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Speaker 1: Hey, Discos, need a little more disgrace Land in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast Welcome

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Speaker 1: to Disgraceland the after partie Happy New Year Discos. I

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Speaker 1: hope you and your families are having a great holiday

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Speaker 1: season and you guys are set up for a healthy

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Speaker 1: and happy twenty twenty five. Speaking healthy, I'm a bit

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Speaker 1: under the weather. Excuse my voice, it's a little raspy.

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Speaker 1: I'm a little congested. I hope you can hang with

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Speaker 1: me for the next thirty forty five minutes here. I

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Speaker 1: got a lot of stuff I want to talk to

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Speaker 1: you about. There's a very short list of musicians who

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Speaker 1: died on New Year's Day. This week's full episode subject,

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Speaker 1: Hank Williams is at the top of that list. Next

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Speaker 1: in line is a country artist who did all he

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Speaker 1: could to emulate Hanks, hard living Ways, Towns, van zandt

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Speaker 1: And after that the list pretty much ends. You know,

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Speaker 1: there are some session players, b listeners, but hardly any

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Speaker 1: musicians of note other than Hank in Towns who kicked

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Speaker 1: on New Year's I think Ricky Nelson died on New

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Speaker 1: Year's Eve, and my point is it's a very short list,

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Speaker 1: but nevertheless, the end of the year it's a good

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Speaker 1: time to reflect and to list out some of the

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Speaker 1: things that we're grateful for, or that we're excited about,

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Speaker 1: or we want to talk about other things that are

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Speaker 1: on the horizon, or things that we just experienced in

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Speaker 1: the past year. And one of the parts of this

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Speaker 1: job that I don't talk about enough is, in addition

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Speaker 1: to all the great stories that this research on Earth's

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Speaker 1: for me, it also reveals a treasure trove of obviously

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Speaker 1: incredible content from some of the greatest artists and entertainers

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Speaker 1: from history. The research gives me reason to revisit classic

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Speaker 1: albums and movies that I haven't listened to or watched

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Speaker 1: in a while, turns me on to music and films

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Speaker 1: that I may have missed the first time around that

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Speaker 1: just aren't part of my growing up, my formative years. Whatever.

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Speaker 1: We used to do a recommendations section in the after

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Speaker 1: party that was pretty popular, So I thought that for

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Speaker 1: the end of twenty twenty four, here I'd recommend to

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Speaker 1: you a handful of my favorite music in movies unearthed.

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Speaker 1: While researching this year's past batch of episodes, just a handful.

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Speaker 1: I can't do all of them. Obviously, we released like

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Speaker 1: a thousand episodes this year. It's not quite a list,

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Speaker 1: but one could make a short listening or a short

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Speaker 1: watch list out of this episode if they were so inclined,

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Speaker 1: and easily occupy themselves for a whole weekend with some

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Speaker 1: great content, if not more so, here's a small batch

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Speaker 1: of recommendations for y'all have taken to the new year.

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Speaker 1: So back in the beginning of twenty twenty four, we

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Speaker 1: released an episode on Serge Gainsburg, and I mentioned this

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Speaker 1: at the time, and it's worth repeating. The movie about Surge,

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Speaker 1: it's called Surge Gainsburg A Heroic Life, might be the

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Speaker 1: best musical biopic that I've ever seen. I haven't yet

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Speaker 1: seen the Dylan biopick A Complete Unknown. I hoped to

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Speaker 1: go a couple of days ago. I was gonna bring

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Speaker 1: my son when we were in Boston. It just it

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Speaker 1: didn't work out, and I wanted to go this weekend.

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Speaker 1: Hopefully I can feel and feel better and go to

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Speaker 1: the movie theater and not get people sick. So anyways,

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Speaker 1: I haven't seen the movie, so I can't judge that

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Speaker 1: movie against this Gainsburg movie. The Gainsburg movie doesn't have

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Speaker 1: Timothy Shallomey in it. Okay, just so you know, so

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Speaker 1: it's got that going for it. I'm kidding, but not really.

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Speaker 1: I'm I'm not that big of a fan of Timothy

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Speaker 1: Shallo May, but I'm holding out hope that he'll surprise

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Speaker 1: me in the Dylan movie. But back to Surge Gainsburg

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Speaker 1: A heroic life. There is nothing like this movie, which

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Speaker 1: is totally fitting because there was no one like Serge Gainsburg.

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Speaker 1: The movie. It pulls absolutely no punches, it makes no apologies.

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Speaker 1: It's gritty, it's fantastical, it's ugly, and it's beautiful all

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Speaker 1: at the same time. I highly recommend this film. And

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Speaker 1: whether you're a Surge Gainsburg fan or not, if you've

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Speaker 1: never heard of Serge Gainsburg, you're like, who the fuck

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Speaker 1: is this guy? Talk Surge what? This is a great

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Speaker 1: place to start. It's one of these movies that if

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Speaker 1: you were just like channel surfing one afternoon on your

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Speaker 1: couch and you came across this, the look of it

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Speaker 1: would just pull you in immediately. You would be completely

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Speaker 1: intrigued by the character at the center of it, and

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Speaker 1: you would end up watching it no matter where you

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Speaker 1: started in the film, regardless of you if you had

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Speaker 1: any idea at all who this musician was, and if

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Speaker 1: you don't know who Serge Gainsburg is, well, first of all,

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Speaker 1: go back and listen to the Disgraced Land episode that

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Speaker 1: we produced on him back in the beginning of twenty

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Speaker 1: twenty four. But just second, he's a fantastic, fantastic musician

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Speaker 1: whose career was completely unique second half of the twentieth century.

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Speaker 1: French songwriter turned crooner turned controversial artists, who created songs,

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Speaker 1: who created albums in multiple genres, and was always at

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Speaker 1: the vanguard of pop culture. I can't recommend Serge Gainsburg enough,

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Speaker 1: and I can't recommend this film enough either. It's fantastic.

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Speaker 1: And if looking for a Surge Gainsburg album to pair

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Speaker 1: this amazing film with, whether you're a Surge Gainsburg fan

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Speaker 1: or not, they look no further than history. Dave Melody Nelson.

