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Speaker 1: It's time. It's time time to wake up, teaching infantile.

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Speaker 1: Charlomagne the Doctor to practice club bitches, the voice of

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Speaker 1: the culture. People watch The Rectors Club for like news

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Speaker 1: and really be tuned in. It's one of my favorite shows.

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Speaker 1: You do just because y'all always keeps you one. Honey,

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Speaker 1: y'all keep your Really, they might not watch the news,

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Speaker 1: but they're on Twitter, they're on Facebook, they're you know,

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Speaker 1: they're listening to the Break of the Brothers. It's your ass.

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Speaker 1: So good morning Usa yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo. Good morning

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Speaker 1: angela yea good money to damn me, Charlomagne. The cott

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Speaker 1: piece of the planet is Thursday. Yes, it's Thursday. I'm

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Speaker 1: out in Virginia shouting to the Hampton Rhodes area to

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Speaker 1: seven five having shot the one or three jams. I

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Speaker 1: was sister station down here. This is you know, I

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Speaker 1: went to Hampton University. This is our home coming week.

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Speaker 1: So I'm here all week with the students uh dj

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Speaker 1: in talking about communications in class and doing a whole

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Speaker 1: bunch of stuff. I love this time. I mean, so

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Speaker 1: many young people want so much knowledge, and this is

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Speaker 1: just a great time. I love my school and I'm

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Speaker 1: having a good time. Guys. This is a great day

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Speaker 1: to be down there because this Thursday to us throwback Thursday.

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Speaker 1: You know you're in a you're you're an old alumni. Now, yeah,

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Speaker 1: you didn't just get out, Okay, Yes, I am part

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Speaker 1: of the alumni, so it is fun. Yes, it is

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Speaker 1: a much older alumni. I gotta keep well, you know, yes,

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Speaker 1: all right, yes, yes I am Okay. Well, yesterday I

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Speaker 1: did something I never do. I got a long, long,

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Speaker 1: long day. Yesterday I did an espresso. Oh I never

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Speaker 1: you know, I don't ever drink coffee. I don't do

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Speaker 1: any of that. But I was so tired. I was

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Speaker 1: sitting down getting something to eat, and I thought I

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Speaker 1: was gonna fall asleep at the table. Wow, you gotta

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Speaker 1: live a little. But you said this something you never done.

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Speaker 1: I thought it was something like big. I mean, I

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Speaker 1: really have never drank coffee in my life. So you

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Speaker 1: go for energy. Yeah, but you got a good juice, Paul.

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Speaker 1: I wasn't in Brooklyn. I was in the city. I

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Speaker 1: did like after here, I had like five different interviews.

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Speaker 1: I was running around like crazy and I started to

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Speaker 1: get really exhausted. It did give me a lot, I think,

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Speaker 1: because I never ever ever drink that, and I don't

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Speaker 1: really drink caffeine ever. I just gave me a burst

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Speaker 1: of energy. Then I couldn't sleep at night. We congratulations Nagelie,

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Speaker 1: round of appause to her for drinking some caffeine yesterday.

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Speaker 1: Yes right, having an espresso. An espresso like that sounded amazing.

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Speaker 1: Right now now, I know Charlemagne's excited because today in

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Speaker 1: the building it is throwback Thursday. We have one twelve journing. Listen, man,

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Speaker 1: you know your uncle Charlotte. This is this is my error, well,

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Speaker 1: this is our error. Okay, this is what I was

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Speaker 1: riding around in high school listening to at times. You

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Speaker 1: know what, you guys don't understand how excited Charlomagne is

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Speaker 1: for one twelve to be here today. All of old

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Speaker 1: the groups that's still popping, even they're not popping, we're

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Speaker 1: gonna make them popping. To day has some great stories,

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Speaker 1: So I know, I'm sure that's as a as a person,

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Speaker 1: as a radio personality, we do interviews the people who

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Speaker 1: are the best to interview of those who have experiences.

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Speaker 1: They've they've been in the game at least at least

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Speaker 1: twenty plus years. Correct, correct, Yes, let's let's put the

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Speaker 1: show correck. Yeah, we'll kicking with one twelve next hour.

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Speaker 1: But we got front page news next year. What we're

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Speaker 1: talking about, Yes, find out about an undercover sex sting operation.

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Speaker 1: Two hundred and seventy seven people arrested in Florida. Okay,

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Speaker 1: all right, we'll get into all that when we come back.

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Speaker 1: Keeping locked this to Breakfast Club. God, Morning morning. Everybody

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Speaker 1: is DJ Envy Angela, Ye, Charlomagne the guy. We are

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Speaker 1: the Breakfast Club. Let's get in some front page news now.

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Speaker 1: Shout to the New York Yankees. Nobody ever expected right now.

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Speaker 1: They're up in the series three to two. This is

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Speaker 1: supposed to be building year. Yeah, they won last night,

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Speaker 1: one three in a row. They go back to Houston

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Speaker 1: tomorrow night. This was supposed to be building it. This

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Speaker 1: was a year that it's all rookies. They thought it

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Speaker 1: was going to take another two years. But nah, they're

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Speaker 1: really pitching ass off and it really connected those beats.

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Speaker 1: So just one more game, if they win this next one,

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Speaker 1: they went then they go to the World Series. I

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Speaker 1: saw some of it last night. I was actually sitting

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Speaker 1: in a restaurant at a ball no it was on

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Speaker 1: and I just watching it, and I thought it was

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Speaker 1: into I think because they had an Asian picture the

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Speaker 1: Yankees right to last night to knock. Yeah, yeah, I thought,

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Speaker 1: because everybody always has none with Dominicans that play baseball.

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Speaker 1: So I was like, oh, Asians play baseball. Now, Asians

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Speaker 1: always played baseball. No watch baseball, So I don't know. Okay, goodness,

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Speaker 1: all right, what we got? What were talking about from

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Speaker 1: Page News, Gie, Well, let's talk about, since we're still

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Speaker 1: doing sports, NFL Commissioner Roger Goodell and what he had

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Speaker 1: to say yesterday about the league and about the players

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Speaker 1: standing or not during the national anthem. Now, the league

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Speaker 1: has no plans to make them do so, but here

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Speaker 1: is what Goodell had to say. We believe that our

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Speaker 1: players should stand for the national answer. I think we

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Speaker 1: also have to keep focus on this. We have about

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Speaker 1: six or seven players that are involved with this protest

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Speaker 1: at this point, and this is something that what we

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Speaker 1: try to do is deal with the underlying issue and

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Speaker 1: understand what it is that they're protesting and try to

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Speaker 1: address that matter. So the important thing for us is

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Speaker 1: to be able to do that and take that opportunity

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Speaker 1: to make real differences in our community. And that is

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Speaker 1: really what's going to ultimately be the important aspect for

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Speaker 1: us long term. Now, another thing that they talked about

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Speaker 1: was he did say that he understands how fans feel

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Speaker 1: about the issue, and there's opportunities for these players to

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Speaker 1: go out and make real changes in their communities. And

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Speaker 1: he said that they have been very articulate about what

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Speaker 1: it is that they're trying to convey their message. Here's

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Speaker 1: what else Roger Goodell had to say. They're talking about

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Speaker 1: criminal justice reform. They're talking about changes that I think

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Speaker 1: will make our communities better that there is biparers and

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Speaker 1: support for. They're talking about what we can do to

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Speaker 1: support them to effectuate that legislative change, and that's again

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Speaker 1: very very positive. They're talking about equality issues, making sure

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Speaker 1: that we're doing everything we possibly can to give people

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Speaker 1: an opportunity, whether it's an education or economic and what

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Speaker 1: we can do to try to effectuate that. And we

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Speaker 1: believe with the players that we can help them, we

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Speaker 1: can support them, and that's what we need to be

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Speaker 1: discussing I don't want to talk about the protests. I

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Speaker 1: want to talk about why the players are actually protesting

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Speaker 1: the injustices that black and brown people are facing in

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Speaker 1: this country. That's all I want to discuss. Now. Rodgikodell

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Speaker 1: goes on to say that they are not doing this

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Speaker 1: to be disrespectful to the flag, but they also understand

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Speaker 1: how it's being interpreted, and we are dealing with those

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Speaker 1: underlying issues now. Donald Trump tweeted out that NFL has

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Speaker 1: decided it will not force players to stand for the

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Speaker 1: playing of our national anthem. Total disrespect for our great country,

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Speaker 1: and then he tweeted at NFL, too much talk, not

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Speaker 1: enough action, stand for the national anthems. Stop being distracted

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Speaker 1: by the protests, and let's talk about why the players

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Speaker 1: are actually protesting. That's what we need to be discussing.

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Speaker 1: The injustices that black and brown people are facing in

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Speaker 1: this country at the hands of the police. That's what

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Speaker 1: we want to discussed absolutely all right now, were telling

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Speaker 1: you about a undercover sexting operation. Two hundred and seventy

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Speaker 1: seven people were arrested. This undercover sexting operation was called

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Speaker 1: Operation No Tricks, No Treats, and that started October tenth

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Speaker 1: and ran until October fifteenth. Yes, no tricks, no treats.

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Speaker 1: I guess before Halloween. Okay, but that's everybody to say.

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Speaker 1: I see, this is the problem with social media like

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Speaker 1: Google and Facebook, got everybody wanting to come for these

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Speaker 1: cute catch phrases. Come on, you're a damn polie. You

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Speaker 1: don't need a catch phrase. Well, Chris was in County.

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Speaker 1: That's where my girls seven Strator is from. Now, what

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Speaker 1: they did say is the way they did this was

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Speaker 1: they were undercovered detectives, investigators from several different law enforcement agencies.

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Speaker 1: They had false advertisements on websites, on social media sites,

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Speaker 1: and on phone apps, and people were posing ash and

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Speaker 1: they also had people posing as prostitutes to solicit those

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Speaker 1: sex workers. And they did end up arresting two hundred

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Speaker 1: and seventy seven people. Those people included doctors, even a

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Speaker 1: cop was arrested, pharmacists, everything. They said, that's the most

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Speaker 1: arrest they've ever had, and the three of the sheriff's office.

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Speaker 1: So wow, one person was a cancer surgeon. You know,

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Speaker 1: craziness geez. Now, they just got to settle for candy

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Speaker 1: on Halloway. Yes, no tricks, no trees. Yes, all right,

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Speaker 1: well last front page news. Get it off your chest

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Speaker 1: eight hundred five eight five one oh five one. If

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Speaker 1: you're upset and you need to vent, hit us up

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Speaker 1: right now. Maybe you had a bad night and mean

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Speaker 1: you're pisched off. You just want yeah, maybe you need

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Speaker 1: an espresso, or if you feel positive, you want to

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Speaker 1: spread some positivity this morning. Eight hundred five A five

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Speaker 1: one o five one. Hit us up right now. Phone

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Speaker 1: lines of wide open. It's to breakfast club. Good morning

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Speaker 1: the breakfast club. This is your time to get it

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Speaker 1: off your chest. Whether you're man, thank you from you

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Speaker 1: on the breakfast club. But you got something on your mind.

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Speaker 1: Let hello, who's this? Good morning? Is Chris? Hey, Chris,

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Speaker 1: get it off your chests. Well, I am blessed this morning.

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Speaker 1: I woke up in a positive moved on the beyond

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Speaker 1: time for word. My coins is like I got a

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Speaker 1: good man like life is good. Good day. There you go. Yes, ma'am,

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Speaker 1: good morning and good morning a happy woman. You just

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Speaker 1: put me in a bad mood. She showed this. What

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Speaker 1: are you calling from almost Fliday? I'm calling from Orlando, Florida, Orlando.

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Speaker 1: I mean other than you living in Florida. Your life

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Speaker 1: is great. That bad? That bad, I'm glad. He added

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Speaker 1: that on to it. Thank you for calling, Mama, Thank you,

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Speaker 1: have a good day, you too. Now, Hello, who's this

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Speaker 1: dan y'all? Hey, Danielle, get it off your chest. Mama.

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Speaker 1: I'm so mad because, um, my husband's baby mother said

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Speaker 1: that she was gonna pay for my daughter to do

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Speaker 1: dance as long as I take the girls to practice

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Speaker 1: dance practice. But at the end of it, she told

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Speaker 1: me I didn't have to worry about nothing. I'm mad

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Speaker 1: because I did have to pay. She wasn't paying. She

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Speaker 1: paid twenty dollars and that was it. And you know

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Speaker 1: what I'm saying, there's registration, this costume money, and and

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Speaker 1: they're going to New Jersey. They're going to New Work

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Speaker 1: the Lady Wolverines. They're gonna be dancing there. That's money

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Speaker 1: to get down there for Rockchester. And then on top

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Speaker 1: of that, they're going to Florida if they win the

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Speaker 1: competition in New Work, So then there's more money that's

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Speaker 1: got to get paid for plane tickets. But at the

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Speaker 1: end of the day, you know what I'm saying, she

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Speaker 1: was supposed to be paying money to help my daughter

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Speaker 1: get through this. But I had to pull my earrings

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Speaker 1: to get the registration money. Now my ear rings stuck

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Speaker 1: at the pawn shot. I can't even get them back. Well,

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Speaker 1: first of all, why are y'all too not leaning on

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Speaker 1: the man who is just people? He just he didn't.

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Speaker 1: He's saying it's okay. He's surprised because she'd being nice

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Speaker 1: to me. So we were just saying back, they figuring everything.

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Speaker 1: We're trying to be a big family or something like,

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Speaker 1: everything is supposed to be okay, she married her stout. Well,

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Speaker 1: I would like to shake this man's hands since he

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Speaker 1: has such a good pimping situation going on. His baby

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Speaker 1: mom and his girlfriend working together to take care of her. Amazing. Yeah,

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Speaker 1: that's what I'm mad about, because you know them my babies,

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Speaker 1: you know my my door knockers. I'm upset about the kids.

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Speaker 1: Oh that's funny, thanks, I'm thinking that about the kids.

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Speaker 1: Some of her goddamn about it is throwback Thursday though,

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Speaker 1: All right, get it off your chests eight hundred five

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Speaker 1: eight five one oh five one. If you're upset, you

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Speaker 1: need to vent, or if you want to spread some positivity,

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Speaker 1: phone lines a wide open. Get your ass up. It's

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Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. Pick up

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Speaker 1: the mother mother phone and don this is you're trying

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Speaker 1: to get it off your chest. Whether you're man last,

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Speaker 1: we want to hear from you on the Breakfast Club.

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Speaker 1: So you better have the same energy. Hello, who's this Well,

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Speaker 1: I'm I'm Fred and positivity because everybody is available to

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Speaker 1: understand and get God's plan if you following, whether there

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Speaker 1: be bumps in the road or not, you just gotta

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Speaker 1: stay on the right path. That is a fact. Bull,

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Speaker 1: Let's make it. What's bringing you to that revelation this morning?

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Speaker 1: Because it's like I thought a year ago, I thought

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Speaker 1: everything was wrong in my life. I couldn't do nothing

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Speaker 1: like I thought this my life just is not gonna

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Speaker 1: be about nothing. Now I'm I'm on the way right

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Speaker 1: now in the clinic schools and nursing school. I'm doing

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Speaker 1: what I'm supposed to be doing. I'm not letting stuff

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Speaker 1: this fact now, and it's all part of God's playing

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Speaker 1: because I always wanted to be a nurse. I've always

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Speaker 1: wanted to do what I wanted to do. But I

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Speaker 1: don't go I don't make their credits. I don't do this.

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Speaker 1: But I was able to do everything I wanted to do.

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Speaker 1: There you go. That's what I'm mama. Thank you for

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Speaker 1: calling this morning. I love it. Help goddamn it? Hello?

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Speaker 1: Who's this club with no breakfast? Oh? Man, what's up? Bro?

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Speaker 1: Get it off your chests? Ain't nothing, man, I just

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Speaker 1: want to let everybody know I'm blast man. I just

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Speaker 1: reached my anniversary this past Sunday and my relationship, so

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Speaker 1: I'm happy about that. How long has it been. It's

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Speaker 1: only been a year. But we've been giving one another forever.

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Speaker 1: We just found the time to start taking one another

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Speaker 1: service and stop playing games. Wait, wait, now, all right now.

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Speaker 1: A lot of people ask about that. So when you said,

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Speaker 1: but guys have been dealing with each other for a

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Speaker 1: long time, what's a long time? A long time was

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Speaker 1: like ten years? Well, you've been messing with this girl

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Speaker 1: for ten years, but doing your thing with other people.

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Speaker 1: And then you finally decided, you know, you been doing

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Speaker 1: things with other people. Why are you so posting it? No,

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Speaker 1: you didn't even say that you do anything with your people.

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Speaker 1: Ain't say that, And we were both doing the same thing.

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Speaker 1: She wasn't She wasn't stuck on stupid or nothing. Waiting

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Speaker 1: on me. She was doing her, I was doing me,

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Speaker 1: but we always came back to one another. So we

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Speaker 1: finally decided to stop playing games and take a service.

