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Speaker 1: It's the Best Bits of the Week with Morgan number two.

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Speaker 1: Welcome y'all to the Best Bits. This is just the Bits.

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Speaker 1: I did a special edition of the Best Bits this weekend.

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Speaker 1: It's just with me, you and me talking and catching

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Speaker 1: up on life. Basically like two friends, except I'm sitting

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Speaker 1: in my closet talking to myself. You know, it's kind

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Speaker 1: of weird. But if you want to check that out,

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Speaker 1: that's on part one. This is part two, and this

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Speaker 1: is just the Bits if you want to get caught

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Speaker 1: up on what happened on the show this week. Coming

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Speaker 1: in at number seven, we've got Bobby who shared his

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Speaker 1: top reasons he's annoyed right now, and he has five

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Speaker 1: of them. Okay, there's a lot going on in his life.

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Speaker 1: So if you're annoyed and you just need to hear

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Speaker 1: it from someone else that they're annoyed too, then this

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Speaker 1: segment is for you. Number seven. Let's go around the room.

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Speaker 1: Give me one word to describe how you're feeling today.

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Speaker 1: It could be an emotion. I just need a word, like,

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Speaker 1: what word am I associating with you today? Amy? Tired? Okay,

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Speaker 1: I think we all can relate to that. Oh yeah,

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Speaker 1: Amy's checking in is tired? Ding Eddie hurting? My head hurts.

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Speaker 1: I don't know why. Yes it is. It's water not

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Speaker 1: maybe maybe I need to drink water not coffee. Could

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Speaker 1: be it? Okay, Eddie's in it at hurt hurt, hurt, fault,

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Speaker 1: lunchbox chill. Yeah, you wake up in a decent mood.

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Speaker 1: Yeah you do. You're not grumpy. Not grumpy. I'm just

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Speaker 1: get in the shower. Cool, what up here we go? Chill?

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Speaker 1: He checks in his child right way? Checking in us today? Yeah,

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Speaker 1: get me tired. I'm about four hours behind on the

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Speaker 1: sleep tank. Okay, race checking it is tired, okay, and

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Speaker 1: I'm checking in? Is annoyed today? Really only to start

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Speaker 1: the show. And I made a list of things we

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Speaker 1: can play. What's your annoyance today? I generally am pretty good.

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Speaker 1: I'm good. I'm just a little annoyed. Number five of

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Speaker 1: the top five. Oh gosh, how serious is this gonna get? Yeah,

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Speaker 1: I'm not I'm annoyed. I'm not angry or upset. I'm annoyed.

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Speaker 1: But I got five things I'm annoyed. At number five,

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Speaker 1: I got a pair of pants on and the zipper

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Speaker 1: won't stay up. Oh and these are pants that are

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Speaker 1: nice pants. And he stopped looking. What, Eddie, that's not

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Speaker 1: a good joke. I'm sitting mind a table. Number five,

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Speaker 1: The zipper on my pants, well, every time I sit

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Speaker 1: or standing goes like halfway down, and these are nice pants.

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Speaker 1: And that's annoying. Number four. This morning, as I'm trying

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Speaker 1: to quietly tiptoe around my bedroom as my wife was asleep,

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Speaker 1: we have a new bench at the bottom of our bed,

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Speaker 1: different size than the other one. And I would understand.

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Speaker 1: And I do understand how because I worked with the

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Speaker 1: blind guy on one of my episodes in that Geo

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Speaker 1: and he was like, man, people move the furniture. I

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Speaker 1: run into it. It It hurts, wasn't the new size. I

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Speaker 1: hit my knees so hard at the very very edge

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Speaker 1: of it as it was like boom. And then she's

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Speaker 1: asleep and I'm like, I can't be loud and I

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Speaker 1: just can't. I gonna like that, And I'm like, oh,

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Speaker 1: annoyed at that? That isn't annoying to that. Number three. Ella,

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Speaker 1: our dog, one of our two dogs, got sick a

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Speaker 1: couple of weeks ago. Her stomach was hurting and she

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Speaker 1: would not eat the dry food that she always eats.

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Speaker 1: She's like, I'm not eating I'm not eating it. So

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Speaker 1: I put a little broth on there. My wife's I

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Speaker 1: do put a little little chicken broth on the food.

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Speaker 1: She ate. It tastes better to her. She got healthy,

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Speaker 1: she's healthy now. But now she want to eat her

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Speaker 1: food with that broth on her. Yeah, And so now

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Speaker 1: I gotta put broth on her food everywhere. That's spit everywhere.

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Speaker 1: I'm so irritated at this. I'm gonna put broths on

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Speaker 1: her food every morning, and she just looks at me. Well,

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Speaker 1: the other thing is Stanley got it and it's some

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Speaker 1: of her food, and now he wants broth too, because

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Speaker 1: he knows what the broth food is like. And then

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Speaker 1: I feel guilty, so putting broth in my dog's food.

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Speaker 1: Number three B. It's not that expensive, A good little

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Speaker 1: box of it, a little box of broth, a little

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Speaker 1: white cap off poll on there. It's just the fact

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Speaker 1: that I have to do it now. Number two B.

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Speaker 1: Cave from Florida, Georgia line annoyed the crap out of me.

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Speaker 1: Oh cool, here's what happened. I did the interview with Tyler,

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Speaker 1: and Tyler came on it was good that we're not

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Speaker 1: together anymore, but told his story becaus like, hey, I

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Speaker 1: want to come on, And we don't ever let people

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Speaker 1: just say I want to come on. But I was

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Speaker 1: like I talked to him and I never do that.

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Speaker 1: But it's like, here's why I want to come on,

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Speaker 1: and why I'm asking is that's want to tell my

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Speaker 1: story for different reasons. And I'm like, okay, cool, well

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Speaker 1: set it up. We only dedicate one out. We only

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Speaker 1: dedicate one time a week to do these because there's

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Speaker 1: such intense podcasts. They're an hour and he sitting there,

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Speaker 1: get to the prep up front, they come to my house,

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Speaker 1: there's a whole calendar's gotta be lah la la less

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Speaker 1: than twenty four hours. Like, hey, I don't want to

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Speaker 1: do it anymore. White Till New music. But it's like

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Speaker 1: it is what it is. I'm annoyed. Yeah. Number one,

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Speaker 1: my rib injury. I don't know how I did it.

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Speaker 1: Most injuries I know, I'm like, did that doing sprints?

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Speaker 1: Did that? Doing dead left? You do work out hard

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Speaker 1: for I don't know I got the rib injury. I'm

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Speaker 1: just saying and now breathe like it pokes me? Is

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Speaker 1: it broken? Na I've had a broken rib. It's been

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Speaker 1: a long time, but it ain't broken boxer. Yeah, I

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Speaker 1: assure you it ain't broken. Yeah, it just it's like

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Speaker 1: and there's nothing you can really do for a ribbing.

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Speaker 1: You can do this a lot and annoy your wife.

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Speaker 1: So that's why I come to you today. I'm in

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Speaker 1: a good mood. I'm just annoyed by all that, with

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Speaker 1: all those things. You're fine is this morning? Yeah, I'm okay, cool,

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Speaker 1: I'm good. I'm healthy. Yeah, feel good. No, you just

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Speaker 1: said you're rip'roke. But I'm healthy healthy, Maybe I'll be healthy.

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Speaker 1: I'm healthy, healthy, I'm rocking. I do you guys want

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Speaker 1: to play? Yeah? What do you? Oh? You do? Go

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Speaker 1: ahead for sure. I've told my kids one hundred times

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Speaker 1: don't leave stuff on my car because it's parking the

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Speaker 1: garage and they think it's a shelf or something. Well,

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Speaker 1: this morning, this happened this morning. As I'm leaving my house,

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Speaker 1: I'm going down the road out of my neighborhood. I

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Speaker 1: take a left out of my neighborhood and I hear

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Speaker 1: who no, And I look in my rear view mirror.

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Speaker 1: They had a bucket of sidewalk chalk or whatever, boom

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Speaker 1: all over the street because they left it on your car.

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Speaker 1: Because they left it on my car, I had to

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Speaker 1: text my wife. I'm not stopping to pick that up,

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Speaker 1: but if you see that on the street, can you

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Speaker 1: please pick that up? So annoying, so annoying. Okay, Amy,

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Speaker 1: I'm annoyed with my daughter Sashira because my name, no,

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Speaker 1: this is very specific. She is now in driver's ed

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Speaker 1: and when she rides with me, she just calls out

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Speaker 1: all my oh that would be so annoying. Yeah, what

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Speaker 1: do you sure your mistakes? Oh right, never stop talking, Mom,

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Speaker 1: you're speeding out. I do a stop signing and that

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Speaker 1: thing's sitting there and you're driving toward it. Off like that. Mom,

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Speaker 1: I don't think you stopped fully at the stop sign

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Speaker 1: or if the light is yellow and I go through,

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Speaker 1: I'm like proud of her. She's like that light turned

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Speaker 1: red and she I'm just getting called out. Why are

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Speaker 1: you saying all this stuff now? Calling yourself out? She's like, Mom,

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Speaker 1: that kid's in a in a stroller and you're racing

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Speaker 1: toward it. Momo, just hit something. Mom. They're asking to

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Speaker 1: call nine one one. Um, okay, I'm just reading for

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Speaker 1: a driver's said to be over so we can calm down. Right, Yeah,

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Speaker 1: this little dial right here, it's sticks. You wouldn't be

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Speaker 1: able to tell because I'm that good at my job.

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Speaker 1: But it's been sticking for about a month, and engineering

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Speaker 1: says it's impossible to fix just one dial. They would

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Speaker 1: have to rip the butt out of the entire board,

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Speaker 1: and for that, I'm annoyed. So the play to do

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Speaker 1: it again for audience. This is how it's supposed to be,

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Speaker 1: but it's sticks, so it's like it's not smooth. It

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Speaker 1: turns it up. Yeah, yeah, okay, finally I'm annoyed at

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Speaker 1: my bike. I don't know. There's a clicking noise when

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Speaker 1: I'm hitting the break cook and I don't know what

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Speaker 1: it is. If it's the tires rubbing, it gets something.

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Speaker 1: But all of a sudden, this new bike, I mean

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Speaker 1: it's already got a click. He's just got its service,

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Speaker 1: didn't you. I know, I got it, man. It could

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Speaker 1: be everything on me hurts. I mean, hopefully it's not

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Speaker 1: my knee, but I think it's something on the bike.

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Speaker 1: I don't know if the wheel's bent, but yeah, clicking

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Speaker 1: on the bike not good. Well that's how we starting.

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Speaker 1: That's how we're starting. We're all annoyed. Now I've made

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Speaker 1: you all annoyed. It's the best bits of the week

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Speaker 1: with Morgan number two. We had it. Dylan Scott on

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Speaker 1: the show this week, which is at number six. He

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Speaker 1: was super awesome to hear talk about his new album.

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Speaker 1: He shared how he keeps his goals front of mine.

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Speaker 1: He also performed some of his brand new songs. So

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Speaker 1: if you want to hear the interview, that's what's about

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Speaker 1: to play right now. If you want to watch that performance,

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Speaker 1: check it out Bobby Bones dot com. It's really good.

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Speaker 1: Dylan is a great performer. It's just him and a

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Speaker 1: guitar and some brand new songs, and we love hearing

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Speaker 1: a new song. Number six. Dylan Scott's got two number

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Speaker 1: one songs. Probably know this one. It's called My Girl, Yeah,

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Speaker 1: that's his other one's called Nobody Girl No. Yeah. He

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Speaker 1: was the CMT Music Or Winner for Breakthrough Video of

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Speaker 1: the Year for that song right there. He's got over

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Speaker 1: a billion streams and he has big muscles. All right,

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Speaker 1: Here we go, well he does look at him all right.

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Speaker 1: Here we go with Dylan Scott on the Bobby Bones Show.

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Speaker 1: Now Dylan Scott, Dylan, I want to ask you a

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Speaker 1: personal question. If that's okay, you good with that, I'm

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Speaker 1: good with it. Wide open, rip cage open, it's open.

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Speaker 1: I was noticing on your phone you have something written

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Speaker 1: on your your home screen. Yeah, what what is that? Man?

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Speaker 1: It's just like us. It's it's things I want in life?

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Speaker 1: You know, headline arenas, Yes, arena right, Well do you

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Speaker 1: know what this basically little arena we're in? Right? Yeah, sure,

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Speaker 1: this is the arena. I love it. I wrote and

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Speaker 1: my my second book, Fail Until You Don't, I wrote

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Speaker 1: that I do that a lot. I keep it on

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Speaker 1: a lock screen because what do you look at more

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Speaker 1: your phone then your lock screen on your phone? And

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Speaker 1: I was at home and I didn't even know you

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Speaker 1: did that. I was at home a few weeks ago. No,

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Speaker 1: you write the book to say that. Yeah, we'll write

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Speaker 1: the book. Yeah, of course, yeah, I'm gonna read the book.

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Speaker 1: I just get I gotta give me one first though. Um.

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Speaker 1: I was at home late a few weeks ago, late

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Speaker 1: at night, and my family was asleep, and I was

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Speaker 1: just sitting there thinking that same thing. I was like, Man,

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Speaker 1: I'm always whether I know I'm gonna do it or not.

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Speaker 1: You catch yourself opening your phone for no reason. I

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Speaker 1: was like, you know what, I'm gonna put what I

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Speaker 1: want right here. So every time I open it, it's there.

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Speaker 1: I love. I used to at the fridge and now

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Speaker 1: I do it my phone. I just go get bored

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Speaker 1: and open open the fridge and and be like, well,

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Speaker 1: I don't know why I'm here, not even hungry, just bored.

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Speaker 1: Now that's where I spend my time on the Phone's

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Speaker 1: I like that, and I hope our listeners. You know,

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Speaker 1: it doesn't have to be a crazy uh. It doesn't

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Speaker 1: have to beat some goal like playing Arenas that's a

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Speaker 1: massive Oh, I think you'll get there. You're killing it.

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Speaker 1: I think that's all. But it can be. Yeah, And

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Speaker 1: it's it's being more attentive as a dad. Yeah, And

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Speaker 1: I've got stuff like that. Is you know, put my

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Speaker 1: phone down, spend more time with my kids. So you

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Speaker 1: pick up your phone, put your phone down, put it

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Speaker 1: back down. I'm pick it up and spend more time

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Speaker 1: when you like, get off your phone's been telling your

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Speaker 1: kids and there it is. So I love like all seriousness.

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Speaker 1: I love it because I subscribe to that method. Two

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Speaker 1: that's super cool man. Yeah, man, would you, because you're

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Speaker 1: so good when you perform in the studio, would you

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Speaker 1: give us like a verse and a chorus of New Truck,

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Speaker 1: your current single. Yeah, here regret If you're looking, you're

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Speaker 1: in alone. I need a new true. That's good, good,

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Speaker 1: it's good bye. So that's Dylan Scott. And by the way,

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Speaker 1: that is not recording the studio. That is live right there,

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Speaker 1: no special effects. Yeah, he's sound great, man, you especially

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Speaker 1: for early in the morning. His new album is out.

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Speaker 1: It's out this week. Pretty pumped. I mean it's always

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Speaker 1: a big deal, like having a baby. Dude, I'm so excited.

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Speaker 1: This is my second album. I've been in this town

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Speaker 1: ten years. It was four years ago, or at least

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Speaker 1: my first album, so it's been four years since my

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Speaker 1: last album, my last body of work. And I'm just pumped. Man.

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Speaker 1: I feel really good about it. So New Truck is

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Speaker 1: the very first track on the record. The second track

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Speaker 1: is Amen to that. Now we've got two options here, yep,

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Speaker 1: do you know that? One? I can play a little

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Speaker 1: bit of it because I can play a clip of it,

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Speaker 1: or you can give us down a dirty Dylan. I

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Speaker 1: don't know. I don't know what that means. Don't you'll play?

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Speaker 1: You gonna play a little bit of it? Yeah, there's

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Speaker 1: some of it. Amen to that. Go ahead, mean that

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Speaker 1: what I'm talking about. Dang Morgan Walla one of the

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Speaker 1: writers on that song. Yeah, pretty cool. How'd you get

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Speaker 1: that song? I don't know how I got that song?

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Speaker 1: Man Morgan should have recorded that song. Um. It was

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Speaker 1: just sent to me in a body of work and

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Speaker 1: I fell in love with it the moment I heard it.

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Speaker 1: And this is one of those songs I've had for

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Speaker 1: probably three years now. That's just the first two trick.

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Speaker 1: If you think that that's only two tracks, the first two,

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Speaker 1: that's how good the record is. The entire record. I

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Speaker 1: hope you guys check it out. It's called Living My

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Speaker 1: Best Life. It came out on Friday. Um So radio

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Speaker 1: station used to do this really lame thing where they

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Speaker 1: would have an artist and they'd go, um, they say, okay,

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Speaker 1: if you're gonna record it, we want you to address

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Speaker 1: us specifically in the song, and and so like Zach

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Speaker 1: Brown Band had to do it once way when they

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Speaker 1: started and be like, I don't remember what it was,

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Speaker 1: but like chicken fried here into sclusive but they would hurt. Yeah,

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Speaker 1: there would be like Pete Pablo was like all radio

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Speaker 1: stations everywhere at w and they have them insert that

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Speaker 1: radio station and they'd set in a studio. And I

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Speaker 1: always hated that they made artists personalized things for they

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Speaker 1: made artists. Yeah, do that. So anyway, would you do

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Speaker 1: razorback hat instead of rapt Yeah, just for the first

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Speaker 1: part of that? Yeah, personalized me. Yeah, here we go.

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Speaker 1: I forget what part it was Rocky Top hat. The

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Speaker 1: line that amen to that the first part. Just don't

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Speaker 1: say Rocky top you just say razorback when it comes out.

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Speaker 1: But good rabag. I can't do that though. Man, I'm

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Speaker 1: an lsu Fann, but you're not a Tennessee fan and

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Speaker 1: you set a Rocky Top hat. So I didn't want

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Speaker 1: to point, like you said, I didn't really want to

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Speaker 1: personalize it to myself for that, you know, it was

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Speaker 1: It's good and Rocky Top one was the last time

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Speaker 1: you heard Rocky Top hat. I mean a lot of

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Speaker 1: live in Tennessee everywhere. But all I'm saying is a

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Speaker 1: razorback hat would have been nice. But okay, we'll play

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Speaker 1: the song lest okay send it to you now. I'll

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Speaker 1: do a voicemail and send it to you tonight. Don't

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Speaker 1: even do it. Dylan Scott is here. Do you want

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Speaker 1: to pick another new song that you're loving? To play

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Speaker 1: a little clip of that right here on the guitar. Yeah,

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Speaker 1: we can do that. Do you what you want to do? Yeah,

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Speaker 1: let's do it, all right, Dylan Scott, don give us

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Speaker 1: one more? Which song? Give us a new song here?