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Speaker 1: It's from nineteen seventy one, but sounds like you could

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Speaker 1: have been made in two thousand and one. You're gonna

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Speaker 1: hear all kinds of modern artists who are influenced by

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Speaker 1: this record when you listen to it, especially back. Okay,

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Speaker 1: so that's history. Dave Melody Nelson. The record by Serge

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Speaker 1: Gainsburg in the movie is Serge Gainsburg Heroic Life. Check

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Speaker 1: these out, all right. My oldest son asked me a

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Speaker 1: couple of weeks ago if there are any great punk

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Speaker 1: rock documentaries that we could watch, and I kind of

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Speaker 1: drew a blank, and then I thought about The Clash

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Speaker 1: and West Way to the World. It's a two thousand

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Speaker 1: documentary made by the legendary Don Letz. I didn't think

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Speaker 1: about this movie right away when my son asked me

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Speaker 1: this question because the movie itself has taken on kind

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Speaker 1: of mythical status in the past few decades. It's so awesome,

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Speaker 1: it just it seems more. It seems like more than

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Speaker 1: a documentary. The live footage in this film, Well, have

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Speaker 1: you reaching for your guitar and speed dialing your friends

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Speaker 1: to get to come over and start a punk band

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Speaker 1: with you. This is an amazing film. It's exhilarating. When

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Speaker 1: I think of this movie, I think of the Clash

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Speaker 1: album Give Him Enough Rope. I don't know, I don't

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Speaker 1: know why, but for whatever reason, I think of mc

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Speaker 1: jones a lot when I think of that record and

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Speaker 1: I think of mc jones a lot when I think

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Speaker 1: of West Way to the World because the mc jones

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Speaker 1: stuff is intense, fantastic film. Check it out West Way

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Speaker 1: to the World and if you don't know, give him

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Speaker 1: enough rope. Check that out. If you do know it,

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Speaker 1: put it on. I feel like that's an overlooked one

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Speaker 1: from the Clash's repertoire and it's fantastic. So another wreck

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Speaker 1: here from one of our more popular episodes of twenty

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Speaker 1: twenty four, the Anthony Bourdain episode. I think it was

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Speaker 1: like the number three most downloaded one behind River Phoenix.

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Speaker 1: Maybe I don't know. I don't know who the top

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Speaker 1: two were. I know Boardain was and then he kind

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Speaker 1: of fell off, fell off the top of the block there.

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Speaker 1: But in the Anthony Boardeen episode we talk about Josh

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Speaker 1: Home from Queens of the Stone Age a bit, and

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Speaker 1: it's just got to be mentioned that the Queen's Record

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Speaker 1: Rated R is incredible and it should be part of

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Speaker 1: any self respecting rock and roll fans collection. And for

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Speaker 1: those of you still on holiday break with some time

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Speaker 1: to kill after you binge, a bunch of Disgraced Land episodes, including,

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Speaker 1: like I said, the Anthony Bourdain episode. I recommend just

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Speaker 1: going back to the early Boordain No Reservation episode season one,

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Speaker 1: two three, crushing a bunch of those. It's important to

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Speaker 1: remember who the man was before he became the man

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Speaker 1: that he was, if that makes any sense. And those

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Speaker 1: early episodes are just fantastic. They're all fantastic. We know this,

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Speaker 1: but this time of year is the year for binging,

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Speaker 1: and of course Anthony Bourdain will make for a great

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Speaker 1: travel guide to your binge. We released a Dylan episode

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Speaker 1: Bob Dylan Episode in May of twenty twenty four, and

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Speaker 1: obviously because of the new movie A Complete Unknown, we

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Speaker 1: should mention that there are two Dylan records that I

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Speaker 1: love that don't get a lot of attention, and when

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Speaker 1: they do that attention it isn't necessarily positive. Bob Dylan's

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Speaker 1: Street Legal from nineteen seventy eight and Infidels from nineteen

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Speaker 1: eighty three. Infidels Street Legal, Okay, Street Legal. I don't

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Speaker 1: know who pulls this record out first when they think

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Speaker 1: of Bob Dylan records. I don't, but it is. It

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Speaker 1: is a late in life favorite of mine. It has

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Speaker 1: a control chaos about it that is a representative of

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Speaker 1: Dylan's life at that time in the late seventies, divorce proceedings,

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Speaker 1: all kinds of shit going on, you know, failing to

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Speaker 1: make the movie that ABC wanted him to make, just

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Speaker 1: a whole bunch of stuff that I don't Again, I

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Speaker 1: haven't seen a complete Unknown, but I doubt very much

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Speaker 1: that they get into this phase of Dylan's life with

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Speaker 1: any meat on the bone. Now, it could be wrong.

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Speaker 1: Maybe people will go see a complete Unknown in Street

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Speaker 1: Legal in the late seventies. Dylan will be part of

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Speaker 1: the film film's narrative and Street Legal will take on

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Speaker 1: this other life. But I doubt it. But I just

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Speaker 1: want to throw in my two cents here because it's

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Speaker 1: a gray record and y'all should check it out. Also

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Speaker 1: the other record I mentioned, Infidels. This record gets a

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Speaker 1: little bit more positive glow from critics in Dylan fans

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Speaker 1: Infidels does than Street Legal, but it is still a

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Speaker 1: fairly unknown Dylan album. Great record though produced by Mark

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Speaker 1: Knopfler from Dire Straits, who also plays guitar on this record.

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Speaker 1: Alongside the incredible Jamaican reggae rhythm section of Sly and Robbie,

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Speaker 1: Infidel's is Great has one of my I'm gonna say

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Speaker 1: it's definitely top ten, might be top five. Dylan's songs

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Speaker 1: Neighborhood Bully just a great record, so check those out. Obviously,

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Speaker 1: those recommendations are inspired by the Bob Dylan episode that

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Speaker 1: we produced for you guys earlier this year. Speaking of

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Speaker 1: Disgrace Sand episodes, the Cramps episode which we released in

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Speaker 1: October time with Halloween. I really get into the research

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Speaker 1: for this episode more so than I do a lot

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Speaker 1: of other episodes, because I didn't know the material that

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Speaker 1: that well. I didn't know the Cramps music that well.

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Speaker 1: I of course had a couple of Cramps records. I

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Speaker 1: grew up in and around a scene where the Cramps

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Speaker 1: were popular, but I never had my moment with the

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Speaker 1: Cramps like I did with the Misfits, like I did

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Speaker 1: with the Clash, So the Cramps were relatively new to me,

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Speaker 1: and I really went back to the beginning and I

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Speaker 1: listened to all the records, the trajectory of their creative output,

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Speaker 1: and it was just a gas because this band is incredible.

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Speaker 1: They're just amazing, and they made great, great, great records.

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Speaker 1: There's really not a bad one in the bunch. And

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Speaker 1: if your Cramp's curious. Okay, go back to the beginning

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Speaker 1: and just start with their first first album. It's Grimy

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Speaker 1: and beautiful songs The Lord Taught Us. Wow, what a title,

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Speaker 1: perfect title too. Check that out Songs The Lord Taught

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Speaker 1: Us by the Cramps. All Right, So I mentioned this before,

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Speaker 1: but it's worth repeating. The Martin Scorsese Last Waltz episode

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Speaker 1: we just released for Thanksgiving. This era of Scorsese is

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Speaker 1: a new fascination of ours here at Disgraceland, and we're

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Speaker 1: about to start researching a part to Scorsese episode to

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Speaker 1: release during Oscar season twenty twenty five. So if you

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Speaker 1: have not seen the Scorsese directed documentary American Boy, you must. Okay.

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Speaker 1: I know I mentioned this before in the After Party

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Speaker 1: when I first sawt about a year ago, but it

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Speaker 1: is worth saying again because this is, I mean, just wow.

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Speaker 1: Documentary is the wrong word. I think I called it

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Speaker 1: a documentary. It's it's I think Scorsese calls it a profile.

