:30:20.240
<v Speaker 1>could do to Rory, you know, because that's the thing

0:30:20.280 --> 0:30:24.040
<v Speaker 1>that I'm I'm responding to responding to. Yeah, unfortunately not.

0:30:24.280 --> 0:30:26.040
<v Speaker 1>I mean when I got the script, all I really

0:30:26.040 --> 0:30:29.760
<v Speaker 1>saw was the romance. Hmm, That's that's what I really saw.

0:30:29.960 --> 0:30:32.400
<v Speaker 1>I mean, maybe I should have steen more of the

0:30:32.440 --> 0:30:34.120
<v Speaker 1>children thing that that would have been a little bit

0:30:34.120 --> 0:30:36.840
<v Speaker 1>more kind of But you know, there were never any

0:30:36.840 --> 0:30:41.760
<v Speaker 1>scenes between me and and the headmaster except in that

0:30:41.840 --> 0:30:45.320
<v Speaker 1>in the office, And I think if they were, if

0:30:45.360 --> 0:30:48.480
<v Speaker 1>they had written scenes for me to take me out

0:30:48.480 --> 0:30:50.400
<v Speaker 1>of the relationship and put me in the school more,

0:30:50.800 --> 0:30:52.960
<v Speaker 1>you know, to you know, to deal with that like

0:30:53.000 --> 0:30:54.920
<v Speaker 1>a like a friend that you're talking to that's like,

0:30:55.000 --> 0:30:57.600
<v Speaker 1>don't do this, Um, then I think I would have

0:30:57.600 --> 0:31:00.280
<v Speaker 1>thought about a little bit more. But um, there was

0:31:00.320 --> 0:31:03.239
<v Speaker 1>nothing in the script that was that was telling me

0:31:03.360 --> 0:31:08.080
<v Speaker 1>to um, to do anything other than what the romance

0:31:08.160 --> 0:31:15.880
<v Speaker 1>was dictating. I love the fact that ultimately what we

0:31:16.240 --> 0:31:19.720
<v Speaker 1>discussed today was your love of her, and it was

0:31:19.760 --> 0:31:23.600
<v Speaker 1>a romantic ideal. It was the one. She was the one,

0:31:24.560 --> 0:31:28.600
<v Speaker 1>and you came on here, brave soul that you are,

0:31:29.120 --> 0:31:32.800
<v Speaker 1>and you know you truly were a rival. You were

0:31:32.840 --> 0:31:35.160
<v Speaker 1>a real rival. I mean, this was certain that was

0:31:35.280 --> 0:31:39.000
<v Speaker 1>that was never talked about. That was never talked about.

0:31:39.040 --> 0:31:41.080
<v Speaker 1>It wasn't talked about like I was a rival or

0:31:41.320 --> 0:31:43.720
<v Speaker 1>that was never in any direction. It was never any

0:31:43.760 --> 0:31:48.400
<v Speaker 1>like the writer you know, Amy never uh, at least

0:31:48.480 --> 0:31:50.760
<v Speaker 1>with me. She might have talked about with the writers

0:31:50.760 --> 0:31:52.480
<v Speaker 1>like there might have been like this is the rivalry

0:31:52.520 --> 0:31:55.200
<v Speaker 1>where you set this up, but never as a direction

0:31:55.320 --> 0:31:57.440
<v Speaker 1>like this is a this is an issue. I mean

0:31:57.720 --> 0:32:01.800
<v Speaker 1>we did, are you did? Did we go head to head? Yet?

0:32:01.920 --> 0:32:04.760
<v Speaker 1>We know? But I now I that scene just popped

0:32:04.760 --> 0:32:09.840
<v Speaker 1>into my head where we're standing yeah, yeah, yeah, and yeah,

0:32:09.840 --> 0:32:11.800
<v Speaker 1>but isn't that just one scene? I think we just

0:32:11.880 --> 0:32:14.960
<v Speaker 1>had that one scene? So yeah, So I mean that's

0:32:15.000 --> 0:32:19.800
<v Speaker 1>the only time we really you know, um, and I'm curious,

0:32:19.800 --> 0:32:21.560
<v Speaker 1>I wonder if there was any kind of dialogue that

0:32:21.600 --> 0:32:25.760
<v Speaker 1>was about Luke, you know, uh, I don't think so,

0:32:25.960 --> 0:32:28.800
<v Speaker 1>but I don't remember anyway. That wasn't that what that

0:32:28.880 --> 0:32:33.480
<v Speaker 1>was set up by writing, not necessarily by you know, performance,

0:32:33.520 --> 0:32:36.720
<v Speaker 1>I think, which is better because because then I'm not

0:32:36.760 --> 0:32:39.080
<v Speaker 1>I'm not thinking about the competition. I'm thinking about just

0:32:39.480 --> 0:32:42.040
<v Speaker 1>Laura La. I'm just thinking about like that's the goal.

