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Speaker 1: Smell us now, lady, Welcome to Meet Eater Trivia Podcast.

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Speaker 2: Welcome to Meet Eater Radio Live. It's eleven am Mountain time.

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Speaker 2: That's neon o'clock for our friends in Oaker River, Manitoba

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Speaker 2: on Thursday, June fifth, and we're live for Met Eater

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Speaker 2: Hqan Boseman. I'm your host, Spencer, joined today by Jannis

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Speaker 2: and Randall. On today's show, we'll recap Yanni's bear hunt

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Speaker 2: and Randall's turkey hunt. Then we'll interview owen Bach Huber

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Speaker 2: about Project Rattlecam. After that, Meat Eater Movie Club, we'll

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Speaker 2: review its strangest film yet, followed by a fishy hot

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Speaker 2: tip off, and finally, Kayak angler Christine Fisher will join

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Speaker 2: us for some one minute fishing redemption. But first, before

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Speaker 2: we hear about this successful bear hunt and successful turkey hunt,

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Speaker 2: I have a listener feedback prompt for those folks who

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Speaker 2: are joining us live. All your questions today give him

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Speaker 2: to Phil. Let's let's make every Phil's gonna answer everything

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Speaker 2: Phil doesn't know about this. Ask Phil like the hardest

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Speaker 2: video game level he's ever played? Is, what his favorite

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Speaker 2: cover song is? What his first card was? Phil is

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Speaker 2: always getting all kinds of questions. But but he doesn't

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Speaker 2: want to throw himself into the spotlight.

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Speaker 3: Is uncomfortable.

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Speaker 2: He ignores those questions that people send. But today we're

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Speaker 2: gonna make him address those questions. So just direct your

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Speaker 2: questions at Phil. He's gonna answer them. This is gonna

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Speaker 2: be phil feedback.

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Speaker 4: All right for this Thursday, Let's do it.

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Speaker 2: Okay, he's he's mildly on board.

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Speaker 4: I can't wait.

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Speaker 2: I'm also excited. All right, let's talk about the bear

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Speaker 2: hunt Yanni, big old dead bear in Manitoba. How to

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Speaker 2: go down?

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Speaker 1: H the actual kill? How'd that go down?

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Speaker 2: You want to hear the story however you'd like.

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Speaker 1: There's a lot to tell. Okay, let's see some photos

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Speaker 1: that will help. That will help me.

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Speaker 4: Yeah, jog the old memory.

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Speaker 1: Along we baited. Oh wow, that's Craig McCarthy of North

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Speaker 1: Mountain Adventures seeing his wife Melanie. They run a great outfit.

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Speaker 1: Hi demand though, if you want to book a bear hunt,

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Speaker 1: you can't get in there until twenty twenty nine. I

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Speaker 1: found out.

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Speaker 2: Twenty twenty nine. Geez man, are are resident tags guaranteed

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Speaker 2: in Manitoba?

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Speaker 1: Yes, okay, yeah, so they can hunt as much as

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Speaker 1: they want.

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Speaker 2: Have you been planning this trip since twenty twenty one.

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Speaker 1: No, their demand has just increased with a little bit

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Speaker 1: of day with a little meat eater exposure, but a

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Speaker 1: little bit. But they've also just been crushing it, doing

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Speaker 1: a good job. Like I said, it's a great outfit.

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Speaker 1: It's the quintessential family run outfit. Like you are your

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Speaker 1: stay in a cabin, but when you go have a meal,

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Speaker 1: you're in their house having meals with their kids, who

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Speaker 1: are both lovely, full on and they wouldn't feel bad

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Speaker 1: if I called them like this, but their kids are

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Speaker 1: getting to grow up, barrel and it made me sort

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Speaker 1: of like rethink what I'm doing with my kids. They

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Speaker 1: got a creek running through the backyard. The girl rolls

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Speaker 1: in with like three creek chubs on a line, all

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Speaker 1: muddy and dirty. What are you doing? I'm gonna do

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Speaker 1: with those? I'm gonna chop them up and cheap feed

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Speaker 1: them to the chickens.

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Speaker 2: You know, maybe that was your bear bait.

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Speaker 1: No baar bait was as you can see in those barrels,

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Speaker 1: oats and corn doused with used fryer oil and then

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Speaker 1: sometimes a few extra sweets. Dainties. They call him up

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Speaker 1: there in that part of the world.

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Speaker 2: Yanni is showing us a photo that looks like he's

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Speaker 2: hunting in a zoo. There are two black bears ten

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Speaker 2: yards behind a side by side who are waiting for

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Speaker 2: the baits to be deployed.

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Speaker 1: Yes, and I have videos, but side by side that

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Speaker 1: canm is parked exactly where it is, and I'm leaning

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Speaker 1: against it where Craig's standing there, and one of those

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Speaker 1: two bears in that picture are eating from the top

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Speaker 1: of the barrel, licking the grease off, like from me

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Speaker 1: to you. So baiting really works, And what's cool about

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Speaker 1: it is that, you know, because not everybody wants to

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Speaker 1: be like, oh it's so easy, Well, there's a lot

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Speaker 1: of work that goes into it. You know, you got

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Speaker 1: to bait them up first, get them excited about it.

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Speaker 1: They only start baiting, interestingly enough, about two weeks before

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Speaker 1: season starts, so it's not a year round thing. It's

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Speaker 1: not a long baiting season. It's just a couple of weeks.

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Speaker 1: But the cool part about the baiting is is that

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Speaker 1: you really get to watch bear behavior which is super

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Speaker 1: neat like spot sock hunting. You're never gonna sit there

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Speaker 1: and get to hear all the little nuanced noises that

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Speaker 1: they make. They have these very like Star Wars Wookie

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Speaker 1: like sort of many growls that but it almost sounds

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Speaker 1: like when they go into hyperspace and you get that

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Speaker 1: kind of sound right when they're flying those bears, when

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Speaker 1: another bear is approaching and getting getting a little too close,

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Speaker 1: you just hear this.

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Speaker 5: Like.

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Speaker 2: Is that how they sound?

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Speaker 3: Phil, I'm sure in one of the trilogies it probably

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Speaker 3: sounds something like that. That's not the first sound I

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Speaker 3: would make, but you know.

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Speaker 1: Well, maybe it's not. Maybe it's not hyper space, maybe

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Speaker 1: it's some other sort of that.

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Speaker 3: It sounds kind of like, yeah, tractor beam or when

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Speaker 3: the Millennium Falcon is breaking down and it kind of.

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Speaker 2: Goes Wookie adjacent.

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Speaker 1: Yeah, oh yeah, that's it. Yeah, when they're whatever is

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Speaker 1: powering the Millennium Falcon is like sort of powering down

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Speaker 1: and they're like hitting the butts and knock and stuff.

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Speaker 2: There fills index of movie sound effects over there. You

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Speaker 2: could hear Yanni's impression and knew exactly what it was.

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Speaker 1: All right, what else we got?

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Speaker 6: So?

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Speaker 1: Yeah, bear baiting was cool. It works good. You get

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Speaker 1: to check them out. We hung beavers. Beavers, for whatever reason,

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Speaker 1: are so attractive. Oh yeah, that's the one there where

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Speaker 1: you can see my butt. That's the one where I'm

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Speaker 1: super close to him.

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Speaker 2: Yeah, we're watching Yanni and a bear look at each

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Speaker 2: other from how far? Like ten steps?

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Speaker 1: Not even like I could have reached out three yards.

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Speaker 2: Okay, you got long arms. Is there anything else that

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Speaker 2: bothers their bait piles?

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Speaker 1: Not too much. I was surprised that there wasn't more

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Speaker 1: stuff coming in, like you'd see a few bears, maybe

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Speaker 1: a squirrel would roll through. But yeah, and the pictures

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Speaker 1: didn't really you know, we weren't catching skunks and other stuff,

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Speaker 1: but the beaver. He said, he'll have deer carcasses, bear carcasses,

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Speaker 1: and the bears are indifferent, but beaver carcass. They won't

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Speaker 1: even look at that barrel full of corn oats, friar oil, doughnuts, croissants.

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Speaker 1: They love the beaver. Craig thinks it's because it's one

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Speaker 1: of the first foods available in the spring, and they're

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Speaker 1: taught that that, you know, by mom. They go to

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Speaker 1: a beaver run and just sit there and you know,

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Speaker 1: catch catch beavers. So the first night at beaver was

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Speaker 1: just hung on a tree ten feet up. First bear

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Speaker 1: comes in, runs up there, gets it, runs off. You

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Speaker 1: listen to them eat it for the next couple of

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Speaker 1: hours in the bush fifty yards away. So I'm like, well,

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Speaker 1: we got hang this beaver better, right for more entertainment.

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Speaker 1: So one night we did sort of like a like

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Speaker 1: a high linele you like tie off a horse too,

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Speaker 1: and had it in the middle, but they really had

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Speaker 1: no way to get to it, and they must have

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Speaker 1: known that because they kind of were like, yeah, we'd

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Speaker 1: look at it, smell it, we're not messing with the

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Speaker 1: Next night we did it more of like how you

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Speaker 1: hang food. We just throw it over a limb and

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Speaker 1: it was maybe four feet out. That got their attention

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Speaker 1: way more. They were like, oh, they could like touch

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Speaker 1: the rope and then they could see that it was

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Speaker 1: attached to the beaver. But still the first two gave

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Speaker 1: it like two minutes and we're like, we're gonna go

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Speaker 1: to the barrel, and he eats the stuff in the barrel.

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Speaker 1: Third bear comes in, he's like, screw the barrel. Spends

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Speaker 1: an hour trying to figure out how to get that

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Speaker 1: beaver down up the tree, down the tree, going to

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Speaker 1: the next tree over up that tree, walking out on

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Speaker 1: the limb, like, came over to our tree, came up

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Speaker 1: halfway up our tree and was like, dude, I'm getting

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Speaker 1: frustrated over here. Get that beaver down. Went back down.

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Speaker 1: Eventually grabs there's a video of this, grabs that yellow

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Speaker 1: rope that the beaver's hanging by with his teeth, then

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Speaker 1: gets it in his claws, goes to the base of

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Speaker 1: the tree, lets it go, and the beaver sort of

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Speaker 1: you know, it's been pulled up and it slides down stops. Now.

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Speaker 1: I don't know if he knew that or she that

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Speaker 1: if you did that enough time, something would give. But

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Speaker 1: basically he did that five times in a row, and

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Speaker 1: eventually the little noose that we had around the beaver popped. Yeah,

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Speaker 1: at that point we were rooting for him because an

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Speaker 1: hour into it, I'm like, man, I should just go

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Speaker 1: down there and cut that thing down for that guy.

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Speaker 1: He deserves to get that beaver.

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Speaker 2: What was the movement like almost exclusively morning and evening

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Speaker 2: or are they were also rolling in at one pm?

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Speaker 1: They're according to the moul trees all day long, but

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Speaker 1: the mature bores, it's a it's an hour of power thing.

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Speaker 1: Last hour I shooting light ended the day that I

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Speaker 1: killed my bear, and I think at ten twenty and

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Speaker 1: I killed my bear at ten oh six. Damn yeah,

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Speaker 1: I know, definitely the latest animal I've ever killed, I think,

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Speaker 1: unless I miss forgetting something in Alaska. You know Alaska,

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Speaker 1: you could kind of hunt that lad too. But it

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Speaker 1: was cool because we had seen a bunch of bears.

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Speaker 1: It's getting late in the day, be at that point

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Speaker 1: that was the most we had seen. I think we've

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Speaker 1: seen saw two cubs, the four one hundred and fifty

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Speaker 1: pounders that are like this guy that's in the video.

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Speaker 2: Now you can and see the video that Yanni is

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Speaker 2: referencing on the med Eater podcast YouTube channel. Check out

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Speaker 2: the episode's media to Radio Live.

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Speaker 1: And then we saw like a lanky six footer but

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Speaker 1: he just wasn't thick. And then it was cool is

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Speaker 1: we could just barely see out to this field that

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Speaker 1: was had just been dis maybe so it's just dirt,

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Speaker 1: and you could see bears every now and then, and

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Speaker 1: then eventually they'd kind of show up at the bait.

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Speaker 1: So you see like Mama and she was this real

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Speaker 1: pretty cinnamon and she had I think this one was

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Speaker 1: the one with three cubs. She had like a black cub,

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Speaker 1: a cinnamon cub, and a blonde cub. And but like,

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Speaker 1: with fifteen minutes of light left, I look out there,

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Speaker 1: I'm like, man, that joker looks like he's got a

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Speaker 1: little more girth to him, you know. And sure enough,

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Speaker 1: when he got to the edge of the meadow where

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Speaker 1: he's maybe sixty seventy yards from the bait, everybody at

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Speaker 1: the bait scatters, cubs are going up trees, everybody's getting

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Speaker 1: out of there. This dude that finally had the beaver,

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Speaker 1: he moves off like another fifty yards and this when

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Speaker 1: this big sucker rolls in, and it was like the

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Speaker 1: woods just went quiet, like he just rolled in. He

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Speaker 1: was the man. But still then with such little bear

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Speaker 1: experience for me, I looked back at Max. I'm like,

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Speaker 1: is that the one I'm supposed to shoot? You know?

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Speaker 1: Like I didn't. I mean, ends up being a almost

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Speaker 1: four hundred pounder seven a square seven and a half feet,

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Speaker 1: had a twenty and three quarter inch skulls is that

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Speaker 1: boot and Crockett twenty one? Yeah, so he's real close.

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Speaker 2: There, So you need to find a more generous measure, maybe.

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Speaker 1: Yeah, there it is. There's cracking out with the bear

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Speaker 1: at the recovery and it was great. He only went

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Speaker 1: like fifty yards. I'm guessing he was not alive more

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Speaker 1: than thirty seconds. Shot him a six hundred grain arrow

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Speaker 1: that was tipped with a two hundred grain iron wheel

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Speaker 1: single bevel. Yeah, good shot, right through both both lungs.

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Speaker 2: Is that your first bear with a bow?

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Speaker 1: First bear ever? Oh? Yeah, first bear ever? Well, I

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Speaker 1: killed one in my yard at mngus that had treed,

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Speaker 1: but I don't really count that as it wasn't a

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Speaker 1: hunted bear.

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Speaker 2: You know, you said that you asked Max if this

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Speaker 2: was the one you were supposed to shoot. I assume

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Speaker 2: then that they had like a rollodex of what bears

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Speaker 2: existed in this set of woods.

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Speaker 1: Well, you have trailcam photos and videos right, sort of

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Speaker 1: what's been showing up lately. But the thing was we

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Speaker 1: were pretty late into May when we were actually there

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Speaker 1: into June, and so the ruts definitely heating up, and

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Speaker 1: so he's like, yeah, look man, like there's a sour round,

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Speaker 1: there's gonna be boars rolling in. So there are these

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Speaker 1: two and there was one that had a little white

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Speaker 1: patch and there was the other one, which is the

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Speaker 1: one that I had killed off his bait. But he's

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Speaker 1: like there could be a giant chocolate.

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Speaker 4: But they didn't have names. No liketron, no no jokers.

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Speaker 2: That was what Yanni called him.

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Speaker 1: They outfit pretty close to the boundary of a national

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Speaker 1: park and it's I can't remember the acreage of the

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Speaker 1: national park, but it's huge. And so they sort of

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Speaker 1: have this, you know, sanctuary right next to him. And

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Speaker 1: so they have this a constant replenishment of bears. So

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Speaker 1: you really don't know who's going to show up.

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Speaker 2: What's what's their program in the far the guiding deer

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Speaker 2: hunters as well.

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Speaker 1: A little bit of deer, mostly moose. I actually might

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Speaker 1: go up and do an exploratory caribou hunt with him

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Speaker 1: this I haven't decided that yet. I invited Clay. He

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Speaker 1: was very excited, but it doesn't the dates don't work well.

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Speaker 2: I guess that on the back from Randall means nothing.

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Speaker 2: That he just gave you a minute ago.

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Speaker 1: We can discuss Randal.

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Speaker 4: I think we have a great on camera dynamic.

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Speaker 1: Y yeah, I agree, I agree, it could be a

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Speaker 1: good time. Exploratory means that another outfit that runs up there,

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Speaker 1: has switched his business basically to all eco tourism. But

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Speaker 1: he has the lodging and the equipment everything set up

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Speaker 1: four caribou hunts, but he just doesn't want to do

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Speaker 1: the hunting anymore. He's got just the same amount of

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Speaker 1: money in eco tourism and doesn't have to deal with

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Speaker 1: skin and critters and you know. And uh so he's

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Speaker 1: basically said to Craig like, hey, if you want to

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Speaker 1: run it out of here, you can just give me

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Speaker 1: a you know, cut off the top. And so Craig

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Speaker 1: doesn't know anything about it. He needs pictures, he needs images.

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Speaker 1: He's sure it's a good hunt. And I'm like, oh,

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Speaker 1: well I could be here your guinea pig, you know.

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Speaker 2: Yeah, then maybe take Spencer and Randall with you. It's gone, we.

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Speaker 1: Could do already. We've already ditched me eat.

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Speaker 4: Roast reducts, battle north of the border.

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Speaker 1: We'll go.

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Speaker 2: We'll kill the thing and then cook it. Thank you.

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Speaker 1: Yeah, that look like a lot of fun. Oh it's

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Speaker 1: a great, great trip. Man, We really got the whole

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Speaker 1: Manitoba experience. Got killed on day three. We had two

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Speaker 1: more days, so we got to go fishing for a

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Speaker 1: half day, cooked an awesome bear meal. You know all

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Speaker 1: this stuff about bears, whether you like them or not.

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Speaker 1: And I'm in the same boat of being often being like,

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Speaker 1: do I really want to kill a bear?

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Speaker 3: Oh?

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Speaker 1: They're kind of cuddly. Oh they're more curious or smarter

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Speaker 1: than these other animals that we hunt or whatever. But

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Speaker 1: as soon as I get to eating one, I'm like, oh,

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Speaker 1: I should kill a bear every year, because like, we

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Speaker 1: just did an overnight Brian and then slow roasted it

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Speaker 1: the next day, and then like ninety minutes you go

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Speaker 1: to baste it and it's got an inch of pan

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Speaker 1: juice and there's just besides maybe a hog. But I

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Speaker 1: don't care what fat cow elk you shoot. You're not

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Speaker 1: going to get an inch of pan juice in your

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Speaker 1: roasting pan. No certain that animal or deer or care

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Speaker 1: or whatever, you know what I mean. And I'm pumped.

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Speaker 7: Man.

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Speaker 1: I brought home a I brought home probably well over

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Speaker 1: one hundred pounds of bear meal.

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Speaker 2: Okay, now you're gonna have a big old bear rug

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Speaker 2: in your house in the office.

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Speaker 1: I haven't decided yet, man, I got a quote twenty

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Speaker 1: five hundred for six footer and it goes up from there.

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Speaker 1: So the seven footer, I don't even know holy what

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Speaker 1: it's gonna be, but that's what. Yeah, that's what the

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Speaker 1: going rate is right now. And h so I might

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Speaker 1: just get her tanned.

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Speaker 2: Okay, seems like a lot, I know.

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Speaker 1: I mean that's half of another bear hunt to go on,

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Speaker 1: you know, yeah, wow. But it's also like, well, when's

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Speaker 1: the next time you're gonna kill a seven plus foot

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Speaker 1: black bear? Nine? I don't have to draw. Yeah, you

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Speaker 1: just got to get a spot before we move.

