WEBVTT - The Collaboration Part II

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>Hey everyone, it's warmer vol drama. When it comes to insurance,

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<v Speaker 1>Tura podcast network here to tell you that yes, you

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<v Speaker 1>from in our Own World podcast And just like Hyundai,

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<v Speaker 1>your journey, yo, Rob, what's going on? Man? What'd just happened?

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<v Speaker 1>She got cold feet to me? She wait, Man, wasn't

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<v Speaker 1>this hot idea in the proach place? Oh? It was

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<v Speaker 1>definitely her idea. So she's never felt empowered to make

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<v Speaker 1>decisions about her own career, and now that she is,

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<v Speaker 1>it's scaring the hell out of her. But she needs

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<v Speaker 1>to stand up for herself no matter the consequences. All right, man,

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<v Speaker 1>I hear you, well, look you you still here? Clearly

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<v Speaker 1>I'm still here. So let's just let's we can start

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<v Speaker 1>laying out some tracks, you know, for me or whatever. Yeah,

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<v Speaker 1>good idea. All right, let me hear what you were

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<v Speaker 1>doing when I got here. I think it might be

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<v Speaker 1>cool for you to start with the original melody on

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<v Speaker 1>the first verse, you know, and then let the audience

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<v Speaker 1>think you're gonna do the same version of the song,

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<v Speaker 1>and then as it transitions into the rhythm, you go

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<v Speaker 1>into the second verse. Okay, Okay, Yeah, okay, I like that. Yeah, yeah,

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<v Speaker 1>come on, let's try you Okay, and Rota shot this letter,

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<v Speaker 1>say say shot shot like cous de Dela shots this

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<v Speaker 1>moment we've been waiting. Boy, yeah, the Russ it's kind

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<v Speaker 1>of love ship. This is ship. Cool. Hey how did

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<v Speaker 1>it sound out there in creveling? If you're happy with it,

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<v Speaker 1>I'm I'm thrilled. Am I happy? Man? I felt great? Boy? Yeah,

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<v Speaker 1>I'm happy with it. Well, you know, well after this,

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<v Speaker 1>we're gonna have to add at Alita on our last first.

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<v Speaker 1>But man, I'm pumped about this one. Thug. Oh, hold on,

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<v Speaker 1>hold on, okay, our food delivery from Bianches has been

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<v Speaker 1>dropped at the door. Come on, bro, I'm starving. Let's

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<v Speaker 1>go eat cheers. Tello cheers my man, Damn, I haven't

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<v Speaker 1>had a Bianche's meat bought sandwich and ages. I forgot

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<v Speaker 1>how good they were. It's comfort food, man, and right now, sure,

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<v Speaker 1>it seems like that's all I want to eat. Bad.

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<v Speaker 1>It's bad enough to find out that the person you

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<v Speaker 1>love stepped out on you, but I mean finding out

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<v Speaker 1>about it on social media. It's humiliating, man. I mean,

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<v Speaker 1>I'm I'm really sorry about what went down with you

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<v Speaker 1>and enjoy. Yeah, but that's why I want this performance

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<v Speaker 1>to work out and for it to be great, like

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<v Speaker 1>to to let everyone know very publicly that she ain't

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<v Speaker 1>break me. Man, I'm bet so. So let's hope that

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<v Speaker 1>when you get back home you can just, I don't know,

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<v Speaker 1>say something to change out elite's mind. Nah, I have to, Yeah,

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<v Speaker 1>you do have che because let me tell you, living

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<v Speaker 1>with someone who is an artist and it's ut fulfilled

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<v Speaker 1>about your own work that can be challenging. Oh how

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<v Speaker 1>long has that been going on now? I don't know, man,

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<v Speaker 1>at least a year. I'm surprised we've even made it

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<v Speaker 1>through the full tour. Wow. So so let me ask you, man,

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<v Speaker 1>is she the only one who feels unfulfilled. To be

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<v Speaker 1>honest with you, the kind of music was not what

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<v Speaker 1>I set out to do. When you're a studio musician

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<v Speaker 1>and the head of the label gives you an opportunity

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<v Speaker 1>to produce your first album, you don't turn that down.

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<v Speaker 1>Hell no, you don't turn that down, especially when it's

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<v Speaker 1>for a first rate, top notch artists like Adelita. I

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<v Speaker 1>don't know. Yeah, I felt like I won the lottery

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<v Speaker 1>because I had, But we were both burned out and

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<v Speaker 1>feeling like we were both thrown into a genre that

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<v Speaker 1>neither one of us chose. Wait, Hope, see here you

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<v Speaker 1>go again. Adelita didn't want to do to hideo music either.