0:32:42.120 --> 0:32:44.760
<v Speaker 1>The goal is Laura La. But the competition plays out

0:32:44.800 --> 0:32:47.040
<v Speaker 1>in the writing of it, not not in the Uh.

0:32:47.480 --> 0:32:50.360
<v Speaker 1>You know, if you're constantly playing like the jealousy, then

0:32:50.600 --> 0:32:53.200
<v Speaker 1>you're not You're not really playing the romance, the romance,

0:32:53.200 --> 0:32:56.720
<v Speaker 1>which ends up being what people I think become attracted to.

0:32:57.520 --> 0:32:59.200
<v Speaker 1>I agree with you because I think in the in

0:32:59.240 --> 0:33:03.400
<v Speaker 1>the Foyers, you know, I was playing fear and insecurity

0:33:03.600 --> 0:33:07.600
<v Speaker 1>and really being threatened. I mean I really sensed that

0:33:07.960 --> 0:33:10.360
<v Speaker 1>this was gonna go bad for me and then I

0:33:10.360 --> 0:33:13.520
<v Speaker 1>was gonna lose her. So I do. I do remember that.

0:33:13.600 --> 0:33:15.320
<v Speaker 1>But of course you cover and you try to be

0:33:15.360 --> 0:33:17.920
<v Speaker 1>the tough guy, and she's mine and this is what

0:33:17.960 --> 0:33:21.239
<v Speaker 1>I do for her. And I mean it was it

0:33:21.280 --> 0:33:26.200
<v Speaker 1>was it was schoolyard childish stuff, but it's it's there.

0:33:26.240 --> 0:33:34.720
<v Speaker 1>We are, Um, yeah, there are exactly. I want to

0:33:34.720 --> 0:33:39.080
<v Speaker 1>do a little thing called rapid fire. You ready for this? Alright?

0:33:39.120 --> 0:33:41.160
<v Speaker 1>Alright here we got I know. How do you take

0:33:41.160 --> 0:33:47.360
<v Speaker 1>your coffee with cream? Can you smell snow? Yeah? Are

0:33:47.360 --> 0:33:51.880
<v Speaker 1>your team Logan? Just yeah? Sure? Because you from the Northeast,

0:33:51.920 --> 0:33:56.640
<v Speaker 1>I can smell, so you can smell snow man on

0:33:56.680 --> 0:33:59.200
<v Speaker 1>the ground, you know, peeing the snow, you smell being

0:33:59.200 --> 0:34:02.200
<v Speaker 1>the snow. There you are you Team Logan, Team Jess

0:34:02.240 --> 0:34:10.719
<v Speaker 1>or Team Dean. You don't give for corpt I don't

0:34:10.719 --> 0:34:13.560
<v Speaker 1>even I'm not even Logan. I'm not sure who Logan is.

0:34:15.000 --> 0:34:22.600
<v Speaker 1>Jess I think was Jess? Was was his Milo? Right? Yeah? Uh,

0:34:22.640 --> 0:34:28.239
<v Speaker 1>I have to say Team Dean. Okay, why because I

0:34:29.120 --> 0:34:32.920
<v Speaker 1>really got along with We were early on when he

0:34:33.600 --> 0:34:35.959
<v Speaker 1>that was like his first thing, right, that's j Jess

0:34:36.000 --> 0:34:38.960
<v Speaker 1>Jared Petti, like he's eighteen years old. Yeah, yeah, I

0:34:38.960 --> 0:34:40.759
<v Speaker 1>mean it was a lot of fun talking to him,

0:34:40.800 --> 0:34:42.319
<v Speaker 1>but you know, and it was you know, he was

0:34:42.400 --> 0:34:45.560
<v Speaker 1>just starting and we we formed a little bond for

0:34:45.640 --> 0:34:48.480
<v Speaker 1>a little bit, and then um he becaun you know,

0:34:48.520 --> 0:34:50.440
<v Speaker 1>he went on to both of them, you know, superstar.

