WEBVTT - Stephen Fry

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<v Speaker 1>You're listening to Ruthie's Table four in partnership with Montclair.

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<v Speaker 1>There is a well known cartoon in the New Yorker

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<v Speaker 1>magazine depicting President Franklin Eleanor Roosevelt in his pajamas on

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<v Speaker 1>his knees next to his bed, saying a prayer for

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<v Speaker 1>his wife, the most active first lady in history. Dear Lord,

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<v Speaker 1>please make Eleanor tired tomorrow. I can imagine the friends

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<v Speaker 1>and family of Stephen Frye saying the same prayer. For

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<v Speaker 1>there is very little Stephen doesn't do. Actor, comedian, television host, director,

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<v Speaker 1>prolific writer with four novels, three autobiographies, and countless columns

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<v Speaker 1>in national papers. But should you ask, as I've been doing,

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<v Speaker 1>the people who know him really well, what Stephen is

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<v Speaker 1>best at, they will answer being a friend. As for me,

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<v Speaker 1>I love this man, all he stands for, and quite

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<v Speaker 1>say who he is, and I would change FDR's prayer.

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<v Speaker 1>I would say, Dear Lord, we all need Stephen fry

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<v Speaker 1>Please do not make him tired tomorrow.

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<v Speaker 2>Ruth, I don't know what to say. You're going to

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<v Speaker 2>have to tiptoe out of the room now. I can't

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<v Speaker 2>possibly live up to such an introduction.

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<v Speaker 1>So I'm sitting here in the River Cafe in our

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<v Speaker 1>New Sylvia's dining room. So shall we read the recipe

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<v Speaker 1>for the polenta and almond cake.

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<v Speaker 2>So here is the recipe or receipt, as upper class

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<v Speaker 2>people used to say, we have torta di manoli mandole.

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<v Speaker 2>Of course he's also you know those pictures that the

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<v Speaker 2>Renaissance artists did of a face in a in a

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<v Speaker 2>frame that has a point at the top and a

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<v Speaker 2>point at the bottom. I sort of point. They call

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<v Speaker 2>that a mandola because it's the shape of an almond. Yeah, anyway,

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<v Speaker 2>tooni polenta almond and lemon cake. This serves ten or right,

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<v Speaker 2>So have you got your pencils out and you're licking them?

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<v Speaker 2>These first three dry ingredients are grapes, the same quantity

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<v Speaker 2>four hundred and fifty grams of unsalted butter. That's not

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<v Speaker 2>a dry ingredient, stephen softened. So remember in the morning,

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<v Speaker 2>first thing, take the butter out of the fridge. Four

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<v Speaker 2>hundred and fifty grams of casta sugar, four hundred and

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<v Speaker 2>fifty grams of ground almonds, six of your finest eggs,

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<v Speaker 2>the zest of four lemons, and the juice of one lemon,

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<v Speaker 2>then two hundred and twenty grams of polent of flour,

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<v Speaker 2>one teaspoonful of baking powder. I never really know the

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<v Speaker 2>difference between baking powder and by carbonate of soda. There

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<v Speaker 2>is a huge difference. I'm being told in my ear

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<v Speaker 2>by my expert. So it's baking powder. Don't substitute with

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<v Speaker 2>anything else, baking soda or anything. So one teaspoonful of

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<v Speaker 2>baking powder, quarter a teaspoonful of salt. You will have

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<v Speaker 2>preheated the oven at this point two one hundred and

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<v Speaker 2>sixty degrees centigrade, I would say one hundred and forty

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<v Speaker 2>or fifty fan. Then butter and flour, a thirty centimeter

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<v Speaker 2>cake tin, which I hope you have lying handily around.

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<v Speaker 2>Beat the butter and sugar together until it becomes pale

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<v Speaker 2>and light, and that really does happen. The butter is

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<v Speaker 2>good British butter, yellow to start with. But it's amazing

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<v Speaker 2>how as it beats and beats and the sugar gets

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<v Speaker 2>released into it, it does become notably lighter. And that's

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<v Speaker 2>your signal to add the ground almonds. Then you stir

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<v Speaker 2>to combine them, and then you add the eggs one

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<v Speaker 2>at a time, and beat the mixture through. Fold in

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<v Speaker 2>the lemon zest, the lemon juice. The smell will rise

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<v Speaker 2>up into your nostrils. Then the polenta, which gives the

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<v Speaker 2>cake its major name, of course, the baking powder, and

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<v Speaker 2>the salt spoon. The mixture that then is now nice

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<v Speaker 2>and smooth into your prepared tin, and you bake in

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<v Speaker 2>the preheated oven for forty five to fifty minutes or

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<v Speaker 2>until set. I guess the old toothpick taste test will do,

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<v Speaker 2>and the cake will be deep brown on top. That

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<v Speaker 2>that's a cue. It's delicious on its own, as I

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<v Speaker 2>can absolutely testify. With a cappuccino perhaps, or a glass

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<v Speaker 2>of vincanto. And when in season here at this place

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<v Speaker 2>of joy, the River Cafe, it says we caramelize blood oranges.

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<v Speaker 2>Can you imagine what you're doing this morning, Darning, I'm

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<v Speaker 2>caramelizing some blood oranges. It reminds me of wonderful Les Dawson,

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<v Speaker 2>the Northern comedian. Well, I can't stop chapping. I've got

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<v Speaker 2>a cape on to baste, I've got sausages to prick

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<v Speaker 2>and so on. Anyway, I've I've got blood oranges to

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<v Speaker 2>caramelize and you serve that with the cake, and you

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<v Speaker 2>just couldn't do better. It's one of the great great recipes.

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<v Speaker 1>I think that if I, even in the last four minutes,

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<v Speaker 1>I have now understood that you are a great cook.

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<v Speaker 1>You're a great eater. But you are you know, are

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<v Speaker 1>you a passionate cook? Would you describe yourself? Tell me

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<v Speaker 1>about cooking?

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<v Speaker 2>I was. I had a strange shout, and which was

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<v Speaker 2>in it sounds if I said, it sounds like it's

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<v Speaker 2>I don't know, Downton Abby or something that it really wasn't.

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<v Speaker 2>But my parents did have a cook, and we had gardeners,

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<v Speaker 2>and we had an old fashioned Victorian kitchen garden, and

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<v Speaker 2>so I was used to the fact that every day

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<v Speaker 2>the gardeners would come to the back door and missus Risebro,

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<v Speaker 2>the cook, would select some of the vegetables or tell

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<v Speaker 2>them to go off and get something else, depending on

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<v Speaker 2>what she was cooking. And I would hang around, age

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<v Speaker 2>five or something watching her. I'd see her do things

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<v Speaker 2>like I mean, she was what used to be called

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<v Speaker 2>a good English plane cook. So she didn't do anything

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<v Speaker 2>terribly fancy, but everything she did was just right. Pies

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<v Speaker 2>and tarts and things like that. She was very good

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<v Speaker 2>at and she would take her thumb and put little

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<v Speaker 2>squares of pastry on it and pull them back to

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<v Speaker 2>make a rose that would go in the center of

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<v Speaker 2>pies and things. So touches. Yeah, and she made pork pies.

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<v Speaker 2>She made, oh yeah, basically anything but you could make

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<v Speaker 2>she made. We had a game larder and a things

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<v Speaker 2>and so we'd have birds hung and things like that.

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<v Speaker 1>Sounds good, missus Er.

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<v Speaker 2>She was one.

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<v Speaker 1>Would they entertain?

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<v Speaker 2>Oh yeah, they were, and they were very social. Yes,

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<v Speaker 2>my mother would do dinner parties and when I was young,

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<v Speaker 2>and up until I was about twelve fourteen, maybe that

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<v Speaker 2>the there would be dinner jackets and black tie and

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<v Speaker 2>the men would be left alone by the women in

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<v Speaker 2>the dining room. So that's you know, that tradition that's

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<v Speaker 2>still going the women.

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<v Speaker 1>The men's stayed the women withdrew.

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<v Speaker 2>And I remember my mother saying. My mother read history.

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<v Speaker 2>She was was she was a history graduates and she

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<v Speaker 2>taught it occasionally. And I would say to her white,

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<v Speaker 2>the men's stay behind. And I think someone had said

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<v Speaker 2>to me, so they can tell dirty jokes that women

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<v Speaker 2>don't hear. My mother said, no, you know what it

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<v Speaker 2>is really, she said. The Victorians, the women did not

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<v Speaker 2>like drawing attention to the fact that they had to

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<v Speaker 2>use lavatries. So if they all went in one go,

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<v Speaker 2>they would go up to the lavoratries, use avatures together

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<v Speaker 2>and then get down into the drawing room and they'd

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<v Speaker 2>be sitting there. But if everybody went into the drawing

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<v Speaker 2>room together after the meal and the women said I'm

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<v Speaker 2>going to go now, everyone go, oh, she's off for

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<v Speaker 2>a piss. And so it was just a discreet way

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<v Speaker 2>of women having that chance to do that without being noticed,

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<v Speaker 2>as it were.

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<v Speaker 1>And so you have your memories are of home and

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<v Speaker 1>good food and a care for food.

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<v Speaker 2>Because my mother had food. I went say issues, but

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<v Speaker 2>she would drive the gardener's mad because she'd go out

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<v Speaker 2>when the peas were ready and she would just eat

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<v Speaker 2>the entire crop of peas out of the pod. Yeah.

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<v Speaker 1>I remember one sitting on a railway train and we're

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<v Speaker 1>going from one small town in Italy to another, and

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<v Speaker 1>we'd go into the market and bought some peas, and

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<v Speaker 1>we had children with us, and we were all eating

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<v Speaker 1>the raw peas on the train carriage. Italians went mad.

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<v Speaker 1>I mean, the idea of eating a raw piece. Those

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<v Speaker 1>people were sitting at it, and we could have taken

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<v Speaker 1>off all our clothes and had more respect than giving

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<v Speaker 1>our children raw pies out of it. But what's more delicious?

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<v Speaker 1>Raw pie? And we make a salad? Do you ever have?

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<v Speaker 1>You know, you can make a salad with delicious.

