WEBVTT - Xtras: Joker: Folie à Deux

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<v Speaker 1>Warning, Today's episode contains spoilers for Joker Folioder, The Joker

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<v Speaker 1>is Me. This is actually a special edition of X

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<v Speaker 1>ray Vision.

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<v Speaker 2>You will be getting more of these soon.

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<v Speaker 3>This is called x ray Vision Extras.

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<v Speaker 1>And today your host Rosie Knight will be interviewing your

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<v Speaker 1>other host, Jason Concepcion and super producer Duel Monique, who

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<v Speaker 1>has also been on NPR pop Culture Happy Hour recently

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<v Speaker 1>talking about this very movie, asking them their feelings on

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<v Speaker 1>Joker Folio Door.

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<v Speaker 2>So welcome back to the show.

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<v Speaker 4>Guys.

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<v Speaker 2>How's it going I feeling.

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<v Speaker 5>I flew back from vacation week in Kawhi, the Island

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<v Speaker 5>of Beautiful. It was beautiful. It was amazing. Shouts to

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<v Speaker 5>the wonderful people of Hawaii and the island and the

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<v Speaker 5>natural splendor therein And I landed and I got some sleep,

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<v Speaker 5>and then I went to a screening of Todd Phillips's

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<v Speaker 5>latest masterpiece, Joker to and that was I mean, that's

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<v Speaker 5>a vibe shift. And to say the least, I'll say

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<v Speaker 5>this before we really get into it. I think it's

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<v Speaker 5>a courageous movie vision. I think it's a courageous and

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<v Speaker 5>brave vision.

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<v Speaker 1>I have yet to see the courageous and brave vision

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<v Speaker 1>as I was not int invited to go and see

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<v Speaker 1>a screening, and I yesterday instead of going see Joker, Folioda,

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<v Speaker 1>I went and saw both Godzilla movies that came out recently,

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<v Speaker 1>Shin Godzilla and Minus one in black and white as

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<v Speaker 1>part of Beyond Fest, and then I went to the

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<v Speaker 1>Mahro Academia movie premiere because I like to enjoy my life.

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<v Speaker 3>So, guys, let's talk about Joke up folly you duh?

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<v Speaker 2>Joel? Will you give us a rundown.

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<v Speaker 1>Of what the movie is about and kind of a

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<v Speaker 1>brief kind of recap of the situation.

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<v Speaker 4>Okay, So we're picking up right after Joker, So if

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<v Speaker 4>you saw a Joker, there's nothing in between, and you

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<v Speaker 4>just pick and right back up. He's in prison. And

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<v Speaker 4>imagine every prison movie you saw in the eighties and nineties.

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<v Speaker 4>That's exactly where you are. Okay, prison subs, guys, it's bad.

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<v Speaker 4>It's essentially a nineteen fifties mental health institution where everybody's

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<v Speaker 4>individually locked in their own cells. You don't share, that

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<v Speaker 4>seems nice. The guards are all irish and assholes for

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<v Speaker 4>some reason. And if you're fortunate enough, you get a

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<v Speaker 4>little wreck time, and then you get to go over

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<v Speaker 4>to the other prison where the non lethal ones are,

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<v Speaker 4>and there you're gonna discover Harley Quinn. What up, she's

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<v Speaker 4>excited to see joker. Kay, yes, listen, she's there.

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<v Speaker 5>She's really a big fan.

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<v Speaker 3>She's a big fan Bigan.

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<v Speaker 4>Harley Quinn is a big fan. Yes, yes, she's clearly

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<v Speaker 4>in the rooting section. Okay. So his lawyer and his

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<v Speaker 4>caseworker are there and they're like, hey, do you have

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<v Speaker 4>d I D and jokers? Like, I don't know, maybe

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<v Speaker 4>they're like, oh no, definitely, uh. Mentally you have d

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<v Speaker 4>I D. That's what's going on. We need you to

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<v Speaker 4>say that so that the court will like help you.

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<v Speaker 4>The court is not gonna help him, so it's gotta

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<v Speaker 4>go back.

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<v Speaker 3>Yes, this is why I find Okay, Okay, let me pause.

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<v Speaker 5>It's it's like, let me pouse twelve like twelve angry

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<v Speaker 5>men type burdhouse drama with much less suspense.

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<v Speaker 6>Wow.

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<v Speaker 1>Okay, Jason, I want to ask you a question, as

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<v Speaker 1>you know, someone who loves Batman like is in the Batman.