0:34:50.719 --> 0:34:53.640
<v Speaker 1>He was a sweet kid. He was a very sweet kid.

0:34:55.000 --> 0:35:04.640
<v Speaker 1>Who's the daddy? Um, you're asking me questions? I don't

0:35:04.640 --> 0:35:11.160
<v Speaker 1>even know what they're actually referenced. Daddy. Yeah, I don't know.

0:35:11.560 --> 0:35:21.560
<v Speaker 1>I don't know, not really. I gotta, you know, I

0:35:21.560 --> 0:35:26.960
<v Speaker 1>gotta ask the question. Yeah, I want to hear Melissa McCarthy,

0:35:26.960 --> 0:35:31.040
<v Speaker 1>which she's on what's your best memory of Gilmore Girls?

0:35:31.800 --> 0:35:34.600
<v Speaker 1>My best memory of Gilmore Girls has nothing to do

0:35:34.640 --> 0:35:39.359
<v Speaker 1>with the show. Um. It has to do with um

0:35:39.480 --> 0:35:45.480
<v Speaker 1>uh shooting on nine eleven and how they uh now

0:35:45.600 --> 0:35:51.200
<v Speaker 1>I've actually Pamela um the line producer. I forget her

0:35:51.280 --> 0:35:56.800
<v Speaker 1>last name, now, um she uh you nine eleven happened.

0:35:56.840 --> 0:35:59.279
<v Speaker 1>I was in l a shooting and my family, my

0:35:59.320 --> 0:36:01.920
<v Speaker 1>wife and my kids were in New York and we

0:36:01.960 --> 0:36:05.000
<v Speaker 1>lived in Soho at the time, which was very close.

0:36:05.040 --> 0:36:07.480
<v Speaker 1>And he had gone to school that day and I

0:36:07.520 --> 0:36:09.880
<v Speaker 1>saw the you know, the towers falling on the news

0:36:10.120 --> 0:36:12.200
<v Speaker 1>and went to set, went to went to the studio

0:36:12.280 --> 0:36:14.839
<v Speaker 1>that morning, right that I was working that day. Um,

0:36:15.040 --> 0:36:18.279
<v Speaker 1>everything shut down, obviously, but um, they got me on.

0:36:18.480 --> 0:36:21.560
<v Speaker 1>They put me in a room. They were so concerned

0:36:21.719 --> 0:36:24.399
<v Speaker 1>with me getting in touch with my family, and they

0:36:24.400 --> 0:36:27.720
<v Speaker 1>put me in a room for twelve hours. They patched

0:36:27.719 --> 0:36:29.400
<v Speaker 1>me through all these ways of trying to get to

0:36:29.440 --> 0:36:34.239
<v Speaker 1>my my wife's cell phone and you know, just uh yeah,

0:36:34.280 --> 0:36:37.919
<v Speaker 1>it was it was like totally being taken care of

0:36:38.280 --> 0:36:41.200
<v Speaker 1>in a time when you feel like just you're you're

0:36:41.280 --> 0:36:44.080
<v Speaker 1>just you know, you're the ground under your feet is

0:36:44.120 --> 0:36:46.600
<v Speaker 1>just kind of taken. And did you did how long

0:36:46.600 --> 0:36:48.120
<v Speaker 1>did it take you to get in touch with your wife?

0:36:48.560 --> 0:36:55.040
<v Speaker 1>Twelve hours? Yeah, and yeah, and it was like and yeah,

0:36:55.080 --> 0:36:57.160
<v Speaker 1>it was just it was just incredible and I'll never

0:36:57.200 --> 0:36:59.080
<v Speaker 1>forget it. And it was I just felt like it

0:36:59.200 --> 0:37:02.839
<v Speaker 1>was so it was just so unbelievable. They just you know,

0:37:03.200 --> 0:37:04.719
<v Speaker 1>and had nothing to do with the show. But then

0:37:04.760 --> 0:37:06.640
<v Speaker 1>I think the next day we shot, or two days

0:37:06.680 --> 0:37:09.360
<v Speaker 1>later we shot. I remember shooting a scene with Lauren

0:37:09.480 --> 0:37:12.760
<v Speaker 1>in a car. Maybe it was like a driving scene

0:37:12.800 --> 0:37:16.040
<v Speaker 1>or something like that, and I it was just crazy.