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Speaker 2: On here about Randall's turkey ONNT you said you wanted

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Speaker 2: to talk about an argument you and Max, Yeah, toast versus.

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Speaker 1: Yeah, viewers can help us out too with this. So

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Speaker 1: one morning, Eli Harris, whose new videographer Forrest Force on

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Speaker 1: this strip, did a great job. He makes Max and I, uh,

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Speaker 1: some tote in the whole breakfast, which is just when

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Speaker 1: you take a piece of toast, cut out of a

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Speaker 1: hole in the middle, crack an egg in it, fr

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Speaker 1: it up. Max pours maple seers all over his and

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Speaker 1: then proceeds to tell me that it's pretty much like

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Speaker 1: French toast, and I'm like, you have kind of some

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Speaker 1: of the ingredients are the same.

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Speaker 4: Half of them.

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Speaker 1: Yeah, but it's not French toast. It doesn't taste like

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Speaker 1: French toast.

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Speaker 4: You don't make it like French toast.

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Speaker 1: Well, you frieday in a pan. That part is similar.

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Speaker 4: Is it closer to French toast or toast and a

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Speaker 4: fried egg?

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Speaker 1: I would say toast and a fried egg. Even if

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Speaker 1: you put maple syrup on toast and a fried egg,

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Speaker 1: I would still say it's closer to toast and a

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Speaker 1: fried egg.

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Speaker 4: It's very clearly a gimmicky way to make a toast

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Speaker 4: and a fried egg. French toast.

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Speaker 2: It feels like it's for a child, Like that's what

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Speaker 2: you'd cook for your eleven year old. To get outside

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Speaker 2: about cereal hope.

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Speaker 1: See, I really enjoy a toad in the hole because

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Speaker 1: I use a lot of I'm not saying a lot

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Speaker 1: of a lot of butter, so that toast is just

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Speaker 1: like extra crispy buttery. Anyways, Max is like it's pretty

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Speaker 1: much French toast. Eli is like adding his French toast.

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Speaker 1: You know what.

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Speaker 2: I wouldn't argue with either one of you. I felt like, no,

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Speaker 2: I think you could have syrup on it. Not that

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Speaker 2: wouldn't be offensive to me.

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Speaker 1: It's not offensive I'm just saying it's not French toast.

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Speaker 2: Not French tos.

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Speaker 4: Agree with you there, Yeah, not at all.

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Speaker 2: There's got to be some other weird regional names for

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Speaker 2: that food that I'm not aware of.

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Speaker 4: The egg and the yeah and yeah, a French term.

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Speaker 1: I know, egg in a basket, bull's eye quote whatever,

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Speaker 1: croaked to toast. What do the viewers say? Not even

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Speaker 1: close to nest.

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Speaker 2: One of them says, is what it's called egg in

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Speaker 2: a basket?

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Speaker 4: Okay, Yeah, looks like you got a quote on a

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Speaker 4: on a rug. They're honest.

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Speaker 2: Someone, someone's gonna lower the price for you.

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Speaker 1: Oh yeah, tell any good tax numbers. They're big meat

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Speaker 1: eater fans. D m me tell us about the the

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Speaker 1: Cory's got a big bear rug too. We'll send.

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Speaker 2: And maybe a turkey customer tell us about this dead turkey.

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Speaker 4: Well, we didn't, Max and I didn't get into any

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Speaker 4: arguments about breakfast food on our hunt. We actually didn't

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Speaker 4: eat breakfast until after the turkey was dead because it

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Speaker 4: got shot at shooting light.

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Speaker 2: Essentially, it's amazing you two shot your animals, probably like

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Speaker 2: six hours apart or something like that, but one of

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Speaker 2: you in the morning, one of you in the evening.

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Speaker 4: Yeah, yeah, and.

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Speaker 1: No, Max.

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Speaker 4: Max took me out. We found a We went to

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Speaker 4: a property hees got permission on. We started, climbed up

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Speaker 4: to a little ridge and drank some beers and gobbled

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Speaker 4: and the turkeys gobbled back, and then we glassed one up.

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Speaker 4: Then we found another one and we never saw him,

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Speaker 4: but we went back and that night Max said, I

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Speaker 4: had to make the decision about whether or not I

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Speaker 4: wanted to go to the one that we didn't see

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Speaker 4: or the one we saw.

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Speaker 5: Huh.

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Speaker 4: And so we played a quick game of chance and

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Speaker 4: the one that we saw. And you know, I can't

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Speaker 4: really do justice to this hunt, So Phil, I spent

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Speaker 4: about nine minutes yesterday using the movie maker feature on

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Speaker 4: my iPhone and would you just play play that? I

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Speaker 4: think it my first turkey hunt. Max took me hunting

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Speaker 4: with that one.

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Speaker 2: Oh you cut out the part of you running at

401
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Speaker 2: the bird there. I like that, Thank you, sir. Thanks,

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Speaker 2: it's Max crying in the background.

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Speaker 1: Three three, first gobbler, look.

404
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Speaker 2: At that sunrise.

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Speaker 4: Dude, what a great day.

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Speaker 1: Very nice.

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Speaker 3: You know what that reminds me of is when like

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Speaker 3: on Sesame Street, they'll have kids like I went to

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Speaker 3: the fact the candy factory we got to watch them

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Speaker 3: make chok plan. There's just a bunch of b roll. Yeah,

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Speaker 3: I was gonna.

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Speaker 4: I was adding this stuff to the drive, and when

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Speaker 4: I was like manipulating the files on my phone trying

414
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Speaker 4: to send them places, it was like, do you want

415
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Speaker 4: to open this in iMovie?

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Speaker 1: And I was like, what the hell?

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00:21:11,600 --> 00:21:14,040
Speaker 4: Yes, I would like, but I literally couldn't figure out

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Speaker 4: how to change the text on the title or how

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Speaker 4: to get rid of it.

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Speaker 3: It's not very just thought it was a really funny joke,

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Speaker 3: but no.

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Speaker 2: I don't think you did justice to how you determine

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Speaker 2: which turkey were going After.

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Speaker 4: We we flipped an empty es in canu in the

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Speaker 4: in the truck as we drove onto the property, and

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Speaker 4: it landed heads up or heads down, heads up, which

427
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Speaker 4: was the ridgebird. Wow, bottom of the can was the

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Speaker 4: house bird. So yeah, we hiked into where this thing

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Speaker 4: was and about we didn't hear any gobbles, And ten

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Speaker 4: minutes before shooting light, Max said he was going to

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Speaker 4: start calling, you know, in fifteen minutes or so, So

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Speaker 4: he's going to call just after shooting light to let

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Speaker 4: the bird come down. Then right after he said that

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Speaker 4: the bird started gobbling. So Max waited a little while

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Speaker 4: longer till it was shooting light and started talking back

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Speaker 4: to it, and it came right in and Max coached

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Speaker 4: me through it. And I don't know if you could

438
00:22:15,880 --> 00:22:19,359
Speaker 4: hear it in that in that little cinematic treat, but

439
00:22:20,240 --> 00:22:25,159
Speaker 4: Max actually just goes get him and that's when I shot. Okay,

440
00:22:25,480 --> 00:22:27,639
Speaker 4: So I didn't realize he was filming me, but he

441
00:22:28,359 --> 00:22:30,520
Speaker 4: he sort of was coach. He's like, he's like, I

442
00:22:30,640 --> 00:22:32,840
Speaker 4: just followed the sound with your gun barrel, so when

443
00:22:32,880 --> 00:22:35,359
Speaker 4: it pops up, you don't have to move to get him.

444
00:22:35,400 --> 00:22:38,960
Speaker 4: And so I shifted the barrel over slightly to where

445
00:22:38,960 --> 00:22:42,400
Speaker 4: I last I heard it. And then there's a big

446
00:22:42,480 --> 00:22:45,920
Speaker 4: fan in my face and then the fan goes away

447
00:22:46,320 --> 00:22:48,880
Speaker 4: and this head comes up and they had turned sideways

448
00:22:48,880 --> 00:22:49,560
Speaker 4: and then Max.

449
00:22:49,440 --> 00:22:53,280
Speaker 2: Goes shoot him and I gave it to him, great

450
00:22:53,320 --> 00:22:56,040
Speaker 2: adle movie. Clay Nwcombe come in and he said that

451
00:22:56,200 --> 00:22:56,720
Speaker 2: was a film.

452
00:22:57,000 --> 00:22:59,680
Speaker 4: Yeah, yeah, that's a that was a project.

453
00:23:00,080 --> 00:23:02,160
Speaker 1: I doubt that's the real Clay nuke on this spy

454
00:23:02,359 --> 00:23:05,520
Speaker 1: just some dude signed in Clay Nukee.

455
00:23:06,160 --> 00:23:06,200
Speaker 2: No.

456
00:23:06,840 --> 00:23:08,280
Speaker 3: I hope it is Clay because he's been having a

457
00:23:08,320 --> 00:23:10,200
Speaker 3: conversation with Brent, and Brent thinks it's class.

458
00:23:10,280 --> 00:23:12,600
Speaker 4: I will say that the hardest part of making that

459
00:23:12,840 --> 00:23:16,320
Speaker 4: was figuring out how to do the voiceover feature, because

460
00:23:16,320 --> 00:23:20,359
Speaker 4: then when it has you record the voiceover, you can't

461
00:23:20,440 --> 00:23:22,920
Speaker 4: listen to the audio, so you end up talking over

462
00:23:23,040 --> 00:23:25,639
Speaker 4: the things you want to hear. So I probably did

463
00:23:25,760 --> 00:23:28,359
Speaker 4: five takes on that, which was maybe four and a

464
00:23:28,400 --> 00:23:32,080
Speaker 4: half minutes of the eight to nine minutes I spent

465
00:23:32,160 --> 00:23:32,480
Speaker 4: making it.

466
00:23:33,040 --> 00:23:35,520
Speaker 1: You nailed it, Now, what happened to the you were

467
00:23:35,560 --> 00:23:38,600
Speaker 1: gonna Last time I saw you, you patterned a ten

468
00:23:38,720 --> 00:23:40,920
Speaker 1: gage that you were going to use.

469
00:23:41,359 --> 00:23:44,680
Speaker 4: Yeah, but remember that that trigger didn't work.

470
00:23:45,800 --> 00:23:48,160
Speaker 2: No, you didn't remember that. I took trigger too heavy

471
00:23:48,280 --> 00:23:49,000
Speaker 2: or too light or.

472
00:23:49,160 --> 00:23:52,480
Speaker 4: A double trigger, and one of them just doesn't reset.

473
00:23:53,160 --> 00:23:54,920
Speaker 4: And I've gotten it to get fixed. I took it

474
00:23:55,040 --> 00:23:57,520
Speaker 4: right back away. I took it right back from the shop,

475
00:23:57,800 --> 00:24:01,160
Speaker 4: took it straight to the two seven seven shooting experiment.

476
00:24:02,040 --> 00:24:04,479
Speaker 4: Cracked off one barrel. We were all impressed, and then

477
00:24:04,520 --> 00:24:06,760
Speaker 4: I went to crack off the other one and just

478
00:24:07,560 --> 00:24:09,360
Speaker 4: did the thing where you shoot a gun and you're

479
00:24:09,359 --> 00:24:13,920
Speaker 4: anticipating the recoil and you just squirm. So it's fixed now, apparently,

480
00:24:14,000 --> 00:24:16,000
Speaker 4: but I have yet to pick it up, so next year.

481
00:24:15,840 --> 00:24:19,200
Speaker 1: We'll get the next Are you are you going to

482
00:24:19,280 --> 00:24:21,960
Speaker 1: go turkey hunting again? Did you have that much fun? Yeah?

483
00:24:22,000 --> 00:24:23,320
Speaker 4: I had a great time. I mean it was just

484
00:24:23,400 --> 00:24:24,200
Speaker 4: like a fun morning.

485
00:24:24,720 --> 00:24:24,879
Speaker 5: You know.

486
00:24:24,960 --> 00:24:25,960
Speaker 4: I didn't suffer for it.

487
00:24:26,280 --> 00:24:26,640
Speaker 1: I didn't.

488
00:24:27,480 --> 00:24:32,440
Speaker 4: I didn't dream about it. But it was very fun

489
00:24:32,600 --> 00:24:34,760
Speaker 4: to see someone who knows what they're doing, just like

490
00:24:36,040 --> 00:24:39,240
Speaker 4: work a property and then work a bird. So I

491
00:24:39,359 --> 00:24:41,359
Speaker 4: learned a lot and I see the appeal of it.

492
00:24:42,040 --> 00:24:46,800
Speaker 4: We've eaten two meals out of it so far. We

493
00:24:46,920 --> 00:24:51,280
Speaker 4: did a little Katsu chicken style turkey bowl and then

494
00:24:51,480 --> 00:24:52,080
Speaker 4: we did.

495
00:24:58,560 --> 00:25:00,879
Speaker 2: Two comments I want a highlight. One of them is

496
00:25:01,280 --> 00:25:04,000
Speaker 2: Clay Newcombe says, this is the Clay Newcombe, which is

497
00:25:04,080 --> 00:25:05,200
Speaker 2: exactly what an imposter.

498
00:25:05,960 --> 00:25:07,240
Speaker 3: Yeah, I was going to say someone and then and

499
00:25:07,280 --> 00:25:11,600
Speaker 3: then he also said a Kern spell too hard. Yeah,

500
00:25:11,800 --> 00:25:14,440
Speaker 3: that's exactly what someone who wasn't Clay would say to

501
00:25:14,480 --> 00:25:15,439
Speaker 3: make us think that they were.

502
00:25:15,880 --> 00:25:18,320
Speaker 2: And then someone else said, Randall Spielberg.

503
00:25:18,760 --> 00:25:20,320
Speaker 3: Randall Ford Coppola, that was another one.

504
00:25:20,359 --> 00:25:23,600
Speaker 2: There you go, first bear hunt story or excuse me,

505
00:25:23,720 --> 00:25:26,040
Speaker 2: first dead bear story, first dead turkey story.

506
00:25:26,240 --> 00:25:27,720
Speaker 4: Yeah, well done, boy, a couple.

507
00:25:27,800 --> 00:25:33,840
Speaker 1: First, Hey, thanks all right. Moving on.

508
00:25:34,359 --> 00:25:37,200
Speaker 2: Joining us on the line now is Owen back Huber,

509
00:25:37,520 --> 00:25:42,080
Speaker 2: a grad student from California Polytechnic State University. He's here

510
00:25:42,119 --> 00:25:44,920
Speaker 2: to talk about Project Rattlecam. Owen, welcome to the show.

511
00:25:46,400 --> 00:25:47,880
Speaker 1: Thanks for having me. Owen.

512
00:25:47,960 --> 00:25:50,480
Speaker 2: First thing, tell us what Project rattlecam is.

513
00:25:52,160 --> 00:25:55,360
Speaker 8: Yeah, So, Project Rattlecam is a partnership between cal Poly

514
00:25:55,520 --> 00:25:58,600
Speaker 8: and Dicketson College run by my advisor Emily Taylor and

515
00:25:58,720 --> 00:26:01,560
Speaker 8: our partner Scott bo Back, and we use cameras to

516
00:26:01,600 --> 00:26:04,320
Speaker 8: study snake behavior. So this actually started by using trail

517
00:26:04,359 --> 00:26:06,720
Speaker 8: cameras at battlesnake dens to get a sense of what

518
00:26:06,800 --> 00:26:08,800
Speaker 8: they were doing throughout the year. But they do so

519
00:26:08,880 --> 00:26:11,159
Speaker 8: many cool behaviors right that we can't really capture that

520
00:26:11,200 --> 00:26:13,680
Speaker 8: with just still images. And so that's where we're using

521
00:26:13,720 --> 00:26:16,840
Speaker 8: live streaming cameras now to broadcast these dens live to

522
00:26:16,920 --> 00:26:18,919
Speaker 8: YouTube so that we can study them as well as

523
00:26:18,960 --> 00:26:19,800
Speaker 8: share them with the public.

524
00:26:20,200 --> 00:26:22,760
Speaker 2: And what sorts of things can scientists learn from this

525
00:26:22,960 --> 00:26:24,320
Speaker 2: twenty four to seven monitoring.

526
00:26:26,119 --> 00:26:28,240
Speaker 8: Yeah, so, as I'm sure that you know, just the

527
00:26:28,320 --> 00:26:31,560
Speaker 8: presence of a researcher near an animal can have an

528
00:26:31,600 --> 00:26:34,119
Speaker 8: impact on their behavior, and so a lot of our

529
00:26:34,240 --> 00:26:36,080
Speaker 8: perceptions of what snakes are like and what they do

530
00:26:36,600 --> 00:26:39,080
Speaker 8: are impacted by them responding to us right to see

531
00:26:39,080 --> 00:26:41,800
Speaker 8: a snake. They might sit still trying to hope that

532
00:26:41,920 --> 00:26:45,000
Speaker 8: you ignore them and move away. They might act defensively,

533
00:26:45,920 --> 00:26:48,440
Speaker 8: and so what I'm studying is the social behaviors and

534
00:26:48,520 --> 00:26:52,359
Speaker 8: communication between the snakes. So we actually see that battlesnakes

535
00:26:52,400 --> 00:26:54,240
Speaker 8: have friends, they have individuals that they prefer to spend

536
00:26:54,280 --> 00:26:57,879
Speaker 8: time with, and they seem to have communication too. So

537
00:26:58,080 --> 00:26:59,960
Speaker 8: they do this really cool head twitching behavior where they

538
00:27:00,119 --> 00:27:02,840
Speaker 8: kind of bob their heads at each other as they approach,

539
00:27:03,359 --> 00:27:05,320
Speaker 8: and we're trying to figure out what that's all about,

540
00:27:05,320 --> 00:27:05,960
Speaker 8: what they're saying.

541
00:27:05,800 --> 00:27:06,240
Speaker 1: To each other.

542
00:27:06,840 --> 00:27:11,000
Speaker 2: Okay, you have more intimate knowledge about rattle snakes and

543
00:27:11,200 --> 00:27:13,720
Speaker 2: maybe anyone else. So walk us through the average day

544
00:27:13,760 --> 00:27:16,560
Speaker 2: in the life of a rattlesnake that lives in Colorado,

545
00:27:16,600 --> 00:27:19,320
Speaker 2: which is the live cam that you guys have available

546
00:27:19,400 --> 00:27:19,679
Speaker 2: right now.

547
00:27:21,200 --> 00:27:21,760
Speaker 1: Yeah, so.