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<v Speaker 1>But this is not sounding very comic book accurate. Does

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<v Speaker 1>it feel like there's any comic book influence in that

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<v Speaker 1>vision of Arkham Asylum.

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<v Speaker 5>Well, I'll say this, the part that does attempt to

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<v Speaker 5>tie into the larger Batman universe that exists is kind

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<v Speaker 5>of like the most it's the weird it's almost the

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<v Speaker 5>weirdest part of the film. And the film is so

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<v Speaker 5>fucking weird. Like they do at the end, yes, yes,

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<v Speaker 5>the very gesture at being like, hey, here's how so

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<v Speaker 5>actually this crazy movie does lead into the Nolan verse. Yeah, yeah, yeah,

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<v Speaker 5>by setting up kind of like who the Joker from

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<v Speaker 5>the Dark Night?

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<v Speaker 2>Is wild?

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<v Speaker 5>But weirdly, it's like the most discordant part of this

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<v Speaker 5>of the whole thing, because it feels like the only

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<v Speaker 5>part of the film where Todd Phillips lost. You know,

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<v Speaker 5>this entire film is like Todd Phillips being like, fuck you,

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<v Speaker 5>I'm doing it my way. Fuck you, I'm doing it

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<v Speaker 5>my way. I'm doing this. So we're opening with a

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<v Speaker 5>musical thing. The musical songs are gonna continue on. They're

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<v Speaker 5>gonna go on. Also our lead can't sing, but fuck it,

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<v Speaker 5>like we're doing this. And then at the very end

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<v Speaker 5>it feels like he lost that battle of It's only

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<v Speaker 5>at the very end where they make the attempt to

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<v Speaker 5>tie this into Batman movies that exist. That felt like

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<v Speaker 5>he lost that because it felt like something he didn't

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<v Speaker 5>want to do.

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<v Speaker 1>I'm gonna say, look, I don't want to be here,

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<v Speaker 1>you know me. I'm a zaz Lav critic, but I

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<v Speaker 1>will say Todd Phillips has actually surprisingly been very emphatic

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<v Speaker 1>about the fact that that was his idea and that

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<v Speaker 1>there's never been another time when he ever said that

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<v Speaker 1>Arthur Fleck was really the Joker, and so who knows,

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<v Speaker 1>maybe they paid him money that he agreed.

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<v Speaker 2>But uh, let's see how we get there first, Like Joel,

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<v Speaker 2>what happens in the court?

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<v Speaker 5>Okay? Yes, Kittinue okay.

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<v Speaker 4>So Joker has this awakening where he is like some

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<v Speaker 4>what's the song Somebody loves Me? And he's like, okay,

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<v Speaker 4>this woman loves me. I can transform. Now you get umbrellas?

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<v Speaker 4>Uh is it true? Shub thank you reference without any

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<v Speaker 4>music for some reason, It's crazy. The references are here,

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<v Speaker 4>they connect to nothing. Well, you get to the courtroom

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<v Speaker 4>and stands everywhere.

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<v Speaker 5>The references in this movie are are references from the

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<v Speaker 5>seventies and eighties. Incredible like these, I don't understand why,

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<v Speaker 5>Why is it pop culture references from the seventies and eighties.

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<v Speaker 2>Okay, it was just him.

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<v Speaker 1>It was just him basically remaking it was like ready

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<v Speaker 1>play a one for Martin Scorsese, So I guess this

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<v Speaker 1>time he was like, I guess, I bet reference some

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<v Speaker 1>other old stuff.

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<v Speaker 4>With kind of the vibes. When we get to the courthouse,

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<v Speaker 4>there are tons of fans, and then this sort of

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<v Speaker 4>movie becomes a little bit about toxic fandom for a minute, like, Okay,

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<v Speaker 4>the fans are here, they're rooting for him a little bit. Yeah, yeah.

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<v Speaker 4>Harley Quinn becomes she's like really pushing him. She's like, hey, babe,

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<v Speaker 4>you're the Joker, and I don't even know why you're

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<v Speaker 4>trying to fuck around with arth reflect Dude, I don't

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<v Speaker 4>know him. You don't like him. They don't want him

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<v Speaker 4>be the Joker. She's like, I'm like, just like you, buddy,

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<v Speaker 4>Like we're from the same neighborhood and we have the

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<v Speaker 4>same problems. I hate my dad, asshole. He died and

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<v Speaker 4>I was happy. He's like, you were happy when your

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<v Speaker 4>mom died.

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<v Speaker 2>We're the same.