0:37:16.120 --> 0:37:18.640
<v Speaker 1>I mean, you're like, you're not really like I was

0:37:18.719 --> 0:37:21.080
<v Speaker 1>kind of laughing the whole time and not really like

0:37:21.360 --> 0:37:23.000
<v Speaker 1>I don't know. And that was the other thing. They

0:37:23.040 --> 0:37:25.319
<v Speaker 1>got me out as quickly as possible. They like got

0:37:25.320 --> 0:37:27.800
<v Speaker 1>me out on the first flight. That that when when

0:37:27.800 --> 0:37:31.439
<v Speaker 1>when flights started going back, and I remember, I uh,

0:37:31.680 --> 0:37:33.200
<v Speaker 1>not in live was on a Tuesday, and they flew

0:37:33.239 --> 0:37:35.080
<v Speaker 1>me on a Saturday morning. It was like the first

0:37:35.080 --> 0:37:36.759
<v Speaker 1>one of the first flights that got went out of

0:37:36.880 --> 0:37:43.200
<v Speaker 1>l A. So it was what a what a terrible experience?

0:37:43.280 --> 0:37:47.560
<v Speaker 1>Good god, twelve hours of agony? Wow. Yeah, But that

0:37:47.560 --> 0:37:51.640
<v Speaker 1>that's my that's my best memory because and other than that,

0:37:52.000 --> 0:37:55.960
<v Speaker 1>uh my, my, my best memories are just the whole

0:37:56.080 --> 0:37:59.600
<v Speaker 1>thing with Lauren and just having such a good time, um,

0:37:59.680 --> 0:38:03.160
<v Speaker 1>and with Amy and Dan uh and never just never

0:38:03.239 --> 0:38:08.760
<v Speaker 1>feeling threatened that the way I was doing things was

0:38:08.760 --> 0:38:11.000
<v Speaker 1>was questioned. It was just always, you know, it was

0:38:11.000 --> 0:38:14.520
<v Speaker 1>always good. And I don't really remember, maybe because I

0:38:14.520 --> 0:38:17.359
<v Speaker 1>I was so you know, busy at the time. Um,

0:38:17.560 --> 0:38:21.000
<v Speaker 1>I don't ever remember feeling like, uh, you know, like

0:38:21.040 --> 0:38:23.680
<v Speaker 1>I needed, you know, to know if he's coming back

0:38:23.840 --> 0:38:26.160
<v Speaker 1>or you know, what's happening to Max. You know, it's

0:38:26.200 --> 0:38:28.680
<v Speaker 1>just what it was, what it was, I think. Yeah,

0:38:28.840 --> 0:38:31.040
<v Speaker 1>I mean that that's basically it the show that you're

0:38:31.040 --> 0:38:36.800
<v Speaker 1>binge watching right now. I just finished The Kaminsky Method. Okay,

0:38:37.200 --> 0:38:41.279
<v Speaker 1>cast member you texted most recently on The gumber Girls.

0:38:41.840 --> 0:38:47.000
<v Speaker 1>I'm in touch with Amy and Dana a lot. Okay,

0:38:47.040 --> 0:38:50.640
<v Speaker 1>So have you done an episode of mazel I? I

0:38:50.680 --> 0:38:54.880
<v Speaker 1>was on this this season, right, Okay? Cool? So okay,

0:38:54.880 --> 0:38:57.920
<v Speaker 1>So here's a Lauren question. Okay, did you know that

0:38:57.960 --> 0:39:00.640
<v Speaker 1>the two of you had a great see partner in

0:39:00.719 --> 0:39:03.959
<v Speaker 1>each other? Because it was so what's the word ping

0:39:04.000 --> 0:39:06.880
<v Speaker 1>pongy quick back and forth. I mean, did you know

0:39:07.000 --> 0:39:12.279
<v Speaker 1>pretty quickly that you were in really good hands with Yes? Yes,

0:39:12.400 --> 0:39:18.759
<v Speaker 1>I knew Lauren before the show, right, Um, they we

0:39:18.760 --> 0:39:23.040
<v Speaker 1>were actually in I did three three episode arc on

0:39:23.160 --> 0:39:32.400
<v Speaker 1>Law and Order, like in nineteen six, and I played

0:39:32.480 --> 0:39:37.479
<v Speaker 1>a film director that that that murders his wife cuts

0:39:37.480 --> 0:39:40.960
<v Speaker 1>her up into little pieces. Um, and she was in

0:39:41.040 --> 0:39:46.520
<v Speaker 1>the same shown because he was. It was I touched her.

