1 00:00:00,360 --> 00:00:07,960 Speaker 1: Warning, Today's episode contains spoilers for Joker Folioder, The Joker 2 00:00:08,360 --> 00:00:30,240 Speaker 1: is Me. This is actually a special edition of X 3 00:00:30,320 --> 00:00:30,880 Speaker 1: ray Vision. 4 00:00:30,920 --> 00:00:32,400 Speaker 2: You will be getting more of these soon. 5 00:00:32,440 --> 00:00:35,160 Speaker 3: This is called x ray Vision Extras. 6 00:00:35,320 --> 00:00:39,479 Speaker 1: And today your host Rosie Knight will be interviewing your 7 00:00:39,520 --> 00:00:44,000 Speaker 1: other host, Jason Concepcion and super producer Duel Monique, who 8 00:00:44,000 --> 00:00:47,560 Speaker 1: has also been on NPR pop Culture Happy Hour recently 9 00:00:47,920 --> 00:00:51,760 Speaker 1: talking about this very movie, asking them their feelings on 10 00:00:51,920 --> 00:00:53,680 Speaker 1: Joker Folio Door. 11 00:00:53,880 --> 00:00:55,160 Speaker 2: So welcome back to the show. 12 00:00:55,200 --> 00:00:55,480 Speaker 4: Guys. 13 00:00:55,520 --> 00:00:57,200 Speaker 2: How's it going I feeling. 14 00:01:00,840 --> 00:01:05,760 Speaker 5: I flew back from vacation week in Kawhi, the Island 15 00:01:05,760 --> 00:01:08,560 Speaker 5: of Beautiful. It was beautiful. It was amazing. Shouts to 16 00:01:08,640 --> 00:01:13,319 Speaker 5: the wonderful people of Hawaii and the island and the 17 00:01:13,400 --> 00:01:18,319 Speaker 5: natural splendor therein And I landed and I got some sleep, 18 00:01:18,319 --> 00:01:21,360 Speaker 5: and then I went to a screening of Todd Phillips's 19 00:01:21,440 --> 00:01:28,759 Speaker 5: latest masterpiece, Joker to and that was I mean, that's 20 00:01:28,800 --> 00:01:33,839 Speaker 5: a vibe shift. And to say the least, I'll say 21 00:01:33,880 --> 00:01:36,479 Speaker 5: this before we really get into it. I think it's 22 00:01:36,480 --> 00:01:45,000 Speaker 5: a courageous movie vision. I think it's a courageous and 23 00:01:45,040 --> 00:01:45,640 Speaker 5: brave vision. 24 00:01:45,959 --> 00:01:49,240 Speaker 1: I have yet to see the courageous and brave vision 25 00:01:49,280 --> 00:01:52,800 Speaker 1: as I was not int invited to go and see 26 00:01:52,800 --> 00:01:56,080 Speaker 1: a screening, and I yesterday instead of going see Joker, Folioda, 27 00:01:56,160 --> 00:02:00,000 Speaker 1: I went and saw both Godzilla movies that came out recently, 28 00:02:00,080 --> 00:02:02,480 Speaker 1: Shin Godzilla and Minus one in black and white as 29 00:02:02,520 --> 00:02:03,960 Speaker 1: part of Beyond Fest, and then I went to the 30 00:02:04,040 --> 00:02:07,760 Speaker 1: Mahro Academia movie premiere because I like to enjoy my life. 31 00:02:07,880 --> 00:02:10,760 Speaker 3: So, guys, let's talk about Joke up folly you duh? 32 00:02:11,000 --> 00:02:13,519 Speaker 2: Joel? Will you give us a rundown. 33 00:02:13,160 --> 00:02:16,280 Speaker 1: Of what the movie is about and kind of a 34 00:02:16,320 --> 00:02:18,480 Speaker 1: brief kind of recap of the situation. 35 00:02:18,880 --> 00:02:21,320 Speaker 4: Okay, So we're picking up right after Joker, So if 36 00:02:21,320 --> 00:02:23,160 Speaker 4: you saw a Joker, there's nothing in between, and you 37 00:02:23,200 --> 00:02:25,320 Speaker 4: just pick and right back up. He's in prison. And 38 00:02:26,160 --> 00:02:29,960 Speaker 4: imagine every prison movie you saw in the eighties and nineties. 39 00:02:30,040 --> 00:02:33,600 Speaker 4: That's exactly where you are. Okay, prison subs, guys, it's bad. 40 00:02:33,760 --> 00:02:38,560 Speaker 4: It's essentially a nineteen fifties mental health institution where everybody's 41 00:02:38,960 --> 00:02:41,680 Speaker 4: individually locked in their own cells. You don't share, that 42 00:02:41,680 --> 00:02:45,919 Speaker 4: seems nice. The guards are all irish and assholes for 43 00:02:45,960 --> 00:02:49,400 Speaker 4: some reason. And if you're fortunate enough, you get a 44 00:02:49,400 --> 00:02:52,480 Speaker 4: little wreck time, and then you get to go over 45 00:02:52,560 --> 00:02:55,839 Speaker 4: to the other prison where the non lethal ones are, 46 00:02:56,000 --> 00:02:59,360 Speaker 4: and there you're gonna discover Harley Quinn. What up, she's 47 00:02:59,400 --> 00:03:03,280 Speaker 4: excited to see joker. Kay, yes, listen, she's there. 48 00:03:03,400 --> 00:03:04,640 Speaker 5: She's really a big fan. 49 00:03:05,080 --> 00:03:06,520 Speaker 3: She's a big fan Bigan. 