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<v Speaker 4>Later, Joker's lawyer comes up and he's like, uh, yeah,

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<v Speaker 4>I don't know if you know it. But this girl's

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<v Speaker 4>a liar. She's super rich, her parents are alive, and

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<v Speaker 4>guess what she checked herself in here. Also, she has

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<v Speaker 4>a master's degree in psychology, so she's playing around with you.

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<v Speaker 2>It's crazy. They did keep that pop.

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<v Speaker 4>They we can talk more about whether that works or

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<v Speaker 4>not later. And at this point, Joker also stops taking

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<v Speaker 4>his meds, and so Arthur's like, okay, I'm fully going

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<v Speaker 4>to embrace it. And it sort of seems to be

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<v Speaker 4>working like the girl likes him. He gets a conjugal visit.

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<v Speaker 4>It's weird. Back of court, it's super crazy. He fires

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<v Speaker 4>his lawyer and he starts to represent himself in full

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<v Speaker 4>Joker page. The judge is like, hey, look, no rules,

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<v Speaker 4>but this court will not become a circus, as if

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<v Speaker 4>he hasn't already lost all grounded.

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<v Speaker 6>It is effing chaos. Okay.

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<v Speaker 4>Questions that you may have issues up to this.

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<v Speaker 1>Point, Okay, So yeah, let's talk about Lee as I

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<v Speaker 1>believe she's known in her Lady Gaga.

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<v Speaker 2>How did that performance go for you?

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<v Speaker 3>Jason?

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<v Speaker 1>Tell me you said this was a visionary and courageous choice.

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<v Speaker 3>Do you believe that?

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<v Speaker 2>Goes over to Harley Quinn.

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<v Speaker 4>I don't.

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<v Speaker 5>She's like weirdly inert in this movie, a lot less

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<v Speaker 5>than you expect and is a lot less influential than

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<v Speaker 5>you expect, except for a few moments and the fact

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<v Speaker 5>that spoiler she outlives the joker. You know, it's She's

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<v Speaker 5>not a huge part of this film, really, Joelle.

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<v Speaker 2>Your thoughts, Yeah.

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<v Speaker 4>This film wanted to be a musical, but it didn't,

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<v Speaker 4>and it has a deep misunderstanding of what a musical

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<v Speaker 4>is and why musicals exist. Right, So, musicals exist so

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<v Speaker 4>that when you reach a point of such exhalation or depression,

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<v Speaker 4>you open up and saying any kind of peak emotion.

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<v Speaker 4>That's when you sing. There's no organization to the music

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<v Speaker 4>because she's partnered with Joaquin who again was a great

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<v Speaker 4>Johnny Cash and was able to keep in that very

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<v Speaker 4>limited register. It doesn't apply to the songs they selected

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<v Speaker 4>for him. Again, there's no musical here was involved with this.

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<v Speaker 4>I just can't. I'm sorry to the filmmakers, but it

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<v Speaker 4>just wasn't. How happening with the.

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<v Speaker 1>Like I'm very interested in those weird, like old timey

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<v Speaker 1>show tunes that they picked, like does that?

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<v Speaker 4>Oh nothing, here's no here's the bar for song choice.

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<v Speaker 4>Did it have joker gesture or a smile reference in

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<v Speaker 4>the song? It's allowed in the movie. I'm serious that

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<v Speaker 4>it was the bar. There's no other reference point for

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<v Speaker 4>any of the stuff. Some of these songs are performed

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<v Speaker 4>in full, some are performed in part. Some are reprised

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<v Speaker 4>literally five times. It's a chaotic experience. And they forced

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<v Speaker 4>God Got to try to match with her singing partner,

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<v Speaker 4>and it just doesn't quite work. She's trying, her voice

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<v Speaker 4>is still there. Let her and also let Harley Quinn

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<v Speaker 4>be a badass like Harley Quinn. We have so many

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<v Speaker 4>adaptations of this character that work really well, and for

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<v Speaker 4>them to come in, bring her in, sort of keep

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<v Speaker 4>the character, but not really let her do anything, and

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<v Speaker 4>again a fundamental misunderstanding of what makes Harley Harley. I've

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<v Speaker 4>now seen a great Harley adaptation where she has no

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<v Speaker 4>connection to the Joker and seen Sick where she has

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<v Speaker 4>a good one like a good like built off of

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<v Speaker 4>what her relationship with the Joker is, and they don't

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<v Speaker 4>want to really explore that at all, like truly, like

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<v Speaker 4>what is the obsession with fandom? This is a movie

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<v Speaker 4>about a creator exploring fandom from outside of fandom, and

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<v Speaker 4>therefore he can't actually critique like what's happening inside of fandom.