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Speaker 1: And it's been going great so far. That's good. I'm glad.

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Speaker 1: Then y'all got everything out of your system. Everything's out

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Speaker 1: in the open. You guys are opening honest, that's important, right.

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Speaker 1: And my daughter's birthday was ten ten ten, so she

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Speaker 1: just turned seven last one day, so I'm blessed about

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Speaker 1: that too. Well, Gula years until you locked it down,

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Speaker 1: all right, bro, thank you for calling man. All right,

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Speaker 1: get it off your chest. Eight hundred five A five

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Speaker 1: one oh five one. If you're upset, you need to

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Speaker 1: vent hit us up right now now, don't forget one

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Speaker 1: twelve will be joining us next hour. I just throw

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Speaker 1: back Thursday. We're gonna kick it with one T. But

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Speaker 1: now we got rumors on the way. Yes, find out

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Speaker 1: what R and B singer says that it took her

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Speaker 1: twenty years, but she has found out that she was suicidal. Okay,

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Speaker 1: we'll get into all that when we come back. Keep

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Speaker 1: a locked This to Breakfast Club. Good morning, the Breakfast

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Speaker 1: Club Morning. Everybody is DJ Envy Angela ye, Charlomagne the

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Speaker 1: guy we are the Breakfast Club. Now let's get to

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Speaker 1: the rumors. Let's talk about which R and B singer

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Speaker 1: was suicidal. Listen this just, oh gosh, the rumor reports

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Speaker 1: Angela Angela Club. All right, Well, Michelle Williams was on

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Speaker 1: the talk and she was talking about suffering when she

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Speaker 1: was between the ages of thirteen and fifteen is when

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Speaker 1: it first started. And she said she didn't know until

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Speaker 1: she was in her thirties what was happening with her.

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Speaker 1: Here's what she said. Had I had a name to

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Speaker 1: what I was feeling at the time, I would have

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Speaker 1: disclosed that I've been suffering from depression. You know, I

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Speaker 1: didn't know until I was in my thirties what was

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Speaker 1: going on. I just thought it was growing pains. I

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Speaker 1: just thought I'm turning into a woman. So I've been

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Speaker 1: suffering some stage of between thirteen and fifteen. How bad

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Speaker 1: did it get? So it got really, really bad. I've

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Speaker 1: never I've disclosed my depression in the year twenty thirteen,

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Speaker 1: not on purpose, just you know, just disclosed it and

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Speaker 1: to the point of I was suicidal. Dang see, y'all

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Speaker 1: got to leave t Nitra alone. Y'all want to make

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Speaker 1: all those damn with schell Williams jokes all the time,

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Speaker 1: pushing her to the brink. Well, she said, while she

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Speaker 1: was in Destiny's Child, she actually told Matthew Knows about

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Speaker 1: her depression and he was like, y'all just signed a

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Speaker 1: multimillion dollar deal. You're about to go on tour. What

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Speaker 1: do you have to be depressed about? So she said

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Speaker 1: to herself, Okay, maybe I'm just tired. See that's why

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Speaker 1: to be a real leader, you have to have empathy,

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Speaker 1: because it doesn't matter how much money you got or

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Speaker 1: what position you're in, you never know what somebody's going here.

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Speaker 1: But she said a lot of people kind of was

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Speaker 1: the same, like when she was telling them what was

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Speaker 1: going on, you know, they just thought she should be

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Speaker 1: grateful for everything happening. And a lot of people weren't

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Speaker 1: aware about depression back then. What year was that when

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Speaker 1: she fell on one or six? I'm just trying to

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Speaker 1: see these two situations if that was it was any correlation. Yes, Now,

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Speaker 1: she said, the depression doesn't mean you're lazy, and self

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Speaker 1: harm doesn't mean you want attention. It's not any of that.

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Speaker 1: God bless Michelle. I like to need to drop on

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Speaker 1: a clue bombs with Tinite all right, Chelsea Handler said

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Speaker 1: she is ending her talk show on Netflix. Chelsea is

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Speaker 1: ending after two seasons. She said, like so many across

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Speaker 1: the country, the past presidential election and the countless events

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Speaker 1: that have unfolded since have galvanized me from the national

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Speaker 1: level down to the grassroots. It's clear our decisions at

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Speaker 1: the ballot box next year well mark a defining moment

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Speaker 1: for our nation. For those reasons, I've decided not to

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Speaker 1: return for another season of Chelsea and instead devote as

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Speaker 1: much time as I can to becoming a more knowledgeable

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Speaker 1: and engage citizen, and to focus on projects that have

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Speaker 1: significance to me or that show got canceled, she says,

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Speaker 1: going to continue. She is continuing her partnership with Netflix

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Speaker 1: because nobody wants to show. She's working with them on

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Speaker 1: a documentary, and she said they're very understanding and new

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Speaker 1: episodes of Chelsea will continue to stream weekly until the

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Speaker 1: end of the year. Netflix is not the place for

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Speaker 1: talk shows because I like Chelsea Handling. I used to

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Speaker 1: watch Chelsea Handler all the time on each canting watching talking.

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Speaker 1: No I think I tried to watch Chelsea on Netflix twice.

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Speaker 1: That's not I want scripted programming on Netflix movies. I'm

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Speaker 1: not watching talk shows on Netflix all right. Now. Bert

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Speaker 1: Man and Tony Braxton, they were rumors that they are married.

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Speaker 1: According to Tony Braxton's rep, she is not married, So

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Speaker 1: you know, just putting that out there, all right, I'm

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Speaker 1: angela yee and that is your rumor report. Okay, all

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Speaker 1: the aunties and uncles, Okay, excitement in this voice. Some grandma's,

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Speaker 1: some granddaddy's. Okay, go back. Thursday is next. We have

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Speaker 1: bad Boy Recording Artists one twelve gonna join us. Well,

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Speaker 1: I'm not sure. I guess you want to sign with

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Speaker 1: Puffy Side for life. You've sound for life? Now, what's

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Speaker 1: the member's name? Charlomagne, Mike, Slim, Duran and Que there

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Speaker 1: you go. When we come back, we go kick it

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Speaker 1: with one twelve And are you doing on one twelve

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Speaker 1: mini mixed though, of course I am. That's the old

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Speaker 1: uncle last fight you already know, all right, when we

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Speaker 1: come back one twelve, and of course we'll do it

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Speaker 1: one twelve MINTI makes let me know your favorite one

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Speaker 1: twelve joint. It's the Breakfast Club. Good morning, morning, everybody

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Speaker 1: is DJ Envy, Angela Yee, Charlomine the guy. We are

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Speaker 1: the Breakfast Club. We got some special guests in the

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Speaker 1: building and it probably your mama definitely. What hey, y'all

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Speaker 1: haven't released music together in twelve years? Yeah? Why? Why?

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Speaker 1: Why the problem? Thinking? Everybody say that, I think I

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Speaker 1: answered that long time ago. Now I know about it's

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Speaker 1: a problem. Man. We just we've been out for twenty

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Speaker 1: one years. And uh, you know, when you grow up,

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Speaker 1: you grow out a little bit, and we had to

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Speaker 1: give each other time to really explore the individualism. So

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Speaker 1: we did that and um, it just it just took

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Speaker 1: twelve years, man. So the fans, they spoke the good

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Speaker 1: thing about one twelves. We never stopped touring. Uh, even

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Speaker 1: though we hadn't put out any records commercially, we always

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Speaker 1: have had a great relationship with our fans. So we've

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Speaker 1: always been able to get together, go get go, get

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Speaker 1: a check or get some money. Um. And then the

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Speaker 1: fans spoken. We just came together and so you know what, guys,

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Speaker 1: just do it, lunch, embrace it. So we was going

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Speaker 1: for a minute. We took a little hiatus and we

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Speaker 1: got back together. We started touring and you know, we

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Speaker 1: just our relationship became better and better from just being

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Speaker 1: on the road and kicking it in, you know, warming

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Speaker 1: up our voices and singing acapella stuff like that, and

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Speaker 1: then just you know, hearing from the fans so much

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Speaker 1: and kind of just getting that musical itch again as

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Speaker 1: a group, you know, as we was on the road

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Speaker 1: just singing the classic songs and you know, you start

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Speaker 1: to get that itch and say, hey man, let's hit

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Speaker 1: the studio. Let's see what happened. Yeah, it was some

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Speaker 1: hesitation initially, you know what I mean, because like with

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Speaker 1: today's music, and you know, we didn't we didn't want

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Speaker 1: to have this it's it's antiquated, you know, frame of mind,

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Speaker 1: like you know, like we got to do it the

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Speaker 1: way we we did it back in the nineties and whatnot. Man,

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Speaker 1: So that was kind of in the back of our

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Speaker 1: minds as well, do we want to you know, do

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Speaker 1: what they're doing nowadays and stuff, but we want to say,

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Speaker 1: remained true to who we are. So that was kind

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Speaker 1: of Danger's game. Sounds good. It sounds like some classic

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Speaker 1: one twelve music, And I do feel like that nineties

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Speaker 1: sound is kind of like resurging today. Yeah, I think

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Speaker 1: the nineties sound never really went anywhere because people it's

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Speaker 1: just one of those sounds where people they missed it. Classic,

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Speaker 1: they missed people, the fans folk, even that meme that

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Speaker 1: you see going around. If it ain't like nineties love,

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Speaker 1: you know, I don't like you know, so people missed

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Speaker 1: the sound and it's not. It's not a dated situation,

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Speaker 1: so you can kind of come out and just be yourself.

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Speaker 1: Even with the new Tai Dollar song he sampled only you, Yeah,

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Speaker 1: you know, appreciate that, bro, appreciate that. Getting that money

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Speaker 1: that's all money. Don't do that. Why Why did did

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Speaker 1: he have to represent jerking back in the day. I mean,

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Speaker 1: as far as as far as our situation was, we

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Speaker 1: kind of had a situation where we would sign up

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Speaker 1: on a production or some of them j TLC situation,

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Speaker 1: but it really didn't have anything to do with an

422
00:21:08,840 --> 00:21:11,080
Speaker 1: I deal with Puffy. So I used to one all

423
00:21:11,119 --> 00:21:14,040
Speaker 1: the time, like because he's creating these big platforms for artists,

424
00:21:14,119 --> 00:21:17,200
Speaker 1: Like all our videos was like seven fifty up, you know,

425
00:21:17,560 --> 00:21:20,000
Speaker 1: and we always had, you know, commercial success, We always

426
00:21:20,040 --> 00:21:22,240
Speaker 1: had the market in promotion behind it. So I really

427
00:21:22,280 --> 00:21:24,840
Speaker 1: didn't understand it. It's a standard you know, we saw

428
00:21:24,960 --> 00:21:27,359
Speaker 1: the standard record contract, you know what I mean, like

429
00:21:27,640 --> 00:21:31,399
Speaker 1: that everybody signs, everybody gets got like everybody artists. But

430
00:21:33,160 --> 00:21:35,919
Speaker 1: you know what I mean. Another part about the puffy

431
00:21:35,960 --> 00:21:37,879
Speaker 1: thing is like you were running to other artists like

432
00:21:38,359 --> 00:21:40,399
Speaker 1: our fellow you know, artists that's in the game, and

433
00:21:40,440 --> 00:21:42,240
Speaker 1: they'll be like, oh, man, we wish we had a

434
00:21:42,280 --> 00:21:44,680
Speaker 1: bad boyl we wish h y'all had bad boy man.

435
00:21:44,760 --> 00:21:46,440
Speaker 1: You know. So I don't know, it's just kind of

436
00:21:46,480 --> 00:21:49,159
Speaker 1: like I never got that. When you think about it,

437
00:21:49,240 --> 00:21:51,240
Speaker 1: there's only one artist who complained about did he now,

438
00:21:51,280 --> 00:21:53,680
Speaker 1: did I really think about it? That was me. I

439
00:21:53,800 --> 00:21:58,400
Speaker 1: never heard anybody else really yeah, yeah, yeah, yeah yeah.

440
00:21:58,400 --> 00:22:00,680
Speaker 1: It ain't get it. It didn't get to chair throwing,

441
00:22:00,800 --> 00:22:04,359
Speaker 1: you know, with us, no, because you know, let's not

442
00:22:04,480 --> 00:22:06,600
Speaker 1: paint the picture like we didn't have. You know, you

443
00:22:06,680 --> 00:22:08,880
Speaker 1: know I problem with you know, puff and stuff. Mamber

444
00:22:08,880 --> 00:22:11,200
Speaker 1: we family, you know what I mean. Like I was

445
00:22:11,240 --> 00:22:12,880
Speaker 1: the one he always went back and forth with him.

446
00:22:12,880 --> 00:22:14,720
Speaker 1: You know that Q was his favorite, you know what saying.

447
00:22:15,960 --> 00:22:17,440
Speaker 1: I don't know, bro, like he was just he was

448
00:22:17,440 --> 00:22:19,840
Speaker 1: always just like Q was always his favorite who just

449
00:22:19,920 --> 00:22:29,960
Speaker 1: always and I used to always go back and forth

450
00:22:30,000 --> 00:22:32,240
Speaker 1: with it, like like I'm the small as, I'm the

451
00:22:32,240 --> 00:22:33,520
Speaker 1: shortest out of all him, but I was the one

452
00:22:33,560 --> 00:22:34,879
Speaker 1: that stood out in front of him, like I was

453
00:22:34,920 --> 00:22:37,080
Speaker 1: always the one that you know what that was like, Nah, Puff,

454
00:22:37,080 --> 00:22:38,359
Speaker 1: we ain't doing it like that. How does y'all get

455
00:22:38,359 --> 00:22:41,040
Speaker 1: discovered about back then? Did? He was doing a whole

456
00:22:41,080 --> 00:22:43,640
Speaker 1: lot of party and in Atlanta, you know at that time,

457
00:22:43,680 --> 00:22:45,520
Speaker 1: and you know it was around the whole dark camp

458
00:22:45,600 --> 00:22:48,280
Speaker 1: with Dallas Austin and you know, our manager at the time,

459
00:22:48,400 --> 00:22:51,399
Speaker 1: Like he was like the who's who you know in

460
00:22:51,480 --> 00:22:53,480
Speaker 1: the in the A and stuff man, So he knew Puff.

461
00:22:53,560 --> 00:22:55,520
Speaker 1: He was like, Yo, I got these these guys, man,

462
00:22:55,560 --> 00:22:58,159
Speaker 1: you gotta listen to him and and Puff just you

463
00:22:58,200 --> 00:23:00,760
Speaker 1: know he heard him, was like yeah, it's dope, But

464
00:23:01,200 --> 00:23:03,480
Speaker 1: why to keep practicing like that? Like like what you

465
00:23:03,560 --> 00:23:05,359
Speaker 1: know why they still? Yeah, he didn't get it. He

466
00:23:05,400 --> 00:23:06,560
Speaker 1: didn't get it, you know what I mean. He took

467
00:23:06,600 --> 00:23:09,800
Speaker 1: faith in Usher to basically stamp it, you know, for it,

468
00:23:09,920 --> 00:23:13,320
Speaker 1: like because we actually was in Doppler Studios right and

469
00:23:13,760 --> 00:23:15,520
Speaker 1: Facebook working with Usha at the time because at the

470
00:23:15,600 --> 00:23:19,080
Speaker 1: time he was doing Usher's EPN post I mean Usher's

471
00:23:19,119 --> 00:23:21,639
Speaker 1: first album. Yeah, Yeah, he was. He was doing that

472
00:23:21,760 --> 00:23:24,080
Speaker 1: one and Faith took took him to the side and

473
00:23:24,320 --> 00:23:27,600
Speaker 1: was like, Yo, if you don't sign him, he's gonna

474
00:23:27,600 --> 00:23:29,680
Speaker 1: regret it, you know. And that's really what the stamp.

475
00:23:29,800 --> 00:23:33,720
Speaker 1: So you know, Faith, Faith really stamp that for us. Now,

476
00:23:33,760 --> 00:23:36,359
Speaker 1: even without you guys haven't released an album in spelve

477
00:23:36,480 --> 00:23:39,440
Speaker 1: years and you've been onto our the bad Boy turn everything.

478
00:23:39,520 --> 00:23:41,840
Speaker 1: Did y'all stay in communication with like the other artists

479
00:23:41,840 --> 00:23:44,399
Speaker 1: signed bad Boy? Are you guys like genuine friends with

480
00:23:44,480 --> 00:23:47,080
Speaker 1: certain people? Yeah, it's it's really a family. Like people

481
00:23:47,160 --> 00:23:49,320
Speaker 1: always talk about the bad Boy family like it's just

482
00:23:49,440 --> 00:23:52,800
Speaker 1: something to say, but it's really true to true for him.

