1 00:00:01,720 --> 00:00:04,640 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,120 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:11,960 --> 00:00:30,800 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,840 --> 00:00:33,320 Speaker 1: a little thing we like to call the after party. 6 00:00:33,440 --> 00:00:35,720 Speaker 1: This is the show after the show, the party after 7 00:00:35,760 --> 00:00:37,239 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,280 --> 00:00:39,920 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:39,960 --> 00:00:44,040 Speaker 1: into the dirt. On this episode we are talking about 10 00:00:44,120 --> 00:00:48,360 Speaker 1: Peter Tosh led Zeppelin, The Last Temptation of Christ, and 11 00:00:48,440 --> 00:00:52,159 Speaker 1: of course your voicemails, text, dms and more and as always, 12 00:00:52,159 --> 00:00:56,360 Speaker 1: a whole lot of rosy. All right, Discos, let's get 13 00:00:56,400 --> 00:01:10,839 Speaker 1: into it. Buenas DS Buenos Noche is depending on when 14 00:01:10,880 --> 00:01:13,520 Speaker 1: and where you're listening to this happy last week of March. 15 00:01:13,600 --> 00:01:17,520 Speaker 1: Spring is here officially, if not actually weatherwise, at least 16 00:01:17,560 --> 00:01:19,360 Speaker 1: that's the way it is here in the Northeast. I 17 00:01:19,400 --> 00:01:23,000 Speaker 1: love the spring. I listen to music differently in the spring, 18 00:01:23,360 --> 00:01:25,880 Speaker 1: as soon as that cold breaks and the sun starts 19 00:01:25,880 --> 00:01:28,520 Speaker 1: to burn a little brighter. I have certain records that 20 00:01:28,600 --> 00:01:31,280 Speaker 1: I go back to every year around this time. Black Crows. 21 00:01:31,760 --> 00:01:34,319 Speaker 1: The Southern Harmony and musical Companion is one that I 22 00:01:34,360 --> 00:01:37,279 Speaker 1: go back to every Spring, in particular because that record 23 00:01:37,280 --> 00:01:38,959 Speaker 1: came out during the spring while I was in high 24 00:01:39,000 --> 00:01:43,520 Speaker 1: school in Man. Remedy that single, it was everywhere blasting 25 00:01:43,760 --> 00:01:46,200 Speaker 1: out of car windows, and guys, we had some pretty 26 00:01:46,200 --> 00:01:49,240 Speaker 1: cool cars in high school. My buddy Dutch, he had 27 00:01:49,240 --> 00:01:52,000 Speaker 1: a sixty four dotch Dart from Billy had a sixty 28 00:01:52,040 --> 00:01:55,440 Speaker 1: seven Camaro. I myself had a sixty seven Plymouth Barracuda. 29 00:01:57,000 --> 00:02:00,320 Speaker 1: So yeah, blasted getting off the point here, but we 30 00:02:00,320 --> 00:02:03,600 Speaker 1: were blasting this song. Everyone was blasting this song. It 31 00:02:03,680 --> 00:02:07,160 Speaker 1: seem not just us, the jocks, the stoners, the cheerleaders though, 32 00:02:07,160 --> 00:02:10,760 Speaker 1: whoever's this song was indescapable when it came out Remedy 33 00:02:10,800 --> 00:02:14,280 Speaker 1: by the Black Crows, and at least it was in 34 00:02:14,280 --> 00:02:17,040 Speaker 1: my little small town in Massachusetts in the springtime. And 35 00:02:17,120 --> 00:02:19,320 Speaker 1: something about that song, man, the way it hits, it's 36 00:02:19,360 --> 00:02:24,400 Speaker 1: just so big and I don't know, exciting. It's like 37 00:02:24,520 --> 00:02:29,520 Speaker 1: what springtime should be big and exciting. Another springtime record. 38 00:02:29,760 --> 00:02:32,800 Speaker 1: Another record that I always associate with the Spring is 39 00:02:32,960 --> 00:02:36,440 Speaker 1: Check Your Head by Beastie Boys. For similar reasons. It 40 00:02:36,680 --> 00:02:38,320 Speaker 1: was a spring album when I was in high school. 41 00:02:38,320 --> 00:02:40,040 Speaker 1: Released in the spring of nineteen ninety two, and it 42 00:02:40,160 --> 00:02:44,880 Speaker 1: was everywhere. I used to think that I went to 43 00:02:44,880 --> 00:02:47,920 Speaker 1: see the Beastie Boys the weekend before the record came out. 44 00:02:48,000 --> 00:02:50,800 Speaker 1: But I looked this up today and I've been telling 45 00:02:50,840 --> 00:02:53,840 Speaker 1: this story forever. Yeah, so the Beasty Boy was the 46 00:02:53,880 --> 00:02:57,000 Speaker 1: weekend before Check Your Head came out. Turns out the 47 00:02:57,040 --> 00:02:59,640 Speaker 1: record was out for about three weeks before I actually 48 00:02:59,680 --> 00:03:03,520 Speaker 1: saw that. In Amherst, Massachusetts. For those of you who 49 00:03:03,560 --> 00:03:05,680 Speaker 1: don't know, the university and one of the one of 50 00:03:05,720 --> 00:03:09,920 Speaker 1: the University of Massachusetts campuses is up in Amherst, mass 51 00:03:09,919 --> 00:03:14,920 Speaker 1: which is Western mass beautiful part of the state. Total 52 00:03:15,000 --> 00:03:18,520 Speaker 1: party school, total party part of the state. Actually there's 53 00:03:18,520 --> 00:03:21,600 Speaker 1: a bunch of schools up there. It's an animal House 54 00:03:21,800 --> 00:03:25,120 Speaker 1: is based on a school from western Massachusetts as well, 55 00:03:25,160 --> 00:03:28,359 Speaker 1: not Amherst, but that I should give you an idea. Anyways, 56 00:03:28,840 --> 00:03:31,520 Speaker 1: Amherst used to do maybe they still do. I don't know, 57 00:03:31,639 --> 00:03:33,320 Speaker 1: write me, text me, call me if you're from you 58 00:03:33,360 --> 00:03:35,240 Speaker 1: massed Amherst and you know they answer this question. But 59 00:03:35,240 --> 00:03:38,119 Speaker 1: they used to do these things called spring Flings, where 60 00:03:38,160 --> 00:03:42,240 Speaker 1: they would they would throw these massive concerts every spring 61 00:03:42,760 --> 00:03:47,240 Speaker 1: outdoor concerts, and I believe they were free if you 62 00:03:47,320 --> 00:03:50,120 Speaker 1: went to school there. We used to sneak in to 63 00:03:50,240 --> 00:03:52,800 Speaker 1: these shows, so I don't remember ticket prices or anything 64 00:03:52,880 --> 00:03:55,640 Speaker 1: like that. But on this one bill that the Beastie 65 00:03:55,680 --> 00:03:59,360 Speaker 1: Boys I believe headlined, the bill was this, and I 66 00:03:59,400 --> 00:04:02,720 Speaker 1: looked this up. The Mighty Muddy Bostones, Fire Hose Fishbone Fish, 67 00:04:03,040 --> 00:04:07,800 Speaker 1: the Beastie Boys, Buffalo Tom, and I think Dinosaur Junior 68 00:04:07,880 --> 00:04:10,800 Speaker 1: as well. I'm not sure about Dinosaur Junior. I couldn't 69 00:04:11,520 --> 00:04:15,119 Speaker 1: confirm that in the four seconds of research I did 70 00:04:15,160 --> 00:04:18,040 Speaker 1: before hopping in the booth here. But at that show, 71 00:04:18,040 --> 00:04:19,880 Speaker 1: the Beastie Boys came out and it was like, whether 72 00:04:19,920 --> 00:04:21,960 Speaker 1: it was the weekend before Check Your Head was released 73 00:04:21,960 --> 00:04:24,000 Speaker 1: that spring or whether it was three weeks after, it 74 00:04:24,040 --> 00:04:30,039 Speaker 1: didn't matter. They unleashed unholy awesomeness onto the campus of 75 00:04:30,200 --> 00:04:34,320 Speaker 1: UMass Amherst in their new incarnation of the Beastie Boys 76 00:04:34,600 --> 00:04:37,320 Speaker 1: where they're playing their own instruments, and they had DJ 77 00:04:37,440 --> 00:04:42,039 Speaker 1: Hurricane as well, and they just crushed. They just crushed, 78 00:04:42,400 --> 00:04:46,240 Speaker 1: and again springtime, so Check your Head will always be 79 