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Speaker 1: This is Scorsese in the late seventies in Hollywood Hills

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Speaker 1: living room. I think it might be his house. I'm

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Speaker 1: not exactly sure, but he's with a bunch of his

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Speaker 1: friends and mainly's with his buddy Stephen Prince, the wired,

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Speaker 1: super wired, tightly wired real life lunatic who plays easy Andy,

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Speaker 1: the gun dealer from taxi driver. Stephen Prince's life was

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Speaker 1: so fucking crazy, guys, that Scorsese was compelled to just

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Speaker 1: turn on the camera and let him talk. And that's

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Speaker 1: pretty much what the movie is. It's beautiful, it's fascinating.

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Speaker 1: This is a one in a million type character. You

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Speaker 1: can get this movie on HBO Max if you're an

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Speaker 1: HBO Max subscriber, but I also think you can get

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Speaker 1: on YouTube for free. Either way, it's worth paying for

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Speaker 1: highly highly recommend American Boy by Mart Scorsese. So there's

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Speaker 1: a handful of recommendations for you, guys to occupy yourselves

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Speaker 1: with over the remainder of your holiday break. If you

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Speaker 1: need some stuff to watch and or to listen to, you,

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Speaker 1: I try to give you some off the cuff stuff

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Speaker 1: and things that authentically and legitimately inspired me this year,

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Speaker 1: new and old. So coming up, all right, what do

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Speaker 1: we got coming up? We've got a couple rewind episodes

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Speaker 1: that are gonna hit your feed this week. Next in

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Speaker 1: your feed after this bonus episode, a couple rewind episodes

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Speaker 1: the Part one and Part two Beach Boys story, mainly

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Speaker 1: at Dennis Wilson's story. They're time for this time of

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Speaker 1: year because there's heavy New Year's vibes in the Part

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Speaker 1: two episode dealing with Dennis's death, So dig into those

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Speaker 1: and next week. Next week, we are back full boar

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Speaker 1: with our newest episode on Sean Diddy combs. Yes, a new,

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Speaker 1: fully scripted, sound designed episode on the biggest news story

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Speaker 1: from the music industry from twenty twenty four and likely

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Speaker 1: to be the biggest music story in twenty twenty five.

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Speaker 1: This is music history and that making. Guys. The story

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Speaker 1: is massive. It goes all over the place. There's entirely

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Speaker 1: too much to cover already. We haven't even had a

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Speaker 1: trial yet. So for this episode, I treated the Diddy

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Speaker 1: episode that we released just rewind up in here. I

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Speaker 1: treated the Diddy episode that we released back at the

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Speaker 1: end of twenty twenty three that was produced before all

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Speaker 1: this Diddy news hit. Okay, before we made this. We

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Speaker 1: made this episode before the allegations, before the indictment, before

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Speaker 1: the Cassi Ventura abuse tape, and we released that episode

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Speaker 1: back in December twenty twenty three. It's about the nightclub shooting.

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Speaker 1: It's about the stampede where nine people died that Diddy

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Speaker 1: was involved with. Now that episode, that Rewind episode will

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Speaker 1: hit your feed on Monday and serve as a part

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Speaker 1: one to our new Diddy episode which is going to

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Speaker 1: come on Tuesday. That's going to deal with the new allegations,

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Speaker 1: namely the Castiventur indictment and the true crime details behind

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Speaker 1: that indictment. So I hope you're ready for all that.

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Speaker 1: And when you're listening, just be thinking to yourself. Did

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Speaker 1: he denies all of these allegations, But what do you think?

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Speaker 1: Do you think he was capable of committing these crimes

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Speaker 1: alleged against him? And I want to know what you know.

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Speaker 1: I want to know what you and I want to

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Speaker 1: know what you think. I want you to call me.

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Speaker 1: That's the question of the week. Do you think did

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Speaker 1: he did it? I want you to send me a voicemail.

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Speaker 1: I want you to send me a text. Hit me

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Speaker 1: up at Disgrace Slam Pod six one seven nine oh

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Speaker 1: six six six three eight. Did did he do it?

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Speaker 1: Yes or no? And most importantly, why do you think

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Speaker 1: he did or did not do it? Let me know?

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Speaker 1: Six one seven nine oh six six six three eight,

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Speaker 1: send me a voicemail or text at disgracelam pod DMS

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Speaker 1: all right, I want to take a quick break. Be

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Speaker 1: back in the flash with your voicemails, text and DMS

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Speaker 1: all right, we are back. And because the King of

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Speaker 1: the sad songs, Hank Williams is in the feed this week,

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Speaker 1: we asked the question which artists or which artist songs

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Speaker 1: tear you up emotionally and I got to play this

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Speaker 1: voicemail from the five four to zero. I love dis Grace,

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Speaker 1: have listeners. If you pick this guy out at like

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Speaker 1: a you know, a state fair or your local bar,

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Speaker 1: you would never ever expect what he's going to say

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Speaker 1: at the end of the voicemail regarding this musical taste.

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Speaker 1: You guys are the best here. Let's Matt play the

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Speaker 1: five four to.

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Speaker 2: H Mister Brennan, this is your buddy, Justin from the

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Speaker 2: five four. You had asked about songs that get your

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Speaker 2: right and the feelings.

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Speaker 3: I got uh two.

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Speaker 2: The first one is gonna be uh Fast Cars by

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Speaker 2: Tracy Chapman.

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Speaker 3: That is when they came out. I heard it like

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Speaker 3: the first time, and I don't I don't know that

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Speaker 3: I've really heard the whole thing ever again, I just

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Speaker 3: got it's such a sad song, it's so hopeless. But

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Speaker 3: the second one is Alice Cooper's Only Women Bleed. When

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Speaker 3: I heard Alice Cooper's version, I really it's a great song.

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Speaker 3: It's a beautiful song. I'm well done. It sounds great

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Speaker 3: when your favorite and my favorite leader forward when she

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Speaker 3: did Only Women Bleed. Dude, dad will rip your bet'll

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Speaker 3: rip your heart out your chest if you don't, if

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Speaker 3: you don't tear up on that one, then you don't

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Speaker 3: have a soul.

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Speaker 2: Those those are the two.

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Speaker 3: Oh and just in general, any tour aim a song

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Speaker 3: out here usually would might be cry. Try not to

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Speaker 3: listen to that a whole lot. That's really sad. But anyway,

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Speaker 3: those are the ones. Man, rock and Roller.

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Speaker 1: Appreciate you. Five to four to oh. Cornflake Girl by

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Speaker 1: Tory Abels got me as well, always gets me, I

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Speaker 1: should say. And man, Alice Cooper, this is the third

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Speaker 1: bonus episode in a row. You guys have brought him up.

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Speaker 1: I don't know, I'll say it again. I think this

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Speaker 1: an Alice Cooper episode that we have to do. All right,

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Speaker 1: let's hear from the two O three.

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Speaker 4: This is John from the two O three. I would

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Speaker 4: really love to have an episode on Willie Deville, formerly

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Speaker 4: of mink Deville. From what I understand, he had a

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Speaker 4: horrible twenty year heroin habit and he sounds like a

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Speaker 4: cross between Lou Reed and Tom Waits. Brilliant lyrics, great singer.