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Speaker 1: Tell us about it before you play. Um, why don't

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Speaker 1: we do? Uh? I got one? Oh? Yeah one? This

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Speaker 1: is probably one of my favorite songs off this album. Um,

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Speaker 1: one of them. It's hard to pick, I know, but

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Speaker 1: this song here, another one I did not write. There's

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Speaker 1: too many great songs in this town. What's it called?

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Speaker 1: It's called tough Okay, it's called tough Man, and it's

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Speaker 1: about a dad talking. It's a little my favorite, well,

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Speaker 1: my favorite. This is one of them story songs you

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Speaker 1: gotta listen to. I'll do a verse of chorus for

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Speaker 1: that's what you want. But if you listen to this album,

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Speaker 1: you gotta listen to it all the way. You're telling

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Speaker 1: me that if we listen to the album, we'll hear

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Speaker 1: the entire tough song, right, all right? Let's go on

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Speaker 1: good love being too. That's a good to a man.

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Speaker 1: I like to play out your truck line. I love

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Speaker 1: that line. That's like and that's a good song. But

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Speaker 1: the whole time I was like, that's yeah, that's like

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Speaker 1: relatable and true and yeah. So second verse goes, don't

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Speaker 1: talk about you know, don't spoiler spoiler alert, listen to

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Speaker 1: the album. That's the goal here, Dylan Scott's here. I

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Speaker 1: mean I can. I can feel our listeners going, Oh,

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Speaker 1: I really like this guy. This is good. I do

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Speaker 1: want to talk about your wife. And I feel like,

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Speaker 1: you know, sometimes Dylan, you have friends and you don't

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Speaker 1: only talk to them human form a whole lot, but

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Speaker 1: you keep up with them on social media. So even

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Speaker 1: when you do talk, you don't feel like a lot

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Speaker 1: of times past you ever do that. Yeah, I mean

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Speaker 1: I do all the time my friends, but I almost

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Speaker 1: feel like that with you a little bit in that

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Speaker 1: I watched on social media and I think could be wrong.

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Speaker 1: Here the song you played a second ago, the second

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Speaker 1: song that you played, which is try to Hell. I

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Speaker 1: think I saw you play that on Instagram. Sure, I'm live,

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Speaker 1: did I Yeah? So that's how that song is familiar

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Speaker 1: to me because I'm obsessed with you. There it is,

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Speaker 1: I said it so. But I was watching a clip

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Speaker 1: of your wife rap and I think it was on

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Speaker 1: the part of a Lincoln it's a Lincoln Park. Yeah,

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Speaker 1: I think it was Lincoln Park. She's uh, she is, um,

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Speaker 1: she's she's very shy, but I get her. I get

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Speaker 1: her on the phone and I video or without her

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Speaker 1: knowing it, and I put it out there for the

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Speaker 1: world to see. But she's cool with that. She well

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Speaker 1: she is, but she ain't. She's awesome. Yeah, she is. Man,

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Speaker 1: she's so cool. So you know you your dad, you're

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Speaker 1: an artist. You tore alized, like I'm assuming that she's

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Speaker 1: kind of the rock and the family because she's got

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Speaker 1: to do it all, especially when you're not home. Yeah,

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Speaker 1: she's the rock star for sure. She stay at home

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Speaker 1: mom and um, you know it's crazy. So I've been

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Speaker 1: with my wife's I was fifteen years old a long time.

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Speaker 1: Seventh grade right, Yeah, well we met in seventh grade,

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Speaker 1: started dating like first high school. But she's known like

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Speaker 1: my dreams and my goals this whole time. And so

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Speaker 1: I mean, dude, it don't matter if I come home

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Speaker 1: for a day and I'm like spur of the moment. Oh,

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Speaker 1: I gotta get back out and go again. Like she

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Speaker 1: never gives me a hard time, never gives me a

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Speaker 1: hard time about she's so tired, like the kids are

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Speaker 1: wearing me. Never gives me a hard time, And like

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Speaker 1: I back that. I mean, she's she's awesome. What is

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Speaker 1: there to do in Bashup Louisiana. Nothing, it's nothing to do, okay,

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Speaker 1: But if you were to, you're gonna go to If

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Speaker 1: you're gonna go to bash Up Louisiana, the town that

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Speaker 1: I grew up, what is there? There's I mean there's nothing.

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Speaker 1: Used to be a meal, but I mean there's there's

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Speaker 1: a really cool courthouse square that I think you should

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Speaker 1: get there early and eat the breakfast at this place

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Speaker 1: called Pet's. Eat a bite. Now we're talking. If you

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Speaker 1: get there at lunch, go to Sladen's Barbecue. Other than that,

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Speaker 1: just have two restaurants. Well yeah, a little more than that,

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Speaker 1: but that's the only two I recommend. But otherwise you

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Speaker 1: just pass on through and just keep on going. So

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Speaker 1: it's uh, Basha Louisiana. What's the population there? It used

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Speaker 1: to be like twelve thousand. I bet it's probably six

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Speaker 1: Now ever, go back, I do. Yeah, yeah, I actually

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Speaker 1: built a house there. Um, we finished it a couple

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Speaker 1: of years ago, and then you know, we sold it

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Speaker 1: a probably two months ago. Now, my mom died back

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Speaker 1: in December, and I was like, babe, you know, my

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Speaker 1: dad's gonna move away. Like we don't really need them.

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Speaker 1: You know, we'll go back for Christmas in this sista,

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Speaker 1: but we don't need a house there. We don't need

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Speaker 1: to be there because we're here and if I'm not here,

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Speaker 1: I'm touring. So uh yeah, we sold it Bashel, Louisiana.

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Speaker 1: Where's it in the state, Like northeast Louisiana. You got

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Speaker 1: boats there, like gambling boats anywhere near? What kind of boats?

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Speaker 1: Gambling boats? Gambling? But well, Vicksburg, Mississippi's not too far.

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Speaker 1: Tim McGraw grew up about thirty minutes from there. That's

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Speaker 1: a cool clear heard there was a clip of you

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Speaker 1: saying you'd never met him. Never met Tim? Yeah, I

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Speaker 1: know where he lives. Would you like me this? Yeah? Crazy?

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Speaker 1: Like I grew up in a town that's thirty minutes

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Speaker 1: from Tim. We grew up probably about the same way.

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Speaker 1: And I mean he's a little bit older than I

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Speaker 1: am obviously, but never met him man, And he's like

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Speaker 1: a huge, huge hero of mind. Surprising that you'd never

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Speaker 1: met him yet, especially with the success that you've had.

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Speaker 1: And I'm sure your cross pats is Yeah, it don't

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Speaker 1: happen now it's supposed to. But I give you a

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Speaker 1: just pass passed along his story. Josh Turner went up

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Speaker 1: big Johnny Cash fan went knocked on his door. Johny

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Speaker 1: Cash let him in. So I'm just staying mcgral you

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Speaker 1: know Cash, you know I'm saying good going on our door.

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Speaker 1: I got half of me and I was saying he

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Speaker 1: may be there. Dylan Sky is here. I'm to play

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Speaker 1: a clip of the title track. So the song is

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Speaker 1: called living My Best Life. Enjoy this song and welcome

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Speaker 1: right back here. You got so you co wrote eight

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Speaker 1: of the sixteen songs. But I want to just mention

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Speaker 1: the writers of that B K. Tyler Hubbard, both in Florida, Georgia, Line,

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Speaker 1: Thomas Rhett and Corey Crowder. And so it's a pretty

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Speaker 1: cool song. They say, hey, take this one. Yeah, that's one.

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Speaker 1: So Tyler, he'll send me songs here and there, you know,

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Speaker 1: and that's one of them songs. When I heard it.

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Speaker 1: I was like, man, I'm one, I'm living my best

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Speaker 1: life right now, you know, with having a little success

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Speaker 1: and the family and just torn the country. So I

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Speaker 1: mean that really spoke to me. And it was just fun. Man.

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Speaker 1: You know I have a pretty high energy live show.

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Speaker 1: It's like, man, that's a great song, so we have

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Speaker 1: to we have to cut it. Would you play before

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Speaker 1: you live? Just a verse and a chorus of your

418
00:18:50,600 --> 00:18:54,920
Speaker 1: hit my girl here he is everybody, Dylan Scott. Yeah,

419
00:18:55,000 --> 00:19:02,679
Speaker 1: that's my girl. Dylan Scott a nice shop. I can

420
00:19:02,720 --> 00:19:05,040
Speaker 1: say any things. His album Live in My Best Life

421
00:19:05,080 --> 00:19:08,119
Speaker 1: it is out now. Added to find some songs you

422
00:19:08,200 --> 00:19:10,320
Speaker 1: like and just add it to your normal streaming because

423
00:19:10,359 --> 00:19:13,119
Speaker 1: every time you play one of his songs, three cents

424
00:19:13,200 --> 00:19:16,280
Speaker 1: and one step closer to headline and arenas Yeah see

425
00:19:16,280 --> 00:19:19,359
Speaker 1: there we go. So do that. But go see Dylan

426
00:19:19,440 --> 00:19:21,240
Speaker 1: as well, because a lot of the places our show

427
00:19:21,320 --> 00:19:27,320
Speaker 1: is Springfield, Okay, see Pittsburgh, Indie, Milwaukee, Sioux Falls, Oxford, Mississippi.

428
00:19:27,320 --> 00:19:29,120
Speaker 1: Little Rock he's doing it. You can go to Dylan

429
00:19:29,200 --> 00:19:31,520
Speaker 1: Scott country dot com go watch the show. Like you

430
00:19:31,560 --> 00:19:32,760
Speaker 1: really want to help an artist? Now, you want to

431
00:19:32,760 --> 00:19:35,280
Speaker 1: support an artist? Follow him on social media at Dylan

432
00:19:35,320 --> 00:19:38,200
Speaker 1: Scott Country, go to a show by merch stream their music.

433
00:19:39,000 --> 00:19:40,400
Speaker 1: You could be a lot of our listeners new favorite

434
00:19:40,440 --> 00:19:42,440
Speaker 1: artists after today you had a plus appearance. I don't

435
00:19:42,440 --> 00:19:45,040
Speaker 1: say that everybody. Yeah, I say that everybody. Just before

436
00:19:45,119 --> 00:19:46,480
Speaker 1: we came on the air, Dylan's like, I'll do whatever

437
00:19:46,480 --> 00:19:48,280
Speaker 1: you want, and I was like, well, let's just see

438
00:19:48,320 --> 00:19:50,399
Speaker 1: what happens. And we saw what happened. He nailed it.

439
00:19:50,400 --> 00:19:53,520
Speaker 1: He nailed it. Come on, Dylan, thank you buddy. You

440
00:19:53,520 --> 00:19:55,359
Speaker 1: guys go see Dylan. Check out the album it is

441
00:19:55,359 --> 00:19:57,840
Speaker 1: out now, came out this week, and follow him Dylan

442
00:19:57,960 --> 00:20:01,600
Speaker 1: Scott Country and there he is, Dylan Scott. It's the

443
00:20:01,640 --> 00:20:07,359
Speaker 1: best bits of the week with Morgan number two. I

444
00:20:07,440 --> 00:20:11,000
Speaker 1: am just over here drinking on my tea because this

445
00:20:11,080 --> 00:20:13,960
Speaker 1: week I spilled some tea on Eddie and it was

446
00:20:14,000 --> 00:20:15,560
Speaker 1: a good time for me. You know. I love when

447
00:20:15,600 --> 00:20:16,960
Speaker 1: I get to spill the tea on some of the

448
00:20:17,000 --> 00:20:19,000
Speaker 1: boys on the show because they're always coming at me

449
00:20:19,040 --> 00:20:22,399
Speaker 1: for random things like Eddie and his idea of my

450
00:20:22,480 --> 00:20:25,280
Speaker 1: outfits with artists. That's just the whole thing. If you

451
00:20:25,280 --> 00:20:26,840
Speaker 1: want to check that out, that's up on all our

452
00:20:26,880 --> 00:20:29,359
Speaker 1: social media and stuff. But this week I spilled the

453
00:20:29,480 --> 00:20:32,560
Speaker 1: tea on Eddie and it was a great segment because

454
00:20:32,640 --> 00:20:35,400
Speaker 1: he got called out, he got he got seen, and boy,

455
00:20:35,560 --> 00:20:37,440
Speaker 1: for a moment there, he was a little concerned about

456
00:20:37,480 --> 00:20:39,720
Speaker 1: what was going to happen. So I'm gonna keep stipping

457
00:20:39,760 --> 00:20:41,239
Speaker 1: on my tea and I'm gonna let you, guys hear

458
00:20:41,280 --> 00:20:44,520
Speaker 1: me spill the tea. Number five it is time. Oh well,

459
00:20:44,520 --> 00:20:48,800
Speaker 1: little early tea this morning. Let's spill the tea. It's

460
00:20:48,840 --> 00:20:51,440
Speaker 1: the segment where someone comes to me in confidence. It goes,

461
00:20:52,000 --> 00:20:53,800
Speaker 1: I'd like to share a secret about somebody else on

462
00:20:53,800 --> 00:20:55,320
Speaker 1: the show. Do you think it will be okay? And

463
00:20:55,359 --> 00:20:58,560
Speaker 1: I always say yes, of course, And then that person

464
00:20:58,640 --> 00:21:01,000
Speaker 1: comes out and does spell it public. But the person

465
00:21:01,119 --> 00:21:03,560
Speaker 1: spelling the T is Morgan number two. Oh but she.

466
00:21:03,640 --> 00:21:04,920
Speaker 1: I don't know that she's ever been on as a

467
00:21:04,920 --> 00:21:07,760
Speaker 1: T speller. Does anyone feel like they're probably going to

468
00:21:07,800 --> 00:21:09,919
Speaker 1: be the person has T spelled on them? Definitely? Not me.

469
00:21:10,040 --> 00:21:12,399
Speaker 1: I always feel like it's me always. He's got a

470
00:21:12,440 --> 00:21:15,320
Speaker 1: lot of secrets, guys, That's what he said. I mean,

471
00:21:15,359 --> 00:21:19,240
Speaker 1: he obviously does. If he's it's always going to be me, okay, Morgan,

472
00:21:19,280 --> 00:21:20,760
Speaker 1: who would you like to spill the t on. I

473
00:21:20,760 --> 00:21:29,679
Speaker 1: would like to spill the tea on Eddie. All right,

474
00:21:29,720 --> 00:21:31,960
Speaker 1: what happened? Well, so you know how we heard about

475
00:21:32,000 --> 00:21:34,879
Speaker 1: the uber dropping off about twenty bucks to his house. Right,

476
00:21:35,359 --> 00:21:41,040
Speaker 1: let me gonna recapt the story. Crap Eddie? Oh no, okay.

477
00:21:41,080 --> 00:21:42,960
Speaker 1: So Eddie takes an Uber this is the fast version.

478
00:21:43,440 --> 00:21:44,960
Speaker 1: The uber driver is going the wrong way and he's like,

479
00:21:45,000 --> 00:21:46,320
Speaker 1: this is not the right way. He goes, trust me,

480
00:21:46,560 --> 00:21:48,600
Speaker 1: and then they get to that spot and he's like, Uber,

481
00:21:48,680 --> 00:21:50,879
Speaker 1: I messed up. Eddie's like, I told you the builds

482
00:21:50,920 --> 00:21:53,800
Speaker 1: twenty bucks over. Uber drivers still mell you the check.

483
00:21:54,280 --> 00:21:56,000
Speaker 1: Eddie says, I got twenty bucks from Uber driver. At

484
00:21:56,000 --> 00:21:58,880
Speaker 1: the end, story's over, you got twenty bucks. Everybody's happy.

485
00:21:58,880 --> 00:22:03,720
Speaker 1: Can we not do this? Like really? Like I'm scared.

486
00:22:04,359 --> 00:22:07,880
Speaker 1: I'm scared. Somebody may be listening right now. Who's somebody?

487
00:22:08,240 --> 00:22:11,520
Speaker 1: Go ahead, carry on. If you think you're gonna die,

488
00:22:11,520 --> 00:22:12,680
Speaker 1: we'll just hit a button and go to a side.

489
00:22:12,680 --> 00:22:14,800
Speaker 1: I don't think death, but I mean i'm a little

490
00:22:15,320 --> 00:22:17,920
Speaker 1: What we're gonna do here? Why don't we play the song?

491
00:22:18,680 --> 00:22:20,679
Speaker 1: And if you tell me during this break that you

492
00:22:20,720 --> 00:22:24,000
Speaker 1: could die? Wow? Is this good? I don't know would

493
00:22:24,040 --> 00:22:26,480
Speaker 1: ever have occurred to you that he could maybe die.

494
00:22:26,920 --> 00:22:29,760
Speaker 1: I don't know the story. Ray hit the song here,

495
00:22:30,040 --> 00:22:32,600
Speaker 1: we'll come back, and if we never address it again,

496
00:22:32,640 --> 00:22:37,800
Speaker 1: it's because Eddie said he was gonna die. Okay on that. Okay,

497
00:22:37,840 --> 00:22:40,080
Speaker 1: I don't think EDI's gonna get murdered. Okay, Morgan finished

498
00:22:40,080 --> 00:22:43,280
Speaker 1: the story. No, he was just a little dramatic. Wait, okay, Lie, dramatic,

499
00:22:43,280 --> 00:22:46,240
Speaker 1: go ahead, go ahead. So I told him after he

500
00:22:46,280 --> 00:22:48,080
Speaker 1: told us about this uber segment. I was like, you know,

501
00:22:48,119 --> 00:22:50,080
Speaker 1: you can go on the uber app and just tell

502
00:22:50,280 --> 00:22:52,800
Speaker 1: Uber what happened and they will refund you the money

503
00:22:52,920 --> 00:22:56,359
Speaker 1: that was extra that you got charged extra. He was like, no,

504
00:22:56,400 --> 00:22:58,520
Speaker 1: I don't know how to do that. So I go

505
00:22:58,560 --> 00:23:01,600
Speaker 1: on Eddie's Uber app. It really quickly and he gets

506
00:23:01,640 --> 00:23:04,400
Speaker 1: twenty dollars back into his account. Well, he didn't tell

507
00:23:04,440 --> 00:23:09,760
Speaker 1: anybody that, so now he made twenty dollars profit. Guys,

508
00:23:09,760 --> 00:23:11,960
Speaker 1: if this uber driver is listening, he's gonna be so

509
00:23:12,040 --> 00:23:14,200
Speaker 1: upset right now. Does he know what you do? I

510
00:23:14,240 --> 00:23:16,920
Speaker 1: don't know. Okay, Well, then how in the world what

511
00:23:17,119 --> 00:23:21,960
Speaker 1: he happened to stumble across this this early put boys

512
00:23:22,000 --> 00:23:30,359
Speaker 1: together that day? Like if you were an Uber driver,

513
00:23:30,520 --> 00:23:32,359
Speaker 1: and the exact same story that happened to you a

514
00:23:32,400 --> 00:23:33,880
Speaker 1: couple of days ago is being talking on the radio.