50 00:03:06,760 --> 00:03:09,720 Speaker 4: Harley Quinn is a big fan. Yes, yes, she's clearly 51 00:03:10,160 --> 00:03:12,480 Speaker 4: in the rooting section. Okay. So his lawyer and his 52 00:03:12,600 --> 00:03:15,160 Speaker 4: caseworker are there and they're like, hey, do you have 53 00:03:15,360 --> 00:03:18,400 Speaker 4: d I D and jokers? Like, I don't know, maybe 54 00:03:19,040 --> 00:03:22,440 Speaker 4: they're like, oh no, definitely, uh. Mentally you have d 55 00:03:22,520 --> 00:03:24,800 Speaker 4: I D. That's what's going on. We need you to 56 00:03:24,880 --> 00:03:26,920 Speaker 4: say that so that the court will like help you. 57 00:03:26,960 --> 00:03:28,560 Speaker 4: The court is not gonna help him, so it's gotta 58 00:03:28,600 --> 00:03:28,919 Speaker 4: go back. 59 00:03:29,080 --> 00:03:32,080 Speaker 3: Yes, this is why I find Okay, Okay, let me pause. 60 00:03:32,560 --> 00:03:35,520 Speaker 5: It's it's like, let me pouse twelve like twelve angry 61 00:03:35,560 --> 00:03:39,840 Speaker 5: men type burdhouse drama with much less suspense. 62 00:03:39,920 --> 00:03:40,160 Speaker 6: Wow. 63 00:03:40,440 --> 00:03:43,080 Speaker 1: Okay, Jason, I want to ask you a question, as 64 00:03:43,400 --> 00:03:46,440 Speaker 1: you know, someone who loves Batman like is in the Batman. 65 00:03:46,480 --> 00:03:48,880 Speaker 1: But this is not sounding very comic book accurate. Does 66 00:03:48,920 --> 00:03:51,600 Speaker 1: it feel like there's any comic book influence in that 67 00:03:51,800 --> 00:03:54,840 Speaker 1: vision of Arkham Asylum. 68 00:03:54,880 --> 00:04:00,760 Speaker 5: Well, I'll say this, the part that does attempt to 69 00:04:00,800 --> 00:04:09,000 Speaker 5: tie into the larger Batman universe that exists is kind 70 00:04:09,000 --> 00:04:11,680 Speaker 5: of like the most it's the weird it's almost the 71 00:04:11,720 --> 00:04:15,280 Speaker 5: weirdest part of the film. And the film is so 72 00:04:15,680 --> 00:04:19,600 Speaker 5: fucking weird. Like they do at the end, yes, yes, 73 00:04:19,680 --> 00:04:24,880 Speaker 5: the very gesture at being like, hey, here's how so 74 00:04:25,160 --> 00:04:30,960 Speaker 5: actually this crazy movie does lead into the Nolan verse. Yeah, yeah, yeah, 75 00:04:31,000 --> 00:04:36,039 Speaker 5: by setting up kind of like who the Joker from 76 00:04:36,160 --> 00:04:37,160 Speaker 5: the Dark Night? 77 00:04:37,600 --> 00:04:38,599 Speaker 2: Is wild? 78 00:04:39,040 --> 00:04:42,600 Speaker 5: But weirdly, it's like the most discordant part of this 79 00:04:42,880 --> 00:04:46,839 Speaker 5: of the whole thing, because it feels like the only 80 00:04:47,040 --> 00:04:51,200 Speaker 5: part of the film where Todd Phillips lost. You know, 81 00:04:51,279 --> 00:04:53,760 Speaker 5: this entire film is like Todd Phillips being like, fuck you, 82 00:04:53,839 --> 00:04:55,560 Speaker 5: I'm doing it my way. Fuck you, I'm doing it 83 00:04:55,600 --> 00:04:59,480 Speaker 5: my way. I'm doing this. So we're opening with a 84 00:04:59,600 --> 00:05:05,120 Speaker 5: musical thing. The musical songs are gonna continue on. They're 85 00:05:05,120 --> 00:05:11,080 Speaker 5: gonna go on. Also our lead can't sing, but fuck it, 86 00:05:11,200 --> 00:05:14,280 Speaker 5: like we're doing this. And then at the very end 87 00:05:14,320 --> 00:05:18,039 Speaker 5: it feels like he lost that battle of It's only 88 00:05:18,080 --> 00:05:21,320 Speaker 5: at the very end where they make the attempt to 89 00:05:21,480 --> 00:05:25,719 Speaker 5: tie this into Batman movies that exist. That felt like 90 00:05:25,920 --> 00:05:28,320 Speaker 5: he lost that because it felt like something he didn't 91 00:05:28,320 --> 00:05:28,760 Speaker 5: want to do. 92 00:05:28,839 --> 00:05:30,520 Speaker 1: I'm gonna say, look, I don't want to be here, 93 00:05:31,080 --> 00:05:33,800 Speaker 1: you know me. I'm a zaz Lav critic, but I 94 00:05:33,839 --> 00:05:38,800 Speaker 1: will say Todd Phillips has actually surprisingly been very emphatic 95 00:05:38,880 --> 00:05:41,320 Speaker 1: about the fact that that was his idea and that 96 00:05:41,800 --> 00:05:45,320 Speaker 1: there's never been another time when he ever said that 97 00:05:45,560 --> 00:05:49,120 Speaker 1: Arthur Fleck was really the Joker, and so who knows, 98 00:05:49,279 --> 00:05:51,320 Speaker 1: maybe they paid him money that he agreed. 99 00:05:51,800 --> 00:05:54,800 Speaker 2: But uh, let's see how we get there first, Like Joel, 100 00:05:54,839 --> 00:05:55,680 Speaker 2: what happens in the court? 101 00:05:55,720 --> 00:05:58,200 Speaker 5: Okay? Yes, Kittinue okay. 102 00:05:58,360 --> 00:06:01,520 Speaker 4: So Joker has this awakening where he is like some 103 00:06:01,720 --> 00:06:04,640 Speaker 4: what's the song Somebody loves Me? And he's like, okay, 104 00:06:05,200 --> 00:06:10,080 Speaker 4: this woman loves me. I can transform. Now you get umbrellas? 