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Speaker 1: Thank you, John. I love that mink Deville record with

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Speaker 1: Cadillac walk on It Cabretta. I think that's how you

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Speaker 1: pronounce it. Guys, if you want a recommendation, this album

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Speaker 1: that I just messed. Cabretta by mcdeville incredible and John,

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Speaker 1: not sure if you caught the mcdeville reference in the

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Speaker 1: recent Elvis Presley Johnny Aace episode of Disgrace. Sand hit

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Speaker 1: me back. Let me know if you did or did not.

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Speaker 1: And I'm fascinated by Willie Deville. And uh, just so

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Speaker 1: you know, John Wanted did some live shows a couple

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Speaker 1: of years back. I used his music as my intro music.

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Speaker 1: We'll get to We'll get to Willy eventually, John, when

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Speaker 1: you do hit me back. Also, please let me know

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Speaker 1: what you think of Garland Jeffries. All right, let's do

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Speaker 1: some texts here, the seven one six rites and Hey,

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Speaker 1: musician that guts me with every thought and every word

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Speaker 1: is David Berman of Silver Jews always visceral.

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Speaker 3: Uh.

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Speaker 1: Seven one six, thank you for this. This is part

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Speaker 1: of why I love you guys so much. It's you know,

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Speaker 1: I give you recommendations, but I get recommendations as well.

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Speaker 1: I have the Silver Jews. David Berman died a couple

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Speaker 1: of years ago, right, and it was one of those

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Speaker 1: artists that I'd heard of for years but never really

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Speaker 1: had spent any time with. So seven one six hit

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Speaker 1: me back, give me recommendation on where to start with

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Speaker 1: David Berman's music. Okay, all right? The eight one two

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Speaker 1: writes in same topic here, Hey, in regards to your question,

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Speaker 1: a singer that always gets in my heart and usually

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Speaker 1: makes me tear up is Christina Aguilera.

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Speaker 3: Man.

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Speaker 1: That woman has some pipes and emotion as always enjoying

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Speaker 1: the podcast rock on Holly coming from the eight one too.

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Speaker 1: Thank you, Holly, appreciate you, Holly. Hit me back. Let

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Speaker 1: me know which Christina Aguilera song gets you the most. Okay,

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Speaker 1: give me one song to listen to because I'm not

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Speaker 1: necessarily a fan, but I trust your instinct here in

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Speaker 1: your taste. So hit me back and let me know

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Speaker 1: what you're thinking and start me on my Christina Aguilera

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Speaker 1: tear journey if you will, okay? Seven seven five text

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Speaker 1: in You're Lisa Lefti Lopez and your bandmates have just

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Speaker 1: made a joke of one of your most serious songs

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Speaker 1: on New Year's Eve. You're rolling in your grave seven

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Speaker 1: seven five is obviously talking about the New Year's e

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Speaker 1: You've performance from TLC with the remix of waterfalls, and

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Speaker 1: the Internet is reacting and basically claiming that it was

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Speaker 1: a disaster. Uh, it was ridiculous, and uh they want

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Speaker 1: their five minutes back. I didn't see it, so I

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Speaker 1: can't comment. But how do you do any Lisa left

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Speaker 1: I Lopez song without Lisa left I Lopez? How do

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Speaker 1: you do that song? In particular? I mean, come on,

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Speaker 1: she was iconic. It's like led Zeppelin without John Bonham

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Speaker 1: doesn't work. Two oh nine texts in, Hey, that Chris

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Speaker 1: Farley episode rocked me. In the early and mid nineties.

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Speaker 1: I was Farley six three two ninety, small town three

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Speaker 1: sport captain in my high school of two hundred people.

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Speaker 1: Saturday nights, I did not go out to party with

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Speaker 1: friends like everyone else. We didn't have a VCR to

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Speaker 1: record SNL, and lord knows we didn't have YouTube. I

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Speaker 1: had to be home to watch my idol. He was

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Speaker 1: the first celebrity I saw that I thought I could

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Speaker 1: be big, gregarious, made everyone laugh and had pain deep inside.

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Speaker 1: I watched all the skits, tried to emulate them for

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Speaker 1: my friends who missed them. Out a career in the

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Speaker 1: hills of Northwest Washington. Had just as much play with

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Speaker 1: the ladies as Farley. Hell I even wore fifty nine

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Speaker 1: in football because I heard he did. I got side

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Speaker 1: by side to prove it. I saw Tommy Boy in

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Speaker 1: the theaters twelve times to this day. The only celebrity

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Speaker 1: who made me openly weep when they passed is Chris Farley.

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Speaker 1: His legacy and antics still live in me. His story

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Speaker 1: is real and honestly, I had those trajectories laid out

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Speaker 1: before me. So just as his comedy gave me life,

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Speaker 1: the stories of his tragedy have kept me alive, knowing

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Speaker 1: I'm just a binge away from the same cliff. Thanks

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Speaker 1: for telling it, JB. And that comes from the two

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Speaker 1: nine to two O nine. I appreciate you, appreciate the

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Speaker 1: text appreciate your love for the Big Man. Chris Farley

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Speaker 1: two to oh one text in Yo, It's Gucci from

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Speaker 1: the two oh one via six one seven slash four

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Speaker 1: to one.

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Speaker 4: Oh.

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Speaker 1: I got the four to one one. On those drones,

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Speaker 1: I first saw several five at least on December twelfth,

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Speaker 1: and I've sporadically seen a few since. They were flying

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Speaker 1: above the Hudson River, about one mile from the George

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Speaker 1: Washington Bridge, and they seem to be flying a distinct path,

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Speaker 1: one following another fair low over the river. They were

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Speaker 1: so close to the bridge. In my opinion, there is

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Speaker 1: no way that these are not US military, otherwise they

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Speaker 1: would have been destroyed on site for sure. It seems

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Speaker 1: as they are either searching for something or tracing a pathway.

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Speaker 1: I'm not exactly sure. I really wish they were, in fact,

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Speaker 1: some intergalactic planetary beings coming to take me to another dimension,

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Speaker 1: another dimension. Thanks for the update from the Greater New York,

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Speaker 1: New Jersey area there, Gucci appreciate you. Seven oh two

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Speaker 1: on the same subjects, seven oh two wishes to remain anonymous,

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Speaker 1: so I shall not reveal the name. Seven oh two

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Speaker 1: says I'm a retired military officer, and I worked in

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Speaker 1: the intelligence community. I don't live in New Jersey and

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Speaker 1: I've only seen the drones online, specifically YouTube my two cents.

427
00:22:49,760 --> 00:22:53,080
Speaker 1: Theyre US government drones US Air Force, possibly in conjunction

428
00:22:53,119 --> 00:22:55,560
Speaker 1: with the Department of Energy, looking for something. They fly

429
00:22:55,640 --> 00:22:58,600
Speaker 1: at night because they're probably using infrared thermal imaging, which

430
00:22:58,640 --> 00:23:01,320
Speaker 1: works better in the dark. Think about it. The drones

431
00:23:01,320 --> 00:23:03,960
Speaker 1: have lights because they want to be visible to air traffic.