515
00:23:34,000 --> 00:23:36,120
Speaker 1: Some people are like, hey, wait a second, that's me.

516
00:23:36,560 --> 00:23:39,200
Speaker 1: I know where you live. He knows where I live.

517
00:23:40,080 --> 00:23:42,399
Speaker 1: You're skating over the issue. If I did something dirty

518
00:23:42,480 --> 00:23:44,120
Speaker 1: like this, we would be raking me over the coals.

519
00:23:45,760 --> 00:23:49,920
Speaker 1: Oh sorry, we don't get there. I'm not worried about

520
00:23:49,920 --> 00:23:52,600
Speaker 1: his health. I love it. Smart move. So this is

521
00:23:52,640 --> 00:23:55,080
Speaker 1: what I would say, hate it. It happened, But you

522
00:23:55,119 --> 00:23:57,159
Speaker 1: had the conversation with him right at the end of

523
00:23:57,200 --> 00:23:59,359
Speaker 1: it happening, right right. So then you come in and

524
00:23:59,359 --> 00:24:00,840
Speaker 1: you're like, let me go check with Uber because you

525
00:24:00,840 --> 00:24:02,480
Speaker 1: may not get the money back at all. Who knows

526
00:24:02,880 --> 00:24:04,800
Speaker 1: Morgan helps you. Yes, get your money back, and there's

527
00:24:04,800 --> 00:24:07,480
Speaker 1: no way to stop the transfer of the cash. Yeah. True,

528
00:24:07,600 --> 00:24:10,399
Speaker 1: you can't actually reach happened. You can't say hey, hey, Bra,

529
00:24:10,960 --> 00:24:12,560
Speaker 1: don't worry about you can't get ahold of the bra.

530
00:24:12,720 --> 00:24:14,800
Speaker 1: I don't know the bra, right, that's why he dropped

531
00:24:14,800 --> 00:24:16,880
Speaker 1: the cash off in my mailbox. Is only twenty percent

532
00:24:16,960 --> 00:24:19,480
Speaker 1: shad think wait, wait, did you do the Uber thing

533
00:24:19,600 --> 00:24:21,480
Speaker 1: after you got the cash? No? No, that's what I

534
00:24:21,520 --> 00:24:23,080
Speaker 1: just said. No, I'm just making sure I want to

535
00:24:23,119 --> 00:24:26,600
Speaker 1: make check his honest. Okay, that's where I was being honest. Guys, Yes,

536
00:24:26,760 --> 00:24:30,120
Speaker 1: you did it after No, he just didn't tell anyone

537
00:24:30,160 --> 00:24:34,040
Speaker 1: what happened in the uber's money. Why would you would

538
00:24:34,040 --> 00:24:38,359
Speaker 1: you tell anyone? No? No, before? But it's also I

539
00:24:38,520 --> 00:24:41,080
Speaker 1: would so what you can educate all of us to

540
00:24:41,200 --> 00:24:44,080
Speaker 1: know that that's something that you can do inside the app. Yeah. Yeah, sure,

541
00:24:44,080 --> 00:24:46,720
Speaker 1: you guys can google that if you mess that she

542
00:24:46,800 --> 00:24:49,800
Speaker 1: told you. Okay, so you went on. He cost you

543
00:24:49,840 --> 00:24:52,120
Speaker 1: twenty extra. He said he paid you twenty back because

544
00:24:52,119 --> 00:24:54,199
Speaker 1: he was wrong. He paid you that twenty back. But

545
00:24:54,280 --> 00:24:55,960
Speaker 1: before you got it back, you actually went to the

546
00:24:55,960 --> 00:24:57,920
Speaker 1: app and said, hey, I just kind of got messed up, Morgan.

547
00:24:58,000 --> 00:25:00,200
Speaker 1: I gave Morgan the phone. Yeah, so technically I didn't

548
00:25:00,240 --> 00:25:02,000
Speaker 1: even do it. She did it. You didn't do anything wrong.

549
00:25:02,040 --> 00:25:04,320
Speaker 1: I'm on your side. It's only twenty percent shady, and

550
00:25:04,359 --> 00:25:06,359
Speaker 1: it's only twenty percent shady if you don't do something

551
00:25:06,400 --> 00:25:09,439
Speaker 1: good with that twenty dollars extra. In the words of

552
00:25:09,480 --> 00:25:14,000
Speaker 1: lunchbox money gone sorrow money. Okay, Oregan, you spilled the tea.

553
00:25:14,080 --> 00:25:18,520
Speaker 1: Thank you for that. That is spilled the tea. Let's

554
00:25:18,520 --> 00:25:23,000
Speaker 1: just spill you very much. It's the best bits of

555
00:25:23,040 --> 00:25:27,840
Speaker 1: the week with Morgan. Number two. For the very first time,

556
00:25:27,960 --> 00:25:31,600
Speaker 1: Abby made her debut on Broadway this past weekend. We

557
00:25:31,600 --> 00:25:33,840
Speaker 1: talked about it on the show this week, how it

558
00:25:33,880 --> 00:25:37,520
Speaker 1: all went, how the listeners showed up for her, and

559
00:25:37,600 --> 00:25:40,159
Speaker 1: of course how Lunchbox didn't show up but kind of

560
00:25:40,160 --> 00:25:42,760
Speaker 1: showed up also. I went. I thought she did awesome

561
00:25:42,880 --> 00:25:44,600
Speaker 1: and it was cool to see her get to live

562
00:25:44,640 --> 00:25:47,199
Speaker 1: out her dream a little bit. So cool segment and

563
00:25:47,440 --> 00:25:49,520
Speaker 1: definitely a good one to hear if you're all about

564
00:25:49,600 --> 00:25:53,040
Speaker 1: chasing those dreams. Number four, it was a big weekend

565
00:25:53,080 --> 00:25:55,639
Speaker 1: for our phone screen or Abby who moved to Nashville

566
00:25:55,680 --> 00:25:57,960
Speaker 1: to be a singer and now she works here on

567
00:25:58,000 --> 00:26:01,720
Speaker 1: the show. But kind of a rekindling of your singing

568
00:26:01,760 --> 00:26:04,200
Speaker 1: career as of the last year or so. Right, Yeah,

569
00:26:04,240 --> 00:26:06,000
Speaker 1: so you go out? You had to learn how many songs?

570
00:26:06,560 --> 00:26:09,479
Speaker 1: Oh ma'am? At least well forty? Can you go out?

571
00:26:09,680 --> 00:26:12,160
Speaker 1: What bar did you play? Alan Jackson? For their people

572
00:26:12,160 --> 00:26:16,160
Speaker 1: there there were a few. Broadway was like not as

573
00:26:16,200 --> 00:26:17,919
Speaker 1: busy as I've seen it. It It was very tame. I

574
00:26:17,920 --> 00:26:21,120
Speaker 1: feel like good. So leis you to go do then probably, Yeah,

575
00:26:21,160 --> 00:26:22,600
Speaker 1: Well I kind of wanted it to be a little

576
00:26:22,640 --> 00:26:26,520
Speaker 1: more wild, like just more people talking, mingling. It was

577
00:26:26,640 --> 00:26:29,439
Speaker 1: very an intimate setting. I would say. It was on

578
00:26:29,480 --> 00:26:32,320
Speaker 1: the second floor, a tiny stage. Chad and I were

579
00:26:32,359 --> 00:26:35,080
Speaker 1: on there. Um, he plays his guitar and then people

580
00:26:35,080 --> 00:26:39,360
Speaker 1: were just like right there. Were you nervous? Yes, nervous

581
00:26:39,400 --> 00:26:44,080
Speaker 1: before or nervous once you got there? Both? So you

582
00:26:44,240 --> 00:26:47,400
Speaker 1: play what was the very first song you sang? Oh?

583
00:26:47,480 --> 00:26:51,560
Speaker 1: What was it? I think Wild Angels by Martina sing

584
00:26:51,560 --> 00:26:53,080
Speaker 1: the first line of that if you if you know it,

585
00:26:53,320 --> 00:26:55,480
Speaker 1: you know what? Do you need the guitar part? Sometimes

586
00:26:55,480 --> 00:26:58,680
Speaker 1: that's tough about the music. Oh my gosh, I don't

587
00:26:58,720 --> 00:27:00,840
Speaker 1: remember how it starts. How's the star? See? This is me?

588
00:27:01,040 --> 00:27:04,359
Speaker 1: Oh and this is what happened too. Just you forget

589
00:27:04,400 --> 00:27:09,400
Speaker 1: the words that happens sometimes to me as well. Yeah everyone. Yeah,

590
00:27:09,400 --> 00:27:11,000
Speaker 1: Like Eddie and I have played these songs one hundred

591
00:27:11,040 --> 00:27:13,000
Speaker 1: times and we got hit him exactly right because we

592
00:27:13,040 --> 00:27:14,960
Speaker 1: have jokes in them, and I'll forget the I mean,

593
00:27:15,119 --> 00:27:17,080
Speaker 1: Eddie forgets it every show all the time. Yeah, So

594
00:27:17,200 --> 00:27:20,680
Speaker 1: don't don't worry about that so much. How many times

595
00:27:20,720 --> 00:27:22,480
Speaker 1: do you think you forgot a word or a lyric

596
00:27:22,560 --> 00:27:28,160
Speaker 1: or a line, probably in like five songs out of twenty. Yeah,

597
00:27:28,200 --> 00:27:30,399
Speaker 1: that's not very good ratio and beyond. We gotta get

598
00:27:30,400 --> 00:27:33,359
Speaker 1: a little better at that. Okay, how would you grade

599
00:27:33,359 --> 00:27:36,080
Speaker 1: your performance, oh man? Out of how many A through F?

600
00:27:36,560 --> 00:27:40,920
Speaker 1: Oh way through? I'd say a C. I'm very hard

601
00:27:40,920 --> 00:27:43,480
Speaker 1: on myself and I was. I walked away not very happy.

602
00:27:43,520 --> 00:27:45,640
Speaker 1: I was like, oh my gosh, who showed up from

603
00:27:45,680 --> 00:27:50,280
Speaker 1: this little area? Morgan? That's good? Did you like it up? Yeah?

604
00:27:50,480 --> 00:27:52,199
Speaker 1: So I thought it was so sweet. I really liked it.

605
00:27:52,200 --> 00:27:53,760
Speaker 1: But then I felt pressure. It was like, oh shoot,

606
00:27:54,000 --> 00:27:55,840
Speaker 1: I have to do really good, Morgan. What'd you say

607
00:27:55,840 --> 00:27:58,040
Speaker 1: once you got to Abbie's gig? She did really good.

608
00:27:58,119 --> 00:28:02,040
Speaker 1: She was definitely nervous, Like her voice sounded awesome. But

609
00:28:02,400 --> 00:28:04,040
Speaker 1: if there will be anything I would tell her is

610
00:28:04,040 --> 00:28:05,880
Speaker 1: that when she messes up, she just has to keep

611
00:28:05,920 --> 00:28:08,680
Speaker 1: moving on. She can't pay attention to it, just focus

612
00:28:08,760 --> 00:28:11,199
Speaker 1: on it. Oh sorry, yeah, that's kind of thing. She

613
00:28:11,240 --> 00:28:13,600
Speaker 1: got a little frustrated with herself, but like her voice

614
00:28:13,600 --> 00:28:17,080
Speaker 1: sounded amazing, she just needed to not draw more attention

615
00:28:17,200 --> 00:28:19,960
Speaker 1: to her mishaps. That's okay, I would coach those kids

616
00:28:19,960 --> 00:28:22,239
Speaker 1: in American Idol, and I would say, if you mess up,

617
00:28:22,280 --> 00:28:24,600
Speaker 1: even on camera and there are five six seven million

618
00:28:24,640 --> 00:28:27,560
Speaker 1: people watching, they don't know you messed up. You're the

619
00:28:27,600 --> 00:28:29,800
Speaker 1: only one that knows you messed up. So you just

620
00:28:29,920 --> 00:28:32,000
Speaker 1: keep going. And if you have to make up something

621
00:28:32,040 --> 00:28:34,240
Speaker 1: for a second, then make up something for a second

622
00:28:34,240 --> 00:28:35,880
Speaker 1: and get back to a spot that you know. If

623
00:28:35,920 --> 00:28:38,240
Speaker 1: you don't show and this is generally in life, not

624
00:28:38,280 --> 00:28:40,720
Speaker 1: just in music. If you don't show that there's some

625
00:28:40,760 --> 00:28:42,800
Speaker 1: sort of mishap, people don't know there's some sort of mishap.

626
00:28:43,240 --> 00:28:45,280
Speaker 1: So don't call attention to it. But you learned, You

627
00:28:45,360 --> 00:28:47,400
Speaker 1: learned right right, because I did call it out. I

628
00:28:47,400 --> 00:28:49,160
Speaker 1: shouldn't have done that. I was like, Shania would be

629
00:28:49,200 --> 00:28:52,560
Speaker 1: ashamed right now you said that in the Okay, we're learning,

630
00:28:52,560 --> 00:28:54,760
Speaker 1: this is a learning experience. I'd hard to be funny

631
00:28:54,800 --> 00:28:59,920
Speaker 1: and like play it off. Was it a comedy show? No,

632
00:29:00,120 --> 00:29:02,360
Speaker 1: Lunchbox was not allowed to go. Did you ever see

633
00:29:02,400 --> 00:29:05,240
Speaker 1: lunchboxes facing the bar? No? I feel like he was

634
00:29:05,320 --> 00:29:09,360
Speaker 1: hiding or something. You did you show up Lunchbox? What happened? Well,

635
00:29:09,440 --> 00:29:11,360
Speaker 1: so I found out that I'm not allowed to go.

636
00:29:11,440 --> 00:29:13,080
Speaker 1: The rules were set, and I was like, man, how

637
00:29:13,120 --> 00:29:15,480
Speaker 1: am I going to find out how Abby did? So?

638
00:29:15,640 --> 00:29:19,640
Speaker 1: I live with someone that is amazing, And I said, hey, babe,

639
00:29:20,200 --> 00:29:21,840
Speaker 1: you're gonna have to go down and watch Abbey seeing

640
00:29:22,040 --> 00:29:24,719
Speaker 1: so you sent your wife. I sent my wife down,

641
00:29:25,840 --> 00:29:28,480
Speaker 1: absolutely did. I packed her in the car. I said, listen,

642
00:29:28,520 --> 00:29:30,200
Speaker 1: I will drop you at the front door. So I

643
00:29:30,240 --> 00:29:32,440
Speaker 1: brought the kids. Oh, you drove her there? Yeah. I

644
00:29:32,480 --> 00:29:35,000
Speaker 1: drove my wife right to the front door and I

645
00:29:35,040 --> 00:29:37,560
Speaker 1: said hey, and I had to explain to her the mission.

646
00:29:37,600 --> 00:29:40,000
Speaker 1: I told her exactly what she had to do to

647
00:29:40,040 --> 00:29:41,800
Speaker 1: go in there and get audio of Abby. So here

648
00:29:41,920 --> 00:29:45,680
Speaker 1: is the first clip, Lunchbox talking to his wife. How

649
00:29:45,880 --> 00:29:51,960
Speaker 1: get here you go? Guys, guys, Okay, So you're gonna

650
00:29:52,000 --> 00:29:54,400
Speaker 1: go in and I'm gonna need you a couple of clips,

651
00:29:54,840 --> 00:29:58,320
Speaker 1: good audio clips and Abby singing. They may not be

652
00:29:58,440 --> 00:30:01,320
Speaker 1: good singing clips because she he really sing but I

653
00:30:02,880 --> 00:30:04,640
Speaker 1: just need you to get you like two different songs,

654
00:30:04,760 --> 00:30:07,920
Speaker 1: her singing. Here's twenty dollars, buy yourself a beer, and

655
00:30:08,040 --> 00:30:14,000
Speaker 1: don't talk to any guys. Okay for those that are

656
00:30:14,040 --> 00:30:17,320
Speaker 1: just listening today, we told Lunchbox he couldn't go because

657
00:30:17,320 --> 00:30:19,800
Speaker 1: he was just going to either harass her or make

658
00:30:19,840 --> 00:30:22,680
Speaker 1: her uncomfortable, because at any second he might harass her.

659
00:30:23,040 --> 00:30:24,720
Speaker 1: So he said, you're not allowed to her first show.

660
00:30:24,800 --> 00:30:27,240
Speaker 1: So he said his wife, Yes, this is a great

661
00:30:27,240 --> 00:30:28,800
Speaker 1: didn't No, you didn't see her? Right? No? I did

662
00:30:28,800 --> 00:30:32,400
Speaker 1: not see her? Is this real? She wear this guy?

663
00:30:32,440 --> 00:30:35,320
Speaker 1: She put on a thing, mustache, she wore a hat,

664
00:30:35,800 --> 00:30:38,480
Speaker 1: put her hair up, you know, but whatever. And here's

665
00:30:38,520 --> 00:30:40,640
Speaker 1: the thing. She goes inside and she's texting me. She's like,

666
00:30:40,680 --> 00:30:44,160
Speaker 1: I don't see Abby, like I don't see her, and

667
00:30:44,200 --> 00:30:46,120
Speaker 1: I'm like, well, she said she's playing the stage and

668
00:30:46,120 --> 00:30:48,240
Speaker 1: she's like, well, I'm inside and there she's not playing.