483
00:23:53,359 --> 00:23:55,840
Speaker 1: Even though we're all not signed the bad Boy anymore,

484
00:23:56,200 --> 00:23:59,159
Speaker 1: we still do shows together. So you know, this weekend

485
00:23:59,200 --> 00:24:01,400
Speaker 1: we may be on the show Faith. We maybe next week,

486
00:24:01,760 --> 00:24:06,800
Speaker 1: next weekend with Carlo. Yeah. Yeah, so I mean it's

487
00:24:06,840 --> 00:24:10,960
Speaker 1: it's it's always a real, real family thing. Yeah. Having

488
00:24:11,040 --> 00:24:13,160
Speaker 1: tax problems, Ye have a little tax problem for real.

489
00:24:14,560 --> 00:24:17,320
Speaker 1: How about your Like, did you guys learn about finances

490
00:24:17,400 --> 00:24:20,520
Speaker 1: when you were first coming out. Did anybody say, Okay,

491
00:24:20,760 --> 00:24:22,320
Speaker 1: you got to make sure you have this, you gotta

492
00:24:22,320 --> 00:24:29,480
Speaker 1: have an accountant. Yeah, we learned then your objective is

493
00:24:29,520 --> 00:24:32,400
Speaker 1: just to get signed and get the record deal. You're

494
00:24:32,400 --> 00:24:34,840
Speaker 1: not even work, you're not even thinking about money and

495
00:24:34,920 --> 00:24:36,879
Speaker 1: none of that kind of stuff. And the sad thing is,

496
00:24:37,320 --> 00:24:39,240
Speaker 1: you know, there is no manual on how to be

497
00:24:39,320 --> 00:24:41,840
Speaker 1: a recording artist. There's nothing that says, do this with

498
00:24:41,960 --> 00:24:44,280
Speaker 1: your money, do this with you're you're balancing your life,

499
00:24:44,400 --> 00:24:47,560
Speaker 1: none of that. So with us starting at seventeen years old,

500
00:24:48,040 --> 00:24:51,199
Speaker 1: coming from nowhere a dog bro, we got those chicks like, hey,

501
00:24:53,040 --> 00:24:55,679
Speaker 1: we're gonna show money. We were were about the other.

502
00:24:57,359 --> 00:24:58,920
Speaker 1: Was there every point when you guys are like, okay,

503
00:24:58,920 --> 00:25:00,840
Speaker 1: we get got and we got to figure something out,

504
00:25:00,960 --> 00:25:03,280
Speaker 1: kind of like it's happened with TLC with new addition,

505
00:25:03,760 --> 00:25:06,359
Speaker 1: was that the one twelve situation as well. At some

506
00:25:06,440 --> 00:25:09,720
Speaker 1: point the top of the charts all over the world,

507
00:25:10,000 --> 00:25:13,040
Speaker 1: you're trailing everybody know you, everybody recognized you that singing

508
00:25:13,080 --> 00:25:16,119
Speaker 1: your song word for word. But then you're living it,

509
00:25:16,240 --> 00:25:19,120
Speaker 1: spent your living. Arrangements haven't changed, You're still going back

510
00:25:19,119 --> 00:25:24,400
Speaker 1: to the hood, still in you, still in the first

511
00:25:24,440 --> 00:25:26,439
Speaker 1: place you are you were when you first got your

512
00:25:26,480 --> 00:25:28,920
Speaker 1: Rector deal. So that really opened your eyes, like, okay,

513
00:25:28,960 --> 00:25:30,800
Speaker 1: hold on we're the horse and we we're the ones

514
00:25:30,840 --> 00:25:33,720
Speaker 1: that's out here, you know, um not having time with

515
00:25:33,800 --> 00:25:36,040
Speaker 1: the families, you know, on the road three hundred and

516
00:25:36,160 --> 00:25:38,640
Speaker 1: forty five days out of three sixty five, so something

517
00:25:38,680 --> 00:25:40,480
Speaker 1: should be different. You in the hood in your video

518
00:25:40,560 --> 00:25:49,760
Speaker 1: on bat literally all right, we got more with one

519
00:25:49,840 --> 00:25:52,040
Speaker 1: twelve when we come back, keeping locked just to Breakfast Club.

520
00:25:52,080 --> 00:25:58,800
Speaker 1: Good morning, the Breakfast Club Morning. Everybody is dj n

521
00:25:58,880 --> 00:26:02,160
Speaker 1: v angela year, Charlomagne the guy. We are the Breakfast Club.

522
00:26:02,280 --> 00:26:05,240
Speaker 1: We have R and B Group one twelve in the building. Now,

523
00:26:05,560 --> 00:26:08,000
Speaker 1: was there ever R and B beef like you guys

524
00:26:08,119 --> 00:26:11,160
Speaker 1: in Jagged Age or with Drew Hill. Let me tell

525
00:26:11,200 --> 00:26:15,440
Speaker 1: you the Jagged was actually real and we started I

526
00:26:15,480 --> 00:26:20,560
Speaker 1: mean a real yeah, we still it was really. Don't

527
00:26:20,560 --> 00:26:22,040
Speaker 1: say that though, because a lot of these R and

528
00:26:22,119 --> 00:26:23,920
Speaker 1: B artists they may sing, but they'll whip your ass

529
00:26:25,440 --> 00:26:27,560
Speaker 1: like we'll look we still from you know, that's outside

530
00:26:27,560 --> 00:26:29,919
Speaker 1: of Atlanta, man, Like you know, just don't walk up

531
00:26:29,960 --> 00:26:31,600
Speaker 1: on the R and B dude, like you just don't

532
00:26:31,640 --> 00:26:32,639
Speaker 1: do that, you know what I mean? What was the

533
00:26:32,680 --> 00:26:34,879
Speaker 1: problem with jacked? Why y'all start that? Well, this is

534
00:26:34,920 --> 00:26:37,920
Speaker 1: what our plan was, Okay, Okay. Our our plan was

535
00:26:38,359 --> 00:26:41,200
Speaker 1: we knew that because Jacked was from Atlanta, one twelves

536
00:26:41,240 --> 00:26:44,080
Speaker 1: from Atlanta. That was a parallel, that was a juxtaposition

537
00:26:44,320 --> 00:26:47,000
Speaker 1: between the two groups. We wanted to go on tour

538
00:26:47,040 --> 00:26:49,320
Speaker 1: with these dudes, so we can just build this whole momentum,

539
00:26:49,359 --> 00:26:51,520
Speaker 1: so it's like an Olive versus Frasier kind of say.

540
00:26:51,680 --> 00:26:55,199
Speaker 1: The only problem is we didn't tell Jack. I mean,

541
00:26:55,240 --> 00:26:56,880
Speaker 1: it wouldn't have been authentic, if you know what I'm saying.

542
00:26:56,880 --> 00:26:58,240
Speaker 1: We came in the hey man, we're gonna start beef

543
00:26:58,240 --> 00:27:00,320
Speaker 1: with y'all. Bro. You know, it's like in our my way.

544
00:27:00,400 --> 00:27:04,480
Speaker 1: You know, it was you know what I'm saying, Like

545
00:27:04,520 --> 00:27:08,600
Speaker 1: we were reality TV before, So that was a whole plan.

546
00:27:08,720 --> 00:27:10,399
Speaker 1: But we're thinking that Jake, they're gonna go ahead and

547
00:27:10,440 --> 00:27:11,840
Speaker 1: play along with it, and you know what I mean,

548
00:27:12,080 --> 00:27:13,880
Speaker 1: And we were gonna, you know, had this Oli versus

549
00:27:13,920 --> 00:27:15,280
Speaker 1: praise the kind of thing, and then we're gonna make

550
00:27:15,320 --> 00:27:17,359
Speaker 1: money off of it. But you know, it kind of

551
00:27:17,400 --> 00:27:19,200
Speaker 1: got a little, you know, too personal, you know what

552
00:27:19,240 --> 00:27:21,399
Speaker 1: I'm saying. And I got drunk one night and started

553
00:27:22,000 --> 00:27:24,399
Speaker 1: basically what we're saying was, you know, we felt like

554
00:27:24,480 --> 00:27:25,959
Speaker 1: we were the better group. You know what I mean

555
00:27:26,080 --> 00:27:27,879
Speaker 1: that that's basically what it boiled down to. But I

556
00:27:27,960 --> 00:27:31,440
Speaker 1: will say this personally before he got a little past

557
00:27:31,480 --> 00:27:35,200
Speaker 1: that again the specific things said that was probably calling

558
00:27:35,280 --> 00:27:37,639
Speaker 1: him old because y'alla was the younger group at the time, right.

559
00:27:37,760 --> 00:27:39,560
Speaker 1: We just we just felt like, you know, we we were,

560
00:27:39,800 --> 00:27:41,320
Speaker 1: you know, the better singer. You know, we just that

561
00:27:41,520 --> 00:27:43,480
Speaker 1: really what it boiled down to. But I will tell

562
00:27:43,480 --> 00:27:45,560
Speaker 1: you this. We were in the Barbados. It was one

563
00:27:45,720 --> 00:27:48,720
Speaker 1: twelve in jacket and it's like after the whole they

564
00:27:48,800 --> 00:27:50,640
Speaker 1: were on BT said what they said, and we said

565
00:27:50,640 --> 00:27:52,520
Speaker 1: what we said in the whole nine and Kyle called

566
00:27:52,560 --> 00:27:55,360
Speaker 1: actually called my room. He said, yo, bro, come down

567
00:27:55,400 --> 00:27:57,000
Speaker 1: to the pool. I need the high ledge. I said,

568
00:27:57,000 --> 00:28:04,440
Speaker 1: I hate man, but major taking breathe up because you

569
00:28:04,480 --> 00:28:10,280
Speaker 1: know he didn't got nobody know I'm old man. I'm

570
00:28:10,320 --> 00:28:11,920
Speaker 1: going out. I'm going out. So I go down to

571
00:28:12,000 --> 00:28:15,439
Speaker 1: the pool. The real mafioso, like is Kyle his cousin?

572
00:28:15,640 --> 00:28:18,080
Speaker 1: He got like another dude. I said, okay, they buy

573
00:28:18,119 --> 00:28:26,240
Speaker 1: the pooling. These these can'ts I'm thinking to myself, like

574
00:28:26,440 --> 00:28:28,359
Speaker 1: these can't don't think I could swim? So that's okay.

575
00:28:29,680 --> 00:28:31,359
Speaker 1: So you know, check me to the pool and whatnot.

576
00:28:31,440 --> 00:28:33,080
Speaker 1: You know, I but I would overtune. You know, they

577
00:28:33,280 --> 00:28:41,880
Speaker 1: ordered me more hetos whatnot. He does, So I knew

578
00:28:41,920 --> 00:28:43,560
Speaker 1: once I got a whole heato, everything was all right,

579
00:28:43,960 --> 00:28:45,920
Speaker 1: you know, we can talk this out whatever. So Kyle

580
00:28:46,000 --> 00:28:47,959
Speaker 1: look at me and say, you know, y'all the one

581
00:28:48,000 --> 00:28:50,360
Speaker 1: that started it, right, I was like, yeah, but you right, man?

582
00:28:50,440 --> 00:28:52,960
Speaker 1: We did. Man, We sorry, Man, I apologize for that, bro.

583
00:28:53,040 --> 00:28:54,800
Speaker 1: And then after that, man, it was it was cool.

584
00:28:54,840 --> 00:29:00,960
Speaker 1: We open the game jack like you wanted. We wanted

585
00:29:00,960 --> 00:29:03,040
Speaker 1: to tour like we wanted like it was it's one

586
00:29:03,080 --> 00:29:04,680
Speaker 1: thing for R and B artists to go and tour,

587
00:29:04,880 --> 00:29:06,360
Speaker 1: you know, like what we do. As a matter of fact,

588
00:29:06,400 --> 00:29:08,960
Speaker 1: we just came from overseas with Drew Hill and Genuine

589
00:29:09,040 --> 00:29:10,600
Speaker 1: and we did this major tour that you know, it

590
00:29:10,680 --> 00:29:12,680
Speaker 1: was awesome over there. But that's the whole. That was

591
00:29:12,720 --> 00:29:14,840
Speaker 1: a whole gimmick we wanted to do because there was

592
00:29:14,920 --> 00:29:17,760
Speaker 1: such a distinction between a jacket edge fan and a

593
00:29:17,800 --> 00:29:20,280
Speaker 1: one twelve fan, Like it got into a point where

594
00:29:20,400 --> 00:29:21,840
Speaker 1: either you was a jacket edge fan or you was

595
00:29:21,840 --> 00:29:23,600
Speaker 1: a one twelve fan. So we were trying to combine

596
00:29:23,640 --> 00:29:25,440
Speaker 1: the two and just go on tour with that. The

597
00:29:25,520 --> 00:29:27,840
Speaker 1: problem with that was and in our youth and and

598
00:29:28,320 --> 00:29:31,200
Speaker 1: lack of experience, we didn't tell them that that was

599
00:29:31,280 --> 00:29:33,520
Speaker 1: the plan until like later on, and then when they

600
00:29:33,600 --> 00:29:35,240
Speaker 1: found that was like, oh, bro, why you ain't say

601
00:29:35,240 --> 00:29:38,239
Speaker 1: nothing like reality? You know? The other three looking at

602
00:29:38,240 --> 00:29:45,840
Speaker 1: you like, I still don't think that's as amount of

603
00:29:46,160 --> 00:29:48,000
Speaker 1: we still trying to make it work. Now we actually

604
00:29:48,040 --> 00:29:51,720
Speaker 1: on this album, we actually have a recommen still trying

605
00:29:51,760 --> 00:29:56,400
Speaker 1: to be for jacketed. I don't we want to. We

606
00:29:56,480 --> 00:29:58,520
Speaker 1: want to. We definitely wanted We definitely want to tour

607
00:29:58,560 --> 00:30:00,160
Speaker 1: with the guys though, man, because we do want I'm

608
00:30:00,200 --> 00:30:02,440
Speaker 1: saying the fan base wants that, man, Like that's that's

609
00:30:02,440 --> 00:30:04,160
Speaker 1: what they want. Man. So we was like, Yo, let's

610
00:30:04,240 --> 00:30:06,480
Speaker 1: let's do a record with these dude. They actually, uh,

611
00:30:07,240 --> 00:30:09,320
Speaker 1: they got with it and they actually spearheaded the whole record. Man.

612
00:30:09,400 --> 00:30:11,880
Speaker 1: So it's it's a it's a really great record on

613
00:30:11,960 --> 00:30:14,000
Speaker 1: this album that's coming out October twenty seven, fan, and

614
00:30:14,360 --> 00:30:16,440
Speaker 1: you know, we're we're excited about it. You know, did

615
00:30:16,480 --> 00:30:18,160
Speaker 1: you guys ever get into fit fice with each other?

616
00:30:18,400 --> 00:30:23,800
Speaker 1: I'm sure as brothers on tour? Yeah, we brothers no,

617
00:30:23,960 --> 00:30:26,840
Speaker 1: actually thirty years. We we we've been together since like

618
00:30:26,960 --> 00:30:34,280
Speaker 1: middle school. Who fought the most amongst each other? Probably? No,

619
00:30:34,680 --> 00:30:36,640
Speaker 1: it hain't been a lot. It ain't. It ain't been

620
00:30:36,640 --> 00:30:38,800
Speaker 1: a lot. We may say a few words, but then

621
00:30:39,160 --> 00:30:42,520
Speaker 1: what happens is once the we do shows all the time, right,

622
00:30:43,080 --> 00:30:45,680
Speaker 1: and the music is what it's the common denominator. So

623
00:30:45,840 --> 00:30:48,160
Speaker 1: no matter how upset you are, what each other, no

624
00:30:48,240 --> 00:30:50,160
Speaker 1: matter how mad you are, once the music gets going

625
00:30:50,200 --> 00:30:53,320
Speaker 1: and we're on stage, it's like everything just keeps go

626
00:30:53,400 --> 00:31:00,840
Speaker 1: to argue last, yeah, everything just go. What were some

627
00:31:00,880 --> 00:31:02,720
Speaker 1: of the disagreements you all had as a group back

628
00:31:02,760 --> 00:31:05,480
Speaker 1: then that y'all are kind of like over now? I

629
00:31:05,560 --> 00:31:07,080
Speaker 1: think I think I think a lot of it be

630
00:31:07,160 --> 00:31:11,239
Speaker 1: creative because we're all so creative. And if you if

631
00:31:11,480 --> 00:31:14,719
Speaker 1: you really just set with Duran. Duran has his idea

632
00:31:14,800 --> 00:31:17,160
Speaker 1: of how things should go. I have my my cast.

633
00:31:17,280 --> 00:31:20,560
Speaker 1: His slim has is the task is getting us all

634
00:31:20,640 --> 00:31:22,280
Speaker 1: on the same page so that we can all move

635
00:31:22,680 --> 00:31:25,000
Speaker 1: in the same direction. And I think the difference has

636
00:31:25,040 --> 00:31:28,600
Speaker 1: come because we're just so passionate about how we personally

637
00:31:28,720 --> 00:31:31,880
Speaker 1: feel things should go right. And it doesn't help being

638
00:31:31,960 --> 00:31:35,719
Speaker 1: Diddy's favorite either, I'm sure that doesn't go well. How

639
00:31:35,760 --> 00:31:38,880
Speaker 1: did you feel with Solo? It had? It had success?