548
00:27:23,240 --> 00:27:25,600
Speaker 8: These sites that we're watching are dens in that there

549
00:27:25,600 --> 00:27:27,880
Speaker 8: are places where the snakes are hibernating throughout the winter,

550
00:27:28,720 --> 00:27:30,960
Speaker 8: but now that we're getting into summer, it's turning into

551
00:27:31,000 --> 00:27:33,000
Speaker 8: a rookery. So the snakes that we're watching right now

552
00:27:33,040 --> 00:27:35,280
Speaker 8: are actually pregnant females who are going to stay here

553
00:27:35,320 --> 00:27:37,480
Speaker 8: for the entire summer until they give birth later in

554
00:27:37,520 --> 00:27:40,480
Speaker 8: the year. And right about now it is starting to

555
00:27:40,560 --> 00:27:43,199
Speaker 8: hit the rocks. Things are warming up, so they're going

556
00:27:43,280 --> 00:27:46,159
Speaker 8: to start to emerge in these rocks and basking the

557
00:27:46,200 --> 00:27:50,160
Speaker 8: sun to warm up their internal temperature. And the really

558
00:27:50,200 --> 00:27:52,680
Speaker 8: cool thing is that these snakes, because they're not leaving

559
00:27:52,880 --> 00:27:54,960
Speaker 8: the dam, they don't have access to any standing water,

560
00:27:55,680 --> 00:27:59,439
Speaker 8: and so whenever it rains, they're really thirsty. They come

561
00:27:59,480 --> 00:28:02,440
Speaker 8: out and they flatten themselves out like a saucer, and

562
00:28:02,480 --> 00:28:05,520
Speaker 8: they'll actually drink the water off of their backs. So

563
00:28:06,720 --> 00:28:09,680
Speaker 8: sometimes too, we'll see predators come through, like magpies trying

564
00:28:09,760 --> 00:28:13,080
Speaker 8: to eat the baby rattlesnakes, and so there can be

565
00:28:13,119 --> 00:28:14,760
Speaker 8: a lot of drama that ensues with.

566
00:28:14,880 --> 00:28:17,480
Speaker 2: You then tell us about some of the names the

567
00:28:17,800 --> 00:28:21,399
Speaker 2: personality traits that these rattlesnakes have, and do rattlesnakes ever

568
00:28:21,480 --> 00:28:23,280
Speaker 2: show up that you're not familiar.

569
00:28:22,920 --> 00:28:27,760
Speaker 8: With all the time. So there are dozens, if not

570
00:28:27,920 --> 00:28:30,800
Speaker 8: hundreds of adult battlesnakes that are using the site, and

571
00:28:31,040 --> 00:28:33,119
Speaker 8: so it's impossible for me to keep track of all

572
00:28:33,160 --> 00:28:36,280
Speaker 8: of them. And just imagine when each female gets worth

573
00:28:36,320 --> 00:28:40,560
Speaker 8: to eight pups in August, right, that number increases by

574
00:28:40,600 --> 00:28:42,320
Speaker 8: an order of magnitude. So it's really hard to know

575
00:28:42,920 --> 00:28:46,800
Speaker 8: who's all there. But the ones that we see the

576
00:28:46,840 --> 00:28:50,080
Speaker 8: most often are actually named by YouTube viewers. So if

577
00:28:50,120 --> 00:28:52,400
Speaker 8: someone's watching and they see a snake a couple of

578
00:28:52,480 --> 00:28:55,080
Speaker 8: times and they take screenshots, they can submit them to

579
00:28:55,240 --> 00:28:57,440
Speaker 8: us and get naming rights to that snake.

580
00:28:58,200 --> 00:28:59,360
Speaker 1: And so some of them.

581
00:28:59,720 --> 00:29:02,840
Speaker 8: There's one who's a really charismatic male named Thor, and

582
00:29:03,040 --> 00:29:06,880
Speaker 8: he's been sticking around. He's really desperate to find a mate.

583
00:29:07,320 --> 00:29:09,600
Speaker 8: We see him courting a lot of females. He's even

584
00:29:09,680 --> 00:29:13,000
Speaker 8: courted a couple of males, but we've never observed successful copulation.

585
00:29:13,480 --> 00:29:13,760
Speaker 2: Okay.

586
00:29:14,160 --> 00:29:17,040
Speaker 8: And some of the things too, are named after people's

587
00:29:17,120 --> 00:29:20,520
Speaker 8: moms and dogs, and so they have really cute names

588
00:29:20,560 --> 00:29:24,960
Speaker 8: to sometimes noodle names, you know, lasagna and ramen. So

589
00:29:25,760 --> 00:29:27,840
Speaker 8: it's kind of a really fun thing. And you're seeing

590
00:29:27,880 --> 00:29:30,760
Speaker 8: right now all these snakes kind of slithering out checking

591
00:29:30,800 --> 00:29:32,960
Speaker 8: out each other. I can actually see that that's Thor

592
00:29:33,040 --> 00:29:35,160
Speaker 8: in the bottom right there, because he has kind of

593
00:29:35,160 --> 00:29:38,600
Speaker 8: a roopy lip. He was bitten in the face by

594
00:29:38,680 --> 00:29:42,200
Speaker 8: an ant and ever since he was in there, the

595
00:29:42,320 --> 00:29:46,400
Speaker 8: venom must have caused lip paralysis or something, so he's

596
00:29:46,440 --> 00:29:50,360
Speaker 8: got kind of this droopy lip still. Okay, Yeah, it's

597
00:29:50,520 --> 00:29:52,360
Speaker 8: pretty amazing. You can see some of those babies in

598
00:29:52,400 --> 00:29:53,600
Speaker 8: there hanging out with him as well.

599
00:29:53,960 --> 00:29:58,000
Speaker 2: You told us that Thor is charismatic, but it's because

600
00:29:58,080 --> 00:30:00,640
Speaker 2: he is so desperate to mate with the other snakes.

601
00:30:00,760 --> 00:30:04,280
Speaker 2: I'm amused by that description. What's the camera setup? Like

602
00:30:04,360 --> 00:30:06,720
Speaker 2: case hunters, we're really familiar with trail cameras, but I

603
00:30:06,800 --> 00:30:09,760
Speaker 2: assume the technology used now is way beyond that.

604
00:30:11,440 --> 00:30:13,760
Speaker 8: Yeah, so you're seeing the camera right now. It is

605
00:30:13,880 --> 00:30:17,600
Speaker 8: a axis security camera that is powered by two eight

606
00:30:17,640 --> 00:30:20,560
Speaker 8: foot solar panels, and then we have a big battery

607
00:30:20,600 --> 00:30:21,160
Speaker 8: bank that's.

608
00:30:21,080 --> 00:30:21,680
Speaker 1: Up there as well.

609
00:30:22,520 --> 00:30:25,360
Speaker 8: And so because this is totally off grid, we have

610
00:30:25,560 --> 00:30:29,280
Speaker 8: to use cellular streaming to get that to YouTube, and

611
00:30:29,400 --> 00:30:31,800
Speaker 8: so it's quite the operation to get that all up

612
00:30:31,840 --> 00:30:34,120
Speaker 8: and running. And we're actually just about to publish a

613
00:30:34,160 --> 00:30:37,000
Speaker 8: paper on the whole setup, because before this we were

614
00:30:37,080 --> 00:30:39,880
Speaker 8: kind of working on our own with how we were

615
00:30:39,960 --> 00:30:42,040
Speaker 8: going to figure this out, and so we had a

616
00:30:42,080 --> 00:30:44,520
Speaker 8: really great team of engineers here at cal Poly we're

617
00:30:44,560 --> 00:30:45,760
Speaker 8: able to put this together for us.

618
00:30:46,240 --> 00:30:48,520
Speaker 2: And has your team had any close calls with snakes

619
00:30:48,520 --> 00:30:49,760
Speaker 2: while setting up these cameras.

620
00:30:52,360 --> 00:30:56,120
Speaker 8: You know, as a snake biologist, I wouldn't characterize them

621
00:30:56,120 --> 00:30:59,280
Speaker 8: as such. So you know there are snakes, quite a

622
00:30:59,320 --> 00:31:00,840
Speaker 8: few of them there. When we go to set up

623
00:31:00,840 --> 00:31:02,960
Speaker 8: the camera. We went earlier in the year when few

624
00:31:03,000 --> 00:31:05,160
Speaker 8: of them would be out. Some of the snakes were

625
00:31:05,160 --> 00:31:06,880
Speaker 8: still out right and kind of doing their things, but

626
00:31:07,480 --> 00:31:10,600
Speaker 8: usually they try to get away from us. We always

627
00:31:10,640 --> 00:31:12,960
Speaker 8: make sure that we're wearing high boots right, so that

628
00:31:13,320 --> 00:31:15,240
Speaker 8: if we accidentally did stuff on u snake and and

629
00:31:15,360 --> 00:31:17,840
Speaker 8: see it, that would provide us some level of protection.

630
00:31:19,320 --> 00:31:20,920
Speaker 8: And also you got to kind of make sure what

631
00:31:21,040 --> 00:31:23,720
Speaker 8: you set down. So I went there last summer, and

632
00:31:24,280 --> 00:31:26,760
Speaker 8: you know, if you set down your backpack, I was

633
00:31:26,840 --> 00:31:29,120
Speaker 8: warned that a rattle snake might decide to make its

634
00:31:29,160 --> 00:31:31,680
Speaker 8: home right underneath there, and sure enough, that's exactly what happened.

635
00:31:31,720 --> 00:31:33,400
Speaker 8: One of them decided to coil up, and so we

636
00:31:33,800 --> 00:31:36,680
Speaker 8: just kind of moved the backpack gently and carefully and

637
00:31:37,160 --> 00:31:38,000
Speaker 8: got that out of the way.

638
00:31:38,520 --> 00:31:41,400
Speaker 2: You mentioned magpies, but what other animals show up on

639
00:31:41,640 --> 00:31:43,040
Speaker 2: these cameras near the dens.

640
00:31:44,680 --> 00:31:46,480
Speaker 8: Yeah, a lot of animals that your viewers might be

641
00:31:46,520 --> 00:31:47,040
Speaker 8: familiar with.

642
00:31:47,360 --> 00:31:48,440
Speaker 1: So we've seen.

643
00:31:49,800 --> 00:31:53,400
Speaker 8: Long shelled weasels, and there's a whole lot of wildlife

644
00:31:53,440 --> 00:31:56,920
Speaker 8: that we could see. But two really exciting ones that

645
00:31:57,000 --> 00:32:00,320
Speaker 8: we saw this past year were an elk came up

646
00:32:00,360 --> 00:32:02,000
Speaker 8: and actually put its face right in the camera and

647
00:32:02,120 --> 00:32:04,760
Speaker 8: checked it out, and then we saw a porcupine two

648
00:32:05,120 --> 00:32:07,720
Speaker 8: on the camera. So it's kind of a window into

649
00:32:07,800 --> 00:32:10,000
Speaker 8: all of the nature that you could see in this area.

650
00:32:10,600 --> 00:32:12,280
Speaker 2: Tell us about some of the highlights. What are the

651
00:32:12,360 --> 00:32:14,520
Speaker 2: best moments that your team is captured so far.

652
00:32:16,320 --> 00:32:18,280
Speaker 8: Yeah, Well, one of the amazing things is that we

653
00:32:18,320 --> 00:32:21,000
Speaker 8: can watch the snakes at night, and so that's when

654
00:32:21,040 --> 00:32:25,040
Speaker 8: we saw those other animals. But also it's a lot

655
00:32:25,040 --> 00:32:26,880
Speaker 8: of times when the snakes are getting birth, and so

656
00:32:28,040 --> 00:32:30,880
Speaker 8: last year we got to watch two pregnant females give

657
00:32:30,920 --> 00:32:33,440
Speaker 8: birth live to their pups on camera and zoom right

658
00:32:33,520 --> 00:32:36,360
Speaker 8: in see the snakes pop their head out of their

659
00:32:36,560 --> 00:32:39,680
Speaker 8: amniotic sac for the first time. You can see the placentas.

660
00:32:39,920 --> 00:32:44,800
Speaker 8: It's all like right there in really high definition, and

661
00:32:45,000 --> 00:32:46,960
Speaker 8: we can look so close at the snakes even that

662
00:32:47,040 --> 00:32:50,280
Speaker 8: we can see bugs, and you might not think that

663
00:32:50,320 --> 00:32:53,440
Speaker 8: bugs are that interesting, but we noticed these mosquito looking

664
00:32:53,480 --> 00:32:56,040
Speaker 8: things kind of dancing on the snakes, and we didn't

665
00:32:56,040 --> 00:32:58,560
Speaker 8: know what they were. But when we contacted an entomologist

666
00:32:58,640 --> 00:33:01,600
Speaker 8: who studied flies, he told us that they were these

667
00:33:01,600 --> 00:33:07,000
Speaker 8: psychoded flies that were actually looked like they were recording

668
00:33:07,560 --> 00:33:11,000
Speaker 8: females so that the female the male flies don't eat,

669
00:33:11,120 --> 00:33:13,480
Speaker 8: but the females feed on blood, and so that the

670
00:33:13,560 --> 00:33:15,960
Speaker 8: males were doing like a dance trying to lure the

671
00:33:16,000 --> 00:33:20,320
Speaker 8: female flies to mate with them on the battlesnakes, which

672
00:33:20,400 --> 00:33:23,000
Speaker 8: you know, there's no fly cameras, right, So but if

673
00:33:23,040 --> 00:33:26,040
Speaker 8: we can zoom in really well on this, it's providing

674
00:33:26,080 --> 00:33:28,160
Speaker 8: a window to other people who are just it in

675
00:33:28,360 --> 00:33:29,280
Speaker 8: totally different things too.

676
00:33:29,600 --> 00:33:31,680
Speaker 2: Yeah, and tell folks how they can support this work

677
00:33:31,760 --> 00:33:33,280
Speaker 2: and how they can watch the rattlecam.

678
00:33:34,720 --> 00:33:34,920
Speaker 4: Yeah.

679
00:33:35,040 --> 00:33:38,160
Speaker 8: So you can learn more about us at battlecam dot org.

680
00:33:38,720 --> 00:33:40,719
Speaker 8: And there we have a donate page where you can

681
00:33:40,760 --> 00:33:44,080
Speaker 8: support our education programs and research and it also links

682
00:33:44,160 --> 00:33:46,920
Speaker 8: right live to our YouTube. So project rattlecam is is

683
00:33:46,960 --> 00:33:48,480
Speaker 8: the name of our YouTube channel where you can go

684
00:33:48,600 --> 00:33:49,320
Speaker 8: and watch anytime.

685
00:33:49,640 --> 00:33:51,520
Speaker 2: Yeah, and I checked in four or five times this

686
00:33:51,640 --> 00:33:54,200
Speaker 2: week and preparing for the interview. Every time I open

687
00:33:54,240 --> 00:33:55,960
Speaker 2: it up there were rattlesnakes on the camera. I was

688
00:33:56,040 --> 00:33:58,960
Speaker 2: very impressed. It's it's twenty four to seven action on

689
00:33:59,080 --> 00:33:59,880
Speaker 2: those live cams.

690
00:34:01,120 --> 00:34:03,920
Speaker 8: It's pretty amazing. We had a camera set up in California,

691
00:34:04,040 --> 00:34:06,000
Speaker 8: and the densities of snakes here just aren't the same.

692
00:34:06,080 --> 00:34:08,400
Speaker 8: You know, we might see one to day or something

693
00:34:08,520 --> 00:34:12,239
Speaker 8: like that, but this is a really impressive site where yeah,

694
00:34:12,280 --> 00:34:13,640
Speaker 8: basically you can always see a snake.

695
00:34:13,760 --> 00:34:13,920
Speaker 1: Yeah.

696
00:34:13,920 --> 00:34:17,040
Speaker 2: And it feels more intimate too, because when I go

697
00:34:17,160 --> 00:34:20,040
Speaker 2: look at like a live bald eagle cam, there's fifty

698
00:34:20,080 --> 00:34:22,560
Speaker 2: thousand people watching. When I look at your rattlesnake camera,

699
00:34:22,760 --> 00:34:26,560
Speaker 2: there's like twenty five people watching. So we need more

700
00:34:26,680 --> 00:34:30,040
Speaker 2: shine on the rattlesnakes. Turn off the bald eagle cams,

701
00:34:30,080 --> 00:34:32,799
Speaker 2: go check out these rookeries that they have a live

702
00:34:32,880 --> 00:34:35,440
Speaker 2: look at. Thanks for joining us, and thanks for creating

703
00:34:35,480 --> 00:34:37,840
Speaker 2: a special way for people to interact with wildlife.

704
00:34:39,160 --> 00:34:40,400
Speaker 1: Thanks so much. It's my pleasure.

705
00:34:42,320 --> 00:34:44,560
Speaker 2: Randall. I saw you making a lot of faces over here.

706
00:34:44,640 --> 00:34:48,400
Speaker 4: Not a big snake guy, yeah, not a big snake guy. Serpents.

707
00:34:48,560 --> 00:34:51,640
Speaker 4: Give me the hebgb's I'm sure there's other folks out

708
00:34:51,680 --> 00:34:52,840
Speaker 4: there that feel similarly.

709
00:34:53,120 --> 00:34:53,400
Speaker 1: Me too.

710
00:34:53,560 --> 00:34:55,880
Speaker 2: I get a cold shiver anytime I see when it

711
00:34:55,960 --> 00:34:59,040
Speaker 2: can be the most harmless small snake. I was just

712
00:34:59,440 --> 00:35:01,680
Speaker 2: mushroom hung a week ago, came across four of them.

713
00:35:01,719 --> 00:35:05,520
Speaker 2: Every time I just like sends a chill from my ankle.

714
00:35:05,280 --> 00:35:05,759
Speaker 1: To my back.

715
00:35:06,080 --> 00:35:09,080
Speaker 4: Yeah, I hate it, hate it, hate it.

716
00:35:09,360 --> 00:35:11,879
Speaker 2: All right, we're having the show anything to him though,

717
00:35:11,920 --> 00:35:15,920
Speaker 2: you know, I'm very excited for this. I get plenty

718
00:35:15,960 --> 00:35:17,400
Speaker 2: of exposure. That's not the answer.

719
00:35:17,480 --> 00:35:20,399
Speaker 4: Good touches something in my deep caveman brain.

720
00:35:20,600 --> 00:35:23,439
Speaker 2: We're gonna get some listener feedback. I'm very excited about

721
00:35:23,480 --> 00:35:24,680
Speaker 2: this because it's all for Phil.

722
00:35:24,760 --> 00:35:24,960
Speaker 1: Phil.

723
00:35:25,040 --> 00:35:25,520
Speaker 2: What do we got?

724
00:35:25,880 --> 00:35:26,399
Speaker 1: Oh boy?

725
00:35:27,719 --> 00:35:27,839
Speaker 6: Uh?

726
00:35:28,239 --> 00:35:32,120
Speaker 3: First one, let's see, let's starts. It's warm, warm people

727
00:35:32,200 --> 00:35:33,319
Speaker 3: up here. I think I had one there.

728
00:35:34,320 --> 00:35:38,640
Speaker 1: Let's Fill's favorite band? Someone asked, Oh, yeah, my favorite band.

729
00:35:41,400 --> 00:35:45,520
Speaker 3: It's pretty close between Radiohead and an indie folk band

730
00:35:45,560 --> 00:35:49,279
Speaker 3: from Portland called The Decembris. I love them dearly. Colin

731
00:35:49,360 --> 00:35:51,879
Speaker 3: Malloy is a Montana native. The lead singer is also

732
00:35:52,200 --> 00:35:59,160
Speaker 3: an author, and their songs are nerdy literary storytelling set

733
00:35:59,239 --> 00:36:00,359
Speaker 3: to as music.

734
00:36:00,520 --> 00:36:02,320
Speaker 2: How many times have you seen Radiohead Live.

735
00:36:02,760 --> 00:36:04,879
Speaker 3: Radio had only once. They don't come here very often.