669
00:30:49,120 --> 00:30:51,280
Speaker 1: And then she found her upstairs, like she wasn't on

670
00:30:51,320 --> 00:30:57,920
Speaker 1: the main stage down she was upstairs. There's layers of

671
00:30:58,000 --> 00:31:00,360
Speaker 1: lots of bars, a lot of bars haven't front and

672
00:31:00,360 --> 00:31:02,880
Speaker 1: the back. And I understand, but what I'm saying is

673
00:31:03,120 --> 00:31:05,040
Speaker 1: she wasn't the main attraction of the bar, Like if

674
00:31:05,040 --> 00:31:06,840
Speaker 1: you want the main attraction, you put them on the

675
00:31:06,880 --> 00:31:09,320
Speaker 1: front stage, like right there when you walk in, boom,

676
00:31:10,040 --> 00:31:12,400
Speaker 1: there she's playing. But she wasn't. So my wife was confused,

677
00:31:12,480 --> 00:31:14,400
Speaker 1: like I think she's lying. She doesn't really have a gig.

678
00:31:14,440 --> 00:31:17,440
Speaker 1: That'd be funny if the whole thing was a lying Abby.

679
00:31:17,480 --> 00:31:19,120
Speaker 1: Did you ever try to sing on Broadway when you

680
00:31:19,160 --> 00:31:23,920
Speaker 1: moved here? I did. I auditioned at Tootsie's and I

681
00:31:23,960 --> 00:31:27,360
Speaker 1: forgot the words to baby Girl by sugar Lands during

682
00:31:27,400 --> 00:31:31,080
Speaker 1: the audition, and I left like, how about that was

683
00:31:31,120 --> 00:31:33,239
Speaker 1: when I first moved here? And here we are ten

684
00:31:33,280 --> 00:31:37,360
Speaker 1: years later, still fregating the words. Nothing's changed. Okay. Here's

685
00:31:37,360 --> 00:31:41,040
Speaker 1: a clip of Abby singing Faith Hills. Don't play it yet? Ray,

686
00:31:41,640 --> 00:31:43,760
Speaker 1: it matters to me? Do you feel like this? Abby

687
00:31:43,800 --> 00:31:45,959
Speaker 1: doesn't know this is happening? Abby? Do you feel good

688
00:31:45,960 --> 00:31:48,960
Speaker 1: about this song? Yeah? He's one of my stronger ones.

689
00:31:49,000 --> 00:32:17,720
Speaker 1: I feel like, okay, here is it matters to me? Okay? Wait,

690
00:32:17,760 --> 00:32:22,040
Speaker 1: think there? Try to us. His wife took this audio.

691
00:32:22,400 --> 00:32:24,640
Speaker 1: She tries to do runs and it's like, oh, Abby,

692
00:32:24,680 --> 00:32:26,600
Speaker 1: how did you feel? I thought I did good on

693
00:32:26,640 --> 00:32:29,720
Speaker 1: that one. I didn't mess up. I mean, you remember

694
00:32:29,760 --> 00:32:36,600
Speaker 1: the words. Here's Abby singing sugar Lands. How did you

695
00:32:36,640 --> 00:32:39,120
Speaker 1: do on stuck like glue? Abbey? Oh no, this is

696
00:32:39,160 --> 00:32:42,360
Speaker 1: on here? Do we have to show this one messed up?

697
00:32:42,400 --> 00:32:46,280
Speaker 1: I think a little. Probably forgot the words and there's

698
00:32:46,280 --> 00:32:48,760
Speaker 1: a rout I just tell you what. Guys, I can't

699
00:32:48,800 --> 00:32:51,520
Speaker 1: control what happens on stage, Like I didn't do this,

700
00:32:51,920 --> 00:32:53,960
Speaker 1: How can I do it? This one? This was in

701
00:32:54,040 --> 00:32:55,840
Speaker 1: public and my wife is here, I'm not there. So

702
00:32:56,000 --> 00:32:58,280
Speaker 1: not want us to play at Abbey? No for it?

703
00:32:58,360 --> 00:33:01,080
Speaker 1: I mean we can. It was first time, so I'm

704
00:33:01,840 --> 00:33:04,840
Speaker 1: do you not want us to play it? Who you can? Abby?

705
00:33:04,880 --> 00:33:06,200
Speaker 1: I will not play you just say don't play it.

706
00:33:06,200 --> 00:33:07,360
Speaker 1: I won't play it. I don't know what part of it.

707
00:33:07,520 --> 00:33:11,840
Speaker 1: I haven't heard any of the go ahead? Are you sure? Yes? Okay,

708
00:33:11,880 --> 00:33:47,080
Speaker 1: here we go. Oh someone was singing along? Did you

709
00:33:47,120 --> 00:33:50,680
Speaker 1: hear that was singing? You know why? I think Abby

710
00:33:50,760 --> 00:33:52,680
Speaker 1: was like whispering because she wasn't confident in that song.

711
00:33:52,760 --> 00:33:54,760
Speaker 1: You can tell, like the way she's singing up there.

712
00:33:55,000 --> 00:33:56,840
Speaker 1: The other one she actually like was like, Okay, I'm

713
00:33:56,880 --> 00:33:58,680
Speaker 1: gonna go for it this and she's like that stuck

714
00:33:58,960 --> 00:34:02,640
Speaker 1: stuck on, stuck on? Abby? You playing again anywhere? I

715
00:34:02,640 --> 00:34:04,720
Speaker 1: don't know where? But yeah, are we have plans to

716
00:34:04,760 --> 00:34:06,600
Speaker 1: play more? All right? Go for it? Okay, if you

717
00:34:06,640 --> 00:34:09,720
Speaker 1: forget a word, keep singing, I know, keep singing. Problem.

718
00:34:09,760 --> 00:34:13,160
Speaker 1: It's like, oh, oh, I like you everybody? Come on?

719
00:34:13,440 --> 00:34:16,000
Speaker 1: Oh I like you. Oh, that's not even the right words.

720
00:34:16,000 --> 00:34:18,160
Speaker 1: Nobody who cares? I think you mad? John Vershby. Did

721
00:34:18,160 --> 00:34:19,520
Speaker 1: you make a lot of money and tips? I mean

722
00:34:19,880 --> 00:34:22,960
Speaker 1: how'd that go? Yeah? I think so more than I

723
00:34:23,000 --> 00:34:25,439
Speaker 1: thought because there really aren't that many people. How much

724
00:34:25,440 --> 00:34:28,640
Speaker 1: did you think you made? Oh? How much I made? Yeah?

725
00:34:28,640 --> 00:34:35,879
Speaker 1: Oh I know how much? Come on, wow, because that's

726
00:34:35,880 --> 00:34:39,239
Speaker 1: splitting it. Four hours twenty bucks an hour and she

727
00:34:39,280 --> 00:34:42,080
Speaker 1: splitting wow? Do you just make tips of the bar?

728
00:34:42,440 --> 00:34:44,520
Speaker 1: They pay you as well, they pay you a very

729
00:34:44,560 --> 00:34:49,279
Speaker 1: small amount. Well, next time, get ready for me to

730
00:34:49,320 --> 00:34:52,640
Speaker 1: come let us know next time you perform. Okay, I say,

731
00:34:52,680 --> 00:34:57,280
Speaker 1: good job, thank you. I'm very proud of you, Abby, Abby?

732
00:34:57,560 --> 00:34:59,520
Speaker 1: Did you ask the bar? Hey? Can we be moved

733
00:34:59,560 --> 00:35:01,719
Speaker 1: up to the may Saves next time? You don't really

734
00:35:01,719 --> 00:35:04,880
Speaker 1: ask that? Well? Yeah, I'm not like a pro, so

735
00:35:04,920 --> 00:35:07,440
Speaker 1: I don't expect to be at the thank you all Right,

736
00:35:07,440 --> 00:35:11,359
Speaker 1: we gotta go. It's the best Bits of the week

737
00:35:12,160 --> 00:35:16,200
Speaker 1: with Morgan number two. Then we've got Scuba Steve coming

738
00:35:16,239 --> 00:35:19,400
Speaker 1: in at the number three spot because he had a

739
00:35:19,440 --> 00:35:22,640
Speaker 1: push up challenge, not just any challenge. Listen, this wasn't

740
00:35:22,680 --> 00:35:24,480
Speaker 1: all the guys on the show doing push ups. No,

741
00:35:24,680 --> 00:35:26,719
Speaker 1: there's a study that came out. Scuba Steve was like,

742
00:35:26,760 --> 00:35:29,719
Speaker 1: I could probably do something similar, and he had to

743
00:35:29,719 --> 00:35:32,040
Speaker 1: do pushups. And it was just super entertaining to watch

744
00:35:32,080 --> 00:35:34,319
Speaker 1: this whole segment play out because two of the guys

745
00:35:34,320 --> 00:35:36,239
Speaker 1: on the show admitted they really can't do push ups.

746
00:35:36,320 --> 00:35:38,839
Speaker 1: Scuba Steve did more than he even thought possible. Just

747
00:35:39,040 --> 00:35:40,560
Speaker 1: you know, and the energy in the room when this

748
00:35:40,600 --> 00:35:43,239
Speaker 1: happened was really fun to be part of. So I

749
00:35:43,239 --> 00:35:44,759
Speaker 1: want y'all to hear it and maybe you can feel

750
00:35:44,800 --> 00:35:46,840
Speaker 1: the energy and get some motivation to do what you

751
00:35:46,920 --> 00:35:51,480
Speaker 1: gotta do today. Number three, Scoob, are you stretched? I

752
00:35:51,520 --> 00:35:53,120
Speaker 1: mean I literally haven't seen you get up from your

753
00:35:53,440 --> 00:35:56,000
Speaker 1: seat there stretch my arms right, so I was stretching

754
00:35:56,000 --> 00:35:59,000
Speaker 1: my arms and my shoulders, my back. Are you ready? Yeah,

755
00:35:59,000 --> 00:36:00,359
Speaker 1: I do it. I'm ready for it. On in here.

756
00:36:01,960 --> 00:36:04,160
Speaker 1: The news story said that if you can do forty

757
00:36:04,200 --> 00:36:07,400
Speaker 1: push ups, you're less likely to die of heart disease.

758
00:36:08,560 --> 00:36:10,200
Speaker 1: You got your tennis shoes on, your shorts on. This

759
00:36:10,239 --> 00:36:12,480
Speaker 1: is good. You look at it. You have a T

760
00:36:12,600 --> 00:36:14,480
Speaker 1: shirt under that or is that just a shirt today

761
00:36:16,280 --> 00:36:17,920
Speaker 1: this show? Okay, I'll leave it on. The leave it

762
00:36:17,920 --> 00:36:19,600
Speaker 1: on if you had a T shirt under, I'd say

763
00:36:19,760 --> 00:36:22,200
Speaker 1: for yourself. Now we're good. Don't worry about the microphone.

764
00:36:22,600 --> 00:36:25,359
Speaker 1: So I would even get here on the floor. Yeah,

765
00:36:25,400 --> 00:36:28,719
Speaker 1: I got you. We're gonna do twenty two is his number? Right,

766
00:36:28,760 --> 00:36:31,319
Speaker 1: twenty two? That's it? All right? Get your stretch up.

767
00:36:31,360 --> 00:36:33,719
Speaker 1: There you go, stretch up, the stretch up tall. Do

768
00:36:33,880 --> 00:36:36,839
Speaker 1: arm circles forward, do forward. That's backward, that's backward. There

769
00:36:36,880 --> 00:36:39,120
Speaker 1: you go forward. They don't. Don't wear yourself. I'll go

770
00:36:39,200 --> 00:36:42,480
Speaker 1: backward and I go a little bigger. There you go,

771
00:36:42,520 --> 00:36:44,920
Speaker 1: and I get a little side to side. Is he

772
00:36:45,000 --> 00:36:47,920
Speaker 1: gonna get tired? All right, that's good. But I nied you.

773
00:36:48,560 --> 00:36:52,279
Speaker 1: Is it lights on the line? Twenty two? If you

774
00:36:52,360 --> 00:36:54,680
Speaker 1: hit twenty two, your money on the bank. And I

775
00:36:54,800 --> 00:36:56,759
Speaker 1: tell you what if we hit twenty two, I'll give

776
00:36:56,760 --> 00:37:00,000
Speaker 1: you half my winnings. Hey, he can't stop at all? Right,

777
00:37:00,160 --> 00:37:02,640
Speaker 1: no breaks. He can stop up high for a second,

778
00:37:03,560 --> 00:37:05,239
Speaker 1: as long as he does long as he doesn't stop,

779
00:37:05,320 --> 00:37:06,799
Speaker 1: long as he doesn't come out, or as he touched

780
00:37:06,800 --> 00:37:08,880
Speaker 1: the ground. All good. Second. Okay, No, no, he can

781
00:37:08,880 --> 00:37:11,080
Speaker 1: stop up high. Okay, yeah, I think that's right. Let's

782
00:37:11,080 --> 00:37:12,600
Speaker 1: say he can stop up high for no more than

783
00:37:12,640 --> 00:37:14,880
Speaker 1: three seconds. Love it? Yeah, I mean, I mean you

784
00:37:14,880 --> 00:37:17,040
Speaker 1: gotta get technical. And his old nickname used be mister

785
00:37:17,080 --> 00:37:20,640
Speaker 1: one hundred, So come on, he scoopa, Just pump one

786
00:37:20,640 --> 00:37:22,560
Speaker 1: out real quick. It doesn't count. No, no, no, don't

787
00:37:22,560 --> 00:37:25,840
Speaker 1: waste Yeah yeah, like, oh yeah, he's strong, he's strong.

788
00:37:26,040 --> 00:37:30,239
Speaker 1: Yeah yeah, there's oh yeah. Did you guys think he

789
00:37:30,280 --> 00:37:32,920
Speaker 1: was gonna struggle with one? He's up in pumping now

790
00:37:33,719 --> 00:37:35,319
Speaker 1: he is good for while your heads on your knees

791
00:37:35,320 --> 00:37:39,520
Speaker 1: are already. Okay, well I got twenty two? Are you readyady? Anything,

792
00:37:39,560 --> 00:37:41,880
Speaker 1: he's gonna get it? Yes, okay, you got it. You

793
00:37:41,960 --> 00:37:44,520
Speaker 1: get your goals like thirty. So if you're aimed at

794
00:37:44,560 --> 00:37:46,160
Speaker 1: twenty two, you're gonna struggle in twenty two. If I'm

795
00:37:46,160 --> 00:37:48,800
Speaker 1: in a thirty, you'll get twenty two, but it'll be tough. Okay.

796
00:37:48,960 --> 00:37:50,879
Speaker 1: Now you run on the treadmill, and that last one

797
00:37:50,880 --> 00:37:52,799
Speaker 1: minute feels like it's just death. It doesn't matter what

798
00:37:52,840 --> 00:37:55,319
Speaker 1: that last one minute minute is. It always feels like death.

799
00:37:55,719 --> 00:37:59,040
Speaker 1: So that's why you gotta go on your head a

800
00:37:59,040 --> 00:38:03,520
Speaker 1: little further for thirty. He's stressing, all right down, how's

801
00:38:03,600 --> 00:38:08,400
Speaker 1: my motivation before stress? Got it? Here we go Scooba

802
00:38:08,400 --> 00:38:13,680
Speaker 1: Steve for twenty two push ups and go one two yes, strong, three,

803
00:38:14,160 --> 00:38:18,080
Speaker 1: four my guy strong, five, come on six seven can

804
00:38:18,160 --> 00:38:22,759
Speaker 1: turn Hey, no he's not nine, ten, eleven, twelve, you

805
00:38:22,840 --> 00:38:27,440
Speaker 1: over halfway there, maybe thirteen, come on fourteen, fifteen, sixteen

806
00:38:27,880 --> 00:38:35,000
Speaker 1: fire three more three more go that's a that's guys,

807
00:38:35,040 --> 00:38:55,680
Speaker 1: scoop come on more yeah, three mony nine come more

808
00:39:00,360 --> 00:39:19,320
Speaker 1: get Wow, that's amazing. Look, so what was his total? Thirty? Wow?

809
00:39:20,160 --> 00:39:25,680
Speaker 1: Good job scoobu, Nice job buddy. His head went from

810
00:39:25,760 --> 00:39:33,640
Speaker 1: pale white Scooba. Just lay, buddy, just take a break.

811
00:39:36,400 --> 00:39:39,680
Speaker 1: We went tubing this weekend and am on ten killer

812
00:39:39,800 --> 00:39:43,279
Speaker 1: Lake and so I haven't tube and I don't know

813
00:39:43,719 --> 00:39:46,520
Speaker 1: fifteen years and it's just holding onto that tube and

814
00:39:46,560 --> 00:39:48,440
Speaker 1: you don't realize how hard it is, and I'm just

815
00:39:48,520 --> 00:39:50,640
Speaker 1: holding on for dear life. Then you get off and

816
00:39:50,640 --> 00:39:53,160
Speaker 1: you're just exhausted and everything is so tight and like

817
00:39:53,200 --> 00:39:55,439
Speaker 1: I'm sore in like every odd muscle that I've never

818
00:39:55,560 --> 00:40:00,160
Speaker 1: used before. That's what he's gonna feel tomorrow. Huh. Nice job, though, buddy,

819
00:40:00,200 --> 00:40:05,000
Speaker 1: Thank you Eddie, you can You're good buddy. Good job scuba.

820
00:40:05,000 --> 00:40:08,560
Speaker 1: I'll hit you a ten scuba I'm shocked, Gooba struggling

821
00:40:08,560 --> 00:40:12,480
Speaker 1: to get up. All right, there you go, there you god,

822
00:40:12,520 --> 00:40:15,600
Speaker 1: there he is. Alright, that's good, that's awesome. Yeah, that's

823
00:40:15,640 --> 00:40:22,600
Speaker 1: called working out, buddy, that's all exercise, pal. I hope

824
00:40:22,600 --> 00:40:27,520
Speaker 1: it's okay. It's the best bits of the week with Morgan.

825
00:40:27,640 --> 00:40:32,359
Speaker 1: Number two another really awesome interview on the show. This week,

826
00:40:32,480 --> 00:40:35,720
Speaker 1: Richard Marks stopped buy. He came on all because Abby

827
00:40:35,840 --> 00:40:38,960
Speaker 1: had posted a video of her covering one of his songs.