640
00:31:38,920 --> 00:31:42,800
Speaker 1: Solo happy because because he staid on the tag. You

641
00:31:42,840 --> 00:31:46,720
Speaker 1: still see what I'm saying. This is deeper than music

642
00:31:46,760 --> 00:31:48,360
Speaker 1: with us, bro, it all goes back to one Twitter.

643
00:31:48,400 --> 00:31:50,640
Speaker 1: But I will tell your story about the slut of

644
00:31:51,800 --> 00:31:54,880
Speaker 1: were we were in Daddy's house right Slim did the

645
00:31:56,880 --> 00:31:59,160
Speaker 1: puff was walking by when he heard it. It was

646
00:31:59,240 --> 00:32:01,760
Speaker 1: like you, I like that. I said, Slam, that's gone.

647
00:32:02,400 --> 00:32:04,680
Speaker 1: That's gone, Bro. But that record he got the D

648
00:32:05,720 --> 00:32:10,560
Speaker 1: D D. So I mean I built on that. I

649
00:32:10,920 --> 00:32:14,600
Speaker 1: went from that to twelve by Slim the Run, So,

650
00:32:14,880 --> 00:32:16,960
Speaker 1: I mean it wasn't like I was just from the beginning.

651
00:32:17,120 --> 00:32:21,040
Speaker 1: Who you are you trying to be beyonest? No, I

652
00:32:21,160 --> 00:32:22,880
Speaker 1: did it all together. I mean they just picked up

653
00:32:22,920 --> 00:32:25,000
Speaker 1: on that was the first single they picked. Though we

654
00:32:25,120 --> 00:32:28,160
Speaker 1: understood that Slam's voice, like all of us saying league,

655
00:32:28,320 --> 00:32:30,040
Speaker 1: we all everybody know that, you know what I mean.

656
00:32:30,120 --> 00:32:32,840
Speaker 1: But we knew that Slam's voice was so distinctive and

657
00:32:33,000 --> 00:32:34,960
Speaker 1: immediately when you heard his voice, you knew it was

658
00:32:35,040 --> 00:32:36,720
Speaker 1: one twice and it cut through the traffic too, because

659
00:32:36,720 --> 00:32:39,320
Speaker 1: there's so many male groups out at the time we

660
00:32:39,400 --> 00:32:42,200
Speaker 1: needed something different. That's just gonna make you easily identify that.

661
00:32:42,440 --> 00:32:44,720
Speaker 1: Oh that's a one twelve record, right yeah, and let's

662
00:32:44,760 --> 00:32:48,000
Speaker 1: be real, nobody sounds like slam. Nobody sounds real. All right,

663
00:32:48,000 --> 00:32:49,520
Speaker 1: we got more with one twelve when we come back.

664
00:32:49,600 --> 00:32:51,760
Speaker 1: Matter of fact, let's get into a one twelve mini mix.

665
00:32:51,920 --> 00:32:54,200
Speaker 1: Let me know your favorite one twelve joint. It's the

666
00:32:54,240 --> 00:32:57,960
Speaker 1: breakfast Club. Good Morning. That was a one twelve mini mix. Morning.

667
00:32:58,040 --> 00:33:01,680
Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We

668
00:33:01,720 --> 00:33:04,840
Speaker 1: are the Breakfast Club. We have one twelve in the building. Now,

669
00:33:04,880 --> 00:33:09,160
Speaker 1: how it was working with Big Man Man, it's about

670
00:33:09,160 --> 00:33:12,200
Speaker 1: that collaboration. Well, I got another story for you, bro,

671
00:33:12,320 --> 00:33:14,520
Speaker 1: Like we we came into Daddy's house one night, and

672
00:33:14,760 --> 00:33:16,760
Speaker 1: you know, they knew twelve didn't smoke like we would

673
00:33:16,760 --> 00:33:18,480
Speaker 1: considered the gentleman of R and B or whatever, and

674
00:33:18,560 --> 00:33:20,640
Speaker 1: it went because you know we were Southern, you know,

675
00:33:20,720 --> 00:33:22,960
Speaker 1: we all selling, so we opened doors and they knew

676
00:33:23,000 --> 00:33:25,040
Speaker 1: that we didn't cuss. Really, we didn't drink, we didn't

677
00:33:25,040 --> 00:33:26,920
Speaker 1: do any drugs or anything like that or whatever. But

678
00:33:27,320 --> 00:33:29,960
Speaker 1: you know, we were just those quote unquote good guys whatever.

679
00:33:30,200 --> 00:33:32,240
Speaker 1: So they tried to keep all the quote unquote bad

680
00:33:32,280 --> 00:33:34,880
Speaker 1: stuff away from you know, twelve. And one day we

681
00:33:34,960 --> 00:33:37,400
Speaker 1: had a session and we went into like Yo, Biggs

682
00:33:37,400 --> 00:33:39,120
Speaker 1: and other moods. So let's go hollid and he's like yo,

683
00:33:39,440 --> 00:33:41,400
Speaker 1: but they in their blazing b you know what I mean.

684
00:33:41,480 --> 00:33:42,960
Speaker 1: So we were like, nah, we gonna We're gonna go

685
00:33:43,000 --> 00:33:46,000
Speaker 1: in there. Anyway, went in there, couldn't see anybody, you know,

686
00:33:49,120 --> 00:33:50,960
Speaker 1: you know, and Big is sitting there. This is a

687
00:33:51,000 --> 00:33:53,120
Speaker 1: great this is a testament to our greatness. Dude was too,

688
00:33:53,200 --> 00:33:55,680
Speaker 1: so he's not you know, he spoke to everybody whatever,

689
00:33:55,880 --> 00:33:58,080
Speaker 1: but he was just sitting there like season's over here.

690
00:33:58,720 --> 00:34:02,720
Speaker 1: Jigger was over on you know, on the side or whatever. Man. Yeah,

691
00:34:02,760 --> 00:34:06,120
Speaker 1: this is like ninety ninety four. Yeah. Yeah. So we

692
00:34:06,280 --> 00:34:08,880
Speaker 1: go in and he said, Yo, twelve, what up? And

693
00:34:08,960 --> 00:34:12,800
Speaker 1: then so it's not saying anything for hours. Four o'clock,

694
00:34:12,880 --> 00:34:15,600
Speaker 1: four m rolls around. Dude gets up like I'm ready.

695
00:34:16,360 --> 00:34:17,759
Speaker 1: They were like get ready for what? And he just

696
00:34:17,880 --> 00:34:19,799
Speaker 1: went in and did I got a story to tell?

697
00:34:20,120 --> 00:34:21,640
Speaker 1: And then because if you remember on in there he

698
00:34:21,680 --> 00:34:23,799
Speaker 1: got my one twelve CD black, it's because he saw

699
00:34:23,880 --> 00:34:25,520
Speaker 1: us in there. You know, we spoke to him, you

700
00:34:25,600 --> 00:34:26,640
Speaker 1: know what I mean. And we was in there just

701
00:34:26,719 --> 00:34:28,839
Speaker 1: kicking it with him whatever. So he's watching this whole

702
00:34:28,920 --> 00:34:30,759
Speaker 1: narrative go down in front of him, and you know,

703
00:34:30,840 --> 00:34:33,200
Speaker 1: everybody's just talking all these stories, but he's just taking this,

704
00:34:33,400 --> 00:34:36,680
Speaker 1: this whole experience in making it into a story, went

705
00:34:36,760 --> 00:34:38,960
Speaker 1: in and wrote it. And that's the kind of relationship

706
00:34:39,000 --> 00:34:40,560
Speaker 1: that he had with us. Metta Doude was our biggest

707
00:34:40,560 --> 00:34:43,640
Speaker 1: supporter on Bad Boy when I loved the most about Big,

708
00:34:44,320 --> 00:34:46,640
Speaker 1: you know, being like the little brothers on the label.

709
00:34:47,120 --> 00:34:49,560
Speaker 1: He always made shoot we had with whatever we needed.

710
00:34:49,640 --> 00:34:52,280
Speaker 1: Like you know, you hear the stories about the starving

711
00:34:52,400 --> 00:34:54,640
Speaker 1: artist when you know you're living off for your perdam

712
00:34:54,719 --> 00:34:56,640
Speaker 1: you don't really have a whole lot of money. We

713
00:34:56,680 --> 00:34:58,719
Speaker 1: would come into the studio and he would always be like, Yo,

714
00:34:58,760 --> 00:35:00,759
Speaker 1: did y'all eat today? You know, make sure he gave

715
00:35:00,840 --> 00:35:03,360
Speaker 1: us Brooklyn mint Getter with whatever y'all need. Man, Like

716
00:35:03,440 --> 00:35:05,040
Speaker 1: I remember sometimes man, he just break out a one

717
00:35:05,080 --> 00:35:06,880
Speaker 1: hundred dollars and just give every last one of us

718
00:35:07,239 --> 00:35:09,920
Speaker 1: making sure. And that would be sometimes where you know,

719
00:35:10,120 --> 00:35:11,880
Speaker 1: you hear the stories of Puff coming in the studio

720
00:35:12,520 --> 00:35:15,839
Speaker 1: having his going on his rants. Big will be like Yo, man,

721
00:35:15,960 --> 00:35:18,680
Speaker 1: legal balls alone Man, you signed them right because they dope,

722
00:35:18,760 --> 00:35:22,880
Speaker 1: so let him be dope. So number love Man just

723
00:35:23,120 --> 00:35:25,880
Speaker 1: even watching him when he was in the wheelchair in

724
00:35:26,040 --> 00:35:29,560
Speaker 1: Long Island and as the new guys on the label

725
00:35:30,040 --> 00:35:33,080
Speaker 1: watching him rock the show in a wheelchair, saying, no

726
00:35:33,239 --> 00:35:36,279
Speaker 1: matter what happens, the show still go on. That just said,

727
00:35:36,440 --> 00:35:39,239
Speaker 1: h that just was a great example for us to see,

728
00:35:39,520 --> 00:35:42,160
Speaker 1: not even starting our career yet that no matter what happens,

729
00:35:42,560 --> 00:35:44,120
Speaker 1: you know, give the fans where they come to see,

730
00:35:44,160 --> 00:35:46,560
Speaker 1: get to give the fans the experience that they paid for.

731
00:35:47,840 --> 00:35:48,920
Speaker 1: I was gonna say that because that's one of my

732
00:35:48,960 --> 00:35:51,439
Speaker 1: favorite Big records. How was Recording Network. Now we weren't.

733
00:35:51,480 --> 00:35:53,640
Speaker 1: We weren't in the studio with him at the time,

734
00:35:54,040 --> 00:35:56,279
Speaker 1: but he kind of like explained it before and then

735
00:35:56,880 --> 00:35:59,920
Speaker 1: Puff basically said, hey, yo, this is the record that

736
00:36:00,000 --> 00:36:01,839
Speaker 1: that Big really want y'all to be on right here,

737
00:36:01,920 --> 00:36:03,440
Speaker 1: you know what I'm saying, And this this is how

738
00:36:03,440 --> 00:36:06,719
Speaker 1: we're gonna come after Puff explaining like the mainstream fail

739
00:36:06,760 --> 00:36:09,399
Speaker 1: of this whole situation, It was like, yeah, this makes sense,

740
00:36:09,480 --> 00:36:12,200
Speaker 1: and it's just let you know just how much respect

741
00:36:12,320 --> 00:36:18,320
Speaker 1: one to U Big had for one twee. I was

742
00:36:18,400 --> 00:36:21,960
Speaker 1: just I was just watching the documentary that just came

743
00:36:22,000 --> 00:36:24,279
Speaker 1: out on I Feel the Network. When it went off,

744
00:36:24,640 --> 00:36:27,800
Speaker 1: I said to myself, like, Wow, the fact that one twelve,

745
00:36:28,320 --> 00:36:31,520
Speaker 1: four guys from the inner city of Atlanta so me

746
00:36:31,640 --> 00:36:33,560
Speaker 1: as a record is Grammys and all that kind of stuff,

747
00:36:34,040 --> 00:36:36,759
Speaker 1: But we are forever tied to arguably one of the

748
00:36:36,840 --> 00:36:39,319
Speaker 1: greatest rappers of all time. Absolutely, I got the fact

749
00:36:39,360 --> 00:36:45,080
Speaker 1: that he right, the fact that love you tonight. He

750
00:36:45,200 --> 00:36:47,759
Speaker 1: always shouted one twelve out my one twelve city blast room.

751
00:36:47,800 --> 00:36:50,480
Speaker 1: One twelve was shaken the fact that he introduced us

752
00:36:50,480 --> 00:36:53,880
Speaker 1: to the world and only you. Sky's a limit. You

753
00:36:53,960 --> 00:36:56,600
Speaker 1: can't mention a big story without playing Sky's a limit.

754
00:36:57,160 --> 00:36:59,480
Speaker 1: That always ties one twelve to that man, Like Bro.

755
00:36:59,600 --> 00:37:01,200
Speaker 1: The last thing he said that us man before he

756
00:37:01,239 --> 00:37:03,319
Speaker 1: before he died was we was on stage with y'all.

757
00:37:03,320 --> 00:37:05,800
Speaker 1: Remember that. We was on stage and uh yeah Awards.

758
00:37:05,840 --> 00:37:07,279
Speaker 1: So she turned around. He was like, Yo, let's get

759
00:37:07,280 --> 00:37:09,000
Speaker 1: the hell up out of here. You know what I mean,

760
00:37:09,080 --> 00:37:11,320
Speaker 1: because in that same night, man, you know, but he

761
00:37:11,440 --> 00:37:12,719
Speaker 1: knew it was like, Bro, we gotta get up out

762
00:37:12,719 --> 00:37:14,800
Speaker 1: of here, man, Like that weekend that was That was

763
00:37:14,840 --> 00:37:18,040
Speaker 1: the night he went down like went that last time.

764
00:37:18,040 --> 00:37:19,480
Speaker 1: He said, Yo, let's get the hell out of here,

765
00:37:19,520 --> 00:37:21,320
Speaker 1: because he was supposed to be in London, but he

766
00:37:21,400 --> 00:37:22,680
Speaker 1: was like, now I'm gonna stay here in rock Out

767
00:37:22,719 --> 00:37:24,920
Speaker 1: in Cali, right, And we were like, Bro felt tension

768
00:37:25,040 --> 00:37:28,080
Speaker 1: or something because they were doing so yeah, they was boring.

769
00:37:28,480 --> 00:37:30,000
Speaker 1: Like go back, if you go back and look at

770
00:37:30,080 --> 00:37:32,040
Speaker 1: the award shows like he had one twelve I think

771
00:37:32,080 --> 00:37:35,239
Speaker 1: it was Chris Webber, Briman Knight, Brian Knight, I'm sorry

772
00:37:35,280 --> 00:37:40,600
Speaker 1: Briman Knight and Big and Yeah. He turned around was like, yo,

773
00:37:40,640 --> 00:37:43,520
Speaker 1: we gotta get the hell up out of here. Brer Production. Yeah,

774
00:37:43,560 --> 00:37:45,479
Speaker 1: oh productive you know what I did? I did Okay,

775
00:37:45,600 --> 00:37:48,640
Speaker 1: Cupid anywhere, it's over now, dance with me. I should

776
00:37:48,680 --> 00:37:58,160
Speaker 1: have cheated. V R. Kelly. Yeah, always wasn't what you

777
00:37:58,280 --> 00:38:00,440
Speaker 1: guys started. Like the whole making the band started going.

778
00:38:00,520 --> 00:38:03,040
Speaker 1: Gidy was doing that and he signed like A twenty

779
00:38:03,080 --> 00:38:05,359
Speaker 1: six and Danny King because y'all got on the bad way,

780
00:38:05,400 --> 00:38:07,640
Speaker 1: the hardway, right, you know what I mean, Like y'all

781
00:38:07,680 --> 00:38:11,239
Speaker 1: think of that. Honestly, Bro, we would have if he

782
00:38:11,320 --> 00:38:13,239
Speaker 1: had told us get them to BRO, we would have

783
00:38:13,280 --> 00:38:16,800
Speaker 1: wouldn't got that chance. Absolutely, we would have because we

784
00:38:16,800 --> 00:38:19,799
Speaker 1: would have done you know what I'm saying, like, yeah,

785
00:38:19,840 --> 00:38:29,880
Speaker 1: because that was that was just you get the tickets.

786
00:38:30,000 --> 00:38:32,840
Speaker 1: You think I just had the easier or harder today easier?