432
00:23:04,200 --> 00:23:06,560
Speaker 1: If those drones were a threat China, Russia. I ran

433
00:23:06,680 --> 00:23:10,240
Speaker 1: North Korea, you'd see usaf CAAP Combat Air Patrol fighter

434
00:23:10,320 --> 00:23:13,639
Speaker 1: jets shooting them down. Instead, authorities are telling people not

435
00:23:14,000 --> 00:23:16,959
Speaker 1: to shoot at them. Cheers. This makes sense, and this

436
00:23:17,080 --> 00:23:23,000
Speaker 1: is probably the most, probably the scariest of all the possibilities,

437
00:23:23,440 --> 00:23:26,639
Speaker 1: that they're looking for something too dangerous to mention. I

438
00:23:26,640 --> 00:23:28,160
Speaker 1: don't want to go into that anymore because I don't

439
00:23:28,160 --> 00:23:31,119
Speaker 1: want to speculate on it because I think it's irresponsible.

440
00:23:31,200 --> 00:23:34,840
Speaker 1: But I appreciate the text there from both of you guys.

441
00:23:35,480 --> 00:23:38,480
Speaker 1: Brendan Kennedy on Facebook rights Hey at the KASMO in

442
00:23:38,560 --> 00:23:42,000
Speaker 1: San Diego tonight to watch Star Crawler. Those guys are

443
00:23:42,040 --> 00:23:45,080
Speaker 1: helping to keep Rock and Roll alive. And I'm reading

444
00:23:45,240 --> 00:23:48,919
Speaker 1: Brendan on Facebook's message to me here for a reason.

445
00:23:48,920 --> 00:23:51,879
Speaker 1: It's because a lot of you have written in my

446
00:23:52,160 --> 00:23:54,520
Speaker 1: take that rock and roll is dead, to tell me

447
00:23:54,520 --> 00:23:58,560
Speaker 1: that I'm wrong and that there are great bands out there,

448
00:23:58,600 --> 00:24:00,920
Speaker 1: great rock and roll bands out there performing every night,

449
00:24:01,520 --> 00:24:04,320
Speaker 1: And I just have to say, I have to clarify

450
00:24:04,320 --> 00:24:06,880
Speaker 1: one more time. This is what I've said from the beginning.

451
00:24:06,960 --> 00:24:08,719
Speaker 1: Though there are great rock and roll bands out there

452
00:24:08,720 --> 00:24:10,760
Speaker 1: playing every night, rock and roll is still dead in

453
00:24:10,800 --> 00:24:12,960
Speaker 1: the sense that it does not affect mainstream culture. It

454
00:24:13,000 --> 00:24:15,440
Speaker 1: doesn't drive popular culture in the way that it once

455
00:24:15,560 --> 00:24:18,840
Speaker 1: did throughout the second half of the twentieth century. In

456
00:24:18,880 --> 00:24:22,480
Speaker 1: the beginning of the twenty first century, Starcrawler, great band,

457
00:24:22,720 --> 00:24:25,760
Speaker 1: low Ka Kanie great band. Lots of bands are still

458
00:24:25,760 --> 00:24:27,800
Speaker 1: going from back in the day when rock and roll

459
00:24:27,880 --> 00:24:29,720
Speaker 1: was not dead. In the early part of the twenty

460
00:24:29,760 --> 00:24:31,399
Speaker 1: first century. The Queens of the Stone Age, who I

461
00:24:31,480 --> 00:24:34,440
Speaker 1: mentioned before, Jack White's still out there, slain it. There

462
00:24:34,440 --> 00:24:36,560
Speaker 1: are great rock and roll bands that I have never

463
00:24:36,600 --> 00:24:40,000
Speaker 1: heard of, who are playing right now somewhere in America,

464
00:24:40,359 --> 00:24:46,720
Speaker 1: blowing minds, melting faces in small clubs, basements, DIY shows.

465
00:24:47,040 --> 00:24:50,080
Speaker 1: I get it. I know it. I support it, I'm

466
00:24:50,160 --> 00:24:52,919
Speaker 1: here for it, I love it. But it doesn't change

467
00:24:52,960 --> 00:24:57,200
Speaker 1: the fact that rock and roll no longer affects mainstream

468
00:24:57,240 --> 00:24:59,920
Speaker 1: culture the way that it once did. Therefore, I believe

469
00:25:00,119 --> 00:25:02,320
Speaker 1: rock and roll is going perhaps has gone the way

470
00:25:02,359 --> 00:25:04,520
Speaker 1: of the Dodo Bird, the way of jazz music, where

471
00:25:04,520 --> 00:25:07,879
Speaker 1: it is a niche music. Okay, it is a niche

472
00:25:07,920 --> 00:25:10,440
Speaker 1: music that was once dominant on the charts and no

473
00:25:10,480 --> 00:25:14,639
Speaker 1: longer is is no longer driving mainstream culture. Star Crawler,

474
00:25:15,119 --> 00:25:16,880
Speaker 1: you know, I know who they are. You know who

475
00:25:16,880 --> 00:25:20,320
Speaker 1: they are. They're fantastic, sure, but America doesn't really know

476
00:25:20,320 --> 00:25:22,800
Speaker 1: who they are, Okay, So it's our little secret. And

477
00:25:22,800 --> 00:25:25,560
Speaker 1: that's okay too. I'm just saying it ain't like it was.

478
00:25:26,000 --> 00:25:28,560
Speaker 1: And our job here is to talk about those stories

479
00:25:28,800 --> 00:25:31,400
Speaker 1: from those days when it was great, and we are

480
00:25:31,440 --> 00:25:34,360
Speaker 1: preserving the spirit of rock and roll as we go

481
00:25:34,640 --> 00:25:37,760
Speaker 1: in our own way, just as Star Crawler is in

482
00:25:37,800 --> 00:25:40,439
Speaker 1: their own way. Appreciate the message, Brendan. I didn't mean

483
00:25:40,440 --> 00:25:42,520
Speaker 1: to unload on you. That wasn't the point. I just

484
00:25:42,640 --> 00:25:45,119
Speaker 1: use your message to sort of tee up this larger

485
00:25:45,160 --> 00:25:48,520
Speaker 1: message to make my point, all right, Marie Suzanne Todd

486
00:25:48,560 --> 00:25:50,680
Speaker 1: on Instagram hits us up. Hey, hope the festive season

487
00:25:50,680 --> 00:25:52,240
Speaker 1: has treated you kindly. I'm up to date on the

488
00:25:52,240 --> 00:25:54,720
Speaker 1: episodes now. I love the episode on Shane McGown. Hope

489
00:25:54,720 --> 00:25:56,920
Speaker 1: I spelled that right. I'm dyslexic. I wondered if you've

490
00:25:56,920 --> 00:25:59,920
Speaker 1: ever looked into Kirsty McCall's death in the late nineties.