828
00:40:39,040 --> 00:40:40,840
Speaker 1: He re posted it. She reached out and was like, hey,

829
00:40:40,880 --> 00:40:42,319
Speaker 1: you want to come on the show and talk about this.

830
00:40:42,480 --> 00:40:44,759
Speaker 1: He did, and we got some really cool stories from

831
00:40:44,800 --> 00:40:48,760
Speaker 1: him about Lionel, Richie, Kenny Rogers, just all awesome, awesome

832
00:40:48,840 --> 00:40:51,359
Speaker 1: stuff and things I didn't even know about. Also, like

833
00:40:51,520 --> 00:40:54,480
Speaker 1: being totally honest, I didn't know who Richard Marx was.

834
00:40:54,560 --> 00:40:55,960
Speaker 1: I know the song and I've heard of it, but

835
00:40:56,080 --> 00:40:58,560
Speaker 1: hearing him, hearing his story was really cool. As someone

836
00:40:58,600 --> 00:41:01,480
Speaker 1: who's younger and wasn't a round when his music kind

837
00:41:01,520 --> 00:41:03,440
Speaker 1: of came out and he was on the scene, this

838
00:41:03,480 --> 00:41:05,560
Speaker 1: was a really awesome interview to hear. So I'm gonna

839
00:41:05,600 --> 00:41:09,759
Speaker 1: let y'all hear it. Number two on the Bobby Bones show.

840
00:41:09,840 --> 00:41:13,480
Speaker 1: Now Richard Marks, Hey, Richard, how are you? I'm good?

841
00:41:13,560 --> 00:41:16,000
Speaker 1: How are you guys? Hey? I appreciate your time this morning. Hey,

842
00:41:16,239 --> 00:41:18,840
Speaker 1: do your friends call you Richard? Seems pretty formal? What

843
00:41:18,840 --> 00:41:21,680
Speaker 1: do they call you? Dick? Now, I'm just kidding me.

844
00:41:24,520 --> 00:41:26,080
Speaker 1: I was laughing. Attn't hear what you said? What did

845
00:41:26,120 --> 00:41:29,520
Speaker 1: you say? I said, Dick? But yeah, you can call

846
00:41:29,560 --> 00:41:32,600
Speaker 1: me Richard now my friends. My friends all call me Ricardo.

847
00:41:32,800 --> 00:41:36,080
Speaker 1: But we're not friends yet. We have to see how

848
00:41:36,120 --> 00:41:38,279
Speaker 1: this goes. Yeah, yeah, I like that because I still

849
00:41:38,320 --> 00:41:40,640
Speaker 1: have maybe some reservations about you myself. So we'll see

850
00:41:40,640 --> 00:41:42,640
Speaker 1: where this goes. Hey, what are you making over there?

851
00:41:42,640 --> 00:41:44,800
Speaker 1: Here's some ice? What what you got a little morning cocktail?

852
00:41:45,440 --> 00:41:49,399
Speaker 1: I'm making a little morning ice? Macha you make that?

853
00:41:49,520 --> 00:41:51,680
Speaker 1: You have a fancy See you're rich and famous and

854
00:41:51,719 --> 00:41:53,960
Speaker 1: talented and good looking and all the things. So do

855
00:41:54,000 --> 00:41:56,879
Speaker 1: you have a famous Well go on, yeah, yeah, yeah, yeah,

856
00:41:56,920 --> 00:42:00,640
Speaker 1: you have a you have a big fancy machine for that. Um,

857
00:42:00,680 --> 00:42:03,120
Speaker 1: we have a big fancy coffee machine. But no, but

858
00:42:03,239 --> 00:42:05,440
Speaker 1: the matcha you just put the little powder in the

859
00:42:05,600 --> 00:42:08,080
Speaker 1: in the bottom of a cup and you've got We've

860
00:42:08,080 --> 00:42:14,200
Speaker 1: got this nine dollars Amazon, little um little like froth.

861
00:42:15,960 --> 00:42:19,840
Speaker 1: I don't know what that is, Like it's a whiske thingy,

862
00:42:19,880 --> 00:42:23,000
Speaker 1: but it's a biot battery operat so you know, it's

863
00:42:23,160 --> 00:42:26,840
Speaker 1: it's pretty. It looks really expensive. It's like nine dollars. Listen, Riccardo,

864
00:42:26,880 --> 00:42:29,800
Speaker 1: I don't know what that is, buddy, You don't do

865
00:42:29,880 --> 00:42:34,160
Speaker 1: you even know what match is? Is it green? We

866
00:42:34,280 --> 00:42:37,880
Speaker 1: are you in high school? I wish I don't drink coffee,

867
00:42:38,000 --> 00:42:41,240
Speaker 1: so I don't know what. Oh wow, if you started

868
00:42:41,320 --> 00:42:43,560
Speaker 1: drinking coffee, we could be friends. Well, here's the thing.

869
00:42:43,600 --> 00:42:47,960
Speaker 1: My grandma died from coffee overdose, and so now I'm sad. Wow,

870
00:42:48,120 --> 00:42:52,560
Speaker 1: that's just that was unnecessary. I'm kidding. She didn't she didn't. Hey, listen,

871
00:42:52,560 --> 00:42:54,399
Speaker 1: I'm a big fan. Really, it's this is super cool

872
00:42:54,400 --> 00:42:55,800
Speaker 1: for me to talk to you. So I really appreciate

873
00:42:55,840 --> 00:42:57,480
Speaker 1: the time. Like I'll just say it up front that

874
00:42:58,200 --> 00:43:00,560
Speaker 1: I'm kind of geeking out a little bit, not only

875
00:43:00,600 --> 00:43:02,600
Speaker 1: you as an artist, but also you as a songwriter.

876
00:43:02,760 --> 00:43:06,399
Speaker 1: So upfront, in a in a very sensitive way, like

877
00:43:06,680 --> 00:43:08,719
Speaker 1: massive fan, thank you for spending a few minutes with me.

878
00:43:09,400 --> 00:43:12,439
Speaker 1: That's so nice man, Thank you and congratulations you guys

879
00:43:12,440 --> 00:43:15,160
Speaker 1: are chicken butt. Thanks. So here's a couple of questions

880
00:43:15,160 --> 00:43:18,600
Speaker 1: we have for you. First of all, you had on Instagram.

881
00:43:18,880 --> 00:43:22,680
Speaker 1: You had shared Abby our phone screener. She answers phone.

882
00:43:22,719 --> 00:43:25,200
Speaker 1: She produces some segments, but she was singing, and you

883
00:43:25,840 --> 00:43:28,680
Speaker 1: pushed and shared, and so we took that as an

884
00:43:28,760 --> 00:43:30,759
Speaker 1: endorsement that you think she's a pretty good singer. Now,

885
00:43:30,800 --> 00:43:33,200
Speaker 1: do you share people that are only good singing your

886
00:43:33,200 --> 00:43:38,760
Speaker 1: songs or just anybody singing your songs? There's a loaded

887
00:43:38,840 --> 00:43:43,080
Speaker 1: questions We're going to get right through it, you know. Generally,

888
00:43:43,239 --> 00:43:47,319
Speaker 1: being honest with you, I very rarely share anything that

889
00:43:47,400 --> 00:43:52,359
Speaker 1: I think would like hurt somebody's ears. So as much

890
00:43:52,360 --> 00:43:55,680
Speaker 1: as I'll like it, and I'll even sometimes go hey thanks,

891
00:43:55,760 --> 00:43:57,600
Speaker 1: great job, and I'm not going to repost it if

892
00:43:57,600 --> 00:44:00,719
Speaker 1: it's not very good. So yeah, she sounded good and

893
00:44:01,600 --> 00:44:05,040
Speaker 1: all kidding aside. Like, to me, that's the ultimate compliment

894
00:44:05,080 --> 00:44:09,480
Speaker 1: as a songwriter is when anyone wants to take the

895
00:44:09,520 --> 00:44:12,400
Speaker 1: time to learn your song and he especially now posted

896
00:44:12,440 --> 00:44:15,720
Speaker 1: on those socials. That means that that song means something

897
00:44:15,760 --> 00:44:17,359
Speaker 1: to them in some way, even if it's just something

898
00:44:17,360 --> 00:44:19,080
Speaker 1: that they think, oh, I think I sound good singing

899
00:44:19,080 --> 00:44:22,680
Speaker 1: this song. That's the ultimate songwriter compliment, you know. So Abby,

900
00:44:22,760 --> 00:44:24,600
Speaker 1: he is saying he enjoyed it. What do you want

901
00:44:24,600 --> 00:44:26,120
Speaker 1: to say to him? I love it, thank you, I

902
00:44:26,160 --> 00:44:29,200
Speaker 1: appreciate that. Yeah, No, Abby, you sounded good. I mean

903
00:44:29,200 --> 00:44:31,920
Speaker 1: I wouldn't have reposted it if he sucked. What would

904
00:44:31,960 --> 00:44:35,480
Speaker 1: you say to Abby who she moved to Nashville super

905
00:44:35,520 --> 00:44:37,480
Speaker 1: su occur and singing and then you know, she couldn't

906
00:44:37,480 --> 00:44:39,880
Speaker 1: remember some words and she ran out of the audition

907
00:44:40,040 --> 00:44:41,759
Speaker 1: once that she gave up, but now she's kind of

908
00:44:41,800 --> 00:44:45,560
Speaker 1: back trying again, Like regardless of her talent, what would

909
00:44:45,560 --> 00:44:47,440
Speaker 1: you say to someone going through this? What are your

910
00:44:47,480 --> 00:44:51,719
Speaker 1: inspiring words to her? Richard H Well, I mean, you

911
00:44:51,800 --> 00:44:55,760
Speaker 1: can't you really want to have a career. It can't

912
00:44:55,800 --> 00:44:59,480
Speaker 1: be despite not having talent, you know what I mean.

913
00:44:59,560 --> 00:45:02,160
Speaker 1: It's like that's kind of like a given. You kind

914
00:45:02,160 --> 00:45:03,840
Speaker 1: of have to have that, and she does. But I

915
00:45:03,840 --> 00:45:08,919
Speaker 1: would say, you know, on one hand, it's never been

916
00:45:09,080 --> 00:45:12,759
Speaker 1: easier to get attention and to get music out there

917
00:45:12,800 --> 00:45:15,960
Speaker 1: because of social media and streaming, and you know, you

918
00:45:15,960 --> 00:45:18,520
Speaker 1: don't need a record deal, you don't need a publisher anymore.

919
00:45:18,600 --> 00:45:22,120
Speaker 1: You just need to like do fill up your content.

920
00:45:22,200 --> 00:45:25,680
Speaker 1: You need to feed the beast. So I think if

921
00:45:25,680 --> 00:45:28,080
Speaker 1: you're not a songwriter, then you got to find songs

922
00:45:28,200 --> 00:45:32,600
Speaker 1: that you think you sound great doing. But also you

923
00:45:32,640 --> 00:45:35,760
Speaker 1: don't want to do songs Like when I hear people

924
00:45:35,800 --> 00:45:38,040
Speaker 1: trying to cover Whitney Houston songs, I'm always like, what

925
00:45:38,239 --> 00:45:40,000
Speaker 1: do you think you sing this better than Whitney? Did

926
00:45:41,480 --> 00:45:44,120
Speaker 1: you know? Maybe find another song that suits you even

927
00:45:44,160 --> 00:45:46,400
Speaker 1: better that you're not where you're not, nobody's comparing you

928
00:45:46,440 --> 00:45:48,879
Speaker 1: to the original necessarily. You know. That's why I think

929
00:45:48,880 --> 00:45:51,080
Speaker 1: a girl singing a guy song or a guy singing

930
00:45:51,080 --> 00:45:54,400
Speaker 1: a girl song sometimes it's a clever move. Abby, Are

931
00:45:54,440 --> 00:46:02,759
Speaker 1: you inspired? Okay? Richard Marxby, You know, it's funny we're

932
00:46:02,760 --> 00:46:04,800
Speaker 1: talking to a songwriter. So if you got any songs

933
00:46:04,960 --> 00:46:08,120
Speaker 1: he need female to sing? Here I go. She just

934
00:46:08,239 --> 00:46:11,120
Speaker 1: went before it, she just went for it. I'm just kidding.

935
00:46:11,880 --> 00:46:18,560
Speaker 1: I'm not boy. Hey, rich in your career, was there

936
00:46:18,560 --> 00:46:21,640
Speaker 1: ever a time Richard that, um, let's go back to

937
00:46:21,880 --> 00:46:24,640
Speaker 1: the eighties when you were as an artist, you were

938
00:46:24,680 --> 00:46:26,799
Speaker 1: on TV on my all the time and you were

939
00:46:26,800 --> 00:46:29,439
Speaker 1: just crushing, crushing, crushing. Was there ever a moment before

940
00:46:29,440 --> 00:46:31,560
Speaker 1: that happened where you had to go and just like, hey,

941
00:46:31,640 --> 00:46:33,440
Speaker 1: can I have this? Can? I like? What? Just Abby?

942
00:46:33,480 --> 00:46:35,560
Speaker 1: Did you awkwardly? Did you ever have to do that

943
00:46:35,680 --> 00:46:42,400
Speaker 1: awkwardly to people? Oh? Yeah? So um my songwriting career

944
00:46:42,440 --> 00:46:45,440
Speaker 1: really started that way in that I had written a

945
00:46:45,480 --> 00:46:48,719
Speaker 1: handful of songs that when I was a senior in

946
00:46:48,800 --> 00:46:52,200
Speaker 1: high school that somehow magically made their way, that the

947
00:46:52,239 --> 00:46:54,719
Speaker 1: tape made there, made its way to Lionel Richie. Mine

948
00:46:54,880 --> 00:46:58,279
Speaker 1: was she heard my cassette tape and called me. My

949
00:46:58,280 --> 00:47:00,160
Speaker 1: phone number was written on the back. He called me

950
00:47:00,160 --> 00:47:03,279
Speaker 1: in my parents' house and was so encouraging of me,

951
00:47:03,320 --> 00:47:05,120
Speaker 1: and he said, man, I really liked your voice and

952
00:47:05,120 --> 00:47:06,920
Speaker 1: you should move to LA when you graduate from high

953
00:47:06,920 --> 00:47:09,760
Speaker 1: schoo which is what I did. And then he hired

954
00:47:09,760 --> 00:47:12,640
Speaker 1: me as a background singer on his first solo album

955
00:47:12,640 --> 00:47:15,720
Speaker 1: when he left the Commodorees. And around a year later

956
00:47:15,880 --> 00:47:18,640
Speaker 1: he recommended me as a background singer to Kenny Rogers,

957
00:47:19,160 --> 00:47:22,680
Speaker 1: who was huge still at that time in the eighties.

958
00:47:23,719 --> 00:47:26,560
Speaker 1: And so there I am, you know, singing background vocals

959
00:47:26,560 --> 00:47:29,520
Speaker 1: on this Kenny Rogers album and he's there studio and

960
00:47:29,600 --> 00:47:32,800
Speaker 1: I went up to him and said, I'm a songwriter.

961
00:47:32,920 --> 00:47:34,920
Speaker 1: I'd love to play you the song I wrote for you.

962
00:47:35,360 --> 00:47:37,600
Speaker 1: And he should have thrown me out of the studio.

963
00:47:37,640 --> 00:47:39,799
Speaker 1: He should have had security, you know, throw me on

964
00:47:39,840 --> 00:47:43,480
Speaker 1: the street. But he was cool and he said, yeah,

965
00:47:43,640 --> 00:47:45,719
Speaker 1: let me hear it, and we sat down at the

966
00:47:45,719 --> 00:47:48,160
Speaker 1: piano and he cut my song and then he cut

967
00:47:48,160 --> 00:47:50,919
Speaker 1: two more in my songs, and that launched my songwriting career.

968
00:47:53,320 --> 00:47:57,080
Speaker 1: So I was lucky enough to the friend Lionel do.

969
00:47:57,200 --> 00:48:00,360
Speaker 1: I did four season of American Idol and so was

970
00:48:00,480 --> 00:48:01,920
Speaker 1: line was awesome. And now I don't know if it's

971
00:48:01,920 --> 00:48:04,920
Speaker 1: because Linel was seventy and he's just amazing once he

972
00:48:04,960 --> 00:48:07,600
Speaker 1: got older with perspective, but he's the kindest guy. Was

973
00:48:07,640 --> 00:48:12,560
Speaker 1: he like that even when he was young and killing it? Then, Yes,

974
00:48:12,800 --> 00:48:15,880
Speaker 1: I've never known anybody who was a superstar who acted

975
00:48:15,960 --> 00:48:18,399
Speaker 1: less like a superstar than Mile. He's just the most

976
00:48:18,480 --> 00:48:22,040
Speaker 1: gracious kind he can you know, he's still got a

977
00:48:22,040 --> 00:48:26,040
Speaker 1: wicked sense of humor, and he can be sarcastic and

978
00:48:26,440 --> 00:48:28,360
Speaker 1: he can be like he can hang with the best

979
00:48:28,360 --> 00:48:32,600
Speaker 1: of them, but inside his soul is just kindness and

980
00:48:33,000 --> 00:48:35,720
Speaker 1: he loves to help people and he's just the best.

981
00:48:35,760 --> 00:48:37,840
Speaker 1: Like I just love the guy. He changed my life

982
00:48:38,320 --> 00:48:40,319
Speaker 1: Richard Marx is on with us, and I find it

983
00:48:40,360 --> 00:48:44,680
Speaker 1: really interesting, Um, what you're doing inside of songwriter and

984
00:48:44,760 --> 00:48:48,520
Speaker 1: so songwriter and the whole album comes out. What what's

985
00:48:48,719 --> 00:48:51,920
Speaker 1: is nine September with Fingers, January Filbury, March April May

986
00:48:52,040 --> 00:48:56,960
Speaker 1: yet because I know it's not out. Yeah, so September thirtieth,

987
00:48:57,000 --> 00:48:59,160
Speaker 1: you're putting the full album out, but it's split into parts.