736
00:36:04,920 --> 00:36:08,120
Speaker 3: I saw them on the n Rainbows tour in eight

737
00:36:08,520 --> 00:36:12,080
Speaker 3: and it was incredible. I've seen I've seen The Decembrist

738
00:36:12,160 --> 00:36:15,719
Speaker 3: probably a dozen times though, because they around the West

739
00:36:15,760 --> 00:36:16,880
Speaker 3: Coast and and Montana.

740
00:36:17,080 --> 00:36:18,120
Speaker 2: All right, Phil, give us some more.

741
00:36:18,200 --> 00:36:21,520
Speaker 3: Phil, Let's see this is specifically for this one guy.

742
00:36:21,560 --> 00:36:23,759
Speaker 3: I'm sure have you played Expedition thirty three yet? If so,

743
00:36:23,880 --> 00:36:25,400
Speaker 3: what do we think? The answer is? Yes, I beat it.

744
00:36:25,480 --> 00:36:26,880
Speaker 3: It rules my game of the year so far.

745
00:36:27,360 --> 00:36:28,920
Speaker 1: Wow. Phil.

746
00:36:29,360 --> 00:36:32,480
Speaker 3: Kingdom Hearts Guy. For those of you who don't know,

747
00:36:32,640 --> 00:36:35,840
Speaker 3: Kingdom Hearts is a Japanese action RPG game that melds

748
00:36:35,920 --> 00:36:38,480
Speaker 3: that was like a multiversal project that mixed the worlds

749
00:36:38,480 --> 00:36:41,960
Speaker 3: of Final Fantasy and Disney IP. It seemed insane at

750
00:36:41,960 --> 00:36:44,080
Speaker 3: the time. I was obsessed with this game.

751
00:36:44,239 --> 00:36:45,799
Speaker 2: Aren't they unlike the twentieth edition?

752
00:36:45,840 --> 00:36:46,000
Speaker 7: Now?

753
00:36:46,239 --> 00:36:48,920
Speaker 3: Yeah, there's been many spinoffs, each one more insane and

754
00:36:49,040 --> 00:36:51,400
Speaker 3: preposterous than than the last season.

755
00:36:51,440 --> 00:36:51,840
Speaker 1: It's still on.

756
00:36:51,880 --> 00:36:53,960
Speaker 4: There's commercials for during the NBA playoffs.

757
00:36:55,400 --> 00:36:57,200
Speaker 2: I don't think so. I don't know what they have

758
00:36:57,280 --> 00:36:57,800
Speaker 2: commercials for.

759
00:36:58,160 --> 00:37:00,879
Speaker 4: Lebron does a commercial? Okay, game on a phone.

760
00:37:01,200 --> 00:37:01,440
Speaker 2: I was.

761
00:37:01,640 --> 00:37:03,359
Speaker 3: I was so obsessed with this game. It came out

762
00:37:03,440 --> 00:37:06,160
Speaker 3: on my seventh grade picture day. I brought the I

763
00:37:06,280 --> 00:37:08,160
Speaker 3: brought the case to my school and asked if I

764
00:37:08,160 --> 00:37:09,759
Speaker 3: could hold it up in my school picture and they

765
00:37:09,800 --> 00:37:13,919
Speaker 3: said no, and I will devastate it. Phil, I hyped

766
00:37:13,960 --> 00:37:16,239
Speaker 3: you for GTA six, pretty hyped. I really enjoy the

767
00:37:16,320 --> 00:37:18,680
Speaker 3: GTA games and I but I never get into online.

768
00:37:18,680 --> 00:37:20,520
Speaker 3: I play the campaign, the story mode, I have a

769
00:37:20,560 --> 00:37:22,839
Speaker 3: great time. It's it's a blast, a lot of fun,

770
00:37:22,880 --> 00:37:23,839
Speaker 3: and then I put it away.

771
00:37:24,600 --> 00:37:26,040
Speaker 2: These are great. Give us some more films.

772
00:37:26,040 --> 00:37:28,200
Speaker 4: Okay, uh, quick hitters love it?

773
00:37:28,440 --> 00:37:28,960
Speaker 1: Oh boy?

774
00:37:29,000 --> 00:37:31,160
Speaker 3: I think I saw one that was like death Row Meal.

775
00:37:32,520 --> 00:37:34,560
Speaker 3: I might have not started that one. But death Row

776
00:37:34,640 --> 00:37:37,840
Speaker 3: Meal simple just a really good fish and chips with

777
00:37:38,000 --> 00:37:41,400
Speaker 3: a tartar sauce and malt and malt vinegar and a

778
00:37:41,480 --> 00:37:45,880
Speaker 3: multi beer, uh preferably. But I'm I'm really not picky.

779
00:37:45,960 --> 00:37:48,279
Speaker 3: I had I'm not pick pit picky with who fish

780
00:37:48,320 --> 00:37:48,520
Speaker 3: at all?

781
00:37:48,560 --> 00:37:50,320
Speaker 2: Who does good fish and chips? And Bozeman?

782
00:37:51,239 --> 00:37:53,640
Speaker 3: Oh, I mean, not not a lot. I'd say, like

783
00:37:53,760 --> 00:37:56,640
Speaker 3: the Bocus is solid. I don't know if you guys

784
00:37:56,680 --> 00:37:58,759
Speaker 3: have any of any tis the Boccus is like my

785
00:37:58,880 --> 00:38:00,600
Speaker 3: number one go to in in Bozeman.

786
00:38:01,400 --> 00:38:05,359
Speaker 2: Is it goot Lawn? Is that the German like their

787
00:38:05,400 --> 00:38:05,879
Speaker 2: fish and chip?

788
00:38:06,040 --> 00:38:07,600
Speaker 3: I haven't had it, but I love the idea of

789
00:38:07,600 --> 00:38:08,960
Speaker 3: having it there because that you can get the big

790
00:38:09,040 --> 00:38:13,359
Speaker 3: german German steins of beer. There's a couple more, Phil,

791
00:38:13,400 --> 00:38:16,760
Speaker 3: What game are you playing right now? I just played

792
00:38:16,840 --> 00:38:20,440
Speaker 3: Death Stranding in anticipation of Death Stranding two coming out

793
00:38:20,480 --> 00:38:22,480
Speaker 3: later this month. But also I was telling the boys

794
00:38:22,520 --> 00:38:26,080
Speaker 3: in here before we started, I have an unboxed Nintendo

795
00:38:26,160 --> 00:38:27,960
Speaker 3: switch to upstairs in my office and we can just

796
00:38:28,000 --> 00:38:29,880
Speaker 3: turn the whole Q and A session into an unboxing

797
00:38:29,960 --> 00:38:40,279
Speaker 3: video if you guys want to, Uh, let's let's let's

798
00:38:40,320 --> 00:38:40,960
Speaker 3: let's call it there.

799
00:38:41,040 --> 00:38:44,360
Speaker 2: If he was going to have to share his switch

800
00:38:44,440 --> 00:38:48,239
Speaker 2: to with those Torp children he has, what was your answer, Phil? No?

801
00:38:48,400 --> 00:38:50,840
Speaker 3: They they all they got their own switches for Christmas,

802
00:38:51,239 --> 00:38:54,120
Speaker 3: and part of that was so when the Switch two

803
00:38:54,200 --> 00:38:56,399
Speaker 3: came out it could be mostly mine.

804
00:38:56,560 --> 00:38:58,600
Speaker 2: Yeah, good parenting advice there from Phil.

805
00:38:59,000 --> 00:38:59,160
Speaker 1: Yeah.

806
00:38:59,200 --> 00:39:02,600
Speaker 3: And I'll do one one actual question for meat eater fans,

807
00:39:03,239 --> 00:39:06,399
Speaker 3: And because the honest is here, Odie the Good Shepherd asks,

808
00:39:06,440 --> 00:39:09,879
Speaker 3: how's mingus doing? And how's this training coming along? Kind

809
00:39:09,920 --> 00:39:11,759
Speaker 3: regards on the other side of the pond out of

810
00:39:12,080 --> 00:39:13,600
Speaker 3: Rotterdam in another ONLD.

811
00:39:13,480 --> 00:39:17,520
Speaker 4: That's a hell of a port. Yeah, a lot of traffic.

812
00:39:17,719 --> 00:39:19,440
Speaker 1: Yeah, what do they mostly move through there?

813
00:39:19,800 --> 00:39:22,000
Speaker 4: Whatever? Just shipping.

814
00:39:22,840 --> 00:39:27,560
Speaker 1: Okay, Mingus is doing it, doing great. Uh, he's kind

815
00:39:27,600 --> 00:39:31,120
Speaker 1: of trained up. My main mentor says that Mingus is

816
00:39:31,160 --> 00:39:33,200
Speaker 1: as much of a lion dog as he's ever going

817
00:39:33,280 --> 00:39:36,480
Speaker 1: to be, and he's not going to get any better.

818
00:39:36,640 --> 00:39:39,399
Speaker 1: But he's great right now. He does his thing. So yeah,

819
00:39:39,520 --> 00:39:43,800
Speaker 1: we're we're having fun. Season's over, so we're you know,

820
00:39:43,960 --> 00:39:45,600
Speaker 1: Mingus is waiting for December first.

821
00:39:45,640 --> 00:39:47,640
Speaker 2: At this point, how long will he be at the

822
00:39:47,680 --> 00:39:51,120
Speaker 2: mountain top of his like best? I don't know lion hunting.

823
00:39:51,560 --> 00:39:53,040
Speaker 2: Did they start to go downhill at some point? I

824
00:39:53,080 --> 00:39:54,280
Speaker 2: suppose their physical fitness?

825
00:39:55,160 --> 00:39:57,440
Speaker 1: Yeah, But I think that the you know, the older

826
00:39:57,480 --> 00:40:00,120
Speaker 1: the dogs get, maybe they get more efficient, Maybe it

827
00:40:00,200 --> 00:40:04,719
Speaker 1: gets you know, smarter about how they run tracks. I thing,

828
00:40:04,840 --> 00:40:08,440
Speaker 1: this doesn't seem to be a real genius, So I

829
00:40:08,440 --> 00:40:11,640
Speaker 1: don't know if that's gonna happen with him. But I

830
00:40:11,680 --> 00:40:14,080
Speaker 1: don't know. He's only four now. I guess there'll be

831
00:40:14,200 --> 00:40:18,640
Speaker 1: five this fall, So I imagine he's got at least

832
00:40:19,239 --> 00:40:21,160
Speaker 1: that many more good years in his prime.

833
00:40:22,360 --> 00:40:25,600
Speaker 2: All right, moving on, Our next segment is Meat Eater

834
00:40:25,680 --> 00:40:28,520
Speaker 2: Movie Club. This week we're reviewing the twenty twenty two

835
00:40:28,640 --> 00:40:30,160
Speaker 2: comedy Hundreds of Beavers.

836
00:40:38,960 --> 00:40:43,320
Speaker 4: I've just passed out a few scripts. Your lines are highlighted, Corey,

837
00:40:43,400 --> 00:40:44,240
Speaker 4: if you'll begin.

838
00:40:44,239 --> 00:40:46,239
Speaker 3: Oh okay, Oh hold on, Corey, I gotta turn your

839
00:40:46,239 --> 00:40:46,719
Speaker 3: mic on here.

840
00:40:47,880 --> 00:40:50,239
Speaker 2: They did not know about this was that you were

841
00:40:50,480 --> 00:40:52,719
Speaker 2: you were intentionally leaving this at this very moment.

842
00:40:52,840 --> 00:40:54,719
Speaker 4: Yeah, this is why I was so concerned that the

843
00:40:54,800 --> 00:40:59,000
Speaker 4: printer was working for me earlier. Perfect. So Corey, Yeah,

844
00:40:59,040 --> 00:40:59,960
Speaker 4: your lines are highlighted.

845
00:41:00,200 --> 00:41:00,560
Speaker 5: Am I on?

846
00:41:00,719 --> 00:41:01,600
Speaker 1: Phil, You're on.

847
00:41:01,680 --> 00:41:03,799
Speaker 3: And also, for those of you wondering this, these other

848
00:41:03,920 --> 00:41:06,239
Speaker 3: man sitting at the table, is he's Jake. He's gonna

849
00:41:06,239 --> 00:41:08,480
Speaker 3: be He's our newest addition to the podcast team. He's

850
00:41:08,480 --> 00:41:12,520
Speaker 3: gonna be doing some stuff for Radio Live after they're

851
00:41:12,520 --> 00:41:16,120
Speaker 3: starting at the end of the month. So Hi, Hi Jake. Anyway, Corey,

852
00:41:16,280 --> 00:41:16,680
Speaker 3: go ahead.

853
00:41:17,680 --> 00:41:22,040
Speaker 6: The setting is the podcast studio Meat Eater, Headquarters, Bozeman, Montana.

854
00:41:22,840 --> 00:41:24,839
Speaker 1: It's eleven one eight.

855
00:41:24,920 --> 00:41:27,080
Speaker 4: No, no, you're supposed to read it as if it's

856
00:41:27,160 --> 00:41:29,440
Speaker 4: before the show. Just read it as written.

857
00:41:30,120 --> 00:41:31,560
Speaker 2: Jesus, A lot of work put into this.

858
00:41:31,640 --> 00:41:34,920
Speaker 6: It's ten twenty eight am on Thursday, June fifth, thirty

859
00:41:34,960 --> 00:41:37,600
Speaker 6: two minutes before the recording of Meat Eater Radio Live

860
00:41:37,760 --> 00:41:38,879
Speaker 6: Episode forty one.

861
00:41:40,000 --> 00:41:42,920
Speaker 4: Hey, good morning Randall, Good morning Phil the Engineer. Do

862
00:41:42,960 --> 00:41:44,799
Speaker 4: you have all your jingles lined up for the show?

863
00:41:45,160 --> 00:41:45,399
Speaker 1: Yes?

864
00:41:45,719 --> 00:41:47,520
Speaker 3: All set on that front. Are you ready for me

865
00:41:47,560 --> 00:41:50,359
Speaker 3: to eater Movie Club today? I think the whole movie

866
00:41:50,440 --> 00:41:53,680
Speaker 3: club segment has played out. My monologues just get longer

867
00:41:53,719 --> 00:41:56,560
Speaker 3: and longer. The tone has gotten darker and darker. The

868
00:41:56,680 --> 00:41:59,799
Speaker 3: references are just too obscure. I think the jokes run

869
00:41:59,840 --> 00:42:02,360
Speaker 3: it course, it's tired, and my heart's just not in

870
00:42:02,440 --> 00:42:05,560
Speaker 3: it anymore. Well, at least we've got a great film

871
00:42:05,600 --> 00:42:07,600
Speaker 3: to discuss today, right. I saw that the movie you've

872
00:42:07,600 --> 00:42:09,439
Speaker 3: selected for this week as a score of ninety seven

873
00:42:09,480 --> 00:42:12,680
Speaker 3: percent on Rotten Tomatoes. What's it called, hundreds of Beavers?

874
00:42:12,920 --> 00:42:15,960
Speaker 4: Yes, that's exactly right, hundreds of Beavers twenty twenty two,

875
00:42:16,080 --> 00:42:20,400
Speaker 4: directed by Mike Cheslick and starring Ryland Bricks and Coal Tews.

876
00:42:20,680 --> 00:42:23,439
Speaker 4: And yeah, I was a little surprised by that Rotten

877
00:42:23,480 --> 00:42:26,360
Speaker 4: Tomatoes score, as well as the critical acclaim I saw online.

878
00:42:28,800 --> 00:42:31,400
Speaker 3: Why so, Well, I just I'm not even sure what

879
00:42:31,520 --> 00:42:36,920
Speaker 3: to make of the film. It was about trapping right loosely.

880
00:42:36,800 --> 00:42:39,360
Speaker 4: Well, no, it is in the same way that Space

881
00:42:39,480 --> 00:42:42,560
Speaker 4: Jam is about basketball, or maybe just a little less

882
00:42:42,600 --> 00:42:45,240
Speaker 4: than that. There's a man who begins as a drunkard,

883
00:42:45,520 --> 00:42:47,960
Speaker 4: something to do with apples. It's also very cold out,

884
00:42:48,120 --> 00:42:50,719
Speaker 4: and he catches some fish with his fingers, and then

885
00:42:50,760 --> 00:42:52,719
Speaker 4: he spends much of the film getting hurt while trying

886
00:42:52,760 --> 00:42:55,920
Speaker 4: to catch critters of all kinds and increasingly elaborate traps

887
00:42:55,960 --> 00:43:00,640
Speaker 4: and schemes. Half the time his plans backfire spectacular but

888
00:43:00,840 --> 00:43:04,040
Speaker 4: large men in furry like beaver costumes are killed and skinned. Yes,

889
00:43:04,280 --> 00:43:06,920
Speaker 4: and the plot does involve the accumulation of bodies of

890
00:43:07,000 --> 00:43:10,480
Speaker 4: dead beaver men. But then the beavers hold a Soviet

891
00:43:10,560 --> 00:43:13,360
Speaker 4: style show trial for the lead character before attempting to

892
00:43:13,400 --> 00:43:15,520
Speaker 4: skin him and make a coat out of him. And

893
00:43:15,600 --> 00:43:19,080
Speaker 4: there's a weird rocket ship at the end. It's partially animated.

894
00:43:19,120 --> 00:43:21,320
Speaker 4: There's sort of a weird video game like quality to

895
00:43:21,400 --> 00:43:23,720
Speaker 4: the whole thing. Ah, maybe it is more like Space

896
00:43:23,800 --> 00:43:26,200
Speaker 4: Jam than I thought. And the whole thing's in black

897
00:43:26,280 --> 00:43:28,200
Speaker 4: and white. It's just a lot of weird stuff.

898
00:43:28,760 --> 00:43:29,200
Speaker 1: I don't know.

899
00:43:30,040 --> 00:43:32,800
Speaker 4: The chat might be disappointed with this segment today, but

900
00:43:32,880 --> 00:43:34,799
Speaker 4: at least it's not because they had to sit through

901
00:43:34,880 --> 00:43:38,520
Speaker 4: yet another heavy handed film analysis in Migrating Monotone delivery.

902
00:43:39,280 --> 00:43:43,640
Speaker 3: Oh man, wow, yikes, were there any highlights?

903
00:43:44,440 --> 00:43:46,520
Speaker 4: Well, the thing that immediately comes to mind is the

904
00:43:46,600 --> 00:43:50,640
Speaker 4: sound design. Absolutely fantastic. Lots of rattles and crashes and

905
00:43:50,719 --> 00:43:53,520
Speaker 4: whistles and bonks. Brought me right back to the golden

906
00:43:53,560 --> 00:43:56,680
Speaker 4: age of Tinseltown. Above and beyond that, I guess I

907
00:43:56,840 --> 00:43:59,920
Speaker 4: just admire the commitment of the whole vision.

908
00:44:00,600 --> 00:44:04,520
Speaker 3: The commitment to what exactly it's a comedy right, Well.

909
00:44:04,520 --> 00:44:06,640
Speaker 4: Yeah, I suppose it is, but it's not that simple.

910
00:44:07,080 --> 00:44:10,400
Speaker 4: It's more like a chaotic, avant garde comedic experiment that

911
00:44:10,520 --> 00:44:13,920
Speaker 4: defies the conventions of mainstream filmmaking in the twenty first century.