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<v Speaker 1>Her mother wanted her to do the kind know I

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<v Speaker 1>don't think either Elita was ever asked what she wanted

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<v Speaker 1>to sing. Hey man, But working on this new version

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<v Speaker 1>of No Strings, it's the most fun we've had in

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<v Speaker 1>a very long time. So let's get her back, or

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<v Speaker 1>let's find another Latin artist to replace her, because this

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<v Speaker 1>right here, Rod is the rosion of No Strings. I'm

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<v Speaker 1>doing at the Grins with or without them, feel me

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<v Speaker 1>La Hi and Wilma. As a dad, actor, producer, and activist,

0:06:11.560 --> 0:06:14.120
<v Speaker 1>my schedule fills up fast and as we all know,

0:06:14.320 --> 0:06:17.680
<v Speaker 1>life can be unpredictable. That's why good help is always welcome,

0:06:17.720 --> 0:06:20.400
<v Speaker 1>like when your friend offers you those important words of

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<v Speaker 1>advice or when your mom makes your favorite food, just

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<v Speaker 1>and your insurance needs. Stay Farm is also a big

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<v Speaker 1>supporter of the Michael Tuda podcast network by helping showcase

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<v Speaker 1>our Latino creators and storytellers come on when Visino is

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<v Speaker 1>Stay Farms and as a punto State Farm, punto com

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<v Speaker 1>listen to new episodes of your favorite Michael Tuda shows

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<v Speaker 1>wherever you listen to your podcasts, What Up Drama's here

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<v Speaker 1>to talk to you about balance. Many of us are

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<v Speaker 1>out here grinding all the time that we forget to

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<v Speaker 1>our mission to elevate and educate on my podcasts, Life

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<v Speaker 1>Here for good about the video game you gave him

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<v Speaker 1>and conditions at unst dot coo. I'm about to take

0:09:04.320 --> 0:09:06.559
<v Speaker 1>a bath and I don't want to talk about it,

0:09:06.800 --> 0:09:09.920
<v Speaker 1>but I do, and I think I deserve an explanation.

0:09:10.520 --> 0:09:13.520
<v Speaker 1>This was supposed to be what you wanted, so I'm

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<v Speaker 1>just trying to understand. Babe. You should know Wisdom is

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<v Speaker 1>ready to move on if you're not sure about to

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<v Speaker 1>do wet with you. He said that he did, Babe,

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<v Speaker 1>this is not something you can be on defensive belt.

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<v Speaker 1>There's a lot that goes into a Grammy performance, and

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<v Speaker 1>if you're out, he still needs to be able to

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<v Speaker 1>find your replacement. And oh, just because she has a

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<v Speaker 1>key to our home, does it mean I know? Okay,

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<v Speaker 1>we better get down there before she barges in here too.

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<v Speaker 1>I know we'll be done in a minute. We're not done, though,

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<v Speaker 1>I know, Ah, there you are. I've been trying to

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<v Speaker 1>reach you all day? What's the emergency got him in?

0:10:03.880 --> 0:10:08.080
<v Speaker 1>We gave you the key for emergencies. Only the emergency

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<v Speaker 1>is my own daughter ignoring my calls. Yeah, no, I'm

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<v Speaker 1>not getting the middle of this. What's going on? You

0:10:16.800 --> 0:10:18.880
<v Speaker 1>were so upset when I wasn't picking up your calls,

0:10:18.920 --> 0:10:23.120
<v Speaker 1>and now you're doing the same thing to me, if

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<v Speaker 1>you want to know the truth, Mom, I feel like

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<v Speaker 1>you completely ignored everything I've expressed to you after the

0:10:31.200 --> 0:10:34.719
<v Speaker 1>t Hanno Music Awards and even our conversation at the

0:10:34.800 --> 0:10:38.199
<v Speaker 1>house the minute the Grammy nominations came out. It's like

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<v Speaker 1>we didn't even have the talk. Ignoring something I said

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<v Speaker 1>doesn't mean I didn't say it or didn't mean it. Okay, Okay,

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<v Speaker 1>So after the Grammys, we are still going to talk

0:10:50.880 --> 0:10:53.680
<v Speaker 1>about Rodrigo and I taking a break and my future

0:10:53.760 --> 0:10:58.839
<v Speaker 1>career goals because this business relationship is not going to

0:10:58.960 --> 0:11:03.400
<v Speaker 1>work moving forward unless we make some changes. What kind

0:11:03.480 --> 0:11:08.160
<v Speaker 1>of changes for starters? I shouldn't be signing contracts. I

0:11:08.240 --> 0:11:12.719
<v Speaker 1>don't even read. I'm not a teenager anymore. No, I'm

0:11:12.760 --> 0:11:16.199
<v Speaker 1>not saying that's your fault. Okay, that's on me, So

0:11:16.440 --> 0:11:19.240
<v Speaker 1>I'm owning it. But a contract can no longer be

0:11:19.360 --> 0:11:23.679
<v Speaker 1>negotiated without me. That's just how it's done. I know

0:11:23.880 --> 0:11:27.440
<v Speaker 1>that's how we've always done it. But no more are delta.