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<v Speaker 2>But the other thing is that it was natural because

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<v Speaker 2>of the kitchen garden was everything was in season, so

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<v Speaker 2>you know, and there were fruit trees, you know, trained

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<v Speaker 2>against the outbuildings, plum trees and things like that. And

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<v Speaker 2>there were goosberry bushes and raspberry and black currants, and

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<v Speaker 2>four fantastic asparagus beds raised asparagus beds Belgian asparagus, quite

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<v Speaker 2>small and delicate asparagus. And my mother had constant war

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<v Speaker 2>with the gardeners because well, she had this theory and

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<v Speaker 2>that you shouldn't eat asparagus after ascot mid June something

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<v Speaker 2>like that. I don't know anyway, she'd heard that somewhere

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<v Speaker 2>or been told that, and she of course was desperate

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<v Speaker 2>to get hold of Once the asperance was getting all

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<v Speaker 2>the ferns would come up, and she loved it for

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<v Speaker 2>flower rangings.

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<v Speaker 1>She sounds amazing.

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<v Speaker 2>She is sounds like she's still here, she's ninety two.

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<v Speaker 1>Because that I do think that inner knowledge and passion

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<v Speaker 1>for the garden, for the ferns, for the seasonality of saying.

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<v Speaker 1>And there is a very short season for good asparagus saska.

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<v Speaker 1>It is there isn't you know? In Paris one minute

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<v Speaker 1>you'd go down to the market and you know, there

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<v Speaker 1>were white asparagus and green asparagus and thin aspects, and

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<v Speaker 1>then they were gone, and we're just gone. And I

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<v Speaker 1>think it's here as well. And they do come from Norfolk.

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<v Speaker 2>Yes they do. But the criminal thing now, I think

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<v Speaker 2>in some ways is people don't understand that you can

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<v Speaker 2>store fresh fruit and vegetables. We had outhouses and there

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<v Speaker 2>would be newspaper and potatoes, and when we lifted all

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<v Speaker 2>the potatoes and there there'd be and they'd last all

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<v Speaker 2>the way through as long as it was dark and cool,

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<v Speaker 2>which naturally would be being an outhouse. And the same

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<v Speaker 2>with apples and pears. They lost forever.

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<v Speaker 1>Your parents were interested in food come from their cultural.

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<v Speaker 2>My mother, yes, my father lesson. My father just did

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<v Speaker 2>everything that was put in front of him, and his

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<v Speaker 2>mind was on his work. He was a scientist. But

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<v Speaker 2>my mother was from a Jewish family, and Jews always

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<v Speaker 2>compared to the British in those days less so now

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<v Speaker 2>were obsessed with food, partly because in some cases they

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<v Speaker 2>knew poverty between the walls when things were really short

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<v Speaker 2>in Vienna and in Hungary, where my grandparents came from.

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<v Speaker 2>My grandfather was a good cook, and I remember, yeah,

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<v Speaker 2>he made the most beautiful sort of dill and cucumber

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<v Speaker 2>salads and things, and I really got a taste for

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<v Speaker 2>that kind of Central European flavor from him, things like

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<v Speaker 2>cucumbers and so on, which are very Central European polition,

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<v Speaker 2>hungering and other such things. And spicy, spicy, but not

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<v Speaker 2>in not like Indian or Mexican food spicy, but in

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<v Speaker 2>that sort of paprika spiciness, which I'm very fond of.

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<v Speaker 1>My grandparents were Hungarian. One side were Russian Jews who

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<v Speaker 1>left Russia, and the other were Hungarian Jews that left Hungary.

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<v Speaker 1>They came to the United States as part of the

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<v Speaker 1>Ellis Island in Flux in nineteen probably fifteen, right really early.

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<v Speaker 1>They got it early. So growing up in this household,

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<v Speaker 1>going to you then went away to school at age seven,

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<v Speaker 1>and was that a food shark as well as a

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<v Speaker 1>home shop.

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<v Speaker 2>It was. We grew up in Norfolk and obviously my

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<v Speaker 2>mother wouldn't force me to eat anything I hated. And

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<v Speaker 2>they arrived at this prep school age seven, which is

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<v Speaker 2>in Gloucestershire, two hundred miles right year was this, This

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<v Speaker 2>is in nineteen sixty four, and there are things like

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<v Speaker 2>semolina and tapioca hot milk puddings. Something about milk that's

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<v Speaker 2>been boiled makes me actually kick, makes me a dry heave.

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<v Speaker 2>And I saw these and I said, no, no, I can't,

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<v Speaker 2>I can't. And they forced it, literally holding my nose

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<v Speaker 2>like like a hunger strike thing. It was cruel in

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<v Speaker 2>those days, but of course you know it happened to

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<v Speaker 2>other boys, so you just think this is this is life.

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<v Speaker 2>But I really and I forced myself to throw up

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<v Speaker 2>at the table so that they stopped doing it. And

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<v Speaker 2>and it forced yourself. And it was written down Stephen

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<v Speaker 2>Fry or Fry s probably or Fry Junior because my

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<v Speaker 2>brother was there, allergic to hot milk.

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<v Speaker 1>Clever to figure out what to do.

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<v Speaker 2>Yeah, but it was I mean, it was all I

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<v Speaker 2>would say to Kensian. But it was a world of

0:12:41.240 --> 0:12:45.000
<v Speaker 2>chill blains and constipation and cold, you know. I mean

0:12:45.040 --> 0:12:47.200
<v Speaker 2>the way they heated a dormitory was just to have

0:12:47.240 --> 0:12:49.560
<v Speaker 2>a hot pipe running along the bottom, you know, no

0:12:49.679 --> 0:12:56.880
<v Speaker 2>radiators or anything. And so it wasn't ju desperately, I mean, yes,

0:12:57.000 --> 0:12:59.079
<v Speaker 2>very much. So what it does I've spoken about this before,

0:12:59.080 --> 0:13:04.280
<v Speaker 2>and what it does is you start to obsess about sweets.

0:13:04.559 --> 0:13:06.280
<v Speaker 2>There's a touch shop in the school. We are called

0:13:06.280 --> 0:13:10.120
<v Speaker 2>the touch shop. Tuck is the school slang for goodies

0:13:10.160 --> 0:13:13.360
<v Speaker 2>for confectionery. And you start to get really obsessed with

0:13:13.360 --> 0:13:14.840
<v Speaker 2>when the touch shop can to be opened and how

0:13:14.880 --> 0:13:17.400
<v Speaker 2>much pocket money you've got to buy these things. And

0:13:17.440 --> 0:13:20.640
<v Speaker 2>this was the golden age of confectionery. Cabri was producing

0:13:20.679 --> 0:13:23.959
<v Speaker 2>new things like curly whirleyon and Aztec bars, and there

0:13:23.960 --> 0:13:27.920
<v Speaker 2>were these amazing you know, foam shrimps and flying sauces

0:13:27.960 --> 0:13:31.200
<v Speaker 2>made of rice paper and fruit salads four for a

0:13:31.240 --> 0:13:34.120
<v Speaker 2>penny and black jacks four for a penny. And I

0:13:34.160 --> 0:13:38.240
<v Speaker 2>became so obsessed that I would start breaking out of

0:13:38.280 --> 0:13:41.160
<v Speaker 2>school bunds and going to the village shop. And it

0:13:41.200 --> 0:13:45.400
<v Speaker 2>was in Gloucestershire, a little village called Yuli, and I

0:13:45.400 --> 0:13:48.920
<v Speaker 2>would spend whatever money I had on getting those sweets,

0:13:49.160 --> 0:13:52.640
<v Speaker 2>and it became a kind of obsession that my teeth

0:13:53.240 --> 0:13:55.319
<v Speaker 2>suffered by. You know, by the time I was twelve,

0:13:55.400 --> 0:13:57.800
<v Speaker 2>I was having huge amounts of fillings and even having

0:13:57.840 --> 0:14:01.760
<v Speaker 2>teeth out. But also interesting and this is you know,

0:14:01.840 --> 0:14:05.280
<v Speaker 2>I'm not using an excuse, but a lot of it

0:14:05.320 --> 0:14:09.560
<v Speaker 2>was preparation for smoking. There were these coconut shredded brown

0:14:10.400 --> 0:14:14.200
<v Speaker 2>fake tobaccos in a little wax paper with a Spanish

0:14:14.200 --> 0:14:17.040
<v Speaker 2>galleon on it, which was like rolling tobacco. There were

0:14:17.080 --> 0:14:21.800
<v Speaker 2>these candy cigarettes that you would have licorice, Yes, that's it.

0:14:22.960 --> 0:14:26.040
<v Speaker 2>They were, and in sort of fake Chesterfield packs softly

0:14:26.720 --> 0:14:31.920
<v Speaker 2>looked exactly like Chesterfield or something, or camel and licorice pipes,

0:14:33.360 --> 0:14:36.800
<v Speaker 2>and so they were getting you ready, well like pipe

0:14:36.840 --> 0:14:40.000
<v Speaker 2>smoker's pipe made out of a licorice. Yeah, and even

0:14:40.120 --> 0:14:45.320
<v Speaker 2>more sort of weirdly, the glamour of the white powder Sherbert,

0:14:45.640 --> 0:14:47.960
<v Speaker 2>so you'd suck it up through a licorice straw and

0:14:48.000 --> 0:14:50.680
<v Speaker 2>a Sherbert fountain. So it was preparing you for a

0:14:50.760 --> 0:14:53.760
<v Speaker 2>life to come. Yeah. So you then go from the

0:14:53.960 --> 0:14:55.720
<v Speaker 2>you know, when you were fourteen or fifteen, you go

0:14:55.760 --> 0:14:58.880
<v Speaker 2>for the real cigarettes and smoking, and then when you're

0:14:58.880 --> 0:15:00.520
<v Speaker 2>a little bit older than that, the real white power.

0:15:00.640 --> 0:15:03.280
<v Speaker 2>It's a terrible thought. I'm not excusing it or saying

0:15:03.280 --> 0:15:06.320
<v Speaker 2>that it was the school's fault that I, in later

0:15:06.400 --> 0:15:08.080
<v Speaker 2>life did become something of an addict.

0:15:08.280 --> 0:15:10.520
<v Speaker 1>I was even not to interrupt your story, but I

0:15:10.600 --> 0:15:13.680
<v Speaker 1>was going to say that culturally, if your parents were

0:15:13.960 --> 0:15:19.320
<v Speaker 1>Hungarian Jews background of that, did going to boarding school

0:15:19.360 --> 0:15:20.520
<v Speaker 1>come easier to them?