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<v Speaker 4>You know, it's just a reaction to it.

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<v Speaker 2>I feel, let's talk about that.

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<v Speaker 1>Because Jason, like something you were really moved by in

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<v Speaker 1>this movie, like says like the movie's basically saying fuck

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<v Speaker 1>you to everyone, right, Like, let's talk.

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<v Speaker 5>About Yeah, I'm not moved by this movie. Sorry, sorry, sorry,

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<v Speaker 5>I just did. I just think that. I just think

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<v Speaker 5>that Todd Phillips has done something very brave, which is

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<v Speaker 5>basically say, if you liked The Joker, my billion dollar

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<v Speaker 5>R rated film, a historic box office smash, The Joker,

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<v Speaker 5>then you are a piece of shit. You misunderstood everything

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<v Speaker 5>I was trying to do, and you're wrong. And now

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<v Speaker 5>I'm going to drag you across the rugged two hour

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<v Speaker 5>face of this movie and show you in detail how

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<v Speaker 5>fucking wrong you are to have liked this character and

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<v Speaker 5>liked this guy. And I think that's a crazy thing

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<v Speaker 5>to do and a weirdly subversive thing to do with

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<v Speaker 5>a megabudget movie, and it's resulted in a product that

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<v Speaker 5>sucks and is tortuous to watch.

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<v Speaker 1>I think that's the big paw Harry's it's an interesting idea.

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<v Speaker 4>It's really brave to.

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<v Speaker 5>Be like, hey, all the people who like the Joker

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<v Speaker 5>are just what the critics said, are weird in cell

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<v Speaker 5>loaners who take this shit way too seriously. Like at

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<v Speaker 5>one point Harley says, we got to give the people

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<v Speaker 5>what they want, and that felt like the thesis statement

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<v Speaker 5>of the entire project, which is like, hey, we got

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<v Speaker 5>to give them what they want. No, we don't.

0:13:03.160 --> 0:13:05.120
<v Speaker 4>But she's also so mad at the Joker at the end,

0:13:05.160 --> 0:13:07.880
<v Speaker 4>she's like, you stole the vision, you stole the illusion

0:13:08.440 --> 0:13:11.080
<v Speaker 4>by not committing to the Joker bit, and so she

0:13:11.160 --> 0:13:12.080
<v Speaker 4>walks away.

0:13:13.080 --> 0:13:16.520
<v Speaker 5>Yeah, she's like the fans stand in whose has to

0:13:16.600 --> 0:13:21.280
<v Speaker 5>be there and be disappointed with like interacting with this

0:13:21.840 --> 0:13:25.800
<v Speaker 5>talisman of fandom that she is like worshiped, and she

0:13:25.960 --> 0:13:27.760
<v Speaker 5>just has to be disappointed by the old thing she

0:13:27.800 --> 0:13:33.200
<v Speaker 5>used to watch them die violently and bleed out. And again,

0:13:33.360 --> 0:13:35.439
<v Speaker 5>I think that's a courageous vision. I think it's a

0:13:35.559 --> 0:13:39.120
<v Speaker 5>terrible fo movie, but I think it's really it's really

0:13:39.160 --> 0:13:41.560
<v Speaker 5>a wild thing to get up there and be like,

0:13:41.679 --> 0:13:44.080
<v Speaker 5>oh you like you like that, you liked what I

0:13:44.120 --> 0:13:44.600
<v Speaker 5>did before?

0:13:44.720 --> 0:13:47.520
<v Speaker 1>Fucking yeah, I actually that's what really I do agree

0:13:47.520 --> 0:13:49.480
<v Speaker 1>with you, and I do think that that is a

0:13:49.559 --> 0:13:51.640
<v Speaker 1>version of a movie like this where I would be

0:13:51.720 --> 0:13:53.640
<v Speaker 1>like a big fan of it and I'd be like, wow,

0:13:53.679 --> 0:13:56.600
<v Speaker 1>that's so interesting. I don't believe that will be this movie,

0:13:56.640 --> 0:13:58.280
<v Speaker 1>just going by how much I did not like the

0:13:58.320 --> 0:13:59.080
<v Speaker 1>first Joker film.

0:13:59.200 --> 0:14:01.400
<v Speaker 4>Okay, so let's let me wrap about the recap that

0:14:01.440 --> 0:14:03.840
<v Speaker 4>we can talk about that. Yeah, yeah, okay, So what

0:14:03.920 --> 0:14:06.920
<v Speaker 4>really works for me? So Joker is his own lawyer,

0:14:06.960 --> 0:14:10.160
<v Speaker 4>and he's Joaquin is doing a crazy like range of

0:14:10.200 --> 0:14:12.959
<v Speaker 4>like he's a Southern lawyer. He is like a British guy.