787
00:38:33,160 --> 00:38:36,800
Speaker 1: Well yeah, yeah, yeah easy yeah, oh yeah, because you know,

788
00:38:36,840 --> 00:38:38,279
Speaker 1: you have to think about it. You had to go

789
00:38:38,360 --> 00:38:40,759
Speaker 1: to an actual studio, and in order to go to

790
00:38:40,920 --> 00:38:44,000
Speaker 1: that studio, which was a certain part of Atlanta, you

791
00:38:44,160 --> 00:38:47,359
Speaker 1: had to have thousands of dollars per hour. You can't

792
00:38:47,400 --> 00:38:49,239
Speaker 1: flip too many burgers to get it in the side

793
00:38:49,239 --> 00:38:50,840
Speaker 1: of that, you know what I'm saying. So it's like

794
00:38:51,440 --> 00:38:53,440
Speaker 1: you have apps and usually you can buy stuff at

795
00:38:53,480 --> 00:38:56,080
Speaker 1: best buying sound the same way you can record an

796
00:38:56,160 --> 00:38:58,200
Speaker 1: album on the road. Move you know what I'm saying.

797
00:38:58,200 --> 00:39:00,399
Speaker 1: In the bathroom, you know what I'm saying. So you say,

798
00:39:00,400 --> 00:39:02,040
Speaker 1: you know they got things where your voice will sound,

799
00:39:02,480 --> 00:39:04,160
Speaker 1: will the pitch will be right now, right before you

800
00:39:04,239 --> 00:39:05,880
Speaker 1: had to do it twenty times? No, yeah, that's what

801
00:39:06,000 --> 00:39:08,800
Speaker 1: we used to do. Still got our reels, man, you know,

802
00:39:09,120 --> 00:39:11,600
Speaker 1: like we tell kids nowadays, like we used to record

803
00:39:11,680 --> 00:39:14,360
Speaker 1: on on these reels, these giants, and they're like, what

804
00:39:14,680 --> 00:39:18,640
Speaker 1: you know, and you take a whole day. Yeah, yeah,

805
00:39:18,680 --> 00:39:20,239
Speaker 1: you know what I'm saying that's what we would. But

806
00:39:20,320 --> 00:39:22,400
Speaker 1: you know, the music industry is decidedly different now. Like

807
00:39:22,760 --> 00:39:25,080
Speaker 1: y'all used to go and gold and platinum, if that

808
00:39:25,200 --> 00:39:27,600
Speaker 1: doesn't happen this time around, y'all can y'all to be

809
00:39:27,640 --> 00:39:30,520
Speaker 1: content with that? Like success in our in our minds,

810
00:39:30,560 --> 00:39:32,680
Speaker 1: it's not consider based on on numbers, you know what

811
00:39:32,719 --> 00:39:36,320
Speaker 1: I mean. It's it's on the amount of respect that

812
00:39:36,400 --> 00:39:38,840
Speaker 1: we you know, we're guarding from our fan base and

813
00:39:38,880 --> 00:39:40,800
Speaker 1: then from those people that don't know who want to

814
00:39:40,800 --> 00:39:43,120
Speaker 1: whoever is and you know, just getting that, I think

815
00:39:43,160 --> 00:39:45,239
Speaker 1: that will be a success man. And uh with this

816
00:39:45,360 --> 00:39:47,040
Speaker 1: new album that we did, like one of one of

817
00:39:47,080 --> 00:39:49,040
Speaker 1: the main things that we wanted to focus on with

818
00:39:49,160 --> 00:39:51,200
Speaker 1: this album was to make sure that we took care

819
00:39:51,239 --> 00:39:52,920
Speaker 1: of our core. Make sure we took care of those

820
00:39:52,960 --> 00:39:54,800
Speaker 1: people that were still rocking out with us for the

821
00:39:54,840 --> 00:39:57,800
Speaker 1: twenty one years. So if they're if they're happy, what's success.

822
00:39:57,840 --> 00:39:59,640
Speaker 1: It's it's a system. I'm gonna keep it one thousand,

823
00:39:59,840 --> 00:40:03,120
Speaker 1: ar I mean, we're swinging for We're swinging for one hundred,

824
00:40:03,160 --> 00:40:04,800
Speaker 1: you know what I'm saying, Because at the end of

825
00:40:04,840 --> 00:40:07,520
Speaker 1: the day, you can't tell me that all of the

826
00:40:07,600 --> 00:40:09,280
Speaker 1: You know what I'm saying, the twenty five million records

827
00:40:09,320 --> 00:40:12,120
Speaker 1: we sold, all of our fans just died. You know

828
00:40:12,120 --> 00:40:13,800
Speaker 1: what I'm saying. At the end of the day. You

829
00:40:13,800 --> 00:40:15,960
Speaker 1: know what I'm saying, E's as good as the youthful. Man,

830
00:40:16,600 --> 00:40:24,600
Speaker 1: I'm saying that bad people are dying getting heart attacks early. Man,

831
00:40:24,880 --> 00:40:27,040
Speaker 1: if I had to die the day people have been

832
00:40:27,160 --> 00:40:29,440
Speaker 1: you know what I'm saying. Screaming for real R and B.

833
00:40:29,719 --> 00:40:31,719
Speaker 1: I mean, like everybody saying, oh man, we want the

834
00:40:31,840 --> 00:40:34,000
Speaker 1: music to feel like this, you know, and they've been complaining,

835
00:40:34,360 --> 00:40:37,800
Speaker 1: Well October twenty seven, this is your chance, yeah, because

836
00:40:37,960 --> 00:40:40,440
Speaker 1: you know, the one thing with one twelve is we

837
00:40:40,560 --> 00:40:43,239
Speaker 1: could have recorded We're trend setters, you know what I'm saying, Like,

838
00:40:43,360 --> 00:40:45,759
Speaker 1: we could have recorded a record any kind of way.

839
00:40:46,280 --> 00:40:48,800
Speaker 1: This music that's out right now, it's very easy. And

840
00:40:49,200 --> 00:40:51,799
Speaker 1: I showed off this off the solo project. It was easy,

841
00:40:52,000 --> 00:40:54,839
Speaker 1: you know what I'm saying. But on this album right here, man,

842
00:40:55,040 --> 00:40:59,000
Speaker 1: we made it a point to make the album as

843
00:40:59,200 --> 00:41:01,240
Speaker 1: R and B as well. We did it on purpose

844
00:41:01,680 --> 00:41:04,400
Speaker 1: so that you know, if you're hungry for real, R

845
00:41:04,440 --> 00:41:06,839
Speaker 1: and B are just like straight strong R and B music,

846
00:41:06,960 --> 00:41:08,720
Speaker 1: you know, you can hit play and you can relate

847
00:41:08,800 --> 00:41:11,360
Speaker 1: to the music. We're not taking certain things, you know

848
00:41:11,360 --> 00:41:14,319
Speaker 1: what I'm saying, putting materialistic over what you can really

849
00:41:14,400 --> 00:41:16,560
Speaker 1: relate to, which is love. Everybody in the world can

850
00:41:16,640 --> 00:41:19,400
Speaker 1: relate to love. So it's just funny that to be

851
00:41:19,719 --> 00:41:23,200
Speaker 1: who we are seems now fresh because the music has

852
00:41:23,280 --> 00:41:25,920
Speaker 1: changed so much. When you remind people what R and

853
00:41:26,000 --> 00:41:28,319
Speaker 1: B used to feel like, you now feel like you're

854
00:41:28,360 --> 00:41:31,000
Speaker 1: doing something new. So you know what, why not don't

855
00:41:31,040 --> 00:41:38,200
Speaker 1: fold in this new album? Alright? It's the Breakfast clogal Morning,

856
00:41:39,440 --> 00:41:53,279
Speaker 1: the Breakfast Club. This is the Ruble Report with Angela. Well.

857
00:41:53,440 --> 00:41:56,279
Speaker 1: Tyrese has a new album coming out. He said it's

858
00:41:56,320 --> 00:42:00,920
Speaker 1: inspired by jay z. My motto is identity That double album.

859
00:42:01,040 --> 00:42:05,320
Speaker 1: He said, it's Jay's spirit, Tupac's soul, and sonically Dre's ears.

860
00:42:05,840 --> 00:42:08,640
Speaker 1: I know your first instinct is to say GT fo h,

861
00:42:09,040 --> 00:42:10,920
Speaker 1: put me in the singer and actor box and throw

862
00:42:10,920 --> 00:42:15,000
Speaker 1: away the key. But you will see, folks, very very soon,

863
00:42:15,239 --> 00:42:18,440
Speaker 1: that this rap album is far from plate play. You

864
00:42:18,480 --> 00:42:21,319
Speaker 1: said the ball too high already, Okay, there's no way

865
00:42:21,360 --> 00:42:23,400
Speaker 1: you can live up to that expectation. Not that this

866
00:42:23,600 --> 00:42:26,480
Speaker 1: is impossible. He hashtag I did this for the culture

867
00:42:26,560 --> 00:42:29,640
Speaker 1: hashtag laugh now, d ride later. Why would you put

868
00:42:29,640 --> 00:42:32,120
Speaker 1: all that pressure on black Tie? We know black Tie

869
00:42:32,200 --> 00:42:33,960
Speaker 1: can't live up to that hype. Why would you do

870
00:42:34,080 --> 00:42:36,239
Speaker 1: that to yourself? Now? We tagged a lot of people

871
00:42:36,280 --> 00:42:38,320
Speaker 1: in this uh, just to let you know, Envy, you

872
00:42:38,360 --> 00:42:40,680
Speaker 1: were tacked, Charlemagne, you were tagged as well. This way

873
00:42:41,560 --> 00:42:47,280
Speaker 1: r Kelly Beyonce Snoop swizz Buster and he hashtagged Tata

874
00:42:47,600 --> 00:42:50,719
Speaker 1: swizz Beat, Steve South, Jay Brown, Chris Lighty, Mark Pitts,

875
00:42:51,120 --> 00:42:55,160
Speaker 1: I get the peppers free man. You can't all right? Well,

876
00:42:55,360 --> 00:42:57,279
Speaker 1: maybe you want to hear a little snippet. Then you

877
00:42:57,320 --> 00:43:02,160
Speaker 1: want to hear snippet. Let's do it, okay, wh Why

878
00:43:02,239 --> 00:43:04,719
Speaker 1: you dropped them? Why do you dropped that? Mom? Why

879
00:43:05,440 --> 00:43:09,160
Speaker 1: you want to for the curfew? How'd you metaphor talking

880
00:43:09,200 --> 00:43:11,719
Speaker 1: to you when the wheel got no point of view?

881
00:43:12,200 --> 00:43:17,960
Speaker 1: It's ninety seven only talking. They got something to say. Beyonce,

882
00:43:18,320 --> 00:43:24,840
Speaker 1: I got a wife? How Beyonce? I'm un lincolness and

883
00:43:26,040 --> 00:43:36,640
Speaker 1: we all right fart on that? Why Beyonce? Rumor has

884
00:43:36,640 --> 00:43:41,239
Speaker 1: it he's Beyonce? But why is he Beyonce? I guess

885
00:43:41,320 --> 00:43:45,120
Speaker 1: he's the lead singer tres Man. You did that to yourself,

886
00:43:45,200 --> 00:43:48,200
Speaker 1: and he made lemonade Lemons. You set the expectation too high.

887
00:43:48,200 --> 00:43:50,239
Speaker 1: You put the ball away too high. Just let the

888
00:43:50,360 --> 00:43:53,480
Speaker 1: music speak for itself. That's how guy. We're supposed to say,

889
00:43:53,600 --> 00:43:56,080
Speaker 1: we gotta listen to the whole project, all right, Well,

890
00:43:56,080 --> 00:43:57,799
Speaker 1: you let us know what happens in that group chat later.

891
00:43:57,840 --> 00:43:59,800
Speaker 1: I'm gonna listen to the whole project. But that little

892
00:44:00,160 --> 00:44:02,120
Speaker 1: bit right there, that ain't Drake, That ain't jay Z,

893
00:44:02,320 --> 00:44:05,040
Speaker 1: that ain't too Park? Who else? He said? Doctor Dread

894
00:44:05,040 --> 00:44:09,160
Speaker 1: ain't Biggie, That ain't doctor dre all right. Channing Tatum

895
00:44:09,280 --> 00:44:10,719
Speaker 1: has said he's no longer going to work with the

896
00:44:10,760 --> 00:44:14,640
Speaker 1: Weinstein Company because of obvious reasons. Now they were supposed

897
00:44:14,640 --> 00:44:18,560
Speaker 1: to direct producing direct a movie Forgive Me Leonard Peacock.

898
00:44:18,600 --> 00:44:21,200
Speaker 1: It's an adaptation of a young adult novel that centers

899
00:44:21,239 --> 00:44:23,919
Speaker 1: around an abused team planning to shoot his former best

900
00:44:23,960 --> 00:44:27,400
Speaker 1: friend before committing suicide. Now they release the statement the

901
00:44:27,480 --> 00:44:29,160
Speaker 1: brave women who had the courage to stand up and

902
00:44:29,200 --> 00:44:31,799
Speaker 1: speak their truth about Harvey Weinstein are true heroes to us.

903
00:44:32,080 --> 00:44:34,759
Speaker 1: They are lifting the heavy bricks to build the equitable world.

904
00:44:34,840 --> 00:44:37,000
Speaker 1: We all deserve to live in so they're not going

905
00:44:37,040 --> 00:44:38,919
Speaker 1: to do this story with them, but they do still

906
00:44:38,960 --> 00:44:41,120
Speaker 1: feel it's important. And one thing I want to point

907
00:44:41,160 --> 00:44:43,040
Speaker 1: out because a lot of people are still talking about

908
00:44:43,080 --> 00:44:45,880
Speaker 1: the victims. There's forty victims now and a lot of

909
00:44:45,920 --> 00:44:48,160
Speaker 1: people are talking about why didn't people come forward later?

910
00:44:48,239 --> 00:44:50,000
Speaker 1: But then there's stories the people who did tell their

911
00:44:50,040 --> 00:44:52,520
Speaker 1: stories and no one believed them. And now this has

912
00:44:52,560 --> 00:44:55,200
Speaker 1: flashed us back to Corey Feldman when he put out

913
00:44:55,280 --> 00:44:58,279
Speaker 1: his book Choreography, his memoir, and he discussed a lot

914
00:44:58,320 --> 00:45:00,120
Speaker 1: of things that were happening in Hollywood and he went

915
00:45:00,200 --> 00:45:02,200
Speaker 1: on the view and here's what happened with him in

916
00:45:02,239 --> 00:45:05,520
Speaker 1: Barbara Walters. I'm saying that there are people that were

917
00:45:05,680 --> 00:45:07,800
Speaker 1: the people that did this to both me and Corey

918
00:45:08,120 --> 00:45:10,480
Speaker 1: that are still working. They're still out there and there's

919
00:45:10,520 --> 00:45:12,760
Speaker 1: some of the richest, most powerful people in this business

920
00:45:12,960 --> 00:45:15,399
Speaker 1: and they did not want me saying what I'm saying

921
00:45:15,480 --> 00:45:20,319
Speaker 1: right now. Are you saying that they're pedophiles? Yes? Yes,

922
00:45:20,560 --> 00:45:23,440
Speaker 1: don't go into it thinking that it's all roses and sunglasses.

923
00:45:23,480 --> 00:45:26,640
Speaker 1: You're entire industry. I'm sorry, I'm not trying to say

924
00:45:26,880 --> 00:45:29,400
Speaker 1: I'm just trying to say that it's a very important,

925
00:45:29,480 --> 00:45:33,360
Speaker 1: serious topic. Is he still alive? Corey Felbman is, but

926
00:45:33,520 --> 00:45:35,960
Speaker 1: Corey Haim isn't. Well. Corey Felber needs the spill the beans.

927
00:45:35,960 --> 00:45:37,560
Speaker 1: He ain't got none to lose at this point. Well,

928
00:45:37,600 --> 00:45:39,600
Speaker 1: he's been spilling the beans. He put out his memoirs.

929
00:45:39,640 --> 00:45:42,480
Speaker 1: He talked about it. He called names, he didn't he

930
00:45:42,560 --> 00:45:47,600
Speaker 1: said for legal reasons, he can't really Yeah, the people,

931
00:45:47,680 --> 00:45:50,800
Speaker 1: but he also talked about and they talked about it.

932
00:45:50,880 --> 00:45:53,239
Speaker 1: They had a reality show together, the two Coreyes, Corey Haiman,

933
00:45:53,280 --> 00:45:55,840
Speaker 1: Coury felban on A and E and he said he

934
00:45:56,000 --> 00:45:57,600
Speaker 1: had He talked about Corey Ham. He said he had

935
00:45:57,640 --> 00:45:59,880
Speaker 1: more direct abuse than I did. He said, with me,

936
00:46:00,080 --> 00:46:02,439
Speaker 1: there were some molestations and it did come from several hands,

937
00:46:02,480 --> 00:46:05,120
Speaker 1: so to speak. But with Corey his was direct rape.

938
00:46:05,160 --> 00:46:07,440
Speaker 1: He said that Corey Ham was raped at age eleven

939
00:46:07,880 --> 00:46:09,920
Speaker 1: on the set of the film Lucas that he did

940
00:46:10,280 --> 00:46:12,799
Speaker 1: and that movie co started Charlie Sheen and Venona Writer.