0:15:20.800 --> 0:15:23.400
<v Speaker 2>So my parents are both bought it all their time

0:15:23.440 --> 0:15:25.480
<v Speaker 2>as children, so there was no Yeah, there was nothing.

0:15:26.000 --> 0:15:28.120
<v Speaker 2>And you have to remember, if you're thinking how coral

0:15:28.120 --> 0:15:29.680
<v Speaker 2>to send a child away at the age of seven,

0:15:30.080 --> 0:15:34.640
<v Speaker 2>if that seven year old child has other friends as

0:15:34.680 --> 0:15:37.520
<v Speaker 2>I did in the Norfolk countryside, they were all boys

0:15:37.720 --> 0:15:39.880
<v Speaker 2>who were also going to go to school. And then

0:15:39.880 --> 0:15:41.880
<v Speaker 2>when you get to the prep school, obviously everyone's in

0:15:41.920 --> 0:15:43.880
<v Speaker 2>the same boat. So you just think this is what

0:15:43.960 --> 0:15:46.440
<v Speaker 2>life is like. You don't think this is so unfair.

0:15:46.840 --> 0:15:49.400
<v Speaker 2>There are people who are not going to boarding schools.

0:15:49.440 --> 0:15:51.440
<v Speaker 2>You just think you might.

0:15:51.320 --> 0:15:53.680
<v Speaker 1>Not, well, this is another discussion. You might not think it,

0:15:53.720 --> 0:15:55.480
<v Speaker 1>the child might not think it, but the parents might

0:15:55.520 --> 0:15:56.040
<v Speaker 1>think yes.

0:15:56.080 --> 0:15:58.560
<v Speaker 2>And I was aware that because because we would go

0:15:58.920 --> 0:16:02.520
<v Speaker 2>my mother and I from Norwich by train and breakfast

0:16:02.600 --> 0:16:03.000
<v Speaker 2>on the train.

0:16:03.120 --> 0:16:03.320
<v Speaker 1>You know.

0:16:05.560 --> 0:16:07.880
<v Speaker 2>It was so good because they had these silver they

0:16:07.880 --> 0:16:12.920
<v Speaker 2>did silver service. They had stewards in short white little tops, tunics, whatever,

0:16:13.720 --> 0:16:16.600
<v Speaker 2>and they would you know, the silver service in the

0:16:16.640 --> 0:16:18.240
<v Speaker 2>sense they would use a spoon and a fork in

0:16:18.280 --> 0:16:21.480
<v Speaker 2>the same hand, and they could definitely put the bacon

0:16:21.520 --> 0:16:24.280
<v Speaker 2>on a train, egg on a train exactly. And we

0:16:24.360 --> 0:16:27.320
<v Speaker 2>got to know them. Then they would recognize us and say, oh,

0:16:27.480 --> 0:16:29.400
<v Speaker 2>school again, young man, is it and all that, you know,

0:16:30.360 --> 0:16:31.960
<v Speaker 2>we would get the train and then we'd spend a

0:16:32.040 --> 0:16:35.160
<v Speaker 2>day in London. Sometimes we'd have lunch with my grandfather

0:16:35.280 --> 0:16:39.160
<v Speaker 2>at the walled Doff or the hotel. Yeah, that's sort

0:16:39.160 --> 0:16:42.400
<v Speaker 2>of Verre. He liked the yeah, the big.

0:16:42.920 --> 0:16:44.840
<v Speaker 1>Yeah there you go in there. That's what you got

0:16:44.880 --> 0:16:48.920
<v Speaker 1>their dances.

0:16:47.200 --> 0:16:54.400
<v Speaker 2>So that's a nice hotel. And and then go to

0:16:54.440 --> 0:16:57.200
<v Speaker 2>Paddington and that's where my heart wouldtart to sink and

0:16:57.240 --> 0:16:59.480
<v Speaker 2>flutter a bit because you'd see at the end of

0:16:59.520 --> 0:17:01.920
<v Speaker 2>the platform on boys in these straw hats that we

0:17:02.040 --> 0:17:06.560
<v Speaker 2>call boaters, and that was the school compartment. But then

0:17:06.600 --> 0:17:09.080
<v Speaker 2>you'd notice, or I'd noticed that my mother was crying.

0:17:09.560 --> 0:17:12.800
<v Speaker 2>She was trying not to so touchy it's making me

0:17:13.240 --> 0:17:15.760
<v Speaker 2>move now because you know, everyone thinking how cruel of parents,

0:17:15.840 --> 0:17:18.040
<v Speaker 2>but they don't want to lose their child, but they

0:17:18.119 --> 0:17:20.040
<v Speaker 2>just feel that's the right thing for them.

0:17:20.280 --> 0:17:22.600
<v Speaker 1>You stayed in school till.

0:17:22.359 --> 0:17:24.960
<v Speaker 2>Oh ah, well, now we don't have enough time to

0:17:25.000 --> 0:17:29.880
<v Speaker 2>cover the chapters of disaster, do we. I went from

0:17:29.920 --> 0:17:33.680
<v Speaker 2>prep school. Prep school in England is age seven, which

0:17:33.720 --> 0:17:36.720
<v Speaker 2>is the youngest, and two thirteen, and then you would

0:17:36.720 --> 0:17:38.960
<v Speaker 2>take what was called a common entrance exam, which was

0:17:38.960 --> 0:17:43.239
<v Speaker 2>for public schools. I private schools, and so I went

0:17:43.280 --> 0:17:47.000
<v Speaker 2>to private school called Oppingham and my behavior was dreadful.

0:17:47.040 --> 0:17:48.600
<v Speaker 2>And then worst of all, I fell in love with

0:17:48.600 --> 0:17:51.199
<v Speaker 2>a boy. And I was so confused by this, so

0:17:51.400 --> 0:17:55.720
<v Speaker 2>absolutely astonished by the power of the emotion, the sheer

0:17:56.240 --> 0:17:59.520
<v Speaker 2>power that you could be obsessed for twenty four hours

0:17:59.560 --> 0:18:02.639
<v Speaker 2>a day and of nothing else and change your walking habits.

0:18:02.680 --> 0:18:05.720
<v Speaker 2>So you would bump into this person and knowing just

0:18:06.160 --> 0:18:09.520
<v Speaker 2>phenomenal obsession, not really sexual even I was, you know,

0:18:10.440 --> 0:18:15.800
<v Speaker 2>just something overwhelming. Was it reciprocated eventually there was a

0:18:16.040 --> 0:18:23.560
<v Speaker 2>nice moment, but yeah, yeah, it threw me completely and

0:18:23.880 --> 0:18:29.040
<v Speaker 2>certainly threw my concentration away. But the actual casus bellies

0:18:29.160 --> 0:18:31.600
<v Speaker 2>I think well, and should say the cause of the war,

0:18:31.720 --> 0:18:38.120
<v Speaker 2>the originating disaster was. I was a member, the youngest

0:18:38.320 --> 0:18:42.119
<v Speaker 2>member of the Sherlock Holmes Society of London, and I

0:18:42.200 --> 0:18:45.680
<v Speaker 2>got permissioned from my housemaster to go to a meeting

0:18:45.720 --> 0:18:50.639
<v Speaker 2>of the Society in London in some grand club, and

0:18:51.000 --> 0:18:53.480
<v Speaker 2>I read a paper, I delivered a paper, and the

0:18:53.560 --> 0:18:56.399
<v Speaker 2>idea was that the next I was staying overnight at

0:18:56.440 --> 0:18:58.760
<v Speaker 2>the club and the next morning I would take a

0:18:58.760 --> 0:19:04.240
<v Speaker 2>train back to school. Well, the next morning I went

0:19:04.280 --> 0:19:06.520
<v Speaker 2>to a cinema and in those days, cinemas would sort

0:19:06.520 --> 0:19:08.560
<v Speaker 2>of start a program at ten in the morning or something,

0:19:08.880 --> 0:19:10.840
<v Speaker 2>and then just you could stay in the same cinema

0:19:10.880 --> 0:19:13.240
<v Speaker 2>and what the same film again and again. And the

0:19:13.280 --> 0:19:15.520
<v Speaker 2>film was Cabaret, and I was completely obsessed with it.

0:19:15.680 --> 0:19:18.040
<v Speaker 2>I just never seen anything like it. It was fantastic.

0:19:18.680 --> 0:19:21.679
<v Speaker 2>And then chose it, yeah, I mean almost randomly, not

0:19:21.720 --> 0:19:23.680
<v Speaker 2>knowing what it was or anything about it, not naying

0:19:24.080 --> 0:19:26.920
<v Speaker 2>you know about Christi Riischerwood or Eliza Beanelly or any

0:19:26.960 --> 0:19:28.919
<v Speaker 2>of the sort of background to it. And then I

0:19:28.960 --> 0:19:30.800
<v Speaker 2>wandered in the days to another cinema and there was

0:19:30.840 --> 0:19:33.719
<v Speaker 2>a clock work orange was on and unfortunately I was

0:19:33.800 --> 0:19:36.200
<v Speaker 2>although I was fourteen and a half, I could pass

0:19:36.240 --> 0:19:40.480
<v Speaker 2>as X, which was eighteen, I guess, and because being tall,

0:19:40.520 --> 0:19:43.919
<v Speaker 2>I suppose. And so there were there were three or

0:19:43.920 --> 0:19:47.760
<v Speaker 2>four films, I think The Godfather as well, and Fritz

0:19:47.800 --> 0:19:50.800
<v Speaker 2>the Cat, which was a sort of pornographic cartoon. Mem

0:19:51.680 --> 0:19:55.320
<v Speaker 2>do you remember so four days past?

0:19:55.840 --> 0:19:56.640
<v Speaker 1>You stayed four days?

0:19:56.680 --> 0:19:56.880
<v Speaker 3>Yes?

0:19:57.200 --> 0:19:58.479
<v Speaker 1>And was anybody out searching?

0:19:58.960 --> 0:20:00.960
<v Speaker 2>Yes? And there were terrified and they didn't know what

0:20:00.960 --> 0:20:02.960
<v Speaker 2>had happened to me, and they'd run away. What's going on?