0:39:46.600 --> 0:39:52.480
<v Speaker 1>I touched her a lot before, so not going. I

0:39:52.560 --> 0:39:56.080
<v Speaker 1>tried to get close. She wouldn't let me. Um. And

0:39:56.160 --> 0:39:58.160
<v Speaker 1>she was on the show. I forget exactly why she

0:39:58.200 --> 0:39:59.560
<v Speaker 1>was on the show, but she was on the show.

0:40:00.040 --> 0:40:02.399
<v Speaker 1>And my agent was like, oh, you know would be great.

0:40:02.440 --> 0:40:05.040
<v Speaker 1>You guys should work together and uh, you know, be fun.

0:40:05.320 --> 0:40:07.520
<v Speaker 1>And then we met each other and you know, she

0:40:07.680 --> 0:40:12.680
<v Speaker 1>was great and um, and this came up and I

0:40:12.760 --> 0:40:17.080
<v Speaker 1>knew that she was just totally special and and um

0:40:17.160 --> 0:40:21.600
<v Speaker 1>and extremely talented. I don't think that I was anywhere

0:40:21.680 --> 0:40:23.960
<v Speaker 1>near I mean, I don't know if you had this experience,

0:40:24.000 --> 0:40:26.920
<v Speaker 1>but I wasn't anywhere near as being able to speak

0:40:27.360 --> 0:40:32.680
<v Speaker 1>as quickly as I. And that was actually I was

0:40:33.040 --> 0:40:35.920
<v Speaker 1>I was lucky that Amy. Uh. And maybe this was

0:40:35.960 --> 0:40:39.160
<v Speaker 1>because it was kind of um first Amy's you know

0:40:40.120 --> 0:40:46.400
<v Speaker 1>uh um. She wasn't like as intense about um dialogue early.

0:40:46.440 --> 0:40:49.000
<v Speaker 1>Maybe I don't know, but my take on how to

0:40:49.040 --> 0:40:52.359
<v Speaker 1>do that dialogue was not not like you know, like

0:40:52.360 --> 0:40:54.400
<v Speaker 1>like rapid fire. I needed to be able to I

0:40:54.440 --> 0:40:55.960
<v Speaker 1>needed to be able to have some kind of like

0:40:56.040 --> 0:40:59.600
<v Speaker 1>you know, ground to it um. Whereas Lauren could memorize

0:40:59.600 --> 0:41:02.440
<v Speaker 1>these lines. I mean there's there was ninety pages per script.

0:41:02.600 --> 0:41:05.440
<v Speaker 1>You know, she memorizes monologues that, you know, like it

0:41:05.520 --> 0:41:08.759
<v Speaker 1>was unbelievable how you could kind of like lace stuff up.

0:41:09.320 --> 0:41:11.960
<v Speaker 1>But yeah, I mean it was totally I felt like that,

0:41:12.160 --> 0:41:14.120
<v Speaker 1>you know, it was a great scene partner, and she

0:41:14.280 --> 0:41:19.040
<v Speaker 1>really was. Again, she was very giving and very um

0:41:19.080 --> 0:41:21.080
<v Speaker 1>free about what I you know, if I wanted to

0:41:21.120 --> 0:41:22.759
<v Speaker 1>try something, she would go for it, and that you

0:41:22.760 --> 0:41:26.480
<v Speaker 1>know wouldn't be a problem. Um. And you know, she

0:41:26.560 --> 0:41:29.120
<v Speaker 1>wasn't judging or anything like that, which always makes it

0:41:29.160 --> 0:41:30.759
<v Speaker 1>easier because you know, you work with people that are

0:41:30.800 --> 0:41:33.000
<v Speaker 1>very judgmentally, You're like, oh my god, it's like I'm

0:41:33.440 --> 0:41:38.200
<v Speaker 1>completely stuck. It's gonna be a long day exactly exactly,

0:41:38.520 --> 0:41:40.440
<v Speaker 1>and so you know, so you have to like so.

0:41:40.440 --> 0:41:42.680
<v Speaker 1>So she was great. I mean she was, you know,

0:41:43.160 --> 0:41:48.120
<v Speaker 1>a true um champion of you know, of of doing work.