00:04:46,320 --> 00:04:48,640 Speaker 1: one of those Spring records for me. Also led Zeppelin 80 00:04:48,720 --> 00:04:52,600 Speaker 1: one another great Spring album and not because I was 81 00:04:52,640 --> 00:04:54,480 Speaker 1: in high school when it was released. I wasn't how 82 00:04:54,560 --> 00:04:57,760 Speaker 1: frican old do you think I am? But but I did. 83 00:04:57,960 --> 00:05:02,640 Speaker 1: I did find this record cassette actually in its case 84 00:05:03,440 --> 00:05:06,960 Speaker 1: in my backyard in the fourth grade. It was just 85 00:05:07,040 --> 00:05:11,719 Speaker 1: sitting there in the grass, perfectly playable. How the hell 86 00:05:11,760 --> 00:05:14,440 Speaker 1: does that happen? If any kid in America nineteen eighty 87 00:05:14,440 --> 00:05:16,480 Speaker 1: four needed to find led Zepplin one in their backyard, 88 00:05:16,560 --> 00:05:20,159 Speaker 1: it was me. I still vividly remember racing it up 89 00:05:20,200 --> 00:05:21,880 Speaker 1: to my stereo in my bedroom and here in the 90 00:05:21,880 --> 00:05:23,839 Speaker 1: first few seconds of that album, the hits and the 91 00:05:23,880 --> 00:05:27,080 Speaker 1: intro to Good Times, Bad Times, Mother of God, so heavy, 92 00:05:27,440 --> 00:05:30,120 Speaker 1: so unlike anything I'd been exposed to at that point. 93 00:05:30,720 --> 00:05:32,760 Speaker 1: Cut me some slack. I was nine years old. I 94 00:05:32,800 --> 00:05:34,640 Speaker 1: was in a def leopard, but you know they weren't 95 00:05:34,640 --> 00:05:38,080 Speaker 1: doing it for me like led Zeppelin eventually did it 96 00:05:38,080 --> 00:05:40,479 Speaker 1: for me. So led Zeppelin One another one of my 97 00:05:40,560 --> 00:05:44,280 Speaker 1: spring records, along with Black Crows, the Southern Harmony and 98 00:05:44,440 --> 00:05:48,680 Speaker 1: musical companion in the Beastie Boys. Check your head, get 99 00:05:48,720 --> 00:05:53,039 Speaker 1: at me with your favorite springtime records. What are you 100 00:05:53,080 --> 00:05:57,240 Speaker 1: listening to when the weather turns warm? What's getting you going? 101 00:05:57,480 --> 00:06:00,200 Speaker 1: What's getting those cold beers cracked out on the back 102 00:06:00,240 --> 00:06:03,600 Speaker 1: patio as the sun starts to shine and the days 103 00:06:03,640 --> 00:06:07,480 Speaker 1: get longer. Let me know. Hit me up at Disgracelam 104 00:06:07,600 --> 00:06:11,200 Speaker 1: pod on Twitter, on Facebook, on Instagram, and TikTok, or 105 00:06:11,240 --> 00:06:13,360 Speaker 1: you can text me and leave me a voicemail six 106 00:06:13,520 --> 00:06:16,000 Speaker 1: one seven nine zero six six six three eight What 107 00:06:16,080 --> 00:06:18,400 Speaker 1: are your favorite spring records? Let me know? All right, 108 00:06:18,520 --> 00:06:21,359 Speaker 1: reggae is less spring for me and more of a 109 00:06:21,400 --> 00:06:23,960 Speaker 1: summer thing for all of us, I think, But that 110 00:06:24,120 --> 00:06:26,839 Speaker 1: did not stop us here at Double Elvis from diving 111 00:06:26,839 --> 00:06:29,880 Speaker 1: into the Peter Tosh story over on our YouTube channel. 112 00:06:30,360 --> 00:06:33,400 Speaker 1: We get into the story of Tash's home invasion and murder, 113 00:06:33,480 --> 00:06:36,840 Speaker 1: ultimately the killing of Peter Tosh, and we dip our 114 00:06:36,839 --> 00:06:40,080 Speaker 1: feet into a bit of the Keith Richards lore surrounding 115 00:06:40,120 --> 00:06:42,760 Speaker 1: this story as well, and the dust up with Peter 116 00:06:42,880 --> 00:06:47,320 Speaker 1: Tosh at Keith's home in Jamaica. This story is only 117 00:06:47,360 --> 00:06:50,200 Speaker 1: available on our YouTube channel that's at YouTube dot com. 118 00:06:50,200 --> 00:06:53,640 Speaker 1: Slash at Disgracelam Pod head over there to watching to subscribe, 119 00:06:53,640 --> 00:06:56,600 Speaker 1: So you're getting all the music storytelling you can possibly 120 00:06:56,640 --> 00:06:59,200 Speaker 1: get from Disgrace Ligned. Like I said, these stories are 121 00:06:59,279 --> 00:07:03,520 Speaker 1: not currently released in the RSS feed. They have video components, visuals, etc. 122 00:07:04,160 --> 00:07:06,720 Speaker 1: And they're only available on YouTube, So that's where you 123 00:07:06,800 --> 00:07:08,600 Speaker 1: gotta go to get it all right, head over there, 124 00:07:08,640 --> 00:07:12,800 Speaker 1: YouTube dot com, slash at Disgraceland Pod. Speaking of which, 125 00:07:12,920 --> 00:07:16,280 Speaker 1: I am thinking as always of different ways to bring 126 00:07:16,320 --> 00:07:19,400 Speaker 1: you more stories beyond the RSS feed, beyond YouTube even 127 00:07:20,000 --> 00:07:22,520 Speaker 1: We have a lot of content the Double Levis team 128 00:07:22,600 --> 00:07:25,280 Speaker 1: is producing to producing constantly. We've got a bunch of 129 00:07:25,280 --> 00:07:27,240 Speaker 1: content in the can that we've yet to even release, 130 00:07:27,720 --> 00:07:29,920 Speaker 1: and we should have some announcements on all of this 131 00:07:29,960 --> 00:07:33,440 Speaker 1: new stuff coming very very shortly. I'm excited. I want 132 00:07:33,480 --> 00:07:34,960 Speaker 1: to tell you about it right now, but I cannot, 133 00:07:35,200 --> 00:07:37,880 Speaker 1: But I will be telling it to you very soon, 134 00:07:38,080 --> 00:07:40,640 Speaker 1: I predict, possibly on the next after party, who knows. 135 00:07:41,560 --> 00:07:44,240 Speaker 1: This week though, right now in the present in Disgraceland, 136 00:07:44,400 --> 00:07:50,400 Speaker 1: we are unloading a slew, a bunch, a barrage, a deluge, 137 00:07:50,560 --> 00:07:56,360 Speaker 1: a torrent of previously exclusive episodes before returning next week 138 00:07:56,440 --> 00:08:00,600 Speaker 1: with two new full episodes, our two parter on lou 139 00:08:00,640 --> 00:08:04,000 Speaker 1: Reid that I am extremely excited for you to hear. 140 00:08:04,920 --> 00:08:07,240 Speaker 1: Those two episodes are going to drop on Tuesday, March 141 00:08:07,320 --> 00:08:09,360 Speaker 1: twenty eighth, but to dot all the i's and to 142 00:08:09,360 --> 00:08:11,680 Speaker 1: cross all the t's. It is worth mentioning that this 143 00:08:11,760 --> 00:08:15,320 Speaker 1: past week we released into your feed previously exclusive episodes 144 00:08:15,360 --> 00:08:18,880 Speaker 1: on NWA. A two part are on NWA led Zeppelin, 145 00:08:19,120 --> 00:08:22,480 Speaker 1: The Motown Record Story, Iggy Pot and Madonna, and hitting 146 00:08:22,480 --> 00:08:25,600 Speaker 1: your feeds between now and lou Reid Parts one and two, 147 00:08:25,680 --> 00:08:29,120 Speaker 1: you're getting more episodes eminem Whitney Houston, and Asap Rocky. 148 00:08:29,160 --> 00:08:33,160 Speaker 1: That is a ton of content. If you've heard these 149 00:08:33,200 --> 00:08:36,000 Speaker 1: previously exclusive episodes before, I encourage you to listen to 150 00:08:36,040 --> 00:08:40,480 Speaker 1: them again. Repeat listening. It always helps. It unlocks different insights. 