0:20:03.520 --> 0:20:05.960
<v Speaker 2>And then I kind of came to in a sort

0:20:06.000 --> 0:20:08.760
<v Speaker 2>of days and went back to the school. There was

0:20:08.800 --> 0:20:11.240
<v Speaker 2>a lot of folded arms and tapping of feet on

0:20:11.280 --> 0:20:12.840
<v Speaker 2>the carpet.

0:20:12.359 --> 0:20:14.280
<v Speaker 1>And will anybody call the police?

0:20:14.680 --> 0:20:17.000
<v Speaker 2>Well they had done, Yes, they reported me as missing

0:20:17.000 --> 0:20:20.200
<v Speaker 2>after three days. I think whatever it was, so, yeah,

0:20:20.240 --> 0:20:22.280
<v Speaker 2>it was just a disaster. And I remember getting in

0:20:22.320 --> 0:20:26.520
<v Speaker 2>the car with my parents because I was expelled from

0:20:26.560 --> 0:20:30.000
<v Speaker 2>the school, and my father saying the words, we will

0:20:30.040 --> 0:20:33.199
<v Speaker 2>talk about this sorry incident when we get home. Sorry,

0:20:33.600 --> 0:20:36.959
<v Speaker 2>sorry incident. It was a sorry incident.

0:20:42.800 --> 0:20:45.320
<v Speaker 1>Did you know? The River Cafe has a shop. It's

0:20:45.359 --> 0:20:48.760
<v Speaker 1>full of our favorite foods and designs. We have cookbooks

0:20:48.760 --> 0:20:52.560
<v Speaker 1>and linen Napkins kitchen ware, toad bags with our signatures,

0:20:52.600 --> 0:20:56.239
<v Speaker 1>glasses from Venice, chocolates from Turin. You can find us

0:20:56.320 --> 0:20:59.040
<v Speaker 1>right next door to the River Cafe in London or

0:20:59.119 --> 0:21:02.920
<v Speaker 1>online at shop the River Cafe dot co dot uk.

0:21:10.480 --> 0:21:14.040
<v Speaker 1>When you went to Cambridge, what was the food like there?

0:21:14.040 --> 0:21:16.360
<v Speaker 1>Then you were away from both the boarding school and

0:21:16.440 --> 0:21:19.320
<v Speaker 1>you were away from your parents. Could you create your

0:21:19.320 --> 0:21:20.480
<v Speaker 1>own food world more?

0:21:20.720 --> 0:21:24.800
<v Speaker 2>Yes, there were some students got friendly with who really

0:21:24.880 --> 0:21:25.720
<v Speaker 2>understood food.

0:21:26.400 --> 0:21:29.080
<v Speaker 1>Did you cook for yourself at Cambridge? Or was that hard?

0:21:29.160 --> 0:21:30.919
<v Speaker 2>If you were in college, you had your rooms and

0:21:30.960 --> 0:21:32.600
<v Speaker 2>you had what was called a jip room, which was

0:21:32.720 --> 0:21:34.560
<v Speaker 2>like a little kitchen, but it didn't really have a

0:21:34.560 --> 0:21:38.040
<v Speaker 2>proper oven or anything, so you couldn't do much there.

0:21:38.320 --> 0:21:42.920
<v Speaker 2>But because of the acting, I would, in particular after

0:21:43.040 --> 0:21:46.560
<v Speaker 2>the May term, which is like the summer term at Cambridge,

0:21:47.080 --> 0:21:49.920
<v Speaker 2>when it was over, I would stay on to rehearse

0:21:50.480 --> 0:21:53.920
<v Speaker 2>with friends all the plays we were taking up to Edinburgh.

0:21:53.960 --> 0:21:56.320
<v Speaker 2>And then one might stay at totally different places, and

0:21:56.320 --> 0:21:58.960
<v Speaker 2>I stayed with it rather than in your college, because

0:21:58.960 --> 0:22:00.840
<v Speaker 2>your college would be given ever to conferences and things

0:22:00.920 --> 0:22:02.800
<v Speaker 2>like that, and they wouldn't let you stay there. So

0:22:03.000 --> 0:22:05.600
<v Speaker 2>I remember staying with friends, and one of these friends, Ben,

0:22:05.640 --> 0:22:08.560
<v Speaker 2>who was really good. He taught me the mill pois

0:22:08.600 --> 0:22:11.600
<v Speaker 2>that the preparation for almost anything, you know, the carrots,

0:22:11.640 --> 0:22:16.119
<v Speaker 2>the celery and chopping them up, and.

0:22:15.720 --> 0:22:19.119
<v Speaker 1>Called the Italian cooking Sofrito.

0:22:18.080 --> 0:22:22.800
<v Speaker 2>Exactly exactly, and he's the basis of everything from Bologniers upwards,

0:22:22.800 --> 0:22:25.800
<v Speaker 2>as it were. And so I really enjoyed learning that

0:22:26.000 --> 0:22:28.399
<v Speaker 2>and seeing how all that worked. And he showed me

0:22:28.440 --> 0:22:32.199
<v Speaker 2>as well what I now know is called deglazing. You

0:22:32.240 --> 0:22:34.879
<v Speaker 2>know how you had I say, everything's stuck, and he goes, no,

0:22:35.000 --> 0:22:37.640
<v Speaker 2>just just take a glass of wine and just throw

0:22:37.680 --> 0:22:39.480
<v Speaker 2>it on, and I'm getting what are you doing? And

0:22:39.520 --> 0:22:42.159
<v Speaker 2>then it would all just come into life, and you know,

0:22:42.200 --> 0:22:43.160
<v Speaker 2>he had that confidence.

0:22:43.320 --> 0:22:45.480
<v Speaker 1>So was he really the first person to do he.

0:22:45.480 --> 0:22:48.159
<v Speaker 2>Kind of was. Yeah. He taught me not to be

0:22:48.200 --> 0:22:51.679
<v Speaker 2>afraid and not to have to follow every syllable on

0:22:51.720 --> 0:22:55.439
<v Speaker 2>a page, because once you knew the principle of certain

0:22:55.520 --> 0:22:58.000
<v Speaker 2>kinds of cooking, you could just then do very Oh

0:22:58.000 --> 0:23:00.199
<v Speaker 2>we haven't got any that with his fish instead, but

0:23:00.240 --> 0:23:02.639
<v Speaker 2>it says it's for Lamb's just that's all right, you know,

0:23:02.960 --> 0:23:04.080
<v Speaker 2>and you just sort of take that.

0:23:04.560 --> 0:23:06.919
<v Speaker 1>I was saying cooking is a bit like poetry. You know,

0:23:07.000 --> 0:23:09.760
<v Speaker 1>you have to know the real poetry to go to

0:23:09.840 --> 0:23:10.359
<v Speaker 1>free verse.

0:23:10.560 --> 0:23:13.639
<v Speaker 2>Yes, exactly, once you know the fourteen line Sonnet, you

0:23:13.680 --> 0:23:17.239
<v Speaker 2>can then exactly escape the prison of the form. But

0:23:17.280 --> 0:23:20.320
<v Speaker 2>it was really when I left Cambridge I was so

0:23:20.440 --> 0:23:23.600
<v Speaker 2>fortunate because you know, our comedy stuff I was doing

0:23:23.640 --> 0:23:29.480
<v Speaker 2>with Hugh Lori and Emma Thompson. One prize comedy, what

0:23:29.600 --> 0:23:32.919
<v Speaker 2>it was, Camebridge this club called the Footlights, which is

0:23:33.400 --> 0:23:36.439
<v Speaker 2>well over one hundred years old and it sort of

0:23:36.440 --> 0:23:40.480
<v Speaker 2>specializes in comedy. I say it is whoever the undergraduates

0:23:40.480 --> 0:23:43.159
<v Speaker 2>are at the time who happened to be members of

0:23:43.160 --> 0:23:46.680
<v Speaker 2>the club. But it famously had Peter Cook and John

0:23:46.760 --> 0:23:51.280
<v Speaker 2>Clees and Eric Idle and Grifflies Jones and Douglas Adams

0:23:51.320 --> 0:23:55.320
<v Speaker 2>and Clive James and all kind of Baron Margerleyes, Yes,

0:23:55.359 --> 0:23:58.439
<v Speaker 2>Stephen and then Stephen Frown, Hugh Luri and Emma Thompson.

0:23:58.440 --> 0:24:01.439
<v Speaker 2>We were all one bunch and we went to Edinburgh

0:24:01.440 --> 0:24:04.119
<v Speaker 2>and we won this new prize called the Perrier Award

0:24:04.240 --> 0:24:08.120
<v Speaker 2>for Comedy, and this involved going to Australia. Well sort

0:24:08.160 --> 0:24:10.679
<v Speaker 2>of it didn't. The prize didn't, but because we won.

0:24:10.720 --> 0:24:14.360
<v Speaker 2>It's an Australian entrepreneur called Michael Edgeley saw our show

0:24:14.400 --> 0:24:16.720
<v Speaker 2>and then said, you guys want to come out to Australia.

0:24:17.359 --> 0:24:19.879
<v Speaker 2>And that's where I learned to eat because it was

0:24:19.920 --> 0:24:25.520
<v Speaker 2>an absolute revelation. This is nineteen eighty one, starting in Sydney.

0:24:25.600 --> 0:24:28.800
<v Speaker 2>Doyle's of course, the amazing seafood place. You walk along

0:24:28.800 --> 0:24:31.439
<v Speaker 2>the dunes and come to this beautiful shack where the

0:24:31.480 --> 0:24:34.760
<v Speaker 2>food is well, things you've never heard of, like Barry

0:24:34.840 --> 0:24:39.840
<v Speaker 2>Mundy and Morton Bay bugs and all these extraordinary seafood things.