491
00:26:00,240 --> 00:26:02,400
Speaker 1: She died in a speedboat accident, which is only half

492
00:26:02,400 --> 00:26:04,720
Speaker 1: the story. She was scuba diving with her boyfriend and

493
00:26:04,800 --> 00:26:06,720
Speaker 1: children when a speedboat came into the area that were

494
00:26:06,720 --> 00:26:09,600
Speaker 1: swimming at and I believe that was an area where

495
00:26:09,640 --> 00:26:12,920
Speaker 1: speedboats were banned. She managed to push her son out

496
00:26:12,920 --> 00:26:16,200
Speaker 1: of the way, but was killed instantly, and the family

497
00:26:16,240 --> 00:26:18,360
Speaker 1: had to fight for years for justice because the guy

498
00:26:18,480 --> 00:26:22,160
Speaker 1: responsible was a high profile politician. I think. Don't quote

499
00:26:22,200 --> 00:26:24,320
Speaker 1: me on that. I'm definitely not saying that the guy

500
00:26:24,359 --> 00:26:27,240
Speaker 1: responsible was a high profile politician, but I do appreciate

501
00:26:27,280 --> 00:26:29,639
Speaker 1: this text. I'd heard this story before, and I like

502
00:26:29,760 --> 00:26:31,600
Speaker 1: that you are bringing in to my attention one more

503
00:26:31,640 --> 00:26:33,960
Speaker 1: time here, Marie. I'm when I check this out and

504
00:26:34,040 --> 00:26:36,840
Speaker 1: perhaps there is a Christy McCall episode in the future. Okay,

505
00:26:36,920 --> 00:26:39,000
Speaker 1: this week's story of the week. You know what we're

506
00:26:39,000 --> 00:26:40,600
Speaker 1: doing here. This is a new thing we're trying to

507
00:26:40,680 --> 00:26:43,840
Speaker 1: I want your stories of rock and roll animalism, stories

508
00:26:43,880 --> 00:26:47,920
Speaker 1: you love that you've learned about, stories that you've perhaps

509
00:26:48,440 --> 00:26:50,840
Speaker 1: been a part of. And it can be anything. It

510
00:26:50,840 --> 00:26:53,040
Speaker 1: can be any story or counter with any sort of

511
00:26:53,119 --> 00:26:56,439
Speaker 1: rock star your experience, and any kind of concert. Some

512
00:26:56,600 --> 00:26:58,440
Speaker 1: story you may have heard of or read about, or

513
00:26:58,480 --> 00:27:00,560
Speaker 1: seen in a documentary that I don't know about that

514
00:27:00,600 --> 00:27:02,040
Speaker 1: you want to tell me about her. Could even be

515
00:27:02,040 --> 00:27:06,080
Speaker 1: a story that I've already told that you find super compelling.

516
00:27:06,119 --> 00:27:08,920
Speaker 1: I want to hear more on. Hit me up, let

517
00:27:08,920 --> 00:27:11,200
Speaker 1: me know what your story is. Okay, that's what we're

518
00:27:11,200 --> 00:27:13,119
Speaker 1: asking for every week, and then I'm going to highlight

519
00:27:13,240 --> 00:27:15,320
Speaker 1: your disco story of the week here in the after

520
00:27:15,359 --> 00:27:18,199
Speaker 1: Party and perhaps elsewhere. Working on that piece right now.

521
00:27:18,200 --> 00:27:20,520
Speaker 1: But this week's story of the week comes from the

522
00:27:20,600 --> 00:27:22,600
Speaker 1: four one two by the way of the seven to

523
00:27:22,640 --> 00:27:23,120
Speaker 1: two to four.

524
00:27:23,640 --> 00:27:27,040
Speaker 5: Hey Jay, I'm in the seven two four. Moving into

525
00:27:27,040 --> 00:27:30,920
Speaker 5: the four to one two, named Booz wanted to share

526
00:27:30,960 --> 00:27:34,080
Speaker 5: a rock and roll animal story. Early aies went to

527
00:27:34,160 --> 00:27:38,119
Speaker 5: check out Rat and Billy Squire watch some music center

528
00:27:38,200 --> 00:27:41,600
Speaker 5: up near Cleveland. Rat was killed a real good time

529
00:27:42,240 --> 00:27:46,639
Speaker 5: Billy Squire's doing his set and he starts doing a

530
00:27:46,720 --> 00:27:49,879
Speaker 5: pre amble into a song. He's talking shit, telling a

531
00:27:49,920 --> 00:27:54,159
Speaker 5: couple of stories, and right I just got the urge

532
00:27:54,160 --> 00:27:58,200
Speaker 5: and I stood up on a yell stroke me at

533
00:27:58,240 --> 00:28:00,240
Speaker 5: the top of my lungs, and it was like the

534
00:28:00,280 --> 00:28:03,720
Speaker 5: whole place right at that particular moment took a breath

535
00:28:04,040 --> 00:28:07,119
Speaker 5: and my I just run out across the whole freaking place.

536
00:28:07,800 --> 00:28:10,359
Speaker 5: He stopped and turned and like pointed out at me

537
00:28:10,440 --> 00:28:12,679
Speaker 5: and was like, That's what I'm talking about, brother, And

538
00:28:12,720 --> 00:28:16,840
Speaker 5: they started playing the strips hair standing up on my arms. Man,

539
00:28:16,960 --> 00:28:19,560
Speaker 5: Just the baddest das moment of my life. Have a

540
00:28:19,600 --> 00:28:21,240
Speaker 5: good day, bro man.

541
00:28:21,320 --> 00:28:24,280
Speaker 1: All I was missing from this is the needle sliding

542
00:28:24,320 --> 00:28:29,200
Speaker 1: off of the turntable. Thanks for sharing, Booze. Billy Squire

543
00:28:30,119 --> 00:28:32,920
Speaker 1: isn't Billy Squire from Massachusetts. I think he was. I

544
00:28:33,000 --> 00:28:35,680
Speaker 1: think he was originally from Newton or something. I could

545
00:28:35,720 --> 00:28:38,760
Speaker 1: be wrong. Great story, guys, again, Hit me up. I

546
00:28:38,800 --> 00:28:40,640
Speaker 1: want to hear your stories of rock and roll. ANALYSM

547
00:28:40,720 --> 00:28:42,600
Speaker 1: call me six point seven nine oh sixty six sixty

548
00:28:42,640 --> 00:28:44,520
Speaker 1: three eight text me hit me up at the Grace

549
00:28:44,520 --> 00:28:46,920
Speaker 1: Slam pod. Let me know Like I said, I'm gonna

550
00:28:46,920 --> 00:28:49,280
Speaker 1: start featuring him here and elsewhere, creating some sort of

551
00:28:49,360 --> 00:28:51,840
Speaker 1: living document of all this rock and roll storytelling. So

552
00:28:51,840 --> 00:28:54,520
Speaker 1: when the Aliens finally do land in their drone like

553
00:28:54,600 --> 00:28:57,000
Speaker 1: vessels in New Jersey, they'll have something in reference to

554
00:28:57,040 --> 00:29:00,000
Speaker 1: fully understand the culture of the twentieth and early twenty

555
00:29:00,200 --> 00:29:02,200
Speaker 1: first century. All right, so hit me up. I'll be

556
00:29:02,240 --> 00:29:04,760
Speaker 1: back in a flash with your reviews and your emails

557
00:29:04,800 --> 00:29:06,600
Speaker 1: and the bonus episode of this after party were I'm

558
00:29:06,600 --> 00:29:23,120
Speaker 1: gonna give you my predictions for twenty twenty five. All right, guys,

559
00:29:23,200 --> 00:29:25,160
Speaker 1: we are back. Can read a couple of reviews here

560
00:29:25,200 --> 00:29:28,000
Speaker 1: from y'all. If you hear your review, mention, hit me up,

561
00:29:28,200 --> 00:29:31,080
Speaker 1: get in touch Disgrace Slampod at gmail dot com six

562
00:29:31,160 --> 00:29:33,960
Speaker 1: one seven nine O six six six three eight voicemail,

563
00:29:34,080 --> 00:29:37,640
Speaker 1: text at Disgrace Sampod on the socials, Facebook, Instagram X.