105 00:06:10,279 --> 00:06:15,440 Speaker 4: Uh is it true? Shub thank you reference without any 106 00:06:15,560 --> 00:06:18,640 Speaker 4: music for some reason, It's crazy. The references are here, 107 00:06:18,680 --> 00:06:21,160 Speaker 4: they connect to nothing. Well, you get to the courtroom 108 00:06:21,200 --> 00:06:23,040 Speaker 4: and stands everywhere. 109 00:06:22,600 --> 00:06:26,520 Speaker 5: The references in this movie are are references from the 110 00:06:26,600 --> 00:06:32,599 Speaker 5: seventies and eighties. Incredible like these, I don't understand why, 111 00:06:33,240 --> 00:06:37,080 Speaker 5: Why is it pop culture references from the seventies and eighties. 112 00:06:37,680 --> 00:06:40,040 Speaker 2: Okay, it was just him. 113 00:06:40,400 --> 00:06:43,080 Speaker 1: It was just him basically remaking it was like ready 114 00:06:43,080 --> 00:06:45,320 Speaker 1: play a one for Martin Scorsese, So I guess this 115 00:06:45,400 --> 00:06:47,240 Speaker 1: time he was like, I guess, I bet reference some 116 00:06:47,320 --> 00:06:48,920 Speaker 1: other old stuff. 117 00:06:48,720 --> 00:06:50,680 Speaker 4: With kind of the vibes. When we get to the courthouse, 118 00:06:50,680 --> 00:06:52,640 Speaker 4: there are tons of fans, and then this sort of 119 00:06:52,680 --> 00:06:57,360 Speaker 4: movie becomes a little bit about toxic fandom for a minute, like, Okay, 120 00:06:57,400 --> 00:07:01,000 Speaker 4: the fans are here, they're rooting for him a little bit. Yeah, yeah. 121 00:07:01,200 --> 00:07:05,279 Speaker 4: Harley Quinn becomes she's like really pushing him. She's like, hey, babe, 122 00:07:05,320 --> 00:07:06,760 Speaker 4: you're the Joker, and I don't even know why you're 123 00:07:06,760 --> 00:07:08,800 Speaker 4: trying to fuck around with arth reflect Dude, I don't 124 00:07:08,800 --> 00:07:10,880 Speaker 4: know him. You don't like him. They don't want him 125 00:07:11,200 --> 00:07:14,040 Speaker 4: be the Joker. She's like, I'm like, just like you, buddy, 126 00:07:14,200 --> 00:07:16,240 Speaker 4: Like we're from the same neighborhood and we have the 127 00:07:16,240 --> 00:07:19,720 Speaker 4: same problems. I hate my dad, asshole. He died and 128 00:07:19,760 --> 00:07:21,240 Speaker 4: I was happy. He's like, you were happy when your 129 00:07:21,280 --> 00:07:21,760 Speaker 4: mom died. 130 00:07:21,760 --> 00:07:22,400 Speaker 2: We're the same. 131 00:07:22,720 --> 00:07:24,880 Speaker 4: Later, Joker's lawyer comes up and he's like, uh, yeah, 132 00:07:24,880 --> 00:07:26,119 Speaker 4: I don't know if you know it. But this girl's 133 00:07:26,160 --> 00:07:30,160 Speaker 4: a liar. She's super rich, her parents are alive, and 134 00:07:30,280 --> 00:07:33,080 Speaker 4: guess what she checked herself in here. Also, she has 135 00:07:33,120 --> 00:07:36,440 Speaker 4: a master's degree in psychology, so she's playing around with you. 136 00:07:36,640 --> 00:07:38,920 Speaker 2: It's crazy. They did keep that pop. 137 00:07:38,720 --> 00:07:41,480 Speaker 4: They we can talk more about whether that works or 138 00:07:41,520 --> 00:07:44,360 Speaker 4: not later. And at this point, Joker also stops taking 139 00:07:44,400 --> 00:07:47,200 Speaker 4: his meds, and so Arthur's like, okay, I'm fully going 140 00:07:47,240 --> 00:07:49,280 Speaker 4: to embrace it. And it sort of seems to be 141 00:07:49,280 --> 00:07:52,600 Speaker 4: working like the girl likes him. He gets a conjugal visit. 142 00:07:53,760 --> 00:07:58,920 Speaker 4: It's weird. Back of court, it's super crazy. He fires 143 00:07:58,920 --> 00:08:02,360 Speaker 4: his lawyer and he starts to represent himself in full 144 00:08:02,440 --> 00:08:05,880 Speaker 4: Joker page. The judge is like, hey, look, no rules, 145 00:08:05,880 --> 00:08:07,600 Speaker 4: but this court will not become a circus, as if 146 00:08:07,600 --> 00:08:09,640 Speaker 4: he hasn't already lost all grounded. 147 00:08:09,640 --> 00:08:33,040 Speaker 6: It is effing chaos. Okay. 148 00:08:33,240 --> 00:08:35,880 Speaker 4: Questions that you may have issues up to this. 149 00:08:35,760 --> 00:08:40,400 Speaker 1: Point, Okay, So yeah, let's talk about Lee as I 150 00:08:40,440 --> 00:08:43,400 Speaker 1: believe she's known in her Lady Gaga. 151 00:08:44,440 --> 00:08:46,000 Speaker 2: How did that performance go for you? 152 00:08:46,080 --> 00:08:46,360 Speaker 3: Jason? 153 00:08:46,400 --> 00:08:50,360 Speaker 1: Tell me you said this was a visionary and courageous choice. 154 00:08:50,360 --> 00:08:51,160 Speaker 3: Do you believe that? 155 00:08:51,320 --> 00:08:53,600 Speaker 2: Goes over to Harley Quinn. 