912
00:44:14,480 --> 00:44:16,600
Speaker 4: Yet at the same time, it's clearly in conversation with

913
00:44:16,640 --> 00:44:20,279
Speaker 4: a variety of cinematic touch points. It's got Slapstick's sensibility,

914
00:44:20,400 --> 00:44:23,480
Speaker 4: like three Stooges and Merry Melodies. We see traces of

915
00:44:23,560 --> 00:44:26,600
Speaker 4: the stop motion aesthetics of South Park and tonally, there's

916
00:44:26,600 --> 00:44:29,560
Speaker 4: a little bit of bert Ives Christmas specials. On top

917
00:44:29,640 --> 00:44:31,720
Speaker 4: of that, the dramatic arc of the film is basically

918
00:44:31,840 --> 00:44:33,680
Speaker 4: just a simplified version of the best eight and a

919
00:44:33,680 --> 00:44:36,680
Speaker 4: half minutes of Home Alone. That is, the first Home Alone,

920
00:44:36,960 --> 00:44:39,719
Speaker 4: the one where mccullay Culkin's character is actually alone at

921
00:44:39,760 --> 00:44:41,680
Speaker 4: home and not at the Plaza Hotel in New York

922
00:44:41,760 --> 00:44:44,800
Speaker 4: City of course. Yeah, and throughout the whole film, the

923
00:44:44,880 --> 00:44:48,120
Speaker 4: main character just grunts and makes faces surrounded by actors

924
00:44:48,200 --> 00:44:50,960
Speaker 4: and animal costumes that are eerily reminiscent of the rabbit

925
00:44:51,080 --> 00:44:53,839
Speaker 4: figure in Donnie Darko. I also have to point out,

926
00:44:53,960 --> 00:44:56,400
Speaker 4: only because it bothered me so much, that there's a

927
00:44:56,480 --> 00:44:59,320
Speaker 4: brief nod in one scene to that terrible dogs playing poker,

928
00:44:59,400 --> 00:45:02,080
Speaker 4: painting soft and displayed in suburban wreck rooms in American

929
00:45:02,160 --> 00:45:06,279
Speaker 4: casual dining chains with friendly atmospheres, like, for example, Applebee's,

930
00:45:06,360 --> 00:45:10,880
Speaker 4: TGI Fridays, Oh Charlie's and Chili's, or Benigans, But that's

931
00:45:10,920 --> 00:45:13,440
Speaker 4: a more obscure reference because there aren't many Benigans around

932
00:45:13,480 --> 00:45:16,319
Speaker 4: in these days since the parent company, Metromedia Restaurant Group,

933
00:45:16,440 --> 00:45:19,399
Speaker 4: was forced into an involuntary Chapter seven bankruptcy in two

934
00:45:19,400 --> 00:45:22,239
Speaker 4: thousand and eight. According to Benigans, dot Com. Only six

935
00:45:22,360 --> 00:45:26,040
Speaker 4: full service, free standing locations remain open in the US WOW,

936
00:45:26,320 --> 00:45:28,720
Speaker 4: two in Texas, two and Iowa, one in North Dakota,

937
00:45:28,719 --> 00:45:29,600
Speaker 4: and one in Illinois.

938
00:45:29,920 --> 00:45:30,799
Speaker 1: Although don't quote me.

939
00:45:30,840 --> 00:45:32,600
Speaker 4: On that because I don't know if those are corporate

940
00:45:32,680 --> 00:45:36,160
Speaker 4: locations or if that's inclusive of franchises. Regardless, it's a

941
00:45:36,200 --> 00:45:38,400
Speaker 4: striking number, considering at one point there were more than

942
00:45:38,400 --> 00:45:40,480
Speaker 4: one hundred and fifty corporate Benegans locations.

943
00:45:40,600 --> 00:45:43,440
Speaker 3: My goodness, that's interesting to learn about how few Benegans

944
00:45:43,480 --> 00:45:46,160
Speaker 3: there are in the United States. I guess I'd noticed

945
00:45:46,160 --> 00:45:48,640
Speaker 3: that their footprint had shrunk considerably since I was younger,

946
00:45:48,680 --> 00:45:50,160
Speaker 3: but I didn't quite know the backstory.

947
00:45:50,400 --> 00:45:52,239
Speaker 4: Yeah, but a growing part of the business now is

948
00:45:52,280 --> 00:45:55,279
Speaker 4: a derivative quick serve, fast casual concept, Benigan's on the

949
00:45:55,320 --> 00:45:59,480
Speaker 4: Fly that's geared more towards high traffic locations like food courts, airports,

950
00:45:59,520 --> 00:46:03,719
Speaker 4: arenas university campuses. They offer fresh, innovative selections, as well

951
00:46:03,719 --> 00:46:07,240
Speaker 4: as some customer favorites from the traditional Benigans menu, including

952
00:46:07,280 --> 00:46:12,560
Speaker 4: the Monte Cristo and the Turkey Tools spencer your laughing

953
00:46:12,920 --> 00:46:14,280
Speaker 4: stop stop.

954
00:46:14,400 --> 00:46:17,399
Speaker 3: I appreciate that information on Benegans on the Fly, which

955
00:46:17,440 --> 00:46:18,920
Speaker 3: I hadn't heard of until just now.

956
00:46:19,920 --> 00:46:23,360
Speaker 4: Looking to the future, the company has plans to expand

957
00:46:23,400 --> 00:46:27,240
Speaker 4: its already strong international presence, which includes multiple locations throughout

958
00:46:27,280 --> 00:46:30,000
Speaker 4: Central America, as well as two in ball Rain two

959
00:46:30,080 --> 00:46:33,440
Speaker 4: and Guitar two in Dubai, and curiously four in Cyprus.

960
00:46:34,040 --> 00:46:36,880
Speaker 4: Coming soon, there's a location in Pakistan two. These are

961
00:46:36,920 --> 00:46:39,160
Speaker 4: all full service locations, by the way, just like the

962
00:46:39,200 --> 00:46:42,680
Speaker 4: original Betigans. God damn it, I got sad tracked last

963
00:46:42,760 --> 00:46:45,040
Speaker 4: night prepping for this show by reading about the resurrection

964
00:46:45,120 --> 00:46:47,560
Speaker 4: of the Betgans. Brandon, I'm falling into the same trap again.

965
00:46:48,000 --> 00:46:50,160
Speaker 4: We can't get distracted, Phil, We've got to figure out

966
00:46:50,200 --> 00:46:53,279
Speaker 4: this movie club segment. Anyway, Back to the topic at hand,

967
00:46:53,400 --> 00:46:57,520
Speaker 4: Hundreds of Beavers also includes these surreal sequences where reality

968
00:46:57,680 --> 00:46:59,920
Speaker 4: just bends bends.

969
00:47:00,160 --> 00:47:01,400
Speaker 3: How picture this.

970
00:47:01,680 --> 00:47:04,880
Speaker 4: A wet piece of firewood is actually a log shaped pillow,

971
00:47:05,000 --> 00:47:06,600
Speaker 4: so our hero is able to wring it out like

972
00:47:06,680 --> 00:47:09,560
Speaker 4: a sponge. Or the fur trader spits his chaw of

973
00:47:09,640 --> 00:47:12,560
Speaker 4: tobacco towards a spittoon, and then the plug just curves

974
00:47:12,600 --> 00:47:14,520
Speaker 4: wildly through the air so it never lands in the

975
00:47:14,560 --> 00:47:17,960
Speaker 4: intended receptacle until the very end, symbolizing the resolution of

976
00:47:18,000 --> 00:47:20,320
Speaker 4: the conflict at the heart of the film. The physical

977
00:47:20,440 --> 00:47:22,960
Speaker 4: universe of hundreds of beavers makes no sense, but somehow

978
00:47:23,000 --> 00:47:25,000
Speaker 4: it works with its own hallucinogenic logic.

979
00:47:25,440 --> 00:47:27,000
Speaker 3: And this goes on for how long?

980
00:47:27,200 --> 00:47:29,440
Speaker 4: Well, I figured it would go on for about five minutes,

981
00:47:29,520 --> 00:47:32,000
Speaker 4: but it seems like it's going longer than that. No,

982
00:47:32,800 --> 00:47:35,040
Speaker 4: I mean the movie, oh, of course, an hour and

983
00:47:35,120 --> 00:47:37,560
Speaker 4: forty eight minutes. I checked my phone a lot, actually,

984
00:47:37,640 --> 00:47:40,480
Speaker 4: mostly reading about Bennigan's thinking we are surely near the end.

985
00:47:40,600 --> 00:47:43,719
Speaker 4: But no, the movie just kept going. More encounters with

986
00:47:43,760 --> 00:47:46,600
Speaker 4: people in animal suits, more elaborate failures, more falling in

987
00:47:46,640 --> 00:47:48,840
Speaker 4: the snow, more rolling in the snow, more grunting, and

988
00:47:48,920 --> 00:47:49,440
Speaker 4: more yelling.

989
00:47:49,800 --> 00:47:51,320
Speaker 3: Do you think Spencer and Giannis enjoyed it?

990
00:47:52,040 --> 00:47:54,520
Speaker 4: That's doubtful. I think it's too far out and left

991
00:47:54,560 --> 00:47:57,719
Speaker 4: field creatively, speaking for Spencer's taste, and you're honess, Well,

992
00:47:58,239 --> 00:48:00,560
Speaker 4: I know he appreciates good filmmaking and has a very

993
00:48:00,640 --> 00:48:03,480
Speaker 4: open minded sensibility, but I'm not sure even he can

994
00:48:03,560 --> 00:48:06,479
Speaker 4: make sense of whatever this is trying to be shit.

995
00:48:07,000 --> 00:48:09,040
Speaker 3: Sounds like movie Club might be a pretty tough segment.

996
00:48:09,239 --> 00:48:11,640
Speaker 3: I'm pretty sure Spencer's got ten or fifteen minutes dedicated

997
00:48:11,680 --> 00:48:13,319
Speaker 3: to it in the rerun of the show. The show

998
00:48:13,360 --> 00:48:15,160
Speaker 3: will be recording in less than an hour.

999
00:48:15,480 --> 00:48:18,120
Speaker 4: Don't worry, we can fill it out somehow. Too bad,

1000
00:48:18,200 --> 00:48:20,840
Speaker 4: we can't include all of that good information about Bennigans.

1001
00:48:21,040 --> 00:48:23,480
Speaker 4: That's fun pre show banter, but not exactly what the

1002
00:48:23,600 --> 00:48:27,160
Speaker 4: radio live audience is tuning in for totally. The thing is,

1003
00:48:27,280 --> 00:48:30,160
Speaker 4: I can't shake the feeling that there's something profoundly lovable

1004
00:48:30,200 --> 00:48:32,920
Speaker 4: about the madness of this film, Like you've got to

1005
00:48:32,960 --> 00:48:37,040
Speaker 4: admire an unshaking conviction to an absurd premise. You just

1006
00:48:37,160 --> 00:48:39,399
Speaker 4: come up with something completely bonkers and take it all.

1007
00:48:39,360 --> 00:48:41,480
Speaker 3: The way, so you respect it even if you don't

1008
00:48:41,520 --> 00:48:42,080
Speaker 3: fully get it.

1009
00:48:42,600 --> 00:48:44,120
Speaker 4: You know, the more I think about it, the more

1010
00:48:44,160 --> 00:48:46,239
Speaker 4: I like it. Actually, I just love stuff that is

1011
00:48:46,360 --> 00:48:49,520
Speaker 4: genuine in its weirdness. There's no cynicism, there's no winking

1012
00:48:49,560 --> 00:48:52,600
Speaker 4: at the camera. There's just a bold, unadulterated fever dream

1013
00:48:52,640 --> 00:48:55,120
Speaker 4: of a concept that doesn't shy away from the gaze

1014
00:48:55,160 --> 00:48:55,640
Speaker 4: of the critic.

1015
00:48:56,560 --> 00:48:58,480
Speaker 3: Well, what will you say on air? We're going live

1016
00:48:58,520 --> 00:48:58,960
Speaker 3: at eleven.

1017
00:48:59,360 --> 00:49:01,759
Speaker 4: I wasn't quite it's sure before this conversation, Phil, but

1018
00:49:01,840 --> 00:49:04,279
Speaker 4: it's becoming clear and clear as we talk. There's an

1019
00:49:04,320 --> 00:49:06,800
Speaker 4: interesting tension here. On the one hand, put yourselves in

1020
00:49:06,840 --> 00:49:08,839
Speaker 4: the shoes of the makers of this film. You are

1021
00:49:08,880 --> 00:49:11,520
Speaker 4: truly inspired by a creative concept, so over the top,

1022
00:49:11,840 --> 00:49:14,000
Speaker 4: so wrapped up in its own bizarre vision, that you've

1023
00:49:14,040 --> 00:49:16,879
Speaker 4: just got to run with it, and you can't half asset. Sure,

1024
00:49:17,000 --> 00:49:19,480
Speaker 4: sometimes it might leave yours wondering what the hell was that,

1025
00:49:19,920 --> 00:49:22,840
Speaker 4: But there's something joyful and beautiful in the deliberate insanity

1026
00:49:22,920 --> 00:49:23,239
Speaker 4: of it all.

1027
00:49:23,480 --> 00:49:24,200
Speaker 3: Yeah, I get that.

1028
00:49:25,000 --> 00:49:27,360
Speaker 4: On the other hand, if you're so committed to producing

1029
00:49:27,440 --> 00:49:30,680
Speaker 4: something in keeping with your own comedic sensibilities, damn the viewer,

1030
00:49:31,080 --> 00:49:34,240
Speaker 4: you run the risk of losing the audience's attention, maybe

1031
00:49:34,280 --> 00:49:38,120
Speaker 4: even earning its resentment. And point is, at that point,

1032
00:49:38,160 --> 00:49:40,840
Speaker 4: you're just doing it for your own amusement, completely for

1033
00:49:40,920 --> 00:49:44,000
Speaker 4: your own amusement. And here's the big question. Is that

1034
00:49:44,120 --> 00:49:47,640
Speaker 4: type of content just masturbatory, self indulgent on the part

1035
00:49:47,680 --> 00:49:50,680
Speaker 4: of the artist film or is it a truer expression

1036
00:49:50,840 --> 00:49:53,080
Speaker 4: of creative integrity that.

1037
00:49:54,480 --> 00:49:57,680
Speaker 3: Well, geez, that's actually not a bad angle for movie club,

1038
00:49:57,960 --> 00:49:59,640
Speaker 3: assuming you're still talking about the film.

1039
00:50:00,400 --> 00:50:03,160
Speaker 4: Precisely, my friend, precisely.

1040
00:50:03,600 --> 00:50:08,440
Speaker 6: End scene, Wow, fade to black, Thank you, audience goes nuts.

1041
00:50:08,920 --> 00:50:13,399
Speaker 2: Yes they are. I gotta catch my breath. I didn't

1042
00:50:13,480 --> 00:50:14,280
Speaker 2: have to read anything.

1043
00:50:14,360 --> 00:50:17,920
Speaker 4: Oh man. I actually liked this movie more than I

1044
00:50:18,360 --> 00:50:21,280
Speaker 4: made it seem. I started working on this about halfway

1045
00:50:21,360 --> 00:50:23,000
Speaker 4: through when I wasn't sure when to make of it.

1046
00:50:23,080 --> 00:50:24,399
Speaker 4: But at the end of it it won me over.

1047
00:50:24,840 --> 00:50:26,360
Speaker 4: But I thought this was such a good bit that

1048
00:50:26,400 --> 00:50:27,160
Speaker 4: I couldn't let it go.

1049
00:50:27,480 --> 00:50:31,680
Speaker 3: Randall, I am glad you didn't. That was spectacular broken.

1050
00:50:32,120 --> 00:50:33,280
Speaker 1: Thank you so much, Broke.

1051
00:50:33,520 --> 00:50:35,760
Speaker 4: I told you someone was gonna cry in this building today.

1052
00:50:37,960 --> 00:50:43,480
Speaker 2: Randall correctly predicted someone would cry, and I have laughing tears.

1053
00:50:46,760 --> 00:50:50,040
Speaker 4: Thanks to Mogor for a very strange film.

1054
00:50:52,880 --> 00:50:55,080
Speaker 1: Yeah. I don't know how we had not heard about

1055
00:50:55,400 --> 00:50:56,040
Speaker 1: this film.

1056
00:50:56,120 --> 00:50:56,920
Speaker 4: Well, it's very new.

1057
00:50:57,040 --> 00:50:57,200
Speaker 2: It was.

1058
00:50:57,360 --> 00:51:02,440
Speaker 4: It was only released and the two the star and

1059
00:51:02,560 --> 00:51:05,480
Speaker 4: the director wrote it and they released it at a

1060
00:51:05,560 --> 00:51:09,120
Speaker 4: film festival and then they I guess a studio attempted

1061
00:51:09,160 --> 00:51:10,880
Speaker 4: to distribute it and they just wanted it to go

1062
00:51:11,000 --> 00:51:12,360
Speaker 4: to like streaming platforms, and it.

1063
00:51:12,360 --> 00:51:13,960
Speaker 2: Didn't even make it to streaming I think until like

1064
00:51:14,000 --> 00:51:14,880
Speaker 2: twenty twenty four.

1065
00:51:14,840 --> 00:51:15,680
Speaker 4: Yeah, or something like that.

1066
00:51:16,760 --> 00:51:18,919
Speaker 3: Yeah, I thought this movie was a lot of fun.

1067
00:51:19,000 --> 00:51:22,360
Speaker 3: I think like Randall said in his in his commentary,

1068
00:51:22,960 --> 00:51:25,600
Speaker 3: it's a little long in the tooth, but percent man,

1069
00:51:25,800 --> 00:51:29,360
Speaker 3: so many creative gags like it was. I couldn't believe

1070
00:51:29,440 --> 00:51:33,160
Speaker 3: just how much stuff was unexpected or genuinely funny. I'd

1071
00:51:33,200 --> 00:51:36,279
Speaker 3: say that the jokes worked more than they didn't for me,

1072
00:51:36,520 --> 00:51:38,760
Speaker 3: which is, you know, key to a good comedy.

1073
00:51:38,840 --> 00:51:41,160
Speaker 2: Yeah, things I like, the music was great. To make

1074
00:51:41,239 --> 00:51:43,720
Speaker 2: any movie on one hundred and fifty thousand dollars budget

1075
00:51:43,760 --> 00:51:47,399
Speaker 2: in twenty twenty two is wildly impressive, so it felt

1076
00:51:47,440 --> 00:51:50,279
Speaker 2: like it far exceeded that. It also felt like an

1077
00:51:50,280 --> 00:51:53,480
Speaker 2: Adult Swim bumper from two thousand and six. And that's

1078
00:51:53,520 --> 00:51:57,160
Speaker 2: a compliment because the weird on those bumpers. If you're familiar,

1079
00:51:57,239 --> 00:52:00,319
Speaker 2: you know what I'm talking about. It's kind of limitless. Phil,

1080
00:52:00,360 --> 00:52:02,480
Speaker 2: I imagine you were really no idea. I'm lost. Y,

1081
00:52:02,760 --> 00:52:05,120
Speaker 2: you're a little old for that, Phil, explain.

1082
00:52:05,280 --> 00:52:07,080
Speaker 3: Oh yeah, I mean it's kind of hard to explain.