941
00:46:12,880 --> 00:46:15,280
Speaker 1: He said, the man who had stolen his innocence walks

942
00:46:15,320 --> 00:46:17,560
Speaker 1: around now one of the most successful people in the

943
00:46:17,840 --> 00:46:21,000
Speaker 1: entertainment industry, still making money hand over fist. But he

944
00:46:21,040 --> 00:46:24,920
Speaker 1: said Unfortunately, California, conveniently enough has the Statute of Limitations

945
00:46:25,000 --> 00:46:27,640
Speaker 1: that prevents that from happening. Now Cory him has the

946
00:46:27,680 --> 00:46:29,799
Speaker 1: court of public opinion is always open, So I'm telling

947
00:46:29,840 --> 00:46:32,200
Speaker 1: if that was me. Corey Haim has since died, and

948
00:46:32,520 --> 00:46:35,680
Speaker 1: he died from it. He had pneumonia, and Molly Ringwald

949
00:46:35,760 --> 00:46:37,840
Speaker 1: even wrote in The New Yorker that at age thirteen,

950
00:46:37,920 --> 00:46:41,280
Speaker 1: a fifty year old crew member pushed her against pushed

951
00:46:41,320 --> 00:46:43,640
Speaker 1: against her with an erection, and at age fourteen, a

952
00:46:43,760 --> 00:46:47,319
Speaker 1: married film director stuck his tongue in my mouth on set.

953
00:46:47,480 --> 00:46:49,640
Speaker 1: Y'all know y'all can name names now right, All y'all

954
00:46:49,640 --> 00:46:53,120
Speaker 1: are older, y'all got y'all money, like, tell the truth,

955
00:46:53,160 --> 00:46:55,160
Speaker 1: so it doesn't matter. But even you hear him talking

956
00:46:55,239 --> 00:46:57,960
Speaker 1: to Barbara Walters and she still was like, oh my god,

957
00:46:58,040 --> 00:46:59,960
Speaker 1: what are you saying. I don't like It's people didn't

958
00:47:00,000 --> 00:47:02,080
Speaker 1: believe him. A lot of people didn't think Corey Feldman

959
00:47:02,160 --> 00:47:05,000
Speaker 1: was telling the truth. And he said on Nightline, I

960
00:47:05,080 --> 00:47:07,360
Speaker 1: can tell you the number one problem in Hollywood was,

961
00:47:07,480 --> 00:47:10,600
Speaker 1: and is and always will be pedophilia. That's the biggest

962
00:47:10,680 --> 00:47:13,600
Speaker 1: problem for children in this industry. It's the big secret

963
00:47:14,560 --> 00:47:17,680
Speaker 1: all right, I'm Angela Yee and that is your rumor report. Wow,

964
00:47:17,800 --> 00:47:20,600
Speaker 1: all right, thank you, miss ye Charle bang, Yes, who

965
00:47:20,600 --> 00:47:22,239
Speaker 1: are you giving your donkey too? I don't even know

966
00:47:22,360 --> 00:47:24,800
Speaker 1: after what I just heard. I don't continue on for

967
00:47:24,880 --> 00:47:27,120
Speaker 1: the day after what I just heard about. But uh,

968
00:47:27,600 --> 00:47:29,680
Speaker 1: Hazel E needs to come to the front of the congregation.

969
00:47:29,719 --> 00:47:31,680
Speaker 1: We like to have a world with her. Explain to

970
00:47:31,719 --> 00:47:33,600
Speaker 1: the people who Hazel is. I really don't know. I

971
00:47:33,640 --> 00:47:35,520
Speaker 1: think I met here. I met Hazel recently at the

972
00:47:36,640 --> 00:47:40,200
Speaker 1: at the at the VMAs. I think I met Hazel. Okay, yeah,

973
00:47:40,440 --> 00:47:42,799
Speaker 1: we'll get into that when we come back, right, Okay,

974
00:47:42,960 --> 00:47:45,359
Speaker 1: And she's a day Kat Williams. There you go, there

975
00:47:45,440 --> 00:47:47,319
Speaker 1: you go, all right, I know right, all right, okay,

976
00:47:47,360 --> 00:47:48,680
Speaker 1: all right, we'll get into that when we come back.

977
00:47:48,800 --> 00:47:53,399
Speaker 1: Keep a lot this to breakfast club, good morning sit down.

978
00:47:57,440 --> 00:48:15,359
Speaker 1: I was the donkey the death That's Devil breakfast club. Yeah,

979
00:48:15,520 --> 00:48:18,320
Speaker 1: donk here today for Thursday, October nineteenth, goes to Hazel

980
00:48:18,360 --> 00:48:20,239
Speaker 1: E of loving hip Hop? Which city she and you

981
00:48:20,400 --> 00:48:24,000
Speaker 1: you know, Hollywood? Okay, now you know I have disconnected

982
00:48:24,040 --> 00:48:26,040
Speaker 1: from that matrix called social media, so I get my

983
00:48:26,120 --> 00:48:28,320
Speaker 1: news the old fashioned way, word of mouth, which is

984
00:48:28,360 --> 00:48:30,640
Speaker 1: cool because then if I choose to, I can go

985
00:48:30,760 --> 00:48:33,640
Speaker 1: research things myself if I care enough. Now, I woke

986
00:48:33,719 --> 00:48:35,400
Speaker 1: up and I had a couple of text messages from

987
00:48:35,440 --> 00:48:37,520
Speaker 1: some friends telling me I had to give Hazel E

988
00:48:37,960 --> 00:48:40,279
Speaker 1: donkey of to day. I walked into this studio this morning,

989
00:48:40,400 --> 00:48:42,080
Speaker 1: and then the room people were telling me I have

990
00:48:42,200 --> 00:48:44,360
Speaker 1: to give Hazel eat donkey today. So I decided to

991
00:48:44,440 --> 00:48:47,000
Speaker 1: go see what what dust Hazel eat un kicked up?

992
00:48:47,080 --> 00:48:49,880
Speaker 1: And oh it's good. See Hazel E, I guess was

993
00:48:49,920 --> 00:48:51,640
Speaker 1: going back and forth with the woman I enjoy, and

994
00:48:51,680 --> 00:48:53,919
Speaker 1: that's just hilarious. Drop on the clue's bombs for Jess

995
00:48:53,960 --> 00:48:58,399
Speaker 1: Lottle Fine Jess Little Fine on the low, ass Jesse

996
00:48:58,440 --> 00:49:01,200
Speaker 1: Larry's fine on the low Angy or Justin. Hazel were

997
00:49:01,280 --> 00:49:03,880
Speaker 1: exchanging words. I have no idea what Jess said to Hazel.

998
00:49:03,920 --> 00:49:06,320
Speaker 1: What I know Hazel said to her. I'm not reading

999
00:49:06,400 --> 00:49:08,480
Speaker 1: everything right now because I just don't have time. But

1000
00:49:08,520 --> 00:49:10,799
Speaker 1: here's a shoe notable quotes that had people pissed off.

1001
00:49:11,640 --> 00:49:14,160
Speaker 1: Hazel E, who is light skin? Said to Jess hilarious,

1002
00:49:14,160 --> 00:49:16,280
Speaker 1: who is dark skin? I'm tired of all these monkey

1003
00:49:16,360 --> 00:49:20,719
Speaker 1: looking dark butts coming from my pretty ass. Didn't. Don't

1004
00:49:20,760 --> 00:49:23,400
Speaker 1: take your insecurities out on me. Now, now, those in

1005
00:49:23,480 --> 00:49:25,879
Speaker 1: the community who are rich in pigment didn't take kindly

1006
00:49:25,960 --> 00:49:27,920
Speaker 1: to her dark skin slander. But but but way, they

1007
00:49:27,960 --> 00:49:29,880
Speaker 1: gets worse and no one did. By the way, whether

1008
00:49:29,960 --> 00:49:34,720
Speaker 1: you are rich in pigment or not, she's discussing. Hazel

1009
00:49:34,760 --> 00:49:37,319
Speaker 1: E has a boyfriend named Rose Burgundy. Now, I guess

1010
00:49:37,440 --> 00:49:40,359
Speaker 1: rose Burgundy gets called gayl lot. A lot of people

1011
00:49:40,480 --> 00:49:43,160
Speaker 1: mistaken for Hazel's gay stylists are a gay relative from

1012
00:49:43,200 --> 00:49:45,480
Speaker 1: what I've heard. Okay, look, I don't you know. You

1013
00:49:45,640 --> 00:49:47,600
Speaker 1: weren't following all the time. You just had to go back,

1014
00:49:47,719 --> 00:49:49,440
Speaker 1: That's all I'm just you know, it's just the intel

1015
00:49:49,480 --> 00:49:52,320
Speaker 1: I've gathered in the past couple hours. But Rose Burgundy

1016
00:49:52,360 --> 00:49:55,840
Speaker 1: posted a pick of the LGBT flag on fire with

1017
00:49:56,080 --> 00:49:58,840
Speaker 1: the caption I'm twenty five, bitch, you really want to

1018
00:49:58,840 --> 00:50:00,680
Speaker 1: know how I feel about gays so bad? Well here

1019
00:50:00,719 --> 00:50:02,879
Speaker 1: you go. I hope all gays die and go to Hell.

1020
00:50:03,320 --> 00:50:05,799
Speaker 1: That's where I come from. Bitch, check your lives before

1021
00:50:05,880 --> 00:50:09,680
Speaker 1: you post. I'm from pyrou I'm twenty five, not nineteen.

1022
00:50:09,760 --> 00:50:12,680
Speaker 1: It's Denzel with two els. B Google me. Now my

1023
00:50:12,800 --> 00:50:14,640
Speaker 1: dumb ass had to ask who is Denzel with two

1024
00:50:14,680 --> 00:50:16,560
Speaker 1: ells and Angelie? And for me that's his real name,

1025
00:50:16,760 --> 00:50:20,560
Speaker 1: name's not really Rosberger. Well then Hazel e liked the

1026
00:50:20,680 --> 00:50:23,440
Speaker 1: post and left the comment burn in hell, just like

1027
00:50:23,600 --> 00:50:26,839
Speaker 1: God said in the Bible. Now I'm shocked Loving hip

1028
00:50:26,880 --> 00:50:29,279
Speaker 1: Hop has not released a statement already saying these people

1029
00:50:29,320 --> 00:50:33,120
Speaker 1: who have been okay, I'm actually looking at these IG

1030
00:50:33,280 --> 00:50:36,200
Speaker 1: posts saying to myself that they get hacked because this post.

1031
00:50:36,320 --> 00:50:39,279
Speaker 1: Ron Burgundy posted of a burning LGBT flag and saying

1032
00:50:39,280 --> 00:50:42,040
Speaker 1: he wants Gaze to die and Hazel e saying burn

1033
00:50:42,120 --> 00:50:44,040
Speaker 1: in hell like God said in the Bible. You two

1034
00:50:44,160 --> 00:50:46,319
Speaker 1: might as well grab some tiki torches and go march

1035
00:50:46,360 --> 00:50:51,360
Speaker 1: with them art right, crackers. Now I do have to

1036
00:50:51,440 --> 00:50:53,480
Speaker 1: read I do have to read a little bit of

1037
00:50:53,560 --> 00:50:56,000
Speaker 1: Hazel ease ig post because she said some things that

1038
00:50:56,080 --> 00:50:59,040
Speaker 1: are absolute contradictions to me. She said, I see, all

1039
00:50:59,120 --> 00:51:01,640
Speaker 1: you black ass bitch is that hate me, Stop bleaching

1040
00:51:01,719 --> 00:51:03,759
Speaker 1: your skin and fix the inside first, and maybe all

1041
00:51:03,840 --> 00:51:06,960
Speaker 1: you hose wouldn't be so mad. Go off you rub

1042
00:51:07,040 --> 00:51:09,040
Speaker 1: the skin, you and ladies, it takes a village to

1043
00:51:09,080 --> 00:51:11,080
Speaker 1: take me up. But what y'all fail to realize is

1044
00:51:11,080 --> 00:51:13,279
Speaker 1: I'm still on top and none of you bitches will

1045
00:51:13,320 --> 00:51:15,520
Speaker 1: ever compare to me or be on my level. Then

1046
00:51:15,600 --> 00:51:18,680
Speaker 1: she said, I got money in the streets. Anybody looking

1047
00:51:18,719 --> 00:51:20,480
Speaker 1: for a check hit me up. Bitches mad because they

1048
00:51:20,520 --> 00:51:24,839
Speaker 1: couldn't pass the brown paper bag tests. And she said, sorry, Mom,

1049
00:51:24,880 --> 00:51:26,719
Speaker 1: you kept me away from these type of girls all

1050
00:51:26,800 --> 00:51:28,839
Speaker 1: my life. You said they would hate me because I'm

1051
00:51:28,880 --> 00:51:32,040
Speaker 1: light skin. You were right. Now, Hazel E, since you're

1052
00:51:32,040 --> 00:51:34,000
Speaker 1: telling gay people what the Bible says, let me tell

1053
00:51:34,000 --> 00:51:36,239
Speaker 1: you what the Bible says about humility. Okay. It's a

1054
00:51:36,320 --> 00:51:38,800
Speaker 1: lot of scriptures on humility, but one of my favorite

1055
00:51:39,000 --> 00:51:42,160
Speaker 1: is the Book of Matthew twenty three twelve. Whoever exalts

1056
00:51:42,239 --> 00:51:46,040
Speaker 1: himself will be humbled, and whoever humbles himself will be exalted.

1057
00:51:46,239 --> 00:51:48,600
Speaker 1: If you don't understand that, then maybe you won't understand

1058
00:51:48,640 --> 00:51:50,640
Speaker 1: this scripture from the Book of Kendrick. Hold up a

1059
00:51:50,640 --> 00:51:53,640
Speaker 1: little bit, sit down, be humble. Okay. If you don't

1060
00:51:53,719 --> 00:51:56,400
Speaker 1: humble thyself, Hazel E, then God will do it for you.

1061
00:51:56,560 --> 00:51:58,719
Speaker 1: And if God doesn't do it, the Internet will. And

1062
00:51:58,920 --> 00:52:01,719
Speaker 1: boy did they now, Hazel I respect your glow up.

1063
00:52:02,040 --> 00:52:04,359
Speaker 1: All the cosmetic surgery is paid off, from the nose

1064
00:52:04,480 --> 00:52:06,279
Speaker 1: job to everything you have done to your body. You

1065
00:52:06,400 --> 00:52:09,640
Speaker 1: have refurbished that car, and I respect it. That's why

1066
00:52:09,640 --> 00:52:11,640
Speaker 1: I don't understand why you're telling people to love the

1067
00:52:11,719 --> 00:52:14,239
Speaker 1: skin there and when you have clearly gotten work done.

1068
00:52:14,520 --> 00:52:18,120
Speaker 1: Did you fix your interior first before you fix your exterior.

1069
00:52:18,239 --> 00:52:20,480
Speaker 1: I'm just asking for a friend. You say that this

1070
00:52:20,680 --> 00:52:22,960
Speaker 1: is mad because they couldn't pass the brown paper back test.

1071
00:52:23,000 --> 00:52:25,000
Speaker 1: Do you even know what that was? The brown paper

1072
00:52:25,040 --> 00:52:26,840
Speaker 1: back test was a type of racial discrimination in the

1073
00:52:26,960 --> 00:52:28,880
Speaker 1: United States. Okay, a brown paper bag was used as

1074
00:52:28,880 --> 00:52:31,200
Speaker 1: a way to determine whether or not an individual could

1075
00:52:31,200 --> 00:52:34,120
Speaker 1: have certain privileges. Only individuals with a skin color that

1076
00:52:34,280 --> 00:52:36,959
Speaker 1: is the same color or lighter than a brown paper bag,

1077
00:52:37,520 --> 00:52:39,799
Speaker 1: you know, would get those privileges. Hazel, That comment right

1078
00:52:39,840 --> 00:52:41,840
Speaker 1: there lets me know. You may love your skin tone,

1079
00:52:42,040 --> 00:52:44,680
Speaker 1: but you hate your blackness, which is sad, and we

1080
00:52:44,800 --> 00:52:46,520
Speaker 1: all know the worst hate it self hate. Then you

1081
00:52:46,640 --> 00:52:49,160
Speaker 1: confirmed it self hate by posting a pickup Uncle Rugis

1082
00:52:49,200 --> 00:52:52,160
Speaker 1: and said mood Now, I'm a Boondocks fan. I think

1083
00:52:52,160 --> 00:52:54,920
Speaker 1: Aaron mcgrewd is a genius. People like Uncle Rugas are

1084
00:52:55,000 --> 00:52:57,400
Speaker 1: funny on the Boondocks, but not in real life, but

1085
00:52:57,480 --> 00:52:59,800
Speaker 1: those who didn't watch The Boondocks, Uncle Ruggts was a

1086
00:53:00,160 --> 00:53:02,799
Speaker 1: man who hated other black people. Okay, he actually disassociated

1087
00:53:02,880 --> 00:53:05,200
Speaker 1: himself from black people as much as possible and was

1088
00:53:05,239 --> 00:53:08,560
Speaker 1: a strong supporter of the white supremacist power structure. Hazel E.