156 00:08:54,800 --> 00:08:55,280 Speaker 4: I don't. 157 00:08:55,600 --> 00:09:02,480 Speaker 5: She's like weirdly inert in this movie, a lot less 158 00:09:02,520 --> 00:09:08,760 Speaker 5: than you expect and is a lot less influential than 159 00:09:08,800 --> 00:09:13,199 Speaker 5: you expect, except for a few moments and the fact 160 00:09:13,200 --> 00:09:17,960 Speaker 5: that spoiler she outlives the joker. You know, it's She's 161 00:09:18,000 --> 00:09:22,280 Speaker 5: not a huge part of this film, really, Joelle. 162 00:09:22,320 --> 00:09:27,599 Speaker 2: Your thoughts, Yeah. 163 00:09:25,360 --> 00:09:28,000 Speaker 4: This film wanted to be a musical, but it didn't, 164 00:09:28,040 --> 00:09:30,480 Speaker 4: and it has a deep misunderstanding of what a musical 165 00:09:30,640 --> 00:09:35,280 Speaker 4: is and why musicals exist. Right, So, musicals exist so 166 00:09:35,320 --> 00:09:39,440 Speaker 4: that when you reach a point of such exhalation or depression, 167 00:09:39,559 --> 00:09:41,480 Speaker 4: you open up and saying any kind of peak emotion. 168 00:09:41,960 --> 00:09:45,440 Speaker 4: That's when you sing. There's no organization to the music 169 00:09:46,120 --> 00:09:49,600 Speaker 4: because she's partnered with Joaquin who again was a great 170 00:09:49,679 --> 00:09:52,160 Speaker 4: Johnny Cash and was able to keep in that very 171 00:09:52,200 --> 00:09:55,359 Speaker 4: limited register. It doesn't apply to the songs they selected 172 00:09:55,400 --> 00:09:57,520 Speaker 4: for him. Again, there's no musical here was involved with this. 173 00:09:57,640 --> 00:09:59,560 Speaker 4: I just can't. I'm sorry to the filmmakers, but it 174 00:09:59,600 --> 00:10:01,679 Speaker 4: just wasn't. How happening with the. 175 00:10:01,760 --> 00:10:04,640 Speaker 1: Like I'm very interested in those weird, like old timey 176 00:10:04,679 --> 00:10:06,839 Speaker 1: show tunes that they picked, like does that? 177 00:10:07,040 --> 00:10:10,120 Speaker 4: Oh nothing, here's no here's the bar for song choice. 178 00:10:10,360 --> 00:10:13,480 Speaker 4: Did it have joker gesture or a smile reference in 179 00:10:13,520 --> 00:10:16,959 Speaker 4: the song? It's allowed in the movie. I'm serious that 180 00:10:17,040 --> 00:10:20,280 Speaker 4: it was the bar. There's no other reference point for 181 00:10:20,360 --> 00:10:23,720 Speaker 4: any of the stuff. Some of these songs are performed 182 00:10:23,840 --> 00:10:27,880 Speaker 4: in full, some are performed in part. Some are reprised 183 00:10:28,160 --> 00:10:32,240 Speaker 4: literally five times. It's a chaotic experience. And they forced 184 00:10:32,240 --> 00:10:34,360 Speaker 4: God Got to try to match with her singing partner, 185 00:10:34,360 --> 00:10:38,680 Speaker 4: and it just doesn't quite work. She's trying, her voice 186 00:10:38,720 --> 00:10:41,439 Speaker 4: is still there. Let her and also let Harley Quinn 187 00:10:41,440 --> 00:10:44,160 Speaker 4: be a badass like Harley Quinn. We have so many 188 00:10:44,280 --> 00:10:47,960 Speaker 4: adaptations of this character that work really well, and for 189 00:10:48,000 --> 00:10:50,719 Speaker 4: them to come in, bring her in, sort of keep 190 00:10:50,760 --> 00:10:53,400 Speaker 4: the character, but not really let her do anything, and 191 00:10:53,440 --> 00:10:56,440 Speaker 4: again a fundamental misunderstanding of what makes Harley Harley. I've 192 00:10:56,480 --> 00:10:58,320 Speaker 4: now seen a great Harley adaptation where she has no 193 00:10:58,320 --> 00:11:00,520 Speaker 4: connection to the Joker and seen Sick where she has 194 00:11:00,559 --> 00:11:03,200 Speaker 4: a good one like a good like built off of 195 00:11:03,679 --> 00:11:05,880 Speaker 4: what her relationship with the Joker is, and they don't 196 00:11:05,880 --> 00:11:08,680 Speaker 4: want to really explore that at all, like truly, like 197 00:11:08,720 --> 00:11:10,520 Speaker 4: what is the obsession with fandom? This is a movie 198 00:11:10,559 --> 00:11:14,360 Speaker 4: about a creator exploring fandom from outside of fandom, and 199 00:11:14,400 --> 00:11:18,199 Speaker 4: therefore he can't actually critique like what's happening inside of fandom. 