0:14:13.040 --> 0:14:18.560
<v Speaker 4>He's like bouncing back these personalities exactly, like playing lawyer

0:14:18.640 --> 0:14:20.760
<v Speaker 4>and like really trying to figure out like if you're

0:14:20.800 --> 0:14:24.920
<v Speaker 4>gonna buy into the Okay, Arthur doesn't have the idea

0:14:25.080 --> 0:14:28.120
<v Speaker 4>and he's actually making these choices if and the narrative

0:14:28.160 --> 0:14:30.440
<v Speaker 4>is not clear, so it's really choose your own adventure here,

0:14:30.760 --> 0:14:33.600
<v Speaker 4>maybe go to that. Then they bring in mister Puddles,

0:14:33.600 --> 0:14:35.520
<v Speaker 4>So if you remember the first film, it's his friend

0:14:35.520 --> 0:14:38.640
<v Speaker 4>with dwarf ism. He's played by h lay Gil in

0:14:38.680 --> 0:14:40.600
<v Speaker 4>the film, and lay Gill is my favorite part of

0:14:40.640 --> 0:14:42.880
<v Speaker 4>this movie, Like he kills his role. He came in

0:14:42.880 --> 0:14:44.800
<v Speaker 4>and said, I understand what I'm supposed to do. And

0:14:44.880 --> 0:14:46.520
<v Speaker 4>it starts. It's the only time for me where the

0:14:46.520 --> 0:14:50.000
<v Speaker 4>movie is like consciously making sense because mister Puddles gets

0:14:50.000 --> 0:14:52.680
<v Speaker 4>on the stand and he's like, yo, Arthur, like whatever

0:14:52.840 --> 0:14:56.080
<v Speaker 4>this performance is, it's fucking stupid, Like knock it off,

0:14:56.200 --> 0:14:58.720
<v Speaker 4>Like you terrified me. You really are. You were the

0:14:58.760 --> 0:15:01.040
<v Speaker 4>only person who didn't make fun of me. You gave

0:15:01.080 --> 0:15:03.000
<v Speaker 4>me dignity at work. You were my friend.

0:15:03.320 --> 0:15:03.920
<v Speaker 5>And I don't.

0:15:03.800 --> 0:15:05.560
<v Speaker 4>Understand this person in front of me. I don't understand

0:15:05.560 --> 0:15:07.600
<v Speaker 4>why you think this is funny. This is horrible and

0:15:07.640 --> 0:15:10.360
<v Speaker 4>it's awful, and he breaks Arthur. Arthur is like, I

0:15:10.360 --> 0:15:15.320
<v Speaker 4>gotta stop like pretending. This is when Gaga leaves. I'm sorry.

0:15:15.400 --> 0:15:19.360
<v Speaker 4>Harley Quinn leaves. He calls her, sings her voicemail, He's like,

0:15:19.520 --> 0:15:22.800
<v Speaker 4>come back, like why. A car bomb goes off during

0:15:22.800 --> 0:15:26.200
<v Speaker 4>the trial and he escapes, kills a lot of people.

0:15:26.280 --> 0:15:29.200
<v Speaker 4>Harvey Dent becomes two faces. Oh cool, Joker kind of escapes,

0:15:29.240 --> 0:15:31.480
<v Speaker 4>he meets Harley. Harley's like, yo, you gave up on

0:15:31.480 --> 0:15:34.400
<v Speaker 4>the illusion. I hate it. Goodbye. Joker goes back to prison,

0:15:34.440 --> 0:15:37.480
<v Speaker 4>where he is stabbed by Heath Ledger's Joker question mark,

0:15:38.360 --> 0:15:40.560
<v Speaker 4>that's the movie, guys, the whole thing.

0:15:40.760 --> 0:15:44.880
<v Speaker 1>I believe his name is young inmate in the credits, Andy,

0:15:45.320 --> 0:15:46.720
<v Speaker 1>I actually did.

0:15:46.520 --> 0:15:48.600
<v Speaker 2>Look this guy up and.

0:15:50.160 --> 0:15:52.600
<v Speaker 6>He really really really.

0:15:52.280 --> 0:15:54.440
<v Speaker 2>Looks like like a Joker.

0:15:54.480 --> 0:15:57.320
<v Speaker 1>I have to say this, like, he he does look

0:15:57.400 --> 0:15:58.840
<v Speaker 1>like somebody who could play the Joker.