1083
00:52:07,160 --> 00:52:10,160
Speaker 3: But Adult Swim had kind of shorter programming, so they

1084
00:52:10,200 --> 00:52:14,360
Speaker 3: would fill the just fill the space between shows with

1085
00:52:14,440 --> 00:52:18,040
Speaker 3: these kind of like short films and and just stuff

1086
00:52:18,040 --> 00:52:20,440
Speaker 3: that varied wildly. I think I think they just hired

1087
00:52:20,480 --> 00:52:24,840
Speaker 3: different crazy creative people to make just these these weird bumpers,

1088
00:52:24,880 --> 00:52:27,400
Speaker 3: like like Spencer said, this movie felt like one.

1089
00:52:27,320 --> 00:52:29,799
Speaker 2: Of those to me, But you know, drug Out over

1090
00:52:29,920 --> 00:52:32,480
Speaker 2: two hours, which I think was too long. Yeah, we're

1091
00:52:32,520 --> 00:52:33,120
Speaker 2: in agreement there.

1092
00:52:33,200 --> 00:52:35,879
Speaker 4: I had a line initially in my review where I said,

1093
00:52:36,880 --> 00:52:38,640
Speaker 4: and I did have to cut quite a bit out

1094
00:52:38,680 --> 00:52:40,239
Speaker 4: of this really.

1095
00:52:40,360 --> 00:52:40,560
Speaker 1: Yeah.

1096
00:52:40,880 --> 00:52:42,560
Speaker 4: I had a line in my review where I said,

1097
00:52:43,080 --> 00:52:46,279
Speaker 4: it seems like something I should watch and hold my

1098
00:52:46,320 --> 00:52:49,200
Speaker 4: attention for about five to ten minutes on the internet,

1099
00:52:49,320 --> 00:52:51,919
Speaker 4: and maybe ten to fifteen minutes if I was drinking. Yeah,

1100
00:52:52,120 --> 00:52:54,359
Speaker 4: but like that's that's sort of it. But I liked

1101
00:52:54,440 --> 00:52:55,759
Speaker 4: that they were just like, we're going to make a

1102
00:52:55,840 --> 00:52:56,560
Speaker 4: two hour movie.

1103
00:52:56,760 --> 00:52:59,640
Speaker 2: This, Yeah, and this this felt like something that AI

1104
00:52:59,719 --> 00:53:02,880
Speaker 2: could not make, and that's refreshing in a world that

1105
00:53:02,960 --> 00:53:06,800
Speaker 2: feels like it's being swallowed by AI in this medium.

1106
00:53:07,480 --> 00:53:07,600
Speaker 1: Uh.

1107
00:53:07,840 --> 00:53:10,000
Speaker 2: The movie got a real laugh for me around minute

1108
00:53:10,000 --> 00:53:12,120
Speaker 2: one hundred, when the daughter gets on a stripper pool

1109
00:53:12,160 --> 00:53:14,759
Speaker 2: that was unexpected, which most things in this movie are.

1110
00:53:15,160 --> 00:53:17,520
Speaker 2: And then shortly after that a word gets bleeped, which

1111
00:53:17,600 --> 00:53:21,279
Speaker 2: was also wildly amusing because there's no dialogue in the movie,

1112
00:53:21,360 --> 00:53:23,920
Speaker 2: so a bleep felt genuinely out of nowhere. I think

1113
00:53:23,920 --> 00:53:25,680
Speaker 2: bleeps are always funny. You could you could serve me

1114
00:53:25,719 --> 00:53:28,000
Speaker 2: a bleep in any show or movie and I'm gonna

1115
00:53:28,040 --> 00:53:30,520
Speaker 2: laugh at it. But I got a real, real giggle

1116
00:53:30,800 --> 00:53:34,000
Speaker 2: when that happened. Yeah, Yanni, did you watch this with anyone?

1117
00:53:34,160 --> 00:53:37,320
Speaker 2: You recording the idea of watching with your daughters and

1118
00:53:37,360 --> 00:53:38,560
Speaker 2: I don't. I don't know if you went through with

1119
00:53:38,600 --> 00:53:38,920
Speaker 2: it or not.

1120
00:53:39,160 --> 00:53:41,719
Speaker 1: I did, but we started a little late last night,

1121
00:53:42,000 --> 00:53:46,080
Speaker 1: which means two things. One, we couldn't finish it. Kids

1122
00:53:46,160 --> 00:53:48,799
Speaker 1: had to get to bed for school, and I fell

1123
00:53:48,840 --> 00:53:54,880
Speaker 1: asleep for many parts of the first half. Been a

1124
00:53:55,000 --> 00:53:57,840
Speaker 1: long day, short night the night before Little Sauna. You know,

1125
00:53:58,000 --> 00:54:00,640
Speaker 1: I wasn't It wasn't. It wasn't really like, I wasn't

1126
00:54:00,680 --> 00:54:02,840
Speaker 1: set up to make it through a movie. But I

1127
00:54:02,960 --> 00:54:05,880
Speaker 1: kept waking up at giggles. So every time I wake up,

1128
00:54:05,920 --> 00:54:07,239
Speaker 1: I'm like, oh, I can't be too.

1129
00:54:07,560 --> 00:54:09,080
Speaker 2: Your giggles are your daughter's giggles.

1130
00:54:09,160 --> 00:54:11,560
Speaker 1: So my daughters are giggling at these, at the jokes

1131
00:54:11,600 --> 00:54:16,160
Speaker 1: that you know are slap you know, slapstick funny. I

1132
00:54:16,320 --> 00:54:20,000
Speaker 1: did finish. I probably watched maybe seventy minutes of it

1133
00:54:20,160 --> 00:54:23,359
Speaker 1: this morning, so I got to pick it up at

1134
00:54:23,400 --> 00:54:25,239
Speaker 1: the important part. You know, I got the gist of

1135
00:54:25,360 --> 00:54:29,560
Speaker 1: ith it. You guys are, We're all saying the same thing,

1136
00:54:29,640 --> 00:54:32,320
Speaker 1: but you have to give it almost thirty minutes just

1137
00:54:32,400 --> 00:54:34,799
Speaker 1: to sort of be like, oh, okay, I get it.

1138
00:54:34,840 --> 00:54:35,440
Speaker 2: I'm immersed in.

1139
00:54:36,080 --> 00:54:38,600
Speaker 1: I'm in now, because at first you're just like, wait

1140
00:54:38,640 --> 00:54:40,400
Speaker 1: a minute, what I thought.

1141
00:54:40,280 --> 00:54:42,280
Speaker 4: The first thirty minutes could have been a five minute

1142
00:54:42,320 --> 00:54:45,120
Speaker 4: set up. Sure, and then it just begins with him.

1143
00:54:45,760 --> 00:54:47,239
Speaker 1: Well, you could truncate the whole movie.

1144
00:54:47,320 --> 00:54:50,080
Speaker 4: Yeah, oh yeah, yeah, the movie should be twenty five minutes. Yeah,

1145
00:54:50,560 --> 00:54:53,600
Speaker 4: but I mean the Beaver, the Man, the Giant Man

1146
00:54:53,760 --> 00:54:57,880
Speaker 4: made out of Beaver's great The Beaver Show Trial was fantastic.

1147
00:54:59,080 --> 00:55:04,080
Speaker 4: The I also liked when she's skinning the animals, like

1148
00:55:04,200 --> 00:55:08,920
Speaker 4: she is a legit little kit there of big curved,

1149
00:55:09,719 --> 00:55:12,439
Speaker 4: fleshing knives and stuff like that. And then the one

1150
00:55:12,920 --> 00:55:15,880
Speaker 4: I think it's the raccoon that she skins, she begins,

1151
00:55:16,000 --> 00:55:17,520
Speaker 4: I think she does something to its head, but then

1152
00:55:17,560 --> 00:55:21,680
Speaker 4: she takes the arm and like breaks the joint. I

1153
00:55:21,760 --> 00:55:22,720
Speaker 4: thought that was hilarious.

1154
00:55:22,760 --> 00:55:25,040
Speaker 2: This was filmed in Wisconsin and Michigan, I think so.

1155
00:55:25,080 --> 00:55:26,480
Speaker 2: I assumed they're from that part.

1156
00:55:26,360 --> 00:55:26,759
Speaker 4: Of the world.

1157
00:55:26,840 --> 00:55:28,759
Speaker 2: Yeah, so they like have some familiarity.

1158
00:55:28,880 --> 00:55:29,080
Speaker 4: Yeah.

1159
00:55:29,080 --> 00:55:30,560
Speaker 2: I mean it didn't seem subject like, it.

1160
00:55:30,600 --> 00:55:33,920
Speaker 4: Seemed like people that knew what they were talking about.

1161
00:55:35,280 --> 00:55:37,040
Speaker 1: I was gonna say, like, they don't give up on

1162
00:55:37,160 --> 00:55:40,000
Speaker 1: the slapstick. Like just when you think like they can't

1163
00:55:40,080 --> 00:55:43,040
Speaker 1: come up with something, you're like, oh, he just sneezed

1164
00:55:43,120 --> 00:55:46,000
Speaker 1: and this giant snot thing turned into an icicle and

1165
00:55:46,120 --> 00:55:48,160
Speaker 1: then killed something and the caster.

1166
00:55:48,160 --> 00:55:49,480
Speaker 4: The castor mounds and stuff.

1167
00:55:49,680 --> 00:55:53,080
Speaker 1: Yeah. Yeah, but they also don't give up on keeping

1168
00:55:53,680 --> 00:55:59,479
Speaker 1: like the trapping aspect legitimate. Yeah, Like like the scene

1169
00:55:59,480 --> 00:56:02,879
Speaker 1: where he's I think he first gets his the leg

1170
00:56:03,000 --> 00:56:05,759
Speaker 1: holds and he's like chucking him out on the ice

1171
00:56:05,800 --> 00:56:08,360
Speaker 1: and he chucks it one time and it's not proper

1172
00:56:08,400 --> 00:56:10,600
Speaker 1: and then it's upside down and he has to do

1173
00:56:10,680 --> 00:56:13,600
Speaker 1: it three times to you know, do it properly. You

1174
00:56:13,640 --> 00:56:16,360
Speaker 1: could have just as easily, Yeah, chucked it out once

1175
00:56:16,960 --> 00:56:20,440
Speaker 1: and the trap could have caught any animal right, no

1176
00:56:20,560 --> 00:56:22,080
Speaker 1: matter how it came out there. But they were like,

1177
00:56:22,160 --> 00:56:24,560
Speaker 1: oh no, it has to flow out to this fake

1178
00:56:24,640 --> 00:56:28,439
Speaker 1: beaver right side up because otherwise, you know, the viewers

1179
00:56:28,440 --> 00:56:30,000
Speaker 1: are going to get mad that the trap caught this

1180
00:56:30,160 --> 00:56:32,840
Speaker 1: fake Beaver. Yeah, when the trap was upside down, I know.

1181
00:56:32,880 --> 00:56:36,759
Speaker 4: There's like there's like attention to detailing it that I

1182
00:56:36,920 --> 00:56:39,279
Speaker 4: was won over by the end of it. I still

1183
00:56:39,400 --> 00:56:43,160
Speaker 4: if I had a director's cut, shave about sixty one

1184
00:56:43,239 --> 00:56:47,239
Speaker 4: minutes off it. Yeah, but uh yeah, you got to

1185
00:56:47,280 --> 00:56:48,680
Speaker 4: appreciate just going for it.

1186
00:56:49,000 --> 00:56:50,799
Speaker 2: A couple other things I liked is they obviously did

1187
00:56:50,840 --> 00:56:52,719
Speaker 2: their own stunts, and there's at one point where he's

1188
00:56:52,760 --> 00:56:54,960
Speaker 2: like pushing a wooden box and then he falls into

1189
00:56:55,000 --> 00:56:56,719
Speaker 2: the wooden box and he gets out, he falls into

1190
00:56:56,760 --> 00:56:59,040
Speaker 2: it again and he nailed that part like that that

1191
00:56:59,239 --> 00:57:02,120
Speaker 2: was done really well. I also liked the idea of

1192
00:57:02,160 --> 00:57:05,439
Speaker 2: the Beaver dam is like a damn that is run

1193
00:57:05,520 --> 00:57:06,920
Speaker 2: by the Army Corps of Engineers.

1194
00:57:07,000 --> 00:57:09,560
Speaker 4: Yeah, matter, a massive hydroelectric damn.

1195
00:57:10,719 --> 00:57:13,840
Speaker 2: Things I didn't like, Yeah too long. I checked my

1196
00:57:13,880 --> 00:57:15,279
Speaker 2: phone a lot, and I was like, it's got to

1197
00:57:15,320 --> 00:57:18,000
Speaker 2: be about over and it wasn't. The other thing this

1198
00:57:18,160 --> 00:57:20,479
Speaker 2: isn't necessarily something I didn't like about the movie maybe

1199
00:57:20,640 --> 00:57:24,800
Speaker 2: just like the indie movie industry, is that this movie

1200
00:57:24,920 --> 00:57:27,600
Speaker 2: was showered with awards and I'm like, really, yeah, this

1201
00:57:28,120 --> 00:57:30,520
Speaker 2: was worthy of being nominated. I don't know, like fifty

1202
00:57:30,600 --> 00:57:33,880
Speaker 2: times and winning twenty times. This could not have been

1203
00:57:34,000 --> 00:57:37,280
Speaker 2: one of the greatest things that humans produced in cinema

1204
00:57:37,320 --> 00:57:40,360
Speaker 2: in twenty twenty two, even in the niche indie scene.

1205
00:57:41,560 --> 00:57:43,880
Speaker 2: I was like mildly turned off by that. When I

1206
00:57:43,880 --> 00:57:46,640
Speaker 2: saw afterwards, I was like, I can't believe that people

1207
00:57:46,680 --> 00:57:48,440
Speaker 2: felt like this was one of the best things from

1208
00:57:48,520 --> 00:57:48,840
Speaker 2: that year.

1209
00:57:49,760 --> 00:57:53,040
Speaker 4: Yeah. Yeah, I feel like the movie didn't affect me

1210
00:57:53,560 --> 00:57:56,600
Speaker 4: in any way. I went through it, I walked away

1211
00:57:56,640 --> 00:57:58,280
Speaker 4: and I was like, that's what I watched for an hour,

1212
00:57:58,320 --> 00:57:59,360
Speaker 4: and yeah, I don't know.

1213
00:57:59,600 --> 00:58:02,320
Speaker 3: I think I was marveling at the creativity more than

1214
00:58:02,480 --> 00:58:05,400
Speaker 3: more than anything, because I think I think that was unparalleled.

1215
00:58:05,960 --> 00:58:08,880
Speaker 4: Yeah, yeah, I respect it. I respect it. I mean

1216
00:58:09,040 --> 00:58:11,160
Speaker 4: a strange, strange concept.

1217
00:58:10,840 --> 00:58:13,120
Speaker 1: But is there is there a message?

1218
00:58:16,000 --> 00:58:18,240
Speaker 2: I think their message was just like, look at the

1219
00:58:18,480 --> 00:58:21,640
Speaker 2: limitless weird that we can do two hours, and we

1220
00:58:21,760 --> 00:58:26,400
Speaker 2: can we can revive a form of comedy that has

1221
00:58:26,480 --> 00:58:29,440
Speaker 2: been lost with audio because it was it was like

1222
00:58:29,520 --> 00:58:30,680
Speaker 2: three stooges.

1223
00:58:30,280 --> 00:58:32,960
Speaker 4: I had another line in here, and it was basically

1224
00:58:33,200 --> 00:58:38,440
Speaker 4: just uh, this was more an experiment to see if

1225
00:58:38,480 --> 00:58:42,400
Speaker 4: they could do this, like incorporate these different elements, like

1226
00:58:42,480 --> 00:58:43,920
Speaker 4: what if we did this, What if we did this?

1227
00:58:44,080 --> 00:58:46,880
Speaker 4: And then they just made the whole film without asking

1228
00:58:46,960 --> 00:58:48,440
Speaker 4: if it was something they should actually do.

1229
00:58:48,920 --> 00:58:50,840
Speaker 3: This is like a classic hero's journey.

1230
00:58:50,880 --> 00:58:53,080
Speaker 4: I also I cut another line out.

1231
00:58:53,280 --> 00:58:53,840
Speaker 3: I had an arc.

1232
00:58:54,080 --> 00:58:55,920
Speaker 2: The parent company, the parent.

1233
00:58:55,720 --> 00:59:00,800
Speaker 4: Company for Bennegan's also owned Ponderosa Steakhouse, which explains where

1234
00:59:02,320 --> 00:59:04,520
Speaker 4: Pondero's a steakhouse, or as we called it when we

1235
00:59:04,600 --> 00:59:06,360
Speaker 4: used to go there for the lunch buffet.

1236
00:59:06,760 --> 00:59:11,040
Speaker 2: Sweet Lady p did you love Bennigans? I've been to one,

1237
00:59:11,160 --> 00:59:11,680
Speaker 2: not really I.

1238
00:59:12,240 --> 00:59:14,640
Speaker 4: Remember going to one. There's a South Park episode where

1239
00:59:14,680 --> 00:59:17,240
Speaker 4: Butters really wants to go to Bennigan's. But I was

1240
00:59:17,480 --> 00:59:21,640
Speaker 4: I was doing the thing about the dogs playing poker,

1241
00:59:21,720 --> 00:59:23,880
Speaker 4: and I was trying to come up with another, like

1242
00:59:24,040 --> 00:59:27,440
Speaker 4: few casual chains, and I saw Benigan's and I was like,

1243
00:59:27,520 --> 00:59:28,840
Speaker 4: what the hell happened to Bennigan's.

1244
00:59:29,360 --> 00:59:29,760
Speaker 2: Now we know?

1245
00:59:30,200 --> 00:59:32,640
Speaker 4: And now we know, and it does seem like there's

1246
00:59:33,040 --> 00:59:36,800
Speaker 4: a very committed couple in Texas who now own it.

1247
00:59:37,000 --> 00:59:41,160
Speaker 4: There's been some restructuring and they're committed to restoring the brand,

1248
00:59:41,520 --> 00:59:43,520
Speaker 4: which is cool because I think it's a real legacy

1249
00:59:43,600 --> 00:59:45,280
Speaker 4: brand in the world of American restaurants.

1250
00:59:46,280 --> 00:59:47,000
Speaker 1: I'd never heard of it.

1251
00:59:47,160 --> 00:59:50,440
Speaker 2: Told I don't know that I've ever been in the

1252
00:59:50,480 --> 00:59:51,320
Speaker 2: same city as one.

1253
00:59:52,360 --> 00:59:56,400
Speaker 4: Well, next time you go to the Middle East man,

1254
00:59:56,600 --> 00:59:57,680
Speaker 4: he'll be surrounded by him.

1255
00:59:59,160 --> 01:00:01,440
Speaker 2: My big takeaway this would be the perfect movie if

1256
01:00:01,480 --> 01:00:04,160
Speaker 2: you're a stoner college kid to watch on a Thursday night.

1257
01:00:04,200 --> 01:00:06,360
Speaker 2: I wouldn't wouldn't cancel weekend plans. I don't think this

1258
01:00:06,480 --> 01:00:09,080
Speaker 2: is uh, you know, something you dedicate a Friday or

1259
01:00:09,120 --> 01:00:11,640
Speaker 2: Saturday too. But if you're a stoner college kid, do

1260
01:00:11,720 --> 01:00:13,520
Speaker 2: what stoner college kids do and then put this on

1261
01:00:13,640 --> 01:00:16,600
Speaker 2: tonight and you'll have like a wonderful two hours.