151 00:08:40,520 --> 00:08:42,280 Speaker 1: It's the same as watching a movie multiple times. You 152 00:08:42,320 --> 00:08:45,160 Speaker 1: can catch things on second, third, and tenth time around 153 00:08:45,160 --> 00:08:48,200 Speaker 1: that you didn't before. Which brings me back to the 154 00:08:48,280 --> 00:08:51,360 Speaker 1: nineteen ninety five Michael Man masterpiece Heat, which I talked 155 00:08:51,400 --> 00:08:56,800 Speaker 1: about last week. I'm rewatching Heat repeatedly, not like I 156 00:08:56,840 --> 00:08:59,319 Speaker 1: sit down and watch all two hours and twenty minutes 157 00:08:59,320 --> 00:09:01,320 Speaker 1: of it or however however long it is every time, 158 00:09:01,320 --> 00:09:03,120 Speaker 1: but I watch bits and pieces of it. I'll get 159 00:09:03,160 --> 00:09:05,080 Speaker 1: into it in the next block. More on Heat coming up. 160 00:09:05,080 --> 00:09:06,760 Speaker 1: But I want to know disc goes. What are the 161 00:09:06,760 --> 00:09:09,000 Speaker 1: movies that you have on repeat. What are the movies 162 00:09:09,000 --> 00:09:12,080 Speaker 1: that you rewatch that you keep going back to that 163 00:09:12,160 --> 00:09:14,720 Speaker 1: are comfortable for you, that are that are good hangs 164 00:09:15,200 --> 00:09:17,400 Speaker 1: six one seven nine zero six six six three eight 165 00:09:17,400 --> 00:09:19,400 Speaker 1: to let me know, or hit me on Instagram, Twitter, 166 00:09:19,400 --> 00:09:22,760 Speaker 1: Facebook and TikTok at disgrace, slam pod back after this 167 00:09:22,800 --> 00:09:46,560 Speaker 1: with your voicemails, your calls, and your dms. Guys, call me, 168 00:09:46,880 --> 00:09:49,439 Speaker 1: text me. I cannot stress this enough. We need to 169 00:09:49,520 --> 00:09:52,479 Speaker 1: keep the conversation going beyond the constraints of the algorithms, 170 00:09:52,520 --> 00:09:54,040 Speaker 1: and there is an easy way to do that. You 171 00:09:54,040 --> 00:09:56,640 Speaker 1: can just hit me at six one seven nine zero 172 00:09:56,800 --> 00:09:59,280 Speaker 1: six six six three eight, like Lee from the eight 173 00:09:59,320 --> 00:10:01,599 Speaker 1: two eight. Here go ahead, Lee, tell me what you 174 00:10:01,640 --> 00:10:02,079 Speaker 1: gotta tell me. 175 00:10:03,640 --> 00:10:07,120 Speaker 2: Hey, Jake, it's Lee in the four one two. Just 176 00:10:07,200 --> 00:10:09,920 Speaker 2: call him because A I want to thank you for 177 00:10:09,960 --> 00:10:14,920 Speaker 2: getting back to be regarding my last message you texted me, 178 00:10:14,960 --> 00:10:17,520 Speaker 2: and I happened to be coming out of the hospital 179 00:10:17,520 --> 00:10:22,080 Speaker 2: in a wheelchair after having a procedure and I was 180 00:10:22,200 --> 00:10:27,280 Speaker 2: extremely stone and saw this message from you, and I 181 00:10:27,320 --> 00:10:31,000 Speaker 2: was like, well, the fuck is this? But anyway, I 182 00:10:31,080 --> 00:10:34,080 Speaker 2: appreciate that, but I also wanted to call and give 183 00:10:34,080 --> 00:10:37,520 Speaker 2: a couple of suggestions. A. I would love to hear 184 00:10:37,840 --> 00:10:43,600 Speaker 2: a story about Josh Hamme and Queens of the Stone Age, 185 00:10:44,960 --> 00:10:47,760 Speaker 2: specifically all the bullshit that went down with Nick Olivery. 186 00:10:48,600 --> 00:10:52,880 Speaker 2: Another suggestion would be Neil Young with Crosby Stills, Nash 187 00:10:52,960 --> 00:10:57,360 Speaker 2: and himself and all of the craft that went down 188 00:10:58,080 --> 00:11:00,400 Speaker 2: between those guys, with all the drugs, all of the 189 00:11:02,440 --> 00:11:06,800 Speaker 2: bailing out that Neil Young did on his other bandmates, 190 00:11:06,840 --> 00:11:11,360 Speaker 2: and some of the crazy shit that those guys got into. Anyway, 191 00:11:11,679 --> 00:11:15,000 Speaker 2: I love you, love the show, Rock Coroller, take. 192 00:11:14,840 --> 00:11:19,160 Speaker 1: Care, Lee my man. Sorry to hear about the wheelchair. 193 00:11:19,280 --> 00:11:21,640 Speaker 1: Sounds like you are on the Men though, so that's 194 00:11:21,679 --> 00:11:24,760 Speaker 1: good You're out of the hospital at least. I've thought 195 00:11:24,800 --> 00:11:28,480 Speaker 1: about the Queen's episode, but it still seems too fresh 196 00:11:28,600 --> 00:11:30,800 Speaker 1: or something. I don't know. You're not the first to 197 00:11:30,880 --> 00:11:32,959 Speaker 1: suggest Queens of the Stone Age, so maybe I need 198 00:11:33,000 --> 00:11:36,160 Speaker 1: to find a clean angle here. I know Nick was nuts, 199 00:11:36,440 --> 00:11:39,000 Speaker 1: but I don't know the specifics, and perhaps I needed 200 00:11:39,000 --> 00:11:42,360 Speaker 1: to do a little digging. As for Neil Young and 201 00:11:42,520 --> 00:11:45,600 Speaker 1: Crosby Stills A. Nash, this one is a no brainer, 202 00:11:45,600 --> 00:11:47,240 Speaker 1: but I gotta admit I'm a little freaked out by 203 00:11:47,280 --> 00:11:49,440 Speaker 1: the size of it Is it a two parter, is 204 00:11:49,440 --> 00:11:51,400 Speaker 1: it a very hard to do one part episode or 205 00:11:51,480 --> 00:11:54,079 Speaker 1: is it a ten part episode. I don't know. I'm 206 00:11:54,080 --> 00:11:55,880 Speaker 1: gonna lean in one way or another and try to 207 00:11:55,880 --> 00:11:58,160 Speaker 1: solve for you, brother. So more on both of these 208 00:11:58,320 --> 00:12:01,440 Speaker 1: in the future sometime right. Thank you for listening, Thank 209 00:12:01,480 --> 00:12:05,320 Speaker 1: you for calling. Let's hear from Aliyah in the six seventy. 210 00:12:06,760 --> 00:12:09,880 Speaker 2: What up today? This is Alia from Georgia. 211 00:12:10,679 --> 00:12:13,520 Speaker 3: Two quick questions or first, actually me to tell you 212 00:12:13,880 --> 00:12:16,840 Speaker 3: I love your podcast. I came across from probably a 213 00:12:16,920 --> 00:12:19,599 Speaker 3: year ago between bad Lands and both of them, I 214 00:12:19,720 --> 00:12:22,240 Speaker 3: thank the Britney Spears and then I watched their elictative 215 00:12:22,280 --> 00:12:23,959 Speaker 3: Bratty Murphy was the next one, and I. 216 00:12:24,040 --> 00:12:25,280 Speaker 2: Was OpEd after that. 217 00:12:26,120 --> 00:12:28,040 Speaker 4: I love the way you tell stories. I love the 218 00:12:28,080 --> 00:12:31,840 Speaker 4: way you don't have a bias on anything and you 219 00:12:31,960 --> 00:12:33,839 Speaker 4: just make the truth not mentioned. 220 00:12:33,920 --> 00:12:36,359 Speaker 1: You're just a really talking, good storyteller. 221 00:12:37,240 --> 00:12:42,400 Speaker 5: Andrew Priddy's out man, Aliyah, thank you for the call, 222 00:12:42,440 --> 00:12:47,239 Speaker 5: thank you for the support and Aliah. 223 00:12:47,480 --> 00:12:51,000 Speaker 1: Alia Now now I'm confused on the pronunciation. Episode is 224 00:12:51,040 --> 00:12:53,080 Speaker 1: definitely on the horizon. She's been on the list for 225 00:12:53,160 --> 00:12:55,880 Speaker 1: a bit, uh and I need to dig in. Need 226 00:12:55,960 --> 00:13:00,160 Speaker 1: more female artists in Disgraceland. Thank you for resurfacing this one. 227 00:13:00,360 --> 00:13:02,480 Speaker 1: This is something that's been brought to my attention before. 228 00:13:03,559 --> 00:13:05,840 Speaker 1: As you may guess, we have a massive list with 229 00:13:05,880 --> 00:13:08,959 Speaker 1: the artists on it. She is definitely on it. So 230 00:13:09,240 --> 00:13:11,280 Speaker 1: we will be getting to this at some point. I 231 00:13:11,320 --> 00:13:14,040 Speaker 1: can't tell you when it's not slated right now, but shortly, 232 00:13:14,080 --> 00:13:17,280 Speaker 1: I'm sure. As for bad Lands, we should have some 233 00:13:17,320 --> 00:13:19,360 Speaker 1: bad Lands news for you and the other bad Lands 234 00:13:19,400 --> 00:13:22,760 Speaker 1: listeners coming up soon, so stay tuned and thank you 235 00:13:22,840 --> 00:13:26,720 Speaker 1: for the voicemail, and as always, I appreciate your support. 