0:24:40.000 --> 0:24:43.840
<v Speaker 2>But also oysters. I mean, oyster is so plentiful and

0:24:43.920 --> 0:24:46.159
<v Speaker 2>not oh my goodness, I'm having oysters. I must be

0:24:46.200 --> 0:24:49.240
<v Speaker 2>in Bentley's or in you know some posh you know

0:24:49.359 --> 0:24:52.720
<v Speaker 2>London restaurant that does oysters. But it was, yeah, I

0:24:52.760 --> 0:24:56.399
<v Speaker 2>have some oysters, mane I mind Rockefeller or Killpatrick, you

0:24:56.400 --> 0:24:59.480
<v Speaker 2>know these different ways of preparing them, kill Patrick Acrosse

0:25:00.000 --> 0:25:04.560
<v Speaker 2>the mind because it involved was the source. Yes, So

0:25:04.640 --> 0:25:07.960
<v Speaker 2>I became really obsessed with oysters and would have and

0:25:08.000 --> 0:25:11.240
<v Speaker 2>they were cheap sometimes you could that's the point. I

0:25:11.359 --> 0:25:14.679
<v Speaker 2>have some plump, half a dozen plump specific oysters not cooked,

0:25:14.960 --> 0:25:18.960
<v Speaker 2>and then half a dozen cooked more neat Rockefeller and

0:25:19.119 --> 0:25:22.680
<v Speaker 2>Kilpatrick with the one with bacon to kill Patrick. Yeah.

0:25:23.040 --> 0:25:26.720
<v Speaker 2>And and there were cheapest, cheapest chips, as people say so.

0:25:26.960 --> 0:25:29.439
<v Speaker 2>And wine was the other thing I finally moved off

0:25:29.480 --> 0:25:30.040
<v Speaker 2>the lampres.

0:25:30.280 --> 0:25:32.359
<v Speaker 1>We haven't talked about, yeah, because they.

0:25:32.280 --> 0:25:36.320
<v Speaker 2>Had things like Grange Hermitage, which at the time was

0:25:36.400 --> 0:25:38.680
<v Speaker 2>good but nothing like as expensive as it is now.

0:25:38.840 --> 0:25:40.920
<v Speaker 2>Three or four hundred pound a bottle at least, isn't it.

0:25:41.240 --> 0:25:46.360
<v Speaker 2>But they you know this, They had this way of

0:25:47.000 --> 0:25:51.960
<v Speaker 2>categorizing wines which is so ridiculously obvious but was unheard

0:25:52.000 --> 0:25:58.399
<v Speaker 2>of by grape Vatal. So they would say this is

0:25:58.440 --> 0:26:01.840
<v Speaker 2>a Sheers, you know, and and this is you know,

0:26:01.960 --> 0:26:05.800
<v Speaker 2>Kevin I Servignon, and this is a Semion or whatever,

0:26:06.840 --> 0:26:10.479
<v Speaker 2>and they'd tell you about the grape and you go, oh,

0:26:10.520 --> 0:26:12.920
<v Speaker 2>I see. Then you get back to England and every

0:26:12.960 --> 0:26:15.560
<v Speaker 2>restaurant just a shadowed nerve to this shadow that and

0:26:15.600 --> 0:26:18.680
<v Speaker 2>you get what does that mean? But when I got

0:26:18.720 --> 0:26:23.240
<v Speaker 2>back to England, we were like for two months and

0:26:23.280 --> 0:26:25.399
<v Speaker 2>traveling everywhere all the big cities, in some of the

0:26:25.880 --> 0:26:31.360
<v Speaker 2>crazy little towns like Albury, Wodonga, eating fabulous food, cheaply

0:26:31.480 --> 0:26:34.520
<v Speaker 2>and happily and the whole day really was around the

0:26:34.560 --> 0:26:37.080
<v Speaker 2>fact we'd finished the show and what restaurant we're going

0:26:37.119 --> 0:26:40.600
<v Speaker 2>to And but when I got back to England, I

0:26:40.680 --> 0:26:42.920
<v Speaker 2>was wandering around. So we were doing a TV show

0:26:43.000 --> 0:26:46.800
<v Speaker 2>and I was feeling lucky and flushed with cash relatively

0:26:46.880 --> 0:26:50.720
<v Speaker 2>compared to being a student, but not very rich. And

0:26:50.800 --> 0:26:52.440
<v Speaker 2>I was wondering, to say, when I was getting lost,

0:26:52.480 --> 0:26:54.840
<v Speaker 2>as you do, and before you understand that, what's the

0:26:54.880 --> 0:26:56.960
<v Speaker 2>cross street? And you know? And so I was going

0:26:56.960 --> 0:26:59.760
<v Speaker 2>down this street called Greek Street and I saw on

0:27:00.080 --> 0:27:03.560
<v Speaker 2>attractive looking restaurant and the restaurant was called Let's Gargo

0:27:03.960 --> 0:27:07.840
<v Speaker 2>the Snail, and I wandered in and this fabulous woman

0:27:07.920 --> 0:27:10.640
<v Speaker 2>about three foot tall came up to me and said hello, dear,

0:27:10.920 --> 0:27:13.800
<v Speaker 2>and I said, oh, it was obviously very nervous. She

0:27:13.800 --> 0:27:15.400
<v Speaker 2>said you come with me, and she sat me down.

0:27:15.680 --> 0:27:20.480
<v Speaker 2>You'll know who I'm talking about, Ellen Salvatina, this amazing woman, phenomenal,

0:27:20.960 --> 0:27:22.840
<v Speaker 2>and she sat me down and I said, I'm not

0:27:23.720 --> 0:27:26.440
<v Speaker 2>and she chose for me, somehow brilliantly, things that were

0:27:26.520 --> 0:27:28.760
<v Speaker 2>just cheap enough for me to be able to afford.

0:27:29.080 --> 0:27:31.760
<v Speaker 2>And so from then on, the richer I got the

0:27:31.800 --> 0:27:34.439
<v Speaker 2>luckier I got I would go there, and this was

0:27:34.440 --> 0:27:37.760
<v Speaker 2>in the high days of Let's Cargo. We know Princess Diana,

0:27:37.760 --> 0:27:40.159
<v Speaker 2>we'd go and all these people. But most importantly again

0:27:41.760 --> 0:27:49.600
<v Speaker 2>it was Chancey's Robinson's husband Lander, his name was Nick Lander,

0:27:49.760 --> 0:27:53.560
<v Speaker 2>who ran Let's Go Go and Jancey's Robinson's great Wine

0:27:53.560 --> 0:27:56.040
<v Speaker 2>created great the first woman to be made of Master

0:27:56.119 --> 0:28:01.320
<v Speaker 2>of Wine, fabulous person and she made the wine list varietal.

0:28:01.760 --> 0:28:04.000
<v Speaker 2>So it was the first, I think probably in London

0:28:04.160 --> 0:28:06.720
<v Speaker 2>to be like that where it was, and gosh, I

0:28:06.760 --> 0:28:11.720
<v Speaker 2>had some marvelous times there, absolutely amazingly recognized someone. We

0:28:11.800 --> 0:28:14.399
<v Speaker 2>became very good friends. She then moved to Lettual in

0:28:14.720 --> 0:28:17.600
<v Speaker 2>Charlotte Street, and her husband Aldo was a fat fascinating

0:28:17.600 --> 0:28:21.879
<v Speaker 2>man as well, because they lived in Noel Road in

0:28:22.000 --> 0:28:25.680
<v Speaker 2>Islington in the nineteen sixties year and their neighbor their

0:28:25.680 --> 0:28:30.080
<v Speaker 2>neighbors were a gay couple called Kenneth Halliwell and Joe Orton,

0:28:30.960 --> 0:28:33.960
<v Speaker 2>and it was Aldo who there was a they'd heard

0:28:33.960 --> 0:28:36.960
<v Speaker 2>some shouting and then the next day they were worried

0:28:37.000 --> 0:28:40.280
<v Speaker 2>and and and Eleanor had said, how's what's what's up

0:28:40.320 --> 0:28:43.560
<v Speaker 2>with Joe and Aldo? And she looked through the keyhole

0:28:44.760 --> 0:28:47.840
<v Speaker 2>and saw him dead, and Alder had to break down

0:28:47.880 --> 0:28:49.760
<v Speaker 2>the door, and of course Kenneth Halliwell had killed his

0:28:49.840 --> 0:28:54.160
<v Speaker 2>lover and then himself, so she never forgot that. But

0:28:54.520 --> 0:28:57.560
<v Speaker 2>I remember once, for example, I was having dinner there

0:28:57.600 --> 0:29:02.000
<v Speaker 2>with Ron Atkins and my friend Rowan, the wonderful Great. Yeah,

0:29:02.680 --> 0:29:06.800
<v Speaker 2>let's go and go upstairs. And Rowan is the most

0:29:06.840 --> 0:29:09.160
<v Speaker 2>wonderful person in the world. But he's not a late

0:29:09.320 --> 0:29:11.920
<v Speaker 2>night figure at all in those days, I quite was.

0:29:12.000 --> 0:29:13.840
<v Speaker 2>So we'd had dinner and it was like halp us

0:29:13.920 --> 0:29:17.440
<v Speaker 2>nine and said, right, well, I'm I'll get a cab

0:29:17.520 --> 0:29:20.280
<v Speaker 2>and go home. And I thought, oh, well, I'll do

0:29:20.320 --> 0:29:22.400
<v Speaker 2>the same. So I ordered a cab. His cab came first,

0:29:22.640 --> 0:29:24.360
<v Speaker 2>and I was just about to leave it, and I said,

0:29:26.240 --> 0:29:30.160
<v Speaker 2>could you go and cheer up John Hurt. He's just

0:29:30.240 --> 0:29:32.720
<v Speaker 2>left his wife and he's was all very unhappy and

0:29:32.800 --> 0:29:36.240
<v Speaker 2>he needs a bit of cheering up. So I sat

0:29:36.320 --> 0:29:40.160
<v Speaker 2>down and there was John had, you know, sit down,

0:29:41.880 --> 0:29:44.720
<v Speaker 2>and every now and again Ee said, your CAB's still here.

0:29:45.400 --> 0:29:47.120
<v Speaker 2>I said, oh, tell him, I'll be five minutes. Yeah,

0:29:47.120 --> 0:29:50.760
<v Speaker 2>it's five minutes. We were getting home, and the cab

0:29:51.040 --> 0:29:56.040
<v Speaker 2>bill was two hundred and twenty pounds and I saw

0:29:56.120 --> 0:29:59.000
<v Speaker 2>John about a week later and said, I have told

0:29:59.040 --> 0:30:02.880
<v Speaker 2>everyone I got hurt on Thursday night, and he said, well,

0:30:02.880 --> 0:30:08.200
<v Speaker 2>I told everyone I got fried. I got to know

0:30:08.280 --> 0:30:10.960
<v Speaker 2>him even better later because he moved to Norfolk.