988
00:48:59,440 --> 00:49:03,120
Speaker 1: There's pop, rock, country and ballads. And the country parts

989
00:49:03,200 --> 00:49:07,040
Speaker 1: interesting because we're big budds with Keith Urban and you know,

990
00:49:07,080 --> 00:49:09,799
Speaker 1: you guys have written together before. But there's a song

991
00:49:09,880 --> 00:49:12,040
Speaker 1: one Day Longer that you and Keith Urban, so you're

992
00:49:12,080 --> 00:49:15,200
Speaker 1: singing it, but he wrote it with you. Yeah. So

993
00:49:15,360 --> 00:49:17,640
Speaker 1: here's my history with Keith. We've had three really big

994
00:49:17,719 --> 00:49:21,480
Speaker 1: hits together that he had and Better Life Long Hot

995
00:49:21,520 --> 00:49:26,080
Speaker 1: Summer and Everybody and Better Life. He almost didn't cut

996
00:49:26,080 --> 00:49:28,759
Speaker 1: because he kind of got over it by the you know,

997
00:49:28,920 --> 00:49:30,600
Speaker 1: from the time we started it to the time he

998
00:49:30,640 --> 00:49:32,200
Speaker 1: finished it, he was kind of like off of it,

999
00:49:32,400 --> 00:49:35,000
Speaker 1: not into it. But he kind of just went in

1000
00:49:35,040 --> 00:49:37,520
Speaker 1: the studio and cut it number one. For six weeks

1001
00:49:38,000 --> 00:49:41,799
Speaker 1: we wrote Everybody, and he was all in love with it.

1002
00:49:41,880 --> 00:49:43,560
Speaker 1: The day we wrote it. And then a few days

1003
00:49:43,640 --> 00:49:46,160
Speaker 1: later he was like, I don't like it anymore. So

1004
00:49:46,200 --> 00:49:48,720
Speaker 1: I went in the studio. I was due to record

1005
00:49:48,800 --> 00:49:52,239
Speaker 1: something with Dan Huff, his producer who's brilliant, and so

1006
00:49:52,360 --> 00:49:53,920
Speaker 1: Dan and I went in the studio to cut a

1007
00:49:53,960 --> 00:49:55,160
Speaker 1: song and he said, you know, with that time, we

1008
00:49:55,200 --> 00:49:58,440
Speaker 1: can cut another song. So I played him the work

1009
00:49:58,440 --> 00:50:00,719
Speaker 1: tape of my song with Keith Everybody, and he went,

1010
00:50:00,719 --> 00:50:03,200
Speaker 1: oh my god, man, this is great. We should cut this.

1011
00:50:04,080 --> 00:50:06,239
Speaker 1: We cut it, and right before we mixed it, he

1012
00:50:06,320 --> 00:50:08,560
Speaker 1: played it for Keith and Keith called and goes, okay,

1013
00:50:08,600 --> 00:50:11,759
Speaker 1: I blew it. Can I have that song back? So

1014
00:50:11,880 --> 00:50:14,759
Speaker 1: my history with Keith is we write something, he's in

1015
00:50:14,760 --> 00:50:17,120
Speaker 1: love with it did day we write it, and then

1016
00:50:17,160 --> 00:50:19,479
Speaker 1: a week later he it's the worst thing he's ever heard.

1017
00:50:20,040 --> 00:50:23,439
Speaker 1: And that's what happened with one day longer. But it's

1018
00:50:23,480 --> 00:50:25,799
Speaker 1: just been taking up space, you know, as an MP

1019
00:50:25,920 --> 00:50:28,520
Speaker 1: three in my computer. So I when I was making

1020
00:50:28,560 --> 00:50:30,319
Speaker 1: this album, I went back and listened to her. I

1021
00:50:30,320 --> 00:50:33,480
Speaker 1: was like, I love this song. So I cut it

1022
00:50:33,760 --> 00:50:37,360
Speaker 1: in the country section. Here Richards written songs by himself

1023
00:50:37,480 --> 00:50:42,239
Speaker 1: with Urban, with Darius, with Howser and I Think, and

1024
00:50:42,280 --> 00:50:43,680
Speaker 1: I mentioned it before we got on the phone with you.

1025
00:50:43,719 --> 00:50:47,480
Speaker 1: How just prominent and prolific of a songwriter you are

1026
00:50:47,960 --> 00:50:49,719
Speaker 1: and all the songs you've written for a whole lot

1027
00:50:49,719 --> 00:50:52,279
Speaker 1: of people. But is there a difference in writing with

1028
00:50:52,360 --> 00:50:54,400
Speaker 1: some of these country guys that we know are our

1029
00:50:54,440 --> 00:50:59,120
Speaker 1: friends with and some of the guys in la. Oh,

1030
00:50:59,200 --> 00:51:03,759
Speaker 1: that's a good question. Um. I mean, you know, I

1031
00:51:03,800 --> 00:51:06,440
Speaker 1: don't really write with anyone who's not a real songwriter,

1032
00:51:06,480 --> 00:51:10,200
Speaker 1: and that I very rarely collaborate with someone who's just

1033
00:51:10,320 --> 00:51:15,160
Speaker 1: a track person or Um. You know, it's usually two

1034
00:51:15,200 --> 00:51:17,880
Speaker 1: guys sitting down and or three guys, and it's very

1035
00:51:17,960 --> 00:51:22,600
Speaker 1: rare there are three writers on my songs. But um,

1036
00:51:22,640 --> 00:51:25,680
Speaker 1: I kind of gravitate towards what I would call old

1037
00:51:25,680 --> 00:51:28,960
Speaker 1: school songwriters, where you just sort of hammer it out,

1038
00:51:29,040 --> 00:51:31,600
Speaker 1: you know, you get a concept, you get I usually

1039
00:51:31,600 --> 00:51:33,920
Speaker 1: come in with a bunch of melody ideas or a title,

1040
00:51:34,680 --> 00:51:37,960
Speaker 1: and we're just off to the races. Um, there's not

1041
00:51:38,040 --> 00:51:40,480
Speaker 1: that much difference, actually, you know, I mean, writing with

1042
00:51:41,760 --> 00:51:44,640
Speaker 1: Randy House or is not that different than writing with

1043
00:51:45,440 --> 00:51:48,080
Speaker 1: you know, my son Lucas who's a great pop songwriter,

1044
00:51:48,200 --> 00:51:50,640
Speaker 1: or any of these other guys. It's all it's all

1045
00:51:50,760 --> 00:51:53,640
Speaker 1: sort of like going after the song, you know, not

1046
00:51:54,040 --> 00:51:56,400
Speaker 1: trying to worry so much about what the record is

1047
00:51:56,400 --> 00:51:58,040
Speaker 1: going to be, but just making the song the best

1048
00:51:58,040 --> 00:52:01,200
Speaker 1: to convict. You say you're going with mel so well,

1049
00:52:01,239 --> 00:52:03,680
Speaker 1: you'll just walk in. And I was gonna ask if

1050
00:52:03,680 --> 00:52:05,720
Speaker 1: you're a melody or a lyric guy first, and probably

1051
00:52:05,719 --> 00:52:07,279
Speaker 1: you do it a little bit of both. But will

1052
00:52:07,320 --> 00:52:09,480
Speaker 1: you walk in with no concept at all? But you're like,

1053
00:52:09,480 --> 00:52:11,919
Speaker 1: at this melody goes boo doo doo doo doo doo

1054
00:52:12,040 --> 00:52:14,120
Speaker 1: doo doo, and you walk in with just that melody,

1055
00:52:14,120 --> 00:52:16,480
Speaker 1: and then you'd start trying to assign words and a

1056
00:52:16,520 --> 00:52:20,760
Speaker 1: concept to the sound. Yeah, that's how I've always written songs,

1057
00:52:21,280 --> 00:52:24,759
Speaker 1: even the songs I've written by myself, which which make

1058
00:52:24,800 --> 00:52:27,200
Speaker 1: up most of my catalog, or the songs I wrote alone.

1059
00:52:27,800 --> 00:52:33,200
Speaker 1: It starts with some gibberish line, you know, and like

1060
00:52:33,719 --> 00:52:36,680
Speaker 1: I had this big hit called Hazard, this the story song,

1061
00:52:38,800 --> 00:52:42,600
Speaker 1: and all I had was my mother came to down

1062
00:52:42,680 --> 00:52:46,280
Speaker 1: I wanna. I was just seven, and then I started

1063
00:52:46,320 --> 00:52:48,960
Speaker 1: to like, I wrote all the music, all the melody,

1064
00:52:48,960 --> 00:52:50,719
Speaker 1: and I started to put the story together, and I

1065
00:52:50,760 --> 00:52:54,319
Speaker 1: had everything except the name of the town that this

1066
00:52:54,360 --> 00:52:56,480
Speaker 1: thing was set in and I even knew it was

1067
00:52:56,480 --> 00:52:59,600
Speaker 1: in Nebraska because I referenced in Nebraska. So I just

1068
00:52:59,640 --> 00:53:02,640
Speaker 1: had to go through every name of every town in

1069
00:53:02,719 --> 00:53:05,319
Speaker 1: Nebraska until I found one that's the two syllable word

1070
00:53:05,360 --> 00:53:08,920
Speaker 1: that's fit, that sounded good. It's kind of how it

1071
00:53:09,040 --> 00:53:12,320
Speaker 1: all starts with me, is with a melody. The melodies

1072
00:53:12,760 --> 00:53:14,960
Speaker 1: and the music kind of tell me what the lyrics

1073
00:53:15,000 --> 00:53:18,120
Speaker 1: should be. Whenever you have songs that are so massive,

1074
00:53:18,360 --> 00:53:22,160
Speaker 1: for example right here waiting from like eighty nine, do

1075
00:53:22,239 --> 00:53:26,080
Speaker 1: you go through different cycles or seasons where you know

1076
00:53:26,160 --> 00:53:27,640
Speaker 1: it's a massive hit, you love to play it, then

1077
00:53:27,640 --> 00:53:28,880
Speaker 1: you play it so much you don't want to play it,

1078
00:53:28,920 --> 00:53:30,200
Speaker 1: but then you're kind of re energized to play it

1079
00:53:30,200 --> 00:53:32,640
Speaker 1: again because you've hated it for so long. Is that

1080
00:53:32,760 --> 00:53:34,920
Speaker 1: a seasonal thing with you in your life or do

1081
00:53:34,960 --> 00:53:38,000
Speaker 1: you just always love it? Or how does that work? No,

1082
00:53:38,200 --> 00:53:40,680
Speaker 1: I don't have that experience. I'm sure I think that

1083
00:53:40,719 --> 00:53:45,760
Speaker 1: probably happens more with people who record songs by other people.

1084
00:53:46,680 --> 00:53:48,759
Speaker 1: If you wrote a song that you love, If I

1085
00:53:48,800 --> 00:53:50,719
Speaker 1: write a song, if I record a song and release

1086
00:53:50,800 --> 00:53:53,799
Speaker 1: a song, it means that I love that song, and

1087
00:53:53,920 --> 00:53:55,799
Speaker 1: I don't. I mean there's some songs that I might

1088
00:53:55,880 --> 00:53:59,000
Speaker 1: get a little bit more psych to play sometimes, but

1089
00:53:59,040 --> 00:54:01,680
Speaker 1: there's never a song in my set where I look

1090
00:54:01,719 --> 00:54:03,480
Speaker 1: down at the set list and go, oh god, not

1091
00:54:03,640 --> 00:54:06,759
Speaker 1: that again. I've never had that hanging to the every

1092
00:54:06,800 --> 00:54:08,640
Speaker 1: day with certain segments in my radio show. Every day,

1093
00:54:08,640 --> 00:54:11,960
Speaker 1: I'm just like, oh my god, yeah, Richard, this has

1094
00:54:12,000 --> 00:54:14,279
Speaker 1: been awesome. I want to let everybody know. Songwriter comes

1095
00:54:14,320 --> 00:54:18,360
Speaker 1: out on September thirtieth. Again. There are all these sections,

1096
00:54:18,600 --> 00:54:21,279
Speaker 1: and I love how you did it. And ballads though,

1097
00:54:21,280 --> 00:54:23,960
Speaker 1: by the way, when I was looking at this ballads,

1098
00:54:24,200 --> 00:54:26,359
Speaker 1: it didn't you didn't format that. You just went, Okay,

1099
00:54:26,400 --> 00:54:28,880
Speaker 1: these are slow songs. Slow songs don't have a format

1100
00:54:29,640 --> 00:54:31,920
Speaker 1: or a genre, not to me. Not to me. Just

1101
00:54:32,320 --> 00:54:36,440
Speaker 1: those songs to me were just these five really beautiful

1102
00:54:36,520 --> 00:54:39,759
Speaker 1: songs that could have been any genre really, but they

1103
00:54:40,080 --> 00:54:41,719
Speaker 1: kind of made up their own genre to me. And

1104
00:54:41,760 --> 00:54:45,080
Speaker 1: the first track is by the way, you know, I'm

1105
00:54:45,080 --> 00:54:46,880
Speaker 1: doing this a lot of We're going to do a

1106
00:54:46,960 --> 00:54:48,680
Speaker 1: vinyl version of this, so it's literally going to be

1107
00:54:48,719 --> 00:54:53,600
Speaker 1: side A SID side C SidD you know. The lead

1108
00:54:53,640 --> 00:54:57,560
Speaker 1: track on the ballads section I wrote with Burt Backgrock.

1109
00:54:57,600 --> 00:55:00,719
Speaker 1: It's a song called Always. I mean getting to sit

1110
00:55:00,760 --> 00:55:02,520
Speaker 1: in a room and write a song with Burt background.

1111
00:55:02,520 --> 00:55:04,840
Speaker 1: And this is when he was ninety one. He's ninety

1112
00:55:04,880 --> 00:55:08,880
Speaker 1: four now. Um, I can't even believe it. You know again,

1113
00:55:09,000 --> 00:55:12,600
Speaker 1: we became pals and this guy wrote the soundtrack to

1114
00:55:12,640 --> 00:55:15,240
Speaker 1: all of our lives. You know. I'm just so humbled

1115
00:55:15,280 --> 00:55:16,839
Speaker 1: that I got to sit in a room with him

1116
00:55:16,840 --> 00:55:20,160
Speaker 1: and write such a beautiful I'm so proud of this song. Yeah,

1117
00:55:20,160 --> 00:55:22,960
Speaker 1: that's pretty cool that Burt. Because Burt background for me,

1118
00:55:23,320 --> 00:55:26,560
Speaker 1: rain drops keep falling on that's that's not background. He's

1119
00:55:26,560 --> 00:55:29,359
Speaker 1: played it though. He's played it though, Eddie, I've heard

1120
00:55:29,360 --> 00:55:32,000
Speaker 1: Burt background play that song. That's what I think about.

1121
00:55:32,239 --> 00:55:34,080
Speaker 1: He wrote it, and he wrote it, Eddie. There you go.

1122
00:55:34,360 --> 00:55:36,400
Speaker 1: So so then I thought I was right. Then I

1123
00:55:36,400 --> 00:55:38,000
Speaker 1: thought I was wrong, and I was embarrassed. And then

1124
00:55:38,040 --> 00:55:40,439
Speaker 1: I had to come back to it and Richard Marks, sorry,

1125
00:55:40,520 --> 00:55:42,560
Speaker 1: Ricardo Marks told me I was right. Because now we're friends.

1126
00:55:43,600 --> 00:55:45,360
Speaker 1: There you have it, Okay. So here's what we're gonna do.

1127
00:55:45,480 --> 00:55:47,160
Speaker 1: If you ever come to Nashville, we'd love to have you,

1128
00:55:47,680 --> 00:55:50,080
Speaker 1: uh hop in the studio here. We'll do a whole deal.

1129
00:55:50,320 --> 00:55:53,280
Speaker 1: I'm just a big fan. That thing. And your album

1130
00:55:53,280 --> 00:55:54,839
Speaker 1: comes down to thirtieth We'll be sure to talk about

1131
00:55:54,880 --> 00:55:56,520
Speaker 1: it when it comes out, and you guys go to

1132
00:55:56,600 --> 00:55:59,200
Speaker 1: Richard Marks dot com. He's in Europe now, but he

1133
00:55:59,239 --> 00:56:00,759
Speaker 1: will come to the stage and he's doing a bunch

1134
00:56:00,800 --> 00:56:03,200
Speaker 1: of shows in the States starting in October, and he's

1135
00:56:03,200 --> 00:56:04,680
Speaker 1: in a lot of the cities that are shows in

1136
00:56:05,040 --> 00:56:08,080
Speaker 1: and just a very entertaining, very funny guy, but also

1137
00:56:08,160 --> 00:56:11,080
Speaker 1: super talented and super cool and says Abby has a

1138
00:56:11,120 --> 00:56:13,040
Speaker 1: longer in music and he will put her on tour

1139
00:56:13,080 --> 00:56:17,840
Speaker 1: with him. That's what I heard. Wow, wow, wow. That

1140
00:56:17,920 --> 00:56:24,880
Speaker 1: is by Bobby. You can officially call me Ricardo. Okay, okay, Ricardo.

1141
00:56:25,280 --> 00:56:28,000
Speaker 1: Thank you for your time, massive fan. Good luck with

1142
00:56:28,040 --> 00:56:31,080
Speaker 1: the record, and congrats on the book. And hopefully I

1143
00:56:31,120 --> 00:56:34,280
Speaker 1: will see in person sometime. Thank you. Thank you. Guys.

1144
00:56:34,280 --> 00:56:37,920
Speaker 1: All right there he is Richard Marks. Everybody, Hey, Abby

1145
00:56:37,920 --> 00:56:40,440
Speaker 1: sing us out with a little Richard Marks. Oh you

1146
00:56:40,480 --> 00:56:43,919
Speaker 1: sing sing us out? Abby. Let's go whereever you are,

1147
00:56:44,280 --> 00:56:53,719
Speaker 1: whatever you do, I will be right here. It's the

1148
00:56:53,760 --> 00:56:58,080
Speaker 1: best Bits of the Week with Morgan number two and

1149
00:56:58,200 --> 00:57:03,160
Speaker 1: without further Ado Lunchbox, who hopefully is going to Vegas.

1150
00:57:03,200 --> 00:57:07,200
Speaker 1: He auditioned for Bad Out of Hell the Musical, and

1151
00:57:07,480 --> 00:57:10,399
Speaker 1: the director had come on. Lunchbox had to act out

1152
00:57:10,400 --> 00:57:12,440
Speaker 1: a scene, he had to sing a song, he had

1153
00:57:12,480 --> 00:57:15,480
Speaker 1: to do some improv and all around. Like, I give

1154
00:57:15,560 --> 00:57:18,560
Speaker 1: him some awesome a's because he really put an effort

1155
00:57:18,600 --> 00:57:21,080
Speaker 1: and he was trying. And I you know, I've said

1156
00:57:21,120 --> 00:57:23,400
Speaker 1: it before and I'll keep saying. I think Lunchbox is

1157
00:57:23,520 --> 00:57:26,200
Speaker 1: so good at improv and he is great at being

1158
00:57:26,240 --> 00:57:29,240
Speaker 1: fearless and not giving two craps about what anyone thinks

1159
00:57:29,240 --> 00:57:31,160
Speaker 1: about him, which is why he's so good at improv.