1089
00:53:08,840 --> 00:53:10,440
Speaker 1: I know you might have been trying to be funny,

1090
00:53:10,600 --> 00:53:12,560
Speaker 1: but there's always some truth in the joke. You're talking

1091
00:53:12,560 --> 00:53:15,040
Speaker 1: about people being insecure over that skin color, but you're

1092
00:53:15,080 --> 00:53:18,440
Speaker 1: really talking about yourself because you hate your blackness no

1093
00:53:18,600 --> 00:53:20,680
Speaker 1: matter what the tone is. Hazel, you said that your

1094
00:53:20,719 --> 00:53:22,879
Speaker 1: mom kept you away from dark skins all your life

1095
00:53:23,080 --> 00:53:26,440
Speaker 1: because they would hate on you because of your light skin. Crazy. Well,

1096
00:53:26,440 --> 00:53:28,960
Speaker 1: I'm pretty sure Mona Scott is gonna take that mother

1097
00:53:29,080 --> 00:53:31,000
Speaker 1: role and keep you away from all the darkskin girls

1098
00:53:31,040 --> 00:53:33,239
Speaker 1: on her cast by simply firing you. And if you

1099
00:53:33,280 --> 00:53:35,120
Speaker 1: and your boyfriend Rosberg and you think the juggle going

1100
00:53:35,200 --> 00:53:37,359
Speaker 1: to remain employed by loving hip hop after telling gay

1101
00:53:37,400 --> 00:53:39,520
Speaker 1: people you hope they die in burning hell, then you

1102
00:53:39,640 --> 00:53:41,919
Speaker 1: must also think you've had that new ass you bought

1103
00:53:41,960 --> 00:53:44,000
Speaker 1: a couple of years ago your whole life. Let me

1104
00:53:44,080 --> 00:53:46,080
Speaker 1: remind you that it was a time where the who

1105
00:53:46,160 --> 00:53:48,960
Speaker 1: has asked had a long back just to remind us,

1106
00:53:48,960 --> 00:53:52,000
Speaker 1: because I think you forgot. Okay. One of the great

1107
00:53:52,080 --> 00:53:54,320
Speaker 1: things about the internet is if you forget where you

1108
00:53:54,440 --> 00:53:57,800
Speaker 1: came from, they will remind you. Hazel, I think you

1109
00:53:57,880 --> 00:53:59,480
Speaker 1: need to go to bostup dot com and look at

1110
00:53:59,520 --> 00:54:02,439
Speaker 1: some of your pictures pre surgery. It was a time

1111
00:54:02,480 --> 00:54:05,800
Speaker 1: when you looked like Jim Varney aka Ernest P. Warwell.

1112
00:54:06,280 --> 00:54:09,120
Speaker 1: Now listen, listen, kids, listen to your uncle Charlott because

1113
00:54:09,160 --> 00:54:11,759
Speaker 1: this is before your time. But google Jim Varney and

1114
00:54:11,880 --> 00:54:14,400
Speaker 1: tell me if you don't see the uncanny resemblance between

1115
00:54:14,480 --> 00:54:17,680
Speaker 1: him and Hazel E. Jim Varney played a character called

1116
00:54:17,880 --> 00:54:20,880
Speaker 1: Ernest P. Walwell. Okay, he had several movies back in

1117
00:54:20,960 --> 00:54:24,320
Speaker 1: the day. Ernest goes to camp, Ernest goes to Africa,

1118
00:54:24,719 --> 00:54:28,120
Speaker 1: Ernest goes to jail, Ernest goes to school. Just to

1119
00:54:28,280 --> 00:54:31,360
Speaker 1: name a few. Okay, Hazel E. At one point in

1120
00:54:31,440 --> 00:54:33,960
Speaker 1: your life you looked like you could have started a

1121
00:54:34,040 --> 00:54:37,520
Speaker 1: movie called Ernest Goes to Doctor Miami. What did Ernest

1122
00:54:37,600 --> 00:54:40,160
Speaker 1: go to Doctor Miami for? To see what Doctor Miami

1123
00:54:40,239 --> 00:54:44,160
Speaker 1: could do for his twin sister, Hazel Ernestine, please give

1124
00:54:44,239 --> 00:54:47,320
Speaker 1: Hazel E from Logan hip hop. Uh what is it?

1125
00:54:49,080 --> 00:54:55,080
Speaker 1: The biggest he hall police, Jesus Christ? What's wrong with people?

1126
00:54:55,800 --> 00:54:58,000
Speaker 1: All right, Uncle Charlotte, don't want to have to talk

1127
00:54:58,000 --> 00:55:01,719
Speaker 1: to people like people hate you because college. Just Charlomagne,

1128
00:55:03,600 --> 00:55:06,440
Speaker 1: just sean, all right, yes you do. I just smiled

1129
00:55:06,480 --> 00:55:08,960
Speaker 1: when Nino Brown stabbed Christopher Williams in the hand in

1130
00:55:09,040 --> 00:55:12,200
Speaker 1: New Jack City. Had nothing to do with his skin tone. Yea,

1131
00:55:12,239 --> 00:55:14,880
Speaker 1: all right, I just enjoyed that moment. Oh my goodness.

1132
00:55:14,920 --> 00:55:17,200
Speaker 1: All right, well, thank you for that donkey. Today, now

1133
00:55:17,280 --> 00:55:20,239
Speaker 1: it's time for ask ye eight hundred five eight five

1134
00:55:20,320 --> 00:55:22,680
Speaker 1: one on five one. If you need relationship advice, you

1135
00:55:22,800 --> 00:55:25,640
Speaker 1: can call ye right now again the numbers eight hundred

1136
00:55:25,760 --> 00:55:28,040
Speaker 1: five eight five one on five one call her right now,

1137
00:55:28,160 --> 00:55:29,960
Speaker 1: shall help you out with all your relationship problems. It's

1138
00:55:29,960 --> 00:55:36,040
Speaker 1: the Breakfast Club, God Morning, the Breakfast Club Morning. Everybody

1139
00:55:36,200 --> 00:55:39,400
Speaker 1: is DJ Envy Angela, yee, Charlomagne, the guy. We are

1140
00:55:39,480 --> 00:55:41,439
Speaker 1: the Breakfast Club. I didn't you say that was bust

1141
00:55:41,480 --> 00:55:44,600
Speaker 1: the rhymes touch it because that sounds a little weird

1142
00:55:44,680 --> 00:55:47,120
Speaker 1: and crazy and awkward. All right, all right, you can

1143
00:55:47,160 --> 00:55:49,960
Speaker 1: say it if you want. I just did. Okay, all right, Well,

1144
00:55:50,000 --> 00:55:52,200
Speaker 1: let'sen you're in the middle of ask ye eight hundred

1145
00:55:52,280 --> 00:55:53,920
Speaker 1: five A five one on five one. If you need

1146
00:55:53,960 --> 00:55:56,279
Speaker 1: relationship advice, you can call you. Let's go to the

1147
00:55:56,320 --> 00:56:01,319
Speaker 1: phone lines. Hello, who's this? Hello? Hey? Hey? What's your

1148
00:56:01,360 --> 00:56:05,880
Speaker 1: course it for you? Hey? Hi? Everybody? Anyways, I've been

1149
00:56:05,960 --> 00:56:07,960
Speaker 1: talking to him and it seems that I keep finding

1150
00:56:08,000 --> 00:56:10,879
Speaker 1: these like sympathy guys. I call him because he's trying

1151
00:56:10,920 --> 00:56:13,160
Speaker 1: to get a job, he's trying to work like he

1152
00:56:13,239 --> 00:56:15,359
Speaker 1: saw like a little guy. But at the same time,

1153
00:56:15,400 --> 00:56:17,160
Speaker 1: I don't want to sound like a bit and be

1154
00:56:17,280 --> 00:56:19,200
Speaker 1: like you don't got some I don't want to talk

1155
00:56:19,200 --> 00:56:22,000
Speaker 1: to you like does that mean what you're saying is

1156
00:56:22,080 --> 00:56:24,160
Speaker 1: you just started dating somebody but they don't have their

1157
00:56:24,200 --> 00:56:26,279
Speaker 1: life together. He ain't got no job, and you don't

1158
00:56:26,280 --> 00:56:28,480
Speaker 1: have time for that to start your relationship like that.

1159
00:56:28,960 --> 00:56:31,320
Speaker 1: Why am I being mean? Or earth? Should I just

1160
00:56:31,480 --> 00:56:33,839
Speaker 1: be like, you know, okay, I'll tuck you to get

1161
00:56:33,880 --> 00:56:36,880
Speaker 1: it together or no? Because you can't force yourself to

1162
00:56:36,960 --> 00:56:38,480
Speaker 1: be in a situation you don't want to be in.

1163
00:56:38,760 --> 00:56:41,319
Speaker 1: And it is tough to start off dating somebody when

1164
00:56:41,320 --> 00:56:44,280
Speaker 1: they don't have their their is together. You know, because

1165
00:56:44,880 --> 00:56:47,440
Speaker 1: from my own personal experience, I remember dating a guy

1166
00:56:47,520 --> 00:56:50,279
Speaker 1: and he actually had a job and everything, but then

1167
00:56:50,320 --> 00:56:52,440
Speaker 1: he lost his job and he was all depressed and

1168
00:56:52,719 --> 00:56:54,480
Speaker 1: it was too early on in the relationship for me

1169
00:56:54,560 --> 00:56:55,840
Speaker 1: to have to deal with that. I felt like I

1170
00:56:55,880 --> 00:56:58,200
Speaker 1: didn't even really know enough about him for me to

1171
00:56:58,280 --> 00:57:00,880
Speaker 1: be like comforting you. Every time he talk to me.

1172
00:57:01,040 --> 00:57:03,480
Speaker 1: I'm at work so and I'm like, well, You're like, oh,

1173
00:57:03,600 --> 00:57:04,920
Speaker 1: I want to see you, And I'm like, well, if

1174
00:57:04,960 --> 00:57:06,279
Speaker 1: you're out of car and you could have pulled up,

1175
00:57:06,360 --> 00:57:09,000
Speaker 1: like no, yeah, you're just gonna have an attitude right now.

1176
00:57:09,080 --> 00:57:11,480
Speaker 1: It's one thing if you've been with somebody and then

1177
00:57:11,760 --> 00:57:13,799
Speaker 1: they fall on hard times. But y'all know each other

1178
00:57:13,920 --> 00:57:16,480
Speaker 1: really well, and he held you down, you held him down.

1179
00:57:16,960 --> 00:57:19,920
Speaker 1: That makes sense, But y'all don't even have that history

1180
00:57:20,280 --> 00:57:23,200
Speaker 1: well and really like, instead of him trying to run

1181
00:57:23,280 --> 00:57:24,919
Speaker 1: out here and date and see you while you're working,

1182
00:57:24,960 --> 00:57:26,760
Speaker 1: he should be out there trying to get his life together,

1183
00:57:26,880 --> 00:57:28,720
Speaker 1: knowing that he shouldn't even be able to step to

1184
00:57:28,800 --> 00:57:30,720
Speaker 1: you like that. I feel like you said, I have

1185
00:57:30,800 --> 00:57:32,760
Speaker 1: a fall. I feel like you shouldn't even want to

1186
00:57:32,840 --> 00:57:36,080
Speaker 1: kill I feel like he's passes used me. I'll freak

1187
00:57:36,400 --> 00:57:39,200
Speaker 1: no Curson I feel like he's past this because it's

1188
00:57:39,240 --> 00:57:41,800
Speaker 1: like you shouldn't gonna be available because we're trying to

1189
00:57:41,800 --> 00:57:44,240
Speaker 1: get a job. Yeah, he shouldn't get his life, and

1190
00:57:44,600 --> 00:57:46,960
Speaker 1: you know you should let him know. Just be like, listen,

1191
00:57:47,760 --> 00:57:49,880
Speaker 1: you're a cool person and everything, but I really do

1192
00:57:50,000 --> 00:57:52,280
Speaker 1: feel like you know, it's early for us and I

1193
00:57:52,440 --> 00:57:55,240
Speaker 1: want you to get your stuff together. So we're cooling everything,

1194
00:57:55,320 --> 00:57:57,840
Speaker 1: But listen, I don't We're hard to get to where

1195
00:57:57,880 --> 00:58:00,360
Speaker 1: I got to and I'm not trying to get back

1196
00:58:00,400 --> 00:58:03,960
Speaker 1: by somebody. Yeah I don't want that. Okay, you already

1197
00:58:04,040 --> 00:58:06,840
Speaker 1: knew you didn't want that, but just didn't want to

1198
00:58:06,840 --> 00:58:10,400
Speaker 1: talk so mean because it's like guys don't be reflecting

1199
00:58:10,480 --> 00:58:12,440
Speaker 1: the room. Miss. They'd be saying a dude, then when

1200
00:58:12,440 --> 00:58:15,200
Speaker 1: you say you will, you will be right, And no

1201
00:58:15,400 --> 00:58:16,960
Speaker 1: I'm not. I'm just trying to tell you what's your

1202
00:58:17,040 --> 00:58:18,880
Speaker 1: mama or somebody who cooked you need to tell you?

1203
00:58:19,000 --> 00:58:23,600
Speaker 1: Give a job. I have three jobs to be working. Yeah,

1204
00:58:24,000 --> 00:58:25,480
Speaker 1: there's a lot to be sad for a man with

1205
00:58:25,560 --> 00:58:27,640
Speaker 1: ambition and a man who's just trying to see you

1206
00:58:27,720 --> 00:58:30,880
Speaker 1: while you working. Yeah, I don't want that. So I

1207
00:58:30,960 --> 00:58:33,880
Speaker 1: just wanted to move sh I wasn't being like, now

1208
00:58:34,000 --> 00:58:42,000
Speaker 1: you get girl, mamma, all right, ask ye eight hundred

1209
00:58:42,080 --> 00:58:43,720
Speaker 1: five eight five one oh five one. If you got

1210
00:58:43,800 --> 00:58:45,400
Speaker 1: a question for you, you could call her now. It's

1211
00:58:45,400 --> 00:58:49,520
Speaker 1: the Breakfast Cloak Good Mornings the Morning. Everybody is DJ Envy, Angela, Yee,

1212
00:58:49,600 --> 00:58:51,840
Speaker 1: Charlomagne the guy. We are the breakfast club. We're in

1213
00:58:51,840 --> 00:58:54,520
Speaker 1: the middle of asking ye, Cooper, what's up? What's going

1214
00:58:54,600 --> 00:58:58,640
Speaker 1: on y'all? How are we doing? What's the problem? Oh boy?

1215
00:58:58,680 --> 00:59:01,080
Speaker 1: All right? So hold on sorry, I'm working out right now.

1216
00:59:01,200 --> 00:59:09,480
Speaker 1: So basically what you doing in there? Yeah? So basically

1217
00:59:09,680 --> 00:59:11,360
Speaker 1: I got a friend. I hope up with this girl,

1218
00:59:11,400 --> 00:59:15,520
Speaker 1: Eliza a long time ago, and she's in like Madrid,

1219
00:59:16,320 --> 00:59:18,360
Speaker 1: and now her friend is here. And she was like, Cooper,

1220
00:59:18,480 --> 00:59:19,960
Speaker 1: I think you would like my friend. You guys should

1221
00:59:19,960 --> 00:59:22,160
Speaker 1: be friends. That she's going a date live like charass

1222
00:59:22,280 --> 00:59:24,080
Speaker 1: through me or whatever, because she's gone. So I met

1223
00:59:24,120 --> 00:59:26,720
Speaker 1: up with a friend last week. We got drinks, these jokes.