0:30:11.640 --> 0:30:14.400
<v Speaker 1>Was Europe at all an influence? Did you travel to

0:30:14.480 --> 0:30:17.680
<v Speaker 1>France or Italy or did you do Greece? Was there

0:30:17.720 --> 0:30:19.800
<v Speaker 1>any food experience from being in Europe?

0:30:20.640 --> 0:30:23.520
<v Speaker 2>Just as I was really beginning to love food, I

0:30:23.560 --> 0:30:26.560
<v Speaker 2>went with Rowan, whom I mentioned ron Atkinson had bought

0:30:26.600 --> 0:30:29.360
<v Speaker 2>a new Western Martin and he said, I really think

0:30:29.400 --> 0:30:33.040
<v Speaker 2>we should try this out. And so we booked ourselves

0:30:33.080 --> 0:30:37.200
<v Speaker 2>an amazing holiday, going all the way down France through

0:30:37.800 --> 0:30:42.520
<v Speaker 2>basically through as many three star, three Michelin star restaurants,

0:30:43.000 --> 0:30:46.600
<v Speaker 2>so mioneise in outside Leon and Chappelle's restaurant thing, and

0:30:46.640 --> 0:30:51.200
<v Speaker 2>then down to the Moujen restaurants outside Cannes, you know

0:30:51.240 --> 0:30:53.160
<v Speaker 2>in the column door, which is not through star, but

0:30:53.200 --> 0:30:55.640
<v Speaker 2>it's one of the greatest restaurants in the world.

0:30:56.080 --> 0:30:57.200
<v Speaker 1>Oh that menu.

0:30:59.040 --> 0:31:01.880
<v Speaker 2>People who don't know it's up from up from cann

0:31:02.040 --> 0:31:05.080
<v Speaker 2>in the hills and it's this beautiful, beautiful place. It's

0:31:05.120 --> 0:31:08.640
<v Speaker 2>like your ideal image of a promo soul house with

0:31:08.680 --> 0:31:10.720
<v Speaker 2>the tiles and everything else. But it has added to

0:31:10.760 --> 0:31:14.360
<v Speaker 2>it these extraordinary pieces on the walls by Matisse and

0:31:14.360 --> 0:31:21.080
<v Speaker 2>others and mirror and yeah, that's right, these extraordinary paintings

0:31:21.120 --> 0:31:25.600
<v Speaker 2>because the original patron and his wife would allow the

0:31:26.040 --> 0:31:29.440
<v Speaker 2>artists to give pictures instead of paying the bills. And

0:31:29.480 --> 0:31:31.480
<v Speaker 2>it has since become, you know, one of the great

0:31:31.520 --> 0:31:34.560
<v Speaker 2>restaurants of the world. Really it's it's atmosphere and for

0:31:34.960 --> 0:31:38.960
<v Speaker 2>all its fame and uh, you know, they're not necessarily

0:31:39.000 --> 0:31:41.320
<v Speaker 2>easy to get a table, especially during the Canned Film

0:31:41.400 --> 0:31:44.600
<v Speaker 2>Festival or something. It is the friendliest, warmest place. It's really,

0:31:44.680 --> 0:31:46.960
<v Speaker 2>you know, like all these good places there, you might

0:31:46.960 --> 0:31:49.920
<v Speaker 2>think they're going to be frightened the river. Under the river,

0:31:50.280 --> 0:31:53.080
<v Speaker 2>you won't find people looking snooterly at you at all.

0:31:53.360 --> 0:31:57.000
<v Speaker 2>It's the opposite of good restaurant to have snootiness, isn't it.

0:31:57.560 --> 0:32:01.880
<v Speaker 1>When I boat you couple of months ago, you were

0:32:01.920 --> 0:32:03.920
<v Speaker 1>talking about your schedule and a lot of it was

0:32:03.960 --> 0:32:07.680
<v Speaker 1>around being in London or being in Los Angeles. And

0:32:07.760 --> 0:32:11.360
<v Speaker 1>I think that California is so interesting in terms of

0:32:11.640 --> 0:32:16.240
<v Speaker 1>going back to Alice Walters and food farm to table

0:32:16.440 --> 0:32:21.680
<v Speaker 1>and restaurants like Wolfgang Pugs, Mamaison becoming Spago where he

0:32:21.800 --> 0:32:25.600
<v Speaker 1>made pizzas, and now the very kind of healthy eating

0:32:25.640 --> 0:32:28.200
<v Speaker 1>of California. And I think if we're talking about a

0:32:28.320 --> 0:32:31.400
<v Speaker 1>kind of food culture, would you say that in Los

0:32:31.440 --> 0:32:35.000
<v Speaker 1>Angeles you're finding a certain type of food culture unquestionably.

0:32:35.040 --> 0:32:38.600
<v Speaker 2>And one of the interesting things is people picture Los

0:32:38.640 --> 0:32:41.480
<v Speaker 2>Angeles and they think of smart movie people. And obviously

0:32:41.520 --> 0:32:43.600
<v Speaker 2>there are a lot of movie people, but the food

0:32:43.600 --> 0:32:48.200
<v Speaker 2>culture is driven from below, and the smart movie people

0:32:48.240 --> 0:32:51.560
<v Speaker 2>follow it. And over the last ten years, the major

0:32:51.560 --> 0:32:56.040
<v Speaker 2>thing has been street food food trucks, which a lot

0:32:56.040 --> 0:32:58.080
<v Speaker 2>of British people. When you would say to them, oh,

0:32:58.080 --> 0:32:59.720
<v Speaker 2>look there's a fish taco truck. Let's going to have

0:32:59.760 --> 0:33:04.440
<v Speaker 2>that lunch, I'll go crazy. Is it hygieniic? You know?

0:33:04.480 --> 0:33:06.320
<v Speaker 2>I mean, there's sort of weird British idea that a

0:33:06.320 --> 0:33:09.560
<v Speaker 2>food truck couldn't live up to a restaurant. And very

0:33:09.560 --> 0:33:12.520
<v Speaker 2>often the que is the indication. You'll see a big

0:33:12.560 --> 0:33:14.600
<v Speaker 2>line and you'll know that's a good one and you

0:33:14.640 --> 0:33:16.840
<v Speaker 2>make a note in your head next time I'm driving

0:33:16.880 --> 0:33:19.280
<v Speaker 2>down here, I'll go and try try what they've got

0:33:19.320 --> 0:33:22.360
<v Speaker 2>and they and there's that side of things. Of course,

0:33:22.400 --> 0:33:28.160
<v Speaker 2>there's the glamorous side of places. The movie people go. Yeah,

0:33:28.160 --> 0:33:31.440
<v Speaker 2>the Polo Lounge and it's like Craigs. Now you'll always

0:33:31.440 --> 0:33:35.640
<v Speaker 2>see a Kardashian in there if you want to. And again,

0:33:35.720 --> 0:33:39.920
<v Speaker 2>you know, because they're the paparazzi outside and what in

0:33:39.960 --> 0:33:44.800
<v Speaker 2>America they call videographers who are called TMZ the this

0:33:44.920 --> 0:33:50.120
<v Speaker 2>kind of news channel, gossip news channel. But the quality

0:33:50.160 --> 0:33:54.320
<v Speaker 2>of food is good for you know, good for vegans

0:33:54.320 --> 0:33:56.720
<v Speaker 2>and vegetarians, and so it's a good place to say, oh,

0:33:56.760 --> 0:33:59.000
<v Speaker 2>I'll go, I'll go vegan for a week, you know,

0:33:59.120 --> 0:34:02.440
<v Speaker 2>just just out of fun really, because there's so many options.

0:34:02.600 --> 0:34:04.000
<v Speaker 1>Do you only eat out?

0:34:04.360 --> 0:34:07.400
<v Speaker 2>No, not at all. No, I'd love to cook really

0:34:07.480 --> 0:34:10.919
<v Speaker 2>good kitchen in the house in La So I really

0:34:11.040 --> 0:34:13.520
<v Speaker 2>enjoyed it. Well, it's open. It's this long, long run

0:34:13.560 --> 0:34:16.640
<v Speaker 2>because the house used to be an art gallery when

0:34:16.640 --> 0:34:21.359
<v Speaker 2>it was built in nineteen twenty three. It's I give

0:34:21.400 --> 0:34:24.759
<v Speaker 2>too much of a detail, but it's the under the

0:34:24.760 --> 0:34:28.759
<v Speaker 2>Hollywood side Beechwood Canyon, and there's an art It was

0:34:28.800 --> 0:34:31.080
<v Speaker 2>an art gallery. So there's this very long room in

0:34:31.080 --> 0:34:32.759
<v Speaker 2>this upper upper room which used to be where the

0:34:32.760 --> 0:34:35.759
<v Speaker 2>pictures were. One end of it is the kitchen and

0:34:35.800 --> 0:34:37.920
<v Speaker 2>it's open to the you know, the dining room part

0:34:37.920 --> 0:34:39.879
<v Speaker 2>of it and the other parts of it, so you're

0:34:39.960 --> 0:34:42.000
<v Speaker 2>kind of when you're cooking, you're cooking, you're chatting to

0:34:42.040 --> 0:34:44.680
<v Speaker 2>everybody who might be there, and there's plenty of room.

0:34:44.760 --> 0:34:49.520
<v Speaker 2>It's really there's good surfaces, you know how somehow surfaces

0:34:49.560 --> 0:34:51.480
<v Speaker 2>disappear when you cook put it.

0:34:52.680 --> 0:34:55.560
<v Speaker 1>Did you cook there more than you would cook it? Yes?

0:34:55.640 --> 0:34:58.840
<v Speaker 2>Yeah, yeah, I do, yeah, and I love it. And

0:34:58.840 --> 0:35:01.640
<v Speaker 2>my husband's are good, you know, a good customer. He

0:35:01.719 --> 0:35:03.320
<v Speaker 2>seems to enjoy it.