236 00:13:27,200 --> 00:13:28,839 Speaker 1: All right, let's check in with the two o seven 237 00:13:28,880 --> 00:13:31,880 Speaker 1: from behind what appears to be a snowplow. 238 00:13:33,559 --> 00:13:34,640 Speaker 2: Hey, what's going on? 239 00:13:34,800 --> 00:13:37,360 Speaker 4: Yea? And to boy, I'm really looking forward to this 240 00:13:37,480 --> 00:13:38,280 Speaker 4: and I love. 241 00:13:38,160 --> 00:13:39,400 Speaker 3: The fine of communication. 242 00:13:39,679 --> 00:13:41,840 Speaker 2: This is so cool and it's so ballsy. 243 00:13:42,160 --> 00:13:45,600 Speaker 3: I wish everybody that did something like this. 244 00:13:47,280 --> 00:13:50,920 Speaker 2: Was also as ballsy as this, to let people just 245 00:13:51,000 --> 00:13:53,840 Speaker 2: straight up talk to you and you actually listen. So 246 00:13:54,160 --> 00:13:55,040 Speaker 2: I appreciate it. 247 00:13:55,120 --> 00:13:58,000 Speaker 4: Good work, Have a nice one, buddy, you got. 248 00:13:57,880 --> 00:14:01,480 Speaker 1: A two oh seven. Appreciate your calling and on digging 249 00:14:01,480 --> 00:14:04,280 Speaker 1: the line of communication myself, guys, If I'm being honest, 250 00:14:04,840 --> 00:14:08,240 Speaker 1: most days I dread opening up Instagram or Twitter or 251 00:14:08,320 --> 00:14:13,079 Speaker 1: TikTok or whatever the fuck. These social media platforms are 252 00:14:13,120 --> 00:14:16,560 Speaker 1: engineered to be massive time sucks, and for what I 253 00:14:16,600 --> 00:14:20,520 Speaker 1: do running a business, having to write and research as 254 00:14:20,600 --> 00:14:24,080 Speaker 1: much as I do, these things can be and mostly 255 00:14:24,160 --> 00:14:27,560 Speaker 1: are just massive distractions. I get to talk to a 256 00:14:27,560 --> 00:14:30,440 Speaker 1: bunch of you, which is awesome. That is by far 257 00:14:30,960 --> 00:14:35,440 Speaker 1: the most valuable part, the best part. But it's difficult. 258 00:14:35,480 --> 00:14:38,920 Speaker 1: It's difficult. As you know, who's you. Guys are probably 259 00:14:38,960 --> 00:14:41,320 Speaker 1: just addicted to these things as I am. You get 260 00:14:41,360 --> 00:14:42,920 Speaker 1: into them and they're to get hard to get out 261 00:14:42,920 --> 00:14:45,920 Speaker 1: of on it any given day. So I'm into this 262 00:14:47,120 --> 00:14:52,359 Speaker 1: calling and texting, this old fashioned phone number way of communicating. 263 00:14:53,280 --> 00:14:55,120 Speaker 1: Keep it up six one seven nine er was six 264 00:14:55,200 --> 00:14:58,560 Speaker 1: six six three eight. Not that we don't get confounding 265 00:14:58,640 --> 00:15:01,680 Speaker 1: voicemails and text we do like this one that is 266 00:15:01,720 --> 00:15:04,200 Speaker 1: perhaps a little too under the influence. 267 00:15:05,080 --> 00:15:08,760 Speaker 3: All right, kind of appreciated. I'm just curious you were. 268 00:15:09,280 --> 00:15:15,680 Speaker 3: I was just listening to your podcasts on Mama cap 269 00:15:16,080 --> 00:15:19,120 Speaker 3: and how you don't like the mamas in the papas. 270 00:15:19,160 --> 00:15:23,200 Speaker 3: However you're asking or saying, how you. 271 00:15:25,320 --> 00:15:32,520 Speaker 1: Really enjoy see that that that just seems to go nowhere. 272 00:15:32,640 --> 00:15:35,320 Speaker 1: And I swear that ending wasn't edited by us, And 273 00:15:35,360 --> 00:15:38,200 Speaker 1: we do get quite a few. I don't know for 274 00:15:38,360 --> 00:15:41,720 Speaker 1: certain that that person was drunk or stoned or both, 275 00:15:43,360 --> 00:15:46,280 Speaker 1: maybe just confused. I don't know. We get our fair 276 00:15:46,320 --> 00:15:49,280 Speaker 1: share of that, and that's cool. We all have our moments. 277 00:15:49,400 --> 00:15:53,720 Speaker 1: I encourage the drunk dialing, the stone dialing, whatever you 278 00:15:53,800 --> 00:15:55,320 Speaker 1: got to do, whenever you got to do it, as 279 00:15:55,320 --> 00:15:57,400 Speaker 1: long as you're being safe, go for I don't care 280 00:15:57,520 --> 00:15:59,560 Speaker 1: hit me up one way or another. Six one seven 281 00:15:59,640 --> 00:16:03,480 Speaker 1: nine six six six three eight. Well, let's end strong 282 00:16:03,600 --> 00:16:06,200 Speaker 1: with one more voicemail. Let's hear from the seven three seven. 283 00:16:07,440 --> 00:16:14,160 Speaker 4: Hey Jake, just watching ma Allen on Soft White Underbelly, 284 00:16:14,880 --> 00:16:22,160 Speaker 4: gg Allen's brother. I heard the gg Allen story on 285 00:16:22,280 --> 00:16:27,040 Speaker 4: Disgraceland and I was so disgusted that I had to 286 00:16:27,560 --> 00:16:31,800 Speaker 4: hear it like three times. Yes, I want you to 287 00:16:31,880 --> 00:16:37,880 Speaker 4: say garage, garage, garage, over and over. I have been 288 00:16:38,560 --> 00:16:46,960 Speaker 4: listening to you ever since the pandemic. And let's see 289 00:16:47,200 --> 00:16:55,720 Speaker 4: Disgraceland also the twenty seven Club. God damn it, that 290 00:16:56,040 --> 00:17:04,359 Speaker 4: is good shit. Originally from Minnesota. It's on my parents 291 00:17:04,960 --> 00:17:13,639 Speaker 4: living outside of Austin, Texas. Keep bringing it, brother, That 292 00:17:13,840 --> 00:17:14,800 Speaker 4: is good shit. 293 00:17:16,800 --> 00:17:20,359 Speaker 1: All right, short voicemail, but so much to get into here. 294 00:17:20,920 --> 00:17:24,600 Speaker 1: Gg Allen. Yes, the gg Allen episode is disgusting. Yep, 295 00:17:24,680 --> 00:17:27,399 Speaker 1: you're absolutely right, and it is available for you and 296 00:17:27,440 --> 00:17:30,560 Speaker 1: everyone else to check out if they haven't already, or 297 00:17:30,760 --> 00:17:32,760 Speaker 1: perhaps again, if you need a little more of that 298 00:17:33,520 --> 00:17:36,639 Speaker 1: gg filth in your life, you can go get it 299 00:17:36,680 --> 00:17:39,119 Speaker 1: in the Disgraceland feed it. It's right there. And if 300 00:17:39,600 --> 00:17:42,119 Speaker 1: if you're craving more gg Allen, like it sounds like 301 00:17:42,160 --> 00:17:47,200 Speaker 1: you're watching some Merle Allen stuff somewhere and you're unaware 302 00:17:47,240 --> 00:17:50,440 Speaker 1: of this, there's a gg Allen documentary which is a 303 00:17:50,480 --> 00:17:56,439 Speaker 1: primary source of research for me in the stock in 304 00:17:56,480 --> 00:17:59,399 Speaker 1: this episode I did. The documentary is called Hated. Go 305 00:17:59,480 --> 00:18:02,480 Speaker 1: check that out. It's incredible. It's one of Todd Phillips's 306 00:18:02,600 --> 00:18:06,440 Speaker 1: first films, if not his first film. Todd, of course, 307 00:18:06,520 --> 00:18:10,159 Speaker 1: is the genius behind the Hangover franchise Hangover Movies of 308 00:18:10,280 --> 00:18:12,960 Speaker 1: the Joker movie as well, but Gigi Allen was an 309 00:18:13,000 --> 00:18:15,199 Speaker 1: early fascination of his, and the Hated documentary that he 310 00:18:15,240 --> 00:18:19,960 Speaker 1: did is phenomenal, So check that out. What else did 311 00:18:20,000 --> 00:18:22,439 Speaker 1: you mention twenty seven Club. Thanks for your kind words 312 00:18:22,520 --> 00:18:25,320 Speaker 1: about the series. I'll have news on the twenty seven 313 