1224
00:59:27,040 --> 00:59:29,040
Speaker 1: I realized it's like dam I with her friends way

1225
00:59:29,120 --> 00:59:31,760
Speaker 1: more than I do Eliza. The problem is Eliza is

1226
00:59:31,760 --> 00:59:35,280
Speaker 1: trying to like Bogard no cursing, no cursing, where you

1227
00:59:35,320 --> 00:59:38,040
Speaker 1: gotta stop cursing. Sorry, sorry, she's like bo guarding me

1228
00:59:38,280 --> 00:59:40,760
Speaker 1: from like far away. I don't like that. She's the

1229
00:59:40,800 --> 00:59:42,160
Speaker 1: one that sets you up to go out with her

1230
00:59:42,200 --> 00:59:45,080
Speaker 1: friends exactly, but she wants people quote unquote best friends

1231
00:59:45,120 --> 00:59:46,920
Speaker 1: with her and not like look up with her. And

1232
00:59:46,920 --> 00:59:49,880
Speaker 1: I'm like, she still not a thing. So anyway, I

1233
00:59:49,960 --> 00:59:51,880
Speaker 1: just need your advice on how do I like show

1234
00:59:51,920 --> 00:59:53,480
Speaker 1: Emma that I really do like it. I think all

1235
00:59:53,520 --> 00:59:55,120
Speaker 1: his into me. I really think she is. We had

1236
00:59:55,160 --> 00:59:56,360
Speaker 1: a good day and I'm not to kind of do

1237
00:59:56,480 --> 00:59:58,280
Speaker 1: the like fake thing that grows into me just because

1238
00:59:58,280 --> 00:59:59,480
Speaker 1: like you know what I mean, Like if I feel

1239
00:59:59,480 --> 01:00:02,120
Speaker 1: what I feel, it all right. Well, Cooper, I'm gonna

1240
01:00:02,120 --> 01:00:04,920
Speaker 1: say this Tred carefully because you know it is kind

1241
01:00:04,960 --> 01:00:08,240
Speaker 1: of a whole move what you're doing, and it is

1242
01:00:08,440 --> 01:00:11,120
Speaker 1: to you. The girl put me off like the lie

1243
01:00:11,160 --> 01:00:12,440
Speaker 1: is no one more origin some stuff. But she put

1244
01:00:12,480 --> 01:00:15,480
Speaker 1: me off with some mother's dude. So I'm like, yeah,

1245
01:00:15,480 --> 01:00:17,640
Speaker 1: but I understand what I'm saying is this. I'm just

1246
01:00:17,720 --> 01:00:19,560
Speaker 1: saying trek here. I'm not saying you can't do it,

1247
01:00:19,720 --> 01:00:22,640
Speaker 1: but what I'm saying is just do it respectfully, because

1248
01:00:23,080 --> 01:00:25,520
Speaker 1: her friend will respect that. Also, nobody wants to mess

1249
01:00:25,600 --> 01:00:27,440
Speaker 1: with a guy who just don't give an f about

1250
01:00:27,440 --> 01:00:30,000
Speaker 1: the girl. That girl is her friend, I know at

1251
01:00:30,040 --> 01:00:31,520
Speaker 1: the end of the day still and you feel like

1252
01:00:31,640 --> 01:00:34,800
Speaker 1: she likes you, but she probably has some trepidation about

1253
01:00:34,840 --> 01:00:37,280
Speaker 1: it also because she's saying to herself, well, this is

1254
01:00:37,360 --> 01:00:40,040
Speaker 1: kind of foul. It's a weird situation. So you cannot

1255
01:00:40,160 --> 01:00:42,040
Speaker 1: just jump into it like you don't care. You have

1256
01:00:42,120 --> 01:00:44,160
Speaker 1: to acknowledge the fact that I know that's your friend.

1257
01:00:44,440 --> 01:00:46,120
Speaker 1: I don't want to come in between your friendship in

1258
01:00:46,120 --> 01:00:49,880
Speaker 1: any way. Let me explain to you, Okay, Eliza, she's

1259
01:00:50,240 --> 01:00:52,320
Speaker 1: messing with another guy. I'm gonna be open and honest

1260
01:00:52,360 --> 01:00:55,200
Speaker 1: me her did deal with each other and whatever whatever,

1261
01:00:55,320 --> 01:00:57,680
Speaker 1: and just make sure she knows the whole situation. So

1262
01:00:57,880 --> 01:01:00,640
Speaker 1: she feels like she's making that decision. And she also

1263
01:01:00,760 --> 01:01:04,440
Speaker 1: feels like you're a nice guys, and it's like, I

1264
01:01:04,560 --> 01:01:06,040
Speaker 1: know we was trying to do. She's trying to like

1265
01:01:06,160 --> 01:01:08,400
Speaker 1: have like two guys. You're trying to like keep me around.

1266
01:01:08,560 --> 01:01:10,200
Speaker 1: But it's like I'm trying to see you like that.

1267
01:01:10,240 --> 01:01:11,960
Speaker 1: I want your friend, like, don't put it, keep me

1268
01:01:12,000 --> 01:01:13,920
Speaker 1: around because it's something to work out with me, right

1269
01:01:14,240 --> 01:01:16,280
Speaker 1: and listen, you just be straight up and you you

1270
01:01:16,440 --> 01:01:19,360
Speaker 1: just be like, listen. I didn't anticipate this, but I

1271
01:01:19,480 --> 01:01:21,800
Speaker 1: do really like you, and I know it's a weird,

1272
01:01:21,840 --> 01:01:24,680
Speaker 1: awkward situation, but you know, let's just try to figure

1273
01:01:24,720 --> 01:01:26,919
Speaker 1: it out. And I'm sorry, sorry, guys, to the person,

1274
01:01:27,080 --> 01:01:29,840
Speaker 1: I was just like really help like helping pup from

1275
01:01:29,880 --> 01:01:32,480
Speaker 1: the workout. I wasn't realizing I was. You're not going

1276
01:01:32,560 --> 01:01:37,080
Speaker 1: at a high level on the on the step now,

1277
01:01:37,160 --> 01:01:39,400
Speaker 1: you're not going on a high level talk like this.

1278
01:01:39,680 --> 01:01:42,680
Speaker 1: You should be out of buck. Okay, okay, stop slacking.

1279
01:01:43,000 --> 01:01:45,480
Speaker 1: Thank you, thank you for calling. Good morning. All right,

1280
01:01:45,680 --> 01:01:48,680
Speaker 1: ask ye eight hundred five eight five one oh five one.

1281
01:01:48,720 --> 01:01:50,160
Speaker 1: If you got a question for you, you could call

1282
01:01:50,200 --> 01:01:52,120
Speaker 1: it any time. Now. We got rumors on the way. Yes,

1283
01:01:52,240 --> 01:01:54,720
Speaker 1: let's talk about an artist who says that the whole

1284
01:01:54,800 --> 01:01:57,640
Speaker 1: time that she was promoting sobriety and a sober lifestyle,

1285
01:01:57,760 --> 01:02:00,280
Speaker 1: she was actually using drugs. But tell you who that is.

1286
01:02:00,520 --> 01:02:02,240
Speaker 1: All right, we'll get into all that when we come back.

1287
01:02:02,360 --> 01:02:03,920
Speaker 1: Keep a lot just to Breakfast Club. Come on it,

1288
01:02:04,600 --> 01:02:16,840
Speaker 1: it's about Angela Yee on the Breakfast Club. Well, Kevin

1289
01:02:16,880 --> 01:02:20,080
Speaker 1: Hurt has his irresponsible comedy tour and tickets are going

1290
01:02:20,160 --> 01:02:23,640
Speaker 1: on sale tomorrow. But one person is not happy about it,

1291
01:02:23,720 --> 01:02:26,200
Speaker 1: and that is Montea's a Bag. That's the woman who

1292
01:02:26,400 --> 01:02:28,880
Speaker 1: was caught on tape with him. Why she not happy

1293
01:02:28,880 --> 01:02:30,880
Speaker 1: about it, Well, she says that she's still going through

1294
01:02:31,000 --> 01:02:33,600
Speaker 1: social media hacks, death threats, slut shaming and all of that,

1295
01:02:33,680 --> 01:02:36,720
Speaker 1: and she finds it very distasteful that he's using this

1296
01:02:36,880 --> 01:02:38,439
Speaker 1: in his comment. You think she was the only person

1297
01:02:38,520 --> 01:02:39,920
Speaker 1: on that tape. You think she's the only person going

1298
01:02:39,960 --> 01:02:41,560
Speaker 1: through stuff. You think Kevin not going through it at

1299
01:02:41,560 --> 01:02:43,920
Speaker 1: the house, You think his wife not only that. According

1300
01:02:43,960 --> 01:02:46,960
Speaker 1: to her attorney, Lisa Bloom, she says, this stuff takes

1301
01:02:47,000 --> 01:02:49,080
Speaker 1: a toll mentally and physically, and now with this tour,

1302
01:02:49,440 --> 01:02:51,880
Speaker 1: it's like this whole thing was a Joe. No, that's

1303
01:02:51,920 --> 01:02:53,840
Speaker 1: his life. It's his life, and he's he's a lot

1304
01:02:53,880 --> 01:02:56,160
Speaker 1: of times happy. He's doing what he always does, taking

1305
01:02:56,240 --> 01:02:58,040
Speaker 1: content from his life and putting it into a stand

1306
01:02:58,120 --> 01:02:59,520
Speaker 1: up special. That's what happens when you have sex, to

1307
01:02:59,560 --> 01:03:02,080
Speaker 1: the comedian, right, So there's no way he can't address it. No,

1308
01:03:03,120 --> 01:03:05,440
Speaker 1: I expect him to do all right, Young Dolf his

1309
01:03:05,600 --> 01:03:09,200
Speaker 1: album is coming out tomorrow and it's his first project

1310
01:03:09,280 --> 01:03:12,400
Speaker 1: since he was shot in the hospital and subsequently got out.

1311
01:03:12,480 --> 01:03:16,640
Speaker 1: Now he's putting out these bulletproof line of merch so

1312
01:03:16,720 --> 01:03:18,120
Speaker 1: it's like a bulletproof vest, but it's not a real

1313
01:03:18,160 --> 01:03:19,960
Speaker 1: bulletproof vest. It just looks like one. You still need

1314
01:03:20,000 --> 01:03:21,920
Speaker 1: the plates and stuff like that. Got to get Young

1315
01:03:22,000 --> 01:03:24,640
Speaker 1: Dolf away from bullets, man. You stop attracting that kind

1316
01:03:24,640 --> 01:03:26,960
Speaker 1: of stuff into your life. He also shot his new

1317
01:03:27,080 --> 01:03:29,680
Speaker 1: video Believe Me, while he was in the hospital. So

1318
01:03:30,200 --> 01:03:32,600
Speaker 1: that video, yes, if you want to see it, is

1319
01:03:32,800 --> 01:03:35,240
Speaker 1: out now. Slut to my guy, Young Dolf, salute detect

1320
01:03:35,920 --> 01:03:39,000
Speaker 1: my people's But you gotta stop putting that out in

1321
01:03:39,040 --> 01:03:41,120
Speaker 1: the atmosphere. The bulletproof vest and the bullets and all.

1322
01:03:41,120 --> 01:03:43,120
Speaker 1: That wasn't the last album called Bulletproof or something like that,

1323
01:03:43,200 --> 01:03:47,040
Speaker 1: but yeah, that was after the whole thing happened and something. Yeah,

1324
01:03:47,120 --> 01:03:50,280
Speaker 1: hey man, your thoughts become things, all right. Demi Levado,

1325
01:03:50,480 --> 01:03:54,880
Speaker 1: she is talking about how she just wasn't completely sober

1326
01:03:55,360 --> 01:03:59,240
Speaker 1: while she was actually promoting sobriety. She said in her

1327
01:04:00,000 --> 01:04:02,680
Speaker 1: Demi Levado simply complicated. She said, I was sneaking cocaine

1328
01:04:02,760 --> 01:04:05,440
Speaker 1: on planes. I was sneaking it in bathroom, sneaking it

1329
01:04:05,480 --> 01:04:07,160
Speaker 1: throughout the night. I went on a bender of like

1330
01:04:07,280 --> 01:04:10,080
Speaker 1: two months where I was using daily. She said. There

1331
01:04:10,120 --> 01:04:11,720
Speaker 1: was one night when I used a bunch of coke

1332
01:04:11,760 --> 01:04:13,959
Speaker 1: and I popped the fu Xanax bars and I began

1333
01:04:14,040 --> 01:04:16,080
Speaker 1: to choke a little bit. My heart started racing, and

1334
01:04:16,160 --> 01:04:17,840
Speaker 1: I thought to myself, Oh my god, I might be

1335
01:04:17,960 --> 01:04:21,720
Speaker 1: overdosing right now. So according to her manager, Phil McIntyre,

1336
01:04:21,760 --> 01:04:23,360
Speaker 1: he said, we were in New York and she clearly

1337
01:04:23,440 --> 01:04:25,240
Speaker 1: was on something, and she was on air promoting this

1338
01:04:25,320 --> 01:04:27,120
Speaker 1: new way of life, and I was like, you're so

1339
01:04:27,400 --> 01:04:33,520
Speaker 1: full of it. So now. She also admitted that she

1340
01:04:33,720 --> 01:04:36,360
Speaker 1: was using even when she had a sober companion. Demi

1341
01:04:36,480 --> 01:04:39,480
Speaker 1: Levado said I went through about twenty different sober companions.

1342
01:04:39,520 --> 01:04:41,360
Speaker 1: She said she would still sneak out and get drugs.

1343
01:04:41,560 --> 01:04:43,600
Speaker 1: I would fake my drug tests with other people's p

1344
01:04:44,280 --> 01:04:47,120
Speaker 1: She said. The last night she ever abused any substances,

1345
01:04:47,240 --> 01:04:49,360
Speaker 1: she said it was liquor. She said the very last

1346
01:04:49,440 --> 01:04:51,720
Speaker 1: night that I drank, I was at a hotel and

1347
01:04:51,840 --> 01:04:55,000
Speaker 1: I invited two random people and basically just drank with them.

1348
01:04:55,240 --> 01:04:57,000
Speaker 1: She said, I got really, really drunk until it was

1349
01:04:57,040 --> 01:04:58,280
Speaker 1: time to get on a flight. And I was so

1350
01:04:58,440 --> 01:05:00,640
Speaker 1: drunk I threw up in the back the car service

1351
01:05:00,720 --> 01:05:02,640
Speaker 1: on the way to the airport to perform an American

1352
01:05:02,760 --> 01:05:05,480
Speaker 1: is Levado. Yes, she had the nerve to act like

1353
01:05:05,560 --> 01:05:07,760
Speaker 1: she didn't want to talk to me at the why

1354
01:05:07,840 --> 01:05:11,200
Speaker 1: is this about you? About you? She's talking about her

1355
01:05:11,280 --> 01:05:13,840
Speaker 1: road to sobriety? How did this come up that John

1356
01:05:13,920 --> 01:05:17,200
Speaker 1: didn't remember how boogie she acted? She doesn't mean she

1357
01:05:17,320 --> 01:05:19,920
Speaker 1: wasn't a you know, an alcoholic or a druggie. I

1358
01:05:19,960 --> 01:05:22,200
Speaker 1: don't want don't you disrespect me? And you a cokehead?

1359
01:05:24,000 --> 01:05:32,920
Speaker 1: Don't she's talking about her and about why is this

1360
01:05:33,000 --> 01:05:35,280
Speaker 1: about you? It's not what I'm just saying. Okay, all right,

1361
01:05:35,360 --> 01:05:38,480
Speaker 1: Yes she a cokehead? All right? After it sounds like

1362
01:05:38,560 --> 01:05:40,920
Speaker 1: to me, whether you're a former cocade or cocade now

1363
01:05:41,000 --> 01:05:44,480
Speaker 1: you was a cocaead at some point. Dammy Levardo has

1364
01:05:44,480 --> 01:05:47,440
Speaker 1: an addiction, all right? Well, Bobby Brown was a crackhead. No,

1365
01:05:47,680 --> 01:05:49,920
Speaker 1: you're not having that. He had an addiction as well,

1366
01:05:50,080 --> 01:05:52,600
Speaker 1: exactly as well as lamar odom. Yes, they had some

1367
01:05:52,680 --> 01:05:55,360
Speaker 1: struggles that they went through. It's a real sickness. There

1368
01:05:55,440 --> 01:05:57,720
Speaker 1: you go. It's a sickness. All right, I'm Angela Yee

1369
01:05:57,760 --> 01:06:00,560
Speaker 1: and that is your room of report. All right, thank you,

1370
01:06:00,680 --> 01:06:03,400
Speaker 1: miss Yee. All Right, when we come back to People's

1371
01:06:03,520 --> 01:06:05,920
Speaker 1: Choice mix and shout to revote, we'll see you guys tomorrow.

1372
01:06:05,960 --> 01:06:08,920
Speaker 1: Get your requested right now at DJ and let me

1373
01:06:09,000 --> 01:06:11,800
Speaker 1: know what you want to hear. But a dunkey in

1374
01:06:11,840 --> 01:06:13,320
Speaker 1: to day, that's what it was. Yeah, you gave her

1375
01:06:13,320 --> 01:06:14,840
Speaker 1: a dunkey. Oh yeah, that's why she didn't want to

1376
01:06:14,880 --> 01:06:17,120
Speaker 1: talk to you, because she said, I apologize for calling

1377
01:06:17,160 --> 01:06:20,120
Speaker 1: her coat. No, she's a cocadde at some point in

1378
01:06:20,160 --> 01:06:23,040
Speaker 1: her life. She had that drop coming out. I was

1379
01:06:23,080 --> 01:06:28,000
Speaker 1: a struggle. I feel for anybody that goes through. All right,

1380
01:06:28,040 --> 01:06:29,280
Speaker 1: it's the Breakfast Club. Good morning,