1160
00:57:31,360 --> 00:57:34,320
Speaker 1: And I think this could be really fun, cool role

1161
00:57:34,360 --> 00:57:36,400
Speaker 1: for him if he gets it. So I'm cheering him on.

1162
00:57:36,440 --> 00:57:38,600
Speaker 1: He may not cheer me on in all the ways,

1163
00:57:38,640 --> 00:57:40,640
Speaker 1: you know, with my outfits and artists, and he may

1164
00:57:40,680 --> 00:57:43,640
Speaker 1: not cheer Abby on in her singing career, but I'm

1165
00:57:43,720 --> 00:57:45,440
Speaker 1: cheering him on for this. I think it'd be really

1166
00:57:45,480 --> 00:57:47,560
Speaker 1: awesome to see him in a musical. I mean, I'm

1167
00:57:47,560 --> 00:57:50,280
Speaker 1: just picturing Lunchbox and a musical. I don't know. I

1168
00:57:50,280 --> 00:57:52,560
Speaker 1: think it'd either be pretty funny or pretty awesome, So

1169
00:57:52,760 --> 00:57:55,160
Speaker 1: I'm rooting for it. Here you go. This is Lunchbox

1170
00:57:55,160 --> 00:57:58,560
Speaker 1: auditioning for the gig number one, Right, Jay Schaiba is

1171
00:57:58,600 --> 00:58:00,920
Speaker 1: on with us, big fan, see director, It's all we

1172
00:58:00,920 --> 00:58:07,400
Speaker 1: love Jay. How are you great? Great? I'm great? How

1173
00:58:07,400 --> 00:58:09,440
Speaker 1: are you? We're doing pretty good. We're excited because Lunchbox

1174
00:58:09,400 --> 00:58:12,400
Speaker 1: is about the audition for big role, big role. His

1175
00:58:12,600 --> 00:58:15,680
Speaker 1: dream as two is to get into the arts, and

1176
00:58:15,800 --> 00:58:19,640
Speaker 1: we told him about the opportunity and he's ready. He's nervous.

1177
00:58:19,680 --> 00:58:21,680
Speaker 1: So what are we gonna do here? To see if

1178
00:58:21,760 --> 00:58:26,800
Speaker 1: Lunchbox is the person that you need for your production. Well,

1179
00:58:27,360 --> 00:58:29,520
Speaker 1: I'd love it if we could, um, if we could

1180
00:58:29,520 --> 00:58:33,480
Speaker 1: do a scene, a song and then a short improvisation.

1181
00:58:33,600 --> 00:58:35,360
Speaker 1: I like that's probably director say, let's have seen a

1182
00:58:35,360 --> 00:58:38,760
Speaker 1: song in an improv I like how directors say that

1183
00:58:38,760 --> 00:58:40,720
Speaker 1: that's good. I don't even know if that's a thing,

1184
00:58:40,720 --> 00:58:43,320
Speaker 1: but I like it. All right, So Lunchbox he wants

1185
00:58:43,400 --> 00:58:45,880
Speaker 1: us to do a scene first. Oh I am, let's go.

1186
00:58:46,040 --> 00:58:49,760
Speaker 1: You're ready to be or not to pick a scene? Oh? Yeah?

1187
00:58:49,800 --> 00:58:53,320
Speaker 1: Do you know what that's from? By the way, a Hamlet? Jay,

1188
00:58:53,400 --> 00:58:58,200
Speaker 1: do you know what that's That's correct? That's right? Yeah, No,

1189
00:58:58,360 --> 00:59:01,360
Speaker 1: that doesn't make you a thespian. Oh but you didn't

1190
00:59:01,360 --> 00:59:05,800
Speaker 1: know and I'm impressed by that. Hey Jay, pick a fight. Okay, No,

1191
00:59:05,880 --> 00:59:10,400
Speaker 1: we're not doing Brave Heart. Hey Jay. So as far

1192
00:59:10,440 --> 00:59:13,160
Speaker 1: as your experience, because you've done a lot of you

1193
00:59:13,160 --> 00:59:15,480
Speaker 1: have so many awards, and you've done so many productions,

1194
00:59:15,880 --> 00:59:17,960
Speaker 1: I have to imagine you have just worked with some

1195
00:59:18,240 --> 00:59:23,720
Speaker 1: wonderfully skilled actors and singers over the years. Yeah, yeah, yeah,

1196
00:59:23,760 --> 00:59:26,720
Speaker 1: for sure. When you look at this guy here, Lunchbox,

1197
00:59:27,480 --> 00:59:30,760
Speaker 1: just to fit looking at him, sometimes you get to

1198
00:59:30,800 --> 00:59:32,480
Speaker 1: see that thing about somebody. Do you see it here?

1199
00:59:33,160 --> 00:59:37,880
Speaker 1: I mean I'm getting like tons of like great street fashion,

1200
00:59:38,280 --> 00:59:42,760
Speaker 1: street vibes, natural, natural talent. Let's I'll talk about street

1201
00:59:42,800 --> 00:59:44,720
Speaker 1: fashion is a good word. I don't know what that means,

1202
00:59:44,720 --> 00:59:47,400
Speaker 1: but that means fashion. He said, fashion. Okay, I got

1203
00:59:47,440 --> 00:59:49,600
Speaker 1: my style. Jay. What is the scene we're reading from?

1204
00:59:49,720 --> 00:59:53,640
Speaker 1: You know what this is? So? This is? Um? This

1205
00:59:53,720 --> 00:59:59,520
Speaker 1: is this is the scene where Stratum meets Raven and

1206
00:59:59,560 --> 01:00:02,760
Speaker 1: it's their first like real conversation and he sort of

1207
01:00:02,760 --> 01:00:07,959
Speaker 1: reveals something important about himself. Um. And and actually there's

1208
01:00:08,000 --> 01:00:10,040
Speaker 1: you know, there's more than one character in the scene. Bobby,

1209
01:00:10,120 --> 01:00:14,680
Speaker 1: would you mind reading Raven just to help Lunchbox, you know,

1210
01:00:14,840 --> 01:00:18,880
Speaker 1: get into it. Okay, I will be reading Raven here lunchbox.

1211
01:00:18,920 --> 01:00:23,280
Speaker 1: You're going to be stratt. Yeah, oh man, this looks

1212
01:00:23,280 --> 01:00:26,560
Speaker 1: like it's kind of a romantic scene. It says on

1213
01:00:26,680 --> 01:00:29,120
Speaker 1: my bed, like we're gonna be in bed together. All right,

1214
01:00:30,360 --> 01:00:32,479
Speaker 1: all right, are you ready? Lunchbox? It says it Raven.

1215
01:00:32,520 --> 01:00:33,920
Speaker 1: I've not read over this, so let me mess it

1216
01:00:33,960 --> 01:00:35,960
Speaker 1: up a lunchbox. You do your thing, Raven said to

1217
01:00:36,120 --> 01:00:45,040
Speaker 1: Raven said tenderly, Stratt you here, Okay, I can feel

1218
01:00:45,080 --> 01:00:49,640
Speaker 1: your blood in my veins. Raven, I believe it's you,

1219
01:00:50,960 --> 01:00:54,880
Speaker 1: and yes, and if I fall asleep here tonight, you

1220
01:00:54,960 --> 01:00:58,960
Speaker 1: better get me some satin sheets because I've been sweating gasoline.

1221
01:00:59,760 --> 01:01:02,880
Speaker 1: My dreams are highly flammable, and there are parts of

1222
01:01:02,880 --> 01:01:08,120
Speaker 1: my body that just won't stop giving off sparks. See okay,

1223
01:01:10,600 --> 01:01:12,080
Speaker 1: to say here, I got a lot of time to say,

1224
01:01:12,080 --> 01:01:14,080
Speaker 1: why did you change words in it? Because I don't

1225
01:01:14,080 --> 01:01:17,040
Speaker 1: know what that word is. You said satin Lunchbuck said

1226
01:01:17,040 --> 01:01:18,760
Speaker 1: satin sheets, and I was like, that's not in there.

1227
01:01:18,800 --> 01:01:20,760
Speaker 1: There was some big water I think, I don't nobody,

1228
01:01:20,920 --> 01:01:22,520
Speaker 1: nobody help him know what? Help him do it? And

1229
01:01:22,560 --> 01:01:28,360
Speaker 1: say the word go asbestos asbestos sheets. Huh A Spanish word. Yeah,

1230
01:01:28,360 --> 01:01:31,040
Speaker 1: go ahead, asbestos Spanish? What do you think? Go ahead?

1231
01:01:31,040 --> 01:01:33,560
Speaker 1: Say just do the line, do the first up until

1232
01:01:33,600 --> 01:01:35,200
Speaker 1: that part, but say it how you think it is said?

1233
01:01:35,200 --> 01:01:38,680
Speaker 1: Go ahead? And if I fall asleep here tonight, you

1234
01:01:38,800 --> 01:01:44,640
Speaker 1: better get me some asbesto sheets. Okay, that's not quite it.

1235
01:01:45,040 --> 01:01:47,000
Speaker 1: But you don't know what that is that word. No,

1236
01:01:47,120 --> 01:01:50,080
Speaker 1: it's a big word. I've never seen that one. He

1237
01:01:50,160 --> 01:01:53,080
Speaker 1: just do satin in there. I mean I admire it. Good.

1238
01:01:53,560 --> 01:01:56,560
Speaker 1: I mean I had to do something thinking that quick.

1239
01:01:56,560 --> 01:01:58,880
Speaker 1: Think if I get your point with the director, Eddie,

1240
01:01:59,000 --> 01:02:02,560
Speaker 1: do you want to help them with that? What were asbestos? Yeah? Yeah,

1241
01:02:02,680 --> 01:02:06,520
Speaker 1: there you go asbestos? Asbestos? Asbestos? You ever heard aboutsbestos?

1242
01:02:06,600 --> 01:02:09,400
Speaker 1: And like, well it's like poisoning. Yes, and they had

1243
01:02:09,440 --> 01:02:11,480
Speaker 1: to take it out of all the Yeah, we had

1244
01:02:11,520 --> 01:02:15,200
Speaker 1: some in our parking rock soon like you saw asbestos fallen?

1245
01:02:15,640 --> 01:02:19,040
Speaker 1: How do you say it? Asbestos is how we would say. Yes, Okay,

1246
01:02:19,040 --> 01:02:22,000
Speaker 1: now this is for another time, but we've been exposed

1247
01:02:22,000 --> 01:02:23,640
Speaker 1: to that in our parking grau. Yeah, we're all gonna die.

1248
01:02:23,640 --> 01:02:29,160
Speaker 1: But anyway, here lunch okay, the scene, lunchbox scene. Okay,

1249
01:02:29,280 --> 01:02:32,400
Speaker 1: we're gonna get relaxed. Jay I'm coming to you now.

1250
01:02:32,440 --> 01:02:34,800
Speaker 1: You heard lunchbox. What do you think you know? I

1251
01:02:34,840 --> 01:02:38,160
Speaker 1: think you're thinking on your feet, lunchbox, and I appreciate

1252
01:02:38,200 --> 01:02:41,680
Speaker 1: that a lot. I think that's really great. Asbestos because

1253
01:02:41,800 --> 01:02:43,840
Speaker 1: right because you're putting off sparks and you don't want

1254
01:02:43,840 --> 01:02:46,000
Speaker 1: to catch the bed on fire. Okay, as I fall

1255
01:02:46,080 --> 01:02:48,040
Speaker 1: out here tonight, you better give me some asbestos sheets

1256
01:02:48,040 --> 01:02:50,560
Speaker 1: because I've been sweating gasoline. Satin would probably catch on.

1257
01:02:50,560 --> 01:02:55,240
Speaker 1: Filling satin would be a problem. He did go straight satin.

1258
01:02:55,480 --> 01:02:57,360
Speaker 1: You really, I don't know it's the satin is either.

1259
01:02:57,400 --> 01:02:59,640
Speaker 1: I just know it's a material. I don't give me

1260
01:02:59,680 --> 01:03:04,720
Speaker 1: some safe and jeets. Okay, satan? Yeah, good lunchbox, Good

1261
01:03:04,800 --> 01:03:08,400
Speaker 1: job buddy. Yes, okay, welcome you first part now. And

1262
01:03:08,440 --> 01:03:10,520
Speaker 1: I got to tell you my acting coaches listening right now.

1263
01:03:10,560 --> 01:03:16,320
Speaker 1: She texted me, Oh cool, Yeah, what do you want

1264
01:03:16,320 --> 01:03:19,040
Speaker 1: to tell janeything about you specifically? Oh? Jay, let me

1265
01:03:19,040 --> 01:03:21,400
Speaker 1: tell you. Like I took drama back in seventh grade

1266
01:03:21,400 --> 01:03:23,720
Speaker 1: at Murcus in middle school. Miss Dawson was my teacher.

1267
01:03:23,960 --> 01:03:25,480
Speaker 1: We didn't really do much acting. It was much a

1268
01:03:25,520 --> 01:03:28,960
Speaker 1: goofing off and then over, you know, COVID. I was

1269
01:03:29,000 --> 01:03:30,840
Speaker 1: just sitting at home and I was like, man, I

1270
01:03:30,880 --> 01:03:32,960
Speaker 1: want to start acting classes. I want to make it

1271
01:03:33,000 --> 01:03:35,320
Speaker 1: to Hollywood. I want to become a star. And so

1272
01:03:35,360 --> 01:03:38,040
Speaker 1: I found a class, but they're only meeting online. So

1273
01:03:38,040 --> 01:03:41,040
Speaker 1: we've been doing table reads over zoom for like a

1274
01:03:41,120 --> 01:03:44,920
Speaker 1: year and a half and man, it is going excellent. Good,

1275
01:03:45,880 --> 01:03:50,080
Speaker 1: that's awesome. Where's your Where was your school in Austin, Texas?

1276
01:03:50,200 --> 01:03:54,400
Speaker 1: Murcus in middle school? We were the matadors. Yeah, middle school.

1277
01:03:54,440 --> 01:03:55,960
Speaker 1: He didn't know he's going full middle school. Yeah, right

1278
01:03:56,000 --> 01:03:58,200
Speaker 1: over there on far West Boulevard. I mean right across

1279
01:03:58,240 --> 01:04:01,960
Speaker 1: from tcby Yogurt mister Gaddy Pizza. It was amazing. And

1280
01:04:02,120 --> 01:04:04,000
Speaker 1: Dawson Elementary was at the top of the hill, but

1281
01:04:04,000 --> 01:04:05,919
Speaker 1: we were separated by offense. I didn't go to DAWs

1282
01:04:06,120 --> 01:04:07,920
Speaker 1: That's what it is. Yeah, I think you've got a

1283
01:04:07,920 --> 01:04:09,960
Speaker 1: little do. I have no idea what miss Dawson is

1284
01:04:09,960 --> 01:04:12,520
Speaker 1: doing now, but she was the drama teacher, and boy,

1285
01:04:12,880 --> 01:04:16,200
Speaker 1: we had a lot of fun on that. Okay, Hey, Jay,

1286
01:04:16,280 --> 01:04:18,800
Speaker 1: say says, you're a professor for music and Theater Arts

1287
01:04:18,800 --> 01:04:21,200
Speaker 1: at m I T. So what what is that? What

1288
01:04:21,240 --> 01:04:24,520
Speaker 1: do you do there? I teach? I teach classes in

1289
01:04:25,320 --> 01:04:29,600
Speaker 1: acting directing media design. So we do a lot of

1290
01:04:29,640 --> 01:04:33,840
Speaker 1: work with emerging technologies. I feel about that, man, M

1291
01:04:33,840 --> 01:04:36,320
Speaker 1: I T. I've been there, you have. I was in

1292
01:04:36,400 --> 01:04:38,040
Speaker 1: Boston one time and I stayed at a hotel and

1293
01:04:38,040 --> 01:04:40,080
Speaker 1: it had like sheets. I said, M I T. That's

1294
01:04:40,080 --> 01:04:43,040
Speaker 1: not you being there. I mean it's right next door. Okay, okay,

1295
01:04:43,040 --> 01:04:47,440
Speaker 1: that hotel, that's that's that's pretty close, jayshe I was

1296
01:04:47,440 --> 01:04:49,439
Speaker 1: on with us the director and so wait a minute,

1297
01:04:49,600 --> 01:04:52,240
Speaker 1: he has time to direct in Las Vegas. He has

1298
01:04:52,280 --> 01:04:55,120
Speaker 1: time to teach it MT. This dude's all over. Well

1299
01:04:55,160 --> 01:04:56,960
Speaker 1: ask him, ask him how like, how do you do that?

1300
01:04:57,080 --> 01:04:59,360
Speaker 1: I have a lot of frequent flyer miles and I

1301
01:04:59,640 --> 01:05:04,000
Speaker 1: don't sleep a lot. This guy's awesome. Hey, let's go. Hey,

1302
01:05:04,240 --> 01:05:06,000
Speaker 1: have you worked in with big actors like you know?

1303
01:05:06,240 --> 01:05:08,160
Speaker 1: You guy? Can you drop some names on me or no?

1304
01:05:08,600 --> 01:05:13,880
Speaker 1: Mostly theater? Um, gosh, yeah, no, it's okay. Theater is good,

1305
01:05:13,920 --> 01:05:14,920
Speaker 1: Like you know what I mean. There's a lot of

1306
01:05:14,960 --> 01:05:16,960
Speaker 1: theater people that do great and I can't wait to eater.