1262
01:00:16,720 --> 01:00:17,280
Speaker 4: Yeah, I think.

1263
01:00:18,240 --> 01:00:20,560
Speaker 2: Yeah, anything else.

1264
01:00:21,320 --> 01:00:26,760
Speaker 4: That's all I got. Uh, thanks again to Moor. I

1265
01:00:26,840 --> 01:00:29,080
Speaker 4: feel like the segment ran too long and I played

1266
01:00:29,120 --> 01:00:31,520
Speaker 4: a role in that, so I apologize.

1267
01:00:31,600 --> 01:00:33,480
Speaker 2: I really enjoyed it.

1268
01:00:33,880 --> 01:00:36,080
Speaker 3: Spencer, Can I suggest a switch around.

1269
01:00:36,200 --> 01:00:39,040
Speaker 2: We're gonna skip ahead to one minute Fishing. Yeah, all right.

1270
01:00:39,400 --> 01:00:41,280
Speaker 2: Our next segment is one minute Fishing.

1271
01:00:42,080 --> 01:00:43,080
Speaker 7: Do I feel lucky?

1272
01:00:44,160 --> 01:00:49,080
Speaker 4: We'll do you dunk, go ahead, make my cast.

1273
01:00:50,400 --> 01:00:52,760
Speaker 2: One minute Fishing is where we go live to someone

1274
01:00:52,760 --> 01:00:54,680
Speaker 2: who's fishing and they have one minute to catch a fish,

1275
01:00:54,720 --> 01:00:57,040
Speaker 2: and if they're successful, we'll make a five hundred dollars

1276
01:00:57,120 --> 01:01:00,440
Speaker 2: donation to a conservation group. This week, our anger is

1277
01:01:00,560 --> 01:01:04,080
Speaker 2: Christine Fisher, who you'll remember from last week's episode. She's

1278
01:01:04,160 --> 01:01:07,240
Speaker 2: on Chickamauga Lake in Tennessee and fishing for a donation

1279
01:01:07,400 --> 01:01:11,360
Speaker 2: to the first Wisconsin Chapter of Muskies, Inc. Christine, Welcome

1280
01:01:11,360 --> 01:01:11,720
Speaker 2: to the show.

1281
01:01:13,240 --> 01:01:14,400
Speaker 5: Hey guys, how's it going?

1282
01:01:14,760 --> 01:01:15,280
Speaker 1: Doing good?

1283
01:01:15,760 --> 01:01:19,160
Speaker 2: Last week Christine you joined us. You were in Oklahoma

1284
01:01:19,280 --> 01:01:22,520
Speaker 2: pre fishing for the twenty twenty five bass Master Kayak

1285
01:01:22,680 --> 01:01:25,720
Speaker 2: Series at Lake ten Killer. There were one hundred and

1286
01:01:25,760 --> 01:01:28,520
Speaker 2: thirty seven anglers in the field. Tell folks how you

1287
01:01:28,600 --> 01:01:30,400
Speaker 2: did well, y'all.

1288
01:01:30,520 --> 01:01:32,240
Speaker 7: I don't know if it was not meted or what,

1289
01:01:32,560 --> 01:01:35,800
Speaker 7: but I ended up taking the big w my first

1290
01:01:35,840 --> 01:01:38,720
Speaker 7: best master win and it was the first win by

1291
01:01:38,760 --> 01:01:40,320
Speaker 7: a female and bess master of history.

1292
01:01:40,520 --> 01:01:44,840
Speaker 2: Hell yeah, first place. Nice to congratulations Christine. First place

1293
01:01:44,880 --> 01:01:49,120
Speaker 2: among one hundred and thirty seven anglers. That's awesome. Now

1294
01:01:49,200 --> 01:01:50,600
Speaker 2: explain how a bass master.

1295
01:01:50,960 --> 01:01:54,200
Speaker 1: How many other females Christine were in this tournament?

1296
01:01:54,840 --> 01:01:57,640
Speaker 7: I think this one was one of our highest attended

1297
01:01:57,720 --> 01:02:00,120
Speaker 7: for females, and I think there were six of all.

1298
01:02:01,000 --> 01:02:02,160
Speaker 4: Out of one hundred and thirty seven.

1299
01:02:02,480 --> 01:02:02,919
Speaker 1: That's great.

1300
01:02:03,600 --> 01:02:07,160
Speaker 2: Explain how a bass Master Kayak Series tournament is set

1301
01:02:07,280 --> 01:02:10,040
Speaker 2: up and maybe different from other tournaments because the first

1302
01:02:10,040 --> 01:02:11,440
Speaker 2: thing that jumps out to me when I look at

1303
01:02:11,480 --> 01:02:13,960
Speaker 2: the results is that a fish's value is measured by

1304
01:02:14,080 --> 01:02:15,000
Speaker 2: length instead of weight.

1305
01:02:16,520 --> 01:02:19,959
Speaker 3: No lost connection issues with Christine.

1306
01:02:22,680 --> 01:02:23,160
Speaker 5: Be a length.

1307
01:02:23,240 --> 01:02:26,600
Speaker 7: We have certified measuring boards that we use malasaf flows,

1308
01:02:26,640 --> 01:02:29,640
Speaker 7: and then we have a unique identifier. It has to

1309
01:02:29,720 --> 01:02:31,720
Speaker 7: be in the picture for every single one of our fish,

1310
01:02:31,840 --> 01:02:35,280
Speaker 7: so they're GPS time damped. We have a first pass

1311
01:02:35,360 --> 01:02:37,200
Speaker 7: in the last cast, and it's a pretty it's a

1312
01:02:37,240 --> 01:02:40,320
Speaker 7: pretty techy little setup how they do it, and I

1313
01:02:40,480 --> 01:02:43,200
Speaker 7: love it because there are you know, this has been

1314
01:02:43,240 --> 01:02:46,040
Speaker 7: around for ten years, and early on there were a

1315
01:02:46,080 --> 01:02:47,800
Speaker 7: lot of people that tried to kind of keat the

1316
01:02:47,880 --> 01:02:53,160
Speaker 7: system by various ways, and it's dang near impossible.

1317
01:02:52,520 --> 01:02:54,200
Speaker 5: To do that now, is awesome.

1318
01:02:54,640 --> 01:02:56,200
Speaker 2: Give me an example of how people would try to

1319
01:02:56,280 --> 01:02:56,920
Speaker 2: cheat the system.

1320
01:02:58,160 --> 01:03:00,280
Speaker 7: So we had a guy, I mean two, So we

1321
01:03:00,320 --> 01:03:03,160
Speaker 7: had a guy about six seven years ago that was

1322
01:03:03,280 --> 01:03:06,400
Speaker 7: cutting boards in half and then kind of bulling him

1323
01:03:06,400 --> 01:03:09,720
Speaker 7: together so his fish looked like they were too more

1324
01:03:09,800 --> 01:03:10,240
Speaker 7: than they were.

1325
01:03:11,120 --> 01:03:12,360
Speaker 5: It was absolutely insane.

1326
01:03:13,400 --> 01:03:15,360
Speaker 7: There's been a couple of people that would take as

1327
01:03:15,480 --> 01:03:19,440
Speaker 7: sharpie and try to mark up fish to where they

1328
01:03:19,600 --> 01:03:22,040
Speaker 7: had different marks on them, but they are the same fish,

1329
01:03:22,080 --> 01:03:22,680
Speaker 7: and then make the.

1330
01:03:22,720 --> 01:03:24,600
Speaker 5: Tail, you know, not hit a quarter inch.

1331
01:03:24,680 --> 01:03:27,840
Speaker 7: But now the app has people look for the same

1332
01:03:27,920 --> 01:03:31,480
Speaker 7: fish because every pitch has very unique markings and lateral lines,

1333
01:03:31,600 --> 01:03:33,520
Speaker 7: so they can't get away with that. And then we

1334
01:03:33,600 --> 01:03:36,720
Speaker 7: had a guy in Texas actually that was cutting tails

1335
01:03:36,760 --> 01:03:39,160
Speaker 7: and kept the tail of a fish in his pocket

1336
01:03:39,520 --> 01:03:41,440
Speaker 7: and would lay it over this is a long time ago,

1337
01:03:42,040 --> 01:03:43,760
Speaker 7: would lay it over the fish and put his hand

1338
01:03:43,840 --> 01:03:45,840
Speaker 7: over it so you couldn't the tail looked like it

1339
01:03:46,000 --> 01:03:47,480
Speaker 7: was like this long. Uh.

1340
01:03:47,880 --> 01:03:49,800
Speaker 5: That was in a local tournament, so it was a little.

1341
01:03:50,200 --> 01:03:53,600
Speaker 7: Local ones aren't as as rigid is I would think

1342
01:03:53,640 --> 01:03:56,280
Speaker 7: the big national ones are, but we've we've learned a

1343
01:03:56,360 --> 01:03:57,520
Speaker 7: lot in the last decade.

1344
01:03:57,840 --> 01:04:01,960
Speaker 2: That's amazing. Every time I think tournament anglers can't cheat,

1345
01:04:02,120 --> 01:04:04,120
Speaker 2: they figure out a new way to cheat. So I'm

1346
01:04:04,360 --> 01:04:07,000
Speaker 2: very amused to hear that, now how far our tournament

1347
01:04:07,080 --> 01:04:08,760
Speaker 2: kayak angler's traveling in a day.

1348
01:04:09,960 --> 01:04:12,480
Speaker 7: You know, honestly, this is going to surprise a lot

1349
01:04:12,520 --> 01:04:14,800
Speaker 7: of people because it's anywhere you know, you'll have people

1350
01:04:14,840 --> 01:04:18,000
Speaker 7: that will stick within a mile, but I've covered it

1351
01:04:18,080 --> 01:04:19,480
Speaker 7: up to fifteen to twenty.

1352
01:04:19,240 --> 01:04:20,080
Speaker 5: Miles in one day.

1353
01:04:21,760 --> 01:04:22,280
Speaker 2: That's crazy.

1354
01:04:22,320 --> 01:04:24,920
Speaker 5: I would say the average is probably five to seven.

1355
01:04:25,920 --> 01:04:28,280
Speaker 1: Man, what's your top speed if you just got to

1356
01:04:28,320 --> 01:04:30,240
Speaker 1: get from point A to point B? What's your top

1357
01:04:30,320 --> 01:04:31,080
Speaker 1: speed in that thing?

1358
01:04:32,040 --> 01:04:35,480
Speaker 5: About six and a half. Very uh, A lot slower

1359
01:04:35,560 --> 01:04:36,479
Speaker 5: than my ranger goes.

1360
01:04:37,400 --> 01:04:37,440
Speaker 2: No.

1361
01:04:38,200 --> 01:04:38,320
Speaker 4: Uh.

1362
01:04:38,440 --> 01:04:41,240
Speaker 2: Now, Lake ten Killer offers small mouth and large mouth,

1363
01:04:41,280 --> 01:04:43,240
Speaker 2: and the upper portion lake is very different from the

1364
01:04:43,320 --> 01:04:45,760
Speaker 2: lower portion lake. So anglers have a lot of different

1365
01:04:45,760 --> 01:04:49,400
Speaker 2: ways that they can find success or failure and approaches.

1366
01:04:49,440 --> 01:04:51,440
Speaker 2: Fishery tell us about your winning strategy.

1367
01:04:54,160 --> 01:04:56,479
Speaker 7: Well, you know my strategy. I really wanted to fish

1368
01:04:56,560 --> 01:04:58,760
Speaker 7: for points. You know, we we have an Angler of

1369
01:04:58,800 --> 01:05:01,520
Speaker 7: the Year series, not if you for the championship. And

1370
01:05:01,800 --> 01:05:03,760
Speaker 7: I only get to fish three and I didn't get

1371
01:05:03,800 --> 01:05:06,000
Speaker 7: a drop event, so I was just going to go,

1372
01:05:06,240 --> 01:05:08,520
Speaker 7: you know. I went and caught some some giant small

1373
01:05:08,560 --> 01:05:10,880
Speaker 7: mouth down south, had a really good pattern, kind of

1374
01:05:11,080 --> 01:05:12,720
Speaker 7: cut a four and a half pounds small mouth, a

1375
01:05:12,720 --> 01:05:14,640
Speaker 7: couple three pounds small mouth, you know, a really good

1376
01:05:14,640 --> 01:05:18,680
Speaker 7: fish from LA. But they were fairly obvious offshore spots,

1377
01:05:19,320 --> 01:05:21,000
Speaker 7: and I knew with the big boat tournament and one

1378
01:05:21,080 --> 01:05:24,959
Speaker 7: hundred and thirty seven kayakanglers. I actually did not touch

1379
01:05:25,080 --> 01:05:27,120
Speaker 7: my what I would call my a my best water.

1380
01:05:27,640 --> 01:05:30,000
Speaker 7: One time during the tournament, I went to an area

1381
01:05:30,120 --> 01:05:32,360
Speaker 7: that I didn't I thought was going to get very overlooked,

1382
01:05:32,720 --> 01:05:33,680
Speaker 7: had some quality fish.

1383
01:05:33,720 --> 01:05:34,960
Speaker 5: I had to work a lot harder for him.

1384
01:05:35,440 --> 01:05:38,000
Speaker 7: And there were only four people at my ramp, so

1385
01:05:38,080 --> 01:05:39,920
Speaker 7: I thought I made a huge mistake that day I

1386
01:05:40,000 --> 01:05:42,640
Speaker 7: got there, But it ended up working out fishing less

1387
01:05:42,680 --> 01:05:45,560
Speaker 7: pressure of water, and uh it was cool because I

1388
01:05:45,600 --> 01:05:46,800
Speaker 7: got to lock a big swim.

1389
01:05:46,680 --> 01:05:49,320
Speaker 5: Bay in my hands basically bull days and did a

1390
01:05:49,320 --> 01:05:49,760
Speaker 5: little bit of.

1391
01:05:49,800 --> 01:05:52,760
Speaker 7: Late slipping on some steeper banks lead back to the

1392
01:05:52,840 --> 01:05:55,080
Speaker 7: creeks on the on the first day as well.

1393
01:05:55,200 --> 01:05:58,120
Speaker 5: But fishing that that overlooked water.

1394
01:05:58,160 --> 01:06:01,440
Speaker 2: Was ste That's great. I read you say that your

1395
01:06:01,520 --> 01:06:03,560
Speaker 2: two biggest fish of the tournament did not get in

1396
01:06:03,640 --> 01:06:04,600
Speaker 2: the boat. What happened there?

1397
01:06:06,080 --> 01:06:08,600
Speaker 7: Well, anytime, and if you got any listeners that are

1398
01:06:08,640 --> 01:06:11,160
Speaker 7: swim bait people, you know in your swim bay fish

1399
01:06:11,240 --> 01:06:13,040
Speaker 7: and sometimes they just don't make it to the boat.

1400
01:06:13,120 --> 01:06:16,919
Speaker 7: And I had on three casts my first cast down

1401
01:06:17,000 --> 01:06:20,120
Speaker 7: this little spot at the Alful Creek jumped off about

1402
01:06:20,120 --> 01:06:23,000
Speaker 7: a three and a half pound small mouth. Two casts later,

1403
01:06:23,480 --> 01:06:25,560
Speaker 7: I jumped off for a large mouth that would have

1404
01:06:25,560 --> 01:06:27,520
Speaker 7: been big bass to the tournament. It was just over

1405
01:06:27,640 --> 01:06:31,080
Speaker 7: five pounds, and the cameraman was on me, so he

1406
01:06:31,280 --> 01:06:34,400
Speaker 7: has a segment of photos from start to finish, and

1407
01:06:34,560 --> 01:06:35,800
Speaker 7: it was agonizing.

1408
01:06:35,880 --> 01:06:38,680
Speaker 5: I had to kind of relive that. You know, in

1409
01:06:38,800 --> 01:06:41,640
Speaker 5: those tournaments, you think you lose one of those big

1410
01:06:41,680 --> 01:06:43,200
Speaker 5: fish and you're just like, well, you know that that

1411
01:06:43,360 --> 01:06:44,320
Speaker 5: was the one that was the one.

1412
01:06:44,320 --> 01:06:46,680
Speaker 7: I knew that I needed to probably get this thing

1413
01:06:46,800 --> 01:06:49,400
Speaker 7: done so that, you know, it's really tough to stay

1414
01:06:49,400 --> 01:06:51,920
Speaker 7: in it mentally after jumping off to big fish, But

1415
01:06:52,880 --> 01:06:54,560
Speaker 7: you know what, when it's your time, it's your time,

1416
01:06:54,600 --> 01:06:56,120
Speaker 7: and I guess that was my time to get it done.

1417
01:06:56,160 --> 01:06:56,480
Speaker 1: Anyway.

1418
01:06:56,680 --> 01:06:59,040
Speaker 2: Yeah, now before we do one minute fishing today, tell

1419
01:06:59,120 --> 01:07:02,120
Speaker 2: folks what happened after our one minute fishing segment ended

1420
01:07:02,200 --> 01:07:02,680
Speaker 2: last week.

1421
01:07:04,240 --> 01:07:07,400
Speaker 5: Well, I caught three white bass in a row.

1422
01:07:08,040 --> 01:07:11,240
Speaker 7: I swear it was y'all's music, Like that was a

1423
01:07:11,480 --> 01:07:13,920
Speaker 7: tense minute of my life, like if we all get

1424
01:07:14,080 --> 01:07:17,280
Speaker 7: inya or something just a little bit more too, because

1425
01:07:17,360 --> 01:07:20,440
Speaker 7: I was freaking out with that minute. I caught three

1426
01:07:20,480 --> 01:07:23,080
Speaker 7: fish in a row after that, so I was. I

1427
01:07:23,440 --> 01:07:24,560
Speaker 7: felt pretty discouraged.

1428
01:07:24,800 --> 01:07:27,000
Speaker 1: Damn. All right. Well, I have a question though, Spencer,

1429
01:07:27,080 --> 01:07:30,360
Speaker 1: before we go there, Christine, if you keep on winning

1430
01:07:30,560 --> 01:07:33,200
Speaker 1: and keep getting these big checks and you all of

1431
01:07:33,200 --> 01:07:35,080
Speaker 1: a sudden you have enough money to buy one of

1432
01:07:35,080 --> 01:07:38,440
Speaker 1: those big fancy boats, are you gonna switch from kayak

1433
01:07:38,720 --> 01:07:41,919
Speaker 1: angling to just regular angling out of a fancy bass

1434
01:07:42,040 --> 01:07:46,080
Speaker 1: boat or I'm asking what's the draw for kayak angling

1435
01:07:46,280 --> 01:07:49,520
Speaker 1: and do you would you switch over to regular boat fishing.

1436
01:07:50,760 --> 01:07:53,320
Speaker 7: Well, I actually did make this switch last year. I

1437
01:07:53,440 --> 01:07:55,800
Speaker 7: have a Ranger Alpha two away and I'm fishing in

1438
01:07:55,840 --> 01:07:58,280
Speaker 7: the most competitive boat rail and in the country. The

1439
01:07:58,320 --> 01:08:01,760
Speaker 7: bast Master opens, so I do do that, and I

1440
01:08:01,840 --> 01:08:04,680
Speaker 7: fished to this year, and I fish a couple women's

1441
01:08:04,760 --> 01:08:07,400
Speaker 7: only boat tournaments. I won my first one earlier this

1442
01:08:07,560 --> 01:08:10,000
Speaker 7: year just to kind of learn it, because honestly, the

1443
01:08:10,040 --> 01:08:11,520
Speaker 7: boat was pretty intimidating for me.