564
00:29:38,000 --> 00:29:40,200
Speaker 1: If you hear your review, let me know I appreciate

565
00:29:40,200 --> 00:29:42,680
Speaker 1: the reviews. You know, I appreciate the reviews. The reviews

566
00:29:42,920 --> 00:29:44,240
Speaker 1: are how we get discovered.

567
00:29:44,280 --> 00:29:44,560
Speaker 5: Guys.

568
00:29:44,560 --> 00:29:47,280
Speaker 1: We are in an independent podcast, and the reviews help

569
00:29:47,320 --> 00:29:50,560
Speaker 1: the algorithm surface the podcast so that new listeners can

570
00:29:50,640 --> 00:29:54,320
Speaker 1: find the show. This one comes from hell Town Mark,

571
00:29:54,480 --> 00:29:59,880
Speaker 1: who writes the exclamation point best exclamation point five stars.

572
00:30:00,080 --> 00:30:04,520
Speaker 1: I freaking love all caps this podcast. It's all the sex,

573
00:30:04,800 --> 00:30:07,160
Speaker 1: drugs and rock and roll stories you ever heard, and

574
00:30:07,320 --> 00:30:10,080
Speaker 1: so much more that you haven't. And if you text

575
00:30:10,120 --> 00:30:13,200
Speaker 1: the host about Seth Putnam from ac sometimes it gets

576
00:30:13,240 --> 00:30:15,800
Speaker 1: back to you. Genuinely some of the best storytelling I've

577
00:30:15,800 --> 00:30:18,400
Speaker 1: ever heard, even if you've never heard of that episode subject.

578
00:30:18,440 --> 00:30:21,880
Speaker 1: Just a great listen, Helltal Market and Touch. We'll get

579
00:30:21,960 --> 00:30:23,960
Speaker 1: some merch out in the mail. I appreciate that review.

580
00:30:24,680 --> 00:30:28,360
Speaker 1: Moxy three d on Spotify rights in relationship to our

581
00:30:28,520 --> 00:30:32,200
Speaker 1: Derek in the Dominoes episode, this episode, guys, it was

582
00:30:32,240 --> 00:30:34,600
Speaker 1: a rewind episode, Christmas themed episode. We dropped it in

583
00:30:34,680 --> 00:30:37,720
Speaker 1: the feed obviously for the holiday season, and did so

584
00:30:37,800 --> 00:30:41,680
Speaker 1: because there's a there's a B line story in this

585
00:30:41,840 --> 00:30:45,880
Speaker 1: Derek in the Dominoes episode that is largely about schizophrenia.

586
00:30:45,960 --> 00:30:49,280
Speaker 1: There's a B line story in there on a horrific

587
00:30:49,360 --> 00:30:53,520
Speaker 1: Christmas Day murder called the Loss and Murders. Moxy three

588
00:30:53,640 --> 00:30:56,840
Speaker 1: d on Spotify right says, someone who lived near where

589
00:30:56,880 --> 00:31:00,480
Speaker 1: those murders happened with the murdered family, it's disturbing to

590
00:31:00,520 --> 00:31:02,600
Speaker 1: hear this in such a dark tone. I love this

591
00:31:02,680 --> 00:31:04,920
Speaker 1: podcast and I will continue to recommend it to my

592
00:31:04,960 --> 00:31:07,480
Speaker 1: family and my friends. Moxy three D, thank you very much,

593
00:31:08,080 --> 00:31:10,760
Speaker 1: appreciate the reviews. Guys, keep the coming. Get in touch

594
00:31:10,760 --> 00:31:12,880
Speaker 1: if you heard your name mentioned, and we'll get you

595
00:31:12,920 --> 00:31:14,840
Speaker 1: some merch. You want to hit me up on any

596
00:31:14,880 --> 00:31:18,880
Speaker 1: other subject at all, email Disgrace nPOD at gmail dot com.

597
00:31:18,920 --> 00:31:22,520
Speaker 1: All right, this one comes from Carolyn Turgin, who writes

598
00:31:22,840 --> 00:31:25,080
Speaker 1: in reference to our question of the Week last week

599
00:31:25,120 --> 00:31:29,400
Speaker 1: on music song songwriters who tear us up. Carolyn writes in,

600
00:31:29,440 --> 00:31:32,240
Speaker 1: and I'm reading Carolyn's email here just because we're in

601
00:31:32,360 --> 00:31:36,240
Speaker 1: kind of a recommendation's mood in this this podcast episode.

602
00:31:36,280 --> 00:31:39,400
Speaker 1: Carolyn writes in, Hey, I don't know why, but I've

603
00:31:39,480 --> 00:31:43,560
Speaker 1: always preferred music that devastates me as thoroughly as possible,

604
00:31:43,960 --> 00:31:47,360
Speaker 1: So of course I love the following Leonard Cohen, Nick

605
00:31:47,440 --> 00:31:51,440
Speaker 1: cave roland S, Howard Otto Iluminescent. I don't know what

606
00:31:51,480 --> 00:31:54,360
Speaker 1: that is, Lou Reed, the Berlin album is my favorite,

607
00:31:54,400 --> 00:31:58,640
Speaker 1: plus Dreaming de Votchka's How It Ends album, Anthony in

608
00:31:58,680 --> 00:32:02,800
Speaker 1: the Johnson's Hope, There's Someone Magnetic Fields my only friend

609
00:32:03,200 --> 00:32:06,640
Speaker 1: Modern Lover slash Jonathan Richmond. There's a lot there that

610
00:32:06,680 --> 00:32:08,800
Speaker 1: I'm aware of and a lot there that I'm unfamiliar

611
00:32:08,880 --> 00:32:11,080
Speaker 1: with that I'm excited to get into. And Carol, I

612
00:32:11,120 --> 00:32:14,000
Speaker 1: thank you for the email. Guys. This episode is nearing

613
00:32:14,040 --> 00:32:17,560
Speaker 1: its end, but as you know, the after party continues. Okay,

614
00:32:17,640 --> 00:32:21,440
Speaker 1: it's New Year's of course there's an after after party.