0:11:28.120 --> 0:11:31.040
<v Speaker 1>You have no idea what the business aspect of your

0:11:31.080 --> 0:11:34.040
<v Speaker 1>career intil you only think you want to be more

0:11:34.120 --> 0:11:37.040
<v Speaker 1>hands on, but you will quickly be so bogged down

0:11:37.120 --> 0:11:40.080
<v Speaker 1>by everything that comes in that you're not even going

0:11:40.160 --> 0:11:42.400
<v Speaker 1>to feel like an artist anymore. Is that really what

0:11:42.520 --> 0:11:45.760
<v Speaker 1>you want? Mom? I just don't ever want to be

0:11:45.880 --> 0:11:48.720
<v Speaker 1>in a position again where I wasn't clear about something

0:11:48.840 --> 0:11:52.160
<v Speaker 1>I signed. So let's try it my way for a

0:11:52.240 --> 0:11:55.839
<v Speaker 1>while and see how that feels. All this interest all

0:11:55.880 --> 0:11:58.480
<v Speaker 1>of a sudden because there's so much I want to do,

0:11:59.679 --> 0:12:03.719
<v Speaker 1>but right now I just feel trapped. Okay, I got it,

0:12:04.080 --> 0:12:08.000
<v Speaker 1>We'll try it your way. Good. Gonna go take the

0:12:08.080 --> 0:12:10.679
<v Speaker 1>bath I was about to take before you interrupted it.

0:12:11.080 --> 0:12:24.959
<v Speaker 1>Should I apologize for that too, You are forgiven. I

0:12:25.120 --> 0:12:27.120
<v Speaker 1>was just making some tea and felt you two might

0:12:27.200 --> 0:12:30.640
<v Speaker 1>need it. I anything to calm my nerves after that conversation.

0:12:31.360 --> 0:12:33.959
<v Speaker 1>Did you at least agree how to move forward with

0:12:34.120 --> 0:12:38.880
<v Speaker 1>a business? I guess with her career that's still up

0:12:38.920 --> 0:12:42.680
<v Speaker 1>in the air, But I'm hoping that taking a nice

0:12:42.760 --> 0:12:45.679
<v Speaker 1>vacation after the Grammy will help her realize what a

0:12:45.760 --> 0:12:48.920
<v Speaker 1>bad idea attempting a crossovers Karmen, you should be trying

0:12:48.960 --> 0:12:50.840
<v Speaker 1>to help her get mark Ors on board, not trying

0:12:50.880 --> 0:12:53.400
<v Speaker 1>to talk her out of it. Look, I know you

0:12:53.520 --> 0:12:56.760
<v Speaker 1>and I don't always see eye to eye, but trust

0:12:56.800 --> 0:13:00.560
<v Speaker 1>me on this are thelite that would never cover from

0:13:00.600 --> 0:13:03.760
<v Speaker 1>the kind of failure you have her commits. She's never

0:13:03.880 --> 0:13:07.280
<v Speaker 1>known anything but success. I know you want her to

0:13:07.400 --> 0:13:10.520
<v Speaker 1>do what's safe, but Adelita's stronger than you think. You

0:13:10.600 --> 0:13:14.960
<v Speaker 1>are going to help ruin a fifteen year career. Prodrico,

0:13:16.080 --> 0:13:31.120
<v Speaker 1>I hope you know that I'd be right back. Hey, Marcos, Yes,

0:13:31.280 --> 0:13:34.520
<v Speaker 1>I finally got a hold of her. No, she's still

0:13:34.559 --> 0:13:39.480
<v Speaker 1>talking about that maybe, but I'm worried. She's never acted

0:13:39.520 --> 0:13:44.200
<v Speaker 1>like this before, Crayer, So that vacation has to happen,

0:13:44.760 --> 0:13:48.000
<v Speaker 1>and Marcos, we have to be a united front regarding

0:13:48.040 --> 0:13:51.000
<v Speaker 1>her next two albums. You hear me in Bad Cop

0:13:51.080 --> 0:13:54.319
<v Speaker 1>to Your Good Cop unbelievable. I'm gonna hold you to that,

0:13:55.320 --> 0:14:12.640
<v Speaker 1>all right, Bye, here's your cup of tea. Thanks, listen, Guardman.