1444
01:08:11,720 --> 01:08:14,400
Speaker 5: But you know, I'll always be a kayak angler. I

1445
01:08:14,520 --> 01:08:15,040
Speaker 5: always will.

1446
01:08:15,080 --> 01:08:17,360
Speaker 7: I'm doing the boat thing to hopefully inspire more women

1447
01:08:17,439 --> 01:08:19,960
Speaker 7: to get into fishing out of the boat, But I'm

1448
01:08:20,000 --> 01:08:23,240
Speaker 7: a kayak angler because it just fosters such a deeper,

1449
01:08:23,720 --> 01:08:26,360
Speaker 7: more intimate experience on the water for right, next to

1450
01:08:26,400 --> 01:08:26,760
Speaker 7: the water.

1451
01:08:27,160 --> 01:08:27,839
Speaker 5: It's quiet.

1452
01:08:27,920 --> 01:08:29,760
Speaker 7: I can get back in these creeks and these things

1453
01:08:29,800 --> 01:08:33,320
Speaker 7: where the boats can't get and it's a lot more affordable.

1454
01:08:33,439 --> 01:08:35,479
Speaker 7: You know, when I was twenty one years old, I

1455
01:08:35,680 --> 01:08:38,320
Speaker 7: wasn't buying a sixty seventy thousand dollars boat. I couldn't

1456
01:08:38,320 --> 01:08:40,559
Speaker 7: afford it. I was working three jobs. So I got

1457
01:08:40,640 --> 01:08:43,240
Speaker 7: into kayak fishing because for me, you know, I just

1458
01:08:43,479 --> 01:08:44,519
Speaker 7: that was successible for me.

1459
01:08:45,560 --> 01:08:47,720
Speaker 2: All Right, tell us about the body of water you're

1460
01:08:47,720 --> 01:08:49,880
Speaker 2: on today, what you're fishing for, and how you're doing it.

1461
01:08:51,800 --> 01:08:52,040
Speaker 5: Well.

1462
01:08:52,160 --> 01:08:54,280
Speaker 7: I started the morning at a little pond, and I

1463
01:08:54,360 --> 01:08:57,439
Speaker 7: told y'all I had bluegill on every single cast, but

1464
01:08:57,479 --> 01:09:00,320
Speaker 7: I had no service, so I ended up low up

1465
01:09:00,360 --> 01:09:02,640
Speaker 7: and falling down the lake Chipamaga. I do have some

1466
01:09:02,760 --> 01:09:06,240
Speaker 7: experience here, but it's the midsummer. It's pretty sandy. I

1467
01:09:06,320 --> 01:09:08,400
Speaker 7: have one little stretch of rip rap right now that

1468
01:09:08,479 --> 01:09:11,400
Speaker 7: I got here. In my first three casts in a row, again,

1469
01:09:11,479 --> 01:09:13,559
Speaker 7: I say you have a picture. I caught a decent

1470
01:09:13,600 --> 01:09:15,320
Speaker 7: small mouth. I caught a large mouth and on a

1471
01:09:15,400 --> 01:09:17,920
Speaker 7: spotted bass. I don't know if I'm gonna be able

1472
01:09:17,920 --> 01:09:19,800
Speaker 7: to do that on the cast of this, but I

1473
01:09:19,840 --> 01:09:22,200
Speaker 7: feel like it's my best bet and it's worth too

1474
01:09:22,240 --> 01:09:24,479
Speaker 7: in the time that I had. It's a little paddle

1475
01:09:24,520 --> 01:09:26,280
Speaker 7: tail right down that rip rap.

1476
01:09:26,400 --> 01:09:27,439
Speaker 5: And see what we can do.

1477
01:09:27,680 --> 01:09:30,040
Speaker 2: All right, Well, you're one minute of fishing starts when

1478
01:09:30,040 --> 01:09:33,960
Speaker 2: you make that first cast. Christine is now I don't

1479
01:09:33,960 --> 01:09:36,479
Speaker 2: know if she's gonna stand up today or not. Christine,

1480
01:09:36,520 --> 01:09:38,519
Speaker 2: how how often are you standing when you're fishing out

1481
01:09:38,520 --> 01:09:39,120
Speaker 2: of your kayak?

1482
01:09:40,360 --> 01:09:42,680
Speaker 7: Probably ninety percent of the time. But I'm gonna sit

1483
01:09:42,840 --> 01:09:44,479
Speaker 7: just because y'all will I don't think you'll.

1484
01:09:44,280 --> 01:09:44,760
Speaker 5: Be able to see me.

1485
01:09:45,840 --> 01:09:48,519
Speaker 2: Okay, and tell us about the rip rap that you're

1486
01:09:48,560 --> 01:09:50,080
Speaker 2: tossing this swim bay at.

1487
01:09:51,439 --> 01:09:53,720
Speaker 7: Well, there's actually a little spring that comes in right

1488
01:09:53,800 --> 01:09:57,400
Speaker 7: here and it's it's way. Well, I was in the

1489
01:09:57,439 --> 01:09:58,040
Speaker 7: shade about a.

1490
01:09:58,000 --> 01:10:01,639
Speaker 4: Half an hour ago, so my movie review went wrong,

1491
01:10:02,160 --> 01:10:02,680
Speaker 4: went too long.

1492
01:10:03,840 --> 01:10:04,840
Speaker 5: That's really really big.

1493
01:10:05,439 --> 01:10:10,040
Speaker 7: Okay, we're gonna see I'm getting ready to make that

1494
01:10:10,160 --> 01:10:11,680
Speaker 7: first cast already.

1495
01:10:11,400 --> 01:10:12,439
Speaker 2: We're ready go for it.

1496
01:10:12,800 --> 01:10:13,600
Speaker 5: Okay, here we go.

1497
01:10:16,600 --> 01:10:18,960
Speaker 2: She's made her first cast. She just told us that

1498
01:10:19,080 --> 01:10:22,040
Speaker 2: she caught three already in this spot.

1499
01:10:25,040 --> 01:10:26,559
Speaker 5: Tell me when I'm that thirty seconds.

1500
01:10:26,600 --> 01:10:27,800
Speaker 2: Okay, you're ten seconds in.

1501
01:10:29,640 --> 01:10:32,680
Speaker 4: Well, hopefully with that big win under a belt. The

1502
01:10:32,920 --> 01:10:35,240
Speaker 4: music doesn't affect her as much as it did last week.

1503
01:10:35,400 --> 01:10:38,160
Speaker 2: Huh, it is dead calm out there today in Tennessee.

1504
01:10:40,760 --> 01:10:42,840
Speaker 2: You are thirty seconds down.

1505
01:10:46,760 --> 01:10:50,760
Speaker 1: She's furiously paddling and reeling, switching spots a little bit.

1506
01:10:52,080 --> 01:10:55,160
Speaker 2: She's backing up off the location. Twenty seconds to go.

1507
01:10:57,200 --> 01:11:02,920
Speaker 2: She just made her third cast. She seems like she

1508
01:11:03,040 --> 01:11:05,439
Speaker 2: only finds a little part of this area productive because

1509
01:11:05,479 --> 01:11:08,200
Speaker 2: she wheels a few times. Many brings it in ten seconds.

1510
01:11:10,200 --> 01:11:14,080
Speaker 2: She just made her final casts five seconds. Come on, Christine,

1511
01:11:16,160 --> 01:11:19,679
Speaker 2: Oh didn't happen today. That's it for your one minute.

1512
01:11:21,320 --> 01:11:23,760
Speaker 4: I have a feeling, though, we'll have you back on

1513
01:11:24,160 --> 01:11:26,920
Speaker 4: because the competitive spirit is clearly there.

1514
01:11:27,040 --> 01:11:29,560
Speaker 2: Yeah, Christine, you take this more serious than any of

1515
01:11:29,680 --> 01:11:36,040
Speaker 2: our other anglers. Oh if only ever two minute fishing

1516
01:11:36,280 --> 01:11:42,200
Speaker 2: and twelve minutes large mouth just thirty seconds too late.

1517
01:11:43,120 --> 01:11:44,719
Speaker 2: Is that a large mouth or a spotted bass?

1518
01:11:45,840 --> 01:11:48,000
Speaker 5: Well, that's actually a little baby large mouth.

1519
01:11:47,920 --> 01:11:49,160
Speaker 2: Little baby large mouth.

1520
01:11:49,439 --> 01:11:52,320
Speaker 4: Oh you didn't have to fall very far.

1521
01:11:54,040 --> 01:11:55,920
Speaker 5: I'm not okay right now.

1522
01:11:57,200 --> 01:11:57,759
Speaker 1: One minute.

1523
01:11:58,080 --> 01:12:00,360
Speaker 2: It's just it's a lot of pressure. In the history

1524
01:12:00,400 --> 01:12:02,240
Speaker 2: of this segment, I think we've had three or four

1525
01:12:02,320 --> 01:12:05,880
Speaker 2: successful anglers. So it's tough and.

1526
01:12:05,960 --> 01:12:07,240
Speaker 4: You're welcome back anytime.

1527
01:12:07,960 --> 01:12:12,680
Speaker 2: That's right, Okay, before we go, any other sign of

1528
01:12:12,760 --> 01:12:15,599
Speaker 2: the mythical ten killer lake octopus. You didn't see anything

1529
01:12:15,640 --> 01:12:18,960
Speaker 2: strange on your sonar. Nothing tried grabbing your kayak while

1530
01:12:18,960 --> 01:12:19,639
Speaker 2: you were out there.

1531
01:12:22,520 --> 01:12:24,960
Speaker 5: Held on, I didn't hear that last little farm, was it?

1532
01:12:25,160 --> 01:12:26,080
Speaker 1: It was not important.

1533
01:12:26,120 --> 01:12:29,160
Speaker 2: Thank you for joining us, Christine. We'll have you back

1534
01:12:29,200 --> 01:12:30,840
Speaker 2: on one minute fishing some other time.

1535
01:12:31,520 --> 01:12:32,479
Speaker 1: Bye, no, thank you.

1536
01:12:35,000 --> 01:12:37,040
Speaker 2: We have one segment left. I think we're just gonna

1537
01:12:37,040 --> 01:12:38,919
Speaker 2: punt on it though until our next episode.

1538
01:12:38,960 --> 01:12:40,120
Speaker 3: Yeah, a little bit prep.

1539
01:12:40,520 --> 01:12:42,240
Speaker 2: It'll want to be saved for then. That means we're

1540
01:12:42,280 --> 01:12:44,360
Speaker 2: at the end of the show. We're gonna do some

1541
01:12:44,520 --> 01:12:46,719
Speaker 2: final fhill feedback. What do you do for Phil?

1542
01:12:46,840 --> 01:12:49,200
Speaker 3: The viewers are chopping at the bit to hear some

1543
01:12:49,280 --> 01:12:51,240
Speaker 3: of this, Phil, it's your favorite classic playing D and D.

1544
01:12:51,320 --> 01:12:52,720
Speaker 3: I think Sorcerers are a lot of fun.

1545
01:12:55,080 --> 01:12:55,799
Speaker 1: Let's see.

1546
01:12:57,400 --> 01:13:00,240
Speaker 3: Dan the outdoor Man. Favorite TV drink. I think he

1547
01:13:00,320 --> 01:13:02,559
Speaker 3: meant tiki drink. I've said it before, it's the Navy grog.

1548
01:13:03,160 --> 01:13:06,040
Speaker 3: As classic favorite song is singing karaoke, The most fun song,

1549
01:13:06,560 --> 01:13:08,519
Speaker 3: most fun time I've had singing at karaoke was the

1550
01:13:08,600 --> 01:13:11,720
Speaker 3: Dixie Chicks now the Chicks Goodbye Earl. I thought that

1551
01:13:11,800 --> 01:13:16,360
Speaker 3: one does it well? It was really fun. Let's see

1552
01:13:16,400 --> 01:13:18,320
Speaker 3: what kind of preamp interface do you use it? Those

1553
01:13:18,439 --> 01:13:22,000
Speaker 3: s M seven bees We got a fat head, you know,

1554
01:13:22,040 --> 01:13:25,559
Speaker 3: providing a little extra extra boost and then it goes

1555
01:13:25,640 --> 01:13:29,160
Speaker 3: into an Alan and he c Q twelve T digital mixer.

1556
01:13:31,800 --> 01:13:33,160
Speaker 3: Question for Phil do you actually have to work to

1557
01:13:33,200 --> 01:13:34,840
Speaker 3: come up with ideas for segment drops or does the

1558
01:13:34,840 --> 01:13:38,720
Speaker 3: stuff just come to you naturally? I mean, I want

1559
01:13:38,760 --> 01:13:40,080
Speaker 3: to say it just comes to me naturally, but it's

1560
01:13:40,120 --> 01:13:41,679
Speaker 3: mostly because I'm lazy. I think of like the first

1561
01:13:41,760 --> 01:13:44,720
Speaker 3: idea I have, and it's usually like good enough. I

1562
01:13:44,760 --> 01:13:46,680
Speaker 3: think a couple of times I've made like the last call,

1563
01:13:46,760 --> 01:13:50,160
Speaker 3: like ooh, this song would be better, So I'll do that. Phil,

1564
01:13:50,280 --> 01:13:53,280
Speaker 3: you be the theater stage again soon this Christmas at

1565
01:13:53,320 --> 01:13:56,240
Speaker 3: the Ellen Theater and both in Montana. I'll be playing

1566
01:13:56,280 --> 01:13:58,840
Speaker 3: Bob Cratchit and a Christmas Carol, So come on down

1567
01:13:59,000 --> 01:14:01,080
Speaker 3: and uh, I'm I'm looking forward to because my son

1568
01:14:01,120 --> 01:14:02,200
Speaker 3: will also be in the show.

1569
01:14:02,120 --> 01:14:03,000
Speaker 1: So that'll be a little fun.

1570
01:14:03,040 --> 01:14:04,040
Speaker 2: Do we know what part he has?

1571
01:14:04,200 --> 01:14:07,360
Speaker 3: You do not yet know? I think he's too old

1572
01:14:07,439 --> 01:14:11,760
Speaker 3: for tiny tim and so that's he was really hoping

1573
01:14:11,800 --> 01:14:13,639
Speaker 3: for it, but I had to, you know, talk him down.

1574
01:14:13,720 --> 01:14:17,320
Speaker 3: I'll be there, Phil, favorite film of all time? Fill

1575
01:14:17,439 --> 01:14:19,519
Speaker 3: us in for those listeners. He spelled everything with the

1576
01:14:19,560 --> 01:14:23,200
Speaker 3: pH This is not the greatest film of all time,

1577
01:14:23,240 --> 01:14:24,880
Speaker 3: but it is my favorite film of all time, and

1578
01:14:24,960 --> 01:14:27,800
Speaker 3: that is the Tom Hanks directed nineteen ninety six movie

1579
01:14:27,920 --> 01:14:30,720
Speaker 3: That Thing You Do. I love that movie. I think

1580
01:14:30,760 --> 01:14:32,920
Speaker 3: it's near perfect, and even the stuff it isn't perfect,

1581
01:14:32,920 --> 01:14:33,519
Speaker 3: I love so much.

1582
01:14:33,760 --> 01:14:35,040
Speaker 2: Randa, what do you think of that movie?

1583
01:14:35,479 --> 01:14:38,360
Speaker 4: It's been a long while. I remember enjoying it when

1584
01:14:38,439 --> 01:14:41,920
Speaker 4: it came out. I was ten at the time. But

1585
01:14:42,479 --> 01:14:43,800
Speaker 4: original score? Am I right?

1586
01:14:43,880 --> 01:14:44,160
Speaker 1: Film?

1587
01:14:45,640 --> 01:14:48,559
Speaker 3: I think? Well, it's most known for its original song,

1588
01:14:48,680 --> 01:14:51,799
Speaker 3: which which is just like a perfect pop song written

1589
01:14:51,880 --> 01:14:55,840
Speaker 3: by one of the guys from Fountains of Wayne. Also,

1590
01:14:57,160 --> 01:15:01,040
Speaker 3: I mean just like it's fixed power power song.

1591
01:15:01,360 --> 01:15:04,280
Speaker 2: But yeah, what else you got? Phil? A couple more?

1592
01:15:04,479 --> 01:15:06,080
Speaker 3: I'll do one more, I'll do two more. Why is

1593
01:15:06,200 --> 01:15:08,719
Speaker 3: why Phil and Clay not made a collab? It's from Mittias.

1594
01:15:08,760 --> 01:15:10,680
Speaker 3: Clay and I have made multiple collabs. One of them

1595
01:15:10,760 --> 01:15:14,280
Speaker 3: is the Bear Grease podcast one which I no longer

1596
01:15:14,360 --> 01:15:16,080
Speaker 3: work on but but Clan and I it's I mean,

1597
01:15:16,080 --> 01:15:18,080
Speaker 3: it's mostly Clay's show, but I I I helped him

1598
01:15:18,080 --> 01:15:19,240
Speaker 3: out with kind of like the format and what to

1599
01:15:19,320 --> 01:15:21,000
Speaker 3: do with it. And our other collab was that we

1600
01:15:21,080 --> 01:15:23,000
Speaker 3: were in a band together. We opened the Meat Eater

1601
01:15:23,120 --> 01:15:26,479
Speaker 3: Life tom So if you if you, I don't think

1602
01:15:26,520 --> 01:15:29,200
Speaker 3: there's video, official video that exists of that performance.

1603
01:15:29,400 --> 01:15:30,599
Speaker 1: Did that have a name to be there?

1604
01:15:30,680 --> 01:15:31,040
Speaker 2: Your band?

1605
01:15:31,160 --> 01:15:33,280
Speaker 3: We didn't have a name. No, we should. We should

1606
01:15:33,720 --> 01:15:36,800
Speaker 3: retroactively give ourselves a name. Last one Phil ah the

1607
01:15:36,880 --> 01:15:38,920
Speaker 3: Red dead Red MGE from live stream. It is happening.

1608
01:15:40,080 --> 01:15:42,240
Speaker 3: It's just it's probably happening in the fall. We're kind

1609
01:15:42,280 --> 01:15:44,000
Speaker 3: of trying to lock down our goals for the Land

1610
01:15:44,040 --> 01:15:45,920
Speaker 3: Access Initiative for the year and make sure that when

1611
01:15:45,960 --> 01:15:48,639
Speaker 3: we do do some sort of fundraiser, you guys will

1612
01:15:48,640 --> 01:15:51,240
Speaker 3: all know exactly where your money's going and you'll feel

1613
01:15:51,240 --> 01:15:54,280
Speaker 3: good about donating to a good cause.

1614
01:15:54,560 --> 01:15:59,280
Speaker 2: Well done, very very entertained by the the phil questions,

1615
01:15:59,600 --> 01:16:03,120
Speaker 2: were it again sometime? Thank you Annie, Thank you Randall.

1616
01:16:05,320 --> 01:16:07,719
Speaker 2: See everyone back here next week, same time, same place.

1617
01:16:07,840 --> 01:16:09,360
Speaker 4: Thanks for m

1618
01:16:12,479 --> 01:16:17,160
Speaker 3: M hmmmmmmmmmmmmmmmm