0:15:58.960 --> 0:15:59.880
<v Speaker 2>So like good costing.

0:16:00.400 --> 0:16:02.520
<v Speaker 3>But yes, I will say I think you guys raise

0:16:02.560 --> 0:16:03.120
<v Speaker 3>a good point.

0:16:03.520 --> 0:16:07.320
<v Speaker 1>It does seem that it would be the Joker that

0:16:07.360 --> 0:16:12.080
<v Speaker 1>we know from Heath Ledger's iconic performance because he basically cuts.

0:16:11.800 --> 0:16:14.040
<v Speaker 3>A smile into his face at the end, right, yes.

0:16:14.000 --> 0:16:17.600
<v Speaker 1>Which is not something I've seen a lot of ending

0:16:17.640 --> 0:16:20.640
<v Speaker 1>explains and stuff where they seem kind of confused about, well,

0:16:20.680 --> 0:16:22.520
<v Speaker 1>this is just how all the Jokers are, but it's not.

0:16:22.600 --> 0:16:25.640
<v Speaker 1>We know most Jokers are created by acid or falling

0:16:25.640 --> 0:16:26.560
<v Speaker 1>in the acme pit.

0:16:47.960 --> 0:16:49.720
<v Speaker 2>How did that moment go for you?

0:16:49.760 --> 0:16:51.560
<v Speaker 3>Because, like you said, I when I read about that,

0:16:51.640 --> 0:16:53.080
<v Speaker 3>I was like, you know what.

0:16:54.600 --> 0:16:57.320
<v Speaker 1>I prefer this idea that Arthur Fleck was never Joker

0:16:57.320 --> 0:17:00.760
<v Speaker 1>because it's just such a bad origin story for Joka.

0:17:00.880 --> 0:17:03.640
<v Speaker 1>And uh, Todd Phillips has said, you know, it was

0:17:03.720 --> 0:17:06.840
<v Speaker 1>never called the Joker. It was called Joker, and and

0:17:06.880 --> 0:17:09.160
<v Speaker 1>it was never the origin story of the Joker.

0:17:09.240 --> 0:17:10.919
<v Speaker 2>It was an origin story.

0:17:10.960 --> 0:17:12.760
<v Speaker 1>So he's kind of saying he was planning this from

0:17:12.760 --> 0:17:14.800
<v Speaker 1>the beginning, But how did this moment hit for you?

0:17:14.880 --> 0:17:16.480
<v Speaker 2>Like in the cinema, Jason.

0:17:16.720 --> 0:17:19.919
<v Speaker 5>It just didn't. It didn't make any None of this

0:17:20.080 --> 0:17:25.320
<v Speaker 5>movie hit and for me at all. As you're watching this,

0:17:25.440 --> 0:17:29.000
<v Speaker 5>Lady Gaga is singing, that's life and the whole thing

0:17:29.080 --> 0:17:33.280
<v Speaker 5>just wait wait, wait, wait wait are you saying, Angine weird,

0:17:34.080 --> 0:17:40.159
<v Speaker 5>that's life? Oh god, that's what the people say. Yeah,

0:17:40.480 --> 0:17:44.320
<v Speaker 5>And so you're I'm just saying, like, listen, if you

0:17:44.520 --> 0:17:48.560
<v Speaker 5>try to this is what we do on this pod, right,

0:17:48.560 --> 0:17:50.520
<v Speaker 5>because we are these people who are like, how does

0:17:50.560 --> 0:17:52.920
<v Speaker 5>this work in the cannon? If you try and engage

0:17:52.920 --> 0:17:55.080
<v Speaker 5>that part of your nerd brain, how does this work?

0:17:55.160 --> 0:17:56.640
<v Speaker 5>It doesn't. It doesn't work.

0:17:56.680 --> 0:17:58.960
<v Speaker 4>It doesn't work timeline, it's totally off.

0:17:59.119 --> 0:18:02.000
<v Speaker 5>So they have courtright somewhere of who this guy is.