00:18:25,359 --> 00:18:29,239 Speaker 1: Club very shortly. And you mentioned you're from Austin, so 314 00:18:29,520 --> 00:18:31,880 Speaker 1: I might as well mention myself that I'll be doing 315 00:18:31,880 --> 00:18:35,280 Speaker 1: an event in Austin coming up soon in May. I 316 00:18:35,280 --> 00:18:38,199 Speaker 1: will have details shortly for you guys. I hope to 317 00:18:38,200 --> 00:18:40,760 Speaker 1: see you there and everyone else from Austin who listens 318 00:18:40,800 --> 00:18:44,320 Speaker 1: to DISGRACELAMD So more on that soon. All right, let's 319 00:18:44,320 --> 00:18:47,360 Speaker 1: do some texts, all right from the six to six 320 00:18:47,400 --> 00:18:50,480 Speaker 1: to two. Hey, this is MK from Tupelo, Mississippi. I 321 00:18:50,600 --> 00:18:54,840 Speaker 1: just had two quick Netflix recommendations After Life. It's written 322 00:18:54,840 --> 00:18:57,040 Speaker 1: and directed by Ricky Gervais. I've watched it so many 323 00:18:57,119 --> 00:18:58,760 Speaker 1: times and it's just a great show and I don't 324 00:18:58,760 --> 00:19:00,800 Speaker 1: think I could ever get tired of watch. And this 325 00:19:00,840 --> 00:19:04,880 Speaker 1: weekend I started watching Agent Elvis. Being from the birthplace 326 00:19:04,920 --> 00:19:06,960 Speaker 1: of Elvis Presley, I had to check it out. What 327 00:19:07,000 --> 00:19:09,720 Speaker 1: I've watched so far is hilarious. It might be worth 328 00:19:09,720 --> 00:19:11,720 Speaker 1: the look anyway, lovey show. Keep up the great work, 329 00:19:11,760 --> 00:19:16,000 Speaker 1: all right, six six to two. Thank you. I started 330 00:19:16,040 --> 00:19:19,000 Speaker 1: Afterlife and it was too dark. I know it's funny, 331 00:19:19,000 --> 00:19:21,040 Speaker 1: it's Ricky Gervais, but it was just too that the 332 00:19:21,080 --> 00:19:23,960 Speaker 1: subject matter, it was too dark, couldn't do it. But 333 00:19:24,560 --> 00:19:27,600 Speaker 1: he's a genius and I freaking love him, and I 334 00:19:27,920 --> 00:19:29,199 Speaker 1: kind of feel like I'm going to go back to 335 00:19:29,200 --> 00:19:30,800 Speaker 1: it at some point. So thank you for bringing that 336 00:19:30,840 --> 00:19:33,600 Speaker 1: to my attention. Again. As for Agent Elvis, I saw 337 00:19:33,680 --> 00:19:36,280 Speaker 1: that pop up on my Netflix and I was like, 338 00:19:36,359 --> 00:19:40,520 Speaker 1: what the hell is this? Looked looked actually really funny. 339 00:19:41,440 --> 00:19:45,879 Speaker 1: Happy to hear a recommendation immediately just got released, I believe, 340 00:19:46,119 --> 00:19:48,040 Speaker 1: so I'm psyched to check out Agian Elvis. Thank you, 341 00:19:48,119 --> 00:19:51,040 Speaker 1: six six to two, all right? From the three one 342 00:19:51,080 --> 00:19:53,199 Speaker 1: oh Hey, Jake, I'm a tour manager, been doing it 343 00:19:53,240 --> 00:19:55,560 Speaker 1: for thirty years, just retired due to health. I was 344 00:19:55,600 --> 00:19:58,919 Speaker 1: a punk hardcore kid and just discovered the podcast, just 345 00:19:58,960 --> 00:20:01,560 Speaker 1: started to really dig through it, but really enjoying it 346 00:20:01,680 --> 00:20:05,560 Speaker 1: so far. All right, three one oho, Welcome, Welcome to Disgraceland. 347 00:20:06,080 --> 00:20:09,280 Speaker 1: Congrats on your retirement. Always here for the punkin hardcore kids. 348 00:20:10,080 --> 00:20:12,800 Speaker 1: All right. From the three oh five, Hey Jake, I'm 349 00:20:12,880 --> 00:20:16,080 Speaker 1: Sandy and I am completely obsessed with Disgraceland. I have 350 00:20:16,200 --> 00:20:20,080 Speaker 1: listened to almost everything out there in the past two weeks. WHOA, 351 00:20:20,359 --> 00:20:23,240 Speaker 1: that's a lot. That's true, Sandy, you got a lot 352 00:20:23,240 --> 00:20:27,240 Speaker 1: of me in your ears. The episode on Dimebag probably 353 00:20:27,240 --> 00:20:29,280 Speaker 1: the best of all so far. I can understand that. 354 00:20:29,320 --> 00:20:31,960 Speaker 1: I can see why someone would would favor that episode 355 00:20:31,960 --> 00:20:36,440 Speaker 1: over others. Here's some suggestions from Sandy. Can you dive 356 00:20:36,480 --> 00:20:39,320 Speaker 1: into Michael Hutchins from In Excess? And what a slime 357 00:20:39,440 --> 00:20:43,080 Speaker 1: Bob Geldoff is. She goes on to add a couple 358 00:20:43,119 --> 00:20:45,760 Speaker 1: more suggestions here, But I don't know the I know 359 00:20:45,840 --> 00:20:48,800 Speaker 1: Geldof's involved with the Michael Hutchins story somehow, and I 360 00:20:48,840 --> 00:20:54,160 Speaker 1: don't really know how. My not my area of expertise. 361 00:20:54,280 --> 00:20:57,359 Speaker 1: But I can tell you, Sandy, Michael Hutchins is on 362 00:20:57,400 --> 00:21:00,560 Speaker 1: the schedule and we will be releasing that In Excess 363 00:21:00,640 --> 00:21:04,639 Speaker 1: episode later this year. So that should make you happy, 364 00:21:05,760 --> 00:21:11,200 Speaker 1: all right? From the seven six, Hello Disgraceland Gods. That's 365 00:21:11,200 --> 00:21:13,600 Speaker 1: a little much, but we'll take it. I want to 366 00:21:13,600 --> 00:21:15,520 Speaker 1: thank you for the welcome distraction as of late with 367 00:21:15,560 --> 00:21:18,520 Speaker 1: the backlog. On January seventeenth this year, I lost my 368 00:21:18,680 --> 00:21:22,639 Speaker 1: father unexpectedly, and I wasn't in the greatest place to 369 00:21:22,680 --> 00:21:25,280 Speaker 1: listen to any music since my music was blended with 370 00:21:25,359 --> 00:21:28,560 Speaker 1: the music he introduced me to. I needed something to 371 00:21:28,560 --> 00:21:31,600 Speaker 1: ease me back in, and your podcast was it. I'm 372 00:21:31,640 --> 00:21:34,960 Speaker 1: still raw over it from time to time, but learning 373 00:21:35,000 --> 00:21:38,440 Speaker 1: to live with it is hard anyway. Thank you all 374 00:21:38,560 --> 00:21:40,600 Speaker 1: for the great episodes and stories to keep me from 375 00:21:40,680 --> 00:21:43,880 Speaker 1: losing my proverbial shit over these past few weeks. From 376 00:21:43,920 --> 00:21:48,119 Speaker 1: the seven to six, Wow, I'm truly sorry for your loss, 377 00:21:48,200 --> 00:21:51,879 Speaker 1: the loss of your dad, the unexpected loss of your father. 378 00:21:51,960 --> 00:21:57,280 Speaker 1: I can't imagine that type of pain. And as someone 379 00:21:57,280 --> 00:22:01,680 Speaker 1: who's experienced loss in this world like most people have, 380 00:22:02,400 --> 00:22:06,560 Speaker 1: I know that any distraction can be tremendously valuable. So 381 00:22:06,720 --> 00:22:10,640 Speaker 1: I'm very happy to hear that the silly little podcast 382 00:22:10,680 --> 00:22:12,359 Speaker 1: that we may have been able to help out in 383 00:22:12,400 --> 00:22:15,200 Speaker 1: some way. All right? From the four to four to three, Hey, Jake, 384 00:22:15,200 --> 00:22:17,359 Speaker 1: I love the show Disgraceland as well as bad Lands. 385 00:22:17,600 --> 00:22:20,000 Speaker 1: I can't find the episode you did about Hank Williams. 386 00:22:20,000 --> 00:22:23,320 Speaker 1: Can you please let me know which episode which season 387 00:22:23,359 --> 00:22:25,920 Speaker 1: it is from? So the Hank Williams episode is from 388 00:22:25,960 --> 00:22:32,040 Speaker 1: I believe season nine or ten. I'm not exactly sure 389 00:22:32,440 --> 00:22:36,119 Speaker 1: it's in the previously exclusive archive. We'll have it out 390 00:22:36,160 --> 00:22:39,480 Speaker 1: to you soon in the next couple months. At the latest. 