0:35:07.800 --> 0:35:11.080
<v Speaker 1>If you like listening to Ruthie's Table for would you

0:35:11.200 --> 0:35:15.160
<v Speaker 1>please make sure to rape and review the podcast on

0:35:15.280 --> 0:35:20.239
<v Speaker 1>the iHeartRadio app, Apple Podcasts, Spotify, or wherever you get

0:35:20.280 --> 0:35:22.239
<v Speaker 1>your podcasts. Thank you.

0:35:29.560 --> 0:35:33.920
<v Speaker 3>Hi. I'm Sean and I'm making Lemon almond and Palenticate.

0:35:33.400 --> 0:35:34.080
<v Speaker 1>With Stephen Fry.

0:35:34.840 --> 0:35:40.360
<v Speaker 2>I am a convicted lemon Plenticate user and I was

0:35:40.400 --> 0:35:42.640
<v Speaker 2>on the road to recovery, but now that's all been

0:35:42.640 --> 0:35:46.239
<v Speaker 2>set back. I'm afraid, so shall I make this? You

0:35:46.239 --> 0:35:47.480
<v Speaker 2>tell me what I need to do and.

0:35:48.239 --> 0:35:50.520
<v Speaker 3>Think we doo apart from we've got that better here.

0:35:51.719 --> 0:35:53.880
<v Speaker 2>So that's just someften on its own took.

0:35:53.760 --> 0:35:56.040
<v Speaker 3>The liberty of giving it a bit before you arrived,

0:35:56.040 --> 0:35:58.080
<v Speaker 3>because I thought, we don't need to watch that. But

0:35:58.239 --> 0:36:02.080
<v Speaker 3>as it goes from the yellow color to the pale color,

0:36:02.200 --> 0:36:05.120
<v Speaker 3>it's to your point of knowing that it's been beaten.

0:36:05.200 --> 0:36:07.640
<v Speaker 3>And then you've got your four hundred and fifty grams

0:36:07.640 --> 0:36:12.279
<v Speaker 3>of cups of sugar, and then this is going to

0:36:12.320 --> 0:36:15.120
<v Speaker 3>get beaten until the sugar dissolves.

0:36:15.120 --> 0:36:17.880
<v Speaker 2>Right and again, I mean, it's one of the loveliest

0:36:17.920 --> 0:36:19.600
<v Speaker 2>tastes in the world, and there's a child butter and

0:36:19.680 --> 0:36:21.640
<v Speaker 2>sugar to get that's just covered enough.

0:36:22.080 --> 0:36:26.640
<v Speaker 3>Exactly be in the noise of it.

0:36:27.000 --> 0:36:28.920
<v Speaker 2>We can talk about to yourself.

0:36:29.600 --> 0:36:33.160
<v Speaker 3>It's a very high tech Okay, then you know some

0:36:33.200 --> 0:36:35.359
<v Speaker 3>people will put a bit of egg and a bit

0:36:35.400 --> 0:36:40.000
<v Speaker 3>of flowering alternately, but I'm just gonna brazen it out

0:36:40.080 --> 0:36:40.680
<v Speaker 3>quite frankly.

0:36:41.360 --> 0:36:43.279
<v Speaker 2>I think it all ends up in the same in

0:36:43.360 --> 0:36:47.200
<v Speaker 2>the end. Yeah, lovely, lovely, I.

0:36:47.160 --> 0:36:54.000
<v Speaker 3>Mean, just and then this is the plent of flower

0:36:54.120 --> 0:36:55.360
<v Speaker 3>and the ground almonds.

0:36:55.400 --> 0:36:56.719
<v Speaker 1>So I'll just get that in.

0:36:57.120 --> 0:36:59.960
<v Speaker 3>Let it get around the slowly, so don't get covered.

0:37:03.320 --> 0:37:06.120
<v Speaker 2>You made this one quite recently. It's still warm, yeah.

0:37:05.880 --> 0:37:07.960
<v Speaker 3>So that that's actually can have gone the menu for lunch.

0:37:08.000 --> 0:37:12.600
<v Speaker 3>Now do you want to have a piece of that?

0:37:13.120 --> 0:37:13.520
<v Speaker 2>Why not?

0:37:13.760 --> 0:37:14.680
<v Speaker 3>Do you want to cut yourself?

0:37:14.719 --> 0:37:20.120
<v Speaker 2>sEH, so soft? So I'm gonna have to say the

0:37:20.160 --> 0:37:22.760
<v Speaker 2>word moist, no escaping?

0:37:22.840 --> 0:37:25.440
<v Speaker 3>Is we just do you want to find you before?

0:37:25.800 --> 0:37:28.879
<v Speaker 2>I'm quite happy to just frankly drop my head into

0:37:28.960 --> 0:37:33.760
<v Speaker 2>it and go like that. But probably that's.

0:37:33.640 --> 0:37:34.920
<v Speaker 3>Got cup of tea written all over it.

0:37:35.080 --> 0:37:35.440
<v Speaker 2>Espresso.

0:37:35.480 --> 0:37:37.279
<v Speaker 3>It's got espresso written all over, isn't it.

0:37:38.400 --> 0:37:40.400
<v Speaker 2>Hmm, Oh my goodness.

0:37:40.520 --> 0:37:43.560
<v Speaker 3>You can have that while you talk to Ruthy.

0:37:44.840 --> 0:37:50.279
<v Speaker 2>That is so good, honestly brilliant.

0:37:48.920 --> 0:37:50.640
<v Speaker 3>Thanks.

0:37:53.600 --> 0:37:58.279
<v Speaker 1>You've just made a palantic cake with Sean. Tell me

0:37:58.320 --> 0:37:59.000
<v Speaker 1>what that was like.

0:37:59.440 --> 0:38:02.080
<v Speaker 2>It was a tremendous experience. It's so simple on the

0:38:02.080 --> 0:38:06.080
<v Speaker 2>one hand, but like all great dishes, it can be

0:38:06.160 --> 0:38:09.960
<v Speaker 2>made better by people who are confident. It's my theory

0:38:10.000 --> 0:38:14.400
<v Speaker 2>about food is that certain ingredients know when you're scared.

0:38:15.320 --> 0:38:16.360
<v Speaker 1>You know when you're scared.

0:38:16.520 --> 0:38:20.680
<v Speaker 2>Yeah, I love making mayonnaise, but it's a mood thing.

0:38:20.800 --> 0:38:25.040
<v Speaker 2>Some If you're not quite confident enough, it knows, and

0:38:25.120 --> 0:38:27.480
<v Speaker 2>it will split. If you're too confident, it will split.

0:38:28.440 --> 0:38:30.359
<v Speaker 2>You have to just sort of come up to it

0:38:30.880 --> 0:38:33.160
<v Speaker 2>and show that you are master, but that you respect it.

0:38:33.400 --> 0:38:35.320
<v Speaker 2>And I think that's true of a lot of ingredients.

0:38:35.640 --> 0:38:39.840
<v Speaker 2>And polenticate no less so to get that gritty moisture

0:38:40.000 --> 0:38:43.560
<v Speaker 2>and that sweetness and that's citrus, all in the right proportion,

0:38:44.040 --> 0:38:46.399
<v Speaker 2>it's a simply joyous thing to eat.

0:38:46.640 --> 0:38:50.439
<v Speaker 1>I was going to also ask you about work and

0:38:50.680 --> 0:38:55.239
<v Speaker 1>creating and food. So when you are writing, when you're directing,

0:38:55.360 --> 0:39:00.040
<v Speaker 1>when you're doing your beautiful voice audio.

0:38:59.400 --> 0:39:02.920
<v Speaker 2>Books, I can't. I find it very hard to eat anything,

0:39:03.200 --> 0:39:06.160
<v Speaker 2>eat anything before a performance of any kind. That that's

0:39:06.200 --> 0:39:08.600
<v Speaker 2>as if your nerves sort of shrink you up and

0:39:09.200 --> 0:39:12.880
<v Speaker 2>you and your metabolism is fast, which tends to reduce appetite.

0:39:12.960 --> 0:39:17.240
<v Speaker 2>Anything that makes your metabolism go quick reduces appetite, doesn't it,

0:39:17.320 --> 0:39:24.520
<v Speaker 2>Like again, for example speed, But those drugs are are

0:39:24.520 --> 0:39:27.440
<v Speaker 2>appetite suppressants as opposed to the slowly down ones that

0:39:27.440 --> 0:39:30.080
<v Speaker 2>can you know that famously cannabis gives you the munchies,

0:39:30.120 --> 0:39:34.320
<v Speaker 2>you know, and so on. So aside from external forces

0:39:34.520 --> 0:39:38.279
<v Speaker 2>and chemistry, the actual act of being nervous before a show,

0:39:38.320 --> 0:39:40.799
<v Speaker 2>I find has that thing that I just couldn't eat.

0:39:41.239 --> 0:39:45.960
<v Speaker 2>But afterwards, yes, and that's everyone tells you you shouldn't eat,

0:39:46.000 --> 0:39:50.520
<v Speaker 2>you know, two hours before bed or whatever, because you know, I.

0:39:50.440 --> 0:39:51.800
<v Speaker 1>Don't know if they say that anymore.

0:39:52.040 --> 0:39:53.239
<v Speaker 2>Maybe they do, maybe they don't.

0:39:53.880 --> 0:39:55.840
<v Speaker 1>We always look for that study that you want to

0:39:55.880 --> 0:39:58.720
<v Speaker 1>read which says that actually you gain no more weight.

0:39:59.200 --> 0:40:00.800
<v Speaker 1>Am I eating before you go to bed than you

0:40:00.840 --> 0:40:02.400
<v Speaker 1>would if you had it at six o'clock?

0:40:02.640 --> 0:40:05.640
<v Speaker 2>Well, that's because I am a bit obsessed about my weight.

0:40:05.680 --> 0:40:09.920
<v Speaker 2>I mean, I know I'd be fitter. I would snow

0:40:10.080 --> 0:40:13.759
<v Speaker 2>less and and and puff less at the top of

0:40:13.760 --> 0:40:16.480
<v Speaker 2>the steps if I if I lost her.

0:40:17.320 --> 0:40:18.880
<v Speaker 1>We don't want any less.