200 00:11:18,520 --> 00:11:20,160 Speaker 4: You know, it's just a reaction to it. 201 00:11:20,720 --> 00:11:22,439 Speaker 2: I feel, let's talk about that. 202 00:11:22,440 --> 00:11:25,680 Speaker 1: Because Jason, like something you were really moved by in 203 00:11:25,760 --> 00:11:28,520 Speaker 1: this movie, like says like the movie's basically saying fuck 204 00:11:28,559 --> 00:11:30,480 Speaker 1: you to everyone, right, Like, let's talk. 205 00:11:30,360 --> 00:11:33,000 Speaker 5: About Yeah, I'm not moved by this movie. Sorry, sorry, sorry, 206 00:11:33,000 --> 00:11:37,360 Speaker 5: I just did. I just think that. I just think 207 00:11:37,440 --> 00:11:39,840 Speaker 5: that Todd Phillips has done something very brave, which is 208 00:11:39,920 --> 00:11:45,240 Speaker 5: basically say, if you liked The Joker, my billion dollar 209 00:11:45,440 --> 00:11:51,440 Speaker 5: R rated film, a historic box office smash, The Joker, 210 00:11:52,360 --> 00:11:57,520 Speaker 5: then you are a piece of shit. You misunderstood everything 211 00:11:57,559 --> 00:12:02,000 Speaker 5: I was trying to do, and you're wrong. And now 212 00:12:02,040 --> 00:12:06,959 Speaker 5: I'm going to drag you across the rugged two hour 213 00:12:07,160 --> 00:12:12,080 Speaker 5: face of this movie and show you in detail how 214 00:12:12,200 --> 00:12:15,680 Speaker 5: fucking wrong you are to have liked this character and 215 00:12:15,840 --> 00:12:18,320 Speaker 5: liked this guy. And I think that's a crazy thing 216 00:12:18,400 --> 00:12:24,160 Speaker 5: to do and a weirdly subversive thing to do with 217 00:12:24,280 --> 00:12:29,600 Speaker 5: a megabudget movie, and it's resulted in a product that 218 00:12:29,840 --> 00:12:32,480 Speaker 5: sucks and is tortuous to watch. 219 00:12:32,600 --> 00:12:37,040 Speaker 1: I think that's the big paw Harry's it's an interesting idea. 220 00:12:37,120 --> 00:12:38,160 Speaker 4: It's really brave to. 221 00:12:38,080 --> 00:12:40,679 Speaker 5: Be like, hey, all the people who like the Joker 222 00:12:41,160 --> 00:12:44,800 Speaker 5: are just what the critics said, are weird in cell 223 00:12:46,040 --> 00:12:49,960 Speaker 5: loaners who take this shit way too seriously. Like at 224 00:12:49,960 --> 00:12:53,280 Speaker 5: one point Harley says, we got to give the people 225 00:12:53,320 --> 00:12:56,760 Speaker 5: what they want, and that felt like the thesis statement 226 00:12:56,800 --> 00:12:59,920 Speaker 5: of the entire project, which is like, hey, we got 227 00:13:00,200 --> 00:13:02,920 Speaker 5: to give them what they want. No, we don't. 228 00:13:03,160 --> 00:13:05,120 Speaker 4: But she's also so mad at the Joker at the end, 229 00:13:05,160 --> 00:13:07,880 Speaker 4: she's like, you stole the vision, you stole the illusion 230 00:13:08,440 --> 00:13:11,080 Speaker 4: by not committing to the Joker bit, and so she 231 00:13:11,160 --> 00:13:12,080 Speaker 4: walks away. 232 00:13:13,080 --> 00:13:16,520 Speaker 5: Yeah, she's like the fans stand in whose has to 233 00:13:16,600 --> 00:13:21,280 Speaker 5: be there and be disappointed with like interacting with this 234 00:13:21,840 --> 00:13:25,800 Speaker 5: talisman of fandom that she is like worshiped, and she 235 00:13:25,960 --> 00:13:27,760 Speaker 5: just has to be disappointed by the old thing she 236 00:13:27,800 --> 00:13:33,200 Speaker 5: used to watch them die violently and bleed out. And again, 237 00:13:33,360 --> 00:13:35,439 Speaker 5: I think that's a courageous vision. I think it's a 238 00:13:35,559 --> 00:13:39,120 Speaker 5: terrible fo movie, but I think it's really it's really 239 00:13:39,160 --> 00:13:41,560 Speaker 5: a wild thing to get up there and be like, 240 00:13:41,679 --> 00:13:44,080 Speaker 5: oh you like you like that, you liked what I 241 00:13:44,120 --> 00:13:44,600 Speaker 5: did before? 242 00:13:44,720 --> 00:13:47,520 Speaker 1: Fucking yeah, I actually that's what really I do agree 243 00:13:47,520 --> 00:13:49,480 Speaker 1: with you, and I do think that that is a 244 00:13:49,559 --> 00:13:51,640 Speaker 1: version of a movie like this where I would be 245 00:13:51,720 --> 00:13:53,640 Speaker 1: like a big fan of it and I'd be like, wow, 246 00:13:53,679 --> 00:13:56,600 Speaker 1: that's so interesting. I don't believe that will be this movie, 247 00:13:56,640 --> 00:13:58,280 Speaker 1: just going by how much I did not like the 248 00:13:58,320 --> 00:13:59,080 Speaker 1: first Joker film. 249 00:13:59,200 --> 00:14:01,400 Speaker 4: Okay, so let's let me wrap about the recap that 250 00:14:01,440 --> 00:14:03,840 Speaker 4: we can talk about that. Yeah, yeah, okay, So what 251 00:14:03,920 --> 00:14:06,920 Speaker 4: really works for me? So Joker is his own lawyer, 252 00:14:06,960 --> 00:14:10,160 Speaker 4: and he's Joaquin is doing a crazy like range of 253 00:14:10,200 --> 00:14:12,959 Speaker 4: like he's a Southern lawyer. He is like a British guy. 254 00:14:13,040 --> 00:14:18,560 Speaker 4: He's like bouncing back these personalities exactly, like playing lawyer 255 00:14:18,640 --> 00:14:20,760 Speaker 4: and like really trying to figure out like if you're 256 00:14:20,800 --> 00:14:24,920 Speaker 4: gonna buy into the Okay, Arthur doesn't have the idea 257 00:14:25,080 --> 00:14:28,120 Speaker 4: and he's actually making these choices if and the narrative 258 00:14:28,160 --> 00:14:30,440 Speaker 4: is not clear, so it's really choose your own adventure here, 259 00:14:30,760 --> 00:14:33,600 Speaker 4: maybe go to that. Then they bring in mister Puddles, 260 00:14:33,600 --> 00:14:35,520 Speaker 4: So if you remember the first film, it's his friend 261 00:14:35,520 --> 00:14:38,640 Speaker 4: with dwarf ism. He's played by h lay Gil in 262 00:14:38,680 --> 00:14:40,600 Speaker 4: the film, and lay Gill is my favorite part of 263 00:14:40,640 --> 00:14:42,880 Speaker 4: this movie, Like he kills his role. He came in 264 00:14:42,880 --> 00:14:44,800 Speaker 4: and said, I understand what I'm supposed to do. And 265 00:14:44,880 --> 00:14:46,520 Speaker 4: it starts. It's the only time for me where the 266 00:14:46,520 --> 00:14:50,000 Speaker 4: movie is like consciously making sense because mister Puddles gets 267 00:14:50,000 --> 00:14:52,680 Speaker 4: on the stand and he's like, yo, Arthur, like whatever 268 00:14:52,840 --> 00:14:56,080 Speaker 4: this performance is, it's fucking stupid, Like knock it off, 269 00:14:56,200 --> 00:14:58,720 Speaker 4: Like you terrified me. You really are. You were the 270 00:14:58,760 --> 00:15:01,040 Speaker 4: only person who didn't make fun of me. You gave 271 00:15:01,080 --> 00:15:03,000 Speaker 4: me dignity at work. You were my friend. 272 00:15:03,320 --> 00:15:03,920 Speaker 5: And I don't. 273 00:15:03,800 --> 00:15:05,560 Speaker 4: Understand this person in front of me. I don't understand 274 00:15:05,560 --> 00:15:07,600 Speaker 4: why you think this is funny. This is horrible and 275 00:15:07,640 --> 00:15:10,360 Speaker 4: it's awful, and he breaks Arthur. Arthur is like, I 276 00:15:10,360 --> 00:15:15,320 Speaker 4: gotta stop like pretending. This is when Gaga leaves. I'm sorry. 277 00:15:15,400 --> 00:15:19,360 Speaker 4: Harley Quinn leaves. He calls her, sings her voicemail, He's like, 278 00:15:19,520 --> 00:15:22,800 Speaker 4: come back, like why. A car bomb goes off during 279 00:15:22,800 --> 00:15:26,200 Speaker 4: the trial and he escapes, kills a lot of people. 280 00:15:26,280 --> 00:15:29,200 Speaker 4: Harvey Dent becomes two faces. Oh cool, Joker kind of escapes, 281 00:15:29,240 --> 00:15:31,480 Speaker 4: he meets Harley. Harley's like, yo, you gave up on 282 00:15:31,480 --> 00:15:34,400 Speaker 4: the illusion. I hate it. Goodbye. Joker goes back to prison, 283 00:15:34,440 --> 00:15:37,480 Speaker 4: where he is stabbed by Heath Ledger's Joker question mark, 284 00:15:38,360 --> 00:15:40,560 Speaker 4: that's the movie, guys, the whole thing. 285 00:15:40,760 --> 00:15:44,880 Speaker 1: I believe his name is young inmate in the credits, Andy, 286 00:15:45,320 --> 00:15:46,720 Speaker 1: I actually did. 287 00:15:46,520 --> 00:15:48,600 Speaker 2: Look this guy up and. 288 00:15:50,160 --> 00:15:52,600 Speaker 6: He really really really. 289 00:15:52,280 --> 00:15:54,440 Speaker 2: Looks like like a Joker. 290 00:15:54,480 --> 00:15:57,320 Speaker 1: I have to say this, like, he he does look 291 00:15:57,400 --> 00:15:58,840 Speaker 1: like somebody who could play the Joker. 292 00:15:58,960 --> 00:15:59,880 Speaker 2: So like good costing. 293 00:16:00,400 --> 00:16:02,520 Speaker 3: But yes, I will say I think you guys raise 294 00:16:02,560 --> 00:16:03,120 Speaker 3: a good point. 295 00:16:03,520 --> 00:16:07,320 Speaker 1: It does seem that it would be the Joker that 296 00:16:07,360 --> 00:16:12,080 Speaker 1: we know from Heath Ledger's iconic performance because he basically cuts. 297 00:16:11,800 --> 00:16:14,040 Speaker 3: A smile into his face at the end, right, yes. 298 00:16:14,000 --> 00:16:17,600 Speaker 1: Which is not something I've seen a lot of ending 299 00:16:17,640 --> 00:16:20,640 Speaker 1: explains and stuff where they seem kind of confused about, well, 300 00:16:20,680 --> 00:16:22,520 Speaker 1: this is just how all the Jokers are, but it's not. 301 00:16:22,600 --> 00:16:25,640 Speaker 1: We know most Jokers are created by acid or falling 302 00:16:25,640 --> 00:16:26,560 Speaker 1: in the acme pit. 303 00:16:47,960 --> 00:16:49,720 Speaker 2: How did that moment go for you? 304 00:16:49,760 --> 00:16:51,560 Speaker 3: Because, like you said, I when I read about that, 305 00:16:51,640 --> 00:16:53,080 Speaker 3: I was like, you know what. 306 00:16:54,600 --> 00:16:57,320 Speaker 1: I prefer this idea that Arthur Fleck was never Joker 307 00:16:57,320 --> 00:17:00,760 Speaker 1: because it's just such a bad origin story for Joka. 308 00:17:00,880 --> 00:17:03,640 Speaker 1: And uh, Todd Phillips has said, you know, it was 309 00:17:03,720 --> 00:17:06,840 Speaker 1: never called the Joker. It was called Joker, and and 310 00:17:06,880 --> 00:17:09,160 Speaker 1: it was never the origin story of the Joker. 