0:41:48.160 --> 0:41:51.400
<v Speaker 1>I never saw her complain about anything, you know that

0:41:51.640 --> 0:41:54.000
<v Speaker 1>I wasn't part of, you know, if if that was happening,

0:41:54.040 --> 0:41:57.560
<v Speaker 1>I didn't know about it. Um. She was always like

0:41:57.760 --> 0:42:01.759
<v Speaker 1>right on on on on her stuff, and and and

0:42:01.760 --> 0:42:04.840
<v Speaker 1>and and willing to uh to be a great scene partner.

0:42:04.880 --> 0:42:06.960
<v Speaker 1>And she was. She was really a good scene partner.

0:42:07.040 --> 0:42:09.480
<v Speaker 1>You know. One of the most impressive things I've ever

0:42:09.520 --> 0:42:14.439
<v Speaker 1>seen in my entire career was when uh we we

0:42:14.520 --> 0:42:16.680
<v Speaker 1>I mean we were there at three am doing a

0:42:16.719 --> 0:42:18.279
<v Speaker 1>diner scene. It was just the two of us, since

0:42:18.280 --> 0:42:20.720
<v Speaker 1>she had this big entrance monologue coming into the diner

0:42:20.800 --> 0:42:22.680
<v Speaker 1>and huff and the whole thing, and I mean it

0:42:22.719 --> 0:42:25.480
<v Speaker 1>was like it was it was that much black ink.

0:42:25.640 --> 0:42:28.040
<v Speaker 1>It was like the whole page and she had just

0:42:28.080 --> 0:42:30.719
<v Speaker 1>spit it out fast. And not only did she have

0:42:30.800 --> 0:42:32.799
<v Speaker 1>to do that at three am after you know, a

0:42:32.840 --> 0:42:36.200
<v Speaker 1>monster day of twenty hours or something like that, of

0:42:36.280 --> 0:42:39.720
<v Speaker 1>working and uh, you know, ninety cups of coffee. We

0:42:39.719 --> 0:42:43.520
<v Speaker 1>we both had in us. Brian de Palma had been

0:42:43.560 --> 0:42:47.960
<v Speaker 1>there since the afternoon and he stayed. He stayed. He

0:42:48.040 --> 0:42:50.160
<v Speaker 1>was a fan of the show. His daughter loved the show.

0:42:51.040 --> 0:42:55.920
<v Speaker 1>And uh, Gallen heard the mother of the wife was there,

0:42:56.800 --> 0:43:00.800
<v Speaker 1>um as well. I think she was. But Brian de

0:43:00.880 --> 0:43:06.120
<v Speaker 1>Palmer was sitting right next to camera. Oh my god. Okay,

0:43:06.360 --> 0:43:08.480
<v Speaker 1>you know how we do our coverage for close up. Yeah,

0:43:08.520 --> 0:43:12.280
<v Speaker 1>he was like cameras the microphone. He was there, Brian

0:43:12.320 --> 0:43:19.280
<v Speaker 1>de Palmer and on her coverage, okay, on her coverage,

0:43:19.360 --> 0:43:25.920
<v Speaker 1>and she was flawless. She didn't she didn't flinch. I mean,

0:43:25.960 --> 0:43:28.880
<v Speaker 1>you talk about being under pressure with like a major

0:43:28.960 --> 0:43:32.320
<v Speaker 1>director staring you right in the face the entire monologue

0:43:32.440 --> 0:43:36.960
<v Speaker 1>and just she did it twice, nailed it. We moved on. Yeah,

0:43:38.880 --> 0:43:43.120
<v Speaker 1>she's so professional, so you know, and and yeah, really professional.

0:43:43.520 --> 0:43:46.080
<v Speaker 1>It was cool and I think that she, you know,

0:43:46.280 --> 0:43:49.000
<v Speaker 1>she must have felt. I mean, I I don't. I

0:43:49.000 --> 0:43:51.160
<v Speaker 1>don't really talk to Laren, but you know, she must

0:43:51.160 --> 0:43:53.520
<v Speaker 1>have felt, you know. And I mean it's interesting, like,

0:43:53.840 --> 0:43:57.600
<v Speaker 1>you know, somebody that you know is so successful at

0:43:57.719 --> 0:44:01.520
<v Speaker 1>a show, on a show for so long. You know,

0:44:01.600 --> 0:44:04.360
<v Speaker 1>she really seemed to do with it really well I

0:44:04.360 --> 0:44:07.960
<v Speaker 1>mean from my perspective, and not ever make it like