0:14:14.120 --> 0:14:16.600
<v Speaker 1>I usually try to stay out of the business conversations

0:14:16.679 --> 0:14:19.760
<v Speaker 1>between you and Adalita, because I think it's important that

0:14:19.840 --> 0:14:22.800
<v Speaker 1>our relationships stay in the son in law and mother

0:14:22.840 --> 0:14:26.200
<v Speaker 1>in law lane. But what you just did on that

0:14:26.320 --> 0:14:29.480
<v Speaker 1>call with Marcos is exactly why we are where we are.

0:14:30.200 --> 0:14:32.320
<v Speaker 1>What do you mean you and Marcos need to stop

0:14:32.400 --> 0:14:35.360
<v Speaker 1>making decisions and plans without Adelita or it's just gonna

0:14:35.360 --> 0:14:50.720
<v Speaker 1>piss her off more. I'll be happy if I never

0:14:50.840 --> 0:14:53.640
<v Speaker 1>have another day like today. So are you really just

0:14:53.720 --> 0:14:57.480
<v Speaker 1>going to give up after one studio session? Rogo? It's

0:14:57.520 --> 0:14:59.840
<v Speaker 1>not that I don't still want to plan a crossover.

0:15:00.960 --> 0:15:03.440
<v Speaker 1>I'm just not sure my idea was the right way

0:15:03.480 --> 0:15:06.320
<v Speaker 1>to go about it or the right time. You know,

0:15:06.400 --> 0:15:08.280
<v Speaker 1>as I was going up the stairs to take my bath,

0:15:08.400 --> 0:15:10.840
<v Speaker 1>I heard what my mom said to you. Hey, don't

0:15:10.960 --> 0:15:14.000
<v Speaker 1>let her get into your head. I want to feel

0:15:14.080 --> 0:15:19.480
<v Speaker 1>confident about my decision. But after that disastrous session with Wisdom, God,

0:15:19.600 --> 0:15:22.760
<v Speaker 1>I'm wondering if my mother might be right. Aren't you

0:15:22.840 --> 0:15:25.400
<v Speaker 1>the one that quoted me that's saying every decision we

0:15:25.560 --> 0:15:28.480
<v Speaker 1>make is either made out of love or out of fear. Yeah,

0:15:28.880 --> 0:15:33.400
<v Speaker 1>so let that guide you in this decision. But either way,

0:15:33.680 --> 0:15:36.000
<v Speaker 1>you need to let Wisdom know By tomorrow. If you're

0:15:36.080 --> 0:15:54.240
<v Speaker 1>in or if you're out, if you're enjoying that at

0:15:54.280 --> 0:15:57.920
<v Speaker 1>least got Changing the Key, please subscribe, rate and review

0:15:57.960 --> 0:16:01.920
<v Speaker 1>our show wherever you're listening. Adelita Changing the Key is

0:16:02.000 --> 0:16:06.000
<v Speaker 1>a production of Sonoro in partnership with Rhearts Michael Turan Edwo,

0:16:06.720 --> 0:16:10.560
<v Speaker 1>Created and written by li Jia Vijaloos, Produced by Luisa

0:16:10.600 --> 0:16:15.720
<v Speaker 1>Duardo Castillo, Grinza Chaires and Bettina Lopez Mendozo. Directed by

0:16:15.840 --> 0:16:21.720
<v Speaker 1>Javier Perrazza. Developed by Jasmine Romero, Betina Lopez and Christian Hatta.

0:16:22.400 --> 0:16:26.320
<v Speaker 1>Executive produced by Gisarbanzies and Connell Bayne for iHeart and

0:16:26.480 --> 0:16:31.120
<v Speaker 1>Camilla Victoriano and Giorgia Weinstein for Sonoro. Executive produced by

0:16:31.240 --> 0:16:36.600
<v Speaker 1>Dayangereno and Lijiavijanos. This episode written by li Jiavicaalovos and

0:16:36.720 --> 0:16:41.800
<v Speaker 1>Barrett Helms, with help from Daniela Sarkis, Betina Lobez, Rodrigo Bravo,

0:16:42.040 --> 0:16:47.360
<v Speaker 1>Moniza Hinrichs, Paiana Martinez Comez and ed Garristella. Performances in

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<v Speaker 1>this episode by Diangerero, La Marqui Chester, Jesse Garcia and

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<v Speaker 1>Anna Alkins as a dad actor producer for an Activist

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