0:18:02.240 --> 0:18:08.360
<v Speaker 5>They would have their problem, like I didn't they know. Yeah,

0:18:08.400 --> 0:18:10.840
<v Speaker 5>they got him, they arrested him, they fingerprinted them, they

0:18:10.840 --> 0:18:13.320
<v Speaker 5>know who the fuck this guy is. Like, it doesn't

0:18:13.320 --> 0:18:15.600
<v Speaker 5>make any sense. And if you try and do that

0:18:16.119 --> 0:18:19.639
<v Speaker 5>you'll you'll just run around in circles. It just was,

0:18:19.960 --> 0:18:25.159
<v Speaker 5>in a weird way, the perfect discordant end cap to

0:18:25.320 --> 0:18:32.280
<v Speaker 5>a completely chaotic, nine nonsensical movie that again felt purposefully

0:18:32.320 --> 0:18:36.880
<v Speaker 5>designed to make you feel like, if you like this,

0:18:37.000 --> 0:18:41.800
<v Speaker 5>if you were looking forward to it, you're dumb. Fuck you, Yeah, yeah,

0:18:41.840 --> 0:18:42.520
<v Speaker 5>you're dumb.

0:18:42.760 --> 0:18:43.000
<v Speaker 2>Yeah.

0:18:43.080 --> 0:18:46.199
<v Speaker 1>Okay, Well, I will say it does seem like the

0:18:46.280 --> 0:18:49.520
<v Speaker 1>audience understood that, because we are recording this on Monday

0:18:49.520 --> 0:18:56.920
<v Speaker 1>morning and Joker didn't jo it's it's got the worst

0:18:57.280 --> 0:19:02.720
<v Speaker 1>audience score a D cinema, any sub morbi a sub

0:19:02.880 --> 0:19:05.680
<v Speaker 1>may I say, Madam Webb, of any comic book movie

0:19:05.680 --> 0:19:06.560
<v Speaker 1>made by Hollywood.

0:19:06.640 --> 0:19:07.760
<v Speaker 2>Also, I will say.

0:19:07.520 --> 0:19:11.080
<v Speaker 1>It only opened to forty million dollars, which is six

0:19:11.119 --> 0:19:12.800
<v Speaker 1>million less than the Marvels.

0:19:13.640 --> 0:19:16.800
<v Speaker 4>So I'd like to see all the comic Let's see all.

0:19:16.680 --> 0:19:20.240
<v Speaker 1>The conversations about whether this means white guys shouldn't have

0:19:20.400 --> 0:19:21.080
<v Speaker 1>a superhero.

0:19:21.520 --> 0:19:22.960
<v Speaker 2>I'm sure that's what's gonna happen.

0:19:23.080 --> 0:19:25.560
<v Speaker 4>Definitely, son As, we have to wrap, but I think

0:19:25.560 --> 0:19:27.639
<v Speaker 4>we have time for one last question, and if I

0:19:27.640 --> 0:19:31.679
<v Speaker 4>could just combine in that for you guys, DC, this

0:19:31.840 --> 0:19:35.679
<v Speaker 4>is like their fifth flop Aquaman didn't do good. We

0:19:35.760 --> 0:19:38.399
<v Speaker 4>lost on all versions of Justice League. It's been a

0:19:38.440 --> 0:19:43.359
<v Speaker 4>string of Blue Beetles, yes, missus, and with the gun

0:19:43.440 --> 0:19:47.240
<v Speaker 4>Universe coming out, we have two successes with the Reeves verse.

0:19:48.160 --> 0:19:50.960
<v Speaker 4>Is this What does this mean for DC? It doesn't

0:19:51.000 --> 0:19:52.320
<v Speaker 4>affect them at all.

0:19:52.520 --> 0:19:54.480
<v Speaker 3>I don't think it means anything for DC.

0:19:54.760 --> 0:19:58.280
<v Speaker 1>Honestly, this is actually the best thing that could have

0:19:58.320 --> 0:20:00.919
<v Speaker 1>happened for the James gunnerverse, because if this movie had

0:20:00.920 --> 0:20:03.800
<v Speaker 1>made a billion dollars again, then the execs would have said,

0:20:03.880 --> 0:20:05.199
<v Speaker 1>why isn't this included?

0:20:05.640 --> 0:20:08.040
<v Speaker 2>So this flopping is actually fantastic.

0:20:08.200 --> 0:20:11.600
<v Speaker 1>And I think that Todd Phillips being sassy about James

0:20:11.680 --> 0:20:15.320
<v Speaker 1>Gunn and the new regime is also great because James

0:20:15.359 --> 0:20:18.320
<v Speaker 1>Gunn has shown he's not afraid to bring stuff in

0:20:18.480 --> 0:20:21.560
<v Speaker 1>from the old, stuff like Blue Beetle. Also, Let's be real,

0:20:21.760 --> 0:20:24.199
<v Speaker 1>one of the best DC movies, and probably part of

0:20:24.200 --> 0:20:26.840
<v Speaker 1>why James Gunn is in this position is the Suicide Squad.