0:40:19.640 --> 0:40:24.000
<v Speaker 2>I tried that zempic. I'm the earlier docter of these things,

0:40:24.360 --> 0:40:26.160
<v Speaker 2>and I happened to be in America and I'd read

0:40:26.160 --> 0:40:29.080
<v Speaker 2>about it, and I asked them, my doctor in America

0:40:29.080 --> 0:40:32.080
<v Speaker 2>and my physician as they like to call them, and

0:40:32.239 --> 0:40:35.000
<v Speaker 2>he said, I can get you some, and he tried

0:40:35.000 --> 0:40:37.720
<v Speaker 2>me on it. And first week or so, I was thinking,

0:40:37.719 --> 0:40:40.520
<v Speaker 2>this is astonishing. Not only do I know want to eat,

0:40:40.520 --> 0:40:42.239
<v Speaker 2>I don't even want to I don't want alcohol of

0:40:42.239 --> 0:40:44.839
<v Speaker 2>any kind. This is going to be brilliant. And then

0:40:44.960 --> 0:40:47.080
<v Speaker 2>I started feeling sick. And then I started feeling sicker

0:40:47.160 --> 0:40:49.680
<v Speaker 2>and sicker, and sucker, and I was literally throwing up

0:40:50.040 --> 0:40:52.040
<v Speaker 2>four or five times a day, and I thought, I

0:40:52.040 --> 0:40:55.200
<v Speaker 2>can't do this. So that's that's it. And the new

0:40:55.600 --> 0:40:59.600
<v Speaker 2>variant to zeppeedeie manduras it's called it makes it even

0:40:59.640 --> 0:41:03.040
<v Speaker 2>worse parent if you have those side effects. So as

0:41:03.160 --> 0:41:03.879
<v Speaker 2>he's probably good.

0:41:04.120 --> 0:41:09.800
<v Speaker 1>I think you look great, you are you are eating

0:41:09.880 --> 0:41:11.320
<v Speaker 1>and so food and work.

0:41:11.640 --> 0:41:16.680
<v Speaker 2>Yes, I mean I do. I love. I love to

0:41:16.760 --> 0:41:21.040
<v Speaker 2>work on an empty stomach as well when if it's right, yeah,

0:41:21.200 --> 0:41:26.279
<v Speaker 2>and then writing mode at the moment. Well, it's the

0:41:26.320 --> 0:41:28.799
<v Speaker 2>fourth in a series of books I've done on Greek mythology,

0:41:29.640 --> 0:41:32.279
<v Speaker 2>and it's the final one. The first was the kind

0:41:32.320 --> 0:41:36.520
<v Speaker 2>of birth of the gods and the creation of humankind

0:41:37.440 --> 0:41:41.799
<v Speaker 2>and the kind of gods and the humans interacting and interbreeding.

0:41:42.160 --> 0:41:44.480
<v Speaker 2>And the second one is called Heroes and is like

0:41:44.960 --> 0:41:49.239
<v Speaker 2>Hercules and Perseus and Theseus and Jason and Atlanta and

0:41:49.840 --> 0:41:53.439
<v Speaker 2>these you know, the heroic race. And then the third

0:41:53.440 --> 0:41:56.279
<v Speaker 2>one was the Trojan War with Achilles and Helen and

0:41:56.320 --> 0:41:59.120
<v Speaker 2>all that. And this fourth one is the all Coming Home.

0:42:00.080 --> 0:42:02.880
<v Speaker 2>Agamemnon has to come home to be murdered, and Helen

0:42:02.960 --> 0:42:06.440
<v Speaker 2>and menelais her husband, have to go home. I picture

0:42:06.480 --> 0:42:08.640
<v Speaker 2>that voyage home as had a lot of folded arms,

0:42:08.640 --> 0:42:11.160
<v Speaker 2>and it didn't try very hard to escape from Troy,

0:42:11.239 --> 0:42:14.919
<v Speaker 2>did you, darling. And then of course the Odyssey, which

0:42:14.960 --> 0:42:16.080
<v Speaker 2>is the main story of it.

0:42:16.200 --> 0:42:19.160
<v Speaker 1>Do you think the gods eight eight they did and

0:42:19.160 --> 0:42:20.000
<v Speaker 1>what did they drink?

0:42:20.160 --> 0:42:23.640
<v Speaker 2>The gods drank nectar nectar nectar nectar, which is not

0:42:23.719 --> 0:42:28.040
<v Speaker 2>quite the juice of you know, the hollyhock or the flower,

0:42:28.120 --> 0:42:32.359
<v Speaker 2>but a sort of honey and alcohol kind of thing

0:42:32.400 --> 0:42:36.239
<v Speaker 2>that was good for gods. And they ate ambrosia. It

0:42:36.320 --> 0:42:40.719
<v Speaker 2>was called ambrosia. No one's quite sure what ambrosia was,

0:42:40.840 --> 0:42:43.560
<v Speaker 2>but it was. It was the food of the gods

0:42:43.640 --> 0:42:46.759
<v Speaker 2>rather than the drink of the gods. And this is

0:42:46.800 --> 0:42:50.439
<v Speaker 2>what an ambrosia kept their blood in a silvery form.

0:42:50.480 --> 0:42:53.120
<v Speaker 2>The gods had silvery blood rather than red or blue

0:42:53.200 --> 0:42:58.880
<v Speaker 2>or green, and it was called kor. And if humans

0:42:59.480 --> 0:43:03.319
<v Speaker 2>had or if they tasted kora, it was on them

0:43:03.320 --> 0:43:04.479
<v Speaker 2>it would kill them straight away.

0:43:04.560 --> 0:43:05.360
<v Speaker 1>So it was.

0:43:06.960 --> 0:43:11.399
<v Speaker 2>For the gods. Yeah, but it's a nice that one

0:43:11.440 --> 0:43:14.440
<v Speaker 2>of one of the best words in the English language

0:43:14.840 --> 0:43:19.560
<v Speaker 2>language is petrich or petrik or pet Petross is rock

0:43:20.000 --> 0:43:24.920
<v Speaker 2>in Greek, as in petrol and petrify and all those things.

0:43:25.120 --> 0:43:30.200
<v Speaker 2>Petroleum and kore is that blood, that strange silvery liquid.

0:43:30.239 --> 0:43:35.200
<v Speaker 2>And petricore is the word for that smell that rises

0:43:35.280 --> 0:43:38.720
<v Speaker 2>up from the earth after rain, which is not lovely.

0:43:38.920 --> 0:43:41.200
<v Speaker 2>That there's a word for it, and that's what it is,

0:43:41.560 --> 0:43:46.040
<v Speaker 2>this kind of holy, holy, sacred smell rising.

0:43:45.800 --> 0:43:49.200
<v Speaker 1>Up from the earth, and that note of smell and

0:43:49.280 --> 0:43:51.640
<v Speaker 1>comfort we were talking. I think I suppose we were

0:43:51.640 --> 0:43:55.239
<v Speaker 1>talking a lot about comfort that you derived from your

0:43:55.280 --> 0:43:59.160
<v Speaker 1>life in going to school and needing comfort in sweets

0:43:59.280 --> 0:44:03.400
<v Speaker 1>or going up later, and the memories of seeking comfort

0:44:04.040 --> 0:44:07.319
<v Speaker 1>as well. Before we go to lunch. What would be

0:44:07.520 --> 0:44:09.800
<v Speaker 1>a food that you would go for comfort.

0:44:10.440 --> 0:44:15.799
<v Speaker 2>It's a small silvery fish in a tin, not a sardine,

0:44:15.840 --> 0:44:19.520
<v Speaker 2>although I like sardines. It's called skipper. You see them

0:44:19.560 --> 0:44:24.040
<v Speaker 2>in supermarkets. At first you go, oh, there's obviously skip jack,

0:44:24.120 --> 0:44:27.400
<v Speaker 2>do you know, which is a different but but skippers

0:44:27.440 --> 0:44:29.520
<v Speaker 2>are little I don't know if there's another name for them,

0:44:29.800 --> 0:44:32.440
<v Speaker 2>but they are kind of bonelets who you have them whole,

0:44:32.760 --> 0:44:36.560
<v Speaker 2>and they're sort of soften, spread on toast and on toast.

0:44:36.760 --> 0:44:39.719
<v Speaker 2>They are absolutely.

0:44:40.480 --> 0:44:40.800
<v Speaker 1>Comfort.

0:44:41.120 --> 0:44:43.000
<v Speaker 2>I think I think my mother used to get them,

0:44:43.000 --> 0:44:44.520
<v Speaker 2>and that's probably what it is. I mean, it's a

0:44:44.560 --> 0:44:45.760
<v Speaker 2>terrible admission, isn't.

0:44:45.560 --> 0:44:50.040
<v Speaker 1>It a terrible admssion answer this question will say something

0:44:50.080 --> 0:44:54.759
<v Speaker 1>from their memory of sharing their mother, their father, their grandmother,

0:44:55.360 --> 0:44:59.959
<v Speaker 1>the culture they came from. Thank you, what a great question. Pleasure, Thanks,

0:45:00.000 --> 0:45:07.239
<v Speaker 1>thank you, thank you for listening to Ruthie's Table four

0:45:07.680 --> 0:45:09.280
<v Speaker 1>in partnership with Montclair.

0:45:18.040 --> 0:45:21.720
<v Speaker 2>Ruthie's Table four is produced by Atamei Studios for iHeartRadio.

0:45:22.080 --> 0:45:25.480
<v Speaker 2>It's hosted by Ruthie Rogers, and it's produced by William Lensky.

0:45:26.239 --> 0:45:29.359
<v Speaker 2>This episode was edited by Julia Johnson and mixed by

0:45:29.440 --> 0:45:30.280
<v Speaker 2>Nigel Appleton.

0:45:30.960 --> 0:45:34.520
<v Speaker 3>Our executive producers are Fay Stewart and Zad Rogers.

0:45:35.080 --> 0:45:38.520
<v Speaker 2>Our production manager is Caitlin Paramore, and our production coordinator

0:45:38.600 --> 0:45:42.760
<v Speaker 2>is Bella Cellini. This episode had additional contributions by Sean

0:45:42.960 --> 0:45:46.000
<v Speaker 2>Wynn Owen. Thank you to everyone at The River Cafe

0:45:46.320 --> 0:45:51.400
<v Speaker 2>for your help in making this episode.