0:44:08.080 --> 0:44:10.800
<v Speaker 1>she's a star or you know, she was very humble

0:44:10.920 --> 0:44:16.319
<v Speaker 1>and you know, um, yeah, I mean I found it

0:44:16.360 --> 0:44:20.719
<v Speaker 1>incredible to you know, what I found incredible is if

0:44:20.719 --> 0:44:22.520
<v Speaker 1>I were in that position, and I were the lead

0:44:22.520 --> 0:44:24.480
<v Speaker 1>of the show and I was carrying a show like

0:44:24.520 --> 0:44:27.680
<v Speaker 1>that with so much dialogue and so many hours yet

0:44:27.680 --> 0:44:29.640
<v Speaker 1>you had to put in every day and I wasn't

0:44:29.680 --> 0:44:32.239
<v Speaker 1>getting and doing the level of work that she was

0:44:32.320 --> 0:44:35.560
<v Speaker 1>doing day after day, month after month, year after year,

0:44:35.640 --> 0:44:40.560
<v Speaker 1>season after season, and not really I mean getting recognized

0:44:40.640 --> 0:44:44.879
<v Speaker 1>or getting nominated at the rate which she deserved. Uh.

0:44:45.080 --> 0:44:47.160
<v Speaker 1>Kind of amazing that it went on for seven years,

0:44:47.560 --> 0:44:51.239
<v Speaker 1>because I mean we were obligated to six. We did

0:44:51.239 --> 0:44:55.719
<v Speaker 1>a seventh, um, but it's like how long can you go?

0:44:55.800 --> 0:44:58.279
<v Speaker 1>I mean, like what's the point after a while? I

0:44:58.320 --> 0:45:00.680
<v Speaker 1>mean not that you're doing it to be recognized, but

0:45:00.760 --> 0:45:04.840
<v Speaker 1>it's like, you know, it starts feeling you know, it

0:45:04.920 --> 0:45:09.080
<v Speaker 1>starts feeling bad, like come on, you know, maybe you know,

0:45:09.160 --> 0:45:11.640
<v Speaker 1>throw us a Golden Satellite Award or something. I mean,

0:45:11.719 --> 0:45:17.080
<v Speaker 1>I something, Um, but it was just odd and it

0:45:17.200 --> 0:45:20.919
<v Speaker 1>just sort of I don't know, there was this sort

0:45:20.920 --> 0:45:23.960
<v Speaker 1>of sour taste after a while on set, like we

0:45:24.040 --> 0:45:27.520
<v Speaker 1>can do, you know, what we consider to be very

0:45:27.600 --> 0:45:31.880
<v Speaker 1>high level work with very high level writing, and nobody

0:45:31.920 --> 0:45:34.640
<v Speaker 1>at these academies cares and it's not going to make

0:45:34.680 --> 0:45:36.279
<v Speaker 1>any difference. Not that you do it to win the

0:45:36.280 --> 0:45:38.640
<v Speaker 1>awards or get nominated, but you want to be invited

0:45:38.640 --> 0:45:40.399
<v Speaker 1>to the party a little bit, right, Yeah, you want

0:45:40.400 --> 0:45:42.439
<v Speaker 1>to be invited to the party totally. But you know what,

0:45:44.120 --> 0:45:46.800
<v Speaker 1>after so many years in this business, I do feel

0:45:46.840 --> 0:45:49.160
<v Speaker 1>like that, you know, because I too want to be

0:45:49.320 --> 0:45:52.480
<v Speaker 1>you know, uh invited to the party. But I feel

0:45:52.520 --> 0:45:58.359
<v Speaker 1>like that there are you know, there are things that

0:45:58.440 --> 0:46:01.400
<v Speaker 1>happened that never get recogn eyes that never get you know,

0:46:01.440 --> 0:46:03.520
<v Speaker 1>to see the light of day in terms of you know,

0:46:03.640 --> 0:46:09.120
<v Speaker 1>people kind of giving it the credit it deserves. And unfortunately,

0:46:09.120 --> 0:46:11.440
<v Speaker 1>it's it's for a lot of actors and a lot

0:46:11.480 --> 0:46:14.200
<v Speaker 1>of shows, a lot of movies that that don't get

0:46:14.200 --> 0:46:18.320
<v Speaker 1>that because there are Darling's that you know, uh that