311 00:17:09,240 --> 00:17:10,919 Speaker 2: It was an origin story. 312 00:17:10,960 --> 00:17:12,760 Speaker 1: So he's kind of saying he was planning this from 313 00:17:12,760 --> 00:17:14,800 Speaker 1: the beginning, But how did this moment hit for you? 314 00:17:14,880 --> 00:17:16,480 Speaker 2: Like in the cinema, Jason. 315 00:17:16,720 --> 00:17:19,919 Speaker 5: It just didn't. It didn't make any None of this 316 00:17:20,080 --> 00:17:25,320 Speaker 5: movie hit and for me at all. As you're watching this, 317 00:17:25,440 --> 00:17:29,000 Speaker 5: Lady Gaga is singing, that's life and the whole thing 318 00:17:29,080 --> 00:17:33,280 Speaker 5: just wait wait, wait, wait wait are you saying, Angine weird, 319 00:17:34,080 --> 00:17:40,159 Speaker 5: that's life? Oh god, that's what the people say. Yeah, 320 00:17:40,480 --> 00:17:44,320 Speaker 5: And so you're I'm just saying, like, listen, if you 321 00:17:44,520 --> 00:17:48,560 Speaker 5: try to this is what we do on this pod, right, 322 00:17:48,560 --> 00:17:50,520 Speaker 5: because we are these people who are like, how does 323 00:17:50,560 --> 00:17:52,920 Speaker 5: this work in the cannon? If you try and engage 324 00:17:52,920 --> 00:17:55,080 Speaker 5: that part of your nerd brain, how does this work? 325 00:17:55,160 --> 00:17:56,640 Speaker 5: It doesn't. It doesn't work. 326 00:17:56,680 --> 00:17:58,960 Speaker 4: It doesn't work timeline, it's totally off. 327 00:17:59,119 --> 00:18:02,000 Speaker 5: So they have courtright somewhere of who this guy is. 328 00:18:02,240 --> 00:18:08,360 Speaker 5: They would have their problem, like I didn't they know. Yeah, 329 00:18:08,400 --> 00:18:10,840 Speaker 5: they got him, they arrested him, they fingerprinted them, they 330 00:18:10,840 --> 00:18:13,320 Speaker 5: know who the fuck this guy is. Like, it doesn't 331 00:18:13,320 --> 00:18:15,600 Speaker 5: make any sense. And if you try and do that 332 00:18:16,119 --> 00:18:19,639 Speaker 5: you'll you'll just run around in circles. It just was, 333 00:18:19,960 --> 00:18:25,159 Speaker 5: in a weird way, the perfect discordant end cap to 334 00:18:25,320 --> 00:18:32,280 Speaker 5: a completely chaotic, nine nonsensical movie that again felt purposefully 335 00:18:32,320 --> 00:18:36,880 Speaker 5: designed to make you feel like, if you like this, 336 00:18:37,000 --> 00:18:41,800 Speaker 5: if you were looking forward to it, you're dumb. Fuck you, Yeah, yeah, 337 00:18:41,840 --> 00:18:42,520 Speaker 5: you're dumb. 338 00:18:42,760 --> 00:18:43,000 Speaker 2: Yeah. 339 00:18:43,080 --> 00:18:46,199 Speaker 1: Okay, Well, I will say it does seem like the 340 00:18:46,280 --> 00:18:49,520 Speaker 1: audience understood that, because we are recording this on Monday 341 00:18:49,520 --> 00:18:56,920 Speaker 1: morning and Joker didn't jo it's it's got the worst 342 00:18:57,280 --> 00:19:02,720 Speaker 1: audience score a D cinema, any sub morbi a sub 343 00:19:02,880 --> 00:19:05,680 Speaker 1: may I say, Madam Webb, of any comic book movie 344 00:19:05,680 --> 00:19:06,560 Speaker 1: made by Hollywood. 345 00:19:06,640 --> 00:19:07,760 Speaker 2: Also, I will say. 346 00:19:07,520 --> 00:19:11,080 Speaker 1: It only opened to forty million dollars, which is six 347 00:19:11,119 --> 00:19:12,800 Speaker 1: million less than the Marvels. 348 00:19:13,640 --> 00:19:16,800 Speaker 4: So I'd like to see all the comic Let's see all. 349 00:19:16,680 --> 00:19:20,240 Speaker 1: The conversations about whether this means white guys shouldn't have 350 00:19:20,400 --> 00:19:21,080 Speaker 1: a superhero. 351 00:19:21,520 --> 00:19:22,960 Speaker 2: I'm sure that's what's gonna happen. 352 00:19:23,080 --> 00:19:25,560 Speaker 4: Definitely, son As, we have to wrap, but I think 353 00:19:25,560 --> 00:19:27,639 Speaker 4: we have time for one last question, and if I 354 00:19:27,640 --> 00:19:31,679 Speaker 4: could just combine in that for you guys, DC, this 355 00:19:31,840 --> 00:19:35,679 Speaker 4: is like their fifth flop Aquaman didn't do good. We 356 00:19:35,760 --> 00:19:38,399 Speaker 4: lost on all versions of Justice League. It's been a 357 00:19:38,440 --> 00:19:43,359 Speaker 4: string of Blue Beetles, yes, missus, and with the gun 358 00:19:43,440 --> 00:19:47,240 Speaker 4: Universe coming out, we have two successes with the Reeves verse. 