391 00:22:39,760 --> 00:22:42,240 Speaker 1: We're doing our best to get these out, releasing new 392 00:22:42,280 --> 00:22:47,040 Speaker 1: episodes every single day four four three, So just get 393 00:22:47,040 --> 00:22:49,760 Speaker 1: in there. You'll find something to replace the Hank one 394 00:22:50,160 --> 00:22:52,640 Speaker 1: in the meantime. All right, from the five oh eight. 395 00:22:53,080 --> 00:22:55,399 Speaker 1: I've just been catching up on the podcast and listening 396 00:22:55,480 --> 00:22:58,080 Speaker 1: to the January tenth after party. January tenth, that was 397 00:22:58,119 --> 00:23:02,399 Speaker 1: a long time ago. All right, have you watched Shit's Creek? 398 00:23:02,960 --> 00:23:04,920 Speaker 1: Do it? You won't regret it? Of course I've watched 399 00:23:04,960 --> 00:23:08,160 Speaker 1: shits Creek? Come on, man. Also, this is the texter 400 00:23:08,359 --> 00:23:10,800 Speaker 1: saying here. Also, if you haven't watched Primal Fear starring 401 00:23:10,920 --> 00:23:14,680 Speaker 1: Ed Norton, do so fantastic ending? Yes, I agree, amazing ending, 402 00:23:14,760 --> 00:23:17,680 Speaker 1: great movie, and you're right, the ending is fucking incredible. 403 00:23:17,960 --> 00:23:21,679 Speaker 1: And then then they go on to write sorry, wrong number. 404 00:23:24,080 --> 00:23:26,480 Speaker 1: Well I don't know who they were texting there, but 405 00:23:26,520 --> 00:23:29,920 Speaker 1: the content and the messaging was very on point for 406 00:23:30,840 --> 00:23:34,479 Speaker 1: this here podcast. All right, one more text? All right, 407 00:23:34,480 --> 00:23:36,359 Speaker 1: I got it from the three to zero two. Hey, Jake, 408 00:23:36,480 --> 00:23:39,720 Speaker 1: in reference to your statement that you move furniture in 409 00:23:39,840 --> 00:23:42,080 Speaker 1: high school, brings me back to the need for a 410 00:23:42,119 --> 00:23:45,480 Speaker 1: Warren Zevon episode. He was also a furniture mover or 411 00:23:45,560 --> 00:23:48,159 Speaker 1: carpet guy. I forget which, but I think there's a 412 00:23:48,160 --> 00:23:51,520 Speaker 1: connection there and you're destined to do that episode. Yeah. 413 00:23:51,560 --> 00:23:53,800 Speaker 1: I cannot wait to do the Warren Zevon episode because 414 00:23:53,800 --> 00:23:55,480 Speaker 1: I heard a thing. I don't know if it's true. 415 00:23:55,560 --> 00:23:58,000 Speaker 1: I'm gonna just hope and pray that it's true until 416 00:23:58,000 --> 00:24:01,600 Speaker 1: I dig into the research that he the Warren's dad 417 00:24:02,000 --> 00:24:05,959 Speaker 1: worked for Mickey Cohen, the legendary La Gangster, So that 418 00:24:06,040 --> 00:24:08,960 Speaker 1: would be a very cool story to dig into through 419 00:24:09,000 --> 00:24:11,960 Speaker 1: the perspective of Warren's yvon Texter goes on to say, 420 00:24:11,960 --> 00:24:14,359 Speaker 1: one last thing, your review of Babylon makes me have 421 00:24:14,400 --> 00:24:16,560 Speaker 1: to see it now. Wasn't interested before, but now I 422 00:24:16,640 --> 00:24:18,680 Speaker 1: have to see the disaster. Thanks. I'm gonna go ahead 423 00:24:18,680 --> 00:24:20,359 Speaker 1: and tell you here. Don't waste your time. You don't 424 00:24:20,359 --> 00:24:24,440 Speaker 1: have to see it. It's not good. He or she continues, 425 00:24:24,480 --> 00:24:27,720 Speaker 1: putting my vote in for a Nick Cave episode. So 426 00:24:27,800 --> 00:24:30,480 Speaker 1: much Nick Cave, so many Nick Cave requests. Every week 427 00:24:30,560 --> 00:24:33,600 Speaker 1: I get Nick Cave requests. And then the three or 428 00:24:33,640 --> 00:24:35,800 Speaker 1: two goes on to say, also, he is better than 429 00:24:35,800 --> 00:24:39,760 Speaker 1: Boogie Night's also Miller's crossing Coen Brothers after Blood Simple, 430 00:24:39,760 --> 00:24:43,879 Speaker 1: but before Barton Fink. Probably their best movie. That's a 431 00:24:44,000 --> 00:24:47,480 Speaker 1: huge statement. Is Miller's Crossing the best Coen Brothers movie. 432 00:24:47,520 --> 00:24:50,840 Speaker 1: I don't know about that. It might be, it might 433 00:24:50,880 --> 00:24:53,200 Speaker 1: be that's a good one to contemplate, but I think 434 00:24:53,200 --> 00:24:57,320 Speaker 1: I go Big Lebowski above Miller's Crossing. And then finally 435 00:24:57,400 --> 00:24:59,359 Speaker 1: the end of this text, Thread says, and my hubs 436 00:24:59,400 --> 00:25:01,800 Speaker 1: and I are our going over Boogie Nights versus Heat. 437 00:25:02,280 --> 00:25:05,199 Speaker 1: Hubbs likes Boogie Knights because of the time period and 438 00:25:05,200 --> 00:25:08,280 Speaker 1: how well it's executed. I claim, you, guys are dudes 439 00:25:08,320 --> 00:25:11,760 Speaker 1: and porn is the reason Heat is a better movie. 440 00:25:11,840 --> 00:25:13,520 Speaker 1: And if you don't mind, when you get a chance, 441 00:25:13,560 --> 00:25:15,919 Speaker 1: remind me of your top five movies. I have Good Fellas, 442 00:25:15,920 --> 00:25:17,760 Speaker 1: That Departed and Booie Knights. I forgot together two. That 443 00:25:17,760 --> 00:25:19,640 Speaker 1: Departed is not one of my top five favorite movies, 444 00:25:19,680 --> 00:25:22,040 Speaker 1: despite the fact that I'm from Boston and I am 445 00:25:22,040 --> 00:25:24,800 Speaker 1: a big Scorsese fan and big Leo and big Matt 446 00:25:24,840 --> 00:25:27,880 Speaker 1: Damon fan as well, But no Departy to not crack 447 00:25:27,960 --> 00:25:30,120 Speaker 1: the top five. The top five are off the top 448 00:25:30,160 --> 00:25:34,760 Speaker 1: of my head without thinking too much about it, Jaws, Goodfellas, 449 00:25:36,720 --> 00:25:41,439 Speaker 1: Pulp Fiction, Boogie Knights, and The Godfather. Those are the 450 00:25:41,480 --> 00:25:44,359 Speaker 1: top five, in no particular order, except for the fact 451 00:25:44,400 --> 00:25:51,000 Speaker 1: that Jaws is probably right there at number one. I 452 00:25:51,080 --> 00:25:54,600 Speaker 1: need more top five. Get at me with the top five, 453 00:25:54,680 --> 00:25:57,639 Speaker 1: help me consider this. It's a really hard thing to do. 454 00:25:57,760 --> 00:26:01,760 Speaker 1: And the more feedback I get from people on their 455 00:26:01,840 --> 00:26:05,439 Speaker 1: top five rex, I'll be able to better understand and 456 00:26:05,560 --> 00:26:09,400 Speaker 1: process my own feelings on this. All right, I gotta 457 00:26:09,440 --> 00:26:11,560 Speaker 1: go to a phone call. I'm gonna take a quick break, 458 00:26:11,640 --> 00:26:13,840 Speaker 1: and then I'm gonna come right back do the d 459 00:26:13,920 --> 00:26:16,560 Speaker 1: block here. You're not gonna hear the phone call part, 460 00:26:16,800 --> 00:26:18,359 Speaker 1: but you will hear the rest of this episode in 461 00:26:18,520 --> 00:26:35,840 Speaker 1: just a couple seconds. All right, it's the recommendations part. 462 00:26:36,000 --> 00:26:39,000 Speaker 1: This is the recommendations part, the part of the show 463 00:26:39,040 --> 00:26:41,800 Speaker 1: that doesn't have a theme song but deserves the theme song. Well, 464 00:26:42,240 --> 00:26:45,920 Speaker 1: one listener, Mike, good old Mike from the three to 465 00:26:46,000 --> 00:26:49,600 Speaker 1: zero two stepped up sent in some of his music. 