0:46:18.320 --> 0:46:21.399
<v Speaker 1>that get chosen, you know, and unfortunately, and I don't

0:46:21.400 --> 0:46:24.400
<v Speaker 1>need to like trash you know, any organization, but you know,

0:46:25.120 --> 0:46:27.799
<v Speaker 1>whether it's the Academy or whether it's the Emmys or

0:46:27.800 --> 0:46:29.919
<v Speaker 1>whether it's you know, sa what we all know how

0:46:30.040 --> 0:46:33.719
<v Speaker 1>things get voted and you know it's, um, it's not

0:46:33.960 --> 0:46:37.600
<v Speaker 1>rocket science, it's you know, people, people choose. People don't

0:46:37.640 --> 0:46:41.560
<v Speaker 1>necessarily choose what's deserving one year. They choose, you know

0:46:41.719 --> 0:46:45.719
<v Speaker 1>what they know and it's not always you know the

0:46:45.760 --> 0:46:49.920
<v Speaker 1>case with one particular show, she she absolutely deserved an

0:46:50.160 --> 0:46:53.000
<v Speaker 1>enormous amount of tension for that, for that character, as

0:46:53.120 --> 0:47:01.160
<v Speaker 1>as as um as uh so many others know the girl,

0:47:01.239 --> 0:47:04.680
<v Speaker 1>the girl from Mrs maisil who, um, you know who's

0:47:04.760 --> 0:47:07.719
<v Speaker 1>getting an enormous amount of right right right right? So

0:47:08.360 --> 0:47:13.280
<v Speaker 1>which is a similar it's a similar character. Listen, buddy, Uh,

0:47:13.440 --> 0:47:16.480
<v Speaker 1>we know you gotta go. You're a busy guy. Thank

0:47:16.520 --> 0:47:19.720
<v Speaker 1>you for your time. This was amazing, It was great.

0:47:20.120 --> 0:47:22.960
<v Speaker 1>It was great spending time with you. And Uh, I

0:47:23.000 --> 0:47:25.680
<v Speaker 1>think I'm gonna send you some coffee. I have my

0:47:25.680 --> 0:47:28.439
<v Speaker 1>own coffee company. Did you drink coffee? Do you really?

0:47:28.480 --> 0:47:32.759
<v Speaker 1>I do? Yeah? Uh send it to me definitely, all right,

0:47:32.800 --> 0:47:35.920
<v Speaker 1>they'll get yeah, yeah, they'll get your phone and all that.

0:47:36.120 --> 0:47:38.520
<v Speaker 1>But it was amazing talking to you. Thank you so

0:47:38.600 --> 0:47:41.120
<v Speaker 1>much for taking the time we'd love to have you back.

0:47:42.000 --> 0:47:45.880
<v Speaker 1>It's great sea and I'm so glad that you explained

0:47:45.960 --> 0:47:48.400
<v Speaker 1>to me that it was really just romance. It was

0:47:48.480 --> 0:47:52.960
<v Speaker 1>just romantic love and it took precedent over anything. And

0:47:53.000 --> 0:47:55.800
<v Speaker 1>how honorable of you to say, I'm going to step

0:47:55.800 --> 0:47:59.759
<v Speaker 1>away from Chilton too if it comes to that for

0:48:00.040 --> 0:48:05.080
<v Speaker 1>this woman that's the true rival on guard, my friend,

0:48:05.600 --> 0:48:11.760
<v Speaker 1>my guard. We will meet again anyway, Stay well, stay safe,

0:48:12.680 --> 0:48:24.720
<v Speaker 1>all the best, buddy, take care all right man. Thanks

0:48:45.920 --> 0:48:48.919
<v Speaker 1>hey everybody, and don't forget follow us on Instagram at

0:48:49.239 --> 0:48:53.760
<v Speaker 1>I Am all In podcast and Emailie at Gilmore at

0:48:53.760 --> 0:48:57.080
<v Speaker 1>I heart radio dot com. Oh you gil More fans.

0:48:57.120 --> 0:48:58.840
<v Speaker 1>If you're looking for the best cup of coffee in

0:48:58.840 --> 0:49:02.320
<v Speaker 1>the world, go to my website from my company scott

0:49:02.320 --> 0:49:04.480
<v Speaker 1>ep dot com, s C O T T y P

0:49:04.680 --> 0:49:16.400
<v Speaker 1>dot com, Scott e P dot com Grade one Specialty Coffee. Yeah.