359 00:19:48,160 --> 00:19:50,960 Speaker 4: Is this What does this mean for DC? It doesn't 360 00:19:51,000 --> 00:19:52,320 Speaker 4: affect them at all. 361 00:19:52,520 --> 00:19:54,480 Speaker 3: I don't think it means anything for DC. 362 00:19:54,760 --> 00:19:58,280 Speaker 1: Honestly, this is actually the best thing that could have 363 00:19:58,320 --> 00:20:00,919 Speaker 1: happened for the James gunnerverse, because if this movie had 364 00:20:00,920 --> 00:20:03,800 Speaker 1: made a billion dollars again, then the execs would have said, 365 00:20:03,880 --> 00:20:05,199 Speaker 1: why isn't this included? 366 00:20:05,640 --> 00:20:08,040 Speaker 2: So this flopping is actually fantastic. 367 00:20:08,200 --> 00:20:11,600 Speaker 1: And I think that Todd Phillips being sassy about James 368 00:20:11,680 --> 00:20:15,320 Speaker 1: Gunn and the new regime is also great because James 369 00:20:15,359 --> 00:20:18,320 Speaker 1: Gunn has shown he's not afraid to bring stuff in 370 00:20:18,480 --> 00:20:21,560 Speaker 1: from the old, stuff like Blue Beetle. Also, Let's be real, 371 00:20:21,760 --> 00:20:24,199 Speaker 1: one of the best DC movies, and probably part of 372 00:20:24,200 --> 00:20:26,840 Speaker 1: why James Gunn is in this position is the Suicide Squad. 373 00:20:26,960 --> 00:20:29,560 Speaker 1: That was also a notable financial flop, but it was 374 00:20:29,600 --> 00:20:32,919 Speaker 1: a creative master work. So I think this means nothing, 375 00:20:33,040 --> 00:20:35,800 Speaker 1: and honestly, it's the best case scenario. So we don't 376 00:20:35,800 --> 00:20:38,399 Speaker 1: get stuck in this grim, gritty world when James Gunn's 377 00:20:38,480 --> 00:20:39,240 Speaker 1: universe starts. 378 00:20:39,440 --> 00:20:42,800 Speaker 5: I completely completely agree. I think that there's a world 379 00:20:43,040 --> 00:20:50,560 Speaker 5: in which guns a smart gut and he's probably seeing dailies, 380 00:20:50,600 --> 00:20:54,840 Speaker 5: weeklies and cuts of this, and I think, to your point, 381 00:20:54,880 --> 00:20:56,680 Speaker 5: the worst thing that can happen is like, this is 382 00:20:56,720 --> 00:20:58,879 Speaker 5: a success, and then you have some suits going why 383 00:20:58,920 --> 00:21:01,280 Speaker 5: don't we handle this? Why don't we hand it to 384 00:21:01,320 --> 00:21:02,920 Speaker 5: the guy who made a billion dollars with a joke, 385 00:21:03,960 --> 00:21:07,680 Speaker 5: And I'm Gunn just probably looked at this and went, 386 00:21:07,760 --> 00:21:09,280 Speaker 5: let me just step back and get out of them. 387 00:21:09,359 --> 00:21:11,080 Speaker 2: Yep, that's what Todd Phillip said. He said, they did 388 00:21:12,040 --> 00:21:12,439 Speaker 2: do with it. 389 00:21:12,480 --> 00:21:14,919 Speaker 5: So let him cook, and he's cooked, of course, and 390 00:21:14,960 --> 00:21:18,680 Speaker 5: now you know, let him cook, him cook, maybe he 391 00:21:18,800 --> 00:21:20,320 Speaker 5: self out of the ring. 392 00:21:20,320 --> 00:21:23,760 Speaker 1: Cook himself out of the running, and make this undelicious movie. 393 00:21:23,840 --> 00:21:25,520 Speaker 2: Well, I want to say, guys, thank you so much 394 00:21:25,600 --> 00:21:26,560 Speaker 2: for sharing this with me. 395 00:21:27,640 --> 00:21:31,720 Speaker 3: I'm not a follierder, I'm not the. 396 00:21:31,680 --> 00:21:34,920 Speaker 1: Target audience, and I appreciate you guys taking this the team. 397 00:21:35,400 --> 00:21:38,400 Speaker 2: And we were right, we were we were right. 398 00:21:38,480 --> 00:21:41,119 Speaker 1: We knew this and that happened, and you know what, 399 00:21:41,240 --> 00:21:44,280 Speaker 1: thank you Joel for always joining us with your insightful, 400 00:21:44,440 --> 00:21:46,000 Speaker 1: brilliant thoughts. 401 00:21:45,560 --> 00:21:47,920 Speaker 3: And yeah that this is the first edition of x 402 00:21:48,000 --> 00:21:50,800 Speaker 3: ray Extras. You will be hearing more of these soon. 403 00:21:51,440 --> 00:21:54,280 Speaker 2: What were your thoughts about Folly? You der head to 404 00:21:54,400 --> 00:21:55,840 Speaker 2: the discord and that's. 405 00:22:01,200 --> 00:22:01,439 Speaker 4: X ray. 406 00:22:01,520 --> 00:22:05,560 Speaker 5: Vision is hosted by Jason Kensepsion and Rosie Knight and 407 00:22:05,680 --> 00:22:09,399 Speaker 5: is a production of iHeart Podcasts. Our executive producers are 408 00:22:09,480 --> 00:22:13,919 Speaker 5: Joelle Smith and Aaron Kaufman. Our supervising producer is a 409 00:22:14,000 --> 00:22:18,919 Speaker 5: Boo Zafar. Our producers are Carmen Laurent and Mia Taylor. 410 00:22:19,640 --> 00:22:21,760 Speaker 5: Our theme song is by Brian Basquez. 411 00:22:22,240 --> 00:22:26,560 Speaker 1: Special thanks to Soul Rubin and Chris Laude, Kenny Goodman 412 00:22:26,880 --> 00:22:28,960 Speaker 1: and Heidi Our Discord moderata