466 00:26:49,640 --> 00:26:55,719 Speaker 1: Mike says, Jake, your recommendation themes song, problems solution, and 467 00:26:55,800 --> 00:26:58,520 Speaker 1: you can afford it because it's free and there's a 468 00:26:58,560 --> 00:27:00,320 Speaker 1: link and you link in. 469 00:27:01,800 --> 00:27:02,119 Speaker 2: Is what we. 470 00:27:02,200 --> 00:27:08,280 Speaker 1: Got playing this on my phone. This is the recommendations pop. 471 00:27:08,320 --> 00:27:12,000 Speaker 1: It's a recommendations pop pop Papa. It's a recommendations pop 472 00:27:12,040 --> 00:27:16,120 Speaker 1: pop pa pa. All right, Mike, I dig the hustle man, 473 00:27:17,560 --> 00:27:19,879 Speaker 1: Thank you, Thank you very much, Mike. Track is cool, 474 00:27:19,880 --> 00:27:21,560 Speaker 1: but I have a specific thing in my head that 475 00:27:21,600 --> 00:27:24,240 Speaker 1: I'm going for. I'm going for that classic nineties sitcom 476 00:27:24,280 --> 00:27:27,800 Speaker 1: thing that Kelsey Grammer tossed Alvin Scrambled Eggs theme song, 477 00:27:27,920 --> 00:27:32,800 Speaker 1: super cheesy harmonize, female vocals. Your shit is good. It's 478 00:27:32,880 --> 00:27:34,919 Speaker 1: just not what I'm looking for, but I appreciate you 479 00:27:35,000 --> 00:27:37,240 Speaker 1: sending it in. I'll know what I'm looking for when 480 00:27:37,240 --> 00:27:39,879 Speaker 1: I hear it. In the meantime, everyone check out Mike's 481 00:27:39,960 --> 00:27:44,720 Speaker 1: music Mike Mauer m A U R E R on Spotify. 482 00:27:45,560 --> 00:27:47,919 Speaker 1: And you know, guys, if you are musicians and you 483 00:27:47,960 --> 00:27:50,000 Speaker 1: think you got a track that might serve us well 484 00:27:50,000 --> 00:27:54,119 Speaker 1: here in the theme song department for the recommendations part, 485 00:27:54,160 --> 00:27:56,640 Speaker 1: then go ahead and send it our way six one 486 00:27:56,720 --> 00:28:00,199 Speaker 1: seven nine zero six six six three eight. No promises 487 00:28:00,760 --> 00:28:03,240 Speaker 1: that it will get played, no promises that we will 488 00:28:03,359 --> 00:28:06,480 Speaker 1: use it, and of course only send if you're willing 489 00:28:06,560 --> 00:28:09,760 Speaker 1: to let us use it for free, let us play 490 00:28:09,800 --> 00:28:12,639 Speaker 1: it all that stuff. I hope that that disclaimer works 491 00:28:12,680 --> 00:28:16,600 Speaker 1: there all right. The recommendation's part what I've been watching, 492 00:28:16,600 --> 00:28:18,159 Speaker 1: what I've been reading, and what I've been listening to. 493 00:28:18,280 --> 00:28:21,280 Speaker 1: I've been watching Still Party Down. I'm loving the reboot, 494 00:28:21,280 --> 00:28:23,880 Speaker 1: but I'm having a tough time hanging with the week 495 00:28:23,920 --> 00:28:27,560 Speaker 1: to week release schedule. So I took another of your recommendations. 496 00:28:27,680 --> 00:28:30,439 Speaker 1: Thank you, guys, and I fired up Better Things, the 497 00:28:30,520 --> 00:28:32,800 Speaker 1: Pam ad lo On series. I don't know how you 498 00:28:32,840 --> 00:28:36,600 Speaker 1: pronounced Pam's last name. I apologize if I'm pronouncing it incorrectly. 499 00:28:37,880 --> 00:28:39,600 Speaker 1: She was in Lucky Louie. She's been in a bunch 500 00:28:39,640 --> 00:28:42,120 Speaker 1: of stuff. I think she was in Louis CK's other 501 00:28:42,160 --> 00:28:46,080 Speaker 1: show just called Louis, or at least on a couple 502 00:28:46,200 --> 00:28:51,160 Speaker 1: episodes I can't remember. Anyways, I love this series Better Things. 503 00:28:51,280 --> 00:28:53,000 Speaker 1: I like it a lot more than I thought I 504 00:28:53,000 --> 00:28:56,000 Speaker 1: would like it, So thank you to whoever suggested Better Things. 505 00:28:57,280 --> 00:29:00,880 Speaker 1: Looking forward to digging into this. I watched two episodes 506 00:29:01,000 --> 00:29:05,280 Speaker 1: last night. It's good to know that, being an adult 507 00:29:05,800 --> 00:29:13,280 Speaker 1: in the world and a parent of multiple children, it's 508 00:29:13,360 --> 00:29:16,840 Speaker 1: good to know that others are feeling the chaos. I 509 00:29:16,880 --> 00:29:19,040 Speaker 1: know it's real, but so oftentimes we look out in 510 00:29:19,080 --> 00:29:21,040 Speaker 1: the world and the reflection we Get Back is one 511 00:29:21,080 --> 00:29:24,040 Speaker 1: of perfection, and it's not real. It's fake, it's phony, 512 00:29:24,080 --> 00:29:26,800 Speaker 1: it's not authentic. Life is not perfect, life is messy. 513 00:29:27,680 --> 00:29:30,480 Speaker 1: Better Things captures that in a way that's pretty compelling. See. 514 00:29:30,480 --> 00:29:32,120 Speaker 1: If I stick with the show, I'll keep watching it. 515 00:29:32,160 --> 00:29:35,840 Speaker 1: I'll let you guys know. As I mentioned multiple times 516 00:29:35,920 --> 00:29:39,840 Speaker 1: already on this episode, and as I mentioned previously, I 517 00:29:39,880 --> 00:29:44,120 Speaker 1: am rewatching Heat kind of a slow burn the rewatch. 518 00:29:44,200 --> 00:29:46,200 Speaker 1: I don't sit, like I said and watch the whole 519 00:29:46,200 --> 00:29:47,880 Speaker 1: thing all the way through. I watch a little here, 520 00:29:47,920 --> 00:29:50,200 Speaker 1: watch a little there every other night or so. It's 521 00:29:50,200 --> 00:29:53,280 Speaker 1: become a comforting thing for me. I still can't believe 522 00:29:53,320 --> 00:29:56,640 Speaker 1: how unhinged and hysterical al Pacino is in this movie. 523 00:29:57,560 --> 00:30:01,640 Speaker 1: I think it's like it's worthy. Unhit thing works the best, 524 00:30:02,040 --> 00:30:05,240 Speaker 1: even better than in Scarface. I don't love Scarface. How's 525 00:30:05,280 --> 00:30:07,560 Speaker 1: that for a take? It's the truth. I don't love it. 526 00:30:07,960 --> 00:30:11,280 Speaker 1: I mean, obviously I get its iconic place and culture, 527 00:30:11,480 --> 00:30:14,800 Speaker 1: but his Tony Montana is so fucking all over the 528 00:30:14,800 --> 00:30:19,040 Speaker 1: place and unlikable, and he's forecasting what's to come later 529 00:30:19,120 --> 00:30:22,719 Speaker 1: with the whole huah thing definitely gets into that and Heat, 530 00:30:23,160 --> 00:30:27,000 Speaker 1: but it's less it's less of a putoff in heat 531 00:30:27,000 --> 00:30:30,240 Speaker 1: for whatever reason, maybe because he picks his spots. I 532 00:30:30,240 --> 00:30:33,440 Speaker 1: don't know, all right. I watched for the first time 533 00:30:33,640 --> 00:30:37,959 Speaker 1: ever this past weekend Martin Scorsese's The Last Temptation of Christ, 534 00:30:38,120 --> 00:30:42,520 Speaker 1: and I was shocked at how staggeringly beautiful this film 535 00:30:43,320 --> 00:30:46,320 Speaker 1: is the soundtrack as well. Peter Gabriel. I didn't realize 536 00:30:46,320 --> 00:30:48,360 Speaker 1: Peter Gabriel did the soundtrack for this movie, and he 537 00:30:48,440 --> 00:30:50,360 Speaker 1: hits it out of the park. The music is so good. 538 00:30:50,760 --> 00:30:52,520 Speaker 1: The movie's so good. I'm not trying to just talk 539 00:30:52,560 --> 00:30:54,800 Speaker 1: about the music, but the music is so good that 540 00:30:54,920 --> 00:30:58,560 Speaker 1: I watched the movie and I immediately found the soundtrack 541 00:30:58,600 --> 00:31:02,000 Speaker 1: and started listening to it walking around my house as 542 00:31:02,000 --> 00:31:04,520 Speaker 1: I was shutting down for the night. It's going to 543 00:31:04,600 --> 00:31:07,880 Speaker 1: become my new sort of like go to bed chill music. 