0:20:26.960 --> 0:20:29.560
<v Speaker 1>That was also a notable financial flop, but it was

0:20:29.600 --> 0:20:32.919
<v Speaker 1>a creative master work. So I think this means nothing,

0:20:33.040 --> 0:20:35.800
<v Speaker 1>and honestly, it's the best case scenario. So we don't

0:20:35.800 --> 0:20:38.399
<v Speaker 1>get stuck in this grim, gritty world when James Gunn's

0:20:38.480 --> 0:20:39.240
<v Speaker 1>universe starts.

0:20:39.440 --> 0:20:42.800
<v Speaker 5>I completely completely agree. I think that there's a world

0:20:43.040 --> 0:20:50.560
<v Speaker 5>in which guns a smart gut and he's probably seeing dailies,

0:20:50.600 --> 0:20:54.840
<v Speaker 5>weeklies and cuts of this, and I think, to your point,

0:20:54.880 --> 0:20:56.680
<v Speaker 5>the worst thing that can happen is like, this is

0:20:56.720 --> 0:20:58.879
<v Speaker 5>a success, and then you have some suits going why

0:20:58.920 --> 0:21:01.280
<v Speaker 5>don't we handle this? Why don't we hand it to

0:21:01.320 --> 0:21:02.920
<v Speaker 5>the guy who made a billion dollars with a joke,

0:21:03.960 --> 0:21:07.680
<v Speaker 5>And I'm Gunn just probably looked at this and went,

0:21:07.760 --> 0:21:09.280
<v Speaker 5>let me just step back and get out of them.

0:21:09.359 --> 0:21:11.080
<v Speaker 2>Yep, that's what Todd Phillip said. He said, they did

0:21:12.040 --> 0:21:12.439
<v Speaker 2>do with it.

0:21:12.480 --> 0:21:14.919
<v Speaker 5>So let him cook, and he's cooked, of course, and

0:21:14.960 --> 0:21:18.680
<v Speaker 5>now you know, let him cook, him cook, maybe he

0:21:18.800 --> 0:21:20.320
<v Speaker 5>self out of the ring.

0:21:20.320 --> 0:21:23.760
<v Speaker 1>Cook himself out of the running, and make this undelicious movie.

0:21:23.840 --> 0:21:25.520
<v Speaker 2>Well, I want to say, guys, thank you so much

0:21:25.600 --> 0:21:26.560
<v Speaker 2>for sharing this with me.

0:21:27.640 --> 0:21:31.720
<v Speaker 3>I'm not a follierder, I'm not the.

0:21:31.680 --> 0:21:34.920
<v Speaker 1>Target audience, and I appreciate you guys taking this the team.

0:21:35.400 --> 0:21:38.400
<v Speaker 2>And we were right, we were we were right.

0:21:38.480 --> 0:21:41.119
<v Speaker 1>We knew this and that happened, and you know what,

0:21:41.240 --> 0:21:44.280
<v Speaker 1>thank you Joel for always joining us with your insightful,

0:21:44.440 --> 0:21:46.000
<v Speaker 1>brilliant thoughts.

0:21:45.560 --> 0:21:47.920
<v Speaker 3>And yeah that this is the first edition of x

0:21:48.000 --> 0:21:50.800
<v Speaker 3>ray Extras. You will be hearing more of these soon.

0:21:51.440 --> 0:21:54.280
<v Speaker 2>What were your thoughts about Folly? You der head to

0:21:54.400 --> 0:21:55.840
<v Speaker 2>the discord and that's.

0:22:01.200 --> 0:22:01.439
<v Speaker 4>X ray.

0:22:01.520 --> 0:22:05.560
<v Speaker 5>Vision is hosted by Jason Kensepsion and Rosie Knight and

0:22:05.680 --> 0:22:09.399
<v Speaker 5>is a production of iHeart Podcasts. Our executive producers are

0:22:09.480 --> 0:22:13.919
<v Speaker 5>Joelle Smith and Aaron Kaufman. Our supervising producer is a

0:22:14.000 --> 0:22:18.919
<v Speaker 5>Boo Zafar. Our producers are Carmen Laurent and Mia Taylor.

0:22:19.640 --> 0:22:21.760
<v Speaker 5>Our theme song is by Brian Basquez.

0:22:22.240 --> 0:22:26.560
<v Speaker 1>Special thanks to Soul Rubin and Chris Laude, Kenny Goodman

0:22:26.880 --> 0:22:28.960
<v Speaker 1>and Heidi Our Discord moderata