1307
01:05:17,360 --> 01:05:21,680
Speaker 1: Do you know what I mean? Jay? Remember he got

1308
01:05:21,680 --> 01:05:25,200
Speaker 1: to hire you, right, Yeah, be cool. So let's see,

1309
01:05:25,480 --> 01:05:26,920
Speaker 1: I'll take you. I mean, I may want it. I

1310
01:05:26,920 --> 01:05:28,600
Speaker 1: don't know, we'll see well no no, no, no that

1311
01:05:28,640 --> 01:05:31,760
Speaker 1: either you're not so hard to get cool, be cool,

1312
01:05:32,200 --> 01:05:35,120
Speaker 1: it's cool, Jay ja Avazon with us director, tell me

1313
01:05:35,120 --> 01:05:37,240
Speaker 1: about Bad out of Hell and just generally what this

1314
01:05:37,400 --> 01:05:41,680
Speaker 1: is so Bad out of Hell is um is a

1315
01:05:42,120 --> 01:05:45,800
Speaker 1: kind of like a rock opera musical based on based

1316
01:05:45,840 --> 01:05:49,960
Speaker 1: on Jim Steinman and meat Loaf's eponymous album, Right Meet

1317
01:05:50,200 --> 01:05:52,520
Speaker 1: Bad out of Hell, which I which for a long

1318
01:05:52,560 --> 01:05:56,280
Speaker 1: time was like the second most selling album of all time. Um.

1319
01:05:56,960 --> 01:06:02,680
Speaker 1: So it's like basically, basically the story revolves around Strat

1320
01:06:02,720 --> 01:06:07,080
Speaker 1: and Raven who fall madly in love, um, sort of

1321
01:06:07,120 --> 01:06:09,680
Speaker 1: love at first sight at a at a street protest,

1322
01:06:10,400 --> 01:06:14,120
Speaker 1: and let's just say her dad is not into it. Um,

1323
01:06:14,320 --> 01:06:17,600
Speaker 1: And so what ensues is a kind of kind of

1324
01:06:18,200 --> 01:06:23,400
Speaker 1: rock and roll Romeo and Juliet story in which, um,

1325
01:06:23,400 --> 01:06:26,400
Speaker 1: it's just sort of like one mad adventure after another

1326
01:06:27,040 --> 01:06:31,919
Speaker 1: set against these amazing, amazing songs. Nice and speaking of song, wow,

1327
01:06:31,960 --> 01:06:34,800
Speaker 1: what's that part of the audition? This is crazy. I mean,

1328
01:06:35,400 --> 01:06:37,760
Speaker 1: Strat is the main character, and you see who I

1329
01:06:37,800 --> 01:06:42,040
Speaker 1: read Strat, I'm for the big role. This is awesome.

1330
01:06:42,200 --> 01:06:44,320
Speaker 1: I didn't know I was going to be the main guy. Well,

1331
01:06:44,360 --> 01:06:47,160
Speaker 1: I think he's just reading something from the production. Well,

1332
01:06:47,320 --> 01:06:49,760
Speaker 1: but I don't know. I'm not that. I have nothing

1333
01:06:49,760 --> 01:06:50,960
Speaker 1: to do with this. I don't know. I'm just trying

1334
01:06:50,960 --> 01:06:54,120
Speaker 1: to set you. This is crazy. I am going to

1335
01:06:54,120 --> 01:07:02,240
Speaker 1: have the lead. No, no, now, I got nervous. Whoa lunchbox?

1336
01:07:02,280 --> 01:07:05,480
Speaker 1: Are you ready to do this song? Yeah? Can you?

1337
01:07:05,600 --> 01:07:07,080
Speaker 1: Can you move him so we can hear me? Can ye?

1338
01:07:07,200 --> 01:07:10,520
Speaker 1: Hold on? The hold on? Hold on, he's mutic go ahead.

1339
01:07:10,520 --> 01:07:12,200
Speaker 1: I've never heard this song. I don't know this part.

1340
01:07:12,240 --> 01:07:13,480
Speaker 1: What do you mean? I don't know how it goes?

1341
01:07:14,240 --> 01:07:16,040
Speaker 1: But you no one told you were singing that. I

1342
01:07:16,040 --> 01:07:17,800
Speaker 1: told I even told you were singing the last part

1343
01:07:17,800 --> 01:07:20,760
Speaker 1: of it, even on the air, I said. I said

1344
01:07:20,800 --> 01:07:24,400
Speaker 1: you were doing the original, the ending of that song,

1345
01:07:24,840 --> 01:07:27,280
Speaker 1: not the part you sing about the motorcycle. Oh, I've

1346
01:07:27,280 --> 01:07:29,320
Speaker 1: been practicing the motorcycle. No, but I told you that

1347
01:07:29,400 --> 01:07:32,080
Speaker 1: wasn't it, the battering ram whatever? Okay, you can turn

1348
01:07:32,120 --> 01:07:36,120
Speaker 1: it back up. Okay, okay, so lunchbox, you're gonna sing here,

1349
01:07:36,560 --> 01:07:39,479
Speaker 1: Ray play me the ending to the Songbox is gonna

1350
01:07:39,480 --> 01:07:47,520
Speaker 1: sing down. Done this a lot of times. I mean,

1351
01:07:47,600 --> 01:07:49,400
Speaker 1: let me tell you that's like right in my wheelhouse. Yeah,

1352
01:07:49,400 --> 01:07:51,760
Speaker 1: I practice practicing a lot, practice a lot. Let me

1353
01:07:51,760 --> 01:07:53,800
Speaker 1: tell you, Jay, I've been practicing at home. This song

1354
01:07:53,960 --> 01:07:59,000
Speaker 1: is like on my top playlist. Okay, And so Jay,

1355
01:07:59,160 --> 01:08:01,480
Speaker 1: will you tell lunch Box exactly what he needs to

1356
01:08:01,480 --> 01:08:05,360
Speaker 1: do in this song performance. So, in this particular momentu

1357
01:08:05,720 --> 01:08:09,640
Speaker 1: Strat has been pursued by the police um with Raven

1358
01:08:09,640 --> 01:08:12,760
Speaker 1: on the back of his motorcycle. She like says, stop stop,

1359
01:08:12,760 --> 01:08:14,600
Speaker 1: I gotta get off, I gotta go back. I gotta

1360
01:08:14,640 --> 01:08:17,000
Speaker 1: try to stop them, and she takes off and he

1361
01:08:17,040 --> 01:08:20,000
Speaker 1: thinks I've lost everything, and so he just goes on

1362
01:08:20,040 --> 01:08:27,479
Speaker 1: a tear and flies off a cliff and crashes um

1363
01:08:28,160 --> 01:08:32,839
Speaker 1: and um and basically he's so upset his heart flies

1364
01:08:32,920 --> 01:08:39,800
Speaker 1: out of his chest, emotional singing him with emotional flames, confetti.

1365
01:08:40,080 --> 01:08:45,479
Speaker 1: It's just complete madness on stage, obsesstos, sheets, no anymore.

1366
01:08:45,680 --> 01:08:48,160
Speaker 1: That's a later scene. Hey, Ray, So what do we

1367
01:08:48,160 --> 01:08:50,720
Speaker 1: have for Lunchbox far as an instrumental? Is it of

1368
01:08:50,760 --> 01:08:52,960
Speaker 1: the final part that he's doing? Yea, and how much

1369
01:08:52,960 --> 01:08:55,479
Speaker 1: time in front of when he starts it's literally it'll

1370
01:08:55,560 --> 01:08:57,439
Speaker 1: give me like that and then boom that's when he

1371
01:08:57,520 --> 01:08:59,280
Speaker 1: hit the first line. Well, let's try it to the practice.

1372
01:08:59,320 --> 01:09:03,440
Speaker 1: Here go, I'm down at the bottom of the place.

1373
01:09:04,360 --> 01:09:06,479
Speaker 1: You got it, you got it? Now you're ready? Ja

1374
01:09:06,560 --> 01:09:11,640
Speaker 1: Are you ready? Here we go, go ja here lunch backs.

1375
01:09:11,760 --> 01:09:14,320
Speaker 1: When you get to those high seas, just like, go

1376
01:09:14,400 --> 01:09:17,519
Speaker 1: for it. I don't see any seeds on there, but

1377
01:09:18,320 --> 01:09:20,320
Speaker 1: the high notes, just go for it. Belt it out

1378
01:09:20,360 --> 01:09:23,639
Speaker 1: like yeah, there's no like high seat like the letter seas.

1379
01:09:23,880 --> 01:09:27,080
Speaker 1: I don't see any seas. Okay, got it, you got it? Okay, okay,

1380
01:09:27,400 --> 01:09:29,840
Speaker 1: Ray are you ready? Hunch? Which one were the high ones?

1381
01:09:30,080 --> 01:09:37,360
Speaker 1: The high ones? The ones were high high like I'm bad,

1382
01:09:37,479 --> 01:09:49,760
Speaker 1: I'm bad, out of I'll be gone. Come wow okay, okay, So,

1383
01:09:50,200 --> 01:09:52,720
Speaker 1: oh my gosh, what, oh my gosh, this is how

1384
01:09:52,760 --> 01:09:59,439
Speaker 1: you win? Uh, Tony's that's right how it starts. That

1385
01:09:59,520 --> 01:10:03,559
Speaker 1: was what I tell is. Okay, research guys, Come on,

1386
01:10:03,560 --> 01:10:06,240
Speaker 1: you don't think I know my musicals? Come on, no, Jay,

1387
01:10:06,400 --> 01:10:08,120
Speaker 1: So we're obviously not gonna put you on the spot

1388
01:10:08,160 --> 01:10:09,320
Speaker 1: right now. You have a lot to watch. We're gonna

1389
01:10:09,320 --> 01:10:10,920
Speaker 1: get you this tape as well from in the studio.

1390
01:10:11,160 --> 01:10:12,559
Speaker 1: But lunchbox hit, oh, we have a we have a

1391
01:10:12,600 --> 01:10:15,000
Speaker 1: one more thing. I mean, we have one more thing. Okay,

1392
01:10:15,280 --> 01:10:17,519
Speaker 1: you want more, Okay, I'll give you more. What else

1393
01:10:17,520 --> 01:10:20,240
Speaker 1: do you need from us? So one more small bit,

1394
01:10:20,360 --> 01:10:23,200
Speaker 1: because you know, there's also there's another part that I

1395
01:10:23,200 --> 01:10:26,760
Speaker 1: think is also potentially really well suited to you, which

1396
01:10:26,840 --> 01:10:31,120
Speaker 1: is more comedy. Actually it's like a great comic role.

1397
01:10:31,600 --> 01:10:36,400
Speaker 1: And in this in this particular scene, m Raven, the

1398
01:10:36,520 --> 01:10:41,840
Speaker 1: daughter has basically like thrown a can of gasoline into

1399
01:10:41,920 --> 01:10:46,400
Speaker 1: a convertible and lit it on fire. And the character

1400
01:10:46,479 --> 01:10:49,960
Speaker 1: that you would play is performing in an orchestra which

1401
01:10:50,000 --> 01:10:56,360
Speaker 1: gets sort of exploded, and so your strati various trombone

1402
01:10:57,600 --> 01:11:01,760
Speaker 1: gets smashed, and you like walk down on stage and

1403
01:11:01,840 --> 01:11:07,560
Speaker 1: just in in three sentences you scream at the actors

1404
01:11:08,120 --> 01:11:12,200
Speaker 1: for being you know, for messing up your trombone. And

1405
01:11:12,439 --> 01:11:14,640
Speaker 1: all that I really need is like I need you

1406
01:11:14,680 --> 01:11:17,800
Speaker 1: to mention your manager or your agent, like I'm gonna

1407
01:11:17,800 --> 01:11:20,519
Speaker 1: call my agent or your union. I'm gonna call the

1408
01:11:20,600 --> 01:11:24,160
Speaker 1: union or just anything along that, and one mention of

1409
01:11:24,160 --> 01:11:26,800
Speaker 1: like look what you did to my trombone. That's it,

1410
01:11:26,920 --> 01:11:29,080
Speaker 1: and the rest and the rest is all you just

1411
01:11:29,439 --> 01:11:33,479
Speaker 1: three three or four sentences, Yeah, okay, let them maybe

1412
01:11:33,479 --> 01:11:35,400
Speaker 1: an action so they don't want to start. Yeah, I'm

1413
01:11:35,400 --> 01:11:37,800
Speaker 1: gonna do you know what you're doing. Yeah, I'm gonna

1414
01:11:37,880 --> 01:11:40,120
Speaker 1: yell at someone for messing up my trombone. Uh yeah,

1415
01:11:40,280 --> 01:11:42,120
Speaker 1: that's right. And I got to talk about my agent

1416
01:11:42,200 --> 01:11:46,599
Speaker 1: and the union and or okay, I'm saying, yeah, okay,

1417
01:11:47,280 --> 01:11:48,920
Speaker 1: here we go, Lunchbuck now trying to get the role

1418
01:11:49,680 --> 01:11:53,160
Speaker 1: in Bad Out of Hell three two action. You idiots.

1419
01:11:53,479 --> 01:11:56,679
Speaker 1: You messed up my trombone. I'm gonna get my agent

1420
01:11:56,760 --> 01:11:59,759
Speaker 1: on the phone. Hey you oh yeah, you you moron.

1421
01:12:00,200 --> 01:12:03,640
Speaker 1: You're gonna have to Western Union met somebody because I

1422
01:12:03,720 --> 01:12:06,719
Speaker 1: no longer have a trumbone. I'm play and I can't

1423
01:12:06,720 --> 01:12:16,759
Speaker 1: believe it. Now I'm gonna burn down your house. Who see,

1424
01:12:16,880 --> 01:12:19,439
Speaker 1: I got Jay held his heart, helped his heart Weight Union.

1425
01:12:19,680 --> 01:12:26,040
Speaker 1: It's a different way Western Western Union. That's so good.

1426
01:12:26,520 --> 01:12:28,160
Speaker 1: Jay held his heart. He was something by that. This

1427
01:12:28,200 --> 01:12:32,080
Speaker 1: is a great Okay, lunchbox, anything you want to say before?

1428
01:12:32,240 --> 01:12:33,640
Speaker 1: Have you so much? Jay's time and he's got to

1429
01:12:33,680 --> 01:12:35,080
Speaker 1: decide if he's gonna give you the role. But Jay,

1430
01:12:35,120 --> 01:12:36,559
Speaker 1: I know you gotta go teach it in my tea.

1431
01:12:36,600 --> 01:12:38,599
Speaker 1: You got you gotta decide on this, and you're gonna

1432
01:12:38,600 --> 01:12:41,000
Speaker 1: have all the pictures out of people who you're gonna cast,

1433
01:12:41,320 --> 01:12:44,200
Speaker 1: and just know that I am the man. Like you're

1434
01:12:44,240 --> 01:12:45,760
Speaker 1: gonna have a lot of people to choose from. But

1435
01:12:46,120 --> 01:12:48,519
Speaker 1: I really think I'm gonna bring what you need. I'm

1436
01:12:48,560 --> 01:12:50,000
Speaker 1: gonna be like a bat out of Hell. I will

1437
01:12:50,000 --> 01:12:55,000
Speaker 1: memorize Jay. I can just see it now. I could

1438
01:12:55,000 --> 01:12:58,680
Speaker 1: see it now, Jay lunchbox in Las Vegas, sitting at

1439
01:12:58,680 --> 01:13:01,400
Speaker 1: the Eiffel Tower. Right there are in Paris, sipping on

1440
01:13:01,439 --> 01:13:04,120
Speaker 1: a cocktail and just talking about man bat out of Hell.

1441
01:13:04,160 --> 01:13:07,840
Speaker 1: I can't believe we got nominated for a Tony cheers. Yep,

1442
01:13:08,160 --> 01:13:13,240
Speaker 1: that's it all right there? He famous director, Jay? Does

1443
01:13:13,280 --> 01:13:14,640
Speaker 1: he think I have what it goes to? Go to

1444
01:13:14,680 --> 01:13:16,800
Speaker 1: n T two? I was watching He's gonna invite you

1445
01:13:16,800 --> 01:13:18,800
Speaker 1: to MT. I don't think that it happens. I think

1446
01:13:18,800 --> 01:13:20,840
Speaker 1: a professor can do that. I don't think that happens here.

1447
01:13:20,880 --> 01:13:24,200
Speaker 1: Oh yeah, Um, So we're gonna give Jay. We're gonna

1448
01:13:24,200 --> 01:13:25,800
Speaker 1: send him all the tape and we're gonna hear from

1449
01:13:25,840 --> 01:13:29,120
Speaker 1: him early next week, probably Monday or Tuesday of the latest.

1450
01:13:29,200 --> 01:13:31,000
Speaker 1: Oh man, we will hear if you got the role.

1451
01:13:31,080 --> 01:13:33,880
Speaker 1: It's gonna be a busy weekend. For me, no sleep, okay,

1452
01:13:34,080 --> 01:13:36,560
Speaker 1: because I'm gonna be just like pacing, I'm gonna be practicing.

1453
01:13:36,760 --> 01:13:39,240
Speaker 1: I'm gonna be a practicing like then I'm down in

1454
01:13:39,320 --> 01:13:43,400
Speaker 1: the bottom of Jay. Thank you so much for your time,

1455
01:13:43,400 --> 01:13:44,920
Speaker 1: and we will talk to you Earli next week. Okay,

1456
01:13:45,080 --> 01:13:50,960
Speaker 1: thank you. It's the Best Bits of the Week with

1457
01:13:51,040 --> 01:13:54,960
Speaker 1: Morgan number two. That's it, y'all. Thanks for hanging out

1458
01:13:55,000 --> 01:13:57,519
Speaker 1: and listening to the best Bits, just the bits. Make

1459
01:13:57,560 --> 01:13:59,160
Speaker 1: sure if you want to check out part one. It's

1460
01:13:59,200 --> 01:14:01,400
Speaker 1: a interview with me. Not really, it's more of a

1461
01:14:01,439 --> 01:14:04,120
Speaker 1: conversation with myself while you guys listen. And I hope

1462
01:14:04,160 --> 01:14:06,360
Speaker 1: you guys also answered some of the questions I asked,

1463
01:14:06,360 --> 01:14:09,160
Speaker 1: because otherwise I'm sitting in a room talking to myself.

1464
01:14:09,200 --> 01:14:11,120
Speaker 1: But that's okay too. I'm just glad you're here. Thank

1465
01:14:11,160 --> 01:14:13,879
Speaker 1: you for listening to the Best Bits and its entirety

1466
01:14:13,960 --> 01:14:16,600
Speaker 1: and every weekend sharing it with your friends, posting about it.

1467
01:14:16,720 --> 01:14:18,840
Speaker 1: I just love you all so much. Thank you. Have

1468
01:14:18,920 --> 01:14:23,080
Speaker 1: a fabulous weekend. Bye, D's baby Boss.