544 00:31:07,920 --> 00:31:10,840 Speaker 1: Here for a little bit. Some of it's intense, but 545 00:31:10,960 --> 00:31:14,040 Speaker 1: a lot of it is right in that sweet spot 546 00:31:14,320 --> 00:31:17,440 Speaker 1: for my going to bed ritual that I need. So 547 00:31:17,920 --> 00:31:20,400 Speaker 1: Last Temptation of Christ's soundtrack. I don't know how it 548 00:31:20,440 --> 00:31:23,360 Speaker 1: holds up if you've never seen the movie. I can 549 00:31:23,400 --> 00:31:27,440 Speaker 1: imagine that it might be sort of a hard listen 550 00:31:27,760 --> 00:31:30,760 Speaker 1: or a different or strange listen out of the context 551 00:31:30,760 --> 00:31:34,600 Speaker 1: of the film, but having the film in my recent memory, 552 00:31:34,840 --> 00:31:38,440 Speaker 1: it's making me love this music. Peter Gabriel incredibly talented, 553 00:31:38,480 --> 00:31:40,880 Speaker 1: not telling anyone anything they don't know already, all right. 554 00:31:41,400 --> 00:31:44,880 Speaker 1: When I'm reading, I read Thomas Mallin's diaries in The 555 00:31:44,920 --> 00:31:48,600 Speaker 1: New Yorker. Thomas Mallin is a historical fiction author who 556 00:31:48,680 --> 00:31:51,400 Speaker 1: came up under Gorvi dal What happened was, I was 557 00:31:51,480 --> 00:31:54,440 Speaker 1: driving home from the airport one night recently and I 558 00:31:54,480 --> 00:31:59,880 Speaker 1: heard this guy on Terry Gross's Fresh Air, and it 559 00:32:00,120 --> 00:32:01,600 Speaker 1: was one of those things where I just kind of 560 00:32:01,680 --> 00:32:03,560 Speaker 1: dropped in in the middle of the interview. Was on 561 00:32:03,600 --> 00:32:06,640 Speaker 1: the radio, so I had no idea who was talking, 562 00:32:07,320 --> 00:32:10,280 Speaker 1: and I found him to be this very fascinating character. 563 00:32:10,600 --> 00:32:13,760 Speaker 1: Of course, you know, about ten minutes later she reintroduces 564 00:32:13,840 --> 00:32:15,600 Speaker 1: him as she does, and I find out who this 565 00:32:16,000 --> 00:32:18,200 Speaker 1: guy is. Thomas Mallin, who worked for as an editor 566 00:32:18,200 --> 00:32:20,680 Speaker 1: for gor Vi Dao, one of my favorite authors, another 567 00:32:20,800 --> 00:32:24,520 Speaker 1: historical fiction author. But what Mallan writes about in The 568 00:32:24,560 --> 00:32:26,360 Speaker 1: New Yorker and what he was kind of pushing on 569 00:32:27,560 --> 00:32:31,959 Speaker 1: Terry Gross's show, is his memoirs from living in New 570 00:32:32,040 --> 00:32:35,320 Speaker 1: York city during the AIDS pandemic the nineteen eighties. It's 571 00:32:35,360 --> 00:32:38,680 Speaker 1: a tremendous read for many many reasons, and it's a 572 00:32:38,680 --> 00:32:40,680 Speaker 1: short read too. I highly recommend. It's in the New 573 00:32:40,760 --> 00:32:44,080 Speaker 1: Yorker magazine Thomas Mallin's Diaries. Go check that out. I 574 00:32:44,120 --> 00:32:47,240 Speaker 1: also I found a really great translation of the New 575 00:32:47,280 --> 00:32:50,440 Speaker 1: Testament by JB. Phillips. It was published in nineteen sixty three. 576 00:32:50,920 --> 00:32:54,120 Speaker 1: It's less academic than the Gospels translation that I read 577 00:32:54,240 --> 00:32:58,320 Speaker 1: this time last year. This book is, of course used. 578 00:32:58,680 --> 00:33:00,760 Speaker 1: It's from, like I said, nineteen sixty three, and it's 579 00:33:00,760 --> 00:33:04,680 Speaker 1: inscribed to someone named Butch, congratulating him on his confirmation. 580 00:33:05,880 --> 00:33:08,800 Speaker 1: It's from some nice folks named Gloria and Russ. I 581 00:33:08,800 --> 00:33:11,120 Speaker 1: wonder what happened to Butch, And I wonder who Gloria 582 00:33:11,280 --> 00:33:13,680 Speaker 1: and Russ were to him. I wonder if any of 583 00:33:13,680 --> 00:33:16,000 Speaker 1: them are still alive. Are any of us really alive? 584 00:33:16,240 --> 00:33:18,280 Speaker 1: Five to one baby one in five. No one here 585 00:33:18,280 --> 00:33:20,120 Speaker 1: gets out alive. See you on the other side of 586 00:33:20,120 --> 00:33:44,400 Speaker 1: this break. All right, let's recap number one. The Peter 587 00:33:44,480 --> 00:33:47,080 Speaker 1: Tosh home invasion story is available for you all over 588 00:33:47,160 --> 00:33:49,200 Speaker 1: on our YouTube channel. You're gonna want to head over 589 00:33:49,240 --> 00:33:52,320 Speaker 1: to YouTube dot com slash at disgracelanmdpod to watch that 590 00:33:52,480 --> 00:33:55,520 Speaker 1: and to subscribe to our channel. Number two. There is 591 00:33:55,560 --> 00:34:00,200 Speaker 1: a large assortment of previously exclusive Disgraceland episodes that are 592 00:34:00,200 --> 00:34:01,880 Speaker 1: available for you right now in the feed that we're 593 00:34:01,920 --> 00:34:05,600 Speaker 1: not available last week. I'm talking about Nwa, led Zeppelin, 594 00:34:05,640 --> 00:34:09,000 Speaker 1: Ikey Pop, Madonna and more. Number three two new episodes, 595 00:34:09,080 --> 00:34:11,600 Speaker 1: new brand new full episodes on lou Reed will be 596 00:34:11,640 --> 00:34:15,879 Speaker 1: available for you coming this Tuesday, March twenty eighth. Number 597 00:34:15,960 --> 00:34:18,759 Speaker 1: four Call me, Give me your favorite spring music, Give 598 00:34:18,800 --> 00:34:21,680 Speaker 1: me your top five movies. Let me know what movies 599 00:34:21,840 --> 00:34:25,040 Speaker 1: or what disgrace Land episodes you take in on repeat 600 00:34:25,080 --> 00:34:27,640 Speaker 1: six one seven nine zero six six six three eight 601 00:34:27,680 --> 00:34:31,880 Speaker 1: to call or text or at disgracelam pod on the socials. 602 00:34:32,239 --> 00:34:35,640 Speaker 1: Number five My Moment of Bliss in honor of Gloria 603 00:34:35,760 --> 00:34:38,200 Speaker 1: Russ and the Long Lost Butch from Illinois and the 604 00:34:38,239 --> 00:34:41,040 Speaker 1: Blessed Year of nineteen seventy four. I give you me 605 00:34:41,680 --> 00:34:47,799 Speaker 1: Reading the phone Book, Stenet Randy four four five two 606 00:34:47,880 --> 00:34:52,920 Speaker 1: four one three, Stenet Roy three twenty nine, North fifth 607 00:34:53,320 --> 00:34:58,440 Speaker 1: four four five two seven zero seven Stevens William D. 608 00:34:58,920 --> 00:35:03,840 Speaker 1: Reverend two West Walmut four four five three zero zero 609 00:35:03,960 --> 00:35:09,160 Speaker 1: two Stewart J. F. And Son Grocer nineteen, North fifth 610 00:35:09,680 --> 00:35:14,520 Speaker 1: four four five two two five three Stewart Jack three 611 00:35:14,600 --> 00:35:18,879 Speaker 1: sixty six West Maine four four five two five zero 612 00:35:19,080 --> 00:35:24,759 Speaker 1: two Straus Fred two two five West Locust four four 613 00:35:24,920 --> 00:35:30,040 Speaker 1: five three five two two Strauman Jack E two O one. 614 00:35:30,239 --> 00:35:34,960 Speaker 1: East Elmer four four five two seven two four. Susan's 615 00:35:35,000 --> 00:35:39,520 Speaker 1: Beauty Silo three sixty seven, North fifth four four five 616 00:35:39,719 --> 00:35:44,600 Speaker 1: three two zero four. Tait Carroll two thirty five West 617 00:35:44,680 --> 00:35:49,800 Speaker 1: Walnat four four five three zero one four. Quit talking 618 00:35:50,040 --> 00:35:51,440 Speaker 1: and start mixing