615
00:32:21,640 --> 00:32:24,120
Speaker 1: It's for the All Access members. You're gonna get a

616
00:32:24,160 --> 00:32:27,560
Speaker 1: little bonus, little little little bonus piece here, all right,

617
00:32:27,560 --> 00:32:29,400
Speaker 1: a little little something extra for you. Okay, I'm gonna

618
00:32:29,400 --> 00:32:32,440
Speaker 1: give you my predictions for twenty twenty five. To come

619
00:32:32,440 --> 00:32:34,040
Speaker 1: an All Access member, You're just gonna go to disgrace

620
00:32:34,080 --> 00:32:36,240
Speaker 1: lampod dot com slash membership and sign up and you're

621
00:32:36,240 --> 00:32:38,400
Speaker 1: gonna get the bonus section of the after party. Plus

622
00:32:38,720 --> 00:32:42,120
Speaker 1: you're going to get a fully scripted exclusive episode per

623
00:32:42,200 --> 00:32:46,920
Speaker 1: month and and ad free listening and access to the

624
00:32:46,920 --> 00:32:49,920
Speaker 1: rest of the disco community on Patreon in the Patreon chat,

625
00:32:49,960 --> 00:32:53,800
Speaker 1: including myself. That's s gracelampod dot com slash membership. All right,

626
00:32:53,800 --> 00:33:15,720
Speaker 1: I'm gonna take a quick break back in flash. All right,

627
00:33:15,760 --> 00:33:18,440
Speaker 1: we are back. Happy New Year's everybody. Once again, I

628
00:33:18,440 --> 00:33:20,480
Speaker 1: want to thank you all for your listening this year.

629
00:33:20,520 --> 00:33:23,200
Speaker 1: I appreciate you, guys. I'm looking forward to a fantastic

630
00:33:23,200 --> 00:33:25,200
Speaker 1: twenty twenty five. I hope you guys had a great

631
00:33:25,200 --> 00:33:28,000
Speaker 1: holiday season with your families, and I'm grateful for you

632
00:33:28,040 --> 00:33:30,640
Speaker 1: all being along with me for this ride going into

633
00:33:30,640 --> 00:33:33,600
Speaker 1: the new year and beyond. All Right, So in this episode,

634
00:33:33,640 --> 00:33:37,120
Speaker 1: once again we mentioned a lot of previously covered Disgracelands subjects.

635
00:33:37,440 --> 00:33:40,160
Speaker 1: Serge Gainsburg, go back and check that episode out. If

636
00:33:40,200 --> 00:33:43,120
Speaker 1: you have not, just search Serge Gainsburg in your web

637
00:33:43,160 --> 00:33:46,200
Speaker 1: browser and Disgraceland episode. It'll bring it up in whichever

638
00:33:46,240 --> 00:33:49,040
Speaker 1: player you want to hear that in the Clash, an

639
00:33:49,040 --> 00:33:52,240
Speaker 1: episode we don't talk about enough here in Disgraceland. Search

640
00:33:52,320 --> 00:33:54,840
Speaker 1: the Clash and Disgraceland episode. You'll find that as well.

641
00:33:54,840 --> 00:33:57,320
Speaker 1: That's in new archive. That's easier to find. The Anthony

642
00:33:57,320 --> 00:33:59,960
Speaker 1: Bourdaine episode was brought up. You can find that everyone

643
00:34:00,040 --> 00:34:02,800
Speaker 1: where as well. Same with TLC going back to season

644
00:34:02,880 --> 00:34:07,000
Speaker 1: one of Disgraceland. All right, check those episodes out. Perfect

645
00:34:07,000 --> 00:34:11,400
Speaker 1: for your extended holiday vacation. Binge. All right, so let's recap,

646
00:34:11,560 --> 00:34:14,279
Speaker 1: shall we. Number one? I want your story call me,

647
00:34:14,440 --> 00:34:17,080
Speaker 1: text me, hit me on the socials. Your favorite story

648
00:34:17,080 --> 00:34:19,600
Speaker 1: of rock and roll, animalism as wild, A story about

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00:34:19,800 --> 00:34:22,239
Speaker 1: any rockstar that you're aware of that you want to

650
00:34:22,239 --> 00:34:24,680
Speaker 1: tell me that I've already told you. Perhaps anything you

651
00:34:24,680 --> 00:34:26,600
Speaker 1: want me to know more about. A story from you

652
00:34:26,640 --> 00:34:28,640
Speaker 1: and your friends going to a concert. Story you guys

653
00:34:28,680 --> 00:34:31,799
Speaker 1: continuously talk about whatever it is. Tell me who you are,

654
00:34:31,880 --> 00:34:33,560
Speaker 1: tell me where you're from, and how long you've been

655
00:34:33,600 --> 00:34:36,480
Speaker 1: listening to Disgraceland, and you may get featured as the

656
00:34:36,560 --> 00:34:39,400
Speaker 1: story of the week. Number two right now in your feed.

657
00:34:39,520 --> 00:34:43,600
Speaker 1: Our episode on Hank Williams. Number three tomorrow a special

658
00:34:43,680 --> 00:34:46,880
Speaker 1: New Year's rewind episode from our archive on Dennis Wilson

659
00:34:46,920 --> 00:34:48,799
Speaker 1: of the Beach Boys, who passed away right around this time.

660
00:34:49,200 --> 00:34:51,279
Speaker 1: Number four merch winners get in touch. You know who

661
00:34:51,320 --> 00:34:53,960
Speaker 1: you are. Number five. Remember, no one cares about preserving

662
00:34:54,000 --> 00:34:55,640
Speaker 1: the true spirit of rock and roll more than you do.

663
00:34:55,719 --> 00:34:58,680
Speaker 1: And well that is a disgrace, all right, an honor

664
00:34:58,880 --> 00:35:03,040
Speaker 1: of New Year's Day, me reading you the Billboard charts

665
00:35:03,040 --> 00:35:06,799
Speaker 1: from January tenth, nineteen eighty three, the day you two

666
00:35:07,040 --> 00:35:12,520
Speaker 1: released their song New Year's Day, number one down under

667
00:35:13,080 --> 00:35:18,120
Speaker 1: met at work last week four peak position one weeks

668
00:35:18,120 --> 00:35:22,800
Speaker 1: on Chart eleven number two The Girl is Mine Michael

669
00:35:22,840 --> 00:35:28,040
Speaker 1: Jackson and Paul McCartney. Last week two peak position two

670
00:35:28,200 --> 00:35:33,560
Speaker 1: weeks on Chart eleven number three, Dirty Laundry Don Henley

671
00:35:34,120 --> 00:35:39,960
Speaker 1: last week three peak Physician, three weeks on Chart twelve's

672
00:35:40,080 --> 00:35:44,239
Speaker 1: number four Man Peter Healing, Darryl Hall and John Oates

673
00:35:44,640 --> 00:35:48,799
Speaker 1: last week one peak Physicians on Show Huge weeks on

674
00:35:48,920 --> 00:35:55,680
Speaker 1: Chart fourteen, six week number five, position.

675
00:35:57,520 --> 00:35:57,800
Speaker 2: Twenty.

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00:36:05,560 --> 00:36:08,040
Speaker 1: Quit talking and start mixing